1 00:00:00,280 --> 00:00:02,360 Speaker 1: Hey guys, I'm Kaylie Shore and this is too much 2 00:00:02,400 --> 00:00:19,840 Speaker 1: to say it out you. Okay, So it's EP release 3 00:00:19,880 --> 00:00:21,840 Speaker 1: week for my new EP. I got here by accident. 4 00:00:21,960 --> 00:00:25,800 Speaker 1: I'm so excited. UM, y'all have already heard Amy and 5 00:00:26,120 --> 00:00:28,600 Speaker 1: um I Love Child, but there's three new songs that 6 00:00:28,640 --> 00:00:30,680 Speaker 1: are coming out on Friday. I'm gonna be doing a 7 00:00:30,720 --> 00:00:33,519 Speaker 1: live stream. UM, you guys can enter to win access 8 00:00:33,520 --> 00:00:35,400 Speaker 1: to that. I'm also having a show in Nashville and 9 00:00:35,440 --> 00:00:38,000 Speaker 1: we still have some tickets left. Um, it's gonna be 10 00:00:38,000 --> 00:00:41,320 Speaker 1: really really cool, UM, special guests, all of that good stuff. 11 00:00:41,360 --> 00:00:43,200 Speaker 1: So check out my socials and I'll put the links 12 00:00:43,240 --> 00:00:45,320 Speaker 1: in the description for this as well. But if you 13 00:00:45,360 --> 00:00:47,919 Speaker 1: want to enter to win. UM, we're gonna be doing 14 00:00:47,960 --> 00:00:49,919 Speaker 1: like an exclusive sound check thing and I'll be doing 15 00:00:49,920 --> 00:00:53,000 Speaker 1: some zoom meet and greets. So very very excited. Lots 16 00:00:53,000 --> 00:00:56,240 Speaker 1: of virtual and in person opportunities, and I am pumped. 17 00:00:57,680 --> 00:00:59,680 Speaker 1: I didn't get to have a release party for Open 18 00:00:59,680 --> 00:01:02,080 Speaker 1: Book Abridged, and you know, I feel like that's okay 19 00:01:02,120 --> 00:01:06,679 Speaker 1: because I had one proben book, but rereleasing the album, 20 00:01:07,040 --> 00:01:08,760 Speaker 1: I don't want to call it anti climactic because I 21 00:01:08,760 --> 00:01:10,640 Speaker 1: feel like that sounds a little bit ungrateful, but it 22 00:01:10,680 --> 00:01:15,559 Speaker 1: was definitely like an interesting vibe because I think that, 23 00:01:15,640 --> 00:01:18,720 Speaker 1: you know, some of the best energy you get after 24 00:01:18,800 --> 00:01:22,000 Speaker 1: releasing a project is that show where everybody's hearing things 25 00:01:22,000 --> 00:01:23,800 Speaker 1: for the first time and you're taking the keel shots 26 00:01:23,840 --> 00:01:26,440 Speaker 1: and you're celebrating and it's amazing. And I just didn't 27 00:01:26,440 --> 00:01:29,440 Speaker 1: get to have that. So I was like, like, cheers 28 00:01:29,480 --> 00:01:31,880 Speaker 1: my team on Zoom with some champagne at like midnight, 29 00:01:31,880 --> 00:01:33,000 Speaker 1: and then I was like, I guess I'll go to 30 00:01:33,120 --> 00:01:36,040 Speaker 1: bed now because it was like dead quarantine, you know. 31 00:01:36,959 --> 00:01:39,199 Speaker 1: So this is very exciting to get to like see 32 00:01:39,240 --> 00:01:42,560 Speaker 1: you guys again and play with a band, Like, oh 33 00:01:42,600 --> 00:01:45,399 Speaker 1: my god, I forgot how great that is. I have 34 00:01:45,520 --> 00:01:47,440 Speaker 1: so many shows in the next two weeks and I 35 00:01:47,480 --> 00:01:50,360 Speaker 1: just cannot wait to be back out there, like do 36 00:01:50,440 --> 00:01:53,520 Speaker 1: win the damn thing? You know. So whenever I start 37 00:01:53,600 --> 00:01:58,360 Speaker 1: a cycle for a project, I kind of find these, 38 00:01:59,360 --> 00:02:01,400 Speaker 1: you know, quote it's in the essence of the project, 39 00:02:01,400 --> 00:02:02,480 Speaker 1: and I figure out what I want to say and 40 00:02:02,520 --> 00:02:04,840 Speaker 1: then I can be really articulate with it. But I 41 00:02:04,880 --> 00:02:08,359 Speaker 1: find that out by talking about it. And I saw 42 00:02:08,400 --> 00:02:11,720 Speaker 1: this quote, So this quote in my horoscope one time, 43 00:02:11,760 --> 00:02:14,560 Speaker 1: and it said humans are formed in dialogue. But I 44 00:02:14,600 --> 00:02:16,919 Speaker 1: also like it's in my horoscope, but I feel like 45 00:02:16,960 --> 00:02:20,919 Speaker 1: that's actually really true. And I sort of just by 46 00:02:20,960 --> 00:02:24,079 Speaker 1: talking about the project, it ends up coming together and 47 00:02:24,160 --> 00:02:27,160 Speaker 1: you know, I figure out how I can best describe it. 48 00:02:27,240 --> 00:02:30,079 Speaker 1: But I did my first really long form interview today 49 00:02:30,800 --> 00:02:35,120 Speaker 1: with this journalist for People named Nancy kra and she's 50 00:02:35,280 --> 00:02:39,320 Speaker 1: just amazing. I've done some of my favorite interviews with her, 51 00:02:40,280 --> 00:02:43,000 Speaker 1: and apparently she listens to my podcast and just a 52 00:02:43,080 --> 00:02:48,600 Speaker 1: quick sidebar, I don't know what is wrong with me, 53 00:02:48,880 --> 00:02:53,079 Speaker 1: but I forget that people listen to this. Um People 54 00:02:53,120 --> 00:02:55,200 Speaker 1: that are older than me that I respect and look 55 00:02:55,280 --> 00:02:58,000 Speaker 1: up to, like that they listen to my podcast because 56 00:02:58,000 --> 00:03:01,000 Speaker 1: to me, I'm just like talking to Twitter. But then 57 00:03:01,040 --> 00:03:04,400 Speaker 1: even when I'm on Twitter, it's like I was like, 58 00:03:04,400 --> 00:03:08,600 Speaker 1: like my um, my boyfriend's aunt who's amazing, and she's 59 00:03:08,639 --> 00:03:10,960 Speaker 1: just this like really classy lady. And she told me like, 60 00:03:10,960 --> 00:03:12,880 Speaker 1: oh my god, listen to your podcast episode about this, 61 00:03:12,919 --> 00:03:17,000 Speaker 1: and I was like you what, I'm sorry, ma'am. Oh No. 62 00:03:18,960 --> 00:03:21,959 Speaker 1: Like I feel the same way when Leanne Rhymes watches 63 00:03:22,000 --> 00:03:27,880 Speaker 1: my ridiculous as Instagram stories, because I like forget like 64 00:03:28,000 --> 00:03:31,400 Speaker 1: her and Martina McBride um both like watch my stories 65 00:03:31,400 --> 00:03:33,800 Speaker 1: and fault like a comment on my pictures and stuff, 66 00:03:33,880 --> 00:03:36,920 Speaker 1: and I'll just post something like really fucking stupid, and 67 00:03:36,960 --> 00:03:40,520 Speaker 1: then like Martina will like it, and I'm like, I 68 00:03:40,720 --> 00:03:44,480 Speaker 1: forgot you were here, And if I had remembered that 69 00:03:44,520 --> 00:03:46,680 Speaker 1: this was gonna be on your feet, I might have dread, 70 00:03:47,000 --> 00:03:49,880 Speaker 1: Oh my god, it's stressful. So I get very stressed 71 00:03:49,880 --> 00:03:54,839 Speaker 1: out by by that notion. And but you know what, 72 00:03:55,000 --> 00:03:58,040 Speaker 1: I think, if they've made it this far, I think 73 00:03:58,040 --> 00:04:01,240 Speaker 1: it's safe to say they like me. Um. If y'all 74 00:04:01,280 --> 00:04:04,360 Speaker 1: have made it this far, you know, you either really 75 00:04:04,400 --> 00:04:08,320 Speaker 1: like me or you're absolutely horrified but fascinated. And either way, 76 00:04:08,600 --> 00:04:11,480 Speaker 1: you're making my um my streams go up and you're 77 00:04:11,480 --> 00:04:14,240 Speaker 1: making my weekly down. Let's go upset cheers to you. 78 00:04:15,840 --> 00:04:18,000 Speaker 1: I don't think I would listen to anybody's podcast that 