WEBVTT - Episode 160 w/ Xzibit

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<v Speaker 1>Today's episode of Drink Champs is brought to you by

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<v Speaker 1>Jess A Merrow, the all new weekly late night talk

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<v Speaker 1>dot com Forward slash Hive offer available for new subscribers

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<v Speaker 1>only and expires March one. Let's go and drinks a

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<v Speaker 1>legendary queen's wrapper. He's on Miami Hippop Pioneer up his

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<v Speaker 1>dj e FN. Together they're drinking up with some of

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<v Speaker 1>the biggest players in the most professional unprofessional podcast and

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<v Speaker 1>yet number one sorts for us New Year's e Just

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<v Speaker 1>time for drink champs. Trink up, motherfucking up? What the

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<v Speaker 1>good be hoping he is with his two PC boy

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<v Speaker 1>and O R. What up is d j e F

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<v Speaker 1>and his drink chat? Ya yallow ma up. When we

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<v Speaker 1>think of the West Coast, when we think of a

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<v Speaker 1>person who's been standing here phenomenal, you think of a

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<v Speaker 1>person who stood by Dr dre side. If we heard

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<v Speaker 1>he's still running the pharmacy right now. It's this very

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<v Speaker 1>moment he's transition and went into another whole direction and

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<v Speaker 1>he made motherfucking cars. Pam Baker. He has stood the

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<v Speaker 1>test of time. You see him on Fox TV. Out here,

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<v Speaker 1>I ain't doing what I gotta do, still out here

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<v Speaker 1>with the thickest Cubans, making the West Coast look good.

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<v Speaker 1>If you don't know what I'm talking about, we're talking

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<v Speaker 1>about the one the only said, you've been out here

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<v Speaker 1>monkey footing this game for a long goddamn time. You

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<v Speaker 1>got one of the most rememberable videos of all times.

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<v Speaker 1>What you get? Man? That was crazy. It was the

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<v Speaker 1>first time we seen a person like even though it

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<v Speaker 1>might have not been one take, it looked like one

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<v Speaker 1>take like that. That's how we've seen me. Like what

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<v Speaker 1>the yeah? That was like, I mean, there's a story

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<v Speaker 1>behind that video. When I was on a Loud Records

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<v Speaker 1>of that video that was I was gonna get to

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<v Speaker 1>That's a big part of it. So I was on

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<v Speaker 1>a love of records and at the time it was

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<v Speaker 1>like heavyweights on the label and and and we had

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<v Speaker 1>a West Coast office, and in the West Coast office

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<v Speaker 1>it was me the alcohol I think um seller dwellers,

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<v Speaker 1>going back and forth. But they was trying to break

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<v Speaker 1>it into the West, and so we were kind of

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<v Speaker 1>like on our own island, and you we all know

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<v Speaker 1>you can't go to war from my island. So I

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<v Speaker 1>had to be more creative with in order to impress

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<v Speaker 1>the New York office. You know, uh, shout out to

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<v Speaker 1>Matt Life's Scott Free, all those guys. Yes, So so

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<v Speaker 1>I went to uh, I got to um, I got

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<v Speaker 1>to this idea of wanted to do this one shot video,

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<v Speaker 1>and all the directors that I kept talking to didn't

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<v Speaker 1>They couldn't wrap their head around it. And so I

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<v Speaker 1>didn't want to give up on the idea. So there's

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<v Speaker 1>one director that wanted to actually do it, but he

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<v Speaker 1>was a porn director. Yeah, and so he was crazy.

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<v Speaker 1>He's like, you know I could, I'm shooting all kinds

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<v Speaker 1>of other wild ship Why why couldn't I do that?

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<v Speaker 1>So we it's third it was thirteen shots. We we

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<v Speaker 1>did it in like two days, two days, and then

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<v Speaker 1>we put that thing out and then it just took off,

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<v Speaker 1>and I think I was like the first real impression

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<v Speaker 1>I got to the music industry. Well, everybody had to

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<v Speaker 1>step our video game. Yeah, the game. Just in case

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<v Speaker 1>you didn't know that anybody, because we had beatings about you.

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<v Speaker 1>This guy the water and the water come on, this

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<v Speaker 1>doesn't allow. But I wanted. I wanted to do like

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<v Speaker 1>videos like that, Like that was you know, I was

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<v Speaker 1>new to the industry, like paparazzi. That was my idea

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<v Speaker 1>to put the orchestra on the beach because I just

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<v Speaker 1>wanted to do other than what everybody else was doing.

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<v Speaker 1>I've always tried to be like that and a true

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<v Speaker 1>drink chaps fashion. You're a real drink chap because when

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<v Speaker 1>I googled you, I realized that you got married and

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<v Speaker 1>the rest of them the same same drink, you know,

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<v Speaker 1>which is great. Only I could do that. You know.

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<v Speaker 1>It was first of all, I love being married, and

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<v Speaker 1>you know what I'm saying, it turned into us I

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<v Speaker 1>love being married to by the way, absolutely And it

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<v Speaker 1>was a beautiful ceremony. We had, you know, all our

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<v Speaker 1>friends and family there and we everything went off without

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<v Speaker 1>a hitch. I got back to you know, we were

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<v Speaker 1>standing in the resort next to the place we got married,

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<v Speaker 1>and then we ended up getting in the room and

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<v Speaker 1>my wife was like, you forgot the box, you know,

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<v Speaker 1>the box where everybody dropped the gifts, you know what

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<v Speaker 1>I'm saying, right, the money, and so I feel like,

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<v Speaker 1>you know what, it's right around the corner. I feel good.

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<v Speaker 1>Let me run to go get to every ship. So

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<v Speaker 1>I hit the corner, got the box, came back out, stopped.

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<v Speaker 1>You know. I was really excited about getting back and uh,

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<v Speaker 1>I hit a light and then lights came on. Okay,

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<v Speaker 1>so you so right, So you did hit it. Like

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<v Speaker 1>so it's not like like the police, let's not racial, Like, no,

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<v Speaker 1>I'm not gonna give them that I did. I did

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<v Speaker 1>fly fly like you know what I'm saying. And so

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<v Speaker 1>they lit me up. So I pulled over the thing

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<v Speaker 1>and I was literally, I mean like, this is the

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<v Speaker 1>this is where I got stopped. This was the hotel,

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<v Speaker 1>you know. And so so I was telling I was like, yo,

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<v Speaker 1>you know, I just got married. I was just here.

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<v Speaker 1>It was there and this and this. My motherfucker said,

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<v Speaker 1>oh yeah, wi's your tuxedough. I was like, nick, I

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<v Speaker 1>just you know what fun you just you know, just

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<v Speaker 1>I got time for this. I was in there for

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<v Speaker 1>about an hour, you know what I'm saying. It didn't

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<v Speaker 1>the folks came and got me. But the next day

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<v Speaker 1>it was like it was you know, how do you

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<v Speaker 1>know what I'm saying. It was all over the place,

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<v Speaker 1>it was fucked up. Then I was mad, as you

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<v Speaker 1>can tell my booking photo man. But at the same time,

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<v Speaker 1>you know, now it's it's it's it's a funny story.

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<v Speaker 1>You know. Definitely only I could pull some ship like

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<v Speaker 1>that crazy. So now when you described earlier, you said

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<v Speaker 1>loud right now again, we just had that press on

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<v Speaker 1>here too, And you guys were like that was like

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<v Speaker 1>the epitome of you guys, that pig, big punt. Like,

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<v Speaker 1>how is it even being on a legend every label

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<v Speaker 1>like that? Is it competitive? Is it like like you

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<v Speaker 1>describe it, all the New York niggas hated us. I said,

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<v Speaker 1>it was two separate things, you know what I'm saying.

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<v Speaker 1>And it was like when we go to the office,

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<v Speaker 1>it was like all these niggas is here. You know

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<v Speaker 1>what I'm saying. Because at the time, you know, Wu

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<v Speaker 1>Tang was a juggernaut, you know what I'm saying, Um,

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<v Speaker 1>it was, it was super. So it was like we

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<v Speaker 1>always had to prove ourselves and then when we got victory.

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<v Speaker 1>When you're saying we, you're saying West Coast West Coast.

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<v Speaker 1>It wasn't the hardest or the executives or the people

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<v Speaker 1>in the office. It was just like you want, man,

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<v Speaker 1>you know what it was back in the day. I mean,

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<v Speaker 1>come on, you know, it's like we used to it.

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<v Speaker 1>You know, West Coast niggas flying to New York. The

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<v Speaker 1>radio DJ played the ship when they come from the airport,

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<v Speaker 1>then you know it's there. And then when they go home,

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<v Speaker 1>it's like like that. It's like that, let's keep it.

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<v Speaker 1>But that's what I mean, not now, not now, you

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<v Speaker 1>know what I'm saying, because the too global, but what

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<v Speaker 1>hip hop was very regional at the time, you know

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<v Speaker 1>what I'm saying, And so when we would come in,

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<v Speaker 1>we would always have to be proving ourselves. And so

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<v Speaker 1>once we started having success, especially like behind what you

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<v Speaker 1>see is what you get. And then when we started

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<v Speaker 1>doing the doctor's race stuff, it was kind of like, oh, okay,

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<v Speaker 1>it's accepted and it was a different field when it

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<v Speaker 1>came in the office. But Steve Refkin, Rich Isaacson, you know,

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<v Speaker 1>all these guys were like really behind what we were doing,

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<v Speaker 1>and so it was a struggle at first, but then

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<v Speaker 1>once they saw how serious it was getting, it became

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<v Speaker 1>something like it we became part of the family, and

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<v Speaker 1>what was that a goal for you? It is like

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<v Speaker 1>to be accepted in New York because we know absolutely,

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<v Speaker 1>because we know like for us it's like, you know,

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<v Speaker 1>we we invented hip hop or whatever, but we we

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<v Speaker 1>in the funny ways we look for y'all for cool signmon,

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<v Speaker 1>like we looked to y'all to be like and then.

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<v Speaker 1>So I don't know if it did ever mean like

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<v Speaker 1>for y'all to be accepted. Absolutely absolutely, I remember going

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<v Speaker 1>and I remember we used to walk down the streets

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<v Speaker 1>in New York drinking forties. You know what I'm saying,

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<v Speaker 1>sitting on the stool, just going. I remember taking the

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<v Speaker 1>train when I went to by myself to go to

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<v Speaker 1>see Master Ace, when I first got to train, by

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<v Speaker 1>the way. But it sounds very dangerous, Well, I mean

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<v Speaker 1>I wasn't I I think so because they always put

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<v Speaker 1>out of town man, and they don't want to put

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<v Speaker 1>us in the jungle. But but we can. Well you know,

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<v Speaker 1>I would just I would love coming to New York

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<v Speaker 1>and and and sitting in the studios and and and

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<v Speaker 1>listening to the vibes and listening to because out in

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<v Speaker 1>the West, you know, there's only a few cats that

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<v Speaker 1>are considered lyrical, you know what I'm saying, and so

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<v Speaker 1>yeah and so um, you know me feeling like I

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<v Speaker 1>wanted to be part of that. UM. I would always

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<v Speaker 1>seek out people that I felt lyrical as well. So

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<v Speaker 1>that's that's why I'm being accepted in New York was

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<v Speaker 1>so important. I remember going to New York and shooting

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<v Speaker 1>the I think you were there too, the greatest day

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<v Speaker 1>in hip hop that they had everybody, like everybody lined

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<v Speaker 1>up on the steps. Yeah, yeah, yeah, that was a

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<v Speaker 1>really big deal for me. I got a lot of

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<v Speaker 1>respect for the DJs, the culture, the m c s,

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<v Speaker 1>you know, the breakdance and graffiti, everything that came from

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<v Speaker 1>New York. You know what I'm saying. You know what

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<v Speaker 1>the crazy ship is social me. If you'd have had

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<v Speaker 1>social media back then, you you wouldn't realize how much

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<v Speaker 1>of New York appreciated you more. That's the problem is

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<v Speaker 1>you can't find these people because back then there was

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<v Speaker 1>no way to get in. I knew. I knew because

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<v Speaker 1>I walked down the street and people tell me exactly,

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<v Speaker 1>and then people wasn't playing the records and exactly. It

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<v Speaker 1>was good, but y'all thought I was from there first.

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<v Speaker 1>I mean, there was like this legal from what you

0:12:13.800 --> 0:12:20.160
<v Speaker 1>were whole The whole crew was spitting speaking of LIX

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<v Speaker 1>because you gotta record with the albumhost. When you say

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<v Speaker 1>drinking a Henny is a gift, yeah, I could drink

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<v Speaker 1>a whole Hennessey filth. So I called out a problem,

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<v Speaker 1>but I call it a gift. We just want to

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<v Speaker 1>see you start that just wants alright, let me try

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<v Speaker 1>to see that. I'm not going a live let me

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<v Speaker 1>tell you alright, alright, only for you man, listen. But

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<v Speaker 1>when we go, would you it was a lot of alcoholic,

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<v Speaker 1>A lot of alcohol is And I said exactly, but

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<v Speaker 1>you enjoy yourself listen because I don't know if you know,

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<v Speaker 1>but we we celebrate people's careers over here. You got

0:13:16.240 --> 0:13:19.680
<v Speaker 1>a tip it when you do it. We celebrate people

0:13:19.679 --> 0:13:21.960
<v Speaker 1>to do over here. And for you standing the test

0:13:22.040 --> 0:13:24.280
<v Speaker 1>of time. A lot of people don't understand how hard

0:13:24.320 --> 0:13:27.000
<v Speaker 1>that is. Like you know, I respect these brothers with

0:13:27.040 --> 0:13:29.800
<v Speaker 1>these two year careers and one hit oneers and people.

0:13:29.880 --> 0:13:31.800
<v Speaker 1>I respect them to the same way because they can

0:13:31.840 --> 0:13:34.560
<v Speaker 1>feed their family. They can feed their family. But by dollar,

0:13:34.840 --> 0:13:38.319
<v Speaker 1>Dolly g I'm not respect. People have been out there

0:13:38.720 --> 0:13:42.920
<v Speaker 1>the years and they were trying to said you was

0:13:42.960 --> 0:13:45.680
<v Speaker 1>one of the first people, Like I'm gonna be honest,

0:13:46.880 --> 0:13:50.880
<v Speaker 1>you might have created love and hip hop. Now hit

0:13:50.920 --> 0:13:54.800
<v Speaker 1>me out. I know everybody like, what the funk? Hit

0:13:54.840 --> 0:13:58.000
<v Speaker 1>me out? Of anybody? You were the first rapper to

0:13:58.080 --> 0:14:03.960
<v Speaker 1>fun with reality and make it cool. Do that seed

0:14:05.240 --> 0:14:08.720
<v Speaker 1>kind of burped every other reality show after that for calls.

0:14:09.240 --> 0:14:13.440
<v Speaker 1>I think what we did pimps because Will and um

0:14:13.600 --> 0:14:16.960
<v Speaker 1>L L did it, but they didn't script this show.

0:14:17.000 --> 0:14:21.040
<v Speaker 1>You this is non script correct, absolutely, so um I

0:14:21.080 --> 0:14:28.480
<v Speaker 1>think you were like, yeah, so described to me because

0:14:28.600 --> 0:14:31.840
<v Speaker 1>you know you exhibit y'all here the West Coast and

0:14:31.960 --> 0:14:34.160
<v Speaker 1>these these people from MTV step to you or wasn't

0:14:34.160 --> 0:14:36.280
<v Speaker 1>a production company that steps to you prior? So it

0:14:36.360 --> 0:14:40.560
<v Speaker 1>was a production company. A gentleman named Rick Herbert's came

0:14:40.600 --> 0:14:44.880
<v Speaker 1>to me so rich. Yeah, he came to me and

0:14:45.080 --> 0:14:46.560
<v Speaker 1>was like, you know, I want to do this car

0:14:46.600 --> 0:14:49.440
<v Speaker 1>show because I was getting my cars actually done at

0:14:49.480 --> 0:14:54.200
<v Speaker 1>West Coast Customs. Whoa and so and so he and

0:14:54.240 --> 0:14:57.080
<v Speaker 1>I was just sitting around cracking jokes, making people laughing.

0:14:57.160 --> 0:14:59.680
<v Speaker 1>Ship and so he was like, you know, you'd be

0:14:59.720 --> 0:15:03.040
<v Speaker 1>a great host. I was like, fuck you, I'm not

0:15:03.080 --> 0:15:06.400
<v Speaker 1>gonna you know, there's nothing else compared. Yeah, there's nothing

0:15:06.480 --> 0:15:11.960
<v Speaker 1>compared to. So we literally we literally did the pilot

0:15:11.720 --> 0:15:14.440
<v Speaker 1>and and somebody one of the one of the camera

0:15:14.480 --> 0:15:17.880
<v Speaker 1>guys backyard. Uh, he had a friend at his We

0:15:18.120 --> 0:15:20.840
<v Speaker 1>literally put an air freshener and put some new hub

0:15:20.880 --> 0:15:23.600
<v Speaker 1>caps and watched the ship. That was like what we

0:15:23.640 --> 0:15:26.640
<v Speaker 1>did to the car. And so you know, he came

0:15:26.680 --> 0:15:28.480
<v Speaker 1>in and was like, oh, this is great. And I

0:15:28.560 --> 0:15:30.840
<v Speaker 1>was just working with them and making jokes about him

0:15:30.840 --> 0:15:34.760
<v Speaker 1>in his car and and so, uh, they took it

0:15:34.840 --> 0:15:39.000
<v Speaker 1>to MTV. They bought ten episodes, uh, and they put

0:15:39.080 --> 0:15:41.760
<v Speaker 1>us on at like eleven o'clock at night. The show

0:15:41.840 --> 0:15:44.480
<v Speaker 1>came on and then it just took off out of

0:15:44.480 --> 0:15:46.760
<v Speaker 1>the atmosphere and then we ended up being part of

0:15:46.880 --> 0:15:50.280
<v Speaker 1>Light next to the Aston Kuttrol Show, the Pump Show.

0:15:50.720 --> 0:15:55.520
<v Speaker 1>They packaged me with Punked and Bam uh and then

0:15:55.560 --> 0:16:00.520
<v Speaker 1>it became yeah, and so that's when they really like

0:16:00.680 --> 0:16:07.080
<v Speaker 1>became like this international account your money right now. It

0:16:07.240 --> 0:16:11.000
<v Speaker 1>was seven seasons of that that that when they pulled

0:16:11.000 --> 0:16:13.320
<v Speaker 1>you together with that, that's when you knew your tax

0:16:13.360 --> 0:16:20.440
<v Speaker 1>bracket got different. No, it did not. It did not,

0:16:20.560 --> 0:16:22.280
<v Speaker 1>and I'm not gonna get into that because you know,

0:16:22.360 --> 0:16:25.480
<v Speaker 1>you know it. It turned out to be, you know,

0:16:25.520 --> 0:16:27.880
<v Speaker 1>a benefit of on my side anyway, you know what

0:16:27.880 --> 0:16:32.240
<v Speaker 1>I'm saying, because you like the exposure and the way

0:16:32.280 --> 0:16:35.160
<v Speaker 1>that I became a household name was it allowed me

0:16:35.200 --> 0:16:38.240
<v Speaker 1>to go in and start doing films and start doing

0:16:38.280 --> 0:16:41.200
<v Speaker 1>my own thing outside of what that is. Now. My

0:16:41.320 --> 0:16:44.040
<v Speaker 1>Ride was the catalyst for all of the car shows

0:16:44.040 --> 0:16:46.440
<v Speaker 1>that you see now. There was no other car show.

0:16:46.520 --> 0:16:48.760
<v Speaker 1>It was like, I don't think the speech chatnel had

0:16:49.080 --> 0:16:52.520
<v Speaker 1>even existed when we first came, so um, it was.

0:16:52.640 --> 0:16:54.760
<v Speaker 1>It was a lot that was going on with that show.

0:16:54.960 --> 0:16:59.160
<v Speaker 1>It first it started, like really, what people miss about

0:16:59.160 --> 0:17:01.760
<v Speaker 1>piping My Ride is that it wasn't about me. It

0:17:01.880 --> 0:17:04.520
<v Speaker 1>wasn't about the car. It wasn't even about the kid.

0:17:04.560 --> 0:17:08.720
<v Speaker 1>That's about wish fulfillment. It was about somebody wish fulfillment,

0:17:09.280 --> 0:17:12.159
<v Speaker 1>you know, like like people at home thinking that this

0:17:12.200 --> 0:17:15.199
<v Speaker 1>could happen to me, you know what I'm saying, And

0:17:15.240 --> 0:17:18.320
<v Speaker 1>so all right, and so people you don't like Jerry

0:17:18.359 --> 0:17:20.760
<v Speaker 1>Speaker was the opposite, like this is also this can happen.

0:17:22.800 --> 0:17:24.399
<v Speaker 1>Everybody has said, you know, if you don't have a

0:17:24.440 --> 0:17:27.280
<v Speaker 1>lot of money. Everybody has a shitty car. Everybody wishes

0:17:27.359 --> 0:17:29.120
<v Speaker 1>they could make it look better. I don't have enough

0:17:29.119 --> 0:17:30.560
<v Speaker 1>to get a new one, but I like what I have.

0:17:31.280 --> 0:17:33.560
<v Speaker 1>And so, you know, once it got away from that

0:17:33.720 --> 0:17:36.960
<v Speaker 1>and turned into okay, hold this bright can and look

0:17:37.040 --> 0:17:40.800
<v Speaker 1>this way and then put the videos, you know, games

0:17:40.880 --> 0:17:42.720
<v Speaker 1>up all the thing, I was like, where it's all

0:17:42.760 --> 0:17:46.879
<v Speaker 1>these checks going, you know, and then they hand me

0:17:46.920 --> 0:17:49.960
<v Speaker 1>my little my little fee for hosting, you know what

0:17:49.960 --> 0:17:52.160
<v Speaker 1>I'm saying, And it was like, yo, man, alright, cool,

0:17:52.280 --> 0:17:55.800
<v Speaker 1>so um, let me finish my thing. Because I'm a

0:17:55.840 --> 0:17:58.240
<v Speaker 1>man of my word. Always complete what I what I started,

0:17:58.280 --> 0:18:00.600
<v Speaker 1>you know what I'm saying. I always fulfill my going tracks.

0:18:01.040 --> 0:18:04.200
<v Speaker 1>And so once it was done, it was done, you

0:18:04.240 --> 0:18:07.000
<v Speaker 1>know what I'm saying. So um, I ended up going

0:18:07.040 --> 0:18:10.320
<v Speaker 1>and doing films and and and really like focusing on

0:18:10.440 --> 0:18:13.840
<v Speaker 1>my ship and that when I first did paid my ride,

0:18:13.840 --> 0:18:16.880
<v Speaker 1>I was kind of like nobody was talking to me,

0:18:17.040 --> 0:18:20.119
<v Speaker 1>like my peers and hip hop weren't didn't have an

0:18:20.160 --> 0:18:22.520
<v Speaker 1>opinion at the time, you know what I'm saying. Like

0:18:22.560 --> 0:18:26.760
<v Speaker 1>because because because as you said, this is something that

0:18:26.800 --> 0:18:29.840
<v Speaker 1>didn't exist before. So CATS was sitting back looking like,

0:18:29.920 --> 0:18:32.600
<v Speaker 1>what is this nag doing what I'm saying? It's just

0:18:32.680 --> 0:18:36.080
<v Speaker 1>gonna you know, so you can't high five unless you

0:18:36.080 --> 0:18:38.359
<v Speaker 1>know you're gonna win and you know what I'm saying.

0:18:38.520 --> 0:18:42.399
<v Speaker 1>And so, um, I felt like the show was taken

0:18:42.440 --> 0:18:47.199
<v Speaker 1>away my credibility of what I've had already done, you know.

0:18:47.960 --> 0:18:51.040
<v Speaker 1>And so because people, you know, I was I was

0:18:51.160 --> 0:18:53.919
<v Speaker 1>used to having cats like us walking up to me like,

0:18:53.960 --> 0:18:55.560
<v Speaker 1>hey man, you know what I'm saying, my nigga, you

0:18:55.560 --> 0:18:58.040
<v Speaker 1>know what I'm saying. But now I got soccer moms,

0:18:58.800 --> 0:19:03.680
<v Speaker 1>and I sat, K, do you hear my records and

0:19:05.280 --> 0:19:08.760
<v Speaker 1>what I'm talking about? And so and so then it

0:19:08.840 --> 0:19:10.720
<v Speaker 1>was kind of like a tough thing for me because

0:19:10.840 --> 0:19:13.120
<v Speaker 1>it would taking so much time. I wasn't able to tour,

0:19:13.240 --> 0:19:16.639
<v Speaker 1>I wasn't able to record albums. I was you know,

0:19:16.680 --> 0:19:18.840
<v Speaker 1>I was there film and film and film and filming.

0:19:18.920 --> 0:19:21.560
<v Speaker 1>So I didn't have time to put out how how

0:19:21.800 --> 0:19:24.920
<v Speaker 1>roughly like one season, how many weeks would it take?

