WEBVTT - Questlove Supreme: John Legend (Part 1)

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<v Speaker 1>Course Love Supreme. It's a production of iHeartRadio. Ladies and gentlemen,

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<v Speaker 1>this is Quarantine Quest broadcasting live from the Kabbutz Upstate

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<v Speaker 1>New York. We welcome you to shall we say So

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<v Speaker 1>one's special version of QLs because the current COVID nineteen

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<v Speaker 1>reality we're living in the present not exactly idea conditions

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<v Speaker 1>with technology. Let's say we had slight issues with this

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<v Speaker 1>particular recording of John Legend this episode, but we promised

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<v Speaker 1>you guys that we're going to record a proper sequel

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<v Speaker 1>in the future, so we could deep die with all

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<v Speaker 1>those questions. But for now, please enjoy our conversation with

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<v Speaker 1>one and only John Legend or Quest Love Supreme.

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<v Speaker 2>Let's do it, Hi, Supreme, Supreme, Supreme, Supreme.

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<v Speaker 3>Supreme. Latency has kicked in.

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<v Speaker 1>My name is a mirror, not when I'm now realizing

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<v Speaker 1>this roll call has to end first, As as you see,

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<v Speaker 1>ladies and gentlemen, we we did not even bothered to

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<v Speaker 1>practice to see what if we would have latency issues.

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<v Speaker 3>It doesn't work. I've tried this music thing over the

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<v Speaker 3>zoom call does not work.

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<v Speaker 1>That was a roll call fail.

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<v Speaker 4>Like I heard, I was getting my freestyle ready to.

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<v Speaker 1>Brown and that what you what you drinking on?

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<v Speaker 4>It's actually pink. It's my rose.

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<v Speaker 1>Rose, you mean your rose?

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<v Speaker 3>Like make me like I'm the proprietor.

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<v Speaker 4>Uh. We have l v E.

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<v Speaker 3>We have rose, we have.

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<v Speaker 4>Cabernet.

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<v Speaker 1>You know what's it called?

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<v Speaker 4>You know, l v E Legend Beingard Exclusives, l v

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<v Speaker 4>E wines dot Com.

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<v Speaker 5>You haven't made it. I'm done.

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<v Speaker 1>That's the show.

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<v Speaker 4>I make money on it.

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<v Speaker 3>Just so you know.

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<v Speaker 1>Everybody, So, how the beards going in nicely?

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<v Speaker 4>Oh? Yeah, I'm trying to join the roots.

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<v Speaker 1>You truly lived in Philadelphia. Yeah, I can't wait for

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<v Speaker 1>a month from now to see how everyone's grooming.

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<v Speaker 6>We all gonna look like Tom Hanks and castaways.

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<v Speaker 5>Glad all of y'all have y'all hairlines? Look at that

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<v Speaker 5>beautiful hairlines.

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<v Speaker 1>Steve Man, Steve is the new quest Love of the

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<v Speaker 1>Crew Reality. So John, thank you for joining our second

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<v Speaker 1>live show of course Love Supreme here on YouTube.

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<v Speaker 4>I'm happy to be here.

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<v Speaker 1>Thank you. I was well, Yeah, I want to know,

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<v Speaker 1>how are you coping or making the most of this

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<v Speaker 1>time period?

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<v Speaker 3>Well, my kids are probably happier than ever because we

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<v Speaker 3>are home and we are hanging out with them all

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<v Speaker 3>the time.

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<v Speaker 1>And are they holding you hostage right now? Are you

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<v Speaker 1>eating a ransom? Note?

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<v Speaker 4>They are napping right now.

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<v Speaker 3>I'm so lucky because otherwise maybe all over the house,

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<v Speaker 3>Luna likes to get in my zoom, calls, say hi

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<v Speaker 3>to everybody, whistle, whatever she can do to get your attention.

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<v Speaker 3>And yeah, they're non stop except when they're sleeping. So

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<v Speaker 3>this is a lucky rest.

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<v Speaker 1>This is the best.

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<v Speaker 5>Y'all started this whole kind of I G programming over

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<v Speaker 5>in your house, like I feel like after you guys

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<v Speaker 5>started singing songs live.

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<v Speaker 4>And then when we were early uh, we had talked

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<v Speaker 4>to Chris Martin.

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<v Speaker 3>My team and his team at the same time basically

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<v Speaker 3>had the same idea, we should start doing these IG

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<v Speaker 3>live concerts. And then we we both are affiliated with

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<v Speaker 3>Global Citizens, so we started working with them to get

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<v Speaker 3>the message out about staying home and raising money for

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<v Speaker 3>the World Health Organization. And he started it on the

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<v Speaker 3>Monday after everybody was in and I did it the

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<v Speaker 3>next day and it's just blossomed. We you know, Quest

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<v Speaker 3>DJ and D nine DJ, and we've seen so many

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<v Speaker 3>battles with the different producers and whatnot. You know, I

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<v Speaker 3>feel like we've gotten a lot of interesting content out

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<v Speaker 3>of this dope dope.

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<v Speaker 1>So what is your what are your? I guess your your?

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<v Speaker 1>I know everyone's winging this at the same time, but yeah,

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<v Speaker 1>what's coming up next for you? Because you know we

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<v Speaker 1>are it.

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<v Speaker 3>But we had music, so that was actually the fortunate

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<v Speaker 3>thing about the timing was that we basically had finished

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<v Speaker 3>the album for all intents and purposes right prior to

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<v Speaker 3>everything happening.

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<v Speaker 4>So there was just a few more.

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<v Speaker 3>Like horns and random you know, overdubs we had to do,

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<v Speaker 3>but I had done all my vocals, the songs were written,

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<v Speaker 3>so we have music ready to go. We've been releasing

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<v Speaker 3>a couple songs already and then we have more coming soon.

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<v Speaker 3>And we hoped to put the holbum out in June,

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<v Speaker 3>but you know, we were supposed to tour in July

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<v Speaker 3>in Europe and then in the US and Canada in

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<v Speaker 3>August and September, and we don't know, we don't know

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<v Speaker 3>what's gonna happen.

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<v Speaker 1>Be considered the bad due method. I mean, you're in

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<v Speaker 1>a position which you know you could be self contained

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<v Speaker 1>and just do it for delf. Would you ever consider

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<v Speaker 1>just hosting perform is just you yourself alone at your piano.

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<v Speaker 4>I've done similar shows like that.

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<v Speaker 3>I used to do. We did this thing called the

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<v Speaker 3>All of Me Tour, was just basically me and a

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<v Speaker 3>couple other players, and it was most of the night

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<v Speaker 3>was me just telling stories and singing on the piano.

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<v Speaker 3>And so I'm definitely open to doing other shows like that,

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<v Speaker 3>but I'm not open to putting people in a room

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<v Speaker 3>together right now until we can do it safely. I'm

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<v Speaker 3>not trying to get people sick to come to the

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<v Speaker 3>John Legend Show because you read the news about you know,

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<v Speaker 3>people getting sick going to church, people getting sick, doing

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<v Speaker 3>all these other things, and we need to get to

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<v Speaker 3>the point where it's safe for people to even gather

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<v Speaker 3>like that before we can invite them into our shows

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<v Speaker 3>and expect them to show up.

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<v Speaker 1>Yeah, I was going to say, I don't you know,

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<v Speaker 1>I know that a lot of people are kind of

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<v Speaker 1>defiantly trying to go to church. Don't do it Sunday

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<v Speaker 1>for Eastern They.

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<v Speaker 3>I was just listening to the news from last night

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<v Speaker 3>and Rachel Matta was going through the list of how

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<v Speaker 3>many vectors of infection have been literally at church alone.

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<v Speaker 3>She was just talking about how they can identify these

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<v Speaker 3>big clusters from people going to church, and they say,

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<v Speaker 3>I read another article they were saying something about singing

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<v Speaker 3>is more it was viral.

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<v Speaker 4>Yeah, it's more viral than just being around.

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<v Speaker 3>Somebody because you're crazy, you're pushing out your saliva and

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<v Speaker 3>all these other things, and so it's actually less safe

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<v Speaker 3>to be singing around people than it is to just

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<v Speaker 3>be around them in general.

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<v Speaker 4>So it's it's like, you can't be going to church

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<v Speaker 4>in those circumstances.

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<v Speaker 1>Yeah, I agree with you, but yeah, it's just it's

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<v Speaker 1>killing me watching people's reactions because you know, most of

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<v Speaker 1>them just like you know, I got the blood of

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<v Speaker 1>Jesus covering me. Yeah, no, he'll be protected.

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<v Speaker 5>And now the black numbers have come up this week,

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<v Speaker 5>crazy and a lot of our favorite cities.

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<v Speaker 3>And that's a problem, Yes it is. And we are

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<v Speaker 3>we are the we all of us are equally susceptible

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<v Speaker 3>to the disease. But when you have a community that's

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<v Speaker 3>already underserved in so many other ways, we are more

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<v Speaker 3>susceptible to getting the worst of it, to dying, to

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<v Speaker 3>having really severe outcomes.

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<v Speaker 4>Out of it.

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<v Speaker 5>In my mind, I imagine that you and I and

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<v Speaker 5>Christy watched the well, we we in this house, so

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<v Speaker 5>we watched the Daily briefing.

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<v Speaker 1>It's just we got to know some things.

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<v Speaker 4>You don't watch it. I've watched zero.

