1 00:00:01,760 --> 00:00:05,200 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:10,799 Speaker 1: an iHeartRadio podcast. Welcome to and that's why you really 3 00:00:10,920 --> 00:00:22,400 Speaker 1: miss podcast Funk. She's steel on the baseline. Hi Kevin, 4 00:00:22,680 --> 00:00:24,720 Speaker 1: Hi Jenna. We're almost at the end of the first season. 5 00:00:24,960 --> 00:00:28,800 Speaker 1: That's crazy. If you've made it this far on our podcast, 6 00:00:28,880 --> 00:00:31,640 Speaker 1: pat yourselves on the back. Thank you for sticking with us. 7 00:00:32,280 --> 00:00:36,000 Speaker 1: We're proud of you, We're thankful for you, and I'm 8 00:00:36,000 --> 00:00:39,720 Speaker 1: happy we didn't do it without you. Somehow tricked Jenna 9 00:00:39,840 --> 00:00:42,199 Speaker 1: and to hanging out with me every week to do this, 10 00:00:42,880 --> 00:00:47,239 Speaker 1: So we tricked each other, really tricked. Yeah exactly, Yeah exactly. 11 00:00:48,120 --> 00:00:55,440 Speaker 1: Um so funk Okay, okay. This episode aired June one, 12 00:00:55,480 --> 00:01:01,120 Speaker 1: twenty ten, And when we when this episode came out, 13 00:01:01,160 --> 00:01:05,760 Speaker 1: we were still on our first tour, right. We were 14 00:01:05,800 --> 00:01:14,399 Speaker 1: in New York performing at Radio City. Very exciting, very exciting, legendary. 15 00:01:15,400 --> 00:01:17,960 Speaker 1: What else you had already performed at Radio City before, 16 00:01:18,000 --> 00:01:21,920 Speaker 1: hadn't you? I just imagine you had no. Thank you 17 00:01:22,000 --> 00:01:25,000 Speaker 1: for thinking that. No, I had not, So this was 18 00:01:25,040 --> 00:01:29,800 Speaker 1: like a really even like even extra big deal for you. Yeah. Yeah, 19 00:01:29,800 --> 00:01:32,479 Speaker 1: Like the Radio City is like the mecca of New York. 20 00:01:32,560 --> 00:01:35,360 Speaker 1: It's the Rockets. You think Christmas, you think you know, 21 00:01:35,440 --> 00:01:37,600 Speaker 1: like I didn't. I didn't see a ton at Radio 22 00:01:37,680 --> 00:01:42,240 Speaker 1: City except for like the Rockets. Yeah, I was really it. Yeah, 23 00:01:42,280 --> 00:01:45,520 Speaker 1: and it's just like an iconic venue. Everybody knows it. 24 00:01:45,800 --> 00:01:48,480 Speaker 1: Oh yeah, this was huge, This was a big deal. 25 00:01:49,160 --> 00:01:52,480 Speaker 1: I remember when we did it. We we got to 26 00:01:52,520 --> 00:01:56,000 Speaker 1: go up on that Marquis and take pictures. And I 27 00:01:56,040 --> 00:01:58,840 Speaker 1: remember my mom and my family came to this and 28 00:01:58,880 --> 00:02:00,800 Speaker 1: my mom and my sister were across street like watching 29 00:02:00,880 --> 00:02:03,520 Speaker 1: us in the whole block filled up with people. I 30 00:02:03,520 --> 00:02:06,000 Speaker 1: don't think I was up there. You did you not 31 00:02:06,040 --> 00:02:09,239 Speaker 1: make it up there? Not not not only heights? Oh oh yeah, 32 00:02:09,280 --> 00:02:12,200 Speaker 1: maybe you didn't. Yeah, some of us did. And I 33 00:02:12,240 --> 00:02:14,240 Speaker 1: just remember my mom and sister telling me that they 34 00:02:14,240 --> 00:02:16,720 Speaker 1: were concerned because kids were running into the street and 35 00:02:16,760 --> 00:02:19,520 Speaker 1: they're you know, New York taxi drivers don't care if 36 00:02:19,520 --> 00:02:22,080 Speaker 1: there's a human in the way, right, they're going to go. 37 00:02:23,200 --> 00:02:27,600 Speaker 1: But that was so so insane for a number of reasons. 38 00:02:27,760 --> 00:02:30,200 Speaker 1: I also, do you remember like Chris had his birthday 39 00:02:30,280 --> 00:02:32,520 Speaker 1: and we all went out, we went out to the 40 00:02:32,520 --> 00:02:36,120 Speaker 1: Greenhouse right without it was. That was so much fun, 41 00:02:36,360 --> 00:02:39,200 Speaker 1: wild times. That was crazy. That was really fun and 42 00:02:39,240 --> 00:02:42,520 Speaker 1: then um, while we were in New York, I remember 43 00:02:42,600 --> 00:02:45,400 Speaker 1: speaking of looking down at the street our dressing rooms, 44 00:02:45,440 --> 00:02:48,280 Speaker 1: you could see out into the entrance to where the 45 00:02:48,360 --> 00:02:52,520 Speaker 1: fans were, Yes, where the stage door is, if you will, 46 00:02:52,960 --> 00:02:56,040 Speaker 1: and um, we would wave at fans and like talk 47 00:02:56,080 --> 00:02:58,720 Speaker 1: to them and joke at them, and we were like 48 00:02:58,800 --> 00:03:03,920 Speaker 1: joking about flashing them. We didn't. And and we also 49 00:03:03,960 --> 00:03:06,240 Speaker 1: did elvis or Amzy Morning Zoo, which is where we 50 00:03:06,280 --> 00:03:09,200 Speaker 1: got that insane chalkboard that you help on too for 51 00:03:09,840 --> 00:03:14,560 Speaker 1: twenty years. Yep. And I just remember too. This also 52 00:03:14,639 --> 00:03:18,040 Speaker 1: felt like we I think we had some crew members there. 53 00:03:18,040 --> 00:03:19,639 Speaker 1: It was New York, so people were there. It's an 54 00:03:19,639 --> 00:03:22,800 Speaker 1: easier city to get to people. You know, it's a destination. 55 00:03:23,120 --> 00:03:27,400 Speaker 1: Jane and I came. Yeah, And I remember the stage 56 00:03:27,440 --> 00:03:30,280 Speaker 1: door area when we would leave, because I think we 57 00:03:30,280 --> 00:03:32,840 Speaker 1: did to Matinee at some point and we might have 58 00:03:33,400 --> 00:03:36,760 Speaker 1: been being shuttled to and from the hotel to venue 59 00:03:36,840 --> 00:03:42,720 Speaker 1: and kids were chasing our vans and it was mostly 60 00:03:42,760 --> 00:03:45,360 Speaker 1: just so unsafe for people to be doing that. But 61 00:03:45,480 --> 00:03:48,800 Speaker 1: it felt like I did feel like we were the 62 00:03:48,960 --> 00:03:52,120 Speaker 1: Beatles for a second. Didn't remember that when you like 63 00:03:52,200 --> 00:03:57,560 Speaker 1: the most stereotypical image of I don't know, like celebrity 64 00:03:57,760 --> 00:04:01,160 Speaker 1: or fame or ever what have you to me was 65 00:04:01,240 --> 00:04:05,560 Speaker 1: that of musicians getting chased by people in cars and things. 66 00:04:05,560 --> 00:04:08,880 Speaker 1: And it was very surreal because you know, we felt 67 00:04:08,920 --> 00:04:11,400 Speaker 1: like a glorified cover band. No, for sure, I think 68 00:04:11,400 --> 00:04:13,760 Speaker 1: we named it as that was happening. We were with 69 00:04:13,800 --> 00:04:17,320 Speaker 1: our amazing security, Clinton and Todden, maybe not Toddy at 70 00:04:17,360 --> 00:04:19,880 Speaker 1: that point, but Clinton and we were on the bus 71 00:04:19,880 --> 00:04:22,480 Speaker 1: and somebody said maybe you was like, this feels like 72 00:04:22,520 --> 00:04:24,480 Speaker 1: the Beatles, or like what the Beatles had, like a 73 00:04:24,880 --> 00:04:27,559 Speaker 1: this is like a taste of what they experienced. Girls 74 00:04:28,560 --> 00:04:30,440 Speaker 1: haanging on the bus while we were at like a 75 00:04:30,520 --> 00:04:32,960 Speaker 1: red light, and then the girl was running in flip 76 00:04:32,960 --> 00:04:35,599 Speaker 1: flops and we were like, somebody, please stop her before 77 00:04:35,600 --> 00:04:38,400 Speaker 1: she gets run over, Like it really was a safety issue. 78 00:04:38,440 --> 00:04:40,680 Speaker 1: But it was also very cool to be in New 79 00:04:40,760 --> 00:04:45,159 Speaker 1: York and performing had such an iconic theater and we 80 00:04:45,240 --> 00:04:48,760 Speaker 1: had that incredible impromptu little rap party because it's we 81 00:04:48,720 --> 00:04:50,719 Speaker 1: were ended there and that's where we ended up at 82 00:04:50,720 --> 00:04:53,800 Speaker 1: the little bar. And it went from us being at 83 00:04:53,800 --> 00:04:57,680 Speaker 1: tables like eating like normal people, and before we knew it, 84 00:04:57,720 --> 00:05:00,360 Speaker 1: all the tables were moved out of the way, dance for, 85 00:05:00,960 --> 00:05:05,280 Speaker 1: Dance for and do you remember um before that? That 86 00:05:05,720 --> 00:05:08,640 Speaker 1: was the time that Ian and all of them came 87 00:05:08,720 --> 00:05:11,640 Speaker 1: up on stage duringing like a prayer. It surprised us. 88 00:05:11,680 --> 00:05:14,200 Speaker 1: And then there was also that cake they made that 89 00:05:14,320 --> 00:05:17,200 Speaker 1: was the Radio City cake. It looked like the front 90 00:05:17,240 --> 00:05:19,760 Speaker 1: of the marquis of Radio City and I was like this, 91 00:05:19,920 --> 00:05:25,080 Speaker 1: I'll be I forgot about that. It's also when I 92 00:05:25,120 --> 00:05:28,000 Speaker 1: got Naya to do because the last show and so 93 00:05:28,040 --> 00:05:32,760 Speaker 1: everyone was acting a fool. Yes, but Ryan and all 94 00:05:32,800 --> 00:05:34,200 Speaker 1: the bosses were there, so we didn't want to do 95 00:05:34,240 --> 00:05:38,280 Speaker 1: too much. But I had convinced Naya and Chris Pooley 96 00:05:38,360 --> 00:05:42,800 Speaker 1: are m d two? Um add a little extra hit? 97 00:05:43,279 --> 00:05:47,039 Speaker 1: And what was it? What song was it? Was it 98 00:05:47,080 --> 00:05:49,159 Speaker 1: the Boys Boys Mind? Yes? I think it was the 99 00:05:49,160 --> 00:05:52,280 Speaker 1: Boy's Mine. It was like a Michael Jackson style hit. 100 00:05:52,320 --> 00:05:55,000 Speaker 1: And she like did the Michael Jackson pose? Oh that's right. 