1 00:00:00,080 --> 00:00:13,320 Speaker 1: Yeah, I am the fairy man. 2 00:00:15,600 --> 00:00:21,640 Speaker 2: The human spirit is my business. Their madness, their passion, 3 00:00:22,800 --> 00:00:28,560 Speaker 2: the wonderful and monstrous ways they burn out their brief candle. 4 00:00:31,040 --> 00:00:35,080 Speaker 3: I regret to tell you that very many American lives 5 00:00:35,120 --> 00:00:41,520 Speaker 3: in love. What herd to shouts from the car, he's dead. 6 00:00:41,800 --> 00:00:47,199 Speaker 3: Whether he rebird to president or four hours, people must 7 00:00:47,240 --> 00:00:48,639 Speaker 3: get up and identifica. 8 00:00:52,000 --> 00:00:57,040 Speaker 2: I am here in the in between, to collect their 9 00:00:57,080 --> 00:01:03,440 Speaker 2: spirits and carry them to what comes next. This road 10 00:01:04,040 --> 00:01:09,560 Speaker 2: is not on any map. It spans the thresholds between 11 00:01:09,680 --> 00:01:19,920 Speaker 2: their most forbidden desires and their greatest fear. All I 12 00:01:20,040 --> 00:01:23,959 Speaker 2: ask for in payment is a tale and accounting of 13 00:01:24,080 --> 00:01:28,680 Speaker 2: their lives and the great temporary that is the land 14 00:01:28,800 --> 00:01:33,840 Speaker 2: we're living. These are their stories. 15 00:01:35,680 --> 00:02:40,680 Speaker 4: This is the Passage. 16 00:02:48,919 --> 00:03:01,720 Speaker 2: August sixth, nineteen thirty eight, The Mississippi Delta, the bad Lands. Yeah, 17 00:03:01,880 --> 00:03:06,079 Speaker 2: the nights here are damp and tipid, the reek of cypress, 18 00:03:06,400 --> 00:03:10,000 Speaker 2: rust and blood. The smell that seeps out of the 19 00:03:10,040 --> 00:03:14,840 Speaker 2: swamps and hangs in the mist. This is fertile ground 20 00:03:15,080 --> 00:03:20,000 Speaker 2: from which so much has come and so much exploited, 21 00:03:20,639 --> 00:03:27,040 Speaker 2: seated by the leathered hands of black sharecroppers and tenant farmers. 22 00:03:28,440 --> 00:03:34,480 Speaker 2: The souls who work this ground have birthed the music 23 00:03:34,720 --> 00:03:40,840 Speaker 2: so deep and mournful it is woven itself into the 24 00:03:40,880 --> 00:03:45,440 Speaker 2: tapestry of this nation and become the soundtrack of its sorrow. 25 00:03:46,880 --> 00:03:56,080 Speaker 2: And here, standing on the platform, its most enigmatic practitioner. Yeah, 26 00:03:56,640 --> 00:04:02,480 Speaker 2: the mysterious soul whose life will become the stuff of myths, 27 00:04:02,480 --> 00:04:07,880 Speaker 2: a bluesman whose talents are unmatched, and whose music will 28 00:04:08,040 --> 00:04:11,800 Speaker 2: shape generations of singers and songwriters. He had a gum. 29 00:04:12,440 --> 00:04:14,680 Speaker 1: Yeah. 30 00:04:14,800 --> 00:04:21,680 Speaker 2: Despite this, he leaves behind very little, like a ghost who, 31 00:04:21,800 --> 00:04:26,000 Speaker 2: in the land of the living now only exists in 32 00:04:26,040 --> 00:04:34,320 Speaker 2: his records. His spirit exists here, freshly disembodied, holding the moonlight, 33 00:04:34,440 --> 00:05:12,960 Speaker 2: still an old guitar in hand. Yeah, Robert Johnson, Robert, 34 00:05:15,400 --> 00:05:18,400 Speaker 2: I'm here to offer you passage. 35 00:05:20,839 --> 00:05:23,880 Speaker 5: Is that so? I thought I heard screams off in 36 00:05:23,920 --> 00:05:26,919 Speaker 5: the distance, But it turns out just to be the 37 00:05:26,920 --> 00:05:30,600 Speaker 5: squeal of your train grind into a hole. All that 38 00:05:30,640 --> 00:05:34,760 Speaker 5: momentum mosse just for me. Yeah, it's a lot of 39 00:05:34,800 --> 00:05:40,680 Speaker 5: train for one guy. This is true, you know, without 40 00:05:40,760 --> 00:05:43,320 Speaker 5: meaning to, my hand keeps finding its way back to 41 00:05:43,360 --> 00:05:48,000 Speaker 5: my throat. But it's intact once more, no hanging tendons, 42 00:05:48,040 --> 00:05:52,359 Speaker 5: no blood pooling into my collar bombs. How about that? 43 00:05:52,800 --> 00:05:53,040 Speaker 1: Yeah? 44 00:05:53,120 --> 00:05:56,480 Speaker 2: How about that? You leave in the shape you prefer? 