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Speaker 1: So we're a week out at this point from curtains

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Speaker 1: up and.

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Speaker 2: The scene's not working.

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Speaker 1: And just to remind you, it's the Geffen. We're doing

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Speaker 1: Proove and this is before people knew proof. It's before

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Speaker 1: Gwyneth and Jake sort of solidified what we think of

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Speaker 1: as it. We were still finding it. And we've got

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Speaker 1: this big scene where we're you know, we're doing all

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Speaker 1: this math and uh. And it was myself and Mary

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Speaker 1: Louise and we're uh, Parker and we're we're going over

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Speaker 1: and we're going over and it's not working.

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Speaker 2: It's not working.

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Speaker 1: And my mentor dear friend, director Charles Nelson Riley, leans

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Speaker 1: in and says, Sean, what if you're holding a pen

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Speaker 1: in this scene?

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Speaker 2: Hm?

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Speaker 1: Hmm, Now I stopped why And he says, well, you'll

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Speaker 1: be happy because you'll have something to do with your hand,

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Speaker 1: and the pen will be happy because it finally gets

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Speaker 1: to be in a play.

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Speaker 2: So how did that evolve into the eventual scene where

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Speaker 2: they're eating salsa? Yeah, so obviously, Nicodgaia is that what

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Speaker 2: it was? The pen just didn't read. I mean like

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Speaker 2: we're on stage and we go we need something in

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Speaker 2: a bowl. But it was the beginning of the solve.

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Speaker 2: I mean it was much like the subject matter of

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Speaker 2: the play itself, right where it was. You know, it

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Speaker 2: was about solving this complex problem eating a plate of salsa.

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Speaker 1: Yeah, so we were said, we need something bigger than

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Speaker 1: a pen wider. But once I had something with my hands,

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Speaker 1: you know, I found the scene and I said, we

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Speaker 1: could put anything in my hand. So then it was

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Speaker 1: a plate. Then the plate was empty. That looked weird.

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Speaker 1: Then we put salsa on it. It was colorful, it

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Speaker 1: was vibrant. It made the audience feel like, hey, something's

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Speaker 1: happening on stage. But then it's like, is he just

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Speaker 1: holding this salsa? No, we'll eat it. We'll eat off

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Speaker 1: this plate. And so that really then, you know, it

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Speaker 1: was the beginning of this whole thing where obviously the

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Speaker 1: rest is history of the movie is a big hit

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Speaker 1: and everyone still talks about today. You know, the movie Proof,

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Speaker 1: which is based on the play that I did at

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Speaker 1: the Geffen with Mary Louise Park.

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Speaker 2: The Hollywood Handbook, then Insider's Guy, the KICKI but Drab

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Speaker 2: a name in the regardless blah blah blah blah who

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Speaker 2: gives a shit lecture. Hall came back lecture halls here.

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Speaker 1: Woo schools in session, lecture session.

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Speaker 3: It's back to school on April twenty.

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Speaker 4: Eighth, after spring break. You're back in school.

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Speaker 2: Yeah, you remember how he said that thing when he

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Speaker 2: was like spring break.

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Speaker 4: Who yeah, Frank, it's a ring tone. What what did

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Speaker 4: you say?

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Speaker 2: It's a ring tone.

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Speaker 1: It's a ring tone, baby, right, pick up the phone,

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Speaker 1: look at all my stuff. Yeah, so it is. It

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Speaker 1: has been spring break. And uh, as two guests who

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Speaker 1: have permanent senioritis, you've got to be looking forward to summer. Huh,

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Speaker 1: it's almost here. Tell me what your big summer plans

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Speaker 1: are and how crazy are you two gonna go this time?

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Speaker 3: I'm gonna try cocaine.

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Speaker 4: Cocaine great, Yeah, I'm gonna go the other way. I'm

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Speaker 4: going to take ketamine. But the way that they give

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Speaker 4: it to horses, not people.

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Speaker 1: Okay, okay, you ain't gonna shack it.

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Speaker 4: No, no, no, no, I'm gonna do it right. I'm gonna

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Speaker 4: go to a vat.

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Speaker 2: Yeah. Don't they have a thing that they just put

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Speaker 2: it way in the back of the horses, like how

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Speaker 2: they stuff a goose. Mm hmm.

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Speaker 4: Yeah, that's what I'm gonna do.

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Speaker 1: Okay, they've got like a big, like a big horse

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Speaker 1: size sort of syringe looking thing and they just ejected

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Speaker 1: all the way in the back of the so Vegas

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Speaker 1: and that gets you going where you need to be. Uh, well,

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Speaker 1: that'll be a cool dynamic for you too. But then

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Speaker 1: who's if you're on kademy and who's gonna catch brothy?

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Speaker 4: Oh when she jumps, no one, that's what she wants.

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Speaker 2: Maybe it's time. Oh, I didn't know she was gonna.

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Speaker 2: I just rememb when she's gonna be running around and stuff.

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Speaker 4: Yeah, when I get the zuomies, Oh, I let her

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Speaker 4: do that because she gets tired and then I can

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Speaker 4: then she goes to sleep.

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Speaker 2: Yeah, the cocaine zoobies.

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Speaker 5: Yeah, well then after I get over the zoomies, I'm

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Speaker 5: gonna try cocaine.

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Speaker 2: For the Okay. Yeah, that's what I worry. I worry

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Speaker 2: that the cocaine is going to get everywhere if you're

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Speaker 2: if you have the zuomies anywhere near it.

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Speaker 1: Yeah, I know I have.

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Speaker 3: I have a gogurt version. It's called gocaine. So okay,

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Speaker 3: if you're on if you're on the.

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Speaker 5: Move, it's it's a much easier way to to ingest it.

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Speaker 5: I will be ingesting it the way that you You

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Speaker 5: know what, I think I'm going to have some gogurt

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Speaker 5: this summer.

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Speaker 2: Yeah you're thinking, yeah, yeah, that's what you really wanted,

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Speaker 2: was the gogurt.

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Speaker 1: Yeah, sometimes I want to about Yeah, as you work

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Speaker 1: through like and this is why we poke holes and everybody.

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Speaker 2: People come in with like sort of like.

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Speaker 1: A little bit of an idea and we just start

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Speaker 1: prodding at it until they kind of hate their first

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Speaker 1: idea and they go, never mind, I'll just eat some gogurt.

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Speaker 1: And I think you save a lot of lives that way, you.

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Speaker 3: Save a lot of lives.

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Speaker 5: And also can I I'm gonna give you as a

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Speaker 5: huge compliment. You you cut through the persona and you

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Speaker 5: go straight to the person.

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Speaker 2: Mmmmm hmmm. It's true. We care about With me when

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Speaker 2: I'm in a relationship, I go straight for the purse.

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Speaker 2: That's where the money is. Yea to you. Yeah, I'll

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Speaker 2: check out. I'll be there.

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Speaker 3: What are you What are you gonna do with that?

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Speaker 5: You're gonna buy so many things like movie tickets and

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Speaker 5: paper clips?

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Speaker 2: Mm hm, how do you have a chapstick in here?

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Speaker 2: I can use I'm going to the stationary store. Are you?

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Speaker 4: Are you inviting people to something.

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Speaker 2: With my stationary No? And banking everyone, okay, thanking everyone

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Speaker 2: for what my success.

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Speaker 1: It's so fucked up because then everyone thinks, wow, Hayes

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Speaker 1: is so generous. He's he has so much time to

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Speaker 1: express his gratitude. Meanwhile he's stealing from his own girl

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Speaker 1: friend's purse.

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Speaker 2: Mm hmm.

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Speaker 1: Wow, that's sick man. I have to stand.

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Speaker 2: I don't want to like stir anything up. And you're like,

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Speaker 2: you guys seem to have an amazing thing going, not

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Speaker 2: liking each other necessarily per se, but like some other

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Speaker 2: at least like some dynamic for sure.

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Speaker 3: Thank you, thank you.

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Speaker 2: But Kevin, we we couldn't. We were like behind on that,

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Speaker 2: but we couldn't get anyone or something. I don't know.

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Speaker 2: He sucked up in some way. Yeah, And Kevin sends

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Speaker 2: a text and he writes, for this Thursday's recording, Sean,

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Speaker 2: could you ask Brothie if she's free? Yeah? So that yeah,

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Speaker 2: so that there were say, I'm.

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Speaker 6: So glad you brought it up. I was hoping you

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Speaker 6: were going to bring this up pace.

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Speaker 2: Thank you, because first of all, I think I you know,

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Speaker 2: I at least I don't know if I know her better,

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Speaker 2: but I've seen her more.

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Speaker 1: Yeah, I feel like I was introduced to Broth the

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Speaker 1: like through Hayes.

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Speaker 2: Basically.

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Speaker 5: Yeah, even though I'm constantly running whenever Hayes sees me,

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Speaker 5: I've got the zoomies.

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Speaker 1: Yeah, but you're running, you know, in a very tight circle. Yeah,

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Speaker 1: you're able to conduct a conversation. You're just basically spinning

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Speaker 1: around him.

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Speaker 4: Yeah.

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Speaker 5: Well that's because one leg is shorter than the other.

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Speaker 5: That's actually me running straight ahead.

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Speaker 2: But also like, I don't know, it's just like it

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Speaker 2: didn't to me. It didn't make sense.

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Speaker 1: Hm.

