1 00:00:05,160 --> 00:00:07,600 Speaker 1: It is Danny and Samantha and welcome to Stephane never 2 00:00:07,600 --> 00:00:19,639 Speaker 1: told your protection of I hear radio, and welcome to 3 00:00:19,680 --> 00:00:23,919 Speaker 1: another episode of Sex and the City Watch with us party. Yeah, yeah, 4 00:00:23,960 --> 00:00:26,680 Speaker 1: we can say it that way, um. And you know 5 00:00:26,760 --> 00:00:30,240 Speaker 1: what we have heard from y'all that there's a little 6 00:00:30,240 --> 00:00:34,280 Speaker 1: bit of confusion on when we actually do the audience 7 00:00:34,320 --> 00:00:38,280 Speaker 1: participation listener participation episode, So we wanted to give you 8 00:00:38,400 --> 00:00:41,040 Speaker 1: kind of a step by step instructions on what it 9 00:00:41,080 --> 00:00:43,879 Speaker 1: would look like to do this with us. And essentially 10 00:00:43,920 --> 00:00:47,360 Speaker 1: all you really need to have as a computer and headphones, 11 00:00:47,840 --> 00:00:51,360 Speaker 1: internet connection. Oh yeah, I guess that internet connection. That 12 00:00:51,600 --> 00:00:53,480 Speaker 1: is the other part to us. Yeah, so those are 13 00:00:53,600 --> 00:00:58,040 Speaker 1: three things and with that optional you can bring a drink, 14 00:00:58,200 --> 00:01:01,400 Speaker 1: an old adult beverage, tea, water, whatever you want to 15 00:01:01,440 --> 00:01:03,720 Speaker 1: have because it is kind of like us having a 16 00:01:03,760 --> 00:01:08,400 Speaker 1: happy hour together while we watch Sex in the City. Dumb, dumb, 17 00:01:08,440 --> 00:01:12,080 Speaker 1: dumb and BT dubs. No, you doesn't matter if you've 18 00:01:12,080 --> 00:01:14,440 Speaker 1: ever seen any of the episodes, if this is the 19 00:01:14,480 --> 00:01:16,160 Speaker 1: first time you watched it, or if this is the 20 00:01:16,319 --> 00:01:19,160 Speaker 1: hundredth time that you watched it. Just being a part 21 00:01:19,160 --> 00:01:23,000 Speaker 1: of it with us is fantastic, right Anny, yes. Oh, 22 00:01:23,120 --> 00:01:27,440 Speaker 1: I like to think it's a real joy. Yes, yes, 23 00:01:27,480 --> 00:01:30,360 Speaker 1: and it will probably take forty five minutes of your time, 24 00:01:30,400 --> 00:01:33,040 Speaker 1: I would say, yes. And you don't want to prepare anything. 25 00:01:33,400 --> 00:01:36,800 Speaker 1: It's just a cool hanging out, yeah, cool where we 26 00:01:36,959 --> 00:01:41,039 Speaker 1: watch the show together and we comment yeah, and we discuss. Yes. 27 00:01:41,280 --> 00:01:44,520 Speaker 1: So before after you are picked, whomever we pick, we 28 00:01:44,520 --> 00:01:46,840 Speaker 1: will give you step by step instructions on what you 29 00:01:46,880 --> 00:01:49,480 Speaker 1: will need. You'll get a prep email. We're not going 30 00:01:49,560 --> 00:01:52,480 Speaker 1: to leave you in the darkness. Super producer Christina is 31 00:01:52,520 --> 00:01:55,280 Speaker 1: amazing and also will be there for you as well 32 00:01:55,320 --> 00:01:57,720 Speaker 1: as we will to assist you in any of these things. 33 00:01:58,040 --> 00:02:01,480 Speaker 1: But yeah, that's it. Pretty in its run, we will 34 00:02:01,520 --> 00:02:03,280 Speaker 1: have a connection with you where we will do it 35 00:02:03,320 --> 00:02:06,160 Speaker 1: over a specific website where we will have the control 36 00:02:06,240 --> 00:02:08,639 Speaker 1: on our side on how it plays and when it plays, 37 00:02:08,760 --> 00:02:13,239 Speaker 1: and hopefully it will go smoothly. I will say, if 38 00:02:13,280 --> 00:02:16,720 Speaker 1: you have a microphone, that's nice, but it's not necessary, right, 39 00:02:17,000 --> 00:02:19,840 Speaker 1: not necessary at all. And yes, we are looking to 40 00:02:19,840 --> 00:02:23,440 Speaker 1: do this more than once. So if you don't get 41 00:02:23,440 --> 00:02:26,080 Speaker 1: picked this time, don't worry about it. Just keep trying, 42 00:02:26,440 --> 00:02:29,160 Speaker 1: keep trying. Yeah, because we've got a lot, a lot 43 00:02:29,200 --> 00:02:32,000 Speaker 1: of episodes left. Yeah, and speaking of which, we are 44 00:02:32,160 --> 00:02:35,360 Speaker 1: beginning the newest episode. But before