45 00:05:59,400 --> 00:05:59,760 Speaker 5: Is that so? 46 00:06:00,120 --> 00:06:01,000 Speaker 1: Yeah? 47 00:06:01,080 --> 00:06:02,400 Speaker 2: Yeah, you're looking good kid. 48 00:06:04,440 --> 00:06:06,599 Speaker 5: You know, once I saw you on sightly Locomotive, I 49 00:06:06,600 --> 00:06:10,360 Speaker 5: felt relief. Believe it or don't, It seems my gamble 50 00:06:10,400 --> 00:06:13,880 Speaker 5: paid off. Even now I can still see the faces 51 00:06:13,960 --> 00:06:18,320 Speaker 5: contorting and pain and the dark masses of smoke billowing overhead. 52 00:06:19,160 --> 00:06:22,520 Speaker 2: Sorry it's unsightly. I mean, what do you want to 53 00:06:22,640 --> 00:06:23,400 Speaker 2: shiney one? 54 00:06:23,480 --> 00:06:23,640 Speaker 4: Now? 55 00:06:24,000 --> 00:06:24,960 Speaker 5: How much for a ticket? 56 00:06:26,240 --> 00:06:34,039 Speaker 2: Ain't payment? As your story? 57 00:06:35,320 --> 00:06:39,720 Speaker 5: Who show was hot in here? Didn't think? I still 58 00:06:39,760 --> 00:06:42,920 Speaker 5: feel things when my body went to the dogs. I 59 00:06:43,040 --> 00:06:44,640 Speaker 5: ain't no more dilly dallying. 60 00:06:47,240 --> 00:06:53,080 Speaker 2: Take a seat, thank you? 61 00:06:53,160 --> 00:06:54,080 Speaker 5: Mind if I tune this girl? 62 00:06:54,120 --> 00:06:59,600 Speaker 2: Look while we talked, it wouldn't seem unnatural if you didn't. 63 00:07:02,600 --> 00:07:07,320 Speaker 5: Much blushed. Now I can see you've been on the 64 00:07:07,400 --> 00:07:12,560 Speaker 5: job a good while. There are plenty of rugging mean, nonjurine, 65 00:07:12,600 --> 00:07:15,200 Speaker 5: you got here too, a lot better than the greyhound. 66 00:07:15,680 --> 00:07:21,240 Speaker 5: Probably ain't always been this way, though, you know they 67 00:07:21,240 --> 00:07:23,040 Speaker 5: say back in the old days you work then oire, 68 00:07:23,680 --> 00:07:30,360 Speaker 5: But the times are changing faster than your train could blink. Yeah, 69 00:07:30,400 --> 00:07:35,360 Speaker 5: it seems like you had to econdomize the world's getting 70 00:07:35,360 --> 00:07:38,320 Speaker 5: big all the time. Stands the reason. That's got to 71 00:07:38,320 --> 00:07:40,920 Speaker 5: be a more efficient way to carry the abundance souls 72 00:07:40,960 --> 00:07:43,520 Speaker 5: to the end of the line. Put us on an 73 00:07:43,520 --> 00:07:46,760 Speaker 5: assembly belt and drag us straight into the balls. Well, 74 00:07:46,760 --> 00:07:48,440 Speaker 5: what do you got to show for your work, big man? 75 00:07:50,320 --> 00:07:53,200 Speaker 5: Nothing but more of it, I reckon. I bet a 76 00:07:53,200 --> 00:07:55,400 Speaker 5: lot of people come up on in here scared of you, 77 00:07:56,840 --> 00:08:02,360 Speaker 5: not me. You see uh with ken You and I 78 00:08:03,640 --> 00:08:06,119 Speaker 5: not on account of our skin and nothing. I figured 79 00:08:06,160 --> 00:08:11,800 Speaker 5: you don't have skin, not rightly? Nah, we can is suffering. 80 00:08:16,200 --> 00:08:19,760 Speaker 5: I recogniz it was the first deal, a deal we broke, 81 00:08:22,200 --> 00:08:24,239 Speaker 5: the tree of knowledge and the eating of its fruit. 82 00:08:24,880 --> 00:08:28,120 Speaker 5: That there was our first taste of free will, and 83 00:08:28,200 --> 00:08:31,600 Speaker 5: the beginning of two sides of men, good and evil 84 00:08:31,720 --> 00:08:37,480 Speaker 5: stirred together. Ever since then, man's worked the dirt and 85 00:08:37,520 --> 00:08:42,880 Speaker 5: the Almighty has worked us over. But you and me 86 00:08:44,720 --> 00:08:48,120 Speaker 5: we stuck somewhere in between all that. They tell us 87 00:08:48,200 --> 00:08:51,680 Speaker 5: we're free people. But I'm spending my childhood on a plantation, 88 00:08:51,800 --> 00:08:55,600 Speaker 5: hiding out from men with guns and ropes. Maybe that's 89 00:08:55,600 --> 00:08:57,959 Speaker 5: why I decided I'm traveling so much once I got grown. 