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Speaker 1: Yo, yo, yo yo. Welcome back to this up there podcast.

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Speaker 1: I am your active and attractive hosts for another episode

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Speaker 1: of the fastest growing podcasts on the market. Right now,

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Speaker 1: we want to say thank you for everybody this tuned

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Speaker 1: then tapped in. It's always supporting and Sharon and just

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Speaker 1: um helping us spread the message, spread the gospel, spread

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Speaker 1: the game, and just gravitating towards us. I'm telling you,

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Speaker 1: every single time I opened my phone, all these apps

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Speaker 1: is going crazy. I mean it's you know, hundreds of

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Speaker 1: people like reaching out to me, like, yo, bro, you

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Speaker 1: the truth? Bro? What's going on? Bro? You the truth? Bro?

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Speaker 1: How I've been missing you? You're understanding for me, you know,

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Speaker 1: like I was telling my family like it don't. I mean,

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Speaker 1: I know, it's a lot of ground that gotta be covered.

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Speaker 1: I gotta play catch up. It's a lot of catch up.

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Speaker 1: I gotta play right. So I ain't in this for

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Speaker 1: the pats on the back. I understand periodically, you know,

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Speaker 1: you gotta say elebrate those wins too. But for me, man,

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Speaker 1: it's about the grand scheme of things, right. I understand

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Speaker 1: that my position, see because see some people they e

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Speaker 1: the in between is where it's the people you gotta

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Speaker 1: work on because at first sight, that's people that's gonna

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Speaker 1: love you or hate you. And the ones that love you,

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Speaker 1: b they love you, love you, and the ones that don't,

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Speaker 1: they don't, right. But those that's kind of in the

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Speaker 1: middle of being stubborn and are the ones that as

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Speaker 1: you continue to put your game down or say your

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Speaker 1: thoughts or your your outlook on situations, they start to say, nah,

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Speaker 1: I like this guy, or nah I don't like dude. Right,

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Speaker 1: So those people are kind of what you work on.

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Speaker 1: The people that really really love you, they're gonna really

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Speaker 1: really you know, they're gonna tell you the truth, you

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Speaker 1: to this, you to that, and they're gonna put you

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Speaker 1: up on a pedestal. What that does is for some

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Speaker 1: people it's all you ever heard of artificial intelligence. See,

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Speaker 1: that's artificial progress. Although it's valuable, right because you need it.

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Speaker 1: You want to feel that from them people, But it's

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Speaker 1: artificial in regards to what it actually does for the process,

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Speaker 1: for the progress. You understand what it actually does for

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Speaker 1: what you what you're up against, or what you really

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Speaker 1: I face with because what you don't want to do

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Speaker 1: is have a closet full of compliments and no money.

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Speaker 1: And I'm always cognizant. You know what I'm saying. I

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Speaker 1: ain't know what looking for, no good time? You know,

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Speaker 1: I'm looking for some money and some information. The good

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Speaker 1: time may go with that, but I ain't know what

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Speaker 1: looking for no good time. I'm looking for some information.

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Speaker 1: But again, man, the game is embracing me. The coach

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Speaker 1: is embracing me. The real is really embracing me. And

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Speaker 1: they're relating and they and they putting me in a

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Speaker 1: position to know, like say, Loon, you got something, bro,

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Speaker 1: you on something, You're on the something, and you know,

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Speaker 1: I'm gonna continue to put the game down. Now, It's

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Speaker 1: a lot going on in the culture, you know, as

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Speaker 1: far as you know what we currently see so many

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Speaker 1: things going on. We got Hulu just put out a

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Speaker 1: documentary on the Travis Scott thing, prior to it even

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Speaker 1: being resolved or even the real details being there. Right now,

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Speaker 1: what we see is I hear people say, yo, that's

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Speaker 1: part of Disney. But what we're really looking at is

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Speaker 1: see this is why I say, Man, sometimes a motherfucker

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Speaker 1: will ship on their self. They expose their hand. You know,

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Speaker 1: the greed gonna get them every time. The greed get

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Speaker 1: you every time. The greed get you every time, if

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Speaker 1: for nothing other than expose your hand. But one thing

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Speaker 1: about the powerful, They're gonna always create an out. It's

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Speaker 1: always gonna be an out. So when you hit them,

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Speaker 1: be able to say no, it wasn't. That's not a

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Speaker 1: first thing they try to do is separate Hulu from it,

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Speaker 1: as they should this business. Right, So hey, now that's

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Speaker 1: not a Hulu documentary, that's ABC thirteen said and such.

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Speaker 1: They didn't mention that Hulu doesn't own ABC, but Disney

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Speaker 1: owns Hulu that owns ABC, which is still all the sudden,

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Speaker 1: you know what I mean. So it's game in that,

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Speaker 1: it's game in that I keep telling people, it's about communication.

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Speaker 1: That what my whole thing. You gotta know how to

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Speaker 1: talk and what to look for. Bro, you can have

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Speaker 1: much money as you want if you dumb. That's where

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Speaker 1: the old saying, the fool and its money was soon,

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Speaker 1: Paul Wave. That don't mean you're gonna wake up one

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Speaker 1: day and all your money gone. It means by your decisions,

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Speaker 1: you're gonna continue to make bad decisions with the money,

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Speaker 1: which is gonna part you from your finances. You get

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Speaker 1: what I'm saying. So what they did was they said, um, yo,

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Speaker 1: so this wasn't a documentary number one separated from a

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Speaker 1: documentary which would say that we spent money to try

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Speaker 1: to you know, and so they just want to exploit it,

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Speaker 1: you know, they just want to exploit the fact that

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Speaker 1: you know the timing to be the first to get

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Speaker 1: the clicks and then when you let it stay up

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Speaker 1: a week, you didn't got to ask yourself. And for

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Speaker 1: those of you that don't know, I'm sorry I didn't

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Speaker 1: frame this. Hulu dropped a documentary on the Travis Travis

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Speaker 1: Scott festival that went bad, where the people died and

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Speaker 1: all of that, and I think it was called the

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Speaker 1: Festival from Hell. Right, it's now been removed after a week.

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Speaker 1: But when you look at business, especially in this game,

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Speaker 1: content streaming this game, the damage is in the first

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Speaker 1: week almost ninety five to one hundred percent of the time,

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Speaker 1: not damage. What I'm saying is the money's been made.

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Speaker 1: They'll take the first week and project and pay you

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Speaker 1: if you want to be paid for the knicks, however

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Speaker 1: many weeks, right, that first week is such a big indicator,

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Speaker 1: right with them taking that down in a week, you know,

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Speaker 1: it's like, all right, it's been a week. They took

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Speaker 1: it down because a lot of people say, you know,

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Speaker 1: rock Nation weren't gonna let it stay up, and I

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Speaker 1: kind of agree with that. You know, Travis is a

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Speaker 1: power for artists. You did what I'm saying. And these

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Speaker 1: dudes ain't no little boys, man, so you know, but

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Speaker 1: sometimes they'll step on you trying to get to me

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Speaker 1: and definitely expose their hand. You know what I'm saying.

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Speaker 1: You gotta do is behad your eyes open. The folk

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Speaker 1: gonna expose their hand. If something's going on, people gonna

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Speaker 1: expose their hand. Man, It's just how they do. They

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Speaker 1: expose themselves, you know what I'm saying. And it's unfortunate,

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Speaker 1: but that's just how it is. You did what I'm saying.

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Speaker 1: A lot going on in the culture. We'll start with

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Speaker 1: the NBA Young Boy for those of you that maybe

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Speaker 1: underwhere NBA Young Boy went on club house with DJA Academics,

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Speaker 1: sat for a while and talked DJA Academics then use

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Speaker 1: that content for his podcasts on Spotify. Y'all know, I'm

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Speaker 1: the guy that talks about the gaming and how these

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Speaker 1: things are, you know, just trying to get information out

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Speaker 1: of them. So we'll discuss that later because that's a

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Speaker 1: whole different subject right there. But NBA, Young Boy got

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Speaker 1: on there said a lot of things, um, you know,

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Speaker 1: saying that he's not no longer interested in some of

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Speaker 1: the old things he's been doing. UM and UM, you know,

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Speaker 1: I don't know, you know, cooler interview. I haven't heard

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Speaker 1: the whole interview. I'm gonna keep it all way gee

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Speaker 1: with you haven't heard the whole interview. I like Young Boy.

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Speaker 1: I like what he'd do. Um his music, you know,

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Speaker 1: I listened to it a little bit. You know what

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Speaker 1: I'm saying. I think, um, I think he has his

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Speaker 1: place in the game, and I think he's He's a

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Speaker 1: very influential artist and a lot of people rock with

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Speaker 1: him and the kids love him. So his impact is tremendous,

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Speaker 1: you know what I'm saying. He got a few records

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Speaker 1: I jammed out too. I really really like so shout

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Speaker 1: out the Young Boy. And so we're gonna play a

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Speaker 1: little bit of this and then we'll bring back a

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Speaker 1: little communication and conversation. Yeah, man, you should have been

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Speaker 1: off that label already, like you dropped Mad Projects stops.

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Speaker 1: It's coming shit but now a week of the plan

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Speaker 1: is to become a free agent and actually complete something

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Speaker 1: inside my life, and that's to complete my contry. Um,

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Speaker 1: let me ask you to be a good daddy. Ain't

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Speaker 1: they like no move? H Come on? Are you trying

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Speaker 1: to be a free agent to get back in another

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Speaker 1: deal or like you just want to be an independent artist? Oh?

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Speaker 1: I just want to complete. I just want to complete it.

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Speaker 1: It's like complete, complete nough for grade in school and something.

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Speaker 1: It's like starting. It's like building a neighborhood and actually

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Speaker 1: complete this neighbor and seeing what it was and what

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Speaker 1: it now it is. What have you learned about the

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Speaker 1: music businesses? Y'all? Did that is slavery? Why do you

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Speaker 1: say slavery? You got all the cards? Boy? I worked

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Speaker 1: for that shop, grindhold. I save my money. I got

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Speaker 1: my money the hard way, basically, not in an illegal way.

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Speaker 1: But I got my money the hard way. Boy. I

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Speaker 1: ain't never just got no big ass chick or no

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Speaker 1: ship like that. I had to work and turn in

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Speaker 1: ship in order for the just get money. I had

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Speaker 1: to save. I had to watch out spending. I had

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Speaker 1: to do our type of ship in order to get it.

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Speaker 1: To get to this point. So he basically just said

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Speaker 1: right there he had to turn in ship to get money.

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Speaker 1: What that means is that's part of the reason. See

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Speaker 1: because everybody used to everybody usually be saying, yo, young

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Speaker 1: boy loved music. He loved music, he dropping all the

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Speaker 1: time on YouTube. That says to me that probably he

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Speaker 1: had a deal. This says he dropped this, he get

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Speaker 1: this amount because it's probably generating a certain amount. So

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Speaker 1: they say, and that if you drop here, so now

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Speaker 1: you will see him drop every week. That's what he's

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Speaker 1: tell them. You were working hard. So how is this

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Speaker 1: that's not like a job, So how is this slavery? Man?

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Speaker 1: The business the business side of the ship for we

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Speaker 1: don't we don't get what we deserved. Wearing man, you

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Speaker 1: gotta think about it. Out of this whole, Say if

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Speaker 1: you make three hundred ms, out of this whole, three

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Speaker 1: hundred ms, you don't know. Probably see ship with twenty

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Speaker 1: thirty are probably not even that, nigga. You never know.

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Speaker 1: There's always some new new process. Ship nigga trying to

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Speaker 1: come at me with is it if Atlantic company right now?

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Speaker 1: I would like this his ten million hours. Man, Just

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Speaker 1: just just give us a couple of albums. Man, But

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Speaker 1: I ain't never got no ten million dollar chick from them.

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Speaker 1: But nah, it ain't. I ain't sucked about Atlantic Shop

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Speaker 1: and Ship. What are they they? They only doing what

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Speaker 1: they were told. They doing what they do to police,

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Speaker 1: they bust. You know, they got somebody to answer to too,

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Speaker 1: And then then you know it's cool or whatever. They're

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Speaker 1: what you work to be a free agent for. Oh,

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Speaker 1: that's what you that's what you that's what you're not

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Speaker 1: signed for. The be away from that ship. And I signed.

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Speaker 1: I signed to a label, so that was this is

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Speaker 1: what I gotta deal with. This is what I gotta do.

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Speaker 1: I got really, I got people that really support me

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Speaker 1: over there, and I got something over there, and I

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Speaker 1: feel like I ain't ship. Yeah, I remember you started

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Speaker 1: talking masters, Like where are the talk of? Like you know,

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Speaker 1: you want to own your own masters? Even come come

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Speaker 1: into man fucked and ship on my own my masters

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Speaker 1: that's coming up. Why is that important to you though? Why? Shit,

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Speaker 1: it's like a retirement playing what you're gonna fall back

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Speaker 1: on when it's over, but you're still gonna be getting

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Speaker 1: paid from what you're gonna own. The fun. That's like

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Speaker 1: your life. Like owning the rights to your life. That's

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Speaker 1: some shit like I'm a probation or some ship in

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Speaker 1: two different ways, or some posing ship. I ain't got

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Speaker 1: controm I'm own the ship. I think that's the part

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Speaker 1: of the growth I was talking about though, because I'm

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Speaker 1: pretty sure, like you has sixteen side of the contract,

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Speaker 1: you probably just you know, at that point your life,

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Speaker 1: you just need you just need money, you know what

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Speaker 1: I mean. You're not even thinking about like owning the

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Speaker 1: rights to your music and on your master But I

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Speaker 1: think now like you, I'm more mature position you win

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Speaker 1: where you can see the industry. More's business more than

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Speaker 1: just like an upfront check. I think that's why you

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Speaker 1: here about it. You know, I think as you just

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Speaker 1: signed me, I think, well, I think as you learned them.

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Speaker 1: As you learn, you learn how much you like, how

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Speaker 1: how badly you've been taking a manager of. But like

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Speaker 1: when you it's like when YouTube, I ain't never got

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Speaker 1: paid from YouTube, but day in my life, nigga make

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Speaker 1: all the money of my YouTube and then get me

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Speaker 1: a small percentage out my shit. Fuck you like all

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Speaker 1: that shit, slavers. But if you know that's what we

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Speaker 1: signed up for business, that you can't really love all right,

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Speaker 1: So let's talk about that, right. So you just heard

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Speaker 1: NBA Young boys say that, um, his deal indicates that

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Speaker 1: they have control of his YouTube and he gets a

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Speaker 1: percentage of a small percentage he indicated of what's being

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Speaker 1: made from his YouTube Number one, number two. All his

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Speaker 1: music was tooking down off the YouTube. That needs to

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Speaker 1: be pointed out prior to me even getting into the conversation,

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Speaker 1: because at first I thought it was on some court stuff.

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Speaker 1: But I was thinking, why would they take it off

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Speaker 1: if it's on some court stuff when whatever was up

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Speaker 1: there they already got. And now see, it's crazy how

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Speaker 1: the game speaks to both sides. Right, You've been hearing

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Speaker 1: me talk about the algorithm and things like that. Now

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Speaker 1: you hear Joe Joe Budden talk about the robots and humans. Right.

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Speaker 1: I always tell y'all these things are platform based. That's

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Speaker 1: why Joe Budden is releasing all these Patreon episodes. He's

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Speaker 1: trying to trigger the YouTube algorithm. Nobody else may not

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Speaker 1: know that, but I see what he's doing. He's trying

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Speaker 1: to trigger the YouTube algorithm to pick his sit back

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Speaker 1: up and get his numbers back up. Because when he

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Speaker 1: took it off. The algorithm has to rebuild that space

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Speaker 1: he was in and they put other people there. Not again, Bro,

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Speaker 1: that's a totally different conversation. I'll get to that at

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Speaker 1: another time. Let me get back to the young Boy,

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Speaker 1: NBA Young Boy saying his deal has him in a

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Speaker 1: situation to where he only gets a small percentage of

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Speaker 1: what's made off his You too, I see NBA Young

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Speaker 1: Boy as a dude now right getting out of prison

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Speaker 1: on Bill. But you think about you see a young artist,

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Speaker 1: right that's doing that good without really any outside influence.

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Speaker 1: You know, he's doing pretty well, and it's a great

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Speaker 1: thing to see him know what masters is and want

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Speaker 1: to reposition himself in regards to his deal and not not.

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Speaker 1: You know, maybe maybe our relationship doesn't have to end,

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Speaker 1: it just has to change. He may have already indicated

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Speaker 1: that and they've pushed back. But I want y'all to

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Speaker 1: know that NBA Young Boy has a powerhouse. It is ill.

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Speaker 1: He has bird Man talking directly to him telling him, Look,

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Speaker 1: you know, I'm on the other side. This is what

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Speaker 1: they're doing. They're making three hundred. That number he got

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Speaker 1: right there probably came from bird Man. That three hundred million,

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Speaker 1: thirty million, that number right. That conversation probably come through

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Speaker 1: down through bird Man because bird Man is right in

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Speaker 1: his ear, and bird Man telling him, I'm trying to

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Speaker 1: I'm gonna get you at your deal man. You know

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Speaker 1: what I'm saying, because you'll splits. Ain't right how they're doing.

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Speaker 1: You ain't right there. And it's important to know. When

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Speaker 1: you go sit at the table with them labels and

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Speaker 1: you got bird Man on the other side, they know

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Speaker 1: that you gotta be talking this the dude, y'all gave

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Speaker 1: eight to twenty two. So he next to me and

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Speaker 1: he's saying that heat. This dude right here gonna be

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Speaker 1: the most iconic artist he's publicly keep saying that drilling

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Speaker 1: that home he's doing that he knows what he's doing.

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Speaker 1: He knows what he's doing. Not only is that may

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Speaker 1: be the case in his mind, but he knows what

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Speaker 1: he's doing from a bit in the standpoint, this dude

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Speaker 1: got my hundred percent support. So whatever money or contract

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Speaker 1: y'all plan on taking from him, I'm here, so y'all

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Speaker 1: that don't that, don't bother none. And that makes him

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Speaker 1: powerful enough to talk like this at this young gauge

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Speaker 1: because most other artists in this position, they don't have

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Speaker 1: that person right there that can really say, oh, they're

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Speaker 1: trying to do that, wrap your arm around you, take

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Speaker 1: you right back in the building. But on my thirty

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Speaker 1: year watch though, you see, and they gotta let me

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Speaker 1: do it because I gotta somewhat of some leverage in here,

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Speaker 1: you know what I'm saying. And um, yeah, man, But

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Speaker 1: it was crazy to him say that. Yo, I thought

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Speaker 1: the YouTube was you know, but then I know the game.

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Speaker 1: I don't know why I thought that, but at for

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Speaker 1: a minute I thought the YouTube was him the small

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Speaker 1: percentage thing. That's killer because I know what YouTube do

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Speaker 1: for something that's doing what he doing every time he

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Speaker 1: was dropping once a week. He don't even know. You

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Speaker 1: didn't triggered the algoriythm. You triggered the algorithm. That's what

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Speaker 1: Joe Budden is trying to do. That's what I've been

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Speaker 1: telling y'all, I'm doing trying to do. I know what's

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Speaker 1: going on with this ship. So he was chasing the

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Speaker 1: check and fucking around and triggered the whole ship and

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Speaker 1: took over the whole YouTube because he you know, again,

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Speaker 1: y'all gotta be it. You gotta know what I'm saying.

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Speaker 1: Even get out that that's that supreme game. That's for

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Speaker 1: the niggas that really really get money in the tech

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Speaker 1: space and the business part of this ship. You know

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Speaker 1: what I'm saying when I speak on that. But let's

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Speaker 1: listen to a little more this ship. I still don't

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Speaker 1: want to be taking advantage. Yeah, I can imagine, because man,

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Speaker 1: ain't know what you should be getting. You should be

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Speaker 1: getting a bag bag off of like just just even

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Speaker 1: YouTube the rest of the semicit you should be But

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Speaker 1: of course I'm pretty sure it's it's uh, they got

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Speaker 1: something with a room in that contract that probably you know,

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Speaker 1: they get the lines share of it. Can you take

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Speaker 1: this up? Yeah? Oh it was good trying to steal

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Speaker 1: my Jerry dude. Now that shit good though, you know,

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Speaker 1: like you see, it's like a job you work to

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Speaker 1: get your promotion like it. I've seen some shit with

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Speaker 1: a Steve Stout what about it? I thought I thought

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Speaker 1: I thought you were getting out of your dealer was

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Speaker 1: gonna lock it with because that's just a district company,

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Speaker 1: you know what I mean. I thought I thought you were.

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Speaker 1: I thought you were pretty much how the dealer that's

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Speaker 1: all that's always thinking, because I'm like, all right, this

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Speaker 1: is I got, I got one more album, one more album,

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Speaker 1: one more I'm gonna drop. I gonna drop my table.

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Speaker 1: I'm gonna drop my table. Won't There's just there's just

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Speaker 1: some ship to drop. Probably drop one moment. I'm gonna

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Speaker 1: drop my album and it is over with. If if,

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Speaker 1: if Atlantic come to you and say, right, this is

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Speaker 1: after the album, right, say yo, I ain't gonna do it.

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Speaker 1: They ain't gonna. They ain't gonna do it. They ain't gonna.

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Speaker 1: They ain't gonna come back get me because I ain't

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Speaker 1: trying to hear shit. They got to say. I wanna say,

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Speaker 1: say they come back? They say, Yo, we got we

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Speaker 1: got fifteen million for you to give us three more

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Speaker 1: albums and if you do it, we'll give you the past.

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Speaker 1: But every other album up? What up? You crazy? There's

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Speaker 1: a motherfucker man. Man, they ain't gonna do it. Burn

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Speaker 1: they they were gonna talk some realistic ship and they

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Speaker 1: ain't gonna do it because how many I they ain't

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Speaker 1: don't want to do it. How I want to do it? Boy,

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Speaker 1: bird man, gang you want to do that? Give me

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Speaker 1: the whole thing. Up front. You don't want to give

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Speaker 1: me a whole thing up front, right conversation and they

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Speaker 1: don't want to talk. Man, you gotta haven the percentages

359
00:21:17,520 --> 00:21:20,600
Speaker 1: got to be switched. The shot told a bird Man

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Speaker 1: gang because they're gonna feel like it ain't business. But

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Speaker 1: at the same time, ship, it ain't gonna go that way.

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Speaker 1: It's gonna be too many, too too many changes in

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Speaker 1: the contract that they ain't gonna want to go for.

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Speaker 1: How does bird Man help you with us? Like you know,

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Speaker 1: bird because I feel like you wanted to. But that's

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Speaker 1: the bird Man gang. That's the bird Man gang. See

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Speaker 1: he no looked them percentages off, nephew them percentage them

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Speaker 1: numbers you doing. Boy, we got the men. This boy,

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Speaker 1: I keep telling y'all, one hand watched the other both

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Speaker 1: wash the face. This ain't about one person, nigga. This

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Speaker 1: is about the game. This is about the game. You

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Speaker 1: know what I'm saying. When you hear young boy go

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Speaker 1: to saying all these percentages is often they got to

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Speaker 1: change and this and that. Boy, you know that come

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Speaker 1: from the they come from the top. I just told

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Speaker 1: y'all last week about Faddy Walk. You see the difference.

