1 00:00:00,200 --> 00:00:03,080 Speaker 1: Welcome to Money Making Conversations Masterclass. I am your host 2 00:00:03,160 --> 00:00:06,080 Speaker 1: with Sean McDonald. I recognized that we all have different 3 00:00:06,120 --> 00:00:08,799 Speaker 1: definitions of success. For you, it may be the size 4 00:00:08,800 --> 00:00:12,080 Speaker 1: of your paycheck. Mine is basically inspiring people to accomplish 5 00:00:12,119 --> 00:00:15,000 Speaker 1: their goals and live their very best life. I always 6 00:00:15,040 --> 00:00:17,320 Speaker 1: tell people on this show and every episode, it's time 7 00:00:17,320 --> 00:00:19,840 Speaker 1: to stop reading other people's success stories and really start 8 00:00:19,880 --> 00:00:22,800 Speaker 1: writing your own. People always talk about their purpose or 9 00:00:22,800 --> 00:00:24,799 Speaker 1: their gift. If you have a gift, lead with your gift, 10 00:00:25,120 --> 00:00:28,440 Speaker 1: and remember this, don't let your friends, family, a coworkers 11 00:00:28,440 --> 00:00:31,639 Speaker 1: stop you from planning or living your dreams. My guests, 12 00:00:31,640 --> 00:00:35,720 Speaker 1: so Money Making Conversations Masterclass today is Anthony. Anthony Fleming, 13 00:00:35,800 --> 00:00:38,479 Speaker 1: the third Anthony as an actor has known for his 14 00:00:38,640 --> 00:00:40,600 Speaker 1: role in Fox. Some of these are just some of 15 00:00:40,640 --> 00:00:44,000 Speaker 1: the role. Man has a tremendous resume Foxes Television, Serious, 16 00:00:44,000 --> 00:00:48,000 Speaker 1: prison Break. He's also appealed on Divergent, NBC's Chicago Fire. 17 00:00:48,440 --> 00:00:50,560 Speaker 1: But currently he's starting in the shows that I watched 18 00:00:50,600 --> 00:00:55,160 Speaker 1: every Sunday. Pole Book for Force, A tendant, a tend 19 00:00:55,160 --> 00:00:57,760 Speaker 1: of episode Drama said in Chicago, one of my favorite 20 00:00:57,760 --> 00:01:00,440 Speaker 1: cities is the third stamer to Pole or you know, 21 00:01:01,160 --> 00:01:03,720 Speaker 1: you know Power University. You've got the MC universe, you 22 00:01:03,760 --> 00:01:06,520 Speaker 1: got DC Universe, Now you got Power University. It's the 23 00:01:06,560 --> 00:01:10,400 Speaker 1: fourth book. Paula breaks apart and comes together. All different 24 00:01:10,400 --> 00:01:13,039 Speaker 1: types of family are. Everybody is surrounded by Tommy. But 25 00:01:13,080 --> 00:01:15,039 Speaker 1: he has a character that JP did. He plays on 26 00:01:15,040 --> 00:01:18,680 Speaker 1: the show Gifted jazz musician. Uh, let him know. I played, 27 00:01:19,040 --> 00:01:22,000 Speaker 1: you know, b flash saxophone and tenor saxophone. But I 28 00:01:22,040 --> 00:01:24,280 Speaker 1: know I have no skill beyond that, who owns and 29 00:01:24,319 --> 00:01:27,240 Speaker 1: operates at blues club with his ailing father that has 30 00:01:27,280 --> 00:01:29,840 Speaker 1: been the target of several attacks by local gang members. 31 00:01:30,120 --> 00:01:32,440 Speaker 1: As Richard JP's life feels he still cares the pain 32 00:01:32,480 --> 00:01:35,199 Speaker 1: and never having a mother in his life and having 33 00:01:35,200 --> 00:01:38,200 Speaker 1: a son he has no relationship with. JP's world is 34 00:01:38,240 --> 00:01:41,240 Speaker 1: thrown off his axis when he crosses path with the 35 00:01:41,280 --> 00:01:45,280 Speaker 1: one and only Tommy. Please. Welcome to Money Making Conversations, Masterclass, 36 00:01:45,480 --> 00:01:49,080 Speaker 1: Anthony Flaming the third. How you doing, sir? I'm doing great? 37 00:01:49,080 --> 00:01:51,000 Speaker 1: How you doing? Oh? Pretty good? I try to say 38 00:01:51,000 --> 00:01:53,520 Speaker 1: everything up. Man. Let everybody know who I'm talking to. Anthony. 39 00:01:53,640 --> 00:01:55,040 Speaker 1: Tell us a little bit more about you. Where you 40 00:01:55,080 --> 00:01:58,400 Speaker 1: based at right now? Anthony born and raised in Chicago. 41 00:01:58,440 --> 00:02:02,040 Speaker 1: I currently live in Chicago, where I was in Chicago 42 00:02:02,360 --> 00:02:04,120 Speaker 1: with Steve Hardy that was up to doing this talk 43 00:02:04,160 --> 00:02:09,320 Speaker 1: show from twenties twelve the twenty seventeen. So Chicago quickly 44 00:02:09,360 --> 00:02:13,120 Speaker 1: became one of my favorite cities. Man. Now now that 45 00:02:13,400 --> 00:02:15,000 Speaker 1: I do, I will tell you this, and you could 46 00:02:15,000 --> 00:02:17,280 Speaker 1: probably agree with me on this. I have clothes that 47 00:02:17,320 --> 00:02:19,680 Speaker 1: I had to buy because of the winter. I can't 48 00:02:19,680 --> 00:02:23,160 Speaker 1: wear nowhere else. And what you got, you got to 49 00:02:23,280 --> 00:02:26,720 Speaker 1: dress in Chicago, you know how it is. You got 50 00:02:26,720 --> 00:02:29,880 Speaker 1: to lay your up, you know, right, I got, I 51 00:02:29,919 --> 00:02:35,040 Speaker 1: got hats, I got I got facial uh, I got everything. 