WEBVTT - Great Architects: William Flynn

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<v Speaker 1>This is a big year for the golf architect William Flynn.

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<v Speaker 1>First we have the US Open at his masterpiece, shinnacowk Hills,

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<v Speaker 1>and then in August the US Amateur at Marion Golf Club,

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<v Speaker 1>where he led construction and served as superintendent. So in

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<v Speaker 1>this episode we're digging deep into what makes William Flynn

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<v Speaker 1>a great architect. I'm Garrett Morrison, and this is designing golf,

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<v Speaker 1>all right. Before we bring in Jim Nagel, let's talk

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<v Speaker 1>about the five essential William Flynn golf courses. Now, a

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<v Speaker 1>few caveats before we dive in here. One. These are

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<v Speaker 1>not necessarily Flynn's best courses or even my favorite Flynn courses.

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<v Speaker 1>These are just five courses that you could study and

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<v Speaker 1>come away with a pretty good understanding of Flynn's architecture.

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<v Speaker 1>And that leads into my second caveat, which is that

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<v Speaker 1>there are a lot of candidates for this list. In

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<v Speaker 1>William Flynn's body of work, he designed a ton of

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<v Speaker 1>very good to excellent courses. But there's really just one

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<v Speaker 1>automatic entry and you can probably guess what it is.

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<v Speaker 1>It's about to host a US Open. But the four

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<v Speaker 1>other slots could go to any of kind of like

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<v Speaker 1>fifteen golf courses probably, so these are just my picks

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<v Speaker 1>right now. I could easily be convinced to change them.

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<v Speaker 1>The final caveat is that I'm not including three extremely

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<v Speaker 1>famous golf courses that William Flynn contributed to but did

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<v Speaker 1>not design completely or on his own, and those are

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<v Speaker 1>Pine Valley, Marion and the Country Club at Brookline. Flynn

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<v Speaker 1>was an important influence on all of those courses, but

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<v Speaker 1>I'm focusing here on his solo designs, So let's get

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<v Speaker 1>into it. The first, first essential William Flynn golf course

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<v Speaker 1>is obviously Shinnecock Hills in Southampton, New York. Now Here

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<v Speaker 1>at Friday Golf, We've done a ton of content on

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<v Speaker 1>Shinnecock Hills recently. I just did a two hour podcast

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<v Speaker 1>last week on designing Golf about Shinnacock, so I'll refer

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<v Speaker 1>you to that work instead of going into detail about

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<v Speaker 1>the course here. But briefly, Shinnacock represents everything William Flynn

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<v Speaker 1>believed in and did well, routing, naturalism, restraint, strategy, challenge,

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<v Speaker 1>green designs, it's all there in Shinnecock Hills, and it's

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<v Speaker 1>one of the most complete golf courses that anyone ever built.

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<v Speaker 1>Okay on to number two, and I've reserved this slot

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<v Speaker 1>for a Pennsylvania course. Pennsylvania and the Philadelphia area in

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<v Speaker 1>particular were Flynn's home base, and he built many great

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<v Speaker 1>golf courses in that region. So the one I've chosen

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<v Speaker 1>to represent all of those is Huntington Valley Country Club,

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<v Speaker 1>which is about fifteen miles north of downtown Philadelphia. This

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<v Speaker 1>course really shows William Flynn's mastery of routing above all,

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<v Speaker 1>the course consists of twenty seven holes, but the best

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<v Speaker 1>known nines are the Toomey and Flynn nines. These holes

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<v Speaker 1>sit in a big valley with really nice rolling topography.

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<v Speaker 1>The Toomey nine, which is named after William Flynn's longtime

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<v Speaker 1>construction superintendent Howard Toomey, moves counterclockwise around the outside of

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<v Speaker 1>the property on the high ground of the valley, while

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<v Speaker 1>the Flynn nine drops down to the center of the

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<v Speaker 1>valley and moves clockwise. So essentially it's a version of

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<v Speaker 1>Harry Colt's outside inside routing at Meerfield, and Flynn just

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<v Speaker 1>executes it brilliantly. You get all kinds of different lies

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<v Speaker 1>in the fairway, uphill, downhill, sidehill, and then to top

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<v Speaker 1>it all off, the course has some of the best

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<v Speaker 1>inland agronomy anywhere. The club has been a big advocate

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<v Speaker 1>of minimalistic, low input organic turf maintenance, and the place

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<v Speaker 1>just plays so firm and fast. It's an incredibly well

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<v Speaker 1>presented Golden Age golf course and very much represents what

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<v Speaker 1>Flynn would have wanted. So that's why I've picked Huntington

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<v Speaker 1>Valley among all of Flynn's excellent designs in Pennsylvania. But

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<v Speaker 1>I definitely could have gone with any one of several

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<v Speaker 1>other courses including Philadelphia Country Club, Rolling Green Golf Club,

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<v Speaker 1>Manufacturers Golf and Country Club, Lehigh Country Club, Lancaster Country Club,

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<v Speaker 1>all fantastic, all have an argument to be on this list.

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<v Speaker 1>But for now I'm going to leave Pennsylvania and go

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<v Speaker 1>to my third selection, which is going to be The

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<v Speaker 1>Country Club, not in Brookline, but in Pepper Pike, Ohio,

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<v Speaker 1>a great and very underrated golf course. What I find

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<v Speaker 1>most notable about Country as it's called, is the way

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<v Speaker 1>that it uses a unique set of landforms. The property

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<v Speaker 1>is defined by a system of creeks, and over the centuries,

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<v Speaker 1>these creeks have carved out a series of big ledges.

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<v Speaker 1>Flynn's routing really zeros in on these ledges. Sometimes you

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<v Speaker 1>tee off from them, Sometimes you play into greens up

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<v Speaker 1>on top of them. Sometimes fairways run along the edges

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<v Speaker 1>of them. Sometimes holes just kind of, you know, leapfrog

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<v Speaker 1>over them. This is an outstanding example of Flynn's ability

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<v Speaker 1>to recognize and maximize the best assets of a given site,

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<v Speaker 1>and especially after a recent historical renovation by Gil Hants,

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<v Speaker 1>the country club certainly deserves to be seen as one

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<v Speaker 1>of Flynn's essential designs. All Right, for my fourth pick,

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<v Speaker 1>I'm going east to the Catansit Club in Marion, Massachusetts.

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<v Speaker 1>This is a delightful seaside course. The most photographed hole

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<v Speaker 1>is the par three third, where the green is built

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<v Speaker 1>up directly from the beach, but the rest of the

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<v Speaker 1>course is a lot more subtle and ground hugging. And

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<v Speaker 1>the reason I've included it in this list is that

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<v Speaker 1>I think it shows William Flynn in a different mode.

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<v Speaker 1>Flynn is rightfully associated with big browny championship tests on

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<v Speaker 1>big bronny pieces of land, but Catansit is very much

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<v Speaker 1>a member course. It's not super long, it's pretty much flat.

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<v Speaker 1>There's some chocolate drop mounding, constructed out of rocks that

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<v Speaker 1>were cleared out from the center lines of holes, has

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<v Speaker 1>a very old school feel, and this is partly due

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<v Speaker 1>to the person who constructed it, Frederick could so not

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<v Speaker 1>Flynn's usual construction Guy Howard Toomey, and so the course

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<v Speaker 1>has a different look and feel than most of Flynn's courses.

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<v Speaker 1>And yet the way that the course generates variety from

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<v Speaker 1>hole to hole is unmistakably Flynn. Each of the par

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<v Speaker 1>three's is immediately distinct from the others, and the longer

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<v Speaker 1>holes are always moving in unexpected ways, dog legs, diagonals,

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<v Speaker 1>all the things that Flynn love to do. Fifth and final,

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<v Speaker 1>William Flynn design that I'm going to mention is outside

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<v Speaker 1>of Miami, Florida. It's Indian Creek country Club. So this

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<v Speaker 1>was a last minute addition. Full disclosure, I actually had

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<v Speaker 1>Cherry Hill's Country Club in this spot, and before that

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<v Speaker 1>I had Lancaster Country Club. Either of those would have

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<v Speaker 1>been justifiable choices, I think, But my guest for this episode,

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<v Speaker 1>Jim Nagel, convinced me that Indian Creek was the way

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<v Speaker 1>to go because it shows what Flynn could do on

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<v Speaker 1>a blank canvas. Indian Creek was built on a man

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<v Speaker 1>made island and there was just nothing for Flynn to

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<v Speaker 1>work with. He had to manufacture everything out of whole cloth,

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<v Speaker 1>and that was a big challenge to his governing philosophy,

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<v Speaker 1>which was to take inspiration first and foremost from the land.

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<v Speaker 1>So in that context, the results at Indian Creek are

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<v Speaker 1>very impressive and interesting. There's a lot of variety, some

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<v Speaker 1>very cool smaller scale undulations, very interesting bunkering patterns and

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<v Speaker 1>strategic whole concepts, and some brilliant greens. So the fundamentals

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<v Speaker 1>are the same, even though the starting point was very

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<v Speaker 1>unusual for William Flynn. So those are my five essential

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<v Speaker 1>Flynn golf courses. I've already gone over some of the

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<v Speaker 1>honorable mentions, but I also want to recognize that none

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<v Speaker 1>of the ones I've mentioned are public. There just aren't

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<v Speaker 1>that many well preserved Flynn public courses. I would love

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<v Speaker 1>to see a proper restoration at Cascades in West Virginia.

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<v Speaker 1>That's an amazing course that deserves to be on this list,

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<v Speaker 1>but it needs some attention. And then we have Rock

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<v Speaker 1>Creek Park in Washington, d C. A wonderful municipal property

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<v Speaker 1>managed by the National Links Trust and about to undergo

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<v Speaker 1>a major improvement project by Gil Hans, so I'm hoping

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<v Speaker 1>that that turns out well. The intention there is not

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<v Speaker 1>necessarily to restore the original Flynn course, but instead to

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<v Speaker 1>introduce some Flynn inspired elements and also develop some other

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<v Speaker 1>facilities for the local community. There an understandable approach, but

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<v Speaker 1>I think that gil Hans is just as capable as

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<v Speaker 1>anybody of producing holes that seem like Flynn holes but

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<v Speaker 1>are in fact his own invention. So looking forward to that.

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<v Speaker 1>But my picks for now are Shinnecock Hills, Huntington Valley,

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<v Speaker 1>the Country Club in Ohio, the Catansit Club, and Indian Creek.

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<v Speaker 1>Let me know what you think, all right, Time to

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<v Speaker 1>dig a little deeper into William Flynn's career and design approach.

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<v Speaker 1>And to do that, let's bring on Jim Nagel. Jim

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<v Speaker 1>is an architect specializing in restoration and renovation. For twenty

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<v Speaker 1>five years, he worked with Ron Force, one of the

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<v Speaker 1>og restoration architects in America, and while he was at

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<v Speaker 1>Force Design, he led a number of restoration projects at

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<v Speaker 1>William Flynn courses in Pennsylvania, including Philadelphia Country clubanchaster country Club,

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<v Speaker 1>Rolling Green Conquered and Manufacturers. Two years ago, Jim established

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<v Speaker 1>his own firm, Nagel Design Works, and he's already working

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<v Speaker 1>at three Flynn Designs in Pennsylvania, the Country Club of Harrisburg,

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<v Speaker 1>Eaglesmere and Bala Country Club. So this is really a

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<v Speaker 1>specialty and a passion for Jim. So who better to

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<v Speaker 1>get into the nitty gritty of what makes a Flynn

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<v Speaker 1>golf course a Flynn golf course than Jim Nagel. Real quick, though,

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<v Speaker 1>before we get into my conversation with Jim, I want

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<v Speaker 1>to remind you that Father's Day is coming up. This

0:11:38.200 --> 0:11:42.880
<v Speaker 1>is an important reminder. Sometimes people forget. Sometimes I forget. Tomorrow,

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<v Speaker 1>June twelfth will be the last day of our Father's

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<v Speaker 1>That's pro Shop dot the fried egg dot com. All right,

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<v Speaker 1>I'm here with Jim Nagel. Jim, thanks for coming on

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<v Speaker 1>the podcast.

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<v Speaker 2>Thank you for having me. Garrett. It's really good to

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<v Speaker 2>speak with you guys. So what a pleasure.

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<v Speaker 1>It's been a while. The last time we saw each

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<v Speaker 1>other in person was you know, back to just on

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<v Speaker 1>the on the heels of COVID times over in Lancaster

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<v Speaker 1>Country Club in Pennsylvania, a great course that you have

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<v Speaker 1>done some work on. And so it's good too, good

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<v Speaker 1>to speak with you again. And we're going to dig

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<v Speaker 1>into some William Flynn here you are as I understand it,

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<v Speaker 1>and correct me if I'm wrong. A Pennsylvania guy, you

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<v Speaker 1>grew up? Did you grow up?

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<v Speaker 2>It's funny I grew up in Pennsylvania. I was born

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<v Speaker 2>in Illinois. But you know, world's largest printing company, Donnellying,

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<v Speaker 2>which was located now in Chicago. Then they also had

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<v Speaker 2>some facilities down in Dwight. Decided they wanted to open

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<v Speaker 2>four plants in Lancaster, Pennsylvania. So at the age of four,

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<v Speaker 2>I moved to Lancaster and all of my formative years

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<v Speaker 2>were spent in Lancaster. And you know, other than some

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<v Speaker 2>time in school and living in Denver for the summers.

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<v Speaker 2>I'm kind of a true, tried and true Pennsylvania now.

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<v Speaker 1>Right, Okay, Now, obviously the state of Pennsylvania and the

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<v Speaker 1>Philadelphia area specifically were William Flynn's stomping grounds during the

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<v Speaker 1>golden edge of golf architecture. He is sort of the

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<v Speaker 1>undisputed king of golf architecture in that area.

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<v Speaker 2>Absolutely.

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<v Speaker 1>You know, when you look at the full body of work, like,

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<v Speaker 1>there's nobody who really who really comes close in that area.

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<v Speaker 1>Given that you have have lived most of your life

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<v Speaker 1>in pennsyl what were your earliest experiences with Flynn's work?

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<v Speaker 1>Was it at Lancaster and then? And did you did

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<v Speaker 1>you see his courses before you knew you wanted to

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<v Speaker 1>be a golf architect.

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<v Speaker 2>Interestingly enough, I always said, I've told this story. My

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<v Speaker 2>first exposure Lancaster Country Club was on top of the

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<v Speaker 2>swimming blocks, trying to look over the fence that was

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<v Speaker 2>where the current Punning Green is. That was my first exposure.

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<v Speaker 2>I kind of grew up more on the public courses

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<v Speaker 2>in and around Lancaster, and so my first exposure to

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<v Speaker 2>that was after I joined Ron and I went and

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<v Speaker 2>obviously that helped me have a little bit more access

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<v Speaker 2>to things. So I went and walked around Lancaster and

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<v Speaker 2>I want to say this was even before Gil might

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<v Speaker 2>have done his work in the late nineties early two thousands,

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<v Speaker 2>and it was just, you know, it was just a

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<v Speaker 2>pleasant walk on the golf course and still kind of

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<v Speaker 2>a little green and trying to understand what I was

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<v Speaker 2>looking at because that golf course was very heavily treated.

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<v Speaker 2>The Gordons at that time still had had a lot

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<v Speaker 2>of influence on the course because I believe they were

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<v Speaker 2>the ones that really came in after Flynn and had

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<v Speaker 2>sort of carried his mantle. And then Gil was just

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<v Speaker 2>starting to do some work there. And then my next

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<v Speaker 2>visit probably was about two thousand and four when they

0:15:22.280 --> 0:15:26.400
<v Speaker 2>decided that they were going to bring Force Design on

0:15:26.440 --> 0:15:30.440
<v Speaker 2>board and so we that's that was my first exposure

0:15:30.480 --> 0:15:34.280
<v Speaker 2>to Flynn at Leicester. But then also you know, joining

0:15:34.360 --> 0:15:37.880
<v Speaker 2>Ron nineteen ninety eight, you know, at that time he

0:15:37.960 --> 0:15:40.520
<v Speaker 2>had already been working with Indian Creek, he'd been working

0:15:40.560 --> 0:15:45.280
<v Speaker 2>a long time with Lehigh, So the Flynn education really

0:15:45.320 --> 0:15:47.640
<v Speaker 2>started early on with Ron, and of course, you know,

0:15:47.640 --> 0:15:51.640
<v Speaker 2>we were very heavy into ross. You know, there's almost

0:15:51.680 --> 0:15:55.280
<v Speaker 2>this whole movement of the re restoration of ross courses.

0:15:55.840 --> 0:15:57.840
<v Speaker 2>But when I joined Ron, you know, I think he

0:15:57.960 --> 0:15:59.920
<v Speaker 2>at that point in the late nineties had you know,

0:16:00.040 --> 0:16:03.400
<v Speaker 2>been working on thirty five thirty six Ross courses. So

0:16:03.480 --> 0:16:05.880
<v Speaker 2>we were very heavily steeped in Ross and Flynn.

