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We bring everything 29 00:01:34,080 --> 00:01:36,720 Speaker 1: together in one place so you can plan the perfect 30 00:01:36,760 --> 00:01:40,240 Speaker 1: trip from DC and beyond. Discover why over one hundred 31 00:01:40,280 --> 00:01:43,880 Speaker 1: million travelers trust us every month. Search Skyscanner or download 32 00:01:43,880 --> 00:01:56,760 Speaker 1: the Skyscanner app today. Probably play some good music before 33 00:01:56,800 --> 00:02:02,320 Speaker 1: we got to the Hey you were hey, you were 34 00:02:02,360 --> 00:02:04,920 Speaker 1: insulting me during the commercial? Bright, How did we not 35 00:02:05,120 --> 00:02:10,639 Speaker 1: play hooting the Bluefish there? That's bad producing who never 36 00:02:10,800 --> 00:02:13,200 Speaker 1: do that? We never do that. We never play the 37 00:02:13,320 --> 00:02:16,560 Speaker 1: music of the band or the artists. Yeah, never do that. 38 00:02:17,120 --> 00:02:18,440 Speaker 1: So that's the old much you have to do with 39 00:02:18,520 --> 00:02:24,560 Speaker 1: your show. It's Hooty and the Blowfish here. So Darius, 40 00:02:24,600 --> 00:02:26,440 Speaker 1: do you want to introduce the starting lineup here for 41 00:02:26,680 --> 00:02:29,040 Speaker 1: mar Pry on guitar, yean fur brow and bass and 42 00:02:29,200 --> 00:02:33,160 Speaker 1: Jim Sonefeld on Dromes and Dan Patrick on Rubbert Chicken. Yes, 43 00:02:33,360 --> 00:02:36,359 Speaker 1: what was the what was the second name that you 44 00:02:36,440 --> 00:02:39,120 Speaker 1: guys were looking at? Aside from Hooting the Blowfish. That's 45 00:02:39,160 --> 00:02:40,639 Speaker 1: the only name. Mark and I would used to be 46 00:02:40,680 --> 00:02:43,359 Speaker 1: the Wolf Brothers. But the worst name being wanted to 47 00:02:43,440 --> 00:02:45,440 Speaker 1: call us black and blue because they all had blue 48 00:02:45,480 --> 00:02:50,359 Speaker 1: eyes that I was black. I think I think that 49 00:02:50,400 --> 00:02:52,960 Speaker 1: would have been a good name. It had been better 50 00:02:52,960 --> 00:02:55,679 Speaker 1: than Hooting the Bluefish. Black and Blues. Yeah, but I 51 00:02:56,000 --> 00:02:59,480 Speaker 1: do think the name did help you guys, like it 52 00:02:59,760 --> 00:03:01,959 Speaker 1: or hate it, you never forget it, and so I 53 00:03:02,040 --> 00:03:04,960 Speaker 1: think it did help us because people could remember it. Yes, 54 00:03:05,120 --> 00:03:07,239 Speaker 1: no one forgot the name, and there was something about that. 55 00:03:07,600 --> 00:03:11,000 Speaker 1: But at any point did you guys think we should 56 00:03:11,080 --> 00:03:14,280 Speaker 1: change the name? Oh? Yeah, yeah. Basically when Sony got 57 00:03:14,360 --> 00:03:16,679 Speaker 1: in the band took a good hard look at it. 58 00:03:16,720 --> 00:03:18,440 Speaker 1: We were playing clubs and we were like, we should 59 00:03:18,480 --> 00:03:20,120 Speaker 1: probably change the name, but we were already doing so 60 00:03:20,280 --> 00:03:22,120 Speaker 1: well in a few places. We didn't want to start 61 00:03:22,160 --> 00:03:24,080 Speaker 1: all over. We were to change the name, you started 62 00:03:24,080 --> 00:03:26,799 Speaker 1: all over. We were drawing hundreds of people at that time. 63 00:03:29,720 --> 00:03:32,320 Speaker 1: All six hundred people had left because they're changed their name. 64 00:03:32,600 --> 00:03:35,080 Speaker 1: What would happen? But also when you look at this, 65 00:03:35,360 --> 00:03:37,920 Speaker 1: we always look at an overnight success, but it took 66 00:03:38,200 --> 00:03:41,000 Speaker 1: like twenty years for an overnight success. For ten years 67 00:03:41,040 --> 00:03:42,800 Speaker 1: for you guys. When I met you guys in what 68 00:03:43,000 --> 00:03:46,960 Speaker 1: ninety four, you guys had been playing at frat houses 69 00:03:47,040 --> 00:03:51,160 Speaker 1: and whatever for ten years? Under ten years at any point, 70 00:03:51,240 --> 00:03:53,400 Speaker 1: how how close did you guys come to just saying 71 00:03:54,080 --> 00:03:56,240 Speaker 1: this ain't gonna happen? Never? Yeah, because what else are 72 00:03:56,280 --> 00:04:01,680 Speaker 1: we get? There was never a moment when we thought 73 00:04:01,680 --> 00:04:04,880 Speaker 1: about that, Like when we got our record deal. We 74 00:04:05,000 --> 00:04:06,720 Speaker 1: weren't even looking for a record deal. We were doing 75 00:04:06,760 --> 00:04:08,680 Speaker 1: so well in the clubs we were making. We were 76 00:04:08,760 --> 00:04:11,200 Speaker 1: playing the same clubs every six weeks making you know, 77 00:04:11,800 --> 00:04:13,560 Speaker 1: were all making over fifty thous dollar the years is 78 00:04:13,640 --> 00:04:16,480 Speaker 1: playing clothes. We we were content. We weren't even looking 79 00:04:16,600 --> 00:04:20,120 Speaker 1: for a record deal. So free drinks, women and and 80 00:04:20,200 --> 00:04:23,159 Speaker 1: you're making and you're playing the bills. Yeah, it's perfect. 81 00:04:23,600 --> 00:04:25,880 Speaker 1: But when you have hold my the importance of hold 82 00:04:25,960 --> 00:04:29,560 Speaker 1: my hand to this band, oh what? First of all 83 00:04:30,839 --> 00:04:32,680 Speaker 1: so many when he came to audition for the band, 84 00:04:33,120 --> 00:04:34,880 Speaker 1: the first thing he did was say I got a song. 85 00:04:35,000 --> 00:04:36,680 Speaker 1: We said play your song, and it was old my hands, 86 00:04:37,200 --> 00:04:40,840 Speaker 1: and so we were like hearing the band bro I 87 00:04:40,960 --> 00:04:47,440 Speaker 1: thought it was my hair. It's also the song that 88 00:04:47,560 --> 00:04:49,680 Speaker 1: that David Lederman heard and you know it's like, hey, 89 00:04:49,720 --> 00:04:51,560 Speaker 1: I want that band on my show. And then that 90 00:04:51,800 --> 00:04:54,479 Speaker 1: was the appearance that sort of broke, you know, the ice. 91 00:04:54,560 --> 00:04:57,240 Speaker 1: So yeah, it was a pretty important song for us. Yeah, 92 00:04:57,279 --> 00:04:59,440 Speaker 1: because I wondered that where you look at these bands 93 00:04:59,520 --> 00:05:01,200 Speaker 1: and then I didn't know if you guys were worried 94 00:05:01,200 --> 00:05:04,040 Speaker 1: about being a one hit wonder. We weren't because we 95 00:05:04,920 --> 00:05:06,880 Speaker 1: by the time we got to recording Cracker of You, 96 00:05:07,040 --> 00:05:10,279 Speaker 1: we had been playing Letter Cry for several years. We've 97 00:05:10,279 --> 00:05:12,520 Speaker 1: been playing only want to Be with You for several 98 00:05:12,600 --> 00:05:14,880 Speaker 1: years in the clubs and hold My Hand. So we 99 00:05:14,960 --> 00:05:18,159 Speaker 1: had kind of a a small little catalog of songs 100 00:05:18,240 --> 00:05:20,720 Speaker 1: that were working as well as hold My Hand in 101 00:05:20,800 --> 00:05:23,360 Speaker 1: the bars. And that's that's the testing ground. You didn't 102 00:05:23,360 --> 00:05:26,160 Speaker 1: get two hundred people in a in a club to 103 00:05:26,279 --> 00:05:28,400 Speaker 1: sing along with you and then buy your Creddy Little 104 00:05:28,440 --> 00:05:31,040 Speaker 1: cassette for five bucks and take it home because they 105 00:05:31,120 --> 00:05:33,480 Speaker 1: like it that much. You're those are songs, They're gonna 106 00:05:33,720 --> 00:05:35,720 Speaker 1: they're gonna last. What was it like to hear that 107 00:05:35,960 --> 00:05:39,000 Speaker 1: song on the radio for the first time. Oh it was. 108 00:05:39,640 --> 00:05:41,960 Speaker 1: It was amazing. It was. I mean, it freaked us out. 109 00:05:42,000 --> 00:05:45,480 Speaker 1: I think you must stare at the radio, not back 110 00:05:45,520 --> 00:05:49,680 Speaker 1: then because you didn't you know the thing. But uh, 111 00:05:49,839 --> 00:05:52,640 Speaker 1: it was funny for us. There was one moment where 112 00:05:52,760 --> 00:05:54,479 Speaker 1: it was too much. I was I was in Charleston 113 00:05:54,880 --> 00:05:56,480 Speaker 1: and I'm driving on the road and I got a 114 00:05:56,560 --> 00:05:59,360 Speaker 1: radio on and the Hoodie song comes up. That's cool. 115 00:05:59,400 --> 00:06:01,600 Speaker 1: I see the channel it was after everything was big, 116 00:06:01,920 --> 00:06:04,000 Speaker 1: and I changed the channel and the next channel it 117 00:06:04,000 --> 00:06:06,560 Speaker 1: was a Hoodie solo. And I changed the channel and 118 00:06:06,640 --> 00:06:09,200 Speaker 1: the next channel was a different hoodie solo, and I 119 00:06:09,320 --> 00:06:11,520 Speaker 1: changed it a fourth time, and it was time was 120 00:06:11,600 --> 00:06:13,440 Speaker 1: the fourth one and that was on and I went, 121 00:06:14,000 --> 00:06:16,560 Speaker 1: Oh my goodness. I really went, Oh my goodness, world 122 00:06:16,640 --> 00:06:18,680 Speaker 1: every radio station in this town. It was crazy. But 123 00:06:18,800 --> 00:06:21,960 Speaker 1: what happened that truth taste of success. I paid all 124 00:06:21,960 --> 00:06:28,160 Speaker 1: my student loans, but not you guys. For us, it 125 00:06:28,440 --> 00:06:30,839 Speaker 1: was like a kind of a gut check of like, hey, 126 00:06:31,120 --> 00:06:33,400 Speaker 1: this is we're gonna do. This is what we really 127 00:06:33,480 --> 00:06:34,880 Speaker 1: want to do. Is we're a passion about and we're 128 00:06:34,880 --> 00:06:36,960 Speaker 1: gonna get it. We're gonna do this forever. I'll be 129 00:06:37,000 --> 00:06:39,360 Speaker 1: honest with you, We didn't see The only success we 130 00:06:39,440 --> 00:06:41,919 Speaker 1: saw was that we were the shows were getting bigger 131 00:06:42,200 --> 00:06:44,160 Speaker 1: because we were always on the road. It was never 132 00:06:44,200 --> 00:06:47,560 Speaker 1: anything but touring, so the shows were getting bigger. Great. Yeah. 133 00:06:47,680 --> 00:06:50,320 Speaker 1: I think it was also when when we got to 134 00:06:50,400 --> 00:06:52,920 Speaker 1: deal with BMW to B and South Carolina Ambassadors and 135 00:06:53,040 --> 00:06:57,039 Speaker 1: got three cards. So I was like, okay, okay, we're good. 136 00:06:58,800 --> 00:07:02,280 Speaker 1: Who did you guys open up for Big Heads and 137 00:07:02,320 --> 00:07:05,120 Speaker 1: the Monsters they were first the West brought to a 138 00:07:05,160 --> 00:07:07,640 Speaker 1: second Yeah, and then the middle of the Toad tour 139 00:07:08,240 --> 00:07:11,280 Speaker 1: you could tell everything a change. I mean the really 140 00:07:11,720 --> 00:07:15,080 Speaker 1: in the middle of the top we've done all stage, 141 00:07:15,120 --> 00:07:19,280 Speaker 1: but people coming to see us flip plot yeah yeah, 142 00:07:19,320 --> 00:07:21,960 Speaker 1: and then told the Wet Pocket decided to dissolve the band. 143 00:07:22,040 --> 00:07:30,200 Speaker 1: I think they get played. Rim was a big influence you. 144 00:07:30,400 --> 00:07:33,120 Speaker 1: You make mention of Stipe in a song or two. 145 00:07:33,240 --> 00:07:35,360 Speaker 1: Why was r M? Why did was that the same 146 00:07:35,400 --> 00:07:37,920 Speaker 1: with everybody else? That Rim kind of we were in college. 147 00:07:38,000 --> 00:07:40,560 Speaker 1: That was that that was like the alternative scene was 148 00:07:40,600 --> 00:07:43,400 Speaker 1: coming up, and they were basically the poster children for 149 00:07:43,440 --> 00:07:46,880 Speaker 1: the alternative scene and their music was really influential on 150 00:07:46,960 --> 00:07:48,840 Speaker 1: a lot of people and we were one of those bands, 151 00:07:48,920 --> 00:07:51,320 Speaker 1: and um yeah, I mean we grew up with them too. 152 00:07:51,400 --> 00:07:53,440 Speaker 1: I mean being in Columbia there from Athens. I think 153 00:07:53,920 --> 00:07:55,560 Speaker 1: first time Davis and I went and saw him at 154 00:07:55,600 --> 00:07:58,280 Speaker 1: the Township, it was like half ball and they went 155 00:07:58,360 --> 00:08:00,320 Speaker 1: back the next year and it was sold out and 156 00:08:00,680 --> 00:08:03,320 Speaker 1: uh so, I mean Batton, we just listened to him 157 00:08:03,360 --> 00:08:05,480 Speaker 1: to death. Yeah. When I joined the band in eighty nine, 158 00:08:05,920 --> 00:08:07,720 Speaker 1: it should have said who are the Blowfish? And then 159 00:08:07,760 --> 00:08:11,000 Speaker 1: a preces and R a m cover band, Like they 160 00:08:11,080 --> 00:08:13,760 Speaker 1: sent me a demo of like, uh cassette of like 161 00:08:13,840 --> 00:08:17,760 Speaker 1: thirty songs and eighteen of them were rims. Uh. There 162 00:08:17,840 --> 00:08:21,080 Speaker 1: was a point in our points when we had twelve ariums. 163 00:08:23,320 --> 00:08:25,800 Speaker 1: A favorite cover song for each one of you guys 164 00:08:25,880 --> 00:08:29,000 Speaker 1: to play. Oh, good question. Interstate Love Songs. When we 165 00:08:29,080 --> 00:08:32,559 Speaker 1: keep going out, keep coming out. Yeah, it's just we 166 00:08:32,679 --> 00:08:34,880 Speaker 1: do this thing in the middle of the only one 167 00:08:34,920 --> 00:08:36,480 Speaker 1: to people you where we play get down on it 168 00:08:36,520 --> 00:08:39,640 Speaker 1: by cooling the game. I love that every time. Okay, 169 00:08:39,679 --> 00:08:43,640 Speaker 1: believe we could play that. I love it? What about you? 170 00:08:43,840 --> 00:08:46,320 Speaker 1: I mean, Interstate Love Song is a great one. Champagne 171 00:08:46,320 --> 00:08:49,160 Speaker 1: Supernerva is another, another great one. We used to open 172 00:08:49,280 --> 00:08:51,480 Speaker 1: up the set with the song by this band called 173 00:08:51,520 --> 00:08:55,920 Speaker 1: the Rave Ups Uh called uh how long you keep 174 00:08:55,960 --> 00:08:58,760 Speaker 1: bone dylling Me? And you want to be happy? You 175 00:08:58,880 --> 00:09:04,520 Speaker 1: want to be That was killer. I don't know how 176 00:09:04,559 --> 00:09:06,800 Speaker 1: come you can't curse? How come all the stuff comes 177 00:09:06,800 --> 00:09:08,760 Speaker 1: out on me? He must be a name of that song. 178 00:09:08,800 --> 00:09:10,920 Speaker 1: I don't remember, but it was great. It was that kid. Yeah. 179 00:09:10,960 --> 00:09:13,079 Speaker 1: And then you did fight the power? We do, we 180 00:09:13,160 --> 00:09:15,000 Speaker 1: do fight the power. It was so it was so funny, 181 00:09:15,040 --> 00:09:17,000 Speaker 1: you know. We we were opened up for Jason Aldeen 182 00:09:17,720 --> 00:09:19,880 Speaker 1: in uh this in the Atlanta and there in their 183 00:09:20,000 --> 00:09:22,640 Speaker 1: in their baseball stadium, and we do fight the power. 