1 00:00:00,280 --> 00:00:02,960 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:03,000 --> 00:00:05,280 Speaker 1: am your host Movie Mike. Today we're talking about the 3 00:00:05,280 --> 00:00:08,800 Speaker 1: top ten highest grossing R rated movies of all time. 4 00:00:09,200 --> 00:00:11,559 Speaker 1: I'll give you what I consider the best, the worst, 5 00:00:11,640 --> 00:00:14,040 Speaker 1: the first R rated movie I ever saw, Oh Boy, 6 00:00:14,320 --> 00:00:17,079 Speaker 1: that was traumatizing. In the movie review, we'll be talking 7 00:00:17,079 --> 00:00:19,239 Speaker 1: about d D, which is a coming of age movie 8 00:00:19,320 --> 00:00:22,040 Speaker 1: set in the late two thousands in the trailer park. 9 00:00:22,079 --> 00:00:24,640 Speaker 1: We'll take a look at a movie called A Complete Unknown, 10 00:00:24,760 --> 00:00:28,080 Speaker 1: better known as the Bob Dylan Biopic, with Timmy tim 11 00:00:28,080 --> 00:00:32,000 Speaker 1: Timothy Shallowmet playing Bob Dylan. I have a history of 12 00:00:32,560 --> 00:00:35,760 Speaker 1: not enjoying biopicks because I often feel they're rushed, even 13 00:00:35,800 --> 00:00:37,879 Speaker 1: more so when the person is still alive at the 14 00:00:37,880 --> 00:00:40,680 Speaker 1: time the movie comes out. So not looking good for 15 00:00:40,760 --> 00:00:43,400 Speaker 1: this movie as of now. But thank you for being here, 16 00:00:43,760 --> 00:00:46,240 Speaker 1: Thank you for being subscribed. Shout out to the Monday 17 00:00:46,280 --> 00:00:47,120 Speaker 1: Morning Movie crew. 18 00:00:47,560 --> 00:00:49,280 Speaker 2: And now let's talk movies. 19 00:00:49,640 --> 00:00:53,000 Speaker 3: In a world where everyone and their mother has a podcast, 20 00:00:53,360 --> 00:00:57,280 Speaker 3: one man stands to infiltrate the ears of listeners like 21 00:00:57,360 --> 00:01:01,320 Speaker 3: never before in a movie podcast. A man with so 22 00:01:01,440 --> 00:01:02,880 Speaker 3: much movie knowledge. 23 00:01:02,760 --> 00:01:07,560 Speaker 4: He's basically like a walking IMTB. With Glasses from the 24 00:01:07,640 --> 00:01:12,559 Speaker 4: Nashville podcast network. This is Movie Mikes Movie Podcast. 25 00:01:13,120 --> 00:01:16,240 Speaker 1: One of the biggest headlines since dead Pula Wolverine came out, 26 00:01:16,319 --> 00:01:20,080 Speaker 1: all the box office records it has broken. In my opinion, 27 00:01:20,360 --> 00:01:24,560 Speaker 1: the biggest record is becoming the highest grossing R rated 28 00:01:24,600 --> 00:01:28,120 Speaker 1: movie in the United States, beating out The Passion of 29 00:01:28,160 --> 00:01:30,039 Speaker 1: the Christ. And I want to get into this full 30 00:01:30,120 --> 00:01:34,000 Speaker 1: top ten list because oddly, when looking at the top 31 00:01:34,040 --> 00:01:37,200 Speaker 1: ten highest grossing R rated movies in the US, they 32 00:01:37,200 --> 00:01:41,640 Speaker 1: are all pretty vastly different. And when I consider what 33 00:01:41,840 --> 00:01:44,200 Speaker 1: goes into making an R rated movie, I think you 34 00:01:44,200 --> 00:01:46,360 Speaker 1: would start to fall into some of the same type 35 00:01:46,400 --> 00:01:49,400 Speaker 1: of genre. For me, I feel like the R rated 36 00:01:49,400 --> 00:01:53,240 Speaker 1: genre is dominated by horror, especially now in today's market, 37 00:01:53,280 --> 00:01:56,400 Speaker 1: where I feel like studios are hesitant to put out 38 00:01:56,400 --> 00:01:59,880 Speaker 1: an R rated movie because you are limiting your audience, 39 00:02:00,840 --> 00:02:02,760 Speaker 1: and you don't want to reduce your audience right now. 40 00:02:02,800 --> 00:02:04,920 Speaker 1: You want as many people to go and see your 41 00:02:04,960 --> 00:02:08,280 Speaker 1: movie as possible. So I think it is amazing that 42 00:02:08,360 --> 00:02:12,040 Speaker 1: Deadpool and Wolverine has already crossed that mark. So we'll 43 00:02:12,040 --> 00:02:14,520 Speaker 1: get into that top ten list. But my history with 44 00:02:14,680 --> 00:02:19,880 Speaker 1: R rated movies, We're gonna do first, Last, regretful, worst, 45 00:02:20,120 --> 00:02:23,480 Speaker 1: and greatest R rated movie of all time. The first 46 00:02:23,600 --> 00:02:26,800 Speaker 1: R rated movie I ever saw. I was seven years. 47 00:02:26,560 --> 00:02:28,480 Speaker 2: Old in nineteen ninety eight. 48 00:02:28,639 --> 00:02:31,080 Speaker 1: This movie came out in nineteen eighty eight and is 49 00:02:31,160 --> 00:02:35,720 Speaker 1: regarded as the movie that almost traumatized me forever. It 50 00:02:35,760 --> 00:02:38,720 Speaker 1: was child's play. The reason I watched this movie at 51 00:02:38,760 --> 00:02:41,480 Speaker 1: seven years old. The reason I was really exposed to 52 00:02:41,520 --> 00:02:43,400 Speaker 1: so many things so early on is because I have 53 00:02:43,520 --> 00:02:46,359 Speaker 1: an older brother and an older sister who are seven 54 00:02:46,440 --> 00:02:49,359 Speaker 1: and nine years older than me, so they were probably 55 00:02:50,200 --> 00:02:53,720 Speaker 1: fifteen fourteen years old in that age range, and I 56 00:02:53,840 --> 00:02:56,200 Speaker 1: was always exposed to things that they were exposed to 57 00:02:56,880 --> 00:02:59,639 Speaker 1: just because I was around. I wanted to be with him, 58 00:03:00,040 --> 00:03:02,600 Speaker 1: and my parents were okay with it for the most part. 59 00:03:02,840 --> 00:03:06,080 Speaker 1: I think the problem my parents had was nudity. They 60 00:03:06,120 --> 00:03:10,040 Speaker 1: could do and deal with us watching bloody and violent things. 61 00:03:10,080 --> 00:03:12,000 Speaker 1: That was okay with him. They were used to that. 62 00:03:12,040 --> 00:03:16,000 Speaker 1: We would even watch old school eighties Mexican movies with 63 00:03:16,080 --> 00:03:19,600 Speaker 1: people getting shot and cut up, and that was fine 64 00:03:19,600 --> 00:03:21,800 Speaker 1: with them. But when it came to anything showing a nipple, 65 00:03:22,240 --> 00:03:24,359 Speaker 1: we were not exposed to that. And we'll get into 66 00:03:24,360 --> 00:03:27,079 Speaker 1: one of the movies later on this list. That was 67 00:03:27,120 --> 00:03:30,320 Speaker 1: traumatizing for everybody in that picture. But I always wanted 68 00:03:30,360 --> 00:03:32,800 Speaker 1: to be just like my brother, just like my sister, 69 00:03:33,400 --> 00:03:36,480 Speaker 1: and for that reason is why I was what was 70 00:03:36,520 --> 00:03:38,920 Speaker 1: considered to be a lot more of a mature kid 71 00:03:38,960 --> 00:03:41,840 Speaker 1: growing up. My teachers would be like, there's something about 72 00:03:42,120 --> 00:03:45,480 Speaker 1: Mikey here that he just doesn't really interact with all 73 00:03:45,520 --> 00:03:49,040 Speaker 1: the other kids the same way. He speaks differently. He's 74 00:03:49,080 --> 00:03:52,440 Speaker 1: a little bit of an outcast and was always viewed 75 00:03:52,480 --> 00:03:55,160 Speaker 1: as being much I don't want to say older and wiser, 76 00:03:55,240 --> 00:03:58,040 Speaker 1: but I had an older soul just because I was 77 00:03:58,120 --> 00:04:01,640 Speaker 1: used to being around two older all the time, and 78 00:04:01,960 --> 00:04:03,280 Speaker 1: that probably has a lot to do with some of 79 00:04:03,360 --> 00:04:07,040 Speaker 1: my trauma from my early years. But what came along 80 00:04:07,080 --> 00:04:09,360 Speaker 1: with that is I watched a lot of movies I 81 00:04:09,440 --> 00:04:12,120 Speaker 1: was not supposed to watch. And the way we watched 82 00:04:12,160 --> 00:04:14,840 Speaker 1: Child's Play is we used to go to Walmart, and 83 00:04:14,880 --> 00:04:17,640 Speaker 1: there was a video store connected to our Walmart back 84 00:04:17,640 --> 00:04:20,040 Speaker 1: in the nineties. I don't even think it made it 85 00:04:20,040 --> 00:04:23,120 Speaker 1: to the two thousands. It wasn't even a name brand 86 00:04:23,400 --> 00:04:26,680 Speaker 1: video store like Blockbuster or anything. I really never went 87 00:04:26,720 --> 00:04:30,760 Speaker 1: to Blockbuster as a kid. Their prices were astronomical for us. 88 00:04:30,880 --> 00:04:33,440 Speaker 1: We never had a membership card, so I don't really 89 00:04:33,480 --> 00:04:35,120 Speaker 1: get nostalgic for Blockbuster. 90 00:04:35,520 --> 00:04:36,560 Speaker 2: The other video. 91 00:04:36,320 --> 00:04:38,880 Speaker 1: Store in town and walks of Hatchie, we had a 92 00:04:38,920 --> 00:04:41,719 Speaker 1: place that was just called the video store and you 93 00:04:41,760 --> 00:04:44,600 Speaker 1: could go rent movies for a dollar. They would have 94 00:04:44,680 --> 00:04:47,520 Speaker 1: these little hooks on the wall with a number written 95 00:04:47,560 --> 00:04:50,320 Speaker 1: on them. They were like these little coin medallion things, 96 00:04:50,680 --> 00:04:53,200 Speaker 1: and you would take it off the wall on any 97 00:04:53,240 --> 00:04:55,400 Speaker 1: movie you wanted to rent and then just go up 98 00:04:55,440 --> 00:04:57,760 Speaker 1: to the cashier and give them all these little coins 99 00:04:58,000 --> 00:05:00,400 Speaker 1: and they would go get the VHS or the DVD 100 00:05:00,520 --> 00:05:04,359 Speaker 1: for you. That is was probably our primary source of 101 00:05:04,440 --> 00:05:08,440 Speaker 1: video rental after the video store inside of the Walmart 102 00:05:08,760 --> 00:05:12,200 Speaker 1: could put But the first time we ever went and 103 00:05:12,240 --> 00:05:16,680 Speaker 1: rented a movie from this Walmart video rental place, I 104 00:05:16,720 --> 00:05:19,599 Speaker 1: had my cousins in town from Memphis and we wanted 105 00:05:19,600 --> 00:05:21,840 Speaker 1: to rent some movies, and that was really the only 106 00:05:21,880 --> 00:05:24,600 Speaker 1: way we could convince my mom to allow us to 107 00:05:24,640 --> 00:05:27,320 Speaker 1: rent something because we just never paid for that. If 108 00:05:27,320 --> 00:05:29,880 Speaker 1: we were going to get a movie in any capacity, 109 00:05:29,920 --> 00:05:31,719 Speaker 1: we would buy it from the flea market. That way 110 00:05:31,760 --> 00:05:34,760 Speaker 1: we could keep it forever and watch it for years 111 00:05:34,800 --> 00:05:36,080 Speaker 1: to come, which we did it with a lot of 112 00:05:36,080 --> 00:05:38,560 Speaker 1: our vhs, but convinced her to do it. And I 113 00:05:38,680 --> 00:05:42,160 Speaker 1: don't know why she let us rent Child's Play. Maybe 114 00:05:42,200 --> 00:05:44,559 Speaker 1: she didn't really know what it was. Maybe it's because 115 00:05:44,640 --> 00:05:46,279 Speaker 1: Chucky is on the cover and it looks like it 116 00:05:46,320 --> 00:05:47,920 Speaker 1: could be a movie for kids. 117 00:05:47,920 --> 00:05:48,839 Speaker 2: There's a doll on it. 118 00:05:48,880 --> 00:05:50,680 Speaker 1: I don't know if that was really going on back 119 00:05:50,680 --> 00:05:53,600 Speaker 1: in the eighties and nineties where people were confused about 120 00:05:53,600 --> 00:05:57,159 Speaker 1: what Chucky was, but maybe it got past my parents. 121 00:05:57,440 --> 00:06:01,039 Speaker 1: And we also rented one more VHS that night, and 122 00:06:01,080 --> 00:06:03,680 Speaker 1: it was a ThunderCats VHS. I think it was just 123 00:06:03,760 --> 00:06:06,960 Speaker 1: episodes of ThunderCats from the eighties, and I remember my 124 00:06:07,000 --> 00:06:09,520 Speaker 1: brother being a big fan of that show, and it 125 00:06:09,560 --> 00:06:11,919 Speaker 1: blew our mind that it was available to watch it home, 126 00:06:12,400 --> 00:06:15,320 Speaker 1: back when you had to watch everything on regular TV. 127 00:06:16,080 --> 00:06:19,000 Speaker 1: But we rent a Child's Play, watched it on a 128 00:06:19,080 --> 00:06:22,680 Speaker 1: Friday night, and by late Friday night, I was traumatized. 