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Speaker 2: Well that's why I sat on it for a day

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Speaker 2: and a half. Yeah, it's just I think so did Hayes. Oh,

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Speaker 2: I'm still sitting on it. I never responded to that

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Speaker 2: question specifically, It wasn't that's right, that's right.

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Speaker 1: My name was in that text. But I kind of

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Speaker 1: let it rest.

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Speaker 2: And I just turned it out. But also, like Dylan's

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Speaker 2: been in like movies and stuff, like let's get Dylan.

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Speaker 1: Yeah, well I I just went like I went, am

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Speaker 1: I being weird in my reaction? Like let me not

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Speaker 1: text right away, Let's sleep for a little bit.

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Speaker 3: And this is all due to the simple mention of

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Speaker 3: my name.

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Speaker 4: Well, I think you brought this up and you're like,

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Speaker 4: who's should ask Brothy where?

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Speaker 2: Meanwhile, No, no, no, no, that wasn't the question. That wasn't

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Speaker 2: the only question for me. No, No, The main question

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Speaker 2: question on the text threat do we only have one

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Speaker 2: spot or something? Because if it's only one, like Dylan's

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Speaker 2: been in like a bunch of like.

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Speaker 1: In movies, you know, I mean, I think Dylan's been

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Speaker 1: in movies.

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Speaker 4: Yeah, I have been in movies.

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Speaker 2: So let's just get Dylan. That was what I I mean,

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Speaker 2: that was what I assume we only had one spot?

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Speaker 5: All right, all right, listen, I know who you're used

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Speaker 5: to seeing on the screen, so let me make this

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Speaker 5: more comfortable for everyone.

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Speaker 4: Yeah, Brothie is kind of behind the camera.

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Speaker 2: This is what my TV is normally like? Is that?

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Speaker 2: I guess theoretically, brother, these camera is off what I'm watching,

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Speaker 2: but that yeah, but that's not.

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Speaker 1: What I I responded right and said.

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Speaker 2: Mm hmm, yeah, are we just asking broth there?

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Speaker 1: Are we getting lecture hall? Lecture halls? The brand to

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Speaker 1: that's what the team is.

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Speaker 2: When you guys do like your UCB Harold Knight or

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Speaker 2: whatever like lecture Halls. That's the team.

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Speaker 1: Well, probably cage match more likely. You don't need to

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Speaker 1: do Harold Night. You have to be on a wh

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Speaker 1: uh no offense. I'm not sure that's ha anytime too soon.

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Speaker 2: You actually have to go through the whole program and then,

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Speaker 2: you know.

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Speaker 1: Usually the artistic director assembles the team. You don't just pick, Oh,

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Speaker 1: we're a you know, we're Electra Hall, We're a package believer,

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Speaker 1: can match?

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Speaker 3: Did you forget about cage match? Embarrassing?

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Speaker 2: Uh? No? I remember cage match.

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Speaker 1: I remember it too. I remember whipping some ass at that.

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Speaker 2: Yeah. I remember winning the cage match. I used to

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Speaker 2: go rock the vote at cage match. Voter God said,

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Speaker 2: this is what democracy looks like.

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Speaker 3: Yeah, this is what democracy looks like.

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Speaker 4: Did you want? Is that what we're leaving?

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Speaker 2: No, Dylan, I keep saying, over and over, are you

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Speaker 2: like trying to bait me into the same compliment over

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Speaker 2: and over again? You've been in movies and stuff. You've

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Speaker 2: been in movies and stuff. I haven't. That's what the

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Speaker 2: reason I'm bringing up is because I thought it was

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Speaker 2: so fucked up and weird that Kevin would suggest that

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Speaker 2: just broke the b on here.

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Speaker 4: You know, I'm not like, this is not on you, guys,

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Speaker 4: This is on Kevin.

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Speaker 1: I was tripping on that.

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Speaker 2: Yeah, yes, I thought you were talking to me. Talk

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Speaker 2: to get it going. I know you guys, talk to Kevin.

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Speaker 2: I feel good.

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Speaker 7: Yeah yeah, Oh my gosh, I'm so glad we're having

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Speaker 7: this conversation. From the from the bottom of my heart,

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Speaker 7: this was a pure miscommunication. I meant to say both,

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Speaker 7: but then I accidentally remembered that you like hate headphones

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Speaker 7: and might have just like forgot your name or something.

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Speaker 7: But uh so that's why I've kind of left you out.

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Speaker 7: But so maybe if for the next one you can

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Speaker 7: use Brote's air pods, and then I would have just

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Speaker 7: you like when you've.

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Speaker 4: Been in movies. I have been in a couple of movies.

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Speaker 6: Sure, people bring headphones for you.

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Speaker 4: People you were like, oh, I'm kind of like somebody

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Speaker 4: has a water or they're like we're ready, Like you

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Speaker 4: know what I mean, like, let me show you where

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Speaker 4: to go, here's what you need, here's your props.

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Speaker 2: Well, they mike you up.

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Speaker 1: I mean they hide a mic somewhere inside your clothes,

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Speaker 1: so like you're not used to having bring.

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Speaker 4: A mic I'm not going to bring a mic to set.

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Speaker 4: That's insulting, you know what.

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Speaker 1: I mean, may be wearing one and not even know

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Speaker 1: it right now exactly.

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Speaker 4: I'm like, I'm not going to insult you, Kevin by

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Speaker 4: doing your job for you by having hyphones.

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Speaker 6: You Well, I think.

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Speaker 7: You know.

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Speaker 3: I haven't been in movies.

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Speaker 5: I'm not part of this whole world.

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Speaker 3: I have not been in movies, Hayes.

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Speaker 5: And we're not talking about this, We're not talking about

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Speaker 5: the small screen.

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Speaker 2: Been in a limo?

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Speaker 4: Is that true?

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Speaker 1: I haven't been in movies that haven't been in a limo. No,

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Speaker 1: even to the airport, to the airport for the.

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Speaker 5: Well, okay, it's not technically I'm not allowed to call

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Speaker 5: it a limo.

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Speaker 3: We have to call it long car.

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Speaker 2: Mm hmmm, that's right, yeah, limos from the Limo region.

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Speaker 3: Yeah.

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Speaker 5: So I'm kind of I'm more of like a woman

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Speaker 5: of the people. This this Hollywood kind of coastal elite

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Speaker 5: stuff is I just don't understand it. So, I you know, so,

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Speaker 5: I'm the kind of person who would bring their own

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Speaker 5: air like I brought my AirPods to the trailer that

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Speaker 5: you guys ordered for.

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Speaker 2: Me and did everything you needed. Is that the right guitar?

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Speaker 1: Yeah, it looked like what you were asking for.

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Speaker 4: But it just props up a guitar behind her because

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Speaker 4: she hopes that someone will say, oh, do you know

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Speaker 4: how to play it? Could you play me something?

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Speaker 5: Now, I prop up a guitar behind me because, as

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Speaker 5: I was explaining earlier to Sean, this is a threat.

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Speaker 4: It's a threat that you're going to pick it up

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Speaker 4: and play it.

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Speaker 5: I can at any point tonight, I can reach back,

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Speaker 5: and it's all over for you, guys, because all of

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Speaker 5: a sudden, I'm playing beginning of Blackbird by the Beatles through.

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Speaker 2: The power of music.

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Speaker 1: Now you have captured our audience there under your spell exactly.

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Speaker 1: We don't have that same ability.

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Speaker 3: And I single handedly bring back.

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Speaker 4: Radio the movie or the thing.

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Speaker 3: The thing.

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Speaker 5: Okay, I haven't seen that movie. I recently watched the

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Speaker 5: It's also still around.

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Speaker 2: It doesn't need to be like brought back like it's

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Speaker 2: still a movie.

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Speaker 6: Yeah, is that the football one?

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Speaker 2: I guess radio stills are out too. Yeah. I think

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Speaker 2: both are still around. Yeah, Yeah, that's what people.

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Speaker 6: That's my dad's in that movie. Even my dad's in movies.

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Speaker 2: Your dad, your dad's in radio he was.

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Speaker 6: At the big game. They said, ladies and gentlemen, we're

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Speaker 6: filming a movie. It's called Radio, and he's in the crowd.

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Speaker 6: So even Bartelsurance gets you. Even my damn daddy's in

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Speaker 6: the movies.

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Speaker 1: It's like Dan Bil'sarian paying to Be and the Equalizer

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00:16:01,160 --> 00:16:11,680
Speaker 1: Kevin a million dollars The Crash of Radio. I was

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Speaker 1: told that there would be a close up of Denzel

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Speaker 1: Washs shooting my beard off.

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Speaker 2: I'm suing the producers. This is relatable.

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Speaker 5: Yeah, speaking well, speaking of the producers, that is exactly

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Speaker 5: what I watched.

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Speaker 1: That's what you watch. I remember you trying to bring

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Speaker 1: it around to that. What's going on with that?

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Speaker 5: You know?

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Speaker 3: They if they want it.

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Speaker 1: The original with zero Mustelle, the.

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Speaker 3: Actually no, the two thousand and five versions.

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Speaker 1: Okay, I don't know it resent classics.

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Speaker 5: Yeah, I'm not allowed to watch that yet, but it's

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Speaker 5: you know, it's your classic sort of Hollywood story of

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Speaker 5: Nathan Lane tries to make a flop and he doesn't,

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Speaker 5: he makes a hit.

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Speaker 3: I was kind of hoping this would prompt more from

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Speaker 3: you guys.

