WEBVTT - Episode 271 "Ivory Scott"

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<v Speaker 1>Word with me here. You know, b T. It's just

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<v Speaker 1>so low shout of O C T.

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<v Speaker 2>Color what we see whole game read the boer be

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<v Speaker 2>something you can't stand on their own.

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<v Speaker 3>SI.

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<v Speaker 1>I already know you can't with me because up with

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<v Speaker 1>the squad on me, they get at they called me Helo.

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<v Speaker 2>Baller Alert Welcome to The Ballert Show. Podcasts available everywhere

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<v Speaker 2>you get your podcast. Please continue to like, subscribe, and

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<v Speaker 2>share our YouTube page at baller Alert TV.

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<v Speaker 1>I go by the name of Ferrari Simmons. I go

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<v Speaker 1>by the name you know BT. With that, I've rescotten

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<v Speaker 1>the building. The tallest writer I've ever seen? How tall

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<v Speaker 1>are you? About six seven? You gotta be playing? Why

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<v Speaker 1>you're not playing basketball?

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<v Speaker 4>I do that too, Okay, what I mean just like

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<v Speaker 4>now you're the taller song right I've ever met.

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<v Speaker 2>Him? And Don Canada are like super like over six

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<v Speaker 2>ft five? How taller? You know?

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<v Speaker 1>Howm damn? Now we appreciate you because.

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<v Speaker 2>We had you came and kicked it with us at

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<v Speaker 2>the BT the media. You know, of course we're appreciative

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<v Speaker 2>of here if you're coming and pulling up in person.

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<v Speaker 2>Now now now we can really get into it.

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<v Speaker 4>You know he writing a lot of people's songs because

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<v Speaker 4>you just see his jewelry.

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<v Speaker 1>That's how you can tell a song.

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<v Speaker 2>Started making Rose Gold playing Jane presidential?

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<v Speaker 1>What type of dominance that begets? Little begets? It's actually

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<v Speaker 1>the City sixtieth edition.

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<v Speaker 2>Wise, So you know, you can't just can't get what

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<v Speaker 2>he can't just watch and you can't just get that one.

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<v Speaker 2>It's what you're saying, No, you can't. He got too

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<v Speaker 2>watches on? Yeah, yeah, now what's the other watch? Sir?

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<v Speaker 1>It's a p okay okay, man, it's light though, it's

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<v Speaker 1>just like coming outside listen.

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<v Speaker 4>Take you to start writing songs. I think I think

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<v Speaker 4>I need to start. That's that Beyonce Sharon start a

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<v Speaker 4>new profession.

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<v Speaker 1>Yeah for sure, for sure. It took a lot of

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<v Speaker 1>work though though it wasn't easy.

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<v Speaker 3>For Let's get into it. You know, tell us a

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<v Speaker 3>little bit about yourself, about your background.

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<v Speaker 1>Well, I'm a songwriter, you know, as you know y'all

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<v Speaker 1>written for people like Ed Sharing, Little Dirk, Young, Blue,

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<v Speaker 1>Chris Brown, Madonna, Beyonce. Like I had a lot of

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<v Speaker 1>you know, big songs, big records, you know what I'm saying,

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<v Speaker 1>And like, you know, just transitioning to being an artist.

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<v Speaker 1>Now drop my own projects. But before that, where are

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<v Speaker 1>you from? I'm from Chicago, let's start then, Yeah, it's

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<v Speaker 1>southside of Chicago. Grew up you know what I'm saying

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<v Speaker 1>in the trenches or whatever, sixty six and Hermitage, and

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<v Speaker 1>I basically started writing, like I tell this story, you

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<v Speaker 1>know what I'm saying a lot of times, like about

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<v Speaker 1>like how my dad, like how I learned how to

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<v Speaker 1>play piano. But what I don't say a lot is

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<v Speaker 1>like basically, like I started writing songs, my dad used

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<v Speaker 1>to make me read the dictionary. You know what I'm saying,

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<v Speaker 1>Like every instance before I go outside, he used to

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<v Speaker 1>make me like learn like twenty words. So like when

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<v Speaker 1>it come to write songs, like basically like I can

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<v Speaker 1>think of any rhyming word, you know what I'm saying

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<v Speaker 1>on the fly. So it's like that helped me get

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<v Speaker 1>into like being able to be a good songwriter. Like

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<v Speaker 1>you was just saying, like how long it it takes

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<v Speaker 1>shit read the dictionary doing that?

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<v Speaker 2>This is at a young age, So when did you

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<v Speaker 2>start writing songs?

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<v Speaker 1>Like, well, I started writing songs when I was like ten,

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<v Speaker 1>like ten years old. Like first, like for yourself or

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<v Speaker 1>for somebody else. It's like it started from it really

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<v Speaker 1>started for like writing songs for females and shit like that.

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<v Speaker 1>Like I was like writing songs and then I was

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<v Speaker 1>like damn, Like I got into the bag of like

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<v Speaker 1>writing songs not just for male artists, but then like

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<v Speaker 1>I could write a song for a girl too. And

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<v Speaker 1>I was just like looking up to people like the

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<v Speaker 1>dream Neo, you know what I'm saying. R Kelly, Like

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<v Speaker 1>you know what I'm saying, Kanye, like seeing like how

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<v Speaker 1>they were able to like get in the scene like

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<v Speaker 1>by being behind the scenes. Like I just was like

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<v Speaker 1>infatuated with the concept of being a star that nobody knew,

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<v Speaker 1>you know what I'm saying. Like, so that's why I

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<v Speaker 1>like A what a love really feel at? For real?

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<v Speaker 3>What was that moment that you know struck you to

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<v Speaker 3>write your first song?

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<v Speaker 1>Did you could?

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<v Speaker 3>Was you in high school and you had a breakup

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<v Speaker 3>or was you with a crew of people who were

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<v Speaker 3>musicians and you say I'll be the songwriters?

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<v Speaker 1>Actually, Like I played football, you know what I'm saying,

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<v Speaker 1>in high school and I would hope So I played football,

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<v Speaker 1>and what I used to do after football practice, I

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<v Speaker 1>would on the way home. There was a guy named

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<v Speaker 1>Mark Pratt, and he had like a studio in his

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<v Speaker 1>basement and basically like he would let the football players

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<v Speaker 1>like come over and make music. But like a couple

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<v Speaker 1>of weeks in like I was like the last person

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<v Speaker 1>down there. Like I used to come down there after

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<v Speaker 1>practice every day and just like write songs and like

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<v Speaker 1>perfect my craft and like that's that's basically like what

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<v Speaker 1>I really fell in love, like cause like coming up,

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<v Speaker 1>like it was a real struggle, and like music was

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<v Speaker 1>like my escape from reality. You know what I'm saying.

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<v Speaker 1>It's what allowed me to be able to have that

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<v Speaker 1>outlet when I you know, just needed you know, I

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<v Speaker 1>needed a hug sometimes, like on some real shit. And

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<v Speaker 1>I feel like music get people, Music gets people through things,

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<v Speaker 1>you know what I'm saying. So that's when I really

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<v Speaker 1>like fell in love, like doing it for real.

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<v Speaker 4>Yeah, So fast forward and so you started doing your

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<v Speaker 4>own music. Yeah, what was your first big placement? Man,

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<v Speaker 4>I really had like a bunch of placements at one time.

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<v Speaker 1>Like when I did my publishing deal with APG locked

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<v Speaker 1>in with hit Maker, I basically had like I probably

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<v Speaker 1>had like twenty songs come out like the first like

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<v Speaker 1>week like that, I was like getting popping, like it

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<v Speaker 1>wasn't even like a one song. And then it was

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<v Speaker 1>just like but you got to remember, like before I

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<v Speaker 1>had my first placement, I was writing like ten songs

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<v Speaker 1>a day every day, you know what I'm saying, like NonStop,

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<v Speaker 1>even before I have my.