129 00:06:22,720 --> 00:06:26,000 Speaker 1: It freaked me out so bad. I thought all of 130 00:06:26,040 --> 00:06:29,240 Speaker 1: my toys were going to come to life. The first 131 00:06:29,360 --> 00:06:33,159 Speaker 1: kill in this movie is just burned into my head 132 00:06:33,240 --> 00:06:36,080 Speaker 1: as being one of the gnarliest things I ever witnessed 133 00:06:36,080 --> 00:06:38,279 Speaker 1: as a kid, and I was so freaked out by 134 00:06:38,320 --> 00:06:41,239 Speaker 1: the end of this movie that I was so glad 135 00:06:41,279 --> 00:06:43,720 Speaker 1: that we had also rented ThunderCats because it was kind 136 00:06:43,720 --> 00:06:45,960 Speaker 1: of a palate cleanser and I still need that to 137 00:06:46,000 --> 00:06:48,479 Speaker 1: this day. If I watch a really dark show, like 138 00:06:48,560 --> 00:06:51,840 Speaker 1: I was just watching The Boys on Amazon, and not 139 00:06:51,920 --> 00:06:54,000 Speaker 1: that that show would give you nightmares, but there are 140 00:06:54,120 --> 00:06:57,360 Speaker 1: some very graphic and violent images that if I watched 141 00:06:57,360 --> 00:07:00,240 Speaker 1: that show right before bed, it could creep to. 142 00:07:00,200 --> 00:07:01,360 Speaker 2: My dreams and I have nightmares. 143 00:07:01,440 --> 00:07:03,640 Speaker 1: So sometimes I'll throw in an episode of Dragon ball 144 00:07:03,720 --> 00:07:06,400 Speaker 1: Z in between, so I don't have that as the 145 00:07:06,480 --> 00:07:09,680 Speaker 1: last thing I watched. But luckily we had a VHS 146 00:07:09,760 --> 00:07:12,640 Speaker 1: tape of ThunderCats. I watched that after Child's Play, but 147 00:07:12,720 --> 00:07:15,560 Speaker 1: Sdelle ended up having nightmares. So that was the first 148 00:07:15,600 --> 00:07:18,640 Speaker 1: ever R rated movie I watched back when I was 149 00:07:18,640 --> 00:07:21,800 Speaker 1: seven years old in nineteen ninety eight. Last R rated 150 00:07:21,800 --> 00:07:25,920 Speaker 1: movie I watched in theaters was Deadpool in Wolverine. Streaming 151 00:07:25,960 --> 00:07:29,480 Speaker 1: at home, it was probably Late Night with the Devil Love. 152 00:07:29,560 --> 00:07:31,960 Speaker 1: That horror movie still in my running for the best 153 00:07:32,000 --> 00:07:34,720 Speaker 1: horror movie of the year. That movie, in my mind 154 00:07:34,800 --> 00:07:37,360 Speaker 1: is battling out right now with Long Legs as taking 155 00:07:37,360 --> 00:07:37,800 Speaker 1: that number. 156 00:07:37,800 --> 00:07:38,360 Speaker 2: One spot. 157 00:07:38,560 --> 00:07:42,520 Speaker 1: Most regretful R rated movie I ever watched was also. 158 00:07:42,240 --> 00:07:43,360 Speaker 2: In nineteen ninety eight. 159 00:07:43,400 --> 00:07:46,960 Speaker 1: Another movie we got from the Walmart video rental store, 160 00:07:47,280 --> 00:07:51,520 Speaker 1: and it was Beloved, starring Oprah and Danny Glover. I 161 00:07:51,720 --> 00:07:54,440 Speaker 1: don't know what possessed my mom to want to rent 162 00:07:54,480 --> 00:07:57,520 Speaker 1: this movie. This was a pick from my mom. And 163 00:07:57,560 --> 00:07:59,400 Speaker 1: if you listen to this podcast, you know that my 164 00:07:59,480 --> 00:08:03,720 Speaker 1: mom oddly loves horror movies. Really, the genre she leans 165 00:08:03,720 --> 00:08:07,160 Speaker 1: into most is horror movies, and it doesn't matter if 166 00:08:07,160 --> 00:08:11,000 Speaker 1: it's overle gory, if it's I would say she leans 167 00:08:11,040 --> 00:08:15,960 Speaker 1: more towards like a possession type movie, anything related with 168 00:08:16,080 --> 00:08:20,800 Speaker 1: any kind of exorcism Laorna. She loves Annabelle in the 169 00:08:20,880 --> 00:08:25,640 Speaker 1: Conjuring series. She is all about the horror genre. Second 170 00:08:25,640 --> 00:08:29,040 Speaker 1: favorite genre of movie for her is probably animated when 171 00:08:29,080 --> 00:08:31,800 Speaker 1: it comes to Pixar movies, Coco being one of her 172 00:08:31,840 --> 00:08:34,719 Speaker 1: favorite movies of all time. In that third category, it 173 00:08:34,720 --> 00:08:37,960 Speaker 1: would definitely be comedies from the nineties. But for some 174 00:08:38,120 --> 00:08:41,880 Speaker 1: reason she wanted to rent Beloved, And maybe it was 175 00:08:41,960 --> 00:08:46,240 Speaker 1: because Oprah's talk show was much more popular in the nineties. 176 00:08:46,480 --> 00:08:49,240 Speaker 1: And I don't know if she did an entire segment 177 00:08:49,240 --> 00:08:51,680 Speaker 1: promoting this movie or had people on her show to 178 00:08:51,720 --> 00:08:53,840 Speaker 1: talk about it. But for some reason, when this movie 179 00:08:53,880 --> 00:08:56,560 Speaker 1: came out on VHS, my mom wanted to rent it. 180 00:08:56,760 --> 00:08:59,800 Speaker 1: And if you've never seen Beloved, it is a very 181 00:09:00,160 --> 00:09:05,920 Speaker 1: stirring and weird movie that's part drama, part fantasy horror, 182 00:09:06,360 --> 00:09:07,120 Speaker 1: and we were not. 183 00:09:07,160 --> 00:09:08,520 Speaker 2: Prepared for this type of movie. 184 00:09:08,520 --> 00:09:12,400 Speaker 1: If you've ever went blind to a film, this is 185 00:09:12,440 --> 00:09:15,120 Speaker 1: not one to go in blind on that you watch 186 00:09:15,160 --> 00:09:17,640 Speaker 1: with your parents, and you probably have a story like 187 00:09:17,720 --> 00:09:20,000 Speaker 1: this of hey, let's all go watch this movie as 188 00:09:20,000 --> 00:09:23,120 Speaker 1: a family. It's our rated, but it'll be okay, and 189 00:09:23,160 --> 00:09:26,080 Speaker 1: then bam, you get a wiener on the screen, you 190 00:09:26,120 --> 00:09:29,040 Speaker 1: get people hooking up, you get something that is going 191 00:09:29,040 --> 00:09:31,720 Speaker 1: to traumatize your experience that you were not expected to 192 00:09:31,720 --> 00:09:32,320 Speaker 1: see with. 193 00:09:32,320 --> 00:09:35,079 Speaker 2: Your mom and dad. Beloved is one of them. 194 00:09:35,480 --> 00:09:37,880 Speaker 1: Again, if you're not familiar with this movie, it has 195 00:09:38,480 --> 00:09:43,720 Speaker 1: full frontal nudity, and my seven year old self was 196 00:09:43,800 --> 00:09:47,320 Speaker 1: exposed to that with my mom for the very first time. 197 00:09:47,920 --> 00:09:51,800 Speaker 1: I think my mom gasped in sheer terror of what 198 00:09:51,880 --> 00:09:54,760 Speaker 1: was happening on this screen. That paired with the fact 199 00:09:54,760 --> 00:09:57,520 Speaker 1: that we didn't really understand what was going on in 200 00:09:57,520 --> 00:09:59,760 Speaker 1: this movie. It was hard for us to comprehend not 201 00:10:00,120 --> 00:10:02,600 Speaker 1: movie we should have watched together as a family, But 202 00:10:02,679 --> 00:10:05,120 Speaker 1: that scene came out of nowhere, and I will never 203 00:10:05,200 --> 00:10:08,120 Speaker 1: forget it, much like I never forgot the first time 204 00:10:08,120 --> 00:10:12,160 Speaker 1: I saw Child's Play. So the one regretful R rated 205 00:10:12,200 --> 00:10:14,920 Speaker 1: movie I have is beloved from nineteen eighty eight. I 206 00:10:14,920 --> 00:10:17,680 Speaker 1: feel like, now, as an adult thirty three years old, 207 00:10:18,040 --> 00:10:20,320 Speaker 1: I should revisit that movie to see if I understand 208 00:10:20,360 --> 00:10:22,280 Speaker 1: it a little bit more. Now people say you have 209 00:10:22,400 --> 00:10:25,319 Speaker 1: to read the book before watching that movie to understand it. 210 00:10:26,200 --> 00:10:29,080 Speaker 1: Maybe that would have helped, but still I regret that 211 00:10:29,200 --> 00:10:31,880 Speaker 1: R rated movie. The worst R rated movie I've ever 212 00:10:31,920 --> 00:10:34,800 Speaker 1: seen has to go to Showgirls, and this was back 213 00:10:34,840 --> 00:10:40,520 Speaker 1: when Elizabeth Berkeley was primarily known as Jesse Spanno on 214 00:10:40,760 --> 00:10:44,360 Speaker 1: Saved by the Bell and a lot of actors have 215 00:10:44,480 --> 00:10:47,520 Speaker 1: this journey where you get known for something so wholesome 216 00:10:48,120 --> 00:10:51,720 Speaker 1: and something associated with your childhood or just a very 217 00:10:51,760 --> 00:10:54,679 Speaker 1: family friendly show. You want to shake that. You want 218 00:10:54,760 --> 00:10:57,520 Speaker 1: to do something different. You want to show people that 219 00:10:57,600 --> 00:11:00,640 Speaker 1: I'm not that character anymore. I could do more adult, 220 00:11:01,280 --> 00:11:04,360 Speaker 1: mature things. And I think that's the idea that Elizabeth 221 00:11:04,400 --> 00:11:08,040 Speaker 1: Berkeley had going into Showgirls. What I don't like about 222 00:11:08,160 --> 00:11:10,840 Speaker 1: R rated movies like this. It's one thing to show nudity, 223 00:11:10,880 --> 00:11:13,720 Speaker 1: but when you're just showing it for the sake of 224 00:11:13,880 --> 00:11:17,600 Speaker 1: showing it and making it R rated, making it raunchy 225 00:11:17,720 --> 00:11:21,840 Speaker 1: and being just so shocking, it is probably the worst 226 00:11:21,880 --> 00:11:25,480 Speaker 1: thing you can do. Just looking at the acting in 227 00:11:25,520 --> 00:11:29,520 Speaker 1: this movie, I don't understand how at any point while 228 00:11:29,559 --> 00:11:33,000 Speaker 1: filming this they actually thought it was going to be good. 229 00:11:33,320 --> 00:11:37,680 Speaker 1: Elizabeth Berkeley's character in this movie is so chaotic, so 230 00:11:38,040 --> 00:11:42,320 Speaker 1: overly dramatic, she makes no sense. She goes from trying 231 00:11:42,320 --> 00:11:45,520 Speaker 1: to be sweet and inviting to just blowing up on people, 232 00:11:45,640 --> 00:11:48,120 Speaker 1: stabbing people in the back. And on top of that, 233 00:11:48,160 --> 00:11:50,959 Speaker 1: why you can't take it seriously is everybody's naked all 234 00:11:50,960 --> 00:11:53,320 Speaker 1: the time. And I get it, it's a movie called 235 00:11:53,559 --> 00:11:56,000 Speaker 1: Showgirls set in Vegas. 236 00:11:55,880 --> 00:11:58,440 Speaker 2: But I believe it was overly R. 237 00:11:58,520 --> 00:12:00,280 Speaker 1: Rated just for the sake of doing you can get 238 00:12:00,320 --> 00:12:03,760 Speaker 1: almost got slapped with the NC seventeen rating, which is 239 00:12:03,800 --> 00:12:06,960 Speaker 1: a whole other episode of this podcast. But worst R 240 00:12:07,000 --> 00:12:10,959 Speaker 1: rated movie I've ever seen, Ghosts to Showgirls, greatest R 241 00:12:11,000 --> 00:12:15,679 Speaker 1: rated movie I've ever seen. Mentioning earlier, I believe that 242 00:12:15,720 --> 00:12:20,520 Speaker 1: the R rated category belongs to the horror film. When 243 00:12:20,600 --> 00:12:22,680 Speaker 1: I thought of R rated movies I wanted to see 244 00:12:22,679 --> 00:12:25,319 Speaker 1: as a kid go to the theater and experience that I 245 00:12:25,320 --> 00:12:29,840 Speaker 1: couldn't get into. It was always a horror movie, with 246 00:12:29,920 --> 00:12:34,800 Speaker 1: the exception of the teen comedy about people hooking up 247 00:12:35,040 --> 00:12:37,520 Speaker 1: that came later in the mid two thousands. But I 248 00:12:37,559 --> 00:12:41,840 Speaker 1: still feel and believe that the genre is owned by 249 00:12:42,120 --> 00:12:47,880 Speaker 1: scary and horror movies because sometimes it's odd why other 250 00:12:48,000 --> 00:12:51,160 Speaker 1: movies get categorized as R rated movies. And when we 251 00:12:51,200 --> 00:12:53,880 Speaker 1: talk about the highest grossing R rated movies of all time, 252 00:12:54,280 --> 00:12:56,679 Speaker 1: a lot of the times it is due to language, 253 00:12:57,040 --> 00:13:00,600 Speaker 1: using of the F word explicitly, and then often just 254 00:13:00,640 --> 00:13:02,360 Speaker 1: because you see a nipple or a butt, they throw 255 00:13:02,520 --> 00:13:05,400 Speaker 1: R rating on it. For me, that doesn't really always 256 00:13:05,520 --> 00:13:09,000 Speaker 1: warrant an R rating. They may have changed the guidelines 257 00:13:09,040 --> 00:13:11,720 Speaker 1: a little bit, but usually you get the one F bomb, 258 00:13:12,080 --> 00:13:16,199 Speaker 1: a handful of S words to keep that PG thirteen ratings, 259 00:13:16,240 --> 00:13:19,720 Speaker 1: so they use them very very cautiously, but you get 260 00:13:19,720 --> 00:13:22,760 Speaker 1: any amount of skin and bam R rated. So with that, 261 00:13:22,880 --> 00:13:25,240 Speaker 1: I go back to a classic which actually has sub nudity, 262 00:13:25,559 --> 00:13:28,720 Speaker 1: but it is Halloween, which was one of my favorite 263 00:13:28,760 --> 00:13:31,920 Speaker 1: scary movies growing up and still one of my favorites 264 00:13:32,000 --> 00:13:35,480 Speaker 1: of all time. Change the landscape of horror in the 265 00:13:35,559 --> 00:13:38,920 Speaker 1: late seventies going into the eighties. I think other horror 266 00:13:39,000 --> 00:13:43,120 Speaker 1: franchises like Friday the Thirteenth Nightmare on Elm Street greatly 267 00:13:43,240 --> 00:13:46,760 Speaker 1: benefited from the success of Halloween. So that is my 268 00:13:46,920 --> 00:13:50,240 Speaker 1: favorite R rated movie of all time. Getting now into 269 00:13:50,280 --> 00:13:53,320 Speaker 1: the list of the top ten highest grossing R rated 270 00:13:53,360 --> 00:13:56,480 Speaker 1: movies in the United States at number ten from two 271 00:13:56,520 --> 00:14:00,400 Speaker 1: thousand and nine is The Hangover. I believe that this 272 00:14:00,480 --> 00:14:04,040 Speaker 1: is the last R rated movie that we all experienced 273 00:14:04,120 --> 00:14:06,760 Speaker 1: as a nation. Seems like there were so many in 274 00:14:06,840 --> 00:14:11,040 Speaker 1: the late nineties movies like American Pie early two thousands, 275 00:14:11,080 --> 00:14:15,040 Speaker 1: knocked Up, forty year old Virgin, Old School, But now 276 00:14:15,080 --> 00:14:18,280 Speaker 1: those movies have kind of dried up. And I'm talking 277 00:14:18,360 --> 00:14:22,040 Speaker 1: about the genre of movies that we all watched and quoted. 