0:19:25.119 --> 0:19:27.600
<v Speaker 1>I We'll see, that's the thing. Um, it would be

0:19:27.680 --> 0:19:34.480
<v Speaker 1>it's usually thirteen episodes in this perpien. But then somewhere

0:19:34.480 --> 0:19:36.560
<v Speaker 1>in the contract and the fine print, it's like Oh,

0:19:36.600 --> 0:19:43.159
<v Speaker 1>we're gonna do season. I'm saying thirteen, B and C,

0:19:43.440 --> 0:19:45.840
<v Speaker 1>and like, hey, hold on you extending the season is

0:19:45.880 --> 0:19:47.680
<v Speaker 1>what I was up in my ship, you know what

0:19:47.720 --> 0:19:50.080
<v Speaker 1>I'm saying. And so it was kind of like that's

0:19:50.119 --> 0:19:52.320
<v Speaker 1>the game that the Tug Award that was happening up

0:19:52.400 --> 0:19:56.200
<v Speaker 1>until they couldn't. So, like I hear most people would

0:19:56.200 --> 0:19:59.840
<v Speaker 1>love a hip hop and they'll say, you know what, Um,

0:20:00.000 --> 0:20:01.280
<v Speaker 1>I didn't make a lot of money, but I got

0:20:01.359 --> 0:20:03.639
<v Speaker 1>the exposure and the exposure was worth it. Is that

0:20:03.760 --> 0:20:06.920
<v Speaker 1>something that you you kind of relate to. That's what

0:20:07.000 --> 0:20:11.240
<v Speaker 1>I say to make myself sleep better at night. But no,

0:20:11.400 --> 0:20:15.040
<v Speaker 1>all jokes aside. Man, you know I love what my

0:20:15.160 --> 0:20:17.159
<v Speaker 1>right I did. Dude, I can go around the fucking

0:20:17.240 --> 0:20:20.560
<v Speaker 1>world and people recognize if they don't know me from

0:20:20.600 --> 0:20:22.600
<v Speaker 1>my music, if they don't know me from my uh

0:20:23.119 --> 0:20:26.239
<v Speaker 1>from my UM for my acting or whatever, then they

0:20:26.320 --> 0:20:28.840
<v Speaker 1>know me from that. And I'll take you the one

0:20:29.119 --> 0:20:32.200
<v Speaker 1>because as I'm matured, I figured out that that cue

0:20:32.280 --> 0:20:35.119
<v Speaker 1>raining is what's gonna dictate what you can and can't do,

0:20:35.400 --> 0:20:38.200
<v Speaker 1>because if you're putting assids in the seats, people recognize

0:20:38.240 --> 0:20:41.160
<v Speaker 1>you face recognition, then you can work in this industry,

0:20:41.440 --> 0:20:47.800
<v Speaker 1>you know, let space some louist for that guy. So

0:20:47.960 --> 0:20:52.000
<v Speaker 1>what did it? Did it during the season of filment

0:20:52.119 --> 0:20:55.680
<v Speaker 1>of Pepper? I'm so sorry, dude. Was it ever not

0:20:56.000 --> 0:20:59.639
<v Speaker 1>being fun when like before you you knew about the

0:20:59.640 --> 0:21:02.119
<v Speaker 1>business part of you. No, I mean, even even when

0:21:02.200 --> 0:21:06.480
<v Speaker 1>the business was, was you know, not exciting? Um, I

0:21:06.640 --> 0:21:11.119
<v Speaker 1>think the only thing that because I mean people always

0:21:11.200 --> 0:21:14.000
<v Speaker 1>say you did some funked up ship to that car

0:21:14.040 --> 0:21:16.320
<v Speaker 1>and Pip my ride or whatever it was, or people

0:21:16.680 --> 0:21:20.200
<v Speaker 1>you know, like that the wild Ship. But I didn't

0:21:20.240 --> 0:21:22.160
<v Speaker 1>do ship to the car. You know what I'm saying

0:21:22.200 --> 0:21:24.720
<v Speaker 1>that I was, I was, I was in the beginning

0:21:25.080 --> 0:21:26.720
<v Speaker 1>and at the end, you know what I'm saying. I

0:21:27.320 --> 0:21:29.920
<v Speaker 1>never fixed that right, right, But but I was the

0:21:29.960 --> 0:21:32.640
<v Speaker 1>face of the show. So so that ended up being

0:21:32.960 --> 0:21:38.200
<v Speaker 1>all of my ship, you know what I'm saying, all

0:21:38.240 --> 0:21:41.200
<v Speaker 1>of it, you know. But you know, there was this

0:21:41.359 --> 0:21:44.040
<v Speaker 1>thing that that happened that kind of you know, if

0:21:44.080 --> 0:21:48.159
<v Speaker 1>you remember, there was there was a switch of garages,

0:21:48.480 --> 0:21:50.640
<v Speaker 1>you know, from West Coast Customs and it went over

0:21:50.720 --> 0:21:54.600
<v Speaker 1>to a different garage, you know, And there was an

0:21:54.680 --> 0:21:57.520
<v Speaker 1>instance where I bring that up because I was the

0:21:57.600 --> 0:22:00.320
<v Speaker 1>face of the show. So one of the cars wasn't

0:22:00.320 --> 0:22:03.480
<v Speaker 1>fixed correctly. And long story short, this kid was driving

0:22:03.560 --> 0:22:05.680
<v Speaker 1>this vehicle I was supposed to be like damn their

0:22:05.720 --> 0:22:08.600
<v Speaker 1>brand new and the steeringwell came off when he was

0:22:09.000 --> 0:22:11.040
<v Speaker 1>you know, driving and ship he put it on the

0:22:11.119 --> 0:22:13.240
<v Speaker 1>break and the ship swore to the side. He was

0:22:13.720 --> 0:22:17.119
<v Speaker 1>able to get out of traffic. Right. So imagine if

0:22:17.200 --> 0:22:18.840
<v Speaker 1>that ship would have killed him. You know what I'm saying,

0:22:18.880 --> 0:22:21.000
<v Speaker 1>would be the face of that too, you know, So

0:22:21.240 --> 0:22:23.600
<v Speaker 1>be careful what you ally yourself with and what you

0:22:23.760 --> 0:22:25.760
<v Speaker 1>you know it. You know, it may be huge, it

0:22:25.880 --> 0:22:28.320
<v Speaker 1>may be great, but at the same time, you gotta

0:22:28.359 --> 0:22:30.920
<v Speaker 1>be be careful of of of who you are, what

0:22:31.040 --> 0:22:34.000
<v Speaker 1>you represent to that brand. How many other shows have

0:22:34.160 --> 0:22:38.080
<v Speaker 1>tried to came at you and uh to replicate everybody

0:22:38.440 --> 0:22:41.199
<v Speaker 1>every time and everybody you know, and then and then

0:22:41.400 --> 0:22:44.520
<v Speaker 1>and then. The thing is is everybody wants to pitch

0:22:44.600 --> 0:22:48.400
<v Speaker 1>these ideas, and everybody wants to, you know, um uh

0:22:48.760 --> 0:22:50.840
<v Speaker 1>talk about this new It's not like painting my ride,

0:22:51.280 --> 0:22:58.840
<v Speaker 1>but it's you're gonna be with the car. But but

0:22:59.000 --> 0:23:01.760
<v Speaker 1>I mean it's like, wanta do we we? We had

0:23:01.880 --> 0:23:04.320
<v Speaker 1>lightning in the bottle. It was great. I'm glad we

0:23:04.480 --> 0:23:07.800
<v Speaker 1>were the first, and I'm gonna leave it there. Man,

0:23:07.920 --> 0:23:09.760
<v Speaker 1>you don't you don't go backwards. You are you ever

0:23:09.800 --> 0:23:13.360
<v Speaker 1>gonna do it reality TV again? At this point, I'm

0:23:13.400 --> 0:23:17.760
<v Speaker 1>gonna say no, Yeah, it wasn't because of the experience

0:23:17.880 --> 0:23:20.800
<v Speaker 1>was bad or because it's just no. I just enjoyed

0:23:20.800 --> 0:23:23.520
<v Speaker 1>doing scripted better. You know. I enjoyed being on the sets.

0:23:23.560 --> 0:23:27.120
<v Speaker 1>I enjoyed learning. I'm starting to enjoy directing as well.

0:23:27.720 --> 0:23:31.080
<v Speaker 1>You know. So I started doing, um, my own stuff,

0:23:31.119 --> 0:23:33.160
<v Speaker 1>you know what I'm saying. I started directing my own

0:23:33.240 --> 0:23:36.520
<v Speaker 1>films and my own shorts, and we were very proud

0:23:36.560 --> 0:23:39.000
<v Speaker 1>of what'll be done. Let's make some nooy of that.

0:23:43.560 --> 0:23:46.480
<v Speaker 1>Because I googled that, I got two different things right there.

0:23:46.640 --> 0:23:49.880
<v Speaker 1>One set you born in Detroit, yes, and another said

0:23:49.960 --> 0:23:53.200
<v Speaker 1>he was born in New Mexico. Yes, but you're born

0:23:56.280 --> 0:23:58.040
<v Speaker 1>I know what it says on the internet, but let

0:23:58.119 --> 0:24:02.720
<v Speaker 1>me let me cli. I was born in Detroit, Michigan,

0:24:03.080 --> 0:24:15.240
<v Speaker 1>in September eighteenth, ninety four. Yeah. So, um, my mother

0:24:15.320 --> 0:24:18.160
<v Speaker 1>passed away when I was nine, and my dad got remarried.

0:24:18.720 --> 0:24:23.920
<v Speaker 1>Uh and his wife wanted to live in Albuquerque, New Mexico.

0:24:24.560 --> 0:24:27.840
<v Speaker 1>So at nine, ten years old, I moved out there

0:24:28.119 --> 0:24:31.520
<v Speaker 1>with my new family. Um, and then after I did

0:24:31.640 --> 0:24:34.240
<v Speaker 1>like I did, I did, I did seven years. It

0:24:34.359 --> 0:24:37.440
<v Speaker 1>felt like jail, but I was in said, I was

0:24:37.520 --> 0:24:39.680
<v Speaker 1>in there for seven years in Albuquerque, and then I

0:24:39.800 --> 0:24:42.800
<v Speaker 1>went to California. So there's a lot of people because

0:24:42.840 --> 0:24:45.480
<v Speaker 1>I went to high school in Albuquerque or all of

0:24:45.520 --> 0:24:47.720
<v Speaker 1>the high schools that got successfully kicked out of all

0:24:47.760 --> 0:24:52.959
<v Speaker 1>of motherfucker's. But I went to Albuquerque. Um, like all

0:24:53.000 --> 0:24:55.240
<v Speaker 1>the high schools got you know, in a bunch of trouble,

0:24:55.600 --> 0:24:57.760
<v Speaker 1>had a lot of you know difficulty out there. I

0:24:57.840 --> 0:25:00.320
<v Speaker 1>was angry that my mother had died. I was, you know,

0:25:00.520 --> 0:25:03.040
<v Speaker 1>I was, I was, I was, you know, in this

0:25:03.200 --> 0:25:05.879
<v Speaker 1>forcing this new family. My dad got made married like

0:25:05.960 --> 0:25:09.120
<v Speaker 1>maybe two three months after my mom passed away. Uh

0:25:09.840 --> 0:25:13.520
<v Speaker 1>and uh. And I just was in a really tough spot.

0:25:14.040 --> 0:25:17.760
<v Speaker 1>And so when I went to California, I ended up,

0:25:17.840 --> 0:25:22.000
<v Speaker 1>you know, going by myself. At seventeen. Absolutely I was

0:25:22.040 --> 0:25:26.280
<v Speaker 1>selling crack. So I was serving and out there and

0:25:26.320 --> 0:25:28.680
<v Speaker 1>it's a small town and you know, we was, you know,

0:25:28.840 --> 0:25:32.600
<v Speaker 1>fifteen sixteen driving around and go BMW would go Daton's

0:25:32.720 --> 0:25:35.280
<v Speaker 1>and you know, like it's like the cops knew exactly

0:25:35.320 --> 0:25:39.520
<v Speaker 1>who we were. It's only five black people there at

0:25:39.560 --> 0:25:42.760
<v Speaker 1>the time, so it was crazy. And so you know,

0:25:43.000 --> 0:25:44.920
<v Speaker 1>there were some things. You know, there was a murder

0:25:45.000 --> 0:25:46.879
<v Speaker 1>that happened. There was a whole bunch of ship in

0:25:46.920 --> 0:25:50.359
<v Speaker 1>the street, and I was like, you know, um, I

0:25:50.680 --> 0:25:52.760
<v Speaker 1>told my dad that at the time resident you know,

0:25:52.880 --> 0:25:54.879
<v Speaker 1>my dad just passed away as well, you know, so

0:25:55.840 --> 0:25:59.080
<v Speaker 1>uh I told my dad. I was like, if I

0:25:59.119 --> 0:26:01.480
<v Speaker 1>don't get out of here, then I'm gonna die. So

0:26:02.240 --> 0:26:04.359
<v Speaker 1>you know, I'm gonna go to California and see what

0:26:04.400 --> 0:26:07.240
<v Speaker 1>I can do with this music. Um. And at the

0:26:07.280 --> 0:26:09.639
<v Speaker 1>time I was, I was rapping, but it was kind

0:26:09.680 --> 0:26:11.560
<v Speaker 1>of like it's it's like a hobby. I would I

0:26:11.600 --> 0:26:14.760
<v Speaker 1>would go to like Ku and them and go wrapping

0:26:14.800 --> 0:26:17.320
<v Speaker 1>a little the only rapp show they had, and it

0:26:17.480 --> 0:26:19.840
<v Speaker 1>was like on the university campus. I was wrapping under

0:26:19.880 --> 0:26:24.119
<v Speaker 1>Exhibit eight. And so I left the seventeen, went to

0:26:24.200 --> 0:26:27.600
<v Speaker 1>California and ended up you know, just meeting up with

0:26:28.400 --> 0:26:31.800
<v Speaker 1>three sixty, which was a production crew James Broadway, and

0:26:31.880 --> 0:26:34.240
<v Speaker 1>then I got with King T. He introduced me to

0:26:34.320 --> 0:26:38.160
<v Speaker 1>the alcoholics and so on. The yeah, like that that's

0:26:38.200 --> 0:26:41.840
<v Speaker 1>how it was formed and and and um, so what

0:26:42.200 --> 0:26:46.080
<v Speaker 1>made you start rapping? Because I loved it. Man. You know,

0:26:46.240 --> 0:26:48.800
<v Speaker 1>my parents were very religious. They never let me listen

0:26:48.840 --> 0:26:51.639
<v Speaker 1>to hip hop. UM, so I had to get it

0:26:51.680 --> 0:26:53.840
<v Speaker 1>where I could. I used to, you know, have a

0:26:53.880 --> 0:26:56.600
<v Speaker 1>little Sony Walkman that I scavengered up, and when I

0:26:56.680 --> 0:26:59.080
<v Speaker 1>went to school, I would get tapes from my homies

0:26:59.119 --> 0:27:01.200
<v Speaker 1>and I would listen to it there. Then I started

0:27:01.240 --> 0:27:03.840
<v Speaker 1>taking it home and then they found the ship broke

0:27:03.920 --> 0:27:06.920
<v Speaker 1>the ship every time they found some ship from hip hop, tape, CDs,

0:27:06.960 --> 0:27:11.639
<v Speaker 1>anything ship, the early influences. But I bought everything. I

0:27:12.080 --> 0:27:16.560
<v Speaker 1>bought everything from DJ Magic Mike, from from Miami. Yeah,

0:27:17.200 --> 0:27:20.240
<v Speaker 1>the bass music. I listened to the Two Live Crew

0:27:20.400 --> 0:27:23.000
<v Speaker 1>I listened to I listened to UM. I listened to

0:27:23.280 --> 0:27:27.680
<v Speaker 1>rock Him, Big Daddy Came, I listened to UM, just Ice,

0:27:27.840 --> 0:27:30.280
<v Speaker 1>I listened to All I Got. I remember listening to

0:27:30.400 --> 0:27:33.600
<v Speaker 1>the Tommy Boy. Um. What do you think that that?

0:27:34.080 --> 0:27:35.800
<v Speaker 1>That that first tape they came out with with the

0:27:35.840 --> 0:27:39.280
<v Speaker 1>guys breaking on the front. Oh, I remember. I mean

0:27:39.359 --> 0:27:41.520
<v Speaker 1>I listened to everything. I wasn't reaching a lo at

0:27:41.600 --> 0:27:43.400
<v Speaker 1>the time because I just loved it. But I felt

0:27:43.400 --> 0:27:45.000
<v Speaker 1>when I've got my hands on the d O C

0:27:45.760 --> 0:27:50.240
<v Speaker 1>H C D. Yeah, the DC is my favorite rapper period.

0:27:50.720 --> 0:27:55.480
<v Speaker 1>Yeah yeah yeah, so um, you know I started listening

0:27:55.560 --> 0:27:57.879
<v Speaker 1>to like that and then when they found them, they

0:27:57.920 --> 0:28:00.360
<v Speaker 1>would just confiscate or break everything, and so I ended

0:28:00.440 --> 0:28:07.840
<v Speaker 1>up writing my own brahms, my own brahms and yeah yeah,

0:28:08.280 --> 0:28:10.440
<v Speaker 1>so you know what I'm saying, well I am um

0:28:11.000 --> 0:28:14.240
<v Speaker 1>yeah yeah yeah. Before all those cash, we used to

0:28:14.320 --> 0:28:16.760
<v Speaker 1>all be in this club called Unity and so we

0:28:17.040 --> 0:28:19.399
<v Speaker 1>that was where like the rappers were coming from. The

0:28:19.760 --> 0:28:24.040
<v Speaker 1>project Blow was like another style of another side that

0:28:24.240 --> 0:28:27.240
<v Speaker 1>was doing the same thing, you know, coming up, and

0:28:27.400 --> 0:28:30.320
<v Speaker 1>so there was like this real, like real live, vibrant

0:28:30.480 --> 0:28:34.240
<v Speaker 1>underground hip hop scene in Los Angeles. And so um,

0:28:35.400 --> 0:28:40.040
<v Speaker 1>once Snoop went from Death Row over to UM Masterpiece

0:28:40.160 --> 0:28:45.320
<v Speaker 1>like the No Limit, Um, you know, we had had interaction.

0:28:45.440 --> 0:28:48.480
<v Speaker 1>I was cool with Snoop UM and he called me

0:28:48.560 --> 0:28:51.720
<v Speaker 1>and he was like, yo, you know we we're working

0:28:51.760 --> 0:28:53.360
<v Speaker 1>on this album. I want you to come get down.

0:28:53.400 --> 0:28:55.720
<v Speaker 1>I think Dr dra gonna do to be Is it

0:28:55.800 --> 0:28:57.600
<v Speaker 1>cool if you call you? It's like yeah, it's not

0:28:57.960 --> 0:29:03.040
<v Speaker 1>please and so so um, as you said, it came

0:29:04.240 --> 0:29:10.400
<v Speaker 1>yeah yeah. So so then UM, a couple of minutes

0:29:10.440 --> 0:29:12.680
<v Speaker 1>later Drake called me. He telled me, you know, he

0:29:12.760 --> 0:29:15.160
<v Speaker 1>had echo sound you want to come through you know

0:29:15.320 --> 0:29:19.040
<v Speaker 1>see what you got. I think, I just I think

0:29:19.080 --> 0:29:20.520
<v Speaker 1>the phone was still in the air, and when I

0:29:20.680 --> 0:29:24.560
<v Speaker 1>was already out the door, I was already moving, and

0:29:24.640 --> 0:29:28.240
<v Speaker 1>so I ended up going to the studio. Uh. It

0:29:28.320 --> 0:29:31.640
<v Speaker 1>took me about fifteen minutes to write that, and then um,

0:29:31.800 --> 0:29:34.280
<v Speaker 1>I laid it and then I shook his hand and

0:29:34.400 --> 0:29:37.680
<v Speaker 1>I thank you for the opportunity. I didn't ask for

0:29:37.760 --> 0:29:39.960
<v Speaker 1>the who I should sit in the invoice too. I

0:29:40.040 --> 0:29:42.800
<v Speaker 1>didn't ask, you know what the publisher. And this year,

0:29:42.880 --> 0:29:44.800
<v Speaker 1>I didn't ask what the split. I didn't give fun

0:29:45.120 --> 0:29:48.640
<v Speaker 1>Thank you Dr Dre. I appreciate it. Yeah, he said

0:29:48.640 --> 0:29:51.960
<v Speaker 1>it was for top Dog. Yeah for for for Snoop's album.

0:29:52.560 --> 0:29:56.520
<v Speaker 1>Thank you for the opportunity. Boom. Uh. Like a week later,

0:29:57.040 --> 0:29:58.960
<v Speaker 1>you know, a couple of weeks later, Snoop called meies

0:29:59.000 --> 0:30:01.840
<v Speaker 1>like a nephew. You know, we're using that as a single.

0:30:04.560 --> 0:30:06.440
<v Speaker 1>But I was like, my life is about to change,

0:30:06.640 --> 0:30:08.840
<v Speaker 1>ensure enough from you know, from that that was like,

0:30:09.360 --> 0:30:11.720
<v Speaker 1>you know, you know, as an underground cat, you know,

0:30:12.200 --> 0:30:16.160
<v Speaker 1>being on MTV, you know, and and and being pushed

0:30:16.200 --> 0:30:18.400
<v Speaker 1>across that platform at the time, it's huge. There was

0:30:18.560 --> 0:30:21.520
<v Speaker 1>no you know, online ship that could really like pump

0:30:21.560 --> 0:30:23.120
<v Speaker 1>it to where it was. It was like the video

0:30:23.240 --> 0:30:26.040
<v Speaker 1>shows and the DJs were making this work. And so

0:30:26.280 --> 0:30:28.200
<v Speaker 1>that was my first time really on that type of

0:30:28.440 --> 0:30:31.560
<v Speaker 1>you know, top ten, top billboard, you know, all kinds

0:30:31.600 --> 0:30:35.840
<v Speaker 1>of ship. And then Dre started being you know, interested

0:30:35.960 --> 0:30:39.120
<v Speaker 1>in what I was doing, and so I never once

0:30:39.200 --> 0:30:41.840
<v Speaker 1>asked Dr Dre to pay me for anything that we

0:30:42.000 --> 0:30:44.200
<v Speaker 1>did together because I was already on Loud, I was

0:30:44.240 --> 0:30:46.840
<v Speaker 1>already on Columbia. You know, it's like they should be

0:30:47.000 --> 0:30:50.920
<v Speaker 1>paying you, you know what I'm saying. And so, um,

0:30:51.200 --> 0:30:55.920
<v Speaker 1>then that opportunity led to uh me being they being

0:30:55.960 --> 0:30:59.160
<v Speaker 1>invited to be on his record, you know, and then um,

0:31:00.040 --> 0:31:01.720
<v Speaker 1>what was this in the first one that you're working

0:31:01.760 --> 0:31:06.480
<v Speaker 1>on with him? Um that was the Chronic two thousand one. Yeah,

0:31:07.560 --> 0:31:14.200
<v Speaker 1>uh and so every yeah yeah. So so you know

0:31:14.360 --> 0:31:16.200
<v Speaker 1>he called me in to be you know, on the

0:31:18.280 --> 0:31:20.160
<v Speaker 1>on the two thousand one, and then we ended up

0:31:20.200 --> 0:31:23.040
<v Speaker 1>going on the Up and Smoke Tour and that that

0:31:23.200 --> 0:31:25.280
<v Speaker 1>was it. Man, it was like it went up another level,

0:31:25.560 --> 0:31:28.400
<v Speaker 1>you know, and man, that was that was a very

0:31:28.480 --> 0:31:33.720
<v Speaker 1>pivotal point in my career and um, oh, how was

0:31:33.760 --> 0:31:36.560
<v Speaker 1>it just being around that just the environment, because, like

0:31:36.680 --> 0:31:43.240
<v Speaker 1>you said, you went on the tour. It was fucking crazy, man, crazy,

0:31:43.240 --> 0:31:45.440
<v Speaker 1>this is this is this is hip hop and roll.

0:31:45.680 --> 0:31:47.959
<v Speaker 1>This is like okay, dude. I went from looking at

0:31:48.040 --> 0:31:50.720
<v Speaker 1>these guys and reading their reading the credits on their

0:31:50.840 --> 0:31:53.760
<v Speaker 1>their projects to being in the studio and on tour

0:31:53.880 --> 0:31:57.160
<v Speaker 1>buses and behind you know, stages and you know, in

0:31:57.240 --> 0:31:59.920
<v Speaker 1>prayer circles and getting ready to go hit the stage

0:32:00.040 --> 0:32:03.480
<v Speaker 1>and you know, like these this was a real like

0:32:03.720 --> 0:32:13.840
<v Speaker 1>dream come true for me. It was crazy. It was

0:32:13.920 --> 0:32:17.880
<v Speaker 1>that the upper spoke to. Yeah, it was crazy. It

0:32:18.000 --> 0:32:22.480
<v Speaker 1>was crazy, dude. It was like the people that showed

0:32:22.560 --> 0:32:25.840
<v Speaker 1>up to that tour, um, they saw a piece of

0:32:25.960 --> 0:32:28.600
<v Speaker 1>history that I don't know it's ever gonna be repeated.

0:32:30.080 --> 0:32:32.840
<v Speaker 1>You know. To have that many stars at that at

0:32:32.880 --> 0:32:37.280
<v Speaker 1>that time on one bill and have no hiccups and

0:32:37.400 --> 0:32:40.720
<v Speaker 1>get to it all forty forty shows and and and

0:32:40.840 --> 0:32:44.400
<v Speaker 1>then get back and and really become friends and family

0:32:44.480 --> 0:32:47.560
<v Speaker 1>and then continue on. That was incredible. Man. You know,

0:32:47.680 --> 0:32:49.680
<v Speaker 1>I definitely cut my teeth on that tour. I had

0:32:49.720 --> 0:32:53.240
<v Speaker 1>been on tours before, but nothing like that. You know. Now,

0:32:53.960 --> 0:32:58.040
<v Speaker 1>one of fifties famous records. He said, spoken all that,

0:33:00.400 --> 0:33:02.080
<v Speaker 1>did you do you think fifthy was gonna be as

0:33:02.120 --> 0:33:10.720
<v Speaker 1>big as fifty years. I remember Eminem playing before a show.