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<v Speaker 3>Deal for people around the town or just for.

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<v Speaker 1>Just writing songs. It's building up my catalog. That's why

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<v Speaker 1>I always tell like songwriters, like you got to build

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<v Speaker 1>up your catalog. If somebody called me for a song

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<v Speaker 1>for making right now, I probably got thirty that I

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<v Speaker 1>could send them, opposed to me being like all right,

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<v Speaker 1>let me go work on something. Sometimes you like catch

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<v Speaker 1>a hit in a moment that you just gotta be

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<v Speaker 1>ready for. So always believe in like being prepared, like

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<v Speaker 1>way ahead. So like I'll building on my catalog, so

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<v Speaker 1>nobody particular, just like just penning records. You know what

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<v Speaker 1>I'm saying, like sharpening my sword.

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<v Speaker 3>How did you initially get the interest of your publishing company?

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<v Speaker 1>Before Hit Maker, I ain't have no songs out, I

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<v Speaker 1>had no place. Like it's insane to get a publishing

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<v Speaker 1>deal without a placement at least one, you know, what

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<v Speaker 1>I'm saying or even being in the business. But Ray Daniels.

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<v Speaker 1>I met Ray Daniels. Yep, I met Ray Daniels for real,

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<v Speaker 1>like this. The crazy story about Ray is basically like Ray. Like.

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<v Speaker 1>I had a meeting with Ray like before, and he

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<v Speaker 1>was like, man, you know what, if you work on

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<v Speaker 1>your hooks, you'll be one of the greatest songwriters. This

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<v Speaker 1>was like six months before I saw him again. And

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<v Speaker 1>that's why I always tell people like, man, listen, if

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<v Speaker 1>you get that, no, go back to the drawing board.

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<v Speaker 1>Reinvent yourself, get better. You know what I'm saying. Don't

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<v Speaker 1>ever think like, oh, they tripping because they don't like

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<v Speaker 1>my music. You know what I'm saying. Sometimes you got

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<v Speaker 1>to go back. He basically told me, like, work on

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<v Speaker 1>your hooks. You are already a worseman. Work on your hooks.

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<v Speaker 1>Work on the part that brings people in. Two months later,

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<v Speaker 1>I had another meeting with Ray Daniels, sat down for

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<v Speaker 1>a set down with him, and I went to his office.

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<v Speaker 1>The first day I sat in his office, he wrote

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<v Speaker 1>me a check right there for twenty grand At the

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<v Speaker 1>time when I was at the time, I was doing

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<v Speaker 1>construction for work. You know what, I'm saying. MYNJA was

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<v Speaker 1>still coming home writing ten songs a night. I was

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<v Speaker 1>doing construction, and like I had like a big opportunity,

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<v Speaker 1>you know what I'm saying, to go and like work

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<v Speaker 1>for Disney, you know what I'm saying. In Orlando. But

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<v Speaker 1>Ray was basically like, man, say no to that job.

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<v Speaker 1>You're a songwriter. You belong in his business. Once I

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<v Speaker 1>took that check, he let me put my studio in

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<v Speaker 1>the room next to his office at the twelve Buildings.

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<v Speaker 1>So if you ever been over to that building, it

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<v Speaker 1>ain't it ain't sound proof or nothing. Keys was in there.

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<v Speaker 1>It was a lot of real, real keys. Yeah, you

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<v Speaker 1>know what I'm saying, Like was in that building. He

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<v Speaker 1>let me put my studio in the room right next

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<v Speaker 1>door to him, so I would be like making song,

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<v Speaker 1>got the song, got the song, just putting in that work.

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<v Speaker 1>So even after I ended up signing the radar, I

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<v Speaker 1>still had to put in that work. It wasn't just

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<v Speaker 1>like here here here. I still was putting in that work,

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<v Speaker 1>going in there, clocking in, going to work, doing my job,

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<v Speaker 1>coming back to the studio. Until one day Ray had

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<v Speaker 1>went out to La met with Mike, Karen and was like, yo,

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<v Speaker 1>he Actually the crazy thing is he went out there

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<v Speaker 1>to show Mike Hearn somebody else. That's why I know,

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<v Speaker 1>like you know what I'm saying, God got his hand

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<v Speaker 1>on my life because he went out there and he

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<v Speaker 1>went to show Mike Carron a whole other artist that

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<v Speaker 1>he said. Now Mike Karen said no to He was like,

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<v Speaker 1>show me something else, and I was the something else

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<v Speaker 1>that he had. So it was like, and Mike Karen,

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<v Speaker 1>Mike Karen is the president of APG, he's been he

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<v Speaker 1>responsible for like ed Sharon Bruno mar like he a

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<v Speaker 1>big deal. What'd you do with the twenty thousand survived?

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<v Speaker 1>Everybody asked me that question, like but people think like

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<v Speaker 1>twenty thousand. You know what I'm saying today, that ain't

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<v Speaker 1>no money if you're handling your business, you know, But

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<v Speaker 1>to a kid like might look at it and be like, hey,

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<v Speaker 1>I'm about to go do this. Somebody go do that,

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<v Speaker 1>and then before you know what, they back like knocking

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<v Speaker 1>at their door like, man, you see me another ten thousand.

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<v Speaker 1>But but that's how people be blowing their money.

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<v Speaker 4>I asked you that because I realized in the industry,

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<v Speaker 4>when people get a check, whether it's a little check

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<v Speaker 4>or a big check.

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<v Speaker 1>They quit their job and they think that they made it.

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<v Speaker 4>I like the fact that you got the money and

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<v Speaker 4>you said, man, I'm still about to keep going to

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<v Speaker 4>work and then coming back doing my music.

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<v Speaker 1>Man, you have to like you have to have financial literacy, man.

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<v Speaker 1>But that's that's really what you know, most people like

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<v Speaker 1>lacking because you got to think like people that do

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<v Speaker 1>music most of the time, like they come from a

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<v Speaker 1>poverty stricken environment. You know, we're not taught about credit.

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<v Speaker 1>We're not talking about the importance of importance of taking

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<v Speaker 1>care of your money and handling your business, paying your

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<v Speaker 1>bills first and then getting the drip. We weren't taught that.

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<v Speaker 1>You know. We taught go get the new ja's you

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<v Speaker 1>know what I'm saying, because they dropping, you know, the whip. Yeah.

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<v Speaker 1>So it's not taught that in our community. So it's like,

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<v Speaker 1>you know, we all of course we made mistakes. I'm

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<v Speaker 1>not gonna say I ain't gonna buy something with the

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<v Speaker 1>twenty grand What did you bott What did I na? Man?

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<v Speaker 1>And I like, I always wanted the ice ice, So

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<v Speaker 1>I ain't gonna get no chain or nothing. I went

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<v Speaker 1>and I bought a car. I bought a car. I

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<v Speaker 1>think I think I took like ten thousand of it

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<v Speaker 1>and went and bought a car. It was a nineteen

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<v Speaker 1>seventy two Shavy nov Okay, so that was like she

0:10:17.800 --> 0:10:23.120
<v Speaker 1>bought some transportation. Yeah, in the classic cars. Yeah. No,

0:10:23.200 --> 0:10:25.760
<v Speaker 1>I actually build like muscle cars, you know what I'm saying,

0:10:25.760 --> 0:10:28.840
<v Speaker 1>Like I build muscle cars, track race cards all that.