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Speaker 1: Fatty Walk still talking numbers, A million dollars, ten million dollars. Boy,

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Speaker 1: you need to be talking percentages when you're talking business

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Speaker 1: because the money, don't it ain't no number on that. Now,

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Speaker 1: that's a number and a percentage. There's deals like that,

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Speaker 1: but we definitely need a percentage adjustment. When we started

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Speaker 1: to talk about this, my YouTube, my fans, my music,

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Speaker 1: y'all ain't really doing nothing but running alongside me looking

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Speaker 1: like y'all sweating, and I'm really working out and doing shit.

385
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Speaker 1: Now we can't do that. But let's see what he

386
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Speaker 1: what he said about bird Man dealt with business with

387
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Speaker 1: these big like you know, companies, Universal, O don't. I

388
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Speaker 1: don't really want to speak for OM, but O't can't

389
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Speaker 1: show me how to do shit, but but move forward

390
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Speaker 1: and do it thing right? Yeah shit, I don't donna

391
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Speaker 1: give a fuck. I don't go right to give me

392
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Speaker 1: a bag yourself and do this shit just man him.

393
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Speaker 1: I don't shit, I don't going to want me if

394
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Speaker 1: it was up to him. I don't want me fu

395
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Speaker 1: going on because I don't feel like I'm busying. They

396
00:23:30,880 --> 00:23:35,640
Speaker 1: taking advantage of us for years. Yeah, man, I told you, boy,

397
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Speaker 1: I can tell where they come from. See that's a

398
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Speaker 1: that's a game like my uncle give me. That's a

399
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Speaker 1: old school South Nigga game. He coming breaking sit down

400
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Speaker 1: to you. Man. Look here, man, they ain't gonna man

401
00:23:48,800 --> 00:23:50,760
Speaker 1: see what they're gonna do to you. Man. You know

402
00:23:50,800 --> 00:23:52,880
Speaker 1: what I'm saying. He giving you the real game, man,

403
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Speaker 1: bird Man, and gave that boy the game. Man, He

404
00:23:55,920 --> 00:23:58,000
Speaker 1: didn't gave that little dude the game. Let's listen to

405
00:23:58,040 --> 00:24:00,879
Speaker 1: a little bit more. We're gonna get off, young boy. Man.

406
00:24:00,960 --> 00:24:09,359
Speaker 1: We got too much to talk about. Is it because

407
00:24:09,400 --> 00:24:12,040
Speaker 1: they wouldn't ever give me back the masses? That's why

408
00:24:12,119 --> 00:24:19,240
Speaker 1: you believe that you call the slavery? No, come on, Act,

409
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Speaker 1: I don't think I'm supported how I supposed to be

410
00:24:22,600 --> 00:24:27,320
Speaker 1: supported and I got I got people that's nothing support me.

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Speaker 1: But as far as I don't know, Broye like like

412
00:24:33,480 --> 00:24:38,359
Speaker 1: support you by like promote you and doing their part. Yeah,

413
00:24:38,480 --> 00:24:43,480
Speaker 1: if it wouldn't put the people that support me, what

414
00:24:43,680 --> 00:24:48,200
Speaker 1: is ACT doing? Yo? Act? Yo? Bro? You don't you don't.

415
00:24:48,440 --> 00:24:50,440
Speaker 1: Plenty of times came out and said he getting no

416
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Speaker 1: label support, no radio play, no this, no that, that's

417
00:24:53,560 --> 00:24:57,480
Speaker 1: what he's talking about. It's all on his back. What's happening?

418
00:24:57,600 --> 00:25:02,000
Speaker 1: It's what he's talking about. Bro, feel me that building

419
00:25:02,080 --> 00:25:04,320
Speaker 1: can do some things. I keep telling y'all gonna build

420
00:25:04,359 --> 00:25:06,880
Speaker 1: the brand or I got music, get out of music

421
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Speaker 1: with me. Once I get catch on fire, I know

422
00:25:10,119 --> 00:25:15,520
Speaker 1: what to do. Shit like I wouldn't. I wouldn't be ship.

423
00:25:15,680 --> 00:25:19,160
Speaker 1: I would be so far behind, all right, And yeah,

424
00:25:19,160 --> 00:25:21,320
Speaker 1: I'm gonna I'm gonna play Devil's advocate on this because

425
00:25:21,320 --> 00:25:24,400
Speaker 1: I've I've had these conversations where I'm going to back

426
00:25:24,760 --> 00:25:26,760
Speaker 1: for you, and I'm like, Yo, this is why I

427
00:25:26,800 --> 00:25:28,960
Speaker 1: can't fuck with none of these awards shows. Why BT

428
00:25:29,160 --> 00:25:32,440
Speaker 1: wire gonna go drop the nominations and Young Boy don't

429
00:25:32,440 --> 00:25:35,879
Speaker 1: got ten nominations? Why why this award show not nominating

430
00:25:36,359 --> 00:25:38,920
Speaker 1: the down't like me? I went out I was young.

431
00:25:39,040 --> 00:25:42,879
Speaker 1: I wonder back when I when I was younger than

432
00:25:42,960 --> 00:25:46,119
Speaker 1: what I would like. I think seventeen, I said fuck them,

433
00:25:47,560 --> 00:25:49,480
Speaker 1: and they probably I don't know. It's either I said

434
00:25:49,640 --> 00:25:52,440
Speaker 1: fuck them or they probably they don't like me, but

435
00:25:52,520 --> 00:25:55,760
Speaker 1: I don't give a fuck. Hey, Yo, back back to

436
00:25:55,840 --> 00:25:58,800
Speaker 1: the same thing. I don't like I sound like me.

437
00:25:58,920 --> 00:26:01,840
Speaker 1: I don't like them on give a fuck, Nah, I

438
00:26:01,920 --> 00:26:03,440
Speaker 1: say the same you're saying, but you know. You know

439
00:26:03,480 --> 00:26:08,200
Speaker 1: what they tell me. They say, they say, yo, a nigga,

440
00:26:08,240 --> 00:26:10,920
Speaker 1: like young boy, not gonna play the game. And what

441
00:26:11,040 --> 00:26:14,520
Speaker 1: they mean by that is like you kind of gotta

442
00:26:15,119 --> 00:26:19,000
Speaker 1: be you kind of gotta jump through the hurdles, the

443
00:26:19,160 --> 00:26:23,680
Speaker 1: industry hurdles that everybody. That's not true. That's not true.

444
00:26:23,760 --> 00:26:25,840
Speaker 1: You don't have to jump through the industry hurdles when

445
00:26:25,880 --> 00:26:28,560
Speaker 1: you're a profitable artist. I'll tell you how I know

446
00:26:28,720 --> 00:26:30,720
Speaker 1: that because I'm a student of the game. Loan, what

447
00:26:30,840 --> 00:26:33,520
Speaker 1: you mean you're a student of the game. Please expound

448
00:26:33,640 --> 00:26:39,120
Speaker 1: no problem. I've seen record labels have People that's been

449
00:26:39,960 --> 00:26:45,720
Speaker 1: deceased still appear on a war shows, people that's in

450
00:26:45,920 --> 00:26:50,879
Speaker 1: prison still appear on award shows, people that's having gripes

451
00:26:50,960 --> 00:26:54,159
Speaker 1: with them still appear on war shows, on radio, on

452
00:26:54,359 --> 00:26:58,639
Speaker 1: things like that. Placements here because their business interests still

453
00:26:58,800 --> 00:27:02,280
Speaker 1: lies with the rod up of a person. See, that's

454
00:27:02,280 --> 00:27:04,680
Speaker 1: the problem what they do, It ain't a problem. It's

455
00:27:04,680 --> 00:27:06,960
Speaker 1: the business. The game is the game. The gig is

456
00:27:07,000 --> 00:27:10,440
Speaker 1: the gig. It's the business. They'll take you. They'll take

457
00:27:10,520 --> 00:27:14,679
Speaker 1: your cousin, your brother, your homeboy, your your boyfriend, your daddy,

458
00:27:14,840 --> 00:27:19,960
Speaker 1: your son. Yeah, and they'll turn him into a product.

459
00:27:20,840 --> 00:27:24,840
Speaker 1: His name, his likeness, he don't even own somebody like

460
00:27:25,000 --> 00:27:28,920
Speaker 1: Chris Rock, Dave Chappelle. These dudes they name is a

461
00:27:29,080 --> 00:27:34,280
Speaker 1: brand at this point. They identity lies within who they

462
00:27:34,359 --> 00:27:37,240
Speaker 1: are as a comedian or who they are as a celebrity.

463
00:27:39,160 --> 00:27:42,080
Speaker 1: That's part of the game. That's sacrifice, right, It's a

464
00:27:42,640 --> 00:27:46,399
Speaker 1: it's a it's a trade off for the money and

465
00:27:46,480 --> 00:27:50,240
Speaker 1: the fame and the power. And you trade off your likeness,

466
00:27:50,320 --> 00:27:54,360
Speaker 1: of your your livelihood and your name and the ability

467
00:27:54,480 --> 00:27:56,800
Speaker 1: just to go to the store with your children in

468
00:27:56,960 --> 00:27:59,320
Speaker 1: some states and things like that. You gotta move to

469
00:27:59,480 --> 00:28:02,080
Speaker 1: which your hall you did what I'm saying, to be

470
00:28:02,200 --> 00:28:05,520
Speaker 1: able to move around and things like that. So they'll

471
00:28:05,600 --> 00:28:07,840
Speaker 1: turn you into a product. They'll take you and turn

472
00:28:07,920 --> 00:28:13,280
Speaker 1: you into a brand. And you gotta begin with that

473
00:28:13,440 --> 00:28:16,119
Speaker 1: in mind, though, And I know what it's like, because

474
00:28:16,160 --> 00:28:18,600
Speaker 1: you need funding, you need money. You gotta figure out

475
00:28:18,640 --> 00:28:20,399
Speaker 1: how I'm gonna get to the next level, though, Bro,

476
00:28:21,480 --> 00:28:23,920
Speaker 1: they say you gotta give out a little something like

477
00:28:24,160 --> 00:28:26,840
Speaker 1: and then you hear people with success stories like Thug

478
00:28:27,240 --> 00:28:31,720
Speaker 1: see NBA young boys doing what Thug already done. Thug

479
00:28:31,760 --> 00:28:34,359
Speaker 1: I already talked about. Man, my first deal was terrible.

480
00:28:34,520 --> 00:28:37,000
Speaker 1: I got it, then had some people around me to

481
00:28:37,080 --> 00:28:39,400
Speaker 1: wiggle me out of and read and they amend it.

482
00:28:39,760 --> 00:28:44,160
Speaker 1: And now I'm good. Now I'm able to start other label,

483
00:28:44,200 --> 00:28:46,240
Speaker 1: start this, do that, dude, this that in the third

484
00:28:46,360 --> 00:28:49,480
Speaker 1: So I'm able to prevail. I'm able to excel and

485
00:28:49,560 --> 00:28:54,080
Speaker 1: place myself in a position to do real business right. Again,

486
00:28:54,160 --> 00:28:57,560
Speaker 1: our relationship don't gotta end. But the dynamics got a chance.

487
00:28:57,800 --> 00:29:02,560
Speaker 1: But again, I was just speaking to Howland has a

488
00:29:02,680 --> 00:29:05,920
Speaker 1: group of lawyers, you know, people with your best interests

489
00:29:05,960 --> 00:29:08,920
Speaker 1: in you know, staples in the game. You know what

490
00:29:09,000 --> 00:29:13,440
Speaker 1: I'm saying to where um they respect the business. Let's

491
00:29:13,480 --> 00:29:16,760
Speaker 1: not stop this. Let's not stop this, Let's just keep rolling.

492
00:29:16,800 --> 00:29:18,760
Speaker 1: He want to amend it. They don't found out that

493
00:29:18,880 --> 00:29:21,720
Speaker 1: the deal wasn't see not say that. Let's not say

494
00:29:21,760 --> 00:29:24,680
Speaker 1: they ain't found out the dynamics of the deal needs

495
00:29:24,720 --> 00:29:29,840
Speaker 1: to change because the brand now has blossomed right into

496
00:29:29,960 --> 00:29:32,280
Speaker 1: something that's way more profitable, and it needs to be

497
00:29:32,360 --> 00:29:36,040
Speaker 1: a more favorable situation for the artists. Let's say that

498
00:29:37,080 --> 00:29:40,800
Speaker 1: because coming in with the backing, if the backing is

499
00:29:40,840 --> 00:29:43,160
Speaker 1: on the side of the investor and there's nothing else,

500
00:29:43,240 --> 00:29:47,440
Speaker 1: sometimes those deals can look a little funny, you know,

501
00:29:48,400 --> 00:29:51,440
Speaker 1: especially without any background. And you gotta think when he

502
00:29:51,560 --> 00:29:56,120
Speaker 1: came in, he were very young, but his growth was organic,

503
00:29:56,280 --> 00:29:58,840
Speaker 1: so they should respect that. It's such in that building,

504
00:29:58,960 --> 00:30:02,240
Speaker 1: y'all know what that are organic growth look like that

505
00:30:02,560 --> 00:30:06,160
Speaker 1: organic growth. That organic growth is a different kind of growth.

506
00:30:06,640 --> 00:30:09,160
Speaker 1: But that but that organic growth, that that type of

507
00:30:09,240 --> 00:30:11,960
Speaker 1: brand now is a different thing. You know what I'm saying.

508
00:30:12,000 --> 00:30:14,160
Speaker 1: That brand now keep you in a situation where you're

509
00:30:14,160 --> 00:30:17,120
Speaker 1: eating for a long long time. So I mean, I

510
00:30:17,240 --> 00:30:19,200
Speaker 1: think it should be a little respect put on that.

511
00:30:20,040 --> 00:30:22,920
Speaker 1: But again, I also know that if you've been eating

512
00:30:23,040 --> 00:30:25,840
Speaker 1: like this off this here for a long time, that

513
00:30:26,000 --> 00:30:30,640
Speaker 1: while we're telling y'all about the funding there go. I

514
00:30:30,840 --> 00:30:34,200
Speaker 1: was telling y'all about the funding. I was saying, Yo,

515
00:30:34,520 --> 00:30:36,880
Speaker 1: they'll take this artist and go to funding. Now all

516
00:30:36,960 --> 00:30:39,760
Speaker 1: this other shit this is helping fund some shit around here.

517
00:30:40,040 --> 00:30:44,120
Speaker 1: The way that this structure, yeah, the way your deal

518
00:30:44,200 --> 00:30:47,760
Speaker 1: structure home is helping us fund a whole bunch of

519
00:30:47,880 --> 00:30:51,240
Speaker 1: things that's happening around here. You see what I'm saying.

520
00:30:51,320 --> 00:30:54,840
Speaker 1: So what you want to change that Number one, it

521
00:30:54,920 --> 00:30:56,840
Speaker 1: can sit pressing in for the rest of the building.

522
00:30:56,880 --> 00:31:01,480
Speaker 1: Although they shouldn't be previtured. But maybe the other artists

523
00:31:01,480 --> 00:31:04,960
Speaker 1: start to say, yeah, a man mine too. Young boys

524
00:31:05,000 --> 00:31:06,680
Speaker 1: said that. That's a lot of time. Why they want

525
00:31:06,680 --> 00:31:11,000
Speaker 1: to keep you quiet. See these companies don't see. These

526
00:31:11,120 --> 00:31:14,320
Speaker 1: companies want to keep you quiet because they know once

527
00:31:14,360 --> 00:31:17,600
Speaker 1: you say something, it activates maybe other people they had

528
00:31:17,680 --> 00:31:20,560
Speaker 1: they're feeling, but they're scared or suppressed to say anything.

529
00:31:21,800 --> 00:31:23,880
Speaker 1: You get what I'm saying. So you deal with a

530
00:31:23,960 --> 00:31:27,400
Speaker 1: situation where just like if you work in corporate America

531
00:31:27,440 --> 00:31:30,720
Speaker 1: or one of these bullshit jobs where they badly paying anyway,

532
00:31:31,240 --> 00:31:34,680
Speaker 1: they're come give you an extra fifty cent until you

533
00:31:34,800 --> 00:31:37,640
Speaker 1: don't tell nobody, and if you do, we're gonna take

534
00:31:37,680 --> 00:31:40,880
Speaker 1: it back. You can't go tell the people I make

535
00:31:40,960 --> 00:31:46,160
Speaker 1: sixteen fifty, you make sixteen. That's how pitty they is,

536
00:31:46,240 --> 00:31:48,320
Speaker 1: because they think if you're gonna tell everybody, and then

537
00:31:48,400 --> 00:31:51,440
Speaker 1: everybody gonna be saying, Noah deserves sixteen fifty, deserts sixteen

538
00:31:51,560 --> 00:31:56,360
Speaker 1: fifty and for fifty cent, they're shut them up. So

539
00:31:56,440 --> 00:31:58,400
Speaker 1: you know that what they're trying to do for somebody

540
00:31:58,480 --> 00:32:01,320
Speaker 1: with works some millions don't say that because everybody gonna

541
00:32:01,360 --> 00:32:04,600
Speaker 1: start the saying said and soud. You feel what I'm saying.

542
00:32:05,160 --> 00:32:07,400
Speaker 1: It's just an important thing to understand, you know what

543
00:32:07,400 --> 00:32:11,080
Speaker 1: I mean? For real? Another thing and then I'll move

544
00:32:11,120 --> 00:32:14,120
Speaker 1: away from this NBA young boy stuff. Another thing that

545
00:32:14,200 --> 00:32:18,080
Speaker 1: it made me say is, oh, that's why they never

546
00:32:18,200 --> 00:32:22,000
Speaker 1: held him with brand building because they knew his intentions

547
00:32:22,120 --> 00:32:25,680
Speaker 1: was clear. Number one and number two, bird man is down.

548
00:32:25,880 --> 00:32:29,240
Speaker 1: We can't trick him. We could have maybe try to

549
00:32:29,600 --> 00:32:32,600
Speaker 1: shoot some language to that that he didn't understand, but

550
00:32:32,720 --> 00:32:35,360
Speaker 1: he got that bird man dude over with him. We

551
00:32:35,520 --> 00:32:39,000
Speaker 1: can't do that. So his intentions clear, we're not brand

552
00:32:39,080 --> 00:32:41,720
Speaker 1: We're not gonna cross him over too much. We ain't

553
00:32:41,760 --> 00:32:45,040
Speaker 1: doing nothing helping the brand bill because he's out the door.

554
00:32:45,160 --> 00:32:47,560
Speaker 1: He's been clear with that. Sometimes you got to even

555
00:32:47,640 --> 00:32:51,000
Speaker 1: be quiet with that again, Jeded. Like in corporate America,

556
00:32:51,520 --> 00:32:53,840
Speaker 1: you see some people don't say nothing just one day.

557
00:32:53,880 --> 00:32:56,920
Speaker 1: Ay I'm done today, my last day. Hold, oh yeah,

558
00:32:56,920 --> 00:33:01,160
Speaker 1: I got another job. I smooth little transition. You feel

559
00:33:01,200 --> 00:33:04,000
Speaker 1: what I'm saying. But because them labels again, they'll stop

560
00:33:04,160 --> 00:33:06,640
Speaker 1: doing brand building for you, especially when they know the

561
00:33:06,760 --> 00:33:11,240
Speaker 1: relationship is about to what they call dissolve. You see,

562
00:33:11,520 --> 00:33:14,040
Speaker 1: it's a whole different language happening up there. They can

563
00:33:14,120 --> 00:33:17,000
Speaker 1: easily just say in right there. They like to do

564
00:33:17,160 --> 00:33:20,400
Speaker 1: that because again they understand that you may not understand.

565
00:33:20,480 --> 00:33:25,160
Speaker 1: So on certain anywhere everywhere has their language. If you're

566
00:33:25,200 --> 00:33:27,760
Speaker 1: on the basketball court, this right here mean that. If

567
00:33:27,800 --> 00:33:31,200
Speaker 1: you're in on the football field, blue fifty two mean it.

568
00:33:31,920 --> 00:33:34,200
Speaker 1: If you're a wrestler, nigga, this mean that. You know

569
00:33:34,200 --> 00:33:35,920
Speaker 1: what I mean? If you're a rapper and say drip

570
00:33:36,120 --> 00:33:40,080
Speaker 1: deep me. People everywhere got his language, and we got

571
00:33:40,160 --> 00:33:43,080
Speaker 1: a little bit of all them languages, except in bitterness

572
00:33:43,160 --> 00:33:48,000
Speaker 1: and finance. That's where a lot of our language come

573
00:33:48,120 --> 00:33:51,200
Speaker 1: up missing. They go to talking a lot of us

574
00:33:51,240 --> 00:33:53,480
Speaker 1: saying what you say, and we're having a little motion.

575
00:33:53,600 --> 00:33:56,320
Speaker 1: We got some money. But I'll let y'all be time out.

576
00:33:57,480 --> 00:34:00,560
Speaker 1: I'm lost. I don't know what that's about. You see

577
00:34:00,560 --> 00:34:04,160
Speaker 1: what I'm saying. So um again, I think I think

578
00:34:04,200 --> 00:34:07,000
Speaker 1: he's he got bird man. Somebody goodness ere right there

579
00:34:07,040 --> 00:34:08,880
Speaker 1: and somebody that got plenty of money to make it.

580
00:34:08,960 --> 00:34:13,319
Speaker 1: Have man got a label with a green light next tour? Yeah? Yeah.

581
00:34:13,360 --> 00:34:16,800
Speaker 1: When they pulled them labels up at the at the

582
00:34:16,920 --> 00:34:20,600
Speaker 1: parent companies, not at the little subsidiary companies. When they

583
00:34:20,680 --> 00:34:23,719
Speaker 1: pulled the labels up at the parent company. Bird Man

584
00:34:23,880 --> 00:34:27,640
Speaker 1: cash Money got a green light next tour, and that's

585
00:34:27,680 --> 00:34:29,839
Speaker 1: what we're working on with this up there part. Cad

586
00:34:29,920 --> 00:34:32,480
Speaker 1: put a green light next to it. All right, we

587
00:34:32,680 --> 00:34:35,319
Speaker 1: all back. The next thing I want to really speak about.

588
00:34:35,400 --> 00:34:39,000
Speaker 1: Man was a very eventful night for Versus. For those

589
00:34:39,080 --> 00:34:41,719
Speaker 1: that you don't know, Um, I think it was two

590
00:34:41,880 --> 00:34:45,399
Speaker 1: nights ago. Um, we had the Bone thugs at Harmy

591
00:34:45,520 --> 00:34:48,839
Speaker 1: Verses three six month for your Versus battle that happened. Um,

592
00:34:48,920 --> 00:34:52,279
Speaker 1: it was a very unique situation to match up. I

593
00:34:52,440 --> 00:34:55,520
Speaker 1: felt was unique. Um, of course I'm from Tennessee. You

594
00:34:55,640 --> 00:34:58,360
Speaker 1: know which way I'm riding. But one of my close

595
00:34:58,440 --> 00:35:01,160
Speaker 1: friends that I grew up with love Bone, so I'm familiar.