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Speaker 1: Yeah, I don't know. We haven't even really had room yet. Uh.

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Speaker 1: I had an idea actually for what we could all

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Speaker 1: do together, because you guys are doing some really interesting,

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Speaker 1: sort of smart, innovative comedy stuff and it's a little

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Speaker 1: bit against the grain, and we've been trying to capture

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Speaker 1: that audience. I think that we've been doing some kind

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Speaker 1: of mainstream shit lately. And I recently found this pretty

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Speaker 1: messed up website that's actually pretty funny. It's called McSweeney's.

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Speaker 2: Yeah, it's not a website, it's aid internet tendency.

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Speaker 6: Yeah.

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Speaker 1: So I was wondering if you guys, y'all's could help us.

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Speaker 4: Do a McSweeney's Uh huh, oh my god.

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Speaker 2: Okay, I could use some help too. I submitted in

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Speaker 2: two thousand and seven. I was rejected. I was told

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Speaker 2: that the piece was funny, but it didn't make him

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Speaker 2: laugh out loud, which I know is the bar, of course,

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Speaker 2: for any piece of McSweeney's content. It's gotta be making

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Speaker 2: you bust a damn gut all over. Computer computer is

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Speaker 2: soaked with spit and milk. I mean McSweeney's. The mc

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00:18:45,000 --> 00:18:51,880
Speaker 2: stands for Menace to computers. It's menace to computer sweeneys

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Speaker 2: because their their goal, actually their mission, is to admihilate

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Speaker 2: it's single handedly keeping the computer industry alive.

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Speaker 1: Well because they make them pretty durable. Now you wouldn't

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Speaker 1: have to buy a new one if you could stay

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Speaker 1: off the damn McSweeney's and stop reading the funny stuff

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00:19:07,920 --> 00:19:14,199
Speaker 1: that makes you spit out your And so, uh, I

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Speaker 1: want to be involved in that. I think it could

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Speaker 1: be huge for our brand. And I thought, who's young,

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00:19:20,840 --> 00:19:23,359
Speaker 1: who's in touch, who's out there, who's funny, who's got

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00:19:23,400 --> 00:19:27,919
Speaker 1: some clever smartness happening? Oh, Lecture Hall does. And I

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Speaker 1: thought that after Kevin said, Sean, can you please invite

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Speaker 1: broth thee, by which he meant of course, both like both.

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Speaker 4: Then you were like, what if we had Leisure Hall on?

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Speaker 1: Well yeah, and then I but yeah, yeah, or Dylan

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Speaker 1: would be great.

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Speaker 2: Yeah, Dylan would be interesting to have.

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Speaker 1: Right, So when I read these things, I go, how

359
00:19:55,840 --> 00:20:00,200
Speaker 1: the fuck are they thinking of this ship? Like it'll

360
00:20:00,200 --> 00:20:07,040
Speaker 1: be like like the like the narrator of the of

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00:20:07,080 --> 00:20:12,800
Speaker 1: the thing is like a box of cookies or something like,

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Speaker 1: I don't know what's happening. It's like the last cookie

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00:20:18,280 --> 00:20:21,200
Speaker 1: in the box is talking to your hand while you

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Speaker 1: reach for it, or something like.

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Speaker 3: That's cool.

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Speaker 4: I don't know that's pretty funny.

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Speaker 5: Can I can I pitch something on that to make

368
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Speaker 5: it really pop, to make it laugh out loud funny?

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00:20:33,960 --> 00:20:37,280
Speaker 5: Just two words, two words, Nathaniel Hawthorn.

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Speaker 3: Can you put him into.

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Speaker 1: This, Cathorn, Nathaniel Hawthorne, This is why we need you. Okay.

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Speaker 2: Maybe it's like Elon Musk and he's like back in,

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00:20:47,920 --> 00:20:51,840
Speaker 2: but it's like old times, and like he's deciding to

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Speaker 2: buy like the like the the maybe not I don't

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Speaker 2: want to is a Nathaniel Hawthorne thing I did, Like

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Speaker 2: I do I want to rotaine that somehow. But he's

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Speaker 2: buying like the Gutenberg press or something, oh.

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00:21:07,440 --> 00:21:10,840
Speaker 1: Yeah, Or he's buying just a bird, like an actual bird.

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00:21:10,600 --> 00:21:13,800
Speaker 2: A bird of the pigeon. That's like sending the messages

380
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Speaker 2: around like he's just.

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Speaker 1: Buying the bird, and then like, yeah.

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Speaker 3: He's buying a really mean bird.

383
00:21:21,680 --> 00:21:24,080
Speaker 1: Yeah, he's buying a bird. He's buying like a foul

384
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Speaker 1: mouthed parrot.

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00:21:25,040 --> 00:21:29,240
Speaker 4: Essentially, So would this be like letters to entities unlikely

386
00:21:29,280 --> 00:21:32,120
Speaker 4: to respond or would this be like like which category

387
00:21:32,160 --> 00:21:32,600
Speaker 4: would this bean?

388
00:21:32,760 --> 00:21:36,879
Speaker 2: Or is this a short imagine monologue? Is this a

389
00:21:36,920 --> 00:21:39,080
Speaker 2: sim Are we pulling out the sim card.

390
00:21:39,400 --> 00:21:43,000
Speaker 1: It's feeling to me like a short imagined monologue.

391
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Speaker 2: Am I crazy?

392
00:21:44,600 --> 00:21:47,320
Speaker 4: No, because it's the cookies monologue, right, Like it's the

393
00:21:47,320 --> 00:21:51,240
Speaker 4: cookies or the hand I'm on the cookie thingst All.

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Speaker 2: We're doing the cookies. We can do the cookies. Can

395
00:21:53,680 --> 00:21:57,600
Speaker 2: we tie it into like the Florida stuff, like the

396
00:21:57,680 --> 00:22:00,960
Speaker 2: DeSantis stuff? Like you know, I just want this to

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00:22:01,119 --> 00:22:05,160
Speaker 2: like I want this derive to the top of the inbox, right,

398
00:22:05,200 --> 00:22:08,240
Speaker 2: you know what I mean? Right, So it's like an uh, it's.

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Speaker 1: Like a I feel like there's something with like a

400
00:22:15,400 --> 00:22:18,160
Speaker 1: box of Oreos talking to a box of high drugs.

401
00:22:19,240 --> 00:22:23,359
Speaker 2: Okay, yeah, okay, okay, god shit. I mean like I

402
00:22:23,560 --> 00:22:26,120
Speaker 2: don't even want to like I don't want to bring

403
00:22:26,160 --> 00:22:29,000
Speaker 2: it up never mind. Just in my head, I'm thinking

404
00:22:29,000 --> 00:22:30,800
Speaker 2: like it like so here, I was thinking we go

405
00:22:30,880 --> 00:22:34,520
Speaker 2: like super topical, but like it's some you know, I

406
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Speaker 2: don't I almost feel like we could get into like

407
00:22:36,359 --> 00:22:38,120
Speaker 2: decorative Gord territory with this thing.

408
00:22:38,560 --> 00:22:42,000
Speaker 1: Okay, well then okay, I don't want to like.

409
00:22:41,960 --> 00:22:44,000
Speaker 2: Speak that and it's stupid. It's stupid, But.

410
00:22:44,240 --> 00:22:47,480
Speaker 4: I think you're willing to curse if you're willing to

411
00:22:47,520 --> 00:22:50,080
Speaker 4: say things you don't think you should about gourds.

412
00:22:51,240 --> 00:22:56,440
Speaker 2: Oh is it? Oh? Do we just do that? And

413
00:22:56,480 --> 00:22:58,000
Speaker 2: it's but it's like about the cookies.

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00:22:58,200 --> 00:23:00,320
Speaker 4: They won't like that one. They won't like that. They

415
00:23:00,359 --> 00:23:03,000
Speaker 4: won't use it as an example of what to end.

416
00:23:03,240 --> 00:23:09,840
Speaker 1: Okay, okay, well I think I got us off track

417
00:23:09,880 --> 00:23:14,879
Speaker 1: with the cookie thing. Let's start from, as Hayes said,

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00:23:15,200 --> 00:23:18,960
Speaker 1: like impactful topical, like social issues. I think the Elon

419
00:23:19,119 --> 00:23:23,080
Speaker 1: Musk area was great. I'm trying to think about what

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00:23:23,080 --> 00:23:23,760
Speaker 1: else is going on.

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00:23:24,119 --> 00:23:31,080
Speaker 3: I mean, well, if I may, it seemed like.

422
00:23:31,040 --> 00:23:34,800
Speaker 1: He was no, I'll listen. I mean, you know, it

423
00:23:34,840 --> 00:23:36,360
Speaker 1: can keep cooking for a little bit.

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Speaker 3: I mean, look, I'm I'm just excited, like this is just.

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00:23:46,440 --> 00:23:48,720
Speaker 2: Someone zoom. I understand it. Stuff with zoom and it

426
00:23:48,760 --> 00:23:49,720
Speaker 2: is our zoom people.

427
00:23:50,240 --> 00:23:52,399
Speaker 4: You're excited about an idea.

428
00:23:52,480 --> 00:23:54,639
Speaker 1: Yeah, and I don't like my idea anymore.

429
00:23:54,800 --> 00:23:56,040
Speaker 2: And so it's you know.

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00:23:56,960 --> 00:23:59,440
Speaker 1: It was like Russia as like a rude frat guy.