we start, can you 45 00:02:35,440 --> 00:02:43,400 Speaker 1: do a recap for us? Oh? Yeah, Well, we got 46 00:02:43,480 --> 00:02:47,239 Speaker 1: introduced to one of the fan favorite Steve in the 47 00:02:47,320 --> 00:02:52,400 Speaker 1: last episode, who becomes a big fixture for Miranda, specifically 48 00:02:54,400 --> 00:02:57,680 Speaker 1: that I had a lot of deep conversations about modern 49 00:02:57,800 --> 00:03:03,000 Speaker 1: day miss when it comes too dating. Yeah, and continuing 50 00:03:03,040 --> 00:03:08,960 Speaker 1: to see kind of the mishaps and discussions around being 51 00:03:09,000 --> 00:03:12,320 Speaker 1: a single woman dating single woman dating, does that make sense? 52 00:03:12,360 --> 00:03:15,800 Speaker 1: You know, like you kind of trying things out with 53 00:03:15,880 --> 00:03:19,880 Speaker 1: other people. Also, I learned that the chicken dance apparently 54 00:03:19,919 --> 00:03:22,320 Speaker 1: has done at weddings. I didn't know. That still blows 55 00:03:22,360 --> 00:03:24,080 Speaker 1: my mom that you didn't know about that. I don't know. 56 00:03:24,120 --> 00:03:28,640 Speaker 1: Maybe it's gone now. I think the electric slide has 57 00:03:28,680 --> 00:03:31,800 Speaker 1: taken over. Yeah, and then there's another one, the Woble. 58 00:03:32,360 --> 00:03:38,720 Speaker 1: The wobbles. The thing is like outdated now, I think again. 59 00:03:38,760 --> 00:03:40,120 Speaker 1: I think I said this is the last time, and 60 00:03:40,240 --> 00:03:42,600 Speaker 1: y'all can tell me I'm wrong. But the chicken dance 61 00:03:42,720 --> 00:03:45,400 Speaker 1: is more like white people dancing. Mmm, I could be wrong. 62 00:03:46,160 --> 00:03:50,640 Speaker 1: I know that sounds about right. Really, I remember learning 63 00:03:50,640 --> 00:03:55,240 Speaker 1: it in like elementary school. Yes, fair, um, but Oh. Also, 64 00:03:55,560 --> 00:03:57,560 Speaker 1: we've seen a lot of like back and forth between 65 00:03:57,560 --> 00:04:00,680 Speaker 1: carrying Big. Yes, probably it's a big thing. That's a 66 00:04:00,760 --> 00:04:03,320 Speaker 1: huge thing at all, because he's a big fixture in 67 00:04:03,400 --> 00:04:07,000 Speaker 1: this show and even the movies. Um. But before we 68 00:04:07,080 --> 00:04:09,800 Speaker 1: go there, yes, now we need to catch up because 69 00:04:09,840 --> 00:04:13,120 Speaker 1: we are on episode nine of season two. Yes, and 70 00:04:13,200 --> 00:04:17,720 Speaker 1: this was release August first of nineteen ninety nine. It 71 00:04:17,800 --> 00:04:20,640 Speaker 1: is twenty four years old. No, almost twenty four years old. 72 00:04:21,839 --> 00:04:26,120 Speaker 1: Twenty three years old. I can't do I can't do it. 73 00:04:27,040 --> 00:04:31,680 Speaker 1: And the title of this episode is old Dog New Dicks. 74 00:04:32,680 --> 00:04:35,800 Speaker 1: What do you think this is about? Annie? Oh, I'm 75 00:04:35,920 --> 00:04:40,400 Speaker 1: so bad at it. I don't know. I feel like, oh, well, 76 00:04:40,480 --> 00:04:42,440 Speaker 1: I didn't read the description, but we did have an 77 00:04:42,440 --> 00:04:44,840 Speaker 1: aim and chat and it was carrying Big. But I 78 00:04:44,880 --> 00:04:47,960 Speaker 1: don't know what it means. I mean, maybe they like 79 00:04:48,480 --> 00:04:54,000 Speaker 1: because she no, maybe she like goes to an event 80 00:04:54,640 --> 00:05:02,240 Speaker 1: with Big and that's the end of it, all right, Wow, wow, okay, okay, 81 00:05:02,400 --> 00:05:05,080 Speaker 1: you know that's just cheating so that that you'd get 82 00:05:05,080 --> 00:05:11,000 Speaker 1: a zero your participation. Great, I'm like, I'm gone. So 83 00:05:11,040 --> 00:05:16,880 Speaker 1: that's where you're at me? Take it all right? Since 84 00:05:16,920 --> 00:05:18,919 Speaker 1: we don't know what's happening, let us go ahead and 85 00:05:19,000 --> 00:05:35,960 Speaker 1: jump into it. If checking out other women is the 86 00:05:35,960 --> 00:05:38,520 Speaker 1: biggest problem you're having with him, you're lucky. Well, if 87 00:05:38,520 --> 00:05:40,440 Speaker 1: it's that small, you should be able to stop. Honey. 