1 00:00:04,920 --> 00:00:07,880 Speaker 1: Hey guys. Today's Oscar Recap is brought to you by 2 00:00:07,960 --> 00:00:12,400 Speaker 1: Boost Mobiles. What's happening, everybody? This is a special episode 3 00:00:12,680 --> 00:00:15,120 Speaker 1: one of our IROL WEEKLI is a little bit different 4 00:00:15,120 --> 00:00:17,800 Speaker 1: today because we are talking about the Oscars last night. 5 00:00:17,800 --> 00:00:21,479 Speaker 1: There are so many important moments to discuss and even 6 00:00:21,520 --> 00:00:23,680 Speaker 1: to discuss where IRL is connected. 7 00:00:23,720 --> 00:00:25,320 Speaker 2: Like we feel very. 8 00:00:25,200 --> 00:00:28,240 Speaker 1: Strongly on this podcast about a couple of people that 9 00:00:28,280 --> 00:00:30,920 Speaker 1: were having an amazing moment last night at the Oscar, 10 00:00:31,080 --> 00:00:32,800 Speaker 1: So we shall discuss. 11 00:00:32,960 --> 00:00:35,720 Speaker 3: Do you remember actually when we interviewed Tiana Taylor back 12 00:00:35,720 --> 00:00:37,960 Speaker 3: in twenty twenty three, you know that was her I 13 00:00:37,960 --> 00:00:40,080 Speaker 3: think one of her first like her kind of like 14 00:00:40,080 --> 00:00:43,199 Speaker 3: her acting debut in a Way for one thousand and one, 15 00:00:43,240 --> 00:00:45,440 Speaker 3: which is a great film. But you know in our 16 00:00:45,479 --> 00:00:49,040 Speaker 3: trailer how you introduce her is actually you say future 17 00:00:49,120 --> 00:00:51,479 Speaker 3: Academy Award winning Teanna Taylor. 18 00:00:52,080 --> 00:00:54,840 Speaker 1: Yo, I'm putting it out there. I'm really like, you 19 00:00:54,880 --> 00:00:57,280 Speaker 1: know what I mean, manifesting things for people. 20 00:00:57,600 --> 00:00:58,120 Speaker 2: It happens. 21 00:00:58,120 --> 00:01:00,120 Speaker 1: There's a clip back back in the day of me 22 00:01:00,240 --> 00:01:02,920 Speaker 1: talking about people having babies together. It's like it happened 23 00:01:02,960 --> 00:01:04,600 Speaker 1: like three times. So I was like, you guys gonna 24 00:01:04,600 --> 00:01:06,520 Speaker 1: have a baby and then they had a baby. It 25 00:01:06,600 --> 00:01:08,840 Speaker 1: was like three times I put that on somebody and 26 00:01:08,880 --> 00:01:12,440 Speaker 1: it happened. So, yeah, she didn't win the Oscar, but 27 00:01:12,480 --> 00:01:14,440 Speaker 1: she did get the nomination and she got all the 28 00:01:14,480 --> 00:01:16,160 Speaker 1: glory of that moment, and. 29 00:01:17,360 --> 00:01:19,160 Speaker 2: There was just so much you could just tell. 30 00:01:19,200 --> 00:01:23,160 Speaker 1: She's like francing around in these amazing outfits in her glory, 31 00:01:23,280 --> 00:01:26,640 Speaker 1: like she's I don't know, she's just in the space 32 00:01:26,720 --> 00:01:28,679 Speaker 1: that she's worked so hard to be. And I think 33 00:01:28,720 --> 00:01:31,800 Speaker 1: winning the award sure is nice, but I think it's 34 00:01:31,840 --> 00:01:34,520 Speaker 1: beyond winning the award. It's just like filling up and 35 00:01:34,560 --> 00:01:36,360 Speaker 1: being in the space that you're supposed to be in life. 36 00:01:36,400 --> 00:01:39,400 Speaker 1: I feel like she's arrived in that space or without 37 00:01:39,440 --> 00:01:42,600 Speaker 1: an Oscar, she's arrived in the space that she's worked 38 00:01:42,640 --> 00:01:43,240 Speaker 1: so hard to be. 39 00:01:43,400 --> 00:01:45,800 Speaker 2: You could totally tell how happy. 40 00:01:45,880 --> 00:01:46,119 Speaker 1: I mean. 41 00:01:46,160 --> 00:01:48,160 Speaker 3: I don't think there was anyone more happy just to 42 00:01:48,200 --> 00:01:50,760 Speaker 3: be at the Oscars than Tianna Taylor was. You know, 43 00:01:50,960 --> 00:01:55,520 Speaker 3: her category came really early on in the Oscars last night, 44 00:01:56,000 --> 00:01:58,960 Speaker 3: and when she lost. 45 00:01:58,640 --> 00:02:03,120 Speaker 4: To Amy, her weapons that girl, the camera pans to 46 00:02:03,200 --> 00:02:05,600 Speaker 4: her and you see Tianna jumping on my up and down. 47 00:02:05,680 --> 00:02:08,840 Speaker 3: Oh my god, you thought you thought for a second, like, 48 00:02:08,919 --> 00:02:10,040 Speaker 3: did Tianna just win? 49 00:02:10,560 --> 00:02:11,200 Speaker 2: That's her way of. 50 00:02:11,280 --> 00:02:13,760 Speaker 1: Showing like she's just that's to me, that's exactly what 51 00:02:13,800 --> 00:02:15,600 Speaker 1: I'm saying. It's like she's just happy to be in 52 00:02:15,639 --> 00:02:18,160 Speaker 1: this moment. She's happy to be sitting next to Leo, 53 00:02:18,560 --> 00:02:22,840 Speaker 1: happy to be in this class, happy to be making 54 00:02:23,000 --> 00:02:26,120 Speaker 1: art that I'm sure she's super proud of, and you know, 55 00:02:26,240 --> 00:02:28,240 Speaker 1: sitting next to her mom, who's been on this journey 56 00:02:28,280 --> 00:02:29,040 Speaker 1: with her whole life. 57 00:02:29,080 --> 00:02:31,920 Speaker 2: I mean, she gave her her journey, right, but like 58 00:02:32,040 --> 00:02:33,760 Speaker 2: I don't know, just the whole thing. See, and Michael 59 00:02:33,800 --> 00:02:35,760 Speaker 2: be Jordan there with his mom, there was like a 60 00:02:35,800 --> 