WEBVTT - Some Time With... Jim Falkenstein! (Part 2 ) 0:00:20.120 --> 0:00:22.600 Hey there, Fanta Rito's welcome to part two of our 0:00:22.600 --> 0:00:27.000 interview with Jim Falkenstein. As the prop master on countless projects, 0:00:27.040 --> 0:00:30.880 including Fuller House, Jim has a plethora of stories up 0:00:30.880 --> 0:00:34.440 his sleeve, from sourcing props to mistakes that have happened 0:00:34.440 --> 0:00:38.319 on set. We're looking at you, Jody Sweeten. We are 0:00:38.320 --> 0:00:40.480 so excited for all of you to hear the rest 0:00:40.520 --> 0:00:42.960 of this conversation, so please welcome back. 0:00:43.320 --> 0:00:46.599 Jim. So how did you get it? So you've been in. 0:00:46.560 --> 0:00:48.040 The business for a long time, you just kind of 0:00:48.080 --> 0:00:49.520 like fell in it. What are some of the other 0:00:49.920 --> 0:00:52.080 Like what are some of the other sitcoms that you've 0:00:52.120 --> 0:00:54.920 worked on? You know, not your top three because we're 0:00:54.960 --> 0:00:57.080 in that one, but like, what other stuff have you 0:00:57.120 --> 0:01:00.279 worked on? I mean, I did you work on Tombstone? 0:01:00.880 --> 0:01:01.400 Oh? 0:01:01.600 --> 0:01:05.160 I did work So that wasn't very funny. 0:01:05.280 --> 0:01:10.279 No no, no, no, yeah, different holidaying of tuberculosis doesn't 0:01:10.319 --> 0:01:11.520 really inspire laughs. 0:01:11.560 --> 0:01:14.959 But great movie, Yeah, pretty great. 0:01:15.000 --> 0:01:17.680 And that was that was very young and I was 0:01:17.760 --> 0:01:18.160 very green. 0:01:18.200 --> 0:01:21.000 I was I was the assistant on that and uh, 0:01:22.000 --> 0:01:25.760 it was wild in a variety of ways. 0:01:26.040 --> 0:01:27.840 I was gonna say, this is back in the in 0:01:27.880 --> 0:01:30.680 the heyday of Val Kilmer being Val Kilmer. 0:01:30.959 --> 0:01:36.120 Great stories. I mean right, forced me to drink a 0:01:36.120 --> 0:01:37.520 lot of per diem at the end of the day, 0:01:37.600 --> 0:01:42.479 but great stories for sure. 0:01:42.600 --> 0:01:43.600 Yeah. So that was wild. 0:01:44.200 --> 0:01:46.360 It's a lot of that was crazy, a lot of bullets, 0:01:46.360 --> 0:01:48.640 but so many big actors on that it was super fun. 0:01:48.760 --> 0:01:52.800 Oh okay, I love that movie. My dad is obsessed 0:01:52.800 --> 0:01:55.120 with Western and that's also one of his favorites. 0:01:55.240 --> 0:01:57.720 And I was so I'm so dumb at the early time. 0:01:57.760 --> 0:02:02.480 I didn't realize there's like mementos that from that movie 0:02:02.800 --> 0:02:05.080 that I was you know, the gardens you can't to Kilmer, 0:02:05.160 --> 0:02:08.399 the dives that they used in here, the bottle that 0:02:08.440 --> 0:02:10.359 was kind of stuff like I could have actually kind 0:02:10.360 --> 0:02:12.560 of kept some of that stuff. And I did keep 0:02:12.560 --> 0:02:16.000 some stuff, and I kept scripts and dustar cool stuff. 0:02:16.360 --> 0:02:18.360 And then I screw like a year, somebody goes, hey, 0:02:18.360 --> 0:02:20.359 did you work on Tombstone, and go, yeah, he was 0:02:20.400 --> 0:02:22.640 getting cool stuff. I go, they can have all this stuff. 0:02:22.639 --> 0:02:24.920 I don't know what if you want. And then later 0:02:25.080 --> 0:02:29.519 now I'm like, oh, you see walk by what the 0:02:29.520 --> 0:02:30.760 city of Tombstone this summer? 0:02:31.080 --> 0:02:34.480 Oh by, And I'm going like this is from the movie. 