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<v Speaker 1>Angers like on the daily because I know you.

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<v Speaker 4>Like. Christy's rule is she does not listen to Trump's voice.

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<v Speaker 3>Okay, she will not if he's on the news, even

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<v Speaker 3>if he's on the news of an anchor that she likes,

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<v Speaker 3>she doesn't want to hear his voice, and we will

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<v Speaker 3>change the channel off his voice comes on.

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<v Speaker 5>What about doctor Fauci?

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<v Speaker 3>Though, I feel like I could read it later, and

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<v Speaker 3>Rachel Rachel Maddow summarizes it for me well enough, so

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<v Speaker 3>I'm like, I'll just listen to Rachel yog.

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<v Speaker 1>It's to the point where now even I mean, you know,

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<v Speaker 1>normally I would watch matt Ow without fail because you know,

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<v Speaker 1>but this this will be my second week without watching. Yeah,

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<v Speaker 1>I can't.

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<v Speaker 3>You know, I'm one of those people that, like I

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<v Speaker 3>would always not watch the news if there was like

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<v Speaker 3>a disaster or any kind of thing where the press

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<v Speaker 3>was all kind of even even like a shooting, like

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<v Speaker 3>I couldn't watch it because I don't like I don't

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<v Speaker 3>like everybody gathering around a tragedy on the news, Like

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<v Speaker 3>I just something about my personality. I don't enjoy that

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<v Speaker 3>as news. I don't like it. I don't like being

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<v Speaker 3>around it. But for some reason, I've been watching this

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<v Speaker 3>because I do actually want to know what's going on.

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<v Speaker 3>And it's such a political story too, because it's about

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<v Speaker 3>leadership and it's about how leadership organizes people around a crisis,

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<v Speaker 3>and I think that's the thing that interests me about it.

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<v Speaker 1>Wow, one day I'll jump back into the fray, But now,

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<v Speaker 1>just from my mental health.

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<v Speaker 4>No, I get it.

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<v Speaker 1>That's how I am about most me and these chickens

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<v Speaker 1>on this forum. Man, I'm happy.

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<v Speaker 5>Can I just ask you and Fante a question real quick?

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<v Speaker 5>Since y'all are both a part of one of my

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<v Speaker 5>favorite shows on TV? Yeah, can we talk about Sherman

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<v Speaker 5>Showcase real quick?

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<v Speaker 4>Yes, let's talk about it, okay, and what's going on?

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<v Speaker 5>You know, I'm just you know, I'm just let.

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<v Speaker 3>Well, Fante, you want to tell her what we filmed

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<v Speaker 3>a couple of Yeah, Man, so we got a Black

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<v Speaker 3>History Month special, which, in Negro fashion.

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<v Speaker 6>Is coming late in June.

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<v Speaker 4>During Black Music Man, we got it we shot it.

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<v Speaker 6>We shot it in January, and I have I still

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<v Speaker 6>haven't seen the whole joint.

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<v Speaker 3>Diallo was kind of telling.

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<v Speaker 4>Me, Nope, I've seen that edits it looks great.

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<v Speaker 7>Yeah, he said it's amazing. He said, he really is dope.

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<v Speaker 7>So yeah, I'm looking forward to that. That's coming June

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<v Speaker 7>and Sherman showcases on Hulu and Hulu just announced like

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<v Speaker 7>free subscription or free trials.

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<v Speaker 1>Yeah, check it now.

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<v Speaker 3>From my.

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<v Speaker 5>No, but everybody else in Mirror does not working every

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<v Speaker 5>night like you are.

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<v Speaker 6>And and we were in the scene together, Me and

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<v Speaker 6>John did one scene together.

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<v Speaker 1>With Trek and Iron, but we're the master at the time.

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<v Speaker 4>And loaf of Jesus. Now, the show is the most

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<v Speaker 4>well reviewed thing we've ever done as a production company.

0:11:41.800 --> 0:11:45.800
<v Speaker 3>I've never seen so many great reviews for something we've done.

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<v Speaker 3>The New York Times, all these other lists you know

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<v Speaker 3>what to watch while you're one, like the shows on

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<v Speaker 3>all those lists too. So hopefully people will give it

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<v Speaker 3>a chance, because I think once you get into the world,

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<v Speaker 3>you really get into it.

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<v Speaker 5>I just I don't want to discount, though, your other

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<v Speaker 5>show that you had on wg.

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<v Speaker 1>N Yes Underground, Y, Yes, What to deal with Underground.

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<v Speaker 4>Now we couldn't bring it back.

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<v Speaker 3>You know, the station was getting bought by that conservative

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<v Speaker 3>news organization, Saint Claire. Yeah, so they were buying the

0:12:18.320 --> 0:12:20.640
<v Speaker 3>station and they decided to go in a whole nother direction.

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<v Speaker 3>Even though we were the most popular show and got

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<v Speaker 3>the most buzz for the network of any show that

0:12:25.960 --> 0:12:28.720
<v Speaker 3>they had on, they decided to go in a different direction.

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<v Speaker 3>They're the same organization that bought all those local news stations,

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<v Speaker 3>do you remember.

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<v Speaker 1>That to do the Yeah, the news reporters, the news.

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<v Speaker 3>Reporters all reading the same script. Yeah, So they're the

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<v Speaker 3>same organization. So we didn't have much of a chance

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<v Speaker 3>to stay around. We tried to sell it to other

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<v Speaker 3>networks and it's it was a bit of an expensive

0:12:48.760 --> 0:12:51.920
<v Speaker 3>show to produce, and so a lot of networks didn't

0:12:51.920 --> 0:12:53.360
<v Speaker 3>want to take it because it was kind of like

0:12:53.600 --> 0:12:56.080
<v Speaker 3>secondhand and they didn't want to spend all that money

0:12:56.240 --> 0:12:57.320
<v Speaker 3>making a secondhand show.

0:12:58.440 --> 0:13:02.640
<v Speaker 1>But as a show producer, how do you like, how

0:13:02.679 --> 0:13:07.920
<v Speaker 1>do you how do you figure that's different than music

0:13:08.320 --> 0:13:09.679
<v Speaker 1>working on music and whatnot.

0:13:10.160 --> 0:13:14.400
<v Speaker 3>Well, it's less hands on for me because you're leaving

0:13:14.480 --> 0:13:16.880
<v Speaker 3>it in the other creator's hands. So you have writers,

0:13:16.920 --> 0:13:19.640
<v Speaker 3>You have directors, you have all these other people that

0:13:19.720 --> 0:13:23.160
<v Speaker 3>are involved, and they hopefully you hire people and you

0:13:23.280 --> 0:13:25.520
<v Speaker 3>work with people that are really good at what they do,

0:13:26.200 --> 0:13:28.480
<v Speaker 3>and so it's not nearly as hands on as I

0:13:28.520 --> 0:13:30.760
<v Speaker 3>would be on my own record. I feel like it's

0:13:30.840 --> 0:13:35.000
<v Speaker 3>mostly about making good personnel decisions and then picking good

0:13:35.040 --> 0:13:36.719
<v Speaker 3>projects to be part of creatively.

0:13:39.040 --> 0:13:39.680
<v Speaker 1>Are you going to.

0:13:41.920 --> 0:13:44.240
<v Speaker 6>Organized the music? Music is a wild wild West?

0:13:45.160 --> 0:13:45.480
<v Speaker 3>It is.

0:13:46.840 --> 0:13:47.360
<v Speaker 4>Music is.

0:13:47.880 --> 0:13:52.400
<v Speaker 7>Yeah, you might get paid, you might not like TV everybody.

0:13:52.520 --> 0:13:54.719
<v Speaker 7>It ain't no such thing as doing some off like

0:13:55.640 --> 0:13:56.480
<v Speaker 7>you're gonna get a check.

0:13:57.040 --> 0:13:57.240
<v Speaker 4>Yeah.

0:13:57.600 --> 0:14:01.080
<v Speaker 3>TV is better organized, Films better organized. Hollywood's just more

0:14:01.400 --> 0:14:04.400
<v Speaker 3>like corporate than the music world is.

0:14:05.280 --> 0:14:07.080
<v Speaker 5>Now, what is theater not.

0:14:08.960 --> 0:14:12.319
<v Speaker 3>Theater? Well, the theaters have the strong unions though, you know,

0:14:12.520 --> 0:14:14.959
<v Speaker 3>so there's a lot of rules around how you do

0:14:15.040 --> 0:14:17.680
<v Speaker 3>things in the theater too. The unions are very strong

0:14:17.760 --> 0:14:20.480
<v Speaker 3>and so there's a lot of structure around that, and

0:14:20.600 --> 0:14:24.440
<v Speaker 3>so I feel like that's pretty you know, it's pretty

0:14:24.480 --> 0:14:25.320
<v Speaker 3>on point as well.

0:14:27.400 --> 0:14:33.200
<v Speaker 1>Wow, you know, I have a wish to see the

0:14:33.560 --> 0:14:35.560
<v Speaker 1>I mean, you can weigh in on this bill or not.

0:14:35.880 --> 0:14:39.240
<v Speaker 1>I mean, at the beginning of in the Heights in Hamilton,

0:14:39.400 --> 0:14:42.840
<v Speaker 1>like did you feel as though, you know, the system

0:14:42.960 --> 0:14:46.840
<v Speaker 1>was pretty much stuck in its ways? Whatnot?