00:02:37,880 Speaker 2: lot of love. And maybe it's just. 61 00:02:37,919 --> 00:02:41,040 Speaker 1: Us, maybe we're biased a little bit, but like I 62 00:02:41,120 --> 00:02:43,800 Speaker 1: just felt like it just felt like a lot of 63 00:02:44,120 --> 00:02:48,320 Speaker 1: love was present yesterday watching Michael B. Jordan when that award, 64 00:02:48,520 --> 00:02:51,120 Speaker 1: sitting next to his mother and he's been a working 65 00:02:51,160 --> 00:02:54,280 Speaker 1: actor since he's a kid, and the fact that he 66 00:02:54,360 --> 00:02:58,400 Speaker 1: said I could feel everybody's wanting me to do well, 67 00:02:58,560 --> 00:03:01,720 Speaker 1: Like I felt that deep, Like because I feel that sometimes, 68 00:03:01,720 --> 00:03:03,799 Speaker 1: like sometimes we'll do something and I'll meet people, they'll 69 00:03:03,800 --> 00:03:05,560 Speaker 1: be like yo, even with the pod, they'd be like, 70 00:03:05,600 --> 00:03:07,920 Speaker 1: I love the pod. So much, and I could feel 71 00:03:07,960 --> 00:03:09,880 Speaker 1: that they wanted to do well, that they want me 72 00:03:09,960 --> 00:03:11,760 Speaker 1: to do well, and that's such a great feeling. 73 00:03:11,800 --> 00:03:12,920 Speaker 2: I can only imagine for. 74 00:03:13,000 --> 00:03:15,960 Speaker 1: Him, with like more than half the world rooting for 75 00:03:16,040 --> 00:03:18,400 Speaker 1: him to have this moment, what that must feel like. 76 00:03:19,120 --> 00:03:20,920 Speaker 2: And then he wins it and he's sitting next to 77 00:03:20,960 --> 00:03:24,480 Speaker 2: his mom and then he goes to in and el 78 00:03:24,520 --> 00:03:27,440 Speaker 2: Burger after, which was so it wouldn't love him enough 79 00:03:27,639 --> 00:03:32,400 Speaker 2: like this. The whole thing was just really nice to see. So, yeah, 80 00:03:32,400 --> 00:03:33,119 Speaker 2: it was a special moment. 81 00:03:33,160 --> 00:03:34,720 Speaker 1: But one of the things I wanted to talk about, 82 00:03:34,720 --> 00:03:36,760 Speaker 1: and we are going to play some clips to refer 83 00:03:36,800 --> 00:03:38,720 Speaker 1: to some of these episodes that we're talking about, but 84 00:03:38,800 --> 00:03:41,400 Speaker 1: one of the things that I loved seeing last night was, 85 00:03:42,560 --> 00:03:45,160 Speaker 1: you know, there's a new category category for casting director. 86 00:03:46,800 --> 00:03:50,960 Speaker 1: There is watching the cinematographer for the woman who won 87 00:03:51,120 --> 00:03:52,080 Speaker 1: for Sinners. 88 00:03:52,800 --> 00:03:54,160 Speaker 2: Yeah, oh, I don't watching. 89 00:03:53,840 --> 00:03:56,000 Speaker 1: Her when you know it really and a lot of 90 00:03:56,000 --> 00:03:58,920 Speaker 1: people in their speeches refer to like filmmaking, it's not 91 00:03:59,040 --> 00:04:03,040 Speaker 1: the star. It's not just Michael B. Jordan, Like Michael B. Jordan, Yes, 92 00:04:03,080 --> 00:04:05,240 Speaker 1: he won an oscar and that's amazing, God bless him. 93 00:04:05,720 --> 00:04:09,880 Speaker 1: But if Ryan didn't write that script, if his wife 94 00:04:09,880 --> 00:04:14,280 Speaker 1: didn't produce it with him, if that cinematographer didn't make 95 00:04:14,320 --> 00:04:16,760 Speaker 1: it look the way it looked like it really is. 96 00:04:17,760 --> 00:04:20,800 Speaker 1: And it really takes a village, is what I'm saying. 97 00:04:20,839 --> 00:04:23,119 Speaker 1: And to see some of those people in the village 98 00:04:23,160 --> 00:04:25,320 Speaker 1: be acknowledged that to me last night was super dove. 99 00:04:25,400 --> 00:04:26,200 Speaker 2: I love saying that. 100 00:04:26,400 --> 00:04:30,160 Speaker 1: I love seeing the people that you know make the village. 101 00:04:30,240 --> 00:04:31,680 Speaker 1: And so there's a lot of that going on last 102 00:04:31,720 --> 00:04:34,400 Speaker 1: night and totally and by the way, congratulations to Ryan 103 00:04:34,440 --> 00:04:37,680 Speaker 1: because he didn't win for Best Screenplay. He didn't win 104 00:04:37,720 --> 00:04:39,960 Speaker 1: the Director Award, but he will at some point. To 105 00:04:40,160 --> 00:04:42,719 Speaker 1: Marty Scorsese, I don't know how many films before he 106 00:04:42,839 --> 00:04:45,720 Speaker 1: got one. Ryan's gonna get one. But I was glad 107 00:04:45,720 --> 00:04:50,520 Speaker 1: that he won screenplay. And then some of the post interviews, 108 00:04:51,880 --> 00:04:54,440 Speaker 1: man the way he talks about his wife. Can we 109 00:04:54,520 --> 00:04:58,000 Speaker 1: just before I get into what I have to say 110 00:04:58,040 --> 00:05:00,880 Speaker 1: about that, do we have any clip from this episode 111 00:05:00,920 --> 00:05:02,960 Speaker 1: that refers to that at all? 112 00:05:03,720 --> 00:05:08,200 Speaker 5: Yes, I got an imagining wife who's been with me, 113 00:05:08,279 --> 00:05:11,320 Speaker 5: knowing me a long time, and it's always very honest 114 00:05:11,360 --> 00:05:13,120 Speaker 5: with me. It's very smart. 115 00:05:13,400 --> 00:05:14,919 Speaker 2: So I keep her around and. 116 00:05:16,440 --> 00:05:18,640 Speaker 5: Let her in on everything I'm doing, you know, so 117 00:05:18,760 --> 00:05:20,919 Speaker 5: she can kind of give me perspective when I'm trying 118 00:05:20,920 --> 00:05:21,440 Speaker 5: to stress. 