0:02:35.480 --> 0:02:36.920 We could have sold that for it. 0:02:36.919 --> 0:02:40.639 They couldn't write if only I'd known think about it. 0:02:41.320 --> 0:02:43.600 Now, did you work Did you work on Sultan Sea too? 0:02:43.600 --> 0:02:46.560 Which was another Val Kilmer movie? Yes, another movie that 0:02:46.639 --> 0:02:50.519 I love. Uh oh yeah, weirdly. 0:02:50.240 --> 0:02:51.000 Love that movie. 0:02:51.160 --> 0:02:54.200 It's it's dark and and just it's about you know, 0:02:54.360 --> 0:02:59.000 tweakers out in the Sultan Sea and uh yeah. The 0:02:59.360 --> 0:03:00.959 first scene is always the one that sticks with me, 0:03:01.000 --> 0:03:03.000 when they're like, you think they're at night in the 0:03:03.080 --> 0:03:05.080 dark in the house, and then they opened the front 0:03:05.120 --> 0:03:07.760 door and it's just they're like vampires and blinded you. 0:03:07.840 --> 0:03:12.519 Like, yeah, that was It was wild. 0:03:13.880 --> 0:03:15.640 There are so many people who are right in your 0:03:15.720 --> 0:03:18.120 character because this it's all about the tweakers. So they 0:03:18.120 --> 0:03:21.040 were all they had these they got all these guys 0:03:21.040 --> 0:03:21.680 would show up. 0:03:21.800 --> 0:03:24.200 Consultants were just freshly. 0:03:24.240 --> 0:03:27.200 Fresh, freshly so right, they're like, here's how you take 0:03:27.200 --> 0:03:27.919 a part a toaster. 0:03:28.080 --> 0:03:31.000 Yeah, they had all the technical stuff down and blah 0:03:31.000 --> 0:03:33.920 blah blah, and every one of them was like wire thintle, jittery, 0:03:33.919 --> 0:03:37.240 you know. And uh and then you go in val 0:03:37.440 --> 0:03:39.600 Val would put on an extra twenty five pounds or something, 0:03:39.640 --> 0:03:41.560 and he was just kind of like whenever I'll give 0:03:41.560 --> 0:03:45.120 you a Vouchimera's special eye left on this. So on Tombstone, 0:03:45.240 --> 0:03:47.640 they smoked cigarettes a lot. We had fake we had 0:03:47.640 --> 0:03:49.480 to roll them by hand, you know, had a bunch 0:03:49.480 --> 0:03:51.920 of them. But they also smoked their own personal cigarettes 0:03:52.280 --> 0:03:53.240 in between takes. 0:03:53.440 --> 0:03:55.440 So I had cigarettes galore on me. 0:03:56.120 --> 0:03:59.360 Right, you were a walking smoke shop, las you get 0:03:59.440 --> 0:04:01.320 been one of those like little you know you had 0:04:01.320 --> 0:04:03.400 one of those trays like in the the thirties and 0:04:03.440 --> 0:04:05.840 forties at the movie theater, you know, Yeah, maybe he. 0:04:05.880 --> 0:04:07.840 Was upside once we're in the short fly skirt. 0:04:08.080 --> 0:04:10.000 Yeah, that would have made all the difference. 0:04:11.320 --> 0:04:16.160 But yeah, so he go, perps, I want a cigarette. 0:04:16.680 --> 0:04:18.320 I go, which flavor would you like? 0:04:18.400 --> 0:04:18.560 Sir? 0:04:18.720 --> 0:04:21.800 And he goes up marble like right open the pack 0:04:21.839 --> 0:04:25.080 and his cigarette and there's another lighter and he goes 0:04:25.560 --> 0:04:27.680 he rolls, just holds it up to my ear. He 0:04:27.880 --> 0:04:31.680 rolls like this. He goes, did that sound fresh to you? 0:04:32.279 --> 0:04:35.000 I'm like, I just opened the pack right here? He goes, 0:04:35.560 --> 0:04:38.200 bad pack, give you another pack and you walk away? Mike, Mike, 0:04:38.520 --> 0:04:40.880 all right, so that's the kind of stuff you would do. 0:04:41.279 --> 0:04:43.680 Yeah, wow, more than one? 0:04:44.120 --> 0:04:48.240 Yeah, yikes, that's it requires a whole other level of 0:04:48.279 --> 0:04:50.560 patients from the protesters. 