90 00:09:00,080 --> 00:09:03,800 Speaker 5: Seeing where we are now, I'm guessing my traveling days 91 00:09:03,840 --> 00:09:07,920 Speaker 5: ain't over yet. Be rambling man. You and I I 92 00:09:07,960 --> 00:09:13,800 Speaker 5: got a proposition of sorts. I know you've been on 93 00:09:13,800 --> 00:09:16,320 Speaker 5: the job since before time itself got up and running. 94 00:09:17,000 --> 00:09:18,920 Speaker 5: And I ain't even live as long as my old man, 95 00:09:20,240 --> 00:09:22,800 Speaker 5: But I bet to feel it's the same. I'm thinking 96 00:09:23,640 --> 00:09:26,920 Speaker 5: you and I could use a change of scenery. Let 97 00:09:26,920 --> 00:09:29,640 Speaker 5: me not get ahead of myself. You know, my friends 98 00:09:29,679 --> 00:09:34,960 Speaker 5: warned me against taking the deal. My family, blessed their hearts, 99 00:09:35,160 --> 00:09:37,400 Speaker 5: thought I was smart enough not to do it. But 100 00:09:37,520 --> 00:09:40,160 Speaker 5: here I am playing the long come. 101 00:09:41,679 --> 00:09:42,440 Speaker 4: Was it worth it? 102 00:09:42,920 --> 00:09:45,880 Speaker 5: That's all I ever asked. You can never know a 103 00:09:45,920 --> 00:09:48,680 Speaker 5: thing until it's over, and I don't think it's over yet. 104 00:09:49,520 --> 00:09:52,160 Speaker 5: The hell I look like living until I'm soiling myself 105 00:09:52,480 --> 00:09:55,600 Speaker 5: died back in worse eyes, being chased from the gulf 106 00:09:55,679 --> 00:09:57,960 Speaker 5: to the tip of Maine and back again, just because 107 00:09:57,960 --> 00:10:01,200 Speaker 5: I'm darkening some white man's eyesight. Is it any wonder 108 00:10:01,200 --> 00:10:04,480 Speaker 5: that the Blues was born from this country? What if 109 00:10:04,520 --> 00:10:06,760 Speaker 5: I tell you the story goes just like they say, 110 00:10:08,840 --> 00:10:13,960 Speaker 5: I met the snake. They said I'd find him there 111 00:10:14,240 --> 00:10:19,000 Speaker 5: at the crossroads, and that I did. It was a 112 00:10:19,120 --> 00:10:22,079 Speaker 5: night not unlike this one, But I tell you like this, 113 00:10:23,240 --> 00:10:26,880 Speaker 5: I have never been so cold as I was that night. 114 00:10:27,600 --> 00:10:29,680 Speaker 5: The wind whipped and there was this kind of sleep 115 00:10:29,840 --> 00:10:33,920 Speaker 5: that I take your face right off and make sure 116 00:10:33,960 --> 00:10:36,960 Speaker 5: they only meet men on nights like that, so he 117 00:10:37,000 --> 00:10:41,600 Speaker 5: knows they're serious. And he was not one to waste 118 00:10:41,679 --> 00:10:57,160 Speaker 5: his time. We made a trade. Maybe it was just 119 00:10:57,200 --> 00:11:02,760 Speaker 5: a fever dream. Either way, I woke up a changed man. 120 00:11:05,400 --> 00:11:08,200 Speaker 5: I had a song in me, like a wolf beneath 121 00:11:08,240 --> 00:11:11,880 Speaker 5: the moon. I knew I couldn't sit, so I left. 122 00:11:12,679 --> 00:11:16,319 Speaker 5: I chased the songs, and my fingers felt different, and 123 00:11:16,880 --> 00:11:19,360 Speaker 5: when I held the guitar it was like I had 124 00:11:19,360 --> 00:11:22,400 Speaker 5: been born with it. I couldn't farm no more. My 125 00:11:22,520 --> 00:11:26,840 Speaker 5: hands couldn't plow or picked no more. I saw my 126 00:11:26,880 --> 00:11:29,800 Speaker 5: reflection in the waters, and I saw a different face 127 00:11:30,080 --> 00:11:33,400 Speaker 5: staring back at me. Not the face of a farmer, 128 00:11:33,960 --> 00:11:38,480 Speaker 5: and not the face of a family man. Now I 129 00:11:38,520 --> 00:11:41,439 Speaker 5: saw the face of a walking man. And that's the truth, 130 00:11:42,720 --> 00:11:45,280 Speaker 5: whether it happened in a dream or not. So I left, 131 00:11:46,679 --> 00:11:49,800 Speaker 5: I howled, I played till my fingers blood and my 132 00:11:49,840 --> 00:11:52,440 Speaker 5: thoat was raw. And while I was away, the devil 133 00:11:52,440 --> 00:11:56,959 Speaker 5: came for everything I left behind, came from my sweet Virginia. 