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Speaker 1: Look man, oh I see you? Why why and look

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Speaker 1: over there? How is that culture? Yes? Goodness ding dong

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Speaker 1: last culture. Well, here's the thing, y'all are probably feeling

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Speaker 1: some type of way, either positive or negative right now.

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Speaker 1: Wouldn't you agree, Bowen? I would agree because this is

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Speaker 1: a fun little time capsule. This is maybe one of

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Speaker 1: the last pieces of recorded media pre general election. Yeah, yeah,

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Speaker 1: we are recording this on Monday, November two. Tomorrow is Tuesday,

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Speaker 1: November three, That is election day. And we don't know

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Speaker 1: how everything shook out. Um we are. Things are probably

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Speaker 1: maybe even shaking out still, yeah, currently, and um, we're

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Speaker 1: all in it together. We hope we're feeling good right

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Speaker 1: now in the future, but if we're not, um, you're

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Speaker 1: in luck because nothing about this podcast going forward will

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Speaker 1: be about the election. This is a quote unquote safe space,

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Speaker 1: as I believe, um, white women call them. What you

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Speaker 1: said that we have to touch on some current events

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Speaker 1: before we get going on the mission of today's episode.

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Speaker 1: What are you talking about? Yeah, well, two things. Um.

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Speaker 1: One is Ariana Grand's positions, which I feel like Initially

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Speaker 1: my idea for the episode and my pitch to Bowen

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Speaker 1: was why don't we deep dive on positions and I

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Speaker 1: received the following response from Bowen, m letting me think

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Speaker 1: what about and then he kind of so it was

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Speaker 1: clear that he didn't want to do that. But I

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Speaker 1: do want to know your thoughts on the Albu. I

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Speaker 1: think it's a fine album. I think it's great, only fine.

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Speaker 1: I think I listened to it the first time and

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Speaker 1: I was really enjoying and satisfied, But then there was

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Speaker 1: something like it wasn't sticking in certain like there's certain

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Speaker 1: tracks that I really enjoyed that I was like, what

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Speaker 1: is it? And then I don't. I don't. I don't

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Speaker 1: want this to be a thing where I'm informed by

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Speaker 1: the critical response of something. But I do feel like

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Speaker 1: the thing that is that was articulated by some writers

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Speaker 1: was that, um, it's it's safe for Ari, but she's

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Speaker 1: like she is fully within her power to release this

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Speaker 1: kind of album, which I love. That it's like a

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Speaker 1: horny vibe the entire time, and it's and it's sustained

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Speaker 1: the entire time. I don't feel it's safe. I guess

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Speaker 1: I'm I'm on the other the other end of this.

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Speaker 1: I think like the criticism I'm hearing is that there's

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Speaker 1: not a lot of quote unquote growth, But for me,

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Speaker 1: it's like there's a lot of lyrical growth. I mean,

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Speaker 1: I think this is the funniest she's been. I think

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Speaker 1: this is the hornyest and sexiest she's been. And I

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Speaker 1: also think, like, um, you know, I feel like it's

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Speaker 1: the most fun she's had in a while. If the

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Speaker 1: album has weak spots, for me, it's in the collapse.

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Speaker 1: I actually think the just Ariana songs are better, and

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Speaker 1: I actually think that the album really picks up in

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Speaker 1: the second half, like all my favorite tracks are in

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Speaker 1: the second half of the album. But I love this

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Speaker 1: album and it really kind of is a throwback to me.

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Speaker 1: Um to like late nineties R and B, like like

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Speaker 1: early too early at R and B, and I like

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Speaker 1: R and B pop from that time, and I really

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Speaker 1: like it. Um But it's weird, like the response to

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Speaker 1: this has not in as emphatic as I think it were.

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Speaker 1: It was for Sweetener and Thank You Next, which I

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Speaker 1: think are great, but not as good as this one.

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Speaker 1: I don't know. Well, I listened to Thank You Next again,

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Speaker 1: and I remember kind of being lukewarm on it when

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Speaker 1: it first came out, But I listened back to it Now,

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Speaker 1: I'm like, oh, there are some like classic songs on

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Speaker 1: this Yeah, I mean, for sure it's a great album.

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Speaker 1: I just think, like for me, I was pretty done

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Speaker 1: for when she said I have have a drinking coffee like

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Speaker 1: you love the lyric I keep it squeaky. Oh you

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Speaker 1: know I keep it squeaky, And I would like to

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Speaker 1: think I keep it squeaky. I'm sure you do. But look,

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Speaker 1: I feel like Positions as an album, will it developed

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Speaker 1: the patina over time that like Thank You Next has sweetener?

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Speaker 1: I feel like has An aged that well? But Thank

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Speaker 1: You Next, I think has aged wonderfully. I feel like

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Speaker 1: Positions is sort of at the same frequency for most

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Speaker 1: of the album, and that's why I'm like, will it

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Speaker 1: when we look back on it and be like, wow,

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Speaker 1: one of Ari's best works? But I came on the

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Speaker 1: thread and said, wow, this is her best album since

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Speaker 1: Dangerous Woman, which I take back now. Unfortunately, it's so

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Speaker 1: funny because usually it takes me a while to warm

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Speaker 1: up to Ariana Grande albums because I am looking for

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Speaker 1: like that bop right off the bat, and even when

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Speaker 1: Position of the song came out, I was like, okay, cool, yeah,

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Speaker 1: interested to hear the rest of the album, and now

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Speaker 1: I like Positions more. Every single time I listen to Positions,

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Speaker 1: I like it more and more and more. It's so

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Speaker 1: it's having an interesting, uh relationship to this album because

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Speaker 1: I love it so much, sooner than I usually love

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Speaker 1: ari What are you are? Are you swatting at something?

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Speaker 1: I was cleaning the weed that I just put in

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Speaker 1: my bowl off the table and Ariana's album remind it's

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Speaker 1: a really good smoke and fuck album. Uh. So, I'm

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Speaker 1: just saying, maybe you're not enjoying it now, but wait

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Speaker 1: till you get your How do we say this, dick

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Speaker 1: hard vagina wit? Um? You know anything anything you've got

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Speaker 1: going on ready for sexual activity, and you've had you've

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Speaker 1: you've had this experience yourself. Cannot confirm her deny? Um

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Speaker 1: can I confirm her deny? But I'm just saying I

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Speaker 1: knew from the jump that this was going to be

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Speaker 1: that kind of record, and we are very excited about it,

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Speaker 1: and this I'm less excited about something else. And this

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Speaker 1: is a fucking bummer. Oh no, what is this? I'm

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Speaker 1: so sad about the passing of Nicky McKibbin. I mean,

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Speaker 1: she for everyone that doesn't know was the third place

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Speaker 1: contestant on the very first season of American Idol. She

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Speaker 1: kind of was like the original redheaded rocker of that show,

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Speaker 1: which kind of went through many many iterations of her.

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Speaker 1: So she really was a type on that show that

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Speaker 1: remained for many years, and she kind of was famous

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Speaker 1: for um kind of overstaying her welcome on the show.

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Speaker 1: She kind of beat out some I guess more iconic contestants,

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Speaker 1: like to Myra Gray, and she was like the first,

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Speaker 1: like how are they still on contestant? But I will

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Speaker 1: say this, looking back at her old performances, she actually

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Speaker 1: had a cool voice and a and a cool vibe.

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Speaker 1: She just was doing something different than everyone else was

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Speaker 1: at the time because the show at the time was

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Speaker 1: kind of very much focused on finding uh in female

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Speaker 1: singers like the next Celine Dion, Like it was very

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Speaker 1: much the era of the extended belt. You know, the

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Speaker 1: highest note would be the best singer quote unquote, and

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Speaker 1: she um was doing something different. She had she had

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Speaker 1: like a rock vocal, and she seemed like an unruly presence.

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Speaker 1: She definitely had stage charisma and uh maybe go check

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Speaker 1: out some some of her old performances such as I'm

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Speaker 1: the only One by Melissa Ethridge and Mary Jane by

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Speaker 1: a lot of Moore Set and Black Velvet by a

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Speaker 1: lot of Miles. I mean, it's the first time I

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Speaker 1: had ever heard the song Black Velvet and uh I

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Speaker 1: love that day. Yeah, So I was she passed away

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Speaker 1: of an aneurism at age forty two and so rest

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Speaker 1: in peace. That's very tragic. And I know that she

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Speaker 1: kind of had a rough go of things over the

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Speaker 1: past decade and a half or so, so very bummed

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Speaker 1: about that. But she left she left such a such

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Speaker 1: a meaningful mark on um are sort of musical knowledge,

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Speaker 1: like I wouldn't have had like an entry point into

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Speaker 1: like that kind of female rock vocal hadn't up in

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Speaker 1: for her. Yeah, I think that that was the first

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Speaker 1: time I heard Black Velvet two. Yeah, And you know,

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Speaker 1: it's so it's so interesting because I actually credit like

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Speaker 1: um a knowledge of music that I have to American

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Speaker 1: idol because you know, and I think this is kind

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Speaker 1: of maybe true for many of our contemporaries and people

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Speaker 1: that are our age, Like I don't know if I

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Speaker 1: would have known so much motown had you know, which

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Speaker 1: felt cool. I didn't know who Gladys Knight was until

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Speaker 1: she showed up as a guest judge in season two

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Speaker 1: and I was like, oh my god, I've heard that

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Speaker 1: Midnight Trained George a song before, and that's the Women,

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Speaker 1: and she has all these other songs like and who

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Speaker 1: were the like the Pips, and like it was. Yeah,

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Speaker 1: American idol, I think was really really actually solid prim

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Speaker 1: or prime or whatever on American music. And speaking of which,

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Speaker 1: how's this first seg I mean, you know, you know,

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Speaker 1: aroused to want to put on positions. She'd be proud

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Speaker 1: of what we're doing today. She'd be proud of a

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Speaker 1: couple of things are going on. This is the end

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Speaker 1: of our Matt and Bow and Get High trilogy, I

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Speaker 1: would say. And it's not to say that we won't

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Speaker 1: do it again in the future, but I think as

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Speaker 1: a serialized event, this is the third and final consecutive

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Speaker 1: episode where it's just me and Matt, no guest and

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Speaker 1: we Get High. Um, there's that. But then maybe, as

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Speaker 1: you've been able to tell from the title of this episode,

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Speaker 1: this is we are going to undertake something I think

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Speaker 1: very ambitious. Matt, what do you do you want to

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Speaker 1: how do you want to explain this? Well, so basically

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Speaker 1: a lot of times. Actually, after we talk about music,

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Speaker 1: some people will get in the d M s and

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Speaker 1: be like, y'all need to make a playlist like a

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Speaker 1: last culture Es playlist. Um, where we've talked about so

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Speaker 1: much music and people want one place to find it all.

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Speaker 1: So we actually are kind of free form gonna put

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Speaker 1: together a playlist right now called Matt and Bowen's Infinite

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Speaker 1: Playlist the New Standards, And this is gonna be a

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Speaker 1: public playlist that anyone one can you know, sign on

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Speaker 1: up for. And um, I think this is going to

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Speaker 1: end up in chaos, no doubt. But it's a collaborative

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Speaker 1: at for all of our listeners to contribute to. But

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Speaker 1: these are going to be these songs that are as

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Speaker 1: you've heard, not say the New Standards, the songs that

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Speaker 1: go into the New American Song Book. Is that correct? Yes?

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Speaker 1: So Hans is asking ahead of content. Hans is asking Bowen,

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Speaker 1: are you making a custom cover for this playlist? Absolutely?

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Speaker 1: I am you know bow and Yang be making custom covers.

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Speaker 1: Thank you, Hans, and Hans says owengy they're so good,

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Speaker 1: Thank you, Hans. This one will be this one will

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Speaker 1: be fun. I love whenever Bow and Yang gets customed. Okay,

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Speaker 1: so what is the mission here, Matt. Let's let's drill

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Speaker 1: down deeper into the mission before we let's get our

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Speaker 1: point of view very clear and solid for us and

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Speaker 1: for the listener, for the reader, before we start to

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Speaker 1: add to this playlist. This is very exciting. I feel

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Speaker 1: very I feel anticipation. Oh yeah, I mean I would

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Speaker 1: say that our goal for the playlists is for it

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Speaker 1: to be the best playlists of all time, obviously, and

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Speaker 1: to make every one happy that listens to it. No

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Speaker 1: one will have any criticism of it. That's one of

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Speaker 1: our goals. It's lofty goal, but I think we can

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Speaker 1: do it. And I would love for every single artist

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Speaker 1: that we shout out on this playlist to reach out

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Speaker 1: to us with praise. And so I would say that

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Speaker 1: those are sort of the the goals, hashtag goals I believe.

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Speaker 1: As white women say, um of the podcast, what would

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Speaker 1: you say abouten, I would say I would agree with

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Speaker 1: all of those points, and I would just also want

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Speaker 1: to maybe put out there the again lofty goal of

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Speaker 1: having almost every single artist musical artist that has ever

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Speaker 1: lived represented on this playlist. Yeah, and I also just

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Speaker 1: want to just preface right now this is not going

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Speaker 1: to be like a quote cool playlist. We don't care.

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Speaker 1: I'm not there's not going to be like any Grimes

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Speaker 1: on this, you understand, like, oh, yes, is Grimes cool?

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Speaker 1: Is that a good example? I think Grimes is cool?

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Speaker 1: Maybe I mean Grimes Grimes is politics would endanger the

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Speaker 1: lives of a lot of the people listening to this.

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Speaker 1: Perhaps is she certain endangering my life by by being

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Speaker 1: married to to that man? Ellen? Are they not married?

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Speaker 1: Are there? I don't even know. Yeah, it's really culture

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Speaker 1: number eleven. That's true. And you know what else is true? Um,

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Speaker 1: Hans is telling me to do this, and I and

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Speaker 1: thank you Hans. Where we have to tell you the

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Speaker 1: reader where and how you can find the playlist before

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Speaker 1: we start, and that is it's going to be a public,

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Speaker 1: collaborative Spotify playlist. We will do our best to refresh

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Speaker 1: it and um, I will convert it to an Apple

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Speaker 1: Music playlist as well, but it might not be a

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Speaker 1: real time, it might not track the additions um as well.

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Speaker 1: But we will give you the initial starter pack starter

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Speaker 1: deck of songs in the playlist on Apple Music, and

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Speaker 1: I will try to periodically update it. But you know,

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Speaker 1: if we're opening this playlist up to our many listeners,

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Speaker 1: and we love you very much. You know, things might

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Speaker 1: get a little bloated, wouldn't you say? I have to say,

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Speaker 1: I actually hate this idea and don't think it should

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Speaker 1: be collaborator of Well, then you put it out there.

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Speaker 1: I mean I was I thought it was just gonna

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Speaker 1: be me and you, But now you're you were the

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Speaker 1: one who would open the door say that. Did I

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Speaker 1: say that? Yes? You did? You absolutely did. No, Well,

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Speaker 1: I take it back. I don't think that any oh

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Speaker 1: should be able to come along and add a thing.

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Speaker 1: I think this is collaborative and that me and you

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Speaker 1: are collaborating. Oh okay, honey, I don't trust them. I

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Speaker 1: love them. I have an idea. I have an idea.

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Speaker 1: I have an idea what there's gonna be this playlist

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Speaker 1: and then there's going to be that is not collaborative.

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Speaker 1: And I'm going to start another playlist that are audition songs,

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Speaker 1: that are songs that you want to throw in the

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Speaker 1: running to be on the playlist. That's cool, and you're

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Speaker 1: gonna they're gonna be duplicate song adds. But I'm just

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Speaker 1: gonna filter it so that I see whatever whatever has

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Speaker 1: whatever songs have the most contributions, hits whatever, those will

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Speaker 1: be potentially in the running to be added into the songbook. Yeah,

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Speaker 1: and it's gonna be called Lost Cultures this um infinite playlist, Colin,

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Speaker 1: go ahead, give it a shot. Dot dot That's when

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Speaker 1: that's gonna be called. Go ahead, give it a shot.

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Speaker 1: I mean it's like, you know, you like the kids

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Speaker 1: try and then you see you see. So I'm very

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Speaker 1: excited for this, Matt, we have now them in Oh

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Speaker 1: oh thrilled, Oh thrilled. We have not really come in

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Speaker 1: with um are sort of pre pre biased or or

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Speaker 1: or inherent biases musically, although Matt did come in hot

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Speaker 1: on this zoom and said, why is Hayley Steinfeld the

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Speaker 1: queen of pop? The way Hayley Steinfeld is the queen

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Speaker 1: of pop? So first of all, it has to be said,

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Speaker 1: Hayley Steinfeld is kind of a queen of pop. And

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Speaker 1: we actually have an apology to make. We have a

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Speaker 1: sincere apology to make. We this actually happened a few

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Speaker 1: years ago. We got on this podcast actually was a

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Speaker 1: live podcast saving we were doing at the Bellhouse. I

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Speaker 1: don't remember the date. I'm gonna say like probably around

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Speaker 1: something like that. I don't remember exactly, but maybe it

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Speaker 1: was our third I don't think so, honey live. But anyway,

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Speaker 1: we got on the mike real hot, and sometimes when

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Speaker 1: we're in a live setting we do Matt and Bowen.

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Speaker 1: They get a little carried away the Lost culturestas and

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Speaker 1: they sort of say things that are crazy. Um, and

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Speaker 1: it ends up in a recorded episode of Lost Cultureistas.

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Speaker 1: But what we had said on this episode was that

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Speaker 1: Hailey Steinfeld was a Trump voter. That we had a

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Speaker 1: well placed source that said Haley Steinfeld quote couldn't stop

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Speaker 1: talking about Trump on the set of Pitch Perfect too.

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Speaker 1: We have been sort of reached out to by some

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Speaker 1: Haley fans who's have sort of given the receipts that

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Speaker 1: this is not true, and so we have to retract this.

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Speaker 1: Haley Steinfeld is not a Trump voter, but she is

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Speaker 1: a queen of pop. We're so we just want to

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Speaker 1: I just want to apologize again on my own behalf

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Speaker 1: and our behalf as a as a duo. Um, we

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Speaker 1: were so sorry. We're so emotional harm this may have

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Speaker 1: caused to Haley or her fans. Um, we love her,

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Speaker 1: We love her very much, and damning labels can really

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Speaker 1: hurt people, and so we have to sort of retract

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Speaker 1: that and say that Haley Steinfeld is not, we're gonna say,

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Speaker 1: not a Trump voter. But she is on the list.