0:14:47.680 --> 0:14:49.800
<v Speaker 8>Funny too, I didn't know what the fuck the system

0:14:50.000 --> 0:14:51.960
<v Speaker 8>was or which way it was stuck in it, But yeah,

0:14:52.040 --> 0:14:54.840
<v Speaker 8>something like that, I don't know. To me, theater has

0:14:54.920 --> 0:14:57.160
<v Speaker 8>the worst business plan ever. If it's a success, then

0:14:57.200 --> 0:15:01.520
<v Speaker 8>you make money. If it's anything success, it's a total disaster.

0:15:03.000 --> 0:15:05.400
<v Speaker 1>Yeah, I see, I see.

0:15:06.160 --> 0:15:09.720
<v Speaker 8>So it's a shitty business plan. It's a shitty business

0:15:09.720 --> 0:15:12.320
<v Speaker 8>plan there is. It's either you invest millions of dollars

0:15:12.440 --> 0:15:14.200
<v Speaker 8>and only if you're a humongous success do you make

0:15:14.200 --> 0:15:16.400
<v Speaker 8>the money back. If you don't, then it's a failure.

0:15:17.000 --> 0:15:18.280
<v Speaker 8>Just the business plan doesn't make sense to me.

0:15:19.760 --> 0:15:20.800
<v Speaker 1>So there's no middle ground.

0:15:20.800 --> 0:15:24.000
<v Speaker 7>There's no such thing as a moderately successful theater show.

0:15:25.480 --> 0:15:29.760
<v Speaker 4>Yeah, well just think about just think about real estate

0:15:29.880 --> 0:15:30.520
<v Speaker 4>in New York.

0:15:30.680 --> 0:15:34.240
<v Speaker 3>And so part of it is you have to occupy

0:15:34.560 --> 0:15:36.880
<v Speaker 3>and pay for this real estate in New York and

0:15:37.520 --> 0:15:39.040
<v Speaker 3>get people to show up, and then you have to

0:15:39.080 --> 0:15:43.200
<v Speaker 3>pay everybody's salaries and everything based on the union you know, scale,

0:15:43.880 --> 0:15:47.960
<v Speaker 3>and it's just the the original baseline nut that you

0:15:48.080 --> 0:15:50.360
<v Speaker 3>have to pay for is a lot of money.

0:15:51.880 --> 0:15:57.800
<v Speaker 1>I'm scared to place starts in November, and like this

0:15:58.040 --> 0:16:01.440
<v Speaker 1>isn't like you know where you just put a little

0:16:01.440 --> 0:16:04.320
<v Speaker 1>bit of money and then your producer like, we're really

0:16:04.440 --> 0:16:06.960
<v Speaker 1>funding this joint so that but a mirror.

0:16:06.960 --> 0:16:07.920
<v Speaker 3>Are you fearful now?

0:16:08.080 --> 0:16:10.120
<v Speaker 5>Because I mean not to put that on you, but

0:16:10.760 --> 0:16:14.480
<v Speaker 5>when are people going to feel comfortable and in theaters

0:16:14.520 --> 0:16:17.080
<v Speaker 5>and in New York and broad in New York and Broadway.

0:16:18.000 --> 0:16:21.840
<v Speaker 1>The thing is is that you know, we after taking

0:16:21.880 --> 0:16:24.240
<v Speaker 1>a queue from Hamilton to see how radical that was.

0:16:25.200 --> 0:16:31.160
<v Speaker 1>I mean, I just have this desire to really update Broadway.

0:16:33.160 --> 0:16:40.840
<v Speaker 1>Broadways somehow stuck between this this post timpan Alley jazz

0:16:40.960 --> 0:16:46.400
<v Speaker 1>hands kind of Broadway like that that kind of era

0:16:46.880 --> 0:16:53.800
<v Speaker 1>where you know it could really use a refresh or redo.

0:16:54.280 --> 0:16:58.160
<v Speaker 1>And you know, based on did you see and did

0:16:58.200 --> 0:17:03.600
<v Speaker 1>you see in Tarik's uh like any of the practice

0:17:04.880 --> 0:17:07.920
<v Speaker 1>I haven't. It's it's like it's it's just as mind

0:17:07.960 --> 0:17:10.040
<v Speaker 1>blowing to me is as Hamilton, but it's like the

0:17:10.160 --> 0:17:13.440
<v Speaker 1>complete opposite where you don't feel good about any of

0:17:13.440 --> 0:17:18.240
<v Speaker 1>the characters. It's like if Obama, if if Hamilton represented

0:17:18.240 --> 0:17:23.080
<v Speaker 1>everything that was beautiful about the Obama era, then this

0:17:23.320 --> 0:17:25.720
<v Speaker 1>is the trade for the play for the Trump era

0:17:27.520 --> 0:17:30.760
<v Speaker 1>and post and the thing was they wrote this, you know,

0:17:30.960 --> 0:17:33.680
<v Speaker 1>during like the beginning of obama second term as a

0:17:33.960 --> 0:17:39.080
<v Speaker 1>as a kind of a a satire. But it's just

0:17:39.240 --> 0:17:42.520
<v Speaker 1>like it's real now, which makes it even more on point.

0:17:42.680 --> 0:17:47.840
<v Speaker 1>So it is like idiocracy, dude, it's it's it's idiocracy

0:17:47.920 --> 0:17:49.280
<v Speaker 1>the play. That's what it is.

0:17:50.480 --> 0:17:50.520
<v Speaker 4>Like.

0:17:50.600 --> 0:17:55.480
<v Speaker 1>People are mind blowing, but it's black no more, okay,

0:17:55.880 --> 0:17:59.919
<v Speaker 1>it's It's based on one of the very John Ridley,

0:18:00.040 --> 0:18:01.280
<v Speaker 1>who did Twelve Years of Slave.

0:18:01.480 --> 0:18:02.960
<v Speaker 3>Yeah, I know, John right.

0:18:03.400 --> 0:18:07.400
<v Speaker 1>He wrote this back in twenty twelve, came to Tarik

0:18:07.800 --> 0:18:11.240
<v Speaker 1>around twenty thirteen, and they developed at the last four years.

0:18:12.040 --> 0:18:15.399
<v Speaker 1>It's a scathing play. It's amazing, but no one's going

0:18:15.480 --> 0:18:16.800
<v Speaker 1>to feel good about themselves.

0:18:19.040 --> 0:18:22.800
<v Speaker 3>They won't be congratulating themselves for going no, but I

0:18:22.880 --> 0:18:26.560
<v Speaker 3>mean yeah, I mean, the guilty aspect of it is

0:18:26.600 --> 0:18:29.000
<v Speaker 3>going to like it's a real It's a play about

0:18:29.520 --> 0:18:35.800
<v Speaker 3>kind of in the Harlem speakeasy era of Harlem, a

0:18:35.920 --> 0:18:36.919
<v Speaker 3>black man who.

0:18:39.520 --> 0:18:42.840
<v Speaker 1>Meets a white girl a speakeasy who you know, they

0:18:42.920 --> 0:18:45.840
<v Speaker 1>flirt and whatnot, and she's sort of like, you know,

0:18:45.960 --> 0:18:49.359
<v Speaker 1>this ain't going any further than this basement because you know,

0:18:49.680 --> 0:18:52.240
<v Speaker 1>I could never take you home to my father, YadA, YadA, YadA.

0:18:52.720 --> 0:18:57.879
<v Speaker 1>And this guy wishes kind of wishes that there was

0:18:57.960 --> 0:19:00.280
<v Speaker 1>a way that she could fall in love of them,

0:19:00.520 --> 0:19:05.399
<v Speaker 1>and he gets some sort of operation. This is based

0:19:05.440 --> 0:19:07.720
<v Speaker 1>on a book. He gets a he goes through a

0:19:07.800 --> 0:19:09.800
<v Speaker 1>process that turns him into a white man.

0:19:11.400 --> 0:19:15.919
<v Speaker 6>And then reverse, which is like soul Man in reverse.

0:19:18.600 --> 0:19:18.800
<v Speaker 4>Yeah.

0:19:18.880 --> 0:19:21.440
<v Speaker 1>This, this book was written in nineteen thirty six as

0:19:21.480 --> 0:19:22.480
<v Speaker 1>a sat tire.

0:19:22.520 --> 0:19:25.919
<v Speaker 4>And Eddie Murphy's SNL.

0:19:27.160 --> 0:19:30.880
<v Speaker 1>It's very much like that skit. Yeah, he just hits

0:19:30.880 --> 0:19:35.760
<v Speaker 1>the fan even crazier. So yeah, yeah, so yeah, let's

0:19:35.840 --> 0:19:40.080
<v Speaker 1>rack up the Tony's Let's go all of y'all get this.

0:19:40.440 --> 0:19:45.280
<v Speaker 1>Got ghet him man, you get him? You get it?

0:19:50.040 --> 0:19:52.879
<v Speaker 1>The single is out now where streaming on now? Correct?

0:19:53.160 --> 0:19:53.360
<v Speaker 4>Yeah.

0:19:53.480 --> 0:19:56.000
<v Speaker 3>So we have two singles out, once called Conversations in

0:19:56.040 --> 0:19:58.400
<v Speaker 3>the Dark. We put that out in January and then

0:19:58.800 --> 0:20:00.880
<v Speaker 3>Actions is the one wh just put out a couple

0:20:00.880 --> 0:20:03.480
<v Speaker 3>of weeks ago. You played it on your online Instagram

0:20:03.560 --> 0:20:04.159
<v Speaker 3>Love the Other Night.