184 00:09:22,720 --> 00:09:26,319 Speaker 1: And some U some country DJ comes on and he's 185 00:09:26,320 --> 00:09:28,839 Speaker 1: telling everybody to burn our records because we're staying to 186 00:09:28,880 --> 00:09:31,120 Speaker 1: fight the power. I'm like, are you freaking kidding me? 187 00:09:31,559 --> 00:09:33,559 Speaker 1: I was like, kind of like, Zach, are you a cool? 188 00:09:34,000 --> 00:09:36,240 Speaker 1: We played that song for twenty seven years. I was like, 189 00:09:36,720 --> 00:09:39,280 Speaker 1: making us political is hilarious. Why did people turn on 190 00:09:39,400 --> 00:09:43,000 Speaker 1: Hoodie and the Blowfish? It was so big, It was 191 00:09:43,120 --> 00:09:45,520 Speaker 1: so big just everywhere. I mean, I mean, it's a 192 00:09:45,559 --> 00:09:48,640 Speaker 1: great problem to have, yeah, but but it felt like 193 00:09:49,200 --> 00:09:53,079 Speaker 1: they were mad at themselves for liking you. Guys like 194 00:09:53,240 --> 00:09:55,840 Speaker 1: I like, how did I like them? I'm so mad 195 00:09:55,880 --> 00:09:58,040 Speaker 1: at myself and I'm gonna take it out on somebody. 196 00:09:58,320 --> 00:10:00,880 Speaker 1: And wasn't there the bumper sticker? Maybe you saw it, Mark, 197 00:10:00,960 --> 00:10:03,120 Speaker 1: I was sad in Baltimore or something. Talk if you 198 00:10:03,200 --> 00:10:15,360 Speaker 1: hate hoodie hoodie. Wow. But now it's come full circle. 199 00:10:15,559 --> 00:10:18,079 Speaker 1: It is, it is. It's so funny for me because 200 00:10:19,040 --> 00:10:21,760 Speaker 1: back in ninety six, I want to that GQ Man 201 00:10:21,880 --> 00:10:24,800 Speaker 1: of the Year of Music and the whole story, the 202 00:10:24,880 --> 00:10:27,640 Speaker 1: last paragraph the guy says the or Hoosie the Bluefish. 203 00:10:27,640 --> 00:10:29,599 Speaker 1: You guys will get respect when John Daly is on 204 00:10:29,720 --> 00:10:32,040 Speaker 1: the uh, when John Dailey is on a senior tour. 205 00:10:32,559 --> 00:10:35,000 Speaker 1: And sure enough John on the tour and finally we're 206 00:10:35,360 --> 00:10:37,600 Speaker 1: getting respect of the band. I remember seeing the New 207 00:10:37,679 --> 00:10:40,120 Speaker 1: York Times article before the tour started, and I think 208 00:10:40,160 --> 00:10:42,079 Speaker 1: I sent it to you because I got it on 209 00:10:42,320 --> 00:10:45,079 Speaker 1: Saturday and it was the Sunday edition, and I went, 210 00:10:45,360 --> 00:10:47,000 Speaker 1: I think I sent it to Sony. So I go, 211 00:10:47,160 --> 00:10:51,280 Speaker 1: what the because I said, it took this long for 212 00:10:51,360 --> 00:10:53,319 Speaker 1: then these critics to kind of circle back and go, 213 00:10:53,480 --> 00:10:56,120 Speaker 1: you know what? On second thought, yeah, it's like critics 214 00:10:56,200 --> 00:10:59,559 Speaker 1: did the same thing, like you know they're it's simple, 215 00:10:59,760 --> 00:11:02,559 Speaker 1: like what is this? And and now I think that 216 00:11:02,760 --> 00:11:04,240 Speaker 1: it's great to see that they kind of had this 217 00:11:04,320 --> 00:11:06,560 Speaker 1: epiphany and said, you know what, second thought they were 218 00:11:06,600 --> 00:11:10,280 Speaker 1: pretty You sold twenty five million of Cracked rear view 219 00:11:10,400 --> 00:11:13,679 Speaker 1: right worldwide. I think critics couldn't like us because we 220 00:11:13,800 --> 00:11:16,440 Speaker 1: had just killed the form of music that they had 221 00:11:16,480 --> 00:11:18,920 Speaker 1: toward so much. You know, we had just wait, what 222 00:11:19,040 --> 00:11:21,720 Speaker 1: did you kill grunge? If you look at the if 223 00:11:21,760 --> 00:11:25,800 Speaker 1: you look at the timeline when who he came Grunds ended, 224 00:11:26,240 --> 00:11:28,360 Speaker 1: that's when Maxbox Putty got their deal and all those 225 00:11:28,760 --> 00:11:30,839 Speaker 1: ninety four Yeah, is when it is really when the 226 00:11:30,920 --> 00:11:32,800 Speaker 1: start they started playing on the radio, when they started 227 00:11:32,800 --> 00:11:45,040 Speaker 1: playing up do you take credit for killing grunge? Twenty 228 00:11:45,760 --> 00:11:47,880 Speaker 1: I've been on this show an eighteen hundred times. At 229 00:11:47,920 --> 00:11:52,080 Speaker 1: the first time at first satellite radio. What has happened 230 00:11:52,120 --> 00:11:58,440 Speaker 1: to you? I'm the old black guy speaking of which, 231 00:11:58,800 --> 00:12:02,400 Speaker 1: you tell a great story when you guys got into 232 00:12:02,440 --> 00:12:08,640 Speaker 1: a fight, No, not you guys, and Albuquerque was yeah, okay, 233 00:12:08,840 --> 00:12:11,520 Speaker 1: can you tell the story. We're in Albuquerque and I'll 234 00:12:11,559 --> 00:12:13,160 Speaker 1: give you there. How about this. We'll take a break, 235 00:12:13,160 --> 00:12:15,520 Speaker 1: all right, we'll come back, and this is Hoodie and 236 00:12:15,520 --> 00:12:17,800 Speaker 1: the Bluefish like you've never heard Hooty and the Bluefish. 237 00:12:18,200 --> 00:12:20,079 Speaker 1: By the way, we're the only ones asking them to 238 00:12:20,240 --> 00:12:25,520 Speaker 1: not sing to them, and I knew you would. I'm like, Todd, 239 00:12:25,760 --> 00:12:27,640 Speaker 1: why don't you, Fritzie, why don't you asking them to 240 00:12:27,800 --> 00:12:31,520 Speaker 1: like couldn't they just sing like I'm something? I'll tell 241 00:12:31,559 --> 00:12:33,640 Speaker 1: you why. Because we want you to play the time. 242 00:12:33,920 --> 00:12:35,439 Speaker 1: We want you to play our new singles. Why do 243 00:12:35,480 --> 00:12:37,360 Speaker 1: you keep calling that all closing Time? The song was 244 00:12:37,360 --> 00:12:38,760 Speaker 1: called Hope that I Don't Fall in Love with You? 245 00:12:38,880 --> 00:12:40,839 Speaker 1: The album was Closing Time. There's a whole different song 246 00:12:40,880 --> 00:12:43,160 Speaker 1: on the album called Closing Time. Hey, I've seen you 247 00:12:43,320 --> 00:12:45,480 Speaker 1: forget lyrics on stage, dude, So why do you have 248 00:12:46,679 --> 00:12:48,160 Speaker 1: you Remember the time I've got a letter cry and 249 00:12:48,200 --> 00:12:53,199 Speaker 1: I turned to you when I go I'm sitting on 250 00:12:53,280 --> 00:12:55,200 Speaker 1: the cooler. Remember you had the cooler on the side 251 00:12:55,240 --> 00:12:57,599 Speaker 1: of the stage that had Yangee in it and a 252 00:12:57,679 --> 00:12:59,719 Speaker 1: bunch of beer, and I treated it like it was 253 00:12:59,800 --> 00:13:03,280 Speaker 1: my cool So I'm over by Dean and Dean playing 254 00:13:03,320 --> 00:13:05,320 Speaker 1: the bass, and Dean usually didn't go over and take 255 00:13:05,360 --> 00:13:07,400 Speaker 1: anything out of the cooler, and all of a sudden, 256 00:13:07,440 --> 00:13:09,599 Speaker 1: I'm sitting on the cooler. I've had some Yeggie, a 257 00:13:09,679 --> 00:13:12,880 Speaker 1: couple of beers, and Darry starts to sing and then 258 00:13:12,920 --> 00:13:15,760 Speaker 1: he looks over and he goes, what are the lyrics? 259 00:13:15,920 --> 00:13:21,240 Speaker 1: And I go, I'm drunk. I have no idea. I 260 00:13:21,320 --> 00:13:24,679 Speaker 1: don't know. Yeah, all right, we'll come back and this 261 00:13:24,920 --> 00:13:27,000 Speaker 1: is hoo. Do you like you've never heard him not singing? 262 00:13:27,120 --> 00:13:29,880 Speaker 1: But this is gonna be a great story. Back with 263 00:13:29,960 --> 00:13:32,360 Speaker 1: the hoodie the blowfish. Right after this, everybody's got it 264 00:13:32,400 --> 00:13:34,960 Speaker 1: to do list. 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Discover why over one hundred million travelers trust us. 291 00:14:57,440 --> 00:15:01,000 Speaker 1: Every month, search Skyscanner or download The Guy's Gonna Wrap Today. 