WEBVTT - #54 - Conway The Machine (Live in Buffalo)

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<v Speaker 1>Yo, it's the Boutleg CAV podcast. What's going on? Man? Listen,

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<v Speaker 1>we are back at it all right. Gotta give a

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<v Speaker 1>shout out to everyone who's been rocking with us. We

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<v Speaker 1>got a dope episode for you guys today. All right.

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<v Speaker 1>We gotta Conway the Machine. Conway will be on the

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<v Speaker 1>podcast with us today. Actually got to go tapping with

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<v Speaker 1>Conway in Buffalo, New York. I'm gonna have some real

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<v Speaker 1>dope content coming out with Empire. We're gonna be able

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<v Speaker 1>to check out the whole tour, his hood and all

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<v Speaker 1>that good shit. But we got to sit down and

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<v Speaker 1>record a podcast while I was out there as well.

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<v Speaker 1>Crazy episode. We actually found out about DMX passing during

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<v Speaker 1>the episode, so it was pretty wild. Man. He's got

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<v Speaker 1>his new album out. Lamkina Thin I said that right, Makana, Okay,

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<v Speaker 1>there it is Li mak and I see fucking up already.

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<v Speaker 1>A shout out to Conway, Shout out to our sponsorman.

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<v Speaker 1>Shout out to odd socks. Make sure you go to

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<v Speaker 1>Let's get into the episode with Conway. All right, episode

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<v Speaker 1>number fifty five of the bulet Cap Podcast, Yo bule

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<v Speaker 1>Cap Podcast. We're live in Buffalo right now, man, first

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<v Speaker 1>time in the city too. This guy showed me a

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<v Speaker 1>lot of hospitality today. Conway. Yeah, yeah, yeah, Conway. The

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<v Speaker 1>new album or album whatever we're calling this next Friday

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<v Speaker 1>or yeah, next Friday, just calling that great music. Man,

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<v Speaker 1>I'm gonna fuck up the pronunciation. I'm gonna rive lie

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<v Speaker 1>my sina close. That'll do. That was close enough mocking

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<v Speaker 1>by mocking. I see I might be saying it wrong.

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<v Speaker 1>I think you might be. I'm trying to say the machine. Wait,

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<v Speaker 1>we got a Mexican in the house. He's saying it right, Okay, okay,

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<v Speaker 1>all right, Mexican approved. Shout out my guy Cooked, shout

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<v Speaker 1>out to my guy. Nah. Yeah, I mean shit, you

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<v Speaker 1>just dropped the ship with ghosts this year already. Yeah, man,

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<v Speaker 1>project number two. Yeah, you know, no, I can't be

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<v Speaker 1>still man, you know what I'm saying. You know, Idle

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<v Speaker 1>Hands is the Devil's workshop, man, so I try to,

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<v Speaker 1>you know, stay busy. Man. My son texted me in

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<v Speaker 1>the middle of the interview and shout out to bootleg

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<v Speaker 1>Kevin Junr. Yeah. Yeah, it's crazy because that's kind of

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<v Speaker 1>been your guys, is in like the whole camp's entire

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<v Speaker 1>like approach to the game, right, it's just NonStop pressure

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<v Speaker 1>like from the jump, like and and now the fans

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<v Speaker 1>almost expect you know, you guys have more output than

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<v Speaker 1>most artists, especially you, Like you know what I'm saying,

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<v Speaker 1>Like we get a lot of Conway music. Is it

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<v Speaker 1>come easy? Like like I know you've been like for example,

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<v Speaker 1>the Shady Records album, I know it's been it's been

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<v Speaker 1>done or a version of it has been done for

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<v Speaker 1>a while. Yeah, it's been done for like maybe probably

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<v Speaker 1>like a year or two yeah, close to a year.

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<v Speaker 1>Two yeah, closer two years. Honestly, damn shit been done.

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<v Speaker 1>But it do come easy to me because, like, you know,

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<v Speaker 1>I'm not in there really like going to the club

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<v Speaker 1>and going out and partying and you know, fucking off

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<v Speaker 1>and a bunch of the other ship. Like I find

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<v Speaker 1>my fun and my excitement in the day is you know,

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<v Speaker 1>creating a new song or just being around music and

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<v Speaker 1>being in the studio. So it's like, you know, it

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<v Speaker 1>definitely come easy for you, But lately it ain't becoming

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<v Speaker 1>easy for me. Man. Honestly, I've been having like some

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<v Speaker 1>kind of like writers block or just not I don't

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<v Speaker 1>know if it's just writer's block or is it just

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<v Speaker 1>like you know what I'm saying, It's like I'm kind

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<v Speaker 1>of getting bored with this whole shit kind of I

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<v Speaker 1>needed a new challenge. So that's why I started this

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<v Speaker 1>drum work ship. I needed to do find something else

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<v Speaker 1>to challenge myself and push myself, you know, to to

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<v Speaker 1>just keep killing shit. Man. And so I haven't been

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<v Speaker 1>recording to answer you a question, and been kind of

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<v Speaker 1>like it ain't been easy. Like the last shit I

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<v Speaker 1>recorded before I started working on this tape, was I

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<v Speaker 1>want to sing the Stefan Diggs song off the from

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<v Speaker 1>King to a God Deluxe. And that was in like December.

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<v Speaker 1>You know what I'm saying, Like a couple of months,

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<v Speaker 1>couple of months off we've been kicking it and not recorded.

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<v Speaker 1>I haven't been recording. I haven't been really been doing nothing,

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<v Speaker 1>you know, here and there sporadically, but I ain't really

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<v Speaker 1>been really into it all like that. Like I've been

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<v Speaker 1>just kind of chilling and kind of like you know,

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<v Speaker 1>trying to you know, uh, detach myself from music. I

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<v Speaker 1>hadn't really been listening to music and none of that shit.

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<v Speaker 1>I like that, Like I just did you find it

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<v Speaker 1>that kind of TV? Did that like help like with

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<v Speaker 1>with with kind of refreshing your enthusiasm? Yeah? It did. Man,

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<v Speaker 1>sometimes you gotta, you know what I'm saying, you gotta

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<v Speaker 1>take a step back to take two forward, you know

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<v Speaker 1>what I'm saying. And you know, sometimes you got a

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<v Speaker 1>more fucking uh deprogrammed so you can reprogram, you know

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<v Speaker 1>what I'm saying. So I kind of needed that, man.