431
00:24:01,240 --> 00:24:03,480
Speaker 4: That's funny, that's pretty YoY.

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00:24:04,000 --> 00:24:09,879
Speaker 1: Yeah, I think because I I hate what they're doing.

433
00:24:10,040 --> 00:24:12,240
Speaker 2: And then what if it's like The Neighbors. Oh, it's

434
00:24:12,280 --> 00:24:14,119
Speaker 2: like the movie The Neighbors.

435
00:24:14,520 --> 00:24:18,040
Speaker 1: Yes, it's the movie The neighbors. It's the rude frat

436
00:24:18,080 --> 00:24:20,119
Speaker 1: guys who are living next door.

437
00:24:21,080 --> 00:24:23,560
Speaker 4: Because you can be like, oh, like Putin's male ego,

438
00:24:23,960 --> 00:24:24,600
Speaker 4: you know what I mean.

439
00:24:24,680 --> 00:24:26,919
Speaker 1: Like that, well Putin could make a mold of his

440
00:24:27,080 --> 00:24:29,560
Speaker 1: dick and sell it as like a dildo and then

441
00:24:29,680 --> 00:24:32,440
Speaker 1: like raise enough money to like buy the house or

442
00:24:32,480 --> 00:24:33,480
Speaker 1: whatever happened in that.

443
00:24:33,480 --> 00:24:35,280
Speaker 4: Movie, right, Like that has a lot to say.

444
00:24:35,840 --> 00:24:39,760
Speaker 2: Yeah, and it's like a hazing rituals happening over there,

445
00:24:39,760 --> 00:24:42,920
Speaker 2: and it's like, excuse me, Hey, just wanted to introduce myself.

446
00:24:43,000 --> 00:24:47,679
Speaker 2: I'm your next door neighbor. Uh huh, here's h I

447
00:24:47,720 --> 00:24:51,639
Speaker 2: brought some pecan Sandy's like something really specific, you know.

448
00:24:51,800 --> 00:24:54,040
Speaker 1: Now we're back in the cook names Sandy.

449
00:24:54,160 --> 00:24:59,240
Speaker 2: Yeah. Yeah, it's like just a coincidence. U and I

450
00:24:59,320 --> 00:25:01,560
Speaker 2: just couldn't help. But notice you've been making a lot

451
00:25:01,600 --> 00:25:07,120
Speaker 2: of noise here at night. I notice you've been invading

452
00:25:07,119 --> 00:25:10,760
Speaker 2: the dawn bass region like you know, like and now

453
00:25:10,800 --> 00:25:16,159
Speaker 2: we're showing how much we know about the subject, you

454
00:25:16,200 --> 00:25:17,000
Speaker 2: know what I mean.

455
00:25:17,119 --> 00:25:20,560
Speaker 1: But keeping it in a with a lightness that the

456
00:25:20,600 --> 00:25:26,800
Speaker 1: movie Neighbors, yeah, has already sort of established for us.

457
00:25:26,920 --> 00:25:30,159
Speaker 1: So it's like it's okay to have a little bit

458
00:25:30,160 --> 00:25:31,280
Speaker 1: of fun, I think.

459
00:25:31,160 --> 00:25:33,280
Speaker 2: And berd Yeah, I notice that you keep opening your

460
00:25:33,280 --> 00:25:36,240
Speaker 2: mouth while Sean is talking.

461
00:25:37,800 --> 00:25:41,960
Speaker 3: It's because I get really excited. I get really excited.

462
00:25:41,680 --> 00:25:45,920
Speaker 2: Trying to do it, just not while other people are.

463
00:25:46,280 --> 00:25:48,359
Speaker 4: Okay, it's his responsibility to be like Brodiy Sean was

464
00:25:48,359 --> 00:25:49,639
Speaker 4: talking to but like I want to say, like Broadley

465
00:25:49,680 --> 00:25:52,439
Speaker 4: starting to say, like not to move the goalpost, or

466
00:25:52,480 --> 00:25:55,040
Speaker 4: that you wanted to do something about a goal post,

467
00:25:55,200 --> 00:25:55,639
Speaker 4: and then.

468
00:25:55,840 --> 00:26:00,800
Speaker 5: Let's yeah, let's okay, let's start over. Let's start over.

469
00:26:01,040 --> 00:26:04,639
Speaker 5: Things got a little tense just now. Okay, things were said.

470
00:26:05,000 --> 00:26:07,239
Speaker 2: Are we just agreeing to start over? We just we

471
00:26:07,280 --> 00:26:10,119
Speaker 2: did a lot. We have something kind of going already.

472
00:26:10,160 --> 00:26:14,399
Speaker 2: I don't m I don't agree with that.

473
00:26:15,440 --> 00:26:22,400
Speaker 5: The point is we want to submit something that not

474
00:26:22,480 --> 00:26:26,119
Speaker 5: only makes one person laugh out loud when he reads

475
00:26:26,119 --> 00:26:29,399
Speaker 5: his email, but makes the world sort of look at

476
00:26:29,440 --> 00:26:34,080
Speaker 5: itself in the mirror and say, here is what we

477
00:26:34,200 --> 00:26:34,800
Speaker 5: can fix.

478
00:26:36,520 --> 00:26:38,520
Speaker 3: And that's all I was gonna say. That's all I

479
00:26:38,560 --> 00:26:39,200
Speaker 3: was going to say.

480
00:26:42,240 --> 00:26:46,440
Speaker 2: Okay, I was with you until the the very end,

481
00:26:46,480 --> 00:26:48,960
Speaker 2: the very end, the here is what we can fix.

482
00:26:49,880 --> 00:26:52,520
Speaker 1: Yeah, or when you were saying that's all you're gonna say.

483
00:26:52,560 --> 00:26:54,440
Speaker 1: I thought was she must have more and that wasn't

484
00:26:54,520 --> 00:26:55,520
Speaker 1: really anything at all.

485
00:26:55,800 --> 00:26:58,000
Speaker 2: Yeah, well I kind of glad to be something that

486
00:26:58,040 --> 00:27:00,920
Speaker 2: you were like opening your mouth for so many when

487
00:27:00,960 --> 00:27:04,360
Speaker 2: I was yeah, yeah.

488
00:27:03,400 --> 00:27:04,959
Speaker 4: Like I kind of dipped out toward the end, but

489
00:27:05,000 --> 00:27:08,640
Speaker 4: I was thinking about like, how okay, so it's going

490
00:27:08,680 --> 00:27:10,680
Speaker 4: to this guy's email, right, like how do we get

491
00:27:10,680 --> 00:27:12,960
Speaker 4: into email? And I was like, okay, what the part was?

492
00:27:13,640 --> 00:27:15,360
Speaker 1: It's laughing at his email.

493
00:27:15,680 --> 00:27:17,119
Speaker 2: I was like, this is good.

494
00:27:17,520 --> 00:27:20,159
Speaker 4: Yeah, and then we lost him. I'm saying, like, just

495
00:27:20,200 --> 00:27:22,400
Speaker 4: taking the part that works, the email part, Like I.

496
00:27:22,359 --> 00:27:24,840
Speaker 2: Can just work on the email for now. Yeah.

497
00:27:24,880 --> 00:27:27,000
Speaker 4: So I'm saying, like what's important to this guy that

498
00:27:27,080 --> 00:27:29,080
Speaker 4: we could threaten that he would want to open?

499
00:27:30,600 --> 00:27:32,240
Speaker 2: And that's funny too if it's like.

500
00:27:32,200 --> 00:27:35,400
Speaker 4: A fake yeah fake, yeah, yeah, it's fake.

501
00:27:37,000 --> 00:27:37,639
Speaker 2: It's fake.

502
00:27:37,760 --> 00:27:41,399
Speaker 1: But it's like we're saying like hey man, like we're

503
00:27:41,680 --> 00:27:46,679
Speaker 1: you know, look outside your window right now, yeah, like

504
00:27:46,800 --> 00:27:49,080
Speaker 1: that's us, that's us in the green car parked up

505
00:27:49,119 --> 00:27:56,400
Speaker 1: the block, like or published this, publish this funny mcsweety's

506
00:27:56,440 --> 00:28:00,119
Speaker 1: piece where it's like somebody who doesn't want them to

507
00:28:00,200 --> 00:28:08,239
Speaker 1: allow library book amnesty because they like I had, I

508
00:28:08,240 --> 00:28:10,919
Speaker 1: had to go to all these crazy extremes, you know,

509
00:28:11,119 --> 00:28:13,320
Speaker 1: to pay off their library book debt. And it's like

510
00:28:13,359 --> 00:28:17,080
Speaker 1: the student loan forgiveness thing. It's just about but and

511
00:28:17,160 --> 00:28:19,080
Speaker 1: the book is funny. It's like a it's like a

512
00:28:19,160 --> 00:28:20,600
Speaker 1: Dave Barry book or something.

513
00:28:24,119 --> 00:28:26,960
Speaker 2: Do we I almost feel like we're gonna end up

514
00:28:26,960 --> 00:28:30,480
Speaker 2: attaching multiple pieces m.

515
00:28:31,119 --> 00:28:33,560
Speaker 4: I thought of one. What if it's like, I mean

516
00:28:33,640 --> 00:28:36,520
Speaker 4: only works. It's I mean seasonal, but it's like a

517
00:28:36,640 --> 00:28:39,080
Speaker 4: Valentine from the decorative gord.