0:20:04.680 --> 0:20:07.880
<v Speaker 1>Do you have a title for the upcoming record yet?

0:20:08.160 --> 0:20:10.800
<v Speaker 3>Yeah, it's called Bigger Love, and the next single is

0:20:10.840 --> 0:20:15.000
<v Speaker 3>gonna be the title track called Bigger love and then.

0:20:15.920 --> 0:20:18.880
<v Speaker 4>And we got joints. Man, I'm excited. I did.

0:20:19.600 --> 0:20:23.399
<v Speaker 3>Raphael Sadiq exec produced the whole thing. He's done my

0:20:23.480 --> 0:20:28.600
<v Speaker 3>last couple albums, exec producing wise for the Christmas Album

0:20:28.640 --> 0:20:30.840
<v Speaker 3>and the Christmas Deluxe, and we were just in the

0:20:30.960 --> 0:20:32.840
<v Speaker 3>nice groove and we just kept working together on this.

0:20:33.680 --> 0:20:36.199
<v Speaker 3>But I worked with other producers and writers and uh

0:20:36.720 --> 0:20:42.240
<v Speaker 3>Oak produced the last single actions Oakfelder. He produced another

0:20:42.359 --> 0:20:46.920
<v Speaker 3>one on my album that's really crazy called Oulah and yeah,

0:20:47.040 --> 0:20:49.480
<v Speaker 3>we've got some good stuff on there. Do you record

0:20:49.600 --> 0:20:51.520
<v Speaker 3>at the crib? John, and you still go to the studio?

0:20:51.840 --> 0:20:53.320
<v Speaker 4>I still go to the studio because I like to

0:20:53.359 --> 0:20:54.320
<v Speaker 4>feel like I'm going to work.

0:20:55.560 --> 0:20:58.280
<v Speaker 3>I like to leave the house, be away from the kids,

0:20:58.400 --> 0:21:00.760
<v Speaker 3>go to work, and then come home and be present

0:21:01.000 --> 0:21:01.600
<v Speaker 3>with the family.

0:21:02.400 --> 0:21:04.720
<v Speaker 1>I did it. What studio did you record out of?

0:21:05.440 --> 0:21:08.040
<v Speaker 4>At Raphael's Blakesley up in North Hollywood.

0:21:08.359 --> 0:21:08.479
<v Speaker 5>Oh?

0:21:08.720 --> 0:21:09.960
<v Speaker 1>Is Jerry still his engineer?

0:21:10.600 --> 0:21:10.760
<v Speaker 3>Yeah?

0:21:10.880 --> 0:21:12.800
<v Speaker 1>Jerry still mixed with the Christmas lights.

0:21:13.480 --> 0:21:14.960
<v Speaker 4>Yeah, so Jerry mixed this.

0:21:15.480 --> 0:21:18.560
<v Speaker 3>This guy named Alex is the recording engineer, but Jerry mix.

0:21:19.560 --> 0:21:24.280
<v Speaker 1>Yeah. Raphael's dude, Jerry like this atmospherical like Christmas. So

0:21:24.400 --> 0:21:27.280
<v Speaker 1>he always even when he is not at his studio

0:21:28.280 --> 0:21:31.520
<v Speaker 1>ahead of time, he'll send like all this this Christmas

0:21:31.600 --> 0:21:35.320
<v Speaker 1>decorations to the studio to get set up and he

0:21:35.480 --> 0:21:38.080
<v Speaker 1>wants it to look like Christmas when he's mixing. So

0:21:39.520 --> 0:21:41.560
<v Speaker 1>he's been doing that for like the last thirty years

0:21:41.640 --> 0:21:42.159
<v Speaker 1>with Rafael.

0:21:42.320 --> 0:21:44.639
<v Speaker 4>His first record he did for me was My Christmas

0:21:44.680 --> 0:21:46.000
<v Speaker 4>Album though how perfect?

0:21:46.200 --> 0:21:47.000
<v Speaker 1>Oh yeah, okay.

0:21:47.880 --> 0:21:49.600
<v Speaker 4>I thought he had it in there just for the

0:21:49.880 --> 0:21:51.520
<v Speaker 4>for the best of music.

0:21:52.040 --> 0:21:57.440
<v Speaker 1>Nah, Jerry uh engineer what they do on illadel faf Life,

0:21:57.560 --> 0:21:59.240
<v Speaker 1>And was like, we had to wait an hour for

0:21:59.359 --> 0:22:04.000
<v Speaker 1>him to get like the Christmas decorations up. Now he's

0:22:04.040 --> 0:22:06.200
<v Speaker 1>been doing that forever. He's been doing that forever.

0:22:06.800 --> 0:22:10.359
<v Speaker 6>John, I always wanted to ask, you, man, who is Maxine?

0:22:10.920 --> 0:22:12.600
<v Speaker 6>Because she had you going down through that bro.

0:22:13.040 --> 0:22:16.520
<v Speaker 3>Oh you know what max was truth?

0:22:16.720 --> 0:22:20.320
<v Speaker 6>Really this?

0:22:22.680 --> 0:22:22.879
<v Speaker 4>You know.

0:22:23.160 --> 0:22:27.840
<v Speaker 3>I was writing that song with the guys from Sarah Yeah.

0:22:28.400 --> 0:22:32.720
<v Speaker 3>Uh so you know, the whole crew, including O Mas

0:22:32.800 --> 0:22:35.879
<v Speaker 3>and Taz and everybody. So we're we're in l a

0:22:36.000 --> 0:22:40.400
<v Speaker 3>at there they had that house studio in Los Felis

0:22:40.480 --> 0:22:44.600
<v Speaker 3>or somewhere around there, Silver late and we were.

0:22:44.560 --> 0:22:46.560
<v Speaker 4>Just hanging out and we were writing the song and

0:22:46.680 --> 0:22:52.840
<v Speaker 4>I had just listened to Guess who I saw today,

0:22:53.000 --> 0:22:54.720
<v Speaker 4>my love Nancy Wilson.

0:22:55.520 --> 0:22:55.639
<v Speaker 5>Uh.

0:22:56.320 --> 0:22:58.359
<v Speaker 3>So, Nancy used to sing that song, and it was

0:22:58.440 --> 0:23:01.399
<v Speaker 3>about it kind of goes through the whole story of

0:23:01.920 --> 0:23:04.359
<v Speaker 3>you know, I was hanging out at this lovely bar and.

0:23:04.560 --> 0:23:07.560
<v Speaker 4>Blah blah blah, and I saw this beautiful couple and

0:23:07.920 --> 0:23:08.600
<v Speaker 4>blah blah.

0:23:08.440 --> 0:23:10.639
<v Speaker 3>Blah, and oh it was your Nigga.

0:23:16.080 --> 0:23:16.439
<v Speaker 6>Jones.

0:23:18.960 --> 0:23:22.240
<v Speaker 3>And so I had listened to that not long before that,

0:23:22.359 --> 0:23:24.919
<v Speaker 3>and we were we were just singing. Uh, we were

0:23:25.000 --> 0:23:28.200
<v Speaker 3>just playing around on the instruments, and I started singing,

0:23:28.280 --> 0:23:28.760
<v Speaker 3>she may.

0:23:28.760 --> 0:23:31.879
<v Speaker 4>Not be you, but she looks just like you, and

0:23:32.080 --> 0:23:32.639
<v Speaker 4>we wrote.

0:23:32.760 --> 0:23:34.320
<v Speaker 3>I was like, we should write a song kind of

0:23:34.359 --> 0:23:37.640
<v Speaker 3>in that same lyrical vein where I described this whole

0:23:37.720 --> 0:23:41.760
<v Speaker 3>setup of these two beautiful people hanging out with each

0:23:41.800 --> 0:23:43.480
<v Speaker 3>other looking like they're so in love.

0:23:43.960 --> 0:23:45.879
<v Speaker 4>And it was her the whole time I'm like, she

0:23:45.960 --> 0:23:46.639
<v Speaker 4>may not be you was.

0:23:46.760 --> 0:23:49.879
<v Speaker 3>She looked awful lot like you. And then uh, we

0:23:50.000 --> 0:23:52.080
<v Speaker 3>decided at the end we should call her name.

0:23:52.800 --> 0:23:58.480
<v Speaker 9>And we just made up a name that sounded good, Maxine,

0:23:58.640 --> 0:24:03.280
<v Speaker 9>and so every Maxine the age of sixty, and.

0:24:03.680 --> 0:24:06.800
<v Speaker 4>We wanted it to sound quaint and like old school

0:24:07.160 --> 0:24:07.560
<v Speaker 4>and then.

0:24:07.520 --> 0:24:09.320
<v Speaker 3>It turns out, and I did not notice at the

0:24:09.359 --> 0:24:13.560
<v Speaker 3>time my grandmother's middle name is Maxine, and so she

0:24:13.800 --> 0:24:16.800
<v Speaker 3>thought I had written it Maxine because of her name,

0:24:16.880 --> 0:24:18.919
<v Speaker 3>but I had no idea that was her middle name

0:24:18.960 --> 0:24:19.360
<v Speaker 3>at the time.

0:24:21.800 --> 0:24:23.359
<v Speaker 1>You don't wing it. I love that song.