596
00:35:02,120 --> 00:35:05,920
Speaker 1: I'm familiar and grew up on Bone as well. Um.

597
00:35:06,040 --> 00:35:10,080
Speaker 1: With that being the situation, though, it seemed to be

598
00:35:12,440 --> 00:35:18,839
Speaker 1: a very very eventful night again to say the least. Um, first,

599
00:35:18,920 --> 00:35:21,360
Speaker 1: let me just speak about Versus and what what Versus

600
00:35:21,440 --> 00:35:23,680
Speaker 1: has done and brought to the game in the industry

601
00:35:24,040 --> 00:35:26,520
Speaker 1: and the market place. This is why I tell you guys,

602
00:35:26,560 --> 00:35:28,879
Speaker 1: and you may hear some of these other podcasts try

603
00:35:28,920 --> 00:35:35,319
Speaker 1: to reiterate or share the same thought right, creators will

604
00:35:35,440 --> 00:35:40,080
Speaker 1: get down and create things. You know. Um, Before I

605
00:35:40,200 --> 00:35:43,320
Speaker 1: even get into what Busy Bone and three six Mafia

606
00:35:43,360 --> 00:35:46,080
Speaker 1: and Bone Thugs and the Great Eventful Night it was

607
00:35:46,200 --> 00:35:48,680
Speaker 1: not only for Tennessee before the culture. Before I get

608
00:35:48,719 --> 00:35:51,279
Speaker 1: into all that, I'm just gonna spend some time just

609
00:35:51,360 --> 00:35:54,000
Speaker 1: speaking about Versus and what that, what that is, and

610
00:35:54,120 --> 00:36:00,920
Speaker 1: what that means. Um. Again, I'm not sure someone that

611
00:36:01,280 --> 00:36:03,480
Speaker 1: was not from our culture could have came up with this.

612
00:36:03,640 --> 00:36:08,000
Speaker 1: I know it seems like a very simplistic concept, but

613
00:36:08,120 --> 00:36:09,880
Speaker 1: if that was the case, trust me, they would have

614
00:36:09,960 --> 00:36:12,360
Speaker 1: already done it. The idea that they're able to do

615
00:36:12,640 --> 00:36:16,200
Speaker 1: something with the ship that nobody can do something with, right,

616
00:36:16,360 --> 00:36:21,280
Speaker 1: Some of these some of these catalogs are not driving

617
00:36:21,520 --> 00:36:28,120
Speaker 1: much traffic right in regards to streams, shows, anything, almost

618
00:36:28,520 --> 00:36:31,840
Speaker 1: anything at this point. But Versus is able to not

619
00:36:32,000 --> 00:36:34,520
Speaker 1: only put you on stage across from somebody else, but

620
00:36:34,640 --> 00:36:38,240
Speaker 1: then sell tickets, then sell ads. They've been able to structure.

621
00:36:38,280 --> 00:36:41,520
Speaker 1: And this is the difference between loans podcasts and somebody

622
00:36:41,560 --> 00:36:44,400
Speaker 1: that just grabs a podcast right or just starts to

623
00:36:45,080 --> 00:36:47,520
Speaker 1: right again. This is the difference between a rapper that's

624
00:36:47,520 --> 00:36:50,040
Speaker 1: taking it serious and a rapper, right, because you gotta

625
00:36:50,120 --> 00:36:53,080
Speaker 1: structure this thing. And that's what you know me and

626
00:36:53,320 --> 00:36:56,200
Speaker 1: n Dunlap is talking about, right, It's how to how

627
00:36:56,239 --> 00:36:59,800
Speaker 1: to structure these things, how to make these things a

628
00:37:00,120 --> 00:37:04,240
Speaker 1: real business outside of just grabbing a mic and talking

629
00:37:04,480 --> 00:37:09,080
Speaker 1: and things like that. But Versus was a beautiful, beautiful night.

630
00:37:09,200 --> 00:37:12,400
Speaker 1: It was almost a situation where it got sticky for

631
00:37:12,520 --> 00:37:15,799
Speaker 1: the sake of the game and the culture. I'm gonna

632
00:37:15,800 --> 00:37:18,000
Speaker 1: break it down because I heard a lot of people

633
00:37:18,440 --> 00:37:21,400
Speaker 1: try to break it down today and nobody's doing a

634
00:37:21,480 --> 00:37:24,160
Speaker 1: good job because I know that these guys are kind

635
00:37:24,160 --> 00:37:29,160
Speaker 1: of unaware high things escalate, and plus them dudes from Tennessee, right,

636
00:37:29,320 --> 00:37:32,480
Speaker 1: so we push your hardline. You see what I'm saying

637
00:37:32,520 --> 00:37:35,760
Speaker 1: when it comes to certain things, and a lot of people,

638
00:37:36,120 --> 00:37:38,600
Speaker 1: I even heard Parks from the Joe Buddon podcast say

639
00:37:38,680 --> 00:37:41,120
Speaker 1: that three six Manfia started it, and I want to

640
00:37:41,200 --> 00:37:45,520
Speaker 1: make sure that I debunked that as well, because in

641
00:37:45,640 --> 00:37:49,000
Speaker 1: my opinion, that wasn't started by them. Again, I'm gonna

642
00:37:49,040 --> 00:37:51,800
Speaker 1: take you through it and we'll see what exactly that

643
00:37:52,000 --> 00:37:55,120
Speaker 1: looks like in real time. Let's look at some of

644
00:37:55,200 --> 00:37:57,680
Speaker 1: the verses. We're gonna take you through it and just

645
00:37:57,800 --> 00:38:00,400
Speaker 1: sit back, get your blood and enjoy or whatever you do,

646
00:38:00,520 --> 00:38:06,480
Speaker 1: get you something. Let's enjoy this tonight. We got a verses. Tonight,

647
00:38:07,560 --> 00:38:12,440
Speaker 1: we got icons, we got legends, we got the biggest

648
00:38:12,480 --> 00:38:19,720
Speaker 1: selling group of all time. For those of you listening,

649
00:38:20,440 --> 00:38:22,719
Speaker 1: this is the beginning of the verses. And there there,

650
00:38:23,400 --> 00:38:27,840
Speaker 1: Fat Joe's came out to post it again. Round of

651
00:38:27,880 --> 00:38:30,000
Speaker 1: appose to Fat Joe to continue to get him a

652
00:38:30,120 --> 00:38:34,440
Speaker 1: check in this game. You see what I'm saying. Bolt

653
00:38:34,560 --> 00:38:39,080
Speaker 1: Doves and three six Mafia said they both want to

654
00:38:39,160 --> 00:38:43,399
Speaker 1: go last and they only trust Fat Joe to throw

655
00:38:43,480 --> 00:38:52,760
Speaker 1: the coin. I can't make this shit up. Ladies and gentlemen,

656
00:38:53,360 --> 00:38:59,080
Speaker 1: let me bring together together out of Cleveland. Pay close

657
00:38:59,160 --> 00:39:05,920
Speaker 1: attention to me. See the legend Derek boats in the harmy.

658
00:39:12,880 --> 00:39:17,319
Speaker 1: Maybe I gotta try that shit again for what Joe?

659
00:39:18,760 --> 00:39:23,160
Speaker 1: Whoa for? What? Crack? Lazy bow? This hit? What's up?

660
00:39:23,440 --> 00:39:27,919
Speaker 1: Crazy bow? This hit Leach Bowl, this hit please Bow,

661
00:39:28,040 --> 00:39:34,600
Speaker 1: this hit Ley Bow, this hip the whole group. So

662
00:39:34,760 --> 00:39:40,000
Speaker 1: at this point, the whole groups there, you know, just

663
00:39:40,160 --> 00:39:43,960
Speaker 1: for the backstory. It's been so they're trying to get that,

664
00:39:44,080 --> 00:39:46,120
Speaker 1: they're trying to get the promo off. Check this out.

665
00:39:48,920 --> 00:39:51,640
Speaker 1: They're getting their promo off. It's probably a new song

666
00:39:52,480 --> 00:39:55,759
Speaker 1: they de Bowl Death. But again, I want you to

667
00:39:55,840 --> 00:39:58,800
Speaker 1: know something. It's been a lot of backstory behind Bone Thugs.

668
00:39:58,840 --> 00:40:01,640
Speaker 1: That's why people will kind of surprised to see him now.

669
00:40:01,680 --> 00:40:03,880
Speaker 1: But now look at all the energy. I want you

670
00:40:03,960 --> 00:40:06,279
Speaker 1: to look at the energy now the boys has come

671
00:40:06,320 --> 00:40:10,360
Speaker 1: out to look listen, y crap, ya crap. I'm surprised.

672
00:40:10,520 --> 00:40:12,560
Speaker 1: I'm glad to see my niggas over here, but I'm

673
00:40:12,600 --> 00:40:17,120
Speaker 1: surprised they showed up though. Honestly, yeah, oh it's going down. Yeah,

674
00:40:17,360 --> 00:40:23,640
Speaker 1: what ladies and gentlemen looking busy, y'all, y'all ladies in

675
00:40:23,840 --> 00:40:32,440
Speaker 1: gentlemen out of Memphis, Tennessee. Three six Field, three sists

676
00:40:32,520 --> 00:40:35,719
Speaker 1: came out. Now after all that banter, let's see what

677
00:40:35,840 --> 00:40:41,160
Speaker 1: three six is. Gangs the Bull, it's in the building,

678
00:40:42,080 --> 00:40:52,480
Speaker 1: Paul is in the building. True, I honestly believe that

679
00:40:53,360 --> 00:40:55,719
Speaker 1: gangster Bull went over there to get to try to

680
00:40:56,080 --> 00:40:59,680
Speaker 1: try to embrace him. But basire, just so still face over.

681
00:41:00,680 --> 00:41:04,239
Speaker 1: You gotta pay attention to way we street dudes, so

682
00:41:04,400 --> 00:41:08,360
Speaker 1: as we're rapping us, what we're doing you in character,

683
00:41:09,000 --> 00:41:11,600
Speaker 1: I'm gonna take the U in character thing right eye,

684
00:41:11,680 --> 00:41:16,279
Speaker 1: So you in character right, but pay closer attention, play

685
00:41:16,360 --> 00:41:19,600
Speaker 1: close attention. I always tell people about the fake tough thing.

686
00:41:20,120 --> 00:41:25,280
Speaker 1: Play close attention to what's going on. Play closer attention.

687
00:41:25,480 --> 00:41:28,279
Speaker 1: Let's look again. No, let's start it from here. I

688
00:41:28,360 --> 00:41:32,320
Speaker 1: think Gangster Bull went over there to in fact embrace,

689
00:41:32,719 --> 00:41:35,360
Speaker 1: but Busy gave her the steer face. So she from Memphis.

690
00:41:35,400 --> 00:41:37,640
Speaker 1: She ain't gonna play herself and still try to hug him.

691
00:41:37,960 --> 00:41:41,680
Speaker 1: But as you see Juicy right now, for those of

692
00:41:41,760 --> 00:41:45,600
Speaker 1: you listening, it's hugging Fat Joe and on his way

693
00:41:45,960 --> 00:41:49,759
Speaker 1: to try to embrace some of those boys, some of

694
00:41:49,840 --> 00:41:55,720
Speaker 1: those bone boys. Pay close attention to what happened. Business

695
00:41:55,800 --> 00:42:00,520
Speaker 1: walking off? You see you see that, see Busy walking off,

696
00:42:02,080 --> 00:42:09,279
Speaker 1: business walking off downs everybody else embrace Busy walked off.

697
00:42:10,000 --> 00:42:12,800
Speaker 1: NaN's he playing character? Du he got a real issue.

698
00:42:13,280 --> 00:42:16,120
Speaker 1: I guess we'll find out we still think he playing character.

699
00:42:16,239 --> 00:42:33,640
Speaker 1: It's cool, but oh my god, oh my god, Country Black,

700
00:42:33,680 --> 00:42:37,480
Speaker 1: I'm sucking you up, just being clear by what's being said.

701
00:42:37,560 --> 00:42:41,040
Speaker 1: You do with the information, what you may right do

702
00:42:41,200 --> 00:42:44,120
Speaker 1: with it, what you may yet to say. Again, let

703
00:42:44,200 --> 00:42:45,960
Speaker 1: me be clear with this because I need y'all to

704
00:42:46,040 --> 00:42:49,800
Speaker 1: see my face. Versus has been on for all of

705
00:42:50,560 --> 00:42:53,000
Speaker 1: they've been out there for let me see, they've been

706
00:42:53,040 --> 00:42:56,840
Speaker 1: out there for all of about three minutes. You've heard,

707
00:42:57,239 --> 00:43:00,680
Speaker 1: You've heard a lot of things, right, three six have

708
00:43:00,880 --> 00:43:04,839
Speaker 1: yet to say anything. I'm fucking you up. Busy Bone

709
00:43:04,920 --> 00:43:08,799
Speaker 1: walks off, a gangsta bull tries to walk over in hood.

710
00:43:08,880 --> 00:43:11,840
Speaker 1: He he don't give a none, so she walks away.

711
00:43:12,200 --> 00:43:15,520
Speaker 1: You know, I'm surprised they shoulder. Ain't nobody said nothing,

712
00:43:15,560 --> 00:43:17,879
Speaker 1: and we still thank y'all in rap mode. But let's see,

713
00:43:17,960 --> 00:43:23,160
Speaker 1: I get y'all were in rap mode. It's cool nott

714
00:43:23,200 --> 00:43:28,719
Speaker 1: the music, filly ladies and gentlemen. I never lie, Yeah,

715
00:43:28,960 --> 00:43:33,600
Speaker 1: I never lie. I have a quarter in my hand

716
00:43:35,239 --> 00:43:40,280
Speaker 1: for who scoring last? Is it? Three six? Is it Bone? Dogs?

717
00:43:42,160 --> 00:43:49,120
Speaker 1: Lazy hits, lazy balm. We're gonna see. Do you want

718
00:43:51,200 --> 00:43:55,200
Speaker 1: that was the first thing? You want? Heads or tails?

719
00:43:58,200 --> 00:44:01,360
Speaker 1: We're spoone says tails. Let me tell ain't something busy

720
00:44:01,480 --> 00:44:09,360
Speaker 1: ponies in the building. Oh my god? Oh yeah, okay, guys,

721
00:44:11,080 --> 00:44:14,719
Speaker 1: so you picked tails. I hope I cast this bitch

722
00:44:15,600 --> 00:44:27,279
Speaker 1: old on tails. Y'all haven't pull out their motherfucking hits.

723
00:44:27,360 --> 00:44:30,520
Speaker 1: I know y'all got beat. We've got some hits. I

724
00:44:30,760 --> 00:44:34,320
Speaker 1: got hits to her. No, y'all tails, you know it is.

725
00:44:34,840 --> 00:44:38,239
Speaker 1: It's gonna be fun. I know we've been going back.

726
00:44:38,520 --> 00:44:45,480
Speaker 1: Bunny didn't enjoy the show twenty six years into make it. Oh,

727
00:44:48,840 --> 00:44:51,799
Speaker 1: I'm glad y'all wroped off y'all section, since y'all already did.

728
00:44:52,280 --> 00:44:58,760
Speaker 1: I waked me up, Wake me, wake me up, old section.

729
00:44:59,040 --> 00:45:05,200
Speaker 1: You should just chi chop down up. Oh hey, hey,

730
00:45:05,400 --> 00:45:11,239
Speaker 1: commit Paul, your motherfucking shoes ain't gonna help you. They fly,

731
00:45:12,239 --> 00:45:15,799
Speaker 1: they fly. But I'm just saying, wait, wait, wait, he's

732
00:45:15,800 --> 00:45:19,480
Speaker 1: gonna be an NFT after this. Okay, So look, look, look, look, look, look,

733
00:45:19,520 --> 00:45:22,719
Speaker 1: look look just the versus battle. Right, So look, I'm

734
00:45:22,719 --> 00:45:25,600
Speaker 1: gonna set it off like this. I don't give a

735
00:45:25,680 --> 00:45:29,920
Speaker 1: fucking about Grammy Awards. I don't give a fuck about

736
00:45:30,000 --> 00:45:34,440
Speaker 1: no Oscar awards. Right, I can't the motherfucking rap guy,

737
00:45:38,200 --> 00:45:43,759
Speaker 1: you're the tion fucking feet. Then let's go. So for

738
00:45:43,880 --> 00:45:46,080
Speaker 1: those of you watching or listening, I'm sorry, I need

739
00:45:46,120 --> 00:45:48,160
Speaker 1: to keep it all the breasts. This is just back

740
00:45:48,200 --> 00:45:51,720
Speaker 1: and forth bounds to prior to the match, even starting again.

741
00:45:52,360 --> 00:45:56,200
Speaker 1: Up into this point, DJ Paul has said something. You know,

742
00:45:56,360 --> 00:45:58,919
Speaker 1: Juice said to shut the fuck up. You gotta say

743
00:45:59,040 --> 00:46:02,320
Speaker 1: things right. We sell in the match. But business behavior,

744
00:46:04,040 --> 00:46:07,879
Speaker 1: see anybody else, I'm talking about what they said. I'm

745
00:46:07,920 --> 00:46:11,160
Speaker 1: talking about business behavior. He don't walked off, he ain't embraced,

746
00:46:11,200 --> 00:46:15,160
Speaker 1: nobody in shook, no hands you know. Hey, if you

747
00:46:15,239 --> 00:46:18,239
Speaker 1: ain't character that deep, that's your problem. But don't confuse man.

748
00:46:18,239 --> 00:46:27,279
Speaker 1: I'm gonna make you do it. Y'all ready, let's go.

749
00:46:27,880 --> 00:46:40,560
Speaker 1: When I say three six, you say buck up, hands up. No.

750
00:46:40,920 --> 00:46:48,000
Speaker 1: So without says you saved this, we don't. We. I

751
00:46:48,200 --> 00:46:54,440
Speaker 1: say we got you saved this, We got we get that.

752
00:46:54,680 --> 00:47:03,000
Speaker 1: Listen to him, Listen to him, not not you, not

753
00:47:03,160 --> 00:47:05,120
Speaker 1: you is coming from bone. I want to be clear

754
00:47:05,160 --> 00:47:15,280
Speaker 1: about that. Let's listen. I'm one hundred percent sure someone

755
00:47:15,400 --> 00:47:18,680
Speaker 1: from Truller and Verses came over there and told them

756
00:47:18,760 --> 00:47:21,800
Speaker 1: to stop this. They can't even enjoy the show and

757
00:47:21,920 --> 00:47:26,160
Speaker 1: hide fold right now. I want you to know, somebody

758
00:47:26,239 --> 00:47:31,840
Speaker 1: from that side also said that they was being mocked, mocked,

759
00:47:32,520 --> 00:47:36,200
Speaker 1: not interrupted, mocked. Why they was rapping. I want to

760
00:47:36,239 --> 00:47:46,640
Speaker 1: be clear with that. Let's continue, all right. So that's

761
00:47:46,680 --> 00:47:50,480
Speaker 1: where it stopped, right, But again, you cannot be in

762
00:47:50,560 --> 00:47:54,319
Speaker 1: a situation or where you're gonna you're gonna tell me, Um,

763
00:47:56,440 --> 00:47:58,399
Speaker 1: you can't be in a situation where you're gonna tell

764
00:47:58,480 --> 00:48:01,120
Speaker 1: me that. We can't say I knee Y'ALLNA said, oh

765
00:48:01,239 --> 00:48:06,800
Speaker 1: list but see, and then he's saying, Yo, I was

766
00:48:06,880 --> 00:48:09,280
Speaker 1: in character. I was trying to I wouldn't. They wanted

767
00:48:09,320 --> 00:48:11,920
Speaker 1: me to smile and give them a little love. You

768
00:48:12,120 --> 00:48:17,640
Speaker 1: damn right for you confuse me unless you think you

769
00:48:17,880 --> 00:48:21,759
Speaker 1: being mad me more than me being mad. You must

770
00:48:21,800 --> 00:48:24,319
Speaker 1: think you being mad mean more than me being mad.

771
00:48:24,360 --> 00:48:26,480
Speaker 1: If you're thinking I ain't giving them nothing? A man,

772
00:48:26,520 --> 00:48:30,719
Speaker 1: you confusing us? Man? What is we rapping on what

773
00:48:30,800 --> 00:48:35,560
Speaker 1: we're doing? Because by dude tripping, ain't it what dude doing?

