WEBVTT - Kelly AuCoin

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<v Speaker 1>Reddit had an entire thread after my first appearance about

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<v Speaker 1>whether or not I was a pedophile because of the wig,

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<v Speaker 1>literally because of the wig.

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<v Speaker 2>Oh you think it was about the wig.

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<v Speaker 1>I I'm Kelly o'coin, I'm bald, and I love whiskey.

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<v Speaker 2>Give me too, Kelly, me too. Hello everybody, and welcome

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<v Speaker 2>to my podcast Off the Beat, or if you've been

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<v Speaker 2>here before, welcome back to Off the Beat. I am

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<v Speaker 2>your host, Brian Baumgartner. Today I am talking to one

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<v Speaker 2>of the worst, most despicable people in the entire world,

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<v Speaker 2>or at least that's who he plays on TV. I

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<v Speaker 2>have Kecoin, who is dollar Bill Stern from the show Billions.

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<v Speaker 2>Unfortunately for us all I know you're going to be

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<v Speaker 2>disappointed to learn this. In real life, he's a very

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<v Speaker 2>nice man. He is not calculated and cheap and cutthroat

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<v Speaker 2>as is his character. He is, in fact, unfortunately lovely.

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<v Speaker 2>A lot of his non Billions characters are decent people too.

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<v Speaker 2>He was the charitable pastor Tim in The Americans, the

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<v Speaker 2>diligent detective Scott Gordon in The Girl from Plainville Scott

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<v Speaker 2>Galloway and We Crashed and coming up next month, LA

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<v Speaker 2>Clippers president Andy Roser in the new series clipped on

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<v Speaker 2>Hulu see nice guys don't always finish Last. Kelly is

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<v Speaker 2>doing just fine. We're going to get into his childhood.

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<v Speaker 2>Kelly was the son of a congressman. We're going to

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<v Speaker 2>figure out if we ever crossed paths on the region,

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<v Speaker 2>theater circuit, and much much more. Here he is. Dare

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<v Speaker 2>I say my new friend, Kelly o'coin.

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<v Speaker 1>Bubble and squeak, I love it, Bubble and squeak on,

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<v Speaker 1>Bubble and squeak, I.

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<v Speaker 3>Cook get every mole lift over from the ninety before.

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<v Speaker 2>What's up, Kelly? Hey, how are you? I'm good? How

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<v Speaker 2>are you?

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<v Speaker 1>I'm good? Thank you for having me on. This is

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<v Speaker 1>so fun.

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<v Speaker 2>Thank you for joining me. I want to start this

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<v Speaker 2>off by just saying, you know, I have a I

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<v Speaker 2>have an extensive crack research team here that that does

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<v Speaker 2>a lot of the heavy lifting for me. However, I

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<v Speaker 2>like to look around on my own as well, and

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<v Speaker 2>I found your usite and the thing that I assume

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<v Speaker 2>you wrote yourself, which I found just delightful.

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<v Speaker 1>Which part the about me.

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<v Speaker 2>Did you not write? Yes, the about me you wrote it?

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<v Speaker 2>I could, I did? You can't think that? Now?

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<v Speaker 1>That was one of those things when you know you're

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<v Speaker 1>between gigs and or as others like to say, unemployed,

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<v Speaker 1>and to fill the void, you start writing stuff and

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<v Speaker 1>it feels like creativity. It may or may not be.

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<v Speaker 2>But as your eighties it is. I think I thought

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<v Speaker 2>it was. I thought it was great, and weirdly, I

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<v Speaker 2>feel like I learned more about you by reading it,

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<v Speaker 2>which I guess is really the point. And what I

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<v Speaker 2>what I mean by that is which is it's interesting

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<v Speaker 2>because it's kind of what I'm trying to do here anyway.

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<v Speaker 2>But you've sort of done it yourself, which is you

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<v Speaker 2>can say these things about yourself for your wife or

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<v Speaker 2>the work that you've done, or theater or in your

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<v Speaker 2>case hair, and you, you know, you learn those factual things.

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<v Speaker 2>But in terms of reading your tone, I feel like

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<v Speaker 2>I picked up on your sense of humor and your

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<v Speaker 2>sort of perspective and maybe just a few hints about

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<v Speaker 2>your beliefs about the world. Anyway, I thought it was

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<v Speaker 2>very well done. Oh thanks, well, yeah, and really like

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<v Speaker 2>how it should be as opposed to like trying to

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<v Speaker 2>turn yourself into this I don't know, weird third person,

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<v Speaker 2>which I feel like I do too much. It's like

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<v Speaker 2>you know he you know, did blah blah blah blah blah,

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<v Speaker 2>and you're like, I'm speaking about myself and the third person,

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<v Speaker 2>which is very odd. Anyway, it was very personal, so

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<v Speaker 2>I wanted you to know that I appreciated it.

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<v Speaker 1>There is always this tension when you're in a play,

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<v Speaker 1>in particular where you have to write a bio and yes,

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<v Speaker 1>either either you it's it's kind of sucks both ways.

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<v Speaker 1>Either you get like, okay, in forty words, explain your

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<v Speaker 1>career in life, or they give you too much time,

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<v Speaker 1>so but then you start doing what you said. It's

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<v Speaker 1>like Kelly o'coin was very active in the theater arts

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<v Speaker 1>from a young age, and I was like, I just

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<v Speaker 1>I'm Kelly. Why am I am? I?

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<v Speaker 2>I know, but it's it's interesting. I had never actually

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<v Speaker 2>had this conversation with anyone before because I guess because

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<v Speaker 2>you did yours so well. The bio is a very

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<v Speaker 2>odd thing to either write or have written for you.

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<v Speaker 2>I'll actually tell I'll actually tell. I got this I've

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<v Speaker 2>not talked about and I apologize if anyone who was

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<v Speaker 2>involved is listening, but I recently did a fundraiser for

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<v Speaker 2>a local thing. Just said yes and I did a

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<v Speaker 2>fund fundraiser and I got asked the question will you

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<v Speaker 2>say to bio so we can introduce you, which, of

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<v Speaker 2>course I'm like, this is not there's no professional benefit

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<v Speaker 2>for this bot. There's nothing, there's nothing that this will

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<v Speaker 2>achieve for me. So of course, what did I do? Nothing?

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<v Speaker 2>And I didn't do it, and I didn't do it,

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<v Speaker 2>and then like a certain number of days went by

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<v Speaker 2>and I got an email it said, hey, so I

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<v Speaker 2>know we haven't gotten a bio from you yet. So

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<v Speaker 2>I went to chat GBT and chat Chet wrote this

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<v Speaker 2>bio of you, which you know, for me and yours

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<v Speaker 2>would be the opposite, by the way, yours would be

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<v Speaker 2>like he's an asshole and blah blah blah. Mine was

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<v Speaker 2>like he's the lovable, whimsical blah blah blah from you know,

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<v Speaker 2>he's known for playing golf and liking sports, you know,

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<v Speaker 2>like it's like and I was like immediately like no, no, no, no, no,

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<v Speaker 2>we could do better than that. Please.

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<v Speaker 1>So that was not read in front of the crowd.

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<v Speaker 2>No, I got sent it and then yeah, I have.

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<v Speaker 1>Had a couple of circumstances where because there are bios

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<v Speaker 1>that are written to be read yes, not out loud,

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<v Speaker 1>paper correct. And there's a way you phrase things that

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<v Speaker 1>you know. There's a way you phray things. Phrasings also

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<v Speaker 1>for bios that are written to be spoken. And I

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<v Speaker 1>have more than once been at a place where I'm

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<v Speaker 1>at an event where I'm introduced, not knowing they were

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<v Speaker 1>going to read a bio and never asked me for

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<v Speaker 1>a bio, but just read like the longest version of

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<v Speaker 1>the longest bio I've ever written that they somehow found.

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<v Speaker 1>And so they start and five minutes later they're finishing

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<v Speaker 1>with this stuff like and he brilliantly portrayed, and blah blah.

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<v Speaker 1>I I don't even know who wrote that thing. And

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<v Speaker 1>then I have to get up and be brilliant.

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<v Speaker 2>I know that is so true, because I do the

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<v Speaker 2>college thing, and I'm because I can hear it. Of course,

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<v Speaker 2>I'm like ding back, and my leg starts twitching and like,

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<v Speaker 2>come on, no, no, no, just move skip to the end,

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<v Speaker 2>skip stop, stop, skip.

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<v Speaker 1>To the end, fast forward, fast forward.

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<v Speaker 2>He then wrote a cookbook. Oh no, stop, please, I

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<v Speaker 2>don't need no, we're not studied.

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<v Speaker 1>Another language and maybe traveled more.

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<v Speaker 2>Oh boy, well there you go. There's a first for you.

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<v Speaker 2>Ladies and gents, the bio talk. It's not as easy

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<v Speaker 2>as it looks. And that's the final thing I'll say

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<v Speaker 2>is that is the other thing which should be mentioned,

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<v Speaker 2>because exactly what you said, a bio must be structured

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<v Speaker 2>for the event. If it's a lifetime achievement award, go

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<v Speaker 2>on for ten twelve minutes, sure, why not? But the

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<v Speaker 2>the like just the random email or text, Hey can

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<v Speaker 2>you send me a bio? It's like, no, all bios

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<v Speaker 2>are not meant exactly what he said. So that's work,

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<v Speaker 2>and you have to think about how is this going

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<v Speaker 2>to feel if this is said out loud?

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<v Speaker 1>What's the event? How many people? What's the venue?

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<v Speaker 2>Yeah? Exactly, exactly? All right, Well, speaking of bios, I

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<v Speaker 2>don't know. I couldn't come up with a transition at all.

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<v Speaker 2>Let's talk about you. Oh, you grew up in Oregon

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<v Speaker 2>and your dad. I think this is another first for

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<v Speaker 2>the podcast. And by the way, we haven't talked to

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<v Speaker 2>just four people. We got two firsts right off the bat.

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<v Speaker 2>Your dad was a politician, first the Oregon House of

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<v Speaker 2>Representatives and then a US congressman in Oregon's first district.

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<v Speaker 2>So how for you? First of all, one fascinating. How

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<v Speaker 2>old were you when this was going on. I mean

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<v Speaker 2>he was in politics your entire life or did he,

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<v Speaker 2>you know, transition into that.

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<v Speaker 1>I was three maybe not getting the months right. I

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<v Speaker 1>was three when he was first elected to the state legislature.

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<v Speaker 1>And he was there for two terms, so four years.

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<v Speaker 1>He was the I can brag on my dad all

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<v Speaker 1>day long. So just like pulled up a finger or

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<v Speaker 1>like slashed the throat if you want to stop. But

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<v Speaker 1>his second term, he was the House majority leader, the

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<v Speaker 1>youngest House majority leader ever. And then he ran for

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<v Speaker 1>US Congress and was the first Democrat ever elected to

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<v Speaker 1>the first district, which is like half of Portland to

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<v Speaker 1>the coast and the Washington border down to like Corvallis,

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<v Speaker 1>which is where the status and everyone on the podcast

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<v Speaker 1>is like, well, thank god he got the geography in there.

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<v Speaker 1>And he was in the US House. We moved to

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<v Speaker 1>d C. He was in the US House for eighteen years,

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<v Speaker 1>nine terms. Yeah.

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<v Speaker 2>Wow, So you were at that So at that point,

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<v Speaker 2>you weren't going back and forth. You were you were

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<v Speaker 2>like you went to school in DC, you were you

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<v Speaker 2>were a DC guy.

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<v Speaker 1>It was a little back and forth. We did the

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<v Speaker 1>rest of grade school, second second half of second grade

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<v Speaker 1>through fifth grade in d C, and sixth and seventh grade,

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<v Speaker 1>junior high back in Oregon in the central Oregon area,

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<v Speaker 1>and then high school back in d C, and then

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<v Speaker 1>college in Ohio. I went to Oberlin, so I said,

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<v Speaker 1>split the difference Midwest.

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<v Speaker 2>Wow, So how was that for you one as a kid?

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<v Speaker 2>I mean, you're you're quite young when he ends up

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<v Speaker 2>getting elected and going to d C. So you know,

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<v Speaker 2>obviously you have friends, but you're leaving. Like for you culturally,

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<v Speaker 2>is there a big change for you in terms of

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<v Speaker 2>the environment moving from Oregon to d C.

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<v Speaker 1>Yeah, definitely. This was a small town Forest Grove, Oregon,

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<v Speaker 1>and it was as small as that sounds. Okay, great

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<v Speaker 1>little town, but small. And then to d C in

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<v Speaker 1>the mid seventies, and you know, East coast cities were

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<v Speaker 1>going through a lot of difficulties in this evanies and

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<v Speaker 1>d C was no different. But it was Yeah, it

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<v Speaker 1>was bigger and it was louder. I think for me,

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<v Speaker 1>I'm I'm an extrovert and it was kind of exciting

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<v Speaker 1>to meet new people. My sister and I actually entered

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<v Speaker 1>at the beginning of natural transitions.

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<v Speaker 3>Like sixth grade or yeah.