88 00:05:40,640 --> 00:05:42,760 Speaker 1: I think I would be uncomfortable with how if they 89 00:05:42,760 --> 00:05:45,599 Speaker 1: were constantly checking out other people? Oh yeah, I would 90 00:05:45,600 --> 00:05:48,280 Speaker 1: be annoyed. Yeah, because it's like you're always kind of 91 00:05:48,320 --> 00:05:50,800 Speaker 1: looking for other options. I will say, you can appreciate, 92 00:05:51,120 --> 00:05:54,040 Speaker 1: you know, be like, oh, it's a pretty beautiful as 93 00:05:54,040 --> 00:05:56,800 Speaker 1: a handsome man. Yeah, but if you're uggling women, which 94 00:05:56,880 --> 00:06:01,760 Speaker 1: is disrespectful in itself, agreed constantly. You know what I 95 00:06:01,839 --> 00:06:04,719 Speaker 1: told you. I was really annoyed with Pedro Pascal not 96 00:06:04,800 --> 00:06:06,719 Speaker 1: eating and lost of us. This is what I love 97 00:06:06,720 --> 00:06:09,520 Speaker 1: about sex in the city. They truly eat, and they 98 00:06:09,600 --> 00:06:11,720 Speaker 1: eat whenever they get a chance, and I love it. 99 00:06:12,680 --> 00:06:14,800 Speaker 1: They're eating that pretzel and going to town on it, 100 00:06:14,839 --> 00:06:17,920 Speaker 1: and I want a pretzel. Now we can make that happen. 101 00:06:17,960 --> 00:06:20,120 Speaker 1: I want it. One time I had to do a 102 00:06:20,160 --> 00:06:23,160 Speaker 1: scene over and over and I ate cattle. Oh no, 103 00:06:23,200 --> 00:06:24,960 Speaker 1: I can't not they can cattle over and be like, 104 00:06:25,040 --> 00:06:27,480 Speaker 1: oh I get that, I get that, but just like 105 00:06:27,760 --> 00:06:34,760 Speaker 1: I don't know. Miranda was going through it for real. 106 00:06:35,240 --> 00:06:39,240 Speaker 1: She had a new apartment, a new boyfriend, and a 107 00:06:39,279 --> 00:06:42,520 Speaker 1: new dating schedule that was killing her. A new boyfriend 108 00:06:44,120 --> 00:06:46,680 Speaker 1: dating schedule because it is late because he works at 109 00:06:46,680 --> 00:06:50,279 Speaker 1: a bar. Oh that's right, but different hours. It's a 110 00:06:50,320 --> 00:06:55,160 Speaker 1: really big thing. It can make a break, honestly. Yeah, 111 00:06:55,200 --> 00:06:58,000 Speaker 1: I think things like exhaustion. Yeah, I can really get 112 00:06:58,040 --> 00:07:01,520 Speaker 1: in the way. Yeah, everything it feels bigger when you're tired, 113 00:07:01,839 --> 00:07:04,680 Speaker 1: right my opinion, it's true. Everything is a little more annoying. 114 00:07:04,839 --> 00:07:07,760 Speaker 1: Everything maybe could be a fight or an argument. And 115 00:07:07,800 --> 00:07:10,960 Speaker 1: then if you're exhausted, you know, the sexy times don't 116 00:07:11,000 --> 00:07:14,600 Speaker 1: happen because you want to go sleeps. Yeah, and then 117 00:07:14,640 --> 00:07:16,400 Speaker 1: you kind of get in your head about well we're 118 00:07:16,400 --> 00:07:18,680 Speaker 1: not doing the sexy time that we're not really hanging out. 119 00:07:18,680 --> 00:07:22,640 Speaker 1: We're just kind of sleeping or trying to sleep. I 120 00:07:22,680 --> 00:07:24,760 Speaker 1: will say, I used to say this has nothing, This 121 00:07:24,800 --> 00:07:27,040 Speaker 1: is very platonic. But I would say, we know we're 122 00:07:27,080 --> 00:07:29,560 Speaker 1: close friends. If we can nap together, yes, because that's 123 00:07:29,600 --> 00:07:32,040 Speaker 1: we don't need anything. We just can hang and be 124 00:07:32,120 --> 00:07:35,000 Speaker 1: that comfortable. I know we're close friends. Of that sleeping 125 00:07:35,000 --> 00:07:37,720 Speaker 1: thing maybe, but yeah, when it comes to romance as 126 00:07:37,720 --> 00:07:39,720 Speaker 1: a whole thing, I think it can work, but like 127 00:07:39,800 --> 00:07:42,320 Speaker 1: early on maybe not so much, but like later, yeah, 128 00:07:42,360 --> 00:07:46,600 Speaker 1: that can be great. Like a little naptime. Yeah, we 129 00:07:46,720 --> 00:07:50,160 Speaker 1: don't love a naptime if it's consensual, like let's go 130 00:07:50,240 --> 00:07:53,480 Speaker 1: take a nap by Hell, yeah, I'm gonna nap here 131 00:07:53,480 --> 00:07:55,880 Speaker 1: while you do your Yeah, which happens to us a 132 00:07:55,920 --> 00:07:58,240 Speaker 1: lot like ya do your thing, I'm gonna take a nap. 133 00:07:58,360 --> 00:08:07,120 Speaker 1: It does that night in a bed across town, Charlotte 134 00:08:07,160 --> 00:08:09,760 Speaker 1: was seeing a lot of Mike, a cute but feared 135 00:08:09,800 --> 00:08:13,720 Speaker 1: restaurant critic famous for his patented five whisk rating system. 