0:16:06.960 --> 0:16:09.360
<v Speaker 1>Now when you say joining Ron, you of course mean

0:16:09.480 --> 0:16:13.240
<v Speaker 1>joining Ron Force. Yes, of Force designed there were two

0:16:13.320 --> 0:16:16.120
<v Speaker 1>rons who'd restored an awful lot of Donald Ross courses

0:16:16.120 --> 0:16:19.720
<v Speaker 1>in in the eighties and nineties, Ron Pritchard and Ron Force.

0:16:20.040 --> 0:16:23.560
<v Speaker 1>But you worked with Ron Force for for I guess

0:16:23.600 --> 0:16:26.840
<v Speaker 1>twenty five years, for a quarter century. Yeah, I worked

0:16:26.840 --> 0:16:31.560
<v Speaker 1>on many many golf courses, including quite a few Flynn courses.

0:16:32.040 --> 0:16:34.160
<v Speaker 1>I would say, I'm not sure how many people have

0:16:34.280 --> 0:16:38.840
<v Speaker 1>worked at more Flynn courses. I suppose Gil Hans, Ron

0:16:38.920 --> 0:16:42.520
<v Speaker 1>Force and you are, you know, have have have locked

0:16:42.600 --> 0:16:43.800
<v Speaker 1>up a lot of numbers there.

0:16:44.120 --> 0:16:49.760
<v Speaker 2>It's funny, I want to say, you know Flynn originals

0:16:49.880 --> 0:16:51.880
<v Speaker 2>or you know, Flynn had a heavy hand in the

0:16:51.920 --> 0:16:54.200
<v Speaker 2>spring Haven club, even did some work at Sunny Hannah.

0:16:54.240 --> 0:16:57.480
<v Speaker 2>And you know, I think it was like fourteen clubs

0:16:57.600 --> 0:17:00.760
<v Speaker 2>that I could say that I was collaborated with worked

0:17:00.760 --> 0:17:03.960
<v Speaker 2>with Ron and or was the lead architect, and a

0:17:03.960 --> 0:17:06.800
<v Speaker 2>lot of that happened by accident, because it got to

0:17:06.840 --> 0:17:08.960
<v Speaker 2>the point where when Ron and I were working together

0:17:09.000 --> 0:17:11.639
<v Speaker 2>and I was starting to assume the lead role on

0:17:11.720 --> 0:17:14.160
<v Speaker 2>projects where he had enough trust in me to do that,

0:17:14.680 --> 0:17:16.680
<v Speaker 2>I was driving. It was like a lot of the

0:17:16.680 --> 0:17:18.600
<v Speaker 2>projects that we'd drive to, and we were based out

0:17:18.640 --> 0:17:23.520
<v Speaker 2>of southwestern Pennsylvania below Pittsburgh, he'd fly. Well, that just

0:17:23.600 --> 0:17:25.640
<v Speaker 2>kind of lent itself to all of a sudden, I'm

0:17:25.680 --> 0:17:28.120
<v Speaker 2>going over Philly and I'm doing Lancaster, and I started,

0:17:28.160 --> 0:17:31.840
<v Speaker 2>you know, I took over Philly Country and conquered and Manny's,

0:17:31.880 --> 0:17:34.040
<v Speaker 2>and you know, I spent thirteen years at Rolling Green,

0:17:34.600 --> 0:17:37.679
<v Speaker 2>you know, just really being exposed to these great Flynn

0:17:37.680 --> 0:17:41.160
<v Speaker 2>golf courses. And there was always that one exception, which

0:17:41.200 --> 0:17:43.440
<v Speaker 2>was Lehigh, which to this day, you know, Ron has

0:17:43.440 --> 0:17:45.320
<v Speaker 2>done such an incredible job at Lee and I He's

0:17:45.320 --> 0:17:48.360
<v Speaker 2>got a great relationship with them. But for the most part,

0:17:48.400 --> 0:17:50.680
<v Speaker 2>I started taking over all these other projects just by

0:17:51.080 --> 0:17:52.840
<v Speaker 2>circumstance of where they were located.

0:17:53.520 --> 0:17:55.760
<v Speaker 1>Right. You ended up being the lead on so many

0:17:55.800 --> 0:17:59.840
<v Speaker 1>of these great flint courses in and around Philadelphia and

0:18:00.040 --> 0:18:03.080
<v Speaker 1>That's obviously a big reason why I'm excited to talk

0:18:03.119 --> 0:18:07.199
<v Speaker 1>with you about about William Flynn's design style and his

0:18:07.320 --> 0:18:09.520
<v Speaker 1>and his work overall. There there are a few people

0:18:09.560 --> 0:18:12.760
<v Speaker 1>who have more experience with it. Now, when you're restoring

0:18:13.359 --> 0:18:19.399
<v Speaker 1>a Flynn course, what kind of historical evidence is most

0:18:19.600 --> 0:18:21.960
<v Speaker 1>meaningful to you? You know, do you put a lot

0:18:22.000 --> 0:18:26.159
<v Speaker 1>of stock in his plans or do you prefer to

0:18:26.200 --> 0:18:30.000
<v Speaker 1>rely on historical photographs? And this question is really getting

0:18:30.000 --> 0:18:33.919
<v Speaker 1>at you know, Flynn's Flynn's working process, right, Is he

0:18:34.119 --> 0:18:36.919
<v Speaker 1>was he a I know, he came up with beautiful plans,

0:18:36.920 --> 0:18:40.399
<v Speaker 1>some of the most beautiful plans of his era, but

0:18:40.880 --> 0:18:43.000
<v Speaker 1>I also get the sense that he was willing to

0:18:43.080 --> 0:18:44.520
<v Speaker 1>kind of change things up in the field.

0:18:45.040 --> 0:18:46.679
<v Speaker 2>Is this this is the iomic debate?

0:18:47.760 --> 0:18:50.840
<v Speaker 1>Yeah? Well, well yeah, I mean that the debate certainly

0:18:50.920 --> 0:18:53.879
<v Speaker 1>came up during during Ironomic because there are two different

0:18:53.880 --> 0:18:57.480
<v Speaker 1>Ironomic restorations that kind of follow those two philosophies. But yeah,

0:18:57.520 --> 0:18:58.800
<v Speaker 1>when it comes to Flynn.

0:18:59.080 --> 0:19:05.080
<v Speaker 2>One hundred percent photos. Okay, because of the Philadelphia area,

0:19:05.119 --> 0:19:08.119
<v Speaker 2>we have the donalind photographs, we have the archives and

0:19:08.359 --> 0:19:11.719
<v Speaker 2>Philadelphia itself, there is a website and the photos are

0:19:11.760 --> 0:19:14.240
<v Speaker 2>not you know, their resolution is not very good, but

0:19:14.320 --> 0:19:17.119
<v Speaker 2>they have nineteen twenty eight photos for most of the

0:19:17.520 --> 0:19:20.399
<v Speaker 2>areas around in the city. That's a lot earlier than

0:19:20.400 --> 0:19:21.760
<v Speaker 2>what we always used to be able to get down

0:19:21.800 --> 0:19:24.400
<v Speaker 2>into the federal archives, which is typically nineteen thirty eight.

0:19:24.760 --> 0:19:26.920
<v Speaker 2>And then, of course, you know historic areas, we start

0:19:26.960 --> 0:19:31.120
<v Speaker 2>picking things up in the nineteen forties. I'm always looking.

0:19:31.119 --> 0:19:34.440
<v Speaker 2>I'm trying to find those earliest aerial photos because Flynn,

0:19:35.000 --> 0:19:38.400
<v Speaker 2>in reality, like the plan at Lancaster, the plan for Lancaster,

0:19:38.480 --> 0:19:40.320
<v Speaker 2>he didn't have too mey with him when he started there.

0:19:40.640 --> 0:19:42.440
<v Speaker 2>I don't know if he sketched the plan or whatever.

0:19:42.480 --> 0:19:46.879
<v Speaker 2>It's very rudimentary. It's nineteen nineteen. Yet he was changing

0:19:46.920 --> 0:19:49.600
<v Speaker 2>that course not long after that. His plan for Philadelphia

0:19:49.600 --> 0:19:54.240
<v Speaker 2>Country Club nineteen twenty six. Plan opens in twenty seven,

0:19:54.880 --> 0:19:58.399
<v Speaker 2>aerial photo in twenty eight. By the early thirties, they're

0:19:58.400 --> 0:20:01.359
<v Speaker 2>already making changes to the guy. Of course, then in

0:20:01.400 --> 0:20:04.359
<v Speaker 2>preparation for the US Open in nineteen thirty nine, he

0:20:04.560 --> 0:20:08.359
<v Speaker 2>has a type document of his recommended changes, plus the

0:20:08.400 --> 0:20:12.119
<v Speaker 2>aerial photos to confirm that. So it really depends on

0:20:12.240 --> 0:20:16.919
<v Speaker 2>one what's the club looking for? You know, do you

0:20:16.960 --> 0:20:19.800
<v Speaker 2>know Philly set here at nineteen thirty nine. Aerial photos,

0:20:19.880 --> 0:20:23.119
<v Speaker 2>that's what we want. Lancaster had evolved through the years,

0:20:23.480 --> 0:20:25.359
<v Speaker 2>and so Lancaster we could look at some of the

0:20:25.359 --> 0:20:28.160
<v Speaker 2>photos and we didn't really have any really good plans,

0:20:28.480 --> 0:20:32.000
<v Speaker 2>so we had to go to photo documentation other places.

0:20:32.040 --> 0:20:35.040
<v Speaker 2>One phenomenal golf course that's evolved through the years is

0:20:35.119 --> 0:20:38.439
<v Speaker 2>Conquered Country Clubs. It would be listed as Briton Lakes.

0:20:39.560 --> 0:20:42.120
<v Speaker 2>We thought it was a rass course. The features were

0:20:42.160 --> 0:20:46.320
<v Speaker 2>such a departure from what Flynn would do that we

0:20:46.320 --> 0:20:48.880
<v Speaker 2>were mistaken. Ron forst and I am like ninety nine,

0:20:48.920 --> 0:20:51.639
<v Speaker 2>two thousand and then literally, as Wayne Marson and Tommy

0:20:51.640 --> 0:20:56.359
<v Speaker 2>Paul are building their archives for the Nature Faker, I'm

0:20:56.359 --> 0:20:59.040
<v Speaker 2>in Wayne's house in a different room than Ron and

0:20:59.080 --> 0:21:02.159
<v Speaker 2>Wayne and Tommy another gentleman, and I find these plans

0:21:02.160 --> 0:21:05.480
<v Speaker 2>for Britain Lakes and it was like, oh my. So

0:21:05.520 --> 0:21:07.439
<v Speaker 2>all of a sudden we started to have plans that

0:21:07.520 --> 0:21:09.639
<v Speaker 2>confirmed some of the early photos and we knew it

0:21:09.680 --> 0:21:12.119
<v Speaker 2>was Flynn. So all of a sudden we did a

0:21:12.119 --> 0:21:15.600
<v Speaker 2>complete one eighty and we're like throw the Ross ideas, wait,

0:21:15.680 --> 0:21:18.280
<v Speaker 2>let's get back on Flinn. So for me personally, it's

0:21:18.280 --> 0:21:21.119
<v Speaker 2>a long answer to the sure question. It's all about

0:21:21.119 --> 0:21:21.960
<v Speaker 2>the photos for me.

0:21:23.400 --> 0:21:26.960
<v Speaker 1>Yeah, well, but it also seems like it's dependent on

0:21:27.200 --> 0:21:30.480
<v Speaker 1>on the situation. You know, the availability of photos is

0:21:30.800 --> 0:21:34.919
<v Speaker 1>sort of inconsistent. You mentioned Wayne Morrison and Tom Paul's

0:21:35.000 --> 0:21:38.440
<v Speaker 1>work on William Flynn and the importance of that to

0:21:38.880 --> 0:21:41.240
<v Speaker 1>your work at Conquered, and I guess it is pronounced

0:21:41.280 --> 0:21:44.640
<v Speaker 1>Conquered like the one in Massachusetts.

0:21:45.000 --> 0:21:48.000
<v Speaker 2>Yeah, just like Lancaster is Lancaster and the Rancaster.

0:21:48.280 --> 0:21:50.800
<v Speaker 1>It can never be it can never be straightforward with

0:21:51.640 --> 0:21:56.679
<v Speaker 1>you people in the Northeast. But in any case, talk

0:21:56.720 --> 0:21:59.359
<v Speaker 1>about the importance of of of the nature Faker and

0:21:59.560 --> 0:22:02.360
<v Speaker 1>some of the kival work that Wayne Morrison and Tom

0:22:02.400 --> 0:22:03.720
<v Speaker 1>Paul did over the years.

0:22:03.440 --> 0:22:06.600
<v Speaker 2>It's really good because it does provide a missing link.

0:22:06.680 --> 0:22:09.840
<v Speaker 2>Now again we go back to the dollar photograph. So

0:22:10.040 --> 0:22:14.320
<v Speaker 2>in the Philadelphia market, we're very fortunate to have those

0:22:14.800 --> 0:22:18.919
<v Speaker 2>because most times they have photos that were available before

0:22:19.000 --> 0:22:22.800
<v Speaker 2>clubs started making major changes to their golf courses. What

0:22:22.920 --> 0:22:27.399
<v Speaker 2>Tommy Paul and Wayne's work has done for me personally

0:22:27.560 --> 0:22:29.080
<v Speaker 2>is as soon as I get a call from a

0:22:29.160 --> 0:22:31.720
<v Speaker 2>Flint course, I'm going right to the nature figure and

0:22:31.720 --> 0:22:35.760
<v Speaker 2>I'm gathering as much information as I can on that

0:22:35.800 --> 0:22:39.919
<v Speaker 2>golf course. I don't want to say I'm different than

0:22:39.920 --> 0:22:41.920
<v Speaker 2>anyone else, but I learned, you know, I really learned

0:22:41.960 --> 0:22:45.800
<v Speaker 2>this from Ron that Wayne and what Tom has done,

0:22:45.840 --> 0:22:50.719
<v Speaker 2>and Brad Klein and Anthony Piappi. All these historians are

0:22:50.880 --> 0:22:53.920
<v Speaker 2>really really good. But I truly believe that it's in

0:22:54.000 --> 0:22:56.560
<v Speaker 2>my interest that I'm the person that needs to know

0:22:56.640 --> 0:22:59.840
<v Speaker 2>as much about that golf course as possible, as much

0:23:00.040 --> 0:23:03.680
<v Speaker 2>as the historians. So what Wayne and Tom's book have

0:23:03.840 --> 0:23:07.600
<v Speaker 2>done for me is just to provide confirmation of maybe

0:23:07.640 --> 0:23:10.200
<v Speaker 2>what my thoughts are with what I'm seeing in photographs

0:23:10.200 --> 0:23:12.720
<v Speaker 2>by backing it up with maybe written documentation that the

0:23:12.720 --> 0:23:17.440
<v Speaker 2>club had plans that I never maybe had access to,

0:23:17.440 --> 0:23:21.040
<v Speaker 2>to see what the thought process was, and just sort

0:23:21.080 --> 0:23:24.480
<v Speaker 2>of the architectural evolution of that golf course. I remember

0:23:24.520 --> 0:23:27.680
<v Speaker 2>the first time I read Wayne's portion on Lancaster, I

0:23:27.680 --> 0:23:30.840
<v Speaker 2>felt like you needed a PhD to understand the routing

0:23:30.960 --> 0:23:33.600
<v Speaker 2>changes and everything. And it wasn't until you truly understood

0:23:33.600 --> 0:23:35.800
<v Speaker 2>the golf course that you could understand which hole was which,

0:23:35.840 --> 0:23:38.720
<v Speaker 2>what the routing was, and how things flipped around. But

0:23:38.960 --> 0:23:40.639
<v Speaker 2>it's just an excellent archive for me.

0:23:41.400 --> 0:23:44.800
<v Speaker 1>I feel the same about the various Shinnecock Hills routings.

0:23:45.240 --> 0:23:47.640
<v Speaker 1>I mean, I still I mean, I'm in the middle

0:23:47.640 --> 0:23:49.400
<v Speaker 1>of it right now. I still haven't figured it out.

0:23:50.240 --> 0:23:52.600
<v Speaker 1>So I want to talk a little more generally now

0:23:52.640 --> 0:23:57.199
<v Speaker 1>about Flynn's design style, such as it is. I'm not

0:23:57.240 --> 0:24:00.639
<v Speaker 1>sure that the term style necessarily even applies here in

0:24:00.640 --> 0:24:03.920
<v Speaker 1>the way that people think, And I've often had a

0:24:03.960 --> 0:24:07.560
<v Speaker 1>hard time describing what it is that William Flynn does

0:24:07.640 --> 0:24:10.840
<v Speaker 1>or what makes his courses distinctive. So I'm going to

0:24:10.880 --> 0:24:14.640
<v Speaker 1>toss to you at what's probably a somewhat impossible question here,

0:24:14.680 --> 0:24:16.600
<v Speaker 1>but I'm excited to see how you grapple with it.

0:24:17.160 --> 0:24:19.560
<v Speaker 1>If you were to walk on to a random golf course,

0:24:19.960 --> 0:24:23.479
<v Speaker 1>the providence of which you had no idea, right, what

0:24:23.760 --> 0:24:27.040
<v Speaker 1>if anything is going to tell you that that course

0:24:27.119 --> 0:24:28.439
<v Speaker 1>was designed by William Flynn.

