WEBVTT - Another Conversation About Snitching?

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<v Speaker 1>What's up?

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<v Speaker 2>And welcome back to another episode of No Sealers Podcast

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<v Speaker 2>with your host. Now, fuck that with your loaw glasses, Malone.

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<v Speaker 2>This is some crazy shit and I can't believe we

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<v Speaker 2>having another conversation about this. But there's two problems. One

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<v Speaker 2>problem is people still don't understand the definition of snitching.

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<v Speaker 2>That's one problem. Yes, you know what I mean, And

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<v Speaker 2>I get why because with street times, this is why

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<v Speaker 2>we need to write the cryption area. This is why,

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<v Speaker 2>because I think people Google and it's like, you can't

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<v Speaker 2>trust Google with street y know, with slang, with culture

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<v Speaker 2>like it it's Google.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 2>Like, if I'm not writing for maybe I'll need to

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<v Speaker 2>apply to write all of.

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<v Speaker 1>The slang parts for Google, like a cultural things for Google.

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<v Speaker 2>They need to come, like I need to pitch that,

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<v Speaker 2>I need to send them niggas my resume.

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<v Speaker 3>Bro.

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<v Speaker 4>I agree, and we could do the you do the

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<v Speaker 4>cryption area, and then to keep it, you know, from

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<v Speaker 4>being one and done, you could have the Cryptcyclopedia where

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<v Speaker 4>your new volumes continue to come out all the time like.

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<v Speaker 1>That, like that the Sea Cyclopedia.

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<v Speaker 4>Yeah, Encyclopedia, Yeah, the Encyclopoedia, the c Cyclopedia for t yeah.

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<v Speaker 4>So yeah, it's these that have Britannica gonna be critic Cryptannica.

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<v Speaker 2>So anyway, So one they don't know the definition. They

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<v Speaker 2>don't know the definition of snitches.

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<v Speaker 3>Still, I think it's deeper than that.

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<v Speaker 1>But two, you know what else it is, it's people who.

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<v Speaker 2>Okay, when you start living your life in the streets,

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<v Speaker 2>right you you are raising the culture of things. It's

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<v Speaker 2>not so much that somebody sits you down the day.

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<v Speaker 2>I mean, no different than being an Italian, right, nobody

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<v Speaker 2>sits you down and say, hey, Pete, this is how

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<v Speaker 2>you be Italian.

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<v Speaker 1>Hey Pete.

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<v Speaker 2>It's like you learn over time the culture. So also

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<v Speaker 2>you learn the nuances of it. Now, there are rules

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<v Speaker 2>that when you're talking to people outside of culture and

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<v Speaker 2>you say, hey, these are the rules, you try to

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<v Speaker 2>give it to them in a real brief kind of like.

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<v Speaker 1>In a really simplistic way.

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<v Speaker 2>So like culturally, you know, when you start talking about

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<v Speaker 2>any level of street, urban culture or criminals period. Don't

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<v Speaker 2>talk to the police is the general context of the conversation.

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<v Speaker 2>Do not make statements to the police, right, don't make statements.

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<v Speaker 2>They'll simplify say, don't talk to the police. Now that

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<v Speaker 2>doesn't mean the police that drive by your house you

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<v Speaker 2>can't say hi, or if the police say hey, what's

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<v Speaker 2>going on, or you can't say that. It's a nuance

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<v Speaker 2>that shouldn't have to be explained because culturally you're raised.

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<v Speaker 1>To understand it.

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<v Speaker 2>Yeah, nobody's gonna call you a snitch if somebody breaks

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<v Speaker 2>in your car, right, if somebody breaks in your fucking

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<v Speaker 2>car and steals your shit, if you call the police

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<v Speaker 2>and get a police report to get your insurance, nobody's

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<v Speaker 2>going to call you a snitch.

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<v Speaker 1>Nobody's gonna call you a snitch.

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<v Speaker 2>But even though the rule to the general population when

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<v Speaker 2>we're talking about this is don't talk to the police,

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<v Speaker 2>that's not what that means.

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<v Speaker 1>And it's tough because it's nuances.

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<v Speaker 2>And that's my problem is when we're trying to translate

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<v Speaker 2>the culture to the uncultured, that's the problem. It's like

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<v Speaker 2>trying to tell someone who doesn't have soul how to

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<v Speaker 2>make soul food. Like if you see people like if

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<v Speaker 2>you see old sisters, like, oh.

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<v Speaker 1>Black women cook, they don't need a measuring cup.

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<v Speaker 2>Yeah yeah, I mean, if you watch an old Northern

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<v Speaker 2>Italian lady make a pizza, you know what I mean

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<v Speaker 2>that came from the ghettos of Italy.

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<v Speaker 1>She doesn't really need a measuring cup. She just does

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<v Speaker 1>this shit right.

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<v Speaker 2>And when the uncultured tried to do it, they need

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<v Speaker 2>a measuring cup because they don't have the years and

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<v Speaker 2>years of not just experience, but the lineage of soul

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<v Speaker 2>to connect to. And that's the thing with freed urban

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<v Speaker 2>culture in general, like it's certain things that we know

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<v Speaker 2>without even having to say. Like I watched so many

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<v Speaker 2>people make It's been so many conversations over the last

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<v Speaker 2>week or two about people talking snitching stuff, and it's

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<v Speaker 2>just irritating me so much because it's simple. It's fucking simple.

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<v Speaker 2>But I'm starting to realize it's only simple to me. Sure,

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<v Speaker 2>if somebody called the police and reported it to they

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<v Speaker 2>insurance company says somebody broke in their car, I know

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<v Speaker 2>that's not snitchy. Yeah, if somebody you know what I mean,

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<v Speaker 2>Even if a gangster knew somebody was raping or a

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<v Speaker 2>pedophile when he called the police, I wouldn't call that

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<v Speaker 2>person a snitch. Nobody in the community would call that

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<v Speaker 2>person a snitch. They might call him a bitch because

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<v Speaker 2>that he didn't kill the person who was who was

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<v Speaker 2>the pedophile. But they're not going to call him a snitch.

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<v Speaker 2>They're not going to disassociate themselves with him because he

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<v Speaker 2>told the police on a pedophile. They're going to call

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<v Speaker 2>him a bitch because they're gonna be like, why you didn't

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<v Speaker 2>do nothing to this motherfucker.

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<v Speaker 3>Sure, I'll go a step further.

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<v Speaker 4>The way it boils down to me when I look

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<v Speaker 4>at it, you have, as you said before, if you're

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<v Speaker 4>in the underworld lifestyle or whatever, you're committed to that

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<v Speaker 4>that's where you are. You have a responsibility to uphold

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<v Speaker 4>that lifestyle.

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<v Speaker 1>It becomes your standards.

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<v Speaker 4>On Similarly, if you're in general society, you have a

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<v Speaker 4>responsibility to uphold the standards for that lifestyle. It's a tradition, yes,

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<v Speaker 4>and they're both necessary for the sustainability of each world.

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<v Speaker 3>Sure, if you're not.

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<v Speaker 4>Testifying and doing your job to clean up your normal

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<v Speaker 4>world lifestyle, you're failing in your commitment to your community.

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<v Speaker 4>If you're snitching out and corroding the underworld, you're failing

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<v Speaker 4>your commitment to that community.

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<v Speaker 3>Yeah.

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<v Speaker 4>So, therefore, if you're it comes down to people failing

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<v Speaker 4>to buy into who exactly they really are. If you're

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<v Speaker 4>if you're a square, you shouldn't even be allowed to.

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<v Speaker 3>Say the word snitch.

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<v Speaker 1>Exactly. You shouldn't.

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<v Speaker 4>It's not even your business to criticize somebody else for stitching,

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<v Speaker 4>because they're doing what is supposed to happen in your world.

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<v Speaker 3>You should be happy about.

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<v Speaker 1>That, exactly.

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<v Speaker 2>I have said something happened with Drake where he got

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<v Speaker 2>robbed at that that whatever, that Asian food spot in

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<v Speaker 2>Toronto that Kendrick made a popular newhaut King. I forgot

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<v Speaker 2>the name of it. I got the New Hauk King.

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<v Speaker 2>They got the Kendrick Special or the Kato Special whatever.

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<v Speaker 2>But Drake got robbed there, right, and he called the police.

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<v Speaker 1>He gave a statement. Right.

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<v Speaker 2>Somebody asked me why I didn't care, Like why didn't

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<v Speaker 2>you say nothing then? And I'm like, I'm not saying

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<v Speaker 2>nothing now. Drake should have called the police. He's reported

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<v Speaker 2>to the proper authority because Drake is not thugging. You know,

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<v Speaker 2>I never cared that Lil Wayne had a problem with

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<v Speaker 2>Drake oversleeping with the girl, or why Puff put his

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<v Speaker 2>hands on him and he didn't fight back, or y

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<v Speaker 2>t I's man pissed on him and he didn't do nothing.

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<v Speaker 2>You know why I never had a problem with that

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<v Speaker 2>or never called Drake out of his name over that,

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<v Speaker 2>because Drake is not that kind of person.

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<v Speaker 1>He's a general population person.

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<v Speaker 2>Now I can get if he's starting to confuse himself,

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<v Speaker 2>if he's starting to walk the thin line, because when

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<v Speaker 2>you look at certain things like what's going on with

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<v Speaker 2>them and the exol camp, you know, the weekend's camp.

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<v Speaker 2>And Okay, a security guard at one of the primary people's.

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<v Speaker 1>House, cash House, right, Cash House, gets shot.

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<v Speaker 2>And then somebody at Drake's at the embassy in Toronto,

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<v Speaker 2>the sound security guard that works not the same security

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<v Speaker 2>guard rather, but a security guard that works almost in

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<v Speaker 2>the same position, he gets shot. Now I'm starting to worry, Like, bro,

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<v Speaker 2>are you playing street?

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<v Speaker 3>Like?

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<v Speaker 1>Are you playing street like?

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<v Speaker 2>This is something you don't play with, Like, yes, you

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<v Speaker 2>have tons of money, tons of resources, but that's not.

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<v Speaker 1>What this is about. Like they will find a way

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<v Speaker 1>and they will break you down.

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<v Speaker 2>If you didn't grow up in this culturally, it's not

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<v Speaker 2>something you pick up and play with you. I mean,

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<v Speaker 2>that's why I never called him a snitch, because I

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<v Speaker 2>knew he was a part of general population, you.

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<v Speaker 1>Know what I mean?

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<v Speaker 2>In Gunner situation, like, see, I don't know him, but

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<v Speaker 2>I'm listening to what he's saying. Now, Drake is different

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<v Speaker 2>because I do kind of have knowledge of who he is.

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<v Speaker 2>I've met him, I've interacted with him. Some people I

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<v Speaker 2>really fuck with interact with him, so I know he's

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<v Speaker 2>a part of general population minus all the conversations Gunner shit,

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<v Speaker 2>you hang in around some pretty unsavory characters. That's really

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<v Speaker 2>good guys in my world, and you're saying you're a

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<v Speaker 2>crypt so.

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<v Speaker 1>I'm taking you at face value.

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<v Speaker 2>Now my homie is just telling me, like last is no,

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<v Speaker 2>he has never been in this life.

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<v Speaker 1>And he's like, you remember he had the Crime.

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<v Speaker 2>Stoppers video where or the video on the news where

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<v Speaker 2>his cousin got shot.

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<v Speaker 1>And I'm like, yeah, that's true.

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<v Speaker 2>It's like, you think we would have let him come

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<v Speaker 2>up in the world of hip hop and talk that

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<v Speaker 2>shit if we thought, you know what I mean, he

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<v Speaker 2>was like us. And then he told or he did

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<v Speaker 2>that video that would be a problem and I'm like, yeah,

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<v Speaker 2>that makes sense.

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<v Speaker 1>I'm like, but why would y'all?

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<v Speaker 2>And then it hit me like, of course hip hop

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<v Speaker 2>is not going to get in the way of people

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<v Speaker 2>that come from the community trying to change their life economically, you.

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<v Speaker 1>Know what I mean.

