WEBVTT - Romance on the Ranch

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<v Speaker 1>Hey, everyone, welcome back to the Official Yellowstone Podcast. We

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<v Speaker 1>are so glad you can join us again. I'm Jen

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<v Speaker 1>Landon and I am joined us always by my very

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<v Speaker 1>good friend mister Jefferson White.

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<v Speaker 2>Hey, Jen, how you doing. I am happy as always

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<v Speaker 2>to be here with you today, but also especially today.

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<v Speaker 2>So this is typically where we tell you, We tell

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<v Speaker 2>the audience a little bit about what we've got planned

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<v Speaker 2>for the day, We perhaps let them know who our

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<v Speaker 2>guest of the day is. However, this week just so

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<v Speaker 2>happens to be a very special week Valentine's Days this week,

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<v Speaker 2>so I thought I might put together a little something special.

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<v Speaker 2>Me and the producers have put together a little something special,

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<v Speaker 2>and we're going to be surprising you with our guest, Jen. So,

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<v Speaker 2>like our audience, you're also going to have to sit

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<v Speaker 2>tight for just a little bit longer.

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<v Speaker 1>Jeff, This makes me incredibly nervous. This could be very

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<v Speaker 1>very good or very very awkward.

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<v Speaker 2>I'm guessing it's going to be a little bit calm,

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<v Speaker 2>a little bit calm be Jen. Listen, you're gonna find

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<v Speaker 2>out soon, but for now you're gonna have to sit

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<v Speaker 2>and stew and sweat, and we're gonna come right back after.

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<v Speaker 1>This, Jeff. That was the longest commercial break of my life.

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<v Speaker 1>Can I can I now know who my Valentine's guest

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<v Speaker 1>is for the day?

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<v Speaker 2>Listen? This is an audio format, so the audience can't

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<v Speaker 2>know how gleefully, how gleefully I'm raising my eyebrows, and

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<v Speaker 2>how sort of you know how much I'm insinuating by

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<v Speaker 2>rubbing my hands together sort of fiendishly. Listen. You gotta

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<v Speaker 2>be patient, Jen, We're gonna get to that. This is

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<v Speaker 2>our Valentine's Day episode. However, so let's talk romance.

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<v Speaker 1>Huh yeah, Please distract me with some other romances from

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<v Speaker 1>the Yellowstone nineteen twenty three eighteen three universe. So I can,

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<v Speaker 1>you know, not sit here and sweat?

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<v Speaker 2>Well, it is funny. I mean, this is a show

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<v Speaker 2>that is in a lot of ways really built on

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<v Speaker 2>these relationships. You know, we see over and over again

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<v Speaker 2>amongst the Dutton generations, we see these pairs, these partnerships,

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<v Speaker 2>these two partners that support each other in many ways.

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<v Speaker 2>Sometimes it's support each other physically, you know. Sometimes it's

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<v Speaker 2>you know, carry each other to safety. Other times it's

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<v Speaker 2>helping each other manage responsibilities. It's a really beautiful thing.

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<v Speaker 2>We see these really rich partnerships, and it also casts

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<v Speaker 2>in a new light the tragedy of John Dutton Junior,

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<v Speaker 2>our John Dutton, you know, in Yellowstone, the John Dutton

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<v Speaker 2>that we first got to know, the tragedy that he

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<v Speaker 2>has no partner. He is bereft from the moment we

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<v Speaker 2>meet him. He is without that partnership, and he's seeking

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<v Speaker 2>to sort of cobble together what he's missing by calling

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<v Speaker 2>on his children, by sort of giving more and more

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<v Speaker 2>responsibilities to his children. But it really, over and over

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<v Speaker 2>again we hear him saying, if my wife only saw

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<v Speaker 2>the mess I've made of his family, if only I had,

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<v Speaker 2>you know, the kind of support that I needed to

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<v Speaker 2>keep this ranch going and also to care for these kids.

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<v Speaker 1>Right. And so you bring up an interesting point of

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<v Speaker 1>the sort of difference between the partnership that we're talking

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<v Speaker 1>about in terms of the women holding down for it,

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<v Speaker 1>which is what John lost, and the romance that like

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<v Speaker 1>John is obviously bringing in his life through Senator Perry

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<v Speaker 1>through Summer, but that those romances are different than the

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<v Speaker 1>kind of partnership that the relationships in the Yellowstone universe

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<v Speaker 1>are built on.

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<v Speaker 2>Yeah, we've seen both on Yellowstone we've seen hot and heavy,

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<v Speaker 2>We've seen you know, we've seen infatuation. Everybody's talking about

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<v Speaker 2>Spencer and Alexandra. Spencer and Alexandra before Spencer and Alexander,

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<v Speaker 2>well after, but before or in terms of the show's hearing,

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<v Speaker 2>what about Jimmy and Mia. Everybody everybody's talking about Spencer

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<v Speaker 2>and Alexandra like they're the coolest, hottest couple. Before Spencer

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<v Speaker 2>and Alexandra, we had Casey and Monica, Jimmy and Mia,

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<v Speaker 2>Bethan rib and Laramie, Beth and Rip. And that's amazing

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<v Speaker 2>because we've seen that that relationship grow and change over

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<v Speaker 2>the years from one that was perhaps based on you know,

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<v Speaker 2>mutual in fascin, mutual infatuation, based on perhaps a degree

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<v Speaker 2>of lust, and now we've seen it mature into that

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<v Speaker 2>kind of partnership that you're describing, this real sort of

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<v Speaker 2>walking side by side. Another one of my favorite relationships

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<v Speaker 2>on the show is Casey and Monica. I feel like

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<v Speaker 2>Casey and Monica they've been through so much. You know,

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<v Speaker 2>Beth and Rip have been through lots of ups and downs.

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<v Speaker 2>But if you go back and watch Yellowstone again, so

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<v Speaker 2>of Casey and Monica, they have sort of they've come

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<v Speaker 2>really close to parting ways over and over again. They've

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<v Speaker 2>been through so many roller coasters as a couple. You know,

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<v Speaker 2>they started out with completely different goals. It felt like,

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<v Speaker 2>you know, they were young and in love, they have

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<v Speaker 2>a kid. But then when it came down to it

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<v Speaker 2>and they have to start making decisions about, you know,

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<v Speaker 2>where they're going to live, when both of their families

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<v Speaker 2>are putting pressure on them, they really feel like a

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<v Speaker 2>Romeo and Juliet to me in a way that I

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<v Speaker 2>think is beautifully crafted. And those are also two of

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<v Speaker 2>my favorite actors on the.

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<v Speaker 1>Show same and while they do feel totally Romeo and

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<v Speaker 1>Juliette in origin, they also simultaneously have a relationship that

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<v Speaker 1>in many ways to me feels the most grounded and

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<v Speaker 1>you know that day in and day out relationship. I

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<v Speaker 1>don't know if we see that in another pairing. Do

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<v Speaker 1>we see that in another pairing on Yellowstone? In that

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<v Speaker 1>steady way.

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<v Speaker 2>The kid, right, I think part of it is having

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<v Speaker 2>Tate that brings them, that's this kind of unifying force

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<v Speaker 2>that means they have to come back together. They always

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<v Speaker 2>sort of have to return to each other for Tate's sake,

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<v Speaker 2>and I really think that's a dry thing that you know,

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<v Speaker 2>they've been through so many tumultuous ups and downs, and

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<v Speaker 2>I think Tate is one of the reasons that they've

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<v Speaker 2>always managed to navigate those those stormy waters.

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<v Speaker 1>Yeah, that is actually a really good point, Jeff I

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<v Speaker 1>suddenly was struck with this this question, which is, how

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<v Speaker 1>do we think the different couples on Yellowstone are celebrating

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<v Speaker 1>Valentine's Day? You know, like, like how do they do it?