0:24:29.359 --> 0:24:34.159
<v Speaker 2>Tasteful restrain in the greens. Flynn just seemed to know.

0:24:35.480 --> 0:24:38.320
<v Speaker 2>And again I'm gonna you guys did a great job

0:24:38.359 --> 0:24:40.480
<v Speaker 2>on that Shinnacock Now podcast.

0:24:40.760 --> 0:24:41.320
<v Speaker 1>Oh thank you.

0:24:41.480 --> 0:24:44.440
<v Speaker 2>One thing you guys mentioned about the bunkering at Shinnacock

0:24:44.880 --> 0:24:48.879
<v Speaker 2>was he knew when to bunker and when not to

0:24:48.920 --> 0:24:51.560
<v Speaker 2>bunker and let the land dictate what was going on.

0:24:52.160 --> 0:24:54.520
<v Speaker 2>And I think that's one market thing that you could

0:24:54.560 --> 0:24:58.400
<v Speaker 2>pick up on a slim golf course. He could Philadelphia

0:24:58.400 --> 0:25:01.400
<v Speaker 2>Country Club had almost one hundred eighty thousand square feet

0:25:01.440 --> 0:25:04.119
<v Speaker 2>of bunker surface area. That's a lot for of course

0:25:04.320 --> 0:25:08.639
<v Speaker 2>not located in Florida. But yet then you can go

0:25:08.720 --> 0:25:11.560
<v Speaker 2>to an eagles mirror where he had rolling topography and

0:25:12.240 --> 0:25:15.320
<v Speaker 2>rocky material and there was one fairly bump, but the

0:25:15.400 --> 0:25:19.080
<v Speaker 2>course was still magnificent in its own right. But also

0:25:19.119 --> 0:25:22.080
<v Speaker 2>if you go to the greens, okay, one telltale sign

0:25:22.119 --> 0:25:24.720
<v Speaker 2>and I did say that Conquered sort of threw us off.

0:25:26.080 --> 0:25:29.679
<v Speaker 2>But he would almost have three high points on the dial.

0:25:31.040 --> 0:25:33.159
<v Speaker 2>But those high points were never in the same spot.

0:25:33.240 --> 0:25:35.880
<v Speaker 2>Like Tilling has to always oftentimes picked up the back

0:25:35.960 --> 0:25:40.480
<v Speaker 2>corners of his greens and you know, maybe the middle undulated. Flynn,

0:25:40.520 --> 0:25:42.679
<v Speaker 2>it was just it was like rotating them. It was like,

0:25:43.000 --> 0:25:45.160
<v Speaker 2>you know, yo to the baseball game. It's like guess

0:25:45.200 --> 0:25:47.520
<v Speaker 2>where the nut is under the cup, you know, and

0:25:47.520 --> 0:25:51.120
<v Speaker 2>they're rotating that around. It's like Flynn doing the same

0:25:51.160 --> 0:25:54.359
<v Speaker 2>thing on his greens. And what's interesting is when we

0:25:54.400 --> 0:25:56.879
<v Speaker 2>talk about the Philly School and the evolution. And I

0:25:56.880 --> 0:25:59.000
<v Speaker 2>told you I'm here at Warwick Hills. Warwick Kills was

0:25:59.000 --> 0:26:02.040
<v Speaker 2>redesigned in nineteen sixty nine by Joe Lee. Joe Lee

0:26:02.119 --> 0:26:04.040
<v Speaker 2>worked for Dick Wilson. I had the good fortune of

0:26:04.080 --> 0:26:07.200
<v Speaker 2>opening up and see our north last weekend. I'm working

0:26:07.200 --> 0:26:10.600
<v Speaker 2>at another Dick Wilson golf course, Medowrook Club. You can

0:26:10.720 --> 0:26:16.960
<v Speaker 2>see the evolution of Flynn and his designs in through

0:26:17.200 --> 0:26:20.640
<v Speaker 2>Joe Lee's work, William and David Gordon's work, Dick Wilson's work,

0:26:21.440 --> 0:26:25.920
<v Speaker 2>Robert von Hagey at Booker Rio. It just bleeds through.

0:26:26.160 --> 0:26:28.080
<v Speaker 2>So one of the things I would look for for

0:26:28.600 --> 0:26:31.720
<v Speaker 2>more than anything is that idea of the greens. What

0:26:31.760 --> 0:26:34.200
<v Speaker 2>did those greens look like? Do they have? And he

0:26:34.680 --> 0:26:37.480
<v Speaker 2>did do some severe undulations on some courses, not to

0:26:37.560 --> 0:26:41.359
<v Speaker 2>the extent of Ross and Tilling has any others. You

0:26:41.400 --> 0:26:43.119
<v Speaker 2>guys nailed it when you talked about it. It was

0:26:43.160 --> 0:26:45.760
<v Speaker 2>more of a can't or you know, I like in

0:26:45.840 --> 0:26:49.520
<v Speaker 2>some of his greens more to Hugh Allison than the

0:26:49.640 --> 0:26:54.840
<v Speaker 2>other Golden Age architects. Yeah, and you know when Hugh

0:26:54.840 --> 0:26:58.560
<v Speaker 2>Allison would occasionally get some good undulation in there, but boy,

0:26:58.600 --> 0:27:01.159
<v Speaker 2>those greens were just they were so good that were subtle.

0:27:02.359 --> 0:27:04.840
<v Speaker 2>It was as if, and I've done this on a

0:27:04.880 --> 0:27:07.359
<v Speaker 2>number of golf courses, it says, when you're building a green,

0:27:07.800 --> 0:27:11.119
<v Speaker 2>you know you'll build it and stake it on a

0:27:11.160 --> 0:27:14.040
<v Speaker 2>ten by ten grid. I look at it and make sure,

0:27:14.119 --> 0:27:16.000
<v Speaker 2>if I'm on a ten by ten grid, that the

0:27:16.040 --> 0:27:20.280
<v Speaker 2>four slopes that form the box plus the diagonals are

0:27:20.400 --> 0:27:24.879
<v Speaker 2>never the same. They are constantly changing from box to

0:27:25.000 --> 0:27:27.920
<v Speaker 2>box to box. And I think that's what Flynn did.

0:27:27.960 --> 0:27:31.040
<v Speaker 2>Now they had the luxury of building a green and

0:27:31.160 --> 0:27:33.280
<v Speaker 2>letting it sit for a period of time. They didn't

0:27:33.359 --> 0:27:35.800
<v Speaker 2>have the time constraints that we have, so the wind

0:27:35.920 --> 0:27:38.720
<v Speaker 2>and the rain and the erosion would form some of

0:27:38.760 --> 0:27:41.959
<v Speaker 2>those things. So I've kind of taken and said, well,

0:27:42.000 --> 0:27:43.880
<v Speaker 2>if we have to accelerate it, let's just make sure

0:27:43.880 --> 0:27:46.439
<v Speaker 2>in that subgrade or the surface that it is just

0:27:46.640 --> 0:27:51.080
<v Speaker 2>constantly changing. Pete Die always said change the rate of change.

0:27:51.240 --> 0:27:53.199
<v Speaker 2>I'll do the same thing in the greens and make

0:27:53.240 --> 0:27:56.240
<v Speaker 2>sure the high points are rotating and converging slopes. And

0:27:56.280 --> 0:27:57.280
<v Speaker 2>you got William Flynn.

0:27:57.960 --> 0:28:01.680
<v Speaker 1>That's very interesting. Three high points? Was he using those?

0:28:01.720 --> 0:28:04.639
<v Speaker 1>Do you think as pinnable areas, or was it just

0:28:04.760 --> 0:28:08.879
<v Speaker 1>kind of an I don't know, why do you think I.

0:28:08.880 --> 0:28:11.480
<v Speaker 2>Think I was forming the horizons of his greens and

0:28:11.560 --> 0:28:14.280
<v Speaker 2>forming the perimeters of his greens, because it was The

0:28:14.320 --> 0:28:17.240
<v Speaker 2>beautiful thing was it was never that they were always

0:28:17.280 --> 0:28:19.720
<v Speaker 2>to the perimeter. Like there could be a high point

0:28:19.720 --> 0:28:23.399
<v Speaker 2>that was internal. Let's let's take the dit so let's

0:28:23.600 --> 0:28:26.480
<v Speaker 2>have a green that's just going straight up. There might

0:28:26.520 --> 0:28:29.760
<v Speaker 2>be one that's offset at one o'clock. And let's say

0:28:29.760 --> 0:28:32.600
<v Speaker 2>the one at one o'clock. Because it was an uphill hole.

0:28:33.000 --> 0:28:35.919
<v Speaker 2>He wanted you to see the back of the green. Okay,

0:28:36.040 --> 0:28:38.320
<v Speaker 2>so you saw the back. So he took the green

0:28:38.640 --> 0:28:41.760
<v Speaker 2>up on to that high point, and then there were

0:28:41.760 --> 0:28:45.560
<v Speaker 2>two bunkers, say left and right. The left bunkers say

0:28:45.760 --> 0:28:51.360
<v Speaker 2>ended at nine o'clock, but that high point was external completely.

0:28:51.840 --> 0:28:53.960
<v Speaker 2>So the green kind of swept up on the slope

0:28:54.000 --> 0:28:56.720
<v Speaker 2>but stopped the back when it went up on it.

0:28:57.040 --> 0:29:00.480
<v Speaker 2>And then the next thing, you know, say at five o'clock,

0:29:00.880 --> 0:29:04.360
<v Speaker 2>there's a high point that is completely internal to the green.

0:29:05.160 --> 0:29:07.920
<v Speaker 2>So it was they were changing the way they were

0:29:08.240 --> 0:29:11.680
<v Speaker 2>around the greens. But they could be internal external, or

0:29:11.680 --> 0:29:15.600
<v Speaker 2>you could have two external one internal you know it

0:29:15.640 --> 0:29:17.719
<v Speaker 2>was to me, it was it was beautiful and if

0:29:17.760 --> 0:29:20.520
<v Speaker 2>you if you set foot on a William Gordon green,

0:29:21.120 --> 0:29:26.000
<v Speaker 2>Gordon did the same thing, but now the construction game

0:29:26.080 --> 0:29:29.000
<v Speaker 2>was changing. He took Flynn's high point and like almost

0:29:29.080 --> 0:29:33.040
<v Speaker 2>doubled them, so the undulations were much larger. That was

0:29:33.080 --> 0:29:35.800
<v Speaker 2>the one thing at Philadelphia Country Club, their eighteenth green,

0:29:36.280 --> 0:29:40.240
<v Speaker 2>William Gordon built that same premise three high points. But

0:29:40.320 --> 0:29:42.920
<v Speaker 2>I'm telling you that that he probably added a foot

0:29:42.960 --> 0:29:45.360
<v Speaker 2>to a foot and a half above where Flynn would

0:29:45.400 --> 0:29:48.120
<v Speaker 2>have ended, and the undulations were just too much on

0:29:48.160 --> 0:29:48.959
<v Speaker 2>those greens.

0:29:49.840 --> 0:29:54.000
<v Speaker 1>It's almost like having having a principle of green construction

0:29:54.120 --> 0:29:57.239
<v Speaker 1>that allows you to build a functional green while at

0:29:57.240 --> 0:30:01.600
<v Speaker 1>the same time allowing room for variety, for changing it

0:30:01.720 --> 0:30:03.680
<v Speaker 1>up so that the player doesn't notice that you're kind

0:30:03.720 --> 0:30:06.200
<v Speaker 1>of using the same principle in a way.

0:30:06.560 --> 0:30:09.600
<v Speaker 2>Well, and here's the thing, and I you know, I

0:30:09.640 --> 0:30:11.800
<v Speaker 2>don't know what Wayne would say to my flought my

0:30:11.840 --> 0:30:17.000
<v Speaker 2>thoughts here, Flinn, you guys were on and I apologize

0:30:17.080 --> 0:30:19.720
<v Speaker 2>some people may not listen to the Shinnecock podcast.

0:30:19.880 --> 0:30:22.560
<v Speaker 1>You're referring to the podcast that we just did on

0:30:22.680 --> 0:30:26.480
<v Speaker 1>Design Golf before where I talked to Matt Rusius, my colleague,

0:30:26.600 --> 0:30:29.000
<v Speaker 1>about the course, and then talked to Bob Crosby's about

0:30:29.000 --> 0:30:30.840
<v Speaker 1>some of the historical issues.

0:30:30.480 --> 0:30:33.360
<v Speaker 2>And so I got to give if you got to

0:30:33.400 --> 0:30:36.840
<v Speaker 2>listen to it, it's really good just about Shinnecock. It

0:30:36.880 --> 0:30:41.160
<v Speaker 2>was about the evolution of American golf design. But in

0:30:41.200 --> 0:30:43.640
<v Speaker 2>that you've talked about the template holes and C. B

0:30:43.760 --> 0:30:47.920
<v Speaker 2>McDonald and Rayner and all this. Flynn seemed to be

0:30:47.960 --> 0:30:51.200
<v Speaker 2>one of the architects who was least concerned with a

0:30:52.080 --> 0:30:55.480
<v Speaker 2>repetition of a theme. But yet he did so many

0:30:55.520 --> 0:30:57.640
<v Speaker 2>of his par three that would be the other thing.

0:30:57.680 --> 0:30:59.480
<v Speaker 2>Your question was, what would I look for? It's the

0:30:59.520 --> 0:31:01.840
<v Speaker 2>par three, so many of his part three's, and one

0:31:01.840 --> 0:31:04.120
<v Speaker 2>of the best golf courses people talk about is Rolling Green.

0:31:04.640 --> 0:31:07.040
<v Speaker 2>Every one of Rolling Green's par threes is benched into

0:31:07.040 --> 0:31:12.160
<v Speaker 2>a hillside with either a single bunker high duet low,

0:31:13.080 --> 0:31:18.520
<v Speaker 2>duet high single low single high four low. You know

0:31:18.720 --> 0:31:22.000
<v Speaker 2>he that was a repetition that he did. You go

0:31:22.080 --> 0:31:25.800
<v Speaker 2>to Philadelphia Country Club, The seventh hole does that? The

0:31:25.800 --> 0:31:29.320
<v Speaker 2>fifteenth pole does that? Lancaster has their eight pole Part three,

0:31:29.640 --> 0:31:32.760
<v Speaker 2>whether he has a long diagonal on the outside left

0:31:32.800 --> 0:31:35.720
<v Speaker 2>and a single bunker on the right, you.

0:31:35.640 --> 0:31:37.920
<v Speaker 1>Know, and eleven at Hinnacock maybe.

0:31:37.960 --> 0:31:41.720
<v Speaker 2>To eleven eleven absolutely fantastic golf hole, you know, two

0:31:41.760 --> 0:31:47.160
<v Speaker 2>and eleven at Chinnacok. It he just seemed to say, Okay,

0:31:47.160 --> 0:31:49.480
<v Speaker 2>these are the sites to you know, these are the

0:31:49.880 --> 0:31:52.080
<v Speaker 2>part three sites that I want to use. And he

0:31:52.160 --> 0:31:56.320
<v Speaker 2>also oftentimes he did I think Ron just did an

0:31:56.400 --> 0:31:59.120
<v Speaker 2>article on golf die just or something on the tenth

0:31:59.120 --> 0:32:03.240
<v Speaker 2>hole at or it was a USGA journal, the tenth

0:32:03.240 --> 0:32:07.240
<v Speaker 2>hole at Marion, which obviously was Flynn was probably very

0:32:07.240 --> 0:32:09.560
<v Speaker 2>instrumental in that because that's when the hole came back

0:32:09.600 --> 0:32:12.240
<v Speaker 2>across the road and is where it's at now and

0:32:12.280 --> 0:32:16.560
<v Speaker 2>it's that short dog leg left where similar things at

0:32:16.600 --> 0:32:19.400
<v Speaker 2>sixteen at Leicester, number one at Philly, which was the

0:32:19.440 --> 0:32:21.880
<v Speaker 2>sixteenth pole at Philly, I believe it's the fourth, and

0:32:22.000 --> 0:32:24.640
<v Speaker 2>Huntington Valley, the twelfth at Pine Valley, the seventh of

0:32:24.760 --> 0:32:30.360
<v Speaker 2>Cherry Hills. They are all different iterations of this same philosophy.

0:32:30.480 --> 0:32:32.920
<v Speaker 2>But you know, those are some of the things, key

0:32:32.960 --> 0:32:33.880
<v Speaker 2>things I might be looking for.

