1 00:00:20,120 --> 00:00:22,600 Speaker 1: Hey there, Fanta Rito's welcome to part two of our 2 00:00:22,600 --> 00:00:27,000 Speaker 1: interview with Jim Falkenstein. As the prop master on countless projects, 3 00:00:27,040 --> 00:00:30,880 Speaker 1: including Fuller House, Jim has a plethora of stories up 4 00:00:30,880 --> 00:00:34,440 Speaker 1: his sleeve, from sourcing props to mistakes that have happened 5 00:00:34,440 --> 00:00:38,319 Speaker 1: on set. We're looking at you, Jody Sweeten. We are 6 00:00:38,320 --> 00:00:40,480 Speaker 1: so excited for all of you to hear the rest 7 00:00:40,520 --> 00:00:42,960 Speaker 1: of this conversation, so please welcome back. 8 00:00:43,320 --> 00:00:46,599 Speaker 2: Jim. So how did you get it? So you've been in. 9 00:00:46,560 --> 00:00:48,040 Speaker 3: The business for a long time, you just kind of 10 00:00:48,080 --> 00:00:49,520 Speaker 3: like fell in it. What are some of the other 11 00:00:49,920 --> 00:00:52,080 Speaker 3: Like what are some of the other sitcoms that you've 12 00:00:52,120 --> 00:00:54,920 Speaker 3: worked on? You know, not your top three because we're 13 00:00:54,960 --> 00:00:57,080 Speaker 3: in that one, but like, what other stuff have you 14 00:00:57,120 --> 00:01:00,279 Speaker 3: worked on? I mean, I did you work on Tombstone? 15 00:01:00,880 --> 00:01:01,400 Speaker 2: Oh? 16 00:01:01,600 --> 00:01:05,160 Speaker 4: I did work So that wasn't very funny. 17 00:01:05,280 --> 00:01:10,279 Speaker 3: No no, no, no, yeah, different holidaying of tuberculosis doesn't 18 00:01:10,319 --> 00:01:11,520 Speaker 3: really inspire laughs. 19 00:01:11,560 --> 00:01:14,959 Speaker 2: But great movie, Yeah, pretty great. 20 00:01:15,000 --> 00:01:17,680 Speaker 4: And that was that was very young and I was 21 00:01:17,760 --> 00:01:18,160 Speaker 4: very green. 22 00:01:18,200 --> 00:01:21,000 Speaker 5: I was I was the assistant on that and uh, 23 00:01:22,000 --> 00:01:25,760 Speaker 5: it was wild in a variety of ways. 24 00:01:26,040 --> 00:01:27,840 Speaker 3: I was gonna say, this is back in the in 25 00:01:27,880 --> 00:01:30,680 Speaker 3: the heyday of Val Kilmer being Val Kilmer. 26 00:01:30,959 --> 00:01:36,120 Speaker 5: Great stories. I mean right, forced me to drink a 27 00:01:36,120 --> 00:01:37,520 Speaker 5: lot of per diem at the end of the day, 28 00:01:37,600 --> 00:01:42,479 Speaker 5: but great stories for sure. 29 00:01:42,600 --> 00:01:43,600 Speaker 4: Yeah. So that was wild. 30 00:01:44,200 --> 00:01:46,360 Speaker 5: It's a lot of that was crazy, a lot of bullets, 31 00:01:46,360 --> 00:01:48,640 Speaker 5: but so many big actors on that it was super fun. 32 00:01:48,760 --> 00:01:52,800 Speaker 3: Oh okay, I love that movie. My dad is obsessed 33 00:01:52,800 --> 00:01:55,120 Speaker 3: with Western and that's also one of his favorites. 34 00:01:55,240 --> 00:01:57,720 Speaker 4: And I was so I'm so dumb at the early time. 35 00:01:57,760 --> 00:02:02,480 Speaker 5: I didn't realize there's like mementos that from that movie 36 00:02:02,800 --> 00:02:05,080 Speaker 5: that I was you know, the gardens you can't to Kilmer, 37 00:02:05,160 --> 00:02:08,399 Speaker 5: the dives that they used in here, the bottle that 38 00:02:08,440 --> 00:02:10,359 Speaker 5: was kind of stuff like I could have actually kind 39 00:02:10,360 --> 00:02:12,560 Speaker 5: of kept some of that stuff. And I did keep 40 00:02:12,560 --> 00:02:16,000 Speaker 5: some stuff, and I kept scripts and dustar cool stuff. 41 00:02:16,360 --> 00:02:18,360 Speaker 5: And then I screw like a year, somebody goes, hey, 42 00:02:18,360 --> 00:02:20,359 Speaker 5: did you work on Tombstone, and go, yeah, he was 43 00:02:20,400 --> 00:02:22,640 Speaker 5: getting cool stuff. I go, they can have all this stuff. 44 00:02:22,639 --> 00:02:24,920 Speaker 5: I don't know what if you want. And then later 45 00:02:25,080 --> 00:02:29,519 Speaker 5: now I'm like, oh, you see walk by what the 46 00:02:29,520 --> 00:02:30,760 Speaker 5: city of Tombstone this summer? 47 00:02:31,080 --> 00:02:34,480 Speaker 4: Oh by, And I'm going like this is from the movie. 48 00:02:35,480 --> 00:02:36,920 Speaker 4: We could have sold that for it. 49 00:02:36,919 --> 00:02:40,639 Speaker 2: They couldn't write if only I'd known think about it. 50 00:02:41,320 --> 00:02:43,600 Speaker 3: Now, did you work Did you work on Sultan Sea too? 51 00:02:43,600 --> 00:02:46,560 Speaker 3: Which was another Val Kilmer movie? Yes, another movie that 52 00:02:46,639 --> 00:02:50,519 Speaker 3: I love. Uh oh yeah, weirdly. 53 00:02:50,240 --> 00:02:51,000 Speaker 2: Love that movie. 54 00:02:51,160 --> 00:02:54,200 Speaker 3: It's it's dark and and just it's about you know, 55 00:02:54,360 --> 00:02:59,000 Speaker 3: tweakers out in the Sultan Sea and uh yeah. The 56 00:02:59,360 --> 00:03:00,959 Speaker 3: first scene is always the one that sticks with me, 57 00:03:01,000 --> 00:03:03,000 Speaker 3: when they're like, you think they're at night in the 58 00:03:03,080 --> 00:03:05,080 Speaker 3: dark in the house, and then they opened the front 59 00:03:05,120 --> 00:03:07,760 Speaker 3: door and it's just they're like vampires and blinded you. 60 00:03:07,840 --> 00:03:12,519 Speaker 4: Like, yeah, that was It was wild. 61 00:03:13,880 --> 00:03:15,640 Speaker 5: There are so many people who are right in your 62 00:03:15,720 --> 00:03:18,120 Speaker 5: character because this it's all about the tweakers. So they 63 00:03:18,120 --> 00:03:21,040 Speaker 5: were all they had these they got all these guys 64 00:03:21,040 --> 00:03:21,680 Speaker 5: would show up. 65 00:03:21,800 --> 00:03:24,200 Speaker 4: Consultants were just freshly. 66 00:03:24,240 --> 00:03:27,200 Speaker 3: Fresh, freshly so right, they're like, here's how you take 67 00:03:27,200 --> 00:03:27,919 Speaker 3: a part a toaster. 68 00:03:28,080 --> 00:03:31,000 Speaker 5: Yeah, they had all the technical stuff down and blah 69 00:03:31,000 --> 00:03:33,920 Speaker 5: blah blah, and every one of them was like wire thintle, jittery, 70 00:03:33,919 --> 00:03:37,240 Speaker 5: you know. And uh and then you go in val 71 00:03:37,440 --> 00:03:39,600 Speaker 5: Val would put on an extra twenty five pounds or something, 72 00:03:39,640 --> 00:03:41,560 Speaker 5: and he was just kind of like whenever I'll give 73 00:03:41,560 --> 00:03:45,120 Speaker 5: you a Vouchimera's special eye left on this. So on Tombstone, 74 00:03:45,240 --> 00:03:47,640 Speaker 5: they smoked cigarettes a lot. We had fake we had 75 00:03:47,640 --> 00:03:49,480 Speaker 5: to roll them by hand, you know, had a bunch 76 00:03:49,480 --> 00:03:51,920 Speaker 5: of them. But they also smoked their own personal cigarettes 77 00:03:52,280 --> 00:03:53,240 Speaker 5: in between takes. 78 00:03:53,440 --> 00:03:55,440 Speaker 4: So I had cigarettes galore on me. 79 00:03:56,120 --> 00:03:59,360 Speaker 3: Right, you were a walking smoke shop, las you get 80 00:03:59,440 --> 00:04:01,320 Speaker 3: been one of those like little you know you had 81 00:04:01,320 --> 00:04:03,400 Speaker 3: one of those trays like in the the thirties and 82 00:04:03,440 --> 00:04:05,840 Speaker 3: forties at the movie theater, you know, Yeah, maybe he. 83 00:04:05,880 --> 00:04:07,840 Speaker 4: Was upside once we're in the short fly skirt. 84 00:04:08,080 --> 00:04:10,000 Speaker 2: Yeah, that would have made all the difference. 85 00:04:11,320 --> 00:04:16,160 Speaker 5: But yeah, so he go, perps, I want a cigarette. 86 00:04:16,680 --> 00:04:18,320 Speaker 5: I go, which flavor would you like? 87 00:04:18,400 --> 00:04:18,560 Speaker 4: Sir? 88 00:04:18,720 --> 00:04:21,800 Speaker 5: And he goes up marble like right open the pack 89 00:04:21,839 --> 00:04:25,080 Speaker 5: and his cigarette and there's another lighter and he goes 90 00:04:25,560 --> 00:04:27,680 Speaker 5: he rolls, just holds it up to my ear. He 91 00:04:27,880 --> 00:04:31,680 Speaker 5: rolls like this. He goes, did that sound fresh to you? 92 00:04:32,279 --> 00:04:35,000 Speaker 5: I'm like, I just opened the pack right here? He goes, 93 00:04:35,560 --> 00:04:38,200 Speaker 5: bad pack, give you another pack and you walk away? Mike, Mike, 94 00:04:38,520 --> 00:04:40,880 Speaker 5: all right, so that's the kind of stuff you would do. 95 00:04:41,279 --> 00:04:43,680 Speaker 2: Yeah, wow, more than one? 96 00:04:44,120 --> 00:04:48,240 Speaker 1: Yeah, yikes, that's it requires a whole other level of 97 00:04:48,279 --> 00:04:50,560 Speaker 1: patients from the protesters. 