278 00:14:22,360 --> 00:14:25,600 Speaker 1: They were in constant rotation on TBS, so you could 279 00:14:25,680 --> 00:14:28,560 Speaker 1: not miss these movies. The last one, I feel had 280 00:14:28,600 --> 00:14:33,400 Speaker 1: that same level of impact and that same giant footprint 281 00:14:33,480 --> 00:14:36,200 Speaker 1: was The Hangover, and I believe is the only comedy 282 00:14:36,200 --> 00:14:39,080 Speaker 1: I've ever seen in theaters twice. I loved it that much. 283 00:14:39,600 --> 00:14:42,720 Speaker 1: That is in at number ten. At number nine is 284 00:14:42,760 --> 00:14:45,600 Speaker 1: the Matrix reloaded from two thousand and three. 285 00:14:46,360 --> 00:14:47,560 Speaker 2: I was never too. 286 00:14:47,560 --> 00:14:51,440 Speaker 1: Huge into all of the Matrix movies. They went a 287 00:14:51,480 --> 00:14:53,760 Speaker 1: little bit over my head. When the first one came 288 00:14:53,800 --> 00:14:55,840 Speaker 1: out in ninety nine, I was still eight years old. 289 00:14:56,240 --> 00:14:59,680 Speaker 1: I enjoyed the parodies of the Matrix more than I enjoyed. 290 00:14:59,360 --> 00:15:00,440 Speaker 2: The actual mo movies. 291 00:15:00,680 --> 00:15:03,120 Speaker 1: But what I could respect is what they did for 292 00:15:03,240 --> 00:15:05,760 Speaker 1: film at the turn of the century. Coming out in 293 00:15:05,840 --> 00:15:08,960 Speaker 1: ninety nine, going into the two thousands, this was so 294 00:15:09,240 --> 00:15:13,720 Speaker 1: influential on all different types of filmmaking, primarily in the 295 00:15:13,760 --> 00:15:17,280 Speaker 1: sci fi genre, but also in action movies. This movie 296 00:15:17,320 --> 00:15:20,920 Speaker 1: was so cool and futuristic. It pushed the envelope when 297 00:15:20,960 --> 00:15:24,720 Speaker 1: it comes to special effects. The problem that The Matrix 298 00:15:24,800 --> 00:15:28,080 Speaker 1: ended up having is the first one was so good. 299 00:15:28,600 --> 00:15:31,960 Speaker 1: It was so hard to make a decent sequel. 300 00:15:31,520 --> 00:15:32,400 Speaker 2: To these movies. 301 00:15:32,600 --> 00:15:34,720 Speaker 1: They even tried it again back in twenty twenty one, 302 00:15:35,200 --> 00:15:38,840 Speaker 1: and it wasn't that any of those sequels were inherently bad. 303 00:15:39,320 --> 00:15:42,160 Speaker 1: It was almost as if the Matrix should have stood 304 00:15:42,680 --> 00:15:45,760 Speaker 1: as a one and done. But obviously having that much 305 00:15:45,760 --> 00:15:48,720 Speaker 1: success with the sequel from two thousand and three, making 306 00:15:48,760 --> 00:15:52,080 Speaker 1: this list. You're gonna chase that money, You're gonna put 307 00:15:52,160 --> 00:15:53,240 Speaker 1: Keanu Reeves. 308 00:15:52,960 --> 00:15:53,840 Speaker 2: Back in that leather. 309 00:15:54,040 --> 00:15:56,960 Speaker 1: So I respect this franchise for what it did, But 310 00:15:57,040 --> 00:15:59,640 Speaker 1: out of every movie on this list, it is probably 311 00:15:59,640 --> 00:16:03,400 Speaker 1: my lead's favorite. At number eight from twenty eighteen is 312 00:16:03,480 --> 00:16:05,920 Speaker 1: Deadpool two. Out of every movie on this list, I 313 00:16:05,960 --> 00:16:09,440 Speaker 1: think this one has no reason to be here. It 314 00:16:09,520 --> 00:16:12,560 Speaker 1: kind of snuck in there, and it really rode the 315 00:16:12,640 --> 00:16:17,240 Speaker 1: success of Deadpool One, which was so polarizing and one 316 00:16:17,280 --> 00:16:20,040 Speaker 1: that wasn't expected to catch on as much as it did. 317 00:16:20,440 --> 00:16:22,480 Speaker 1: But this sequel just did not live up to that. 318 00:16:22,760 --> 00:16:24,960 Speaker 1: So with that said, I have more respect for the 319 00:16:25,000 --> 00:16:28,600 Speaker 1: Matrix reloaded than I do Deadpool two. It is a 320 00:16:28,680 --> 00:16:32,119 Speaker 1: fine movie, but easily the weakest now in that trilogy 321 00:16:32,160 --> 00:16:35,360 Speaker 1: to date. But at number eight is Deadpool two. At 322 00:16:35,440 --> 00:16:38,960 Speaker 1: number seven from twenty seventeen, is it This movie kind 323 00:16:38,960 --> 00:16:41,280 Speaker 1: of rattled me. I think that's a little rare coming 324 00:16:41,320 --> 00:16:44,480 Speaker 1: out in twenty seventeen. I was twenty six. I was 325 00:16:44,480 --> 00:16:46,480 Speaker 1: pretty jaded at this point when it comes to R 326 00:16:46,600 --> 00:16:50,680 Speaker 1: rated horror movies, and the original movie was always creepy 327 00:16:50,720 --> 00:16:54,800 Speaker 1: to me, and I don't really have a phobia of clowns. 328 00:16:54,880 --> 00:16:57,320 Speaker 1: I never found the original one to be that scary, 329 00:16:57,800 --> 00:17:01,160 Speaker 1: aside from the scene wherever a Wise would open up 330 00:17:01,160 --> 00:17:03,240 Speaker 1: his mouth and you'd see all the teeth and he 331 00:17:03,240 --> 00:17:06,480 Speaker 1: would look real demonic. That scene got me a little 332 00:17:06,480 --> 00:17:09,520 Speaker 1: bit as a kid. But I feel like Pennywise in 333 00:17:09,560 --> 00:17:13,840 Speaker 1: that movie was so just felt like a birthday party 334 00:17:13,920 --> 00:17:16,679 Speaker 1: clown and was so comical looking to me for the 335 00:17:16,680 --> 00:17:20,280 Speaker 1: most part that I never found it to be that scary. 336 00:17:20,600 --> 00:17:24,479 Speaker 1: When it came to twenty seventeen, it, oh my gosh, 337 00:17:24,480 --> 00:17:27,520 Speaker 1: they turned it up so much and they were really 338 00:17:27,560 --> 00:17:30,520 Speaker 1: able to make him, in my eyes, be the version 339 00:17:30,600 --> 00:17:34,879 Speaker 1: he needed to be to be truly terrifying. The third 340 00:17:35,000 --> 00:17:38,320 Speaker 1: act in it is one of the best third acts 341 00:17:38,320 --> 00:17:42,000 Speaker 1: in any horror movie from the twenty tens. That final showdown, 342 00:17:42,040 --> 00:17:45,760 Speaker 1: that final fight where Pennywise goes all out to try 343 00:17:45,760 --> 00:17:48,439 Speaker 1: and kill these kids, to try and terrify them and 344 00:17:48,520 --> 00:17:49,760 Speaker 1: also in turn. 345 00:17:49,680 --> 00:17:51,879 Speaker 2: Terrify you as the viewer. 346 00:17:52,440 --> 00:17:57,280 Speaker 1: I remember getting actually heated in my seat, like physically hot, 347 00:17:57,320 --> 00:18:01,800 Speaker 1: because my mind couldn't really comprehend all of these insane 348 00:18:01,840 --> 00:18:05,399 Speaker 1: images with all the blood, and I thought Bill Skarsgard 349 00:18:05,480 --> 00:18:09,040 Speaker 1: did a fantastic job as Penny wise, I'm glad this 350 00:18:09,119 --> 00:18:11,600 Speaker 1: movie made it on this list at number seven. At 351 00:18:11,680 --> 00:18:15,399 Speaker 1: number six is well before the number one movie. The 352 00:18:15,520 --> 00:18:20,080 Speaker 1: latest entry from twenty twenty three is Oppenheimer. I'm still 353 00:18:20,520 --> 00:18:23,399 Speaker 1: surprised by how well this movie did. 354 00:18:23,800 --> 00:18:25,800 Speaker 2: I still really enjoyed it. In my eyes. 355 00:18:25,840 --> 00:18:28,200 Speaker 1: I still believe it is a five out of five 356 00:18:28,720 --> 00:18:32,159 Speaker 1: how I rated it last summer. I really think the 357 00:18:32,200 --> 00:18:35,840 Speaker 1: reason this movie was so successful was because of the 358 00:18:35,880 --> 00:18:40,720 Speaker 1: Barbenheimer promotion. That wasn't even a real promotion. It was 359 00:18:40,800 --> 00:18:44,440 Speaker 1: just that hype of two very different movies coming out 360 00:18:44,480 --> 00:18:47,600 Speaker 1: on the same weekend, and people just ended up watching 361 00:18:47,640 --> 00:18:52,840 Speaker 1: them both. You'll never experience that again. Because I feel 362 00:18:53,119 --> 00:18:57,120 Speaker 1: as good of a movie as Oppenheimer is, it wouldn't 363 00:18:57,119 --> 00:19:00,680 Speaker 1: have been successful if it did not come out the same. 364 00:19:00,280 --> 00:19:01,600 Speaker 2: Weekend as Barbie. 365 00:19:01,720 --> 00:19:06,240 Speaker 1: It wouldn't because on paper, there is nothing that tells 366 00:19:06,320 --> 00:19:08,879 Speaker 1: me that it would have the same effect if it 367 00:19:08,960 --> 00:19:11,680 Speaker 1: came out on a different weekend, even a week after, 368 00:19:12,320 --> 00:19:14,800 Speaker 1: much less in a different season, which it could have 369 00:19:14,920 --> 00:19:16,840 Speaker 1: easily not come out in the summer and come out 370 00:19:16,840 --> 00:19:19,680 Speaker 1: in the fall and really leaned into the Oscar season. 371 00:19:19,960 --> 00:19:22,960 Speaker 1: But the movie is three hours long, diving into the 372 00:19:23,040 --> 00:19:26,960 Speaker 1: life and the mind of a very unorthodox historical figure. 373 00:19:27,320 --> 00:19:28,720 Speaker 1: But it was also the fact that I watched this 374 00:19:28,840 --> 00:19:32,399 Speaker 1: movie in seventy milimeter Imax, so I was engulfed in 375 00:19:32,440 --> 00:19:36,080 Speaker 1: the screen and fully had my attention on every single 376 00:19:36,160 --> 00:19:38,879 Speaker 1: frame of this movie. I feel like for the people 377 00:19:38,920 --> 00:19:42,200 Speaker 1: who waited and watched it at home, Oh man, I 378 00:19:42,200 --> 00:19:44,080 Speaker 1: don't know if the story came across the same way, 379 00:19:44,359 --> 00:19:46,840 Speaker 1: because I feel that three hour movies are a lot 380 00:19:46,920 --> 00:19:49,840 Speaker 1: easier to do and take in and not be distracted 381 00:19:50,320 --> 00:19:52,000 Speaker 1: if you go see them in a theater then if 382 00:19:52,040 --> 00:19:54,760 Speaker 1: you see them at home. But now, rounding out the 383 00:19:54,840 --> 00:19:58,640 Speaker 1: top five at number five from twenty nineteen is Joker. 384 00:19:59,160 --> 00:20:02,560 Speaker 1: It's a masterpiece. Very rarely do I call a movie 385 00:20:02,600 --> 00:20:05,760 Speaker 1: a masterpiece, but for the longest time, I love this 386 00:20:05,880 --> 00:20:08,040 Speaker 1: movie so much After seeing it in theaters that year, 387 00:20:08,080 --> 00:20:11,440 Speaker 1: which twenty nineteen one of the best years in film 388 00:20:11,640 --> 00:20:15,480 Speaker 1: of all time and the last great year we've had. 389 00:20:15,920 --> 00:20:18,760 Speaker 1: Twenty twenty three got really close there for a second, 390 00:20:18,760 --> 00:20:21,520 Speaker 1: but then the writers an actor strike just kind of 391 00:20:21,520 --> 00:20:24,200 Speaker 1: took the wind out of its sales. Twenty twenty four 392 00:20:24,280 --> 00:20:27,720 Speaker 1: has been a big rebuilding year. I think twenty twenty 393 00:20:27,760 --> 00:20:31,479 Speaker 1: five is going to be the only year in recent 394 00:20:31,640 --> 00:20:34,160 Speaker 1: history that could rival twenty nineteen. 