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<v Speaker 1>Like sixth grade and junior high, so a bunch of

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<v Speaker 1>new kids were coming to a new place and same

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<v Speaker 1>thing with high school. My sister had it slightly different,

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<v Speaker 1>so it was a little bit harder for her, I think,

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<v Speaker 1>but you know, I I loved it. I had a

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<v Speaker 1>fun time in d C. We lived near Rock Creek Park,

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<v Speaker 1>and if anyone knows d C, it's like this huge,

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<v Speaker 1>sprawling wilderness area. So we got a little bit of

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<v Speaker 1>Oregon there kind of. And in retrospect, I think it's

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<v Speaker 1>great because I feel I feel comfortable in small towns.

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<v Speaker 1>I feel comfortable in the mountains where my family's actually from,

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<v Speaker 1>and I feel comfortable in big cities. They all have

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<v Speaker 1>different joys, discover, so I thank my parents for that.

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<v Speaker 2>Actually, do you feel like you are especially patriotic or

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<v Speaker 2>like have a special affinity for your hometown or for

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<v Speaker 2>the state of Oregon given that your dad went through this,

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<v Speaker 2>or do you feel and that you went through this,

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<v Speaker 2>or do you feel like from the inside there and this,

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<v Speaker 2>that's a long time that he was in office and

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<v Speaker 2>so you saw a lot of things. Do you feel

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<v Speaker 2>more skeptical of government having seen it from that side?

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<v Speaker 1>I'll work my way up to that answer. The first one,

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<v Speaker 1>I do have a special I always have a soft

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<v Speaker 1>spot for Oregon. The one sports team I am fanatical

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<v Speaker 1>about is the Portland Trail Blazers.

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<v Speaker 2>Yes, I've heard, Yes.

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<v Speaker 1>You know, they won their they won their only championship

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<v Speaker 1>a year after we moved to d C. Okay, you know,

0:13:59.400 --> 0:14:01.679
<v Speaker 1>so that was special. It's like a little bit of

0:14:01.720 --> 0:14:05.400
<v Speaker 1>Oregon saying it's gonna be okay, kid. And then I

0:14:05.400 --> 0:14:06.920
<v Speaker 1>don't remember if I wrote this in the bio. I

0:14:06.920 --> 0:14:09.240
<v Speaker 1>hope not, because I'll be repeating myself. But then the

0:14:09.280 --> 0:14:12.360
<v Speaker 1>next year, the Washington Bullets won the championship, and so

0:14:12.559 --> 0:14:15.880
<v Speaker 1>my two to my og team and my adopted second

0:14:15.880 --> 0:14:18.559
<v Speaker 1>favorite team win championships back to back. And as a

0:14:18.600 --> 0:14:20.200
<v Speaker 1>ten year old, I'm like, oh, this is this is

0:14:20.320 --> 0:14:22.840
<v Speaker 1>fucking great. So this is how it works. You you

0:14:22.840 --> 0:14:25.880
<v Speaker 1>you like teams and they win championships, this is going

0:14:25.960 --> 0:14:28.400
<v Speaker 1>to be great. And neither of them have won.

0:14:28.480 --> 0:14:31.720
<v Speaker 2>Sense I knew. I knew where the punchline was going.

0:14:31.880 --> 0:14:35.920
<v Speaker 2>Yeah you know those teams? Yeah yeah, So.

0:14:35.880 --> 0:14:40.400
<v Speaker 1>I love I love DC, I love Oregon, I love Portland.

0:14:40.520 --> 0:14:43.640
<v Speaker 1>I you know, I hurt for it because it's going

0:14:43.640 --> 0:14:45.440
<v Speaker 1>through some transitions just to like a lot of West

0:14:45.480 --> 0:14:50.000
<v Speaker 1>Coast cities right now. In terms of government, I so

0:14:50.720 --> 0:14:54.920
<v Speaker 1>it's not an either or. I am deeply patriotic and

0:14:55.000 --> 0:14:57.320
<v Speaker 1>I am deeply pissed off of my country a lot.

0:14:57.920 --> 0:15:00.880
<v Speaker 1>And I think where people get into trouble is assuming

0:15:00.920 --> 0:15:09.120
<v Speaker 1>that patriotism means blind blind acceptance. I feel I am

0:15:09.160 --> 0:15:11.720
<v Speaker 1>so deeply patriotic that I can criticize the hell out

0:15:11.720 --> 0:15:13.520
<v Speaker 1>of my country when I think it's doing wrong it

0:15:13.520 --> 0:15:14.160
<v Speaker 1>can do better.

0:15:14.920 --> 0:15:19.680
<v Speaker 3>You believe that your dad did it for all the

0:15:19.760 --> 0:15:23.760
<v Speaker 3>right reasons because you wanted to help him, to serve I.

0:15:23.880 --> 0:15:24.360
<v Speaker 2>Do to hear.

0:15:26.000 --> 0:15:34.040
<v Speaker 1>Yeah, there were there were. Honestly, the phrase fight the

0:15:34.080 --> 0:15:37.560
<v Speaker 1>good fight was constantly used, and people use that as

0:15:37.560 --> 0:15:40.560
<v Speaker 1>a joke or ironically, it was constantly used in my

0:15:41.360 --> 0:15:45.640
<v Speaker 1>family by my mom and by my dad, because that's

0:15:45.680 --> 0:15:47.320
<v Speaker 1>how they were raised and that's how they wanted to

0:15:47.360 --> 0:15:51.480
<v Speaker 1>raise us. You can the only way you can make changes,

0:15:51.520 --> 0:15:53.840
<v Speaker 1>to be involved. The only way you can ensure that

0:15:53.960 --> 0:15:56.080
<v Speaker 1>change will not happen is to drop out.

0:15:56.840 --> 0:16:02.640
<v Speaker 2>So that's actually that's true, not just in government, but

0:16:02.720 --> 0:16:10.600
<v Speaker 2>in life and work, just totally. Your first role, I

0:16:10.640 --> 0:16:14.800
<v Speaker 2>have been told, was a campaign commercial for your dad.

0:16:15.680 --> 0:16:18.960
<v Speaker 2>Did you have an affinity for or an interest in

0:16:19.040 --> 0:16:23.200
<v Speaker 2>acting prior to that that you did? Okay?

0:16:23.360 --> 0:16:25.360
<v Speaker 1>I did? Yeah, I think I knew I wanted to

0:16:25.360 --> 0:16:29.000
<v Speaker 1>be an actor since like second grade. Okay, certainly like

0:16:29.120 --> 0:16:34.120
<v Speaker 1>fifth grade. But but that was my first screen job,

0:16:35.160 --> 0:16:36.480
<v Speaker 1>that thirty second commercial.

0:16:36.840 --> 0:16:40.400
<v Speaker 2>Yes, do you feel like And I don't mean this

0:16:40.640 --> 0:16:43.320
<v Speaker 2>in a truly in a negative way at all. Most

0:16:43.360 --> 0:16:45.120
<v Speaker 2>of the time when people say that, they actually do,

0:16:45.440 --> 0:16:48.040
<v Speaker 2>but I actually I really don't. But there is an

0:16:48.120 --> 0:16:52.200
<v Speaker 2>element of performance, whether you're whether you're fighting for what

0:16:52.280 --> 0:16:55.760
<v Speaker 2>you believe in or not, there is an element of performance.

0:16:55.800 --> 0:17:01.000
<v Speaker 2>There is public speaking, there is behaving differently around different people,

0:17:01.000 --> 0:17:04.600
<v Speaker 2>whether they're electorate or you know, people you work with,

0:17:04.680 --> 0:17:09.280
<v Speaker 2>other representatives, whatever. Did you watch that play out at all?

0:17:09.320 --> 0:17:12.359
<v Speaker 2>And I, and I ask more because you know, for

0:17:12.440 --> 0:17:15.399
<v Speaker 2>me as someone who I know you were interested in

0:17:15.600 --> 0:17:18.200
<v Speaker 2>acting and the arts. Is this something that you watched?

0:17:18.200 --> 0:17:20.840
<v Speaker 2>Did you watch this play out? Were you conscious of

0:17:20.880 --> 0:17:22.639
<v Speaker 2>it or do you think you just absorbed it?

0:17:23.320 --> 0:17:26.200
<v Speaker 1>I was definitely conscious of it. That's a great question.

0:17:26.400 --> 0:17:31.720
<v Speaker 1>I my dad has always said that he wasn't. His

0:17:32.119 --> 0:17:37.439
<v Speaker 1>natural habitat was not in front of a crowd, so

0:17:37.520 --> 0:17:40.960
<v Speaker 1>he definitely there was you know, the mind was you know,

0:17:41.000 --> 0:17:42.800
<v Speaker 1>I as soon as I got in front of a crowd,

0:17:42.800 --> 0:17:47.359
<v Speaker 1>I was like, hey, this is awesome. But so yeah,

0:17:47.400 --> 0:17:49.960
<v Speaker 1>I saw him and everybody does it. Even if you

0:17:50.000 --> 0:17:53.560
<v Speaker 1>are comfortable, there's a different way you have to present ideas,

0:17:54.000 --> 0:17:57.440
<v Speaker 1>your parent ideas when you are having a conversation versus

0:17:57.880 --> 0:18:01.040
<v Speaker 1>you are speaking to a crowd of five, ten, fifteen,

0:18:01.200 --> 0:18:04.520
<v Speaker 1>one thousand, whatever it is, And that's just common sense,

0:18:05.200 --> 0:18:09.719
<v Speaker 1>and that means you perform differently. Yeah, I think I

0:18:09.840 --> 0:18:11.560
<v Speaker 1>like the way you phrased it at the beginning, by

0:18:11.560 --> 0:18:13.239
<v Speaker 1>the way you asked the question you said. I'm not

0:18:13.320 --> 0:18:16.120
<v Speaker 1>necessarily saying this is a bad thing, because I do

0:18:16.200 --> 0:18:22.359
<v Speaker 1>think when people are speaking of politicians performing or speechifying,

0:18:22.440 --> 0:18:25.480
<v Speaker 1>and it's like, well, yeah, because it's a speech, you know,

0:18:26.119 --> 0:18:29.040
<v Speaker 1>it's yeah, we're not just sitting here having a beer together.

0:18:29.119 --> 0:18:30.160
<v Speaker 1>There's there is.

0:18:30.200 --> 0:18:32.320
<v Speaker 2>This is not how you would behave if you were

0:18:32.359 --> 0:18:34.920
<v Speaker 2>sitting with your brother in a local pub.

0:18:35.080 --> 0:18:37.639
<v Speaker 1>Yes, if you and I were having a beer and

0:18:37.640 --> 0:18:40.040
<v Speaker 1>all of a sudden I pulled out a lectern, you'd

0:18:40.080 --> 0:18:41.120
<v Speaker 1>think I was a little odd.

0:18:43.000 --> 0:18:44.879
<v Speaker 2>Can we get that tell? Can we get that teleprompter?

0:18:45.000 --> 0:18:45.959
<v Speaker 2>On please thank you.

0:18:46.680 --> 0:18:51.080
<v Speaker 1>That's right, And so yeah, I would see him and

0:18:51.160 --> 0:18:55.960
<v Speaker 1>other other politicians get up and go into a different state.

0:18:57.160 --> 0:18:59.879
<v Speaker 1>That was an ironically, that is a way to a

0:19:00.240 --> 0:19:04.720
<v Speaker 1>to achieve a certain a more honest truth. Given the

0:19:04.840 --> 0:19:08.520
<v Speaker 1>medium or given the position you're in speaking to a press,

0:19:08.760 --> 0:19:11.639
<v Speaker 1>you're not going to impart the information if you just

0:19:11.720 --> 0:19:14.399
<v Speaker 1>sort of casually, you know, if you haven't written anything,

0:19:14.480 --> 0:19:17.399
<v Speaker 1>you speak top of your head. I mean some people,

0:19:17.680 --> 0:19:20.160
<v Speaker 1>some current politicians, like to do that. I would argue

0:19:20.200 --> 0:19:25.719
<v Speaker 1>they're not getting any points across. They're just there's just

0:19:25.720 --> 0:19:28.560
<v Speaker 1>some personality thing happening. But let's not go there.

0:19:28.840 --> 0:19:30.159
<v Speaker 2>Yeah.

0:19:30.880 --> 0:19:33.040
<v Speaker 1>So yes, there is a performative thing. And that was

0:19:33.080 --> 0:19:36.200
<v Speaker 1>one that I always say. My mom used to sing,

0:19:38.160 --> 0:19:40.639
<v Speaker 1>not hugely professionally, but she'd sing. I'd see her in

0:19:40.680 --> 0:19:43.080
<v Speaker 1>front of groups every once in a while singing. And

0:19:43.160 --> 0:19:47.399
<v Speaker 1>my dad was in front of crowds, parting ideas, working

0:19:47.440 --> 0:19:49.280
<v Speaker 1>with scripts, which is what speeches are.

0:19:49.480 --> 0:19:54.000
<v Speaker 2>Right, this is occurring to me right now. You said

0:19:54.040 --> 0:19:57.280
<v Speaker 2>your dad wasn't necessarily gifted or the most comfortable in

0:19:57.280 --> 0:20:00.159
<v Speaker 2>front of people. Who was the best that you you

0:20:00.200 --> 0:20:01.280
<v Speaker 2>remember seeing?