292 00:15:06,920 --> 00:15:09,000 Speaker 1: Fluting in the Blowfish joining us here in the man 293 00:15:09,160 --> 00:15:12,400 Speaker 1: Cave and their new album, Imperfect Circle will be available 294 00:15:12,480 --> 00:15:16,920 Speaker 1: everywhere and that is starting today. For the commercial break, 295 00:15:17,160 --> 00:15:20,240 Speaker 1: I teased that there was an incident on the road 296 00:15:20,320 --> 00:15:23,440 Speaker 1: many many many years ago that you you told me now, 297 00:15:23,640 --> 00:15:25,800 Speaker 1: is that the craziest moment you've had on the road 298 00:15:26,080 --> 00:15:28,200 Speaker 1: where you got into a fight? No, we had. The 299 00:15:28,240 --> 00:15:29,960 Speaker 1: Albuquerque was a great fight. We got we got in 300 00:15:30,000 --> 00:15:34,960 Speaker 1: the fight. And at Michigan, Okay, we're in this bar 301 00:15:35,000 --> 00:15:37,160 Speaker 1: in an arbor and it's us. We meet Tiger, an 302 00:15:37,160 --> 00:15:39,480 Speaker 1: eighteen year old Tiger Woods for the first time, and 303 00:15:40,440 --> 00:15:42,800 Speaker 1: the Stanley Cup shows up at this ball from the 304 00:15:42,880 --> 00:15:46,080 Speaker 1: Red Wings, and so we're walking out and Jeff, we're 305 00:15:46,080 --> 00:15:48,280 Speaker 1: just walking and all of a sudden, we're throwing snowballs 306 00:15:48,320 --> 00:15:49,960 Speaker 1: with these guys and we think it's funny. And all 307 00:15:49,960 --> 00:15:52,760 Speaker 1: of a sudden, oh, snowball hit the wall and it's 308 00:15:52,800 --> 00:15:55,840 Speaker 1: got a bottle in it. It's got a bottle in it. 309 00:15:56,680 --> 00:15:58,440 Speaker 1: And all of a sudden, I'm looking at Sony and 310 00:15:58,520 --> 00:16:01,480 Speaker 1: Sony runs across the street. I'm like, if Sony's going, 311 00:16:01,560 --> 00:16:08,120 Speaker 1: I'm going across the street and we're you guys. Any's 312 00:16:08,200 --> 00:16:10,720 Speaker 1: under the car. Sony's under the car beating one guy 313 00:16:11,080 --> 00:16:12,760 Speaker 1: and the other guy jumps in his Corey twitters, so 314 00:16:12,840 --> 00:16:15,840 Speaker 1: I'm punching him in the car and he's arriving. It 315 00:16:16,480 --> 00:16:18,840 Speaker 1: was are you guys famous. No, we were No, we 316 00:16:18,920 --> 00:16:20,920 Speaker 1: were just starting. We were playing out a string of clubs. 317 00:16:21,000 --> 00:16:23,120 Speaker 1: It was just starting to take off. We just tiger 318 00:16:23,160 --> 00:16:24,880 Speaker 1: get involved in there. No, he we left him in 319 00:16:24,960 --> 00:16:27,480 Speaker 1: the bar. Okay, never've been a great the albu Querque 320 00:16:27,520 --> 00:16:30,360 Speaker 1: better the real quick. Okay when albu Querque, Sony's got 321 00:16:30,400 --> 00:16:32,520 Speaker 1: a hat on, and the bouncer comes up stairs where 322 00:16:32,520 --> 00:16:34,160 Speaker 1: we are to take your hat off, takes he takes 323 00:16:34,160 --> 00:16:37,440 Speaker 1: his hat off, not thinking these little little buzz puts 324 00:16:37,480 --> 00:16:39,200 Speaker 1: it back on. Bouncer asks take a hat off, and 325 00:16:39,480 --> 00:16:41,760 Speaker 1: takes the hat off, goes out stairs. We're all we're 326 00:16:41,760 --> 00:16:43,680 Speaker 1: having a great time, having a great time party, and 327 00:16:43,720 --> 00:16:45,520 Speaker 1: we looked down on these three cowboys walking with their 328 00:16:45,520 --> 00:16:47,880 Speaker 1: cowboy hats on. We wait for about fifteen or twenty minutes, 329 00:16:47,880 --> 00:16:49,760 Speaker 1: and nobody tells him to take the ants off. So 330 00:16:49,880 --> 00:16:51,960 Speaker 1: soon he put the tow back off. So it's about 331 00:16:52,000 --> 00:16:53,960 Speaker 1: five or six of us up there, and we look 332 00:16:54,080 --> 00:16:56,880 Speaker 1: up and we see five or six bounces walking up 333 00:16:56,880 --> 00:16:59,760 Speaker 1: the steps, so we instantly know what's on. So there 334 00:17:00,160 --> 00:17:02,960 Speaker 1: yelling Sony. So our security guy buddy pushing Sony out 335 00:17:02,960 --> 00:17:04,520 Speaker 1: of the way, pushing Sony out of the way and 336 00:17:04,560 --> 00:17:06,440 Speaker 1: goes so you know, don't talk to him, talk to me. 337 00:17:07,200 --> 00:17:10,760 Speaker 1: And in about fifteen seconds it was on. I mean, 338 00:17:10,880 --> 00:17:14,000 Speaker 1: we're gonna full up our bar fight. R. I don't know. 339 00:17:14,200 --> 00:17:16,280 Speaker 1: I grew up fighting. There's no big thing, no big 340 00:17:16,320 --> 00:17:17,880 Speaker 1: thing to me. So I'm fighting. I'm fighting my guy, 341 00:17:17,920 --> 00:17:20,080 Speaker 1: and I'm doing really well, and I'm looking around and 342 00:17:20,160 --> 00:17:23,959 Speaker 1: I realized everybody and who need the Bluefish is killing somebody. 343 00:17:24,960 --> 00:17:28,000 Speaker 1: I mean, Sony is just destroying this guy. Market is 344 00:17:28,040 --> 00:17:29,960 Speaker 1: just I'm like, Mark doesn't even fight, and Margarets just 345 00:17:30,040 --> 00:17:32,760 Speaker 1: beat the half, you know, and we're like, oh my 346 00:17:32,920 --> 00:17:35,080 Speaker 1: said all of a sudden, so we whoop these guys. 347 00:17:35,480 --> 00:17:38,000 Speaker 1: We whoop these guys, and we're leaving and as we 348 00:17:38,119 --> 00:17:40,159 Speaker 1: leave the owner's walk, the owner comes up because the 349 00:17:40,200 --> 00:17:41,639 Speaker 1: cops is gonna show up. And everything was a bar 350 00:17:41,720 --> 00:17:43,640 Speaker 1: fight because are you know what's going on? One goes, 351 00:17:43,840 --> 00:17:45,479 Speaker 1: let me tell you know me Dan, when I'm mad, 352 00:17:45,560 --> 00:17:49,080 Speaker 1: I'm really mouthy and I'm mad, and I said, you 353 00:17:49,160 --> 00:17:50,520 Speaker 1: need to get some new bounces. He's like, what are 354 00:17:50,560 --> 00:17:52,480 Speaker 1: you talking about? How like you need new bounces? Who 355 00:17:52,560 --> 00:17:55,600 Speaker 1: need the bullef? Just who everybody? And I said, I 356 00:17:55,720 --> 00:17:58,240 Speaker 1: did not just say public enemy. I said who in 357 00:17:58,280 --> 00:18:01,680 Speaker 1: the blooms Woman Every Buddy, Buddy. By the way, Buddy, 358 00:18:02,000 --> 00:18:05,240 Speaker 1: Buddy bench press a guy or not bench standing press 359 00:18:05,400 --> 00:18:07,960 Speaker 1: a guy bigger than him. He dropped him on pool tables. 360 00:18:08,200 --> 00:18:10,080 Speaker 1: The greatest move I've ever seen in the fight. Buddy's 361 00:18:10,119 --> 00:18:12,480 Speaker 1: kind of short. Buddy's shore security guy. He's short, and 362 00:18:12,560 --> 00:18:14,520 Speaker 1: Buddy's fighting this guy, but he's looking around to make 363 00:18:14,560 --> 00:18:16,800 Speaker 1: sure everybody's okay. You know, I can tell he's looking 364 00:18:16,800 --> 00:18:18,760 Speaker 1: to make sure everybody's okay. And he trips over a 365 00:18:18,800 --> 00:18:21,000 Speaker 1: pool table. The buddy's short, so Buddy's on this pool 366 00:18:21,000 --> 00:18:23,280 Speaker 1: table and his feet aren't on the ground, and this 367 00:18:23,440 --> 00:18:26,879 Speaker 1: big guy SE's Buddy. He jumped on Buddy, and Buddy 368 00:18:26,960 --> 00:18:30,120 Speaker 1: took this guy and threw straight up in the air 369 00:18:30,640 --> 00:18:32,920 Speaker 1: and slammed him so hard on on this pool table. 370 00:18:33,240 --> 00:18:39,159 Speaker 1: Everybody stopped fighting. He's flaming those guy's horn there. This 371 00:18:39,400 --> 00:18:42,040 Speaker 1: is over. It is over that crazy thing. I hurt Buddy. 