136 00:08:13,800 --> 00:08:20,600 Speaker 1: Cute but feared sounds very New York. Charlotte, you are 137 00:08:20,640 --> 00:08:25,440 Speaker 1: a five whisk woman. Oh, Charlotte's a five whiske Any 138 00:08:25,600 --> 00:08:33,640 Speaker 1: what whiske? Am? I would you say? Thank you? You're surprised. 139 00:08:33,840 --> 00:08:41,240 Speaker 1: It's on circumstance. Circumstance episode about this dude. This is 140 00:08:41,320 --> 00:08:45,679 Speaker 1: definitely a problematic episode when it comes to objectifying man here, 141 00:08:45,720 --> 00:08:48,400 Speaker 1: which doesn't happen enough. I don't want it to happen 142 00:08:48,440 --> 00:08:51,120 Speaker 1: at all, But let's be honest. This is definitely a 143 00:08:51,120 --> 00:08:52,599 Speaker 1: turn of the table and this is what Sex of 144 00:08:52,640 --> 00:08:55,120 Speaker 1: the City really the reason it became what it is. 145 00:08:55,240 --> 00:09:04,120 Speaker 1: It's because it did have flipped on its head. I 146 00:09:04,200 --> 00:09:07,160 Speaker 1: checked the zoning on this particular table, and I'm pretty 147 00:09:07,200 --> 00:09:10,080 Speaker 1: sure this table's in a cigar friendly zone. Well, I 148 00:09:10,120 --> 00:09:14,840 Speaker 1: don't mind, but it's for the other patrons. You mean, 149 00:09:14,920 --> 00:09:17,640 Speaker 1: if those five patrons don't mind, it's okay with you. 150 00:09:18,360 --> 00:09:22,920 Speaker 1: I'm gone. He's smoking a cigar to a restaurant. Excuse me, 151 00:09:23,400 --> 00:09:26,760 Speaker 1: this is my last I hate this when they're like, 152 00:09:26,920 --> 00:09:32,160 Speaker 1: this is a rule the restaurant and never yeah. And 153 00:09:32,320 --> 00:09:35,120 Speaker 1: the thing about this is he seems charming instead of 154 00:09:35,160 --> 00:09:38,160 Speaker 1: being an ad and making it a problem for the 155 00:09:38,200 --> 00:09:41,000 Speaker 1: server and making it a big deal. So right now 156 00:09:41,400 --> 00:09:46,120 Speaker 1: he's being a chad. Yeah. Absolutely, But they're framing it 157 00:09:46,200 --> 00:09:50,880 Speaker 1: like he's like yeah, yeah. So this is definitely one 158 00:09:50,880 --> 00:09:53,760 Speaker 1: of those moments. I think they do make Carrie look 159 00:09:53,840 --> 00:09:57,200 Speaker 1: like a shrew, even though she's in the right right. 160 00:10:02,360 --> 00:10:06,319 Speaker 1: Can I come upstairs with Oh geez, I have to 161 00:10:06,320 --> 00:10:08,880 Speaker 1: get up really early and my place is just a mess. 162 00:10:09,640 --> 00:10:14,040 Speaker 1: Charlotte is too distraught you to do the sexy times 163 00:10:14,160 --> 00:10:19,200 Speaker 1: because of the circumcising. Yeah, jeez again, honest communication, I guess, 164 00:10:19,240 --> 00:10:22,680 Speaker 1: but yeah, and I've decided to do something about it. 165 00:10:23,320 --> 00:10:27,520 Speaker 1: I've been uncomfortable for too long, so I'm getting circumcised. 166 00:10:27,559 --> 00:10:30,400 Speaker 1: Don't know this adult man, it's getting circumcised. Oh my, 167 00:10:30,840 --> 00:10:34,800 Speaker 1: oh mind. See then you feel pressured like oh yeah, 168 00:10:35,000 --> 00:10:39,680 Speaker 1: like he stayed with you. You know, that's also a 169 00:10:39,920 --> 00:10:42,520 Speaker 1: kind of playing the game of trapping people into relationships 170 00:10:42,600 --> 00:10:45,800 Speaker 1: like this. But of course, Charlotte sus as m gesture, 171 00:10:47,280 --> 00:10:53,280 Speaker 1: I'm very excited to wait. I only say so judgment 172 00:10:53,360 --> 00:11:02,679 Speaker 1: only because I know how these show. Usually you want 173 00:11:02,679 --> 00:11:06,720 Speaker 1: a time frame for cuddling. Yeah, like twenty minutes time 174 00:11:06,760 --> 00:11:08,480 Speaker 1: for you for coddling. It does get too like, all right, 175 00:11:08,480 --> 00:11:09,880 Speaker 1: I just need to sleep now, or I need to 176 00:11:09,920 --> 00:11:12,880 Speaker 1: do something. This is very something I would do. My 177 00:11:13,000 --> 00:11:18,160 Speaker 1: Google calendar does not stop for you, sir. I have 178 00:11:18,280 --> 00:11:23,000 Speaker 1: things to do, thank you. Saturday is my free day, right, 179 00:11:23,200 --> 00:11:25,559 Speaker 1: I have spinning, and then I get my dry cleaning, 180 00:11:25,800 --> 00:11:27,600 Speaker 1: I have my nails done, and I do my grocery 181 00:11:27,600 --> 00:11:32,000 Speaker 1: shopping for the week. Miranda has a whole plan, honestly. Yeah, 182 00:11:32,200 --> 00:11:34,400 Speaker 1: it is nice a surprised like morning where you get 183 00:11:34,400 --> 00:11:38,079 Speaker 1: to lay in. Yeah, but if you get all this planning, yeah, 184 00:11:38,080 --> 00:11:45,480 Speaker 1: I do think you guys should come up with the 185 00:11:45,520 --> 00:11:49,200 Speaker 1: schedule or something. A sex schedule very romantic. See, I 186 00:11:49,280 --> 00:11:52,440 Speaker 1: think a sex schedule can be good. You can deviate 187 00:11:52,520 --> 00:11:55,000 Speaker 1: from it, but it could be nice to be like, Okay, yeah, 188 00:11:55,080 --> 00:11:57,439 Speaker 1: this is the night right and you can move from it. 189 00:11:57,559 --> 00:11:59,640 Speaker 1: Like if you're like, okay, I really don't feel it. 190 00:12:00,520 --> 00:12:02,400 Speaker 1: On the other hand, if you're like, also, I'm feeling 191 00:12:02,440 --> 00:12:04,839 Speaker 1: it tonight, discuss those things. But I don't think it's 192 00:12:04,840 --> 00:12:07,160 Speaker 1: like a horrible Oh. I know a lot of people 193 00:12:07,200 --> 00:12:09,840 Speaker 1: who have kids have high schedules, Like it's just a 194 00:12:09,880 --> 00:12:11,920 Speaker 1: part of like even dating. You're like, if you want 195 00:12:11,920 --> 00:12:17,400 Speaker 1: to go on a date, you have to plan a Hey, 196 00:12:16,400 --> 00:12:23,240 Speaker 1: I'm trying that night. Something else changed. Neither of us 197 00:12:23,280 --> 00:12:26,839 Speaker 1: wanted to make love. The resentment's building buildings building, I'm 198 00:12:26,840 --> 00:12:28,680 Speaker 1: going to get out of big Was it enough for me? 199 00:12:29,600 --> 00:12:32,880 Speaker 1: And then at three am, somewhere between sleep and waking, 200 00:12:33,400 --> 00:12:37,880 Speaker 1: I got my answer. Oh, he just pushed her out 201 00:12:38,000 --> 00:12:45,880 Speaker 1: the good and there's that punch. Oh my god, what 202 00:12:45,920 --> 00:12:49,440 Speaker 1: the hell was that? That's what happens when resentment build. 203 00:12:49,920 --> 00:12:52,839 Speaker 1: Violence is not okay. Why don't you remember one time 204 00:12:52,920 --> 00:12:55,280 Speaker 1: this guy told me, like they always say don't go 205 00:12:55,400 --> 00:12:58,240 Speaker 1: to bed angry, and I say, go to bed angry 206 00:12:58,520 --> 00:13:01,199 Speaker 1: separately and then talk about like I had to have 207 00:13:01,960 --> 00:13:05,720 Speaker 1: a right or I'm gonna say something really mean, right, 208 00:13:06,000 --> 00:13:15,040 Speaker 1: if you're again you're tired, Yeah, blows things up. I 209 00:13:15,240 --> 00:13:23,640 Speaker 1: still want something to change a little bit for me. Well, 210 00:13:23,800 --> 00:13:25,760 Speaker 1: remember when the first when they got back together, she's 211 00:13:25,800 --> 00:13:28,920 Speaker 1: telling all her girlfriends. Then he's changed, he's different, But 212 00:13:29,040 --> 00:13:32,599 Speaker 1: he's actually not, as we say. But a part of 213 00:13:32,640 --> 00:13:36,280 Speaker 1: that was she was never communicating with him either, right. Well, 214 00:13:36,400 --> 00:13:38,400 Speaker 1: and that's a big conversation a lot too. It's like 215 00:13:38,880 --> 00:13:40,640 Speaker 1: if you in a relationship or you're like, I'm going 216 00:13:40,720 --> 00:13:43,120 Speaker 1: to change this person, it's never really gonna work. But 217 00:13:43,280 --> 00:13:46,319 Speaker 1: I mean she's basically not. She's just telling him that 218 00:13:47,200 --> 00:13:49,640 Speaker 1: this is what I