0:24:23.840 --> 0:24:25.840
<v Speaker 6>I love that record, that who once again out here

0:24:25.960 --> 0:24:27.440
<v Speaker 6>that's I love it once again.

0:24:27.480 --> 0:24:29.800
<v Speaker 3>It is my favorite, Like, it's one of my favorite

0:24:29.800 --> 0:24:31.520
<v Speaker 3>things I've done. Wake Up is one of them too,

0:24:31.720 --> 0:24:34.600
<v Speaker 3>when I did with the Roots and then h once Again,

0:24:34.640 --> 0:24:36.840
<v Speaker 3>it is like my heart, I don't know, that's my

0:24:36.960 --> 0:24:37.480
<v Speaker 3>favorite one.

0:24:37.560 --> 0:24:40.920
<v Speaker 4>That's yeah, it showed me's on there.

0:24:41.520 --> 0:24:43.640
<v Speaker 5>Yeah, that's the one.

0:24:44.520 --> 0:24:45.439
<v Speaker 3>That's a lot of them.

0:24:46.560 --> 0:24:50.320
<v Speaker 4>Hey, John, Yeah, Diet has a question over there.

0:24:51.000 --> 0:24:51.760
<v Speaker 3>It's me, sugar.

0:24:53.000 --> 0:24:56.600
<v Speaker 4>Have you written any new songs since the quarantine started?

0:24:56.720 --> 0:25:01.320
<v Speaker 3>Anything at home? I have not, And part of it,

0:25:01.480 --> 0:25:03.720
<v Speaker 3>I think is just kind of feeling like, oh, I'm

0:25:03.760 --> 0:25:06.080
<v Speaker 3>done with my album and I can relax for a

0:25:06.119 --> 0:25:08.520
<v Speaker 3>while and have to write something. But also I don't

0:25:08.600 --> 0:25:10.800
<v Speaker 3>like writing at home, so it's the perfect storm of

0:25:10.880 --> 0:25:12.240
<v Speaker 3>me not getting anything done at home.

0:25:13.280 --> 0:25:16.520
<v Speaker 1>So wait a minute, when you're home, that's not your

0:25:16.680 --> 0:25:17.679
<v Speaker 1>creative hub at all.

0:25:18.520 --> 0:25:21.440
<v Speaker 4>No, I almost never write at home. I like to

0:25:21.600 --> 0:25:23.240
<v Speaker 4>schedule time go in.

0:25:23.880 --> 0:25:26.440
<v Speaker 3>Sometimes I'll sing stuff into my phone at home, like,

0:25:26.520 --> 0:25:29.480
<v Speaker 3>oh I have an idea. I'm almost singing this into

0:25:29.520 --> 0:25:31.480
<v Speaker 3>my phone and then finish it at the studio because

0:25:31.480 --> 0:25:33.120
<v Speaker 3>I like to go towards.

0:25:33.200 --> 0:25:37.040
<v Speaker 1>Your separation of church and state. I get it, because,

0:25:37.040 --> 0:25:40.320
<v Speaker 1>if anything, I would figure that this time period is

0:25:40.600 --> 0:25:45.400
<v Speaker 1>probably the best time period for all songwriters and all

0:25:45.640 --> 0:25:48.720
<v Speaker 1>screenwriters and book writers like, but it's really not.

0:25:48.840 --> 0:25:52.320
<v Speaker 4>Though if you have kids, if you don't have kids,

0:25:52.440 --> 0:25:53.560
<v Speaker 4>maybe if you don't have.

0:25:53.640 --> 0:25:57.159
<v Speaker 1>Kids, maybe so you just can't get three hours of

0:25:57.400 --> 0:25:59.360
<v Speaker 1>complete doing shit.

0:26:00.000 --> 0:26:00.639
<v Speaker 4>Oh hell no.

0:26:04.680 --> 0:26:10.440
<v Speaker 1>So the middle road is just hell nah too. And

0:26:10.560 --> 0:26:16.480
<v Speaker 1>we got one of those home ship dually know it,

0:26:17.040 --> 0:26:19.800
<v Speaker 1>about to buy a crib, won't have a separate batcave

0:26:19.840 --> 0:26:23.560
<v Speaker 1>for myself. I got it now, Okay, I get it.

0:26:24.240 --> 0:26:26.119
<v Speaker 7>I just don't think now, like in the middle of

0:26:26.280 --> 0:26:28.880
<v Speaker 7>what everybody dealing with, just the stress of the pandemic,

0:26:29.280 --> 0:26:31.000
<v Speaker 7>I don't think that really lends itself.

0:26:30.760 --> 0:26:32.640
<v Speaker 3>To creativity very much, you know what I mean?

0:26:32.840 --> 0:26:35.040
<v Speaker 7>So much of at least for me, so much of

0:26:35.080 --> 0:26:37.360
<v Speaker 7>what you pull from comes from outside sources.

0:26:37.400 --> 0:26:37.600
<v Speaker 2>Either.

0:26:38.240 --> 0:26:40.159
<v Speaker 7>You know, if you go out and you see a

0:26:40.240 --> 0:26:42.560
<v Speaker 7>couple and you think something or you you know, you

0:26:42.680 --> 0:26:44.919
<v Speaker 7>kind of go out and pull from these different experiences

0:26:45.320 --> 0:26:45.600
<v Speaker 7>when you.

0:26:45.680 --> 0:26:47.200
<v Speaker 6>Don't really have that anymore.

0:26:47.840 --> 0:26:50.760
<v Speaker 7>And on top of not having that, but you're constantly

0:26:50.840 --> 0:26:54.440
<v Speaker 7>watching people that you know or or know of get

0:26:55.400 --> 0:26:55.800
<v Speaker 7>or die.

0:26:56.600 --> 0:26:58.760
<v Speaker 4>I mean, I ain't thinking about no goddamn rap music,

0:26:59.400 --> 0:26:59.840
<v Speaker 4>you know what I mean.

0:27:00.040 --> 0:27:02.760
<v Speaker 1>It's just realizing.

0:27:03.400 --> 0:27:06.200
<v Speaker 3>I think some people will will be inspired by and

0:27:06.320 --> 0:27:10.000
<v Speaker 3>write some dope ship from it. It will it will

0:27:10.040 --> 0:27:14.359
<v Speaker 3>fit into certain people's style of writing and their worldview,

0:27:14.480 --> 0:27:17.520
<v Speaker 3>and it'll it'll propel them to write some dope stuff.

0:27:17.640 --> 0:27:21.000
<v Speaker 3>I really believe that's possible. But it's just it ain't

0:27:21.080 --> 0:27:21.960
<v Speaker 3>inspired me at all.

0:27:23.960 --> 0:27:28.040
<v Speaker 1>Don't making me feel bad now, man, I'm like, I

0:27:28.040 --> 0:27:31.440
<v Speaker 1>don't know five chapters. No, I got dude, having kids

0:27:31.560 --> 0:27:34.000
<v Speaker 1>like I got responsibility. I know it's not the same

0:27:34.040 --> 0:27:35.119
<v Speaker 1>as having kids.

0:27:37.440 --> 0:27:39.280
<v Speaker 5>Single people. I mean, I'm just saying, but I also

0:27:39.440 --> 0:27:41.520
<v Speaker 5>know that when you have two children in the home

0:27:41.960 --> 0:27:44.760
<v Speaker 5>every day, all day, that's the different situation. And I

0:27:45.160 --> 0:27:46.240
<v Speaker 5>appreciate my privilege.

0:27:46.760 --> 0:27:51.440
<v Speaker 7>Yeah, I think when you, I think, maybe why you

0:27:51.680 --> 0:27:53.960
<v Speaker 7>kind of getting stuff done in that way is because

0:27:53.960 --> 0:27:58.840
<v Speaker 7>you've finally been now, so you know, you would writing

0:27:58.880 --> 0:28:00.960
<v Speaker 7>and stuff like that. It's like, I, you know, you

0:28:01.080 --> 0:28:03.119
<v Speaker 7>finally have a chance to really buckle down and do it,

0:28:03.600 --> 0:28:06.080
<v Speaker 7>all right, and which is different than a lot of people.

0:28:06.640 --> 0:28:10.119
<v Speaker 3>But I'm just not feeling like writing songs right now.

0:28:10.520 --> 0:28:12.080
<v Speaker 1>You're thinking about writing a book and at some.

0:28:12.119 --> 0:28:12.840
<v Speaker 3>Point in the future.

0:28:12.920 --> 0:28:16.000
<v Speaker 4>I had always thought about it, but I I have

0:28:16.160 --> 0:28:16.720
<v Speaker 4>to at some point.

0:28:16.760 --> 0:28:19.480
<v Speaker 5>But you right one on finance, John Legend, No.

0:28:21.760 --> 0:28:22.320
<v Speaker 3>I'm not enough.

0:28:25.000 --> 0:28:31.040
<v Speaker 1>Seriously, John, Save everything, Like, don't you know, save everything?

0:28:31.600 --> 0:28:34.600
<v Speaker 1>Just put in storage what like it'll you'll need it.

0:28:34.800 --> 0:28:38.160
<v Speaker 1>You'll need it for your memoir. Trust me.

0:28:38.440 --> 0:28:39.720
<v Speaker 4>I got to write one at some point.

