WEBVTT - The Hate U Give (Part 1)

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<v Speaker 1>Hey, there everyone, So just in case you are listening

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<v Speaker 1>to this from the future, here's a quick reminder that

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<v Speaker 1>the summer of was uh, let's say unusual. There are

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<v Speaker 1>a lot of other words I could use, but it

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<v Speaker 1>was also incredibly notable for the Black Lives Matter protests

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<v Speaker 1>and violent clashes with cops in cities across the country,

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<v Speaker 1>sparked by a number of black people being killed by

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<v Speaker 1>police officers. So it might be tempting to look at

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<v Speaker 1>Angie Thomas's two thousand seventeen novel They Hate You Give

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<v Speaker 1>as prescient, but really she's writing about something that has

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<v Speaker 1>been happening for decades, for centuries really in this country.

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<v Speaker 1>But we will get to that. This is Popcorn book

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<v Speaker 1>Club and this week we're talking about Thomas's novel and

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<v Speaker 1>it's film adaptation. And I promise you even dealing with

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<v Speaker 1>sensitive topics like these are commitment to correcting people remains spadfast.

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<v Speaker 1>She's been inaccurate. That just really get if I'm gonna

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<v Speaker 1>be hateful, do it right. So, without further ado, here's

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<v Speaker 1>Popcorn book Club. Hey, welcome back to Popcorn book Club.

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<v Speaker 1>I'm Danish Schwartz and joined as always by Karamad Unqua,

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<v Speaker 1>Jennifer Wright, Melissa Hunter, Antiene Tran. Hey, everyone, h I

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<v Speaker 1>hate you give Obviously, it was a book that came

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<v Speaker 1>out in two thousand seventeen and had a film version

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<v Speaker 1>in two thousand eighteen, But we are revisiting it now

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<v Speaker 1>for reasons that should be obvious. And also obvious should

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<v Speaker 1>be that I, Danish Wartz, I'm a white person, and

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<v Speaker 1>so I'm going to throw guidance of this conversation and

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<v Speaker 1>leadership of this conversation over to my friend, I am

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<v Speaker 1>a black person. You guys can't see realize that I

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<v Speaker 1>have one actual question for you, Karama, before you before

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<v Speaker 1>you take the Uh the issue so terrified? What's the question? No,

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<v Speaker 1>it's just the there's a big issue of of code

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<v Speaker 1>switching in this book and star the version of that

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<v Speaker 1>she is at home and the version she is at school.

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<v Speaker 1>You went to, uh as you've told me, not that

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<v Speaker 1>I'm guessing a predominantly white prep school, boarding school, fancy

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<v Speaker 1>fancy Virginia. Uh. What was that experience like for you? Well, well,

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<v Speaker 1>just to clarify, I did go to for three years

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<v Speaker 1>of high school. I went to in all girls boarding

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<v Speaker 1>school in central sort of basically northern Virginia, but like

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<v Speaker 1>rural northern Virginia in Loudon County, which is, fun fact,

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<v Speaker 1>one of the richest counties in the nation. And it

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<v Speaker 1>was an equestrian school, so most of the girls rode

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<v Speaker 1>horses and I did not ride horses. I owned zero horses.

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<v Speaker 1>My my roommates sophomore year horse girls school. Yes, I

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<v Speaker 1>went to horse girls school. I the horse girls have

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<v Speaker 1>become radicalized. I will say that, like my roommate from

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<v Speaker 1>sophomore year who had a horse named Jack, and she

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<v Speaker 1>showed me like a picture album of her, pictures of

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<v Speaker 1>her and Jack. Uh. And she now lives on a farm.

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<v Speaker 1>She met her husband on farmers only she's uh. And

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<v Speaker 1>she was she having sex with the horse. No, she

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<v Speaker 1>had a photo album of her and her horse. No,

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<v Speaker 1>she was not having sex with a horse. There was

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<v Speaker 1>a rumor spread about another girl at school that she

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<v Speaker 1>had performed falacio on a horse, and the rumor. The

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<v Speaker 1>worst part about that rumor is that somebody said that

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<v Speaker 1>I started it, and I was like, no, I did not.

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<v Speaker 1>I have nothing to do with this horse falacio rumor.

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<v Speaker 1>But back to the point, it's just ever since Catherine

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<v Speaker 1>the Great people just keep going with the same staring

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<v Speaker 1>back away from horse Falatio, staring it back to the

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<v Speaker 1>conversation of race. I did not come from uh like

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<v Speaker 1>horse background, but I did. My mom also went to

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<v Speaker 1>that school. I was one of the first sort of

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<v Speaker 1>legacies that was black. And I think that it is

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<v Speaker 1>important to note the blackness is not a monolith, and

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<v Speaker 1>stars experience in this book is not every black person's

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<v Speaker 1>experience in this book, and there's overlap was mine. I

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<v Speaker 1>did feel like I had to be different at school

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<v Speaker 1>than I was at home. Um. But the thing is

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<v Speaker 1>I lived at school, so that also makes it a

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<v Speaker 1>whole different situation where I was there like nine months

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<v Speaker 1>out of the year. Uh. And for me, I felt

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<v Speaker 1>like I was definitely encouraged to remember that my situation

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<v Speaker 1>in life was not the same as their situations in life,

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<v Speaker 1>so if I got in trouble, the consequences would be different.

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<v Speaker 1>And that was something that I think was always over me.

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<v Speaker 1>And I kind of got this reputation very early on

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<v Speaker 1>that I was a narc because I was like, if

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<v Speaker 1>you guys do anything that is bad, I will tell

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<v Speaker 1>on you because I'm not trying to be an accomplice

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<v Speaker 1>to anything. I'm not trying to affiliate myself with anything

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<v Speaker 1>that is untoward, and so that did not earn me

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<v Speaker 1>many friends early on, but as people got to know me,

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<v Speaker 1>I think they got to figure out out that, oh,

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<v Speaker 1>she's not an arch, she's just scared. So uh yeah,

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<v Speaker 1>I did go to a primarily white institution for high

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<v Speaker 1>school p w I for short, and I went to

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<v Speaker 1>one for college, and uh so that I have a

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<v Speaker 1>lot of experience with what Star went through in terms

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<v Speaker 1>of having a code switch and having these two worlds

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<v Speaker 1>and living and existing in a world where people are

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<v Speaker 1>very educated and have this idea of knowing a lot

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<v Speaker 1>about what's going on in the world, but still don't

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<v Speaker 1>really see you for who you are. And there's a

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<v Speaker 1>line I think it was in the movie, I don't

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<v Speaker 1>remember if it was also in the book, but Hailey

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<v Speaker 1>says to Star, Oh, you're different. And there's that sort

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<v Speaker 1>of feeling that like, oh, you're not like other black

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<v Speaker 1>people because you're a person that I understand that you're palatable,

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<v Speaker 1>and I feel like that's something that happens a lot

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<v Speaker 1>with black people who have a lot of white friends

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<v Speaker 1>and have a lot of non black friends in general,

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<v Speaker 1>and krama for listeners who maybe don't know. Can you

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<v Speaker 1>explain code switching? Oh? Absolutely, yeah. Code switching is something

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<v Speaker 1>that everyone does. Uh. Just to be clear, it's not

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<v Speaker 1>exclusive to black people, but a lot of times we

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<v Speaker 1>have conversations about it in relation to blackness. Code switching

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<v Speaker 1>is when the language and behaviors that you engage in

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<v Speaker 1>with one group of people you change them when you're

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<v Speaker 1>around another group of people. So we all code switch

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<v Speaker 1>in in smaller ways, like, oh, when I'm with my friends,

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<v Speaker 1>I don't talk the same way I talk at work

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<v Speaker 1>because that would be inappropriate unless you're us and you

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<v Speaker 1>can talk about horse Falacio both at work and with

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<v Speaker 1>your friends. US with black comedy writer, yes, that is true,

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<v Speaker 1>or a group chat does not have many conversations about

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<v Speaker 1>horse Falacio yet, so uh so, code switching for black

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<v Speaker 1>people in particular can be a switch from African American

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<v Speaker 1>Vernacular English also known as A A V E, sometimes

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<v Speaker 1>pejoratively termed ebonics into standard American English. So that's something

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<v Speaker 1>that some people in their neighborhoods, like Star says in

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<v Speaker 1>the book, and we'll get into plot in just a second,

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<v Speaker 1>but Star says, if a rapper would say it star

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<v Speaker 1>At Williamson Williamson, Oh, I know the name of the school.

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<v Speaker 1>Starr At Williamson would not say it. So there's this

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<v Speaker 1>sort of division of this is my academic language and

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<v Speaker 1>this is my I'm at home with my friends language,

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<v Speaker 1>even when she's in the social aspects of her school,

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<v Speaker 1>so not just in the classroom, but also when she's

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<v Speaker 1>talking to her peers. And there's also that scene in

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<v Speaker 1>the movie I think we also watched the movie where

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<v Speaker 1>she's like walking down the hall and all the white

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<v Speaker 1>kids are like those kids are lit, and she's saying

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<v Speaker 1>thank you. Yeah. That scene made me want to retch.

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<v Speaker 1>I just it was I mean, it was a visceral

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<v Speaker 1>reaction because we've all had it. And like, there are

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<v Speaker 1>people in my life, like people that have known for

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<v Speaker 1>a very long time, who will talk differently to me,

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<v Speaker 1>a black person, than they do to other white people

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<v Speaker 1>in their lives. Like, um, there is a family friend

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<v Speaker 1>who whenever I come over to their house, he's like, Oh,

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<v Speaker 1>what's up, dog, And I'm just like, I don't talk

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<v Speaker 1>like that. I legitimately don't, And I don't know why

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<v Speaker 1>you would talk to me like that, because you also

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<v Speaker 1>don't talk like that, and there's nothing wrong with talking

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<v Speaker 1>like that, but it's just not how either of us talk,

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<v Speaker 1>and it's the shift into that when my face walks

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<v Speaker 1>into the room. I've had to not catch myself. But

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<v Speaker 1>I have noticed sometimes on the internet, like with like

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<v Speaker 1>a Twitter slang that like cool teens are using, but

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<v Speaker 1>obviously and primarily comes from the black community, where sometimes

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<v Speaker 1>I'm like doing a meme and it's more in in

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<v Speaker 1>you know, like more casual language or slang that I

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<v Speaker 1>wouldn't really use, and I sort of have to catch

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<v Speaker 1>myself and being like, Okay, what am I trying to

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<v Speaker 1>do here? That's like not an accurate representation of myself.

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<v Speaker 1>So I think, like in watching this movie, it's so

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<v Speaker 1>easy and reading the book, obviously, like for Haley, who's

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<v Speaker 1>like the most villainous white character in the world, which

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<v Speaker 1>we'll get to, it's easy to dismiss and be like, oh, well,

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<v Speaker 1>I'm not like that, so I'm good. But I think

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<v Speaker 1>that it does sort of sneak up on people and

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<v Speaker 1>well meaning people in everything. There's a spectrum of all

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<v Speaker 1>of that stuff, and uh, it's easy to think because

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<v Speaker 1>I'm not one fifteen the cop, that I'm not engaging

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<v Speaker 1>in racist behavior, or because I'm not Haley, I'm not

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<v Speaker 1>engaging in racist behavior. But there are so many thousands

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<v Speaker 1>of things in between those two people and on the

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<v Speaker 1>other side of Haley that might seem more innocuous. But yeah,

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<v Speaker 1>let's get into some plot. Um, Melissa, do you want

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<v Speaker 1>to start us off? Oh gosh, sure, Sorry to throw

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<v Speaker 1>the intense beginning at you. You look serene and I

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<v Speaker 1>thought i'd put that up. Thank you so much. I

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<v Speaker 1>need to get out of my neutral space. Uh. So

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<v Speaker 1>we have Star Carter. She is our lead, our heroine. Um.

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<v Speaker 1>She is I believe sixteen years old. Is that correct? Um?

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<v Speaker 1>And she is going to a party with Kenya, who

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<v Speaker 1>we later learn is not her not related. She's not

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<v Speaker 1>related to Kenya, but they share a brother. They both

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<v Speaker 1>share a half brother on different sides, dad and mom respectively. So,

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<v Speaker 1>and it's a primarily black party, and or um, mostly

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<v Speaker 1>mostly black people are there, teenagers. It's it's a you know,

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<v Speaker 1>a really big party. And she feels very uncomfortable in

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<v Speaker 1>this space. She's not. She's not because she goes to

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<v Speaker 1>this prep school she is. Most of her social circle

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<v Speaker 1>is now white, so she feels a little bit un

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<v Speaker 1>off her footing. She doesn't. She feels self conscious because

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<v Speaker 1>she talks about how at her school she's the cool

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<v Speaker 1>black girl, because you, by nature get when you're around

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<v Speaker 1>a bunch of white people, they think you're cool and

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<v Speaker 1>say your shoes are lit um. But here everyone is

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<v Speaker 1>cooler than her, or at least she thinks so and Um.

