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Speaker 1: com slash Iron Rappaport. All right, here we go. I'm

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Speaker 1: here with Ge Moody. Last name rhymes with duty um.

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Speaker 1: And if you never listen to the Iron Rappaport Stereo podcast,

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Speaker 1: this is the only podcast that prides itself on no

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Speaker 1: fact checking. Yes, okay, we're not fact checking. All right

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Speaker 1: we go, rough, rugged and whirl. It calls the disco

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Speaker 1: to the Mulatchi brothers. My name is Michael Rappaport, a

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Speaker 1: K the Gringo man Dingo, Hey K Mr Mr White

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Speaker 1: Folks a K my rap crap Uh. I'm here with

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Speaker 1: Ge Moody. Last name rhymes with duty. Yes. The two

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Speaker 1: thousand fifteen two thousand and sixteen podcast co host of

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Speaker 1: the Year, I told you we have a jam packed,

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Speaker 1: star studded show. We got Bruce Banner himself, the incredible Hulk,

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Speaker 1: Mark Ruffalo coming up on the Iron rapp Reports Stereo Podcast.

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Speaker 1: Currently in the movie thor number one movie in the world,

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Speaker 1: not in the country. He's been in all sorts of things.

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Speaker 1: Now you see me. The kids are all right. Reservation

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Speaker 1: Road zodiact so I mean so Shutter Island everything. Great

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Speaker 1: actor Fox Catcher, three time Oscar nominated actor three times.

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Speaker 1: I gotta ask you what makes this guy above the rest?

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Speaker 1: What makes him a great actor? That's a good question.

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Speaker 1: He's um skilled skilled. He he's like the kind of

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Speaker 1: actor you know, like if I if I, like, if

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Speaker 1: I was equating it to like an NBA point guard,

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Speaker 1: I'd say he's like a Mike Conley, like nothing fancy,

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Speaker 1: no tricks, a great just skilled actor time and time

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Speaker 1: and time again, like a like a like a John Stockton,

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Speaker 1: consistent over and over and over and over and over again.

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Speaker 1: The ladies love him. The ladies love him. He's a

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Speaker 1: married man, but the ladies love him. He's got a

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Speaker 1: swag about him, like you know, he's just he's just

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Speaker 1: got it. He's good and and and and you know,

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Speaker 1: he could do drama, he could do comedy. And he's

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Speaker 1: likable and he's just skilled, you know he he Um,

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Speaker 1: he has a real sort of he just has a

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Speaker 1: real likable quality about him. And he's intense like he

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Speaker 1: was in this movie. Um. He was nominated for I

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Speaker 1: on Oscar Fox Catcher with Steve Carell and Channing Tatum

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Speaker 1: about those wrestlers, uh United States Olympic rat wrestlers. It's

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Speaker 1: a crazy story and he's just he's just good man.

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Speaker 1: He's intense, he could be sort of creepy when he

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Speaker 1: wants to, but he but he he's just he's just

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Speaker 1: good man. He's just a dope actor. Three time Oscar

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Speaker 1: nominated actors, I mean three times. He's he's he's no joke.

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Speaker 1: He's worked with everybody. He's worked with everybody. I gotta

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Speaker 1: talk to him about about all that. He worked with Scorsesey,

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Speaker 1: he worked with David Fincher. He's in these crazy, big,

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Speaker 1: ridiculously big budgeted, worldwide successful movies. He's got a dope

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Speaker 1: career and he's a dope actor. So I'm a fan

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Speaker 1: of his and I'm looking forward to talking to him

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Speaker 1: on the podcast. Yeah, I want to hear this, Yeah

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Speaker 1: for sure. Um, before we get to Ruffalo, Mark ruff Um,

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Speaker 1: how are you feeling, Mr Moody, Oh I feel good man.

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Speaker 1: Everything is good. My house is uh looking good. Uh

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Speaker 1: everything is the Bronx Gloom Tomb is uh about to

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Speaker 1: be up and running. Just one more hurdle and then

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Speaker 1: that's it now. Now, people, when we first started out,

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Speaker 1: we put out before the fire and all the insurance stuff.

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Speaker 1: We we we said we were going to have um

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Speaker 1: a dinner at the Bronx s Gloom tomb. Correct, and

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Speaker 1: you were gonna make uh ox tails, Yeah, sweet tea

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Speaker 1: and all the good stuff. Listen, we we we want

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Speaker 1: to make good on that. The people that hit us

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Speaker 1: up and donated to get that good oxtail dinner. The

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Speaker 1: time is now with Moody. Yeah, okay, hit us up

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Speaker 1: on Twitter, you know where to find us. These are

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Speaker 1: our loyalists. These are the iron Wrap poor core fans.

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Speaker 1: The oxtailed dinner from Gimonetti. Although it might not be

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Speaker 1: the healthiest thing, Okay, although it might not be in

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Speaker 1: your diet, it's well worth the long over over two

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Speaker 1: year weight. Okay, Yeah, it's coming. We had a devastating

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Speaker 1: fire that kind of put things on paws, that threw

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Speaker 1: everything out of loop. Yeah, I'm I'm in the gloom

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Speaker 1: to him right now, and uh it's looking good and

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Speaker 1: I'm very happy. So um Monetti, something broke the other

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Speaker 1: day regarding uh, it's like it's like never ending. Um.

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Speaker 1: We've talked about Lena Dunham on this show before. I've

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Speaker 1: acknowledged that I like the show Girls. I also acknowledged

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Speaker 1: that she had a show called girls on for I

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Speaker 1: think it was five or six seasons on HBO that

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Speaker 1: took place in Brooklyn. Uh, that didn't have any uh

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Speaker 1: black and or Latino girls on it. It should have

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Speaker 1: been called white girls. That being said. The Trials and

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Speaker 1: Tribulations of Lena Dunham, apparently, and I never heard of

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Speaker 1: this term, her and her writing staff have been accused

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Speaker 1: of hipster racism, not just straight up racism, hipster racism. Yeah,

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Speaker 1: what is that? That's just like casual casual racism. Just

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Speaker 1: and then and then, like they said in the paper,

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Speaker 1: it's like, oh, it's just a joke. Don't don't, don't

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Speaker 1: get out of don't get out of hand. It's just

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Speaker 1: a joke. That's that bullshit. Yeah, well what does that mean?

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Speaker 1: Hipster racism? Uh? Yo, you have no I never heard this.

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Speaker 1: See that's the thing. Did somebody come up the woman

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Speaker 1: who accused Lena, why do you put the hip stir

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Speaker 1: in front of it? Because it's a it's a it's

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Speaker 1: it's a way they do it. She said, She kind

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Speaker 1: of explained it. It's it's the way it said. And

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Speaker 1: then and then they come off at as like, well,

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Speaker 1: we're just being provocative. Yo, we already pulled this girl's file.

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Speaker 1: We already pulled it and it came out and we

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Speaker 1: see what tom it is with her. It's a bunch

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Speaker 1: of bullshit. Soapbox. I called her the soapbox liar. Yeah,

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Speaker 1: she she's whacky, man, she's whacky. I mean the the

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Speaker 1: the the the the accusations that are are are coming

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Speaker 1: out left, right and center. Uh from everybody, from Russell Simmons,

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Speaker 1: Brett Rattinger. Over the weekend, more people came out against them. Uh.

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Speaker 1: To Charlie Rose. Charlie, Charlie Rose is apparently wild for

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Speaker 1: the night, and so he's walking around CBS studios or

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Speaker 1: PBS when he was working at PBS. He's walking around

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Speaker 1: neked the news man for over forty years. He so

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Speaker 1: he's walking handing memos to people naked. Get the funk

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Speaker 1: out of here. Do you think this is? Do you

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Speaker 1: think this is? This isn't real. The press is all

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Speaker 1: in on this ship, because how are you going to

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Speaker 1: print something like that without any evidence? And then this

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Speaker 1: guy gets suspended. That's that's not journalism. That's like witch

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Speaker 1: hunt ship. That's not that's not that's not journalism. This

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Speaker 1: motherfucker's seventies some years old. You think he's he's walking

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Speaker 1: around CBS neckt the funk out of here. Man. Let

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Speaker 1: me tell, let me just tell anybody who's listening to show.

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Speaker 1: I percent don't support sexual assault, sexual harassment. Hell no, one,

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Speaker 1: not not in any way, shape or form. But I

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Speaker 1: also five percent don't except false allegations are unproven allegations

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Speaker 1: of the same thing. And you could feel the same

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Speaker 1: way about both of those things. You could be like,

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Speaker 1: I don't accept, condone support sexual harassment, sexual assault, and

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Speaker 1: you could also feel the same way. I don't accept

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Speaker 1: and condone false accusations of sexual assault and harassment. It's okay.

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Speaker 1: It's okay to to feel the same way about both things,

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Speaker 1: because you know, I saw this. I mean, this happens

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Speaker 1: all the time, all the time. And there's people that

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Speaker 1: have died in prison, white men and black men, false accusations,

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Speaker 1: unproven rapes, sexual assault, forget forgetting murders and all that stuff.

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Speaker 1: And I'm not saying whether Charlie Roses is guilty or

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Speaker 1: not guilty. I have no idea. This just came out

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Speaker 1: this actor Jeffrey Tambor, who who If you don't know

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Speaker 1: his name, you know his face has been around for

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Speaker 1: forty years at least. He's currently on the show Transparent.

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Speaker 1: He was accused of I don't even know if it

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Speaker 1: was sexual harassment or or just harassment or been black.

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Speaker 1: He was over his sexual harassment accusations, and then Jeffrey

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Speaker 1: Tamborg came out and he said, I vehemently deny these

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Speaker 1: claims and people on Twitter and social media because we're

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Speaker 1: in such a friends and and and in some ways

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Speaker 1: rightfully so, because a lot of people are straight up

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Speaker 1: guilty for these things they've done, putting your hands on

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Speaker 1: a woman, exposing you said all that while ship. But

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Speaker 1: if a man says I vehemently deny these things and

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Speaker 1: you have no proof, you can't just say, oh, it's true,

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Speaker 1: just because it's true. Yeah, because someone said it. I

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Speaker 1: came out and said this, and I said the exact

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Speaker 1: thing I just said on Twitter, and then it turned

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Speaker 1: into some other thing because it said it said like

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Speaker 1: in the Daily News that I was blasted after defending

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Speaker 1: Jeffrey Tambor over sexual harassment. And first of all, I

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Speaker 1: wasn't blasted because I stand by every single thing I say.

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Speaker 1: A couple of people tweeted back this is in in

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Speaker 1: in in the in the news and the New York

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Speaker 1: Daily News. Uh, somebody said, uh, it wasn't just one person,

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Speaker 1: it was too And I said, how to funk? Do

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Speaker 1: you know? And then another person said, I'm disappointed in

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Speaker 1: your sense. Sexual assault is not new. We're in a

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Speaker 1: new age now where people, whatever the case is, it's like, yo,

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Speaker 1: you can't and if he says he vehemently denies it,

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Speaker 1: then we need to go to a court of law

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Speaker 1: and figure his ship out. Now. Jeffrey Tambor has left

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Speaker 1: the show Transparent, and he said his set, the set

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Speaker 1: that he works on, has become highly criticized. YO, innocent

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Speaker 1: until proven guilty. This man isn't guilty. But but but

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Speaker 1: that's what I'm talking about, this journalism. And then it's

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Speaker 1: just out there and like it's true, where's the evidence

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Speaker 1: this This woman pops up and says him, points at him,

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Speaker 1: where's the And I don't see how society could could

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Speaker 1: believe this person. They never even seen a picture, never

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Speaker 1: made eye contact. You can be a fucking asshole. You

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Speaker 1: could be mean, you could be rude, you could be

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Speaker 1: disrespectful and still not have sexually harassed somebody. You could

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Speaker 1: be the biggest fucking piece of shit, mean motherfucker to

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Speaker 1: work with and still not have sexually harassed anybody. And

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Speaker 1: if you did, then you need to pay the price.

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Speaker 1: But you're just being a fucking prick. Doesn't mean you

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Speaker 1: sexually harassed somebody. And that was my point. That was

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Speaker 1: my point. You say it again. I don't know how

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Speaker 1: you could get any flak. I read what you wrote

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Speaker 1: on Twitter. Yo. You you're saying I support you know.

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Speaker 1: I don't support fucking women getting harassed anything, sexually harassed, physically,

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Speaker 1: none of that. No one supports that. But in in

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Speaker 1: in our country, yo, it's innocent until proven guilty. I

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Speaker 1: just don't believe you because you said it, and you

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Speaker 1: know that's weird. Why isn't any of this going on

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Speaker 1: in France, Italy, Spain, Israel, uh, everywhere, Barcelona, Brazil. All

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Speaker 1: of a sudden, a wave of guys. Yo, you better

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Speaker 1: you better watch out, man ship. Motherfucker's gonna come at you. Yo, Yo,

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Speaker 1: trust me, Trust me. I've thought about the nineties and

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Speaker 1: that ain't my thing. I grew up in New York City. Man.

