1 00:00:04,480 --> 00:00:09,560 Speaker 1: So he starts blinding like always, Sean, if you don't 2 00:00:09,680 --> 00:00:13,360 Speaker 1: use the time machine, no one will use the time machine. 3 00:00:13,680 --> 00:00:17,040 Speaker 1: It won't be And I'm like, that's not really my 4 00:00:17,200 --> 00:00:18,120 Speaker 1: fucking problem. 5 00:00:18,200 --> 00:00:23,160 Speaker 2: Steven and I threw a rock thing fucking sparked like crazy. 6 00:00:24,280 --> 00:00:28,240 Speaker 2: The design is just so like fucking it's old. 7 00:00:28,600 --> 00:00:34,120 Speaker 1: It's old bullshit. Yeah, anyway, Hey, what up? 8 00:00:34,159 --> 00:00:34,479 Speaker 3: What up? 9 00:00:34,520 --> 00:00:36,880 Speaker 2: Welcome to Hollywood Handbook and Insider's guid to kicking button 10 00:00:36,920 --> 00:00:38,920 Speaker 2: dropping names in the red carpet lineback hallways of this 11 00:00:38,960 --> 00:00:41,559 Speaker 2: industry we call show biz. I'm Hayes Davamport. I'm here 12 00:00:41,560 --> 00:00:42,519 Speaker 2: with Sean Clements. 13 00:00:42,760 --> 00:00:43,280 Speaker 1: That's me. 14 00:00:44,520 --> 00:00:47,120 Speaker 2: Let's uh, let's do a little what's one of the 15 00:00:47,120 --> 00:00:49,839 Speaker 2: fun games we can play just getting into the show? 16 00:00:49,840 --> 00:00:53,800 Speaker 1: Do you this is dangerous? Yeah? Do you want to 17 00:00:53,840 --> 00:00:55,120 Speaker 1: do gmail roulette again? 18 00:00:56,000 --> 00:00:59,840 Speaker 2: I love gmail Roulette? I think because it does. It's 19 00:00:59,840 --> 00:01:01,560 Speaker 2: a one of the things that makes me feel scared. 20 00:01:01,760 --> 00:01:04,160 Speaker 1: Yeah, you know, it's one of the only things in 21 00:01:04,200 --> 00:01:07,720 Speaker 1: my life where I do feel consequence because a lot 22 00:01:07,800 --> 00:01:11,039 Speaker 1: of times the emails we land on are pretty loaded 23 00:01:11,400 --> 00:01:14,520 Speaker 1: and we're airing some very dirty laundry. 24 00:01:14,840 --> 00:01:17,680 Speaker 2: This is where we just shuffle, We put our gmails 25 00:01:17,720 --> 00:01:21,880 Speaker 2: on shuffle and whatever comes up we have to read, have. 26 00:01:21,760 --> 00:01:25,480 Speaker 1: To Okay, should we turn it on? Mm hmm? 27 00:01:25,480 --> 00:01:34,600 Speaker 2: Okay, you want to go first? Okay, Okay, here we go. Oh, 28 00:01:36,400 --> 00:01:39,200 Speaker 2: which email is it? You know what the rules are? 29 00:01:39,680 --> 00:01:41,600 Speaker 1: Can I please go again? 30 00:01:41,760 --> 00:01:42,000 Speaker 3: Though? 31 00:01:42,680 --> 00:01:45,800 Speaker 1: Well, then it wouldn't be a game, would it. I 32 00:01:45,840 --> 00:01:48,920 Speaker 1: guess that's true. I guess then I might as well 33 00:01:49,000 --> 00:01:52,920 Speaker 1: just pick the email I want to read, right then? Elma, Hey, 34 00:01:53,160 --> 00:01:56,280 Speaker 1: that's a different game. That's Gmail Pick. Yeah, that's Gmail Pick. 35 00:01:56,360 --> 00:01:59,200 Speaker 1: You know I haven't played in a while. You know, 36 00:01:59,240 --> 00:02:01,040 Speaker 1: I'd love to hear that. It's I'm a hia email. 37 00:02:01,120 --> 00:02:03,920 Speaker 1: But these are the rules? Well, this one, M I 38 00:02:04,040 --> 00:02:10,440 Speaker 1: hate to read this one. Okay, I'll read it. The 39 00:02:10,480 --> 00:02:18,280 Speaker 1: subject line is forgiveness question mark. Please forgive me, bro 40 00:02:19,960 --> 00:02:23,960 Speaker 1: please question mark. So that's the subject. There's some ellipses 41 00:02:23,960 --> 00:02:28,680 Speaker 1: in there, Shawn Dog, it's KP. 42 00:02:30,680 --> 00:02:35,640 Speaker 4: So so so so so so so so effing sorry, 43 00:02:36,160 --> 00:02:41,000 Speaker 4: so so so so sorry. I'm so sorry. 44 00:02:41,200 --> 00:02:43,800 Speaker 1: You know I didn't mean to do you dirty like that. 45 00:02:44,600 --> 00:02:49,640 Speaker 1: Please forgive me. I've tried sending letters, I've tried having 46 00:02:49,760 --> 00:02:53,520 Speaker 1: mutual friends. Ask you to acknowledge me. Please stop treating 47 00:02:53,560 --> 00:02:56,520 Speaker 1: me like I'm dead. Stop ignoring me at all the 48 00:02:56,520 --> 00:02:59,760 Speaker 1: parties we run into each other at. Please, I know 49 00:02:59,840 --> 00:03:03,240 Speaker 1: you can hear me when I call you. Stop pretending 50 00:03:03,280 --> 00:03:04,640 Speaker 1: that there's no one on the other end of the 51 00:03:04,680 --> 00:03:07,400 Speaker 1: line and keeping me on the line for long, long 52 00:03:07,440 --> 00:03:14,760 Speaker 1: periods of time. It's me. It's Kevin Pollack. I know 53 00:03:14,919 --> 00:03:17,919 Speaker 1: I canceled last minute on doing your podcast without much 54 00:03:17,919 --> 00:03:22,600 Speaker 1: explanation and never tried to reschedule, but something came up 55 00:03:22,720 --> 00:03:26,480 Speaker 1: and there was nothing else I could do. Please, I 56 00:03:26,560 --> 00:03:30,880 Speaker 1: got scared. Okay, I admit it, I got effing scared. 57 00:03:31,400 --> 00:03:35,280 Speaker 1: You dudes are so funny. The content you create is outrageous, 58 00:03:35,320 --> 00:03:37,720 Speaker 1: and the truths you tell on your show got me 59 00:03:37,840 --> 00:03:41,840 Speaker 1: shaken in my little booties, my itty bitty widow booties. 60 00:03:42,160 --> 00:03:45,360 Speaker 1: I was shaken so bad my knees were knocking, and brother, 61 00:03:45,480 --> 00:03:48,240 Speaker 1: it sounded like the percussion part from that song SPoD 62 00:03:48,320 --> 00:03:54,400 Speaker 1: Man by Soundguard. Are you ever gonna acknowledge me again? 63 00:03:54,720 --> 00:03:56,880 Speaker 1: This is the thousandth email I've. 64 00:03:56,760 --> 00:03:57,680 Speaker 2: Set you this week. 65 00:03:57,960 --> 00:04:01,120 Speaker 1: In retrospect, it was pretty likely I'd land on one 66 00:04:01,160 --> 00:04:05,800 Speaker 1: of these when we played Gmail roulette. Anyway, back to 67 00:04:05,880 --> 00:04:09,600 Speaker 1: the email, I know you've said that you'll never do 68 00:04:09,720 --> 00:04:12,040 Speaker 1: my chat show because it's not big time enough for you, 69 00:04:13,120 --> 00:04:15,680 Speaker 1: But please reconsider. Maybe we can do an exchange thing. 70 00:04:15,920 --> 00:04:17,719 Speaker 1: I think it would finally push me over the hump 71 00:04:17,760 --> 00:04:20,080 Speaker 1: and get me into the tier one status breathing that 72 00:04:20,279 --> 00:04:23,440 Speaker 1: rarefied air that the Hollywood Handbook guys get to breathe. 73 00:04:24,320 --> 00:04:26,240 Speaker 1: I know you did me a big favor by agreeed 74 00:04:26,320 --> 00:04:27,960 Speaker 1: to let me be on the show, and I just 75 00:04:28,000 --> 00:04:35,360 Speaker 1: want one more chance. Is that the end of the email. 76 00:04:36,160 --> 00:04:39,040 Speaker 1: Pretty much it goes on. There's some other pretty pathetic 77 00:04:39,240 --> 00:04:39,880 Speaker 1: I think it's. 78 00:04:39,800 --> 00:04:44,479 Speaker 2: Very cute that he thinks that we couldn't get Gabriel 79 00:04:44,560 --> 00:04:47,920 Speaker 2: Byrne or like Steve Baldwin or any of the other 80 00:04:48,040 --> 00:04:51,520 Speaker 2: suspects Benichi. Oh yeah, it would be nice to have 81 00:04:51,560 --> 00:04:55,440 Speaker 2: them all on one show. But if we can't get 82 00:04:56,160 --> 00:05:00,960 Speaker 2: that suspect, that suspect I think his name was Roger, 83 00:05:01,880 --> 00:05:04,240 Speaker 2: so we get we get four suspects. 