0:32:41.280 --> 0:32:43.440
<v Speaker 1>This episode of Designing Golf is brought to you by

0:32:43.440 --> 0:32:50.080
<v Speaker 1>the Golf Superintendent's Association of America. Or GCSAA. This partnership

0:32:50.120 --> 0:32:52.880
<v Speaker 1>makes a lot of sense for Friday Golf. Really, our

0:32:52.920 --> 0:32:56.440
<v Speaker 1>company would not exist in its current form without the

0:32:56.520 --> 0:32:59.800
<v Speaker 1>help of superintendents. You know, we go to a lot

0:32:59.800 --> 0:33:01.959
<v Speaker 1>of courses. We try to learn as much as we

0:33:02.000 --> 0:33:05.520
<v Speaker 1>can about those golf courses, and the best resources for

0:33:05.680 --> 0:33:11.000
<v Speaker 1>us over the years have been superintendents. GCSAA supports more

0:33:11.040 --> 0:33:15.760
<v Speaker 1>than twenty one thousand members worldwide, not only superintendents actually,

0:33:15.760 --> 0:33:21.480
<v Speaker 1>but also equipment managers, students and educators. Celebrating its one

0:33:21.520 --> 0:33:25.960
<v Speaker 1>hundredth anniversary this year, GCSAA continues to ensure that its

0:33:26.000 --> 0:33:30.920
<v Speaker 1>members are on the forefront of research, education, innovation, and

0:33:31.040 --> 0:33:35.520
<v Speaker 1>advocacy through a range of programs and services. To learn more,

0:33:35.840 --> 0:33:40.360
<v Speaker 1>go to GCSAA dot org. Check it out. Great organization

0:33:40.920 --> 0:33:43.240
<v Speaker 1>and we're very proud to be working with them. All right,

0:33:43.440 --> 0:33:53.160
<v Speaker 1>let's get back to Jim Nagel. So I think, as

0:33:53.200 --> 0:33:56.840
<v Speaker 1>we've mentioned a couple of times, Flynn had a memorable

0:33:56.960 --> 0:34:02.440
<v Speaker 1>nickname that he gave himself, the nature Fake. What do

0:34:02.480 --> 0:34:06.640
<v Speaker 1>you think it is about Flynn's designs that make them

0:34:07.040 --> 0:34:10.800
<v Speaker 1>so natural looking? What were kind of the architectural methods

0:34:10.920 --> 0:34:15.239
<v Speaker 1>behind naturalism as he practiced it on his golf course.

0:34:15.280 --> 0:34:17.440
<v Speaker 2>And I think I think it's three things. It was

0:34:17.480 --> 0:34:20.600
<v Speaker 2>his routings, okay, and how he used the land in

0:34:20.640 --> 0:34:23.640
<v Speaker 2>those routings, and therefore then the trickle down effect of

0:34:23.680 --> 0:34:26.880
<v Speaker 2>then citing the green It was, I think too, also

0:34:26.960 --> 0:34:29.239
<v Speaker 2>the fact that on some of his projects he didn't

0:34:29.280 --> 0:34:32.880
<v Speaker 2>necessarily bunker it exactly the way he wanted it. He

0:34:33.200 --> 0:34:35.719
<v Speaker 2>allowed the course to evolve, he watched people play, and

0:34:35.719 --> 0:34:38.719
<v Speaker 2>then he came back and he would bunker according to that.

0:34:38.880 --> 0:34:42.160
<v Speaker 2>But he always seemed to because of how he routed

0:34:42.160 --> 0:34:45.760
<v Speaker 2>the holes. A number of his bunkers never seemed forced,

0:34:46.120 --> 0:34:51.040
<v Speaker 2>they seemed to fit in beautifully. And then I just

0:34:51.080 --> 0:34:59.120
<v Speaker 2>think it's a his green sights because of their overall appearance,

0:35:01.239 --> 0:35:05.120
<v Speaker 2>never seemed contrived, never seemed too tricked up. They just

0:35:05.360 --> 0:35:10.000
<v Speaker 2>they just fit. And and I think that might be why,

0:35:10.120 --> 0:35:12.719
<v Speaker 2>you know, he takes on this this moniker of the

0:35:13.120 --> 0:35:15.719
<v Speaker 2>nature figure. And his use of the water too. I

0:35:15.760 --> 0:35:18.080
<v Speaker 2>never thought about that before, but you know, a lot

0:35:18.120 --> 0:35:21.000
<v Speaker 2>of guys would sort of shy away from water. He

0:35:21.280 --> 0:35:25.200
<v Speaker 2>seemed to welcome it and his greens, his green positionings,

0:35:25.239 --> 0:35:28.799
<v Speaker 2>I think the thirteenth at Lehigh, the eleventh at Lee High,

0:35:28.920 --> 0:35:33.600
<v Speaker 2>Lancaster's twelfth, Lancaster's sixth, A couple of the holes at

0:35:33.719 --> 0:35:38.040
<v Speaker 2>at manufacturers he was he wasn't afraid to use that.

0:35:38.160 --> 0:35:44.040
<v Speaker 2>And I you know there's there's the par three that country.

0:35:44.520 --> 0:35:50.360
<v Speaker 2>Oh shoot yeah, Pepper Country covered Pepper Pike when the

0:35:50.360 --> 0:35:52.080
<v Speaker 2>guilded a couple years ago. I want to say five

0:35:52.200 --> 0:35:54.839
<v Speaker 2>or was just this beautiful ridge and just the way

0:35:54.880 --> 0:35:56.680
<v Speaker 2>he positioned it on here and then you go right

0:35:56.719 --> 0:36:02.000
<v Speaker 2>next door to the pepper like club that has that

0:36:02.320 --> 0:36:05.479
<v Speaker 2>wash maybe lack of a better term of Baranca moving

0:36:05.520 --> 0:36:09.480
<v Speaker 2>through there and how he used that land. I think

0:36:09.520 --> 0:36:13.440
<v Speaker 2>that that in many ways allowed him to have that

0:36:13.560 --> 0:36:16.160
<v Speaker 2>name of the nature fake or that he just we

0:36:16.239 --> 0:36:18.520
<v Speaker 2>go back to the original thing where I talked about restrain.

0:36:19.239 --> 0:36:22.200
<v Speaker 2>He knew how to restrain himself. I think from doing

0:36:22.239 --> 0:36:26.000
<v Speaker 2>too much where whether it was other classic architects where

0:36:26.280 --> 0:36:29.560
<v Speaker 2>more modern architects today it's more of an ego driven

0:36:29.600 --> 0:36:31.600
<v Speaker 2>type thing where they have to do more, have to

0:36:31.600 --> 0:36:33.520
<v Speaker 2>do more, have to do more. I don't think he

0:36:33.719 --> 0:36:34.799
<v Speaker 2>felt the need to do so.

0:36:35.400 --> 0:36:37.760
<v Speaker 1>Or a client driven thing. You know, this course needs

0:36:37.800 --> 0:36:40.880
<v Speaker 1>to to pop. I often when I look at William

0:36:40.880 --> 0:36:44.120
<v Speaker 1>Flynn's courses, that I often think nobody would be able

0:36:44.120 --> 0:36:47.680
<v Speaker 1>to build this way now because it is so subtle,

0:36:47.800 --> 0:36:50.480
<v Speaker 1>it's so restrained. The word that comes to mind for

0:36:50.560 --> 0:36:51.800
<v Speaker 1>me is effortlessness.

0:36:51.920 --> 0:36:55.319
<v Speaker 2>Right, yeah, yeah. And you know it's interesting how you

0:36:55.400 --> 0:36:59.320
<v Speaker 2>just explained that, because many years ago, Ron Whitten and

0:36:59.440 --> 0:37:02.440
<v Speaker 2>I some courses together and we looked at Philly Country

0:37:02.520 --> 0:37:04.400
<v Speaker 2>and then we went over to Lancaster and part of

0:37:04.400 --> 0:37:07.399
<v Speaker 2>that tour was because Lancaster at one time had been

0:37:07.400 --> 0:37:11.520
<v Speaker 2>in the Golf Digest top one hundred, so here all

0:37:11.560 --> 0:37:13.880
<v Speaker 2>of this work had been done, but Lancaster was not

0:37:14.040 --> 0:37:16.960
<v Speaker 2>making any headway in the rankings. And that could be

0:37:17.000 --> 0:37:22.319
<v Speaker 2>a whole other conversation about rankings, but Ron Wenten described

0:37:22.320 --> 0:37:24.360
<v Speaker 2>it wonderfully because you know, he was the guy that

0:37:24.480 --> 0:37:27.719
<v Speaker 2>really started this whole rankings thing, and he said, the

0:37:28.080 --> 0:37:31.880
<v Speaker 2>thing about William Flynn is in rankings, especially Golf Digest

0:37:31.920 --> 0:37:34.279
<v Speaker 2>at that time before things started to be revamped, was

0:37:34.800 --> 0:37:36.640
<v Speaker 2>it was more about the show. It was more about

0:37:36.680 --> 0:37:41.000
<v Speaker 2>that first impression. And he said that doesn't mean William

0:37:41.040 --> 0:37:44.360
<v Speaker 2>flynn golf courses are not great. It just means that

0:37:44.440 --> 0:37:46.920
<v Speaker 2>a lot of Golf Digest raiders see a golf course

0:37:47.040 --> 0:37:52.000
<v Speaker 2>once and that's it where William Flynn. It's an intelligent

0:37:52.080 --> 0:37:55.280
<v Speaker 2>golf course. You have to go back time and time

0:37:55.480 --> 0:38:01.000
<v Speaker 2>again to truly understand that golf course. And you know,

0:38:01.080 --> 0:38:04.040
<v Speaker 2>I rebuilt a couple holes at Conquered Country Club. They

0:38:04.040 --> 0:38:06.600
<v Speaker 2>had Jeffrey Cornish come in and they sold some land

0:38:06.640 --> 0:38:10.879
<v Speaker 2>and corners came in and we took a part five

0:38:10.920 --> 0:38:13.360
<v Speaker 2>and turned it into a four or three. The three

0:38:13.520 --> 0:38:17.240
<v Speaker 2>was inspired by not copied, but inspired by the eleventh

0:38:17.320 --> 0:38:21.360
<v Speaker 2>at Shinnikok, and the fourteenth was just our own, my

0:38:21.480 --> 0:38:24.400
<v Speaker 2>own thing. But I went and studied, you know, I

0:38:24.440 --> 0:38:27.080
<v Speaker 2>was kind of looking at greens at Indian Creek and

0:38:27.200 --> 0:38:31.319
<v Speaker 2>Lehigh and the best thing I ever got compliment I

0:38:31.360 --> 0:38:33.040
<v Speaker 2>got back was from a person that was on the

0:38:33.040 --> 0:38:34.720
<v Speaker 2>green committee where he said, you know, I've been playing

0:38:34.719 --> 0:38:36.520
<v Speaker 2>this green for three years and I still can't figure

0:38:36.520 --> 0:38:40.240
<v Speaker 2>it out. But it is a very subtle looking green.

0:38:40.320 --> 0:38:42.359
<v Speaker 2>So I felt like, Okay, then we hit the mark

0:38:42.440 --> 0:38:45.920
<v Speaker 2>with Flint and what he would have done, not that

0:38:45.960 --> 0:38:47.480
<v Speaker 2>we really could know what he'd do.

0:38:47.480 --> 0:38:50.879
<v Speaker 1>Today, Well you look at his holes and you think, oh, well,

0:38:50.880 --> 0:38:53.680
<v Speaker 1>that's just what was there. But it takes a few

0:38:53.680 --> 0:38:56.480
<v Speaker 1>times to realize that all the features have a strategic

0:38:56.520 --> 0:39:01.600
<v Speaker 1>function as well, you know, because all therategic moments are

0:39:01.640 --> 0:39:04.640
<v Speaker 1>not are not you know, signposted or put in put

0:39:04.640 --> 0:39:06.520
<v Speaker 1>in bright lights for you that it's just part of

0:39:06.520 --> 0:39:09.480
<v Speaker 1>the landscape. But then as you as you play the chorus,

0:39:09.520 --> 0:39:12.880
<v Speaker 1>you realize, Okay, these these things are acting on my

0:39:13.000 --> 0:39:17.319
<v Speaker 1>ball and influencing play in in a in a certain way.

0:39:17.400 --> 0:39:20.160
<v Speaker 2>And so it's and I think that's why. I think

0:39:20.160 --> 0:39:23.839
<v Speaker 2>that's why, you know, the culmination of his career and

0:39:23.880 --> 0:39:26.120
<v Speaker 2>the best of his careers be what's on showcase. You

0:39:26.120 --> 0:39:29.760
<v Speaker 2>know what's going to be showcased next week. And because

0:39:29.800 --> 0:39:32.400
<v Speaker 2>of the strategy, the use of the land, the variety

0:39:32.560 --> 0:39:36.839
<v Speaker 2>all of those different things in the greens I think

0:39:37.080 --> 0:39:42.239
<v Speaker 2>is I personally, I always have the plan for Shinnecock

0:39:42.640 --> 0:39:45.279
<v Speaker 2>next to my desk, and it doesn't matter whether I'm

0:39:45.280 --> 0:39:49.000
<v Speaker 2>working on a renovation or restoration or even what architect

0:39:49.560 --> 0:39:56.400
<v Speaker 2>Flynn's plan for Shinnecock. The bunkering concepts, the arrangements of bunkers, singles, duets,

0:39:56.640 --> 0:40:01.560
<v Speaker 2>you know sixteen has five lumped together there the greenside bunkering,

0:40:01.680 --> 0:40:04.200
<v Speaker 2>all of that is to me some of the best

0:40:04.680 --> 0:40:08.520
<v Speaker 2>golf course architecture that it doesn't matter what course you're

0:40:08.520 --> 0:40:12.080
<v Speaker 2>working on, or what the concepts may be, you can

0:40:12.200 --> 0:40:14.120
<v Speaker 2>just draw something from that.

0:40:15.400 --> 0:40:17.719
<v Speaker 1>Yeah, it's just a total masterclass.

0:40:17.800 --> 0:40:22.399
<v Speaker 2>You know, Philly Philly Country to a certain degree. Also,

0:40:22.480 --> 0:40:26.520
<v Speaker 2>Philly Country was one of as Wayne has told me,

0:40:26.719 --> 0:40:29.680
<v Speaker 2>it was one of his favorites. And you know that

0:40:29.680 --> 0:40:32.440
<v Speaker 2>that golf course and how that evolved and the fact

0:40:32.480 --> 0:40:36.600
<v Speaker 2>that you know, Flynn was there originally opened the course up.

0:40:36.760 --> 0:40:38.880
<v Speaker 2>Within a few years. They weren't happy with some of

0:40:38.920 --> 0:40:42.440
<v Speaker 2>the greens. Flynn wasn't happy with some of the greens.

0:40:42.480 --> 0:40:45.640
<v Speaker 2>Maxwell comes in, rebuilds a couple of greens. Flynn comes back.

0:40:45.680 --> 0:40:49.400
<v Speaker 2>He's actually ticked at what had occurred because some of

0:40:49.400 --> 0:40:53.040
<v Speaker 2>the strategies that were intended were now gone. They rebuild

0:40:53.080 --> 0:40:56.360
<v Speaker 2>some greens again, they stop rebuilding the others. Then he

0:40:56.440 --> 0:40:59.600
<v Speaker 2>comes in in thirty seven for the Open and he

0:40:59.680 --> 0:41:02.120
<v Speaker 2>makes sugested change. And I was thinking that I had

0:41:02.160 --> 0:41:05.359
<v Speaker 2>a lot of windshield time this week and already, and

0:41:05.400 --> 0:41:09.440
<v Speaker 2>I was thinking about those changes. And the interesting thing was,

0:41:10.000 --> 0:41:13.080
<v Speaker 2>I think whether it was player with or the width

0:41:13.080 --> 0:41:15.359
<v Speaker 2>of the fairways. A lot of the bunkers that were

0:41:15.360 --> 0:41:17.840
<v Speaker 2>added in preparation for the thirty nine Open were the

0:41:17.880 --> 0:41:21.960
<v Speaker 2>elimination of bailout areas, and so the fact you know,

0:41:22.040 --> 0:41:25.200
<v Speaker 2>he he was I know, I think he was one

0:41:25.239 --> 0:41:27.600
<v Speaker 2>of the best best designers of that er, just didn't

0:41:27.640 --> 0:41:30.840
<v Speaker 2>have the personality of the others to jump to the forefront.

0:41:30.880 --> 0:41:33.000
<v Speaker 2>And then he died right after World War Two, so

0:41:33.360 --> 0:41:33.879
<v Speaker 2>didn't help.

0:41:34.239 --> 0:41:39.000
<v Speaker 1>That's a factor too. But I think that also that

0:41:38.880 --> 0:41:42.239
<v Speaker 1>the fact that he doesn't get spoken of in the

0:41:42.280 --> 0:41:46.960
<v Speaker 1>same way that say McKenzie and McDonald do is partly

0:41:47.000 --> 0:41:51.359
<v Speaker 1>attributable to exactly what you're talking about. His restraint and

0:41:51.400 --> 0:41:56.760
<v Speaker 1>his resistance to showing his architecture right, his courses really

0:41:56.840 --> 0:42:01.960
<v Speaker 1>don't don't show and so as a result, it's a

0:42:01.960 --> 0:42:05.560
<v Speaker 1>little bit hard to talk about, As I said when

0:42:05.560 --> 0:42:07.400
<v Speaker 1>I initially asked the question, it's a little bit hard

0:42:07.440 --> 0:42:11.520
<v Speaker 1>to talk about his style. It's not really a charismatic style.

