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Speaker 1: Too much information is a production of I heart radio.

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Speaker 1: Hello everyone, and welcome to too much information, the show

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Speaker 1: that brings you the little known facts and secret histories

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Speaker 1: behind your favorite movies, music, TV shows and more. We

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Speaker 1: are your teen idols of Trivia, your Danny Zukos of

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Speaker 1: the deep dive, serving up facts and stories faster than

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Speaker 1: grease lightning. My name is Jordan run tug and I'm

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Speaker 1: Alex Agle. And today, folks, Greece is the word. Yes, we're,

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Speaker 1: in the midst of our week, paying tribute to my

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Speaker 1: beloved Olivia Newton John by exploring the making of her

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Speaker 1: two most beloved movies. We're taking a look at the

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Speaker 1: roller disco extravagance as Zanna do, a famous flop which

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Speaker 1: has gone on to become a cult classic. Greece, on

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Speaker 1: the other hand, was a success on pretty much every

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Speaker 1: metric imaginable. For decades. It was the biggest movie musical

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Speaker 1: of all time. It's soundtrack is one of the best

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Speaker 1: selling albums of all time, it's loved by multiple generations

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Speaker 1: and its popularity is showing no signs of the finishing.

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Speaker 1: It was the apex of the Seventies Obsession with the fifties,

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Speaker 1: which had become a sort of false memory in the

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Speaker 1: popular consciousness, transformed from an actual time period into a

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Speaker 1: mythic glory era, romanticized beyond all recognition by those who

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Speaker 1: had survived the tumult of the sixties. It was a fantasy,

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Speaker 1: plain and simple. There's the fifties as they existed and

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Speaker 1: the fifties as they're portrayed, and things like grease, happy

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Speaker 1: days and back to the future, and I personally was

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Speaker 1: totally taken by the fantasy as a kid, and I've

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Speaker 1: talked about this on this show many times. I love

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Speaker 1: my mid century Americana Kitchen and Greece is the gold

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Speaker 1: standard of that. What do you think of this movie?

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Speaker 1: I don't give it about. No, I know, I mean

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Speaker 1: it's it's I don't know, it's it's a great it's

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Speaker 1: great on its own merits. I just I was thinking

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Speaker 1: about this earlier. I don't really like the fifties. Um,

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Speaker 1: that scans. Yeah, I don't. I'm sorry. I don't really

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Speaker 1: like rock and roll until it starts bastardizing the blues.

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Speaker 1: I think. I just and to me all this stuff,

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Speaker 1: like the whole fifties culture that comes from, like the

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Speaker 1: teen idols and like Doo wop and like Rockabilly, just

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Speaker 1: the least interesting Arrow of it to me, unless we're

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Speaker 1: talking like really weird like country Shack Rockabilly, like Hazel

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Speaker 1: Adkins Jackson. Yeah, yeah, that's kind of it. I don't know,

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Speaker 1: I don't, I don't, I don't care. Nice, like it's

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Speaker 1: nice jackets. Okay, the cars were good. The cars were good. Yeah,

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Speaker 1: all right, I'll allow you that Greece is corny and tacky.

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Speaker 1: But Greece is extra special to me because we did

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Speaker 1: it as the spring musical at my high school, which

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Speaker 1: allowed me to live out my fifties fantasies with all

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Speaker 1: my friends, and that was such a great time. I

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Speaker 1: was Vin Spontane, naturally, and uh, it was just the best.

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Speaker 1: We would have dance parties in between rehearsals, dressed up

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Speaker 1: as a bunch of fifties kids and yeah, I loved it.

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Speaker 1: You know, rarely is one able to live out such

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Speaker 1: a specific fantasy so perfectly, but I was able to.

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Speaker 1: And I was a junior and most of my friends

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Speaker 1: were seeing years and they were all about to graduate

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Speaker 1: right after the play. And so when we all saying,

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Speaker 1: you know, we'll always be together at the end of

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Speaker 1: the we go together song, everybody was like getting choked up.

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Speaker 1: It was very sweet. So I always have a very

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Speaker 1: special place in my heart for this show because of that,

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Speaker 1: that personal moment for me. In a very funny way,

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Speaker 1: I feel like I was a graduate of Riddell High School.

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Speaker 1: So shout out to the show. But Drama Society, two

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Speaker 1: thousand five editions. Um. But even if you aren't a

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Speaker 1: freak like me, I'm not surprised that people have such

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Speaker 1: a soft spot for this movie. In addition to the

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Speaker 1: great songs, it's a movie about first first love, first heartbreak,

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Speaker 1: first car. It's hard not to connect to it, unless

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Speaker 1: you're Alex Hegel Um. It's it's a lot of fun.

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Speaker 1: Come on, and I can't wait to talk about it.

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Speaker 1: I thought I was pumped for Austin powers, but this

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Speaker 1: might be my favorite episode yet, I have to say well,

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Speaker 1: from the surprisingly gritty and Raunchy stage play to the

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Speaker 1: x rated cartoon version of Greece, we almost got the

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Speaker 1: musical number that indirectly killed Knickie, to the theme song

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Speaker 1: that caused a standoff between the rector and the head

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Speaker 1: B g. The time we almost had fonzie and Princess Leiah,

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Speaker 1: as the leads, not to mention a porn star, to

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Speaker 1: the time that Britney Spears films are most iconic video

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Speaker 1: at right l high, plus all the hilariously homemade ways

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Speaker 1: they tried to age down these thirty year olds playing

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Speaker 1: high schoolers, and also the hilariously tight pants that Oliva

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Speaker 1: Newton John got sewn into. Here's everything you didn't know

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Speaker 1: about Greece. The global phenomenon of Greece began as a

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Speaker 1: theatrical production held in a Chicago Trolley Bar in ninety one,

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Speaker 1: which was supposed to only run for four nights. That

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Speaker 1: must be an all time ratio of planned production. To

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Speaker 1: shelf life exactly. It was written by Jim Jacobs and

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Speaker 1: Warren Casey, who were two guys who met in an

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Speaker 1: amateur theater group in the late sixties, and both these

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Speaker 1: guys were children of the fifties, and Jim Jacobs in

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Speaker 1: particular embrace the whole leather jacketed greaser subculture as rough

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Speaker 1: Chicago high school. These guys bonded over the love of

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Speaker 1: Doo wop, which was definitely not cool in the late sixties.

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Speaker 1: I mean this was a period when the world was

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Speaker 1: on fire. There was unrest due to the Vietnam conflict,

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Speaker 1: civil rights upheaval, political assassinations, the generational divide. This is

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Speaker 1: when we insert our stock footage, montage of people fortunate.

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Speaker 1: The jungles were fortunate, son or all along the watch tower. Yeah,

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Speaker 1: the carefree, relatively innocent world of the late fifties, which

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Speaker 1: was just ten years earlier. It felt like a completely

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Speaker 1: different world now. Music was supposed to be heavy, you know,

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Speaker 1: and distored in, laden with all kinds of meaning. Bob Dylan,

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Speaker 1: the Beatles, Jefferson airplane, all that stuff. This was miles

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Speaker 1: away from Rama, Emma Ding Dong, and these guys, Jim

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Speaker 1: Jacobs and Warren Casey, really kind of tired of this.

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Speaker 1: They wanted music that was fun. At parties they'd grab

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Speaker 1: guitars and do hopelessly pass a songs like teenager and

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Speaker 1: love by Dion and the Belmonts and feminisce about the

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Speaker 1: world they grew up in that no longer existed. And

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Speaker 1: it was from these late night do op sessions that

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Speaker 1: Jacobs and Casey first came up with the idea for

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Speaker 1: Greece and, speaking to the outlet the Buffalo News back

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Speaker 1: in two Jim Jacobs called it quote, one of those

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Speaker 1: pipe dreams you have when you're half in the bag

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Speaker 1: at a party. We're sitting around in my apartment in

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Speaker 1: like nineteen sixty nine at some cast party of a show.

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Speaker 1: Around one in the morning. There were still a few

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Speaker 1: old potheads laying around passed out on the floor. I

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Speaker 1: was sick and tired of listening to led Zeppelin or

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Speaker 1: whatever the Hell I had on the record player and

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Speaker 1: I dug out some of my old forty five. That

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Speaker 1: was the humble beginnings of Greece, Dion and the Belmont's,

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Speaker 1: little Richard and the five Satin's, I said, the war

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Speaker 1: and man, wouldn't that be a gas to do a

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Speaker 1: Broadway show using this kind of music instead of the

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Speaker 1: traditional Brigadoo and Oklahoma stuff that we know? And the

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Speaker 1: two had a bit of an argument about it. Apparently

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Speaker 1: Warren Casey said you can't have nostalgia. That was only

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Speaker 1: ten years ago, but Jacobs made a point. Yeah, but

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Speaker 1: in that ten years look what's happened. Before naming all

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Speaker 1: the points I did a minute ago of Vietnam, racial

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Speaker 1: unrest in the feminist movement and generational divide and all that,

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Speaker 1: did that guy lived to see buzzfeed. Yeah, it's just

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Speaker 1: a really interesting sentiment to me because it makes you

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Speaker 1: realize that cultural trends and shifts don't occur at a

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Speaker 1: static rate over time, but it fits and starts and

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Speaker 1: there are some eight year spans where it seems like

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Speaker 1: culture was largely unchanged. I mean, I don't see a

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Speaker 1: huge amount of difference between like n one and nineteen

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Speaker 1: eighty nine, but if you look at clips of the

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Speaker 1: Beatles coming off that plane in nineteen sixty four and

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Speaker 1: all the shorthaired kids screaming at them, and then you

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Speaker 1: flash forward to eight years later in nineteen seventy two,

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Speaker 1: with the changes in styles and values, it's really extreme.

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Speaker 1: And you know, I don't think it's a stretch to

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Speaker 1: say that we're living in a shift like that right now.

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Speaker 1: I think this is a very different world than at

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Speaker 1: least socially, you know, with me too, and trump and

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Speaker 1: the pandemic and black lives matter movement. It's you do

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Speaker 1: sort of see that comes and goes in these very

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Speaker 1: concentrated periods of change Um, and I think we as

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Speaker 1: a culture pick up on these shifts intuitively, even when

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Speaker 1: the chronological time period isn't really that long and it

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Speaker 1: makes us nostalgic for, you know, the quote unquote, good

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Speaker 1: old days, even when they were relatively recent. Some of

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Speaker 1: this is generational, you know, people grow up, they become

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Speaker 1: adults and then they mythologized the period when they were kids,

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Speaker 1: and so because of that you always have nostalgia movies

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Speaker 1: and shows until the end of time. You know, happy days,

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Speaker 1: wonder years, pen fifteen, all that stuff. But I think

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Speaker 1: this phenomenon is intensified during periods of intense cultural shifts,

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Speaker 1: and that's what's going on in the early Seventies. After

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Speaker 1: the tumult of the sixties. People look back at the

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Speaker 1: fifties with rose colored glasses, which you know, to a

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Speaker 1: certain extent, is pretty inaccurate, because the fifties were no

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Speaker 1: picnic either. I mean you had kids in elementary schools

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Speaker 1: thinking that the world was gonna get blown away a

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Speaker 1: boy the Russians and hiding under desks. So I mean

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Speaker 1: it was you know, there was a tension then too,

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Speaker 1: but after the sixties it all looked a lot, a

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Speaker 1: lot easier, a lot more predictable, and this was the

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Speaker 1: feeling that would inspire George Lucas to make American graffiti

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Speaker 1: in nineteen seventy three, which was a fun look back

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Speaker 1: at his youth in the early sixties, before JFK was killed,

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Speaker 1: before long hair is invaded from Liverpool and the world

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Speaker 1: just seems safer and smaller. And American graffiti opened the

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Speaker 1: floodgates for a whole wave of fifties and early sixties nostalgia,

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Speaker 1: happy days on TV, the beach boys going multi platinum

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Speaker 1: with the greatest hits album and selling out stadiums and

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Speaker 1: ultimately setting the groundwork for the film version of Greece

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Speaker 1: to become a global phenomenon. And I recently did a

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Speaker 1: little fought experiment where I did the math on the

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Speaker 1: number of years between when a nostalgia movie was released

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Speaker 1: and the year it was set and then I converted

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Speaker 1: that too. So in this case, Greece was released in

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Speaker 1: but it was set in nineteen fifty nine, so that's

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Speaker 1: nineteen years. So grease were made. Today it will be

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Speaker 1: set in two thousand three, which I'm kind of into.

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Speaker 1: And I did this with a bunch of shows and

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Speaker 1: movies and put it on twitter and I got a

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Speaker 1: lot of really interesting reactions and a lot of people

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Speaker 1: were like, you know, no, why did you do this?

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Speaker 1: This ruined my day. Now I feel old, which was

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Speaker 1: not my intention, but I just thought it was really

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Speaker 1: interesting to put these time periods into contemporary context to

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Speaker 1: see how they resonate with people today. Some of them

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Speaker 1: did and some of them didn't. I mean American graffiti,

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Speaker 1: which is sort of the Big Bang of boomer nostalgia

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Speaker 1: in many ways, was released in nineteen seventy three and

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Speaker 1: set in nineteen sixty two. So today American graffiti would

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Speaker 1: be set in two thousand eleven, which, you know, kind

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Speaker 1: of resonates with me a time before a lot of

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Speaker 1: the socio political upheaval and general bad stuff like the

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Speaker 1: pandemic that we've been going through recently. Um, you know,

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Speaker 1: in a funny way, I do look back at eleven

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Speaker 1: with kind of rose colored glasses. It seems almost quainet.

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Speaker 1: It's a time when a certain segment of the population thought,

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Speaker 1: you know, naively, that things were getting better and would

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Speaker 1: continue to get better. M and that what's not the case.

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Speaker 1: But again, fits and starts. So yeah, I just thought

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Speaker 1: that was interesting. Anyway, this was the climate in which

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Speaker 1: Jim Jacobs and his partner were in Casey, began writing

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Speaker 1: their play grease, and it was the first show that

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Speaker 1: either of them have written, which ys job. They wrote

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Speaker 1: the book and the Music Too, which is insane. And

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Speaker 1: the title grease was a riff on hair, which was

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Speaker 1: the Broadway show that was probably the most iconic Broadway

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Speaker 1: show of the sixties. It builled itself as the American

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Speaker 1: tribal love rock musical and it just helped define the

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Speaker 1: free love era on stage. Nudity and songs like the

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Speaker 1: age of Aquarius, I mean literally a song from hair,

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Speaker 1: is what gave the mythical sixties its name. You know

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Speaker 1: the age of Aquarius Um and remember your hairstyle in

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Speaker 1: this era was a very potent cultural signifier, a declaration

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Speaker 1: of rebellion, of independence from old, outdated social mores. So hair.

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Speaker 1: There's a lot tied up in that. So the title

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Speaker 1: grease was a really clever hair related reaction to that. Hair.

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Speaker 1: Grease Grease for Card Grease and hot rod culture and

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Speaker 1: Greece for Greasy Diner food. It's a clever title. Is

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Speaker 1: a lot wrapped up on that one. Where Jim Jacobs

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Speaker 1: again considered himself a big part of the greaser culture

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Speaker 1: when he was in high school growing up in Chicago.

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Speaker 1: In the late fifties. So these guys wrote about their

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Speaker 1: past and the kids that they knew back then. And again.

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Speaker 1: Greece is set in nineteen fifty nine and the fictional

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Speaker 1: rdel high school named after the fifties teen idol bobby

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Speaker 1: right Al, and the middle class goody two shoes character

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Speaker 1: of sandy supposedly based on Jim Jacob's classmate Donna Mills,

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Speaker 1: who went on to become a TV star on the

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Speaker 1: show knots landing, which is a spinoff of the Primetime

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Speaker 1: Soap Opera Dallas. Um. I've actually never heard of him

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Speaker 1: talk about that, but she's claimed that she's the inspiration

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Speaker 1: for Sandy. So the plot of the stage production is

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Speaker 1: extremely different from the movie we know and love. It's

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Speaker 1: framed as a high school reunion in the then present

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Speaker 1: day of the early seventies, and then the stories told

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Speaker 1: as a flashback via Eugene the school nerd, and the

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Speaker 1: play is way more gritty and Raunchy and vulgar than

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Speaker 1: the movie. Again, the play took place on the mean

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Speaker 1: streets of Chicago. The dialogue is absolutely lace with profanity.

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Speaker 1: The greasers carry switchblaze, which returned into combs in the movie,

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Speaker 1: and this is an incredible detail, I think Rizzo had

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Speaker 1: a church key around her neck that she used to

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Speaker 1: slash people. Well, Church gave, for those of you who

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Speaker 1: don't necessarily know, is the it's like a beer bottle opener.

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Speaker 1: It's not an actual church key. Right, Oh really? Oh,

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Speaker 1: I didn't see. I'm too naive for all this. I

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Speaker 1: thought it was a literal church key. So, yeah, that's

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Speaker 1: what my parents actually I always called I didn't. Yeah,

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Speaker 1: it sounds like a Catholic name to me. So, yeah,

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Speaker 1: it's Oh, what's resoltly? Right? Yeah, I think so. Yeah, exactly. Well,

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Speaker 1: that's disappointing, but the point stands much grittier than the movie.

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Speaker 1: I also just looked up. There's a Chicago reader article

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Speaker 1: from two thousand eleven. It is a church key in

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Speaker 1: the beer opening sense. Um Jim Jacobs talking about the

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Speaker 1: pink ladies, apparently a real gang, talks about them hiding

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Speaker 1: razor blades and their hair, their teased hair. Well, that

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Speaker 1: was a classic thing that you would put razor blades

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Speaker 1: in your jacket lapel. So when gangs would try to

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Speaker 1: grab you and like lift you up by your shirt,

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Speaker 1: Lapel's there. You're jacket yeah, I would. It would slice

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Speaker 1: their fingers, which is GRO tesque. Yeah, told me that.

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Speaker 1: You actually, bringo start told me that when I was

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Speaker 1: interviewing them. The gangs in Liverpool used to do that.

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Speaker 1: That's wild. So that's a good thing you can still

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Speaker 1: drum man. Yeah, right, good Lord. Anyway, the play Grease

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Speaker 1: opened on February five n one at the Kingston Mines

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Speaker 1: Theater Company, which was a disused trolley Bart in Chicago.

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Speaker 1: Talk about humble beginnings. Yeah, Damn. And they planned for

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Speaker 1: it to run for four nights, two weekend performances, but

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Speaker 1: the unexpected reaction led to it continuing for a months.

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Speaker 1: And this original cast featured an unknown Mary Lou Henner

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Speaker 1: as one of the pink ladies, Marty, and that's funny

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Speaker 1: to me because she would go on the star with

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Speaker 1: Jeff Conaway, who played knicky in the series. Taxi and

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Speaker 1: Greece made its way to Broadway a year later, in

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Speaker 1: nineteen seventy two. It was nominated for a Tony and

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Speaker 1: it ultimately ran for eight years, breaking the record for

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Speaker 1: the longest running show at the time. And it's funny.

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Speaker 1: It was never a huge hit, but it had really

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Speaker 1: low overhead, so they just kept it going and the

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Speaker 1: role of Danny Zuko was originated on Broadway by Barry

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Speaker 1: Bostwick of the rocky horror picture show fame and years

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Speaker 1: later Spin City and other replacement Broadway Danny's included Patrick Swayzey,

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Speaker 1: Peter Gallagher, the dad from the O, c Richard Gere,

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Speaker 1: who was an understudy for a bunch of roles, but

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Speaker 1: mainly Danny, treat Williams and Jeff Conaway, who would go

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Speaker 1: on to play Nicky in the movie version. Barry Pearl

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Speaker 1: Played Sonny in the musical before starring as duty in

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Speaker 1: the film version, and Jay Me Donnelly Played Jan one

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Speaker 1: of the pink ladies, both on stage and in the film.

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Speaker 1: And the play also featured a very, very young John

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Speaker 1: Travolta as an alternate for duty, who was the young

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Speaker 1: kid who desperately wants to be one of the tea birds,

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Speaker 1: although I think in the play they're called the Burger

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Speaker 1: Palace boys instead of the tea birds. I love the

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Speaker 1: tremendous violence and like racial simmering under these offset by

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Speaker 1: the dumbest nicknames duty, Rizzo, Marty, friendship. Yeah, UH, John

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Speaker 1: Travolta audition when he was like sixteen and he didn't

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Speaker 1: get cast because he just was too wide eyed and naive.

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Speaker 1: And when they finally cast him, they gave him the

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Speaker 1: role of this eager, try hard duty, the kid who

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Speaker 1: really wants to be in the gang. And this is

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Speaker 1: how the rest of the cast saw him. So when

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Speaker 1: they went to film the movie version four or five

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Speaker 1: years later, the cast and crew who have been associated

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Speaker 1: with the stage show really had a hard time seeing

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Speaker 1: him as Danny, especially when Jeff conaway was also in

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Speaker 1: the cast and he had the playing Danny for years

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Speaker 1: and he had been demoted to, you know, Second Banana Connicki.

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Speaker 1: So the Second Banana Knicki. That was my nickname in college. Uh.

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Speaker 1: It took six years to bring Greece from Broadway to

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Speaker 1: the big screen and it was a many fits and starts.

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Speaker 1: Um The film rights were sold four different times to

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Speaker 1: four different people and it just always ended up in development.

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Speaker 1: How there was an early version where Danny was supposed

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Speaker 1: to kill himself at the end and a Romeo and

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Speaker 1: Juliette style ending. Another version featured Danny working as a

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Speaker 1: bus boy and gas station attendant, singing a song called

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Speaker 1: gas pump jockey. That's hilarious. Didn't. When they found Eddie vetter,

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Speaker 1: he was working as a gas station attendant, famously. Um.

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Speaker 1: The weirdest version involves cult director Ralph backshe who wanted

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Speaker 1: to make it an x rated cartoon. Um, which is

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Speaker 1: funny because you know it goes back to how Raunchy

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Speaker 1: this original play was. Back she was famous from making

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Speaker 1: Fritz the cat, which was the first x rated animated

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Speaker 1: feature ever. Uh. That's our crumb adaptation, right. And he

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Speaker 1: wanted to continue in those footsteps with Greece. Uh. And

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Speaker 1: then that fell through, but the people who ultimately made

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Speaker 1: the feature film decided to keep the opening credits as animation,

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Speaker 1: as a not to backshee and that guy who did it,

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Speaker 1: John Wilson, and the studio fine arts films, worked on

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Speaker 1: Disney's Peter Pan and lady in the tramp. Yeah, who,

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Speaker 1: I thought, the guy who really made grease happen. That

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Speaker 1: was a producer named Alan Carr who, if you're like

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Speaker 1: Jordan or me or anyone who's read a lot about

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Speaker 1: seventies entertainment, he looms large. Um, lived in this enormous

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Speaker 1: Hollywood mansion guilt framed portraits of himself. Uh, he had

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Speaker 1: a disco in his basement, where you'd throw these massive parties. And,

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Speaker 1: Oh yeah, the parties were so huge that he held

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Speaker 1: he called him rollodex parties, where he'd host the a

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Speaker 1: through l, guestless one night, and then the next night

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Speaker 1: he'd host the m through Z. It's it's so people,

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Speaker 1: so he didn't have to cut down on his guests. Statistically,

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Speaker 1: that feels lopsided to me, right, because you're getting V

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Speaker 1: through Z. There's probably fewer names with that right. We're

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Speaker 1: taping this at night for Jordan. I'm this is these

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Speaker 1: are the detours I take. Um, and then, grossly, like

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Speaker 1: Chuck Berry after him, at the end of his night

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Speaker 1: he'd retire to his bedroom and watched the sexual exploits

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Speaker 1: and unfold around his house with a CCTV system. I

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Speaker 1: Guess Chuck Barry was just watching people p though. Which

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Speaker 1: is which is worse? Folks tweeted us. Um, this house

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Speaker 1: had been previously owned by Ingrid Bergman and was later

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Speaker 1: bought by Brett Rattner, who probably still uses the CCTV.

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Speaker 1: I was gonna say just they just seamless transfer of

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Speaker 1: power there. Alan Carr was an awkward kid who is

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Speaker 1: ostracized for his homosexuality and then grew up addicted to

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Speaker 1: glamor and power to make himself feel better and say

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Speaker 1: also as as was the fashion of the time. Did

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Speaker 1: you see that video that was going around recently on

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Speaker 1: twitter of Ed McMahon and the like closing credits and

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Speaker 1: one of the tonight show segments, just pulling out his

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Speaker 1: cokespoon and doing a bump live on air? Truly, it

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Speaker 1: was with Carl Sagan Right. Oh Man, it might wash man.

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Speaker 1: I love that car buys the rights to Greece in

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Speaker 1: nineteen six for two hundred grand and considering that this

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Speaker 1: went on to make over three hundred and fifty million dollars,

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Speaker 1: that is a good deal. That's a listical uh in

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Speaker 1: issue investments versus returns. I know Halloween was a huge one.

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Speaker 1: I think John Carpenter made like ten grand to make

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Speaker 1: that movie and then it became the most profitable independent

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Speaker 1: film of all time. Blair witch is definitely up there anyway.