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Speaker 1: You you you put your hand on a girl were

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Speaker 1: you're not supposed you get ship smacked at you. That's

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Speaker 1: that's how I look at it, right, this little New

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Speaker 1: York Time, this little Daily News, right, and try to

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Speaker 1: say I was blasted Kate Feldman blastid you don't know

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Speaker 1: a blast it is, Kate, hold your head, hold your

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Speaker 1: head unless you want to get that. Do I need

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Speaker 1: to give it a Willie Hutch? Should there be a warning?

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Speaker 1: Not yet? Not not yet? You should you know? Let

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Speaker 1: me get that, Willie Man. You know, Kate Feldman, tell

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Speaker 1: you something, tell you something, crazy, lady. You're trying to

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Speaker 1: stir the pot on me. Good, listen to me. You

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Speaker 1: hear that, Willie you you got the wrong dude here

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Speaker 1: because I I stand by everything I says. That's right,

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Speaker 1: I said, stand by everything I said, not said. Okay,

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Speaker 1: I don't know who you is. Maybe you're mad because

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Speaker 1: I have assumed to be best selling book. This book

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Speaker 1: has bulls, sports, rants from the m v P of

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Speaker 1: talking trash. And you're at the New York Daily News

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Speaker 1: and wanna be would be smart pieces on me? The

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Speaker 1: greno man tingo, Yeah, yeah, is you is you bugging? Yeah?

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Speaker 1: You're at the New York Dailing. He was right In

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Speaker 1: a hundred fifty word little bullshit smear pieces for seventy

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Speaker 1: five hours. You're trying to come at me the greenko man.

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Speaker 1: Hold your head, Kate Felman, Yeah, write something right on

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Speaker 1: somebody else, leave le lead, leave my man alone before

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Speaker 1: you get your ass toll up. You know you don't

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Speaker 1: want it, Kate, you do not want it for me,

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Speaker 1: trust me. I don't play. Yeah, we old school New

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Speaker 1: Yorkers man, I won your whole file. Hold your hand,

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Speaker 1: Kate Felman. This is just a little Willie Hutch warning.

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Speaker 1: now use the promo code rappaport. All right, Mark Ruffalo,

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Speaker 1: Michael ha ha, everybody, how's everything there? Where are you?

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Speaker 1: I'm in New York City? Oh? Really? I thought you were.

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Speaker 1: Are you working on something now? Yeah, I've been working

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Speaker 1: on the Avengers three and four shooting that in Atlanta.

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Speaker 1: But I got a few days off, so I book

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Speaker 1: you down here to see my little family. So ship man,

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Speaker 1: So you're shooting both of those movies at the same time,

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Speaker 1: well basically basically yeah, I mean we're kind of focused

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Speaker 1: on Avengers uh four now or Infinity War two. Um.

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Speaker 1: But uh, we've been jumping back and forth between the

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Speaker 1: movies as they needed stuff. Um, but right now we're

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Speaker 1: we're in the final stretches of shoot finishing out Avengers

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Speaker 1: for and how long have you been working on these movies?

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Speaker 1: Because I've never been in a comic book movie. I

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Speaker 1: don't know if I'm ever gonna be one. I would

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Speaker 1: I would love to be in one. But like Mark,

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Speaker 1: cook me up. Man, seriously, let's go man, but that

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Speaker 1: world perfectly. Come on, man, I can put on as

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Speaker 1: you should be there. That's for damn. Sure, let's do

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Speaker 1: something man. But but how long does it take to

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Speaker 1: make these movies? So generally, um, principal photography is between

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Speaker 1: four and six months for each one. It's forever. And

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Speaker 1: how many of you have you done so for this

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Speaker 1: will be my I uh let's see it did one

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Speaker 1: to uh five now this will be five. I'm finishing. Yeah,

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Speaker 1: that's it's like shooting a TV show where you only

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Speaker 1: shoot one episode every three years, and so so you're

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Speaker 1: in the process right now, I'm shooting three and four.

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Speaker 1: So when you're shooting these movies, like the schedule, like

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Speaker 1: is it one day you could be shooting threes and

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Speaker 1: one day you could be shooting four and then the

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Speaker 1: same day you could be shooting both. And are both

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Speaker 1: the scripts finish? And how much do the scripts fluctuate

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Speaker 1: while you're shooting them? So depending on the movie, Like

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Speaker 1: we did Star Ragnarok and um, and and we were

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Speaker 1: improvising a ton on that movie. UM. When we did

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Speaker 1: Avengers one and two, we we weren't really allowed to

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Speaker 1: improvise at all. Um Avengers three and four, we don't

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Speaker 1: really improvise. Sometimes will throw in a joke here there

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Speaker 1: on the run. Um, But for the most part, you know,

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Speaker 1: we're shooting what they're what they're writing. But granted we

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Speaker 1: are getting rewrites, you know, the same day we're shooting

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Speaker 1: a script. Often times that happens and we're constantly changing it.

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Speaker 1: We'll even do we'll even reshoot a scene that we

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Speaker 1: shot a week or two previous to UH to accommodate

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Speaker 1: for script changes. But just to give you an example,

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Speaker 1: I was doing reshoots on to in one week and

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Speaker 1: it reshoots on Tour three while shooting Avengers three and

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Speaker 1: and shooting Avengers four. Damn man, buddy, I'm telling you.

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Speaker 1: And they're super super secretive, so you don't even get

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Speaker 1: the false script. You'll get like the first twenty. They

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Speaker 1: don't give the whole descript. I don't even give the

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Speaker 1: descript They'll give me like they'll let me read a

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Speaker 1: draft of it or almost finished draft, so like do

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Speaker 1: you have to read with like the arm guards around you?

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Speaker 1: Kind of like that the guy sits there outside your

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Speaker 1: door and they read it and then you gotta you

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Speaker 1: gotta sign it and then give it back to them.

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Speaker 1: And the thing's got your name plastered all over it.

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Speaker 1: And they don't give you the whole script. So they'll

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Speaker 1: give you like you'll see you'll see two or three

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Speaker 1: pages that I'll have giant blocks of texts that are

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Speaker 1: just blocked out, blacked out. It looks like you know

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Speaker 1: some c I a wiki leakus drop or something you know.

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Speaker 1: So so man, your head is like twisted. I I

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Speaker 1: it's it's it's a way of working that I don't

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Speaker 1: know if I'll ever get used to. You never really

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Speaker 1: know where you're ending or where you're heading, and and

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Speaker 1: so uh yeah, man, it's it's, it's it has its

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Speaker 1: own challenge. But but it's like, you know, it's an

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Speaker 1: amazing group of people and we've been doing it for

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Speaker 1: so long we know each other really well. And and

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Speaker 1: so man, I I just feel really blessed to have

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Speaker 1: this work at this moment a time. You know, I'm sure.

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Speaker 1: I'm sure because you know, people that just know you

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Speaker 1: from these movies, which I I mean people people have

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Speaker 1: to know, like you've done on stuff, you came from

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Speaker 1: smaller films and ye, man, and and to be doing

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00:24:05,760 --> 00:24:09,080
Speaker 1: these movies, it's, I mean, was it's so far fetched,

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Speaker 1: you know. And and like when we were younger, you know,

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Speaker 1: I think we're close to the same age. You know,

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Speaker 1: these movies weren't even a thing, you know, no, no, no,

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Speaker 1: these were like joke movies, like you know when these

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Speaker 1: came out, you know, they were the movies. Yeah, sure

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Speaker 1: you want to see him, but you know you didn't

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Speaker 1: expect much from him, you know. And so when you're

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Speaker 1: working on on on c G I, Like, I've done

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Speaker 1: light c G I, but I've never actually done a

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Speaker 1: c G I film where I'm I'm literally like not

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Speaker 1: where it looks like, so are you? Are you sometimes

382
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Speaker 1: literally acting by yourself in a green room and you're

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Speaker 1: supposed to be like on top of a building or

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Speaker 1: killing somebody or like eating airplanes and ship like that. Yeah,

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Speaker 1: So a lot of the times when I'm doing fight scenes,

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Speaker 1: those are either by myself or there with a stunt man,

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Speaker 1: um playing another kid, you know, playing one of the

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Speaker 1: characters I'm fighting. UM. It used to be when I

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Speaker 1: first started doing this, Like the technology has made this

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Speaker 1: huge jump now, I mean, but when I first started

391
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Speaker 1: doing it, you had to do all of your face

392
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Speaker 1: acting sitting in a chair they do. You had to

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Speaker 1: do all your acting in two pieces. You did your

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Speaker 1: body acting, and they would capture your body movements and

395
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Speaker 1: you'd be acting during your lines or whatever by myself,

396
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Speaker 1: you know, looking at a tennis ball or whatever. Then

397
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Speaker 1: I'd have to go sit in a chair where they

398
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Speaker 1: basically clamped your head down so you can't move your

399
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Speaker 1: head when you're acting. I mean, I'm Italian man, I

400
00:25:38,920 --> 00:25:42,080
Speaker 1: move everything when I'm acting and are you? Are you thinking?

401
00:25:42,119 --> 00:25:44,520
Speaker 1: While they have you clamped down? I went to Stella,

402
00:25:44,600 --> 00:25:48,439
Speaker 1: have you motherfucker's like, I'm a trained fucking actor. I

403
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Speaker 1: spend my own hard earned money on acting classes, and

404
00:25:51,119 --> 00:25:54,560
Speaker 1: this is what the fund has come to. Yes, I've

405
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Speaker 1: had those moments like what am I I'm not a

406
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Speaker 1: I'm not a lab rat. I'm I'm a man. I'm

407
00:26:01,040 --> 00:26:04,800
Speaker 1: a trained actor, you know. Um. But you know, I'll

408
00:26:04,800 --> 00:26:08,080
Speaker 1: tell you the good thing about what that training was

409
00:26:08,119 --> 00:26:09,920
Speaker 1: for me is like a lot of that was imagined

410
00:26:10,080 --> 00:26:12,840
Speaker 1: when you thought theater. So you know, like you don't

411
00:26:12,840 --> 00:26:15,120
Speaker 1: have the buildings and when you're looking at you don't

412
00:26:15,119 --> 00:26:17,359
Speaker 1: have the window there, you don't have a park there

413
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Speaker 1: in front of you, you know, so you really learn

414
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Speaker 1: how to use your imagination. And oddly enough, that old

415
00:26:23,840 --> 00:26:28,680
Speaker 1: traditional form of acting works really well for the new stuff.

416
00:26:29,280 --> 00:26:33,600
Speaker 1: I see people struggling much more with it than like

417
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Speaker 1: the old you know, people who have had to really

418
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Speaker 1: develop that that that muscle which is your imagination putting

419
00:26:39,760 --> 00:26:42,880
Speaker 1: things there that aren't really there. Some people call that crazy.

420
00:26:43,280 --> 00:26:45,840
Speaker 1: Other people like you and me just call that good acting.

421
00:26:45,960 --> 00:26:48,880
Speaker 1: You know, explain to me, were explaining to the listeners

422
00:26:49,000 --> 00:26:51,199
Speaker 1: because I'm asked actors just because I'm not like a

423
00:26:51,320 --> 00:26:54,320
Speaker 1: classically trained not even classically trained, Like I didn't go

424
00:26:54,320 --> 00:26:57,640
Speaker 1: to that many acting uh you know classes I went

425
00:26:57,680 --> 00:27:00,879
Speaker 1: to like one, and I know, like rumor has it

426
00:27:01,000 --> 00:27:02,960
Speaker 1: you went to you were in the same acting class

427
00:27:03,000 --> 00:27:05,320
Speaker 1: at some point with Benicio, who's a friend of mine

428
00:27:05,440 --> 00:27:08,159
Speaker 1: and I always break his balls about his fucking theater

429
00:27:08,240 --> 00:27:11,600
Speaker 1: and his method acting. But but explaining in basic terms

430
00:27:11,600 --> 00:27:13,960
Speaker 1: the best you can, because at this point, I think everybody,

431
00:27:14,320 --> 00:27:17,480
Speaker 1: all actors have their own quote unquote method. You know,

432
00:27:17,560 --> 00:27:21,639
Speaker 1: obviously Daniel day Lewis has you know, these extreme uh tactics,

433
00:27:21,680 --> 00:27:24,040
Speaker 1: and you know what he does, and everybody's all fascinated

434
00:27:24,080 --> 00:27:26,760
Speaker 1: with that. But can you explain in basic terms what

435
00:27:26,960 --> 00:27:32,320
Speaker 1: method acting is? Well, okay, so that's uh, it's kind

436
00:27:32,320 --> 00:27:38,440
Speaker 1: of tough because in the in the fifties, method broke

437
00:27:38,480 --> 00:27:41,679
Speaker 1: off into two different schools. One was Lee Strasburg and

438
00:27:41,720 --> 00:27:45,200
Speaker 1: one was Stella add They were the two biggest acting

439
00:27:45,240 --> 00:27:48,800
Speaker 1: teachers basically in the world at that time, and they

440
00:27:49,040 --> 00:27:52,720
Speaker 1: were like the masters. They were like Vince Lombardo or something.

