1 00:00:01,720 --> 00:00:04,720 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,120 --> 00:00:08,000 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,680 --> 00:00:11,920 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:11,960 --> 00:00:31,200 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,200 --> 00:00:34,040 Speaker 1: a little thing we like to call the after party. 6 00:00:34,240 --> 00:00:36,320 Speaker 1: This is the show after the show, the party after 7 00:00:36,360 --> 00:00:38,120 Speaker 1: the party, the bridge to get you from one full 8 00:00:38,159 --> 00:00:41,080 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:41,080 --> 00:00:44,400 Speaker 1: into the dirt. On this episode, we are talking about 10 00:00:44,440 --> 00:00:47,920 Speaker 1: a contract on Mick Jagger's life, the big award show 11 00:00:47,960 --> 00:00:51,520 Speaker 1: that just happened, yemas not the Oscars, Lynyrd Skinner, Peter 12 00:00:51,640 --> 00:00:55,000 Speaker 1: Tosh and of course your voicemails, text dms and more 13 00:00:55,040 --> 00:00:58,680 Speaker 1: and as always, a whole lot of rosie. All right, Discos, 14 00:00:59,120 --> 00:01:15,400 Speaker 1: let's get into it. Only second full week of March 15 00:01:15,480 --> 00:01:17,880 Speaker 1: and we are back. Beware the IDEs of March A 16 00:01:18,000 --> 00:01:21,040 Speaker 1: two boute sure, why not? I'm back here in Disgraceland 17 00:01:21,040 --> 00:01:23,960 Speaker 1: with another after Party episode, back here in my Boston 18 00:01:24,000 --> 00:01:27,560 Speaker 1: area studio, back from Las Vegas, back from Maine, back 19 00:01:27,600 --> 00:01:30,959 Speaker 1: from an action packed week I was out in Las Vegas, 20 00:01:30,959 --> 00:01:33,039 Speaker 1: the city of sin that'll swallow you in picking up 21 00:01:33,080 --> 00:01:36,560 Speaker 1: an award for Disgraceland, an award I was honored to receive. 22 00:01:37,080 --> 00:01:40,480 Speaker 1: I've talked about why before when we were nominated. The 23 00:01:40,560 --> 00:01:45,440 Speaker 1: award was for Best Original Score in Music Supervision, nominated 24 00:01:45,880 --> 00:01:50,480 Speaker 1: by an awarded by the prestigious Podcast Academy. The award 25 00:01:50,560 --> 00:01:52,560 Speaker 1: is called an AMBI, and like I said, I was 26 00:01:52,720 --> 00:01:56,880 Speaker 1: stoked to be nominated alongside my brothers, Ryan Spraker, Matt Bowden, 27 00:01:56,960 --> 00:01:59,360 Speaker 1: and Bryce Kansas. Or bring this trophy home for the 28 00:01:59,400 --> 00:02:02,639 Speaker 1: double Elvis trophy case, which is filling out quite nicely, 29 00:02:02,680 --> 00:02:04,520 Speaker 1: I might add. And the reason I gave a shit 30 00:02:04,560 --> 00:02:07,520 Speaker 1: about this award was because of the category. Like I said, 31 00:02:07,520 --> 00:02:09,280 Speaker 1: I've mentioned this before and it was part of my 32 00:02:09,360 --> 00:02:12,560 Speaker 1: acceptance speech out in Vegas. But the reality is that 33 00:02:12,680 --> 00:02:14,760 Speaker 1: a lot of people that I spoke with before launching 34 00:02:14,800 --> 00:02:18,120 Speaker 1: Disgraceland warned me off of doing so because the nature 35 00:02:18,160 --> 00:02:20,960 Speaker 1: of the show and the challenges it would present. It's 36 00:02:21,000 --> 00:02:24,160 Speaker 1: a music show, as you know, no dea Licensing music 37 00:02:24,480 --> 00:02:27,160 Speaker 1: is very difficult to do, never mind in a new 38 00:02:27,200 --> 00:02:31,000 Speaker 1: medium like podcasting, it won't work because of this blah 39 00:02:31,040 --> 00:02:34,000 Speaker 1: blah blah blah blah. That's what they said. We didn't 40 00:02:34,040 --> 00:02:36,679 Speaker 1: let that stop us. Obviously. I am, like I've said 41 00:02:36,680 --> 00:02:38,520 Speaker 1: in the past, from the hardcore scene, and we were 42 00:02:38,560 --> 00:02:42,200 Speaker 1: taught to use our limitations as strengths. Can't get anyone 43 00:02:42,200 --> 00:02:44,440 Speaker 1: to book your band, that's okay, book the VFW haul 44 00:02:44,440 --> 00:02:46,320 Speaker 1: down the street, put the show on yourself. Can't get 45 00:02:46,320 --> 00:02:48,400 Speaker 1: anyone to put out your record, that's fine too. Find 46 00:02:48,400 --> 00:02:50,280 Speaker 1: a way to record, Go press up some copies on 47 00:02:50,360 --> 00:02:52,760 Speaker 1: cassette and voila, now you get your own record label. 48 00:02:52,760 --> 00:02:54,840 Speaker 1: Can't afford to license the music from the artists you're 49 00:02:54,880 --> 00:02:57,840 Speaker 1: discussing in your podcast, Make your own music and build 50 00:02:57,880 --> 00:03:00,040 Speaker 1: it into the show's DNA. And that's essentially what we 51 00:03:00,160 --> 00:03:02,960 Speaker 1: did because that was the number one solution I had 52 00:03:03,000 --> 00:03:06,240 Speaker 1: in the spring of twenty eighteen when Disgraceland was born, 53 00:03:06,320 --> 00:03:08,359 Speaker 1: and that was the only way the show was going 54 00:03:08,400 --> 00:03:11,280 Speaker 1: to work. And thank god it did. And boy howdy 55 00:03:11,360 --> 00:03:14,360 Speaker 1: am I grateful. I was the only one up there 56 00:03:14,400 --> 00:03:16,880 Speaker 1: at that podium and with a tight thirty seconds to 57 00:03:16,919 --> 00:03:20,320 Speaker 1: accept the award. It's important to point out that there 58 00:03:20,360 --> 00:03:22,520 Speaker 1: are many people who work on the show, despite the 59 00:03:22,520 --> 00:03:25,240 Speaker 1: four of us who were nominated. Double Elvis is a team, 60 00:03:25,360 --> 00:03:27,840 Speaker 1: a team that lives and dies with the support of 61 00:03:27,880 --> 00:03:29,959 Speaker 1: you guys, the listeners. So I just want to say 62 00:03:30,000 --> 00:03:32,600 Speaker 1: thank you to all of you and to everybody at 63 00:03:32,639 --> 00:03:35,720 Speaker 1: Double Elvis, as this award is as much yours as 64 00:03:35,720 --> 00:03:39,760 Speaker 1: it is mine. Cool thing about the hotel side note 65 00:03:40,240 --> 00:03:43,240 Speaker 1: that the Ambies were held in. It's the same hotel 66 00:03:43,280 --> 00:03:46,360 Speaker 1: in Vegas that Elvis did is legendary Las Vegas residency 67 00:03:46,360 --> 00:03:48,400 Speaker 1: in and after I won the award, they kind of 68 00:03:48,440 --> 00:03:51,200 Speaker 1: whiskey downstairs to do interviews and get your picture taken, 69 00:03:51,280 --> 00:03:53,839 Speaker 1: and then they very quickly hustle you back up into 70 00:03:53,840 --> 00:03:55,800 Speaker 1: your seat so your seat isn't empty for too long 71 00:03:55,840 --> 00:03:58,960 Speaker 1: for the simulcast. And in that process, the dude who 72 00:03:58,960 --> 00:04:01,560 Speaker 1: was bringing me around was like, hey, man, you'll appreciate this. 73 00:04:01,800 --> 00:04:03,960 Speaker 1: Check this out. And he took me into this little 74 00:04:04,080 --> 00:04:06,720 Speaker 1: hidden room in the bowels of this theater, and it 75 00:04:06,760 --> 00:04:10,520 Speaker 1: was Elvis's actual dressing room. They still use it as 76 00:04:10,520 --> 00:04:13,080 Speaker 1: a green room of sorts. Barry Manilowe is about to 77 00:04:13,120 --> 00:04:15,480 Speaker 1: start a residency there in a couple of days, if 78 00:04:15,520 --> 00:04:18,359 Speaker 1: he hasn't