0:10:29.040 --> 0:10:31.520
<v Speaker 1>So how'd you get with him? Maker? Mike Carron actually

0:10:31.720 --> 0:10:33.559
<v Speaker 1>put me in here make on texts. When I did

0:10:33.600 --> 0:10:36.280
<v Speaker 1>my publishing deal, he put me in here, make on texts.

0:10:36.640 --> 0:10:39.439
<v Speaker 1>He was like, you know, guaranteed magic. The first night

0:10:39.480 --> 0:10:42.400
<v Speaker 1>I went to the studio with Hit, we we went

0:10:42.440 --> 0:10:45.280
<v Speaker 1>in the studio, we did like ten songs. It's me

0:10:45.440 --> 0:10:49.280
<v Speaker 1>Hit Krashan And we did like ten songs that first night,

0:10:49.559 --> 0:10:51.520
<v Speaker 1>and like we probably got like three placements out of

0:10:51.520 --> 0:10:54.000
<v Speaker 1>those first ten songs we did. But like, bro, we

0:10:54.240 --> 0:10:56.559
<v Speaker 1>basically been locked in every since, Like you know what

0:10:56.559 --> 0:10:58.319
<v Speaker 1>I'm saying, Like it been like some real you know,

0:10:58.360 --> 0:11:00.680
<v Speaker 1>we're from the same town, so like it being like

0:11:00.760 --> 0:11:02.959
<v Speaker 1>some some real brother shit, Like you know what I'm saying,

0:11:03.040 --> 0:11:06.760
<v Speaker 1>not just like helping me get into situations, but like

0:11:06.920 --> 0:11:08.400
<v Speaker 1>you know, giving me the knowledge, you know what I'm

0:11:08.440 --> 0:11:10.440
<v Speaker 1>saying of the game, Like you got somebody that came

0:11:10.520 --> 0:11:14.320
<v Speaker 1>from being an artist transitioned into being a producer, changing

0:11:14.320 --> 0:11:16.439
<v Speaker 1>his whole you know what I'm saying, identity and that

0:11:16.520 --> 0:11:17.760
<v Speaker 1>you can learn a lot from a man and have

0:11:17.840 --> 0:11:21.080
<v Speaker 1>done that in his business. It's still successful. Branded himself

0:11:21.120 --> 0:11:23.000
<v Speaker 1>for real, for real. So you know what I'm saying.

0:11:23.040 --> 0:11:25.160
<v Speaker 1>I was blessed to be, you know, tapping with him

0:11:25.200 --> 0:11:27.480
<v Speaker 1>and then like you know, other relationships happen. You know,

0:11:27.800 --> 0:11:29.679
<v Speaker 1>just throw me just putting in that work day in

0:11:29.800 --> 0:11:31.480
<v Speaker 1>day out, you know what I'm saying, being persistent.

0:11:31.760 --> 0:11:34.679
<v Speaker 5>We'll be right back with more of a Baller Alert Show.

0:11:38.120 --> 0:11:40.880
<v Speaker 5>You're listening to a special edition of the Baller Alert Show.

0:11:40.960 --> 0:11:42.800
<v Speaker 1>That what's up? It's your boy, Iris Scott and you've

0:11:42.880 --> 0:11:44.720
<v Speaker 1>now tuned into the Baller Alert Show.

0:11:44.920 --> 0:11:47.439
<v Speaker 2>So you signed the radar. Yeah, you got to check

0:11:47.480 --> 0:11:51.000
<v Speaker 2>for twenty thousand. You're working, you have purpose, you know

0:11:51.080 --> 0:11:54.560
<v Speaker 2>what you want to do? Yeah, when did these twenty

0:11:54.640 --> 0:11:56.360
<v Speaker 2>placements come? So?

0:11:56.600 --> 0:11:58.840
<v Speaker 1>Man, it had to be okay? So so I went

0:11:59.120 --> 0:12:02.400
<v Speaker 1>I went to La to go to APG, and I

0:12:02.400 --> 0:12:05.000
<v Speaker 1>didn't get signed to APG right away, So I went

0:12:05.120 --> 0:12:07.640
<v Speaker 1>and I went out there and Mike Karen basically was like,

0:12:08.040 --> 0:12:10.480
<v Speaker 1>you know, here's a studio. You know what I'm saying,

0:12:10.480 --> 0:12:13.040
<v Speaker 1>show me what you got. He's like, act like you ain't.

0:12:13.120 --> 0:12:15.440
<v Speaker 1>You ain't play one song for me. And so I

0:12:15.480 --> 0:12:18.760
<v Speaker 1>basically like I had the opportunity to do a session

0:12:19.040 --> 0:12:21.960
<v Speaker 1>in the morning, midday, and then at night, but I

0:12:22.000 --> 0:12:24.320
<v Speaker 1>took all sessions. I took every session, So I worked

0:12:24.320 --> 0:12:26.199
<v Speaker 1>three sessions a day. I was doing like ten songs

0:12:26.200 --> 0:12:28.800
<v Speaker 1>a session, going crazy. That's thirty songs a day. And

0:12:28.800 --> 0:12:30.880
<v Speaker 1>I was out there for like a month. Wow, mind

0:12:30.920 --> 0:12:33.240
<v Speaker 1>you right the day before when I when I went

0:12:33.320 --> 0:12:35.560
<v Speaker 1>down there. The day before I went down there, I

0:12:35.559 --> 0:12:38.360
<v Speaker 1>broke my foot skateboarding. So I went down there with

0:12:38.440 --> 0:12:40.640
<v Speaker 1>a boot, like you know, a little strap up boot

0:12:40.679 --> 0:12:42.520
<v Speaker 1>they go on your foot. So I, mind you, I

0:12:42.520 --> 0:12:44.760
<v Speaker 1>got a boot. I'm in La probably you know what

0:12:44.800 --> 0:12:47.839
<v Speaker 1>I'm saying, Like moving around studio to studio. You know

0:12:47.840 --> 0:12:50.800
<v Speaker 1>what I'm saying on crutches with a broke foot and

0:12:50.960 --> 0:12:54.080
<v Speaker 1>basically trying to secure my destiny. You know what I'm saying,

0:12:54.080 --> 0:12:56.280
<v Speaker 1>because you know, like your moments only only come every

0:12:56.360 --> 0:12:59.120
<v Speaker 1>so often. And I knew for sure like this was

0:12:59.320 --> 0:13:01.800
<v Speaker 1>this was my moment it to be you know Jordan

0:13:01.880 --> 0:13:04.640
<v Speaker 1>at the free throw line. So like I went down there,

0:13:04.760 --> 0:13:06.640
<v Speaker 1>broke foot and all I was in the studio Mai

0:13:06.720 --> 0:13:09.800
<v Speaker 1>my foot swelling in pain. But I was going through it,

0:13:09.840 --> 0:13:11.000
<v Speaker 1>you know what I'm saying, And I did what I

0:13:11.000 --> 0:13:14.920
<v Speaker 1>had to do. When I want to skateboard for basically,

0:13:14.960 --> 0:13:17.240
<v Speaker 1>bro like I want to do everything, like I don't

0:13:17.240 --> 0:13:20.160
<v Speaker 1>want to try whatever for So what songs came out

0:13:20.160 --> 0:13:22.680
<v Speaker 1>of it was that the twenty that eventually yeah so

0:13:22.679 --> 0:13:25.720
<v Speaker 1>so no, so when I when I went down there,

0:13:26.120 --> 0:13:28.480
<v Speaker 1>I wrote those songs and then I those songs just

0:13:28.520 --> 0:13:33.040
<v Speaker 1>kind of like started manifesting into like other situations. What

0:13:33.040 --> 0:13:37.480
<v Speaker 1>were some of them songs? Trippy read Rich motherfucker that

0:13:37.559 --> 0:13:41.080
<v Speaker 1>was a big one with with Polo g Dirk Peru

0:13:41.240 --> 0:13:44.840
<v Speaker 1>was one of those songs. We did Baddest in San Francisco.