441
00:27:52,720 --> 00:27:56,440
Speaker 1: They were they were the the best coaches in the world,

442
00:27:56,480 --> 00:28:01,360
Speaker 1: doing the most progressive badass ship that was changed acting

443
00:28:01,480 --> 00:28:06,439
Speaker 1: forever and one one decided that the best way to

444
00:28:06,480 --> 00:28:10,000
Speaker 1: work was just to use all your own personal experiences.

445
00:28:10,359 --> 00:28:13,440
Speaker 1: Your dog got hit by a car, and I'm giving

446
00:28:13,480 --> 00:28:17,040
Speaker 1: you the real like the cliff Notes version of this. Yeah,

447
00:28:17,040 --> 00:28:18,719
Speaker 1: but at the end of the day, the cliff like

448
00:28:18,760 --> 00:28:21,240
Speaker 1: the basic dog got hit by a car when you're

449
00:28:21,280 --> 00:28:24,359
Speaker 1: strapped down and the Hulk might need to cry that

450
00:28:24,480 --> 00:28:26,200
Speaker 1: the old dog by hit got hit by a car

451
00:28:26,240 --> 00:28:28,800
Speaker 1: trick might be the thing that works. And like the

452
00:28:28,840 --> 00:28:31,199
Speaker 1: simplest straight up the alley, like my fucking dog got

453
00:28:31,280 --> 00:28:35,840
Speaker 1: hit by a car. My hamster died in the third grade. Yes, yes,

454
00:28:35,920 --> 00:28:41,440
Speaker 1: that's why I think this split is bullshit. Basically, basically

455
00:28:41,480 --> 00:28:44,240
Speaker 1: what it was saying, what the method says is that

456
00:28:44,280 --> 00:28:47,720
Speaker 1: you can't you that it's you there, that if you

457
00:28:47,880 --> 00:28:50,480
Speaker 1: if you try to pretend it's not you, then you're

458
00:28:50,520 --> 00:28:54,280
Speaker 1: telling a lie. And so you wanna you wanna either

459
00:28:54,520 --> 00:28:58,560
Speaker 1: a UM bring as much of your own UM personal

460
00:28:58,640 --> 00:29:02,600
Speaker 1: experience UH into your work so that you understand what

461
00:29:02,760 --> 00:29:05,400
Speaker 1: your character is going through. Like everyone's falling in love,

462
00:29:05,440 --> 00:29:10,720
Speaker 1: all right, so everyone could play Romeo and Juliet supposedly

463
00:29:11,240 --> 00:29:13,320
Speaker 1: because you understand the nature of what is to be

464
00:29:13,440 --> 00:29:15,440
Speaker 1: in love, or you understand the nature of what has

465
00:29:15,480 --> 00:29:18,000
Speaker 1: want to kill, you know, have revenge, we and we

466
00:29:18,080 --> 00:29:20,400
Speaker 1: have all these basic human things that we all share.

467
00:29:20,440 --> 00:29:22,640
Speaker 1: That's why we all can watch the same movie and

468
00:29:22,680 --> 00:29:25,960
Speaker 1: all like it, right. And so the school was saying, you,

469
00:29:26,080 --> 00:29:28,240
Speaker 1: we have to bring an authenticity, We have to make

470
00:29:28,280 --> 00:29:31,520
Speaker 1: this ship real, and and how we make it real

471
00:29:31,680 --> 00:29:35,360
Speaker 1: is by understanding it in our own lives. And that

472
00:29:35,400 --> 00:29:39,160
Speaker 1: was a radical concept at that time, and so that

473
00:29:39,280 --> 00:29:42,360
Speaker 1: was that's what they that's what became methods. So some

474
00:29:42,400 --> 00:29:45,640
Speaker 1: people take that to the extreme, like if they're playing Dracula,

475
00:29:45,720 --> 00:29:49,800
Speaker 1: they sleep in a coffin at home, you know, they

476
00:29:49,880 --> 00:29:52,400
Speaker 1: got to be called Dracula everywhere they go. Now, I

477
00:29:52,640 --> 00:29:56,560
Speaker 1: personally think that that's a little bit tirering. You know,

478
00:29:56,600 --> 00:29:59,960
Speaker 1: it's not it's not my thing, um the other the other.

479
00:30:00,000 --> 00:30:03,640
Speaker 1: And it's just to be like, use your imagination and

480
00:30:04,160 --> 00:30:08,080
Speaker 1: understand these things inside yourself, but then use your imagination

481
00:30:08,200 --> 00:30:12,200
Speaker 1: to lift yourself up into the material. And that's what

482
00:30:12,280 --> 00:30:15,000
Speaker 1: style I was talking about, And that's kind of that

483
00:30:15,080 --> 00:30:18,320
Speaker 1: was the next step of of the method, and it

484
00:30:18,360 --> 00:30:20,960
Speaker 1: didn't put so much weight on the things that had

485
00:30:21,000 --> 00:30:24,760
Speaker 1: happened to you in your life, but more importance on

486
00:30:24,880 --> 00:30:27,920
Speaker 1: the things that happened to the character and relating those

487
00:30:28,040 --> 00:30:30,640
Speaker 1: things to you in your life got you. I've never

488
00:30:30,680 --> 00:30:32,720
Speaker 1: worked with it. People ask us all the time, I've

489
00:30:32,760 --> 00:30:37,640
Speaker 1: never worked with somebody that was openly hardcore method. Now.

490
00:30:37,640 --> 00:30:39,920
Speaker 1: I've been around some actors that I think they actually

491
00:30:39,920 --> 00:30:42,880
Speaker 1: thought they were the character, but when they never actually

492
00:30:43,000 --> 00:30:46,360
Speaker 1: openly admitted it. Have you ever have you ever worked

493
00:30:46,400 --> 00:30:48,440
Speaker 1: with somebody that was like, please call me by the

494
00:30:48,480 --> 00:30:54,240
Speaker 1: character's name. Um, No, not really, no, I haven't. Have

495
00:30:54,440 --> 00:30:57,560
Speaker 1: you ever gotten so focused on the Hulk where you're like, no, motherfucker,

496
00:30:57,600 --> 00:31:00,840
Speaker 1: don't call me more Mr Ruffball, you call me fucking Hulk.

497
00:31:01,480 --> 00:31:03,000
Speaker 1: Like if you ever got like, We're like, Yo, the

498
00:31:03,040 --> 00:31:05,920
Speaker 1: scene is so hard, you've been doing shooting for three months.

499
00:31:06,080 --> 00:31:08,160
Speaker 1: I'm fucking hulk. Like. If you ever told a p

500
00:31:08,320 --> 00:31:10,280
Speaker 1: a or a director or a prouser like, I'm not

501
00:31:10,400 --> 00:31:14,560
Speaker 1: fucking rough flow today, call me by my fucking character's name. Never, man,

502
00:31:14,600 --> 00:31:17,040
Speaker 1: I would be I think I'd be embarrassed to do that.

503
00:31:17,080 --> 00:31:19,280
Speaker 1: But but I will tell you this, I have had

504
00:31:19,320 --> 00:31:22,400
Speaker 1: moments where I did turn literally turn into the Hulk.

505
00:31:22,840 --> 00:31:26,400
Speaker 1: When someone's doing some crazy shit like a re light

506
00:31:26,600 --> 00:31:28,880
Speaker 1: or something in the middle of a of a scene

507
00:31:29,480 --> 00:31:33,000
Speaker 1: and you're you know, you're there, and they're like moving

508
00:31:33,000 --> 00:31:38,480
Speaker 1: the camera around, you know, just generally not being very

509
00:31:38,560 --> 00:31:42,160
Speaker 1: respectful to the moment. And I will I have had

510
00:31:42,200 --> 00:31:44,840
Speaker 1: a little Hulk burst where they did want to call

511
00:31:44,880 --> 00:31:48,920
Speaker 1: me the Hulk now, but that's far between. I mean,

512
00:31:48,960 --> 00:31:51,200
Speaker 1: I'm not I'm sure you're you're too, but I'm sure

513
00:31:51,200 --> 00:31:54,760
Speaker 1: it's tedious. And listen, you know we're not digging ditches

514
00:31:54,800 --> 00:31:57,960
Speaker 1: and you know, acting come lucky and you know, so

515
00:31:58,280 --> 00:32:00,960
Speaker 1: I know you're not complaining. All right, kids trip out

516
00:32:01,000 --> 00:32:02,480
Speaker 1: now that you've been in so many of these movies,

517
00:32:02,480 --> 00:32:06,120
Speaker 1: like when young kids, uh and teenagers forget the adults,

518
00:32:06,320 --> 00:32:08,000
Speaker 1: but like the kids bug out when they see you

519
00:32:08,040 --> 00:32:09,880
Speaker 1: in real life, because it's one thing to be recognized

520
00:32:09,880 --> 00:32:12,560
Speaker 1: by kids, but it's another thing to be recognized for

521
00:32:12,760 --> 00:32:15,200
Speaker 1: like these films. I mean that there must be pros

522
00:32:15,240 --> 00:32:18,360
Speaker 1: and cons to that, buddy, it's a whole another thing.

523
00:32:18,440 --> 00:32:20,680
Speaker 1: I mean, I'm walking down the streets of New York

524
00:32:20,720 --> 00:32:25,880
Speaker 1: and I'm like dog dog and it's you know, and

525
00:32:25,920 --> 00:32:30,680
Speaker 1: it's kids. And they loved the character and as I

526
00:32:30,720 --> 00:32:33,520
Speaker 1: swear to god, it says if I never did any

527
00:32:33,560 --> 00:32:36,280
Speaker 1: other movie in my life. Sometimes that's all they know.

528
00:32:36,560 --> 00:32:39,400
Speaker 1: That's all they know before, especially the kids, which is cool,

529
00:32:39,480 --> 00:32:42,520
Speaker 1: you know, I'm sure, I'm sure it's cool. Um. All right,

530
00:32:42,560 --> 00:32:44,160
Speaker 1: So I want to get into your film. So, like

531
00:32:44,200 --> 00:32:46,960
Speaker 1: I said, you you have done so many dope films

532
00:32:46,960 --> 00:32:48,920
Speaker 1: and now you're doing these bigger films as a fan

533
00:32:49,040 --> 00:32:52,600
Speaker 1: and as a participant. What do you think the state

534
00:32:52,840 --> 00:32:56,360
Speaker 1: of the movie businesses in terms of just because for me,

535
00:32:56,680 --> 00:32:59,320
Speaker 1: the biggest concern that I have is that it's not

536
00:32:59,440 --> 00:33:02,480
Speaker 1: spread aroun sound you know, you know, I don't go

537
00:33:02,560 --> 00:33:04,600
Speaker 1: to the movies as much as I used to. You know,

538
00:33:04,720 --> 00:33:07,640
Speaker 1: it's there's like big, big, big movies, and then there's

539
00:33:07,640 --> 00:33:10,640
Speaker 1: like tiny, tiny, tiny movies. Like what is your feeling

540
00:33:10,680 --> 00:33:12,560
Speaker 1: about it? Just as as a because you started as

541
00:33:12,560 --> 00:33:15,600
Speaker 1: a fan before you started being a participant and working.

542
00:33:15,840 --> 00:33:19,840
Speaker 1: We're all fans. Where's your head with it? You know? Um?

543
00:33:19,920 --> 00:33:22,560
Speaker 1: I mean it's it's a whole different world. And that's

544
00:33:22,640 --> 00:33:25,120
Speaker 1: just basically since you and I've been acting, we went

545
00:33:25,200 --> 00:33:28,320
Speaker 1: from film to digital, and we went from you know,

546
00:33:29,120 --> 00:33:31,400
Speaker 1: one way of watching you know you have that had

547
00:33:31,440 --> 00:33:34,680
Speaker 1: TVs or TV, or you had movies, and now we

548
00:33:34,800 --> 00:33:38,920
Speaker 1: have this whole other way that people are are ingesting

549
00:33:39,160 --> 00:33:42,760
Speaker 1: UM entertainment, which is their phones and their tablets and

550
00:33:42,800 --> 00:33:46,640
Speaker 1: their laptops, and then they're streaming shipped in from the internet.

551
00:33:46,680 --> 00:33:51,920
Speaker 1: So it's like the whole thing is totally changed. And UM,

552
00:33:52,000 --> 00:33:54,440
Speaker 1: in some ways I think that it's given a lot

553
00:33:54,560 --> 00:33:58,200
Speaker 1: more people access to it. UM, there's a lot more

554
00:33:58,280 --> 00:34:03,600
Speaker 1: content that's needed. UM. Television, it right now is in

555
00:34:03,800 --> 00:34:09,279
Speaker 1: its kind of a golden era. UM. All the you know,

556
00:34:09,920 --> 00:34:12,399
Speaker 1: I keep thinking, you know, I keep seeing like all

557
00:34:12,440 --> 00:34:15,640
Speaker 1: the great, really great interesting stuff right now I think

558
00:34:15,760 --> 00:34:18,880
Speaker 1: is happening in television. You know, when we were younger,

559
00:34:19,000 --> 00:34:20,960
Speaker 1: you stayed away from there was two kinds of actors.

560
00:34:20,920 --> 00:34:23,600
Speaker 1: There's movie actors and television actors and not and neither

561
00:34:23,760 --> 00:34:28,120
Speaker 1: the two would meet. Um. Now it's all mashed together.