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<v Speaker 1>I needed to just kind of because I was just

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<v Speaker 1>so high pressed on you know, like I just wanted

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<v Speaker 1>to I just wanted. I just want it so bad,

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<v Speaker 1>like I just want to be the best. I want

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<v Speaker 1>people considering me like one of the illest, like they

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<v Speaker 1>will talk about you know whoever in their top five

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<v Speaker 1>right right right right being that conversation and and then

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<v Speaker 1>I just you know, I just overthink shit a lot,

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<v Speaker 1>you know what I'm saying, especially like I get the

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<v Speaker 1>feeling like Slider and Ship like being left off lists

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<v Speaker 1>and if I'm not number one on us such just

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<v Speaker 1>this nigga list, so that like I just over and

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<v Speaker 1>then that ship just was kind of like just you

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<v Speaker 1>know what, man, let me just fall back for a second,

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<v Speaker 1>because it's like I feel like I've been saying some

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<v Speaker 1>of the like the ill ship man, the ship like

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<v Speaker 1>niggas is coming with. But it's like I agree if

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<v Speaker 1>it ain't you know what I mean. You and you

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<v Speaker 1>had this conversation, and you had this conversation when there

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<v Speaker 1>was that best verse of the Year conversation and no

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<v Speaker 1>one talked about the verse you had on the the

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<v Speaker 1>fire in the Booth ship, which is like one of

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<v Speaker 1>the hard I revisit that freestyle, I feel like once

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<v Speaker 1>once a week, like yeah, well fuck them the idiots. Yeah,

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<v Speaker 1>I mean I do feel like though last year, you

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<v Speaker 1>got a lot of love on a lot of lists

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<v Speaker 1>when it came to the best album of the year,

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<v Speaker 1>and I appreciate the love too. I feel like people

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<v Speaker 1>were giving you your flowers last year. You know what

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<v Speaker 1>I'm saying, I need that. I needed that, man, and

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<v Speaker 1>I needed like you know, this is a ship that

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<v Speaker 1>drives me. You know what I'm saying, being left off lists.

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<v Speaker 1>You know what I'm saying, being second or third or

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<v Speaker 1>fifth or not on the list, Like that's the ship

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<v Speaker 1>that you know. I pay attention to everything. I just

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<v Speaker 1>don't respond to everything, and even if even and then

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<v Speaker 1>sometimes I do respond to it, but that don't mean

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<v Speaker 1>it's like a response like a comment or or a

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<v Speaker 1>direct verbal response. It's me. I respond by going the

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<v Speaker 1>studio and I'm gonna show y'all, show these niggas. That's

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<v Speaker 1>how I do. That's always been my attitude with everything.

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<v Speaker 1>And you know, like I said, like you said, like

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<v Speaker 1>niggas been giving me my roses and all. I respect that. Man.

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<v Speaker 1>I just I just appreciate. I need a battery in

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<v Speaker 1>my back to just you know, to just strive for more.

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<v Speaker 1>And that's what I'm always striving for to be better

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<v Speaker 1>every day kind of like I feel like it's like

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<v Speaker 1>Tom Brady type shit, right, Like I feel like Tom Brady,

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<v Speaker 1>it's so much juice from everyone every year talking about

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<v Speaker 1>he's falling off or whatever the fuck, Like it's really

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<v Speaker 1>some sports type shit, like some of the grades like

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<v Speaker 1>are when they're doubted or second guest, that's how they

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<v Speaker 1>that's how they perform best, you know what I'm saying, right, See,

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<v Speaker 1>like you know, having six like like fear of not

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<v Speaker 1>making it and not taking them there drove me. It

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<v Speaker 1>drives me more than you know, because if like I

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<v Speaker 1>don't want to let people down. I don't want to

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<v Speaker 1>let myself down. I don't want to let my niggas down,

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<v Speaker 1>my family down, my son's down. So it's like I

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<v Speaker 1>kind of like people just not you know, in my

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<v Speaker 1>mind giving me my flowers or just like you know,

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<v Speaker 1>respecting this shit like it make me go even crazier.

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<v Speaker 1>So you said earlier you were like, yo, I like

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<v Speaker 1>obsessed because I want it all. I want to be

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<v Speaker 1>considered in those conversations, right, So I feel like that's

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<v Speaker 1>almost and you say you also pay attention to everything,

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<v Speaker 1>So I feel like if you pay attention to everything.

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<v Speaker 1>It'd be kind of hard for you to like come

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<v Speaker 1>to peace with like because no one, not everyone's gonna

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<v Speaker 1>feel like you are in their top five or whatever,

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<v Speaker 1>you know what I mean. So it could either drive

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<v Speaker 1>you crazy, you could always you know what I'm saying,

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<v Speaker 1>or it could keep fuel with you, you know what

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<v Speaker 1>I mean, because even that's I mean, you know, not

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<v Speaker 1>to cut you off. But that's that's the that's actually

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<v Speaker 1>the fun part because you're knowing like nobody's in everybody's

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<v Speaker 1>top five, right, It's not no rap niggas. That's really

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<v Speaker 1>like you could go across as about fifty niggas in

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<v Speaker 1>this room, like you you can go ask any of them.

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<v Speaker 1>The top five is going to be all be different, Yeah,

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<v Speaker 1>And that's just like it is what it is. Man.

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<v Speaker 1>Everybody ain't gonna like the same restaurant. Everybody ain't gonna

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<v Speaker 1>like the same that's Lebronic gonna be the best and

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<v Speaker 1>everybody's top five Jordan ain't gonna be the right. Like

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<v Speaker 1>it is what it is. But that's the ship. Like

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<v Speaker 1>what if I could get to a point to where

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<v Speaker 1>you're that body you ask It's like, Yo, Conway is

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<v Speaker 1>the best so that's what you're striving for that up

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<v Speaker 1>that night. I mean, and look if you put if

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<v Speaker 1>you can pull that ship off, if you could pull

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<v Speaker 1>that ship off, then you pull something nobody's put off.

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<v Speaker 1>You know what I mean exactly, because then that's the

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<v Speaker 1>undisputed exactly. You know what I'm saying because there because YO,

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<v Speaker 1>think about what we were talking about Jordan. I don't

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<v Speaker 1>think you'll find anyone who would ever not have Jordan

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<v Speaker 1>in their top five and the top five, right, like

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<v Speaker 1>what it gets a point where like subjects like Lebron

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<v Speaker 1>No, no no, no, I think I think, but I think

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<v Speaker 1>I think when we're talking about top five, you you

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<v Speaker 1>would be hard pressed to find anybody who knows anything

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<v Speaker 1>about basketball say that Jordan wasn't in their top five. Now,

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<v Speaker 1>you might find some people who said Lebron wasn't, but

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<v Speaker 1>those are their haters. What's your Lebron thoughts? Okay, I

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<v Speaker 1>just gotta make sure I didn't say hater because they

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<v Speaker 1>don't got Bron the top live because something like the

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<v Speaker 1>NBA as well as like Rapman, there's so many incredible Yeah,

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<v Speaker 1>for sure, I'll be thinking all the time, like, yeah,

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<v Speaker 1>how many players don't get like Devin Booker and Dame

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<v Speaker 1>Lillard and all these guys that we don't they don't

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<v Speaker 1>even get to love that they deserve because they're playing

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<v Speaker 1>at the same time as Steph Curry and and Johannis

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<v Speaker 1>and you know, James Harden and Ship, like that's a

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<v Speaker 1>real ship. So with this album, like, uh, is this

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<v Speaker 1>kind of like, uh, you know, a layover until we

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<v Speaker 1>get the Shady Records project? Is this? Like I like

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<v Speaker 1>the way you put that exactly. It's the layover layover man.