0:28:39.880 --> 0:28:42.760
<v Speaker 1>There's stuff I wish I saved for, you know, memoirs

0:28:42.800 --> 0:28:46.320
<v Speaker 1>that notes that I wrote old lyrics, sheet to that

0:28:46.480 --> 0:28:46.920
<v Speaker 1>sort of thing.

0:28:47.520 --> 0:28:56.040
<v Speaker 7>Save everything, yo, all right. So two questions. One, is

0:28:56.120 --> 0:28:59.080
<v Speaker 7>there a full version of Angel with you and Stacey?

0:28:59.560 --> 0:29:00.400
<v Speaker 4>Yes there is.

0:29:00.600 --> 0:29:05.720
<v Speaker 3>We put it on her It was on her record EP. Yes,

0:29:05.880 --> 0:29:09.280
<v Speaker 3>we put it on Stacey's EP. Stacy Bart she's a

0:29:09.360 --> 0:29:12.000
<v Speaker 3>dope singer and songwriter. She's written a lot of songs

0:29:12.040 --> 0:29:15.600
<v Speaker 3>for big artists, and she was signed to my production

0:29:15.720 --> 0:29:18.520
<v Speaker 3>company for a while as an artist, and she put

0:29:18.560 --> 0:29:21.800
<v Speaker 3>out a couple of EPs and we had her guest

0:29:21.960 --> 0:29:23.000
<v Speaker 3>on Love in the Future.

0:29:23.080 --> 0:29:25.600
<v Speaker 4>We did a short version of Angel on.

0:29:25.680 --> 0:29:26.840
<v Speaker 6>That's my favorite version.

0:29:26.880 --> 0:29:27.360
<v Speaker 3>I like that.

0:29:29.280 --> 0:29:29.480
<v Speaker 1>One.

0:29:29.960 --> 0:29:32.440
<v Speaker 4>Yeah, so that's on if you you can find it.

0:29:32.640 --> 0:29:34.960
<v Speaker 4>But Stacey put it on her EP.

0:29:35.840 --> 0:29:40.720
<v Speaker 6>And also Okay, Segie Poison hold on Longer, talk to

0:29:40.760 --> 0:29:41.360
<v Speaker 6>me about that one.

0:29:41.400 --> 0:29:41.760
<v Speaker 10>I love that.

0:29:41.800 --> 0:29:44.640
<v Speaker 3>For the song that was Oh that was font LeRoy's idea.

0:29:45.000 --> 0:29:47.280
<v Speaker 3>So he wrote a couple of those songs with us,

0:29:47.640 --> 0:29:51.040
<v Speaker 3>and uh, you know, you know his zone. It was

0:29:51.160 --> 0:29:51.960
<v Speaker 3>right in his zone.

0:29:52.680 --> 0:29:55.160
<v Speaker 4>He wrote a couple of those type of joints with

0:29:55.280 --> 0:29:55.880
<v Speaker 4>us for the album.

0:29:56.360 --> 0:29:57.400
<v Speaker 1>I love that record, man.

0:29:57.480 --> 0:30:01.880
<v Speaker 6>And also since it's Q Tip's birthday tomorrow, talk about.

0:30:01.720 --> 0:30:02.680
<v Speaker 4>Don't Wait till to.

0:30:04.880 --> 0:30:08.280
<v Speaker 3>That was me and Kanye is like sleeper favorite on

0:30:08.440 --> 0:30:11.720
<v Speaker 3>the album because Kanye was exect producing that album. And

0:30:12.040 --> 0:30:20.120
<v Speaker 3>I went in over to Kamal's house in Jersey and

0:30:20.680 --> 0:30:22.400
<v Speaker 3>we just jammed for a little while and we came

0:30:22.520 --> 0:30:26.400
<v Speaker 3>up with that song, and that's our sleeper favorite on

0:30:26.720 --> 0:30:28.360
<v Speaker 3>Love in the Future. It didn't get a lot of buzz,

0:30:28.480 --> 0:30:30.120
<v Speaker 3>but it's something about it, just that group.

0:30:31.720 --> 0:30:32.840
<v Speaker 6>It's a good step for song too.

0:30:33.080 --> 0:30:34.600
<v Speaker 3>Yeah, exactly exactly.

0:30:35.280 --> 0:30:35.920
<v Speaker 4>I have a question.

0:30:36.560 --> 0:30:40.120
<v Speaker 1>Yes, in the wake of Bill Withers passing and your

0:30:40.200 --> 0:30:44.080
<v Speaker 1>great re recording of his his song I can't right

0:30:44.160 --> 0:30:44.600
<v Speaker 1>left handed?

0:30:44.640 --> 0:30:47.160
<v Speaker 3>Can you just comment on the recording of that song?

0:30:47.280 --> 0:30:51.600
<v Speaker 4>And yeah, here's one of the things I did say, question,

0:30:51.640 --> 0:30:54.160
<v Speaker 4>where's that email? I have it. I'm gonna pull it

0:30:54.280 --> 0:30:58.440
<v Speaker 4>up right now, hold on.

0:30:59.880 --> 0:31:02.000
<v Speaker 1>Like, did I imagine an email? Did I make that up?

0:31:02.160 --> 0:31:02.360
<v Speaker 10>Yeah?

0:31:02.440 --> 0:31:05.720
<v Speaker 4>He wrote it for real. I resent it to my

0:31:05.880 --> 0:31:12.160
<v Speaker 4>manager and that was with me back then, and he

0:31:12.360 --> 0:31:13.160
<v Speaker 4>had sent it to me.

0:31:13.800 --> 0:31:21.000
<v Speaker 3>This is from October sixth, twenty ten, and here's an

0:31:21.040 --> 0:31:23.440
<v Speaker 3>email from Bill Withers. I'm gonna read it to y'all.

0:31:25.040 --> 0:31:26.880
<v Speaker 1>Exclusive exclusive.

0:31:27.800 --> 0:31:29.040
<v Speaker 3>Okay, here we go.

0:31:30.080 --> 0:31:30.480
<v Speaker 4>Alex.

0:31:30.760 --> 0:31:34.600
<v Speaker 3>Some time ago, you contacted Marsha regarding John Legend's recently

0:31:34.680 --> 0:31:38.760
<v Speaker 3>recorded album and offered to introduce her to Greg, one

0:31:38.800 --> 0:31:40.880
<v Speaker 3>of the guys who managed me at the time. She

0:31:41.080 --> 0:31:43.960
<v Speaker 3>probably attempted to forward the message to me or meant

0:31:43.960 --> 0:31:46.320
<v Speaker 3>to afford it to me. Quite possibly. It was doing

0:31:46.400 --> 0:31:48.719
<v Speaker 3>one of those periods where I was in Marsha, Alex

0:31:48.800 --> 0:31:52.400
<v Speaker 3>and everyone else overload and just ignored all incoming information

0:31:52.520 --> 0:31:55.280
<v Speaker 3>for a while. Anyway, I just found out about the

0:31:55.360 --> 0:31:58.479
<v Speaker 3>John Legend recording yesterday and a much more interesting fashion.

0:31:59.200 --> 0:32:02.360
<v Speaker 3>Having sat down to watch a documentary on Louis Armstrong.

0:32:02.520 --> 0:32:05.640
<v Speaker 3>The phone rang fifteen minutes into it and the voice

0:32:05.760 --> 0:32:09.000
<v Speaker 3>on the other end says, in this stilted tone, did

0:32:09.040 --> 0:32:10.120
<v Speaker 3>I awaken you, sir?

0:32:11.240 --> 0:32:13.560
<v Speaker 4>Just as I was about to hang up on whoever

0:32:13.680 --> 0:32:14.560
<v Speaker 4>this clown.

0:32:14.560 --> 0:32:19.920
<v Speaker 10>Was, the voice said Bill Withers, this is William Felton Russell,

0:32:20.600 --> 0:32:23.560
<v Speaker 10>which of course was followed by the unmistakable cackle of

0:32:23.760 --> 0:32:26.560
<v Speaker 10>Bill Russell laughing on the other end of the line.

0:32:27.280 --> 0:32:30.280
<v Speaker 4>He then proceeded to read me the titles of.

0:32:30.360 --> 0:32:32.720
<v Speaker 3>The songs on a John Legend album that he was

0:32:32.760 --> 0:32:36.320
<v Speaker 3>listening to and informed me that I can't right left hand.

0:32:36.400 --> 0:32:38.840
<v Speaker 3>It was included in the list of songs that were

0:32:38.880 --> 0:32:42.239
<v Speaker 3>recorded with the Roots band for the album. We then

0:32:42.360 --> 0:32:44.800
<v Speaker 3>proceeded to share stories of the people that it had

0:32:44.880 --> 0:32:49.080
<v Speaker 3>impacted our lives, such as Jackie Robinson, Joe Lewis, Jesse Owens, etc.

0:32:50.120 --> 0:32:53.480
<v Speaker 3>We continued on to have the obligatory conversation about Obama

0:32:53.600 --> 0:32:56.600
<v Speaker 3>and whatever else two seventy plus year olds ilk might

0:32:56.680 --> 0:33:00.240
<v Speaker 3>run their mouths about in catch up conversations. An hour

0:33:00.280 --> 0:33:02.800
<v Speaker 3>and a half later, having purged ourselves of all current

0:33:02.880 --> 0:33:05.520
<v Speaker 3>topics worthy of chit chat for the moment we ended

0:33:05.560 --> 0:33:09.320
<v Speaker 3>our conversation, I hit play to resume watching the Louis

0:33:09.400 --> 0:33:12.479
<v Speaker 3>Armstrong tape as I digested the conversation that I had

0:33:12.640 --> 0:33:15.120
<v Speaker 3>just had with my old friend and lifelong he wrote.