101 00:05:55,279 --> 00:05:58,280 Speaker 1: And I'm like, no one's gonna knows that tickock me? 102 00:05:58,680 --> 00:06:02,840 Speaker 1: No one's gonna know and no one did. I remember. 103 00:06:02,880 --> 00:06:04,720 Speaker 1: I brought it up to Ryan like did you notice? 104 00:06:04,720 --> 00:06:07,080 Speaker 1: He's like, no, I thought the song just skipped. We're 105 00:06:07,120 --> 00:06:10,359 Speaker 1: not playing it off of CD. It's not going to 106 00:06:15,160 --> 00:06:17,720 Speaker 1: hit a bump in the CD skips. That's not how 107 00:06:17,760 --> 00:06:21,880 Speaker 1: this works. Um, all right, should we should we get 108 00:06:21,880 --> 00:06:26,880 Speaker 1: into this episode? So this is an interesting episode because you, 109 00:06:27,279 --> 00:06:30,479 Speaker 1: I think we have similar feelings about this episode, but 110 00:06:30,839 --> 00:06:35,480 Speaker 1: differing feelings about this episode. I didn't hate it as 111 00:06:35,560 --> 00:06:41,280 Speaker 1: much as I thought I would. Interesting, I hated it more. 112 00:06:44,279 --> 00:06:48,040 Speaker 1: Here's the thing. I didn't hate it. Yeah. I think 113 00:06:48,080 --> 00:06:50,839 Speaker 1: it's the first time because coming into the season, because 114 00:06:50,839 --> 00:06:53,200 Speaker 1: we're towards the end, there were episodes that you and 115 00:06:53,240 --> 00:06:57,880 Speaker 1: I clearly remember disliking and every time I've been surprised 116 00:06:57,880 --> 00:07:01,320 Speaker 1: so far where I really enjoyed all those episodes. This 117 00:07:01,400 --> 00:07:07,360 Speaker 1: was the first episode that I felt like it was filler, 118 00:07:08,240 --> 00:07:10,280 Speaker 1: you know, where I was like, Okay, we're at the end, 119 00:07:10,480 --> 00:07:13,560 Speaker 1: what are we going to do? And you go it's 120 00:07:14,000 --> 00:07:16,400 Speaker 1: I think almost every single time there's a song, it 121 00:07:16,440 --> 00:07:21,080 Speaker 1: feels really weird and forced. Also, the whole thing was funk. 122 00:07:21,960 --> 00:07:27,440 Speaker 1: I think Amber's face in the first choir room scene 123 00:07:27,560 --> 00:07:30,680 Speaker 1: really sums up my entire feeling about this episode. Interesting 124 00:07:30,680 --> 00:07:33,960 Speaker 1: because I think she's the viewer, you know, she's acting 125 00:07:34,040 --> 00:07:37,160 Speaker 1: as the viewer in this of being like, is this 126 00:07:37,280 --> 00:07:40,800 Speaker 1: how we need to be taught Funk Amber. There is 127 00:07:40,840 --> 00:07:46,440 Speaker 1: also the like the scale of how cringey this episode is. Yes, 128 00:07:47,680 --> 00:07:53,480 Speaker 1: her face is. She really was doing heavy lifting in 129 00:07:53,520 --> 00:07:59,800 Speaker 1: the Eye region, and I think this would have been crazy, 130 00:08:00,040 --> 00:08:06,680 Speaker 1: but well, I just totally unacceptable. Yeah, okay, So before 131 00:08:06,680 --> 00:08:09,200 Speaker 1: we get into it, the for number one song was 132 00:08:09,280 --> 00:08:13,240 Speaker 1: still MG featuring will I Am by a Shirt, and 133 00:08:13,480 --> 00:08:16,640 Speaker 1: the movie was still Shruck Forever after which I still 134 00:08:16,680 --> 00:08:22,280 Speaker 1: haven't seen. And we've still got our special vocal adrenaline 135 00:08:22,400 --> 00:08:26,640 Speaker 1: frozen friends Adina and John A Finn, and we are 136 00:08:26,680 --> 00:08:30,560 Speaker 1: missing miss Jama Mays in this episode. And this is 137 00:08:30,640 --> 00:08:36,280 Speaker 1: the filler episode, the penultimate episode before our regional's moment. 138 00:08:36,880 --> 00:08:39,880 Speaker 1: And again I do think this was flipped an airing order. 139 00:08:40,280 --> 00:08:42,640 Speaker 1: I think we shot it, we did Funk, then we 140 00:08:42,679 --> 00:08:45,480 Speaker 1: did theatricality and then journey to regionals. But I think 141 00:08:45,520 --> 00:08:47,720 Speaker 1: for some reason you are correct. I think it's because 142 00:08:47,800 --> 00:08:50,480 Speaker 1: Ryan thought this episode was not great they swapped it, 143 00:08:50,520 --> 00:08:54,200 Speaker 1: and I don't know why you are correct, but yeah, 144 00:08:54,240 --> 00:08:59,360 Speaker 1: so Ladie Keane is back directing this. Ian Brennan wrote it, well, 145 00:08:59,400 --> 00:09:02,599 Speaker 1: you know all of them. Elie did so many episodes. 146 00:09:02,840 --> 00:09:04,680 Speaker 1: She did she did a lot of episodes in the 147 00:09:04,720 --> 00:09:07,920 Speaker 1: first first season. I also thought about maybe they swapped 148 00:09:07,920 --> 00:09:11,440 Speaker 1: it because maybe American Idol was like their finale was 149 00:09:11,600 --> 00:09:14,040 Speaker 1: around the time of theatricality or something like that. I 150 00:09:14,040 --> 00:09:17,240 Speaker 1: don't know. I think you may be exactly correct. I 151 00:09:17,320 --> 00:09:20,480 Speaker 1: think that there was some reason why. Yeah, and that 152 00:09:20,559 --> 00:09:32,200 Speaker 1: makes sense. There were a lot of songs in this episode. 153 00:09:32,400 --> 00:09:35,640 Speaker 1: Tell Me we have another one, Bites the Dust Um 154 00:09:36,320 --> 00:09:39,439 Speaker 1: by Queen that Jesse, Saint James and Vocal journalin Do 155 00:09:39,800 --> 00:09:42,920 Speaker 1: tell Me Something Good by Rufus and Chaka Khan, That 156 00:09:44,120 --> 00:09:51,080 Speaker 1: Little Schuster Does Um Loser by Beck, That Puck and 157 00:09:51,160 --> 00:09:56,240 Speaker 1: Finn and Hart Bamboo and Saint Maryson Harry Schuster, It's 158 00:09:56,280 --> 00:10:00,600 Speaker 1: a Little Acafella's Momentum. It's a Man's War World by 159 00:10:00,679 --> 00:10:04,680 Speaker 1: James Brown, performed by Quinn and the Unmed Mothership Connection, 160 00:10:07,240 --> 00:10:10,720 Speaker 1: Good Vibrations by Marky Marking, The Funky Bunch performed by Finn, Hudson, 161 00:10:11,360 --> 00:10:14,600 Speaker 1: Mercedes and Noah Puckerman and give Up the Funk by 162 00:10:14,600 --> 00:10:19,920 Speaker 1: Parliament sunk by the new directions. I would also like 163 00:10:19,960 --> 00:10:21,640 Speaker 1: to point out something else about the music, and I 164 00:10:21,679 --> 00:10:26,400 Speaker 1: don't know if you noticed this. The vocals and the 165 00:10:26,559 --> 00:10:32,200 Speaker 1: episode were mixed so strangely, you know, I did notice 166 00:10:32,240 --> 00:10:35,760 Speaker 1: that it hasn't happened. So there's some episodes where depending 167 00:10:35,800 --> 00:10:38,679 Speaker 1: on the scene, they'll mix the lead vocal a little higher, 168 00:10:38,720 --> 00:10:42,040 Speaker 1: and it's always worked. There's some reason why they're doing it. 169 00:10:42,400 --> 00:10:46,720 Speaker 1: This episode, it makes no sense. Another one bites the dust. 170 00:10:47,080 --> 00:10:51,440 Speaker 1: It sounds like Groff's vocal is seventy percent of what 171 00:10:51,520 --> 00:10:54,400 Speaker 1: you're hearing. Yes, everything else is buried underneath it. And 172 00:10:54,400 --> 00:10:57,800 Speaker 1: then when it gets to give up the funk, you 173 00:10:57,840 --> 00:11:01,439 Speaker 1: can't even hear Amber's ablebs at the end, and she's wailing, 174 00:11:02,280 --> 00:11:05,240 Speaker 1: and they're like, and she's featured on screen singing, but 175 00:11:05,280 --> 00:11:08,320 Speaker 1: it's her vocal is buried underneath everything, and all you 176 00:11:08,360 --> 00:11:12,880 Speaker 1: hear is done mother. How Well, there's a lot going 177 00:11:12,960 --> 00:11:16,760 Speaker 1: on during this time, and I feel like this was 178 00:11:16,800 --> 00:11:19,640 Speaker 1: around the time at the recording studio when we would 179 00:11:19,640 --> 00:11:22,120 Speaker 1: go in, we would hear from Adam or Alex. Was 180 00:11:22,160 --> 00:11:25,400 Speaker 1: Alex around at this point yet his brother, Adam's brother. 181 00:11:26,080 --> 00:11:29,000 Speaker 1: He becomes like our main guy for a while and yeah, 182 00:11:29,880 --> 00:11:33,720 Speaker 1: we hear this has to be sent to Sweden, yeah, 183 00:11:33,800 --> 00:11:37,600 Speaker 1: overnight and then mix and come back. And I don't 184 00:11:37,640 --> 00:11:40,040 Speaker 1: know that there was always the case that it always 185 00:11:40,080 --> 00:11:43,200 Speaker 1: got mixed there it was, it was okay, So it 186 00:11:43,200 --> 00:11:44,959 Speaker 1: has nothing to do with it, no, because it was 187 00:11:44,960 --> 00:11:47,360 Speaker 1: a twenty four hour thing. Their whole system was that 188 00:11:47,440 --> 00:11:49,920 Speaker 1: we record in la while they make the tracks in Sweden, 189 00:11:50,000 --> 00:11:52,000 Speaker 1: and then they mix the tracks in Sweden. So it's 190 00:11:52,040 --> 00:11:54,160 Speaker 1: a full twenty four hour loop where we don't lose 191 00:11:54,600 --> 00:11:57,720 Speaker 1: any time, got it? It was the I think it 192 00:11:57,760 --> 00:12:02,200 Speaker 1: was in post production that they mess with the vocals 193 00:12:02,960 --> 00:12:05,720 Speaker 1: and the actual episode because those are different than the recordings. 