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<v Speaker 1>You know what I'm saying. You know you layover, man,

0:11:57.160 --> 0:12:00.360
<v Speaker 1>you gotta you got a one hour layover in Buffalo, man.

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<v Speaker 1>You know what I'm saying. And you know that's what

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<v Speaker 1>this album really is, man, it is I'm just having fun.

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<v Speaker 1>I'm just rapping, you know what I'm saying, like with

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<v Speaker 1>no care, like I was just saying earlier, Like you

0:12:13.360 --> 0:12:16.199
<v Speaker 1>know what I mean. You know in twenty nineteen and

0:12:16.320 --> 0:12:21.440
<v Speaker 1>twenty twenty, like I was driving myself crazy trying to

0:12:22.160 --> 0:12:25.480
<v Speaker 1>trying to win that you know, I should be on

0:12:25.480 --> 0:12:28.959
<v Speaker 1>on the list. Why ain't on? A little like I

0:12:29.000 --> 0:12:32.640
<v Speaker 1>don't this year and going forward, I'm not spending no

0:12:32.760 --> 0:12:35.800
<v Speaker 1>more energy, you know what I'm saying dwelling on that

0:12:35.960 --> 0:12:38.839
<v Speaker 1>and tripping on that shit. You feel me, I'm just

0:12:38.960 --> 0:12:41.200
<v Speaker 1>I'm just having fun. I'm just being trying to just

0:12:41.240 --> 0:12:44.200
<v Speaker 1>be free, free my mind and just get back to

0:12:44.240 --> 0:12:45.839
<v Speaker 1>the to the front of this ship. You know what

0:12:45.880 --> 0:12:49.040
<v Speaker 1>I'm saying. The wrapping of it, You know what I'm saying.

0:12:49.080 --> 0:12:52.400
<v Speaker 1>And it's partly a lot of it is from working

0:12:52.400 --> 0:12:54.640
<v Speaker 1>with someone. You know, the artists and shit that I

0:12:54.679 --> 0:12:58.240
<v Speaker 1>work with, you know what I'm saying. You know, these

0:12:58.240 --> 0:13:00.600
<v Speaker 1>motherfuckers inspire me. Like I'll be here and they ship.

0:13:01.120 --> 0:13:02.640
<v Speaker 1>You said about the artists on your label or just

0:13:02.679 --> 0:13:05.600
<v Speaker 1>in general in general, you know what I mean, Like

0:13:05.760 --> 0:13:08.040
<v Speaker 1>some of the collapse I'm doing, the features and ship

0:13:08.440 --> 0:13:10.280
<v Speaker 1>that Nigga send me in and all that. You know

0:13:10.320 --> 0:13:14.679
<v Speaker 1>what I'm saying it. You know, it's definitely inspired me, man,

0:13:14.720 --> 0:13:17.640
<v Speaker 1>because I've been you know, the last few months. I

0:13:17.679 --> 0:13:21.720
<v Speaker 1>want to say, since like November, probably even before that. Man,

0:13:21.760 --> 0:13:24.520
<v Speaker 1>But I just gotta you know, I know how to

0:13:24.600 --> 0:13:27.080
<v Speaker 1>like keep ship bottled in and I don't let shit

0:13:27.120 --> 0:13:29.640
<v Speaker 1>affect me on the surface because I don't want my

0:13:29.800 --> 0:13:32.959
<v Speaker 1>energy to affect nobody else or nobody else's day and

0:13:33.040 --> 0:13:35.719
<v Speaker 1>none of that shit. But like mine ain't really I

0:13:35.720 --> 0:13:38.080
<v Speaker 1>ain't really been in any of this shit, man, Like

0:13:38.200 --> 0:13:40.760
<v Speaker 1>you know what I'm saying. So you know what I mean.

0:13:41.720 --> 0:13:43.600
<v Speaker 1>You know the people that reached out to me for

0:13:43.640 --> 0:13:46.840
<v Speaker 1>a feature, and you know the artists that I'm working

0:13:46.840 --> 0:13:49.160
<v Speaker 1>with now on this drum word shit, they probably don't

0:13:49.200 --> 0:13:52.240
<v Speaker 1>have no idea how much what they're doing for you.

0:13:52.240 --> 0:13:54.960
<v Speaker 1>You know what I'm saying that the state keep my

0:13:55.040 --> 0:13:58.400
<v Speaker 1>blade sharpened and still hang going to that love I

0:13:58.400 --> 0:14:01.720
<v Speaker 1>got for this hip hop shit. You know what I'm saying. Yeah,

0:14:01.920 --> 0:14:04.240
<v Speaker 1>what was the last collab that got sent over to

0:14:04.320 --> 0:14:15.840
<v Speaker 1>you that kind of help helped inspire you a bit? Uh? Really?

0:14:16.080 --> 0:14:19.800
<v Speaker 1>Like I said, all of them ships, but when I

0:14:19.840 --> 0:14:22.360
<v Speaker 1>did that Juicy J joint, when Juicy Jay sent this

0:14:22.440 --> 0:14:27.240
<v Speaker 1>ship over, that ship just took me it just because

0:14:27.280 --> 0:14:30.360
<v Speaker 1>I was like, like, wait a minute, Juicy J want

0:14:30.520 --> 0:14:35.360
<v Speaker 1>me on. I heard the beat he sent me three.

0:14:35.880 --> 0:14:39.560
<v Speaker 1>You know what I'm saying to h like, yeah, I mean,

0:14:39.600 --> 0:14:41.480
<v Speaker 1>get on one of them ships, whatever one you fucking with.