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<v Speaker 1>She runs into Kenya has Um Uh is in sort

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<v Speaker 1>of a fight. She wants to fight with this girl

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<v Speaker 1>who I think there's some boy drama between them, and

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<v Speaker 1>so she goes off and Khalil, her old friend, comes

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<v Speaker 1>up to her, and they haven't seen each other in

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<v Speaker 1>a while, and they're talking and it's clear there's some

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<v Speaker 1>intimacy between them. They really care for each other and

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<v Speaker 1>he it's also you can tell there's like a little

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<v Speaker 1>bit of flirtation too. There's just a lot of layers

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<v Speaker 1>to this relationship. And then all of a sudden, shots

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<v Speaker 1>are fired in the party and everyone is scrambling to leave,

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<v Speaker 1>and Khalil grab star and says, come with me, and

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<v Speaker 1>so they go into his car and drive away and

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<v Speaker 1>they're driving. They're catching up some more Uh Khalil makes

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<v Speaker 1>either at the party or in the car. I forget

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<v Speaker 1>it seems to imply that he's has some money now,

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<v Speaker 1>and she's a little bit worried that it might be

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<v Speaker 1>related to drugs and um. And then all of a

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<v Speaker 1>sudden they get pulled over. And when they get pulled over,

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<v Speaker 1>we hear star sort of of what she's learned when

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<v Speaker 1>she had the talk with her parents when she was

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<v Speaker 1>younger about how to be safe as or as safe

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<v Speaker 1>as you can be as a black person with a

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<v Speaker 1>police when you're pulled over, and you, uh, you know,

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<v Speaker 1>are very polite. You don't make any sudden moves, you

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<v Speaker 1>answer their questions, you don't reach for anything too quickly.

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<v Speaker 1>So she's kind of reciting all that as this cop

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<v Speaker 1>is coming up, and the cop is immediately antagonistic and

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<v Speaker 1>suspicious of these two black teenagers, and Khalil is not

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<v Speaker 1>um abiding by stars sort of rules that she has

0:13:18.760 --> 0:13:21.400
<v Speaker 1>in her head of how to be safe with police present.

0:13:21.559 --> 0:13:23.520
<v Speaker 1>Is being a little bit more, a little bit more

0:13:23.559 --> 0:13:27.880
<v Speaker 1>of an attitude um in a way that is justified

0:13:28.000 --> 0:13:33.400
<v Speaker 1>because the cop is being very antagonistic and she gets

0:13:33.440 --> 0:13:38.360
<v Speaker 1>really worried. Um. But it escalates very quickly. Uh. They

0:13:38.640 --> 0:13:40.720
<v Speaker 1>the cops says to get out of the car for

0:13:40.800 --> 0:13:44.480
<v Speaker 1>Khalil to get out of the car and put his

0:13:44.559 --> 0:13:47.400
<v Speaker 1>hands I believe, on the top of the car while

0:13:47.440 --> 0:13:51.160
<v Speaker 1>he goes and runs his license and Star is getting

0:13:51.240 --> 0:13:55.560
<v Speaker 1>very scared and Khalil asks if she's okay, And in

0:13:55.600 --> 0:13:59.240
<v Speaker 1>the middle of Khalil asking if she's okay, he gets

0:13:59.240 --> 0:14:03.640
<v Speaker 1>shot and killed. Um. She runs out of the car

0:14:03.760 --> 0:14:09.040
<v Speaker 1>and Khalil dies in her arms, and it's very very sad.

0:14:09.360 --> 0:14:13.679
<v Speaker 1>Uh and uh and that at the cop also points

0:14:13.720 --> 0:14:19.000
<v Speaker 1>the gun at her um and someone else wants I

0:14:19.040 --> 0:14:20.720
<v Speaker 1>think that's a good place to I think it's a

0:14:20.720 --> 0:14:24.000
<v Speaker 1>good place to about that scene. Yeah. Can I make

0:14:24.080 --> 0:14:26.640
<v Speaker 1>one comment of a thing that I really like that

0:14:26.720 --> 0:14:29.880
<v Speaker 1>Angie Thomas did with the setup of this book. Was

0:14:29.960 --> 0:14:32.040
<v Speaker 1>she she made it. She gave it the sense that

0:14:32.080 --> 0:14:34.760
<v Speaker 1>it could have been a very different book. Like the

0:14:35.080 --> 0:14:39.200
<v Speaker 1>sexual chemistry between Kalil is really cute, and you're like, oh,

0:14:39.280 --> 0:14:42.040
<v Speaker 1>this is her former friend, but she has this white boyfriend.

0:14:42.240 --> 0:14:44.800
<v Speaker 1>Were in a different universe, this book would have been

0:14:44.800 --> 0:14:47.080
<v Speaker 1>about like a love triangle between a girl sort of

0:14:47.160 --> 0:14:49.600
<v Speaker 1>who feels herself caught between two worlds. Like I was

0:14:49.680 --> 0:14:51.920
<v Speaker 1>like wing for her and Khalil, I was like, oh

0:14:52.000 --> 0:14:53.480
<v Speaker 1>my god, are they going to kiss. They have this

0:14:53.600 --> 0:14:58.480
<v Speaker 1>chemistry and then this cop I mean like he kills

0:14:58.600 --> 0:15:01.600
<v Speaker 1>Khalil and cuts his life so or completely changes the

0:15:01.640 --> 0:15:04.600
<v Speaker 1>trajectory of the book. Yeah, And I think that's one

0:15:04.640 --> 0:15:07.960
<v Speaker 1>of the things that makes it especially tragic that it's

0:15:08.000 --> 0:15:10.520
<v Speaker 1>cut off that potential story, that it's cut off all

0:15:10.600 --> 0:15:14.480
<v Speaker 1>potential stories for I mean, it can't be a story

0:15:14.560 --> 0:15:18.720
<v Speaker 1>about him getting out of drug dealing or them both

0:15:18.800 --> 0:15:22.000
<v Speaker 1>getting to live in a better place. Um, although stories

0:15:22.040 --> 0:15:26.600
<v Speaker 1>are ended incredibly prematurely by an act of violence. I

0:15:26.640 --> 0:15:29.720
<v Speaker 1>think that we've talked a lot about some really heavy

0:15:29.720 --> 0:15:31.800
<v Speaker 1>stuff and we should just take a breather for a sec.

0:15:37.240 --> 0:15:39.840
<v Speaker 1>You're listening to Popcorn Book Club from my Heart Radio,

0:15:39.920 --> 0:15:51.520
<v Speaker 1>and we'll be back right after the break. So we're

0:15:51.520 --> 0:15:59.520
<v Speaker 1>back with Popcorn book Club for my Heart Radio. I mean,

0:15:59.640 --> 0:16:01.640
<v Speaker 1>I think the one thing that I would love to

0:16:01.680 --> 0:16:05.560
<v Speaker 1>talk about is that they listened to Tupac on the

0:16:05.640 --> 0:16:11.840
<v Speaker 1>way to to get back to UH Stars house and

0:16:12.480 --> 0:16:15.480
<v Speaker 1>they Khalil brings up the fact that thug life actually

0:16:15.480 --> 0:16:18.840
<v Speaker 1>means something much more than what I had never I

0:16:18.880 --> 0:16:22.800
<v Speaker 1>did not know this, um and that thug life stands

0:16:22.800 --> 0:16:26.920
<v Speaker 1>for they hate you give little infants, Fox everyone, which

0:16:27.000 --> 0:16:31.360
<v Speaker 1>is kind of a shorthand acronym for systemic racism, which

0:16:31.400 --> 0:16:33.600
<v Speaker 1>they talk about and then gets It's it's sort of

0:16:33.640 --> 0:16:37.160
<v Speaker 1>a theme that we keep coming back to that these

0:16:37.200 --> 0:16:40.960
<v Speaker 1>cycles of violence are because of you know, as we

0:16:41.120 --> 0:16:43.680
<v Speaker 1>as we were all starting to learn about like under resourced,

0:16:43.760 --> 0:16:48.440
<v Speaker 1>under underserved communities being forced into economic situations that they

0:16:48.480 --> 0:16:52.800
<v Speaker 1>can't break the cycle of because of state violence. Yeah, yeah, absolutely.

0:16:52.880 --> 0:16:56.920
<v Speaker 1>And I thought it was interesting also that Melissa you

0:16:57.000 --> 0:17:00.640
<v Speaker 1>had talked about how there was an indication that Khalil

0:17:00.760 --> 0:17:04.199
<v Speaker 1>had money, and the indication, if I recall, was that

0:17:04.280 --> 0:17:07.679
<v Speaker 1>he had like this big earring with a diamond in it,

0:17:07.800 --> 0:17:11.159
<v Speaker 1>and he had these like new fresh sneakers, which she

0:17:11.240 --> 0:17:13.160
<v Speaker 1>did stuff and we get to see a little bit,

0:17:13.240 --> 0:17:16.640
<v Speaker 1>like Dana was saying, of the tension there because she's like, oh,

0:17:16.720 --> 0:17:19.200
<v Speaker 1>let me clean your sneakers because she's a sneaker head,

0:17:19.560 --> 0:17:22.200
<v Speaker 1>which I love. I love that she's a little sneaker head. Um.

0:17:22.240 --> 0:17:26.000
<v Speaker 1>I love Star just as a character, and she loves

0:17:26.040 --> 0:17:31.119
<v Speaker 1>Harry Potter and Karon Potter. I know. You know, I

0:17:31.200 --> 0:17:34.399
<v Speaker 1>kept going back to the Harry Potter thing as well,

0:17:34.520 --> 0:17:38.399
<v Speaker 1>because he kept reminding me how young these people were that. Um,

0:17:39.080 --> 0:17:42.080
<v Speaker 1>I think something that we as a society do is

0:17:42.760 --> 0:17:48.720
<v Speaker 1>sometimes we have prematurely adultified black children. And a lot

0:17:48.720 --> 0:17:52.119
<v Speaker 1>of times, when um, a black person gets shot by

0:17:52.119 --> 0:17:54.560
<v Speaker 1>the police, newspapers talk about how like they were a thug,

0:17:54.600 --> 0:17:59.040
<v Speaker 1>and it seems like they posted danger. And I think

0:17:59.080 --> 0:18:01.320
<v Speaker 1>if you look back to what you were like at fifteen,

0:18:01.400 --> 0:18:04.720
<v Speaker 1>those are those are just making Those are little people

0:18:04.760 --> 0:18:08.200
<v Speaker 1>who like Harry Potter, well that and that's something I

0:18:08.240 --> 0:18:11.639
<v Speaker 1>will I'm sure keep going back to. But what I

0:18:11.760 --> 0:18:15.560
<v Speaker 1>loved about this book was it was, you know, a

0:18:15.640 --> 0:18:20.879
<v Speaker 1>book about about systemic violence or violence against black people

0:18:21.080 --> 0:18:25.840
<v Speaker 1>and this incredible tragedy and all of the tragedies um

0:18:25.880 --> 0:18:29.959
<v Speaker 1>against black people. And at the same time it was

0:18:30.040 --> 0:18:35.719
<v Speaker 1>a young adult teenage drama. Like there's a teenage drama.

0:18:35.760 --> 0:18:39.280
<v Speaker 1>There's romance, there's like going to prom and then the

0:18:39.320 --> 0:18:42.400
<v Speaker 1>beginning it starts with a flirtation, and it it does

0:18:42.520 --> 0:18:47.879
<v Speaker 1>feel like black teenagers can't just be teenagers. And that's

0:18:48.080 --> 0:18:50.760
<v Speaker 1>the thing, like you you see over and over again,

0:18:50.800 --> 0:18:53.359
<v Speaker 1>like with her tumbler, I think it's a really good

0:18:53.359 --> 0:18:57.760
<v Speaker 1>example of how, like Hayley thinks, it's so disgusting posting

0:18:58.119 --> 0:19:01.639
<v Speaker 1>these pictures of them att till and it's like that's what,

0:19:02.200 --> 0:19:05.679
<v Speaker 1>that's what they're faced with, their face with that duality constantly.

0:19:05.800 --> 0:19:08.120
<v Speaker 1>And I think that was really well told. And we'll

0:19:08.160 --> 0:19:12.200
<v Speaker 1>get into m until stuff later. It's fine, we And

0:19:12.280 --> 0:19:14.439
<v Speaker 1>I think that also the fact that it's there's this

0:19:14.560 --> 0:19:18.800
<v Speaker 1>huge argument it's about tumbler again speaks to the fact

0:19:18.840 --> 0:19:23.960
<v Speaker 1>that these are teenagers in um like sen whose main

0:19:24.040 --> 0:19:28.600
<v Speaker 1>issues surround on this like microblogging social media platform that

0:19:28.760 --> 0:19:31.640
<v Speaker 1>was very cool at the time. Would just like, can

0:19:31.680 --> 0:19:34.199
<v Speaker 1>I just add that I love that it's a young

0:19:34.240 --> 0:19:36.840
<v Speaker 1>adult book, but I think everyone should read this book,

0:19:36.960 --> 0:19:42.480
<v Speaker 1>Like I think that is such it's like wonderful read.