84 00:05:04,520 --> 00:05:10,200 Speaker 1: Yeah, I mean the concept for that podcast was we're 85 00:05:10,240 --> 00:05:12,920 Speaker 1: gonna get all of the usual Suspects. The episode was 86 00:05:12,960 --> 00:05:15,960 Speaker 1: called The Regular Suspects, and we were gonna get all 87 00:05:16,040 --> 00:05:17,840 Speaker 1: the cast member from Musual Suspects Induce. 88 00:05:17,680 --> 00:05:20,279 Speaker 2: So we were gonna have Chaz palmonary come in and 89 00:05:20,400 --> 00:05:24,640 Speaker 2: like catch them as his character, like we get them 90 00:05:24,640 --> 00:05:27,320 Speaker 2: all in one room, and then Chaz would come in and. 91 00:05:27,200 --> 00:05:29,919 Speaker 1: Say totally, I got you guys. Yeah, he busts in 92 00:05:29,960 --> 00:05:32,440 Speaker 1: on Mike and he goes like, I know you shitbirds 93 00:05:32,440 --> 00:05:35,880 Speaker 1: who were up to no good. And so that was 94 00:05:35,920 --> 00:05:37,560 Speaker 1: the concept for the show. We wound up doing a 95 00:05:37,560 --> 00:05:39,599 Speaker 1: different show. It was also great, It was also funny. 96 00:05:39,640 --> 00:05:43,520 Speaker 1: It was also cool. But the fact that we didn't 97 00:05:43,560 --> 00:05:46,600 Speaker 1: have Kevin, I don't think even wade into my decision 98 00:05:46,640 --> 00:05:50,760 Speaker 1: to pretend that he's dead. That was just something you 99 00:05:50,800 --> 00:05:54,240 Speaker 1: would have done anyway. That's something I was toying with 100 00:05:54,320 --> 00:05:58,200 Speaker 1: doing to someone, and he just drew the short straw, 101 00:05:58,240 --> 00:05:58,800 Speaker 1: as it were. 102 00:05:59,040 --> 00:06:02,080 Speaker 2: It has nothing to do with your feelings being hurt 103 00:06:02,160 --> 00:06:05,120 Speaker 2: or anything like that. Sometimes people are just dead. 104 00:06:05,279 --> 00:06:09,480 Speaker 1: Yeah. As far as being scared, duh. Of course you're 105 00:06:09,520 --> 00:06:12,920 Speaker 1: scared to do the podcast because it's fucking good. It's 106 00:06:12,960 --> 00:06:17,039 Speaker 1: scary to do something this good. It makes you scared 107 00:06:17,040 --> 00:06:19,440 Speaker 1: of how powerful you are. You don't think I'm terrified 108 00:06:19,480 --> 00:06:21,960 Speaker 1: every week when I leave this room. Holy shit, the 109 00:06:22,040 --> 00:06:25,240 Speaker 1: influence that I wheeled over America right now sparks shooting 110 00:06:25,240 --> 00:06:27,440 Speaker 1: out of my fingertips. What do I do with this 111 00:06:27,720 --> 00:06:31,839 Speaker 1: seeing Engineer Cody's fucking head melt when I fucking drop 112 00:06:31,880 --> 00:06:34,960 Speaker 1: this mind bending knowledge on everyone. You don't think that's 113 00:06:35,000 --> 00:06:38,120 Speaker 1: scary to me. It's like, dude, just open the Arc 114 00:06:38,240 --> 00:06:42,640 Speaker 1: from the movie with the Arc. Yeah, Evan almighty, Yes, 115 00:06:44,600 --> 00:06:49,320 Speaker 1: So I get being scared. But at the same time, 116 00:06:49,360 --> 00:06:51,800 Speaker 1: it's like, if you don't challenge yourself, you're gonna wind 117 00:06:51,839 --> 00:06:56,240 Speaker 1: up getting me pretending you're dead. And that's been true 118 00:06:56,279 --> 00:06:57,159 Speaker 1: of a lot of people. 119 00:06:57,440 --> 00:07:00,560 Speaker 2: And listen, people come back to life. Oh yeah, it's 120 00:07:00,600 --> 00:07:03,040 Speaker 2: not all the time. It's not like a death sentence. 121 00:07:03,080 --> 00:07:05,960 Speaker 1: It is, but not the kind that you just can't 122 00:07:06,560 --> 00:07:09,400 Speaker 1: not be dead anymore. You can. Yeah, you can appeal 123 00:07:09,400 --> 00:07:11,480 Speaker 1: your case like you do with a death sentence, you know, 124 00:07:12,120 --> 00:07:13,800 Speaker 1: but you got to spend a little time in there 125 00:07:13,880 --> 00:07:16,800 Speaker 1: sort of looking at yourself. And I have to have 126 00:07:16,840 --> 00:07:19,840 Speaker 1: made a mistake when I originally sentence you, and I 127 00:07:19,960 --> 00:07:26,080 Speaker 1: don't think I did. I guess it's my turn now, Yeah, 128 00:07:26,200 --> 00:07:28,760 Speaker 1: you gotta do it. Ooh, I hope it's a juicy What. 129 00:07:28,760 --> 00:07:31,320 Speaker 2: If I just went through it and I just picked 130 00:07:31,360 --> 00:07:33,280 Speaker 2: one because I like that one? 131 00:07:33,600 --> 00:07:36,880 Speaker 1: Oh no, yeah, that's what I wanted to do. 132 00:07:37,760 --> 00:07:42,440 Speaker 5: No way, that's email pick and you know it. Come on, 133 00:07:43,280 --> 00:07:45,960 Speaker 5: it wouldn't be a game. I really would. I really 134 00:07:46,000 --> 00:07:50,520 Speaker 5: wish that would work. Okay, here we go, shuffle on. 135 00:07:57,840 --> 00:07:59,680 Speaker 5: Oh this is actually a good one. 136 00:07:59,720 --> 00:08:02,040 Speaker 2: I'm very happy I landed on this one because it's 137 00:08:02,040 --> 00:08:03,960 Speaker 2: been something that I've been wanted to speak on for 138 00:08:04,000 --> 00:08:06,720 Speaker 2: a long time. So sometimes you just get lucky, oh 139 00:08:06,840 --> 00:08:11,600 Speaker 2: rotten luck for me. This one's from maccamore and the 140 00:08:12,680 --> 00:08:20,880 Speaker 2: and the headline is uugh, dear juice box. That's just 141 00:08:20,920 --> 00:08:26,880 Speaker 2: don't worry about that. I am so friggin steamed about 142 00:08:26,920 --> 00:08:30,640 Speaker 2: what I just heard on my serious XM radio in 143 00:08:30,680 --> 00:08:35,559 Speaker 2: the car. I turned it on, and there's this there's 144 00:08:35,640 --> 00:08:39,080 Speaker 2: this singer named Lord and she's singing a song called 145 00:08:39,240 --> 00:08:41,720 Speaker 2: Royals and that. Let me tell you what burns my 146 00:08:41,800 --> 00:08:43,720 Speaker 2: butt about that? And not like you don't already know, 147 00:08:44,840 --> 00:08:47,480 Speaker 2: it's supposed to be my job to do a song 148 00:08:47,679 --> 00:08:53,760 Speaker 2: about not wanting to buy expensive things because black people 149 00:08:53,840 --> 00:08:58,120 Speaker 2: do it too much. I sang the song called thrift Shop, 150 00:08:58,320 --> 00:09:02,200 Speaker 2: where I said, you guys, you other guys buy all 151 00:09:02,240 --> 00:09:06,000 Speaker 2: your fancy clothes, and you like riding cool cars, and 152 00:09:06,040 --> 00:09:08,800 Speaker 2: you think that spending money is cool, but it's actually 153 00:09:08,880 --> 00:09:11,480 Speaker 2: not cool because now white people aren't doing it anymore 154 00:09:11,520 --> 00:09:13,680 Speaker 2: and we don't like it. So too bad for you, 155 00:09:13,760 --> 00:09:16,959 Speaker 2: black guys. You tried to be like us, but now 156 00:09:18,880 --> 00:09:22,480 Speaker 2: we don't think that expensive things a jewelry are fun, 157 00:09:22,600 --> 00:09:25,920 Speaker 2: so you're gonna have to try again. But now Lord 158 00:09:26,040 --> 00:09:29,280 Speaker 2: is coming along and she's singing the exact, exact same 159 00:09:29,360 --> 00:09:32,480 Speaker 2: song and it's being just as number one as mine was. 160 00:09:33,600 --> 00:09:37,680 Speaker 2: She sings a song where she says, every song is 161 00:09:37,840 --> 00:09:43,440 Speaker 2: like Chrystal Mayback's Diamonds on Your Time Piece, Gray Goose, 162 00:09:43,760 --> 00:09:46,160 Speaker 2: stuff like that, And it's true, every song is like 163 00:09:46,280 --> 00:09:49,480 Speaker 2: that because that's what black people are saying about. But 164 00:09:49,640 --> 00:09:52,679 Speaker 2: my message was no more saying about that because it's 165 00:09:52,720 --> 00:09:55,760 Speaker 2: not cool anymore. And now she has the exact same message, 166 00:09:55,800 --> 00:09:57,959 Speaker 2: and white people like it just as much as they 167 00:09:58,040 --> 00:10:00,960 Speaker 2: like my song, because it's satisfying to them to tell 168 00:10:01,000 --> 00:10:03,440 Speaker 2: black people that the stuff that they're interested in is 169 00:10:03,559 --> 00:10:07,720 Speaker 2: not good. I don't even know why I'm telling you this. 170 00:10:08,960 --> 00:10:11,400 Speaker 2: I just figured that you would understand because we came 171 00:10:11,480 --> 00:10:16,480 Speaker 2: up with the idea together to write songs about blackett 172 00:10:16,520 --> 00:10:23,200 Speaker 2: sumerism being wrong and it's not cool anymore write me back. 173 00:10:23,440 --> 00:10:25,199 Speaker 2: I'm just gonna sit in the car for a while 174 00:10:25,240 --> 00:10:29,360 Speaker 2: and think about this stuff. Signed squeeze Ites. 175 00:10:33,160 --> 00:10:34,640 Speaker 1: That's quite an angry email. 