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Speaker 1: Look man, oh I see you? Why why and look

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Speaker 1: over there? How is that culture? Yes? Goodness lost culture,

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Speaker 1: Asta's calling start the epp as dead as Oh my god, wait,

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Speaker 1: this makes me miss set life. I accidentally put the

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Speaker 1: cadence of why don't you in there, and that's why

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Speaker 1: don't you get the berry? Why don't you? You know

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Speaker 1: what the mary? Why don't you? Readers? Publicists? I recently

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Speaker 1: I do this every now and then with my sister

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Speaker 1: Matt Rogers, where I remind him of a brilliant thing

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Speaker 1: he's done because he does so the volume is so

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Speaker 1: much that he often forgets. And I was we were

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Speaker 1: talking about the I mean, this is just like a

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Speaker 1: little earworm that's just stayed with me. But on the

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Speaker 1: first episode of the of the Twelve Days of Culture,

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Speaker 1: which is our Christmas underrated last culture moment and time

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Speaker 1: people don't talk about they don't. You're right anyway, my sister,

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Speaker 1: we were we were playing Mary fuck kill with McDonald's

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Speaker 1: menu items, and he posed to me, mary fuck kill

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Speaker 1: strawberry milkshake, mcflurry or you mix different zodas that the

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Speaker 1: zoda fountains like a suicide for creations. Yes, they were

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Speaker 1: called suicides. My quote my friend, this is not the moment,

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Speaker 1: but my friend said, you know, my gay little ass

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Speaker 1: was up there making creations. During creations. Basically, you all know,

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Speaker 1: like if you're an adventurous kid with a with a

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Speaker 1: cup in your hands and McDonald's Theta Fountain becomes an

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Speaker 1: endless world of possibilities, you would say that was your

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Speaker 1: first canvas. I think that was the culture that made

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Speaker 1: me say culture was for me, I think, just to

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Speaker 1: cut to it, my first canvas as an artist, Yeah,

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Speaker 1: I guess so it was I was taking I was

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Speaker 1: learning about you know, um ratio in terms of like

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Speaker 1: and that is art, that is art, the blend. I

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Speaker 1: would be willing to bet a lot of readers and

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Speaker 1: publicists out there their first moment of artwork was at

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Speaker 1: the McDonald's because they were creative, you know what I mean?

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Speaker 1: And their parents that their parents, I think that they

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Speaker 1: definitely looked at them at the soda swap whatever you're

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Speaker 1: gonna call it. It certainly was a soda swap when

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Speaker 1: I was there, because I was swapping her flavors. Honey

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Speaker 1: sounds sexual, but but I but I digress, But I digress.

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Speaker 1: So basically, what I'm saying is like these parents were

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Speaker 1: watching their kids at the soda Swap and they're saying,

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Speaker 1: what do you think? They said, Let let him great,

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Speaker 1: let her create, let her do she's going to do

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Speaker 1: at the front, and let her find it. And that's

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Speaker 1: how you get Vanilla Coke. You know what I mean? Like,

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Speaker 1: because I thought that's what I thought you were gonna say,

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Speaker 1: And that's how you get Vanessa Carlton, and get Vanessa Carlton.

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Speaker 1: You can't stifle her creative impulses at the soda swap.

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Speaker 1: She's not going to write an amazing piano indro to

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Speaker 1: one of the best pop songs of all time? Was

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Speaker 1: it you that I was recently talking about this song

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Speaker 1: with I think it was literally I was in I

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Speaker 1: was in the car with Greta. This is what it was.

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Speaker 1: We were driving on large Moon and we suddenly knew

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Speaker 1: we needed to listen to A thousand miles. But it

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Speaker 1: was like the scene in White Check. It was sort

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Speaker 1: of like the scene in White Chicks. Um, Yes, very

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Speaker 1: much so. And we sort of were just like, we must,

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Speaker 1: we must listen to that song right now as soon

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Speaker 1: as possible. And you know what Greta told me, A

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Speaker 1: little about that song. She she originally apparently there was

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Speaker 1: like a documentary about the song or whatever, like there

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Speaker 1: was something there's some piece of media out there that

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Speaker 1: like takes a look at the creation of the song.

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Speaker 1: And Vanessa Carlton said, Greta can tell us more about

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Speaker 1: this when she comes back on the pod. But Danessa

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Speaker 1: Carlton said, she did not want to do it. I

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Speaker 1: could fun into this guy. She didn't want to go

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Speaker 1: pass me, but she didn't want to do any of that.

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Speaker 1: She wanted it to just be the same. And the

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Speaker 1: person that was producing the song said, you need to

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Speaker 1: give the girls variations on the last chorus, they were right,

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Speaker 1: unfortunately the right. So that was a moment of at

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Speaker 1: the soda swap, you say, well, but tell her she

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Speaker 1: shouldn't put, you know, vitamin C in there with the

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Speaker 1: with the coke in the sprite, like that's at a

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Speaker 1: certain point you do step in. And that was that producer. Actually,

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Speaker 1: my theory is that Vanessa Carlton only did two flavor

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Speaker 1: mixtures her whole entire childhood, and when other kids were saying,

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Speaker 1: let's mix it up and give variations, she said, no,

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Speaker 1: I want it to be the same, which is not

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Speaker 1: the right instinct to have as an artist, unfortunately, well

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Speaker 1: especially not as a young artist. You know what I mean.

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Speaker 1: Can make mistakes, that's what she can make mistakes when

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Speaker 1: she's when she's fighting within herself, Like am I gonna

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Speaker 1: put you know, high Sea in the dr Pepper and

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Speaker 1: the Sprite. A seasoned person who's been in that McDonald's

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Speaker 1: for some time would know that's when you stop. But

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Speaker 1: and you're a young artist and you can make mistakes

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Speaker 1: like that. Guess what. She's going to find herself on

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Speaker 1: the world stage in not so many years, and she's

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Speaker 1: gonna have to have a hit after a hit. And

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Speaker 1: she only had a couple. She had a couple, but

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Speaker 1: they're great now, that's okay, that's nothing to apologize for.

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Speaker 1: We're not. She's had a great life. I need to

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Speaker 1: finish the reference. I hope, I mean, I think. I

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Speaker 1: think Vanessa Carlton at the McDonald at Thesoda Fountain is

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Speaker 1: one of the most indelible lost culturesta's images. Speaking of art,

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Speaker 1: my sister, I'm reaching out my hand to the camera

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Speaker 1: holding it from across the country. We just created something.

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Speaker 1: We created something together and in the past of the

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Speaker 1: time and image, and that sometimes is I always say

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Speaker 1: to anyone that wants to become an artist, if you

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Speaker 1: do one thing every day that reminds you who you are,

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Speaker 1: and I'm hitting my chest right now that you're an artist.

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Speaker 1: You succeeded that day, and my sister, we succeeded in

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Speaker 1: creating that art, that image of Vanessa at theisoda up.

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Speaker 1: I'm crying. Do you see the tears running time my face? Vividly?

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Speaker 1: This is the This is an opportunity for the readers

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Speaker 1: and publicists. I want to see your images. We've given

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Speaker 1: you the auditory imagery. I want to see your photoshops,

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Speaker 1: your paintings, your crayon drawings of Vanessa Carlton as a

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Speaker 1: child at the soda fountain. Use your image. This would

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Speaker 1: be my tip to everyone out there. Use your imagination

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Speaker 1: to sort of think of an image of a time,

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Speaker 1: of a place, of a person, and and send in

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Speaker 1: your ideas of what you thought like. Think of a picture,

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Speaker 1: think of a picture and tell us what the picture

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Speaker 1: looks like. And that's what we're asking you guys to

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Speaker 1: do right now. Absolutely, um, I am crying with emotion.

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Speaker 1: I was still I still haven't gotten I'm trembling, Oh

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Speaker 1: my god, Titanic vibes, where I we still haven't gotten

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Speaker 1: to the reference. So Matt Rogers saying, start to start

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Speaker 1: the show, dead ass, to start the show, to start

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Speaker 1: the recording show. It was a blend of two different things. Yeah,

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Speaker 1: but then a further blend another soda and the soda

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Speaker 1: and the soda cup. An inflection of delivery. On the

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Speaker 1: first episode of our Twelve Days of Culture where we

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Speaker 1: talked about McDonald's Mary kill strawberry milkshake, mcflurry soda creation suicide, suicide.

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Speaker 1: I said Mary, I said fuck, I said Mary. One thing,

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Speaker 1: I said, fuck strawberry milk shake and you said, oh yes,

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Speaker 1: get the berry. Why don't shuck? And beautiful onto that

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Speaker 1: get the berries? So funny. So this blend. This what

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Speaker 1: I tried to do was I tried to give you

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Speaker 1: black china with cut the cameras, and I accidentally brought

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Speaker 1: in something I knew you enjoyed, which was the burying

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Speaker 1: became a start the start the EPP dead as beautiful

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Speaker 1: like sort of culture coming together, you know, true got

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Speaker 1: the layers on this are a wild true creation and

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Speaker 1: culture coming together. I yeah, I feel like an artist today.

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Speaker 1: I don't feel that way every day. No, no, no,

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Speaker 1: Do you feel that you feel like an artist because

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Speaker 1: you're inspired by so much art around you? Like, do

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Speaker 1: you feel especially like able to create such brilliance as

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Speaker 1: we've already have done on the episode, because lately you're

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Speaker 1: feeling extra inspired. Tell me about how inspired you feel.

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Speaker 1: I really don't feel that inspired, to be honest, and

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Speaker 1: that's okay. I just I think it's one of those

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Speaker 1: things to be honest, where you're with your sister and

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Speaker 1: something cut flies free, something flies free. It's like you

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Speaker 1: were the other wing to the aircraft that I am

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Speaker 1: the other half of work, and you have to the

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Speaker 1: same plane. You need to. It's actually rule of culture

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Speaker 1: when it comes to on an airplane you need to.

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Speaker 1: Which rule is that rule? It up culture number six.

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Speaker 1: That's so close to being number one, it's not even funny.

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Speaker 1: There's so much culture to talk about. I want you

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Speaker 1: to understand something straight off the top. And I'm talking

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Speaker 1: to me, you're talking to the readers. I'm talking to you.

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Speaker 1: You think I'm gonna I want to ask for grace.

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Speaker 1: I really, I really tried to watch squid Game. It

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Speaker 1: was too much for me. When did you stop. Can

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Speaker 1: I stopped after the after I started to get going

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Speaker 1: in the first episode, like after Red Light Green Light.

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Speaker 1: I just my god, you're missing out on so much.

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Speaker 1: But that's okay, and I don't want this to become

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Speaker 1: about that. I just want to I want to just

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Speaker 1: be honest that I tried to watch the show. It

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Speaker 1: put in a state of anxiety and it just got

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Speaker 1: a little too real for me that I had to

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Speaker 1: back off. But I want you to explain to me

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Speaker 1: everything you feel. Well, first of all, oh my god,

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Speaker 1: I just want to talk to you as a sister.

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Speaker 1: I feel like, so this is this is just a conversation,

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Speaker 1: and I might be I might be wrong and insensitive.

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Speaker 1: So please let me know if I am, if you

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Speaker 1: because if you cross over into insensitive, you will let

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Speaker 1: me know. Please. I feel like you're being insensitive towards me.

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Speaker 1: No truly, I'm telling you, like, no no bullshit, no lie,

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Speaker 1: no lie, no trickery, no fakeery. This is real talk

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Speaker 1: between sisters. If I'm being insensitive, you have to let

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Speaker 1: me know. I think I sometimes feel that I don't

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Speaker 1: get to talk about the culture I love so much

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Speaker 1: that I'm consuming because I mean, this is this is

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Speaker 1: This is true of both of us. Sometimes I haven't

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Speaker 1: seen or appreciate something that you love. And but whenever, whenever,

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Speaker 1: whenever it falls on me, whatever it happens to follow me,

189
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Speaker 1: I think, well, damn, I guess, I guess I have

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Speaker 1: no one to talk to you about this. And I

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Speaker 1: feel like I never externalized my feelings about it because

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Speaker 1: because my because my sister is too scared, too too

193
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Speaker 1: busy to play Breath of the Wild. What was it?

194
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Speaker 1: What was it about? It was? It was stressful to

195
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Speaker 1: figure out because the game is very complicated. In order

196
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Speaker 1: to even start Happen Switch, you have to go through

197
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Speaker 1: many obstacles. It's actually one of the most they've been

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Speaker 1: saying this. They've been saying this that there's actually been

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Speaker 1: news reports about how one of the hardest things to

200
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Speaker 1: do is to figure out how to start a new

201
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Speaker 1: game on Nintendo Switch. It goes death, divorce, moving, figuring

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Speaker 1: out how to start a game on Nintendo Switch. And

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Speaker 1: let me tell you something, A couple of those things

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Speaker 1: are inevitable. So when I can just skip one, that's

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Speaker 1: actually okay, and wit can But can I say something real?

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Speaker 1: Which one is the inevitable one? Moving? You're going to

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Speaker 1: get divorced, bitch, and you're staying right where you are,

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Speaker 1: and that in that bleep neighborhood of l A because

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Speaker 1: I didn't want people. I don't want people to know

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Speaker 1: where you load. Yeah, um, well what were you about

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Speaker 1: to say? I cut you off. All I'm saying is

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Speaker 1: that I want to participate in these things, but this,

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Speaker 1: like it physically upsets me to watch because I'm under

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Speaker 1: such dress. Like it's just it's just not for me.

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Speaker 1: But and and it has nothing to do with anything

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Speaker 1: other than how I physically feel when I'm watching it,

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Speaker 1: because it just doesn't give me the joy that it

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Speaker 1: gives everyone else. And it's so fine, it's valid, I know,

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Speaker 1: but I feel like it just it works out this

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Speaker 1: way a lot where I feel like we don't I

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Speaker 1: don't remember talk about the ship I like, because no

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Speaker 1: one ever knows what I'm talking about. But but and

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Speaker 1: you're using Breath of the Wild and Squid Game as

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Speaker 1: an as examples. No, No, I mean yeah, those are

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Speaker 1: the top at the top of my hand. Those are

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Speaker 1: my examples. But it's okay. But but I did play

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Speaker 1: Breath of the Wild. It was just too stupid for

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Speaker 1: my dumb high asked to figure out how to play it.

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Speaker 1: I told you what happened to me in that section

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Speaker 1: of the the ride, the section of the I love

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Speaker 1: thinking about it that way. Video games. You have to

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Speaker 1: think of video games in this way. It's a Disney,

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Speaker 1: It's an Orlando, right that you can ride at home,

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Speaker 1: aout leaving home. You know what, I'm actually gonna say

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Speaker 1: something straight up, and I know that I have rears

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Speaker 1: out there and publicists that are going to agree with me,

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Speaker 1: because I'm not going to joke around about it anymore.

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Speaker 1: This is the truth. When we were little, we played

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Speaker 1: video games and they were straightforward, and they were easy,

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Speaker 1: and they were fun. I took a break from video

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Speaker 1: games for some odd years. I try to get back

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Speaker 1: into it all of a sudden, they're the girls are complicated.