0:04:51.000 --> 0:04:53.520 And that's another thing, like certain you have to have 0:04:53.560 --> 0:04:56.080 the patients to be on set. Steve has to sit 0:04:56.200 --> 0:04:58.000 with my assistant. Steve had to be on side with 0:04:58.040 --> 0:04:58.720 you weirdos. 0:04:59.200 --> 0:05:02.040 Oh yeah, right, yeah, we give him a really hard time. 0:05:04.560 --> 0:05:08.720 So explain the difference between between your job and Steve's job, 0:05:08.800 --> 0:05:11.120 between the prop master and the assistant prop master. 0:05:11.839 --> 0:05:14.440 Yeah. So I do all the prep before bringing the 0:05:14.480 --> 0:05:14.880 stuff in. 0:05:15.000 --> 0:05:17.359 I shop it, I get the vendors figured out, I 0:05:17.520 --> 0:05:19.760 figure out I give vendors for food. 0:05:20.400 --> 0:05:23.839 I go. Sometimes I arrange. I make stuff myself. Sometimes 0:05:23.880 --> 0:05:26.320 I have graphics. I make a thing and. 0:05:26.279 --> 0:05:27.960 Then I have to bring it all together and kind 0:05:27.960 --> 0:05:31.320 of create the prop to a point and then I 0:05:31.400 --> 0:05:33.240 hint it give to Steve and then he arranges them 0:05:33.240 --> 0:05:36.240 all for each scene throughout the show. So I get 0:05:36.279 --> 0:05:38.760 them all together and bring them all in, and then 0:05:38.760 --> 0:05:40.599 he arranges them all for you guys so that you 0:05:41.240 --> 0:05:43.960 use them in the scenes, and he keeps track of 0:05:44.000 --> 0:05:44.400 all your. 0:05:44.320 --> 0:05:47.479 Stuff, and and then once in a while he'll come 0:05:47.520 --> 0:05:51.520 to me and go Andrea wants ano, there's something something. 0:05:52.640 --> 0:05:56.600 Andrew wants a lifetized Ostrich baiting, store them. 0:05:56.520 --> 0:06:01.200 Off running you know, it's it's sick schedule. It's really fun. 0:06:01.279 --> 0:06:02.600 It's usually pretty fun. 0:06:02.680 --> 0:06:06.080 So yeah, I do more prep work and all that 0:06:06.160 --> 0:06:10.280 episode got a schmooze. I gotta be not like Steve's 0:06:10.279 --> 0:06:12.480 great with the actors because he's a theater guy. Yes, 0:06:13.200 --> 0:06:15.680 he loves the theater and he loves being on the 0:06:15.680 --> 0:06:21.000 stage and the actors and uh uh, I like, I 0:06:21.000 --> 0:06:22.560 always want to be a writer, so I like hanging 0:06:22.560 --> 0:06:25.520 out with writers, and so that's where I would liaise 0:06:25.920 --> 0:06:28.919 between the writers who are coming up with ideas, and 0:06:28.960 --> 0:06:32.680 then with the director who that might be, and then 0:06:32.720 --> 0:06:35.960 you guys, and then try to coordinate a bunch of 0:06:36.000 --> 0:06:36.960 different inputs. 0:06:37.279 --> 0:06:39.520 What every what does everyone want? 0:06:39.560 --> 0:06:43.640 And how do I make everyone equally unhappy and just. 0:06:43.880 --> 0:06:46.000 Get this through? Uh production? 0:06:47.760 --> 0:06:50.159 How do I disappoint everyone equally and just go, look, 0:06:50.200 --> 0:06:51.360 this is what you're getting. 0:06:52.240 --> 0:06:55.880 Jims and idiot, isn'ty? I agree? 0:06:56.600 --> 0:06:58.200 But do I have to make another one of those? No? 0:06:58.360 --> 0:07:01.599 Okay, great, that's I'll be done. 0:06:59.760 --> 0:07:02.560 Yeah. 0:07:02.680 --> 0:07:06.159 So that's so you basically have to be like like 0:07:06.600 --> 0:07:13.760 a partial chef sometimes an engineer uh, an entrepreneur schmooser 0:07:14.360 --> 0:07:17.440 uh and. 0:07:16.200 --> 0:07:18.440 And a shock and a bit of a thief and 0:07:18.680 --> 0:07:19.040 a bit of a. 0:07:19.160 --> 0:07:22.600 Yeah yeah see both here to say, like, so I 0:07:23.240 --> 0:07:28.360 will look, there's not thievery. It's just acquiring too many 0:07:28.400 --> 0:07:31.120 props every week and then having to give them away 0:07:31.120 --> 0:07:35.240 to people. So that was always happy to do that, right, 0:07:35.760 --> 0:07:39.400 It's certainly some people are some guys are horrors, some 0:07:39.400 --> 0:07:42.720 prop people are horror They just have so much stuff everywhere. 