0:13:45.320 --> 0:13:47.800
<v Speaker 1>I mean that's the record. Yes, that's the year we

0:13:47.800 --> 0:13:50.440
<v Speaker 1>did the Baddest. Yeah, Baddest, Yeah, we did that in

0:13:50.480 --> 0:13:53.560
<v Speaker 1>San Francisco. But I mean it was just kind of

0:13:53.559 --> 0:13:57.080
<v Speaker 1>like all over the place like Madonna, like Beyonce, like

0:13:57.240 --> 0:14:00.720
<v Speaker 1>it was just like that's crazy, it's hitting me with

0:14:00.720 --> 0:14:01.040
<v Speaker 1>the wave.

0:14:01.160 --> 0:14:03.480
<v Speaker 2>And one time, So mentally, how what's the space here

0:14:03.679 --> 0:14:06.199
<v Speaker 2>are you in mentally at this particular moment, because.

0:14:06.320 --> 0:14:09.320
<v Speaker 1>Mind you, like people think you getting placements and you

0:14:09.480 --> 0:14:13.680
<v Speaker 1>rich instantly, but you ain't getting paid until next year

0:14:13.720 --> 0:14:15.559
<v Speaker 1>off any of those hits. So you can be walking

0:14:15.559 --> 0:14:18.640
<v Speaker 1>around with records number one and still basically be not

0:14:18.720 --> 0:14:21.720
<v Speaker 1>having no brand. So like, I'm in a lifestyle and

0:14:21.760 --> 0:14:24.400
<v Speaker 1>I'm around the people that's having the motion, having the money,

0:14:24.400 --> 0:14:27.080
<v Speaker 1>and I got the SIU broke, but I'm still broke,

0:14:27.280 --> 0:14:30.000
<v Speaker 1>you know what I'm saying. I'm still grinding. I'm still

0:14:30.040 --> 0:14:33.560
<v Speaker 1>having to go pick up contracting jobs and build frame

0:14:33.680 --> 0:14:36.560
<v Speaker 1>houses on the side while I got records on the radio,

0:14:36.680 --> 0:14:39.120
<v Speaker 1>you know, so most of the time, like people might

0:14:39.160 --> 0:14:41.520
<v Speaker 1>think like, oh you hot. So of course all your

0:14:41.560 --> 0:14:44.120
<v Speaker 1>family's like, oh he rich. You know what I'm saying.

0:14:44.160 --> 0:14:46.600
<v Speaker 1>But I see you got the pictures with the celebrities,

0:14:46.760 --> 0:14:51.080
<v Speaker 1>they see all that. Yeah, the urt, Yeah for sure,

0:14:51.240 --> 0:14:54.720
<v Speaker 1>that's definitely. So what was that? What was that big check?

0:14:56.000 --> 0:15:01.240
<v Speaker 1>The biggest? You know, you getting a lot of checks,

0:15:01.240 --> 0:15:03.760
<v Speaker 1>he said, the biggest, biggest. I feel like when I

0:15:03.800 --> 0:15:07.520
<v Speaker 1>first saw the first check from Peru, that's when I

0:15:07.720 --> 0:15:10.320
<v Speaker 1>was a big record. Yeah, when I saw that. When

0:15:10.320 --> 0:15:12.440
<v Speaker 1>I saw that that quarter come around, and that's just

0:15:12.520 --> 0:15:14.760
<v Speaker 1>a quarter. When I saw that quarter come around, I

0:15:14.840 --> 0:15:17.840
<v Speaker 1>was like, and what is a quarter for the audience?

0:15:18.160 --> 0:15:21.200
<v Speaker 1>So a quarter is like yo, it's broken up into quarters,

0:15:21.200 --> 0:15:24.440
<v Speaker 1>like four quarters like artists songs for years calendar. Yeah, yeah,

0:15:24.520 --> 0:15:25.960
<v Speaker 1>you get paid like per quarter.

0:15:26.120 --> 0:15:29.280
<v Speaker 3>So is that spring, summer, fall, and winter?

0:15:29.840 --> 0:15:33.080
<v Speaker 1>Yeah? Basically basically, And so was this.

0:15:32.960 --> 0:15:36.160
<v Speaker 3>In the millions that you're publishing? Check came in?

0:15:36.480 --> 0:15:39.520
<v Speaker 1>Decent it it was good, six figures. It had changed

0:15:39.520 --> 0:15:42.240
<v Speaker 1>your life, show for show, seven figures, show it had

0:15:42.320 --> 0:15:44.720
<v Speaker 1>changed your life. What'd you go after you after you

0:15:44.760 --> 0:15:47.200
<v Speaker 1>got that check? Man? I went went. I went home

0:15:47.360 --> 0:15:50.680
<v Speaker 1>to Chicago and brought my moms out here. Bout my

0:15:50.720 --> 0:15:56.640
<v Speaker 1>mom's a crab in l A from Chicago, Atlanta, Atlanta. Okay.

0:15:56.680 --> 0:15:59.680
<v Speaker 1>I basically moved like my whole family down here. Okay,

0:16:00.080 --> 0:16:01.080
<v Speaker 1>I'm like super like.

0:16:01.120 --> 0:16:03.960
<v Speaker 2>That's actually fivefish because usually yeah, because usually you get

0:16:03.960 --> 0:16:07.120
<v Speaker 2>yourself together first and then but you got a family.

0:16:07.120 --> 0:16:09.520
<v Speaker 1>But you gotta think, like I was already still kind

0:16:09.560 --> 0:16:11.880
<v Speaker 1>of like making money, like I already had like you

0:16:11.960 --> 0:16:14.400
<v Speaker 1>know what I'm saying, like property and stuff like that.

0:16:14.440 --> 0:16:17.440
<v Speaker 1>When I first like started so like it wasn't like

0:16:17.480 --> 0:16:19.280
<v Speaker 1>I got my publishing deal and I was broke, Like

0:16:19.320 --> 0:16:22.480
<v Speaker 1>I basically had to downgrade my life actually to pursue music.

0:16:22.880 --> 0:16:25.240
<v Speaker 1>Because when I was doing construction, I was making good money,

0:16:25.320 --> 0:16:27.440
<v Speaker 1>you know what I'm talking about it, I was making money.

0:16:27.520 --> 0:16:30.440
<v Speaker 1>I was making an honest living. So like when I

0:16:30.480 --> 0:16:32.920
<v Speaker 1>took that twenty thousand, I mean it was basically less

0:16:32.920 --> 0:16:34.920
<v Speaker 1>than the salary that I was gonna see like in

0:16:35.000 --> 0:16:37.760
<v Speaker 1>the next couple months anyway, So it was really like,

0:16:38.400 --> 0:16:41.000
<v Speaker 1>you know, God like humbling me and bringing me back down.

0:16:41.120 --> 0:16:43.280
<v Speaker 1>I had to go down to come up for real.

0:16:43.200 --> 0:16:46.400
<v Speaker 3>Especially living in La for sure, and La balling is

0:16:46.440 --> 0:16:46.960
<v Speaker 3>different from.

0:16:46.880 --> 0:16:49.160
<v Speaker 1>Georgia bottom, that's true.