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<v Speaker 1>So Monica and Casey since we started there, you know Monica,

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<v Speaker 1>you know, Monica and Casey, I feel like are having

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<v Speaker 1>a supper at home or you know, they're sitting on

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<v Speaker 1>the porch a little quiet.

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<v Speaker 2>Yeah, they're trying to be intimate. And Tate has a

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<v Speaker 2>question about.

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<v Speaker 1>What do we think Summer and are doing Summer.

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<v Speaker 2>And John they're also similarly, they're trying to be intimate,

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<v Speaker 2>and Beth is interrupting it and dragging Summer out of

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<v Speaker 2>the room by her hair. Yeah. Listen, Jen, speaking of

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<v Speaker 2>what various couples are doing on Valentine's Day, folks are

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<v Speaker 2>gonna wonder what it is we're up to on Valentine's Day.

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<v Speaker 2>I have no doubt you're wondering.

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<v Speaker 1>Okay, Jeff, I need to know who is the guest

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<v Speaker 1>for the day. All right, Jen, which ex?

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<v Speaker 2>I'm gonna put you out of your misery. I've got

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<v Speaker 2>all your ex you'r all your exes on this call.

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<v Speaker 2>No listen, and you're gonna so here's your happy surprise.

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<v Speaker 2>Over the course of this introduction, you will realize who

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<v Speaker 2>I'm talking about, because I could only be talking about

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<v Speaker 2>one man. We've got with us today, my dear friend

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<v Speaker 2>of six years. He's an actor, he's a writer, he's

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<v Speaker 2>a producer, he's a director, he's a businessman. He is

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<v Speaker 2>one of the most multi hyphenit talented people I've ever

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<v Speaker 2>met in my life and least interesting about him. He

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<v Speaker 2>plays your love and Yellowstone Colby. We've got with us today,

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<v Speaker 2>Denim Richards Denham, thank you for being here.

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<v Speaker 3>Oh man. I feel like I need to take you

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<v Speaker 3>and introduce me everywhere. When I go into grocery stores,

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<v Speaker 3>when I get to petrol, everything that's now, that's what

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<v Speaker 3>I need to do, literally anything. So it's great to

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<v Speaker 3>be It's great to hear you guys's voice. Jen, how

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<v Speaker 3>are you? Jen?

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<v Speaker 1>I'm always happy to see you, but I have to say,

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<v Speaker 1>I've never been more happy than I am right now

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<v Speaker 1>to see you because of the terror I experienced for

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<v Speaker 1>the last twelve minutes thinking that Jeff had brought some

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<v Speaker 1>X out of the closet to talk to you.

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<v Speaker 3>Do you imagine if there's like a roulette, imagine like

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<v Speaker 3>a roulette something that's happening, like live or we just

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<v Speaker 3>pulled in weird.

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<v Speaker 1>Xces to tell you there aren't that many, like, don't

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<v Speaker 1>make it roulette, there's like there's too many.

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<v Speaker 2>It's more like, yeah, we're bringing.

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<v Speaker 3>In I'm I'm clearly projected at this point. This is

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<v Speaker 3>this is, this is all all.

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<v Speaker 2>And now that we've got you here, Dnim, I'm so

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<v Speaker 2>excited to bring our.

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<v Speaker 3>Podcast right somebody that's dated.

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<v Speaker 1>Both of us. At some point, it had to happen,

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<v Speaker 1>you know.

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<v Speaker 3>It's like unbelievable. What's going on? Guys, how's everything? How's

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<v Speaker 3>how's everything going?

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<v Speaker 2>We're good man, We're chilling, We're spending today, we're talking

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<v Speaker 2>about we're diving in. So at the core of the

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<v Speaker 2>Yellowstone Universe, as we know, is family, and at the

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<v Speaker 2>core of those families, it's couples, it's relationships. We're doing

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<v Speaker 2>our our touchy feely intimate Valentine's Day episode of the

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<v Speaker 2>Official Yellowstone Podcast. So we're talking about all the incredible

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<v Speaker 2>couples of Yellowstone eighteen eighty three and nineteen twenty three.

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<v Speaker 3>Okay, so naturally, when you were thinking super loving, super intimate,

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<v Speaker 3>just romantic youth every week, it screamed whole Holby and Tea.

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<v Speaker 2>Yes, but also we can't discount Colby and Jimmy's romance. Right,

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<v Speaker 2>there's another You know, intimacy takes a lot of forms.

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<v Speaker 3>It's true, this is true, This is true.

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<v Speaker 2>Okay, before we get into all of that, we're going

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<v Speaker 2>to step aside really fast, so don't go away. So

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<v Speaker 2>listen this season to Yellowstone, particularly in season five of Yellowstone,

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<v Speaker 2>we've got more relationships popping off in the workplace than

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<v Speaker 2>ever before. Everybody on the show is booed up at

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<v Speaker 2>this point. We've got Teeter and Colby, We've got Ryan

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<v Speaker 2>and Abby, we've got Walker and Laramie. That's just in

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<v Speaker 2>the bunk house, Jake and Ethan.

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<v Speaker 3>And that to me is like the couple that everybody

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<v Speaker 3>is kind of trying to get to be.

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<v Speaker 2>Like exactly that level of that level of intimacy.

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<v Speaker 3>We're all striving for that. I think like Lloyd and

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<v Speaker 3>his gun, I got my gun.

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<v Speaker 2>You know, Lloyd in the Life, the Cowboy Life. You know,

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<v Speaker 2>it's like fishermen are married to see Lloyd is married.

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<v Speaker 3>He's married to the title, He's married to the right.

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<v Speaker 3>Like I think, no, this is I think it's fascinating, right,

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<v Speaker 3>Like watching kind of all of these things, you know,

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<v Speaker 3>it seemed like season one, it seemed like you would

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<v Speaker 3>never be able to have relationships. And you know, the

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<v Speaker 3>way that it's kind of been woven in in a

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<v Speaker 3>very kind of organic way, it doesn't none of it

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<v Speaker 3>feels forced. But I do think it's going to be

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<v Speaker 3>fascinating because you know, us as individuals, we don't want

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<v Speaker 3>our hearts broken. And then when you play that, you know,

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<v Speaker 3>because we talk about this all the time that like

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<v Speaker 3>you know, if a character leaves or if there's a

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<v Speaker 3>split up, that person actually leaves. Yeah, right, So like

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<v Speaker 3>we as individuals we feel even what the characters are feeling,

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<v Speaker 3>because they're like, damn, this person's gone. I think hopefully

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<v Speaker 3>these couples will stay strong and vibrant for many, many

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<v Speaker 3>seasons to come.

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<v Speaker 2>I mean, speaking of romance and the Dutton's right, So

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<v Speaker 2>all of these all of these Dutton kids at this point,

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<v Speaker 2>these relationships, and this season we also saw Jamie. Jamie

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<v Speaker 2>developed this beautiful relationship, this amazing thing for Jamie. But

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<v Speaker 2>I think the whole time we were all kind of

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<v Speaker 2>grimacing and gritting our teeth with fear because this is,

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<v Speaker 2>you know, it's the other it's the flip side of this.

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<v Speaker 2>It's intimacy as a weapon, right, you know.

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<v Speaker 3>The shoes on the other foot, you know, And I

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<v Speaker 3>think that's you know, that's the Sometimes I think that's hard.