372 00:18:42,040 --> 00:18:47,200 Speaker 1: I'll corner pocket. The greatest move I've ever seen the fight. Yeah, 373 00:18:47,240 --> 00:18:49,440 Speaker 1: would love to have a tape that night. I wouldn't. 374 00:18:49,680 --> 00:18:51,800 Speaker 1: I wish felt cell phones were big then, because I 375 00:18:51,840 --> 00:18:53,960 Speaker 1: would love to see that though, Because I'm telling you 376 00:18:54,119 --> 00:18:56,600 Speaker 1: I looked around. It's like we are killing these guys. 377 00:18:57,000 --> 00:18:59,320 Speaker 1: I'm like, wow, y'all, y'a'll need the new bounces in here. 378 00:18:59,440 --> 00:19:01,720 Speaker 1: But did you ever have any of those moments on stage? 379 00:19:01,800 --> 00:19:04,639 Speaker 1: Because I've stood next to Buddy, your bodyguard, and I 380 00:19:04,680 --> 00:19:08,400 Speaker 1: got dude, you got the easiest job ever, real real quick. 381 00:19:08,520 --> 00:19:11,320 Speaker 1: You can base over here and nobody cares. I'm doing 382 00:19:11,359 --> 00:19:12,919 Speaker 1: this thing. I'm playing that. I'm playing the club. I'm 383 00:19:12,920 --> 00:19:15,040 Speaker 1: playing a club, some radio show from a country band. 384 00:19:15,080 --> 00:19:17,359 Speaker 1: And I see these two boys, these two guys talking 385 00:19:17,400 --> 00:19:19,159 Speaker 1: and one guy telling his buddy, I'm going up, and 386 00:19:19,200 --> 00:19:21,520 Speaker 1: the buddy he's like, I'm not going so sure enough, 387 00:19:21,600 --> 00:19:23,159 Speaker 1: I see him and here he comes. So I just 388 00:19:23,320 --> 00:19:26,720 Speaker 1: back off and I see it and Buddy comes running. 389 00:19:26,760 --> 00:19:29,800 Speaker 1: It's it's funny, I mean that, And Buddy hit this 390 00:19:30,000 --> 00:19:34,119 Speaker 1: guy like Michael Strahan coming off in the corner and 391 00:19:34,280 --> 00:19:36,520 Speaker 1: he just took this guy out and so the guy 392 00:19:36,560 --> 00:19:39,920 Speaker 1: goes down, and long story short, about about a week later, 393 00:19:40,160 --> 00:19:42,159 Speaker 1: we get our lawyer to send us the letter, and 394 00:19:42,280 --> 00:19:45,080 Speaker 1: the letter says that the guy's doing us and Buddy, 395 00:19:45,160 --> 00:19:47,160 Speaker 1: you know, buddy, you know the guy's in a wheelchair. 396 00:19:47,240 --> 00:19:50,159 Speaker 1: He's doing us and everything, and so Buddy is like 397 00:19:50,320 --> 00:19:52,240 Speaker 1: waiting for me to be the you know, I'm always 398 00:19:52,280 --> 00:19:54,359 Speaker 1: the reason, and we'll be all right, we'll handle us. 399 00:19:54,560 --> 00:19:56,080 Speaker 1: And I looked at Buddy and said, oh my god, 400 00:19:56,080 --> 00:19:57,480 Speaker 1: I can't help you with this. This is And I 401 00:19:57,560 --> 00:19:59,400 Speaker 1: looked at him and I said, oh man, the Laura 402 00:19:59,480 --> 00:20:04,680 Speaker 1: Fe's a lo. It was awesome. We messled him for 403 00:20:04,720 --> 00:20:06,920 Speaker 1: a day. But you know, and I filed this story 404 00:20:07,000 --> 00:20:08,840 Speaker 1: before when you guys were in Vegas and you got 405 00:20:08,920 --> 00:20:11,520 Speaker 1: word that Bob Dylan wanted a couple hundred thousand dollars 406 00:20:11,920 --> 00:20:15,359 Speaker 1: for he wanted one fifth of the album. What he wanted, 407 00:20:15,760 --> 00:20:19,719 Speaker 1: Oh he did, You're crazy? And so you sampled from 408 00:20:19,760 --> 00:20:24,120 Speaker 1: Bob Dylan. We didn't sample, Yeah, what, I don't understand 409 00:20:24,160 --> 00:20:27,840 Speaker 1: how that works. We used a considerable lyric and had 410 00:20:28,119 --> 00:20:31,359 Speaker 1: gotten permission to do it just a year or two earlier. 411 00:20:31,560 --> 00:20:34,800 Speaker 1: On an early victory was saying, yeah, the same song 412 00:20:35,560 --> 00:20:37,240 Speaker 1: all they want to be with You. What they actually 413 00:20:37,240 --> 00:20:39,399 Speaker 1: said was it wasn't we didn't ripplebaff. It was actually 414 00:20:39,400 --> 00:20:42,160 Speaker 1: a tribute to him, and they were finally we used it. Yeah. Yeah, 415 00:20:42,280 --> 00:20:44,200 Speaker 1: So we did the exact same song a year later, 416 00:20:44,320 --> 00:20:47,680 Speaker 1: just re recorded the exact version for Crack Review, and 417 00:20:47,760 --> 00:20:50,960 Speaker 1: it became a huge hit, and suddenly their lawyers needed 418 00:20:51,000 --> 00:20:53,800 Speaker 1: to come back and say, well, you didn't get permission 419 00:20:54,080 --> 00:20:56,840 Speaker 1: to do it for the second recording. You only get 420 00:20:56,880 --> 00:20:59,840 Speaker 1: permission for the first recording. Wow, I got us some 421 00:21:00,040 --> 00:21:02,800 Speaker 1: technical Yeah. And then you got Dylan back by doing 422 00:21:02,880 --> 00:21:10,399 Speaker 1: wagon Wheel Yeah, and giving him more money yeah, and 423 00:21:10,520 --> 00:21:13,840 Speaker 1: giving him more millions. Do you remember the first time 424 00:21:13,880 --> 00:21:16,320 Speaker 1: I came on stage with you guys? He's been on 425 00:21:16,400 --> 00:21:18,320 Speaker 1: stage so much. I do not remember that. No, Yeah, 426 00:21:18,920 --> 00:21:23,919 Speaker 1: still trying for you what I think The first thing 427 00:21:23,960 --> 00:21:26,520 Speaker 1: I remember the first what I do remember was in 428 00:21:26,640 --> 00:21:29,399 Speaker 1: my here in my headphones, I'm here in this awful sound, 429 00:21:30,000 --> 00:21:31,560 Speaker 1: and I know it's for percuction, it's not It's like 430 00:21:31,600 --> 00:21:34,560 Speaker 1: a symbol, but it's not really a symbol. And I'm like, 431 00:21:34,680 --> 00:21:37,199 Speaker 1: what is that? And I look over and they had 432 00:21:37,280 --> 00:21:40,000 Speaker 1: taken the tambourine from Dan because he was run to 433 00:21:40,000 --> 00:21:42,560 Speaker 1: destroy it. They'd taken all the drumsticks from him, and 434 00:21:42,640 --> 00:21:44,280 Speaker 1: they had taken a shaker from him, and so he 435 00:21:44,400 --> 00:21:48,520 Speaker 1: had resorted to taking a rubber chicken and beating the 436 00:21:48,760 --> 00:21:52,040 Speaker 1: hell you just and it was the worst sound ever. 437 00:21:52,200 --> 00:21:57,880 Speaker 1: I was angry at you guys, but I so innovative, really, 438 00:21:58,560 --> 00:22:01,600 Speaker 1: and then all of a sudden, if my mic was on, 439 00:22:02,080 --> 00:22:04,760 Speaker 1: I was singing, you were singing, and I love it. 440 00:22:04,840 --> 00:22:07,320 Speaker 1: Here's Darius and he's got, you know, fifteen twenty thousand 441 00:22:07,359 --> 00:22:09,399 Speaker 1: people in front of him, and I'm trying to get 442 00:22:09,440 --> 00:22:13,719 Speaker 1: his attention by singing, and you know, I'd be like, uh, 443 00:22:14,440 --> 00:22:18,120 Speaker 1: black water people and then and then he would turn 444 00:22:18,200 --> 00:22:22,440 Speaker 1: around and be like, oh my god, they're awful. I 445 00:22:22,560 --> 00:22:24,200 Speaker 1: love how whatever we call you out on too, You're like, 446 00:22:24,280 --> 00:22:28,560 Speaker 1: Gary's throwing me off. Yeah, yeah, because players he's not 447 00:22:28,640 --> 00:22:30,159 Speaker 1: playing in my rhythm, He's not playing him. But it 448 00:22:30,240 --> 00:22:32,080 Speaker 1: was only the one time I took my shirt off, 449 00:22:32,160 --> 00:22:33,800 Speaker 1: and that was when we were in Scotland, and that 450 00:22:33,960 --> 00:22:35,920 Speaker 1: was what I realized how white you really are. Yeah, 451 00:22:36,040 --> 00:22:38,440 Speaker 1: and that's when because Sony would take off his shirt. 