774
00:48:36,239 --> 00:48:38,239
Speaker 1: All right? So we're gonna keep on the string up

775
00:48:38,440 --> 00:48:41,439
Speaker 1: we businessman professional, Let's keep this rolling. We're just gonna

776
00:48:41,520 --> 00:48:43,680
Speaker 1: keep this rolling, you know what I'm saying. We're gonna

777
00:48:43,719 --> 00:48:46,000
Speaker 1: try to keep it gangster and keep this rolling. You

778
00:48:46,080 --> 00:48:49,520
Speaker 1: see as three six Manfia continues to perform, You see

779
00:48:49,560 --> 00:49:10,040
Speaker 1: what I'm saying. And at this point, right this is

780
00:49:10,080 --> 00:49:13,680
Speaker 1: the first song. So the crowd is with him, the

781
00:49:13,840 --> 00:49:17,120
Speaker 1: crowd is, you know, undecided. At this point, I was saying,

782
00:49:17,400 --> 00:49:20,000
Speaker 1: the crowd is undecided at this point. You know what

783
00:49:20,080 --> 00:49:42,720
Speaker 1: I'm saying, us Jesus, it should have been hidden harder

784
00:49:42,800 --> 00:49:49,040
Speaker 1: though far as the side, look at Crunch, Look at

785
00:49:49,080 --> 00:49:53,240
Speaker 1: Crunch if you if you, if you look at Crunches,

786
00:49:53,320 --> 00:49:55,719
Speaker 1: just he just getting loose. He's just gone, you know

787
00:49:55,760 --> 00:49:58,080
Speaker 1: what I mean, on stage, just gone, you know what

788
00:49:58,120 --> 00:50:00,359
Speaker 1: I mean. And the thing about DJ Paul Man, he's

789
00:50:00,360 --> 00:50:03,279
Speaker 1: a great performer. Juicy Jay's doing good too, but that

790
00:50:03,400 --> 00:50:06,200
Speaker 1: boy Paul is you could tell he keeps he's staying

791
00:50:06,320 --> 00:50:16,520
Speaker 1: up to date of what's happening. It seem like seemed

792
00:50:16,560 --> 00:50:20,160
Speaker 1: like ain't about it. Seemed like it ain't about to

793
00:50:20,200 --> 00:50:27,000
Speaker 1: slick understanding us side. So this is the first song

794
00:50:27,239 --> 00:50:37,960
Speaker 1: right here being over you know. And then as much

795
00:50:38,000 --> 00:50:42,040
Speaker 1: as I do know as versus is a situation where um,

796
00:50:42,320 --> 00:50:44,279
Speaker 1: a lot of things gonna be said. We gotta see

797
00:50:44,400 --> 00:50:48,360
Speaker 1: the fight what but but see again, I was talking

798
00:50:48,400 --> 00:50:54,320
Speaker 1: about last week playing gangster talking gangster. You feel what

799
00:50:54,400 --> 00:50:57,640
Speaker 1: I'm saying on this stage right here is cool, But

800
00:50:57,800 --> 00:51:02,680
Speaker 1: you gotta let me know it's cool. You feel me

801
00:51:02,800 --> 00:51:05,319
Speaker 1: because if I've been feeling like you've been feeling something

802
00:51:05,400 --> 00:51:08,279
Speaker 1: this whole time. And then first thing you say, you know,

803
00:51:08,480 --> 00:51:13,640
Speaker 1: like it's just it's it's a situation. Let's hear you

804
00:51:13,800 --> 00:51:18,319
Speaker 1: know what. So when easy he brought us out here

805
00:51:18,320 --> 00:51:21,440
Speaker 1: in mine. Yeah, we was running from the police and

806
00:51:21,560 --> 00:51:25,720
Speaker 1: ship took us to the black hole with Kenny. But Cloud,

807
00:51:26,120 --> 00:51:44,520
Speaker 1: I say, do that talk box shit, nigga, my nigga,

808
00:51:48,480 --> 00:51:56,560
Speaker 1: get this. Boys got energy, boy, look at him. Them

809
00:51:56,640 --> 00:52:01,319
Speaker 1: boys got energy. Boy, them boy got fucking energy. Look

810
00:52:01,360 --> 00:52:06,160
Speaker 1: when they first came out, look at them, them Memphis boys,

811
00:52:06,239 --> 00:52:09,080
Speaker 1: turned them boys in the arm b sayings. Boy, look

812
00:52:09,120 --> 00:52:17,359
Speaker 1: at them board one of the greatest schools all the time, though,

813
00:52:17,480 --> 00:52:32,719
Speaker 1: no doubt. Look at a little bounce busy got over

814
00:52:32,760 --> 00:52:34,960
Speaker 1: as part of the motherfucker. If you ain't watching, boy,

815
00:52:35,000 --> 00:52:37,799
Speaker 1: you gotta gonna see that on my video at little

816
00:52:37,840 --> 00:52:46,200
Speaker 1: bouts he hit no birth parting the motherfucker les soon

817
00:52:46,280 --> 00:53:05,040
Speaker 1: were bumping back end though you kneeds do in a

818
00:53:05,160 --> 00:53:07,600
Speaker 1: game because I'm feeling like your bitches turning the blue

819
00:53:07,600 --> 00:53:09,759
Speaker 1: suits ready and then I'm coming to that bruit the

820
00:53:09,840 --> 00:53:11,880
Speaker 1: road to shoot that bitch shot out. I know that's

821
00:53:11,880 --> 00:53:14,600
Speaker 1: where your kitchens just bothering meet up God killing a

822
00:53:14,840 --> 00:53:16,200
Speaker 1: bit of chest. I did not know what to do.

823
00:53:17,760 --> 00:53:21,279
Speaker 1: I killern't want to fucking phone. They don't go to

824
00:53:21,320 --> 00:53:24,719
Speaker 1: trigger rolling cover because if I don't lay down the

825
00:53:24,800 --> 00:53:30,560
Speaker 1: Lord my cl some motherfuck co they can't just slip nigga. Y'all.

826
00:53:37,200 --> 00:53:43,839
Speaker 1: Look at all the energy. Look they come to they

827
00:53:43,920 --> 00:53:53,280
Speaker 1: come to get it done. Huh yeah, you're all ready,

828
00:53:54,560 --> 00:53:59,759
Speaker 1: y'all ready, okay, it's okay, okay, So come o, that's love.

829
00:53:59,840 --> 00:54:14,600
Speaker 1: I love that song Juicy that drops jumps on the turntables. Man,

830
00:54:14,680 --> 00:54:17,600
Speaker 1: it's a different kind of talented. This dude, here's a monster.

831
00:54:18,040 --> 00:54:28,799
Speaker 1: Hence white still pop into this day. All right, first

832
00:54:28,880 --> 00:54:37,560
Speaker 1: thing they said, let's get it now, they come right

833
00:54:37,600 --> 00:54:39,640
Speaker 1: back with the club buff for though to you that's

834
00:54:39,719 --> 00:54:44,680
Speaker 1: not looking at the video this podcast three to six month.

835
00:54:44,760 --> 00:54:47,200
Speaker 1: He is now into the stage doing to the club

836
00:54:47,280 --> 00:54:51,960
Speaker 1: bub right at the bone, thus in harmony, and let's

837
00:54:51,960 --> 00:54:58,560
Speaker 1: see what happened. I'm gonna fast track it a little bit.

838
00:55:01,440 --> 00:55:05,480
Speaker 1: I'm a fast tracker so we can get to the

839
00:55:05,600 --> 00:55:10,320
Speaker 1: pause that what things actually had it. He's trying to

840
00:55:10,400 --> 00:55:12,759
Speaker 1: call us better because the curate to bring us stric

841
00:55:12,840 --> 00:55:17,800
Speaker 1: tech is like hand calling, get the tin of motion,

842
00:55:18,960 --> 00:55:21,399
Speaker 1: come in you okay, let me triggers. Let you bet

843
00:55:21,440 --> 00:55:23,719
Speaker 1: to a dollar. Let you hollow with my son to

844
00:55:23,840 --> 00:55:26,320
Speaker 1: get you. I don't like that blosone, but I'm believe

845
00:55:26,360 --> 00:55:28,200
Speaker 1: the game, you boy. If you win me, let me

846
00:55:28,280 --> 00:55:34,080
Speaker 1: see your club, yall, wing don't give the times to life.

847
00:55:34,160 --> 00:55:36,400
Speaker 1: We get to line you can't he don't come and

848
00:55:36,520 --> 00:55:43,759
Speaker 1: get it where you can be over love came you

849
00:55:43,920 --> 00:55:49,640
Speaker 1: wow had Let you this stuff like that, just spect

850
00:55:49,680 --> 00:55:58,640
Speaker 1: you can sit, but y'all your houses get us through

851
00:55:58,719 --> 00:56:14,600
Speaker 1: to turn the yo yo yo yo yos. That's shit

852
00:56:14,760 --> 00:56:19,120
Speaker 1: hard as fuck, right, But after you tear the club up, right,

853
00:56:19,960 --> 00:56:23,600
Speaker 1: you gotta go outside. Guess what we're gonna do. We're

854
00:56:23,640 --> 00:56:28,920
Speaker 1: gonna rock a motherfucking body just like it. And then

855
00:56:28,920 --> 00:56:33,960
Speaker 1: you see the crowd crowded. This confortos you that don't

856
00:56:34,000 --> 00:56:36,920
Speaker 1: see the video. The crowd at this point is clearly

857
00:56:37,920 --> 00:56:40,760
Speaker 1: seems to be more reactive to bone throws and harmony.

858
00:56:40,840 --> 00:56:43,760
Speaker 1: They seem to all be up there vibing and talking.

859
00:56:43,880 --> 00:56:46,600
Speaker 1: And again, if you've looked and listen to what's being

860
00:56:46,719 --> 00:56:50,960
Speaker 1: said up until this point, on the walk up, proud

861
00:56:51,040 --> 00:56:53,480
Speaker 1: of them walking out, there was things said by bone

862
00:56:53,960 --> 00:56:57,839
Speaker 1: uh three to six Monfia came out Gangster Bull approached Busy.

863
00:56:57,920 --> 00:57:00,759
Speaker 1: He didn't give any love, so she walked out. Uh

864
00:57:00,960 --> 00:57:04,399
Speaker 1: and then with Juicy Jay approached Fat Joe. He um

865
00:57:04,600 --> 00:57:07,000
Speaker 1: he left Fat Joe to going approach Busy and other

866
00:57:07,080 --> 00:57:11,520
Speaker 1: bone throws at Harmony members. Busy walk off, everybody else

867
00:57:11,640 --> 00:57:14,640
Speaker 1: embracing they go back. Things are being said over the mic,

868
00:57:16,320 --> 00:57:18,560
Speaker 1: you dig Busy ain't saying nothing over the mic, but

869
00:57:18,640 --> 00:57:22,880
Speaker 1: we focused on his behavior up until this point. We

870
00:57:23,080 --> 00:57:26,439
Speaker 1: bounce with the token we're wear about do behavior. Though.

871
00:57:27,640 --> 00:57:30,160
Speaker 1: You gotta understanding when you come from a certain place,

872
00:57:30,680 --> 00:57:32,760
Speaker 1: you don't got to say nothing. I'm looking at your

873
00:57:32,880 --> 00:57:58,920
Speaker 1: behavior to his motherfuck you because when you pay attention

874
00:57:58,960 --> 00:58:02,520
Speaker 1: to the mannerism attention I everybody is looking in the

875
00:58:02,680 --> 00:58:08,920
Speaker 1: confidence I think I can get as they should. One

876
00:58:08,960 --> 00:58:10,880
Speaker 1: of the best groups in the world. But just pendle

877
00:58:10,960 --> 00:58:17,520
Speaker 1: ten lord and everybody had a ris to me. You

878
00:58:19,480 --> 00:58:25,160
Speaker 1: be you just the point of your star, point of view,

879
00:58:25,480 --> 00:58:37,000
Speaker 1: point of view, point of you. Yeah. Like again, look

880
00:58:37,040 --> 00:58:38,919
Speaker 1: at the crowd. For those of you watching the crowd

881
00:58:39,080 --> 00:58:44,720
Speaker 1: is basically gone, biggest body right, body, body right, stop

882
00:58:44,840 --> 00:58:47,760
Speaker 1: it to these motherfucking three six moth for your body.

883
00:58:47,880 --> 00:58:59,600
Speaker 1: Rod ok. Look dann smo love all right, put and

884
00:58:59,720 --> 00:59:02,040
Speaker 1: then you gotta know who you're dealing with. Two Now

885
00:59:02,880 --> 00:59:06,800
Speaker 1: you're dealing with three six music. Now when you're talking

886
00:59:06,800 --> 00:59:10,280
Speaker 1: about hey, this is what this was happening in the

887
00:59:10,400 --> 00:59:15,360
Speaker 1: South every club, bro these the little scrapped head bust

888
00:59:15,360 --> 00:59:18,440
Speaker 1: of the little john, it's going down that error right there.

889
00:59:18,800 --> 00:59:21,160
Speaker 1: You better know how to fight and have some dudes

890
00:59:21,240 --> 00:59:23,680
Speaker 1: on your team that's knock out all this because it's

891
00:59:23,720 --> 00:59:26,040
Speaker 1: guaranteed to go down when you hit the club. When

892
00:59:26,120 --> 00:59:28,320
Speaker 1: these right here was on. See y'all get to go

893
00:59:28,400 --> 00:59:31,480
Speaker 1: to the club man style and profile like Rick Fleair,

894
00:59:32,520 --> 00:59:35,880
Speaker 1: you understand me. In these days right here, you had

895
00:59:35,920 --> 00:59:39,240
Speaker 1: to go to the club knowing the other side it's

896
00:59:39,280 --> 00:59:41,800
Speaker 1: going down. When these kind of records, they're gonna be

897
00:59:41,920 --> 00:59:48,640
Speaker 1: just pushing. It's just gonna be a different vibe going on. Again.

898
00:59:48,800 --> 00:59:51,520
Speaker 1: Check out the crowd. If you're watching the video, you

899
00:59:51,600 --> 00:59:54,920
Speaker 1: see the crowd was clearly gone when Bone was going.

900
00:59:55,040 --> 00:59:57,240
Speaker 1: You're seeing a bunch of hands. Now you see phones,

901
00:59:57,320 --> 01:00:00,520
Speaker 1: but it ain't the same amount if but just be

902
01:00:00,720 --> 01:00:06,440
Speaker 1: clear now, I we ain't gonna stop up to the

903
01:00:07,720 --> 01:00:12,320
Speaker 1: hard pushing to the boat. Put your foot in the sample.

904
01:00:12,640 --> 01:00:17,960
Speaker 1: Buck the booking tramp, shoot the custo taking Susko running,

905
01:00:18,040 --> 01:00:21,800
Speaker 1: get up, rude, crush the crust bruck. We get it,

906
01:00:22,040 --> 01:00:25,360
Speaker 1: buck brig it and when the shows go Mormon, be

907
01:00:25,480 --> 01:00:36,440
Speaker 1: the most run the street. Then I won't but you

908
01:00:36,880 --> 01:00:39,240
Speaker 1: because I knocked up on the door. We came to

909
01:00:39,240 --> 01:00:40,960
Speaker 1: the door, and him in the map, the knocked up

910
01:00:41,040 --> 01:00:43,080
Speaker 1: on the door and a him it him the more

911
01:00:43,400 --> 01:00:46,120
Speaker 1: that's on the bucking board to rand his mama bouck

912
01:00:46,200 --> 01:00:49,520
Speaker 1: the motherfucking rocking board and the propping board with him

913
01:00:49,720 --> 01:00:53,360
Speaker 1: has it out of y'all got town over random let

914
01:00:53,480 --> 01:00:55,560
Speaker 1: you down, And I don't want to fucking him. What

915
01:00:55,720 --> 01:01:01,080
Speaker 1: the fucking verg I mean she won't. What's your motherfucker

916
01:01:01,600 --> 01:01:12,640
Speaker 1: mother getting you down with a sick bay because this

917
01:01:12,800 --> 01:01:19,160
Speaker 1: lady bows the click damn ship called me my hold

918
01:01:19,440 --> 01:01:33,760
Speaker 1: my damn man for your head, like y'all hold u

919
01:01:34,520 --> 01:01:38,640
Speaker 1: y'all right, y'all got some dope ass. Bas was real

920
01:01:38,720 --> 01:01:46,840
Speaker 1: cute with y'all. Bigger ain't all right. So if you're

921
01:01:46,880 --> 01:02:04,600
Speaker 1: paying attention, If you pay attention, that's um. If you

922
01:02:04,680 --> 01:02:07,360
Speaker 1: were paying attention to the video gainst the bull dropped low,

923
01:02:07,760 --> 01:02:10,880
Speaker 1: you understanding that's what he's saying he's telling her how

924
01:02:10,960 --> 01:02:13,480
Speaker 1: you dropped it low. That's sarcasm, right, we know what

925
01:02:13,600 --> 01:02:18,200
Speaker 1: that is. And um and then Brod saying, y'all ain't

926
01:02:18,200 --> 01:02:22,560
Speaker 1: gonna push nobody or hitting nobody, just being clear what's

927
01:02:22,560 --> 01:02:28,439
Speaker 1: happening here? Now, how you gonna what y'all ain't gonna

928
01:02:28,440 --> 01:02:36,200
Speaker 1: push it. Y'all ain't gonna push She said, she's trying

929
01:02:36,200 --> 01:02:41,000
Speaker 1: to show Lord, I dropped it for God. I'm gonna

930
01:02:41,040 --> 01:02:44,160
Speaker 1: fix your praise for you niggas. Hey, look, check this

931
01:02:44,280 --> 01:02:48,760
Speaker 1: shit out, Check this shit out. They ain't gonna push her.

932
01:02:48,880 --> 01:02:52,160
Speaker 1: Shop what they're gonna do. It's looking to my eyes

933
01:02:52,240 --> 01:03:01,480
Speaker 1: and see what's you see? They're still bouncing, look us

934
01:03:05,640 --> 01:03:19,640
Speaker 1: looking to say still me looking to say still to wrestle,

935
01:03:19,920 --> 01:03:22,400
Speaker 1: you get my mussy you call he set origin off?

936
01:03:22,600 --> 01:03:25,080
Speaker 1: Was personal. You made to stop me with downy fucking

937
01:03:25,200 --> 01:03:27,520
Speaker 1: years ago. I can you wanted to stop the cred

938
01:03:28,080 --> 01:03:31,200
Speaker 1: ain't even the cook the voin't don't grass because I

939
01:03:31,800 --> 01:03:32,840
Speaker 1: the end of bea and I don't want to sack

940
01:03:32,880 --> 01:03:34,960
Speaker 1: it lega and don't that but joking in his star

941
01:03:36,200 --> 01:03:41,360
Speaker 1: getting to do something. But I'm geting cooking day in

942
01:03:41,400 --> 01:03:44,960
Speaker 1: the anyway, putting on another ship. Get down there on

943
01:03:45,040 --> 01:03:47,760
Speaker 1: the plane all that I can't get my resta come

944
01:03:47,800 --> 01:03:51,200
Speaker 1: on out to with a bloody bloody man, but never

945
01:03:51,480 --> 01:03:54,120
Speaker 1: less evil strap, I bad it batter down you rang

946
01:03:54,400 --> 01:03:59,560
Speaker 1: like gotta baby. It's all like your way looking to

947
01:04:01,040 --> 01:04:13,720
Speaker 1: let you steal. See yeah, I see I can run

948
01:04:13,760 --> 01:04:15,920
Speaker 1: the nigga run of row or whatever. I gonnoose the

949
01:04:15,920 --> 01:04:18,720
Speaker 1: bull Jiggs summer taken me the reallyigging that's the show

950
01:04:19,120 --> 01:04:21,360
Speaker 1: he is. I can't teboud you get a round and

951
01:04:21,440 --> 01:04:23,680
Speaker 1: sid you got it all y When I see meet

952
01:04:23,720 --> 01:04:26,400
Speaker 1: some one of your pocket stood and it's like, can't

953
01:04:27,400 --> 01:04:29,720
Speaker 1: come and get some fat pack want to side, want

954
01:04:29,760 --> 01:04:32,560
Speaker 1: to be like fu nigga, we can't have that. Why

955
01:04:32,600 --> 01:04:36,000
Speaker 1: didn't wanna backy bolleshit had the rat st going that

956
01:04:36,160 --> 01:04:39,240
Speaker 1: trying to make somebody that fucking this meal cat fuck

957
01:04:39,280 --> 01:04:40,960
Speaker 1: them on that putting in chick them up. When the

958
01:04:41,000 --> 01:04:44,240
Speaker 1: funny bo bag back, when you're fucking with bone, were

959
01:04:44,240 --> 01:04:46,200
Speaker 1: sitting at him home and the body back, Because when

960
01:04:46,200 --> 01:04:49,280
Speaker 1: you're fucking with Gone, we're sitting him home. And it's

961
01:04:49,320 --> 01:04:51,640
Speaker 1: when you fucking with bone were sitting at him home

962
01:04:51,680 --> 01:04:54,280
Speaker 1: and the body back, and you fucking we bone were

963
01:04:54,320 --> 01:05:08,880
Speaker 1: sitting at. I'm holding a body back back. That's cute. Sippers,

964
01:05:09,200 --> 01:05:13,480
Speaker 1: he yo, yo yo, check the buck hold on, I'm

965
01:05:13,520 --> 01:05:17,680
Speaker 1: not I'm I'm gonna show you what you can't do. Nigga.

966
01:05:19,600 --> 01:05:24,520
Speaker 1: Oh he can't get to the carna. Check the stop.

967
01:05:24,600 --> 01:05:25,880
Speaker 1: But it man't hurt Nip in the ball. But he

968
01:05:25,920 --> 01:05:30,560
Speaker 1: got that ship said yo, damming sipping nor sipping nor sipping, sipping,

969
01:05:31,080 --> 01:05:37,640
Speaker 1: scissors slipping, sip sipping, no scissors, tip tipping, sip sipping,

970
01:05:37,760 --> 01:05:42,120
Speaker 1: no scissors, tip tipping, no sip sipping on some scissors,

971
01:05:42,560 --> 01:05:48,240
Speaker 1: tip tipping, sip sipping nor scissors, tip tipping, sip sipping

972
01:05:48,360 --> 01:05:52,720
Speaker 1: on some scissors, differ sipping from sip sipping off scissors,

973
01:05:53,160 --> 01:05:58,720
Speaker 1: tip tipping on some sip sipping on some scissors, dippin

974
01:05:58,920 --> 01:06:01,880
Speaker 1: the floating. Some who once they wanted wanted come board.

975
01:06:01,960 --> 01:06:04,160
Speaker 1: They joan and joe it. But I'd be messed up

976
01:06:04,200 --> 01:06:07,080
Speaker 1: a boning for with the hoppy of sake and win

977
01:06:07,280 --> 01:06:10,280
Speaker 1: got that bullet. I wonder what happened to the I

978
01:06:10,280 --> 01:06:13,280
Speaker 1: wonder what happened to the pimc verse on. That must

979
01:06:13,360 --> 01:06:16,840
Speaker 1: be some business or something behind them that rappers and

980
01:06:17,200 --> 01:06:19,400
Speaker 1: man hold on that and she cool with that. She

981
01:06:19,640 --> 01:06:23,120
Speaker 1: pumped the little ain't and draco some more dude. As

982
01:06:23,160 --> 01:06:25,520
Speaker 1: soon as you got she was freaking sheet. I got

983
01:06:25,560 --> 01:06:29,120
Speaker 1: super little cousin printing dudes, all the purplers like the

984
01:06:30,240 --> 01:06:34,120
Speaker 1: polling compon and she yo the dude and through wanting dollars.

985
01:06:34,200 --> 01:06:36,800
Speaker 1: But just one now cousin nextus that was from now

986
01:06:36,880 --> 01:06:40,080
Speaker 1: ain't been sipping and shipping the dripping man about all

987
01:06:40,160 --> 01:06:44,720
Speaker 1: that slipping open sissor sip sipping on some sis, slipping

988
01:06:44,800 --> 01:06:52,680
Speaker 1: on sissor sipping open, slipping on concissor sipping sipping scissor.

989
01:06:55,440 --> 01:07:00,360
Speaker 1: I was acting me next wing on them the star

990
01:07:00,560 --> 01:07:06,240
Speaker 1: that ain't like that. We need that like the fool

991
01:07:06,400 --> 01:07:09,760
Speaker 1: so men down studden and keep me something like the

992
01:07:09,960 --> 01:07:13,120
Speaker 1: yeller yellow that I had your addition, man, foking like

993
01:07:13,440 --> 01:07:17,280
Speaker 1: fool football courts down the life in my day we

994
01:07:17,440 --> 01:07:20,360
Speaker 1: did was she followed a cold amountains on the coat.

995
01:07:20,560 --> 01:07:23,160
Speaker 1: I was a vote this shri knock it down, and

996
01:07:23,240 --> 01:07:25,760
Speaker 1: I got out and make your bowler bleat when you're

997
01:07:25,840 --> 01:07:28,680
Speaker 1: on the wheel, kiels out getting it when I beat

998
01:07:28,760 --> 01:07:32,680
Speaker 1: the foot feel one again. Oh my week to god,

999
01:07:32,760 --> 01:07:35,400
Speaker 1: I had it drake and my knee he know, I

1000
01:07:35,520 --> 01:07:46,240
Speaker 1: feel like I'm gonna see it again. Up gangs the fool.