194 00:12:05,760 --> 00:12:10,000 Speaker 1: It's the same actual vocal, but the mix is different. 195 00:12:10,160 --> 00:12:13,880 Speaker 1: Interesting for the interesting interesting. I don't know why. There's 196 00:12:13,920 --> 00:12:18,240 Speaker 1: a good interesting point, all right. The episode summary. What 197 00:12:18,600 --> 00:12:23,920 Speaker 1: happens in this episode, you know, not a lot. So 198 00:12:25,000 --> 00:12:29,079 Speaker 1: the Glee Club gets bamboozled slapped across the face by 199 00:12:29,240 --> 00:12:33,959 Speaker 1: Jesse St. James, which sends them into a tailspin. And 200 00:12:34,000 --> 00:12:40,680 Speaker 1: then that's also sort of how um you know, Shoe 201 00:12:40,760 --> 00:12:44,720 Speaker 1: comes up with his plan for the week, last minute plan, 202 00:12:45,040 --> 00:12:50,600 Speaker 1: last minute plan, which then helps Mercedes and Quinn connect 203 00:12:51,520 --> 00:12:55,679 Speaker 1: over some serious issues. It's like this serious thing going 204 00:12:55,720 --> 00:12:58,400 Speaker 1: on while everybody else in Glee Club has lost their minds. 205 00:12:59,320 --> 00:13:05,440 Speaker 1: And then Will and Sue have a very interesting Little 206 00:13:05,960 --> 00:13:11,120 Speaker 1: Tango if you yeah, yeah, yeah, a fun revenge storyline. Right, 207 00:13:11,200 --> 00:13:14,679 Speaker 1: do you want to talk about Jesse Saint James's storyline first? Sure? 208 00:13:15,160 --> 00:13:19,880 Speaker 1: All right, So Jesse's named James transferred back to Carmel 209 00:13:20,320 --> 00:13:23,360 Speaker 1: and he goes to Vocal Adrenaline. Goodbye, easy to just 210 00:13:23,480 --> 00:13:29,200 Speaker 1: swap schools like this? No, okay, no, didn't think so. 211 00:13:30,880 --> 00:13:33,040 Speaker 1: But you know what, maybe his transcripts were all there 212 00:13:33,120 --> 00:13:34,720 Speaker 1: and he was just a click of a button. Who 213 00:13:34,760 --> 00:13:38,120 Speaker 1: knows he's pretty? He is pretty. So he goes back 214 00:13:38,120 --> 00:13:45,240 Speaker 1: to Vocal Adrenaline and and they end up performing for us. 215 00:13:45,360 --> 00:13:48,959 Speaker 1: I don't randomly out of nowhere, just come back and 216 00:13:49,840 --> 00:13:55,240 Speaker 1: perform another one Bites the Dust, which is an incredible 217 00:13:55,280 --> 00:14:00,600 Speaker 1: vocal from I mean, they looked great. Yeah, but they're 218 00:14:00,640 --> 00:14:04,040 Speaker 1: doing it as as a strategy that they always do 219 00:14:04,200 --> 00:14:09,160 Speaker 1: to freak out their competition at regionals. So this is 220 00:14:09,160 --> 00:14:12,120 Speaker 1: one of those episodes two where the episode title is 221 00:14:12,280 --> 00:14:16,400 Speaker 1: mentioned about eighty times. So their plan is to psych 222 00:14:16,520 --> 00:14:19,640 Speaker 1: us out, to send us into a funk funk if 223 00:14:19,680 --> 00:14:26,480 Speaker 1: you will, if you will? Oh, and and then we 224 00:14:26,600 --> 00:14:29,960 Speaker 1: go into so Rachel's very upset and we go into 225 00:14:30,360 --> 00:14:34,120 Speaker 1: the choir room and Kurts like, I mean, it's going 226 00:14:34,200 --> 00:14:36,240 Speaker 1: to take a lot more than that to like send 227 00:14:36,320 --> 00:14:41,440 Speaker 1: us into a funk. And we find our entire choir 228 00:14:41,520 --> 00:14:44,080 Speaker 1: room has been toilet paper, which is really fun to 229 00:14:44,200 --> 00:14:49,040 Speaker 1: shoot in. You remember props. Can you imagine how long 230 00:14:49,080 --> 00:14:52,360 Speaker 1: that took a lot of paper? You can't like reshoot 231 00:14:52,400 --> 00:14:55,520 Speaker 1: that like once we start taking it down, but we didn't. No, 232 00:14:55,640 --> 00:14:58,000 Speaker 1: I can see. It's very intentional about you see what 233 00:14:58,160 --> 00:15:00,760 Speaker 1: we're perfectly splayed out one of us and we just 234 00:15:00,800 --> 00:15:02,480 Speaker 1: stop as soon as we enter so we don't touch 235 00:15:02,520 --> 00:15:05,120 Speaker 1: it and mess it up some to reset it like 236 00:15:05,280 --> 00:15:08,320 Speaker 1: gout dot to the doilet paper. Yeah, and of course 237 00:15:08,360 --> 00:15:10,040 Speaker 1: if you tell us not to touch things, we're going 238 00:15:10,080 --> 00:15:17,400 Speaker 1: to touch them. Yeah. So so in retaliation, Puck and 239 00:15:17,560 --> 00:15:20,880 Speaker 1: Finn decide that there because mister Shoe's like, well, let's 240 00:15:20,880 --> 00:15:23,320 Speaker 1: get them back, right, Let's let's kind of like hit him, 241 00:15:23,320 --> 00:15:25,520 Speaker 1: wear it hurts and do this bag and Punk and 242 00:15:25,560 --> 00:15:27,760 Speaker 1: Finner like we got it, don't worry about it. Sho's 243 00:15:27,800 --> 00:15:30,560 Speaker 1: got bad ideas. They're lame. And it was this funny 244 00:15:30,600 --> 00:15:33,720 Speaker 1: voice over with Puck being like, obviously we knew it 245 00:15:33,720 --> 00:15:37,120 Speaker 1: was gonna come down to us. Also, like mister Shoe 246 00:15:37,160 --> 00:15:40,040 Speaker 1: being like get them back. You're like, WHOA hold up 247 00:15:40,040 --> 00:15:43,920 Speaker 1: a second, mister Shoe crosses the line so many times 248 00:15:43,960 --> 00:15:48,440 Speaker 1: this episode. Yes, agreed, Okay, let's just put that out there. Yeah, 249 00:15:48,920 --> 00:15:52,040 Speaker 1: so pucking Finn slash all the Vocal Adrenaline range rovers, 250 00:15:52,080 --> 00:15:54,280 Speaker 1: which it was very funny to watch, and also range 251 00:15:54,360 --> 00:15:58,720 Speaker 1: rovers in high school. That's crazy. Um. Even though I 252 00:15:59,000 --> 00:16:02,520 Speaker 1: was able to get myself a range Rover at this point, 253 00:16:02,520 --> 00:16:05,160 Speaker 1: this was exciting. Yeah, in real life I was able 254 00:16:05,200 --> 00:16:07,760 Speaker 1: to I've lived the dream of the range Rover and 255 00:16:07,840 --> 00:16:10,920 Speaker 1: it's over and it's gone. But I went to a 256 00:16:11,000 --> 00:16:13,200 Speaker 1: high school. I went to private school one year of 257 00:16:13,280 --> 00:16:14,880 Speaker 1: high school. It's the only year I ever went to 258 00:16:14,880 --> 00:16:18,120 Speaker 1: private school. I so did not fit. I could not 259 00:16:18,200 --> 00:16:23,080 Speaker 1: afford private school. And I remember all these kids driving 260 00:16:23,080 --> 00:16:27,840 Speaker 1: around and like really expensive cars. And I was getting 261 00:16:27,880 --> 00:16:30,640 Speaker 1: dropped off by my mom every day in our old car, 262 00:16:30,720 --> 00:16:32,600 Speaker 1: and I was like, oh, drop me out at the car. 263 00:16:32,680 --> 00:16:34,640 Speaker 1: Who are these kids? I had just moved to LA. 264 00:16:34,680 --> 00:16:37,200 Speaker 1: I'm like, I don't know about this, right is right? 265 00:16:37,600 --> 00:16:44,760 Speaker 1: I'm poor? Yeah? Anyway, So, so Vocal Adrenaline's gift with 266 00:16:44,880 --> 00:16:47,960 Speaker 1: a very good booster club kids range rovers for their 267 00:16:48,000 --> 00:16:52,440 Speaker 1: win and fucking Finn slash the tires and they end 268 00:16:52,560 --> 00:16:55,720 Speaker 1: up in Fagin's office where they get in trouble and 269 00:16:56,040 --> 00:16:58,520 Speaker 1: mister She's like, it's a harmless prank, which it's not, 270 00:16:58,920 --> 00:17:06,399 Speaker 1: and Shelby car grin and not pressing charges and umh. 271 00:17:06,640 --> 00:17:09,120 Speaker 1: And Finn comes to the rescue by saying that they'll 272 00:17:09,160 --> 00:17:11,800 Speaker 1: get jobs and pay them back by the end of 273 00:17:11,800 --> 00:17:13,720 Speaker 1: the year, which is also crazy that like Sheets and 274 00:17:13,800 --> 00:17:16,720 Speaker 1: Things is not going to pay back for tires twenty tires, 275 00:17:16,720 --> 00:17:22,600 Speaker 1: but anyways, um but they get a job at Sheets 276 00:17:22,640 --> 00:17:26,480 Speaker 1: and Things and Terry's back. So Terry comes back and 277 00:17:28,960 --> 00:17:35,720 Speaker 1: she has this really inappropriate crush on Finn. She sees 278 00:17:35,800 --> 00:17:39,600 Speaker 1: him as mister Shoe. She gets has this really inappropriate 279 00:17:39,640 --> 00:17:42,399 Speaker 1: crush on him after they sing Loser, which we'll talk 280 00:17:42,440 --> 00:17:46,879 Speaker 1: about in a second, and it's do you also know 281 00:17:47,000 --> 00:17:51,320 Speaker 1: when she was like, we'll just put it into the iTunes, yes, 282 00:17:51,840 --> 00:17:53,800 Speaker 1: which I also feel like was a nod to what 283 00:17:53,880 --> 00:17:58,440 Speaker 1: they did this episode in real life, And that's no shade. 