98 00:04:51,000 --> 00:04:53,520 Speaker 4: And that's another thing, like certain you have to have 99 00:04:53,560 --> 00:04:56,080 Speaker 4: the patients to be on set. Steve has to sit 100 00:04:56,200 --> 00:04:58,000 Speaker 4: with my assistant. Steve had to be on side with 101 00:04:58,040 --> 00:04:58,720 Speaker 4: you weirdos. 102 00:04:59,200 --> 00:05:02,040 Speaker 2: Oh yeah, right, yeah, we give him a really hard time. 103 00:05:04,560 --> 00:05:08,720 Speaker 1: So explain the difference between between your job and Steve's job, 104 00:05:08,800 --> 00:05:11,120 Speaker 1: between the prop master and the assistant prop master. 105 00:05:11,839 --> 00:05:14,440 Speaker 4: Yeah. So I do all the prep before bringing the 106 00:05:14,480 --> 00:05:14,880 Speaker 4: stuff in. 107 00:05:15,000 --> 00:05:17,359 Speaker 5: I shop it, I get the vendors figured out, I 108 00:05:17,520 --> 00:05:19,760 Speaker 5: figure out I give vendors for food. 109 00:05:20,400 --> 00:05:23,839 Speaker 4: I go. Sometimes I arrange. I make stuff myself. Sometimes 110 00:05:23,880 --> 00:05:26,320 Speaker 4: I have graphics. I make a thing and. 111 00:05:26,279 --> 00:05:27,960 Speaker 5: Then I have to bring it all together and kind 112 00:05:27,960 --> 00:05:31,320 Speaker 5: of create the prop to a point and then I 113 00:05:31,400 --> 00:05:33,240 Speaker 5: hint it give to Steve and then he arranges them 114 00:05:33,240 --> 00:05:36,240 Speaker 5: all for each scene throughout the show. So I get 115 00:05:36,279 --> 00:05:38,760 Speaker 5: them all together and bring them all in, and then 116 00:05:38,760 --> 00:05:40,599 Speaker 5: he arranges them all for you guys so that you 117 00:05:41,240 --> 00:05:43,960 Speaker 5: use them in the scenes, and he keeps track of 118 00:05:44,000 --> 00:05:44,400 Speaker 5: all your. 119 00:05:44,320 --> 00:05:47,479 Speaker 4: Stuff, and and then once in a while he'll come 120 00:05:47,520 --> 00:05:51,520 Speaker 4: to me and go Andrea wants ano, there's something something. 121 00:05:52,640 --> 00:05:56,600 Speaker 3: Andrew wants a lifetized Ostrich baiting, store them. 122 00:05:56,520 --> 00:06:01,200 Speaker 4: Off running you know, it's it's sick schedule. It's really fun. 123 00:06:01,279 --> 00:06:02,600 Speaker 4: It's usually pretty fun. 124 00:06:02,680 --> 00:06:06,080 Speaker 5: So yeah, I do more prep work and all that 125 00:06:06,160 --> 00:06:10,280 Speaker 5: episode got a schmooze. I gotta be not like Steve's 126 00:06:10,279 --> 00:06:12,480 Speaker 5: great with the actors because he's a theater guy. Yes, 127 00:06:13,200 --> 00:06:15,680 Speaker 5: he loves the theater and he loves being on the 128 00:06:15,680 --> 00:06:21,000 Speaker 5: stage and the actors and uh uh, I like, I 129 00:06:21,000 --> 00:06:22,560 Speaker 5: always want to be a writer, so I like hanging 130 00:06:22,560 --> 00:06:25,520 Speaker 5: out with writers, and so that's where I would liaise 131 00:06:25,920 --> 00:06:28,919 Speaker 5: between the writers who are coming up with ideas, and 132 00:06:28,960 --> 00:06:32,680 Speaker 5: then with the director who that might be, and then 133 00:06:32,720 --> 00:06:35,960 Speaker 5: you guys, and then try to coordinate a bunch of 134 00:06:36,000 --> 00:06:36,960 Speaker 5: different inputs. 135 00:06:37,279 --> 00:06:39,520 Speaker 2: What every what does everyone want? 136 00:06:39,560 --> 00:06:43,640 Speaker 3: And how do I make everyone equally unhappy and just. 137 00:06:43,880 --> 00:06:46,000 Speaker 2: Get this through? Uh production? 138 00:06:47,760 --> 00:06:50,159 Speaker 3: How do I disappoint everyone equally and just go, look, 139 00:06:50,200 --> 00:06:51,360 Speaker 3: this is what you're getting. 140 00:06:52,240 --> 00:06:55,880 Speaker 4: Jims and idiot, isn'ty? I agree? 141 00:06:56,600 --> 00:06:58,200 Speaker 2: But do I have to make another one of those? No? 142 00:06:58,360 --> 00:07:01,599 Speaker 3: Okay, great, that's I'll be done. 143 00:06:59,760 --> 00:07:02,560 Speaker 2: Yeah. 144 00:07:02,680 --> 00:07:06,159 Speaker 3: So that's so you basically have to be like like 145 00:07:06,600 --> 00:07:13,760 Speaker 3: a partial chef sometimes an engineer uh, an entrepreneur schmooser 146 00:07:14,360 --> 00:07:17,440 Speaker 3: uh and. 147 00:07:16,200 --> 00:07:18,440 Speaker 2: And a shock and a bit of a thief and 148 00:07:18,680 --> 00:07:19,040 Speaker 2: a bit of a. 149 00:07:19,160 --> 00:07:22,600 Speaker 5: Yeah yeah see both here to say, like, so I 150 00:07:23,240 --> 00:07:28,360 Speaker 5: will look, there's not thievery. It's just acquiring too many 151 00:07:28,400 --> 00:07:31,120 Speaker 5: props every week and then having to give them away 152 00:07:31,120 --> 00:07:35,240 Speaker 5: to people. So that was always happy to do that, right, 153 00:07:35,760 --> 00:07:39,400 Speaker 5: It's certainly some people are some guys are horrors, some 154 00:07:39,400 --> 00:07:42,720 Speaker 5: prop people are horror They just have so much stuff everywhere. 155 00:07:43,120 --> 00:07:45,600 Speaker 5: I'm not the hoarder, so whenever I got too much stuff, 156 00:07:45,640 --> 00:07:47,239 Speaker 5: I had to get rid of it because I didn't 157 00:07:47,280 --> 00:07:51,640 Speaker 5: want any more stuff, right, so I would sometimes you 158 00:07:51,680 --> 00:07:53,400 Speaker 5: have to buy too much on purpose, and if you 159 00:07:53,400 --> 00:07:57,560 Speaker 5: guys wanted something extra for whatever non show related or 160 00:07:57,640 --> 00:07:59,720 Speaker 5: just order it and get it and bring it up 161 00:07:59,760 --> 00:08:06,760 Speaker 5: and keep doing it. So that's technically not illegal. 162 00:08:07,760 --> 00:08:13,200 Speaker 2: No, No, it's the gender we're redistributing. It was mutual aid, 163 00:08:13,400 --> 00:08:16,040 Speaker 2: is what it was. Really. Yeah, you were helping out 164 00:08:16,240 --> 00:08:17,640 Speaker 2: others exactly. 165 00:08:17,800 --> 00:08:19,400 Speaker 3: But I do remember like at the end of a 166 00:08:19,440 --> 00:08:20,400 Speaker 3: week there you'd. 167 00:08:20,280 --> 00:08:22,800 Speaker 2: Have like the table. I was like take this, you know, 168 00:08:23,120 --> 00:08:25,040 Speaker 2: like just I don't you don't need it, I don't 169 00:08:25,040 --> 00:08:26,400 Speaker 2: want it, I don't you know. 170 00:08:27,120 --> 00:08:29,680 Speaker 4: Absolutely always trying to get rid of stuff. 171 00:08:29,760 --> 00:08:32,320 Speaker 3: Oh and everyone was. I was always quite excited to 172 00:08:32,360 --> 00:08:32,719 Speaker 3: take it. 173 00:08:33,280 --> 00:08:33,960 Speaker 2: I don't think there was. 174 00:08:33,960 --> 00:08:36,160 Speaker 3: Any ever anyone that was like, now, I'm not gonna 175 00:08:36,200 --> 00:08:37,280 Speaker 3: They were like, oh, what do you got? 176 00:08:37,520 --> 00:08:41,200 Speaker 5: Like what's the work got out on that stage because 177 00:08:41,200 --> 00:08:43,440 Speaker 5: it was right near the commissary or it was credibly 178 00:08:43,720 --> 00:08:46,199 Speaker 5: close not right there, but pretty close to the commentary. 179 00:08:46,360 --> 00:08:48,960 Speaker 5: So once the work out and the commentary would come, 180 00:08:49,000 --> 00:08:50,640 Speaker 5: deliver food once in a while and whatever it is. 181 00:08:50,840 --> 00:08:51,880 Speaker 4: And I had a table. 182 00:08:51,920 --> 00:08:54,400 Speaker 5: It was a free table and certain are right and 183 00:08:54,440 --> 00:08:56,600 Speaker 5: they were like, this is free for everybody. 184 00:08:56,760 --> 00:08:59,839 Speaker 2: I'm like, I don't want to deal with it. 185 00:09:00,920 --> 00:09:04,240 Speaker 4: They all run it right, a bunch of stuff perfect. 186 00:09:05,480 --> 00:09:08,120 Speaker 1: Tell me about the prop prop budget, like do you 187 00:09:08,160 --> 00:09:09,920 Speaker 1: get a budget for the whole season or do you 188 00:09:09,920 --> 00:09:11,520 Speaker 1: get a budget per episode? 189 00:09:11,800 --> 00:09:15,520 Speaker 4: There's a you know, you're you've got like a your standard. 