0:33:11.160 --> 0:33:14.680
<v Speaker 1>He called me in the room and he played kill Me.

0:33:15.680 --> 0:33:18.920
<v Speaker 1>He played, he played fifties music, and it was like,

0:33:19.160 --> 0:33:25.520
<v Speaker 1>I think I'm gonna sign him. Yeah, California, No, he was,

0:33:25.680 --> 0:33:27.400
<v Speaker 1>I think he was. He was on the road. He was,

0:33:27.520 --> 0:33:29.400
<v Speaker 1>actually he was on up a smoke. Remember what he

0:33:29.440 --> 0:33:31.160
<v Speaker 1>played you was one of the mix tapes. I think

0:33:31.200 --> 0:33:33.200
<v Speaker 1>it was a mixtape. Yeah, it was the one where

0:33:33.240 --> 0:33:34.920
<v Speaker 1>it's kind of the black and white cover and he

0:33:35.040 --> 0:33:38.320
<v Speaker 1>has the he got the hat on the bulletproof vest. Well,

0:33:38.400 --> 0:33:43.200
<v Speaker 1>he always has on the bulletproof but I think it

0:33:43.320 --> 0:33:46.200
<v Speaker 1>was like one of his first, first first joints. And

0:33:46.400 --> 0:33:48.680
<v Speaker 1>then I listened to it, I was like, oh, ship

0:33:48.840 --> 0:33:51.400
<v Speaker 1>should be crazy because you can hear it in the

0:33:51.560 --> 0:33:55.760
<v Speaker 1>music and now um at the music. I was amazed.

0:33:55.880 --> 0:33:58.720
<v Speaker 1>But to see what he's done with not only his

0:33:59.360 --> 0:34:04.000
<v Speaker 1>TV prey is uh and his production and it's just business.

0:34:04.880 --> 0:34:07.960
<v Speaker 1>His his business and branding is and his trolling is

0:34:08.040 --> 0:34:12.600
<v Speaker 1>right up there. That's part of the marketing services. But

0:34:13.800 --> 0:34:16.520
<v Speaker 1>I'm not surprised that fifty is as big as he is.

0:34:16.960 --> 0:34:18.360
<v Speaker 1>You know what I'm saying, Are you in the studio

0:34:18.400 --> 0:34:23.439
<v Speaker 1>when he quoted that, he just he just shot me out. Yeah, yeah, yeah,

0:34:23.560 --> 0:34:27.400
<v Speaker 1>I think. I think Tracy, Tracy over at the Shady

0:34:27.480 --> 0:34:29.520
<v Speaker 1>Camp actually is the first one that told me and

0:34:29.640 --> 0:34:31.719
<v Speaker 1>he did it and I was like what and then

0:34:31.920 --> 0:34:33.839
<v Speaker 1>you know, it's like they called me to the video

0:34:34.000 --> 0:34:44.600
<v Speaker 1>and history. Let's make a look. Is this is this

0:34:44.680 --> 0:34:49.400
<v Speaker 1>a type of ball time? I think it's this is

0:34:49.560 --> 0:34:51.640
<v Speaker 1>this is a part of the show. It's a little weird,

0:34:51.920 --> 0:34:54.480
<v Speaker 1>it's a little a great because we gotta listen. We

0:34:54.560 --> 0:34:58.239
<v Speaker 1>celebrate your life, appreciate, thank you. Let me just tell

0:34:58.280 --> 0:34:59.919
<v Speaker 1>you something. This is what I hate in the game.

0:35:00.040 --> 0:35:02.400
<v Speaker 1>So many people want to celebrate you. If you're gone,

0:35:03.000 --> 0:35:05.240
<v Speaker 1>you know, let's not go on what or something happened

0:35:05.239 --> 0:35:07.200
<v Speaker 1>to you. People say how Greek this guy he is?

0:35:07.600 --> 0:35:09.120
<v Speaker 1>And why I can't say that to you right now?

0:35:09.160 --> 0:35:13.440
<v Speaker 1>Absolutely wise. And let's what I say our culture. And

0:35:13.520 --> 0:35:15.040
<v Speaker 1>when I say our culture, I don't want it to

0:35:15.120 --> 0:35:17.400
<v Speaker 1>be racial because it's not just black. And you know,

0:35:17.640 --> 0:35:19.840
<v Speaker 1>I'm talking about our culture period, like m she searched

0:35:20.360 --> 0:35:22.560
<v Speaker 1>he's white and we should be praising him he's got

0:35:23.000 --> 0:35:26.120
<v Speaker 1>what we should be great, and I want to keep

0:35:26.160 --> 0:35:28.839
<v Speaker 1>continuing to do that. Like I want our culture meeting

0:35:28.920 --> 0:35:31.680
<v Speaker 1>hip hop. Let's let's let's pig each other up. For

0:35:32.000 --> 0:35:34.960
<v Speaker 1>for instance, it's it's we've been through all of that.

0:35:35.160 --> 0:35:37.359
<v Speaker 1>You know, heard this guy, heard this ship, We've done

0:35:37.400 --> 0:35:40.040
<v Speaker 1>that already that let's go forward. Yeah, let's move forward.

0:35:40.200 --> 0:35:45.439
<v Speaker 1>And I I, for one, I've seen I've seen your career.

0:35:45.600 --> 0:35:49.000
<v Speaker 1>I've seen what was the album dropping ninety eight? Uh,

0:35:49.719 --> 0:35:51.760
<v Speaker 1>there was at the Speed of Life in the forty

0:35:51.800 --> 0:35:54.600
<v Speaker 1>days forty nights, and you know I dropped in like that.

0:35:54.920 --> 0:35:58.880
<v Speaker 1>So I understand, you know, you know I see and

0:35:59.080 --> 0:36:01.879
<v Speaker 1>and and it should be celebrated. You know what I'm saying,

0:36:01.920 --> 0:36:05.040
<v Speaker 1>Like hip hop were superheroes about. You know, I'm saying

0:36:05.080 --> 0:36:06.600
<v Speaker 1>some of us don't wear a cake, some of us

0:36:06.680 --> 0:36:14.680
<v Speaker 1>do that. Not a kid, yea, heroes don't wear a cap.

0:36:14.920 --> 0:36:16.759
<v Speaker 1>You know what I'm saying. What the fund is this? Yea?

0:36:17.400 --> 0:36:20.719
<v Speaker 1>Looking to the What the fucking I see you're trying

0:36:20.719 --> 0:36:26.719
<v Speaker 1>to slide this it on me? Right? Any of those

0:36:28.680 --> 0:36:32.879
<v Speaker 1>it's called tag it's a drink Champions edition. Alright, sal

0:36:45.560 --> 0:36:51.000
<v Speaker 1>ain't that bad? I think he's gonna say that it's

0:36:51.040 --> 0:36:56.000
<v Speaker 1>the list, right. So on the Upper Sloop Tour, that's

0:36:56.040 --> 0:36:59.360
<v Speaker 1>a certain part where you just take a bottle. You

0:36:59.440 --> 0:37:02.880
<v Speaker 1>used to do for real, man, I used to do

0:37:02.960 --> 0:37:09.240
<v Speaker 1>a lot of ships that you said, you that probably

0:37:10.160 --> 0:37:14.000
<v Speaker 1>part of you say. I used to do a lot

0:37:14.080 --> 0:37:18.160
<v Speaker 1>of ship that you know, it's not you know, good

0:37:18.320 --> 0:37:22.520
<v Speaker 1>for me, And so I had to h really evaluate

0:37:22.600 --> 0:37:25.719
<v Speaker 1>what was happening and kind of like, you know, I

0:37:25.760 --> 0:37:28.279
<v Speaker 1>don't know if it's called getting old and maturing or

0:37:28.320 --> 0:37:30.239
<v Speaker 1>whatever you want to call it, but I look at

0:37:30.280 --> 0:37:34.719
<v Speaker 1>other people and I don't have to learn, you know,

0:37:35.160 --> 0:37:37.760
<v Speaker 1>by doing the same thing. I can look at somebody

0:37:37.800 --> 0:37:39.200
<v Speaker 1>and know like, oh I don't want to do that

0:37:39.520 --> 0:37:41.920
<v Speaker 1>what I'm saying, or man, that didn't paying out the

0:37:41.960 --> 0:37:44.279
<v Speaker 1>way they thought it was, and take that and use

0:37:44.360 --> 0:37:47.800
<v Speaker 1>it in my my my navigation. So you know, I

0:37:48.320 --> 0:37:50.680
<v Speaker 1>feel good about, you know, what I've done. I mean,

0:37:50.760 --> 0:37:53.040
<v Speaker 1>have no regrets what I've done in hip hop. But

0:37:53.239 --> 0:37:55.040
<v Speaker 1>I don't do none of that ship like I used to.

0:37:55.600 --> 0:37:59.080
<v Speaker 1>You know, I'm running. I'm running, I'm running businesses, family,

0:37:59.560 --> 0:38:01.839
<v Speaker 1>you know, I have things that are that are very

0:38:02.080 --> 0:38:05.200
<v Speaker 1>very important to me, and so I know what that

0:38:05.280 --> 0:38:07.080
<v Speaker 1>feels like, I know what it feels like to have

0:38:07.280 --> 0:38:09.480
<v Speaker 1>unlimited alcohol. I know what it feels like to be

0:38:09.560 --> 0:38:12.319
<v Speaker 1>able to roll pounds of weed all day every day.

0:38:12.360 --> 0:38:14.759
<v Speaker 1>I know what that feels like. But I've never had

0:38:14.800 --> 0:38:17.040
<v Speaker 1>a billion dollars, you know what I'm saying. I've never

0:38:17.160 --> 0:38:20.480
<v Speaker 1>had hundreds of millions of dollars um. Not that, not

0:38:20.680 --> 0:38:24.320
<v Speaker 1>that even material is the is the goal. It's like,

0:38:24.400 --> 0:38:27.279
<v Speaker 1>how hard can I push my success? How hard can

0:38:27.360 --> 0:38:28.920
<v Speaker 1>I get to where I want to go so I

0:38:28.960 --> 0:38:30.680
<v Speaker 1>can turn around to help the people I want to

0:38:30.719 --> 0:38:34.000
<v Speaker 1>help instead of seeing everybody get help, you know, and

0:38:34.280 --> 0:38:36.680
<v Speaker 1>and and and pull their other homeboys out and be

0:38:36.800 --> 0:38:38.600
<v Speaker 1>able to laugh at the cats that that ain't in

0:38:38.680 --> 0:38:41.479
<v Speaker 1>their click. I want to take care of my people

0:38:41.520 --> 0:38:43.759
<v Speaker 1>the same way, you know. So that's what that's what

0:38:44.120 --> 0:38:47.680
<v Speaker 1>motivates me to become more and to not listen to

0:38:47.800 --> 0:38:49.759
<v Speaker 1>the people that have negative ships to say. But have

0:38:50.200 --> 0:38:51.880
<v Speaker 1>you know that I take care of people that that

0:38:52.080 --> 0:38:54.320
<v Speaker 1>that want to be in my circle, you know, And

0:38:54.440 --> 0:38:56.719
<v Speaker 1>that's easier than dealing with people that ain't and ever

0:38:56.840 --> 0:38:59.040
<v Speaker 1>gonna be convinced, you know? Now? You know what I

0:38:59.080 --> 0:39:01.040
<v Speaker 1>always say, I say old when you celebrate it and

0:39:01.160 --> 0:39:04.160
<v Speaker 1>not tolerate. Yeah exactly. Hell yeah, this is where people

0:39:04.280 --> 0:39:06.880
<v Speaker 1>want wanted you to be there. Like a lot of us,

0:39:06.920 --> 0:39:09.239
<v Speaker 1>we be we want to be accepted in places we

0:39:09.280 --> 0:39:12.320
<v Speaker 1>shouldn't even care. Yeah yeah, I don't care, because it

0:39:12.440 --> 0:39:15.520
<v Speaker 1>may be it may be some light over there that

0:39:15.600 --> 0:39:18.279
<v Speaker 1>you think somebody else is getting in. You admire the

0:39:18.360 --> 0:39:22.600
<v Speaker 1>sparkly ship or whatever. But oh man, the people that

0:39:22.760 --> 0:39:25.399
<v Speaker 1>I've expected to be in my corner and be part

0:39:25.480 --> 0:39:29.080
<v Speaker 1>of my success never were. It was the people that

0:39:29.400 --> 0:39:32.200
<v Speaker 1>you know, we're sitting there with me when it wasn't glamorous,

0:39:32.520 --> 0:39:35.400
<v Speaker 1>and then you can see the excitement when something happened

0:39:35.400 --> 0:39:37.520
<v Speaker 1>for me, even if it wasn't that big, if if

0:39:37.600 --> 0:39:40.440
<v Speaker 1>it was just something like they was genuine. You know

0:39:40.440 --> 0:39:42.520
<v Speaker 1>what I'm saying that. So that's where I'm at with it. Man.

0:39:42.600 --> 0:39:44.600
<v Speaker 1>I I used to want to be I want to

0:39:44.680 --> 0:39:46.880
<v Speaker 1>be accepted. I want to be fitting. I want to

0:39:46.920 --> 0:39:48.640
<v Speaker 1>I want to be around these guys. I want to

0:39:48.640 --> 0:39:50.840
<v Speaker 1>be in this circle. I don't give a funk about

0:39:50.880 --> 0:39:53.200
<v Speaker 1>that ship. You know what I'm saying, because it means

0:39:53.280 --> 0:39:55.759
<v Speaker 1>nothing because even when you get there, you find out

0:39:55.840 --> 0:40:00.480
<v Speaker 1>that the niggas don't like each other either. Know, it's

0:40:00.520 --> 0:40:05.440
<v Speaker 1>like the side. I thought you guys were teamed, but

0:40:05.520 --> 0:40:08.160
<v Speaker 1>they don't work like that, you know, and so you

0:40:08.280 --> 0:40:12.000
<v Speaker 1>better off making the people. That's what you now, the people,

0:40:12.040 --> 0:40:14.759
<v Speaker 1>that's what you then, you know? Do you just wait?

0:40:14.800 --> 0:40:16.600
<v Speaker 1>Hold on? Sorry? Do you still wrote with the producer

0:40:16.719 --> 0:40:20.799
<v Speaker 1>that did Paparazzi DJ at one point? No? They they

0:40:20.920 --> 0:40:24.960
<v Speaker 1>I did the track for proper Rozzi. He's l a producer. UM,

0:40:26.360 --> 0:40:29.160
<v Speaker 1>I see him, but we haven't done any music together.

0:40:29.719 --> 0:40:31.520
<v Speaker 1>Do you remember the first time you came to Miami,

0:40:32.000 --> 0:40:33.880
<v Speaker 1>or at least the first time? I thinking listen, he remembers.

0:40:35.640 --> 0:40:38.520
<v Speaker 1>I don't remember the first time, probably going through a lot,

0:40:38.600 --> 0:40:46.120
<v Speaker 1>but what happened here? He can't he can't to win with. Actually,

0:40:46.160 --> 0:40:48.560
<v Speaker 1>before when it was popping, it was the hood it

0:40:48.719 --> 0:40:56.520
<v Speaker 1>was hood Stock. Paparazzi was out just release. Yes, and

0:40:56.640 --> 0:40:59.280
<v Speaker 1>we saw you, my crew saw you, and we recognize

0:40:59.320 --> 0:41:02.560
<v Speaker 1>you and you were just hyped to be recognized because

0:41:02.600 --> 0:41:04.880
<v Speaker 1>you just had a vinyl single years out like that.

0:41:05.840 --> 0:41:08.239
<v Speaker 1>And then you said I need to be in Winwood

0:41:08.360 --> 0:41:10.359
<v Speaker 1>at this spot called hood Stock. We were in the beach.

0:41:10.880 --> 0:41:13.800
<v Speaker 1>It was how can I be down? Yes? Uh? And

0:41:13.920 --> 0:41:15.200
<v Speaker 1>you told me to do that was with you was

0:41:15.440 --> 0:41:19.120
<v Speaker 1>either DJ or the producer of Paparazzi, and I said, yeah,

0:41:19.120 --> 0:41:21.480
<v Speaker 1>I'll take you, Okay, I don't know, let's go at

0:41:21.520 --> 0:41:23.600
<v Speaker 1>my pathfinder and you didn't want. We didn't have room

0:41:23.600 --> 0:41:29.600
<v Speaker 1>because I had my crew be path find my thing too.

0:41:31.239 --> 0:41:33.480
<v Speaker 1>And then so this boy wouldn't sit in the back

0:41:33.640 --> 0:41:35.759
<v Speaker 1>of the trunk because we wasn't my crew. We you know,

0:41:35.880 --> 0:41:38.560
<v Speaker 1>we in our seats already. But he said, I'll jump

0:41:38.680 --> 0:41:41.680
<v Speaker 1>in the luggage area, no problem. And I just remember

0:41:41.800 --> 0:41:44.520
<v Speaker 1>him with he had an Echo canteen with jin and

0:41:44.560 --> 0:41:48.120
<v Speaker 1>juice in it. And we passed up. We pulled up,

0:41:48.280 --> 0:41:50.400
<v Speaker 1>we pulled up to the hood stock. We got to

0:41:50.480 --> 0:41:52.279
<v Speaker 1>the wrong area. So it's just a fence. We just

0:41:52.520 --> 0:41:56.719
<v Speaker 1>echo to Mark Echo Yeah. And MLP was performing on

0:41:56.840 --> 0:42:00.680
<v Speaker 1>stage with Heather be And then we start climbing because

0:42:00.680 --> 0:42:02.080
<v Speaker 1>there was no way to get into it. We start

0:42:02.120 --> 0:42:03.960
<v Speaker 1>climbing a fence. I don't know none of this. I'm

0:42:04.120 --> 0:42:10.360
<v Speaker 1>that kick at this point and were locally people They're like,

0:42:10.800 --> 0:42:17.880
<v Speaker 1>you know, that's crazy. Climbers and existed went on. There

0:42:17.960 --> 0:42:19.400
<v Speaker 1>was some chaos on the show. I just said, just

0:42:19.440 --> 0:42:26.000
<v Speaker 1>a crazy man. Damn the can about to bring it

0:42:26.080 --> 0:42:39.279
<v Speaker 1>up and what the fun he was wading out. I'm

0:42:39.360 --> 0:42:41.520
<v Speaker 1>telling you, man, like I'm saying man, we had a

0:42:41.640 --> 0:42:44.120
<v Speaker 1>lot of fun. Man, we had a lot of fun

0:42:44.200 --> 0:42:46.920
<v Speaker 1>with that. We we did not let off the gas whatsoever,

0:42:47.480 --> 0:42:50.080
<v Speaker 1>you know, and we have fun with it. Man. But

0:42:50.200 --> 0:42:54.480
<v Speaker 1>I think, you know, me looking back at that time

0:42:54.640 --> 0:42:56.560
<v Speaker 1>and seeing I did exactly what the funk I was

0:42:56.560 --> 0:42:59.120
<v Speaker 1>supposed to do. I was young, I was a teenager.

0:42:59.200 --> 0:43:02.400
<v Speaker 1>I was you know, I had a record out. You know,

0:43:02.640 --> 0:43:05.480
<v Speaker 1>I had come from the most shittiest ship show you

0:43:05.560 --> 0:43:08.680
<v Speaker 1>can think of, and I was having fun, man, And

0:43:08.920 --> 0:43:12.040
<v Speaker 1>I just think I'm just thankful for the experience. I've

0:43:12.120 --> 0:43:14.440
<v Speaker 1>had a thankful you know, for people that that but

0:43:14.560 --> 0:43:17.440
<v Speaker 1>understand me and and have those members can remember that

0:43:17.480 --> 0:43:26.160
<v Speaker 1>ship for me because God knows. But I'm glad. Man.

0:43:26.920 --> 0:43:29.399
<v Speaker 1>It's like, you know, we didn't have social media back then.

0:43:29.520 --> 0:43:31.440
<v Speaker 1>Like now you can turn on your cell phone and

0:43:31.480 --> 0:43:34.520
<v Speaker 1>you can record the memories that you know it's gonna

0:43:34.600 --> 0:43:37.160
<v Speaker 1>mean something other people are gonna see it. But we

0:43:37.360 --> 0:43:39.640
<v Speaker 1>have that up here. Man. It's like we got pictures

0:43:39.719 --> 0:43:43.760
<v Speaker 1>here and there of moments, but that that time, that energy,

0:43:43.880 --> 0:43:47.320
<v Speaker 1>I don't know, man, it feels really special to me. Special,

0:43:48.000 --> 0:43:53.719
<v Speaker 1>special now two thousand Dr Dre exactly produced album. Now

0:43:53.760 --> 0:43:56.920
<v Speaker 1>other people get a beat from Dr Dre, you might

0:43:57.200 --> 0:44:03.400
<v Speaker 1>get a purse something. I'm an athlete, not when people

0:44:03.480 --> 0:44:08.680
<v Speaker 1>get saying right right, and not not on interscope or aftermath.

0:44:09.480 --> 0:44:14.360
<v Speaker 1>If you're not on after math, you did this on loud.

0:44:15.880 --> 0:44:26.960
<v Speaker 1>How did you do you had no actually actually, actually

0:44:27.040 --> 0:44:29.680
<v Speaker 1>that question takes us back to the top of the conversation.

0:44:30.840 --> 0:44:33.239
<v Speaker 1>After we had did what you see is what you get.

0:44:33.760 --> 0:44:36.799
<v Speaker 1>Louds say go back and make another album. They didn't

0:44:36.800 --> 0:44:41.560
<v Speaker 1>want to film another video, and bitch, please hadn't come

0:44:41.600 --> 0:44:44.640
<v Speaker 1>out yet. Um, and oh no, it had come out,

0:44:44.800 --> 0:44:48.160
<v Speaker 1>and that's why I got so mad. Okay, so I

0:44:48.239 --> 0:44:52.240
<v Speaker 1>got extremely pissed, and so Steve Rifkin was, you know, saying,

0:44:52.400 --> 0:44:54.719
<v Speaker 1>you know, yeah it was good, but now imagine if

0:44:54.760 --> 0:44:56.320
<v Speaker 1>you come out with more music. I was like, you

0:44:56.400 --> 0:45:00.440
<v Speaker 1>didn't even promote the music that we just put out. So, um,

0:45:00.880 --> 0:45:04.600
<v Speaker 1>I got pissed, and I just left on tour and

0:45:05.600 --> 0:45:07.920
<v Speaker 1>I didn't want to do an album. I just refused

0:45:07.960 --> 0:45:11.879
<v Speaker 1>to budget. And so Steve Ripkin shout out Steve Ripke,

0:45:11.920 --> 0:45:13.600
<v Speaker 1>and I love you, man, but I'm just telling the truth,

0:45:15.920 --> 0:45:19.120
<v Speaker 1>you know, Steve you know. Uh, Steve tried to show

0:45:19.200 --> 0:45:21.279
<v Speaker 1>up to the first Up and Smoke show and was

0:45:21.360 --> 0:45:25.480
<v Speaker 1>turned away at the gate because uh they were and

0:45:25.560 --> 0:45:27.840
<v Speaker 1>they asked me, and I felt like, why should you

0:45:27.960 --> 0:45:31.120
<v Speaker 1>be able to benefit off something that you had nothing

0:45:31.200 --> 0:45:33.640
<v Speaker 1>to do with? This relationship that I built with Dr

0:45:33.760 --> 0:45:37.640
<v Speaker 1>Dre and Snoop and all these guys is on my accord.

0:45:38.280 --> 0:45:41.080
<v Speaker 1>And so then it was like, UM, you know, okay,

0:45:41.280 --> 0:45:44.640
<v Speaker 1>so I'm just gonna go. And even though it would

0:45:44.640 --> 0:45:47.520
<v Speaker 1>be so opportune for me to record an album, you

0:45:47.560 --> 0:45:49.080
<v Speaker 1>know what I'm saying. I know you you're not gonna

0:45:49.120 --> 0:45:51.319
<v Speaker 1>do right by it, you know, So I just went

0:45:51.440 --> 0:45:54.200
<v Speaker 1>and started working. Everybody thought it was on Aftermath. Everybody

0:45:54.239 --> 0:45:58.359
<v Speaker 1>thought I was on Interscope. Uh. And so then, um,

0:46:00.040 --> 0:46:02.759
<v Speaker 1>ray knew what I was going through, you know. Uh,

0:46:03.560 --> 0:46:08.759
<v Speaker 1>but that's about it. And so afterwards, um uh at

0:46:08.760 --> 0:46:11.040
<v Speaker 1>the end of the like halfway midway through the tour,

0:46:11.360 --> 0:46:16.800
<v Speaker 1>Dre and Um and Jimmy called Steve in and asked, Okay,

0:46:16.920 --> 0:46:19.759
<v Speaker 1>so we love exhibit, we love what's going on with

0:46:19.880 --> 0:46:22.839
<v Speaker 1>his career, and we love you know, working with him.

0:46:23.120 --> 0:46:25.520
<v Speaker 1>We know you know you you brought him to this point.