284 00:17:58,840 --> 00:18:01,520 Speaker 1: I think they told us like sometimes when they had, 285 00:18:03,600 --> 00:18:06,399 Speaker 1: you know, the plot or like the buzzword that they 286 00:18:06,440 --> 00:18:09,440 Speaker 1: wanted to use for an episode, they would just throw 287 00:18:09,480 --> 00:18:14,880 Speaker 1: it in, which is why all these songs. I feel 288 00:18:14,880 --> 00:18:18,680 Speaker 1: like Loser was a pitch from Corey. I don't know, 289 00:18:18,960 --> 00:18:21,520 Speaker 1: maybe yeah, I feel like Corey or Mark would have 290 00:18:21,560 --> 00:18:24,639 Speaker 1: pitched Loser. For sure. It was not how I thought. 291 00:18:25,440 --> 00:18:26,960 Speaker 1: I wouldn't think a Beck song would be in a 292 00:18:27,000 --> 00:18:29,880 Speaker 1: funk episode, but here we are. I canna say, honestly, 293 00:18:29,960 --> 00:18:32,400 Speaker 1: for the song itself, on the way that it was 294 00:18:33,600 --> 00:18:35,720 Speaker 1: presented in the episode, I thought I did it a 295 00:18:35,720 --> 00:18:39,520 Speaker 1: great job shooting it like it was. She kept it interesting. Yeah, 296 00:18:39,600 --> 00:18:43,680 Speaker 1: she kept it, you know, funny and weird, and it 297 00:18:43,720 --> 00:18:45,760 Speaker 1: was like what do you do with that? Like as 298 00:18:45,760 --> 00:18:47,480 Speaker 1: a director, I'd be like what do I do with this? 299 00:18:47,720 --> 00:18:49,240 Speaker 1: So I thought she did a great job with it, 300 00:18:49,359 --> 00:18:52,440 Speaker 1: especially because again, if I think we should just mention 301 00:18:52,520 --> 00:18:55,840 Speaker 1: how we get into some of these songs where Tobolowski 302 00:18:55,960 --> 00:18:59,080 Speaker 1: is like, where's my muzach And that's how we get 303 00:18:59,080 --> 00:19:02,320 Speaker 1: into Loser, and to go and put on the music 304 00:19:02,720 --> 00:19:09,440 Speaker 1: a boom, like what's yeah? No, just have their guitars there? 305 00:19:10,080 --> 00:19:13,760 Speaker 1: Yeah yeah, That's where I set out loud no less 306 00:19:13,760 --> 00:19:17,199 Speaker 1: than three times reminding myself and my friends who are 307 00:19:17,240 --> 00:19:29,000 Speaker 1: watching with me last night, it's a satire. Okay, um okay, 308 00:19:29,040 --> 00:19:32,639 Speaker 1: so then what tell me? No, I was just I 309 00:19:32,680 --> 00:19:35,000 Speaker 1: had so a friend was watching this with me last 310 00:19:35,080 --> 00:19:37,240 Speaker 1: night and he's never seen Glee, and he sat down 311 00:19:37,240 --> 00:19:40,680 Speaker 1: like halfway through this episode. No, that's not through his eyes, 312 00:19:40,680 --> 00:19:45,000 Speaker 1: and I was like, this is not because if you know, 313 00:19:45,600 --> 00:19:50,080 Speaker 1: if you were to watch this episode with no context, 314 00:19:51,040 --> 00:19:55,359 Speaker 1: even with context, it's still odd and without context, he 315 00:19:55,600 --> 00:19:57,760 Speaker 1: had questions and he didn't understand that it was a comedy. 316 00:19:58,119 --> 00:20:00,119 Speaker 1: I was like, no, this is a comedy show. The 317 00:20:00,119 --> 00:20:03,480 Speaker 1: first season at least is and then yeah, it was great. 318 00:20:03,920 --> 00:20:07,879 Speaker 1: It was really enlightening for me. An interesting, Okay, what 319 00:20:07,960 --> 00:20:11,800 Speaker 1: did they How did they respond? They were like, oh 320 00:20:11,840 --> 00:20:16,720 Speaker 1: I was so worried. Okay, got it, Like everyone is 321 00:20:16,720 --> 00:20:20,399 Speaker 1: so mean to each other, Like, yeah, it's a satire exactly, 322 00:20:21,760 --> 00:20:25,280 Speaker 1: speaking of being mean. So Jesse Saint James calls Rachel 323 00:20:25,320 --> 00:20:28,800 Speaker 1: out to the parking lot after they've been toilet paper 324 00:20:28,840 --> 00:20:34,920 Speaker 1: and been yeah, thank you, range rover tires have been slashed, 325 00:20:35,520 --> 00:20:36,919 Speaker 1: and he says to me on the parking lot and 326 00:20:37,000 --> 00:20:43,960 Speaker 1: Rachel runs out again satire Smolmo running slowmore, running toward 327 00:20:44,119 --> 00:20:49,520 Speaker 1: Jessie and she gets egged. That looked like it hurts 328 00:20:49,560 --> 00:20:52,919 Speaker 1: so bad. And I remember Lea saying it got hurt. Um, 329 00:20:52,920 --> 00:20:54,840 Speaker 1: she also had a double if you didn't notice, like 330 00:20:54,880 --> 00:20:57,199 Speaker 1: there was at one point when she gets hit all 331 00:20:57,200 --> 00:20:59,080 Speaker 1: over the place, you see it's a there's a wig 332 00:20:59,119 --> 00:21:02,040 Speaker 1: and it's not her must have been her standard. But um, 333 00:21:03,600 --> 00:21:07,199 Speaker 1: it was crazy and it kept me. It made me 334 00:21:07,240 --> 00:21:11,160 Speaker 1: think of Never Been Kissed, one of my favorite movies. 335 00:21:11,760 --> 00:21:15,040 Speaker 1: When she gets egged, which is so sad, but Jesse 336 00:21:15,280 --> 00:21:19,080 Speaker 1: eggs her and the whole Vocal Adjournine team eggs her, 337 00:21:19,160 --> 00:21:23,760 Speaker 1: and it was really sad. And then Rachel says, now 338 00:21:23,800 --> 00:21:25,520 Speaker 1: I keep having nightmares of all the mothers of the 339 00:21:25,520 --> 00:21:30,360 Speaker 1: little baby chicks coming at me for revenge, which yeah, 340 00:21:30,400 --> 00:21:32,359 Speaker 1: and Vocal a Journaline for all the money they have. 341 00:21:32,400 --> 00:21:34,159 Speaker 1: They're sure in the same outfits they were at the 342 00:21:34,160 --> 00:21:40,000 Speaker 1: beginning of the episode. Sorry, I'm gonna be Debi downer 343 00:21:40,080 --> 00:21:44,600 Speaker 1: this episode, pointing that rubbed me the wrong way. That's okay, 344 00:21:44,640 --> 00:21:47,800 Speaker 1: I'm a hater. I guess I'm a hater today. Um, 345 00:21:48,160 --> 00:21:50,600 Speaker 1: it's all right, we're all. We're all. We can be 346 00:21:50,640 --> 00:21:53,040 Speaker 1: haters of some episodes, not all of them. So we 347 00:21:53,160 --> 00:21:55,359 Speaker 1: talked about maybe the weirdest part of this episode, the 348 00:21:55,400 --> 00:21:59,360 Speaker 1: Sue and Will feud thing that happens. Yeah, let's talk 349 00:21:59,400 --> 00:22:06,160 Speaker 1: about that. But so when vocal Journaline tps and does 350 00:22:06,200 --> 00:22:10,120 Speaker 1: the surprise performance for the new directions, somebody's like, how 351 00:22:10,119 --> 00:22:12,080 Speaker 1: did they get in all their equipment? Which I loved 352 00:22:12,080 --> 00:22:15,200 Speaker 1: they actually addressed because you know how many times things 353 00:22:15,240 --> 00:22:17,320 Speaker 1: magically appear in the show, we don't dress them. And 354 00:22:17,359 --> 00:22:20,880 Speaker 1: then Sue marches in saying, oh, I let I gave 355 00:22:20,920 --> 00:22:22,640 Speaker 1: them keys. I did a sound check with them earlier, 356 00:22:22,920 --> 00:22:25,080 Speaker 1: like I helped them, And then she goes on this 357 00:22:25,080 --> 00:22:27,520 Speaker 1: whole rant about how she needs to blow out the 358 00:22:27,560 --> 00:22:30,800 Speaker 1: wall because she's going to put in a new trophy 359 00:22:30,920 --> 00:22:32,920 Speaker 1: for when she wins Nationals in the glee club loses 360 00:22:33,000 --> 00:22:36,720 Speaker 1: regionals and she gets to take over the room and 361 00:22:38,160 --> 00:22:43,080 Speaker 1: rightly so this pisses off Will, which starts, which starts 362 00:22:43,119 --> 00:22:48,040 Speaker 1: off this whole almost fever dream of a storyline. Pause. 363 00:22:48,080 --> 00:22:51,880 Speaker 1: Do you remember the breaking of this trophy? The throwing 364 00:22:51,880 --> 00:22:55,320 Speaker 1: of the trophy? I don't remember it. Okay, I don't either, 365 00:22:55,400 --> 00:22:57,520 Speaker 1: and I feel like I would have remembered something like that, 366 00:22:57,560 --> 00:22:59,520 Speaker 1: But I think it was a real trophy, like I 367 00:22:59,600 --> 00:23:01,840 Speaker 1: go plastic one. It wasn't like a dummy one or 368 00:23:01,840 --> 00:23:04,320 Speaker 1: anything like that, and he actually had to like throw it, 369 00:23:04,359 --> 00:23:08,840 Speaker 1: and I think I remember them being like, don't close 370 00:23:08,880 --> 00:23:10,960 Speaker 1: your eyes because like then he want us to get 371 00:23:10,960 --> 00:23:13,040 Speaker 1: particles or pieces and our eyes. We're like, we're fine, 372 00:23:13,080 --> 00:23:18,480 Speaker 1: We're fifty feet away, right. Anyway, they're always very cautious. 