already. Anyways, this dude brought me back into 79 00:04:18,440 --> 00:04:23,599 Speaker 1: Elvis's dressing room, and behind Elvis's dressing room connected there's 80 00:04:23,640 --> 00:04:26,040 Speaker 1: this door and it connects into this super tiny room 81 00:04:26,320 --> 00:04:28,840 Speaker 1: and back there all there was was like a mirror, 82 00:04:28,880 --> 00:04:32,320 Speaker 1: a desk, and a bed. This is the bed where 83 00:04:32,360 --> 00:04:35,800 Speaker 1: Elvis used to take his naps, so damn awesome. The 84 00:04:35,839 --> 00:04:38,479 Speaker 1: spirit of Elvis was definitely in the building for dis 85 00:04:38,480 --> 00:04:41,160 Speaker 1: Graceland last week at the amb's Thanks to everyone at 86 00:04:41,160 --> 00:04:45,039 Speaker 1: the Podcast Academy who voted. Really appreciated the support from 87 00:04:45,040 --> 00:04:49,560 Speaker 1: the greater podcast just industry or whatever. Just my friends 88 00:04:49,560 --> 00:04:52,479 Speaker 1: and colleagues who were milling about the casino. It was 89 00:04:52,600 --> 00:04:55,599 Speaker 1: awesome to just run into everybody that I knew, run 90 00:04:55,640 --> 00:04:58,200 Speaker 1: into new people, just be walking around and people coming 91 00:04:58,279 --> 00:05:00,280 Speaker 1: up to me, Hey, you're in this Graceland. Oh blah 92 00:05:00,320 --> 00:05:03,680 Speaker 1: blah blah. That's up. This is awesome. Haven't had a 93 00:05:03,680 --> 00:05:06,480 Speaker 1: lot of that in the last couple months, years, etc. 94 00:05:06,880 --> 00:05:09,960 Speaker 1: So it was a very cool experience. I was happy 95 00:05:09,960 --> 00:05:12,440 Speaker 1: to get back to New England. I flew from Vegas, 96 00:05:12,600 --> 00:05:14,880 Speaker 1: food back home, crashed for a couple hours, grabbed my 97 00:05:14,920 --> 00:05:17,040 Speaker 1: family and headed north to Maine for the weekend, which 98 00:05:17,080 --> 00:05:20,880 Speaker 1: was awesome. I love that state. Got some good, much needed, replenishing, 99 00:05:20,960 --> 00:05:23,839 Speaker 1: soul filling time with my family and a cool thing happened. 100 00:05:24,520 --> 00:05:27,279 Speaker 1: We're wandering through a random food market picking up sacks 101 00:05:27,279 --> 00:05:29,400 Speaker 1: to bring back to the hotel, and I was cruising 102 00:05:29,400 --> 00:05:31,920 Speaker 1: for some non alcoholic beer as I'm off the sauce 103 00:05:31,960 --> 00:05:35,360 Speaker 1: for lent, and I randomly came across the disgraceland beer 104 00:05:35,480 --> 00:05:39,920 Speaker 1: called rock Rolla in the cooler of this random market 105 00:05:39,960 --> 00:05:44,000 Speaker 1: in Ogunquin and Ornol'd Brewing, who we collaborated with on 106 00:05:44,040 --> 00:05:46,480 Speaker 1: the beers from Maine, So it shouldn't have been a 107 00:05:46,520 --> 00:05:49,040 Speaker 1: surprise to me to come across Rock Rolla. But then again, 108 00:05:49,080 --> 00:05:51,480 Speaker 1: it totally was. My boys saw it, they knew it immediately. 109 00:05:51,560 --> 00:05:54,000 Speaker 1: They freaked out. One of the customers was like, what 110 00:05:54,000 --> 00:05:57,479 Speaker 1: the hell's going on? And my wife, of course, is 111 00:05:57,520 --> 00:05:59,320 Speaker 1: all bragging at the top of her lungs. So we 112 00:05:59,360 --> 00:06:01,440 Speaker 1: told her about the beer. She bought a four pack. 113 00:06:01,520 --> 00:06:03,760 Speaker 1: That was cool. You can buy your own four pack 114 00:06:03,760 --> 00:06:06,240 Speaker 1: of Rock Rolla in New England. It's a gluten reduce 115 00:06:06,320 --> 00:06:09,600 Speaker 1: basically gluten free beer. You can get this wherever awesome 116 00:06:09,640 --> 00:06:12,760 Speaker 1: beer is sold. I'll have more info on this with 117 00:06:12,920 --> 00:06:16,599 Speaker 1: specific stores up on our social shortly stores where you 118 00:06:16,600 --> 00:06:18,800 Speaker 1: can buy Rock Corolla. All right, enough, I mean mine 119 00:06:18,839 --> 00:06:20,920 Speaker 1: back with some of you. You you after the break. 120 00:06:41,600 --> 00:06:44,560 Speaker 1: So some of you might remember when I staged Disgraceland, 121 00:06:44,960 --> 00:06:48,039 Speaker 1: did some live shows here in Boston, Cambridge actually, and 122 00:06:48,040 --> 00:06:51,400 Speaker 1: then out in Denver and in San Francisco, and the 123 00:06:51,440 --> 00:06:53,440 Speaker 1: story I told live was the story of the Rolling 124 00:06:53,480 --> 00:06:56,640 Speaker 1: Stones at Altamont, which I eventually reproduced into a full 125 00:06:56,720 --> 00:07:00,760 Speaker 1: Disgraceland episode. One anecdote from that story that I touched 126 00:07:00,800 --> 00:07:03,440 Speaker 1: on in the live episode or the live staging and 127 00:07:04,200 --> 00:07:06,839 Speaker 1: on stage, and then in the other episode, Like I mentioned, 128 00:07:06,839 --> 00:07:09,479 Speaker 1: one of the anecdotes was how after the melee of 129 00:07:09,520 --> 00:07:13,239 Speaker 1: the disastrous Rolling Stones concert where the Hell's Angels stabbed 130 00:07:13,280 --> 00:07:17,040 Speaker 1: and killed Meredith Hunter. After that, Mick Jagger was staying 131 00:07:17,040 --> 00:07:18,960 Speaker 1: in New York City out on Long Island at Andy 132 00:07:18,960 --> 00:07:22,480 Speaker 1: Warhol's place, and it's some enterprising New York chapter Hell's Angels 133 00:07:22,520 --> 00:07:25,280 Speaker 1: decided they were going to kill Mick Jagger as payback 134 00:07:25,320 --> 00:07:27,200 Speaker 1: for Altamont. There was a contract on his head. And 135 00:07:27,240 --> 00:07:30,920 Speaker 1: this story again anecdotal to the larger Altamont story that 136 00:07:31,000 --> 00:07:33,960 Speaker 1: I told on stage in the in the podcast, and 137 00:07:34,280 --> 00:07:37,440 Speaker 1: I've always wanted to dig in deeper to this anecdote, 138 00:07:37,480 --> 00:07:40,240 Speaker 1: so that's exactly what I did last week over on 139 00:07:40,240 --> 00:07:43,360 Speaker 1: the Disgraceland YouTube channel. We go deep into the contract 140 00:07:43,360 --> 00:07:44,960 Speaker 1: that the Angels put on Mick Jagger's head and the 141 00:07:44,960 --> 00:07:47,320 Speaker 1: attempt on his life by the Motorcycle Club, and I 142 00:07:47,400 --> 00:07:49,520 Speaker 1: encourage you all to go watch it. That's at YouTube 143 00:07:49,520 --> 00:07:52,760 Speaker 1: dot com, slash at disgrace lamppod watch the video, subscribe 144 00:07:52,760 --> 00:07:55,680 Speaker 1: to our channel, turn on all notifications so you never 145 00:07:55,720 --> 00:07:58,720 Speaker 1: miss any of our daily shorts or our weekly deep dives. 146 00:07:59,440 --> 00:08:02,040 Speaker 1: All right, that's YouTube. How wout we get to you? 147 00:08:02,400 --> 00:08:04,680 Speaker 1: Just you no tube? All right? How about some of 148 00:08:04,720 --> 00:08:07,600 Speaker 1: your voicemails in your texts? You can call me. You 149 00:08:07,600 --> 00:08:09,560 Speaker 1: guys know this, you know it. It's six one seven 150 00:08:09,640 --> 00:08:11,840 Speaker 1: nine zero six six six three eight. You can leave 151 00:08:11,880 --> 00:08:14,120 Speaker 1: me a voicemail. You can text me at that number 152 00:08:14,160 --> 00:08:16,960 Speaker 1: as well, six one seven nine zero six six six 153 00:08:17,080 --> 00:08:20,560 Speaker 1: three eight, And I'll respond to some of you right 154 00:08:20,560 --> 00:08:23,680 Speaker 1: here in the after party. Let's hear what Sherry from 155 00:08:23,720 --> 00:08:25,880 Speaker 1: the two one five has to say. 156 00:08:26,000 --> 00:08:27,720 Speaker 2: Nike, I love all your stuff. 