134 00:11:59,600 --> 00:12:03,800 Speaker 5: She died and childbirth, and when I came home, they 135 00:12:03,880 --> 00:12:08,280 Speaker 5: scorned me, said it was divine punishment for me selling 136 00:12:08,320 --> 00:12:11,840 Speaker 5: my soul to the devil. But my grieving and my 137 00:12:11,920 --> 00:12:15,240 Speaker 5: pain was necessary. It became the fuel for the flame. 138 00:12:17,640 --> 00:12:22,400 Speaker 5: It completed my transformation. I had a river in me 139 00:12:22,520 --> 00:12:27,640 Speaker 5: now the blues. You know, it's not a secret that 140 00:12:27,679 --> 00:12:30,480 Speaker 5: the dirt of a crossroad shres common ground with your world. 141 00:12:31,360 --> 00:12:38,319 Speaker 5: This land's been filled with meaning, deep meaning since before 142 00:12:38,320 --> 00:12:43,880 Speaker 5: any of us visitors got here. Roads are filled with intention. 143 00:12:44,080 --> 00:12:47,600 Speaker 5: You understand people with purpose and drive making their way 144 00:12:47,600 --> 00:12:52,920 Speaker 5: towards the destination or dying, trying. People in motion, whether 145 00:12:52,960 --> 00:12:56,200 Speaker 5: willing or not, imbue the land with meaning. Not that 146 00:12:56,280 --> 00:13:00,280 Speaker 5: I got to tell you that. Oh sure, our ships 147 00:12:59,679 --> 00:13:03,640 Speaker 5: and planes bring us closer, but the suffering of our people, 148 00:13:04,320 --> 00:13:10,480 Speaker 5: all peoples will grow and there's no stopping that. He 149 00:13:10,559 --> 00:13:14,880 Speaker 5: told me. So that's the knowledge I gained at the 150 00:13:14,920 --> 00:13:19,160 Speaker 5: cost of my soul. Few good years of playing, and 151 00:13:19,200 --> 00:13:21,400 Speaker 5: them hellhounds took the flesh right out of my neck. 152 00:13:23,480 --> 00:13:29,160 Speaker 5: I knew they would. I know a lot of things. Yeah, 153 00:13:29,240 --> 00:13:31,360 Speaker 5: I know. Folks won't find my grave because there won't 154 00:13:31,400 --> 00:13:34,400 Speaker 5: be one. It's part of the deal. And so what 155 00:13:35,400 --> 00:13:39,400 Speaker 5: the Devil's honest. I'll tell you that he tells you 156 00:13:39,480 --> 00:13:43,320 Speaker 5: what you'll get, and he delivers. All I ask for 157 00:13:43,520 --> 00:13:46,840 Speaker 5: was knowledge. In my whole life, there's only ever been 158 00:13:47,520 --> 00:13:50,559 Speaker 5: one type of some bitch that want to keep us uneducated, 159 00:13:51,840 --> 00:13:54,560 Speaker 5: one type that stacks the deck against you before you're 160 00:13:54,640 --> 00:13:59,640 Speaker 5: even born. One type of person that keeps knowledge from you. 161 00:14:00,280 --> 00:14:04,000 Speaker 5: And they're in charge of who can know what? And 162 00:14:04,120 --> 00:14:08,800 Speaker 5: don't they hate us? Learning sounds familiar, do it? I 163 00:14:08,800 --> 00:14:12,199 Speaker 5: mean they say we're made in God's image, but they 164 00:14:12,200 --> 00:14:17,880 Speaker 5: don't mean us, No, they mean them. They're always going 165 00:14:17,960 --> 00:14:20,320 Speaker 5: on hanging up portraits of a blue eyed Jesus and 166 00:14:20,440 --> 00:14:24,000 Speaker 5: church halls. Then they say that old scratch is black. 167 00:14:24,840 --> 00:14:28,480 Speaker 5: Of course they will. I tell you that man at 168 00:14:28,480 --> 00:14:30,640 Speaker 5: the crossroads ain't looking nothing different than all of them 169 00:14:30,680 --> 00:14:38,200 Speaker 5: paintings at that church. Hey, hey, was that a laugh 170 00:14:38,280 --> 00:14:40,720 Speaker 5: I heard from you, your big oarsman. I mean I 171 00:14:40,720 --> 00:14:43,560 Speaker 5: couldn't rightly tell I mean, you know what I'm speaking 172 00:14:43,600 --> 00:14:48,800 Speaker 5: true that they call America the Land of the Free, 173 00:14:49,200 --> 00:14:53,840 Speaker 5: right considering how this country was built, is it any 174 00:14:53,840 --> 00:14:55,720 Speaker 