0:42:12.000 --> 0:42:15.920
<v Speaker 1>They're just, you know, they're just really good golf courses.

0:42:16.400 --> 0:42:19.960
<v Speaker 2>But the interesting thing is, though, Okay, so we can

0:42:20.000 --> 0:42:22.879
<v Speaker 2>talk about McKenzie or we can talk about Ross and

0:42:23.640 --> 0:42:31.399
<v Speaker 2>but if you think about their impact overall, you can

0:42:31.480 --> 0:42:36.719
<v Speaker 2>actually say that Flynn's impact is still felt today in

0:42:36.800 --> 0:42:40.600
<v Speaker 2>his influence in architects because of the sort of the

0:42:40.680 --> 0:42:45.000
<v Speaker 2>passing down of the torch that there are still people

0:42:45.000 --> 0:42:50.439
<v Speaker 2>that have a connection, you know, back to Flynn and

0:42:50.560 --> 0:42:54.399
<v Speaker 2>Hugh and and really Flynn goes to Hugh Wilson. You know,

0:42:54.520 --> 0:42:57.560
<v Speaker 2>the epicenter of it all really is Hugh Wilson and

0:42:57.600 --> 0:43:00.880
<v Speaker 2>what Flynn learned from Wilson and then carry that torch on.

0:43:02.160 --> 0:43:05.479
<v Speaker 2>You know, I'm I'm like, I'm on this run right now.

0:43:05.640 --> 0:43:07.920
<v Speaker 2>Of you know, I got Warwick Hills because of the

0:43:07.920 --> 0:43:10.440
<v Speaker 2>work at NCR. Well, what was the connection. Well, Joe

0:43:10.560 --> 0:43:14.280
<v Speaker 2>Lee redesigned Warwick Hills. He built NCR in nineteen fifty

0:43:14.280 --> 0:43:16.480
<v Speaker 2>four with Dick Wilson. And then all of a sudden,

0:43:17.000 --> 0:43:20.160
<v Speaker 2>you know, there's the boker Rio Golf Club, which was

0:43:20.360 --> 0:43:23.080
<v Speaker 2>Robert von Haggie. Von Haggie was working for Wilson when

0:43:23.080 --> 0:43:25.839
<v Speaker 2>he was building Pine Tree. You know, there's there's all

0:43:25.960 --> 0:43:30.120
<v Speaker 2>these Flynn is still sort of webbed into all of

0:43:30.160 --> 0:43:32.200
<v Speaker 2>the fabric of a lot of golf today.

0:43:32.920 --> 0:43:36.280
<v Speaker 1>Yeah, there's a big Flynn design tree, Flynn and Toomey

0:43:36.360 --> 0:43:38.759
<v Speaker 1>design tree. And I mention for those who don't know

0:43:39.280 --> 0:43:42.680
<v Speaker 1>Howard Toomey was was Flynn's I don't know how to

0:43:42.680 --> 0:43:45.239
<v Speaker 1>describe it. The construction he was.

0:43:45.160 --> 0:43:49.399
<v Speaker 2>The he was the Moreau to Langfort. Yeah it's good. Yeah,

0:43:50.040 --> 0:43:52.399
<v Speaker 2>but yeah, he was like his construction foreman and I'm

0:43:52.400 --> 0:43:55.440
<v Speaker 2>sure engineer and did some many other things.

0:43:56.320 --> 0:44:01.719
<v Speaker 1>All right. So in talking about Flynn's naturalism, you mentioned

0:44:02.320 --> 0:44:06.520
<v Speaker 1>his routing ability. I've heard you say that that Flynn

0:44:07.239 --> 0:44:10.880
<v Speaker 1>might be the greatest router of golf courses from the

0:44:10.880 --> 0:44:13.399
<v Speaker 1>golden age of golf architecture. At least I believe I've

0:44:13.400 --> 0:44:15.319
<v Speaker 1>heard you say that before I did.

0:44:15.400 --> 0:44:18.240
<v Speaker 2>Hopefully this it's not a trap, but yes, I believe it's.

0:44:18.080 --> 0:44:19.759
<v Speaker 1>Not a drap at all. No, No, that's not what

0:44:19.760 --> 0:44:24.440
<v Speaker 1>we do on this podcast. There's no Gotcha's Golf Architecture podcast.

0:44:25.280 --> 0:44:28.160
<v Speaker 1>What do you think what made him so effective at routing? What?

0:44:28.160 --> 0:44:29.839
<v Speaker 1>What is what is the talent there?

0:44:32.360 --> 0:44:42.680
<v Speaker 2>Hmmm, utilizing the land in almost the most economical way,

0:44:43.080 --> 0:44:46.000
<v Speaker 2>like it didn't take a lot. Now, there was always

0:44:46.000 --> 0:44:48.520
<v Speaker 2>this great contrast years and years ago because they discovered

0:44:48.560 --> 0:44:50.200
<v Speaker 2>and we go back to Wayne, that they discovered that

0:44:50.200 --> 0:44:52.439
<v Speaker 2>Flynn had done a routing for the country Covie York,

0:44:53.080 --> 0:44:55.600
<v Speaker 2>and Ron and I had worked at Counch Covie York

0:44:55.640 --> 0:44:58.800
<v Speaker 2>many many Manion years ago, and we knew that property

0:44:59.400 --> 0:45:01.439
<v Speaker 2>and when was always like, ah, you know, why didn't

0:45:01.440 --> 0:45:03.640
<v Speaker 2>they They should have used Flynn's plan. Lynn's plan, And it

0:45:03.680 --> 0:45:06.560
<v Speaker 2>was like, oh my gosh, like Flyn's plan. Walking that property,

0:45:06.719 --> 0:45:09.279
<v Speaker 2>it would have been a cart only golf course. It

0:45:09.360 --> 0:45:10.520
<v Speaker 2>was a tough piece of property.

0:45:10.640 --> 0:45:13.640
<v Speaker 1>There's a there's a not famous but famous to me

0:45:13.880 --> 0:45:17.080
<v Speaker 1>paper on golf club at lists about oh yeah, that's right,

0:45:17.120 --> 0:45:21.080
<v Speaker 1>comparing and contrasting the routings, and Flynn's just involved. Flynn's

0:45:21.160 --> 0:45:22.960
<v Speaker 1>was a lot more muscular. Let's put it down.

0:45:23.080 --> 0:45:25.880
<v Speaker 2>Yes, yeah, yeah, but you know, okay, so you just

0:45:25.960 --> 0:45:31.760
<v Speaker 2>used the word muscular brawnye, okay, Philly Country is a brawny,

0:45:31.960 --> 0:45:35.680
<v Speaker 2>big muscular property Lancaster the same way Huntington Valley has

0:45:35.719 --> 0:45:40.640
<v Speaker 2>aspects of that Manny's. Manny's is different because he basically

0:45:42.600 --> 0:45:46.160
<v Speaker 2>switched back up the slope where others he would go

0:45:46.280 --> 0:45:49.879
<v Speaker 2>with the slopes and down and across, and so there

0:45:49.880 --> 0:45:53.640
<v Speaker 2>were some rounding differences there. But you know, one thing

0:45:53.680 --> 0:45:57.239
<v Speaker 2>you guys talked about on the Shinnacock thing again, it's

0:45:57.280 --> 0:46:01.799
<v Speaker 2>triangles and this idea of trying angles and when you

0:46:01.840 --> 0:46:04.319
<v Speaker 2>look at some of his routings, this idea of these

0:46:04.400 --> 0:46:09.000
<v Speaker 2>three whole blocks in triangles. It shows you how he

0:46:09.160 --> 0:46:12.520
<v Speaker 2>was thinking and thinking about the land, thinking about the wind,

0:46:12.560 --> 0:46:16.360
<v Speaker 2>thinking about the contrasting lies above your feet, below your feet.

0:46:16.400 --> 0:46:18.919
<v Speaker 2>You know, what's what is the land going to do?

0:46:19.200 --> 0:46:22.080
<v Speaker 2>And by having those triangles, he I don't want to

0:46:22.120 --> 0:46:25.640
<v Speaker 2>say he forced an outcome on you, but he definitely

0:46:25.680 --> 0:46:29.600
<v Speaker 2>it influenced what could be happening within those sections. And

0:46:29.640 --> 0:46:33.680
<v Speaker 2>it wasn't always sequentially seven eight nine, you know Philly,

0:46:33.719 --> 0:46:37.560
<v Speaker 2>it's like one eight nine, one, six ten, four, five eleven.

0:46:37.960 --> 0:46:41.440
<v Speaker 2>You know, he had these different triangles that seemed to

0:46:42.080 --> 0:46:46.120
<v Speaker 2>work with all of the topography. And I like what

0:46:46.160 --> 0:46:48.000
<v Speaker 2>he used to do. And Wayne and I have talked

0:46:48.000 --> 0:46:51.000
<v Speaker 2>about this is sort of the reverse can't Part four,

0:46:51.520 --> 0:46:53.799
<v Speaker 2>where a lot of times dog leg Part fours were

0:46:53.840 --> 0:46:58.560
<v Speaker 2>always like a racetrack, low inside, high outside. Flynn flipped

0:46:58.560 --> 0:47:02.560
<v Speaker 2>that fifteen at Lancaster seven or two at Philly Country,

0:47:03.200 --> 0:47:06.799
<v Speaker 2>where if you played away from the hazards, you didn't

0:47:06.880 --> 0:47:09.440
<v Speaker 2>need a hazard to the outside. The land did it,

0:47:09.920 --> 0:47:14.239
<v Speaker 2>and therefore that lower land seemed to obscure your view

0:47:14.920 --> 0:47:17.520
<v Speaker 2>towards the green, or he just simply placed a bunker

0:47:17.560 --> 0:47:22.760
<v Speaker 2>at the green that you had to negotiate but it just, uh,

0:47:23.200 --> 0:47:27.400
<v Speaker 2>I don't know that there's a certain elegance to his routings.

0:47:29.000 --> 0:47:30.439
<v Speaker 2>That's that's kind of how I look at.

0:47:30.480 --> 0:47:36.480
<v Speaker 1>Yeah, they seem simple, right, it's not again, it's it's

0:47:36.520 --> 0:47:39.879
<v Speaker 1>not a showy thing with William Flynn. It just seems like, oh, yeah,

0:47:39.880 --> 0:47:44.399
<v Speaker 1>that's that's obviously how this land should be routed. But

0:47:44.400 --> 0:47:47.719
<v Speaker 1>but of course, you know, if you were given, if

0:47:47.719 --> 0:47:50.319
<v Speaker 1>I were given, let's say that the same piece of land,

0:47:50.320 --> 0:47:52.600
<v Speaker 1>I probably wouldn't have come up with as the end

0:47:52.640 --> 0:47:53.120
<v Speaker 1>of a solution.

0:47:53.920 --> 0:47:56.640
<v Speaker 2>And you know, we don't. We don't have insight. You know,

0:47:56.680 --> 0:47:59.080
<v Speaker 2>he wrote a little bit on some of his principles,

0:47:59.640 --> 0:48:02.960
<v Speaker 2>so it's hard to say, you know, why was it

0:48:03.000 --> 0:48:05.560
<v Speaker 2>the green sites first? Was he the type that picked

0:48:05.640 --> 0:48:09.879
<v Speaker 2>the greens first? Was it Okay, I've got a long

0:48:09.920 --> 0:48:11.919
<v Speaker 2>stretch of land here, I can get a Part four

0:48:11.960 --> 0:48:14.520
<v Speaker 2>in here, or I've got a stream crossing here, so

0:48:14.600 --> 0:48:18.400
<v Speaker 2>I want to use this stream. It's hard to say

0:48:18.520 --> 0:48:25.560
<v Speaker 2>what the actual intentions were, you know, we just we

0:48:25.600 --> 0:48:27.360
<v Speaker 2>just don't have him here to do that, and he

0:48:27.360 --> 0:48:29.120
<v Speaker 2>didn't write much down. I guess.

0:48:30.719 --> 0:48:33.440
<v Speaker 1>All right, I have a question here from a member

0:48:33.480 --> 0:48:36.160
<v Speaker 1>of Friday Golf Club I put out a call for

0:48:36.320 --> 0:48:39.560
<v Speaker 1>questions in our in our Friday Golf Club app, and

0:48:39.960 --> 0:48:42.319
<v Speaker 1>some people chimed in with things they want to know

0:48:42.360 --> 0:48:45.160
<v Speaker 1>about about William Flynn. So this is from a member

0:48:45.200 --> 0:48:48.840
<v Speaker 1>named Ben Dennison, he says, and this is starting to

0:48:48.880 --> 0:48:53.000
<v Speaker 1>get to you know, Flynn's use of strategic design and angles.

0:48:53.800 --> 0:48:56.479
<v Speaker 1>He says. When I think of flynn courses, I think

0:48:56.560 --> 0:48:59.759
<v Speaker 1>a lot about diagonals as one of the key aspects

0:48:59.800 --> 0:49:05.719
<v Speaker 1>of his architectural style. Offset tea boxes, crossing creeks at

0:49:05.800 --> 0:49:11.040
<v Speaker 1>various diagonal angles, et cetera. Where did this design feature

0:49:11.080 --> 0:49:14.640
<v Speaker 1>originate for him? Was this a conscious choice he came

0:49:14.680 --> 0:49:16.520
<v Speaker 1>to or did he just fall into it? Now it

0:49:16.640 --> 0:49:18.719
<v Speaker 1>might be hard to answer those questions because, as you said, well,

0:49:18.840 --> 0:49:23.080
<v Speaker 1>Flynn didn't didn't have a lot of uh didn't didn't

0:49:23.080 --> 0:49:26.640
<v Speaker 1>write a lot about his craft. But as you assess

0:49:26.719 --> 0:49:29.600
<v Speaker 1>his courses, does it become obvious to you that this

0:49:29.800 --> 0:49:31.839
<v Speaker 1>was something that was important to him this this year?

0:49:32.239 --> 0:49:34.520
<v Speaker 2>Very much so, very much so. And I had the

0:49:34.520 --> 0:49:37.160
<v Speaker 2>good fortune of working for the Die family even when

0:49:37.160 --> 0:49:39.400
<v Speaker 2>I was in college studying golf or studying to be

0:49:39.440 --> 0:49:43.440
<v Speaker 2>a golf architect. You know, I didn't know that, Yeah,

0:49:45.080 --> 0:49:48.480
<v Speaker 2>you and everybody else went down to the Pete Die

0:49:48.520 --> 0:49:50.680
<v Speaker 2>Golf Club just to see it under construction. It was

0:49:50.719 --> 0:49:52.719
<v Speaker 2>still being built. I mean, you had a seventeen year

0:49:52.760 --> 0:49:55.520
<v Speaker 2>window to go see it, and Pete happened to be

0:49:55.560 --> 0:49:57.359
<v Speaker 2>there that day, and literally by the end of the day,

0:49:57.400 --> 0:49:59.759
<v Speaker 2>I wasn't working necessary for Pete, but for for Perry

0:49:59.800 --> 0:50:03.239
<v Speaker 2>who sun in Colorado. But what we're getting out there

0:50:03.320 --> 0:50:08.480
<v Speaker 2>is for the Die family, angles diagonals were huge, huge influence,

0:50:09.040 --> 0:50:10.759
<v Speaker 2>and I think for Flynn again, we got to go

0:50:10.800 --> 0:50:14.640
<v Speaker 2>back to this idea of Wilson and Mike Serba, sort

0:50:14.680 --> 0:50:16.560
<v Speaker 2>of a golf historian in Philly for those that might

0:50:16.600 --> 0:50:19.080
<v Speaker 2>not know them, did a great presentation on Hugh Wilson

0:50:19.120 --> 0:50:21.520
<v Speaker 2>and a lot of the principles that you saw coming

0:50:21.560 --> 0:50:24.799
<v Speaker 2>out of Marion, and he only did all dabble it

0:50:24.800 --> 0:50:27.840
<v Speaker 2>a little bit in other some other projects. There seemed

0:50:27.880 --> 0:50:32.640
<v Speaker 2>to be these strong influences on Flynn and that diagonal.

0:50:32.960 --> 0:50:35.520
<v Speaker 2>And you really pick up on that diagonal in the

0:50:35.560 --> 0:50:38.560
<v Speaker 2>evolution of Dick Wilson as a designer, because then Wilson

0:50:38.560 --> 0:50:41.560
<v Speaker 2>started taking the role of the ball out and going vertical.

0:50:41.920 --> 0:50:44.800
<v Speaker 2>So those diagonals and how things were coming into lines

0:50:44.840 --> 0:50:47.480
<v Speaker 2>of play. I thought it was beautiful the way you

0:50:47.520 --> 0:50:52.640
<v Speaker 2>guys discussed the sixteenth hole at Shinnecock straight line t

0:50:52.840 --> 0:50:55.959
<v Speaker 2>de green. But he interrupts it with that line of play.

0:50:56.040 --> 0:50:58.279
<v Speaker 2>Are we talking about the line of charm? There's the

0:50:58.320 --> 0:51:02.040
<v Speaker 2>line of instinct, and then we introduce that line of charm.