1001
01:07:46,320 --> 01:07:49,280
Speaker 1: You know I love you right you talk about don't

1002
01:07:49,320 --> 01:07:52,400
Speaker 1: talk to no lady like that nigga yo name gangster. Right,

1003
01:07:53,320 --> 01:07:56,040
Speaker 1: but let me show you what y'all niggas can't do. Okay,

1004
01:07:56,520 --> 01:07:59,600
Speaker 1: while y'all sipping on some syrup, it's the niggas night out, tonight,

1005
01:08:01,760 --> 01:08:15,560
Speaker 1: straighter hand every straight a head, straight am, everywhash, shoot

1006
01:08:16,040 --> 01:08:26,120
Speaker 1: my smoke, boo the love. Oh yeah, watch you gotta

1007
01:08:26,280 --> 01:08:32,479
Speaker 1: love to smoke. I got your lort, bring your god.

1008
01:08:32,560 --> 01:08:40,559
Speaker 1: Come on. I'm so glad you shot crazy flash wish

1009
01:08:40,680 --> 01:08:44,519
Speaker 1: flash reef dance that's supposed to be one made and

1010
01:08:44,640 --> 01:08:50,760
Speaker 1: made them dancing. We go, what hie drove? They just

1011
01:08:50,960 --> 01:08:57,479
Speaker 1: get high? The smoke in the bucket? I drove love

1012
01:08:58,479 --> 01:09:07,000
Speaker 1: it just kid an, I got smoke high trunk. Whom

1013
01:09:07,240 --> 01:09:15,040
Speaker 1: I go smoke? Higu who smoke high? Who let me

1014
01:09:15,080 --> 01:09:21,360
Speaker 1: if I smoke high? Trouble in the water the river

1015
01:09:21,360 --> 01:09:25,040
Speaker 1: from flood crazy, So he didn't give me a to

1016
01:09:25,160 --> 01:09:30,080
Speaker 1: side to side side the sack the water from his flood.

1017
01:09:31,400 --> 01:09:33,519
Speaker 1: So we didn't give me a side to sack of

1018
01:09:33,640 --> 01:09:46,360
Speaker 1: side the waterside the same water with the water sack, sack,

1019
01:09:46,479 --> 01:09:50,920
Speaker 1: the sack of the water, side to side. I'm taking

1020
01:09:51,000 --> 01:09:53,400
Speaker 1: the hitting the book. Gotta get out of my cup

1021
01:09:53,520 --> 01:09:58,920
Speaker 1: smoking now, choking water. I don't really get birds taking

1022
01:09:59,000 --> 01:10:00,880
Speaker 1: the hit in the book. I gotta get a little

1023
01:10:00,880 --> 01:10:11,200
Speaker 1: about us smoking, choking the wood. Fucked up, yalla, y'all, Right, Hey,

1024
01:10:11,280 --> 01:10:15,000
Speaker 1: before we even get started, you ugly motherfucker's ain't gonna

1025
01:10:15,040 --> 01:10:18,360
Speaker 1: be mocking me while I'm on motherfucking stage like straight

1026
01:10:18,439 --> 01:10:26,920
Speaker 1: the fuck up then stuck like that the booth. You

1027
01:10:27,040 --> 01:10:36,240
Speaker 1: must take care, nigga, see that. Now, let this be

1028
01:10:36,320 --> 01:10:42,479
Speaker 1: a lesson. Right, let's talk about unnecessary aggression again. With men,

1029
01:10:42,800 --> 01:10:46,680
Speaker 1: we always remember one thing, me and pay attention to

1030
01:10:46,840 --> 01:10:52,080
Speaker 1: your behavior. Right. I'm only gonna get you talking a

1031
01:10:52,160 --> 01:10:56,599
Speaker 1: certain amount of attention, right, a certain amount of attention.

1032
01:10:56,640 --> 01:11:00,680
Speaker 1: Then when they're talking getting a little too then we

1033
01:11:00,840 --> 01:11:03,160
Speaker 1: may may address it. Right, But on this stage, I'm

1034
01:11:03,200 --> 01:11:05,920
Speaker 1: gonna get you talking a certain amount of attention, and

1035
01:11:06,000 --> 01:11:08,200
Speaker 1: I ain't gonna get you talking too much attention, but

1036
01:11:08,320 --> 01:11:11,280
Speaker 1: your behavior, I'm still from a certain place a pay

1037
01:11:11,280 --> 01:11:15,559
Speaker 1: attention to your behavior. So when we walked out, y'all

1038
01:11:15,720 --> 01:11:18,400
Speaker 1: was saying, I'll let you know as a unit. And

1039
01:11:18,479 --> 01:11:20,639
Speaker 1: then we walked out. Baby girl, walk over and try

1040
01:11:20,680 --> 01:11:22,920
Speaker 1: to give you love you you're donna give a none

1041
01:11:23,920 --> 01:11:28,360
Speaker 1: juicy try to walk over you, walk off. Pay attention

1042
01:11:28,400 --> 01:11:32,559
Speaker 1: to his behavior. What was that about? Certain things are

1043
01:11:32,600 --> 01:11:36,280
Speaker 1: happening right then. The next thing you basically say after

1044
01:11:36,360 --> 01:11:41,880
Speaker 1: your super aggression is man, y'all, mother ain't gonna be

1045
01:11:42,080 --> 01:11:45,360
Speaker 1: mocking me ugly. Motherfucker's ain't gonna be mocking me. Straight

1046
01:11:45,479 --> 01:11:51,280
Speaker 1: the fuck up. But see, you gotta be careful with

1047
01:11:51,400 --> 01:11:56,080
Speaker 1: the faith tough. That will always tell dudes right because

1048
01:11:56,160 --> 01:11:58,760
Speaker 1: the faith tough gonna leave you. It's gonna leave you

1049
01:11:58,880 --> 01:12:03,200
Speaker 1: somewhere because somebody they're gonna do it. Somebody gonna do it. Right.

1050
01:12:03,640 --> 01:12:06,360
Speaker 1: Me and Bank had a situation where somebody was, Yo,

1051
01:12:06,520 --> 01:12:09,960
Speaker 1: you're faking They yo, boy, you better aid because somebody

1052
01:12:10,120 --> 01:12:13,439
Speaker 1: gonna do it. You're playing. You want to act tough.

1053
01:12:13,600 --> 01:12:16,160
Speaker 1: You wanna see you. You want to go home and

1054
01:12:16,360 --> 01:12:18,799
Speaker 1: tell yourself that you didn't go out like a sucker

1055
01:12:21,120 --> 01:12:23,400
Speaker 1: because you ain't cut like that. Because if you cut

1056
01:12:23,520 --> 01:12:26,439
Speaker 1: like that, ain't no need for the act. It's gonna

1057
01:12:26,479 --> 01:12:30,240
Speaker 1: be whatever. Right then, it's a platinum plaque being presented.

1058
01:12:30,640 --> 01:12:33,800
Speaker 1: Right then, on the spot, you understand. So if you

1059
01:12:34,560 --> 01:12:37,240
Speaker 1: if you're doing something like the super tough mug or

1060
01:12:37,280 --> 01:12:41,920
Speaker 1: the super aggressive behavior, it's like yo, what you Hey, Yo,

1061
01:12:42,000 --> 01:12:45,680
Speaker 1: I'm paying attentionly to you now. I'm watching you now

1062
01:12:46,240 --> 01:12:49,640
Speaker 1: because you're mugging and hand in your shirt like what? Like? Yo,

1063
01:12:49,800 --> 01:12:54,479
Speaker 1: I'm watching you again? How you can't? Can't nobody pay

1064
01:12:54,560 --> 01:12:57,200
Speaker 1: me enough to tell me they ignore behavior? I'm watching you,

1065
01:12:58,000 --> 01:13:00,640
Speaker 1: see what I'm saying. So then when I think you

1066
01:13:00,800 --> 01:13:03,800
Speaker 1: playing tough, I'm gonna gone because what we ain't gonna

1067
01:13:03,840 --> 01:13:07,120
Speaker 1: do is sit here all night and you're gonna a bow. God,

1068
01:13:07,240 --> 01:13:10,320
Speaker 1: what I'm gonna say on this side after you ain't

1069
01:13:10,360 --> 01:13:13,559
Speaker 1: so love to nobody. You ain't gave no man listen,

1070
01:13:13,920 --> 01:13:17,959
Speaker 1: you ain't finna yo, So guess what. Let's gonna go platinum.

1071
01:13:18,280 --> 01:13:21,439
Speaker 1: It's over you know made me do it. This is

1072
01:13:21,479 --> 01:13:25,519
Speaker 1: who I am. So I'm gonna get rid of older

1073
01:13:25,880 --> 01:13:28,320
Speaker 1: in between and go straight to the suck matter and

1074
01:13:28,479 --> 01:13:31,960
Speaker 1: let's go platinum. It's over with because ain't no sensing

1075
01:13:32,120 --> 01:13:35,000
Speaker 1: us keep because your behavior told me you was on

1076
01:13:35,120 --> 01:13:37,479
Speaker 1: some other ship and the first thing you said was

1077
01:13:37,560 --> 01:13:45,920
Speaker 1: this this the first thing. So again, some people playing gangster.

1078
01:13:46,280 --> 01:13:49,200
Speaker 1: And then some people, some people are gonna gonna say, well,

1079
01:13:49,240 --> 01:13:52,519
Speaker 1: we're finna do it. Then we're finna do it. Then

1080
01:13:52,600 --> 01:13:54,960
Speaker 1: the other homeboys, it's like, yo, come on, man, this

1081
01:13:55,080 --> 01:13:58,040
Speaker 1: is they need that paper, nigga, this is a big bag.

1082
01:14:00,240 --> 01:14:03,760
Speaker 1: What I'm saying. You don't throw something. Then they come

1083
01:14:03,880 --> 01:14:08,960
Speaker 1: push your hard land. Pay attention now, don't folk push

1084
01:14:08,960 --> 01:14:13,080
Speaker 1: your hard land? You see, and then dude, you end

1085
01:14:13,160 --> 01:14:15,759
Speaker 1: up in the back background. I ain't saying whether nobody

1086
01:14:15,880 --> 01:14:19,760
Speaker 1: gangster nothing. I'm telling you one number one, it was unnecessary.

1087
01:14:21,400 --> 01:14:23,960
Speaker 1: But when somebody say that to you, it's time to

1088
01:14:24,040 --> 01:14:26,439
Speaker 1: go platinum. But it's a reason I want you to

1089
01:14:26,520 --> 01:14:29,280
Speaker 1: go platinum. It's because, number one, I've been playing attention

1090
01:14:29,320 --> 01:14:31,760
Speaker 1: to your behavior and you act like you want to

1091
01:14:31,880 --> 01:14:36,080
Speaker 1: do it. You act like you want to do something

1092
01:14:36,160 --> 01:14:39,320
Speaker 1: like we out here fist bumping and this, that and

1093
01:14:39,360 --> 01:14:41,599
Speaker 1: the third you so if you want to do something

1094
01:14:41,960 --> 01:14:44,519
Speaker 1: like and then like, so, look, we're fin a fast

1095
01:14:44,560 --> 01:14:47,240
Speaker 1: track this homer, We finn a gonna get to the

1096
01:14:48,040 --> 01:14:50,920
Speaker 1: right now. But they push your hard land. I'm gonna

1097
01:14:50,960 --> 01:15:02,720
Speaker 1: run it back. They push your hard land? What all right?

1098
01:15:07,640 --> 01:15:18,439
Speaker 1: Why y'all through this shit? Y'all keep ya ya, y'all

1099
01:15:19,280 --> 01:15:23,000
Speaker 1: hay before we even get started. You ugly motherfucker's ain't

1100
01:15:23,000 --> 01:15:26,639
Speaker 1: finnippy mocking me while I'm a motherfucking stage like, strike

1101
01:15:26,720 --> 01:15:31,759
Speaker 1: the fuck up, nigga, But that ain't that ain't funny.

1102
01:15:31,800 --> 01:15:35,160
Speaker 1: But I'm just saying it's fast tracking it. Let's gonta

1103
01:15:35,160 --> 01:15:37,720
Speaker 1: get to it by nigga, because you trip it. You

1104
01:15:37,840 --> 01:15:40,000
Speaker 1: ain't for the bow guard. This is tell me what

1105
01:15:40,160 --> 01:15:42,720
Speaker 1: we cain't doing, y'all to sit. Whole time we were

1106
01:15:42,760 --> 01:15:45,360
Speaker 1: doing who running y'all was not you? Not you, y'all

1107
01:15:45,400 --> 01:15:48,240
Speaker 1: saying the most shit we do, some dashing. You're gonna

1108
01:15:48,280 --> 01:15:51,000
Speaker 1: tell her we can't do that? Main't fuck you, digga.

1109
01:15:51,080 --> 01:15:54,040
Speaker 1: Let's go platinum by that nigga because you acting like

1110
01:15:54,160 --> 01:15:56,599
Speaker 1: you want to do it, nigga. Let's gonta do it, nigga.

1111
01:15:57,200 --> 01:15:59,679
Speaker 1: Let's gonna do it. Ye know what I mean, because

1112
01:15:59,720 --> 01:16:01,599
Speaker 1: that's that's the vibe I got all the door if

1113
01:16:01,640 --> 01:16:08,080
Speaker 1: I'm wrong, but let's watch it now. Juicy was feel

1114
01:16:08,120 --> 01:16:13,840
Speaker 1: to go back to performing. He cocked him back. You

1115
01:16:13,960 --> 01:16:21,800
Speaker 1: see Paul Paul come on the he coming you hear

1116
01:16:21,840 --> 01:16:24,920
Speaker 1: Gainster Bull in the back. You'll hater now looking busy.

1117
01:16:25,920 --> 01:16:31,439
Speaker 1: You popped it off. The picture picture this picture popping

1118
01:16:31,520 --> 01:16:37,920
Speaker 1: in the off. Now picture popping it off, and then

1119
01:16:38,680 --> 01:16:43,280
Speaker 1: you feel, nah, man, you popped it off. You went

1120
01:16:43,360 --> 01:16:45,280
Speaker 1: ahead and popped it off. Bro, you gotta go on

1121
01:16:45,400 --> 01:16:53,000
Speaker 1: all the way now. Unfortunately, look then when it watch

1122
01:16:53,120 --> 01:16:55,599
Speaker 1: home with the hat, Home with the hat, Come push

1123
01:16:55,640 --> 01:16:58,719
Speaker 1: your hard land Home with the hat, pushing the hard

1124
01:16:58,880 --> 01:17:02,160
Speaker 1: land wash home with thet come through the look home.

1125
01:17:02,280 --> 01:17:05,160
Speaker 1: Look at him here, watch him swain. Yeah, he tried

1126
01:17:05,200 --> 01:17:07,280
Speaker 1: to get him one yes, Lord, then look at it.

1127
01:17:07,439 --> 01:17:11,160
Speaker 1: Then look then look at that. Now look at that?

1128
01:17:11,880 --> 01:17:19,840
Speaker 1: That was it worth over aggressive behavior? Over aggressive about

1129
01:17:20,000 --> 01:17:25,599
Speaker 1: what home? And then then look, dude, push the super

1130
01:17:25,680 --> 01:17:29,760
Speaker 1: hard line man. But again, didn't even do anything right.

1131
01:17:29,920 --> 01:17:32,599
Speaker 1: When we push up in y'all circle like it, it's

1132
01:17:32,640 --> 01:17:35,679
Speaker 1: posted to be some rattling going on. Dude though, dude,

1133
01:17:35,800 --> 01:17:38,240
Speaker 1: one dude that kind of got through the Of course,

1134
01:17:38,280 --> 01:17:40,160
Speaker 1: he don't want to start knocking y'all a loud, but

1135
01:17:40,280 --> 01:17:43,320
Speaker 1: if y'all posted grabbed him, he meets he over here.

1136
01:17:43,360 --> 01:17:47,320
Speaker 1: He fooled you feel because it's popped off home and

1137
01:17:47,439 --> 01:17:50,519
Speaker 1: him popped it off. It's uh, it's on, you know

1138
01:17:50,560 --> 01:17:53,400
Speaker 1: what I'm saying, I'm greatful that they didn't do that,

1139
01:17:53,560 --> 01:17:56,720
Speaker 1: because again they would eject the check off. Let's move

1140
01:17:56,800 --> 01:17:59,439
Speaker 1: forward from the fight and look at if that was

1141
01:17:59,600 --> 01:18:02,839
Speaker 1: if the event wasn't from us, from that from our culture,

1142
01:18:02,960 --> 01:18:07,040
Speaker 1: they would have entered that event right there. It's too

1143
01:18:07,160 --> 01:18:09,639
Speaker 1: much money at risk, men, too many people, that's there,

1144
01:18:09,800 --> 01:18:13,599
Speaker 1: Wayne there, you know, Terrence how would and this person

1145
01:18:13,680 --> 01:18:16,400
Speaker 1: and little John and then it's too many people there. Man,

1146
01:18:16,479 --> 01:18:19,439
Speaker 1: they can't stop this event. It's ad you gotta give

1147
01:18:19,479 --> 01:18:24,320
Speaker 1: tickets back, no, sir. But had they been not from

1148
01:18:24,360 --> 01:18:27,439
Speaker 1: my culture, that event would have probably been because they

1149
01:18:27,479 --> 01:18:29,719
Speaker 1: don't know how to handle us. They don't know. Sometimes

1150
01:18:29,760 --> 01:18:32,400
Speaker 1: it get like then we gotta a man, come on,

1151
01:18:32,520 --> 01:18:34,479
Speaker 1: gone back out that dude. But again it was just

1152
01:18:34,600 --> 01:18:37,400
Speaker 1: a combination of things. Do you you came out here,

1153
01:18:37,400 --> 01:18:40,879
Speaker 1: you didn't show no love again, paying attention to your behavior.

1154
01:18:41,080 --> 01:18:43,479
Speaker 1: I don't care what dude, and them saying, we're worrying

1155
01:18:43,479 --> 01:18:46,360
Speaker 1: about your behavior. You acting like you want to do something,

1156
01:18:46,439 --> 01:18:49,880
Speaker 1: You acting a little strange, you know what I'm saying,

1157
01:18:49,920 --> 01:18:51,800
Speaker 1: and so we don't know you know what I'm saying.

1158
01:18:51,840 --> 01:18:54,160
Speaker 1: And then when you try to come out and dictate

1159
01:18:54,280 --> 01:18:57,320
Speaker 1: what we feel to say, and y'all been screaming and hollying. Men,

1160
01:18:57,439 --> 01:19:00,560
Speaker 1: this ain't gonna happen. So we're gonna ass track it,

1161
01:19:00,720 --> 01:19:02,360
Speaker 1: take it out a way where it's gonna go and

1162
01:19:02,439 --> 01:19:05,120
Speaker 1: see if you because if you was really ready to go,

1163
01:19:05,720 --> 01:19:09,080
Speaker 1: you would have went, and you had a dude over

1164
01:19:09,240 --> 01:19:12,760
Speaker 1: and you would have you was gone. Respectfully though you

1165
01:19:12,840 --> 01:19:15,320
Speaker 1: shouldn't want to go. Let me be clear with that too,

1166
01:19:15,400 --> 01:19:19,800
Speaker 1: because again, we don't promote violence, we promote understanding. I

1167
01:19:19,960 --> 01:19:23,400
Speaker 1: think the fake tough thing is unnecessary and I preach

1168
01:19:23,479 --> 01:19:27,040
Speaker 1: against that, right. I preach against all that mug and

1169
01:19:27,520 --> 01:19:30,040
Speaker 1: acting like you. You know, you want to start something,

1170
01:19:30,160 --> 01:19:32,599
Speaker 1: then somebody do something to you. Now you're a victim.

1171
01:19:33,160 --> 01:19:37,240
Speaker 1: Now everybody wrong. I disagree with that. You understand what

1172
01:19:37,360 --> 01:19:40,000
Speaker 1: I'm saying. I look at it like, yo, if you

1173
01:19:40,439 --> 01:19:43,120
Speaker 1: is if you acting tough when it comes your way,

1174
01:19:43,200 --> 01:19:49,759
Speaker 1: you tough right, you tough right. It ain't no in between.

1175
01:19:49,840 --> 01:19:52,240
Speaker 1: It's why I teach my children or people that listen

1176
01:19:52,320 --> 01:19:55,639
Speaker 1: to me, Yo, listen, that fake tough shit is out

1177
01:19:55,680 --> 01:20:00,200
Speaker 1: to wonder. Everybody doing that dumb and stupid. Man. We're

1178
01:20:00,280 --> 01:20:04,360
Speaker 1: not doing that fake tough shit. That's dumb because you're

1179
01:20:04,400 --> 01:20:08,760
Speaker 1: inviting that you're handling whatever. Now you know what I'm saying.

1180
01:20:08,840 --> 01:20:12,280
Speaker 1: But I'm saying though, right, especially when it's a hundred kate,

1181
01:20:12,800 --> 01:20:14,960
Speaker 1: you know you're getting ten times your feet whatever that

1182
01:20:15,120 --> 01:20:17,400
Speaker 1: might be. You got all this money. Man, we out

1183
01:20:17,439 --> 01:20:19,920
Speaker 1: here having a good time. Man, twenty year they didn't

1184
01:20:19,920 --> 01:20:21,720
Speaker 1: found out what to do with the ship we had

1185
01:20:21,760 --> 01:20:25,000
Speaker 1: in the garage. Man, they don't found something to do

1186
01:20:25,120 --> 01:20:27,920
Speaker 1: with the shit we had in the garage. Man, they

1187
01:20:28,000 --> 01:20:30,240
Speaker 1: got us ten times what we'd be making. Man, we

1188
01:20:30,400 --> 01:20:33,160
Speaker 1: hap out here. We're talking loud though, because we're playing.

1189
01:20:33,439 --> 01:20:35,519
Speaker 1: It's a game. We're going You didn't know it is

1190
01:20:35,640 --> 01:20:37,840
Speaker 1: what it is. We understand the bidding it. But we

1191
01:20:37,960 --> 01:20:43,240
Speaker 1: ain't out here on no super duper Man. We ain't

1192
01:20:43,280 --> 01:20:46,280
Speaker 1: on that super grimlin shit out here, you know what

1193
01:20:46,320 --> 01:20:49,639
Speaker 1: I mean? We at diversity stage. Man, we're having a blast, man,

1194
01:20:51,000 --> 01:20:54,760
Speaker 1: you see. Um. But I do think if there was,

1195
01:20:55,120 --> 01:20:57,600
Speaker 1: you know, someone outside of our culture, they would have

1196
01:20:57,640 --> 01:21:00,920
Speaker 1: stopped that fuck I mean, stopped that event. And then

1197
01:21:01,160 --> 01:21:03,679
Speaker 1: it's a lesson in that, like it's always I remember

1198
01:21:03,720 --> 01:21:05,679
Speaker 1: back in the day when I was running through the city.