0:33:15.600 --> 0:33:18.480
<v Speaker 3>When the Louis Armstrong story finished, I went to my

0:33:18.560 --> 0:33:21.320
<v Speaker 3>computer and watched the session with John and the Roots

0:33:21.640 --> 0:33:26.040
<v Speaker 3>on YouTube. While digesting the pleasure of witnessing the heartfelt

0:33:26.120 --> 0:33:29.400
<v Speaker 3>and caring interpretation of this song by John and the

0:33:29.520 --> 0:33:32.520
<v Speaker 3>Band that Ray Jackson and I had written probably before

0:33:32.600 --> 0:33:35.080
<v Speaker 3>he and most of the band were born, it occurred

0:33:35.120 --> 0:33:38.000
<v Speaker 3>to me that it had indeed been a day spent

0:33:38.120 --> 0:33:42.760
<v Speaker 3>in the company of legends, conversation about legends with the legend,

0:33:43.000 --> 0:33:45.560
<v Speaker 3>while watching the story of a legend capped off by

0:33:45.600 --> 0:33:48.360
<v Speaker 3>the flattery of John Legend taking the time to revisit

0:33:48.440 --> 0:33:51.280
<v Speaker 3>and revive an old song written with a dear friend

0:33:51.640 --> 0:33:54.040
<v Speaker 3>what had actually gotten me into the music business and

0:33:54.080 --> 0:33:55.480
<v Speaker 3>who left us much too soon.

0:33:56.000 --> 0:33:57.840
<v Speaker 4>Ray Jackson passed away some years ago.

0:33:58.840 --> 0:34:00.760
<v Speaker 3>I'm sure that Ray Jackson would have joined me in

0:34:00.880 --> 0:34:03.600
<v Speaker 3>thanking John and the Roots for their attention to this

0:34:03.800 --> 0:34:06.680
<v Speaker 3>song and the congratulating them on a job well done.

0:34:07.040 --> 0:34:08.200
<v Speaker 4>Since they put me in such a.

0:34:08.200 --> 0:34:10.960
<v Speaker 3>Good mood, I will find it in my heart to

0:34:11.080 --> 0:34:14.319
<v Speaker 3>not hold a grudge against Questlove for making me sound

0:34:14.400 --> 0:34:19.240
<v Speaker 3>so ancient. In his otherwise flattering, introductory and explanatory comments

0:34:19.320 --> 0:34:21.080
<v Speaker 3>on the video smiles.

0:34:21.200 --> 0:34:23.720
<v Speaker 4>I was further sued by the fact that Bill Russell

0:34:24.080 --> 0:34:24.799
<v Speaker 4>is really old.

0:34:25.360 --> 0:34:29.359
<v Speaker 3>Congratulations to John appropriately named legend for all the work

0:34:29.400 --> 0:34:31.880
<v Speaker 3>he does in education and for projecting a good, wholesome

0:34:31.920 --> 0:34:34.759
<v Speaker 3>image for us all to appreciate. I would appreciate it

0:34:34.920 --> 0:34:38.000
<v Speaker 3>if you, whoever you is, would share this letter with

0:34:38.239 --> 0:34:39.240
<v Speaker 3>John and the Roots.

0:34:39.280 --> 0:34:41.520
<v Speaker 4>I would further advise you to avoid contact with me

0:34:41.600 --> 0:34:42.640
<v Speaker 4>in the future if.

0:34:42.600 --> 0:34:47.040
<v Speaker 3>You don't rendered grumpy by the rare rainy, cloudy, yucky

0:34:47.120 --> 0:34:51.759
<v Speaker 3>weather here in La today, but boyd revived and sustained

0:34:51.800 --> 0:34:56.440
<v Speaker 3>by my day with the Legends yesterday. Bill Withers, Wow,

0:34:57.160 --> 0:34:57.879
<v Speaker 3>that's a letter.

0:34:58.040 --> 0:35:02.719
<v Speaker 1>This dude can tell A sorry man, Yo. He's the

0:35:03.080 --> 0:35:06.719
<v Speaker 1>musical uncle we never had his emails.

0:35:07.480 --> 0:35:10.200
<v Speaker 3>His emails were legendary because every time he wrote one,

0:35:10.320 --> 0:35:13.520
<v Speaker 3>he had all those extra little colors and flavors in

0:35:13.600 --> 0:35:16.240
<v Speaker 3>there that you normally I'm just like a yes, because

0:35:16.239 --> 0:35:18.320
<v Speaker 3>I'm always like approving something.

0:35:18.440 --> 0:35:20.160
<v Speaker 1>Like Okay, great, nice thanks.

0:35:22.600 --> 0:35:26.239
<v Speaker 4>He would write such such great emails. Wow. Man.

0:35:26.600 --> 0:35:31.040
<v Speaker 1>Yeah, when when he when he came to the show, Yeah,

0:35:31.800 --> 0:35:36.240
<v Speaker 1>to see his performance, he was just it was everything

0:35:36.280 --> 0:35:38.680
<v Speaker 1>I ever wanted. And that was the point in which like,

0:35:38.920 --> 0:35:44.160
<v Speaker 1>I was really kind of not you know, I was

0:35:44.160 --> 0:35:46.480
<v Speaker 1>a little gun shy with meeting idols by that point

0:35:46.520 --> 0:35:51.600
<v Speaker 1>because so many had let me down before. Yeah, but

0:35:51.800 --> 0:35:54.960
<v Speaker 1>he lived up to everything. Like he was full of stories,

0:35:55.120 --> 0:36:01.760
<v Speaker 1>like and humor and seemed like he did not seem

0:36:02.200 --> 0:36:04.919
<v Speaker 1>or act like he was in his seventies. I thought

0:36:04.960 --> 0:36:07.759
<v Speaker 1>he was like, oh he might be fifty nine, maybe

0:36:07.880 --> 0:36:13.080
<v Speaker 1>sixty maybe. Yeah, that's one of my regrets, man, Like

0:36:13.239 --> 0:36:15.520
<v Speaker 1>I was, I was gunning for him for at least

0:36:15.600 --> 0:36:19.879
<v Speaker 1>twelve years to try to try to work with him.

0:36:20.120 --> 0:36:23.560
<v Speaker 3>But Yo, so he heard he heard the live version

0:36:23.640 --> 0:36:26.120
<v Speaker 3>of that too. That was the first thing you heard

0:36:26.239 --> 0:36:29.120
<v Speaker 3>was the YouTube. We had made a YouTube video. I

0:36:29.239 --> 0:36:32.040
<v Speaker 3>think that was actually in the studio. It was like

0:36:32.080 --> 0:36:33.760
<v Speaker 3>one of those promo things we shot in the studio,

0:36:33.800 --> 0:36:37.040
<v Speaker 3>but it was a live performance though. It was like

0:36:37.520 --> 0:36:40.239
<v Speaker 3>it wasn't like edited, it was you know, it was

0:36:40.280 --> 0:36:42.920
<v Speaker 3>a straight up live performance, but there was an audience there.

0:36:43.560 --> 0:36:46.919
<v Speaker 1>Yeah, And Oh, I forgot. We did something with Spike

0:36:47.000 --> 0:36:47.440
<v Speaker 1>Lee as well.

0:36:47.719 --> 0:36:50.239
<v Speaker 3>I told you about about that that thing in the

0:36:50.840 --> 0:36:54.000
<v Speaker 3>one of those buildings in New York something five terminal

0:36:54.080 --> 0:36:56.440
<v Speaker 3>five shot five.

0:36:57.239 --> 0:36:59.080
<v Speaker 5>John, You know how long we've been trying to get

0:36:59.120 --> 0:37:01.040
<v Speaker 5>this to happen. You know this is just a preview, right,

0:37:01.120 --> 0:37:02.319
<v Speaker 5>like you know at some point when we all come

0:37:02.360 --> 0:37:03.319
<v Speaker 5>back together in real life.

0:37:03.360 --> 0:37:07.480
<v Speaker 1>This is not the room love that. Yeah, That's why

0:37:07.480 --> 0:37:10.960
<v Speaker 1>I'm not asking like the questions I normally ask request

0:37:11.480 --> 0:37:13.640
<v Speaker 1>because I'm trying to say that for the real episode.

0:37:14.320 --> 0:37:16.240
<v Speaker 7>Well, just in case we don't get the real lepisode

0:37:16.239 --> 0:37:17.840
<v Speaker 7>and I got another music, we'll get.

0:37:17.719 --> 0:37:23.359
<v Speaker 3>It, all right, So I'm gonna be there. I don't know, Hey,

0:37:23.440 --> 0:37:24.920
<v Speaker 3>we all might not be there all right.

0:37:24.960 --> 0:37:30.760
<v Speaker 6>So hey, your first uh on again on once again?

0:37:31.080 --> 0:37:31.440
<v Speaker 3>Uh huh.

0:37:32.600 --> 0:37:35.759
<v Speaker 7>The leak version of it was just acoustic, and then

0:37:36.080 --> 0:37:37.920
<v Speaker 7>the album version you added.