0:20:02.160 --> 0:20:04.480
<v Speaker 1>Well, he was very good. My dad was very good.

0:20:04.720 --> 0:20:07.560
<v Speaker 1>Just it was something where it was I think it

0:20:07.600 --> 0:20:10.520
<v Speaker 1>took you know, emotionally, when you get out in front

0:20:10.520 --> 0:20:12.719
<v Speaker 1>of a crowd, you probably are like me, I'm guessing

0:20:12.720 --> 0:20:14.320
<v Speaker 1>where it's like, this is gonna be awesome, and you

0:20:14.359 --> 0:20:17.560
<v Speaker 1>get energy from the idea of it. So but he

0:20:17.680 --> 0:20:20.280
<v Speaker 1>was very good, which was which is another thing I admired,

0:20:20.760 --> 0:20:24.280
<v Speaker 1>working creating a strength out of something that wasn't necessarily

0:20:24.359 --> 0:20:27.280
<v Speaker 1>an inherent strength, okay, or didn't feel like to him.

0:20:27.920 --> 0:20:33.919
<v Speaker 1>The best I ever saw Bill Clinton was incredible, and

0:20:34.080 --> 0:20:37.879
<v Speaker 1>Jesse Jackson I got to see live, and actually everything

0:20:37.920 --> 0:20:41.240
<v Speaker 1>I said about having to prepare and not speaking semporaneously,

0:20:41.520 --> 0:20:43.159
<v Speaker 1>I threw out the window because I don't think he

0:20:43.240 --> 0:20:46.040
<v Speaker 1>had a single note, and he spoke for half an

0:20:46.080 --> 0:20:50.800
<v Speaker 1>hour and everything made one hundred percent CeNSE. And the

0:20:51.040 --> 0:20:54.080
<v Speaker 1>little little kernel's little seeds he planted in minute two

0:20:54.880 --> 0:20:58.240
<v Speaker 1>reached fruition in minute twenty seven and a half. You know,

0:20:58.359 --> 0:21:02.040
<v Speaker 1>it's just like he was. He's probably the best I've

0:21:02.080 --> 0:21:02.480
<v Speaker 1>ever seen.

0:21:20.760 --> 0:21:24.399
<v Speaker 3>You went to Oberlin, as you mentioned before, this was

0:21:24.440 --> 0:21:25.240
<v Speaker 3>to become an actor.

0:21:25.960 --> 0:21:27.880
<v Speaker 1>First of all, shout out to Oberlin. I just got

0:21:27.920 --> 0:21:31.280
<v Speaker 1>back yesterday. My niece just graduated from Oberlin.

0:21:31.359 --> 0:21:35.480
<v Speaker 2>So that was shout out Oberlin, congratulations. I always think

0:21:35.520 --> 0:21:37.000
<v Speaker 2>of I don't know what it is if it's the

0:21:37.119 --> 0:21:39.840
<v Speaker 2>name Oberlin, and I know it's very big in music.

0:21:40.359 --> 0:21:44.120
<v Speaker 2>I always think of the Obo. I don't know why

0:21:44.640 --> 0:21:47.280
<v Speaker 2>someone say, oh, I'm I I went to Oberlin, and

0:21:47.440 --> 0:21:49.720
<v Speaker 2>the first thought in my head was, oh, you're you

0:21:49.800 --> 0:21:52.520
<v Speaker 2>play the Obo. I don't know why that you're an

0:21:52.520 --> 0:21:54.280
<v Speaker 2>oboe with I didn't know if that was a word.

0:21:55.720 --> 0:21:58.160
<v Speaker 2>Shout out Oberlin. Did you go there for theater?

0:21:59.240 --> 0:22:05.240
<v Speaker 1>So I didn't approach college in a particularly strategic way,

0:22:06.600 --> 0:22:10.159
<v Speaker 1>I think, except that I decided that I wasn't going

0:22:10.240 --> 0:22:13.320
<v Speaker 1>to go to a conservatory. Northwestern was very interesting to me.

0:22:14.119 --> 0:22:16.359
<v Speaker 1>A couple other places were interesting to me. But I

0:22:16.400 --> 0:22:21.080
<v Speaker 1>decided that going to undergrad I wanted. I wanted a

0:22:21.080 --> 0:22:21.840
<v Speaker 1>liberal arts.

0:22:22.920 --> 0:22:25.399
<v Speaker 2>This is me what you're speaking of, this is this

0:22:25.480 --> 0:22:27.440
<v Speaker 2>is exactly my speech, exactly.

0:22:27.880 --> 0:22:29.880
<v Speaker 1>I tried to model myself after you, Jenn.

0:22:29.960 --> 0:22:35.280
<v Speaker 2>I figured you're a little older, simmer down kellywn Yes,

0:22:35.960 --> 0:22:38.080
<v Speaker 2>you did somehow somewhere in your brain.

0:22:38.240 --> 0:22:41.400
<v Speaker 1>Yes, so I, uh, you know, I'm going to wikipedia

0:22:41.520 --> 0:22:48.560
<v Speaker 1>you later. So uh so Oberlin had I did not

0:22:48.600 --> 0:22:49.840
<v Speaker 1>go to the con I was not going to be

0:22:49.920 --> 0:22:52.240
<v Speaker 1>a musician. But the College of Arts and Sciences was

0:22:52.280 --> 0:22:55.080
<v Speaker 1>really was a great school as well, and I was

0:22:55.119 --> 0:22:59.399
<v Speaker 1>interested in history. I was interested in particularly at the time,

0:22:59.840 --> 0:23:06.560
<v Speaker 1>in doing theater and Shakespeare and Moliere and historical plays,

0:23:06.640 --> 0:23:09.159
<v Speaker 1>so the history kind of fed in with that. I

0:23:09.200 --> 0:23:12.600
<v Speaker 1>was doing a Moliere play called The miser As I

0:23:12.640 --> 0:23:14.480
<v Speaker 1>was studying about the French Revolution, which would have been

0:23:14.520 --> 0:23:16.680
<v Speaker 1>one hundred years later, and I thought that was kind

0:23:16.680 --> 0:23:20.720
<v Speaker 1>of cool, So I actually went in spite of the

0:23:20.720 --> 0:23:22.320
<v Speaker 1>fact that I wanted to be an actor, if that

0:23:22.359 --> 0:23:26.639
<v Speaker 1>makes sense. The great thing about that school at the

0:23:26.680 --> 0:23:30.920
<v Speaker 1>time and probably still now, it's two things. We had

0:23:31.840 --> 0:23:34.840
<v Speaker 1>a number of great professors and some great adjunct professors

0:23:35.160 --> 0:23:36.520
<v Speaker 1>over the course of the time I was there in

0:23:36.560 --> 0:23:39.439
<v Speaker 1>a great summer theater institute. But I didn't have to

0:23:39.480 --> 0:23:43.040
<v Speaker 1>be a major to do any play. I could get

0:23:43.040 --> 0:23:45.639
<v Speaker 1>into or take any class, so I didn't have to

0:23:45.640 --> 0:23:47.760
<v Speaker 1>take all the classes, but I could take all the

0:23:47.840 --> 0:23:50.359
<v Speaker 1>scene study, and if I wanted to do some tech

0:23:50.880 --> 0:23:53.000
<v Speaker 1>costume design or lighting sign I could do that that

0:23:53.040 --> 0:23:55.560
<v Speaker 1>I didn't have to and I could get my degree

0:23:55.960 --> 0:23:57.879
<v Speaker 1>in history. And then if I was going to go

0:23:57.920 --> 0:24:01.080
<v Speaker 1>to grad school, that's where I would more. I ended

0:24:01.160 --> 0:24:03.800
<v Speaker 1>up not doing that. I ended up going diving right in,

0:24:03.920 --> 0:24:07.800
<v Speaker 1>but which was Sometimes I think it would have been

0:24:07.840 --> 0:24:09.600
<v Speaker 1>better to go to grad school, just because you come

0:24:09.640 --> 0:24:15.119
<v Speaker 1>out with a showcase and agents and at least some

0:24:15.200 --> 0:24:19.360
<v Speaker 1>connections and a chance to get signed earlier than I did.

0:24:19.840 --> 0:24:22.680
<v Speaker 1>And I think I'm not unhappy with where things went

0:24:22.680 --> 0:24:24.480
<v Speaker 1>for me. But I do think that the five ten

0:24:24.520 --> 0:24:26.280
<v Speaker 1>years where I struggled would have been maybe a little

0:24:26.320 --> 0:24:29.320
<v Speaker 1>easier if I'd gone the grad school groupe. But I'm

0:24:29.359 --> 0:24:30.480
<v Speaker 1>not in debt, so there's that.

0:24:32.680 --> 0:24:39.840
<v Speaker 2>Look, our stories are are very similar. I went, I

0:24:39.920 --> 0:24:44.600
<v Speaker 2>did go to a conservatory school, but within a larger university.

0:24:44.600 --> 0:24:50.159
<v Speaker 2>I went to SMU there in Dallas, and I began

0:24:50.400 --> 0:24:53.600
<v Speaker 2>doing theater, and theater was all I thought that I

0:24:53.680 --> 0:25:00.920
<v Speaker 2>would ever do. Our paths likely crossed. Maybe maybe while

0:25:00.960 --> 0:25:04.320
<v Speaker 2>you were closing down, I was moving in in looking

0:25:04.320 --> 0:25:05.399
<v Speaker 2>at your resume.

0:25:05.240 --> 0:25:08.919
<v Speaker 1>Got another age, did geeze nothing well?

0:25:09.480 --> 0:25:11.439
<v Speaker 2>Or maybe the other way around. But I would have

0:25:11.440 --> 0:25:19.200
<v Speaker 2>been playing a young on ingenu. So yeah, so I wondered.

0:25:19.280 --> 0:25:23.359
<v Speaker 2>I mean, I know you started doing a little work

0:25:23.480 --> 0:25:26.159
<v Speaker 2>on guests daring on soaps, which I do want to

0:25:26.160 --> 0:25:29.120
<v Speaker 2>hear about because I think, by the way, fantastic training

0:25:29.400 --> 0:25:32.320
<v Speaker 2>for actors being thrown into the fire that quickly. But

0:25:33.160 --> 0:25:36.919
<v Speaker 2>did you have interest in film and television or for me,

0:25:37.359 --> 0:25:40.399
<v Speaker 2>all I ever thought I would be was a theater actor.

0:25:41.359 --> 0:25:45.640
<v Speaker 1>Yeah, I had interest, but it was a very sheepish interest.

0:25:45.760 --> 0:25:48.560
<v Speaker 1>It was like I didn't I thought it was so

0:25:48.680 --> 0:25:52.400
<v Speaker 1>far beyond me. I didn't have any role models who

0:25:52.440 --> 0:25:55.760
<v Speaker 1>were doing it or who went on to do it

0:25:55.880 --> 0:26:01.480
<v Speaker 1>soon after I knew them, So it was an interesting phenomenon.

0:26:01.520 --> 0:26:03.880
<v Speaker 1>I think another reason why things took a little while

0:26:03.880 --> 0:26:06.640
<v Speaker 1>for me was that I wasn't even able to name

0:26:06.720 --> 0:26:09.359
<v Speaker 1>that thing that I wanted. I wanted to do theater.

0:26:09.440 --> 0:26:11.560
<v Speaker 1>I wanted, but I knew that. But I had I

0:26:11.600 --> 0:26:13.960
<v Speaker 1>had faith that I could get there. I had more

0:26:14.000 --> 0:26:15.960
<v Speaker 1>faith that I could get on Broadway than I did

0:26:16.560 --> 0:26:17.560
<v Speaker 1>that I could get on TV.

0:26:18.359 --> 0:26:18.600
<v Speaker 2>Wow.

0:26:19.480 --> 0:26:23.640
<v Speaker 1>And when I talk to younger actors, now, if I

0:26:23.720 --> 0:26:28.560
<v Speaker 1>don't don't feel ashamed at your ambition, about your ambition,

0:26:29.880 --> 0:26:33.080
<v Speaker 1>it's not presumptuous to have ambition. And I think there's

0:26:33.080 --> 0:26:37.440
<v Speaker 1>a part of my brain that felt presumptuous even saying, oh,

0:26:37.480 --> 0:26:38.720
<v Speaker 1>you know what i'd really like, I'd like to be

0:26:38.760 --> 0:26:42.560
<v Speaker 1>a series regular on a television show, right, And I would.

0:26:42.800 --> 0:26:45.479
<v Speaker 1>I just I felt embarrassed saying it because it was like, well,

0:26:45.520 --> 0:26:48.160
<v Speaker 1>of course you're not going to be. And it took

0:26:48.200 --> 0:26:49.960
<v Speaker 1>me a long time to get over that. And I

0:26:50.000 --> 0:26:53.840
<v Speaker 1>wish i'd told somebody. I had a number of mentor

0:26:53.960 --> 0:26:56.760
<v Speaker 1>types who I think would have been like, get the

0:26:57.040 --> 0:27:01.600
<v Speaker 1>fuck over yourself and say what you want, right, because

0:27:01.600 --> 0:27:03.840
<v Speaker 1>there are a lot of bad TV actors out here, son,

0:27:04.080 --> 0:27:09.000
<v Speaker 1>so you could be one too. Just don't lose your

0:27:09.040 --> 0:27:11.520
<v Speaker 1>hair and you'll be fine.