373 00:23:18,520 --> 00:23:20,960 Speaker 1: Card I guessed though, when he threw it, I was like, oh, mister, 374 00:23:21,000 --> 00:23:26,080 Speaker 1: she was good, Yeah, yeah, okay, continue one. Yeah. So 375 00:23:26,400 --> 00:23:31,240 Speaker 1: while Rachel is you know, also Will is mad. Rachel's 376 00:23:31,280 --> 00:23:34,479 Speaker 1: upset about this whole breakup, and She's saying, you know, 377 00:23:34,640 --> 00:23:36,520 Speaker 1: destroyed at the heart of the team's heart, then destroy 378 00:23:36,600 --> 00:23:38,880 Speaker 1: the team. And then Will of course with light bulb 379 00:23:40,720 --> 00:23:47,919 Speaker 1: and so he starts courting Sue. Really, so there's a 380 00:23:47,920 --> 00:23:51,520 Speaker 1: lot of late night they're at the school by themselves 381 00:23:52,359 --> 00:23:59,440 Speaker 1: after hours, not sure why. Darkness, yes, darkness. And so 382 00:23:59,440 --> 00:24:02,320 Speaker 1: Sue comes into the choir room late one night and 383 00:24:02,359 --> 00:24:04,880 Speaker 1: Will was like, Hey, I need to ask you some questions. 384 00:24:04,880 --> 00:24:08,359 Speaker 1: I'm I'm wondering about this idea for regionals, but I 385 00:24:08,400 --> 00:24:10,720 Speaker 1: don't know if it's you know, too suggestive. Can I 386 00:24:10,760 --> 00:24:14,239 Speaker 1: do it for you? And after he also had been 387 00:24:14,280 --> 00:24:18,280 Speaker 1: complimenting her skin for what felt like an eternity. Yeah, 388 00:24:18,320 --> 00:24:23,800 Speaker 1: and God Jane is just so good. So she's I'm 389 00:24:23,840 --> 00:24:27,239 Speaker 1: never just not like flabbergasaid about how good she is 390 00:24:27,320 --> 00:24:30,520 Speaker 1: in all of these different weird situations. She sells anything 391 00:24:30,560 --> 00:24:33,720 Speaker 1: and it makes everything work. Yep, makes everything work. So 392 00:24:33,920 --> 00:24:43,680 Speaker 1: he performs tell me something good. Um, it made me uncomfortable. Honestly, 393 00:24:43,720 --> 00:24:46,760 Speaker 1: I have to say, Malik good, Malik? Did he did? 394 00:24:47,000 --> 00:24:48,720 Speaker 1: I think it was? It's like I don't want to 395 00:24:48,760 --> 00:24:52,920 Speaker 1: watch my parents. Yes, blurt it was, yes, yes, yes, 396 00:24:53,080 --> 00:24:57,040 Speaker 1: I didn't like that. Yes, I agree, And then Sue's 397 00:24:57,080 --> 00:25:01,160 Speaker 1: like what's happening, and she's journaling and being like, oh 398 00:25:01,240 --> 00:25:04,320 Speaker 1: my god, I think I have a crush on Will Schuster. 399 00:25:04,800 --> 00:25:07,520 Speaker 1: Like now I'm actually picturing his head on the pillow 400 00:25:07,520 --> 00:25:08,919 Speaker 1: next to me when I wake up, and it's attached 401 00:25:08,960 --> 00:25:12,399 Speaker 1: to the rest of his body. A lot of murder. 402 00:25:12,400 --> 00:25:15,199 Speaker 1: I gotta say, the journal drawing. Did you see the 403 00:25:15,240 --> 00:25:18,280 Speaker 1: drawing of Will Schuster? That must have been Jason. Who's 404 00:25:18,280 --> 00:25:27,320 Speaker 1: you that right, one of our crew members jasone incredible artist. Yeah. 405 00:25:27,320 --> 00:25:30,200 Speaker 1: He was used to draw all of us in character 406 00:25:30,280 --> 00:25:33,640 Speaker 1: and like give us cards and like with our characters 407 00:25:33,800 --> 00:25:36,080 Speaker 1: drawn on them like he was amazing, So he must 408 00:25:36,080 --> 00:25:42,240 Speaker 1: have drawn that. Um. That in the journal that picture illustration. 409 00:25:43,040 --> 00:25:45,639 Speaker 1: That was a good spot. He probably did. He was 410 00:25:45,920 --> 00:25:49,879 Speaker 1: sure it looks familiar. It looked familiar. So around that 411 00:25:49,920 --> 00:25:52,160 Speaker 1: time Will comes in, brings her flowers toim atch her 412 00:25:53,040 --> 00:25:55,760 Speaker 1: her track suit, and then she says she hates them, 413 00:25:55,760 --> 00:25:58,679 Speaker 1: but then he surprises her with her favorite I don't know, 414 00:25:58,800 --> 00:26:05,119 Speaker 1: workout whatever gummies or something or something supplements and asked 415 00:26:05,119 --> 00:26:08,879 Speaker 1: her out on a date. And she shows up in 416 00:26:09,000 --> 00:26:15,280 Speaker 1: her track suit and pearls pearls. Because this whole time 417 00:26:15,320 --> 00:26:18,800 Speaker 1: it sort of it feels like him flirting with her. 418 00:26:18,800 --> 00:26:21,280 Speaker 1: It happens over several scenes and it's going on and 419 00:26:21,520 --> 00:26:25,119 Speaker 1: on and on, and then when it finally gets to 420 00:26:25,440 --> 00:26:31,560 Speaker 1: breadsticks and she doesn't show up and she realizes she 421 00:26:31,600 --> 00:26:33,240 Speaker 1: got stood up and shows up at his house and 422 00:26:33,240 --> 00:26:38,200 Speaker 1: they have this whole fight and it was very, very rewarding. 423 00:26:38,240 --> 00:26:41,800 Speaker 1: I thought Will slash Matt did a very good job 424 00:26:42,040 --> 00:26:45,680 Speaker 1: of it. Was hanging with Jane in this in terms 425 00:26:45,720 --> 00:26:49,520 Speaker 1: of the actor chops fair enough. It was really fun 426 00:26:49,520 --> 00:26:51,320 Speaker 1: to watch them play and do something that they don't 427 00:26:51,359 --> 00:26:53,280 Speaker 1: normally get to do with one another, like each other 428 00:26:54,160 --> 00:27:00,960 Speaker 1: right right, Very satisfying, No, was satisfying. They also is 429 00:27:01,000 --> 00:27:04,680 Speaker 1: like the roles were reversed, which is like fun I watch. 430 00:27:05,680 --> 00:27:08,040 Speaker 1: I mean, in all this, to me, the best part 431 00:27:08,240 --> 00:27:10,520 Speaker 1: was that after this, she has an emotional breakdown and 432 00:27:10,520 --> 00:27:13,000 Speaker 1: doesn't leave bed for four days. But we see that 433 00:27:13,119 --> 00:27:17,600 Speaker 1: because all the cheerios without their ponytails, because I clearly 434 00:27:17,600 --> 00:27:20,680 Speaker 1: don't know how to do them without her, they're falling apart. 435 00:27:21,600 --> 00:27:26,919 Speaker 1: And you see Heather go through with Jacob and Israel 436 00:27:26,960 --> 00:27:34,200 Speaker 1: being loved me also her shirt backwards, Naia crying it's 437 00:27:34,240 --> 00:27:38,639 Speaker 1: so good, and Kurt being like, look, obviously she sucks, 438 00:27:38,760 --> 00:27:41,720 Speaker 1: but some of these girls need the scholarships to go 439 00:27:41,800 --> 00:27:45,040 Speaker 1: to college. And Will feels bad and he goes into 440 00:27:45,040 --> 00:27:48,320 Speaker 1: her apartment. Now do you remember I remember talking to 441 00:27:48,359 --> 00:27:51,439 Speaker 1: Ian about this because he was so excited. We had 442 00:27:51,520 --> 00:27:55,359 Speaker 1: never seen Sue's apartment or house before, and he was like, 443 00:27:55,400 --> 00:27:58,560 Speaker 1: she's going to be a hoarder. It's all trophies, it's 444 00:27:58,560 --> 00:28:04,560 Speaker 1: a hoarder's house. It's funny. I mean, he loves those 445 00:28:04,600 --> 00:28:07,640 Speaker 1: shows he wanted he was talking about like he's obsessed 446 00:28:07,680 --> 00:28:12,119 Speaker 1: with like the QVC hoarder, like couponing. He's like he's 447 00:28:12,280 --> 00:28:15,080 Speaker 1: very interested in all of that. So this makes total sense, 448 00:28:15,720 --> 00:28:18,560 Speaker 1: and that house is very funny. It also gives me atred, 449 00:28:18,840 --> 00:28:22,760 Speaker 1: like I can't look at it for too long. No um, 450 00:28:23,320 --> 00:28:26,199 Speaker 1: but it's very funny. It's very laying there in her 451 00:28:26,200 --> 00:28:29,960 Speaker 1: track suit for you and he gets her back and 452 00:28:30,800 --> 00:28:33,000 Speaker 1: she ends up winning nationals again, and there's that incredible 453 00:28:33,040 --> 00:28:42,280 Speaker 1: little TV moment and this weird moment of almost a kiss, 454 00:28:43,200 --> 00:28:50,760 Speaker 1: Oh do you I she brings she with Heather and Naya, 455 00:28:50,960 --> 00:28:55,680 Speaker 1: she brings her national trophy into Will's house and that 456 00:28:55,760 --> 00:29:02,080 Speaker 1: was cute because they're like uncomfortable and then sorry mister shoe. Yeah, 457 00:29:02,120 --> 00:29:08,960 Speaker 1: and then she's like kiss me and he says no. 458 00:29:09,160 --> 00:29:11,200 Speaker 1: Then she says no, I'm not going to do this. 459 00:29:11,400 --> 00:29:17,160 Speaker 1: Even your breath stakes some mediocready perfect. It's awkward and 460 00:29:17,200 --> 00:29:19,960 Speaker 1: it's funny. Here's the thing I don't think the show 461 00:29:20,240 --> 00:29:24,840 Speaker 1: this episode is called funk. I think it's called funky. 462 00:29:24,920 --> 00:29:29,520 Speaker 1: It's a funky smell. You're right, there's a funky stench 463 00:29:29,640 --> 00:29:34,400 Speaker 1: to it. It's teena boy rock smell. Also, mister Schuster 464 00:29:34,440 --> 00:29:38,360 Speaker 1: in the choir room going funky Dad. I was like, 465 00:29:38,480 --> 00:29:42,200 Speaker 1: oh boy, oh boy. There's a lot of fringe moments 466 00:29:43,800 --> 00:29:47,480 Speaker 1: like there were also a lot of this whole episode 467 00:29:47,480 --> 00:29:51,120 Speaker 1: to me, is like the whole nod in a wink thing. Yeah, yeah, 468 00:29:51,160 --> 00:29:53,920 Speaker 1: where I think the writers knew exactly what they were 469 00:29:53,960 --> 00:29:56,320 Speaker 1: doing and you exactly hope heard some of the stuff 470 00:29:56,400 --> 00:29:59,880 Speaker 1: was and we're referencing it within it. They were also 471 00:30:00,080 --> 00:30:03,240 Speaker 1: between us a lot of inside things like the funk. 472 00:30:03,280 --> 00:30:06,360 Speaker 1: Get was like sort of making fun of the runs 473 00:30:06,400 --> 00:30:09,360 Speaker 1: we do that then Ryan would do behind the scenes. 