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Speaker 1: I tried to play when we were staying at the

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Speaker 1: Fire Island house till Moss was ling. What was what

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Speaker 1: was he playing? He was playing? UM, A bunch of

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Speaker 1: different games he was he might have been playing. I

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Speaker 1: think he's a Fortnite for that's the one. The one

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Speaker 1: that everyone loves is Fortnite. You put the controls in

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Speaker 1: my hands. I don't even know how to go up

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Speaker 1: or down. It's it's pretty intuitive, I promise you. And

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Speaker 1: it's it's over time you learn these things. But I okay,

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Speaker 1: video games are a specific example. But like at the

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Speaker 1: same time, I have immense grace and I feel bad

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Speaker 1: even bringing this up because I do feel like I'm

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Speaker 1: being insensitive and you didn't call me out on it

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Speaker 1: for even bringing this up. I just but then I

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Speaker 1: think about, oh, well, if Matt is physic for people

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Speaker 1: who are watching Squid Game more physically suffering and like

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Speaker 1: panic and nervous to watch this, then a please do not.

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Speaker 1: You even said yourself that you said when you came

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Speaker 1: on your story and you said, it's like when people

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Speaker 1: die in this, they die in real life. Like that's

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Speaker 1: that's an observation. That's an observation I have about the

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Speaker 1: way violence is beautifully intentionally per trade and produced on

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Speaker 1: the show, like like certain the way that it cuts

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Speaker 1: to like certain violent things is so raw and you're like,

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Speaker 1: how did they how did they fake that or special

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Speaker 1: effects that like that That was my only comment. So

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Speaker 1: you're saying that the violence is very grounded and raw

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Speaker 1: and like it's different than like American violence, and that

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Speaker 1: it's it's not as yes I said this to Yes,

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Speaker 1: it's different. It's different Korean or like I would just

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Speaker 1: brought it into like Asian media violence is different from

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Speaker 1: Western media violence, where it's like a little too sexual,

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Speaker 1: a little too like focused on like them like The Anatomy,

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Speaker 1: and this is something that's just like it's it's very cinematic.

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Speaker 1: There's a cinematic conventional way of portraying violence in Western film,

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Speaker 1: and let's say, but with Korean dramas for this in particular,

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Speaker 1: for Alison Borderland's I believe, like I haven't seen it yet,

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Speaker 1: but like it's like, um, it's like it's just someone dying,

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Speaker 1: like someone gets killed, and that's it. Like that's all

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Speaker 1: you that's all you need. You as an audience, remember,

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Speaker 1: need to know. I just think it's very cool and

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Speaker 1: refreshing and I just like forgot about that anyway. Yes, sorry,

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Speaker 1: so we should say Matt and I are both stoned

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Speaker 1: right now. Okay, so this is why I'm rambling. Maybe

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Speaker 1: you're not even rambling, but but here's my point. You

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Speaker 1: absolutely were able to say whatever it is you wanted

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Speaker 1: to say about Square Game and going forward if you

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Speaker 1: wanted to keep talking about it. You could say whatever

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Speaker 1: you want about You can make the comparisons between American

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Speaker 1: violence and Korea and the way that it's stune in

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Speaker 1: Korean drama. You can go on and do that. You

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Speaker 1: didn't need me to put myself through something physically uncomfortable

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Speaker 1: in order to expound on this topic. Fine, but I

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Speaker 1: really I'm just saying what you really want it? No, no, no, no,

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Speaker 1: I don't want you to watch it anymore because because

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Speaker 1: I now I do know that it's not for you.

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Speaker 1: I I truly thought like Matt's not gonna ma can

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Speaker 1: handle this, And the fact that you're telling me that

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Speaker 1: you can't, I say, do not watch it ever in

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Speaker 1: your life. I don't want you feeling this way. I

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Speaker 1: love you too much. I'm just saying that I would

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Speaker 1: have loved to talk to my very smart, funny, culturally

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Speaker 1: intelligent friend, Matt Rodgers, well, what are you enjoying? Tell

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Speaker 1: me what you're enjoying. I'm just watching. Okay, so on

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Speaker 1: this most and this is this is just the type

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Speaker 1: of I guess person I am lately where it's just

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Speaker 1: I just want more of the same, And maybe that

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Speaker 1: is culturally like dumming me down, and I should just

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Speaker 1: sign as a host of this podcast because I understand

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Speaker 1: that it is boring that I don't I didn't watch

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Speaker 1: Squid Game, but I promise it's for a good reason.

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Speaker 1: And I also understand that it's going to be insanely

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Speaker 1: boring for some people that listen to this podcast to

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Speaker 1: hear me say again that the Morning Show has re

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Speaker 1: entered my life and that the other day I watched

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Speaker 1: Reese brothers Win and Julianna Margalis make out out of Nowhere,

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Speaker 1: and I was watching Jennifer Aniston chop wood in the

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Speaker 1: forest because she's writing a book about her experience, and

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Speaker 1: I'm like, this show is camp and drag, So I've

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Speaker 1: gotten I've gotten back into that because I really enjoy

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Speaker 1: it and it doesn't like physically threaten me with violence

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Speaker 1: to the way that the Squid literally does, and I

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Speaker 1: know it's not going to send me into an absolute panic.

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Speaker 1: So that's what I watched. And I will say I

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Speaker 1: did gasp out loud and then get out, stand up

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Speaker 1: and clap when Reese brother Spoon and Julianna Margalis had

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Speaker 1: lesbian kiss in the back of a limousine um. But

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Speaker 1: that was as much like, um, visceral, like physical response

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Speaker 1: it got for me, whereas Squid Game had me like

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Speaker 1: squirming before the first hour was even up. And so

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Speaker 1: that's why I just decided on one feeling over the other.

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Speaker 1: Of course, that makes complete sense to me. And I

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Speaker 1: just have to ask you many things about a couple

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Speaker 1: of things about Morning Show, but one last thing about

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Speaker 1: Squid Game, which is you did not even finish the

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Speaker 1: first episode. No, I got till roughly the end. Yes,

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Speaker 1: So you said that. The answer is you did not

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Speaker 1: finish the first episode. No. I just thought I'm going

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Speaker 1: to do something else that hurts, that really hurts. No

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Speaker 1: need for you to take it personally. I'm kidding, I'm kidding,

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Speaker 1: I'm kidding. UM. I just think I was talking to

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Speaker 1: my new friend I R. L. Reread Cheney, one of

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Speaker 1: the top one of the top friends, one of the

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Speaker 1: top friends I saw on Friday, UM, and she said

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Speaker 1: something really great. She said, one of the best up

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Speaker 1: two's ever in any show, one of the most clever

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Speaker 1: ways to do an episode two of a show. And

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Speaker 1: I completely a great I was like, yes, and for

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Speaker 1: these specific reasons, because you know, here's the thing. No need, no,

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Speaker 1: no need to even spoil it, because once I found out,

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Speaker 1: I wasn't going to sit and watch it. I did

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Speaker 1: sort of dig into what happens in the show and

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Speaker 1: somatically and everything like that. I do understand let's happen,

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Speaker 1: got it? They that that they this is a spoiler

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Speaker 1: to go home and they return. They're allowed to go home,

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Speaker 1: and they go and they're they're allowed to go home,

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Speaker 1: but for for a period of time, let's just say,

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Speaker 1: And it's just a very great way to like not

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Speaker 1: do flashbacks, but like get them into like you see,

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Speaker 1: what's at stake for them anyway, Great, Um, Morning show.

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Speaker 1: Why so Reese's character is a little bit she a

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Speaker 1: little bit gay? I mean I suppose, I mean that's

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Speaker 1: that's Julian honest to um. They're sort of like having

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Speaker 1: them look at each other in a way where it's

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Speaker 1: like clearly if I mean, it's they're being directed to

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Speaker 1: want to suck each other throughout and then they have

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Speaker 1: a very intense sort of open mouth kiss in the

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Speaker 1: back of a limo. And so that would sort of

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Speaker 1: suggest to me that one are both characters are gay

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Speaker 1: or questioning or queer questioning? Yes, interesting do you think?

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Speaker 1: How do you think it's it's is it working, is

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Speaker 1: it being used to? Like I mean, I think what

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Speaker 1: I like about the show is it's sort of reminded

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Speaker 1: me of the way we were talking in the beginning

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Speaker 1: of episode about asking the readers to send in what

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Speaker 1: kind of pictures they would like us to consider. It's

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Speaker 1: sort of like every episode of every episode of The

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Speaker 1: Morning Show is sort of like a third grade teacher

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Speaker 1: comes in and says to a class of people, like, Okay, today,

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Speaker 1: what we're gonna do is we're gonna write an episode

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Speaker 1: of TV and anything can happen in it, and you know,

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Speaker 1: it should feel like it's real, like it could really happen.

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Speaker 1: But if you use your imagination, characters can say and

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Speaker 1: do things whatever you want. And it's like the class

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Speaker 1: got the whole day to write an episode of television

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Speaker 1: and then whatever is written at the end of the

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Speaker 1: day is what they film and put on Apple TV

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Speaker 1: Plus and it is The Morning Show. Like that's energy

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Speaker 1: of this story priorates energy. It makes me smile. Yeah,

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Speaker 1: it sort of is. It's like it's like, you know,

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Speaker 1: like like Reese whether Spoon and Julianna MARGARETI for having

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Speaker 1: a conversation they kiss in the middle of a sentence,

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Speaker 1: and then a huge asteroid is headed towards the Earth

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Speaker 1: and they're like, we have to go and report on this,

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Speaker 1: Like that kind of third grade manic energy is happening. Wait,

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Speaker 1: that is incredible that a world, a potentially world yeah,

399
00:21:57,960 --> 00:22:01,680
Speaker 1: world ending story is breaks while these two characters make

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Speaker 1: out and they have to run and report on it.

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00:22:03,640 --> 00:22:06,359
Speaker 1: That's that sounds like the camp, the level of camp

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00:22:06,400 --> 00:22:09,040
Speaker 1: that would be attributed to The Morning Show. I've only

403
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Speaker 1: seen one episode of it, and it was the third

404
00:22:11,359 --> 00:22:15,040
Speaker 1: episode and it was Jennifer and Hasten yelling to a

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Speaker 1: boardroom of men. That was very mommy, dearist, and I

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Speaker 1: loved it, and I thought, Okay, I get what the

407
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Speaker 1: show is about. I understand why people like it. I

408
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Speaker 1: have not. I'm sorry that I have not seen the show. Yeah,

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00:22:24,480 --> 00:22:27,800
Speaker 1: and in that scene she does call everyone bozos. And

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Speaker 1: that's like I mean when I say, like a third

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Speaker 1: grader wrote it, Like, and I do think, like, let

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Speaker 1: me just clarify, like I'm not insulting the writing staff.

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Speaker 1: I think this is actually a genius way to put

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Speaker 1: a show together. I think this is like I I

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Speaker 1: you have me watching still like I am, I am

416
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Speaker 1: still they're watching it, so no one should take any

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Speaker 1: offense or change a thing. Keep going like they are

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Speaker 1: really going to do the coronavirus in the show they

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Speaker 1: are yea so per bili that is the asteroid I'm

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Speaker 1: talking about. Like there's literally scenes bowen where like there'll

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Speaker 1: be two characters in the hallway to something like should

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00:23:07,119 --> 00:23:10,040
Speaker 1: we report on this coronavirus thing? Someone behind them will

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Speaker 1: sneeze and then another person will just go it's probably

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00:23:13,320 --> 00:23:16,520
Speaker 1: not a very big deal anyway, what else today? And

425
00:23:16,560 --> 00:23:19,720
Speaker 1: they just go start of walking like start other dialogue,

426
00:23:19,800 --> 00:23:24,159
Speaker 1: like they send a character on like is this going

427
00:23:24,200 --> 00:23:29,880
Speaker 1: to be our first great piece of COVID media scripted content?

428
00:23:29,960 --> 00:23:32,359
Speaker 1: And like wow, I don't know if it will be

429
00:23:32,359 --> 00:23:34,480
Speaker 1: the first great one, but I will say this, there

430
00:23:34,560 --> 00:23:37,280
Speaker 1: was a shot in the first episode that's like makes

431
00:23:37,280 --> 00:23:39,040
Speaker 1: it clear that they're going to be tackling what it

432
00:23:39,080 --> 00:23:41,640
Speaker 1: happens when like New York emptys write the hell out

433
00:23:41,680 --> 00:23:45,359
Speaker 1: and like COVID comes to play, so we will we

434
00:23:45,359 --> 00:23:48,359
Speaker 1: will see. I just hope that they can still keep

435
00:23:48,440 --> 00:23:54,160
Speaker 1: the bigness of how stupid it all is. Um. Yeah, Well,

436
00:23:54,200 --> 00:23:56,600
Speaker 1: while in like a COVID world, you know what I mean,

437
00:23:56,640 --> 00:24:00,240
Speaker 1: because we need the pulp. COVID is not very be

438
00:24:00,720 --> 00:24:04,359
Speaker 1: It's not it's very stagnant. Actually, COVID like famously everyone

439
00:24:04,440 --> 00:24:06,480
Speaker 1: kind of just like stayed put. You just kind of

440
00:24:06,720 --> 00:24:09,800
Speaker 1: you kind of sit around if COVID's in the world. Yeah,

441
00:24:09,880 --> 00:24:11,600
Speaker 1: you don't really do You don't really do much. Nothing

442
00:24:11,640 --> 00:24:17,400
Speaker 1: really motivates you to not to leave the house, you know. Anyway, Well,

443
00:24:17,480 --> 00:24:19,560
Speaker 1: I'm so glad you're enjoyed. Is it Is it a

444
00:24:19,600 --> 00:24:22,719
Speaker 1: comfort that you're watching? Because I literat squid Game as

445
00:24:22,720 --> 00:24:26,399
Speaker 1: a comfort and I guess that's just that's just speaks

446
00:24:26,440 --> 00:24:31,800
Speaker 1: to two different personality types watching comfort. Is that is

447
00:24:31,960 --> 00:24:35,320
Speaker 1: harrowing to me? And I will also say this this Friday,

448
00:24:35,440 --> 00:24:37,560
Speaker 1: this is I'm not even I'm not even spooky. I'm

449
00:24:37,600 --> 00:24:39,520
Speaker 1: not even like a spooky horror loving person. It was

450
00:24:39,560 --> 00:24:41,600
Speaker 1: just comforting to watch. I'm sorry to keep going this Friday.

451
00:24:41,640 --> 00:24:43,480
Speaker 1: You're going to horror, but to me, going to horror

452
00:24:43,520 --> 00:24:46,800
Speaker 1: nights on Friday because I fucking love it. Like, So

453
00:24:46,920 --> 00:24:53,320
Speaker 1: that's I guess like a little bit of a internal conflict. Yeah,

454
00:24:53,359 --> 00:24:56,040
Speaker 1: it sounds like you need to resolve this. Well, can

455
00:24:56,119 --> 00:24:59,399
Speaker 1: I just physically explain. So when I am there, like

456
00:24:59,400 --> 00:25:02,960
Speaker 1: a haunted house or like an immersive scary setting, I

457
00:25:03,000 --> 00:25:05,040
Speaker 1: feel as if as though I can get away. Like

458
00:25:05,080 --> 00:25:07,240
Speaker 1: I'm very spry, Like I'm a person with a lot

459
00:25:07,280 --> 00:25:09,800
Speaker 1: of energy, and so I have to be able to

460
00:25:09,960 --> 00:25:12,280
Speaker 1: if I'm in that I'm saying, we have to go.