0:46:26.360 --> 0:46:28.080
<v Speaker 1>How can we get him over here with us to

0:46:28.440 --> 0:46:34.879
<v Speaker 1>you know, be with us. And Steve said he wrote

0:46:34.920 --> 0:46:37.240
<v Speaker 1>a number on a piece of paper that Jimmy Ivan

0:46:37.400 --> 0:46:41.640
<v Speaker 1>was like really, so it kind of combossed it and

0:46:41.760 --> 0:46:45.280
<v Speaker 1>I was I was I felt like Steve was trying

0:46:45.400 --> 0:46:48.480
<v Speaker 1>to fuck my ship up, you know what I'm saying. Like,

0:46:48.640 --> 0:46:51.320
<v Speaker 1>and I was like, yo, man, um, then he's like

0:46:51.400 --> 0:46:53.880
<v Speaker 1>you like my son. You know I started with you,

0:46:54.040 --> 0:46:55.880
<v Speaker 1>We're gonna do this thing together. I was like, bro,

0:46:56.000 --> 0:46:57.640
<v Speaker 1>you don't even want to film a video where we

0:46:58.120 --> 0:47:00.560
<v Speaker 1>had the number one ship across all I hop, like,

0:47:01.040 --> 0:47:03.080
<v Speaker 1>what are you talking about? So I was at odds

0:47:03.160 --> 0:47:08.000
<v Speaker 1>with the label and so um. Then when we finished

0:47:08.040 --> 0:47:11.760
<v Speaker 1>the tour, uh, he was like, let's go do a record,

0:47:11.920 --> 0:47:14.400
<v Speaker 1>Let's do this whatever. I was like, yeah, Steve's like

0:47:14.480 --> 0:47:17.640
<v Speaker 1>doing what. I was like, Um, I'm only gonna do

0:47:17.719 --> 0:47:20.480
<v Speaker 1>it if you take care of Dr Dre and Dr

0:47:20.600 --> 0:47:22.920
<v Speaker 1>Dre was like, you're gonna pay me this and then

0:47:23.040 --> 0:47:25.200
<v Speaker 1>we're gonna do this, you know what I'm saying. And

0:47:25.280 --> 0:47:27.800
<v Speaker 1>then we're gonna we're gonna get it done. You know.

0:47:28.040 --> 0:47:30.080
<v Speaker 1>But I don't want this money to come from exist,

0:47:30.120 --> 0:47:34.800
<v Speaker 1>but I wanted to come from you, said Jesus, and

0:47:35.520 --> 0:47:44.440
<v Speaker 1>that's why the record is ours. You know, Dre. Dre

0:47:44.880 --> 0:47:48.279
<v Speaker 1>has always been one hundred thousand percent with me, and

0:47:48.360 --> 0:47:52.719
<v Speaker 1>I will never say anything derogatory or negative about him.

0:47:52.880 --> 0:47:55.000
<v Speaker 1>I will always be by his side. I was always

0:47:55.000 --> 0:47:56.680
<v Speaker 1>bride with him. You know what I'm saying, that's that's

0:47:56.719 --> 0:47:58.959
<v Speaker 1>my nigger. He's my friend. You know what I'm saying,

0:47:59.000 --> 0:48:01.600
<v Speaker 1>He's my mentor. He made. He made a lot of

0:48:01.680 --> 0:48:04.080
<v Speaker 1>things happen in my career that I never thought would happen.

0:48:04.560 --> 0:48:07.080
<v Speaker 1>So you know, and and and we still to this day.

0:48:07.120 --> 0:48:09.279
<v Speaker 1>You know what I'm saying, have a report that you know,

0:48:09.400 --> 0:48:11.160
<v Speaker 1>we can sit in the room and topic just like this.

0:48:11.520 --> 0:48:14.160
<v Speaker 1>You know, I'm some real ship and all you involved

0:48:14.200 --> 0:48:16.680
<v Speaker 1>with the pharmacy? Is that true? Right now? We're in

0:48:16.719 --> 0:48:19.600
<v Speaker 1>a hiatus. I think everybody has other stuff to do. Um.

0:48:19.719 --> 0:48:23.560
<v Speaker 1>I think the I think the Anderson Pack program, and

0:48:23.680 --> 0:48:25.279
<v Speaker 1>you know what I'm saying, it's definitely doing what it

0:48:25.360 --> 0:48:28.560
<v Speaker 1>has to do. Congratulations to Andy. You know he over there,

0:48:28.640 --> 0:48:34.440
<v Speaker 1>he killed it him in Noble Yeah. I love his

0:48:34.719 --> 0:48:37.319
<v Speaker 1>I love his new record. Uh and and so that's

0:48:37.360 --> 0:48:39.399
<v Speaker 1>what they're doing. Beach One is still going strong, shout

0:48:39.520 --> 0:48:42.239
<v Speaker 1>and saying low. Uh, you know Eddie and and and

0:48:42.920 --> 0:48:44.920
<v Speaker 1>Johnny all the people over there at the pharmacy. So

0:48:45.360 --> 0:48:47.000
<v Speaker 1>right now, if they bring it back on the air,

0:48:47.080 --> 0:48:49.560
<v Speaker 1>you know, I'm gonna be right there. Okay, man, So

0:48:49.680 --> 0:48:53.120
<v Speaker 1>what what what? What? What? What was it wrong? I

0:48:53.440 --> 0:49:02.560
<v Speaker 1>produced the whole shows, they said, was the executive. God.

0:49:03.320 --> 0:49:06.439
<v Speaker 1>Now I'm so, um, let me ask you, so, let's

0:49:06.440 --> 0:49:08.920
<v Speaker 1>get let's go into California for a little bit. Because

0:49:09.000 --> 0:49:11.880
<v Speaker 1>if you're in New York, you gotta be involved with uh,

0:49:12.360 --> 0:49:14.640
<v Speaker 1>you know, you gotta be like a five center. You're

0:49:14.640 --> 0:49:19.560
<v Speaker 1>gonna be a Muslim. You know what I'm saying. Nowadays,

0:49:19.800 --> 0:49:23.040
<v Speaker 1>you gotta be a blood or crypt at all started

0:49:23.040 --> 0:49:27.040
<v Speaker 1>from California gang rules, you know, um, which is crazy

0:49:27.080 --> 0:49:30.399
<v Speaker 1>because it's like, you know, hip hop, Like we gave

0:49:30.480 --> 0:49:32.560
<v Speaker 1>y'all hip hop, and y'all gave us gang culture. Now

0:49:34.280 --> 0:49:37.160
<v Speaker 1>now it's real gang cloking, Like it's actually places where

0:49:37.200 --> 0:49:39.560
<v Speaker 1>you go and you could actually tell that this is

0:49:39.640 --> 0:49:42.400
<v Speaker 1>all all blood section and this is all a crypt

0:49:42.480 --> 0:49:45.080
<v Speaker 1>section from the same thing that I used to go

0:49:45.480 --> 0:49:48.799
<v Speaker 1>to your neighborhood. You see, it wasn't there before. I'm

0:49:48.880 --> 0:49:50.320
<v Speaker 1>not not in New York, not in New York, not

0:49:50.400 --> 0:49:53.640
<v Speaker 1>in New York. So what what what? What? What do

0:49:53.719 --> 0:49:58.000
<v Speaker 1>you think about that? Like, what's your opinion? I think,

0:49:58.200 --> 0:50:01.800
<v Speaker 1>how gang good? You just explode everywhere. I think, you know,

0:50:02.080 --> 0:50:07.239
<v Speaker 1>the dynamics of game banging in Los Angeles are very complex. Um.

0:50:07.640 --> 0:50:10.600
<v Speaker 1>I came in when I was a teenager. Um, I

0:50:10.760 --> 0:50:13.120
<v Speaker 1>hang around a lot of crips. You know what I'm saying.

0:50:13.160 --> 0:50:17.759
<v Speaker 1>I have a lot of blood friends, but mostly I

0:50:17.880 --> 0:50:21.080
<v Speaker 1>hang out with a lot of crips. And um, I

0:50:21.200 --> 0:50:28.960
<v Speaker 1>see how I go outfit like you. But I don't

0:50:29.000 --> 0:50:31.600
<v Speaker 1>think you ever had a red outfit, you know, I mean,

0:50:31.760 --> 0:50:41.960
<v Speaker 1>but I mean no, no, you good? Yeah, but you

0:50:42.080 --> 0:50:45.759
<v Speaker 1>know I never, I never, you know, claimed the neighborhood.

0:50:46.280 --> 0:50:48.040
<v Speaker 1>You know what I'm saying. I hung out with a

0:50:48.120 --> 0:50:51.719
<v Speaker 1>lot of cats and Venice Venice Shoreline is you know,

0:50:51.840 --> 0:50:53.959
<v Speaker 1>That's why I was hanging out. But you know, coming

0:50:54.040 --> 0:50:56.160
<v Speaker 1>from where I was coming from and being around that

0:50:56.239 --> 0:50:58.399
<v Speaker 1>because I was there was there was crips that will

0:50:58.480 --> 0:51:01.479
<v Speaker 1>come to Albuquerque to get weight, you know what I'm saying,

0:51:01.520 --> 0:51:04.240
<v Speaker 1>from California because it's right there next to the border,

0:51:04.800 --> 0:51:07.000
<v Speaker 1>right and so I would be able to come to

0:51:07.280 --> 0:51:09.759
<v Speaker 1>l A and already having affiliation with people that I

0:51:09.880 --> 0:51:14.080
<v Speaker 1>met doing that, and so that's when I got to

0:51:14.360 --> 0:51:16.640
<v Speaker 1>l A. I was you know, I was embraced by

0:51:16.719 --> 0:51:19.960
<v Speaker 1>these cats and you know, they had an apartment and

0:51:20.040 --> 0:51:22.160
<v Speaker 1>then you know, I ended up you know, that's where

0:51:22.160 --> 0:51:24.440
<v Speaker 1>I met my my first son's mother, you know what

0:51:24.480 --> 0:51:28.800
<v Speaker 1>I'm saying, and so um, from there it was it

0:51:28.920 --> 0:51:31.479
<v Speaker 1>was like I wanted to be all in. It was like, nah,

0:51:32.719 --> 0:51:35.520
<v Speaker 1>you're going to do this music ship because you're good

0:51:35.560 --> 0:51:39.480
<v Speaker 1>at it. So you can't say no way with us.

0:51:39.600 --> 0:51:43.000
<v Speaker 1>You can't run no missions with us. You can't do

0:51:43.120 --> 0:51:45.360
<v Speaker 1>all that ship and then show me what you wrote today,

0:51:45.920 --> 0:51:49.560
<v Speaker 1>you know what I'm saying. And so that's kind of

0:51:49.680 --> 0:51:52.920
<v Speaker 1>like how I viewed it, and that's how I saw it,

0:51:52.960 --> 0:51:56.000
<v Speaker 1>and that's my my my view of where it was now.

0:51:56.080 --> 0:51:59.040
<v Speaker 1>When it started traveling, there were no bloods and crypts

0:51:59.040 --> 0:52:02.520
<v Speaker 1>in New York. When first one to New York, there

0:52:02.600 --> 0:52:06.279
<v Speaker 1>were no neighborhoods like that. There wasn't no niggas that

0:52:06.600 --> 0:52:09.040
<v Speaker 1>even knew. They thought it was silly. They usually get

0:52:09.160 --> 0:52:11.560
<v Speaker 1>mad at us, even on records, like I remember, like,

0:52:11.719 --> 0:52:14.440
<v Speaker 1>you know, it was like a thing to work about.

0:52:14.480 --> 0:52:17.320
<v Speaker 1>How whack the West Coast niggas was for cursing and

0:52:17.480 --> 0:52:23.239
<v Speaker 1>gang banging and black black sheet, Black Sheet, listen to

0:52:23.320 --> 0:52:25.640
<v Speaker 1>black Sheet. What I'm saying that they had like the

0:52:25.760 --> 0:52:29.279
<v Speaker 1>skit where it's like a real like fucking gang bang

0:52:29.280 --> 0:52:31.800
<v Speaker 1>in his wag calling bitches and the bitches is whack.

0:52:34.080 --> 0:52:35.759
<v Speaker 1>They could have meant that about New York because remember

0:52:35.800 --> 0:52:38.120
<v Speaker 1>we had zood re lation in New York. It probably

0:52:38.200 --> 0:52:40.719
<v Speaker 1>wasn't as powerful as Bloods and crypt but it was

0:52:40.960 --> 0:52:44.200
<v Speaker 1>considered the gang we have five, so it was more

0:52:44.239 --> 0:52:48.040
<v Speaker 1>about that West Coast. Let me just just say that, No,

0:52:48.120 --> 0:52:51.480
<v Speaker 1>I understood, understood. Now, I'm not taking the skit. That's

0:52:51.480 --> 0:52:55.360
<v Speaker 1>what I'm saying, Like, I'm just saying that he's talking

0:52:55.400 --> 0:53:04.279
<v Speaker 1>about that origin. He talk about the origins too bread.

0:53:04.480 --> 0:53:16.480
<v Speaker 1>I'm just gonna shut up. No. But but but then

0:53:16.719 --> 0:53:20.000
<v Speaker 1>you know, then when it first started, I gotta admit, man,

0:53:20.080 --> 0:53:23.799
<v Speaker 1>it just like you gotta be kidding me. You can't. Yeah,

0:53:23.920 --> 0:53:27.160
<v Speaker 1>you can't have bloods and cribs in New York. It's

0:53:27.200 --> 0:53:31.719
<v Speaker 1>just not supposed to happen. Ain't supposed to happen. But

0:53:31.920 --> 0:53:36.080
<v Speaker 1>then as you know, because it's not, that's like saying,

0:53:37.160 --> 0:53:39.960
<v Speaker 1>you know, I know, I know, but befollow me. So

0:53:40.560 --> 0:53:44.080
<v Speaker 1>in that world, as that world operates, it's casts coming

0:53:44.080 --> 0:53:47.640
<v Speaker 1>from l A to New York and they're going into

0:53:47.680 --> 0:53:50.880
<v Speaker 1>the jail system and they and they and they surround

0:53:50.960 --> 0:53:54.200
<v Speaker 1>it and they and they spread the world, and the

0:53:54.280 --> 0:53:56.839
<v Speaker 1>word gets spread, and now it's neighborhoods in New York

0:53:56.880 --> 0:54:01.440
<v Speaker 1>because who's to tell this kid from brook that went

0:54:01.520 --> 0:54:04.840
<v Speaker 1>to jail and bang the ship in jail that he

0:54:05.040 --> 0:54:08.120
<v Speaker 1>can't come outside and do it even though he never

0:54:08.200 --> 0:54:11.040
<v Speaker 1>stepped foot in Los Angeles, and except that he's actually

0:54:11.080 --> 0:54:14.800
<v Speaker 1>claiming right like hell, at this point, it would be

0:54:14.800 --> 0:54:18.520
<v Speaker 1>a great nut crip in New York. You said great

0:54:18.640 --> 0:54:30.600
<v Speaker 1>nun like grape streets, great grape streets. You said a

0:54:30.640 --> 0:54:36.719
<v Speaker 1>great grape nut. What I mean, like a great great street.

0:54:38.160 --> 0:54:41.080
<v Speaker 1>You know what I'm saying. So if a person bang

0:54:41.440 --> 0:54:47.080
<v Speaker 1>Grape Street and his phone, uh Harlem, it's kind of

0:54:47.160 --> 0:54:53.120
<v Speaker 1>crazy because he's that's not where they're from. The fall

0:54:53.280 --> 0:54:57.480
<v Speaker 1>Sometimes sometimes they sometimes sometimes it is because they followed

0:54:57.480 --> 0:55:00.560
<v Speaker 1>the O G set, you understand. So they'll say, so,

0:55:00.640 --> 0:55:04.000
<v Speaker 1>I don't know how it works, like do to put

0:55:04.040 --> 0:55:07.000
<v Speaker 1>them on? And you know, I'm just saying, let's suppose, yeah,

0:55:07.200 --> 0:55:09.080
<v Speaker 1>the guy who put them on it's from a certain

0:55:09.160 --> 0:55:14.560
<v Speaker 1>set and that's set, it's from California. They'll they'll claim

0:55:14.640 --> 0:55:19.719
<v Speaker 1>that set and still being on. I don't know, I

0:55:19.760 --> 0:55:26.680
<v Speaker 1>don't know how the transfer program works, but your games

0:55:26.800 --> 0:55:31.080
<v Speaker 1>except accept absolutely and and why wouldn't they, but you know,

0:55:31.280 --> 0:55:33.440
<v Speaker 1>and some guys who was like, you know that, ain't

0:55:33.760 --> 0:55:35.879
<v Speaker 1>that ain't real game banging because you know, you look

0:55:35.960 --> 0:55:40.800
<v Speaker 1>at the way the the Kachi Kid was represented, you know,

0:55:41.000 --> 0:55:44.320
<v Speaker 1>it offended a lot of real you know that moves

0:55:44.920 --> 0:55:47.440
<v Speaker 1>back at the crib and the fact that there was

0:55:47.520 --> 0:55:51.960
<v Speaker 1>no i mean yeah, paying homage to to what it

0:55:52.080 --> 0:55:54.879
<v Speaker 1>really represented because it's casted you know that they really

0:55:54.960 --> 0:55:57.799
<v Speaker 1>died for that ship, you know, and yeah yeah yeah,

0:55:57.800 --> 0:55:59.800
<v Speaker 1>and so so to make a mockery of it and

0:56:00.480 --> 0:56:03.359
<v Speaker 1>become like it's a it's you know, it's it's it's

0:56:03.400 --> 0:56:07.880
<v Speaker 1>not tell you that. Yeah yeah, yeah, who hate on?

0:56:07.960 --> 0:56:11.480
<v Speaker 1>I ain't talking about you know, that's just the example

0:56:11.560 --> 0:56:13.560
<v Speaker 1>that you look at y G and you look at

0:56:13.600 --> 0:56:16.160
<v Speaker 1>how you don't even get kids reputable, you know what

0:56:16.200 --> 0:56:19.319
<v Speaker 1>I'm saying, and you really bang that. So I'm never

0:56:20.080 --> 0:56:22.120
<v Speaker 1>I'm sorry, like to change it up a little bit,

0:56:22.160 --> 0:56:25.840
<v Speaker 1>but I've never seen someone wreck their selves in front

0:56:25.960 --> 0:56:31.359
<v Speaker 1>of like the audience like that, Yeah, what do you mean?

0:56:31.400 --> 0:56:33.800
<v Speaker 1>What do you mean? But like what what what? What?

0:56:34.040 --> 0:56:37.640
<v Speaker 1>What happened with six nine? Like what happened with him?

0:56:37.680 --> 0:56:40.960
<v Speaker 1>Like it was one plenty of times everyone, you have

0:56:41.400 --> 0:56:45.160
<v Speaker 1>fifteen examples of when you do it like this, this

0:56:45.280 --> 0:56:47.640
<v Speaker 1>is exactly where it leads to, and he paid attention

0:56:47.719 --> 0:56:50.000
<v Speaker 1>to none of that, like what Joe told him, This

0:56:50.080 --> 0:56:52.080
<v Speaker 1>is exactly what No. But I think that's I think

0:56:52.120 --> 0:56:54.680
<v Speaker 1>it's different. I think we've had tragedy and hip hop before.

0:56:55.000 --> 0:56:57.600
<v Speaker 1>I think we've seen like like like like like super

0:56:57.719 --> 0:57:00.480
<v Speaker 1>super fucked up ship that's happened in hip pop. But

0:57:00.600 --> 0:57:04.239
<v Speaker 1>I think what's different about him is that we live

0:57:04.320 --> 0:57:07.959
<v Speaker 1>in this time where everything is recorded, everything is Yeah,

0:57:08.239 --> 0:57:12.879
<v Speaker 1>it's like he filmed himself into the thing. And that's

0:57:12.880 --> 0:57:16.120
<v Speaker 1>the dangerous part. It's like everything ain't supposed to be,

0:57:16.760 --> 0:57:19.160
<v Speaker 1>you know, displayed to the public, especially if you live

0:57:19.200 --> 0:57:21.360
<v Speaker 1>in in that world. And I think that we're living

0:57:21.400 --> 0:57:23.240
<v Speaker 1>in the age now where all of that is out

0:57:23.280 --> 0:57:25.960
<v Speaker 1>the window. I mean, you see somebody struggling, you know.

0:57:26.120 --> 0:57:31.000
<v Speaker 1>And the new footage, the new footage TMZ TMZ is

0:57:31.200 --> 0:57:35.120
<v Speaker 1>the worst, by the way, I like Harvey a little bit,

0:57:36.320 --> 0:57:39.520
<v Speaker 1>but the ship that he just put out. Listen, they

0:57:39.640 --> 0:57:44.960
<v Speaker 1>had some balance of six nine filming his friend filming

0:57:45.640 --> 0:57:50.800
<v Speaker 1>somebody robbing the ship, and then they had someone filming him. Yeah,

0:57:50.920 --> 0:57:53.400
<v Speaker 1>and then they just put it out and they just

0:57:55.120 --> 0:57:58.520
<v Speaker 1>and how does the FBI not say, oh, I'm gotta

0:57:58.600 --> 0:58:00.960
<v Speaker 1>use this in all investigations it Why is it no

0:58:01.040 --> 0:58:05.480
<v Speaker 1>one saying TMZ is the snitch. No one says that.

0:58:06.520 --> 0:58:11.760
<v Speaker 1>No one says TMZ is the actual rat m. They

0:58:11.920 --> 0:58:14.959
<v Speaker 1>don't want to outgate. They're grabbing these funny said, they're

0:58:15.160 --> 0:58:17.919
<v Speaker 1>throwing these people out there. And no, no one plays

0:58:18.040 --> 0:58:21.760
<v Speaker 1>TMZ for nothing because why there their civilians. I don't

0:58:21.800 --> 0:58:25.720
<v Speaker 1>think you're civilian. If you're digging into game ship, you

0:58:25.840 --> 0:58:36.360
<v Speaker 1>should be accountant, just like a game. Oh I went

0:58:36.440 --> 0:58:41.080
<v Speaker 1>to no one, I'm saying this is keeping real. TMZ

0:58:41.440 --> 0:58:44.360
<v Speaker 1>is the new fat, TIMS is a new fat people

0:58:44.560 --> 0:58:46.960
<v Speaker 1>rather go to TMZ and get paid from TMZ. How

0:58:47.040 --> 0:58:51.080
<v Speaker 1>didn't name anonymous like you think you can paying for that?

0:58:51.160 --> 0:58:54.160
<v Speaker 1>Funny to say, Oh, I mean TMZ, I'm assuming they're

0:58:54.160 --> 0:58:59.080
<v Speaker 1>paying you. It's just bad new seals with them. Do

0:58:59.200 --> 0:59:02.880
<v Speaker 1>they have a footage of two people shooting at the

0:59:02.960 --> 0:59:06.600
<v Speaker 1>back of au and the cameras movement and the cameras moving. Yeah,

0:59:06.800 --> 0:59:10.000
<v Speaker 1>it's not a stationary camera. The cameras following the ship.

0:59:10.320 --> 0:59:12.600
<v Speaker 1>You know what's going on? I don't know, but I

0:59:12.680 --> 0:59:15.440
<v Speaker 1>think they're just recording some wild ship and just so

0:59:15.640 --> 0:59:18.200
<v Speaker 1>happy to beat them. You know what I'm saying. You

0:59:18.320 --> 0:59:26.320
<v Speaker 1>ever thought that, well, we'll be our own paparazzi, because

0:59:26.400 --> 0:59:30.120
<v Speaker 1>that's that's essentially what's happening right now. People, people not

0:59:30.280 --> 0:59:33.320
<v Speaker 1>even being followed. Yeah, you're setting out your own dumb

0:59:33.400 --> 0:59:40.840
<v Speaker 1>foot this to yourself. Yeah, and then out and they

0:59:40.920 --> 0:59:45.240
<v Speaker 1>say they snihing you sent this ship the world so

0:59:45.560 --> 0:59:49.080
<v Speaker 1>exactly right. No, I think that we come from an

0:59:49.080 --> 0:59:52.400
<v Speaker 1>age where, remember, it wasn't cool to do commercials. It

0:59:52.560 --> 0:59:55.840
<v Speaker 1>wasn't cool to be associated with a brand. It was

0:59:55.920 --> 0:59:59.240
<v Speaker 1>like you were selling out, you're selling you was selling out.

0:59:59.360 --> 1:00:02.400
<v Speaker 1>You're selling out you you know. But then we'll take

1:00:02.520 --> 1:00:07.600
<v Speaker 1>this Saint Odds commercially and they left them back again. Yeah,

1:00:09.520 --> 1:00:13.920
<v Speaker 1>first I think, but it was it was you know,

1:00:14.080 --> 1:00:17.360
<v Speaker 1>it wasn't cool back then. But now fast forward, you know,

1:00:17.480 --> 1:00:20.000
<v Speaker 1>every all said, everybody talks about is being a brand.

1:00:20.280 --> 1:00:22.560
<v Speaker 1>I want to be on some screen time and what

1:00:23.240 --> 1:00:25.640
<v Speaker 1>it is, you know what I'm saying, so so so

1:00:25.920 --> 1:00:28.760
<v Speaker 1>it's just wild to see how things change. I think

1:00:28.800 --> 1:00:31.160
<v Speaker 1>there's a negative in the positive that comes with that.