0:16:49.360 --> 0:16:51.680
<v Speaker 4>But I like you keeping it real, man, because I

0:16:51.720 --> 0:16:54.600
<v Speaker 4>don't I don't like this perception on the internet to

0:16:54.640 --> 0:16:57.680
<v Speaker 4>where it's like people think just because somebody has a

0:16:57.800 --> 0:17:01.040
<v Speaker 4>day job that they're making less money than people that

0:17:01.080 --> 0:17:04.399
<v Speaker 4>are popping on social media in his industry, and a

0:17:04.440 --> 0:17:07.040
<v Speaker 4>lot of times people don't understand it's like a lot

0:17:07.119 --> 0:17:10.800
<v Speaker 4>of these people that have these nine to five jobs

0:17:10.800 --> 0:17:12.800
<v Speaker 4>are making a lot more money than people that you

0:17:12.840 --> 0:17:14.000
<v Speaker 4>really think are successful.

0:17:14.240 --> 0:17:16.720
<v Speaker 1>I mean, like I call it the matrix all the time.

0:17:16.760 --> 0:17:19.120
<v Speaker 1>You know what I'm saying, Like, the business is an

0:17:19.160 --> 0:17:21.760
<v Speaker 1>illusion because it has to be. You know, people, it's

0:17:21.760 --> 0:17:23.360
<v Speaker 1>hard for kids to look up to somebody that don't

0:17:23.359 --> 0:17:26.239
<v Speaker 1>feel like they got something that they don't have. So like,

0:17:26.359 --> 0:17:28.600
<v Speaker 1>you know, it's an illusion that artists have to keep

0:17:28.680 --> 0:17:31.360
<v Speaker 1>up of their selves in order to show that, hey,

0:17:31.400 --> 0:17:34.040
<v Speaker 1>I'm worthy of you looking up to me. So it's like,

0:17:34.080 --> 0:17:36.199
<v Speaker 1>but a man with a regular job, he might be

0:17:36.280 --> 0:17:39.160
<v Speaker 1>getting paper. It's just basically about like what you put

0:17:39.160 --> 0:17:41.720
<v Speaker 1>your ten thousand hours into. If I put my ten

0:17:41.760 --> 0:17:45.000
<v Speaker 1>thousand hours into being a carpenter, I'm gonna get paper

0:17:45.040 --> 0:17:47.040
<v Speaker 1>being a carpenter. It don't You don't got to be

0:17:47.280 --> 0:17:49.960
<v Speaker 1>Like I was just telling my little brother the other

0:17:50.040 --> 0:17:52.320
<v Speaker 1>day play he played football. I was just telling him

0:17:52.320 --> 0:17:55.200
<v Speaker 1>the other day. I'm like, you know, football is great,

0:17:55.280 --> 0:17:58.920
<v Speaker 1>you know what I'm saying, But you gotta chase something

0:17:58.960 --> 0:18:01.919
<v Speaker 1>that is tasting you. You know what I'm saying. I

0:18:01.920 --> 0:18:04.960
<v Speaker 1>agree with that. So you know, you don't got to

0:18:05.000 --> 0:18:08.040
<v Speaker 1>be a superstar, you know what I'm saying, to have money,

0:18:06.840 --> 0:18:07.080
<v Speaker 1>you know, so.

0:18:08.240 --> 0:18:10.720
<v Speaker 2>You writing all these big records, what makes you say,

0:18:10.760 --> 0:18:12.639
<v Speaker 2>you know what, I want to be an artist. Is

0:18:12.680 --> 0:18:15.240
<v Speaker 2>that something that you initially wanted to do?

0:18:15.600 --> 0:18:18.720
<v Speaker 1>Yeah, I always like looked at myself as an artist

0:18:18.840 --> 0:18:20.640
<v Speaker 1>like I just always like looked at it. Like I

0:18:20.680 --> 0:18:22.119
<v Speaker 1>was telling you in the beginning. The people that I

0:18:22.160 --> 0:18:26.040
<v Speaker 1>looked up to, they were writers like first, so like

0:18:26.240 --> 0:18:29.680
<v Speaker 1>I was heavy like yo, yeah, like Neo to Dreams,

0:18:29.760 --> 0:18:33.359
<v Speaker 1>Sean Garrett like Rico. Love is so many like that

0:18:33.520 --> 0:18:37.640
<v Speaker 1>transition from becoming a songwriter. That was their path and

0:18:37.680 --> 0:18:39.800
<v Speaker 1>so like that, I always looked at my path like that,

0:18:39.960 --> 0:18:41.679
<v Speaker 1>Like I always like, you know, I'm gonna run it

0:18:41.760 --> 0:18:44.520
<v Speaker 1>up as a songwriter, get ht get people to know

0:18:44.560 --> 0:18:46.920
<v Speaker 1>my music, and then I'm introduce them to me. That's

0:18:46.920 --> 0:18:48.600
<v Speaker 1>a that's a plan. That's not a good plan to.

0:18:50.600 --> 0:18:52.640
<v Speaker 4>Who's some of the people that you that you've been

0:18:52.680 --> 0:18:55.240
<v Speaker 4>working with or has it been hard to get you know,

0:18:55.400 --> 0:18:58.040
<v Speaker 4>people that you've written for to be like yo, I

0:18:58.080 --> 0:18:59.399
<v Speaker 4>want you to jump on my song.

0:18:59.720 --> 0:19:02.359
<v Speaker 1>Yeah, I ain't gonna lie. It's been like crazy love.

0:19:02.640 --> 0:19:04.679
<v Speaker 1>Like you know a lot of times, like when I

0:19:04.760 --> 0:19:06.760
<v Speaker 1>go in with an artist, they be like man, when

0:19:06.880 --> 0:19:10.320
<v Speaker 1>you dropping the project, Like most Wow, most artists are

0:19:10.359 --> 0:19:13.080
<v Speaker 1>like super like championing me. And that's I mean that

0:19:13.160 --> 0:19:15.280
<v Speaker 1>kind of pushed me in a direction because it was like,

0:19:15.320 --> 0:19:18.600
<v Speaker 1>you know, seeing people that are successful being artists and

0:19:18.680 --> 0:19:20.440
<v Speaker 1>them to look at you and not not just look

0:19:20.480 --> 0:19:22.800
<v Speaker 1>at you as a reference singer or like even like

0:19:22.920 --> 0:19:25.800
<v Speaker 1>labels like getting my demos and asking me Like it's

0:19:26.040 --> 0:19:28.000
<v Speaker 1>before I did my deal with Monarch, it was labels

0:19:28.040 --> 0:19:31.160
<v Speaker 1>hitting me saying, Yo, who's who's on the reference? Who's

0:19:31.200 --> 0:19:33.960
<v Speaker 1>this singing though? Who who's this guy? Like it's always

0:19:34.000 --> 0:19:37.680
<v Speaker 1>been like that, so that I mean, it's meant.

0:19:37.880 --> 0:19:41.360
<v Speaker 4>Yeah, that sounds like with your own music, what's been

0:19:41.440 --> 0:19:45.199
<v Speaker 4>like the hardest thing for you to transition from a

0:19:45.240 --> 0:19:46.800
<v Speaker 4>songwriter to being your own artist.

0:19:47.040 --> 0:19:50.600
<v Speaker 1>I feel like the only tough thing is like allocating

0:19:50.680 --> 0:19:53.840
<v Speaker 1>time when I'm tapping into who I am and where

0:19:53.920 --> 0:19:57.360
<v Speaker 1>I'm working with other artists, because like when I when

0:19:57.359 --> 0:19:59.959
<v Speaker 1>I'm writing for artists, like if I'm in Madonna moo,

0:20:00.280 --> 0:20:02.880
<v Speaker 1>like I'm getting them a dynam I feel like when

0:20:02.880 --> 0:20:04.720
<v Speaker 1>I'm writing a song for a artist, it's got to

0:20:04.760 --> 0:20:06.920
<v Speaker 1>be true to the artists, gotta be like they did it.