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<v Speaker 3>You know, you don't never know if you're being used,

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<v Speaker 3>what that looks like. You know, you get comfortable and

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<v Speaker 3>then they cut your head off, you know. And I

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<v Speaker 3>think that that's something with Jamie. I think that that's

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<v Speaker 3>something he could could potentially be experiencing. Which is why

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<v Speaker 3>more and more, as these relationships go, I feel more

0:12:42.360 --> 0:12:46.720
<v Speaker 3>and more confident about the Colby and Teeters relationship because

0:12:47.800 --> 0:12:50.480
<v Speaker 3>as weird as it is, the foundations of it are

0:12:50.640 --> 0:12:55.760
<v Speaker 3>very unique and genuine. And I think that's it's fascinating

0:12:55.800 --> 0:12:58.800
<v Speaker 3>because it seems like our relationship is kind of like

0:12:58.840 --> 0:13:03.360
<v Speaker 3>a cockroach, right, where it's just no matter what you

0:13:03.440 --> 0:13:05.160
<v Speaker 3>throw at it, We're still going to just kind of

0:13:05.200 --> 0:13:06.080
<v Speaker 3>weirdly be together.

0:13:06.720 --> 0:13:09.880
<v Speaker 1>Uh, Denim. Do you think that Colby and Teeter had

0:13:10.000 --> 0:13:14.400
<v Speaker 1>a conversation about like consent in terms of bringing the

0:13:14.440 --> 0:13:17.719
<v Speaker 1>third into their relationship, which is the bear. Do you

0:13:17.760 --> 0:13:21.880
<v Speaker 1>think that like they talked about consciously bringing in a

0:13:21.960 --> 0:13:24.120
<v Speaker 1>third or do you think that was just sort of

0:13:24.160 --> 0:13:24.960
<v Speaker 1>spur of the moment.

0:13:26.440 --> 0:13:26.680
<v Speaker 2>Yeah.

0:13:26.720 --> 0:13:29.160
<v Speaker 3>I think that in the moment, Colby felt like there

0:13:29.240 --> 0:13:31.440
<v Speaker 3>was a lot of people that were around and he

0:13:31.480 --> 0:13:34.360
<v Speaker 3>didn't want to make like a scene. And then I

0:13:34.360 --> 0:13:36.880
<v Speaker 3>think what just kind of naturally ended up happening was

0:13:37.280 --> 0:13:42.640
<v Speaker 3>the bear just became part of it. It's there at breakfast, right,

0:13:42.760 --> 0:13:46.280
<v Speaker 3>it's bathing. It's weird, you know, but I think, you know,

0:13:46.320 --> 0:13:48.520
<v Speaker 3>for Colby, I think Teeter loves it, and I think

0:13:48.559 --> 0:13:54.439
<v Speaker 3>Colby is learning to love whatever Teeter loves from afar

0:13:54.679 --> 0:13:56.160
<v Speaker 3>though right more.

0:13:56.160 --> 0:13:56.680
<v Speaker 2>I don't know.

0:13:56.960 --> 0:13:59.440
<v Speaker 1>I think that bear. I didn't see that bear on

0:13:59.480 --> 0:14:01.760
<v Speaker 1>that truck when she drove out of there, so I'm

0:14:01.760 --> 0:14:02.920
<v Speaker 1>pretty sure that bear is back.

0:14:02.920 --> 0:14:06.600
<v Speaker 3>And it's like it's like it's like a it's weird.

0:14:06.640 --> 0:14:09.360
<v Speaker 3>It's like an easter egg. Like nobody ever said, like hey,

0:14:09.800 --> 0:14:11.439
<v Speaker 3>when he went back into we didn't see the bear

0:14:11.440 --> 0:14:13.520
<v Speaker 3>in the bunk house. Where is the bear in the truck? Like,

0:14:13.559 --> 0:14:16.000
<v Speaker 3>where is is the bear walking there? Like?

0:14:16.320 --> 0:14:18.520
<v Speaker 2>I think that means Colby still has the bear, Dude,

0:14:18.520 --> 0:14:20.720
<v Speaker 2>I think that means Colby held on to the beard.

0:14:20.880 --> 0:14:24.640
<v Speaker 1>And before I uh uh lowered the conversation bar by

0:14:24.640 --> 0:14:27.640
<v Speaker 1>bringing the bear and the threatle into it, you were

0:14:27.680 --> 0:14:30.640
<v Speaker 1>actually hitting on like an interesting point you both were,

0:14:30.720 --> 0:14:37.080
<v Speaker 1>which is about relationships that you know are maybe don't

0:14:37.480 --> 0:14:40.000
<v Speaker 1>they're not right for everyone, but they're really right for

0:14:40.120 --> 0:14:44.040
<v Speaker 1>that person. So for example, like Jeff, I was thinking about,

0:14:44.200 --> 0:14:47.960
<v Speaker 1>of course, you know, there's this whole Mia and Emily thing, right,

0:14:48.080 --> 0:14:53.560
<v Speaker 1>and I felt like what Jimmy had with Mia was

0:14:53.840 --> 0:14:57.240
<v Speaker 1>so special, right, But it was one of those times

0:14:57.240 --> 0:15:00.640
<v Speaker 1>in life where what they wanted and the circle stances

0:15:00.640 --> 0:15:03.440
<v Speaker 1>of life were taking them in different directions.

0:15:03.800 --> 0:15:05.040
<v Speaker 2>I think at the end of the day, Jimmy and

0:15:05.080 --> 0:15:08.040
<v Speaker 2>Mia really didn't have a chance because Jimmy was ordered

0:15:08.080 --> 0:15:11.120
<v Speaker 2>by his boss to leave this state, you know, like

0:15:11.400 --> 0:15:15.560
<v Speaker 2>it's long distance relationships are incredibly difficult, punishingly difficult. Jimmy

0:15:15.560 --> 0:15:18.760
<v Speaker 2>doesn't really he didn't have much control over his own fate.

0:15:18.960 --> 0:15:22.000
<v Speaker 2>Mia certainly doesn't have a lot of control over Jimmy's fate,

0:15:22.320 --> 0:15:25.200
<v Speaker 2>so it feels like circumstances pulled them apart. And then

0:15:25.240 --> 0:15:27.280
<v Speaker 2>meeting Emily, it felt like that was the first time

0:15:27.320 --> 0:15:29.440
<v Speaker 2>in his life that he actually had he got to

0:15:29.480 --> 0:15:32.600
<v Speaker 2>make some decisions, he got to make some choices, He

0:15:32.680 --> 0:15:36.680
<v Speaker 2>got to sort of, you know, be in the driver's

0:15:36.680 --> 0:15:38.800
<v Speaker 2>seat and have some agency in his life, which I

0:15:38.800 --> 0:15:42.120
<v Speaker 2>think is very empowering. I think that's a very empowering

0:15:42.160 --> 0:15:44.320
<v Speaker 2>feeling to feel as though you're making your own choices.

0:15:44.560 --> 0:15:47.840
<v Speaker 2>Because Mia pursued Jimmy from the beginning of their relationship,

0:15:47.880 --> 0:15:49.960
<v Speaker 2>you know, Jimmy didn't make a lot of choices there either.

0:15:50.000 --> 0:15:51.920
<v Speaker 2>I think he was really into it, but she kind

0:15:51.920 --> 0:15:54.360
<v Speaker 2>of came up to him at a rodeo and hit

0:15:54.440 --> 0:15:58.120
<v Speaker 2>on him. You know, she really was making the calls,

0:15:58.160 --> 0:16:00.480
<v Speaker 2>which is intoxicating in its own way. But I think

0:16:00.520 --> 0:16:04.760
<v Speaker 2>for Jimmy to actually get any sense of control, any

0:16:04.800 --> 0:16:08.160
<v Speaker 2>sense of agency in his own life, it makes a

0:16:08.160 --> 0:16:11.440
<v Speaker 2>lot of sense to me that that is a powerful

0:16:12.320 --> 0:16:15.360
<v Speaker 2>a powerful factor in driving people together, you know.