119 00:05:21,560 --> 00:05:23,599 Speaker 2: She can tell me, yeah, you should be worried or not. 120 00:05:23,839 --> 00:05:25,760 Speaker 1: You trip me, you know what I'm saying. Lots to 121 00:05:25,880 --> 00:05:29,480 Speaker 1: love about that clip number one. As also a fellow workaholic, 122 00:05:29,560 --> 00:05:31,919 Speaker 1: I understand the concept behind that. I love hearing that 123 00:05:31,960 --> 00:05:34,320 Speaker 1: from him, but also just the way that he respects 124 00:05:34,360 --> 00:05:36,880 Speaker 1: and honors his wife and even when people try to 125 00:05:36,880 --> 00:05:37,320 Speaker 1: give him. 126 00:05:37,240 --> 00:05:37,919 Speaker 2: Credit for that. 127 00:05:39,000 --> 00:05:42,120 Speaker 1: You know, sometimes I hate to see this, but like 128 00:05:42,160 --> 00:05:43,120 Speaker 1: sometimes people be. 129 00:05:43,040 --> 00:05:45,440 Speaker 2: Like, oh, it's to waste the way you talk about. 130 00:05:45,160 --> 00:05:48,480 Speaker 6: Your wife, like if he's doing her a favor. You 131 00:05:48,520 --> 00:05:50,480 Speaker 6: know what I'm saying, Like, Oh, it's nice you let 132 00:05:50,480 --> 00:05:53,039 Speaker 6: your wife produce the movie. And people don't say that, 133 00:05:53,160 --> 00:05:55,680 Speaker 6: but there is a tone sometimes that people say something 134 00:05:55,680 --> 00:06:00,920 Speaker 6: that makes I don't know it, like diminishes, diminishes her importance, 135 00:06:01,360 --> 00:06:03,520 Speaker 6: and she is always the first one to check that. 136 00:06:03,640 --> 00:06:05,960 Speaker 6: He's like, oh, it's not a favor. Oh no, I'm 137 00:06:06,200 --> 00:06:08,960 Speaker 6: grateful to have her be part of this film. Oh, 138 00:06:08,960 --> 00:06:10,480 Speaker 6: this film doesn't happen without her. 139 00:06:10,839 --> 00:06:11,000 Speaker 1: You know. 140 00:06:11,240 --> 00:06:12,120 Speaker 2: I love the way. 141 00:06:11,960 --> 00:06:14,800 Speaker 1: He checks people in terms of the tone in which 142 00:06:15,080 --> 00:06:16,480 Speaker 1: people refer to his wife. 143 00:06:16,560 --> 00:06:18,440 Speaker 5: I tell y'all, I'll tell you a quick story about 144 00:06:18,760 --> 00:06:21,640 Speaker 5: about Zazi, and y'all should just know, man that this movie, 145 00:06:22,640 --> 00:06:24,720 Speaker 5: you know, big credit to her and her and said 146 00:06:24,760 --> 00:06:27,159 Speaker 5: our partner, man, but it wouldn't be what it was 147 00:06:27,200 --> 00:06:31,440 Speaker 5: with all her man, and she did it all pregnant 148 00:06:31,480 --> 00:06:40,040 Speaker 5: and postpartum most of you, like like I seen her. 149 00:06:40,720 --> 00:06:42,400 Speaker 5: She was. She was in every she was in every 150 00:06:42,440 --> 00:06:45,200 Speaker 5: post production meeting, man like like like like holding it 151 00:06:45,240 --> 00:06:46,960 Speaker 5: down and dealing with all types of stuff. You know, 152 00:06:47,760 --> 00:06:50,479 Speaker 5: the only y'all could see. We took the film on 153 00:06:50,520 --> 00:06:52,600 Speaker 5: the roads all over the world while she was out 154 00:06:52,600 --> 00:06:55,080 Speaker 5: there here y'all sawry Man, it wasn't easy and then 155 00:06:55,279 --> 00:06:56,960 Speaker 5: and it hasn't stopped, you know what I mean all 156 00:06:57,000 --> 00:06:59,200 Speaker 5: of this since you know, our little baby's seven months 157 00:06:59,240 --> 00:07:01,760 Speaker 5: old now and she and she and as good as 158 00:07:01,760 --> 00:07:04,160 Speaker 5: a producer she is, she even better mom so that 159 00:07:04,240 --> 00:07:04,920 Speaker 5: shear do all this. 160 00:07:04,920 --> 00:07:06,320 Speaker 2: It's crazy, but but but. 161 00:07:10,040 --> 00:07:11,800 Speaker 5: I'm gonna I'm gonna just I'm gonna just leave y'all 162 00:07:11,880 --> 00:07:13,200 Speaker 5: one insight into her brilliance. 163 00:07:13,280 --> 00:07:14,600 Speaker 2: Man Like, Like we were dealing with some. 164 00:07:14,560 --> 00:07:18,320 Speaker 5: Stuff at home and and two family members were kind 165 00:07:18,320 --> 00:07:20,880 Speaker 5: of at each other's throats about I bought, I bought 166 00:07:20,920 --> 00:07:23,400 Speaker 5: some things and I and I did what I did. 167 00:07:23,440 --> 00:07:25,880 Speaker 5: I vented for like forty minutes to her about you know, 168 00:07:25,960 --> 00:07:27,800 Speaker 5: who did what and why why we gotta do this 169 00:07:27,800 --> 00:07:31,720 Speaker 5: to support who and and she took a deep breath 170 00:07:31,720 --> 00:07:35,080 Speaker 5: when I got done. Then in her in her crazy 171 00:07:35,160 --> 00:07:39,480 Speaker 5: zingy way, and she says, you know, sometimes it doesn't 172 00:07:39,480 --> 00:07:44,360 Speaker 5: matter who's right. What matters is that people know that 173 00:07:44,400 --> 00:07:47,240 Speaker 5: the other person cares a ball. And I and I 174 00:07:47,280 --> 00:07:49,680 Speaker 5: had you know, I'm a writer. I heard a lot 175 00:07:49,720 --> 00:07:51,480 Speaker 5: of words. I listened think about words of the time. 176 00:07:53,520 --> 00:07:55,480 Speaker 5: I lived with this woman for a long time, and 177 00:07:55,520 --> 00:07:57,560 Speaker 5: I never heard those words put together like that in 178 00:07:57,600 --> 00:07:58,240 Speaker 5: that context. 