461
00:25:13,119 --> 00:25:15,679
Speaker 1: If you watch a movie, there's no escape. I have

462
00:25:15,760 --> 00:25:18,399
Speaker 1: too much energy to sit here and just like feel

463
00:25:18,440 --> 00:25:22,040
Speaker 1: that anxious about something happening, trust me. Like, I don't

464
00:25:22,040 --> 00:25:24,160
Speaker 1: know if I've talked to you about this, but like

465
00:25:25,160 --> 00:25:28,160
Speaker 1: there was like a phase in my like early high

466
00:25:28,160 --> 00:25:31,399
Speaker 1: school like era where like I was going to a

467
00:25:31,440 --> 00:25:34,280
Speaker 1: horror movie every week and they were making they were

468
00:25:34,359 --> 00:25:37,399
Speaker 1: driving me crazy because that or we've talked about this

469
00:25:37,440 --> 00:25:42,159
Speaker 1: where that era of horror was fucked up. Yeah, it

470
00:25:42,240 --> 00:25:44,280
Speaker 1: was like it was like it was like a time

471
00:25:44,359 --> 00:25:46,440
Speaker 1: when it felt like every week there was a new

472
00:25:46,480 --> 00:25:49,480
Speaker 1: horror movie in cinemas, like and one woman was getting

473
00:25:49,560 --> 00:25:52,960
Speaker 1: raped at least right like it was it was bad,

474
00:25:53,960 --> 00:25:56,680
Speaker 1: very much so. But did you you watched like something

475
00:25:56,680 --> 00:25:59,239
Speaker 1: like Malignant and you did like it. I have not

476
00:25:59,240 --> 00:26:02,800
Speaker 1: seen Malignant, I think based on what I'm hearing, I

477
00:26:02,800 --> 00:26:05,320
Speaker 1: don't know that much about the turn. But based on

478
00:26:05,359 --> 00:26:07,440
Speaker 1: what I'm hearing, it sounds like it's I've heard that

479
00:26:07,480 --> 00:26:09,919
Speaker 1: it's quote the stupidest thing in the world in the

480
00:26:09,960 --> 00:26:13,520
Speaker 1: best way that I must I will probably like it

481
00:26:13,560 --> 00:26:15,760
Speaker 1: and love it. And I feel like I would see

482
00:26:15,800 --> 00:26:17,960
Speaker 1: the thing is I would want I would want to

483
00:26:18,000 --> 00:26:22,160
Speaker 1: see that with you. Is that because why? Why? Because?

484
00:26:22,480 --> 00:26:24,760
Speaker 1: Because I want to be there with you when the

485
00:26:24,840 --> 00:26:28,199
Speaker 1: stupidest thing I've ever seen in a film happens and

486
00:26:28,240 --> 00:26:30,159
Speaker 1: I see it for the first time, and I but

487
00:26:30,359 --> 00:26:32,360
Speaker 1: I was with I was with Joe Kim Booster during

488
00:26:32,400 --> 00:26:36,600
Speaker 1: Hereditary when the parton Hereditary happened and we were both like,

489
00:26:37,200 --> 00:26:38,879
Speaker 1: I will never forget that moment for the rest of

490
00:26:38,880 --> 00:26:40,760
Speaker 1: my life with one of my best friend's Joe Kim Booster.

491
00:26:40,960 --> 00:26:44,080
Speaker 1: And so he I think is gonna it is gonna

492
00:26:44,080 --> 00:26:48,200
Speaker 1: be like you're a horror movie friend. I know he yes,

493
00:26:48,240 --> 00:26:50,200
Speaker 1: he is, but I would love for you to also

494
00:26:50,320 --> 00:26:53,440
Speaker 1: there's that's not just one person. They're so scary. They

495
00:26:53,440 --> 00:26:56,479
Speaker 1: are so scary. And when someone dies on camera in

496
00:26:56,520 --> 00:26:58,560
Speaker 1: front of you, I don't know what it is. I

497
00:26:58,600 --> 00:27:02,679
Speaker 1: can't shake it. Like I get too emotionally involved sometimes

498
00:27:03,080 --> 00:27:07,080
Speaker 1: in this ship, where like I just get fucking anxious,

499
00:27:07,119 --> 00:27:10,359
Speaker 1: and I think it definitely pandemic. And I don't I

500
00:27:10,359 --> 00:27:12,080
Speaker 1: don't want to make you feel better or explain it,

501
00:27:12,840 --> 00:27:15,240
Speaker 1: but I don't want to put I am put in

502
00:27:15,320 --> 00:27:18,159
Speaker 1: a position where I must. I am putting in a

503
00:27:18,160 --> 00:27:23,560
Speaker 1: position where I must. Okay, Okay, I don't want you

504
00:27:23,640 --> 00:27:27,520
Speaker 1: to I don't want you this upset. I'm actually like

505
00:27:27,680 --> 00:27:31,080
Speaker 1: fully over it because ultimately, no one can find me down,

506
00:27:31,240 --> 00:27:32,840
Speaker 1: no one can pin me down and make me do

507
00:27:32,920 --> 00:27:45,520
Speaker 1: a goddamnit thing, right, you know what, You're right? I

508
00:27:45,600 --> 00:27:49,400
Speaker 1: like the spoky season um, and I'm actually like thrilled

509
00:27:49,520 --> 00:27:54,880
Speaker 1: and very much organizing the hunted House experience. I'm doing funny, yeah,

510
00:27:54,920 --> 00:27:58,440
Speaker 1: but I just with scary movies or with like intense thrillers,

511
00:27:58,520 --> 00:28:01,399
Speaker 1: or with anything with like grounded you can't runway. It

512
00:28:01,440 --> 00:28:03,920
Speaker 1: just upsets me. I can't can't run away. Your only

513
00:28:04,080 --> 00:28:08,920
Speaker 1: escape as that fucking menu button. Bitch, go back back back,

514
00:28:08,960 --> 00:28:11,720
Speaker 1: take me back to the menu. I will not get

515
00:28:12,080 --> 00:28:14,440
Speaker 1: get the Death off the TV. I'm not watching that

516
00:28:15,000 --> 00:28:17,840
Speaker 1: Get the Scary Ship off the TV. I'm not watching

517
00:28:17,880 --> 00:28:21,080
Speaker 1: that the Gore off the TV. I'm not watching that

518
00:28:21,240 --> 00:28:24,840
Speaker 1: gore an issue, And then I go that title of

519
00:28:24,840 --> 00:28:27,280
Speaker 1: app Get the Gore off the TV. I'm not watching that.

520
00:28:27,640 --> 00:28:30,000
Speaker 1: Get the Gore off the TV. I'm not watching that.

521
00:28:30,080 --> 00:28:32,439
Speaker 1: But then and can we do that? And all caps?

522
00:28:32,480 --> 00:28:34,919
Speaker 1: Thank you? How produce Rianna? She's gonna type all caps

523
00:28:34,920 --> 00:28:37,560
Speaker 1: on the episode title? Well, we actually did enjoy though,

524
00:28:37,720 --> 00:28:41,200
Speaker 1: was the Suicide Squad. We did love that. That had

525
00:28:41,320 --> 00:28:44,880
Speaker 1: like comparable violence. But that but is that what you're

526
00:28:44,920 --> 00:28:49,280
Speaker 1: talking about when you say American type movie violence? Oh,

527
00:28:49,320 --> 00:28:53,760
Speaker 1: that's very specific. That's like that's like like magical realism

528
00:28:53,800 --> 00:28:56,960
Speaker 1: and like like heightened like superhero violence, and that I

529
00:28:57,040 --> 00:28:59,960
Speaker 1: can do. That's why I love I love like True

530
00:29:00,040 --> 00:29:05,960
Speaker 1: Blood up set you the first one especially like yes,

531
00:29:06,600 --> 00:29:10,479
Speaker 1: I mean yes, Like that was like high stakes, like

532
00:29:11,120 --> 00:29:13,920
Speaker 1: real violence, and I was just like I just don't

533
00:29:14,000 --> 00:29:16,400
Speaker 1: love it. But then when something is goofy and dumb

534
00:29:16,440 --> 00:29:20,840
Speaker 1: and it's like essentially minions getting killed, like I'm fine, okay,

535
00:29:20,920 --> 00:29:25,280
Speaker 1: so interesting killed. Volume one, I would say Volume one specifically,

536
00:29:25,280 --> 00:29:28,080
Speaker 1: I would say has the most stylized violence where it's

537
00:29:28,080 --> 00:29:30,760
Speaker 1: like she chops off five men's heads and it's like

538
00:29:30,840 --> 00:29:34,240
Speaker 1: little cute little water fountains of pink blood, like fluorescent

539
00:29:34,320 --> 00:29:36,360
Speaker 1: flood like it doesn't even it doesn't even look real,

540
00:29:36,840 --> 00:29:40,240
Speaker 1: and so therefore it distarms the audience and you're like, Okay,

541
00:29:40,240 --> 00:29:42,680
Speaker 1: that's like an art piece. It's like a sculpture. It's

542
00:29:42,680 --> 00:29:44,840
Speaker 1: like a kinetic sculpture, and it's not like an actual

543
00:29:44,880 --> 00:29:47,560
Speaker 1: person being killed. So that you're okay with that, I'm

544
00:29:47,600 --> 00:29:49,640
Speaker 1: fine with It's just like when it gets very like

545
00:29:50,080 --> 00:29:56,200
Speaker 1: personal and intense, like I don't know then, I mean,

546
00:29:57,320 --> 00:30:00,000
Speaker 1: this is not a spoiler alert Squid Game. It ends

547
00:30:00,160 --> 00:30:03,040
Speaker 1: like one of the most graphic fight scenes I've ever

548
00:30:03,080 --> 00:30:06,480
Speaker 1: seen in my life, and you would you would hate

549
00:30:06,480 --> 00:30:09,280
Speaker 1: it and you would never make it to that and

550
00:30:09,360 --> 00:30:11,680
Speaker 1: that and that's okay, No, I know, And that's why

551
00:30:11,720 --> 00:30:14,720
Speaker 1: I'm like, but it iss back. I'm not pushing back

552
00:30:14,720 --> 00:30:16,560
Speaker 1: on you. That's not what I'm doing. I know. I

553
00:30:16,600 --> 00:30:18,560
Speaker 1: know You're not pushing back on me. You are only

554
00:30:18,720 --> 00:30:24,400
Speaker 1: encouraging me to become a more realized version of myself. Always.

555
00:30:24,400 --> 00:30:28,320
Speaker 1: What is Kucku Bananas is hearing things like most watched

556
00:30:28,520 --> 00:30:34,080
Speaker 1: show ever of all time. More people have watched Squid

557
00:30:34,080 --> 00:30:39,320
Speaker 1: Game than like, you know, like family Matters, read the Bible, darling,

558
00:30:40,040 --> 00:30:43,920
Speaker 1: Like it's out there and everyone is seeing it and

559
00:30:43,960 --> 00:30:47,080
Speaker 1: I'm just like, I can't. You're talking about the world, honey,

560
00:30:47,160 --> 00:30:51,000
Speaker 1: Korea's loving yet I bet Japan's loving yet. Um, the

561
00:30:51,040 --> 00:30:54,600
Speaker 1: whole world, the whole world. Every country in South America

562
00:30:54,720 --> 00:30:58,479
Speaker 1: is watching squid Game. Yeah, and that's okay. That and

563
00:30:58,640 --> 00:31:02,920
Speaker 1: it's up to every single citizen of those countries, including

564
00:31:02,960 --> 00:31:05,080
Speaker 1: the United States of America, to decide whether or not

565
00:31:05,200 --> 00:31:10,280
Speaker 1: they can stomach the violence. Yeah, it's a lot. How

566
00:31:10,320 --> 00:31:12,760
Speaker 1: does it feel to be an inspiration? Now? You've inspired

567
00:31:12,760 --> 00:31:15,880
Speaker 1: me to to a rousing call to action for the world.

568
00:31:16,600 --> 00:31:18,680
Speaker 1: Don't watch squid Game if you don't want to. That's

569
00:31:18,680 --> 00:31:21,280
Speaker 1: what you've inspired me to tell people. But but the

570
00:31:21,280 --> 00:31:23,680
Speaker 1: thing is people should definitely go for it if they

571
00:31:23,720 --> 00:31:25,920
Speaker 1: if they feel so inclined, because a lot of people

572
00:31:26,040 --> 00:31:30,240
Speaker 1: only if and only if they feel so inclined. I'm sorry,

573
00:31:30,240 --> 00:31:32,960
Speaker 1: I'm really cutting you off a lot today. I'm chatty.

574
00:31:33,120 --> 00:31:36,120
Speaker 1: I'm chatty on this weed well because you have Yeah,

575
00:31:36,240 --> 00:31:39,360
Speaker 1: what are you smoking? I'm smoking? Okay at this point,

576
00:31:39,400 --> 00:31:41,880
Speaker 1: I am just like the brand ambassador, even though I

577
00:31:41,920 --> 00:31:44,160
Speaker 1: didn't I never meant to be. I just love their stuff.

578
00:31:44,200 --> 00:31:48,240
Speaker 1: Sunday School so amazing pre roles um and I picked

579
00:31:48,240 --> 00:31:49,720
Speaker 1: these up at men Men as soon as they landed

580
00:31:49,760 --> 00:31:51,640
Speaker 1: in l A two weeks ago. First place I went

581
00:31:51,640 --> 00:31:53,360
Speaker 1: to after a charted to my hotel was med Men

582
00:31:53,480 --> 00:31:56,520
Speaker 1: and Beverly Grove, and I was I was like, this

583
00:31:56,600 --> 00:31:58,000
Speaker 1: is wonderful. And it was the first time I had

584
00:31:58,000 --> 00:32:00,680
Speaker 1: actually been to men Men and knew what I wanted. Besides,

585
00:32:00,720 --> 00:32:03,840
Speaker 1: like those like bad pens from like three years ago,

586
00:32:03,840 --> 00:32:07,080
Speaker 1: don't remember there's pens, the dosis pens. They were bad.

587
00:32:08,000 --> 00:32:11,120
Speaker 1: I actually don't think that they even had any weed

588
00:32:11,120 --> 00:32:13,360
Speaker 1: in them. They did it, and I think they're I

589
00:32:13,360 --> 00:32:15,680
Speaker 1: think they went under. I'm not seeing them around anymore,

590
00:32:15,720 --> 00:32:17,840
Speaker 1: and it's because they didn't work. There was no weed

591
00:32:17,840 --> 00:32:21,760
Speaker 1: in them. Yeah, that very weird. I have these Pacific stones.

592
00:32:21,800 --> 00:32:24,479
Speaker 1: Have you seen this brand? Now? Is it fun? It

593
00:32:24,480 --> 00:32:26,840
Speaker 1: looks fun. I very much enjoyed them and they are

594
00:32:26,880 --> 00:32:32,400
Speaker 1: a hybrid and um, you know, especially like um. While

595
00:32:32,400 --> 00:32:34,720
Speaker 1: I had food poisoning, it was just like I was

596
00:32:34,760 --> 00:32:36,840
Speaker 1: really sitting here and just smoking weed all the time.