190 00:09:15,520 --> 00:09:18,280 Speaker 5: They when you get the job, go say what kind 191 00:09:18,280 --> 00:09:19,440 Speaker 5: of what kind of budget are looking at? 192 00:09:19,600 --> 00:09:20,439 Speaker 4: And that's what you kind of. 193 00:09:20,360 --> 00:09:21,640 Speaker 5: Know whether your butt shot is going to be good 194 00:09:21,679 --> 00:09:24,880 Speaker 5: or bad. It's got if it's you guys had a 195 00:09:24,880 --> 00:09:27,040 Speaker 5: crazy big budget because you're a Netflix. 196 00:09:27,080 --> 00:09:27,520 Speaker 2: Netflix. 197 00:09:27,679 --> 00:09:29,600 Speaker 4: Yeah, it was kind of bigger. 198 00:09:30,000 --> 00:09:33,560 Speaker 5: It was like money wise, it was and uh, so 199 00:09:33,920 --> 00:09:37,040 Speaker 5: it was they say, okay, you got to two thousand 200 00:09:37,080 --> 00:09:40,200 Speaker 5: for rentals every week and fifteen hundred for purchases and then. 201 00:09:41,840 --> 00:09:45,200 Speaker 4: A thousand for effects or whatever. It is, okay, like okay, 202 00:09:45,280 --> 00:09:47,640 Speaker 4: and then every week you get another script and you go. 203 00:09:47,800 --> 00:09:51,640 Speaker 6: Oh, that's going to cost five thousand dollars, right, and 204 00:09:51,679 --> 00:09:55,520 Speaker 6: then everyone knows as long as you ever what you're 205 00:09:55,679 --> 00:09:57,880 Speaker 6: communicate well with everybody and go like, okay, so we're 206 00:09:58,120 --> 00:10:00,160 Speaker 6: making this, so we're going to do this, and if 207 00:10:00,160 --> 00:10:01,840 Speaker 6: you want me to get that, that's gonna cost more, 208 00:10:01,880 --> 00:10:03,800 Speaker 6: and then negotiate a little bit, go like. 209 00:10:03,800 --> 00:10:06,960 Speaker 5: Yeah, it's fine, spend the money or people get them 210 00:10:06,960 --> 00:10:09,599 Speaker 5: to rewrite it, so you know, it's a little negotiating 211 00:10:09,640 --> 00:10:11,280 Speaker 5: you can do early on. 212 00:10:11,760 --> 00:10:15,160 Speaker 2: Yeah, yeah, I do remember that, just to rewrite and rewrite. 213 00:10:15,360 --> 00:10:16,839 Speaker 2: I remember that from production meeting. 214 00:10:16,880 --> 00:10:18,800 Speaker 3: And it was just like there were certain things that 215 00:10:18,880 --> 00:10:20,920 Speaker 3: you know, one department or another would be like that, 216 00:10:21,640 --> 00:10:23,280 Speaker 3: I don't know how you want us to pull that off, 217 00:10:24,960 --> 00:10:27,560 Speaker 3: you know, like wardrobe or something. Wardrobe is usually like 218 00:10:27,600 --> 00:10:31,080 Speaker 3: they can't do that in a skirt, so like something 219 00:10:31,120 --> 00:10:32,120 Speaker 3: needs to be rewritten. 220 00:10:32,200 --> 00:10:42,839 Speaker 7: Yeah, hey, they're folks. It's TJ. 221 00:10:42,920 --> 00:10:47,160 Speaker 8: Holmes and Amy Roeboch. Don't miss Morning Run every weekday 222 00:10:47,200 --> 00:10:48,400 Speaker 8: morning Monday through Friday. 223 00:10:48,559 --> 00:10:51,199 Speaker 9: Yeah, we'll be covering the biggest stories, everything you need 224 00:10:51,240 --> 00:10:54,920 Speaker 9: to know, breaking news, politics, pop culture on our daily podcast, 225 00:10:55,280 --> 00:10:57,440 Speaker 9: Morning Run, and of course it has a little bit 226 00:10:57,440 --> 00:10:59,080 Speaker 9: of our own personal flare to it. 227 00:10:59,320 --> 00:11:02,120 Speaker 8: Yeah, that's right. Make sure to subscribe now, so every 228 00:11:02,240 --> 00:11:04,400 Speaker 8: day when you wake up, you've got the Morning Run 229 00:11:04,600 --> 00:11:05,600 Speaker 8: waiting for you. 230 00:11:05,720 --> 00:11:10,880 Speaker 9: Listen to Morning Run wherever you get your podcasts. 231 00:11:10,920 --> 00:11:13,880 Speaker 5: Well, it's fun because the writers will will have watched, 232 00:11:13,960 --> 00:11:16,760 Speaker 5: just watched some movie and they'll write in a thing 233 00:11:16,840 --> 00:11:17,280 Speaker 5: from the movie. 234 00:11:17,320 --> 00:11:18,800 Speaker 4: They'll go like, oh, I just saw some moves. It 235 00:11:18,800 --> 00:11:21,440 Speaker 4: looks pretty easy. I go, no, No, it was a movie. 236 00:11:21,760 --> 00:11:23,200 Speaker 4: There were you know, they were they were on a 237 00:11:23,440 --> 00:11:27,280 Speaker 4: stage that's tall, there were puppeteers underneath it all. There's 238 00:11:27,360 --> 00:11:30,840 Speaker 4: green screen here and effects there, and then in cameraon. 239 00:11:30,600 --> 00:11:33,280 Speaker 3: Shot it right, And they had seven days just to 240 00:11:33,320 --> 00:11:33,960 Speaker 3: shoot that. 241 00:11:34,400 --> 00:11:34,959 Speaker 2: You know what I mean. 242 00:11:35,120 --> 00:11:38,360 Speaker 3: We've got like seven minutes to get an insert shot 243 00:11:38,400 --> 00:11:38,920 Speaker 3: make it good. 244 00:11:39,040 --> 00:11:41,120 Speaker 2: Yeah yeah, yeah, but that's that's. 245 00:11:41,000 --> 00:11:43,960 Speaker 5: The sitcom thing is is good in that sense because 246 00:11:43,960 --> 00:11:48,079 Speaker 5: it's really restricted as to how how big and uh 247 00:11:48,160 --> 00:11:50,240 Speaker 5: you acting more creative on how you do things like 248 00:11:50,240 --> 00:11:52,400 Speaker 5: an effect or somebody gets pie in the face or. 249 00:11:52,400 --> 00:11:54,920 Speaker 4: Even something that simple. You got to get smarter and 250 00:11:55,320 --> 00:11:57,680 Speaker 4: do it quicker so that you clean up as quick. 251 00:11:57,720 --> 00:12:00,600 Speaker 4: You got an audience there, you're going to get big bang. 252 00:12:00,880 --> 00:12:03,040 Speaker 5: There were those the little games and the tricks and 253 00:12:03,120 --> 00:12:05,840 Speaker 5: the you know, the body doubles you throw in real quick. 254 00:12:05,840 --> 00:12:07,840 Speaker 5: But you can, you know, you have to be smart 255 00:12:07,960 --> 00:12:12,000 Speaker 5: and ticky. But they also restrict the writing, right. 256 00:12:12,160 --> 00:12:14,320 Speaker 3: You sort of have a sandbox that you have to 257 00:12:14,360 --> 00:12:16,120 Speaker 3: play within. You can't do you know, in a movie 258 00:12:16,160 --> 00:12:17,520 Speaker 3: you can be like, we want to do let's do 259 00:12:17,600 --> 00:12:20,640 Speaker 3: an entire crash scene. You're like, that's not no, we can't. 260 00:12:20,840 --> 00:12:23,520 Speaker 3: We can run one car through one kitchen wall. 261 00:12:23,600 --> 00:12:27,080 Speaker 2: That's it. One time per season, per season. 262 00:12:27,240 --> 00:12:27,440 Speaker 5: Yeah. 263 00:12:27,480 --> 00:12:29,000 Speaker 2: Yeah, I gotta. 264 00:12:28,800 --> 00:12:31,960 Speaker 3: Say, man, the stability of that house is impressive because 265 00:12:32,520 --> 00:12:36,559 Speaker 3: we've had what three four cars go through that and 266 00:12:37,080 --> 00:12:38,120 Speaker 3: for being an old. 267 00:12:37,880 --> 00:12:39,520 Speaker 2: San Francisco house, it is it. 268 00:12:39,600 --> 00:12:45,559 Speaker 3: Is really twisted earthquakes car backing into horses walking upstairs, 269 00:12:45,720 --> 00:12:48,560 Speaker 3: you know. 270 00:12:47,240 --> 00:12:49,240 Speaker 2: In the kitchen. Yeah, that was in the kitchen, right, 271 00:12:49,320 --> 00:12:51,839 Speaker 2: livestock you know, yeah, oh, what. 272 00:12:51,840 --> 00:12:53,840 Speaker 4: Did I missed one episode? What was the one where 273 00:12:54,240 --> 00:12:56,640 Speaker 4: I think who almost. 274 00:12:56,240 --> 00:13:01,559 Speaker 3: Died when something Candice when and the we were doing 275 00:13:01,640 --> 00:13:04,199 Speaker 3: the stunt with the zipline. 276 00:13:04,120 --> 00:13:05,679 Speaker 2: Yeah, they didn't cap. 277 00:13:06,080 --> 00:13:08,520 Speaker 3: They were adjusting it and then didn't put the cap 278 00:13:08,559 --> 00:13:11,840 Speaker 3: on the end of it. So the entire like forty 279 00:13:11,920 --> 00:13:16,360 Speaker 3: pound metal mechanism ran along. She ziplined along the track 280 00:13:16,880 --> 00:13:19,440 Speaker 3: and then there was nothing to stop her or it, 281 00:13:19,520 --> 00:13:23,120 Speaker 3: and it just it went right down in front of 282 00:13:23,160 --> 00:13:25,600 Speaker 3: her because of the weight of it. It didn't even 283 00:13:25,960 --> 00:13:29,800 Speaker 3: like or it just dropped and luckily Mary she had 284 00:13:29,800 --> 00:13:33,640 Speaker 3: stopped already. But yeah, dented the set, dented the snares. 