0:16:15.680 --> 0:16:18.080
<v Speaker 3>And I think it's interesting too, like speaking on that, like,

0:16:18.640 --> 0:16:21.960
<v Speaker 3>you know, I think with Mia it also became a

0:16:22.000 --> 0:16:25.400
<v Speaker 3>good break between kind of the rough and tumbleness of

0:16:25.440 --> 0:16:27.360
<v Speaker 3>the bunk house, but just giving a little bit of

0:16:27.400 --> 0:16:31.240
<v Speaker 3>different energy somebody that's trying to let you see that

0:16:31.320 --> 0:16:34.480
<v Speaker 3>you can be empowered, but because of your circumstance that

0:16:34.520 --> 0:16:37.480
<v Speaker 3>you're in, it's impossible to act on that. And then,

0:16:37.520 --> 0:16:39.200
<v Speaker 3>of course when you get to Texas, you're in an

0:16:39.360 --> 0:16:42.920
<v Speaker 3>entirely different environment where you have the opportunity to a

0:16:42.920 --> 0:16:46.880
<v Speaker 3>certain degree to become a little bit more empowered independently.

0:16:47.040 --> 0:16:50.120
<v Speaker 3>And now you can kind of start to see what

0:16:50.840 --> 0:16:53.520
<v Speaker 3>Mia saw in you before you saw it, but now

0:16:53.640 --> 0:16:56.360
<v Speaker 3>the circumstances are different. I think Jen, what you were

0:16:56.400 --> 0:16:59.760
<v Speaker 3>saying that sometimes the person that you end up ultimately

0:16:59.840 --> 0:17:02.560
<v Speaker 3>in up with in life is not necessarily the person

0:17:02.720 --> 0:17:05.800
<v Speaker 3>that you fell so deeply in love with and imagined,

0:17:05.920 --> 0:17:08.000
<v Speaker 3>but it was somebody that in these circumstances and you

0:17:08.119 --> 0:17:10.399
<v Speaker 3>learn that type of love. But there's so many different

0:17:10.440 --> 0:17:12.760
<v Speaker 3>versions of love, right, And I think that we always

0:17:12.800 --> 0:17:15.080
<v Speaker 3>just think that love is just a blanket thing like

0:17:15.160 --> 0:17:17.560
<v Speaker 3>love is love, and there's so many different versions. There's

0:17:17.760 --> 0:17:20.439
<v Speaker 3>loving in a situation and a circumstance depay on your

0:17:20.440 --> 0:17:23.680
<v Speaker 3>social and economic standings, like it's so I think it's

0:17:23.720 --> 0:17:27.080
<v Speaker 3>so multi layered and leveled and very complicated, and I

0:17:27.119 --> 0:17:29.800
<v Speaker 3>think what's interesting about this show, and I think it's

0:17:29.840 --> 0:17:32.840
<v Speaker 3>interesting in General's like art does imitate life, right, And

0:17:32.920 --> 0:17:36.280
<v Speaker 3>so for us as individuals, we've all been in love

0:17:36.320 --> 0:17:39.680
<v Speaker 3>with somebody that we thought that, you know, we can

0:17:39.760 --> 0:17:42.760
<v Speaker 3>never imagine a life without them, and so naturally we

0:17:42.880 --> 0:17:46.399
<v Speaker 3>thought we're good, and then something happens and then all

0:17:46.440 --> 0:17:50.040
<v Speaker 3>of a sudden that person's gone and you're like, okay,

0:17:50.119 --> 0:17:51.600
<v Speaker 3>well now what And then you go and you fall

0:17:51.600 --> 0:17:53.359
<v Speaker 3>in love with somebody else and you're like, okay, damn it.

0:17:53.440 --> 0:17:55.239
<v Speaker 3>So it's this notion that it's like, yes, you can

0:17:55.240 --> 0:17:57.680
<v Speaker 3>be in love, but that doesn't mean that if something

0:17:57.720 --> 0:17:59.480
<v Speaker 3>goes wrong, that you can't be in love with somebody

0:17:59.520 --> 0:18:02.720
<v Speaker 3>else and love some a different version because as we're growing,

0:18:02.720 --> 0:18:05.480
<v Speaker 3>we're getting older and we have different versions of ourselves.

0:18:06.320 --> 0:18:09.160
<v Speaker 2>Yeah, there's very much a like right person, wrong time,

0:18:09.800 --> 0:18:13.440
<v Speaker 2>wrong person, right time, and a relationship we've seen go

0:18:13.520 --> 0:18:16.640
<v Speaker 2>through that whole spectrum is Beth and Rip. We've seen

0:18:16.680 --> 0:18:19.359
<v Speaker 2>Beth and Rip at a time when they couldn't like

0:18:19.720 --> 0:18:22.560
<v Speaker 2>they maybe had a sort of connection to each other

0:18:22.640 --> 0:18:25.120
<v Speaker 2>that they didn't quite understand, but it wasn't the right

0:18:25.200 --> 0:18:28.919
<v Speaker 2>time for them to explore that intimacy. It wasn't the

0:18:29.000 --> 0:18:30.879
<v Speaker 2>right time for them to sort of partner up. And

0:18:30.880 --> 0:18:33.200
<v Speaker 2>we've seen them over the course of the show like

0:18:33.520 --> 0:18:36.280
<v Speaker 2>it was it was maybe the right person from the beginning,

0:18:36.560 --> 0:18:40.080
<v Speaker 2>but it took them decades to find the right time,

0:18:40.480 --> 0:18:43.320
<v Speaker 2>you know, and it was just that circumstances kept them together.

0:18:43.920 --> 0:18:46.239
<v Speaker 1>There are these things though, if we look back in it,

0:18:46.280 --> 0:18:50.320
<v Speaker 1>that they share that, like that Rip is always going

0:18:50.400 --> 0:18:53.520
<v Speaker 1>to want, you know, cowboying is always going to come

0:18:53.600 --> 0:18:56.760
<v Speaker 1>first for him on some level. Right, there's a freedom there,

0:18:56.800 --> 0:18:58.560
<v Speaker 1>and we've talked about that a lot on the show.

0:18:58.600 --> 0:19:02.399
<v Speaker 1>And there's something about Beth that will forever remains sort

0:19:02.400 --> 0:19:06.959
<v Speaker 1>of wild, and so those two things sort of match together.

0:19:07.600 --> 0:19:11.800
<v Speaker 1>And I was hearing some version of the thing that

0:19:11.840 --> 0:19:14.679
<v Speaker 1>she said about all she really wants is, you know,

0:19:14.960 --> 0:19:19.479
<v Speaker 1>a little house with like a little pasture that is

0:19:19.560 --> 0:19:23.640
<v Speaker 1>like just her own or whatever, that the big expanse

0:19:23.760 --> 0:19:25.800
<v Speaker 1>is too much for her, and there was and there's

0:19:25.800 --> 0:19:28.639
<v Speaker 1>something about the Rip character that feels very much like

0:19:28.680 --> 0:19:30.920
<v Speaker 1>that is true for him as well. You know, this

0:19:31.000 --> 0:19:34.399
<v Speaker 1>is a guy who doesn't want to take over the

0:19:34.480 --> 0:19:37.399
<v Speaker 1>Yellowstone Ranch. There's never been an inkling of that, like

0:19:37.520 --> 0:19:42.080
<v Speaker 1>he just wants to serve, if that makes sense. There's

0:19:42.119 --> 0:19:47.440
<v Speaker 1>a there's a simpleness in both their aspirations.