597
00:32:37,480 --> 00:32:40,520
Speaker 1: That's lovely. And honestly, maybe that put me in a

598
00:32:40,560 --> 00:32:42,520
Speaker 1: state of anxiety where I was like, squid game is

599
00:32:42,560 --> 00:32:46,000
Speaker 1: not gonna happen for me. That's okay. You don't if

600
00:32:46,120 --> 00:32:50,520
Speaker 1: you rationalize squid game fear one more time. No, it's

601
00:32:50,560 --> 00:32:53,720
Speaker 1: not I'm not even interested. I'm just thinking I'm assessing

602
00:32:53,760 --> 00:32:57,280
Speaker 1: my own you know what, like and that this is this,

603
00:32:57,280 --> 00:33:00,880
Speaker 1: this actually is interesting. I am entertain, meaning watching the

604
00:33:00,960 --> 00:33:04,400
Speaker 1: Halloween movie, I'm entertaining it the first one or the

605
00:33:04,400 --> 00:33:08,320
Speaker 1: new one. That's the new one starring Kyle Richards. You

606
00:33:08,320 --> 00:33:10,640
Speaker 1: you're gonna go for Kyle alone. I know. I think

607
00:33:10,680 --> 00:33:13,880
Speaker 1: I might be in that demographic. That's like if they

608
00:33:13,880 --> 00:33:15,400
Speaker 1: were holding a clipboard at the end of the movie.

609
00:33:15,440 --> 00:33:17,520
Speaker 1: So why did you come see Halloween Kills? Like, and

610
00:33:17,560 --> 00:33:20,120
Speaker 1: people are like Jamie Lee Curtis Man, we love her,

611
00:33:20,200 --> 00:33:22,400
Speaker 1: we always want to see her. Her kick is some mess.

612
00:33:22,840 --> 00:33:25,000
Speaker 1: Michael Myers is so scary, And then I would be

613
00:33:25,000 --> 00:33:27,200
Speaker 1: the one fact that's like, um, I really was into

614
00:33:27,280 --> 00:33:32,640
Speaker 1: seeing that Kyle Richards was going to give Oh my god,

615
00:33:32,800 --> 00:33:35,880
Speaker 1: that's so that's like, that's a sketch. That's a really

616
00:33:35,880 --> 00:33:39,360
Speaker 1: funny sketch. I wanted to see what Kyle Richards was, like,

617
00:33:39,640 --> 00:33:42,080
Speaker 1: could she act? I don't know, Like I wanted to

618
00:33:42,120 --> 00:33:47,080
Speaker 1: see what she was carrying talent? Oh my god, I

619
00:33:47,080 --> 00:33:50,400
Speaker 1: wanted to see she tour and she did. She did

620
00:33:51,160 --> 00:33:53,959
Speaker 1: botox for six months beforehand because she said, quote an

621
00:33:53,960 --> 00:33:56,360
Speaker 1: actress should be able to move her face end quote.

622
00:33:56,920 --> 00:33:59,680
Speaker 1: But yeah, like, I hope we see Michael Myers's face this.

623
00:34:00,360 --> 00:34:02,440
Speaker 1: I'm really interested to see if we see his face

624
00:34:02,520 --> 00:34:04,720
Speaker 1: because actually, in no movie ever have you seen his

625
00:34:04,800 --> 00:34:06,880
Speaker 1: face so like, and we're getting towards the end there,

626
00:34:06,920 --> 00:34:09,719
Speaker 1: so you know, um, definitely want to see Jamie Lee. Hey,

627
00:34:09,760 --> 00:34:14,120
Speaker 1: guess man, so fucking hot? Still, do you think? I

628
00:34:14,239 --> 00:34:16,279
Speaker 1: just think Kyle Richards, like, well, I know she was

629
00:34:16,280 --> 00:34:18,680
Speaker 1: really unhappy with her bangs, you know, like they made

630
00:34:18,680 --> 00:34:20,200
Speaker 1: her get those banks, So I really want to see

631
00:34:20,239 --> 00:34:25,640
Speaker 1: how the banks look on camera. And oh my god,

632
00:34:25,760 --> 00:34:28,640
Speaker 1: it's so funny. But the one trailer where they had

633
00:34:28,880 --> 00:34:35,960
Speaker 1: like she does like the whole screams. She was good

634
00:34:36,719 --> 00:34:39,239
Speaker 1: west alive about it. Immediately after we were like, could

635
00:34:39,239 --> 00:34:42,320
Speaker 1: you believe? I couldn't believe. I will say bone And

636
00:34:42,480 --> 00:34:44,480
Speaker 1: his favorite bit is to pretend that one of the

637
00:34:44,520 --> 00:34:47,000
Speaker 1: housewives is going to host us, and now like, well

638
00:34:47,239 --> 00:34:52,520
Speaker 1: Suton Sutton's coming to host from October show we got

639
00:34:52,560 --> 00:34:56,279
Speaker 1: sun struck everybody, all right, Well, Eric has spent through

640
00:34:56,280 --> 00:34:59,560
Speaker 1: a lot. Eric has been a lot does sir, you know,

641
00:35:00,320 --> 00:35:03,640
Speaker 1: does how do you have a sudden? It could be interesting,

642
00:35:04,200 --> 00:35:12,240
Speaker 1: be interesting. Bowen could do Crystal and you would slay

643
00:35:12,280 --> 00:35:17,760
Speaker 1: as Crystal. You'd be so you're an awkward, uncomfortable person.

644
00:35:19,560 --> 00:35:24,160
Speaker 1: Oh my god, you're killing Crystal. You should play Crystal

645
00:35:24,239 --> 00:35:26,160
Speaker 1: Kung Minkoff on the show and then submit that to

646
00:35:26,200 --> 00:35:29,000
Speaker 1: the Emmy's Boone showed off as Crystal Kung Minkoff on

647
00:35:29,040 --> 00:35:31,200
Speaker 1: this episode, so that's going to be competitive for the whim.

648
00:35:33,280 --> 00:35:38,200
Speaker 1: Like Bowen had such a moment with Crystal Minkoff, Like

649
00:35:38,320 --> 00:35:41,680
Speaker 1: it's like you know, like I mean, it was just

650
00:35:41,719 --> 00:35:46,440
Speaker 1: that thing when pop culture like met SNL. It was

651
00:35:46,480 --> 00:35:50,160
Speaker 1: like that Tina, that Tina Sarah Palin moment, Like when

652
00:35:50,200 --> 00:35:56,320
Speaker 1: Bowen did his Crystal Kung Minkoff. You know, you would

653
00:35:56,320 --> 00:35:59,160
Speaker 1: wake up on Sunday and like all anybody it would

654
00:35:59,160 --> 00:36:02,960
Speaker 1: talk about was doing and she benefited from it too,

655
00:36:03,200 --> 00:36:05,520
Speaker 1: like and she loved it too, And that's why it

656
00:36:05,520 --> 00:36:09,520
Speaker 1: could be interesting. You know coming through actually I know

657
00:36:09,680 --> 00:36:14,520
Speaker 1: Rob and she's coming through and Bowen, you know, a

658
00:36:14,560 --> 00:36:17,000
Speaker 1: scholar is gonna na it. Scholar is just gonna be

659
00:36:20,360 --> 00:36:23,359
Speaker 1: By the way, did you watch this week's episode? I

660
00:36:23,400 --> 00:36:26,040
Speaker 1: did watch this week's episode. She was wearing a top

661
00:36:26,080 --> 00:36:28,960
Speaker 1: at at Wendy's like a Chesapeake house, which I was like,

662
00:36:29,040 --> 00:36:33,480
Speaker 1: is that as she was wearing like a Versaci top? Yeah, yeah,

663
00:36:33,480 --> 00:36:35,920
Speaker 1: it was a it was a Versaci top. Her husband

664
00:36:36,040 --> 00:36:38,880
Speaker 1: they did not let's speak at all, or he was

665
00:36:38,880 --> 00:36:41,320
Speaker 1: maybe too uncomfortable and didn't say anything because he was like,

666
00:36:41,320 --> 00:36:45,200
Speaker 1: there are literally cameras flying around me. Um, but I

667
00:36:45,239 --> 00:36:47,600
Speaker 1: was there. There was not enough scalat this episode. That's

668
00:36:47,640 --> 00:36:50,080
Speaker 1: my only No, it was a great episode otherwise, I mean,

669
00:36:50,320 --> 00:36:54,919
Speaker 1: Escol is definitely getting comfortable, um, sort of being very

670
00:36:55,000 --> 00:37:03,080
Speaker 1: like canvases, like a little um lackey as it were. Um,

671
00:37:03,160 --> 00:37:06,200
Speaker 1: but she I think maybe didn't pick the right week

672
00:37:06,239 --> 00:37:09,640
Speaker 1: for that, because Candice is absolutely out of control. She's

673
00:37:09,760 --> 00:37:14,600
Speaker 1: completely out of control. Literally, just when I was starting

674
00:37:14,600 --> 00:37:18,960
Speaker 1: to tell people I actually love Candice now I said

675
00:37:19,000 --> 00:37:22,280
Speaker 1: she was my favorite housewife. So that's what i'n't doing anymore.

676
00:37:22,560 --> 00:37:25,640
Speaker 1: No have we have we given deep space to spin

677
00:37:25,760 --> 00:37:28,479
Speaker 1: yet on our own time? Lily did, And I think

678
00:37:28,960 --> 00:37:32,200
Speaker 1: I have a definitive sort of feeling about why it's

679
00:37:32,280 --> 00:37:36,120
Speaker 1: not what it could be because she actually doesn't know

680
00:37:36,160 --> 00:37:39,719
Speaker 1: when to stop, like in the very first song, which

681
00:37:39,760 --> 00:37:43,840
Speaker 1: is like an intro track. Um, she says, right before

682
00:37:43,880 --> 00:37:46,280
Speaker 1: the rest of the album starts. She goes, it's official,

683
00:37:46,520 --> 00:37:49,080
Speaker 1: I hated here, And I'm like, we did not need

684
00:37:49,080 --> 00:37:50,799
Speaker 1: this line, like if you were going to do like

685
00:37:50,840 --> 00:37:56,000
Speaker 1: a she doesn't have intro, like just let it be

686
00:37:56,080 --> 00:37:59,640
Speaker 1: what it is and we move forward. But she does not.

687
00:38:00,160 --> 00:38:03,080
Speaker 1: She's not a good editor. She's not a good editor.

688
00:38:03,960 --> 00:38:12,680
Speaker 1: She really needs to like just know how to take it. No, yeah, no,

689
00:38:12,800 --> 00:38:16,160
Speaker 1: you're right, that's that is the first and foremost problem. Um,

690
00:38:16,239 --> 00:38:19,040
Speaker 1: but just the whole Like, I mean, she it's sad

691
00:38:19,040 --> 00:38:22,600
Speaker 1: that she can't realize that her like making fun, making

692
00:38:22,640 --> 00:38:25,440
Speaker 1: fun quote unquote of Mia for being a stripper, like

693
00:38:25,760 --> 00:38:28,960
Speaker 1: is not great. Like it is not a good look.

694
00:38:29,280 --> 00:38:31,600
Speaker 1: It's not that's not a good look. Making fun of

695
00:38:31,640 --> 00:38:33,919
Speaker 1: everything about her body is not a good look. Called

696
00:38:34,000 --> 00:38:37,680
Speaker 1: the defeat thing is funny, but like, man, it's just

697
00:38:37,800 --> 00:38:41,520
Speaker 1: like it's so relentless and soft. Fourth time, Yeah, you're like,

698
00:38:41,560 --> 00:38:45,160
Speaker 1: all right, lay off the feet, right, weirdo you're doing

699
00:38:45,760 --> 00:38:49,759
Speaker 1: And it's almost just hearing her be like you were

700
00:38:49,760 --> 00:38:52,640
Speaker 1: found on the corner, Like you're a hooe, you're a horror,

701
00:38:52,680 --> 00:38:56,520
Speaker 1: Like It's just it's like it's crosses over from insulting

702
00:38:56,600 --> 00:39:00,520
Speaker 1: to becoming like very sex negative and like shame towards

703
00:39:00,520 --> 00:39:04,000
Speaker 1: sex work, um in a pretty real way, and like

704
00:39:04,080 --> 00:39:06,040
Speaker 1: I never want to be the one to be like,

705
00:39:07,080 --> 00:39:10,640
Speaker 1: you know, can'da stopped talking because she says so much

706
00:39:10,680 --> 00:39:13,040
Speaker 1: good ship when you just let her go. But at

707
00:39:13,080 --> 00:39:15,239
Speaker 1: a certain point, it's like her hit rate is not

708
00:39:15,320 --> 00:39:17,600
Speaker 1: happening on this trip and she needs to cool it,

709
00:39:17,840 --> 00:39:24,560
Speaker 1: cool it, cool it um. You know, Wendy, Wendy. I

710
00:39:24,600 --> 00:39:28,000
Speaker 1: love Wendy so much, like you can tell, like because

711
00:39:28,000 --> 00:39:31,200
Speaker 1: she and me had had their differences, but she really

712
00:39:31,239 --> 00:39:34,200
Speaker 1: took on when me was telling was sharing with Wendy,

713
00:39:34,280 --> 00:39:38,240
Speaker 1: like her story about her mother. Like I looked at Wendy,

714
00:39:38,280 --> 00:39:40,120
Speaker 1: they cut to Wendy, and I was like, wow, she's

715
00:39:40,160 --> 00:39:43,400
Speaker 1: being very empathetic, like in a way that makes me

716
00:39:43,480 --> 00:39:46,120
Speaker 1: like her a lot. Is this even worth mentioning? I

717
00:39:46,160 --> 00:39:48,600
Speaker 1: just like I know when Wendy's booked for the show

718
00:39:48,719 --> 00:39:52,279
Speaker 1: season seven, eight and nine, like Wendy's here to stay

719
00:39:52,320 --> 00:39:54,279
Speaker 1: of course. I just think she she might be my

720
00:39:54,440 --> 00:39:58,839
Speaker 1: favorite of all housewives at the moment, truly. Yeah, just

721
00:39:58,880 --> 00:40:00,719
Speaker 1: like in terms of like she she knows that when

722
00:40:00,800 --> 00:40:02,640
Speaker 1: to get messy, and then she also doesn't know when

723
00:40:02,640 --> 00:40:05,600
Speaker 1: to stop. Like she's got like seven canned catchphrases waiting

724
00:40:05,640 --> 00:40:09,160
Speaker 1: to go um. But she's also like she has like

725
00:40:09,160 --> 00:40:13,359
Speaker 1: the good really outweighs like the fun and the the bad.

726
00:40:13,400 --> 00:40:14,840
Speaker 1: I was gonna say bad, but it's like she like,

727
00:40:14,960 --> 00:40:17,480
Speaker 1: I don't know, she's she's waiting this season flat out,

728
00:40:17,600 --> 00:40:19,880
Speaker 1: Like she's flat at this season. And I feel like

729
00:40:19,960 --> 00:40:23,760
Speaker 1: she was really really winning the season when she said

730
00:40:24,600 --> 00:40:27,640
Speaker 1: when Giselle was like accused her of being jealous or

731
00:40:27,680 --> 00:40:30,640
Speaker 1: a hater, and she goes hating on this and like

732
00:40:30,760 --> 00:40:32,799
Speaker 1: pointed around to like the fact that they were in

733
00:40:32,840 --> 00:40:36,560
Speaker 1: like a shitty tent in Giselle's drive away while construction

734
00:40:36,640 --> 00:40:39,399
Speaker 1: was happening, and I was just like, yeah, there's really

735
00:40:39,520 --> 00:40:44,880
Speaker 1: nothing that Gissell can say. And also Robin gets so bothered,

736
00:40:45,000 --> 00:40:52,799
Speaker 1: and yeah, she really cares. She gets upset upset. Yeah,

737
00:40:53,680 --> 00:40:57,120
Speaker 1: I wonder if you're an asshole, Wendy, you're an asshole.