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Speaker 1: She's on the playlist with the song love Myself. She's

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Speaker 1: on the playlist with the song love Myself. This this

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Speaker 1: song famously did not make the top two list of Culture,

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Speaker 1: but this is different, and she Loved Myself is on

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Speaker 1: the playlist. You would think that it might be too

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Speaker 1: early to add another Hailey Steinfeld song, but I really

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Speaker 1: really love rock Bottom very very much. Um, so I'm

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Speaker 1: going to add that as well. Rock Bottom is on

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Speaker 1: the list. We're on the red side of rock. And

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Speaker 1: here's here's the thing, um about Haley. You actually are

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Speaker 1: thinking that it might be too early to add another

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Speaker 1: Hailey song to the list. You might be thinking it's

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Speaker 1: not too early, because what actually goes on the list

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Speaker 1: is the song I Love Us, which samples no More

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Speaker 1: I Love used by Annie Lennox, and I like that,

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Speaker 1: and so it's on the list. And so we've got

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Speaker 1: three Hailey Steinfeld songs, which makes her not only the

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Speaker 1: reigning champion of the list. And we forgot to say this,

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Speaker 1: but there will be a Champion of the list at

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Speaker 1: the end. But she's also now in the Rock and

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Speaker 1: Roll Hall of Fame. So congratulations to Haley. She's the

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Speaker 1: Queen of Pop, and she's the Queen of Pop and

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Speaker 1: and and an inductee in the and the Rock and

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Speaker 1: Roll Hall of Fame and the Champion of the list

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Speaker 1: so far. So she's already got three titles. And to

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Speaker 1: to know that in this moment she's the current reigning

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Speaker 1: queen of Pop is really huge. So congratulations to Haley Steinfeld. Um. Now,

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Speaker 1: I actually I'm immediately sort of pulled in a certain direction.

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Speaker 1: But what are you thinking? Because it's your turn to

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Speaker 1: add something? Okay, So my turn to add something now,

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Speaker 1: and this is of course the new Okay. Can we

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Speaker 1: get to the bottom of this. Their new standards. It's

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Speaker 1: not the new American song, but because that feels very

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Speaker 1: that feels that feels wrong to me. It should be

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Speaker 1: new standards, new songs that everyone should know and it

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Speaker 1: should define our generation. Absolutely, So every song here defines

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Speaker 1: a generation, which and I know it is your your turn,

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Speaker 1: but because you use this example, can I just shout

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Speaker 1: out one thing? Yeah, what I want to put in

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Speaker 1: a song, though, go put it in a song, then, okay,

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Speaker 1: I'm putting in a song. It's by one of my

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Speaker 1: favorite artists. I truly do, genuinely, genuinely think is a

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Speaker 1: is a generation defining artist. Charlie xc X Room Room,

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Speaker 1: Charlie xc X, room room. And it's actually so funny

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Speaker 1: that you say that, because you some people might think

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Speaker 1: it's too soon to add another Charlie song to the list,

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Speaker 1: but actually we just we just checked in and it's

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Speaker 1: actually not too soon, and that's why we're adding I

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Speaker 1: don't want to know by Charlie xc X to god,

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Speaker 1: I mean Fleetwood Mac who I don't want to know

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Speaker 1: Fleetwood Max song called I don't want to know. I

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Speaker 1: don't want to I don't want to know that. I

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Speaker 1: don't want to know that. Are you adding it to

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Speaker 1: the I'm not refreshing the playlists I'm adding, so I'm sorry.

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Speaker 1: I just got so excited that you how to do it.

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Speaker 1: At my time, I have to be able to keep up,

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Speaker 1: I have to be able to watch these come in live.

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Speaker 1: I completely agree with you. And so there we have

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Speaker 1: literally making a run for champion of the list. Charlie

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Speaker 1: x X with two Haley Steinfeld with three. So we

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Speaker 1: have a sort of tight race on our hands right now.

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Speaker 1: And um, we didn't even know it was also a

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Speaker 1: competition in this way, but all of a sudden it

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Speaker 1: suddenly has become that, you know what I mean, it

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Speaker 1: suddenly has um, is it my turn? It actually is

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Speaker 1: your turn, because I just got so excited about my turn,

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Speaker 1: and to think I still have this standard on the

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Speaker 1: back burner. But you go ahead and go, I'm going

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Speaker 1: to add and so far we've only added white women,

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Speaker 1: and I'm going to keep that trend going, as white

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Speaker 1: women say, as women's way, let's let's keep that trend going.

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Speaker 1: Is actually let's actually the white women say that, and

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Speaker 1: they do say that I am going to add a

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Speaker 1: white woman played by another white woman. There's a lot

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Speaker 1: of metaphysical stuff going on here. This is actually, oh

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Speaker 1: on a role, actually on a roll. Yes, actually that

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Speaker 1: belongs um as a new standard. That is a new standard.

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Speaker 1: And if you ever see a gay man um that

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Speaker 1: here's on a roll come out into public space. The

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Speaker 1: poppers come out quicker than he did in his life,

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Speaker 1: That's for sure. It took years to come out of

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Speaker 1: the closet, but it takes seconds for the poppers to

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Speaker 1: come out of the uh nap knapsack Fannie pack and

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Speaker 1: right onto the noses of many gay Americans worldwide when

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Speaker 1: on a Roll comes on, this younger generation of new

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Speaker 1: queers coming up, I mean, they really have it. Um

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Speaker 1: not easier, but they they're they're able to arrive at

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Speaker 1: some sort of realization much more quickly with the help

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Speaker 1: of a song like on a Roll by Ashley Oh.

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Speaker 1: They hear it, they go, I have to come out

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Speaker 1: as whatever my queerness is, yes, and as the pappers

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Speaker 1: as well. And you know, I would also say the

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Speaker 1: thing about Ashley Oh is this is crazy. Actually Miley Cyrus,

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Speaker 1: I didn't know who was playing her until oh my god,

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Speaker 1: very until you just said it. Yeah, it's a mile man.

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Speaker 1: Let me say that she really transformed on that one,

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Speaker 1: which is funny because she was famously on a show

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Speaker 1: where she transformed and sort of flip flop between you know,

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Speaker 1: Hannah Montana and Miley Cyrus, who she really is. Yes,

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Speaker 1: so we see her sort of revisiting that theme and

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Speaker 1: the song on her roll. I'm getting word Matt that

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Speaker 1: it is actually too early to include another Ashley Oh song,

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Speaker 1: of which there are only there's only one, so um

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Speaker 1: that exists at least in Spotify, maybe the Black Mirror

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Speaker 1: Universe or many more. I would imagine that Ashley always

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Speaker 1: built a career off of many hit songs, not just two.

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Speaker 1: So I am getting word that it's too early to

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Speaker 1: include another Ashley Oh song. So I'm sorry you are

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Speaker 1: not allowed to include another Ashley song. That's fine because

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Speaker 1: I actually wasn't going to add an Ashley Oh song

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Speaker 1: at this time, or a Miley Cyrus song, So even

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Speaker 1: an alter ego isn't getting one, and I'm certainly not

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Speaker 1: going to add any hand I'm on tanis on the

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Speaker 1: list because we actually can announce at this time no

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Speaker 1: handam Antana songs will be on the playlist. That's actually

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Speaker 1: we're just not actually really controversial because songs like um,

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Speaker 1: see You Again, I mean, that's that's it should be

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Speaker 1: a new a new standard. But the thing is, isn't

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Speaker 1: that a Miley song doesn't see You Again count as

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Speaker 1: Miley and not Hannah. But I think if you go, like, look,

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Speaker 1: if we were to look up Montana, look at she

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Speaker 1: gets her own listings. Yeah, okay, see You Again, it's

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Speaker 1: technically a Miley song. You're right, so, but but that's

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Speaker 1: what's not being added. It's not at this time, at

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Speaker 1: this because it it is my turn and at this

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Speaker 1: time I I kind of threw the word theme out there.

426
00:21:46,440 --> 00:21:50,520
Speaker 1: I said, the theme of switching between two different identities,

427
00:21:50,600 --> 00:21:52,800
Speaker 1: or as some white women who get a little spiritual

428
00:21:52,920 --> 00:21:57,760
Speaker 1: call it duality. Um say that. Yeah. So, speaking of themes,

429
00:21:58,280 --> 00:22:00,440
Speaker 1: the next song that will be added to the list

430
00:22:00,480 --> 00:22:05,439
Speaker 1: of New Standards is the theme from Jurassic Park. The

431
00:22:05,440 --> 00:22:09,480
Speaker 1: theme from Jurassic Park is now um on the mantain

432
00:22:09,480 --> 00:22:12,440
Speaker 1: Bone Infinite Playlists. The New Standards talk about this, talk

433
00:22:12,480 --> 00:22:15,240
Speaker 1: about this theme? Who wrote it? What? What movie was

434
00:22:15,280 --> 00:22:17,439
Speaker 1: it for? What? What is the movie about? Well, it

435
00:22:17,560 --> 00:22:21,600
Speaker 1: was actually for the film Jurassic Park, and it was

436
00:22:21,760 --> 00:22:26,600
Speaker 1: written by John Williams, who is you know, uh composer

437
00:22:26,960 --> 00:22:29,600
Speaker 1: who sort of sat down and thought, okay, so let

438
00:22:29,600 --> 00:22:34,080
Speaker 1: me get the majesty and sort of um, you know,

439
00:22:34,359 --> 00:22:39,080
Speaker 1: grandeur of Jurassic Park down, and also you know, the

440
00:22:39,200 --> 00:22:41,720
Speaker 1: sort of call you here in the beginning, the who

441
00:22:44,680 --> 00:22:46,560
Speaker 1: oh my god that might have been the right pitch

442
00:22:46,640 --> 00:22:52,199
Speaker 1: even um uh sort of calls to mind how a

443
00:22:52,400 --> 00:22:57,000
Speaker 1: slow moving herb before dinosaur might call out um, and

444
00:22:57,160 --> 00:23:01,440
Speaker 1: so I also iconically see those big old gates opening

445
00:23:01,440 --> 00:23:06,520
Speaker 1: when I hear this music, and I feel the sort

446
00:23:06,520 --> 00:23:10,840
Speaker 1: of hearkening back in time and also the promise of adventure.

447
00:23:11,119 --> 00:23:12,600
Speaker 1: And so I think it's a great theme and I

448
00:23:12,600 --> 00:23:15,000
Speaker 1: think it is a new standard. Don't you agree? You

449
00:23:15,200 --> 00:23:17,040
Speaker 1: I agree, and thank you. So I have nothing to add.

450
00:23:17,040 --> 00:23:19,880
Speaker 1: Thank you so much for for speaking at length about that.

451
00:23:20,119 --> 00:23:22,160
Speaker 1: I wanted to ask you one question before you add

452
00:23:22,200 --> 00:23:25,960
Speaker 1: a song. Yes, if you had to write words to

453
00:23:26,080 --> 00:23:29,480
Speaker 1: the Jurassic Park theme song, what would they be? Okay?

454
00:23:29,880 --> 00:23:40,199
Speaker 1: Who that woman over there? It's Laura Derney and she's

455
00:23:40,480 --> 00:23:46,280
Speaker 1: has the hair. She's that woman over there. She is

456
00:23:46,320 --> 00:23:54,359
Speaker 1: a Laura. She is helping out with the dune. She

457
00:23:54,640 --> 00:24:02,000
Speaker 1: loves to help like a doctor helped the dine. So

458
00:24:05,200 --> 00:24:08,800
Speaker 1: it's actually the words are Laura dern loves to help

459
00:24:08,800 --> 00:24:11,919
Speaker 1: out with the dinosaurs like a doctor does, like a

460
00:24:12,000 --> 00:24:15,760
Speaker 1: doctress in parentheses like a doctor doctor does. So that's

461
00:24:15,800 --> 00:24:19,840
Speaker 1: actually on the infinite playlist, and congratulations to that song.

462
00:24:19,880 --> 00:24:22,480
Speaker 1: It is now come time for you Bowen to add,

463
00:24:22,680 --> 00:24:24,960
Speaker 1: you know, a song to the list. I'm going to

464
00:24:25,040 --> 00:24:29,000
Speaker 1: add a really important song and that is going to

465
00:24:29,080 --> 00:24:34,359
Speaker 1: be Light My Candle from the Rent Original Motion Picture version,

466
00:24:35,000 --> 00:24:38,600
Speaker 1: not Daphne, Reuben Megan, Adam Pascal, but Rosario Dawson and

467
00:24:38,600 --> 00:24:41,280
Speaker 1: Adam Pascal, just because you know, the sound is a

468
00:24:41,320 --> 00:24:43,760
Speaker 1: little bit better. It's from a movie. They didn't record

469
00:24:43,800 --> 00:24:46,800
Speaker 1: it in some dusty studio on you know, a Monday.

470
00:24:47,000 --> 00:24:49,000
Speaker 1: You know what I'm saying. Yes, And I have to say,

471
00:24:49,040 --> 00:24:51,960
Speaker 1: like my my immediate impulse to this, and it is

472
00:24:52,000 --> 00:24:55,920
Speaker 1: an excited impulse. Um, is that I'm really excited to

473
00:24:55,960 --> 00:24:58,800
Speaker 1: hear from Rosario after this. I would love for her

474
00:24:58,800 --> 00:25:01,440
Speaker 1: to praise us. I want her to come praise us.

475
00:25:01,480 --> 00:25:03,480
Speaker 1: And also, you know, maybe Corey Booker can like sort

476
00:25:03,480 --> 00:25:05,000
Speaker 1: of pop in the zoom. I don't know why I

477
00:25:05,040 --> 00:25:07,080
Speaker 1: think of this happening on a zoom. Maybe it's because

478
00:25:07,080 --> 00:25:08,480
Speaker 1: I'm sort of wanting her to be on the pot

479
00:25:08,560 --> 00:25:11,520
Speaker 1: or something. Oh my gosh, Well, are you more excited

480
00:25:11,560 --> 00:25:14,280
Speaker 1: for Rosario or for John Williams to to send you

481
00:25:14,359 --> 00:25:17,000
Speaker 1: a word of praise? Well? If John Williams sent me

482
00:25:17,000 --> 00:25:19,720
Speaker 1: a word of praise, that certainly would be a great

483
00:25:19,720 --> 00:25:24,520
Speaker 1: act of God. Because he has passed. Um, I'm so

484
00:25:24,560 --> 00:25:30,119
Speaker 1: sorry I think has he passed? Producers? Did John william

485
00:25:30,160 --> 00:25:34,320
Speaker 1: pass She has not passed away. He's he's alive. And

486
00:25:36,680 --> 00:25:39,120
Speaker 1: this is the second time. This is the second time

487
00:25:39,160 --> 00:25:42,600
Speaker 1: I've declared someone dead on the podcast that hasn't been dead. Wait,

488
00:25:42,600 --> 00:25:45,399
Speaker 1: who was the first one? It was Hugh Hefner and

489
00:25:45,440 --> 00:25:49,280
Speaker 1: then he died. Oh my god. On the Peter Smith episode,

490
00:25:49,880 --> 00:25:53,399
Speaker 1: we were saying, we came in a hot being like,

491
00:25:53,720 --> 00:25:56,080
Speaker 1: Hugh Heffner is dead, and we had to record like

492
00:25:56,119 --> 00:25:59,320
Speaker 1: a pre like a pre intro to the show, which

493
00:25:59,359 --> 00:26:01,880
Speaker 1: was saying, on this episode we say, Hugh Havefner his dad,

494
00:26:01,920 --> 00:26:06,360
Speaker 1: he's not. Six months later he did die. I mean,

495
00:26:06,880 --> 00:26:09,600
Speaker 1: this is the beauty of having a podcast and having

496
00:26:09,760 --> 00:26:13,760
Speaker 1: it sort of crystallized forever. Um. Yeah, there was a

497
00:26:13,760 --> 00:26:15,479
Speaker 1: time when we thought, you have never his dad. There

498
00:26:15,520 --> 00:26:17,199
Speaker 1: was a time when we had to say that he

499
00:26:17,240 --> 00:26:19,480
Speaker 1: had not died. And then now there was a time

500
00:26:19,480 --> 00:26:23,040
Speaker 1: in which she did in fact die after that, exactly exactly,

501
00:26:23,119 --> 00:26:25,320
Speaker 1: and we did. We did end correcting the record on that,

502
00:26:25,520 --> 00:26:28,120
Speaker 1: so that's good. But Hans just kind of said, if

503
00:26:28,160 --> 00:26:31,080
Speaker 1: you killed John Williams just now dot dot dot, how

504
00:26:31,200 --> 00:26:34,320
Speaker 1: dare you? How dare you for attacking not just a

505
00:26:34,359 --> 00:26:39,760
Speaker 1: composer but someone on the playlist. That's crazy. Shut up, Hans,

506
00:26:40,400 --> 00:26:43,520
Speaker 1: shut up. I think it's um. I think light my

507
00:26:43,680 --> 00:26:49,040
Speaker 1: Candle is a really fun song, huge song for musical theater.

508
00:26:49,119 --> 00:26:52,560
Speaker 1: I think I think I do know all the words.

509
00:26:53,200 --> 00:26:59,520
Speaker 1: Let you forget gotta light? I know you your your

510
00:26:59,560 --> 00:27:03,840
Speaker 1: ship ring? Can you make it? Can you make it?

511
00:27:03,040 --> 00:27:07,120
Speaker 1: It's nothing? And they turned off my heat and I'm

512
00:27:07,160 --> 00:27:10,359
Speaker 1: just a little week on my feet. Would you like

513
00:27:10,640 --> 00:27:17,440
Speaker 1: my candy? What did you start? Yet? Nothing? You're here

514
00:27:17,760 --> 00:27:24,040
Speaker 1: in the moonlight. You look familiar. Now it's can you

515
00:27:24,119 --> 00:27:28,680
Speaker 1: make it? No? No, just having need much? Okay, well

516
00:27:28,760 --> 00:27:30,560
Speaker 1: let's look this up. I thought I was going to

517
00:27:30,840 --> 00:27:35,480
Speaker 1: do this. Wait, well we're going to get through the song. Oh?

518
00:27:35,520 --> 00:27:37,439
Speaker 1: I know you you're shivering. It's nothing. They turned off

519
00:27:37,440 --> 00:27:39,080
Speaker 1: my heat and it's little. Would you like my candle?

520
00:27:39,160 --> 00:27:42,639
Speaker 1: You start? Yes? Yes? Just having me much today? At

521
00:27:42,720 --> 00:27:49,600
Speaker 1: least the room stops spinning anyway, what nothing? You smile

522
00:27:49,760 --> 00:27:54,520
Speaker 1: reminded me of? I always remind people who is she?

523
00:27:54,520 --> 00:27:58,200
Speaker 1: She died? Her name was April. We have to stop?

524
00:27:58,400 --> 00:28:03,240
Speaker 1: Is this so keep going? It's out again? Sorry, patcher friend?