157 00:08:27,840 --> 00:08:29,240 Speaker 3: Shary here and Billy and. 158 00:08:29,800 --> 00:08:34,679 Speaker 2: Listen, don't Bunny beat me because I'm on the Spotify side. 159 00:08:34,720 --> 00:08:38,520 Speaker 2: So everything you're releasing on the Spotify side, I am 160 00:08:38,679 --> 00:08:42,240 Speaker 2: gobbling this shit up because your shit is good. I've 161 00:08:42,280 --> 00:08:45,400 Speaker 2: turned four to five people already onto your shit is 162 00:08:45,440 --> 00:08:49,920 Speaker 2: so good. It's great bad Lands the Graceland loving both 163 00:08:49,960 --> 00:08:53,760 Speaker 2: of them. Got a question though, if you've done it already, 164 00:08:53,880 --> 00:08:56,560 Speaker 2: then I'll hear it on the next you know, when 165 00:08:56,600 --> 00:09:00,120 Speaker 2: you have the next raining. But it's not can we 166 00:09:00,240 --> 00:09:05,319 Speaker 2: have Whitney Houston? Bobby Brown? And is it too soon 167 00:09:05,840 --> 00:09:12,040 Speaker 2: be for let's to go after like David Karendene and 168 00:09:14,559 --> 00:09:18,760 Speaker 2: Robin Williams. I'm saying it with hesitation because Robin William's 169 00:09:18,760 --> 00:09:23,400 Speaker 2: was my heart. But anyway, love you, Jake, Thank. 170 00:09:23,080 --> 00:09:28,280 Speaker 1: You Sherry and Philly, I love you back listen. I'm 171 00:09:28,280 --> 00:09:31,600 Speaker 1: good with the Spotify listeners. Never gonna hate appreciate you guys, 172 00:09:31,640 --> 00:09:34,080 Speaker 1: no matter what platform you're listening on. As for Whitney, 173 00:09:34,520 --> 00:09:37,320 Speaker 1: there's a Disgraceland episode on Whitney Houston. It's part of 174 00:09:37,360 --> 00:09:41,439 Speaker 1: season four, which means it's a previously exclusive episode and 175 00:09:41,480 --> 00:09:44,200 Speaker 1: that this one in particular is going to be re 176 00:09:44,200 --> 00:09:47,959 Speaker 1: released into your feed, Sherry on March twenty fourth. That's 177 00:09:48,040 --> 00:09:51,840 Speaker 1: coming up. You get that to look forward to. As 178 00:09:51,840 --> 00:09:56,160 Speaker 1: you guys know, we are releasing previously exclusive content every 179 00:09:56,240 --> 00:09:58,680 Speaker 1: day this month in March we're doing our best to 180 00:09:58,679 --> 00:10:01,920 Speaker 1: get the entire ar. I've back out into your feed 181 00:10:01,960 --> 00:10:05,240 Speaker 1: for your listening pleasure. And Sherry. Also, Cherry, you brought 182 00:10:05,280 --> 00:10:07,600 Speaker 1: up the bad Land series. You're talking about Robin Williams. 183 00:10:07,800 --> 00:10:09,960 Speaker 1: There's a Robin Williams episode. It's out there. It's already 184 00:10:09,960 --> 00:10:13,840 Speaker 1: out there. Sit your feet on Spotify, it's everywhere. Go listen, 185 00:10:13,960 --> 00:10:16,480 Speaker 1: it's there. Get in there, Sherry, Come on, all right, 186 00:10:16,600 --> 00:10:19,760 Speaker 1: let's check out this voicemail from the two to two four. 187 00:10:20,640 --> 00:10:23,520 Speaker 3: I really dig your show. I just listened to the 188 00:10:23,559 --> 00:10:26,640 Speaker 3: one about the club kids. I have one thing to say. 189 00:10:26,960 --> 00:10:30,600 Speaker 3: There's no such thing as assless chaps. If they had 190 00:10:30,600 --> 00:10:33,360 Speaker 3: an ass in them, they beat pants. 191 00:10:33,720 --> 00:10:37,280 Speaker 1: Hah Okay, I stayed corrected. Maybe I think I don't know. 192 00:10:37,320 --> 00:10:40,600 Speaker 1: I said assless chaps, not assless pants, So I don't 193 00:10:40,640 --> 00:10:43,520 Speaker 1: know what I'm missing here, dude. This guy's referring to 194 00:10:43,520 --> 00:10:46,360 Speaker 1: our episode though from season one on Michael aleg which 195 00:10:46,400 --> 00:10:48,520 Speaker 1: I highly recommend that you guys go listen to if 196 00:10:48,520 --> 00:10:51,320 Speaker 1: you've not already. It's an easy one to pass over 197 00:10:51,440 --> 00:10:53,400 Speaker 1: because you see his name and you're like, who the 198 00:10:53,440 --> 00:10:55,760 Speaker 1: hell is this guy? He's not a musician, but he 199 00:10:56,000 --> 00:11:01,679 Speaker 1: was a famous club promoter tangentially patched to the music 200 00:11:01,720 --> 00:11:04,440 Speaker 1: scene in New York in the nineties. In this story 201 00:11:04,920 --> 00:11:07,880 Speaker 1: on Michael Alec and the club Kids is one of 202 00:11:07,880 --> 00:11:11,240 Speaker 1: the wilder stories we've ever done, and that's saying something, 203 00:11:11,280 --> 00:11:14,000 Speaker 1: as you know, so I highly recommend you check out 204 00:11:14,040 --> 00:11:18,679 Speaker 1: that episode. Guys six one seven nine zero six six 205 00:11:18,840 --> 00:11:21,640 Speaker 1: six three eight. You can call and yell at me 206 00:11:21,679 --> 00:11:23,920 Speaker 1: about asslest Chaps or whatever you want to yell at 207 00:11:23,960 --> 00:11:26,920 Speaker 1: me about. You can also text me, like the three 208 00:11:27,040 --> 00:11:29,280 Speaker 1: oh five. All right, so from the three oh five. 209 00:11:29,320 --> 00:11:31,520 Speaker 1: This is a long message here. I'm gonna read part 210 00:11:31,520 --> 00:11:34,400 Speaker 1: of it because it's it's very connected to the conversation 211 00:11:34,440 --> 00:11:36,640 Speaker 1: we've been having here in the after party. The three 212 00:11:36,720 --> 00:11:38,839 Speaker 1: oh five says, Now, I wouldn't recommend this, but when 213 00:11:38,880 --> 00:11:40,880 Speaker 1: I was going through a really low point in my 214 00:11:41,000 --> 00:11:43,880 Speaker 1: mid twenties, I spent a few months listening to predominantly 215 00:11:44,000 --> 00:11:48,120 Speaker 1: Nick Cave and the Bad Seeds Elliott Smith and Tom Waits. Yikes. 216 00:11:49,040 --> 00:11:51,960 Speaker 1: That yikes is my part, because that's some dark shit there. 217 00:11:52,200 --> 00:11:54,600 Speaker 1: I had a bunch of their CDs on Constant Rotation. 