0:07:43.120 --> 0:07:45.600 I'm not the hoarder, so whenever I got too much stuff, 0:07:45.640 --> 0:07:47.239 I had to get rid of it because I didn't 0:07:47.280 --> 0:07:51.640 want any more stuff, right, so I would sometimes you 0:07:51.680 --> 0:07:53.400 have to buy too much on purpose, and if you 0:07:53.400 --> 0:07:57.560 guys wanted something extra for whatever non show related or 0:07:57.640 --> 0:07:59.720 just order it and get it and bring it up 0:07:59.760 --> 0:08:06.760 and keep doing it. So that's technically not illegal. 0:08:07.760 --> 0:08:13.200 No, No, it's the gender we're redistributing. It was mutual aid, 0:08:13.400 --> 0:08:16.040 is what it was. Really. Yeah, you were helping out 0:08:16.240 --> 0:08:17.640 others exactly. 0:08:17.800 --> 0:08:19.400 But I do remember like at the end of a 0:08:19.440 --> 0:08:20.400 week there you'd. 0:08:20.280 --> 0:08:22.800 Have like the table. I was like take this, you know, 0:08:23.120 --> 0:08:25.040 like just I don't you don't need it, I don't 0:08:25.040 --> 0:08:26.400 want it, I don't you know. 0:08:27.120 --> 0:08:29.680 Absolutely always trying to get rid of stuff. 0:08:29.760 --> 0:08:32.320 Oh and everyone was. I was always quite excited to 0:08:32.360 --> 0:08:32.719 take it. 0:08:33.280 --> 0:08:33.960 I don't think there was. 0:08:33.960 --> 0:08:36.160 Any ever anyone that was like, now, I'm not gonna 0:08:36.200 --> 0:08:37.280 They were like, oh, what do you got? 0:08:37.520 --> 0:08:41.200 Like what's the work got out on that stage because 0:08:41.200 --> 0:08:43.440 it was right near the commissary or it was credibly 0:08:43.720 --> 0:08:46.199 close not right there, but pretty close to the commentary. 0:08:46.360 --> 0:08:48.960 So once the work out and the commentary would come, 0:08:49.000 --> 0:08:50.640 deliver food once in a while and whatever it is. 0:08:50.840 --> 0:08:51.880 And I had a table. 0:08:51.920 --> 0:08:54.400 It was a free table and certain are right and 0:08:54.440 --> 0:08:56.600 they were like, this is free for everybody. 0:08:56.760 --> 0:08:59.839 I'm like, I don't want to deal with it. 0:09:00.920 --> 0:09:04.240 They all run it right, a bunch of stuff perfect. 0:09:05.480 --> 0:09:08.120 Tell me about the prop prop budget, like do you 0:09:08.160 --> 0:09:09.920 get a budget for the whole season or do you 0:09:09.920 --> 0:09:11.520 get a budget per episode? 0:09:11.800 --> 0:09:15.520 There's a you know, you're you've got like a your standard. 0:09:15.520 --> 0:09:18.280 They when you get the job, go say what kind 0:09:18.280 --> 0:09:19.440 of what kind of budget are looking at? 0:09:19.600 --> 0:09:20.439 And that's what you kind of. 0:09:20.360 --> 0:09:21.640 Know whether your butt shot is going to be good 0:09:21.679 --> 0:09:24.880 or bad. It's got if it's you guys had a 0:09:24.880 --> 0:09:27.040 crazy big budget because you're a Netflix. 0:09:27.080 --> 0:09:27.520 Netflix. 0:09:27.679 --> 0:09:29.600 Yeah, it was kind of bigger. 