1:00:31.280 --> 1:00:34.760
<v Speaker 1>I think that we um have the opportunity to cut

1:00:34.800 --> 1:00:37.600
<v Speaker 1>out the middleman and we are able to create our

1:00:37.680 --> 1:00:41.000
<v Speaker 1>own revenue streams. But on the side, the negative side,

1:00:41.080 --> 1:00:43.120
<v Speaker 1>I think that some of us aren't ready to be

1:00:43.240 --> 1:00:48.680
<v Speaker 1>on camera yet because it brings out the worst and

1:00:49.680 --> 1:00:53.280
<v Speaker 1>the most ugliest side of us that are sometimes portrayed,

1:00:53.520 --> 1:00:56.400
<v Speaker 1>and then it becomes more fuel to the fire for

1:00:56.480 --> 1:01:00.520
<v Speaker 1>the people that hate us. But this like like like

1:01:00.800 --> 1:01:04.800
<v Speaker 1>want to be instant famous, everybody you want to be famous? First,

1:01:06.480 --> 1:01:09.880
<v Speaker 1>wasn't Super had oh oh ship and he took it

1:01:10.000 --> 1:01:15.920
<v Speaker 1>somewhere else. I'm sorry I keep music keeping. I'm just

1:01:16.000 --> 1:01:19.680
<v Speaker 1>saying because because it's Super No, I'm just saying no, no,

1:01:20.720 --> 1:01:23.560
<v Speaker 1>I don't have no beef. I don't think I've ever

1:01:23.680 --> 1:01:26.560
<v Speaker 1>met her. To tell the truth, people think that's not me.

1:01:26.880 --> 1:01:29.640
<v Speaker 1>That was Jada kiss line, super bad, super bad, It's

1:01:29.680 --> 1:01:32.960
<v Speaker 1>not my line. Thanks for clearing up. Definitely needed to

1:01:33.000 --> 1:01:36.120
<v Speaker 1>clear her life. But but what I'm saying is she

1:01:36.280 --> 1:01:40.080
<v Speaker 1>became famous for you know, a certainty, but people didn't

1:01:40.120 --> 1:01:42.320
<v Speaker 1>know you know what I'm saying, And then it's all

1:01:42.360 --> 1:01:45.440
<v Speaker 1>these other people who But she said that before social

1:01:45.520 --> 1:01:49.080
<v Speaker 1>media though, Yeah, but that tripled down to it. That

1:01:49.240 --> 1:01:52.200
<v Speaker 1>actually made that's a part of it. That's what I'm

1:01:52.200 --> 1:01:54.919
<v Speaker 1>gonna say. It's like my dog Hecklers, He's said the line.

1:01:55.040 --> 1:01:57.800
<v Speaker 1>He's like, there's no more fans of the music anymore

1:01:58.000 --> 1:02:01.640
<v Speaker 1>because the fans themselves are starting out because of social media.

1:02:01.960 --> 1:02:05.120
<v Speaker 1>They themselves believe the artists. They want the views and clicks, right,

1:02:05.760 --> 1:02:09.680
<v Speaker 1>So why I ain't gonna be your fan? Now they're

1:02:09.720 --> 1:02:14.800
<v Speaker 1>your peer? Yeah, exactly, So everybody's star exactly. You just

1:02:14.960 --> 1:02:20.640
<v Speaker 1>happened to be a little further follows yea, yeah exact. Yeah. Yeah,

1:02:21.160 --> 1:02:24.000
<v Speaker 1>Like everybody has their own goal, like like like your

1:02:24.040 --> 1:02:26.200
<v Speaker 1>goal might be you know what, we get two hundred

1:02:26.240 --> 1:02:29.400
<v Speaker 1>likes today, and I'm the man. You win up. You

1:02:29.480 --> 1:02:34.760
<v Speaker 1>get two hundred likes like they ain't got You're going outside,

1:02:34.840 --> 1:02:37.360
<v Speaker 1>you getting you know what I mean, your little over brand.

1:02:37.840 --> 1:02:40.439
<v Speaker 1>You're like, yo, my dude. They be like, yeah, anything good,

1:02:40.520 --> 1:02:44.360
<v Speaker 1>I got my two hunds. Yeah, and now that's get

1:02:44.400 --> 1:02:48.120
<v Speaker 1>sense of accomplishment. And now that's why the music business

1:02:48.200 --> 1:02:50.720
<v Speaker 1>is taking me because no one wants to buy you. Right,

1:02:52.280 --> 1:02:54.320
<v Speaker 1>you can buy my own. You're like, damn, everybody wants

1:02:54.320 --> 1:03:00.320
<v Speaker 1>to be the dealer. Who is the clients? It's not music,

1:03:00.360 --> 1:03:03.320
<v Speaker 1>it's just content. Now it's just stream trolley. There's the

1:03:03.360 --> 1:03:06.040
<v Speaker 1>crazy ship going on, like Charlie met when we went

1:03:06.080 --> 1:03:08.920
<v Speaker 1>to Philly. Charlie met some chick in the street and

1:03:09.080 --> 1:03:11.720
<v Speaker 1>she looked at how many followers he had to see

1:03:11.720 --> 1:03:20.600
<v Speaker 1>if she wanted to talk to him. Charlie, but that's

1:03:20.680 --> 1:03:24.920
<v Speaker 1>all wait a minute, story again, said he's trying to

1:03:25.040 --> 1:03:28.280
<v Speaker 1>use social media to connect, Like, yo, let's exchange whatever.

1:03:28.320 --> 1:03:31.080
<v Speaker 1>What's your I G B? Because I understand now that's

1:03:31.120 --> 1:03:36.160
<v Speaker 1>people to say what it was. There was no phone number.

1:03:36.680 --> 1:03:38.640
<v Speaker 1>He wanted to do the face the Facebook of the Instagram.

1:03:38.680 --> 1:03:41.440
<v Speaker 1>And then she looked at his father like cool, like that,

1:03:42.240 --> 1:03:54.160
<v Speaker 1>whoa wut? She had more followers, asking how many followers?

1:03:56.480 --> 1:03:58.800
<v Speaker 1>They asked how many followers you got? I was the

1:03:58.840 --> 1:04:00.720
<v Speaker 1>first time I've seen that, but I can imagine it

1:04:00.800 --> 1:04:07.080
<v Speaker 1>makes sense to me. I'm like about the game, man.

1:04:07.160 --> 1:04:10.880
<v Speaker 1>I feel sorry for the new generation. Man, it's terrible. Sorry,

1:04:17.040 --> 1:04:19.720
<v Speaker 1>So you know you haven't been you haven't been disgusted

1:04:19.720 --> 1:04:23.520
<v Speaker 1>about the hip hop game to do him up, you know,

1:04:23.880 --> 1:04:25.640
<v Speaker 1>whatever point you want to you know what I'm talking

1:04:25.640 --> 1:04:29.440
<v Speaker 1>about the new hip hop be political about. I wouldn't

1:04:29.480 --> 1:04:32.040
<v Speaker 1>say disgusted. Man, I just don't listen to it, you

1:04:32.120 --> 1:04:34.680
<v Speaker 1>know what I'm saying, Like at the point that I am,

1:04:35.640 --> 1:04:38.240
<v Speaker 1>when I go digging and looking through hip hop right now,

1:04:40.520 --> 1:04:43.880
<v Speaker 1>you know, I find myself kind of like I don't

1:04:43.960 --> 1:04:48.440
<v Speaker 1>understand where they're going. I just want to be I

1:04:48.760 --> 1:04:50.800
<v Speaker 1>want to be brought up to speed when they get there.

1:04:51.280 --> 1:04:53.400
<v Speaker 1>You know what I'm saying, Like like I want to

1:04:53.480 --> 1:04:56.400
<v Speaker 1>see the best come out of this, you know. And

1:04:56.600 --> 1:04:59.320
<v Speaker 1>so because I love hip hop. You know, there's been

1:05:00.040 --> 1:05:03.160
<v Speaker 1>the dirt ship when we were you known first coming

1:05:03.200 --> 1:05:06.160
<v Speaker 1>out too, and so now it's kind of like there's

1:05:06.240 --> 1:05:09.600
<v Speaker 1>so much of it. I think of the hip hop

1:05:10.040 --> 1:05:13.240
<v Speaker 1>hip hop, there's there's more. Like you said, we're just

1:05:13.320 --> 1:05:16.120
<v Speaker 1>talking about bouncing off everybody being an artist now, everybody

1:05:16.160 --> 1:05:18.560
<v Speaker 1>with a laptop in the phone right now, I can

1:05:18.640 --> 1:05:24.080
<v Speaker 1>put some content out. So I the ship that pops, like,

1:05:24.680 --> 1:05:26.480
<v Speaker 1>I'll wait for that and then I look at it

1:05:26.840 --> 1:05:28.840
<v Speaker 1>and I'll be like, I wonder why they like that?

1:05:29.120 --> 1:05:31.240
<v Speaker 1>You know what I'm saying, like, okay, well, let me see.

1:05:31.680 --> 1:05:33.480
<v Speaker 1>I try to find an upside in it. And when

1:05:33.480 --> 1:05:35.840
<v Speaker 1>I can't find the upside, then I just put it down.

1:05:36.440 --> 1:05:38.960
<v Speaker 1>You know. I listened to a lot of satellite radio.

1:05:39.520 --> 1:05:43.800
<v Speaker 1>I listened to I try not to stay um like stagnant.

1:05:44.120 --> 1:05:46.360
<v Speaker 1>I want to be, you know, up to day to

1:05:46.400 --> 1:05:49.040
<v Speaker 1>figure out what's going on, like Blue Face and listen

1:05:49.120 --> 1:05:51.520
<v Speaker 1>to that. And then I listened to Then I listened

1:05:51.520 --> 1:05:54.560
<v Speaker 1>to like Jie Parrico. Then I listened to you know,

1:05:54.720 --> 1:05:56.600
<v Speaker 1>like I listened to everything that's kind of like what

1:05:56.720 --> 1:05:59.919
<v Speaker 1>everybody is looking at. I'll peek at it and see

1:06:00.000 --> 1:06:02.360
<v Speaker 1>if they if they there yet, you know what I'm saying.

1:06:02.440 --> 1:06:04.560
<v Speaker 1>But then I look at you know, lyricists, and I'll

1:06:04.600 --> 1:06:06.760
<v Speaker 1>look you know. I listened to static, you know what

1:06:06.800 --> 1:06:09.400
<v Speaker 1>I'm saying. It's Graham, Jones and Cats, and see what

1:06:09.480 --> 1:06:11.760
<v Speaker 1>they on. And then I, you know, because the l A.

1:06:11.880 --> 1:06:15.320
<v Speaker 1>D J's, you know, um, you know, the big radio station,

1:06:15.360 --> 1:06:18.640
<v Speaker 1>they just kind of play the static. They play that

1:06:18.800 --> 1:06:21.520
<v Speaker 1>on safety. They'd be in the que club or the

1:06:21.600 --> 1:06:33.520
<v Speaker 1>White Boy could yeah, yeah, because they bring back the

1:06:33.560 --> 1:06:36.000
<v Speaker 1>Baker Boys of the radio in l A. Man, I

1:06:36.080 --> 1:06:40.320
<v Speaker 1>can't I wish Man, I wish man. I mean it's

1:06:40.400 --> 1:06:42.400
<v Speaker 1>it's it's different cats out there that's trying to push

1:06:42.440 --> 1:06:46.400
<v Speaker 1>the culture. Man. But you know, I think, Um, I

1:06:46.560 --> 1:06:49.400
<v Speaker 1>feel like, you know, I'm still looking for I'm a lyricist.

1:06:49.520 --> 1:06:52.920
<v Speaker 1>I love I love that about hip hop. I love

1:06:53.000 --> 1:06:56.280
<v Speaker 1>when I can see a picture or feel a vibe

1:06:56.400 --> 1:06:59.200
<v Speaker 1>or know what somebody is at and not even be

1:06:59.320 --> 1:07:01.840
<v Speaker 1>there because of what they're saying. You know, I like

1:07:02.040 --> 1:07:05.840
<v Speaker 1>being taken on a journey, you know, so, um, if

1:07:05.880 --> 1:07:08.080
<v Speaker 1>that don't happen, then I'm not attracted to it. You

1:07:08.120 --> 1:07:10.040
<v Speaker 1>know what I'm said. I get it. I understand, like,

1:07:10.400 --> 1:07:12.120
<v Speaker 1>you know, there's a trapp and then there's you know,

1:07:12.280 --> 1:07:14.880
<v Speaker 1>there's people like that vibe, and then there's people that

1:07:15.080 --> 1:07:16.760
<v Speaker 1>just like the beat and don't give a funk about

1:07:16.760 --> 1:07:19.280
<v Speaker 1>the lyrics, all of these different aspects, and then that

1:07:19.520 --> 1:07:23.680
<v Speaker 1>was it's wrapped song categories in the Grammys. You know

1:07:23.680 --> 1:07:26.040
<v Speaker 1>what I'm saying, Because that's the thing. So it's like

1:07:26.120 --> 1:07:28.480
<v Speaker 1>I see it evolving. I'm just waiting until he gets

1:07:28.520 --> 1:07:31.320
<v Speaker 1>to it is better stay God, damn, let's pretty crook

1:07:31.320 --> 1:07:47.080
<v Speaker 1>it eye deserves look like because we call you crooked Eye,

1:07:47.080 --> 1:07:49.439
<v Speaker 1>and I know you changed. The kid crooked, can't crook it. Yeah,

1:07:49.480 --> 1:07:54.560
<v Speaker 1>that's it. That doesn't matter to you. Now let me

1:07:54.640 --> 1:07:58.560
<v Speaker 1>ask you. Now I'm looking at you. Spoken us a god,

1:08:00.000 --> 1:08:02.960
<v Speaker 1>a guy from l A spoke us of guards always think.

1:08:03.040 --> 1:08:05.720
<v Speaker 1>So I think on one thing and I need to

1:08:05.800 --> 1:08:08.920
<v Speaker 1>ask both of guys, two kids of the West Coast.

1:08:10.280 --> 1:08:17.360
<v Speaker 1>Did should make the West Coast better? L A beller All.

1:08:20.280 --> 1:08:22.400
<v Speaker 1>I mean, it depends on how you look at it,

1:08:22.400 --> 1:08:24.439
<v Speaker 1>you know what I'm saying, Like he definitely put on

1:08:25.280 --> 1:08:28.320
<v Speaker 1>for this for the coast. You know, he was well

1:08:28.479 --> 1:08:31.200
<v Speaker 1>established West Coast label that's going down in history. So

1:08:31.320 --> 1:08:34.519
<v Speaker 1>if you feel like that's something, then that's positive. You

1:08:34.560 --> 1:08:37.799
<v Speaker 1>know what I'm saying. He brought a lot of bloods

1:08:37.800 --> 1:08:39.599
<v Speaker 1>and crips together, you know what I mean he did.

1:08:41.280 --> 1:08:42.880
<v Speaker 1>You know, he did a lot of good things to

1:08:43.080 --> 1:08:46.919
<v Speaker 1>you know what I'm saying, Like he would rebuild nurseries

1:08:46.960 --> 1:08:50.240
<v Speaker 1>that burned down, or you know, every every year he

1:08:50.320 --> 1:08:52.640
<v Speaker 1>had a Mother's Day feast and Beverly Hills where he

1:08:52.720 --> 1:08:55.160
<v Speaker 1>go to the hood and pick up all the mothers,

1:08:55.200 --> 1:08:56.840
<v Speaker 1>you know what I mean, and taking the Beverly Hills

1:08:56.880 --> 1:08:59.840
<v Speaker 1>buying something nice to eat, and you know kids that

1:09:00.680 --> 1:09:03.720
<v Speaker 1>haven't seen their father's you know what I mean. Incarcerated,

1:09:03.760 --> 1:09:06.640
<v Speaker 1>he would charter busses on Father's Day and send the

1:09:06.760 --> 1:09:08.560
<v Speaker 1>kids out to go see their pomps and all that.

1:09:08.720 --> 1:09:11.559
<v Speaker 1>Like he did a lot of things, man. But as

1:09:11.600 --> 1:09:15.200
<v Speaker 1>far as for hip hop, I just think I would

1:09:15.720 --> 1:09:17.800
<v Speaker 1>I'd like to judge somebody about how they treat me.

1:09:18.040 --> 1:09:19.719
<v Speaker 1>And when I was on death row, I was treated

1:09:19.720 --> 1:09:22.360
<v Speaker 1>with treating. Will you know what I'm saying? I was

1:09:22.400 --> 1:09:24.439
<v Speaker 1>treated well. So I ain't got nothing about to say.

1:09:25.320 --> 1:09:29.880
<v Speaker 1>That's real, that's real. Um, you have you have a thought?

1:09:30.080 --> 1:09:34.280
<v Speaker 1>Uh all the West Coast b where it's at right now?

1:09:34.439 --> 1:09:37.439
<v Speaker 1>Like you know, we got we got game out there,

1:09:38.040 --> 1:09:44.160
<v Speaker 1>we got the forty, we got you two guys never

1:09:44.240 --> 1:09:48.800
<v Speaker 1>see um you thought you thought the West Coasts were

1:09:48.880 --> 1:09:52.120
<v Speaker 1>maintained as as you know what I'm saying, because West

1:09:52.160 --> 1:09:54.880
<v Speaker 1>Coast is his own planet exactly. You know, it's like,

1:09:55.400 --> 1:09:57.040
<v Speaker 1>you know a good thing about y'all you can go

1:09:57.520 --> 1:10:00.680
<v Speaker 1>can go just the l A. Yeah, I'm but no, No,

1:10:00.840 --> 1:10:04.479
<v Speaker 1>it's not even about record sales. It's about the status

1:10:04.800 --> 1:10:08.080
<v Speaker 1>and the respect that people have for each other. And

1:10:08.320 --> 1:10:10.479
<v Speaker 1>and because you said it's game culture, I mean when

1:10:10.479 --> 1:10:14.160
<v Speaker 1>you got legendary ship. You still people that that recognize

1:10:14.160 --> 1:10:18.280
<v Speaker 1>and love Rodeo and Joe Cooley. You know what I'm saying.

1:10:18.600 --> 1:10:21.960
<v Speaker 1>There's like once you hit that status, like we have

1:10:22.320 --> 1:10:25.920
<v Speaker 1>concerts in l A where you see rappers that you

1:10:26.040 --> 1:10:30.680
<v Speaker 1>know maybe been on you know, like recently, and then

1:10:30.680 --> 1:10:32.519
<v Speaker 1>you got casts that can come back from as far

1:10:32.560 --> 1:10:35.120
<v Speaker 1>as twenty years ago and still have the same crowd.

1:10:40.200 --> 1:10:42.600
<v Speaker 1>To me, but it's like it's like people respect that

1:10:43.160 --> 1:10:45.160
<v Speaker 1>and you put off for the W And that's what

1:10:45.280 --> 1:10:47.880
<v Speaker 1>it's about, because the rest of the world ain't really

1:10:47.920 --> 1:10:50.240
<v Speaker 1>putting on for the W. We got pockets and support.

1:10:50.840 --> 1:10:53.240
<v Speaker 1>But I mean when when when and when everybody loved

1:10:53.280 --> 1:10:55.320
<v Speaker 1>the West Coast? Everybody loved the West Coast, but then

1:10:55.360 --> 1:10:56.960
<v Speaker 1>it moved and went to the south. From when it

1:10:57.200 --> 1:10:59.760
<v Speaker 1>goes back in, it moves around, you know what I'm saying. So,

1:11:00.080 --> 1:11:03.679
<v Speaker 1>but on the West, I mean, we always celebrate the West,

1:11:03.920 --> 1:11:08.360
<v Speaker 1>you know, but I expect that now do you think

1:11:10.120 --> 1:11:13.880
<v Speaker 1>Joe Button's will be where he was at? If? Like,

1:11:14.040 --> 1:11:16.519
<v Speaker 1>I mean, did you ever see this coming? Like because

1:11:16.840 --> 1:11:19.160
<v Speaker 1>because didn't it wasn't you and joe y'all got cool

1:11:19.160 --> 1:11:22.320
<v Speaker 1>because you're sparring lyrically like a little bit. I mean,

1:11:22.400 --> 1:11:26.680
<v Speaker 1>me and Joe, Um, we was as sparring him and

1:11:26.800 --> 1:11:30.599
<v Speaker 1>Royce was sparring, you know what I'm saying. And Royce

1:11:30.680 --> 1:11:32.320
<v Speaker 1>was sparring back and forth. You know what I'm saying.

1:11:33.120 --> 1:11:35.240
<v Speaker 1>Joe hit this kid. Nino blessed and asked him if

1:11:35.240 --> 1:11:36.840
<v Speaker 1>I could turn the record around for him in like

1:11:36.920 --> 1:11:39.680
<v Speaker 1>twenty four hours. So you know, Nino was like, yeah,

1:11:39.800 --> 1:11:41.639
<v Speaker 1>you know, so he sent me the record I got

1:11:41.680 --> 1:11:44.679
<v Speaker 1>on the record. The record was called Slarterhouse and that's

1:11:44.720 --> 1:11:47.720
<v Speaker 1>the how you know slarter House started. Um, you know,

1:11:48.280 --> 1:11:56.120
<v Speaker 1>produced by my man back here. You know, you know

1:11:56.200 --> 1:12:00.360
<v Speaker 1>I scream, you know it's partly your fault too, man,

1:12:00.439 --> 1:12:11.519
<v Speaker 1>Snarterhouse Man, I didn't know that's real. But yeah, yeah,

1:12:11.760 --> 1:12:13.240
<v Speaker 1>did I know that he would be where he is

1:12:13.280 --> 1:12:17.760
<v Speaker 1>as far as media, Joe, Yeah, I see you. I'll

1:12:17.800 --> 1:12:20.760
<v Speaker 1>teach you to all fitters. Let me tell you the

1:12:20.840 --> 1:12:22.800
<v Speaker 1>way I'm gone with it. I see you do a

1:12:22.880 --> 1:12:25.040
<v Speaker 1>blog where I don't know if it's called a blog

1:12:25.160 --> 1:12:27.599
<v Speaker 1>or whatever. I just see your addressing it where you didn't.

1:12:27.720 --> 1:12:31.040
<v Speaker 1>You didn't agree with his opinion of eminence, right, And

1:12:31.800 --> 1:12:36.080
<v Speaker 1>I felt you because sometimes even if that's how you fail,

1:12:36.160 --> 1:12:39.439
<v Speaker 1>shut the funk up, like like, I'm not saying you know,

1:12:40.000 --> 1:12:44.200
<v Speaker 1>but I'm saying, like, if you're my brother, and you're

1:12:44.240 --> 1:12:48.599
<v Speaker 1>my brother, sometimes my opinion of you, even if it's bad,

1:12:49.680 --> 1:12:54.760
<v Speaker 1>that should be between me and ye direct to the Yeah,

1:12:54.800 --> 1:12:57.599
<v Speaker 1>you're accurate. I mean, I just felt like his approach

1:12:57.720 --> 1:13:00.640
<v Speaker 1>was wrong. Like, you know, if you don't like something, yo,

1:13:00.760 --> 1:13:02.840
<v Speaker 1>it's not for me. I don't like it, you know

1:13:02.840 --> 1:13:05.800
<v Speaker 1>what I mean? Cool, that's the homie. You know this

1:13:05.880 --> 1:13:08.639
<v Speaker 1>ain't for me. But when you say something is trash,

1:13:09.200 --> 1:13:12.519
<v Speaker 1>you shoot on Paul Rosenberg's rollout, you do you know

1:13:12.720 --> 1:13:15.360
<v Speaker 1>you're taking it a little further. And then I know

1:13:15.560 --> 1:13:18.880
<v Speaker 1>the backstory. I know that there were some issues that

1:13:19.080 --> 1:13:22.479
<v Speaker 1>you felt against the label. You're not giving a fair

1:13:22.560 --> 1:13:26.080
<v Speaker 1>critique now because now you've got malice behind what you said.

1:13:26.120 --> 1:13:29.720
<v Speaker 1>It's personal. And then my whole thing was like listen, man,

1:13:29.800 --> 1:13:31.880
<v Speaker 1>just keep it abut you know what I mean. And

1:13:32.000 --> 1:13:34.599
<v Speaker 1>it eventually it came out where He's like, I felt

1:13:34.600 --> 1:13:36.200
<v Speaker 1>like I was better than them for ten years, this,

1:13:36.320 --> 1:13:38.920
<v Speaker 1>this and that, and they took me off this record. Eventually,

1:13:39.560 --> 1:13:42.960
<v Speaker 1>can we address that? I mean, we could address anything.

1:13:43.040 --> 1:13:49.679
<v Speaker 1>I'm on the Champs. Maybe yes, I like Joe Buttons.

1:13:50.000 --> 1:13:53.000
<v Speaker 1>I like a muss person, I like a muzzle artists.

1:13:53.520 --> 1:13:56.639
<v Speaker 1>But I don't know. I don't not show up that statement.

1:13:58.000 --> 1:14:02.240
<v Speaker 1>I mean, for he says, he didn't say that. I

1:14:02.320 --> 1:14:04.640
<v Speaker 1>mean every MC is supposed to feel like they be.

1:14:05.840 --> 1:14:08.400
<v Speaker 1>So I give you that much space. What you ever saying,

1:14:08.400 --> 1:14:12.760
<v Speaker 1>you know what I'm saying said, But I now that

1:14:12.960 --> 1:14:15.320
<v Speaker 1>you said that, I think you got to back it

1:14:15.439 --> 1:14:18.720
<v Speaker 1>up with more than just a statement, because because m

1:14:18.800 --> 1:14:22.160
<v Speaker 1>came at you where you at Joe, you said you

1:14:22.320 --> 1:14:24.559
<v Speaker 1>was better than for the past ten years. He gave

1:14:24.600 --> 1:14:27.400
<v Speaker 1>you a few bars and you can't say your retirement

1:14:27.560 --> 1:14:30.000
<v Speaker 1>it's just you gotta all bets are off. Yeah, you

1:14:30.080 --> 1:14:32.720
<v Speaker 1>gotta back it up. Now. You just said this, so

1:14:32.960 --> 1:14:34.920
<v Speaker 1>you know if you don't back it up, I don't

1:14:34.960 --> 1:14:38.240
<v Speaker 1>think that you even believe that. You know what I'm saying.