0:27:13.480 --> 0:27:17.639
<v Speaker 2>I uh, yeah, it's it's that's fascinating to me and

0:27:17.880 --> 0:27:20.600
<v Speaker 2>actually makes a ton of sense.

0:27:21.000 --> 0:27:21.199
<v Speaker 3>You know.

0:27:21.320 --> 0:27:25.320
<v Speaker 2>I think I just didn't even I don't know. Maybe

0:27:25.320 --> 0:27:27.600
<v Speaker 2>it's a similar thing for me. It just was never

0:27:27.640 --> 0:27:31.200
<v Speaker 2>a thought until it was until it was like, okay,

0:27:31.520 --> 0:27:34.240
<v Speaker 2>maybe I should, maybe I should try that. But you know,

0:27:34.320 --> 0:27:37.240
<v Speaker 2>for me, for a time, god, there's no way for

0:27:37.280 --> 0:27:39.600
<v Speaker 2>this not to sound like a weird, humble brag, but

0:27:39.840 --> 0:27:43.439
<v Speaker 2>like I was getting work in the theater, and so

0:27:43.560 --> 0:27:46.800
<v Speaker 2>for me it was like, well, I here was what

0:27:46.920 --> 0:27:49.719
<v Speaker 2>I was smart enough to know. I don't think I've

0:27:49.760 --> 0:27:52.560
<v Speaker 2>really talked about this too much on here. I knew

0:27:52.600 --> 0:27:57.240
<v Speaker 2>that moving or sorry, visiting Los Angeles for a pilot

0:27:57.320 --> 0:28:00.880
<v Speaker 2>season was not for me, like the idea of well,

0:28:00.920 --> 0:28:02.919
<v Speaker 2>I'll just go out for a couple of months and

0:28:02.960 --> 0:28:06.879
<v Speaker 2>see what happens. And maybe it's my personality type. It's like, no, no,

0:28:06.920 --> 0:28:08.639
<v Speaker 2>if I'm in, I need to be in like I

0:28:08.680 --> 0:28:12.600
<v Speaker 2>need to be in. You know, when I finally had

0:28:12.640 --> 0:28:15.720
<v Speaker 2>to turn down theater work because I was like, Okay,

0:28:15.760 --> 0:28:18.840
<v Speaker 2>I'm going to try this, and I said I'm going

0:28:18.880 --> 0:28:21.399
<v Speaker 2>to give it a year, but even in my head,

0:28:21.600 --> 0:28:24.960
<v Speaker 2>I think I was like, I think like eighteen months,

0:28:25.040 --> 0:28:29.480
<v Speaker 2>like it's probably more realistic, like I'm going to do this.

0:28:30.280 --> 0:28:32.760
<v Speaker 2>But before that, I mean, I did a couple of

0:28:32.760 --> 0:28:36.160
<v Speaker 2>commercials and you know, there was a movie that came

0:28:36.160 --> 0:28:38.240
<v Speaker 2>through Minnesota when I was there and was in that,

0:28:38.400 --> 0:28:42.880
<v Speaker 2>but nothing really And it sounds for you as well.

0:28:42.920 --> 0:28:46.000
<v Speaker 2>I mean, you were on Broadway, you were doing major

0:28:46.200 --> 0:28:50.360
<v Speaker 2>shows at Oregon Shakespeare and et cetera, et cetera, before

0:28:50.480 --> 0:28:52.280
<v Speaker 2>you were ever on television at all.

0:28:52.440 --> 0:28:57.080
<v Speaker 1>Right, yeah, totally. At the Oregon Shakespeare Festival, we would

0:28:57.120 --> 0:29:00.080
<v Speaker 1>pool our money together and bring in casting directors in

0:29:00.240 --> 0:29:03.720
<v Speaker 1>LA and various other regional theaters. But the big you know,

0:29:03.760 --> 0:29:05.920
<v Speaker 1>the big, sort of scary one was when we'd bring

0:29:06.880 --> 0:29:10.920
<v Speaker 1>people from Los Angeles and sometimes they teach us, they

0:29:10.920 --> 0:29:15.760
<v Speaker 1>give us little workshops, and I remember one casting person,

0:29:15.760 --> 0:29:18.680
<v Speaker 1>I think it was definitely an acting coach as well,

0:29:19.560 --> 0:29:23.560
<v Speaker 1>gave us a little on camera workshop and first it

0:29:23.600 --> 0:29:25.800
<v Speaker 1>was this is gonna sound humble braggy too, I guess.

0:29:25.840 --> 0:29:29.160
<v Speaker 1>But the first the first note I got was it

0:29:29.200 --> 0:29:31.880
<v Speaker 1>was sort of to the the rest of the class,

0:29:33.240 --> 0:29:35.600
<v Speaker 1>you're a natural, isn't he a natural? And it was

0:29:35.600 --> 0:29:38.800
<v Speaker 1>a very strange thing where none, no one nodded an agreement.

0:29:39.760 --> 0:29:43.520
<v Speaker 1>I was like, thanks, guys, and then she said, the

0:29:43.560 --> 0:29:45.800
<v Speaker 1>only problem is you don't know how to make choices.

0:29:46.120 --> 0:29:48.040
<v Speaker 1>You don't know how to do it. Like you're comfortable,

0:29:48.400 --> 0:29:51.479
<v Speaker 1>but you're not acting, you're not creating anything. And so

0:29:51.600 --> 0:29:54.880
<v Speaker 1>I went from feeling like, oh, this is great, I'm

0:29:54.920 --> 0:29:57.560
<v Speaker 1>a natural, so I'm going to be a huge star

0:29:57.720 --> 0:29:59.680
<v Speaker 1>and you are going to make me one, and then

0:30:00.120 --> 0:30:02.080
<v Speaker 1>know you have so much to learn and you don't

0:30:02.080 --> 0:30:04.280
<v Speaker 1>know what the fuck you're doing right, So that was

0:30:04.800 --> 0:30:07.440
<v Speaker 1>it was a buoying thing in a sense in a

0:30:07.480 --> 0:30:08.959
<v Speaker 1>lot of the lean years. It was one of the

0:30:08.960 --> 0:30:12.680
<v Speaker 1>things that I remember hearing, Okay, but no, there's it

0:30:12.760 --> 0:30:15.479
<v Speaker 1>because being being natural in front of a camera isn't easy.

0:30:15.600 --> 0:30:18.120
<v Speaker 1>It's not natural to everyone. So that was something that

0:30:18.160 --> 0:30:21.200
<v Speaker 1>I knew that was there. I just needed to know.

0:30:21.560 --> 0:30:23.760
<v Speaker 1>And then you'd get the note that theater actors always

0:30:23.760 --> 0:30:27.440
<v Speaker 1>get when they first start on camera. Be smaller, that's

0:30:27.480 --> 0:30:30.360
<v Speaker 1>too big, smaller, less, less, And so I would I

0:30:30.400 --> 0:30:33.600
<v Speaker 1>would do this and they're like, well not nothing. It

0:30:33.720 --> 0:30:37.600
<v Speaker 1>was like I understand. I spent a lot of years

0:30:37.680 --> 0:30:41.200
<v Speaker 1>grappling with that until just something turns like, oh, just

0:30:41.240 --> 0:30:44.360
<v Speaker 1>be right now, You're not you're not being natural, You're

0:30:44.400 --> 0:30:46.800
<v Speaker 1>just being natural if that makes sense.

0:30:47.040 --> 0:30:50.160
<v Speaker 2>Yeah, no, absolutely, Well where were you?

0:30:50.560 --> 0:30:53.080
<v Speaker 1>Where were you doing theater when you made that?

0:30:53.360 --> 0:30:56.800
<v Speaker 2>So I was primarily doing the regional theater stuff. So

0:30:56.880 --> 0:30:59.560
<v Speaker 2>I was in I was based in Minneapolis and started

0:30:59.680 --> 0:31:03.280
<v Speaker 2>travel going around. But I see a number of theaters

0:31:03.280 --> 0:31:07.360
<v Speaker 2>on your on your resume there that I was at

0:31:07.400 --> 0:31:10.320
<v Speaker 2>as well at one time or another. Did some touring

0:31:10.320 --> 0:31:12.280
<v Speaker 2>shows and a little stuff in New York, but I

0:31:12.360 --> 0:31:15.080
<v Speaker 2>was never I was never based in New York like

0:31:15.200 --> 0:31:18.320
<v Speaker 2>you were, which you know, Look, that was something that

0:31:18.360 --> 0:31:21.800
<v Speaker 2>I never wanted again, sort of like the I'm not

0:31:21.840 --> 0:31:24.000
<v Speaker 2>going to just go out for three months for pilot season.

0:31:24.760 --> 0:31:25.960
<v Speaker 2>That New York life.

0:31:26.040 --> 0:31:31.040
<v Speaker 3>I love New York, but that is a different actors

0:31:31.160 --> 0:31:33.240
<v Speaker 3>life there that I.

0:31:33.200 --> 0:31:37.200
<v Speaker 2>Wasn't entirely comfortable with. But you know, look for you,

0:31:37.200 --> 0:31:41.520
<v Speaker 2>you're performing in large theater companies, and because you're in

0:31:41.600 --> 0:31:46.160
<v Speaker 2>New York, you start guest starring on oh, I don't know,

0:31:46.520 --> 0:31:50.360
<v Speaker 2>like the biggest shows in television, like The Sopranos, and

0:31:50.600 --> 0:31:53.360
<v Speaker 2>of course if you're in New York, Law and Order

0:31:53.480 --> 0:31:57.160
<v Speaker 2>and Gossip Girl and the Good Wife and all this stuff.

0:31:57.440 --> 0:32:01.080
<v Speaker 2>So your early experience is just being on set. Did

0:32:01.120 --> 0:32:04.520
<v Speaker 2>you learn a lot during that period of time? For me,

0:32:04.600 --> 0:32:08.560
<v Speaker 2>the big adjustment is less about the work and more

0:32:08.640 --> 0:32:12.080
<v Speaker 2>about what it means to go to and show up

0:32:12.480 --> 0:32:15.400
<v Speaker 2>to work on a set, which is so different.

0:32:16.080 --> 0:32:18.880
<v Speaker 1>Yeah, I mean before I did any of those, Just

0:32:18.920 --> 0:32:23.200
<v Speaker 1>to go back even further, my first year or so

0:32:23.280 --> 0:32:27.280
<v Speaker 1>in New York, I was I was doing background work. Okay,

0:32:27.360 --> 0:32:29.360
<v Speaker 1>well we were called extras then, which is.

0:32:29.320 --> 0:32:31.840
<v Speaker 2>Not yeah, it's not that.

0:32:32.480 --> 0:32:36.479
<v Speaker 1>Yeah. Two things were good about that for me. We

0:32:36.560 --> 0:32:39.760
<v Speaker 1>had dirt cheap rent. That was like getting a space grant,

0:32:40.280 --> 0:32:44.719
<v Speaker 1>you know, like she wasn't the landlord wasn't giving us

0:32:44.760 --> 0:32:46.560
<v Speaker 1>money but she was charging us so little that we

0:32:46.600 --> 0:32:50.520
<v Speaker 1>could do things like I could work, you get one

0:32:50.560 --> 0:32:54.680
<v Speaker 1>hundred bucks to extra one day, and that my two

0:32:54.760 --> 0:32:57.120
<v Speaker 1>of those would cover my rent for our rent, my

0:32:57.160 --> 0:32:59.560
<v Speaker 1>wife and me for the week. I met a lot

0:32:59.600 --> 0:33:03.000
<v Speaker 1>of people sitting around in the back room getting to

0:33:03.000 --> 0:33:04.520
<v Speaker 1>know the lay of the land of New York. And

0:33:04.760 --> 0:33:08.280
<v Speaker 1>I got to watch how the you know, how the

0:33:08.320 --> 0:33:13.920
<v Speaker 1>principles behave and how what what hitting your mark means?

0:33:13.960 --> 0:33:17.880
<v Speaker 1>What the fact that, oh you do a master shot,

0:33:18.040 --> 0:33:21.400
<v Speaker 1>you say, okay, interesting and then close ups and tighter

0:33:21.440 --> 0:33:24.360
<v Speaker 1>and tighter and then over the shoulder, and what it's

0:33:24.400 --> 0:33:26.440
<v Speaker 1>dirty if you're getting a bit of the person over

0:33:26.480 --> 0:33:29.520
<v Speaker 1>the shoulder and it's clean. And so when I finally

0:33:29.560 --> 0:33:33.480
<v Speaker 1>did get on the sopranos from my one line.

0:33:34.720 --> 0:33:37.440
<v Speaker 2>I did, it was one more than me. That's one

0:33:37.480 --> 0:33:41.080
<v Speaker 2>more than me, and that's a that's a career regret there.