0:14:42.480 --> 0:14:45.320
<v Speaker 1>So I did two of the three beats. I was

0:14:45.320 --> 0:14:48.240
<v Speaker 1>gonna do the third one just to be you know

0:14:48.240 --> 0:14:51.760
<v Speaker 1>what I'm saying. But I did those two and like right,

0:14:51.760 --> 0:14:53.880
<v Speaker 1>then and there on the spot like maybe like that

0:14:54.080 --> 0:14:57.440
<v Speaker 1>hour hour or two just spreaking, and I had both

0:14:57.480 --> 0:15:00.600
<v Speaker 1>of them, both of them ships, both of them just done,

0:15:01.160 --> 0:15:03.680
<v Speaker 1>and I kind of just like lost my zone a

0:15:03.800 --> 0:15:06.400
<v Speaker 1>third one, but I sent them bitches in, but like

0:15:06.600 --> 0:15:09.840
<v Speaker 1>just hearing them and hearing a response from me rapping

0:15:09.880 --> 0:15:13.120
<v Speaker 1>on ship like that, and yeah, like that ship kind

0:15:13.160 --> 0:15:15.880
<v Speaker 1>of like that's that was one of the ones, like okay,

0:15:16.520 --> 0:15:18.080
<v Speaker 1>let me, let me, let me, let me get in

0:15:18.120 --> 0:15:21.040
<v Speaker 1>my bag man, I'm playing. Yeah, I feel like anytime

0:15:21.120 --> 0:15:23.440
<v Speaker 1>I see you on someone else's ship, I feel like

0:15:24.320 --> 0:15:27.160
<v Speaker 1>if you come extra crazy like that like that j

0:15:27.320 --> 0:15:30.600
<v Speaker 1>I D record you. You went in on that ship, man,

0:15:30.840 --> 0:15:34.840
<v Speaker 1>And he's also someone who's fucking incredible tality. That's my nigga.

0:15:34.840 --> 0:15:37.400
<v Speaker 1>I don't want to let niggas down, man, because you

0:15:37.440 --> 0:15:39.880
<v Speaker 1>know what they're coming to you for, like yo, like

0:15:40.000 --> 0:15:41.520
<v Speaker 1>you know what I'm saying, Like they're coming to you

0:15:41.640 --> 0:15:43.720
<v Speaker 1>because they know what you what you bring to that

0:15:43.760 --> 0:15:46.760
<v Speaker 1>guest versus. And I would hate for me to send

0:15:46.760 --> 0:15:49.440
<v Speaker 1>a nigga some ship and then he's sent it back

0:15:49.440 --> 0:15:51.320
<v Speaker 1>and that ship ain't and ain't you know what I mean,

0:15:52.360 --> 0:15:55.160
<v Speaker 1>it ain't right. I would hate to have to tell him, like, yeah,

0:15:55.200 --> 0:15:58.040
<v Speaker 1>this ain't making a cut home. You played me some

0:15:58.080 --> 0:16:03.200
<v Speaker 1>ship earlier. Uh with Russ, that's not out. Russ is

0:16:03.240 --> 0:16:05.920
<v Speaker 1>obviously someone who's tapped in with Griselda. I mean, Benny

0:16:06.000 --> 0:16:11.520
<v Speaker 1>was supposed to go on tour with him. Uh. You know,

0:16:11.600 --> 0:16:13.680
<v Speaker 1>I think I think when when people like Russ, who

0:16:13.680 --> 0:16:16.240
<v Speaker 1>we don't really kind of expect to like have his

0:16:16.320 --> 0:16:18.440
<v Speaker 1>ear to the street. And mind you, I'm a Russ fan.

0:16:18.520 --> 0:16:20.080
<v Speaker 1>I know Russ, so I know better than that. But

0:16:20.120 --> 0:16:23.680
<v Speaker 1>I think that the perception is amongst like generic hip

0:16:23.720 --> 0:16:25.680
<v Speaker 1>hop fans is that that's not the case. I think

0:16:25.680 --> 0:16:27.240
<v Speaker 1>he shout shut a lot of those people up with

0:16:27.240 --> 0:16:30.600
<v Speaker 1>that Chomp project. But talk about him reaching out to you,

0:16:31.040 --> 0:16:34.960
<v Speaker 1>because he's obviously had a relationship with Benny, but like

0:16:34.960 --> 0:16:37.720
<v Speaker 1>like him tapping in with you, Like you know how

0:16:37.720 --> 0:16:40.280
<v Speaker 1>that how that happened? Man? It was dope, man. You know,

0:16:40.760 --> 0:16:46.560
<v Speaker 1>I think you know on the Instagram, you know, we

0:16:46.960 --> 0:16:50.120
<v Speaker 1>chopped it up on the Gram and exchanged numbers and

0:16:50.320 --> 0:16:52.760
<v Speaker 1>you know what I'm saying, and we kind of like

0:16:52.960 --> 0:16:56.320
<v Speaker 1>just you know, keep in touch and ship and you

0:16:56.360 --> 0:16:58.400
<v Speaker 1>know that's a cool nigga. You know what I'm saying

0:16:58.520 --> 0:17:02.120
<v Speaker 1>and show love. You know what I'm saying, I show love.

0:17:02.240 --> 0:17:04.480
<v Speaker 1>And when he sent me the joint, he was like, Yo,

0:17:04.560 --> 0:17:06.400
<v Speaker 1>I got a jointment, I think you know what I mean.

0:17:06.680 --> 0:17:10.120
<v Speaker 1>It's crazy. We could suck him up right quick. And

0:17:10.160 --> 0:17:12.840
<v Speaker 1>I'm like, yo, sending that ship through and you know

0:17:12.880 --> 0:17:15.760
<v Speaker 1>what I mean, Oh yeah, you blacked out that that's

0:17:16.040 --> 0:17:19.280
<v Speaker 1>something else, Like niggas don't be understanding. Like when niggas

0:17:19.280 --> 0:17:21.960
<v Speaker 1>reach out to me and like send me records and

0:17:22.040 --> 0:17:24.640
<v Speaker 1>like have me in mind to get on they ship

0:17:24.800 --> 0:17:28.120
<v Speaker 1>like that ship just like it brings out the Sometimes

0:17:28.160 --> 0:17:30.200
<v Speaker 1>I'll be forgetting who I am, you know what I mean,

0:17:30.320 --> 0:17:32.480
<v Speaker 1>Like I'll be forgetting like, yeah, I don't really like

0:17:32.560 --> 0:17:35.439
<v Speaker 1>the machine like people people fuck with me. People like

0:17:35.520 --> 0:17:38.240
<v Speaker 1>sometimes my niggas should be having to tell me like yo, bro,

0:17:38.440 --> 0:17:41.760
<v Speaker 1>like get your yog you gotta get outside, bro, you

0:17:41.800 --> 0:17:44.800
<v Speaker 1>gotta move around. Fuck with you right like you you

0:17:44.960 --> 0:17:48.880
<v Speaker 1>the machine. You know what I'm saying. Like so it's

0:17:48.920 --> 0:17:51.359
<v Speaker 1>like because I get into like my little you know

0:17:51.400 --> 0:17:53.159
<v Speaker 1>what I mean, Like damn this nigga us want to

0:17:53.200 --> 0:17:55.399
<v Speaker 1>do a joint with you on the joint bro? That

0:17:55.440 --> 0:17:57.960
<v Speaker 1>shit crazy, you know what I'm saying. So that ship

0:17:58.119 --> 0:18:00.440
<v Speaker 1>that should always take me there, like what I was saying.