0:20:06.920 --> 0:20:08.399
<v Speaker 1>It's got to be like they thought of it. So

0:20:08.440 --> 0:20:10.639
<v Speaker 1>I'm so true to it. So if I'm tapping in,

0:20:10.680 --> 0:20:13.120
<v Speaker 1>it's just like an actor stepping in to play a role.

0:20:13.200 --> 0:20:15.920
<v Speaker 1>You know. It's like when Denzel's being Denzel, he gotta

0:20:15.960 --> 0:20:18.040
<v Speaker 1>tap in. It's the same with songwriting. If you want

0:20:18.080 --> 0:20:19.720
<v Speaker 1>to be one of the greatest, you know, you gotta

0:20:20.000 --> 0:20:22.440
<v Speaker 1>tap into the artists. We're not just writing songs down,

0:20:22.480 --> 0:20:25.439
<v Speaker 1>We're you know, creating moments based off, you know, bouncing

0:20:25.480 --> 0:20:26.280
<v Speaker 1>off another artist.

0:20:26.560 --> 0:20:29.120
<v Speaker 4>So what mindset did you have to have when you're

0:20:29.119 --> 0:20:32.399
<v Speaker 4>writing a song for somebody like you know, Madonna, and

0:20:32.480 --> 0:20:35.359
<v Speaker 4>you gotta write a song and you gotta you know,

0:20:35.440 --> 0:20:37.639
<v Speaker 4>put this music out like you singing like a female.

0:20:37.680 --> 0:20:40.920
<v Speaker 1>Man, I ain't gonna lie I'm a researcher. Like when

0:20:40.920 --> 0:20:42.879
<v Speaker 1>I'm about to go in with the artists, I do

0:20:42.960 --> 0:20:46.879
<v Speaker 1>my research. I basically I start they Instagram captions, I

0:20:46.920 --> 0:20:49.320
<v Speaker 1>see what they talking about, I see what they interested.

0:20:49.520 --> 0:20:51.960
<v Speaker 1>I see. I'm gonna stalk it so that when I

0:20:52.000 --> 0:20:53.959
<v Speaker 1>walk into the room, like I can really kind of

0:20:54.000 --> 0:20:56.439
<v Speaker 1>like before I'm actually talking to it. Or sometimes I

0:20:56.520 --> 0:20:58.320
<v Speaker 1>might not even get in the room with the artists,

0:20:58.359 --> 0:21:02.359
<v Speaker 1>so like I tap in. Man, like I'm not gonna

0:21:02.359 --> 0:21:05.160
<v Speaker 1>lie in. I'm not even gonna say that, like it's

0:21:05.200 --> 0:21:06.960
<v Speaker 1>all me, you know what I'm saying God, you know

0:21:07.000 --> 0:21:08.720
<v Speaker 1>what I'm saying, gives me the power. He puts it

0:21:08.760 --> 0:21:11.399
<v Speaker 1>in me to be able to, you know, shape shift

0:21:11.440 --> 0:21:14.119
<v Speaker 1>and be a trippy red, be a Madonna, be a

0:21:14.200 --> 0:21:16.880
<v Speaker 1>Dirk all at the same time. Like, God, just put

0:21:16.880 --> 0:21:18.640
<v Speaker 1>that on my life. You know what I'm saying. For real?

0:21:18.760 --> 0:21:20.840
<v Speaker 2>Question, where are all these songs that do you write

0:21:20.840 --> 0:21:23.399
<v Speaker 2>on your phone? Like do you write it down? Because

0:21:23.440 --> 0:21:24.600
<v Speaker 2>at this point you got books.

0:21:24.880 --> 0:21:27.000
<v Speaker 1>Yeah, you're writing so much music or something. I don't

0:21:27.240 --> 0:21:29.879
<v Speaker 1>be honest with you, Like when I first started writing,

0:21:29.880 --> 0:21:32.439
<v Speaker 1>like I played piano and I play guitar. When I

0:21:32.480 --> 0:21:34.639
<v Speaker 1>first started writing, I would start off writing on the guitar,

0:21:35.080 --> 0:21:37.159
<v Speaker 1>so I would be writing down, you know, my songs.

0:21:37.200 --> 0:21:40.040
<v Speaker 1>But like in the past, like two years, like I

0:21:40.080 --> 0:21:42.320
<v Speaker 1>don't even I ain't wrote nothing down, Like you know

0:21:42.320 --> 0:21:44.520
<v Speaker 1>what I'm saying anywhere. It's in your head. It's just

0:21:44.680 --> 0:21:46.680
<v Speaker 1>be in my head. Like most of the time, I'll

0:21:46.760 --> 0:21:48.639
<v Speaker 1>just write. I'll just write you know what I'm saying,

0:21:48.680 --> 0:21:52.879
<v Speaker 1>like you will remember it for sure for sure, Like

0:21:52.920 --> 0:21:54.680
<v Speaker 1>I don't. I ain't wrote nothing down in a while,

0:21:54.920 --> 0:21:55.480
<v Speaker 1>to be honest.

0:21:55.720 --> 0:21:58.080
<v Speaker 5>We'll be right back. Stay tuned with more of the

0:21:58.160 --> 0:22:08.359
<v Speaker 5>Ball or Alert Show. You're listening to a special edition

0:22:08.400 --> 0:22:09.440
<v Speaker 5>of the Baller Alert Show.

0:22:09.520 --> 0:22:11.159
<v Speaker 1>Yo, what's up? It's your boy, I res Scott and

0:22:11.160 --> 0:22:13.240
<v Speaker 1>you've now tuned into the ball of Alert Show.

0:22:13.560 --> 0:22:16.240
<v Speaker 3>So what is your particular style? Like you you write

0:22:16.240 --> 0:22:18.200
<v Speaker 3>for everybody else, but what is your style?

0:22:19.040 --> 0:22:22.520
<v Speaker 1>My style is like a blend of like all those things,

0:22:22.560 --> 0:22:25.600
<v Speaker 1>Like I'm not like when I'm doing a song like

0:22:25.640 --> 0:22:28.919
<v Speaker 1>a dirt song, you know, I'm I'm speaking from a

0:22:29.000 --> 0:22:31.080
<v Speaker 1>place that I've been before. You know what I'm saying,

0:22:31.160 --> 0:22:34.159
<v Speaker 1>Like I've been like in the trenches. You know, when

0:22:34.200 --> 0:22:37.640
<v Speaker 1>I'm writing songs that are like country and sharing type

0:22:37.680 --> 0:22:39.840
<v Speaker 1>of songs, like I've been in those places, like I

0:22:39.880 --> 0:22:43.160
<v Speaker 1>went to school in Iowa. I've been in those environments.

0:22:43.200 --> 0:22:46.359
<v Speaker 1>So I'm true to everything. So like when you hear

0:22:46.440 --> 0:22:48.280
<v Speaker 1>I Rescott, it's gonna be a blend Like you, I

0:22:48.359 --> 0:22:51.040
<v Speaker 1>might have a song that's super R and B, but

0:22:51.080 --> 0:22:54.880
<v Speaker 1>then I might have a song on my project with Sukiyana.

0:22:55.200 --> 0:22:57.159
<v Speaker 3>When I say I think, I mean to say like

0:22:57.400 --> 0:22:59.399
<v Speaker 3>sound kind of well, like what is your sound like?

0:22:59.560 --> 0:23:01.680
<v Speaker 3>When you listen to the Dream record? You know what's

0:23:01.680 --> 0:23:04.640
<v Speaker 3>the dream versus if you listen to a Beyonce record?