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Speaker 1: Cars plan was too much like Xana do. Cars planned

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Speaker 1: was to revive movie musicals in Hollywood. All these guys

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Speaker 1: who just grew up watching all the MGM hits and

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Speaker 1: got into power and wanted to remake them. Yeah, sound

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Speaker 1: of music, my Fair Lady, all of these these this stuff,

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Speaker 1: mgm was just cranking out and then the sort of

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Speaker 1: death knell that sort of era is like Hello Dolly

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Speaker 1: and Godspell, big bloated musicals in the late sixties that

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Speaker 1: just couldn't make their money back and people. I think

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Speaker 1: it was just musical fatigue too, because all throughout the

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Speaker 1: mid sixties you had again, back to back, my fair ladies,

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Speaker 1: sound of music sweeping the Oscars. I think the sound

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Speaker 1: of music soundtrack is still one of the best selling

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Speaker 1: albums of all time, definitely one of the best selling

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Speaker 1: albums of the decade. Uh. It's one of those things

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Speaker 1: that you kind of like. You think of sixties music

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Speaker 1: and you think about Sargeant pepper, you think about Um

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Speaker 1: led Zeppelin one, you think about all these rock and

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Speaker 1: roll centric things. But if you actually look at the

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Speaker 1: sales stats, what was selling back then were these very

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Speaker 1: middle road musical soundtracks in Gargantuan numbers that then the

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Speaker 1: grease soundtrack would then mimic ten years later. Yeah, what

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Speaker 1: did we get before La La Land? What was the

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Speaker 1: big one before pre la La land? That would have

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Speaker 1: revived o Mulan Ruge she said. Right. Well, I think

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Speaker 1: Um Grease held the record for the best selling live

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Speaker 1: action musical until the Lame Miss Adaptation with and half

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Speaker 1: away Um. So that was a big one too, although

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Speaker 1: I don't really think of it as being that pig.

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Speaker 1: But I guess it had a big return. But you know,

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Speaker 1: like you said, Evan flow comes around by the middle

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Speaker 1: of the decade you see low budget called stuff like rocky.

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Speaker 1: Horror starts to bring that back. But when grease was made,

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Speaker 1: musicals were still seeing his box office poison. Paramount only

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Speaker 1: gave six million to this thing, which will what buy

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Speaker 1: a couple of canisters of panavision. Um. That's the it's

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Speaker 1: the craft, services and cocaine budget for one day in nineteen.

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Speaker 1: Barry Diller, the studio ahead at the time, thought the

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Speaker 1: whole thing was just ridiculous and, you know, God love him,

425
00:23:11,160 --> 00:23:14,679
Speaker 1: that dictated the tone of the entire production. Five weeks

426
00:23:14,720 --> 00:23:18,760
Speaker 1: of pre pro pre production, two months of shooting. Good Lord.

427
00:23:19,240 --> 00:23:22,240
Speaker 1: There's a great Vanity Fair Profile and twenty eighteen by

428
00:23:22,280 --> 00:23:25,480
Speaker 1: Michael Callaghan called how Greece beat the odds and became

429
00:23:25,520 --> 00:23:29,080
Speaker 1: the biggest movie musical of the Twentieth Century. It really

430
00:23:29,160 --> 00:23:32,600
Speaker 1: lays out in stark fashion how much of a long

431
00:23:32,640 --> 00:23:37,400
Speaker 1: shot this was. Quote. Its leading lady was foreign and untried.

432
00:23:38,160 --> 00:23:40,639
Speaker 1: Hell of a turn of a phrase. It's cast was

433
00:23:40,720 --> 00:23:44,640
Speaker 1: too old, it's score uneven, its choreography and staging more

434
00:23:44,720 --> 00:23:47,920
Speaker 1: often than not thought up on the fly, much like

435
00:23:48,040 --> 00:23:50,719
Speaker 1: Santa Do. In an effort to broaden the film's appeal,

436
00:23:50,800 --> 00:23:53,959
Speaker 1: the producers toned down the violence and sex and moved

437
00:23:53,960 --> 00:23:58,240
Speaker 1: the setting from the mean streets of Chicago to Sunny California. Unfortunately,

438
00:23:58,240 --> 00:24:00,080
Speaker 1: the original writers of the play were not happy, me

439
00:24:00,160 --> 00:24:04,000
Speaker 1: with this, worrying that it was getting to camp. Jim Jacobs,

440
00:24:04,080 --> 00:24:05,639
Speaker 1: one of the CO creators, later said of the t

441
00:24:05,800 --> 00:24:08,360
Speaker 1: birds guys I grew up with would have beat those

442
00:24:08,359 --> 00:24:11,400
Speaker 1: guys up in an instant. He is not wrong. Uh.

443
00:24:11,400 --> 00:24:14,199
Speaker 1: He was also really upset about moving the setting to

444
00:24:14,359 --> 00:24:16,680
Speaker 1: California because he felt that the crux of the story

445
00:24:16,760 --> 00:24:20,040
Speaker 1: was about kids in industrial cities of the East Coast

446
00:24:20,080 --> 00:24:23,119
Speaker 1: and the Midwest, as opposed to the sort of Sun

447
00:24:23,200 --> 00:24:28,320
Speaker 1: drenched climbs of California. Jacobs would call producer Alan Karen

448
00:24:28,359 --> 00:24:34,840
Speaker 1: bag please don't make this a beach blanket Bingo. Ah Um,

449
00:24:34,880 --> 00:24:37,000
Speaker 1: maybe you want to punch in a quick sidebar about

450
00:24:37,040 --> 00:24:40,280
Speaker 1: that later. That's one of your things, right, you kind

451
00:24:40,280 --> 00:24:47,440
Speaker 1: of like that. Now this is twenty three pages. Uh,

452
00:24:47,480 --> 00:24:51,560
Speaker 1: this did not. This did not endear the original writers

453
00:24:51,760 --> 00:24:54,480
Speaker 1: to car. They were shut out, they were not given

454
00:24:54,520 --> 00:24:57,479
Speaker 1: any kind of supervisory role and, uh, one day they

455
00:24:57,480 --> 00:24:59,520
Speaker 1: showed up to the studio and found out their names

456
00:24:59,560 --> 00:25:03,240
Speaker 1: were really crossed from the security clearance list and they

457
00:25:03,240 --> 00:25:07,239
Speaker 1: were banned from the set. But other than laughing all

458
00:25:07,280 --> 00:25:11,000
Speaker 1: the way to the bank, they did get a little revenge. Um,

459
00:25:11,119 --> 00:25:14,600
Speaker 1: whenever the lines in the movie version weren't landing the

460
00:25:14,640 --> 00:25:17,520
Speaker 1: way that they would, Travolta, because he had been involved

461
00:25:17,520 --> 00:25:20,639
Speaker 1: in the original version, would sub in lines from the

462
00:25:20,760 --> 00:25:24,720
Speaker 1: musical Um. So part of them lives on in John

463
00:25:24,720 --> 00:25:28,920
Speaker 1: Travolta's improvisation. But Travolta very nearly didn't get the part

464
00:25:28,960 --> 00:25:32,679
Speaker 1: of Danny. Initially, Alan Carr wanted probably the most obvious

465
00:25:32,800 --> 00:25:35,320
Speaker 1: choice for a good hearted grease ory. What did Henry Winkler,

466
00:25:35,359 --> 00:25:38,040
Speaker 1: who was in the midst of playing Fonzie on happy days,

467
00:25:38,080 --> 00:25:40,960
Speaker 1: which is a very unoriginal choice, I feel like? But

468
00:25:41,000 --> 00:25:43,760
Speaker 1: winkler turned him down for fear of being typecast for

469
00:25:43,800 --> 00:25:46,200
Speaker 1: the rest of his life, which kind of too late.

470
00:25:47,600 --> 00:25:49,359
Speaker 1: He went on to say it was, quote, one of

471
00:25:49,400 --> 00:25:51,919
Speaker 1: the great decisions of his life because Travolta was so

472
00:25:52,080 --> 00:25:54,639
Speaker 1: right for the film. But he also regrets at a

473
00:25:54,680 --> 00:25:58,479
Speaker 1: tiny bit, because why wouldn't you? Why would you not

474
00:25:58,560 --> 00:26:01,240
Speaker 1: want to be Danny suit COO and reese? So then

475
00:26:01,280 --> 00:26:04,480
Speaker 1: thoughts turned to another contemporary Titan of the small screen,

476
00:26:05,040 --> 00:26:08,080
Speaker 1: John Travolta, who was then a big TV star thanks

477
00:26:08,080 --> 00:26:11,880
Speaker 1: for his role as Vinny Barberino. I'm welcome back, Carter Um.

478
00:26:12,080 --> 00:26:13,800
Speaker 1: Funny Side Note, I think I was talking to you

479
00:26:13,800 --> 00:26:16,639
Speaker 1: about this the other night. When Quentin Tarantino was casting

480
00:26:16,680 --> 00:26:20,199
Speaker 1: travolta and pulp fiction, he invited Travolta over to his

481
00:26:20,240 --> 00:26:23,359
Speaker 1: apartment to discuss the role and travolto showed up and

482
00:26:23,520 --> 00:26:26,640
Speaker 1: turns out Tarantino was unknowingly living in the exact same

483
00:26:26,720 --> 00:26:29,280
Speaker 1: apartment where Travolta lived when he first moved to L

484
00:26:29,320 --> 00:26:31,720
Speaker 1: A and was getting his acting start, which I think

485
00:26:31,840 --> 00:26:36,000
Speaker 1: is really cool. And Tarantino, because he's a giant Weirdo,

486
00:26:36,520 --> 00:26:39,520
Speaker 1: insisted that Travolta play a vintage welcome back caught or

487
00:26:39,600 --> 00:26:42,200
Speaker 1: board game with him as part of his process while

488
00:26:42,240 --> 00:26:46,760
Speaker 1: auditioning him for pulp fiction, jeesus. But this was during

489
00:26:46,760 --> 00:26:49,879
Speaker 1: Travolta's like wilderness years when he made a bunch of

490
00:26:49,880 --> 00:26:52,360
Speaker 1: bombs in the eighties and kind of needed to get

491
00:26:52,359 --> 00:26:54,919
Speaker 1: back on tracks. So he just kind of had to

492
00:26:54,920 --> 00:26:59,960
Speaker 1: go with it, which is sad, Ye, anyone being four

493
00:27:00,080 --> 00:27:04,399
Speaker 1: to put up with Quinto. Yeah, anyway, more importantly than

494
00:27:04,440 --> 00:27:06,720
Speaker 1: just being a TV star, John Travolta had appeared in

495
00:27:06,760 --> 00:27:09,800
Speaker 1: the Broadway production as duty, like we mentioned, so it

496
00:27:09,840 --> 00:27:13,000
Speaker 1: seemed like a natural fit. And when the grease shoot began,

497
00:27:13,480 --> 00:27:18,159
Speaker 1: Travolta had just finished filming Saturday night fever literally days before,

498
00:27:18,680 --> 00:27:20,400
Speaker 1: and it wouldn't come out for a few more months.

499
00:27:20,440 --> 00:27:23,600
Speaker 1: So he wasn't quite the world beating superstar that we

500
00:27:23,960 --> 00:27:26,399
Speaker 1: know and love. In fact, it was really rare at

501
00:27:26,400 --> 00:27:29,520
Speaker 1: the time for TV stars to cross over into major

502
00:27:29,560 --> 00:27:32,520
Speaker 1: film success. You know, audiences knew you either as on

503
00:27:32,560 --> 00:27:35,240
Speaker 1: the small screen or the big screen. It was very

504
00:27:35,359 --> 00:27:38,640
Speaker 1: rare that you could make that jump Um. But Travolta

505
00:27:38,720 --> 00:27:42,640
Speaker 1: was under contract to a producer called Robert Stigwood, and

506
00:27:42,760 --> 00:27:44,200
Speaker 1: not to get off on too much of a tangent,

507
00:27:44,240 --> 00:27:47,640
Speaker 1: but stigwood was this big Impresario who was just like

508
00:27:48,760 --> 00:27:51,480
Speaker 1: the octopus of the seventies entertainment industry. He had his

509
00:27:51,560 --> 00:27:55,159
Speaker 1: tentacles everywhere. I think he managed cream for a while.

510
00:27:55,240 --> 00:27:58,240
Speaker 1: He managed the BGS, he very nearly managed the Beatles.

511
00:27:58,520 --> 00:28:01,919
Speaker 1: He produced stage shows like hair in Jesus Christ superstar.

512
00:28:02,440 --> 00:28:05,040
Speaker 1: When he died, one obituary called him the most powerful

513
00:28:05,080 --> 00:28:09,160
Speaker 1: tycoon in the entertainment industry. Not since Hollywood's golden days

514
00:28:09,240 --> 00:28:12,080
Speaker 1: had so much power and wealth been concentrated in the

515
00:28:12,119 --> 00:28:15,440
Speaker 1: hands of one mogul. So yeah, Robert Stigwood is a

516
00:28:15,440 --> 00:28:18,440
Speaker 1: big deal. So if Alan Carr wants John Travolta, he's

517
00:28:18,440 --> 00:28:21,879
Speaker 1: got to go through Robert stigwood. So car brings stigwood

518
00:28:21,920 --> 00:28:25,399
Speaker 1: on board for Greece as a CO producer, and I

519
00:28:25,480 --> 00:28:27,600
Speaker 1: just I love the fact that stigwood has travolta for

520
00:28:27,640 --> 00:28:29,680
Speaker 1: a three picture deal, the first of which is Saturday

521
00:28:29,760 --> 00:28:33,399
Speaker 1: night fever. Second is Greece, two of the biggest movie

522
00:28:33,400 --> 00:28:36,320
Speaker 1: in Music phenomenons of the twentieth century. So this guy

523
00:28:36,359 --> 00:28:40,280
Speaker 1: made his money back for sure. Good for him. Yeah,

524
00:28:40,400 --> 00:28:42,920
Speaker 1: Travolta had very little experience as a leading man in

525
00:28:42,920 --> 00:28:45,560
Speaker 1: a film, but he'd recently been in a made for

526
00:28:45,640 --> 00:28:48,840
Speaker 1: TV movie called the boy in the plastic bubble have

527
00:28:48,960 --> 00:28:51,880
Speaker 1: you ever seen this or heard of this? The inspiration

528
00:28:51,960 --> 00:28:57,120
Speaker 1: from bubble boy sort yeah, it's like basically the same plot,

529
00:28:57,200 --> 00:29:00,520
Speaker 1: but it's serious. John Travolta is this boy worn without

530
00:29:00,520 --> 00:29:02,840
Speaker 1: a functioning immune system and he has to walk around

531
00:29:03,080 --> 00:29:06,000
Speaker 1: in basically a space suit and live in a clean

532
00:29:06,080 --> 00:29:10,440
Speaker 1: room and it's about him trying to like try as

533
00:29:10,520 --> 00:29:12,520
Speaker 1: much as he can to engage with the world. That's

534
00:29:12,520 --> 00:29:14,160
Speaker 1: supposed to be I've never seen of it's supposed to

535
00:29:14,160 --> 00:29:17,440
Speaker 1: be really sad. Apparently earned an emmy and it also

536
00:29:17,480 --> 00:29:20,000
Speaker 1: inspired the Paul Simon Song the boy in the bubble

537
00:29:20,280 --> 00:29:22,920
Speaker 1: so yeah, quite a legacy there, in addition to the

538
00:29:23,000 --> 00:29:26,480
Speaker 1: Jake Joe Holl movie. Um. Anyway, John Travolta had a

539
00:29:26,480 --> 00:29:29,080
Speaker 1: good rapport with the director of that made for TV movie,

540
00:29:29,160 --> 00:29:31,440
Speaker 1: a guy by the name of Randall Kliser. So he

541
00:29:31,520 --> 00:29:34,280
Speaker 1: suggested they bring him on to direct Greece. And at

542
00:29:34,320 --> 00:29:37,440
Speaker 1: this point whatever John Travolta wants John Travlta gets. This

543
00:29:37,480 --> 00:29:42,320
Speaker 1: guy gets to direct his first movie, his first actual

544
00:29:42,480 --> 00:29:46,800
Speaker 1: proper theatrical movie. It's Greece, damn, but it's funny. For

545
00:29:46,880 --> 00:29:50,520
Speaker 1: his lack of experience and actually making movies, he'd worked

546
00:29:50,520 --> 00:29:53,720
Speaker 1: as an extra on some famous movie musicals like camelot

547
00:29:53,800 --> 00:29:57,440
Speaker 1: and Hello Dolly and thoroughly modern millie, which he later

548
00:29:57,440 --> 00:30:00,360
Speaker 1: said gave him sort of an insight, and too, how

549
00:30:00,440 --> 00:30:03,200
Speaker 1: to stage songs, because he was there on the set

550
00:30:03,240 --> 00:30:05,720
Speaker 1: watching them do it. And after getting the Grease Gig,

551
00:30:05,800 --> 00:30:08,320
Speaker 1: he had dinner with director Robert Wise, who was the

552
00:30:08,360 --> 00:30:11,440
Speaker 1: guy who directed west side story, just basically in hopes

553
00:30:11,480 --> 00:30:13,560
Speaker 1: of like getting some tips from him, and you can

554
00:30:13,600 --> 00:30:16,480
Speaker 1: see the influence songs like tonight. Tonight from west side

555
00:30:16,520 --> 00:30:19,960
Speaker 1: story cut back and forth between Tony and Maria, similar

556
00:30:19,960 --> 00:30:23,040
Speaker 1: to how summer nights cut back and forth between Danny

557
00:30:23,080 --> 00:30:26,200
Speaker 1: and Sandy. But apparently Robert Wise freaked him out by

558
00:30:26,240 --> 00:30:29,240
Speaker 1: asking how much prep time he had, and Randall Kleiser said,

559
00:30:29,240 --> 00:30:31,040
Speaker 1: Oh yeah, I got five weeks to prep for this.

560
00:30:32,000 --> 00:30:35,480
Speaker 1: Robert Wise gasped and said you gotta get out of this,

561
00:30:35,560 --> 00:30:39,240
Speaker 1: you gotta Cryne away. Yeah, like musicals take years to

562
00:30:39,320 --> 00:30:41,120
Speaker 1: prep and he was just certain that this was going

563
00:30:41,160 --> 00:30:45,160
Speaker 1: to be a disaster. But but thankfully Randall Kliser didn't listen.

564
00:30:45,840 --> 00:30:49,320
Speaker 1: Travolta also suggested they bring on Jeff Conaway as Knicky and,

565
00:30:49,360 --> 00:30:52,040
Speaker 1: as I mentioned earlier, Jeff Conaway had played Danny on

566
00:30:52,120 --> 00:30:56,520
Speaker 1: Broadway for years, whereas Travolta was just this naive junior

567
00:30:56,600 --> 00:30:59,800
Speaker 1: ta bird, and this created a little bit of weirdness,

568
00:30:59,800 --> 00:31:03,000
Speaker 1: but tween him because, you know, for many years this

569
00:31:03,040 --> 00:31:05,600
Speaker 1: was very much jeff's part. He was older, he'd done

570
00:31:05,640 --> 00:31:09,240
Speaker 1: it longer, and now he was demoted and his former

571
00:31:09,360 --> 00:31:11,520
Speaker 1: underling was now the lead. So there was a little

572
00:31:11,560 --> 00:31:14,440
Speaker 1: bit of a you know all about eve situation going

573
00:31:14,480 --> 00:31:16,640
Speaker 1: on there a little bit. I mean, they were still friends,

574
00:31:16,680 --> 00:31:19,080
Speaker 1: but it was it was weird and we'll get into

575
00:31:19,160 --> 00:31:21,320
Speaker 1: that later when we talk about the grease lightning scene.

576
00:31:21,480 --> 00:31:23,640
Speaker 1: But yeah, they kind of had a little bit of

577
00:31:23,640 --> 00:31:27,160
Speaker 1: a tough time. And another person close to John that

578
00:31:27,240 --> 00:31:29,280
Speaker 1: he brought on for the grease adventure. It was his

579
00:31:29,360 --> 00:31:32,440
Speaker 1: sister ellen, who played a waitress in the diner watching

580
00:31:32,440 --> 00:31:35,400
Speaker 1: the dance competition on TV. She's the one who says, Oh,

581
00:31:35,400 --> 00:31:40,120
Speaker 1: there's Danny and Sandy. Ellen Travolta later told the spokesman

582
00:31:40,120 --> 00:31:43,000
Speaker 1: review in that she was just visiting the set one

583
00:31:43,040 --> 00:31:44,680
Speaker 1: day and her brother asked her if she wanted to

584
00:31:44,720 --> 00:31:47,479
Speaker 1: be in a movie. That's how loose it was, and

585
00:31:47,560 --> 00:31:49,520
Speaker 1: she said she had no idea that kind of success.

586
00:31:49,560 --> 00:31:52,480
Speaker 1: It would become. I get residuals every thirteen weeks. For

587
00:31:52,480 --> 00:31:55,360
Speaker 1: forty years I only worked one or two days and

588
00:31:55,400 --> 00:31:58,520
Speaker 1: I had a lot of fun. Sandy, though, it was

589
00:31:58,560 --> 00:32:01,520
Speaker 1: a bit trickier to cast Um. They considered Susan Dave

590
00:32:01,560 --> 00:32:05,760
Speaker 1: from the Partridge Family, Marie Osmond of Donnie Marie, who

591
00:32:05,800 --> 00:32:08,320
Speaker 1: turned it down because she objected to the ending where

592
00:32:08,360 --> 00:32:13,600
Speaker 1: sandy transforms into a rebel, which tracks uh. She told

593
00:32:13,680 --> 00:32:15,680
Speaker 1: Fox News I was at a place in my life

594
00:32:15,720 --> 00:32:17,800
Speaker 1: where I wanted to have children and I didn't like

595
00:32:17,920 --> 00:32:20,120
Speaker 1: the fact that the girl had to turn bad to

596
00:32:20,200 --> 00:32:22,880
Speaker 1: get the guy. I think the guy has to work

597
00:32:22,920 --> 00:32:25,800
Speaker 1: hard to get the girl. That's what I believe fair.

598
00:32:26,040 --> 00:32:28,840
Speaker 1: We'll touch on the movies controversial ending later, but I

599
00:32:29,480 --> 00:32:32,760
Speaker 1: she's not wrong. So Randall Kaiser was roommates at USC

600
00:32:32,920 --> 00:32:35,920
Speaker 1: with George Lucas, who was editing that. He's USC right.

601
00:32:35,960 --> 00:32:38,719
Speaker 1: I'm not making that up. Yeah, and these guys are

602
00:32:38,720 --> 00:32:41,320
Speaker 1: all part of the USC class. George Lucas is editing

603
00:32:41,400 --> 00:32:43,920
Speaker 1: star wars around the time that Greece was being cast,

604
00:32:44,520 --> 00:32:47,680
Speaker 1: having just come off American graffiti, and he asked Lucas

605
00:32:47,720 --> 00:32:49,320
Speaker 1: to take a look at some of the footage to

606
00:32:49,360 --> 00:32:51,800
Speaker 1: see if Carrie Fisher might be a good fit, but

607
00:32:51,920 --> 00:32:53,360
Speaker 1: the scenes that he saw of her were in the

608
00:32:53,400 --> 00:32:57,920
Speaker 1: Millennium Falcon in the middle of a space dog fight, Um,

609
00:32:57,960 --> 00:33:00,720
Speaker 1: and not enough to you know side whether or not

610
00:33:00,760 --> 00:33:02,360
Speaker 1: she was going to be able to anchor a fifties

611
00:33:02,400 --> 00:33:07,520
Speaker 1: ballad in a dance movie. And ultimately they did not

612
00:33:07,680 --> 00:33:12,080
Speaker 1: pick her up, can you? I mean she would have

613
00:33:12,120 --> 00:33:14,720
Speaker 1: owned the seventies if she was in star wars and

614
00:33:14,880 --> 00:33:19,120
Speaker 1: Greece and Blynn finished up with blues brothers. Oh my God,

615
00:33:19,400 --> 00:33:24,760
Speaker 1: her power would be unchecked. Uh Randall Kleiser and producer

616
00:33:24,800 --> 00:33:27,160
Speaker 1: Alan Carr then go to a dinner held at Helen

617
00:33:27,200 --> 00:33:31,600
Speaker 1: Ready's house. Who Folks? Helen Ready, for those of you

618
00:33:31,640 --> 00:33:34,640
Speaker 1: in the Bar Trivia Circuit, is the Australian singer best

619
00:33:34,680 --> 00:33:37,960
Speaker 1: known for I am woman, I am a woman, hear

620
00:33:38,040 --> 00:33:45,080
Speaker 1: me roar. Car was seated across from Olivia Newton John,

621
00:33:45,400 --> 00:33:47,120
Speaker 1: and by the end of the meal, as any one

622
00:33:47,160 --> 00:33:50,280
Speaker 1: of us would be, he was smitten. He was completely

623
00:33:50,280 --> 00:33:52,920
Speaker 1: certain that her quote goody two shoes vibe made her

624
00:33:52,920 --> 00:33:57,160
Speaker 1: the perfect fit for Sandy. Olivia took more convincing. She

625
00:33:57,320 --> 00:34:00,720
Speaker 1: was well established singers. She'd Gotten Multiple Rammys, by this

626
00:34:00,840 --> 00:34:04,560
Speaker 1: point it hits like I honestly love you. Please, MR please.