79 00:04:18,040 --> 00:04:19,880 Speaker 1: I like actively disliked, though, I think it would just 80 00:04:19,920 --> 00:04:23,520 Speaker 1: make me angry. So if you have the uh, the 81 00:04:23,560 --> 00:04:27,120 Speaker 1: wherewithal to make it through that, it seems like an 82 00:04:27,160 --> 00:04:31,400 Speaker 1: odd choice. But I don't know haters, man, I forget 83 00:04:31,400 --> 00:04:35,640 Speaker 1: that they exist sometimes and so when like I see 84 00:04:35,720 --> 00:04:39,920 Speaker 1: one on the internet, I'm like, oh, wow, may people. Oh, 85 00:04:39,960 --> 00:04:42,320 Speaker 1: you're still out there doing that. You're still out there 86 00:04:42,320 --> 00:04:58,039 Speaker 1: commenting on people's ship. Like, so I did this TikTok trend, 87 00:04:58,120 --> 00:05:01,960 Speaker 1: the one where um, it's the Olivia Rodrigo song and 88 00:05:02,000 --> 00:05:04,360 Speaker 1: it's like, maybe I'm not as interesting as the girls 89 00:05:04,600 --> 00:05:08,320 Speaker 1: you love before. And it's like you put things that 90 00:05:08,440 --> 00:05:10,839 Speaker 1: make you like like weird things you've done and be 91 00:05:10,880 --> 00:05:13,320 Speaker 1: like me not relating to this line because and I 92 00:05:13,360 --> 00:05:17,240 Speaker 1: did one that was like, um me not relating to 93 00:05:17,279 --> 00:05:20,880 Speaker 1: this line because I got kicked out of Jesus School 94 00:05:21,080 --> 00:05:23,600 Speaker 1: in seventh grade for telling a pastor Togo f himself. 95 00:05:24,160 --> 00:05:29,040 Speaker 1: Um I got I once Pete and Leonardo DiCaprio's Bathroom 96 00:05:29,160 --> 00:05:34,000 Speaker 1: True Story, and um the last one was, oh my god, 97 00:05:34,040 --> 00:05:36,799 Speaker 1: what was the last one I forgot? Anyway, somebody commented 98 00:05:36,839 --> 00:05:39,040 Speaker 1: on it and they were like, I hope one. Do 99 00:05:39,200 --> 00:05:42,080 Speaker 1: you find something more fulfilling? And I was like commented 100 00:05:42,120 --> 00:05:46,960 Speaker 1: back because I literally cannot help myself, and um, I 101 00:05:47,080 --> 00:05:51,120 Speaker 1: was like like commenting on strangers TikTok's and they were like, no, 102 00:05:51,600 --> 00:05:55,120 Speaker 1: like finding something meaningful and I was like, okay, help me, 103 00:05:55,240 --> 00:05:57,400 Speaker 1: I'm not getting into this with you. Also, the last 104 00:05:57,400 --> 00:05:59,320 Speaker 1: thing was I ran a con at a strip club 105 00:05:59,400 --> 00:06:01,440 Speaker 1: with a dance or to help her get more money 106 00:06:01,520 --> 00:06:05,479 Speaker 1: from these men who are creeping out me and my friend. Um, yeah, 107 00:06:05,600 --> 00:06:07,760 Speaker 1: that was a good night. That was a really good night. 108 00:06:08,320 --> 00:06:10,440 Speaker 1: Maybe one day I'll have enough wine on the podcast 109 00:06:10,480 --> 00:06:14,800 Speaker 1: to tell that story. But it's called feminism, sweetie. Look 110 00:06:14,839 --> 00:06:18,200 Speaker 1: it up. TikTok has been really fund recently, and I'm 111 00:06:18,240 --> 00:06:19,840 Speaker 1: having a really good time using that as a way 112 00:06:19,880 --> 00:06:23,320 Speaker 1: to get stuff for the EP out there. I feel 113 00:06:23,320 --> 00:06:24,760 Speaker 1: like I can be kind of a hot mess on 114 00:06:24,800 --> 00:06:30,320 Speaker 1: TikTok and it's like totally acceptable. I am also continually 115 00:06:30,360 --> 00:06:34,599 Speaker 1: continuously perplexed by the videos that do well firstus the 116 00:06:34,600 --> 00:06:37,400 Speaker 1: ones that don't, Like I'll spend like three hours like 117 00:06:37,560 --> 00:06:39,480 Speaker 1: coming up with an idea and like doing my makeup 118 00:06:39,520 --> 00:06:41,320 Speaker 1: and doing the whole thing, and then like I put 119 00:06:41,320 --> 00:06:43,400 Speaker 1: it up and it gets like three views. And then 120 00:06:43,440 --> 00:06:46,360 Speaker 1: I pose one, you know, about peeing at Leonardo DiCaprio 121 00:06:46,360 --> 00:06:49,240 Speaker 1: as I was, and it gets like, I'm like how, what? 122 00:06:49,240 --> 00:06:54,440 Speaker 1: What is? What? What? Why? The TikTok algorithm is the 123 00:06:54,480 --> 00:06:57,599 Speaker 1: wild West. But you know what, it's been nice to 124 00:06:57,600 --> 00:07:00,480 Speaker 1: me with Amy. A lot of you guys have found 125 00:07:00,480 --> 00:07:04,359 Speaker 1: me through the TikTok algorithm, so it will stay a mystery, 126 00:07:04,880 --> 00:07:08,200 Speaker 1: but I hope may the TikTok algorithm be ever in 127 00:07:08,200 --> 00:07:11,080 Speaker 1: your favorite. So as I'm talking more about the CP 128 00:07:11,240 --> 00:07:15,880 Speaker 1: and like doing these interviews, I am finding more of 129 00:07:15,920 --> 00:07:18,760 Speaker 1: the narrative and like I am finding myself in dialogue. 130 00:07:18,760 --> 00:07:20,960 Speaker 1: But so the interview I did today, we really do 131 00:07:21,080 --> 00:07:23,760 Speaker 1: have Deeven. I think that because she listens to my 132 00:07:23,800 --> 00:07:27,080 Speaker 1: podcast as journalist, like she knew so much and she's 133 00:07:27,120 --> 00:07:29,520 Speaker 1: interviewed me a bunch too. But like I was like, 134 00:07:29,600 --> 00:07:33,480 Speaker 1: that's so crazy that and it's like the third or 135 00:07:33,520 --> 00:07:35,760 Speaker 1: fourth time that a journalists is said in an interview 136 00:07:35,800 --> 00:07:37,640 Speaker 1: like that they they've listened to my podcast to like 137 00:07:37,760 --> 00:07:40,400 Speaker 1: research for you know, their writing and stuff. And I'm 138 00:07:40,400 --> 00:07:44,000 Speaker 1: like that's so smart. Um, but damn, whyn't even need 139 00:07:44,040 --> 00:07:46,800 Speaker 1: to interview me at this point? Like I've told you 140 00:07:46,840 --> 00:07:50,360 Speaker 1: all everything, um, but apparently I haven't. And that's like 141 00:07:50,480 --> 00:07:53,360 Speaker 1: literally I am an endless fountain of ship to talk 142 00:07:53,400 --> 00:07:56,280 Speaker 1: about and so too much to say. There could not 143 00:07:56,440 --> 00:08:01,239 Speaker 1: be a better podcast title. It's so like I'm I'm 144 00:08:01,320 --> 00:08:04,040 Speaker 1: shocked by myself Sometimes I'm like, how do you still 145 00:08:04,160 --> 00:08:10,000 Speaker 1: have strong opinions left? To discover it's like, oh my god. Um, 146 00:08:10,040 --> 00:08:12,600 Speaker 1: but I have many strong opinions. So when I was 147 00:08:12,640 --> 00:08:15,760 Speaker 1: doing this interview with Nancy Um, we were talking about 148 00:08:15,760 --> 00:08:18,240 Speaker 1: the EP, and I just felt like I found my 149 00:08:18,280 --> 00:08:20,680 Speaker 1: groove and I'm really excited to go into release week 150 00:08:20,760 --> 00:08:24,440 Speaker 1: like feeling energized. I feel so like hyped up after 151 00:08:24,520 --> 00:08:29,320 Speaker 1: our our Zoom interview and we talked about, you know, 152 00:08:29,360 --> 00:08:32,520 Speaker 1: the inspiration behind the EP, and like, what's the line 153 00:08:32,559 --> 00:08:36,080 Speaker 1: between life imitating art and art imitating life? And can 154 00:08:36,120 --> 00:08:38,600 Speaker 1: like I turn it off? Do I have to write 155 00:08:38,600 --> 00:08:41,400 Speaker 1: everything every day? Like am I am? I constantly like 156 00:08:41,600 --> 00:08:44,320 Speaker 1: living the drama And I'm like, no, not really. It's 157 00:08:44,360 --> 00:08:47,760 Speaker 1: like I write down things as things happen, come back 158 00:08:47,800 --> 00:08:50,839 Speaker 1: to them. Um, maybe wait until I get piste off 159 00:08:50,880 --> 00:08:56,040 Speaker 1: about it again, you know, and like the Amy situation. Um. 160 00:08:56,080 --> 00:08:58,560 Speaker 1: But one of my favorite things we talked about was 161 00:08:58,559 --> 00:09:01,760 Speaker 1: was the EP title being I Year by Accident, and 162 00:09:02,559 --> 00:09:05,880 Speaker 1: I think it was the perfect title. It took us 163 00:09:05,920 --> 00:09:08,600 Speaker 1: a long time to get there, and the original working 164 00:09:08,600 --> 00:09:10,960 Speaker 1: title in my head for the EP was called um 165 00:09:11,120 --> 00:09:14,880 Speaker 1: Friday's in my twenties and that was a song that 166 00:09:14,920 --> 00:09:18,080 Speaker 1: almost made it onto the EP. And it's just about 167 00:09:18,120 --> 00:09:20,960 Speaker 1: like reclaiming that time, you know, because I was in 168 00:09:21,000 --> 00:09:23,160 Speaker 1: a relationship for the first half of my twenties and 169 00:09:23,840 --> 00:09:27,839 Speaker 1: it was like I gave this guy every Friday in 170 00:09:27,920 --> 00:09:29,679 Speaker 1: my twenties and I'm like, I'm not doing that. I'm 171 00:09:29,679 --> 00:09:31,040 Speaker 1: not going to cry over him. I'm not going to 172 00:09:31,320 --> 00:09:32,880 Speaker 1: hit him up or text him like I'm not giving 173 00:09:32,960 --> 00:09:35,240 Speaker 1: him a single more like a single other Friday in 174 00:09:35,320 --> 00:09:38,360 Speaker 1: my twenties. And um, that didn't end up making the project, 175 00:09:38,360 --> 00:09:41,120 Speaker 1: but it is very much so the energy because open 176 00:09:41,160 --> 00:09:45,000 Speaker 1: Book was really heavy and and told this narrative and 177 00:09:45,040 --> 00:09:47,840 Speaker 1: it had to because it's like a time capsule of 178 00:09:47,880 --> 00:09:50,960 Speaker 1: this year. Um that just completely changed me. And I 179 00:09:50,960 --> 00:09:53,320 Speaker 1: feel like, given that it's my debut album, it's still 180 00:09:54,000 --> 00:09:57,160 Speaker 1: probably always going to be the best introduction to me 181 00:09:57,440 --> 00:10:01,839 Speaker 1: that someone could have. But the EP feels like kind 182 00:10:01,880 --> 00:10:04,760 Speaker 1: of fills in that space like post open Book, I 183 00:10:04,840 --> 00:10:07,960 Speaker 1: like feel like I'm I know myself, but there's still 184 00:10:07,960 --> 00:10:09,719 Speaker 1: a little bit of a ship show going on, and 185 00:10:09,760 --> 00:10:12,160 Speaker 1: then it like talks you know about it's still kind 186 00:10:12,160 --> 00:10:15,560 Speaker 1: of digging up old ship with Amy, but it's like 187 00:10:15,640 --> 00:10:19,120 Speaker 1: processing it from like far away. And then you have, um, 188 00:10:19,559 --> 00:10:21,280 Speaker 1: I heard you got a girl which is like, you know, 189 00:10:21,640 --> 00:10:24,560 Speaker 1: way post breakup, looking at what he's doing now and 190 00:10:24,600 --> 00:10:29,000 Speaker 1: being like, what the fuck? Um, I don't really look anymore, though, 191 00:10:29,040 --> 00:10:31,840 Speaker 1: I will say I kind of just figured out that, 192 00:10:31,960 --> 00:10:35,280 Speaker 1: like because I've talked about how I'm like friends with 193 00:10:35,600 --> 00:10:38,400 Speaker 1: um quite a few of his ex girlfriends. Now. The 194 00:10:38,440 --> 00:10:42,600 Speaker 