176 00:10:36,760 --> 00:10:40,079 Speaker 2: My position on that is which I told him. M hmm, 177 00:10:40,720 --> 00:10:44,760 Speaker 2: there can be. Just as long as the message gets out, 178 00:10:45,000 --> 00:10:47,400 Speaker 2: you can do as many songs about it as you want. 179 00:10:48,240 --> 00:10:51,680 Speaker 1: Right. Well, I remember you came to me and you said, 180 00:10:51,679 --> 00:10:55,200 Speaker 1: I met this guy Mackie Moore, and uh, he says 181 00:10:55,240 --> 00:10:58,679 Speaker 1: he wants to do some rapping, and I you at 182 00:10:58,679 --> 00:11:01,520 Speaker 1: the time were like wanting to stick it to like 183 00:11:02,080 --> 00:11:07,360 Speaker 1: Kanye Sure who was wrapping about and uh. 184 00:11:07,120 --> 00:11:09,520 Speaker 2: Cars and clothes and stuff, and it was just seeming 185 00:11:09,559 --> 00:11:12,880 Speaker 2: to me and things that had been your yeah stuff. 186 00:11:13,000 --> 00:11:16,920 Speaker 2: When white people were rich, we bought all these champagne 187 00:11:16,920 --> 00:11:20,040 Speaker 2: things and maybox and fancy cars. And then some black 188 00:11:20,080 --> 00:11:21,920 Speaker 2: people got rich and they said we can have these 189 00:11:21,920 --> 00:11:25,640 Speaker 2: things too, So I thought it would be effective to say, no, 190 00:11:26,000 --> 00:11:28,120 Speaker 2: these things aren't cool anymore. 191 00:11:27,960 --> 00:11:30,040 Speaker 1: Yeah, and we no longer even want it, so go 192 00:11:30,080 --> 00:11:32,600 Speaker 1: ahead and buy it if you want. It's not good now. 193 00:11:32,640 --> 00:11:37,560 Speaker 1: It's cool having money but not spending it on expensive things, 194 00:11:38,280 --> 00:11:41,360 Speaker 1: buying things that poor people would buy. Which is funny 195 00:11:41,360 --> 00:11:44,240 Speaker 1: because I know Macki Moore does have money. Now, so 196 00:11:44,320 --> 00:11:46,240 Speaker 1: what does he actually spend it on? 197 00:11:47,520 --> 00:11:50,679 Speaker 2: Well, it's not any it's some new thing that black 198 00:11:50,679 --> 00:11:52,600 Speaker 2: people don't know about yet, and I can't say it 199 00:11:52,640 --> 00:11:54,800 Speaker 2: on the podcast because the sooner they find out, the 200 00:11:54,880 --> 00:11:56,880 Speaker 2: sooner we'll have to say that something else. 201 00:11:56,720 --> 00:12:00,000 Speaker 1: Is good to buy. That's a good point. 202 00:12:00,200 --> 00:12:04,439 Speaker 2: But it's okay with me that Lord is hopping onto this. 203 00:12:04,520 --> 00:12:06,720 Speaker 2: I think the message is just as true when she 204 00:12:07,360 --> 00:12:10,080 Speaker 2: says it, as long as it's someone. Now what black 205 00:12:10,080 --> 00:12:13,920 Speaker 2: person will come along and say, Oh, I reject consumerism too, 206 00:12:14,240 --> 00:12:17,360 Speaker 2: like like, I think it's wasteful to spend money on 207 00:12:17,400 --> 00:12:18,480 Speaker 2: all these expensive things. 208 00:12:18,559 --> 00:12:21,760 Speaker 1: Now I go to the thrift shop exactly now, I 209 00:12:22,200 --> 00:12:24,359 Speaker 1: don't want to hear a song about diamonds. 210 00:12:25,400 --> 00:12:28,640 Speaker 2: And you better believe we're gonna really want to say 211 00:12:28,679 --> 00:12:31,559 Speaker 2: about diamonds again at that point, because we'll have them all. 212 00:12:31,360 --> 00:12:35,840 Speaker 1: Now, always one step ahead, always switching back to whatever 213 00:12:35,960 --> 00:12:40,560 Speaker 1: they just said. They like, you can't catch us. I 214 00:12:40,600 --> 00:12:44,959 Speaker 1: mean it's a cliche at this point, but fast as 215 00:12:44,960 --> 00:12:49,680 Speaker 1: fast can, you can't catch me. I'm the white gingerbread man. 216 00:12:50,240 --> 00:12:50,480 Speaker 6: You know. 217 00:12:50,920 --> 00:12:55,880 Speaker 1: That's Meckimore's position, and that's Lord's position, and that's Hayes's position, 218 00:12:55,960 --> 00:12:58,920 Speaker 1: and I support them. I'm sort of outside the whole 219 00:12:58,920 --> 00:13:04,800 Speaker 1: thing because I am one eight Native American, which is 220 00:13:04,840 --> 00:13:06,800 Speaker 1: why I am so spiritual and why I am so 221 00:13:07,440 --> 00:13:10,679 Speaker 1: in touch with nature. I'm not really about money at all. 222 00:13:10,800 --> 00:13:12,360 Speaker 1: I sort of just want to be ready to walk 223 00:13:12,360 --> 00:13:15,320 Speaker 1: into the wilderness at any time. That's where you feel 224 00:13:15,400 --> 00:13:18,559 Speaker 1: most at home. M Yeah, very connected to the earth. 225 00:13:20,840 --> 00:13:23,400 Speaker 1: So I am outside of it. Heyes, is Joseph, you 226 00:13:23,440 --> 00:13:25,480 Speaker 1: accept me as I am. 227 00:13:25,760 --> 00:13:28,880 Speaker 2: I It's so funny to me when I'm riding in 228 00:13:28,920 --> 00:13:31,920 Speaker 2: your car and people point at the DreamCatcher Haygick from 229 00:13:32,000 --> 00:13:33,200 Speaker 2: your rear view mirror and they were. 230 00:13:33,080 --> 00:13:38,400 Speaker 1: Like, what is that? Oh yeah, oh yeah, And I say, 231 00:13:38,440 --> 00:13:41,280 Speaker 1: in a sense yes, And I explained it to him 232 00:13:41,360 --> 00:13:43,880 Speaker 1: for a good too long to do on the podcast, 233 00:13:43,960 --> 00:13:46,160 Speaker 1: but I sit him down and I really let them 234 00:13:46,200 --> 00:13:51,560 Speaker 1: know how they're being insensitive, why they're being insensitive. Don't 235 00:13:51,559 --> 00:13:54,800 Speaker 1: tell them what it is, because that's for you, guys. No, 236 00:13:54,960 --> 00:13:57,520 Speaker 1: that's yes, that's right, that is for us. 237 00:13:57,800 --> 00:13:59,720 Speaker 2: We wanted to speak on something that we think is 238 00:13:59,720 --> 00:14:00,600 Speaker 2: really important. 239 00:14:01,640 --> 00:14:02,160 Speaker 1: As you know. 240 00:14:02,240 --> 00:14:04,360 Speaker 2: What we like to do on this podcast is educate 241 00:14:04,400 --> 00:14:08,240 Speaker 2: people about when they do make the leap to Hollywood success. 242 00:14:09,440 --> 00:14:12,880 Speaker 2: Certain rules you have to follow and certain situations you 243 00:14:12,920 --> 00:14:18,760 Speaker 2: will encounter that you need to be prepared for. And 244 00:14:18,840 --> 00:14:21,400 Speaker 2: the situation we want to talk about today is once 245 00:14:21,480 --> 00:14:26,080 Speaker 2: you you have a hit song, or you like be 246 00:14:26,200 --> 00:14:29,960 Speaker 2: on a good TV show, or you become a movie star, 247 00:14:31,680 --> 00:14:34,320 Speaker 2: at some point you're gonna host smout. 