627
00:34:04,800 --> 00:34:07,000
Speaker 1: Have you never been mellow? You know, she was a

628
00:34:07,040 --> 00:34:10,960
Speaker 1: big country hit at this point, which deeply annoyed the

629
00:34:11,040 --> 00:34:17,919
Speaker 1: conservative Nashville community seeing this, this taking our jobs me. Yeah,

630
00:34:18,400 --> 00:34:23,600
Speaker 1: I'm trying to was the pejorative term for Australians. Anyway. Yeah,

631
00:34:23,680 --> 00:34:27,360
Speaker 1: there's ausy coming in and stealing trophies away from Dolly

632
00:34:27,400 --> 00:34:32,120
Speaker 1: Parton and Tammy Wynett. Yeah, the whole Nashville community really

633
00:34:32,120 --> 00:34:35,040
Speaker 1: banned it together and they started this group called, what

634
00:34:35,080 --> 00:34:38,919
Speaker 1: was it called Ace Americans for country entertainment or something. Yeah,

635
00:34:39,040 --> 00:34:41,799
Speaker 1: something like that. It was basically designed to exclude her,

636
00:34:42,840 --> 00:34:45,040
Speaker 1: which is all I mean. I hate to think of

637
00:34:45,200 --> 00:34:50,000
Speaker 1: Dolly Parton and Oliving Newton, John at at Ozz, my two.

638
00:34:50,080 --> 00:34:54,799
Speaker 1: Oh they must have, because because Dolly had a bunch

639
00:34:54,800 --> 00:34:58,839
Speaker 1: of stuff, she put a statement when Olivia died her

640
00:34:58,880 --> 00:35:02,360
Speaker 1: special friends at the live. That's nice. Uh. She was

641
00:35:02,360 --> 00:35:03,759
Speaker 1: a big deal of the music world but not so

642
00:35:03,840 --> 00:35:06,680
Speaker 1: much in film. She had only done two movies, both

643
00:35:06,680 --> 00:35:09,600
Speaker 1: of which were before her singing breakthrough. The most recently

644
00:35:09,600 --> 00:35:12,239
Speaker 1: one at this point was a camp be British sci

645
00:35:12,320 --> 00:35:17,120
Speaker 1: fi movie called two t o o Morrow in nineteen seventy,

646
00:35:17,200 --> 00:35:22,000
Speaker 1: which bombed Um and apparently scared her off of acting.

647
00:35:22,200 --> 00:35:25,160
Speaker 1: Or all it nearly did, very nearly did. But John Travolta,

648
00:35:25,400 --> 00:35:28,160
Speaker 1: again as any of us would be, was just so

649
00:35:28,200 --> 00:35:31,439
Speaker 1: taken with her he didn't want anyone else in that part.

650
00:35:31,960 --> 00:35:34,440
Speaker 1: He later said she had a brilliant voice and I

651
00:35:34,480 --> 00:35:37,200
Speaker 1: don't think there could be any more correct person for

652
00:35:37,239 --> 00:35:41,160
Speaker 1: sandy in the universe. But she was very nervous both

653
00:35:41,200 --> 00:35:44,320
Speaker 1: about acting in general and especially trying to play against

654
00:35:44,320 --> 00:35:49,600
Speaker 1: her type and assume the mantle of Leather Sandy at

655
00:35:49,600 --> 00:35:52,000
Speaker 1: the the end of the film. So she requested a

656
00:35:52,080 --> 00:35:55,319
Speaker 1: screen test, which is odd because studios are usually the

657
00:35:55,320 --> 00:35:57,799
Speaker 1: one who mandate an actress take a screen or an

658
00:35:57,800 --> 00:36:00,480
Speaker 1: actor or actress take a screen test, not the other

659
00:36:00,480 --> 00:36:03,040
Speaker 1: way around. Uh, and she just wanted to see if

660
00:36:03,040 --> 00:36:04,600
Speaker 1: she was any good and if she could be comfortable

661
00:36:04,640 --> 00:36:08,640
Speaker 1: with John Travolta. He was reportedly very nice. Randall Kaiser

662
00:36:08,719 --> 00:36:11,280
Speaker 1: said he knew she was a little nervous and wanted

663
00:36:11,320 --> 00:36:14,400
Speaker 1: to protect her like a brother. They screen tested the

664
00:36:14,440 --> 00:36:17,920
Speaker 1: scene at the drive in and she like how she looked.

665
00:36:18,040 --> 00:36:20,040
Speaker 1: The only problem is that she couldn't quite get to

666
00:36:20,120 --> 00:36:24,200
Speaker 1: grips with the American accent, also like in Xanadu and

667
00:36:24,400 --> 00:36:26,600
Speaker 1: uh so the producers agreed to change the script to

668
00:36:26,640 --> 00:36:30,080
Speaker 1: make the character Australian, and with that all sorted, she

669
00:36:30,160 --> 00:36:33,960
Speaker 1: got the GIG, taking a reduced fee in exchange for

670
00:36:34,200 --> 00:36:38,120
Speaker 1: star building alongside Travolta. All that bailing from this era

671
00:36:38,239 --> 00:36:40,760
Speaker 1: is so damn funny to me, isn't it? Towering inferno

672
00:36:40,840 --> 00:36:44,600
Speaker 1: where they steve McQueen and Newman were fighting over who

673
00:36:44,600 --> 00:36:47,839
Speaker 1: got billing, and so the famous compromise that they did

674
00:36:48,000 --> 00:36:51,360
Speaker 1: was one is to the left of the title but lower,

675
00:36:51,800 --> 00:36:53,160
Speaker 1: and the other one was on the right of the

676
00:36:53,160 --> 00:36:56,320
Speaker 1: title but higher. So, depending on whether you were reading

677
00:36:56,360 --> 00:36:58,600
Speaker 1: it left to right or top to bottom, they were

678
00:36:58,640 --> 00:37:06,279
Speaker 1: both on equal billing. Ah, Hollywood, as you meditate on that,

679
00:37:06,600 --> 00:37:09,319
Speaker 1: we'll be right back with more, too much information, after

680
00:37:09,400 --> 00:37:23,280
Speaker 1: these messages, now it's time to state at the obvious.

681
00:37:23,719 --> 00:37:26,160
Speaker 1: Nearly all of these actors are way too old to

682
00:37:26,160 --> 00:37:29,399
Speaker 1: be playing high schoolers. Vanity Fair reports that the movie

683
00:37:29,440 --> 00:37:33,080
Speaker 1: cinematographer used soft lenses to turn back the clock for

684
00:37:33,120 --> 00:37:36,160
Speaker 1: Olivia Newton John, who was twenty nine and worried that

685
00:37:36,239 --> 00:37:39,000
Speaker 1: she looked significantly older than Travolta, who was twenty three,

686
00:37:39,520 --> 00:37:43,320
Speaker 1: and the director ran blackliser did a crow's feet test

687
00:37:43,480 --> 00:37:47,200
Speaker 1: before casting to make sure that these people could pass

688
00:37:47,239 --> 00:37:51,040
Speaker 1: as high school students as best they could. And Kelly Ward,

689
00:37:51,080 --> 00:37:53,600
Speaker 1: who played putsy, he was the youngest. He was twenty

690
00:37:53,680 --> 00:37:56,719
Speaker 1: so he could almost pass. Jeff Conaway, is Knnicki was

691
00:37:56,719 --> 00:37:59,520
Speaker 1: twenty seven. D D CON is friend. She was twenty five.

692
00:38:00,000 --> 00:38:03,520
Speaker 1: Amy Donneley played jams, thirty and Stockard channing as Rizzo,

693
00:38:03,680 --> 00:38:06,960
Speaker 1: was thirty three and she tells the story of Alan

694
00:38:07,040 --> 00:38:09,319
Speaker 1: Carr the producers showing up on the set one day

695
00:38:09,360 --> 00:38:13,000
Speaker 1: with a brown pencil just dotting freckles hunter and try

696
00:38:13,040 --> 00:38:14,960
Speaker 1: to make her look younger. To what she said, I

697
00:38:15,000 --> 00:38:19,319
Speaker 1: don't look younger, I just look dirtier. And they also

698
00:38:19,360 --> 00:38:21,839
Speaker 1: took an arts and crafty approach to when it came

699
00:38:21,880 --> 00:38:25,719
Speaker 1: to aging down Jamie Donnelly, who was again playing Jan

700
00:38:25,960 --> 00:38:29,239
Speaker 1: she started going prematurely gray and they dyed her hair,

701
00:38:29,360 --> 00:38:31,960
Speaker 1: but her roots started growing in quickly and for some

702
00:38:32,040 --> 00:38:35,160
Speaker 1: reason that I don't really understand, it was deemed unfeasible

703
00:38:35,239 --> 00:38:38,760
Speaker 1: diet again. So several times during the shoot they touched

704
00:38:38,800 --> 00:38:42,400
Speaker 1: up her roots with Black Crayon. which I don't I

705
00:38:42,440 --> 00:38:46,560
Speaker 1: don't even know how that's possible. I maybe somebody meant

706
00:38:46,600 --> 00:38:49,320
Speaker 1: sharpie and it just got taken over the years. Is Crayon,

707
00:38:49,480 --> 00:38:55,600
Speaker 1: but I've seen melting it down and just yeah, I

708
00:38:55,640 --> 00:38:58,960
Speaker 1: think like Elvis used to like die his sideburns like

709
00:38:58,960 --> 00:39:03,560
Speaker 1: when they were really long in the early Seventies. Well, yeah, yeah, exactly.

710
00:39:03,600 --> 00:39:06,399
Speaker 1: So I don't know. Maybe it was that, but anyway,

711
00:39:06,440 --> 00:39:10,120
Speaker 1: that's all weird. But that there's some more weirdness. There

712
00:39:10,120 --> 00:39:13,560
Speaker 1: are some pretty amazing, almost cast things that went down

713
00:39:13,560 --> 00:39:16,080
Speaker 1: in this movie, especially as far as the teachers were concerned.

714
00:39:16,520 --> 00:39:19,719
Speaker 1: During an interview when Greece was still in very, very

715
00:39:19,840 --> 00:39:23,280
Speaker 1: very pre production, producer Alan Carr talked about wanting Paul

716
00:39:23,400 --> 00:39:27,000
Speaker 1: Lynn as the principle of Rydell high school, the famous

717
00:39:27,520 --> 00:39:32,080
Speaker 1: nasal voiced center square of Hollywood squares, and uncle not

718
00:39:32,239 --> 00:39:36,000
Speaker 1: uncle Albert, what's his name from bewitched, and the dad

719
00:39:36,080 --> 00:39:38,520
Speaker 1: from bye bye Birdie too. That would have been amazing.

720
00:39:38,960 --> 00:39:41,840
Speaker 1: But they also wanted Lily Tomlin as a home economics

721
00:39:41,920 --> 00:39:46,200
Speaker 1: teacher Alice Cooper as a gym teacher, and Alice Cooper

722
00:39:46,320 --> 00:39:49,040
Speaker 1: was everywhere in the late Seventies. They put him increase

723
00:39:49,080 --> 00:39:51,360
Speaker 1: they put it in sergeant peppers, like let's make this

724
00:39:51,840 --> 00:39:56,200
Speaker 1: sin Weirdo who decapitates babies on stage into a major

725
00:39:56,320 --> 00:40:00,200
Speaker 1: Hollywood stainstream. Yeah, the the mainstream of a K of

726
00:40:00,200 --> 00:40:03,680
Speaker 1: Alice paper. But my favorite is they wanted Andy Warhol

727
00:40:03,760 --> 00:40:06,160
Speaker 1: to make a cameo as the art teacher in Greece,

728
00:40:06,640 --> 00:40:10,240
Speaker 1: which is incredible. And I guess Warhol is not asked

729
00:40:10,320 --> 00:40:13,200
Speaker 1: because some studio executive had it out for him. They

730
00:40:13,239 --> 00:40:16,200
Speaker 1: had some kind of grudge and this executive said he

731
00:40:16,239 --> 00:40:19,440
Speaker 1: would not have quote that man anywhere out of the picture,

732
00:40:19,760 --> 00:40:22,359
Speaker 1: which I am dying to know more about. That's all

733
00:40:22,440 --> 00:40:25,640
Speaker 1: I know. Um, they were considering getting the Detroit Tigers

734
00:40:25,719 --> 00:40:30,280
Speaker 1: player mark, the bird bird rich as the star Jock

735
00:40:30,400 --> 00:40:34,880
Speaker 1: in the movie, and they very nearly cast. To me,

736
00:40:35,000 --> 00:40:37,439
Speaker 1: this is so insane to me, they very nearly cast

737
00:40:37,560 --> 00:40:45,439
Speaker 1: president Gerald Ford's son, Stephen. Uh, Stephen Ford, yes, Stephen Ford,

738
00:40:45,440 --> 00:40:48,040
Speaker 1: the kid who was famous for blasting led Zeppelin on

739
00:40:48,080 --> 00:40:50,319
Speaker 1: the roof of the White House as a team. They

740
00:40:50,440 --> 00:40:55,960
Speaker 1: cast him as Sandy's airheaded Jock boyfriends when she's do

741
00:40:56,000 --> 00:40:58,840
Speaker 1: you have other acting credits? Well, funny you should mention this.

742
00:40:59,160 --> 00:41:01,920
Speaker 1: He dropped out because of stage fright, which is hilarious

743
00:41:01,960 --> 00:41:04,080
Speaker 1: because the part had no lines. But he took a

744
00:41:04,160 --> 00:41:08,520
Speaker 1: small role in contact. He was the guy who got

745
00:41:09,239 --> 00:41:13,520
Speaker 1: picked to be in the spacecraft, uh, and then drops

746
00:41:13,600 --> 00:41:16,160
Speaker 1: out because his kids don't want him to go, and

747
00:41:16,239 --> 00:41:19,200
Speaker 1: it's like a one line part. But yeah, that's Gerald

748
00:41:19,280 --> 00:41:21,879
Speaker 1: Ford's son. But this was like a year after Ford

749
00:41:22,000 --> 00:41:24,600
Speaker 1: was out of office too, so this would be, yeah,

750
00:41:24,840 --> 00:41:30,080
Speaker 1: very weird. He was in Starship, troopers and Ageddon. I

751
00:41:30,120 --> 00:41:34,040
Speaker 1: think Ronald Reagan's kid was spent a bunch of was

752
00:41:34,120 --> 00:41:37,320
Speaker 1: an actor too, Ronald Reagan Jr. Yeah, I think he

753
00:41:37,400 --> 00:41:40,200
Speaker 1: hosted SNL once, but I mean Ronald Reagan was an actor,

754
00:41:40,280 --> 00:41:42,839
Speaker 1: so I guess that's not as weird. Although Gerald Ford

755
00:41:43,040 --> 00:41:45,920
Speaker 1: was a male model back in like the thirties. It

756
00:41:46,040 --> 00:41:48,000
Speaker 1: was like an Abercrombie and Fitch Model, back when that

757
00:41:48,080 --> 00:41:53,240
Speaker 1: was like sporting gear. Jesus Christ. Anyway, Stephen Ford, Gerald

758
00:41:53,280 --> 00:41:56,680
Speaker 1: Ford's Kid, dropped out of Greece and instead they hired

759
00:41:56,760 --> 00:42:00,040
Speaker 1: Lorenz Obamas to play Sandy's airheaded Jack Boyfriend. And in

760
00:42:00,800 --> 00:42:04,800
Speaker 1: another great almost cast was for the part of coach Calhoun.

761
00:42:05,400 --> 00:42:08,040
Speaker 1: They wanted to get porn star Harry Reims, who was

762
00:42:08,280 --> 00:42:11,880
Speaker 1: known for appearing in deep throat, which is easily the

763
00:42:11,920 --> 00:42:15,400
Speaker 1: most notorious pornographic film and history, thanks was association with

764
00:42:15,480 --> 00:42:18,879
Speaker 1: the Watergate scandal and a damn money it made. Yeah,

765
00:42:20,320 --> 00:42:24,400
Speaker 1: Um Raylwad Klaser defended his casting choice by saying it

766
00:42:24,520 --> 00:42:26,439
Speaker 1: was the seventies and at the time it was sort

767
00:42:26,480 --> 00:42:29,719
Speaker 1: of anything goes. The Sexual Revolution was happening and Porn

768
00:42:29,800 --> 00:42:32,920
Speaker 1: Stars were becoming somewhat accepted in media. I didn't think

769
00:42:32,960 --> 00:42:35,520
Speaker 1: it would be a problem, but paramount did. I guess

770
00:42:35,560 --> 00:42:37,840
Speaker 1: they thought that they were gonna lose money in the

771
00:42:37,920 --> 00:42:40,600
Speaker 1: southern states if they cast a porn star, one of

772
00:42:40,680 --> 00:42:42,879
Speaker 1: the most famous porn stars in the country at the time,

773
00:42:43,440 --> 00:42:47,680
Speaker 1: as a lead in their teen high school musical. So

774
00:42:47,880 --> 00:42:51,239
Speaker 1: instead they went with Sid Caesar, and producer Alan Carr

775
00:42:51,320 --> 00:42:54,200
Speaker 1: felt so guilty about giving Harry reems the boot that

776
00:42:54,280 --> 00:42:56,399
Speaker 1: he paid him five thousand dollars out of his own

777
00:42:56,440 --> 00:43:00,400
Speaker 1: bank account as an apology, which I love. Um, Greece

778
00:43:00,640 --> 00:43:03,919
Speaker 1: is just chalk full of fifties comedy legends and early

779
00:43:04,000 --> 00:43:06,839
Speaker 1: TV stars. Sid Caesar is the most notable. He did

780
00:43:06,880 --> 00:43:10,360
Speaker 1: the show, uh, your show of shows with immagene coca,

781
00:43:10,480 --> 00:43:14,360
Speaker 1: which basically invented the TV sketch show format and his

782
00:43:14,520 --> 00:43:18,000
Speaker 1: writing room was just an incubator for an entire generation

783
00:43:18,080 --> 00:43:21,400
Speaker 1: of COMEDIANS. He had Mel Brooks, Woody Allen, Carl Reiner,

784
00:43:21,480 --> 00:43:24,120
Speaker 1: Neil Simon, who did the odd couple among many other things,

785
00:43:24,400 --> 00:43:28,040
Speaker 1: Larry Gelbert, who created mash. These were his writing team,

786
00:43:28,280 --> 00:43:32,359
Speaker 1: so pretty amazing. Speaking of Fifties TV superstars, the first

787
00:43:32,440 --> 00:43:35,759
Speaker 1: choice to play Rizzo was Lucy Arnez, who's daisy and

788
00:43:35,840 --> 00:43:40,120
Speaker 1: Lucy's daughter, and she was dropped from consideration, but her mother,

789
00:43:40,680 --> 00:43:44,919
Speaker 1: Big Lucy a k s ball, called paramount and said

790
00:43:45,360 --> 00:43:49,000
Speaker 1: I used to own this studio, my daughter's not doing

791
00:43:49,080 --> 00:43:54,200
Speaker 1: a screen test. Incredible, which is incredible. Sounds terrifying and

792
00:43:54,320 --> 00:43:59,799
Speaker 1: it's true. She did, you stone, she did. So they

793
00:43:59,840 --> 00:44:02,000
Speaker 1: all tim only went with Stockard channing, who had acted

794
00:44:02,080 --> 00:44:04,560
Speaker 1: with Lucy Arnez in a recent play, so that's how

795
00:44:04,600 --> 00:44:07,360
Speaker 1: the knew her. Kelly Ward, who played one of the

796
00:44:07,440 --> 00:44:10,640
Speaker 1: t birds putsy, came to the auditions to help out

797
00:44:10,680 --> 00:44:13,719
Speaker 1: the choreographer, Patricia Birch and end up getting cast. Just

798
00:44:13,800 --> 00:44:16,719
Speaker 1: kind of fell into it. And D D Kahn, who

799
00:44:16,800 --> 00:44:20,640
Speaker 1: played French sheet, hit under a studio security guards desk

800
00:44:20,760 --> 00:44:24,280
Speaker 1: to get a sneak peek beforehand at the script for audition,

801
00:44:24,760 --> 00:44:29,759
Speaker 1: which is amazing. And finally, there's The actor Michael Bean.

802
00:44:29,960 --> 00:44:33,600
Speaker 1: Is that you say that he being I don't know, being. Uh,

803
00:44:33,680 --> 00:44:36,919
Speaker 1: he would later star and the Terminator in Aliens Franchises.

804
00:44:37,400 --> 00:44:39,920
Speaker 1: He's the guy that John Travolta punches in the basketball

805
00:44:39,960 --> 00:44:42,319
Speaker 1: game when he tries to take the ball away from him. God,

806
00:44:42,360 --> 00:44:48,080
Speaker 1: he's handsome. So is Travolta in this? Yeah, it must be. No,

807
00:44:48,320 --> 00:44:51,080
Speaker 1: I just I. I man. I love those Terminator Movies

808
00:44:51,120 --> 00:44:54,040
Speaker 1: so much and bean is just he's a beautiful man

809
00:44:54,120 --> 00:44:57,520
Speaker 1: in that first one. Anyway, I'm discovering something about myself

810
00:44:57,640 --> 00:45:02,200
Speaker 1: right now. H production on Greece began in the summer

811
00:45:02,200 --> 00:45:06,479
Speaker 1: of nine and rather than a proper rehearsal or table read,

812
00:45:06,600 --> 00:45:09,480
Speaker 1: the producers held a sack hop, hoping that the cast

813
00:45:09,560 --> 00:45:11,640
Speaker 1: would get to know each other better in the time

814
00:45:11,680 --> 00:45:14,800
Speaker 1: honored tradition of dancing around in a circle wearing a

815
00:45:14,880 --> 00:45:18,160
Speaker 1: skirt with a poodle on it. Uh. They spent the

816
00:45:18,200 --> 00:45:20,760
Speaker 1: first few weeks working out the dance routines and empty

817
00:45:20,840 --> 00:45:23,239
Speaker 1: sound stage with Patricia Birch, who had worked on the

818
00:45:23,280 --> 00:45:27,560
Speaker 1: Broadway show. Patricia Birch studied under Martha Graham and was

819
00:45:27,800 --> 00:45:30,200
Speaker 1: one of the dancers in the original broadberry production of

820
00:45:30,360 --> 00:45:35,120
Speaker 1: west side story, and she actually named all of the

821
00:45:35,320 --> 00:45:38,480
Speaker 1: twenty backup dancers in this whereas you know, mostly when

822
00:45:38,520 --> 00:45:40,680
Speaker 1: you see the credits role in the backup dancers are

823
00:45:40,760 --> 00:45:45,600
Speaker 1: like yeah, dancer with I patch, uh. And she gave

824
00:45:45,680 --> 00:45:49,719
Speaker 1: the ball names like sauce bubba and Moose and backstories

825
00:45:49,840 --> 00:45:51,800
Speaker 1: so that they would have a better sense of their character,

826
00:45:52,040 --> 00:45:55,360
Speaker 1: like a really elaborate backstory, though. It's like I just

827
00:45:55,480 --> 00:45:59,879
Speaker 1: watched the conversation with U, you know, Hackman, and it's

828
00:46:00,120 --> 00:46:02,920
Speaker 1: an early role for Harrison Ford and he plays Um,

829
00:46:03,320 --> 00:46:06,960
Speaker 1: this sort of like fixer, corporate executive type, and I

830
00:46:07,080 --> 00:46:09,440
Speaker 1: was reading about it and he decided of his own

831
00:46:09,520 --> 00:46:12,040
Speaker 1: volition that the character would be gay and like gave

832
00:46:12,160 --> 00:46:14,640
Speaker 1: the character a whole backstory that was like not present

833
00:46:14,960 --> 00:46:17,080
Speaker 1: anywhere in it. It was like I just always think

834
00:46:17,120 --> 00:46:21,480
Speaker 1: that's cute when actors are like that. Uh, but Um, yeah,

835
00:46:21,680 --> 00:46:24,640
Speaker 1: and you know, that sense of Camaraderie and deep character

836
00:46:24,800 --> 00:46:27,759
Speaker 1: history did make everything feel more like a school. You

837
00:46:27,800 --> 00:46:30,440
Speaker 1: know you have people with weird nicknames and you have

838
00:46:30,600 --> 00:46:33,440
Speaker 1: a sense of their past and you know there's a

839
00:46:33,480 --> 00:46:36,360
Speaker 1: whole thing that happens in the background between two dancers

840
00:46:36,840 --> 00:46:40,360
Speaker 1: who have a romance that sort of blossoms throughout the

841
00:46:40,400 --> 00:46:42,440
Speaker 1: course of the movie and they finally kissed during the

842
00:46:42,520 --> 00:46:46,080
Speaker 1: background of you're the one that I want. The whole

843
00:46:46,160 --> 00:46:48,680
Speaker 1: world going on in the backgrounds, a whole other movie

844
00:46:48,880 --> 00:46:51,359
Speaker 1: being played in the background of Greece. I just think

845
00:46:51,400 --> 00:46:53,279
Speaker 1: that's so cool. I now I need to rewatch it

846
00:46:53,320 --> 00:46:54,920
Speaker 1: and like keep an eye out for these characters and

847
00:46:54,960 --> 00:46:57,840
Speaker 1: try to watch, yeah, like the whole movie. It's like

848
00:46:57,920 --> 00:47:01,200
Speaker 1: this like little blossom and Rome ins. And then finally,

849
00:47:01,719 --> 00:47:04,000
Speaker 1: when it's the shot when one of the tea bers

850
00:47:04,080 --> 00:47:06,440
Speaker 1: is doing the head and the whole thing during you're

851
00:47:06,440 --> 00:47:08,439
Speaker 1: the one that I want with the dog and they're

852
00:47:08,520 --> 00:47:10,880
Speaker 1: like in the background. I'm just not thinking of this

853
00:47:10,920 --> 00:47:14,400
Speaker 1: because I watched community during the first stage of the

854
00:47:14,719 --> 00:47:19,040
Speaker 1: pandemic and freshman year and Um, they do this bit

855
00:47:19,160 --> 00:47:21,520
Speaker 1: where they say to the one character like Oh, you

856
00:47:21,680 --> 00:47:25,080
Speaker 1: just have all of these little background adventures without the

857
00:47:25,160 --> 00:47:27,759
Speaker 1: rest of us, right, and then in the back of

858
00:47:27,960 --> 00:47:30,800
Speaker 1: the frame in like every shot from this episode, you

859
00:47:30,920 --> 00:47:33,040
Speaker 1: just see him like he like saves a woman with

860
00:47:33,160 --> 00:47:35,560
Speaker 1: CPR or like. No, I think he helps deliver a

861
00:47:35,640 --> 00:47:37,840
Speaker 1: baby like. He's just like in the background frame of

862
00:47:37,920 --> 00:47:40,759
Speaker 1: all this. I wonder if that's a specific riff. I

863
00:47:40,880 --> 00:47:44,120
Speaker 1: hope so. It's like true show level world building. I

864
00:47:44,239 --> 00:47:46,840
Speaker 1: just I think it's all from a bunch of dirty

865
00:47:46,920 --> 00:47:52,960
Speaker 1: Chicago greaser's, horned up dirty Chicago's. So the cast were

866
00:47:53,000 --> 00:47:56,240
Speaker 1: working out their choreography on this empty paramount sound stage

867
00:47:56,320 --> 00:47:59,280
Speaker 1: and next door was Jack Nicholson, who had an office

868
00:47:59,320 --> 00:48:01,279
Speaker 1: on the lot and every so often to yell out

869
00:48:01,320 --> 00:48:03,719
Speaker 1: the window to tell those pesky grease kids to keep

870
00:48:03,760 --> 00:48:06,279
Speaker 1: the racket down and to make it up to him.