1: most interesting thing about our ex boyfriend is who he stated, 195 00:10:42,679 --> 00:10:44,520 Speaker 1: and that's so sad, So I don't really give a 196 00:10:44,520 --> 00:10:46,920 Speaker 1: ship what he's doing. Um. But the song is about 197 00:10:47,000 --> 00:10:52,760 Speaker 1: looking back at that. And then we have you know, Alibi, 198 00:10:52,800 --> 00:10:54,760 Speaker 1: which is about like my friendships that I found in 199 00:10:54,760 --> 00:10:56,880 Speaker 1: my twenties and like the crazy adventures and all that stuff, 200 00:10:56,920 --> 00:11:00,480 Speaker 1: and it's like still Edgy, still rocks on me, and 201 00:11:00,520 --> 00:11:03,480 Speaker 1: the Love Child is a really personal song and dives 202 00:11:03,520 --> 00:11:07,520 Speaker 1: deep and none of this is like shallow content, um, 203 00:11:07,559 --> 00:11:11,079 Speaker 1: but it's just not as fucking heavy as open books. 204 00:11:11,120 --> 00:11:13,080 Speaker 1: So I'm excited to play these songs live. I feel 205 00:11:13,080 --> 00:11:16,640 Speaker 1: like they're just like begging for it. And the accidental 206 00:11:16,720 --> 00:11:19,640 Speaker 1: part of it is you know all of these things. 207 00:11:19,720 --> 00:11:21,920 Speaker 1: I mean. Also, I thought it was funny because on 208 00:11:22,640 --> 00:11:24,920 Speaker 1: Love Child, that's where the line comes from, I got 209 00:11:24,920 --> 00:11:27,360 Speaker 1: your by accident because I was an oops baby and 210 00:11:27,400 --> 00:11:29,240 Speaker 1: then I heard You Got to Girls also about an 211 00:11:29,240 --> 00:11:31,600 Speaker 1: accidental pregnancy, so I was like, we have too How 212 00:11:31,600 --> 00:11:33,520 Speaker 1: many times do you have two out of five songs 213 00:11:33,559 --> 00:11:38,040 Speaker 1: on an EP about like unplanned pregnancies? You know, so 214 00:11:38,080 --> 00:11:40,800 Speaker 1: we had to do it. But um, it's all about 215 00:11:40,840 --> 00:11:43,880 Speaker 1: these like crazy situations that I found myself in, and 216 00:11:43,920 --> 00:11:46,800 Speaker 1: none of them were intentional. Like the things I've sought 217 00:11:46,800 --> 00:11:50,600 Speaker 1: out and and really wanted to happen and gotten like 218 00:11:50,640 --> 00:11:53,720 Speaker 1: fixated on, not like manifesting, but like gotten like stubborn 219 00:11:53,800 --> 00:11:57,160 Speaker 1: about those haven't really been the huge transformational moments in 220 00:11:57,200 --> 00:12:00,280 Speaker 1: my life. The huge ones have been the random ship 221 00:12:00,320 --> 00:12:03,199 Speaker 1: that happens along the way, whether it's something really bad 222 00:12:03,280 --> 00:12:06,840 Speaker 1: like Amy that like kind of changed how I trusted people, 223 00:12:07,480 --> 00:12:10,960 Speaker 1: or the fact that Amy went viral and you know 224 00:12:11,040 --> 00:12:14,800 Speaker 1: that was crazy, or you know, um, and I hate 225 00:12:14,800 --> 00:12:16,280 Speaker 1: the way this feels. It's the first song I ever 226 00:12:16,280 --> 00:12:19,600 Speaker 1: wrote about Sam when I figured out like, oh ship, 227 00:12:19,720 --> 00:12:23,040 Speaker 1: I really like him? Oh no, uh what do I 228 00:12:23,160 --> 00:12:25,400 Speaker 1: do about this? And yeah, the first song I ever 229 00:12:25,440 --> 00:12:27,600 Speaker 1: wrote about it. But it's about these you know, little 230 00:12:27,600 --> 00:12:45,360 Speaker 1: accidents and how they can totally change everything. And also 231 00:12:45,440 --> 00:12:51,080 Speaker 1: from a more literal um sense of the title, it's 232 00:12:51,160 --> 00:12:54,040 Speaker 1: not country, and I'm not going