285 00:13:34,120 --> 00:13:35,480 Speaker 2: Yeah, one of those. 286 00:13:36,720 --> 00:13:38,240 Speaker 4: It was the last that was the last day for 287 00:13:38,280 --> 00:13:39,079 Speaker 4: that stunt guy, wasn't it. 288 00:13:39,600 --> 00:13:43,559 Speaker 3: Yeah Yeah he didn't Yeah, yeah, but yeah it definitely 289 00:13:43,840 --> 00:13:46,120 Speaker 3: Uh you know these, I mean, these are the things. 290 00:13:46,880 --> 00:13:48,199 Speaker 2: These are the things that happen on. 291 00:13:48,200 --> 00:13:49,880 Speaker 3: Set and you and you do you're gonna stick on. 292 00:13:50,000 --> 00:13:51,600 Speaker 3: You're like, oh, what's the worst? This this is easy 293 00:13:51,720 --> 00:13:53,080 Speaker 3: was the worst that could happen, you know what I mean? 294 00:13:53,120 --> 00:13:56,400 Speaker 3: And you're like, oh, there's you know, someone light on 295 00:13:56,400 --> 00:13:59,880 Speaker 3: the higher there's all manner of things that Actually, yeah, it's. 296 00:13:59,840 --> 00:14:01,720 Speaker 2: Very dangerous job. When do you think about it? Yeah, 297 00:14:01,720 --> 00:14:03,560 Speaker 2: we're pretty well, we're on fuller for sure. 298 00:14:04,040 --> 00:14:06,920 Speaker 4: Well we're all like first responders. I think we're. 299 00:14:06,720 --> 00:14:11,520 Speaker 3: Heroes, right, yeah, yeah, yeah, we got you know, we'll 300 00:14:11,600 --> 00:14:13,160 Speaker 3: jump in and try and do anything. 301 00:14:13,240 --> 00:14:14,480 Speaker 4: You know, Well you guys would. 302 00:14:14,720 --> 00:14:16,320 Speaker 5: That's fun too, Like you guys got to do fun 303 00:14:16,360 --> 00:14:19,320 Speaker 5: stuff because I remember, like normally I'll go on my 304 00:14:19,360 --> 00:14:21,280 Speaker 5: show and if there's a kitchen of the kids show 305 00:14:21,280 --> 00:14:23,280 Speaker 5: out Nickelodeon or just near or whatever it is, the 306 00:14:23,320 --> 00:14:26,120 Speaker 5: adults that I talked to are usually you know. 307 00:14:26,280 --> 00:14:30,160 Speaker 4: Just jaded because they're like, going, I'm here for the check. 308 00:14:31,080 --> 00:14:33,760 Speaker 3: Well, because you're right, you have seven lines and you're 309 00:14:34,240 --> 00:14:35,080 Speaker 3: right and all of them. 310 00:14:35,080 --> 00:14:36,840 Speaker 2: You're like, I'm an idiot, right. 311 00:14:37,200 --> 00:14:40,160 Speaker 4: Yeah, to walk through whatever. 312 00:14:41,480 --> 00:14:43,320 Speaker 5: But you guys, so what I think when I first 313 00:14:43,360 --> 00:14:46,640 Speaker 5: met you had early on, I was like, because you 314 00:14:46,640 --> 00:14:49,240 Speaker 5: were doing like three crazy things in a row, two 315 00:14:49,480 --> 00:14:52,200 Speaker 5: three different shows, and I'm going, they got you doing 316 00:14:52,280 --> 00:14:54,560 Speaker 5: crazy stuff. I mean that's crazy, right, you got to 317 00:14:54,600 --> 00:14:57,000 Speaker 5: you gotta be a little sick of this nonsense, right. 318 00:14:56,840 --> 00:15:00,000 Speaker 4: And you went, I love it. I love it you 319 00:15:00,040 --> 00:15:02,080 Speaker 4: you said, oh no, that was my favorite thing. I 320 00:15:02,080 --> 00:15:03,600 Speaker 4: get to do crazy stuff all the time. 321 00:15:04,360 --> 00:15:07,440 Speaker 1: Probably the probably your first episode was the opener of 322 00:15:07,680 --> 00:15:10,680 Speaker 1: season four where I was I think it was rollerblading 323 00:15:11,040 --> 00:15:17,000 Speaker 1: and like on acrobats on silks or whatever and cart wheels. 324 00:15:16,640 --> 00:15:20,600 Speaker 2: Like what yeah, yes, where was I was that? The 325 00:15:20,600 --> 00:15:23,760 Speaker 2: opening of season five? It was Kimmy did aeroals and silks? 326 00:15:23,800 --> 00:15:26,600 Speaker 2: What yes? Who am I this? 327 00:15:27,760 --> 00:15:30,560 Speaker 1: Maybe it was season five because Kimmy was no longer 328 00:15:30,600 --> 00:15:33,440 Speaker 1: pregnant and so she's like, I can do everything now. 329 00:15:32,920 --> 00:15:36,040 Speaker 2: I can roller blade, I can. 330 00:15:35,840 --> 00:15:38,200 Speaker 1: Just do I can go up in those aerial silks, 331 00:15:38,200 --> 00:15:41,800 Speaker 1: which was the body double that wasn't I can't remember 332 00:15:41,840 --> 00:15:44,080 Speaker 1: what else, but yeah, that was a lot for a 333 00:15:44,160 --> 00:15:44,880 Speaker 1: season opener. 334 00:15:45,120 --> 00:15:47,560 Speaker 2: I was, That's right. I do remember three stunts that 335 00:15:47,560 --> 00:15:48,480 Speaker 2: weak that was crazy. 336 00:15:48,880 --> 00:15:53,120 Speaker 4: Well, yeah, you guys, your characters were were well, I 337 00:15:53,160 --> 00:15:56,120 Speaker 4: don't know. The weird parents would. 338 00:15:55,920 --> 00:15:58,840 Speaker 5: Just say you're you're, you've found you were the probably 339 00:15:59,240 --> 00:16:01,400 Speaker 5: the most I would say most parents watch the show 340 00:16:01,440 --> 00:16:03,320 Speaker 5: and go, I want to be that parent, the one 341 00:16:03,320 --> 00:16:04,480 Speaker 5: way I got to do whatever I want. 342 00:16:04,520 --> 00:16:05,640 Speaker 4: I almost never see my kids. 343 00:16:06,720 --> 00:16:09,960 Speaker 3: Oh well, we've been watching Full House and we're amazed 344 00:16:09,960 --> 00:16:12,760 Speaker 3: at Michelle as a toddler really was just kind of 345 00:16:12,760 --> 00:16:14,680 Speaker 3: doing her own thing, you know, and just wandering around 346 00:16:14,720 --> 00:16:17,880 Speaker 3: the house. She'd pop in fully dressed and everyone's like, oh, 347 00:16:17,920 --> 00:16:21,040 Speaker 3: good morning, Like you know, obviously was able to put 348 00:16:21,040 --> 00:16:23,240 Speaker 3: her hair up in a ponytail and dress herself, and 349 00:16:23,560 --> 00:16:24,920 Speaker 3: she's just hanging out around the house. 350 00:16:25,320 --> 00:16:25,480 Speaker 4: You know. 351 00:16:25,520 --> 00:16:29,720 Speaker 2: The Tanner girls basically raised themselves right for three dads. 352 00:16:29,840 --> 00:16:32,080 Speaker 3: It seemed like they were alone a lot, you know, 353 00:16:33,320 --> 00:16:35,800 Speaker 3: three four adults in the house, and yet the kids 354 00:16:35,800 --> 00:16:36,960 Speaker 3: were always just kind of. 355 00:16:36,920 --> 00:16:37,680 Speaker 2: In on their own. 356 00:16:37,800 --> 00:16:38,000 Speaker 5: You know. 357 00:16:38,440 --> 00:16:41,600 Speaker 2: Yeah, yeah, funny. That's so great. 358 00:16:42,520 --> 00:16:45,280 Speaker 3: So how was Hollywood, like, I mean, was it You've 359 00:16:45,320 --> 00:16:47,720 Speaker 3: seen definitely like the shift in everything. 360 00:16:47,920 --> 00:16:54,479 Speaker 2: How has it changed your view of it from. 361 00:16:54,240 --> 00:16:56,680 Speaker 5: As far as like the TV shows, shitcom stuff world 362 00:16:57,360 --> 00:17:01,640 Speaker 5: that used to be a lot more more fun in general, 363 00:17:01,680 --> 00:17:03,600 Speaker 5: there's still occasionally a fun show to go on, but 364 00:17:03,640 --> 00:17:04,639 Speaker 5: sets are a. 365 00:17:04,600 --> 00:17:07,520 Speaker 4: Little bit more serious. 366 00:17:07,800 --> 00:17:12,639 Speaker 5: There's not quite the the camaraderie between the cast and 367 00:17:12,880 --> 00:17:15,600 Speaker 5: crew because I think cruise cycle. 368 00:17:15,240 --> 00:17:18,320 Speaker 4: A lot more right there used to be the season 369 00:17:18,520 --> 00:17:22,960 Speaker 4: was like July, August to. 370 00:17:23,560 --> 00:17:27,280 Speaker 2: March pretty much, and you'd all stay. 371 00:17:27,160 --> 00:17:29,080 Speaker 5: On the same show, and then the next year you 372 00:17:29,200 --> 00:17:30,720 Speaker 5: come back, and then you stay on the same show, 373 00:17:31,000 --> 00:17:32,159 Speaker 5: and the next year you come back, and it was 374 00:17:32,200 --> 00:17:32,960 Speaker 5: always the same. 375 00:17:33,160 --> 00:17:35,920 Speaker 4: So everyone scheduled their lives around the show schedule. 