0:18:00.480 --> 0:18:05.080
<v Speaker 1>So when he said that, I was like, damn, like shit, niggas, niggas,

0:18:05.119 --> 0:18:07.439
<v Speaker 1>niggas fuck with my niggas, fuck with my flow, like

0:18:07.600 --> 0:18:09.840
<v Speaker 1>you know what I mean. Yeah, Nah, it's crazy too.

0:18:09.880 --> 0:18:12.480
<v Speaker 1>In that verse, you had mentioned something that I think

0:18:12.520 --> 0:18:18.400
<v Speaker 1>I heard you mentioned before. It might have been, uh

0:18:18.800 --> 0:18:22.600
<v Speaker 1>you you talked about the essentially the people who are

0:18:22.640 --> 0:18:27.560
<v Speaker 1>hitting protests just to take an Instagram photo, right, Like

0:18:27.640 --> 0:18:29.480
<v Speaker 1>That's something I feel like you might have talked about

0:18:29.520 --> 0:18:32.320
<v Speaker 1>on another record. I feel like there was a record

0:18:32.359 --> 0:18:34.080
<v Speaker 1>where you kind of had a conscious take last year

0:18:34.080 --> 0:18:35.520
<v Speaker 1>that we had talked about. I don't know if was

0:18:35.560 --> 0:18:39.360
<v Speaker 1>it a Jim Jones record? Was it was it? But nah,

0:18:39.440 --> 0:18:42.680
<v Speaker 1>I'm trying to think I did a lot last shit.

0:18:43.040 --> 0:18:46.680
<v Speaker 1>But yeah, it's crazy because we in twenty twenty one now,

0:18:46.720 --> 0:18:48.439
<v Speaker 1>you know, I think last year, you know, the country

0:18:48.480 --> 0:18:50.040
<v Speaker 1>went through a lot, you know what I'm saying, But

0:18:50.080 --> 0:18:52.920
<v Speaker 1>I didn't. I do notice nowadays, like it's a lot

0:18:52.960 --> 0:18:55.720
<v Speaker 1>of fake, woke ass motherfuckers, you know what I'm saying. Yeah,

0:18:55.760 --> 0:18:59.320
<v Speaker 1>it's like that woke shit turns into a trend. It's

0:18:59.440 --> 0:19:03.440
<v Speaker 1>just trending. Yeah, and then it's kind of spending the

0:19:03.640 --> 0:19:08.600
<v Speaker 1>like just the cancel culture shit that's going on. It's like, man,

0:19:08.600 --> 0:19:11.280
<v Speaker 1>it's like people are really out here, like looking for

0:19:11.320 --> 0:19:15.080
<v Speaker 1>opportunities just to look good on Instagram and or just

0:19:15.119 --> 0:19:17.960
<v Speaker 1>to ship on somebody's life. It felt like that's that's

0:19:17.960 --> 0:19:21.320
<v Speaker 1>what it feels like. And that's what you know, that

0:19:21.400 --> 0:19:23.840
<v Speaker 1>line came from, that bar came from. You know what

0:19:23.840 --> 0:19:26.960
<v Speaker 1>I mean. It do feel like that, you know. But

0:19:27.400 --> 0:19:31.240
<v Speaker 1>you know, I just mind my business. Man. I stay

0:19:31.280 --> 0:19:34.399
<v Speaker 1>out of the the politics and all that shit, you

0:19:34.400 --> 0:19:36.920
<v Speaker 1>know what I mean. I use my voice through action,

0:19:37.760 --> 0:19:39.960
<v Speaker 1>you know what I'm saying. I will see like you know,

0:19:40.119 --> 0:19:44.280
<v Speaker 1>proclamations in the cities, Yeah, every county legislator, you know

0:19:44.320 --> 0:19:46.760
<v Speaker 1>what I mean, and the man all type of you know,

0:19:46.880 --> 0:19:49.199
<v Speaker 1>you don't got to advertise what you Yeah, and a

0:19:49.240 --> 0:19:51.800
<v Speaker 1>lot of example, I don't even post all the things

0:19:51.840 --> 0:19:54.720
<v Speaker 1>that I've done right right, right right, and you know

0:19:54.720 --> 0:19:56.480
<v Speaker 1>what I'm saying, because that ain't what I do it for.

0:19:56.680 --> 0:19:59.400
<v Speaker 1>Like I always hated them type of niggas, that motherfucking

0:20:00.080 --> 0:20:02.520
<v Speaker 1>a nigga homeless and sit in front of them and

0:20:02.520 --> 0:20:06.000
<v Speaker 1>then fucking videotape them giving them money or something like

0:20:06.000 --> 0:20:08.240
<v Speaker 1>what do you do phone while they're handling them a dollar?

0:20:08.760 --> 0:20:12.439
<v Speaker 1>Like I hated niggas like that, and you know, I

0:20:12.440 --> 0:20:15.120
<v Speaker 1>don't care nobody, like I said, like, I really don't

0:20:15.160 --> 0:20:19.080
<v Speaker 1>care nobody think of what I do and all that shit.

0:20:19.160 --> 0:20:21.560
<v Speaker 1>I just always want to be remembered for my character,

0:20:22.520 --> 0:20:25.119
<v Speaker 1>just being the world nigga, being solid man and just

0:20:25.200 --> 0:20:28.119
<v Speaker 1>always I'll give them. I give my people the shirt

0:20:28.160 --> 0:20:30.479
<v Speaker 1>off my back. Man. I just I just got a

0:20:30.480 --> 0:20:33.399
<v Speaker 1>big heart. I don't know how to tell people know sometimes,

0:20:33.960 --> 0:20:37.720
<v Speaker 1>so you know, I don't even remember the word. The

0:20:37.800 --> 0:20:40.080
<v Speaker 1>question was no, no, no, I mean you you pretty

0:20:40.119 --> 0:20:44.160
<v Speaker 1>much nailed it, you know what I'm saying. Yo, We

0:20:44.160 --> 0:20:46.600
<v Speaker 1>were at we were at gun store earlier. You know,

0:20:46.600 --> 0:20:50.000
<v Speaker 1>you got the Buffalo Kids Gallery, which was a very

0:20:50.000 --> 0:20:54.679
<v Speaker 1>impressive place. That shit fly, that shit is crazy. But

0:20:54.720 --> 0:20:56.840
<v Speaker 1>we were kind of making fun of the fact that

0:20:57.440 --> 0:21:01.080
<v Speaker 1>there's been this narrative about you know, you Benny and

0:21:01.160 --> 0:21:05.800
<v Speaker 1>him kind of growing apart, drifted apart, you know, et cetera,

0:21:06.200 --> 0:21:10.400
<v Speaker 1>and how funny it was, like those conversations that happened online,

0:21:11.080 --> 0:21:14.240
<v Speaker 1>do they ever like get frustrating because it's obviously not

0:21:14.359 --> 0:21:16.159
<v Speaker 1>the case. You know what I mean, like, is it

0:21:16.160 --> 0:21:18.080
<v Speaker 1>ever somewhere You're just like, yo, what the fuck? Like

0:21:18.640 --> 0:21:23.280
<v Speaker 1>people are bored or what. Honestly, you know what I'm saying.