179 00:07:58,800 --> 00:08:00,080 Speaker 2: And I was I was like, God. 180 00:08:00,080 --> 00:08:04,160 Speaker 5: Damn, man, you want to one and I and I 181 00:08:04,320 --> 00:08:05,920 Speaker 5: and I felt like one on one for bagging her. 182 00:08:05,960 --> 00:08:15,080 Speaker 5: You know you know what I'm saying, Hi, hey, hey, 183 00:08:15,720 --> 00:08:20,800 Speaker 5: hey so so so so, Look yo, hey, so'm. 184 00:08:21,360 --> 00:08:22,360 Speaker 2: I see all the comments. 185 00:08:22,360 --> 00:08:25,200 Speaker 1: Everybody's like, I pray for us all to find this 186 00:08:25,680 --> 00:08:28,640 Speaker 1: world so and that. 187 00:08:28,640 --> 00:08:30,080 Speaker 2: That's the dope thing about Ryan. 188 00:08:30,120 --> 00:08:32,560 Speaker 1: It's like he very he pays attention to the detail 189 00:08:32,840 --> 00:08:35,000 Speaker 1: of He's such a truth teller, Like you know what 190 00:08:35,040 --> 00:08:38,320 Speaker 1: I'm saying that, even like a false tone about his wife, 191 00:08:38,360 --> 00:08:42,360 Speaker 1: He's going to check that fast. And I just appreciate 192 00:08:42,440 --> 00:08:44,640 Speaker 1: that so much. And I think that's what makes him 193 00:08:44,800 --> 00:08:48,720 Speaker 1: a phenomenal storyteller. Is this, like the music is always 194 00:08:48,760 --> 00:08:51,840 Speaker 1: going to be the right music, the tone, the laugh, 195 00:08:52,040 --> 00:08:55,840 Speaker 1: the way you ask the question about my wife, and 196 00:08:55,840 --> 00:08:58,679 Speaker 1: we're gonna get that right because you know it's sometimes 197 00:08:58,679 --> 00:09:01,120 Speaker 1: it's in the little thing so are framed. And I 198 00:09:01,200 --> 00:09:03,160 Speaker 1: just appreciate that about him so much. One of the 199 00:09:03,200 --> 00:09:06,800 Speaker 1: reasons why not only is he one of my favorite filmmakers, 200 00:09:06,880 --> 00:09:09,200 Speaker 1: but I just think he's super dope as a human being. 201 00:09:09,720 --> 00:09:11,600 Speaker 1: I don't know his wife, I've never met her, but 202 00:09:12,760 --> 00:09:16,600 Speaker 1: I'm like her for number one fan, for his love 203 00:09:16,679 --> 00:09:20,400 Speaker 1: bag as the couple, and it's just so nice to 204 00:09:20,400 --> 00:09:21,960 Speaker 1: see that type of love, you know what I'm saying, 205 00:09:22,000 --> 00:09:24,280 Speaker 1: that type of work relationship too, by the way, because 206 00:09:24,880 --> 00:09:27,000 Speaker 1: because he'll he'll tell you himself that that movie wasn't 207 00:09:27,040 --> 00:09:29,960 Speaker 1: what would have anybody was without her on it. 208 00:09:30,160 --> 00:09:32,040 Speaker 2: So that was really nice to see. 209 00:09:32,640 --> 00:09:32,880 Speaker 7: Uh. 210 00:09:32,920 --> 00:09:34,840 Speaker 1: And then also a quick little clip of Michael B. 211 00:09:34,920 --> 00:10:01,720 Speaker 1: Jordan at In and out Burger after the awards. 212 00:10:02,920 --> 00:10:40,640 Speaker 7: Now, back up, back up, back up. 213 00:10:48,280 --> 00:10:59,160 Speaker 3: Remember the part in his speech where he says to 214 00:10:59,280 --> 00:11:04,400 Speaker 3: his kids, I'm sorry that this is causing us to be, 215 00:11:04,640 --> 00:11:06,280 Speaker 3: you know, spend so much time away from you. 216 00:11:06,360 --> 00:11:08,600 Speaker 2: But the one thing I hope when I'm long and 217 00:11:08,640 --> 00:11:10,720 Speaker 2: gone is that I leave you with good memories. 218 00:11:13,000 --> 00:11:18,480 Speaker 6: I was weeping, was so emotional. 219 00:11:18,760 --> 00:11:21,200 Speaker 2: What's wrong with us? It's so evil? 220 00:11:21,720 --> 00:11:25,160 Speaker 1: But that's what I mean, because it was actually there 221 00:11:25,200 --> 00:11:27,079 Speaker 1: was so much genuine love happening. 222 00:11:27,960 --> 00:11:30,480 Speaker 2: I don't know, it was just yeah, I don't know. 223 00:11:30,480 --> 00:11:32,200 Speaker 2: What do you think? Why? What were we gonna say? 224 00:11:32,360 --> 00:11:34,520 Speaker 3: I think you can relate when you put that much, 225 00:11:34,679 --> 00:11:37,880 Speaker 3: when you really care and love about love your work 226 00:11:37,920 --> 00:11:40,880 Speaker 3: that you do. You know how much how much it 227 00:11:40,960 --> 00:11:44,760 Speaker 3: takes to make something good, to make something great. 228 00:11:45,440 --> 00:11:50,400 Speaker 1: Yes, by the way, speaking of making things, I posted recently, 229 00:11:50,400 --> 00:11:53,000 Speaker 1: you know, I posted a clip that I finally that 230 00:11:53,080 --> 00:11:56,559 Speaker 1: I shadowed my boy Stephen Cable Junior on the set 231 00:11:56,600 --> 00:11:58,240 Speaker 1: of Man on Fire. So I posted this thing on 232 00:11:58,240 --> 00:12:01,360 Speaker 1: Instagram that I have secretly been new filmmaking for the best. 233 00:12:01,440 --> 00:12:03,360 Speaker 1: I don't know four or five I feel like since 234 00:12:03,360 --> 00:12:08,599 Speaker 1: OVID honestly doing masterclasses, doing lessons, shadowing people, asking a 235 00:12:08,640 --> 00:12:11,800 Speaker 1: lot of questions, doing research, reading books. 