218 00:11:55,080 --> 00:11:57,560 Speaker 1: That's where Nick Cave comes in, and in hindsight, that 219 00:11:57,679 --> 00:12:00,120 Speaker 1: was a bit too much wallowing in the sadness, but 220 00:12:00,200 --> 00:12:03,200 Speaker 1: damn the music was still amazing. Yeah, that music is amazing, 221 00:12:03,240 --> 00:12:05,520 Speaker 1: but that's a lot of darkness, man, a lot of sadness, 222 00:12:05,559 --> 00:12:08,360 Speaker 1: like you're saying. And this is because getting this text 223 00:12:08,800 --> 00:12:12,960 Speaker 1: from the three oh five because in our last episode, 224 00:12:13,000 --> 00:12:14,920 Speaker 1: someone had asked me what I like to listen to 225 00:12:15,000 --> 00:12:17,720 Speaker 1: when I'm sad and to cheer me up, and I answered, 226 00:12:17,760 --> 00:12:19,719 Speaker 1: I don't really listen to music to cheer me up, 227 00:12:20,120 --> 00:12:21,760 Speaker 1: not anymore. I don't know if I really ever did. 228 00:12:22,600 --> 00:12:23,959 Speaker 1: I do other things, but I'm not going to go 229 00:12:24,000 --> 00:12:26,040 Speaker 1: backwards and repeat what I said last week. So but 230 00:12:26,080 --> 00:12:28,600 Speaker 1: that's why I got this text. We also talked in 231 00:12:28,640 --> 00:12:31,040 Speaker 1: the last episode about when I'm reading, and I mentioned 232 00:12:31,040 --> 00:12:33,560 Speaker 1: Flannery O'Connor, and the three oh five goes oh, and 233 00:12:33,679 --> 00:12:36,480 Speaker 1: Flannery O'Connor isn't my favorite writer, but I do think 234 00:12:36,520 --> 00:12:38,600 Speaker 1: Good Country People is one of the best short stories 235 00:12:38,679 --> 00:12:41,960 Speaker 1: ever written. I don't remember where she originally published it, 236 00:12:42,000 --> 00:12:45,640 Speaker 1: but it's been widely anthologized, and for good reason, Thank 237 00:12:45,679 --> 00:12:48,360 Speaker 1: you three oh five. I have not read that short 238 00:12:48,400 --> 00:12:51,040 Speaker 1: story Good Country People, by Flannerio O'Connor, but I'm going 239 00:12:51,080 --> 00:12:52,520 Speaker 1: to go check it out. I'm pretty sure I have 240 00:12:52,600 --> 00:12:56,280 Speaker 1: it in an anthology in my library. And then the 241 00:12:56,280 --> 00:12:58,640 Speaker 1: three oh five sent this awesome picture of Billie Holliday 242 00:12:58,679 --> 00:13:02,320 Speaker 1: with her dog Missed, which you know, if you have 243 00:13:02,480 --> 00:13:07,000 Speaker 1: not heard the Billie Holiday episode of Disgraceland, mister her 244 00:13:07,080 --> 00:13:10,120 Speaker 1: dog features prominently in it. It's a drug dealing dog. 245 00:13:10,840 --> 00:13:12,440 Speaker 1: You're like, what, what the fuck are you talking about? 246 00:13:12,480 --> 00:13:14,599 Speaker 1: Just trust me, go listen to the Billie Holiday episode. 247 00:13:14,840 --> 00:13:17,760 Speaker 1: All right, let's do some more texts from the three 248 00:13:17,880 --> 00:13:20,600 Speaker 1: one four mac Miller episode. I think the ending of 249 00:13:20,600 --> 00:13:22,160 Speaker 1: that episode was one of the best endings of a 250 00:13:22,200 --> 00:13:24,959 Speaker 1: podcast episode I have ever heard. Thank you well, thank 251 00:13:25,000 --> 00:13:27,720 Speaker 1: you three one four. Go check out that mac Miller 252 00:13:27,760 --> 00:13:30,240 Speaker 1: episode if you have not heard it. From the two 253 00:13:30,320 --> 00:13:33,680 Speaker 1: o two, my wife says, this looks like fingers again, 254 00:13:34,040 --> 00:13:36,719 Speaker 1: not a food stylist. I don't know what the fuck 255 00:13:36,760 --> 00:13:40,480 Speaker 1: I'm looking at here, man, it's a picture of geez dude. 256 00:13:41,360 --> 00:13:44,240 Speaker 1: Oh wait, there's another text again, Jake. Amazing episode on 257 00:13:44,360 --> 00:13:46,040 Speaker 1: Ike and Teena Turner. I know you like to know 258 00:13:46,080 --> 00:13:49,360 Speaker 1: how we listen this sixty two year old retired I'm 259 00:13:49,360 --> 00:13:53,640 Speaker 1: not going to say what she calls herself, but lesbian 260 00:13:53,720 --> 00:13:56,839 Speaker 1: is the polite word. Listens while she's making Bangers and 261 00:13:56,960 --> 00:13:59,760 Speaker 1: mash total whim for Late Friday Night Dinner. Loved the 262 00:14:00,000 --> 00:14:02,679 Speaker 1: episode nut Bush City Limits is one of my favorite songs. 263 00:14:02,679 --> 00:14:04,640 Speaker 1: Had no idea of the origin. I am a constant 264 00:14:04,640 --> 00:14:07,360 Speaker 1: podcast listener. You are the best. Thank you. From the 265 00:14:07,440 --> 00:14:10,000 Speaker 1: two to two and there's some bangers in mash and 266 00:14:10,040 --> 00:14:12,960 Speaker 1: a photo there? All right, digging it? Send me the 267 00:14:12,960 --> 00:14:15,760 Speaker 1: food picks. I'm here for the food porn, all right? 268 00:14:15,800 --> 00:14:17,640 Speaker 1: What else we got here? What up? 269 00:14:17,720 --> 00:14:18,000 Speaker 3: Jake? 270 00:14:18,200 --> 00:14:19,960 Speaker 1: From the nine to seven one. I'm laying here in 271 00:14:20,000 --> 00:14:22,680 Speaker 1: bed next to my sleeping, sick ten month old passing 272 00:14:22,720 --> 00:14:25,720 Speaker 1: the time with Kurt and Courtney Part one. I'm sorry 273 00:14:25,760 --> 00:14:29,680 Speaker 1: you're ten month old. It's sick. That sucks, and that's stressful. Shit. Man, 274 00:14:29,720 --> 00:14:32,440 Speaker 1: I've been there. Texter goes on to say thanks for 275 00:14:32,520 --> 00:14:35,080 Speaker 1: all the amazing content. Brother. I do have a suggestion, though, 276 00:14:35,440 --> 00:14:37,880 Speaker 1: Have you ever thought of doing some more early American 277 00:14:37,920 --> 00:14:41,280 Speaker 1: Delta Blues players like Sunhouse? I have and I will. 278 00:14:42,000 --> 00:14:46,720 Speaker 1: We did the Robert Johnson episode that's currently in the archives. 279 00:14:47,120 --> 00:14:49,600 Speaker 1: It has not yet been re released live, but it 280 00:14:49,640 --> 00:14:54,800 Speaker 1: will soon. And Sounhouse is a prominent player in that episode. 281 00:14:54,840 --> 00:14:58,880 Speaker 1: And we've got a Skip James episode that I did 282 00:14:58,960 --> 00:15:02,560 Speaker 1: the Newport Folk Fest last summer. We are doing the 283 00:15:03,240 --> 00:15:07,640 Speaker 1: fully recorded version of that and that's coming out like 284 00:15:07,720 --> 00:15:10,000 Speaker 1: a month or so. That's a new one, all right, 285 00:15:10,040 --> 00:15:12,480 Speaker 1: what else we get? Oh? Look at this? How's this 286 00:15:12,520 --> 00:15:15,000 Speaker 1: for timing? The seven two four sends in a text 287 00:15:15,040 --> 00:15:19,400 Speaker 1: and it's a photo of Lee Field's album Sentimental Fool, 288 00:15:19,800 --> 00:15:24,680 Speaker 1: the aforementioned Robert Johnson episode that I just talked about 289 00:15:24,720 --> 00:15:30,320 Speaker 1: in Sunhouse. Lee Fields the great soul singer, modern R 290 00:15:30,360 --> 00:15:34,400 Speaker 1: and B soul singer. He voices Son. He voiced Sunhouse 291 00:15:34,440 --> 00:15:36,360 Speaker 1: for me. We hit up his manager. We're like, hey, man, 292 00:15:36,480 --> 00:15:39,680 Speaker 1: let's let's get Lee Fields in on this action. And 293 00:15:39,760 --> 00:15:43,400 Speaker 1: he did a tremendous job playing the role of Sunhouse's 294 00:15:43,400 --> 00:15:46,440 Speaker 1: decapitated head. Have I hooked you yet? Are you? Like? 295 00:15:46,520 --> 00:15:48,440 Speaker 1: What the hell are you talking about? I'm gonna check 296 00:15:48,480 --> 00:15:51,920 Speaker 1: this Robert Johnson episode out. You've mentioned Lee Field Sonhouse's 297 00:15:51,960 --> 00:15:55,400 Speaker 1: head and Robert fucking Johnson. I hope, so get in 298 00:15:55,440 --> 00:15:59,480 Speaker 1: there and check that out. Seven to four also says Jake, 299 00:15:59,520 --> 00:16:01,200 Speaker 1: Thanks so much for everything you do on your podcast. 