871
00:48:06,400 --> 00:48:10,000
Speaker 1: Just before shooting began, the production invited Jack Nicholson, some

872
00:48:10,600 --> 00:48:14,000
Speaker 1: studio executives and Warren Beatty, who was filming. Heaven can

873
00:48:14,080 --> 00:48:16,480
Speaker 1: wait to just watch a run through of the musical

874
00:48:16,600 --> 00:48:20,359
Speaker 1: numbers which they performed like a review, which I love.

875
00:48:21,000 --> 00:48:24,040
Speaker 1: That's another Zanna do tie in. Oh Yeah, you're right,

876
00:48:24,440 --> 00:48:27,400
Speaker 1: because heaven can wait is a remaink of the film

877
00:48:27,520 --> 00:48:32,200
Speaker 1: that Zanna do is a reboot of a sequel to yeah,

878
00:48:32,480 --> 00:48:38,560
Speaker 1: well said that. Yeah, Jesus Christ, that movie. Uh, you

879
00:48:38,640 --> 00:48:42,319
Speaker 1: had something about a mouseketeer in here. You're Weirdo. Oh yeah,

880
00:48:42,400 --> 00:48:45,440
Speaker 1: that's right, it's it's a weird fifties throwback. The drummer

881
00:48:45,520 --> 00:48:48,719
Speaker 1: for the rehearsal band was Cubby O'Brien, who was one

882
00:48:48,760 --> 00:48:52,439
Speaker 1: of the original mousketeers. And you know who was also

883
00:48:52,520 --> 00:48:57,760
Speaker 1: a Mousketeer, Britney spears. Yeah, on Britney Spears connection to Greece.

884
00:48:58,440 --> 00:49:01,200
Speaker 1: After these rehearsals were complete, the grease production went to

885
00:49:01,239 --> 00:49:04,040
Speaker 1: shoot on location at Venice High School, which is the

886
00:49:04,120 --> 00:49:06,719
Speaker 1: same school where Britney Spears filmed the video for hit

887
00:49:06,800 --> 00:49:10,880
Speaker 1: me baby one more time, which is incredible. Sadly, they

888
00:49:11,000 --> 00:49:13,640
Speaker 1: mostly did exterior shots at Venice High School, so you

889
00:49:13,719 --> 00:49:16,760
Speaker 1: can't actually see the Hallway Brittany dance through in Greece.

890
00:49:16,840 --> 00:49:19,400
Speaker 1: That would have been amazing. To all intents of purposes,

891
00:49:19,520 --> 00:49:22,240
Speaker 1: filming Greece was basically like going back to high school.

892
00:49:22,560 --> 00:49:26,120
Speaker 1: Producer Alan Carr, who was not especially well liked in

893
00:49:26,239 --> 00:49:28,960
Speaker 1: high school, later said making this movie was like being

894
00:49:29,040 --> 00:49:31,440
Speaker 1: the president of the class in high school. It was

895
00:49:31,520 --> 00:49:34,399
Speaker 1: a big party from the very first day until it ended.

896
00:49:34,800 --> 00:49:37,560
Speaker 1: And is that one? Is that one being president school

897
00:49:37,719 --> 00:49:41,680
Speaker 1: was like? This was all especially cool for Living Newton

898
00:49:41,760 --> 00:49:45,399
Speaker 1: John because she'd gone to like, you know, preppy Australian

899
00:49:45,480 --> 00:49:48,840
Speaker 1: school with stuffy uniforms and they even had separate entrances

900
00:49:48,960 --> 00:49:51,000
Speaker 1: for boys and girls. So she would say. You know,

901
00:49:51,120 --> 00:49:53,520
Speaker 1: for me this is breaking out and living the school

902
00:49:53,560 --> 00:49:55,960
Speaker 1: experience that I never had. I don't know why I

903
00:49:56,000 --> 00:49:58,160
Speaker 1: love this factory so much. But according to the Fort

904
00:49:58,400 --> 00:50:02,080
Speaker 1: Anniversary special features for Reas, the cast chewed about one

905
00:50:02,200 --> 00:50:05,600
Speaker 1: hundred thousand pieces of bubblegum during the shoot, which is

906
00:50:05,760 --> 00:50:09,840
Speaker 1: equal to roughly five thousand pieces a day, which doesn't

907
00:50:09,920 --> 00:50:13,279
Speaker 1: seem possible when I look at the cast. Yeah, we're

908
00:50:13,360 --> 00:50:17,160
Speaker 1: like divide that by the IMDB. Yeah, I don't know

909
00:50:17,320 --> 00:50:20,160
Speaker 1: that's just but it's. I checked it with the official,

910
00:50:20,280 --> 00:50:25,319
Speaker 1: like grease website. Anyway, good glory. Yeah, D D Con

911
00:50:25,520 --> 00:50:27,920
Speaker 1: said that they all stayed in character all day and

912
00:50:28,080 --> 00:50:30,320
Speaker 1: called each other by their character names and sang a

913
00:50:30,400 --> 00:50:33,000
Speaker 1: lot of fifties songs even when the cameras weren't rolling.

914
00:50:33,600 --> 00:50:35,760
Speaker 1: And this kind of backfired for the woman who played

915
00:50:35,800 --> 00:50:39,440
Speaker 1: the annoying preppy girl, Patty Simcox, who was a former

916
00:50:39,480 --> 00:50:43,759
Speaker 1: Miss America finalist named Susan Buckner, and she apparently was

917
00:50:43,880 --> 00:50:46,680
Speaker 1: ostracized by the cast on the set, and d d

918
00:50:46,840 --> 00:50:49,840
Speaker 1: Con admitted as much. You know, G D CON plays Frenchie.

919
00:50:50,160 --> 00:50:52,600
Speaker 1: She said we all made fun of her and ignored her,

920
00:50:52,920 --> 00:50:55,920
Speaker 1: but Susan Buckner came out ahead because she had an

921
00:50:55,960 --> 00:50:59,560
Speaker 1: onset affair with Knnicki, which we'll talk about shortly. But

922
00:51:00,120 --> 00:51:02,480
Speaker 1: direk to Randall. Kleiser kept a really close eye on

923
00:51:02,600 --> 00:51:05,880
Speaker 1: his cast when he wasn't shooting to incorporate their kind

924
00:51:05,920 --> 00:51:09,600
Speaker 1: of real life camaraderie into the film, and I love

925
00:51:09,680 --> 00:51:12,560
Speaker 1: this so much. The cast of the bad news bears,

926
00:51:12,680 --> 00:51:15,719
Speaker 1: the Little League movie was, I guess, shooting nearby and

927
00:51:15,760 --> 00:51:18,319
Speaker 1: they challenged the cast of Greece to a baseball game,

928
00:51:18,600 --> 00:51:22,160
Speaker 1: with John Travolta acting as the team's pitcher. Who One?

929
00:51:23,160 --> 00:51:28,040
Speaker 1: I have got to say, Greece whipped asid and beat

930
00:51:28,080 --> 00:51:32,080
Speaker 1: those little kids. Yeah, bad news bears, it's a kids movie.

931
00:51:32,120 --> 00:51:34,120
Speaker 1: Maybe it was the crew on the movie. I don't know.

932
00:51:34,280 --> 00:51:38,399
Speaker 1: Travolta hits a line drive. Yeah, it gives it Walter

933
00:51:38,520 --> 00:51:42,439
Speaker 1: mathow black eye. Yeah, I I don't know. I wanted

934
00:51:42,480 --> 00:51:45,879
Speaker 1: a more. That's like the the the eagles playing Um

935
00:51:46,239 --> 00:51:49,360
Speaker 1: the staff at rolling stone in the Seventies. Like the

936
00:51:49,440 --> 00:51:52,600
Speaker 1: Eagles got so pissed at rolling stone for just ripping

937
00:51:52,640 --> 00:51:54,960
Speaker 1: them in reviews that I don't know how this happened,

938
00:51:55,000 --> 00:51:57,359
Speaker 1: but they challenge you on winner and his staff too,

939
00:51:58,440 --> 00:52:02,040
Speaker 1: like a softball game. And then but eagles even had

940
00:52:02,080 --> 00:52:04,040
Speaker 1: this is when the eagles were making stupid money and

941
00:52:04,160 --> 00:52:06,719
Speaker 1: gacked out of their minds and they had like uniforms

942
00:52:06,800 --> 00:52:12,560
Speaker 1: made and everything. Oh my God, I think there was one. Yeah,

943
00:52:12,640 --> 00:52:15,919
Speaker 1: compare that to led Zeppelin who, like John Bonham, would

944
00:52:15,920 --> 00:52:19,080
Speaker 1: have just fought everyone in that office bare handed. And

945
00:52:19,360 --> 00:52:24,640
Speaker 1: one the eagles ran them. Don Henley's like, we'll play baseball.

946
00:52:25,080 --> 00:52:28,080
Speaker 1: That'll teach you guys. I don't know if that's how

947
00:52:28,520 --> 00:52:32,160
Speaker 1: Hanley talks. He'll suit me just for saying when I

948
00:52:32,239 --> 00:52:38,880
Speaker 1: cut that. So it was a topic. Well, yeah, it

949
00:52:39,040 --> 00:52:41,239
Speaker 1: was a really fun shoot for most people, but not

950
00:52:41,440 --> 00:52:44,000
Speaker 1: so fun for John Travolta. He was coping with the

951
00:52:44,080 --> 00:52:48,200
Speaker 1: death of his girlfriend, the actress Diana Highland, who started

952
00:52:48,239 --> 00:52:50,680
Speaker 1: with him in the boy in the plastic bubble, and

953
00:52:50,880 --> 00:52:53,520
Speaker 1: she died of cancer that Spring, apparently dying in John

954
00:52:53,560 --> 00:52:56,440
Speaker 1: Travolta's arms, and you would know what to look at him,

955
00:52:56,520 --> 00:52:59,600
Speaker 1: but he was really struggling during the shoot. He couldn't

956
00:52:59,640 --> 00:53:02,640
Speaker 1: sleep and he'd call director Randall Klaiser at all hours

957
00:53:02,719 --> 00:53:05,960
Speaker 1: of the night just to talk and uh Travolta later

958
00:53:06,040 --> 00:53:08,840
Speaker 1: said that doing Greece was, quote, a great distraction for me.

959
00:53:09,280 --> 00:53:11,279
Speaker 1: It was probably the healthiest thing I could have done

960
00:53:11,360 --> 00:53:13,279
Speaker 1: to be in back to back movies, because that was

961
00:53:13,440 --> 00:53:17,120
Speaker 1: very sad, I guess. People magazine published a big cover

962
00:53:17,280 --> 00:53:19,680
Speaker 1: story on her death and someone made the mistake of

963
00:53:19,840 --> 00:53:22,400
Speaker 1: leaving the issue on the set. Was the day they

964
00:53:22,440 --> 00:53:25,440
Speaker 1: were shooting grease lightning and Travolta happened to see it and,

965
00:53:25,520 --> 00:53:30,560
Speaker 1: according to claiser, he just went completely ashen. So Travolta

966
00:53:30,719 --> 00:53:33,360
Speaker 1: was having a rough go of it, but that was

967
00:53:33,480 --> 00:53:36,560
Speaker 1: more or less the solitary cloud during the whole production.

968
00:53:37,320 --> 00:53:40,080
Speaker 1: Everybody really got along great. During the sleep overseene at

969
00:53:40,080 --> 00:53:43,279
Speaker 1: Frenchie's house, the actresses all hung out and painted each

970
00:53:43,280 --> 00:53:46,000
Speaker 1: other's nails and had pillow fights and and that's the

971
00:53:46,040 --> 00:53:48,719
Speaker 1: scene with the pink ladies, Mock Sandy who, it must

972
00:53:48,760 --> 00:53:51,520
Speaker 1: be said, is too pure to be pink. Remember by

973
00:53:51,600 --> 00:53:55,480
Speaker 1: singing look at me, I'm Sandra D and there's an

974
00:53:55,520 --> 00:53:57,320
Speaker 1: interesting moment with that song. There's a line in the

975
00:53:57,400 --> 00:54:01,080
Speaker 1: song where Rizzo, in mock horror, sings elvis, Elvis. Let

976
00:54:01,160 --> 00:54:04,840
Speaker 1: me be keep that pelvis far from me, and that

977
00:54:05,040 --> 00:54:07,040
Speaker 1: line was actually one of the few lines that was

978
00:54:07,160 --> 00:54:09,640
Speaker 1: changed from the stage version, which had originally been no

979
00:54:09,880 --> 00:54:14,279
Speaker 1: nos Salmnio. I would never stoop so low, but Salmnio,

980
00:54:14,400 --> 00:54:16,920
Speaker 1: the fifties heart throb from revel without a cause, had

981
00:54:17,000 --> 00:54:20,040
Speaker 1: just been murdered in Los Angeles shortly before shooting, so

982
00:54:20,160 --> 00:54:22,440
Speaker 1: they changed it to me about Elvis. And then the

983
00:54:22,520 --> 00:54:26,680
Speaker 1: day they filmed the scene was August seventy seven, the

984
00:54:26,760 --> 00:54:30,560
Speaker 1: day elvis died. So apparently they heard the news just

985
00:54:30,800 --> 00:54:35,120
Speaker 1: moments before shooting this scene singing the song with references

986
00:54:35,160 --> 00:54:37,960
Speaker 1: to Elvis, and Rand La Klier said afterwards it was

987
00:54:38,040 --> 00:54:40,360
Speaker 1: all over the news. So everyone knew we did this

988
00:54:40,480 --> 00:54:42,719
Speaker 1: number and everybody kind of looked each other like yeah,

989
00:54:42,840 --> 00:54:50,120
Speaker 1: this is creepy. So that's weird boy. Uh. Weirdly, that's

990
00:54:50,160 --> 00:54:53,600
Speaker 1: not the only connection Elvis has to Greece. Producers initially

991
00:54:53,640 --> 00:54:56,000
Speaker 1: considered him for the role of the teen idol who

992
00:54:56,080 --> 00:54:59,719
Speaker 1: sings beauty school dropout to Frenchie, which I think would

993
00:54:59,760 --> 00:55:03,040
Speaker 1: have been absolutely grotesque. Can you imagine seventy seven era

994
00:55:03,200 --> 00:55:06,360
Speaker 1: Elvis looking like a tan sausage and all white backdrop,

995
00:55:06,760 --> 00:55:09,839
Speaker 1: recruiting to d d Con like I just I that. Yeah,

996
00:55:10,680 --> 00:55:15,320
Speaker 1: Donny Osmond was also considered, uh, the Second Osmond reference

997
00:55:15,360 --> 00:55:18,520
Speaker 1: in this episode, and Frankie Valley claimed that he was

998
00:55:18,560 --> 00:55:21,160
Speaker 1: given a choice between playing the teen idol or singing

999
00:55:21,239 --> 00:55:24,480
Speaker 1: the title song, and he opted for the title Song,

1000
00:55:24,600 --> 00:55:27,799
Speaker 1: which that seems like a crop but okay. The role

1001
00:55:27,840 --> 00:55:31,520
Speaker 1: eventually went to Frankie Avalon, who initially resisted it for

1002
00:55:31,680 --> 00:55:35,240
Speaker 1: fear of being type cast as a teen idol, which again,

1003
00:55:35,360 --> 00:55:37,799
Speaker 1: it's like Fonzie not wanting to be Danny Zuko because

1004
00:55:37,800 --> 00:55:42,480
Speaker 1: he was worried about being type casts a little late. Um, weirdly,

1005
00:55:42,800 --> 00:55:46,280
Speaker 1: Frankie avalon was persuaded to accept the part when producers

1006
00:55:46,400 --> 00:55:51,239
Speaker 1: described the scene. Apparently, an angel singing to a bunch

1007
00:55:51,320 --> 00:55:55,680
Speaker 1: of teenagers dressed in white mirrored a recurring dream that

1008
00:55:55,800 --> 00:55:59,560
Speaker 1: avalon's cousin had told them about years before, and he

1009
00:55:59,640 --> 00:56:01,560
Speaker 1: took at as some kind of a sign that he

1010
00:56:01,640 --> 00:56:04,600
Speaker 1: had to do the movie. What are you saying to

1011
00:56:04,719 --> 00:56:09,839
Speaker 1: me right now? Yeah, Frankie Avalon's cousin had kept having

1012
00:56:09,840 --> 00:56:13,640
Speaker 1: a recurring dream about an angel singing to teenagers the

1013
00:56:13,760 --> 00:56:17,080
Speaker 1: white background and told him about it years earlier, and

1014
00:56:17,160 --> 00:56:19,239
Speaker 1: so when they described the scene to frankie. He was like,

1015
00:56:19,320 --> 00:56:21,160
Speaker 1: Oh my God, this is some kind of a sign.

1016
00:56:21,280 --> 00:56:23,720
Speaker 1: Like my cousin has been having this recurring dream for years.

1017
00:56:24,080 --> 00:56:25,920
Speaker 1: It's got to be faded or something. I have to

1018
00:56:26,000 --> 00:56:29,799
Speaker 1: do this movie. Um, you know, he's pushing fordy when

1019
00:56:29,840 --> 00:56:32,800
Speaker 1: he made this, but he still had swag and French.

1020
00:56:32,840 --> 00:56:36,799
Speaker 1: She was smitten in real life. D D Con later

1021
00:56:36,880 --> 00:56:40,480
Speaker 1: said there was no acting going on which during her

1022
00:56:40,520 --> 00:56:43,440
Speaker 1: reaction shots, but she's just staring at him, mouth agape

1023
00:56:43,480 --> 00:56:48,919
Speaker 1: and eyes a glow in a mix of lust and all. Hilariously,

1024
00:56:50,200 --> 00:56:52,960
Speaker 1: the shoot was not fun for Frankie. Avalon he was

1025
00:56:53,080 --> 00:56:56,680
Speaker 1: absolutely terrified. He's really afraid of heights and when he

1026
00:56:56,760 --> 00:56:59,799
Speaker 1: realized he had to descend the slippery three story stare

1027
00:57:00,040 --> 00:57:03,360
Speaker 1: case that had no railings on it, he wasn't happy

1028
00:57:03,520 --> 00:57:05,960
Speaker 1: and he nearly backed out in the middle of the shoot.

1029
00:57:06,560 --> 00:57:09,759
Speaker 1: He later recalled I get really frightened and panicky with this.

1030
00:57:10,200 --> 00:57:12,640
Speaker 1: After the second take I said to Randle, the director,

1031
00:57:12,840 --> 00:57:16,080
Speaker 1: you gotta Cut, I can't do this, and Randall, to

1032
00:57:16,440 --> 00:57:19,120
Speaker 1: try to chill Frankie out, put a bunch of mattresses

1033
00:57:19,480 --> 00:57:22,200
Speaker 1: on either side of the staircase just to like calm

1034
00:57:22,280 --> 00:57:26,960
Speaker 1: him down. Um, a darker side about beauties, gold dropout.

1035
00:57:27,280 --> 00:57:29,880
Speaker 1: This was a song from the original Broadway show. The

1036
00:57:29,960 --> 00:57:32,720
Speaker 1: plays creators were inspired to write the song after learning

1037
00:57:32,720 --> 00:57:34,720
Speaker 1: about a woman who dropped out of beauty school to

1038
00:57:34,760 --> 00:57:40,160
Speaker 1: become a murderer, who among us um but enough about murder.

1039
00:57:40,400 --> 00:57:44,080
Speaker 1: This is a movie about young love. The film opens

1040
00:57:44,120 --> 00:57:46,320
Speaker 1: with Danny and Sandy Kissing on the beach, which is

1041
00:57:46,360 --> 00:57:48,240
Speaker 1: an allusion to the famous scene and from here to

1042
00:57:48,360 --> 00:57:52,160
Speaker 1: eternity with Burt Lancaster. Danny's windbreaker is a non to

1043
00:57:52,280 --> 00:57:55,200
Speaker 1: the famous red one born by James Dean and the

1044
00:57:55,320 --> 00:57:58,920
Speaker 1: quintessential fifties teen movie rebel without a cause. That was

1045
00:57:59,000 --> 00:58:02,200
Speaker 1: filmed at Leo Korea State Beach which, as we mentioned

1046
00:58:02,240 --> 00:58:04,840
Speaker 1: on the contact episode, that is the beach where Jodie

1047
00:58:04,880 --> 00:58:08,600
Speaker 1: foster has her alien encounter with her late father, played

1048
00:58:08,640 --> 00:58:10,840
Speaker 1: by David Morse, at the end of the movie. Also

1049
00:58:10,960 --> 00:58:12,800
Speaker 1: used in that thing you do for the scene with

1050
00:58:13,000 --> 00:58:16,320
Speaker 1: the band film of Beach Party weekend at Party peer

1051
00:58:16,440 --> 00:58:20,360
Speaker 1: with Captain Geach and the shrimp shack shooters. How did

1052
00:58:20,400 --> 00:58:23,200
Speaker 1: I get that one out? Yeah, why haven't you been

1053
00:58:23,240 --> 00:58:27,080
Speaker 1: there yet? Seriously, yeah, I talking with the ailgrimage. All

1054
00:58:27,160 --> 00:58:29,840
Speaker 1: my favorite movies for a film there. This is their

1055
00:58:29,840 --> 00:58:33,080
Speaker 1: only kids in the movie. H and Olivia Newton John

1056
00:58:33,080 --> 00:58:36,200
Speaker 1: admitted to being nervous for it because, you know, new

1057
00:58:36,280 --> 00:58:39,720
Speaker 1: to the screen. Love scenes were new to her. But Um,

1058
00:58:40,120 --> 00:58:43,120
Speaker 1: you know, their relationship is weird because it suggested at

1059
00:58:43,120 --> 00:58:45,480
Speaker 1: the beginning of the movie that Danny and Rizzo used

1060
00:58:45,520 --> 00:58:49,440
Speaker 1: to date. Right. Yeah, yeah, I remember, like one of

1061
00:58:49,480 --> 00:58:52,040
Speaker 1: the pink ladies goes up to Rizz he's seeing Zuko. Yeah,

1062
00:58:52,040 --> 00:58:54,080
Speaker 1: he's looking pretty good this year. It's like a lot

1063
00:58:54,120 --> 00:58:56,400
Speaker 1: of little allusions to the fact that they used to date.

1064
00:58:56,560 --> 00:58:59,880
Speaker 1: So I'm curious about how Danny feels that his best

1065
00:59:00,080 --> 00:59:05,640
Speaker 1: friend got his ex pregnant. Well, Stockard channing, who played Rizzo,

1066
00:59:05,720 --> 00:59:10,280
Speaker 1: says that Jeff conaway was a real horn dog on

1067
00:59:10,440 --> 00:59:14,000
Speaker 1: the set. He even insisted on giving her the infamous

1068
00:59:14,040 --> 00:59:17,440
Speaker 1: Hickey from knickie himself. During an appearance on watch what

1069
00:59:17,560 --> 00:59:20,760
Speaker 1: happens live a few years back, Andy Cohen asked Stockard

1070
00:59:20,840 --> 00:59:25,200
Speaker 1: to name the hornyest cast mate on Greece. AH, she said,

1071
00:59:25,280 --> 00:59:29,840
Speaker 1: no contest, Jeff conaway. The trailer would be rocking at lunchtime.