would like, this is what I need, 219 00:13:50,520 --> 00:13:52,760 Speaker 1: and he can say yes or no. Right. That's kind 220 00:13:52,800 --> 00:13:55,480 Speaker 1: of different than up. She's not really telling him to 221 00:13:55,559 --> 00:13:58,720 Speaker 1: change too. No. The next literally, don't look at other 222 00:13:58,760 --> 00:14:02,360 Speaker 1: women around you please. Yeah, it makes me uncomfortable. Let 223 00:14:02,520 --> 00:14:04,800 Speaker 1: either make a plan where it's convenient and knock and 224 00:14:04,880 --> 00:14:08,240 Speaker 1: consider it to me. Right, Also, not knock you out 225 00:14:08,280 --> 00:14:19,400 Speaker 1: of bed would be idea. Yeah, you know much Later 226 00:14:19,520 --> 00:14:23,680 Speaker 1: that night, bulstered by coffee, Miranda decided to perform a 227 00:14:23,800 --> 00:14:30,440 Speaker 1: two am seduction. Okay, spontaneous, got on the brighton negleg 228 00:14:30,960 --> 00:14:32,960 Speaker 1: candles lit, But you don't realist. I don't think I've 229 00:14:32,960 --> 00:14:36,000 Speaker 1: ever lit candles for sex. No, I don't. I have 230 00:14:36,280 --> 00:14:39,560 Speaker 1: someone who does that really well, it's a friend of mine. 231 00:14:39,600 --> 00:14:43,880 Speaker 1: Oh wow, okay, yeah, that to me is unrealistic as 232 00:14:43,920 --> 00:14:46,000 Speaker 1: well as I think eventually something's going to burn down. 233 00:14:46,000 --> 00:14:48,400 Speaker 1: And also all of my candles are scented. Yeah, just 234 00:14:48,440 --> 00:14:50,920 Speaker 1: give me a headache. Yeah. Also, she just said she 235 00:14:51,040 --> 00:14:54,360 Speaker 1: had five cups of coffee. That's a terrible idea. I'm 236 00:14:54,440 --> 00:15:01,040 Speaker 1: sorry to say. She's getting the wine and row he's asleep, 237 00:15:02,080 --> 00:15:05,320 Speaker 1: Get up. What I think you should spend the night 238 00:15:05,360 --> 00:15:09,840 Speaker 1: at your place tonight? Why? Because I'd really like to 239 00:15:09,880 --> 00:15:12,320 Speaker 1: catch up on my sleep and I really don't want 240 00:15:12,360 --> 00:15:14,240 Speaker 1: to worry about having sex with you in the morning 241 00:15:14,400 --> 00:15:19,240 Speaker 1: and then just lying there and being late. Oh that's 242 00:15:20,120 --> 00:15:27,280 Speaker 1: carry doesn't say anything. Marina says all the things I had. 243 00:15:27,320 --> 00:15:29,040 Speaker 1: A guy asked me once, when do you prefer sex 244 00:15:29,160 --> 00:15:32,240 Speaker 1: morning afternoon? Her night? Yeah, it was like an afternoon 245 00:15:32,680 --> 00:15:39,040 Speaker 1: is solid afternoon sex never happens though, Oh yeah, afternoons 246 00:15:39,200 --> 00:15:41,560 Speaker 1: are not ideal to me. Well, I is really talking 247 00:15:41,560 --> 00:15:43,880 Speaker 1: about masturbating because I don't have much sex. But yeah, 248 00:15:43,920 --> 00:15:53,680 Speaker 1: I know, thank you, good guy. I don't think I'm 249 00:15:53,720 --> 00:15:56,240 Speaker 1: ready for this to feed, you know, the big thing. 250 00:15:56,840 --> 00:16:01,520 Speaker 1: All right, we're back Charlotte and the size dude. I 251 00:16:01,680 --> 00:16:03,800 Speaker 1: just feel like I can't be tied down right now. 252 00:16:05,080 --> 00:16:07,160 Speaker 1: There's a whole new me happening. I feel like I 253 00:16:07,200 --> 00:16:08,760 Speaker 1: should get out there and share it. He's got to 254 00:16:08,760 --> 00:16:12,920 Speaker 1: share his dick. You want to share your penis? Seeing 255 00:16:12,960 --> 00:16:15,920 Speaker 1: time felt it's a nose job to convinced a woman 256 00:16:15,960 --> 00:16:18,000 Speaker 1: to get a nose job. And then she's like, I mean, 257 00:16:18,000 --> 00:16:19,920 Speaker 1: I don't feel like I owe it to myself to 258 00:16:20,360 --> 00:16:22,680 Speaker 1: take the doggie out for a walk around the block. 259 00:16:22,720 --> 00:16:28,040 Speaker 1: Hey the doggie out never saw Mike again. She realized 260 00:16:28,120 --> 00:16:29,840 Speaker 1: you could take the sharp pay out of the penis, 261 00:16:30,280 --> 00:16:32,120 Speaker 1: but you could never take the dog out of the 262 00:16:32,200 --> 00:16:37,520 Speaker 1: man old dog. No, no here, I could have guessed, 263 00:16:57,800 --> 00:17:01,200 Speaker 1: all right, Annie, Yeah, you definitely got like negative three. 