525
00:28:03,840 --> 00:28:10,120
Speaker 1: Would you like again? Yeah? Now I don't know. Yeah,

526
00:28:11,480 --> 00:28:17,119
Speaker 1: Oh the wax it's tripping. I like it the scene

527
00:28:17,240 --> 00:28:24,160
Speaker 1: night fingers, I figured, oh well, good night. It blew

528
00:28:24,160 --> 00:28:28,359
Speaker 1: out again? No, I think I dropped my stack. I

529
00:28:28,440 --> 00:28:31,680
Speaker 1: know I've seen you out and about when I used

530
00:28:31,680 --> 00:28:36,280
Speaker 1: to go out your candles out? Then I had it

531
00:28:36,359 --> 00:28:39,480
Speaker 1: when I walked in the door, it was pure. Is

532
00:28:39,520 --> 00:28:51,000
Speaker 1: it on the floor and the floor out? What? You're

533
00:28:51,160 --> 00:28:55,400
Speaker 1: fair again? Oh no, I mean you do have a

534
00:28:55,440 --> 00:28:59,400
Speaker 1: nice I mean you look for miliar like a dead

535
00:28:59,520 --> 00:29:02,720
Speaker 1: girl friend. Don't only when you smile. But I'm sure

536
00:29:02,800 --> 00:29:06,360
Speaker 1: i've seen you somewhere else. Do you go to the

537
00:29:06,440 --> 00:29:11,000
Speaker 1: cats Catch club? That's where I work. I dance. Yes,

538
00:29:11,720 --> 00:29:16,080
Speaker 1: they used to tie you up. It's a living I

539
00:29:16,120 --> 00:29:21,640
Speaker 1: didn't recognize you without the handcuffs. We could either can

540
00:29:24,240 --> 00:29:34,800
Speaker 1: come on. That was my last match. Oh no, no, no,

541
00:29:35,000 --> 00:29:38,680
Speaker 1: we missed um. Why don't you don't forget that stuff?

542
00:29:38,760 --> 00:29:44,840
Speaker 1: You look like your sixteen. I'm nineteen. We changed my

543
00:29:44,960 --> 00:29:48,440
Speaker 1: eighth I was, but don't be fat. Our once was

544
00:29:48,600 --> 00:29:52,480
Speaker 1: born to be bad. I used to shiver it like that.

545
00:29:52,760 --> 00:29:55,520
Speaker 1: I have no heat. I told you I used to sweat.

546
00:29:56,720 --> 00:30:00,360
Speaker 1: I gotta call. I used to be a junkie now

547
00:30:00,360 --> 00:30:05,880
Speaker 1: and then I liked it feel good and then it's

548
00:30:06,360 --> 00:30:09,400
Speaker 1: and then it's what he sees it. Oh he's oh wait,

549
00:30:10,200 --> 00:30:24,160
Speaker 1: what's that? Uh ka? And now that was my last match. Alright,

550
00:30:24,760 --> 00:30:28,840
Speaker 1: just thank god for the moon. Baby, it's not the

551
00:30:28,880 --> 00:30:32,959
Speaker 1: moon at all. I hear spikily shooting down the street.

552
00:30:33,320 --> 00:30:36,680
Speaker 1: You're changing the key everything. I'm sorry? Am I doing

553
00:30:36,680 --> 00:30:43,479
Speaker 1: it every single time? By bug b bug cold hands?

554
00:30:44,560 --> 00:30:50,320
Speaker 1: Yours do a little bit like your father's want to

555
00:30:50,440 --> 00:30:57,680
Speaker 1: dance with you? Yeah? No with my father, I'm Roger

556
00:30:59,040 --> 00:31:08,240
Speaker 1: the cool Yeah yeah, I went up the octave. Honey,

557
00:31:08,600 --> 00:31:11,240
Speaker 1: you really did. I didn't hit it. I didn't. I

558
00:31:11,280 --> 00:31:15,000
Speaker 1: didn't hit it right, unfortunately, Rosarioca never But the song

559
00:31:15,160 --> 00:31:18,280
Speaker 1: is on the playlist. You know, if you haven't tuned

560
00:31:18,360 --> 00:31:20,680
Speaker 1: out at this point, we really thank you because we're

561
00:31:20,720 --> 00:31:33,720
Speaker 1: only after all eight songs in Hailey Stein Felt Still Rain,

562
00:31:33,840 --> 00:31:37,240
Speaker 1: just Champion off the list, Queen of Pop and inducted

563
00:31:37,280 --> 00:31:39,760
Speaker 1: into a Rock and Roll Hall of Fame. But it's

564
00:31:39,840 --> 00:31:42,800
Speaker 1: so funny that you were talking about light my Candle

565
00:31:43,240 --> 00:31:49,080
Speaker 1: because you know has a song called lights Ellie Golding

566
00:31:48,360 --> 00:31:52,040
Speaker 1: that is not on the list, but Army by Ellie

567
00:31:52,080 --> 00:31:56,000
Speaker 1: Golding is on the list. Wow, Army, I love that song.

568
00:31:56,200 --> 00:31:59,160
Speaker 1: This is my favorite Ellie Golden song, and it's good

569
00:31:59,200 --> 00:32:02,240
Speaker 1: for it. You can say it to a lover, you

570
00:32:02,240 --> 00:32:05,760
Speaker 1: can sing it to a friend when I'm with you,

571
00:32:07,000 --> 00:32:13,360
Speaker 1: When I'm with you, stand then the riff down is impossible.

572
00:32:13,440 --> 00:32:18,680
Speaker 1: She's a freak. But we love Ellie. We love Ellie

573
00:32:18,760 --> 00:32:22,880
Speaker 1: so much. Army is a wonderful edition. I think I

574
00:32:22,920 --> 00:32:26,560
Speaker 1: am a little I'm trying to figure out where where,

575
00:32:26,560 --> 00:32:29,280
Speaker 1: where with the next direction of this playlist is going

576
00:32:29,360 --> 00:32:33,160
Speaker 1: to be, at least for my for my um contribution,

577
00:32:33,200 --> 00:32:34,600
Speaker 1: I'm sorry. Do you have anything more to say about

578
00:32:34,680 --> 00:32:36,640
Speaker 1: Army by? You know? I just like I like the

579
00:32:36,720 --> 00:32:39,280
Speaker 1: song and feelis should be on the playlist, And um,

580
00:32:39,320 --> 00:32:43,080
Speaker 1: what's your song you're gonna add? Well, I think I

581
00:32:43,080 --> 00:32:46,440
Speaker 1: am gonna do. Um. See, that's what's tough is I

582
00:32:46,480 --> 00:32:49,080
Speaker 1: want to make the playlist fun. But as we have said,

583
00:32:49,120 --> 00:32:51,960
Speaker 1: this is not a cool playlist. No, this is not

584
00:32:52,000 --> 00:32:53,560
Speaker 1: a cool playlist. But I want to add a song

585
00:32:53,680 --> 00:32:56,800
Speaker 1: that I worry that the reading, that the interpretation of

586
00:32:56,800 --> 00:32:58,760
Speaker 1: it will be that I'm trying to be cool. But

587
00:32:58,800 --> 00:33:01,680
Speaker 1: I think this is such a wonderful song and it's okay. Well,

588
00:33:01,720 --> 00:33:04,040
Speaker 1: I'll let you know. It's I want to be Your

589
00:33:04,080 --> 00:33:07,240
Speaker 1: Lover by Prince. It's such a lovely Prince song and

590
00:33:07,320 --> 00:33:10,200
Speaker 1: one of my favorite Prince songs. You gotta put it on.

591
00:33:10,720 --> 00:33:13,760
Speaker 1: I'm gonna put it on, Okay, So it's lovely Prince song.

592
00:33:13,880 --> 00:33:17,240
Speaker 1: It ends, it goes into the instrumental after like the

593
00:33:17,320 --> 00:33:21,240
Speaker 1: third minute, so you have the option of skipping after

594
00:33:21,920 --> 00:33:25,080
Speaker 1: he's done singing, or you can listen to the whole

595
00:33:25,120 --> 00:33:29,640
Speaker 1: track and honor Prince himself. So I'm gonna add that track.

596
00:33:30,200 --> 00:33:33,840
Speaker 1: M I love that. Um. You know, here's the thing

597
00:33:33,880 --> 00:33:41,480
Speaker 1: about Prince. Prince famously had a song called Purple Rain.

598
00:33:42,880 --> 00:33:49,600
Speaker 1: Now here's the thing about rain. Rain is one of

599
00:33:49,640 --> 00:33:54,680
Speaker 1: the words in Mariah Carries I can't make it through

600
00:33:54,720 --> 00:33:57,720
Speaker 1: the Rain, which was not even really in the top

601
00:33:57,800 --> 00:34:04,040
Speaker 1: fifty of her songs. What it is on the playlist amazing,

602
00:34:04,120 --> 00:34:10,120
Speaker 1: I can make it through the rain. Um, what does

603
00:34:10,440 --> 00:34:12,440
Speaker 1: the song mean to you? What does it mean to

604
00:34:12,440 --> 00:34:15,319
Speaker 1: you when she says she can make it through the rain, Well,

605
00:34:15,320 --> 00:34:17,080
Speaker 1: it makes me believe that I can get through anything.

606
00:34:17,160 --> 00:34:19,840
Speaker 1: Because of Mariah carry can get through glitter and Tommy

607
00:34:19,920 --> 00:34:23,919
Speaker 1: Mantola than anyone can get anything. It really really makes

608
00:34:23,920 --> 00:34:27,359
Speaker 1: me happy that she survived so now, but when what's

609
00:34:27,360 --> 00:34:28,759
Speaker 1: the next song that you were going to put on

610
00:34:28,800 --> 00:34:32,239
Speaker 1: the list? Okay, well, I think Through the Rain by

611
00:34:32,239 --> 00:34:38,399
Speaker 1: Mariah Carey makes me think of someone standing on the street, um,

612
00:34:38,440 --> 00:34:40,880
Speaker 1: in the rain, being soaked by the rain, maybe a

613
00:34:40,920 --> 00:34:45,240
Speaker 1: sex worker. And I think this song is an ode

614
00:34:45,280 --> 00:34:48,840
Speaker 1: to sex workers. It's called Government Hooker by Lady Gaga.

615
00:34:49,320 --> 00:34:52,319
Speaker 1: The third time thought her amazing album Born this Way,

616
00:34:52,520 --> 00:34:55,279
Speaker 1: She amazed. She has such an amazing bridge where she

617
00:34:55,440 --> 00:34:58,200
Speaker 1: um says put your hands on me and John F.

618
00:34:58,280 --> 00:35:03,759
Speaker 1: Kennedy such stupid, stupid, stupid lyrics, um, but actually kind

619
00:35:03,760 --> 00:35:06,080
Speaker 1: of like amazing and iconic. I love I missed this

620
00:35:06,120 --> 00:35:08,320
Speaker 1: Gaga era where she was just like I'm gonna do

621
00:35:08,360 --> 00:35:11,000
Speaker 1: whatever the funk I want on this Caromatica kind of

622
00:35:11,000 --> 00:35:14,200
Speaker 1: had that, but this is like it's pure chaos, and

623
00:35:14,239 --> 00:35:16,319
Speaker 1: I kind of love that she was able to write

624
00:35:16,360 --> 00:35:19,200
Speaker 1: a song called Government Hooker and make it to um

625
00:35:19,280 --> 00:35:22,120
Speaker 1: the top half of this album. I would completely agree

626
00:35:22,200 --> 00:35:25,960
Speaker 1: with you. And you know something I really, um really

627
00:35:26,120 --> 00:35:30,040
Speaker 1: love about um. Sort of when you just sort of

628
00:35:30,040 --> 00:35:32,799
Speaker 1: called to mind sex work, is it really brings me

629
00:35:32,880 --> 00:35:34,680
Speaker 1: to the red light district, you know what I mean?

630
00:35:34,719 --> 00:35:37,120
Speaker 1: It's sort of like um, it sort of brings me there.

631
00:35:37,520 --> 00:35:39,600
Speaker 1: And I think that no music video I sort of

632
00:35:39,680 --> 00:35:43,640
Speaker 1: recalled that and no, um no energy has been sort

633
00:35:43,680 --> 00:35:47,840
Speaker 1: of calling to mind like that zone quite like Beyonce's Partition,

634
00:35:47,920 --> 00:35:51,120
Speaker 1: which is you know it's it's on the list. Oh

635
00:35:51,239 --> 00:35:53,160
Speaker 1: and and does that sound take place in the red

636
00:35:53,239 --> 00:35:56,120
Speaker 1: light district? I mean it gives me red light district.

637
00:35:56,760 --> 00:35:59,319
Speaker 1: See what you're saying. Well in the music video, if

638
00:35:59,320 --> 00:36:01,560
Speaker 1: you heard it, like if you heard it out at

639
00:36:01,600 --> 00:36:03,200
Speaker 1: the red in the red Light District, you'd be like, Yeah,

640
00:36:03,200 --> 00:36:05,480
Speaker 1: I'm at home here. Yes, I'm at home here, and

641
00:36:05,520 --> 00:36:08,560
Speaker 1: I actually feel really good about being here. Do you

642
00:36:08,600 --> 00:36:11,399
Speaker 1: think this is the only playlist that exists online with

643
00:36:11,560 --> 00:36:14,960
Speaker 1: the Jurassic Park theme and Partition by Beyonce on it together?

644
00:36:15,600 --> 00:36:19,520
Speaker 1: I think we've already made history after after you added Partition,

645
00:36:19,760 --> 00:36:22,200
Speaker 1: there has been no there's been other playlists with Government

646
00:36:22,200 --> 00:36:24,080
Speaker 1: Hooker and the Jurassic Park theme. There have been other

647
00:36:24,080 --> 00:36:28,000
Speaker 1: playlists with Army by Ellie Golden with um you know,

648
00:36:28,280 --> 00:36:31,880
Speaker 1: certainly with rock Bottom by Hayley Steinfeld. Now you've added

649
00:36:31,960 --> 00:36:35,320
Speaker 1: Partition by Beyonce. You've made history with this playlist, and

650
00:36:35,360 --> 00:36:38,520
Speaker 1: I thank you and I admire you very deeply for that.

651
00:36:38,520 --> 00:36:40,440
Speaker 1: That really made me emotional when you said that you

652
00:36:40,480 --> 00:36:47,600
Speaker 1: admired me. I always do when I'm with you. When

653
00:36:47,680 --> 00:36:56,600
Speaker 1: I'm with you, okay, partition makes me think of drivers,

654
00:36:57,320 --> 00:37:01,840
Speaker 1: and when I'm driving, I like to think of another

655
00:37:02,120 --> 00:37:05,160
Speaker 1: song by another group of texts and women. This is

656
00:37:05,200 --> 00:37:09,920
Speaker 1: Whos by the Chicks. Yes, you know they actually they said.

657
00:37:10,000 --> 00:37:12,160
Speaker 1: Originally they said that it was going to be too

658
00:37:12,640 --> 00:37:16,160
Speaker 1: early to add another sorry, another song by the Chicks

659
00:37:16,239 --> 00:37:19,200
Speaker 1: to the list. They we're saying that earlier, but now

660
00:37:19,239 --> 00:37:22,000
Speaker 1: they're saying, we actually can add another song by the Chicks,

661
00:37:22,280 --> 00:37:24,919
Speaker 1: and it is not Ready to Make Nice by the Chicks,

662
00:37:24,960 --> 00:37:29,799
Speaker 1: because name a better song, Name a more cathartic song.

663
00:37:30,040 --> 00:37:32,319
Speaker 1: I dare you, reader, I dare you, if you can

664
00:37:32,400 --> 00:37:35,000
Speaker 1: name a more cathartic song, Matt and I will pay

665
00:37:35,080 --> 00:37:39,600
Speaker 1: you what hundred dollars each? Yeah, you'll get a hundred

666
00:37:39,600 --> 00:37:41,120
Speaker 1: dollars from each of us, each of us and your

667
00:37:41,280 --> 00:37:45,600
Speaker 1: Venmo if you can name a more iconic song than

668
00:37:45,680 --> 00:37:49,640
Speaker 1: not Ready to Make Nice cathartic song, cathartic, well, cathartic

669
00:37:49,680 --> 00:37:52,279
Speaker 1: and iconic. Actually, the thing is they're the same, you know,

670
00:37:52,600 --> 00:37:55,759
Speaker 1: sort of the same, like a lot of white women like,

671
00:37:55,840 --> 00:37:58,319
Speaker 1: they're like, that was so cathartic. And what they mean

672
00:37:58,440 --> 00:38:00,480
Speaker 1: is like they had an iconic moment. That's little, that's

673
00:38:00,480 --> 00:38:02,280
Speaker 1: just what a what a lot of white women say.

674
00:38:02,320 --> 00:38:04,680
Speaker 1: A lot of white women I've heard say Marilyn Monroe

675
00:38:04,800 --> 00:38:08,880
Speaker 1: was so cathartic. Yes, that's true. Yeah, they say they

676
00:38:08,920 --> 00:38:10,640
Speaker 1: look at a photo of her, and a white woman

677
00:38:10,680 --> 00:38:13,719
Speaker 1: will often go, such a cathartic figure, you know what

678
00:38:13,760 --> 00:38:19,800
Speaker 1: I mean, she was such a cathartic figure. It makes

679
00:38:19,880 --> 00:38:22,680
Speaker 1: just enough sense, but not enough to fully be like

680
00:38:22,840 --> 00:38:26,360
Speaker 1: for you to fully emphatically agree, Yes, someone says a

681
00:38:26,440 --> 00:38:30,719
Speaker 1: cathartic figure, You're like, I you mean tragic or but

682
00:38:30,760 --> 00:38:33,239
Speaker 1: you know what they mean, it's cathartic. It's like it's

683
00:38:33,239 --> 00:38:35,360
Speaker 1: like them being like, oh my god, you know it

684
00:38:35,440 --> 00:38:38,200
Speaker 1: was such a cathartic moment when Michelle fell with us

685
00:38:38,200 --> 00:38:42,120
Speaker 1: and his child, that was cathartic. Like, and you're like, um,

686
00:38:42,239 --> 00:38:44,680
Speaker 1: I don't think you're using that right, But do you

687
00:38:44,719 --> 00:38:47,319
Speaker 1: know my favorite miscuse of a wordever or makeup of

688
00:38:47,320 --> 00:38:51,000
Speaker 1: a wordever? Magical? Tragical? Oh my god, that you know

689
00:38:51,200 --> 00:38:53,759
Speaker 1: me because you've talked about in the Path before. But

690
00:38:53,800 --> 00:38:57,560
Speaker 1: I think we can back a word. Tragical is a word.