52 00:02:35,080 --> 00:02:37,880 Speaker 1: But the beauty of Chicago. Talk to us a little 53 00:02:37,880 --> 00:02:40,440 Speaker 1: bit about that. That That that that the culture of Chicago, 54 00:02:40,600 --> 00:02:44,720 Speaker 1: the black cultures Chicago, the scenes because the food's outstanding, 55 00:02:45,000 --> 00:02:48,360 Speaker 1: the black cultures outstanding. And that little summer it gives 56 00:02:48,400 --> 00:02:51,640 Speaker 1: you is amazing. The little summer it gives you really 57 00:02:51,639 --> 00:02:56,440 Speaker 1: makes you appreciate it doesn't come up the winter. Yes, um, yes, Chicago. 58 00:02:56,520 --> 00:02:58,799 Speaker 1: You know, I'm born and raised here, so I'm a 59 00:02:58,800 --> 00:03:01,440 Speaker 1: little biased, but I think it's you know, it's a 60 00:03:01,480 --> 00:03:04,079 Speaker 1: fantastic city. It's a great place to grow up. I've 61 00:03:04,080 --> 00:03:05,919 Speaker 1: heard it said that Chicago is a city that can 62 00:03:05,960 --> 00:03:08,600 Speaker 1: both break your heart and feel your heart at the 63 00:03:08,639 --> 00:03:12,960 Speaker 1: same time. There's a there is a duality to my 64 00:03:13,080 --> 00:03:15,760 Speaker 1: city that I think resonates with a lot of people. 65 00:03:16,160 --> 00:03:17,360 Speaker 1: So I'm sure it is that way in a lot 66 00:03:17,400 --> 00:03:19,360 Speaker 1: of cities, but Chicago. I really feel it here, and 67 00:03:19,520 --> 00:03:23,280 Speaker 1: Tommy is definitely feeling it um as she comes here 68 00:03:23,800 --> 00:03:25,800 Speaker 1: and try to set up camp. Well, you know, the 69 00:03:25,840 --> 00:03:28,480 Speaker 1: interesting part about it is that being the fact that 70 00:03:28,520 --> 00:03:31,000 Speaker 1: I lived in New York for years, I'm originally used 71 00:03:31,040 --> 00:03:33,080 Speaker 1: in Texas. I live in New York for years, so 72 00:03:33,120 --> 00:03:36,280 Speaker 1: I know that whole Apple, the whole Borough atmosphere. How 73 00:03:36,360 --> 00:03:39,400 Speaker 1: and you know how you really you know, the transportation 74 00:03:39,600 --> 00:03:43,120 Speaker 1: is different. When he came to Chicago, I knew it 75 00:03:43,120 --> 00:03:45,600 Speaker 1: would be a different field because you know, you really 76 00:03:45,720 --> 00:03:48,440 Speaker 1: do have to drive everywhere in New York. You really don't. 77 00:03:48,600 --> 00:03:51,560 Speaker 1: They have transit systems in Chicago, but new York, you 78 00:03:51,640 --> 00:03:54,240 Speaker 1: really can be a guy who don't need a driver. 79 00:03:54,240 --> 00:03:57,920 Speaker 1: It's license in New York. And when you get to Chicago, well, 80 00:03:58,000 --> 00:04:01,640 Speaker 1: what your relationship was introduced? How I'm just letting everybody 81 00:04:01,640 --> 00:04:03,360 Speaker 1: know I watched this series of regulation, but I'd like 82 00:04:03,400 --> 00:04:06,160 Speaker 1: for you to just tell the audience your relationship with Tommy, 83 00:04:06,200 --> 00:04:09,560 Speaker 1: so we can build off of that our storytelling. Uh, 84 00:04:09,600 --> 00:04:14,600 Speaker 1: you're talking about JP's relationship. Yeah, Well, JP and Tommy 85 00:04:14,680 --> 00:04:17,560 Speaker 1: meet at a time when, as you had mentioned, JP 86 00:04:17,720 --> 00:04:20,240 Speaker 1: is sort of in a desperate situation. His father is sick. 87 00:04:20,440 --> 00:04:22,760 Speaker 1: Him and his father owned this jazz club together. His 88 00:04:22,880 --> 00:04:26,280 Speaker 1: father is also a musician, and this jazz club is 89 00:04:26,320 --> 00:04:28,719 Speaker 1: sort of a dream for both of them. So his 90 00:04:28,839 --> 00:04:33,640 Speaker 1: father is stick, which is putting JP in a financial crisis. 91 00:04:33,720 --> 00:04:37,440 Speaker 1: So he's the club is in foreclosure and also it's 92 00:04:37,440 --> 00:04:39,760 Speaker 1: getting shot up by local gang members and he doesn't 93 00:04:39,839 --> 00:04:43,520 Speaker 1: understand why. So he is a brother who is losing 94 00:04:44,120 --> 00:04:47,440 Speaker 1: pieces of himself, his father, his club, He's estranged from 95 00:04:47,480 --> 00:04:52,320 Speaker 1: his son. Um. He has that residual pain and uh 96 00:04:52,440 --> 00:04:55,479 Speaker 1: memory of not growing up with his mother. So he's 97 00:04:55,680 --> 00:04:58,720 Speaker 1: he's losing pieces of himself, as is Tommy. Tommy is 98 00:04:58,800 --> 00:05:02,120 Speaker 1: rolling into town having left everything in New York behind. 99 00:05:02,320 --> 00:05:06,560 Speaker 1: You know, he leaves town with just such tragic loss 100 00:05:06,600 --> 00:05:09,960 Speaker 1: that he's experienced. Everyone who's ever been close to him 101 00:05:10,200 --> 00:05:12,599 Speaker 1: is gone or has pushed him away. Some boy his 102 00:05:12,680 --> 00:05:15,640 Speaker 1: own hand, you know. So he's got his car is 103 00:05:15,640 --> 00:05:18,520 Speaker 1: a beautiful mustang. He drives a bag full of cash 104 00:05:18,520 --> 00:05:21,440 Speaker 1: and a couple of burning phones, and uh, he's coming 105 00:05:21,440 --> 00:05:25,440 Speaker 1: to Chicago to start over, to reimagine what he can be. 106 00:05:26,080 --> 00:05:27,920 Speaker 1: But there's a whole new city to learn, the whole 107 00:05:27,960 --> 00:05:30,159 Speaker 1: new grid. As you know, Chicago is not New York. 108 00:05:30,600 --> 00:05:33,680 Speaker 1: Both big cities, but they're both different cities. So he's 109 00:05:33,680 --> 00:05:36,040 Speaker 1: got to learn a whole new situation here. But also 110 00:05:36,080 --> 00:05:38,640 Speaker 1: he got to learned that you and him are walking 111 00:05:38,680 --> 00:05:40,880 Speaker 1: shoo super sizes of the streets. When he had power, 112 00:05:40,960 --> 00:05:42,760 Speaker 1: he was running with his brought ghosts and both were 113 00:05:42,800 --> 00:05:47,000 Speaker 1: drug dealers. You're not remotely in the drug game drug business. 