WEBVTT - #135 - Maddie + Tae 

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<v Speaker 1>I welcome to episode one, Maddie and tell you're here.

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<v Speaker 1>Hello girls, Hello, thank you nice. Now what's the right

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<v Speaker 1>way to what do you say? I personally don't care,

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<v Speaker 1>but yeah, I like ladies because people still think that

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<v Speaker 1>we're kids. Like okay, for example, I don't know how

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<v Speaker 1>like girls because I am I'm twenty two, Like yeah,

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<v Speaker 1>but I am a woman. I don't know. It's just well,

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<v Speaker 1>for example, our bus driver we had like a pill

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<v Speaker 1>and bus driver to do like a co drive last

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<v Speaker 1>night to get us back, and he called us kids

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<v Speaker 1>and I was like, oh, I'm a twenty year old woman.

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<v Speaker 1>I'm not a I do care. I don't want to

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<v Speaker 1>call it a kid, call a kid. He was like, oh,

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<v Speaker 1>how old are you? I'm like, not kid age, but

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<v Speaker 1>thanks for making me feel ladies girls, women. But I

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<v Speaker 1>would imagine he says fifties. If I'm just guessing bus driver,

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<v Speaker 1>he probably has a kid. May be so, so I

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<v Speaker 1>would think if you have kids and they're the same

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<v Speaker 1>age as someone, you probably see them as the kid. Listen,

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<v Speaker 1>I don't know your bus drivers, but I'll tell you

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<v Speaker 1>what's expensive is haven't have to bus drivers. Yeah, So

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<v Speaker 1>what happens is I'll explain it to people because I

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<v Speaker 1>have to. We have take buses out all the time.

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<v Speaker 1>So if you drive over whatever the law is, let's

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<v Speaker 1>say it's nine that seems reasonable. Yeah, if you have

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<v Speaker 1>to drive over nine hours, you have to have to

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<v Speaker 1>bus drivers or the bus drivers to pull over and

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<v Speaker 1>sleep for a certain amount of time. Right, So which

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<v Speaker 1>which is a nightmare. Both scenarios a nightmare. Right, It's

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<v Speaker 1>just expensive either way to bus drivers. And when you're rolling,

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<v Speaker 1>I mean we're rolling twelve deep on a twelve bunk

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<v Speaker 1>bus with the code driver, so it's yeah, like it's

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<v Speaker 1>not cramped. It's always weird with the second bus driver too,

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<v Speaker 1>because you don't know them everybody. And that was the

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<v Speaker 1>guy I was talking about. Yeah, yes, so he was

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<v Speaker 1>the like touch sport, Like, no, this is weird. Like

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<v Speaker 1>we own a company and we're like running this whole thing,

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<v Speaker 1>and kid just feels really weird to me. People will

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<v Speaker 1>still call me kid though, too, if they're older, if

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<v Speaker 1>they're like six, they'd be like, hey, you're just a kid.

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<v Speaker 1>But it just has to because they have kids the same. Yeah, probably,

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<v Speaker 1>I don't see. I would never say kids to YouTube,

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<v Speaker 1>right because I would say you're more like little sister age. Well,

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<v Speaker 1>he thought we were kids, like he because whenever I

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<v Speaker 1>was like, oh, hi, how are you, He's like, how

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<v Speaker 1>are you kids doing or something? And I was like, oh,

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<v Speaker 1>we're good, but I mean we're not kids, and he's like, really,

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<v Speaker 1>how old are you? And I told him. I swear

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<v Speaker 1>he probably thought we were like seventeen or something. I'm

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<v Speaker 1>like things because I'm getting wrinkly already. And let me

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<v Speaker 1>now back here, get that out of the way. It's

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<v Speaker 1>always awkward time when you have to read the commercial

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<v Speaker 1>in front of the guests because I hear it, so

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<v Speaker 1>I'm like, oh, it's so cool to watch me hold

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<v Speaker 1>the paper and stare it down. It's funny how there

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<v Speaker 1>are things that I guess we take for granted. For example,

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<v Speaker 1>I'm in that studio every morning and people will come

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<v Speaker 1>and watch us, and I'll be like, oh, this is

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<v Speaker 1>so cool, But to me, that's every day. Yeah. The

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<v Speaker 1>same thing with you guys. You know you're talking about

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<v Speaker 1>your bus driver there are parts of the touring life

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<v Speaker 1>that I don't think people have any idea like what

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<v Speaker 1>the only because I only know because I had to

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<v Speaker 1>start touring with the band and we started playing and

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<v Speaker 1>I was like, oh wow, this is a real thing.

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<v Speaker 1>Like sound checks for example, right, which is when you

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<v Speaker 1>go up and make sure that all the stuff works,

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<v Speaker 1>all the guitars, the drums, Like that's a pretty grueling thing,

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<v Speaker 1>like a sound check. Every day show, do you guys

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<v Speaker 1>go do you go to your sound check? If we can't,

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<v Speaker 1>you're allowed to sometimes. Well, recently it's been a lot

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<v Speaker 1>of like open sound checks, meaning the venue is open

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<v Speaker 1>to the public and so we aren't able to go

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<v Speaker 1>out yet, but we prefer to sound check because we

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<v Speaker 1>lack when our stuff sounds good. What do you mean

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<v Speaker 1>so they open it up. Yeah, so it's open to

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<v Speaker 1>the public. So festival, you can't really like close it off.

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<v Speaker 1>The crowd just kind of post it up since ten

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<v Speaker 1>am or something. Yeah, so you really don't want to

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<v Speaker 1>go out because it kind of you don't want to

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<v Speaker 1>play your songs at three p m. And we look crusty,

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<v Speaker 1>You're not all cute and done like that's just like

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<v Speaker 1>it's just like the like Wizard of Oz thing where

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<v Speaker 1>you think something so cool and then you feel back there,

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<v Speaker 1>you know, So if we want to keep it a mystery,

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<v Speaker 1>I think inter ears are a thing that people that

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<v Speaker 1>until you do it. You know. When I was mentoring

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<v Speaker 1>an American Idolas Hapen to talk to the kids about

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<v Speaker 1>things like inter ears, that's so much fun. You look

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<v Speaker 1>like you're having a blast on there. They edited me good.

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<v Speaker 1>But I mean I feel like that was such a

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<v Speaker 1>good like you know how it is, and they did

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<v Speaker 1>a great job of editing. Yeah, they really did. I

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<v Speaker 1>just did what I do. I don't think that's what

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<v Speaker 1>that's what you should do. But I was talking to

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<v Speaker 1>them about things like inter ears. That's like the mentoring

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<v Speaker 1>thing that would be like, hey, so here's what's gonna happen.

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<v Speaker 1>You put these First of all, they put this gel

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<v Speaker 1>in your ear. It's the worst. Talk about that for

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<v Speaker 1>a second. It is so uncomfortable. I remember being so

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<v Speaker 1>self conscious about how much ear wax that was going

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<v Speaker 1>to have. But is that and that does no one

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<v Speaker 1>else think about that? But I was there was just like,

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<v Speaker 1>oh my gosh, we're gonna say I have so much

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<v Speaker 1>ear wax? And then viously they're like it's moderate, but

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<v Speaker 1>still I was so self conscious. I was just nerves. Okay,

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<v Speaker 1>so this is so like first world problems, Like this

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<v Speaker 1>is not anything bad at all, but it's just like

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<v Speaker 1>nerve racking. These like an eer things. Were basically trying

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<v Speaker 1>to explain it to everyone that doesn't tour, but which

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<v Speaker 1>most people. Most people, Yeah, we're very very lucky individuals

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<v Speaker 1>that we all get to do it. But um, so, basically,

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<v Speaker 1>it's these little like headphone thingies that go in your ear,

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<v Speaker 1>but they're molded to your ear so they fit perfectly

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<v Speaker 1>and you can hear everything and you know, so you

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<v Speaker 1>can sound great here everyone on stage. So you go

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<v Speaker 1>to the doctor this I mean it feels like a

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<v Speaker 1>doctor like this ear person. Yeah, and you have to

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<v Speaker 1>move your jaw around and whatnot. Yes, And I think

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<v Speaker 1>that's why I had so like anxiety. And it's like

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<v Speaker 1>if you're getting your ears peers for the first time

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<v Speaker 1>or a tattoo for the first time. You don't know

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<v Speaker 1>what to expect, so you're like, is this going to hurt?

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<v Speaker 1>It's basically they shoot this like jelly stuff into your ear,

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<v Speaker 1>so it's like you feel like you're underwater and you

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<v Speaker 1>just have to sit there for like ten minutes while

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<v Speaker 1>it hardens, and it's the weirdest. It's very hard to explain,

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<v Speaker 1>but it's very uncomfortable. I was just like, oh, this

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<v Speaker 1>is not something I don't want to do again. Even

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<v Speaker 1>putting the ears in. When you put them in the first, well,

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<v Speaker 1>they sell your ear first of all, where you're supposed

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<v Speaker 1>to really not hear much happening around you. But the

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<v Speaker 1>first time you go on stage and your ears are sealed,

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<v Speaker 1>it's weird because you're used to hearing the crowd, right

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<v Speaker 1>and just hearing it back to a speaker, so you

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<v Speaker 1>can hear the crowd, but when you put the ears in,

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<v Speaker 1>you really can't hear the crowd. I remember the very

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<v Speaker 1>first time I ever used my inn ears, and it's

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<v Speaker 1>probably the same show as you. We played, yeah, but yeah,

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<v Speaker 1>but it was some like CMT football kickoff thing. I

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<v Speaker 1>don't really know, but it was some live television, yeah,

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<v Speaker 1>and it was our first time ever using our inn ear.

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<v Speaker 1>So imagine that it's a big performance and then you

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<v Speaker 1>have something new informs exactly and it's just it changes

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<v Speaker 1>your world because, like you said, it's sealed, it's you

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<v Speaker 1>don't hear anything. You can't hear anything. It's all just

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<v Speaker 1>basically in your head and it takes a minute to

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<v Speaker 1>get used to so I remember, like what is going on?

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<v Speaker 1>Or it's like you think the crowd is not into

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<v Speaker 1>it at all because you can't hear, and then you

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<v Speaker 1>take one out and you're like, wait, everyone's really excited,

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<v Speaker 1>Like it's just yeah. So we have these little things

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<v Speaker 1>called I'm sure y'all have, like the crowd mics, where

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<v Speaker 1>you haven't pointed to the crowd so you can hear them,

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<v Speaker 1>and sometimes I be able to say the craziest stuff.

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<v Speaker 1>I'm like, dude, we have a microphone on you. You

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<v Speaker 1>can't be saying crazy stuff like that. I can hear you.

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<v Speaker 1>They were just halfway through a set when they yelled

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<v Speaker 1>girl on a count your song. We're like, we have

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<v Speaker 1>more songs in that. Obviously you're going to play it.

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<v Speaker 1>It's like, yeah, yeah, hold on, we're going to play it. Yeah.

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<v Speaker 1>The thing about the crowd mix is weird is it's

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<v Speaker 1>always a split second delayed. Yes, oh yeah, so like

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<v Speaker 1>clapping and so you really you can't get really started

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<v Speaker 1>play under rhythm with their class because those microphones that

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<v Speaker 1>are able to hear the crowd are a quarter of

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<v Speaker 1>a second behind, so it does. But that's one of

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<v Speaker 1>those things. And I tell my audience all the time,

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<v Speaker 1>if you see someone with the thing hanging out of

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<v Speaker 1>their ear, it's because they want to hear the crowd,

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<v Speaker 1>so they have one ear out or yeah, which tay

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<v Speaker 1>Is had issues with hers like three weeks where it

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<v Speaker 1>connects the chord in my ear. Something's messed up. I

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<v Speaker 1>don't know. She's so chill. She's like, we're like about

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<v Speaker 1>to get on stage, into tracks going, and she's like, yeah,

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<v Speaker 1>I don't have any ears, and I would have been like, oh,

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<v Speaker 1>I have my ears, like freaking out. And she's just like, hey,

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<v Speaker 1>I'm just gonna do a show without an ear, and

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<v Speaker 1>you know, and we're a harmony band, so she needs

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<v Speaker 1>to hear what's going on and both of us need

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<v Speaker 1>to hear each other for this to work. And she's like, oh, yeah,

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<v Speaker 1>I'll just do it with that one ear, and I'm like, oh,

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<v Speaker 1>heck no, I would be freaking out. I was still

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<v Speaker 1>before and then after getting off stage, and because when

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<v Speaker 1>you when you only put one ear in and listen

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<v Speaker 1>to an entire sixty seventy five minutes set with one

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<v Speaker 1>ear turned up, you come off stage and you can't

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<v Speaker 1>hear anything out of that ere. So I was like,

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<v Speaker 1>and if you're doing that again, if you're blaring music

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<v Speaker 1>like on your phone, like you have your headphones in

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<v Speaker 1>and you only have one headphone on like your other

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<v Speaker 1>ear is like, Oh, what is going on? It's just funky?

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<v Speaker 1>What is something that you guys wish you were asked

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<v Speaker 1>about more? Because I do a lot of interviews where

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<v Speaker 1>I get to interview people, but I'm on the other

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<v Speaker 1>side too, We're right, so I actually get to see

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<v Speaker 1>both sides of it sometimes. Question I said, and I

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<v Speaker 1>had to do this book tour, and you know, you

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<v Speaker 1>would do thirty in a row and everyone would come

0:10:08.440 --> 0:10:10.600
<v Speaker 1>with the same easy question that was fed to them,

0:10:10.640 --> 0:10:12.920
<v Speaker 1>you know, like what inspired you? Yeah, But and I

0:10:13.000 --> 0:10:15.160
<v Speaker 1>understood it because I've been on that side. So I'm

0:10:15.160 --> 0:10:17.440
<v Speaker 1>on both sides. But I wonder as artists, like what

0:10:17.480 --> 0:10:19.960
<v Speaker 1>do you wish that people would ask you about more?

0:10:20.640 --> 0:10:24.360
<v Speaker 1>M hmmm, um, good question, And no one ever asks

0:10:24.440 --> 0:10:28.079
<v Speaker 1>us that I do wish, Um, you mean fans or

0:10:28.120 --> 0:10:31.480
<v Speaker 1>interviewers an interview, you wish that you could talk about

0:10:31.559 --> 0:10:34.559
<v Speaker 1>what more? Well, I know something that I frequently asked

0:10:34.559 --> 0:10:38.400
<v Speaker 1>people who I'm you know, inspired by, is what inspired

0:10:38.440 --> 0:10:40.319
<v Speaker 1>this specific song? Do you remember the moment? Do you

0:10:40.320 --> 0:10:43.800
<v Speaker 1>remember the emotion? We don't get that specific question often

0:10:43.920 --> 0:10:47.800
<v Speaker 1>by fans necessarily, Yeah, so I but I always ask that.

0:10:47.880 --> 0:10:49.720
<v Speaker 1>So I guess that's what I would like to be asked.

0:10:50.120 --> 0:10:53.280
<v Speaker 1>You would like to be asked about what specifically inspired

0:10:55.480 --> 0:10:59.840
<v Speaker 1>a piece of something. Yeah, we voluntarily say it anyways

0:10:59.840 --> 0:11:01.959
<v Speaker 1>when ever we're talking about the music, but we'd hardly

0:11:01.960 --> 0:11:06.640
<v Speaker 1>ever get I like the like artsy fartsier stuff, you

0:11:06.640 --> 0:11:08.800
<v Speaker 1>know what I mean. Like. But also something that I

0:11:08.840 --> 0:11:10.760
<v Speaker 1>do love about you two is you don't really throw

0:11:10.800 --> 0:11:13.360
<v Speaker 1>softballs in interviews, like you will go right to the

0:11:13.400 --> 0:11:16.440
<v Speaker 1>core or like the deeper stuff because I think jam

0:11:16.559 --> 0:11:18.959
<v Speaker 1>heart to heart, oh man, that is like that is

0:11:19.040 --> 0:11:21.680
<v Speaker 1>my favorite thing about interviews, Like when you can get

0:11:22.080 --> 0:11:25.120
<v Speaker 1>like really deep and vulnerable and like talk about the

0:11:25.160 --> 0:11:28.480
<v Speaker 1>great stuff, the bad stuff, that everything in between. That's

0:11:28.720 --> 0:11:31.320
<v Speaker 1>my favorite. I wondered because you guys kind of went

0:11:31.360 --> 0:11:33.640
<v Speaker 1>away for a bit, and I've talked to you guys

0:11:33.640 --> 0:11:36.840
<v Speaker 1>about this for a second. But whenever you when dot

0:11:36.880 --> 0:11:39.520
<v Speaker 1>your old record company goes away, Yeah, and so then

0:11:39.559 --> 0:11:41.600
<v Speaker 1>you don't have a record deal for a bit, and

0:11:41.640 --> 0:11:44.840
<v Speaker 1>then you go away to also, right, right, that's the thing, right,

0:11:45.440 --> 0:11:46.880
<v Speaker 1>you guys want to And I didn't see you guys

0:11:46.920 --> 0:11:50.040
<v Speaker 1>until Dirk's party at his his bar, I I did

0:11:50.080 --> 0:11:52.280
<v Speaker 1>a song, So that's the first time I've seen you

0:11:52.280 --> 0:11:54.120
<v Speaker 1>guys in a long time, was there? But when you

0:11:54.160 --> 0:11:57.680
<v Speaker 1>go away after that, like, do you purposely try to

0:11:57.760 --> 0:12:00.880
<v Speaker 1>stay out of public things? Is part of the mystique

0:12:00.960 --> 0:12:05.640
<v Speaker 1>to hide as well? No, we we tried to wiggle

0:12:05.679 --> 0:12:07.440
<v Speaker 1>our way into anything we could, which is why we

0:12:07.440 --> 0:12:10.800
<v Speaker 1>started making YouTube videos and stuff like that, and um

0:12:10.960 --> 0:12:13.720
<v Speaker 1>kind of started diving even more into clothing lines and

0:12:13.960 --> 0:12:16.880
<v Speaker 1>you know, just trying to stay engaged. But our fans,

0:12:16.920 --> 0:12:18.920
<v Speaker 1>we didn't really try to go away. It was just

0:12:18.960 --> 0:12:21.080
<v Speaker 1>like we weren't the cool kids anymore. So it was

0:12:21.160 --> 0:12:25.079
<v Speaker 1>like no one to just be totally honest, it felt

0:12:25.080 --> 0:12:28.160
<v Speaker 1>like no one cared what we were saying because there's

0:12:28.160 --> 0:12:30.720
<v Speaker 1>a ton of other people that their voice is louder

0:12:30.720 --> 0:12:32.960
<v Speaker 1>than ours right now, which is totally fine because there's

0:12:33.000 --> 0:12:35.800
<v Speaker 1>times for everything, but um, you know, you don't want

0:12:35.800 --> 0:12:39.680
<v Speaker 1>to force something if like if you're just not the

0:12:39.720 --> 0:12:42.560
<v Speaker 1>cool kid on the street right now, then you will

0:12:42.600 --> 0:12:45.719
<v Speaker 1>be you'll get there, but it's just not not your

0:12:45.760 --> 0:12:47.640
<v Speaker 1>street or not your time to be the cool kids.