562
00:34:28,640 --> 00:34:32,040
Speaker 1: I you know, we we we're losing things and at

563
00:34:32,040 --> 00:34:34,600
Speaker 1: the same time we're gaining things. You know. That's true.

564
00:34:35,000 --> 00:34:41,040
Speaker 1: That middle size movie about families about you know, there's

565
00:34:41,120 --> 00:34:45,880
Speaker 1: personal stories that aren't so big concept and hero driven

566
00:34:45,960 --> 00:34:52,239
Speaker 1: things are I feel like right now, you know, languishing,

567
00:34:52,280 --> 00:34:57,000
Speaker 1: they're having a hard time. That said a lot of

568
00:34:57,080 --> 00:34:59,880
Speaker 1: that pay Thos, A lot of those stories have moved

569
00:35:00,080 --> 00:35:04,399
Speaker 1: and and really interesting complex characters have moved into the television, right.

570
00:35:04,760 --> 00:35:07,120
Speaker 1: I mean even like the film, you know, like Fox Catcher,

571
00:35:07,160 --> 00:35:10,200
Speaker 1: which was Yo, I didn't have your number. That movie

572
00:35:10,280 --> 00:35:16,319
Speaker 1: was fucking great. And when I saw the documentary afterwards,

573
00:35:16,360 --> 00:35:18,520
Speaker 1: because I had seen there was there was a couple

574
00:35:18,520 --> 00:35:20,680
Speaker 1: of documentaries before, but then I saw the film and

575
00:35:20,680 --> 00:35:23,480
Speaker 1: then I saw another documentary afterwards, and I was even

576
00:35:23,520 --> 00:35:25,560
Speaker 1: more impressed with with all three of you guys. The

577
00:35:25,600 --> 00:35:28,920
Speaker 1: whole thing was just it was dark, it was creepy,

578
00:35:29,320 --> 00:35:32,040
Speaker 1: it was spooky, and I imagine a film like that,

579
00:35:32,080 --> 00:35:34,319
Speaker 1: there's gotta be everything's got to be lined up with

580
00:35:34,800 --> 00:35:36,759
Speaker 1: you know, you gotta get this person, you gotta get

581
00:35:36,800 --> 00:35:38,919
Speaker 1: that person to to get the film me just from

582
00:35:39,160 --> 00:35:44,719
Speaker 1: a financial standpoint. Yeah. Yeah, So so that was that

583
00:35:44,840 --> 00:35:48,360
Speaker 1: was a really brave move from Anna Perner, who produced it.

584
00:35:48,440 --> 00:35:50,640
Speaker 1: You know who's who's new to the game. We said,

585
00:35:50,680 --> 00:35:54,359
Speaker 1: I want to make these difficult movies with with directors

586
00:35:54,360 --> 00:35:56,960
Speaker 1: that are doing interesting things, that have their own voice.

587
00:35:56,960 --> 00:36:00,640
Speaker 1: So you had Bennett who had already done um, he'd

588
00:36:00,680 --> 00:36:04,080
Speaker 1: already done pro and yeah, and he did Moneyball, which

589
00:36:04,120 --> 00:36:07,600
Speaker 1: your your people will appreciate. And so he was in

590
00:36:07,640 --> 00:36:11,680
Speaker 1: that sports world and um, yeah, and then you had

591
00:36:11,760 --> 00:36:15,480
Speaker 1: Channing Tatum, who who was hot, who was hot and

592
00:36:15,480 --> 00:36:19,600
Speaker 1: and who basically we hung the movie on and uh,

593
00:36:19,640 --> 00:36:22,319
Speaker 1: and then you get Steve Carrell and and so then

594
00:36:22,360 --> 00:36:24,719
Speaker 1: you got all the makings of of being able to

595
00:36:24,800 --> 00:36:30,440
Speaker 1: finance a twenty million dollar movie about wrestlers that's dark

596
00:36:30,520 --> 00:36:36,600
Speaker 1: and creepy and scary. Um and so yeah, that kind

597
00:36:36,640 --> 00:36:40,839
Speaker 1: of movie is probably a little bit more difficult to make,

598
00:36:40,880 --> 00:36:43,600
Speaker 1: but that's also the kind of movie that a lot

599
00:36:43,640 --> 00:36:46,560
Speaker 1: of actors and directors want to be making. You know,

600
00:36:47,800 --> 00:36:51,240
Speaker 1: what was he like? Um, Steve Carrell? Because he seems

601
00:36:51,280 --> 00:36:53,360
Speaker 1: like is he and I'm just saying he wanted you

602
00:36:53,440 --> 00:36:55,360
Speaker 1: to call him the character, but he seems like he

603
00:36:55,440 --> 00:36:59,560
Speaker 1: slips in the character and he's like in the character. Well, yes,

604
00:37:00,080 --> 00:37:02,680
Speaker 1: the one person that I did work with who seemed

605
00:37:02,719 --> 00:37:04,759
Speaker 1: to stay in character all the time with Steve, and

606
00:37:04,800 --> 00:37:08,280
Speaker 1: I totally kind of forgot about that. But I would see,

607
00:37:08,440 --> 00:37:13,920
Speaker 1: first of all, he was so weird that literally I

608
00:37:13,920 --> 00:37:15,680
Speaker 1: I'd run away from him when I'd see him on

609
00:37:15,719 --> 00:37:21,440
Speaker 1: set because he just freaked me out. And yeah, he

610
00:37:21,480 --> 00:37:23,560
Speaker 1: had the nose and the teeth and that kind of

611
00:37:23,600 --> 00:37:28,200
Speaker 1: weird awkward. You know, he stayed in character, so it

612
00:37:28,280 --> 00:37:31,600
Speaker 1: was very weird and awkward every time we ran into

613
00:37:31,600 --> 00:37:34,120
Speaker 1: each other. And that's kind of I think the relationship

614
00:37:34,160 --> 00:37:37,680
Speaker 1: that Dave had with characters playing had with him, So

615
00:37:38,120 --> 00:37:39,840
Speaker 1: you know, we were both sort of playing into that.

616
00:37:40,440 --> 00:37:43,440
Speaker 1: One day, I was in the uh, I was at

617
00:37:43,440 --> 00:37:45,680
Speaker 1: the hotel. We had a hard day's work. It was

618
00:37:45,719 --> 00:37:49,120
Speaker 1: a long day. It was fucking brutally cold, and I

619
00:37:49,600 --> 00:37:51,919
Speaker 1: rolled in a linna. It was a really hard movie

620
00:37:51,920 --> 00:37:54,319
Speaker 1: to work out, man. It was it was dark. It

621
00:37:54,480 --> 00:37:59,520
Speaker 1: was totally cheerless. We were shooting in the dark, it was.

622
00:38:00,040 --> 00:38:01,799
Speaker 1: And anyway, I rolled in and im and I was

623
00:38:01,840 --> 00:38:05,040
Speaker 1: wrestling after work every day. I had to go to

624
00:38:05,080 --> 00:38:08,760
Speaker 1: wrestling practice. Um. So it's just like one of those

625
00:38:08,920 --> 00:38:12,440
Speaker 1: really intense things. I walk in and he's an elevator

626
00:38:13,200 --> 00:38:16,680
Speaker 1: and uh, I look at him and now he's he's Steve.

627
00:38:16,760 --> 00:38:20,160
Speaker 1: I could tell he's Steve, and I'm like, how's it going, man?

628
00:38:20,480 --> 00:38:22,640
Speaker 1: And we really don't. We really didn't talk to each other,

629
00:38:22,960 --> 00:38:26,480
Speaker 1: and we were working. We rarely worked together this day. Everywhere, like,

630
00:38:26,520 --> 00:38:29,200
Speaker 1: how's it going, man, He's like, I don't know what

631
00:38:29,280 --> 00:38:33,480
Speaker 1: the funk I'm doing. And I was like, Buddy, you

632
00:38:33,600 --> 00:38:37,160
Speaker 1: and me both, I do not know whether I'm coming

633
00:38:37,280 --> 00:38:41,000
Speaker 1: or going on this thing. And uh, that was a

634
00:38:41,040 --> 00:38:43,839
Speaker 1: real moment that we had. And I know we were

635
00:38:43,880 --> 00:38:46,440
Speaker 1: feeling that because Bennet Bennett's you know, benn it's a

636
00:38:46,600 --> 00:38:49,640
Speaker 1: tough director. Well what do you mean by that? Explain

637
00:38:49,719 --> 00:38:53,680
Speaker 1: why why he's a tough director? Okay, so you know

638
00:38:53,920 --> 00:38:56,880
Speaker 1: he purposely so we all have our thing that we do,

639
00:38:57,080 --> 00:39:01,880
Speaker 1: you know that we feel comfortable doing. We know, you

640
00:39:02,000 --> 00:39:04,439
Speaker 1: come in and you kind of have an idea how

641
00:39:04,560 --> 00:39:06,759
Speaker 1: how do you think it should go? And you kind of,

642
00:39:06,880 --> 00:39:08,759
Speaker 1: you know, you kind of have your comfort zone. You

643
00:39:08,760 --> 00:39:13,240
Speaker 1: think you feel you know your character and in there,

644
00:39:13,480 --> 00:39:17,719
Speaker 1: and inevitably, uh Bennett would think that was the wrong

645
00:39:17,719 --> 00:39:23,560
Speaker 1: way to go. And so you you just and and

646
00:39:23,600 --> 00:39:26,120
Speaker 1: then you spent the day just stripping all that back

647
00:39:26,160 --> 00:39:31,640
Speaker 1: into being the most uncomfortable version of the scene that

648
00:39:31,840 --> 00:39:36,839
Speaker 1: you could possibly imagine it being. And and so you know,

649
00:39:36,960 --> 00:39:39,399
Speaker 1: he would just be like, no, I I feel like

650
00:39:39,440 --> 00:39:44,160
Speaker 1: it's it's two wrote or I see you acting or

651
00:39:44,320 --> 00:39:47,080
Speaker 1: or um you know, I think it needs to be

652
00:39:47,320 --> 00:39:50,680
Speaker 1: a little bit more. Let's just keep doing it again

653
00:39:50,719 --> 00:39:54,440
Speaker 1: and again and again or raw or do do you

654
00:39:54,719 --> 00:39:57,560
Speaker 1: as an actor? Are you like, yo, I'm doing it

655
00:39:57,680 --> 00:39:59,839
Speaker 1: the same fucking way. I don't no matter what you're

656
00:40:00,000 --> 00:40:03,799
Speaker 1: ang Do you feel like it worked? Yeah? I do,

657
00:40:04,000 --> 00:40:08,680
Speaker 1: because you know, because eventually what happens is is you

658
00:40:08,880 --> 00:40:11,520
Speaker 1: just kind of you break a little bit in that

659
00:40:11,600 --> 00:40:15,920
Speaker 1: space of like not knowing what you're doing anymore, or

660
00:40:16,160 --> 00:40:19,000
Speaker 1: or there's a kind of vulnerability that works really well

661
00:40:19,040 --> 00:40:23,000
Speaker 1: on film, you know, and it's real because you're frustrated

662
00:40:23,040 --> 00:40:25,440
Speaker 1: and you're and you're sort of like, you know, trying

663
00:40:25,480 --> 00:40:28,400
Speaker 1: to find your footing. And and he that's what he likes.

664
00:40:28,440 --> 00:40:31,800
Speaker 1: He loves that kind of that kind of space, especially

665
00:40:31,840 --> 00:40:37,760
Speaker 1: for those people. And so um, it was just that's

666
00:40:37,800 --> 00:40:40,400
Speaker 1: that could be disturbed being was like, how many like

667
00:40:40,600 --> 00:40:42,520
Speaker 1: is he? Is? He like a person who makes you

668
00:40:42,560 --> 00:40:45,560
Speaker 1: do a lot of takes. Sometimes you do a lot

669
00:40:45,640 --> 00:40:50,080
Speaker 1: of takes. Um a lot of times you'll start with

670
00:40:50,120 --> 00:40:53,200
Speaker 1: the scene one way and then he'll throw you a

671
00:40:53,280 --> 00:40:57,360
Speaker 1: line or your or your or you'll you'll start heading

672
00:40:57,360 --> 00:41:01,239
Speaker 1: in a totally different direction and it will be you know,

673
00:41:01,440 --> 00:41:04,200
Speaker 1: he's like he'll do a gesture like the scene is

674
00:41:04,280 --> 00:41:06,359
Speaker 1: kind of like this, you know, like you just kind

675
00:41:06,400 --> 00:41:10,480
Speaker 1: of gently touched my shoulder in this kind of reassuring

676
00:41:10,560 --> 00:41:16,480
Speaker 1: way that that sort of tells you or told me

677
00:41:16,840 --> 00:41:20,640
Speaker 1: kind of the nature of the way Dave was dealing

678
00:41:20,680 --> 00:41:24,520
Speaker 1: with his brother. So a scene that was simply that

679
00:41:24,680 --> 00:41:27,680
Speaker 1: seemed antagonistic to me. It seemed like it was two

680
00:41:27,680 --> 00:41:32,160
Speaker 1: brothers fighting was really a scene about one brother like

681
00:41:32,440 --> 00:41:37,000
Speaker 1: kind of gently trying to support another brother, even though

682
00:41:37,000 --> 00:41:39,680
Speaker 1: it seemed like it was being a little bit antagonist.