0:37:37.800 --> 0:37:44.440
<v Speaker 3>Drums and what made you change? Oh? No, I mean

0:37:45.040 --> 0:37:46.839
<v Speaker 3>I had always thought we were gonna put a little

0:37:47.000 --> 0:37:49.800
<v Speaker 3>instrumentation on it. So sometimes I'll record a demo of

0:37:49.920 --> 0:37:51.920
<v Speaker 3>it and I don't know who leaked it. I'm trying

0:37:51.960 --> 0:37:54.680
<v Speaker 3>to remember how that came out. Also did a version

0:37:54.760 --> 0:37:56.960
<v Speaker 3>on Death poetry Jam. They kind of let me half

0:37:57.040 --> 0:38:00.640
<v Speaker 3>sing sing, half sing on death pet you John. That

0:38:00.719 --> 0:38:02.440
<v Speaker 3>was the first time anybody actually heard any of it

0:38:02.719 --> 0:38:05.920
<v Speaker 3>was on the fork And remember that.

0:38:07.000 --> 0:38:09.160
<v Speaker 6>I mean I didn't miss that my first time hearing it.

0:38:09.320 --> 0:38:10.479
<v Speaker 6>It was the leak version.

0:38:10.960 --> 0:38:13.440
<v Speaker 7>Yeah, this is back when albums would leak, you know

0:38:13.480 --> 0:38:18.120
<v Speaker 7>what I mean, the album Eleak and that version of Again.

0:38:18.200 --> 0:38:19.760
<v Speaker 1>It was just it was just you and piano.

0:38:20.120 --> 0:38:23.080
<v Speaker 4>And I'm not even sure if I knew it leaked. Honestly,

0:38:23.800 --> 0:38:26.600
<v Speaker 4>I'm not even sure just even piano.

0:38:27.560 --> 0:38:30.960
<v Speaker 1>That's crazy. Yeah, now I gotta go back and revisit.

0:38:33.480 --> 0:38:49.880
<v Speaker 1>Thank you. That's a goblet of like South Carolina, North Carolina.

0:38:49.960 --> 0:38:50.320
<v Speaker 4>What is that?

0:38:51.200 --> 0:38:54.960
<v Speaker 1>This is What's up? What's up?

0:38:54.960 --> 0:38:59.239
<v Speaker 4>Steve is again that joined you samples for doing it again?

0:38:59.600 --> 0:39:01.680
<v Speaker 1>Yeah, that's again. Okay.

0:39:01.719 --> 0:39:03.600
<v Speaker 5>I was singing in my head and doing it again,

0:39:03.880 --> 0:39:04.799
<v Speaker 5>yes again.

0:39:05.719 --> 0:39:08.120
<v Speaker 3>Yeah. And then I had another song on a record

0:39:08.160 --> 0:39:09.719
<v Speaker 3>called another again again.

0:39:16.400 --> 0:39:16.640
<v Speaker 4>John.

0:39:16.680 --> 0:39:19.320
<v Speaker 5>I still remember that first album where you were sing

0:39:21.000 --> 0:39:25.279
<v Speaker 5>the beach in your Lena outfit when you were back

0:39:25.320 --> 0:39:26.360
<v Speaker 5>in the Philly days.

0:39:28.719 --> 0:39:30.400
<v Speaker 4>Yeah, that's crazy.

0:39:30.920 --> 0:39:34.359
<v Speaker 1>Yeah. I still have to actually wait, did you sang

0:39:34.600 --> 0:39:42.520
<v Speaker 1>because that the early record even before uh, your first

0:39:42.640 --> 0:39:49.120
<v Speaker 1>album is up your version of Burning Down the House.

0:39:49.360 --> 0:39:51.600
<v Speaker 4>Yeah, so that was when we did live at UH

0:39:52.000 --> 0:39:53.360
<v Speaker 4>S O B S O B S.

0:39:53.440 --> 0:39:57.319
<v Speaker 3>Yeah. Yeah, I was from like oh two, I think.

0:39:57.680 --> 0:39:57.879
<v Speaker 1>Yeah.

0:39:58.400 --> 0:40:01.480
<v Speaker 3>I got my deal in a four, So it was,

0:40:01.680 --> 0:40:03.480
<v Speaker 3>you know, a couple of years before everything popped off.

0:40:03.840 --> 0:40:07.320
<v Speaker 6>I remember listening to that. You had that album, you

0:40:07.440 --> 0:40:10.359
<v Speaker 6>were selling it. This is back in like old three.

0:40:11.400 --> 0:40:13.000
<v Speaker 6>It was a little brother and Kanye.

0:40:13.120 --> 0:40:16.920
<v Speaker 3>We was on tour together. Yeah, we did the Norfolk

0:40:17.120 --> 0:40:21.160
<v Speaker 3>and yeah, I remember them in Norfolk, yeah, yeah, and

0:40:21.320 --> 0:40:24.399
<v Speaker 3>we were selling that joint and I remember those shows man,

0:40:24.880 --> 0:40:28.239
<v Speaker 3>And I remember I would sell those CDs out of

0:40:28.320 --> 0:40:30.319
<v Speaker 3>my you know, out of my trunk, you know, every

0:40:30.440 --> 0:40:32.480
<v Speaker 3>everywhere we would go. I would do gigs in uh

0:40:32.600 --> 0:40:35.080
<v Speaker 3>New York and Philly by myself for a while. I

0:40:35.120 --> 0:40:38.359
<v Speaker 3>would play it like S O B. S and UH

0:40:39.360 --> 0:40:43.520
<v Speaker 3>Knitting Factory, north By, Northwest fire Spot all these places

0:40:44.080 --> 0:40:46.000
<v Speaker 3>UH in Philly and New York and.

0:40:46.280 --> 0:40:47.920
<v Speaker 4>UH and I would just sell them.

0:40:48.000 --> 0:40:50.480
<v Speaker 3>And and I was my own web person, so I

0:40:50.520 --> 0:40:52.600
<v Speaker 3>would like I didn't program the site, but I would uh,

0:40:52.920 --> 0:40:53.239
<v Speaker 3>I would.

0:40:53.320 --> 0:40:54.319
<v Speaker 4>I would handle all.

0:40:54.239 --> 0:40:56.520
<v Speaker 3>The CD seal so I would be like chipping them

0:40:56.560 --> 0:41:00.800
<v Speaker 3>off to people I would go to the post office

0:41:00.800 --> 0:41:03.000
<v Speaker 3>every couple of days and ship some more CDs off

0:41:03.040 --> 0:41:05.800
<v Speaker 3>the people that order them online. Can you believe we

0:41:05.920 --> 0:41:08.320
<v Speaker 3>actually buy CDs their.

0:41:08.200 --> 0:41:09.279
<v Speaker 1>Own distribution something?

0:41:11.760 --> 0:41:11.920
<v Speaker 4>Yeah.

0:41:12.080 --> 0:41:14.640
<v Speaker 1>I feel like it's time for a sequel now, John,

0:41:15.040 --> 0:41:16.600
<v Speaker 1>where we are like, we we.

0:41:16.680 --> 0:41:19.040
<v Speaker 4>Gotta do it. We gotta do it. We always say

0:41:19.080 --> 0:41:20.080
<v Speaker 4>we gotta do it, but we.

0:41:20.160 --> 0:41:21.640
<v Speaker 3>Gotta do it. Wait which sequel?

0:41:21.719 --> 0:41:23.000
<v Speaker 5>Y'all get together making music.

0:41:23.600 --> 0:41:25.239
<v Speaker 4>The roots and the roots coming back.

0:41:26.440 --> 0:41:31.520
<v Speaker 1>Yeah, real protest songs man. Yeah, man, I like that.

0:41:31.600 --> 0:41:33.319
<v Speaker 5>I like the y'all vow to do that on tape

0:41:33.360 --> 0:41:34.520
<v Speaker 5>right here in front of everybody.

0:41:34.680 --> 0:41:36.640
<v Speaker 4>Yeah, we really need to do it.

0:41:36.680 --> 0:41:37.160
<v Speaker 3>It's true.

0:41:37.480 --> 0:41:42.640
<v Speaker 1>I mean all we do is work. So as long

0:41:42.640 --> 0:41:47.479
<v Speaker 1>a time a collaborator that's willing and shows up, let's work.

0:41:47.880 --> 0:41:50.640
<v Speaker 1>I'm down, you know what I'm saying. Now, Thank you,

0:41:50.760 --> 0:41:54.719
<v Speaker 1>Thank you, John. I appreciate you doing our U our

0:41:54.840 --> 0:41:59.759
<v Speaker 1>live YouTube uh broadcast of course, Love Supreme. I want

0:41:59.760 --> 0:42:04.120
<v Speaker 1>to be Layah Ship, Steve Unpaid, Bill Fan Diagelo and

0:42:04.360 --> 0:42:06.719
<v Speaker 1>John Legend. Thank you very much. This is a quest

0:42:06.760 --> 0:42:08.400
<v Speaker 1>Love Supreme. We'll see you on the next show.

0:42:08.239 --> 0:42:09.400
<v Speaker 3>Now see everybody.

0:42:09.800 --> 0:42:16.960
<v Speaker 4>Thanks well, y'all right, M.

0:42:18.400 --> 0:42:24.719
<v Speaker 1>Question Love Supreme is a production of iHeartRadio. For more

0:42:24.760 --> 0:42:28.759
<v Speaker 1>podcasts from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

0:42:29.200 --> 0:42:30.880
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