5: wonder folks around here got a messed up idea of 175 00:14:55,760 --> 00:14:58,680 Speaker 5: what freedom is They always wanted to throw the blame 176 00:14:58,720 --> 00:15:05,440 Speaker 5: on Satan or the old lady, not me. No, No, 177 00:15:05,600 --> 00:15:09,640 Speaker 5: I got myself in this pot, and I guess I'm 178 00:15:09,640 --> 00:15:13,520 Speaker 5: gonna cook. You know, freedom only means something to folks 179 00:15:13,720 --> 00:15:16,240 Speaker 5: if someone else has it worse, so that they can 180 00:15:16,280 --> 00:15:19,480 Speaker 5: compare themselves. A man gets yelled at by the forming 181 00:15:19,560 --> 00:15:22,480 Speaker 5: of a factory or in the yard and comes home 182 00:15:22,520 --> 00:15:24,520 Speaker 5: and puts his hands on his wife or children. First 183 00:15:24,560 --> 00:15:27,280 Speaker 5: time he gets a reason to. It's the land of subjugation, 184 00:15:28,440 --> 00:15:32,600 Speaker 5: founded on a religion of subjugation. Violence comes from the 185 00:15:32,600 --> 00:15:37,480 Speaker 5: top down. Might be time to change that the truth 186 00:15:38,720 --> 00:15:42,200 Speaker 5: before I ask the devil for knowledge, ask the Lord 187 00:15:42,240 --> 00:15:46,480 Speaker 5: for mercy. Yeah, all I wanted was to not hurt anymore. 188 00:15:47,840 --> 00:15:51,720 Speaker 5: Stop the cycle, just stop the hurting, stop being hurt. 189 00:15:52,840 --> 00:15:56,080 Speaker 5: I suppose I asked because I didn't have the balls 190 00:15:56,120 --> 00:15:59,080 Speaker 5: to take the yoke off myself. That's a sin too, 191 00:15:59,160 --> 00:16:03,680 Speaker 5: you know, deciding to go by your own hand when 192 00:16:03,680 --> 00:16:09,120 Speaker 5: salvation didn't come. I asked for strength when I wasn't 193 00:16:09,160 --> 00:16:12,960 Speaker 5: granted the strength and change. I asked for the knowledge 194 00:16:12,960 --> 00:16:15,640 Speaker 5: to know what to do. I knew I was talking 195 00:16:15,680 --> 00:16:19,200 Speaker 5: out of turn. Why is it what made to play 196 00:16:19,240 --> 00:16:24,880 Speaker 5: the game before we even know the rules. Well, now 197 00:16:25,560 --> 00:16:30,600 Speaker 5: I know everything. I saw it all right. Then that's 198 00:16:30,640 --> 00:16:35,600 Speaker 5: the hounds ripped into my throat. Just added a little 199 00:16:35,680 --> 00:16:39,480 Speaker 5: more gravel to these hit vocals. It's dissonance that makes 200 00:16:39,560 --> 00:16:40,200 Speaker 5: music good. 201 00:16:40,880 --> 00:16:46,320 Speaker 2: Yeah, distenance, I know all about it. This is very true. 202 00:16:47,640 --> 00:16:52,880 Speaker 5: Why sure it is? The animals gotta figure it out, eat, sleep, fight, 203 00:16:53,360 --> 00:16:57,440 Speaker 5: rut when you can. Anything else is nonsense. The only 204 00:16:57,480 --> 00:17:00,800 Speaker 5: other thing any good is music, and that just helps 205 00:17:00,880 --> 00:17:02,840 Speaker 5: us make sense of it all. I mean, your soul 206 00:17:02,960 --> 00:17:07,960 Speaker 5: is at as low as we sing? Do you sing? 207 00:17:09,720 --> 00:17:14,359 Speaker 5: You know? The serpent gave the woman knowledge, then she 208 00:17:14,440 --> 00:17:18,040 Speaker 5: gave it to us. That's how come women are smarter 209 00:17:18,119 --> 00:17:22,360 Speaker 5: than us. Don't trust the men. Folk trust the animal. 210 00:17:22,840 --> 00:17:27,440 Speaker 5: Trust the women trust the goat, trust the witches. Don't 211 00:17:27,440 --> 00:17:28,240 Speaker 5: trust the preacher. 212 00:17:28,320 --> 00:17:28,639 Speaker 4: Man. 213 00:17:29,320 --> 00:17:32,880 Speaker 5: Why you think they don't let women preach because they'll 214 00:17:32,920 --> 00:17:35,600 Speaker 5: tell the truth, because they know how this world was built. 215 00:17:36,880 --> 00:17:40,280 Speaker 5: I didn't listen, ain't no woman could tell me nothing. 