683
00:41:39,680 --> 00:41:42,240
Speaker 1: I got you, I got you. That makes sense, especially

684
00:41:42,320 --> 00:41:44,960
Speaker 1: with the with the way there was so much subtext

685
00:41:45,080 --> 00:41:47,560
Speaker 1: in that movie and so much like it's just like

686
00:41:47,640 --> 00:41:50,879
Speaker 1: what's going on here between the three? Like who's being one?

687
00:41:50,960 --> 00:41:55,960
Speaker 1: And yeah side yeah, and they all had like they

688
00:41:55,960 --> 00:41:59,160
Speaker 1: were all super complex people. Man, there was no like

689
00:41:59,280 --> 00:42:02,040
Speaker 1: good guy, and so you're as an actor, you want

690
00:42:02,040 --> 00:42:04,719
Speaker 1: to play the good guy, you know, And then and

691
00:42:04,800 --> 00:42:08,040
Speaker 1: he's like, no, no, nobody's a good guy in life.

692
00:42:08,280 --> 00:42:10,560
Speaker 1: We'll all have a little bit of funked up doing us,

693
00:42:10,640 --> 00:42:13,680
Speaker 1: you know. And and what about David Fincher, You worked

694
00:42:13,680 --> 00:42:15,959
Speaker 1: with him on Zodiac. He's the one that I hear

695
00:42:16,000 --> 00:42:19,600
Speaker 1: like sixty seven takes seven takes and it's like when

696
00:42:19,640 --> 00:42:23,799
Speaker 1: you're literally across the street. Is that real with him? Yeah? Man,

697
00:42:24,960 --> 00:42:28,160
Speaker 1: So my first day of working with him, he you know,

698
00:42:28,520 --> 00:42:30,520
Speaker 1: my first day of working with him, we did sixty

699
00:42:30,600 --> 00:42:33,560
Speaker 1: seven takes and it was like what kind of scene

700
00:42:34,239 --> 00:42:36,359
Speaker 1: it was. It was a walk and talk and it's

701
00:42:36,400 --> 00:42:38,839
Speaker 1: me and Jake. We come out of the courthouse, and

702
00:42:38,960 --> 00:42:41,319
Speaker 1: it's it's it's towards the end of the movie. We

703
00:42:41,360 --> 00:42:43,120
Speaker 1: started towards the end of the movie Saw. I was

704
00:42:43,120 --> 00:42:45,359
Speaker 1: already like, I don't know what the fun is going on.

705
00:42:45,880 --> 00:42:47,759
Speaker 1: But we started towards the end of the movie. It

706
00:42:47,840 --> 00:42:50,040
Speaker 1: was my first day and we come out of the

707
00:42:50,080 --> 00:42:52,680
Speaker 1: courthouse and we have about a half a page scene

708
00:42:52,680 --> 00:42:57,680
Speaker 1: where we're walking and talking and there's maybe sixty extras

709
00:42:57,840 --> 00:43:01,319
Speaker 1: all placed around us and behind us, moving this way

710
00:43:01,360 --> 00:43:04,400
Speaker 1: and that. It's a crane shot on a long long

711
00:43:04,480 --> 00:43:07,239
Speaker 1: crane arm, which is, you know, the cameras on the

712
00:43:07,400 --> 00:43:10,680
Speaker 1: end of a long long stick basically for your viewers,

713
00:43:10,680 --> 00:43:14,040
Speaker 1: for your listeners, and and they're moving it back on

714
00:43:14,160 --> 00:43:17,319
Speaker 1: a on a dolly. So it's this big, kind of

715
00:43:17,320 --> 00:43:22,520
Speaker 1: elaborate moving shot. And I'm the actor, so I'm just thinking, oh,

716
00:43:22,560 --> 00:43:25,000
Speaker 1: you know, it's about me and Jake and the scene

717
00:43:25,000 --> 00:43:28,160
Speaker 1: and we're talking it's about us, you know, and and

718
00:43:28,239 --> 00:43:31,680
Speaker 1: we're doing it over and over and over, and now

719
00:43:31,719 --> 00:43:34,040
Speaker 1: I'm starting it's starting to wear. I mean, like, dude,

720
00:43:34,080 --> 00:43:37,240
Speaker 1: he hates what I'm doing, that's what this is about

721
00:43:37,280 --> 00:43:39,839
Speaker 1: he and he doesn't know how to fix it, so

722
00:43:39,880 --> 00:43:43,719
Speaker 1: I guess keeps reshooting it, right, And we're up there.

723
00:43:43,760 --> 00:43:47,000
Speaker 1: We're like, well, now we're about like take take forty

724
00:43:47,160 --> 00:43:51,520
Speaker 1: or whatever. And I see him over there and he's

725
00:43:51,560 --> 00:43:54,279
Speaker 1: not looking happy, right, And I'm like, god, damn, what

726
00:43:54,640 --> 00:43:58,240
Speaker 1: am I doing? And I like, that's it, Ruffalo, You're

727
00:43:58,280 --> 00:44:02,040
Speaker 1: the wrong guy for this part. And you know, Sean

728
00:44:02,239 --> 00:44:04,960
Speaker 1: was the one that they should have got. You know,

729
00:44:05,160 --> 00:44:09,120
Speaker 1: maybe he's available. Nah, it's cool, they'll still pay you,

730
00:44:09,320 --> 00:44:14,880
Speaker 1: but you know you're ready they I'm talking to myself.

731
00:44:15,239 --> 00:44:18,760
Speaker 1: I'm talking to myself and being fired, like just making

732
00:44:19,080 --> 00:44:21,799
Speaker 1: trying to make it okay for what's gonna happen. And

733
00:44:21,840 --> 00:44:24,560
Speaker 1: I see Fincher, he's belining for me now, and it's

734
00:44:24,600 --> 00:44:27,200
Speaker 1: like here it comes up a little. That's it. He's

735
00:44:27,719 --> 00:44:30,319
Speaker 1: he's had it. You did your best, try not to

736
00:44:30,400 --> 00:44:34,960
Speaker 1: take it too hard in the morning. Everything, Yeah, to

737
00:44:35,120 --> 00:44:39,040
Speaker 1: get me a flight. You may have had this conversation

738
00:44:39,080 --> 00:44:41,800
Speaker 1: at some point as an actor. Most of us do.

739
00:44:42,320 --> 00:44:45,799
Speaker 1: And uh and and you know, he came right for me.

740
00:44:46,040 --> 00:44:48,920
Speaker 1: He walked past me. He goes to the there's a

741
00:44:49,080 --> 00:44:51,960
Speaker 1: there's a standard, i mean a background artist a few

742
00:44:51,960 --> 00:44:54,879
Speaker 1: people behind me. He moved that, dude, I'm telling you,

743
00:44:55,719 --> 00:44:59,920
Speaker 1: he moved that to three inches. There's sixty of them,

744
00:45:00,040 --> 00:45:03,560
Speaker 1: m hm. And he started walking back and he pats

745
00:45:03,640 --> 00:45:05,759
Speaker 1: me on the back because he's going. Gives me a

746
00:45:05,880 --> 00:45:09,319
Speaker 1: nice slap on the back, you know, and he passes me,

747
00:45:09,880 --> 00:45:14,800
Speaker 1: and I think, oh, okay, Well, this mother bucker is

748
00:45:14,880 --> 00:45:18,279
Speaker 1: do he's he's he's shooting the whole picture. He's not.

749
00:45:18,520 --> 00:45:20,880
Speaker 1: He's not. I'm just I'm just ten percent of the frame.

750
00:45:21,800 --> 00:45:25,600
Speaker 1: You know, he's going for. What he's going for is eternity. Man.

751
00:45:25,640 --> 00:45:28,520
Speaker 1: This guy is like, this guy is shooting and he's

752
00:45:28,520 --> 00:45:30,719
Speaker 1: a perfectionist and he's not going to stop until he

753
00:45:30,719 --> 00:45:34,560
Speaker 1: gets it. And after, after I squared with that, I

754
00:45:34,680 --> 00:45:37,280
Speaker 1: was okay. And that's how it was the whole time shooting.

755
00:45:37,880 --> 00:45:39,440
Speaker 1: It was the whole time. I mean sometimes it was

756
00:45:39,520 --> 00:45:42,640
Speaker 1: thirty takes, sometimes it was fifteen, sometimes it was seventeen.

757
00:45:42,680 --> 00:45:46,360
Speaker 1: Sometimes it was twenty but at that point I knew okay,

758
00:45:46,560 --> 00:45:48,959
Speaker 1: and and that's he was one of the first people

759
00:45:48,960 --> 00:45:53,560
Speaker 1: who moved to digital from film and he had so

760
00:45:53,760 --> 00:45:58,240
Speaker 1: back then, you there was no erasing a take. You

761
00:45:58,239 --> 00:46:00,719
Speaker 1: you you saved everything, you shot everything. You say that.

762
00:46:01,000 --> 00:46:06,080
Speaker 1: He had a special button made that would delete a take,

763
00:46:06,719 --> 00:46:10,680
Speaker 1: And literally we would be in take twenty five and

764
00:46:10,719 --> 00:46:15,359
Speaker 1: I'd hear him say delete take one through like none

765
00:46:15,360 --> 00:46:20,920
Speaker 1: of that's good, Like we're starting and you know, like

766
00:46:20,920 --> 00:46:25,279
Speaker 1: a fucking I faking it and seen and seventeen like

767
00:46:25,360 --> 00:46:28,359
Speaker 1: you knew that was the take, right, and you hear that.

768
00:46:28,400 --> 00:46:32,560
Speaker 1: You're like me at this point, like you know, like

769
00:46:32,680 --> 00:46:35,600
Speaker 1: I get more Like when I was younger, I'd be like, oh,

770
00:46:35,760 --> 00:46:38,399
Speaker 1: you're just here, like I don't know. But now as

771
00:46:38,400 --> 00:46:40,320
Speaker 1: you get more experienced and you have more saying you

772
00:46:40,600 --> 00:46:43,520
Speaker 1: sort of understand the process more, will you be like

773
00:46:43,600 --> 00:46:45,759
Speaker 1: if you worked with him now or a director like

774
00:46:45,800 --> 00:46:47,200
Speaker 1: that now, we'd be like, you know, what the fund

775
00:46:47,239 --> 00:46:51,359
Speaker 1: do you want? Like or you'll just keep going. No, man,

776
00:46:51,400 --> 00:46:54,680
Speaker 1: I just keep going. I signed on right, you know,

777
00:46:55,040 --> 00:46:57,480
Speaker 1: I just see like this is his this is their trip,

778
00:46:57,560 --> 00:46:59,319
Speaker 1: this is how to do it. I'm gonna try and

779
00:46:59,520 --> 00:47:02,560
Speaker 1: comment at it the best I can. I might get

780
00:47:02,600 --> 00:47:05,600
Speaker 1: frustrated with it at times, but I just keep trying

781
00:47:05,600 --> 00:47:09,000
Speaker 1: to let it go. You know, Um, what's your best

782
00:47:09,000 --> 00:47:15,520
Speaker 1: More in Scorsese stories from Shutter Island. Well, so it's

783
00:47:15,560 --> 00:47:18,480
Speaker 1: Martin Scorsese man. And I'm like, you know, he's he's

784
00:47:18,560 --> 00:47:21,520
Speaker 1: He's he's the guy we we all that was the

785
00:47:21,560 --> 00:47:24,399
Speaker 1: one that we all grew up watching. We all saw

786
00:47:24,440 --> 00:47:27,359
Speaker 1: the great acting, we all wanted to work with. So

787
00:47:27,400 --> 00:47:32,719
Speaker 1: I expected this really kind of like heavy, heavy acting

788
00:47:32,840 --> 00:47:36,839
Speaker 1: trip from him, you know, And um, that's not his

789
00:47:36,920 --> 00:47:41,799
Speaker 1: thing really, you know, he doesn't. I mean, he likes

790
00:47:41,880 --> 00:47:45,000
Speaker 1: to work with the actors, but he doesn't get into

791
00:47:45,000 --> 00:47:48,719
Speaker 1: a whole all the psychological stuff, which is which is

792
00:47:48,719 --> 00:47:50,719
Speaker 1: what I was kind of hoping for. And I was,

793
00:47:51,040 --> 00:47:53,480
Speaker 1: you know, trying to impress him by telling them all

794
00:47:53,520 --> 00:47:56,759
Speaker 1: the character work. I was doing this, but and he

795
00:47:56,880 --> 00:47:59,880
Speaker 1: just wanted to run away from me basically. And the

796
00:48:00,120 --> 00:48:01,880
Speaker 1: one day he came up to me and this is

797
00:48:01,960 --> 00:48:05,719
Speaker 1: this is an exemplified his directing as far as the

798
00:48:06,120 --> 00:48:08,120
Speaker 1: acting was going. And it came up was like, yeah,

799
00:48:08,160 --> 00:48:11,400
Speaker 1: I don't know, it seems uh, you know, it works

800
00:48:11,440 --> 00:48:13,200
Speaker 1: well on the page, just for some reason. It's just

801
00:48:13,400 --> 00:48:15,479
Speaker 1: just I don't know, maybe he needs to um, maybe

802
00:48:15,520 --> 00:48:17,680
Speaker 1: needs to I don't know. He's snapping his fingers means

803
00:48:17,680 --> 00:48:21,440
Speaker 1: to uh. And I said, go faster. He's like, yeah, yeah,

804
00:48:21,520 --> 00:48:27,919
Speaker 1: let's try that. And that was probably the most notary

805
00:48:27,960 --> 00:48:30,719
Speaker 1: I got from him on that on that movie, you know,

806
00:48:31,280 --> 00:48:34,600
Speaker 1: And I was like, that's okay, I'll think I could

807
00:48:34,640 --> 00:48:36,640
Speaker 1: do that. I know how to do that. That's something

808
00:48:36,680 --> 00:48:39,480
Speaker 1: I definitely know how to do. But you know, he's

809
00:48:39,520 --> 00:48:43,880
Speaker 1: a genius and he's a master, and he's when you

810
00:48:44,000 --> 00:48:46,000
Speaker 1: see him at work and you see what he does

811
00:48:46,000 --> 00:48:49,000
Speaker 1: with the camera. He it's all storytelling as far as

812
00:48:49,000 --> 00:48:52,880
Speaker 1: cinema goes. That dude is like the master of cinema.