114 00:05:47,080 --> 00:05:49,279 Speaker 1: I want to get into the drug business. How do 115 00:05:49,400 --> 00:05:53,159 Speaker 1: you deal with that characterization of of of eventually learning 116 00:05:53,160 --> 00:05:55,839 Speaker 1: about who he really is, but also the fact that 117 00:05:55,960 --> 00:05:59,039 Speaker 1: he comes into your character's life and he is your 118 00:05:59,279 --> 00:06:02,359 Speaker 1: I guess you can say half brother Tommy is he 119 00:06:02,520 --> 00:06:04,760 Speaker 1: is my heaven brother. Yeah, And that's something that is 120 00:06:04,880 --> 00:06:07,400 Speaker 1: very real, and that you're black and he's white and 121 00:06:07,440 --> 00:06:11,880 Speaker 1: technically you know what I'm saying from a visual exactly, 122 00:06:12,480 --> 00:06:14,800 Speaker 1: but still, you know, none of that really matters when 123 00:06:14,839 --> 00:06:17,000 Speaker 1: it comes to family, because that's real. I mean there's 124 00:06:17,080 --> 00:06:18,919 Speaker 1: there's no family that is all just one thing. I 125 00:06:18,960 --> 00:06:22,320 Speaker 1: think you'll find that mixing and interracial mixing and a 126 00:06:22,320 --> 00:06:24,479 Speaker 1: lot of families. You know, I myself and interation. My 127 00:06:24,520 --> 00:06:28,719 Speaker 1: father is black, my mother is Filipino. H So you 128 00:06:28,760 --> 00:06:32,279 Speaker 1: know that we are trying to find our shared past. 129 00:06:32,440 --> 00:06:35,560 Speaker 1: We both have this shared past that we don't remember. 130 00:06:35,920 --> 00:06:38,800 Speaker 1: So when Tommy comes into town, you know, the grandmother 131 00:06:38,920 --> 00:06:41,520 Speaker 1: is the connection and the show. He is going to 132 00:06:41,640 --> 00:06:44,520 Speaker 1: visit his grandmother once he finds out his grandmother is alive, 133 00:06:45,040 --> 00:06:47,440 Speaker 1: and that's where him and I meet. So it's about 134 00:06:47,480 --> 00:06:52,120 Speaker 1: finding out who we were once upon it's time. It 135 00:06:52,200 --> 00:06:54,160 Speaker 1: was funny because he you know, he would like you know, 136 00:06:54,279 --> 00:06:57,919 Speaker 1: his character because were shocked and surprised. But you know 137 00:06:57,920 --> 00:07:00,240 Speaker 1: what I think I love about that the Joseph lays 138 00:07:00,279 --> 00:07:02,960 Speaker 1: the character lead character of the series who came over 139 00:07:02,960 --> 00:07:05,760 Speaker 1: from power, is that you know, Tommy is a guy 140 00:07:05,800 --> 00:07:08,080 Speaker 1: who just shakes it off. His character. You know, you 141 00:07:08,160 --> 00:07:10,320 Speaker 1: give him information, he just shakes it off. You know, 142 00:07:10,640 --> 00:07:12,960 Speaker 1: he shoot somebody, he shakes it off. He finds it, 143 00:07:13,360 --> 00:07:15,640 Speaker 1: he finds out you his brother, he thinks about it. 144 00:07:15,720 --> 00:07:18,440 Speaker 1: Go okay, okay, whatever, let's let's let's let's let's roll. 145 00:07:18,520 --> 00:07:20,320 Speaker 1: You might, you might, you might getting I'm good with it, 146 00:07:20,720 --> 00:07:23,600 Speaker 1: and so let's let's go back to you know, I'll 147 00:07:23,600 --> 00:07:25,960 Speaker 1: be honest with you, you know, all the way to 148 00:07:26,120 --> 00:07:29,320 Speaker 1: Power series with the very first episode and and then 149 00:07:29,400 --> 00:07:32,720 Speaker 1: I remember when I read the reports about fifty Cents 150 00:07:33,320 --> 00:07:37,520 Speaker 1: doing a series on Stars about the drug dealer who 151 00:07:37,600 --> 00:07:40,360 Speaker 1: owned a nightclub. To me, I couldn't even wrap my 152 00:07:40,440 --> 00:07:43,440 Speaker 1: head around that is something I would watch. I really 153 00:07:43,480 --> 00:07:46,600 Speaker 1: did the first but but they've developed talking about Courtney 154 00:07:46,680 --> 00:07:50,120 Speaker 1: Kemp and him have developed such a series. It's really 155 00:07:50,160 --> 00:07:54,119 Speaker 1: family driven. It's face about family. So tell us about 156 00:07:54,200 --> 00:07:58,240 Speaker 1: your journey before you became cast on this series with 157 00:07:58,280 --> 00:08:01,600 Speaker 1: the original series and what what what what? What attracted 158 00:08:01,680 --> 00:08:04,600 Speaker 1: you to the Power original series? And then what motivates 159 00:08:04,640 --> 00:08:07,440 Speaker 1: you to continue in the successful role that your plan 160 00:08:07,600 --> 00:08:11,160 Speaker 1: is JP well, you know, to keep it honest. I 161 00:08:11,640 --> 00:08:13,760 Speaker 1: was into the original series while it was out, but 162 00:08:13,840 --> 00:08:16,360 Speaker 1: I wasn't, you know, dying hard. I knew it because 163 00:08:16,400 --> 00:08:19,560 Speaker 1: I know Joseph personally. Uh you know, Joseph is from 164 00:08:19,640 --> 00:08:22,240 Speaker 1: Chicago and him and I have worked together on stage before, 165 00:08:22,320 --> 00:08:25,200 Speaker 1: so we've you know, we've been on stage before and 166 00:08:25,240 --> 00:08:27,720 Speaker 1: we've remained friends over the years, so my connection to 167 00:08:27,760 --> 00:08:31,760 Speaker 1: the show was through him, and uh, but once I 168 00:08:31,800 --> 00:08:35,559 Speaker 1: was cast in the show, of course, Marathon the whole first, 169 00:08:36,040 --> 00:08:37,760 Speaker 1: the whole for a season I'm talking about. Man, it 170 00:08:37,800 --> 00:08:40,520 Speaker 1: was like sixty five episodes in a very short amount 171 00:08:40,520 --> 00:08:43,559 Speaker 1: of time. But you get pulled in that way. The 172 00:08:44,040 --> 00:08:48,880 Speaker 1: characters are so well written, they're so dynamic, they're so complex, 173 00:08:48,960 --> 00:08:51,720 Speaker 1: they're so flawed in a lot of ways, you know, 174 00:08:51,760 --> 00:08:55,120 Speaker 1: and incomplete, and everybody is searching for something. Power is 175 00:08:55,160 --> 00:08:57,720 Speaker 1: always shifting, and everybody's always trying to grab that power 176 00:08:57,760 --> 00:09:01,200 Speaker 1: and in whatever form that they are, that they are 177 00:09:01,280 --> 00:09:03,440 Speaker 1: chasing it, you know. And like you say, it's also 178 00:09:03,480 --> 00:09:06,920 Speaker 1: about family. Tommy comes into town, and it's about how 179 00:09:07,559 --> 00:09:10,960 Speaker 1: his effect is on other families, houses, effect on the 180 00:09:11,000 --> 00:09:13,880 Speaker 1: CBI brothers. You know, what is Tommy doing to that family? 181 00:09:14,320 --> 00:09:17,560 Speaker 1: What is his what is his presence doing to the 182 00:09:17,600 --> 00:09:20,400 Speaker 1: Flynn flamming you know, the Flynn family. That's hard to 183 00:09:20,440 --> 00:09:23,080 Speaker 1: say real quickly, but you know, the family that's been 184 00:09:23,160 --> 00:09:26,520 Speaker 1: established here in Chicago and our story, Um, you know, 185 00:09:26,600 --> 00:09:28,960 Speaker 1: he's coming in and disrupting things. You know, the daughter 186 00:09:29,240 --> 00:09:30,880 Speaker 1: and the son both kind of want to do their 187 00:09:30,920 --> 00:09:33,240 Speaker 1: own thing with Tommy. So we'll be right back with 188 00:09:33,280 --> 00:09:39,240 Speaker 1: more Money Making Conversations Masterclass with Rushan McDonald. Now, let's 189 00:09:39,240 --> 00:09:44,800 Speaker 1: return to Money Making Conversations Masterclass with Rushan McDonald. Those 190 00:09:44,880 --> 00:09:48,840 Speaker 1: layers are what makes it interesting, correct, definitely. And then 191 00:09:48,880 --> 00:09:51,959 Speaker 1: you know in the scene there's a scene where Tommy 192 00:09:52,080 --> 00:09:56,160 Speaker 1: and j P and JP's father are sitting around talking 193 00:09:56,160 --> 00:09:57,800 Speaker 1: and you know, JP's father is just like, you know, 194 00:09:57,840 --> 00:10:01,160 Speaker 1: who is this white boy? W what are your intentions 195 00:10:01,760 --> 00:10:04,120 Speaker 1: uh breathing back in the town. You know, what are 196 00:10:04,120 --> 00:10:06,559 Speaker 1: you trying to get out of JP? So yeah, all 197 00:10:06,600 --> 00:10:09,120 Speaker 1: of that family dynamic is just lay it throughout the show, 198 00:10:09,120 --> 00:10:12,319 Speaker 1: and I think it pulls everybody in because I mean, 199 00:10:12,360 --> 00:10:14,840 Speaker 1: maybe not to this heightened level for everybody, but it's 200 00:10:14,880 --> 00:10:18,400 Speaker 1: definitely something that resonates with our power fan base. Well, 201 00:10:18,559 --> 00:10:21,199 Speaker 1: the thing about it, I always tell people because I'm 202 00:10:21,240 --> 00:10:23,600 Speaker 1: looking at the Fast and Furious nine, you know, if 203 00:10:23,600 --> 00:10:26,080 Speaker 1: you look through that whole storyline, that's all they talk 204 00:10:26,120 --> 00:10:29,240 Speaker 1: about his family. You know, every episode always ends there 205 00:10:29,280 --> 00:10:31,360 Speaker 1: there's some dinner table where they unite, so you know, 206 00:10:31,440 --> 00:10:35,080 Speaker 1: the whole concept is family. They can raise cars and 207 00:10:35,120 --> 00:10:37,280 Speaker 1: blow it up and all that stuff, but it always 208 00:10:37,280 --> 00:10:40,480 Speaker 1: goes back to family. Same thing with power, same thing 209 00:10:40,520 --> 00:10:43,280 Speaker 1: with ghosts. It's about family. And so in this story 210 00:10:43,320 --> 00:10:48,439 Speaker 1: they really introducing the rather unique relationship because no one 211 00:10:48,480 --> 00:10:51,959 Speaker 1: would have seen this coming. You know, Tommy going to Chicago, 212 00:10:52,400 --> 00:10:55,640 Speaker 1: who has a half brother who's black, whose mom had 213 00:10:55,679 --> 00:10:58,280 Speaker 1: a relationship with a black man. So Tommy has to 214 00:10:58,320 --> 00:11:01,320 Speaker 1: deal with that relationship. But also, like say, introduced to 215 00:11:01,360 --> 00:11:04,080 Speaker 1: all these other families where he's just like flipping switches. 