248 00:14:35,680 --> 00:14:39,160 Speaker 1: Yeah. I mean, Hayes and I have each had to 249 00:14:39,160 --> 00:14:41,480 Speaker 1: do it a few times and we've hung up the spurs. 250 00:14:42,400 --> 00:14:46,800 Speaker 1: But you it's a write of passage. You can't avoid it. 251 00:14:46,960 --> 00:14:49,760 Speaker 1: If you're gonna be a movie star like us, or 252 00:14:50,320 --> 00:14:53,760 Speaker 1: just a hit famous person like us, or like some 253 00:14:53,880 --> 00:14:57,680 Speaker 1: of the other people that we hang out with, Danny 254 00:14:58,480 --> 00:15:05,200 Speaker 1: Illo and Buster Poindexter, then you you know you're gonna 255 00:15:05,200 --> 00:15:07,760 Speaker 1: be looking down the barrel of hosting the SNL show. 256 00:15:08,960 --> 00:15:12,920 Speaker 2: And you see all these guys who are hosting the show. Now, 257 00:15:13,680 --> 00:15:17,240 Speaker 2: they walk through the door and they go down the stairs. 258 00:15:17,280 --> 00:15:19,240 Speaker 2: But they don't do it in like a jaunty way. 259 00:15:19,320 --> 00:15:21,520 Speaker 2: They just kind of go down those stairs on the 260 00:15:21,560 --> 00:15:26,080 Speaker 2: monologue stage. They don't do like a fake saxophone play 261 00:15:26,120 --> 00:15:28,280 Speaker 2: with Lenny Pickett. They don't do any of that. They 262 00:15:28,360 --> 00:15:30,600 Speaker 2: just go straight to the front. They don't rock back 263 00:15:30,640 --> 00:15:32,640 Speaker 2: and forth on the balls of their feet for a 264 00:15:32,680 --> 00:15:36,240 Speaker 2: while and like do like wide hand claps, and they 265 00:15:36,320 --> 00:15:39,320 Speaker 2: don't do like a fist pump on the. 266 00:15:39,360 --> 00:15:41,840 Speaker 1: Last like saxophone blow. You know. 267 00:15:42,040 --> 00:15:45,000 Speaker 2: They just kind of stand there like they're hosting some 268 00:15:45,160 --> 00:15:46,400 Speaker 2: fucking nothing show. 269 00:15:46,960 --> 00:15:49,280 Speaker 1: Yeah, like they're hosting the Oscars or some other fucking 270 00:15:49,320 --> 00:15:52,920 Speaker 1: fake bullshit, and this is Saturday Night Live, and for 271 00:15:53,000 --> 00:15:54,720 Speaker 1: better or worse, it's an actual show. 272 00:15:55,520 --> 00:15:58,160 Speaker 2: They's just like, if you get to this point, this 273 00:15:58,320 --> 00:15:59,800 Speaker 2: is what you have to know, this is what you 274 00:15:59,840 --> 00:16:03,000 Speaker 2: have to do. Let's start on on Monday. 275 00:16:03,640 --> 00:16:09,200 Speaker 1: M hm. So Monday, you want to show up about 276 00:16:09,400 --> 00:16:15,680 Speaker 1: ten pm. They've been working. You've had your manager or 277 00:16:15,720 --> 00:16:18,240 Speaker 1: whoever call a few times and say that you're about 278 00:16:18,240 --> 00:16:20,040 Speaker 1: to show up and that you'd really like to meet 279 00:16:20,080 --> 00:16:23,920 Speaker 1: the writers on this first day. That it's important when 280 00:16:23,960 --> 00:16:27,360 Speaker 1: you walk in at ten, they will be tired, make 281 00:16:27,440 --> 00:16:30,480 Speaker 1: a lot of noise, okay, because they need to hear 282 00:16:30,520 --> 00:16:33,120 Speaker 1: what you're gonna say next, and say hey, wake up, 283 00:16:33,160 --> 00:16:35,640 Speaker 1: because that's what you want them to do. Yeah, say hey, 284 00:16:35,640 --> 00:16:37,240 Speaker 1: wake up, fuck tards. 285 00:16:38,000 --> 00:16:40,320 Speaker 2: And then you say, come on, nick, guys, and you 286 00:16:40,360 --> 00:16:43,400 Speaker 2: bring in all the writers that you brought who know 287 00:16:43,560 --> 00:16:46,800 Speaker 2: your voice better than these guys you haven't even met before, 288 00:16:47,960 --> 00:16:48,680 Speaker 2: do no. 289 00:16:49,120 --> 00:16:54,400 Speaker 1: Yes. SNL is about funniness, Yes, and funniness is going 290 00:16:54,480 --> 00:16:58,480 Speaker 1: to be a huge theme for your week. So you 291 00:16:58,520 --> 00:17:01,400 Speaker 1: want to bring in people where the funniness is a 292 00:17:01,520 --> 00:17:05,120 Speaker 1: known quantity. Your funny teacher from eighth grade who did 293 00:17:05,119 --> 00:17:10,480 Speaker 1: the cool geography jokes. Okay, Your your funny teacher from 294 00:17:10,960 --> 00:17:14,000 Speaker 1: ninth grade who had all the great math you know 295 00:17:14,320 --> 00:17:16,760 Speaker 1: puns where he was like, you want to remember how 296 00:17:16,800 --> 00:17:20,040 Speaker 1: to say geometry? Gee, I'm a tree and then he 297 00:17:20,119 --> 00:17:22,280 Speaker 1: acts like a tree for next ten minutes. 298 00:17:22,440 --> 00:17:26,000 Speaker 2: Your funny barber from your childhood who had a fake 299 00:17:26,040 --> 00:17:28,760 Speaker 2: plastic ear and would say, oops, did you lose this? 300 00:17:28,920 --> 00:17:30,320 Speaker 2: Like you just cut off your ear? 301 00:17:30,720 --> 00:17:30,920 Speaker 3: Yeah? 302 00:17:31,040 --> 00:17:35,000 Speaker 1: Or even your funny teacher from tenth grade, the one 303 00:17:35,000 --> 00:17:37,879 Speaker 1: who had all the funny jokes that he used to 304 00:17:37,920 --> 00:17:39,840 Speaker 1: make about spelling. 305 00:17:40,320 --> 00:17:44,359 Speaker 2: So he would spell spelling wrong on the board. 306 00:17:45,000 --> 00:17:47,320 Speaker 1: Get he had a shirt that said bad spellers of 307 00:17:47,359 --> 00:17:52,639 Speaker 1: the world, untie, and that was funny. And so I 308 00:17:52,720 --> 00:17:55,879 Speaker 1: think that these kind of funny people are going to 309 00:17:56,000 --> 00:17:59,280 Speaker 1: know your voice. They're going to know you, and the 310 00:17:59,359 --> 00:18:02,639 Speaker 1: SNL writers may very well be funny and have funniness. 311 00:18:03,480 --> 00:18:09,000 Speaker 1: That's totally possible. I'm never gonna find out because I 312 00:18:09,080 --> 00:18:12,440 Speaker 1: haven't heard their name, never will hear their name, and 313 00:18:12,520 --> 00:18:14,320 Speaker 1: they don't know my shit. 314 00:18:15,840 --> 00:18:18,439 Speaker 2: So you tell all of the writers to just go 315 00:18:18,520 --> 00:18:23,919 Speaker 2: to sleep, and then you and your guys start working 316 00:18:23,920 --> 00:18:28,600 Speaker 2: on a couple of couple good sketches. Now, what a 317 00:18:28,600 --> 00:18:30,960 Speaker 2: lot of people don't realize when they're hosting the show 318 00:18:31,119 --> 00:18:34,639 Speaker 2: is that people are tuning in to watch you be 319 00:18:34,760 --> 00:18:38,480 Speaker 2: the star. That's why it's your picture they show in 320 00:18:38,640 --> 00:18:42,520 Speaker 2: kind of a cool pastel filter right at the end 321 00:18:42,560 --> 00:18:44,800 Speaker 2: of the commercial break. That's to say, I'm coming back 322 00:18:44,840 --> 00:18:46,760 Speaker 2: on the show and it's my turn to be the star. 323 00:18:47,440 --> 00:18:50,800 Speaker 2: So when you are starring in a sketch, make sure 324 00:18:50,800 --> 00:18:53,520 Speaker 2: it's you that's doing the funny voice, and make sure 325 00:18:53,560 --> 00:18:55,480 Speaker 2: that you're the one that's getting the laughs and everyone 326 00:18:55,560 --> 00:18:58,840 Speaker 2: else is what's called the normal guy. 327 00:18:59,040 --> 00:19:02,440 Speaker 1: Something I had to learn the hard way is some 328 00:19:02,520 --> 00:19:08,720 Speaker 1: of these regular cast members on the show have like 329 00:19:09,600 --> 00:19:12,720 Speaker 1: characters they want to do. Yeah, which in their free time, 330 00:19:13,160 --> 00:19:17,280 Speaker 1: God bless, I've knock yourself out. Yes, But when I'm 331 00:19:17,359 --> 00:19:24,040 Speaker 1: doing my hosting and being in my funniest self, keep 332 00:19:24,080 --> 00:19:27,119 Speaker 1: the character shit out of there. Your job is to 333 00:19:27,200 --> 00:19:30,520 Speaker 1: be a bad doctor who accidentally saw my leg off. 334 00:19:30,760 --> 00:19:33,879 Speaker 1: Your job is to be a bad cop who accidentally 335 00:19:33,880 --> 00:19:35,200 Speaker 1: shot my leg. Too much. 336 00:19:35,440 --> 00:19:39,960 Speaker 2: If I'm being the pizza man, there's no room for 337 00:19:40,040 --> 00:19:45,159 Speaker 2: anyone else to also be doing like a big Italian accent. 