813
00:48:53,560 --> 00:48:56,480
Speaker 1: And so he doesn't he doesn't. He hires people who

814
00:48:56,560 --> 00:49:00,040
Speaker 1: knows just knows their ship clearly, and he doesn't it

815
00:49:00,160 --> 00:49:02,840
Speaker 1: down into the muck. He's he's like focused on telling

816
00:49:02,880 --> 00:49:05,959
Speaker 1: that story cinematically, and you do. You do your job,

817
00:49:06,000 --> 00:49:09,360
Speaker 1: and he'll do his job and you'll end up okay,

818
00:49:09,480 --> 00:49:13,680
Speaker 1: you know, all right, tell me the actor or acting

819
00:49:13,719 --> 00:49:16,360
Speaker 1: experiences where you've been across from somebody, you're doing a

820
00:49:16,400 --> 00:49:18,920
Speaker 1: scene from somebody where you were just like funck. This

821
00:49:19,000 --> 00:49:20,920
Speaker 1: person is good. Like you can name a couple of

822
00:49:20,960 --> 00:49:24,080
Speaker 1: people like where you were just like whoa this motherfucker?

823
00:49:24,120 --> 00:49:27,240
Speaker 1: Were you just kind of like you're you're taken by

824
00:49:27,320 --> 00:49:33,319
Speaker 1: their talent. Well, Joaquin Phoenix is like still I think.

825
00:49:33,360 --> 00:49:36,000
Speaker 1: I think he's one of the greatest actors of our generation.

826
00:49:36,280 --> 00:49:39,560
Speaker 1: Uh and and we haven't even seen what that kid's

827
00:49:39,600 --> 00:49:43,000
Speaker 1: gonna do. Kid, but but um, you know, I was

828
00:49:43,080 --> 00:49:46,200
Speaker 1: doing a reservation road with him, which was kind of

829
00:49:46,239 --> 00:49:49,759
Speaker 1: you know, like a small indie movie. Um. And there's

830
00:49:49,760 --> 00:49:54,560
Speaker 1: a Manoma Mano scene, and um, you know his character

831
00:49:54,640 --> 00:49:57,800
Speaker 1: basically I I killed his son in a car accident

832
00:49:57,880 --> 00:49:59,920
Speaker 1: and hit and run, you know, and he does a

833
00:50:00,040 --> 00:50:04,960
Speaker 1: vigilante tracks me down and and the the final scene

834
00:50:05,000 --> 00:50:07,520
Speaker 1: in the movie. First of all, we only bump into

835
00:50:07,560 --> 00:50:09,800
Speaker 1: each other like once or twice during the whole movie.

836
00:50:10,640 --> 00:50:13,319
Speaker 1: Finally we bumped into each other and he knows what

837
00:50:13,560 --> 00:50:16,799
Speaker 1: I had done, and he kidnaps me. He puts me

838
00:50:16,840 --> 00:50:21,239
Speaker 1: in the in the back of his car, and he

839
00:50:21,360 --> 00:50:24,600
Speaker 1: scared the ship out of me. And we had one

840
00:50:24,880 --> 00:50:26,759
Speaker 1: we had a scene where he drags Matt He's gonna

841
00:50:26,840 --> 00:50:30,200
Speaker 1: kill me. You know. It's a big emotional moment for

842
00:50:30,239 --> 00:50:34,040
Speaker 1: both of us. And then it was like a blur

843
00:50:34,280 --> 00:50:36,840
Speaker 1: to me this scene and it and it became in

844
00:50:37,040 --> 00:50:42,839
Speaker 1: this the improvisation that was just I mean, it's one

845
00:50:42,880 --> 00:50:47,160
Speaker 1: of those perfect moments, and it just was so lived

846
00:50:47,200 --> 00:50:51,080
Speaker 1: into and felt so real and crazy and out of

847
00:50:51,120 --> 00:50:55,759
Speaker 1: control and and still was telling the story, you know,

848
00:50:55,800 --> 00:50:59,520
Speaker 1: it wasn't being self indulgent, and still like I felt

849
00:50:59,640 --> 00:51:04,879
Speaker 1: totally comfortable in his presence, you know. And oh man,

850
00:51:04,920 --> 00:51:07,879
Speaker 1: he's so damn good. Tilda Swinton I just worked with.

851
00:51:08,480 --> 00:51:14,200
Speaker 1: She was amazing. She's a she is franking unbelievably good

852
00:51:14,760 --> 00:51:21,560
Speaker 1: and present and and playful and sweet and funny. Um uh.

853
00:51:22,040 --> 00:51:27,080
Speaker 1: A little bit with Kate Blanchett, another amazing actress. Now

854
00:51:27,120 --> 00:51:30,080
Speaker 1: these are like, you know, foreign actress is there, you know,

855
00:51:30,160 --> 00:51:34,959
Speaker 1: supposedly well trained. Is Kate Blanchet? Cool? So cool? She's

856
00:51:35,000 --> 00:51:40,759
Speaker 1: like Oscar winner every fucking year, She's Oscar's princess. Yeah,

857
00:51:40,880 --> 00:51:44,440
Speaker 1: so humble, so cool. The best ones are are humble

858
00:51:44,480 --> 00:51:47,680
Speaker 1: and cool. That that's been my experience. The ones who

859
00:51:47,719 --> 00:51:50,520
Speaker 1: are just like I think that are just real and

860
00:51:50,560 --> 00:51:53,440
Speaker 1: the best and just they're not really movie stars, but

861
00:51:53,480 --> 00:51:56,920
Speaker 1: there are movie stars are like super actors, but they

862
00:51:56,960 --> 00:52:00,160
Speaker 1: happened to be movie stars. That movie stars first are

863
00:52:00,280 --> 00:52:03,439
Speaker 1: always the coolest. And give me one more person where

864
00:52:03,440 --> 00:52:06,400
Speaker 1: you were working with either even you're just like fanning

865
00:52:06,400 --> 00:52:09,040
Speaker 1: out like I mean, like I not not fanning because

866
00:52:09,080 --> 00:52:12,080
Speaker 1: when you're there working with them, you're you're you're working

867
00:52:12,080 --> 00:52:13,759
Speaker 1: with him. But like me, I got the chance to

868
00:52:13,760 --> 00:52:15,960
Speaker 1: work with de Niro twice and and I'm meaning the

869
00:52:16,000 --> 00:52:19,360
Speaker 1: ship I'm working with him, but you know, in between takes,

870
00:52:19,400 --> 00:52:21,799
Speaker 1: I'm like looking at him like there's the mole like

871
00:52:21,840 --> 00:52:24,719
Speaker 1: there his face, like like you know, like was who

872
00:52:24,760 --> 00:52:26,400
Speaker 1: was the experienced like when you were younger that you

873
00:52:26,440 --> 00:52:30,800
Speaker 1: were like Redford Redford? Yeah, man, I did a movie

874
00:52:30,800 --> 00:52:33,520
Speaker 1: It's Redford. It was like it was like my third movie,

875
00:52:33,760 --> 00:52:38,480
Speaker 1: like like it was like a big movie, Last Castle. Yeah.

876
00:52:38,640 --> 00:52:41,000
Speaker 1: And and there I was, I'm doing like full on

877
00:52:41,120 --> 00:52:43,920
Speaker 1: four or five page scenes that's red for Mano a Mano,

878
00:52:44,040 --> 00:52:47,440
Speaker 1: like full on like and and I going at it

879
00:52:47,600 --> 00:52:51,120
Speaker 1: at each other, you know, and um and I was,

880
00:52:51,280 --> 00:52:55,680
Speaker 1: man I was, I was passing my pants, you know,

881
00:52:55,719 --> 00:52:58,120
Speaker 1: you know how it is. And you're across from these

882
00:52:58,160 --> 00:53:01,879
Speaker 1: people that you know, they're icons, are your heroes, right,

883
00:53:02,560 --> 00:53:04,879
Speaker 1: And I was like, oh am I gonna act with

884
00:53:04,920 --> 00:53:09,560
Speaker 1: this guy? How amNY? I'm quaking my boots. I'm like,

885
00:53:09,600 --> 00:53:12,480
Speaker 1: how a many we gonna remember my life? Right? You know?

886
00:53:12,640 --> 00:53:14,560
Speaker 1: You know you're like, am I gonna blow this? I'm

887
00:53:14,560 --> 00:53:18,760
Speaker 1: gonna mess this up? And that dude was so chill

888
00:53:19,120 --> 00:53:23,000
Speaker 1: and cool and invited me, you know, to hang out

889
00:53:23,080 --> 00:53:27,680
Speaker 1: between setups and and really put me at ease. But

890
00:53:27,680 --> 00:53:30,360
Speaker 1: but you know, there he is. There's the mole, there's

891
00:53:30,400 --> 00:53:35,040
Speaker 1: the smile, There's there's the blue eyes, blueist eyes. You know,

892
00:53:35,160 --> 00:53:40,920
Speaker 1: there's the there's the all American, like seriously socially minded

893
00:53:41,719 --> 00:53:46,080
Speaker 1: dope cat. You know my last question, I'm gonna let

894
00:53:46,080 --> 00:53:47,960
Speaker 1: you go. I appreciate this to people are gonna love that.

895
00:53:47,960 --> 00:53:49,440
Speaker 1: The fans are gonna love this, and I I just

896
00:53:49,520 --> 00:53:52,239
Speaker 1: I love that you're sharing all the ship. Oh no, man,

897
00:53:52,320 --> 00:53:55,880
Speaker 1: I acted to actor this is. I know it's interchangeable. Okay,

898
00:53:55,920 --> 00:54:00,520
Speaker 1: so it's interchangeable. Uh, don't feel any any um allegiance

899
00:54:00,760 --> 00:54:03,560
Speaker 1: today your top five movies of all time. I know

900
00:54:03,640 --> 00:54:06,040
Speaker 1: it's hard, it's only it's only five, But just for today,

901
00:54:06,080 --> 00:54:12,960
Speaker 1: don't feel guilty about leaving anybody out. Oh man, um

902
00:54:13,160 --> 00:54:20,759
Speaker 1: ship on the Waterfront, um probably of course The Godfather

903
00:54:20,880 --> 00:54:26,600
Speaker 1: one Brando. I'm I'm a big Brando fan. Um, Last

904
00:54:26,640 --> 00:54:30,080
Speaker 1: Tango in Paris. I think it's amazing. Eternal Sunshine to

905
00:54:30,120 --> 00:54:33,920
Speaker 1: the Spotless Mind. Yeah, I'm in that one, and I

906
00:54:34,000 --> 00:54:35,759
Speaker 1: really I have a small part in it. But I

907
00:54:35,800 --> 00:54:39,080
Speaker 1: just think that's a really beautiful movie. That's that's like,

908
00:54:40,200 --> 00:54:41,879
Speaker 1: that's cool. And I get to say I was in

909
00:54:41,920 --> 00:54:47,719
Speaker 1: that one. Um, so that's three. Um uh you know

910
00:54:47,760 --> 00:54:50,600
Speaker 1: what I just saw that. I just think an amazing movie,

911
00:54:50,600 --> 00:54:56,239
Speaker 1: which is a French movie was helped the prophet. That

912
00:54:56,400 --> 00:54:58,759
Speaker 1: was really good. Man, I put I put that up there.

913
00:54:59,400 --> 00:55:02,480
Speaker 1: It's that good. Huh oh man, it's so good. I

914
00:55:02,520 --> 00:55:05,360
Speaker 1: mean it's messy. It's like it's definitely like has the

915
00:55:05,480 --> 00:55:11,160
Speaker 1: indie indie spirit to it. Um and then um, one

916
00:55:11,160 --> 00:55:17,839
Speaker 1: more one more just um oh man, a's a what's

917
00:55:17,840 --> 00:55:26,560
Speaker 1: a great American? Uh? I mean I guess scar Face Okay, okay,

918
00:55:26,640 --> 00:55:29,560
Speaker 1: that's a good one. I mean it's interchangeable. Yeah yeah.