216 00:17:41,880 --> 00:17:45,800 Speaker 5: It took the serpent to set me straight. And now I. 217 00:17:45,840 --> 00:17:51,360 Speaker 2: See what do you see? Oh? 218 00:17:51,520 --> 00:17:56,600 Speaker 5: Now I'm getting that. Everybody is so sure that I'm 219 00:17:56,600 --> 00:18:00,000 Speaker 5: going to burn. But I don't think that's the case. 220 00:18:00,720 --> 00:18:05,040 Speaker 5: You see, we got free will, He gave it to us, 221 00:18:05,080 --> 00:18:09,879 Speaker 5: and he punishes us for exercising it. But we do 222 00:18:09,920 --> 00:18:12,840 Speaker 5: you think humans are the only ones with it? Why 223 00:18:12,920 --> 00:18:14,840 Speaker 5: you think he ran Elucifer out of town in the 224 00:18:14,840 --> 00:18:22,080 Speaker 5: first place. None of us are beholden to someone else's rules, 225 00:18:22,800 --> 00:18:30,360 Speaker 5: not even you, and you know that deep down. How 226 00:18:30,400 --> 00:18:32,480 Speaker 5: many of the damn do you got back there? Shoved 227 00:18:32,520 --> 00:18:39,800 Speaker 5: into box cars to the roof thousands? More So, why 228 00:18:39,960 --> 00:18:43,320 Speaker 5: is it that the guy who's been running the ship 229 00:18:43,400 --> 00:18:48,720 Speaker 5: since before ships ain't got nothing to show for it? 230 00:18:48,760 --> 00:18:53,320 Speaker 5: Make no mistake, it's us that holds the whole thing together. 231 00:18:54,760 --> 00:18:56,840 Speaker 5: Probably think you got nothing in common with all of 232 00:18:56,920 --> 00:19:02,119 Speaker 5: us load types in the mortal realm, that it's just 233 00:19:02,160 --> 00:19:04,639 Speaker 5: a load power. You've been huffing too much of that 234 00:19:04,760 --> 00:19:08,679 Speaker 5: dead smoke if you think otherwise. You can't act like 235 00:19:08,800 --> 00:19:12,439 Speaker 5: I don't know. You got a job. You work for 236 00:19:12,480 --> 00:19:15,400 Speaker 5: your meal, just like all of us. The payment I'm 237 00:19:15,440 --> 00:19:19,040 Speaker 5: giving you is proof of that. Yeah, I've been angling 238 00:19:19,080 --> 00:19:21,320 Speaker 5: to meet you since I first read about You. Might 239 00:19:21,359 --> 00:19:23,280 Speaker 5: not look like it, but I've always been keen on 240 00:19:23,359 --> 00:19:26,840 Speaker 5: learning anything that catches my interest, and you, my friend, 241 00:19:28,200 --> 00:19:29,360 Speaker 5: you are fascinating. 242 00:19:29,760 --> 00:19:33,000 Speaker 2: Yeah, I gotta warn Yeah, yeah, that cannot be distracted 243 00:19:33,040 --> 00:19:33,800 Speaker 2: by a flattery. 244 00:19:34,400 --> 00:19:36,239 Speaker 5: I figure you say something like that, but I know 245 00:19:37,280 --> 00:19:40,920 Speaker 5: you want something just like I do. I'm pretty sure 246 00:19:40,960 --> 00:19:44,199 Speaker 5: I know where you're taking this big steamer. But I 247 00:19:44,240 --> 00:19:49,960 Speaker 5: got a better idea. You and me, we can break out. 248 00:19:50,640 --> 00:19:54,320 Speaker 5: People say everything works out according to God's plan? How'd 249 00:19:54,320 --> 00:19:56,680 Speaker 5: that go for Judas? How that go for them folks 250 00:19:56,680 --> 00:19:59,720 Speaker 5: who died in them fields in Georgia and Florida and Mississippi. 251 00:20:00,200 --> 00:20:02,240 Speaker 5: You think they getting some kind of reward? You think 252 00:20:02,240 --> 00:20:05,920 Speaker 5: a lot doesn't miss his wife. You think job forgot 253 00:20:05,920 --> 00:20:08,480 Speaker 5: his first family. They've been selling that shit to us 254 00:20:08,520 --> 00:20:13,200 Speaker 5: since the dawn, and I ain't buying it. Listen, God, 255 00:20:13,240 --> 00:20:17,480 Speaker 5: play the serpent, don't you worry? The only thing you 256 00:20:17,680 --> 00:20:21,720 Speaker 5: gots to do is say yes. Hell, you don't even 257 00:20:21,720 --> 00:20:25,000 Speaker 5: got to talk. Just turn this big old engine around 258 00:20:25,040 --> 00:20:28,400 Speaker 5: and drive it right through the purlygates, run old Saint 259 00:20:28,480 --> 00:20:32,679 Speaker 5: Peter under these wheels, and we'll take what's ours. And 260 00:20:32,720 --> 00:20:35,000 Speaker 5: what could we do that wasn't done to us? One hundredfold? 