1199
01:21:06,439 --> 01:21:10,479
Speaker 1: Oh and again it's so weird in the hood. Why

1200
01:21:10,560 --> 01:21:13,400
Speaker 1: people think they gain your favor. Like, you know, I

1201
01:21:13,520 --> 01:21:17,519
Speaker 1: had some people that we was in the club one time,

1202
01:21:17,600 --> 01:21:20,320
Speaker 1: and you know, this is an unnecessary situation, but we

1203
01:21:20,439 --> 01:21:22,280
Speaker 1: was in the club one time and seeing the guy

1204
01:21:22,960 --> 01:21:26,479
Speaker 1: that people perceived that I had some sort of issue with,

1205
01:21:26,800 --> 01:21:28,760
Speaker 1: you know what I mean. So the people with me,

1206
01:21:29,520 --> 01:21:31,280
Speaker 1: you know, as we walked through the club, you know,

1207
01:21:31,479 --> 01:21:33,360
Speaker 1: I want to let them know why I'm here, right,

1208
01:21:33,479 --> 01:21:37,000
Speaker 1: So my first thing is, let's walk past them. We

1209
01:21:37,040 --> 01:21:40,240
Speaker 1: ain't doing them, but let's because again we're fast tracking this.

1210
01:21:41,200 --> 01:21:43,160
Speaker 1: We ain't gonna let niggas get bought us in their

1211
01:21:43,200 --> 01:21:46,760
Speaker 1: hands and all listen, didn't that go down? They in here,

1212
01:21:47,000 --> 01:21:49,559
Speaker 1: Let's see what they vibe. But let's go where they at,

1213
01:21:50,000 --> 01:21:52,160
Speaker 1: you know, So we head over that the way they at.

1214
01:21:53,240 --> 01:21:56,680
Speaker 1: Everything cool, which as now that I look back at

1215
01:21:56,680 --> 01:21:58,759
Speaker 1: it as a grown man, of course it's cool because

1216
01:21:58,800 --> 01:22:02,040
Speaker 1: we all us you know, it wasn't no real It

1217
01:22:02,240 --> 01:22:05,720
Speaker 1: wasn't real, man. But as we walked past him, right,

1218
01:22:05,800 --> 01:22:09,040
Speaker 1: we get over to the other side and a nigga

1219
01:22:09,080 --> 01:22:12,240
Speaker 1: whipped me told me, hey, man, I think sud and

1220
01:22:12,280 --> 01:22:14,880
Speaker 1: such said such, and Sudon I said, say what, I

1221
01:22:15,000 --> 01:22:17,439
Speaker 1: don't ran over, you know, and now I'm in the

1222
01:22:17,640 --> 01:22:20,120
Speaker 1: area other niggas, and I'm just I'm on. So now

1223
01:22:20,160 --> 01:22:23,439
Speaker 1: I'm I'm trying to make it go off. I'm you know,

1224
01:22:23,680 --> 01:22:26,760
Speaker 1: saying shit, throwing up shit, just doing shit. I'm in

1225
01:22:26,880 --> 01:22:30,400
Speaker 1: the area they looking like and I'm really in the area.

1226
01:22:30,520 --> 01:22:33,839
Speaker 1: Like baptism. Back in them days, you bumped and pushed

1227
01:22:33,960 --> 01:22:37,080
Speaker 1: and shit niggas. You got close to niggas. So I'm

1228
01:22:37,120 --> 01:22:40,240
Speaker 1: in the area and next thing, you know, the dude

1229
01:22:40,320 --> 01:22:45,600
Speaker 1: that told me that just watch him. I had a

1230
01:22:45,680 --> 01:22:53,120
Speaker 1: taint on myself as I looked back. Damn, he played me.

1231
01:22:55,439 --> 01:22:58,479
Speaker 1: He popped it off or attempted to pop something off

1232
01:22:59,240 --> 01:23:04,519
Speaker 1: that he wasn't gonna pop in for the situation. Yeah,

1233
01:23:04,600 --> 01:23:06,720
Speaker 1: he wasn't gonna do nothing to help the man. And

1234
01:23:06,800 --> 01:23:08,680
Speaker 1: folk could have beat me. Had to day with that

1235
01:23:08,920 --> 01:23:12,000
Speaker 1: at him, The folk could have beat me. Had to dell.

1236
01:23:12,200 --> 01:23:16,640
Speaker 1: He wasn't gonna do nothing. But I allow him to

1237
01:23:16,840 --> 01:23:20,040
Speaker 1: send me over there. That's where you see these adults

1238
01:23:20,160 --> 01:23:24,519
Speaker 1: on stage because some of these dudes are like, yo,

1239
01:23:24,640 --> 01:23:27,680
Speaker 1: I can't let him let me that was that, that

1240
01:23:27,880 --> 01:23:32,800
Speaker 1: was too much. We're tripping. But dude from juicing him side.

1241
01:23:32,880 --> 01:23:35,120
Speaker 1: He ready to go, He ready to push your hard line.

1242
01:23:36,240 --> 01:23:38,479
Speaker 1: He got he got him well over in the back.

1243
01:23:38,600 --> 01:23:41,960
Speaker 1: Look all the bone over there, one two three, looking

1244
01:23:42,000 --> 01:23:46,880
Speaker 1: on the screen, one two three, four where it's one

1245
01:23:47,000 --> 01:23:55,120
Speaker 1: more I think five. But you're gonna see Steve, he

1246
01:23:55,280 --> 01:23:58,880
Speaker 1: gonna come up well respected in the industry. He gonna

1247
01:23:58,920 --> 01:24:02,200
Speaker 1: come up and break it off. I guarantee he orchestrated that.

1248
01:24:02,439 --> 01:24:06,000
Speaker 1: That event continued to go to and um and probably

1249
01:24:06,040 --> 01:24:08,680
Speaker 1: got busy to come back out. He's just unfortunate, bro,

1250
01:24:09,560 --> 01:24:11,720
Speaker 1: you know. And then people went to asking me, right,

1251
01:24:12,520 --> 01:24:20,360
Speaker 1: let's see what happened just right right after this. Yeah,

1252
01:24:20,400 --> 01:24:28,200
Speaker 1: they pushing the hard line. Pushing the hard line. Boy. Look, Steve,

1253
01:24:28,280 --> 01:24:32,000
Speaker 1: they pushing the hard line. Though he bit hit, don't

1254
01:24:32,040 --> 01:24:35,519
Speaker 1: make us, don't make us do this, you know, made

1255
01:24:35,600 --> 01:24:38,280
Speaker 1: us do this. We wasn't even trying to do. But

1256
01:24:38,400 --> 01:24:47,000
Speaker 1: once you do that, it's all. Let's get it, y'all.

1257
01:24:47,040 --> 01:24:57,960
Speaker 1: Come here without he can't take us pills. Boom bay, y'all.

1258
01:24:58,000 --> 01:25:01,960
Speaker 1: He fucked up the show. That's what they got out

1259
01:25:02,000 --> 01:25:11,599
Speaker 1: of the gun. Get this together. See they hit the mics,

1260
01:25:11,720 --> 01:25:14,040
Speaker 1: they were saying those things. You gotta still remember it.

1261
01:25:14,160 --> 01:25:18,599
Speaker 1: Sponsors on board. It's big business. You can't be saying,

1262
01:25:18,680 --> 01:25:21,560
Speaker 1: oh that I despair. It ain't doing no better for

1263
01:25:21,680 --> 01:25:25,840
Speaker 1: the situation. Really, this set of mental health is real

1264
01:25:25,960 --> 01:25:28,519
Speaker 1: out there, you know, and this you can't just be

1265
01:25:28,680 --> 01:25:32,519
Speaker 1: doing that either. Now. I know they think it's over,

1266
01:25:32,600 --> 01:25:35,120
Speaker 1: because again that's where we at. We know once we

1267
01:25:35,320 --> 01:25:37,880
Speaker 1: once it's up, is up. We don't win platinum. There

1268
01:25:37,960 --> 01:25:40,040
Speaker 1: ain't no way they're gonna try to fix this. But

1269
01:25:40,200 --> 01:25:43,200
Speaker 1: this is us dealing with us. This is the two

1270
01:25:43,680 --> 01:25:45,800
Speaker 1: nephews in there that when he got into it and

1271
01:25:45,880 --> 01:25:47,599
Speaker 1: not them, brought him back in there and made him

1272
01:25:47,680 --> 01:25:51,400
Speaker 1: hood and eat dinner. This is mama putting the shirt

1273
01:25:51,560 --> 01:25:55,400
Speaker 1: one shirt on two sons. This us dealing with us,

1274
01:25:56,560 --> 01:25:58,800
Speaker 1: you know. But can't nobody deal with us the way

1275
01:25:58,880 --> 01:26:01,080
Speaker 1: we deal with us. That's I switched them. Got the

1276
01:26:01,200 --> 01:26:04,560
Speaker 1: right people in place. I guarantee Steve was important in

1277
01:26:04,680 --> 01:26:09,320
Speaker 1: that we ain't ending this. Number one bone them was

1278
01:26:09,400 --> 01:26:11,879
Speaker 1: in the in the industry when them deals was terrible.

1279
01:26:12,280 --> 01:26:15,320
Speaker 1: That's point one. Number two dollars. If you're getting ten

1280
01:26:15,400 --> 01:26:18,639
Speaker 1: times you're rate tonight and being celebrated what we're doing,

1281
01:26:19,280 --> 01:26:22,400
Speaker 1: we're not jacking this off. Y'all can forget that. I'll

1282
01:26:22,479 --> 01:26:24,479
Speaker 1: fall out with these dudes. Man, I was in it

1283
01:26:24,560 --> 01:26:27,640
Speaker 1: when one no money in it? Shit, Man, Listen, man,

1284
01:26:27,720 --> 01:26:30,400
Speaker 1: I'm old, Man, I fall out with the bone. Dudes.

1285
01:26:30,479 --> 01:26:33,080
Speaker 1: If I'm bone, I ain't gonna man, I'll do all

1286
01:26:33,160 --> 01:26:36,920
Speaker 1: these on myself. What they're giving me. Yeah, man, because

1287
01:26:36,960 --> 01:26:39,320
Speaker 1: the ain't no ain't no man. We man. Listen, man,

1288
01:26:39,880 --> 01:26:42,840
Speaker 1: you feel man, We're still cool in their thing. But listen,

1289
01:26:42,960 --> 01:26:45,920
Speaker 1: this is paper. We're talking back, man, And clearly they

1290
01:26:46,040 --> 01:26:49,479
Speaker 1: in situations where the money seemed like it's super cool.

1291
01:26:50,920 --> 01:26:53,400
Speaker 1: The money seems super cool, you know what I mean?

1292
01:26:53,560 --> 01:26:56,760
Speaker 1: So um again, don't fuck the check up. Let's see

1293
01:26:56,800 --> 01:27:15,519
Speaker 1: what happened. They hit their mics. Well at this point

1294
01:27:15,960 --> 01:27:17,840
Speaker 1: you can hear them on the bigs in the in

1295
01:27:17,920 --> 01:27:21,240
Speaker 1: the actual stadium or wherever they at, but they mix

1296
01:27:21,360 --> 01:27:59,640
Speaker 1: is cut on. I think they're saying, don't stop. But

1297
01:27:59,760 --> 01:28:02,160
Speaker 1: though you're just watching, the crowd is just in awe

1298
01:28:02,560 --> 01:28:10,479
Speaker 1: that that's just happened. Ain't no way you thought you

1299
01:28:10,520 --> 01:28:12,799
Speaker 1: were gonna throw that, and what you thought you couldn't

1300
01:28:12,800 --> 01:28:14,479
Speaker 1: have thought you were gonna throw that, and that was

1301
01:28:14,600 --> 01:28:18,000
Speaker 1: just gonna be that on that. I know, dudes ain't

1302
01:28:18,040 --> 01:28:20,280
Speaker 1: thinking they're throwing something that's that on that, so I

1303
01:28:20,680 --> 01:28:23,680
Speaker 1: man again, I think that in my joy men, you

1304
01:28:23,880 --> 01:28:27,519
Speaker 1: popped it off. That's how you pop it off. Whin

1305
01:28:27,520 --> 01:28:29,840
Speaker 1: I'm from. I don't know whether anybody else from Whin

1306
01:28:29,840 --> 01:28:34,240
Speaker 1: I'm frog. That's how you pop it off. Throw something

1307
01:28:34,320 --> 01:28:52,040
Speaker 1: at meat well, bam, event over, y'all, it's over. It's over, Philips,

1308
01:28:52,240 --> 01:28:54,200
Speaker 1: bring you a night of heavyweight. So at that point

1309
01:28:54,280 --> 01:28:57,400
Speaker 1: they went on, they went to break again. I think

1310
01:28:57,720 --> 01:29:00,879
Speaker 1: some very hard conversations were in the back right now happening.

1311
01:29:01,400 --> 01:29:03,960
Speaker 1: Um as this was on the screen. If you're looking

1312
01:29:04,000 --> 01:29:07,240
Speaker 1: at this, is says due to technical difficulties of Versus,

1313
01:29:07,400 --> 01:29:10,600
Speaker 1: this event will return momentarily again. I think this is

1314
01:29:10,640 --> 01:29:12,880
Speaker 1: where they're in the backs and we're not shutting this down.

1315
01:29:13,240 --> 01:29:16,200
Speaker 1: It's too much going on. Y'all figure that out, you

1316
01:29:16,280 --> 01:29:17,920
Speaker 1: know what I mean. If business has to leave, get

1317
01:29:18,000 --> 01:29:20,439
Speaker 1: him out of here. Y'all have finished the show, um,

1318
01:29:20,520 --> 01:29:23,360
Speaker 1: and we'll make sure you guys are paid. Outside of that,

1319
01:29:23,520 --> 01:29:26,680
Speaker 1: we're not getting this. This show is not stopping, you

1320
01:29:26,840 --> 01:29:31,320
Speaker 1: dig This show is not stopping all right, So they're

1321
01:29:31,360 --> 01:29:41,719
Speaker 1: back for those of you to watch it. The camera

1322
01:29:41,840 --> 01:29:45,320
Speaker 1: has just now turned back on Versus with three six

1323
01:29:45,479 --> 01:29:52,400
Speaker 1: Mafia and Bone thugs at home and hold on, hold on,

1324
01:29:52,479 --> 01:29:58,160
Speaker 1: We're still family. The shit do something. We still family.

1325
01:30:00,240 --> 01:30:04,080
Speaker 1: She she gotta stop saying that on the fold. Ye

1326
01:30:04,200 --> 01:30:12,080
Speaker 1: want to see the show. Let me say, DJ felly foul,

1327
01:30:13,240 --> 01:30:15,080
Speaker 1: we have been a good time and people pay money

1328
01:30:15,080 --> 01:30:24,160
Speaker 1: to see a legendary show. Here's DJ pauls micaphone. Hey, y'all,

1329
01:30:24,640 --> 01:30:27,559
Speaker 1: everybody get off our stage and let us and let

1330
01:30:27,680 --> 01:30:32,639
Speaker 1: us get y'all what y'all came to see, like I said,

1331
01:30:35,240 --> 01:30:37,479
Speaker 1: and then come back here to the stage at least

1332
01:30:37,520 --> 01:30:44,400
Speaker 1: you know everybody on the stage. Really, let's go. Let's

1333
01:30:44,479 --> 01:30:50,080
Speaker 1: keep this motherfucker going. Then let's go, y'all got he

1334
01:30:50,160 --> 01:30:52,040
Speaker 1: got to resume the show. Let's get it off. Come on,

1335
01:30:52,120 --> 01:30:58,000
Speaker 1: let's go bag up, make a bag up. Let's go, y'all,

1336
01:30:58,040 --> 01:31:07,360
Speaker 1: let's clear the stage so we can do this. Hey, yo,

1337
01:31:07,920 --> 01:31:12,680
Speaker 1: Claris stage, everybody, Claris, everybody on our side, get the

1338
01:31:12,800 --> 01:31:15,840
Speaker 1: fuck off the stage. Right. We got ship to do,

1339
01:31:17,600 --> 01:31:24,960
Speaker 1: batter fact, that's my new name, ship to do. Hey, hey,

1340
01:31:28,760 --> 01:31:35,960
Speaker 1: right in the trump we love you guys, what my

1341
01:31:36,080 --> 01:31:53,080
Speaker 1: ladies in it. So they continue to do the show.

1342
01:31:54,400 --> 01:31:56,280
Speaker 1: They continue to do the show for those of you

1343
01:31:56,400 --> 01:31:59,080
Speaker 1: guys that don't know. I'm gonna go to exactly ten

1344
01:31:59,160 --> 01:32:02,240
Speaker 1: minutes and show you you the vibe or the crowd

1345
01:32:02,360 --> 01:32:06,840
Speaker 1: after that, or the vibe of bone after that, when

1346
01:32:06,960 --> 01:32:15,080
Speaker 1: Busy came back out of fine righteous puns and with

1347
01:32:15,240 --> 01:32:21,759
Speaker 1: the houses thousand dollars and thousands and thousands and thousands dollars.

1348
01:32:21,920 --> 01:32:25,599
Speaker 1: I got to get that paper, paper, paper, paper, paper, Yeah,

1349
01:32:26,320 --> 01:32:43,439
Speaker 1: hey baby, all right, business back on stage, d J Philly,

1350
01:32:46,840 --> 01:32:49,800
Speaker 1: it ain't. I want to apologize to everybody the fuck

1351
01:32:49,840 --> 01:32:56,719
Speaker 1: out here on both sides. I'm not trying to fuck

1352
01:32:56,800 --> 01:33:00,639
Speaker 1: this ship up. Pardon me. Let's keep the part motherfucking

1353
01:33:00,720 --> 01:33:08,479
Speaker 1: hole really okay, hold on, hold on, holdo. And we've

1354
01:33:08,520 --> 01:33:10,240
Speaker 1: been doing all these songs like what the ladies A

1355
01:33:11,120 --> 01:33:15,160
Speaker 1: I do? Forgot that back? Hold on all right, So

1356
01:33:15,240 --> 01:33:17,720
Speaker 1: I'm gonna go ten minutes in and let you see

1357
01:33:18,280 --> 01:33:37,240
Speaker 1: I don't right toes on the and this voice right

1358
01:33:37,360 --> 01:33:42,439
Speaker 1: here really don't. But again, man, just um, good battle,

1359
01:33:42,760 --> 01:33:45,519
Speaker 1: But again, man, just let that be a lesson on behavior,

1360
01:33:45,600 --> 01:33:49,559
Speaker 1: unnecessary toughness, things like that. UM. I'm sure that both

1361
01:33:49,800 --> 01:33:53,640
Speaker 1: both parties learned the valuable lesson at night, UM, and

1362
01:33:53,960 --> 01:33:56,160
Speaker 1: to learn from it, I gonna take a quick break

1363
01:33:56,200 --> 01:33:58,120
Speaker 1: and we'll be back. Okay, so we're back. I want

1364
01:33:58,120 --> 01:34:03,439
Speaker 1: to talk about Sweetie, little Baby and Quavo. UM reports

1365
01:34:03,520 --> 01:34:07,320
Speaker 1: came out Hollywood and Unlock broke the story that allegedly

1366
01:34:07,520 --> 01:34:10,960
Speaker 1: little Baby was UM in a store and spent the

1367
01:34:11,040 --> 01:34:14,320
Speaker 1: honey k on Sweetie at a channel you know, regulars.

1368
01:34:14,400 --> 01:34:16,680
Speaker 1: Shit for them for you know them guys, that's what

1369
01:34:16,800 --> 01:34:21,880
Speaker 1: they do, right. So the unique part was that he

1370
01:34:22,080 --> 01:34:28,160
Speaker 1: was with Sweetie. For those of you that are unaware, UM,

1371
01:34:28,280 --> 01:34:32,960
Speaker 1: Sweetie is Quavo's ex girlfriend. UM, just to lay some

1372
01:34:33,000 --> 01:34:37,840
Speaker 1: some framework down him and him and Sweetie UM had

1373
01:34:37,920 --> 01:34:45,640
Speaker 1: a very long loving relationship, very long loving relationship. At

1374
01:34:45,720 --> 01:34:49,160
Speaker 1: some point that relationship ended, UM and they were able

1375
01:34:49,880 --> 01:34:54,519
Speaker 1: unable to reconcile. UM. Bentley supposedly was took, There was

1376
01:34:54,640 --> 01:34:57,840
Speaker 1: tweets made, There was a lot of things going on. UM.

1377
01:34:58,160 --> 01:35:03,120
Speaker 1: Sweetie was seen U allegedly dealing with James hard and

1378
01:35:03,680 --> 01:35:06,719
Speaker 1: different things like that. Now that's fast tracking the process.

1379
01:35:07,680 --> 01:35:09,840
Speaker 1: And this is what I always tell people, Man, it's

1380
01:35:09,880 --> 01:35:14,840
Speaker 1: always hard for me to do the right thing in relationships.

1381
01:35:15,240 --> 01:35:17,840
Speaker 1: I ain't gonna say it's harder, but the way that

1382
01:35:17,920 --> 01:35:22,559
Speaker 1: our brains are wire. See, sometimes the woman can take

1383
01:35:22,680 --> 01:35:26,880
Speaker 1: things and view them different than the man because again

1384
01:35:26,960 --> 01:35:29,200
Speaker 1: with men just being in a in a situation way

1385
01:35:29,240 --> 01:35:33,320
Speaker 1: emotionally that a lot of times were unavailable. Um. Especially

1386
01:35:33,360 --> 01:35:35,760
Speaker 1: coming from this kind of background that I come from it.

1387
01:35:35,840 --> 01:35:39,240
Speaker 1: And it's simply because you know, it's always been heartache

1388
01:35:39,280 --> 01:35:42,000
Speaker 1: on the on the other side of expectations for people,

1389
01:35:42,840 --> 01:35:45,080
Speaker 1: you know, when you expect certain things. And I've been

1390
01:35:45,120 --> 01:35:49,280
Speaker 1: around useless women. I say that respectfully, right, I've been

1391
01:35:49,320 --> 01:35:51,160
Speaker 1: around women that couldn't help you get out of a

1392
01:35:51,240 --> 01:35:54,680
Speaker 1: paper set. I've been around women that couldn't and that

1393
01:35:54,920 --> 01:35:59,479
Speaker 1: that that lends itself as well to um, you start

1394
01:35:59,600 --> 01:36:05,640
Speaker 1: to lose faith right in regards to what could be.

1395
01:36:05,800 --> 01:36:08,960
Speaker 1: I've also been around some good women. So you got

1396
01:36:09,000 --> 01:36:11,439
Speaker 1: yourself in a situation and where I have enough intel

1397
01:36:11,520 --> 01:36:16,840
Speaker 1: to kind of cheery peek through. Now, couple that situation

1398
01:36:19,880 --> 01:36:22,880
Speaker 1: without the age. Let's take the age out of it.