474 00:30:09,400 --> 00:30:11,680 Speaker 1: It's the exact same. That's why we laughed in the 475 00:30:11,720 --> 00:30:14,560 Speaker 1: choir room because it's all familiar and like some of 476 00:30:14,560 --> 00:30:16,560 Speaker 1: the dances we do later on and give up the 477 00:30:16,560 --> 00:30:19,400 Speaker 1: funk or our personal dances with each other. So there's 478 00:30:19,440 --> 00:30:22,360 Speaker 1: a lot of referential things. Yes, and we had we 479 00:30:22,400 --> 00:30:35,200 Speaker 1: had to keep it light. Okay. So meanwhile, Terry and 480 00:30:35,240 --> 00:30:40,760 Speaker 1: Will are officially divorced, which happened very quickly. They the 481 00:30:40,800 --> 00:30:47,560 Speaker 1: paper just as divorce. I mean, what else is there 482 00:30:47,640 --> 00:30:50,560 Speaker 1: and it's just it's divorce. Sometimes the show feels like 483 00:30:50,560 --> 00:30:55,280 Speaker 1: a cartoon to me, and I like it. Yes, yes, yes, 484 00:30:56,000 --> 00:30:59,200 Speaker 1: that is a very good analogy. Sometimes you just have 485 00:30:59,280 --> 00:31:01,000 Speaker 1: to you have to look get it that way. Sometimes 486 00:31:02,200 --> 00:31:05,880 Speaker 1: Will so Will is depressed, he's kind of um, he's 487 00:31:06,280 --> 00:31:10,560 Speaker 1: in a funk, and that's obviously where he got his 488 00:31:10,640 --> 00:31:16,040 Speaker 1: last minute lesson from um and he's inspired, and he 489 00:31:16,640 --> 00:31:19,800 Speaker 1: when he's meeting up with Ryerson, Ryerson's you really want 490 00:31:19,840 --> 00:31:26,720 Speaker 1: to do this? Ryerson reminds him that vocal adrenaline has 491 00:31:26,840 --> 00:31:29,680 Speaker 1: a weakness and that they have never done a funk 492 00:31:29,760 --> 00:31:32,400 Speaker 1: number and they don't know how to do it. Because 493 00:31:32,440 --> 00:31:36,560 Speaker 1: there are people still consulting with Sandy Ryerson, I don't know. 494 00:31:36,600 --> 00:31:40,120 Speaker 1: He has to beating underage boys in the pilot inappropriate. 495 00:31:40,320 --> 00:31:43,760 Speaker 1: He has to come back here because because Steven Tablowski 496 00:31:43,880 --> 00:31:47,000 Speaker 1: has to come back. That's where he's a communic genius. 497 00:31:47,040 --> 00:31:49,240 Speaker 1: He is a communic genius even though he shouldn't be 498 00:31:49,280 --> 00:31:53,200 Speaker 1: allowed back. And the whole time Sandy Ryerson's like him 499 00:31:53,240 --> 00:31:54,720 Speaker 1: done a funk number. And then Will comes into the 500 00:31:54,720 --> 00:31:58,040 Speaker 1: classroom like, guess what, there's our lesson. It's like, you've 501 00:31:58,040 --> 00:32:02,400 Speaker 1: got your lesson from Sandy Ryerson. Right's not right, right, 502 00:32:02,600 --> 00:32:09,840 Speaker 1: it's not right. So this kind of catapults this whole 503 00:32:09,920 --> 00:32:14,760 Speaker 1: Quinn situation. How Mercedes is like, good, I got the 504 00:32:14,800 --> 00:32:18,160 Speaker 1: funk lesson. I got it, and Quinn's like, excuse me, 505 00:32:18,480 --> 00:32:22,440 Speaker 1: what about me? And everybody laughs, and Mercedes thinks it's funny, 506 00:32:22,560 --> 00:32:26,840 Speaker 1: and Quinn feels like she has lots of anger and 507 00:32:27,000 --> 00:32:29,360 Speaker 1: passion that she has to share, so she is going 508 00:32:29,480 --> 00:32:31,520 Speaker 1: to be the first to share in the choir room. 509 00:32:31,560 --> 00:32:36,320 Speaker 1: The next day with her assignment, we get into this 510 00:32:36,360 --> 00:32:40,640 Speaker 1: is a man's world, which for so many reasons, this 511 00:32:40,720 --> 00:32:43,640 Speaker 1: is just the most the weirdest, one of the weirdest 512 00:32:43,680 --> 00:32:48,560 Speaker 1: things will ever witness. Only is what I think. It's 513 00:32:48,600 --> 00:32:54,400 Speaker 1: the unwed Mothership Connection, which, by the way, if you 514 00:32:54,440 --> 00:32:58,000 Speaker 1: didn't notice, is a play on The Parliament's fourth album 515 00:32:58,080 --> 00:33:00,320 Speaker 1: that Give Up the Funk is on and it's called 516 00:33:00,680 --> 00:33:06,280 Speaker 1: Mothership Connection. So the unwed Mothership Connections. See what happens 517 00:33:06,280 --> 00:33:09,280 Speaker 1: when you put in a song and time you got 518 00:33:09,320 --> 00:33:13,959 Speaker 1: a whole storyline. So all of our friends, dancer friends 519 00:33:14,040 --> 00:33:17,480 Speaker 1: come in and play pregnant women who do this very inappropriate, 520 00:33:17,640 --> 00:33:19,880 Speaker 1: weird mother dance, which kind of reminds me of the 521 00:33:19,880 --> 00:33:27,560 Speaker 1: waitress ballet contraction ballet. Yes, and it's weird, it's really weird. 522 00:33:27,840 --> 00:33:30,560 Speaker 1: But our friends Audrey and Courtney and all of them 523 00:33:30,560 --> 00:33:36,400 Speaker 1: are doing this crazy wild swan swan Lake fans number pregnant. 524 00:33:36,440 --> 00:33:40,160 Speaker 1: It's inappropriate and uncomfortable. I remember when we were shooting it, 525 00:33:40,400 --> 00:33:44,240 Speaker 1: laughing and being like what where are we right now? 526 00:33:45,880 --> 00:33:48,960 Speaker 1: But Diana sounds great on this and this is totally 527 00:33:49,080 --> 00:33:53,880 Speaker 1: up her alley. She's a funky gal. She loved singing 528 00:33:53,920 --> 00:33:57,040 Speaker 1: the song, he could tell, and she was just living 529 00:33:57,040 --> 00:34:00,200 Speaker 1: her best life, like take away the pregnancy pad underneath, 530 00:34:00,280 --> 00:34:03,880 Speaker 1: Like that is Diana. Yeah, true, truly, this is the 531 00:34:04,080 --> 00:34:07,800 Speaker 1: most Diana number, like the Say Little Prayer numbers are, Quinn, 532 00:34:08,200 --> 00:34:12,840 Speaker 1: this is Diana, Diana exactly she was living. Um. I 533 00:34:12,880 --> 00:34:15,480 Speaker 1: also remember watching this but on paper we're like, what 534 00:34:15,760 --> 00:34:18,160 Speaker 1: is this number? And then watching it we had a 535 00:34:18,200 --> 00:34:22,360 Speaker 1: great time because it every while the choreography is insane 536 00:34:22,400 --> 00:34:28,600 Speaker 1: but also incredible. Yeah. Yeah, it's so weird and wonderful. Um. 537 00:34:28,680 --> 00:34:35,360 Speaker 1: And then so Quinn also earlier on pre pre music 538 00:34:35,840 --> 00:34:42,359 Speaker 1: pre song talks about being oppressed by the man right 539 00:34:42,920 --> 00:34:47,360 Speaker 1: and Mercedes. This is where we're que Mercedes reaction. Please 540 00:34:47,360 --> 00:34:52,160 Speaker 1: don't go here, please Amber, Amber, please help us, And 541 00:34:52,280 --> 00:34:56,359 Speaker 1: I thought, oh boy, And you know, Elodie was one 542 00:34:56,640 --> 00:34:59,720 Speaker 1: for that. I do feel like all of those shots 543 00:34:59,760 --> 00:35:03,840 Speaker 1: were thrown in because Elodie needed them, because I remember 544 00:35:03,880 --> 00:35:07,560 Speaker 1: Elodie walking up to us being like, what are we 545 00:35:07,560 --> 00:35:10,080 Speaker 1: going to do? Yeah? What are we gonna do and 546 00:35:10,239 --> 00:35:12,760 Speaker 1: I can just picture her seeing Amber giving these reactions. 