0:12:47.679 --> 0:12:51.080
<v Speaker 1>And contractually there was ninety days. I don't remember when

0:12:51.120 --> 0:12:53.440
<v Speaker 1>the ninety days started, but it was ninety days between

0:12:53.960 --> 0:12:56.720
<v Speaker 1>each record deal where we knew we were in talks

0:12:56.720 --> 0:12:59.240
<v Speaker 1>with MG and we were having meetings and we knew

0:12:59.280 --> 0:13:02.160
<v Speaker 1>that something was to start rolling, but we weren't allowed

0:13:02.160 --> 0:13:03.880
<v Speaker 1>to say anything. So we went to a c M

0:13:03.960 --> 0:13:06.560
<v Speaker 1>S to a c M. S Ago, having all of

0:13:06.600 --> 0:13:09.440
<v Speaker 1>this knowledge of exciting stuff about tappen, but you couldn't

0:13:09.480 --> 0:13:12.440
<v Speaker 1>say anything. So it was torture. And that's how we

0:13:12.520 --> 0:13:16.800
<v Speaker 1>got the same publicist because Green Room Um actually covered

0:13:17.240 --> 0:13:20.120
<v Speaker 1>our butts. So I mean, we're so grateful for them

0:13:20.120 --> 0:13:24.880
<v Speaker 1>because we had no label, no publicists, no nothing, red carpet. Yeah,

0:13:24.960 --> 0:13:27.000
<v Speaker 1>and they're like, so what are y'all doing? We're like,

0:13:27.920 --> 0:13:29.640
<v Speaker 1>one thing we're not allowed to talk about and the

0:13:29.679 --> 0:13:32.240
<v Speaker 1>other thing is like out of our control. So you

0:13:32.280 --> 0:13:36.080
<v Speaker 1>were telling the interviewers that because no one So okay,

0:13:36.120 --> 0:13:39.040
<v Speaker 1>let's let's explain what a publicists this is fun, because yeah,

0:13:39.200 --> 0:13:40.320
<v Speaker 1>I mean, this is what we do here is we

0:13:40.360 --> 0:13:43.160
<v Speaker 1>kind of talk about things and we take for granted

0:13:43.600 --> 0:13:46.160
<v Speaker 1>because we're so in it, but even my friends on

0:13:46.200 --> 0:13:48.040
<v Speaker 1>our publicists, cause unless you have to have one, you

0:13:48.080 --> 0:13:52.120
<v Speaker 1>just don't know what a publicist done, right, right, So, Taylor,

0:13:52.120 --> 0:13:55.439
<v Speaker 1>what's a publicist? A publicist is somebody who takes care

0:13:55.480 --> 0:13:59.280
<v Speaker 1>of the media aspect and kind of sets up interviews

0:13:59.400 --> 0:14:03.440
<v Speaker 1>and set up like press and promotion. So, for example,

0:14:03.840 --> 0:14:08.199
<v Speaker 1>whenever we release our record hopefully coming soon, our publicist

0:14:08.280 --> 0:14:10.600
<v Speaker 1>will set up interviews to kind of talk about the

0:14:10.600 --> 0:14:15.480
<v Speaker 1>record and set up um late night appearing, late night appearances,

0:14:15.559 --> 0:14:17.840
<v Speaker 1>just things that we can be doing to promote the record.

0:14:17.920 --> 0:14:22.000
<v Speaker 1>And yeah, the media stuff or see online if you

0:14:22.080 --> 0:14:25.880
<v Speaker 1>say something bad or something doesn't go right. I've had

0:14:25.920 --> 0:14:29.600
<v Speaker 1>to cover me a few times, so oh yeah, yeah,

0:14:29.720 --> 0:14:31.120
<v Speaker 1>and a couple of times we have been to save

0:14:31.160 --> 0:14:33.840
<v Speaker 1>me from things that never came out. I have done

0:14:33.840 --> 0:14:36.280
<v Speaker 1>that many of times. But you did what no one's

0:14:36.280 --> 0:14:40.240
<v Speaker 1>having to save you. Yeah. I haven't offended anyone, but

0:14:40.280 --> 0:14:42.920
<v Speaker 1>I've said I've put my foot in my mouth like

0:14:43.040 --> 0:14:45.280
<v Speaker 1>so many times. But it just kind of like slid under,

0:14:45.400 --> 0:14:49.280
<v Speaker 1>which was good. Mine was, Like I would say, it

0:14:50.240 --> 0:14:52.400
<v Speaker 1>actually happened about ten years ago, but the story came

0:14:52.400 --> 0:14:56.560
<v Speaker 1>out last year, so but maybe not. Maybe seven years ago,

0:14:56.760 --> 0:14:59.360
<v Speaker 1>whenever Twitter were starting to be a thing, I go, oh,

0:14:59.400 --> 0:15:01.160
<v Speaker 1>you can buy Twitter of followers, and so I bought

0:15:01.160 --> 0:15:04.760
<v Speaker 1>five thousand Twitter followers, and so I forgot about it,

0:15:05.080 --> 0:15:06.400
<v Speaker 1>go buy and all of a sudden, the New York

0:15:06.400 --> 0:15:08.600
<v Speaker 1>Time just calling my phone and I'm going, what what

0:15:08.680 --> 0:15:11.280
<v Speaker 1>are they calling? They did this humongous expose on people

0:15:11.280 --> 0:15:13.720
<v Speaker 1>who bought Twitter followers. I don't remember doing it first

0:15:13.760 --> 0:15:16.200
<v Speaker 1>of all, and it was like kind of a joke,

0:15:16.320 --> 0:15:18.160
<v Speaker 1>like it wasn't like, oh no, no, not only the joke.

0:15:19.440 --> 0:15:21.680
<v Speaker 1>You know, I bought all my friends Twitter Twitter follower

0:15:21.760 --> 0:15:23.880
<v Speaker 1>bombed them, meaning I would buy them and they'd wake

0:15:23.960 --> 0:15:25.520
<v Speaker 1>up and go, why do I have five thousand more?

0:15:25.560 --> 0:15:28.000
<v Speaker 1>I thought it was the funniest thing ever. Yeah, and

0:15:28.040 --> 0:15:30.760
<v Speaker 1>then everyone took it way too serious. People started to

0:15:30.800 --> 0:15:33.560
<v Speaker 1>get suspended from their jobs, like they oh, yeah, they

0:15:33.600 --> 0:15:35.560
<v Speaker 1>found all these high profile people that have bought a

0:15:35.680 --> 0:15:38.280
<v Speaker 1>hundred thousand Twitter followers, half of them, and I'm going,

0:15:38.720 --> 0:15:42.000
<v Speaker 1>I'm on the same story with people who bought Oh no,

0:15:42.960 --> 0:15:47.000
<v Speaker 1>and even then, who cares? Yeah seriously though? So yeah,

0:15:47.160 --> 0:15:51.600
<v Speaker 1>so but they the same group. We're like, okay, we're

0:15:51.600 --> 0:15:54.320
<v Speaker 1>gonna hand so they handled that, and they were they

0:15:54.320 --> 0:15:55.800
<v Speaker 1>were just kind of walking me through it, like because

0:15:55.800 --> 0:15:56.960
<v Speaker 1>I just want to talk about it. I wanted to

0:15:57.000 --> 0:15:58.440
<v Speaker 1>go on the radio and be like, oh, yeah, I

0:15:58.480 --> 0:16:00.080
<v Speaker 1>did this seven years ago. We went back and on

0:16:00.120 --> 0:16:03.000
<v Speaker 1>the receipt about five thousand Twitter followered about like seven

0:16:03.000 --> 0:16:05.160
<v Speaker 1>of my friends Twitter followers. But they were like, don't

0:16:05.160 --> 0:16:06.440
<v Speaker 1>do it, and they kind of guided me through it.

0:16:06.480 --> 0:16:08.240
<v Speaker 1>And then the story for the most part, kept me

0:16:08.240 --> 0:16:10.800
<v Speaker 1>out of it because I wouldn't talk to them about it, right,

0:16:10.880 --> 0:16:12.360
<v Speaker 1>But that's not how I was going to handle it.

0:16:12.400 --> 0:16:15.240
<v Speaker 1>But I had to listen to the experts, totally lean

0:16:15.280 --> 0:16:18.480
<v Speaker 1>on people that know the best. Yeah, I know, we

0:16:18.800 --> 0:16:21.960
<v Speaker 1>I mean, this isn't like anything bad, but um actually

0:16:21.960 --> 0:16:25.480
<v Speaker 1>it's really great. But um. I was talking to Kirsten,

0:16:25.720 --> 0:16:28.560
<v Speaker 1>our publicist, UM, just for people that don't know that

0:16:28.600 --> 0:16:31.280
<v Speaker 1>we have the same one because we're saying names and

0:16:31.280 --> 0:16:33.520
<v Speaker 1>people like who with that. But anyway, so I was

0:16:33.560 --> 0:16:36.760
<v Speaker 1>telling her before I got engaged in May, I was like,

0:16:36.840 --> 0:16:40.440
<v Speaker 1>hey me, and you know my boyfriend. You know at

0:16:40.440 --> 0:16:42.600
<v Speaker 1>the time, what's the same boyfriend? But you know what

0:16:42.680 --> 0:16:47.080
<v Speaker 1>I mean? So wait, hang on, so we how do

0:16:47.160 --> 0:16:49.160
<v Speaker 1>I explain this? So I was asking her because I

0:16:49.240 --> 0:16:52.200
<v Speaker 1>kind of had a feeling that he may propose this year,

0:16:52.920 --> 0:16:54.640
<v Speaker 1>not as soon as he did, but like this year,

0:16:54.680 --> 0:16:56.000
<v Speaker 1>because we were talking about it and I was like,

0:16:56.240 --> 0:16:58.120
<v Speaker 1>you know, what should we do if that happened? And

0:16:58.200 --> 0:16:59.800
<v Speaker 1>she was like, okay, well this was what we'll do,

0:17:00.000 --> 0:17:01.840
<v Speaker 1>and she's like, when we get there, we'll get there.

0:17:01.880 --> 0:17:04.760
<v Speaker 1>Well after that conversation, he proposed like a week later,

0:17:04.760 --> 0:17:07.040
<v Speaker 1>and I was like, okay, well, we're engaged, so that

0:17:07.040 --> 0:17:09.720
<v Speaker 1>plan has to like, we gotta go now. So she

0:17:09.840 --> 0:17:11.640
<v Speaker 1>was like, oh, okay, I didn't knows this soon, but

0:17:11.720 --> 0:17:13.639
<v Speaker 1>we'll go like it they'll good. So they kind of

0:17:13.680 --> 0:17:17.800
<v Speaker 1>guide those press releases and stuff. What's the thought then,

0:17:18.080 --> 0:17:19.440
<v Speaker 1>and I think both of you guys are probably in

0:17:19.480 --> 0:17:22.600
<v Speaker 1>different stages talk about this. Uh, Mannie will talk to you.

0:17:22.680 --> 0:17:26.199
<v Speaker 1>So you get engaged, and so how how quickly do

0:17:26.240 --> 0:17:28.840
<v Speaker 1>you post a picture? Because you're a public person too,

0:17:28.880 --> 0:17:32.359
<v Speaker 1>so there's kind of some strategy to the So what

0:17:32.560 --> 0:17:35.520
<v Speaker 1>Jonah and I did was we okay, So we were

0:17:35.520 --> 0:17:38.320
<v Speaker 1>going on vacation for our seven year anniversary in May

0:17:38.400 --> 0:17:41.440
<v Speaker 1>at the end of May. So he proposed the night

0:17:41.480 --> 0:17:45.080
<v Speaker 1>before we were leaving, and we both agreed. We were like,

0:17:45.119 --> 0:17:46.960
<v Speaker 1>you know what, we want to go on our vacation

0:17:47.200 --> 0:17:50.240
<v Speaker 1>and like not be blown up, Like I mean, it's

0:17:50.280 --> 0:17:52.600
<v Speaker 1>so exciting. But we just called our close friends like

0:17:52.680 --> 0:17:55.960
<v Speaker 1>obviously FaceTime table right after it happened, but um, like

0:17:56.000 --> 0:17:58.520
<v Speaker 1>our families and told that they already knew that it

0:17:58.560 --> 0:18:00.159
<v Speaker 1>was going to happen, so it was really just me

0:18:00.240 --> 0:18:04.600
<v Speaker 1>telling them. But um, so we kept it secret for

0:18:04.640 --> 0:18:06.800
<v Speaker 1>like a whole week, maybe a week and a half actually,

0:18:06.800 --> 0:18:08.800
<v Speaker 1>because we wanted to go on vacation and not be

0:18:08.880 --> 0:18:13.400
<v Speaker 1>on our phones and be present. And then um, after vacation,

0:18:13.520 --> 0:18:15.919
<v Speaker 1>we flew to Houston, where I'm from, and my sister

0:18:16.000 --> 0:18:18.479
<v Speaker 1>was graduating high school, so it was like we had

0:18:18.480 --> 0:18:21.080
<v Speaker 1>a graduation thing and then we had an engagement party

0:18:21.119 --> 0:18:22.720
<v Speaker 1>with our family and then you got to do a

0:18:22.760 --> 0:18:26.040
<v Speaker 1>photo shoot. Yes, so we like pictures of the ring. Yeah,

0:18:26.119 --> 0:18:29.359
<v Speaker 1>so his cousin is a photographer, and basically we're like, hey,

0:18:29.400 --> 0:18:31.720
<v Speaker 1>if you'll get some pictures for us, we'll just you know,

0:18:31.840 --> 0:18:33.959
<v Speaker 1>do that and then just do a big announcement. But

0:18:34.320 --> 0:18:36.040
<v Speaker 1>it was kind of fun keeping it secret for a

0:18:36.080 --> 0:18:38.480
<v Speaker 1>little while. Not that it's anything to be secret, but

0:18:38.520 --> 0:18:41.560
<v Speaker 1>it was just nice to have that. Yeah, like moment

0:18:41.680 --> 0:18:45.200
<v Speaker 1>just for us us. You should, you should. How long

0:18:45.240 --> 0:18:47.439
<v Speaker 1>did you have to keep that under wraps from the

0:18:47.520 --> 0:18:49.840
<v Speaker 1>minute it happened until you put it on Instagram? How

0:18:49.840 --> 0:18:54.119
<v Speaker 1>long was that? Yeah? Yeah, a little over a week, Yeah,

0:18:54.280 --> 0:18:56.359
<v Speaker 1>something like that, because I was ready to post a picture,

0:18:57.600 --> 0:18:59.359
<v Speaker 1>like if we get this roll in, because I'm a

0:18:59.440 --> 0:19:03.440
<v Speaker 1>picture of my cash and okay, okay, so you're not engaged,

0:19:03.840 --> 0:19:07.360
<v Speaker 1>but you do post pictures of your boyfriend. So that's

0:19:07.359 --> 0:19:10.000
<v Speaker 1>a thing too, when you decide to finally post a

0:19:10.040 --> 0:19:15.040
<v Speaker 1>picture of your significant other. That's something that I feel

0:19:15.080 --> 0:19:17.040
<v Speaker 1>like a lot of artists kind of have to well

0:19:17.560 --> 0:19:20.840
<v Speaker 1>think about, like pre posting. I don't know if you're

0:19:20.880 --> 0:19:24.400
<v Speaker 1>the same way, but for me being in a semi

0:19:24.520 --> 0:19:30.240
<v Speaker 1>public relationship years ago, I know the consequences and the

0:19:30.280 --> 0:19:32.760
<v Speaker 1>negatives of what it's like whenever it's no longer a

0:19:32.760 --> 0:19:35.520
<v Speaker 1>relationship and then it's private and people think that they

0:19:35.560 --> 0:19:38.560
<v Speaker 1>know more than they do, and then that's fine, but

0:19:39.320 --> 0:19:40.600
<v Speaker 1>then you kind of want to take it all back,

0:19:40.640 --> 0:19:42.200
<v Speaker 1>but you can't because it's out there. So I feel

0:19:42.200 --> 0:19:45.080
<v Speaker 1>like it's it's a bit of a risk. But like

0:19:45.200 --> 0:19:47.159
<v Speaker 1>with our music, it's a risk whenever we share our

0:19:47.200 --> 0:19:49.960
<v Speaker 1>heart in our songs, so' she just took a minute like,

0:19:50.080 --> 0:19:53.240
<v Speaker 1>oh yeah, she had many, many discussions with Mattie. I

0:19:53.320 --> 0:19:55.040
<v Speaker 1>was like, I don't know, maybe allway, like a year

0:19:55.080 --> 0:19:57.879
<v Speaker 1>after we've been dating, and then oh, y'all are like that.

0:19:58.040 --> 0:20:01.199
<v Speaker 1>But such a great relationship and I'm happy and my

0:20:01.240 --> 0:20:03.320
<v Speaker 1>fans deserve to know that I'm happy, and they deserve

0:20:03.359 --> 0:20:05.680
<v Speaker 1>to know where my heart's at. So do you say

0:20:05.680 --> 0:20:11.800
<v Speaker 1>his name josh I mean I know, yes, Joshua, Okay, Joshua, Joshua.