518
00:28:39,120 --> 00:28:42,120
Speaker 2: I mean, like, yeah, season was okay, I mean.

519
00:28:42,400 --> 00:28:44,280
Speaker 3: I can't help. I can't help.

520
00:28:44,320 --> 00:28:49,400
Speaker 5: But notice that, you know, whenever Dylan is trying to.

521
00:28:49,440 --> 00:28:51,640
Speaker 2: As I was affirming, I was being affirming.

522
00:28:51,680 --> 00:28:53,800
Speaker 4: I was what I was saying.

523
00:28:53,800 --> 00:28:55,640
Speaker 2: I'm glad you noticed that. I'm actually really glad that

524
00:28:55,680 --> 00:29:01,960
Speaker 2: you noticed, because like that's actually how collaboration happens. That's

525
00:29:01,960 --> 00:29:05,640
Speaker 2: how a normal person, okay, speaks in conversation like this.

526
00:29:05,760 --> 00:29:07,600
Speaker 2: So yeah, I was being really supportive because I liked

527
00:29:07,600 --> 00:29:08,280
Speaker 2: your idea.

528
00:29:08,400 --> 00:29:10,200
Speaker 4: So it's like, you know, like Valentine's that you might

529
00:29:10,280 --> 00:29:14,280
Speaker 4: pass out in school, it's Valentines from the sock at

530
00:29:14,320 --> 00:29:15,520
Speaker 4: the bottom of your launder Hamper.

531
00:29:18,480 --> 00:29:19,840
Speaker 3: Yeah, that has legs.

532
00:29:20,560 --> 00:29:22,560
Speaker 1: So just to get back to mine for a second.

533
00:29:22,640 --> 00:29:25,120
Speaker 1: So I guess it's a short imagine monologue, and it

534
00:29:25,160 --> 00:29:28,400
Speaker 1: would be like, hey, if you just let everybody bring

535
00:29:28,480 --> 00:29:31,840
Speaker 1: back their library books, that I'm going to look stupid

536
00:29:32,240 --> 00:29:35,800
Speaker 1: for selling my kidney so that I could clear out

537
00:29:35,800 --> 00:29:40,800
Speaker 1: the debt for Dave Berry's Complete Guide to Guys, you know,

538
00:29:41,160 --> 00:29:45,479
Speaker 1: and then you know, then I'll look like what I

539
00:29:45,520 --> 00:29:47,920
Speaker 1: did was unnecessary and that's not fair to me.

540
00:29:48,600 --> 00:29:48,800
Speaker 2: You know.

541
00:29:48,920 --> 00:29:51,480
Speaker 1: That's so that's sort of what that would be. But

542
00:29:51,760 --> 00:29:54,240
Speaker 1: the Valentine from the sock, you're thinking that the sock

543
00:29:54,360 --> 00:29:55,080
Speaker 1: is in love with me.

544
00:29:55,960 --> 00:29:57,520
Speaker 4: I don't know what they I don't know what they say.

545
00:29:57,520 --> 00:30:01,560
Speaker 2: I pitched an area the seasonal I mean they I

546
00:30:01,560 --> 00:30:03,840
Speaker 2: don't know. And now I sort of do regret being

547
00:30:03,840 --> 00:30:06,520
Speaker 2: so supportive because it's like, you understand that it is seasonal,

548
00:30:06,560 --> 00:30:10,840
Speaker 2: and yet it is the completely wrong season.

549
00:30:13,760 --> 00:30:15,720
Speaker 4: We probably schedule stuff ahead of time, like, you know,

550
00:30:15,880 --> 00:30:18,200
Speaker 4: like they know what they're going to do later in

551
00:30:18,240 --> 00:30:18,600
Speaker 4: the year.

552
00:30:18,880 --> 00:30:21,040
Speaker 3: Yeah, Plus we got to give options.

553
00:30:21,200 --> 00:30:24,760
Speaker 5: We have to give them options because they're probably going

554
00:30:24,840 --> 00:30:27,320
Speaker 5: to take all of these right and so then they'll

555
00:30:27,560 --> 00:30:28,320
Speaker 5: we are attaching.

556
00:30:28,400 --> 00:30:31,320
Speaker 2: We are good with the idea of attaching, attaching multiple

557
00:30:31,520 --> 00:30:36,560
Speaker 2: multiple ultimissions. Okay, yeah, and so then the email is

558
00:30:36,600 --> 00:30:38,680
Speaker 2: getting that much more important, you know what I mean?

559
00:30:38,720 --> 00:30:42,280
Speaker 2: Because like I don't want to like waste. Well, can

560
00:30:42,320 --> 00:30:45,640
Speaker 2: we work on having twenty different attachments on an email

561
00:30:45,680 --> 00:30:48,120
Speaker 2: that isn't getting read? And Kevin, I do want I

562
00:30:48,120 --> 00:30:48,760
Speaker 2: don't hear.

563
00:30:50,640 --> 00:30:54,520
Speaker 1: I don't hear any click at a clack. Yeah, I

564
00:30:54,560 --> 00:30:56,840
Speaker 1: need the click at a clacks.

565
00:30:57,360 --> 00:31:02,800
Speaker 2: So he's not here. Kevin's and doing a lot of changes,

566
00:31:03,680 --> 00:31:06,160
Speaker 2: like changing his clothes a lot during the show.

567
00:31:07,280 --> 00:31:08,680
Speaker 4: What's that about?

568
00:31:09,960 --> 00:31:14,760
Speaker 2: He like he's been spitting up, he makes a mess.

569
00:31:15,600 --> 00:31:19,760
Speaker 5: M do you think he's been doing He's been trying

570
00:31:19,800 --> 00:31:23,080
Speaker 5: his hardest to do a one man show, and he's

571
00:31:23,280 --> 00:31:26,280
Speaker 5: sticking with the costume changes, but everything else has kind

572
00:31:26,320 --> 00:31:26,720
Speaker 5: of gone.

573
00:31:28,200 --> 00:31:29,920
Speaker 4: We're all kind of doing that. We're all kind of

574
00:31:29,920 --> 00:31:30,920
Speaker 4: doing like a one man show.

575
00:31:31,400 --> 00:31:33,400
Speaker 2: We all sort of doing our one man show. Yes,

576
00:31:33,960 --> 00:31:36,080
Speaker 2: aren't we all kind of doing our one man show?

577
00:31:36,120 --> 00:31:41,200
Speaker 3: In a way, one of you makes a really good point.

578
00:31:43,520 --> 00:31:46,959
Speaker 6: This week on the Patreon, the Boys continue their screenwriter session.

579
00:31:47,160 --> 00:31:50,320
Speaker 6: Carl and Hassan discussed the Perfect Birthday and the Flager

580
00:31:50,400 --> 00:31:54,160
Speaker 6: ones are mostly talking all things basketball. Check out these

581
00:31:54,200 --> 00:31:57,160
Speaker 6: shows and the video for today's episode with lecture Haul

582
00:31:57,280 --> 00:31:59,800
Speaker 6: at patreon dot com. Slash the flager once.

583
00:32:05,640 --> 00:32:12,320
Speaker 2: So the email is it like, uh, if you ever

584
00:32:12,360 --> 00:32:16,320
Speaker 2: want to see your parakeet again?

585
00:32:19,160 --> 00:32:23,360
Speaker 1: The specific is sublime there, Hey.

586
00:32:25,640 --> 00:32:28,960
Speaker 2: If he has a parakee, perfect, all the better, all

587
00:32:29,040 --> 00:32:33,320
Speaker 2: the better, all the sweeter. Wait, I'm reading this and

588
00:32:33,400 --> 00:32:36,080
Speaker 2: I have a parakeet. Oh no, but I'm not. I

589
00:32:36,120 --> 00:32:37,720
Speaker 2: don't have one. What the fuck?

590
00:32:37,840 --> 00:32:46,160
Speaker 1: I gotta keep reading this one? Sublime And then the actual.

591
00:32:47,360 --> 00:32:54,240
Speaker 2: Text is like, uh, like you know, what do we

592
00:32:54,280 --> 00:32:58,680
Speaker 2: say at the time, like like some not like something normal, like.

593
00:32:58,640 --> 00:33:02,360
Speaker 1: Well, I think we're well I think like it's kind

594
00:33:02,360 --> 00:33:05,880
Speaker 1: of grabby headline where it's like, hey man, we can

595
00:33:05,960 --> 00:33:10,480
Speaker 1: do the marketing piece, but check it out. We've also

596
00:33:10,560 --> 00:33:13,160
Speaker 1: got the goods when you get in the body.

597
00:33:15,440 --> 00:33:20,760
Speaker 2: So that could be. I almost wonder if that they

598
00:33:21,320 --> 00:33:26,680
Speaker 2: like we got to have lists, we need lists in there. Yeah. Yeah,

599
00:33:26,880 --> 00:33:30,520
Speaker 2: it feels like a like a piece of a list.

600
00:33:31,760 --> 00:33:39,800
Speaker 5: Yeah I'm guys, I'm still stuck on Nathaniel Hawthorne. Okay, yeah, sorry,

601
00:33:41,200 --> 00:33:46,640
Speaker 5: I just I think that there's something there, Yeah, you know,

602
00:33:46,760 --> 00:33:49,560
Speaker 5: like like top twenty six scarlet letters.

603
00:33:49,960 --> 00:33:51,920
Speaker 3: It's just it's just the damn.