1072
00:59:30,240 --> 00:59:33,720
Speaker 1: If this trailers are rocking, don't come and knocking. According

1073
00:59:33,800 --> 00:59:36,840
Speaker 1: to the actress who played Patty Simcox, one time Miss

1074
00:59:36,960 --> 00:59:40,720
Speaker 1: USA finalists, Susan Buckner. She and conaway had an affair or,

1075
00:59:40,800 --> 00:59:45,400
Speaker 1: as she calls it, a trailer moment. UH, she said

1076
00:59:46,000 --> 00:59:49,560
Speaker 1: we had to practice him pulling up my dress, which

1077
00:59:51,720 --> 00:59:56,960
Speaker 1: hand jive dance number. Yeah, uh. She also spent years

1078
00:59:57,520 --> 01:00:01,240
Speaker 1: directing children's theater, staging annual productions of Greece at an

1079
01:00:01,280 --> 01:00:07,479
Speaker 1: elementary school, which means at some point she was re enacting. Nope, Nope, nope,

1080
01:00:07,520 --> 01:00:10,680
Speaker 1: we're not going there. Back to Jeff, that horned dog.

1081
01:00:11,440 --> 01:00:14,400
Speaker 1: He took an active interest in helping everyone else on

1082
01:00:14,520 --> 01:00:17,920
Speaker 1: this film also have sex. And Yeah, you know, you

1083
01:00:18,040 --> 01:00:20,520
Speaker 1: got to give back to the little people, and this

1084
01:00:20,720 --> 01:00:22,680
Speaker 1: extended to trying to get a hooker for the guy

1085
01:00:22,720 --> 01:00:26,280
Speaker 1: who played Eugene, the Nerd, played by veteran character actor

1086
01:00:26,400 --> 01:00:32,920
Speaker 1: Eddie deason. Deason was a virgin and uh was terrified

1087
01:00:33,000 --> 01:00:34,560
Speaker 1: that he was going to show up to his trailer

1088
01:00:34,640 --> 01:00:38,960
Speaker 1: and find a hooker procured by Jeff goneaway. Um, I

1089
01:00:39,120 --> 01:00:40,800
Speaker 1: just love that the guy who played the nerd in

1090
01:00:40,880 --> 01:00:43,360
Speaker 1: the movie was driven to the set every day by

1091
01:00:43,440 --> 01:00:46,480
Speaker 1: the villain crater face, you know, the guy that they

1092
01:00:46,560 --> 01:00:48,439
Speaker 1: have the race with at the end of the movie.

1093
01:00:48,520 --> 01:00:50,520
Speaker 1: Picked him up every morning drove him the shoot, which

1094
01:00:50,600 --> 01:00:53,200
Speaker 1: I find adorable. NERDS and nerds and bullies. You know,

1095
01:00:53,320 --> 01:00:56,320
Speaker 1: Samuel Beckett used to drive under the giant to school

1096
01:00:56,640 --> 01:01:00,280
Speaker 1: in his cart. I'm not falling for at this time.

1097
01:01:00,960 --> 01:01:03,280
Speaker 1: That's real. That's not a setup to a joke. That's

1098
01:01:03,280 --> 01:01:05,800
Speaker 1: an actual, real thing. Beckett was living in France and

1099
01:01:05,920 --> 01:01:10,520
Speaker 1: in Grenoble and used to take a a then boulder

1100
01:01:10,640 --> 01:01:15,320
Speaker 1: sized Andre the giant Um to school and his, I

1101
01:01:15,360 --> 01:01:18,240
Speaker 1: don't know, his apple cart, whatever Samuel Buick had had

1102
01:01:18,280 --> 01:01:21,520
Speaker 1: at that point. Anyway, back to Knnicki and Rizzo. There

1103
01:01:21,640 --> 01:01:24,600
Speaker 1: is a missing scene of Rizzo and Cannicki having an argument,

1104
01:01:24,960 --> 01:01:27,560
Speaker 1: which explains why they're so tenser in the diner scene

1105
01:01:27,560 --> 01:01:30,560
Speaker 1: when she throws a malt at him. That was cut

1106
01:01:30,920 --> 01:01:34,440
Speaker 1: because it was so vicious. One crew member described as

1107
01:01:34,480 --> 01:01:38,240
Speaker 1: looking like something Martin Scorsese might have directed. Are In

1108
01:01:38,320 --> 01:01:41,520
Speaker 1: fact checking me on Beckett Andre the I didn't make

1109
01:01:41,560 --> 01:01:46,200
Speaker 1: it up. Some of the stuff they did leave in

1110
01:01:46,560 --> 01:01:49,680
Speaker 1: is not exactly kid friendly, though. You know, there's a

1111
01:01:49,720 --> 01:01:51,960
Speaker 1: lot of Innuendo in there, and that was on purpose.

1112
01:01:52,160 --> 01:01:54,600
Speaker 1: Director Randall Kaiser said we wanted to put as many

1113
01:01:55,080 --> 01:01:58,960
Speaker 1: sexual innuendos as we could, because that's what makes it fun.

1114
01:01:59,680 --> 01:02:03,440
Speaker 1: The hand. Yeah, considering this would go on to be

1115
01:02:03,560 --> 01:02:07,600
Speaker 1: staged by every elementary, middle and high school theater company

1116
01:02:07,720 --> 01:02:14,040
Speaker 1: in the country, but you know, hindsight. Uh. There's the hand.

1117
01:02:14,160 --> 01:02:17,320
Speaker 1: Give Um Connecki and Rizzo having sex in the back

1118
01:02:17,360 --> 01:02:20,360
Speaker 1: of the car and breaking the condom. There's been spontane

1119
01:02:20,400 --> 01:02:23,760
Speaker 1: trying to slip a drug into Marty's coke. Rizzo saying,

1120
01:02:23,800 --> 01:02:27,560
Speaker 1: what is this? A Gang Bang, which is, you know,

1121
01:02:27,800 --> 01:02:31,240
Speaker 1: variously interpreted as a gang fight, or the other thing?

1122
01:02:32,440 --> 01:02:35,920
Speaker 1: I've never heard that uses a gang fight. No, no,

1123
01:02:36,760 --> 01:02:39,560
Speaker 1: I'm just trying to give you that one so we

1124
01:02:39,600 --> 01:02:42,520
Speaker 1: can keep the PG rating so my heart doesn't come

1125
01:02:42,560 --> 01:02:47,120
Speaker 1: after us. Uh. Rizzo saying, Um, what's up to Kinnicki?

1126
01:02:47,200 --> 01:02:51,800
Speaker 1: Who Responds one guess. Um. There's that line in summer loving.

1127
01:02:51,880 --> 01:02:55,720
Speaker 1: Did she put up a fight? Which? And then there's uh,

1128
01:02:56,080 --> 01:03:00,600
Speaker 1: you know, grease lightning, which is about, you know, doing

1129
01:03:00,680 --> 01:03:04,800
Speaker 1: the whole Horizontal Mambo in the back seat of a car. UH,

1130
01:03:05,160 --> 01:03:10,200
Speaker 1: the line the chicks will cream and she's a real

1131
01:03:10,360 --> 01:03:13,760
Speaker 1: shagging wagon. I don't remember what we changed this too

1132
01:03:13,760 --> 01:03:15,640
Speaker 1: in my high school. But you know, I think we

1133
01:03:15,720 --> 01:03:18,440
Speaker 1: did scream in my high school. This was the I

1134
01:03:18,600 --> 01:03:21,440
Speaker 1: wasn't allowed to participate in this song because my I

1135
01:03:21,520 --> 01:03:24,600
Speaker 1: couldn't dance like that was the I could sing but

1136
01:03:24,800 --> 01:03:28,400
Speaker 1: I couldn't all the dance numbers. I just had to

1137
01:03:28,560 --> 01:03:32,080
Speaker 1: sit out because I was so hopeless. Crew of like

1138
01:03:32,520 --> 01:03:36,240
Speaker 1: sixty people on the stage, but I was so bad

1139
01:03:36,320 --> 01:03:39,760
Speaker 1: that I stuck out. So yeah, grease lightning I don't

1140
01:03:39,840 --> 01:03:43,160
Speaker 1: like very much because I have memories of screwing it up.

1141
01:03:43,200 --> 01:03:45,160
Speaker 1: But you know who else didn't have a good time

1142
01:03:45,240 --> 01:03:48,680
Speaker 1: doing it? John Travolta. Well, I mean there's that scene

1143
01:03:48,760 --> 01:03:51,600
Speaker 1: there where he rubs plastic wrap on his Crotch, which is,

1144
01:03:51,840 --> 01:03:56,040
Speaker 1: I guess, a nod to the longstanding, woefully ignorant days

1145
01:03:56,080 --> 01:03:57,840
Speaker 1: of birth control in this country, when they said you

1146
01:03:57,880 --> 01:04:01,400
Speaker 1: could Suran wrap your use it as a condom. I

1147
01:04:01,480 --> 01:04:02,800
Speaker 1: guess they made more of a deal out of it

1148
01:04:02,880 --> 01:04:05,280
Speaker 1: in the play and then they were like we'll cut

1149
01:04:05,360 --> 01:04:08,160
Speaker 1: it in the in the movie, and then, bless him,

1150
01:04:08,600 --> 01:04:13,320
Speaker 1: Travolta did it anyway. Overall, John Travolta really loved doing

1151
01:04:13,360 --> 01:04:16,240
Speaker 1: these musical numbers and he later said nobody can imagine

1152
01:04:16,280 --> 01:04:19,160
Speaker 1: how dynamic it feels to be in a musical. Imagine

1153
01:04:19,200 --> 01:04:21,520
Speaker 1: you're on the set. Do you have your choreography down,

1154
01:04:21,800 --> 01:04:24,560
Speaker 1: you have this music blasting, and then the director says

1155
01:04:24,680 --> 01:04:27,640
Speaker 1: action and you just take off like a balloon. In

1156
01:04:27,720 --> 01:04:31,280
Speaker 1: this other dimension you just feel alive. This all. I'm sorry,

1157
01:04:31,360 --> 01:04:34,800
Speaker 1: this all sounds like scientology text to me. Um, take

1158
01:04:34,840 --> 01:04:38,720
Speaker 1: off like a balloon in this other dimension, you just

1159
01:04:38,800 --> 01:04:44,000
Speaker 1: feel alive. God bless that man. Uh. But when it

1160
01:04:44,080 --> 01:04:46,360
Speaker 1: came time to shoot grease lightning, he was a little

1161
01:04:46,400 --> 01:04:48,480
Speaker 1: out of sorts and, as I said earlier, this was

1162
01:04:48,520 --> 01:04:51,000
Speaker 1: the day that someone left the People magazine lying around

1163
01:04:51,080 --> 01:04:54,400
Speaker 1: with the cover story about Diana highlands, his late girlfriend,

1164
01:04:54,640 --> 01:04:58,040
Speaker 1: and reading it just before taping. This completely threw him

1165
01:04:58,040 --> 01:05:00,640
Speaker 1: off his game and he apparently flubbed of the lines.

1166
01:05:00,800 --> 01:05:04,880
Speaker 1: He couldn't get the line go grease lightning, your coasting

1167
01:05:04,960 --> 01:05:08,320
Speaker 1: through the heat lap trials. He kept singing heap lap

1168
01:05:08,920 --> 01:05:10,440
Speaker 1: and no matter how many times he did, he just

1169
01:05:10,480 --> 01:05:12,720
Speaker 1: couldn't get it. So but dire actually just you know,

1170
01:05:13,000 --> 01:05:15,640
Speaker 1: I was feeling bad for him, knowing how what a

1171
01:05:15,720 --> 01:05:18,720
Speaker 1: rough day he was having, so we just let it go. Um,

1172
01:05:19,240 --> 01:05:22,040
Speaker 1: grease lightning was originally supposed to be Jeff CONAWAY's big

1173
01:05:22,120 --> 01:05:25,200
Speaker 1: solo number in the play. Knicky had always been the

1174
01:05:25,240 --> 01:05:27,600
Speaker 1: one to sing it, which makes sense because it's his car,

1175
01:05:28,160 --> 01:05:31,800
Speaker 1: but then Trevolti pooled, kind of a diva move and

1176
01:05:32,640 --> 01:05:35,760
Speaker 1: Song for himself. UH, he says as much in the

1177
01:05:35,840 --> 01:05:39,040
Speaker 1: Vanity Fair piece for the anniversary. He said, I'm going

1178
01:05:39,080 --> 01:05:41,560
Speaker 1: to be completely honest with you, I wanted the number

1179
01:05:41,840 --> 01:05:45,480
Speaker 1: and because I had cloud I could get the number. Hilariously,

1180
01:05:45,640 --> 01:05:47,480
Speaker 1: and I have no idea how this would work in

1181
01:05:47,600 --> 01:05:50,280
Speaker 1: an early version of the script, producers wanted to get

1182
01:05:50,320 --> 01:05:52,800
Speaker 1: the beach boys to magically appear in the garage and

1183
01:05:52,880 --> 01:05:57,040
Speaker 1: sing the song, which is bizarre but also kind of rules. Yeah,

1184
01:05:58,120 --> 01:06:00,040
Speaker 1: it sounds like four all nine, like yeah, so like

1185
01:06:00,120 --> 01:06:03,080
Speaker 1: one of the beach boys car songs. But yeah, this

1186
01:06:03,280 --> 01:06:05,600
Speaker 1: was in addition to being a rough day for John Travolta,

1187
01:06:05,720 --> 01:06:09,360
Speaker 1: was also a rough day for Jeff conaway playing knnicki again.

1188
01:06:09,520 --> 01:06:13,080
Speaker 1: He'd been demoted from Danny to Knnicki and now his

1189
01:06:13,240 --> 01:06:17,480
Speaker 1: featured song had been taken away. And I even read

1190
01:06:17,560 --> 01:06:20,880
Speaker 1: somewhere that he had to walk slightly stooped over because

1191
01:06:20,920 --> 01:06:23,439
Speaker 1: he was a little taller than Travolta. But they wanted

1192
01:06:23,480 --> 01:06:26,120
Speaker 1: Danny Zugo to appear to be the Alpha and be taller.

1193
01:06:26,240 --> 01:06:29,520
Speaker 1: So I don't know, that's unverified, but the sentiments probably

1194
01:06:29,640 --> 01:06:34,200
Speaker 1: very real. And, and this is really sad, Jeff conaway again. Knnicki,

1195
01:06:34,560 --> 01:06:37,840
Speaker 1: was apparently completely in love with Olivia Newton John in

1196
01:06:37,880 --> 01:06:42,000
Speaker 1: a way that seems to transcend his Um Horn dog reputation.

1197
01:06:42,480 --> 01:06:44,560
Speaker 1: Like he found it hard to speak in front of her,

1198
01:06:44,680 --> 01:06:47,280
Speaker 1: like he was so besotted. Uh. And later at the

1199
01:06:47,320 --> 01:06:51,439
Speaker 1: greased cast party, he that Olivia's older sister, Rhona Newton John,

1200
01:06:51,800 --> 01:06:55,520
Speaker 1: whom he would marry a short time later, which then

1201
01:06:55,760 --> 01:07:02,960
Speaker 1: ended spectacularly in divorce, presumably because she's not her sister. Um.

1202
01:07:03,480 --> 01:07:06,200
Speaker 1: That's not the worst thing that happened to jeff as

1203
01:07:06,240 --> 01:07:10,200
Speaker 1: a result of Greece wall filming grease lightning. I guess

1204
01:07:10,320 --> 01:07:12,720
Speaker 1: I said the song that should have been his. He

1205
01:07:12,880 --> 01:07:16,320
Speaker 1: was accidentally dropped by a cast member and injured his back,

1206
01:07:17,160 --> 01:07:20,880
Speaker 1: and this injuries believed to be what sparked his lifelong

1207
01:07:20,960 --> 01:07:24,240
Speaker 1: struggle with prescription painkillers. At least that's what he said.

1208
01:07:24,480 --> 01:07:26,640
Speaker 1: He talked about it during a two th eight appearance

1209
01:07:26,720 --> 01:07:30,480
Speaker 1: on vh on'es Dr Drew, Celebrity Rehab and when he

1210
01:07:30,600 --> 01:07:33,440
Speaker 1: died in May, his death was attributed to his long

1211
01:07:33,560 --> 01:07:36,880
Speaker 1: term opiate use. So I think I just ruined uh

1212
01:07:37,560 --> 01:07:42,760
Speaker 1: grease lightning for everybody. Well, wait until you get to

1213
01:07:42,880 --> 01:07:46,040
Speaker 1: the oppressively hot scene with the stench of pork in

1214
01:07:46,120 --> 01:07:50,000
Speaker 1: your nostrils. Yes, a slightly happier dance number, the hand

1215
01:07:50,160 --> 01:07:54,200
Speaker 1: give dance contest scene. I say slightly because it was

1216
01:07:54,240 --> 01:07:59,160
Speaker 1: apparently hot as hell and rereaked of pork. This Jim

1217
01:07:59,440 --> 01:08:02,160
Speaker 1: had no air conditioning and they couldn't open the windows

1218
01:08:02,280 --> 01:08:05,160
Speaker 1: because there's a pork plant next door and the smell

1219
01:08:05,280 --> 01:08:08,600
Speaker 1: of slaughtered swine kept wafting in. But tellig just in

1220
01:08:08,680 --> 01:08:12,280
Speaker 1: the gym apparently reached upwards of a hundred and sixteen degrees,

1221
01:08:12,800 --> 01:08:15,600
Speaker 1: which was oppressive enough to cause one of the t birds,

1222
01:08:15,680 --> 01:08:19,439
Speaker 1: Michael Tucci, who played Sonny Latieri, to faint and he

1223
01:08:19,560 --> 01:08:22,960
Speaker 1: was rushed to the Er Um. Yeah, this whole scene

1224
01:08:23,040 --> 01:08:26,920
Speaker 1: cent of pork still burned into his nostrils. Yeah, this

1225
01:08:27,000 --> 01:08:29,240
Speaker 1: whole scene was a real bear to shoot. It apparently

1226
01:08:29,360 --> 01:08:32,479
Speaker 1: took three weeks of dance rehearsals and a full week

1227
01:08:32,600 --> 01:08:36,200
Speaker 1: to shoot. And big shout out to retro rockers and

1228
01:08:36,240 --> 01:08:39,400
Speaker 1: Woodstock Veterans, Shah Nah Nah, who played the house band

1229
01:08:39,800 --> 01:08:43,719
Speaker 1: Johnny Casino and the gamblers. In the original musical, Danny

1230
01:08:43,840 --> 01:08:46,720
Speaker 1: Takes Rizzo to the dance and Sandy stays at home

1231
01:08:46,800 --> 01:08:49,280
Speaker 1: and sings a song called it's raining on Prom night.

1232
01:08:49,840 --> 01:08:52,120
Speaker 1: But in the movie version she comes to the dance

1233
01:08:52,320 --> 01:08:54,600
Speaker 1: and she wasn't actually supposed to even dance in the

1234
01:08:54,680 --> 01:08:57,439
Speaker 1: scene at all. But once the choreographer Pat Burch, saw

1235
01:08:57,560 --> 01:09:00,400
Speaker 1: that Olivia could quote put one leg in front of

1236
01:09:00,439 --> 01:09:02,840
Speaker 1: the other, she arranged a quick bit for her to

1237
01:09:02,920 --> 01:09:07,080
Speaker 1: do before Danny goes wild with Cha Cha di Gregorio,

1238
01:09:07,560 --> 01:09:11,560
Speaker 1: the best dancer at St Bernardette's with the worst reputation.

1239
01:09:11,800 --> 01:09:14,559
Speaker 1: It's a great line. Watching the scene now, many people

1240
01:09:14,600 --> 01:09:17,320
Speaker 1: assume that the hand drive dances were sped up because

1241
01:09:17,360 --> 01:09:20,800
Speaker 1: it's just just so frenetic, so frantic, but that was

1242
01:09:20,840 --> 01:09:23,479
Speaker 1: just the energy in the room. Um, I had to

1243
01:09:23,520 --> 01:09:26,439
Speaker 1: sing hand drive when I was Vince Fontane. Send US

1244
01:09:26,439 --> 01:09:29,880
Speaker 1: five bucks and do the Presong rant. Yeah, I'm trying

1245
01:09:29,880 --> 01:09:32,320
Speaker 1: to remember what it was. It was like, don't give

1246
01:09:32,320 --> 01:09:34,920
Speaker 1: it away for free. Okay, I like that. He wrote

1247
01:09:35,000 --> 01:09:37,840
Speaker 1: John Travolta Goes Ham after we did this whole thing

1248
01:09:37,920 --> 01:09:41,280
Speaker 1: about it being next to a pork rendering plant. Oh yeah,

1249
01:09:41,520 --> 01:09:45,240
Speaker 1: I should have I should have actually used that. Yeah,

1250
01:09:45,320 --> 01:09:47,760
Speaker 1: Vince Fontane spends most of the scene flirting with one

1251
01:09:47,760 --> 01:09:50,599
Speaker 1: of the pink ladies. Marty Marichino was played by Dinah

1252
01:09:50,600 --> 01:09:54,240
Speaker 1: man off, and she apparently was a terrible dancer and

1253
01:09:54,520 --> 01:09:57,280
Speaker 1: despite many attempts to train her for the dance scenes,

1254
01:09:57,360 --> 01:10:00,400
Speaker 1: she just couldn't nail it. So she's always hit behind

1255
01:10:00,520 --> 01:10:06,240
Speaker 1: people in all the dance scenes, just like me. We're

1256
01:10:06,280 --> 01:10:08,320
Speaker 1: going to take a quick break, but we'll be right

1257
01:10:08,360 --> 01:10:10,960
Speaker 1: back with more, too much information, in just a moment.

1258
01:10:23,360 --> 01:10:27,120
Speaker 1: Hand give was part of the original theatrical production, but

1259
01:10:27,320 --> 01:10:29,880
Speaker 1: four songs were written especially for the film. There was

1260
01:10:29,920 --> 01:10:32,839
Speaker 1: a solo spot for each of the leads, Travolta, Sandy

1261
01:10:33,080 --> 01:10:36,400
Speaker 1: and Olivia's hopelessly devoted to you, plus their duet at

1262
01:10:36,439 --> 01:10:38,400
Speaker 1: the end. You're the one that I want, and the

1263
01:10:38,439 --> 01:10:42,800
Speaker 1: title track Greece, written by Barry Gibb Um. That's your favorite.

1264
01:10:42,840 --> 01:10:47,240
Speaker 1: Big Morn Andy's guy. Well, and he wasn't in the bigs.

1265
01:10:47,520 --> 01:10:49,280
Speaker 1: He was like so much younger that he was kind

1266
01:10:49,320 --> 01:10:52,479
Speaker 1: of his own solo act. Uh, Morris and Robin had

1267
01:10:52,560 --> 01:10:54,800
Speaker 1: my birthday so I think I should probably say them.

1268
01:10:55,320 --> 01:11:00,040
Speaker 1: There you go. December, the contracts for Travolta and be

1269
01:11:00,120 --> 01:11:02,960
Speaker 1: nitt and John Specifically stated that they each needed a

1270
01:11:03,120 --> 01:11:06,400
Speaker 1: solo spot. And Sandy was written about fifteen minutes by

1271
01:11:06,439 --> 01:11:09,280
Speaker 1: the movie's musical director, a man by the name of

1272
01:11:09,439 --> 01:11:16,080
Speaker 1: Louis St Louis. Hard to believe. They named it fie.

1273
01:11:18,680 --> 01:11:20,680
Speaker 1: Is that off the top of your head? Yeah, that

1274
01:11:20,800 --> 01:11:24,479
Speaker 1: was a good one. Um, I guess he was like

1275
01:11:24,760 --> 01:11:26,920
Speaker 1: you know, songs with women's names were popular in this

1276
01:11:27,200 --> 01:11:30,760
Speaker 1: raw like Donny by Richard Valens, sharing by the four seasons.

1277
01:11:31,439 --> 01:11:35,880
Speaker 1: Hence Sandy. Uh, you don't like this song? No, don't.

1278
01:11:35,880 --> 01:11:38,400
Speaker 1: It's a lamb song. Um, it's the one that he

1279
01:11:38,479 --> 01:11:40,559
Speaker 1: sings on a swing set at the drive in after

1280
01:11:40,680 --> 01:11:43,439
Speaker 1: sandy gets pissed at him for misbehaving in the car,

1281
01:11:43,600 --> 01:11:46,840
Speaker 1: in his sin wagon, as she says, and throws his

1282
01:11:47,000 --> 01:11:50,640
Speaker 1: ring back at him. Um, I think we played with

1283
01:11:51,000 --> 01:11:53,040
Speaker 1: didn't we play with Sin Wagon at the gutter a

1284
01:11:53,080 --> 01:11:57,320
Speaker 1: couple of years ago? I think you're right, we did. Wow, wow,

1285
01:11:57,439 --> 01:12:02,880
Speaker 1: I never made that connection. That's a great band. Again,

1286
01:12:03,000 --> 01:12:05,040
Speaker 1: I traveled to wanted that to be the big heart

1287
01:12:05,120 --> 01:12:07,880
Speaker 1: tugging moment when you know he's laying his soul bare,

1288
01:12:08,040 --> 01:12:11,960
Speaker 1: but the cartoon being projected behind him kind of undercuts that.