547 00:35:12,800 --> 00:35:14,919 Speaker 1: She's like, yes, keep doing that. This is what we need, 548 00:35:15,200 --> 00:35:18,480 Speaker 1: right and it helps in the later up seeing nice 549 00:35:18,480 --> 00:35:23,359 Speaker 1: scene between the two m So, um, we'll let's dump 550 00:35:23,400 --> 00:35:26,919 Speaker 1: to that, because Quinn and Mercedes have this very nice, 551 00:35:26,960 --> 00:35:33,240 Speaker 1: emotion like sweet scene, which I feel like in spirit 552 00:35:33,239 --> 00:35:38,880 Speaker 1: of like twenty twenty three or twenty twenty two, and 553 00:35:39,680 --> 00:35:46,239 Speaker 1: you know, the Black Lives movement. Um, we were just like, 554 00:35:46,600 --> 00:35:50,360 Speaker 1: I'm not taking giving clet Glee credit, but like we 555 00:35:50,520 --> 00:35:53,640 Speaker 1: just started to skim the surface of like this a 556 00:35:53,680 --> 00:35:57,920 Speaker 1: little bit, and I was Okay. I mean, it's a touch, 557 00:35:58,120 --> 00:36:04,719 Speaker 1: like a droplet of water, but I was like, Alrightley, okay, okay. Yeah, 558 00:36:04,840 --> 00:36:06,719 Speaker 1: And I don't think I realized at the time either 559 00:36:06,800 --> 00:36:11,359 Speaker 1: what was happening in this crazy episode. You're still sprinkling 560 00:36:11,360 --> 00:36:15,480 Speaker 1: in something significant and that matters in that something that 561 00:36:15,520 --> 00:36:21,000 Speaker 1: deserves seeing much more dialogue. Yeah, exactly. But they really 562 00:36:21,040 --> 00:36:25,440 Speaker 1: do kind of, um find like this common ground of 563 00:36:25,640 --> 00:36:32,360 Speaker 1: feeling on the outs, feeling like they don't belong, feeling 564 00:36:32,480 --> 00:36:36,840 Speaker 1: like they you know, Quinn being pregnant and Mercedes being black, 565 00:36:36,920 --> 00:36:41,839 Speaker 1: and so there's definitely this really nice friendship that we 566 00:36:42,120 --> 00:36:44,400 Speaker 1: This is the beginning of the Quinn and Mercedes friendship 567 00:36:44,440 --> 00:36:46,279 Speaker 1: that we see, which I was like, it's a very 568 00:36:46,360 --> 00:36:50,279 Speaker 1: unexpected one, but I really like it. And so Mercedes 569 00:36:51,280 --> 00:36:54,080 Speaker 1: very generously has already asked her parents if Quinn can 570 00:36:54,120 --> 00:36:58,000 Speaker 1: move in because she can't live with Buck anymore. And um. 571 00:37:00,040 --> 00:37:04,960 Speaker 1: And so after that Good Vibrations performance, well, yeah that 572 00:37:05,040 --> 00:37:17,080 Speaker 1: number was not funk, not funky, um wild, yes, a 573 00:37:17,200 --> 00:37:21,040 Speaker 1: rap song would. But they're dancing is a plus plot 574 00:37:23,600 --> 00:37:25,799 Speaker 1: to get them. Honestly, I will have to say, like, 575 00:37:26,120 --> 00:37:30,000 Speaker 1: the two of them were probably are the least coordinated 576 00:37:30,080 --> 00:37:34,560 Speaker 1: dancers that we had in the glee club and yeah, yeah, yeah, 577 00:37:34,640 --> 00:37:36,640 Speaker 1: yeah for sure, and Corey would be first to tell 578 00:37:36,680 --> 00:37:39,960 Speaker 1: you like, can't dance. Um, but the two of them 579 00:37:40,239 --> 00:37:43,840 Speaker 1: actually Zach got them to like move and in sync 580 00:37:43,920 --> 00:37:47,439 Speaker 1: and I was like, wow, Okay, they can do it. Yeah, 581 00:37:48,400 --> 00:37:51,600 Speaker 1: And which was like frustrating because Zach would always be like, 582 00:37:51,680 --> 00:37:53,960 Speaker 1: I've seen you guys move. I know you can do this. 583 00:37:54,040 --> 00:37:58,080 Speaker 1: I know you're frustrated in other numbers, but like, I've 584 00:37:58,120 --> 00:37:59,880 Speaker 1: seen you do this before, so this is proof you 585 00:37:59,880 --> 00:38:04,480 Speaker 1: can hand right, here's the pudding. Yeah, and then say 586 00:38:04,480 --> 00:38:08,279 Speaker 1: you can't exactly, so they do good vibrations. It's not 587 00:38:08,440 --> 00:38:10,560 Speaker 1: it's not a funk song, it's a rap song. But anyway, 588 00:38:10,560 --> 00:38:12,040 Speaker 1: it had to be thrown in there because I guess 589 00:38:12,040 --> 00:38:14,439 Speaker 1: we had to have that number. And then all things 590 00:38:14,520 --> 00:38:18,400 Speaker 1: kind of resolve and we're back at our final number 591 00:38:18,400 --> 00:38:22,759 Speaker 1: of give up the song, which um is taking us 592 00:38:22,800 --> 00:38:28,720 Speaker 1: to regionals. Uh, I mean how we did? We performed 593 00:38:28,760 --> 00:38:31,880 Speaker 1: for Vocal Adrenaline all in their cool sweatshirts, which I 594 00:38:31,920 --> 00:38:33,839 Speaker 1: was like, can I have that sweatshirt? I know? Right? 595 00:38:34,280 --> 00:38:36,560 Speaker 1: Shoe calls them back to be like meet us three 596 00:38:36,600 --> 00:38:39,640 Speaker 1: pm at the auditorium, and like what we show them 597 00:38:39,680 --> 00:38:43,360 Speaker 1: is this number, and they're mad at it. They're like 598 00:38:44,600 --> 00:38:48,839 Speaker 1: scrim happening. And then we come out and all these 599 00:38:48,840 --> 00:38:56,359 Speaker 1: outfits that feel wrong. I don't I don't know what 600 00:38:56,400 --> 00:38:58,719 Speaker 1: I was wearing. I don't know what I was wearing either, 601 00:38:59,160 --> 00:39:02,320 Speaker 1: And I don't know what I was wearing. I was 602 00:39:02,360 --> 00:39:06,560 Speaker 1: wearing a flat rimmed baseball cap with a bandana underneath, 603 00:39:07,360 --> 00:39:11,920 Speaker 1: a crazy yellow tank top and some wild pants. I 604 00:39:11,960 --> 00:39:15,640 Speaker 1: was wearing orange and camo, Like you kind of look 605 00:39:15,719 --> 00:39:18,200 Speaker 1: like Justin Bieber. But this memory was really fun. Do 606 00:39:18,200 --> 00:39:21,520 Speaker 1: you remember shooting it. We were in Long Beach, right 607 00:39:21,800 --> 00:39:25,200 Speaker 1: was christ and chennawit there that day. Why do I 608 00:39:25,280 --> 00:39:28,200 Speaker 1: have this memory of her stopping by because I think 609 00:39:28,200 --> 00:39:30,480 Speaker 1: she was in town and I have a memory of 610 00:39:30,480 --> 00:39:33,040 Speaker 1: her coming by just be like, oh my god, my children, 611 00:39:33,200 --> 00:39:36,200 Speaker 1: and I like, my friend was there? Or I think 612 00:39:37,000 --> 00:39:41,319 Speaker 1: Marco Marco was there, right, Marco was there? Was Naw? 613 00:39:43,280 --> 00:39:45,040 Speaker 1: I don't know. I think she visited this day like 614 00:39:45,080 --> 00:39:48,160 Speaker 1: this is what we're doing since you've been gone? Really, 615 00:39:48,760 --> 00:39:52,319 Speaker 1: I think so, because we hadn't really spent that much 616 00:39:52,320 --> 00:39:54,840 Speaker 1: time with her since the show had become as successful 617 00:39:54,840 --> 00:39:56,880 Speaker 1: as had become, and then it was like we saw 618 00:39:56,920 --> 00:39:58,799 Speaker 1: her and she was like, oh my gosh, like, look 619 00:39:58,800 --> 00:40:01,600 Speaker 1: what's happening. I think she was there. I think you 620 00:40:01,640 --> 00:40:05,320 Speaker 1: might be right. Well, but we had a lot of 621 00:40:05,080 --> 00:40:09,360 Speaker 1: fun performing this and Dana, who's from the Bay Area, 622 00:40:09,760 --> 00:40:13,000 Speaker 1: got to do her this face. That's what this. If 623 00:40:13,040 --> 00:40:14,719 Speaker 1: you see us put our hands in front of our 624 00:40:14,719 --> 00:40:17,000 Speaker 1: faces and come to do that weavy thing, that's a 625 00:40:17,120 --> 00:40:22,880 Speaker 1: Diana move. Then got on gleat, which was great, and 626 00:40:22,880 --> 00:40:25,840 Speaker 1: if you listen to E forty or he goes this face, 627 00:40:26,600 --> 00:40:30,000 Speaker 1: that's what that is. We were crazy during this number 628 00:40:30,000 --> 00:40:32,600 Speaker 1: and I think Elodie was like, just go for it. Whatever, yeah, 629 00:40:32,680 --> 00:40:35,319 Speaker 1: and um, we were dancing. A lot of it was 630 00:40:35,360 --> 00:40:38,839 Speaker 1: free we call this free form rock out, So Zach 631 00:40:38,880 --> 00:40:41,399 Speaker 1: would lay our choreographer'd be like okay, and then free 632 00:40:41,400 --> 00:40:43,680 Speaker 1: form rockout, which meant we get to do whatever we want. 633 00:40:43,920 --> 00:40:48,200 Speaker 1: And that was always my nightmare. And when we did 634 00:40:48,200 --> 00:40:51,800 Speaker 1: the line, the disco line of like, um down the middle, 635 00:40:52,320 --> 00:40:54,920 Speaker 1: it's my work line. Yeah, the soul train line, thank you, 636 00:40:55,000 --> 00:40:58,840 Speaker 1: it's actually my worst nightmare. I don't like improvising dance moves. 637 00:40:58,880 --> 00:41:02,640 Speaker 1: It's not my thing. I don't this song wasn't really 638 00:41:02,680 --> 00:41:05,560 Speaker 1: my thing. So I was like, oh gosh, so I 639 00:41:05,600 --> 00:41:09,399 Speaker 1: did the sprinkler. I think are some crazy great yeah whatever? Yeah, 640 00:41:09,440 --> 00:41:12,680 Speaker 1: But than me, I just fist pumped. Well, Harry looked 641 00:41:12,680 --> 00:41:15,200 Speaker 1: the best, Heather looked, you know, like just leave it 642 00:41:15,239 --> 00:41:18,000 Speaker 1: to the pros. Nia did the Nia dance, She did 643 00:41:18,040 --> 00:41:20,919 Speaker 1: do the Dia dans. Yeah that was great, but yeah 644 00:41:20,960 --> 00:41:24,000 Speaker 1: that was improved. And we were just living our lives 645 00:41:24,000 --> 00:41:25,920 Speaker 1: and we were also exhausted, and I think we were 646 00:41:25,960 --> 00:41:30,520 Speaker 1: like the end is near and basically how I feel 647 00:41:30,560 --> 00:41:33,040 Speaker 1: now after that is like, let's just get to the finale. 