236 00:12:11,440 --> 00:12:13,480 Speaker 2: All of that. Brittany, Brittany too. 237 00:12:13,520 --> 00:12:16,400 Speaker 1: Brittany's been on this journey with me, the two of us, 238 00:12:16,600 --> 00:12:19,319 Speaker 1: and so I shared a post of how I was 239 00:12:19,400 --> 00:12:23,439 Speaker 1: able to follow Steven in Mexico City on the set 240 00:12:23,480 --> 00:12:25,079 Speaker 1: of Man on Fire, which is getting ready to come out, 241 00:12:25,080 --> 00:12:27,160 Speaker 1: which I'm very excited to see. But I was there 242 00:12:27,200 --> 00:12:32,200 Speaker 1: when he was directing an episode in Mexico City. Now, Steven, 243 00:12:32,760 --> 00:12:36,840 Speaker 1: who well, who's an amazing filmmaker, also friends with not 244 00:12:36,880 --> 00:12:40,160 Speaker 1: only is he friends with Ryan Brian, I believe kind 245 00:12:40,160 --> 00:12:42,080 Speaker 1: of put him on to Creed two because you know, 246 00:12:42,160 --> 00:12:46,040 Speaker 1: Ryan did Creed one, Stephen did Creed two while I 247 00:12:46,080 --> 00:12:51,360 Speaker 1: believe Ryan was doing Black Panther. Anyway, I say that's 248 00:12:51,440 --> 00:12:56,080 Speaker 1: all that to say. Ryan Hoogler went to USC, Steven 249 00:12:56,200 --> 00:12:59,640 Speaker 1: Cable Junior went to USC, the person who won Best 250 00:12:59,640 --> 00:13:04,040 Speaker 1: Document Entry last night, USC Film Student. 251 00:13:05,880 --> 00:13:06,880 Speaker 2: I don't know what we gotta do. 252 00:13:09,640 --> 00:13:12,480 Speaker 1: I don't know if this is like an online program 253 00:13:12,679 --> 00:13:14,960 Speaker 1: or something, but whatever they're doing at the Film School 254 00:13:14,960 --> 00:13:19,760 Speaker 1: at USC, because you churning them out over there. 255 00:13:21,800 --> 00:13:26,480 Speaker 2: But yeah, film makes an interesting, beautiful I don't know. 256 00:13:26,559 --> 00:13:30,600 Speaker 3: Kraft in and Out after this Oscars, the in and 257 00:13:30,640 --> 00:13:34,720 Speaker 3: out stock is up at usc Is being flooded with applicants. 258 00:13:34,760 --> 00:13:39,960 Speaker 1: For sure, that was happening as it should. 259 00:13:41,679 --> 00:13:42,800 Speaker 2: Yeah, it was a great night. 260 00:13:42,880 --> 00:13:45,160 Speaker 1: What else Tianna Taylor, I know we talked about her 261 00:13:45,440 --> 00:13:47,720 Speaker 1: not winning, but she she looked incredible. 262 00:13:47,920 --> 00:13:49,720 Speaker 2: She had an amazing night. 263 00:13:49,880 --> 00:13:51,960 Speaker 1: I'm certain I love seeing her there with. 264 00:13:52,000 --> 00:13:56,720 Speaker 3: Her mom as Women in Filmmaking for sure autumn winning 265 00:13:56,760 --> 00:13:59,760 Speaker 3: Best Cinematography for being the first woman to ever win 266 00:13:59,760 --> 00:14:02,600 Speaker 3: in that category. And when she tells all the women 267 00:14:02,640 --> 00:14:04,600 Speaker 3: in the audience, she's like, if you're a woman. 268 00:14:04,400 --> 00:14:07,600 Speaker 2: Stuff, that's so good. 269 00:14:08,160 --> 00:14:11,800 Speaker 3: That's so good, And I'm so glad that because you know, 270 00:14:11,840 --> 00:14:14,080 Speaker 3: sometimes people call out to the audience and they're like, 271 00:14:14,240 --> 00:14:17,000 Speaker 3: you'll put your hands together or whatever, and people don't oblige. 272 00:14:17,000 --> 00:14:18,160 Speaker 4: You're like whatever. 273 00:14:18,400 --> 00:14:20,320 Speaker 2: But when they zoom. 274 00:14:20,080 --> 00:14:23,120 Speaker 3: Out the camera to show everyone standing up your life, dang, 275 00:14:23,720 --> 00:14:27,080 Speaker 3: that's how many women are a part of this industry 276 00:14:27,080 --> 00:14:29,080 Speaker 3: and without their influence, Like. 277 00:14:29,440 --> 00:14:31,800 Speaker 1: Then, they all and they often go unnoticed. They all 278 00:14:32,120 --> 00:14:37,240 Speaker 1: usually behind. Even the woman who won for wardrobe Best Wardrobe. 279 00:14:37,400 --> 00:14:39,360 Speaker 1: I was thinking about my friend Tiffany. Shout out to 280 00:14:39,360 --> 00:14:42,120 Speaker 1: tiff the stylist. You know, she'd been doing this for 281 00:14:42,240 --> 00:14:46,360 Speaker 1: years for all types of shows and films and projects, 282 00:14:46,400 --> 00:14:49,760 Speaker 1: and she she don't get that type of recognition, but 283 00:14:50,120 --> 00:14:51,960 Speaker 1: she'd be right next to the people making films. And 284 00:14:52,000 --> 00:14:54,080 Speaker 1: I was watching the woman who did win for wardrobe. 285 00:14:54,120 --> 00:14:55,280 Speaker 2: I think it was for Frankenstein. 286 00:14:55,480 --> 00:14:59,880 Speaker 3: Yeah, spectacular freaking stock wardrobe is spectacular. 287 00:15:00,600 --> 00:15:03,280 Speaker 1: Yeah, So for that, for her, or and for all 288 00:15:03,360 --> 00:15:06,880 Speaker 1: can you imagine my friend Tipity, for all of the many, 289 00:15:06,960 --> 00:15:09,760 Speaker 1: many women behind the scenes that have been working at 290 00:15:09,760 --> 00:15:14,440 Speaker 1: this ten twenty thirty years to finally be recognized as 291 00:15:14,960 --> 00:15:18,160 Speaker 1: it's pretty I mean all that cause for water works, 292 00:15:18,560 --> 00:15:21,040 Speaker 1: all that was very emotional yesterday. 