0:21:27.680 --> 0:21:31.040
<v Speaker 1>You know, the people love Griselda, man, like you know

0:21:31.119 --> 0:21:35.040
<v Speaker 1>this Griselda shit. Man, this thing we built, we ain't

0:21:35.080 --> 0:21:39.040
<v Speaker 1>even see it being well. I knew without you know,

0:21:39.200 --> 0:21:41.240
<v Speaker 1>it was gonna be special and that we was gonna

0:21:41.240 --> 0:21:44.119
<v Speaker 1>be like you know what I'm saying. You know, I

0:21:44.200 --> 0:21:46.240
<v Speaker 1>knew it was gonna work. And I knew because I know,

0:21:46.440 --> 0:21:48.600
<v Speaker 1>I've always believed in what we was bringing on the

0:21:48.600 --> 0:21:52.080
<v Speaker 1>table and the talent. But I don't even think me

0:21:52.119 --> 0:21:54.440
<v Speaker 1>and Wes knew what this ship was gonna be when

0:21:54.480 --> 0:21:57.280
<v Speaker 1>we started this ship up, you know what I'm saying.

0:21:57.359 --> 0:22:01.199
<v Speaker 1>And so some fans love us, man, and more than

0:22:01.280 --> 0:22:06.720
<v Speaker 1>we know sometimes, you know what I'm saying. And so yeah,

0:22:06.720 --> 0:22:10.879
<v Speaker 1>it's concerns, man, genuine concerns and questions from fans, like

0:22:11.520 --> 0:22:14.240
<v Speaker 1>you know, when they're seeing certain little ship from the

0:22:14.280 --> 0:22:18.199
<v Speaker 1>outside looking in. That's probably not the norm from what

0:22:18.240 --> 0:22:20.440
<v Speaker 1>they what they're used to for us, you know what

0:22:20.520 --> 0:22:26.600
<v Speaker 1>I'm saying. And you know a couple of my tweets

0:22:27.320 --> 0:22:30.800
<v Speaker 1>that I put out there probably didn't help things, you

0:22:30.800 --> 0:22:33.240
<v Speaker 1>know what I'm saying. Yeah, right, throw the dog on

0:22:33.280 --> 0:22:39.800
<v Speaker 1>the fire. Yeah, and you know, but the truth of

0:22:39.880 --> 0:22:42.879
<v Speaker 1>the matter is we have grown apart. Man, you know

0:22:42.920 --> 0:22:45.560
<v Speaker 1>what I'm saying, Like we ain't you know what I'm saying.

0:22:46.720 --> 0:22:49.280
<v Speaker 1>We're not really the young boys no more, you know,

0:22:49.480 --> 0:22:52.920
<v Speaker 1>just hanging out and you know, chasing the dream. And

0:22:52.960 --> 0:22:58.320
<v Speaker 1>we all like like grown grown ass men with families

0:22:58.400 --> 0:23:02.199
<v Speaker 1>and you know, response abilities and people to take care of.

0:23:02.320 --> 0:23:05.760
<v Speaker 1>And we haven't. Everybody got their own brands and other

0:23:05.840 --> 0:23:09.719
<v Speaker 1>things that they you know, expanding and and and and

0:23:09.400 --> 0:23:13.440
<v Speaker 1>and fucking with too that you know, time is very limited,

0:23:13.600 --> 0:23:15.840
<v Speaker 1>you know what I mean. You might not see us

0:23:15.880 --> 0:23:17.840
<v Speaker 1>together all the time. You might not hear us on

0:23:17.920 --> 0:23:20.520
<v Speaker 1>the same album all the time. Nigga might just genuinely

0:23:20.560 --> 0:23:23.720
<v Speaker 1>didn't have time to get the worst done. Nigga might

0:23:23.880 --> 0:23:27.400
<v Speaker 1>just genuinely didn't have time to pull up to the show. Right.

0:23:27.760 --> 0:23:29.800
<v Speaker 1>It just you know what I mean, Like we're getting

0:23:30.119 --> 0:23:33.480
<v Speaker 1>you knowldis, it's getting bigger than what we even were

0:23:33.520 --> 0:23:36.480
<v Speaker 1>have thought. So you know, I could see where that

0:23:36.640 --> 0:23:40.240
<v Speaker 1>you know them, you know them questions and concerns come

0:23:40.320 --> 0:23:43.880
<v Speaker 1>from from like the fans and ship when I'm gonna

0:23:43.920 --> 0:23:45.800
<v Speaker 1>keep it on thousand and two, like this is real

0:23:46.720 --> 0:23:49.560
<v Speaker 1>roal nigga time. Like some of my tweets and ship

0:23:49.640 --> 0:23:53.440
<v Speaker 1>probably didn't help ease their you know what I mean

0:23:54.840 --> 0:23:57.800
<v Speaker 1>right right. And the funny shit is like some of

0:23:57.840 --> 0:24:00.320
<v Speaker 1>my tweets was like most all of them, shi, It's

0:24:00.359 --> 0:24:03.640
<v Speaker 1>really just like some of them ships was like just

0:24:03.680 --> 0:24:07.800
<v Speaker 1>like verses I wrote, like bars right that I written,

0:24:07.880 --> 0:24:12.159
<v Speaker 1>and you know, weren't even nothing that I thought in

0:24:12.280 --> 0:24:16.240
<v Speaker 1>my mind, like what would get taken that way right

0:24:16.320 --> 0:24:18.960
<v Speaker 1>right right right right, Because I'm not no Internet dude,

0:24:19.040 --> 0:24:21.320
<v Speaker 1>Like I don't even really write. I'm not the guy

0:24:21.440 --> 0:24:25.080
<v Speaker 1>that's just gonna just be having Twitter, like just going

0:24:25.160 --> 0:24:30.480
<v Speaker 1>crazy on Twitter, like you know what, you know, we

0:24:30.480 --> 0:24:34.520
<v Speaker 1>we we family in real life, so that don't go away,

0:24:34.920 --> 0:24:38.000
<v Speaker 1>that don't go away and ship forever. Yeah, I think too,

0:24:38.080 --> 0:24:40.800
<v Speaker 1>Like it's unfair for fans to not expect you and

0:24:40.800 --> 0:24:43.040
<v Speaker 1>Benny to grow your own brands and like you know

0:24:43.080 --> 0:24:44.880
<v Speaker 1>what I'm saying, like and and the and to level

0:24:44.960 --> 0:24:47.440
<v Speaker 1>up your own ship because at the end of the day,

0:24:47.560 --> 0:24:51.080
<v Speaker 1>like like you said it in uh on a record

0:24:51.080 --> 0:24:54.960
<v Speaker 1>where you were like, uh, yeah, west Own is the land.