0:33:41.200 --> 0:33:42.000
<v Speaker 2>So there you go.

0:33:42.720 --> 0:33:45.800
<v Speaker 1>Yeah, but I knew, you know, I I at least knew,

0:33:45.920 --> 0:33:47.680
<v Speaker 1>Oh this is gonna be coming. Oh that's what this is.

0:33:48.680 --> 0:33:51.360
<v Speaker 1>I had a lot to learn. I remember my first

0:33:51.840 --> 0:33:54.400
<v Speaker 1>big Law and Order thing. It's my second time it

0:33:54.440 --> 0:33:56.560
<v Speaker 1>was on Law and Order, but my first with a

0:33:56.600 --> 0:33:58.360
<v Speaker 1>real scene where I was the focal point of the

0:33:58.360 --> 0:34:03.160
<v Speaker 1>scene and I just kept flubbing something or not quite

0:34:03.200 --> 0:34:05.320
<v Speaker 1>doing what the director wanted, and I was getting really

0:34:05.920 --> 0:34:06.920
<v Speaker 1>oh god, fuck.

0:34:06.840 --> 0:34:07.640
<v Speaker 2>Got shit.

0:34:07.760 --> 0:34:09.640
<v Speaker 1>And the director actually came out and he was like,

0:34:09.680 --> 0:34:12.200
<v Speaker 1>hey man, we're a big time TV show, We've got

0:34:12.200 --> 0:34:15.279
<v Speaker 1>lots of film. Don't worry. We got this. And he

0:34:15.320 --> 0:34:17.360
<v Speaker 1>went back and I was first I was embarrassed, and

0:34:17.400 --> 0:34:21.319
<v Speaker 1>then I was like, that was so nice, and the

0:34:21.360 --> 0:34:24.480
<v Speaker 1>next take was perfect, you know, right, of course, it

0:34:24.600 --> 0:34:28.359
<v Speaker 1>was a long time before I had any major I'm

0:34:28.400 --> 0:34:32.480
<v Speaker 1>the tortoise man, you know, and I like, embrace your tortoise.

0:34:32.560 --> 0:34:35.839
<v Speaker 1>If it's slow for you, embrace it. It's it doesn't mean

0:34:35.920 --> 0:34:38.279
<v Speaker 1>you're not going to get there. I think that slow

0:34:38.360 --> 0:34:41.560
<v Speaker 1>journey kept me humble. Certainly there was nothing to not

0:34:41.600 --> 0:34:43.920
<v Speaker 1>be humble about. But I was proud that I was

0:34:43.960 --> 0:34:46.640
<v Speaker 1>making a living, partially because of that cheap rent, but

0:34:46.800 --> 0:34:49.000
<v Speaker 1>I was proud that I was making a living doing

0:34:49.120 --> 0:34:53.160
<v Speaker 1>small parts, doing off off off off Broadway theater for

0:34:53.320 --> 0:34:56.720
<v Speaker 1>years before I got the more quote unquote legitimate stuff.

0:34:57.239 --> 0:35:01.120
<v Speaker 2>Well, you finally got a big break getting a recurring

0:35:01.239 --> 0:35:06.879
<v Speaker 2>role at On at the time, an enormous show in television,

0:35:07.360 --> 0:35:10.760
<v Speaker 2>A House of Cards. Do you remember how that How

0:35:10.840 --> 0:35:12.760
<v Speaker 2>you finally landed that one?

0:35:13.000 --> 0:35:15.800
<v Speaker 1>Yeah, I'd been in a number of times the casting

0:35:15.840 --> 0:35:20.160
<v Speaker 1>director during my tortoise phase. There were a number of

0:35:20.200 --> 0:35:25.560
<v Speaker 1>independent casting directors, all women actually, who kept bringing me

0:35:25.640 --> 0:35:28.799
<v Speaker 1>in for auditions and I would often get callbacks. But

0:35:29.320 --> 0:35:31.759
<v Speaker 1>as my manager said at the time, the fact that

0:35:31.800 --> 0:35:33.840
<v Speaker 1>they keep bringing you in even though you haven't booked,

0:35:34.120 --> 0:35:37.480
<v Speaker 1>they're calling you back. These are essentially callbacks because the

0:35:37.480 --> 0:35:39.239
<v Speaker 1>casting director is going to keep putting you in front

0:35:39.280 --> 0:35:41.160
<v Speaker 1>of these people. They're going to advocate for you at

0:35:41.160 --> 0:35:43.839
<v Speaker 1>some point and that's when the breakthrough will happen. And

0:35:43.840 --> 0:35:46.880
<v Speaker 1>that is what happened. And this particular casting director had

0:35:46.880 --> 0:35:49.400
<v Speaker 1>brought me in a number of times and it was

0:35:49.440 --> 0:35:52.360
<v Speaker 1>a dummy script, so I didn't know what the character was,

0:35:52.840 --> 0:35:54.919
<v Speaker 1>I didn't know who I was going to be working with.

0:35:55.360 --> 0:35:57.080
<v Speaker 1>And it was great though. I was just like, well,

0:35:57.280 --> 0:36:00.719
<v Speaker 1>this is obviously nothing in the in the in the show,

0:36:00.760 --> 0:36:03.799
<v Speaker 1>but I want to do that show. I should I

0:36:03.800 --> 0:36:06.720
<v Speaker 1>think I might have kept it. But a great seed

0:36:06.800 --> 0:36:11.000
<v Speaker 1>for some for some film. But the the type of relationship,

0:36:11.080 --> 0:36:16.040
<v Speaker 1>the emotional connection between the two characters mirrored the relationship

0:36:16.080 --> 0:36:17.520
<v Speaker 1>that I was going to have once I got the

0:36:17.520 --> 0:36:20.360
<v Speaker 1>part with Michael Kelly as his brother who played Gary

0:36:20.400 --> 0:36:24.120
<v Speaker 1>Stamper or Doug Stamper. I was Gary or one or

0:36:24.120 --> 0:36:28.920
<v Speaker 1>the other. Yeah, it was, it was, it was. It

0:36:29.000 --> 0:36:33.760
<v Speaker 1>was great, you know it. I only worked with Michael Kelly,

0:36:34.080 --> 0:36:38.360
<v Speaker 1>who is the nicest guy in show business, and he's brilliant,

0:36:38.680 --> 0:36:43.840
<v Speaker 1>and it was. Yeah. The first time I traveled somewhere

0:36:44.080 --> 0:36:47.680
<v Speaker 1>repeatedly and put up in the same place, the same

0:36:47.719 --> 0:36:51.200
<v Speaker 1>teamster driving me to set, it was like, Oh, there's

0:36:51.560 --> 0:36:54.680
<v Speaker 1>there can be continuity in this business. Yes, you know.

0:36:54.800 --> 0:36:57.360
<v Speaker 1>It's like and I would go back my fifth time

0:36:57.440 --> 0:36:59.920
<v Speaker 1>down at the at the Marriotte on the waterfront or

0:37:00.080 --> 0:37:03.160
<v Speaker 1>whatever it was, sitting in the same spot at the bar.

0:37:03.239 --> 0:37:04.759
<v Speaker 1>I knew what I wanted to eat. I knew I

0:37:04.960 --> 0:37:06.799
<v Speaker 1>wanted that wine, and then I was going to go

0:37:06.840 --> 0:37:10.240
<v Speaker 1>to bed and I don't It's just you were talking

0:37:10.239 --> 0:37:12.920
<v Speaker 1>about the I think you were alluding to some of

0:37:12.960 --> 0:37:16.560
<v Speaker 1>the mundane aspects of life. Being on set. Learning how

0:37:16.560 --> 0:37:18.840
<v Speaker 1>to be on set, learning how to be on location

0:37:19.520 --> 0:37:21.960
<v Speaker 1>is just as important as learning how to create a

0:37:22.040 --> 0:37:26.200
<v Speaker 1>character really right continuity, and it was my first taste

0:37:26.239 --> 0:37:27.120
<v Speaker 1>of Oh.

0:37:27.000 --> 0:37:31.680
<v Speaker 2>I like this, Yeah, that's that's really cool that there

0:37:31.760 --> 0:37:36.640
<v Speaker 2>is something. Well, you also feel like you I'm not

0:37:36.719 --> 0:37:39.480
<v Speaker 2>saying like you have made it like you're a big

0:37:39.520 --> 0:37:43.840
<v Speaker 2>star or anything like that, but like you're actually working

0:37:44.320 --> 0:37:46.920
<v Speaker 2>almost like like an employee. I don't even know if

0:37:46.920 --> 0:37:49.920
<v Speaker 2>that makes sense, like as opposed to a contractor like

0:37:50.160 --> 0:37:51.920
<v Speaker 2>what you talked about, like, oh, I'm going to the

0:37:51.920 --> 0:37:54.719
<v Speaker 2>same spot. I'm going I know them, they know me.

0:37:55.040 --> 0:37:58.080
<v Speaker 2>Being a guest star is really hard. I mean that.

0:37:58.280 --> 0:38:01.080
<v Speaker 2>The joke I always make is you're showing up expecting

0:38:01.120 --> 0:38:06.320
<v Speaker 2>to in some cases, you know, be the central figure

0:38:06.560 --> 0:38:09.360
<v Speaker 2>in a scene or in an episode or whatever, and

0:38:09.400 --> 0:38:11.560
<v Speaker 2>you don't know where the bathroom is. Like this is

0:38:11.800 --> 0:38:17.160
<v Speaker 2>like they're like exterior, complicated things that people don't think about.

0:38:17.280 --> 0:38:22.000
<v Speaker 2>But yes, that like I have a relationship with you know, Tim,

0:38:22.040 --> 0:38:25.840
<v Speaker 2>who is the transportation guy who drives me and helps

0:38:25.880 --> 0:38:29.200
<v Speaker 2>me get here and there, and if I have an issue,

0:38:29.280 --> 0:38:32.359
<v Speaker 2>I call him all of those things. It's uh, yeah,

0:38:32.400 --> 0:38:33.799
<v Speaker 2>it's it's cool.

0:38:34.120 --> 0:38:37.160
<v Speaker 1>And being and having relationships with the pas, you know,

0:38:37.280 --> 0:38:40.319
<v Speaker 1>because like where's the bathroom? If you have to go

0:38:40.360 --> 0:38:42.120
<v Speaker 1>to the bathroom, you have to let someone know it's

0:38:42.120 --> 0:38:44.719
<v Speaker 1>like I'm going ten, one hundred or you know, or

0:38:44.760 --> 0:38:46.319
<v Speaker 1>the other. But I never gave it to the other

0:38:47.520 --> 0:38:51.080
<v Speaker 1>and you don't really know who to tell. And also

0:38:51.120 --> 0:38:52.879
<v Speaker 1>that if you're meeting them for the first time, you're

0:38:52.880 --> 0:38:56.840
<v Speaker 1>telling this total stranger, this young kid, I gotta go pee,

0:38:56.920 --> 0:39:00.560
<v Speaker 1>and it's like it's nice, Yeah, I have. I had

0:39:00.600 --> 0:39:03.840
<v Speaker 1>a taste of a bigger taste when I did The Americans,

0:39:03.920 --> 0:39:07.319
<v Speaker 1>but it was on Billions actually, where we were there

0:39:07.440 --> 0:39:11.120
<v Speaker 1>for you know, almost every episode for seven seasons, and

0:39:11.360 --> 0:39:15.920
<v Speaker 1>that continuity. I think that experience is what made me

0:39:16.000 --> 0:39:20.200
<v Speaker 1>finally realize that I love film acting or screen acting

0:39:20.239 --> 0:39:22.759
<v Speaker 1>as much as I love theater. Because it was the

0:39:22.800 --> 0:39:26.719
<v Speaker 1>first time that that family that that always happens during

0:39:26.960 --> 0:39:29.680
<v Speaker 1>a play, you know, during the process. So the first

0:39:29.680 --> 0:39:34.120
<v Speaker 1>time that continuity, that family really congealed, and I think

0:39:34.120 --> 0:39:36.000
<v Speaker 1>that's what got me into it in the first place.

0:39:36.120 --> 0:39:38.319
<v Speaker 1>Is like hanging around with other nerds you wanted to

0:39:38.520 --> 0:39:44.160
<v Speaker 1>play pretend, you know, it's those like minded souls and

0:39:43.640 --> 0:39:48.760
<v Speaker 1>U and I finally found that in in this group.

0:39:48.920 --> 0:40:12.120
<v Speaker 3>So well, I want to talk obviously about Dollar Bill.

0:40:12.360 --> 0:40:15.239
<v Speaker 3>By the way, when the email started coming around that

0:40:15.280 --> 0:40:16.600
<v Speaker 3>I was going to talk to you. I think we

0:40:16.680 --> 0:40:20.720
<v Speaker 3>had like seven people on the team. It's just yelling

0:40:20.880 --> 0:40:24.120
<v Speaker 3>dollar Bill with an exclamation point, But I do want

0:40:24.160 --> 0:40:28.160
<v Speaker 3>to talk about the Americans. You played pastor Tim there

0:40:28.400 --> 0:40:34.359
<v Speaker 3>for four seasons. That then becomes, you know, before Billions,

0:40:34.680 --> 0:40:38.759
<v Speaker 3>your most sort of significant role and time working on

0:40:39.239 --> 0:40:41.839
<v Speaker 3>and you had a wig, which apparently got a lot

0:40:41.920 --> 0:40:43.279
<v Speaker 3>of attention.