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<v Speaker 2>We understand they stand up dudes, but it's weird when

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<v Speaker 2>you see people that don't tell you anything, so like

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<v Speaker 2>it's crazy to learn, like, now, oh, he's not like

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<v Speaker 2>that at all. He's just not like that. So now

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<v Speaker 2>it's like, then, well is he a snitch because you

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<v Speaker 2>know he he you know, because he folded on thug

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<v Speaker 2>and took a deal where he had to admit where

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<v Speaker 2>he said other people around him. First off, in a

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<v Speaker 2>rico case, if you emit someone's a gang, you're you're

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<v Speaker 2>pretty much making him lose the case because that's the point.

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<v Speaker 2>And if you emit crimes were happening in the name

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<v Speaker 2>of this alleged gang, guess what that's you. You're helping

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<v Speaker 2>them convict on a rico charge. Now, if they're gonna

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<v Speaker 2>be at a hit him with all the rest of

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<v Speaker 2>the stuff is different. But if you're telling me now

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<v Speaker 2>that Gunn had never been that, then shit, now I

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<v Speaker 2>look stupidcause it's like, oh, this is a general my bad.

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<v Speaker 2>I thought he was like us. I thought anybody who's

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<v Speaker 2>talking like this, And then I had to kind of

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<v Speaker 2>correct myself because Drake is talking like this and I

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<v Speaker 2>know better.

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<v Speaker 4>Sure some of that is like, well, if you're not,

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<v Speaker 4>you know, with that lifestyle, you shouldn't even have the knowledge.

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<v Speaker 4>You know, at some point, why are you even able

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<v Speaker 4>to viably testify about any of this shit.

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<v Speaker 3>If you're not you know what I'm saying. Well, it's

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<v Speaker 3>like like.

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<v Speaker 4>Like he should be insulated from enough viable information, Like

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<v Speaker 4>if you're responsible, if Thug is responsible and stuff like that, sure,

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<v Speaker 4>why would you why you got squares playing tag along

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<v Speaker 4>and doing right along?

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<v Speaker 3>Like it's you know what I'm saying, it's not an internship.

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<v Speaker 1>Yeah, that's a great point.

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<v Speaker 2>Doug probably had did mess up if he was in

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<v Speaker 2>any of that, any of that situation.

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<v Speaker 1>Thug messed up, You're right.

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<v Speaker 4>Yeah, I mean otherwise it's like, are these people uh

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<v Speaker 4>uh you know credible criminal syndicate?

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<v Speaker 3>Yes?

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<v Speaker 4>Why do you think that? I don't really heard that

0:13:09.480 --> 0:13:13.560
<v Speaker 4>they were. That's not the most viable testimony. I was

0:13:13.600 --> 0:13:15.520
<v Speaker 4>there when they did a B C D e FG

0:13:16.920 --> 0:13:21.400
<v Speaker 4>is more viable. And there you have it.

0:13:21.400 --> 0:13:24.600
<v Speaker 2>It's crazy because as much as I like I tell

0:13:24.679 --> 0:13:28.440
<v Speaker 2>Head all the time, I'm like like DJ Head, like

0:13:28.520 --> 0:13:31.080
<v Speaker 2>you came up in the streets, so you know the rules.

0:13:31.080 --> 0:13:33.440
<v Speaker 2>Like Head very much is somebody who came up in

0:13:33.480 --> 0:13:37.680
<v Speaker 2>the streets. Now it's Head ever really committed crimes, I'm

0:13:37.760 --> 0:13:41.120
<v Speaker 2>sure to some degree, like some some minor infractions. You know,

0:13:41.360 --> 0:13:44.120
<v Speaker 2>he's a skateboarder, so I'm sure he's skateboarder at some places.

0:13:44.160 --> 0:13:48.679
<v Speaker 2>But Head understands the rules. But you're right as somebody

0:13:48.679 --> 0:13:52.960
<v Speaker 2>that really as somebody that's thugging. I would like when

0:13:53.040 --> 0:13:56.040
<v Speaker 2>stuff would happen, I would tell here like, hey, if

0:13:56.040 --> 0:13:57.240
<v Speaker 2>this go down, go get the car.

0:13:58.480 --> 0:13:59.760
<v Speaker 1>Just go get the car. Yo.

0:14:00.000 --> 0:14:01.839
<v Speaker 2>If something start, just go he like, glasses, I'm not

0:14:01.920 --> 0:14:03.920
<v Speaker 2>no punk, and I'm like, it's not about being a punk,

0:14:04.400 --> 0:14:06.679
<v Speaker 2>Like I think you will fight everybody here. I don't

0:14:06.720 --> 0:14:09.040
<v Speaker 2>think that you are scared to have a fist fight.

0:14:09.120 --> 0:14:11.400
<v Speaker 2>You a man, I said, But if it starts to

0:14:11.440 --> 0:14:15.080
<v Speaker 2>become something illegal, I don't want you to have to

0:14:15.160 --> 0:14:18.000
<v Speaker 2>put these things, you know what I mean. I don't

0:14:18.040 --> 0:14:19.800
<v Speaker 2>want to have to put you the task to where

0:14:19.840 --> 0:14:22.240
<v Speaker 2>you see these things. Now, now you have to stand

0:14:22.320 --> 0:14:25.240
<v Speaker 2>up somewhere that you really kept yourself out of all

0:14:25.240 --> 0:14:29.400
<v Speaker 2>these problems. Hell Pun, you know, shout out to Pun,

0:14:29.480 --> 0:14:32.320
<v Speaker 2>shout out to means and different people that I know

0:14:32.360 --> 0:14:34.680
<v Speaker 2>that came up from the same background like me, thugging,

0:14:35.080 --> 0:14:38.000
<v Speaker 2>I wouldn't even let them get in trouble. Shout out

0:14:38.040 --> 0:14:41.200
<v Speaker 2>to a Shad Chad's new Cali catering. When Shad would

0:14:41.200 --> 0:14:42.920
<v Speaker 2>be around me, I wouldn't even let them get in trouble.

0:14:42.960 --> 0:14:45.240
<v Speaker 2>I'm like, my goal for y'all is to get you

0:14:45.320 --> 0:14:47.400
<v Speaker 2>out of the same trouble like this got me out

0:14:47.400 --> 0:14:49.600
<v Speaker 2>of the troubles that I was in. So I wouldn't

0:14:49.600 --> 0:14:52.520
<v Speaker 2>even let them get into Shenanigan or try to start fighting.

0:14:52.520 --> 0:14:55.040
<v Speaker 2>I'm like a calm down. We didn't come way up

0:14:55.040 --> 0:14:57.520
<v Speaker 2>here to do the same thing we was doing around

0:14:57.560 --> 0:14:58.440
<v Speaker 2>the corner from home.

0:15:00.400 --> 0:15:02.800
<v Speaker 3>So, and there's exposure in both ways.

0:15:02.840 --> 0:15:06.440
<v Speaker 4>It's likely you bring people around now they're exposed to

0:15:06.680 --> 0:15:12.080
<v Speaker 4>being some loosely defined participant, so it exposes them to risk,

0:15:12.320 --> 0:15:16.480
<v Speaker 4>which they're going to want to offload, which exposes in

0:15:16.520 --> 0:15:17.600
<v Speaker 4>turn you to risk.

0:15:20.360 --> 0:15:23.360
<v Speaker 2>Well, it brings me to my thought, and it's with

0:15:26.840 --> 0:15:28.080
<v Speaker 2>how long would you say?

0:15:28.560 --> 0:15:28.760
<v Speaker 1>Now?

0:15:28.960 --> 0:15:32.720
<v Speaker 2>It's not fair people, because you very much are general population,

0:15:32.840 --> 0:15:35.320
<v Speaker 2>but you have an edge and you do have a

0:15:35.440 --> 0:15:38.240
<v Speaker 2>nuance about you that can understand a little more layers

0:15:38.280 --> 0:15:41.520
<v Speaker 2>than the average person in general population about street life.

0:15:41.560 --> 0:15:45.080
<v Speaker 2>And I think it's because you're somebody who has truly

0:15:45.240 --> 0:15:50.720
<v Speaker 2>self self appointed, like you have shame and you have

0:15:50.840 --> 0:15:52.960
<v Speaker 2>dignity like you, you know what I mean.

0:15:52.880 --> 0:15:55.400
<v Speaker 3>You care waha way more shame.

0:15:56.400 --> 0:15:59.960
<v Speaker 2>Shame in twenty twenty four when they're trying to purge

0:16:00.080 --> 0:16:02.200
<v Speaker 2>everyone of shame, says a lot about you.

0:16:02.240 --> 0:16:04.520
<v Speaker 1>So I can, I can honor you. I can.

0:16:04.840 --> 0:16:07.000
<v Speaker 2>I'm honored to have this conversation with you, even as

0:16:07.040 --> 0:16:13.320
<v Speaker 2>a person shat you feel me? So, how long would

0:16:13.360 --> 0:16:18.280
<v Speaker 2>be a good enough time? How long would be a

0:16:18.480 --> 0:16:22.000
<v Speaker 2>nice amount of time before you take a person that's

0:16:22.040 --> 0:16:24.800
<v Speaker 2>in the underworld or in the criminal lifestyle and then

0:16:24.840 --> 0:16:28.640
<v Speaker 2>they change their life and they become a person in

0:16:28.720 --> 0:16:31.760
<v Speaker 2>general population to where they can run a business and

0:16:32.600 --> 0:16:37.880
<v Speaker 2>use the police assistance like any other taxpaying citizen in America.

0:16:38.720 --> 0:16:41.680
<v Speaker 2>How far removed do you have to be from thugging

0:16:41.960 --> 0:16:42.720
<v Speaker 2>from thug them?

0:16:43.680 --> 0:16:46.520
<v Speaker 4>Depends on the person, It depends on the circumstances. I mean,

0:16:46.800 --> 0:16:50.400
<v Speaker 4>I'll say it could be twenty four hours. If you're

0:16:50.440 --> 0:16:53.640
<v Speaker 4>doing square shitty, you're done with that and you're gonna

0:16:53.640 --> 0:16:55.480
<v Speaker 4>deal with square things in a square way.

0:16:56.440 --> 0:17:01.840
<v Speaker 3>Then that's what you do. If you know you're being

0:17:02.120 --> 0:17:04.200
<v Speaker 3>If you still have old beefs that.

0:17:04.160 --> 0:17:07.920
<v Speaker 4>Come after you, whatever the hell, then you know how

0:17:07.960 --> 0:17:09.639
<v Speaker 4>you want to settle those is how you want to

0:17:09.640 --> 0:17:12.800
<v Speaker 4>settle those. But like if it's if you did whatever

0:17:13.920 --> 0:17:17.720
<v Speaker 4>two years ago and it's not under it hasn't expired yet,

0:17:17.760 --> 0:17:18.280
<v Speaker 4>you know what I mean.

0:17:19.160 --> 0:17:20.680
<v Speaker 3>But you've changed your life.

0:17:20.480 --> 0:17:23.640
<v Speaker 4>You're still liable for those things that you did when

0:17:23.680 --> 0:17:25.920
<v Speaker 4>you were in that life. You can't walk away from

0:17:25.920 --> 0:17:28.120
<v Speaker 4>that and now testify on them because I'm out now.

0:17:28.840 --> 0:17:30.840
<v Speaker 4>You did that on the day that you did that,

0:17:31.320 --> 0:17:33.200
<v Speaker 4>So that's with you as long as that thing is

0:17:33.240 --> 0:17:34.240
<v Speaker 4>available to be with you.

0:17:35.440 --> 0:17:37.280
<v Speaker 1>But that's fair, you know.

0:17:37.400 --> 0:17:40.199
<v Speaker 4>But once you're done, you don't have to. You know,

0:17:40.640 --> 0:17:43.520
<v Speaker 4>somebody wants to threaten and extort you because you opened

0:17:43.560 --> 0:17:45.640
<v Speaker 4>up a hardware store and you're done. If you're done,

0:17:45.680 --> 0:17:47.760
<v Speaker 4>and every and and the people around you who you

0:17:47.800 --> 0:17:49.880
<v Speaker 4>did stuff with acknowledge that you're done in this cold and.