604
00:33:51,720 --> 00:33:55,200
Speaker 2: Alphabet, different letters of the alphabet, and like a funny all.

605
00:33:55,720 --> 00:33:58,080
Speaker 1: Like recently style of that.

606
00:33:58,400 --> 00:34:04,640
Speaker 4: Yeah, exactly, I didn't go to college. That's fancy, that's funny.

607
00:34:04,920 --> 00:34:07,959
Speaker 1: That's funny. That's funny even for me, who you know,

608
00:34:08,800 --> 00:34:10,839
Speaker 1: doesn't always get right.

609
00:34:13,200 --> 00:34:14,080
Speaker 3: You just came up with.

610
00:34:14,160 --> 00:34:16,640
Speaker 5: You just said all that stuff about Snoop Dogg and

611
00:34:16,719 --> 00:34:23,000
Speaker 5: gas prices. It wasn't so much stuffy commonality the commonality

612
00:34:22,760 --> 00:34:27,520
Speaker 5: of them them being high. But you know, definition wise,

613
00:34:27,719 --> 00:34:31,440
Speaker 5: they are both taking different ones.

614
00:34:32,120 --> 00:34:35,960
Speaker 1: Is number one A? I like where your head is.

615
00:34:36,080 --> 00:34:38,239
Speaker 1: I like where your head is. I don't think it

616
00:34:38,280 --> 00:34:39,120
Speaker 1: has to be well.

617
00:34:39,040 --> 00:34:42,000
Speaker 2: I think like the twist of the piece like starts

618
00:34:42,760 --> 00:34:45,920
Speaker 2: like with number two, like number two is like P

619
00:34:46,400 --> 00:34:47,279
Speaker 2: or something like that.

620
00:34:47,400 --> 00:34:51,280
Speaker 5: Well, well, no, okay, yes, and the I mean you

621
00:34:51,280 --> 00:34:55,560
Speaker 5: you all know this, but just being being three of

622
00:34:55,600 --> 00:34:58,680
Speaker 5: the sort of most prolific stand up comedians in the

623
00:34:58,680 --> 00:35:03,440
Speaker 5: country right now, you know you'll want a rule of threes, right,

624
00:35:04,239 --> 00:35:07,000
Speaker 5: So I say, abe, and.

625
00:35:06,880 --> 00:35:09,920
Speaker 1: Then some number two is B so we're going on

626
00:35:10,040 --> 00:35:13,600
Speaker 1: and then okay, oh, now I know what to expect. Yes,

627
00:35:14,120 --> 00:35:18,680
Speaker 1: number three is freaking rock a bye baby until three

628
00:35:18,960 --> 00:35:25,480
Speaker 1: j sh It's okay, sweetheart, get comfy.

629
00:35:26,280 --> 00:35:29,240
Speaker 4: I think you guys why, I think you guys are correct.

630
00:35:29,239 --> 00:35:30,759
Speaker 4: I think you're being so funny. I think this is

631
00:35:30,760 --> 00:35:32,600
Speaker 4: the move. I just want to throw out what if

632
00:35:32,640 --> 00:35:34,400
Speaker 4: it spells something out?

633
00:35:34,840 --> 00:35:37,040
Speaker 1: Dylan, know what would it spell?

634
00:35:37,520 --> 00:35:40,720
Speaker 2: I don't know with all twenty six letters each used once,

635
00:35:40,840 --> 00:35:43,040
Speaker 2: you think that if you have a way to do that,

636
00:35:43,880 --> 00:35:45,360
Speaker 2: I just want to watch you cook.

637
00:35:45,760 --> 00:35:47,480
Speaker 4: Oh my god. I mean it's gonna take me a while,

638
00:35:47,680 --> 00:35:48,239
Speaker 4: but I cook.

639
00:35:48,280 --> 00:35:50,000
Speaker 2: Okay, but you can do it?

640
00:35:50,320 --> 00:35:56,840
Speaker 4: Yeah, okay, mm hmmm, yeah, I think it'd be funny.

641
00:35:57,120 --> 00:35:59,719
Speaker 2: You can do that with no college at all.

642
00:36:00,320 --> 00:36:02,440
Speaker 4: No, no, no, no high school, no.

643
00:36:02,440 --> 00:36:04,000
Speaker 2: High school or college no.

644
00:36:04,719 --> 00:36:08,239
Speaker 1: Okay, Well then yeah, that might give you the kind

645
00:36:08,280 --> 00:36:09,959
Speaker 1: of outside of the box.

646
00:36:09,719 --> 00:36:14,399
Speaker 2: Approach like a Johnson thank you.

647
00:36:14,800 --> 00:36:17,640
Speaker 1: I'm I'm thinking of it in terms of like I'm

648
00:36:17,680 --> 00:36:19,879
Speaker 1: looking at the letters and going, no, way we can

649
00:36:20,000 --> 00:36:25,800
Speaker 1: use twenty six without any repeats, uh and and spell

650
00:36:25,880 --> 00:36:32,640
Speaker 1: anything certainly anything meaningful. I'm working on it, though, Yeah,

651
00:36:33,600 --> 00:36:34,360
Speaker 1: because I love.

652
00:36:34,400 --> 00:36:34,920
Speaker 2: One A.

653
00:36:36,600 --> 00:36:38,200
Speaker 1: Two, we go a B.

654
00:36:38,360 --> 00:36:43,960
Speaker 2: I'm like, okay, and then do back to CE for four.

655
00:36:44,920 --> 00:36:50,319
Speaker 5: That's exactly yes, why I thought they got off this

656
00:36:51,520 --> 00:36:54,399
Speaker 5: five are always out to zee and now I'm like.

657
00:36:55,200 --> 00:36:58,600
Speaker 1: Now, anything can happen, Yes, now just a log for

658
00:36:58,640 --> 00:37:01,719
Speaker 1: the ride, and we could and we could still have.

659
00:37:01,840 --> 00:37:04,160
Speaker 1: We're reserving the right to put L M M O

660
00:37:04,360 --> 00:37:08,640
Speaker 1: right where they go. Yes, yeah, it's like, hey, way,

661
00:37:08,800 --> 00:37:10,720
Speaker 1: I'm back in a little bit of a groove before

662
00:37:10,760 --> 00:37:14,120
Speaker 1: I get fucking clobbered by like a queue.

663
00:37:15,320 --> 00:37:19,920
Speaker 5: Well something so something just so special about this is

664
00:37:20,400 --> 00:37:24,840
Speaker 5: you know that story of when Jeane Wilder makes the

665
00:37:24,880 --> 00:37:31,319
Speaker 5: decision to kind of seem like he's wobbling on his.

666
00:37:31,000 --> 00:37:34,600
Speaker 1: He's a frail old man, and then he yeah, Summers

667
00:37:35,120 --> 00:37:38,360
Speaker 1: and perfect a choice and it tells you everything you

668
00:37:38,400 --> 00:37:40,080
Speaker 1: need to know about that man right in.

669
00:37:40,080 --> 00:37:43,600
Speaker 5: That moment, right in that moment, which is you cannot

670
00:37:43,640 --> 00:37:44,719
Speaker 5: trust anything.

671
00:37:46,000 --> 00:37:49,200
Speaker 2: Everything is at the table, totally unpredicting. Man.

672
00:37:49,560 --> 00:37:52,440
Speaker 3: Yeah, that is what we are doing.

673
00:37:53,080 --> 00:38:00,319
Speaker 1: Playful, dishonest, whimsical, a little dangerous. That that choice is

674
00:38:00,360 --> 00:38:03,080
Speaker 1: what we need to find with this letter, letter order

675
00:38:03,480 --> 00:38:04,160
Speaker 1: and Dylan.

676
00:38:04,239 --> 00:38:06,720
Speaker 2: Any progress on the word we spell?

677
00:38:07,640 --> 00:38:09,120
Speaker 4: Oh, I'm working on it. I think by the end

678
00:38:09,160 --> 00:38:10,279
Speaker 4: of the episode I'll have it.

679
00:38:10,880 --> 00:38:18,120
Speaker 2: Okay, we'll check in with you then I do want

680
00:38:18,160 --> 00:38:21,680
Speaker 2: to get back to the email? To the email? Yes,

681
00:38:22,920 --> 00:38:27,160
Speaker 2: what if it's like to whom it may concern, and

682
00:38:27,920 --> 00:38:30,440
Speaker 2: that's you, by the ime we're done with this email,

683
00:38:30,680 --> 00:38:34,399
Speaker 2: it might concern many like you know what I mean

684
00:38:34,560 --> 00:38:38,600
Speaker 2: something like Okay, I forget what I said.

685
00:38:38,640 --> 00:38:41,640
Speaker 1: I kind of had like a we.

686
00:38:41,600 --> 00:38:43,480
Speaker 2: Can go up and down. No, like I'd like the

687
00:38:43,480 --> 00:38:45,800
Speaker 2: idea of going up and down because to whom it

688
00:38:45,880 --> 00:38:48,439
Speaker 2: may concern very formal that that's you, dummy, like we're

689
00:38:48,480 --> 00:38:51,400
Speaker 2: taking we're we're you know, speaking more in the colloquial

690
00:38:51,600 --> 00:38:53,439
Speaker 2: and we're on the Yeah, you know.

691
00:38:54,320 --> 00:38:57,680
Speaker 5: Can I throw something out there? Maybe it isn't just

692
00:38:57,960 --> 00:38:59,440
Speaker 5: the one email.