452 00:22:38,520 --> 00:22:40,960 Speaker 1: You guys had a video where he has his shirt 453 00:22:41,000 --> 00:22:43,280 Speaker 1: off playing the drums, and I thought that would be 454 00:22:43,400 --> 00:22:45,359 Speaker 1: funny if he looked over and I had my shirt off. 455 00:22:45,960 --> 00:22:49,679 Speaker 1: You know, I couldn't say half a song that day 456 00:22:49,760 --> 00:22:54,159 Speaker 1: because do we have something off the new album? Do 457 00:22:54,320 --> 00:23:15,400 Speaker 1: we two? It is? Can you play then? Stop? Long 458 00:23:15,520 --> 00:23:18,679 Speaker 1: Top out of the World? Something stuck in a hold. 459 00:23:19,800 --> 00:23:23,240 Speaker 1: So times they hold that thing will them to I 460 00:23:23,280 --> 00:23:32,000 Speaker 1: didn't go in school. Saw. The album is in Perfect Circle, 461 00:23:32,000 --> 00:23:36,440 Speaker 1: available everywhere starting today. Uh, thanks for tolerating me all 462 00:23:36,480 --> 00:23:38,879 Speaker 1: these years. It's only been what twenty five years? Twenty 463 00:23:38,920 --> 00:23:40,840 Speaker 1: five years we would press. Who would have known? I 464 00:23:40,960 --> 00:23:43,760 Speaker 1: took a chance on you guys always we made you famous. 465 00:23:43,840 --> 00:23:49,120 Speaker 1: I was a really big star, but he made you famous. 466 00:23:49,160 --> 00:23:51,119 Speaker 1: What are you talking? I said, I don't know. I 467 00:23:51,160 --> 00:23:54,000 Speaker 1: could go on tour with Oasis or I could go 468 00:23:54,040 --> 00:23:55,800 Speaker 1: on tour with you. Guys. You made the right choice 469 00:23:55,800 --> 00:23:58,920 Speaker 1: because you don't have the fight with the ways I 470 00:23:59,000 --> 00:24:01,959 Speaker 1: could take the gallic yas guys are saw. I think 471 00:24:01,960 --> 00:24:04,200 Speaker 1: you could tell them. I think you'd take to Galagers, 472 00:24:04,640 --> 00:24:07,840 Speaker 1: Pooty and the blow Fifth once again, nobody else has 473 00:24:07,880 --> 00:24:09,600 Speaker 1: them on to not perform like the way you do. 474 00:24:10,400 --> 00:24:14,920 Speaker 1: In Perfect Circle, available everywhere starting today. Two hours in 475 00:24:15,000 --> 00:24:16,919 Speaker 1: the books, More and Mortar go on this Friday, Dan 476 00:24:17,000 --> 00:24:19,920 Speaker 1: and the Down as Michael Rappaport, the actorc Committee will 477 00:24:19,920 --> 00:24:22,800 Speaker 1: stop by as well. We ask him to sing, so 478 00:24:23,040 --> 00:24:26,080 Speaker 1: he will sing. 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Nick Shaban, 526 00:26:51,600 --> 00:26:55,320 Speaker 1: Alabama head coach, got duke coming up this weekend, joining 527 00:26:55,440 --> 00:26:58,720 Speaker 1: us en route to work. Good morning coach, thanks for 528 00:26:58,880 --> 00:27:01,800 Speaker 1: joining us. One. When is the last thing somebody parked 529 00:27:01,920 --> 00:27:09,080 Speaker 1: in your parking spot? How? I can't remember what would 530 00:27:09,119 --> 00:27:14,639 Speaker 1: happen if somebody parked in your parking spot? Nothing, just 531 00:27:14,960 --> 00:27:17,959 Speaker 1: trying another place to park or you know, I mean 532 00:27:19,640 --> 00:27:22,800 Speaker 1: just I don't know that it would do any good, 533 00:27:23,119 --> 00:27:27,919 Speaker 1: but um, it just is what it is. What if 534 00:27:28,000 --> 00:27:34,000 Speaker 1: two have parked in your parking spot, UM, I probably 535 00:27:34,080 --> 00:27:39,040 Speaker 1: have a discussion with them. You know, sometimes when key 536 00:27:39,160 --> 00:27:43,400 Speaker 1: players on your team, you know, do things even though 537 00:27:43,480 --> 00:27:47,680 Speaker 1: you really have a great relationship with them and it's 538 00:27:47,800 --> 00:27:51,200 Speaker 1: kind of not a big deal. You know, you also 539 00:27:51,280 --> 00:27:55,119 Speaker 1: have to realize that, especially when the key players do something, 540 00:27:55,560 --> 00:27:58,280 Speaker 1: you know, everybody else on the team is watching, so 541 00:27:59,440 --> 00:28:03,399 Speaker 1: aw you man, and you know that circumstance, regardless of 542 00:28:03,480 --> 00:28:06,680 Speaker 1: what it is, is really important to how they decide 543 00:28:06,720 --> 00:28:09,840 Speaker 1: to do things in the future. You more patient or 544 00:28:09,920 --> 00:28:16,640 Speaker 1: less patient? I think I'm much more patient. I mean 545 00:28:16,720 --> 00:28:19,880 Speaker 1: I would I've been praying for patience for the last 546 00:28:19,920 --> 00:28:24,040 Speaker 1: forty years. I think someone answered my prayers here in 547 00:28:24,119 --> 00:28:29,080 Speaker 1: the last maybe ten twelve years. That is No, I 548 00:28:29,160 --> 00:28:32,800 Speaker 1: think it's it's it made me a little better, you know, 549 00:28:32,920 --> 00:28:36,480 Speaker 1: in terms of seeing things from a thousand feet rather 550 00:28:36,600 --> 00:28:42,320 Speaker 1: than just you know, kind of being anxious about getting 551 00:28:42,360 --> 00:28:44,600 Speaker 1: it done right this minute. And sometimes it doesn't get 552 00:28:44,680 --> 00:28:46,600 Speaker 1: done the right way when you jump into things that 553 00:28:46,760 --> 00:28:50,520 Speaker 1: way without a good plan. What's the best piece of 554 00:28:50,600 --> 00:28:57,400 Speaker 1: coaching advice your wife ever gave you? You know, really 555 00:28:57,520 --> 00:29:01,800 Speaker 1: probably way back when when I'm at Michigan Street. Um, 556 00:29:02,480 --> 00:29:05,080 Speaker 1: you know, I was always sort of from the beginning 557 00:29:05,120 --> 00:29:08,120 Speaker 1: of time when I was became a head coach, to me, 558 00:29:08,400 --> 00:29:10,560 Speaker 1: always made me out to be sort of the till 559 00:29:10,600 --> 00:29:13,920 Speaker 1: of the hund, you know, type of image. And I 560 00:29:14,120 --> 00:29:18,080 Speaker 1: was always really really upset by that, and because I 561 00:29:18,120 --> 00:29:21,360 Speaker 1: didn't think it was correct. So I said that to 562 00:29:21,480 --> 00:29:24,240 Speaker 1: my wife once and she said, would you ever watch 563 00:29:24,280 --> 00:29:27,600 Speaker 1: yourself in an interview, you're very anxious. You're you know, 564 00:29:27,840 --> 00:29:34,360 Speaker 1: not very in a cordial to the people. You look nervous. 565 00:29:35,240 --> 00:29:36,880 Speaker 1: You look like you're afraid you're going to say the 566 00:29:37,000 --> 00:29:39,760 Speaker 1: wrong thing. It looks like you resent, you know, the 567 00:29:39,880 --> 00:29:43,360 Speaker 1: questions that they're asking you. So you know, why, why 568 00:29:43,480 --> 00:29:47,200 Speaker 1: why wouldn't you Why wouldn't they paint a picture of 569 00:29:47,320 --> 00:29:52,360 Speaker 1: you that's maybe not who you are? And I said, okay, 570 00:29:52,640 --> 00:29:55,040 Speaker 1: and she said, you know, sometimes the perception you have 571 00:29:55,200 --> 00:29:59,320 Speaker 1: as yourself and the perception and everybody else has as 572 00:29:59,320 --> 00:30:01,760 Speaker 1: your blind spot and yours is about as big as 573 00:30:01,800 --> 00:30:05,360 Speaker 1: a grand canyon. So that's probably about the best advice 574 00:30:05,480 --> 00:30:08,760 Speaker 1: you ever gave me, because I noticed that about myself 575 00:30:08,800 --> 00:30:11,480 Speaker 1: and tried to change. What do you think your job 576 00:30:11,560 --> 00:30:13,920 Speaker 1: to look like you're having fun or sound like you're 577 00:30:14,000 --> 00:30:19,160 Speaker 1: having fun? I don't know. It depends on what kind 578 00:30:19,160 --> 00:30:20,880 