691
00:38:57,880 --> 00:39:01,240
Speaker 1: Not to me, it's not here the thing readers, there's

692
00:39:01,320 --> 00:39:06,919
Speaker 1: a podcast series long discussion on whether or not tragical

693
00:39:07,719 --> 00:39:12,040
Speaker 1: is a real word, or if it's dumb people misusing

694
00:39:12,120 --> 00:39:16,720
Speaker 1: tragic and maybe it's in the dictionary because they finally

695
00:39:16,719 --> 00:39:19,040
Speaker 1: were like, God, make tragical a word, because these white

696
00:39:19,040 --> 00:39:24,320
Speaker 1: women can't stop. And it was an iconic, not cathartic,

697
00:39:24,520 --> 00:39:34,560
Speaker 1: iconic Italian woman. That's why who did this Italian? That's

698
00:39:33,960 --> 00:39:38,920
Speaker 1: why cathartic and tragical are not the same thing. But

699
00:39:38,960 --> 00:39:42,759
Speaker 1: cathartic is the same as iranic iconic. I'm so sorry, yes, yes, yes,

700
00:39:42,960 --> 00:39:46,279
Speaker 1: yes deeply. Now with this sort of this moment has

701
00:39:46,320 --> 00:39:50,360
Speaker 1: been cathartic. This is a cathartic episode already. This is

702
00:39:50,360 --> 00:39:54,040
Speaker 1: such a cathartic episode. What's your next one that you're

703
00:39:54,040 --> 00:39:55,799
Speaker 1: going to add to the playlist that everyone can listen

704
00:39:55,840 --> 00:39:59,440
Speaker 1: to publicly? I know that I know that face that

705
00:39:59,480 --> 00:40:02,520
Speaker 1: you're making. It's that face of it's that face of

706
00:40:02,840 --> 00:40:05,839
Speaker 1: you want to say thriller by Michael Jackson, but you

707
00:40:05,880 --> 00:40:08,040
Speaker 1: know that will be fucked up. You know that will

708
00:40:08,080 --> 00:40:13,960
Speaker 1: be so fuck up. I have a song Okay, the

709
00:40:14,080 --> 00:40:18,439
Speaker 1: song I'm going to add will be the thriller. It's

710
00:40:18,480 --> 00:40:25,359
Speaker 1: not thriller. It is the opening track on the amazing

711
00:40:25,440 --> 00:40:28,400
Speaker 1: Grammy winning album Fearless by Taylor Swift, and it is

712
00:40:28,400 --> 00:40:30,799
Speaker 1: the title track. It is Fearless by Taylor Swift because

713
00:40:30,800 --> 00:40:34,439
Speaker 1: it's another country song. It's about UM, not having fear,

714
00:40:34,520 --> 00:40:38,080
Speaker 1: not ready to make nice, about not having um fear

715
00:40:38,920 --> 00:40:43,080
Speaker 1: and not having guilt and not having um the space

716
00:40:43,080 --> 00:40:47,000
Speaker 1: in your heart to forgive, and Fearless is a song

717
00:40:47,040 --> 00:40:50,319
Speaker 1: about fearlessly driving down in the open road with a

718
00:40:50,400 --> 00:40:54,319
Speaker 1: new love of your life. Yes, thank you for that,

719
00:40:54,520 --> 00:40:57,319
Speaker 1: And I'm really happy to finally sort of know what

720
00:40:57,440 --> 00:41:00,040
Speaker 1: those two songs are about UM. And thank you of

721
00:41:00,080 --> 00:41:02,239
Speaker 1: breaking that down. Speaking of fee, are actually gonna I'm

722
00:41:02,239 --> 00:41:04,560
Speaker 1: gonna add what I pretty much I'm gonna be positive

723
00:41:04,560 --> 00:41:06,920
Speaker 1: it is going to be the scariest song on the list.

724
00:41:07,360 --> 00:41:09,640
Speaker 1: Oh my God is a thriller by Michael Jackson. No,

725
00:41:10,120 --> 00:41:11,799
Speaker 1: I know enough to not say that. That will be

726
00:41:11,840 --> 00:41:13,680
Speaker 1: fucked up to say that, and I'm trying to be

727
00:41:13,760 --> 00:41:19,439
Speaker 1: cathartic in a different way. The sort of song I'm

728
00:41:19,480 --> 00:41:23,640
Speaker 1: thinking of is, of course, the very spooky anthem Ghostbusters.

729
00:41:23,920 --> 00:41:27,839
Speaker 1: Ghostbusters theme song has made it on the list Name

730
00:41:27,960 --> 00:41:32,560
Speaker 1: a more iconic moment than Ghostbusters by Ray Parker Jr.

731
00:41:32,640 --> 00:41:36,239
Speaker 1: I'll wait, I can name a more cathartic song, and

732
00:41:36,280 --> 00:41:39,480
Speaker 1: that is a Huey Lewis in the News song which

733
00:41:39,680 --> 00:41:43,440
Speaker 1: m Huey Lewis a sued Way Parker for I believe

734
00:41:44,360 --> 00:41:47,760
Speaker 1: um for sounding too much like the Ghostbusters theme from sports.

735
00:41:47,800 --> 00:41:50,400
Speaker 1: I believe the album is what Hans you know? Are

736
00:41:50,440 --> 00:41:54,399
Speaker 1: you talking about power of love? No? No, h Lewis

737
00:41:54,440 --> 00:41:57,440
Speaker 1: in the News. No, I'm I know Huey Lewis because

738
00:41:57,440 --> 00:41:59,759
Speaker 1: my mom was like so wet for Huey Lewis for

739
00:42:00,120 --> 00:42:02,480
Speaker 1: my entire life. Was it on like? Was it like

740
00:42:02,520 --> 00:42:05,759
Speaker 1: Honkytown Blues Dog? Do you know this hunt engineer Doug Okay,

741
00:42:05,800 --> 00:42:08,799
Speaker 1: I want a new drug? Yes, it was drug when

742
00:42:08,880 --> 00:42:12,160
Speaker 1: the woman was sick. Yep. I love this song. But

743
00:42:12,160 --> 00:42:19,919
Speaker 1: but Lewis just um Is maintains that the Ghostbester's theme

744
00:42:19,960 --> 00:42:22,040
Speaker 1: was ripped off. If I Want a New Drug, Blois

745
00:42:22,120 --> 00:42:24,680
Speaker 1: did receive a settlement. Shoe Lewis did receive a settlement

746
00:42:24,800 --> 00:42:27,840
Speaker 1: sort of that blurred lines controversy. Oh my god. And

747
00:42:27,920 --> 00:42:30,719
Speaker 1: speaking of which, the next song on the playlist is

748
00:42:30,760 --> 00:42:35,560
Speaker 1: in fact blurred Lines. It's controversial, Yes, yes, the Blurred

749
00:42:35,719 --> 00:42:41,719
Speaker 1: Lines playlist. And the crazy thing is actually it's in

750
00:42:41,760 --> 00:42:44,640
Speaker 1: the contract of the playlists that if Bowen adds something,

751
00:42:44,680 --> 00:42:48,279
Speaker 1: I am powerless to stopping it, like I can't stop it,

752
00:42:48,320 --> 00:42:50,960
Speaker 1: and so the same is true for me. Wow, I

753
00:42:51,000 --> 00:42:54,640
Speaker 1: can't believe that blurred Lines is on our playlist as

754
00:42:54,680 --> 00:42:59,520
Speaker 1: something we endorse as a as a duo. I actually know,

755
00:42:59,600 --> 00:43:04,080
Speaker 1: you know, I take it back. This steels wrong. History

756
00:43:04,160 --> 00:43:06,400
Speaker 1: is being made. I'm taking a song out of the playlist.

757
00:43:06,680 --> 00:43:09,399
Speaker 1: This is the first time in in Matt and Bowen

758
00:43:09,480 --> 00:43:13,000
Speaker 1: playlists history that a song has been added and removed.

759
00:43:13,600 --> 00:43:15,040
Speaker 1: And you know what, I'm going to add a song

760
00:43:15,120 --> 00:43:17,520
Speaker 1: as an apology because I think this is a song

761
00:43:17,600 --> 00:43:22,080
Speaker 1: that's calling myself out. He wasn't man enough, by Tony Braxton.

762
00:43:22,320 --> 00:43:24,920
Speaker 1: He wasn't man enough to keep blurred Lines on the playlist,

763
00:43:25,000 --> 00:43:26,560
Speaker 1: And I'm not man enough to keep blurd Lines on

764
00:43:26,560 --> 00:43:28,880
Speaker 1: the playlist. Do you want to hear something about my

765
00:43:28,920 --> 00:43:32,640
Speaker 1: hashtag problematic past? As a lot of women say so,

766
00:43:32,680 --> 00:43:35,160
Speaker 1: when I was very little, I would do When I

767
00:43:35,200 --> 00:43:36,759
Speaker 1: was I think nine or two, you would do it.

768
00:43:36,840 --> 00:43:41,719
Speaker 1: Tony Braxton impression, I would do two impressions, share like

769
00:43:42,000 --> 00:43:46,520
Speaker 1: no matter how that and because because they had the

770
00:43:46,560 --> 00:43:49,400
Speaker 1: same kind of deep voice, I would do who was

771
00:43:49,440 --> 00:43:54,359
Speaker 1: a man enough me? And my mother loved it so

772
00:43:54,440 --> 00:43:57,320
Speaker 1: much that she used to say. She used to say,

773
00:43:57,480 --> 00:43:59,880
Speaker 1: we need to get you on Rosie. That's what my

774
00:44:00,000 --> 00:44:02,080
Speaker 1: mother used to iconically say. And a lot of white

775
00:44:02,080 --> 00:44:03,960
Speaker 1: women used to say that to their kids, we need

776
00:44:04,000 --> 00:44:07,680
Speaker 1: to get you and they actually did. But the she,

777
00:44:07,960 --> 00:44:10,319
Speaker 1: Katrina wanted you to get on Rosie, to do the

778
00:44:10,320 --> 00:44:15,200
Speaker 1: Tony Braxton impression, to do my impressions of Sharon Tony Braxton,

779
00:44:15,280 --> 00:44:17,680
Speaker 1: which I have to say, I'm very happy is not

780
00:44:18,400 --> 00:44:23,000
Speaker 1: a thing. Oh my god, imagine. But I loved Tony

781
00:44:23,040 --> 00:44:26,919
Speaker 1: Braxon's deep, deep voice. We all do how she could

782
00:44:26,960 --> 00:44:31,400
Speaker 1: somehow have that deep, rich quality and also be belting

783
00:44:31,440 --> 00:44:34,160
Speaker 1: for the gods. Never sleep on the next song on

784
00:44:34,200 --> 00:44:37,120
Speaker 1: our list, and they said it was too early, but

785
00:44:37,440 --> 00:44:39,759
Speaker 1: we've since got it cleared up, which is unbreak my

786
00:44:39,840 --> 00:44:43,719
Speaker 1: heart by Tony. I mean, this is a song that

787
00:44:43,880 --> 00:44:46,640
Speaker 1: is so low and so high. And guess what, Mama,

788
00:44:47,200 --> 00:44:50,359
Speaker 1: it is hard to be both. It is hard to

789
00:44:50,360 --> 00:44:54,440
Speaker 1: be both. She really gives you a big, big Canyon

790
00:44:54,640 --> 00:44:57,200
Speaker 1: of Arrange, doesn't she? Do you want to hear us

791
00:44:57,760 --> 00:45:01,759
Speaker 1: little story that is also about my mother and Tony Braxton. Yes,

792
00:45:01,880 --> 00:45:05,280
Speaker 1: there's more. We went to go see the Broadway musical

793
00:45:05,280 --> 00:45:09,600
Speaker 1: Aida when I was younger, and it was currently at

794
00:45:09,640 --> 00:45:13,360
Speaker 1: the time, it was starring Tony Braxton, and also in

795
00:45:13,440 --> 00:45:17,480
Speaker 1: the show was Mentel as m At the time when

796
00:45:17,719 --> 00:45:20,480
Speaker 1: you wouldn't get quite as excited about Adina, but I

797
00:45:20,520 --> 00:45:22,959
Speaker 1: do love looking back and knowing she was in there.

798
00:45:23,239 --> 00:45:26,839
Speaker 1: So I loved, you know, the show. I think it's fabulous,

799
00:45:27,680 --> 00:45:29,480
Speaker 1: or I did at the time anyway, and we were

800
00:45:29,560 --> 00:45:32,680
Speaker 1: leaving and I turned to my mother and I said,

801
00:45:32,880 --> 00:45:34,440
Speaker 1: what did you think of the show? I thought it

802
00:45:34,480 --> 00:45:37,359
Speaker 1: was amazing, and she was like, I like the show.

803
00:45:37,400 --> 00:45:38,840
Speaker 1: I thought it was pretty good. I thought it was

804
00:45:38,880 --> 00:45:42,319
Speaker 1: pretty good. My mother was so obviously flying high from

805
00:45:42,360 --> 00:45:44,839
Speaker 1: hair spray or something, so I was like, well, did

806
00:45:44,840 --> 00:45:48,280
Speaker 1: you think that Tony Braxton was absolutely fabulous? I'm I'm,

807
00:45:48,320 --> 00:45:50,840
Speaker 1: you know, sort of ten years old and gay. And

808
00:45:50,960 --> 00:45:53,759
Speaker 1: my mother took a deep breath and she turned to

809
00:45:53,800 --> 00:45:55,640
Speaker 1: me because she knew this was going to be controversial

810
00:45:55,640 --> 00:45:57,800
Speaker 1: and that I'd be mad at her, But she said,

811
00:45:58,400 --> 00:46:02,480
Speaker 1: Matthew I think she has beautiful voice. I could not

812
00:46:02,719 --> 00:46:06,160
Speaker 1: understand all of what she was saying, and I was like,

813
00:46:08,040 --> 00:46:10,160
Speaker 1: I acted like I had paid for the tickets. I

814
00:46:10,160 --> 00:46:14,400
Speaker 1: was like, few people, you're disgusting. Don't talk to me,

815
00:46:14,760 --> 00:46:21,360
Speaker 1: you fucking tasteless, crude white woman. I was like, crude

816
00:46:21,440 --> 00:46:24,440
Speaker 1: white woman. And I think what she was sort of

817
00:46:24,480 --> 00:46:28,319
Speaker 1: saying was Tony Braxton's diction left something to be desired, which,

818
00:46:28,520 --> 00:46:32,839
Speaker 1: while being absolutely true, I didn't appreciate hearing. Sorry, who

819
00:46:32,960 --> 00:46:36,200
Speaker 1: is she? Um? Matteo Lane in the year two thousand

820
00:46:36,200 --> 00:46:40,400
Speaker 1: and fifteen, reading Ariana Grande for her lack of addiction. No,

821
00:46:41,160 --> 00:46:48,120
Speaker 1: and we love Mateo, do not cut it out. We're

822
00:46:48,120 --> 00:46:49,680
Speaker 1: not getting that out. And I know we should. We

823
00:46:49,680 --> 00:46:51,680
Speaker 1: should disclaim that we love Mateo so so dearly and

824
00:46:51,719 --> 00:46:55,400
Speaker 1: we we will miss him very much, but he the Mateo.

825
00:46:55,719 --> 00:46:57,880
Speaker 1: You can admit, if you're listening to this, that you

826
00:46:57,920 --> 00:47:00,720
Speaker 1: would not lay off miss Ariana for a year. Pitch

827
00:47:00,800 --> 00:47:05,719
Speaker 1: problems are like, you know, Mateo is sort of sharpening

828
00:47:05,880 --> 00:47:09,000
Speaker 1: his Mateo. Mateo does out of a place of love.

829
00:47:09,040 --> 00:47:11,200
Speaker 1: I remember that Mateo would tell us it's because I

830
00:47:11,239 --> 00:47:13,960
Speaker 1: love her and believe you, and because it's because he

831
00:47:14,000 --> 00:47:18,000
Speaker 1: saw a great future for her. I mean he's not

832
00:47:18,120 --> 00:47:21,520
Speaker 1: scared to read the ones he loves the most. I mean,

833
00:47:21,680 --> 00:47:24,640
Speaker 1: he's the he's the king of the Lambs. And the

834
00:47:24,719 --> 00:47:28,560
Speaker 1: episode of his of law schools racist is called it's

835
00:47:28,560 --> 00:47:31,680
Speaker 1: a shame about Mariah. So understand, this is someone who

836
00:47:31,920 --> 00:47:34,799
Speaker 1: you know, for better or worse, reserves criticism for the

837
00:47:34,800 --> 00:47:37,160
Speaker 1: ones he loves most because he doesn't care about the people.

838
00:47:37,200 --> 00:47:40,799
Speaker 1: He doesn't care about exactly he cares. He's making a

839
00:47:40,800 --> 00:47:44,600
Speaker 1: comment because he cares. That's that's what's going on. Speaking

840
00:47:44,680 --> 00:47:47,040
Speaker 1: of people I don't care about, I'd like to say

841
00:47:47,080 --> 00:47:49,080
Speaker 1: the opposite of that, which is people I care about,

842
00:47:49,120 --> 00:47:51,200
Speaker 1: which is Bowen Yang. Because it's his turn to add

843
00:47:51,239 --> 00:47:54,480
Speaker 1: something to the list. I care about you too, Oh,

844
00:47:54,560 --> 00:47:58,000
Speaker 1: I care about you so deeply, so deeply. I am

845
00:47:58,080 --> 00:48:02,759
Speaker 1: going to add um a song that is also about

846
00:48:02,760 --> 00:48:06,480
Speaker 1: a body part. Okay, my heart is um, and this

847
00:48:06,520 --> 00:48:09,920
Speaker 1: is a song called UM. This is my Hair by

848
00:48:09,960 --> 00:48:18,319
Speaker 1: Alaska Thunderfuck Fantastic. Let's add it. This is her hair.

849
00:48:18,440 --> 00:48:22,080
Speaker 1: In fact, she doesn't wear wigs, and stop asking if

850
00:48:22,080 --> 00:48:24,279
Speaker 1: it's a wig. It's her hair. She says it in

851
00:48:24,320 --> 00:48:27,959
Speaker 1: the song. She says it in the song she takes

852
00:48:27,960 --> 00:48:31,720
Speaker 1: her vitamins. She's a natural platinum blonde. Are the lyrics

853
00:48:31,800 --> 00:48:33,800
Speaker 1: in the song, and don't you forget it she takes

854
00:48:33,800 --> 00:48:37,280
Speaker 1: her vitamins. Maybe you should try taking your vitamins now.