0:19:47.840 --> 0:19:50.720
<v Speaker 3>And I think what's interesting too is like the question

0:19:50.800 --> 0:19:53.400
<v Speaker 3>that you asked is that you know how like we'll

0:19:53.400 --> 0:19:55.720
<v Speaker 3>be on set sometimes in like these kind of these

0:19:55.760 --> 0:19:58.080
<v Speaker 3>hectic weeks or a month of DISCNECTICU, and we're like,

0:19:58.119 --> 0:19:59.639
<v Speaker 3>you know what we're going to do when we wrap,

0:20:00.000 --> 0:20:02.440
<v Speaker 3>We're going to go to an island for three weeks.

0:20:02.680 --> 0:20:05.320
<v Speaker 3>We're gonna turn off our phones and we're just gonna

0:20:05.320 --> 0:20:07.639
<v Speaker 3>be present. And then the moment where we wrap her,

0:20:07.680 --> 0:20:09.639
<v Speaker 3>like what show do we get on? What do we do?

0:20:09.680 --> 0:20:11.960
<v Speaker 3>We gotta work. So there's always a part of me

0:20:12.000 --> 0:20:16.800
<v Speaker 3>that I wonder, like, can Beth actually just do a

0:20:16.840 --> 0:20:20.680
<v Speaker 3>small house and you know, with a little pastor can Rip,

0:20:21.280 --> 0:20:23.919
<v Speaker 3>you know, just wake up at nine am, you know,

0:20:24.080 --> 0:20:25.960
<v Speaker 3>pour a coffee and just sit on the porch, Like

0:20:26.080 --> 0:20:28.240
<v Speaker 3>can you do that? Or is it just kind of

0:20:28.680 --> 0:20:31.400
<v Speaker 3>a fun thing to talk about. I think that's fascinating.

0:20:32.000 --> 0:20:34.320
<v Speaker 2>I think you're so right. I think Rip could do it.

0:20:34.880 --> 0:20:37.080
<v Speaker 2>I don't think Beth could do it. When Beth said

0:20:37.080 --> 0:20:39.000
<v Speaker 2>that on the show. I was like, I believe that

0:20:39.160 --> 0:20:42.919
<v Speaker 2>Beth feels that way right now, but I think she

0:20:43.040 --> 0:20:46.320
<v Speaker 2>would be itching. She would be itching to get back

0:20:46.359 --> 0:20:49.159
<v Speaker 2>in the boardroom, to get back on a plane. I

0:20:49.160 --> 0:20:51.120
<v Speaker 2>think she would be itching to get back in the ass.

0:20:51.200 --> 0:20:54.119
<v Speaker 1>I want to throw like, I think you guys are right,

0:20:54.160 --> 0:20:56.440
<v Speaker 1>but I just want to like play Devil's advocate here

0:20:56.560 --> 0:20:59.600
<v Speaker 1>a little bit. And just because this is a character

0:20:59.640 --> 0:21:05.520
<v Speaker 1>as well who has like cannot shake the grief and

0:21:05.640 --> 0:21:09.359
<v Speaker 1>rage that she feels over being robbed of being a mother,

0:21:10.560 --> 0:21:18.199
<v Speaker 1>right And I'm wondering if she like was able to

0:21:18.320 --> 0:21:23.560
<v Speaker 1>have kids, you know, if if actually like the raising

0:21:23.640 --> 0:21:27.720
<v Speaker 1>of that child and pouring all of that energy into

0:21:27.760 --> 0:21:31.600
<v Speaker 1>that would be the thing that would sort of ground her.

0:21:31.920 --> 0:21:36.040
<v Speaker 1>And because so many some of Beth's impulses to like

0:21:36.200 --> 0:21:40.040
<v Speaker 1>get out there and do things and whatnot, it doesn't

0:21:40.200 --> 0:21:44.320
<v Speaker 1>feel just like it comes from drive. It feels sometimes

0:21:44.320 --> 0:21:48.680
<v Speaker 1>like it comes from deep, a deeply unsettled place, you know,

0:21:49.000 --> 0:21:52.240
<v Speaker 1>from her mother passing, from the loss of her ability

0:21:52.240 --> 0:21:56.040
<v Speaker 1>to have kids. You know, there's a version of Beth

0:21:56.320 --> 0:21:59.960
<v Speaker 1>that I see, like with a more less traumatizing child,

0:22:00.119 --> 0:22:03.760
<v Speaker 1>where it's like, yeah, it almost I could see a

0:22:03.840 --> 0:22:05.680
<v Speaker 1>version of her if it feels a little bit more

0:22:05.760 --> 0:22:09.880
<v Speaker 1>like Helen Mirren's character in twenty three, you know, which

0:22:09.920 --> 0:22:13.119
<v Speaker 1>is still wild and filled with independence and adventure, but

0:22:13.200 --> 0:22:17.440
<v Speaker 1>also more rooted in a life like that.

0:22:19.280 --> 0:22:22.960
<v Speaker 2>Yeah, that's a fascinating point. And also you know that

0:22:23.160 --> 0:22:28.639
<v Speaker 2>that beast in her, that tornado in her, simmering underneath

0:22:28.680 --> 0:22:31.800
<v Speaker 2>the surface. Should it be called upon, because as we

0:22:31.800 --> 0:22:36.159
<v Speaker 2>see in nineteen twenty three, you know, she's got that

0:22:36.320 --> 0:22:39.359
<v Speaker 2>dog in or two when the time comes when it

0:22:39.440 --> 0:22:42.440
<v Speaker 2>needs to wake up and bark and bite a little.

0:22:43.280 --> 0:22:45.639
<v Speaker 1>You guys, we're gonna we're gonna take a quick break,

0:22:45.720 --> 0:22:47.880
<v Speaker 1>but when we come back, we're going to talk more

0:22:47.880 --> 0:22:51.680
<v Speaker 1>about our favorite relationships in the Yellowstone Universe and maybe

0:22:52.440 --> 0:22:57.359
<v Speaker 1>some of our relationships in our own personal lives. WHOA,

0:22:57.440 --> 0:22:58.200
<v Speaker 1>We'll be right back.

0:23:11.119 --> 0:23:13.840
<v Speaker 2>You know, another relationship that I'm watching like a hawk

0:23:14.280 --> 0:23:17.760
<v Speaker 2>develop because I'm really enjoying nineteen twenty three is Spencer

0:23:17.800 --> 0:23:21.560
<v Speaker 2>and Alexandra. That's a fascinating one. They found each other

0:23:21.640 --> 0:23:23.800
<v Speaker 2>in the middle of nowhere. That might be a true

0:23:24.000 --> 0:23:28.119
<v Speaker 2>star crossed lovers situation because they found themselves sort of,

0:23:28.160 --> 0:23:31.280
<v Speaker 2>they found each other kind of against all odds, like

0:23:31.440 --> 0:23:37.000
<v Speaker 2>on Safari, she was engaged to be married. He was

0:23:37.560 --> 0:23:41.480
<v Speaker 2>chasing this death drive, like sort of trying to get

0:23:41.520 --> 0:23:46.119
<v Speaker 2>himself run over by a rhinoceros. It's amazing that they

0:23:46.160 --> 0:23:48.000
<v Speaker 2>found each other and in each other they find this

0:23:48.119 --> 0:23:49.879
<v Speaker 2>kind of redemption. I think that's a bit of a

0:23:49.880 --> 0:23:55.200
<v Speaker 2>Beth and Rip situation too, a different kind of connection

0:23:55.400 --> 0:23:57.879
<v Speaker 2>and a different sort of they're at a different chapter

0:23:57.960 --> 0:24:00.520
<v Speaker 2>in their lives. But I really think that's an amazing

0:24:00.640 --> 0:24:03.119
<v Speaker 2>sort of star cross lover's relationship.