1289
01:12:12,360 --> 01:12:14,320
Speaker 1: Randall Kaiser got his hands on a bunch of old

1290
01:12:14,439 --> 01:12:16,640
Speaker 1: drive in shorts, you know, encouraging people to go to

1291
01:12:16,680 --> 01:12:18,960
Speaker 1: the concert. Let's all go to them, let's get a

1292
01:12:19,040 --> 01:12:23,040
Speaker 1: treat Um and UH. During the emotional climax of the

1293
01:12:23,160 --> 01:12:26,680
Speaker 1: song in the movie, screen projects a hot dog, a

1294
01:12:26,760 --> 01:12:29,960
Speaker 1: dancing hot dog jumping onto a bun. A different kind

1295
01:12:30,000 --> 01:12:35,839
Speaker 1: of climax. Yes, traveled, not happy about it. Um Olivia

1296
01:12:35,880 --> 01:12:40,080
Speaker 1: Newton Jones, corresponding lament, hopelessly devoted to you, was added

1297
01:12:40,120 --> 01:12:43,240
Speaker 1: at the very last minute, after the movie actually rapped. Again,

1298
01:12:43,360 --> 01:12:47,240
Speaker 1: another Santa do connection, I guess. Folks, if you want

1299
01:12:47,240 --> 01:12:50,000
Speaker 1: to make your movie go well, add a bunch of

1300
01:12:50,240 --> 01:12:53,840
Speaker 1: to it after it's already wrapped. Production team will hate you,

1301
01:12:54,080 --> 01:12:57,040
Speaker 1: but you'll laugh all the way to the bank. Her

1302
01:12:57,120 --> 01:13:00,479
Speaker 1: contract stipulated that she needed a solo number somewhere in

1303
01:13:00,560 --> 01:13:03,320
Speaker 1: the film, but no one had any idea where it

1304
01:13:03,520 --> 01:13:06,120
Speaker 1: didn't even have it scheduled on the production on the

1305
01:13:06,200 --> 01:13:08,680
Speaker 1: shoot list. So they just kept kicking it down to

1306
01:13:08,760 --> 01:13:10,560
Speaker 1: the road, saying, Oh, this will be a problem for

1307
01:13:10,680 --> 01:13:15,280
Speaker 1: future us until the chickens came home to roost. Finally,

1308
01:13:15,479 --> 01:13:18,840
Speaker 1: her longtime songwriter John Ferrar was instructed to knock out

1309
01:13:18,840 --> 01:13:21,200
Speaker 1: a song that sounded like the end of the world

1310
01:13:21,280 --> 01:13:24,200
Speaker 1: by Skeeter Davis. So he went off and wrote a

1311
01:13:24,320 --> 01:13:27,439
Speaker 1: song in the same style and the same musical meter.

1312
01:13:28,520 --> 01:13:31,080
Speaker 1: Producers were not thrilled with it, but they also said

1313
01:13:31,120 --> 01:13:33,840
Speaker 1: that they didn't really care because it was added again

1314
01:13:33,960 --> 01:13:35,920
Speaker 1: after the fact and it would go on to pick

1315
01:13:36,000 --> 01:13:39,320
Speaker 1: up an Oscar nomination. Randall Kleiser later said as we

1316
01:13:39,400 --> 01:13:42,080
Speaker 1: went into production there was no song and no idea

1317
01:13:42,160 --> 01:13:44,080
Speaker 1: where we would put it. It wasn't even on the

1318
01:13:44,120 --> 01:13:46,560
Speaker 1: production schedule. Time is running out and we had to

1319
01:13:46,600 --> 01:13:48,160
Speaker 1: figure out where to put the song and how to

1320
01:13:48,240 --> 01:13:50,479
Speaker 1: integrate it into the story. We came up with the

1321
01:13:50,520 --> 01:13:53,240
Speaker 1: idea of sandy wondering on the backyard singing about Danny

1322
01:13:53,360 --> 01:13:56,200
Speaker 1: after the slumber party. A set was quickly built. It

1323
01:13:56,320 --> 01:13:59,400
Speaker 1: was one of the last things shot, almost in one

1324
01:14:01,400 --> 01:14:04,360
Speaker 1: but probably the most troubled song and the entire film

1325
01:14:04,520 --> 01:14:07,479
Speaker 1: is the theme song, Sung by Frankie Valley, of the

1326
01:14:07,600 --> 01:14:12,040
Speaker 1: aforementioned four seasons. Grease is the word. It's never actually

1327
01:14:12,120 --> 01:14:14,880
Speaker 1: said in the movie the closest thing you get is

1328
01:14:15,160 --> 01:14:18,280
Speaker 1: phrase greased lightning. You know, I wonder how this played

1329
01:14:18,320 --> 01:14:25,840
Speaker 1: overseas when Greece translates close phonetically to Grassa or fat Um,

1330
01:14:26,280 --> 01:14:31,439
Speaker 1: places like Argentina, Mexico, across Latin America. They're Spanish speeching

1331
01:14:31,520 --> 01:14:35,479
Speaker 1: Spanish derivative countries. The song was released as Vassilina. No,

1332
01:14:35,680 --> 01:14:37,960
Speaker 1: that the song, the whole movie was. You look at

1333
01:14:38,000 --> 01:14:41,880
Speaker 1: these Spanish speaking countries posters for the movie. It's Vasilina

1334
01:14:42,040 --> 01:14:46,240
Speaker 1: with Livia and John and Tran Tro Falta. Oh, that's

1335
01:14:46,280 --> 01:14:49,320
Speaker 1: so gross, because doesn't that pitball, the Pitbull Song, or

1336
01:14:49,400 --> 01:14:54,960
Speaker 1: Daddy Yankee the song? It's about, like, I don't know

1337
01:14:55,040 --> 01:14:58,000
Speaker 1: what it's about. Oh, I always heard no, I'm not

1338
01:14:58,000 --> 01:15:05,400
Speaker 1: even gonna say that. Uh. For the song grease, Randall

1339
01:15:05,439 --> 01:15:09,240
Speaker 1: Kaiser had commissioned a fifties style song written by Songwriters

1340
01:15:09,360 --> 01:15:13,040
Speaker 1: Charles Fox and Paul Williams. Paul Williams head of ascap

1341
01:15:13,160 --> 01:15:18,200
Speaker 1: from very many years right. Rainbow Connection? Yeah, yeah, yeah,

1342
01:15:18,280 --> 01:15:21,400
Speaker 1: Paul Williams popped up on that daft punk album after

1343
01:15:21,520 --> 01:15:25,640
Speaker 1: like seventy years of eight activity and, more relevant to

1344
01:15:25,720 --> 01:15:28,639
Speaker 1: my interests, wrote hits for the carpenters like we've only

1345
01:15:28,760 --> 01:15:32,360
Speaker 1: just begun, and rainy days and monthdays. Uh Fox had

1346
01:15:32,400 --> 01:15:35,400
Speaker 1: co written the grammy winning killing me softly with his song.

1347
01:15:35,720 --> 01:15:39,760
Speaker 1: I got a name by my beloved Jim Crowcey. UH,

1348
01:15:40,000 --> 01:15:43,320
Speaker 1: the opening fanfare to Monday night football. The hell of

1349
01:15:43,400 --> 01:15:47,439
Speaker 1: a resume and a bunch of sitcoms. You wrote the

1350
01:15:47,479 --> 01:15:50,719
Speaker 1: themes on the happy days. Ties out mean again. Perfect

1351
01:15:50,840 --> 01:15:54,200
Speaker 1: choice to write the theme to Greece. I want to

1352
01:15:54,240 --> 01:15:55,880
Speaker 1: punch in. I never do this and I hope I

1353
01:15:55,960 --> 01:15:57,960
Speaker 1: don't get in trouble legally, but I want to punch

1354
01:15:58,000 --> 01:16:01,840
Speaker 1: in the UH, the General Grease theme song that's been

1355
01:16:01,880 --> 01:16:04,800
Speaker 1: floating around the Internet. It's really not good. Did I

1356
01:16:04,880 --> 01:16:08,599
Speaker 1: send this to you? I don't think so. Oh, wait here.

1357
01:16:09,080 --> 01:16:11,960
Speaker 1: I think it would have been a significantly worse movie

1358
01:16:12,360 --> 01:16:37,160
Speaker 1: with the song. I think good. It sounds like the

1359
01:16:37,200 --> 01:16:40,120
Speaker 1: happy days them. Yeah, it does. It's the DOOP chord

1360
01:16:40,240 --> 01:16:53,519
Speaker 1: changes righte. Greece is a feeling of pure independence. It's Terry,

1361
01:16:53,640 --> 01:17:00,920
Speaker 1: a little on the nose. Okay, what does he say?

1362
01:17:01,040 --> 01:17:04,840
Speaker 1: Open your heart to this state of I have no idea.

1363
01:17:05,120 --> 01:17:12,400
Speaker 1: It's that's yeah, it's anyway. The director liked it because

1364
01:17:12,439 --> 01:17:16,799
Speaker 1: it sounded like a fifties song. And then co producer

1365
01:17:17,200 --> 01:17:22,160
Speaker 1: Robert Stigwood says, well, I've got Barry Gib you insect

1366
01:17:24,920 --> 01:17:27,200
Speaker 1: who had just come off of Saturday night fever and

1367
01:17:27,400 --> 01:17:29,560
Speaker 1: the opportunity was just too good to pass up. And,

1368
01:17:29,720 --> 01:17:32,360
Speaker 1: according to a story which is probably shrouded in the

1369
01:17:32,439 --> 01:17:35,960
Speaker 1: midst of time and cocaine, uh, stigwood places to call

1370
01:17:36,040 --> 01:17:38,080
Speaker 1: the Barry Gibb who was apparently out on his boat

1371
01:17:38,240 --> 01:17:40,040
Speaker 1: off the coast of Miami at the time. What were

1372
01:17:40,080 --> 01:17:43,000
Speaker 1: you doing out there, Barry scooping up all the all

1373
01:17:43,040 --> 01:17:46,320
Speaker 1: the cocaine and pot that Jimmy Buffett was trafficking through

1374
01:17:46,360 --> 01:17:50,160
Speaker 1: the keys? Uh. He said, Barry, I need a song

1375
01:17:50,240 --> 01:17:53,040
Speaker 1: for my movie Greece. And Barry was out on the

1376
01:17:53,200 --> 01:17:55,120
Speaker 1: out on the water, and he said, but grease, like

1377
01:17:55,200 --> 01:18:00,880
Speaker 1: the country, and stigwood responded, no, grease the word, and

1378
01:18:01,000 --> 01:18:04,880
Speaker 1: the heavens parted and sun came through and Barry Berry

1379
01:18:05,000 --> 01:18:07,160
Speaker 1: later said, what the are we going to do with that?

1380
01:18:08,880 --> 01:18:12,880
Speaker 1: Hence Grease is the word. Uh, it does. However, as

1381
01:18:12,920 --> 01:18:16,080
Speaker 1: you put in a semi viral tweet, seemed like Barry

1382
01:18:16,120 --> 01:18:21,080
Speaker 1: didn't really have much else to go on but Randall

1383
01:18:21,280 --> 01:18:24,000
Speaker 1: kliser hated the song. He didn't like the fact that

1384
01:18:24,040 --> 01:18:26,160
Speaker 1: it sounded vaguely like disco, which would have been an

1385
01:18:26,160 --> 01:18:28,280
Speaker 1: anachronism in a film set in the nineteen fifties. He

1386
01:18:28,320 --> 01:18:30,360
Speaker 1: also hated the lyrics, which he thought were too dark

1387
01:18:30,439 --> 01:18:33,400
Speaker 1: and cynical. And so the producer, Stigwood, tells Kaiser, well,

1388
01:18:33,479 --> 01:18:35,720
Speaker 1: go talk to Barry. Barry was in the middle of

1389
01:18:35,800 --> 01:18:39,919
Speaker 1: filming that Sergeant Pepper movie which Stigwood was also producing.

1390
01:18:40,680 --> 01:18:44,320
Speaker 1: And so Randall Kaiser Finds Barry dressed in his marching

1391
01:18:44,400 --> 01:18:49,280
Speaker 1: band outfit, in gold chain's hair, beard like a heresuit,

1392
01:18:50,040 --> 01:18:54,960
Speaker 1: cocaine addled lion. He says, Barry, this doesn't make any

1393
01:18:54,960 --> 01:18:56,720
Speaker 1: of this doesn't work for the movie I'm trying to make.

1394
01:18:56,960 --> 01:18:59,559
Speaker 1: This is a life of illusion, wrapped up in trouble,

1395
01:19:00,000 --> 01:19:03,560
Speaker 1: faced with confusion. What are we doing? This is not

1396
01:19:03,680 --> 01:19:05,639
Speaker 1: the movie we're making. We don't have any serious scenes

1397
01:19:05,680 --> 01:19:08,800
Speaker 1: in here. And Barry says, well, why don't you shoot

1398
01:19:08,840 --> 01:19:13,320
Speaker 1: a serious scene? And they left it as is because

1399
01:19:13,400 --> 01:19:18,160
Speaker 1: you didn't put the bags around this time. Uh Man,

1400
01:19:18,280 --> 01:19:22,000
Speaker 1: what is it port Barry Gib masking his like suicidal

1401
01:19:22,240 --> 01:19:26,240
Speaker 1: darkness and like the most brilliant songs of this era.

1402
01:19:26,560 --> 01:19:33,280
Speaker 1: M darkness. Yeah, sure to great head of hair, though. Uh,

1403
01:19:33,479 --> 01:19:35,680
Speaker 1: and Randall, you know, first time director didn't have the

1404
01:19:35,680 --> 01:19:38,120
Speaker 1: cloud to push for changes. He also hated you're the

1405
01:19:38,160 --> 01:19:40,559
Speaker 1: one that I want, which makes two of us saying

1406
01:19:40,600 --> 01:19:43,439
Speaker 1: it sounded awful. I just heard all these damn songs

1407
01:19:43,479 --> 01:19:45,840
Speaker 1: so many times. Also, isn't that, which is when that

1408
01:19:45,880 --> 01:19:47,840
Speaker 1: starts with the I had to learn that base part

1409
01:19:47,880 --> 01:19:53,880
Speaker 1: at one pointdopdoop, dope, dope. You can see that, man. Yeah, UH,

1410
01:19:54,360 --> 01:19:57,000
Speaker 1: number of other songs from the stage show we're actually cut, though.

1411
01:19:57,040 --> 01:19:59,560
Speaker 1: One of those is called those magic changes, which is

1412
01:19:59,600 --> 01:20:02,280
Speaker 1: a referen so the duop progression, right. Is he like

1413
01:20:02,360 --> 01:20:04,840
Speaker 1: sitting there strumming? He's like saying one, six, three, five

1414
01:20:04,960 --> 01:20:07,560
Speaker 1: or whatever. Danny sings a few lines and that's sarcastically

1415
01:20:07,640 --> 01:20:10,719
Speaker 1: at the dance sandy cuts him down. He was saying,

1416
01:20:10,840 --> 01:20:13,880
Speaker 1: have you ever thought of singing professionally, which is an

1417
01:20:13,960 --> 01:20:17,880
Speaker 1: in joke because during the staged version that was Travolta's song.

1418
01:20:19,200 --> 01:20:21,280
Speaker 1: Another song that was on the chopping block was a

1419
01:20:21,400 --> 01:20:24,920
Speaker 1: solo number. There are worse things I could do. Stockard

1420
01:20:25,000 --> 01:20:27,280
Speaker 1: channing apparently begged Alan Card to keep it in the movie.

1421
01:20:27,479 --> 01:20:30,080
Speaker 1: She says. She told him that's how you know what's

1422
01:20:30,120 --> 01:20:34,679
Speaker 1: inside this little person. Otherwise she's just all that surface stuff,

1423
01:20:35,200 --> 01:20:38,200
Speaker 1: just a great performance. Well, yeah, watch her face during

1424
01:20:38,280 --> 01:20:42,719
Speaker 1: that like she is so much happening in her eyes

1425
01:20:43,160 --> 01:20:46,160
Speaker 1: as she's singing that song. It's so good. God lover, though,

1426
01:20:46,160 --> 01:20:49,880
Speaker 1: Stockard channing doesn't give it. Yeah, no, does not care

1427
01:20:49,920 --> 01:20:54,280
Speaker 1: about Greece. She just doesn't come to the reunions. You know,

1428
01:20:55,000 --> 01:20:58,439
Speaker 1: she got Tony at an Oscar nom so she's figuring

1429
01:20:58,479 --> 01:21:01,639
Speaker 1: out too good for your roubes. People at magazine asked

1430
01:21:01,640 --> 01:21:03,960
Speaker 1: her she'd consider taking a role in the Broadway production.

1431
01:21:04,080 --> 01:21:08,320
Speaker 1: She said, are you mad? I've been otherwise engaged with

1432
01:21:08,520 --> 01:21:13,320
Speaker 1: my life, which is a dis for the ages. That

1433
01:21:13,479 --> 01:21:15,439
Speaker 1: scene where Rizzo sings there are worse things I could

1434
01:21:15,479 --> 01:21:17,559
Speaker 1: do was filmed at Venice high school, as we mentioned,

1435
01:21:17,640 --> 01:21:20,080
Speaker 1: where most of the exterior shots this movie were filmed,

1436
01:21:20,479 --> 01:21:22,880
Speaker 1: the parking lots, stuff at the beginning when they're all

1437
01:21:22,960 --> 01:21:25,439
Speaker 1: coming to school in the first day, summer nights on

1438
01:21:25,520 --> 01:21:28,439
Speaker 1: the bleachers, the auto shop, the track and field scenes,

1439
01:21:29,000 --> 01:21:31,040
Speaker 1: and the original idea was for the production team to

1440
01:21:31,120 --> 01:21:33,400
Speaker 1: just take over the school for the entire summer when

1441
01:21:33,479 --> 01:21:37,040
Speaker 1: classes were in session, but unfortunately they ran afoul of

1442
01:21:37,160 --> 01:21:40,200
Speaker 1: the school's football coach, who made it known that they

1443
01:21:40,280 --> 01:21:43,320
Speaker 1: were not wanted there any he would do things like

1444
01:21:43,400 --> 01:21:45,519
Speaker 1: put the sprinklers on on the field when they were

1445
01:21:45,600 --> 01:21:49,439
Speaker 1: prepping for scenes and just generally harassed the crew. So

1446
01:21:49,720 --> 01:21:52,719
Speaker 1: ultimately they were chased out and went to two other schools.

1447
01:21:53,240 --> 01:21:57,120
Speaker 1: The interior classroom and hallway scenes, plus the dance contest

1448
01:21:57,200 --> 01:21:59,120
Speaker 1: in the gym, were filmed at a place called Huntington

1449
01:21:59,200 --> 01:22:02,920
Speaker 1: Park High School, and the Big Graduation Day Carnival Finale

1450
01:22:03,040 --> 01:22:06,160
Speaker 1: was filmed at John Marshall High School and Los Felas

1451
01:22:06,439 --> 01:22:08,680
Speaker 1: and it's a big banner covering up an m on

1452
01:22:08,760 --> 01:22:12,320
Speaker 1: the side of the school during the carnival. And this

1453
01:22:12,479 --> 01:22:15,679
Speaker 1: school has kind of a crazy history because it's cropped

1454
01:22:15,760 --> 01:22:19,080
Speaker 1: up in literally dozens of movies and TV shows and

1455
01:22:19,200 --> 01:22:22,439
Speaker 1: music videos. You'll definitely recognize it if you Google it,

1456
01:22:22,960 --> 01:22:26,200
Speaker 1: for its beautiful gothic exterior and the lack of palm

1457
01:22:26,240 --> 01:22:28,200
Speaker 1: trees out front make it so that looks like it

1458
01:22:28,200 --> 01:22:30,600
Speaker 1: could be anywhere in the country. Doesn't look very l

1459
01:22:30,680 --> 01:22:33,200
Speaker 1: a like at all, and it's most familiar to me

1460
01:22:33,400 --> 01:22:36,080
Speaker 1: is the exterior school shots on boy meets world, but

1461
01:22:36,160 --> 01:22:39,400
Speaker 1: it was also used in the nineties classic can't hardly wait,

1462
01:22:39,560 --> 01:22:43,280
Speaker 1: which includes Jamie Donnelly, who plays Jan she's a bit

1463
01:22:43,360 --> 01:22:45,439
Speaker 1: part of the teacher. It was in the video for

1464
01:22:45,680 --> 01:22:48,200
Speaker 1: Van Halen's hot for teacher. It was in nightmare on

1465
01:22:48,280 --> 01:22:51,400
Speaker 1: ELM street, pretty in pink, the Buffy, the vampire slayer

1466
01:22:51,479 --> 01:22:54,120
Speaker 1: movie space jam. They think they used the gym for

1467
01:22:54,240 --> 01:22:57,160
Speaker 1: that and it was also provided establishing shots for the

1468
01:22:57,240 --> 01:23:00,559
Speaker 1: wonder years I Carley, masters of sex, the a team

1469
01:23:01,400 --> 01:23:03,640
Speaker 1: and young sheldon. I don't know why I ended with that,

1470
01:23:04,320 --> 01:23:07,120
Speaker 1: but it's connection to Greece runs even deeper than the

1471
01:23:07,160 --> 01:23:10,880
Speaker 1: carnival scene. The actors who played Chacha Gregorio in the movie,

1472
01:23:11,000 --> 01:23:13,160
Speaker 1: you know, the dancer that Danny Dances with for the

1473
01:23:13,560 --> 01:23:16,920
Speaker 1: dance contest scene, uh, and that Cardoza was a graduate

1474
01:23:16,960 --> 01:23:20,160
Speaker 1: of the school and following her death in eleven the

1475
01:23:20,240 --> 01:23:24,320
Speaker 1: school planted a tree in her honor. Um. I don't

1476
01:23:24,400 --> 01:23:27,240
Speaker 1: think Cha was present at her old high school for

1477
01:23:27,360 --> 01:23:30,440
Speaker 1: the carnival finale, but she was there for the climactic

1478
01:23:30,600 --> 01:23:33,840
Speaker 1: car race between Danny and crater face, the guy with

1479
01:23:33,960 --> 01:23:37,360
Speaker 1: the car that shoots flames out the back. Unfortunately, she

1480
01:23:37,439 --> 01:23:40,040
Speaker 1: did not have a good time filming the car race scene.

1481
01:23:40,560 --> 01:23:44,160
Speaker 1: She was suffering an ectopic pregnancy and it was in

1482
01:23:44,479 --> 01:23:47,880
Speaker 1: physical agony, and you can see in the scene she's

1483
01:23:47,960 --> 01:23:50,720
Speaker 1: mostly leaning against the cars because she's in so much

1484
01:23:50,760 --> 01:23:53,920
Speaker 1: pain she can hardly stand up, and shortly after the

1485
01:23:53,960 --> 01:23:56,479
Speaker 1: scene where they filmed the drag race she was rushed

1486
01:23:56,520 --> 01:23:59,920
Speaker 1: to a local hospital for surgery, I think that same day. UH,

1487
01:24:00,439 --> 01:24:02,719
Speaker 1: she was not the only person in pain while shooting

1488
01:24:02,720 --> 01:24:06,400
Speaker 1: the drag race scene. Director Randall Klaisser was working barefoot

1489
01:24:06,439 --> 01:24:08,720
Speaker 1: while filming the car race and the L A river,

1490
01:24:08,960 --> 01:24:12,320
Speaker 1: which is a bad idea because that water ain't clean.