0:51:02.360 --> 0:51:08.640
<v Speaker 2>Great English gardeners talked about s curves and this line

0:51:08.680 --> 0:51:12.640
<v Speaker 2>of charm and beauty and how you're interrupting things, and

0:51:12.680 --> 0:51:16.480
<v Speaker 2>then that sort of evolved into golf and you could

0:51:16.560 --> 0:51:18.520
<v Speaker 2>look at you could do a study of the what

0:51:18.600 --> 0:51:21.320
<v Speaker 2>was the original eighteenth at Philly Country it's now the third.

0:51:21.960 --> 0:51:25.319
<v Speaker 2>The bunkering concepts versus the land are very similar to

0:51:25.360 --> 0:51:30.640
<v Speaker 2>the sixteenth at Shinnecok, and so he builds those in

0:51:30.680 --> 0:51:34.600
<v Speaker 2>on these interrupting lines. I love his It's easier to

0:51:34.640 --> 0:51:37.320
<v Speaker 2>work on a restoration plan for Flynn when you're getting

0:51:37.320 --> 0:51:40.360
<v Speaker 2>the teas. You know this general tendency of the modern

0:51:40.400 --> 0:51:43.640
<v Speaker 2>teas to square everything off. Well, because Flynn did not

0:51:43.880 --> 0:51:47.799
<v Speaker 2>point everything at the middles of fairways, they were all offset.

0:51:48.320 --> 0:51:50.359
<v Speaker 2>It makes it very easy to say, we don't need

0:51:50.400 --> 0:51:52.319
<v Speaker 2>to square these things off. We can kind of do

0:51:52.480 --> 0:51:56.640
<v Speaker 2>some irregular shaped teas and have them juxtaposed off the

0:51:56.680 --> 0:51:59.680
<v Speaker 2>center line of the whole. It's there's a certain beauty

0:51:59.680 --> 0:52:00.959
<v Speaker 2>in that also.

0:52:01.440 --> 0:52:04.319
<v Speaker 1>Right, you even have to start doing that because if

0:52:04.360 --> 0:52:07.960
<v Speaker 1>you have a hole where you know, the aggressive play

0:52:08.200 --> 0:52:11.560
<v Speaker 1>is at a completely different angle from the tee than

0:52:11.600 --> 0:52:15.160
<v Speaker 1>the conservative play than having like a perfectly squared off

0:52:15.200 --> 0:52:19.799
<v Speaker 1>t box is going to confuse people, right, yeah, yeah, yeah,

0:52:19.840 --> 0:52:22.520
<v Speaker 1>that's I think he never thought about the effect on

0:52:22.600 --> 0:52:23.240
<v Speaker 1>te design.

0:52:24.320 --> 0:52:27.600
<v Speaker 2>I just think it was his evolution as a designer

0:52:27.760 --> 0:52:34.040
<v Speaker 2>that the diagonals and the ever changing landscape and golf

0:52:34.160 --> 0:52:38.239
<v Speaker 2>design at that time in the twenties, you know, some

0:52:38.320 --> 0:52:40.960
<v Speaker 2>of his maybe one of his best years was twenty

0:52:41.000 --> 0:52:43.400
<v Speaker 2>six and then you know, you get thirty and thirty

0:52:43.400 --> 0:52:47.000
<v Speaker 2>one with Indian Creak and Shinnecock and how he evolved

0:52:47.000 --> 0:52:48.799
<v Speaker 2>in that period of time. You take a look at

0:52:48.800 --> 0:52:52.640
<v Speaker 2>early Lancaster and it was very rudimentary for his standards,

0:52:52.640 --> 0:52:56.879
<v Speaker 2>not Victorian, but very rudimentary for his standards in Harrisburg

0:52:56.960 --> 0:53:04.240
<v Speaker 2>and Downingtown and Eagles Mere, very simple designs. But then

0:53:04.719 --> 0:53:07.839
<v Speaker 2>he you know, something was evolving. Maybe was it the

0:53:07.880 --> 0:53:11.920
<v Speaker 2>combined efforts of the Philadelphia School and those guys exchanging ideas.

0:53:12.080 --> 0:53:15.359
<v Speaker 2>Was it the completion of Pine Valley? Was it? You know,

0:53:15.560 --> 0:53:17.799
<v Speaker 2>him taking over and essentially doing all the work at Marion.

0:53:17.840 --> 0:53:20.160
<v Speaker 2>Who's to say so?

0:53:20.200 --> 0:53:23.280
<v Speaker 1>I've got another question for you here from a Friday

0:53:23.320 --> 0:53:25.960
<v Speaker 1>Golf Club member, but there's a bit of a build up.

0:53:26.160 --> 0:53:30.840
<v Speaker 1>It's on the issue of equipment regulation, and William Flynn

0:53:31.480 --> 0:53:36.960
<v Speaker 1>happened to be an advocate for more regulation. He saw

0:53:37.000 --> 0:53:39.640
<v Speaker 1>it as an emerging problem. He spoke out against it.

0:53:39.880 --> 0:53:42.360
<v Speaker 1>You know this is this is one of his utterances

0:53:42.360 --> 0:53:45.280
<v Speaker 1>that we can actually quote, and it's a remarkable quote.

0:53:45.360 --> 0:53:49.440
<v Speaker 1>I just want to read it. He said, all architects

0:53:49.560 --> 0:53:51.719
<v Speaker 1>will be a lot more comfortable when the powers that

0:53:51.760 --> 0:53:54.919
<v Speaker 1>be in golf finally solve the ball problem. A great

0:53:54.960 --> 0:53:57.400
<v Speaker 1>deal of experimentation is now going on, and it is

0:53:57.400 --> 0:53:59.920
<v Speaker 1>to be hoped that before long a solution will be

0:54:00.080 --> 0:54:04.080
<v Speaker 1>found to control the distance of the elusive pill. If,

0:54:04.160 --> 0:54:07.080
<v Speaker 1>as in the past, the distance to be gotten with

0:54:07.120 --> 0:54:10.279
<v Speaker 1>the ball continues to increase, it will be necessary to

0:54:10.280 --> 0:54:13.680
<v Speaker 1>go to seventy five hundred and even eight thousand yard courses,

0:54:14.440 --> 0:54:17.479
<v Speaker 1>and more yards means more acres to buy, more course

0:54:17.520 --> 0:54:21.440
<v Speaker 1>to construct, more fairway to maintain, and more money for

0:54:21.520 --> 0:54:24.240
<v Speaker 1>the golfer to fork out. This might be the single

0:54:24.360 --> 0:54:28.520
<v Speaker 1>most prescient thing that I think any architect of his

0:54:28.600 --> 0:54:32.759
<v Speaker 1>era said about equipment and.

0:54:33.080 --> 0:54:36.120
<v Speaker 2>So related to what year was that one.

0:54:36.120 --> 0:54:38.480
<v Speaker 1>I actually don't know what year this quote came from.

0:54:38.680 --> 0:54:41.040
<v Speaker 1>Wayne Morrison has quoted it a number of times. We

0:54:41.080 --> 0:54:44.840
<v Speaker 1>know William Flynn died in nineteen forty four, so I

0:54:44.880 --> 0:54:45.359
<v Speaker 1>don't know.

0:54:46.120 --> 0:54:49.120
<v Speaker 2>Well, here, I'm going to pull up one here for you.

0:54:49.960 --> 0:54:53.160
<v Speaker 2>It's a confirmation of that. And this is very interesting

0:54:53.239 --> 0:54:59.160
<v Speaker 2>because of what we are still dealing with ninety years later.

0:55:00.080 --> 0:55:04.040
<v Speaker 2>You bear with me here. And so in terms of

0:55:04.080 --> 0:55:08.680
<v Speaker 2>the equipment, yes, he was unabashed in his philosophies and

0:55:08.760 --> 0:55:15.560
<v Speaker 2>his thoughts regarding the equipment and where things were going,

0:55:16.320 --> 0:55:21.200
<v Speaker 2>and it just seemed to be something that he was

0:55:21.560 --> 0:55:25.120
<v Speaker 2>He was actually pretty upset that Ed Dudley, who was

0:55:25.160 --> 0:55:28.120
<v Speaker 2>a very famous golf pro, spent time at Augusta, was

0:55:28.160 --> 0:55:32.520
<v Speaker 2>the golf pro Philadelphia Country Club was reaching his par

0:55:33.440 --> 0:55:37.279
<v Speaker 2>fours or par fives in two So here we go.

0:55:37.840 --> 0:55:41.799
<v Speaker 2>During the last decade, there has been continuous improvement in

0:55:41.840 --> 0:55:45.000
<v Speaker 2>the golf ball. All the modern club has been made

0:55:45.120 --> 0:55:47.960
<v Speaker 2>much more powerful and effective by changes in the swinging

0:55:47.960 --> 0:55:51.440
<v Speaker 2>weight and improvements in the steel shaft. In addition, a

0:55:51.520 --> 0:55:54.960
<v Speaker 2>new class of golf. And it's crossed out, and he

0:55:55.080 --> 0:55:59.319
<v Speaker 2>adds amateur and professional professional is what was crossed out.

0:55:59.360 --> 0:56:02.839
<v Speaker 2>He says, amateur also has developed the modern defense. The

0:56:02.840 --> 0:56:07.600
<v Speaker 2>modern professional has achieved unbelievable distance and accuracy because he

0:56:07.719 --> 0:56:12.160
<v Speaker 2>not only practices continually and intelligently, but because he goes

0:56:12.200 --> 0:56:15.720
<v Speaker 2>into physical and mental training for tournament play. This means

0:56:15.760 --> 0:56:18.080
<v Speaker 2>that the low scores in the Open will be players

0:56:18.080 --> 0:56:20.799
<v Speaker 2>who are not only in perfect physical condition, but they

0:56:20.840 --> 0:56:25.160
<v Speaker 2>are mentally tournament hardened in their concentration, and their concentration

0:56:25.360 --> 0:56:29.120
<v Speaker 2>is always under control. In the last twenty five years,

0:56:29.160 --> 0:56:31.400
<v Speaker 2>there has been very little change in the rule for

0:56:31.480 --> 0:56:34.560
<v Speaker 2>determining par for a course, whereas there has been a

0:56:34.600 --> 0:56:39.200
<v Speaker 2>tremendous advancement in the character of play by our best professionals.

0:56:39.719 --> 0:56:44.440
<v Speaker 2>Nineteen thirty eight, in preparation for the US Open at Philly,

0:56:44.560 --> 0:56:47.440
<v Speaker 2>they actually played that US Open at a tick over

0:56:47.600 --> 0:56:51.560
<v Speaker 2>sixty eight hundred and fifty yards par sixty nine one

0:56:51.600 --> 0:56:52.120
<v Speaker 2>part five.

0:56:52.560 --> 0:56:56.680
<v Speaker 1>Wow. And that was right around the time that the

0:56:56.760 --> 0:56:59.720
<v Speaker 1>USGA was starting to get really worried too, and around

0:56:59.719 --> 0:57:02.480
<v Speaker 1>the time that Robert Trent Jones was going out to

0:57:02.600 --> 0:57:05.759
<v Speaker 1>US opens and starting to measure drives. But I think yeah, I.

0:57:05.760 --> 0:57:10.440
<v Speaker 2>Mean fourteen years later, nineteen fifty one is when he

0:57:11.600 --> 0:57:14.319
<v Speaker 2>put his stamp on the open, Doctor Monks.

0:57:14.080 --> 0:57:16.400
<v Speaker 1>Just as soon as he could after the war basically,

0:57:16.640 --> 0:57:18.840
<v Speaker 1>And it was, yeah, it was in those years that

0:57:19.080 --> 0:57:23.360
<v Speaker 1>people started, you know, Ralph Gouldall and others started shooting

0:57:23.400 --> 0:57:26.160
<v Speaker 1>really low scores at the US Open all of a sudden,

0:57:26.160 --> 0:57:30.200
<v Speaker 1>that places like Oakland Hills and so so. Yeah, I

0:57:30.200 --> 0:57:32.880
<v Speaker 1>mean clearly Flynn was was kind of part of that

0:57:33.000 --> 0:57:37.360
<v Speaker 1>pushback against the increasing distance that the ball was traveling.

0:57:37.800 --> 0:57:39.800
<v Speaker 1>And this had a lot to do with steel shafts

0:57:39.880 --> 0:57:44.200
<v Speaker 1>and you know, just improvements and in general. But this

0:57:44.280 --> 0:57:48.160
<v Speaker 1>is a question from from FEGC member Hunter Lambert, and

0:57:48.200 --> 0:57:51.160
<v Speaker 1>it's a it's a good one. He's just curious if

0:57:51.640 --> 0:57:56.080
<v Speaker 1>flynn designs were because Flynn was so you know, sort

0:57:56.080 --> 0:57:58.960
<v Speaker 1>of worried about this problem or aware of this problem,

0:57:59.560 --> 0:58:04.440
<v Speaker 1>were his designs already distance protected to some degree, and

0:58:04.920 --> 0:58:07.880
<v Speaker 1>was that purposeful on his part? And I will note

0:58:07.920 --> 0:58:10.200
<v Speaker 1>here that the Flynn's courses have stood the test of

0:58:10.240 --> 0:58:13.680
<v Speaker 1>time pretty well. In general, in championship golf.

0:58:13.600 --> 0:58:16.080
<v Speaker 2>There was a certain elasticity I think built into his

0:58:16.120 --> 0:58:18.960
<v Speaker 2>golf courses, but others there were not. You know when

0:58:19.080 --> 0:58:24.200
<v Speaker 2>we when we so Force Design started working with Philadelphia

0:58:24.200 --> 0:58:26.840
<v Speaker 2>Country Club in nineteen ninety nine, I had been with

0:58:26.920 --> 0:58:31.000
<v Speaker 2>Ron a year two thousand and when was the last

0:58:31.160 --> 0:58:35.280
<v Speaker 2>am at Marrion? I think it was five three or five,

0:58:35.360 --> 0:58:37.720
<v Speaker 2>not a long time ago. Yeah, yeah, But anyway, they

0:58:37.800 --> 0:58:41.440
<v Speaker 2>lengthened holes for five and then we just redid the

0:58:41.480 --> 0:58:44.360
<v Speaker 2>course again and we lengthened them some more on the

0:58:44.360 --> 0:58:47.120
<v Speaker 2>holes that we could. Otherwise that course is backed into things,

0:58:47.160 --> 0:58:50.400
<v Speaker 2>so how do we handle this distance thing? When the

0:58:50.440 --> 0:58:53.640
<v Speaker 2>club commissioned me, I was still with Ron, but they

0:58:53.640 --> 0:58:56.400
<v Speaker 2>said we want our nineteen thirty nine US Open course.

0:58:57.760 --> 0:59:08.120
<v Speaker 2>I said that's great, but you know, holes like two, three, four, eight, nine, ten, twelve,

0:59:10.320 --> 0:59:16.320
<v Speaker 2>seventeen eighteen, all of the bunker positions are just they're irrelevant.

0:59:16.560 --> 0:59:18.800
<v Speaker 2>So we did and we didn't have the ability to

0:59:18.840 --> 0:59:21.040
<v Speaker 2>go back on some of those holes. So we went

0:59:21.160 --> 0:59:24.480
<v Speaker 2>forward or further away with the bunkers only where the

0:59:24.520 --> 0:59:27.640
<v Speaker 2>ground would allow us to do that. And so Flynn's

0:59:27.640 --> 0:59:32.360
<v Speaker 2>courses I think have held their own possibly because of

0:59:32.400 --> 0:59:36.640
<v Speaker 2>his routing his greens and he was really good at

0:59:36.640 --> 0:59:40.040
<v Speaker 2>bunkering things, and he didn't force he didn't you know,

0:59:40.080 --> 0:59:41.880
<v Speaker 2>if you have ground that's falling away and you try

0:59:41.920 --> 0:59:43.520
<v Speaker 2>and put a bunker on, you got to build that

0:59:43.640 --> 0:59:47.360
<v Speaker 2>ground up. So because Flynn, everything was laid out in

0:59:47.360 --> 0:59:50.439
<v Speaker 2>front of you. You could see what you needed to do.

0:59:51.280 --> 0:59:54.800
<v Speaker 2>And so with Flynn, he'd I think there was certain

0:59:54.840 --> 0:59:58.160
<v Speaker 2>flexibility built into his designs. We also saw and have

0:59:58.320 --> 1:00:01.200
<v Speaker 2>letters from him saying changes that he would have made

1:00:02.040 --> 1:00:04.760
<v Speaker 2>or he was recommending because of the change of equipment.

1:00:04.760 --> 1:00:06.400
<v Speaker 2>So that gives us a little bit of freedom as

1:00:06.520 --> 1:00:10.680
<v Speaker 2>architects to sort of pick up on that Lancaster. You know,

1:00:10.720 --> 1:00:13.520
<v Speaker 2>when we started doing preparing Lancaster for the twenty four

1:00:13.560 --> 1:00:17.680
<v Speaker 2>Women's Open, and it's always member driven, but Lancaster, some

1:00:17.720 --> 1:00:20.840
<v Speaker 2>of those bunkers had started to become obsolete. So we

1:00:20.880 --> 1:00:24.440
<v Speaker 2>started making adjustments by either adding bunkers, bringing some bunkers

1:00:24.480 --> 1:00:28.280
<v Speaker 2>that were taken away decades ago, elongating some of the

1:00:28.320 --> 1:00:31.160
<v Speaker 2>bunkers so that we could kind of cover those distances

1:00:31.200 --> 1:00:33.480
<v Speaker 2>because unfortunately, as you know, with a lot of classic

1:00:33.480 --> 1:00:37.320
<v Speaker 2>golf courses, those teas are pushed into the corners and

1:00:37.360 --> 1:00:40.160
<v Speaker 2>we just don't have that room to expand them anymore

1:00:40.800 --> 1:00:43.200
<v Speaker 2>or extend them, I should say so.