376 00:17:36,000 --> 00:17:38,679 Speaker 5: Yeah, and you see the same people every year. The 377 00:17:38,680 --> 00:17:41,000 Speaker 5: same crew would come in, the same writers would show up. 378 00:17:41,000 --> 00:17:42,359 Speaker 5: You know, a couple of changes here and there, but 379 00:17:42,560 --> 00:17:45,080 Speaker 5: so everyone got to know each other. So over the years, 380 00:17:45,400 --> 00:17:48,280 Speaker 5: the family thing worked pretty good. If you had a 381 00:17:48,359 --> 00:17:51,720 Speaker 5: difficult person number two or whatever, work around them and 382 00:17:51,760 --> 00:17:52,440 Speaker 5: had a great time. 383 00:17:52,720 --> 00:17:55,320 Speaker 3: Like any family, you're like, oh, everyone knows that that's 384 00:17:55,359 --> 00:17:57,399 Speaker 3: the person that you have, you know what I mean, Like, 385 00:17:57,520 --> 00:17:59,240 Speaker 3: and then you just do it and you're like, oh, 386 00:17:59,280 --> 00:18:00,600 Speaker 3: we're all here for the holiday. 387 00:18:00,720 --> 00:18:02,879 Speaker 2: Just make it work, you know. 388 00:18:03,240 --> 00:18:05,240 Speaker 5: But yeah, so it was like, so you had more 389 00:18:05,720 --> 00:18:08,480 Speaker 5: there's more continuity for each shows, like a lot of 390 00:18:08,520 --> 00:18:10,480 Speaker 5: the time. He had the same director all the time. Yeah, 391 00:18:11,040 --> 00:18:13,720 Speaker 5: you know, and it's like, well, you guys had was 392 00:18:13,840 --> 00:18:14,439 Speaker 5: Rich Correll. 393 00:18:15,000 --> 00:18:17,680 Speaker 3: Yeah, we had Rich well on Fuller. We had Rich 394 00:18:17,800 --> 00:18:19,800 Speaker 3: quite a bit. We had him on full House too. 395 00:18:20,640 --> 00:18:23,359 Speaker 3: Joel's Wick did a lot of the original full House. 396 00:18:25,119 --> 00:18:28,320 Speaker 1: We have Mark Sandrowski a four times every season on Fuller. 397 00:18:28,359 --> 00:18:29,199 Speaker 2: Yeah, yeah, Fuller. 398 00:18:29,680 --> 00:18:32,720 Speaker 5: Did you hear the Mark Mark Sandrowski director of Mark Sandrowski. 399 00:18:33,320 --> 00:18:37,040 Speaker 5: You know, he claimed because he grew up with Dave Koeer. 400 00:18:37,160 --> 00:18:39,600 Speaker 5: They worked together in the Michigan or whatever. They had 401 00:18:39,600 --> 00:18:42,560 Speaker 5: some kind of comedy duo. Yep, And and Dave K's 402 00:18:42,600 --> 00:18:44,560 Speaker 5: catchphrase was was cut out. 403 00:18:44,760 --> 00:18:46,400 Speaker 2: That's Sandrowski line. 404 00:18:46,640 --> 00:18:49,439 Speaker 4: Drowski says he was life stole it. 405 00:18:49,760 --> 00:18:51,880 Speaker 2: Yep, yeah, that is absolutely true. 406 00:18:51,960 --> 00:18:53,560 Speaker 3: Dave will tell Rich He's like, oh no, no, that 407 00:18:53,680 --> 00:18:56,040 Speaker 3: was cinders thing in our little comedy duo. And then 408 00:18:56,160 --> 00:18:59,800 Speaker 3: he like threw it into as Joey's sort of catchphrase. 409 00:19:00,320 --> 00:19:02,840 Speaker 2: Yeah, there was up. 410 00:19:04,119 --> 00:19:05,320 Speaker 4: I made that guy, I could take. 411 00:19:05,320 --> 00:19:07,720 Speaker 2: It's so true to me. 412 00:19:08,680 --> 00:19:11,399 Speaker 3: I have a picture of Sandrowski in some very short 413 00:19:11,440 --> 00:19:14,680 Speaker 3: shorts on a beach in Hawaii with a clipboard and 414 00:19:14,800 --> 00:19:17,160 Speaker 3: like an earpiece, just looking like. 415 00:19:17,119 --> 00:19:18,639 Speaker 2: All hell has broken loose. 416 00:19:19,320 --> 00:19:21,040 Speaker 3: Uh, And it was like, yeah, it was like nineteen 417 00:19:21,080 --> 00:19:22,879 Speaker 3: ninety two and uh it was. 418 00:19:23,520 --> 00:19:25,440 Speaker 2: It was fun exact. 419 00:19:25,040 --> 00:19:28,000 Speaker 4: Great, but yeah, so Rich because Rich Correll did most. 420 00:19:27,720 --> 00:19:29,240 Speaker 2: A lot of them, right, he did a lot of 421 00:19:29,280 --> 00:19:30,520 Speaker 2: fuller yep did. 422 00:19:30,640 --> 00:19:34,040 Speaker 5: But anytime like someone would get directing job, like what 423 00:19:34,080 --> 00:19:35,600 Speaker 5: it was Cameron or do you Jody it? 424 00:19:35,720 --> 00:19:36,440 Speaker 4: You did one? 425 00:19:36,800 --> 00:19:38,800 Speaker 2: I did? I directed one. It was you. 426 00:19:39,000 --> 00:19:41,760 Speaker 3: I have the the director's chair which you lowered from 427 00:19:41,760 --> 00:19:42,320 Speaker 3: the ceiling. 428 00:19:42,520 --> 00:19:44,520 Speaker 4: Oh, Yeah, that's right. We've made a big deal. 429 00:19:45,080 --> 00:19:46,000 Speaker 2: Yeah, it was so cool. 430 00:19:46,280 --> 00:19:47,439 Speaker 4: Why not? Why not make it? 431 00:19:47,800 --> 00:19:49,560 Speaker 2: No, there were you had laser pens. 432 00:19:49,720 --> 00:19:53,040 Speaker 3: There is everyone like, there was lasers going and and 433 00:19:53,119 --> 00:19:54,800 Speaker 3: I think some smoke and I think you had the 434 00:19:54,880 --> 00:19:55,600 Speaker 3: yellow tuks on. 435 00:19:55,920 --> 00:19:57,840 Speaker 2: I think it was an official yellow Tux moment. 436 00:19:58,040 --> 00:19:59,639 Speaker 4: That was That's a good yellow Tex moment. 437 00:20:00,440 --> 00:20:03,919 Speaker 5: So whenever somebody else would direct that wasn't Rich Krell like, 438 00:20:04,000 --> 00:20:05,680 Speaker 5: I go, I go, okay, Rich, I'll see you next week. 439 00:20:05,680 --> 00:20:07,800 Speaker 4: He goes, I'm not directing next week. I go it 440 00:20:07,840 --> 00:20:10,760 Speaker 4: just because I invented what are you invent? Tanner? 441 00:20:11,280 --> 00:20:11,399 Speaker 3: Right? 442 00:20:11,520 --> 00:20:13,840 Speaker 5: Yea, all those scripts and almost all these episodes. I 443 00:20:13,880 --> 00:20:15,919 Speaker 5: guess I'm not as good as this new person. 444 00:20:17,320 --> 00:20:30,200 Speaker 10: I'm like, Mike rich Come on, you met Michelle Lally 445 00:20:30,359 --> 00:20:33,080 Speaker 10: in the hit Bravo show The Valley. You met me 446 00:20:33,200 --> 00:20:36,600 Speaker 10: literally during the most difficult chapter in my life. Now 447 00:20:36,600 --> 00:20:40,160 Speaker 10: it's time for you to meet the real met Michelle Senny. Yes, 448 00:20:40,320 --> 00:20:42,399 Speaker 10: I changed my name and I want you to follow 449 00:20:42,440 --> 00:20:45,760 Speaker 10: me on my journey to the pursuit of sassiness. So 450 00:20:45,840 --> 00:20:48,240 Speaker 10: much has happened to me before, during, and after the 451 00:20:48,280 --> 00:20:51,719 Speaker 10: show before you can really understand the eight weeks that 452 00:20:51,760 --> 00:20:53,840 Speaker 10: you saw on TV. I think you have to know 453 00:20:53,880 --> 00:20:56,480 Speaker 10: what was going on from the very beginning, from being 454 00:20:56,560 --> 00:20:59,640 Speaker 10: raised by two immigrant parents, paying my own way through 455 00:20:59,680 --> 00:21:03,080 Speaker 10: college and working at Hooters, to starting my own real 456 00:21:03,160 --> 00:21:06,960 Speaker 10: estate empire, getting married, having a baby during COVID, to 457 00:21:07,080 --> 00:21:10,560 Speaker 10: that very same marriage falling apart on national TV, to 458 00:21:10,680 --> 00:21:14,040 Speaker 10: losing my mom to eventually finding love again. There is 459 00:21:14,119 --> 00:21:17,080 Speaker 10: so much to unpack and share. I'm on the pursuit 460 00:21:17,119 --> 00:21:19,480 Speaker 10: of happiness and most importantly, I'm. 461 00:21:19,320 --> 00:21:21,040 Speaker 2: On the pursuit of satiness. 462 00:21:21,280 --> 00:21:24,600 Speaker 10: Listen to Pursuit of Satiness starting on March seventeenth on 463 00:21:24,680 --> 00:21:28,920 Speaker 10: the iHeartRadio app, Apple Podcasts or wherever you get your podcasts. 464 00:21:29,200 --> 00:21:30,080 Speaker 2: You know what's so funny? 465 00:21:30,119 --> 00:21:33,320 Speaker 3: So I recently did a couple of days on a 466 00:21:33,359 --> 00:21:34,280 Speaker 3: Disney show. 467 00:21:34,080 --> 00:21:36,520 Speaker 2: And then got sick and had to swap out. But 468 00:21:37,080 --> 00:21:38,119 Speaker 2: your daughter was on it. 469 00:21:38,680 --> 00:21:42,080 Speaker 4: Oh yeah, and uh. 470 00:21:41,680 --> 00:21:44,879 Speaker 3: And Rich Correll's daughter in law was one of the 471 00:21:45,000 --> 00:21:48,960 Speaker 3: stand ins. Noay, yeah yeah, And then Chris Jensen was 472 00:21:49,000 --> 00:21:50,760 Speaker 3: our ad and Tony was the. 473 00:21:50,760 --> 00:21:54,080 Speaker 2: Third and yeah, yeah, we had it was like several 474 00:21:54,119 --> 00:21:56,520 Speaker 2: of the Fuller of the Floorhouse group. Meg DeLoach was 475 00:21:56,560 --> 00:21:56,760 Speaker 2: on it. 476 00:21:58,040 --> 00:22:01,600 Speaker 3: On the Newest One yeah, yeah, yeah, Tony's his second 477 00:22:01,600 --> 00:22:04,399 Speaker 3: now Tony, because I think Adam retired and Tony I 478 00:22:04,400 --> 00:22:06,320 Speaker 3: think moved up to his second, so it's crazy. 