338 00:19:45,200 --> 00:19:47,320 Speaker 2: That just wouldn't make sense to have the two of 339 00:19:47,359 --> 00:19:50,160 Speaker 2: them in one place. I need that person to say, 340 00:19:50,160 --> 00:19:53,440 Speaker 2: what are you doing with my pizza? And that's all. 341 00:19:54,240 --> 00:19:57,679 Speaker 1: Yes, that's a great point, and that pizza Man sketch 342 00:19:57,880 --> 00:19:58,960 Speaker 1: was a revelation. 343 00:19:59,280 --> 00:20:00,840 Speaker 2: Yes, it did great. It's on Hulu. 344 00:20:01,520 --> 00:20:06,879 Speaker 1: So this is where the benefits of doing a live 345 00:20:07,000 --> 00:20:10,040 Speaker 1: show are really going to work to your advantage. If 346 00:20:10,080 --> 00:20:13,959 Speaker 1: someone else gets a laugh, even if it's in response 347 00:20:14,119 --> 00:20:16,480 Speaker 1: to something that you did that they sort of just 348 00:20:16,520 --> 00:20:21,000 Speaker 1: piggybacked on, you can turn to the audience, scold the audience, 349 00:20:21,160 --> 00:20:23,680 Speaker 1: look at Lauren, say Lauren, are you seeing this shit? 350 00:20:23,920 --> 00:20:26,680 Speaker 1: This is exactly what I talk to you about, and 351 00:20:26,720 --> 00:20:28,600 Speaker 1: they have to deal with it. 352 00:20:29,760 --> 00:20:32,879 Speaker 2: They'll go to a commercial break when that happens. You 353 00:20:32,880 --> 00:20:35,200 Speaker 2: can basically force that whenever you want by looking right 354 00:20:35,240 --> 00:20:39,720 Speaker 2: into the camera and saying stop the show. Then they'll 355 00:20:39,760 --> 00:20:42,040 Speaker 2: cut to the commercial, and then during the break you 356 00:20:42,080 --> 00:20:44,560 Speaker 2: could reset how you want it to be done, and 357 00:20:44,600 --> 00:20:46,560 Speaker 2: when they come back, they'll do the show that you 358 00:20:46,600 --> 00:20:47,000 Speaker 2: want to do. 359 00:20:47,880 --> 00:20:51,320 Speaker 1: Yeah, and you might find Fred army Man that you're 360 00:20:51,320 --> 00:20:55,560 Speaker 1: not in the sketch anymore and that we're using somebody 361 00:20:55,800 --> 00:20:56,960 Speaker 1: who knows their place. 362 00:20:58,440 --> 00:21:00,840 Speaker 2: Let's talk about a little bit. It's an important part 363 00:21:00,840 --> 00:21:04,600 Speaker 2: of the show that not a lot of hosting guys appreciate, 364 00:21:04,920 --> 00:21:07,840 Speaker 2: which is introducing the musical act. If it's not you, 365 00:21:08,119 --> 00:21:10,639 Speaker 2: which it very well may be, but sometimes even if 366 00:21:10,680 --> 00:21:15,560 Speaker 2: it is you, what's should we just play sort of 367 00:21:15,600 --> 00:21:18,719 Speaker 2: the best example of this that we've ever seen of 368 00:21:18,800 --> 00:21:20,560 Speaker 2: how to introduce an act. 369 00:21:21,359 --> 00:21:25,119 Speaker 1: Yeah, I mean I it's it's actually not us. 370 00:21:25,440 --> 00:21:28,760 Speaker 2: No, it's not us, but it's sort of it would 371 00:21:28,760 --> 00:21:30,959 Speaker 2: be weird to play the way we do it. 372 00:21:32,200 --> 00:21:34,560 Speaker 1: That seems like that would be a little self indulgent. 373 00:21:35,200 --> 00:21:38,399 Speaker 2: So let's play a good example of somebody trying to 374 00:21:38,440 --> 00:21:41,200 Speaker 2: do it like us and doing a pretty good job. 375 00:21:41,280 --> 00:21:45,160 Speaker 2: And can I say quickly I hate self indulgence. Yes, 376 00:21:45,240 --> 00:21:49,080 Speaker 2: I so much self promotion and crack so freakin' mad, 377 00:21:49,119 --> 00:21:51,240 Speaker 2: And it just seems like everybody's doing it. 378 00:21:51,240 --> 00:21:53,240 Speaker 1: It's like if you were really that good, you wouldn't 379 00:21:53,280 --> 00:21:56,119 Speaker 1: have to tell me anyway. Let's play Adream Brodie. 380 00:21:56,119 --> 00:21:56,320 Speaker 3: He did. 381 00:21:56,520 --> 00:22:00,280 Speaker 2: What I don't like is like people driving around in 382 00:22:00,320 --> 00:22:02,760 Speaker 2: cars with their name on the license plate instead of 383 00:22:02,840 --> 00:22:06,200 Speaker 2: like a nickname of theirs. Like I don't My license 384 00:22:06,200 --> 00:22:11,080 Speaker 2: plate doesn't say like h A Y Z D v N. 385 00:22:11,520 --> 00:22:12,840 Speaker 2: It says mister movie. 386 00:22:13,320 --> 00:22:18,240 Speaker 1: That's right. And then my license plate doesn't say s 387 00:22:18,840 --> 00:22:25,480 Speaker 1: H N C L M T. You know, it says 388 00:22:25,600 --> 00:22:27,000 Speaker 1: doctor number one movie. 389 00:22:29,160 --> 00:22:34,760 Speaker 2: So let's play. This is Adrian Brodie, although it's easy 390 00:22:34,800 --> 00:22:40,399 Speaker 2: to forget that it's him because he's in disappeared. He 391 00:22:40,400 --> 00:22:45,960 Speaker 2: he disappeared into this character that's based on the musical 392 00:22:45,960 --> 00:22:48,880 Speaker 2: act that he's introducing. It's not randomly chosen. 393 00:22:49,520 --> 00:22:52,439 Speaker 1: It is it is. It's a clever tie in. Yes, 394 00:22:53,280 --> 00:22:54,640 Speaker 1: let's let's let's play the clip. 395 00:23:00,240 --> 00:23:02,399 Speaker 3: We all arranging, all ruled by sham Pallia. You know 396 00:23:02,760 --> 00:23:06,440 Speaker 3: you know respect all respect, You know me, respect me 397 00:23:06,520 --> 00:23:16,240 Speaker 3: to expect mounted respect, respect big Tom. We'll be so 398 00:23:18,440 --> 00:23:22,680 Speaker 3: come on, you on, you don't fall me, No, your 399 00:23:22,840 --> 00:23:26,320 Speaker 3: big respect in the mon sham Paul shoot him up. 400 00:23:32,000 --> 00:23:35,440 Speaker 1: That's a host. That is a musical guest introduction. And 401 00:23:35,520 --> 00:23:38,080 Speaker 1: you're ready to hear music after and music in the 402 00:23:38,200 --> 00:23:41,240 Speaker 1: genre that's going to be played. Hich, this is bad reggae. 403 00:23:41,440 --> 00:23:44,800 Speaker 1: This is what you do, this is what you do. 404 00:23:45,640 --> 00:23:49,000 Speaker 2: And this is what Adrian Brogie did. He was backstage 405 00:23:49,040 --> 00:23:52,800 Speaker 2: of the show and he said, hey, that guy Sean Paul. 406 00:23:53,240 --> 00:23:55,280 Speaker 2: He's from Africa or something, right, and they said, yeah, 407 00:23:55,280 --> 00:23:57,520 Speaker 2: he's from Jamaica. He's like, oh, great, that's even better. 