0:20:11.880 --> 0:20:15.119
<v Speaker 1>So you do say his name? Yes? Okay? So but

0:20:15.200 --> 0:20:16.840
<v Speaker 1>you waited how long until you put that up from

0:20:16.840 --> 0:20:19.440
<v Speaker 1>when you started dating? Well, we kind of we did

0:20:19.440 --> 0:20:22.520
<v Speaker 1>the dance the friends dance. Friends don't have plug plug

0:20:24.080 --> 0:20:26.159
<v Speaker 1>you are literally friends. You and Josha Franks for a

0:20:26.200 --> 0:20:28.439
<v Speaker 1>long time, well not a long time. So we met

0:20:28.560 --> 0:20:30.679
<v Speaker 1>four years ago on radio tour and just knew of

0:20:30.720 --> 0:20:33.480
<v Speaker 1>each other and but we had never written together until

0:20:33.840 --> 0:20:39.120
<v Speaker 1>October of last year or this year. Last year. It's

0:20:39.160 --> 0:20:42.840
<v Speaker 1>not set this year, so it's two thousand seventeen we

0:20:42.840 --> 0:20:44.879
<v Speaker 1>wrote for the first time, and he and I had

0:20:44.880 --> 0:20:47.560
<v Speaker 1>both just gotten out of relationships. So we were just like,

0:20:47.840 --> 0:20:50.320
<v Speaker 1>we're not going to do this. Um, we're hanging out

0:20:50.320 --> 0:20:53.080
<v Speaker 1>in the same friend group, but like, let's each individually

0:20:53.119 --> 0:20:55.679
<v Speaker 1>take our time to kind of do some soul searching.

0:20:56.359 --> 0:20:59.200
<v Speaker 1>And so then we kind of went back and forth,

0:20:59.240 --> 0:21:01.280
<v Speaker 1>but we to each other, but I wasn't going to

0:21:01.320 --> 0:21:02.800
<v Speaker 1>do anything about it, and so we went on our

0:21:02.840 --> 0:21:06.120
<v Speaker 1>first date in December and then still kind of did

0:21:06.160 --> 0:21:10.120
<v Speaker 1>the dance and then finally officially called each other put

0:21:10.119 --> 0:21:12.200
<v Speaker 1>a label on it in March. But then, when when

0:21:12.240 --> 0:21:13.920
<v Speaker 1>do you put the picture up? Though I didn't put

0:21:13.920 --> 0:21:16.000
<v Speaker 1>it up until right before a c m S because

0:21:16.000 --> 0:21:19.840
<v Speaker 1>I knew that, yeah, right before a c MS in April,

0:21:19.880 --> 0:21:22.440
<v Speaker 1>So it's like the second week of April, and I

0:21:22.520 --> 0:21:24.680
<v Speaker 1>knew that we were about to get on a plane

0:21:24.720 --> 0:21:27.399
<v Speaker 1>to Vegas with the whole town of Nashville and people

0:21:27.400 --> 0:21:28.720
<v Speaker 1>were going to see and it didn't you wanted to

0:21:28.760 --> 0:21:32.120
<v Speaker 1>beat it, yes, exactly before people spread such a weird

0:21:32.160 --> 0:21:34.640
<v Speaker 1>thing because and I asked these questions because I've dealt

0:21:34.680 --> 0:21:37.240
<v Speaker 1>with the same, not dealt with I've been lucky enough

0:21:37.640 --> 0:21:40.000
<v Speaker 1>to have great people that are public as well. So

0:21:40.080 --> 0:21:46.880
<v Speaker 1>I've been into too public relationships and you learn that

0:21:47.880 --> 0:21:53.280
<v Speaker 1>they have lives too, and people what they see, what

0:21:53.280 --> 0:21:57.800
<v Speaker 1>people are saying, and I have grown my skin has

0:21:57.960 --> 0:22:01.440
<v Speaker 1>grown stronger through the years from from from having people

0:22:01.480 --> 0:22:03.520
<v Speaker 1>tell me I suck and awesome and all the things.

0:22:03.960 --> 0:22:07.280
<v Speaker 1>But now they're getting into this world and they're being

0:22:07.280 --> 0:22:11.080
<v Speaker 1>subjected to it kind of just by association. And then

0:22:11.080 --> 0:22:12.679
<v Speaker 1>they go to their page and they find them they

0:22:12.680 --> 0:22:15.080
<v Speaker 1>can write, so you know, I have my first one,

0:22:15.480 --> 0:22:16.760
<v Speaker 1>and I was like, oh, I'll learn from that. Then

0:22:16.760 --> 0:22:19.240
<v Speaker 1>I you know, David Lindsay and then but it's weird

0:22:19.320 --> 0:22:21.520
<v Speaker 1>because then people want to know. Since they see all

0:22:21.520 --> 0:22:23.840
<v Speaker 1>the happy stuff, They're like, oh, well, now we should

0:22:23.840 --> 0:22:25.520
<v Speaker 1>know all the really bad stuff. And I don't know

0:22:25.520 --> 0:22:26.920
<v Speaker 1>that they're wrong. I'm gonna say this, I don't know

0:22:26.960 --> 0:22:30.760
<v Speaker 1>that people are wrong. It's a weird place to be

0:22:30.760 --> 0:22:33.960
<v Speaker 1>because you're like, oh, it sucks for them. I think

0:22:34.040 --> 0:22:37.320
<v Speaker 1>y'all handled it, or you and Lindsay because we were

0:22:37.359 --> 0:22:40.200
<v Speaker 1>good friends with her too, like we love her. But um,

0:22:40.240 --> 0:22:42.439
<v Speaker 1>I think that y'all handled it in like a super

0:22:42.480 --> 0:22:45.520
<v Speaker 1>respectful way, like there was never or at least to

0:22:45.560 --> 0:22:50.600
<v Speaker 1>my knowledge, there wasn't like any animosity and there we

0:22:50.640 --> 0:22:54.359
<v Speaker 1>only had to split up because that's well, the other

0:22:55.000 --> 0:22:59.159
<v Speaker 1>UM companies were penalizing her, so that was really the

0:22:59.280 --> 0:23:02.639
<v Speaker 1>just absolutely disgusting. Well, I just wouldn't have happened to

0:23:02.640 --> 0:23:05.479
<v Speaker 1>a dude, because I know dude artists that dated female

0:23:05.560 --> 0:23:09.159
<v Speaker 1>radio and it didn't happen. It's so funky. So I

0:23:09.200 --> 0:23:12.320
<v Speaker 1>don't get that. Well, even the dating thing, like people

0:23:12.400 --> 0:23:16.120
<v Speaker 1>get so mad that like we're if people find out

0:23:16.119 --> 0:23:19.239
<v Speaker 1>that we're in a committable really yeah, it's like you

0:23:19.280 --> 0:23:23.439
<v Speaker 1>have to seem available in sexy and oh yeah, confinitely,

0:23:25.480 --> 0:23:30.680
<v Speaker 1>why don't but people know? I will say. There was

0:23:30.680 --> 0:23:33.400
<v Speaker 1>an observation made by our merch girl that was out

0:23:33.400 --> 0:23:35.199
<v Speaker 1>on the road with us this past weekend, and she

0:23:35.320 --> 0:23:39.120
<v Speaker 1>was watching the audience while Maddie was introducing Trying On Rings,

0:23:39.160 --> 0:23:42.080
<v Speaker 1>which is a song about her and Jonah's love story.

0:23:42.160 --> 0:23:45.160
<v Speaker 1>It's on the new record and we haven't heard yet. Yes, yes,

0:23:45.200 --> 0:23:48.240
<v Speaker 1>so you're a plan I want to come back. Oh yeah,

0:23:48.280 --> 0:23:50.800
<v Speaker 1>we're giving the sneak peaks. So Maddie was introducing the

0:23:50.840 --> 0:23:54.399
<v Speaker 1>song and the moment she said, I'm engaged in my

0:23:54.440 --> 0:23:57.040
<v Speaker 1>house called sweetheart Sarah, our merch girl was watching a

0:23:57.040 --> 0:23:59.639
<v Speaker 1>group of guys and they just apparently like threw their

0:23:59.680 --> 0:24:01.639
<v Speaker 1>hands in the air and was pissed. I don't know

0:24:01.960 --> 0:24:04.760
<v Speaker 1>him and high, and I'm like, why because you thought,

0:24:04.920 --> 0:24:07.960
<v Speaker 1>like because she thought you had a chance. I don't know, well,

0:24:07.960 --> 0:24:11.360
<v Speaker 1>not even that. It's just like, I'm not your property.

0:24:11.800 --> 0:24:14.080
<v Speaker 1>I'm saying, yeah, like, you bought a ticket to the

0:24:14.119 --> 0:24:15.760
<v Speaker 1>show and we're going to entertain you and we're not

0:24:15.840 --> 0:24:19.440
<v Speaker 1>have a great time, but don't make it weird. You can. Yeah,

0:24:19.480 --> 0:24:21.439
<v Speaker 1>you can like our music without wanting to date it.

0:24:21.560 --> 0:24:25.320
<v Speaker 1>Like I love Harry Styles so much, and if he

0:24:25.400 --> 0:24:28.639
<v Speaker 1>ever got engaged or whatever, I would be like, that's great.

0:24:28.800 --> 0:24:30.879
<v Speaker 1>I still love you a lot, and I think you

0:24:30.960 --> 0:24:34.680
<v Speaker 1>are so handsome and so talented, but we're gonna leave

0:24:34.680 --> 0:24:37.080
<v Speaker 1>it there. Yeah, he's so awesome. I saw him at

0:24:37.080 --> 0:24:39.040
<v Speaker 1>the rhyme and I was like, how did you go? Yeah,

0:24:39.119 --> 0:24:40.639
<v Speaker 1>Jonah came with me too, and I just looked at it.

0:24:40.720 --> 0:24:44.399
<v Speaker 1>I was like, he was one of the only guys

0:24:44.440 --> 0:24:48.760
<v Speaker 1>in there. Actually, Gator Harrison was there, yes, with his

0:24:48.880 --> 0:24:51.600
<v Speaker 1>daughter sitting right behind us, and he was like, oh,

0:24:51.640 --> 0:24:55.160
<v Speaker 1>thank god, there's another dude here. It is a bit

0:24:55.280 --> 0:24:59.280
<v Speaker 1>unfair to be a female in music, not just country

0:24:59.359 --> 0:25:01.480
<v Speaker 1>music and all music. I mean, look at the dudes

0:25:01.680 --> 0:25:02.960
<v Speaker 1>and they're not gonna care if I say this. But

0:25:02.960 --> 0:25:05.520
<v Speaker 1>I'm the prints with John Party. Yeah, he makes his

0:25:05.560 --> 0:25:07.400
<v Speaker 1>shirts ironed, he puts his hat on, and he goes

0:25:07.440 --> 0:25:09.280
<v Speaker 1>out and he plays this show. You guys mentioned that

0:25:09.320 --> 0:25:12.040
<v Speaker 1>you gotta get all aside from the music part of it,

0:25:12.080 --> 0:25:14.000
<v Speaker 1>which is even more so. There's just so many more

0:25:14.040 --> 0:25:17.760
<v Speaker 1>steps that you have to go through as a female artist,

0:25:17.880 --> 0:25:19.560
<v Speaker 1>and then on top of that, you don't even get

0:25:19.560 --> 0:25:23.600
<v Speaker 1>the same I'll say fair look that the male artists get,

0:25:24.040 --> 0:25:26.840
<v Speaker 1>because I'm never the guy that thinks there should be anything. Ever,

0:25:26.960 --> 0:25:30.639
<v Speaker 1>I think the best. I think, look, as long as

0:25:30.680 --> 0:25:33.679
<v Speaker 1>everyone's gonna an equal look. It could be seventy thirty

0:25:34.000 --> 0:25:36.439
<v Speaker 1>female to male, male to female. I don't care as

0:25:36.480 --> 0:25:38.280
<v Speaker 1>long as people get the equal look. And I think

0:25:38.280 --> 0:25:40.880
<v Speaker 1>people go, oh, Bobby is guy not at all? No, No,

0:25:40.920 --> 0:25:43.840
<v Speaker 1>I think let's just look at things based on merit.

0:25:44.720 --> 0:25:46.359
<v Speaker 1>More so than because I was talking to a female

0:25:46.400 --> 0:25:47.800
<v Speaker 1>artist friend of mine and I know you guys are

0:25:47.800 --> 0:25:51.600
<v Speaker 1>gonna relate to this, and she goes, oh, I can't, uh,

0:25:51.680 --> 0:25:55.200
<v Speaker 1>this label already has a female. And the fact that

0:25:55.560 --> 0:25:57.959
<v Speaker 1>you have to go, oh, well, this label already has

0:25:57.960 --> 0:25:59.879
<v Speaker 1>a female, so they can have another one that's somewhat

0:26:00.320 --> 0:26:02.359
<v Speaker 1>all the dudes are the same. Yeah, why can't there

0:26:02.400 --> 0:26:04.639
<v Speaker 1>be two people so they have a kind of a

0:26:04.720 --> 0:26:07.040
<v Speaker 1>like set. We had to consider that when we moved,

0:26:07.200 --> 0:26:09.239
<v Speaker 1>they were trying to put us, you know, and this

0:26:09.320 --> 0:26:12.080
<v Speaker 1>is not to discredit our record label because we love them,

0:26:12.080 --> 0:26:15.320
<v Speaker 1>but in reality, you like, it is hard about it. Yeah,

0:26:15.480 --> 0:26:17.800
<v Speaker 1>And it's so weird that there's only so many spots

0:26:17.800 --> 0:26:21.680
<v Speaker 1>for females. But Ty and I always say, like, we

0:26:21.680 --> 0:26:24.159
<v Speaker 1>we don't want to play softball, Like, don't pity us

0:26:24.160 --> 0:26:26.000
<v Speaker 1>because we're women, Like, we want to play baseball with

0:26:26.040 --> 0:26:28.560
<v Speaker 1>the boys, and best song wins and best artists wins,

0:26:28.600 --> 0:26:30.879
<v Speaker 1>like don't care of your chick or a dude whatever

0:26:30.920 --> 0:26:33.400
<v Speaker 1>it is, like the most town, and if it's not us,

0:26:33.760 --> 0:26:36.920
<v Speaker 1>that's fair. But if there's not a fair look at everyone,

0:26:37.080 --> 0:26:39.359
<v Speaker 1>that's where it gets a little wonky. But I'm like,

0:26:39.400 --> 0:26:43.000
<v Speaker 1>if everyone gets a fair shot and we don't, we're

0:26:43.040 --> 0:26:46.480
<v Speaker 1>not you know, the winning ticket or whatever, that's fine.

0:26:46.520 --> 0:26:48.960
<v Speaker 1>But as long as it's looked at, you get the

0:26:49.040 --> 0:26:52.080
<v Speaker 1>chance to put your best foot forward. Yeah, totally tell

0:26:52.080 --> 0:26:53.560
<v Speaker 1>me about this song, so you guys kind of come

0:26:53.560 --> 0:26:56.400
<v Speaker 1>on and you do. Girl in a Country Song played

0:26:56.359 --> 0:27:00.399
<v Speaker 1>a little bit Girl in the Country Song so do

0:27:00.440 --> 0:27:03.640
<v Speaker 1>you guys still like the song? I do. It's I

0:27:03.680 --> 0:27:06.080
<v Speaker 1>was trying to think about how many times we've played it,

0:27:06.840 --> 0:27:09.360
<v Speaker 1>Like it's only been four years. I mean, that's still

0:27:09.400 --> 0:27:11.560
<v Speaker 1>a long time. But like I was like, I wonder

0:27:11.600 --> 0:27:13.399
<v Speaker 1>how many times, Like I would be curious to know

0:27:13.440 --> 0:27:16.080
<v Speaker 1>the number of thousands. With radio tour doing like three

0:27:16.119 --> 0:27:19.399
<v Speaker 1>shows a day for a year and a half, we

0:27:19.560 --> 0:27:22.640
<v Speaker 1>gotta be in that in the thousand brackets somehow easily

0:27:22.680 --> 0:27:25.600
<v Speaker 1>a thousand, Yeah, I would think easily a thousand. But

0:27:25.880 --> 0:27:28.520
<v Speaker 1>this song, so it was kind of a rocket ship

0:27:28.680 --> 0:27:31.119
<v Speaker 1>for you guys, at least from my side of it. It

0:27:31.040 --> 0:27:33.400
<v Speaker 1>It was like and I kind of just started too,

0:27:33.640 --> 0:27:35.919
<v Speaker 1>you know, I just moved from the world and I

0:27:35.960 --> 0:27:38.480
<v Speaker 1>come over and I'm, you know, the guy that's and

0:27:38.520 --> 0:27:41.040
<v Speaker 1>everybody hates me because I'm so different, and they're like ah,

0:27:41.080 --> 0:27:42.760
<v Speaker 1>and I'm like, oh good, these girls are different too,

0:27:43.200 --> 0:27:45.080
<v Speaker 1>And you guys come in and first of all, you're

0:27:45.119 --> 0:27:48.080
<v Speaker 1>really good. But there's there's a novelty to this song

0:27:48.119 --> 0:27:51.159
<v Speaker 1>too at the same thing. And so but it was

0:27:51.200 --> 0:27:54.520
<v Speaker 1>just like the videos like Splash, like here you are

0:27:55.040 --> 0:27:58.119
<v Speaker 1>and yeah, I watched that video recently, like for the

0:27:58.160 --> 0:28:00.520
<v Speaker 1>first time in years, and I was like, I haven't.

0:28:00.560 --> 0:28:04.919
<v Speaker 1>We were some ballsy eighteen year old girls like whoa.

0:28:05.240 --> 0:28:08.000
<v Speaker 1>I guess I did not realize how big of a

0:28:08.040 --> 0:28:11.560
<v Speaker 1>deal this song was until like going through what we've

0:28:11.560 --> 0:28:12.960
<v Speaker 1>been through the past couple of years, or I was like,

0:28:12.960 --> 0:28:15.520
<v Speaker 1>you know what, like this is not gonna happen. But

0:28:15.560 --> 0:28:19.800
<v Speaker 1>if God forbid everything like just like fell apart or whatever,

0:28:19.880 --> 0:28:22.280
<v Speaker 1>because I mean it has for us, you know, last year.

0:28:22.320 --> 0:28:25.159
<v Speaker 1>But if all of that happened over again, at least

0:28:25.200 --> 0:28:27.960
<v Speaker 1>like we said something like we said something that was

0:28:28.000 --> 0:28:30.760
<v Speaker 1>important and needed to be said, and I would love

0:28:30.760 --> 0:28:34.600
<v Speaker 1>to keep doing that obviously, but um, just watching that back,

0:28:34.640 --> 0:28:39.000
<v Speaker 1>oh my gosh, like we were fearless? How did that happen?