0:09:30.000 --> 0:09:33.560 It was like money wise, it was and uh, so 0:09:33.920 --> 0:09:37.040 it was they say, okay, you got to two thousand 0:09:37.080 --> 0:09:40.200 for rentals every week and fifteen hundred for purchases and then. 0:09:41.840 --> 0:09:45.200 A thousand for effects or whatever. It is, okay, like okay, 0:09:45.280 --> 0:09:47.640 and then every week you get another script and you go. 0:09:47.800 --> 0:09:51.640 Oh, that's going to cost five thousand dollars, right, and 0:09:51.679 --> 0:09:55.520 then everyone knows as long as you ever what you're 0:09:55.679 --> 0:09:57.880 communicate well with everybody and go like, okay, so we're 0:09:58.120 --> 0:10:00.160 making this, so we're going to do this, and if 0:10:00.160 --> 0:10:01.840 you want me to get that, that's gonna cost more, 0:10:01.880 --> 0:10:03.800 and then negotiate a little bit, go like. 0:10:03.800 --> 0:10:06.960 Yeah, it's fine, spend the money or people get them 0:10:06.960 --> 0:10:09.599 to rewrite it, so you know, it's a little negotiating 0:10:09.640 --> 0:10:11.280 you can do early on. 0:10:11.760 --> 0:10:15.160 Yeah, yeah, I do remember that, just to rewrite and rewrite. 0:10:15.360 --> 0:10:16.839 I remember that from production meeting. 0:10:16.880 --> 0:10:18.800 And it was just like there were certain things that 0:10:18.880 --> 0:10:20.920 you know, one department or another would be like that, 0:10:21.640 --> 0:10:23.280 I don't know how you want us to pull that off, 0:10:24.960 --> 0:10:27.560 you know, like wardrobe or something. Wardrobe is usually like 0:10:27.600 --> 0:10:31.080 they can't do that in a skirt, so like something 0:10:31.120 --> 0:10:32.120 needs to be rewritten. 0:10:32.200 --> 0:10:42.839 Yeah, hey, they're folks. It's TJ. 0:10:42.920 --> 0:10:47.160 Holmes and Amy Roeboch. Don't miss Morning Run every weekday 0:10:47.200 --> 0:10:48.400 morning Monday through Friday. 0:10:48.559 --> 0:10:51.199 Yeah, we'll be covering the biggest stories, everything you need 0:10:51.240 --> 0:10:54.920 to know, breaking news, politics, pop culture on our daily podcast, 0:10:55.280 --> 0:10:57.440 Morning Run, and of course it has a little bit 0:10:57.440 --> 0:10:59.080 of our own personal flare to it. 0:10:59.320 --> 0:11:02.120 Yeah, that's right. Make sure to subscribe now, so every 0:11:02.240 --> 0:11:04.400 day when you wake up, you've got the Morning Run 0:11:04.600 --> 0:11:05.600 waiting for you. 0:11:05.720 --> 0:11:10.880 Listen to Morning Run wherever you get your podcasts. 0:11:10.920 --> 0:11:13.880 Well, it's fun because the writers will will have watched, 0:11:13.960 --> 0:11:16.760 just watched some movie and they'll write in a thing 0:11:16.840 --> 0:11:17.280 from the movie. 0:11:17.320 --> 0:11:18.800 They'll go like, oh, I just saw some moves. It 0:11:18.800 --> 0:11:21.440 looks pretty easy. I go, no, No, it was a movie. 0:11:21.760 --> 0:11:23.200 There were you know, they were they were on a 0:11:23.440 --> 0:11:27.280 stage that's tall, there were puppeteers underneath it all. There's 0:11:27.360 --> 0:11:30.840 green screen here and effects there, and then in cameraon. 0:11:30.600 --> 0:11:33.280 Shot it right, And they had seven days just to 0:11:33.320 --> 0:11:33.960 shoot that. 0:11:34.400 --> 0:11:34.959 You know what I mean. 0:11:35.120 --> 0:11:38.360 We've got like seven minutes to get an insert shot 0:11:38.400 --> 0:11:38.920 make it good. 0:11:39.040 --> 0:11:41.120 Yeah yeah, yeah, but that's that's. 0:11:41.000 --> 0:11:43.960 The sitcom thing is is good in that sense because 0:11:43.960 --> 0:11:48.079 it's really restricted as to how how big and uh 0:11:48.160 --> 0:11:50.240 you acting more creative on how you do things like 0:11:50.240 --> 0:11:52.400 an effect or somebody gets pie in the face or. 0:11:52.400 --> 0:11:54.920 Even something that simple. You got to get smarter and 0:11:55.320 --> 0:11:57.680 do it quicker so that you clean up as quick. 