855
00:48:37,560 --> 00:48:42,040
Speaker 1: It's interesting that we talk about hair because for me personally,

856
00:48:42,440 --> 00:48:45,680
Speaker 1: I'm actually going to travel from the hair all the

857
00:48:45,719 --> 00:48:49,080
Speaker 1: way to a different body part, which is skin. When

858
00:48:49,120 --> 00:48:53,200
Speaker 1: I add Rihanna's song Skin to the list, this is

859
00:48:53,239 --> 00:49:00,640
Speaker 1: a underrated Rihanna absolute smash. Skin is a xy song

860
00:49:00,719 --> 00:49:04,000
Speaker 1: off the Loud album. And I'm so thrilled that Rihanna

861
00:49:04,080 --> 00:49:09,040
Speaker 1: makes her debut, her cathartic debut on the list. Oh

862
00:49:09,120 --> 00:49:12,640
Speaker 1: my god. And actually I'm getting worried now that is

863
00:49:12,680 --> 00:49:15,040
Speaker 1: not too early to add more Rihanna, And in fact,

864
00:49:15,080 --> 00:49:18,799
Speaker 1: it's not going to add It's not too early to

865
00:49:18,840 --> 00:49:22,479
Speaker 1: add more Loud Rihanna. No, I I really I feel

866
00:49:22,480 --> 00:49:24,200
Speaker 1: an energy for you. I think we're thinking about the

867
00:49:24,239 --> 00:49:26,760
Speaker 1: same thing, and I'm really excited. I'm going to add

868
00:49:27,280 --> 00:49:31,000
Speaker 1: one of her best collaborations. It's What's My Name by Drake.

869
00:49:31,080 --> 00:49:33,320
Speaker 1: Oh No, you don't know, see you like a different

870
00:49:33,360 --> 00:49:35,279
Speaker 1: Rihanna song. Yeah, but you know what I'm gonna say

871
00:49:35,280 --> 00:49:37,920
Speaker 1: And I love that we're sort of like agreeing that

872
00:49:38,000 --> 00:49:42,040
Speaker 1: it's not too early or late to add Rihanna to

873
00:49:42,120 --> 00:49:44,799
Speaker 1: the list. But before I do clarify, what's my name?

874
00:49:44,840 --> 00:49:47,360
Speaker 1: I mean talk about it because I'm so in agreeance.

875
00:49:48,480 --> 00:49:51,560
Speaker 1: She was asking her lover what her name is, and

876
00:49:51,680 --> 00:49:57,200
Speaker 1: she is actually expressing and barry and no in certain terms.

877
00:49:58,160 --> 00:49:59,879
Speaker 1: She really wants to see if you can go down

878
00:49:59,920 --> 00:50:02,600
Speaker 1: to town with a girl like her. Hey, boy, she

879
00:50:02,680 --> 00:50:04,959
Speaker 1: really wants to be with chick because you're just her type.

880
00:50:05,120 --> 00:50:10,239
Speaker 1: Na mh hey, well, really what she wants as a

881
00:50:10,280 --> 00:50:12,840
Speaker 1: man who can take it over looking for a guy

882
00:50:13,440 --> 00:50:16,279
Speaker 1: sort of is it pull me over, flip me over,

883
00:50:16,320 --> 00:50:24,880
Speaker 1: put me over, and then oh an amazing song. Now,

884
00:50:24,920 --> 00:50:27,920
Speaker 1: because it's still currently true that it's not too early

885
00:50:27,960 --> 00:50:31,600
Speaker 1: to put more Rihanna on the list, California King Bed

886
00:50:31,719 --> 00:50:34,000
Speaker 1: is being added to the list at this time. This

887
00:50:34,120 --> 00:50:39,840
Speaker 1: actually was cathartically a Rihanna single. This is when she

888
00:50:39,960 --> 00:50:43,440
Speaker 1: was like, I'm actually going to release ballads like every

889
00:50:43,480 --> 00:50:46,480
Speaker 1: other girl, and before she sort of, you know, moved

890
00:50:46,480 --> 00:50:48,759
Speaker 1: away from that and started just doing more the Rihanna thing.

891
00:50:48,760 --> 00:50:52,520
Speaker 1: I think the last Rihanna ballad was stay right, Stay Well,

892
00:50:52,600 --> 00:50:55,479
Speaker 1: We can would we consider? Um? I mean like, maybe

893
00:50:55,520 --> 00:50:59,920
Speaker 1: what NA is that a ballad? Thing's off of Antie.

894
00:51:00,080 --> 00:51:09,320
Speaker 1: I feel like our little murkier Anti close to you. Um,

895
00:51:09,360 --> 00:51:11,960
Speaker 1: you know it's ballad. She she kind of tried to

896
00:51:12,000 --> 00:51:20,960
Speaker 1: innovate outside of ballad spaces after after unapologetic yes, yes, yes, indeed. Okay,

897
00:51:21,000 --> 00:51:23,719
Speaker 1: Now I'm wondering, because it's your turn, what you're thinking

898
00:51:23,760 --> 00:51:26,399
Speaker 1: about adding to the playlist. Well, I'm actually getting worried

899
00:51:26,400 --> 00:51:29,600
Speaker 1: now unfortunately that it is too early to put in

900
00:51:29,680 --> 00:51:32,719
Speaker 1: any loud Rihanna, but not too early to put in

901
00:51:32,800 --> 00:51:35,680
Speaker 1: Rihanna in general. But I'm not going to do that.

902
00:51:38,000 --> 00:51:40,200
Speaker 1: I'm not going to do that. But I'm going to

903
00:51:40,320 --> 00:51:45,200
Speaker 1: add a song that I think we all know very

904
00:51:45,360 --> 00:51:49,000
Speaker 1: very well, we all know very very well, and that

905
00:51:49,200 --> 00:51:52,840
Speaker 1: is Um, you know, California King is about owning things,

906
00:51:53,200 --> 00:51:56,279
Speaker 1: is about having the California King bed um. And she

907
00:51:56,400 --> 00:51:58,879
Speaker 1: even feels distant even though she's on this California King

908
00:51:58,880 --> 00:52:03,920
Speaker 1: bed um. That's a cathartic image, cathartic image. I'm going

909
00:52:03,920 --> 00:52:08,719
Speaker 1: to add a song about consumerism, and that is I

910
00:52:08,719 --> 00:52:13,800
Speaker 1: Don't Want It at All by Kim petris Um. Kim's

911
00:52:13,920 --> 00:52:17,560
Speaker 1: debut on the list and really her debut into the

912
00:52:17,600 --> 00:52:20,840
Speaker 1: gay public consciousness. I say, because she hasn't really appeared

913
00:52:21,239 --> 00:52:23,879
Speaker 1: outside of the gay public consciousness yet, but we are

914
00:52:23,960 --> 00:52:26,520
Speaker 1: waiting for that to happen. But two gay people. She

915
00:52:26,600 --> 00:52:30,120
Speaker 1: became sort of more famous than oh, I don't know

916
00:52:30,239 --> 00:52:34,240
Speaker 1: the President of the United States um because she actually

917
00:52:34,280 --> 00:52:39,719
Speaker 1: could be seen performing in West Hollywood, Los Angeles, California, America,

918
00:52:40,120 --> 00:52:43,799
Speaker 1: often at six different bars at once. She somehow was

919
00:52:43,920 --> 00:52:47,399
Speaker 1: literally everywhere, like you'd see her at beaches sort of

920
00:52:47,400 --> 00:52:49,120
Speaker 1: singing I don't want it at all. You'd see her

921
00:52:49,120 --> 00:52:50,960
Speaker 1: sort of at Revolver singing I don't want I don't

922
00:52:51,000 --> 00:52:53,319
Speaker 1: want it at all. I think they cloned Kim Petris

923
00:52:53,360 --> 00:52:57,120
Speaker 1: so she could be in every West Hollywood UM bar

924
00:52:57,200 --> 00:53:01,080
Speaker 1: and a half or half a bar she there was

925
00:53:01,120 --> 00:53:06,640
Speaker 1: at one point at Kim Petris um at three different

926
00:53:07,080 --> 00:53:11,680
Speaker 1: locations of The Eagle and the Rosemond Bar in Brooklyn,

927
00:53:11,680 --> 00:53:14,200
Speaker 1: New York. She would be there there, There'll be three

928
00:53:14,239 --> 00:53:17,320
Speaker 1: of her walking around being like, Hi, my name is Kim,

929
00:53:17,320 --> 00:53:20,239
Speaker 1: I'm German, and I'm I'm a pop star, and you're

930
00:53:20,280 --> 00:53:22,480
Speaker 1: gonna be like, who is this girl? And then she

931
00:53:22,680 --> 00:53:25,239
Speaker 1: was like hate you with the vocals and you'd be like,

932
00:53:25,280 --> 00:53:28,120
Speaker 1: oh my god, we love this. Yes. And it's actually

933
00:53:28,239 --> 00:53:30,759
Speaker 1: so funny because that very same Kim Petris at that

934
00:53:30,840 --> 00:53:33,040
Speaker 1: very same time was also somehow at the hard Rock

935
00:53:33,160 --> 00:53:36,640
Speaker 1: Cafe in Anaheim. So this is it's really crazy that

936
00:53:36,640 --> 00:53:39,600
Speaker 1: that that's all true, but it is now. They actually

937
00:53:39,680 --> 00:53:42,560
Speaker 1: said they were sort of saying earlier that it was

938
00:53:42,560 --> 00:53:44,520
Speaker 1: going to be too early to add Kim Petras to

939
00:53:44,520 --> 00:53:47,399
Speaker 1: the list again, but what about now, But and they're

940
00:53:47,400 --> 00:53:50,440
Speaker 1: still saying that. They're still saying that, so we actually

941
00:53:50,480 --> 00:53:52,959
Speaker 1: can't we can't add more Kim Petras at this time.

942
00:53:53,320 --> 00:53:56,520
Speaker 1: But sort of something that is happening is they're saying,

943
00:53:56,560 --> 00:53:58,560
Speaker 1: you have to go back and think more about Huey Lewis,

944
00:53:58,680 --> 00:54:01,520
Speaker 1: and you have to add actually one Huey Lewis song.

945
00:54:01,600 --> 00:54:04,040
Speaker 1: And that's why I am adding the song if this

946
00:54:04,160 --> 00:54:07,359
Speaker 1: is it by Huey Lewis to the list, which goes

947
00:54:07,400 --> 00:54:12,359
Speaker 1: like this, if this isn't, please let me know. If

948
00:54:12,400 --> 00:54:17,359
Speaker 1: this is it? Love Bpit, just say so. And I

949
00:54:17,400 --> 00:54:20,600
Speaker 1: think our hot producer, a hot engineer, Doug does know

950
00:54:20,719 --> 00:54:24,840
Speaker 1: that song. Can he confirm? I just want to connect

951
00:54:25,200 --> 00:54:29,279
Speaker 1: with um Doug sort of over straight heterosexual sounds for

952
00:54:30,040 --> 00:54:35,239
Speaker 1: this one moment, because that's to me palitable for straight people. Truly.

953
00:54:35,520 --> 00:54:37,440
Speaker 1: The title is if this is it? Doug, are you

954
00:54:37,480 --> 00:54:40,439
Speaker 1: listening to the podcast? He just asked the title question mark,

955
00:54:40,680 --> 00:54:42,719
Speaker 1: listen to the podcast, listen to the power. We're not

956
00:54:42,719 --> 00:54:45,000
Speaker 1: gonna tell you it's it's this, It's is this it?

957
00:54:45,200 --> 00:54:47,560
Speaker 1: We told you it's if this is it? Anyway, if

958
00:54:47,600 --> 00:54:49,319
Speaker 1: this is it, we're moving on and he can sort

959
00:54:49,320 --> 00:54:52,319
Speaker 1: of catch up with me later. Okay, I'm gonna not

960
00:54:52,360 --> 00:54:53,839
Speaker 1: do the ac that we've been doing, and I'm actually

961
00:54:53,880 --> 00:54:56,000
Speaker 1: going to add a song. This is a song that

962
00:54:56,080 --> 00:55:00,239
Speaker 1: is important to the country. Um. It is Fire by

963
00:55:00,320 --> 00:55:06,040
Speaker 1: Katy Perry. I don't know a more patriotic song. It's

964
00:55:06,080 --> 00:55:09,120
Speaker 1: not more cathartic than I'm not really to make nice,

965
00:55:09,680 --> 00:55:11,799
Speaker 1: but it is the most patriotic song we've ever had.

966
00:55:12,200 --> 00:55:15,680
Speaker 1: It's it's actually way more patriotic than that song, which

967
00:55:15,719 --> 00:55:18,479
Speaker 1: is not on the playlist. And I'm proud to be

968
00:55:18,600 --> 00:55:22,800
Speaker 1: an American American. I think I'm like really not doing

969
00:55:22,800 --> 00:55:24,880
Speaker 1: well with pitch today. Am I like sort of not

970
00:55:25,080 --> 00:55:28,520
Speaker 1: in the right key at any time? I think you

971
00:55:28,600 --> 00:55:31,879
Speaker 1: were are you were in the right area. And I'm

972
00:55:31,880 --> 00:55:35,799
Speaker 1: proud to be an American. We're at least that no

973
00:55:36,080 --> 00:55:38,960
Speaker 1: love be I don't know, but that song and I'm

974
00:55:39,000 --> 00:55:46,399
Speaker 1: proud to be an American America at least, And then

975
00:55:46,520 --> 00:56:01,800
Speaker 1: who died? Who gave that right? Next to you? To God?

976
00:56:08,320 --> 00:56:10,920
Speaker 1: But it's not I did not harm I did not harmonize. Well,

977
00:56:10,960 --> 00:56:14,680
Speaker 1: I'm so sorry because it's not on the playlist. Um,

978
00:56:14,719 --> 00:56:20,760
Speaker 1: but speaking of America, UM, one song that's sort of

979
00:56:21,239 --> 00:56:29,000
Speaker 1: to me like says we're like really free? Is Demi Levado?

980
00:56:29,080 --> 00:56:34,200
Speaker 1: Is cool for the summer? Um, I name a name

981
00:56:34,239 --> 00:56:37,120
Speaker 1: a free or song of song about freedom. Name a

982
00:56:37,160 --> 00:56:39,839
Speaker 1: song that's more about freedom, which is, you know, sort

983
00:56:39,880 --> 00:56:42,960
Speaker 1: of I am exploring girls and I'm a girl, you

984
00:56:42,960 --> 00:56:45,360
Speaker 1: know what I mean? Like that that that's pure freedom,

985
00:56:45,560 --> 00:56:47,480
Speaker 1: That is pure catharsis, you know what I mean? Like,

986
00:56:47,520 --> 00:56:50,840
Speaker 1: that's so cathartic to say that, like and to think

987
00:56:51,400 --> 00:56:54,799
Speaker 1: that today bow and Yang sort of reminded me of

988
00:56:55,320 --> 00:56:59,719
Speaker 1: Demi Levado when he made a hilarios joke which was

989
00:56:59,760 --> 00:57:03,480
Speaker 1: he spell h e l A r e o s hilarious.

990
00:57:03,760 --> 00:57:07,799
Speaker 1: So basically today Bowen did like a really cathartic thing

991
00:57:07,880 --> 00:57:13,239
Speaker 1: when he put on his grid Demi l vado voting,

992
00:57:13,360 --> 00:57:16,760
Speaker 1: and he said something which was so funny and cathartic,

993
00:57:17,280 --> 00:57:22,000
Speaker 1: which was he said that more like demil vota. I said,

994
00:57:22,360 --> 00:57:26,200
Speaker 1: it is demi le vota. It is demil vota. And

995
00:57:26,240 --> 00:57:30,200
Speaker 1: then deleting this. Yeah, but I have not deleted. What

996
00:57:30,200 --> 00:57:32,040
Speaker 1: if I would you do if I deleted it? Be

997
00:57:32,200 --> 00:57:35,720
Speaker 1: so mad? This? Actually I was Actually Boone has been

998
00:57:35,720 --> 00:57:38,600
Speaker 1: doing this sort of quote unquote thing, which is like

999
00:57:38,760 --> 00:57:40,800
Speaker 1: he'll be like felt cute, might delete, which is like

1000
00:57:40,840 --> 00:57:43,400
Speaker 1: a very white woman like he always goes deleting this later,

1001
00:57:43,640 --> 00:57:46,560
Speaker 1: deleting this, deleting this, which is to me like stunting

1002
00:57:46,560 --> 00:57:48,720
Speaker 1: and annoying. It's like stand by it or or and

1003
00:57:48,800 --> 00:57:53,960
Speaker 1: keep it up, or you're just asking for You're asking

1004
00:57:54,000 --> 00:57:56,160
Speaker 1: for it in a strumpety way, and I just you know,

1005
00:57:57,280 --> 00:58:03,360
Speaker 1: strumpets you're talking about like my thirst traps. No, not those.

1006
00:58:03,600 --> 00:58:05,920
Speaker 1: Anytime you say it take and you're like whatever, deleting this,

1007
00:58:06,120 --> 00:58:09,080
Speaker 1: it's like, bitch, keep it up. No, you're right. I

1008
00:58:09,120 --> 00:58:13,800
Speaker 1: don't think deleting this culture. Deleting this culture is bad culture.

1009
00:58:14,320 --> 00:58:16,480
Speaker 1: Cure is bad culture. But I almost never make an

1010
00:58:16,520 --> 00:58:18,640
Speaker 1: issue of this with Bowen, But on this post where

1011
00:58:18,680 --> 00:58:22,000
Speaker 1: he said deleting this. I was moved to comment and

1012
00:58:22,040 --> 00:58:24,920
Speaker 1: I said, no, leave it up. I will be mad

1013
00:58:24,960 --> 00:58:26,960
Speaker 1: in a real way if you delete this. Here you go.

1014
00:58:27,120 --> 00:58:36,880
Speaker 1: Didn't do it, but anyway, let me just quickly run

1015
00:58:36,880 --> 00:58:38,800
Speaker 1: over to the list and add Coup for the Summer

1016
00:58:39,240 --> 00:58:41,680
Speaker 1: to the list, which I believe. And I always say

1017
00:58:42,320 --> 00:58:44,560
Speaker 1: the reason why I sort of associated with like America

1018
00:58:44,640 --> 00:58:46,960
Speaker 1: because I think it's an American standard. I think that

1019
00:58:47,000 --> 00:58:51,480
Speaker 1: our grandparents had somewhere over the rainbow and our grandchildren

1020
00:58:51,840 --> 00:58:54,840
Speaker 1: will have cool for the summer. Yes, that's what I

1021
00:58:54,880 --> 00:59:00,520
Speaker 1: always Oh my god, what a great song. A great song. Okay,

1022
00:59:00,840 --> 00:59:03,000
Speaker 1: I am going to add a song. It's my turn.