1:14:39.280 --> 1:14:47.479
<v Speaker 1>This is very where is Rory? I was here, hold

1:14:47.520 --> 1:14:52.840
<v Speaker 1>on my favorite you will come back. I think it's

1:14:52.920 --> 1:14:56.280
<v Speaker 1>interesting because you know I think I know is that

1:14:56.360 --> 1:14:58.760
<v Speaker 1>you guys got respect for each other. I think that

1:15:01.840 --> 1:15:04.320
<v Speaker 1>I think what you said it was like, yo, listen,

1:15:04.360 --> 1:15:07.000
<v Speaker 1>I don't I don't have to like everything my man

1:15:07.160 --> 1:15:11.960
<v Speaker 1>does at all, Right, But it's the way of my

1:15:12.080 --> 1:15:16.400
<v Speaker 1>approach it. Yeah, yeah, like now and then keep in

1:15:16.520 --> 1:15:19.040
<v Speaker 1>mind like I'm Sam signed the Drink Champs records, right,

1:15:29.080 --> 1:15:34.240
<v Speaker 1>I got some much ship, but I'm signed to you guys.

1:15:34.240 --> 1:15:36.800
<v Speaker 1>I do everything and I'm supposed to do, And you

1:15:36.880 --> 1:15:39.760
<v Speaker 1>guys do everything you're supposed to do contracts with right,

1:15:39.880 --> 1:15:42.000
<v Speaker 1>and things don't work out? Say things don't work out,

1:15:42.080 --> 1:15:44.439
<v Speaker 1>but outside of the contract, I get jammed up on

1:15:44.520 --> 1:15:48.760
<v Speaker 1>some real life ship. Right, you guys come to my

1:15:48.920 --> 1:15:53.360
<v Speaker 1>aid like that in a major way. I would never

1:15:53.439 --> 1:15:56.560
<v Speaker 1>forget that, all right. I feel like Joe forgot that

1:15:56.640 --> 1:15:59.760
<v Speaker 1>when he was saying what he was saying. You feel

1:15:59.840 --> 1:16:03.800
<v Speaker 1>me like, I don't forget solid ship. That's just now

1:16:03.840 --> 1:16:06.040
<v Speaker 1>how I'm cutting, Like I even remember You probably don't

1:16:06.040 --> 1:16:08.160
<v Speaker 1>remember when I was young on death Rod came out,

1:16:09.160 --> 1:16:10.920
<v Speaker 1>Me and Sheil came up to a session you was

1:16:10.960 --> 1:16:20.960
<v Speaker 1>at though all the soulid Southtrack studiostreet and and you

1:16:22.560 --> 1:16:25.760
<v Speaker 1>was making sure we was good. You see what I'm

1:16:25.800 --> 1:16:31.599
<v Speaker 1>saying on that good left? Yeah? I remember, I never

1:16:31.800 --> 1:16:35.400
<v Speaker 1>remember solid ship. You feel I never forget solid ship,

1:16:36.160 --> 1:16:38.479
<v Speaker 1>you know what I mean? So I would think that

1:16:38.800 --> 1:16:41.439
<v Speaker 1>as long as em and Paul didn't crossing him in

1:16:41.479 --> 1:16:43.200
<v Speaker 1>a certain kind of way. I would think he would

1:16:43.240 --> 1:16:46.080
<v Speaker 1>have enough respect to just be like, yo, you know what,

1:16:46.840 --> 1:16:48.720
<v Speaker 1>I ain't gonna step on the gas on this one

1:16:48.800 --> 1:16:50.840
<v Speaker 1>like that, you know what I mean, I don't like it.

1:16:50.920 --> 1:16:53.040
<v Speaker 1>I'm just gonna say that I don't like it. But

1:16:53.240 --> 1:16:55.000
<v Speaker 1>you know this is when it's just fair, like you know,

1:16:55.240 --> 1:16:59.719
<v Speaker 1>you can't. You just can't like every game. Let's play,

1:17:00.080 --> 1:17:01.920
<v Speaker 1>you know what I'm saying. So, but then it's a

1:17:02.000 --> 1:17:04.439
<v Speaker 1>it's a difference, you know, I get what you were saying.

1:17:04.640 --> 1:17:09.960
<v Speaker 1>And although I don't think it hurt even any way

1:17:10.000 --> 1:17:14.439
<v Speaker 1>shape for fashion, but voice in the opinion, sometimes it

1:17:14.520 --> 1:17:16.600
<v Speaker 1>can't be hurt. It can't be especially coming from a

1:17:16.640 --> 1:17:19.280
<v Speaker 1>family member, you know what I'm saying, Like, come on, especially,

1:17:19.320 --> 1:17:21.600
<v Speaker 1>I don't know how you guys have family strucks. I

1:17:21.640 --> 1:17:23.559
<v Speaker 1>don't know that if that was the case. But if

1:17:23.640 --> 1:17:27.120
<v Speaker 1>that wasn't it definitely affects the smartouse. Yeah, you know, yeah,

1:17:27.200 --> 1:17:29.200
<v Speaker 1>it definitely did, because me and Royce was behind the

1:17:29.240 --> 1:17:32.400
<v Speaker 1>scenes working trying to get down out to the people,

1:17:33.320 --> 1:17:34.840
<v Speaker 1>and you know, that was like a grenade, you know

1:17:34.840 --> 1:17:37.439
<v Speaker 1>what I'm saying, that he took the pin out and

1:17:37.520 --> 1:17:49.000
<v Speaker 1>tossed that bitch what happened. Uh, but I'm trying to

1:17:49.160 --> 1:17:52.720
<v Speaker 1>stuff I'm not, but now that was that that was real?

1:17:52.840 --> 1:18:00.240
<v Speaker 1>Because um so in your opinion, right, because I uh

1:18:01.200 --> 1:18:04.720
<v Speaker 1>I heard he said he felt like that day like

1:18:05.080 --> 1:18:07.800
<v Speaker 1>M wasn't pushing U slaughter house, like it was something

1:18:07.920 --> 1:18:13.000
<v Speaker 1>that was missing missing, meaning M had just sold these

1:18:13.040 --> 1:18:17.599
<v Speaker 1>millionaires a union unit units. You come into you guys project,

1:18:18.040 --> 1:18:21.040
<v Speaker 1>you guys project doesn't work, and he's kind of I

1:18:21.080 --> 1:18:23.240
<v Speaker 1>don't want to say he blamed or but he kind

1:18:23.240 --> 1:18:28.080
<v Speaker 1>of alluded that MS fast that right. Well, I mean,

1:18:28.200 --> 1:18:31.559
<v Speaker 1>you know, it's like you guys were talking earlier about

1:18:31.640 --> 1:18:34.080
<v Speaker 1>the ship and the culture in the way that technology

1:18:34.120 --> 1:18:37.439
<v Speaker 1>plays a part now on social media. I believe we

1:18:37.560 --> 1:18:41.040
<v Speaker 1>came in at a time on Shady where M didn't

1:18:41.120 --> 1:18:44.880
<v Speaker 1>have to do so much ship. He was used to

1:18:45.040 --> 1:18:49.759
<v Speaker 1>having one formula to make things rock, but that formula

1:18:50.439 --> 1:18:56.840
<v Speaker 1>was changing with the times. So what M did? He said, Okay,

1:18:57.080 --> 1:19:00.840
<v Speaker 1>that first round, that's on me. Y'all go back in

1:19:00.960 --> 1:19:04.400
<v Speaker 1>and make another album, and I'm gonna just let y'all rock.

1:19:04.640 --> 1:19:06.880
<v Speaker 1>Do whatever y'all want to do, handle it the way

1:19:06.920 --> 1:19:08.439
<v Speaker 1>you want to handle it, roll it out how you

1:19:08.479 --> 1:19:10.800
<v Speaker 1>want to roll it out, just do you. We all

1:19:10.840 --> 1:19:13.559
<v Speaker 1>agreed and went back into the lab. That's my problem

1:19:13.640 --> 1:19:17.200
<v Speaker 1>with If you agreed to go back and record another

1:19:17.320 --> 1:19:19.960
<v Speaker 1>album and give it another shot, why are we still

1:19:20.040 --> 1:19:23.880
<v Speaker 1>talking about the second This is the second album on

1:19:24.040 --> 1:19:27.679
<v Speaker 1>Shad First album was E one Slarterhouse self titled second album,

1:19:27.720 --> 1:19:31.080
<v Speaker 1>Welcome to Our House on Shady Records. Third album, Glasshouse,

1:19:32.000 --> 1:19:33.840
<v Speaker 1>that's the one that's the one that never came out.

1:19:34.479 --> 1:19:37.320
<v Speaker 1>You guys have proved that an indie route was could

1:19:37.360 --> 1:19:41.720
<v Speaker 1>be successful, right, correct? Correct? I mean, but we I

1:19:41.880 --> 1:19:43.320
<v Speaker 1>moved to New York for like a month and a

1:19:43.360 --> 1:19:46.000
<v Speaker 1>half and we did the whole glass House out there,

1:19:46.120 --> 1:19:48.439
<v Speaker 1>just us how we wanted to do it. They gave

1:19:48.520 --> 1:19:51.120
<v Speaker 1>us the ball and then you know what I'm saying,

1:19:51.160 --> 1:19:57.680
<v Speaker 1>the team broke up. M I thought it was like

1:19:57.800 --> 1:20:05.040
<v Speaker 1>someone else. I'm a little what is it called? Because

1:20:05.680 --> 1:20:08.320
<v Speaker 1>I thought it was like way deeper than that. So

1:20:08.400 --> 1:20:10.560
<v Speaker 1>you're telling me it's it's like but the way you

1:20:10.680 --> 1:20:16.439
<v Speaker 1>just simply just said that, Yeah, I mean there's some

1:20:16.560 --> 1:20:19.200
<v Speaker 1>things with slaughter House, you know that we we need

1:20:19.280 --> 1:20:23.840
<v Speaker 1>to talk about. But I mean, people, you're gonna have

1:20:24.280 --> 1:20:27.320
<v Speaker 1>something like I'm not an hold my breath though lyrical

1:20:27.479 --> 1:20:31.559
<v Speaker 1>bars and and there was a brotherhood and well, I mean,

1:20:31.680 --> 1:20:34.240
<v Speaker 1>you know I thought it was. I thought it was,

1:20:34.360 --> 1:20:36.080
<v Speaker 1>and then at times I said, you know what, I

1:20:36.120 --> 1:20:39.639
<v Speaker 1>don't think it was. But if one person isn't brotherly,

1:20:39.800 --> 1:20:42.720
<v Speaker 1>doesn't make it all full brotherly or no, no, no, no,

1:20:43.040 --> 1:20:46.720
<v Speaker 1>you know, It's just I'm just cut different. Like you know,

1:20:46.840 --> 1:20:49.080
<v Speaker 1>I got three slaughter house tattoos, you feel me, Like

1:20:49.840 --> 1:20:52.720
<v Speaker 1>like when it was going down, if if anybody was

1:20:52.760 --> 1:20:54.400
<v Speaker 1>in trouble, I was there with him. And you know

1:20:54.400 --> 1:20:56.840
<v Speaker 1>what I mean, I'm just it was just a difference

1:20:56.880 --> 1:20:59.880
<v Speaker 1>to not to break up. Yeah, but just a different

1:21:00.120 --> 1:21:05.200
<v Speaker 1>Just remember how serious it was. But an incident happened

1:21:05.240 --> 1:21:10.519
<v Speaker 1>in the l A. What you know, two individuals, How

1:21:10.680 --> 1:21:14.920
<v Speaker 1>personal you took it. How people were saying, man, you

1:21:15.000 --> 1:21:18.560
<v Speaker 1>know cooking out here, wow because of believe you know,

1:21:19.640 --> 1:21:23.559
<v Speaker 1>someone's hands got laid on in l A. Yeah. Yeah,

1:21:23.680 --> 1:21:26.559
<v Speaker 1>and that was personal for you. That was that wasn't

1:21:26.800 --> 1:21:30.000
<v Speaker 1>in That was very personal because I feel like, if

1:21:30.000 --> 1:21:33.799
<v Speaker 1>you're on my coach, you should feel comfortable to move around.

1:21:34.000 --> 1:21:35.720
<v Speaker 1>And I would hope that that's the same way if

1:21:35.760 --> 1:21:37.920
<v Speaker 1>I'm in your city. You know what I mean. So

1:21:38.400 --> 1:21:41.160
<v Speaker 1>I took even though it was two city things, even

1:21:41.280 --> 1:21:45.960
<v Speaker 1>though because all parties, I know, you know what I'm saying.

1:21:46.040 --> 1:21:48.400
<v Speaker 1>So it's like, why would you do that? Because I

1:21:48.520 --> 1:21:50.559
<v Speaker 1>felt like it was a spit in my face? How

1:21:50.840 --> 1:21:53.559
<v Speaker 1>how is that? Like, let's just say it for them?

1:21:53.560 --> 1:21:56.720
<v Speaker 1>Because he was talking to cold Joe was a great

1:21:56.960 --> 1:21:59.720
<v Speaker 1>on They got into some ship l A. It was

1:21:59.760 --> 1:22:03.400
<v Speaker 1>on of grounds. Joe kind of he kind of live

1:22:03.520 --> 1:22:06.880
<v Speaker 1>streamed the whole kind of thing, which was he kind

1:22:06.880 --> 1:22:11.840
<v Speaker 1>of brought the coroller like the first because I believe,

1:22:11.920 --> 1:22:24.400
<v Speaker 1>I don't know what happened. And then with brother brolls

1:22:24.400 --> 1:22:29.640
<v Speaker 1>out here right now, then I'm man, I love her

1:22:29.720 --> 1:22:31.559
<v Speaker 1>and he was like, you know, I said, ray dog,

1:22:33.280 --> 1:22:35.080
<v Speaker 1>you know why why on my coach? So you know,

1:22:35.200 --> 1:22:37.120
<v Speaker 1>we came up there with a football team because the

1:22:37.160 --> 1:22:39.080
<v Speaker 1>way Joe sounded on the phone, I said, I'd better

1:22:39.120 --> 1:22:42.479
<v Speaker 1>bring the whole city. You know what I'm saying. And um,

1:22:45.479 --> 1:22:47.439
<v Speaker 1>believe it or not, some of my people fell out

1:22:47.479 --> 1:22:50.800
<v Speaker 1>with me over that because they wanted to ride, well,

1:22:50.920 --> 1:22:54.280
<v Speaker 1>they wanted to ride, but they fell out with me

1:22:54.439 --> 1:23:00.320
<v Speaker 1>because they feel like Joe didn't respect them and they

1:23:00.400 --> 1:23:02.639
<v Speaker 1>and they was ready to go one percent for Joe,

1:23:04.600 --> 1:23:07.240
<v Speaker 1>so so they felt like he didn't respect that at all,

1:23:08.320 --> 1:23:10.760
<v Speaker 1>you know what I mean. And I fell out with

1:23:10.880 --> 1:23:13.000
<v Speaker 1>some of my people that I came out to Sandbox.

1:23:13.120 --> 1:23:15.960
<v Speaker 1>We behind that, you know what I'm saying. So it

1:23:16.120 --> 1:23:19.240
<v Speaker 1>was a horri deal. But you know, luckily, I'm the

1:23:19.320 --> 1:23:21.160
<v Speaker 1>type of dude that's gonna go to the ogs to

1:23:21.200 --> 1:23:24.200
<v Speaker 1>Triple O GS and say, Yo, man, should I go?

1:23:24.360 --> 1:23:26.120
<v Speaker 1>They like, it's your call, and I'm like, yo, man.

1:23:26.240 --> 1:23:29.479
<v Speaker 1>You know, I got love for my man Ray, you

1:23:29.520 --> 1:23:31.960
<v Speaker 1>know what I'm saying. I got love for people different

1:23:32.000 --> 1:23:33.760
<v Speaker 1>people in the Wouchang, you know what I'm saying. So

1:23:34.880 --> 1:23:37.000
<v Speaker 1>I was able to go talk to the old g

1:23:37.200 --> 1:23:40.479
<v Speaker 1>s and they was like, look, man, you might just

1:23:40.600 --> 1:23:42.920
<v Speaker 1>want to lay low on this one, you know what

1:23:42.960 --> 1:23:45.439
<v Speaker 1>I mean, because look how your man is acting towards us,

1:23:46.240 --> 1:23:48.960
<v Speaker 1>you know what I'm saying. So it was just a

1:23:49.040 --> 1:23:51.200
<v Speaker 1>bunch of crap. But I mean, I'm good with Ray,

1:23:51.360 --> 1:23:53.639
<v Speaker 1>you know what I'm saying. I'm good rouchange. I speak

1:23:53.720 --> 1:23:56.080
<v Speaker 1>to him offering Brisoners. My wi is my guy guy,

1:23:56.760 --> 1:23:59.000
<v Speaker 1>you know what I'm saying. So I'm just happy that

1:23:59.240 --> 1:24:01.280
<v Speaker 1>it all turned it something positive, you know what I mean,

1:24:02.160 --> 1:24:05.200
<v Speaker 1>Because I don't like that low vibration ship and I feel, yeah,

1:24:05.520 --> 1:24:07.040
<v Speaker 1>only I don't like the way I feel when I

1:24:07.080 --> 1:24:09.320
<v Speaker 1>feel like we're about to have to do something, you

1:24:09.360 --> 1:24:14.640
<v Speaker 1>know what I mean? God that ye little. It's just

1:24:14.840 --> 1:24:17.200
<v Speaker 1>because you know how everybody in saw the house. When

1:24:17.240 --> 1:24:22.040
<v Speaker 1>I look at it, uh, I feel like you took

1:24:22.040 --> 1:24:27.800
<v Speaker 1>it most personal. Hit me out, meaning I felt like,

1:24:28.960 --> 1:24:32.479
<v Speaker 1>you know, industry, we don't believe in the industry, got

1:24:32.520 --> 1:24:35.000
<v Speaker 1>the while like I just like, man, this is just

1:24:35.120 --> 1:24:36.760
<v Speaker 1>what it is. But I feel like you was like

1:24:36.840 --> 1:24:39.800
<v Speaker 1>somebody like, yo, this is a brotherhood. I'm an hone

1:24:39.840 --> 1:24:42.560
<v Speaker 1>of that. Let's say that that they didn't know that

1:24:42.800 --> 1:24:44.800
<v Speaker 1>or anybody out of that. But I just feel like,

1:24:45.000 --> 1:24:46.560
<v Speaker 1>like me from the outside looking at I don't have

1:24:46.600 --> 1:24:49.760
<v Speaker 1>no inside information, you know. I'm just looking as a fan.

1:24:49.840 --> 1:24:52.000
<v Speaker 1>I can be a fan too, and I'm looking like

1:24:52.320 --> 1:24:55.640
<v Speaker 1>I knew those those certain situations you took personal. I

1:24:55.680 --> 1:24:58.960
<v Speaker 1>knew certain situations you you wanted to honor it, you

1:24:58.960 --> 1:25:01.800
<v Speaker 1>know what I'm saying. And um, I don't know. I

1:25:01.880 --> 1:25:04.599
<v Speaker 1>don't think it's over. You don't think what's up? Chris?

1:25:06.160 --> 1:25:18.320
<v Speaker 1>It's a wrap on that. Yeah, damn world the first

1:25:18.520 --> 1:25:23.680
<v Speaker 1>a minute, but talking about cruise, being that we are

1:25:23.880 --> 1:25:30.440
<v Speaker 1>dream champs. We got to acknowledge the alcoholics Cruise alcoholics.

1:25:30.600 --> 1:25:35.880
<v Speaker 1>Such a fan of that movement, the bird us alcoholics.

1:25:39.240 --> 1:25:43.200
<v Speaker 1>But what what's what's up with there? Is it? Oh man?

1:25:44.080 --> 1:25:46.559
<v Speaker 1>As far as keen t ching t is the person

1:25:46.640 --> 1:25:50.360
<v Speaker 1>that I have the most like he's he lives right

1:25:50.400 --> 1:25:52.240
<v Speaker 1>around the corner. He lives right down the street from me.

1:25:52.720 --> 1:25:55.639
<v Speaker 1>So you know, I really, you know, feel good about

1:25:56.200 --> 1:25:58.680
<v Speaker 1>you know, my relationship with him. I know, you know,

1:25:59.520 --> 1:26:03.960
<v Speaker 1>j ro Old Tash uh j Rose back in l A.

1:26:04.080 --> 1:26:06.360
<v Speaker 1>He moved to Sweden for a while. Yea do like

1:26:06.400 --> 1:26:09.160
<v Speaker 1>the hip hop sc yeah yeah, and then and then

1:26:09.400 --> 1:26:15.200
<v Speaker 1>uh Tea Tash and Eastwood fur in Vegas. Yeah. But

1:26:15.400 --> 1:26:17.760
<v Speaker 1>I mean we when we see each other, it's all love.

1:26:18.160 --> 1:26:22.400
<v Speaker 1>You know. How the crew get created? Though King t

1:26:22.560 --> 1:26:25.920
<v Speaker 1>created every was it like collectively? Like all y'all, this

1:26:26.040 --> 1:26:28.880
<v Speaker 1>is what it is. This is alcoholics and this is

1:26:28.920 --> 1:26:33.040
<v Speaker 1>the crew, the Lytics. No, King t Uh Actually, um

1:26:33.320 --> 1:26:36.200
<v Speaker 1>j Row, east Wood and Tash were a group called

1:26:36.240 --> 1:26:39.960
<v Speaker 1>E s P before they were to Alcoholics, right, Um

1:26:40.520 --> 1:26:44.160
<v Speaker 1>Tash and Eastwood from Ohio and so when they came

1:26:44.200 --> 1:26:47.800
<v Speaker 1>through and J Rowe from Pomona. So they all got

1:26:47.880 --> 1:26:50.400
<v Speaker 1>together and King T was like, yo, y'all need to

1:26:50.479 --> 1:26:53.920
<v Speaker 1>change E S E S P, which was like, um,

1:26:54.400 --> 1:27:08.439
<v Speaker 1>something street poets and you do every day. He's just like,

1:27:08.520 --> 1:27:12.200
<v Speaker 1>you know, Key was like, no, no, it's you know,

1:27:12.360 --> 1:27:19.040
<v Speaker 1>it's printing the ie Lympics. No, but Keith T creating

1:27:19.120 --> 1:27:20.760
<v Speaker 1>is like, Yo, you guys need to call yourself the

1:27:20.800 --> 1:27:26.000
<v Speaker 1>alcoholics alcoholic. Scott signed to loud and then I think

1:27:26.080 --> 1:27:30.759
<v Speaker 1>after that I was third. Yeah, I came on second,

1:27:30.880 --> 1:27:34.120
<v Speaker 1>you know, from after the alcoholics, and then the far

1:27:34.280 --> 1:27:36.960
<v Speaker 1>right came after me. And it's such an extension of

1:27:37.040 --> 1:27:40.040
<v Speaker 1>the crew to like yeah people or whatever. Yeah, so

1:27:40.120 --> 1:27:42.400
<v Speaker 1>many people. Absolutely, it was it was. It was. It

1:27:42.479 --> 1:27:44.559
<v Speaker 1>was a family. We all was used to run together.

1:27:44.800 --> 1:27:46.360
<v Speaker 1>And it was at the first full tank of the

1:27:46.400 --> 1:27:52.760
<v Speaker 1>West coast of the West Coast. Yeah, um, because the

1:27:52.840 --> 1:27:57.000
<v Speaker 1>West Coast have another rain, like like you said for like,

1:27:57.120 --> 1:27:59.680
<v Speaker 1>I mean, you guys have errors from well, how do

1:27:59.760 --> 1:28:06.439
<v Speaker 1>you say it's not raining right TV? Right now, I'm

1:28:06.479 --> 1:28:10.280
<v Speaker 1>not that I'm saying a new one, like a brand

1:28:10.320 --> 1:28:12.200
<v Speaker 1>new one like you're trying to talk about like the

1:28:12.680 --> 1:28:16.320
<v Speaker 1>like the like what we call like the golden days.

1:28:16.400 --> 1:28:25.599
<v Speaker 1>Then when when when death row and motherfucking and and yeah,

1:28:25.640 --> 1:28:30.280
<v Speaker 1>but a certain generation it is going through a golden

1:28:30.320 --> 1:28:34.280
<v Speaker 1>name but already got you. I'm saying that another We

1:28:34.360 --> 1:28:36.760
<v Speaker 1>already got that. So you're saying that's saying something brand new.

1:28:38.840 --> 1:28:41.400
<v Speaker 1>We got it, just got a little different. It's just

1:28:41.439 --> 1:28:45.639
<v Speaker 1>gonna look different. It's gonna's and it's we saw that one.

1:28:45.720 --> 1:28:47.920
<v Speaker 1>So it's not gonna skill the same note, but it's

1:28:47.960 --> 1:28:50.080
<v Speaker 1>gonna look different. But it can happen for sure, because

1:28:50.240 --> 1:28:56.760
<v Speaker 1>like we didn't want the guy with the rainbow head,

1:28:56.800 --> 1:29:02.800
<v Speaker 1>but he did bring a couple of trophies home and

1:29:02.960 --> 1:29:12.640
<v Speaker 1>we did claim's like, yeah, broke our trophy. But I

1:29:12.800 --> 1:29:14.479
<v Speaker 1>think you do you think the face of musical is

1:29:14.520 --> 1:29:17.800
<v Speaker 1>going to continue to change like that? Yeah, I think

1:29:17.880 --> 1:29:20.439
<v Speaker 1>our value system of what we used to make. You know,

1:29:20.920 --> 1:29:25.920
<v Speaker 1>our judgments on hip hop has changed. Well I think, yeah, yeah,

1:29:26.720 --> 1:29:30.759
<v Speaker 1>are you're right? Our judgment will change, but their judgment

1:29:30.880 --> 1:29:35.840
<v Speaker 1>with yes and and our and the goal post has

1:29:35.880 --> 1:29:38.120
<v Speaker 1>been moved. So you know, we used to be able

1:29:38.120 --> 1:29:41.320
<v Speaker 1>to judge people's success by plaques. We used to be

1:29:41.400 --> 1:29:45.040
<v Speaker 1>able to judge people's success by you know, awards. Um.