395 00:20:34,520 --> 00:20:36,720 Speaker 2: But for the longest time, after. 396 00:20:36,560 --> 00:20:39,520 Speaker 1: Watching Joker in theaters, which I believe was just one 397 00:20:39,560 --> 00:20:42,320 Speaker 1: of the best experience I've had watching an R rated 398 00:20:42,400 --> 00:20:45,600 Speaker 1: movie in theaters, I never wanted to watch it again. 399 00:20:45,800 --> 00:20:49,159 Speaker 1: And it wasn't until recently, maybe twenty twenty one or 400 00:20:49,240 --> 00:20:52,200 Speaker 1: even early twenty twenty two, that I watched it again 401 00:20:52,240 --> 00:20:54,320 Speaker 1: for the second time, because I didn't want to ruin 402 00:20:54,359 --> 00:20:59,200 Speaker 1: that experience. Sometimes there comes a movie where you love 403 00:20:59,359 --> 00:21:01,680 Speaker 1: so much, you know if you go back and rewatch it, 404 00:21:01,720 --> 00:21:04,760 Speaker 1: you're gonna point out plot holes, You're gonna find things 405 00:21:04,840 --> 00:21:07,600 Speaker 1: to critique, and those will be movies that I will 406 00:21:07,640 --> 00:21:10,639 Speaker 1: not go back and rewatch. And it's usually the movies 407 00:21:10,680 --> 00:21:12,840 Speaker 1: I end up rating a five out of five and 408 00:21:12,920 --> 00:21:14,879 Speaker 1: don't want to find those little things that I can 409 00:21:15,000 --> 00:21:17,440 Speaker 1: go back and nitpick or think, oh, maybe that wasn't 410 00:21:17,440 --> 00:21:19,520 Speaker 1: as good as the first time I saw it. But 411 00:21:19,680 --> 00:21:23,800 Speaker 1: Joker was that for a very long time. I'm not sure. 412 00:21:23,600 --> 00:21:26,840 Speaker 2: If Joker Too could live up to those expectations. 413 00:21:26,880 --> 00:21:30,080 Speaker 1: They put out the latest trailer in the last two 414 00:21:30,080 --> 00:21:33,199 Speaker 1: to three weeks, and I'm hoping that it's not the 415 00:21:33,320 --> 00:21:36,359 Speaker 1: exact same thing as part one, which is always hard 416 00:21:36,400 --> 00:21:38,800 Speaker 1: when you make a sequel. You want to give people 417 00:21:39,520 --> 00:21:42,440 Speaker 1: what they loved about the first one, but also give 418 00:21:42,480 --> 00:21:45,679 Speaker 1: them something that they had no idea they wanted, and 419 00:21:45,720 --> 00:21:48,000 Speaker 1: that is the kiss of death when it comes to 420 00:21:48,040 --> 00:21:52,640 Speaker 1: making a sequel to as beloved a movie like Joker. 421 00:21:52,680 --> 00:21:55,399 Speaker 1: Although I feel like you have to be in a 422 00:21:55,440 --> 00:21:58,600 Speaker 1: certain headspace to watch this movie, it's also a movie. 423 00:21:58,640 --> 00:22:01,360 Speaker 1: I don't think it's for everyone. Before those people who 424 00:22:01,640 --> 00:22:05,480 Speaker 1: like R rated movies that are in the comic book world, 425 00:22:05,840 --> 00:22:09,680 Speaker 1: I think it's perfection. So how can Joker two still 426 00:22:09,720 --> 00:22:13,840 Speaker 1: appease those fans while also giving them something different and 427 00:22:13,960 --> 00:22:15,760 Speaker 1: not alienating other people from. 428 00:22:15,640 --> 00:22:16,480 Speaker 2: Watching this movie? 429 00:22:16,600 --> 00:22:19,119 Speaker 1: The really tough thing to do, but I think Todd Phillips, 430 00:22:19,320 --> 00:22:22,359 Speaker 1: Joaquin Phoenix, and Lady Gaga can pull it off. Still 431 00:22:22,440 --> 00:22:25,760 Speaker 1: super excited for Joker two, but Joker one comes in 432 00:22:25,840 --> 00:22:30,200 Speaker 1: at number five at number four from twenty fourteen American Sniper. 433 00:22:30,280 --> 00:22:33,160 Speaker 1: Out of all the films on this list, this one 434 00:22:33,200 --> 00:22:35,560 Speaker 1: is the most surprising, and when looking at all the 435 00:22:35,600 --> 00:22:38,760 Speaker 1: different genres in this top ten, you have superhero movies, 436 00:22:38,960 --> 00:22:42,520 Speaker 1: you have horror movies, you have bio picks, you have 437 00:22:42,640 --> 00:22:46,440 Speaker 1: horror movies again, comedy in there, but this is the 438 00:22:46,480 --> 00:22:50,399 Speaker 1: only war and action movie the real life story of 439 00:22:50,600 --> 00:22:54,679 Speaker 1: US Navy Seal Chris Kyle played by Bradley Cooper. And 440 00:22:55,119 --> 00:22:57,560 Speaker 1: the reason I love this movie is not only did 441 00:22:57,640 --> 00:23:01,040 Speaker 1: it show the dark and off full side of war, 442 00:23:01,800 --> 00:23:06,080 Speaker 1: it also focused on the PTSD of war and when 443 00:23:06,080 --> 00:23:09,960 Speaker 1: soldiers go fight for our country and then come back 444 00:23:10,000 --> 00:23:13,600 Speaker 1: home and are expected just to click back into society. 445 00:23:13,920 --> 00:23:16,280 Speaker 1: And this was the first time I saw it depicted 446 00:23:16,400 --> 00:23:19,479 Speaker 1: in a way that it really registered with me. How 447 00:23:20,000 --> 00:23:23,399 Speaker 1: somebody can go overseas and do something that's just so 448 00:23:24,240 --> 00:23:27,920 Speaker 1: beyond what I can comprehend, and you imagine the toll 449 00:23:27,960 --> 00:23:30,679 Speaker 1: it takes on your brain, on your body, seeing some 450 00:23:30,720 --> 00:23:32,920 Speaker 1: of the most awful things you could see as a 451 00:23:33,000 --> 00:23:36,480 Speaker 1: human being, and come back and know that people appreciate 452 00:23:36,520 --> 00:23:38,600 Speaker 1: what you did, which I'll just say, shout out to 453 00:23:38,640 --> 00:23:43,119 Speaker 1: our military. And even though US as civilians can sing 454 00:23:43,160 --> 00:23:46,199 Speaker 1: you our praises, we just can't comprehend it because we 455 00:23:46,280 --> 00:23:49,679 Speaker 1: didn't go through it. And in this movie showing his character, 456 00:23:49,760 --> 00:23:52,840 Speaker 1: showing Chris Kyle having to come back and adjust the 457 00:23:52,960 --> 00:23:55,200 Speaker 1: family life. Oh, the scene with him and his daughter 458 00:23:55,359 --> 00:23:58,360 Speaker 1: like just him holding her in her arms, and you 459 00:23:58,520 --> 00:24:01,040 Speaker 1: hear it in his head that he hears all this 460 00:24:01,160 --> 00:24:03,960 Speaker 1: war going on. That is a scene that really sets 461 00:24:04,000 --> 00:24:05,960 Speaker 1: in with me that you're expected to go to war 462 00:24:06,400 --> 00:24:09,040 Speaker 1: and come back and just have a normal life where 463 00:24:09,040 --> 00:24:12,639 Speaker 1: you're just going to the grocery store and taking away 464 00:24:12,680 --> 00:24:15,120 Speaker 1: all those awful images from your head. So I love 465 00:24:15,160 --> 00:24:17,280 Speaker 1: that the movie shine light on that. And it also 466 00:24:17,359 --> 00:24:20,240 Speaker 1: had one of the most intense scenes where you could 467 00:24:20,280 --> 00:24:23,639 Speaker 1: hear Bradley Cooper's heartbeat, and I just remember the entire 468 00:24:23,720 --> 00:24:27,280 Speaker 1: theater being so silent in that moment where you could 469 00:24:27,359 --> 00:24:30,199 Speaker 1: just hear the popcorn hitting the floor. So I was 470 00:24:30,400 --> 00:24:34,520 Speaker 1: pleasantly surprised to see American Sniper at number four. Moving 471 00:24:34,520 --> 00:24:37,520 Speaker 1: on to the top three at number three is twenty 472 00:24:37,560 --> 00:24:40,840 Speaker 1: sixteen's Deadpool, an unexpected hit from a. 473 00:24:41,119 --> 00:24:42,800 Speaker 2: Mid comic book character. 474 00:24:43,080 --> 00:24:47,800 Speaker 1: Deadpool was by no means one of the best Marvel offerings, 475 00:24:48,080 --> 00:24:50,960 Speaker 1: but that is kind of the history of the success 476 00:24:51,000 --> 00:24:54,520 Speaker 1: of Marvel. After so early on they sold off all 477 00:24:54,600 --> 00:24:58,000 Speaker 1: the movie rights to their best characters and had to 478 00:24:58,080 --> 00:25:01,800 Speaker 1: do what really no other studio could do and build 479 00:25:01,920 --> 00:25:07,359 Speaker 1: an entire billion dollar company off of their lesser known characters. 480 00:25:07,520 --> 00:25:09,040 Speaker 2: So I'll take all the bad. 481 00:25:08,880 --> 00:25:12,160 Speaker 1: Marvel movies we got in the early and mid two thousands, 482 00:25:12,480 --> 00:25:15,280 Speaker 1: because all of those gave birth to what is known 483 00:25:15,320 --> 00:25:18,240 Speaker 1: now as our MCU. But then rounding out the top 484 00:25:18,280 --> 00:25:21,159 Speaker 1: two at number two is The Passion of the Christ 485 00:25:21,160 --> 00:25:24,040 Speaker 1: from two thousand and four. If you missed the episode 486 00:25:24,040 --> 00:25:26,199 Speaker 1: where I talked about where I watched this movie for 487 00:25:26,240 --> 00:25:28,639 Speaker 1: the first time, I'll take you back to two thousand 488 00:25:28,680 --> 00:25:33,440 Speaker 1: and four Janajuato, Mexico. We had just bought I think 489 00:25:33,440 --> 00:25:37,200 Speaker 1: I got it for Christmas. Was our first ever portable 490 00:25:37,320 --> 00:25:40,560 Speaker 1: DVD player that we all used as a family, and 491 00:25:40,600 --> 00:25:43,080 Speaker 1: it wasn't a nice one. We got it from Walmart. 492 00:25:43,119 --> 00:25:47,520 Speaker 1: It was probably like fifty bucks, so very bottom of 493 00:25:47,520 --> 00:25:51,040 Speaker 1: the line portable DVD player. The battery life was terrible. 494 00:25:51,080 --> 00:25:52,320 Speaker 1: I had to keep it on the chargers of the 495 00:25:52,440 --> 00:25:55,919 Speaker 1: entire time. But we went to Mexico for Christmas in 496 00:25:55,920 --> 00:25:59,400 Speaker 1: two thousand and four, went to a Mexican flea market 497 00:25:59,480 --> 00:26:04,320 Speaker 1: and bought a bunch of bootleg DVDs. And bootleg DVDs 498 00:26:04,440 --> 00:26:08,159 Speaker 1: in the two thousands were not straight video rips. It 499 00:26:08,200 --> 00:26:10,720 Speaker 1: was somebody going into a theater and filming the entire 500 00:26:10,800 --> 00:26:14,080 Speaker 1: movie on a handheld video camera and that is how 501 00:26:14,119 --> 00:26:16,879 Speaker 1: I watched Passionate the Christ on a bootleg DVD. My 502 00:26:16,960 --> 00:26:20,240 Speaker 1: mom had a moral dilemma with it, so eventually we 503 00:26:20,359 --> 00:26:22,320 Speaker 1: ended up watching it on normal DVD. 504 00:26:22,720 --> 00:26:23,880 Speaker 2: But she still struggles with. 505 00:26:23,840 --> 00:26:27,040 Speaker 1: This movie because it is hard for her to see 506 00:26:27,160 --> 00:26:30,600 Speaker 1: the story just unfold in an R rated fashion, and 507 00:26:30,640 --> 00:26:32,800 Speaker 1: that was with even her knowing what was coming, because 508 00:26:32,840 --> 00:26:34,760 Speaker 1: she read the book before watching this movie, which I 509 00:26:34,760 --> 00:26:37,240 Speaker 1: think most people did right the Bible. At number one 510 00:26:37,640 --> 00:26:41,760 Speaker 1: is Deadpool and Wolverine now taking that number one spot. 511 00:26:42,080 --> 00:26:43,920 Speaker 1: If you missed it last week here on the feed, 512 00:26:44,040 --> 00:26:48,359 Speaker 1: I put up my spoiler. Yes, the version of the 513 00:26:48,400 --> 00:26:51,879 Speaker 1: review with all the spoilers talked about my favorite cameos. 514 00:26:52,160 --> 00:26:54,760 Speaker 1: I feel like I've mentioned and talked about my feelings 515 00:26:54,760 --> 00:26:58,080 Speaker 1: of Deadpool and Wolverine enough. But if you missed that, also, 516 00:26:58,119 --> 00:27:01,040 Speaker 1: if you miss the entire breakdown I did of Robert 517 00:27:01,080 --> 00:27:04,480 Speaker 1: Downey Junior coming back to the MCU as Doctor Doom, 518 00:27:05,280 --> 00:27:08,240 Speaker 1: all those episodes are on the feed as well. So 519 00:27:08,320 --> 00:27:10,639 Speaker 1: that is the List'll come back and give my review 520 00:27:10,680 --> 00:27:12,560 Speaker 1: of d D and in the trailer part, we'll talk 521 00:27:12,600 --> 00:27:15,760 Speaker 1: about the new Bob Dylan biopic with Timothy Chalomey. 