0:19:42.560 --> 0:19:45.560
<v Speaker 1>It's so important and thoughtful, and like everyone should read

0:19:45.560 --> 0:19:48.119
<v Speaker 1>this book. It shouldn't beat as young adults. So anyone listening, like,

0:19:48.200 --> 0:19:51.200
<v Speaker 1>share it with everyone that you're that you're friends with,

0:19:51.359 --> 0:19:55.040
<v Speaker 1>not friends, enemies, anyone. Something I was wondering about a

0:19:55.080 --> 0:19:57.480
<v Speaker 1>little bit, since a lot of members of this group

0:19:57.480 --> 0:20:01.120
<v Speaker 1>are white, did anybody else have a conversation with their

0:20:01.119 --> 0:20:03.480
<v Speaker 1>parents growing up about what to do with please pull

0:20:03.560 --> 0:20:07.240
<v Speaker 1>you over? The most brief one and it was never

0:20:07.280 --> 0:20:10.359
<v Speaker 1>for your own safety. It was just like how always

0:20:10.400 --> 0:20:13.440
<v Speaker 1>have your registration on you. Yeah, you should keep that

0:20:13.560 --> 0:20:15.919
<v Speaker 1>in the glove compartment. Was the extent of the conversation

0:20:16.040 --> 0:20:18.240
<v Speaker 1>was have your registration. But well, when I was ten,

0:20:18.480 --> 0:20:23.240
<v Speaker 1>actually the cop pulled my mom over, and um, I

0:20:23.280 --> 0:20:25.720
<v Speaker 1>had not had a conversation with her at the time

0:20:26.280 --> 0:20:29.439
<v Speaker 1>about anything. And I remember recently I had been at

0:20:29.520 --> 0:20:33.800
<v Speaker 1>j C. Penny with my family friends and we had

0:20:33.800 --> 0:20:35.840
<v Speaker 1>all been like shopping at j C. Penny and then

0:20:36.560 --> 0:20:40.040
<v Speaker 1>my friend who was like my mom's friend's daughter, and

0:20:40.080 --> 0:20:42.400
<v Speaker 1>I were lagging behind and we get to the car

0:20:42.480 --> 0:20:44.760
<v Speaker 1>and we heard that, um, they got to see the

0:20:44.800 --> 0:20:46.920
<v Speaker 1>inside of a cop car, and I was super jealous

0:20:46.920 --> 0:20:48.359
<v Speaker 1>that I didn't get to see the inside of a

0:20:48.359 --> 0:20:52.240
<v Speaker 1>cop car. Um, because they like gave my friend's little

0:20:52.240 --> 0:20:55.280
<v Speaker 1>brother a tour. And I think that he also seems

0:20:55.680 --> 0:20:58.399
<v Speaker 1>less of a threat because he was younger. We were

0:20:58.440 --> 0:21:01.000
<v Speaker 1>all black. I think that's important to note he's younger

0:21:01.160 --> 0:21:03.800
<v Speaker 1>and he has down syndrome. He's not younger now. He's

0:21:03.800 --> 0:21:06.359
<v Speaker 1>like twenty two now, which is crazy to me. But

0:21:07.600 --> 0:21:09.400
<v Speaker 1>then I was super jealous that I hadn't gotten see

0:21:09.400 --> 0:21:10.840
<v Speaker 1>the inside of a cop car. So my mom gets

0:21:10.880 --> 0:21:12.960
<v Speaker 1>pulled over because she has like dead tags on her car,

0:21:13.000 --> 0:21:15.960
<v Speaker 1>which sometimes we all forget or we're just broke and

0:21:16.040 --> 0:21:19.240
<v Speaker 1>can't do it. Um. And it was like by a month,

0:21:19.280 --> 0:21:23.000
<v Speaker 1>it wasn't like years later anything. And the cop pulled

0:21:23.040 --> 0:21:24.679
<v Speaker 1>us over and I leaned over and I said, can

0:21:24.720 --> 0:21:26.920
<v Speaker 1>I see the inside of your car? And my mom

0:21:26.960 --> 0:21:32.760
<v Speaker 1>looked like she wanted to strangle me because she's like, please,

0:21:32.800 --> 0:21:36.560
<v Speaker 1>do not engage with police like that. Don't talk to them,

0:21:36.600 --> 0:21:38.480
<v Speaker 1>just let them. He did let me see the inside

0:21:38.520 --> 0:21:40.840
<v Speaker 1>of his car, which made me super happy at the time,

0:21:41.119 --> 0:21:42.879
<v Speaker 1>And now I hope to never see the inside of

0:21:42.880 --> 0:21:47.320
<v Speaker 1>a cop car ever again. But it's interesting because I

0:21:47.400 --> 0:21:51.439
<v Speaker 1>was just a kid in that sense and not with

0:21:51.520 --> 0:21:56.359
<v Speaker 1>the weight of this is the police under my decision making.

0:21:56.520 --> 0:21:58.040
<v Speaker 1>I was just like, Oh, my friend got to see

0:21:58.040 --> 0:21:59.400
<v Speaker 1>the inside of a cop car. I want to see

0:21:59.400 --> 0:22:03.919
<v Speaker 1>all the button um. But I also had the privilege

0:22:03.960 --> 0:22:05.800
<v Speaker 1>of not growing up in the same type of neighborhood

0:22:06.240 --> 0:22:10.600
<v Speaker 1>as Star Granma. I want to go back briefly to

0:22:10.640 --> 0:22:13.359
<v Speaker 1>the point that Ten made about this being a way book,

0:22:13.440 --> 0:22:16.600
<v Speaker 1>but it um, you know, really should be read by everyone.

0:22:16.720 --> 0:22:19.240
<v Speaker 1>You and I we texted about this briefly when we

0:22:19.280 --> 0:22:22.159
<v Speaker 1>started reading it, where it's like, there are certain advantages

0:22:22.280 --> 0:22:25.760
<v Speaker 1>to it being a y A story in that it

0:22:26.320 --> 0:22:28.800
<v Speaker 1>young people hopefully also will read this, like I've heard

0:22:28.840 --> 0:22:31.240
<v Speaker 1>stories about high school student traits, in which I think

0:22:31.359 --> 0:22:34.479
<v Speaker 1>it's also important to note that it was awarded a

0:22:34.520 --> 0:22:37.840
<v Speaker 1>couple of different awards by the American Library Association. So

0:22:38.000 --> 0:22:41.439
<v Speaker 1>it got the Cretis got King Award, obviously named for

0:22:41.720 --> 0:22:45.520
<v Speaker 1>Martin Luther King Jr's wife, Um, and that's for black

0:22:45.560 --> 0:22:48.080
<v Speaker 1>young adult books. And it also won the William C.

0:22:48.240 --> 0:22:50.840
<v Speaker 1>Morris Award, which was for first time young adult writers.

0:22:51.480 --> 0:22:53.679
<v Speaker 1>And it was on the National Book Award Young Adult

0:22:53.760 --> 0:22:56.720
<v Speaker 1>long List, so it's killing it in the y A game.

0:22:57.000 --> 0:23:00.280
<v Speaker 1>And it was highly recognized, and it was on the

0:23:00.320 --> 0:23:02.919
<v Speaker 1>New York Times bestseller list for over eighty weeks when

0:23:02.960 --> 0:23:06.000
<v Speaker 1>it first came out, So this was clearly something that

0:23:06.400 --> 0:23:09.280
<v Speaker 1>sparked something in people. But it was also banned by

0:23:09.359 --> 0:23:12.280
<v Speaker 1>several people, and there were fringe groups saying that it

0:23:12.320 --> 0:23:16.120
<v Speaker 1>was dangerous because it humanized the victims of police violence,

0:23:16.480 --> 0:23:21.040
<v Speaker 1>which just I don't know if that's why it was banned.

0:23:21.119 --> 0:23:23.159
<v Speaker 1>It does have a lot of swear words and a

0:23:23.240 --> 0:23:25.200
<v Speaker 1>penis joke at one point, which I thought was great

0:23:25.240 --> 0:23:29.440
<v Speaker 1>because that's life when you're sixteen. But I don't think

0:23:29.480 --> 0:23:31.600
<v Speaker 1>that the single penis joke in the book is the

0:23:31.640 --> 0:23:33.520
<v Speaker 1>reason that people were banning it. I think it's because

0:23:33.560 --> 0:23:37.040
<v Speaker 1>it was about race a lot. It humanizes the human

0:23:37.280 --> 0:23:40.560
<v Speaker 1>It does humanize the human beings. But yeah, I was

0:23:40.600 --> 0:23:43.359
<v Speaker 1>doing some reading on the book online and there are

0:23:43.359 --> 0:23:46.320
<v Speaker 1>people who were like, this is bad because of humanization,

0:23:46.640 --> 0:23:48.920
<v Speaker 1>and I was like, God, God forbid people see black

0:23:48.920 --> 0:23:53.240
<v Speaker 1>people as humans. I remember seeing someone on Twitter like

0:23:53.320 --> 0:23:57.000
<v Speaker 1>coming at Angie and the author and they were like, Um,

0:23:57.040 --> 0:23:59.560
<v Speaker 1>how am I supposed to take a book about black

0:23:59.600 --> 0:24:04.000
<v Speaker 1>people's seriously when the title spells out thug t h

0:24:04.200 --> 0:24:08.480
<v Speaker 1>U g ever think of that? And she's like, yeah,

0:24:09.880 --> 0:24:15.280
<v Speaker 1>literally she did, Like it's spelled purposely like you to

0:24:15.440 --> 0:24:19.040
<v Speaker 1>make that. They talked about it in the course like

0:24:19.320 --> 0:24:23.040
<v Speaker 1>a lot. It's it's probably the most recurring theme, but

0:24:23.760 --> 0:24:26.720
<v Speaker 1>it's someone most chief. It's someone who thought they found

0:24:26.760 --> 0:24:32.840
<v Speaker 1>the illuminating Beyonce might be stars cousin. They do talk

0:24:32.880 --> 0:24:35.400
<v Speaker 1>about that in the book, that they have the same

0:24:36.400 --> 0:24:38.000
<v Speaker 1>we have the same last name, and I'm like, that's

0:24:38.080 --> 0:24:43.000
<v Speaker 1>jay Z's last name. Calm down, you're related to jay

0:24:43.080 --> 0:24:45.480
<v Speaker 1>Z at best, which is not to slander jay Z

0:24:45.680 --> 0:24:47.840
<v Speaker 1>ja Z You're wonderful. I know you're listening to this

0:24:47.880 --> 0:24:52.200
<v Speaker 1>as we are a top podcast. Um, jay Z is

0:24:52.240 --> 0:24:54.560
<v Speaker 1>no Beyonce. I feel like we can all say and

0:24:55.000 --> 0:24:57.240
<v Speaker 1>are different people. Yes, that is what I will say.

0:24:57.280 --> 0:25:00.240
<v Speaker 1>But they could be like cousins in law, which would

0:25:00.240 --> 0:25:03.040
<v Speaker 1>be really cool. Yes, cousins by marriage. But so we've

0:25:03.040 --> 0:25:05.840
<v Speaker 1>talked about everything sort of accept the worst part of

0:25:05.840 --> 0:25:11.399
<v Speaker 1>that first segment, which is the shooting itself, and it

0:25:11.560 --> 0:25:18.679
<v Speaker 1>was really illuminating to see how Uh it was very

0:25:18.760 --> 0:25:20.879
<v Speaker 1>upsetting for me to watch it and film. It was

0:25:21.080 --> 0:25:25.360
<v Speaker 1>hard to read, but it was harder to watch. And uh,

0:25:25.520 --> 0:25:28.200
<v Speaker 1>it's interesting to see how she focuses on tiny details

0:25:28.280 --> 0:25:30.320
<v Speaker 1>like the badge number because her dad was like, make

0:25:30.320 --> 0:25:32.720
<v Speaker 1>sure you have a badge number, And for the rest

0:25:32.720 --> 0:25:34.280
<v Speaker 1>of the book she only refers to him by his

0:25:34.320 --> 0:25:38.880
<v Speaker 1>badge number, even after learning his name. And I think

0:25:38.960 --> 0:25:43.919
<v Speaker 1>also just her insistence like hey, Khalil, you need to

0:25:44.000 --> 0:25:47.560
<v Speaker 1>listen to to me. It also really shows that there's

0:25:47.560 --> 0:25:50.760
<v Speaker 1>a family cohesiveness in her life and there's like a

0:25:51.000 --> 0:25:54.480
<v Speaker 1>familial care in her life that wasn't in Khalil's life

0:25:54.480 --> 0:25:58.560
<v Speaker 1>because Khalil's mother has has a drug problem and isn't

0:25:58.560 --> 0:26:02.000
<v Speaker 1>fully present in his life. And I think that later on,

0:26:02.240 --> 0:26:05.280
<v Speaker 1>Star sort of blames his mother in a way for that,

0:26:05.359 --> 0:26:07.800
<v Speaker 1>because if someone had had to talk with him, he

0:26:07.920 --> 0:26:14.480
<v Speaker 1>might still be alive. Mm hmm, yeah, I hate you

0:26:14.480 --> 0:26:22.120
<v Speaker 1>give a little infants everyone. Yeah. Um. So I think

0:26:22.160 --> 0:26:26.560
<v Speaker 1>that also the fact that she was so overwrought with

0:26:26.600 --> 0:26:31.080
<v Speaker 1>emotion after this shooting happens, that she forgets everything that

0:26:31.160 --> 0:26:33.240
<v Speaker 1>she's been taught and she does run after him and

0:26:33.280 --> 0:26:36.119
<v Speaker 1>sort of put herself in danger. The gun probably wouldn't

0:26:36.119 --> 0:26:37.720
<v Speaker 1>have been pointed at her if she hadn't left the

0:26:37.760 --> 0:26:41.359
<v Speaker 1>car to go run to help Khalil Uh shows that