1:29:45.400 --> 1:29:48.920
<v Speaker 1>Now it's kind of like um, like the plaques, aren't

1:29:49.280 --> 1:29:52.360
<v Speaker 1>people used to people get excited for two hundred thousand

1:29:52.479 --> 1:29:55.600
<v Speaker 1>records sold and three hundred thousand records, So now you

1:29:56.439 --> 1:30:04.479
<v Speaker 1>with it the numbers like the numbers that used to

1:30:04.560 --> 1:30:07.320
<v Speaker 1>be put up on the fun a lot more money.

1:30:12.200 --> 1:30:16.479
<v Speaker 1>How would excitement over sixty reconsole when I mean, it's like,

1:30:16.640 --> 1:30:19.640
<v Speaker 1>so are we had to reevaluate what is valuable with

1:30:19.760 --> 1:30:22.160
<v Speaker 1>the whole ship, you know what I'm saying. So we

1:30:22.280 --> 1:30:23.960
<v Speaker 1>can't look at it the way we used to look

1:30:24.000 --> 1:30:27.719
<v Speaker 1>at it. So that's why people are able to become

1:30:27.920 --> 1:30:31.479
<v Speaker 1>like suits, like I'm sorry, superstars overnight through the streaming

1:30:31.560 --> 1:30:34.639
<v Speaker 1>ship and through these other things. But then you gotta

1:30:34.640 --> 1:30:36.960
<v Speaker 1>look at the longevity of it, you know what I'm saying.

1:30:37.040 --> 1:30:40.400
<v Speaker 1>Like these guys they turn on and they out a

1:30:40.520 --> 1:30:43.320
<v Speaker 1>year in the next year, So there's there's the price

1:30:43.400 --> 1:30:46.080
<v Speaker 1>to pay for that instant fame. But the one thing

1:30:46.240 --> 1:30:48.560
<v Speaker 1>that I do get the new generation that is so

1:30:49.160 --> 1:30:57.080
<v Speaker 1>awesome is they can go directly. Absolutely that's the Yeah, yeah,

1:30:57.240 --> 1:31:00.040
<v Speaker 1>so are they because a lot of them are you

1:31:00.160 --> 1:31:07.839
<v Speaker 1>mean to be going direct? And he pulls tribution, Yeah exactly.

1:31:09.240 --> 1:31:11.800
<v Speaker 1>People like that because he makes these young kids rapping

1:31:11.840 --> 1:31:14.880
<v Speaker 1>that don't have a label deal or don't have anything.

1:31:15.160 --> 1:31:17.240
<v Speaker 1>It makes them feel like, well, if he could do

1:31:17.320 --> 1:31:18.640
<v Speaker 1>it like that, I could do it like that. And

1:31:18.720 --> 1:31:20.760
<v Speaker 1>I'm steady trying to tell you he's not doing it

1:31:20.880 --> 1:31:24.960
<v Speaker 1>like that. There's always a wizard of Odes false product.

1:31:25.000 --> 1:31:27.280
<v Speaker 1>You know what I'm saying. You give him a false hold,

1:31:27.520 --> 1:31:30.160
<v Speaker 1>and I'm not gonna lie. It's making the music ship too,

1:31:30.520 --> 1:31:33.920
<v Speaker 1>because anybody could make it. Like anybody could literally, like

1:31:34.320 --> 1:31:36.240
<v Speaker 1>you know, I've seen a tweet the other day, I

1:31:36.280 --> 1:31:41.600
<v Speaker 1>think I hosted it, and um and I see the

1:31:41.840 --> 1:31:43.960
<v Speaker 1>tweet and they said, you know, back in the days,

1:31:44.280 --> 1:31:46.439
<v Speaker 1>we would want to, you know, make a record like

1:31:47.160 --> 1:31:53.600
<v Speaker 1>rock him and we could have another part of this,

1:31:54.080 --> 1:31:56.000
<v Speaker 1>he said. But you can't never make it, he said.

1:31:56.240 --> 1:31:58.840
<v Speaker 1>The thing is nowadays these kids could listen to a

1:31:58.920 --> 1:32:01.479
<v Speaker 1>record and say, you know what, I make that and

1:32:01.640 --> 1:32:05.479
<v Speaker 1>really make that that. That's like we can't do gender

1:32:05.560 --> 1:32:09.720
<v Speaker 1>juice over can't do that, and like make that ship

1:32:09.800 --> 1:32:12.240
<v Speaker 1>a class you can new pitch please right now and

1:32:12.360 --> 1:32:15.200
<v Speaker 1>like making the same ship like right now you can

1:32:15.360 --> 1:32:21.680
<v Speaker 1>actually do whatever. Wouldn't be thinking whatever these kids are doing,

1:32:21.720 --> 1:32:29.760
<v Speaker 1>you can actually do it. I got X is a

1:32:29.800 --> 1:32:43.760
<v Speaker 1>pertect big pharmacy. Oh you heard, he's that you'll give

1:32:43.800 --> 1:32:46.679
<v Speaker 1>him one thing. At least at least they're peaceful about

1:32:46.680 --> 1:32:51.080
<v Speaker 1>the ship because I might get shot. You know what

1:32:51.160 --> 1:32:53.320
<v Speaker 1>I'm saying. That people used to beat over. You can't

1:32:53.360 --> 1:32:57.120
<v Speaker 1>just jack somebody style of them bite somebody. You know.

1:32:57.280 --> 1:33:00.080
<v Speaker 1>Now they just all sound like each other and do

1:33:00.200 --> 1:33:04.719
<v Speaker 1>the funk sound like a j problem? There's no problem,

1:33:04.800 --> 1:33:06.600
<v Speaker 1>you know what I'm saying. We came up. It was

1:33:06.720 --> 1:33:18.080
<v Speaker 1>hands on, hippop hands on. He was so hands on.

1:33:18.840 --> 1:33:22.560
<v Speaker 1>I forgot, what's your relationship with that? Mad right? Me

1:33:22.640 --> 1:33:26.880
<v Speaker 1>and Busino? I think he uh, he says something about Slaughterhouse,

1:33:28.120 --> 1:33:31.040
<v Speaker 1>and it was at a time where I didn't understand

1:33:31.120 --> 1:33:33.920
<v Speaker 1>that when you're going to another level, people are gonna

1:33:33.960 --> 1:33:37.240
<v Speaker 1>say ship you feel me? I thought that I still

1:33:37.320 --> 1:33:39.599
<v Speaker 1>have to react to every fucking thing that everybody said.

1:33:40.040 --> 1:33:41.840
<v Speaker 1>You know, now I understand I don't have to react

1:33:41.840 --> 1:33:45.080
<v Speaker 1>to ship, you know what I'm saying. But he said

1:33:45.120 --> 1:33:48.040
<v Speaker 1>something negative about slaughter House and I was just in

1:33:48.160 --> 1:33:50.559
<v Speaker 1>that mode like, yo, no man, you know what I mean?

1:33:50.800 --> 1:33:52.680
<v Speaker 1>And then him and Royce had a little back and

1:33:52.800 --> 1:33:56.360
<v Speaker 1>forth and it was it was crazy because you know,

1:33:56.960 --> 1:33:59.200
<v Speaker 1>I used to funk with buses. You know. You know

1:33:59.320 --> 1:34:02.240
<v Speaker 1>what I'm saying. He got the day the day and

1:34:02.400 --> 1:34:04.559
<v Speaker 1>Dave made you know what I'm saying, and I respect

1:34:04.640 --> 1:34:06.760
<v Speaker 1>what they put down with the source and you know

1:34:06.840 --> 1:34:09.400
<v Speaker 1>that's stuff that's the original bodyboard hip hop fast. You

1:34:09.479 --> 1:34:13.479
<v Speaker 1>know what I'm saying. And I just I just hated that.

1:34:14.040 --> 1:34:16.200
<v Speaker 1>I probably handle that a little wrong. You know what

1:34:16.240 --> 1:34:18.160
<v Speaker 1>I'm saying. To be honest with you. You know what

1:34:18.200 --> 1:34:20.880
<v Speaker 1>I'm saying, because he's bigging you up. They're coming on

1:34:21.040 --> 1:34:23.800
<v Speaker 1>here and them actually bigging you up. Let's saying the

1:34:23.800 --> 1:34:26.320
<v Speaker 1>exact opposite of what's happened. At the time. He's like,

1:34:26.360 --> 1:34:28.519
<v Speaker 1>you know, Cook, it's my man. He just you don't

1:34:28.560 --> 1:34:30.000
<v Speaker 1>know what's going on in the room. And I was like,

1:34:30.080 --> 1:34:32.720
<v Speaker 1>oh yeah, yeah, yeah, that's that. Yeah man, I mean

1:34:32.880 --> 1:34:35.000
<v Speaker 1>you know, it's you know, cool man. I just like

1:34:35.080 --> 1:34:37.400
<v Speaker 1>I said, Dog, I was just in that space. Dog.

1:34:37.560 --> 1:34:39.760
<v Speaker 1>You know, sometimes you and that when you're lawyer. When

1:34:39.800 --> 1:34:44.120
<v Speaker 1>you're lawyer, can't see but you're riding for the team,

1:34:44.160 --> 1:34:47.000
<v Speaker 1>supposed to ride for the team and everything else. Later

1:34:47.200 --> 1:34:50.519
<v Speaker 1>he's supposed to say whatever. You know, these things, you know,

1:34:51.280 --> 1:34:53.960
<v Speaker 1>januinely cares about the culture, whether you agree with some

1:34:54.040 --> 1:35:01.040
<v Speaker 1>of these views or not. Yes, yes he cares about

1:35:01.080 --> 1:35:04.560
<v Speaker 1>the culture like he's a hip hop but he is

1:35:04.760 --> 1:35:08.400
<v Speaker 1>one million percent for the culture is one million percent.

1:35:08.840 --> 1:35:11.720
<v Speaker 1>And you know, sometimes you know you you could be

1:35:11.720 --> 1:35:15.679
<v Speaker 1>in the right place, right y'all think he probably whatever

1:35:15.800 --> 1:35:17.840
<v Speaker 1>he said he is. It's so crazy. I don't even

1:35:18.120 --> 1:35:20.439
<v Speaker 1>remember what it was about. But I think it has

1:35:20.479 --> 1:35:22.680
<v Speaker 1>something to do with us being attached to eminem and

1:35:22.960 --> 1:35:27.519
<v Speaker 1>m and history, you know what I mean. So and

1:35:27.600 --> 1:35:29.320
<v Speaker 1>plus I wasn't even around me and you know what

1:35:29.360 --> 1:35:33.439
<v Speaker 1>I mean. But you know, silly ship like that. Yeah, man,

1:35:33.560 --> 1:35:38.720
<v Speaker 1>hip hop, I'm actually I actually love that we can grow.

1:35:38.960 --> 1:35:41.400
<v Speaker 1>I actually love that, you know, people get like I

1:35:41.560 --> 1:35:44.880
<v Speaker 1>love Drake and Meet Mills situation right now, like, and

1:35:45.000 --> 1:35:47.080
<v Speaker 1>I love that Drake even made fun of it like

1:35:47.160 --> 1:35:49.320
<v Speaker 1>a poster. Mean was like, yo, if I hurt you

1:35:50.439 --> 1:35:52.639
<v Speaker 1>and I ain't, He's like, did you see that ship?

1:35:52.800 --> 1:35:58.880
<v Speaker 1>Like watching? And I think that's what makes hip hop dope.

1:35:58.880 --> 1:36:03.960
<v Speaker 1>It's like, yo, I can we can be but as

1:36:04.040 --> 1:36:06.320
<v Speaker 1>long as no one got their hands put on, no

1:36:06.400 --> 1:36:09.400
<v Speaker 1>one's gonna hurt that. We can also you know, make

1:36:09.479 --> 1:36:13.719
<v Speaker 1>amends and then make money. And it helped sixteen thousand

1:36:13.840 --> 1:36:17.840
<v Speaker 1>other people make more money. I feel like that's I

1:36:17.920 --> 1:36:20.000
<v Speaker 1>feel like, I feel like that's what the East Coast

1:36:20.080 --> 1:36:23.080
<v Speaker 1>West Coast say is. It was a big misunderstanding, and

1:36:23.200 --> 1:36:24.760
<v Speaker 1>now I look at it. You can't go to the

1:36:24.840 --> 1:36:27.519
<v Speaker 1>East Coast without seeing a West Coast due East Coast.

1:36:27.840 --> 1:36:29.840
<v Speaker 1>I can't go to the West Coast, but I've seen

1:36:29.920 --> 1:36:35.160
<v Speaker 1>the East Coast dude, like, and it's just but we

1:36:35.240 --> 1:36:38.400
<v Speaker 1>wouldn't have been there fun if it wasn't some type

1:36:38.439 --> 1:36:42.080
<v Speaker 1>of like like not the same We're respected the smoke,

1:36:42.320 --> 1:36:45.400
<v Speaker 1>but the fact that that happened and what it is

1:36:45.479 --> 1:36:48.519
<v Speaker 1>today and what it is today like to this day,

1:36:48.760 --> 1:36:51.599
<v Speaker 1>I go out there and everybody when I'm in um

1:36:51.880 --> 1:36:54.400
<v Speaker 1>in l A, most of the people I see is

1:36:54.520 --> 1:36:57.080
<v Speaker 1>from New York people. And then when I'm in New York,

1:36:57.120 --> 1:36:59.560
<v Speaker 1>everybody's like, man, you know, they we both got the

1:36:59.600 --> 1:37:05.800
<v Speaker 1>opposite goal whatever. Always it's always funny. When I was

1:37:06.000 --> 1:37:07.479
<v Speaker 1>when I give an iced tea because I'm like, what's

1:37:07.560 --> 1:37:08.840
<v Speaker 1>up over the room, He's like, you don't you know

1:37:08.880 --> 1:37:11.600
<v Speaker 1>I live over here, Like like, damn, you know I

1:37:11.680 --> 1:37:16.680
<v Speaker 1>want to live where you just laugh exactly, And I

1:37:16.960 --> 1:37:23.600
<v Speaker 1>love New York man killing it, man doing movies you

1:37:23.840 --> 1:37:27.519
<v Speaker 1>gotta be in l a correct. You know. A lot

1:37:27.560 --> 1:37:30.400
<v Speaker 1>of movies you know and not get booked in that light.

1:37:30.560 --> 1:37:32.599
<v Speaker 1>But a lot of movies are filmed in other plays

1:37:32.960 --> 1:37:38.200
<v Speaker 1>like yeah, Van cool, you know Atlanta. Um film film

1:37:38.280 --> 1:37:41.320
<v Speaker 1>can happen anywhere, you know, But the business isn't that

1:37:41.439 --> 1:37:46.599
<v Speaker 1>like you know, um and the people that that really

1:37:47.040 --> 1:37:49.800
<v Speaker 1>are pushing buttons and the studios are there, you know.

1:37:50.040 --> 1:37:53.280
<v Speaker 1>So if you're gonna come there as an executive as

1:37:53.360 --> 1:37:56.960
<v Speaker 1>as as an actor, you will at some point, um

1:37:57.760 --> 1:38:02.280
<v Speaker 1>come to that La Copter. God, damn, I'm not gonna lie.

1:38:03.200 --> 1:38:08.639
<v Speaker 1>You have the best weed in the morning. I remember,

1:38:08.680 --> 1:38:12.120
<v Speaker 1>I wasn't you. I don't remember that. I got a

1:38:12.160 --> 1:38:14.840
<v Speaker 1>little story for you. I was on the West Coast

1:38:14.920 --> 1:38:18.000
<v Speaker 1>one night. I just left out a subclub and I

1:38:18.080 --> 1:38:20.360
<v Speaker 1>stood outside smoking and you was out, was like you

1:38:20.520 --> 1:38:24.840
<v Speaker 1>helped me down. I was outside smoking and he was

1:38:24.880 --> 1:38:27.360
<v Speaker 1>looking up. He was like, it's just snormy. You could

1:38:27.360 --> 1:38:32.120
<v Speaker 1>just buy himself just I was like, yo, I had

1:38:32.360 --> 1:38:38.560
<v Speaker 1>already got soaked in and yeah, man like, because you know,

1:38:38.680 --> 1:38:40.240
<v Speaker 1>it was scary for us at first, you know what

1:38:40.240 --> 1:38:43.519
<v Speaker 1>I'm saying, because of you know, the biggie thing like

1:38:43.640 --> 1:38:46.040
<v Speaker 1>you know that ship that that's some scary ship, like

1:38:46.240 --> 1:38:48.800
<v Speaker 1>you know for us, because we didn't. We were too

1:38:48.920 --> 1:38:51.040
<v Speaker 1>young to understand what was going on. We're too young

1:38:51.120 --> 1:38:55.639
<v Speaker 1>to understand that the disc record could lead to too

1:38:55.800 --> 1:38:58.840
<v Speaker 1>We're coming ain't bad? All right? Yeah, he called me.

1:38:59.439 --> 1:39:01.800
<v Speaker 1>You're we come inhead. We want to put you in

1:39:01.840 --> 1:39:05.600
<v Speaker 1>the podcast where you at. You sound drunk? All right?

1:39:05.640 --> 1:39:07.799
<v Speaker 1>All right, come in here, come inside, Come inside, Come inside,

1:39:08.600 --> 1:39:11.160
<v Speaker 1>I said, he sounds drunk. I ain't even here, but

1:39:14.080 --> 1:39:16.720
<v Speaker 1>it was it was I remember I remember after Big

1:39:16.880 --> 1:39:20.439
<v Speaker 1>Dying m I don't care what the record label we

1:39:20.600 --> 1:39:23.000
<v Speaker 1>was on. They we would lad and they would make

1:39:23.040 --> 1:39:25.519
<v Speaker 1>sure we had security, and I was like a non

1:39:25.640 --> 1:39:28.400
<v Speaker 1>security dude, and it was just like it was something

1:39:28.520 --> 1:39:31.639
<v Speaker 1>we couldn't fight and we were like literally like shoku.

1:39:32.880 --> 1:39:35.040
<v Speaker 1>And I remember none of us hunk out, like none

1:39:35.080 --> 1:39:37.160
<v Speaker 1>of us came. It was one of those days and

1:39:37.280 --> 1:39:39.479
<v Speaker 1>I came out and I said it. I remember evening

1:39:39.520 --> 1:39:42.519
<v Speaker 1>actually said. I was like, man, you know New York dudes,

1:39:42.520 --> 1:39:46.840
<v Speaker 1>don't hangtu eather like, don't finish that, don't finish the sentence. Remember,

1:39:46.920 --> 1:39:49.439
<v Speaker 1>it was like a chill because I was like because

1:39:49.560 --> 1:39:51.760
<v Speaker 1>it was like literally that tab bore at the time

1:39:53.240 --> 1:39:56.719
<v Speaker 1>because I was that was real, Like we hadn't seen

1:39:56.880 --> 1:39:59.320
<v Speaker 1>death in hip hop, like we've seen death and hip

1:39:59.360 --> 1:40:05.040
<v Speaker 1>we didn't see you know, cancer, diabetes and like that,

1:40:05.160 --> 1:40:08.600
<v Speaker 1>so you know, it was real. So where we at now, Popsipe,

1:40:09.000 --> 1:40:11.160
<v Speaker 1>And that's the exact same thing I'm talking about when

1:40:11.160 --> 1:40:12.560
<v Speaker 1>I came to New York because that was one of

1:40:12.640 --> 1:40:15.040
<v Speaker 1>my first trips to New York, you know what I mean,

1:40:15.120 --> 1:40:17.320
<v Speaker 1>And I didn't know what to exact. I'm on death

1:40:17.439 --> 1:40:20.280
<v Speaker 1>row records, you know, I'm going to the East Coast

1:40:20.320 --> 1:40:23.080
<v Speaker 1>ship I might be loving. You feel me, so you

1:40:23.200 --> 1:40:25.840
<v Speaker 1>know when you did what you did, you feel me

1:40:26.439 --> 1:40:28.519
<v Speaker 1>and that's what made me say, you know what, this

1:40:28.600 --> 1:40:30.439
<v Speaker 1>is solid dude, man. You know what I mean. I'll

1:40:30.479 --> 1:40:32.680
<v Speaker 1>never forget this moment, you know what I mean. And

1:40:33.200 --> 1:40:35.200
<v Speaker 1>I like how you say giving the people the flowers

1:40:35.240 --> 1:40:37.640
<v Speaker 1>and all that, because like even x X is of

1:40:37.680 --> 1:40:40.560
<v Speaker 1>one hundred dude, period. You can't find people in the

1:40:40.640 --> 1:40:42.840
<v Speaker 1>industry that's one hundred like that, you know what I mean.

1:40:43.080 --> 1:40:45.320
<v Speaker 1>So when you do, you gotta give them their flowers

1:40:45.360 --> 1:40:47.600
<v Speaker 1>while they hear you. Gotta say it on public platforms.

1:40:47.680 --> 1:40:50.360
<v Speaker 1>People act like it's illegal to tell the truth. Sometimes

1:40:50.400 --> 1:40:52.599
<v Speaker 1>you know what I'm saying, But this dude right here

1:40:52.760 --> 1:41:00.800
<v Speaker 1>one many levels to show love, yeah, show love like um.

1:41:01.840 --> 1:41:06.439
<v Speaker 1>One of the craziest things is uh us to say

1:41:06.520 --> 1:41:10.720
<v Speaker 1>no homebo. Right. We get I get it. But a

1:41:10.800 --> 1:41:13.120
<v Speaker 1>lot of times if I say, yo, cookie man, you

1:41:13.200 --> 1:41:16.280
<v Speaker 1>know that first you got on the I might just say,

1:41:16.439 --> 1:41:20.320
<v Speaker 1>you know, no, homo five because the bird was hard.

1:41:21.400 --> 1:41:24.240
<v Speaker 1>He's showing a line. And the thing is, it puts

1:41:24.320 --> 1:41:27.280
<v Speaker 1>a taboo on our culture when that's that should be

1:41:27.320 --> 1:41:29.760
<v Speaker 1>the exact opposite. That should be like, you know, we

1:41:29.760 --> 1:41:31.439
<v Speaker 1>shouldn't even say that. We should be like yo, man

1:41:31.520 --> 1:41:37.559
<v Speaker 1>who killed that? Give people all mainstream show yeah yeah,

1:41:39.040 --> 1:41:41.080
<v Speaker 1>and we gotta we gotta, we gotta change that in

1:41:41.120 --> 1:41:43.479
<v Speaker 1>our culture. We have to exchange it. We have to.

1:41:43.640 --> 1:41:45.839
<v Speaker 1>We have to like this is why I drink champions

1:41:45.880 --> 1:41:48.600
<v Speaker 1>it like you know, so many people, you know, we

1:41:48.640 --> 1:41:50.840
<v Speaker 1>will see I'm gonna keep it real. I don't want

1:41:50.880 --> 1:41:54.760
<v Speaker 1>to front. We will see so much slack. We put

1:41:54.800 --> 1:41:58.640
<v Speaker 1>on ot Genesis and we put on young dogs, right

1:41:59.040 --> 1:42:03.920
<v Speaker 1>people that's probably I considered legends, but we wanted to

1:42:03.960 --> 1:42:06.519
<v Speaker 1>get them benefit. Doubt they knew brothers. They're coming up,

1:42:06.560 --> 1:42:10.679
<v Speaker 1>they're doing it, and we built our this this ship

1:42:10.920 --> 1:42:25.639
<v Speaker 1>so bad that the fans really fans there. But come on, please,

1:42:25.720 --> 1:42:30.400
<v Speaker 1>let come on. We don't gotta break the screens. Get

1:42:30.439 --> 1:42:40.720
<v Speaker 1>a chance, get talking about real quickly. Oh you can't

1:42:40.720 --> 1:42:53.720
<v Speaker 1>even Dominican jacket too pure, you don't worry about come on,

1:42:54.520 --> 1:42:58.040
<v Speaker 1>we're sure you guys. Mike, we don't know. Mike, you've

1:42:58.040 --> 1:43:01.000
<v Speaker 1>got the boom. Mike, right, get this away. I need

1:43:01.080 --> 1:43:03.400
<v Speaker 1>to do saying. Oh, that's right, that's a right, that's

1:43:03.520 --> 1:43:06.120
<v Speaker 1>right to do. St. Pelusa. Let's make some voice producing.

1:43:09.200 --> 1:43:11.400
<v Speaker 1>That's the found the right started in that motherfucker's career,

1:43:11.520 --> 1:43:16.240
<v Speaker 1>right there? Are you? Loco? I know you know, you

1:43:16.320 --> 1:43:19.080
<v Speaker 1>know that we're gonna joe this podcast. Really you didn't

1:43:19.080 --> 1:43:25.880
<v Speaker 1>know this is rory? Yeah? Really no, No, that's it, Yeah,

1:43:26.439 --> 1:43:32.400
<v Speaker 1>familiar milion. This is never gonna be a slaughter house again.

1:43:33.320 --> 1:43:38.880
<v Speaker 1>This is an ambush. I didn't know. I didn't let this.

1:43:40.160 --> 1:43:45.240
<v Speaker 1>This is a total inbush outside Crook's love all that.