1399
01:36:23,000 --> 01:36:25,240
Speaker 1: A couple that situation and put it on top of

1400
01:36:26,560 --> 01:36:28,160
Speaker 1: and I want to kind of take it off them

1401
01:36:28,520 --> 01:36:33,360
Speaker 1: and speak about just women because I've been involved with

1402
01:36:33,479 --> 01:36:36,360
Speaker 1: like you know, women try to make you mad or

1403
01:36:36,439 --> 01:36:38,439
Speaker 1: try to get up under your skin for certain things.

1404
01:36:38,520 --> 01:36:42,080
Speaker 1: They think you care about certain things. So they tend

1405
01:36:42,160 --> 01:36:45,240
Speaker 1: to want to. They tend to want to, uh, you know,

1406
01:36:45,400 --> 01:36:48,040
Speaker 1: poke the bed poke at you. Right. I'm not sure

1407
01:36:48,320 --> 01:36:50,200
Speaker 1: if that's the case right here, But what I am

1408
01:36:50,320 --> 01:36:55,760
Speaker 1: sure of is Quavo love Sweete. You know, it wasn't

1409
01:36:55,800 --> 01:36:59,040
Speaker 1: a fleeing relationship. In my opinion. It looked like a

1410
01:36:59,200 --> 01:37:01,640
Speaker 1: real relationship ship, right And for me, I judge what

1411
01:37:01,760 --> 01:37:05,599
Speaker 1: you do when the relationship is on the WIT's end. Yeah,

1412
01:37:05,640 --> 01:37:09,679
Speaker 1: when the relationship badly holding on, when it's term more happening.

1413
01:37:09,800 --> 01:37:11,880
Speaker 1: I don't judge what you do when I'm coming home

1414
01:37:12,280 --> 01:37:14,880
Speaker 1: every two three months with a couple hundred wrecks and

1415
01:37:15,000 --> 01:37:19,519
Speaker 1: everything going good. Every time you talk. My time is limited.

1416
01:37:19,600 --> 01:37:23,000
Speaker 1: So it's babe, I love you. Make sure, Babe, I

1417
01:37:23,160 --> 01:37:25,040
Speaker 1: love you. I sent you this, this, that, and the third.

1418
01:37:26,040 --> 01:37:28,840
Speaker 1: Everything's on the upside. I judge you about when things

1419
01:37:28,920 --> 01:37:32,920
Speaker 1: go on the downside. And see and see, this is

1420
01:37:32,960 --> 01:37:35,839
Speaker 1: what I mean when I be saying yo, in my opinion,

1421
01:37:35,880 --> 01:37:39,040
Speaker 1: and I'm willing to have a conversation with women, any woman,

1422
01:37:39,200 --> 01:37:42,680
Speaker 1: a lot of you know if you disagree with that,

1423
01:37:42,800 --> 01:37:45,240
Speaker 1: But I really believe that it's harder for me to

1424
01:37:45,360 --> 01:37:49,680
Speaker 1: do the right thing because the damages that's attached to

1425
01:37:49,920 --> 01:37:53,400
Speaker 1: us being hurt. Oh, it take us a whole not

1426
01:37:53,560 --> 01:37:57,200
Speaker 1: a type of strength to get up. You know, it

1427
01:37:57,320 --> 01:37:59,880
Speaker 1: seems like the way God or the universe is why

1428
01:38:00,280 --> 01:38:06,320
Speaker 1: the women um thankful to us men that make, you know,

1429
01:38:06,479 --> 01:38:10,280
Speaker 1: mistakes and things like that, they're able to not not

1430
01:38:10,520 --> 01:38:13,400
Speaker 1: take us back but love the knicks man a love again.

1431
01:38:14,439 --> 01:38:16,560
Speaker 1: You know, if a man continues to do that, you

1432
01:38:16,840 --> 01:38:19,320
Speaker 1: look at a uh you you're looking at a bacheltting

1433
01:38:19,320 --> 01:38:23,360
Speaker 1: them making right. So when when when I when I

1434
01:38:23,439 --> 01:38:25,320
Speaker 1: say it's harder for me to do the right thing,

1435
01:38:25,479 --> 01:38:27,479
Speaker 1: I really really stand by it. And so when you

1436
01:38:27,600 --> 01:38:29,800
Speaker 1: when you you gotta remember, you gotta I want to

1437
01:38:29,840 --> 01:38:32,400
Speaker 1: take a snapshot. You gotta remember when we saw Quevo,

1438
01:38:32,520 --> 01:38:36,080
Speaker 1: we saw Sweetie, We saw him getting up, bendlets icing

1439
01:38:36,120 --> 01:38:38,840
Speaker 1: her down, you know, her holding him down. But you

1440
01:38:38,960 --> 01:38:43,240
Speaker 1: gotta remember he was on file, he was on fire.

1441
01:38:45,280 --> 01:38:50,640
Speaker 1: And so what you are and what you prepare for

1442
01:38:50,880 --> 01:38:53,720
Speaker 1: two different things. Right, So you can be in love

1443
01:38:53,800 --> 01:38:56,920
Speaker 1: and not prepare for love. And when I look at

1444
01:38:57,280 --> 01:39:02,200
Speaker 1: Quevo and Sweetie, I know for one thousand percent should

1445
01:39:02,240 --> 01:39:06,920
Speaker 1: it Quavo helped Sweetie. Then when you Toxica and I say,

1446
01:39:07,000 --> 01:39:10,439
Speaker 1: Quavo helped Sweetie. You just felt like I said, made Sweetie.

1447
01:39:10,479 --> 01:39:16,080
Speaker 1: But that's internal one hunderent Quavo helped Sweetie. You gotta

1448
01:39:16,120 --> 01:39:18,599
Speaker 1: look at the stop power. You gotta look at the ingredients.

1449
01:39:18,640 --> 01:39:21,599
Speaker 1: You gotta look what it takes. I keep telling y'all,

1450
01:39:21,640 --> 01:39:23,719
Speaker 1: man in this game here, if you don't get tagged,

1451
01:39:23,760 --> 01:39:26,560
Speaker 1: then boy, you're gonna be sweating, working hard, and have

1452
01:39:26,840 --> 01:39:28,760
Speaker 1: gray hairs by the time you get in the game.

1453
01:39:30,720 --> 01:39:33,360
Speaker 1: When I look at even look at somebody like Rick Ross.

1454
01:39:34,400 --> 01:39:36,840
Speaker 1: Rick Ross was in the game ten years before he

1455
01:39:36,920 --> 01:39:39,960
Speaker 1: got a shot. And that's being around dudes. Trick Dad

1456
01:39:40,160 --> 01:39:43,600
Speaker 1: is in trainers and Dad in that inner circle. Imagine

1457
01:39:43,680 --> 01:39:46,439
Speaker 1: him outside of that inner circle and then got to

1458
01:39:46,479 --> 01:39:49,320
Speaker 1: work his way into somebody's circle then up the left.

1459
01:39:49,520 --> 01:39:53,240
Speaker 1: It's just it's a lot going on. So Quavo see it.

1460
01:39:53,240 --> 01:39:55,960
Speaker 1: And then it's another thing. You gotta understand what the

1461
01:39:56,040 --> 01:39:59,040
Speaker 1: woman put the man on. If the woman is the

1462
01:39:59,120 --> 01:40:03,760
Speaker 1: hottest rapper the world, would she treat me like Safari

1463
01:40:04,240 --> 01:40:12,559
Speaker 1: or Sweetie? Right with the hottest rapper woman in the world,

1464
01:40:12,760 --> 01:40:17,360
Speaker 1: make me play the back? Why she kiss nas? Why

1465
01:40:17,439 --> 01:40:20,240
Speaker 1: the hottest male rapper in the world wrap his arm

1466
01:40:20,320 --> 01:40:22,559
Speaker 1: around me and kiss me in front of everybody while

1467
01:40:22,600 --> 01:40:25,679
Speaker 1: he selling multi millions of records. And I'm only speaking

1468
01:40:25,720 --> 01:40:31,280
Speaker 1: about optics and and the handoff. Yeah, these are handoffs.

1469
01:40:31,320 --> 01:40:33,920
Speaker 1: You're looking at when you see a quave vote standing

1470
01:40:34,000 --> 01:40:36,599
Speaker 1: next to a woman, when you see Joe and seeing,

1471
01:40:36,800 --> 01:40:39,360
Speaker 1: or when you see you know, some of these relationships

1472
01:40:39,400 --> 01:40:45,080
Speaker 1: are handdogs. Don't be mistaken. Right now, the women rightless

1473
01:40:45,120 --> 01:40:49,640
Speaker 1: soul hustle their way into a different stratusphere. But hey man,

1474
01:40:49,760 --> 01:40:54,679
Speaker 1: we can't ignore the fact of the situation. So Sweetie

1475
01:40:54,680 --> 01:40:58,720
Speaker 1: gets Quavo. They're in a situation of where they're in love. Right,

1476
01:40:59,360 --> 01:41:02,559
Speaker 1: all this stuff happens. I heard about a Bentley being tooking,

1477
01:41:02,640 --> 01:41:05,280
Speaker 1: not sure if that was the truth. I heard about

1478
01:41:05,320 --> 01:41:07,719
Speaker 1: a break up. I heard about a couple of things online,

1479
01:41:08,120 --> 01:41:10,080
Speaker 1: you know, and they went to tweeting at each other again.

1480
01:41:10,200 --> 01:41:13,439
Speaker 1: The emotions, I keep telling y'all, Then emotions gonna get

1481
01:41:13,479 --> 01:41:18,080
Speaker 1: you whooped every time. Yeah, yeah, when you're dealing with emotions,

1482
01:41:18,120 --> 01:41:22,559
Speaker 1: because it's gonna feel like the truth, but it ain't

1483
01:41:22,600 --> 01:41:25,800
Speaker 1: the truth because it ain't resolved, you know what I'm saying. Like,

1484
01:41:25,920 --> 01:41:28,080
Speaker 1: when you deal with your emotions, you feel right in

1485
01:41:28,160 --> 01:41:31,320
Speaker 1: what you're saying, but oftentimes you were saying without all

1486
01:41:31,360 --> 01:41:37,840
Speaker 1: the information, without everything even being done yet, so you're

1487
01:41:37,880 --> 01:41:40,479
Speaker 1: going based on what you're thinking. Then as a man,

1488
01:41:40,640 --> 01:41:44,599
Speaker 1: you heartbroken, like shout, are you acting like this? You're

1489
01:41:44,600 --> 01:41:47,559
Speaker 1: acting like this on me? Like this is what you're doing.

1490
01:41:47,640 --> 01:41:50,280
Speaker 1: But see how I've been through that, So I know, right,

1491
01:41:50,400 --> 01:41:52,160
Speaker 1: I ain't see that one. I'm trying to tell you.

1492
01:41:52,520 --> 01:41:58,160
Speaker 1: I don't seem the butterfly, the calpillar turn into the butterfly. Yeah,

1493
01:41:58,200 --> 01:42:01,160
Speaker 1: I don't seem the caterpillar turn into the butterfly. So

1494
01:42:01,320 --> 01:42:03,479
Speaker 1: I know, I know what this is like in regards

1495
01:42:03,560 --> 01:42:07,240
Speaker 1: to me. I helped cocoon that I was the one

1496
01:42:07,320 --> 01:42:10,000
Speaker 1: that and then when you turn into a butterfly, you

1497
01:42:10,120 --> 01:42:16,960
Speaker 1: fly away, and it's like yo, right now, as a player,

1498
01:42:17,200 --> 01:42:22,120
Speaker 1: I gotta keep it all way player, So I don't react. Okay, cool,

1499
01:42:22,640 --> 01:42:26,519
Speaker 1: So you made me Okay, Okay, I see what we're saying.

1500
01:42:27,400 --> 01:42:29,320
Speaker 1: You know what I'm saying. So these kind of things

1501
01:42:29,400 --> 01:42:34,280
Speaker 1: are always in relationships, always present. It's always a situation

1502
01:42:34,400 --> 01:42:39,280
Speaker 1: where you never know see because people man change, bro,

1503
01:42:41,360 --> 01:42:45,400
Speaker 1: People man change, bro. And I'm gonna be honest with you.

1504
01:42:47,520 --> 01:42:49,439
Speaker 1: At a certain point, I can never deal with you.

1505
01:42:50,720 --> 01:42:52,840
Speaker 1: And I stand firm on that. Right. Once you do

1506
01:42:53,000 --> 01:42:56,880
Speaker 1: one little thing that up, it's over for you. Under

1507
01:42:57,040 --> 01:43:00,240
Speaker 1: any circumstance. They can call me saying YO out of

1508
01:43:00,360 --> 01:43:03,920
Speaker 1: dying over it says that on that I you know,

1509
01:43:04,000 --> 01:43:07,439
Speaker 1: I send prayers, but dollars sign ain't going through there.

1510
01:43:08,160 --> 01:43:10,519
Speaker 1: And the reason dollars sign ain't going through that's because

1511
01:43:10,560 --> 01:43:13,160
Speaker 1: I gave you a real chance at this thing. Right

1512
01:43:13,280 --> 01:43:15,720
Speaker 1: in my opinion, I gave you everything you asked for.

1513
01:43:16,960 --> 01:43:21,519
Speaker 1: I gave you access to my heart, my money, my insight.

1514
01:43:22,800 --> 01:43:26,920
Speaker 1: I let you see the ingredients. I let you get

1515
01:43:27,000 --> 01:43:29,080
Speaker 1: in the kitchen with me. I ain't I ain't lock

1516
01:43:29,160 --> 01:43:31,080
Speaker 1: you out there. I let you get all way in

1517
01:43:31,320 --> 01:43:33,560
Speaker 1: with me. You got in here, and you played me.

1518
01:43:34,600 --> 01:43:37,120
Speaker 1: But you can't really never play me because I'm bawling.

1519
01:43:37,280 --> 01:43:40,320
Speaker 1: So you can't really never really play me. But you

1520
01:43:40,479 --> 01:43:42,840
Speaker 1: hurt me because I see the thing about me and

1521
01:43:42,880 --> 01:43:45,599
Speaker 1: is we think we're well vetted, we think we're small,

1522
01:43:46,479 --> 01:43:48,479
Speaker 1: so we think, oh, I see it going that way,

1523
01:43:48,520 --> 01:43:50,400
Speaker 1: I see her doing something like it. I'll see her

1524
01:43:50,479 --> 01:43:55,640
Speaker 1: doing that. But messing with them and this don't got

1525
01:43:55,760 --> 01:43:58,240
Speaker 1: nothing to do with it. See, that's why you don't

1526
01:43:58,320 --> 01:44:02,160
Speaker 1: never take it out on the man. You can't be

1527
01:44:02,320 --> 01:44:07,640
Speaker 1: mad at baby because baby lords ain't to you. That

1528
01:44:07,800 --> 01:44:11,080
Speaker 1: woman lord to the you, that woman post to have

1529
01:44:11,200 --> 01:44:14,680
Speaker 1: another respect for the five years I gave you, the

1530
01:44:15,000 --> 01:44:18,880
Speaker 1: umpteenth ump teenth about the game I gave you, and

1531
01:44:19,040 --> 01:44:21,880
Speaker 1: hire them put you in position of yo, son, yo,

1532
01:44:22,040 --> 01:44:26,479
Speaker 1: come on weed what And the whole time I was

1533
01:44:26,600 --> 01:44:28,720
Speaker 1: doing it, I stayed low. You know they want to

1534
01:44:28,800 --> 01:44:31,880
Speaker 1: chew on my bubba gun. You know they want to

1535
01:44:31,960 --> 01:44:33,840
Speaker 1: chew on my bubba gun. But I try to stay

1536
01:44:33,920 --> 01:44:36,519
Speaker 1: low and try to remain faithful. I don't never really

1537
01:44:36,600 --> 01:44:39,120
Speaker 1: had you had gone through no whole bunch of none. Bro.

1538
01:44:39,280 --> 01:44:41,040
Speaker 1: We break up and then you went and sad with

1539
01:44:41,160 --> 01:44:44,720
Speaker 1: somebody that I could be considered to have an issue with.

1540
01:44:45,840 --> 01:44:48,800
Speaker 1: You didn't do number X yourself off me and I

1541
01:44:49,000 --> 01:44:52,000
Speaker 1: love you. Yeah, he don't love you and he may

1542
01:44:52,080 --> 01:44:54,519
Speaker 1: not never love you. He don't post to love you,

1543
01:44:54,800 --> 01:44:56,920
Speaker 1: let's be clear, because he don't know you like that,

1544
01:44:58,960 --> 01:45:01,960
Speaker 1: you see, But what you risk, That's what I always say. Women,

1545
01:45:02,040 --> 01:45:04,560
Speaker 1: they leave with their emotions because what you risk and

1546
01:45:04,680 --> 01:45:09,479
Speaker 1: what you gain, what you're risking your gain at that point.

1547
01:45:09,600 --> 01:45:11,840
Speaker 1: But what they'll do is they'll say, and it may

1548
01:45:11,920 --> 01:45:13,599
Speaker 1: be true. What they'll do is say, I don't care

1549
01:45:13,680 --> 01:45:16,320
Speaker 1: what I risked. I don't care about it anymore. You

1550
01:45:16,400 --> 01:45:19,400
Speaker 1: may be right, and that's that that tend to aid

1551
01:45:19,520 --> 01:45:23,080
Speaker 1: you in. But they may say, well, yo, this girl

1552
01:45:23,200 --> 01:45:25,280
Speaker 1: right here gonna continue to get people knocking that up

1553
01:45:25,320 --> 01:45:29,519
Speaker 1: though the big fish want a piece of But as

1554
01:45:29,560 --> 01:45:33,640
Speaker 1: the man that as the man that see you dance with,

1555
01:45:33,680 --> 01:45:36,760
Speaker 1: who brought you to the party, so as the man

1556
01:45:36,840 --> 01:45:39,519
Speaker 1: they brought you to the party, how you gonna be? You? Yo?

1557
01:45:39,640 --> 01:45:43,639
Speaker 1: You in the party dancing with everybody? Yo, they got

1558
01:45:43,720 --> 01:45:48,000
Speaker 1: you well over? I mean, what is going on? But

1559
01:45:48,120 --> 01:45:51,799
Speaker 1: again again, I just you know, I know it's hurtful.

1560
01:45:51,880 --> 01:45:54,120
Speaker 1: And as much as quevo quavo, you know you're trying

1561
01:45:54,160 --> 01:45:56,120
Speaker 1: to keep a player and keep it. It is what

1562
01:45:56,240 --> 01:45:59,560
Speaker 1: it is type vibration on. But yo, I blessed you

1563
01:45:59,760 --> 01:46:03,519
Speaker 1: in you. We wasn't just a random shouted you. You're

1564
01:46:03,520 --> 01:46:07,880
Speaker 1: acting like a random shouting like you wasn't just a

1565
01:46:08,000 --> 01:46:13,240
Speaker 1: random home girl. You ain't. Oh so you ain't. You

1566
01:46:13,280 --> 01:46:17,000
Speaker 1: can't pick up what I put down. I would treating

1567
01:46:17,040 --> 01:46:19,840
Speaker 1: you like it. I wasn't playing with you, and then

1568
01:46:19,920 --> 01:46:25,439
Speaker 1: you playing with me like for me right again, I

1569
01:46:25,520 --> 01:46:28,160
Speaker 1: always look at what you do in the relationship is

1570
01:46:28,479 --> 01:46:31,960
Speaker 1: it's on the ropes again, A fighter don't mean nothing

1571
01:46:32,000 --> 01:46:34,559
Speaker 1: in the first round. Everybody gonna look tip top when

1572
01:46:34,560 --> 01:46:40,240
Speaker 1: they're nineteenth round. They call them the championship rounds. Because

1573
01:46:40,280 --> 01:46:42,759
Speaker 1: if you can find me a relationship with no issues

1574
01:46:42,960 --> 01:46:45,720
Speaker 1: or no breakups or no nothing, hey bring them to me.

1575
01:46:45,840 --> 01:46:50,040
Speaker 1: We need to put them in a glass box and

1576
01:46:50,240 --> 01:46:53,400
Speaker 1: take them to a museum somewhere because that ain't gonna happen.

1577
01:46:53,800 --> 01:46:56,320
Speaker 1: And see, and you may have heard me before say

1578
01:46:56,400 --> 01:47:01,040
Speaker 1: like say, man, you know because because my conversation a

1579
01:47:01,160 --> 01:47:03,960
Speaker 1: lot of times be like yo, I got home boys,

1580
01:47:04,040 --> 01:47:06,400
Speaker 1: and I got home girls, and I got girls out

1581
01:47:06,439 --> 01:47:10,240
Speaker 1: in dealt with and girls disinfatuated with me. People I

1582
01:47:10,400 --> 01:47:13,000
Speaker 1: was infatuated with people that want to sleep with me,

1583
01:47:13,600 --> 01:47:16,240
Speaker 1: things like that. It's all kind of shit going on

1584
01:47:16,439 --> 01:47:19,639
Speaker 1: around me. And my biggest thing for all my home

1585
01:47:19,800 --> 01:47:22,519
Speaker 1: boys or home girls or people that say they fuck

1586
01:47:22,600 --> 01:47:25,120
Speaker 1: with me, out of all of them, it's three four

1587
01:47:25,240 --> 01:47:29,000
Speaker 1: hunting million people in America alone, and you can find

1588
01:47:29,120 --> 01:47:31,040
Speaker 1: nobody else to deal with. You had to go deal

1589
01:47:31,080 --> 01:47:33,640
Speaker 1: with my girl or something, my my ICKX or my

1590
01:47:34,400 --> 01:47:37,760
Speaker 1: this or that like, Yo, it's playing of women out here. Bro.

1591
01:47:39,120 --> 01:47:42,280
Speaker 1: It's just like if you're gonna miss with my old lady, yo,

1592
01:47:42,479 --> 01:47:47,439
Speaker 1: you yo, you tripping. You know what I'm saying. But

1593
01:47:48,680 --> 01:47:50,880
Speaker 1: both of y'all, because of the lords I had with

1594
01:47:51,000 --> 01:47:53,200
Speaker 1: both of you, you pulled me my people. But if

1595
01:47:53,240 --> 01:47:55,360
Speaker 1: it ain't my people, they pulled the shoot. They shot

1596
01:47:55,439 --> 01:47:58,000
Speaker 1: because they like you the same reason I like you.

1597
01:47:59,760 --> 01:48:02,040
Speaker 1: Yeah at a little bubble buddy, And I'll let they

1598
01:48:02,120 --> 01:48:04,080
Speaker 1: like you because of the same reason I like you.

1599
01:48:04,200 --> 01:48:08,439
Speaker 1: You nice looking, and I'll let you see what I'm saying.