to call it country 233 00:12:54,440 --> 00:12:57,960 Speaker 1: because truthfully, I love country music too much. I love 234 00:12:58,000 --> 00:13:00,040 Speaker 1: the history of it, I love classic country, and and 235 00:13:00,160 --> 00:13:02,720 Speaker 1: just I care about it too much to slap a 236 00:13:02,800 --> 00:13:05,400 Speaker 1: label on it and put it under that umbrella when 237 00:13:05,400 --> 00:13:08,880 Speaker 1: it doesn't belong there. And I'm not like talking about 238 00:13:08,920 --> 00:13:11,280 Speaker 1: anybody else. I'm never going to be that person who's like, damn, 239 00:13:11,280 --> 00:13:13,200 Speaker 1: it's not a country but for me, like I knew 240 00:13:13,240 --> 00:13:15,480 Speaker 1: it wasn't. I know when I read a country song, 241 00:13:15,760 --> 00:13:18,120 Speaker 1: I eat like nothing New or escape, and I know 242 00:13:18,160 --> 00:13:20,959 Speaker 1: when I read a rock song, I eat Amy and 243 00:13:21,080 --> 00:13:23,960 Speaker 1: love Child definitely like fits into the country universe. And 244 00:13:24,000 --> 00:13:26,319 Speaker 1: so like Bobby's been supporting it and that's been awesome, 245 00:13:26,360 --> 00:13:30,880 Speaker 1: and um, you know, lots of stuff there, but the 246 00:13:30,920 --> 00:13:33,360 Speaker 1: rest of the EP is very very rock. So we're like, 247 00:13:33,400 --> 00:13:36,120 Speaker 1: let's just be honest about it, because but you and I, 248 00:13:36,280 --> 00:13:38,800 Speaker 1: when we were producing it, talked about it and I 249 00:13:38,880 --> 00:13:40,920 Speaker 1: was like, I just want to give the songs what 250 00:13:40,960 --> 00:13:44,360 Speaker 1: they're asking for, and that's what that's your job when 251 00:13:44,360 --> 00:13:47,640 Speaker 1: you're producing a song is to listen to what the 252 00:13:47,679 --> 00:13:50,720 Speaker 1: song needs. And none of these songs needed a banjo, 253 00:13:51,400 --> 00:13:53,640 Speaker 1: and it would have been disrespectful to the banjo as 254 00:13:53,640 --> 00:13:55,600 Speaker 1: an instrument to just slap it on there to say 255 00:13:55,600 --> 00:13:57,880 Speaker 1: it was country. And you can always say you can 256 00:13:57,960 --> 00:14:00,520 Speaker 1: always tell when a song is doing that when you're 257 00:14:00,520 --> 00:14:03,319 Speaker 1: like you literally put that fiddle there as an afterthought 258 00:14:03,480 --> 00:14:05,560 Speaker 1: because your label told you it wasn't country enough. You know, 259 00:14:05,760 --> 00:14:07,560 Speaker 1: I just don't don't even bring the fiddle into it. 260 00:14:07,640 --> 00:14:10,040 Speaker 1: Just if it's a good song, just fucking put it out. 261 00:14:10,080 --> 00:14:15,240 Speaker 1: Who cares. I think that genre only exists anymore, so 262 00:14:15,320 --> 00:14:20,000 Speaker 1: that like Spotify pro like in programmers and industry people 263 00:14:20,520 --> 00:14:23,840 Speaker 1: and like people would curate editorial playlists like it only 264 00:14:23,880 --> 00:14:26,280 Speaker 1: exists as like a dewey decimal system for them to 265 00:14:26,320 --> 00:14:28,640 Speaker 1: sort things like none of y'all seem to care too 266 00:14:28,720 --> 00:14:31,840 Speaker 1: much about genre, but you have to kind of pick 267 00:14:31,880 --> 00:14:33,800 Speaker 1: and so I wanted to be honest about this one. 268 00:14:33,880 --> 00:14:37,080 Speaker 1: But it's also like I didn't do that intentionally. I 269 00:14:37,120 --> 00:14:40,520 Speaker 1: wasn't like this big dramatic like I'm leaving country music. 270 00:14:41,040 --> 00:14:43,320 Speaker 1: I'm never going to you know, that's I don't know 271 00:14:43,400 --> 00:14:46,360 Speaker 1: what my next project will be, have no idea I could. 