1:00:43.320 --> 1:00:48.000
<v Speaker 1>Flynn is often mentioned as part of the Philadelphia School

1:00:48.000 --> 1:00:51.560
<v Speaker 1>of golf architecture. You've made reference to the Philly School

1:00:52.000 --> 1:00:55.560
<v Speaker 1>a couple of times so far. He contributed to the

1:00:55.600 --> 1:01:00.520
<v Speaker 1>designs of Marion and Pine Valley, which were like the

1:01:00.560 --> 1:01:06.000
<v Speaker 1>great laboratories of Philadelphia golf course architecture. And of course

1:01:06.000 --> 1:01:08.720
<v Speaker 1>he himself designed more great courses in the Philadelphia area

1:01:08.760 --> 1:01:13.480
<v Speaker 1>than anyone. How would you talk about the influence of

1:01:13.520 --> 1:01:18.000
<v Speaker 1>the Philadelphia School on American golf architecture in general, Like

1:01:18.080 --> 1:01:21.840
<v Speaker 1>what did it give to golf course design in this country?

1:01:26.160 --> 1:01:30.840
<v Speaker 2>It's hard to say, because, you know, working on a

1:01:30.880 --> 1:01:33.960
<v Speaker 2>lot of classic air golf courses, you have a regionalization,

1:01:35.200 --> 1:01:39.280
<v Speaker 2>you know, Warren Smith styles in Van Kleek, kind of

1:01:39.920 --> 1:01:46.120
<v Speaker 2>Herbert Strong, New England, New York, and a ross all

1:01:46.160 --> 1:01:52.480
<v Speaker 2>over the place. I think his his lasting impression, his

1:01:52.560 --> 1:01:56.400
<v Speaker 2>lasting legacy, was the fact that his I feel like

1:01:57.160 --> 1:02:02.120
<v Speaker 2>his associates Dick will Dick Wilson then breeds a couple

1:02:02.160 --> 1:02:04.960
<v Speaker 2>other guys and William Gordon. You know William Gordon. It's

1:02:05.040 --> 1:02:07.680
<v Speaker 2>not a not a name you seek out, but yet

1:02:07.680 --> 1:02:10.760
<v Speaker 2>he did a fantastic job at Saukon Valley Way Hill

1:02:11.120 --> 1:02:15.200
<v Speaker 2>and the Grace Course, really good golf courses that there.

1:02:15.280 --> 1:02:19.680
<v Speaker 2>There was sort of this this trickling down. You know.

1:02:19.800 --> 1:02:24.640
<v Speaker 3>Maybe it's the minimalistic approach of design, you know, in

1:02:24.760 --> 1:02:27.080
<v Speaker 3>terms of and you guys talked about it in terms

1:02:27.080 --> 1:02:32.240
<v Speaker 3>of the approach that maybe Gil, having lived in the

1:02:32.240 --> 1:02:34.400
<v Speaker 3>Philly area, picked up on.

1:02:34.680 --> 1:02:37.680
<v Speaker 2>I can't speak for Gil, so I'm hypothesized, but maybe

1:02:37.680 --> 1:02:41.040
<v Speaker 2>what Gil saw in the work that he when he

1:02:41.160 --> 1:02:43.320
<v Speaker 2>was living in Philly and what he saw there. I

1:02:43.360 --> 1:02:47.080
<v Speaker 2>know when Tom was doing Stonewall, apparently he traveled and

1:02:47.120 --> 1:02:49.800
<v Speaker 2>would go all around Philly looking at some of those

1:02:49.800 --> 1:02:52.920
<v Speaker 2>golf courses. Maybe there were certain aspects that were picked

1:02:53.000 --> 1:02:57.240
<v Speaker 2>up there. You know, I remember walking sand Hills with

1:02:57.720 --> 1:03:01.160
<v Speaker 2>Ben Crenshaw and of course Sonny Hannah is primarily tilling.

1:03:01.200 --> 1:03:05.600
<v Speaker 2>Has Flynn came in thirty eight or something like that

1:03:05.640 --> 1:03:09.880
<v Speaker 2>and did some work there, and you know, Ben Crenshaw

1:03:10.720 --> 1:03:13.960
<v Speaker 2>mentioned how much playing as an amateur he started to

1:03:14.040 --> 1:03:16.440
<v Speaker 2>notice something at the country club a bookline, and then

1:03:16.480 --> 1:03:20.840
<v Speaker 2>at Sonny Hannah something about these classic courses. Maybe that

1:03:21.080 --> 1:03:23.200
<v Speaker 2>there was just something that stuck in the back of

1:03:23.240 --> 1:03:27.320
<v Speaker 2>their mind. That moved through. But in terms of what

1:03:27.360 --> 1:03:29.320
<v Speaker 2>did the Philly School give us, I mean, I think

1:03:29.360 --> 1:03:32.080
<v Speaker 2>you have two of the greatest golf courses in the

1:03:32.120 --> 1:03:36.040
<v Speaker 2>world and examples of different styles of architecture in Marion

1:03:36.120 --> 1:03:36.960
<v Speaker 2>and Pine Valley.

1:03:38.880 --> 1:03:43.080
<v Speaker 1>Yeah, I mean Flynn's contributions to Pine Valley are kind

1:03:43.120 --> 1:03:48.360
<v Speaker 1>of focused around a few holes. How would you understand

1:03:48.400 --> 1:03:50.040
<v Speaker 1>and this is a question I got as well in

1:03:50.080 --> 1:03:54.640
<v Speaker 1>Friday Golf Club, how would you understand his contributions to Marion.

1:03:55.000 --> 1:03:58.200
<v Speaker 1>I've never quite been able to figure out well, or

1:03:58.240 --> 1:04:00.560
<v Speaker 1>I should be saying that, you know, Mary is Hugh

1:04:00.600 --> 1:04:03.240
<v Speaker 1>Wilson plus William Flynn or just Hugh Wilson.

1:04:04.080 --> 1:04:07.800
<v Speaker 2>I think it's Hugh Wilson, Hugh Wilson, Hugh Wilson and

1:04:07.840 --> 1:04:11.720
<v Speaker 2>William Flynn in the sense that you know, Fred Pickering

1:04:11.880 --> 1:04:14.760
<v Speaker 2>was building a lot of the stuff at Marion, and

1:04:14.840 --> 1:04:17.000
<v Speaker 2>I think there was a connection of marriage or something

1:04:17.120 --> 1:04:19.360
<v Speaker 2>in law. I'm not a hun percent sure with Pickering

1:04:19.400 --> 1:04:22.320
<v Speaker 2>and Flynn. Flynn was up in Vermont, brings him down

1:04:22.360 --> 1:04:25.280
<v Speaker 2>to Marion kind of makes him puts him on the

1:04:25.280 --> 1:04:29.120
<v Speaker 2>construction crew. Flynn was eventually is elevated to basically a

1:04:29.160 --> 1:04:32.680
<v Speaker 2>construction format and superintendent, and you had to imagine back

1:04:32.680 --> 1:04:35.120
<v Speaker 2>at that time, a lot of the superintendents were doing

1:04:35.120 --> 1:04:36.960
<v Speaker 2>the actual design work. It could have been an Irishmen

1:04:37.000 --> 1:04:40.000
<v Speaker 2>and Englishman, a Scotsman, whomever, and they're doing some of

1:04:40.040 --> 1:04:44.400
<v Speaker 2>that work. And so the changes that were being made

1:04:44.680 --> 1:04:48.200
<v Speaker 2>at Marion, there are times that changes were being made

1:04:48.280 --> 1:04:52.680
<v Speaker 2>after Wilson had passed away. So I think it's obvious

1:04:52.760 --> 1:04:56.440
<v Speaker 2>then that Flynn probably was taking on some of that

1:04:56.680 --> 1:05:00.200
<v Speaker 2>role of doing that work. You know, that'd be a

1:05:00.240 --> 1:05:03.040
<v Speaker 2>great conversation to have with with Wayne or just check

1:05:03.080 --> 1:05:04.960
<v Speaker 2>in on golf called Batist, because I think that, uh,

1:05:05.280 --> 1:05:08.400
<v Speaker 2>that is has probably been for this, this whole, this whole,

1:05:09.400 --> 1:05:10.760
<v Speaker 2>this whole conversation.

1:05:10.960 --> 1:05:13.480
<v Speaker 1>You know, podcasts like this exists Jen so that people

1:05:13.560 --> 1:05:17.280
<v Speaker 1>don't have to dig too deeply into those threads, because

1:05:17.280 --> 1:05:20.520
<v Speaker 1>while I enjoy that, no, it's not for everybody.

1:05:21.160 --> 1:05:24.520
<v Speaker 2>I really, I truly do believe that there are portions

1:05:24.560 --> 1:05:30.520
<v Speaker 2>of of Mary and they're very much you know, William Flynn.

1:05:31.400 --> 1:05:34.560
<v Speaker 2>I just think that there's just the evolution of the course,

1:05:34.640 --> 1:05:38.040
<v Speaker 2>the timing of everything, and some of the things that

1:05:38.120 --> 1:05:40.080
<v Speaker 2>you might see at Mary and that get carried out

1:05:40.120 --> 1:05:45.080
<v Speaker 2>through other golf courses. I think he had to have it.

1:05:46.200 --> 1:05:48.280
<v Speaker 2>I think that's a that's a Toomey, or that's a

1:05:48.320 --> 1:05:49.640
<v Speaker 2>Wilson and Flynn.

1:05:50.200 --> 1:05:54.480
<v Speaker 1>Yeah, okay, I'm I'm glad to get a relatively definitive

1:05:54.520 --> 1:05:58.280
<v Speaker 1>answer there. Do you have time for for a quick

1:05:58.360 --> 1:06:02.880
<v Speaker 1>lightning round? Just a few quick question or answer answer

1:06:02.920 --> 1:06:05.760
<v Speaker 1>in a few sentences. Yeah, it's actually a terrible thing

1:06:05.800 --> 1:06:09.440
<v Speaker 1>that interviewers do. I will admit that. Just saying ahead

1:06:09.440 --> 1:06:11.440
<v Speaker 1>of time, I'm going to ask you a question, you

1:06:11.520 --> 1:06:12.720
<v Speaker 1>only get two sentences.

1:06:13.120 --> 1:06:15.920
<v Speaker 2>I'm only joking because you said in a few sentences.

1:06:15.960 --> 1:06:18.240
<v Speaker 2>And if you give a golf architect a platform, they

1:06:18.280 --> 1:06:20.160
<v Speaker 2>can't say anything in a few sentences.

1:06:20.320 --> 1:06:24.160
<v Speaker 1>That's very true, all right. First one is from Glenn

1:06:24.160 --> 1:06:28.200
<v Speaker 1>Saunders and fegc. He asks what are some of the

1:06:28.240 --> 1:06:31.480
<v Speaker 1>more underrated and unknown Flint courses. I'm going to focus

1:06:31.520 --> 1:06:34.360
<v Speaker 1>this one a bit further. Is there one Flinn course

1:06:34.720 --> 1:06:37.600
<v Speaker 1>that you think hasn't gotten the recognition it deserves, whether

1:06:37.680 --> 1:06:46.200
<v Speaker 1>you've worked there or not. Yeah, I mean you don't

1:06:46.200 --> 1:06:48.000
<v Speaker 1>have to choose just one if that's too hard.

1:06:48.760 --> 1:06:53.080
<v Speaker 2>No, that's the thing, because the one that I think

1:06:53.120 --> 1:06:57.959
<v Speaker 2>flies under the radar is Manufacturers. But you know, part

1:06:57.960 --> 1:07:01.120
<v Speaker 2>of its recognition really is becoming just because of some

1:07:01.320 --> 1:07:04.040
<v Speaker 2>great photos that John, it's hard.

1:07:03.920 --> 1:07:06.240
<v Speaker 1>To become a social media start. Yes, a few of

1:07:06.240 --> 1:07:10.720
<v Speaker 1>those goals with the that's kind of I think it's.

1:07:10.600 --> 1:07:13.479
<v Speaker 2>Only second to the sixteenth at Sleepy Hollow in terms

1:07:13.520 --> 1:07:21.360
<v Speaker 2>of posts on online. You know they're Lee High. Not

1:07:21.840 --> 1:07:26.240
<v Speaker 2>everybody focuses on the Philly courses, And then a lot

1:07:26.240 --> 1:07:28.720
<v Speaker 2>of people say, so we only a couple of sentences

1:07:29.080 --> 1:07:30.000
<v Speaker 2>Lee High.

1:07:30.040 --> 1:07:34.200
<v Speaker 1>That's my that's my re Yes, perfect answer. Yes, very

1:07:34.320 --> 1:07:37.400
<v Speaker 1>very under underrated golf course where Ron Forest has worked

1:07:37.440 --> 1:07:38.040
<v Speaker 1>for for a.

1:07:38.000 --> 1:07:40.280
<v Speaker 2>Long time, almost thirty plus years.

1:07:40.360 --> 1:07:43.640
<v Speaker 1>Yeah. The next one here is from Matthew Rix and

1:07:44.360 --> 1:07:48.240
<v Speaker 1>Nephew GC. He asks, you know, we know Flynn did

1:07:48.320 --> 1:07:52.080
<v Speaker 1>most of his work around Philadelphia, with some exceptions, or

1:07:52.120 --> 1:07:53.920
<v Speaker 1>a lot of his work at least. Is there a

1:07:54.000 --> 1:07:56.880
<v Speaker 1>chance more Flynn courses exist in New Jersey, New York

1:07:56.880 --> 1:07:59.800
<v Speaker 1>and the surrounding areas, but their record keeping and histories

1:07:59.800 --> 1:08:03.240
<v Speaker 1>of lost over time? How you thought about whether there

1:08:03.280 --> 1:08:06.640
<v Speaker 1>are some courses out there that maybe call themselves Ross

1:08:06.840 --> 1:08:10.640
<v Speaker 1>but are in fact Flynn as you conquered.

1:08:11.320 --> 1:08:14.960
<v Speaker 2>Some might say the opposite for Glenn View, that he

1:08:15.040 --> 1:08:18.280
<v Speaker 2>really didn't do much there, but it's I don't think

1:08:18.320 --> 1:08:22.880
<v Speaker 2>so after to see what Wayne and and Tom Paul

1:08:22.920 --> 1:08:24.600
<v Speaker 2>and I think there was even Mike herdzan in there

1:08:24.640 --> 1:08:26.960
<v Speaker 2>a little bit, to see all of the information that

1:08:27.000 --> 1:08:30.920
<v Speaker 2>they had on all of these golf courses. I'm not

1:08:30.960 --> 1:08:35.479
<v Speaker 2>sure there's anything out there that's that's missing. I agree that, yeah,

1:08:36.280 --> 1:08:36.760
<v Speaker 2>it's just.

1:08:37.120 --> 1:08:39.479
<v Speaker 1>What we can know. We probably do, know, I.

1:08:40.040 --> 1:08:42.280
<v Speaker 2>Really think we do. And it'd be wonderful if there

1:08:42.400 --> 1:08:45.920
<v Speaker 2>was something else out there. But I just I don't

1:08:46.000 --> 1:08:49.639
<v Speaker 2>see it. Dying, you know, he wasn't one that took

1:08:49.680 --> 1:08:54.680
<v Speaker 2>on too much work. He died relatively young, you know,

1:08:55.160 --> 1:08:56.439
<v Speaker 2>I don't. I don't think so.

1:08:57.560 --> 1:09:03.400
<v Speaker 1>Okay, the last couple quite here from me. Uh, these

1:09:03.400 --> 1:09:07.320
<v Speaker 1>are not from FUGC members, as you've mentioned, like a

1:09:07.400 --> 1:09:11.720
<v Speaker 1>number of notable golf architects worked for Flynn, worked on

1:09:12.000 --> 1:09:16.679
<v Speaker 1>Flynn construction crews, including Dick Wilson and Read Lawrence Lawrence.

1:09:17.000 --> 1:09:19.800
<v Speaker 1>Is there a golf course by by one of Flynn's

1:09:19.960 --> 1:09:25.320
<v Speaker 1>acolytes that you think embodies Flynn's principles particularly well where

1:09:25.320 --> 1:09:27.280
<v Speaker 1>you look at it and you're like, oh, that's Flynn.

1:09:27.840 --> 1:09:31.040
<v Speaker 2>There's two okay, and it's an evolution from one generation

1:09:31.120 --> 1:09:35.200
<v Speaker 2>to the next. The best, the best golf course architecture

1:09:35.280 --> 1:09:38.160
<v Speaker 2>education I ever had started at Indian Creek where we talked.