293 00:15:22,360 --> 00:15:24,440 Speaker 4: I love to seeing you one. 294 00:15:24,640 --> 00:15:30,160 Speaker 3: I think an overall overall theme for it is like, well, yes, 295 00:15:30,240 --> 00:15:34,040 Speaker 3: of course that takes a village, but also doing things 296 00:15:34,080 --> 00:15:40,240 Speaker 3: without recognition, like still maintaining motiv motivation through throughout it, 297 00:15:40,280 --> 00:15:42,800 Speaker 3: without getting like you know, that pet on the back, 298 00:15:42,880 --> 00:15:46,560 Speaker 3: because there's even after an Oscar, after a work win, 299 00:15:46,640 --> 00:15:49,000 Speaker 3: those women are still going to go back and you know, 300 00:15:49,160 --> 00:15:53,200 Speaker 3: do the same great level of work. And some people 301 00:15:53,240 --> 00:15:55,440 Speaker 3: are there and they're never going to get it at all. 302 00:15:56,600 --> 00:16:00,240 Speaker 3: So the Oscars is a nice but it doesn't how. 303 00:16:00,160 --> 00:16:00,880 Speaker 2: Can it be honest? 304 00:16:01,520 --> 00:16:04,520 Speaker 1: Even the normally you watch the Oscars and you say, 305 00:16:04,520 --> 00:16:08,160 Speaker 1: the big celebrity wins the Best Actor, best Supporting Actor, 306 00:16:08,160 --> 00:16:11,440 Speaker 1: best whatever, and everybody's like, those are the moments. I 307 00:16:11,480 --> 00:16:13,360 Speaker 1: don't feel like those were the moments this year. I 308 00:16:13,360 --> 00:16:16,000 Speaker 1: feel like the moments were the people that were behind 309 00:16:16,040 --> 00:16:19,320 Speaker 1: the camera, the people that don't me were the moments 310 00:16:19,320 --> 00:16:21,960 Speaker 1: that I got most emotional when she went on of 311 00:16:22,040 --> 00:16:24,480 Speaker 1: who's been a cinematographer for I don't know how many 312 00:16:24,600 --> 00:16:26,640 Speaker 1: years makes the whole all the women in the room 313 00:16:26,760 --> 00:16:28,520 Speaker 1: stand up, or the woman like I said, who won 314 00:16:28,600 --> 00:16:34,040 Speaker 1: best wardrobe, or just any of those moments, like or 315 00:16:34,560 --> 00:16:36,440 Speaker 1: the agents. I feel like there was a moment with 316 00:16:37,360 --> 00:16:41,480 Speaker 1: agents and you know, just all the casting directors, yeah, 317 00:16:41,480 --> 00:16:44,400 Speaker 1: and the casting director who you know, people spend their 318 00:16:44,440 --> 00:16:48,880 Speaker 1: whole life hours loose, sleep, lovese like and built a craft, 319 00:16:49,360 --> 00:16:53,880 Speaker 1: a valuable craft that sits quietly kind of in the 320 00:16:53,880 --> 00:16:56,040 Speaker 1: shadows while these big productions are made and then the 321 00:16:56,080 --> 00:16:58,440 Speaker 1: actor goes and gets the spotlight and gets the awards, 322 00:16:58,480 --> 00:17:01,880 Speaker 1: But it's it's to people behind the scenes, it's the village. 323 00:17:01,920 --> 00:17:05,360 Speaker 1: And to me that those moments last night were the 324 00:17:05,400 --> 00:17:07,520 Speaker 1: most special moments at the Oscars. Those are the ones 325 00:17:07,560 --> 00:17:09,600 Speaker 1: that got me a little watery eye more than anything. 326 00:17:10,240 --> 00:17:13,840 Speaker 1: And then of course Maryana, it's amazingly I'll forever cry 327 00:17:13,880 --> 00:17:16,920 Speaker 1: for them. 328 00:17:17,040 --> 00:17:20,399 Speaker 2: But yeah, I hope we see more of that. I 329 00:17:20,400 --> 00:17:22,959 Speaker 2: think that was super dope, and the theme of it 330 00:17:23,000 --> 00:17:23,719 Speaker 2: takes a village. 331 00:17:23,720 --> 00:17:27,960 Speaker 3: But it's also like what God has for you, like 332 00:17:28,080 --> 00:17:33,080 Speaker 3: that timeline is way above you, like he's already whoever 333 00:17:33,400 --> 00:17:36,080 Speaker 3: up there, whatever you believe in, that already hasn't figured out. 334 00:17:36,280 --> 00:17:39,440 Speaker 3: Like you're taking a Tiana who has been working since 335 00:17:39,440 --> 00:17:40,800 Speaker 3: she was a teenager a baby. 336 00:17:40,800 --> 00:17:44,639 Speaker 4: She goes from music artist to quitting music to picking 337 00:17:44,720 --> 00:17:47,879 Speaker 4: up a camera herself and creative directing all. 338 00:17:47,760 --> 00:17:50,840 Speaker 3: The way to now and you know, now she's getting 339 00:17:51,200 --> 00:17:52,000 Speaker 3: that recognition. 340 00:17:52,520 --> 00:17:53,760 Speaker 4: And then even a Michael B. 341 00:17:53,880 --> 00:17:57,280 Speaker 3: Jordan, who started off when he was also a kid 342 00:17:57,400 --> 00:18:03,800 Speaker 3: from going from the Wire right said now he finally commercials. 343 00:18:03,920 --> 00:18:06,960 Speaker 1: And what they broke together as a team is even 344 00:18:07,080 --> 00:18:10,679 Speaker 1: that even the friendship of these two men at the 345 00:18:10,720 --> 00:18:15,399 Speaker 1: awards together, having that grand moment together after Fruitville Station, 346 00:18:15,560 --> 00:18:20,400 Speaker 1: after Creed, after Black Panther to be here during Sinners, 347 00:18:20,640 --> 00:18:24,400 Speaker 1: I mean, it's really like, come on, this is this is. 348 00:18:24,359 --> 00:18:25,800 Speaker 2: Pretty spectacular stuff. 