300 00:16:01,280 --> 00:16:03,680 Speaker 1: I took your advice about listening to Lee Field's man, 301 00:16:04,000 --> 00:16:07,320 Speaker 1: I'm absolutely a huge fan of his now Sentimental Fool 302 00:16:07,440 --> 00:16:09,640 Speaker 1: an incredible album. I spent it at least twice a week. 303 00:16:09,680 --> 00:16:12,080 Speaker 1: Thanks man, Rock a Roller all right? You got it? Yeah? 304 00:16:12,160 --> 00:16:14,640 Speaker 1: Lee Fields is no fucking joke. Check that out a 305 00:16:14,680 --> 00:16:16,840 Speaker 1: lot of texts. Let's keep going through here. What do 306 00:16:16,880 --> 00:16:18,160 Speaker 1: we got? What do we got? What do we got? 307 00:16:18,200 --> 00:16:19,440 Speaker 1: What do we got? What do we got? What do 308 00:16:19,520 --> 00:16:19,880 Speaker 1: we got? 309 00:16:19,960 --> 00:16:20,160 Speaker 2: Ah? 310 00:16:22,600 --> 00:16:24,800 Speaker 1: Hi, my name is Jared and I'm a huge fan 311 00:16:24,840 --> 00:16:26,560 Speaker 1: of Disgrace and bad Lands. I was wondering if you 312 00:16:26,560 --> 00:16:29,440 Speaker 1: have any merch for sale? Geez oh, Jared, come on. 313 00:16:29,840 --> 00:16:33,600 Speaker 1: Merch is a touchy subject around here. We are all 314 00:16:34,040 --> 00:16:36,000 Speaker 1: out of merch. We've got new stuff coming for you. 315 00:16:36,320 --> 00:16:38,960 Speaker 1: I need to get on it. That's my answer. I apologize. 316 00:16:39,680 --> 00:16:42,360 Speaker 1: What else do we got? Hey? Jake, big fan from 317 00:16:42,400 --> 00:16:44,760 Speaker 1: Canada here. I was curious if you've ever read Al 318 00:16:44,880 --> 00:16:47,480 Speaker 1: Jorgenson's book, and if you've ever considered doing a podcast 319 00:16:47,640 --> 00:16:52,360 Speaker 1: or YouTube video on his crazy story that Al Jorgenson is, 320 00:16:52,880 --> 00:16:57,760 Speaker 1: of course the mastermind behind the industrial band Ministry. And no, 321 00:16:57,840 --> 00:17:00,400 Speaker 1: I haven't read the book. I've seen Ministry life before 322 00:17:00,440 --> 00:17:03,960 Speaker 1: a couple of times. I love them and you know, 323 00:17:04,080 --> 00:17:06,359 Speaker 1: thanks for reminding me. He goes on to this Texter 324 00:17:06,440 --> 00:17:07,880 Speaker 1: goes on from the five to one nine to say, 325 00:17:07,880 --> 00:17:09,840 Speaker 1: I would also be curious to your opinion on the 326 00:17:09,880 --> 00:17:12,960 Speaker 1: validity of his claims. I don't know what old Al 327 00:17:13,119 --> 00:17:15,640 Speaker 1: is spewing, but now I'm intrigued, so maybe I'll check 328 00:17:15,640 --> 00:17:17,160 Speaker 1: that out. What else we got here from the text? 329 00:17:17,960 --> 00:17:20,720 Speaker 1: All right, last text here from the four two four 330 00:17:21,000 --> 00:17:23,400 Speaker 1: I Love You show. I listened to every single episode 331 00:17:23,440 --> 00:17:26,520 Speaker 1: and listened to the re releases and the new releases. 332 00:17:26,560 --> 00:17:28,840 Speaker 1: I work as a programmer, and your show really helps 333 00:17:28,880 --> 00:17:31,359 Speaker 1: me get through the day. Your show is very informative, 334 00:17:31,400 --> 00:17:34,480 Speaker 1: but not like a boring classroom setup. It really helped 335 00:17:34,480 --> 00:17:37,040 Speaker 1: me communicate to my coworkers whose kind of music is 336 00:17:37,119 --> 00:17:39,639 Speaker 1: rock and rollish. Thank you for helping me sound cool. 337 00:17:40,760 --> 00:17:42,639 Speaker 1: That you were helping me sound cool. Keep it up, 338 00:17:42,680 --> 00:17:45,480 Speaker 1: looking forward to the future. Jamie j A I M 339 00:17:45,560 --> 00:17:48,320 Speaker 1: I E. From the four two four. Well, Jamie, I 340 00:17:48,400 --> 00:17:53,600 Speaker 1: like this text because you know, disgrace Land goes deep, 341 00:17:55,640 --> 00:17:58,800 Speaker 1: goes real deep, and that's by design, that's what the 342 00:17:58,800 --> 00:18:02,399 Speaker 1: podcast is, that's baked into the cake, so to speak. 343 00:18:03,080 --> 00:18:06,360 Speaker 1: But it was brought to my attention about a year 344 00:18:06,400 --> 00:18:09,879 Speaker 1: ago that there's this entirely not Jamie. I don't know 345 00:18:09,920 --> 00:18:11,239 Speaker 1: who you are, and I don't know how old you are, 346 00:18:11,280 --> 00:18:12,800 Speaker 1: but I'm guessing you're a little bit younger than me. 347 00:18:13,640 --> 00:18:15,800 Speaker 1: And it was brought to my attention that there's this 348 00:18:16,520 --> 00:18:22,000 Speaker 1: entire new generation of young twenty somethings who are obsessed 349 00:18:22,680 --> 00:18:27,800 Speaker 1: with classic rock but are perhaps not as knowledgeable because 350 00:18:27,800 --> 00:18:30,960 Speaker 1: they didn't grow up anywhere near it or around it. 351 00:18:30,960 --> 00:18:34,399 Speaker 1: It's music that their parents listened to or listen to. 352 00:18:35,160 --> 00:18:38,320 Speaker 1: It's great music. There's all these amazing bile picks being made, 353 00:18:38,440 --> 00:18:44,600 Speaker 1: Queen Elton John, great movies about classic rock, almost famous, 354 00:18:44,800 --> 00:18:47,360 Speaker 1: you know, Fast Times at Ridgemont High not classic rock, 355 00:18:47,400 --> 00:18:51,639 Speaker 1: but great soundtrack, etc. All these real iconic touchstones in 356 00:18:51,640 --> 00:18:55,040 Speaker 1: our culture that rub up against classic rock. But it 357 00:18:55,080 --> 00:18:59,199 Speaker 1: can be intimidating for younger people, which is an idea 358 00:18:59,200 --> 00:19:01,080 Speaker 1: and a notion that I I never really thought about 359 00:19:01,280 --> 00:19:05,000 Speaker 1: before because I just grew up surrounded by it. I've 360 00:19:05,040 --> 00:19:08,520 Speaker 1: gone through so many stages of classic rock, you know, 361 00:19:08,720 --> 00:19:11,480 Speaker 1: like I hated it for a long time. I denied 362 00:19:11,520 --> 00:19:15,199 Speaker 1: it even though I loved it. It's just what you 363 00:19:15,240 --> 00:19:18,000 Speaker 1: do if you're my age and you've grown up in 364 00:19:18,119 --> 00:19:21,040 Speaker 1: punk and hardcore and classic rock. You know, it comes 365 00:19:21,040 --> 00:19:22,760 Speaker 1: to you first, and then it bores the shit out 366 00:19:22,800 --> 00:19:24,680 Speaker 1: of you, and then it's overplayed, and then you come 367 00:19:24,720 --> 00:19:27,000 Speaker 1: back to it and you love it, and you start 368 00:19:27,040 --> 00:19:31,120 Speaker 1: a podcast that utilizes the history of classic rock most 369 00:19:31,160 --> 00:19:34,679 Speaker 1: of the time, along with some modern stuff. But I 370 00:19:34,800 --> 00:19:37,280 Speaker 1: just really got into this idea that there was this 371 00:19:37,600 --> 00:19:43,720 Speaker 1: whole generation of coming listeners who are intrigued by classic 372 00:19:43,960 --> 00:19:47,959 Speaker 1: rock yet kind of intimidated by it perhaps or at 373 00:19:47,960 --> 00:19:50,800 Speaker 1: the very least want to hear more about it, and 374 00:19:50,880 --> 00:19:53,720 Speaker 1: don't have a place to do it besides classic rock radio. 375 00:19:54,160 --> 00:19:57,800 Speaker 1: And classic rock radio is you know, no offense to 376 00:19:57,840 --> 00:20:02,080 Speaker 1: classic rock radio guys, but it it's not my thing. 377 00:20:02,240 --> 00:20:04,080 Speaker 1: You know, it is a thing, it's not my thing. 