693
00:39:00,640 --> 00:39:01,200
Speaker 2: A lot of.

694
00:39:04,239 --> 00:39:07,600
Speaker 5: You know, one can be formal and then one can

695
00:39:07,680 --> 00:39:08,759
Speaker 5: kind of be playful.

696
00:39:09,160 --> 00:39:12,839
Speaker 2: A weather man calling for a blizzard, a little bit

697
00:39:12,840 --> 00:39:17,920
Speaker 2: of an email storm heading localized entirely in your inbox.

698
00:39:18,160 --> 00:39:19,240
Speaker 1: My friends.

699
00:39:21,000 --> 00:39:25,880
Speaker 2: Schools out if we send all the messages just like

700
00:39:25,960 --> 00:39:29,000
Speaker 2: in the subject lines, so you have to scroll, you

701
00:39:29,080 --> 00:39:33,839
Speaker 2: to scroll through your inbox and you're reading all these pieces.

702
00:39:34,080 --> 00:39:38,000
Speaker 1: That's a piece within itself, that's a piece. That structure

703
00:39:38,360 --> 00:39:38,920
Speaker 1: is a piece.

704
00:39:39,719 --> 00:39:42,400
Speaker 2: The headline of the piece is help, I'm trapped. In

705
00:39:42,440 --> 00:39:43,719
Speaker 2: the subject line.

706
00:39:46,640 --> 00:39:50,600
Speaker 1: That is this how we live now?

707
00:39:50,719 --> 00:39:53,720
Speaker 2: Isn't this like, like how evocative? Is that?

708
00:39:54,080 --> 00:39:55,760
Speaker 4: Some about working from home is really funny.

709
00:39:55,800 --> 00:39:56,959
Speaker 2: Are you supposed to be doing?

710
00:39:58,440 --> 00:39:58,800
Speaker 4: Yeah?

711
00:39:58,880 --> 00:40:02,480
Speaker 2: The other thing the are you supposed to be doing that?

712
00:40:03,040 --> 00:40:04,560
Speaker 2: Are you working on that project?

713
00:40:05,040 --> 00:40:08,799
Speaker 4: Oh me, yes, I can't contribute it. Okay, No, I'm

714
00:40:08,800 --> 00:40:09,640
Speaker 4: not going to get there.

715
00:40:09,680 --> 00:40:13,040
Speaker 2: And you you tell me, you tell I was I said.

716
00:40:12,880 --> 00:40:15,440
Speaker 4: That to stall to buy time. I'm not going to get.

717
00:40:15,280 --> 00:40:17,719
Speaker 1: There, Okay, not gonna check in at the end of

718
00:40:17,760 --> 00:40:20,400
Speaker 1: the episode. An element of it, if you have something

719
00:40:20,480 --> 00:40:21,280
Speaker 1: love to be surprised.

720
00:40:21,320 --> 00:40:22,600
Speaker 2: You didn't go to middle school either.

721
00:40:25,160 --> 00:40:26,879
Speaker 3: She's losing years.

722
00:40:28,160 --> 00:40:30,200
Speaker 4: No, I didn't. I just didn't say no, no high school,

723
00:40:30,200 --> 00:40:31,680
Speaker 4: no middle school, no elementary school.

724
00:40:31,680 --> 00:40:33,839
Speaker 2: I mean like you didn't go down. You just said

725
00:40:33,880 --> 00:40:36,600
Speaker 2: you had you had an elementary school education, but not there.

726
00:40:36,920 --> 00:40:38,920
Speaker 4: I have an educator. I made it through half of

727
00:40:38,960 --> 00:40:41,040
Speaker 4: second grade and then I was like, I'm good.

728
00:40:42,040 --> 00:40:46,080
Speaker 2: Mm hmm, okay good, not great?

729
00:40:46,440 --> 00:40:52,200
Speaker 1: No, uh I love. I love this working from home area. Yeah,

730
00:40:52,239 --> 00:40:55,759
Speaker 1: because we are all trapped inside the email subject. So

731
00:40:55,800 --> 00:40:58,920
Speaker 1: that's that's what the zoom box feels like, right, I.

732
00:40:59,320 --> 00:41:04,120
Speaker 5: Mean, I mean, here's here's an area for us to

733
00:41:04,360 --> 00:41:04,839
Speaker 5: work with.

734
00:41:05,400 --> 00:41:08,400
Speaker 2: Is that a can you hang onto this? Hang on

735
00:41:08,480 --> 00:41:10,520
Speaker 2: to this, I'll hang on to it. I'll hang on

736
00:41:10,560 --> 00:41:13,480
Speaker 2: to it. It's taken Kevin a really long time to change.

737
00:41:14,920 --> 00:41:16,520
Speaker 2: If there's like, if it's like a head in a

738
00:41:16,600 --> 00:41:18,960
Speaker 2: pants like situation, I do just want to check in.

739
00:41:19,760 --> 00:41:21,640
Speaker 1: We want to know if we need to call anyone

740
00:41:21,680 --> 00:41:27,560
Speaker 1: to head over there and get him unstuck, because for unfortunately,

741
00:41:27,600 --> 00:41:31,520
Speaker 1: he doesn't have any scissors in his house, and so

742
00:41:32,160 --> 00:41:34,680
Speaker 1: we need whoever goes to stop at a Joanne Fabrics

743
00:41:34,680 --> 00:41:38,680
Speaker 1: as well first so that they can remove him because

744
00:41:38,719 --> 00:41:40,440
Speaker 1: the way he gets wedged in there where it's like

745
00:41:41,080 --> 00:41:43,560
Speaker 1: I mean last time, his head and his arm were

746
00:41:43,560 --> 00:41:48,120
Speaker 1: through a sleeve hole and then the sort of torso

747
00:41:48,200 --> 00:41:51,600
Speaker 1: hole was wrapped over that. So he would have been

748
00:41:51,600 --> 00:41:53,760
Speaker 1: in a bad way if we didn't get something.

749
00:41:53,640 --> 00:41:55,719
Speaker 4: I'm sure like and then you start freaking out and

750
00:41:55,800 --> 00:41:56,960
Speaker 4: you start flailing your arms around.

751
00:41:57,320 --> 00:42:02,799
Speaker 1: He makes it worse and worse. Yep, yes, but you're okay, keV.

752
00:42:03,200 --> 00:42:06,000
Speaker 6: I'm back now. My head was stuck.

753
00:42:07,480 --> 00:42:11,000
Speaker 2: Oh your hair looked a little fucked up. I kind

754
00:42:11,000 --> 00:42:11,600
Speaker 2: of like it.

755
00:42:13,000 --> 00:42:16,080
Speaker 6: Yeah, you think I look randy?

756
00:42:17,239 --> 00:42:18,840
Speaker 3: What were you thinking about in the sleeve.

757
00:42:19,800 --> 00:42:21,040
Speaker 6: Uh, just what I'm going to die?

758
00:42:22,520 --> 00:42:27,520
Speaker 2: What did you figure out really soon at the time.

759
00:42:27,640 --> 00:42:29,000
Speaker 2: Probably it's what you were thinking.

760
00:42:29,160 --> 00:42:31,239
Speaker 1: Yeah, when you're in there, you go like, could be

761
00:42:31,320 --> 00:42:35,480
Speaker 1: any moment. Yeah, yeah, you know you're cutting off the

762
00:42:35,520 --> 00:42:36,560
Speaker 1: oxygen to your brain.

763
00:42:37,160 --> 00:42:38,600
Speaker 6: Everything got dark quick.

764
00:42:39,760 --> 00:42:44,880
Speaker 2: Well that wasn't that was the That was the because

765
00:42:44,880 --> 00:42:45,720
Speaker 2: my eyes were closed.

766
00:42:47,560 --> 00:42:51,600
Speaker 1: No, but if they were, that's also part of it.

767
00:42:51,680 --> 00:42:55,680
Speaker 6: But yeah, I have a mixed winge's pitched. Do you

768
00:42:55,680 --> 00:42:57,359
Speaker 6: want to hear it? It might be a little too

769
00:42:57,360 --> 00:42:59,560
Speaker 6: topical and.

770
00:42:59,520 --> 00:43:00,719
Speaker 2: I'm sorry thing.

771
00:43:01,640 --> 00:43:03,400
Speaker 6: I'm sorry if any of you are learning this for

772
00:43:03,440 --> 00:43:09,560
Speaker 6: the first time. Rip comedy. James Corden announces he's leaving

773
00:43:09,560 --> 00:43:10,439
Speaker 6: the Late Late Show.

774
00:43:11,200 --> 00:43:15,280
Speaker 2: So it's a eulogy for comedy. Yeah, this is real.

775
00:43:15,760 --> 00:43:19,440
Speaker 1: Maybe it's the epitaph on comedy's gravestone.

776
00:43:19,600 --> 00:43:21,960
Speaker 4: Right, Are you joking or is he leaving?

777
00:43:23,120 --> 00:43:26,720
Speaker 3: He's joking, he's leaving the Late Late Show.

778
00:43:27,320 --> 00:43:31,600
Speaker 2: James Gordon is getting getting bumped up up to the

779
00:43:31,600 --> 00:43:32,080
Speaker 2: big chair.

780
00:43:33,520 --> 00:43:37,440
Speaker 1: Doesn't seem like he's leaving for a second, more prominent

781
00:43:37,480 --> 00:43:42,160
Speaker 1: talk show. Although what hit his brand even play any earlier.