1:09:38.160 --> 1:09:41.040
<v Speaker 2>We started this whole conversation onout Indian Creek from scratch

1:09:41.439 --> 1:09:44.040
<v Speaker 2>Flynn's principles on paper boom done.

1:09:44.120 --> 1:09:48.160
<v Speaker 1>I think we talked about that off without afore we

1:09:48.160 --> 1:09:50.000
<v Speaker 1>were recording, but we did. You and I had a

1:09:50.040 --> 1:09:52.960
<v Speaker 1>little discussion of Indian crea Indian.

1:09:52.640 --> 1:09:55.120
<v Speaker 2>Creek, and then you go from Indian Creek to Pine Tree.

1:09:55.160 --> 1:09:56.920
<v Speaker 2>The next day I was at Pine Tree, which is

1:09:56.960 --> 1:10:00.160
<v Speaker 2>Dick Wilson, and you can see those principles. And Dick

1:10:00.200 --> 1:10:03.840
<v Speaker 2>Wilson designed a hard golf course at Indian or at

1:10:03.880 --> 1:10:06.799
<v Speaker 2>Pine Tree, and it was the changing of the guard.

1:10:06.960 --> 1:10:10.400
<v Speaker 2>It was the low running, firm golf courses to the

1:10:10.479 --> 1:10:15.400
<v Speaker 2>aerial approach. But the bunker principles, the pulling bunkers into

1:10:15.439 --> 1:10:18.040
<v Speaker 2>the foreground and the deception of how much distance there

1:10:18.160 --> 1:10:20.719
<v Speaker 2>is between them the greens designs. And then you jump

1:10:20.760 --> 1:10:23.599
<v Speaker 2>forward a couple of years later and Robert von Haggie

1:10:23.640 --> 1:10:27.839
<v Speaker 2>builds Boker Rio Golf Club and it's even more aerial

1:10:27.880 --> 1:10:30.599
<v Speaker 2>and more undulation in the fairways. But the design principles

1:10:30.600 --> 1:10:33.080
<v Speaker 2>from one to the next to the next, they're there.

1:10:33.200 --> 1:10:37.280
<v Speaker 2>If you understand golf design architectural principles, you can pick

1:10:37.360 --> 1:10:39.280
<v Speaker 2>up Indian Creek and you can find it in Boker

1:10:39.360 --> 1:10:41.639
<v Speaker 2>Real and it just moves through.

1:10:42.479 --> 1:10:45.479
<v Speaker 1>That's a great answer. Have you ever been a desert forest?

1:10:46.040 --> 1:10:47.720
<v Speaker 1>And I'm not Scott's.

1:10:49.400 --> 1:10:51.519
<v Speaker 2>I'd love to get I've only been out there once.

1:10:51.680 --> 1:10:57.320
<v Speaker 1>And but yeah, so cool. So it's a Red Lawrence design. Yeah,

1:10:57.760 --> 1:11:00.640
<v Speaker 1>it has been added in recent years by Zinc And

1:11:00.640 --> 1:11:05.639
<v Speaker 1>then I think very well, But you know, that course

1:11:06.960 --> 1:11:09.240
<v Speaker 1>makes so much more sense to me now. I mean

1:11:09.280 --> 1:11:12.040
<v Speaker 1>it made sense as a golf course as soon as

1:11:12.080 --> 1:11:15.679
<v Speaker 1>I played it, but now I understand where it came

1:11:15.760 --> 1:11:19.040
<v Speaker 1>from now that I've been looking into Flynn a little

1:11:19.040 --> 1:11:22.080
<v Speaker 1>more closely over the past couple of months, because oh, man,

1:11:22.400 --> 1:11:25.280
<v Speaker 1>like so much. Flynn is there in that golf course

1:11:25.479 --> 1:11:27.439
<v Speaker 1>and it's in the desert. You know, you just don't

1:11:27.439 --> 1:11:30.439
<v Speaker 1>see that kind of architecture very often in the desert.

1:11:30.439 --> 1:11:32.519
<v Speaker 1>It's not a great piece of land. You've got these

1:11:32.560 --> 1:11:37.160
<v Speaker 1>snaking fairways, these diagonals, these ridge to ridge holes, these

1:11:37.240 --> 1:11:39.639
<v Speaker 1>I mean, just the use of the land, the way

1:11:39.640 --> 1:11:43.640
<v Speaker 1>the routing works is just flinn to a t I think.

1:11:43.640 --> 1:11:45.800
<v Speaker 2>Yeah, I really want to get down and see Ron

1:11:45.840 --> 1:11:49.800
<v Speaker 2>did a major rebuild at Country for Lauderdale or Ford

1:11:49.840 --> 1:11:53.200
<v Speaker 2>Lauderdale Country Club. They have two eighteens and Red Lawrence

1:11:53.240 --> 1:11:55.760
<v Speaker 2>had had some hand I think in one of them.

1:11:55.880 --> 1:11:59.080
<v Speaker 2>So Ron decided he was going to do Red Lawrence

1:11:59.720 --> 1:12:01.600
<v Speaker 2>on on the course that he renovated. And I know

1:12:01.680 --> 1:12:05.040
<v Speaker 2>I was talking to Heppner and hep said, he gives man,

1:12:05.280 --> 1:12:08.320
<v Speaker 2>what Ron did over at Fort Lauders was really cool.

1:12:08.680 --> 1:12:10.760
<v Speaker 2>And I know the three of us are going to

1:12:10.800 --> 1:12:12.519
<v Speaker 2>try and get together at some point, but I want

1:12:12.520 --> 1:12:14.120
<v Speaker 2>to go down and see that, to see what Ron. So,

1:12:14.160 --> 1:12:16.280
<v Speaker 2>you know, you talk about what was Flynn's contribution, so

1:12:16.360 --> 1:12:18.639
<v Speaker 2>here today, you know, I think Ron did that course

1:12:18.640 --> 1:12:23.479
<v Speaker 2>two years ago. So twenty twenty four, there's still this

1:12:24.400 --> 1:12:29.519
<v Speaker 2>Flynn influence in a major renovation on a golf course

1:12:29.600 --> 1:12:31.400
<v Speaker 2>that came through Red Lawrence.

1:12:31.760 --> 1:12:33.920
<v Speaker 1>Yeah, that's sort of a next step, isn't it. Looking

1:12:33.960 --> 1:12:37.960
<v Speaker 1>at some of these courses by Dick Wilson. I mean, geez,

1:12:38.000 --> 1:12:41.200
<v Speaker 1>there's so many Dick Wilson designs that probably deserve a

1:12:41.240 --> 1:12:44.360
<v Speaker 1>closer look. But also some of these, you know, less

1:12:44.400 --> 1:12:47.960
<v Speaker 1>well known figures like Red Lawrence or von Hagy and

1:12:48.680 --> 1:12:51.800
<v Speaker 1>kind of considering, all right, well, what can we do

1:12:51.880 --> 1:12:54.519
<v Speaker 1>here that that would be interesting and representative of the

1:12:54.560 --> 1:12:58.719
<v Speaker 1>design lineage. And so that's a kind of an exciting process.

1:12:58.760 --> 1:13:01.000
<v Speaker 2>Well, and that's you know, I'm Atwick Hills are I'll

1:13:01.040 --> 1:13:03.120
<v Speaker 2>be at Warwick Hills the next two days in sight

1:13:03.160 --> 1:13:05.360
<v Speaker 2>of the old Buick Open. And I told them when

1:13:05.360 --> 1:13:10.080
<v Speaker 2>I first walked this property that there literally are a

1:13:10.160 --> 1:13:12.360
<v Speaker 2>couple holes here that you could pick up and put

1:13:12.400 --> 1:13:17.120
<v Speaker 2>in Philadelphia and they would fit in perfectly within Philly.

1:13:17.360 --> 1:13:20.080
<v Speaker 2>And so now you're you know, you're twice removed from Flynn.

1:13:20.080 --> 1:13:23.439
<v Speaker 2>You go from Flynn to Wilson to Elite, and I

1:13:23.479 --> 1:13:26.400
<v Speaker 2>think I think it depends on when you hit those

1:13:26.439 --> 1:13:30.920
<v Speaker 2>golf courses. I think, you know, Dick Wilson, the course

1:13:31.000 --> 1:13:35.200
<v Speaker 2>passing away in the sixties and Joe Lee. You know,

1:13:35.240 --> 1:13:38.439
<v Speaker 2>I have the good fortune now of starting to consult

1:13:38.520 --> 1:13:40.720
<v Speaker 2>with met the meadow Brook Club. I mean, what a

1:13:40.760 --> 1:13:43.400
<v Speaker 2>phenomenal golf course, phenomenal piece of land. I mean like

1:13:43.520 --> 1:13:46.920
<v Speaker 2>eight thousand square feet on average for the greens Lag,

1:13:46.960 --> 1:13:50.800
<v Speaker 2>putting to you know, premium. But the what Joe Lee

1:13:50.840 --> 1:13:53.160
<v Speaker 2>did there, you couldn't you could almost not tell the

1:13:53.200 --> 1:13:55.519
<v Speaker 2>difference between Wilson and Lee. So I think it depends

1:13:55.560 --> 1:13:58.040
<v Speaker 2>on when you capture them in their window of time

1:13:59.080 --> 1:14:01.519
<v Speaker 2>that they're to be some stuff. Because I've played some

1:14:01.640 --> 1:14:04.960
<v Speaker 2>Joe Lee kind of in Mississippi and in that area.

1:14:04.720 --> 1:14:08.720
<v Speaker 1>And variable quality, yes to say not.

1:14:09.160 --> 1:14:12.479
<v Speaker 2>Yeah, So you know, I think it just depends. But

1:14:12.560 --> 1:14:15.720
<v Speaker 2>that's that's the evolution of golf right now. You know,

1:14:16.040 --> 1:14:19.519
<v Speaker 2>I'm personally for me now, I'm picking up projects that

1:14:19.560 --> 1:14:23.280
<v Speaker 2>are not just classic era stuff it is. It's picking

1:14:23.320 --> 1:14:26.479
<v Speaker 2>up projects in the fifties and the sixties. Some of

1:14:26.520 --> 1:14:32.280
<v Speaker 2>them are worthy of restorative efforts and others are saying,

1:14:32.400 --> 1:14:35.160
<v Speaker 2>let's let's reimagine what's going on here.

1:14:35.520 --> 1:14:38.280
<v Speaker 1>Yeah, it's going to be a great test of architectural

1:14:38.320 --> 1:14:42.920
<v Speaker 1>ability from the assaulting architects for sure. All Right, final

1:14:43.280 --> 1:14:46.559
<v Speaker 1>quote unquote lightning round question for you. Do you have

1:14:46.600 --> 1:14:49.080
<v Speaker 1>a hole at Shinnecock Hills that you're looking forward to

1:14:49.479 --> 1:14:51.439
<v Speaker 1>seeing in the upcoming US Open? Is there?

1:14:51.720 --> 1:14:56.280
<v Speaker 2>Sixteen, sixteen, and eleven? You know, eleven is absolutely one

1:14:56.320 --> 1:14:59.120
<v Speaker 2>of the best part threas. I mean, everybody talks about

1:14:59.120 --> 1:15:02.680
<v Speaker 2>the dand and everything. I just I love eleven. Yeah,

1:15:02.720 --> 1:15:07.200
<v Speaker 2>but I think sixteen I pulled you know, I had

1:15:07.240 --> 1:15:11.360
<v Speaker 2>to redesign the eighteenth hoole at Philadelphia Country Club, and

1:15:11.479 --> 1:15:15.479
<v Speaker 2>I pulled inspiration off of that that well to quintup

1:15:15.520 --> 1:15:18.599
<v Speaker 2>and five bunkers on the inside and just the way

1:15:18.600 --> 1:15:21.400
<v Speaker 2>the ground was at Philly Country And I just think,

1:15:21.439 --> 1:15:23.240
<v Speaker 2>you know, stretching it out this. I think it's going

1:15:23.280 --> 1:15:25.240
<v Speaker 2>to play at six fifteen or six thirteen.

1:15:25.560 --> 1:15:26.559
<v Speaker 1>It's going to be around there.

1:15:26.640 --> 1:15:29.800
<v Speaker 2>Yeah, yeah, into the wind. So it'll be interesting to

1:15:29.840 --> 1:15:32.960
<v Speaker 2>see what the carries are in the second shots. But

1:15:33.080 --> 1:15:35.840
<v Speaker 2>also because it's my understanding that they're kind of going

1:15:35.880 --> 1:15:39.360
<v Speaker 2>with the nineteen thirties fairway with, so what does that

1:15:39.479 --> 1:15:42.000
<v Speaker 2>going to mean for rollout? I'm hoping the wind is

1:15:42.080 --> 1:15:44.519
<v Speaker 2>blowing because I feel like if the wind's not blowing,

1:15:44.560 --> 1:15:47.200
<v Speaker 2>then you know, who knows what could happen there. But

1:15:47.360 --> 1:15:49.599
<v Speaker 2>I'm really excited for the sixteenth fole. I just want

1:15:49.600 --> 1:15:50.559
<v Speaker 2>to see how that one plays.

1:15:50.840 --> 1:15:53.479
<v Speaker 1>I don't know how to play that hole. That's the

1:15:53.760 --> 1:15:55.960
<v Speaker 1>thing about, Like, I don't know if right or left

1:15:55.960 --> 1:15:57.960
<v Speaker 1>off the tea is preferable. I think we go left

1:15:57.960 --> 1:15:59.479
<v Speaker 1>if you want to try to reach it in two

1:16:00.520 --> 1:16:02.080
<v Speaker 1>to It's like not many.

1:16:01.960 --> 1:16:05.400
<v Speaker 2>People because if you go left, because if you go left,

1:16:05.439 --> 1:16:08.639
<v Speaker 2>then that brings that that set of bunkers on that ridge.

1:16:08.680 --> 1:16:14.200
<v Speaker 2>You have to carry those right because you know Philly

1:16:14.240 --> 1:16:17.799
<v Speaker 2>Country a little bit, the same Philly Country. Off their

1:16:17.880 --> 1:16:20.080
<v Speaker 2>third hole, you have to go right off of the

1:16:20.160 --> 1:16:24.160
<v Speaker 2>t there is a bunker left, but if you go right,

1:16:24.320 --> 1:16:27.400
<v Speaker 2>it takes out this big, gaping, deep bunker on your

1:16:27.439 --> 1:16:33.120
<v Speaker 2>second which almost represents the five that you have at Shinnecock.

1:16:33.320 --> 1:16:37.240
<v Speaker 2>There it's one, but it's deep, and you know, you

1:16:37.280 --> 1:16:40.320
<v Speaker 2>can play to the left, but then if you play

1:16:40.360 --> 1:16:42.880
<v Speaker 2>to the left, you it's you have to go to

1:16:42.920 --> 1:16:45.160
<v Speaker 2>the right and then the ground falls away. It's just

1:16:45.400 --> 1:16:48.080
<v Speaker 2>it's a magnificent golf hole. It's it's that's going to

1:16:48.160 --> 1:16:49.880
<v Speaker 2>say if you if you guys make that trip to

1:16:50.040 --> 1:16:51.599
<v Speaker 2>you said you haven't been to Philly. If you guys

1:16:51.600 --> 1:16:53.879
<v Speaker 2>make a trip to Philadelphia, there's so much to see.

1:16:54.120 --> 1:16:56.200
<v Speaker 2>I do think, and you know it could be biased,

1:16:56.200 --> 1:16:59.759
<v Speaker 2>but I think Philly is a good study of Flynn

1:17:00.160 --> 1:17:05.600
<v Speaker 2>and his bunkering on something different than Shinnecock because he

1:17:05.640 --> 1:17:08.160
<v Speaker 2>did a lot of bundering at Philly Country and other places.

1:17:08.160 --> 1:17:09.200
<v Speaker 2>He restrained himself.

1:17:09.320 --> 1:17:12.840
<v Speaker 1>Yeah, completely different kind of Land. But yeah, obviously if

1:17:12.880 --> 1:17:15.720
<v Speaker 1>you if you want to study Flynn, then where else

1:17:15.760 --> 1:17:19.320
<v Speaker 1>do you go other than other than Philly? All right, well, Jim,

1:17:19.439 --> 1:17:21.479
<v Speaker 1>thank you so much for coming on the podcast as best.

1:17:21.640 --> 1:17:23.520
<v Speaker 2>I've been wonderful. I appreciate the opportunity.

1:17:23.600 --> 1:17:25.840
<v Speaker 1>Yeah, we got to do it again sometimes, so thanks.

1:17:32.640 --> 1:17:36.479
<v Speaker 1>This episode of Designing Golf was produced by Will Balsam.

1:17:36.840 --> 1:17:40.360
<v Speaker 1>Thank you. Will make sure to check out our Father's

1:17:40.400 --> 1:17:44.040
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1:17:44.080 --> 1:17:47.599
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1:17:48.280 --> 1:17:51.160
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1:17:51.400 --> 1:17:54.479
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1:17:54.720 --> 1:17:58.880
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1:17:59.200 --> 1:18:01.960
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1:18:02.000 --> 1:18:14.920
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