0:40:43.719 --> 0:40:46.360
<v Speaker 2>On that show. Was this a choice that you made?

0:40:46.760 --> 0:40:49.520
<v Speaker 3>Oh no, no, no, no, no.

0:40:50.080 --> 0:40:53.239
<v Speaker 1>I am assuming they weren't going to go with my

0:40:53.640 --> 0:40:57.520
<v Speaker 1>bald pace because at the time, in the mid eighties,

0:40:57.880 --> 0:41:02.000
<v Speaker 1>probably you know, bald white guys were white supremacists. Essentially,

0:41:02.040 --> 0:41:05.320
<v Speaker 1>shaved head headed guys were essentially unless they were military.

0:41:05.960 --> 0:41:08.279
<v Speaker 1>It was not normal at that period of time.

0:41:09.200 --> 0:41:10.120
<v Speaker 2>So yeah, we got a.

0:41:10.040 --> 0:41:16.080
<v Speaker 1>Wig, and hilariously, apparently the wig master did not know

0:41:16.760 --> 0:41:18.239
<v Speaker 1>they had a wig master. They had a show with

0:41:18.280 --> 0:41:21.200
<v Speaker 1>a wig master. I love that man. The wig Master

0:41:21.400 --> 0:41:22.680
<v Speaker 1>did not know I was going to be on for

0:41:22.719 --> 0:41:26.760
<v Speaker 1>more than one episode, so she wasn't taking care, she

0:41:26.880 --> 0:41:28.720
<v Speaker 1>wasn't taking great pains to make sure it was something

0:41:28.760 --> 0:41:31.480
<v Speaker 1>that was sustainable. And that was when they all put

0:41:31.520 --> 0:41:33.799
<v Speaker 1>that We put multiple wigs on me. When they put

0:41:33.840 --> 0:41:36.880
<v Speaker 1>that one on everybody laughed because it was so goofy,

0:41:36.960 --> 0:41:40.759
<v Speaker 1>including me because it was a goofy. And we used

0:41:40.760 --> 0:41:44.120
<v Speaker 1>that one and then I'm back and I'm back in

0:41:44.120 --> 0:41:46.080
<v Speaker 1>the back for the next season and the next season,

0:41:46.160 --> 0:41:48.920
<v Speaker 1>and I think it did like fifty episodes or something,

0:41:49.040 --> 0:41:51.399
<v Speaker 1>and yeah, it was a huge pain of the ass.

0:41:51.440 --> 0:41:53.400
<v Speaker 1>They had to remake it too. They had to create

0:41:53.440 --> 0:41:57.040
<v Speaker 1>a new one because the one wasn't made for that

0:41:57.200 --> 0:42:00.840
<v Speaker 1>type of repeated use. Right, thought, oh great, I'm going

0:42:00.920 --> 0:42:02.719
<v Speaker 1>to get a great wig now because they can remake

0:42:02.760 --> 0:42:04.439
<v Speaker 1>it a new hairstyle, and they made it the same

0:42:04.480 --> 0:42:10.040
<v Speaker 1>fucking things red. It had an entire thread after my

0:42:10.080 --> 0:42:12.360
<v Speaker 1>first appearance about whether or not I was a pedophile

0:42:12.560 --> 0:42:16.600
<v Speaker 1>because of the wig, literally because of the wig.

0:42:19.000 --> 0:42:24.360
<v Speaker 2>Oh you think it was about the wig? Yeah, I uh,

0:42:24.719 --> 0:42:28.600
<v Speaker 2>that's that's that's incredible. Now I do have to ask you, Yeah,

0:42:28.719 --> 0:42:34.240
<v Speaker 2>you made a choice at some point to shave. Oh yeah,

0:42:34.280 --> 0:42:37.239
<v Speaker 2>well because I haven't. By the way, I don't know

0:42:37.239 --> 0:42:39.120
<v Speaker 2>if you've known, I haven't.

0:42:39.239 --> 0:42:42.360
<v Speaker 1>But you yours looks great. My I my hair was

0:42:42.600 --> 0:42:46.960
<v Speaker 1>very thick everywhere except for where it wasn't, and where

0:42:46.960 --> 0:42:49.359
<v Speaker 1>it wasn't it was gone. You know, people, some people thin.

0:42:50.120 --> 0:42:52.880
<v Speaker 1>I didn't thin. It was like literally like somebody was

0:42:52.920 --> 0:42:55.320
<v Speaker 1>golfing on top of my head and took out a divot.

0:42:55.960 --> 0:42:58.520
<v Speaker 1>It was just like this, and my hair was very

0:42:58.600 --> 0:43:00.360
<v Speaker 1>dark and my skin is very pale also.

0:43:00.480 --> 0:43:01.319
<v Speaker 2>It just was on.

0:43:02.160 --> 0:43:05.160
<v Speaker 1>And so we were actually over at a friend's house

0:43:05.360 --> 0:43:08.760
<v Speaker 1>having dinner and a lot of wine, and he shaved.

0:43:08.880 --> 0:43:13.479
<v Speaker 1>He had his own little shaving contraption before we left.

0:43:13.600 --> 0:43:18.520
<v Speaker 1>We shaved each other's heads and that and from then on,

0:43:18.640 --> 0:43:20.440
<v Speaker 1>yeah for you. Yeah, And I did go all the

0:43:20.480 --> 0:43:22.319
<v Speaker 1>way to the skin. At first I had about half

0:43:22.360 --> 0:43:24.799
<v Speaker 1>an inch. But then I started booking. I was I

0:43:24.840 --> 0:43:28.040
<v Speaker 1>was always booking theater, but I started booking on TV

0:43:28.160 --> 0:43:31.239
<v Speaker 1>more and it was kind of another good lesson don't

0:43:31.280 --> 0:43:33.880
<v Speaker 1>fight it. And I oh, and I also went to

0:43:33.960 --> 0:43:36.120
<v Speaker 1>a not a real gang guy, but the hair whatever,

0:43:36.120 --> 0:43:40.160
<v Speaker 1>the big hair transplant place is okay, and met with

0:43:40.200 --> 0:43:43.239
<v Speaker 1>somebody who was explaining the procedure and how they and

0:43:43.280 --> 0:43:46.040
<v Speaker 1>they used the word harvest the hair out of the

0:43:46.080 --> 0:43:50.560
<v Speaker 1>back of your head and plant and look how good

0:43:50.600 --> 0:43:53.400
<v Speaker 1>it is. And then they said, well, then in you know,

0:43:53.480 --> 0:43:55.759
<v Speaker 1>five ten years, you're going to have to do more

0:43:55.800 --> 0:43:58.440
<v Speaker 1>because you keep losing your hair, which had never occurred

0:43:58.440 --> 0:44:02.840
<v Speaker 1>to me. It wasn't one harvesting were gonna this was

0:44:02.960 --> 0:44:06.120
<v Speaker 1>multiple harvests, multiple harvests, So it didn't.

0:44:06.920 --> 0:44:09.239
<v Speaker 2>So you just said no, I just said no.

0:44:09.480 --> 0:44:09.920
<v Speaker 1>Screwt.

0:44:10.480 --> 0:44:15.600
<v Speaker 2>Yeah, I'm gonna shave God. God. I've definitely not revealed this.

0:44:15.680 --> 0:44:17.319
<v Speaker 2>I don't know why I keep telling people that haven't

0:44:17.320 --> 0:44:19.160
<v Speaker 2>revealed it. They either know I haven't or they don't.

0:44:19.600 --> 0:44:21.400
<v Speaker 1>I haven't thought about the trustworthy face.

0:44:21.680 --> 0:44:24.839
<v Speaker 2>I've thought about it. I've thought, I've thought about it.

0:44:25.160 --> 0:44:25.680
<v Speaker 2>Do it.

0:44:26.520 --> 0:44:30.520
<v Speaker 1>I don't know it'll come back. I mean that part maybe,

0:44:30.960 --> 0:44:35.719
<v Speaker 1>maybe that part will maybe. I think I got a

0:44:35.760 --> 0:44:38.880
<v Speaker 1>great shaped head. So you what, I think you have

0:44:38.920 --> 0:44:39.799
<v Speaker 1>a great shaped head?

0:44:39.960 --> 0:44:41.160
<v Speaker 2>Do you you can have it?

0:44:41.239 --> 0:44:41.440
<v Speaker 3>I do?

0:44:41.600 --> 0:44:45.799
<v Speaker 2>Yeah, I don't know. I don't know. You know what,

0:44:46.040 --> 0:44:49.279
<v Speaker 2>Here's what I'm gonna do. If I know myself, I'm

0:44:49.280 --> 0:44:51.120
<v Speaker 2>gonna think about it in another four or five years.

0:44:54.640 --> 0:45:01.600
<v Speaker 2>Uh dollar Bill Dollar Bill Sterns the cheapest millionaire in America.

0:45:02.520 --> 0:45:04.120
<v Speaker 2>How did you get it? Audition?

0:45:04.880 --> 0:45:08.480
<v Speaker 1>Yeah, I auditioned for the pilot. Ady Kaufman, a casting

0:45:08.480 --> 0:45:10.360
<v Speaker 1>director in New York who does a lot of pilots.

0:45:10.520 --> 0:45:14.200
<v Speaker 1>I went in for a different role. The Breakdown said

0:45:14.239 --> 0:45:18.520
<v Speaker 1>it described certain characters as potential recurring or co stars

0:45:18.600 --> 0:45:21.160
<v Speaker 1>or guest stars. And I had a very good audition.

0:45:21.200 --> 0:45:23.600
<v Speaker 1>I knew the audition went well. The word the feedback

0:45:23.719 --> 0:45:25.680
<v Speaker 1>was that they loved the audition, but they were going

0:45:25.680 --> 0:45:27.879
<v Speaker 1>with a different guy for that role. Would you come

0:45:27.920 --> 0:45:31.279
<v Speaker 1>back and read this other character named Dollar Bill? And

0:45:31.320 --> 0:45:34.080
<v Speaker 1>in the breakdown it just said co star. I think

0:45:34.080 --> 0:45:37.120
<v Speaker 1>it was three lines, not even potential with the star.

0:45:37.840 --> 0:45:40.440
<v Speaker 1>I think, so, yeah, yeah, I'm almost positive. And this

0:45:40.520 --> 0:45:43.480
<v Speaker 1>was for the pilot, and I was not doing co

0:45:43.640 --> 0:45:46.840
<v Speaker 1>star roles anymore. I wasn't doing just functionary roles. I

0:45:46.840 --> 0:45:49.160
<v Speaker 1>didn't want. I wanted something that had I was even

0:45:49.200 --> 0:45:50.919
<v Speaker 1>going to do a guest star. I was trying to

0:45:51.239 --> 0:45:53.880
<v Speaker 1>push to just do something that that was integral to

0:45:53.920 --> 0:45:57.160
<v Speaker 1>the plot, and this wasn't at the time. This is

0:45:57.280 --> 0:46:00.560
<v Speaker 1>what I read on the page. So I said no, passed,

0:46:01.280 --> 0:46:03.160
<v Speaker 1>And then over the weekend I was thinking about it,

0:46:03.200 --> 0:46:05.080
<v Speaker 1>and I was like, don a Bill, Well, they've they've

0:46:05.160 --> 0:46:07.799
<v Speaker 1>put some thought into that's a funny nickname, and he's

0:46:07.840 --> 0:46:10.279
<v Speaker 1>described as the cheapest billionaire in America. It's like, this

0:46:10.360 --> 0:46:12.920
<v Speaker 1>is this is kind of am I making a mistake.

0:46:12.960 --> 0:46:14.719
<v Speaker 1>And then I was like, oh, my god, Damian Lewis

0:46:14.719 --> 0:46:15.080
<v Speaker 1>and Paul G.

0:46:15.200 --> 0:46:15.759
<v Speaker 2>Madier in it.

0:46:15.800 --> 0:46:18.040
<v Speaker 1>I'm like, god, these guys did rounders. Holy shit. I

0:46:18.040 --> 0:46:20.040
<v Speaker 1>think I made a mistake. And it was the pilot.