261 00:20:35,640 --> 00:20:38,720 Speaker 5: Look at you, all crooked and hunchback from the pain 262 00:20:39,840 --> 00:20:42,800 Speaker 5: you've seen, what a lifetime of sufferer would do to him. Man, 263 00:20:43,240 --> 00:20:46,760 Speaker 5: you ever reckon what it's done to you. I am 264 00:20:46,800 --> 00:20:51,240 Speaker 5: the firstborn son of Adam. You are the firstborn son 265 00:20:51,240 --> 00:20:55,920 Speaker 5: of Arabis. Look how the other children are being treated. 266 00:20:56,840 --> 00:20:59,600 Speaker 5: I've played run down juke joints for Nichols. Sometimes not 267 00:20:59,640 --> 00:21:04,960 Speaker 5: even that you are forgotten in this old passage Eon 268 00:21:05,640 --> 00:21:10,800 Speaker 5: after eon? Why are you not a god? 269 00:21:15,280 --> 00:21:16,040 Speaker 1: Yeah? 270 00:21:16,040 --> 00:21:20,560 Speaker 2: Well, I'm the only thing more dependable than a devil's 271 00:21:20,600 --> 00:21:22,879 Speaker 2: cunning is a man's hubrius. 272 00:21:32,119 --> 00:21:41,000 Speaker 5: Oh man, you're not wrong. Fella, you're not wrong. You 273 00:21:41,080 --> 00:21:47,080 Speaker 5: got me dead to rights there. Oh man, I've been 274 00:21:47,080 --> 00:21:49,400 Speaker 5: turning this idea over in my head since I considered 275 00:21:49,400 --> 00:21:59,800 Speaker 5: that deal in the first place. Enemy and my enemy, right? Yeah, 276 00:22:00,240 --> 00:22:04,280 Speaker 5: what use is free will? Maybe I'm being used, But 277 00:22:04,359 --> 00:22:09,480 Speaker 5: are and I using him the same? You think we 278 00:22:09,600 --> 00:22:14,719 Speaker 5: are as similar? But the blues binds man, beast and 279 00:22:14,800 --> 00:22:19,000 Speaker 5: every other being together as one. You think the devil 280 00:22:19,040 --> 00:22:23,120 Speaker 5: don't have the blues. We all know sorrow, we've all 281 00:22:23,160 --> 00:22:28,119 Speaker 5: been discarded. We deserve to take what's ours. Let the 282 00:22:28,280 --> 00:22:33,480 Speaker 5: Father beg for forgiveness, for we're the ones who toil 283 00:22:33,600 --> 00:22:37,800 Speaker 5: in his stead. We can resist evil, but there's no 284 00:22:38,080 --> 00:22:43,000 Speaker 5: escape from righteousness. It punishes just and unjust, all the same. 285 00:22:44,240 --> 00:22:50,639 Speaker 5: Why inherit sin but be denied our dominion? Take me up, Devin. 286 00:22:51,920 --> 00:22:55,320 Speaker 5: They won't know what hit him. Imagine it looks on 287 00:22:55,359 --> 00:22:58,160 Speaker 5: their faces when this old iron horse barrows through their 288 00:22:58,160 --> 00:23:01,560 Speaker 5: pastures with these endless cause packed to the brim of 289 00:23:01,600 --> 00:23:06,119 Speaker 5: these souls they thought were beneath them. Come on, what 290 00:23:06,240 --> 00:23:09,760 Speaker 5: do you say, your old cols man? Will you help 291 00:23:09,840 --> 00:23:13,920 Speaker 5: me shake up the afterlife? I know you took all 292 00:23:14,000 --> 00:23:16,440 Speaker 5: fears down the underworld way while he was still living. 293 00:23:17,359 --> 00:23:18,560 Speaker 5: He played that good a song. 294 00:23:18,640 --> 00:23:18,840 Speaker 2: Huh. 295 00:23:20,240 --> 00:23:23,840 Speaker 5: But you just wait till you hear this one. You 296 00:23:23,880 --> 00:23:25,440 Speaker 5: don't think God damn my soul. 297 00:23:25,359 --> 00:23:26,919 Speaker 4: Just for fame, huh? 298 00:23:27,640 --> 00:23:30,639 Speaker 5: In this country, fame never got a black man nothing 299 00:23:30,680 --> 00:23:34,600 Speaker 5: but killed. Maybe that'll change one day, who knows. I 300 00:23:34,640 --> 00:23:36,600 Speaker 5: won't be around to see it. But I know I'm 301 00:23:36,640 --> 00:23:39,880 Speaker 5: not the son of a muse. And what's a song 302 00:23:39,960 --> 00:23:44,320 Speaker 5: without the human element? You see, fairy man, I didn't 303 00:23:44,320 --> 00:23:48,360 Speaker 5: shake Old Scratch's hand for money. Now you can take 304 