Speaker 1: of fun you want to have, you know, if you 579 00:30:20,920 --> 00:30:23,840 Speaker 1: want to have fun now and sort of joke around 580 00:30:23,960 --> 00:30:28,720 Speaker 1: and not be too serious about focusing on getting it 581 00:30:28,840 --> 00:30:33,000 Speaker 1: right and doing things right, you know, and you can 582 00:30:33,120 --> 00:30:35,840 Speaker 1: laugh and joke and practice and not be serious and 583 00:30:36,000 --> 00:30:43,200 Speaker 1: not emphasize things like discipline, execution, attention to detail and 584 00:30:43,360 --> 00:30:46,000 Speaker 1: then you won't have any fun at the end of 585 00:30:46,000 --> 00:30:50,080 Speaker 1: the year, you know, because the team won't really developed 586 00:30:50,200 --> 00:30:56,800 Speaker 1: the necessary habits that it takes to be successful. So 587 00:30:57,200 --> 00:30:59,400 Speaker 1: it depends on what your definition of fun is. If 588 00:30:59,440 --> 00:31:03,720 Speaker 1: it's joke around and rushing around and you know, throne 589 00:31:03,880 --> 00:31:07,680 Speaker 1: spitballs and meetings like we did in the first grade 590 00:31:07,720 --> 00:31:10,400 Speaker 1: to have fun, then you know, I thought it I 591 00:31:10,480 --> 00:31:13,560 Speaker 1: gonna have much fun at the end. John Wooden talked 592 00:31:13,560 --> 00:31:16,000 Speaker 1: about this in the latter part of his career, where 593 00:31:16,240 --> 00:31:19,200 Speaker 1: the expectation level was so high it was everybody expected 594 00:31:19,280 --> 00:31:22,320 Speaker 1: him to win a championship, a national championship at UCLA, 595 00:31:23,040 --> 00:31:28,000 Speaker 1: and it's it's the same with you at Alabama. Is 596 00:31:28,080 --> 00:31:31,200 Speaker 1: that Is that fair for us to expect Alabama to 597 00:31:31,280 --> 00:31:36,160 Speaker 1: be playing for a national championship? Well, I guess there's 598 00:31:36,200 --> 00:31:38,600 Speaker 1: two ways to look at that. Now, I really wouldn't. 599 00:31:39,440 --> 00:31:42,600 Speaker 1: I really feel fortunate to have the opportunity to be 600 00:31:43,080 --> 00:31:47,040 Speaker 1: someplace as a coach where they have high expectations and 601 00:31:47,160 --> 00:31:49,520 Speaker 1: standards for what they expect to accomplish from what they 602 00:31:49,600 --> 00:31:53,520 Speaker 1: expect to do. So that's, you know, the good news. 603 00:31:53,560 --> 00:31:58,760 Speaker 1: I think the most important thing about that is you 604 00:31:58,880 --> 00:32:02,880 Speaker 1: really can't focus on outcomes. You know, when you're in 605 00:32:02,960 --> 00:32:06,000 Speaker 1: a situation like this, really you really have to stay 606 00:32:06,080 --> 00:32:08,160 Speaker 1: focused on what do I have to do every day 607 00:32:08,240 --> 00:32:12,960 Speaker 1: to get the outcome that I want? And that's very 608 00:32:13,080 --> 00:32:16,320 Speaker 1: challenging because we live in an outcome or the end 609 00:32:16,360 --> 00:32:19,560 Speaker 1: of the world. But to get the outcome that you want, 610 00:32:20,120 --> 00:32:22,520 Speaker 1: you know, you have to focus day in and day out, 611 00:32:22,600 --> 00:32:25,720 Speaker 1: what's happening right now, how can I get it better? 612 00:32:25,840 --> 00:32:30,280 Speaker 1: What do I need to do to improve? You know, 613 00:32:30,400 --> 00:32:33,120 Speaker 1: you can focus on the score, but most of the time, 614 00:32:33,400 --> 00:32:35,480 Speaker 1: when you focus on the score and not the shot, 615 00:32:36,600 --> 00:32:40,600 Speaker 1: you don't get the shot very well. So that's kind 616 00:32:40,640 --> 00:32:43,720 Speaker 1: of what we try to do here, and I'm glad 617 00:32:43,760 --> 00:32:48,320 Speaker 1: that they have high expectations. I don't think sometimes it's realistic, 618 00:32:49,160 --> 00:32:52,480 Speaker 1: you know. But at the same time, we understand that 619 00:32:52,640 --> 00:32:54,520 Speaker 1: we want to get everybody on our team to play 620 00:32:54,560 --> 00:32:56,440 Speaker 1: the best and if we have good enough players and 621 00:32:56,520 --> 00:33:00,400 Speaker 1: we're fortunate enough to keep the right players healthy, you know, 622 00:33:00,560 --> 00:33:04,560 Speaker 1: we'll have a chance at the handitude do something special. Yeah, 623 00:33:04,640 --> 00:33:06,840 Speaker 1: I mean, it's a compliment that people think you're going 624 00:33:06,880 --> 00:33:10,160 Speaker 1: to be playing for a national championship every year. I'm curious, 625 00:33:10,320 --> 00:33:13,520 Speaker 1: what do you think is the first thing that goes 626 00:33:13,640 --> 00:33:16,120 Speaker 1: on a coach, Like what you know when coaches decide 627 00:33:16,120 --> 00:33:18,320 Speaker 1: that they're not going to do it anymore, Like, what's 628 00:33:18,360 --> 00:33:21,840 Speaker 1: the one thing that leaves you? You know? I can't 629 00:33:21,880 --> 00:33:27,680 Speaker 1: answer that because it hadn't happened to me yet. But 630 00:33:27,760 --> 00:33:31,880 Speaker 1: he did not. My hit left me. But that didn't 631 00:33:31,880 --> 00:33:38,160 Speaker 1: affect That was actually a motivation to keep going because 632 00:33:38,200 --> 00:33:40,480 Speaker 1: I didn't like sitting at home for the day, I 633 00:33:40,600 --> 00:33:44,920 Speaker 1: said at home, But I would say probably so, Um, 634 00:33:46,360 --> 00:33:50,040 Speaker 1: passion is probably a cute word to be successful in anything. 635 00:33:50,920 --> 00:33:54,080 Speaker 1: And if you don't have that, especially in sports, UM, 636 00:33:54,960 --> 00:33:56,640 Speaker 1: I don't think it'll start to show in your work. 637 00:33:56,720 --> 00:33:58,959 Speaker 1: And I'll probably show any attitude of the people who 638 00:33:59,040 --> 00:34:03,480 Speaker 1: are working with years. So that would probably be a 639 00:34:03,600 --> 00:34:06,240 Speaker 1: good answer to that question, he said. Nick Saban, the 640 00:34:06,360 --> 00:34:09,560 Speaker 1: Alabama head coach. He's got Duke coming up on Saturday. 641 00:34:09,600 --> 00:34:12,719 Speaker 1: What if you found out that the surgeon who was 642 00:34:12,760 --> 00:34:14,600 Speaker 1: working on your hip in the off season was an 643 00:34:14,600 --> 00:34:22,800 Speaker 1: Auburn gradu as long as it a good surgeon. And 644 00:34:22,960 --> 00:34:25,440 Speaker 1: there's some things about people, and there's some things about 645 00:34:25,480 --> 00:34:28,680 Speaker 1: school royalties, and I'll try to keep those two things. 646 00:34:31,000 --> 00:34:34,320 Speaker 1: Do you have any clothes that have like Clemson Orange 647 00:34:34,560 --> 00:34:38,200 Speaker 1: or you know, Auburn colors and like any other colors 648 00:34:38,239 --> 00:34:39,880 Speaker 1: in there. If I go into your closet, is it 649 00:34:40,080 --> 00:34:46,480 Speaker 1: just all Red Crimson? Absolutely not. I have I have 650 00:34:46,560 --> 00:34:48,800 Speaker 1: all different kinds of colors. But when I choose the 651 00:34:48,920 --> 00:34:54,560 Speaker 1: very certain color tie or sports code or whatever, there's 652 00:34:54,600 --> 00:34:59,640 Speaker 1: an occasional person that will remind me that that's an 653 00:34:59,680 --> 00:35:05,359 Speaker 1: all that's Tennessee Arms or whatever. So when you got 654 00:35:05,400 --> 00:35:09,760 Speaker 1: the news about Dylan Moses, how do you handle something 655 00:35:09,880 --> 00:35:13,120 Speaker 1: like that when you lose a great player, Well, it's 656 00:35:13,160 --> 00:35:16,040 Speaker 1: really disappointing. As disappointing first of all for the player. 