0:17:49.880 --> 0:17:52.680
<v Speaker 3>Go ahead and say, hey man, blah blah blah, peat

0:17:52.760 --> 0:17:55.280
<v Speaker 3>I'm being extorted by bib over there. I'm just trying

0:17:55.320 --> 0:17:56.720
<v Speaker 3>to run a square hardware store.

0:17:59.280 --> 0:18:01.800
<v Speaker 1>Do you think you have to separate from the crowd.

0:18:02.280 --> 0:18:05.600
<v Speaker 2>I was thinking about that, right, Like, is it fair

0:18:05.640 --> 0:18:08.240
<v Speaker 2>to say you're not thugging if the crowd you still

0:18:08.640 --> 0:18:10.760
<v Speaker 2>hanging around is thugging, you know what I mean?

0:18:10.800 --> 0:18:12.920
<v Speaker 3>Because there has to be understanding.

0:18:13.400 --> 0:18:15.320
<v Speaker 4>The crowd has to know that you're not, and you

0:18:15.440 --> 0:18:17.240
<v Speaker 4>have to know that you're not, and you have to

0:18:17.359 --> 0:18:20.280
<v Speaker 4>understand it's cool to play dominoes at the barbecue, but

0:18:20.359 --> 0:18:22.600
<v Speaker 4>it isn't cool to ride along in the shit if

0:18:22.640 --> 0:18:27.359
<v Speaker 4>that's not what you want to be involved in. Because

0:18:27.359 --> 0:18:28.920
<v Speaker 4>I've been at enough of those things, with enough of

0:18:28.920 --> 0:18:30.280
<v Speaker 4>those people, enough of those times.

0:18:31.000 --> 0:18:32.720
<v Speaker 3>My limitations know what I do and don't do.

0:18:33.280 --> 0:18:38.800
<v Speaker 1>Sure, I was thinking same thing. I was just thinking

0:18:38.800 --> 0:18:39.320
<v Speaker 1>about it.

0:18:39.240 --> 0:18:44.440
<v Speaker 2>And I was like, Bunbee is going through this case right,

0:18:44.520 --> 0:18:51.560
<v Speaker 2>and somebody tried to well, they did a home invasion

0:18:51.560 --> 0:18:55.240
<v Speaker 2>on his home and the burglar or the perpetrator end

0:18:55.280 --> 0:18:59.600
<v Speaker 2>up getting shot. This is twenty nineteen roughly, so they

0:18:59.640 --> 0:19:02.639
<v Speaker 2>ran up on Bunn and his wife Queenie. Shout out

0:19:02.640 --> 0:19:05.480
<v Speaker 2>to Bun real stand up brother. Always has been rest

0:19:05.480 --> 0:19:09.760
<v Speaker 2>in peace, pimp. But is it wrong that I look

0:19:09.800 --> 0:19:14.280
<v Speaker 2>at Bun like bun has been so successful for the

0:19:14.400 --> 0:19:16.520
<v Speaker 2>last twenty years?

0:19:16.960 --> 0:19:18.240
<v Speaker 1>You know, I mean even before that.

0:19:18.320 --> 0:19:22.280
<v Speaker 2>I'm talking about since I've met him in pimping them, right,

0:19:22.359 --> 0:19:26.359
<v Speaker 2>They've been successful for so long that I know Bun

0:19:26.480 --> 0:19:28.520
<v Speaker 2>is not of this life anymore.

0:19:29.080 --> 0:19:29.280
<v Speaker 1>Now.

0:19:29.359 --> 0:19:31.320
<v Speaker 2>I think Bun lived the life at one time that

0:19:31.440 --> 0:19:33.720
<v Speaker 2>was a little bit more street, But I don't think

0:19:33.760 --> 0:19:35.920
<v Speaker 2>Bunn has lived a street life.

0:19:36.160 --> 0:19:37.320
<v Speaker 1>And I don't know.

0:19:37.800 --> 0:19:40.439
<v Speaker 2>Fifteen years at best, you know what I'm saying. This

0:19:40.560 --> 0:19:44.760
<v Speaker 2>man opened a burger franchise, you I mean, he's been

0:19:45.240 --> 0:19:48.840
<v Speaker 2>a successful rapper, you know what I mean, a pundit

0:19:48.920 --> 0:19:51.920
<v Speaker 2>on television shows when it comes to black issues and rites.

0:19:52.680 --> 0:19:55.760
<v Speaker 2>And I saw somebody post him on a stand in

0:19:55.840 --> 0:20:00.560
<v Speaker 2>him crying, going through this deep memory of how it

0:20:00.600 --> 0:20:02.639
<v Speaker 2>has messed his wife up to where you know she

0:20:02.800 --> 0:20:05.680
<v Speaker 2>was really should because somebody came into the place that's

0:20:05.720 --> 0:20:09.240
<v Speaker 2>supposed to be private for you. Sure, that's supposed to

0:20:09.280 --> 0:20:11.159
<v Speaker 2>be private for you, you know what I mean, And

0:20:11.200 --> 0:20:15.080
<v Speaker 2>somebody came and invaded that space and it left a crazy,

0:20:16.280 --> 0:20:18.800
<v Speaker 2>you know, like effect on his old lady, you know

0:20:18.800 --> 0:20:21.520
<v Speaker 2>what I mean, on Queenie. And it's like he has to

0:20:21.600 --> 0:20:24.000
<v Speaker 2>tell because this is part of his case. This dude

0:20:24.040 --> 0:20:26.320
<v Speaker 2>got shot. It could put Bun in trouble, you know,

0:20:26.400 --> 0:20:31.199
<v Speaker 2>him defending his household, and I saw a thread of people,

0:20:31.440 --> 0:20:35.280
<v Speaker 2>young people, people who work at Cuba kudezk calling him

0:20:35.400 --> 0:20:40.280
<v Speaker 2>a snitch, and I'm like, like, this is the problem.

0:20:40.880 --> 0:20:42.840
<v Speaker 2>This is why I made that big deal out of

0:20:42.880 --> 0:20:46.320
<v Speaker 2>declaring Drake is not hip hop, because you have to

0:20:46.480 --> 0:20:49.560
<v Speaker 2>understand the type of people that can be held accountable

0:20:50.000 --> 0:20:54.320
<v Speaker 2>and that should be speaking for the culture of this life.

0:20:54.560 --> 0:20:58.000
<v Speaker 2>Because if you have people that speak for this culture

0:20:58.040 --> 0:21:00.720
<v Speaker 2>that don't quite understand it, even if they don't have

0:21:00.760 --> 0:21:03.679
<v Speaker 2>the same opinion as me, they have some kind of

0:21:03.720 --> 0:21:07.679
<v Speaker 2>opinion that's rooted in a level of that's not fear,

0:21:09.080 --> 0:21:12.200
<v Speaker 2>Like it's too many people speaking on things based out

0:21:12.240 --> 0:21:12.679
<v Speaker 2>of fear.

0:21:13.040 --> 0:21:14.080
<v Speaker 1>But back to the bunch.

0:21:14.080 --> 0:21:16.200
<v Speaker 2>So it's a thread of young people who probably work

0:21:16.240 --> 0:21:18.639
<v Speaker 2>at cubicles calling this man a snitch, and I'm like,

0:21:18.680 --> 0:21:22.679
<v Speaker 2>that's not what that means. And it's so frustrating because

0:21:22.720 --> 0:21:26.640
<v Speaker 2>it's like, bro, like, it's a really simple thing if

0:21:26.640 --> 0:21:28.560
<v Speaker 2>you was raised into it culturally.

0:21:29.680 --> 0:21:31.240
<v Speaker 1>And it hit me.

0:21:32.920 --> 0:21:36.199
<v Speaker 2>It's so many black people in America that are not

0:21:36.560 --> 0:21:44.280
<v Speaker 2>culturally involved with shit. They are really Americans. They are

0:21:44.440 --> 0:21:48.200
<v Speaker 2>fucking Americans. And I'm talking about Pete, real Americans. I'm

0:21:48.200 --> 0:21:55.879
<v Speaker 2>talking about American American. They as American as America, and

0:21:55.920 --> 0:21:58.600
<v Speaker 2>they feel like because their skin is dark or because

0:21:58.640 --> 0:22:01.720
<v Speaker 2>white people don't like them, that they are a part

0:22:01.800 --> 0:22:06.240
<v Speaker 2>of the culture. And it's like, no fool, you're getting

0:22:06.280 --> 0:22:09.399
<v Speaker 2>treated like that way because white people treat everybody that

0:22:09.480 --> 0:22:12.320
<v Speaker 2>way that's not white in America, and some people that's

0:22:12.359 --> 0:22:18.240
<v Speaker 2>white in America they mistreat them. And just separating Black

0:22:18.280 --> 0:22:25.120
<v Speaker 2>culture versus Black experience, I keep saying, this Black culture

0:22:25.160 --> 0:22:29.359
<v Speaker 2>is how people treat each other. The Black experience is

0:22:29.359 --> 0:22:33.840
<v Speaker 2>how somebody treats you, right, treats black people. But if

0:22:33.880 --> 0:22:36.800
<v Speaker 2>you don't treat other black people in this way, how

0:22:36.800 --> 0:22:39.720
<v Speaker 2>do you talk to them? When I see a brother, Pete,

0:22:39.920 --> 0:22:41.400
<v Speaker 2>it's a way I speak to him.

0:22:41.720 --> 0:22:44.240
<v Speaker 1>It's when we cook, when we eat, it's the way

0:22:44.280 --> 0:22:44.720
<v Speaker 1>we eat.

0:22:44.760 --> 0:22:48.280
<v Speaker 2>It's things we do that create the culture of what

0:22:48.720 --> 0:22:52.520
<v Speaker 2>being a brother in America is all about. It's not

0:22:52.680 --> 0:22:57.160
<v Speaker 2>just being mistreated by white people. Mexican people get mistreated

0:22:57.160 --> 0:23:02.399
<v Speaker 2>by white American peak. Every fucking body, Italian, Irish people

0:23:02.440 --> 0:23:07.200
<v Speaker 2>get mistreated by the white person in America. And I'm

0:23:07.240 --> 0:23:10.280
<v Speaker 2>not saying one gets treated worse or I'm just saying

0:23:10.440 --> 0:23:15.560
<v Speaker 2>everybody feels that treatment, so the experience cannot be the

0:23:15.640 --> 0:23:16.800
<v Speaker 2>thing you hang off of.

0:23:17.160 --> 0:23:19.640
<v Speaker 1>Which is why people feel entitled to.

0:23:19.680 --> 0:23:22.480
<v Speaker 2>Judge this man and think that they have a right

0:23:22.520 --> 0:23:25.520
<v Speaker 2>to even use this fucking term in a way that's

0:23:25.560 --> 0:23:30.080
<v Speaker 2>incorrect and fucking silly. Nobody from the streets would ever

0:23:30.240 --> 0:23:33.520
<v Speaker 2>call Bun a snitch in this situation. Nobody that ever

0:23:33.600 --> 0:23:35.800
<v Speaker 2>grew up in our life peak, not even people with

0:23:35.960 --> 0:23:38.199
<v Speaker 2>sense like you who didn't grow up in this life.

0:23:38.320 --> 0:23:42.600
<v Speaker 1>You would use sense and be like, that's different, that's different.

0:23:43.240 --> 0:23:47.359
<v Speaker 2>Like people wonder why the nuance of what's going on

0:23:47.480 --> 0:23:51.200
<v Speaker 2>with Cowboy you know Nips Big Hommy from sixty Thunderhead, right,

0:23:51.800 --> 0:23:54.520
<v Speaker 2>they don't understand that there's a nuance that we all

0:23:54.640 --> 0:23:55.159
<v Speaker 2>know as.

0:23:55.040 --> 0:23:56.920
<v Speaker 1>People that really lived in the streets.

0:23:57.000 --> 0:23:59.960
<v Speaker 2>We'll look at him like, ah, I'm gonna just stay

0:24:00.000 --> 0:24:02.120
<v Speaker 2>away from that one because it's a little more tricky.