479 00:22:06,600 --> 00:22:09,240 Speaker 5: And uh, my daughter Freya I think it's now the 480 00:22:09,359 --> 00:22:12,040 Speaker 5: second second because she's going out with Tony. 481 00:22:14,080 --> 00:22:16,000 Speaker 2: Know that. Okay, they're super cute. 482 00:22:16,000 --> 00:22:17,600 Speaker 3: And I saw her and it was so funny because 483 00:22:17,600 --> 00:22:20,480 Speaker 3: I walked by her and I was like, did you 484 00:22:20,560 --> 00:22:24,439 Speaker 3: work out fuller? And she was like, well, not technically, 485 00:22:24,600 --> 00:22:27,040 Speaker 3: but my dad's Jim Fall because he was like, oh 486 00:22:27,040 --> 00:22:27,880 Speaker 3: my god, yeah, and you. 487 00:22:27,840 --> 00:22:30,520 Speaker 2: Were okay, yes, I totally remember. So it was Yeah, 488 00:22:30,520 --> 00:22:32,120 Speaker 2: it was a fun. It was fun to see her. 489 00:22:32,240 --> 00:22:35,760 Speaker 3: And we had just done Steve's interview that week and 490 00:22:35,760 --> 00:22:38,040 Speaker 3: we're talking about you and then like literally I ran 491 00:22:38,080 --> 00:22:39,360 Speaker 3: into her two days later. 492 00:22:39,640 --> 00:22:41,280 Speaker 4: That's crazy. She didn't tell me she saw you. 493 00:22:41,359 --> 00:22:43,880 Speaker 2: I yell at yeah, yeah, yeah she did. 494 00:22:44,040 --> 00:22:46,440 Speaker 3: And uh and I guess she doesn't like you now, 495 00:22:46,520 --> 00:22:48,280 Speaker 3: so sorry to break the news. 496 00:22:48,440 --> 00:22:50,440 Speaker 4: Well maybe it's because you've quit the show. Pretend to 497 00:22:50,440 --> 00:22:50,880 Speaker 4: get sick. 498 00:22:51,280 --> 00:22:52,920 Speaker 2: That's true. Well that's probably it too. Yeah. 499 00:22:53,000 --> 00:22:54,840 Speaker 3: Yeah, I was like I'm done with this now. I 500 00:22:55,200 --> 00:22:57,400 Speaker 3: first time I've ever quit or not quit. The first 501 00:22:57,440 --> 00:22:59,360 Speaker 3: time I've ever like not been able to work. 502 00:22:59,400 --> 00:23:01,200 Speaker 2: It was just so sick. Yeah. 503 00:23:01,240 --> 00:23:04,760 Speaker 3: Well, actually no second time, because the first was I 504 00:23:04,800 --> 00:23:08,359 Speaker 3: think the one and only time on Full House that 505 00:23:08,400 --> 00:23:13,160 Speaker 3: we had to shut down because it was a Stephanie 506 00:23:13,320 --> 00:23:18,400 Speaker 3: centered storyline and I think I got sick like midweek. Yeah, 507 00:23:18,480 --> 00:23:20,520 Speaker 3: and I had like one hundred and three hundred and 508 00:23:20,560 --> 00:23:22,560 Speaker 3: four fever. They had to send the doctor out to 509 00:23:22,640 --> 00:23:25,360 Speaker 3: like be like, yeah, no, she's really really sick and 510 00:23:25,720 --> 00:23:28,320 Speaker 3: pull the insurance parachute. 511 00:23:28,920 --> 00:23:30,359 Speaker 2: You couldn't do the live show. You couldn't do the 512 00:23:30,400 --> 00:23:31,840 Speaker 2: audience show. You couldn't do the audience show. 513 00:23:31,920 --> 00:23:34,720 Speaker 3: Yeah, yeah, so we had to push. 514 00:23:34,800 --> 00:23:36,359 Speaker 2: Yeah, but that I mean that's the you know. 515 00:23:36,640 --> 00:23:39,359 Speaker 4: Rare back then, like since COVID it's like every. 516 00:23:39,280 --> 00:23:42,040 Speaker 2: Week, right, Oh yeah now, I think. 517 00:23:42,040 --> 00:23:45,000 Speaker 3: And they were also very because if the kids got sick, 518 00:23:45,080 --> 00:23:46,560 Speaker 3: you know, if you're an adult and you get sick, 519 00:23:46,600 --> 00:23:48,800 Speaker 3: they're like, I don't know, take some DayQuil, fair fluid up, 520 00:23:48,880 --> 00:23:51,080 Speaker 3: let's go. We got things to do, you know. As 521 00:23:51,119 --> 00:23:53,800 Speaker 3: a kid, they're like, oh wait, wait, wait, wait wait, 522 00:23:53,800 --> 00:23:56,040 Speaker 3: we gotta yeah, we want to take care. 523 00:23:55,920 --> 00:23:56,640 Speaker 2: Of them a little bit. 524 00:23:56,720 --> 00:24:02,080 Speaker 3: So totally, but yeah, sof and and Saw and saw 525 00:24:02,960 --> 00:24:04,000 Speaker 3: Rich's daughter in law. 526 00:24:04,119 --> 00:24:06,199 Speaker 2: So it's a very small world this business. 527 00:24:06,200 --> 00:24:11,919 Speaker 3: We all sort of generationally travel and you know, in 528 00:24:11,960 --> 00:24:13,040 Speaker 3: the same little circles. 529 00:24:13,080 --> 00:24:14,639 Speaker 4: But yeah, it's helpful. 530 00:24:14,720 --> 00:24:17,239 Speaker 5: You talk about nepotism all day and like, how you 531 00:24:17,280 --> 00:24:19,080 Speaker 5: know somebody so it's easier to get in because you 532 00:24:19,119 --> 00:24:21,480 Speaker 5: know people, which is true. But it's also good that 533 00:24:21,680 --> 00:24:23,240 Speaker 5: if you're in the business you kind of have a 534 00:24:23,280 --> 00:24:26,119 Speaker 5: support built in support staff of older people that you 535 00:24:26,160 --> 00:24:27,520 Speaker 5: can go like, I don't know what I'm doing, and 536 00:24:27,560 --> 00:24:28,640 Speaker 5: somebody who can go like it's. 537 00:24:28,560 --> 00:24:31,879 Speaker 4: Good, be okay. Yeah, so that you get the guidance, 538 00:24:32,720 --> 00:24:34,159 Speaker 4: you know, feedback. 539 00:24:33,640 --> 00:24:37,320 Speaker 5: From your family, right, which is helpful and makes you 540 00:24:37,359 --> 00:24:38,679 Speaker 5: a better employee. 541 00:24:38,720 --> 00:24:40,640 Speaker 4: In addition to the nepotism. 542 00:24:40,400 --> 00:24:41,520 Speaker 2: Absolutely well. 543 00:24:41,600 --> 00:24:44,440 Speaker 3: I always think, look, every job, no matter what job 544 00:24:44,480 --> 00:24:47,280 Speaker 3: you get, if you know somebody, it helps you know. 545 00:24:48,119 --> 00:24:50,920 Speaker 2: And I always say like it's I've. 546 00:24:50,440 --> 00:24:54,199 Speaker 3: You know, seen talented people who happen to have a 547 00:24:54,240 --> 00:24:56,720 Speaker 3: parent that's in the business, and you know, it is 548 00:24:56,760 --> 00:24:57,240 Speaker 3: what it is. 549 00:24:58,840 --> 00:25:00,640 Speaker 5: Used I used to I used to buy be more 550 00:25:01,200 --> 00:25:02,760 Speaker 5: and then I was just like, man, it's just the 551 00:25:02,760 --> 00:25:04,400 Speaker 5: way It's fine, you know. 552 00:25:05,280 --> 00:25:07,560 Speaker 3: Which is ironic because you're a nepo baby, So you 553 00:25:07,680 --> 00:25:09,679 Speaker 3: really it's just that self hatred you're like. 554 00:25:09,920 --> 00:25:11,320 Speaker 2: I was just I was born into this. 555 00:25:11,280 --> 00:25:16,280 Speaker 5: Legendary Let me ask you this, Andrea, because I was 556 00:25:16,400 --> 00:25:19,320 Speaker 5: trying to call this, I talked to Steve Aldikowski a 557 00:25:19,359 --> 00:25:21,080 Speaker 5: little bit off and on I did. 558 00:25:21,200 --> 00:25:22,960 Speaker 4: I did more when I was around. Do you know 559 00:25:23,080 --> 00:25:24,880 Speaker 4: here Steve and Brian got in a fight. You don't 560 00:25:24,880 --> 00:25:25,480 Speaker 4: talk anymore? 561 00:25:25,680 --> 00:25:27,840 Speaker 2: Oh yeah, oh yeah I did hear. 562 00:25:27,960 --> 00:25:30,960 Speaker 1: I did hear that bad. I didn't hear the details 563 00:25:31,160 --> 00:25:34,280 Speaker 1: of the fight. But yeah, they aren't writing partners anymore. 564 00:25:34,880 --> 00:25:38,040 Speaker 4: I like them both. I don't like huh, but I mean, well, 565 00:25:38,040 --> 00:25:40,360 Speaker 4: watch out barriage break up. You don't know what happened? Right? 566 00:25:41,000 --> 00:25:44,560 Speaker 2: They seemed so happy? Right? You know one? 567 00:25:44,680 --> 00:25:44,800 Speaker 8: Right? 