738
00:40:57,719 --> 00:41:01,080
Speaker 1: That's like a Robin impression. Yeah, And I'm coming boring

739
00:41:01,160 --> 00:41:04,040
Speaker 1: on Matt Bone is very good friends with someone who

740
00:41:04,040 --> 00:41:08,520
Speaker 1: has a Robert Dixon. Robin could be big, could get one,

741
00:41:09,120 --> 00:41:13,120
Speaker 1: you know, a greade line. I am so glad is

742
00:41:13,200 --> 00:41:14,840
Speaker 1: not here right now here. It could be fun to

743
00:41:16,239 --> 00:41:20,240
Speaker 1: you know, Whitney. I'm not putting Whitney out there alone.

744
00:41:22,000 --> 00:41:27,400
Speaker 1: She needs Heather, someone when someone more seasoned Whitney. He

745
00:41:27,480 --> 00:41:30,600
Speaker 1: is not going to stay a live from She's she can't,

746
00:41:30,920 --> 00:41:33,759
Speaker 1: she can't do it well, she hasn't arnder, she hasn't

747
00:41:33,760 --> 00:41:37,200
Speaker 1: heard of it. You know, back in the seventies it

748
00:41:37,280 --> 00:41:41,040
Speaker 1: was only three networks. And can we actually for real

749
00:41:41,120 --> 00:41:44,480
Speaker 1: say though that this podcast does have powers because the

750
00:41:44,560 --> 00:41:51,479
Speaker 1: way we Sarah Sherman on like three weeks before the gag,

751
00:41:51,560 --> 00:41:54,240
Speaker 1: Oh my god, Sarah's Sarah had a great first show.

752
00:41:54,880 --> 00:41:59,919
Speaker 1: We love Sarah so much, the house down. And also

753
00:42:00,080 --> 00:42:03,600
Speaker 1: we have to shout out Billy Domino. Billy Domino got

754
00:42:03,680 --> 00:42:07,640
Speaker 1: hired at ESAL to ride one of our first and

755
00:42:07,800 --> 00:42:10,359
Speaker 1: only straight white siss mail guy. I think he might

756
00:42:10,400 --> 00:42:13,600
Speaker 1: have been the first. And so that is the full

757
00:42:13,640 --> 00:42:15,640
Speaker 1: circle moment of all full circle moments? Did you get

758
00:42:15,640 --> 00:42:19,839
Speaker 1: to work on them at all? Um? Yes? He um.

759
00:42:19,880 --> 00:42:22,399
Speaker 1: He sent in a sketch last week that he wrote

760
00:42:22,400 --> 00:42:25,520
Speaker 1: in his pocket that included me, and so we like,

761
00:42:26,000 --> 00:42:28,960
Speaker 1: we like worked on that together. Um didn't get picked,

762
00:42:29,000 --> 00:42:33,080
Speaker 1: but it was very funny. Um and I have some things,

763
00:42:33,200 --> 00:42:42,719
Speaker 1: some collaborations and could be coming around the corner of Yes. Absolutely, Um.

764
00:42:42,760 --> 00:42:47,280
Speaker 1: Now all the new hires are fantastic. M I can't

765
00:42:47,360 --> 00:42:51,399
Speaker 1: wait for everyone to see more. Do you think that? Um? Well,

766
00:42:51,440 --> 00:42:53,959
Speaker 1: you know there's a big musical event happening this fall

767
00:42:54,040 --> 00:42:56,840
Speaker 1: that's sort of everyone's talking about. And I'm not talking

768
00:42:56,880 --> 00:42:59,880
Speaker 1: about the rerelease of Red, I'm talking about Adele returning.

769
00:43:00,280 --> 00:43:04,160
Speaker 1: Do you think we may see her sweep through the halls? Yeah,

770
00:43:04,200 --> 00:43:06,640
Speaker 1: I think we may. I think we may. Can we

771
00:43:06,680 --> 00:43:08,759
Speaker 1: talk about well, no, this might be my own thinks,

772
00:43:08,800 --> 00:43:13,080
Speaker 1: so honey for later. It's a Dell related potentially. Oh

773
00:43:13,120 --> 00:43:19,840
Speaker 1: my goodness, are feeling watch this space. I'm so excited.

774
00:43:20,800 --> 00:43:26,280
Speaker 1: I'm I'm so excited, so thrilled. I mean, she understands

775
00:43:26,680 --> 00:43:30,120
Speaker 1: what is about to happen. She before she recorded this album,

776
00:43:30,200 --> 00:43:35,120
Speaker 1: she must have understood that this will be the divorce album,

777
00:43:35,160 --> 00:43:40,879
Speaker 1: no matter what, and that like there are emotions two

778
00:43:42,160 --> 00:43:46,319
Speaker 1: bear and that she understands the gravity and I would

779
00:43:46,320 --> 00:43:49,000
Speaker 1: I would want to say pressure, but like the stakes

780
00:43:49,040 --> 00:43:51,520
Speaker 1: that people are putting on this. Oh, I mean she's

781
00:43:51,560 --> 00:43:56,759
Speaker 1: gone through um and upheaval emotionally, and so we are

782
00:43:56,800 --> 00:44:07,839
Speaker 1: only trained to expect an avalanche of grief expression in general. Um,

783
00:44:07,880 --> 00:44:11,640
Speaker 1: maybe we even may get like a third of the

784
00:44:11,800 --> 00:44:15,640
Speaker 1: someone Like You Hello Um trilogy. Do you think that

785
00:44:15,680 --> 00:44:18,239
Speaker 1: the album will be called what thirty? Or will we

786
00:44:18,280 --> 00:44:20,799
Speaker 1: get an album title? Watch this space because I do

787
00:44:20,880 --> 00:44:24,160
Speaker 1: want to remark on this at the end of this show. Program.

788
00:44:24,440 --> 00:44:29,640
Speaker 1: Oh so I I understand, I understand like this, I

789
00:44:29,760 --> 00:44:32,080
Speaker 1: give it away. No, no, you didn't give it away.

790
00:44:32,040 --> 00:44:35,880
Speaker 1: Yet you didn't give it away. Well, I'm really interested. Also,

791
00:44:35,960 --> 00:44:38,840
Speaker 1: she's really the queen of the fall. She remembers that

792
00:44:38,880 --> 00:44:41,279
Speaker 1: we remember those iconic leaves blowing in the wind and

793
00:44:41,280 --> 00:44:43,520
Speaker 1: they head in the Hello video and she says, they

794
00:44:43,560 --> 00:44:47,279
Speaker 1: want fall from me, they want fall, and like she

795
00:44:47,480 --> 00:44:50,759
Speaker 1: even she scared the other who we thought was the

796
00:44:50,840 --> 00:44:55,040
Speaker 1: queen of Fall, Taylor, into moving her her read rerelease

797
00:44:55,200 --> 00:44:59,480
Speaker 1: back back a week. I love it like you know, Taylor,

798
00:44:59,640 --> 00:45:03,520
Speaker 1: and that the sign of Taylor respecting Adele to me

799
00:45:06,680 --> 00:45:09,279
Speaker 1: and tell herself had no choice but to move it

800
00:45:09,640 --> 00:45:12,279
Speaker 1: because she said, Adele's coming in and she wants this

801
00:45:12,360 --> 00:45:17,280
Speaker 1: day and then tell her said, and Taylor Swift said, Okay,

802
00:45:17,320 --> 00:45:25,440
Speaker 1: I'll move. That's power. That's power. Congratulations Queendom Queen. Should

803
00:45:25,440 --> 00:45:31,200
Speaker 1: we bestow the award on Adele? The Queendom Award. This

804
00:45:31,280 --> 00:45:35,239
Speaker 1: is the first ever, the first, well, the first lost

805
00:45:35,239 --> 00:45:39,399
Speaker 1: Culture resturs award we've officially given out. Is not one

806
00:45:39,440 --> 00:45:42,960
Speaker 1: we've announced, It's not a category we announced. This is

807
00:45:43,080 --> 00:45:45,040
Speaker 1: this is one of those honorary awards, but we're gonna

808
00:45:45,080 --> 00:45:48,759
Speaker 1: scar this is the Yes, this is the last Cultures

809
00:45:48,880 --> 00:45:54,680
Speaker 1: This Culture Award, Queendom Queendom Award. It goes to a

810
00:45:54,760 --> 00:46:00,560
Speaker 1: singer that has transfixed audiences all over the world, old

811
00:46:01,160 --> 00:46:10,280
Speaker 1: with her candor, with her sheer vocal ability, and the

812
00:46:10,360 --> 00:46:14,760
Speaker 1: effect that she has had on millions across the globe

813
00:46:14,880 --> 00:46:19,960
Speaker 1: who cry with her, grieve with her, and who learn

814
00:46:20,239 --> 00:46:29,520
Speaker 1: alongside her. This is so the Lost Cultures Award. Queendom

815
00:46:29,600 --> 00:46:45,000
Speaker 1: Award goes to Adele Roup. Oh why why am I

816
00:46:45,120 --> 00:46:50,560
Speaker 1: crying you? That was the funniest I think anyone's ever done.

817
00:46:50,800 --> 00:46:56,880
Speaker 1: I was touched Adele. This is a first last culture

818
00:46:57,280 --> 00:46:59,920
Speaker 1: Culture Award. I don't even think she's got many of

819
00:47:00,000 --> 00:47:02,960
Speaker 1: the nominations. Does she even nominated? I don't think she's

820
00:47:03,000 --> 00:47:07,360
Speaker 1: nominated in other categories because we knew the whole time.

821
00:47:07,800 --> 00:47:11,160
Speaker 1: We were going to award her the Lost Culturista's Culture Award,

822
00:47:12,840 --> 00:47:15,440
Speaker 1: and you publicist her right now, you're taking your damn

823
00:47:15,440 --> 00:47:18,680
Speaker 1: head being like, Wow, they really knew all along. They

824
00:47:18,680 --> 00:47:21,840
Speaker 1: had a plan for us, They had a plan for us,

825
00:47:21,880 --> 00:47:26,839
Speaker 1: and who better for it to go to than Adele

826
00:47:26,239 --> 00:47:33,239
Speaker 1: Adele Atkins, who from the ripe age of nineteen has

827
00:47:33,280 --> 00:47:45,880
Speaker 1: been touching audiences with really her ingenuity, um, the transparency

828
00:47:46,080 --> 00:47:55,200
Speaker 1: she brings in her music, a local tone that is unmistakable.

829
00:47:56,719 --> 00:48:02,719
Speaker 1: It is clear to us that Ada would be the

830
00:48:02,920 --> 00:48:11,120
Speaker 1: only singular musical icon Adele in any generation, in any era.

831
00:48:11,840 --> 00:48:24,439
Speaker 1: Adele would be the greatest, simply, the best of all time.

832
00:48:26,200 --> 00:48:32,280
Speaker 1: She is the queendom, the queendom of Warrant tonight. Oh

833
00:48:32,360 --> 00:48:41,680
Speaker 1: my god, You've never been so proud to be This

834
00:48:41,800 --> 00:48:47,319
Speaker 1: is so stupid. I can't believe how stoned I am.

835
00:48:47,560 --> 00:49:01,359
Speaker 1: Oh my god, you need to of that release I do.

836
00:49:01,880 --> 00:49:03,959
Speaker 1: It wasn't even a big cleaning. I'm not talking about

837
00:49:04,040 --> 00:49:06,239
Speaker 1: last week. Okay. I'm just gonna be very transparent right now.

838
00:49:06,480 --> 00:49:11,239
Speaker 1: I don't care about the last week Kay. I care

839
00:49:11,280 --> 00:49:16,800
Speaker 1: about Kim Kay coming to the gig. I can't wait,

840
00:49:17,200 --> 00:49:20,000
Speaker 1: are the vibes good? So far? So far, so far,

841
00:49:20,080 --> 00:49:22,759
Speaker 1: the vibes are great and and all I all I've

842
00:49:22,840 --> 00:49:28,279
Speaker 1: heard about any personal sort of interactions with kim Kay

843
00:49:28,320 --> 00:49:32,520
Speaker 1: from people is that she's just cool and great and

844
00:49:32,600 --> 00:49:36,560
Speaker 1: like it is nice to people. I'm like because I'm thinking,

845
00:49:36,719 --> 00:49:39,960
Speaker 1: what if you had said? And all I've heard is

846
00:49:40,000 --> 00:49:44,880
Speaker 1: that she's incredible at sketch. Like all I've heard of

847
00:49:45,080 --> 00:49:47,759
Speaker 1: people that I like know her is that she is

848
00:49:48,520 --> 00:49:55,400
Speaker 1: psychotically talented at sketch. My god, No, kim Kay wrote

849
00:49:55,520 --> 00:50:04,760
Speaker 1: she like helped write like Brightanic Ship. Yes. I was like, yeah,

850
00:50:04,920 --> 00:50:08,879
Speaker 1: kim Kay like does amazing character work. Kim Kay will

851
00:50:08,880 --> 00:50:15,480
Speaker 1: like teaches character. I I bet she would teach character. Yeah.

852
00:50:16,120 --> 00:50:20,000
Speaker 1: Like this is the thing, Like she's going like fully

853
00:50:20,160 --> 00:50:22,959
Speaker 1: in with like the lawyers stuff, Like she is going

854
00:50:23,000 --> 00:50:26,759
Speaker 1: to be like one of the most, like the most

855
00:50:26,960 --> 00:50:29,840
Speaker 1: iconic lawyers of all time. She will be one of

856
00:50:29,840 --> 00:50:32,000
Speaker 1: the most It'll be she'll be up there with like

857
00:50:32,040 --> 00:50:36,160
Speaker 1: el Woods. Absolutely. In fact, she's in many ways like

858
00:50:36,239 --> 00:50:41,000
Speaker 1: an actual elf in many ways, like while you can't

859
00:50:41,000 --> 00:50:44,640
Speaker 1: say legally blond at all, like kim Kay is living

860
00:50:44,640 --> 00:50:48,640
Speaker 1: out and I kind of iconic Elwood's narrative, you can

861
00:50:48,680 --> 00:50:50,480
Speaker 1: never forget that song at the end of the movie.

862
00:50:51,400 --> 00:50:55,680
Speaker 1: In the beginning, yes, it book ends. That's what I

863
00:50:55,680 --> 00:50:58,640
Speaker 1: didn't realize until I just put it on the other day.