0:23:04.680 --> 0:23:07.440
<v Speaker 3>That he wrote or neo, he has a certain sound

0:23:07.720 --> 0:23:10.359
<v Speaker 3>versus if he writes for somebody else, Like do you

0:23:10.440 --> 0:23:11.399
<v Speaker 3>have your own sound?

0:23:11.600 --> 0:23:14.400
<v Speaker 1>Yeah? Well, I feel like your sound is described by

0:23:14.400 --> 0:23:16.280
<v Speaker 1>the people. You know what I'm saying. When when the

0:23:16.320 --> 0:23:19.320
<v Speaker 1>consumer consumes you like that, they gonna take what they

0:23:19.359 --> 0:23:21.320
<v Speaker 1>love and then you give them more of that, you

0:23:21.359 --> 0:23:24.280
<v Speaker 1>know what I'm saying. But I agree with that. I'm versatile, man,

0:23:24.320 --> 0:23:28.000
<v Speaker 1>I'm just like sending out energy. Man, I'm trying to

0:23:28.040 --> 0:23:31.280
<v Speaker 1>send a real energy. You know what I'm saying to

0:23:31.320 --> 0:23:33.480
<v Speaker 1>people like I feel like whole say. You know what

0:23:33.480 --> 0:23:35.080
<v Speaker 1>I'm saying. First I had the ear, Now I got

0:23:35.080 --> 0:23:37.200
<v Speaker 1>their heart, you know what I'm saying, Like, I feel

0:23:37.200 --> 0:23:38.960
<v Speaker 1>like I want people to fall in love with the

0:23:39.000 --> 0:23:41.119
<v Speaker 1>person that I am, not just a tone that I

0:23:41.119 --> 0:23:43.800
<v Speaker 1>can do, because a tone of fade out, it'll get old,

0:23:44.200 --> 0:23:45.720
<v Speaker 1>you know. But if you're in love with the person,

0:23:45.720 --> 0:23:47.040
<v Speaker 1>it's nothing that they can do wrong.

0:23:47.600 --> 0:23:49.479
<v Speaker 3>So what's the new record that you have out? Do

0:23:49.520 --> 0:23:51.520
<v Speaker 3>you have an album or is it just singles?

0:23:51.600 --> 0:23:54.200
<v Speaker 1>Yeah? So first, I just recently dropped my single with

0:23:54.440 --> 0:23:57.439
<v Speaker 1>my brother Eric Belicher. Just like me, that things crazy,

0:23:57.520 --> 0:24:00.840
<v Speaker 1>they're like two million first week, But that was the

0:24:00.880 --> 0:24:02.720
<v Speaker 1>first single. Then the next single, We're about to Draw

0:24:02.760 --> 0:24:04.800
<v Speaker 1>with me feature in Queen Nije. It's a song called

0:24:04.800 --> 0:24:09.000
<v Speaker 1>My Mind, which is a banger. And then following that,

0:24:09.080 --> 0:24:10.920
<v Speaker 1>like shortly after that, we're gonna drop the first half

0:24:10.960 --> 0:24:13.800
<v Speaker 1>of my project, Ebony. It's called b You know what

0:24:13.800 --> 0:24:16.080
<v Speaker 1>I'm saying. Before Ebony, you got a plan? Man?

0:24:16.119 --> 0:24:18.879
<v Speaker 3>You know where's that name come from?

0:24:19.040 --> 0:24:21.320
<v Speaker 1>Well, basically, like it's the contrast to me. You know

0:24:21.359 --> 0:24:23.640
<v Speaker 1>what I'm saying. People might see me, they might be like, oh,

0:24:23.680 --> 0:24:25.639
<v Speaker 1>here a rapper. All he is, Oh he's an R

0:24:25.640 --> 0:24:27.760
<v Speaker 1>and B singer. But it's like I'm the contrast of

0:24:27.840 --> 0:24:29.400
<v Speaker 1>what you think. I'm the opposite of what you might

0:24:29.440 --> 0:24:32.159
<v Speaker 1>think of me. Are you signed? Yeah, my dad, my

0:24:32.240 --> 0:24:35.320
<v Speaker 1>artists deal with my nark okay, And how has that been?

0:24:35.400 --> 0:24:39.440
<v Speaker 1>It's been good? Good? You see me? What is that?

0:24:42.119 --> 0:24:45.040
<v Speaker 3>What are some of your lessons that you've learned so

0:24:45.119 --> 0:24:46.920
<v Speaker 3>far being being in the industry?

0:24:47.640 --> 0:24:50.720
<v Speaker 1>Man? Honestly, like when you meet good people in the business,

0:24:50.760 --> 0:24:53.200
<v Speaker 1>you gotta stay close to him because it's a rare thing.

0:24:53.320 --> 0:24:55.560
<v Speaker 1>Like this is a dark world, you know what I'm saying.

0:24:55.600 --> 0:24:58.199
<v Speaker 1>So I've just learned like to protect my energy and

0:24:58.320 --> 0:25:00.840
<v Speaker 1>also like take care, take here my money. You know

0:25:00.880 --> 0:25:03.879
<v Speaker 1>what I'm saying, and be productive. You know your moment

0:25:04.119 --> 0:25:06.000
<v Speaker 1>it can go as fast as it come for real,

0:25:06.080 --> 0:25:08.399
<v Speaker 1>So when you catch your moment and it's show time,

0:25:08.760 --> 0:25:11.480
<v Speaker 1>like stay keep your foot on their neck.

0:25:11.800 --> 0:25:14.520
<v Speaker 4>Who's some of your mentors man? Because you I'm just

0:25:14.600 --> 0:25:17.080
<v Speaker 4>listening to you talking. You sounded like a wise man.

0:25:17.560 --> 0:25:19.520
<v Speaker 4>Who's some some of the people that mentor you.

0:25:19.520 --> 0:25:22.800
<v Speaker 1>Man, I'm not gonna lie man like man the word

0:25:22.800 --> 0:25:24.760
<v Speaker 1>of God like guys me. You know what I'm saying,

0:25:24.840 --> 0:25:26.480
<v Speaker 1>Like you know what I'm saying. I don't have a

0:25:26.520 --> 0:25:28.480
<v Speaker 1>lot of people in my life that I could really

0:25:28.520 --> 0:25:31.560
<v Speaker 1>like look up to, you know what I'm saying. So

0:25:31.680 --> 0:25:32.800
<v Speaker 1>I just you know what I'm saying. I look to

0:25:32.840 --> 0:25:34.479
<v Speaker 1>God for my answers. You know what I'm saying. And

0:25:34.520 --> 0:25:37.200
<v Speaker 1>I'm inspired by like legends, you know what I'm saying.

0:25:37.240 --> 0:25:38.960
<v Speaker 1>And I see how they carry theyself. I see how

0:25:39.000 --> 0:25:42.000
<v Speaker 1>they moving, you know what I'm saying, Like people like Denzel,

0:25:42.119 --> 0:25:45.200
<v Speaker 1>people like Will Smith, you know, people like Kendrick Lamar,

0:25:45.400 --> 0:25:46.800
<v Speaker 1>Like you know, I see how they move. You know

0:25:46.800 --> 0:25:48.439
<v Speaker 1>what I'm saying, And you know I'm motivated by how

0:25:48.440 --> 0:25:49.919
<v Speaker 1>they move and the energy that they bring it to

0:25:49.920 --> 0:25:52.320
<v Speaker 1>the earth, and I feel like I gotta bring that energy.

0:25:52.400 --> 0:25:54.600
<v Speaker 1>That's just basically how I feel like. It's just like me,

0:25:54.840 --> 0:25:57.760
<v Speaker 1>just natural. Yes, some of your friends gonna be mad

0:25:57.760 --> 0:25:58.680
<v Speaker 1>at you with the answer though.