0:26:41.880 --> 0:26:45.600
<v Speaker 1>there's a love there for him, just a friend love,

0:26:45.800 --> 0:26:47.919
<v Speaker 1>maybe more because they did have a little kiss when

0:26:47.920 --> 0:26:51.720
<v Speaker 1>they were younger, but a friend love that supersedes everything

0:26:51.720 --> 0:26:55.280
<v Speaker 1>else and supersedes all of her training and conditioning to

0:26:55.359 --> 0:26:58.919
<v Speaker 1>not do these things, and that in a way, the

0:26:59.040 --> 0:27:02.240
<v Speaker 1>love is stronger been the hate that's been given by

0:27:02.320 --> 0:27:07.680
<v Speaker 1>the police and everything. Um yeah, I'm done. Yeah. And

0:27:08.040 --> 0:27:12.399
<v Speaker 1>it was so interesting to see Khalil's reaction to the

0:27:12.440 --> 0:27:15.119
<v Speaker 1>police because when you're when I was watching in the movie,

0:27:15.160 --> 0:27:17.760
<v Speaker 1>I was with Star you're like, just just put your

0:27:17.760 --> 0:27:19.919
<v Speaker 1>hands on the dashboard, just do what he says. But

0:27:20.000 --> 0:27:23.600
<v Speaker 1>you also recognize that like, yeah, from Khalil's perspective and

0:27:23.720 --> 0:27:26.919
<v Speaker 1>from the world's perspective, like it is absolute bullshit, like

0:27:26.960 --> 0:27:29.080
<v Speaker 1>the fact that the cop is treating him that way

0:27:29.280 --> 0:27:31.520
<v Speaker 1>and the fact that Khalil has had to deal with

0:27:31.520 --> 0:27:34.760
<v Speaker 1>that for his entire life, Like you're asking someone to

0:27:34.920 --> 0:27:39.280
<v Speaker 1>behave I'm putting air quotes around this rationally in an

0:27:39.280 --> 0:27:43.359
<v Speaker 1>irrational system. And one detail I forgot to mention was

0:27:43.400 --> 0:27:46.360
<v Speaker 1>that they're pulled over because of a broken tail light.

0:27:46.520 --> 0:27:51.760
<v Speaker 1>So it's not even for anything like any traffic violation,

0:27:52.240 --> 0:27:55.159
<v Speaker 1>not that that would cause any more reason to be

0:27:55.200 --> 0:27:59.040
<v Speaker 1>antagonizing the way that one fIF was, but it is

0:27:59.119 --> 0:28:03.639
<v Speaker 1>like that is his life and just being you know,

0:28:03.800 --> 0:28:09.560
<v Speaker 1>harassed constantly, and you understand exactly why you know, um,

0:28:09.680 --> 0:28:12.399
<v Speaker 1>he's like that, but but you also, yeah, you were

0:28:12.440 --> 0:28:14.960
<v Speaker 1>on star side outside of just like don't go back

0:28:14.960 --> 0:28:17.120
<v Speaker 1>into the house, you know, don't go into the basement.

0:28:17.320 --> 0:28:21.720
<v Speaker 1>You know, it feels like watching a horror movie. That's real.

0:28:22.359 --> 0:28:24.760
<v Speaker 1>There's no question in my mind that if Khalil had

0:28:24.800 --> 0:28:28.439
<v Speaker 1>been white and been openly antagonistic with the cop. It

0:28:28.480 --> 0:28:32.879
<v Speaker 1>would have been fine. I grew up in a wealthy

0:28:32.960 --> 0:28:37.359
<v Speaker 1>white community. There were kids who got pulled over and

0:28:37.400 --> 0:28:40.560
<v Speaker 1>told cops to go funk themselves, and it was like, well,

0:28:40.600 --> 0:28:44.560
<v Speaker 1>we'll talk to your father about this, young match. Um.

0:28:44.880 --> 0:28:49.280
<v Speaker 1>So yeah, I think it's very clear that this only

0:28:49.320 --> 0:28:51.960
<v Speaker 1>happened because of race, and that he was so trigger

0:28:52.000 --> 0:28:55.560
<v Speaker 1>happy that he was so ready to shoot at the

0:28:55.560 --> 0:28:57.880
<v Speaker 1>first sign of movement. I mean that is only because

0:28:58.000 --> 0:29:01.000
<v Speaker 1>Khalil was black. I um. And they do go into

0:29:01.040 --> 0:29:03.280
<v Speaker 1>that a little bit more in the movie than in

0:29:03.320 --> 0:29:07.000
<v Speaker 1>the book, the trigger happiness of the white the white

0:29:07.000 --> 0:29:10.600
<v Speaker 1>cop in the face of a black Uh. To use

0:29:10.920 --> 0:29:13.320
<v Speaker 1>a word, I guess suspect I don't like using that word.

0:29:13.400 --> 0:29:20.600
<v Speaker 1>But um. But something else that I thought, sorry, um

0:29:20.960 --> 0:29:26.280
<v Speaker 1>who um. Something else that I thought was really interesting

0:29:26.840 --> 0:29:32.200
<v Speaker 1>was the choice to make it a more specific visible

0:29:32.240 --> 0:29:36.000
<v Speaker 1>thing that Khalil didn't do in the in the movie,

0:29:36.200 --> 0:29:38.440
<v Speaker 1>because in the movie it wasn't a broken tail light,

0:29:38.520 --> 0:29:42.960
<v Speaker 1>it was failure to signal when changing lanes. And that

0:29:43.120 --> 0:29:45.880
<v Speaker 1>also caused the mind of course Sandra Bland, who got

0:29:45.880 --> 0:29:50.920
<v Speaker 1>pulled over for the same thing. And I thought that

0:29:50.960 --> 0:29:53.400
<v Speaker 1>it was interesting, And there were a couple of things

0:29:53.600 --> 0:29:55.560
<v Speaker 1>while watching the movie that made me wonder did a

0:29:55.560 --> 0:29:58.040
<v Speaker 1>white person write this? Which a white person did write this?

0:30:00.040 --> 0:30:04.280
<v Speaker 1>And that was the first thing, especially because I could

0:30:04.360 --> 0:30:06.680
<v Speaker 1>see watching the movie that his tail lights weren't out,

0:30:06.680 --> 0:30:08.120
<v Speaker 1>and I was like, oh, is this guy's still gonna

0:30:08.200 --> 0:30:10.640
<v Speaker 1>pull him over for a broken tail light? And in

0:30:10.680 --> 0:30:13.880
<v Speaker 1>the book, there's no way to tell whether or not

0:30:14.240 --> 0:30:17.080
<v Speaker 1>there was a legitimate, quote unquote legitimate reason to pull

0:30:17.160 --> 0:30:18.680
<v Speaker 1>him over because we don't see the tail light at

0:30:18.720 --> 0:30:23.560
<v Speaker 1>any point, so it doesn't matter whether it was something

0:30:23.600 --> 0:30:25.760
<v Speaker 1>that he did wrong or not. In the book, he

0:30:25.840 --> 0:30:28.280
<v Speaker 1>was pulled over and then he was treated poorly. And

0:30:28.400 --> 0:30:31.280
<v Speaker 1>this in the film version. I found it. I don't

0:30:31.280 --> 0:30:34.160
<v Speaker 1>want to stay upsetting, but I found it interesting that

0:30:34.320 --> 0:30:38.600
<v Speaker 1>one could justify them being pulled over objectively. I do.

0:30:39.120 --> 0:30:41.800
<v Speaker 1>I want to point out not that this just I

0:30:41.840 --> 0:30:45.880
<v Speaker 1>guess part of the conversation. Actually the screenwriter, Audrey wells Uh,

0:30:46.080 --> 0:30:50.000
<v Speaker 1>died of cancer the day the day before it was released. Yeah,

0:30:50.120 --> 0:30:54.840
<v Speaker 1>I also saw that God just its own weird tragedy,

0:30:55.120 --> 0:30:57.240
<v Speaker 1>But yeah I did. I was like, well, why out

0:30:57.240 --> 0:31:00.760
<v Speaker 1>of every screenwriter in Hollywood may be with what a

0:31:00.760 --> 0:31:05.120
<v Speaker 1>black person not right? This incredibly black species, every single screenwriter,

0:31:05.480 --> 0:31:08.440
<v Speaker 1>just there's so many people. There was also a moment

0:31:08.600 --> 0:31:11.120
<v Speaker 1>in the movie too that I found interesting that I

0:31:11.200 --> 0:31:13.719
<v Speaker 1>was like, Okay, this might be attributed to having a

0:31:13.720 --> 0:31:17.479
<v Speaker 1>white screenwriter. Is that they gave the cop a moment.

0:31:17.600 --> 0:31:20.680
<v Speaker 1>You got to see there was a moment where the

0:31:20.720 --> 0:31:25.920
<v Speaker 1>cop realized that he had sucked up. And to me,

0:31:26.160 --> 0:31:30.880
<v Speaker 1>that I think humanized it in a way that I

0:31:30.920 --> 0:31:35.200
<v Speaker 1>don't agree with necessarily in that situation, it was copaganda.

0:31:35.960 --> 0:31:38.400
<v Speaker 1>It's like it's Coppa. It was totally capaganda. And I

0:31:38.440 --> 0:31:42.600
<v Speaker 1>was like, ah, that wasn't exactly. They also made it

0:31:42.680 --> 0:31:46.640
<v Speaker 1>so that Khalil was actively reaching for the hairbrush and

0:31:46.680 --> 0:31:48.760
<v Speaker 1>like pulled the hair brush out, which in the book

0:31:48.800 --> 0:31:52.240
<v Speaker 1>he doesn't do the same way, and then the cop

0:31:52.520 --> 0:31:55.840
<v Speaker 1>like sees it and he's like ship And that's like

0:31:55.880 --> 0:31:57.920
<v Speaker 1>what you were talking about, Like the moment where he's like, oh,

0:31:57.960 --> 0:32:00.920
<v Speaker 1>I sucked up. Um. I think like a decision to

0:32:00.960 --> 0:32:03.640
<v Speaker 1>call him one fifteen throughout the book was like a

0:32:03.680 --> 0:32:07.360
<v Speaker 1>really choice on Andrew's part for that reason that you're

0:32:07.360 --> 0:32:09.520
<v Speaker 1>talking about, where it's like, for once, we're going to

0:32:09.640 --> 0:32:14.960
<v Speaker 1>humanize Kali. Yeah, I really appreciated that choice and it

0:32:15.080 --> 0:32:18.880
<v Speaker 1>felt so intentional throughout, Like, the only time you ever that,

0:32:19.040 --> 0:32:21.360
<v Speaker 1>the only time you ever see him again is in

0:32:21.480 --> 0:32:26.240
<v Speaker 1>this cappaganda interview with his father, and that's the only

0:32:26.280 --> 0:32:29.520
<v Speaker 1>time he is quote unquote humanized. But it is seen

0:32:29.800 --> 0:32:34.120
<v Speaker 1>through the lens of Star, which is which I felt

0:32:34.240 --> 0:32:37.280
<v Speaker 1>was of such a good choice because you were there

0:32:37.320 --> 0:32:43.360
<v Speaker 1>with her, not with them, and it is intentionally capaganda. Absolutely, Yeah,

0:32:43.560 --> 0:32:45.800
<v Speaker 1>it was very clearly. And I think they had mentioned

0:32:45.800 --> 0:32:49.120
<v Speaker 1>before he's probably going to do these interviews, and that

0:32:49.200 --> 0:32:51.200
<v Speaker 1>was one of the reasons that Starr was encouraged to

0:32:51.280 --> 0:32:53.920
<v Speaker 1>also do an interview. All right, so here, maybe it's

0:32:53.920 --> 0:32:56.720
<v Speaker 1>a good spot for for a little break. M hmm,

0:32:57.080 --> 0:33:07.640
<v Speaker 1>sounds great. This is Popcorn book Club. We'll be right

0:33:07.680 --> 0:33:15.720
<v Speaker 1>back after this quick break. Okay, we're back with Popcorn

0:33:15.760 --> 0:33:19.880
<v Speaker 1>book Club. Yeah, do you want to handle the next

0:33:19.920 --> 0:33:26.640
<v Speaker 1>part post shooting? Yes? Um, so, I think the cops

0:33:26.640 --> 0:33:29.600
<v Speaker 1>do not help Khalil and he dies in the street,

0:33:30.200 --> 0:33:34.160
<v Speaker 1>and it immediately triggers stars memory of another best friend

0:33:34.200 --> 0:33:38.200
<v Speaker 1>of hers who is murdered. We find out that Star

0:33:38.320 --> 0:33:40.320
<v Speaker 1>has a trio of best She's part of a trio

0:33:40.840 --> 0:33:43.680
<v Speaker 1>of best friends. It's her, Khalil and her friend Natasha

0:33:44.240 --> 0:33:48.120
<v Speaker 1>and Natasha is murdered by a gang violence, UM, and

0:33:48.160 --> 0:33:52.080
<v Speaker 1>it's kind of she's having this like flashback happening in

0:33:52.120 --> 0:33:55.800
<v Speaker 1>that moment. UM. The next day we get back to

0:33:56.040 --> 0:34:00.640
<v Speaker 1>I Believe uh stars home and she shares with her

0:34:00.640 --> 0:34:04.760
<v Speaker 1>parents that she really doesn't want to share or want