0:24:54.960 --> 0:24:57.600
<v Speaker 1>But I did the construction. But now you got your

0:24:57.600 --> 0:24:59.440
<v Speaker 1>own land and you do and you know what I'm saying,

0:24:59.480 --> 0:25:01.720
<v Speaker 1>And it's drum work, you know what I mean. And

0:25:02.000 --> 0:25:06.280
<v Speaker 1>Benny's got BSF and that don't mean that Rick Hyde

0:25:06.320 --> 0:25:10.080
<v Speaker 1>ain't fam And you know, everybody's everybody's in the next room.

0:25:10.520 --> 0:25:11.960
<v Speaker 1>You know what I'm saying. I met Rick with you

0:25:12.160 --> 0:25:14.800
<v Speaker 1>for the first time. Yeah, so you know what I'm saying.

0:25:14.840 --> 0:25:17.159
<v Speaker 1>So it's like I just think, like I think a

0:25:17.200 --> 0:25:20.600
<v Speaker 1>lot of hip hop fans are conditioned that our favorite

0:25:20.600 --> 0:25:23.200
<v Speaker 1>groups never last. And I know you guys aren't necessarily

0:25:23.240 --> 0:25:25.880
<v Speaker 1>a group. But you know, we came up and Bu

0:25:25.920 --> 0:25:29.840
<v Speaker 1>Tang had their issues and Dip said, obviously, you know,

0:25:29.960 --> 0:25:33.040
<v Speaker 1>like a lot of our favorite groups didn't necessarily, you know,

0:25:34.080 --> 0:25:35.720
<v Speaker 1>last as long as we like. But I think that

0:25:36.440 --> 0:25:38.240
<v Speaker 1>with you guys, I'm not sure that that's the case.

0:25:38.280 --> 0:25:40.359
<v Speaker 1>I just think it's like you said, it's just natural growth,

0:25:40.480 --> 0:25:43.160
<v Speaker 1>natural growth. You guys are all popping as fuck, all

0:25:43.200 --> 0:25:45.920
<v Speaker 1>busy as fuck. We have a businesses, we have an

0:25:46.080 --> 0:25:49.560
<v Speaker 1>artists that we gotta work with and get them, you know,

0:25:49.720 --> 0:25:51.959
<v Speaker 1>off and running and all that shit, and you know,

0:25:52.080 --> 0:25:55.040
<v Speaker 1>it's just it's just it's just business. It's just life.

0:25:55.119 --> 0:25:59.000
<v Speaker 1>We've grown, man. But you know it's just interesting too

0:25:59.119 --> 0:26:02.919
<v Speaker 1>because like, yeah, we never we're not a group, you

0:26:02.960 --> 0:26:05.160
<v Speaker 1>know what I'm saying. It was a group like when

0:26:05.240 --> 0:26:08.320
<v Speaker 1>sine Gum was alive, was you guys are a label? Yeah,

0:26:08.440 --> 0:26:10.879
<v Speaker 1>but we turned into a label and like everybody was

0:26:10.880 --> 0:26:14.280
<v Speaker 1>their own entity the artist like Ben he was, yeah

0:26:15.280 --> 0:26:17.960
<v Speaker 1>he was Hey, shot out y'all. Y'all got nominated for

0:26:18.000 --> 0:26:20.480
<v Speaker 1>Best Hip Hop Group of the BT Wars. Crazy, Yeah,

0:26:21.119 --> 0:26:25.760
<v Speaker 1>not being a group, Yeah, just we just all collabed

0:26:25.800 --> 0:26:28.000
<v Speaker 1>on the tape, you know what I'm saying. So I

0:26:28.000 --> 0:26:30.080
<v Speaker 1>didn't even think about that like that. That's the fact.

0:26:30.359 --> 0:26:32.639
<v Speaker 1>That's crazy, right, Like we weren't even a group. We

0:26:32.640 --> 0:26:35.600
<v Speaker 1>got nominated for group. We just collabed on some records

0:26:35.680 --> 0:26:38.800
<v Speaker 1>and you know, but you know what I mean, we

0:26:38.960 --> 0:26:42.720
<v Speaker 1>together stronger and we're always gonna be strong. Dog and

0:26:42.760 --> 0:26:45.960
<v Speaker 1>you know them that's family, bro' you know what I mean?

0:26:46.080 --> 0:26:48.680
<v Speaker 1>They on an album, We are an incredible record. On

0:26:48.800 --> 0:26:51.639
<v Speaker 1>the final final song on the album, right, there's the

0:26:51.720 --> 0:26:53.920
<v Speaker 1>last record. I look at the track list and of that,

0:26:54.000 --> 0:26:55.920
<v Speaker 1>I think I think it might be the last one.

0:26:56.080 --> 0:27:01.080
<v Speaker 1>I forget forget. Yeah, I'm curious man, because uh, you

0:27:01.119 --> 0:27:02.280
<v Speaker 1>and I are similar in age, and I don't know

0:27:02.280 --> 0:27:03.760
<v Speaker 1>how much DMX meant to me coming up, and you

0:27:03.800 --> 0:27:07.080
<v Speaker 1>know he's going through his health situation and hopefully you

0:27:07.119 --> 0:27:10.240
<v Speaker 1>know what what it X mean to you, Like from

0:27:10.960 --> 0:27:34.880
<v Speaker 1>hmm he passed. Yeah, man, I shit fucked up man,

0:27:36.960 --> 0:27:43.439
<v Speaker 1>That shit fucked up man. That nigga X man X

0:27:43.560 --> 0:27:47.440
<v Speaker 1>was a legend. Man. That dude was like a superhero

0:27:47.520 --> 0:27:50.919
<v Speaker 1>to me as a kid. Man Like, I always always thought, like,

0:27:51.160 --> 0:27:53.239
<v Speaker 1>you know what I'm saying, nobody could really fuck with

0:27:53.480 --> 0:27:56.240
<v Speaker 1>X like like no cap Like, I always thought, like,

0:27:56.720 --> 0:27:58.800
<v Speaker 1>you know, it's niggas that I probably like, you know,

0:27:59.000 --> 0:28:01.200
<v Speaker 1>albums and ship who I might have liked more and

0:28:01.280 --> 0:28:04.920
<v Speaker 1>all that shit. But I'm just saying, like, face to face, X,

0:28:05.000 --> 0:28:07.840
<v Speaker 1>pull up on you. You You know what I'm saying, You're

0:28:07.920 --> 0:28:10.360
<v Speaker 1>not fucking with X Man. Let me tell you something.