216 00:11:04,600 --> 00:11:08,800 Speaker 1: He plus he's carrying that baggage from New York into Chicago. 217 00:11:09,440 --> 00:11:12,559 Speaker 1: So when you when you look at all this, this world, 218 00:11:12,679 --> 00:11:16,720 Speaker 1: this this I would say confusion, but I say drama happening. 219 00:11:17,480 --> 00:11:21,920 Speaker 1: How does your character layer itself into this show? Well, 220 00:11:21,920 --> 00:11:25,240 Speaker 1: Tommy is in JP. You know they're trying, they're vetting 221 00:11:25,280 --> 00:11:28,000 Speaker 1: each other out. Tommy is trying to see can he 222 00:11:28,040 --> 00:11:31,840 Speaker 1: trust JP? You know, can can we can I pull 223 00:11:31,920 --> 00:11:34,640 Speaker 1: JP in? And that's another thing Tommy has to decide 224 00:11:34,960 --> 00:11:37,000 Speaker 1: once he finds out that he does have family here 225 00:11:37,000 --> 00:11:39,800 Speaker 1: in Chicago with JP. How do you protect him? Do 226 00:11:39,840 --> 00:11:41,560 Speaker 1: you pull them closer to you or do you push 227 00:11:41,640 --> 00:11:44,040 Speaker 1: them away from you? Do I want to bring him 228 00:11:44,040 --> 00:11:46,280 Speaker 1: into this fold? Or you know, now I'm gonna just 229 00:11:46,360 --> 00:11:48,800 Speaker 1: keep it moving past them. But I think the more 230 00:11:48,840 --> 00:11:51,360 Speaker 1: that they uncover, the more that they discover about their 231 00:11:51,400 --> 00:11:56,120 Speaker 1: shared past and JP and Tommy sees JP's intentions, Um, 232 00:11:56,240 --> 00:11:58,800 Speaker 1: I think we'll see JP definitely playing a bigger role 233 00:11:58,840 --> 00:12:01,600 Speaker 1: in Tommy's world. They had to. And I'm just give 234 00:12:01,679 --> 00:12:05,160 Speaker 1: you some backstory on you know, PowerBook for Force. When 235 00:12:05,160 --> 00:12:09,320 Speaker 1: it premiered, if premier to the highest numbers in Stars history, 236 00:12:09,400 --> 00:12:11,400 Speaker 1: and I was one of those people who generated that 237 00:12:11,480 --> 00:12:15,320 Speaker 1: premiere and it comes on every Sunday on Stars. I'm 238 00:12:15,360 --> 00:12:17,760 Speaker 1: on the on the East coast, so it's on eight o'clock, 239 00:12:17,800 --> 00:12:20,240 Speaker 1: so I'm two at seven o'clock Central, eight o'clock on 240 00:12:20,280 --> 00:12:23,520 Speaker 1: the West coast, and I just find the characters. You know, 241 00:12:23,640 --> 00:12:26,280 Speaker 1: the episode can anywhere be from forty five to an 242 00:12:26,280 --> 00:12:29,080 Speaker 1: hour and five minutes long, because they make very each week. 243 00:12:29,520 --> 00:12:31,480 Speaker 1: But when I when I look at your characters, because 244 00:12:31,480 --> 00:12:33,520 Speaker 1: I want to die, dive deeper into that because of 245 00:12:33,559 --> 00:12:35,840 Speaker 1: the fact that we kind of talked about it. You know, 246 00:12:35,880 --> 00:12:37,960 Speaker 1: you've been You've had a pain for life. You know, 247 00:12:38,440 --> 00:12:41,240 Speaker 1: you grew up without a mom, your father's ailing, and 248 00:12:41,280 --> 00:12:43,760 Speaker 1: then you have a son. So and I think that's 249 00:12:43,760 --> 00:12:46,360 Speaker 1: really important because we're talking about a black man who 250 00:12:46,640 --> 00:12:48,960 Speaker 1: who in the culture that we live in, not that 251 00:12:49,120 --> 00:12:51,439 Speaker 1: not to have a son in his life. So give 252 00:12:51,480 --> 00:12:54,280 Speaker 1: everybody the back stories. Why isn't that, Why isn't your 253 00:12:54,280 --> 00:12:57,480 Speaker 1: son in your life? And uh, JP's son is not 254 00:12:57,600 --> 00:12:59,480 Speaker 1: in his life, and he was until he was about 255 00:12:59,520 --> 00:13:03,080 Speaker 1: three maybe four years old. JP loved becoming a father 256 00:13:03,160 --> 00:13:06,200 Speaker 1: and he loves his son very much. That's also, you know, 257 00:13:06,400 --> 00:13:08,560 Speaker 1: feeds into the tragedy of it. This is a brother 258 00:13:08,600 --> 00:13:12,240 Speaker 1: who wants a relationship with his son, you know. Um. 259 00:13:12,800 --> 00:13:15,480 Speaker 1: JP came out to his wife at the time that 260 00:13:15,559 --> 00:13:19,520 Speaker 1: he was gay and when that happened, when he decided 261 00:13:19,559 --> 00:13:24,480 Speaker 1: to live his life that way, um, his wife at 262 00:13:24,480 --> 00:13:28,160 Speaker 1: the time took their son away from him. And JP 263 00:13:28,280 --> 00:13:30,240 Speaker 1: has tried to find him after all this time, in 264 00:13:30,280 --> 00:13:33,120 Speaker 1: many years as far as the backstory is concerned, but 265 00:13:33,120 --> 00:13:36,319 Speaker 1: he can't find them. So essentially he has no connection 266 00:13:37,040 --> 00:13:38,640 Speaker 1: to a child of his who was out here in 267 00:13:38,679 --> 00:13:41,440 Speaker 1: the world. And that is just a big void, a 268 00:13:41,480 --> 00:13:45,160 Speaker 1: big hole in JP's life, you know. Um. So that's 269 00:13:45,160 --> 00:13:48,600 Speaker 1: why when he's uncovering more and more about his past 270 00:13:48,640 --> 00:13:52,040 Speaker 1: and how his mother Kate Tommy and JP's mother Kate 271 00:13:52,240 --> 00:13:56,720 Speaker 1: left JP to raise to raise Tommy. You know, he 272 00:13:56,840 --> 00:13:59,880 Speaker 1: is repeating that pattern and that cycle, and it's just 273 00:14:00,120 --> 00:14:03,600 Speaker 1: weighing very heavily on JP. He wants nothing more than 274 00:14:03,640 --> 00:14:06,640 Speaker 1: to be a father to his son. Um. But when 275 00:14:06,640 --> 00:14:09,040 Speaker 1: he did come out, which takes a lot of bravery 276 00:14:09,559 --> 00:14:11,480 Speaker 1: to to to do that, to be able to say, 277 00:14:11,480 --> 00:14:13,360 Speaker 1: I'm gonna stop living my life as a lie and 278 00:14:13,360 --> 00:14:15,880 Speaker 1: I'm going to live it honestly. But he did that 279 00:14:15,960 --> 00:14:19,840 Speaker 1: and it cost him dearly. It costs him a relationship 280 00:14:19,960 --> 00:14:23,960 Speaker 1: with his son, you know, and the tragedy of that 281 00:14:24,280 --> 00:14:27,800 Speaker 1: is uh is something that you know, was was really 282 00:14:28,840 --> 00:14:31,520 Speaker 1: really great to work with as an actor, to really 283 00:14:31,560 --> 00:14:33,640 Speaker 1: dive into that and to see how it shapes and 284 00:14:33,720 --> 00:14:38,240 Speaker 1: forms JP's world. Cool. Now I'm talking to h Anthony 285 00:14:38,240 --> 00:14:40,920 Speaker 1: Fleming the third. He played the role JP on this 286 00:14:41,120 --> 00:14:44,480 Speaker 1: very on the very popular power book for Force. He 287 00:14:44,600 --> 00:14:47,640 Speaker 1: plays Tommy's half brother. Um. You know, I have a 288 00:14:47,720 --> 00:14:50,600 Speaker 1: daughter and uh, because when I when I look at 289 00:14:50,600 --> 00:14:53,880 Speaker 1: your character, you know, I think about I'm kind of 290 00:14:53,920 --> 00:14:56,240 Speaker 1: mad when I say that. But this just let me 291 00:14:56,280 --> 00:14:59,520 Speaker 1: finish it, because this is a good thing. Because if 292 00:14:59,760 --> 00:15:03,120 Speaker 1: if my daughter, you know, if I left me at 293 00:15:03,160 --> 00:15:07,120 Speaker 1: three for some reason I couldn't control, and then I 294 00:15:07,160 --> 00:15:10,640 Speaker 1: saw again at sixteen or eighteen and eighteen, I would 295 00:15:10,640 --> 00:15:13,840 Speaker 1: be so hurt because I know there were so many 296 00:15:13,880 --> 00:15:16,240 Speaker 1: things that I would have taught her, I would have 297 00:15:17,000 --> 00:15:19,760 Speaker 1: poured into her, that would have made her. I feel 298 00:15:19,840 --> 00:15:23,160 Speaker 1: a better person that I get from your kid. That's 299 00:15:23,400 --> 00:15:25,520 Speaker 1: am I reading the same type of hurt that you're 300 00:15:25,560 --> 00:15:28,720 Speaker 1: delivering on screen in your character. It feels like when 301 00:15:28,760 --> 00:15:30,800 Speaker 1: you look at that photo, it's a lot of pain 302 00:15:31,560 --> 00:15:34,240 Speaker 1: in that photo because you know what could have been 303 00:15:34,280 --> 00:15:36,800 Speaker 1: if you would have been allowed to live a life 304 00:15:37,000 --> 00:15:40,440 Speaker 1: as a father for this young man. Oh, there's definitely pain. 305 00:15:40,560 --> 00:15:44,920 Speaker 1: There's there is so much pain associated with having a 306 00:15:45,000 --> 00:15:49,760 Speaker 1: child of yours, something that came from your body that 307 00:15:49,920 --> 00:15:51,640 Speaker 1: is out here in the world and you have no 308 00:15:51,760 --> 00:15:54,960 Speaker 1: connection to it. You don't know if that child is 309 00:15:55,680 --> 00:15:58,760 Speaker 1: one alive. If it is the child is alive, is 310 00:15:58,800 --> 00:16:01,920 Speaker 1: it's safe, it's my child taking care of you know, 311 00:16:02,360 --> 00:16:06,080 Speaker 1: basic needs and you know what is the relationship? Um, 312 00:16:06,080 --> 00:16:08,280 Speaker 1: how is this child seeing the world? What is his 313 00:16:08,400 --> 00:16:13,120 Speaker 1: child experience? So not to have any connection is um 314 00:16:13,160 --> 00:16:17,560 Speaker 1: it's heartbreaking, you know, it's it's his biggest regret and 315 00:16:17,640 --> 00:16:21,800 Speaker 1: it's his biggest um, the biggest pain in his life. Definitely, 316 00:16:22,120 --> 00:16:25,720 Speaker 1: we'll be right back with more Money Making Conversations Masterclass 317 00:16:25,760 --> 00:16:31,720 Speaker 1: with Rushan McDonald. Now, let's return to Money Making Conversations 318 00:16:32,000 --> 00:16:36,360 Speaker 1: Masterclass with Rashan McDonald. Where's your character going? As far 319 00:16:36,400 --> 00:16:39,960 Speaker 1: as the evolution of the character in these overall ten episodes, 320 00:16:40,000 --> 00:16:42,240 Speaker 1: because that's all they've shot for this and it looks 321 00:16:42,280 --> 00:16:44,920 Speaker 1: like those ratings are where I think they are. We're 322 00:16:44,960 --> 00:16:47,360 Speaker 1: all gonna be seeing more episodes in the future. That 323 00:16:47,440 --> 00:16:50,040 Speaker 1: has not been announced yet as we are interviewed on 324 00:16:50,120 --> 00:16:53,480 Speaker 1: this particular episode, but probably for forced by Man. I 325 00:16:53,840 --> 00:16:58,000 Speaker 1: enjoy your character, Anthony. I enjoy the show. You know, uh, 