264 00:17:01,240 --> 00:17:03,160 Speaker 1: I'm just kidding you. Because they don't actually even go 265 00:17:03,200 --> 00:17:09,960 Speaker 1: on an event. I really screwed it up. They might say, 266 00:17:10,280 --> 00:17:13,920 Speaker 1: I know, we just we needed to warm up episode. 267 00:17:13,920 --> 00:17:16,600 Speaker 1: I'm not sure you zero for sure. I mean I 268 00:17:16,640 --> 00:17:18,720 Speaker 1: guess I could give you point five because Big was 269 00:17:18,840 --> 00:17:25,280 Speaker 1: there even though you saw it, and I will accept 270 00:17:25,400 --> 00:17:29,320 Speaker 1: this fate, yes, But it's quite interesting. I think, like 271 00:17:29,560 --> 00:17:32,040 Speaker 1: every time we talk about anything like this, especially when 272 00:17:32,080 --> 00:17:34,280 Speaker 1: it comes to Big, because Big seems to be the 273 00:17:34,400 --> 00:17:39,680 Speaker 1: same stereotypical guy that is always the leading man outside 274 00:17:39,720 --> 00:17:43,760 Speaker 1: of not being a murder dad or beings a sad sack, 275 00:17:43,840 --> 00:17:47,520 Speaker 1: but the ecocentric, big business, big boss dude who really 276 00:17:47,880 --> 00:17:52,000 Speaker 1: gets more excuses, and it is seen as the cool guy, yeah, 277 00:17:52,080 --> 00:17:54,920 Speaker 1: and the fun guy when the girl looks just needy 278 00:17:55,240 --> 00:18:01,760 Speaker 1: or over the top or nagging, and it's kind of like, oh, yeah, yeah, 279 00:18:01,960 --> 00:18:04,240 Speaker 1: And I do think that was a whole It still is, 280 00:18:04,400 --> 00:18:06,480 Speaker 1: but especially at this time, that was a whole. Ding 281 00:18:06,720 --> 00:18:12,240 Speaker 1: was like this guy treats you terribly, Oh, how romantic? 282 00:18:12,840 --> 00:18:15,600 Speaker 1: How do I keep him? How do I change him? Right? 283 00:18:16,440 --> 00:18:20,080 Speaker 1: Which is so unhealthy? And I will say we've talked 284 00:18:20,080 --> 00:18:23,840 Speaker 1: about this in several past episodes. I do think people 285 00:18:23,920 --> 00:18:29,320 Speaker 1: watching it now would read him as an arrogant all right, 286 00:18:30,000 --> 00:18:32,679 Speaker 1: Whereas like when it first came out, it was very 287 00:18:32,760 --> 00:18:36,920 Speaker 1: much like, oh, he's so like sexy and romantic and 288 00:18:38,720 --> 00:18:42,080 Speaker 1: she should be so lucky. Yeah, to stay with him, 289 00:18:42,800 --> 00:18:45,000 Speaker 1: which I don't think in the case anymore, right, I mean, 290 00:18:45,040 --> 00:18:46,679 Speaker 1: I will say I think the friends would have her 291 00:18:46,720 --> 00:18:48,600 Speaker 1: back and most like this is not a good dude, 292 00:18:48,680 --> 00:18:50,720 Speaker 1: but we'll support you. But we've talked about that before, 293 00:18:50,920 --> 00:18:52,960 Speaker 1: right when like the last episode, when you get back 294 00:18:52,960 --> 00:18:55,639 Speaker 1: into the same relationship, you're like, how did this change? 295 00:18:55,920 --> 00:18:58,240 Speaker 1: Did it? But okay, you do you will still be 296 00:18:58,359 --> 00:19:01,760 Speaker 1: here for you. I do love Steve and Miranda together. 297 00:19:01,880 --> 00:19:04,440 Speaker 1: This is the beginning of them and her like relaxing 298 00:19:04,440 --> 00:19:07,080 Speaker 1: a little bit. But he also you know, showing her 299 00:19:07,400 --> 00:19:13,240 Speaker 1: loves Yeah. Poor Charlotte just can't find that man. Yeah. Yeah. 300 00:19:13,520 --> 00:19:16,840 Speaker 1: She's one of the most interesting in terms of of 301 00:19:16,960 --> 00:19:19,160 Speaker 1: a show where like every week there's a new guy. 302 00:19:19,400 --> 00:19:21,760 Speaker 1: Ish like, clearly we've been introduced to Steve and he's 303 00:19:21,760 --> 00:19:24,320 Speaker 1: going to stick around and big, but like there's a 304 00:19:24,359 --> 00:19:27,080 Speaker 1: lot of like new guys coming in, and she's someone 305 00:19:27,119 --> 00:19:31,200 Speaker 1: who feels so much like she wants that one guy 306 00:19:31,800 --> 