0:34:04.760 --> 0:34:07.520
<v Speaker 1>people to know that she was the witness at the

0:34:07.560 --> 0:34:11.759
<v Speaker 1>shooting at the murder um and because she's afraid of

0:34:11.760 --> 0:34:14.440
<v Speaker 1>the backlash. She knows that this could be become a

0:34:14.520 --> 0:34:18.680
<v Speaker 1>national news story and that she has seen what other

0:34:18.719 --> 0:34:23.440
<v Speaker 1>witnesses have had to experience of like online backlash, harassment,

0:34:23.560 --> 0:34:26.320
<v Speaker 1>death threats, um, and she doesn't want to put herself

0:34:26.320 --> 0:34:30.120
<v Speaker 1>in that position. UM. We also learn in these in

0:34:29.880 --> 0:34:34.040
<v Speaker 1>in this chapter that she has a love for Fresh Prince. UM,

0:34:34.080 --> 0:34:36.920
<v Speaker 1>that she's a huge fan of Will because in some

0:34:36.960 --> 0:34:40.480
<v Speaker 1>ways her and Will share a similarity in that they,

0:34:40.640 --> 0:34:45.000
<v Speaker 1>you know, went to a mostly like a predominantly white

0:34:45.880 --> 0:34:49.680
<v Speaker 1>private school. UM, and she kind of like relates to

0:34:49.719 --> 0:34:52.600
<v Speaker 1>Will in that way. And also she shares I think

0:34:52.600 --> 0:34:55.080
<v Speaker 1>that's when we find out that her boyfriend also likes

0:34:55.120 --> 0:34:58.279
<v Speaker 1>Fresh Prince to Chris, and that they have kind of

0:34:58.320 --> 0:35:01.760
<v Speaker 1>shared a shared love of Fresh Prince. It's their high

0:35:01.760 --> 0:35:07.719
<v Speaker 1>school love connection. UM. We also are introduced to Maverick

0:35:08.480 --> 0:35:13.560
<v Speaker 1>uh Stars dad and his You know that he really

0:35:14.040 --> 0:35:16.920
<v Speaker 1>has a lot of the with them, trying that a lot.

0:35:17.000 --> 0:35:18.800
<v Speaker 1>He takes a lot of his values in or follows

0:35:18.800 --> 0:35:22.000
<v Speaker 1>the lives his life through the rules and principles of

0:35:22.440 --> 0:35:26.400
<v Speaker 1>Black Panther Party and Black Power. UM. We learn about

0:35:26.400 --> 0:35:32.160
<v Speaker 1>the ten point Uh program. UM. And then we also

0:35:32.239 --> 0:35:35.759
<v Speaker 1>learned about stars relationship to King, that he is her

0:35:35.800 --> 0:35:42.120
<v Speaker 1>godfather and that he kind of is this villain in

0:35:42.200 --> 0:35:45.879
<v Speaker 1>the neighborhood. He is the big drug lord UM, and

0:35:45.920 --> 0:35:49.160
<v Speaker 1>that him and Maverick her dad have had a history,

0:35:49.239 --> 0:35:52.000
<v Speaker 1>which we will learn about more later on. And I

0:35:52.040 --> 0:35:54.920
<v Speaker 1>do think that we we briefly talked about it earlier,

0:35:54.960 --> 0:35:57.799
<v Speaker 1>but it's important to just note very clearly that the

0:35:57.840 --> 0:36:00.960
<v Speaker 1>boyfriend who also likes Fresh Prince Chris, he is white.

0:36:01.840 --> 0:36:07.000
<v Speaker 1>Oh yes, Chris is white. UM. Very important to make

0:36:07.000 --> 0:36:11.880
<v Speaker 1>sure we know that. And and then we move on

0:36:11.960 --> 0:36:14.520
<v Speaker 1>in Star weeks up from a nightmare and Uh finds

0:36:14.520 --> 0:36:18.759
<v Speaker 1>her parents and Uncle Carlos are talking about the murder

0:36:19.040 --> 0:36:23.600
<v Speaker 1>and Uncle Carlos wants start to testify, and it almost

0:36:23.920 --> 0:36:28.759
<v Speaker 1>I mean, it's already complicated that Uncle Carlos is a cop.

0:36:28.840 --> 0:36:31.359
<v Speaker 1>We find out that he's a cop, and he once

0:36:31.440 --> 0:36:37.040
<v Speaker 1>started to testify to almost maybe justify the shooting. He

0:36:37.120 --> 0:36:38.759
<v Speaker 1>doesn't say it as much, but there's kind of an

0:36:38.760 --> 0:36:40.560
<v Speaker 1>illusion of like trying to get to the truth of

0:36:40.560 --> 0:36:43.760
<v Speaker 1>the matter, and that Khalil might have been a drug

0:36:43.800 --> 0:36:48.480
<v Speaker 1>dealer and that maybe this is why this incident he

0:36:48.800 --> 0:36:52.240
<v Speaker 1>keeps calling it happens and Uncle Carlos, as Scart started

0:36:52.320 --> 0:36:56.799
<v Speaker 1>testify and she agrees despite being kind of terrified to

0:36:56.960 --> 0:37:00.400
<v Speaker 1>confront the police again. UM. We also learned at this

0:37:00.440 --> 0:37:02.359
<v Speaker 1>time that Uncle Carlos has stepped in as a father

0:37:02.440 --> 0:37:06.600
<v Speaker 1>figure while Maverick was in jail because Maverick was a

0:37:06.600 --> 0:37:09.440
<v Speaker 1>part of the King Lords, which we learn more about

0:37:09.520 --> 0:37:13.319
<v Speaker 1>later um, but that he actually went to jail because

0:37:13.320 --> 0:37:15.120
<v Speaker 1>he took the fall for King, so we will learn

0:37:15.120 --> 0:37:18.839
<v Speaker 1>more about later um. And then this chapter ends with

0:37:19.360 --> 0:37:25.000
<v Speaker 1>I believe the fam visits Khalil's grandmother and we learned

0:37:25.040 --> 0:37:29.000
<v Speaker 1>that he was dealing. We again don't get the full

0:37:29.040 --> 0:37:33.120
<v Speaker 1>picture and stars upset because we learned that Khalil's mother

0:37:33.400 --> 0:37:36.719
<v Speaker 1>was an addict. And so it's interesting that we get

0:37:36.760 --> 0:37:40.120
<v Speaker 1>these little tidbits about Khalil because almost as if Star

0:37:40.280 --> 0:37:43.120
<v Speaker 1>is also stereotyping Khalil as like this person who was

0:37:43.160 --> 0:37:45.279
<v Speaker 1>a drug dealer, how could he ever fall into that life?

0:37:45.280 --> 0:37:49.160
<v Speaker 1>And she hasn't fully grasped the full picture of why

0:37:49.960 --> 0:37:54.760
<v Speaker 1>someone like Khalil would have to resort to such resort

0:37:54.840 --> 0:38:00.280
<v Speaker 1>to something like that. Yeah, absolutely, I think that. Um,

0:38:00.440 --> 0:38:05.640
<v Speaker 1>the thing about Carlos being the father figure becomes complex

0:38:06.440 --> 0:38:11.080
<v Speaker 1>because there's this cop that she loves and there's this

0:38:11.160 --> 0:38:14.040
<v Speaker 1>cop that she hates right now, and how do you

0:38:14.800 --> 0:38:17.680
<v Speaker 1>reconcile those two things? And how do you fear and

0:38:17.760 --> 0:38:21.160
<v Speaker 1>hate the cops but also love and care for your

0:38:21.239 --> 0:38:23.319
<v Speaker 1>uncle who for the first like three or four years

0:38:23.320 --> 0:38:27.239
<v Speaker 1>of her life was the only father figure that she knew. Uh.

0:38:27.280 --> 0:38:32.279
<v Speaker 1>And also we get this the scene where we do

0:38:32.360 --> 0:38:36.080
<v Speaker 1>meet Khalil's mom, Miss Brenda, and she comes into the

0:38:36.120 --> 0:38:42.720
<v Speaker 1>clinic where Lisa Carter Stars mom works, and she is crying.

0:38:42.840 --> 0:38:47.440
<v Speaker 1>She's distraught. She's like, that killed my baby, and Star

0:38:47.680 --> 0:38:50.960
<v Speaker 1>blames her and she gets angry and she says like, oh,

0:38:51.040 --> 0:38:53.560
<v Speaker 1>now she wants to be his mother. And Lisa is

0:38:53.640 --> 0:38:56.000
<v Speaker 1>much more sympathetic and she says, no matter what she's done,

0:38:56.000 --> 0:38:59.400
<v Speaker 1>she's still his mother. And he's still gone, and I

0:38:59.440 --> 0:39:02.160
<v Speaker 1>think that that's an important and just this sort of

0:39:02.600 --> 0:39:08.040
<v Speaker 1>running theme of family and parents. And also when we

0:39:08.040 --> 0:39:09.919
<v Speaker 1>meet Maverick, we do get to find out a little

0:39:09.920 --> 0:39:13.120
<v Speaker 1>bit more about like you mentioned the Black Panthers and

0:39:13.160 --> 0:39:15.800
<v Speaker 1>then in the book. I found it really interesting that

0:39:15.840 --> 0:39:17.560
<v Speaker 1>they got rid of this in the movie. Again, the

0:39:17.640 --> 0:39:20.359
<v Speaker 1>thing that I was like, did a white person write this? Uh,

0:39:20.560 --> 0:39:24.919
<v Speaker 1>the whole praying specifically to black Jesus and making that

0:39:25.239 --> 0:39:29.799
<v Speaker 1>not not Jesus, specifically black Jesus. And there's a lot

0:39:29.840 --> 0:39:32.760
<v Speaker 1>of interesting religious stuff where they pray to black Jesus.

0:39:32.760 --> 0:39:37.640
<v Speaker 1>But also Maverick seems to sort of adhere to some

0:39:37.719 --> 0:39:40.680
<v Speaker 1>of the beliefs of the Nation of Islam and he

0:39:40.760 --> 0:39:43.839
<v Speaker 1>gets upset that there's pork in his house and he's

0:39:43.840 --> 0:39:48.959
<v Speaker 1>just like, don't eat that stuff. But he's not actually Muslim,

0:39:49.000 --> 0:39:52.320
<v Speaker 1>and he's not there's no indication that he is active

0:39:52.440 --> 0:39:54.960
<v Speaker 1>in the Nation of Islam. Which I don't know if

0:39:54.960 --> 0:39:58.000
<v Speaker 1>you all knew this, but the Southern Property Law Center

0:39:58.080 --> 0:40:02.240
<v Speaker 1>qualifies as a hate group, um, which is really interesting.

0:40:03.239 --> 0:40:07.520
<v Speaker 1>I did not know that. I mean, there's a lot

0:40:07.560 --> 0:40:12.360
<v Speaker 1>of complicated stuff with some people and very anti Semitic things.

0:40:12.480 --> 0:40:16.040
<v Speaker 1>Oh yeah, I didn't know about the until I saw it.

0:40:16.120 --> 0:40:20.760
<v Speaker 1>I was like, oh yeah, this sounds like a hate group. Yeah,

0:40:20.840 --> 0:40:23.799
<v Speaker 1>I would say, like like Louis Farrakon. It was who

0:40:23.880 --> 0:40:28.120
<v Speaker 1>was that like influencer who quoted Ferrikon and was like

0:40:28.160 --> 0:40:33.680
<v Speaker 1>who is this guy? Like it was, Oh, yes, that

0:40:35.800 --> 0:40:39.000
<v Speaker 1>was somebody I can't remember. Yeah. I think it was

0:40:40.880 --> 0:40:46.160
<v Speaker 1>Women's Smart And I think it was Jamill Legimil who

0:40:46.200 --> 0:40:49.239
<v Speaker 1>posted like a picture of Louis Ferakon and a and

0:40:49.280 --> 0:40:51.279
<v Speaker 1>a quote from him, and it was like a good

0:40:51.360 --> 0:40:54.040
<v Speaker 1>quote because you know, sometimes people with bad beliefs can

0:40:54.080 --> 0:41:01.360
<v Speaker 1>say Hitler was a great man. Yeah, so you should

0:41:01.360 --> 0:41:05.160
<v Speaker 1>maybe distance yourself from anybody who feels that way about Yeah.

0:41:05.239 --> 0:41:07.520
<v Speaker 1>Yeah and so and so you're like, all right, there's

0:41:07.600 --> 0:41:10.840
<v Speaker 1>there's nuance here. Do you shouldn't. Let's let's not hate

0:41:10.960 --> 0:41:13.439
<v Speaker 1>Jews or black people. I think that both. I think

0:41:13.440 --> 0:41:16.440
<v Speaker 1>we can stand as a podcast and say, don't hate Jews,

0:41:16.680 --> 0:41:20.280
<v Speaker 1>don't hate black people for being Jewish or for being black.