0:24:02.440 --> 0:24:04.720
<v Speaker 2>What was said in court is a little bit more tricky,

0:24:04.920 --> 0:24:07.720
<v Speaker 2>you know, talking to the police, it's nuanced, So you

0:24:07.880 --> 0:24:09.800
<v Speaker 2>usually just stay the fuck out of it because you

0:24:09.840 --> 0:24:12.639
<v Speaker 2>don't have the details and it's not your business to politico,

0:24:13.320 --> 0:24:15.960
<v Speaker 2>you know what I mean. But again, if people want

0:24:15.960 --> 0:24:18.320
<v Speaker 2>to make it like there's this fine line of what's

0:24:18.359 --> 0:24:21.879
<v Speaker 2>snitching in and what's not. Then you don't understand the line.

0:24:23.240 --> 0:24:26.440
<v Speaker 4>Yeah, and I think you know, from an outsider's perspective,

0:24:26.600 --> 0:24:31.840
<v Speaker 4>there is a degree a portion maybe of a black

0:24:31.840 --> 0:24:34.399
<v Speaker 4>community that has a little bit of identity crisis in

0:24:34.520 --> 0:24:38.000
<v Speaker 4>so far as how they want to perceive themselves. And

0:24:38.040 --> 0:24:42.280
<v Speaker 4>if they're not really in the quote cultural epicenter of

0:24:42.320 --> 0:24:47.520
<v Speaker 4>the community, then I think there's some validity to the

0:24:47.600 --> 0:24:52.320
<v Speaker 4>idea that hip hop has provided them access to being

0:24:52.440 --> 0:24:54.359
<v Speaker 4>or feeling like they are a little closer to the

0:24:54.400 --> 0:24:57.120
<v Speaker 4>epicenter of the community than maybe they actually are.

0:24:58.080 --> 0:24:59.760
<v Speaker 3>And they don't really might so much know.

0:25:00.440 --> 0:25:04.639
<v Speaker 4>The nuanced difference between the two, so they take what

0:25:04.680 --> 0:25:09.600
<v Speaker 4>they hear, distilled lines or whatever, out of context from

0:25:09.640 --> 0:25:15.200
<v Speaker 4>their access bridge and then yeah, take them and run

0:25:15.240 --> 0:25:19.560
<v Speaker 4>with them beyond the narrow confines which they exist in

0:25:19.600 --> 0:25:20.440
<v Speaker 4>that episode.

0:25:21.600 --> 0:25:23.160
<v Speaker 1>Yeah, I get what you're saying.

0:25:24.600 --> 0:25:27.880
<v Speaker 2>That's the tricky part about when people say hip hop

0:25:27.960 --> 0:25:33.240
<v Speaker 2>is black culture. I get the jest of it. Shout

0:25:33.240 --> 0:25:35.800
<v Speaker 2>out to Tarik, another brother, I really respect. I mean,

0:25:35.800 --> 0:25:39.440
<v Speaker 2>everybody knows how much I really hidden Colors is just like, man,

0:25:39.440 --> 0:25:42.800
<v Speaker 2>it's incredible it's I'm a huge fan of Tarika and

0:25:42.840 --> 0:25:45.000
<v Speaker 2>I talked to the brother brilliant dude, so he just

0:25:45.040 --> 0:25:47.879
<v Speaker 2>did a really dope film on hip hop and it

0:25:47.920 --> 0:25:52.040
<v Speaker 2>talks about the hip hop's black roots, right, which fairness

0:25:52.119 --> 0:25:56.440
<v Speaker 2>is true, right? And I get it. And I have

0:25:56.520 --> 0:25:58.959
<v Speaker 2>to be okay with people saying hip hop is black culture.

0:25:59.040 --> 0:26:02.160
<v Speaker 2>I don't necessary. I think we could get a little

0:26:02.240 --> 0:26:08.040
<v Speaker 2>bit more detailed, you know what I mean, But I

0:26:08.080 --> 0:26:12.320
<v Speaker 2>think it's I get it. We're trying to hold onto something, right,

0:26:12.359 --> 0:26:18.080
<v Speaker 2>But truly, hip hop is street urban culture personified through

0:26:18.080 --> 0:26:23.360
<v Speaker 2>the arts. Truly, it just happened to be Pete. At

0:26:23.400 --> 0:26:26.840
<v Speaker 2>that current time in New York, in the Bronx, black

0:26:26.880 --> 0:26:31.360
<v Speaker 2>people made up ninety eight percent of street urban culture,

0:26:32.720 --> 0:26:35.000
<v Speaker 2>you know what I mean. Things the way we lived,

0:26:35.440 --> 0:26:38.920
<v Speaker 2>you know, the spades, the Black gang the way we live,

0:26:39.080 --> 0:26:42.359
<v Speaker 2>created all of the slang, all of the dancing style,

0:26:42.400 --> 0:26:45.720
<v Speaker 2>all of the graffiti style. Ninety eight ninety nine percent

0:26:45.840 --> 0:26:47.040
<v Speaker 2>is just us.

0:26:47.520 --> 0:26:50.879
<v Speaker 1>So I get why people need to hold that. And

0:26:51.880 --> 0:26:54.000
<v Speaker 1>really it's more.

0:26:55.520 --> 0:26:58.760
<v Speaker 2>General population black people that feel more entitled to it

0:26:59.280 --> 0:27:02.480
<v Speaker 2>than we When you come from the ghetto like where

0:27:02.480 --> 0:27:06.200
<v Speaker 2>we live, which hip hop culture comes from it's natural.

0:27:06.240 --> 0:27:06.960
<v Speaker 1>You don't even think.

0:27:07.280 --> 0:27:11.600
<v Speaker 2>You almost mistake that everybody black talks like this. It's

0:27:11.640 --> 0:27:13.560
<v Speaker 2>like when I would walk somewhere and I would speak

0:27:13.600 --> 0:27:15.840
<v Speaker 2>slang to black people and they didn't get what I

0:27:15.920 --> 0:27:18.200
<v Speaker 2>was saying. It would almost fuck me up because I'd

0:27:18.240 --> 0:27:21.760
<v Speaker 2>be like, you don't get what I'm saying, Like, and

0:27:21.800 --> 0:27:25.159
<v Speaker 2>it hit me that the ghettos make up this really

0:27:25.200 --> 0:27:30.240
<v Speaker 2>small population in this country. Like when people say La

0:27:30.320 --> 0:27:33.800
<v Speaker 2>is not dangerous, like La is dangerous, I'm like, well,

0:27:34.040 --> 0:27:39.080
<v Speaker 2>Los Angeles, the city is huge. It's not just Watts

0:27:39.200 --> 0:27:42.359
<v Speaker 2>or Compter like where I grew up at, or Long Beach,

0:27:42.640 --> 0:27:45.359
<v Speaker 2>you know what I mean, the county or or you know,

0:27:45.520 --> 0:27:48.520
<v Speaker 2>the city. Forgive me, including Long Beach in the city.

0:27:48.520 --> 0:27:52.159
<v Speaker 2>But I'm saying like Brentwood is in the city of

0:27:52.160 --> 0:27:55.560
<v Speaker 2>Los Angeles. P Kueima is in the city of Los Angeles.

0:27:55.600 --> 0:28:00.400
<v Speaker 2>Hollywood Sam Pedro is a neighborhood in the city of

0:28:00.480 --> 0:28:04.120
<v Speaker 2>Los Angeles. So there's a lot of places in Los

0:28:04.160 --> 0:28:08.520
<v Speaker 2>Angeles that are not exactly like Watts or Compton.

0:28:08.960 --> 0:28:09.520
<v Speaker 1>Don't get me.

0:28:09.440 --> 0:28:11.639
<v Speaker 2>Wrong, they could have some shit, but it's different. And

0:28:11.640 --> 0:28:14.119
<v Speaker 2>then some of these places don't have no shit going on.

0:28:15.320 --> 0:28:18.360
<v Speaker 2>So most more times than not, there's not a bunch

0:28:18.400 --> 0:28:23.320
<v Speaker 2>of crime, you know what I'm saying. So I have

0:28:23.400 --> 0:28:26.879
<v Speaker 2>to remember the way that I grew up and people

0:28:26.960 --> 0:28:29.680
<v Speaker 2>like me grew up. It's not the standard for America.

0:28:30.440 --> 0:28:37.679
<v Speaker 2>That's what makes hip hop special. Listen, almost every state,

0:28:37.920 --> 0:28:45.520
<v Speaker 2>every state in this country has black people. Every state

0:28:45.520 --> 0:28:48.440
<v Speaker 2>in this country has black people. I'm not sure every

0:28:48.480 --> 0:28:49.880
<v Speaker 2>state in this country has a ghetto.

0:28:52.880 --> 0:28:55.120
<v Speaker 1>I'm not sure you.

0:28:55.240 --> 0:28:58.160
<v Speaker 3>Have, depending on your definition, you know what I'm.

0:28:58.000 --> 0:29:02.320
<v Speaker 2>Saying, where they have the ghetto things happening, Like, I

0:29:02.320 --> 0:29:05.160
<v Speaker 2>don't think every state in this country has a ghetto.

0:29:05.600 --> 0:29:08.120
<v Speaker 2>It can change because I know certain places like when

0:29:08.120 --> 0:29:10.880
<v Speaker 2>you start getting to that western part that's close to

0:29:10.880 --> 0:29:13.920
<v Speaker 2>the midwestern Dakotas and certain places like that, Like I

0:29:13.960 --> 0:29:16.960
<v Speaker 2>know Omaha has a ghetto, but North Dakota, I think

0:29:17.000 --> 0:29:20.240
<v Speaker 2>the ghetto, if I remember correctly, would be like Indian people, like.

0:29:20.200 --> 0:29:23.480
<v Speaker 3>It's more of a start getting into the risk where it's.

0:29:23.360 --> 0:29:24.320
<v Speaker 1>Started being rural.

0:29:24.520 --> 0:29:28.080
<v Speaker 2>And that's why I'm saying in that regards a ghetto

0:29:28.240 --> 0:29:30.760
<v Speaker 2>is in a city, it's a densely populated thing.

0:29:31.120 --> 0:29:32.080
<v Speaker 1>It's not really.

0:29:33.400 --> 0:29:36.560
<v Speaker 4>You might get some really down and out small you know,

0:29:36.640 --> 0:29:40.600
<v Speaker 4>white trailer park communities that are just the government.

0:29:41.480 --> 0:29:43.959
<v Speaker 2>If it's not, you know, ghettos are in cities like

0:29:44.040 --> 0:29:48.320
<v Speaker 2>there are a poor life that's hell of rural. Yeah,

0:29:48.920 --> 0:29:51.480
<v Speaker 2>and and so it's different. It's still a little different,

0:29:51.520 --> 0:29:52.320
<v Speaker 2>if that makes sense.

0:29:53.280 --> 0:29:56.680
<v Speaker 3>And that's on a related, unrelated note.

0:29:57.320 --> 0:30:00.360
<v Speaker 4>I found it so odd driving back or in and

0:30:00.360 --> 0:30:02.280
<v Speaker 4>out of out of the state of Alabama to go

0:30:02.320 --> 0:30:05.560
<v Speaker 4>look at some properties in Montgomery. A few times we

0:30:05.640 --> 0:30:08.680
<v Speaker 4>actually pull up on these tiny, little like truck stop

0:30:08.800 --> 0:30:11.000
<v Speaker 4>towns with a seven to eleven, a gas station in

0:30:11.040 --> 0:30:15.120
<v Speaker 4>the general store, and public housing projects in the.

0:30:15.120 --> 0:30:17.760
<v Speaker 3>Middle of the field. It's the middle of nowhere. I'm like,

0:30:17.760 --> 0:30:19.880
<v Speaker 3>they got more rural projects out here. I don't know

0:30:19.960 --> 0:30:21.120
<v Speaker 3>how the hell has even happened.