326 00:16:58,480 --> 00:17:00,960 Speaker 1: sometimes it's over the top, but they I'm watching television, 327 00:17:01,000 --> 00:17:03,680 Speaker 1: I ride with it. I ride with it because it's 328 00:17:04,000 --> 00:17:06,200 Speaker 1: and you know, we actually did get picked up for 329 00:17:06,280 --> 00:17:11,160 Speaker 1: season two. Congratulations, man, Congratulations. Let's say they get loud man, 330 00:17:11,160 --> 00:17:14,200 Speaker 1: because because I read the article, you know, I think 331 00:17:14,200 --> 00:17:16,359 Speaker 1: I've read the article the just that I mean last 332 00:17:16,359 --> 00:17:19,320 Speaker 1: week or something like that where everybody kept asking them Joseph, 333 00:17:19,359 --> 00:17:21,040 Speaker 1: was he picked up? Was he picked up? He said? 334 00:17:21,080 --> 00:17:23,600 Speaker 1: And heard yet and normally the show was picked up 335 00:17:23,640 --> 00:17:28,640 Speaker 1: around this time. Congratulations. How you feel, brother, Man excited. 336 00:17:28,760 --> 00:17:30,760 Speaker 1: So you know, we got picked up a season to 337 00:17:30,840 --> 00:17:37,360 Speaker 1: the news just dropped yesterday. So this fresh man, I'm 338 00:17:37,440 --> 00:17:39,760 Speaker 1: so happy because they can delve into your character, man, 339 00:17:39,760 --> 00:17:42,320 Speaker 1: because I want to see you know, because it's it's 340 00:17:42,359 --> 00:17:44,119 Speaker 1: a lot because you know the fact that you know 341 00:17:44,720 --> 00:17:47,040 Speaker 1: that you're gonna have to introduce your character to your son, 342 00:17:47,080 --> 00:17:48,920 Speaker 1: and first of all, I appreciately have to find out 343 00:17:48,920 --> 00:17:50,879 Speaker 1: who you are and they have to realize that you 344 00:17:50,920 --> 00:17:53,359 Speaker 1: know you're you're gay, and your dad. Those are a 345 00:17:53,400 --> 00:17:55,520 Speaker 1: lot of dynamics that has to be worked out. So 346 00:17:55,560 --> 00:17:58,240 Speaker 1: I think that, man, it's gonna be fun watching you man, 347 00:17:58,400 --> 00:18:01,720 Speaker 1: and in the future episodes and also in the next 348 00:18:01,760 --> 00:18:06,040 Speaker 1: season because that character that you're playing, Anthony, resonates with 349 00:18:06,080 --> 00:18:08,520 Speaker 1: me because of the fact that I am a father, 350 00:18:09,119 --> 00:18:11,920 Speaker 1: and it resonates with me because I know that I 351 00:18:12,440 --> 00:18:15,040 Speaker 1: don't want to experience your pain, but I can relate 352 00:18:15,080 --> 00:18:17,200 Speaker 1: to your pain if I was denied an opportunity because 353 00:18:17,200 --> 00:18:19,520 Speaker 1: I'm one of those passionate people that you know, I 354 00:18:19,600 --> 00:18:21,560 Speaker 1: want to be a dad, I want to be a parent, 355 00:18:21,880 --> 00:18:23,720 Speaker 1: and that's what that role is being played out on 356 00:18:23,760 --> 00:18:26,199 Speaker 1: your character. Now, did you do any research or this 357 00:18:26,359 --> 00:18:29,280 Speaker 1: is something that's naturally within you. This is the when 358 00:18:29,359 --> 00:18:33,040 Speaker 1: when you're giving directions by the director or casting what 359 00:18:33,040 --> 00:18:35,359 Speaker 1: what what? What tips or steps did they give you 360 00:18:35,400 --> 00:18:37,159 Speaker 1: to play this out? Or you say, hey man, this 361 00:18:37,200 --> 00:18:39,960 Speaker 1: is I'm gonna deal with it. Uh I see this 362 00:18:40,080 --> 00:18:42,400 Speaker 1: character going in this direction. Tell my audience how does 363 00:18:42,440 --> 00:18:44,880 Speaker 1: that play itself out? When you're building out a character 364 00:18:45,000 --> 00:18:48,160 Speaker 1: like this that's so unique, well, you know, of course, 365 00:18:48,200 --> 00:18:52,000 Speaker 1: the writers, Courtney Kemp and her amazing writing team have 366 00:18:52,160 --> 00:18:56,399 Speaker 1: developed the story in each individual character to be you know, 367 00:18:56,600 --> 00:19:01,679 Speaker 1: so so multifaceted and so so layered. But then as 368 00:19:01,680 --> 00:19:04,480 Speaker 1: an actor, you know, you're hired to do a job. 369 00:19:04,560 --> 00:19:08,239 Speaker 1: You're hired to bring your skill set and you know, 370 00:19:08,480 --> 00:19:12,160 Speaker 1: some of your interpretations and perspective to the role. So 371 00:19:12,440 --> 00:19:15,080 Speaker 1: we've been been a blessing. It has been such a 372 00:19:15,119 --> 00:19:17,639 Speaker 1: blessing to be able to do that with this particular character. 373 00:19:17,720 --> 00:19:20,199 Speaker 1: You know, I feel this cat in my bones. You know, 374 00:19:20,240 --> 00:19:23,480 Speaker 1: I'm a parent myself, and you know I know the joy, 375 00:19:23,720 --> 00:19:25,680 Speaker 1: so you know I'm coming from. I know where you're 376 00:19:25,680 --> 00:19:29,000 Speaker 1: coming from. You know I know where you're coming from. Um, 377 00:19:29,080 --> 00:19:31,600 Speaker 1: So I know that joy and that feeling and the 378 00:19:31,600 --> 00:19:33,520 Speaker 1: things that you try to teach your children and how 379 00:19:33,560 --> 00:19:36,399 Speaker 1: you want your children to be out here in the world. 