1023
00:59:03,080 --> 00:59:05,439
Speaker 1: I think I believe it is. This is another song

1024
00:59:05,480 --> 00:59:07,520
Speaker 1: about summer, and I'm sorry to have broken the Tailor

1025
00:59:07,640 --> 00:59:10,160
Speaker 1: seal on to be the first one to break the

1026
00:59:10,200 --> 00:59:13,320
Speaker 1: Taylor seal on this plays. I'm gonna ad another Tailor song,

1027
00:59:13,400 --> 00:59:16,880
Speaker 1: also about summer. It's called Cruel Summer that did not

1028
00:59:17,000 --> 00:59:19,160
Speaker 1: get its due. It should have been a single off

1029
00:59:19,160 --> 00:59:22,720
Speaker 1: of Lover, one of the sort of better tracks off

1030
00:59:22,760 --> 00:59:25,920
Speaker 1: of Lover. I would say it's definitely the one that

1031
00:59:26,000 --> 00:59:29,160
Speaker 1: says I'm a single the most that didn't get that

1032
00:59:29,200 --> 00:59:33,080
Speaker 1: treatment and weird exactly exactly. Um, you know, there's not

1033
00:59:33,160 --> 00:59:35,000
Speaker 1: much weak that hasn't been said about Cruel Summer. I

1034
00:59:35,000 --> 00:59:37,280
Speaker 1: feel like it might be the most talked about song

1035
00:59:37,360 --> 00:59:40,640
Speaker 1: of all time. In many ways, people feel a sense

1036
00:59:40,680 --> 00:59:44,120
Speaker 1: of just or of injustice of it not getting the

1037
00:59:44,200 --> 00:59:47,120
Speaker 1: single treatment. I think it's sort of like an intergenerational

1038
00:59:47,200 --> 00:59:50,640
Speaker 1: thing where across all demographics everyone is like, why the

1039
00:59:50,680 --> 00:59:54,480
Speaker 1: funk wasn't Cruel Summer a single off of Lover? Yeah?

1040
00:59:54,480 --> 00:59:57,680
Speaker 1: Oh yeah? All across America they're saying that, and um,

1041
00:59:57,720 --> 01:00:01,520
Speaker 1: you know, it's it's it's a topic that's worth having

1042
01:00:01,520 --> 01:00:07,560
Speaker 1: and continuing in discussion and sort of things like that. Um, sorry,

1043
01:00:07,880 --> 01:00:11,280
Speaker 1: my brain is broken. Three. It's just like in three

1044
01:00:11,520 --> 01:00:15,240
Speaker 1: I can't even tell you what just happened. Um, which

1045
01:00:15,320 --> 01:00:19,640
Speaker 1: actually is interesting, um, because I think that once I

1046
01:00:19,760 --> 01:00:22,120
Speaker 1: stopped and did something, I was able to sort of

1047
01:00:22,160 --> 01:00:24,840
Speaker 1: get my thoughts back. And what I stopped and did

1048
01:00:25,080 --> 01:00:29,000
Speaker 1: was I breathed. And that's why I'm adding breathed by

1049
01:00:29,040 --> 01:00:33,040
Speaker 1: Faith hill To And it was on the actual list

1050
01:00:33,080 --> 01:00:35,840
Speaker 1: of the top two moments in culture history. This is

1051
01:00:35,880 --> 01:00:40,840
Speaker 1: actually a cathartic moment in Lost culture Asta's history because

1052
01:00:41,440 --> 01:00:45,080
Speaker 1: it is the first song that was on. Yes, this

1053
01:00:45,160 --> 01:00:47,800
Speaker 1: is the very first time that an item from the

1054
01:00:47,840 --> 01:00:52,960
Speaker 1: top two hundred. This is crazy moments of culture. I

1055
01:00:53,000 --> 01:00:55,400
Speaker 1: literally can't move about saying. This is also on the

1056
01:00:55,440 --> 01:00:58,280
Speaker 1: Mantain Bowens Infinite Playoffs for the very first time. That

1057
01:00:58,360 --> 01:01:01,160
Speaker 1: makes it the most famous song them all time. That

1058
01:01:01,240 --> 01:01:04,000
Speaker 1: makes it the most famous song of all time. Tell

1059
01:01:04,080 --> 01:01:09,600
Speaker 1: everyone about what Faith Hill does here. I mean, well,

1060
01:01:10,000 --> 01:01:14,160
Speaker 1: one thing she does is she goes suppose to be

1061
01:01:15,000 --> 01:01:20,920
Speaker 1: Remember that. Remember when she went being with you gets

1062
01:01:21,120 --> 01:01:25,640
Speaker 1: me that way? Oh my god, do you remember when

1063
01:01:25,680 --> 01:01:31,640
Speaker 1: she went, I can feel the sunladens across your face

1064
01:01:32,480 --> 01:01:39,480
Speaker 1: and ah, never been this sweptory? Oh my god? Remember

1065
01:01:39,480 --> 01:01:47,480
Speaker 1: when she went co terrast start that first ben love

1066
01:01:47,800 --> 01:01:52,920
Speaker 1: and then you already did this? Okay, wow, what just

1067
01:01:53,000 --> 01:01:59,680
Speaker 1: transpared last fifteen seconds? I don't would be like remember

1068
01:01:59,720 --> 01:02:02,520
Speaker 1: when she went And Doug just said in the in

1069
01:02:02,560 --> 01:02:05,280
Speaker 1: the in the chat, wow. And this is the first

1070
01:02:05,280 --> 01:02:08,760
Speaker 1: time he's ever directly emotionally commented on something because in

1071
01:02:08,800 --> 01:02:11,080
Speaker 1: the Little Box we might have to at least this

1072
01:02:11,160 --> 01:02:15,440
Speaker 1: video because Yang did not know one of the words

1073
01:02:15,520 --> 01:02:17,960
Speaker 1: he was singing, and then he sort of went to

1074
01:02:19,080 --> 01:02:23,440
Speaker 1: discussed that and coughed and coughed, and this is actually

1075
01:02:23,840 --> 01:02:26,160
Speaker 1: we might have to make a new list because that

1076
01:02:26,240 --> 01:02:31,880
Speaker 1: was a moment in culture. I don't know. No, I

1077
01:02:31,960 --> 01:02:33,840
Speaker 1: don't want that to be on the list. That was

1078
01:02:33,880 --> 01:02:36,280
Speaker 1: a low moment. I know it was a high moment

1079
01:02:36,280 --> 01:02:40,400
Speaker 1: because you were the way you were cathartic in that moment.

1080
01:02:40,400 --> 01:02:43,000
Speaker 1: It was a cathartic moment. It was a way I'm

1081
01:02:43,040 --> 01:02:46,240
Speaker 1: not cathartic right now. I don't feel cathartic. Please, you're

1082
01:02:46,240 --> 01:02:49,000
Speaker 1: making you're being cathartic in the way that you're not.

1083
01:02:49,120 --> 01:02:53,000
Speaker 1: I don't know who left. Hans left Hans. Can we

1084
01:02:53,040 --> 01:02:55,400
Speaker 1: just say no, oh we got Anna left? Hans is

1085
01:02:55,440 --> 01:02:58,880
Speaker 1: still here? Wow? For some reason Anna left the chat

1086
01:03:00,200 --> 01:03:02,040
Speaker 1: bone is that kind of bone? Is the kind of

1087
01:03:02,040 --> 01:03:06,760
Speaker 1: store right now where he's like everyone hates me? Yeah

1088
01:03:05,840 --> 01:03:08,680
Speaker 1: a little bit. First, you're race John Williams and you're

1089
01:03:08,760 --> 01:03:13,080
Speaker 1: rased me, Hans. No, shut up, Han, stop. You think

1090
01:03:13,200 --> 01:03:15,240
Speaker 1: you think, just because you're one of the hottest men

1091
01:03:15,280 --> 01:03:17,840
Speaker 1: in America that you can treat us like shit. That's

1092
01:03:17,880 --> 01:03:25,480
Speaker 1: only half true. Stupid. You know what is reminding me

1093
01:03:25,520 --> 01:03:28,919
Speaker 1: when I say the words stupid is the next song

1094
01:03:28,960 --> 01:03:34,640
Speaker 1: on the playlist, which is stupid Girls by Pink. Oh

1095
01:03:34,640 --> 01:03:38,760
Speaker 1: my god, this this song came out of nowhere because

1096
01:03:38,840 --> 01:03:41,640
Speaker 1: no one thought that stupid Girls would be on any

1097
01:03:41,800 --> 01:03:45,560
Speaker 1: list where they said like the word iconic, cathartic, those

1098
01:03:45,640 --> 01:03:49,920
Speaker 1: kinds of things. But stupid Girls by Pink is on

1099
01:03:50,360 --> 01:03:53,240
Speaker 1: the mat and bone in playlists, new standards. It's crazy,

1100
01:03:53,320 --> 01:03:55,400
Speaker 1: is I can confirm that it is. But you have

1101
01:03:55,560 --> 01:03:58,320
Speaker 1: gone two turns in a row. I just want to say,

1102
01:03:58,640 --> 01:04:00,440
Speaker 1: you put in Breathed by Fifth Hill and you put

1103
01:04:00,480 --> 01:04:03,880
Speaker 1: in stupid Growth. Stop everything and let me just apologize

1104
01:04:03,880 --> 01:04:06,360
Speaker 1: for taking up too much space, because I think what

1105
01:04:06,400 --> 01:04:09,400
Speaker 1: happened there is I got too excited and I accidentally

1106
01:04:09,600 --> 01:04:13,360
Speaker 1: and didn't mean to, but I did steamroll you. And

1107
01:04:14,400 --> 01:04:19,200
Speaker 1: I now there's actually a rule for when this happens.

1108
01:04:19,520 --> 01:04:22,480
Speaker 1: At this time gets to decide for the only time

1109
01:04:23,200 --> 01:04:25,880
Speaker 1: unless I do this again, if what I've added to

1110
01:04:25,920 --> 01:04:28,400
Speaker 1: the list actually is on the list or not. This

1111
01:04:28,680 --> 01:04:31,680
Speaker 1: this is in the contract. So Chris, take the floor,

1112
01:04:31,760 --> 01:04:33,760
Speaker 1: take as long as you need to talk this out.

1113
01:04:34,800 --> 01:04:40,160
Speaker 1: It is stupid Girls, cathic, carthartic, iconic. See I want

1114
01:04:40,160 --> 01:04:43,560
Speaker 1: to ask if it's if it's within the rules too,

1115
01:04:44,680 --> 01:04:47,440
Speaker 1: maybe redact take out one of your songs that you

1116
01:04:47,440 --> 01:04:52,840
Speaker 1: put in earlier. Let me just check with the board. Okay.

1117
01:04:52,880 --> 01:04:55,200
Speaker 1: The board is saying that you can do that, but

1118
01:04:55,720 --> 01:04:58,040
Speaker 1: that it would be let me just get this right,

1119
01:04:58,640 --> 01:05:01,480
Speaker 1: so shitty of you. They it would be so shitty

1120
01:05:01,520 --> 01:05:03,320
Speaker 1: of you to do that. But you are allowed to

1121
01:05:03,360 --> 01:05:05,600
Speaker 1: do that. That's what the board says. The board is

1122
01:05:05,640 --> 01:05:09,200
Speaker 1: Megan McCain and Abby Huntsman. By the way, Okay, it's

1123
01:05:09,200 --> 01:05:12,440
Speaker 1: a two person board. So if yeah, they're being they're

1124
01:05:12,560 --> 01:05:15,439
Speaker 1: really like mad. I don't know. They seem really mad,

1125
01:05:15,480 --> 01:05:17,560
Speaker 1: and they're every time I look at them, they sort

1126
01:05:17,600 --> 01:05:19,480
Speaker 1: of harshly whisper to each other. I don't know how

1127
01:05:19,480 --> 01:05:21,760
Speaker 1: they got this job, but they they're here, and they're

1128
01:05:21,760 --> 01:05:27,520
Speaker 1: in charge. They're in charge of the rules. I think.

1129
01:05:28,560 --> 01:05:30,280
Speaker 1: I think stupid girls belongs on the list. I will

1130
01:05:30,320 --> 01:05:35,440
Speaker 1: not delete a prior track, won't. Oh my god. Okay,

1131
01:05:35,560 --> 01:05:39,880
Speaker 1: benevolent fucking King, Oh my god. The way I want

1132
01:05:39,880 --> 01:05:44,480
Speaker 1: to service my benevolent king right now. Call me a peasant,

1133
01:05:44,880 --> 01:05:49,360
Speaker 1: because my benevolent King could use me however he saw fit.

1134
01:05:49,400 --> 01:05:54,800
Speaker 1: At this moment, I would absolutely be brought forcibly to

1135
01:05:54,920 --> 01:05:58,960
Speaker 1: the castle grounds to be had by my benevolent King

1136
01:05:59,080 --> 01:06:03,400
Speaker 1: in this moment, I honor him. Now it is now

1137
01:06:03,440 --> 01:06:06,040
Speaker 1: your turn to add a song to the list. This

1138
01:06:06,200 --> 01:06:09,080
Speaker 1: is one of the most iconic songs of all time.

1139
01:06:09,160 --> 01:06:14,080
Speaker 1: They're actually this might have a shot at beating out

1140
01:06:14,120 --> 01:06:15,880
Speaker 1: not ready to make nice in terms of the pure

1141
01:06:15,960 --> 01:06:19,160
Speaker 1: catharsis of the song, and that is the song Show

1142
01:06:19,200 --> 01:06:25,880
Speaker 1: Me Love by Robin S by Robin S. Fabulous powerful

1143
01:06:26,000 --> 01:06:32,520
Speaker 1: songs on on the planet. One of the most powerful, fabulous,

1144
01:06:32,880 --> 01:06:36,840
Speaker 1: cathartic songs on the planet. Now this is the sort

1145
01:06:36,840 --> 01:06:39,439
Speaker 1: of point when in creating the playlist that it gets

1146
01:06:39,440 --> 01:06:44,240
Speaker 1: a little controversial because this song sort of in terms

1147
01:06:44,280 --> 01:06:47,680
Speaker 1: of when it came out, reminds me of another song

1148
01:06:47,760 --> 01:06:52,120
Speaker 1: from my childhood that recently was used as a lip

1149
01:06:52,120 --> 01:06:57,160
Speaker 1: sing song on Canada's Drag Race. It's called if You

1150
01:06:57,280 --> 01:07:03,680
Speaker 1: Could Read My Mind. Now, I thought to myself, like

1151
01:07:04,760 --> 01:07:11,600
Speaker 1: Bowen has to know this song like it goes if

1152
01:07:11,640 --> 01:07:16,040
Speaker 1: you could read my man love? What tell my thoughts?

1153
01:07:16,120 --> 01:07:21,400
Speaker 1: Woo tell? And this was on the iconic episode of

1154
01:07:21,680 --> 01:07:24,240
Speaker 1: Canada's Drag Race that we were watching, and Bowen said

1155
01:07:24,280 --> 01:07:26,600
Speaker 1: he had never heard this song. I've never heard. Readers,

1156
01:07:26,720 --> 01:07:30,880
Speaker 1: Please reach out if you could read my mind. It's

1157
01:07:30,920 --> 01:07:35,520
Speaker 1: I guess by um this is weird Ultra nat Amber

1158
01:07:35,560 --> 01:07:38,400
Speaker 1: and Jocelyn Enriquez. I guess it's three singers that got

1159
01:07:38,440 --> 01:07:41,880
Speaker 1: together and did a little moment. But if you've heard

1160
01:07:41,880 --> 01:07:44,080
Speaker 1: this song and think it's a famous song, please reach

1161
01:07:44,120 --> 01:07:46,040
Speaker 1: out and confirmed for me, because Boone had never heard

1162
01:07:46,080 --> 01:07:48,560
Speaker 1: this song. I don't think it's famous in fact, but

1163
01:07:48,680 --> 01:07:50,160
Speaker 1: it was famous enough to be a lip sync on

1164
01:07:50,280 --> 01:07:52,680
Speaker 1: drag Race. Yeah, but they were at that point, they

1165
01:07:52,680 --> 01:07:55,800
Speaker 1: were scraping the bottom of the barrel with like Canadian songs.

1166
01:07:56,000 --> 01:07:58,600
Speaker 1: Perhaps that's not true. It was It wasn't even true.

1167
01:07:58,640 --> 01:08:01,560
Speaker 1: It was like the third time, you know what, I'm

1168
01:08:01,760 --> 01:08:07,040
Speaker 1: unwrapping my lips from around your benevolent king cock right

1169
01:08:07,080 --> 01:08:10,240
Speaker 1: now and taking myself back back home because I no

1170
01:08:10,320 --> 01:08:17,960
Speaker 1: longer support the king. No, okay, that was well, if

1171
01:08:17,960 --> 01:08:20,719
Speaker 1: you could re my mind by Ultra Nate Amber and

1172
01:08:21,760 --> 01:08:28,160
Speaker 1: Joe Jocelyn and Riquez. Okay, amazing. I think we're almost

1173
01:08:28,360 --> 01:08:31,000
Speaker 1: out of time. When you say how many more songs

1174
01:08:31,000 --> 01:08:33,200
Speaker 1: do you think we should add? Well, how long has

1175
01:08:33,240 --> 01:08:36,280
Speaker 1: the podcast been so far? About an hour and eleven minutes,

1176
01:08:36,960 --> 01:08:42,560
Speaker 1: so I think we can add a few more. The

1177
01:08:42,720 --> 01:08:47,280
Speaker 1: very rude. Sorry, I don't know why. I'm also suddenly

1178
01:08:47,280 --> 01:08:48,840
Speaker 1: I want to call them judges because of the way

1179
01:08:48,840 --> 01:08:52,559
Speaker 1: they're looking at me. But very the board is saying

1180
01:08:52,640 --> 01:08:57,799
Speaker 1: that we can add five or seven more songs, not six.

1181
01:08:58,520 --> 01:09:01,360
Speaker 1: Why is it not an even number? Megan wants five,

1182
01:09:01,400 --> 01:09:03,519
Speaker 1: Abby wants seven, And now they're in a very like.

1183
01:09:03,960 --> 01:09:05,960
Speaker 1: Megan was like, okay, fine, let's do six. Then that's

1184
01:09:05,960 --> 01:09:08,200
Speaker 1: in the middle of five and seven, and Abby said,

1185
01:09:08,320 --> 01:09:11,840
Speaker 1: I don't want to do six because abbys for has

1186
01:09:11,880 --> 01:09:15,599
Speaker 1: a thing with even numbers. Megan thinks it's stupid. I'm

1187
01:09:15,640 --> 01:09:18,200
Speaker 1: going to agree with her, but they're having sort of

1188
01:09:18,200 --> 01:09:20,519
Speaker 1: a cathartic fight right now, and so I think we

1189
01:09:20,520 --> 01:09:23,559
Speaker 1: should just do seven because it feels like it's going

1190
01:09:23,600 --> 01:09:26,000
Speaker 1: to be more of a thing with Abby, who's sort

1191
01:09:26,000 --> 01:09:28,400
Speaker 1: of mad in a more quiet way. And Megan is like,

1192
01:09:29,040 --> 01:09:31,120
Speaker 1: already angry enough where I think she's gotten it out

1193
01:09:31,160 --> 01:09:33,400
Speaker 1: of her system. So let's do seven inside with Abby

1194
01:09:33,400 --> 01:09:36,200
Speaker 1: and just move forward. I you're we're in the same

1195
01:09:36,280 --> 01:09:38,360
Speaker 1: room as them. Is that what happens? They're they're sitting

1196
01:09:38,479 --> 01:09:41,040
Speaker 1: there sort of there. This is insane. They're sitting on

1197
01:09:41,080 --> 01:09:45,120
Speaker 1: the floor in front of the front door. It's really weird.