0:30:21.160 --> 0:30:22.880
<v Speaker 4>And I was like, boy, if you if you were

0:30:22.920 --> 0:30:26.120
<v Speaker 4>born there, God, that's got to be the most uphill

0:30:26.160 --> 0:30:29.280
<v Speaker 4>battle in this country. Not only are you poor in

0:30:29.280 --> 0:30:34.680
<v Speaker 4>the projects, you are geographically a long, long fucking way

0:30:34.720 --> 0:30:38.480
<v Speaker 4>from exposure to anything else. You might as well just

0:30:38.560 --> 0:30:42.000
<v Speaker 4>tell your kids, Look, kids, I probably shouldn't have had you,

0:30:42.080 --> 0:30:42.680
<v Speaker 4>but you're here.

0:30:43.160 --> 0:30:45.960
<v Speaker 3>Your game plan is graduate high school, join the army,

0:30:46.040 --> 0:30:47.000
<v Speaker 3>get the fuck out of here.

0:30:47.600 --> 0:30:47.880
<v Speaker 1>Mmm.

0:30:49.760 --> 0:30:51.680
<v Speaker 4>It sounds sounds like a shitty thing to say. No,

0:30:51.800 --> 0:30:53.800
<v Speaker 4>I mean, my god, what else are you gonna do?

0:30:54.080 --> 0:30:55.520
<v Speaker 4>What the fuck else are you gonna do?

0:30:55.800 --> 0:30:57.960
<v Speaker 2>But but you have to take that series because it's like,

0:30:58.000 --> 0:31:00.320
<v Speaker 2>even growing up in wats it feels like six sense

0:31:00.480 --> 0:31:03.960
<v Speaker 2>is far and it's close. Success is so far, but

0:31:04.000 --> 0:31:07.560
<v Speaker 2>it's so many people, so distracting you don't realize how

0:31:07.600 --> 0:31:10.400
<v Speaker 2>close it is because it feels like it's infinity. No,

0:31:10.800 --> 0:31:14.560
<v Speaker 2>that can't take the ground in Alabama beach. Yeah, that

0:31:14.760 --> 0:31:17.600
<v Speaker 2>that till you talking about in Alabama. That is the

0:31:17.640 --> 0:31:21.760
<v Speaker 2>real deal version of that. Whereas like where's the success

0:31:21.800 --> 0:31:23.720
<v Speaker 2>at Yeah, I.

0:31:23.680 --> 0:31:27.800
<v Speaker 4>Mean not only like you can't see success like you're

0:31:29.040 --> 0:31:33.440
<v Speaker 4>you you're so fucking far, and and and the cost,

0:31:33.600 --> 0:31:36.640
<v Speaker 4>the actual cost to just go see where any kind

0:31:36.680 --> 0:31:41.160
<v Speaker 4>of innovation is happening at all. Hm, I mean it

0:31:41.200 --> 0:31:43.760
<v Speaker 4>would take it would shatter your budget for a month

0:31:43.920 --> 0:31:46.800
<v Speaker 4>just to go see where things are happening somewhere in

0:31:46.840 --> 0:31:47.240
<v Speaker 4>real life.

0:31:49.960 --> 0:31:55.720
<v Speaker 1>Yeah, that's a that's a that's a real fact. Yeah.

0:31:56.000 --> 0:31:59.600
<v Speaker 2>It started just to frustrate me, man. And sometimes that's

0:31:59.600 --> 0:32:03.160
<v Speaker 2>how I'm getting older and wiser. I'm getting older because

0:32:03.760 --> 0:32:05.720
<v Speaker 2>some of this shit is starting to be stupid. And

0:32:05.760 --> 0:32:08.840
<v Speaker 2>it's pissing me off. Too many things is starting to

0:32:08.880 --> 0:32:12.040
<v Speaker 2>be just stupid and pissing me off. But I'm getting

0:32:12.120 --> 0:32:15.960
<v Speaker 2>older because I can also tell I have enough wisdom

0:32:16.040 --> 0:32:20.040
<v Speaker 2>not to argue. I have enough wisdom not to inform

0:32:20.200 --> 0:32:26.240
<v Speaker 2>people of their silliness. It's like, you're not really even

0:32:28.760 --> 0:32:31.840
<v Speaker 2>You're not special enough to even you're not gamed up

0:32:31.960 --> 0:32:34.760
<v Speaker 2>enough to even have this conversation. You can't even digest

0:32:34.800 --> 0:32:37.560
<v Speaker 2>what I'm finna say to you, like when I talk

0:32:37.600 --> 0:32:39.640
<v Speaker 2>to certain people, if I can't talk to them, like

0:32:40.240 --> 0:32:42.120
<v Speaker 2>me to you, like if I have to talk because

0:32:42.160 --> 0:32:45.920
<v Speaker 2>people are especially in today's time, because people are different

0:32:45.960 --> 0:32:48.640
<v Speaker 2>in front of other people. So social media makes people

0:32:48.640 --> 0:32:50.560
<v Speaker 2>feel like they're in front of other people, so you

0:32:50.680 --> 0:32:52.640
<v Speaker 2>can't have a real conversation.

0:32:53.480 --> 0:32:55.120
<v Speaker 1>I mean, people are guarded.

0:32:55.200 --> 0:32:57.280
<v Speaker 2>They're putting on the show because they don't want to

0:32:57.320 --> 0:33:00.520
<v Speaker 2>be viewed socially in a certain way. So you have

0:33:00.640 --> 0:33:04.080
<v Speaker 2>to have these conversations in person, you know what I mean.

0:33:04.160 --> 0:33:07.920
<v Speaker 2>So I couldn't go down that list of people and

0:33:08.240 --> 0:33:10.320
<v Speaker 2>talk to them and say, hey, man, that's not how

0:33:10.360 --> 0:33:14.000
<v Speaker 2>snitching works, and then use my one hundred and forty

0:33:14.080 --> 0:33:19.040
<v Speaker 2>characters on X and explain to them why, you know

0:33:19.040 --> 0:33:22.240
<v Speaker 2>what I mean, because they won't they're too busy defending

0:33:22.440 --> 0:33:27.880
<v Speaker 2>and worried about social perception to be educated on the topic. True,

0:33:28.320 --> 0:33:32.040
<v Speaker 2>they don't want to again shame that not having shame,

0:33:32.160 --> 0:33:34.000
<v Speaker 2>you know what I'm saying. And people don't want to

0:33:34.040 --> 0:33:39.120
<v Speaker 2>admit they're ignorant on something. Yeah, they just want to

0:33:39.160 --> 0:33:42.400
<v Speaker 2>have content. They want to provide content. They want to following.

0:33:42.440 --> 0:33:45.360
<v Speaker 2>They want people to follow them even though they haven't

0:33:45.400 --> 0:33:46.880
<v Speaker 2>done anything worth following.

0:33:49.920 --> 0:33:53.040
<v Speaker 4>And I think, you know, some of the challenges with

0:33:53.880 --> 0:33:57.080
<v Speaker 4>aspects of like the culture or hip hop or whatever

0:33:57.160 --> 0:33:59.240
<v Speaker 4>I ever you want to describe it as, there's not

0:33:59.280 --> 0:33:59.959
<v Speaker 4>a really good lie.

0:34:00.560 --> 0:34:03.160
<v Speaker 3>Like a lot of rappers they're cool.

0:34:03.200 --> 0:34:05.280
<v Speaker 4>They're like, I've never met a rapper who didn't have

0:34:05.400 --> 0:34:07.800
<v Speaker 4>like a lot of personality or very.

0:34:07.600 --> 0:34:08.880
<v Speaker 3>Interesting to talk to, you know what I mean.

0:34:09.040 --> 0:34:11.600
<v Speaker 4>You can't do that if you're like a dead pan

0:34:12.440 --> 0:34:15.759
<v Speaker 4>whatever the fuck just bump on a law and the

0:34:15.840 --> 0:34:19.160
<v Speaker 4>stuff they talk about tends to have in a lot

0:34:19.200 --> 0:34:22.560
<v Speaker 4>of cases some criminal elements to it. And I think

0:34:22.600 --> 0:34:26.399
<v Speaker 4>a lot of average listeners, well, they can't separate the two.

0:34:26.440 --> 0:34:28.319
<v Speaker 4>They see, Wow, that guy's really cool and he's talking

0:34:28.320 --> 0:34:29.799
<v Speaker 4>about this so this must be really cool.

0:34:30.760 --> 0:34:33.560
<v Speaker 3>The guy is really cool. He's talking about this, but

0:34:33.640 --> 0:34:35.799
<v Speaker 3>he's really cool. You don't have to do this to

0:34:35.920 --> 0:34:36.480
<v Speaker 3>be cool.

0:34:36.840 --> 0:34:39.440
<v Speaker 4>You can just like the guy or be like his

0:34:39.520 --> 0:34:42.239
<v Speaker 4>personality and you're still cool, you know what I mean.

0:34:42.280 --> 0:34:44.480
<v Speaker 4>So that they start to conflate and they don't understand it.

0:34:45.719 --> 0:34:48.680
<v Speaker 1>Yeah, I know, forgive me, and I was about that.

0:34:48.840 --> 0:34:51.040
<v Speaker 2>I said that really badly. I fucked that up aat.

0:34:51.560 --> 0:34:55.759
<v Speaker 2>I know what you mean is. But it's also like

0:34:55.800 --> 0:34:58.279
<v Speaker 2>when people talk about drill music. The average person who

0:34:58.360 --> 0:35:02.319
<v Speaker 2>hears drill music, especially when the narrative is being guided, Oh,

0:35:02.360 --> 0:35:04.479
<v Speaker 2>it's just murder rap, and it's like, that's not what's

0:35:04.480 --> 0:35:07.719
<v Speaker 2>going on. Like you're listening to little kids tell you

0:35:07.840 --> 0:35:11.400
<v Speaker 2>soldier stories, right, Like It's like if our grandpa, Like

0:35:11.400 --> 0:35:14.399
<v Speaker 2>if we was on a porch in nineteen forty nine

0:35:14.400 --> 0:35:16.520
<v Speaker 2>and our grandfather had just came back from World War

0:35:16.560 --> 0:35:19.080
<v Speaker 2>Two and he was telling the stories and he was

0:35:19.080 --> 0:35:21.600
<v Speaker 2>telling us how people were dying, we wouldn't call it, oh, you're.

0:35:21.440 --> 0:35:22.640
<v Speaker 1>Just telling murder stories.

0:35:23.040 --> 0:35:27.000
<v Speaker 2>We would give credence to you know what he's talking about,

0:35:27.080 --> 0:35:30.000
<v Speaker 2>because in our mind we would respect the war. I

0:35:30.040 --> 0:35:33.160
<v Speaker 2>think most people don't hear drill music from Chicago and

0:35:33.239 --> 0:35:36.600
<v Speaker 2>really respect the war. I respect it because I know

0:35:36.680 --> 0:35:39.880
<v Speaker 2>how people get I know how fights happen, and I

0:35:39.920 --> 0:35:41.760
<v Speaker 2>know how you have to defend yourself.

0:35:42.120 --> 0:35:43.400
<v Speaker 1>I know how far I can go.

0:35:44.000 --> 0:35:46.520
<v Speaker 2>So when I hear it, I hear the nuances of

0:35:47.320 --> 0:35:49.799
<v Speaker 2>you know what I mean of a soldier, Like I

0:35:49.800 --> 0:35:52.800
<v Speaker 2>don't want to hear Jeffrey Damer rap about eating people.

0:35:53.400 --> 0:35:55.719
<v Speaker 2>I mean there's actually a rapper that used to be

0:35:55.920 --> 0:35:56.239
<v Speaker 2>like that.

0:35:57.680 --> 0:36:00.520
<v Speaker 3>Yeah, I think that this is kind of where that.

0:36:02.239 --> 0:36:07.680
<v Speaker 4>Murky, like poorly defined glamorizing and glorification of violence conversation

0:36:07.840 --> 0:36:10.960
<v Speaker 4>comes in because you have a cool person telling a

0:36:11.040 --> 0:36:12.600
<v Speaker 4>bad story in a cool way.

0:36:13.000 --> 0:36:15.080
<v Speaker 3>So it's so I think people.