919
00:55:29,560 --> 00:55:31,719
Speaker 1: I mean if you ask me another time and give

920
00:55:31,760 --> 00:55:34,400
Speaker 1: me a couple of minutes, I know I'd have another

921
00:55:34,400 --> 00:55:37,600
Speaker 1: whole another slew of them. All right, Well, listen, yo, Mark,

922
00:55:37,680 --> 00:55:41,400
Speaker 1: I appreciate you coming on a podcast. Thanks man. I

923
00:55:41,440 --> 00:55:44,239
Speaker 1: appreciate you too. Man. I appreciate your voice out in

924
00:55:44,280 --> 00:55:47,959
Speaker 1: the world, and I appreciate your acting. You're a badass, man.

925
00:55:48,000 --> 00:55:50,880
Speaker 1: I admire you. Well. We we gotta keep going and uh,

926
00:55:50,960 --> 00:55:54,279
Speaker 1: you know, and keep keep speaking out and you know,

927
00:55:54,400 --> 00:55:56,600
Speaker 1: and and uh and keep pushing and keep doing our

928
00:55:56,680 --> 00:55:59,759
Speaker 1: thing and uh and you keep doing your things. I'll

929
00:55:59,760 --> 00:56:06,279
Speaker 1: be that with your man. All Right, we're getting in

930
00:56:06,360 --> 00:56:09,080
Speaker 1: on the Black Friday sales. Okay, but you could do

931
00:56:09,160 --> 00:56:13,760
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932
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933
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934
00:56:18,880 --> 00:56:23,120
Speaker 1: out there wheeling and dealing and knuckling up. Okay, but

935
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936
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Speaker 1: shirts at store dot bar stool sports dot com. Okay,

937
00:56:30,160 --> 00:56:32,680
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938
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939
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940
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941
00:56:47,200 --> 00:56:51,600
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942
00:56:51,680 --> 00:56:57,280
Speaker 1: more at store dot barstool Sports dot com. Black Friday sale.

943
00:56:58,840 --> 00:57:01,680
Speaker 1: All right, Yo, I really want to thank my man,

944
00:57:01,760 --> 00:57:04,680
Speaker 1: Mark Ruffalo for uh coming on the pockets. You know,

945
00:57:04,719 --> 00:57:07,799
Speaker 1: it's funny. I've only we've only met each other in

946
00:57:07,800 --> 00:57:10,759
Speaker 1: person one time, and Ruffalo, but we we we got

947
00:57:10,800 --> 00:57:14,560
Speaker 1: a lot of people in common, and uh, you know,

948
00:57:14,600 --> 00:57:18,360
Speaker 1: we didn't talk a lot about politics, but he's outspoken

949
00:57:18,520 --> 00:57:22,880
Speaker 1: on the front lines about everything he believes in protests

950
00:57:22,880 --> 00:57:26,400
Speaker 1: and Trump protests. I mean, he's he's really out there.

951
00:57:26,480 --> 00:57:29,960
Speaker 1: And and you know it's crazy because he had a

952
00:57:30,000 --> 00:57:34,760
Speaker 1: lot at steak yeah, you know, and and he you know,

953
00:57:34,840 --> 00:57:37,280
Speaker 1: he he doesn't back down. He speaks out on on

954
00:57:37,280 --> 00:57:41,800
Speaker 1: on pro life, pro choice, trump all, I mean, the environment.

955
00:57:41,840 --> 00:57:47,640
Speaker 1: He's he's actually one of the first people, uh you know,

956
00:57:47,720 --> 00:57:51,360
Speaker 1: as in the last twenty years who's been really outspoken

957
00:57:51,800 --> 00:57:55,760
Speaker 1: on social media about this stuff. So uh, Mark Ruffalo,

958
00:57:56,040 --> 00:58:02,080
Speaker 1: Uh that was a dope interview, man. So uh oh,

959
00:58:02,120 --> 00:58:04,680
Speaker 1: I wanna you mentioned Trump. I want to give Trump

960
00:58:04,720 --> 00:58:07,280
Speaker 1: a shout out from getting them boys home. He didn't

961
00:58:07,320 --> 00:58:10,200
Speaker 1: have to do that, that's not in his job description

962
00:58:10,280 --> 00:58:13,480
Speaker 1: as the president, but he got him home. So you

963
00:58:13,520 --> 00:58:16,160
Speaker 1: gotta give this cat some credit. You're telling about lo

964
00:58:16,240 --> 00:58:21,120
Speaker 1: Angelo Balls, yeah, and those guys that was doing some steel.

965
00:58:22,040 --> 00:58:23,920
Speaker 1: He says. He he says he had something to do

966
00:58:24,000 --> 00:58:28,320
Speaker 1: with it. Yeah. Uh, he says he has something to

967
00:58:28,360 --> 00:58:30,000
Speaker 1: do with it. I I take what he says that

968
00:58:30,200 --> 00:58:32,680
Speaker 1: like a like a crazy guy on the corner who's

969
00:58:32,720 --> 00:58:35,920
Speaker 1: drinking that that moonshine. Yo. They let him out immediately

970
00:58:35,960 --> 00:58:38,320
Speaker 1: after that. They just you get ten years for stealing

971
00:58:38,320 --> 00:58:41,600
Speaker 1: out there. Yo. I'm just saying, no, give the give

972
00:58:41,640 --> 00:58:46,000
Speaker 1: demand credit everybody. My guy, LaVar Ball disputes that Trump

973
00:58:46,000 --> 00:58:49,560
Speaker 1: had anything to do with it. Oh you believe P. T. Barnum.

974
00:58:49,920 --> 00:58:53,840
Speaker 1: Come on, I'm just saying I'm just saying that. Uh,

975
00:58:53,920 --> 00:58:56,080
Speaker 1: and and and the thing about Trump getting him out.

976
00:58:57,560 --> 00:58:59,760
Speaker 1: He goes on Twitter while the kids are still on

977
00:58:59,800 --> 00:59:04,240
Speaker 1: the fucking plane from China. Yeah, they're still on the

978
00:59:04,320 --> 00:59:06,960
Speaker 1: plane from China, and he's and he's on Twitter asking

979
00:59:07,440 --> 00:59:10,840
Speaker 1: for them to apologize. I'm asking for them to say

980
00:59:10,920 --> 00:59:13,760
Speaker 1: thank you. These are nineteen year ol kids. They probably

981
00:59:13,760 --> 00:59:15,920
Speaker 1: had the ship scared at him. They're still on the plane.

982
00:59:16,200 --> 00:59:19,280
Speaker 1: He's like, you you you should say thank you. And

983
00:59:19,320 --> 00:59:23,520
Speaker 1: then when they said thank you, and then LaVar Ball

984
00:59:23,600 --> 00:59:27,120
Speaker 1: came back and you know said what I just said,

985
00:59:27,160 --> 00:59:29,400
Speaker 1: basically saying like he didn't have anything to do with it,

986
00:59:29,480 --> 00:59:30,880
Speaker 1: or he didn't have as much to do it as

987
00:59:30,880 --> 00:59:37,440
Speaker 1: he's saying. Alla allah. Trump tweets again, I should have

988
00:59:37,560 --> 00:59:40,200
Speaker 1: left him in jail, But what he wanted to say

989
00:59:40,440 --> 00:59:46,840
Speaker 1: was I should have left their black asses in jail. Hey,

990
00:59:47,200 --> 00:59:51,360
Speaker 1: economy is doing well, has been doing well. That ain't

991
00:59:51,400 --> 00:59:54,320
Speaker 1: that ain't from him? Two terms from Mr Trump, but

992
00:59:54,360 --> 00:59:58,040
Speaker 1: they will attribute it. It would be attributed to to

993
00:59:58,320 --> 01:00:03,120
Speaker 1: Mr Trump out, just like the economy was doing well Obama.

994
01:00:03,160 --> 01:00:07,320
Speaker 1: They didn't attribute ship to Obama. Well what what what?

995
01:00:07,320 --> 01:00:12,800
Speaker 1: What's the what's the one fucking factor? He won't be

996
01:00:12,840 --> 01:00:16,240
Speaker 1: two terms. There's no way he'll make it all right,

997
01:00:18,080 --> 01:00:20,720
Speaker 1: There's no way he will make it. Him and his

998
01:00:20,800 --> 01:00:26,320
Speaker 1: crew are dropping like flies. Uh. You gotta admire a guy.

999
01:00:26,280 --> 01:00:29,160
Speaker 1: You may not like the politics and all that, but

1000
01:00:29,280 --> 01:00:32,560
Speaker 1: you gotta admire a guy who's standing right there, taking

1001
01:00:32,600 --> 01:00:38,800
Speaker 1: all his shots and still still being himself and telling

1002
01:00:38,800 --> 01:00:43,280
Speaker 1: it like it is. He's tweeting about marsha Lynch. This

1003
01:00:43,400 --> 01:00:47,040
Speaker 1: guy's a fucking joke. He tweeted about Marshawn Lynch not

1004
01:00:47,280 --> 01:00:50,320
Speaker 1: standing for the anthem, and he's like, you know what

1005
01:00:50,400 --> 01:00:52,440
Speaker 1: it is all is? You know that Trump tried to

1006
01:00:52,480 --> 01:00:56,240
Speaker 1: buy the Buffalo bills I think in two thousand fourteen, yea,

1007
01:00:56,840 --> 01:00:59,240
Speaker 1: and the NFL wouldn't let him. He got a herd

1008
01:00:59,320 --> 01:01:03,120
Speaker 1: on for the buff flow for for the NFL. So

1009
01:01:03,200 --> 01:01:05,520
Speaker 1: he got him over a barrel. Now you don't really

1010
01:01:05,600 --> 01:01:07,560
Speaker 1: have him over a barrel. No one cares. And he's

1011
01:01:07,560 --> 01:01:09,880
Speaker 1: talking about the ratings are good, The ratings are great

1012
01:01:09,920 --> 01:01:14,880
Speaker 1: in the NFL. They're great. This guy'll say anything to

1013
01:01:14,880 --> 01:01:17,800
Speaker 1: to to try to, you know, prove his point. He

1014
01:01:17,840 --> 01:01:21,680
Speaker 1: doesn't care. He's moral less. You know who else is

1015
01:01:21,720 --> 01:01:24,040
Speaker 1: moral list And this is gonna be a great segue

1016
01:01:24,040 --> 01:01:27,640
Speaker 1: into the sick funk of the Week. This award is earned,

1017
01:01:27,800 --> 01:01:31,440
Speaker 1: not given. It's called being sick fucking a week. This

1018
01:01:31,520 --> 01:01:34,400
Speaker 1: guy is really sick. Lock him up? How could you

1019
01:01:34,520 --> 01:01:38,080
Speaker 1: do it? Don't let him out? Damn when you fuck

1020
01:01:38,160 --> 01:01:40,720
Speaker 1: the door, you want you fuck the door? Why would

1021
01:01:40,720 --> 01:01:45,080
Speaker 1: he fuck the dog? Why would you fuck your girlfriend's dog? What?

1022
01:01:45,400 --> 01:01:49,760
Speaker 1: Sick fuck? The sick funck of the week, it's earned, earned,

1023
01:01:50,080 --> 01:01:59,800
Speaker 1: not giving. You did what? No, no, no, yes, this

1024
01:02:00,000 --> 01:02:02,480
Speaker 1: a sick funk of the Week segment. Is is is an

1025
01:02:02,520 --> 01:02:04,960
Speaker 1: award that is not given. This an award that has

1026
01:02:05,040 --> 01:02:13,440
Speaker 1: earned not given West Goodman, oh West Goodman, who is

1027
01:02:13,480 --> 01:02:21,919
Speaker 1: the Republican state legislator for Ohio, conservative Christian values right

1028
01:02:22,120 --> 01:02:27,880
Speaker 1: wing legislator pushed family values. Trump guy, one of the

1029
01:02:27,880 --> 01:02:32,640
Speaker 1: most uh, one of the most frontline guys are anti

1030
01:02:32,800 --> 01:02:41,680
Speaker 1: gay YEP was reportedly witnessed having sex with a man

1031
01:02:42,720 --> 01:02:48,520
Speaker 1: inside his office Couldn't Wait, who was not employed by

1032
01:02:48,560 --> 01:02:57,600
Speaker 1: the legislator day shame, embarrassment. I don't care if you're

1033
01:02:57,640 --> 01:03:00,280
Speaker 1: gay or not. But if you are on the front

1034
01:03:00,280 --> 01:03:04,320
Speaker 1: lines of being anti gay, anti l g b t Q,

1035
01:03:05,200 --> 01:03:09,280
Speaker 1: good for you. I wonder was he taking or receiving

1036
01:03:09,600 --> 01:03:15,320
Speaker 1: I don't care. This is sweet, sweet irony, sweet justice

1037
01:03:15,400 --> 01:03:20,400
Speaker 1: that this happened. Yes, yes, it's an indicator of of

1038
01:03:20,560 --> 01:03:26,520
Speaker 1: this is when gods like this run campaigns on how

1039
01:03:26,720 --> 01:03:30,320
Speaker 1: they are anti gay and this and that without any

1040
01:03:30,440 --> 01:03:34,240
Speaker 1: type of you know, provoking from the gay community, just

1041
01:03:34,320 --> 01:03:39,200
Speaker 1: attacking them, then that's an that's indicative of what we

1042
01:03:39,480 --> 01:03:42,320
Speaker 1: just But what you just spoke about, I mean, what

1043
01:03:42,680 --> 01:03:47,520
Speaker 1: is your problem. This is a part of your political agenda.