864
00:50:58,680 --> 00:51:04,399
Speaker 1: Because suits, well, can we do a little deep dive

865
00:51:04,440 --> 00:51:06,840
Speaker 1: on what Hoku is doing right now? Because I really

866
00:51:06,880 --> 00:51:10,319
Speaker 1: want to know. I really need to know how what

867
00:51:10,400 --> 00:51:13,640
Speaker 1: is Can we let's just I'm just gonna pull up. Wow,

868
00:51:13,680 --> 00:51:18,040
Speaker 1: this is insane that you would why the name of

869
00:51:18,080 --> 00:51:21,319
Speaker 1: Hoku out there, but like it is true, like you

870
00:51:21,400 --> 00:51:23,120
Speaker 1: do want to know what she's up to, Like she

871
00:51:23,280 --> 00:51:25,680
Speaker 1: was a big part of my life. She's a huge

872
00:51:25,760 --> 00:51:29,200
Speaker 1: part of my life. She's forty years old. Well, she

873
00:51:29,320 --> 00:51:33,840
Speaker 1: was born Hoku Christian Hoe. Her name is Hoku Christian Ho.

874
00:51:36,440 --> 00:51:41,279
Speaker 1: She was born in Oahu. Are you laughing? Christian is funny? Like,

875
00:51:41,320 --> 00:51:44,160
Speaker 1: I'm sorry, but for for the for the last two

876
00:51:44,200 --> 00:51:51,920
Speaker 1: works Christian Christian, I'm sorry, I'm laughing. Cancel me whatever, No, no, no, Christian.

877
00:52:00,360 --> 00:52:02,880
Speaker 1: We know we can't, but we can't find out anything

878
00:52:02,920 --> 00:52:06,120
Speaker 1: else about her because Christian Home. We're just gonna be

879
00:52:06,120 --> 00:52:08,680
Speaker 1: thinking of Christian Home the whole time. Okay, So she

880
00:52:08,800 --> 00:52:11,279
Speaker 1: and her husband Jeremy have three children, and they serve

881
00:52:11,320 --> 00:52:15,879
Speaker 1: as arts and worship architects at Branches Church in Dana Point, California.

882
00:52:15,960 --> 00:52:18,319
Speaker 1: So that's just to cut to the chase. She's an

883
00:52:18,440 --> 00:52:23,200
Speaker 1: arts and worship architect at a church in California. There

884
00:52:23,280 --> 00:52:26,280
Speaker 1: you go. I don't know what that means me neither

885
00:52:26,320 --> 00:52:29,120
Speaker 1: at all. Arts and worship are I'm looking at the

886
00:52:29,160 --> 00:52:32,040
Speaker 1: words and I go, what what is that? And arts

887
00:52:32,120 --> 00:52:35,640
Speaker 1: and worship architects architects like that? Like is that like

888
00:52:35,680 --> 00:52:41,080
Speaker 1: an imagine director? I can imagineer of church. I don't know.

889
00:52:42,360 --> 00:52:44,640
Speaker 1: Wait a minute, this is okay. I'm sorry. I'm just

890
00:52:44,640 --> 00:52:46,920
Speaker 1: gonna read. I don't care about the career stuff. I'm sorry.

891
00:52:47,560 --> 00:52:51,280
Speaker 1: We just gipped right to personal life. I'm on her Wikipedia, okay.

892
00:52:51,400 --> 00:52:54,080
Speaker 1: Hoku became a Christian after first attending church in nine.

893
00:52:55,120 --> 00:52:57,360
Speaker 1: She has said that nothing means more to her than music.

894
00:52:57,400 --> 00:52:59,960
Speaker 1: Outside of her family and faith, you'd be the new

895
00:53:00,400 --> 00:53:03,799
Speaker 1: The next time, she married her high school sweetheart, Jeremy Clements.

896
00:53:06,480 --> 00:53:10,800
Speaker 1: The couple eloped for quote personal reasons. According to Hoku,

897
00:53:10,960 --> 00:53:13,720
Speaker 1: that's scary to me, later saying that she was scared

898
00:53:13,719 --> 00:53:16,120
Speaker 1: to tell her father because of his harsh attitude towards

899
00:53:16,200 --> 00:53:18,640
Speaker 1: boys she previously dated, and how young she was at

900
00:53:18,640 --> 00:53:21,880
Speaker 1: the time. This is all very red flag to me.

901
00:53:22,760 --> 00:53:25,000
Speaker 1: I think she's hiding something. I think that there's a

902
00:53:25,000 --> 00:53:29,719
Speaker 1: lot going on here. I mean musical style and artistry.

903
00:53:29,920 --> 00:53:33,920
Speaker 1: So let's let's let's read here. She's been frequently compared

904
00:53:33,960 --> 00:53:37,200
Speaker 1: to fellow pop singers Christina Aguilera and Britney Spears. However,

905
00:53:37,320 --> 00:53:41,200
Speaker 1: I don't know how frequently, but they noted Hoku's distinct style,

906
00:53:41,320 --> 00:53:44,399
Speaker 1: attributing any to the singer's Christian faith. It's not very

907
00:53:44,440 --> 00:53:47,040
Speaker 1: comfortable for me to be a sex symbol, Hoku says,

908
00:53:47,520 --> 00:53:50,160
Speaker 1: especially because of my faith. That's why I enjoy being

909
00:53:50,200 --> 00:53:52,440
Speaker 1: involved with the younger kids, because they relate to me

910
00:53:52,480 --> 00:53:56,759
Speaker 1: being the girl next door. So she was virginal, actually

911
00:53:56,800 --> 00:54:00,319
Speaker 1: walking the walk of virginal Christian pop star, not like

912
00:54:00,400 --> 00:54:06,759
Speaker 1: these other girls who Christian home. More like, well, this

913
00:54:06,800 --> 00:54:09,680
Speaker 1: is this not a red flag to you? I enjoy

914
00:54:09,760 --> 00:54:14,040
Speaker 1: being involved with the younger kids. I don't know. There's

915
00:54:14,080 --> 00:54:17,520
Speaker 1: a lot of time flags with with with Hoku. Is

916
00:54:17,520 --> 00:54:21,840
Speaker 1: she talking about being like an arts and worship architects.

917
00:54:22,040 --> 00:54:24,200
Speaker 1: I think that she was talking about when she performs

918
00:54:24,200 --> 00:54:26,000
Speaker 1: her concerts, she likes to look out on the crowd

919
00:54:26,080 --> 00:54:29,319
Speaker 1: and see a lot of younger kids involved with the

920
00:54:29,360 --> 00:54:32,080
Speaker 1: younger kids. Is what's throwing me, Like, I think a lot,

921
00:54:32,239 --> 00:54:35,360
Speaker 1: a lot is throwing me. It's turning out about Hoku's

922
00:54:35,400 --> 00:54:40,319
Speaker 1: story like a lot of I'm legitimately freaked out. It's

923
00:54:40,320 --> 00:54:45,000
Speaker 1: like Whitney on, Like I have the fucking chills. Oh

924
00:54:45,040 --> 00:54:47,480
Speaker 1: did you watch Salt Lake Lisa? I loved it. I

925
00:54:47,520 --> 00:54:50,200
Speaker 1: loved Casino and I I love Lisa's meltdown. I love

926
00:54:50,239 --> 00:54:58,480
Speaker 1: Angie that right now. I'm heartbroken right now, Angie out Jenny,

927
00:54:58,520 --> 00:55:01,319
Speaker 1: I'm sorry, Jenny's Jenny's Jenny has a flop. I was

928
00:55:01,400 --> 00:55:05,880
Speaker 1: like this one, there's actually something going on. The lights

929
00:55:05,920 --> 00:55:09,640
Speaker 1: are on upstairs with Angie Jenny. I'm like what. I

930
00:55:09,719 --> 00:55:12,879
Speaker 1: just think it's It's truly a difference between Jenny not

931
00:55:12,960 --> 00:55:15,400
Speaker 1: knowing what like the job, what the assignment is, and

932
00:55:15,480 --> 00:55:18,600
Speaker 1: Andree out the gate is like, Okay, I'm gonna throw

933
00:55:18,640 --> 00:55:20,279
Speaker 1: a party. I'm gonna get into a fight about it

934
00:55:20,320 --> 00:55:22,759
Speaker 1: with one of the housewives about my party and then

935
00:55:23,120 --> 00:55:25,040
Speaker 1: all this other ship and here's my deal, Like I

936
00:55:25,080 --> 00:55:27,520
Speaker 1: have a trans kid, Like this is what the audience

937
00:55:27,520 --> 00:55:29,400
Speaker 1: needs to know. I'm about being right off the top. Boom,

938
00:55:30,000 --> 00:55:32,759
Speaker 1: let me, let's just go down the list. She got

939
00:55:32,840 --> 00:55:35,080
Speaker 1: to throw an event, she got a BackStar where she

940
00:55:35,080 --> 00:55:38,120
Speaker 1: has a trans child. She's way hotter than her husband.

941
00:55:38,840 --> 00:55:41,600
Speaker 1: She turns looks. She did a costume change on her

942
00:55:41,600 --> 00:55:44,840
Speaker 1: own party. She had a fight with and told that

943
00:55:44,960 --> 00:55:47,640
Speaker 1: she was best friends with the same housewife in one episode.

944
00:55:48,000 --> 00:55:52,200
Speaker 1: She's related to one of them. She fucking, oh my god,

945
00:55:52,200 --> 00:55:55,520
Speaker 1: you're The list goes on, the list goes on, and

946
00:55:55,600 --> 00:55:57,520
Speaker 1: she had more than one confessional, and she got to

947
00:55:57,560 --> 00:56:01,400
Speaker 1: say these words. I do think is capable of meddling

948
00:56:01,440 --> 00:56:07,000
Speaker 1: in my event. I said, welcome. That's that she she

949
00:56:07,280 --> 00:56:12,480
Speaker 1: just distilled the quintessential thing about housewives. I do think

950
00:56:12,560 --> 00:56:14,600
Speaker 1: that what what what what would she say? I do

951
00:56:14,719 --> 00:56:18,040
Speaker 1: think the Lisa is capable of meddling in my event.

952
00:56:19,280 --> 00:56:22,480
Speaker 1: That's so rich. What a rich sentence. I mean, it's

953
00:56:22,800 --> 00:56:25,400
Speaker 1: you can only say it in a confessional on housewives,

954
00:56:25,440 --> 00:56:28,279
Speaker 1: like it's a sentence that doesn't belong anywhere else. I

955
00:56:28,320 --> 00:56:30,520
Speaker 1: do think Lisa is capable of meddling with my events.

956
00:56:30,680 --> 00:56:34,560
Speaker 1: I mean, I think we have our first housewife who

957
00:56:34,680 --> 00:56:39,000
Speaker 1: is coming in and knowing the men. I think she's

958
00:56:39,120 --> 00:56:40,719
Speaker 1: I think she's doing this is a bit because she

959
00:56:40,760 --> 00:56:44,719
Speaker 1: knows what she knows. She's too smart, do you know

960
00:56:44,760 --> 00:56:47,920
Speaker 1: what I mean? It feels like she's operating at a

961
00:56:48,000 --> 00:56:50,640
Speaker 1: level maybe the rest of them aren't, which I think

962
00:56:50,880 --> 00:56:54,120
Speaker 1: this show needs because I think Salt Lake City is

963
00:56:54,200 --> 00:56:58,320
Speaker 1: lacking a grounded presence. I think that probably the most

964
00:56:58,480 --> 00:57:07,000
Speaker 1: grounding presence is Meredith, but even but Heather is a

965
00:57:07,120 --> 00:57:09,719
Speaker 1: very grounding presence as well. Okay, so Heather, and I

966
00:57:09,760 --> 00:57:13,080
Speaker 1: think like Meredith because she keeps being like, no, what's

967
00:57:13,080 --> 00:57:15,520
Speaker 1: happening with my son Brooks? And Gen is crazy? And

968
00:57:15,560 --> 00:57:18,480
Speaker 1: I won't talk to her if she's going to act

969
00:57:18,520 --> 00:57:21,800
Speaker 1: like this, Like that's a very grounded place to come from,

970
00:57:21,880 --> 00:57:24,600
Speaker 1: whereas everyone else is like entertaining Gen in a way

971
00:57:24,600 --> 00:57:29,160
Speaker 1: where I'm like, what why, She's insane? But I still

972
00:57:29,200 --> 00:57:31,840
Speaker 1: think the show could use someone like Angie, because we

973
00:57:31,880 --> 00:57:35,360
Speaker 1: get a lot of Mary who just isn't speaking English

974
00:57:35,400 --> 00:57:40,920
Speaker 1: a lot of the times, and it is iconic. It's iconic,

975
00:57:40,960 --> 00:57:43,400
Speaker 1: but I mean talk about something that's like scary and

976
00:57:43,440 --> 00:57:45,720
Speaker 1: gives me anxiety, and I do want to turn off,

977
00:57:46,800 --> 00:57:48,760
Speaker 1: get the Mary off the TV. I'm not watching that,

978
00:57:48,840 --> 00:57:51,880
Speaker 1: Like I feel probably how you felt watching Squid Game.

979
00:57:52,280 --> 00:57:56,040
Speaker 1: When I watched Mary speak, I think, oh my god,

980
00:57:56,160 --> 00:58:00,320
Speaker 1: what this is too stressful to think to hie it

981
00:58:00,360 --> 00:58:02,280
Speaker 1: back to the beginning of the episode, to think that

982
00:58:02,360 --> 00:58:06,040
Speaker 1: she actually is a day of Culture. I mean, McDonald

983
00:58:06,160 --> 00:58:08,600
Speaker 1: is a day of Culture number one, and then number

984
00:58:08,760 --> 00:58:13,840
Speaker 1: the day of Culture was when Mary was the world change.

985
00:58:16,480 --> 00:58:21,120
Speaker 1: I mean, are you excited to come to Ohio so

986
00:58:21,200 --> 00:58:23,440
Speaker 1: we can sort of meet you and Sue have like

987
00:58:23,760 --> 00:58:29,360
Speaker 1: uh wine filled um sort of week, vacation week. I

988
00:58:29,400 --> 00:58:32,120
Speaker 1: can't wait. I'm sure it will be just what I

989
00:58:32,160 --> 00:58:37,600
Speaker 1: need and we will be smoking a lot of marijuana. Well,

990
00:58:37,640 --> 00:58:41,160
Speaker 1: I think so. But the thing is like the I

991
00:58:41,200 --> 00:58:44,520
Speaker 1: would love to go on like a wine excursion literally

992
00:58:44,560 --> 00:58:47,280
Speaker 1: like they did last week on Beverly Hills, like when

993
00:58:47,360 --> 00:58:51,360
Speaker 1: they sort of went out and like drank wine professionally

994
00:58:51,480 --> 00:58:55,040
Speaker 1: for hours, Like I want to do that. I want that.

995
00:58:55,720 --> 00:58:57,800
Speaker 1: I'll book it. I'll book it. I booked us a

996
00:58:57,880 --> 00:59:01,640
Speaker 1: nice restaurant with the first night, and I'll do another

997
00:59:01,680 --> 00:59:03,959
Speaker 1: few bookings that I'm really taking point on this trip.

998
00:59:03,960 --> 00:59:06,240
Speaker 1: But the way I don't with any other vacation, well,

999
00:59:06,400 --> 00:59:10,600
Speaker 1: I truly appreciate that. I kind of just felt like

1000
00:59:10,920 --> 00:59:12,960
Speaker 1: you seemed like you know what you wanted and you

1001
00:59:13,080 --> 00:59:17,160
Speaker 1: felt good about it. Oh yeah, and and look, well

1002
00:59:17,200 --> 00:59:20,040
Speaker 1: we'll figure it out together. It'll be a collaboration. Um.