00:19:37,640 Speaker 1: and that one not finding it, constantly thinking oh, this guy, 307 00:19:37,800 --> 00:19:41,120 Speaker 1: and then within the twenty minutes of the episode, Oh 308 00:19:41,200 --> 00:19:46,320 Speaker 1: it's not that, just play it. Yeah, And then Sam 309 00:19:46,400 --> 00:19:48,960 Speaker 1: didn't actually hook up with the guy this time. No, no, 310 00:19:49,320 --> 00:19:53,400 Speaker 1: she just had to grapple with the past. Yeah, dude 311 00:19:53,480 --> 00:19:55,880 Speaker 1: being hard, which you know what, he looks good. Yeah, 312 00:19:56,480 --> 00:19:58,920 Speaker 1: I think that's pretty flattering. I don't know. And it's 313 00:19:59,000 --> 00:20:02,040 Speaker 1: not like he was making her look man. No, yeah, 314 00:20:02,200 --> 00:20:07,119 Speaker 1: he looked good. All right, Anny, Well you did okay, 315 00:20:08,240 --> 00:20:11,560 Speaker 1: I'll give you that. Yeah, we need we need to 316 00:20:11,640 --> 00:20:14,680 Speaker 1: run through another one just to get you into the 317 00:20:14,720 --> 00:20:20,800 Speaker 1: groove again. But yeah, now we're on episode ten. I'm 318 00:20:20,840 --> 00:20:22,800 Speaker 1: excited to share that with you. But that one's a 319 00:20:22,880 --> 00:20:26,040 Speaker 1: little harder. I will tell you. We'll talk about it 320 00:20:26,080 --> 00:20:29,240 Speaker 1: when it comes around. However, we are still searching for 321 00:20:29,480 --> 00:20:32,560 Speaker 1: the listener to come on with us. Like we said before, 322 00:20:32,720 --> 00:20:36,480 Speaker 1: all you really need is headphones, a computer, Internet access, 323 00:20:36,600 --> 00:20:39,040 Speaker 1: and if you have a mic system, that's fantastic. I 324 00:20:39,119 --> 00:20:41,879 Speaker 1: know a lot of people use the ear What is 325 00:20:41,960 --> 00:20:46,760 Speaker 1: that one? The microphone in your head? Yeah, yeah, like 326 00:20:46,880 --> 00:20:48,760 Speaker 1: that will work too. You just need to let us 327 00:20:48,800 --> 00:20:51,120 Speaker 1: know you're interested and then we'll work around your time 328 00:20:51,600 --> 00:20:53,440 Speaker 1: because this is our job and we will you to 329 00:20:53,520 --> 00:20:56,399 Speaker 1: be with us, toward us, with us, um. So if 330 00:20:56,440 --> 00:20:59,280 Speaker 1: you are interested, please send us an email, send us 331 00:20:59,359 --> 00:21:03,000 Speaker 1: one of the d let us know yes, yes, And 332 00:21:03,119 --> 00:21:06,480 Speaker 1: for everyone who already asks your name is down, Mama's promise, promise, 333 00:21:06,640 --> 00:21:08,520 Speaker 1: and we do want to do it multiple times. So 334 00:21:08,720 --> 00:21:10,720 Speaker 1: because everybody I'm like, I would love to have you on, 335 00:21:10,960 --> 00:21:16,199 Speaker 1: I don't want to do yes. So more information to come. 336 00:21:16,280 --> 00:21:18,840 Speaker 1: But we are closing. We're closing in on the finale, 337 00:21:18,920 --> 00:21:22,320 Speaker 1: which is when we're planning on doing it slowly but surely. Nay, 338 00:21:22,440 --> 00:21:25,119 Speaker 1: we are so far away were what episode is it? 339 00:21:25,600 --> 00:21:29,360 Speaker 1: We're halfway there. We're halfway there. Maybe we'll do another one. 340 00:21:29,520 --> 00:21:33,600 Speaker 1: I don't know. But in the meantime, you can email 341 00:21:33,680 --> 00:21:36,200 Speaker 1: us at stuff meda mom stuff at I hurtma dot com. 342 00:21:36,800 --> 00:21:39,640 Speaker 1: You can find us on Twitter at Mom's Stuff podcast, 343 00:21:39,840 --> 00:21:42,359 Speaker 1: or on Instagram and TikTok at Stuff I've Never Told You. 344 00:21:42,680 --> 00:21:46,320 Speaker 1: Thanks as always too our super producer, Christina, Thank you 345 00:21:46,840 --> 00:21:49,840 Speaker 1: Yes who makes this all happen, And thanks to you 346 00:21:50,000 --> 00:21:52,040 Speaker 1: for listening Stuff I Never Told You s protection of 347 00:21:52,040 --> 00:21:53,960 Speaker 1: iHeartRadio from more podcast from My Heart Radio. You can 348 00:21:54,000 --> 00:21:56,080 Speaker 1: check out the her Radio, a Apple podcast, or ready 349 00:21:56,200 --> 00:21:57,439 Speaker 1: listen to your favorite shows.