568 00:25:44,880 --> 00:25:46,240 Speaker 2: Yeah, I was. 569 00:25:46,200 --> 00:25:48,840 Speaker 5: Talking with Steve went after the show, and Andrea, wasn't 570 00:25:48,880 --> 00:25:53,320 Speaker 5: he pitching you one Pablo for some something? 571 00:25:53,920 --> 00:25:57,000 Speaker 1: It wasn't Steve Boldokowski, Yeah, no, one. Pablo and I 572 00:25:57,080 --> 00:26:00,720 Speaker 1: were working with a different writer to pick well. I 573 00:26:00,760 --> 00:26:02,760 Speaker 1: wanted to do the Gibbler spinoff. I don't think anyone 574 00:26:02,800 --> 00:26:04,560 Speaker 1: knows this. I want to do the Gibbler spin off. 575 00:26:04,600 --> 00:26:06,760 Speaker 1: And so I went to Warner Brothers and pitch that, 576 00:26:06,800 --> 00:26:09,760 Speaker 1: and they said well, we can't do that because Netflix 577 00:26:09,800 --> 00:26:14,159 Speaker 1: owns the characters. They own the new characters on Fuller 578 00:26:14,400 --> 00:26:18,320 Speaker 1: for ten years, yep, and then they own our characters 579 00:26:18,359 --> 00:26:20,520 Speaker 1: for three years, five years whatever. 580 00:26:20,560 --> 00:26:22,520 Speaker 2: It was, Well it's been ten years now, you could 581 00:26:22,520 --> 00:26:23,959 Speaker 2: go do it. Well, I know, maybe I should go 582 00:26:23,960 --> 00:26:27,679 Speaker 2: pitch it again, right you go. So then we were 583 00:26:27,720 --> 00:26:28,800 Speaker 2: pitching it a different. 584 00:26:28,480 --> 00:26:32,280 Speaker 1: Show, which was like we were, you know, gibbler esque. 585 00:26:32,280 --> 00:26:34,439 Speaker 1: I was the wacky person. He was the heart throb, 586 00:26:34,640 --> 00:26:39,080 Speaker 1: you know, Latin man who sings. But that never I mean, 587 00:26:39,080 --> 00:26:41,200 Speaker 1: between COVID and everything else. 588 00:26:41,200 --> 00:26:43,560 Speaker 2: We pitched it around, but it just never happened. 589 00:26:43,640 --> 00:26:47,320 Speaker 3: Yeah, COVID sort of ruined everything. COVID killed everything, I 590 00:26:47,359 --> 00:26:47,720 Speaker 3: mean for. 591 00:26:47,680 --> 00:26:48,359 Speaker 2: A lot of reasons. 592 00:26:48,359 --> 00:26:51,399 Speaker 3: But yeah, I think I felt like everybody had like 593 00:26:51,480 --> 00:26:54,160 Speaker 3: all of these things kind of happening in the early 594 00:26:54,280 --> 00:26:58,040 Speaker 3: part of twenty twenty, particularly even on our show. We're like, oh, 595 00:26:58,119 --> 00:27:00,520 Speaker 3: we've got like there were things that were happening and 596 00:27:00,520 --> 00:27:01,600 Speaker 3: what and then it was just. 597 00:27:01,520 --> 00:27:05,560 Speaker 2: Like, oh no, actually none of that. They'd never mind. Yeah, yeah, 598 00:27:05,680 --> 00:27:06,400 Speaker 2: that was too bad. 599 00:27:06,480 --> 00:27:09,879 Speaker 3: But well, Jim, this has been so awesome to have 600 00:27:09,920 --> 00:27:10,520 Speaker 3: you on the show. 601 00:27:10,680 --> 00:27:11,280 Speaker 2: I love it. 602 00:27:11,280 --> 00:27:12,960 Speaker 4: It's I love it too. I have to. I have 603 00:27:13,000 --> 00:27:14,440 Speaker 4: to give you my my favorite story though. 604 00:27:14,640 --> 00:27:16,520 Speaker 2: Oh yes, oh my god, yes please. 605 00:27:16,680 --> 00:27:17,640 Speaker 4: The Bob Saggat start. 606 00:27:17,840 --> 00:27:19,640 Speaker 2: Oh well that's right, yeah, the Saggat story. 607 00:27:19,960 --> 00:27:22,960 Speaker 4: Now, this is when I tell everybody about my Fuller 608 00:27:23,000 --> 00:27:23,440 Speaker 4: House case. 609 00:27:23,680 --> 00:27:28,240 Speaker 5: So after Fuller House, uh like two years after Floorhouse, 610 00:27:28,400 --> 00:27:30,840 Speaker 5: I get another show right on that exact same stage, 611 00:27:31,080 --> 00:27:34,600 Speaker 5: so I mean the same prop room. And this is 612 00:27:34,720 --> 00:27:38,440 Speaker 5: after Bob's passed, and so I come in. I'm working 613 00:27:38,520 --> 00:27:41,440 Speaker 5: on the same prop room, going that same corner where 614 00:27:41,440 --> 00:27:44,640 Speaker 5: we just talked about. Everybody is right, yeah, and it's 615 00:27:44,680 --> 00:27:46,840 Speaker 5: Sunday and no one's on the stage and the lights 616 00:27:46,880 --> 00:27:48,679 Speaker 5: are all off. I'm just dropping off some stuff and 617 00:27:48,680 --> 00:27:52,880 Speaker 5: I'm outside with the mic prop room there and I'm 618 00:27:52,920 --> 00:27:55,480 Speaker 5: just thinking also, and I feel this cold rush run 619 00:27:55,520 --> 00:27:58,080 Speaker 5: through me, like you know, they say ghost stuff that 620 00:27:58,119 --> 00:27:59,919 Speaker 5: doesn't happen to me ever, and I'm like going like, oh, 621 00:28:00,400 --> 00:28:04,000 Speaker 5: that's not like a ghost, I go, but it was 622 00:28:04,040 --> 00:28:06,520 Speaker 5: Bob Saggot's ghost just came to my head. 623 00:28:06,560 --> 00:28:08,320 Speaker 4: I'm my Bob Saggot's ghost right there and there I 624 00:28:08,359 --> 00:28:09,280 Speaker 4: gotta go tell the tour. 625 00:28:09,800 --> 00:28:13,200 Speaker 5: I mean, nobody believe me or anything, however, I uh, 626 00:28:13,359 --> 00:28:17,080 Speaker 5: I moved up to Ashland, Oregon, just full of the mystics. 627 00:28:16,560 --> 00:28:18,439 Speaker 4: And nandlers and stuff like that. 628 00:28:18,960 --> 00:28:21,399 Speaker 5: I know a guy who dabbles in that stuff, and 629 00:28:21,480 --> 00:28:23,680 Speaker 5: so he's a talking to him, like a couple of 630 00:28:23,680 --> 00:28:24,840 Speaker 5: weeks later, I go, hey, listen. 631 00:28:25,320 --> 00:28:27,359 Speaker 4: He goes, look, I was gonna buy this house, but 632 00:28:27,359 --> 00:28:28,560 Speaker 4: I couldn't fix the electrics. 633 00:28:28,600 --> 00:28:30,800 Speaker 5: He goes, I can get rid of ghosts, but I 634 00:28:30,840 --> 00:28:34,000 Speaker 5: can't fix electric I'm like, oh, well, hey, if you 635 00:28:34,000 --> 00:28:36,840 Speaker 5: know ghosts, let me ask you this story. 636 00:28:36,920 --> 00:28:39,120 Speaker 4: A guy who knows ghosts, I told him to Bob 637 00:28:39,120 --> 00:28:41,600 Speaker 4: Saggot's story and I go, so, what do you think 638 00:28:41,800 --> 00:28:45,800 Speaker 4: is that? And he goes like guess. He goes, yes, 639 00:28:45,920 --> 00:28:48,959 Speaker 4: that was Bob Saggett. I'm like, oh, really, that's how 640 00:28:49,000 --> 00:28:49,480 Speaker 4: you find out. 641 00:28:49,480 --> 00:28:52,160 Speaker 5: And then I said, Slosy, like, just haunt the stage now, 642 00:28:52,360 --> 00:28:55,479 Speaker 5: and he goes, wait, no, no, he was just a 643 00:28:55,560 --> 00:28:56,120 Speaker 5: visiting stage. 644 00:28:56,120 --> 00:28:57,520 Speaker 4: He saw ant even wanted to stay high. 645 00:28:58,040 --> 00:29:03,160 Speaker 5: So in my mind, and I usually don't believe in 646 00:29:03,160 --> 00:29:06,280 Speaker 5: that stuff, but for this, I believe in it because it. 647 00:29:06,160 --> 00:29:11,120 Speaker 3: Was like, oh, you know what, I would one hundred 648 00:29:11,160 --> 00:29:14,640 Speaker 3: percent see Bob going back to that stage, all all 649 00:29:14,640 --> 00:29:16,680 Speaker 3: of us, really, I think We're all gonna the entire 650 00:29:16,680 --> 00:29:18,840 Speaker 3: full house. Gast is going to haunt stage twenty. 651 00:29:18,560 --> 00:29:21,440 Speaker 2: Four in perpetuity because we did. 652 00:29:21,680 --> 00:29:24,920 Speaker 3: We did the original show there, right, and then we 653 00:29:25,000 --> 00:29:27,440 Speaker 3: can and those built like we were the first people 654 00:29:27,480 --> 00:29:29,680 Speaker 3: in those dressing rooms when they built it, like that 655 00:29:29,840 --> 00:29:30,280 Speaker 3: was hard. 656 00:29:30,280 --> 00:29:32,120 Speaker 2: Really they built all of that. 657 00:29:32,000 --> 00:29:34,000 Speaker 3: And we were the first people in it. 658 00:29:34,000 --> 00:29:35,760 Speaker 2: It was home. Yeah. 659 00:29:35,800 --> 00:29:37,880 Speaker 3: And then when we got to come back to the 660 00:29:37,960 --> 00:29:41,080 Speaker 3: same stage, to the same like dressing room areas and 661 00:29:41,080 --> 00:29:43,160 Speaker 3: all that, it was it was incredible. So I would 662 00:29:43,320 --> 00:29:45,120 Speaker 3: I would say Bob would probably be like, I was 663 00:29:45,120 --> 00:29:46,720 Speaker 3: gonna go check out stage for a little bit, see 664 00:29:46,720 --> 00:29:48,920 Speaker 3: if I can find a microphone. 