0:24:03.320 --> 0:24:06.200
<v Speaker 1>I feel like Taylor's writing about that relationship that maybe

0:24:06.240 --> 0:24:09.199
<v Speaker 1>we haven't seen yet in the sense of when you know,

0:24:09.400 --> 0:24:12.639
<v Speaker 1>you know, I mean, there was nothing about Spencer that

0:24:13.200 --> 0:24:18.439
<v Speaker 1>was even looking for relationship or or wanting one. And

0:24:18.080 --> 0:24:21.560
<v Speaker 1>and it's it's that story of when when that thing

0:24:21.600 --> 0:24:23.880
<v Speaker 1>walks into your life, no matter how much you don't

0:24:23.920 --> 0:24:27.520
<v Speaker 1>want it, that's it, you just know. And that's what

0:24:27.560 --> 0:24:28.119
<v Speaker 1>it feels like.

0:24:28.840 --> 0:24:30.960
<v Speaker 2>He was really looking for the opposite, you know, if

0:24:31.040 --> 0:24:33.720
<v Speaker 2>love is life. It really seemed like he was chasing

0:24:33.760 --> 0:24:37.600
<v Speaker 2>his own death. And you know, his life a life,

0:24:37.680 --> 0:24:41.199
<v Speaker 2>a different life, a different path walked in. Oh and

0:24:41.280 --> 0:24:44.439
<v Speaker 2>now he's down a completely different path. Oh, Spencer. I know,

0:24:45.640 --> 0:24:47.960
<v Speaker 2>we spend a lot of time. We spent a lot

0:24:47.960 --> 0:24:52.080
<v Speaker 2>of time on this podcast talking about the big Man,

0:24:52.160 --> 0:24:54.840
<v Speaker 2>Spencer Dunton. He's an icon.

0:24:56.160 --> 0:24:57.800
<v Speaker 1>He's an icon because of the way he's written, and

0:24:57.840 --> 0:25:01.320
<v Speaker 1>he's an icon because of the way he's portrayed. Between

0:25:01.320 --> 0:25:05.320
<v Speaker 1>season four and season five, your life changed a lot.

0:25:05.560 --> 0:25:07.800
<v Speaker 1>Do you want to talk a little bit about where

0:25:07.840 --> 0:25:10.600
<v Speaker 1>you live now and how your life looks different than

0:25:10.600 --> 0:25:11.479
<v Speaker 1>it did before.

0:25:12.400 --> 0:25:12.680
<v Speaker 2>Yeah.

0:25:13.000 --> 0:25:14.959
<v Speaker 3>Yeah, I was living in Orange County and now I

0:25:15.000 --> 0:25:19.240
<v Speaker 3>live in Botswana, which is in Sub Saharan Africa, which

0:25:19.280 --> 0:25:22.000
<v Speaker 3>is where I'm doing this podcast. So clearly that means

0:25:22.040 --> 0:25:24.720
<v Speaker 3>that there's internet and as you guys can see the

0:25:24.800 --> 0:25:28.560
<v Speaker 3>layers of electricity and you know, wow, what a surprise.

0:25:29.000 --> 0:25:31.640
<v Speaker 3>It's funny when people are like, uh, wow, running water,

0:25:31.680 --> 0:25:34.720
<v Speaker 3>It's like, yeah, guys, I'm fine, but you know it

0:25:35.560 --> 0:25:37.399
<v Speaker 3>was important for me. And I think that, you know,

0:25:37.480 --> 0:25:41.960
<v Speaker 3>with the world being more interconnected with different opportunities to

0:25:42.000 --> 0:25:45.560
<v Speaker 3>for zoom, there's planes go everywhere, you know, you can be.

0:25:45.600 --> 0:25:47.439
<v Speaker 3>I could be in Los Angeles if I needed to

0:25:47.560 --> 0:25:50.320
<v Speaker 3>within twenty hours, you know. So I think that at

0:25:50.359 --> 0:25:52.080
<v Speaker 3>a certain point you have to kind of figure out,

0:25:52.160 --> 0:25:53.639
<v Speaker 3>like what you want to do with your life, what

0:25:53.680 --> 0:25:55.560
<v Speaker 3>you want your life to look like. If you want

0:25:55.560 --> 0:25:57.800
<v Speaker 3>to have a family, what does that family structure look like,

0:25:57.840 --> 0:26:00.199
<v Speaker 3>and just kind of just do it. And the end

0:26:00.240 --> 0:26:03.000
<v Speaker 3>of the day, like as we all know, production and

0:26:03.040 --> 0:26:05.440
<v Speaker 3>being able to do thisseulf is such a blessing. But

0:26:05.520 --> 0:26:08.040
<v Speaker 3>also with that, like at any given moment, things to

0:26:08.200 --> 0:26:10.719
<v Speaker 3>just change. And then you sit there and you ask yourself,

0:26:10.760 --> 0:26:12.960
<v Speaker 3>what the hell did I like? What was I doing?

0:26:13.000 --> 0:26:15.119
<v Speaker 3>Did I get anything done in this court in the

0:26:15.160 --> 0:26:17.480
<v Speaker 3>course of this time, or did I build a life

0:26:17.480 --> 0:26:19.080
<v Speaker 3>that I always wanted to live or did I live

0:26:19.080 --> 0:26:20.800
<v Speaker 3>a life that everybody else wanted me to live.

0:26:21.200 --> 0:26:23.879
<v Speaker 1>That's awesome, you guys. I know our listeners are going

0:26:23.920 --> 0:26:25.560
<v Speaker 1>to be disappointed if we don't talk about our on

0:26:25.800 --> 0:26:28.520
<v Speaker 1>set relationship stuff, under our dynamic.

0:26:28.119 --> 0:26:28.680
<v Speaker 3>With each other.

0:26:28.680 --> 0:26:32.000
<v Speaker 1>They will be They will be it because and I

0:26:32.280 --> 0:26:34.280
<v Speaker 1>don't know if we've like I'm sure we've painted this

0:26:34.359 --> 0:26:38.240
<v Speaker 1>on the podcast before, but they see us on camera

0:26:38.400 --> 0:26:42.240
<v Speaker 1>having fun, playing poker, you know, doing all the things

0:26:42.240 --> 0:26:45.720
<v Speaker 1>that we do, and I feel like we do a

0:26:45.720 --> 0:26:49.320
<v Speaker 1>lot of that stuff into varying degrees off camera, whether

0:26:49.359 --> 0:26:51.240
<v Speaker 1>it's in between takes or on our free time.

0:26:51.440 --> 0:26:53.439
<v Speaker 3>I think that's why we're not talking about it as

0:26:53.480 --> 0:26:55.439
<v Speaker 3>much because we kind of like do a lot of

0:26:55.440 --> 0:26:58.080
<v Speaker 3>the stuff that we do on screen off screen, like

0:26:58.760 --> 0:27:00.760
<v Speaker 3>so I think maybe it's that's reason why we're not

0:27:00.960 --> 0:27:03.800
<v Speaker 3>diving deep down because we spend time together. We go

0:27:03.840 --> 0:27:06.800
<v Speaker 3>out to dinner together, some of us gym together, we

0:27:06.920 --> 0:27:10.439
<v Speaker 3>play poker, we you know, we go to music events, rodeos,

0:27:11.000 --> 0:27:14.600
<v Speaker 3>like all the stuff. The dynamics that we do on

0:27:14.680 --> 0:27:16.359
<v Speaker 3>the camera are a lot of the stuff that we

0:27:16.400 --> 0:27:18.720
<v Speaker 3>do outside of it. The difference is there's just not

0:27:18.880 --> 0:27:23.160
<v Speaker 3>six hundred people, you know, they're filming us while we're

0:27:23.200 --> 0:27:23.680
<v Speaker 3>doing it.