378 00:20:04,480 --> 00:20:08,000 Speaker 1: I think classic rock is one of the most misunderstood 379 00:20:08,080 --> 00:20:10,760 Speaker 1: genres of music or miss that's not right. It's one 380 00:20:10,800 --> 00:20:15,000 Speaker 1: of the most miss presented genres of music. It might 381 00:20:15,040 --> 00:20:18,399 Speaker 1: be the coolest genre of music, but it is presented 382 00:20:18,520 --> 00:20:23,000 Speaker 1: in an incredibly uncool way and has been presented that 383 00:20:23,080 --> 00:20:26,680 Speaker 1: way for decades. And you know, I'm not saying I'm 384 00:20:26,680 --> 00:20:31,239 Speaker 1: making a make classic rock great again hat, but I 385 00:20:31,280 --> 00:20:34,399 Speaker 1: am kind of in the front of my mind thinking 386 00:20:34,400 --> 00:20:37,680 Speaker 1: about how do we make classic rock cool all of us, 387 00:20:37,920 --> 00:20:41,040 Speaker 1: you know, like, I don't want to be exclusionary, and 388 00:20:41,800 --> 00:20:44,639 Speaker 1: I'm certainly not trying to come off like a snotty 389 00:20:44,800 --> 00:20:48,359 Speaker 1: record store geek with Disgraceland. I'm very happy to receive 390 00:20:48,400 --> 00:20:52,720 Speaker 1: this text from Jamie. So one of the things I'm 391 00:20:52,720 --> 00:20:54,959 Speaker 1: doing about it, that's the YouTube channel that I've been 392 00:20:55,000 --> 00:20:58,200 Speaker 1: talking about constantly. But you'll find when you go to 393 00:20:58,280 --> 00:21:01,520 Speaker 1: the YouTube channel that not only are you stories on 394 00:21:01,560 --> 00:21:04,399 Speaker 1: our Disgraceland YouTube channel that aren't part of our Disgraceland 395 00:21:04,440 --> 00:21:10,200 Speaker 1: podcast feed, the stories are a little bit broader, they're 396 00:21:10,280 --> 00:21:13,760 Speaker 1: not as deep. The formats different, and the medium is different. 397 00:21:13,840 --> 00:21:18,200 Speaker 1: YouTube is a different place. It's a wider, bigger space. 398 00:21:19,359 --> 00:21:22,760 Speaker 1: So I feel like it allows us the opportunity to 399 00:21:23,280 --> 00:21:26,920 Speaker 1: not go as deep play a little bit up, closer 400 00:21:26,960 --> 00:21:32,280 Speaker 1: to the surface, and perhaps reach some other folks who 401 00:21:33,600 --> 00:21:38,240 Speaker 1: might be put off rough it's too strong, but just 402 00:21:38,359 --> 00:21:41,800 Speaker 1: you know, not as into the deep, deep deep dives 403 00:21:41,880 --> 00:21:45,879 Speaker 1: we do on Disgraceland. And you know, not that not 404 00:21:46,000 --> 00:21:48,119 Speaker 1: that we're being like, not that we're in the shadow 405 00:21:48,200 --> 00:21:50,840 Speaker 1: under the pool. Over on YouTube, we're offering you stories 406 00:21:50,880 --> 00:21:54,720 Speaker 1: that you, even if you're a huge music fan, you 407 00:21:54,800 --> 00:21:57,520 Speaker 1: might not have heard before. But I'm not doing it 408 00:21:57,560 --> 00:22:01,280 Speaker 1: in a way where I'm comprehensively, you know, drilling down 409 00:22:01,320 --> 00:22:03,960 Speaker 1: as deep as we do in Disgraceland. And that's on purpose, 410 00:22:04,520 --> 00:22:07,679 Speaker 1: and I'm hoping to bring some folks in to the 411 00:22:07,720 --> 00:22:12,040 Speaker 1: Disgraceland universe who might be sitting there at the edge 412 00:22:12,040 --> 00:22:14,480 Speaker 1: of the pool dipping their toe in and are ready 413 00:22:14,560 --> 00:22:16,720 Speaker 1: to jump. So come on in. It's a big pool. 414 00:22:16,720 --> 00:22:19,480 Speaker 1: We got room for all of you. I've been ranting. 415 00:22:19,800 --> 00:22:22,159 Speaker 1: You know, those are texts, There are voicemails before that. 416 00:22:22,440 --> 00:22:25,960 Speaker 1: Six one seven nine zero six six six three eight. 417 00:22:27,760 --> 00:22:29,760 Speaker 1: Send of your text your voicemails. You can DM me 418 00:22:29,800 --> 00:22:32,920 Speaker 1: as well at Disgraceland pod, on Instagram, TikTok, Facebook, and Twitter, 419 00:22:32,920 --> 00:22:35,720 Speaker 1: and I'll respond either there in app or here in 420 00:22:35,760 --> 00:22:38,600 Speaker 1: the after party like I am to Oh hey, it's 421 00:22:38,720 --> 00:22:41,400 Speaker 1: Caitlin on Instagram who sent in a picture of her 422 00:22:41,400 --> 00:22:45,119 Speaker 1: and her dad at the Lennard Skinnered crash site after 423 00:22:45,200 --> 00:22:49,879 Speaker 1: hearing our recent episode on Skinnered. Thanks Kaitlin. Got another 424 00:22:49,880 --> 00:22:54,240 Speaker 1: airplane crash story from rock history coming into your feed 425 00:22:54,280 --> 00:22:57,320 Speaker 1: this week with our story on Otis Redding I hope 426 00:22:57,320 --> 00:22:59,200 Speaker 1: you guys have heard that, and I look forward to 427 00:22:59,280 --> 00:23:01,520 Speaker 1: talking about it with you all next week's after party. 428 00:23:02,040 --> 00:23:05,280 Speaker 1: Hit me up at disgracelampod on Instagram, Twitter, TikTok, and 429 00:23:05,320 --> 00:23:08,840 Speaker 1: Facebook on your Otis writing episode thoughts or just your 430 00:23:08,880 --> 00:23:11,560 Speaker 1: otis reading thoughts in general. I love otis? You love Otis? 431 00:23:11,600 --> 00:23:14,000 Speaker 1: How do you not lovotus? Everyone loves Otis? All right, 432 00:23:14,040 --> 00:23:15,440 Speaker 1: another story we have for you guys in the media 433 00:23:15,480 --> 00:23:17,679 Speaker 1: future is the story I'm Peter Tosh, which is not 434 00:23:17,760 --> 00:23:20,040 Speaker 1: a podcast, it's a video and like I said before, 435 00:23:20,080 --> 00:23:22,639 Speaker 1: it's going to only be available on the YouTube channel 436 00:23:22,920 --> 00:23:25,320 Speaker 1: that's coming this weekend Sunday, March nineteenth. Go to the 437 00:23:25,320 --> 00:23:29,520 Speaker 1: YouTube dot com slash at disgrace lamppod to subscribe to 438 00:23:29,680 --> 00:23:32,280 Speaker 1: the Disgraceland video channel so you do not miss these 439 00:23:32,320 --> 00:23:35,680 Speaker 1: extra stories. Peter Tosh, Whaylan Jennings, Debbie Harry and Moore 440 00:23:36,040 --> 00:23:38,520 Speaker 1: get in there and I'll get right back after this 441 00:23:38,720 --> 00:23:56,159 Speaker 1: with some recommendations. All right, another week in the Disgraceland 442 00:23:56,200 --> 00:23:58,199 Speaker 1: after party, and another week without a theme song. For 443 00:23:58,240 --> 00:24:01,000 Speaker 1: the recommendations part, you guys are living letting me down, 444 00:24:01,080 --> 00:24:03,159 Speaker 1: letting me down. Actually, my guys at double evs are 445 00:24:03,200 --> 00:24:05,920 Speaker 1: letting me down more than you guys are. They're professional musicians, 446 00:24:05,960 --> 00:24:07,800 Speaker 1: they get paid to make this shit up for a living. 447 00:24:07,800 --> 00:24:09,639 Speaker 1: Where the hell are they with the theme song? I 448 00:24:09,680 --> 00:24:12,639 Speaker 1: want my toss salad in my scrambled eggs. The fuck 449 00:24:12,920 --> 00:24:15,119 Speaker 1: is happening? Kelsey Grammer never had to stand for this affront, 450 00:24:15,440 --> 00:24:17,280 Speaker 1: so I'm not sure why I have to. I'm an 451 00:24:17,320 --> 00:24:21,000 Speaker 1: award winning podcaster for Fox sakes, so for original music, score, 452 00:24:21,119 --> 00:24:23,720 Speaker 1: music supervision, no less, and I can't get a goddamn 453 00:24:23,800 --> 00:24:27,160 Speaker 1: cheesy segment theme song? What is happening? This shit is cold? 454 00:24:27,280 --> 00:24:27,560 Speaker 3: All right? 