0:28:39.400 --> 0:28:41.800
<v Speaker 1>This song comes out though in this sense it's your

0:28:41.840 --> 0:28:45.520
<v Speaker 1>first song. Do you guys think that's normal? Like was

0:28:45.520 --> 0:28:46.920
<v Speaker 1>that norm? Was it? Like? This is? Oh, this is

0:28:46.920 --> 0:28:50.160
<v Speaker 1>how it's done. We have a song or a bit

0:28:50.200 --> 0:28:53.640
<v Speaker 1>where you're like, whoa this is It's kind of hard

0:28:53.680 --> 0:28:55.840
<v Speaker 1>to compare it to something that you've never had. Something

0:28:55.880 --> 0:28:58.680
<v Speaker 1>else that was that was the issue, If I can

0:28:58.720 --> 0:29:00.400
<v Speaker 1>say issue, it really wasn't an issue because it was

0:29:00.400 --> 0:29:02.080
<v Speaker 1>a blessing and it got us to where we are now.

0:29:02.120 --> 0:29:05.640
<v Speaker 1>But if there's anything the con to that was just

0:29:05.720 --> 0:29:09.120
<v Speaker 1>being so green and almost like, I mean, we were

0:29:09.120 --> 0:29:11.040
<v Speaker 1>a baby artist. We like you said, we had nothing

0:29:11.120 --> 0:29:13.280
<v Speaker 1>to compare it to, and so our whole team the

0:29:13.440 --> 0:29:16.640
<v Speaker 1>entire time Girl was rising up the charts and doing

0:29:16.680 --> 0:29:19.959
<v Speaker 1>all of these milestones. It was like they said, this

0:29:20.000 --> 0:29:22.000
<v Speaker 1>isn't normal. You're not You're gonna have to work much

0:29:22.080 --> 0:29:23.960
<v Speaker 1>much harder on your next single, and they were trying

0:29:24.000 --> 0:29:27.880
<v Speaker 1>to warn us, but we still didn't have that experience

0:29:27.960 --> 0:29:30.280
<v Speaker 1>in our in our back pocket to kind of draw from.

0:29:30.320 --> 0:29:33.600
<v Speaker 1>So for us in a way at the time, it

0:29:33.640 --> 0:29:36.240
<v Speaker 1>was normal, which is crazy to think back and look at, like,

0:29:36.240 --> 0:29:38.720
<v Speaker 1>I wish I would have had more experience so I

0:29:38.720 --> 0:29:41.600
<v Speaker 1>could cherish those moments more and not just like like

0:29:41.840 --> 0:29:43.760
<v Speaker 1>stop and smell the roses first. Like, even though it

0:29:43.800 --> 0:29:46.640
<v Speaker 1>sounds so cliche, like I don't remember a lot of

0:29:46.640 --> 0:29:49.040
<v Speaker 1>that because it was just like onto the next day, Okay,

0:29:49.040 --> 0:29:52.320
<v Speaker 1>you did the Today's Show as your first full band show. Great, Okay,

0:29:52.400 --> 0:29:53.960
<v Speaker 1>let's go do it again. It found like it was

0:29:54.080 --> 0:29:56.920
<v Speaker 1>just nuts and I'm like, I don't know how we

0:29:56.960 --> 0:29:59.760
<v Speaker 1>did all that, but um, I'm kind of glad that

0:29:59.760 --> 0:30:03.800
<v Speaker 1>we are so like green and like um, just and

0:30:04.160 --> 0:30:07.920
<v Speaker 1>furious because we would do anything like now we know better,

0:30:08.000 --> 0:30:10.800
<v Speaker 1>like don't play three shows in one day. You're gonna

0:30:10.800 --> 0:30:12.600
<v Speaker 1>wear yourself out and it's gonna mess you up. Like

0:30:12.640 --> 0:30:14.719
<v Speaker 1>don't do that, like you know, just stuff like that.

0:30:14.840 --> 0:30:17.120
<v Speaker 1>Or don't fly from Orlando to New York back to

0:30:17.200 --> 0:30:19.040
<v Speaker 1>Orlando in one day and do three shows. That's not

0:30:19.080 --> 0:30:21.240
<v Speaker 1>a good idea. Just just say no. Sometimes you have

0:30:21.240 --> 0:30:23.480
<v Speaker 1>to say no to things. But I'm glad that it

0:30:23.800 --> 0:30:29.320
<v Speaker 1>happened then, and it kind of gives us I don't know,

0:30:29.360 --> 0:30:31.920
<v Speaker 1>it gives us perspective on like we have done this before.

0:30:32.120 --> 0:30:34.280
<v Speaker 1>It's not going to be as easy this next go round.

0:30:34.280 --> 0:30:38.760
<v Speaker 1>But it did it a little backwards. I sometimes I

0:30:38.800 --> 0:30:42.040
<v Speaker 1>wish it was slipped, but it's okay. So that song

0:30:43.160 --> 0:30:46.960
<v Speaker 1>did it hit one? Did? So it goes to number one?

0:30:47.680 --> 0:30:50.880
<v Speaker 1>And what's the next single after that? Fly? Okay, So

0:30:51.000 --> 0:30:54.400
<v Speaker 1>Fly comes out and doesn't go number one. It was

0:30:54.440 --> 0:30:57.920
<v Speaker 1>a number seven, but it impacted really well, which was

0:30:58.080 --> 0:31:02.080
<v Speaker 1>kind of cool. We knew the the hardness of what

0:31:02.200 --> 0:31:03.880
<v Speaker 1>was to come with that song too, and it was

0:31:03.920 --> 0:31:07.640
<v Speaker 1>a ballad. Were in the summer. They're all these rules,

0:31:08.800 --> 0:31:10.720
<v Speaker 1>but so this song comes out, I love you the

0:31:10.760 --> 0:31:13.280
<v Speaker 1>song by the way about I'm only asking this backward,

0:31:13.840 --> 0:31:15.760
<v Speaker 1>but it doesn't go number one. So you've had a

0:31:15.840 --> 0:31:18.760
<v Speaker 1>number one, then you have one that doesn't go number one.

0:31:19.080 --> 0:31:21.800
<v Speaker 1>What do you think after that? I was really happy

0:31:21.840 --> 0:31:25.320
<v Speaker 1>because people were The way I measured it personally was

0:31:25.440 --> 0:31:28.760
<v Speaker 1>how people were singing back when we were on stage

0:31:29.040 --> 0:31:31.560
<v Speaker 1>and they were singing fly and still do just as

0:31:31.560 --> 0:31:35.400
<v Speaker 1>loud as girl. So to me that was a number

0:31:35.400 --> 0:31:38.320
<v Speaker 1>one song, like maybe not on the charts, but form

0:31:38.640 --> 0:31:42.240
<v Speaker 1>for our fans and for my spirit. I was like,

0:31:42.760 --> 0:31:46.160
<v Speaker 1>we landed another one. This is a message song to

0:31:46.360 --> 0:31:50.920
<v Speaker 1>message songs resonate, you know, and and ballad you can

0:31:50.960 --> 0:31:54.720
<v Speaker 1>actually listen to the words right now. I try to

0:31:54.720 --> 0:31:56.560
<v Speaker 1>walk that line of I still try to be a

0:31:56.800 --> 0:32:00.640
<v Speaker 1>consumer as much as I possibly can. And most people

0:32:00.640 --> 0:32:02.520
<v Speaker 1>hear melody, that's all they hear in the song before

0:32:02.560 --> 0:32:05.040
<v Speaker 1>they Again. I have to remember this because I you know,

0:32:05.040 --> 0:32:07.680
<v Speaker 1>I write comedy and I write song dumb songs and stuff,

0:32:08.080 --> 0:32:10.320
<v Speaker 1>and I go, oh, the lyrics, they're they're very important,

0:32:10.320 --> 0:32:12.840
<v Speaker 1>but most people hear the melody first and listen, I

0:32:12.840 --> 0:32:18.600
<v Speaker 1>don't know exactly what you're saying, and so, but slower songs,

0:32:18.600 --> 0:32:20.960
<v Speaker 1>people can actually hear the words and get the message

0:32:20.960 --> 0:32:22.120
<v Speaker 1>to it, which is kind of a weird thing, and

0:32:22.160 --> 0:32:25.840
<v Speaker 1>that's also a strong message song. Yeah, and so um, Okay,

0:32:25.840 --> 0:32:27.880
<v Speaker 1>so the Fly comes out, you're like, okay, cool, I

0:32:27.920 --> 0:32:29.560
<v Speaker 1>didn't go number one, but we still loved it because

0:32:29.560 --> 0:32:34.200
<v Speaker 1>people loved it. Okay, next song. Next song was shut

0:32:34.240 --> 0:32:37.040
<v Speaker 1>Up Fish, shut him Fish. Yeah. By the way, I

0:32:37.080 --> 0:32:38.440
<v Speaker 1>know all the answers to this, I'm just kind of

0:32:38.440 --> 0:32:45.120
<v Speaker 1>walking you guys, I'm trying to think of the purpose

0:32:45.160 --> 0:32:47.200
<v Speaker 1>of the order of singles. I know that the reason

0:32:47.240 --> 0:32:51.120
<v Speaker 1>we put out Fly after Girl was because of, you know,

0:32:51.280 --> 0:32:56.960
<v Speaker 1>just the comments after releasing Girl. These girls are yeah,

0:32:56.960 --> 0:32:59.320
<v Speaker 1>exactly their one. I wonder this is all they can do,

0:32:59.360 --> 0:33:00.920
<v Speaker 1>This is all they can say that there will be

0:33:00.960 --> 0:33:02.840
<v Speaker 1>nothing about this, And so we wanted to kind of

0:33:02.880 --> 0:33:05.160
<v Speaker 1>prove our place in the industry and say, hey, no,

0:33:05.400 --> 0:33:08.840
<v Speaker 1>like we can be deep too, as nineteen year old girls,

0:33:08.920 --> 0:33:11.480
<v Speaker 1>we have depth to us. So that's why we released Fly,

0:33:11.800 --> 0:33:13.920
<v Speaker 1>and that's why we were fine with it going top ten,

0:33:14.040 --> 0:33:16.000
<v Speaker 1>because it's still made an impact and we were able

0:33:16.040 --> 0:33:19.719
<v Speaker 1>to show a different side of us. And so with Fish, Um,

0:33:19.840 --> 0:33:22.240
<v Speaker 1>I feel like it kind of we kind of tried

0:33:22.280 --> 0:33:25.600
<v Speaker 1>to go back two girl in a way, if that

0:33:25.640 --> 0:33:29.640
<v Speaker 1>makes sense. Our team was still very new at DOT

0:33:30.200 --> 0:33:33.920
<v Speaker 1>and so a newer team only been together a couple

0:33:33.920 --> 0:33:37.560
<v Speaker 1>of years, and basically everyone was like, Hey, we already

0:33:37.560 --> 0:33:40.040
<v Speaker 1>did this and this is close to this, so let's

0:33:40.040 --> 0:33:43.200
<v Speaker 1>do it again. And the fourth single, which we pulled

0:33:43.320 --> 0:33:47.720
<v Speaker 1>like super fast Sierra, Um, that was kind of the

0:33:47.720 --> 0:33:51.920
<v Speaker 1>same situational, quirky and funny and yeah, and like it

0:33:52.080 --> 0:33:55.080
<v Speaker 1>was like the one trick pony thing. We're like, there's

0:33:55.200 --> 0:33:58.080
<v Speaker 1>more on this record. But I mean, Sierra, I still

0:33:58.120 --> 0:34:01.120
<v Speaker 1>love that song, but I'm personally glad add that that

0:34:01.240 --> 0:34:04.200
<v Speaker 1>didn't work because it's about my actual high school bully

0:34:04.280 --> 0:34:05.760
<v Speaker 1>and I did not want to out her like that,

0:34:05.840 --> 0:34:10.799
<v Speaker 1>but that's kind I had to text her and be like, look,

0:34:11.040 --> 0:34:14.040
<v Speaker 1>haven't heard for me in three years. We're not on

0:34:14.120 --> 0:34:15.799
<v Speaker 1>great terms, but I just want to let you know

0:34:16.680 --> 0:34:19.960
<v Speaker 1>the song. She knew about the song because like it

0:34:20.040 --> 0:34:23.239
<v Speaker 1>accidentally got leaked two weeks before I graduated because I

0:34:23.280 --> 0:34:29.880
<v Speaker 1>sent it to a girl differently. Um, But basically, she

0:34:30.040 --> 0:34:33.040
<v Speaker 1>was just the girl that every guy wanted, which is

0:34:33.200 --> 0:34:37.239
<v Speaker 1>totally reasonable because she's beautiful, but just like, I mean,

0:34:37.360 --> 0:34:40.399
<v Speaker 1>if she could make anyone feel smaller or just less than,

0:34:40.520 --> 0:34:43.360
<v Speaker 1>she took that opportunity. And because she could, she's the

0:34:43.360 --> 0:34:46.640
<v Speaker 1>hottest chicken school and every guy wants her and UM.

0:34:47.200 --> 0:34:51.239
<v Speaker 1>And so the girl that actually transferred high schools because

0:34:51.280 --> 0:34:53.680
<v Speaker 1>of her UM I sent it to her and she

0:34:53.800 --> 0:34:55.440
<v Speaker 1>was like, oh my gosh, I feel like I finally

0:34:55.440 --> 0:34:58.040
<v Speaker 1>stood up to her and all this stuff. And then

0:34:58.640 --> 0:35:00.160
<v Speaker 1>I was like, well, don't send this to any one.

0:35:00.160 --> 0:35:01.719
<v Speaker 1>I'm about to move to Nashville and you can send

0:35:01.760 --> 0:35:03.560
<v Speaker 1>it toever you want then, but first let me get

0:35:03.560 --> 0:35:06.719
<v Speaker 1>out of town. And that didn't happen. So the whole

0:35:06.719 --> 0:35:10.480
<v Speaker 1>school heard it, and she was like, you know, just

0:35:10.600 --> 0:35:14.000
<v Speaker 1>Twitter ranting, like man, he's obsessed with me. That F

0:35:14.200 --> 0:35:17.319
<v Speaker 1>and B is all this stuff. So I was like,

0:35:17.440 --> 0:35:20.120
<v Speaker 1>you're not gonna win again. So I pulled up in

0:35:20.200 --> 0:35:23.120
<v Speaker 1>my truck at school and I went into my parking

0:35:23.120 --> 0:35:26.000
<v Speaker 1>place and I turned the song up all the way

0:35:26.080 --> 0:35:28.160
<v Speaker 1>up our little demo, and I just sat there and

0:35:28.200 --> 0:35:30.239
<v Speaker 1>her little friend group was standing right there, and I

0:35:30.280 --> 0:35:32.719
<v Speaker 1>was just looking at them, like, you're not gonna win.

0:35:32.880 --> 0:35:34.640
<v Speaker 1>I wrote this song because you're mean to a lot

0:35:34.640 --> 0:35:38.200
<v Speaker 1>of That's what we call little Texas. Yeah, little Texas

0:35:38.360 --> 0:35:42.839
<v Speaker 1>is this very feisty crazy, not crazy, but like you're

0:35:42.880 --> 0:35:45.359
<v Speaker 1>just I will fight back, like I'm not I'm not

0:35:45.400 --> 0:35:47.680
<v Speaker 1>a doormat. There's something to put in her name on

0:35:47.760 --> 0:35:52.800
<v Speaker 1>the Yeah. I I came home crying so many times

0:35:53.280 --> 0:35:56.319
<v Speaker 1>through junior high and high school because of her, and

0:35:56.400 --> 0:35:59.080
<v Speaker 1>so I don't know, they've just felt like I felt

0:35:59.120 --> 0:36:04.680
<v Speaker 1>empowered by like writing this song and hey Tara, yeah, yeah.

0:36:05.320 --> 0:36:07.080
<v Speaker 1>It worked perfect though, because she was in pageants. So

0:36:07.120 --> 0:36:09.800
<v Speaker 1>the Tierra line like well, and her best friend in

0:36:09.880 --> 0:36:13.239
<v Speaker 1>school was named Tierra literally her name. So let me

0:36:13.239 --> 0:36:15.760
<v Speaker 1>share it. Let me share a story. When I wrote

0:36:16.000 --> 0:36:17.640
<v Speaker 1>I wrote my wrote my first book. I had a

0:36:17.640 --> 0:36:21.080
<v Speaker 1>story about an artist that I had really had a

0:36:21.120 --> 0:36:23.480
<v Speaker 1>really miserable relationship with. It was just it was just

0:36:23.520 --> 0:36:26.879
<v Speaker 1>not good okay country artists, and it was really bad.

0:36:27.800 --> 0:36:29.759
<v Speaker 1>It wasn't And I wrote it and I was like

0:36:30.080 --> 0:36:32.200
<v Speaker 1>put it in, screw it, and put it out. So

0:36:32.960 --> 0:36:35.960
<v Speaker 1>my manager Corn comes up to me and goes, hey,

0:36:36.040 --> 0:36:38.799
<v Speaker 1>you should take this out of the book, And I said,

0:36:38.840 --> 0:36:40.840
<v Speaker 1>why is that? Because you're really not gonna like the

0:36:40.840 --> 0:36:43.399
<v Speaker 1>fact that in five years you might actually be friends

0:36:43.440 --> 0:36:46.120
<v Speaker 1>with this person. You don't want there. You kind of

0:36:46.160 --> 0:36:48.520
<v Speaker 1>just I don't want their name. You don't you don't

0:36:48.520 --> 0:36:50.960
<v Speaker 1>want to put their their name name. He said, write

0:36:51.000 --> 0:36:54.600
<v Speaker 1>it as a like, you know, somebody generic. Yeah, And

0:36:54.680 --> 0:36:56.319
<v Speaker 1>so I took it out of the book and then

0:36:56.440 --> 0:37:00.920
<v Speaker 1>we later become really good friends. It's Kip kept so

0:37:01.080 --> 0:37:03.279
<v Speaker 1>funny and the best thing here because because it was

0:37:03.320 --> 0:37:04.960
<v Speaker 1>just a story about us getting into a fight once

0:37:05.040 --> 0:37:08.680
<v Speaker 1>and Kevin I went to figured it all out, we're

0:37:08.719 --> 0:37:12.400
<v Speaker 1>actually really good now and I'm so glad I didn't.