657 00:35:17,800 --> 00:35:19,600 Speaker 1: You know, it's going to be a character check for 658 00:35:19,760 --> 00:35:22,320 Speaker 1: him to have to go with he has to go 659 00:35:22,520 --> 00:35:25,680 Speaker 1: through to come back to miss the season. As a 660 00:35:25,800 --> 00:35:28,200 Speaker 1: leader on the team, I think could be in a 661 00:35:28,280 --> 00:35:32,160 Speaker 1: signal call on defense is you know, sometimes very similar 662 00:35:32,920 --> 00:35:37,640 Speaker 1: to being a quarterback, so has a significant impact on 663 00:35:38,320 --> 00:35:40,160 Speaker 1: you know a lot of the other players on the team. 664 00:35:40,239 --> 00:35:45,080 Speaker 1: So it becomes a character check for them to be supportive, 665 00:35:46,280 --> 00:35:50,600 Speaker 1: to help the guys that are taking their place to 666 00:35:51,960 --> 00:35:54,960 Speaker 1: have the knowledge, help them get the knowledge and experience 667 00:35:55,000 --> 00:35:57,040 Speaker 1: so that they can go out and perform well. And 668 00:35:59,000 --> 00:36:02,400 Speaker 1: even though they don't have the experience, we can certainly 669 00:36:02,680 --> 00:36:04,960 Speaker 1: support them and help them as they get the experience 670 00:36:05,040 --> 00:36:09,840 Speaker 1: to develop. And I think, you know, that's not basically 671 00:36:09,960 --> 00:36:12,880 Speaker 1: how we have to handle as a team. And I 672 00:36:12,920 --> 00:36:15,520 Speaker 1: don't think you replaced guys like that because they have 673 00:36:15,800 --> 00:36:18,920 Speaker 1: so much knowledge and experience and they're very, very poplayers 674 00:36:19,600 --> 00:36:23,000 Speaker 1: and their leadership is important to everybody else. But you 675 00:36:23,120 --> 00:36:25,840 Speaker 1: do have to support the next guy every way that 676 00:36:25,960 --> 00:36:28,560 Speaker 1: you can, and everybody on the team has got to, 677 00:36:29,760 --> 00:36:31,799 Speaker 1: you know, sort of take it as a character check 678 00:36:31,880 --> 00:36:35,120 Speaker 1: and a challenge to do their best, to do their part, 679 00:36:35,560 --> 00:36:38,200 Speaker 1: maybe even better than before, so that we can still 680 00:36:38,239 --> 00:36:42,080 Speaker 1: be successful. What did you make of Urban Myerson Trevor 681 00:36:42,200 --> 00:36:48,200 Speaker 1: Lawrence is the best quarterback you've seen? I don't, you know, 682 00:36:48,360 --> 00:36:50,400 Speaker 1: I don't. First of all, I didn't even know that 683 00:36:50,600 --> 00:36:52,640 Speaker 1: was said. I don't pay a lot of attention to what, 684 00:36:53,600 --> 00:36:56,120 Speaker 1: you know, people say, And I'm sure that there's a 685 00:36:56,160 --> 00:37:00,960 Speaker 1: lot of people that have opinions about who the best 686 00:37:01,239 --> 00:37:04,840 Speaker 1: is or make comparisons, but I don't really do that. 687 00:37:05,320 --> 00:37:07,600 Speaker 1: You know, we have a really really good quarterback here, 688 00:37:07,719 --> 00:37:10,719 Speaker 1: and they have a really really good quarterback you know 689 00:37:10,880 --> 00:37:13,719 Speaker 1: there who you know, we've recruited to come here and 690 00:37:13,800 --> 00:37:17,000 Speaker 1: thought was the best quarterback that's come out of you know, 691 00:37:17,120 --> 00:37:20,239 Speaker 1: high school, you know, one of the best, And so 692 00:37:20,719 --> 00:37:24,560 Speaker 1: I think they're both really really good players. I don't 693 00:37:24,680 --> 00:37:26,719 Speaker 1: I don't feel it's necessary for me to make a 694 00:37:26,800 --> 00:37:30,480 Speaker 1: comparison between the two best quarterback you ever saw, the 695 00:37:30,600 --> 00:37:39,360 Speaker 1: two colleague Well, you know this goes back, but I 696 00:37:39,480 --> 00:37:42,480 Speaker 1: guess the best is kind of always who was the 697 00:37:42,560 --> 00:37:46,560 Speaker 1: guy that made the greatest impact, And sometimes that happens 698 00:37:46,680 --> 00:37:51,080 Speaker 1: early in your career. So when I was just starting 699 00:37:51,120 --> 00:37:53,600 Speaker 1: out and coaching, maybe I was twenty seven twenty eight 700 00:37:53,719 --> 00:37:56,840 Speaker 1: years old, secondary coach in high state, you know, we 701 00:37:56,960 --> 00:38:00,480 Speaker 1: played against Stamford John Ellery was a quarterback, and you know, 702 00:38:00,680 --> 00:38:06,960 Speaker 1: he was the first great quarterback maybe that you know, 703 00:38:07,080 --> 00:38:10,680 Speaker 1: we played against. And so I think I always remember 704 00:38:10,800 --> 00:38:13,600 Speaker 1: that one of the most And I'm not saying that 705 00:38:13,719 --> 00:38:16,880 Speaker 1: he was the best ever. I'm just saying that because 706 00:38:16,960 --> 00:38:19,920 Speaker 1: he was the first. That's the impression that sort of 707 00:38:20,120 --> 00:38:22,879 Speaker 1: is embedded in my mind, that that makes any sense. Yeah, 708 00:38:23,120 --> 00:38:25,040 Speaker 1: I got the NFL and had to play against them 709 00:38:25,120 --> 00:38:28,120 Speaker 1: some more. But you know there was there was Marino 710 00:38:28,360 --> 00:38:31,600 Speaker 1: and you know, Brady and a lot of other guys 711 00:38:31,719 --> 00:38:36,239 Speaker 1: that were really, really good players Jake montana Um and 712 00:38:36,400 --> 00:38:38,120 Speaker 1: being on the defensive side of the ball. You know, 713 00:38:38,160 --> 00:38:41,120 Speaker 1: when you play against those guys, you can get really 714 00:38:41,200 --> 00:38:44,640 Speaker 1: frustrated um calling the game because they always feel like 715 00:38:44,719 --> 00:38:48,400 Speaker 1: it won't play behind because they always seemed to figure 716 00:38:48,440 --> 00:38:52,239 Speaker 1: it out pretty quick and take advantage of whatever you're doing. Coach, 717 00:38:52,320 --> 00:38:53,960 Speaker 1: always great to catch up with you and hope he 718 00:38:54,400 --> 00:38:57,600 Speaker 1: is treating you well. And good luck against Duke this weekend. 719 00:38:58,480 --> 00:39:00,960 Speaker 1: A damn thanks, buddy, appreciate that you have a good way. 720 00:39:01,560 --> 00:39:05,160 Speaker 1: That's Nick Saban joining a Scottanental Tire Coaches Corner. During 721 00:39:05,160 --> 00:39:06,840 Speaker 1: the season of giving, we'd like to offer you a 722 00:39:06,880 --> 00:39:09,200 Speaker 1: little something special and all we're asking in return is 723 00:39:09,239 --> 00:39:10,719 Speaker 1: a few moments of your time. We need you to 724 00:39:10,760 --> 00:39:13,160 Speaker 1: complete a short survey because your opinion matters to us 725 00:39:13,160 --> 00:39:14,960 Speaker 1: and help support the show. It'll only take a couple 726 00:39:15,000 --> 00:39:16,479 Speaker 1: of minutes, and if you're one of the first people 727 00:39:16,520 --> 00:39:17,960 Speaker 1: to do it, we'll give you a reward and return. 728 00:39:18,200 --> 00:39:20,399 Speaker 1: Just go to podcast one Dot Study and everything will 729 00:39:20,400 --> 00:39:22,960 Speaker 1: be right there for you. That's Podcast one Dot Study. 730 00:39:23,080 --> 00:39:24,960 Speaker 1: The first one hundred and fifty people to complete the 731 00:39:25,000 --> 00:39:26,840 Speaker 1: survey will get a ten dollar gift card to Amazon 732 00:39:26,920 --> 00:39:29,360 Speaker 1: dot Com. All of our shows are supported by advertisers, 733 00:39:29,360 --> 00:39:31,479 Speaker 1: so filling this out will really help us. 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