522 00:27:19,440 --> 00:27:22,359 Speaker 2: Let's get into It Now. A spoiler free movie review 523 00:27:22,480 --> 00:27:23,080 Speaker 2: of Dedi. 524 00:27:23,440 --> 00:27:25,520 Speaker 1: It is a coming of age story of a thirteen 525 00:27:25,560 --> 00:27:28,720 Speaker 1: year old and his last summer before starting high school. 526 00:27:29,000 --> 00:27:31,800 Speaker 1: Dedy is a movie for anybody who has ever been 527 00:27:31,840 --> 00:27:35,200 Speaker 1: a teenager, simple as that. I love coming of age movies, 528 00:27:35,240 --> 00:27:37,760 Speaker 1: and there's a very delicate line you need to walk 529 00:27:38,400 --> 00:27:40,200 Speaker 1: to tell a story about a thirteen year old. We've 530 00:27:40,200 --> 00:27:42,119 Speaker 1: all been there, we've all been teenagers. We know what 531 00:27:42,160 --> 00:27:45,159 Speaker 1: the experience is like. You're very angsty, you want to 532 00:27:45,240 --> 00:27:49,720 Speaker 1: lash out against your parents, You're navigating all these feelings, relationships, 533 00:27:49,760 --> 00:27:51,760 Speaker 1: all these things you're experiencing for the first time. For 534 00:27:51,840 --> 00:27:54,280 Speaker 1: me is getting a lot of hair, starting to smell weird, 535 00:27:54,760 --> 00:27:58,280 Speaker 1: all those things that go along with being thirteen years old. 536 00:27:58,800 --> 00:28:01,119 Speaker 1: The line you have to walk while making a movie 537 00:28:01,119 --> 00:28:04,680 Speaker 1: about this is do you want to make it appeal 538 00:28:05,000 --> 00:28:07,560 Speaker 1: to thirteen year olds or do you want to make 539 00:28:07,560 --> 00:28:10,960 Speaker 1: it appeal to the adult to look back and remember 540 00:28:11,200 --> 00:28:13,880 Speaker 1: on what it's like being thirteen. In the case of Diti, 541 00:28:14,080 --> 00:28:18,560 Speaker 1: it is making that experience feel very adult, taking everything 542 00:28:18,600 --> 00:28:22,400 Speaker 1: into consideration of what you experienced to that time and 543 00:28:22,520 --> 00:28:25,639 Speaker 1: validating it, not making it feel less than just very 544 00:28:25,760 --> 00:28:28,840 Speaker 1: much giving an adult perspective on what it was like 545 00:28:28,920 --> 00:28:31,080 Speaker 1: being thirteen. Because if you think back on that time, 546 00:28:31,320 --> 00:28:35,240 Speaker 1: you in your head when you were thirteen saw things 547 00:28:35,320 --> 00:28:40,040 Speaker 1: as I'm now older, this is affecting me. Nobody understands me. 548 00:28:40,400 --> 00:28:43,080 Speaker 1: You felt in that moment that you were an adult. 549 00:28:43,480 --> 00:28:46,800 Speaker 1: You look back later when you're eighteen, twenty, whatever, thirty, 550 00:28:47,040 --> 00:28:48,440 Speaker 1: and you think, oh, I was just a dumb kid, 551 00:28:48,480 --> 00:28:50,560 Speaker 1: But in that moment, you believe like this is your 552 00:28:50,560 --> 00:28:53,760 Speaker 1: whole world. Nobody understands you, your parents don't get you. 553 00:28:54,440 --> 00:28:58,720 Speaker 1: So I really love that perspective from this thirteen year 554 00:28:58,720 --> 00:29:01,840 Speaker 1: old who isn't a bad kid, but he's not the 555 00:29:01,880 --> 00:29:04,800 Speaker 1: best kid. He'd gets into some trouble. And I very 556 00:29:04,920 --> 00:29:09,120 Speaker 1: much identified with DEDI in this movie. Oh, because there 557 00:29:09,120 --> 00:29:11,400 Speaker 1: were so many aspects of this movie. The very first 558 00:29:11,400 --> 00:29:13,560 Speaker 1: thing I want to talk about is I love that 559 00:29:13,600 --> 00:29:16,440 Speaker 1: this movie was set in two thousand and eight. I've 560 00:29:16,440 --> 00:29:20,000 Speaker 1: talked about on this podcast how I feel my best 561 00:29:20,080 --> 00:29:23,920 Speaker 1: year was two thousand and nine, and I would say 562 00:29:23,920 --> 00:29:25,960 Speaker 1: my best school year was my senior year, which was 563 00:29:26,200 --> 00:29:29,120 Speaker 1: eight to nine. And the reason that is it's because 564 00:29:29,600 --> 00:29:32,560 Speaker 1: that was a time in my life where I had 565 00:29:32,720 --> 00:29:37,880 Speaker 1: the least amount of responsibility and the most freedom. Senior year, 566 00:29:38,440 --> 00:29:43,960 Speaker 1: I could drive. My classes in high school were very 567 00:29:44,040 --> 00:29:46,880 Speaker 1: laid back. In my senior year, I had like half days, 568 00:29:47,480 --> 00:29:50,360 Speaker 1: so I was looking ahead to college, but I knew 569 00:29:50,360 --> 00:29:51,960 Speaker 1: this was the time in my life that I was 570 00:29:52,000 --> 00:29:55,280 Speaker 1: just gonna enjoy it, go do things with my friends, 571 00:29:55,360 --> 00:29:58,920 Speaker 1: not take things so seriously, because I knew once college started, 572 00:29:58,920 --> 00:30:02,080 Speaker 1: then okay, to get to work. Then it's time for 573 00:30:02,120 --> 00:30:04,600 Speaker 1: me to start thinking about my future more. Not that 574 00:30:04,680 --> 00:30:06,400 Speaker 1: I wasn't thinking about it in high school, but I 575 00:30:06,400 --> 00:30:09,720 Speaker 1: allowed myself to be fully engaged in those summer activities, 576 00:30:11,000 --> 00:30:14,240 Speaker 1: and that, I believe was that last time I felt 577 00:30:14,320 --> 00:30:16,880 Speaker 1: alive in some aspects. And you know, my life is 578 00:30:16,880 --> 00:30:19,480 Speaker 1: good now. I just that is a time that I 579 00:30:19,520 --> 00:30:24,280 Speaker 1: feel was just so great. And obviously I'm biased because 580 00:30:24,920 --> 00:30:28,240 Speaker 1: the mid to late two thousands is where I experienced 581 00:30:28,240 --> 00:30:29,560 Speaker 1: a lot of things, But I think that was the 582 00:30:29,600 --> 00:30:32,320 Speaker 1: best decade to grow up in and be young, and 583 00:30:32,480 --> 00:30:35,120 Speaker 1: d D is a great example of that. It took 584 00:30:35,200 --> 00:30:37,760 Speaker 1: me back to things I haven't thought about in ten years, 585 00:30:38,040 --> 00:30:41,360 Speaker 1: the MySpace era, which in this movie, DD is friending 586 00:30:41,360 --> 00:30:44,880 Speaker 1: people on MySpace, looking up their profiles, At the very 587 00:30:44,880 --> 00:30:46,840 Speaker 1: start of the movie, there is a girl he has 588 00:30:46,880 --> 00:30:49,200 Speaker 1: a crush on. He goes through MySpace page to learn 589 00:30:49,240 --> 00:30:52,200 Speaker 1: things about her. He finds her profile song, which is 590 00:30:52,240 --> 00:30:55,239 Speaker 1: a hello goodbye song, takes that song and makes it 591 00:30:55,280 --> 00:30:58,840 Speaker 1: his phone ring tone, which that even brought back memories 592 00:30:58,880 --> 00:31:01,960 Speaker 1: of how important it was to me to pick the 593 00:31:02,040 --> 00:31:04,720 Speaker 1: right ring tone. For me, it was probably like Alkaline Trio, 594 00:31:05,320 --> 00:31:09,800 Speaker 1: maybe ransid Newfound Glory, and that was a thing. Callback 595 00:31:09,880 --> 00:31:12,200 Speaker 1: tones were a thing. And I also think that was 596 00:31:12,200 --> 00:31:15,360 Speaker 1: the best time to be a teenager because for millennials, 597 00:31:15,920 --> 00:31:20,000 Speaker 1: we got to experience the early stages of the Internet 598 00:31:20,080 --> 00:31:23,400 Speaker 1: where nothing was really that serious. Yet we were still 599 00:31:23,480 --> 00:31:27,280 Speaker 1: navigating social media. I had a Zanga page, I had MySpace, 600 00:31:27,360 --> 00:31:29,600 Speaker 1: I had Facebook, but at that time, nobody took it 601 00:31:29,600 --> 00:31:30,360 Speaker 1: that seriously. 602 00:31:30,880 --> 00:31:33,360 Speaker 2: There weren't influencers and it was kind of. 603 00:31:33,320 --> 00:31:37,560 Speaker 1: The wild West on what went into creating your page 604 00:31:37,680 --> 00:31:40,120 Speaker 1: and just friending people. We had a top eight which 605 00:31:40,160 --> 00:31:43,840 Speaker 1: were so brutal and was something also shown in this 606 00:31:44,000 --> 00:31:47,479 Speaker 1: movie of how you would rank your friends, and I 607 00:31:47,600 --> 00:31:50,720 Speaker 1: remember the ultimate thing for me growing up was like 608 00:31:50,760 --> 00:31:52,520 Speaker 1: making my crushes top eight and I was like, how 609 00:31:52,520 --> 00:31:53,320 Speaker 1: did I get in there? 610 00:31:53,600 --> 00:31:54,280 Speaker 2: What did I do. 611 00:31:54,600 --> 00:31:56,920 Speaker 1: My life is going to change forever because I made 612 00:31:56,920 --> 00:31:59,720 Speaker 1: it in their top eight, But it was a brutal thing, 613 00:32:00,040 --> 00:32:02,239 Speaker 1: and a lot of what happens in DD has to 614 00:32:02,240 --> 00:32:06,000 Speaker 1: do with the technology at that time, very early filmmaking, 615 00:32:06,040 --> 00:32:09,720 Speaker 1: because he starts filming with these skateboarders, so it's very 616 00:32:09,760 --> 00:32:13,800 Speaker 1: much the introduction of the Internet. But it was almost 617 00:32:13,800 --> 00:32:16,320 Speaker 1: like we were all putting on a front at that 618 00:32:16,480 --> 00:32:20,720 Speaker 1: time to create these awesome social media profiles via Facebook 619 00:32:21,040 --> 00:32:22,960 Speaker 1: and MySpace, which I guess we all kind of do 620 00:32:23,080 --> 00:32:26,560 Speaker 1: that now, but I just remembered how important that was 621 00:32:26,680 --> 00:32:29,360 Speaker 1: as a teenager to be friends with your crush on 622 00:32:29,440 --> 00:32:32,680 Speaker 1: Facebook or MySpace, and just all the politics that went 623 00:32:32,680 --> 00:32:35,560 Speaker 1: into that. So I very much felt nostalogic connecting to 624 00:32:35,680 --> 00:32:39,520 Speaker 1: DD's story. The other thing that really struck me just 625 00:32:39,800 --> 00:32:43,320 Speaker 1: on a personal level, even more so than the MySpace 626 00:32:43,400 --> 00:32:46,560 Speaker 1: and the music during that time, which I would say 627 00:32:46,640 --> 00:32:49,920 Speaker 1: was my Space core, but also very much Warped Tour core, 628 00:32:50,080 --> 00:32:53,920 Speaker 1: where my entire summer was based around how good of 629 00:32:53,960 --> 00:32:56,240 Speaker 1: experience I was going to have at warp Tour. But 630 00:32:56,520 --> 00:33:00,000 Speaker 1: the soundtrack just kind of mirrored that and was very 631 00:33:00,120 --> 00:33:01,880 Speaker 1: much a reflection of two thousand and eight and two 632 00:33:01,880 --> 00:33:05,600 Speaker 1: thousand and nine. But the family aspect in this movie 633 00:33:06,240 --> 00:33:10,200 Speaker 1: because Dedi is a first generation American. He is from 634 00:33:10,240 --> 00:33:15,040 Speaker 1: a Taiwanese family, and he lives with his mom and 635 00:33:15,080 --> 00:33:19,560 Speaker 1: his grandma, who is very traditional. They take schoolwork very 636 00:33:19,600 --> 00:33:22,560 Speaker 1: seriously because if you don't do good in school, you 637 00:33:22,560 --> 00:33:24,239 Speaker 1: won't get into a good college. If you don't get 638 00:33:24,280 --> 00:33:26,000 Speaker 1: into a good college, you won't get a good job. 639 00:33:26,040 --> 00:33:28,280 Speaker 1: If you don't get a good job, you won't find 640 00:33:28,320 --> 00:33:33,240 Speaker 1: a good partner. And a lot of those pressures that 641 00:33:33,400 --> 00:33:35,640 Speaker 1: not only his mom and his grandma put on him 642 00:33:35,680 --> 00:33:39,040 Speaker 1: in this movie are what he's kind of rebelling against. 643 00:33:39,600 --> 00:33:43,280 Speaker 1: And I got that a little bit in my family, 644 00:33:43,320 --> 00:33:46,080 Speaker 1: because my parents did want me to go to college, 645 00:33:46,080 --> 00:33:49,840 Speaker 1: being a first generation American myself, and it wasn't so 646 00:33:49,920 --> 00:33:51,880 Speaker 1: much that there was this pressure that they could show 647 00:33:51,920 --> 00:33:55,000 Speaker 1: me off to like my family, which was a thing 648 00:33:55,040 --> 00:33:58,600 Speaker 1: in this movie. They wanted to impress their aunts, their uncles, 649 00:33:58,640 --> 00:34:00,560 Speaker 1: everybody else in their family. It was just wanted me 650 00:34:00,640 --> 00:34:04,760 Speaker 1: to have a better life than they did. So I 651 00:34:04,760 --> 00:34:08,320 Speaker 1: identified more with the relationship he had with his mom, 652 00:34:08,440 --> 00:34:12,200 Speaker 1: who his dad in this movie really isn't in the picture. 