0:37:12.960 --> 0:37:15.200
<v Speaker 1>I just wonder, like with you with the did you

0:37:15.200 --> 0:37:17.120
<v Speaker 1>ever think maybe she didn't name it something else and

0:37:17.160 --> 0:37:20.759
<v Speaker 1>not her specifically. I felt like there was a lot

0:37:20.800 --> 0:37:22.880
<v Speaker 1>of people that needed that song. And the minute that

0:37:22.920 --> 0:37:26.359
<v Speaker 1>we started meeting having fans and meeting fans, and they

0:37:26.360 --> 0:37:28.840
<v Speaker 1>started connecting with that song and telling me I have

0:37:28.960 --> 0:37:31.560
<v Speaker 1>a Sierra, I have someone that you know. And I

0:37:31.560 --> 0:37:34.080
<v Speaker 1>feel so much power with this song. And there are

0:37:34.120 --> 0:37:36.960
<v Speaker 1>so many people that share their like bullying stories. And

0:37:37.360 --> 0:37:39.880
<v Speaker 1>since the song is more like upbeat and fun, it

0:37:40.080 --> 0:37:44.719
<v Speaker 1>kind of shines a lighter light on a really bad situation.

0:37:45.400 --> 0:37:48.839
<v Speaker 1>So I felt like we did the right thing by

0:37:48.880 --> 0:37:51.440
<v Speaker 1>making it so personal, because I feel like sometimes when

0:37:51.440 --> 0:37:53.719
<v Speaker 1>you do the softball thing and you do the generic,

0:37:54.760 --> 0:37:59.600
<v Speaker 1>it may not connect as deep as the authentic thing.

0:37:59.760 --> 0:38:02.440
<v Speaker 1>So I was willing to take the hit, and she

0:38:02.680 --> 0:38:04.440
<v Speaker 1>when I messaged her and told her, she was like,

0:38:04.680 --> 0:38:08.000
<v Speaker 1>no hard failings, like hope everything is good. Yeah, so

0:38:08.160 --> 0:38:10.279
<v Speaker 1>I know, but you gotta think if someone wrote a

0:38:10.320 --> 0:38:12.840
<v Speaker 1>song about how awful you were, you'd probably clean up

0:38:12.880 --> 0:38:14.560
<v Speaker 1>your act, or at least I would. I would be like,

0:38:14.600 --> 0:38:16.799
<v Speaker 1>I have got to check my soul. I would be

0:38:16.840 --> 0:38:22.279
<v Speaker 1>like if someone I heard double down, so okay, so

0:38:22.320 --> 0:38:25.680
<v Speaker 1>that song, that song it gets pulled. I don't even

0:38:25.760 --> 0:38:29.920
<v Speaker 1>know where that maybe, yeah, but that was that was

0:38:29.960 --> 0:38:31.640
<v Speaker 1>the right Did the record label go down before the

0:38:31.640 --> 0:38:33.680
<v Speaker 1>song was pulled? Like? What was the timing? It was

0:38:33.800 --> 0:38:37.360
<v Speaker 1>like on the d L. Funky stuff was happening. I

0:38:37.400 --> 0:38:40.640
<v Speaker 1>think after the song got pulled, yeah, because it was

0:38:40.680 --> 0:38:44.960
<v Speaker 1>the very end of UM two thousand sixteen where I

0:38:45.000 --> 0:38:47.880
<v Speaker 1>think it all started to the cookie started to crumble.

0:38:47.960 --> 0:38:52.600
<v Speaker 1>But we had no idea until uh, February of two

0:38:52.600 --> 0:38:56.040
<v Speaker 1>thousand seventeen. So how does that conversation go when they

0:38:56.040 --> 0:38:59.439
<v Speaker 1>pull you in and they say, hey, Maddie Tay, let's

0:38:59.440 --> 0:39:00.920
<v Speaker 1>sit down for us. Do they call you in at

0:39:00.920 --> 0:39:03.800
<v Speaker 1>the same time. Thankfully, our our manager did some little

0:39:03.880 --> 0:39:07.560
<v Speaker 1>investigating and she was very close with the head of

0:39:07.600 --> 0:39:09.760
<v Speaker 1>the label over there, so they were always in contact

0:39:09.760 --> 0:39:12.040
<v Speaker 1>and he would be straight up with her. And so

0:39:12.520 --> 0:39:16.359
<v Speaker 1>I remember sitting down at Pinewood Social actually at the bar,

0:39:16.440 --> 0:39:19.040
<v Speaker 1>and we were just having breakfast during CRS and she

0:39:19.200 --> 0:39:22.919
<v Speaker 1>just kind of said, Hey, I think something is about

0:39:22.960 --> 0:39:26.239
<v Speaker 1>to happen. We don't know what, but just just know this.

0:39:26.320 --> 0:39:28.560
<v Speaker 1>Whatever happens, I promised, like, I'll take care of you.

0:39:28.840 --> 0:39:32.359
<v Speaker 1>So so then they say, okay, the labels folding, Yeah,

0:39:32.719 --> 0:39:35.880
<v Speaker 1>you don't have a record deal. What immediately happens in

0:39:35.920 --> 0:39:40.720
<v Speaker 1>you guys mind? I knew that it wasn't like over

0:39:40.800 --> 0:39:42.880
<v Speaker 1>because Tay and I were in it to win it

0:39:43.000 --> 0:39:46.960
<v Speaker 1>like there's this is not splitting no matter what BS

0:39:47.040 --> 0:39:49.959
<v Speaker 1>goes down, um, And so I was like, you know what,

0:39:50.160 --> 0:39:54.600
<v Speaker 1>Like I don't know, it was kind of fuzzy. Honestly,

0:39:54.600 --> 0:39:57.320
<v Speaker 1>I tried to like numb it because it it felt

0:39:57.520 --> 0:40:00.440
<v Speaker 1>really bad after going from like the top the world

0:40:00.440 --> 0:40:02.799
<v Speaker 1>and then it's like, so what are y'all doing? How

0:40:02.800 --> 0:40:05.440
<v Speaker 1>does it feel to not have a like label home?

0:40:05.440 --> 0:40:07.680
<v Speaker 1>It's like it feels terrible and you and you feel

0:40:07.719 --> 0:40:10.640
<v Speaker 1>like you have nothing to show forth, and um, it's

0:40:10.680 --> 0:40:13.200
<v Speaker 1>felt like that for the past year and a half. Honestly,

0:40:13.239 --> 0:40:16.000
<v Speaker 1>it's like, because this industry, you're always trying to prove yourself.

0:40:16.000 --> 0:40:19.120
<v Speaker 1>You're always trying to like not prove yourself, but like

0:40:19.760 --> 0:40:22.560
<v Speaker 1>you're always wanting to. Like it's always onto the next

0:40:22.600 --> 0:40:24.160
<v Speaker 1>thing and the next thing and the next thing. We

0:40:24.200 --> 0:40:29.400
<v Speaker 1>don't have the next thing yet, obviously we have coming. Yeah, yeah.

0:40:29.480 --> 0:40:33.600
<v Speaker 1>And then we were in that like weird holding period,

0:40:34.000 --> 0:40:37.279
<v Speaker 1>and that was where like, I don't know if you've

0:40:37.320 --> 0:40:40.400
<v Speaker 1>experienced this, but I had a really bad issue with

0:40:40.520 --> 0:40:43.880
<v Speaker 1>tying my self worth into what I did and not

0:40:44.040 --> 0:40:48.359
<v Speaker 1>who I was. Absolutely I think we all do. If

0:40:48.680 --> 0:40:53.080
<v Speaker 1>we really work hard at what if you give it everything,

0:40:53.800 --> 0:40:56.319
<v Speaker 1>if it's your priority, it's hard for it not to

0:40:56.480 --> 0:40:58.800
<v Speaker 1>be where you put your worth. I've struggle and I

0:40:58.840 --> 0:41:01.680
<v Speaker 1>still struggle with that every single day. It's a I

0:41:01.719 --> 0:41:04.120
<v Speaker 1>mean even now, like we have a song out and

0:41:04.160 --> 0:41:06.560
<v Speaker 1>things are a lot better, but I we still struggle.

0:41:06.680 --> 0:41:10.400
<v Speaker 1>Like it's I mean, it's a normal thing. But those

0:41:10.520 --> 0:41:14.520
<v Speaker 1>like maybe four months that felt like five years of

0:41:14.560 --> 0:41:17.600
<v Speaker 1>this like in between phase was where I just slowly

0:41:17.640 --> 0:41:21.879
<v Speaker 1>started unraveling that whole web of like, Okay, I am

0:41:21.920 --> 0:41:23.919
<v Speaker 1>not what I do, I am who I am. So

0:41:24.600 --> 0:41:26.960
<v Speaker 1>I'm going to make sure who I am is like,

0:41:26.960 --> 0:41:31.200
<v Speaker 1>like what do I want people to see? What do

0:41:31.280 --> 0:41:33.760
<v Speaker 1>I want to give out to the world in an

0:41:33.760 --> 0:41:36.839
<v Speaker 1>odd way? Aren't you a bit grateful for that experience?

0:41:38.400 --> 0:41:40.399
<v Speaker 1>You would never walk yourself into it because you would

0:41:40.400 --> 0:41:41.560
<v Speaker 1>never go, you know what, I really want to find

0:41:41.560 --> 0:41:43.080
<v Speaker 1>it who I am? So let's let things suck for us,

0:41:44.360 --> 0:41:46.160
<v Speaker 1>but mine have. I got find a million dollars by

0:41:46.160 --> 0:41:48.719
<v Speaker 1>the FCC like three years ago, and for me that

0:41:48.840 --> 0:41:51.239
<v Speaker 1>was I thought I was done and that was like

0:41:51.640 --> 0:41:53.920
<v Speaker 1>and I was like, you know what, I don't because

0:41:53.920 --> 0:41:55.680
<v Speaker 1>there's nothing else to find because you kind of suck.

0:41:56.239 --> 0:41:58.040
<v Speaker 1>I was find with myself it kind of sucks. I'm like,

0:41:58.120 --> 0:42:00.200
<v Speaker 1>oh man, let me try to find the reason I'm

0:42:00.239 --> 0:42:02.640
<v Speaker 1>still good. And so I'm trying to find like and

0:42:02.640 --> 0:42:05.600
<v Speaker 1>I'm glad because I was getting a little too obnoxious

0:42:05.640 --> 0:42:09.080
<v Speaker 1>about that time. It really reset me into hey, oh yes,

0:42:09.360 --> 0:42:11.200
<v Speaker 1>you got you got a little caught up. That's with

0:42:11.320 --> 0:42:13.040
<v Speaker 1>me talking to myself. You've got a little caught up

0:42:13.040 --> 0:42:15.520
<v Speaker 1>in all of that. Stop you just gotta find a

0:42:15.560 --> 0:42:17.239
<v Speaker 1>million dollars and if you get through this, you're gonna

0:42:17.280 --> 0:42:20.800
<v Speaker 1>appreciate it so much more and you're really gonna work

0:42:20.960 --> 0:42:24.080
<v Speaker 1>to help others that are going through similar struggles. So

0:42:24.160 --> 0:42:26.680
<v Speaker 1>that happened with me, and it sounds like probably happened

0:42:26.680 --> 0:42:28.280
<v Speaker 1>to you guys too, because when you hit that down,

0:42:28.880 --> 0:42:30.640
<v Speaker 1>you go oh, and you appreciate it so much more

0:42:30.680 --> 0:42:32.839
<v Speaker 1>as it kind of rehappening again. Oh yeah, you need

0:42:32.880 --> 0:42:35.480
<v Speaker 1>those moments to check yourself. I mean yeah, but they

0:42:35.520 --> 0:42:37.600
<v Speaker 1>still happen. I mean, I melted down on Tay what

0:42:37.800 --> 0:42:40.239
<v Speaker 1>three days ago. I just had to let it out,

0:42:40.320 --> 0:42:45.160
<v Speaker 1>Like sometimes it's just that cline game of just like

0:42:45.960 --> 0:42:47.520
<v Speaker 1>I mean, and I'm sure you felt this, Like if

0:42:47.520 --> 0:42:50.239
<v Speaker 1>a crowd doesn't receive you will or doesn't like cheer

0:42:50.280 --> 0:42:53.520
<v Speaker 1>you on, Like how do you not get affected by that?

0:42:53.600 --> 0:42:57.800
<v Speaker 1>But you're putting everything that you have into a crowd

0:42:57.880 --> 0:42:59.759
<v Speaker 1>and maybe they're just not feeling it, or maybe they

0:42:59.840 --> 0:43:01.640
<v Speaker 1>just don't show it and they're loving it and they

0:43:01.680 --> 0:43:03.800
<v Speaker 1>just don't show it. So how do you not feel

0:43:03.840 --> 0:43:06.799
<v Speaker 1>like the worst entertainer? You know what I mean? Like

0:43:06.840 --> 0:43:10.080
<v Speaker 1>just that whole mind game that comes with the job.

0:43:10.360 --> 0:43:11.839
<v Speaker 1>It's funny you bring that up and I just talked

0:43:11.840 --> 0:43:13.200
<v Speaker 1>about kid. But that's the thing that Kip and I've

0:43:13.200 --> 0:43:15.719
<v Speaker 1>talked about a few times, like off microphones, like it's that.

0:43:16.840 --> 0:43:20.720
<v Speaker 1>So I do stand up comedy and I I watched

0:43:20.719 --> 0:43:22.960
<v Speaker 1>the people, but I can't watch their faces anymore. I

0:43:23.000 --> 0:43:25.919
<v Speaker 1>have to watch their heads because I can't assign how

0:43:26.000 --> 0:43:28.480
<v Speaker 1>I react to something funny to what how they're reacting

0:43:28.520 --> 0:43:31.440
<v Speaker 1>to me because we all react differently, right, so someone

0:43:31.800 --> 0:43:33.400
<v Speaker 1>may be thinking it's really funny, and they may not

0:43:33.440 --> 0:43:36.480
<v Speaker 1>be a laugh out loud and they're just saying and

0:43:36.520 --> 0:43:38.200
<v Speaker 1>the same thing that people was like, man, I would

0:43:38.200 --> 0:43:41.320
<v Speaker 1>get so mad when people would not look up or

0:43:41.360 --> 0:43:44.360
<v Speaker 1>they'd be on their phones, and it was, Hey, that

0:43:44.520 --> 0:43:47.680
<v Speaker 1>just might be how they're receptive to your But it's

0:43:47.719 --> 0:43:49.839
<v Speaker 1>a heart change. Trying not to take it personal is

0:43:50.080 --> 0:43:53.479
<v Speaker 1>a battle. But yeah, for sure, I feel like going

0:43:53.480 --> 0:43:56.680
<v Speaker 1>back to what you said is being thankful about going

0:43:56.719 --> 0:44:00.319
<v Speaker 1>through the trial is the people that we are now,

0:44:00.520 --> 0:44:03.239
<v Speaker 1>which every day we're figuring out who we are and

0:44:03.280 --> 0:44:06.000
<v Speaker 1>what our purposes and all of that and becoming the

0:44:06.040 --> 0:44:09.759
<v Speaker 1>best version of ourselves. But two years ago, a year ago,

0:44:09.880 --> 0:44:12.799
<v Speaker 1>the people that we were dramatically different, and I love

0:44:13.000 --> 0:44:15.839
<v Speaker 1>we loved we were then, but we love ourselves even

0:44:15.840 --> 0:44:18.840
<v Speaker 1>more now and the record that we created would not

0:44:18.920 --> 0:44:21.400
<v Speaker 1>have been possible without the emotions that we felt doing

0:44:21.800 --> 0:44:25.160
<v Speaker 1>and really crappy to. Our friendship is a different level too,

0:44:25.360 --> 0:44:30.160
<v Speaker 1>like we're like sisters. Yeah, it's like beyond any of that.

0:44:30.239 --> 0:44:33.640
<v Speaker 1>Like there's just like when you go through the trenches

0:44:33.680 --> 0:44:37.200
<v Speaker 1>with someone and there's not a doubt, like we're we're

0:44:37.239 --> 0:44:40.000
<v Speaker 1>in our own marriage basically like we are, like there

0:44:40.080 --> 0:44:42.000
<v Speaker 1>is no backing out, like we are in it when it.

0:44:42.040 --> 0:44:44.600
<v Speaker 1>We're in this together. We support each other. If one

0:44:44.600 --> 0:44:46.719
<v Speaker 1>of us is having an off day, the other one

0:44:46.760 --> 0:44:48.960
<v Speaker 1>makes up for it. And that's why I'm like, oh,

0:44:49.040 --> 0:44:50.880
<v Speaker 1>being a solo artist, I don't know how you go

0:44:50.920 --> 0:44:57.440
<v Speaker 1>out there and freaking do that by yourself? Do you really?

0:44:57.560 --> 0:45:00.440
<v Speaker 1>I believe you. You really can't trust some one until

0:45:00.480 --> 0:45:03.239
<v Speaker 1>you have to trust someone and they come through. I

0:45:03.280 --> 0:45:05.080
<v Speaker 1>have the same thing with my coach. You should put

0:45:05.120 --> 0:45:06.319
<v Speaker 1>that in a book. Is that already in one of

0:45:06.320 --> 0:45:10.760
<v Speaker 1>your books? That's good. That's a really good, like classic quote,

0:45:10.920 --> 0:45:13.400
<v Speaker 1>because you really don't know until it has to happen,

0:45:13.400 --> 0:45:15.080
<v Speaker 1>and then once it happens, you have Then you guys

0:45:15.120 --> 0:45:17.200
<v Speaker 1>have experienced that my coast and I have experienced that.

0:45:17.239 --> 0:45:20.080
<v Speaker 1>Amy and I we've been together for four fourteen years

0:45:20.120 --> 0:45:21.879
<v Speaker 1>or so and so, but we've had you know, her

0:45:21.880 --> 0:45:25.840
<v Speaker 1>mom died, my mom died, her kids from the orphanage.