1198
01:09:45,280 --> 01:09:48,720
Speaker 1: I don't know, and I asked there criss cross they're

1199
01:09:48,760 --> 01:09:52,720
Speaker 1: criss cross apple sauce. And well they were really mad

1200
01:09:52,720 --> 01:09:55,439
Speaker 1: when they came in because they were matching tops. They

1201
01:09:55,439 --> 01:09:58,960
Speaker 1: were they both had an orange sweater on. Abby isn't

1202
01:09:58,960 --> 01:10:03,120
Speaker 1: sort of like black cigarette pants and Megan is wearing

1203
01:10:04,280 --> 01:10:07,960
Speaker 1: our hideous skirt like it's purple. It's purple and green

1204
01:10:08,280 --> 01:10:10,880
Speaker 1: and green with orange. I don't know what the funk.

1205
01:10:10,920 --> 01:10:12,639
Speaker 1: Maybe she doesn't want to wear blue or red. It's

1206
01:10:12,640 --> 01:10:15,360
Speaker 1: like some sort of statement for for Joe Biden because

1207
01:10:15,360 --> 01:10:17,639
Speaker 1: she can't just come out and endorse. I. I don't

1208
01:10:17,680 --> 01:10:19,880
Speaker 1: know what's going on with the clothes, but anyway, they're sorting.

1209
01:10:19,920 --> 01:10:21,960
Speaker 1: She did endorse Joe Biden them, in fact, her and

1210
01:10:23,000 --> 01:10:25,599
Speaker 1: now her mother did. And then it's been sort of like,

1211
01:10:25,640 --> 01:10:29,160
Speaker 1: you know, like I'm having a baby, um, which I

1212
01:10:29,160 --> 01:10:31,920
Speaker 1: guess means she can set out the entire discourse her

1213
01:10:31,960 --> 01:10:34,280
Speaker 1: stances that she's having a baby, and that is political.

1214
01:10:34,800 --> 01:10:37,360
Speaker 1: It is it is it honestly is political to have

1215
01:10:37,360 --> 01:10:39,639
Speaker 1: a child. Yeah, and she is, of course, there's an

1216
01:10:39,640 --> 01:10:41,559
Speaker 1: open invitation for her to be on the show. She

1217
01:10:41,680 --> 01:10:43,559
Speaker 1: of course is welcome to come on and join us,

1218
01:10:43,560 --> 01:10:45,920
Speaker 1: and if she can charm us, we are going to

1219
01:10:46,000 --> 01:10:48,760
Speaker 1: kill ourselves. Ask her to do it now, she's in

1220
01:10:48,760 --> 01:10:54,000
Speaker 1: the room. No, no, no, she's not ready. She's shaking

1221
01:10:54,000 --> 01:10:56,960
Speaker 1: her head now. But one day soon we'll have her on.

1222
01:10:57,520 --> 01:10:59,560
Speaker 1: She's shaking her head, her head, no, And Abbey is

1223
01:10:59,600 --> 01:11:02,040
Speaker 1: now upset that she hasn't been asked. So now it's

1224
01:11:02,040 --> 01:11:05,920
Speaker 1: creating a whole other passive aggressive fight between them. I

1225
01:11:05,960 --> 01:11:07,920
Speaker 1: think this is just another chapter in the story of

1226
01:11:07,920 --> 01:11:09,960
Speaker 1: getting Megan McCain on this podcast. But I think we

1227
01:11:10,080 --> 01:11:12,080
Speaker 1: might we might talk to her sooner than we think.

1228
01:11:12,360 --> 01:11:15,360
Speaker 1: She's saying she'll think about it, okay, But but they're

1229
01:11:15,360 --> 01:11:17,559
Speaker 1: still really upset with each other about the five and

1230
01:11:17,600 --> 01:11:20,120
Speaker 1: seven of it all. And so so then when number

1231
01:11:20,160 --> 01:11:22,840
Speaker 1: did we land on? Five? Or seven? Seven? We're gonna

1232
01:11:22,920 --> 01:11:24,439
Speaker 1: seven because it seems like it's going to be more

1233
01:11:24,439 --> 01:11:26,800
Speaker 1: of a long term thing for Abby, whereas I think

1234
01:11:26,840 --> 01:11:28,280
Speaker 1: Megan will be able to get over. It's just a

1235
01:11:28,600 --> 01:11:31,679
Speaker 1: very much a thing right now. Like she's screaming, and

1236
01:11:31,920 --> 01:11:35,360
Speaker 1: like Abby is just like sort of breathing hard. Um,

1237
01:11:35,360 --> 01:11:36,880
Speaker 1: this is so weird. We're all supposed to go to

1238
01:11:36,920 --> 01:11:40,000
Speaker 1: cheesecake factory together. After this during COVID anyway, I'll let

1239
01:11:40,040 --> 01:11:43,679
Speaker 1: you know, but we should add another song. I think

1240
01:11:43,680 --> 01:11:49,880
Speaker 1: it's um My turn. Yeah, I think I'm gonna add Oh,

1241
01:11:49,920 --> 01:11:52,479
Speaker 1: this is a beautiful song. This is just I just

1242
01:11:52,560 --> 01:11:54,439
Speaker 1: came across this song and I think it's so sweet

1243
01:11:54,439 --> 01:11:58,160
Speaker 1: and beautiful. Okay, what is it. It's Casey Musgraves. I

1244
01:11:58,240 --> 01:12:05,160
Speaker 1: Miss You, cathartic, cathartic, cathartic song about you know, things

1245
01:12:05,160 --> 01:12:06,800
Speaker 1: are going well in your life, but you know, you

1246
01:12:07,160 --> 01:12:09,240
Speaker 1: run into that person and you think about them and

1247
01:12:09,280 --> 01:12:11,599
Speaker 1: you think, you know, I've got so many things going

1248
01:12:11,640 --> 01:12:14,120
Speaker 1: for me, but I still miss you, and that's the

1249
01:12:14,360 --> 01:12:17,360
Speaker 1: that's the thing that might be missing, you know. Yeah.

1250
01:12:17,560 --> 01:12:19,559
Speaker 1: And actually they said that it was going to be

1251
01:12:19,600 --> 01:12:23,560
Speaker 1: too early before UM to add more Casey Musgraves. But

1252
01:12:23,600 --> 01:12:25,599
Speaker 1: actually I just said her name again and they both,

1253
01:12:25,760 --> 01:12:29,120
Speaker 1: as white women often do, started smiling so bright about

1254
01:12:29,200 --> 01:12:32,160
Speaker 1: Casey Musgraves. And they're now saying to each other. They're

1255
01:12:32,240 --> 01:12:34,760
Speaker 1: kissing each other's cheeks like as if they're greeting for

1256
01:12:34,800 --> 01:12:38,160
Speaker 1: the first time, and they're saying, you love Kasey Musgraves. Yeah,

1257
01:12:38,200 --> 01:12:40,880
Speaker 1: these two white women are really happy, and thankfully they

1258
01:12:40,880 --> 01:12:43,400
Speaker 1: are the board and they're allowing us to add another

1259
01:12:43,479 --> 01:12:46,599
Speaker 1: Casey song, and that's why I'm adding the song late

1260
01:12:46,640 --> 01:12:50,320
Speaker 1: to the Party by Casey Musgraves ute song, which is

1261
01:12:50,360 --> 01:12:53,639
Speaker 1: one of my favorite um Casey Musgraves songs, and it's

1262
01:12:53,640 --> 01:12:57,160
Speaker 1: a very cute when you um, are you know, sort

1263
01:12:57,160 --> 01:13:01,280
Speaker 1: of being smitten and you think about that person during it.

1264
01:13:01,439 --> 01:13:07,280
Speaker 1: I'm never laved to the party to such a pretty song,

1265
01:13:07,439 --> 01:13:09,320
Speaker 1: such a good writer. And so that song is on

1266
01:13:09,360 --> 01:13:12,680
Speaker 1: the list. It really is, it really is. I have

1267
01:13:12,800 --> 01:13:15,760
Speaker 1: a song that I think I'm going to add. Okay,

1268
01:13:15,920 --> 01:13:19,840
Speaker 1: this is the Boss by Diana Ross. I love this song.

1269
01:13:20,640 --> 01:13:22,240
Speaker 1: This is one of the Bowen is saying, this is

1270
01:13:22,240 --> 01:13:26,240
Speaker 1: one of the new classics, the new classics, the new standards.

1271
01:13:26,400 --> 01:13:29,160
Speaker 1: What does it mean to you this boss? You know

1272
01:13:29,760 --> 01:13:33,720
Speaker 1: she was schooled by life and that reminds me of

1273
01:13:33,760 --> 01:13:36,439
Speaker 1: another song that has that same theme by Beyonce, who

1274
01:13:36,520 --> 01:13:40,240
Speaker 1: many have called the new Diana Ross. Have many calls

1275
01:13:40,240 --> 01:13:42,799
Speaker 1: her that, yes, and I think people are calling Camilica

1276
01:13:42,840 --> 01:13:47,559
Speaker 1: Bao the new Beyonce. Wow, that's crazy, I think, and

1277
01:13:47,600 --> 01:13:51,920
Speaker 1: I think, um, it's crazy for you a white man.

1278
01:13:53,000 --> 01:13:55,760
Speaker 1: Why you are a white white bitch? No, you are

1279
01:13:55,800 --> 01:13:58,200
Speaker 1: a white bitch, that's Bowen. It's crazy for you to

1280
01:13:58,240 --> 01:14:02,479
Speaker 1: sort of usher Beyonce until legend dumb and decide she's

1281
01:14:02,479 --> 01:14:05,400
Speaker 1: already being replaced by Camilla, who I think has a

1282
01:14:05,400 --> 01:14:10,680
Speaker 1: pretty problematic past. Now Camilla is Camilla has no skeletons

1283
01:14:10,680 --> 01:14:16,720
Speaker 1: in her closet. She is incredible. Let me ask the board. Okay,

1284
01:14:17,080 --> 01:14:19,960
Speaker 1: oh my gosh, it's already a huge thing. They both

1285
01:14:20,600 --> 01:14:23,640
Speaker 1: agree that Camilla is good. But it's a fight, like

1286
01:14:23,720 --> 01:14:28,040
Speaker 1: it's so weird, like they I think they're they're fighting

1287
01:14:28,800 --> 01:14:33,479
Speaker 1: about whether or not they were both being excited enough

1288
01:14:33,520 --> 01:14:37,439
Speaker 1: about Camilla. Anyway, it's the whole thing started coming up.

1289
01:14:37,840 --> 01:14:40,040
Speaker 1: Just texted. First of all, she texted me a bunch

1290
01:14:40,080 --> 01:14:44,680
Speaker 1: of like alarm emojis, like the red alert. But then

1291
01:14:44,720 --> 01:14:48,000
Speaker 1: she said, technically, Chloe and Halley are being groomed to

1292
01:14:48,040 --> 01:14:53,560
Speaker 1: be the next Beyonce. But Camilla Cabello is just a

1293
01:14:53,720 --> 01:14:57,240
Speaker 1: fun what it's that word is just a fun mirror

1294
01:14:57,320 --> 01:15:00,799
Speaker 1: to Beyonce because she went solo from a girl group. Okay,

1295
01:15:00,960 --> 01:15:04,120
Speaker 1: the reason he didn't know what the word mirror was

1296
01:15:04,280 --> 01:15:06,880
Speaker 1: is because Abby Huntsman and all her text spells Mira

1297
01:15:07,200 --> 01:15:10,120
Speaker 1: m I R r A. It's really it's one of

1298
01:15:10,160 --> 01:15:12,400
Speaker 1: the funniest things she does, and she actually is funny,

1299
01:15:12,800 --> 01:15:15,600
Speaker 1: but she calls it Mira. And honestly, if we were

1300
01:15:15,680 --> 01:15:17,960
Speaker 1: getting a title of app, the title of this app

1301
01:15:18,000 --> 01:15:24,080
Speaker 1: would be Okay, cathartics. Wait, we are being so cathartic

1302
01:15:24,280 --> 01:15:26,680
Speaker 1: right now. Um, so that's great. So it's on the

1303
01:15:26,760 --> 01:15:29,040
Speaker 1: list now, you said the boss, which made me think

1304
01:15:29,080 --> 01:15:31,800
Speaker 1: of work. Um, and I'm not going to sort of

1305
01:15:31,880 --> 01:15:33,680
Speaker 1: put another Rhanna song on the list, but I A'm

1306
01:15:33,760 --> 01:15:36,400
Speaker 1: gonna put on the list. Nine to five by Dolly Parton.

1307
01:15:36,520 --> 01:15:39,920
Speaker 1: Oh my god, such a cathartic song, one of the

1308
01:15:40,000 --> 01:15:43,680
Speaker 1: most cathartic songs from the cathartic film nine to five

1309
01:15:43,720 --> 01:15:48,000
Speaker 1: of the same name. That's right, Um, you know, I

1310
01:15:48,120 --> 01:15:50,400
Speaker 1: think the first time anyone's ever preferred to coffee as

1311
01:15:50,439 --> 01:15:56,439
Speaker 1: ambition really special. Pour masself a cup of ambition? Don that? Yeah? Also,

1312
01:15:56,720 --> 01:15:58,519
Speaker 1: how does this song not have an oscar for Best

1313
01:15:58,560 --> 01:16:05,160
Speaker 1: Original Song? Like the most cathartic icn' movie song? Does

1314
01:16:05,240 --> 01:16:07,519
Speaker 1: Dolly Parton have an oscar? She does not? You know,

1315
01:16:07,640 --> 01:16:18,800
Speaker 1: she was nominated again for I'm Still Traveling, Traveling. Um,

1316
01:16:18,920 --> 01:16:21,960
Speaker 1: I don't know. Okay, here, let's see um ninety eight

1317
01:16:22,320 --> 01:16:28,920
Speaker 1: eighty one, UM, Fame, Fame one honestly also iconic, though,

1318
01:16:29,200 --> 01:16:32,160
Speaker 1: was it also nominated? I'm saying nine lost to Fame.

1319
01:16:32,760 --> 01:16:34,240
Speaker 1: I was, but that's what I wanted to check that

1320
01:16:34,280 --> 01:16:36,519
Speaker 1: it was. Actually at least it was nominated, So Fame

1321
01:16:36,760 --> 01:16:39,240
Speaker 1: and Fame was nominated against itself without here on my

1322
01:16:39,320 --> 01:16:42,720
Speaker 1: own as well, so that I love out here on

1323
01:16:42,840 --> 01:16:45,160
Speaker 1: my own, But nine to five I think I might

1324
01:16:45,320 --> 01:16:48,799
Speaker 1: like nine to five better than Fame. I'm so sorry

1325
01:16:49,400 --> 01:16:51,760
Speaker 1: it's held up more. Yeah, I would say. Also, people

1326
01:16:51,800 --> 01:16:54,000
Speaker 1: are covering nine to five all the time now because

1327
01:16:54,080 --> 01:16:56,519
Speaker 1: Dolly Parton is still cool. Oh my god? Can I

1328
01:16:56,640 --> 01:16:59,920
Speaker 1: with the way. I watched at least a dozen Dolly

1329
01:17:00,040 --> 01:17:02,479
Speaker 1: Parton interview videos one day because I was just like

1330
01:17:02,680 --> 01:17:04,200
Speaker 1: in a weird mood and then I was like, this

1331
01:17:04,320 --> 01:17:06,880
Speaker 1: will make this will make me feel better? Yeah, you

1332
01:17:06,960 --> 01:17:09,560
Speaker 1: were in a Dolly There's something. There are not that

1333
01:17:09,680 --> 01:17:11,920
Speaker 1: many I'm getting really serious. There are not that many

1334
01:17:11,920 --> 01:17:17,439
Speaker 1: American figures who are like universally beloved, like across age

1335
01:17:17,520 --> 01:17:21,320
Speaker 1: gaps whatever. I mean. We love Dolly, don't we, We

1336
01:17:21,479 --> 01:17:25,599
Speaker 1: truly do. And one of those other American treasures, Um,

1337
01:17:26,400 --> 01:17:30,880
Speaker 1: who's going to make her? What are you doing? What

1338
01:17:31,280 --> 01:17:32,800
Speaker 1: are you gonna write? Well, what what I was going

1339
01:17:32,840 --> 01:17:35,320
Speaker 1: to say is one of the greatest American treasures and

1340
01:17:35,439 --> 01:17:38,519
Speaker 1: it's and this is her debut. What I was saying

1341
01:17:38,760 --> 01:17:43,840
Speaker 1: is Bowen Yang is. That's what I was saying. Let

1342
01:17:43,880 --> 01:17:46,439
Speaker 1: me test on the board. That was what they both agree.

1343
01:17:46,640 --> 01:17:50,240
Speaker 1: They're not out the debut part, and that would have worked.

1344
01:17:50,360 --> 01:17:53,599
Speaker 1: You for some reason decided to keep. No, the Lord

1345
01:17:53,680 --> 01:17:56,160
Speaker 1: agrees that that's what I was saying. And they're literally

1346
01:17:56,439 --> 01:17:59,919
Speaker 1: nodding their heads so vehemently that both their statement necklaces

1347
01:18:00,040 --> 01:18:03,680
Speaker 1: are flying around their chins. So please just add the

1348
01:18:03,760 --> 01:18:06,920
Speaker 1: song and stop with this. This is too much conflict

1349
01:18:07,200 --> 01:18:10,559
Speaker 1: for what is a cathartic episode iconic. I'm adding it's

1350
01:18:10,560 --> 01:18:14,560
Speaker 1: a So Quiet by b yorke Um, lovely sort of

1351
01:18:15,439 --> 01:18:18,320
Speaker 1: big band style song, but it's b York. She's screaming

1352
01:18:18,360 --> 01:18:21,000
Speaker 1: throughout it. York is I think maybe the Dolly Parton

1353
01:18:21,080 --> 01:18:24,320
Speaker 1: of the world. Dolly Parton is the Dolly Parton of America,

1354
01:18:24,320 --> 01:18:26,439
Speaker 1: but I think York is the Dolly Parton of the world.