1600
01:48:08,479 --> 01:48:10,200
Speaker 1: I used to hear about, and it could be an

1601
01:48:10,280 --> 01:48:12,160
Speaker 1: urban legend I used to hear about. Then folks sat

1602
01:48:12,200 --> 01:48:14,280
Speaker 1: man kim Ka, it ain't about her looks. And now

1603
01:48:14,479 --> 01:48:17,400
Speaker 1: let man, they laid the lad know how to treat

1604
01:48:17,479 --> 01:48:22,000
Speaker 1: them man like that. Later know how to treat the

1605
01:48:22,120 --> 01:48:28,080
Speaker 1: man in regards to the atmosphere, how the house feel

1606
01:48:29,160 --> 01:48:32,800
Speaker 1: the energy from your woman? Oh that's king and as

1607
01:48:32,840 --> 01:48:35,200
Speaker 1: a man. Sometimes I keep telling y'all like I when

1608
01:48:35,240 --> 01:48:38,280
Speaker 1: I talked about all setting CARDI b hey man being

1609
01:48:38,360 --> 01:48:41,160
Speaker 1: in this industry looking for love. Boy, you was in

1610
01:48:41,240 --> 01:48:45,479
Speaker 1: a hunting house, boy, because all these people faking in

1611
01:48:45,600 --> 01:48:48,280
Speaker 1: it and all these people acting like something they ain't like.

1612
01:48:48,439 --> 01:48:51,160
Speaker 1: But when you all setting Cardi B and you both

1613
01:48:51,240 --> 01:48:56,120
Speaker 1: can in this, in this, in this Black Witch Project jungle,

1614
01:48:56,200 --> 01:48:59,439
Speaker 1: and both y'all can lock eyes and say, oh shit,

1615
01:48:59,520 --> 01:49:02,000
Speaker 1: we would each other and I found one of mine.

1616
01:49:02,080 --> 01:49:05,759
Speaker 1: Let's let's lock in boy. We on this journey around

1617
01:49:05,800 --> 01:49:09,280
Speaker 1: all these motherfuckers because this game ain't just as peaches

1618
01:49:09,320 --> 01:49:13,680
Speaker 1: and cream as it look, you know. But love is

1619
01:49:13,720 --> 01:49:15,599
Speaker 1: such a hard thing to deal with. You know, it's

1620
01:49:15,640 --> 01:49:18,240
Speaker 1: been so long since you know, I really had to

1621
01:49:18,439 --> 01:49:21,519
Speaker 1: school people about love or talk about it that. Um,

1622
01:49:22,040 --> 01:49:24,719
Speaker 1: I think I'm gonna start, you know, more so giving

1623
01:49:24,800 --> 01:49:27,680
Speaker 1: people a little more game about relationships and love and

1624
01:49:27,760 --> 01:49:30,360
Speaker 1: things like that. Man. But it's one of the hardest

1625
01:49:30,840 --> 01:49:34,679
Speaker 1: things to navigate around because your emotions you can't control.

1626
01:49:36,000 --> 01:49:41,000
Speaker 1: Love is an uncontrollable emotion. Some people like to say,

1627
01:49:41,040 --> 01:49:44,599
Speaker 1: I'm in control of my emotions. Yo, bro, Come on dog,

1628
01:49:46,000 --> 01:49:50,360
Speaker 1: come on bro like laughing. You can't you can, like

1629
01:49:50,560 --> 01:49:52,760
Speaker 1: yo bro, some I'm gonna hit it in. You're gonna

1630
01:49:52,840 --> 01:49:55,519
Speaker 1: laugh if you ain't got nothing, you know what I'm saying,

1631
01:49:55,560 --> 01:49:57,960
Speaker 1: It's nothing you can do, you know what I'm saying.

1632
01:49:58,000 --> 01:50:03,000
Speaker 1: So your emotions almost all of our own autopilot. You

1633
01:50:03,080 --> 01:50:06,400
Speaker 1: know what I'm saying. Things triggered them, um, but but

1634
01:50:06,520 --> 01:50:11,040
Speaker 1: they tend to they tend to uh move move by themselves, man,

1635
01:50:11,080 --> 01:50:14,519
Speaker 1: and not again. Quavo tried to, in my opinion, do

1636
01:50:14,640 --> 01:50:17,680
Speaker 1: everything he could to stay with sweetie or to get

1637
01:50:17,760 --> 01:50:20,200
Speaker 1: up back. But I think she might have been like, Yo,

1638
01:50:21,280 --> 01:50:23,120
Speaker 1: once it's over, it's over. And then there's so many

1639
01:50:23,200 --> 01:50:26,280
Speaker 1: other people, you know, pushing up only you know, um,

1640
01:50:26,439 --> 01:50:29,519
Speaker 1: but for my girl or in there that. Don't go

1641
01:50:29,640 --> 01:50:32,280
Speaker 1: sleep with my ops, my homeboys. Don't sleep with none

1642
01:50:32,320 --> 01:50:37,519
Speaker 1: of that. Don't go sleep with none of that. You

1643
01:50:37,640 --> 01:50:40,519
Speaker 1: know what I mean? Because, um, now it made me

1644
01:50:40,640 --> 01:50:45,920
Speaker 1: question the whole relationship. Then when I had certain people around,

1645
01:50:45,960 --> 01:50:50,599
Speaker 1: I gotta look at you a little different now because

1646
01:50:50,640 --> 01:50:54,680
Speaker 1: I damn old was I slipping. That's what hurt, Not

1647
01:50:54,800 --> 01:50:58,720
Speaker 1: the fact of you like somebody man nobody, Hey, yo,

1648
01:50:58,840 --> 01:51:01,360
Speaker 1: you can like whatever you want. The thing hurt that

1649
01:51:01,439 --> 01:51:07,960
Speaker 1: I didn't see this, Oh they don't winning the trick bad.

1650
01:51:08,760 --> 01:51:10,800
Speaker 1: I didn't even see him. I didn't see that you

1651
01:51:11,040 --> 01:51:14,640
Speaker 1: go do that, and the minute we break up, you

1652
01:51:14,800 --> 01:51:17,479
Speaker 1: did this? That mean you was only doing that because

1653
01:51:17,520 --> 01:51:20,000
Speaker 1: of me? Like you start putting two and two together

1654
01:51:20,040 --> 01:51:22,400
Speaker 1: and then things start feeling bad for you because you'd

1655
01:51:22,439 --> 01:51:24,680
Speaker 1: be like, yo, I thought I knew that person, but

1656
01:51:24,800 --> 01:51:27,920
Speaker 1: I don't know that person. But again, ain't no lords

1657
01:51:27,960 --> 01:51:31,280
Speaker 1: to these dudes. Don't owe me no lords. If they

1658
01:51:31,360 --> 01:51:33,240
Speaker 1: shoot that my old lady and they get the hitter

1659
01:51:33,360 --> 01:51:36,280
Speaker 1: that's on her, and then for me, I got a

1660
01:51:36,320 --> 01:51:38,920
Speaker 1: whole hug kind of like, Yo, you gotta get out

1661
01:51:38,960 --> 01:51:43,880
Speaker 1: the will. Yeah, you gotta get out the will for

1662
01:51:44,040 --> 01:51:48,679
Speaker 1: that for that hour that you had or whatever. You understand,

1663
01:51:48,720 --> 01:51:51,760
Speaker 1: you gotta get out the will respectfully. And I'm still

1664
01:51:51,920 --> 01:51:54,760
Speaker 1: I'm just gonna move you down. I might still be

1665
01:51:54,920 --> 01:51:58,040
Speaker 1: hitting you, but you don't get the access to all

1666
01:51:58,160 --> 01:52:01,240
Speaker 1: lists no more. It's old with and and a lot

1667
01:52:01,280 --> 01:52:03,800
Speaker 1: of times I'm tenuing man where it becomes unfazed that

1668
01:52:03,880 --> 01:52:07,080
Speaker 1: the girls are the girls will switch you with somebody

1669
01:52:07,320 --> 01:52:12,800
Speaker 1: or the girls and the dudes really relationships period. A

1670
01:52:12,880 --> 01:52:15,439
Speaker 1: lot of these people will swap you out with people

1671
01:52:15,560 --> 01:52:18,880
Speaker 1: that can't offer what you offer. So you will swap

1672
01:52:19,000 --> 01:52:24,040
Speaker 1: a king for four like you will literally shuffle the

1673
01:52:24,160 --> 01:52:27,439
Speaker 1: deck and be fucking on somebody that can't do nothing

1674
01:52:27,560 --> 01:52:30,640
Speaker 1: for you. That this dude that that you post to

1675
01:52:30,680 --> 01:52:33,240
Speaker 1: be in a relationship is doing for you like a

1676
01:52:33,280 --> 01:52:35,880
Speaker 1: lot of the women that fuck the pool guys, you know,

1677
01:52:36,000 --> 01:52:39,400
Speaker 1: the dude to clean the pool or the trash man,

1678
01:52:39,760 --> 01:52:41,519
Speaker 1: and days back in the day you used to say

1679
01:52:41,560 --> 01:52:46,040
Speaker 1: the milk milkman and things like yo, because they just

1680
01:52:46,160 --> 01:52:49,400
Speaker 1: don't make sense. But it ain't business to people. It's

1681
01:52:49,439 --> 01:52:52,000
Speaker 1: all emotions, you know what I mean. So I really

1682
01:52:52,040 --> 01:52:53,760
Speaker 1: don't know how to look at it again. It's a

1683
01:52:53,840 --> 01:52:57,240
Speaker 1: it's a it's a a unique situation, man. And then

1684
01:52:57,360 --> 01:52:59,800
Speaker 1: sometimes you see Quavo go in and out of trying

1685
01:52:59,840 --> 01:53:03,080
Speaker 1: to like, yo, man, I support Kanye. We gotta pray

1686
01:53:03,120 --> 01:53:06,200
Speaker 1: for our families. To me, that was like a like

1687
01:53:06,360 --> 01:53:09,080
Speaker 1: a slick thing't get girl like yo quick like stop

1688
01:53:09,160 --> 01:53:12,280
Speaker 1: out that. Then they double back with this. Then he

1689
01:53:12,400 --> 01:53:14,479
Speaker 1: hit ain't tripping and we can swap it out? Didn't

1690
01:53:14,479 --> 01:53:16,439
Speaker 1: They say? Jada liked that? And then she come out

1691
01:53:16,479 --> 01:53:21,519
Speaker 1: and say, I wouldn't do that. You see that, that's

1692
01:53:21,560 --> 01:53:24,840
Speaker 1: what the girl posted to do. The girl poses I

1693
01:53:24,920 --> 01:53:28,519
Speaker 1: can't do that. Huh. That ain't no, I can't do that.

1694
01:53:28,720 --> 01:53:31,640
Speaker 1: I can't do that me, I can't do that, Like

1695
01:53:31,800 --> 01:53:34,080
Speaker 1: I wouldn't feel right doing that. I hadn't even been

1696
01:53:34,120 --> 01:53:38,080
Speaker 1: around the folks like you know what I'm saying. For

1697
01:53:38,240 --> 01:53:41,040
Speaker 1: some people they savages, man, they don't care nothing about

1698
01:53:41,200 --> 01:53:44,280
Speaker 1: none of that. They've been around you and your people. Boy,

1699
01:53:44,360 --> 01:53:47,800
Speaker 1: they've fenna hit her soon she get available, boy, they won't, huh.

1700
01:53:48,080 --> 01:53:51,320
Speaker 1: They slick watching the Why you got her. It's a

1701
01:53:51,360 --> 01:53:53,760
Speaker 1: whole bunch of watching the why you gotta going on?

1702
01:53:54,479 --> 01:53:57,080
Speaker 1: You know what I'm saying. Specially on the low level. No,

1703
01:53:57,200 --> 01:53:59,759
Speaker 1: it's really on every level. They nigga hitting each other bitches.

1704
01:54:00,000 --> 01:54:01,519
Speaker 1: Know what I mean. I'm gonna hit your bitch. You

1705
01:54:01,600 --> 01:54:03,760
Speaker 1: know what I mean. I'm gonna hit your bitch. You

1706
01:54:03,800 --> 01:54:05,720
Speaker 1: know what I mean. I'm gonna tell you you know

1707
01:54:05,760 --> 01:54:07,960
Speaker 1: what I mean. All that old industry ship you know

1708
01:54:08,000 --> 01:54:11,000
Speaker 1: what I'm saying. It ain't no, it ain't no lords

1709
01:54:11,080 --> 01:54:13,320
Speaker 1: in that industry. Bro. Then folk gonna try to hit

1710
01:54:13,439 --> 01:54:16,439
Speaker 1: my old lady. Nigga's old ladies getting hit. Boy, they

1711
01:54:16,560 --> 01:54:19,360
Speaker 1: bang watches it in trucks and shit. You know what

1712
01:54:19,360 --> 01:54:21,080
Speaker 1: I mean. The folk doing all kind of shit. So

1713
01:54:21,320 --> 01:54:23,519
Speaker 1: like yo, you better just be on your game, and

1714
01:54:23,640 --> 01:54:25,559
Speaker 1: you better make sure if you do, it is locked

1715
01:54:25,600 --> 01:54:28,120
Speaker 1: in with somebody that she ain't gonna follow that old

1716
01:54:28,240 --> 01:54:31,160
Speaker 1: shit because they're coming hard and it's a lot of pressure.

1717
01:54:31,280 --> 01:54:34,160
Speaker 1: Test loon in your DM talking about where you're at,

1718
01:54:34,200 --> 01:54:37,200
Speaker 1: I'm going to fly you out and you know I'm pressure.

1719
01:54:39,000 --> 01:54:41,360
Speaker 1: You know I'm pressuring. I don't say nothing. I ain't

1720
01:54:41,360 --> 01:54:45,320
Speaker 1: never posted about a woman, and you know I'm pressure.

1721
01:54:45,360 --> 01:54:47,520
Speaker 1: And I seen you the DM I mean Corbo or

1722
01:54:47,560 --> 01:54:50,480
Speaker 1: something like it, and tell you where you're at, boy, please,

1723
01:54:50,960 --> 01:54:53,160
Speaker 1: UM I also want to talk about this UM as

1724
01:54:53,200 --> 01:54:58,000
Speaker 1: you look at UH the fight with YouTube an NBA

1725
01:54:58,160 --> 01:55:00,560
Speaker 1: Young Boy, which isn't a fight with you YouTube, it's

1726
01:55:00,560 --> 01:55:03,760
Speaker 1: a fight with the label UM. So now that tells

1727
01:55:03,840 --> 01:55:07,720
Speaker 1: me that we don't know whether UH YouTube has supported

1728
01:55:07,880 --> 01:55:11,360
Speaker 1: NBA Young Boy. Because again, when you're when you're artists

1729
01:55:11,440 --> 01:55:15,600
Speaker 1: like NBA Young but to use your leverage to UM

1730
01:55:15,880 --> 01:55:21,760
Speaker 1: fund and and UM get brand visibility for other artists. Right,

1731
01:55:21,800 --> 01:55:25,840
Speaker 1: it's the same with Jordan and Nike, right, so City Gear.

1732
01:55:26,000 --> 01:55:28,360
Speaker 1: For you to have this Jordan right here, you gotta

1733
01:55:28,400 --> 01:55:32,080
Speaker 1: take these other sixteen Nike some Nike boots, this, that

1734
01:55:32,200 --> 01:55:34,360
Speaker 1: and the third some of our lord sellers and had

1735
01:55:34,400 --> 01:55:37,760
Speaker 1: those as well to carry that Jordan, because we know

1736
01:55:37,880 --> 01:55:41,680
Speaker 1: the value attach to that George's gonna drive traffic. You

1737
01:55:41,720 --> 01:55:44,280
Speaker 1: see what I'm saying. So as as a business standpoint,

1738
01:55:44,280 --> 01:55:46,640
Speaker 1: because I remember we would always say, yo, YouTube business

1739
01:55:46,680 --> 01:55:48,680
Speaker 1: supporting young boy. What is it about. I don't really

1740
01:55:48,680 --> 01:55:51,480
Speaker 1: don't understand why they're not supporting young boy this that

1741
01:55:51,560 --> 01:55:53,240
Speaker 1: in the third and when we when when you really

1742
01:55:53,360 --> 01:55:56,040
Speaker 1: think about it, it may they may have been supporting,

1743
01:55:56,160 --> 01:55:59,600
Speaker 1: but them saying yo, instead of that, we're gonna use

1744
01:55:59,680 --> 01:56:02,400
Speaker 1: that for this because he don't need it. He already popping,

1745
01:56:02,680 --> 01:56:06,680
Speaker 1: and the algorithm does it doesn't been set, it doesn't

1746
01:56:06,720 --> 01:56:10,520
Speaker 1: been triggered. The algorithm that' being triggered. That's what Joe

1747
01:56:10,560 --> 01:56:13,040
Speaker 1: Budden is trying to do. People are mad at Joe

1748
01:56:13,080 --> 01:56:15,680
Speaker 1: Budden right now, for those of who don't know, because

1749
01:56:15,760 --> 01:56:20,320
Speaker 1: he's taking his pain customer content off Patreon and putting

1750
01:56:20,320 --> 01:56:24,360
Speaker 1: it on YouTube for free. But this is a guy

1751
01:56:24,520 --> 01:56:28,200
Speaker 1: that I mean, I've been speaking about it. I'm not

1752
01:56:28,280 --> 01:56:30,800
Speaker 1: sure where he got the information from. Balloon's been speaking

1753
01:56:30,840 --> 01:56:34,760
Speaker 1: about it. So I mean, if I want to be narcissists,

1754
01:56:34,800 --> 01:56:37,520
Speaker 1: I can say that yo. I think they may have

1755
01:56:37,640 --> 01:56:40,000
Speaker 1: heard me, and now they're making some sort of adjustments

1756
01:56:40,040 --> 01:56:43,480
Speaker 1: to try to trigger that algorithm. Go back and listen

1757
01:56:43,560 --> 01:56:46,440
Speaker 1: to my podcast. I was saying, Yo, a lot of

1758
01:56:46,480 --> 01:56:53,880
Speaker 1: this isn't consumer basis platform base. It's platform base. So

1759
01:56:54,040 --> 01:56:56,400
Speaker 1: when Joe Budden and Mall and Rory got into it

1760
01:56:56,520 --> 01:56:59,120
Speaker 1: and he pulled his shit off YouTube, he took himself

1761
01:56:59,160 --> 01:57:03,120
Speaker 1: out the algorithm of them and they built the algorithm

1762
01:57:03,200 --> 01:57:06,520
Speaker 1: had to build that void up right there and disperse

1763
01:57:06,680 --> 01:57:10,320
Speaker 1: those people. And now when he came back, his numbers

1764
01:57:10,480 --> 01:57:14,200
Speaker 1: hit a ceiling because you're no longer getting that spot

1765
01:57:14,280 --> 01:57:16,160
Speaker 1: that you was in the same thing I talked about

1766
01:57:16,200 --> 01:57:20,400
Speaker 1: with Rogan. When Spotify pulls broke it off, all these platforms,

1767
01:57:20,440 --> 01:57:24,520
Speaker 1: all that marketing attached to this next podcast you may

1768
01:57:24,600 --> 01:57:27,560
Speaker 1: also listen to. You may also like all of that

1769
01:57:27,800 --> 01:57:29,880
Speaker 1: marketing that you get that you don't pay for, that

1770
01:57:29,960 --> 01:57:33,200
Speaker 1: you don't even probably know this happened. This platform based

1771
01:57:33,240 --> 01:57:36,880
Speaker 1: ain't got nothing to do with consumer or you. All

1772
01:57:36,960 --> 01:57:40,760
Speaker 1: of that money, all of that marketing is gone. Now

1773
01:57:41,840 --> 01:57:46,440
Speaker 1: the algorithm has to put something in that place. If

1774
01:57:46,480 --> 01:57:48,800
Speaker 1: you notice when Joe and them went through that, some

1775
01:57:48,960 --> 01:57:53,880
Speaker 1: of these podcasts start to get bigger numbers and not

1776
01:57:54,080 --> 01:57:56,920
Speaker 1: saying that they wasn't gonna get the numbers because Joe

1777
01:57:57,040 --> 01:57:59,960
Speaker 1: them don't dictate who get numbers and don't get numbers.

1778
01:58:00,880 --> 01:58:04,880
Speaker 1: It's just the place that they had in the algorithm, bro,

1779
01:58:06,960 --> 01:58:10,080
Speaker 1: and they broke that, and then other shit. You know,

1780
01:58:10,160 --> 01:58:12,080
Speaker 1: you might see me not worth a game come up,

1781
01:58:12,160 --> 01:58:15,360
Speaker 1: and you know this, that academic ship might have come

1782
01:58:15,480 --> 01:58:18,960
Speaker 1: up shit coming up in that same spot in regards

1783
01:58:19,040 --> 01:58:22,840
Speaker 1: drink camps. This that in regards to podcasting, right, So

1784
01:58:23,720 --> 01:58:26,080
Speaker 1: he's trying to trigger the algorithm, so he's dropping those

1785
01:58:26,160 --> 01:58:31,960
Speaker 1: interviews or that paying content. The problem is if that

1786
01:58:32,120 --> 01:58:34,960
Speaker 1: doesn't work, now what because you release all of your

1787
01:58:35,000 --> 01:58:40,400
Speaker 1: paying content for free on YouTube and then your number

1788
01:58:40,480 --> 01:58:43,960
Speaker 1: still is at the same cap. Then what Now you

1789
01:58:44,040 --> 01:58:47,200
Speaker 1: got a bigger problem because now your customer is dissatisfied

1790
01:58:47,600 --> 01:58:52,080
Speaker 1: because you're chasing this platform. You feel what I'm saying,

1791
01:58:52,160 --> 01:58:55,880
Speaker 1: you're chasing this platform, So now your customer is dissatisfied.

1792
01:58:55,880 --> 01:58:58,360
Speaker 1: I wonder why. I don't even understand why he's doing that.

1793
01:58:58,440 --> 01:59:01,520
Speaker 1: If he's making a certain amount of money off Patreon,

1794
01:59:02,000 --> 01:59:06,240
Speaker 1: I don't know why he's chasing that. That YouTube algorithm.

1795
01:59:07,520 --> 01:59:09,280
Speaker 1: You know, I know why I'm chasing it. I know

1796
01:59:09,360 --> 01:59:11,040
Speaker 1: why the rest of us are doing it. But if

1797
01:59:11,120 --> 01:59:14,360
Speaker 1: you your business model is a totally different thing. You

1798
01:59:14,480 --> 01:59:17,760
Speaker 1: got a couple of thousand people that pay you thirty

1799
01:59:17,800 --> 01:59:21,360
Speaker 1: dollars a month, and you're lucky to do that right

1800
01:59:21,400 --> 01:59:23,720
Speaker 1: before rural y mone left. Man, those numbers would have

1801
01:59:23,800 --> 01:59:26,400
Speaker 1: been different if they would have been gone and then

1802
01:59:26,520 --> 01:59:28,800
Speaker 1: that happened. But you got a great business model. I

1803
01:59:28,800 --> 01:59:33,320
Speaker 1: don't know, why are you chasing YouTube? I just don't

1804
01:59:33,360 --> 01:59:33,560
Speaker 1: get it.