0:45:25.920 --> 0:45:27.239
<v Speaker 1>We've had to have it to the back so many

0:45:27.239 --> 0:45:31.040
<v Speaker 1>times in situations that weren't good. But then you realize

0:45:31.080 --> 0:45:32.680
<v Speaker 1>and you have that trust that hey, oh if they're

0:45:32.680 --> 0:45:35.920
<v Speaker 1>not good again, we may fight, we may have but

0:45:36.000 --> 0:45:38.520
<v Speaker 1>like we're in it, yes, and you really don't know

0:45:38.600 --> 0:45:40.279
<v Speaker 1>that until you have to know that. And sometimes it

0:45:40.320 --> 0:45:42.919
<v Speaker 1>doesn't work out. Sometimes you with someone you go, oh, well,

0:45:44.120 --> 0:45:45.880
<v Speaker 1>this is not gonna work. Like there's put pressure on it,

0:45:45.920 --> 0:45:48.560
<v Speaker 1>so it breaks. But if it's stronger through pressure, then

0:45:48.560 --> 0:45:51.680
<v Speaker 1>you realize you can actually go a little bit deeper. Yeah,

0:45:53.520 --> 0:45:57.719
<v Speaker 1>there's yeah. Everyone asked like, so, like did y'all think

0:45:57.719 --> 0:46:00.600
<v Speaker 1>about breaking up? We're like, we didn't. That was not

0:46:00.680 --> 0:46:03.560
<v Speaker 1>even one thing. Like we thought, maybe we won't get

0:46:03.560 --> 0:46:06.439
<v Speaker 1>to be artists again, but we'll still be songwriters or

0:46:06.480 --> 0:46:08.960
<v Speaker 1>you know, maybe we're gonna have to like go get

0:46:08.960 --> 0:46:10.839
<v Speaker 1>a job at Walmart to pay the bit, like I mean,

0:46:11.080 --> 0:46:14.120
<v Speaker 1>if it never get like that. But um, just because

0:46:14.200 --> 0:46:16.960
<v Speaker 1>we started the whole thing as songwriters and so if anything,

0:46:17.000 --> 0:46:19.759
<v Speaker 1>but we we want it so bad and we will

0:46:20.320 --> 0:46:25.040
<v Speaker 1>and we work so hard that like it, it's that's

0:46:25.040 --> 0:46:27.240
<v Speaker 1>our that's gonna be our thing. This is gonna happen.

0:46:27.320 --> 0:46:30.120
<v Speaker 1>It's just gonna be hard, which is fine. I do.

0:46:30.360 --> 0:46:33.600
<v Speaker 1>I do not mind the uphill climb this time because

0:46:34.480 --> 0:46:40.319
<v Speaker 1>it's like there's a gratefulness that will exude from us

0:46:40.640 --> 0:46:42.960
<v Speaker 1>that will hopefully inspire other people. Makes a heck of

0:46:43.000 --> 0:46:47.600
<v Speaker 1>a story. Yeah, we gotta damn good story. You guys

0:46:47.640 --> 0:46:49.319
<v Speaker 1>make enough money with the first song to be okay

0:46:49.360 --> 0:46:52.600
<v Speaker 1>for a bit. Yeah. Yeah. Mattie and I are very

0:46:52.760 --> 0:46:56.360
<v Speaker 1>very careful with our money. Yeah we don't. We have

0:46:56.440 --> 0:47:00.200
<v Speaker 1>both have paid off cars, um very conservative home, like

0:47:00.239 --> 0:47:03.440
<v Speaker 1>we just but I don't know. I don't watch that Gucci.

0:47:05.440 --> 0:47:08.000
<v Speaker 1>I'm like a principal person. I don't. I don't know.

0:47:08.080 --> 0:47:10.560
<v Speaker 1>I mean, I guess if you're like making millions of dollars,

0:47:10.600 --> 0:47:13.439
<v Speaker 1>like treat yourself, but my treat myself is like getting

0:47:13.480 --> 0:47:15.440
<v Speaker 1>a pedicure once a month or something, you know, But

0:47:16.160 --> 0:47:18.359
<v Speaker 1>I don't know. My parents always give me so much

0:47:18.360 --> 0:47:21.400
<v Speaker 1>grief because they're like, like we grew up like you know,

0:47:21.520 --> 0:47:24.680
<v Speaker 1>middle class like it wasn't like we were poor, but

0:47:25.080 --> 0:47:27.560
<v Speaker 1>I like I pretend like I'm poor, like I just

0:47:27.840 --> 0:47:30.880
<v Speaker 1>saved my money and make sure like if anything ever happened,

0:47:30.880 --> 0:47:33.680
<v Speaker 1>I had it in savings. I don't. I don't necessarily

0:47:33.680 --> 0:47:36.200
<v Speaker 1>like to live like the end of the world, because

0:47:36.239 --> 0:47:39.400
<v Speaker 1>I like to leave room for God to perform as miracles.

0:47:39.760 --> 0:47:42.640
<v Speaker 1>But it's like a middle ground, like I have enough

0:47:42.760 --> 0:47:46.319
<v Speaker 1>to live and I'm not I'm not dying. I'm not

0:47:47.320 --> 0:47:49.680
<v Speaker 1>crazy poor and I'm not crazy rich. I'm somewhere in

0:47:49.680 --> 0:47:51.960
<v Speaker 1>the middle, and it's good. It works for where's like

0:47:52.000 --> 0:47:55.560
<v Speaker 1>the you know that Jody Messina song the I'm above

0:47:55.680 --> 0:47:58.560
<v Speaker 1>below and the low I'm stuck in the middle where

0:47:58.560 --> 0:48:00.960
<v Speaker 1>our money is type. But I guess doing all right.

0:48:01.120 --> 0:48:04.400
<v Speaker 1>I love that song. That line is so cool, so

0:48:04.520 --> 0:48:06.279
<v Speaker 1>maybe that's where we were stuck in the middle where

0:48:06.400 --> 0:48:09.520
<v Speaker 1>when he gets no, I'm just kidding. Any other cuts

0:48:09.560 --> 0:48:11.880
<v Speaker 1>from have you given your song to other people? Have

0:48:11.920 --> 0:48:16.040
<v Speaker 1>you any other cuts? She cut a song called Boomerang

0:48:16.080 --> 0:48:18.560
<v Speaker 1>that we wrote um and we got to see her

0:48:18.600 --> 0:48:22.000
<v Speaker 1>perform at one time, and that was pretty awesome. Awesome,

0:48:22.120 --> 0:48:24.200
<v Speaker 1>Like it's a whole different kind of cool. It's a

0:48:24.280 --> 0:48:27.160
<v Speaker 1>cool because you do what you do. But when someone

0:48:27.200 --> 0:48:30.799
<v Speaker 1>else takes your song, yeah, regardless, like if someone else

0:48:30.840 --> 0:48:33.560
<v Speaker 1>thinks it's good enough, maybe someone who gave it to her, Yeah,

0:48:33.640 --> 0:48:35.399
<v Speaker 1>But if someone thinks it's good enough and they cut

0:48:35.440 --> 0:48:37.000
<v Speaker 1>and they spend the money and then they sing it

0:48:37.040 --> 0:48:39.880
<v Speaker 1>like you created that, and it's like you, it's like

0:48:39.960 --> 0:48:43.279
<v Speaker 1>a nephew. Yeah. Kid, it's like a nephew yes, where

0:48:43.280 --> 0:48:45.400
<v Speaker 1>you get to like like oh my gosh, and you

0:48:45.440 --> 0:48:49.600
<v Speaker 1>just get to like pass it on. It really is.

0:48:49.640 --> 0:48:53.520
<v Speaker 1>It's even more validation of being a good songwriter because

0:48:53.640 --> 0:48:56.440
<v Speaker 1>if someone else wants it, yeah, because obviously we can

0:48:56.440 --> 0:48:58.480
<v Speaker 1>get on stage and sing the songs that we wrote.

0:48:58.480 --> 0:49:00.600
<v Speaker 1>But if someone else wants to get one agent singing

0:49:00.600 --> 0:49:03.640
<v Speaker 1>the song that we wrote, it's pretty cool. So let's

0:49:03.719 --> 0:49:07.000
<v Speaker 1>let's go to now. So you do you shop record labels?

0:49:07.040 --> 0:49:10.000
<v Speaker 1>Do you do you? You talked to a few of them? Okay,

0:49:10.040 --> 0:49:13.919
<v Speaker 1>how does that one? Did you beg for? What happens now?

0:49:14.360 --> 0:49:18.400
<v Speaker 1>So it's really confusing even for people in the industry.

0:49:18.400 --> 0:49:20.520
<v Speaker 1>Breaking down for me as simple as possible, I'm kind

0:49:20.520 --> 0:49:23.600
<v Speaker 1>of idiot. No, you're not an idiot at all, but okay,

0:49:24.080 --> 0:49:27.160
<v Speaker 1>for me, it's hard to explain. So basically DOT was

0:49:27.200 --> 0:49:30.640
<v Speaker 1>a co venture between Universal New York and Big Machine

0:49:31.239 --> 0:49:34.120
<v Speaker 1>so UM which I mean they both owned it. They

0:49:34.160 --> 0:49:38.719
<v Speaker 1>both owned it, so she helped fund. Yes, but in

0:49:38.840 --> 0:49:42.439
<v Speaker 1>New York, so like Ariana Grande Drake, like all them.

0:49:44.719 --> 0:49:49.200
<v Speaker 1>So when Dot folded, since UMG funded it, they had

0:49:49.360 --> 0:49:53.480
<v Speaker 1>first right of refusal. So basically they said, okay, u

0:49:53.600 --> 0:49:57.000
<v Speaker 1>MG New York, are there any artists on this roster

0:49:57.200 --> 0:50:01.160
<v Speaker 1>that you want? Um and if you don't want them,

0:50:01.160 --> 0:50:03.640
<v Speaker 1>then we'll put them on other Big Machine or like,

0:50:03.680 --> 0:50:06.040
<v Speaker 1>if you just don't feel like it's a fit, we'll

0:50:06.080 --> 0:50:08.799
<v Speaker 1>move them to other Big Machine imprints. But but you

0:50:08.800 --> 0:50:12.080
<v Speaker 1>get the first option. So they we were the only

0:50:12.120 --> 0:50:16.080
<v Speaker 1>ones that moved. So at the time we were thinking like,

0:50:16.200 --> 0:50:18.560
<v Speaker 1>oh my gosh, this is like why didn't Why are

0:50:18.560 --> 0:50:22.400
<v Speaker 1>we the only ones? But like hindsight, it's like, wait,

0:50:22.600 --> 0:50:26.239
<v Speaker 1>freaking um G. New York is huge and we have

0:50:26.480 --> 0:50:29.720
<v Speaker 1>like really good buddies over there. Monty and Avery are awesome.

0:50:29.760 --> 0:50:33.480
<v Speaker 1>But so basically Universal New York was like, look, we're

0:50:33.480 --> 0:50:35.759
<v Speaker 1>in New York. We can't work these girls from here.

0:50:36.160 --> 0:50:39.600
<v Speaker 1>I mean I'm sure they could, but um yeah, and

0:50:39.640 --> 0:50:42.279
<v Speaker 1>so U m G. Nashville was like, well, hey, let's

0:50:42.280 --> 0:50:45.560
<v Speaker 1>figure something out so we can both kind of work together.

0:50:45.680 --> 0:50:49.480
<v Speaker 1>So um, so we knew we were UMG for a while,

0:50:49.560 --> 0:50:51.480
<v Speaker 1>but it was deciding which imprints. So was it going

0:50:51.520 --> 0:50:53.520
<v Speaker 1>to be m c A, Was it going to be Mercury?

0:50:53.600 --> 0:50:56.359
<v Speaker 1>Was it going to be um which there are different

0:50:56.400 --> 0:51:00.440
<v Speaker 1>little just like yeah, I guess like different companies. Surely

0:51:00.480 --> 0:51:03.680
<v Speaker 1>you would have the Cubs and the Braves. Yes, like

0:51:03.719 --> 0:51:06.120
<v Speaker 1>Sam Haunt is under U m G m c A

0:51:06.719 --> 0:51:09.480
<v Speaker 1>and we are UMG Mercury. So they had rights to you.

0:51:09.640 --> 0:51:12.080
<v Speaker 1>So they thank you. That's good. Yeah, okay, so we

0:51:12.400 --> 0:51:15.680
<v Speaker 1>felt wanted it was nice. Yeah, So you go and

0:51:15.760 --> 0:51:17.479
<v Speaker 1>you go. So what does it start? Do you start

0:51:17.760 --> 0:51:20.080
<v Speaker 1>making music? You start writing songs and they say go right,

0:51:20.120 --> 0:51:22.040
<v Speaker 1>and then bring back what you have, like what what's

0:51:22.080 --> 0:51:25.480
<v Speaker 1>the first conversation? First things first was deciding because we

0:51:25.520 --> 0:51:28.640
<v Speaker 1>had started to cut a record end of two thousand sixteen,

0:51:28.719 --> 0:51:31.280
<v Speaker 1>December of two thousand sixteen with Big Machines Big Machine.

0:51:31.719 --> 0:51:34.080
<v Speaker 1>So first things first was deciding do we want to

0:51:34.160 --> 0:51:35.719
<v Speaker 1>keep that music or do we want to scrap it

0:51:35.760 --> 0:51:38.319
<v Speaker 1>and completely go different direction for the second record. If

0:51:38.360 --> 0:51:40.400
<v Speaker 1>you kept it, did you have to pay for it?

0:51:40.480 --> 0:51:43.480
<v Speaker 1>Or give them points on it, or wasn't all yours

0:51:44.160 --> 0:51:48.799
<v Speaker 1>it was ours because we're Big Machine Publishing, so they

0:51:48.800 --> 0:51:51.959
<v Speaker 1>didn't want to piss us off because they're still making

0:51:51.960 --> 0:51:54.360
<v Speaker 1>money off of our songs to Big Machine Publishing. Because

0:51:54.360 --> 0:51:57.840
<v Speaker 1>we're really tight with everyone there, so we could, but

0:51:58.120 --> 0:52:00.440
<v Speaker 1>at that moment, deciding whether we wanted to use them

0:52:00.520 --> 0:52:03.080
<v Speaker 1>was more or less is this still where we're at

0:52:03.080 --> 0:52:04.680
<v Speaker 1>in our lives or is this what we're still going

0:52:04.680 --> 0:52:07.279
<v Speaker 1>to write about or are we past that now? Are we?

0:52:07.520 --> 0:52:10.759
<v Speaker 1>Is it time to be mature women? And so we

0:52:10.840 --> 0:52:13.239
<v Speaker 1>just came to the decision with Stephanie right at u MG.

0:52:13.520 --> 0:52:15.600
<v Speaker 1>She's the A n R over there, and she kind

0:52:15.640 --> 0:52:17.480
<v Speaker 1>of so A and R is a position where they

0:52:17.520 --> 0:52:20.800
<v Speaker 1>help you decide what songs you want on a record

0:52:21.200 --> 0:52:24.360
<v Speaker 1>and what producer would be great to cut those songs

0:52:24.360 --> 0:52:25.799
<v Speaker 1>for you and all that kind of stuff. So we

0:52:25.840 --> 0:52:29.600
<v Speaker 1>sat down with her and that was just kind of

0:52:29.680 --> 0:52:32.680
<v Speaker 1>how everything got rolling. She said, all right, you guys,

0:52:32.920 --> 0:52:35.440
<v Speaker 1>dig in and write whatever you want to write and

0:52:36.000 --> 0:52:38.560
<v Speaker 1>will reconvene when whenever you feel like it's time to.

0:52:38.680 --> 0:52:41.000
<v Speaker 1>And we're like, really, we can go make a record

0:52:41.040 --> 0:52:42.640
<v Speaker 1>that we want to make, And she said yeah, so

0:52:42.760 --> 0:52:45.359
<v Speaker 1>we did. There wasn't rush to write songs to get

0:52:45.360 --> 0:52:47.080
<v Speaker 1>good songs because you wanted to get back on the

0:52:47.160 --> 0:52:49.359
<v Speaker 1>kind of back on the scene or no, because we

0:52:49.400 --> 0:52:52.160
<v Speaker 1>had already had like the album that we have now.

0:52:52.200 --> 0:52:54.759
<v Speaker 1>We probably wrote half of those songs when we were

0:52:54.800 --> 0:52:58.440
<v Speaker 1>still at DOT. Like there was still there's some you

0:52:58.520 --> 0:53:01.920
<v Speaker 1>know songs that we wrote years ago, maybe just a

0:53:02.000 --> 0:53:05.080
<v Speaker 1>year ago. Um, but most of the record was written

0:53:05.080 --> 0:53:07.319
<v Speaker 1>through that really really rough time of like that in

0:53:07.360 --> 0:53:10.120
<v Speaker 1>between things. But um, we I mean we sat down

0:53:10.120 --> 0:53:12.640
<v Speaker 1>with maybe like thirty six songs and had to like

0:53:13.440 --> 0:53:15.480
<v Speaker 1>like we love this song, but had to cross it off,

0:53:15.480 --> 0:53:18.680
<v Speaker 1>and like it just turned into this like concept record

0:53:19.480 --> 0:53:22.239
<v Speaker 1>where it kind of starts with the friends don't like

0:53:23.040 --> 0:53:24.400
<v Speaker 1>you know who's going to make the move, and then

0:53:24.400 --> 0:53:27.080
<v Speaker 1>it goes into this in love phase and then it

0:53:27.120 --> 0:53:30.200
<v Speaker 1>goes into the heartbreak phase, and then the end of

0:53:30.200 --> 0:53:34.200
<v Speaker 1>the record is this like really like powerful redemptive thing

0:53:34.239 --> 0:53:36.520
<v Speaker 1>where there's like four songs back to back all about

0:53:36.600 --> 0:53:40.480
<v Speaker 1>like just feeling yourself again and getting your power back

0:53:40.520 --> 0:53:42.680
<v Speaker 1>and getting back on your feet. And so when we

0:53:42.880 --> 0:53:44.440
<v Speaker 1>sat there and talked about it, we were like, well,

0:53:44.440 --> 0:53:47.200
<v Speaker 1>that's kind of what we've been through the past couple

0:53:47.200 --> 0:53:50.080
<v Speaker 1>of years. So even though it is through the eyes

0:53:50.120 --> 0:53:54.279
<v Speaker 1>of our relationship, it's we're telling our truth on this

0:53:54.360 --> 0:53:57.439
<v Speaker 1>record more than ever. Play some of this song here's

0:53:57.440 --> 0:54:15.200
<v Speaker 1>the friends don't just saying so is just the first

0:54:15.320 --> 0:54:18.480
<v Speaker 1>track on the new record? So is that part of

0:54:18.480 --> 0:54:21.279
<v Speaker 1>the strategy and putting it up first? Yeah? Yeah, like

0:54:21.360 --> 0:54:23.080
<v Speaker 1>it's the beginning of the record, at the beginning of

0:54:23.120 --> 0:54:31.000
<v Speaker 1>the story. It would be really cool to release singles.