0:11:57.720 --> 0:12:00.600 You got an audience there, you're going to get big bang. 0:12:00.880 --> 0:12:03.040 There were those the little games and the tricks and 0:12:03.120 --> 0:12:05.840 the you know, the body doubles you throw in real quick. 0:12:05.840 --> 0:12:07.840 But you can, you know, you have to be smart 0:12:07.960 --> 0:12:12.000 and ticky. But they also restrict the writing, right. 0:12:12.160 --> 0:12:14.320 You sort of have a sandbox that you have to 0:12:14.360 --> 0:12:16.120 play within. You can't do you know, in a movie 0:12:16.160 --> 0:12:17.520 you can be like, we want to do let's do 0:12:17.600 --> 0:12:20.640 an entire crash scene. You're like, that's not no, we can't. 0:12:20.840 --> 0:12:23.520 We can run one car through one kitchen wall. 0:12:23.600 --> 0:12:27.080 That's it. One time per season, per season. 0:12:27.240 --> 0:12:27.440 Yeah. 0:12:27.480 --> 0:12:29.000 Yeah, I gotta. 0:12:28.800 --> 0:12:31.960 Say, man, the stability of that house is impressive because 0:12:32.520 --> 0:12:36.559 we've had what three four cars go through that and 0:12:37.080 --> 0:12:38.120 for being an old. 0:12:37.880 --> 0:12:39.520 San Francisco house, it is it. 0:12:39.600 --> 0:12:45.559 Is really twisted earthquakes car backing into horses walking upstairs, 0:12:45.720 --> 0:12:48.560 you know. 0:12:47.240 --> 0:12:49.240 In the kitchen. Yeah, that was in the kitchen, right, 0:12:49.320 --> 0:12:51.839 livestock you know, yeah, oh, what. 0:12:51.840 --> 0:12:53.840 Did I missed one episode? What was the one where 0:12:54.240 --> 0:12:56.640 I think who almost. 0:12:56.240 --> 0:13:01.559 Died when something Candice when and the we were doing 0:13:01.640 --> 0:13:04.199 the stunt with the zipline. 0:13:04.120 --> 0:13:05.679 Yeah, they didn't cap. 0:13:06.080 --> 0:13:08.520 They were adjusting it and then didn't put the cap 0:13:08.559 --> 0:13:11.840 on the end of it. So the entire like forty 0:13:11.920 --> 0:13:16.360 pound metal mechanism ran along. She ziplined along the track 0:13:16.880 --> 0:13:19.440 and then there was nothing to stop her or it, 0:13:19.520 --> 0:13:23.120 and it just it went right down in front of 0:13:23.160 --> 0:13:25.600 her because of the weight of it. It didn't even 0:13:25.960 --> 0:13:29.800 like or it just dropped and luckily Mary she had 0:13:29.800 --> 0:13:33.640 stopped already. But yeah, dented the set, dented the snares. 0:13:34.120 --> 0:13:35.480 Yeah, one of those. 0:13:36.720 --> 0:13:38.240 It was the last that was the last day for 0:13:38.280 --> 0:13:39.079 that stunt guy, wasn't it. 0:13:39.600 --> 0:13:43.559 Yeah Yeah he didn't Yeah, yeah, but yeah it definitely 0:13:43.840 --> 0:13:46.120 Uh you know these, I mean, these are the things. 0:13:46.880 --> 0:13:48.199 These are the things that happen on. 0:13:48.200 --> 0:13:49.880 Set and you and you do you're gonna stick on. 0:13:50.000 --> 0:13:51.600 You're like, oh, what's the worst? This this is easy 0:13:51.720 --> 0:13:53.080 was the worst that could happen, you know what I mean? 0:13:53.120 --> 0:13:56.400 And you're like, oh, there's you know, someone light on 0:13:56.400 --> 0:13:59.880 the higher there's all manner of things that Actually, yeah, it's. 0:13:59.840 --> 0:14:01.720 Very dangerous job. When do you think about it? Yeah, 0:14:01.720 --> 0:14:03.560 we're pretty well, we're on fuller for sure. 0:14:04.040 --> 0:14:06.920 Well we're all like first responders. I think we're. 0:14:06.720 --> 0:14:11.520 Heroes, right, yeah, yeah, yeah, we got you know, we'll 0:14:11.600 --> 0:14:13.160 jump in and try and do anything. 