0:36:14.840 --> 0:36:17.080
<v Speaker 4>Think, oh, they must be saying that the content in

0:36:17.120 --> 0:36:20.320
<v Speaker 4>the story is cool because they're cool telling a story

0:36:20.400 --> 0:36:21.239
<v Speaker 4>in a cool way.

0:36:21.640 --> 0:36:23.279
<v Speaker 3>And it's not like that.

0:36:25.200 --> 0:36:25.960
<v Speaker 1>You know what it is.

0:36:27.880 --> 0:36:30.520
<v Speaker 2>And I know you hate this, peete, because but just

0:36:30.560 --> 0:36:35.920
<v Speaker 2>think about it. True, like you one of my buddies,

0:36:35.920 --> 0:36:39.400
<v Speaker 2>bro who as a white man, you do care about nuances.

0:36:39.440 --> 0:36:41.439
<v Speaker 2>But I do know that no matter what, it's gonna

0:36:41.480 --> 0:36:43.879
<v Speaker 2>be certain places that's gonna be like, why don't you're

0:36:43.880 --> 0:36:45.439
<v Speaker 2>not gonna say glass. I don't know that you're gonna

0:36:45.480 --> 0:36:48.319
<v Speaker 2>have it. You're not gonna be like totally vested and

0:36:48.400 --> 0:36:50.759
<v Speaker 2>just make some shit up. But you won't get you

0:36:50.800 --> 0:36:53.440
<v Speaker 2>know what I mean. It's something you want, let me

0:36:53.480 --> 0:36:56.680
<v Speaker 2>try it out. You ever notice how people respect cowboys

0:36:56.719 --> 0:36:58.560
<v Speaker 2>stories and all cowboys are criminals?

0:37:00.360 --> 0:37:00.840
<v Speaker 1>Yeah?

0:37:01.000 --> 0:37:02.600
<v Speaker 3>This this is I say.

0:37:02.719 --> 0:37:06.840
<v Speaker 4>I say this about my whole monologue about the difference

0:37:06.880 --> 0:37:09.919
<v Speaker 4>between the perception of film and music. Sure, you could

0:37:09.920 --> 0:37:12.399
<v Speaker 4>make a movie about cowboys and the mafia and it's

0:37:12.400 --> 0:37:15.960
<v Speaker 4>a great movie. You make a death metal song and

0:37:16.000 --> 0:37:20.160
<v Speaker 4>a rap song about decay and death and depression, and

0:37:20.200 --> 0:37:23.160
<v Speaker 4>you're going to court because somebody committed something and they're

0:37:23.160 --> 0:37:24.760
<v Speaker 4>gonna say that they did it because of your music,

0:37:24.800 --> 0:37:26.759
<v Speaker 4>And now all of a sudden you're civilly liable and

0:37:27.040 --> 0:37:27.720
<v Speaker 4>getting sued.

0:37:28.239 --> 0:37:31.600
<v Speaker 2>It's it's and it's crazy because you're right. It does

0:37:31.680 --> 0:37:36.000
<v Speaker 2>happen to rock. It used to happen to rock groups.

0:37:36.200 --> 0:37:39.280
<v Speaker 4>But did somebody Zy Osbourne getting sued because kids committed

0:37:39.320 --> 0:37:41.680
<v Speaker 4>suicide And it's the same thing, like and it's you know,

0:37:41.680 --> 0:37:45.440
<v Speaker 4>but I know what you mean, Like, if you're you

0:37:45.480 --> 0:37:50.399
<v Speaker 4>shouldn't be begrudged because you know, as ice Cube making

0:37:50.440 --> 0:37:53.800
<v Speaker 4>a song about South Central and you got a problem

0:37:53.800 --> 0:37:57.200
<v Speaker 4>because Kurt Russell or not Kurt Russell would be because

0:37:58.239 --> 0:38:00.839
<v Speaker 4>Val Kilmer played Doc Holliday, people up.

0:38:00.719 --> 0:38:01.360
<v Speaker 3>Into them stuff.

0:38:01.960 --> 0:38:03.440
<v Speaker 1>Yeah, It's almost like.

0:38:05.000 --> 0:38:07.799
<v Speaker 2>If rock didn't exist, I would almost be worried that

0:38:07.880 --> 0:38:12.239
<v Speaker 2>it'd be racial. I mean, and I'm not good at

0:38:12.239 --> 0:38:15.319
<v Speaker 2>that conversation, but I was talking to about it and

0:38:15.360 --> 0:38:17.000
<v Speaker 2>I was like, they was like, glasses, man, you make

0:38:17.040 --> 0:38:17.520
<v Speaker 2>that music.

0:38:17.560 --> 0:38:19.280
<v Speaker 1>That music is bad and you glow.

0:38:19.040 --> 0:38:21.799
<v Speaker 2>It from like where are the glory in it? He's like,

0:38:21.840 --> 0:38:23.920
<v Speaker 2>you make that music. I'm like, bro, you're a huge

0:38:23.920 --> 0:38:26.840
<v Speaker 2>fan of The godfatheruse Yeah, but it's sophisticated.

0:38:26.920 --> 0:38:30.719
<v Speaker 1>It's not sophisticated. And it was like I was like.

0:38:30.719 --> 0:38:32.759
<v Speaker 4>You thinking, give me your buddy, or I'm going to

0:38:32.800 --> 0:38:35.239
<v Speaker 4>blow your brains out. Give you your buddy, or I'm

0:38:35.239 --> 0:38:37.719
<v Speaker 4>going to blow your brains out. No matter what part

0:38:37.800 --> 0:38:38.680
<v Speaker 4>of town it happens.

0:38:38.880 --> 0:38:41.800
<v Speaker 1>Kill my father, I'm going to kill all of you.

0:38:41.800 --> 0:38:44.680
<v Speaker 1>You know what I'm saying, Like what do we like?

0:38:45.120 --> 0:38:47.960
<v Speaker 2>But I almost feel like because they see white people,

0:38:48.760 --> 0:38:50.640
<v Speaker 2>they be like, oh, well, you know it's on the

0:38:50.719 --> 0:38:53.200
<v Speaker 2>level the criminals. It's better, you know, they're they're more

0:38:53.440 --> 0:38:58.000
<v Speaker 2>sophistic I'm like, bro, they are savages like and it

0:38:58.080 --> 0:39:00.640
<v Speaker 2>goes back to my initial point of him pop being

0:39:00.640 --> 0:39:04.800
<v Speaker 2>street urban culture. It's why people name themselves after old

0:39:04.880 --> 0:39:09.160
<v Speaker 2>white street urban legends al Capone.

0:39:09.800 --> 0:39:11.800
<v Speaker 3>Interestingly, though not cowboys.

0:39:12.320 --> 0:39:16.000
<v Speaker 2>Yeah, I'm on it. I would be thinking about it.

0:39:16.520 --> 0:39:20.239
<v Speaker 2>Gang bangers are just modern day cowboys out west. That's

0:39:20.320 --> 0:39:25.080
<v Speaker 2>all they are. Hell yeah, right, but how many movies?

0:39:25.600 --> 0:39:29.480
<v Speaker 2>The cowboy era probably lasted forty fifty years.

0:39:29.520 --> 0:39:32.400
<v Speaker 1>It's not two hundred years of cowboys stories now.

0:39:32.760 --> 0:39:36.600
<v Speaker 4>It really was just I think a lot of it

0:39:36.680 --> 0:39:40.400
<v Speaker 4>was just like Civil War reconstruction, people going west. So

0:39:40.440 --> 0:39:45.160
<v Speaker 4>you had a bunch of disparate criminals that were just leaving,

0:39:45.760 --> 0:39:48.040
<v Speaker 4>you know, like they do have march through Georgia or

0:39:48.040 --> 0:39:49.600
<v Speaker 4>whatever the hell destroyed everything.

0:39:50.239 --> 0:39:52.960
<v Speaker 1>They just like and I don't want to just make

0:39:53.000 --> 0:39:54.799
<v Speaker 1>them like they just with some dicks. Like.

0:39:55.080 --> 0:39:57.080
<v Speaker 2>It was a tough time to be alive at that

0:39:57.239 --> 0:39:59.520
<v Speaker 2>time and to trying to make it in life.

0:40:00.080 --> 0:40:04.160
<v Speaker 3>I mean, we're gonna go people because we've got nothing

0:40:04.200 --> 0:40:04.560
<v Speaker 3>else to do.

0:40:04.640 --> 0:40:07.839
<v Speaker 2>We don't know the death penalty for stilling the horse.

0:40:07.880 --> 0:40:10.440
<v Speaker 1>That was the death penalty to.

0:40:10.440 --> 0:40:12.879
<v Speaker 3>Kill you over cheating cards at least that's what they

0:40:12.880 --> 0:40:13.560
<v Speaker 3>say in the movies.

0:40:14.040 --> 0:40:18.520
<v Speaker 2>Yeah, but what I'm saying it was actually a legal punishment,

0:40:19.120 --> 0:40:20.720
<v Speaker 2>death penalty if you stole a horse.

0:40:21.120 --> 0:40:26.719
<v Speaker 1>That was legal, not not like the person, so the

0:40:26.840 --> 0:40:30.440
<v Speaker 1>state would so.

0:40:31.440 --> 0:40:34.160
<v Speaker 2>But I noticed there's one hundred cowboy movies. They not

0:40:34.200 --> 0:40:39.920
<v Speaker 2>they're not even ten l a cowway culture is nowhere

0:40:40.120 --> 0:40:50.879
<v Speaker 2>near as polarizing and as known as gang banging, right

0:40:50.960 --> 0:40:53.200
<v Speaker 2>Cribson Bloods Gangster.

0:40:53.920 --> 0:40:56.360
<v Speaker 1>But there's a hundred cowboy movies.

0:40:59.120 --> 0:41:04.720
<v Speaker 4>Yeah, one subtle nuance, I will say, though. There aren't

0:41:04.760 --> 0:41:07.000
<v Speaker 4>that many cowboy movies I can think of that are

0:41:07.120 --> 0:41:10.520
<v Speaker 4>told from the first person of the cowboy. Usually they're

0:41:10.560 --> 0:41:12.360
<v Speaker 4>told from the first person of the sheriff.

0:41:13.520 --> 0:41:16.160
<v Speaker 1>Well, notice most of the sheriff. Right.

0:41:16.280 --> 0:41:19.160
<v Speaker 2>My favorite cowboy movie is Wired Earth with Kevin Costner,

0:41:19.160 --> 0:41:21.760
<v Speaker 2>who was actually born in Of course, he's my favorite

0:41:21.760 --> 0:41:27.520
<v Speaker 2>movie because he's a Compton guy. Right, sure, so he

0:41:27.719 --> 0:41:33.319
<v Speaker 2>was a fucking outlaw and then right he was an

0:41:33.320 --> 0:41:37.279
<v Speaker 2>out He was an outlaw probably into his twenties.

0:41:37.480 --> 0:41:41.040
<v Speaker 4>In Kansas before he became the sheriff at Dodge City.

0:41:41.080 --> 0:41:43.320
<v Speaker 3>And then he was on the.

0:41:43.280 --> 0:41:47.520
<v Speaker 2>Run and that's how he became mind you, he never

0:41:48.440 --> 0:41:50.680
<v Speaker 2>was held accountable for what he was on the run for.

0:41:51.040 --> 0:41:52.840
<v Speaker 2>He was on the run, but still in the horse,

0:41:53.400 --> 0:41:55.759
<v Speaker 2>and he watched the man and back then Robin the

0:41:55.760 --> 0:41:57.920
<v Speaker 2>man is one thing, but still in the horse death penalty,

0:41:58.440 --> 0:42:02.080
<v Speaker 2>kill your his horses, right, But he was on the

0:42:02.120 --> 0:42:04.640
<v Speaker 2>run and that's how he got the job to become

0:42:04.760 --> 0:42:05.320
<v Speaker 2>a lawman.

0:42:06.719 --> 0:42:07.840
<v Speaker 1>He was on the run.

0:42:08.280 --> 0:42:13.040
<v Speaker 2>So again, it's like that's the story of every gangster

0:42:13.080 --> 0:42:15.799
<v Speaker 2>in La Like people don't like you. Look at Big

0:42:15.840 --> 0:42:18.360
<v Speaker 2>You right now, Big You was doing things in the community.