0:54:31.440 --> 0:54:33.160
<v Speaker 1>But if we released our singles kind of in the

0:54:33.200 --> 0:54:36.480
<v Speaker 1>same sequence as a story, that would be awesome. Um,

0:54:36.520 --> 0:54:37.920
<v Speaker 1>I don't know if that's going to be the case,

0:54:38.040 --> 0:54:45.280
<v Speaker 1>but yeah, obviously yeah. Our label head Damon is leaning

0:54:45.280 --> 0:54:48.080
<v Speaker 1>towards that too, because he he loves the story and

0:54:48.160 --> 0:54:51.960
<v Speaker 1>loves the like art that is behind the record. It's

0:54:51.960 --> 0:54:53.440
<v Speaker 1>not just like, hey, let's pick some songs and put

0:54:53.480 --> 0:54:55.480
<v Speaker 1>it on an album. It was like, wait, no, this

0:54:55.560 --> 0:54:58.359
<v Speaker 1>is a whole story from top to bottom. So when

0:54:58.480 --> 0:55:01.520
<v Speaker 1>is this hype at record coming out? I know it

0:55:01.560 --> 0:55:04.799
<v Speaker 1>is a hypothetical record, right the first are you timing it?

0:55:05.040 --> 0:55:07.759
<v Speaker 1>Kind of what the song is? That? What the thing is? Now? Like, well, yeah,

0:55:07.840 --> 0:55:10.960
<v Speaker 1>we would love to obviously create traction with Friends don't

0:55:11.000 --> 0:55:13.399
<v Speaker 1>and make sure that it's you know, impacting the way

0:55:13.400 --> 0:55:15.400
<v Speaker 1>we would like for it to. Then to release the record,

0:55:15.440 --> 0:55:18.000
<v Speaker 1>so people are I want to listen to it, Yeah,

0:55:18.080 --> 0:55:21.719
<v Speaker 1>theoretically end of this year, early next year, just depending

0:55:21.760 --> 0:55:26.200
<v Speaker 1>on that's not terribly far to us. It feels like

0:55:26.520 --> 0:55:30.200
<v Speaker 1>it because we got this record in January. Yeah, so

0:55:30.200 --> 0:55:32.799
<v Speaker 1>so it'll be a year when it comes out like

0:55:33.000 --> 0:55:35.680
<v Speaker 1>it is going to be the most rewarding. And if it,

0:55:35.960 --> 0:55:38.480
<v Speaker 1>I mean, I believe that this is going to be

0:55:38.800 --> 0:55:41.239
<v Speaker 1>a game changing record for us. But even if it's not,

0:55:41.840 --> 0:55:44.200
<v Speaker 1>just the accomplishment of putting out another record after all

0:55:44.239 --> 0:55:47.200
<v Speaker 1>we've been through, be happy just that and everything else

0:55:47.239 --> 0:55:51.719
<v Speaker 1>as icing on the cake. Mm hmm. Interesting. I believe you.

0:55:52.960 --> 0:55:55.560
<v Speaker 1>I mean, I want all of the great things. I

0:55:55.600 --> 0:56:00.160
<v Speaker 1>want people to connect. My dream is that people all

0:56:00.160 --> 0:56:04.480
<v Speaker 1>can hear their own stories, like we get really nitty gritty.

0:56:04.520 --> 0:56:06.360
<v Speaker 1>Maybe we can play you a couple of songs the correcord.

0:56:06.400 --> 0:56:09.719
<v Speaker 1>I won't listen to songs. I don't listen to songs never, no, no, no, really,

0:56:09.760 --> 0:56:12.080
<v Speaker 1>I don't listen to anybody's new songs ever before because

0:56:12.200 --> 0:56:14.680
<v Speaker 1>you want to know, this is what happens if I

0:56:14.719 --> 0:56:18.520
<v Speaker 1>open that door up for one person everybody. Yeah, I

0:56:18.600 --> 0:56:20.839
<v Speaker 1>forget that that's part of your job and it's not

0:56:20.920 --> 0:56:25.720
<v Speaker 1>fun friends that are artists, and so even someone like Dirks,

0:56:26.040 --> 0:56:28.719
<v Speaker 1>I'm like, dude, I can't don't because I don't do

0:56:28.760 --> 0:56:30.760
<v Speaker 1>it for anybody, and and Dark is like my dude,

0:56:30.920 --> 0:56:34.680
<v Speaker 1>yeahs sense. So yeah, I don't do it for anyone ever.

0:56:35.239 --> 0:56:40.000
<v Speaker 1>And it's weird because you know I like music. Yeah,

0:56:40.400 --> 0:56:42.280
<v Speaker 1>you just don't want to. You don't want to be unfair,

0:56:42.360 --> 0:56:44.000
<v Speaker 1>like we were talking about earlier. You want to give

0:56:44.040 --> 0:56:47.200
<v Speaker 1>everyone of Yeah, I just want to bother it all

0:56:47.200 --> 0:56:49.480
<v Speaker 1>the time. Because it was like, hey, listen to the

0:56:49.480 --> 0:56:50.839
<v Speaker 1>song that I gotta get after the fake head thing

0:56:50.840 --> 0:56:53.319
<v Speaker 1>where I'm like, when you live in Nashville, hey, I

0:56:53.360 --> 0:56:56.640
<v Speaker 1>appreciate that. Though you wanna give an honest response when

0:56:56.719 --> 0:56:58.839
<v Speaker 1>someone let you listen to the song. You don't want

0:56:58.840 --> 0:56:59.920
<v Speaker 1>to just say oh I like it, I like it,

0:57:00.000 --> 0:57:01.960
<v Speaker 1>I like it, I like it. I feel like you

0:57:02.080 --> 0:57:03.920
<v Speaker 1>know what happens. Sometimes I get a text methods from

0:57:03.920 --> 0:57:06.120
<v Speaker 1>someone and go, hey, buddy, it's I don't know the number,

0:57:06.680 --> 0:57:09.000
<v Speaker 1>and I'm like, buddy, like, yeah, I want you to

0:57:09.040 --> 0:57:10.759
<v Speaker 1>have a new single. Check it out. And I'm not

0:57:10.840 --> 0:57:13.520
<v Speaker 1>even know who this is, and then you have to

0:57:13.520 --> 0:57:15.000
<v Speaker 1>go back and scroll and trying to figure out who

0:57:15.000 --> 0:57:17.120
<v Speaker 1>it is through context clues. I think if I were you,

0:57:17.760 --> 0:57:19.800
<v Speaker 1>If I were you, I would feel like because most

0:57:19.840 --> 0:57:21.760
<v Speaker 1>of the time when people do that, it's probably because

0:57:21.760 --> 0:57:24.840
<v Speaker 1>they're working in angle always all the time. I don't

0:57:24.840 --> 0:57:27.520
<v Speaker 1>trust anyone ever in this business, and I wouldn't either.

0:57:27.640 --> 0:57:31.160
<v Speaker 1>Nobody everybody wants me for something. So when people just

0:57:31.320 --> 0:57:35.120
<v Speaker 1>genuinely like want you to just hear a song, you

0:57:35.160 --> 0:57:37.920
<v Speaker 1>can't tell if it's genuine or if it's Hey, we

0:57:37.960 --> 0:57:39.360
<v Speaker 1>want to work in angle and see, you know what

0:57:39.440 --> 0:57:41.000
<v Speaker 1>I mean. Like, So the only way I can be

0:57:41.000 --> 0:57:43.160
<v Speaker 1>genuine is just say it, not doing it. I can't

0:57:43.200 --> 0:57:44.720
<v Speaker 1>do it. Like. The most genuine thing I can do

0:57:44.840 --> 0:57:47.600
<v Speaker 1>is be consistent with everyone. So I say no. So

0:57:47.720 --> 0:57:50.200
<v Speaker 1>my point is now, I M gonna listen to your songs.

0:57:50.440 --> 0:57:52.919
<v Speaker 1>You know what, It's fine, that's okay. Hey, I believe

0:57:52.960 --> 0:57:54.400
<v Speaker 1>they're good. That you guys are really good. Like you

0:57:54.440 --> 0:57:56.920
<v Speaker 1>guys are really good. Thank you. Often you know there

0:57:56.920 --> 0:57:59.840
<v Speaker 1>are everybody's really good at in this town. You have

0:57:59.880 --> 0:58:03.600
<v Speaker 1>to be exceptional to be especially as a chick. If

0:58:03.600 --> 0:58:07.080
<v Speaker 1>you're not exceptional, as a girl. Yeah, you're not gonna work.

0:58:07.720 --> 0:58:12.840
<v Speaker 1>You have to be exceptional with some sort of special specificiplicity.

0:58:14.400 --> 0:58:16.720
<v Speaker 1>You can't just be great. You have to be great

0:58:16.760 --> 0:58:19.520
<v Speaker 1>and also have some crazy angle about you as a female.

0:58:19.520 --> 0:58:21.760
<v Speaker 1>We're just totally unfair because you got a bunch of

0:58:21.840 --> 0:58:24.080
<v Speaker 1>d bad guys that are that they're the same, they

0:58:24.080 --> 0:58:30.480
<v Speaker 1>are good. But I'm glad. I'm just kidding. I'm just

0:58:30.600 --> 0:58:34.520
<v Speaker 1>I'm so over it. So I feel you. I The

0:58:34.520 --> 0:58:37.560
<v Speaker 1>thing is, we have so many friends that we root

0:58:37.640 --> 0:58:40.920
<v Speaker 1>for in love, and then there's there's just I don't know.

0:58:40.960 --> 0:58:43.480
<v Speaker 1>I mean, everyone has their own opinion, and like what

0:58:43.600 --> 0:58:46.520
<v Speaker 1>is what do they say? Like opinions are like armpits.

0:58:46.520 --> 0:58:53.160
<v Speaker 1>Everyone has two of them and no one wants Yeah,

0:58:53.200 --> 0:58:55.920
<v Speaker 1>oh there, that's what it is. That's right. Okay, So

0:58:56.000 --> 0:58:58.240
<v Speaker 1>maybe the end of the year of the record comes out. Yeah,

0:58:58.320 --> 0:59:00.680
<v Speaker 1>that's hoping. Yes, I'm excited did for it to come out,

0:59:00.680 --> 0:59:03.200
<v Speaker 1>because this whole thing is going to make sense when

0:59:03.200 --> 0:59:06.280
<v Speaker 1>everyone hears the music and here's the story, It's like, oh,

0:59:06.560 --> 0:59:08.800
<v Speaker 1>that's what they were talking about a year ago, six

0:59:08.840 --> 0:59:11.440
<v Speaker 1>months ago at like and then we've got music video

0:59:11.560 --> 0:59:14.560
<v Speaker 1>coming out and then maybe a tour that we can't

0:59:14.560 --> 0:59:18.800
<v Speaker 1>really talk about but I know about it. No, I'm

0:59:18.840 --> 0:59:20.640
<v Speaker 1>not going to. But oddly we have a lot of

0:59:20.640 --> 0:59:24.360
<v Speaker 1>the same people. Yeah, oh yeah, we have the same management. Yeah,

0:59:24.480 --> 0:59:28.800
<v Speaker 1>we have the same family. Because someone from your team

0:59:28.800 --> 0:59:32.000
<v Speaker 1>that is also on our team come to my house

0:59:32.200 --> 0:59:35.560
<v Speaker 1>and I was you're talking about um here a minute ago,

0:59:35.680 --> 0:59:37.360
<v Speaker 1>and I'm like, oh, why are you here? Oh no, no,

0:59:37.920 --> 0:59:40.760
<v Speaker 1>ks um what are you talking about? Just someone like

0:59:40.920 --> 0:59:48.000
<v Speaker 1>really pulled some weight in for what? For this? Why?

0:59:48.000 --> 0:59:49.520
<v Speaker 1>Why did you whisper off mine? You can say whatever

0:59:49.560 --> 0:59:51.760
<v Speaker 1>you want, I know, but I don't underst what you're

0:59:51.760 --> 0:59:53.880
<v Speaker 1>saying because I don't say who is what happened, who

0:59:53.920 --> 0:59:56.520
<v Speaker 1>pulled what weight? For what? Well, he's just awesome, Like

0:59:56.640 --> 1:00:00.120
<v Speaker 1>he just can say something to me. No, no no know,

1:00:00.800 --> 1:00:03.520
<v Speaker 1>I'm just saying like we have really good we share.

1:00:03.880 --> 1:00:08.680
<v Speaker 1>We share great people that work their monkeys. That my manager.

1:00:10.360 --> 1:00:13.800
<v Speaker 1>Who's your day to day that's right, Mary? I love her. Yeah,

1:00:13.840 --> 1:00:18.160
<v Speaker 1>she's great and so oh yeah, he's why I'm on idol. Yeah,

1:00:18.640 --> 1:00:21.120
<v Speaker 1>because he has Luke and he and he has Lionel

1:00:21.800 --> 1:00:24.360
<v Speaker 1>and so all the stuff, all the stuff works. It's

1:00:24.400 --> 1:00:27.640
<v Speaker 1>just my whole career is just finding really good people.

1:00:27.760 --> 1:00:30.240
<v Speaker 1>I'm not good at anything, but I'm great at finding

1:00:30.240 --> 1:00:33.560
<v Speaker 1>people that are great at things. Yes, I would. I

1:00:33.560 --> 1:00:35.919
<v Speaker 1>feel the same way. I know you guys are great,

1:00:36.200 --> 1:00:39.720
<v Speaker 1>great artists, Thank you. But your team, your team has Yeah,

1:00:39.840 --> 1:00:43.040
<v Speaker 1>you can't go far without people that know what they're doing.

1:00:43.800 --> 1:00:46.480
<v Speaker 1>And that's why we, like you said, you hire people

1:00:46.520 --> 1:00:49.960
<v Speaker 1>that you trust and that you feel like, I can

1:00:50.040 --> 1:00:52.880
<v Speaker 1>accomplish those goals that you have for yourself. And I

1:00:52.880 --> 1:00:56.120
<v Speaker 1>mean we don't know like half of the industry stuff,

1:00:56.160 --> 1:00:58.360
<v Speaker 1>like all the you really got to land on your

1:00:58.360 --> 1:01:00.680
<v Speaker 1>team for that stuff. Yeah, because they know they've been

1:01:00.720 --> 1:01:03.080
<v Speaker 1>at it longer than us. Obviously, you know when you're

1:01:03.120 --> 1:01:08.000
<v Speaker 1>getting married. So fun fact, I don't even know if

1:01:08.000 --> 1:01:10.680
<v Speaker 1>I'm supposed to be saying this, but so we actually

1:01:10.680 --> 1:01:14.800
<v Speaker 1>set a date for next year, next fall. But this

1:01:15.120 --> 1:01:20.480
<v Speaker 1>tour that is happening that will be announced soon, um,

1:01:20.520 --> 1:01:24.760
<v Speaker 1>so that may conflict with the wedding date. So I

1:01:24.840 --> 1:01:26.880
<v Speaker 1>pulled Jonah side and I'm like, look, babe, I love

1:01:26.920 --> 1:01:30.040
<v Speaker 1>you very much, but we may have to move this

1:01:30.040 --> 1:01:35.560
<v Speaker 1>wedding date back. And he was like, yeah, no worries.

1:01:35.640 --> 1:01:38.120
<v Speaker 1>And I was like, this is totally the person I'm

1:01:38.160 --> 1:01:40.040
<v Speaker 1>so like. I never had a doubt that this is

1:01:40.040 --> 1:01:41.919
<v Speaker 1>who I'm so smarried. But when he was like, yeah,

1:01:42.000 --> 1:01:43.680
<v Speaker 1>no worries, that's fine if we have to move in

1:01:43.720 --> 1:01:46.760
<v Speaker 1>a couple of months, I was like, thank you Jesus,

1:01:46.800 --> 1:01:50.040
<v Speaker 1>I got a good man. He is going to be

1:01:50.040 --> 1:01:54.240
<v Speaker 1>twenty four and October, so yeah, he's he's a gym

1:01:54.600 --> 1:01:58.000
<v Speaker 1>and hell is Josh. I know Josh because his dad.

1:01:58.200 --> 1:02:03.040
<v Speaker 1>I was on his dad's record. Words the sweetest. He's

1:02:03.040 --> 1:02:05.560
<v Speaker 1>a good dude. Both of his parents are just so sweet.

1:02:05.720 --> 1:02:08.560
<v Speaker 1>But then aside from that, UM, I hope I'm okay

1:02:08.560 --> 1:02:11.080
<v Speaker 1>to say that your boyfriend is a great songwriter. Thank you,

1:02:11.480 --> 1:02:13.360
<v Speaker 1>thank you, And so it was weird for me to

1:02:13.360 --> 1:02:15.440
<v Speaker 1>see him as a guitar player and then as the

1:02:16.080 --> 1:02:19.080
<v Speaker 1>son of the record. But he's a great songwriter, thank you.

1:02:19.120 --> 1:02:21.840
<v Speaker 1>He actually, yes, he is a great songwriter. I'm very

1:02:21.840 --> 1:02:23.240
<v Speaker 1>proud of him. He wrote two of the songs on

1:02:23.240 --> 1:02:25.840
<v Speaker 1>our record with us, so that's how the love began,

1:02:26.840 --> 1:02:30.640
<v Speaker 1>and urban stuff like yeah, and it's hard for me

1:02:30.720 --> 1:02:33.120
<v Speaker 1>to see your boyfriend as that because I saw him

1:02:33.160 --> 1:02:34.760
<v Speaker 1>as just a guitar player and as the son of

1:02:35.400 --> 1:02:39.120
<v Speaker 1>his story is crazy because when his dad decided to

1:02:39.840 --> 1:02:43.800
<v Speaker 1>run Black River, Um, he was in college playing trumpet

1:02:43.840 --> 1:02:50.280
<v Speaker 1>and lacrosse and trumpet. Yeah, that's my many trumpet I did.

1:02:50.360 --> 1:02:52.520
<v Speaker 1>I did. I played trumpet. So he was playing lacrosse

1:02:52.520 --> 1:02:55.320
<v Speaker 1>in college and then had been songwriting like all of

1:02:55.400 --> 1:02:58.200
<v Speaker 1>high school. And then yeah, I just decided to teach

1:02:58.240 --> 1:03:00.760
<v Speaker 1>himself how to play guitar and then started playing guitar

1:03:00.880 --> 1:03:02.560
<v Speaker 1>on the road and that turned to songwriting, and then

1:03:02.560 --> 1:03:06.600
<v Speaker 1>songwriting turned to producing. Yeah. It's crazy because when you

1:03:06.600 --> 1:03:08.360
<v Speaker 1>know someone from like a kid up, you're like, Okay,

1:03:08.400 --> 1:03:11.200
<v Speaker 1>you have double a proof because I but he's really

1:03:11.200 --> 1:03:13.320
<v Speaker 1>he's really good and you're like the label head's kid.