408 00:23:58,400 --> 00:24:01,760 Speaker 2: Do you have like a way that a guy like 409 00:24:01,880 --> 00:24:05,800 Speaker 2: that would wear? And they said, well, we have these dreadlocks, 410 00:24:05,840 --> 00:24:07,760 Speaker 2: I guess, and he just yanked it out of their 411 00:24:07,840 --> 00:24:10,000 Speaker 2: hands and he put it on his head. So he 412 00:24:10,080 --> 00:24:12,760 Speaker 2: goes out there at a dreadlock wig. Because you should 413 00:24:12,840 --> 00:24:15,760 Speaker 2: try to look as much like the musical artists that 414 00:24:15,840 --> 00:24:18,080 Speaker 2: you're introducing as possible, and you should try to talk 415 00:24:18,240 --> 00:24:19,920 Speaker 2: like them in a funny way. 416 00:24:20,160 --> 00:24:23,440 Speaker 1: Yes, that's right, And I think from hearing it that 417 00:24:23,640 --> 00:24:28,679 Speaker 1: Adrian Brody either seen or has known a Jamaica guy before, 418 00:24:29,359 --> 00:24:32,800 Speaker 1: because he really is doing what their voice is like 419 00:24:33,000 --> 00:24:38,439 Speaker 1: and how they sometimes talk. And even beyond that, jokes 420 00:24:38,480 --> 00:24:42,359 Speaker 1: on it money spec my uncle speck. I don't know 421 00:24:42,480 --> 00:24:46,840 Speaker 1: what he means. I know it's funny. And so again 422 00:24:47,280 --> 00:24:51,680 Speaker 1: funniness saves the day. Now, there's one thing that I 423 00:24:51,720 --> 00:24:54,080 Speaker 1: would could have been longer. Yeah, it could have been 424 00:24:54,080 --> 00:24:56,920 Speaker 1: a little could have been a little longer. Yes, Now 425 00:24:57,160 --> 00:25:02,040 Speaker 1: it's about forty five seconds long. And at some point 426 00:25:02,320 --> 00:25:04,679 Speaker 1: they are gonna try to stop you from talking by 427 00:25:04,720 --> 00:25:09,520 Speaker 1: playing air hoorn. They're gonna hope that you and this 428 00:25:09,720 --> 00:25:12,040 Speaker 1: because they're gonna just start playing their song. 429 00:25:11,880 --> 00:25:13,440 Speaker 2: Because they won't know what else to do. They'll be like, 430 00:25:13,440 --> 00:25:17,720 Speaker 2: should we just play don't stop like Adrian Brody this, 431 00:25:17,880 --> 00:25:21,720 Speaker 2: don't bend over and let them sing the song. Let them, 432 00:25:21,960 --> 00:25:24,080 Speaker 2: if they try to do that to you, sing their 433 00:25:24,240 --> 00:25:26,040 Speaker 2: song that they're about to start playing. 434 00:25:26,240 --> 00:25:30,440 Speaker 1: Yes, start singing the song. The ideal music intro contains 435 00:25:30,600 --> 00:25:32,639 Speaker 1: at least the first verse of the song you're about 436 00:25:32,680 --> 00:25:35,400 Speaker 1: to hear, and is about three and a half minutes long. 437 00:25:36,960 --> 00:25:39,000 Speaker 2: And that's what they get. They tried to get rid 438 00:25:39,040 --> 00:25:41,119 Speaker 2: of you by playing the music. But you use that 439 00:25:41,200 --> 00:25:44,400 Speaker 2: as an opportunity to be on the stage for longer. 440 00:25:44,200 --> 00:25:45,800 Speaker 1: And a lot of times, if you're like me or 441 00:25:45,840 --> 00:25:47,960 Speaker 1: hey is, you're a very good singer and people really 442 00:25:48,040 --> 00:25:52,680 Speaker 1: do want to hear you do that anyway. Now SNL 443 00:25:52,800 --> 00:25:56,359 Speaker 1: has come under fire a bit recently about some of 444 00:25:56,480 --> 00:25:59,840 Speaker 1: their lack of diversity. Yes, we're talking a lot about 445 00:26:00,240 --> 00:26:02,560 Speaker 1: today on the show, and that's because we do know 446 00:26:02,680 --> 00:26:06,000 Speaker 1: so much about it and we have such a broad perspective. 447 00:26:06,040 --> 00:26:09,960 Speaker 1: I am one eighth Native American. I am one eighth 448 00:26:10,040 --> 00:26:13,000 Speaker 1: Native American, so I know a little something about diversity 449 00:26:13,080 --> 00:26:15,440 Speaker 1: and the struggles that you can have growing up as 450 00:26:16,359 --> 00:26:24,520 Speaker 1: someone who's in the minority. The reason they're having those 451 00:26:24,640 --> 00:26:29,800 Speaker 1: problems is not that they haven't hired a new African 452 00:26:29,840 --> 00:26:33,479 Speaker 1: American cast member or a cast member of color period 453 00:26:34,080 --> 00:26:39,639 Speaker 1: in eight years or so. The reason is there's not 454 00:26:39,840 --> 00:26:43,080 Speaker 1: enough Adrian Brogie's out there who have the courage to 455 00:26:43,280 --> 00:26:46,920 Speaker 1: play multiple races within a given show. 456 00:26:48,119 --> 00:26:51,680 Speaker 2: These guys, these hosts, you see, they're like introducing the 457 00:26:51,760 --> 00:26:53,439 Speaker 2: musical actor or something, and they'll just come out there 458 00:26:53,480 --> 00:26:58,040 Speaker 2: and do white like, oh like imagine dragon there here like, 459 00:26:58,119 --> 00:26:59,920 Speaker 2: which is funny if but not if you're doing it 460 00:27:00,119 --> 00:27:04,280 Speaker 2: all the time. You know, it's important for a show 461 00:27:04,400 --> 00:27:08,119 Speaker 2: like that to represent all kinds of cultures by wearing 462 00:27:08,320 --> 00:27:12,240 Speaker 2: their funny hair. And if I hear there is a 463 00:27:12,280 --> 00:27:14,119 Speaker 2: way to do this to kind of take your skin 464 00:27:14,800 --> 00:27:16,560 Speaker 2: and make it look different than it to make it 465 00:27:16,680 --> 00:27:18,000 Speaker 2: look more like their skin. 466 00:27:18,160 --> 00:27:20,080 Speaker 1: I haven't seen this, but that again, was the other 467 00:27:20,160 --> 00:27:22,720 Speaker 1: note I had on Adrian Brodie's Yeah performance, which is 468 00:27:22,800 --> 00:27:25,080 Speaker 1: if he had somehow darkened his skin to go with 469 00:27:25,200 --> 00:27:27,640 Speaker 1: the dreadlocks, I think that would have shown a little 470 00:27:27,680 --> 00:27:30,560 Speaker 1: more respect to the culture that he's talking about, because 471 00:27:30,560 --> 00:27:31,680 Speaker 1: they don't look like him. 472 00:27:32,200 --> 00:27:36,239 Speaker 2: That's right, and you it's appropriating in a way that's 473 00:27:36,320 --> 00:27:39,320 Speaker 2: kind of offensive to say, like, oh, well, it's okay 474 00:27:39,520 --> 00:27:43,280 Speaker 2: if I play this Jamaican guy with my white skin, 475 00:27:43,640 --> 00:27:47,159 Speaker 2: like with my white privilege, I should be allowed to 476 00:27:47,800 --> 00:27:50,159 Speaker 2: do this like what white skin works everywhere, It's just 477 00:27:50,200 --> 00:27:52,920 Speaker 2: not the case. If you're playing a black person, you 478 00:27:53,400 --> 00:27:56,879 Speaker 2: should pay respect to them by sort of donning the 479 00:27:56,960 --> 00:27:59,680 Speaker 2: skin that they wear and sort of seeing what it feels. 480 00:27:59,520 --> 00:28:02,800 Speaker 1: Like for a little while. Can be very eye opening. 481 00:28:03,200 --> 00:28:06,240 Speaker 2: Walk a mile in their skin, makeup and and and 482 00:28:06,720 --> 00:28:09,080 Speaker 2: see if you don't see, if that doesn't help you 483 00:28:09,200 --> 00:28:11,200 Speaker 2: disappear in the into the character. 484 00:28:11,040 --> 00:28:13,240 Speaker 1: And you might find that, like Hayes and I, then 485 00:28:13,400 --> 00:28:16,520 Speaker 1: you're able to very eloquently speak on their experience the 486 00:28:16,560 --> 00:28:21,960 Speaker 1: way we've done throughout this show. So I wish that 487 00:28:22,119 --> 00:28:23,800 Speaker 1: I'd like to see more of that on the show. 488 00:28:23,840 --> 00:28:26,000 Speaker 1: I think they're trying to solve it in different ways 489 00:28:26,080 --> 00:28:29,879 Speaker 1: and and maybe that'll stick as well. But I know 490 00:28:29,960 --> 00:28:31,920 Speaker 1: what Hayes and I are on there. We do Chinese, 491 00:28:32,000 --> 00:28:35,119 Speaker 1: we do Pakistani dudes, and we do a bunch of 492 00:28:35,280 --> 00:28:39,400 Speaker 1: like funny like different European like Spanish guys and shit 493 00:28:39,520 --> 00:28:41,400 Speaker 1: like that. It fucking cracks everybody's ship up. 494 00:28:42,960 --> 00:28:44,440 Speaker 2: We have a great show. 495 00:28:46,880 --> 00:28:47,200 Speaker 1: Today. 