0:14:13.240 --> 0:14:14.480 You know, Well you guys would. 0:14:14.720 --> 0:14:16.320 That's fun too, Like you guys got to do fun 0:14:16.360 --> 0:14:19.320 stuff because I remember, like normally I'll go on my 0:14:19.360 --> 0:14:21.280 show and if there's a kitchen of the kids show 0:14:21.280 --> 0:14:23.280 out Nickelodeon or just near or whatever it is, the 0:14:23.320 --> 0:14:26.120 adults that I talked to are usually you know. 0:14:26.280 --> 0:14:30.160 Just jaded because they're like, going, I'm here for the check. 0:14:31.080 --> 0:14:33.760 Well, because you're right, you have seven lines and you're 0:14:34.240 --> 0:14:35.080 right and all of them. 0:14:35.080 --> 0:14:36.840 You're like, I'm an idiot, right. 0:14:37.200 --> 0:14:40.160 Yeah, to walk through whatever. 0:14:41.480 --> 0:14:43.320 But you guys, so what I think when I first 0:14:43.360 --> 0:14:46.640 met you had early on, I was like, because you 0:14:46.640 --> 0:14:49.240 were doing like three crazy things in a row, two 0:14:49.480 --> 0:14:52.200 three different shows, and I'm going, they got you doing 0:14:52.280 --> 0:14:54.560 crazy stuff. I mean that's crazy, right, you got to 0:14:54.600 --> 0:14:57.000 you gotta be a little sick of this nonsense, right. 0:14:56.840 --> 0:15:00.000 And you went, I love it. I love it you 0:15:00.040 --> 0:15:02.080 you said, oh no, that was my favorite thing. I 0:15:02.080 --> 0:15:03.600 get to do crazy stuff all the time. 0:15:04.360 --> 0:15:07.440 Probably the probably your first episode was the opener of 0:15:07.680 --> 0:15:10.680 season four where I was I think it was rollerblading 0:15:11.040 --> 0:15:17.000 and like on acrobats on silks or whatever and cart wheels. 0:15:16.640 --> 0:15:20.600 Like what yeah, yes, where was I was that? The 0:15:20.600 --> 0:15:23.760 opening of season five? It was Kimmy did aeroals and silks? 0:15:23.800 --> 0:15:26.600 What yes? Who am I this? 0:15:27.760 --> 0:15:30.560 Maybe it was season five because Kimmy was no longer 0:15:30.600 --> 0:15:33.440 pregnant and so she's like, I can do everything now. 0:15:32.920 --> 0:15:36.040 I can roller blade, I can. 0:15:35.840 --> 0:15:38.200 Just do I can go up in those aerial silks, 0:15:38.200 --> 0:15:41.800 which was the body double that wasn't I can't remember 0:15:41.840 --> 0:15:44.080 what else, but yeah, that was a lot for a 0:15:44.160 --> 0:15:44.880 season opener. 0:15:45.120 --> 0:15:47.560 I was, That's right. I do remember three stunts that 0:15:47.560 --> 0:15:48.480 weak that was crazy. 0:15:48.880 --> 0:15:53.120 Well, yeah, you guys, your characters were were well, I 0:15:53.160 --> 0:15:56.120 don't know. The weird parents would. 0:15:55.920 --> 0:15:58.840 Just say you're you're, you've found you were the probably 0:15:59.240 --> 0:16:01.400 the most I would say most parents watch the show 0:16:01.440 --> 0:16:03.320 and go, I want to be that parent, the one 0:16:03.320 --> 0:16:04.480 way I got to do whatever I want. 0:16:04.520 --> 0:16:05.640 I almost never see my kids. 0:16:06.720 --> 0:16:09.960 Oh well, we've been watching Full House and we're amazed 0:16:09.960 --> 0:16:12.760 at Michelle as a toddler really was just kind of 0:16:12.760 --> 0:16:14.680 doing her own thing, you know, and just wandering around 0:16:14.720 --> 0:16:17.880 the house. She'd pop in fully dressed and everyone's like, oh, 0:16:17.920 --> 0:16:21.040 good morning, Like you know, obviously was able to put 0:16:21.040 --> 0:16:23.240 her hair up in a ponytail and dress herself, and 0:16:23.560 --> 0:16:24.920 she's just hanging out around the house. 