1:03:13.520 --> 1:03:16.400
<v Speaker 1>But he's freaking amaze. He's one of my favorite people

1:03:16.440 --> 1:03:18.160
<v Speaker 1>to write with. And he was coming of her for

1:03:18.160 --> 1:03:19.640
<v Speaker 1>this and we had to cancel for some reason. Didn't

1:03:19.680 --> 1:03:21.800
<v Speaker 1>we get sick or something. I got sick the one

1:03:21.840 --> 1:03:23.800
<v Speaker 1>time in like ten years I got sick. Josh was

1:03:23.800 --> 1:03:25.960
<v Speaker 1>coming up. I never get sick either, Yeah, I mean,

1:03:26.120 --> 1:03:28.080
<v Speaker 1>and if I do, I just fight through it because

1:03:28.120 --> 1:03:29.640
<v Speaker 1>eventually I'll not be sick and I'll be happy I

1:03:29.680 --> 1:03:32.560
<v Speaker 1>fought through it. That's how I see it. Yeah, eventually

1:03:32.600 --> 1:03:34.440
<v Speaker 1>I'm going to feel better again, because you when you're sick.

1:03:34.680 --> 1:03:38.600
<v Speaker 1>This is it. But then on the other side of it,

1:03:38.640 --> 1:03:40.320
<v Speaker 1>you go, oh, you do get through it. Yeah, so

1:03:40.360 --> 1:03:42.280
<v Speaker 1>if I just want to hung in there. But I

1:03:42.320 --> 1:03:45.439
<v Speaker 1>got really sick the flu. I had the flu last year,

1:03:45.720 --> 1:03:48.000
<v Speaker 1>and that sucker would not go away. It was like

1:03:48.120 --> 1:03:51.240
<v Speaker 1>three weeks. I was down for the kid. It was bad,

1:03:51.320 --> 1:03:53.480
<v Speaker 1>like I got vertigo from it where I just like

1:03:53.600 --> 1:03:56.760
<v Speaker 1>I couldn't even walk downstairs. I would just be like dizzy.

1:03:56.960 --> 1:03:59.680
<v Speaker 1>It was a mess. Was your boyfriend with you? Yes,

1:04:00.160 --> 1:04:05.840
<v Speaker 1>so that's gross. Oh and he's a germa Bope. Literally, Bobby,

1:04:06.000 --> 1:04:09.560
<v Speaker 1>we go into Target and this like we'll be walking

1:04:09.560 --> 1:04:13.040
<v Speaker 1>down an aisle and someone maybe like let's say even

1:04:13.520 --> 1:04:17.000
<v Speaker 1>twenty feet away, we'll sneeze and we gotta go. We

1:04:17.040 --> 1:04:19.480
<v Speaker 1>gotta leave, turn around, and I'm like, you gotta be

1:04:19.560 --> 1:04:25.800
<v Speaker 1>kidding me, dude. So me having the flu was absolutely disgusting. Yes, oh,

1:04:25.600 --> 1:04:29.760
<v Speaker 1>yet all he never caught it either. He's healthy like

1:04:29.800 --> 1:04:31.920
<v Speaker 1>you guys, he never gets sick. I say, I never

1:04:31.920 --> 1:04:34.600
<v Speaker 1>get sick. I just had a cold, So that's true.

1:04:34.640 --> 1:04:37.160
<v Speaker 1>But I didn't get sick, thank God. And you find

1:04:37.240 --> 1:04:40.800
<v Speaker 1>someone that you can, like I have body fluids come

1:04:40.800 --> 1:04:44.440
<v Speaker 1>out around. That's kind. But in the reverse. He just

1:04:44.720 --> 1:04:47.960
<v Speaker 1>had sal vanilla and I had to take care of that,

1:04:48.080 --> 1:04:51.720
<v Speaker 1>so he to uber disgusting. Yeah, I've never been with

1:04:51.760 --> 1:04:55.160
<v Speaker 1>anyone with salmonella. It's basically a stomach bug. So it's

1:04:55.200 --> 1:04:58.600
<v Speaker 1>like both the spectrum and you had to be with

1:04:58.640 --> 1:05:00.800
<v Speaker 1>me through a stomach bug and oh yeah that was

1:05:00.840 --> 1:05:04.320
<v Speaker 1>when threw up on my foot, And yeah, the bug

1:05:04.360 --> 1:05:09.640
<v Speaker 1>is such a gross thing, that the bug. It was awful.

1:05:10.080 --> 1:05:13.240
<v Speaker 1>It was awful, and we were on the bus, which

1:05:13.320 --> 1:05:16.240
<v Speaker 1>throwing up on a bus is the I don't even

1:05:16.240 --> 1:05:19.400
<v Speaker 1>think the toiletic grinder. So guys like you're listening to

1:05:19.480 --> 1:05:24.000
<v Speaker 1>this whole debacle, imagine a tour bus toilet is maybe

1:05:24.040 --> 1:05:27.920
<v Speaker 1>even smaller than an airplane toilet, so right, like maybe

1:05:27.960 --> 1:05:31.960
<v Speaker 1>cut that like in half, and that's a bus toilet

1:05:32.040 --> 1:05:34.120
<v Speaker 1>and t is puking and I'm trying to catch it

1:05:34.120 --> 1:05:36.880
<v Speaker 1>in a bag and then it gets on my foot

1:05:36.960 --> 1:05:39.000
<v Speaker 1>and I'm trying to run out of the bus. But

1:05:39.120 --> 1:05:41.040
<v Speaker 1>I mean, you know, hey, through thick and then can't

1:05:41.080 --> 1:05:43.640
<v Speaker 1>trust somebody until you can trust somebody was the quote,

1:05:44.120 --> 1:05:52.160
<v Speaker 1>don't tell you sometimes the wonderful knowledge. Well, well, well listen,

1:05:52.160 --> 1:05:55.240
<v Speaker 1>we've been doing this for an hour so fun. I know,

1:05:56.360 --> 1:06:01.200
<v Speaker 1>I love podcasting. It's so fun, and I liked I

1:06:01.280 --> 1:06:03.840
<v Speaker 1>like your podcast because I feel like you don't do

1:06:03.960 --> 1:06:08.160
<v Speaker 1>like the surface stuff like, but I do my surface.

1:06:08.160 --> 1:06:09.640
<v Speaker 1>I mean I do what I think I don't. This

1:06:09.680 --> 1:06:12.080
<v Speaker 1>is honestly, God, I don't go what can I talk about?

1:06:12.280 --> 1:06:16.360
<v Speaker 1>It's so Secondly, I just I'm lucky enough to still

1:06:16.400 --> 1:06:20.280
<v Speaker 1>be the consumer but also be in the business enough

1:06:20.480 --> 1:06:24.520
<v Speaker 1>to know the questions to ask that maybe people don't

1:06:24.520 --> 1:06:27.440
<v Speaker 1>even know they want to know about, because when I

1:06:27.520 --> 1:06:29.960
<v Speaker 1>explore and go, oh that I didn't know that happen. Yeah,

1:06:29.960 --> 1:06:32.000
<v Speaker 1>I didn't know inter Ears told my freaking bands for

1:06:32.080 --> 1:06:34.760
<v Speaker 1>the playing stage is big enough to need in Ears exactly,

1:06:34.800 --> 1:06:37.200
<v Speaker 1>I didn't know, you know. So I have a question

1:06:37.200 --> 1:06:40.520
<v Speaker 1>for you before we go. Have you taken the indiogram test?

1:06:41.760 --> 1:06:44.040
<v Speaker 1>Every person that comes and asking about that? And know

1:06:44.160 --> 1:06:48.000
<v Speaker 1>I haven't. Okay, what about your Myers pricks? What Myers bricks?

1:06:48.560 --> 1:06:53.320
<v Speaker 1>He's like what. I was just curious because Tay and

1:06:53.320 --> 1:06:56.080
<v Speaker 1>I are obsessed with this Instagram thing. It's a personality test.

1:06:56.160 --> 1:07:00.400
<v Speaker 1>It's kind of like whatever that means, there is no

1:07:00.480 --> 1:07:04.880
<v Speaker 1>twelve you like to have fun and kind of guess

1:07:04.880 --> 1:07:09.160
<v Speaker 1>people's inngeograms. I know as I know. All you have

1:07:09.200 --> 1:07:12.000
<v Speaker 1>to do is go online and we'll send you the link,

1:07:12.080 --> 1:07:15.120
<v Speaker 1>yes to take it and seven questions. I'm going to

1:07:15.200 --> 1:07:19.360
<v Speaker 1>put my prediction. Okay, go ahead. I think maybe a

1:07:19.440 --> 1:07:21.400
<v Speaker 1>one or an eight? Why why do you think? But

1:07:21.480 --> 1:07:24.680
<v Speaker 1>what are you assigning this to? What personality? Three? I

1:07:24.680 --> 1:07:27.800
<v Speaker 1>don't know what this means. Yeah, I think you're a pizza.

1:07:29.520 --> 1:07:31.640
<v Speaker 1>So when she said she thinks you're a one, that

1:07:31.680 --> 1:07:35.320
<v Speaker 1>means a it's a reformer where it's like you're always

1:07:35.320 --> 1:07:39.000
<v Speaker 1>wanting to like perfectionists. Yeah, like you're always wanting to

1:07:39.120 --> 1:07:43.560
<v Speaker 1>like change things for the better and like adjust, Like

1:07:43.640 --> 1:07:47.040
<v Speaker 1>you're never like too comfortable and you're always trying to

1:07:47.080 --> 1:07:50.240
<v Speaker 1>like challenge in a good way. And I'm a nine,

1:07:50.640 --> 1:07:53.840
<v Speaker 1>so I'm technically called the peacemaker a k. The harmonizer.

1:07:54.160 --> 1:07:57.680
<v Speaker 1>I'm not the peacemaker, and I'm not either I'm a two,

1:07:57.800 --> 1:08:01.560
<v Speaker 1>which is the helper. So it's like it's my personalities.

1:08:01.560 --> 1:08:04.800
<v Speaker 1>Like you're always trying to like help people or figure

1:08:04.840 --> 1:08:07.280
<v Speaker 1>out like what you can do. Like it's just like whatever.

1:08:07.800 --> 1:08:11.520
<v Speaker 1>But the quiz is so interesting because I feel like

1:08:11.560 --> 1:08:13.720
<v Speaker 1>if you took it, you'd be like, wait, I think

1:08:13.720 --> 1:08:17.360
<v Speaker 1>you're a three, which will okay, take it if somebody

1:08:17.400 --> 1:08:20.200
<v Speaker 1>texts me that the thing and I'll text you back.

1:08:20.720 --> 1:08:25.960
<v Speaker 1>What is your bet? Okay? Up? Three? I think you're three? Performer? Yeah,

1:08:26.040 --> 1:08:28.519
<v Speaker 1>three is split down the middle. Three is like the

1:08:28.560 --> 1:08:33.800
<v Speaker 1>achiever the performer like always wanting others to win and

1:08:33.840 --> 1:08:37.920
<v Speaker 1>wanting to win, like they're all great things. But I

1:08:37.960 --> 1:08:41.720
<v Speaker 1>just I don't know. Some people are bad. Oh yeah,

1:08:41.760 --> 1:08:45.960
<v Speaker 1>there's definitely there's flaws that are listed. Whenever you tell no,

1:08:46.200 --> 1:08:49.000
<v Speaker 1>you we all no, no, no, um no. But I

1:08:49.040 --> 1:08:51.920
<v Speaker 1>like my flaws are like, oh man, this is so true.

1:08:51.960 --> 1:08:54.080
<v Speaker 1>I can't even deny it. Okay, well, okay, this is

1:08:54.120 --> 1:08:58.439
<v Speaker 1>what we'll do is we'll group text this link. I'm

1:08:58.479 --> 1:09:03.400
<v Speaker 1>gonna say A one, and then you let us know

1:09:03.760 --> 1:09:06.960
<v Speaker 1>and reveal, and then to your listeners you can let

1:09:07.000 --> 1:09:09.719
<v Speaker 1>them know. Maybe everyone can put their bets in and see.

1:09:09.960 --> 1:09:14.599
<v Speaker 1>I don't y'all are sleeping and you need to get

1:09:14.600 --> 1:09:20.880
<v Speaker 1>on this indiogram thing. There is called the Road to Better.

1:09:21.080 --> 1:09:23.120
<v Speaker 1>I don't know. Matt Corney was talking to me about

1:09:23.120 --> 1:09:25.160
<v Speaker 1>that too. Do you know Matt Carney? Yes? I love him.

1:09:25.160 --> 1:09:27.639
<v Speaker 1>Do you know him? No? But I'm a huge fan

1:09:27.920 --> 1:09:29.559
<v Speaker 1>and so I geeked out one. I'm a big matto.

1:09:29.680 --> 1:09:31.360
<v Speaker 1>I get to geek out still geek out at things

1:09:31.360 --> 1:09:34.320
<v Speaker 1>that I like, like artsy loves yes, like people that

1:09:34.400 --> 1:09:36.479
<v Speaker 1>you've been listening to for years and years and years.

1:09:36.680 --> 1:09:39.599
<v Speaker 1>We saw him at Live on the Green, like when

1:09:39.640 --> 1:09:42.800
<v Speaker 1>I first moved to Nashville. Do you remember there ago? Yeah,

1:09:42.880 --> 1:09:44.759
<v Speaker 1>it was like five years ago, and he was amazing.

1:09:44.760 --> 1:09:47.120
<v Speaker 1>I remember the mix was perfect, the lightning was great,

1:09:47.160 --> 1:09:49.240
<v Speaker 1>it was just magical. Yeah, he was a good dude.

1:09:49.240 --> 1:09:51.759
<v Speaker 1>We hung There are a few of these where Another

1:09:51.800 --> 1:09:54.280
<v Speaker 1>one was Brandon who my friends without Brandon Lancaster from

1:09:54.360 --> 1:09:56.760
<v Speaker 1>Lanko where you spend time with them and you go, oh,

1:09:56.840 --> 1:09:58.800
<v Speaker 1>you're just a different kind of person like I. He's

1:09:58.840 --> 1:10:02.200
<v Speaker 1>so artsy. When someone goes, yeah my bigges hits brations

1:10:02.240 --> 1:10:05.840
<v Speaker 1>Ryan Adams, you're like, oh, you're a way yeah, and

1:10:05.920 --> 1:10:08.000
<v Speaker 1>someone needs to watch you make sure you're okay, but

1:10:10.880 --> 1:10:13.960
<v Speaker 1>saying oh yeah, that is awesome. All right, we're gonna

1:10:14.000 --> 1:10:16.000
<v Speaker 1>wrap this up, but um, I think we learned a

1:10:16.000 --> 1:10:20.200
<v Speaker 1>lot here today. I learned a lot today. Yeah, going

1:10:20.240 --> 1:10:22.240
<v Speaker 1>down to do it. We're gonna do the big announcement.

1:10:22.360 --> 1:10:25.479
<v Speaker 1>What is Bobby's in your Graham, Papa Papa, bump bump,

1:10:25.479 --> 1:10:28.519
<v Speaker 1>bump bump. Alright, Episode one might do anything you want

1:10:28.520 --> 1:10:31.720
<v Speaker 1>to say. I'm good, You're good over there, all right,

1:10:32.320 --> 1:10:35.240
<v Speaker 1>Maddie Tay, thank you for coming, thank you for having us.

1:10:35.240 --> 1:10:37.160
<v Speaker 1>We've done over an hour long? How long this mon

1:10:37.240 --> 1:10:40.439
<v Speaker 1>I'm sorry. Thank you for letting us in your beautiful home.

1:10:41.120 --> 1:10:43.600
<v Speaker 1>Thank you very much. We'll not talk about that, so

1:10:43.640 --> 1:10:46.920
<v Speaker 1>we will move away. I don't care. I have a

1:10:46.920 --> 1:10:48.639
<v Speaker 1>whole issue with having a swim pool like I feel

1:10:48.760 --> 1:10:52.040
<v Speaker 1>terribly guilty about it, terribly guilty. We should I want

1:10:52.040 --> 1:10:54.519
<v Speaker 1>to talk to you about that off the record, off

1:10:54.560 --> 1:10:59.200
<v Speaker 1>the record, I feel same. You're like one of my

1:10:59.240 --> 1:11:01.080
<v Speaker 1>friends where you grew up with super poor and I

1:11:01.120 --> 1:11:03.559
<v Speaker 1>feel terribly guilty about and you should not at all.

1:11:04.040 --> 1:11:07.760
<v Speaker 1>I know I shouldn't. That's what's my six nine. Its

1:11:07.840 --> 1:11:10.720
<v Speaker 1>tangible proof that you are successful and good at what

1:11:10.760 --> 1:11:14.000
<v Speaker 1>you do. You deserve what you have earned. My point

1:11:14.040 --> 1:11:16.800
<v Speaker 1>is I feel uncomfortable when someone says, hey, I like

1:11:16.880 --> 1:11:20.080
<v Speaker 1>your shoes, because I'm like, oh no, no, don't be sorry.

1:11:20.439 --> 1:11:22.519
<v Speaker 1>We gotta untangle that web. We gotta get in that

1:11:22.600 --> 1:11:24.600
<v Speaker 1>soul and untangle it. I'm going to on site on

1:11:24.840 --> 1:11:28.360
<v Speaker 1>for like four days. How that is. I'm gonna try

1:11:28.400 --> 1:11:30.559
<v Speaker 1>to untangle some stuff. I'm going start speaking to Davey

1:11:30.640 --> 1:11:32.280
<v Speaker 1>let me know. Will you please let us know? Because

1:11:32.479 --> 1:11:34.040
<v Speaker 1>I feel like I could. I'll reply back to the

1:11:34.080 --> 1:11:36.040
<v Speaker 1>text to read and be like, all right, are we

1:11:36.080 --> 1:11:40.160
<v Speaker 1>just gonna group text soul searching things all the time? Therapy,

1:11:40.439 --> 1:11:43.400
<v Speaker 1>Episode one Mattie and Tay, thank you guys for coming

1:11:43.439 --> 1:11:45.519
<v Speaker 1>in and everybody next time, by bye, Ready