455 00:24:27,600 --> 00:24:31,560 Speaker 1: I digress. My recommendations, so many recommendations. As like I said, 456 00:24:31,560 --> 00:24:33,600 Speaker 1: I was traveling this past week, so I had the 457 00:24:33,680 --> 00:24:37,080 Speaker 1: opportunity to take in a lot of content. Someone recommended 458 00:24:37,160 --> 00:24:39,720 Speaker 1: Chuck Closterman's book The Nineties to me a while back. 459 00:24:39,760 --> 00:24:41,919 Speaker 1: I'm not sure who, but thank you. And then someone 460 00:24:41,920 --> 00:24:44,359 Speaker 1: bought me the book. I'm also I'm not sure who, 461 00:24:44,640 --> 00:24:47,720 Speaker 1: so thank you. Anyway. I rebought the book while I 462 00:24:47,760 --> 00:24:49,639 Speaker 1: was in Las Vegas. I was in the airport and 463 00:24:49,760 --> 00:24:51,480 Speaker 1: I didn't want to decide it. I didn't want to 464 00:24:51,480 --> 00:24:53,440 Speaker 1: stare into my phone for five hours on the plane. 465 00:24:53,440 --> 00:24:55,840 Speaker 1: I had nothing else to read, so saw the book 466 00:24:55,840 --> 00:24:59,320 Speaker 1: in the bookstore. I bought it again, read it, read 467 00:24:59,359 --> 00:25:01,040 Speaker 1: a lot of it on the plane. I'm still reading 468 00:25:01,080 --> 00:25:03,840 Speaker 1: it this week. This book is incredible, and it's not 469 00:25:04,080 --> 00:25:07,680 Speaker 1: just a testament to the second greatest generation of my lifetime, 470 00:25:07,800 --> 00:25:10,480 Speaker 1: Generation X, second of the World War Two generation, the 471 00:25:10,480 --> 00:25:14,480 Speaker 1: greatest generation. But again I digress The Nineties by Klosterman. 472 00:25:14,760 --> 00:25:18,920 Speaker 1: It's an incredibly smart take on not only the decade 473 00:25:19,200 --> 00:25:22,240 Speaker 1: of the nineteen nineties, but on our perception of the 474 00:25:22,320 --> 00:25:27,280 Speaker 1: nineteen nineties, often our misinformed perception of the nineteen nineties. 475 00:25:27,640 --> 00:25:31,800 Speaker 1: And Closterman backs up this disruption of the popular narrative 476 00:25:32,080 --> 00:25:37,840 Speaker 1: of what the nineties was with wait for it, data, yes, 477 00:25:38,000 --> 00:25:43,200 Speaker 1: actual data, polls, television ratings, record sales, all that data. 478 00:25:43,240 --> 00:25:45,400 Speaker 1: And this is not a dry read by any means. 479 00:25:45,400 --> 00:25:47,080 Speaker 1: I'm not trying to sell it like that. It's not. 480 00:25:47,320 --> 00:25:51,320 Speaker 1: It's everything's contextualized in his great style of writing, which 481 00:25:51,359 --> 00:25:56,720 Speaker 1: is humorous and also very much of the nineties. The 482 00:25:56,800 --> 00:26:00,359 Speaker 1: results of what the nineties were are not what you 483 00:26:00,440 --> 00:26:03,639 Speaker 1: think the actually what actually happened. Even though I lived 484 00:26:03,640 --> 00:26:08,000 Speaker 1: through it, my view of that decade is colored by 485 00:26:08,080 --> 00:26:12,679 Speaker 1: the popular narrative that has sprung up in the decades since. 486 00:26:13,240 --> 00:26:16,639 Speaker 1: And this is fascinating, but it's not surprising. It's too 487 00:26:16,760 --> 00:26:18,560 Speaker 1: much to go into right here. But if you're all 488 00:26:18,560 --> 00:26:21,159 Speaker 1: interested in the ten years and informed this show probably 489 00:26:21,200 --> 00:26:22,879 Speaker 1: more than any other decade in history, or if you 490 00:26:22,920 --> 00:26:24,520 Speaker 1: just want to get your fill of oh well, whatever, 491 00:26:24,600 --> 00:26:28,240 Speaker 1: never mind, then read The Nineties by Chuck Klosterman. You'll 492 00:26:28,280 --> 00:26:31,280 Speaker 1: dig it. That's what I'm reading, all right. I'm watching 493 00:26:31,600 --> 00:26:35,960 Speaker 1: or I watched. I watched half the Oscars. Who watched 494 00:26:35,960 --> 00:26:41,000 Speaker 1: the whole show. It's a long show, man, and very serious. 495 00:26:40,840 --> 00:26:44,159 Speaker 1: It's very serious this here, the Oscars are getting very serious. 496 00:26:44,160 --> 00:26:50,399 Speaker 1: I guess that's what happens when your best leading man 497 00:26:50,640 --> 00:26:53,760 Speaker 1: Oscar winner gets up and smacks one of the presenters. 498 00:26:54,720 --> 00:26:57,719 Speaker 1: Next year, you're gonna come back very serious. Anyways, I 499 00:26:57,760 --> 00:26:59,560 Speaker 1: was happy that All Quiet on the Western Front one 500 00:26:59,600 --> 00:27:02,040 Speaker 1: for best or very much deserved, in my opinion. I 501 00:27:02,040 --> 00:27:04,359 Speaker 1: did not see Everything Everywhere, all at once, so I 502 00:27:04,400 --> 00:27:07,359 Speaker 1: can't therefore comment on the rest of the Oscars because 503 00:27:07,400 --> 00:27:10,520 Speaker 1: that movie kind of won everything. Oscar Everywhere all at 504 00:27:10,520 --> 00:27:15,920 Speaker 1: once I won seven awards, I think, so people loved it. 505 00:27:16,400 --> 00:27:18,520 Speaker 1: I believe him I'm gonna watch. I'm probably gonna watch 506 00:27:18,520 --> 00:27:20,560 Speaker 1: it tonight. If you saw it, let me know what 507 00:27:20,560 --> 00:27:22,440 Speaker 1: you think. Let me know what you thought of the show. 508 00:27:22,560 --> 00:27:26,720 Speaker 1: I like critiquing awards shows. It's fun for me. Like 509 00:27:26,760 --> 00:27:29,160 Speaker 1: I said, I thought, this one is very serious and 510 00:27:28,880 --> 00:27:33,479 Speaker 1: not particularly exciting. As I mentioned on previous after parties, 511 00:27:33,560 --> 00:27:36,439 Speaker 1: I'm watching. I'm also watching Party Down. I finished the 512 00:27:36,440 --> 00:27:38,159 Speaker 1: first two seasons like I said I would, and I 513 00:27:38,200 --> 00:27:41,240 Speaker 1: started the reboot season three. I loved the first episode. 514 00:27:41,359 --> 00:27:44,280 Speaker 1: Gonna watch the second episode tonight. I'm excited to see 515 00:27:44,320 --> 00:27:45,919 Speaker 1: where the rest of the season goes. And if I'm 516 00:27:45,960 --> 00:27:48,959 Speaker 1: gonna miss Lizzie Kaplan, I can't tell you. I probably am. 517 00:27:49,200 --> 00:27:52,400 Speaker 1: I think she's great. I don't know. Maybe the show 518 00:27:52,400 --> 00:27:55,520 Speaker 1: can exist without her, I hope. So. I also rewatched 519 00:27:55,720 --> 00:28:01,239 Speaker 1: Heat all right after reading some of Klosterman's book. I 520 00:28:01,280 --> 00:28:04,400 Speaker 1: was in the mood for something nineties and I saw 521 00:28:04,480 --> 00:28:07,000 Speaker 1: Heat in the theaters when it came out. I've watched 522 00:28:07,000 --> 00:28:09,439 Speaker 1: bits and pieces of it passively over the years as 523 00:28:09,480 --> 00:28:13,000 Speaker 1: its appeared on cable or whatever, but I've never sat 524 00:28:13,080 --> 00:28:15,959 Speaker 1: down and watched Heat from start to finish again. And 525 00:28:16,040 --> 00:28:17,800 Speaker 1: I don't know, man, I think it might be one 526 00:28:17,840 --> 00:28:19,800 Speaker 1: of my favorite movies ever. I'm not sure it's so 527 00:28:20,160 --> 00:28:23,240 Speaker 1: fucking good. I'm not telling anyone who's seen this movie anything. 528 00:28:23,280 --> 00:28:26,199 Speaker 1: They don't know. This movie is a masterpiece. I just 529 00:28:26,280 --> 00:28:28,920 Speaker 1: can't believe I haven't given it at the time it deserves. 