1491
01:24:13,280 --> 01:24:15,800
Speaker 1: He cut his foot and it became infected from some

1492
01:24:15,920 --> 01:24:18,400
Speaker 1: bacteria in the water and by the next day he

1493
01:24:18,479 --> 01:24:20,600
Speaker 1: was running a temperature of a hundred and two in

1494
01:24:20,680 --> 01:24:23,400
Speaker 1: the production ground at a halt, and he later told

1495
01:24:23,439 --> 01:24:25,519
Speaker 1: the L A times I couldn't get off my bed

1496
01:24:25,640 --> 01:24:29,120
Speaker 1: in my trailer before the medic arrived. Travolta entered to

1497
01:24:29,200 --> 01:24:32,960
Speaker 1: try a cure based on scientology teachings. He sat down

1498
01:24:33,040 --> 01:24:35,680
Speaker 1: beside me and placed his index finger of my arm

1499
01:24:35,720 --> 01:24:39,479
Speaker 1: and said feel my finger. I replied yes. He removed

1500
01:24:39,520 --> 01:24:41,640
Speaker 1: his finger an inch along my arm and asked the

1501
01:24:41,720 --> 01:24:45,120
Speaker 1: question again, I answered and this process went on for

1502
01:24:45,160 --> 01:24:48,000
Speaker 1: about an hour. The next day I'd recovered and I

1503
01:24:48,120 --> 01:24:56,800
Speaker 1: was back at work. Please don't sue US, please tick

1504
01:24:56,880 --> 01:25:01,960
Speaker 1: this offering. Yeah, the race between the teabers and the

1505
01:25:02,040 --> 01:25:04,679
Speaker 1: Scorpions was originally supposed to take place on the high

1506
01:25:04,680 --> 01:25:07,720
Speaker 1: school track surrounding the football field. Whether we're gonna have

1507
01:25:07,840 --> 01:25:10,840
Speaker 1: massive gladiator style floats that were going to be parked

1508
01:25:10,880 --> 01:25:12,600
Speaker 1: for a parade in the movie, kind of like the

1509
01:25:12,640 --> 01:25:15,280
Speaker 1: parade scene and Animal House, and it was supposed to

1510
01:25:15,320 --> 01:25:17,519
Speaker 1: be this big parody of the chariot race scene and

1511
01:25:17,640 --> 01:25:21,720
Speaker 1: Ben her. But then the bean counters basically said how

1512
01:25:21,720 --> 01:25:23,799
Speaker 1: are we gonna pay for all this? So they scaled

1513
01:25:23,840 --> 01:25:26,680
Speaker 1: it all back because of the relatively micro budget of

1514
01:25:26,760 --> 01:25:29,400
Speaker 1: the movie, and the last remaining trace of this idea

1515
01:25:29,640 --> 01:25:33,400
Speaker 1: is when Um crater faces hubcaps have the kind of

1516
01:25:33,479 --> 01:25:36,800
Speaker 1: like knives on the end and they slice through John

1517
01:25:36,840 --> 01:25:41,839
Speaker 1: Travolta's car greased lightning, like Ben her. Yeah, exactly. Speaking

1518
01:25:42,080 --> 01:25:45,439
Speaker 1: of the drag race victory, that is for some reason

1519
01:25:45,560 --> 01:25:50,640
Speaker 1: the catalyst that compels sandy to give herself he radical maker, uh,

1520
01:25:52,120 --> 01:25:55,719
Speaker 1: you know, change yourself completely in order to be seen

1521
01:25:55,960 --> 01:26:02,320
Speaker 1: as worthy of a guy who wins races. Um, you're

1522
01:26:02,360 --> 01:26:07,160
Speaker 1: an original Sandy. You're you're at not a new sandy guy. Yeah, no,

1523
01:26:07,720 --> 01:26:11,160
Speaker 1: I I mean that probably reveals more about my own

1524
01:26:11,200 --> 01:26:16,240
Speaker 1: inner psyche then. Yeah, I think you're in the minority

1525
01:26:16,320 --> 01:26:19,400
Speaker 1: for that one. I know, I know, I thought that.

1526
01:26:19,520 --> 01:26:22,400
Speaker 1: I thought that that original. I think I think living

1527
01:26:22,439 --> 01:26:24,360
Speaker 1: and John referred to them as good sandy and bad

1528
01:26:24,439 --> 01:26:28,439
Speaker 1: sandy and I liked good sandy. Well, again, you're wrong,

1529
01:26:28,720 --> 01:26:33,680
Speaker 1: because the casting crews. Casting crew were extremely into the

1530
01:26:33,960 --> 01:26:36,519
Speaker 1: bad sandy look. Olivia John came up with the makeup

1531
01:26:36,560 --> 01:26:39,240
Speaker 1: and hair herself and when she came onto the set

1532
01:26:39,320 --> 01:26:42,840
Speaker 1: to show random Klaiser, the crew just flocked around her,

1533
01:26:42,920 --> 01:26:47,439
Speaker 1: whistling and cat calling her, because men are disgusting. They

1534
01:26:47,439 --> 01:26:50,320
Speaker 1: didn't even know it was her. Apparently he didn't recognize her. Yeah,

1535
01:26:50,360 --> 01:26:55,280
Speaker 1: they just all started. He said they swarmed like wolves. Oh,

1536
01:26:55,520 --> 01:26:57,960
Speaker 1: I laughed to keep him crying. Yeah, she said she

1537
01:26:58,120 --> 01:27:00,600
Speaker 1: enjoyed this sort of reinvention to the car because it

1538
01:27:00,680 --> 01:27:03,360
Speaker 1: allowed her to kind of act out of her, you know,

1539
01:27:03,560 --> 01:27:06,160
Speaker 1: usual role. She said later that was such a stretch

1540
01:27:06,320 --> 01:27:09,240
Speaker 1: and something I was really worried about, but when it happened,

1541
01:27:09,320 --> 01:27:12,040
Speaker 1: it was just this amazing feeling. It was very freeing,

1542
01:27:12,520 --> 01:27:14,920
Speaker 1: not just for sandy but for me as well, because

1543
01:27:14,920 --> 01:27:16,920
Speaker 1: I was always the girl next door, and then I

1544
01:27:16,960 --> 01:27:18,920
Speaker 1: got into that trailer with those guys and they put

1545
01:27:18,960 --> 01:27:20,960
Speaker 1: me into that outfit in the hair and I walked

1546
01:27:21,000 --> 01:27:23,439
Speaker 1: out to show Randall and the whole crew turned around

1547
01:27:23,880 --> 01:27:27,080
Speaker 1: and the look on their faces, she says. I Remember Thinking,

1548
01:27:27,560 --> 01:27:33,080
Speaker 1: Oh my I've been doing this all wrong. Uh. Travolta,

1549
01:27:33,439 --> 01:27:36,240
Speaker 1: with his inimitable way with words, said I thought it

1550
01:27:36,400 --> 01:27:39,479
Speaker 1: was the bomb. She was like Marilyn Monroe mixed with

1551
01:27:39,600 --> 01:27:45,200
Speaker 1: some motoris, motorcycle chick, Jesus Christ John. The Mix of

1552
01:27:45,320 --> 01:27:48,800
Speaker 1: that I knew was going to be outrageous. In the

1553
01:27:48,880 --> 01:27:50,960
Speaker 1: play it was a laugh. In the movie it was

1554
01:27:51,080 --> 01:27:55,280
Speaker 1: like wow. The famous story about those skin tight pants

1555
01:27:55,360 --> 01:27:57,519
Speaker 1: was that they were vintage from the nineties and the

1556
01:27:57,600 --> 01:28:00,080
Speaker 1: Zipper was broken, so Olivia Newton John had to be

1557
01:28:00,280 --> 01:28:04,040
Speaker 1: sewn into them the morning of the shoot. Of course,

1558
01:28:04,560 --> 01:28:07,760
Speaker 1: her first thought was, well, what if I have to pee? Uh,

1559
01:28:07,840 --> 01:28:09,920
Speaker 1: and she didn't want to slow down production with a

1560
01:28:09,960 --> 01:28:14,599
Speaker 1: bathroom break, so she avoided drinking water for the entire day,

1561
01:28:15,200 --> 01:28:17,880
Speaker 1: which not a smart move. It was a hundred and

1562
01:28:17,920 --> 01:28:21,479
Speaker 1: two degrees out and everything, as we've discussed, smelled of pork.

1563
01:28:22,760 --> 01:28:27,120
Speaker 1: Different school, different school, but that's no, that's no, that's Canada,

1564
01:28:28,080 --> 01:28:30,320
Speaker 1: overall the clothes and everything. Yet you're right. Yeah, the

1565
01:28:30,560 --> 01:28:34,759
Speaker 1: entirety of the grease shoot smelled of pork. Um, pork grease,

1566
01:28:35,000 --> 01:28:39,800
Speaker 1: if you will. If you'd like to tweet us about

1567
01:28:39,800 --> 01:28:42,599
Speaker 1: this episode, please do so using the Hashtag it smelt

1568
01:28:42,640 --> 01:28:47,800
Speaker 1: of pork. Olivia actually owned those pants for years but understandably,

1569
01:28:47,960 --> 01:28:51,840
Speaker 1: never wore them again. Uh, then, in she auctioned off

1570
01:28:51,880 --> 01:28:55,040
Speaker 1: her outfit to raise money for her cancer research charity.

1571
01:28:55,479 --> 01:28:59,880
Speaker 1: They were bought by the founder of spanks for four

1572
01:29:00,080 --> 01:29:04,439
Speaker 1: hundred and five thousand and seven hundred dollars and, uh,

1573
01:29:04,960 --> 01:29:08,920
Speaker 1: they are on display at the SPANKS headquarters. Sure, the

1574
01:29:09,040 --> 01:29:12,040
Speaker 1: leather jacket was bought by an anonymous bidder who later

1575
01:29:12,200 --> 01:29:16,320
Speaker 1: returned it to her, which is just adorable. The funniest

1576
01:29:16,320 --> 01:29:18,040
Speaker 1: part of all this is that the cast and crew

1577
01:29:18,200 --> 01:29:20,679
Speaker 1: showed up on the field to film that number. You're

1578
01:29:20,680 --> 01:29:22,920
Speaker 1: the one that I want, without having rehearsed any kind

1579
01:29:22,960 --> 01:29:24,960
Speaker 1: of dance, and this was a new song in the movie,

1580
01:29:25,000 --> 01:29:27,000
Speaker 1: so I didn't have any history with the musical. In

1581
01:29:27,040 --> 01:29:29,880
Speaker 1: an interview with Vanity Fair, the director Randall says that

1582
01:29:29,960 --> 01:29:32,439
Speaker 1: they had just been handed this newly recorded song that

1583
01:29:32,880 --> 01:29:37,200
Speaker 1: day and he and Pat Birch whipped up choreography in

1584
01:29:37,280 --> 01:29:41,400
Speaker 1: about twenty minutes. They were scrambling to do that scene.

1585
01:29:41,400 --> 01:29:43,760
Speaker 1: They hadn't even seen the carnival stuff. They just made

1586
01:29:43,800 --> 01:29:46,160
Speaker 1: it up on the spot. The actor Kelly warred, who

1587
01:29:46,200 --> 01:29:50,200
Speaker 1: played putsy, told Yahoo in it was lightning fast work

1588
01:29:50,360 --> 01:29:52,360
Speaker 1: and no one was really quite sure how it would

1589
01:29:52,400 --> 01:29:55,160
Speaker 1: play because it's such a different kind of music than

1590
01:29:55,200 --> 01:29:58,599
Speaker 1: the rest of the score, and nonetheless everyone threw themselves

1591
01:29:58,680 --> 01:30:01,679
Speaker 1: into it. It wouldn't even yeah, that's insane. It's also

1592
01:30:01,840 --> 01:30:03,920
Speaker 1: he's right. It's a very different kind of song. Like

1593
01:30:04,040 --> 01:30:06,320
Speaker 1: it's not a Doo woppy song. It's like it's a

1594
01:30:06,439 --> 01:30:09,280
Speaker 1: it's a seventies country and western song, sort of like

1595
01:30:09,560 --> 01:30:13,479
Speaker 1: pop song, country Western pop song. Yeah, this whole scene

1596
01:30:13,560 --> 01:30:15,679
Speaker 1: is nuts. They only had a day to shoot, which

1597
01:30:15,800 --> 01:30:18,799
Speaker 1: is not a lot of time for such a complicated sequence,

1598
01:30:19,000 --> 01:30:21,080
Speaker 1: and you can see it in the reaction shot when

1599
01:30:21,200 --> 01:30:24,639
Speaker 1: Danny Sees Sandy for the first time. The background behind

1600
01:30:24,760 --> 01:30:27,920
Speaker 1: him is dark because the sun is setting, like it

1601
01:30:28,080 --> 01:30:31,000
Speaker 1: was just a long day and hilariously, one of the

1602
01:30:31,080 --> 01:30:33,080
Speaker 1: things that took a long time to shoot was the

1603
01:30:33,200 --> 01:30:35,840
Speaker 1: moment when sandy takes the cigarette out of her mouth

1604
01:30:35,920 --> 01:30:38,200
Speaker 1: and drops it at her feet in front of Danny,

1605
01:30:38,240 --> 01:30:42,040
Speaker 1: who's on the ground worshiping her. The cigarette kept bouncing

1606
01:30:42,760 --> 01:30:45,240
Speaker 1: and the prop guy I finally said put a bobby

1607
01:30:45,320 --> 01:30:47,519
Speaker 1: pin in there and in the land and will stay there.

1608
01:30:47,680 --> 01:30:50,880
Speaker 1: So they burned God knows how many minutes trying to

1609
01:30:50,920 --> 01:30:54,280
Speaker 1: get that to happen. Um. All in all, they had

1610
01:30:54,320 --> 01:30:57,040
Speaker 1: to do everything very, very fast. They had to do

1611
01:30:57,120 --> 01:31:01,120
Speaker 1: the close ups in the shake shack, you know that, like, yeah, yeah,

1612
01:31:01,200 --> 01:31:03,120
Speaker 1: like Fun House he thing. They had to do that

1613
01:31:03,280 --> 01:31:05,439
Speaker 1: on a sound stage because they wanted to go do

1614
01:31:05,560 --> 01:31:09,120
Speaker 1: some reshoots and the carnival already moved on. Carney's dude,

1615
01:31:09,200 --> 01:31:13,000
Speaker 1: don't like they don't like staying in one place. Oh

1616
01:31:13,160 --> 01:31:18,280
Speaker 1: my God. Weirdly, not one but two incredibly famous directors

1617
01:31:18,800 --> 01:31:22,360
Speaker 1: visited the set that day, which must have been terrifying

1618
01:31:22,920 --> 01:31:25,760
Speaker 1: for Randall Kliser, a first time movie director. George Q

1619
01:31:25,960 --> 01:31:29,000
Speaker 1: cor and John Schlessinger were on the set of the

1620
01:31:29,080 --> 01:31:31,920
Speaker 1: day they filmed, but we go together. Song number. I

1621
01:31:31,960 --> 01:31:34,880
Speaker 1: don't know how or why that happened. Uh George Qcre

1622
01:31:35,360 --> 01:31:37,719
Speaker 1: just directed some of the best movie musicals of all time.

1623
01:31:37,840 --> 01:31:40,679
Speaker 1: He did my fair lady, and the Judy Garland version

1624
01:31:40,760 --> 01:31:44,599
Speaker 1: of star was born John Schlessinger. What old he did?

1625
01:31:44,800 --> 01:31:50,120
Speaker 1: You midnight cowboy. That's the only Mer. Marathon man too, Yo. Yeah,

1626
01:31:50,280 --> 01:31:56,439
Speaker 1: so was it? Was it safe? Uh So, to honor

1627
01:31:56,520 --> 01:31:59,640
Speaker 1: these two titans? Randall Kliser ran the whole we go

1628
01:31:59,760 --> 01:32:03,920
Speaker 1: to other number just for them. We're watching, sitting on

1629
01:32:03,960 --> 01:32:07,439
Speaker 1: the bleachers, watching, no cameras rolling, no nothing, just for

1630
01:32:07,520 --> 01:32:10,559
Speaker 1: these two guys, which must have made him extremely popular

1631
01:32:10,600 --> 01:32:12,599
Speaker 1: with the cast and crew, considering it was a hundred

1632
01:32:12,600 --> 01:32:14,880
Speaker 1: and two degrees out and they had no time. But

1633
01:32:15,120 --> 01:32:18,559
Speaker 1: the dancers all did the number. You know, flips head

1634
01:32:18,600 --> 01:32:21,280
Speaker 1: over heels lands right at George Kre's feet, you know,

1635
01:32:22,320 --> 01:32:26,760
Speaker 1: King of movie musicals the decade before. Kere just looks

1636
01:32:26,840 --> 01:32:32,479
Speaker 1: over the director, Russell Claiser, and said very spirited. I

1637
01:32:32,560 --> 01:32:37,080
Speaker 1: can't tell if that's shade or just understatement. Anyway, this

1638
01:32:37,240 --> 01:32:41,200
Speaker 1: brings us to the controversy surrounding the end of Greece, because,

1639
01:32:41,400 --> 01:32:44,960
Speaker 1: let's be real, it's a truly terrible message. Change to

1640
01:32:45,080 --> 01:32:47,400
Speaker 1: please the one you love. There's really no way to

1641
01:32:47,439 --> 01:32:50,519
Speaker 1: get around it. Not to get all Pearl clutching, but

1642
01:32:50,720 --> 01:32:54,280
Speaker 1: the smoking element is also really troubling considering how many

1643
01:32:54,439 --> 01:32:58,479
Speaker 1: kids love this movie Um Greece. Co Creator Jim Jacobs

1644
01:32:58,560 --> 01:33:00,960
Speaker 1: has said that this ending was actually meant to spoof

1645
01:33:01,040 --> 01:33:04,280
Speaker 1: fit these teen movies where the rebel always gives up

1646
01:33:04,320 --> 01:33:06,120
Speaker 1: as bad boy ways at the end of the movie

1647
01:33:06,160 --> 01:33:08,320
Speaker 1: and begins a new life on the straight and narrow.

1648
01:33:08,479 --> 01:33:10,599
Speaker 1: And in this case he thought it would be funny if,

1649
01:33:10,640 --> 01:33:13,639
Speaker 1: instead of the bad boy repenting, the good girl, in quotes,

1650
01:33:13,720 --> 01:33:15,880
Speaker 1: would go bad and it was just a funny way

1651
01:33:15,920 --> 01:33:19,000
Speaker 1: to play with the audiences expectations. But the joke was

1652
01:33:19,040 --> 01:33:22,320
Speaker 1: a lot more obvious and such an obviously satirical play,

1653
01:33:22,800 --> 01:33:24,760
Speaker 1: which is a very different vibe than the movie, and

1654
01:33:24,840 --> 01:33:27,280
Speaker 1: the Writers of the playoff said that the look at me,

1655
01:33:27,400 --> 01:33:30,280
Speaker 1: I'm Sandra d song was meant to suggest a class

1656
01:33:30,360 --> 01:33:34,400
Speaker 1: conflict between Rizzo and Sandy, and the writers of the

1657
01:33:34,400 --> 01:33:37,320
Speaker 1: play themselves were more biased towards the Greasers, and the

1658
01:33:37,439 --> 01:33:39,360
Speaker 1: song look at me, I'm Sandra D was meant to

1659
01:33:39,479 --> 01:33:43,639
Speaker 1: satirize middle class phony nous and shallowness. So when Sandy,

1660
01:33:44,000 --> 01:33:47,439
Speaker 1: you know quote, conforms to the Greasers at the end

1661
01:33:47,479 --> 01:33:50,400
Speaker 1: of the play. They felt that she'd broken free of

1662
01:33:50,479 --> 01:33:53,639
Speaker 1: this phony middle class value system and that was something

1663
01:33:53,680 --> 01:33:56,519
Speaker 1: to celebrate. It was actually a happy ending. She was free.

1664
01:33:57,760 --> 01:34:00,240
Speaker 1: This all rings a little different in the movie Vie,

1665
01:34:00,479 --> 01:34:02,719
Speaker 1: where you know a little bit where she sings goodbye

1666
01:34:02,880 --> 01:34:08,960
Speaker 1: Sandra d right after the drag race. Has some sadness. Students.

1667
01:34:09,160 --> 01:34:11,920
Speaker 1: As far as I was concerned, it's like saying goodbye

1668
01:34:11,960 --> 01:34:14,639
Speaker 1: to a part of herself. It's kind of troubling to hear,

1669
01:34:15,280 --> 01:34:17,479
Speaker 1: and I guess I'm not alone in feeling that. After

1670
01:34:17,600 --> 01:34:22,200
Speaker 1: the BBC aired grease in December, they got inundated with

1671
01:34:22,360 --> 01:34:25,639
Speaker 1: angry letters and messages on social media claiming that Greece

1672
01:34:25,720 --> 01:34:30,280
Speaker 1: promoted misogyny, racism and homophobia. And soon after Living Newton

1673
01:34:30,360 --> 01:34:33,160
Speaker 1: John defended the movie during an episode of an Australian

1674
01:34:33,240 --> 01:34:37,040
Speaker 1: podcast called a life of greatness, saying those who criticized

1675
01:34:37,040 --> 01:34:39,200
Speaker 1: Greece need to relax a little bit, and she called

1676
01:34:39,240 --> 01:34:42,439
Speaker 1: the comments kind of silly, before adding the movie was

1677
01:34:42,479 --> 01:34:45,400
Speaker 1: made in the seventies, about the fifties. It's a fun movie,

1678
01:34:45,479 --> 01:34:48,439
Speaker 1: musical not to be taken so seriously. I think everyone

1679
01:34:48,600 --> 01:34:51,240
Speaker 1: is taking everything so seriously. We need to relax a

1680
01:34:51,320 --> 01:34:53,960
Speaker 1: little bit and just enjoy things for what they are.

1681
01:34:54,720 --> 01:34:56,760
Speaker 1: And she added that she doesn't view grease in the

1682
01:34:56,800 --> 01:34:59,040
Speaker 1: way that her critics do. And then it's, quote, just

1683
01:34:59,200 --> 01:35:02,720
Speaker 1: a fun movie that entertains people. That's all. Both of

1684
01:35:02,760 --> 01:35:06,560
Speaker 1: those are true. It's still be a terrible message that

1685
01:35:06,760 --> 01:35:10,519
Speaker 1: people still take away too seriously. Yeah, I mean, welcome

1686
01:35:10,560 --> 01:35:14,799
Speaker 1: to the Internet. Speaking of the Internet, well, Proto Internet

1687
01:35:14,960 --> 01:35:17,920
Speaker 1: conspiracy theories, the film ends with a shot of Danny

1688
01:35:17,960 --> 01:35:21,320
Speaker 1: and sandy driving grease lightning alongside an assembled crowd of

1689
01:35:21,400 --> 01:35:27,679
Speaker 1: all of their friends, before the car flies into the sky. Yeah,

1690
01:35:27,920 --> 01:35:30,519
Speaker 1: just this scene has given rise to a theory that's

1691
01:35:30,520 --> 01:35:34,120
Speaker 1: spread through Reddit in Sen thanks to, weirdly enough, a

1692
01:35:34,200 --> 01:35:37,760
Speaker 1: Co signed by Sarah Michelle Gellar. As with a lot

1693
01:35:37,800 --> 01:35:41,240
Speaker 1: of Reddit theories, it is deeply bizarre and very dark.

1694
01:35:41,560 --> 01:35:44,000
Speaker 1: The theory goes that sandy actually drowned on the beach

1695
01:35:44,080 --> 01:35:46,679
Speaker 1: at the beginning of the movie. Hence the line saved

1696
01:35:46,720 --> 01:35:49,880
Speaker 1: her life. She nearly drowned, the line that Danny sings

1697
01:35:50,120 --> 01:35:54,479
Speaker 1: and the entire movie is her quote. Coma Fantasy. Ah,

1698
01:35:55,439 --> 01:35:57,240
Speaker 1: I think, also a band we played with. It got

1699
01:35:57,280 --> 01:36:00,840
Speaker 1: a few years back. The final liveway scene in the

1700
01:36:00,920 --> 01:36:03,679
Speaker 1: movie is her ascending to Heaven courtesy of the cute

1701
01:36:03,720 --> 01:36:07,160
Speaker 1: angels she met on the beach. Randall Kaiser has insisted

1702
01:36:07,200 --> 01:36:09,599
Speaker 1: that there was no deeper meaning. It's just a fun

1703
01:36:09,840 --> 01:36:13,240
Speaker 1: ending and Uh said that he would address the theory

1704
01:36:13,320 --> 01:36:16,479
Speaker 1: further in upcoming memoir, which sounds more like a plug.

1705
01:36:17,720 --> 01:36:20,240
Speaker 1: Olivia Newton John Actually commented on this during an appearance

1706
01:36:20,240 --> 01:36:22,720
Speaker 1: on the today show, saying I thought that means we

1707
01:36:22,800 --> 01:36:25,439
Speaker 1: were the first Zombie movie ever and we looked pretty

1708
01:36:25,479 --> 01:36:29,320
Speaker 1: good for zombies. Don't you reckon? I love her so much.

1709
01:36:29,720 --> 01:36:34,120
Speaker 1: Great soundbite. Um, not the first Zombie movie ever, though, Olivia.

1710
01:36:34,280 --> 01:36:39,120
Speaker 1: It's mental living Ted. Please get serious. Uh. The movie

1711
01:36:39,280 --> 01:36:41,240
Speaker 1: does end with Sandy waving to the camera, but that

1712
01:36:41,360 --> 01:36:43,639
Speaker 1: wasn't supposed to be the final ending. There was actually

1713
01:36:43,680 --> 01:36:45,679
Speaker 1: supposed to be a final scene of Danny and sandy

1714
01:36:45,800 --> 01:36:48,640
Speaker 1: having a kiss before the credits roll, but it is

1715
01:36:48,760 --> 01:36:52,519
Speaker 1: missing and currently lost. H cut by a mistake during

1716
01:36:52,640 --> 01:36:56,639
Speaker 1: editing and lost before theatrical release. reshoots were deemed too

1717
01:36:56,760 --> 01:36:59,320
Speaker 1: expensive and so the production team just rolled with what

1718
01:36:59,439 --> 01:37:03,000
Speaker 1: they had. A low quality black and white version of

1719
01:37:03,080 --> 01:37:05,799
Speaker 1: the shot does exist and can be seen on Youtube.