1003
00:59:20,240 --> 00:59:22,560
Speaker 1: I just went ahead and made some decisions that are

1004
00:59:22,680 --> 00:59:25,560
Speaker 1: malleable and I'm open to change. I love that. That's

1005
00:59:25,600 --> 00:59:27,400
Speaker 1: how the best, the best thing should always be. But

1006
00:59:27,400 --> 00:59:29,840
Speaker 1: you know what's actually interesting is this sort of like

1007
00:59:30,080 --> 00:59:33,040
Speaker 1: this autumnal vibe we're starting to go into, which is

1008
00:59:33,080 --> 00:59:35,920
Speaker 1: like drinking wine in Ohio of it all, it actually

1009
00:59:36,000 --> 00:59:37,560
Speaker 1: does relate to my I don't think so, honey. So

1010
00:59:37,600 --> 00:59:41,600
Speaker 1: I think we could move into that area. Yes, if

1011
00:59:41,640 --> 00:59:45,160
Speaker 1: if you are inclined to do so as well. I

1012
00:59:45,200 --> 00:59:56,760
Speaker 1: am very inclined to do so. Okay, So I don't

1013
00:59:56,760 --> 00:59:58,640
Speaker 1: think so, honey. Is a one minute segment where we

1014
00:59:58,680 --> 01:00:00,800
Speaker 1: sort of rail against something in culture that you know

1015
01:00:00,960 --> 01:00:05,160
Speaker 1: needs a railing um and everything that's my sister and

1016
01:00:05,200 --> 01:00:08,720
Speaker 1: I are making um conversation about currently is sort of

1017
01:00:09,560 --> 01:00:12,240
Speaker 1: making me unable to hold mine in any longer. So

1018
01:00:12,360 --> 01:00:15,600
Speaker 1: I would love to do it. Okay, I'm okay, I'll

1019
01:00:15,640 --> 01:00:21,800
Speaker 1: be okay, Okay, is it something that I'm doing? Okay, Wow,

1020
01:00:22,000 --> 01:00:23,520
Speaker 1: this is Matt Rodgers. I don't think so when the

1021
01:00:23,640 --> 01:00:26,920
Speaker 1: time starts now, I don't think so, honey. The lack

1022
01:00:27,160 --> 01:00:33,480
Speaker 1: of autumnal energy in Los Angeles less California. I have

1023
01:00:33,600 --> 01:00:35,560
Speaker 1: very simple pleasures. I wanted to go to the Girl

1024
01:00:35,600 --> 01:00:37,640
Speaker 1: since today and buy some pumpkin beer so I could

1025
01:00:37,680 --> 01:00:40,840
Speaker 1: drink pumpkin beer with a cinnamon sugar rim. You cannot

1026
01:00:40,880 --> 01:00:44,080
Speaker 1: find pumpkin beer, and I think the city of Los

1027
01:00:44,160 --> 01:00:48,000
Speaker 1: Angeles it's extremely difficult. I feel like the climate of

1028
01:00:48,200 --> 01:00:51,080
Speaker 1: l a year round. I don't think so, honey. The

1029
01:00:51,120 --> 01:00:55,720
Speaker 1: fact that you are forcing um autumnal pleasures that are

1030
01:00:56,000 --> 01:01:00,320
Speaker 1: simply um for taste, um away from the city sense

1031
01:01:00,360 --> 01:01:03,120
Speaker 1: of this part of the country, simply because you feel

1032
01:01:03,160 --> 01:01:06,800
Speaker 1: weather wise it's not appropriate to I don't know, carbon

1033
01:01:06,880 --> 01:01:11,920
Speaker 1: down pumpkin too. I don't know, like have apple pie too,

1034
01:01:12,240 --> 01:01:16,280
Speaker 1: I don't know, just relentlessly do the pumpkin spice thing.

1035
01:01:16,760 --> 01:01:20,000
Speaker 1: And I I understand it's basically that's not really what

1036
01:01:20,000 --> 01:01:21,680
Speaker 1: I'm trying to cover here. What I'm trying to cover

1037
01:01:21,840 --> 01:01:24,840
Speaker 1: is it's not autumn here and it needs to be.

1038
01:01:25,720 --> 01:01:28,880
Speaker 1: And that's one minute. You know what I hear. I

1039
01:01:29,040 --> 01:01:36,240
Speaker 1: hear that you miss the crisp sensation of wind hitting

1040
01:01:36,280 --> 01:01:42,400
Speaker 1: you blasting your body. Yes, you need to put on

1041
01:01:42,440 --> 01:01:45,200
Speaker 1: Red by Taylor Swift. Not Taylor's version yet. No, not

1042
01:01:45,280 --> 01:01:48,640
Speaker 1: Taylor's version yet. But I am excited to sort of

1043
01:01:48,720 --> 01:01:53,520
Speaker 1: have that when when, when the time is right. Um.

1044
01:01:53,520 --> 01:01:55,640
Speaker 1: But the thing is, I also wish I could open

1045
01:01:55,720 --> 01:01:58,919
Speaker 1: my doors and windows and feel that crisp autumn air

1046
01:01:59,040 --> 01:02:02,280
Speaker 1: as I listened to said album, But it just doesn't

1047
01:02:02,280 --> 01:02:05,640
Speaker 1: exist here. And I'm realizing what bums me out is

1048
01:02:05,720 --> 01:02:09,280
Speaker 1: I spend like the asshole of the year in New

1049
01:02:09,360 --> 01:02:12,640
Speaker 1: York City during like August and September, when it's still

1050
01:02:12,680 --> 01:02:16,880
Speaker 1: sweaty as absolute heck and saggy bottom, and then I

1051
01:02:17,040 --> 01:02:21,840
Speaker 1: come here where it's warm and hot, just as New

1052
01:02:21,920 --> 01:02:27,040
Speaker 1: York gets to be at its absolute apex, which is October,

1053
01:02:27,400 --> 01:02:30,920
Speaker 1: November and even into December. In New York, there's nothing

1054
01:02:31,000 --> 01:02:34,360
Speaker 1: like it. There's nothing like our that city during that time,

1055
01:02:34,600 --> 01:02:36,320
Speaker 1: and I'm missing out on it, and I just wish

1056
01:02:36,400 --> 01:02:38,960
Speaker 1: I could get a goddamn lick of it out here,

1057
01:02:39,000 --> 01:02:42,480
Speaker 1: and you can't. I hear the pain in your voice.

1058
01:02:42,920 --> 01:02:45,160
Speaker 1: I just wanted that pumpkin beer. I just wanted that

1059
01:02:45,240 --> 01:02:49,200
Speaker 1: so bad. I don't know if there just no you

1060
01:02:49,320 --> 01:02:54,280
Speaker 1: love pumpkin beers so much it's insane, and I and

1061
01:02:54,360 --> 01:03:01,120
Speaker 1: I celebrate that, but you but this, if you spine

1062
01:03:01,200 --> 01:03:04,240
Speaker 1: this bitch at some bar and in the month of

1063
01:03:04,280 --> 01:03:09,240
Speaker 1: October November, and yes, even them, he'd be asking do

1064
01:03:09,320 --> 01:03:12,480
Speaker 1: you have pumpkin beer here when the menu says they don't,

1065
01:03:12,480 --> 01:03:14,840
Speaker 1: And sometimes they do, they often do. And that's the

1066
01:03:14,840 --> 01:03:16,560
Speaker 1: thing about New York because you can always sort of

1067
01:03:16,600 --> 01:03:18,880
Speaker 1: like count on them to come through with that. So

1068
01:03:18,960 --> 01:03:21,680
Speaker 1: if anyone in Los Angeles can point me to institutions

1069
01:03:21,800 --> 01:03:26,080
Speaker 1: or establishments that sell maybe even you know, have good

1070
01:03:26,160 --> 01:03:28,919
Speaker 1: varieties of pumpkin beer, that would be wonderful. If you can't,

1071
01:03:29,040 --> 01:03:31,440
Speaker 1: we gotta leave the Gellson's. It's not you. You can't

1072
01:03:31,440 --> 01:03:33,560
Speaker 1: have the only place to go be Gellston's. You gotta

1073
01:03:33,680 --> 01:03:36,320
Speaker 1: expand your search, like I'm not. I'm sorry, but I've

1074
01:03:36,360 --> 01:03:38,640
Speaker 1: seen some of the clientele that goes to the Skelson's.

1075
01:03:38,760 --> 01:03:41,959
Speaker 1: Let's just say, um, it's it's right off the damn

1076
01:03:42,000 --> 01:03:44,560
Speaker 1: Hollywood Hills. So I've seen some celeb sidings in this

1077
01:03:44,680 --> 01:03:51,080
Speaker 1: Skelson's and this Gelson's is not up to snuff. Okay,

1078
01:03:51,680 --> 01:03:54,920
Speaker 1: let's just say there's a certain absolute film star. You

1079
01:03:55,000 --> 01:03:58,120
Speaker 1: can't get bigger. And I saw her with her kids.

1080
01:03:58,240 --> 01:04:00,160
Speaker 1: That's all I'm gonna say about it. Down the all

1081
01:04:00,160 --> 01:04:05,600
Speaker 1: on Thisskelson's and I said, I can't believe that establishment

1082
01:04:05,640 --> 01:04:08,040
Speaker 1: like this does not provide them with pumpkin beer. That's

1083
01:04:08,040 --> 01:04:11,400
Speaker 1: a star, that's star. It is time for bone Yanks.

1084
01:04:11,400 --> 01:04:12,960
Speaker 1: I don't think so, honey. Are you ready to do yours?

1085
01:04:13,520 --> 01:04:17,320
Speaker 1: I think so okay, And you sort of hinted at

1086
01:04:17,320 --> 01:04:20,160
Speaker 1: it earlier. Yeah, well not people know, but yeah, here

1087
01:04:20,160 --> 01:04:21,760
Speaker 1: we go. This is bon yangs. I don't think so

1088
01:04:21,760 --> 01:04:23,920
Speaker 1: many times stars now, I don't think so, honey. And

1089
01:04:24,000 --> 01:04:29,640
Speaker 1: del naming your album thirty probably like you said in Pressed,

1090
01:04:29,720 --> 01:04:33,600
Speaker 1: that you were done with the numbers, the numerology, the

1091
01:04:33,800 --> 01:04:39,520
Speaker 1: numbering system of the albums after and I think you

1092
01:04:39,560 --> 01:04:43,680
Speaker 1: should go back to that artist at that age. Keep

1093
01:04:43,720 --> 01:04:47,440
Speaker 1: your promise to her. Don't name it thirty. Give us something,

1094
01:04:47,560 --> 01:04:50,920
Speaker 1: give us something, give us some some texture beyond, because

1095
01:04:50,920 --> 01:04:55,000
Speaker 1: there's if you think about them, there isn't much discernment

1096
01:04:55,560 --> 01:04:58,120
Speaker 1: except for maybe she worked with Max Martin on one

1097
01:04:58,160 --> 01:05:00,480
Speaker 1: and not the other, and oh that one's five more

1098
01:05:00,560 --> 01:05:03,440
Speaker 1: numbers or four more numbers or three more number two whatever,

1099
01:05:03,480 --> 01:05:06,960
Speaker 1: than the other one. I think she needs to start

1100
01:05:07,080 --> 01:05:09,080
Speaker 1: crystallizing her point of view a little bit more, which

1101
01:05:09,080 --> 01:05:10,600
Speaker 1: we all know what it is, and so just like

1102
01:05:10,680 --> 01:05:13,439
Speaker 1: seal it in with an actual word, Adele, I love

1103
01:05:13,480 --> 01:05:15,480
Speaker 1: you so much. I I can't wait to see you

1104
01:05:15,520 --> 01:05:17,520
Speaker 1: at the show, if you, if you come through. I

1105
01:05:17,640 --> 01:05:20,280
Speaker 1: love working with you last year. I just I hope

1106
01:05:20,320 --> 01:05:22,560
Speaker 1: that that you end this as a quadrilogy and don't

1107
01:05:22,600 --> 01:05:26,120
Speaker 1: do it for the fifth album. So that's one minute.

1108
01:05:26,160 --> 01:05:28,680
Speaker 1: Now I have to ask why you seem so sure

1109
01:05:28,760 --> 01:05:30,720
Speaker 1: that it's going to be called dirty? What makes you

1110
01:05:30,760 --> 01:05:33,360
Speaker 1: think that? On the billboards that she's been promoting it with,

1111
01:05:33,480 --> 01:05:37,320
Speaker 1: say thirty. Wait, seriously, there's there's been billboards I think

1112
01:05:37,320 --> 01:05:38,680
Speaker 1: in l A and New York, just like in like

1113
01:05:38,960 --> 01:05:43,280
Speaker 1: big I don't know cities, big markets whatever, like she like.

1114
01:05:43,360 --> 01:05:45,919
Speaker 1: The billboards are just mysteriously they say thirty. They don't

1115
01:05:46,040 --> 01:05:48,640
Speaker 1: like say adell. They don't confirm the title. I guess technically,

1116
01:05:48,680 --> 01:05:52,000
Speaker 1: but it seems to be going in that direction. Oh wow,

1117
01:05:52,360 --> 01:05:56,440
Speaker 1: I hadn't seen this Adele new album thirty speculation. After

1118
01:05:56,600 --> 01:06:01,200
Speaker 1: several thirty billboards pop up, Oh my gosh, I didn't

1119
01:06:01,200 --> 01:06:04,280
Speaker 1: know this was a thing. So I think this confirms it,

1120
01:06:04,320 --> 01:06:07,120
Speaker 1: and it kind of disappoints me, not in a real way,

1121
01:06:07,160 --> 01:06:09,720
Speaker 1: like I will, like I'll fucking love this album, I'm sure,

1122
01:06:09,760 --> 01:06:12,280
Speaker 1: but I'm like I do think when I between twenty

1123
01:06:12,320 --> 01:06:15,400
Speaker 1: one five, I'm like, see, like CPA tone can't be

1124
01:06:15,480 --> 01:06:18,560
Speaker 1: like the only like big difference in this, like you know,

1125
01:06:18,760 --> 01:06:21,600
Speaker 1: like I need not that any singer needs to have eras,

1126
01:06:21,640 --> 01:06:24,720
Speaker 1: but I think like Adele like could absolutely like it

1127
01:06:24,720 --> 01:06:27,720
Speaker 1: would work if she just like applied some sort of

1128
01:06:27,760 --> 01:06:30,760
Speaker 1: like point of like intrigue or something interrupt like give

1129
01:06:30,800 --> 01:06:34,440
Speaker 1: it like give it some wording. I don't know, Like

1130
01:06:34,480 --> 01:06:37,520
Speaker 1: that's this is such an arbitrary, stupid thing for me

1131
01:06:37,560 --> 01:06:39,680
Speaker 1: to argue, which is that like word albums are better

1132
01:06:39,680 --> 01:06:43,160
Speaker 1: than number albums. I feel this way about I feel

1133
01:06:43,160 --> 01:06:46,360
Speaker 1: this way about four. It's just like to me, it

1134
01:06:46,440 --> 01:06:50,200
Speaker 1: feels almost I love numbers. I'm a numbers guys analytical

1135
01:06:50,280 --> 01:06:54,120
Speaker 1: brain bitch, but numbers numbers as albums boring. Give us

1136
01:06:54,120 --> 01:06:56,680
Speaker 1: a word us the word actually have the potential to

1137
01:06:56,720 --> 01:06:59,120
Speaker 1: be so beautiful, which is why I think I prefer

1138
01:06:59,280 --> 01:07:03,080
Speaker 1: that number are always never going to be so beautiful,

1139
01:07:03,200 --> 01:07:05,120
Speaker 1: you know what I mean, Like even even the numbers

1140
01:07:05,600 --> 01:07:08,920
Speaker 1: a beautiful numbers, pretty numbers, Like seven is like pretty,

1141
01:07:09,040 --> 01:07:12,000
Speaker 1: it's like pretty. That's why she's so popular. It's because

1142
01:07:12,040 --> 01:07:15,880
Speaker 1: she is pretty. She's pretty. Yeah. I feel like four

1143
01:07:16,200 --> 01:07:19,320
Speaker 1: is another beautiful number. Four is a beautiful number. You know.