0:42:18.440 --> 0:42:21.200
<v Speaker 2>He's changing his life. He getting opportunities for people he

0:42:21.239 --> 0:42:25.440
<v Speaker 2>grew up with. That's why Earth everybody Dell Dog ended

0:42:25.520 --> 0:42:28.200
<v Speaker 2>up changing his life and getting more into business and

0:42:28.239 --> 0:42:31.320
<v Speaker 2>trying to help his friends make better business, Like whyatt

0:42:31.320 --> 0:42:35.080
<v Speaker 2>Earth did with his brothers And guess what, whyat Earth

0:42:35.320 --> 0:42:38.320
<v Speaker 2>still got into a crazy shootout that half his brothers

0:42:38.320 --> 0:42:38.920
<v Speaker 2>got killed in.

0:42:39.400 --> 0:42:41.840
<v Speaker 1>Now at that point, can we consider it a lawful shootout?

0:42:42.120 --> 0:42:44.680
<v Speaker 2>Yeah, just like today, it could be a lawful shootout

0:42:45.040 --> 0:42:47.799
<v Speaker 2>trying to defend your life, you know what I'm saying,

0:42:47.880 --> 0:42:52.280
<v Speaker 2>trying to defend your life. So I think that's the point.

0:42:52.400 --> 0:42:55.000
<v Speaker 2>Like and maybe you, maybe you got a point, But

0:42:55.080 --> 0:42:57.640
<v Speaker 2>there is some movies told Billy the kid was in

0:42:57.640 --> 0:42:58.000
<v Speaker 2>our law.

0:42:58.719 --> 0:43:00.000
<v Speaker 3>Sure, yeah, yeah, yeah.

0:43:00.239 --> 0:43:05.440
<v Speaker 4>Billy the Kid, like Dyllinger, was kind of the first

0:43:05.520 --> 0:43:07.880
<v Speaker 4>gangster because he was right at the cusp of I

0:43:07.920 --> 0:43:10.759
<v Speaker 4>think like and and and and Bonnie and Clyde where

0:43:10.760 --> 0:43:12.040
<v Speaker 4>they moved from the horse to the car.

0:43:12.239 --> 0:43:14.560
<v Speaker 2>It was very early cars about them and praised them

0:43:14.560 --> 0:43:17.160
<v Speaker 2>and their motherfuckers was horrible people.

0:43:17.800 --> 0:43:20.879
<v Speaker 1>Yeah, laying people down me at least that's the thought

0:43:20.920 --> 0:43:21.800
<v Speaker 1>based off of today.

0:43:21.960 --> 0:43:24.239
<v Speaker 2>But I never hear people like you guys are glorifying

0:43:25.040 --> 0:43:29.880
<v Speaker 2>you know, you're glorifying U. Bonnie and Clyde is like

0:43:29.960 --> 0:43:33.600
<v Speaker 2>bro that telling a story. There's no glory in dying

0:43:33.640 --> 0:43:38.000
<v Speaker 2>at the end. They didn't go down in the smiling

0:43:38.160 --> 0:43:42.719
<v Speaker 2>Hey we're getting killed, Hey Luxuria.

0:43:41.760 --> 0:43:42.399
<v Speaker 1>Like you would think.

0:43:42.400 --> 0:43:45.160
<v Speaker 2>They talk about it like it's like them, them them

0:43:45.200 --> 0:43:47.520
<v Speaker 2>bombers from the Middle East who get virgins when they

0:43:47.600 --> 0:43:49.240
<v Speaker 2>throw that, you know, when they kill themself.

0:43:49.920 --> 0:43:53.080
<v Speaker 4>And interestingly enough, that is one of the things that

0:43:53.160 --> 0:43:56.640
<v Speaker 4>bun Be discussed at length, particularly in the later work,

0:43:56.840 --> 0:43:59.880
<v Speaker 4>is you guys are not socially responsible with the lyrics.

0:44:00.280 --> 0:44:02.640
<v Speaker 4>You need to if you're gonna tell the you know,

0:44:03.680 --> 0:44:07.040
<v Speaker 4>the part of the story. The activity part of the

0:44:07.080 --> 0:44:09.600
<v Speaker 4>story you have to tell about when you get locked

0:44:09.680 --> 0:44:11.600
<v Speaker 4>up and Howard Herscher found all the like he actually

0:44:11.640 --> 0:44:15.440
<v Speaker 4>he and PIMPSI actually discussed the totality of the story

0:44:16.600 --> 0:44:19.279
<v Speaker 4>just ironically and that we're talking about. But you know

0:44:19.320 --> 0:44:22.520
<v Speaker 4>what I mean, Like it's kind of interesting as they

0:44:22.520 --> 0:44:23.040
<v Speaker 4>got older.

0:44:23.840 --> 0:44:26.800
<v Speaker 2>Yeah, but I also think that's also why those films

0:44:26.840 --> 0:44:29.719
<v Speaker 2>are not that big, just like drill rap. Understand why

0:44:29.800 --> 0:44:33.719
<v Speaker 2>drill rap is not that big, Like as influential as

0:44:33.719 --> 0:44:36.319
<v Speaker 2>it is and as revered as it is, it's not

0:44:36.440 --> 0:44:41.840
<v Speaker 2>this commercially successful genre. Like it didn't spawn what you know,

0:44:42.560 --> 0:44:45.440
<v Speaker 2>g funk spawned, It didn't spawn those things, you know

0:44:45.440 --> 0:44:47.560
<v Speaker 2>what I mean, Because I agree with you. I've always

0:44:47.560 --> 0:44:50.399
<v Speaker 2>thought about that. Like Godfather is one of the few

0:44:50.480 --> 0:44:53.800
<v Speaker 2>movies that tell the story. But I guess Godfather doesn't

0:44:53.840 --> 0:44:56.279
<v Speaker 2>really tell the story from the It tells the story

0:44:56.280 --> 0:44:57.760
<v Speaker 2>of how somebody became a criminal.

0:45:00.080 --> 0:45:02.600
<v Speaker 1>Yeah right, if I remember, Yeah, yeah, I.

0:45:02.520 --> 0:45:05.880
<v Speaker 4>Mean it's it's it's from the inside. It's not like

0:45:06.120 --> 0:45:08.120
<v Speaker 4>it would be different. I would say to compare it

0:45:08.160 --> 0:45:12.480
<v Speaker 4>to The Untouchables, where Kevin Cosler Sean Connery are and

0:45:12.480 --> 0:45:14.640
<v Speaker 4>they're talking about component the mafia.

0:45:14.280 --> 0:45:15.239
<v Speaker 3>From the outside.

0:45:15.360 --> 0:45:17.680
<v Speaker 4>It does exist from the inside, the same with Scarface

0:45:17.719 --> 0:45:18.520
<v Speaker 4>from the inside.

0:45:18.840 --> 0:45:21.480
<v Speaker 2>Yeah, but but I think it becomes a different kind

0:45:21.480 --> 0:45:22.600
<v Speaker 2>of story because I agree with you.

0:45:22.640 --> 0:45:25.279
<v Speaker 1>I think I always tell people the reason.

0:45:25.120 --> 0:45:28.000
<v Speaker 2>Colors is so successful, it's not because it's a gangster movie.

0:45:28.040 --> 0:45:31.080
<v Speaker 2>It's a movie about the police in the relations between

0:45:31.080 --> 0:45:33.080
<v Speaker 2>the older cop and a younger cop. Like you talking

0:45:33.080 --> 0:45:35.080
<v Speaker 2>about Rocking who might have got nine minutes of camera

0:45:35.120 --> 0:45:37.839
<v Speaker 2>time total in a probably eighty or ninety minute film.

0:45:38.600 --> 0:45:40.480
<v Speaker 1>Yeah, you're talking about Boys in the Hood is a

0:45:40.520 --> 0:45:41.240
<v Speaker 1>father movie.

0:45:41.320 --> 0:45:44.600
<v Speaker 2>It's about about black kids with a father and black

0:45:44.680 --> 0:45:45.640
<v Speaker 2>kids without a father.

0:45:46.440 --> 0:45:47.040
<v Speaker 1>You know what I'm saying.

0:45:47.080 --> 0:45:50.320
<v Speaker 2>It's not the first movie to me that was told

0:45:50.320 --> 0:45:52.879
<v Speaker 2>from the perspective of.

0:45:55.280 --> 0:45:56.840
<v Speaker 1>Like Minister Society.

0:45:57.600 --> 0:46:00.880
<v Speaker 2>Minister Society is told from the perspective of the streets.

0:46:00.880 --> 0:46:03.520
<v Speaker 2>But then again, it's also a coming up story where

0:46:03.560 --> 0:46:07.160
<v Speaker 2>you see how somebody becomes who they become, and it's.

0:46:06.960 --> 0:46:10.279
<v Speaker 4>A claim didn't quite reach that of the other ones

0:46:10.400 --> 0:46:12.480
<v Speaker 4>quite sure much. So there's that aspect too. And if you,

0:46:12.520 --> 0:46:15.880
<v Speaker 4>if you get a chance, and I don't know for

0:46:16.320 --> 0:46:19.279
<v Speaker 4>you or any listeners that have for Paramount plus app

0:46:19.360 --> 0:46:23.359
<v Speaker 4>or whatever the hell They did a series about the

0:46:23.400 --> 0:46:24.719
<v Speaker 4>making of The Godfather on there.

0:46:24.719 --> 0:46:26.879
<v Speaker 3>It was like a one season series. It was really cool.

0:46:26.920 --> 0:46:27.799
<v Speaker 3>I can't remember the name of it.

0:46:28.280 --> 0:46:32.200
<v Speaker 4>But they actually talk about the behind the scenes play

0:46:32.320 --> 0:46:36.520
<v Speaker 4>between the producers at Paramount trying to actually get clearance

0:46:36.600 --> 0:46:38.719
<v Speaker 4>from the mob, who was like starting to threaten them,

0:46:38.760 --> 0:46:41.959
<v Speaker 4>saying you're not going to make this movie, and Mario

0:46:42.080 --> 0:46:45.160
<v Speaker 4>Puzzo s for Coppola and these guys, and they work

0:46:45.200 --> 0:46:48.040
<v Speaker 4>out this thing with the head of one of the

0:46:48.080 --> 0:46:50.280
<v Speaker 4>families to allow it to happen.

0:46:50.320 --> 0:46:53.840
<v Speaker 3>And the book itself, But this isn't the this isn't.

0:46:53.680 --> 0:46:55.880
<v Speaker 4>A mafia movie. We will not say the word mafia

0:46:56.000 --> 0:46:58.600
<v Speaker 4>in the whole movie. They agreed to it's a movie

0:46:58.600 --> 0:47:01.480
<v Speaker 4>about family. So they try to make the movie very

0:47:01.520 --> 0:47:03.799
<v Speaker 4>much about family, you know what I mean. That's how

0:47:03.840 --> 0:47:07.560
<v Speaker 4>they sold it, pitched it, and wrote it without saying

0:47:07.600 --> 0:47:09.240
<v Speaker 4>the word mafia the whole fucking movie.

0:47:09.440 --> 0:47:14.200
<v Speaker 2>It's still alevilent identifying in America. I think most Americans

0:47:14.200 --> 0:47:17.800
<v Speaker 2>are really simple. I think most Americans are really simple,

0:47:17.840 --> 0:47:19.200
<v Speaker 2>So it's who you can relate to.

0:47:19.239 --> 0:47:19.680
<v Speaker 1>That's fair.

0:47:20.200 --> 0:47:22.239
<v Speaker 2>I'm not mad that white people see black people and

0:47:22.280 --> 0:47:24.960
<v Speaker 2>they necessarily don't relate to them as soon like it,

0:47:24.960 --> 0:47:25.399
<v Speaker 2>it's just.

0:47:25.360 --> 0:47:25.920
<v Speaker 1>A little thing.