0:27:24.280 --> 0:27:27.320
<v Speaker 1>Do you guys have any favorite memories from on set

0:27:27.400 --> 0:27:30.840
<v Speaker 1>or offset hangs from the last four or five years?

0:27:31.600 --> 0:27:31.960
<v Speaker 1>Uh huh.

0:27:32.000 --> 0:27:34.680
<v Speaker 2>I think season one we went bowling and Wes Bentley

0:27:34.760 --> 0:27:38.040
<v Speaker 2>got so mad because he lost in bowling that he left.

0:27:39.240 --> 0:27:42.120
<v Speaker 3>He didn't leave, he did, he just left.

0:27:41.720 --> 0:27:41.919
<v Speaker 1>He did.

0:27:42.280 --> 0:27:43.840
<v Speaker 2>It was like it was like one of our first

0:27:43.920 --> 0:27:46.200
<v Speaker 2>big group hangs as a cast, and it's like, everybody,

0:27:46.200 --> 0:27:49.000
<v Speaker 2>are we keeping the vibes good? No? No, no, Wescott

0:27:49.040 --> 0:27:50.159
<v Speaker 2>in his car and fucking.

0:27:49.920 --> 0:27:52.760
<v Speaker 3>Lie and you know it's hard in bowling. The thing

0:27:52.800 --> 0:27:55.199
<v Speaker 3>that sucks and bowling is it's like it's only you.

0:27:55.720 --> 0:27:58.280
<v Speaker 3>So then like naturally, as a competitor, I'm like, I

0:27:58.320 --> 0:28:00.680
<v Speaker 3>want everyone to fail. But then you see the way

0:28:00.680 --> 0:28:02.639
<v Speaker 3>that somebody's gonna take you, Like, I really hope they

0:28:02.680 --> 0:28:06.360
<v Speaker 3>get a strike, Like I really hope that it goes well.

0:28:06.240 --> 0:28:08.840
<v Speaker 2>For them, and then we're hard to let somebody win

0:28:08.960 --> 0:28:10.600
<v Speaker 2>in bowling, right, I think I can do that.

0:28:10.680 --> 0:28:14.200
<v Speaker 3>By the I can't make the ball it not go

0:28:14.320 --> 0:28:15.440
<v Speaker 3>into the gutter. I don't know.

0:28:15.640 --> 0:28:18.600
<v Speaker 2>We're all sitting there like just like praying, trying to

0:28:18.840 --> 0:28:21.360
<v Speaker 2>manifest West getting a strike.

0:28:21.320 --> 0:28:22.200
<v Speaker 3>That was so funny.

0:28:22.200 --> 0:28:25.200
<v Speaker 2>It was a big because Wes is a really good athlete.

0:28:26.480 --> 0:28:30.200
<v Speaker 2>Everything very seriously, He's an incredibly pleasant, very smart guy,

0:28:30.320 --> 0:28:34.040
<v Speaker 2>and we all of us have our days where we're

0:28:34.080 --> 0:28:38.480
<v Speaker 2>a few bad roles away from uh yeah, that's you bad.

0:28:39.240 --> 0:28:41.560
<v Speaker 3>Gutter balls away from being I mean, I think we've had,

0:28:42.080 --> 0:28:43.720
<v Speaker 3>you know, I think some of the events, you know,

0:28:43.880 --> 0:28:46.160
<v Speaker 3>that we've been able to go to together, Like I

0:28:46.200 --> 0:28:47.680
<v Speaker 3>think one of the things exciting, you know, when we

0:28:47.760 --> 0:28:50.000
<v Speaker 3>took a year off of Yellowstone and then we all

0:28:50.080 --> 0:28:52.240
<v Speaker 3>kind of came back, you know for a cowboy camp.

0:28:52.280 --> 0:28:54.360
<v Speaker 3>You know, I think that was nice just to kind

0:28:54.400 --> 0:28:57.400
<v Speaker 3>of reconnect again. I think sometimes that it's just like man,

0:28:57.440 --> 0:28:59.560
<v Speaker 3>we're like we're here, like we're doing it again. Like

0:28:59.640 --> 0:29:01.480
<v Speaker 3>we didn't know. Oh, we didn't know that we were

0:29:01.520 --> 0:29:03.640
<v Speaker 3>going to get the opportunity to come back, and you know,

0:29:03.760 --> 0:29:05.560
<v Speaker 3>here we are. So I think it's always just it's

0:29:05.680 --> 0:29:08.080
<v Speaker 3>exciting when we finally get that opportunity.

0:29:07.560 --> 0:29:09.720
<v Speaker 2>To do so. I wasn't there.

0:29:10.960 --> 0:29:12.480
<v Speaker 3>Yeah, that's all I'm saying. That's all I was saying.

0:29:12.480 --> 0:29:13.160
<v Speaker 3>It was a highlight.

0:29:14.480 --> 0:29:16.880
<v Speaker 2>Yeah, that's the you just that's the one time I

0:29:17.160 --> 0:29:21.760
<v Speaker 2>wasn't there. Jen, What do you got favorite memories? Oh,

0:29:22.080 --> 0:29:24.080
<v Speaker 2>we have to both be in them. We have to

0:29:24.160 --> 0:29:25.120
<v Speaker 2>both you and I have.

0:29:26.600 --> 0:29:28.280
<v Speaker 3>I think for the same I know, I know, I know.

0:29:28.400 --> 0:29:31.320
<v Speaker 1>But honestly, they're gonna act, they're going to exist a

0:29:31.400 --> 0:29:33.640
<v Speaker 1>different listen, they're going to exist at different times because

0:29:33.640 --> 0:29:38.720
<v Speaker 1>I think, honestly one of them. There was a hike

0:29:38.920 --> 0:29:42.120
<v Speaker 1>that we took looking for some berries. Jeff, you were there, Dunham.

0:29:42.120 --> 0:29:45.720
<v Speaker 1>You were not there, Dunham. You were like home or

0:29:45.800 --> 0:29:46.880
<v Speaker 1>something you had left.

0:29:47.920 --> 0:29:49.480
<v Speaker 3>That's pretty accurate.

0:29:50.360 --> 0:29:54.680
<v Speaker 1>But we went hiking for some berries and we were

0:29:54.760 --> 0:29:58.120
<v Speaker 1>looking for the huckleberries that we never find, which I

0:29:58.200 --> 0:29:59.640
<v Speaker 1>don't even think are that hard to find, but we

0:29:59.720 --> 0:30:01.760
<v Speaker 1>never find them as a group. There was, there's a

0:30:01.800 --> 0:30:05.680
<v Speaker 1>small group of us and done of my favorite like

0:30:05.960 --> 0:30:10.280
<v Speaker 1>offset stuff with you is always revolved around our obsession

0:30:10.360 --> 0:30:10.800
<v Speaker 1>with health.

0:30:11.480 --> 0:30:11.680
<v Speaker 3>Health.

0:30:11.800 --> 0:30:14.000
<v Speaker 1>So you're going to say, you know, like the the

0:30:14.160 --> 0:30:17.440
<v Speaker 1>insane conversations that we have in the aisles of health

0:30:17.480 --> 0:30:21.360
<v Speaker 1>food stores and also the time that you and Ian

0:30:21.480 --> 0:30:23.000
<v Speaker 1>let me work out with you guys.

0:30:24.000 --> 0:30:24.720
<v Speaker 3>Oh yeah, I forgot.

0:30:24.760 --> 0:30:25.360
<v Speaker 2>That was sweet.

0:30:26.360 --> 0:30:28.760
<v Speaker 1>I really enjoyed you guys were really nice about that.

0:30:28.920 --> 0:30:30.320
<v Speaker 1>You're incredibly sweet about that.