380 00:19:36,720 --> 00:19:40,159 Speaker 1: And so, you know, I drew on a lot of 381 00:19:40,200 --> 00:19:43,399 Speaker 1: personal experiences, uh, for this role for sure, when it 382 00:19:43,440 --> 00:19:45,919 Speaker 1: comes to being a parent, when it comes to you know, 383 00:19:46,000 --> 00:19:49,199 Speaker 1: JP loves his father, it's his hero. You know, my 384 00:19:49,280 --> 00:19:51,680 Speaker 1: father was my hero and someone who I was very 385 00:19:51,680 --> 00:19:55,119 Speaker 1: close to, and he's he's someone who introduced me to jazz. 386 00:19:55,200 --> 00:19:57,480 Speaker 1: I would have loved for me and my dad to 387 00:19:57,520 --> 00:20:00,280 Speaker 1: open up a jazz club because you know, he he 388 00:20:00,320 --> 00:20:02,439 Speaker 1: grew up and he put that love of jazz in me, 389 00:20:02,520 --> 00:20:04,399 Speaker 1: and you know, to this day, it's my favorite music. 390 00:20:04,480 --> 00:20:07,800 Speaker 1: So it's been great to connect on that level as well. 391 00:20:07,920 --> 00:20:11,160 Speaker 1: I'm letting right now, I'm talking to Anthony Fleming the Third. 392 00:20:11,240 --> 00:20:19,320 Speaker 1: He plays the incredible character J. P. Gibbs newly renewed force. Uh. 393 00:20:19,359 --> 00:20:21,119 Speaker 1: You know, I I want to thank you man for 394 00:20:21,160 --> 00:20:23,040 Speaker 1: coming on the show Man because of the fact that 395 00:20:23,480 --> 00:20:25,120 Speaker 1: I just try to tell stories. I try to tell 396 00:20:25,160 --> 00:20:27,000 Speaker 1: stories of people who I feel like I have an 397 00:20:27,040 --> 00:20:29,719 Speaker 1: interesting story to tell. I know that you are. Are 398 00:20:29,760 --> 00:20:32,880 Speaker 1: you working on any other projects outside of Power right there? Are? 399 00:20:33,520 --> 00:20:35,840 Speaker 1: I know COVID lift is dropping. I know you're based 400 00:20:35,840 --> 00:20:37,879 Speaker 1: out of Chicago. What does the future look like for 401 00:20:37,880 --> 00:20:42,080 Speaker 1: Anthony Fleming outside of power? You know, I'm just keep grinding, baby, 402 00:20:42,359 --> 00:20:44,960 Speaker 1: keep hustling. You know, some auditioning for stuff I'm getting 403 00:20:45,000 --> 00:20:47,760 Speaker 1: told no, you know, because that's that's another thing storytelling. 404 00:20:48,280 --> 00:20:50,840 Speaker 1: Just so you know, the actors, the grind never stops. 405 00:20:50,880 --> 00:20:53,320 Speaker 1: You get told no way more than you get told yes. 406 00:20:53,480 --> 00:20:55,960 Speaker 1: So you know, you got to keep hustling. You gotta 407 00:20:55,960 --> 00:20:58,600 Speaker 1: stay hungry. That's one thing I would always stress and 408 00:20:58,600 --> 00:21:00,760 Speaker 1: tell people who come into this in the street and 409 00:21:00,880 --> 00:21:03,760 Speaker 1: keep sharpening your skills, keep honing your craft. So I'm 410 00:21:03,840 --> 00:21:06,600 Speaker 1: steady doing that. I got a couple of things projects 411 00:21:06,640 --> 00:21:09,200 Speaker 1: that I'm working on. You know. I also do voiceover work. 412 00:21:09,440 --> 00:21:13,280 Speaker 1: I can hear it. I can hear it like it's 413 00:21:13,320 --> 00:21:15,960 Speaker 1: just still two five PC. And did I be a 414 00:21:16,000 --> 00:21:19,879 Speaker 1: happy can happy cam here? Brother? No? But really, you know, 415 00:21:19,960 --> 00:21:22,400 Speaker 1: because like I said, uh, my background just a little 416 00:21:22,400 --> 00:21:24,680 Speaker 1: bit before wrap. You know, started out as a stand 417 00:21:24,760 --> 00:21:27,800 Speaker 1: up comedian, left the career as IBM, where I was 418 00:21:28,040 --> 00:21:30,320 Speaker 1: at a math degree, so I was at the grinding, 419 00:21:30,359 --> 00:21:33,040 Speaker 1: So I know exactly. You know, as you have to 420 00:21:33,240 --> 00:21:36,280 Speaker 1: put the work in, you have to have faith in yourself. 421 00:21:36,840 --> 00:21:38,600 Speaker 1: You know, you have to believe that you have to 422 00:21:38,600 --> 00:21:42,400 Speaker 1: create relationships. That's important as well, because you're not gonna 423 00:21:42,480 --> 00:21:44,679 Speaker 1: make it in this business by yourself. You gotta be 424 00:21:45,119 --> 00:21:47,240 Speaker 1: half people you can count on. Like you said, you 425 00:21:47,280 --> 00:21:50,720 Speaker 1: have the relationship with Joseph even before you really became 426 00:21:50,760 --> 00:21:53,119 Speaker 1: a fan of the series Power, and I'm sure that 427 00:21:53,200 --> 00:21:56,320 Speaker 1: helped you out as well. But again, Man, again, congratulations 428 00:21:56,480 --> 00:21:58,679 Speaker 1: serious being renewed, Anthony, and thank you for coming on 429 00:21:58,720 --> 00:22:02,399 Speaker 1: Money Making Conversation mastical. You're a fantastic brother. Hey, thanks man, 430 00:22:02,400 --> 00:22:04,400 Speaker 1: I appreciate it. Thank you. If you want to hear 431 00:22:04,440 --> 00:22:08,280 Speaker 1: any interviews or seeing interviews or Money Making Conversations master Class, 432 00:22:08,560 --> 00:22:10,600 Speaker 1: please go to money Making Conversation dot com. I'm with 433 00:22:10,680 --> 00:22:12,240 Speaker 1: Sean McDonald. I am your host.