0:47:25.960 --> 0:47:28.799
<v Speaker 2>So Godfather, even god for as great as Godfather is,

0:47:30.040 --> 0:47:32.000
<v Speaker 2>you know what I mean, and as revered as it is,

0:47:32.239 --> 0:47:34.600
<v Speaker 2>it's still white people trying to connegle white people.

0:47:36.040 --> 0:47:38.120
<v Speaker 4>The only part of that movie that I really identify

0:47:38.200 --> 0:47:41.600
<v Speaker 4>with is the part where Clemenza is teaching Michael how

0:47:41.640 --> 0:47:44.280
<v Speaker 4>to make sauce for everybody.

0:47:46.680 --> 0:47:50.760
<v Speaker 1>Yeah, let me look at this Godfather. How much money

0:47:50.800 --> 0:47:51.439
<v Speaker 1>did it make?

0:47:51.840 --> 0:47:52.360
<v Speaker 4>Uh?

0:47:52.960 --> 0:47:53.600
<v Speaker 3>That wasn't it.

0:47:55.280 --> 0:47:56.840
<v Speaker 4>I have a hard time Like that's one of the

0:47:56.840 --> 0:47:59.680
<v Speaker 4>things where every year the movie the Summer breaks all

0:47:59.719 --> 0:48:02.080
<v Speaker 4>the rec because every year the price of the tickets go.

0:48:02.080 --> 0:48:04.760
<v Speaker 1>Up dollars two fifty to three hundred. See.

0:48:04.800 --> 0:48:07.200
<v Speaker 2>And that's the point, Like, I think people can identify

0:48:07.320 --> 0:48:11.680
<v Speaker 2>even with white criminals America, can I mean white people,

0:48:13.239 --> 0:48:15.719
<v Speaker 2>I mean, I guess, but it's hard for them to

0:48:15.800 --> 0:48:18.320
<v Speaker 2>identify with the black outlaw.

0:48:20.080 --> 0:48:23.440
<v Speaker 1>Yeah. I think it maybe the greatest black outlaw movies.

0:48:24.400 --> 0:48:27.040
<v Speaker 2>And that's not even even Training Day is a white,

0:48:27.080 --> 0:48:32.680
<v Speaker 2>clean policeman dealing with a crazy outlaw black police officer.

0:48:33.640 --> 0:48:35.120
<v Speaker 3>And then you're like even in Trading Day.

0:48:35.120 --> 0:48:36.759
<v Speaker 4>And I would say it in general, a lot of

0:48:36.760 --> 0:48:42.920
<v Speaker 4>speak I can't think of the only real movie that

0:48:43.000 --> 0:48:46.160
<v Speaker 4>I thought was really more about like say criminal stuff,

0:48:46.160 --> 0:48:49.360
<v Speaker 4>like like like in Menace, there is an effort in

0:48:49.400 --> 0:48:54.759
<v Speaker 4>that movie to make the main characters polite, seem sympathetic,

0:48:56.080 --> 0:48:59.120
<v Speaker 4>and you don't. There's not maybe enough time and a

0:48:59.120 --> 0:49:01.480
<v Speaker 4>lot of like hip hop and the songs to really

0:49:02.120 --> 0:49:06.440
<v Speaker 4>solicit that, whereas it seems like there's a more concentrated

0:49:06.480 --> 0:49:10.080
<v Speaker 4>effort to make even in Falling Down, it's like the

0:49:10.120 --> 0:49:12.919
<v Speaker 4>guys are fucking flipped out. He's a mass shooter running

0:49:12.960 --> 0:49:15.719
<v Speaker 4>across Los Samsles, laying people down because of god knows what.

0:49:16.360 --> 0:49:18.960
<v Speaker 4>But if they go out of their way to make

0:49:19.000 --> 0:49:21.600
<v Speaker 4>it seem like he's the victim of all this shit

0:49:21.680 --> 0:49:22.160
<v Speaker 4>the whole.

0:49:22.000 --> 0:49:24.560
<v Speaker 1>Time, you know what I mean, he kind of was

0:49:24.600 --> 0:49:25.279
<v Speaker 1>the victim.

0:49:25.560 --> 0:49:29.040
<v Speaker 3>He was he was, But but you get what I say,

0:49:29.280 --> 0:49:31.960
<v Speaker 3>the effort, I get it.

0:49:33.480 --> 0:49:35.239
<v Speaker 1>I don't know. We you know what, We're going to

0:49:35.280 --> 0:49:37.000
<v Speaker 1>do another pod and we're gonna talk about that.

0:49:37.040 --> 0:49:40.640
<v Speaker 2>I'm going to talk about those movies, those Los Angeles movies.

0:49:43.239 --> 0:49:47.040
<v Speaker 2>But I think really cultural movies of America as far

0:49:47.080 --> 0:49:50.280
<v Speaker 2>as people outside of white people, I think it's hard

0:49:50.280 --> 0:49:54.360
<v Speaker 2>for them to identify with any of that other stuff

0:49:54.480 --> 0:49:57.240
<v Speaker 2>like training. They did a great job of telling two stories,

0:49:58.120 --> 0:50:00.160
<v Speaker 2>Like really, they told one story. They told the the

0:50:00.200 --> 0:50:02.560
<v Speaker 2>story of a dude coming up in the police force,

0:50:03.120 --> 0:50:05.799
<v Speaker 2>same thing as Colors, where he's identifying he's just got.

0:50:05.719 --> 0:50:08.280
<v Speaker 1>A crazy rogue cop, brother cop.

0:50:08.800 --> 0:50:09.560
<v Speaker 3>Those movies are.

0:50:09.440 --> 0:50:11.759
<v Speaker 4>Basically the exact same, except in power.

0:50:12.960 --> 0:50:16.759
<v Speaker 2>American Gangster did a decent job, you know what I mean,

0:50:16.760 --> 0:50:19.400
<v Speaker 2>because they told the story from the police's perspective, and

0:50:19.440 --> 0:50:22.319
<v Speaker 2>they told the story from Frank lucas perspective. I think

0:50:22.360 --> 0:50:26.600
<v Speaker 2>you have to give white people white lenses to look through.

0:50:28.400 --> 0:50:30.200
<v Speaker 4>Yeah, And I think some of this also was the

0:50:30.200 --> 0:50:34.319
<v Speaker 4>fact that a lot of white people perceive, maybe like

0:50:35.160 --> 0:50:37.480
<v Speaker 4>if not black people in general, with like black black

0:50:37.480 --> 0:50:41.480
<v Speaker 4>criminals as being like impossibly hard, you.

0:50:41.440 --> 0:50:44.240
<v Speaker 3>Know what I mean, Like Frank Lucas throughout that movie.

0:50:44.120 --> 0:50:46.280
<v Speaker 2>Me and Nip used to talk about that making Gangster

0:50:46.360 --> 0:50:48.880
<v Speaker 2>rap bro, I'm like, it's hard for people to identify

0:50:48.920 --> 0:50:52.360
<v Speaker 2>with us now because they think like we're like superheroes

0:50:52.520 --> 0:50:54.560
<v Speaker 2>or like we lived his lifestyle, Like.

0:50:54.600 --> 0:50:56.799
<v Speaker 1>Oh, I can't identify with him. He's crazy or he

0:50:56.920 --> 0:50:59.400
<v Speaker 1>kills people versus until you.

0:50:59.280 --> 0:51:01.359
<v Speaker 2>Die, and then they're able to be like, oh, he's

0:51:01.480 --> 0:51:03.840
<v Speaker 2>just like me like Nick where they finally got it

0:51:03.880 --> 0:51:07.200
<v Speaker 2>after he passed away, but like during that time, like

0:51:07.360 --> 0:51:09.160
<v Speaker 2>I think about people like Snoop and nice Tea, they

0:51:09.200 --> 0:51:12.480
<v Speaker 2>reviewed as like super villains, you.

0:51:12.440 --> 0:51:14.840
<v Speaker 1>Know, and now the world is just comfortable with villains.

0:51:14.960 --> 0:51:16.840
<v Speaker 2>But then, like that's why I think I need to

0:51:16.880 --> 0:51:20.520
<v Speaker 2>be really mindful as I'm working on music and finishing

0:51:20.520 --> 0:51:23.880
<v Speaker 2>out my career and then going into another storyteller effort

0:51:23.880 --> 0:51:27.319
<v Speaker 2>with films or comics to remember these ways of how

0:51:27.360 --> 0:51:33.520
<v Speaker 2>people told stories and what made people connected characters, because

0:51:34.200 --> 0:51:36.960
<v Speaker 2>like I think of a film like The Joker, you know,

0:51:37.000 --> 0:51:38.360
<v Speaker 2>the Joker film with.

0:51:40.080 --> 0:51:41.600
<v Speaker 1>Joaquin Phoenix, Right.

0:51:43.120 --> 0:51:46.520
<v Speaker 2>Yeah, it's like they did a really good job of

0:51:46.600 --> 0:51:51.160
<v Speaker 2>convincing you at why he became a villain. Sure, you

0:51:51.239 --> 0:51:53.959
<v Speaker 2>know what I mean, They did a fucking fantastic job

0:51:54.000 --> 0:51:55.880
<v Speaker 2>of convincing you why he was a villain.

0:51:56.880 --> 0:52:01.239
<v Speaker 4>That was almost kind of like a like a cartoon

0:52:02.200 --> 0:52:04.040
<v Speaker 4>ish type version of like falling Down.

0:52:04.080 --> 0:52:06.520
<v Speaker 3>It's just this guy just keeps getting just kicked in

0:52:06.600 --> 0:52:07.520
<v Speaker 3>the nuts all the time.

0:52:07.640 --> 0:52:13.160
<v Speaker 1>That just boom like that, like that.

0:52:14.120 --> 0:52:17.480
<v Speaker 2>There's a few films where you know, you see people,

0:52:20.719 --> 0:52:23.600
<v Speaker 2>there's a few films where you see people like why

0:52:23.680 --> 0:52:26.279
<v Speaker 2>they become why they become. That's a really tough way

0:52:26.280 --> 0:52:30.520
<v Speaker 2>to tell a story, sure it is. It is especially

0:52:30.560 --> 0:52:31.759
<v Speaker 2>about the character that we all know.

0:52:33.760 --> 0:52:36.520
<v Speaker 4>Yeah, Like I mean, like if they had made like

0:52:36.960 --> 0:52:39.600
<v Speaker 4>say the movie Fences have a turn at the end

0:52:39.840 --> 0:52:43.000
<v Speaker 4>where like Denzel's character goes and commits like some crime

0:52:43.040 --> 0:52:46.279
<v Speaker 4>because he's just playing warn the hell out by the commitments,

0:52:46.280 --> 0:52:48.360
<v Speaker 4>by being the track all all these things, you know

0:52:48.400 --> 0:52:51.680
<v Speaker 4>what I mean, and he just gets behind the eight ball.

0:52:51.680 --> 0:52:55.720
<v Speaker 4>It's like I'm desperate, I'm exhausted, I'm tired too, and whatever.

0:52:56.520 --> 0:52:58.759
<v Speaker 4>It would almost be something like that, for example, where

0:52:58.760 --> 0:53:01.000
<v Speaker 4>you'd have to really sap go out of your way

0:53:01.040 --> 0:53:07.239
<v Speaker 4>to establish stage setting as to like why you know

0:53:07.800 --> 0:53:10.520
<v Speaker 4>what this dude got put through to want to go

0:53:10.560 --> 0:53:10.799
<v Speaker 4>do this?

0:53:10.920 --> 0:53:11.080
<v Speaker 1>You know?

0:53:15.320 --> 0:53:17.960
<v Speaker 2>Good looking out for tuning in to the No Sellers podcast.

0:53:18.239 --> 0:53:21.600
<v Speaker 2>Please do us a favorite, subscribe, rate, commentist Share. This

0:53:21.640 --> 0:53:23.880
<v Speaker 2>episode was recorded right here on the West Coast of

0:53:23.960 --> 0:53:27.400
<v Speaker 2>the USA and produced about the Black Effect Podcast Network

0:53:27.520 --> 0:53:28.520
<v Speaker 2>and now Heard Radio.

0:53:29.040 --> 0:53:30.440
<v Speaker 1>Yeah