0:41:20.520 --> 0:41:23.719
<v Speaker 1>If like a black person like says a mean thing

0:41:23.760 --> 0:41:25.839
<v Speaker 1>to you, then you can be like, hey, you're a

0:41:25.840 --> 0:41:28.880
<v Speaker 1>mean person who was also black. You don't have to

0:41:28.960 --> 0:41:32.000
<v Speaker 1>love every single black person. But like maybe if they

0:41:32.000 --> 0:41:37.160
<v Speaker 1>say Hitler's great, don't Yeah, yeah, I'd like to go

0:41:37.200 --> 0:41:39.480
<v Speaker 1>on the record of saying that Hitler was not a

0:41:39.520 --> 0:41:41.759
<v Speaker 1>great man. He was a very bad man and a

0:41:41.840 --> 0:41:47.319
<v Speaker 1>mediocre artist too. Well, I'm glad that we as a

0:41:47.360 --> 0:41:53.480
<v Speaker 1>podcast are navigating these very controversial really well. I hope

0:41:53.480 --> 0:41:58.280
<v Speaker 1>we get more episodes after this. I think it's so

0:41:58.680 --> 0:42:01.279
<v Speaker 1>interesting of Angie. I just want to go back to

0:42:01.320 --> 0:42:04.520
<v Speaker 1>what you said, Karama about like, you know how the

0:42:05.440 --> 0:42:08.000
<v Speaker 1>medias and story media and stories like to make like

0:42:08.400 --> 0:42:12.080
<v Speaker 1>a monolith of black folks. And it's interesting that Maverick

0:42:12.160 --> 0:42:16.440
<v Speaker 1>and Carlos are two very specific black men responding to

0:42:16.480 --> 0:42:20.200
<v Speaker 1>white supremacy in different ways. One lives to fight it

0:42:20.280 --> 0:42:25.120
<v Speaker 1>with his family in the neighborhood. The other arguably assimilates

0:42:25.719 --> 0:42:28.960
<v Speaker 1>and wants to try and fix it from within, like

0:42:29.560 --> 0:42:32.279
<v Speaker 1>to see and he is just doing so much with

0:42:32.320 --> 0:42:36.080
<v Speaker 1>this book. It's just like so important. I would say

0:42:36.080 --> 0:42:39.520
<v Speaker 1>that each character navigates their blackness in a really different way.

0:42:40.120 --> 0:42:44.200
<v Speaker 1>And um, I thought it was interesting that in the

0:42:44.280 --> 0:42:48.799
<v Speaker 1>movie Lisa the mom had relaxed hair. Do you all

0:42:48.800 --> 0:42:50.880
<v Speaker 1>know what it means to have relaxed hair? Is that

0:42:50.920 --> 0:42:53.279
<v Speaker 1>a thing that you understand, not to like maybe you,

0:42:53.560 --> 0:42:56.560
<v Speaker 1>but I just know that sometimes non black people don't

0:42:56.600 --> 0:42:58.960
<v Speaker 1>know terms that are very common in the black community.

0:42:59.040 --> 0:43:01.640
<v Speaker 1>So for those of you listening who don't know what

0:43:01.680 --> 0:43:04.840
<v Speaker 1>that means, relaxing your hair is when you chemically straighten

0:43:04.920 --> 0:43:09.440
<v Speaker 1>it with a combination of chemicals like lie is one

0:43:09.440 --> 0:43:12.960
<v Speaker 1>of them. If you haven't seen Chris Rocks documentary Good Hair,

0:43:13.280 --> 0:43:17.000
<v Speaker 1>you should see it. It's incredible. Uh, it's like ten

0:43:17.080 --> 0:43:19.800
<v Speaker 1>years old at this point, but it's still really important,

0:43:19.880 --> 0:43:23.080
<v Speaker 1>really incredible to learn about black hair and just a

0:43:23.120 --> 0:43:27.120
<v Speaker 1>lot of the hatred and stereotypes that come with having

0:43:27.160 --> 0:43:30.399
<v Speaker 1>black hair in various forms. And there are a lot

0:43:30.400 --> 0:43:33.560
<v Speaker 1>of people who say that people who relax their hair

0:43:34.040 --> 0:43:37.400
<v Speaker 1>are trying to quote unquote be white or try to assimilate.

0:43:37.840 --> 0:43:41.200
<v Speaker 1>And um, I thought that was an interesting choice because

0:43:41.239 --> 0:43:43.600
<v Speaker 1>given the conversations that Maverick and Lisa tend to have

0:43:43.640 --> 0:43:46.759
<v Speaker 1>about her wanting to leave the neighborhood and her being like,

0:43:46.840 --> 0:43:49.960
<v Speaker 1>we need to move out of Garden Heights, that this

0:43:50.000 --> 0:43:53.040
<v Speaker 1>needs to happen now that she was the one that

0:43:53.120 --> 0:43:56.360
<v Speaker 1>had relaxed hair, and Starr has her hair and braids,

0:43:56.400 --> 0:43:59.080
<v Speaker 1>which is a protective style for natural hair, and so

0:43:59.160 --> 0:44:01.480
<v Speaker 1>stars kind of in this in between where she doesn't

0:44:01.520 --> 0:44:05.120
<v Speaker 1>have her natural hair, like fully out, but she has

0:44:05.239 --> 0:44:09.640
<v Speaker 1>this decidedly black hairstyle that is more quote unquote palatable

0:44:09.880 --> 0:44:14.440
<v Speaker 1>to white people. And I feel like they say a

0:44:14.520 --> 0:44:18.359
<v Speaker 1>lot in the movie with visual cues, like early on

0:44:18.640 --> 0:44:22.160
<v Speaker 1>when she's part of it, is like her mom uh

0:44:22.640 --> 0:44:27.560
<v Speaker 1>drives her from their neighborhood to this uh more wealthy

0:44:27.560 --> 0:44:31.480
<v Speaker 1>neighborhood into this predominantly white school and uh Starry is

0:44:31.520 --> 0:44:34.279
<v Speaker 1>wearing a hoodie, and when she gets to school, she

0:44:34.480 --> 0:44:36.960
<v Speaker 1>pulls the hood off and takes the hoodie off. But

0:44:37.000 --> 0:44:40.239
<v Speaker 1>then later in the film, when she finally sort of

0:44:40.239 --> 0:44:44.120
<v Speaker 1>embraces both sides of herself and becomes decides to just

0:44:44.200 --> 0:44:48.000
<v Speaker 1>be Star everywhere, when she confronts Haley, she's wearing a

0:44:48.000 --> 0:44:50.440
<v Speaker 1>hoodie with a hoodie with the hood up, and I

0:44:50.480 --> 0:44:52.839
<v Speaker 1>was like, oh, there it is. It's like it's part

0:44:52.840 --> 0:44:56.680
<v Speaker 1>of her uniform still, like it's like a white uniform sweatshirt.

0:44:56.719 --> 0:45:00.000
<v Speaker 1>But it's clearly they made the choice to to communicate

0:45:00.040 --> 0:45:03.239
<v Speaker 1>that visually, which I appreciated because otherwise I did sort

0:45:03.280 --> 0:45:08.759
<v Speaker 1>of feel like the movie gave short thrift to um

0:45:08.960 --> 0:45:12.400
<v Speaker 1>Regina Hall's character as Lisa Carter, and Regina Hall is

0:45:12.440 --> 0:45:14.880
<v Speaker 1>like such a wonderful actress again, but I think that

0:45:14.960 --> 0:45:18.360
<v Speaker 1>the movie. I think the movie didn't give her a

0:45:18.400 --> 0:45:21.520
<v Speaker 1>lot to do, and she she blew me out of

0:45:21.520 --> 0:45:24.000
<v Speaker 1>the water with what she did do. But yeah, I

0:45:24.040 --> 0:45:26.480
<v Speaker 1>think that the Mother. I felt like all of the

0:45:26.520 --> 0:45:31.560
<v Speaker 1>women characters in the book, aside from Star or in

0:45:31.600 --> 0:45:34.520
<v Speaker 1>the movie, aside from Star kind of got short change.

0:45:34.520 --> 0:45:37.120
<v Speaker 1>Like they completely got rid of Nana, the grandmother character,

0:45:37.920 --> 0:45:42.160
<v Speaker 1>and the and then the aunt, and April almost disappears

0:45:43.080 --> 0:45:46.640
<v Speaker 1>she's been a little bit. But there were a lot

0:45:46.680 --> 0:45:50.359
<v Speaker 1>of characters that sort of there's only so much time

0:45:50.360 --> 0:45:53.520
<v Speaker 1>that you can make a movie. And I just noticed

0:45:53.520 --> 0:45:55.399
<v Speaker 1>that a lot of the cutting room floor stuff ended

0:45:55.480 --> 0:45:58.920
<v Speaker 1>up being these strong black women in the story outside

0:45:59.080 --> 0:46:04.200
<v Speaker 1>of star Um. But they also cut DeVante. Yes, I

0:46:04.280 --> 0:46:07.720
<v Speaker 1>was very upset about cutting, which I was very surprised by,

0:46:07.920 --> 0:46:12.520
<v Speaker 1>especially because Davante, I feel like, comes up very early

0:46:12.600 --> 0:46:16.279
<v Speaker 1>on in the party where Kenya is there to beat

0:46:16.320 --> 0:46:19.759
<v Speaker 1>DeVante's girlfriends asked in Asia because she's been fighting with

0:46:19.800 --> 0:46:23.520
<v Speaker 1>in Asia, which I appreciated. I appreciated that Kenya is

0:46:23.560 --> 0:46:26.600
<v Speaker 1>not subtle and she's like I'm not going to psychologically

0:46:26.640 --> 0:46:29.040
<v Speaker 1>sabotage her. I'm just gonna beat the ship out of her.

0:46:29.280 --> 0:46:35.200
<v Speaker 1>And sorry, you're gonna help he he also comes like

0:46:35.520 --> 0:46:41.760
<v Speaker 1>becomes such an incredible like source of steaks and tension

0:46:42.160 --> 0:46:47.920
<v Speaker 1>because I feel like once he is introduced, you're so

0:46:48.040 --> 0:46:51.719
<v Speaker 1>worried about him the whole time of like you know,

0:46:52.440 --> 0:46:54.200
<v Speaker 1>whether I don't want to get ahead of it, but

0:46:54.200 --> 0:46:56.720
<v Speaker 1>it just it feels an he's such a beautiful character,

0:46:56.840 --> 0:47:00.080
<v Speaker 1>like his growth and and Star's relationship with him, Carlo

0:47:00.280 --> 0:47:04.280
<v Speaker 1>and Maverick, it's it feels like it's a real shape,

0:47:04.280 --> 0:47:06.839
<v Speaker 1>Like he's just such a critical part of the story.

0:47:06.880 --> 0:47:09.439
<v Speaker 1>In my opinion. Yeah, I think he's sort of represented

0:47:09.640 --> 0:47:14.960
<v Speaker 1>like the potential and risk of young black boys, like

0:47:15.320 --> 0:47:18.480
<v Speaker 1>you know, the desperation with which Carlos and Maverick both

0:47:18.520 --> 0:47:21.279
<v Speaker 1>wanted to save him. I think really commune. And it's

0:47:21.320 --> 0:47:23.759
<v Speaker 1>the first thing they agree on. It's literally the first

0:47:23.760 --> 0:47:28.560
<v Speaker 1>thing that they agree on, and it's like, um, it's

0:47:28.560 --> 0:47:31.560
<v Speaker 1>like Tan said, they are both navigating white supremacy in

0:47:31.600 --> 0:47:35.479
<v Speaker 1>different ways with the assimilation and with the like black

0:47:35.520 --> 0:47:38.160
<v Speaker 1>power response, but this is the one thing that they

0:47:38.239 --> 0:47:39.920
<v Speaker 1>can agree on that they need to keep this man,

0:47:40.040 --> 0:47:43.240
<v Speaker 1>this young man is safe, and they will work together

0:47:43.280 --> 0:47:44.719
<v Speaker 1>to figure out a way to do it that works

0:47:44.719 --> 0:47:47.600
<v Speaker 1>for both of them and works for both of their beliefs.

0:47:47.640 --> 0:47:50.040
<v Speaker 1>But this is where they can meet, is that they

0:47:50.040 --> 0:47:52.200
<v Speaker 1>want to make sure that this young man lives and

0:47:52.200 --> 0:47:55.359
<v Speaker 1>they want to make sure that he is okay, and

0:47:55.400 --> 0:47:58.360
<v Speaker 1>they can do that. I just want to say, for contrast,

0:47:58.440 --> 0:48:00.440
<v Speaker 1>in terms of the psycholotic the war fair that you

0:48:00.480 --> 0:48:04.000
<v Speaker 1>do against a boyfriend's new girlfriend is my version of that.

0:48:04.360 --> 0:48:07.080
<v Speaker 1>And a move that I have been told is in

0:48:07.120 --> 0:48:10.319
<v Speaker 1>fact bullying. You know, it's bad. It's bad. I mean

0:48:10.320 --> 0:48:13.600
<v Speaker 1>they're both bullying. Beating the ship out of someone is bullying.

0:48:13.680 --> 0:48:17.879
<v Speaker 1>A you know when am I? I found out that

0:48:17.920 --> 0:48:20.640
<v Speaker 1>like my ex that I'm very close to started seeing

0:48:20.800 --> 0:48:23.480
<v Speaker 1>this other girl and like he and I are very close,

0:48:23.480 --> 0:48:24.840
<v Speaker 1>and I was like, okay, who is she? And I

0:48:24.840 --> 0:48:27.120
<v Speaker 1>looked her up on Twitter and I just like liked

0:48:27.160 --> 0:48:29.560
<v Speaker 1>a few of her tweets and he's like and then

0:48:29.719 --> 0:48:32.880
<v Speaker 1>he immediately texted me and I was like, you can't

0:48:32.920 --> 0:48:40.279
<v Speaker 1>do that, Dana. That is bullying that I haven't done that.