653 00:34:12,320 --> 00:34:15,479 Speaker 1: He is working back in their native country to try 654 00:34:15,520 --> 00:34:17,839 Speaker 1: to make money to send back to them so they 655 00:34:17,880 --> 00:34:20,600 Speaker 1: can live their life. But it was this unique relationship 656 00:34:20,640 --> 00:34:22,759 Speaker 1: he had with his mom who was just trying to 657 00:34:22,800 --> 00:34:25,400 Speaker 1: do her best, trying to raise her two kids and 658 00:34:25,480 --> 00:34:28,560 Speaker 1: feeling like she failed. And it reminded me of a 659 00:34:28,560 --> 00:34:33,880 Speaker 1: conversation I had with my mom fairly recently where she 660 00:34:34,040 --> 00:34:38,280 Speaker 1: felt bad for what kind of mom she was growing 661 00:34:38,360 --> 00:34:42,680 Speaker 1: up to us. And my mom did it finish. I 662 00:34:42,719 --> 00:34:44,880 Speaker 1: don't even think she finished elementary school, never made it 663 00:34:44,920 --> 00:34:48,000 Speaker 1: to middle school. She came to the United States as 664 00:34:48,040 --> 00:34:51,239 Speaker 1: a teenager and did a lot of things just to 665 00:34:51,280 --> 00:34:53,800 Speaker 1: make ends meet. One of those beings, she got a 666 00:34:53,920 --> 00:34:57,759 Speaker 1: job when I started, probably first or second grade, at 667 00:34:57,760 --> 00:35:00,880 Speaker 1: Taco Bell and she's been there ever since. And she 668 00:35:00,960 --> 00:35:03,200 Speaker 1: told me she felt like she failed as a mom 669 00:35:03,280 --> 00:35:06,840 Speaker 1: because she couldn't provide more for us, because she felt like, 670 00:35:06,920 --> 00:35:11,239 Speaker 1: I'm just somebody working at Taco Bell and hearing my 671 00:35:11,400 --> 00:35:14,880 Speaker 1: mom have these really human experiences kind of feeling the 672 00:35:14,920 --> 00:35:17,560 Speaker 1: way that I feel at times, feeling I failed them. 673 00:35:19,400 --> 00:35:21,759 Speaker 1: I never really heard my mom speak in that way 674 00:35:21,840 --> 00:35:24,440 Speaker 1: where I always just saw her as my mom, person 675 00:35:24,480 --> 00:35:26,400 Speaker 1: who did everything for us. She was kind of like 676 00:35:26,400 --> 00:35:30,560 Speaker 1: a superhero in my eyes, and realizing that she was 677 00:35:30,600 --> 00:35:33,560 Speaker 1: probably the age I am now at that time when 678 00:35:33,600 --> 00:35:35,719 Speaker 1: I was, you know, starting school and she went to 679 00:35:35,760 --> 00:35:38,359 Speaker 1: go do that job that I just thought, man like, 680 00:35:39,800 --> 00:35:43,040 Speaker 1: we're just humans. We're just trying to survive. And even 681 00:35:43,040 --> 00:35:45,120 Speaker 1: somebody like your parents, who you think have it all 682 00:35:45,160 --> 00:35:47,560 Speaker 1: figured out, they don't. 683 00:35:47,719 --> 00:35:49,680 Speaker 2: So it made me feel a. 684 00:35:49,719 --> 00:35:52,000 Speaker 1: Little bit better about where I am in life, thinking 685 00:35:52,000 --> 00:35:55,160 Speaker 1: that my mom didn't know that she was making the 686 00:35:55,239 --> 00:35:59,000 Speaker 1: right choice or not. Back when you know, my oldest 687 00:35:59,000 --> 00:36:01,200 Speaker 1: brother and older sister were already you. 688 00:36:01,160 --> 00:36:03,799 Speaker 2: Know, on the path that they were on. 689 00:36:03,920 --> 00:36:06,600 Speaker 1: They were all good, but still making sure that I 690 00:36:06,680 --> 00:36:10,279 Speaker 1: had what I needed to survive. And I think she 691 00:36:10,360 --> 00:36:12,840 Speaker 1: feels bad about sometimes the way we grew up that 692 00:36:12,880 --> 00:36:15,080 Speaker 1: we didn't have a whole lot, and I never really 693 00:36:15,160 --> 00:36:16,920 Speaker 1: saw it as like, oh man, it sucked being poor. 694 00:36:16,960 --> 00:36:19,880 Speaker 1: At the time, I feel like not having a lot 695 00:36:20,120 --> 00:36:23,200 Speaker 1: growing up, you know, it made me appreciate more of 696 00:36:23,239 --> 00:36:23,640 Speaker 1: what I have. 697 00:36:24,480 --> 00:36:25,200 Speaker 2: And it was. 698 00:36:25,320 --> 00:36:28,359 Speaker 1: Watching d D that brought all those kind of emotions 699 00:36:28,480 --> 00:36:31,760 Speaker 1: up of what it's like to have parents who immigrate 700 00:36:31,760 --> 00:36:35,520 Speaker 1: from another country and come here without a whole lot, 701 00:36:35,640 --> 00:36:40,440 Speaker 1: trying to keep your heritage alive, but also adapt to 702 00:36:40,520 --> 00:36:43,600 Speaker 1: American society, which is what Dedi is trying to do 703 00:36:43,640 --> 00:36:45,360 Speaker 1: in this movie, and it's so hard. 704 00:36:45,400 --> 00:36:46,120 Speaker 2: Even his name. 705 00:36:46,560 --> 00:36:49,440 Speaker 1: His family calls him Dedi, but to everybody else at school, 706 00:36:49,480 --> 00:36:52,920 Speaker 1: he goes by Chris or another nickname. That was kind 707 00:36:52,920 --> 00:36:56,000 Speaker 1: of what I experienced too growing up, because Mike's not 708 00:36:56,040 --> 00:36:59,680 Speaker 1: my real name and I never really used my full 709 00:36:59,719 --> 00:37:03,640 Speaker 1: lead name in school, just because I kind of wanted 710 00:37:03,640 --> 00:37:06,239 Speaker 1: to blend in a little bit more. Also, how deed 711 00:37:06,280 --> 00:37:10,480 Speaker 1: he did of the music he's into. He's into the 712 00:37:10,520 --> 00:37:14,200 Speaker 1: skateboard culture, which was also what I was into growing up, 713 00:37:14,280 --> 00:37:18,680 Speaker 1: and being Mexican, people assume that I wouldn't be into that. 714 00:37:18,880 --> 00:37:22,440 Speaker 1: So there's a line in this movie that I won't 715 00:37:22,760 --> 00:37:24,839 Speaker 1: ruin because it kind of hit me right in the cut, 716 00:37:24,880 --> 00:37:27,560 Speaker 1: and I'll let you experience it. But it was a 717 00:37:27,719 --> 00:37:31,200 Speaker 1: reference to his race in a moment where he thought 718 00:37:31,280 --> 00:37:35,520 Speaker 1: he was just being a peer, maybe a love interest, 719 00:37:35,680 --> 00:37:41,080 Speaker 1: that he was almost reduced to nothing because they pinpointed 720 00:37:41,160 --> 00:37:43,560 Speaker 1: what he was based on his race. And I felt 721 00:37:43,560 --> 00:37:46,279 Speaker 1: that because sometimes people have told me, hey, you're not 722 00:37:46,320 --> 00:37:49,080 Speaker 1: really Mexican, You're kind of white, and I don't even 723 00:37:49,120 --> 00:37:54,480 Speaker 1: know what that means just because I have sometimes nerdier tendencies, 724 00:37:54,480 --> 00:37:57,640 Speaker 1: sometimes because I lean towards liking punk rock and things 725 00:37:57,640 --> 00:38:02,120 Speaker 1: that aren't traditionally Mexican. What is even tradition Mexican. I 726 00:38:02,200 --> 00:38:05,719 Speaker 1: always was into what I was into. I don't feel 727 00:38:05,719 --> 00:38:08,640 Speaker 1: like I based it around my race. It was just 728 00:38:08,680 --> 00:38:10,680 Speaker 1: what I was exposed to and what I liked. But 729 00:38:10,760 --> 00:38:13,959 Speaker 1: I was viewed as being different because I wasn't into 730 00:38:14,120 --> 00:38:17,080 Speaker 1: traditional things that a person of my race should be into. 731 00:38:17,640 --> 00:38:21,279 Speaker 1: So there were just a lot of parallels between how 732 00:38:21,320 --> 00:38:25,400 Speaker 1: I felt I grew up, the past I had to navigate, 733 00:38:25,680 --> 00:38:28,000 Speaker 1: and what deed had to felt growing up, which I 734 00:38:28,040 --> 00:38:30,319 Speaker 1: feel was good for me to see to know that 735 00:38:30,400 --> 00:38:32,120 Speaker 1: it you know, it is kind of you. There are 736 00:38:32,200 --> 00:38:35,440 Speaker 1: things that are unique to growing up Mexican American, but 737 00:38:35,520 --> 00:38:37,200 Speaker 1: I feel like there are a lot of just parallels 738 00:38:37,239 --> 00:38:41,160 Speaker 1: with anybody who immigrates from another country to the United States. 739 00:38:41,200 --> 00:38:43,960 Speaker 1: So it was cool seeing that I could identify with 740 00:38:44,000 --> 00:38:46,480 Speaker 1: somebody else from a different country and know that we 741 00:38:46,600 --> 00:38:48,560 Speaker 1: kind of went through those same things. So if you 742 00:38:48,640 --> 00:38:51,640 Speaker 1: are like that too, this is definitely a movie you 743 00:38:51,719 --> 00:38:55,040 Speaker 1: have to see, especially if you grew up in the 744 00:38:55,080 --> 00:38:58,000 Speaker 1: mid to late two thousands, because it's going to feel 745 00:38:58,040 --> 00:39:01,839 Speaker 1: like a huge nostalgia trip. They also use AOL a 746 00:39:01,880 --> 00:39:03,920 Speaker 1: lot in this movie, which I hadn't thought about in 747 00:39:03,920 --> 00:39:07,520 Speaker 1: a really long time. Just those sounds of like sending messages, 748 00:39:08,080 --> 00:39:11,279 Speaker 1: adding people, blocking people, sending an away message. 749 00:39:11,560 --> 00:39:13,160 Speaker 2: That brought back a lot of memories. 750 00:39:13,239 --> 00:39:15,960 Speaker 1: I remember the first time I got an AOL account, 751 00:39:16,080 --> 00:39:19,160 Speaker 1: I was Alkaline Punk thirteen. Because my favorite band growing 752 00:39:19,239 --> 00:39:21,640 Speaker 1: up was Alkaline Trio. I was like, yeah, let's throw 753 00:39:21,680 --> 00:39:25,839 Speaker 1: punkin there. Cool number thirteen. I just remember getting on 754 00:39:25,920 --> 00:39:29,200 Speaker 1: their messaging people. How much of a thrill that was. 755 00:39:29,320 --> 00:39:33,680 Speaker 1: I could crush hours on a dial up connection on AOL. 756 00:39:34,000 --> 00:39:37,480 Speaker 1: That was very much a very two thousand and eight experience. 757 00:39:37,680 --> 00:39:40,000 Speaker 1: This movie is right under ninety minutes, so if you're 758 00:39:40,000 --> 00:39:43,200 Speaker 1: somebody who likes a shorter movie, this is perfect for you. 759 00:39:43,760 --> 00:39:44,719 Speaker 2: At the very start of. 760 00:39:44,680 --> 00:39:47,359 Speaker 1: This movie, I thought it was just gonna be kind 761 00:39:47,440 --> 00:39:50,560 Speaker 1: of a coming of age story that I'd already seen before. 762 00:39:51,120 --> 00:39:53,800 Speaker 1: But once you really get into it, you start seeing 763 00:39:53,920 --> 00:39:56,840 Speaker 1: the dynamic he has with his sister, with his family, 764 00:39:57,200 --> 00:39:59,640 Speaker 1: and the fact that a lot happens to DDI in 765 00:39:59,680 --> 00:40:03,439 Speaker 1: this life last summer before high school. By that third act, 766 00:40:03,480 --> 00:40:08,000 Speaker 1: you are all in invested emotionally and you want to 767 00:40:08,040 --> 00:40:09,920 Speaker 1: see more of his story, And by the time it 768 00:40:10,000 --> 00:40:11,640 Speaker 1: was over, I was like, oh man, I gotta know 769 00:40:11,680 --> 00:40:14,280 Speaker 1: what happens in high school. So this movie only gets 770 00:40:14,320 --> 00:40:18,640 Speaker 1: better as it goes along. I easily give it four 771 00:40:18,800 --> 00:40:22,479 Speaker 1: out of five friend requests. I think if I put 772 00:40:22,520 --> 00:40:26,880 Speaker 1: in my bias of being a first generation Mexican American 773 00:40:27,000 --> 00:40:30,520 Speaker 1: and identifying with what DD goes through, I'd probably put 774 00:40:30,560 --> 00:40:33,239 Speaker 1: in a point five bias, But I feel good at 775 00:40:33,280 --> 00:40:35,359 Speaker 1: giving it a four out of five. That is a 776 00:40:35,400 --> 00:40:38,040 Speaker 1: strong four out of five, And I would also put 777 00:40:38,040 --> 00:40:41,279 Speaker 1: this in my top five coming of age movies in 778 00:40:41,320 --> 00:40:42,440 Speaker 1: the last ten years. 779 00:40:42,640 --> 00:40:43,799 Speaker 2: Really enjoyed this movie. 