782
00:43:42,560 --> 00:43:48,360
Speaker 5: It's so dangerous, it's it's pretty dark stuff.

783
00:43:49,040 --> 00:43:50,560
Speaker 3: That's why it's late late.

784
00:43:51,120 --> 00:43:53,040
Speaker 1: I don't know if I'm comfortable with my kid turning

785
00:43:53,080 --> 00:43:58,000
Speaker 1: on the television at eleven thirty and seeing some of

786
00:43:58,040 --> 00:44:00,799
Speaker 1: what he's willing to put out there, some of those

787
00:44:01,640 --> 00:44:04,040
Speaker 1: insults they're doing on those mics.

788
00:44:04,480 --> 00:44:06,480
Speaker 4: You know what, Maybe it's good that it's ending at

789
00:44:06,920 --> 00:44:08,960
Speaker 4: its peak, you know what I mean, Like, maybe it's

790
00:44:08,960 --> 00:44:09,799
Speaker 4: good that it's ending now.

791
00:44:10,880 --> 00:44:15,000
Speaker 2: I just hate seeing you just like run through like

792
00:44:15,239 --> 00:44:21,160
Speaker 2: all these different respond their response is to this. I

793
00:44:21,160 --> 00:44:23,840
Speaker 2: I'm comforted by the knowledge that this is not true.

794
00:44:24,239 --> 00:44:27,120
Speaker 2: James would not leave us with the world at war

795
00:44:28,480 --> 00:44:33,000
Speaker 2: in our darkest moment when we need him more than

796
00:44:33,040 --> 00:44:35,480
Speaker 2: we ever have. And that's quite a bit.

797
00:44:36,560 --> 00:44:45,760
Speaker 5: Okay, here is my new McSweeney's pitch. Is is Zolensky

798
00:44:45,960 --> 00:44:49,200
Speaker 5: and Putin doing carpool karaoke together?

799
00:44:49,320 --> 00:44:50,719
Speaker 3: What does that look like?

800
00:44:53,320 --> 00:44:55,640
Speaker 2: Okay, mm hmm, I bet.

801
00:44:55,760 --> 00:44:58,480
Speaker 5: I mean Zelensky would have to be a little funny.

802
00:44:58,520 --> 00:44:59,480
Speaker 5: He was a comedian.

803
00:45:00,120 --> 00:45:03,400
Speaker 2: Is it one of those like who's in the car first?

804
00:45:04,520 --> 00:45:04,840
Speaker 3: Yeah?

805
00:45:05,800 --> 00:45:09,040
Speaker 2: No, I'm asking you, like like like usually it's like

806
00:45:09,160 --> 00:45:12,839
Speaker 2: someone's in the car and they're doing carpool karaoke and

807
00:45:12,880 --> 00:45:16,960
Speaker 2: then someone else comes In. Is it one of those

808
00:45:17,000 --> 00:45:18,520
Speaker 2: who's in the car first.

809
00:45:21,719 --> 00:45:23,960
Speaker 3: Oh, that's a classic. That's a classic.

810
00:45:24,280 --> 00:45:28,080
Speaker 1: It's gotta be one of those who's in the car first. No,

811
00:45:29,239 --> 00:45:31,759
Speaker 1: who is You know what it is first?

812
00:45:32,400 --> 00:45:35,680
Speaker 5: You know what it is is? It's it's it's not

813
00:45:35,840 --> 00:45:40,720
Speaker 5: carpool karaoke. It's and this is a little edgy tank

814
00:45:41,120 --> 00:45:43,600
Speaker 5: pool karaoke tank pool.

815
00:45:44,840 --> 00:45:48,440
Speaker 1: Okay, So probably Putin's driving around in his tank and

816
00:45:48,640 --> 00:45:51,839
Speaker 1: he goes, huh, hey, look somebody needs a ride, and

817
00:45:51,880 --> 00:45:59,360
Speaker 1: then Zelensky gets in and then they're like awkward exactly.

818
00:46:00,160 --> 00:46:02,680
Speaker 1: And then if they're a song that like could talk

819
00:46:02,760 --> 00:46:08,320
Speaker 1: about like the awkwardness or like like what what's the right.

820
00:46:08,520 --> 00:46:12,680
Speaker 2: Maybe maybe they saying, uh, forget you Selo's forget you.

821
00:46:12,960 --> 00:46:17,760
Speaker 1: Oh yeah, well I'm driving around town with a dictator

822
00:46:18,320 --> 00:46:19,920
Speaker 1: like forget you.

823
00:46:20,520 --> 00:46:22,520
Speaker 2: And they like put their fists up at each other and.

824
00:46:22,760 --> 00:46:32,120
Speaker 1: Then he's like, hey, come on, that's interesting. So that's

825
00:46:32,160 --> 00:46:33,960
Speaker 1: definitely Sweeney's peace.

826
00:46:36,800 --> 00:46:42,360
Speaker 5: Maybe they sing for good from Wicked? They sing what

827
00:46:43,360 --> 00:46:45,240
Speaker 5: they sing for good from Wicked.

828
00:46:45,520 --> 00:46:48,200
Speaker 4: Oh I was going to say Senorita by Camilla Cabeo.

829
00:46:49,239 --> 00:46:56,719
Speaker 2: Mm hmm, it's Camia Cabo. But that's good. But that's

830
00:46:56,719 --> 00:47:00,000
Speaker 2: a great good choice, Senorita could be really good.

831
00:47:00,520 --> 00:47:02,440
Speaker 6: Mm hmm hmmm.

832
00:47:02,719 --> 00:47:04,560
Speaker 2: We didn't start the fire. I guess.

833
00:47:05,800 --> 00:47:09,920
Speaker 3: There has got to be a pandemic version.

834
00:47:10,800 --> 00:47:12,319
Speaker 2: We didn't start the fire. Yes you did.

835
00:47:12,960 --> 00:47:19,320
Speaker 1: Yeah, wait a minute, yes you did. Yeah, No, pandemic

836
00:47:19,360 --> 00:47:21,560
Speaker 1: version of we didn't. Well, that's its own I mean,

837
00:47:21,560 --> 00:47:24,399
Speaker 1: that's its own piece. That is juste modernized. We didn't

838
00:47:24,400 --> 00:47:26,279
Speaker 1: start the fire, just like to the tune of we

839
00:47:26,280 --> 00:47:30,000
Speaker 1: didn't start the fire, and it's and it's we didn't

840
00:47:30,040 --> 00:47:35,840
Speaker 1: start the dumpster fire, which is basically what's freaking the

841
00:47:35,840 --> 00:47:41,480
Speaker 1: whole country has been like since about no forever.

842
00:47:41,239 --> 00:47:47,080
Speaker 2: Now, oh, Kevin, it's until summer twenty twenty three.

843
00:47:47,360 --> 00:47:49,279
Speaker 6: But we have to sit with that for a year.

844
00:47:49,760 --> 00:47:55,839
Speaker 2: No, this see, this is James knowing exactly how long

845
00:47:55,880 --> 00:48:02,960
Speaker 2: we need to adjust to this news. In fifteen months

846
00:48:03,000 --> 00:48:06,560
Speaker 2: of sitting with this, that's when I'll be That's when

847
00:48:06,600 --> 00:48:07,880
Speaker 2: I'll be ready to say goodbye.

848
00:48:08,239 --> 00:48:10,719
Speaker 4: He's gonna do funniest stuff now though, because he's like

849
00:48:11,080 --> 00:48:11,439
Speaker 4: a ship.

850
00:48:12,920 --> 00:48:18,319
Speaker 5: Absolutely god, I think, yes, every three months he's gonna like.

851
00:48:20,000 --> 00:48:22,720
Speaker 3: He's gonna do the show one less day a week.

852
00:48:23,120 --> 00:48:26,000
Speaker 4: That's what happens. That's what happens with that's what they

853
00:48:26,040 --> 00:48:26,600
Speaker 4: do too.

854
00:48:26,800 --> 00:48:30,520
Speaker 1: Yeah, but he'll be doing the most edgy out there,

855
00:48:30,600 --> 00:48:33,200
Speaker 1: all the ship that he was a little too afraid,

856
00:48:33,520 --> 00:48:37,879
Speaker 1: the most like off the rails, like wild stuff. He's

857
00:48:37,880 --> 00:48:40,120
Speaker 1: gonna go. You know what, what can they even do

858
00:48:40,239 --> 00:48:43,960
Speaker 1: to me? Because I never saw this as James's final destination. Honestly,

859
00:48:44,040 --> 00:48:47,160
Speaker 1: as much as I've loved him, you know, existing in

860
00:48:47,160 --> 00:48:49,480
Speaker 1: this box. You can't keep him in a box. I

861
00:48:49,480 --> 00:48:50,880
Speaker 1: mean that's what makes That's the.

862
00:48:50,880 --> 00:48:54,640
Speaker 5: Thing, that's the thing about him. It's it's everything right.

863
00:48:54,680 --> 00:48:58,799
Speaker 5: It's acting, it's singing, it's driving. He can do it all.

864
00:48:59,200 --> 00:49:01,760
Speaker 1: No, he's triple threats, triple threat

865
00:49:04,920 --> 00:49:07,040
Speaker 6: The car is going to have such little gas at

866
00:49:07,040 --> 00:49:09,400
Speaker 6: that point, Hamburg