0:25:58.920 --> 0:26:01.520
<v Speaker 2>Yeah, before we get about of here, I do wanted

0:26:01.560 --> 0:26:05.560
<v Speaker 2>to ask, like, what is the relationship situation like life

0:26:05.600 --> 0:26:08.520
<v Speaker 2>look for you because you're doing you're a songwriter and

0:26:08.560 --> 0:26:11.680
<v Speaker 2>you're an artist. Do you have time for love life?

0:26:11.920 --> 0:26:14.000
<v Speaker 1>Yeah? I feel like it's I feel like it's two

0:26:14.040 --> 0:26:16.280
<v Speaker 1>different worlds. Like I feel like when I go to music,

0:26:16.440 --> 0:26:19.560
<v Speaker 1>I'm clocking into the world. I separate my worlds. You

0:26:19.560 --> 0:26:22.360
<v Speaker 1>know what I'm saying, Like, I'm not like like I'm

0:26:22.359 --> 0:26:24.480
<v Speaker 1>not like I'm giving myself to the world, but I'm

0:26:24.520 --> 0:26:27.040
<v Speaker 1>saving a part of myself for who I love. You

0:26:27.040 --> 0:26:28.920
<v Speaker 1>know what I'm saying, Like, I ain't giving. Is there

0:26:28.960 --> 0:26:32.159
<v Speaker 1>someone that you love for sure? Okay? Are you married

0:26:32.520 --> 0:26:33.679
<v Speaker 1>for sure? Okay?

0:26:34.480 --> 0:26:37.119
<v Speaker 3>As long have you been married since the beginning of

0:26:37.119 --> 0:26:37.560
<v Speaker 3>your career?

0:26:38.560 --> 0:26:47.280
<v Speaker 1>Okay for music? Because you deflect the nice and smooth right, Yeah,

0:26:47.359 --> 0:26:48.000
<v Speaker 1>now we're good.

0:26:48.640 --> 0:26:50.159
<v Speaker 3>So you like keep your private life private.

0:26:50.440 --> 0:26:54.400
<v Speaker 1>It's separate, separate world. Do you have any kids, yeah

0:26:54.440 --> 0:26:58.800
<v Speaker 1>for sure. Okay, separate world. Okay, I'm not.

0:26:58.800 --> 0:27:02.600
<v Speaker 3>Pretty young, so I'm like, I.

0:27:04.440 --> 0:27:08.000
<v Speaker 1>Like you want to see Yeah, I mean it's like

0:27:08.160 --> 0:27:10.520
<v Speaker 1>how much life have you had to have my wife

0:27:10.560 --> 0:27:13.639
<v Speaker 1>and kids and all that, Like you look really young? Okay,

0:27:14.440 --> 0:27:19.200
<v Speaker 1>back again, brother, Yeah, any time, I'm excited. Anything else

0:27:19.240 --> 0:27:22.920
<v Speaker 1>you got coming up? Projects coming up? I'm building, any

0:27:23.000 --> 0:27:25.800
<v Speaker 1>touring I'm gonna be. I'nna be coming out with some

0:27:25.840 --> 0:27:28.480
<v Speaker 1>of my homeboys making for show you got.

0:27:28.880 --> 0:27:30.800
<v Speaker 2>We're supposed to do the interview with him Maker, but

0:27:30.840 --> 0:27:32.480
<v Speaker 2>then we couldn't get the time.

0:27:32.520 --> 0:27:34.639
<v Speaker 1>Framework. Well we're work it out. That's my brother with

0:27:34.680 --> 0:27:37.440
<v Speaker 1>each other all the time for sure. And him Maker

0:27:37.480 --> 0:27:39.840
<v Speaker 1>is a good guy. No, for sure, I see him.

0:27:39.920 --> 0:27:43.000
<v Speaker 1>He not just champion me like if he if he

0:27:43.359 --> 0:27:46.440
<v Speaker 1>with you, he's gonna help you get in a position. It's

0:27:46.480 --> 0:27:49.359
<v Speaker 1>a lot of like you know, dark energy that like

0:27:49.480 --> 0:27:51.280
<v Speaker 1>people try to put on him, you know what I'm saying,

0:27:51.320 --> 0:27:53.920
<v Speaker 1>Like in his business that I see, But I ain't

0:27:53.920 --> 0:27:56.000
<v Speaker 1>got nothing but love for Bro for Bro for and

0:27:56.000 --> 0:27:58.120
<v Speaker 1>I've seen him like pick people up and put people

0:27:58.119 --> 0:28:00.680
<v Speaker 1>in position and get out the way. I'm saying, That's

0:28:00.720 --> 0:28:03.159
<v Speaker 1>what it's all about man, have you been performing and

0:28:03.240 --> 0:28:05.840
<v Speaker 1>all that? Nah? I haven't. Do you have a show

0:28:05.880 --> 0:28:06.359
<v Speaker 1>in mind?

0:28:06.560 --> 0:28:06.639
<v Speaker 5>Like?

0:28:07.200 --> 0:28:10.639
<v Speaker 1>Yeah, I got something I working on you? Nervous you

0:28:10.680 --> 0:28:14.720
<v Speaker 1>are you calling anybody? But are you calling anybody for advice?

0:28:14.920 --> 0:28:15.000
<v Speaker 5>Like?

0:28:15.119 --> 0:28:17.880
<v Speaker 3>You know Chris is a dancer. You know he's performing.

0:28:17.960 --> 0:28:19.560
<v Speaker 3>Are you going to be doing some choreography?

0:28:19.640 --> 0:28:22.680
<v Speaker 1>I guarantee you this. When IY Scott come out, it's

0:28:22.720 --> 0:28:25.800
<v Speaker 1>gonna be something you've never seen before it.

0:28:25.720 --> 0:28:27.760
<v Speaker 3>Well, like, is this gonna be like some Miguel where

0:28:27.800 --> 0:28:29.760
<v Speaker 3>you get the piercings in and you hang yourself.

0:28:30.280 --> 0:28:33.280
<v Speaker 1>No, it's gonna be Ivory Scott. Is that your real name? Yeah?

0:28:35.200 --> 0:28:38.160
<v Speaker 2>So that's on your drivers? Like, yeah, that's what?

0:28:38.320 --> 0:28:44.320
<v Speaker 1>Oh that's your real names? Say that? I mean Drew

0:28:44.400 --> 0:28:48.360
<v Speaker 1>Hill isn't a real person? Said? You're pulling up?

0:28:48.360 --> 0:28:48.600
<v Speaker 2>Brother?

0:28:50.080 --> 0:28:52.160
<v Speaker 1>I looking forward to this one. So cool.

0:28:52.200 --> 0:28:53.960
<v Speaker 3>Well, before get out of here, we got a pep

0:28:54.000 --> 0:28:55.480
<v Speaker 3>talk with I Scott is.

0:28:55.520 --> 0:28:58.400
<v Speaker 1>Your boy, Ivy Scott? Man? Let your people, man, take

0:28:58.440 --> 0:29:00.240
<v Speaker 1>care of people, Keep your people close to you, man,

0:29:00.280 --> 0:29:02.040
<v Speaker 1>love who love you? You know what I'm saying to keep you?

0:29:02.240 --> 0:29:03.680
<v Speaker 1>Also a stream on new singles, just like

0:29:05.560 --> 0:29:07.600
<v Speaker 5>You can't get enough of Baller Alert follow us on

0:29:07.640 --> 0:29:10.840
<v Speaker 5>all social media platforms at baller alert blog on the

0:29:10.880 --> 0:29:12.160
<v Speaker 5>baller alert dot com