665 00:29:50,400 --> 00:29:51,600 Speaker 2: Always looking for a microphone. 666 00:29:51,800 --> 00:29:54,240 Speaker 4: Yeah, maybe that sameometer joke. 667 00:29:55,400 --> 00:29:59,080 Speaker 2: It's true, yeap, yeah, some inappropriate joke. Always always Yeah, 668 00:29:59,480 --> 00:29:59,960 Speaker 2: it was great. 669 00:30:00,400 --> 00:30:02,440 Speaker 3: No, I jokingly said, I was having a bunch of 670 00:30:02,480 --> 00:30:05,600 Speaker 3: mic issues and like electronics, Like it's Bob, Bob just 671 00:30:05,640 --> 00:30:08,240 Speaker 3: trying to interfere with the mic like I want to 672 00:30:08,760 --> 00:30:12,200 Speaker 3: trying to pull focus, which. 673 00:30:11,960 --> 00:30:15,400 Speaker 2: Is totally fine, and I'd absolutely allow course. Well, yeah, 674 00:30:15,560 --> 00:30:17,240 Speaker 2: that was so many. 675 00:30:17,080 --> 00:30:19,440 Speaker 3: Great stories, Jim, and we just we loved having you 676 00:30:19,600 --> 00:30:20,080 Speaker 3: on the show. 677 00:30:20,120 --> 00:30:21,600 Speaker 2: We loved having you as our prop Master. 678 00:30:21,680 --> 00:30:25,600 Speaker 3: You were so creative and so fun and like brought 679 00:30:25,720 --> 00:30:29,520 Speaker 3: such you and Steve brought such great energy to the set. 680 00:30:29,600 --> 00:30:32,280 Speaker 5: Really yeah, well it was a great guy, but we 681 00:30:32,320 --> 00:30:35,040 Speaker 5: felt appreciate it. So that makes it makes you work 682 00:30:35,320 --> 00:30:38,480 Speaker 5: have more fun, work just as hard and and you 683 00:30:38,520 --> 00:30:39,920 Speaker 5: guys were fun to hang around with. 684 00:30:40,080 --> 00:30:43,160 Speaker 4: So that was fun. And uh so that makes for 685 00:30:43,200 --> 00:30:45,640 Speaker 4: our top three shows. They about push up the top two. 686 00:30:46,040 --> 00:30:50,280 Speaker 2: Cool, okay, okay, so ahead of Jackson. Oh okay, take it. 687 00:30:50,280 --> 00:30:52,600 Speaker 2: We're moving ahead. We're moving up in the raven I 688 00:30:52,640 --> 00:30:52,880 Speaker 2: like this. 689 00:30:53,080 --> 00:30:58,360 Speaker 3: Yeah, oh, thank you so much for joining us. Guys 690 00:30:58,480 --> 00:31:00,200 Speaker 3: really really appreciate it, and it was so good to 691 00:31:00,240 --> 00:31:06,080 Speaker 3: see you and enjoy your lovely Ashland Oregon life. 692 00:31:06,320 --> 00:31:09,440 Speaker 2: The retired retirement of the Tucks, the Yellow Tucks. 693 00:31:09,760 --> 00:31:11,560 Speaker 4: I love it. 694 00:31:14,440 --> 00:31:18,720 Speaker 2: Great to see. That was so fun. That was so fun. 695 00:31:18,760 --> 00:31:21,000 Speaker 3: He is so yeah, he's hilarious and quick and now 696 00:31:21,040 --> 00:31:23,040 Speaker 3: that like he's like, oh yeah, I wanted. 697 00:31:22,800 --> 00:31:25,160 Speaker 2: To be a writer. I'm like, I can absolutely see that. 698 00:31:25,400 --> 00:31:26,520 Speaker 2: I can totally see that too. 699 00:31:26,640 --> 00:31:29,960 Speaker 1: Yep, yep, he's he's just got one of those brains 700 00:31:30,040 --> 00:31:35,760 Speaker 1: that is ultra creative and constantly going yeah, constantly going yep. 701 00:31:36,800 --> 00:31:39,080 Speaker 3: That was so much fun and and like hearing about 702 00:31:39,200 --> 00:31:41,680 Speaker 3: you know, it's always fun to hear stories of like 703 00:31:42,400 --> 00:31:44,760 Speaker 3: the movies that we know, you know, Tombstone or whatever. 704 00:31:44,800 --> 00:31:47,440 Speaker 2: Then you're like, yeah, it was always fun to like, 705 00:31:47,480 --> 00:31:50,400 Speaker 2: wait was it? What was it really like? Give us 706 00:31:50,400 --> 00:31:53,000 Speaker 2: the insight scoop? Yeah, oh cool. 707 00:31:53,040 --> 00:31:57,440 Speaker 3: The behind the scenes drama and I had Yeah, I 708 00:31:57,520 --> 00:31:59,800 Speaker 3: forgot that you guys were I knew you guys were 709 00:31:59,840 --> 00:32:01,719 Speaker 3: paying the Gibbler show, but I didn't realize that then 710 00:32:01,760 --> 00:32:03,120 Speaker 3: it was going to turn into something else. 711 00:32:03,960 --> 00:32:07,360 Speaker 1: I know, it's one of those sliding door missed opportunities, 712 00:32:07,360 --> 00:32:09,840 Speaker 1: but hey, never say never could that's true, Right, it's 713 00:32:09,880 --> 00:32:10,600 Speaker 1: been ten years. 714 00:32:10,640 --> 00:32:14,120 Speaker 3: Maybe we spend ten years now something, right, although I 715 00:32:14,120 --> 00:32:16,200 Speaker 3: wonder if it's ten years from the end of the show. 716 00:32:16,400 --> 00:32:18,719 Speaker 1: Yeah, that's what I never figured that out, if it 717 00:32:18,760 --> 00:32:21,840 Speaker 1: was ten years from the start or from the rap. 718 00:32:22,280 --> 00:32:24,080 Speaker 3: I'm gonna say from the start, I'm going to I'm 719 00:32:24,080 --> 00:32:25,960 Speaker 3: going to make a legal decision here and say you're 720 00:32:26,080 --> 00:32:28,400 Speaker 3: entitled to do it, and if someone sues you. 721 00:32:29,600 --> 00:32:33,000 Speaker 2: I don't know it. Yeah, I'll be like I'd just 722 00:32:33,000 --> 00:32:35,520 Speaker 2: avow all knowledge. I thought it was a good idea, 723 00:32:35,720 --> 00:32:37,760 Speaker 2: Like I don't I don't. I'm not a member of 724 00:32:37,800 --> 00:32:39,120 Speaker 2: the bar. Yeah don't. 725 00:32:39,200 --> 00:32:42,320 Speaker 3: I have no legal oblik and apparently even if you 726 00:32:42,360 --> 00:32:43,280 Speaker 3: do these days, it doesn't matter. 727 00:32:43,400 --> 00:32:45,520 Speaker 2: There's no there's no more rules. There's no more rules, 728 00:32:45,600 --> 00:32:49,840 Speaker 2: Las Schmas. Who cares think of your own rules? Yeahah, yeah, 729 00:32:49,880 --> 00:32:52,080 Speaker 2: it's great, it's going well all right. 730 00:32:52,120 --> 00:32:54,000 Speaker 3: Well, thank you guys so much for joining us for 731 00:32:54,040 --> 00:32:58,640 Speaker 3: another really fun interview with Jim falcon Scene. We love you, Tannerito's. 732 00:32:58,640 --> 00:33:00,600 Speaker 3: Thank you for listening. If you want to find us 733 00:33:00,600 --> 00:33:02,600 Speaker 3: on Instagram, you can check us out at how Rude 734 00:33:02,600 --> 00:33:05,800 Speaker 3: podcast or email us at how Rude Tanerto's at gmail 735 00:33:05,840 --> 00:33:09,360 Speaker 3: dot com if you got questions, if you have suggestions, 736 00:33:09,680 --> 00:33:12,480 Speaker 3: you know, we do fun fan episodes sometimes fan mail. 737 00:33:12,280 --> 00:33:13,880 Speaker 2: Stuff like that, so uh yeah, give. 738 00:33:13,760 --> 00:33:15,800 Speaker 3: Us a shout out, and also make sure that you're 739 00:33:15,840 --> 00:33:19,000 Speaker 3: following and subscribing to the podcast wherever you're listening to it. 740 00:33:19,040 --> 00:33:22,360 Speaker 3: Give us some ratings, uh and yeah, just uh you know, 741 00:33:22,480 --> 00:33:23,800 Speaker 3: you can get all the newest ones as soon as 742 00:33:23,800 --> 00:33:25,400 Speaker 3: they come out if you're subscribed, so make sure you 743 00:33:25,440 --> 00:33:28,720 Speaker 3: do that and we will see you next time. Because 744 00:33:28,720 --> 00:33:32,960 Speaker 3: remember you, guys, the world is small. The house is 745 00:33:33,000 --> 00:33:35,360 Speaker 3: full of yellow tuxedos. 746 00:33:35,680 --> 00:33:39,280 Speaker 2: M full said he didn't wear it today. 747 00:33:39,280 --> 00:33:43,040 Speaker 3: I'm a low key clauset fulls of tuxedos. 748 00:33:43,360 --> 00:33:44,840 Speaker 2: It's in a loose sight box. It needs to be 749 00:33:44,880 --> 00:33:48,080 Speaker 2: hanging up like a museum tea. Yeah, like Elvis's jumpsuit. 750 00:33:48,160 --> 00:33:50,880 Speaker 3: Yeah, like the like at the hard Rock you know 751 00:33:51,080 --> 00:33:56,080 Speaker 3: cafe that's full full suit. All right, well we're going 752 00:33:56,120 --> 00:33:58,200 Speaker 3: to petition him for it. Let's this next step on 753 00:33:58,240 --> 00:33:58,600 Speaker 3: the list. 754 00:33:59,280 --> 00:34:02,200 Speaker 2: We could dress the Sea Pappy in the yellow texedo. 755 00:34:02,880 --> 00:34:07,600 Speaker 2: Here we go, crossover everyone's been waiting for. Yep, alright, 756 00:34:07,680 --> 00:34:08,759 Speaker 2: you guys, see you next time.