780 00:40:43,840 --> 00:40:45,239 Speaker 1: I think it's going to be a movie that I 781 00:40:45,320 --> 00:40:48,560 Speaker 1: keep revisiting, especially once it hits streaming. So if you're 782 00:40:48,600 --> 00:40:51,439 Speaker 1: looking for some coming of age movies, definitely check out DD. 783 00:40:55,280 --> 00:41:00,400 Speaker 3: It's time to head down to movie Mike Traylor Paul him. 784 00:41:00,239 --> 00:41:02,600 Speaker 2: At the challow May trying to win his first oscar. 785 00:41:03,800 --> 00:41:06,840 Speaker 1: After watching the trailer to the New Bob Dylan Biopick 786 00:41:06,960 --> 00:41:08,200 Speaker 1: called a complete unknown. 787 00:41:08,800 --> 00:41:10,080 Speaker 2: That is how I'm feeling. 788 00:41:10,920 --> 00:41:13,920 Speaker 1: There are a lot of recipes on not recipes, a 789 00:41:13,960 --> 00:41:17,720 Speaker 1: lot of ingredients to this recipe inside of this trailer 790 00:41:18,719 --> 00:41:21,000 Speaker 1: that are all the makings of what I believe is 791 00:41:21,040 --> 00:41:21,359 Speaker 1: what we. 792 00:41:21,360 --> 00:41:23,719 Speaker 2: Would call Oscar bait. And it's all right. 793 00:41:24,719 --> 00:41:28,480 Speaker 1: Rommi Mallick did it back in twenty nineteen, playing Freddie 794 00:41:28,480 --> 00:41:33,120 Speaker 1: Mercury in Bohemian Rhapsody got his first Academy Award. Timothy 795 00:41:33,120 --> 00:41:36,520 Speaker 1: Shallo mag still a young actor, but I feel the 796 00:41:36,600 --> 00:41:39,239 Speaker 1: reason you take on a role like this with a 797 00:41:39,280 --> 00:41:43,799 Speaker 1: movie coming out in December, with a director who also. 798 00:41:43,600 --> 00:41:45,320 Speaker 2: Did walk the line Ford V. 799 00:41:45,440 --> 00:41:49,200 Speaker 1: Ferrari, very familiar with the biopic genre, that to me 800 00:41:49,320 --> 00:41:52,440 Speaker 1: is saying that Timothy shallow May wants to win an 801 00:41:52,440 --> 00:41:55,480 Speaker 1: Oscar and while watching this trailer, I don't feel it 802 00:41:55,560 --> 00:41:55,960 Speaker 1: so far. 803 00:41:56,080 --> 00:41:56,680 Speaker 2: I feel like. 804 00:41:56,680 --> 00:42:00,279 Speaker 1: All the statistics that go along with this movie, cast 805 00:42:00,320 --> 00:42:03,640 Speaker 1: of characters, the director, those make me think this is 806 00:42:03,680 --> 00:42:07,080 Speaker 1: going for being nominated for Best Picture, him being nominated 807 00:42:07,080 --> 00:42:09,560 Speaker 1: for Best Actor. But just by the look of it, ooh, 808 00:42:09,600 --> 00:42:11,839 Speaker 1: I'm not buying into it just yet, because when he 809 00:42:11,960 --> 00:42:15,720 Speaker 1: is in the sunglasses on a stage with the guitar 810 00:42:15,800 --> 00:42:17,840 Speaker 1: and the clode, you could convince me that it looks 811 00:42:17,840 --> 00:42:21,360 Speaker 1: like Bob Dylan. However, in the moments in this trailer 812 00:42:21,400 --> 00:42:24,320 Speaker 1: when he's not wearing sunglasses, I can't help but see 813 00:42:24,480 --> 00:42:27,000 Speaker 1: Willy Wanka in there, which leads me to believe that 814 00:42:27,160 --> 00:42:31,319 Speaker 1: it is so important what roles actors take on when 815 00:42:31,480 --> 00:42:35,000 Speaker 1: because really, for me, even more so than Dune Part two, 816 00:42:35,120 --> 00:42:37,560 Speaker 1: I'm starting to associate him with Willy Wonka, which he 817 00:42:37,600 --> 00:42:40,920 Speaker 1: did very well also singing that movie. In this biopic, 818 00:42:41,080 --> 00:42:44,080 Speaker 1: it is him singing these Bob Dylan songs. I'm sure 819 00:42:44,080 --> 00:42:46,040 Speaker 1: he worked with a vocal coach, and I don't think 820 00:42:46,080 --> 00:42:47,600 Speaker 1: it's that big of a stretch for him because he 821 00:42:47,640 --> 00:42:50,560 Speaker 1: grew up in musical theater. You can go watch videos 822 00:42:50,600 --> 00:42:53,480 Speaker 1: of him on YouTube. Belting is little hard out singing 823 00:42:53,520 --> 00:42:57,480 Speaker 1: these songs, so it's not unusual for an actor at 824 00:42:57,480 --> 00:43:00,600 Speaker 1: this level to take on the actual singing. I'm sure 825 00:43:00,760 --> 00:43:04,320 Speaker 1: probably like they did with Bohemian Rhapsody, they bring somebody 826 00:43:04,360 --> 00:43:06,919 Speaker 1: in to patch things in. So maybe it's not him 827 00:43:07,160 --> 00:43:10,040 Speaker 1: one hundred percent of the time, maybe eighty percent of 828 00:43:10,080 --> 00:43:13,400 Speaker 1: the time. So I feel like for those reasons, you 829 00:43:13,480 --> 00:43:16,200 Speaker 1: have all the ingredients here of somebody baking up a 830 00:43:16,239 --> 00:43:19,160 Speaker 1: cake to win a Best Oscar, not even just to 831 00:43:19,160 --> 00:43:21,680 Speaker 1: get nominated. I think he is trying to win and 832 00:43:22,560 --> 00:43:24,920 Speaker 1: I will call it just by after watching this trailer 833 00:43:24,960 --> 00:43:28,120 Speaker 1: that he will get a nomination. I won't say anything 834 00:43:28,160 --> 00:43:31,000 Speaker 1: until I actually see the movie, but I don't have 835 00:43:31,320 --> 00:43:33,920 Speaker 1: any reason to deny that this movie is going to 836 00:43:33,960 --> 00:43:35,040 Speaker 1: be not good. 837 00:43:35,640 --> 00:43:36,239 Speaker 2: Just with my. 838 00:43:37,080 --> 00:43:41,239 Speaker 1: Experience with biopics, I always feel like they are a 839 00:43:41,239 --> 00:43:44,879 Speaker 1: little bit rushed. I don't love it when they come 840 00:43:44,920 --> 00:43:48,880 Speaker 1: out when the person being portrayed is still alive, because 841 00:43:48,920 --> 00:43:51,560 Speaker 1: I feel that that person could have a lot of 842 00:43:51,680 --> 00:43:53,680 Speaker 1: influence on the movie. I don't think that is the 843 00:43:53,719 --> 00:43:56,480 Speaker 1: case here. It was the case with the Queen movie. 844 00:43:56,880 --> 00:44:00,200 Speaker 1: Although Freddie Mercury wasn't alive, the guys from the band 845 00:44:00,360 --> 00:44:01,600 Speaker 1: was still alive and they were trying to have so 846 00:44:01,680 --> 00:44:05,280 Speaker 1: much input in that movie. Sasha Bara Cohen, who was Borat, 847 00:44:05,320 --> 00:44:08,120 Speaker 1: was initially supposed to play Freddy Mercury, and he dropped 848 00:44:08,160 --> 00:44:11,719 Speaker 1: out because the band wanted him to die halfway through 849 00:44:11,760 --> 00:44:14,200 Speaker 1: the movie, and the rest of that film to be 850 00:44:14,280 --> 00:44:17,640 Speaker 1: about how they recovered after the loss of Freddy Mercury 851 00:44:17,680 --> 00:44:20,640 Speaker 1: would have been a terrible movie. So oftentimes you have 852 00:44:20,760 --> 00:44:26,440 Speaker 1: the estate or maybe a daughter some relative kind of 853 00:44:26,480 --> 00:44:29,160 Speaker 1: calling some of the shots on how they depict the story. 854 00:44:29,680 --> 00:44:31,360 Speaker 1: That is why I don't like it when the person 855 00:44:31,520 --> 00:44:34,200 Speaker 1: is still alive for that reason, and I also just 856 00:44:34,239 --> 00:44:37,440 Speaker 1: believe it is so hard to take somebody's entire life 857 00:44:37,440 --> 00:44:41,920 Speaker 1: story who is so impactful on a genre, on a movement, 858 00:44:42,280 --> 00:44:45,200 Speaker 1: which is especially what Bob Dylan was with the protest 859 00:44:45,280 --> 00:44:47,759 Speaker 1: songs in the sixties, and put it all into a 860 00:44:47,800 --> 00:44:49,520 Speaker 1: two to two and a half hour movie. 861 00:44:49,600 --> 00:44:50,880 Speaker 2: It is really tough to do. 862 00:44:51,600 --> 00:44:53,880 Speaker 1: So I feel like the task is so hard to 863 00:44:53,920 --> 00:44:57,440 Speaker 1: be taken on that you're setting yourself up for disaster, 864 00:44:57,600 --> 00:45:01,200 Speaker 1: for disappointment. For me, just not enjoying it. Not that 865 00:45:01,239 --> 00:45:03,960 Speaker 1: I don't like music. I'm a huge fan of everybody 866 00:45:04,000 --> 00:45:06,479 Speaker 1: loves music. Saying you don't like music is like saying 867 00:45:06,520 --> 00:45:09,319 Speaker 1: you don't like to breathe. Music in movies, for the 868 00:45:09,320 --> 00:45:12,360 Speaker 1: most part, go hand in hand. But I just don't 869 00:45:12,600 --> 00:45:14,840 Speaker 1: go into a biopic thinking, ah, this is gonna be 870 00:45:14,840 --> 00:45:16,680 Speaker 1: the one where they truly get it. But before I 871 00:45:16,719 --> 00:45:19,560 Speaker 1: get into more of my thoughts, we'll look at the 872 00:45:19,600 --> 00:45:23,600 Speaker 1: impressive filmography of the director, James Mangold. This movie doesn't 873 00:45:23,640 --> 00:45:26,399 Speaker 1: have an official release date yet, it's just coming out 874 00:45:26,440 --> 00:45:30,359 Speaker 1: in December. I would assume maybe they queue it up 875 00:45:30,520 --> 00:45:33,440 Speaker 1: a little bit before the Christmas run, because we have 876 00:45:33,560 --> 00:45:36,319 Speaker 1: some heavy hitters coming out in December, so maybe that's 877 00:45:36,320 --> 00:45:38,400 Speaker 1: when they decide to put out this movie right in 878 00:45:38,440 --> 00:45:40,640 Speaker 1: time for Oscar season. But here's just a little bit 879 00:45:40,680 --> 00:45:42,400 Speaker 1: of the trailer of a Complete Unknown. 880 00:45:42,360 --> 00:45:43,640 Speaker 2: I want to tell you a little story. 881 00:45:43,880 --> 00:45:46,440 Speaker 5: A few months back, my friend Woody Guthrie and I 882 00:45:46,480 --> 00:45:48,600 Speaker 5: we met a young man. He dropped in on us 883 00:45:48,600 --> 00:45:52,000 Speaker 5: out of nowhere, and he played us a song. In 884 00:45:52,040 --> 00:45:56,480 Speaker 5: that moment, we got a feeling. We were definite a glimpse. 885 00:45:56,520 --> 00:46:05,280 Speaker 2: So the future. That's all I got so far. Good start. 886 00:46:06,400 --> 00:46:09,400 Speaker 1: So the movie is set in New York nineteen sixties. 887 00:46:09,480 --> 00:46:12,759 Speaker 1: You have a nineteen year old Bob Dylan from Minnesota. 888 00:46:12,800 --> 00:46:16,480 Speaker 1: He arrives in the West Village. Looks like he is discovered. 889 00:46:16,840 --> 00:46:20,680 Speaker 1: In that trailer, you heard the one and only Edward Norton, 890 00:46:20,719 --> 00:46:23,479 Speaker 1: who is a great actor. He is playing fellow folk 891 00:46:23,560 --> 00:46:26,680 Speaker 1: singer Pete Seeger. You also have El Fanning in this 892 00:46:26,760 --> 00:46:30,240 Speaker 1: movie playing Sylvia Russo, who was inspired by Bob Dylan's 893 00:46:30,280 --> 00:46:33,640 Speaker 1: real life ex girlfriend, Susie Rotolo. If you are familiar 894 00:46:33,640 --> 00:46:36,160 Speaker 1: with this album The Free Wheeland, which has a very 895 00:46:36,400 --> 00:46:39,600 Speaker 1: iconic cover, she is the one featured in that picture. 896 00:46:39,760 --> 00:46:42,040 Speaker 1: You also have Boyd Holbrook, who I just saw in 897 00:46:42,080 --> 00:46:46,480 Speaker 1: The Bike Riders playing Johnny Cash, so pretty decent cast here. 898 00:46:46,880 --> 00:46:49,880 Speaker 1: I would say Timothy Shallow may probably getting paid the 899 00:46:49,880 --> 00:46:52,120 Speaker 1: majority of the money. He is in that place of 900 00:46:52,160 --> 00:46:55,200 Speaker 1: his career where he can take on any role, and 901 00:46:55,239 --> 00:46:58,680 Speaker 1: I have to imagine this is a pretty iconic role 902 00:46:58,760 --> 00:47:03,319 Speaker 1: for him as as if this movie is successful, this 903 00:47:03,400 --> 00:47:06,960 Speaker 1: could be a movie that people associate with him throughout 904 00:47:07,000 --> 00:47:09,600 Speaker 1: the rest of his career, because for me, I keep 905 00:47:09,640 --> 00:47:12,680 Speaker 1: thinking of him as Willy Wonka, as I was mentioning earlier. 906 00:47:13,000 --> 00:47:15,920 Speaker 1: I still don't feel like the Dune franchise has really 907 00:47:15,960 --> 00:47:19,160 Speaker 1: attached itself to him. I think it's just hard for 908 00:47:19,200 --> 00:47:22,759 Speaker 1: me to differentiate the goofy guy that he is on 909 00:47:22,960 --> 00:47:27,120 Speaker 1: SNEL and also see him as this very serious actor, 910 00:47:27,200 --> 00:47:29,759 Speaker 1: even though that's really where he got to start early on. 911 00:47:30,160 --> 00:47:32,000 Speaker 1: But I think it's once you start taking on those 912 00:47:32,000 --> 00:47:35,680 Speaker 1: big blockbusters that more and more people are seeing. Those 913 00:47:35,680 --> 00:47:37,520 Speaker 1: are the ones that people are really going to start 914 00:47:37,560 --> 00:47:40,920 Speaker 1: associating you with. So this movie is successful, if he 915 00:47:40,920 --> 00:47:44,440 Speaker 1: gets nominated or if he ends up winning for Best Actor, 916 00:47:45,200 --> 00:47:48,360 Speaker 1: this could be a real career defining movie. 