648 00:41:35,239 --> 00:41:39,359 Speaker 1: That's right. That's right. Um, and that's the episode that's 649 00:41:39,400 --> 00:41:42,239 Speaker 1: fun Yeah, that's it. It is funny. I feel like 650 00:41:42,239 --> 00:41:44,200 Speaker 1: you and I don't have a lot of memories from 651 00:41:44,239 --> 00:41:48,399 Speaker 1: that episode, um, because at that point I think we 652 00:41:48,400 --> 00:41:52,640 Speaker 1: were like the well had run dry. I remember being there, 653 00:41:52,760 --> 00:41:55,120 Speaker 1: I just don't being there. Yeah, it was just being 654 00:41:55,160 --> 00:41:59,719 Speaker 1: like a little like dead behind the eyes. Fully, I 655 00:41:59,760 --> 00:42:03,560 Speaker 1: think you're right. I think theatricality was supposed to be 656 00:42:03,600 --> 00:42:09,600 Speaker 1: this one because we had started rehearsing for regionals during theatricality. Correct, Yes, 657 00:42:10,160 --> 00:42:13,480 Speaker 1: very good, Kevin. Should we do some Tardie takes? Yeah, 658 00:42:13,560 --> 00:42:17,240 Speaker 1: let's do some speed round TARTI takes. Okay, cringe, moment's Outcheese. 659 00:42:18,760 --> 00:42:26,120 Speaker 1: There's a million um the Sue and Will seduction. I 660 00:42:26,320 --> 00:42:33,080 Speaker 1: picked the Will overstepping he um over sharing with the 661 00:42:33,120 --> 00:42:38,160 Speaker 1: Glee Club. You actually, I did wrote this. I wrote 662 00:42:38,160 --> 00:42:40,759 Speaker 1: this down because I was shocked at it, the fact 663 00:42:40,800 --> 00:42:43,239 Speaker 1: that he was like I just finalized my divorce, and 664 00:42:43,280 --> 00:42:45,120 Speaker 1: I was like, I yelled at the screen, I said 665 00:42:45,880 --> 00:42:50,160 Speaker 1: what I share that? And then Santana speaks up and 666 00:42:50,360 --> 00:42:53,360 Speaker 1: addresses it, which I was thankful for. It's like, thank God, 667 00:42:53,760 --> 00:42:55,160 Speaker 1: I don't even think they cut to her. I think 668 00:42:55,160 --> 00:42:57,799 Speaker 1: they her voices. No, she was, she was laying on 669 00:42:57,840 --> 00:43:03,920 Speaker 1: the chairs. Okay again, I think fully sums up how 670 00:43:03,960 --> 00:43:06,799 Speaker 1: everyone felt about this episode. Never have you ever seen 671 00:43:06,840 --> 00:43:10,240 Speaker 1: anyone laying on the chairs in the choir room. Worst 672 00:43:10,320 --> 00:43:17,400 Speaker 1: dance move I mean, I mean, but it's good and 673 00:43:17,600 --> 00:43:23,680 Speaker 1: bad is good vibrations. I gotta say, there's some cringe. 674 00:43:23,800 --> 00:43:28,040 Speaker 1: Give up the funks in there that we're just some 675 00:43:28,120 --> 00:43:34,440 Speaker 1: were great and some were just not right. Best song none, 676 00:43:34,040 --> 00:43:37,880 Speaker 1: not another one bites the dust. Okay, fair enough, fair enough. 677 00:43:37,880 --> 00:43:39,839 Speaker 1: I think we peaked early, Yeah, we did peak early 678 00:43:39,880 --> 00:43:42,719 Speaker 1: in this one. And then performance by a prop. I 679 00:43:42,760 --> 00:43:46,520 Speaker 1: think all of the trophies for sure, the one that 680 00:43:46,600 --> 00:43:50,320 Speaker 1: broke the hoarders, the national one. Yes, trophies were winning. 681 00:43:50,360 --> 00:43:52,040 Speaker 1: Do you remember when Tina got hit in the head 682 00:43:52,040 --> 00:43:58,000 Speaker 1: with the trophy in a later season? No, Sam Cord 683 00:43:59,040 --> 00:44:01,080 Speaker 1: moves and he hits me in the head and I 684 00:44:01,160 --> 00:44:04,200 Speaker 1: go down. No no, yeah, yeah, yeah, no, not on 685 00:44:04,239 --> 00:44:06,760 Speaker 1: purpose by accident in a scene and I go down. 686 00:44:07,239 --> 00:44:10,319 Speaker 1: It's very funny. You're is there is it in the 687 00:44:10,360 --> 00:44:12,800 Speaker 1: actual cut? Or Oh it's with chums. It's when we 688 00:44:13,080 --> 00:44:21,160 Speaker 1: go into chums. Oh sorry, anyway, trophies galore u best lines. 689 00:44:21,760 --> 00:44:25,759 Speaker 1: I think we have the same one. Okay, we did. 690 00:44:25,800 --> 00:44:29,959 Speaker 1: We wrote him here. It's the same one. So they're 691 00:44:30,000 --> 00:44:33,680 Speaker 1: in the office. They're talking about the prank, the slashing 692 00:44:33,680 --> 00:44:36,759 Speaker 1: of the tires, and will goes, look, nobody got hurt. 693 00:44:36,800 --> 00:44:39,400 Speaker 1: It was a harmless prank, and sou goes, that's what 694 00:44:39,400 --> 00:44:41,280 Speaker 1: they said about a young man in Chicago in eighteen 695 00:44:41,360 --> 00:44:43,360 Speaker 1: seventy one who thought he'd play a harmless prank on 696 00:44:43,400 --> 00:44:46,680 Speaker 1: a dairy cow of one old of one Missus O'Leary. 697 00:44:46,920 --> 00:44:50,920 Speaker 1: He success successfully ignited its flatulence, and the city burned. 698 00:44:50,960 --> 00:44:53,880 Speaker 1: William that young terrorist went on to become the first 699 00:44:53,880 --> 00:45:00,719 Speaker 1: gay president of the United States, Abraham Lincoln. What I 700 00:45:00,760 --> 00:45:02,600 Speaker 1: had to rewind it and listen to it, like three 701 00:45:02,640 --> 00:45:10,520 Speaker 1: more try to do because I thought so weird. I 702 00:45:10,640 --> 00:45:12,560 Speaker 1: was like, I didn't know. I'm like, are we talking 703 00:45:12,600 --> 00:45:15,239 Speaker 1: about one of the great fires in Chicago? We're talking 704 00:45:15,280 --> 00:45:19,479 Speaker 1: about mad cow disease? Are we talking about? Like what? God? 705 00:45:19,520 --> 00:45:21,840 Speaker 1: It was so good. It was how didn't let field? 706 00:45:22,200 --> 00:45:25,640 Speaker 1: But it worked so well? Jane just killing it again. 707 00:45:25,880 --> 00:45:31,000 Speaker 1: It was okay ball also with the line um to 708 00:45:31,400 --> 00:45:36,160 Speaker 1: Adina about being um, I can't even remember what he 709 00:45:36,200 --> 00:45:38,120 Speaker 1: said to her, but it was like, yeah, it was 710 00:45:38,280 --> 00:45:42,640 Speaker 1: very inappropriate, and Sue's reaction of like glaring at him 711 00:45:42,719 --> 00:45:48,239 Speaker 1: was flawless. It was absolutely flawless. Um Jenna the ship 712 00:45:48,239 --> 00:45:51,320 Speaker 1: we found on TikTok today. It was very exciting because 713 00:45:52,640 --> 00:45:55,760 Speaker 1: it has almost nine hundred thousand views, wow, two hundred 714 00:45:55,760 --> 00:46:01,280 Speaker 1: thousand likes, and somebody threw an incredible twenty fourth Glee 715 00:46:01,280 --> 00:46:09,000 Speaker 1: themed birthday party. What yes, Um, it's really great. Click 716 00:46:09,040 --> 00:46:14,359 Speaker 1: on it, watch it by um McKenna Renee. And they 717 00:46:14,440 --> 00:46:19,120 Speaker 1: have karaoke, people are dressed up in costume. They have 718 00:46:19,520 --> 00:46:24,719 Speaker 1: food themed as like rice Crispy treats it looks like 719 00:46:24,760 --> 00:46:29,520 Speaker 1: but with Cheerios. There are all kinds of wonderful. They 720 00:46:29,520 --> 00:46:34,279 Speaker 1: have big pictures, they have gold star balloons, people and 721 00:46:35,280 --> 00:46:40,080 Speaker 1: Cheero's outfits. Fondu for two, they have the top slushies. 722 00:46:40,239 --> 00:46:42,520 Speaker 1: They even have like a quiz looking thing. It was. 723 00:46:43,160 --> 00:46:46,719 Speaker 1: There are paper plates with our faces on them. Yeah, 724 00:46:46,800 --> 00:46:51,160 Speaker 1: this is great. It's really really good. You check it out. 725 00:46:51,200 --> 00:46:54,239 Speaker 1: Because it is twenty twenty three or twenty twenty two, 726 00:46:54,280 --> 00:46:57,520 Speaker 1: whenever this was people are still having Glee parties wild, 727 00:46:57,680 --> 00:47:02,720 Speaker 1: but this is great. It's great work attention to detail. 728 00:47:03,080 --> 00:47:05,000 Speaker 1: Thank you for sending that, Thank you for having the party. 729 00:47:05,080 --> 00:47:07,640 Speaker 1: Hope we had a great birthday, Happy birthday, Happy birthday 730 00:47:08,200 --> 00:47:10,680 Speaker 1: per usual. Thank you for sending that in. Thank you 731 00:47:10,719 --> 00:47:17,360 Speaker 1: for listening. Next week is our finale of season. What 732 00:47:20,760 --> 00:47:25,320 Speaker 1: we did it? Wow? This is very exciting. I can't wait. 733 00:47:26,480 --> 00:47:28,600 Speaker 1: And we have lots of memories. I end up in 734 00:47:28,640 --> 00:47:33,399 Speaker 1: the hospital at one point, so what Yeah, I went 735 00:47:33,440 --> 00:47:36,040 Speaker 1: to the er during the filming of Journey to Regionals. 736 00:47:36,360 --> 00:47:40,640 Speaker 1: I remember this now. A lot happened. All right, Well, 737 00:47:40,719 --> 00:47:44,440 Speaker 1: let's do it. Um. Thanks for joining us, Thanks for 738 00:47:44,480 --> 00:47:49,520 Speaker 1: sticking with us. We can't wait to wrap this season 739 00:47:49,600 --> 00:47:52,000 Speaker 1: up and get on to the next one. We're just 740 00:47:52,040 --> 00:47:55,560 Speaker 1: getting going. One season almost down, five to go and 741 00:47:55,600 --> 00:47:59,600 Speaker 1: a couple of tours and a movie that no one 742 00:47:59,640 --> 00:48:04,840 Speaker 1: watched it And that's what you really missed. Bye bye 743 00:48:05,120 --> 00:48:09,040 Speaker 1: Ta Ta. Thanks for listening and follow us on Instagram 744 00:48:09,080 --> 00:48:11,480 Speaker 1: at and that's what you really miss pod. Make sure 745 00:48:11,520 --> 00:48:13,600 Speaker 1: to write us a review and leave us five stars. 746 00:48:13,800 --> 00:48:14,520 Speaker 1: See you next time.