349 00:18:26,520 --> 00:18:29,159 Speaker 1: And then and then for them to be real ones 350 00:18:29,880 --> 00:18:33,960 Speaker 1: let's be honest. You know what I'm saying, Like, no, seriously, 351 00:18:34,080 --> 00:18:37,800 Speaker 1: Like it's not a small thing. And I think for me, 352 00:18:38,480 --> 00:18:41,160 Speaker 1: that's half of the more than half of the joy. 353 00:18:41,280 --> 00:18:44,960 Speaker 1: Like it's said, that's a real one right there, man, 354 00:18:45,000 --> 00:18:48,399 Speaker 1: look at that. That to me is the most inspiring 355 00:18:48,480 --> 00:18:51,960 Speaker 1: part of it. Because there have been people successful in Hollywood. 356 00:18:52,000 --> 00:18:55,520 Speaker 1: There have been people who have broke boundaries and knocked 357 00:18:55,520 --> 00:18:58,760 Speaker 1: doors down, and that's cool, but like to be. 358 00:18:58,760 --> 00:19:02,159 Speaker 2: A real one and do it, to me, it is 359 00:19:02,200 --> 00:19:04,960 Speaker 2: a different level of success. 360 00:19:05,640 --> 00:19:08,080 Speaker 1: To maintain who you are, where you're from, the people 361 00:19:08,119 --> 00:19:12,640 Speaker 1: you came up with, your beliefs, your your vision, your art, 362 00:19:12,720 --> 00:19:16,040 Speaker 1: your storytelling is so pure and honest, and then you 363 00:19:16,160 --> 00:19:19,600 Speaker 1: do it that way under those circumstances. That to me 364 00:19:19,760 --> 00:19:25,159 Speaker 1: is like, that's the most inspiring it could get. And 365 00:19:25,240 --> 00:19:28,240 Speaker 1: so when Ryan Coogler is concerned, that's how that's that's 366 00:19:28,280 --> 00:19:28,720 Speaker 1: what I feel. 367 00:19:28,720 --> 00:19:32,040 Speaker 2: What happened. And Mike two and Mike two he's. 368 00:19:31,840 --> 00:19:35,359 Speaker 3: So real that he won't even be on the voting 369 00:19:35,400 --> 00:19:38,560 Speaker 3: committee committee for the Oscars because he's like, Nah, I 370 00:19:38,560 --> 00:19:39,000 Speaker 3: don't want to. 371 00:19:39,119 --> 00:19:42,840 Speaker 4: I would feel bad judging my my peers art. 372 00:19:43,119 --> 00:19:44,760 Speaker 1: No, he didn't trying to tell you he is a 373 00:19:44,800 --> 00:19:46,639 Speaker 1: real one. We are going to start with Ryan Coogler 374 00:19:46,680 --> 00:19:49,639 Speaker 1: fan Club here at the Marking and Viral podcast. And 375 00:19:49,680 --> 00:19:52,000 Speaker 1: by the way, guys, if you have not watched this episode, 376 00:19:52,080 --> 00:19:54,200 Speaker 1: please go back. It was before Sinners? 377 00:19:54,320 --> 00:19:55,240 Speaker 2: Was it right before Centers? 378 00:19:55,280 --> 00:19:55,399 Speaker 1: Why? 379 00:19:55,680 --> 00:19:56,800 Speaker 4: It was way before Centers. 380 00:19:56,840 --> 00:19:59,240 Speaker 1: Actually he was working on Sinners, right, he was like 381 00:19:59,280 --> 00:20:02,800 Speaker 1: working on it, right, but oh yeah, he was doing 382 00:20:02,800 --> 00:20:04,280 Speaker 1: the project with. 383 00:20:05,640 --> 00:20:08,640 Speaker 2: The basketball project. 384 00:20:10,760 --> 00:20:13,240 Speaker 1: But it's just it's an insight into him as a 385 00:20:13,320 --> 00:20:17,640 Speaker 1: human like and as a creative And I really love 386 00:20:17,680 --> 00:20:20,359 Speaker 1: that episode. And now, granted we could be biased because 387 00:20:20,359 --> 00:20:23,240 Speaker 1: we are, like I said, we we do fancy film 388 00:20:23,320 --> 00:20:26,240 Speaker 1: and we aspire to be filmmakers and we're in that 389 00:20:26,440 --> 00:20:29,840 Speaker 1: creative learning space right now, and so maybe we're a 390 00:20:29,880 --> 00:20:31,800 Speaker 1: little biased, but I just think there's so much to 391 00:20:31,880 --> 00:20:36,160 Speaker 1: learn about that the way he navigates through his world, 392 00:20:36,440 --> 00:20:38,520 Speaker 1: and and he's just super dope and like I said, 393 00:20:38,600 --> 00:20:41,880 Speaker 1: a real one. So definitely worth an episode worth watching 394 00:20:41,920 --> 00:20:44,360 Speaker 1: if you haven't caught it yet. Also, I highly recommend 395 00:20:44,359 --> 00:20:47,320 Speaker 1: one of Britney's favorite episodes ever on ir OL podcasts, 396 00:20:48,400 --> 00:20:49,199 Speaker 1: Seanna Taylor. 397 00:20:50,160 --> 00:20:53,080 Speaker 2: Right, I want to miss speak because your favorite ones. 398 00:20:53,160 --> 00:20:54,240 Speaker 2: It's definitely one of mine too. 399 00:20:54,800 --> 00:20:57,480 Speaker 1: Whenever everybody asks, you always refer to that one. 400 00:20:57,400 --> 00:21:00,919 Speaker 3: Yeah, because I always appreciate, Like, if you want a 401 00:21:00,960 --> 00:21:03,560 Speaker 3: glimpse of it, just watch the trailer on the on 402 00:21:03,600 --> 00:21:06,560 Speaker 3: the Angie Martinez I R L page because you can. 403 00:21:06,440 --> 00:21:08,240 Speaker 1: Go out with the girl. Let's go out with both 404 00:21:08,280 --> 00:21:13,719 Speaker 1: their trailers of this episode. No, seriously, it's like we 405 00:21:13,760 --> 00:21:16,040 Speaker 1: take time on those trailers for the pod. We