272 00:14:46,480 --> 00:14:49,040 Speaker 1: I could totally do a folk record, you know, I 273 00:14:49,360 --> 00:14:51,920 Speaker 1: don't see myself doing that, on the next project, but like, 274 00:14:52,000 --> 00:14:54,880 Speaker 1: certainly I'd love to have, you know, a singer songwriter 275 00:14:55,080 --> 00:14:58,720 Speaker 1: like sort of Joni Mitchell kind of vibe. That would 276 00:14:58,760 --> 00:15:02,320 Speaker 1: be awesome, that'd be so fun when um, but I don't. 277 00:15:02,360 --> 00:15:04,840 Speaker 1: I don't want to think that far ahead. I'm focused 278 00:15:04,880 --> 00:15:06,920 Speaker 1: on this project. And when we listened to it, I 279 00:15:06,960 --> 00:15:10,320 Speaker 1: was like, oops, we made a rock album, and UM, 280 00:15:10,480 --> 00:15:11,880 Speaker 1: so I just wanted to be honest about it. But 281 00:15:11,920 --> 00:15:16,520 Speaker 1: I like that it happened that way. It happened really organically, 282 00:15:16,680 --> 00:15:18,960 Speaker 1: and you know, we we did what the songs were 283 00:15:19,000 --> 00:15:22,520 Speaker 1: asking for and I'm really really happy with how it 284 00:15:22,560 --> 00:15:23,840 Speaker 1: turned out. And you guys are gonna get to hear 285 00:15:23,880 --> 00:15:27,720 Speaker 1: it on Friday. I'm so excited. UM check out the 286 00:15:27,720 --> 00:15:31,120 Speaker 1: tune speak link in UM the description for this and 287 00:15:31,400 --> 00:15:33,680 Speaker 1: you guys can see the ticket link for the show. 288 00:15:33,960 --> 00:15:39,320 Speaker 1: I'm also playing The High Wat on Tuesday, auguste UM 289 00:15:39,360 --> 00:15:43,280 Speaker 1: in Nashville with Dylan rock offf and Ian McConnell, and 290 00:15:43,280 --> 00:15:44,760 Speaker 1: that's gonna be really fun. So if you guys can't 291 00:15:44,760 --> 00:15:47,920 Speaker 1: make it Friday, check it out Tuesday. But there's lots 292 00:15:47,920 --> 00:15:50,080 Speaker 1: of lots of shows And thank you guys so much 293 00:15:50,120 --> 00:15:52,240 Speaker 1: for listening. I hope you love the ep Can't Wait Here, 294 00:15:52,280 --> 00:15:54,360 Speaker 1: where your favorite songs are on it UM and you'll 295 00:15:54,400 --> 00:15:56,080 Speaker 1: be able to pre order in the description as well. 296 00:15:56,080 --> 00:15:58,240 Speaker 1: So thank you guys so much for listening. And I'm 297 00:15:58,240 --> 00:16:00,600 Speaker 1: going to do a deep dive into a by song 298 00:16:01,600 --> 00:16:04,680 Speaker 1: stuff on the next podcast UM. And then i have 299 00:16:04,800 --> 00:16:08,200 Speaker 1: another podcast episode that I'm really stoked about. But it's 300 00:16:08,720 --> 00:16:11,720 Speaker 1: about a book I'm reading and it involves so much research, 301 00:16:11,800 --> 00:16:14,080 Speaker 1: so I've been working on that one really hard because 302 00:16:14,080 --> 00:16:16,040 Speaker 1: I want to make sure everything's like triple fact checked. 303 00:16:16,080 --> 00:16:18,240 Speaker 1: But very excited for the next few episodes. We've got 304 00:16:18,280 --> 00:16:20,640 Speaker 1: some special guests coming on, so stay tuned. Thank you 305 00:16:20,680 --> 00:16:22,840 Speaker 1: guys so much for listening every week. I love you tons, 306 00:16:23,080 --> 00:16:26,080 Speaker 1: and UM make sure you go stream. I got here 307 00:16:26,120 --> 00:16:28,280 Speaker 1: by accident. All right, bye, guys. I'm GAILI Shure and 308 00:16:28,320 --> 00:16:39,680 Speaker 1: this is too much to say asking questions, so turn 309 00:16:39,760 --> 00:16:42,240 Speaker 1: it out you