0:48:40.320 --> 0:48:43.560
<v Speaker 1>This was this was like two years ago. I am

0:48:43.640 --> 0:48:47.520
<v Speaker 1>recognizing and I am growing, Yes, it is Karama is

0:48:47.680 --> 0:48:49.880
<v Speaker 1>guest guest to which ex boyfriend. It is in it

0:48:50.000 --> 0:48:52.040
<v Speaker 1>in the chat, and it is not trying to put

0:48:52.040 --> 0:48:54.880
<v Speaker 1>you on blast in front of the world, but I

0:48:54.880 --> 0:48:59.520
<v Speaker 1>did just want to know for that is uh, that

0:48:59.719 --> 0:49:03.280
<v Speaker 1>is my version of going to a party and beating

0:49:03.320 --> 0:49:08.560
<v Speaker 1>someone else. Okay, So, Um and I feel like they

0:49:08.560 --> 0:49:11.239
<v Speaker 1>are both I don't want to say valid, because they're

0:49:11.280 --> 0:49:17.360
<v Speaker 1>both horrible, but they are both recognized reactions to feeling

0:49:17.400 --> 0:49:22.359
<v Speaker 1>like your quote unquote territory, territory has been infringed upon.

0:49:23.160 --> 0:49:25.080
<v Speaker 1>But I just like that we get very early on

0:49:25.120 --> 0:49:28.880
<v Speaker 1>who Kenya is, and we do get to see a

0:49:28.920 --> 0:49:31.600
<v Speaker 1>more nuanced version of Kenya as we move along, because

0:49:31.680 --> 0:49:36.359
<v Speaker 1>Kenya is seven sister and seven is stars brother and

0:49:36.800 --> 0:49:38.560
<v Speaker 1>Kenya's father I don't know if we mentioned this, but

0:49:38.640 --> 0:49:44.000
<v Speaker 1>Kenya's father is king, which becomes a big deal later.

0:49:44.280 --> 0:49:49.040
<v Speaker 1>But um, yeah, So we've talked about Khalil's mom, um,

0:49:49.080 --> 0:49:50.880
<v Speaker 1>and I think it's time to talk about the police

0:49:50.960 --> 0:49:54.440
<v Speaker 1>station and move on from there. Dana, do you want

0:49:54.440 --> 0:50:01.600
<v Speaker 1>to take that part? Yeah? Um. Starr agrees to go

0:50:01.680 --> 0:50:04.520
<v Speaker 1>to the police station and testify about what she saw

0:50:05.080 --> 0:50:11.200
<v Speaker 1>and what happened, sort of dealing with PTSD the entire time,

0:50:11.280 --> 0:50:14.759
<v Speaker 1>which is legitimate. She saw her friend murdered in front

0:50:14.800 --> 0:50:17.800
<v Speaker 1>of her, and so she she goes to the police station,

0:50:17.920 --> 0:50:22.000
<v Speaker 1>and these two cops uh interrogate her in a way

0:50:22.040 --> 0:50:24.680
<v Speaker 1>that immediately makes it clear that they are trying to

0:50:24.800 --> 0:50:29.440
<v Speaker 1>justify what when fifteen did to Khalil, Like they're, you know,

0:50:30.560 --> 0:50:33.759
<v Speaker 1>framing the questions is such an important part of like

0:50:34.040 --> 0:50:39.560
<v Speaker 1>what what lawyers do because it it, you know, immediately

0:50:39.600 --> 0:50:42.160
<v Speaker 1>reveals your perspective. And so they're they're talking to her

0:50:42.440 --> 0:50:46.000
<v Speaker 1>in a way that makes her feel uh very much

0:50:46.560 --> 0:50:49.319
<v Speaker 1>like she's not able to do justice to Khalil in

0:50:49.360 --> 0:50:51.560
<v Speaker 1>the way that she wants to. She wants to communicate

0:50:51.600 --> 0:50:54.680
<v Speaker 1>fully that like this cop pointed a gun at her too,

0:50:54.719 --> 0:50:56.839
<v Speaker 1>which is a detail that she doesn't remember. I mean

0:50:56.960 --> 0:50:59.680
<v Speaker 1>maybe she remembers, but a detail that she didn't end

0:50:59.719 --> 0:51:03.640
<v Speaker 1>up telling the two cops until but she tells her

0:51:03.680 --> 0:51:07.000
<v Speaker 1>family later. It's like, I think, partly of repression and

0:51:07.080 --> 0:51:10.560
<v Speaker 1>partly out of the way that like they framed these questions,

0:51:10.960 --> 0:51:15.000
<v Speaker 1>so we basically get what I think, unfortunately is probably

0:51:15.000 --> 0:51:18.000
<v Speaker 1>a very realistic depiction of what someone in that situation

0:51:18.120 --> 0:51:22.400
<v Speaker 1>might go through. And she's sort of rescued from that

0:51:22.520 --> 0:51:25.560
<v Speaker 1>room by her uncle Carlos. And I think that that's

0:51:25.600 --> 0:51:28.880
<v Speaker 1>the scene where we sort of see Carlos as a

0:51:28.880 --> 0:51:33.680
<v Speaker 1>as a cop and he's like, I know one, um,

0:51:34.320 --> 0:51:38.799
<v Speaker 1>you know, and he doesn't justify it, but offers the

0:51:38.840 --> 0:51:42.920
<v Speaker 1>cop perspective, the perspective that I think the book serves

0:51:43.000 --> 0:51:45.120
<v Speaker 1>by like the people online who's like, well, I know

0:51:45.160 --> 0:51:48.040
<v Speaker 1>a cop and he's nice when people when people are protesting,

0:51:48.080 --> 0:51:50.319
<v Speaker 1>there's always the people on Facebook who are like, well,

0:51:50.360 --> 0:51:52.359
<v Speaker 1>some cops are just trying to do a good job

0:51:52.400 --> 0:51:55.200
<v Speaker 1>and do their job. And I think that's the perspective

0:51:55.280 --> 0:52:00.839
<v Speaker 1>that Carlos voices, um, which isn't you know, a perspective

0:52:00.920 --> 0:52:04.799
<v Speaker 1>that people deal with and interact with and have, And

0:52:04.840 --> 0:52:07.560
<v Speaker 1>so I think it's worthwhile. I think it's worth And

0:52:07.600 --> 0:52:10.719
<v Speaker 1>I thought it was interesting that in the book that's

0:52:10.719 --> 0:52:12.960
<v Speaker 1>a perspective he holds at the beginning of the book

0:52:13.160 --> 0:52:15.799
<v Speaker 1>and at the film's perspective holds at the end of

0:52:15.840 --> 0:52:18.040
<v Speaker 1>the film. And I felt like we missed a lot

0:52:18.040 --> 0:52:20.440
<v Speaker 1>of the growth from Uncle Carlos that we had in

0:52:20.480 --> 0:52:24.279
<v Speaker 1>the book, and it made him seem like a cop apologist. Yes,

0:52:24.320 --> 0:52:26.880
<v Speaker 1>And I think Davante helped him with that growth in

0:52:26.920 --> 0:52:30.000
<v Speaker 1>a way that we didn't get in the in the film,

0:52:30.040 --> 0:52:32.040
<v Speaker 1>because yeah, at the beginning of the story, he is

0:52:32.080 --> 0:52:36.400
<v Speaker 1>sort of like she. He sort of acts as the

0:52:36.400 --> 0:52:40.600
<v Speaker 1>cop apologist voice perspective. Um. Although one thing I don't

0:52:40.600 --> 0:52:42.560
<v Speaker 1>want to jump ahead too much, but one thing that

0:52:42.600 --> 0:52:45.840
<v Speaker 1>I was curious to know, you your your guys perspective

0:52:45.880 --> 0:52:49.680
<v Speaker 1>on his very smart people in this movement. I've heard

0:52:49.680 --> 0:52:52.319
<v Speaker 1>people being like, we have to reconcile the fact that,

0:52:52.360 --> 0:52:55.120
<v Speaker 1>like the stories still end. I mean, the story still

0:52:55.239 --> 0:52:58.480
<v Speaker 1>ends with King being arrested by the police, and that's

0:52:58.480 --> 0:53:03.719
<v Speaker 1>a victory because King, you know, and I think that

0:53:03.719 --> 0:53:07.080
<v Speaker 1>that is something that we culturally need to reconcile, like

0:53:07.160 --> 0:53:10.879
<v Speaker 1>that is still a a victory for the story, which

0:53:10.920 --> 0:53:14.440
<v Speaker 1>is the legal system working and functioning. And you know,

0:53:14.480 --> 0:53:17.399
<v Speaker 1>people sometimes say when people when people protest and say,

0:53:17.600 --> 0:53:22.480
<v Speaker 1>arrest the cops that killed in certain name here. I mean,

0:53:22.560 --> 0:53:26.399
<v Speaker 1>that's still operating within a broken system. And I think

0:53:27.239 --> 0:53:30.719
<v Speaker 1>people may criticize this book for not going far enough,

0:53:30.800 --> 0:53:33.120
<v Speaker 1>although you know, it's still a young adult novel that

0:53:33.600 --> 0:53:37.839
<v Speaker 1>raises these essential points that and perspectives that I think

0:53:37.880 --> 0:53:40.600
<v Speaker 1>so many people haven't even engaged with in the first place.

0:53:40.800 --> 0:53:45.080
<v Speaker 1>So I think, you know, maybe maybe that's not a

0:53:45.160 --> 0:53:47.799
<v Speaker 1>necessary conversation, but it is one that I thought of

0:53:47.880 --> 0:53:50.240
<v Speaker 1>and one that I thought maybe would be worth talking about.

0:53:50.840 --> 0:53:55.160
<v Speaker 1>I mean, sociopaths do exist. Um, I don't think they

0:53:55.160 --> 0:53:58.240
<v Speaker 1>are the perpetrators of most crimes. I think most crimes

0:53:58.280 --> 0:54:01.319
<v Speaker 1>stem from desperation and from a lack of resources, and

0:54:01.320 --> 0:54:04.360
<v Speaker 1>from a lack of education. But there are going to

0:54:04.360 --> 0:54:08.600
<v Speaker 1>be serial killers who exist in the world, because psychopaths

0:54:08.600 --> 0:54:12.200
<v Speaker 1>are a real thing, and some people kill people for fun. Um,

0:54:12.400 --> 0:54:17.400
<v Speaker 1>some people, you know, enjoy doing terrible things to other people.

0:54:17.520 --> 0:54:21.799
<v Speaker 1>Some people are serial rapists. But I don't know if

0:54:23.440 --> 0:54:28.400
<v Speaker 1>you mean the billions of dollars that currently go towards

0:54:28.480 --> 0:54:31.960
<v Speaker 1>the police to take care of what I think is

0:54:32.040 --> 0:54:35.840
<v Speaker 1>generally a smaller portion of people than the people that

0:54:35.920 --> 0:54:39.640
<v Speaker 1>the police are regularly called on. I think, um, at

0:54:39.640 --> 0:54:43.040
<v Speaker 1>the moment, you call a police if you find like

0:54:43.080 --> 0:54:45.160
<v Speaker 1>a dead body in an alley that has been stabbed

0:54:45.280 --> 0:54:49.000
<v Speaker 1>multiple times, with like a note that says the dogs

0:54:49.040 --> 0:54:51.080
<v Speaker 1>told me to do the best I have the dog killer.

0:54:51.640 --> 0:54:54.480
<v Speaker 1>And you also call the police if a house party

0:54:54.600 --> 0:54:58.280
<v Speaker 1>is too loud and it's midnight on a Wednesday, and

0:54:58.560 --> 0:55:02.440
<v Speaker 1>maybe maybe those two people that you're calling should not

0:55:02.480 --> 0:55:08.520
<v Speaker 1>be the same. Yes, I heartily agree. Um, when I

0:55:08.880 --> 0:55:11.000
<v Speaker 1>when I was in college, actually there was a party

0:55:11.040 --> 0:55:13.840
<v Speaker 1>that was broken up by the police and it was

0:55:14.080 --> 0:55:17.800
<v Speaker 1>a predominantly black party and they used pepper spray inside

0:55:17.800 --> 0:55:22.400
<v Speaker 1>a room. Um wait from my freshman year. It was

0:55:22.440 --> 0:55:25.720
<v Speaker 1>a party. Um, I think it was at Harambe, which

0:55:25.800 --> 0:55:29.200
<v Speaker 1>was the diversity house. I can't remember if it was

0:55:29.239 --> 0:55:31.680
<v Speaker 1>at Harambe for sure for sure, but I remember I

0:55:31.680 --> 0:55:35.640
<v Speaker 1>got two emails about it. One was from the black

0:55:35.760 --> 0:55:38.080
<v Speaker 1>organization on campus that was sent to every black student,

0:55:38.080 --> 0:55:39.520
<v Speaker 1>and then there was an email that was sent to

0:55:40.239 --> 0:55:44.040
<v Speaker 1>the school at large that was like, hey, so there

0:55:44.080 --> 0:55:46.640
<v Speaker 1>was an incident. And then the email from the black

0:55:46.680 --> 0:55:49.160
<v Speaker 1>students are like, we cannot let this stand. They can't

0:55:49.239 --> 0:55:51.720
<v Speaker 1>do this to us. This isn't right, and this doesn't

0:55:51.719 --> 0:55:55.000
<v Speaker 1>happen to white people. And I will say that it

0:55:55.040 --> 0:55:56.920
<v Speaker 1>didn't happen again in the four years that I was there.