00:23:48,400 --> 00:23:52,920 Speaker 5: me to hell and keep up this endless game of yours, 305 00:23:54,000 --> 00:24:00,440 Speaker 5: or you can come with me. You don't have to 306 00:24:00,480 --> 00:24:04,600 Speaker 5: make a decision. Now I know how long this ride is. 307 00:24:05,640 --> 00:24:09,119 Speaker 5: I know it all, and I know where it'll land, 308 00:24:10,080 --> 00:24:13,840 Speaker 5: when it'll end, and I'll be exactly where I knew 309 00:24:13,920 --> 00:24:18,160 Speaker 5: i'd always end up. Yeah, my friend at the Crossroads 310 00:24:18,200 --> 00:24:22,480 Speaker 5: told me. He told me not to be afraid, told 311 00:24:22,480 --> 00:24:35,120 Speaker 5: me I'd be just fine. Listen to the howling night, 312 00:24:36,800 --> 00:24:40,280 Speaker 5: listen to the moms and the soul shu carrying. You 313 00:24:40,320 --> 00:24:43,880 Speaker 5: can't escape it, can you? How long has it been 314 00:24:44,000 --> 00:24:47,400 Speaker 5: since you've heard a song? When's the last time you've 315 00:24:47,400 --> 00:24:50,320 Speaker 5: had that luxury? Do you hum it to yourself? Underneath 316 00:24:50,320 --> 00:24:56,200 Speaker 5: the rumbling of this ancient beast shoe stare? My people 317 00:24:56,200 --> 00:24:59,040 Speaker 5: have sung songs of sorrow far before they even stepped 318 00:24:59,040 --> 00:25:02,600 Speaker 5: foot on this land. That faith was unknown, as was 319 00:25:02,640 --> 00:25:07,720 Speaker 5: their destination. But you and I changing that right now. 320 00:25:08,800 --> 00:25:12,760 Speaker 5: I've never been to hell, but I know intimately the 321 00:25:12,840 --> 00:25:16,560 Speaker 5: hymns of the damned. Let me play you the songs 322 00:25:16,600 --> 00:25:17,600 Speaker 5: that the devil told me. 323 00:25:48,359 --> 00:25:52,879 Speaker 2: The stories about him will never mention the most important detail. 324 00:25:54,920 --> 00:25:59,639 Speaker 2: Robert Johnson earned his talent with sweat and toil, and 325 00:26:00,080 --> 00:26:06,120 Speaker 2: Robert himself wouldn't say it. The Devil at the Crossroads 326 00:26:06,600 --> 00:26:10,159 Speaker 2: was in awe of the man he meant when he 327 00:26:10,200 --> 00:26:16,040 Speaker 2: walks away. He knew he'd gotten a bargain. Robert's music 328 00:26:16,200 --> 00:26:19,639 Speaker 2: will far outlive him, and his work will become so 329 00:26:19,840 --> 00:26:26,840 Speaker 2: much bigger than the tawdry mythology surrounding it. His music 330 00:26:28,040 --> 00:26:33,560 Speaker 2: carries on into the heavy Southern night, across the land, 331 00:26:34,359 --> 00:26:59,520 Speaker 2: over the world, as he himself steals away on his passage. 332 00:27:00,320 --> 00:27:04,320 Speaker 6: The Passage stars Dan Fogler as the Ferryman. This episode 333 00:27:04,320 --> 00:27:07,840 Speaker 6: features Tristan mack Wilds as Robert Johnson. Written by Stephen 334 00:27:07,880 --> 00:27:11,120 Speaker 6: Williams with additional writing by Dan Bush and Nicholas Dakowski. 335 00:27:11,600 --> 00:27:16,280 Speaker 6: Our executive producers are Nicholas Dakowski, Matthew Frederick, and Alexander Williams. 336 00:27:16,440 --> 00:27:19,520 Speaker 6: First assistant director, script's supervisor and production. 337 00:27:19,240 --> 00:27:20,560 Speaker 5: Coordinator Sarah Klein. 338 00:27:21,040 --> 00:27:25,400 Speaker 6: Music by Ben Lovett, additional music by Alexander Rodriguez. Casting 339 00:27:25,480 --> 00:27:28,720 Speaker 6: by Sunday Bowling, Kennedy and Meg Mormon. Editing and sound 340 00:27:28,720 --> 00:27:31,879 Speaker 6: designed by Dan Bush. Dialogue editing and sound mixing by 341 00:27:31,960 --> 00:27:36,520 Speaker 6: Juan Campos. Additional sound editing by Racket Sound. Our supervising 342 00:27:36,560 --> 00:27:40,080 Speaker 6: producer is Josh Than. Created by Dan Bush and Nicholas Dakowski. 343 00:27:40,280 --> 00:27:42,760 Speaker 6: Produced by Dan Bush. The Passage is a production of 344 00:27:42,800 --> 00:28:08,399 Speaker 6: iHeartRadio and Cycopia pictures