like 406 00:21:16,880 --> 00:21:18,800 Speaker 1: after the episode, I'm like, what do we learn from them? 407 00:21:18,800 --> 00:21:20,359 Speaker 1: What did we talk about? And then we make a 408 00:21:20,400 --> 00:21:22,959 Speaker 1: trailer based on that, and so it's the it's the 409 00:21:23,000 --> 00:21:24,840 Speaker 1: what we think is in the episode, and it's just 410 00:21:24,880 --> 00:21:28,160 Speaker 1: a sample. It's the tiniest little sample ever. But I'll 411 00:21:28,160 --> 00:21:29,399 Speaker 1: give you both of those on the end of this 412 00:21:29,480 --> 00:21:30,880 Speaker 1: so you can do it, so you can check those 413 00:21:30,920 --> 00:21:33,760 Speaker 1: episodes out anyway. There's also a new episode random not 414 00:21:33,880 --> 00:21:38,919 Speaker 1: Oscars related. Well, June Ambrose was at the Oscar party 415 00:21:38,920 --> 00:21:42,399 Speaker 1: looking fabulous. The June Amberls are our past episode and 416 00:21:42,440 --> 00:21:45,280 Speaker 1: there's some beautiful stories from June to about learning to 417 00:21:45,320 --> 00:21:48,560 Speaker 1: deal with grief after losing her mom. She she shares 418 00:21:48,600 --> 00:21:50,480 Speaker 1: the story about j and B and we don't really 419 00:21:50,480 --> 00:21:52,280 Speaker 1: get to hear a lot of intimate stories about J 420 00:21:52,440 --> 00:21:54,280 Speaker 1: and B and the way she the way she shared 421 00:21:54,320 --> 00:21:59,280 Speaker 1: it that I thought was it's pretty great. Anyway, another 422 00:21:59,280 --> 00:22:00,440 Speaker 1: episode can get a check out. 423 00:22:00,440 --> 00:22:01,440 Speaker 2: That's your drop, all. 424 00:22:01,400 --> 00:22:03,080 Speaker 1: Right, So let's promise. I'm gonna leave you with these 425 00:22:03,080 --> 00:22:05,600 Speaker 1: two trailers, two episodes that you could check out as 426 00:22:05,600 --> 00:22:08,199 Speaker 1: it lates to the Oscars, But feel free to check 427 00:22:08,200 --> 00:22:10,800 Speaker 1: out whatever episode you like. Just make sure you subscribe 428 00:22:10,840 --> 00:22:12,200 Speaker 1: and tell a friend, and I'll be back on to 429 00:22:12,520 --> 00:22:13,240 Speaker 1: Wednesday with. 430 00:22:13,240 --> 00:22:14,040 Speaker 2: A new episode. 431 00:22:14,640 --> 00:22:16,920 Speaker 1: So hopefully you'll check that out. Thank you boost Mobile, 432 00:22:17,440 --> 00:22:21,440 Speaker 1: thank you Bret, and we'll catch your soup. 433 00:22:23,400 --> 00:22:26,399 Speaker 2: It feels like a real moment, doesn't feel like that? 434 00:22:26,640 --> 00:22:29,480 Speaker 8: Yeah, it definitely feel like the moment. 435 00:22:31,920 --> 00:22:35,200 Speaker 1: You joke Academy Award winning to Yanna Tailor. 436 00:22:39,560 --> 00:22:43,480 Speaker 8: Because being strong woman is not by choice, you know 437 00:22:43,520 --> 00:22:45,560 Speaker 8: what I'm saying. So it's just like to go to 438 00:22:45,600 --> 00:22:47,119 Speaker 8: set twelve hobbles a day and be able to just 439 00:22:47,160 --> 00:22:49,480 Speaker 8: like pour out and cry out loud every single moost 440 00:22:49,520 --> 00:22:51,040 Speaker 8: you've seen in the movie What's Real? 441 00:22:51,200 --> 00:22:51,760 Speaker 2: What's on your mind? 442 00:22:51,800 --> 00:22:53,000 Speaker 1: Feel like something's on your mine right now? 443 00:22:53,800 --> 00:22:57,000 Speaker 2: Okay, yep, you just went somewhere. O don't know. It's 444 00:22:57,000 --> 00:22:57,880 Speaker 2: a weird thing that's what I'm saying. 445 00:22:57,880 --> 00:22:59,320 Speaker 8: I feel like we're talking about a lot of shit 446 00:22:59,400 --> 00:23:03,320 Speaker 8: that I never really talk about, you know, being on 447 00:23:03,400 --> 00:23:06,800 Speaker 8: the front end of things from fifteen, nobody ever really 448 00:23:06,840 --> 00:23:10,600 Speaker 8: got to see my struggle. This is Tianna Taylor in 449 00:23:10,680 --> 00:23:11,320 Speaker 8: real life. 450 00:23:12,880 --> 00:23:15,640 Speaker 5: I'll just be trying to survive, man and be able 451 00:23:15,680 --> 00:23:20,280 Speaker 5: to sleep at night. I grew up loving movies, not 452 00:23:20,359 --> 00:23:23,399 Speaker 5: knowing that I would eventually like discover a passion for 453 00:23:23,480 --> 00:23:27,000 Speaker 5: making them. You know what I'm saying. He was so 454 00:23:27,200 --> 00:23:30,679 Speaker 5: intention like, so present, you know what I'm saying, And 455 00:23:30,680 --> 00:23:32,320 Speaker 5: I don't know if that was just who he was 456 00:23:33,160 --> 00:23:34,159 Speaker 5: or what he was dealing with. 457 00:23:34,320 --> 00:23:36,320 Speaker 2: Hollywood is not competitive, No, it's. 458 00:23:36,200 --> 00:23:39,879 Speaker 5: A lot really yeah, just power and finding out what 459 00:23:39,960 --> 00:23:42,359 Speaker 5: you love. Like I found what I loved in a 460 00:23:42,440 --> 00:23:45,439 Speaker 5: roundabout way. I thank god I was like open to it. 461 00:23:54,800 --> 00:23:58,440 Speaker 1: Hey, guys, thanks for watching. Make sure you subscribe, like comments, 462 00:23:58,560 --> 00:24:00,359 Speaker 1: and check out all of the other episod foldes we 463 00:24:00,440 --> 00:24:02,440 Speaker 1: have on Edge. Martinez I R Podcast