0:55:56.920 --> 0:56:01.239
<v Speaker 1>It happened like in November of my freshman year. But it, uh,

0:56:01.400 --> 0:56:03.680
<v Speaker 1>it's still stuck with me. It's something I think about

0:56:03.719 --> 0:56:08.240
<v Speaker 1>a lot. And it was like we didn't have large

0:56:08.239 --> 0:56:10.520
<v Speaker 1>gatherings of black people at my high school because there

0:56:10.560 --> 0:56:14.080
<v Speaker 1>weren't large group numbers of black people, and so some

0:56:14.160 --> 0:56:17.040
<v Speaker 1>of the things that happened when you have black people

0:56:17.040 --> 0:56:20.080
<v Speaker 1>gathering together in a in a predominantly white space, I

0:56:20.120 --> 0:56:22.719
<v Speaker 1>was shielded from. And it was sort of my first

0:56:22.719 --> 0:56:25.319
<v Speaker 1>instance of that, and I was like, oh, this is

0:56:25.360 --> 0:56:27.839
<v Speaker 1>not a thing that just happens on TV. This is

0:56:28.160 --> 0:56:30.600
<v Speaker 1>bad and could happen to me. Like if I had

0:56:30.600 --> 0:56:33.279
<v Speaker 1>gone to that party, would I have been Okay? I

0:56:33.320 --> 0:56:37.319
<v Speaker 1>don't know, um, And it was all fine, everybody was fine,

0:56:37.360 --> 0:56:39.560
<v Speaker 1>nobody died. But I do think it is important to

0:56:39.800 --> 0:56:43.480
<v Speaker 1>note that, like stuff like that still happens. And I

0:56:43.520 --> 0:56:49.600
<v Speaker 1>think that with the issue of the cops being the

0:56:49.719 --> 0:56:54.080
<v Speaker 1>victory in the book, I saw it more as or

0:56:54.120 --> 0:56:56.759
<v Speaker 1>I tried to frame it at least as King not

0:56:56.880 --> 0:56:59.960
<v Speaker 1>being in the community was the victory and the commun

0:57:00.080 --> 0:57:04.080
<v Speaker 1>unity not being afraid to snitch was the victory. And

0:57:04.120 --> 0:57:07.520
<v Speaker 1>they had this like great reverse I Am Spartacus moment

0:57:07.800 --> 0:57:09.839
<v Speaker 1>where they were all like King did it, Yeah, yeah,

0:57:09.920 --> 0:57:12.080
<v Speaker 1>King did it. He did it. It was him, and

0:57:12.200 --> 0:57:16.800
<v Speaker 1>everybody was brave enough to stand up for their community

0:57:16.920 --> 0:57:19.480
<v Speaker 1>and get King out of it. And I think that's

0:57:19.520 --> 0:57:22.840
<v Speaker 1>what's important, because that in that moment is the thing

0:57:22.880 --> 0:57:24.760
<v Speaker 1>that can lead to a breaking of the cycle, because

0:57:24.760 --> 0:57:27.040
<v Speaker 1>you can't get out of the king lords. If King

0:57:27.440 --> 0:57:30.160
<v Speaker 1>is there and it's beating you up, and it's setting

0:57:30.240 --> 0:57:33.160
<v Speaker 1>your it is setting buildings on fire and all of

0:57:33.200 --> 0:57:38.400
<v Speaker 1>that great stuff, great in quotes, uh, but it is

0:57:38.440 --> 0:57:41.240
<v Speaker 1>a problem yet that this is sort of the system

0:57:41.280 --> 0:57:43.600
<v Speaker 1>we have. I mean, I I do think King is

0:57:43.640 --> 0:57:48.120
<v Speaker 1>a genuine subco path. Everything that he does seems indicative

0:57:48.200 --> 0:57:51.280
<v Speaker 1>of I'm sure he had a very hard childhood too,

0:57:51.320 --> 0:57:53.960
<v Speaker 1>but I also think he sets buildings on fire and

0:57:54.040 --> 0:57:59.280
<v Speaker 1>beats his wife and uh kills children, and UM puts

0:57:59.280 --> 0:58:01.880
<v Speaker 1>people in terrible, terrible positions. And I don't think that

0:58:01.920 --> 0:58:05.800
<v Speaker 1>community can function if you have someone who is a

0:58:05.880 --> 0:58:08.720
<v Speaker 1>sociopath to that extent in a position of power. And

0:58:09.120 --> 0:58:13.480
<v Speaker 1>I do think to your point, Krama, you know they

0:58:13.520 --> 0:58:16.240
<v Speaker 1>there's a lot of talk and the movement to defund

0:58:16.240 --> 0:58:20.840
<v Speaker 1>the police about UM community community organizing and communities coming

0:58:20.880 --> 0:58:25.840
<v Speaker 1>together to stop and help the dangers in their own

0:58:25.920 --> 0:58:28.440
<v Speaker 1>community because they know it the best. Like King is

0:58:28.520 --> 0:58:30.720
<v Speaker 1>the danger in that are not the only danger, but

0:58:30.880 --> 0:58:34.680
<v Speaker 1>is the danger in that community, not Maverick, who is

0:58:34.960 --> 0:58:37.480
<v Speaker 1>we'll talk about later, like has a very scary incident

0:58:37.520 --> 0:58:40.080
<v Speaker 1>with the police. Is the police do not know who

0:58:40.120 --> 0:58:42.919
<v Speaker 1>the danger is, so I to your I did see

0:58:42.920 --> 0:58:45.480
<v Speaker 1>it that way too, of like, it's all of the

0:58:45.480 --> 0:58:51.200
<v Speaker 1>community coming together to stop this threat um and that

0:58:51.360 --> 0:58:54.680
<v Speaker 1>felt like the victory, not the police arresting him. It

0:58:54.720 --> 0:58:58.200
<v Speaker 1>also reminded me a little bit of that classic map

0:58:58.240 --> 0:59:01.480
<v Speaker 1>Bars comic from the NIB where it's like someone saying,

0:59:01.680 --> 0:59:04.440
<v Speaker 1>like a surf being like, we should improve society somewhat,

0:59:04.480 --> 0:59:06.200
<v Speaker 1>and then the guy being like, and yet do you

0:59:06.280 --> 0:59:11.439
<v Speaker 1>participate in society? Curious which we live in. We live

0:59:11.480 --> 0:59:15.680
<v Speaker 1>in society, so we do have to like function within

0:59:15.680 --> 0:59:18.680
<v Speaker 1>the society, but we can still work for towards its improvement. Right.

0:59:18.720 --> 0:59:21.520
<v Speaker 1>And the issue with calling for, say, an arrest to

0:59:21.800 --> 0:59:24.920
<v Speaker 1>the cops that killed Brianna Taylor, for example, which as

0:59:24.920 --> 0:59:27.800
<v Speaker 1>of recording this still has not happened. I think one

0:59:27.880 --> 0:59:31.360
<v Speaker 1>has been fired, which is not what anyone asked for. Uh.

0:59:31.480 --> 0:59:35.400
<v Speaker 1>It is a step, a minor positive step, but literally

0:59:35.400 --> 0:59:38.479
<v Speaker 1>not the thing that anyone ask for. The problem is

0:59:38.840 --> 0:59:43.080
<v Speaker 1>that if I kill someone, I get arrested, But if

0:59:43.080 --> 0:59:46.920
<v Speaker 1>a cop kills someone, the cop has no repercussions. There

0:59:46.920 --> 0:59:50.000
<v Speaker 1>were three cops in that room and only one of

0:59:50.040 --> 0:59:52.959
<v Speaker 1>them has faced any repercussions, and not to the level

0:59:53.040 --> 0:59:55.760
<v Speaker 1>of repercussions that a civilian would face. And the problem

0:59:56.040 --> 0:59:59.240
<v Speaker 1>is that the cops are above the law. And that's

0:59:59.480 --> 1:00:01.360
<v Speaker 1>sort of the issue where it's like, if we live

1:00:01.360 --> 1:00:04.440
<v Speaker 1>in a society and we are participating in society, then

1:00:04.480 --> 1:00:06.720
<v Speaker 1>cops need to be a part of society too. They

1:00:06.760 --> 1:00:09.720
<v Speaker 1>don't get to be outside of society and then punish society.

1:00:11.960 --> 1:00:14.480
<v Speaker 1>Isn't it crazy the idea that maybe the people who

1:00:14.480 --> 1:00:17.520
<v Speaker 1>are enforcing the law with deadly weapons should be held

1:00:17.520 --> 1:00:21.680
<v Speaker 1>to a higher standard than civilians. You know, we really

1:00:21.680 --> 1:00:24.680
<v Speaker 1>shocked me when I realized how much training you is

1:00:24.720 --> 1:00:28.120
<v Speaker 1>actually required to be a cop, because I believe it

1:00:28.200 --> 1:00:32.040
<v Speaker 1>is lesson is required to become a beautician. Um. It

1:00:32.240 --> 1:00:36.720
<v Speaker 1>is something like eighteen months worth of training, which strikes

1:00:36.720 --> 1:00:39.520
<v Speaker 1>me as a very short amount of time to be

1:00:39.600 --> 1:00:43.160
<v Speaker 1>given a gun and essentially no legal penalties if you

1:00:43.240 --> 1:00:48.520
<v Speaker 1>kill someone with it does grow back. So I think

1:00:48.560 --> 1:00:51.480
<v Speaker 1>that the training to become a police dog in some

1:00:51.600 --> 1:00:54.680
<v Speaker 1>instances is longer than the training to become a police human.

1:00:55.600 --> 1:01:03.560
<v Speaker 1>Oh those sweet dog. UM. I also think that in

1:01:03.840 --> 1:01:05.680
<v Speaker 1>a reference to like what the end of the book

1:01:05.720 --> 1:01:08.040
<v Speaker 1>is saying. I know we're jumping ahead, but you know

1:01:08.840 --> 1:01:12.440
<v Speaker 1>they are. Starr comes into her power and into her voice.

1:01:12.560 --> 1:01:17.400
<v Speaker 1>But that one fifteen gets off scott free, and so

1:01:17.480 --> 1:01:20.400
<v Speaker 1>it is and obviously that you know the rest of

1:01:20.400 --> 1:01:23.840
<v Speaker 1>the book happens, that there's more to talk about. But

1:01:23.880 --> 1:01:28.320
<v Speaker 1>I do think that is the commentary on the system.

1:01:28.360 --> 1:01:31.960
<v Speaker 1>It is not a happy ending in that story, and

1:01:32.040 --> 1:01:35.080
<v Speaker 1>so you know, there are these small victories within this

1:01:35.160 --> 1:01:43.400
<v Speaker 1>broken system, but it's still a broken system. That's our

1:01:43.400 --> 1:01:45.600
<v Speaker 1>show for the week. Thank you so much for listening.

1:01:45.760 --> 1:01:47.960
<v Speaker 1>I'm Danish Schwartz and you can find me on Twitter

1:01:48.000 --> 1:01:50.680
<v Speaker 1>at Danis Schwartz with three z s. You can follow

1:01:50.760 --> 1:01:54.600
<v Speaker 1>Jennifer Wright at Jen Ashley Right, Karama Donqua is at

1:01:54.680 --> 1:01:58.680
<v Speaker 1>Karama Drama, Melissa Hunter is at Melissa f t W

1:01:59.240 --> 1:02:01.800
<v Speaker 1>and Tan Tran is smart enough to have gotten off Twitter,

1:02:02.000 --> 1:02:04.920
<v Speaker 1>but she is on Insta at Hank Tina. Our executive

1:02:04.960 --> 1:02:08.120
<v Speaker 1>producer is Christopher Hessiotes and we're produced and edited by

1:02:08.160 --> 1:02:11.720
<v Speaker 1>Mike John's Special thanks to David Wasserman. Next week we

1:02:11.760 --> 1:02:14.320
<v Speaker 1>will continue our conversation about the hate you give and

1:02:14.360 --> 1:02:17.040
<v Speaker 1>the week after that, we have a very special guest

1:02:17.080 --> 1:02:19.760
<v Speaker 1>that I'm very excited for you to listen to. Okay,

1:02:20.000 --> 1:02:23.720
<v Speaker 1>spoiler alert, it is the author herself, Angie Thomas, an incredible,

1:02:23.840 --> 1:02:26.680
<v Speaker 1>brilliant human being. You're definitely gonna want to stay tuned.

1:02:27.280 --> 1:02:29.040
<v Speaker 1>Uh and if you want to get a jump start

1:02:29.120 --> 1:02:32.040
<v Speaker 1>on reading our next book, it is Brave New World,

1:02:32.440 --> 1:02:35.640
<v Speaker 1>getting ready to pair with the Peacock original series. Popcorn

1:02:35.720 --> 1:02:38.200
<v Speaker 1>Book Club is a production of I Heart Radio. See

1:02:38.200 --> 1:02:38.760
<v Speaker 1>you next week.