0:46:20.080 --> 0:46:23.040
<v Speaker 1>You know, you you if it gets picked up and

0:46:23.080 --> 0:46:25.840
<v Speaker 1>it's something it's not going to develop into something more

0:46:25.920 --> 0:46:28.800
<v Speaker 1>than you could, you could back out. And so I

0:46:28.880 --> 0:46:32.359
<v Speaker 1>called them the morning on Monday morning and said, can

0:46:32.400 --> 0:46:34.480
<v Speaker 1>you still get me in? And they said, yeah, if

0:46:34.520 --> 0:46:37.440
<v Speaker 1>you can be there in three hours, yes, So I

0:46:37.440 --> 0:46:39.560
<v Speaker 1>went in and did the audition and I got it,

0:46:39.640 --> 0:46:42.200
<v Speaker 1>and my god, that would have been the biggest mistake

0:46:43.160 --> 0:46:46.919
<v Speaker 1>of my life. I think about how close I came

0:46:47.000 --> 0:46:50.920
<v Speaker 1>to screwing that up. Anyway, So, yeah, it was. It

0:46:51.000 --> 0:46:55.160
<v Speaker 1>was an audition and it started very small, but little

0:46:55.200 --> 0:46:57.520
<v Speaker 1>hints of things. From the beginning, there were little, little

0:46:57.560 --> 0:47:01.240
<v Speaker 1>moments that were fun. But it wasn't until late season

0:47:01.280 --> 0:47:04.759
<v Speaker 1>one that I started getting some real meaty stuff. I

0:47:04.800 --> 0:47:09.000
<v Speaker 1>didn't become a series regular until season three, actually three. Yeah,

0:47:09.200 --> 0:47:11.960
<v Speaker 1>I was recurring, and I think I was in literally

0:47:12.000 --> 0:47:15.640
<v Speaker 1>every episode until then. But yeah, and I was surprised

0:47:15.640 --> 0:47:19.000
<v Speaker 1>because that laid into a run. I wouldn't have expected

0:47:19.040 --> 0:47:23.479
<v Speaker 1>to get that offer that bump, but I was glad

0:47:23.520 --> 0:47:23.719
<v Speaker 1>I did.

0:47:23.880 --> 0:47:28.799
<v Speaker 2>That was fun. Did you do any specific research in

0:47:28.920 --> 0:47:32.399
<v Speaker 2>terms of finance or anything.

0:47:32.719 --> 0:47:38.520
<v Speaker 1>No, No, because I'm a lazy actor. Now. The character

0:47:38.680 --> 0:47:43.320
<v Speaker 1>was so specifically written, and particularly early on, I didn't

0:47:43.360 --> 0:47:45.960
<v Speaker 1>have a ton of exposition or a ton of big

0:47:47.400 --> 0:47:52.360
<v Speaker 1>descriptive well that's what his exposition is. I had small interactions,

0:47:52.480 --> 0:47:54.879
<v Speaker 1>and we did have a guy on set who had

0:47:54.920 --> 0:47:58.240
<v Speaker 1>been in the business before, and you could ask him anything.

0:47:58.239 --> 0:48:00.200
<v Speaker 1>You could ask Brian and David, the show owners any thing.

0:48:00.880 --> 0:48:03.439
<v Speaker 1>He even this other guy a couple times have be like, Kelly,

0:48:03.440 --> 0:48:06.440
<v Speaker 1>do you know what you just said? I was like yeah,

0:48:06.719 --> 0:48:10.160
<v Speaker 1>and he's like, mm no, this is what you mean.

0:48:10.280 --> 0:48:13.000
<v Speaker 1>And so we had we had guardrails, and I knew

0:48:13.600 --> 0:48:16.000
<v Speaker 1>I know less about finance than probably ninety percent of

0:48:16.040 --> 0:48:20.360
<v Speaker 1>the people listening to this podcast, right, But I learned

0:48:20.400 --> 0:48:21.719
<v Speaker 1>for the day and then it was out of my

0:48:21.760 --> 0:48:22.160
<v Speaker 1>head again.

0:48:22.760 --> 0:48:28.400
<v Speaker 2>Right. You've talked in the past about working physically on

0:48:28.800 --> 0:48:32.480
<v Speaker 2>Dollar Bill, and that's something that's always really important to me.

0:48:32.719 --> 0:48:36.880
<v Speaker 2>So I'm fascinated on a personal level about that. Is

0:48:36.920 --> 0:48:39.200
<v Speaker 2>this something that you do for all of your characters

0:48:39.280 --> 0:48:43.319
<v Speaker 2>you believe or was there something about him that you

0:48:43.320 --> 0:48:48.160
<v Speaker 2>you felt like you needed something. There are I mean,

0:48:48.640 --> 0:48:51.000
<v Speaker 2>to a certain extent, on every character. There's you know,

0:48:51.239 --> 0:48:53.840
<v Speaker 2>there's some gestures or there's some ways of caring yourself

0:48:53.920 --> 0:48:56.880
<v Speaker 2>or sitting or something that you can if you can

0:48:56.960 --> 0:48:59.680
<v Speaker 2>key into it helps launch you. It's oh, set a

0:48:59.719 --> 0:49:02.719
<v Speaker 2>crack a code.

0:49:02.280 --> 0:49:05.160
<v Speaker 1>With dollar Bill. It was a little more acute, just

0:49:05.160 --> 0:49:08.960
<v Speaker 1>because it seems so obvious. It's like, well, he never

0:49:09.000 --> 0:49:12.440
<v Speaker 1>stands with his feet together, he never sits with his

0:49:12.520 --> 0:49:15.440
<v Speaker 1>knees together. He's he's a man. He takes up space

0:49:16.120 --> 0:49:19.239
<v Speaker 1>because he can. He's a bit of a bully. He's

0:49:19.239 --> 0:49:23.440
<v Speaker 1>a blunt instrument. He does that when he speaks, at

0:49:23.520 --> 0:49:27.560
<v Speaker 1>least initially, it's there's a there's an economy. That just

0:49:27.600 --> 0:49:31.239
<v Speaker 1>felt like he was a blunt instrument. The shaved head

0:49:31.239 --> 0:49:35.720
<v Speaker 1>helped that obviously. So yeah, I think there was a strut,

0:49:36.320 --> 0:49:39.319
<v Speaker 1>there was a taking up space wherever he was, a

0:49:39.360 --> 0:49:43.120
<v Speaker 1>lot of cross crossed arms, a lot of scowling, a

0:49:43.160 --> 0:49:45.680
<v Speaker 1>lot of eye rolling at people he thinks are less

0:49:45.680 --> 0:49:48.799
<v Speaker 1>cool than he is. Yeah, that was that. That was

0:49:48.840 --> 0:49:50.960
<v Speaker 1>sort of it. Just it felt obvious. There's a scene

0:49:50.960 --> 0:49:55.720
<v Speaker 1>where Spiros and I have couple's therapy in Wendy's office

0:49:56.760 --> 0:50:01.280
<v Speaker 1>and Steve Knkan, who plays Spirosho's a great guy despite

0:50:01.320 --> 0:50:04.880
<v Speaker 1>the character replays. And I sat on our couch. We

0:50:05.040 --> 0:50:07.200
<v Speaker 1>just we both immediately on one end or the other.

0:50:08.200 --> 0:50:12.120
<v Speaker 1>He crossed his legs and arms in a very prim

0:50:12.120 --> 0:50:14.720
<v Speaker 1>way as Spiros would and I just sort of lounged

0:50:14.719 --> 0:50:18.400
<v Speaker 1>out and took up half the couch. And the director

0:50:19.239 --> 0:50:22.400
<v Speaker 1>was going to work with us and block figure out

0:50:22.440 --> 0:50:25.640
<v Speaker 1>what the blocking of the scene was. And he was like, oh,

0:50:25.719 --> 0:50:28.080
<v Speaker 1>well there it is all right, bring the crew. And

0:50:30.800 --> 0:50:33.200
<v Speaker 1>because sometimes the character tells you what it wants, you know.

0:50:33.360 --> 0:50:37.040
<v Speaker 2>Yeah, did you have some trigger? And I ask you

0:50:37.200 --> 0:50:41.040
<v Speaker 2>because I did with the role that I played for

0:50:41.080 --> 0:50:42.520
<v Speaker 2>a long time. Something with your jaw.

0:50:44.200 --> 0:50:50.760
<v Speaker 1>I would come home sometimes with my jaw aching because

0:50:50.800 --> 0:50:53.400
<v Speaker 1>it was a yeah, he was a jaw jutter. I

0:50:53.440 --> 0:50:56.160
<v Speaker 1>don't think I did that consciously. I think that just

0:50:56.200 --> 0:50:59.360
<v Speaker 1>came with the rest of it. Yeah, yeah, it was.

0:51:00.520 --> 0:51:02.600
<v Speaker 1>I remember going back and looking and was like, oh, yeah,

0:51:02.640 --> 0:51:08.400
<v Speaker 1>the jaws way out there, but yeah it would or

0:51:08.400 --> 0:51:11.120
<v Speaker 1>my chin is way out there, but my jaw would

0:51:11.200 --> 0:51:13.120
<v Speaker 1>hurt at the end of some of the days. Yeah,

0:51:13.160 --> 0:51:16.560
<v Speaker 1>well you said that, you're you worked that way too.

0:51:16.640 --> 0:51:19.800
<v Speaker 2>You like to work with the physicality as well, Yeah,

0:51:19.800 --> 0:51:24.280
<v Speaker 2>for sure. I mean it's interesting you you talked about,

0:51:24.760 --> 0:51:27.879
<v Speaker 2>you know, just taking up a lot of space, and

0:51:28.239 --> 0:51:32.280
<v Speaker 2>my thought always with Kevin was he was not aware

0:51:32.600 --> 0:51:36.799
<v Speaker 2>of his size, so it was more you know, and

0:51:36.880 --> 0:51:42.719
<v Speaker 2>for me also, there was no pivoting. Kevin's hips did

0:51:42.719 --> 0:51:45.879
<v Speaker 2>not pivot, nor did his really his head, so if

0:51:45.880 --> 0:51:49.280
<v Speaker 2>he had to turn to the right, his entire body

0:51:49.320 --> 0:51:52.799
<v Speaker 2>would turn like the Titanic or something as opposed to

0:51:53.160 --> 0:51:56.600
<v Speaker 2>any sort of nimble looking over the shoulder like that

0:51:56.680 --> 0:51:59.200
<v Speaker 2>didn't happen very often, or at least that was sort

0:51:59.239 --> 0:51:59.800
<v Speaker 2>of the thought.

0:52:00.280 --> 0:52:04.440
<v Speaker 1>Yeah, that's brilliant, and honestly, like little little things like

0:52:04.480 --> 0:52:07.720
<v Speaker 1>that can unlock so much for you in the rest

0:52:07.719 --> 0:52:10.400
<v Speaker 1>of the run of a show. That's great.

0:52:10.520 --> 0:52:14.520
<v Speaker 2>I like that. Recently, you have popped up again with

0:52:14.680 --> 0:52:19.960
<v Speaker 2>your friend Paul Giamatti in the Holdovers. Now was this

0:52:20.360 --> 0:52:22.319
<v Speaker 2>did you guys work this out together or was this

0:52:22.520 --> 0:52:23.480
<v Speaker 2>totally random?

0:52:24.160 --> 0:52:28.960
<v Speaker 1>It was totally random, although come on what I had

0:52:29.000 --> 0:52:32.160
<v Speaker 1>auditioned for. Yeah, I saw so I got the audition,

0:52:32.920 --> 0:52:36.200
<v Speaker 1>and I saw that I saw his name attached to

0:52:36.520 --> 0:52:39.520
<v Speaker 1>the to the breakdown, and I was auditioning initially for

0:52:39.560 --> 0:52:42.719
<v Speaker 1>The Headmaster, which has three set of media scenes, and

0:52:42.800 --> 0:52:47.680
<v Speaker 1>I didn't. I guess. I think I texted him and

0:52:47.719 --> 0:52:50.960
<v Speaker 1>said something about there's a line in there where he

0:52:51.040 --> 0:52:53.960
<v Speaker 1>calls me something about penis breath or something like that

0:52:54.120 --> 0:52:56.400
<v Speaker 1>or whatever it is, or it says, I hope you

0:52:56.400 --> 0:53:00.439
<v Speaker 1>get penis cancer something like that, okay, And I wrote

0:53:00.480 --> 0:53:03.760
<v Speaker 1>to him and I was like, I made some reference

0:53:03.800 --> 0:53:06.200
<v Speaker 1>to that that line, and he was like, oh, you're

0:53:06.239 --> 0:53:08.680
<v Speaker 1>gonna you're reading for the Park great, And then I

0:53:08.719 --> 0:53:11.560
<v Speaker 1>didn't get that, and they I got offered the part

0:53:11.680 --> 0:53:14.560
<v Speaker 1>that I ended up playing, and I have to admit

0:53:14.800 --> 0:53:18.680
<v Speaker 1>it's another example of almost fucking things up. When I

0:53:18.760 --> 0:53:21.279
<v Speaker 1>read the scene on the page, I was disappointed in

0:53:21.320 --> 0:53:23.680
<v Speaker 1>not getting three scenes in a film with Giamatti that

0:53:23.719 --> 0:53:26.000
<v Speaker 1>would have been fun. And I got this other scene

0:53:26.000 --> 0:53:28.359
<v Speaker 1>it was gonna be with him, but it was about

0:53:28.360 --> 0:53:30.160
<v Speaker 1>a page and a half and it was just it

0:53:30.160 --> 0:53:33.400
<v Speaker 1>didn't on the page. It didn't look like much, and

0:53:33.440 --> 0:53:35.759
<v Speaker 1>so I was really thinking of turning it down, and

0:53:35.360 --> 0:53:38.840
<v Speaker 1>Paul texted me and he was like, come on, come on,

0:53:39.360 --> 0:53:43.719
<v Speaker 1>hang out, it'll be fun. And then so I did

0:53:43.800 --> 0:53:46.799
<v Speaker 1>and it was great, and of course I should have

0:53:46.800 --> 0:53:48.319
<v Speaker 1>taken it. I don't do a lot of movies. I

0:53:48.360 --> 0:53:49.520
<v Speaker 1>do a lot of TV. I don't do a lot

0:53:49.560 --> 0:53:53.200
<v Speaker 1>of movies. I love Alexander Payne. The script was brilliant.