1720
01:37:05,840 --> 01:37:09,920
Speaker 1: If you're a completist like my esteemed coast Randall Kaiser

1721
01:37:10,000 --> 01:37:12,680
Speaker 1: has repeatedly tried to colorize it over the years and

1722
01:37:13,040 --> 01:37:16,519
Speaker 1: included on various releases, but so far he's been unhappy

1723
01:37:16,600 --> 01:37:19,519
Speaker 1: with the results. He is hoping that the technology will

1724
01:37:19,560 --> 01:37:24,640
Speaker 1: improve in time for the film's Fiftieth Anniversary in and

1725
01:37:24,720 --> 01:37:28,000
Speaker 1: so he can reinstate the intended ending. Sounds like a

1726
01:37:28,120 --> 01:37:31,000
Speaker 1: long time to wait for just a shot of someone,

1727
01:37:31,439 --> 01:37:35,160
Speaker 1: for as a kiss, the lost kiss. Now there's something

1728
01:37:35,200 --> 01:37:43,360
Speaker 1: poetic about that kiss. Yeah, yeah, Um not the only

1729
01:37:43,439 --> 01:37:46,720
Speaker 1: post production snafe the filmmakers had on their hands. There

1730
01:37:46,760 --> 01:37:50,200
Speaker 1: are a lot of obvious sensor blurs in the scenes

1731
01:37:50,240 --> 01:37:53,160
Speaker 1: at the frosty palace diner. Uh, that is to get

1732
01:37:53,280 --> 01:37:56,320
Speaker 1: rid of Coca Cola ads. One version you've heard of

1733
01:37:56,360 --> 01:37:58,479
Speaker 1: this is that they had a product placement deal with

1734
01:37:58,840 --> 01:38:02,280
Speaker 1: coke and then that fell through and they went with Pepsi. Yeah,

1735
01:38:02,320 --> 01:38:04,320
Speaker 1: and you can see a Pepsi logo in the animated

1736
01:38:04,400 --> 01:38:06,920
Speaker 1: opening of the movie. Then, when they were cutting it,

1737
01:38:07,040 --> 01:38:09,720
Speaker 1: the producers realized that Pepsi would not be happy to

1738
01:38:09,800 --> 01:38:13,760
Speaker 1: see significantly more ads for coke in the movie and

1739
01:38:13,920 --> 01:38:16,880
Speaker 1: once again, as is becoming a theme with this movie,

1740
01:38:16,960 --> 01:38:22,240
Speaker 1: deemed too expensive to reshoot. So they just totally blurted out. Overall,

1741
01:38:22,280 --> 01:38:26,120
Speaker 1: aside from this whole Coke Pepsi Snuffo, paramount were pretty

1742
01:38:26,160 --> 01:38:28,560
Speaker 1: hands off when it came to this movie. They just

1743
01:38:28,600 --> 01:38:30,879
Speaker 1: thought it was a little team musical with limited appeals,

1744
01:38:30,920 --> 01:38:33,240
Speaker 1: so they didn't find it worth their time to really

1745
01:38:33,280 --> 01:38:36,000
Speaker 1: give notes. And the first time any executives saw it

1746
01:38:36,120 --> 01:38:38,960
Speaker 1: was during a screening in New York, uh, and a

1747
01:38:39,080 --> 01:38:42,840
Speaker 1: bunch of the top brass balked. They declared it unreleasable.

1748
01:38:44,160 --> 01:38:46,120
Speaker 1: I guess they decided to let it out. I don't

1749
01:38:46,160 --> 01:38:49,000
Speaker 1: really know what changed, but they apparently put the Kabosh

1750
01:38:49,120 --> 01:38:52,880
Speaker 1: on plans for an immediate sequel. And remember the scene

1751
01:38:52,880 --> 01:38:54,599
Speaker 1: at the end of the movie at the Carnival where

1752
01:38:54,720 --> 01:38:57,000
Speaker 1: the tea birds are throwing pies at the coach and

1753
01:38:57,040 --> 01:38:59,800
Speaker 1: he says I'll see you in summer school. According to

1754
01:39:00,120 --> 01:39:02,160
Speaker 1: D Khan, who played French eat, there was supposed to

1755
01:39:02,200 --> 01:39:05,200
Speaker 1: be an immediate sequel called summer school, and she told

1756
01:39:05,240 --> 01:39:08,200
Speaker 1: huving and post. John Travolta wanted to do it, Olivia

1757
01:39:08,240 --> 01:39:10,000
Speaker 1: wanted to do it, everybody wanted to do it, but

1758
01:39:10,120 --> 01:39:12,559
Speaker 1: paramount was looking at the dailies and said, Oh it's

1759
01:39:12,600 --> 01:39:15,200
Speaker 1: a cute movie but it's not going anywhere, and so

1760
01:39:15,400 --> 01:39:17,800
Speaker 1: they passed. But at least the cast were having a

1761
01:39:17,880 --> 01:39:21,360
Speaker 1: good time. Apparently no one remembers the rap party very well,

1762
01:39:21,439 --> 01:39:24,800
Speaker 1: because someone made extra strong pot brownies, which it's a

1763
01:39:24,960 --> 01:39:28,720
Speaker 1: very un UN seventies disco era type thing to have

1764
01:39:29,000 --> 01:39:31,640
Speaker 1: at your party, I guess. But the guys playing the

1765
01:39:31,720 --> 01:39:35,280
Speaker 1: tea birds handed out buttons of themselves mooning the camera.

1766
01:39:35,960 --> 01:39:39,479
Speaker 1: That's classic. That's fun. Yeah, the film premiered on June

1767
01:39:39,600 --> 01:39:43,960
Speaker 1: four at Grauman's Chinese theater in Los Angeles and John

1768
01:39:44,040 --> 01:39:46,560
Speaker 1: and Olivia pulled up in an old convertible, just like

1769
01:39:46,640 --> 01:39:49,599
Speaker 1: the end of Greece really, with John and his tea

1770
01:39:49,640 --> 01:39:52,599
Speaker 1: bird leather jacket and Olivia in her White Prom Dress

1771
01:39:52,800 --> 01:39:55,560
Speaker 1: as sandy number one. And then after the movie she

1772
01:39:55,680 --> 01:39:57,960
Speaker 1: did a quick outfit change and exited the theater as

1773
01:39:58,080 --> 01:40:00,800
Speaker 1: sandy number two and a pink span x outfit, and

1774
01:40:00,880 --> 01:40:04,680
Speaker 1: the streets were predictably a mob scene, predicting the Gargangel

1775
01:40:04,720 --> 01:40:07,560
Speaker 1: in success that was to come Alan Carr through his

1776
01:40:07,680 --> 01:40:10,439
Speaker 1: own release party at Studio fifty four in New York

1777
01:40:10,479 --> 01:40:13,320
Speaker 1: a few weeks later, and it was a typical big

1778
01:40:13,400 --> 01:40:16,519
Speaker 1: budget themed Studio Party. The entrance way that the club

1779
01:40:16,640 --> 01:40:19,160
Speaker 1: was all lined with lockers and the dance floor, I

1780
01:40:19,280 --> 01:40:22,240
Speaker 1: love this, had a bunch of big finned fifties cars

1781
01:40:22,400 --> 01:40:25,479
Speaker 1: on loan from a local museum. And the only problem

1782
01:40:25,640 --> 01:40:27,600
Speaker 1: was just before the doors opened for the Party, the

1783
01:40:27,720 --> 01:40:30,200
Speaker 1: Fire Marshal reminded them that they needed to empty the

1784
01:40:30,280 --> 01:40:33,280
Speaker 1: gas out of the tanks for fire code reasons. So

1785
01:40:33,479 --> 01:40:35,599
Speaker 1: each vehicle had to be taken out onto the street

1786
01:40:35,640 --> 01:40:38,479
Speaker 1: where it's tank was emptied, I guess, just into like

1787
01:40:38,560 --> 01:40:42,000
Speaker 1: the sewer, and then they pushed them back inside by hands.

1788
01:40:42,920 --> 01:40:45,320
Speaker 1: And Yeah, the party went off without a hitch, except

1789
01:40:45,360 --> 01:40:48,960
Speaker 1: for a minor incident where some partiers climbed into a

1790
01:40:49,080 --> 01:40:52,599
Speaker 1: nineteen fifty Chevy convertible and set fire to the seats.

1791
01:40:56,120 --> 01:40:59,040
Speaker 1: Rightly so. This movie, instantly out of the gate, became

1792
01:40:59,080 --> 01:41:03,160
Speaker 1: a phenomenon. Sixty six million dollars on a six million

1793
01:41:03,160 --> 01:41:06,320
Speaker 1: dollar budget, making it obviously the highest grossing film of

1794
01:41:07,360 --> 01:41:10,799
Speaker 1: the highest grossing live action musical of all time, beating

1795
01:41:10,840 --> 01:41:13,920
Speaker 1: out a then thirteen year old records set by the

1796
01:41:14,000 --> 01:41:17,000
Speaker 1: sound of music. Greece held that as you mentioned earlier.

1797
01:41:17,080 --> 01:41:24,800
Speaker 1: Greece held that title until a Miss Um, director sweet boy,

1798
01:41:24,920 --> 01:41:27,720
Speaker 1: Randall Klaiser, was so new to this that when the

1799
01:41:27,800 --> 01:41:30,360
Speaker 1: studio called him to tell them how crazy the first

1800
01:41:30,439 --> 01:41:33,120
Speaker 1: weekend money on this films, he said, is that good?

1801
01:41:35,280 --> 01:41:38,280
Speaker 1: It was so popular during this uh it's released that

1802
01:41:38,439 --> 01:41:41,479
Speaker 1: some theaters were playing it literally back to back to

1803
01:41:41,600 --> 01:41:44,679
Speaker 1: meet demand, but they couldn't even turn over the audience

1804
01:41:44,720 --> 01:41:46,840
Speaker 1: get the midnight of the theater fast enough, so that

1805
01:41:46,880 --> 01:41:49,400
Speaker 1: by the time the last viewers took their seats, the

1806
01:41:49,479 --> 01:41:52,000
Speaker 1: movie had already started and was part of the way through.

1807
01:41:52,760 --> 01:41:55,519
Speaker 1: And this worked out in their favor, because you couldn't

1808
01:41:55,520 --> 01:41:57,680
Speaker 1: see an entire screening of the movie because you were

1809
01:41:57,720 --> 01:42:00,840
Speaker 1: being shoved in like Japanese subway pass in juicy, and

1810
01:42:00,920 --> 01:42:02,960
Speaker 1: you had to see it multiple times to finally get

1811
01:42:03,000 --> 01:42:06,200
Speaker 1: the whole thing. Uh. This soundtrack launched four singles to

1812
01:42:06,200 --> 01:42:09,519
Speaker 1: billboard top ten, sold thirteen million copies in its first

1813
01:42:09,600 --> 01:42:12,680
Speaker 1: year alone, making it the second best selling album of

1814
01:42:12,800 --> 01:42:15,800
Speaker 1: the year, behind the soundtrack for Saturday night fever, which

1815
01:42:15,960 --> 01:42:19,200
Speaker 1: also starred Travolta, and it has gone on to become

1816
01:42:19,439 --> 01:42:22,880
Speaker 1: one of the top selling sounds ever. Twenty eight million

1817
01:42:23,040 --> 01:42:27,200
Speaker 1: copies sold and hopelessly devoted you scooped up on Oscar

1818
01:42:27,320 --> 01:42:31,640
Speaker 1: nom all that said, reviews were not great. Greece was

1819
01:42:31,760 --> 01:42:34,639
Speaker 1: savaged in a lot of prominent outlets. The New York

1820
01:42:34,720 --> 01:42:37,400
Speaker 1: Daily News said the film should really be covered on

1821
01:42:37,520 --> 01:42:43,040
Speaker 1: the obituary page, that it had been made quote by Knitwitz,

1822
01:42:43,080 --> 01:42:46,560
Speaker 1: who haven't the faintest idea what a camera is, and

1823
01:42:46,680 --> 01:42:50,360
Speaker 1: that its music was atrocious, and that Olivia Newton John

1824
01:42:50,680 --> 01:42:54,080
Speaker 1: Sounds like a tone deaf cow and makes a screen

1825
01:42:54,240 --> 01:42:59,160
Speaker 1: debut that has all of the charisma of rancid buttermilk. Oh,

1826
01:43:00,560 --> 01:43:03,759
Speaker 1: today's show critic Geane Schalett called it visual junk food,

1827
01:43:03,840 --> 01:43:09,040
Speaker 1: which Time magazine said Director Randall Klaiser doesn't seem to

1828
01:43:09,080 --> 01:43:12,280
Speaker 1: know what he's talking about. Charles Champlin, writing the l

1829
01:43:12,360 --> 01:43:14,640
Speaker 1: a time, said I didn't see grease on stage, but

1830
01:43:14,760 --> 01:43:19,679
Speaker 1: on the testimony of this strident, cluttered, uninvolving and unattractive movie,

1831
01:43:20,320 --> 01:43:24,080
Speaker 1: it is the fifties, maybe the last innocent decade allowed

1832
01:43:24,120 --> 01:43:30,599
Speaker 1: to us played back three grotesquely distorting seventies consciousness. Washington

1833
01:43:30,680 --> 01:43:33,519
Speaker 1: Post critic Gary Ronold said I've never seen an uglier

1834
01:43:33,640 --> 01:43:37,360
Speaker 1: large scale musical wait till Zanna do buddy. And finally,

1835
01:43:37,439 --> 01:43:40,759
Speaker 1: Pauline Kale, queen of movie reviews in this era dismissed

1836
01:43:40,800 --> 01:43:45,400
Speaker 1: the movie with a single word, Klutzburger. We have KLUTZBERGER

1837
01:43:45,560 --> 01:43:49,760
Speaker 1: versus ZANNA. Done for the pitheist pans of this late

1838
01:43:49,840 --> 01:43:54,240
Speaker 1: seventies Jordan. Take us out. Talk US about Greece too. Yes,

1839
01:43:54,560 --> 01:43:59,360
Speaker 1: critics hated Greece. Then they really hated the sequel in Greece,

1840
01:43:59,479 --> 01:44:03,559
Speaker 1: to starting Michelle Peiffer and some other guy, Alan Carr,

1841
01:44:03,680 --> 01:44:06,160
Speaker 1: cast after seeing him appear nude as a hustler in

1842
01:44:06,200 --> 01:44:09,599
Speaker 1: an off Broadway play. The movie basically flipped the premise

1843
01:44:09,680 --> 01:44:12,160
Speaker 1: of grease on its head. A biker girl meets a

1844
01:44:12,200 --> 01:44:15,160
Speaker 1: preppy boy. All at all paramount. Really whiffed it by

1845
01:44:15,240 --> 01:44:17,559
Speaker 1: not doing that sequel the summer school thing, as they

1846
01:44:17,600 --> 01:44:20,720
Speaker 1: originally proposed, because that would have been awesome. It was

1847
01:44:20,720 --> 01:44:24,040
Speaker 1: supposed to follow Knickie and Rizzo and whilst their relationship progress.

1848
01:44:24,120 --> 01:44:26,519
Speaker 1: But yeah, I went with Greece too, and it has

1849
01:44:26,560 --> 01:44:29,840
Speaker 1: its defenders, but I've never seen it all the way through.

1850
01:44:30,280 --> 01:44:32,040
Speaker 1: I didn't like what I did see. I know a

1851
01:44:32,080 --> 01:44:33,560
Speaker 1: lot of people didn't like it and it didn't do

1852
01:44:33,680 --> 01:44:37,760
Speaker 1: particularly well, and producer Alan Carr, who was really the

1853
01:44:37,840 --> 01:44:41,640
Speaker 1: one responsible for making the whole grease phenomenon happen. He

1854
01:44:41,840 --> 01:44:44,920
Speaker 1: sort of flamed out after the success of Greece. The

1855
01:44:45,040 --> 01:44:47,960
Speaker 1: next thing he did was nineteen eighties, can't stop the music,

1856
01:44:48,200 --> 01:44:53,160
Speaker 1: which was a splashy musical extravaganza that, along with Zanna do,

1857
01:44:53,720 --> 01:44:57,200
Speaker 1: helped inspire the creation of the Golden Raspberry awards of

1858
01:44:57,280 --> 01:45:00,120
Speaker 1: the razzies for the worst film of the year. And

1859
01:45:00,400 --> 01:45:03,880
Speaker 1: in nine he produced an overblown opening segment for the

1860
01:45:04,040 --> 01:45:07,519
Speaker 1: Oscars which is so insanely tacky and coked out that

1861
01:45:07,680 --> 01:45:11,880
Speaker 1: it defies description. UH, check it out. Rob Lowe duets

1862
01:45:11,960 --> 01:45:14,400
Speaker 1: with a woman dressed as snow white. I'm proud Mary.

1863
01:45:14,520 --> 01:45:18,879
Speaker 1: For some reason it's uh, it's pretty out there, widely

1864
01:45:18,960 --> 01:45:23,560
Speaker 1: accepted as the worst moment in Oscar's history. Um, after that,

1865
01:45:24,080 --> 01:45:26,720
Speaker 1: Alan Carr spent several years living as a recluse in

1866
01:45:26,800 --> 01:45:30,919
Speaker 1: his Hollywood mansion. Vanity Fair described him as Norma desmonds

1867
01:45:31,000 --> 01:45:35,800
Speaker 1: with donuts, which ouch, but not inaccurate. Uh. He attempted

1868
01:45:35,840 --> 01:45:39,679
Speaker 1: to come back but died of liver cancer at age

1869
01:45:39,720 --> 01:45:42,920
Speaker 1: sixty two, taking with him any chance of a grease three,

1870
01:45:43,120 --> 01:45:46,000
Speaker 1: which most of the original cast and tendively agreed to do.

1871
01:45:46,479 --> 01:45:48,680
Speaker 1: They wanted to maybe set it in the seventies, and

1872
01:45:49,520 --> 01:45:51,800
Speaker 1: I don't know how their kids involved or something. Yeah,

1873
01:45:51,920 --> 01:45:55,439
Speaker 1: but after Alan Carr died that kind of went out

1874
01:45:55,479 --> 01:46:01,120
Speaker 1: the window. David Geffen, another similarly huge evand's music mogul,

1875
01:46:01,200 --> 01:46:04,559
Speaker 1: later told Alan Carr's biographer Greece was the best thing

1876
01:46:04,640 --> 01:46:07,680
Speaker 1: that happened to Alan and it was also the worst thing.

1877
01:46:08,080 --> 01:46:10,880
Speaker 1: And Yeah, it kind of sums it up. There was

1878
01:46:10,920 --> 01:46:14,360
Speaker 1: a live television production of grease that aired in with

1879
01:46:15,560 --> 01:46:18,280
Speaker 1: Carly Ray Jeppson being the only person that I can

1880
01:46:18,400 --> 01:46:20,680
Speaker 1: be bothered to recall from it. Everyone else, I think

1881
01:46:20,760 --> 01:46:24,400
Speaker 1: Julianne Huff. Yeah, it looked it looked terrible. I tried

1882
01:46:24,439 --> 01:46:27,640
Speaker 1: to revisit it before taping this and then I just

1883
01:46:27,920 --> 01:46:30,280
Speaker 1: even just looking at the graphics for it and I

1884
01:46:30,680 --> 01:46:33,720
Speaker 1: turned it off. Yeah, it was bad, um, but the

1885
01:46:33,800 --> 01:46:37,120
Speaker 1: only person to appear in grease one, grease two and

1886
01:46:37,280 --> 01:46:39,960
Speaker 1: the live TV version is our beloved D D Con

1887
01:46:40,040 --> 01:46:43,439
Speaker 1: Who Played Frenchie. So God bless her. However, there is

1888
01:46:43,479 --> 01:46:47,479
Speaker 1: a grease prequel announced in twenty nineteen, called Summer Lovin,

1889
01:46:48,000 --> 01:46:51,040
Speaker 1: with scriptwriter John August, who did big fish. That's a

1890
01:46:51,080 --> 01:46:53,840
Speaker 1: good movie. Charlie's angels less good. A bunch of Tim

1891
01:46:53,920 --> 01:46:57,519
Speaker 1: Burton stuff charlie and the chocolate factory, bad corpse, bright man,

1892
01:46:57,680 --> 01:47:00,600
Speaker 1: frank and Wheeney. UH, will it be good? I'll go.

1893
01:47:00,680 --> 01:47:07,439
Speaker 1: What do you think? I mean it's announced in ten yeah,

1894
01:47:07,720 --> 01:47:09,400
Speaker 1: I guess we've got to give him the grace period

1895
01:47:09,479 --> 01:47:12,519
Speaker 1: from covid but I mean, has it even been? They

1896
01:47:12,560 --> 01:47:17,400
Speaker 1: even got a script out? I don't know. I wonder

1897
01:47:17,400 --> 01:47:19,080
Speaker 1: if I would. You know what, I would actually prefer

1898
01:47:19,160 --> 01:47:21,439
Speaker 1: it if it was like a like a gritty reboot,

1899
01:47:22,600 --> 01:47:24,880
Speaker 1: if it was like the like the original play. Yeah,

1900
01:47:25,320 --> 01:47:29,479
Speaker 1: like a loan, like like a loan based register piano

1901
01:47:29,680 --> 01:47:36,080
Speaker 1: key banging out the AUSTINADO and they're like Danny. It

1902
01:47:36,240 --> 01:47:42,240
Speaker 1: was always a little bit different, you know, like a joker,

1903
01:47:43,040 --> 01:47:45,920
Speaker 1: a joker version the whole new meeting too. Did she

1904
01:47:46,040 --> 01:47:54,360
Speaker 1: put up a fight? Oh well, we've been talking about

1905
01:47:54,400 --> 01:47:57,120
Speaker 1: this movie for the last six hours. Um, Jordan is

1906
01:47:57,120 --> 01:48:00,519
Speaker 1: in a fever dream. Yeah, it's now past one in

1907
01:48:00,560 --> 01:48:03,360
Speaker 1: the morning my time. We should probably let everyone get

1908
01:48:03,400 --> 01:48:06,080
Speaker 1: back to their lives. Do you have anything else to add, Heigel,

1909
01:48:06,720 --> 01:48:08,840
Speaker 1: I got nothing. I got nothing. I'm happy to take

1910
01:48:08,880 --> 01:48:13,400
Speaker 1: this journey with you and uh, yeah, man, I was

1911
01:48:13,439 --> 01:48:15,880
Speaker 1: gonna say something about the smell of pork. I think

1912
01:48:15,880 --> 01:48:20,080
Speaker 1: I already beat that one into the ground earlier. Well,

1913
01:48:20,200 --> 01:48:22,040
Speaker 1: thank you for indulging me, and that goes to the

1914
01:48:22,080 --> 01:48:24,960
Speaker 1: rest of your listeners as well. We truly go together

1915
01:48:25,080 --> 01:48:29,000
Speaker 1: like Rama, Lama, Lamma, d Ding Dong, something like that.

1916
01:48:31,280 --> 01:48:36,920
Speaker 1: Do you smell toast, are you folks? Thank you for listening.

1917
01:48:37,280 --> 01:48:40,120
Speaker 1: This has been too much information. I'm Alex Heagel. My

1918
01:48:40,280 --> 01:48:42,720
Speaker 1: name is Jordan runt Hog, and I feel it's only

1919
01:48:42,840 --> 01:48:44,599
Speaker 1: right to end off on a bit of Doo wop.

1920
01:48:44,760 --> 01:48:47,599
Speaker 1: I'm not sure if we're allowed to, but let them

1921
01:48:47,640 --> 01:48:50,200
Speaker 1: sue for the ride out. Tonight we're gonna play you

1922
01:48:50,280 --> 01:48:52,200
Speaker 1: a new old favorite of mine, taking it back to

1923
01:48:52,240 --> 01:48:55,200
Speaker 1: the year of our Lord, Nineteen fifty seven. It's the

1924
01:48:55,439 --> 01:48:58,880
Speaker 1: five royals, and this one's dedicated to the one I love.

1925
01:48:59,080 --> 01:49:01,080
Speaker 1: That means all of you. Those guys are all dead.

1926
01:49:01,120 --> 01:49:04,440
Speaker 1: They're not sing us. Good night, everybody. This is dedicated

1927
01:49:04,880 --> 01:49:21,160
Speaker 1: to the one I lord. Wow, too much information. Was

1928
01:49:21,240 --> 01:49:24,320
Speaker 1: a production of I heart radio. The show's executive producers

1929
01:49:24,360 --> 01:49:27,400
Speaker 1: are Noel Brown and Jordan run talk. The supervising producer

1930
01:49:27,479 --> 01:49:30,519
Speaker 1: is Mike John's. The show was researched, written and hosted

1931
01:49:30,560 --> 01:49:33,519
Speaker 1: by Jordan run talk and Alex Heigel, with original music

1932
01:49:33,600 --> 01:49:36,479
Speaker 1: by Seth Applebaum and the Ghost funk orchestra. If you

1933
01:49:36,560 --> 01:49:38,840
Speaker 1: like what you heard, please subscribe and leave us a review.

1934
01:49:39,120 --> 01:49:41,360
Speaker 1: For more podcasts and I heart radio, visit the I

1935
01:49:41,520 --> 01:49:44,479
Speaker 1: heart radio APP apple podcast, or wherever you listen to

1936
01:49:44,479 --> 01:49:45,360
Speaker 1: your favorite shows,