1044
01:03:47,880 --> 01:03:51,120
Speaker 1: So now you might as well come out and embrace

1045
01:03:51,200 --> 01:03:57,120
Speaker 1: that community that you lambasted. Embrace it because you're engaging

1046
01:03:57,160 --> 01:03:59,280
Speaker 1: in it. So and you know what, you know what.

1047
01:03:59,520 --> 01:04:02,480
Speaker 1: I don't know much, but I will say this, the

1048
01:04:02,640 --> 01:04:06,360
Speaker 1: LGBTQ community are some of the most compassionate people because

1049
01:04:06,360 --> 01:04:09,320
Speaker 1: they've been all They've all been ostracized, they've all dealt

1050
01:04:09,880 --> 01:04:17,440
Speaker 1: severe shame, embarrassment, humiliation, and and and and and uh

1051
01:04:17,600 --> 01:04:25,160
Speaker 1: what's the word um injustices? Yeah, and prejudices. I guarantee

1052
01:04:25,160 --> 01:04:28,919
Speaker 1: you they would embrace this fucking sick fuck. They're gonna

1053
01:04:28,920 --> 01:04:32,120
Speaker 1: embrace the more than the Iron Reports stereo podcast. Look, duke,

1054
01:04:32,640 --> 01:04:38,440
Speaker 1: we're not embracing you, d LGBT community. They will embrace

1055
01:04:38,520 --> 01:04:43,000
Speaker 1: you because they're compassionate people. We're just calling you a

1056
01:04:43,120 --> 01:04:48,280
Speaker 1: sick fuck word. Accept your truth. Go with your man.

1057
01:04:48,800 --> 01:04:52,320
Speaker 1: Divorce your wife. Go with your man that you was

1058
01:04:52,400 --> 01:04:54,880
Speaker 1: wearing out in the office. Go to Thailand. Get it

1059
01:04:54,920 --> 01:04:58,400
Speaker 1: popping man, get your vogue on, do your thing. Divorce

1060
01:04:58,480 --> 01:05:02,240
Speaker 1: your wife, you know, let her, let her be free,

1061
01:05:02,320 --> 01:05:05,280
Speaker 1: let her live her life with with a man who

1062
01:05:05,360 --> 01:05:08,560
Speaker 1: understands who he is. You obviously didn't understand you was,

1063
01:05:08,840 --> 01:05:11,040
Speaker 1: and and and come out of the closet. There's a

1064
01:05:11,160 --> 01:05:15,760
Speaker 1: there's there's plenty of people in the LGBT community, l

1065
01:05:15,800 --> 01:05:18,640
Speaker 1: g b t Q community that will embrace you with

1066
01:05:18,760 --> 01:05:22,760
Speaker 1: love and open arms sincerely and totally understand the shame

1067
01:05:22,840 --> 01:05:26,440
Speaker 1: that you had and forgive you for being such a

1068
01:05:26,440 --> 01:05:29,520
Speaker 1: fuck again. I just have to say, we're not gonna

1069
01:05:29,720 --> 01:05:33,560
Speaker 1: forgive you over here and there's a caveat to the story.

1070
01:05:35,400 --> 01:05:38,960
Speaker 1: He he They found he was sucking with at least

1071
01:05:39,040 --> 01:05:46,520
Speaker 1: forty men. Of course, Oh snap chatting picked up his pipe. Yo,

1072
01:05:46,640 --> 01:05:49,040
Speaker 1: what kind of guys this yo? Come out and run

1073
01:05:49,040 --> 01:05:54,280
Speaker 1: on a l G B t Q ABC run. We're

1074
01:05:54,360 --> 01:05:58,480
Speaker 1: run on that ship now, exactly exactly. You might get

1075
01:05:58,480 --> 01:06:01,280
Speaker 1: elected in twenty years if you if you come to

1076
01:06:01,400 --> 01:06:03,960
Speaker 1: terms of who you are, and you make amends for

1077
01:06:04,040 --> 01:06:06,040
Speaker 1: all the ship that you've said and all that the

1078
01:06:06,160 --> 01:06:09,440
Speaker 1: lying and fairy tales you pushed out there in the world.

1079
01:06:09,920 --> 01:06:14,080
Speaker 1: Make the world a better place. Yeah, that's your opportunity

1080
01:06:14,080 --> 01:06:15,760
Speaker 1: to make the world a better place because you've been

1081
01:06:15,760 --> 01:06:18,720
Speaker 1: living a lie. You fuck you? Ye shame't you? Shame

1082
01:06:18,800 --> 01:06:22,280
Speaker 1: your whole family? You shame that gay community? You part

1083
01:06:22,280 --> 01:06:24,200
Speaker 1: of it? What the fund is you doing? Yeah? Who

1084
01:06:24,240 --> 01:06:28,760
Speaker 1: can you leave these people alone? Were another sick fuck?

1085
01:06:28,840 --> 01:06:36,600
Speaker 1: Conservative State Senator Ralph Shorty. Ralph Shorty, Now, if you

1086
01:06:36,720 --> 01:06:38,960
Speaker 1: never heard the term. It's an old school term called

1087
01:06:39,080 --> 01:06:42,480
Speaker 1: short eyes. Look up the term short eyes. It's a

1088
01:06:42,600 --> 01:06:46,120
Speaker 1: term they use in prison for child molesters. This child

1089
01:06:46,200 --> 01:06:51,560
Speaker 1: molester Ralph Shorty. And there's nothing funny about this. There's

1090
01:06:51,600 --> 01:06:54,640
Speaker 1: nothing funny about Ralph Shorty being an actual short eyes

1091
01:06:54,920 --> 01:07:00,000
Speaker 1: conservative state senator who once wanted to be a missionary,

1092
01:07:01,520 --> 01:07:08,200
Speaker 1: was accused, pleaded guilty. And this guy is Trump, a

1093
01:07:08,280 --> 01:07:17,200
Speaker 1: Trump campaign coordinator. Oh man, he set everything up. Sex

1094
01:07:17,280 --> 01:07:21,360
Speaker 1: trafficking of a minor carries a minimum sentence of ten

1095
01:07:21,760 --> 01:07:26,040
Speaker 1: years in prison, but Shorty could be sent to life

1096
01:07:26,200 --> 01:07:31,280
Speaker 1: in prison for the offense. The hearing goes down two eighteen.

1097
01:07:31,680 --> 01:07:37,600
Speaker 1: This is a true sick man with kids engaging in

1098
01:07:37,720 --> 01:07:47,280
Speaker 1: child prostitution, transporting a minor for prostitution, engaging in prostitution

1099
01:07:47,360 --> 01:07:51,600
Speaker 1: within a thousand feet of a church. You sick fucking man?

1100
01:07:52,640 --> 01:07:56,000
Speaker 1: Why why why a trial? See this ship? You put

1101
01:07:56,040 --> 01:08:01,600
Speaker 1: this ship in the paper? I believe that, Yo, Why

1102
01:08:02,080 --> 01:08:07,640
Speaker 1: even a trial? You don't deserve a trial? Kids, Okay,

1103
01:08:07,680 --> 01:08:10,040
Speaker 1: I mean just this is this guy is in that

1104
01:08:10,080 --> 01:08:14,400
Speaker 1: administration now, oh no, he's in fucking jail. He probably

1105
01:08:14,440 --> 01:08:17,320
Speaker 1: already got that wonder bread bag treatment. He's gonna get

1106
01:08:17,400 --> 01:08:19,479
Speaker 1: that wonder bread bag in olive oil treatment for the

1107
01:08:19,520 --> 01:08:24,599
Speaker 1: rest of his life. Oh yeah, oh yes, these guys

1108
01:08:24,600 --> 01:08:26,719
Speaker 1: are sick out of here. Oh this is a real

1109
01:08:26,880 --> 01:08:32,080
Speaker 1: sick fuck. Yes, yes, another sick funk. We got this

1110
01:08:32,120 --> 01:08:35,519
Speaker 1: from the Daily Mail. This is the sick funk of

1111
01:08:35,520 --> 01:08:43,320
Speaker 1: the week manifesto. Uh. This man in China had a

1112
01:08:43,400 --> 01:08:48,880
Speaker 1: padlock stuck in his bladder after inserting it in his penis. Wait,

1113
01:08:48,960 --> 01:08:50,720
Speaker 1: I have to I have to stop. Is this a

1114
01:08:50,760 --> 01:08:55,000
Speaker 1: sick funk or dumb fuck? Hey he's sick. Why do

1115
01:08:55,080 --> 01:08:57,280
Speaker 1: you put a little padlock in you in your little

1116
01:08:57,640 --> 01:09:01,720
Speaker 1: your little fortune cookie, my man. Yeah, he's trying to

1117
01:09:01,720 --> 01:09:07,719
Speaker 1: get his ship more, trying to get a little more harder. Yo,

1118
01:09:08,000 --> 01:09:11,960
Speaker 1: this guy is sick, and yeah they need to I

1119
01:09:12,000 --> 01:09:13,519
Speaker 1: wish I wish it would have got cut off. I

1120
01:09:13,520 --> 01:09:16,280
Speaker 1: wish the doctors would have said, oh, we can't save this.

1121
01:09:17,840 --> 01:09:26,599
Speaker 1: That's what you get. Finally, a Colombian teacher, another sick fuck,

1122
01:09:26,920 --> 01:09:29,759
Speaker 1: threatened to fail her students. It's a forty year old woman,

1123
01:09:30,240 --> 01:09:34,679
Speaker 1: very attractive. She threatened to uh to fail her students,

1124
01:09:35,280 --> 01:09:37,920
Speaker 1: the young boys, and if they did not have sex

1125
01:09:38,000 --> 01:09:44,960
Speaker 1: with her. Now she's facing forty years in jail. Damn,

1126
01:09:45,280 --> 01:09:48,920
Speaker 1: this is a nut job too. And and these casts

1127
01:09:48,960 --> 01:09:52,200
Speaker 1: are seventeen sixty. Man, damn, this is a sick Oh.

1128
01:09:52,479 --> 01:09:57,160
Speaker 1: But she's like forcing him to do it. Yeah, Yo,

1129
01:09:57,280 --> 01:10:01,639
Speaker 1: what's going on? I don't know why. It's a common theme. Gee, listen,

1130
01:10:01,880 --> 01:10:03,640
Speaker 1: you you need to you need to work on the

1131
01:10:03,680 --> 01:10:06,320
Speaker 1: Wonder bread Bag and Olive Oil theme song because this

1132
01:10:06,400 --> 01:10:09,720
Speaker 1: is like a common thing. Yeah, we've we've been doing

1133
01:10:09,760 --> 01:10:12,240
Speaker 1: it for years with this ship. All right, So we're

1134
01:10:12,240 --> 01:10:16,360
Speaker 1: gonna we're gonna make some good music for that. Um.

1135
01:10:16,479 --> 01:10:20,200
Speaker 1: I don't know what else. It's the holiday season coming up. UM,

1136
01:10:20,240 --> 01:10:22,479
Speaker 1: I can tell you we have some great podcast coming up.

1137
01:10:22,479 --> 01:10:26,040
Speaker 1: We got Muggsy Bogues, we got Matt Bournes, we got

1138
01:10:26,040 --> 01:10:33,880
Speaker 1: Bradley Beal. We're not playing games, all right, We're not

1139
01:10:33,920 --> 01:10:37,320
Speaker 1: playing games. It's the Iron rapp Reports Stereo Podcast, d

1140
01:10:37,479 --> 01:10:42,479
Speaker 1: worldwide phenomenon. I want to thank Mark Ruffalo again for

1141
01:10:42,600 --> 01:10:47,160
Speaker 1: joining the Iron Rapport Stereo Podcast. It was dope it

1142
01:10:47,320 --> 01:10:50,040
Speaker 1: was some actor's studio ship, but it wasn't. The actor's

1143
01:10:50,040 --> 01:10:53,840
Speaker 1: studio is the Iron Rapports Stereo Podcast. Uh my name

1144
01:10:53,880 --> 01:10:58,320
Speaker 1: is Michael Rapport, a K. Michael Rapper crap uh G Moody.

1145
01:10:58,400 --> 01:11:01,599
Speaker 1: Last name rhymes with duty. Two thousand fifteen. Two thousand

1146
01:11:01,680 --> 01:11:04,559
Speaker 1: sixteen podcast Coast of the Year. What can I say?

1147
01:11:04,600 --> 01:11:08,519
Speaker 1: We've done, have a healthy, happy Thanksgiving, enjoy yourself. We

1148
01:11:08,680 --> 01:11:09,759
Speaker 1: out out