917 00:47:48,360 --> 00:47:48,759 Speaker 2: For him. 918 00:47:48,880 --> 00:47:52,480 Speaker 1: The movie is directed by James Mangold, who most recent 919 00:47:52,520 --> 00:47:55,799 Speaker 1: film includes Indiana Jones and The Dialogue Destiny, which I 920 00:47:55,840 --> 00:47:58,680 Speaker 1: actually believe was a pretty good movie that the box 921 00:47:58,719 --> 00:48:02,880 Speaker 1: office did a little dirty, primarily because nobody really asked 922 00:48:03,239 --> 00:48:06,840 Speaker 1: for the continuation and the finale of Indiana Jones. But 923 00:48:06,880 --> 00:48:09,200 Speaker 1: if you have Disney Plus and haven't seen it yet 924 00:48:09,600 --> 00:48:11,520 Speaker 1: looking for something to watch over a weekend, and you're 925 00:48:11,520 --> 00:48:14,200 Speaker 1: a fan of Harrison Ford and maybe you'll like the 926 00:48:14,280 --> 00:48:17,560 Speaker 1: early on Indiana Jones movies. I still think it is 927 00:48:17,600 --> 00:48:19,960 Speaker 1: a fun time. It just came out at a really 928 00:48:20,040 --> 00:48:22,719 Speaker 1: weird kind of cross pass between a lot of good 929 00:48:22,719 --> 00:48:25,960 Speaker 1: summer movies. Last year, James Mangold also did Four to 930 00:48:25,960 --> 00:48:29,680 Speaker 1: Be Ferrari, fantastic movie, but I mean anything with Matt 931 00:48:29,760 --> 00:48:32,880 Speaker 1: Damon and Christian Vale is going to be great. My 932 00:48:33,080 --> 00:48:36,920 Speaker 1: favorite credit of his is he directed Logan with Hugh Jackman, 933 00:48:37,520 --> 00:48:40,760 Speaker 1: what I believe is a top five comic book movie 934 00:48:40,800 --> 00:48:44,600 Speaker 1: of all time. He also did The Wolverine and before 935 00:48:44,680 --> 00:48:48,560 Speaker 1: that did Walk the Line, one of the best music 936 00:48:48,680 --> 00:48:51,799 Speaker 1: bio picks of all time, easily top three for me, 937 00:48:52,280 --> 00:48:53,719 Speaker 1: and I think if it wasn't for the fact that 938 00:48:53,719 --> 00:48:58,200 Speaker 1: at Mexican and La Bamba and Selina will always outrank 939 00:48:58,280 --> 00:49:01,600 Speaker 1: everything on my list. It would probably be number one, 940 00:49:01,719 --> 00:49:05,080 Speaker 1: but it would go La Bamba Selena and then Walk 941 00:49:05,120 --> 00:49:07,719 Speaker 1: the Line because I love that movie so much. And 942 00:49:07,800 --> 00:49:09,600 Speaker 1: if you look at a movie like Walk the Line 943 00:49:09,640 --> 00:49:12,759 Speaker 1: with Joaquin Phoenix, who also did a lot of the 944 00:49:12,800 --> 00:49:17,160 Speaker 1: singing in that movie, and see how well James Mangole 945 00:49:17,320 --> 00:49:20,560 Speaker 1: told Johnny Cash's story in that, I think if he 946 00:49:20,640 --> 00:49:23,959 Speaker 1: can take that same formula and adapt it to Bob 947 00:49:24,040 --> 00:49:26,520 Speaker 1: Dylan's life, then this is going to be a home 948 00:49:26,840 --> 00:49:30,200 Speaker 1: run hit. The thing is, I don't really know a 949 00:49:30,239 --> 00:49:33,800 Speaker 1: whole lot about all of the hardships and just career 950 00:49:33,960 --> 00:49:36,799 Speaker 1: ups and downs that Bob Dylan went through. When you 951 00:49:36,800 --> 00:49:39,359 Speaker 1: look at Johnny Cash and Walk the Line, dude had 952 00:49:39,440 --> 00:49:43,480 Speaker 1: a lot of demons starting out from his childhood, his 953 00:49:44,080 --> 00:49:48,799 Speaker 1: battle with drugs, leaven his wife, all the pills, the 954 00:49:49,000 --> 00:49:52,399 Speaker 1: music playing in prisons. There are so many just polarizing 955 00:49:52,520 --> 00:49:58,240 Speaker 1: things about Johnny Cash's career. After watching a complete Unknowns trailer, 956 00:49:58,880 --> 00:50:01,080 Speaker 1: I don't know what the means of this story is 957 00:50:01,160 --> 00:50:03,759 Speaker 1: going to be. So I'm wondering what the meat of 958 00:50:03,800 --> 00:50:06,120 Speaker 1: this story is going to be. By the description of 959 00:50:06,120 --> 00:50:08,640 Speaker 1: the movie, it says it'll focus on his early rise 960 00:50:08,719 --> 00:50:12,360 Speaker 1: to fame, his infamous performance at the Newport Folk Festival, 961 00:50:12,440 --> 00:50:15,560 Speaker 1: and the aftermath of that. But it is based on 962 00:50:15,600 --> 00:50:19,120 Speaker 1: the twenty fifteen book Dylan Goes Electric, which is about 963 00:50:19,160 --> 00:50:23,719 Speaker 1: the controversy surrounding the switch to electrically amplified instrumentation by 964 00:50:23,719 --> 00:50:27,080 Speaker 1: Bob Dylan. If I had to list my top three 965 00:50:27,160 --> 00:50:30,319 Speaker 1: Bob Dylan songs of all time, you might want to 966 00:50:30,320 --> 00:50:33,799 Speaker 1: get out the basic B meter because I'm not too 967 00:50:33,920 --> 00:50:37,480 Speaker 1: familiar with his music. I honestly know it primarily from 968 00:50:37,520 --> 00:50:40,640 Speaker 1: watching movies. I can tell anytime it is his voice 969 00:50:40,760 --> 00:50:43,880 Speaker 1: on a movie soundtrack. I was also in high school 970 00:50:43,880 --> 00:50:46,400 Speaker 1: in an indie band where I played drums and my 971 00:50:46,520 --> 00:50:49,000 Speaker 1: friend and lead singer and songwriter in that band, we 972 00:50:49,000 --> 00:50:52,520 Speaker 1: were called Lynn Haven. We were mildly popular in high school. 973 00:50:53,080 --> 00:50:56,880 Speaker 1: But he was so almost like a Bob Dylan Stan 974 00:50:57,560 --> 00:51:01,400 Speaker 1: heavy inspiration on his Songwride, his singing style, he had 975 00:51:01,400 --> 00:51:05,000 Speaker 1: the harmonica and everything, so from him. I was exposed 976 00:51:05,000 --> 00:51:07,920 Speaker 1: to some of Bob Dylan's music, but it really hasn't 977 00:51:07,960 --> 00:51:10,960 Speaker 1: been until I think it was I was rewatching The 978 00:51:11,040 --> 00:51:13,919 Speaker 1: Watchmen and I heard a Bob Dylan song in that 979 00:51:13,920 --> 00:51:15,799 Speaker 1: that maybe want to go listen to some of his music. 980 00:51:15,840 --> 00:51:17,799 Speaker 1: This was just a few months ago, So my top 981 00:51:17,840 --> 00:51:20,640 Speaker 1: three Bob Dylan songs would be at number three, blowing 982 00:51:20,680 --> 00:51:23,239 Speaker 1: in the Wind. I know these are also basically his 983 00:51:23,600 --> 00:51:27,120 Speaker 1: biggest hits that he's ever had. At number two would 984 00:51:27,120 --> 00:51:29,960 Speaker 1: be Like a Rolling Stone, and at number one would 985 00:51:30,000 --> 00:51:32,440 Speaker 1: be The Times They are a change in which if 986 00:51:32,440 --> 00:51:35,560 Speaker 1: you go watch The Watchman, which is Zack Snyder's best 987 00:51:35,600 --> 00:51:38,120 Speaker 1: movie and the only reason he really continues to make 988 00:51:38,200 --> 00:51:41,200 Speaker 1: movies is because everybody remembers The Watchmen in probably three 989 00:51:41,280 --> 00:51:43,440 Speaker 1: hundred but at the start of that movie, in the 990 00:51:43,520 --> 00:51:46,839 Speaker 1: opening credits, they're showing all of this protest footage and 991 00:51:46,840 --> 00:51:50,120 Speaker 1: how the Watchmen superheroes were connected to that, and they 992 00:51:50,120 --> 00:51:52,160 Speaker 1: were playing that song over the top of it, and 993 00:51:52,200 --> 00:51:54,240 Speaker 1: I thought that was a really great use of music 994 00:51:54,239 --> 00:51:57,879 Speaker 1: and opening credits, something that doesn't really happen a whole 995 00:51:57,960 --> 00:52:02,080 Speaker 1: lot anymore. So I think his music is just associated 996 00:52:02,080 --> 00:52:05,279 Speaker 1: with that kind of imagery, maybe even been overused just 997 00:52:05,320 --> 00:52:08,440 Speaker 1: a little bit. So again I'm hesitant about this because 998 00:52:09,000 --> 00:52:12,400 Speaker 1: biopics have never been my favorite. It is hard for 999 00:52:12,440 --> 00:52:17,000 Speaker 1: me to see Timothy Chalomey and a more serious role 1000 00:52:17,120 --> 00:52:20,160 Speaker 1: right now, and that's probably unfair, but I still like 1001 00:52:20,239 --> 00:52:22,120 Speaker 1: him as an actor, I like him as a person, 1002 00:52:22,200 --> 00:52:25,239 Speaker 1: and I'm a pretty big fan of James Mangold again. 1003 00:52:25,320 --> 00:52:27,440 Speaker 1: That movie is coming out this December. 1004 00:52:28,000 --> 00:52:28,239 Speaker 3: Jeez. 1005 00:52:28,320 --> 00:52:32,120 Speaker 4: And that was this week's edition of movie Line Tramer 1006 00:52:32,239 --> 00:52:33,040 Speaker 4: Bar and. 1007 00:52:33,040 --> 00:52:35,400 Speaker 1: That is gonna do it for another episode here of 1008 00:52:35,440 --> 00:52:38,200 Speaker 1: the podcast. But before I go, I gotta give my 1009 00:52:38,320 --> 00:52:40,560 Speaker 1: listener shout out of the week. How do you get 1010 00:52:40,600 --> 00:52:43,080 Speaker 1: a listener shout out of the week? Well, all you 1011 00:52:43,120 --> 00:52:48,880 Speaker 1: have to do is comment on YouTube, TikTok, Facebook x Instagram. 1012 00:52:49,360 --> 00:52:52,040 Speaker 1: Let me know how you felt about that week's episode. 1013 00:52:52,440 --> 00:52:54,799 Speaker 1: You can send me a suggestion of a topic you 1014 00:52:54,800 --> 00:52:57,760 Speaker 1: think I should cover, a movie you think I should watch. 1015 00:52:58,160 --> 00:53:01,360 Speaker 1: And if you listen on Monday, which is released, a 1016 00:53:01,400 --> 00:53:03,960 Speaker 1: post a little screenshot, maybe take a picture of your 1017 00:53:04,040 --> 00:53:06,960 Speaker 1: car radio of you listening to that week's episode, Tag 1018 00:53:07,040 --> 00:53:09,920 Speaker 1: me in it. I'll repost you on my Instagram story 1019 00:53:10,160 --> 00:53:12,240 Speaker 1: and then give you a shout out the following week. 1020 00:53:12,480 --> 00:53:14,920 Speaker 1: But for this week's listener shout out, we're going over 1021 00:53:15,080 --> 00:53:18,640 Speaker 1: to Facebook and it goes to Ashley B who wrote 1022 00:53:18,760 --> 00:53:23,160 Speaker 1: Kelsey the Simpsons is the absolute worst ride from motion sickness. 1023 00:53:23,440 --> 00:53:26,560 Speaker 1: I'm sure you know now lol. So thank you, actually 1024 00:53:26,640 --> 00:53:30,560 Speaker 1: B for validating Kelsey and what we were talking about 1025 00:53:30,640 --> 00:53:33,360 Speaker 1: last week of how I drug her to California to 1026 00:53:33,400 --> 00:53:35,880 Speaker 1: get on the Simpsons ride even though she didn't want to, 1027 00:53:36,480 --> 00:53:39,320 Speaker 1: and it was in that moment and also us taking 1028 00:53:39,320 --> 00:53:42,360 Speaker 1: a picture with Bart and Lisa at least two people 1029 00:53:42,480 --> 00:53:45,120 Speaker 1: dressed as Bart Lisa in big costumes that. 1030 00:53:45,120 --> 00:53:46,799 Speaker 2: I realized, Oh, this girl is the one. 1031 00:53:46,840 --> 00:53:49,720 Speaker 1: She's down for Simpsons, which is one of my favorite 1032 00:53:49,719 --> 00:53:52,759 Speaker 1: shows of all time. That means she can now enter 1033 00:53:52,760 --> 00:53:54,520 Speaker 1: my life and I knew she was the one. So 1034 00:53:54,640 --> 00:53:57,680 Speaker 1: thank you, actually B for that comment. For listening to 1035 00:53:57,760 --> 00:54:00,719 Speaker 1: last week's episode, Thank you right now listening in your car, 1036 00:54:00,880 --> 00:54:03,799 Speaker 1: listening in your earbuds wherever this episode may find you. 1037 00:54:04,239 --> 00:54:06,040 Speaker 2: Thank you for being subscribed, Thank you 1038 00:54:06,120 --> 00:54:09,160 Speaker 1: For telling a friend, And until next time, go out 1039 00:54:09,200 --> 00:54:11,359 Speaker 1: and watch good movies and I will talk to you 1040 00:54:11,840 --> 00:54:12,120 Speaker 1: later