496 00:28:48,280 --> 00:28:52,960 Speaker 2: You know that Shelby Farrow is here. She is a 497 00:28:53,360 --> 00:28:59,160 Speaker 2: young up and coming Twitter celebrity and next generation Hollywood girl, 498 00:28:59,240 --> 00:29:02,920 Speaker 2: and we want to have a discussion about what that's 499 00:29:03,040 --> 00:29:05,680 Speaker 2: like for all of us coming up very soon on 500 00:29:05,840 --> 00:29:06,840 Speaker 2: Hollywood Handbook. 501 00:29:07,600 --> 00:29:08,720 Speaker 7: Hollywood Handbook. 502 00:29:13,880 --> 00:29:19,400 Speaker 2: So I go to Chris Firm and I say, I'm flattered. 503 00:29:19,440 --> 00:29:20,240 Speaker 2: I really appreciate it. 504 00:29:20,880 --> 00:29:23,920 Speaker 1: I think h A y E. S p N is 505 00:29:24,040 --> 00:29:24,600 Speaker 1: too long. 506 00:29:26,840 --> 00:29:30,200 Speaker 2: Just chop it in half and go with that. And 507 00:29:30,320 --> 00:29:31,040 Speaker 2: they still paid you. 508 00:29:31,560 --> 00:29:31,760 Speaker 1: Yeah. 509 00:29:34,000 --> 00:29:35,000 Speaker 2: Hey, what up? 510 00:29:35,080 --> 00:29:35,440 Speaker 3: What up? 511 00:29:35,640 --> 00:29:36,040 Speaker 6: What up? 512 00:29:36,120 --> 00:29:36,520 Speaker 3: What up? 513 00:29:37,040 --> 00:29:39,920 Speaker 2: Welcome to Hollywood Handbook and Insider's Guide to kicking button 514 00:29:40,000 --> 00:29:42,360 Speaker 2: dropping names in the red carpet lineback hallways of this 515 00:29:42,440 --> 00:29:45,760 Speaker 2: industry we call showbiz. We have a very close friend 516 00:29:45,880 --> 00:29:51,720 Speaker 2: joining us on the show today. Shelby Pharaoh. Jay Pharaoh's 517 00:29:52,800 --> 00:30:00,480 Speaker 2: sister is on the show. She's a Twitter star. Let's 518 00:30:00,520 --> 00:30:04,440 Speaker 2: introduce who Shelby is and then we'll get to the Okay, 519 00:30:04,560 --> 00:30:06,480 Speaker 2: the thing that we wanted to talk to her about. 520 00:30:06,800 --> 00:30:11,400 Speaker 1: Shelby's having a successful Hollywood career, largely as a result 521 00:30:11,520 --> 00:30:13,960 Speaker 1: of Twitter stardom. Yeah. 522 00:30:14,480 --> 00:30:16,200 Speaker 2: When you say would you would you agree with that? 523 00:30:16,320 --> 00:30:19,160 Speaker 2: It's like you got a bunch of Twitter followers and 524 00:30:19,240 --> 00:30:22,920 Speaker 2: then from there sort of everything and at a. 525 00:30:23,000 --> 00:30:26,240 Speaker 1: Very young age are having a pretty uh lucrative, successful 526 00:30:26,400 --> 00:30:27,160 Speaker 1: showbiz career. 527 00:30:27,360 --> 00:30:28,800 Speaker 2: Is that just would you agree with that? 528 00:30:28,920 --> 00:30:30,920 Speaker 7: I would only disagree with what you said because I 529 00:30:30,920 --> 00:30:31,400 Speaker 7: would say. 530 00:30:31,320 --> 00:30:34,760 Speaker 6: It's very successful. It's not just successful, Okay, I think 531 00:30:34,840 --> 00:30:35,480 Speaker 6: that's the only thing. 532 00:30:35,600 --> 00:30:36,600 Speaker 1: Okay, even better? 533 00:30:37,000 --> 00:30:40,960 Speaker 2: Yeah, Uh, that brings us to our next point pretty nicely. 534 00:30:41,000 --> 00:30:43,000 Speaker 2: I'd say that qualifies as a good segue. 535 00:30:43,280 --> 00:30:48,760 Speaker 1: Yes, we don't typically participate in what I would deem 536 00:30:48,880 --> 00:30:55,480 Speaker 1: gotcha journalism. However, when we first met Shelby, put that chair. 537 00:30:55,640 --> 00:30:58,479 Speaker 2: We put that chair under the door, just like kind 538 00:30:58,520 --> 00:30:59,320 Speaker 2: of under the door knob. 539 00:30:59,520 --> 00:31:01,520 Speaker 1: Yes, it's wedged in there good and no one can 540 00:31:01,680 --> 00:31:02,440 Speaker 1: leave or get in. 541 00:31:03,080 --> 00:31:06,080 Speaker 7: Now, my publicist might have to get in at some point. 542 00:31:06,320 --> 00:31:09,240 Speaker 1: Well, they won't be able to now. When we first 543 00:31:09,320 --> 00:31:13,720 Speaker 1: met Shelby Farrow, she was sixteen, but she was also a. 544 00:31:13,840 --> 00:31:19,640 Speaker 2: Sixteen Yes, let's clarify what Seawn means by that. We 545 00:31:19,920 --> 00:31:23,360 Speaker 2: sat down with you as part of a venture for 546 00:31:24,240 --> 00:31:24,920 Speaker 2: Make a Wish. 547 00:31:25,640 --> 00:31:30,880 Speaker 1: To Make a Wish Foundation had had a girl who 548 00:31:31,040 --> 00:31:34,160 Speaker 1: was sick whose dream was to be a Twitter celeb. Yes, 549 00:31:34,360 --> 00:31:36,680 Speaker 1: so they called someone who knows a little something about 550 00:31:37,040 --> 00:31:40,720 Speaker 1: youth and celebrity, and we sat down with you. 551 00:31:41,440 --> 00:31:44,480 Speaker 2: And at the time, your wish was for one hundred 552 00:31:44,560 --> 00:31:48,560 Speaker 2: thousand Twitter followers. Yeah, I'm sure you remember that. And 553 00:31:48,720 --> 00:31:53,880 Speaker 2: at the time you didn't say it outright, but it 554 00:31:54,040 --> 00:31:57,680 Speaker 2: was sort of heavily implied that once you got those 555 00:31:57,680 --> 00:32:02,240 Speaker 2: one hundred thousand Twitter followers, you could peacefully move on 556 00:32:02,760 --> 00:32:06,560 Speaker 2: to your great reward and to you. 557 00:32:06,840 --> 00:32:10,520 Speaker 6: Coughed through that meeting, I think there may have been 558 00:32:10,520 --> 00:32:13,400 Speaker 6: like a little miscommunication when I meant I was going 559 00:32:13,480 --> 00:32:13,840 Speaker 6: to die. 560 00:32:13,880 --> 00:32:17,840 Speaker 7: It was sort of like, you know, someday, right. 561 00:32:17,800 --> 00:32:20,400 Speaker 1: Okay, that's not who the Make a Wish Foundation is for, 562 00:32:20,880 --> 00:32:25,120 Speaker 1: because I at that time I had built up I 563 00:32:25,360 --> 00:32:27,800 Speaker 1: only was letting close friends and family follow me on Twitter. 564 00:32:27,920 --> 00:32:31,840 Speaker 1: So I had about one hundred thousand, and I transferred 565 00:32:31,880 --> 00:32:35,960 Speaker 1: that account to your name, thinking that pretty soon you'd 566 00:32:36,080 --> 00:32:38,280 Speaker 1: kick the bucket and I. 567 00:32:38,280 --> 00:32:40,040 Speaker 2: Could have a get off back. You would get all 568 00:32:40,080 --> 00:32:43,680 Speaker 2: those followers back. And now where are we where you 569 00:32:43,840 --> 00:32:45,240 Speaker 2: still have all the followers. 570 00:32:45,560 --> 00:32:47,280 Speaker 7: I mean, I'm only going to live till like eighty 571 00:32:47,440 --> 00:32:48,880 Speaker 7: ninety and then you guys, can. 572 00:32:49,600 --> 00:32:50,840 Speaker 1: You tricked us pretty good? 573 00:32:51,240 --> 00:32:53,040 Speaker 6: Well. The thing that they don't tell you is you 574 00:32:53,080 --> 00:32:56,160 Speaker 6: don't have to put everything on the forms. You just 575 00:32:56,240 --> 00:32:57,800 Speaker 6: drop off in the middle of a sentence. They can't 576 00:32:57,800 --> 00:32:58,480 Speaker 6: do anything about it. 577 00:32:59,160 --> 00:33:01,760 Speaker 1: But one thing I'll say is that Batkid has looked 578 00:33:01,800 --> 00:33:04,480 Speaker 1: pretty pretty healthy lately too. 579 00:33:04,960 --> 00:33:07,360 Speaker 7: Yeah, he is a healthy glow. I called him the 580 00:33:07,400 --> 00:33:09,680 Speaker 7: other day. We laughed about the whole thing. 