530 00:28:28,960 --> 00:28:31,200 Speaker 1: It wasn't on purpose. It wasn't like fuck Heat. It 531 00:28:31,720 --> 00:28:34,800 Speaker 1: wasn't like I don't like heat. I loved it when 532 00:28:34,800 --> 00:28:37,400 Speaker 1: I saw the writing, the acting, the pacing, the ending, 533 00:28:37,400 --> 00:28:41,320 Speaker 1: The cast, fucking cast is incredible. Tone lok Al Pacino, 534 00:28:41,640 --> 00:28:48,080 Speaker 1: God de Niro, John Voight, Henry Rawlins, God, who else 535 00:28:48,840 --> 00:28:51,120 Speaker 1: that weird ted guy from Silence to the Lamb? So 536 00:28:51,200 --> 00:28:57,440 Speaker 1: many great actors. Oh fucking uh, homeboy just died? Oh god, 537 00:28:57,560 --> 00:28:59,560 Speaker 1: what is his name? He was snubbed at the Oscars? 538 00:28:59,600 --> 00:29:05,440 Speaker 1: Hold on, gonna find this guy? Uh? He's great. Uh. 539 00:29:05,760 --> 00:29:09,080 Speaker 1: And Tom Sizemore. How did I forget that? I'm really 540 00:29:09,160 --> 00:29:10,720 Speaker 1: upset of myself for not having that at the tip 541 00:29:10,800 --> 00:29:13,760 Speaker 1: of my tongue. Tom Sizemore is in it. And of course, uh, 542 00:29:14,440 --> 00:29:17,920 Speaker 1: our friend Val Kilmer not our friend, but you might 543 00:29:17,960 --> 00:29:20,000 Speaker 1: want to be friend. And he's great. They're all great, 544 00:29:20,080 --> 00:29:23,600 Speaker 1: Ashley Judd, Like I said, the cast it's incredible goes on. Uh, 545 00:29:23,760 --> 00:29:26,560 Speaker 1: but you know, I'm wondering, is this one of my 546 00:29:27,200 --> 00:29:30,120 Speaker 1: top five movies of all time? I don't know. I 547 00:29:30,120 --> 00:29:32,400 Speaker 1: don't know quick without thinking my top five movies of 548 00:29:32,440 --> 00:29:35,720 Speaker 1: all time? Without thinking Jaws, Goodfella's Godfather, pulp fiction, Boogie Nights? 549 00:29:36,040 --> 00:29:40,160 Speaker 1: Is Heat better than any of those five? I don't know? Again, Jaws, 550 00:29:40,160 --> 00:29:44,440 Speaker 1: Goodfella's Godfather, pulp fiction, Boogie Knights Again? Is Heat better 551 00:29:44,640 --> 00:29:48,160 Speaker 1: than any of those five? Uh? Maybe it's better than 552 00:29:48,160 --> 00:29:51,600 Speaker 1: booge Knights. I don't know. Maybe that top five list sucks. 553 00:29:51,720 --> 00:29:54,440 Speaker 1: I also don't know it could top five movies of 554 00:29:54,480 --> 00:29:56,800 Speaker 1: all time. That's a hard fucking list to come up with. 555 00:29:56,800 --> 00:29:59,520 Speaker 1: What are your top five movies? Six one, seven nights? 556 00:29:59,560 --> 00:30:01,760 Speaker 1: There are six, six, three eight. Leave me a voicemail, 557 00:30:01,840 --> 00:30:03,920 Speaker 1: let me know, send me a text sixty one seven 558 00:30:04,000 --> 00:30:07,360 Speaker 1: nine zero, six, six, six, three eight Top five movies 559 00:30:07,400 --> 00:30:10,880 Speaker 1: of all time? Five, don't send me six, don't send 560 00:30:10,880 --> 00:30:14,239 Speaker 1: me ten, don't send me four or three, two or one. 561 00:30:14,320 --> 00:30:17,640 Speaker 1: You can get down there. I'm gonna be impressed. But 562 00:30:17,840 --> 00:30:21,720 Speaker 1: five is wicked hard? So is he to top five movie? 563 00:30:21,720 --> 00:30:23,520 Speaker 1: Is it worthy of my list? Does my list suck? 564 00:30:23,600 --> 00:30:25,480 Speaker 1: How flawed is my list? What does this say about 565 00:30:25,480 --> 00:30:27,480 Speaker 1: me that three movies in my top five are from 566 00:30:27,480 --> 00:30:29,440 Speaker 1: the nineties and the other two or from the seventies. 567 00:30:29,520 --> 00:30:31,280 Speaker 1: What does that say about the decade I came of 568 00:30:31,360 --> 00:30:33,600 Speaker 1: agent or the decade that I was born in. I 569 00:30:33,640 --> 00:30:36,000 Speaker 1: don't have answers to these questions. All I know is 570 00:30:36,000 --> 00:30:38,840 Speaker 1: that heat is the shit, all right. What I'm listening 571 00:30:38,880 --> 00:30:42,880 Speaker 1: to I'm listening to the Washed Up Emo podcast with 572 00:30:43,040 --> 00:30:46,840 Speaker 1: Tom Mullen because I'm a fucking narcissistic ego. 573 00:30:46,920 --> 00:30:47,160 Speaker 3: Mate. 574 00:30:47,200 --> 00:30:50,760 Speaker 1: No, I just sat for an interview with Tom, so yeah, 575 00:30:50,800 --> 00:30:54,160 Speaker 1: I am a narcissistic egomaniac, and in preparation I went 576 00:30:54,200 --> 00:30:57,560 Speaker 1: back and crushed a couple of Tom's episodes from Washed 577 00:30:57,600 --> 00:31:01,400 Speaker 1: Up Demo. Great podcast. I listen to the Gi one 578 00:31:01,400 --> 00:31:04,200 Speaker 1: from GI from Fugazi as an episode, ted Leo from Chisel, 579 00:31:04,320 --> 00:31:07,960 Speaker 1: There's Walter from quicksand there's so many. Tom makes a 580 00:31:07,960 --> 00:31:11,120 Speaker 1: great show. If you're all interested in emo or hardcore 581 00:31:11,240 --> 00:31:12,960 Speaker 1: or post hardcore or whatever the hell you want to 582 00:31:13,000 --> 00:31:15,760 Speaker 1: call it, you probably already know about Washed Up Emo, 583 00:31:15,880 --> 00:31:18,280 Speaker 1: but if you don't, I highly recommend you check it out. 584 00:31:18,680 --> 00:31:21,120 Speaker 1: That's Washed Up Emo wherever you get podcasts. 585 00:31:22,160 --> 00:32:04,680 Speaker 4: I will be back in a flash. 586 00:31:44,360 --> 00:31:48,200 Speaker 1: All right, stage fright. Let's recap Number one previously exclusive 587 00:31:48,280 --> 00:31:52,560 Speaker 1: episodes of Disgraceland coming every weekday in March. Number two, 588 00:31:53,120 --> 00:31:56,600 Speaker 1: New Peter Tosh episode coming to YouTube this weekend. Number three, 589 00:31:56,720 --> 00:31:59,760 Speaker 1: new otis Writing episode in your feed right now. Number 590 00:31:59,800 --> 00:32:02,880 Speaker 1: four or heat is the shit? But is it? Top 591 00:32:02,960 --> 00:32:07,200 Speaker 1: five and now my moment of bliss me reading the 592 00:32:07,240 --> 00:32:14,600 Speaker 1: phone book from Las Vegas, Nevada nineteen thirty Patterson Webster 593 00:32:14,720 --> 00:32:19,720 Speaker 1: Ranch ten dash F one four Pleasant Valley Ranch, co 594 00:32:20,120 --> 00:32:26,880 Speaker 1: Holland Ranch seven dash F five Strange Frank Ranch seven 595 00:32:27,160 --> 00:32:33,120 Speaker 1: dash F one three, Bureau of Reclamation ninety eight, Burgess 596 00:32:33,280 --> 00:32:38,920 Speaker 1: William Chiropractor one nineteen South second three four four Business 597 00:32:38,960 --> 00:32:44,480 Speaker 1: Service Berkeley Building, five hundred busic h Southern Nevada Bank 598 00:32:44,600 --> 00:32:50,560 Speaker 1: five Fremont one five two callen Ae six hundred South 599 00:32:50,680 --> 00:32:56,840 Speaker 1: sixth two eighty Kerner Ha two fifteen South sixth four 600 00:32:56,880 --> 00:33:01,280 Speaker 1: to two one Cashman's Paint Shop eleven in Freemont two 601 00:33:01,360 --> 00:33:06,840 Speaker 1: two eighth Cemetery North of Town ninety two Central Labor 602 00:33:06,960 --> 00:33:11,440 Speaker 1: Union Boulder Club Building three nine one. Chamber of Commerce, 603 00:33:11,760 --> 00:33:17,400 Speaker 1: Delton Building two zero four Christian HC. Richfield Boy Company 604 00:33:17,680 --> 00:33:22,400 Speaker 1: three ten South Media quit talking and start mixing.