0:16:25.320 --> 0:16:25.480 You know. 0:16:25.520 --> 0:16:29.720 The Tanner girls basically raised themselves right for three dads. 0:16:29.840 --> 0:16:32.080 It seemed like they were alone a lot, you know, 0:16:33.320 --> 0:16:35.800 three four adults in the house, and yet the kids 0:16:35.800 --> 0:16:36.960 were always just kind of. 0:16:36.920 --> 0:16:37.680 In on their own. 0:16:37.800 --> 0:16:38.000 You know. 0:16:38.440 --> 0:16:41.600 Yeah, yeah, funny. That's so great. 0:16:42.520 --> 0:16:45.280 So how was Hollywood, like, I mean, was it You've 0:16:45.320 --> 0:16:47.720 seen definitely like the shift in everything. 0:16:47.920 --> 0:16:54.479 How has it changed your view of it from. 0:16:54.240 --> 0:16:56.680 As far as like the TV shows, shitcom stuff world 0:16:57.360 --> 0:17:01.640 that used to be a lot more more fun in general, 0:17:01.680 --> 0:17:03.600 there's still occasionally a fun show to go on, but 0:17:03.640 --> 0:17:04.639 sets are a. 0:17:04.600 --> 0:17:07.520 Little bit more serious. 0:17:07.800 --> 0:17:12.639 There's not quite the the camaraderie between the cast and 0:17:12.880 --> 0:17:15.600 crew because I think cruise cycle. 0:17:15.240 --> 0:17:18.320 A lot more right there used to be the season 0:17:18.520 --> 0:17:22.960 was like July, August to. 0:17:23.560 --> 0:17:27.280 March pretty much, and you'd all stay. 0:17:27.160 --> 0:17:29.080 On the same show, and then the next year you 0:17:29.200 --> 0:17:30.720 come back, and then you stay on the same show, 0:17:31.000 --> 0:17:32.159 and the next year you come back, and it was 0:17:32.200 --> 0:17:32.960 always the same. 0:17:33.160 --> 0:17:35.920 So everyone scheduled their lives around the show schedule. 0:17:36.000 --> 0:17:38.679 Yeah, and you see the same people every year. The 0:17:38.680 --> 0:17:41.000 same crew would come in, the same writers would show up. 0:17:41.000 --> 0:17:42.359 You know, a couple of changes here and there, but 0:17:42.560 --> 0:17:45.080 so everyone got to know each other. So over the years, 0:17:45.400 --> 0:17:48.280 the family thing worked pretty good. If you had a 0:17:48.359 --> 0:17:51.720 difficult person number two or whatever, work around them and 0:17:51.760 --> 0:17:52.440 had a great time. 0:17:52.720 --> 0:17:55.320 Like any family, you're like, oh, everyone knows that that's 0:17:55.359 --> 0:17:57.399 the person that you have, you know what I mean, Like, 0:17:57.520 --> 0:17:59.240 and then you just do it and you're like, oh, 0:17:59.280 --> 0:18:00.600 we're all here for the holiday. 0:18:00.720 --> 0:18:02.879 Just make it work, you know. 0:18:03.240 --> 0:18:05.240 But yeah, so it was like, so you had more 0:18:05.720 --> 0:18:08.480 there's more continuity for each shows, like a lot of 0:18:08.520 --> 0:18:10.480 the time. He had the same director all the time. Yeah, 0:18:11.040 --> 0:18:13.720 you know, and it's like, well, you guys had was 0:18:13.840 --> 0:18:14.439 Rich Correll. 0:18:15.000 --> 0:18:17.680 Yeah, we had Rich well on Fuller. We had Rich 0:18:17.800 --> 0:18:19.800 quite a bit. We had him on full House too. 0:18:20.640 --> 0:18:23.359 Joel's Wick did a lot of the original full House. 0:18:25.119 --> 0:18:28.320 We have Mark Sandrowski a four times every season on Fuller. 0:18:28.359 --> 0:18:29.199 Yeah, yeah, Fuller. 0:18:29.680 --> 0:18:32.720 Did you hear the Mark Mark Sandrowski director of Mark Sandrowski. 0:18:33.320 --> 0:18:37.040 You know, he claimed because he grew up with Dave Koeer. 0:18:37.160 --> 0:18:39.600 They worked together in the Michigan or whatever. They had 0:18:39.600 --> 0:18:42.560