0:30:31.320 --> 0:30:33.040
<v Speaker 3>No, I think, but like I think, I think it's

0:30:33.040 --> 0:30:36.000
<v Speaker 3>important for the audience to know, like, you know, as

0:30:36.080 --> 0:30:39.640
<v Speaker 3>much as we are acting on you know, camera, that

0:30:39.720 --> 0:30:42.200
<v Speaker 3>we actually do spend time with one another, and that

0:30:42.360 --> 0:30:45.320
<v Speaker 3>you know, we are highly impacted by our relationships that

0:30:45.400 --> 0:30:47.800
<v Speaker 3>we have because, like Jeff, like you were saying, when

0:30:47.840 --> 0:30:50.880
<v Speaker 3>you're in that world, you know, in Montana, and it's

0:30:51.000 --> 0:30:53.719
<v Speaker 3>very because it's so small and because we've been very

0:30:53.760 --> 0:30:56.400
<v Speaker 3>blessed that the show has gotten so big, there's not

0:30:56.600 --> 0:30:58.600
<v Speaker 3>that many places you can go and you kind of

0:30:58.720 --> 0:31:00.880
<v Speaker 3>get that opportunity to kind of bond with one another.

0:31:00.920 --> 0:31:04.480
<v Speaker 3>It's not the same thing as being New York or Elis, Chicago, Florida,

0:31:04.760 --> 0:31:06.800
<v Speaker 3>where you can kind of just get lost in all

0:31:06.880 --> 0:31:09.120
<v Speaker 3>of these other things that are going on. And I

0:31:09.200 --> 0:31:12.840
<v Speaker 3>think that I think that our relationships on off camera

0:31:13.360 --> 0:31:15.560
<v Speaker 3>really resonate on camera. I don't think that we're really

0:31:15.560 --> 0:31:17.640
<v Speaker 3>having to do that much acting. I think we're just

0:31:17.720 --> 0:31:19.400
<v Speaker 3>in the moment. I think sometimes we're just saying the

0:31:19.440 --> 0:31:21.000
<v Speaker 3>words we happen to be saying the words, and a

0:31:21.040 --> 0:31:24.040
<v Speaker 3>bunk house of saying the words, you know, on a horse.

0:31:24.080 --> 0:31:25.680
<v Speaker 3>But I think it's a It's a beautiful thing, the

0:31:25.760 --> 0:31:27.400
<v Speaker 3>relationships that we built on the show.

0:31:27.800 --> 0:31:30.520
<v Speaker 2>Yeah. Do you likes our friendship so much that he

0:31:30.880 --> 0:31:31.600
<v Speaker 2>moved content?

0:31:31.720 --> 0:31:34.200
<v Speaker 3>Yeah, I left. I wanted to make sure that I

0:31:34.360 --> 0:31:36.680
<v Speaker 3>ran into people, so I got on a flight and

0:31:36.800 --> 0:31:37.520
<v Speaker 3>left the country.

0:31:38.200 --> 0:31:40.240
<v Speaker 2>Yeah, exactly. He loved the time we spent together so

0:31:40.360 --> 0:31:41.880
<v Speaker 2>much that he got as far.

0:31:41.880 --> 0:31:43.640
<v Speaker 3>Away as far away from possible.

0:31:43.640 --> 0:31:45.480
<v Speaker 2>I said, you said earlier, you were like, you know,

0:31:45.560 --> 0:31:47.760
<v Speaker 2>I can be in LA within twenty hours. And I

0:31:47.880 --> 0:31:50.840
<v Speaker 2>was like, Bro, isn't it like exactly a twenty hour flight? Yeah, well,

0:31:50.880 --> 0:31:52.720
<v Speaker 2>you mean like I can be there in twenty hours.

0:31:52.800 --> 0:31:55.320
<v Speaker 3>We one, like, I really have to think about it.

0:31:55.360 --> 0:31:57.080
<v Speaker 3>I got to really want to. Well, the great thing

0:31:57.080 --> 0:31:59.520
<v Speaker 3>about being here is like nobody's just in the neighborhood.

0:32:00.200 --> 0:32:01.960
<v Speaker 3>Nobody's just like, oh yeah, hey, Like I was just

0:32:02.080 --> 0:32:04.720
<v Speaker 3>in Botswana and I'm like, no, you are, like, so

0:32:05.080 --> 0:32:07.000
<v Speaker 3>you got to kind of tell me I'm just coming through.

0:32:07.080 --> 0:32:07.680
<v Speaker 2>I'm just popping.

0:32:07.960 --> 0:32:10.400
<v Speaker 1>Didn't we all decide? Didn't we all decide we're going

0:32:10.480 --> 0:32:12.680
<v Speaker 1>to BUTS wanted to hang out at Dunham. Since there's

0:32:12.920 --> 0:32:17.360
<v Speaker 1>there's such a between every time we shoot seasons, We're like, well,

0:32:17.720 --> 0:32:18.760
<v Speaker 1>might as well just go out.

0:32:18.680 --> 0:32:21.080
<v Speaker 3>Of every season. We've also said that we're going to

0:32:21.160 --> 0:32:23.280
<v Speaker 3>go on some magical vacation with all of us and

0:32:23.320 --> 0:32:25.000
<v Speaker 3>they we're like, yeah, we're gonna do that and then

0:32:25.520 --> 0:32:28.280
<v Speaker 3>we leave. But you guys, here's the reality. The good

0:32:28.360 --> 0:32:32.080
<v Speaker 3>thing is I'll be here and so anytime you guys

0:32:32.120 --> 0:32:34.880
<v Speaker 3>would like to come to Botswana, I'll be able to

0:32:34.880 --> 0:32:37.040
<v Speaker 3>host you. We're doing a lot of exciting things, uh

0:32:37.320 --> 0:32:41.200
<v Speaker 3>you know with my my company here, so uh yeah,

0:32:41.280 --> 0:32:43.120
<v Speaker 3>so anytime you guys want to come, it would be

0:32:43.280 --> 0:32:44.200
<v Speaker 3>it would be a blessing.

0:32:44.680 --> 0:32:49.280
<v Speaker 2>Thank you so much for joining us today. Thanks always

0:32:49.600 --> 0:32:52.520
<v Speaker 2>an absolute treat. Follow danim on social media where you

0:32:52.600 --> 0:32:56.040
<v Speaker 2>can get more more information about all the amazing things

0:32:56.080 --> 0:32:59.880
<v Speaker 2>he's doing. Much love Dhim, Thank you so much being

0:33:00.520 --> 0:33:02.080
<v Speaker 2>bed Talk to you real soon.

0:33:02.360 --> 0:33:02.640
<v Speaker 1>Bye.

0:33:03.960 --> 0:33:07.000
<v Speaker 2>The Official Yellowstone Podcast is a production of one oh

0:33:07.040 --> 0:33:10.600
<v Speaker 2>one Studios and Paramount. This episode was produced by Scott Stone.

0:33:10.920 --> 0:33:12.920
<v Speaker 2>Brandon Getchis is the head of Audio for one oh

0:33:12.960 --> 0:33:16.200
<v Speaker 2>one Studios. Steve Razis is the executive vice president of

0:33:16.280 --> 0:33:20.080
<v Speaker 2>the Paramount Global Podcast Group. Special thanks to Megan Marcus,

0:33:20.240 --> 0:33:24.800
<v Speaker 2>Jeremy Westfall, Ainsley Rosito, Andrew Sarnow, Jason Red and Whitney

0:33:24.840 --> 0:33:28.640
<v Speaker 2>Baxter from Paramount, and of course David Glasser, David Huckin,

0:33:28.720 --> 0:33:30.720
<v Speaker 2>and Michelle Newman from one oh one Studios