1:43:46.280 --> 1:43:47.960
<v Speaker 1>This is an ambush. I just want to make that close.

1:43:48.600 --> 1:43:52.560
<v Speaker 1>It's a total ambush. I can't because I love you.

1:43:52.880 --> 1:43:56.120
<v Speaker 1>I don't know what you were doing. The house to

1:43:56.200 --> 1:43:57.840
<v Speaker 1>come back quick. We sold the house is none of

1:43:57.880 --> 1:43:59.920
<v Speaker 1>my business. Why did y'all ask me if I sold out? Yeah,

1:44:00.479 --> 1:44:02.559
<v Speaker 1>that's true, that's why would I That was a great response.

1:44:06.160 --> 1:44:08.559
<v Speaker 1>Crook and Joey do a lot of respect. I love Joe.

1:44:08.680 --> 1:44:11.280
<v Speaker 1>My loyalty is always with Joe, But why would have

1:44:11.320 --> 1:44:12.880
<v Speaker 1>an opinion on sold house? That's gonna do with me?

1:44:13.800 --> 1:44:20.000
<v Speaker 1>I got a expenion, So you're not smoking. I think,

1:44:20.240 --> 1:44:23.000
<v Speaker 1>I think I want to. I want you to you know,

1:44:23.120 --> 1:44:26.760
<v Speaker 1>if Drake and meet mail where you're going with this

1:44:27.200 --> 1:44:30.880
<v Speaker 1>can move on? I think eventually slow the house because

1:44:31.160 --> 1:44:33.040
<v Speaker 1>I think it's it's too important to hip hop to

1:44:33.120 --> 1:44:36.320
<v Speaker 1>let that go. Me personally, I don't know where everything

1:44:36.479 --> 1:44:39.559
<v Speaker 1>lies wherever because I don't. I don't know everything because

1:44:39.600 --> 1:44:41.200
<v Speaker 1>I'm also an artists. I don't know if you had

1:44:41.200 --> 1:44:43.160
<v Speaker 1>an agenda here with a sold house. No, I don't.

1:44:43.280 --> 1:44:45.920
<v Speaker 1>I'm not gonna say a word that we could talk

1:44:45.920 --> 1:44:48.320
<v Speaker 1>a hip hop but I don't have any opinion. A

1:44:48.400 --> 1:44:55.840
<v Speaker 1>lot of apples and what they do that I mean,

1:44:55.920 --> 1:45:01.320
<v Speaker 1>they're very HIPI as a fan, I love Let's like

1:45:01.400 --> 1:45:03.360
<v Speaker 1>saying like if I was actually about Wu Tang, right,

1:45:03.479 --> 1:45:05.400
<v Speaker 1>if I was gonna say Yo Wu Tang, you would

1:45:05.439 --> 1:45:08.360
<v Speaker 1>say what messy man is not one of my best friends.

1:45:08.520 --> 1:45:13.679
<v Speaker 1>So I can comment objectively great, fucking great. I can't

1:45:13.720 --> 1:45:17.280
<v Speaker 1>objectively talk about start out. One of the members is

1:45:17.439 --> 1:45:20.439
<v Speaker 1>one of like, that's tenly to me. I respect that,

1:45:20.520 --> 1:45:23.200
<v Speaker 1>So I can't. Let's stay business. It's not about business. Respect,

1:45:23.200 --> 1:45:29.360
<v Speaker 1>that's not about it. Pete, about where are you from?

1:45:29.400 --> 1:45:32.240
<v Speaker 1>Queen's you set up? Can you get to try to

1:45:32.360 --> 1:45:38.560
<v Speaker 1>take them all? Shout? He get a shout? Can we

1:45:38.600 --> 1:45:40.240
<v Speaker 1>get a run of plause for your project? This ship?

1:45:40.720 --> 1:45:47.880
<v Speaker 1>I don't know what project? Oh think, what are you

1:45:47.920 --> 1:45:50.840
<v Speaker 1>talking about? My favorite part of that intro? Man? What's

1:45:50.960 --> 1:45:54.160
<v Speaker 1>what's the bar? I'm about to get rich of a

1:45:54.280 --> 1:45:59.080
<v Speaker 1>pure personality again, Thank you man. I appreciate it. Everybody

1:45:59.120 --> 1:46:02.080
<v Speaker 1>but yourself. That's right. That's good because I stay ahead

1:46:02.160 --> 1:46:05.280
<v Speaker 1>like big up everybody else and then you no one

1:46:05.400 --> 1:46:08.400
<v Speaker 1>to pay attention to what you're doing. I want you

1:46:08.760 --> 1:46:09.880
<v Speaker 1>have a little bit of beef. I do have a

1:46:09.920 --> 1:46:15.800
<v Speaker 1>little beef with you. Here we go again, changing. I'm

1:46:15.800 --> 1:46:20.280
<v Speaker 1>a professional. Last time I came here, when I was

1:46:20.360 --> 1:46:23.519
<v Speaker 1>on here, it was cool. It was like, really this

1:46:23.680 --> 1:46:26.479
<v Speaker 1>is like some real professional. You got the whole We

1:46:26.640 --> 1:46:29.320
<v Speaker 1>was in a different world. Try to like this ship

1:46:30.960 --> 1:46:35.000
<v Speaker 1>doing takes like this ain't the cool. Yes, it's crazy,

1:46:35.160 --> 1:46:43.080
<v Speaker 1>sold brother, I'm sorry we're not saying the checks. Time

1:46:43.200 --> 1:46:45.479
<v Speaker 1>I was here, this ship was like you kick you

1:46:45.560 --> 1:46:48.400
<v Speaker 1>see a man show man. They got hair and makeup.

1:46:48.600 --> 1:46:50.679
<v Speaker 1>Oh no, they do the pup and they got stars.

1:46:50.880 --> 1:46:54.720
<v Speaker 1>They stylish. At least you don't do hair makeup and

1:46:54.800 --> 1:46:58.160
<v Speaker 1>stylish man, that's debatable. No, we don't got on hair makeup.

1:46:58.439 --> 1:47:00.600
<v Speaker 1>I didn't see it, but I wouldn't be so. And

1:47:00.640 --> 1:47:02.840
<v Speaker 1>they'll think it here and do hair and makeup. He

1:47:03.160 --> 1:47:14.120
<v Speaker 1>is a hair friend. Weeople were right. We are turned.

1:47:14.320 --> 1:47:16.680
<v Speaker 1>We are a different show. But let me just say

1:47:16.760 --> 1:47:19.559
<v Speaker 1>something right here. Let me pick up to a state

1:47:19.640 --> 1:47:21.960
<v Speaker 1>of the coach other big up to Joe, what y'ab

1:47:22.040 --> 1:47:24.360
<v Speaker 1>what you do? Let me pick up to the Joe podcast.

1:47:24.800 --> 1:47:29.439
<v Speaker 1>Think y'all do? And and it's love and it's a

1:47:29.479 --> 1:47:32.559
<v Speaker 1>community's end to think about the way if y'all succeed,

1:47:32.680 --> 1:47:36.639
<v Speaker 1>we all success. The same fans ship is say, kind

1:47:36.680 --> 1:47:40.200
<v Speaker 1>of a new uncharted territory type of ship, like the

1:47:40.280 --> 1:47:44.400
<v Speaker 1>more with our Spotify deal, like that just gave people

1:47:44.479 --> 1:47:46.479
<v Speaker 1>more worth, like when they saw what we was worth

1:47:46.520 --> 1:47:49.760
<v Speaker 1>for that Spotify deal. That means the next podcast that

1:47:49.920 --> 1:47:51.800
<v Speaker 1>comes up as the same numbers as us are. I

1:47:51.960 --> 1:47:53.559
<v Speaker 1>know what we're worse because I know what they got.

1:47:54.439 --> 1:47:57.519
<v Speaker 1>So when I did the revote ship like grap Radar

1:47:57.600 --> 1:47:59.720
<v Speaker 1>all that ship. Any time we do the ship like

1:48:00.160 --> 1:48:03.320
<v Speaker 1>people try to we're all. I know, we do the

1:48:03.400 --> 1:48:08.800
<v Speaker 1>funny ship like. But it's not with me to think

1:48:08.840 --> 1:48:11.000
<v Speaker 1>about it is this is what I believe in. I

1:48:11.120 --> 1:48:13.960
<v Speaker 1>believe hip hop to control hip hop. Now what I

1:48:14.040 --> 1:48:17.280
<v Speaker 1>mean by that is I love Hennessee right. I love

1:48:17.720 --> 1:48:19.680
<v Speaker 1>I'm lie, I don't really love it, but I'm like

1:48:19.920 --> 1:48:22.600
<v Speaker 1>I love love more. I love more Whack right. But

1:48:23.000 --> 1:48:25.080
<v Speaker 1>if I had a choice, I would like to own

1:48:25.160 --> 1:48:27.599
<v Speaker 1>my own version of more Whack Right. And I would

1:48:27.640 --> 1:48:29.720
<v Speaker 1>like that to be on the table. To me in

1:48:29.760 --> 1:48:32.880
<v Speaker 1>a perfect world is if I'm going to get socks,

1:48:33.040 --> 1:48:36.040
<v Speaker 1>them socks is owned by somebody that is owned by

1:48:36.120 --> 1:48:39.880
<v Speaker 1>somebody that owns something in hip hop. If I'm going

1:48:39.960 --> 1:48:41.720
<v Speaker 1>to get news, I want like I said, I said

1:48:41.720 --> 1:48:43.600
<v Speaker 1>it all the time, I want Jim Jones to be

1:48:43.720 --> 1:48:46.840
<v Speaker 1>my weather man, like when I get the weather, and

1:48:46.960 --> 1:48:49.040
<v Speaker 1>I wanted to be a nigga like Jim Jones going

1:48:49.080 --> 1:48:51.320
<v Speaker 1>on the back with saying your ship is real and Brooklyn,

1:48:54.640 --> 1:48:57.800
<v Speaker 1>do the fucker. I would rather that, Like if I'm

1:48:57.880 --> 1:49:00.439
<v Speaker 1>going to go see sports, I would like to see

1:49:00.520 --> 1:49:02.960
<v Speaker 1>j the Kiss being the person that's telling me, you'll

1:49:03.040 --> 1:49:09.200
<v Speaker 1>listen the niggas that lake is they I would like

1:49:09.280 --> 1:49:11.600
<v Speaker 1>it to come off from hip hop, like that's what,

1:49:11.680 --> 1:49:14.800
<v Speaker 1>that's what, that's my dream, that my dream is. I

1:49:15.000 --> 1:49:18.200
<v Speaker 1>never have to go outside my culture. And now with

1:49:18.400 --> 1:49:22.120
<v Speaker 1>that being said, our culture can't be Ratio. It can't

1:49:22.160 --> 1:49:26.240
<v Speaker 1>be you know, blacks and Latinos. That has to be everybody,

1:49:26.520 --> 1:49:30.200
<v Speaker 1>anybody that love hip hop. That's our new race is

1:49:30.280 --> 1:49:35.719
<v Speaker 1>hip hop. That we all bonded, we all congested together

1:49:35.840 --> 1:49:38.920
<v Speaker 1>because we're all repper that one flag and that's hip hop.

1:49:39.960 --> 1:49:43.320
<v Speaker 1>And I think that's what's gonna save humanity. I'm sorry,

1:49:43.320 --> 1:49:46.200
<v Speaker 1>I got way too deep right now. Just's just not

1:49:46.400 --> 1:49:49.439
<v Speaker 1>really dream jams. I'm sorry, but we're gonna shout out

1:49:49.479 --> 1:49:52.720
<v Speaker 1>David Banner who was here are you? And he talked

1:49:52.760 --> 1:49:55.360
<v Speaker 1>about that everything he was wearing except his pants, he

1:49:55.439 --> 1:50:01.400
<v Speaker 1>owned it like he owned it and changed the economy

1:50:01.479 --> 1:50:04.519
<v Speaker 1>in the hood. You see what I mean. It saved

1:50:04.520 --> 1:50:07.120
<v Speaker 1>a lot of lives and they changed the entire economy.

1:50:07.560 --> 1:50:10.599
<v Speaker 1>You gotta do rapping. You gotta managers, you gotta producer,

1:50:10.680 --> 1:50:13.000
<v Speaker 1>you gotta promoter, you gotta graph artist, you gotta hip

1:50:13.000 --> 1:50:16.519
<v Speaker 1>hop exact. You got people getting checks all because of

1:50:16.560 --> 1:50:20.200
<v Speaker 1>the culture, and if it could do something as powerful

1:50:20.240 --> 1:50:22.280
<v Speaker 1>as that, they could do exactly what you wanted to do. North.

1:50:22.439 --> 1:50:25.599
<v Speaker 1>But when the cultures are changing the economy of the industry,

1:50:25.760 --> 1:50:29.000
<v Speaker 1>that's when the culture started to change. Did the culture

1:50:29.120 --> 1:50:33.240
<v Speaker 1>change or did mainstream rap just come into play, but

1:50:33.360 --> 1:50:35.880
<v Speaker 1>the culture still. I just I've seen people down the

1:50:35.960 --> 1:50:39.560
<v Speaker 1>street with the kids on the walls, you know what

1:50:39.600 --> 1:50:41.800
<v Speaker 1>I'm saying. I go to Italy, I see people out there.

1:50:41.880 --> 1:50:45.360
<v Speaker 1>You know they're rapping. Because it wasn't the president of

1:50:45.439 --> 1:50:48.200
<v Speaker 1>the at one point, Yeah, he wanted to give me

1:50:48.240 --> 1:50:52.000
<v Speaker 1>an exact job, you know what I'm saying that, and

1:50:52.000 --> 1:51:04.560
<v Speaker 1>then he made came on. But that's how well he

1:51:04.840 --> 1:51:08.160
<v Speaker 1>me and you talked about executive positions and you know,

1:51:08.680 --> 1:51:12.160
<v Speaker 1>sugars like this. I'm going to go meet with Leor

1:51:12.280 --> 1:51:13.800
<v Speaker 1>and I want you to learn the game and get

1:51:13.840 --> 1:51:16.240
<v Speaker 1>your business i Q. So I'm gonna take you with

1:51:16.400 --> 1:51:19.080
<v Speaker 1>me so you could just soak up the game, you

1:51:19.160 --> 1:51:21.280
<v Speaker 1>know what I mean, and that's how she was, so,

1:51:21.840 --> 1:51:25.200
<v Speaker 1>you know, and he wanted to do like retirement funds

1:51:25.280 --> 1:51:28.120
<v Speaker 1>for artists. He wanted to do health you know what

1:51:28.280 --> 1:51:31.160
<v Speaker 1>I mean, insurance for artists. But every time he tried

1:51:31.240 --> 1:51:34.400
<v Speaker 1>to do something on that level, he got resistance from

1:51:34.439 --> 1:51:38.000
<v Speaker 1>the powers that be. And sometimes that resistance comes in

1:51:38.040 --> 1:51:41.320
<v Speaker 1>the form of the FEDS knocking at your doing. Luis,

1:51:41.760 --> 1:51:44.400
<v Speaker 1>you should what I mean. So he had that mindset though,

1:51:44.479 --> 1:51:48.240
<v Speaker 1>absolutely he had that mondset. We all biggest God bless

1:51:48.680 --> 1:51:51.120
<v Speaker 1>I want to I want to thank you, exhibit, to

1:51:51.200 --> 1:51:54.759
<v Speaker 1>thank you for coming out showing a love because honestly,

1:51:54.920 --> 1:51:57.559
<v Speaker 1>this is what makes us who we are. We gotta

1:51:57.640 --> 1:52:03.120
<v Speaker 1>keep saluting and supporting each other. Dig motherfucking crooked eye. Man,

1:52:04.040 --> 1:52:07.960
<v Speaker 1>you brought you some snakes to Oh that's that's okay.

1:52:08.080 --> 1:52:11.360
<v Speaker 1>I'm into that, you know. I'm Romeo eighteen seventy five

1:52:11.520 --> 1:52:13.960
<v Speaker 1>is like my favorite man. Okay. So that's like Romeo

1:52:14.000 --> 1:52:17.639
<v Speaker 1>and Juliette. Yeah, Romeo and Julian. That's a love story,

1:52:17.720 --> 1:52:24.120
<v Speaker 1>like Jimo said. Yeah, And I also want to thank

1:52:24.160 --> 1:52:27.120
<v Speaker 1>you too, war We gotta also want you to set

1:52:27.160 --> 1:52:34.240
<v Speaker 1>up at all. I just think it's just something I

1:52:34.360 --> 1:52:38.160
<v Speaker 1>was kid about that I wouldn't. That's inside, that's person

1:52:38.320 --> 1:52:44.920
<v Speaker 1>that we know. It wasn't. Man, you know like that

1:52:45.040 --> 1:52:47.280
<v Speaker 1>was a great connection right here, like I actually brought

1:52:47.320 --> 1:52:49.640
<v Speaker 1>you up. Like he's here, like he knows. I mean,

1:52:49.760 --> 1:52:52.040
<v Speaker 1>people want people want to know that's how strong the

1:52:52.080 --> 1:52:56.320
<v Speaker 1>sat Our house brand was. Yeah, I mean not you

1:52:56.400 --> 1:52:59.360
<v Speaker 1>still want to know outside of let's be clear, I

1:52:59.400 --> 1:53:01.840
<v Speaker 1>got a little side commission at all. But as a

1:53:01.960 --> 1:53:04.240
<v Speaker 1>hip hop or as a person that knows that four

1:53:04.439 --> 1:53:08.560
<v Speaker 1>different lyricists got together and did some crazy ship and

1:53:08.680 --> 1:53:11.760
<v Speaker 1>I don't know why it's going. I know that the

1:53:11.960 --> 1:53:15.479
<v Speaker 1>M ship played a big part of it. That's all.

1:53:16.120 --> 1:53:17.320
<v Speaker 1>You know what I mean? You know what I'm saying,

1:53:17.360 --> 1:53:22.000
<v Speaker 1>And I just man and let me just ask you again,

1:53:22.080 --> 1:53:24.760
<v Speaker 1>this is not a sound But did you know? That's

1:53:24.760 --> 1:53:28.440
<v Speaker 1>how you know it's a set up? What did you disrespect?

1:53:28.479 --> 1:53:30.639
<v Speaker 1>When here comes from disrespect? You named Joe went kind

1:53:30.640 --> 1:53:33.519
<v Speaker 1>of too far when he was critiquing M's album or

1:53:34.000 --> 1:53:38.639
<v Speaker 1>or uh. I think a lot of things that Joe

1:53:38.720 --> 1:53:40.519
<v Speaker 1>said were made up. If you go back and look

1:53:40.600 --> 1:53:42.280
<v Speaker 1>what he said on every Day Struggle, I think it

1:53:42.360 --> 1:53:48.960
<v Speaker 1>got blown out of proportion. I think I was I

1:53:49.000 --> 1:53:51.080
<v Speaker 1>think a lot of ship went to the headline thing

1:53:52.280 --> 1:53:54.240
<v Speaker 1>and and just knowing Joe personally and how much he

1:53:54.400 --> 1:53:59.240
<v Speaker 1>loves him and respects him proportion though, if you go

1:53:59.400 --> 1:54:01.320
<v Speaker 1>back and look what he said on Everyday Struggle, I

1:54:01.479 --> 1:54:05.320
<v Speaker 1>challenged anyone that picks. He used the word trash, and

1:54:05.640 --> 1:54:08.160
<v Speaker 1>I think that was what was the Remember the context

1:54:08.200 --> 1:54:12.040
<v Speaker 1>exactly of what was trash untouchable? I guess he says

1:54:12.040 --> 1:54:14.040
<v Speaker 1>his trash stored in the rice or some ship. You

1:54:14.120 --> 1:54:16.519
<v Speaker 1>know what Joe be saying? Yeah, going on, I mean

1:54:17.240 --> 1:54:21.120
<v Speaker 1>that's going to podcast. No, No, the thing that everyone

1:54:21.240 --> 1:54:24.160
<v Speaker 1>was talking about was right there. Okay, yeah it wasn't aboutcast.

1:54:24.360 --> 1:54:27.479
<v Speaker 1>But did he clarify it on on your podcast? Yeah? Yeah,

1:54:27.479 --> 1:54:30.839
<v Speaker 1>we significantly went through it. And you know, I'm always

1:54:30.960 --> 1:54:33.480
<v Speaker 1>as as one of his close friends, the first person

1:54:33.480 --> 1:54:35.880
<v Speaker 1>to say when he bugging, And I don't think he

1:54:36.040 --> 1:54:40.160
<v Speaker 1>was sucking. I think it was Honestly, I don't want

1:54:40.160 --> 1:54:42.200
<v Speaker 1>to know you, don't want to have more complications but

1:54:42.440 --> 1:54:45.480
<v Speaker 1>platform with you, because what yeah, that's nothing to do

1:54:45.600 --> 1:54:47.360
<v Speaker 1>with me. I got I want to be here to

1:54:47.400 --> 1:54:52.520
<v Speaker 1>talk about here because I love North to death. My

1:54:52.640 --> 1:54:56.080
<v Speaker 1>whole thing is is that, like I was saying, dog,

1:54:57.000 --> 1:55:02.440
<v Speaker 1>if you got a issue with somebody pass on the

1:55:02.520 --> 1:55:06.200
<v Speaker 1>critique of the album and their singles, because how can

1:55:06.280 --> 1:55:09.480
<v Speaker 1>you be fair? How can you come from a place

1:55:09.560 --> 1:55:12.280
<v Speaker 1>that you know what I mean, you just listening to it,

1:55:12.600 --> 1:55:15.000
<v Speaker 1>you say, and your personal feelings to the side. I

1:55:15.080 --> 1:55:18.880
<v Speaker 1>don't think so, you know what I mean? And I

1:55:19.040 --> 1:55:21.400
<v Speaker 1>just think that with everything that see, me and Royce

1:55:21.560 --> 1:55:24.600
<v Speaker 1>were very hands on Snarterhouse from the beginning to the end,

1:55:24.680 --> 1:55:27.360
<v Speaker 1>me and Royce to five nine. So all fitness, I'm

1:55:27.400 --> 1:55:29.840
<v Speaker 1>sorry to cut your sustrainity and I wanted you to

1:55:29.920 --> 1:55:34.960
<v Speaker 1>finish your point. But um, so we're talking about revival, right, Yeah,

1:55:35.000 --> 1:55:38.640
<v Speaker 1>we talked about revival, but then Kama Kazi actually came

1:55:38.680 --> 1:55:41.960
<v Speaker 1>out after that, which was the am I correctory. The

1:55:42.040 --> 1:55:44.680
<v Speaker 1>Karmic Kazi came out right after him. So do you

1:55:44.760 --> 1:55:48.080
<v Speaker 1>think m felt that like a little bit like like

1:55:48.520 --> 1:55:50.840
<v Speaker 1>that's from Joe particular, But I'm just saying, just do

1:55:50.920 --> 1:55:52.880
<v Speaker 1>you think that he felt that from that fans? So

1:55:53.000 --> 1:55:55.720
<v Speaker 1>that's why he went and made Karma Kazi. I think

1:55:55.760 --> 1:55:58.440
<v Speaker 1>he was inspired, and I think he was inspired by

1:55:58.480 --> 1:56:01.360
<v Speaker 1>his critics. Yeah, you know what I'm saying. I think

1:56:01.400 --> 1:56:03.800
<v Speaker 1>he was inspired by his class and he just went

1:56:03.880 --> 1:56:06.080
<v Speaker 1>in and got and that's him. He gonna he's gonna

1:56:06.080 --> 1:56:08.080
<v Speaker 1>speak his mind. I mean, he's done in his own career,

1:56:08.720 --> 1:56:10.520
<v Speaker 1>you know what I mean. So he was just inspired.

1:56:10.560 --> 1:56:14.040
<v Speaker 1>He went in and he made some ship. And you know,

1:56:14.240 --> 1:56:18.720
<v Speaker 1>like I said, Dog, it's just like I said me, Royce,

1:56:18.880 --> 1:56:23.120
<v Speaker 1>we just really we win the trenches for slaughter House.

1:56:23.960 --> 1:56:26.800
<v Speaker 1>You give me so when it you go in the

1:56:26.880 --> 1:56:30.440
<v Speaker 1>trenches like that, and if you if you got a

1:56:30.520 --> 1:56:34.160
<v Speaker 1>communication line with your brothers, then you talk to your

1:56:34.200 --> 1:56:36.000
<v Speaker 1>brothers like, Yo, this is what I'm about to do.

1:56:37.040 --> 1:56:39.400
<v Speaker 1>Is this gonna harm anything that you guys are doing

1:56:39.520 --> 1:56:42.960
<v Speaker 1>to try to get glass House out right now? Because

1:56:43.000 --> 1:56:44.880
<v Speaker 1>I don't like my time to be wasted. If I'm

1:56:44.880 --> 1:56:47.400
<v Speaker 1>flying from Cali to New York sitting in the office,

1:56:47.480 --> 1:56:51.040
<v Speaker 1>is fighting for this Glasshouse ship on my own time?

1:56:52.200 --> 1:56:54.000
<v Speaker 1>Let me know if you're gonna throw a grenade at

1:56:54.040 --> 1:56:56.280
<v Speaker 1>that bitch, you know what I'm saying, Just let me know,

1:56:57.240 --> 1:57:00.440
<v Speaker 1>and I won't get on that plane. You feel me, God,

1:57:00.440 --> 1:57:03.720
<v Speaker 1>it's gone all right? Yeah, wrap it up. Let's wrap

1:57:03.840 --> 1:57:19.760
<v Speaker 1>it up. He's not a quit. Now. I gotta take

1:57:19.760 --> 1:57:20.120
<v Speaker 1>a PASSI