1355
01:18:26,640 --> 01:18:29,639
Speaker 1: Do do you agree totally? Do you want to add

1356
01:18:29,640 --> 01:18:32,599
Speaker 1: another song? No, it's it's it's your turn now. Who

1357
01:18:32,600 --> 01:18:34,360
Speaker 1: are you gonna add he didn't fall for the He

1358
01:18:34,400 --> 01:18:37,640
Speaker 1: didn't fall for the trick. What's the trick? Well, I

1359
01:18:37,720 --> 01:18:39,680
Speaker 1: was gonna see if you said, yeah, sure, and then

1360
01:18:39,680 --> 01:18:41,800
Speaker 1: you add another one, and then I said, just kidding, bitch,

1361
01:18:41,920 --> 01:18:43,880
Speaker 1: it's the rules, and I would take b York. It's

1362
01:18:43,880 --> 01:18:48,439
Speaker 1: also quiet right off. You know you know that. But wait,

1363
01:18:49,840 --> 01:18:52,519
Speaker 1: the rules are as someone goes adds a song out

1364
01:18:52,560 --> 01:18:55,760
Speaker 1: of turn, then the person has then the extra song

1365
01:18:56,160 --> 01:18:58,720
Speaker 1: stays on the playlist, but the other person has the

1366
01:18:58,800 --> 01:19:01,599
Speaker 1: option of taking song out. That's just what the rule

1367
01:19:01,720 --> 01:19:04,960
Speaker 1: is the board, what is the rule? They're saying that

1368
01:19:05,200 --> 01:19:07,920
Speaker 1: if someone puts two songs in a row on the list,

1369
01:19:08,280 --> 01:19:12,200
Speaker 1: the other person has the opportunity to take that song

1370
01:19:12,280 --> 01:19:17,600
Speaker 1: they just added off. You later amended the rules and

1371
01:19:17,960 --> 01:19:21,200
Speaker 1: Megan got so excited there was going to be an amendment.

1372
01:19:22,160 --> 01:19:25,280
Speaker 1: And they both got so excited about amendments because they

1373
01:19:25,479 --> 01:19:28,479
Speaker 1: love the love the government that they were like, yeah, yeah, yeah,

1374
01:19:28,479 --> 01:19:30,040
Speaker 1: he can do that. They were just excited to have

1375
01:19:30,160 --> 01:19:34,679
Speaker 1: their first amendment. Oh my god. Anyway, it's my turn

1376
01:19:34,760 --> 01:19:38,320
Speaker 1: now and I'm adding Tina Turner Private Dancer talking about

1377
01:19:38,360 --> 01:19:41,519
Speaker 1: this song? What does it mean to you? Oh? This

1378
01:19:41,680 --> 01:19:45,000
Speaker 1: is an iconic sexy song, and it actually the first

1379
01:19:45,040 --> 01:19:47,320
Speaker 1: time you hear from Tina. In the song, she is

1380
01:19:47,439 --> 01:19:58,280
Speaker 1: her going, wow, you give me a mand on the many,

1381
01:19:59,120 --> 01:20:04,920
Speaker 1: it's so good. I'm your proudvate dancer dancer money do

1382
01:20:05,240 --> 01:20:09,480
Speaker 1: what do you want me to do? I'm your private

1383
01:20:09,680 --> 01:20:15,240
Speaker 1: dancer dancer for money and a new music. Well do

1384
01:20:16,360 --> 01:20:21,800
Speaker 1: we gotta get you on rosie dancer? And then she

1385
01:20:21,920 --> 01:20:26,840
Speaker 1: goes all the way up there. Good? That was good?

1386
01:20:26,960 --> 01:20:30,439
Speaker 1: Stop what cathartic? No, I was making the Tina sound.

1387
01:20:31,280 --> 01:20:35,040
Speaker 1: Oh sorry, we can we we can add four more. No,

1388
01:20:35,320 --> 01:20:38,559
Speaker 1: we can add one more until we add we had

1389
01:20:39,160 --> 01:20:45,559
Speaker 1: we added sex board, how many do they're saying. They're

1390
01:20:45,600 --> 01:20:49,080
Speaker 1: saying we only added four. No, so we have to

1391
01:20:49,160 --> 01:20:58,679
Speaker 1: do three more. The bore, the bore saying they're putting

1392
01:20:58,720 --> 01:21:01,559
Speaker 1: on there, They're putting on their leather jackets to leave

1393
01:21:01,960 --> 01:21:06,200
Speaker 1: hold on over orange sweaters. One or three more? They

1394
01:21:06,240 --> 01:21:09,760
Speaker 1: said they can agree on to two more. Abbey is

1395
01:21:10,200 --> 01:21:15,040
Speaker 1: literally huffing and puffing. But I'm deciding I don't care. Well,

1396
01:21:15,080 --> 01:21:17,360
Speaker 1: I this is gonna be my last song anyway, So

1397
01:21:17,760 --> 01:21:21,160
Speaker 1: this is gonna be um because I'm getting word this

1398
01:21:21,320 --> 01:21:23,160
Speaker 1: is not from the board. I'm getting it from I'm

1399
01:21:23,320 --> 01:21:26,240
Speaker 1: being wired into a different thing. But they're telling me

1400
01:21:26,400 --> 01:21:29,200
Speaker 1: that it's not too early to add in wait for it,

1401
01:21:29,320 --> 01:21:32,880
Speaker 1: Charlie xc X again. I'm gonna add Boys by Charlie

1402
01:21:33,000 --> 01:21:36,160
Speaker 1: xc X to this poet. Oh my god, that song

1403
01:21:36,439 --> 01:21:40,120
Speaker 1: is on the list. And also, you know who's literally

1404
01:21:40,240 --> 01:21:44,200
Speaker 1: so shook right now is Hailey Steinfeld, whose placement as

1405
01:21:44,320 --> 01:21:47,160
Speaker 1: Queen of Pop is truly threatened and Champion of the

1406
01:21:47,240 --> 01:21:51,080
Speaker 1: list is truly threatened by this sort of cathartic last

1407
01:21:51,160 --> 01:21:53,920
Speaker 1: minute movement of Bowen Yang to add more Charlie x

1408
01:21:54,120 --> 01:21:56,400
Speaker 1: X to the list. They are now tied for Queen

1409
01:21:56,439 --> 01:22:00,240
Speaker 1: of Pop. They're now tied four Champion of the list

1410
01:22:00,479 --> 01:22:03,880
Speaker 1: and tied for getting inducted into the Hall of Fame.

1411
01:22:04,360 --> 01:22:07,360
Speaker 1: So is there's so much suspense leading up to this

1412
01:22:07,520 --> 01:22:11,679
Speaker 1: last song. I feel like you have some choices ahead

1413
01:22:11,720 --> 01:22:14,160
Speaker 1: of you, don't you know. Let's just say I have

1414
01:22:14,280 --> 01:22:17,679
Speaker 1: a lot of really big choices ahead of me, because

1415
01:22:17,840 --> 01:22:22,959
Speaker 1: I could choose to add to the list Hailey Steinfeld

1416
01:22:23,040 --> 01:22:25,040
Speaker 1: song and some amount her place as the Queen of Pop.

1417
01:22:25,800 --> 01:22:31,400
Speaker 1: I could choose to add another Rihanna. Wait. Rihanna is

1418
01:22:31,400 --> 01:22:34,280
Speaker 1: tied with Charlie and Hayley. We've forgotten about Rihanna. Know

1419
01:22:34,439 --> 01:22:38,840
Speaker 1: that I'm getting there. I'm saying we have Rihanna and

1420
01:22:39,040 --> 01:22:42,479
Speaker 1: we also have Charlie x X. So I guess this

1421
01:22:42,760 --> 01:22:46,160
Speaker 1: is the definitive a moment where we find out here

1422
01:22:46,439 --> 01:22:51,480
Speaker 1: live on this podcast, Last Culture Este. This is insane.

1423
01:22:52,680 --> 01:22:57,800
Speaker 1: Who is the queen of pop? Is it Hailey Steinfeldt,

1424
01:22:58,600 --> 01:23:03,960
Speaker 1: Rihanna or Charlie xc X. Oh my god? And at

1425
01:23:04,040 --> 01:23:07,840
Speaker 1: this time is this is I am so nervous right now,

1426
01:23:09,120 --> 01:23:13,880
Speaker 1: at this time I can reveal that the final song

1427
01:23:14,640 --> 01:23:19,880
Speaker 1: on the list is Oh, oh my god, I'm so

1428
01:23:20,040 --> 01:23:25,080
Speaker 1: scared straight up by Paula Abdul. Oh god, God, this

1429
01:23:25,400 --> 01:23:30,680
Speaker 1: is crazy. Wait, straight on my is the final song

1430
01:23:30,720 --> 01:23:32,720
Speaker 1: on the list. That means we do not have we

1431
01:23:32,800 --> 01:23:37,519
Speaker 1: have a three way tie of queen of Pop. I'm

1432
01:23:37,600 --> 01:23:39,519
Speaker 1: checking with the board just to make sure this is true.

1433
01:23:39,560 --> 01:23:43,160
Speaker 1: But wait, okay, it is true. Oh my gosh, because

1434
01:23:43,280 --> 01:23:47,400
Speaker 1: there was no definitive queen of pop. None of them

1435
01:23:47,560 --> 01:23:50,400
Speaker 1: are the queen of pop? Damn it. Will we ever

1436
01:23:50,520 --> 01:23:53,479
Speaker 1: find out? We may never find out. We might have

1437
01:23:53,560 --> 01:23:55,639
Speaker 1: to do an episode which is sort of just trying

1438
01:23:55,680 --> 01:23:57,439
Speaker 1: to find out who the Queen of Pop is because

1439
01:23:57,640 --> 01:23:59,479
Speaker 1: we thought it was going to be one of Charlie

1440
01:23:59,640 --> 01:24:03,280
Speaker 1: xc X, Rihanna R Hallie Steinfeld. But now with Paula

1441
01:24:03,320 --> 01:24:05,759
Speaker 1: Abdul sort of coming onto the list at the last second,

1442
01:24:06,520 --> 01:24:08,439
Speaker 1: we have to throw everything out. We have to do

1443
01:24:08,560 --> 01:24:11,120
Speaker 1: a whole other episode to discover who's the Queen of Pop.

1444
01:24:11,400 --> 01:24:13,080
Speaker 1: I think we're I think it might be an adventure

1445
01:24:13,200 --> 01:24:16,920
Speaker 1: with many characters, many winding turns in the story. I

1446
01:24:16,960 --> 01:24:19,479
Speaker 1: think it's going to be a story. But wow, what

1447
01:24:19,640 --> 01:24:23,040
Speaker 1: a moment that we created a two hour, thirty seven minute,

1448
01:24:23,120 --> 01:24:28,200
Speaker 1: forty song playlist that is truly eclectic. I think it's

1449
01:24:28,360 --> 01:24:33,519
Speaker 1: very I think very cathartic. The only men on this

1450
01:24:33,640 --> 01:24:37,480
Speaker 1: playlist are let me, I'll list them all, John Williams,

1451
01:24:37,840 --> 01:24:43,360
Speaker 1: Adam pascal Um, Prince Ray Parker, Jr. Hugh and Lewis

1452
01:24:43,439 --> 01:24:49,560
Speaker 1: and the News and perhaps Ultra Nate. No, that's that's you.

1453
01:24:51,360 --> 01:24:55,719
Speaker 1: I'm so sorry, But that's not because Bone Yang didn't

1454
01:24:55,760 --> 01:24:57,920
Speaker 1: want to add blurred lines by Robin Thicke, and I

1455
01:24:58,080 --> 01:25:02,920
Speaker 1: actually own up to that really laps in, that laps

1456
01:25:02,960 --> 01:25:06,360
Speaker 1: in judgment. And I feel like we have arrived, We've

1457
01:25:06,439 --> 01:25:11,680
Speaker 1: perfected the playlist because of that sort of corrective awareness

1458
01:25:11,840 --> 01:25:15,160
Speaker 1: in ourselves. You. The one thing I always say about you,

1459
01:25:15,320 --> 01:25:19,320
Speaker 1: Bowen Yang, is You've always been susceptible to party boat culture.

1460
01:25:20,040 --> 01:25:22,759
Speaker 1: And I think that because blurred Lines is an iconic

1461
01:25:22,880 --> 01:25:26,360
Speaker 1: party boat song. That's where you slipped up. Even I've

1462
01:25:26,400 --> 01:25:28,360
Speaker 1: never I've never once been on a party boat. Oh

1463
01:25:28,439 --> 01:25:31,519
Speaker 1: except for like um circle line cruises, but I've not been.

1464
01:25:31,560 --> 01:25:33,439
Speaker 1: I've never been on a yacht. I've never been on

1465
01:25:34,439 --> 01:25:38,840
Speaker 1: you know, a pontoon or or anything. So I I

1466
01:25:38,920 --> 01:25:40,720
Speaker 1: am susceptible to party boat culture, but I have not

1467
01:25:40,800 --> 01:25:43,719
Speaker 1: actually been on that many party boats. Well, so many

1468
01:25:43,880 --> 01:25:47,640
Speaker 1: times people are more susceptible to the culture they aspire to,

1469
01:25:47,920 --> 01:25:50,120
Speaker 1: you know what I mean. So so that's sort of

1470
01:25:50,840 --> 01:25:55,599
Speaker 1: like for me, I am always wearing um skis all

1471
01:25:55,680 --> 01:25:58,519
Speaker 1: the time, and I've never won skied, but I do

1472
01:25:58,680 --> 01:26:01,200
Speaker 1: aspire to ski culture. I'd like to one day be

1473
01:26:01,320 --> 01:26:04,320
Speaker 1: in a sort of ski chalet, you know what I mean,

1474
01:26:05,800 --> 01:26:07,200
Speaker 1: you know what I'm saying. So that's why I wear

1475
01:26:07,240 --> 01:26:10,439
Speaker 1: skis um sort of wherever I go. So that's that's

1476
01:26:10,479 --> 01:26:13,160
Speaker 1: the culture. It's incredible that we've collaborated on this list.

1477
01:26:13,200 --> 01:26:15,080
Speaker 1: In glancing at the list, how do you feel. I

1478
01:26:15,360 --> 01:26:18,200
Speaker 1: feel that it is a perfect list. These are I'm

1479
01:26:18,240 --> 01:26:19,880
Speaker 1: looking at every single one of these tracks. They are

1480
01:26:19,960 --> 01:26:24,599
Speaker 1: all the new standards, and we will all pass these

1481
01:26:25,120 --> 01:26:27,839
Speaker 1: songs down to the next generation. These are the new standards.

1482
01:26:27,920 --> 01:26:30,040
Speaker 1: These are the new standards, and that you will all everyone.

1483
01:26:30,280 --> 01:26:32,559
Speaker 1: This is my challenge to the readers that we are

1484
01:26:32,600 --> 01:26:37,360
Speaker 1: all off book on these songs. Just gonna say and

1485
01:26:37,439 --> 01:26:39,639
Speaker 1: then at each point, at which point we will introduce

1486
01:26:39,760 --> 01:26:44,960
Speaker 1: a new series of standards. On November. Let's just say

1487
01:26:45,080 --> 01:26:49,040
Speaker 1: our first episode of November two, we're going to be

1488
01:26:49,160 --> 01:26:54,519
Speaker 1: making a new playlist um in two years. So you

1489
01:26:54,600 --> 01:26:56,400
Speaker 1: guys have told them to sort of get off book

1490
01:26:56,439 --> 01:26:59,559
Speaker 1: on this one before we can even attempt another one.

1491
01:26:59,840 --> 01:27:01,960
Speaker 1: They thank you so much for listening to this. Please

1492
01:27:02,040 --> 01:27:05,000
Speaker 1: familiarize yourself with these songs if you haven't already. And

1493
01:27:05,320 --> 01:27:06,880
Speaker 1: any closing. I don't think we're gonna do I don't

1494
01:27:06,880 --> 01:27:09,160
Speaker 1: think Sony this weeak no, Actually there's no. I don't

1495
01:27:09,240 --> 01:27:14,240
Speaker 1: let me check with the board. Okay. They said that

1496
01:27:14,400 --> 01:27:17,560
Speaker 1: they can't talk about it right now. They're upset with

1497
01:27:17,640 --> 01:27:22,040
Speaker 1: each other again because Megan is upset with Abby because

1498
01:27:22,120 --> 01:27:27,400
Speaker 1: she didn't make a reservation at and they're they're really

1499
01:27:27,560 --> 01:27:31,160
Speaker 1: busy right now with the growth during COVID, So okay,

1500
01:27:31,360 --> 01:27:33,960
Speaker 1: never mind. There they said they want to leave. That's

1501
01:27:34,160 --> 01:27:39,439
Speaker 1: that's actually okay, so they're leaving anyway. Um, that was

1502
01:27:39,520 --> 01:27:43,280
Speaker 1: the door closing. But anyway, Wow, they said, they did say,

1503
01:27:43,439 --> 01:27:45,920
Speaker 1: they did say. Their energy says we shouldn't do it.

1504
01:27:45,960 --> 01:27:48,160
Speaker 1: I don't think. So Okay, that's good because I actually

1505
01:27:48,200 --> 01:27:51,080
Speaker 1: agree with them for once. So we thank you so

1506
01:27:51,240 --> 01:27:53,840
Speaker 1: much reader for listening. Thank you Abby and Megan for

1507
01:27:53,920 --> 01:27:56,720
Speaker 1: coming that. We didn't invite you guys, but it was

1508
01:27:56,800 --> 01:27:59,800
Speaker 1: nice that you showed up and look looked. Okay, they looked.

1509
01:28:00,400 --> 01:28:02,840
Speaker 1: It's usually customary best to end on a song, but

1510
01:28:02,880 --> 01:28:05,000
Speaker 1: I don't really do you think it's appropriate to end

1511
01:28:05,040 --> 01:28:08,720
Speaker 1: on a song on this episode? I think it is appropriate,

1512
01:28:08,880 --> 01:28:12,799
Speaker 1: and I think that um, you and I are actually

1513
01:28:12,880 --> 01:28:18,120
Speaker 1: going to um simultaneously start singing one song from the

1514
01:28:18,200 --> 01:28:22,439
Speaker 1: list that we think is the most iconic song cathartic.

1515
01:28:22,600 --> 01:28:25,800
Speaker 1: I should say, pick look at it right now, pick

1516
01:28:25,920 --> 01:28:27,840
Speaker 1: the one you feel is the most iconic, and I'm

1517
01:28:27,880 --> 01:28:30,439
Speaker 1: going to as well. And on three, we're gonna start

1518
01:28:30,520 --> 01:28:33,600
Speaker 1: singing that song. Let me look, let me look and

1519
01:28:36,439 --> 01:28:47,519
Speaker 1: I have got it, Got it three, two, one oh,

1520
01:28:48,720 --> 01:29:01,559
Speaker 1: what do you think? Good? Just nice? And the Challenges

1521
01:29:01,640 --> 01:29:04,280
Speaker 1: issue to our readers mash up, I'm on a roll.

1522
01:29:04,400 --> 01:29:06,560
Speaker 1: Was not ready to make nice Ready go