0:53:53.280 --> 0:53:55.239
<v Speaker 1>I got to work with my buddy. Didn't matter if

0:53:55.239 --> 0:53:57.319
<v Speaker 1>it was small, it was. It was a great time

0:53:57.400 --> 0:54:00.879
<v Speaker 1>and the scene ended up being I think, lovely. So yeah,

0:54:01.120 --> 0:54:03.040
<v Speaker 1>there have been a handful of times in my career

0:54:03.080 --> 0:54:06.840
<v Speaker 1>in life where I'm really glad I got out of

0:54:06.880 --> 0:54:12.160
<v Speaker 1>my own way. He was brilliant and that wasn't.

0:54:12.000 --> 0:54:17.720
<v Speaker 2>He He was good, just so good. Well, this role,

0:54:18.200 --> 0:54:23.239
<v Speaker 2>I assume, based on everything that I have heard, is

0:54:23.400 --> 0:54:28.320
<v Speaker 2>not just a small little scene coming out very soon.

0:54:28.760 --> 0:54:33.479
<v Speaker 2>New show for you clipped get it because it's about

0:54:33.520 --> 0:54:38.719
<v Speaker 2>the Clippers. I know you're a big NBA fan as am.

0:54:38.760 --> 0:54:44.520
<v Speaker 2>I was that particularly make you. By the way, it's

0:54:44.560 --> 0:54:48.279
<v Speaker 2>about the Donald Sterling mess. There was a thirty for

0:54:48.360 --> 0:54:52.799
<v Speaker 2>thirty on that called The Sterling Affairs the podcast, and

0:54:52.840 --> 0:54:56.360
<v Speaker 2>now this is that story. It's you, it's Ed O'Neil,

0:54:57.400 --> 0:55:02.640
<v Speaker 2>Laurence Fishburn, Jackie Weaver. Were you excited about this because

0:55:02.840 --> 0:55:04.600
<v Speaker 2>you were such a big fan of the NBA.

0:55:04.800 --> 0:55:10.040
<v Speaker 1>Yes, absolutely, I was. Literally we were just finishing an

0:55:10.040 --> 0:55:12.520
<v Speaker 1>episode of Winning Time, and I turned to my.

0:55:12.480 --> 0:55:15.160
<v Speaker 2>Wife, Oh yes, I was going to say that, and.

0:55:15.120 --> 0:55:18.319
<v Speaker 1>I said, I want to get my basketball show. And

0:55:18.400 --> 0:55:22.759
<v Speaker 1>two weeks later I had the audition for this. And

0:55:22.840 --> 0:55:25.640
<v Speaker 1>now that I know I have that sort of manifestation power,

0:55:26.280 --> 0:55:29.040
<v Speaker 1>you have to be careful how I wield this power.

0:55:30.400 --> 0:55:33.880
<v Speaker 1>So anyone just wants to stay in my good graces,

0:55:33.920 --> 0:55:40.200
<v Speaker 1>it's fifty bucks. So yeah, I got. I was absolutely thrilled.

0:55:40.280 --> 0:55:44.720
<v Speaker 1>And the audition was this one really big scene between

0:55:44.719 --> 0:55:48.480
<v Speaker 1>my character and Elgin Baylor, so such a delicious, like

0:55:48.600 --> 0:55:51.399
<v Speaker 1>meaty scene, which I was happy to see was kept

0:55:51.440 --> 0:55:55.799
<v Speaker 1>intact for the shooting script and the final cut of

0:55:55.840 --> 0:55:58.799
<v Speaker 1>the episode. Actually it was about twice as long in

0:55:58.840 --> 0:55:59.440
<v Speaker 1>real life.

0:55:59.320 --> 0:55:59.719
<v Speaker 2>But it was.

0:56:00.160 --> 0:56:03.920
<v Speaker 1>Yeah, I did. The writing was so good, the cast

0:56:04.120 --> 0:56:07.480
<v Speaker 1>was so great. I've I've literally I've had fun on

0:56:07.520 --> 0:56:10.839
<v Speaker 1>a lot of shows. I've never had more fun than

0:56:10.920 --> 0:56:14.960
<v Speaker 1>working on this project. Oh wow, everything about it. It

0:56:15.040 --> 0:56:16.440
<v Speaker 1>was fun to live in l A again for a

0:56:16.480 --> 0:56:18.880
<v Speaker 1>little while, like half a block from the Paramount Studio

0:56:18.920 --> 0:56:24.960
<v Speaker 1>where I had literally one thousand rejections, And you know,

0:56:25.200 --> 0:56:28.920
<v Speaker 1>working with Ed a lot. He's I know, people know

0:56:29.000 --> 0:56:32.040
<v Speaker 1>he's he's a really good actor. I think he's an

0:56:32.239 --> 0:56:34.360
<v Speaker 1>he's underrated. I don't think people know how great he

0:56:34.440 --> 0:56:38.799
<v Speaker 1>really is because he makes it look effortless. Yeah, he's

0:56:39.000 --> 0:56:41.040
<v Speaker 1>so good in this. And and the other person I

0:56:41.120 --> 0:56:45.160
<v Speaker 1>worked with the most was was Lawrence Fishburne, who's been

0:56:45.160 --> 0:56:47.719
<v Speaker 1>an acting idol of mine for forever. So I had

0:56:47.840 --> 0:56:49.560
<v Speaker 1>I was like a kid in a candy store and

0:56:49.560 --> 0:56:50.560
<v Speaker 1>I got I had a wig.

0:56:50.840 --> 0:56:54.319
<v Speaker 2>Hey, another wig.

0:56:54.600 --> 0:56:56.360
<v Speaker 1>Significantly less peto wig.

0:56:56.520 --> 0:57:01.080
<v Speaker 2>I will, I will. I am so excited to see it.

0:57:01.200 --> 0:57:04.279
<v Speaker 2>I had the creator of Winning Time on here on

0:57:04.320 --> 0:57:07.720
<v Speaker 2>the podcast before. I was a big fan of that show.

0:57:08.040 --> 0:57:12.520
<v Speaker 2>So yeah, I'm the whole story, which I won't spoil

0:57:12.600 --> 0:57:14.919
<v Speaker 2>it for those of you who don't who haven't read

0:57:14.920 --> 0:57:17.080
<v Speaker 2>the news or know what we're talking about here. It's

0:57:17.120 --> 0:57:22.560
<v Speaker 2>a fascinating story that goes across and I haven't seen it,

0:57:22.600 --> 0:57:26.000
<v Speaker 2>by the way, this is just the story itself that

0:57:26.320 --> 0:57:30.680
<v Speaker 2>deals with all sorts of social issues and well and

0:57:30.800 --> 0:57:34.360
<v Speaker 2>basketball and the NBA and the Clippers franchise. It's a

0:57:34.560 --> 0:57:37.400
<v Speaker 2>it's a great story. I'm I'm glad that you're so

0:57:37.520 --> 0:57:38.320
<v Speaker 2>excited about it.

0:57:38.840 --> 0:57:40.960
<v Speaker 1>Yeah, I'm really excited. And I did get to see

0:57:41.000 --> 0:57:44.720
<v Speaker 1>the episodes, and you know, when you when you have

0:57:44.840 --> 0:57:46.840
<v Speaker 1>so much fun on a gig, you're almost afraid to

0:57:46.880 --> 0:57:49.160
<v Speaker 1>watch it because you have such high hopes and you're

0:57:49.200 --> 0:57:52.480
<v Speaker 1>afraid it's not going to live up. And I'm I'm

0:57:52.520 --> 0:57:55.440
<v Speaker 1>thrilled with how it came out. I'm just I'm thrilled.

0:57:55.560 --> 0:58:00.800
<v Speaker 1>Gina Welsh is the great showrunner and writer, and I

0:58:00.840 --> 0:58:04.040
<v Speaker 1>think she's just along with the directors, it's really created

0:58:04.080 --> 0:58:07.440
<v Speaker 1>something special. I'm I'm thrilled with it. I'm thrilled, and

0:58:07.480 --> 0:58:09.240
<v Speaker 1>I watched it a second time, which I don't usually do,

0:58:09.320 --> 0:58:10.120
<v Speaker 1>and things I'm.

0:58:09.920 --> 0:58:15.600
<v Speaker 2>In well that that is so so awesome. This week,

0:58:16.320 --> 0:58:20.959
<v Speaker 2>in fact, June the fourth, it premieres. Everybody check it out.

0:58:21.200 --> 0:58:25.080
<v Speaker 2>I will be watching for sure. Kelly, thank you so

0:58:25.200 --> 0:58:28.200
<v Speaker 2>much for joining me. You're a delight. I hope we

0:58:28.360 --> 0:58:31.120
<v Speaker 2>work together sometimes. You're an interesting guy.

0:58:31.760 --> 0:58:33.440
<v Speaker 1>I was just saying the same thing, not that I

0:58:33.440 --> 0:58:35.000
<v Speaker 1>was an interesting guy that I would like. I was

0:58:35.000 --> 0:58:37.280
<v Speaker 1>thinking the same thing that I'd like to I'd like

0:58:37.360 --> 0:58:40.439
<v Speaker 1>to work with you very very much. I'm a huge fan. Yeah,

0:58:40.480 --> 0:58:44.040
<v Speaker 1>I watched every episode of that of your show, like twice.

0:58:45.160 --> 0:58:48.240
<v Speaker 1>Well stuff well, and it was a kid and it

0:58:48.320 --> 0:58:51.920
<v Speaker 1>really was about that ensemble. Ensemble was what made it.

0:58:52.640 --> 0:58:56.400
<v Speaker 1>That chemistry was what made that show better than just a.

0:58:56.080 --> 0:58:56.880
<v Speaker 2>Really good comedy.

0:58:57.040 --> 0:58:58.800
<v Speaker 1>You know, it's one of the Pantheon shows.

0:58:59.120 --> 0:59:01.440
<v Speaker 2>Yeah, well, thank you so much. I really appreciate that,

0:59:01.520 --> 0:59:04.480
<v Speaker 2>and I appreciate you coming on here talking to me.

0:59:04.880 --> 0:59:08.040
<v Speaker 2>You know, people love to hate that piece of shit

0:59:08.200 --> 0:59:10.280
<v Speaker 2>Dollar Bill, so I know people are going to be

0:59:10.280 --> 0:59:15.280
<v Speaker 2>excited to hear from from you, and uh to watch Clipped.

0:59:16.280 --> 0:59:22.640
<v Speaker 2>It's it's Roser, Roser Junior and Roser okay who of

0:59:22.680 --> 0:59:27.120
<v Speaker 2>course Donald Sterling's right hand man in the thick of things.

0:59:27.640 --> 0:59:31.520
<v Speaker 2>Congratulations on the success and good luck with the show,

0:59:31.560 --> 0:59:34.120
<v Speaker 2>and I'll send you my review when I'm done.

0:59:34.240 --> 0:59:36.080
<v Speaker 1>Thank you please, point by point.

0:59:36.560 --> 0:59:51.600
<v Speaker 2>Yeah, okay, thank you Kelly for all of that. That

0:59:51.760 --> 0:59:54.920
<v Speaker 2>was really really a lot of fun. Listeners, be sure

0:59:55.080 --> 0:59:59.760
<v Speaker 2>to watch Clipped. It premieres today. If you're listening when

0:59:59.760 --> 1:00:03.440
<v Speaker 2>this episode premieres June the fourth on Hulu, I know

1:00:03.720 --> 1:00:07.320
<v Speaker 2>that I will be tuning in. Speaking of tuning in,

1:00:07.360 --> 1:00:09.840
<v Speaker 2>don't forget to tune in next week right here, same

1:00:09.960 --> 1:00:14.400
<v Speaker 2>Bat channel, same Bat time for another dose of me

1:00:15.000 --> 1:00:21.040
<v Speaker 2>with another fantastic guest. Until then, have a spectacular Week

1:00:28.360 --> 1:00:31.320
<v Speaker 2>Off the Beat is hosted and executive produced by me

1:00:31.680 --> 1:00:36.160
<v Speaker 2>Brian Baumgartner, alongside our executive producer Ling Lee. Our senior

1:00:36.200 --> 1:00:40.320
<v Speaker 2>producer is Diego Tapia. Our producers are Liz Hayes, Hannah

1:00:40.360 --> 1:00:45.120
<v Speaker 2>Harris and Emily Carr. Our talent producer is Ryan Papa Zachary,

1:00:45.400 --> 1:00:49.160
<v Speaker 2>and our intern is Ali Amir Sahem. Our theme song

1:00:49.320 --> 1:00:53.760
<v Speaker 2>Bubble and Squeak, performed by the one and only Creed Bratton,