0:28:10.400 --> 0:28:12.160
<v Speaker 1>When I was a kid, I was twelve, I went

0:28:12.200 --> 0:28:15.000
<v Speaker 1>to the Hard Knock Life tour and I left after

0:28:15.080 --> 0:28:17.160
<v Speaker 1>DMX got off some stage. I did not even stay

0:28:17.480 --> 0:28:19.240
<v Speaker 1>X Man. I did not stay for Jay Z's perform

0:28:19.359 --> 0:28:22.920
<v Speaker 1>five Shuls. He definitely he did that prayer ship. Niggas

0:28:22.920 --> 0:28:26.280
<v Speaker 1>couldn't fuck with X Man, no wype man, no nothing, Bro,

0:28:26.359 --> 0:28:28.159
<v Speaker 1>I was so rough rided out as a kid. I

0:28:28.200 --> 0:28:31.080
<v Speaker 1>used to tag up that r on my ship. Fuck

0:28:31.240 --> 0:28:34.440
<v Speaker 1>that shit, true man, wresting peace, x Man, rest in Peace,

0:28:34.520 --> 0:28:39.760
<v Speaker 1>dark Man, x Man. That's tough man. Damn shit fucked

0:28:39.800 --> 0:28:42.160
<v Speaker 1>up too, Man. We did joint. We just on his

0:28:42.280 --> 0:28:45.480
<v Speaker 1>hours and drop a new album. You guys got a

0:28:45.480 --> 0:28:46.920
<v Speaker 1>record together that was supposed to come out on the

0:28:46.920 --> 0:28:53.440
<v Speaker 1>new album. Damn record that ship Winnie switch joint. How

0:28:53.520 --> 0:28:56.440
<v Speaker 1>was that experience? Man? I didn't get to say him, Bro,

0:28:56.520 --> 0:28:59.400
<v Speaker 1>I never got a truce to bet my life. You

0:28:59.400 --> 0:29:01.720
<v Speaker 1>ever talked to him on the phone or but he

0:29:02.080 --> 0:29:03.480
<v Speaker 1>was he had to be a fan to get you

0:29:03.520 --> 0:29:06.200
<v Speaker 1>on the album. Yeah, I seen an arm a clip. Well,

0:29:07.080 --> 0:29:09.440
<v Speaker 1>Benny was down there with him and normally and all

0:29:09.520 --> 0:29:12.200
<v Speaker 1>that listening to the ship and all that. So he

0:29:12.320 --> 0:29:14.840
<v Speaker 1>met Benny. I don't know if west Manton, but I

0:29:14.920 --> 0:29:20.360
<v Speaker 1>never met I never met the O G Man. And

0:29:20.400 --> 0:29:23.640
<v Speaker 1>being on that record, I was dying. I just I was.

0:29:23.760 --> 0:29:28.000
<v Speaker 1>I was hoping that Nigga would be there Atlanta. That's

0:29:28.080 --> 0:29:30.120
<v Speaker 1>not get in the studio. But he was like sick

0:29:30.200 --> 0:29:32.000
<v Speaker 1>of some ship and he ain't make it. That night,

0:29:32.080 --> 0:29:33.560
<v Speaker 1>you know what I mean. So we just did our

0:29:33.640 --> 0:29:38.040
<v Speaker 1>verses and left. But damn, man, I hope that ship.

0:29:38.120 --> 0:29:41.240
<v Speaker 1>You know what, man, that's crazy. Man. I don't even

0:29:41.240 --> 0:29:43.000
<v Speaker 1>know how to react. He died to do what Man,

0:29:43.320 --> 0:29:46.160
<v Speaker 1>that's wild. DMX my when I was for about two

0:29:46.240 --> 0:29:47.600
<v Speaker 1>years of my life as a kid, he was my

0:29:47.600 --> 0:29:51.680
<v Speaker 1>favorite rapper in the world. Man, that's right too, that's

0:29:51.760 --> 0:29:55.120
<v Speaker 1>fucking wild. I don't even know where to go from here. Really,

0:29:56.080 --> 0:30:00.360
<v Speaker 1>like we look at your album's coming out, r I

0:30:00.440 --> 0:30:07.640
<v Speaker 1>P the DMX, Man, that's crazy. Fuck just fucked me up.

0:30:07.840 --> 0:30:16.360
<v Speaker 1>That fucked me up to anything else you want to say. Man, yeah, man,

0:30:18.200 --> 0:30:20.040
<v Speaker 1>you really don't feel right they talk about anything that,

0:30:20.240 --> 0:30:25.400
<v Speaker 1>man like, that's crazy. Rest in peace to the dog Man.

0:30:27.120 --> 0:30:30.120
<v Speaker 1>Think about that two album run this Darking Hell is Hot,

0:30:30.240 --> 0:30:33.960
<v Speaker 1>Flesh of My Flesh, Blood of My Blood, both in

0:30:34.040 --> 0:30:38.600
<v Speaker 1>the same year. Come on, man, old number ones, Come

0:30:38.640 --> 0:30:41.440
<v Speaker 1>on he brought ay? When did he had the shiny

0:30:41.440 --> 0:30:44.120
<v Speaker 1>shoes popping? DMX came and shut all that ship down. Bro,

0:30:45.440 --> 0:30:52.920
<v Speaker 1>Oh my god, damn yeah, it was crazy man. I

0:30:53.000 --> 0:30:57.200
<v Speaker 1>was a kid, biggie and pop. You know what I'm saying.

0:30:57.440 --> 0:31:01.000
<v Speaker 1>When that shit happened, like so I don't really know

0:31:01.080 --> 0:31:04.280
<v Speaker 1>how to be out with this ship, this, this this

0:31:04.440 --> 0:31:08.000
<v Speaker 1>fucking me up right here. Yeah man, we look rest

0:31:08.000 --> 0:31:12.800
<v Speaker 1>in peace to DMX man that you know Conway got

0:31:12.800 --> 0:31:15.640
<v Speaker 1>an album coming out next week. Yeah yeah yeah yeah,

0:31:15.800 --> 0:31:20.040
<v Speaker 1>like mocking that man dropping that bitch April sixteenth. Man,

0:31:20.560 --> 0:31:21.080
<v Speaker 1>there it is.