1144
01:07:19,440 --> 01:07:21,040
Speaker 1: Four gets to like guess what four gets to do?

1145
01:07:21,120 --> 01:07:24,680
Speaker 1: She gets to like unbutton her collar sometimes, like the four?

1146
01:07:24,720 --> 01:07:26,360
Speaker 1: Can I e to be closed? A triangle or it's

1147
01:07:26,360 --> 01:07:28,600
Speaker 1: an open you know, a little little pill. Four is

1148
01:07:28,600 --> 01:07:31,520
Speaker 1: growing up? And can I tell you what other number?

1149
01:07:31,560 --> 01:07:36,880
Speaker 1: Is absolutely gorgeous and there's just something about oh yeah,

1150
01:07:38,120 --> 01:07:41,640
Speaker 1: like eleven. I wouldn't name that like this famously an

1151
01:07:41,640 --> 01:07:43,680
Speaker 1: eleven from Stranger Things, And I feel like Bobby and

1152
01:07:43,680 --> 01:07:45,600
Speaker 1: I'm taking her completely out of this. I don't want

1153
01:07:45,600 --> 01:07:48,760
Speaker 1: her involved in this, but I would name my daughter

1154
01:07:48,840 --> 01:07:57,160
Speaker 1: eleven eleven Rogers bitch, Oh that's Gord Supers. It's a

1155
01:07:57,320 --> 01:08:02,160
Speaker 1: very famous British actress. Rogers is such a famous British actress.

1156
01:08:02,440 --> 01:08:08,280
Speaker 1: She's like like Daisy Edgar Jones like, and she's like

1157
01:08:09,040 --> 01:08:14,640
Speaker 1: so tender on she's so oh my god, are you

1158
01:08:14,720 --> 01:08:19,519
Speaker 1: kidding me? I just saw a musical yesterday called six.

1159
01:08:19,720 --> 01:08:23,040
Speaker 1: Wait can you what you felt about six? I was

1160
01:08:23,080 --> 01:08:26,200
Speaker 1: so um jealous of you. I really loved it. I

1161
01:08:26,280 --> 01:08:28,040
Speaker 1: enjoyed it so much. It was really cool to be

1162
01:08:28,080 --> 01:08:31,680
Speaker 1: there with like I think, like UM, a couple of

1163
01:08:31,720 --> 01:08:34,000
Speaker 1: the articles have remarked on this, it's like a very

1164
01:08:34,080 --> 01:08:37,000
Speaker 1: young it's a very young Broadway audience in a different

1165
01:08:37,000 --> 01:08:38,439
Speaker 1: way than like, you know, a young like a Deer

1166
01:08:38,439 --> 01:08:41,519
Speaker 1: of Enhanson. It's like a young Broadway audience that is

1167
01:08:41,520 --> 01:08:45,759
Speaker 1: there for a specific thing, UM, which is like that show,

1168
01:08:45,840 --> 01:08:50,320
Speaker 1: and like, uh, it's just great, great performances. UM. Toby

1169
01:08:50,320 --> 01:08:54,280
Speaker 1: and Lucy, the people who wrote it are fantastic. UM.

1170
01:08:54,320 --> 01:08:56,200
Speaker 1: I did work with them recently and they were so

1171
01:08:56,240 --> 01:08:59,280
Speaker 1: lovely to work with UM on a on a project

1172
01:08:59,400 --> 01:09:01,439
Speaker 1: and how they nailed it. They did a great job,

1173
01:09:01,479 --> 01:09:03,800
Speaker 1: and I was so happy for them because they were

1174
01:09:03,840 --> 01:09:06,880
Speaker 1: supposed to open right before COVID and then you know,

1175
01:09:06,960 --> 01:09:09,840
Speaker 1: this is just a long delayed, long deferred thing and

1176
01:09:09,880 --> 01:09:11,400
Speaker 1: it's so great and it was just I think people

1177
01:09:11,439 --> 01:09:14,120
Speaker 1: really enjoyed it. Yeah I did, and I say I

1178
01:09:14,160 --> 01:09:15,640
Speaker 1: would say I enjoyed it as well. That's I just

1179
01:09:15,680 --> 01:09:18,160
Speaker 1: meant like overall, like the feeling is like, oh, that's

1180
01:09:18,280 --> 01:09:21,160
Speaker 1: that's gonna be great. Like everyone's gonna love that. Yeah,

1181
01:09:21,200 --> 01:09:23,720
Speaker 1: people that have seen it really really seem to enjoy it.

1182
01:09:23,840 --> 01:09:27,920
Speaker 1: I'm going to see Wicked on Saturday, December eight, Oh

1183
01:09:28,000 --> 01:09:30,519
Speaker 1: my god, and I'm gonna go sit in the second row.

1184
01:09:30,920 --> 01:09:32,960
Speaker 1: Who are you going with? Well, you know that I

1185
01:09:33,000 --> 01:09:36,559
Speaker 1: think that's the night of your guys is like Christmas show. Yeah,

1186
01:09:36,600 --> 01:09:39,519
Speaker 1: and so I'm going with U Sudi. With Sudi, no,

1187
01:09:39,560 --> 01:09:41,400
Speaker 1: I don't think she'll be I'm going with Gretit. But

1188
01:09:41,400 --> 01:09:44,120
Speaker 1: and Emily, I was like that, you're coming, You're coming

1189
01:09:44,120 --> 01:09:47,160
Speaker 1: to New York. Oh, you're seeing I think there for

1190
01:09:47,240 --> 01:09:50,880
Speaker 1: a seasons. I have not yet announced, but I'm doing

1191
01:09:51,200 --> 01:09:53,519
Speaker 1: I'm going to be there for like a little bit

1192
01:09:53,560 --> 01:09:56,559
Speaker 1: over a week. That's right, That's right, That's right. And

1193
01:09:56,560 --> 01:09:58,439
Speaker 1: I'm gonna see Wicked in the second row when I'm

1194
01:09:58,439 --> 01:10:01,880
Speaker 1: gonna watch. So this is what I here. Basically, the

1195
01:10:01,960 --> 01:10:05,040
Speaker 1: rumor is about Wicked is that at one point Alphabet

1196
01:10:05,040 --> 01:10:07,920
Speaker 1: actually flies, like they pull off a trick where she

1197
01:10:08,040 --> 01:10:11,800
Speaker 1: actually it looks like while she's singing a number, she

1198
01:10:11,800 --> 01:10:15,000
Speaker 1: she actually ascends and it's like, for the first time

1199
01:10:15,040 --> 01:10:18,160
Speaker 1: Alphabet is flying in the show. So that's why I

1200
01:10:18,200 --> 01:10:20,599
Speaker 1: wanted to get such a close seat to the front

1201
01:10:20,640 --> 01:10:23,840
Speaker 1: because to experience what I hear is a very cool

1202
01:10:23,880 --> 01:10:26,799
Speaker 1: special effect. So watch the space, as you were saying before,

1203
01:10:27,040 --> 01:10:30,760
Speaker 1: what an iconic story like in a way to like

1204
01:10:30,880 --> 01:10:35,280
Speaker 1: freshen it up? If that, I mean, no one's ever

1205
01:10:35,560 --> 01:10:38,360
Speaker 1: no one can confirm or deny whether or not alphabet

1206
01:10:38,400 --> 01:10:41,960
Speaker 1: actually flies in Wicked. But if they are able to

1207
01:10:42,000 --> 01:10:45,759
Speaker 1: pull that off, I think that that is very cool

1208
01:10:45,800 --> 01:10:49,280
Speaker 1: and like a big emotional height probably very emotional moment,

1209
01:10:49,680 --> 01:10:54,600
Speaker 1: of course, a very emotional song. Just kidding bone, and

1210
01:10:54,640 --> 01:10:58,040
Speaker 1: I know exactly what happens in Wicked. Of course, alphaba

1211
01:10:58,120 --> 01:11:07,640
Speaker 1: flies were still the culture raised does after all. Um,

1212
01:11:07,680 --> 01:11:10,519
Speaker 1: I was gonna say, wait, I'm not done talking about numbers.

1213
01:11:10,840 --> 01:11:17,760
Speaker 1: Go back, here's a number. Here's excited. I just it's

1214
01:11:18,280 --> 01:11:21,559
Speaker 1: enough said. It has so much symmetry to it, right

1215
01:11:21,640 --> 01:11:25,000
Speaker 1: you go, oh, twelve, I'm seeing, you know, twelve twelve

1216
01:11:25,040 --> 01:11:29,599
Speaker 1: pieces in u a pie. I can either cut it.

1217
01:11:29,800 --> 01:11:32,639
Speaker 1: I can either you know, take it out in thirds

1218
01:11:32,680 --> 01:11:38,080
Speaker 1: and fourths and have so many beautiful radial paths, extremely

1219
01:11:38,400 --> 01:11:40,920
Speaker 1: um malleable number. And that's what makes it a part

1220
01:11:40,960 --> 01:11:43,680
Speaker 1: of so many people's lives is it can fit in.

1221
01:11:43,760 --> 01:11:46,679
Speaker 1: It literally can fit in so many ways. You also

1222
01:11:46,760 --> 01:11:51,360
Speaker 1: have to respect thirteen. You have to respect has been

1223
01:11:51,400 --> 01:11:54,519
Speaker 1: through a lot, been through a lot, seen it to

1224
01:11:54,680 --> 01:12:00,880
Speaker 1: Helen back, Okay, thirteen actually is such an imposing number

1225
01:12:01,160 --> 01:12:03,439
Speaker 1: that it's sometimes it's beauty gets lost, but there is

1226
01:12:03,479 --> 01:12:07,559
Speaker 1: a dark beauty to thirteen. And I think that it

1227
01:12:07,880 --> 01:12:11,960
Speaker 1: carries gravitas in that way. Do you think thirteen is

1228
01:12:12,000 --> 01:12:16,559
Speaker 1: carrying gravitas? That's what I said. Why would I say

1229
01:12:16,600 --> 01:12:20,600
Speaker 1: anything different. That's what I did say that that's what

1230
01:12:20,720 --> 01:12:26,320
Speaker 1: she said. Um, I think here's this is the last number.

1231
01:12:26,320 --> 01:12:29,400
Speaker 1: I'll say, and then I'll say and then we'll end

1232
01:12:29,400 --> 01:12:32,760
Speaker 1: the episode of last will to raise this? Okay, okay,

1233
01:12:35,160 --> 01:12:42,920
Speaker 1: power that has not to rhyme, but carries weight, not

1234
01:12:43,000 --> 01:12:46,120
Speaker 1: to rhyme. But you did, you did, sister, and help myself,

1235
01:12:46,439 --> 01:12:50,559
Speaker 1: and that rhyme describes it perfectly carries the weight forty eight.

1236
01:12:51,920 --> 01:12:55,080
Speaker 1: It might sound a little Wayne Brady, but it's true.

1237
01:12:55,560 --> 01:13:00,479
Speaker 1: You know how Wayne Brady always rhyming, always rhyming. Forty

1238
01:13:00,560 --> 01:13:06,439
Speaker 1: eight so great, carry's weight, carries weight. Don't be, don't be.

1239
01:13:08,479 --> 01:13:11,240
Speaker 1: And now I would say that my most beautiful number

1240
01:13:12,320 --> 01:13:14,880
Speaker 1: before we do a song to finish the episode. If

1241
01:13:14,920 --> 01:13:17,040
Speaker 1: I had to say the most beautiful number it would be.

1242
01:13:18,560 --> 01:13:23,920
Speaker 1: It would be seventy seventy four. See what you did there?

1243
01:13:24,000 --> 01:13:27,080
Speaker 1: Is you named two other beautiful number? No, you know what,

1244
01:13:27,120 --> 01:13:31,479
Speaker 1: I'm taking it all back. Seventy seven. I don't need

1245
01:13:31,479 --> 01:13:40,200
Speaker 1: the for seventy seventy is beautiful. It is legendary. Seventy

1246
01:13:40,880 --> 01:13:44,479
Speaker 1: seventy is I see her walking out on an award show,

1247
01:13:44,520 --> 01:13:48,360
Speaker 1: not unlike the Lost cultures, this culture awards, accepting an award,

1248
01:13:48,439 --> 01:13:53,439
Speaker 1: not unlike the Queendom Award. Just out there. Everyone shoots

1249
01:13:53,439 --> 01:13:57,840
Speaker 1: out of their seats. Clap clap, clap, clap clap for

1250
01:13:57,960 --> 01:14:03,040
Speaker 1: this legend seventy I literally think an incredible drag name

1251
01:14:03,600 --> 01:14:09,040
Speaker 1: would be seventy millions. That's my drag name, seventy million.

1252
01:14:10,600 --> 01:14:19,040
Speaker 1: That is seventy million or seventy millions, seventy millions. I

1253
01:14:19,120 --> 01:14:22,880
Speaker 1: kind of think that's funny. So um. We always end

1254
01:14:22,920 --> 01:14:27,800
Speaker 1: every episode of Last risas a searing pop culture podcast

1255
01:14:27,840 --> 01:14:30,640
Speaker 1: that really takes its time to look into all the

1256
01:14:30,680 --> 01:14:33,640
Speaker 1: elements of culture that you're thinking about, that you're consuming

1257
01:14:34,240 --> 01:14:37,160
Speaker 1: and give our take on you know, are very smart,

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Speaker 1: incisive take. Would you say this is one of the

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Speaker 1: most smartest I think This is one of the smartest

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Speaker 1: episodes we've ever done. I think that's why the Vulture

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01:14:44,680 --> 01:14:46,800
Speaker 1: said we were the top podcast of the year. You

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Speaker 1: know what I mean. That's why Time Esquire, Time Out

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Speaker 1: New York. That's why everyone is raving about Lost colt

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01:14:53,560 --> 01:14:59,200
Speaker 1: risas the podcast has received critical acclaim I don't understand

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01:14:59,760 --> 01:15:04,000
Speaker 1: why why people why people think this podcast is like

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01:15:04,479 --> 01:15:12,480
Speaker 1: good or like eyebrow, but sometimes is the dumbest podcast

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Speaker 1: it exists. This is this bar bar one of the

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Speaker 1: stupidest podcasts you could listen to. Um, we never episode

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Speaker 1: with the song because when it's so body for more

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Speaker 1: of that song. Listen to Fearless Taylor's version. It's responsible

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Speaker 1: to stream it now streaming, Happy ethical streaming. Everyone, Happy

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Speaker 1: ethical streaming.