581 00:33:10,480 --> 00:33:13,880 Speaker 2: Yeah, he's definitely still around and he got to save 582 00:33:13,960 --> 00:33:16,480 Speaker 2: a whole city and he did not die and so, 583 00:33:16,840 --> 00:33:18,400 Speaker 2: and there is no taking that back. 584 00:33:18,480 --> 00:33:20,480 Speaker 6: At this point, I told him that he should sue 585 00:33:20,600 --> 00:33:23,400 Speaker 6: for making him, you know, bust bargain brand villains. 586 00:33:23,440 --> 00:33:25,240 Speaker 7: They didn't even call him the joker and stuff. 587 00:33:26,200 --> 00:33:31,120 Speaker 1: I'm not It's pretty hard to ask for all your 588 00:33:31,160 --> 00:33:32,320 Speaker 1: Twitter followers back. 589 00:33:33,640 --> 00:33:37,600 Speaker 6: I'd like to do it now, John, I just think 590 00:33:37,640 --> 00:33:40,720 Speaker 6: I think I've just built such a specific brand around 591 00:33:40,960 --> 00:33:44,840 Speaker 6: my pretty obvious up and coming start on that if 592 00:33:44,880 --> 00:33:45,680 Speaker 6: they were to try. 593 00:33:45,560 --> 00:33:47,520 Speaker 7: To follow, you would just be jarring to see. 594 00:33:48,160 --> 00:33:51,560 Speaker 1: You don't want to follow a fa You know you 595 00:33:51,600 --> 00:33:54,160 Speaker 1: don't want to follow what well, I was. 596 00:33:54,160 --> 00:33:57,000 Speaker 7: Saying failure, but I cut myself off as to not 597 00:33:57,120 --> 00:33:57,560 Speaker 7: be rude. 598 00:34:00,600 --> 00:34:04,480 Speaker 1: I don't. I don't even know what that would mean. Yeah, 599 00:34:04,520 --> 00:34:05,840 Speaker 1: Sean doesn't know what that word means. 600 00:34:06,360 --> 00:34:09,719 Speaker 6: It's oh, it's usually if you're not in my vocapol, 601 00:34:10,280 --> 00:34:11,280 Speaker 6: she'll learn more words. 602 00:34:13,040 --> 00:34:14,400 Speaker 1: I learned the words I need. 603 00:34:16,440 --> 00:34:28,440 Speaker 2: Give give me me back my tweeter Okay, close. 604 00:34:31,120 --> 00:34:35,000 Speaker 1: Flowers, flowers. Give me back my tweeter flowers, and that's 605 00:34:35,320 --> 00:34:42,080 Speaker 1: all I need to know. So if you're not going 606 00:34:42,120 --> 00:34:44,239 Speaker 1: to give me back my tweeter flowers, the good news 607 00:34:44,400 --> 00:34:46,600 Speaker 1: is it's very easy for me to build the build 608 00:34:46,680 --> 00:34:50,600 Speaker 1: that brand again. And you gotta have a short memory 609 00:34:50,640 --> 00:34:53,480 Speaker 1: in this town, but you have the transfer all set 610 00:34:53,560 --> 00:34:55,799 Speaker 1: up and ready to go. Yes, if at any time 611 00:34:55,880 --> 00:34:59,239 Speaker 1: you do decide that what you did was wrong, and 612 00:34:59,360 --> 00:35:01,920 Speaker 1: then maybe you're whole career is a fucking joke because 613 00:35:02,560 --> 00:35:08,840 Speaker 1: I basically built you and now you're like collecting paychecks 614 00:35:08,880 --> 00:35:10,440 Speaker 1: for something you didn't even really do. 615 00:35:10,719 --> 00:35:12,960 Speaker 6: I'm hearing what you're saying, but it's kind of like how, 616 00:35:13,640 --> 00:35:15,600 Speaker 6: you know, like Frankenstein built the monster, and then the 617 00:35:15,680 --> 00:35:17,080 Speaker 6: monster was so cool. 618 00:35:18,920 --> 00:35:20,319 Speaker 7: Everyone hung out with the monster, and. 619 00:35:20,360 --> 00:35:22,319 Speaker 1: You're not going to scare me out of the room 620 00:35:23,000 --> 00:35:24,160 Speaker 1: to win this argument. 621 00:35:25,560 --> 00:35:29,399 Speaker 7: I'm sorry. I forgot that you're terribly afraid of Frankenstein's monster. 622 00:35:29,680 --> 00:35:30,279 Speaker 1: Everyone is. 623 00:35:31,960 --> 00:35:36,760 Speaker 2: And the guy is named Frankenstein, frank Stein, the monster. 624 00:35:38,360 --> 00:35:39,640 Speaker 1: The monster is fran. 625 00:35:42,160 --> 00:35:43,000 Speaker 6: No. No. 626 00:35:44,200 --> 00:35:49,600 Speaker 1: The doctor is named Igor. Yeah, he's doctor Igor. 627 00:35:50,400 --> 00:35:52,840 Speaker 7: Because of you. Have you read a lot of books. 628 00:35:53,880 --> 00:35:58,000 Speaker 1: I read a lot of scripts. It's I Frankenstein, not 629 00:35:58,320 --> 00:36:03,120 Speaker 1: I the doctor who named the fucking thing. It's like 630 00:36:03,280 --> 00:36:07,160 Speaker 1: something else. It's just I Frankenstein. 631 00:36:08,640 --> 00:36:09,160 Speaker 3: What do we do? 632 00:36:09,480 --> 00:36:13,279 Speaker 1: How do we? How do we work this out? Well? 633 00:36:13,320 --> 00:36:16,719 Speaker 1: If I if I held a grudge against every person 634 00:36:16,800 --> 00:36:21,160 Speaker 1: in this town who basically got their start launched off 635 00:36:21,239 --> 00:36:23,080 Speaker 1: of me, and wouldn't have any room out about it, 636 00:36:23,200 --> 00:36:26,160 Speaker 1: I'm left in your hands for awards, that's right. I 637 00:36:26,160 --> 00:36:28,560 Speaker 1: wouldn't have I wouldn't have any room for awards. I'd 638 00:36:28,600 --> 00:36:29,720 Speaker 1: be holding too much grudges. 639 00:36:29,960 --> 00:36:30,360 Speaker 7: Oh are you? 640 00:36:30,920 --> 00:36:33,160 Speaker 6: I have to get a new awards cabinet to hold 641 00:36:33,200 --> 00:36:36,120 Speaker 6: all of mine? Do you have a suggestion, do you 642 00:36:36,239 --> 00:36:38,200 Speaker 6: know a good like a good cabinet maker, or like 643 00:36:38,320 --> 00:36:39,520 Speaker 6: a I. 644 00:36:39,520 --> 00:36:42,440 Speaker 1: Would say, get a small one for now. Just get 645 00:36:42,520 --> 00:36:44,479 Speaker 1: one for what you have right now, and don't count 646 00:36:44,520 --> 00:36:45,560 Speaker 1: on too much more coming in. 647 00:36:46,000 --> 00:36:48,720 Speaker 7: Okay, that's that maybe good advice. 648 00:36:49,880 --> 00:36:57,600 Speaker 1: Speaking of cabinet makers. You're a young person. Yeah, we're 649 00:36:57,640 --> 00:36:58,239 Speaker 1: all young. 650 00:36:59,680 --> 00:37:02,399 Speaker 2: We I wanted to sort of have a round table 651 00:37:02,480 --> 00:37:07,560 Speaker 2: discussion as the three of us being young and successful 652 00:37:07,600 --> 00:37:11,120 Speaker 2: in Hollywood and sort of like the next the next generation, 653 00:37:12,120 --> 00:37:17,040 Speaker 2: sure of what it's like for people to be jealous 654 00:37:17,080 --> 00:37:21,400 Speaker 2: of you, to sort of understand what's going on with 655 00:37:21,560 --> 00:37:25,879 Speaker 2: youth culture in a way that maybe the people who 656 00:37:26,000 --> 00:37:27,920 Speaker 2: are older than us don't. 657 00:37:29,040 --> 00:37:30,799 Speaker 7: Sure you. I think you, guys, you try to stay 658 00:37:30,800 --> 00:37:31,359 Speaker 7: pretty current. 659 00:37:32,080 --> 00:37:37,000 Speaker 1: Absolutely. Yeah, it's just a natural byproduct of being so 660 00:37:37,239 --> 00:37:43,000 Speaker 1: plugged into all our young friends. And just when you're 661 00:37:43,000 --> 00:37:46,400 Speaker 1: in the entertainment industry, you're actually friends with master P, 662 00:37:46,760 --> 00:37:56,640 Speaker 1: with master P, the k Fats, the Third Eyes. Yeah, 663 00:37:56,920 --> 00:38:01,640 Speaker 1: people who are right at the edge of youth media. 664 00:38:02,280 --> 00:38:02,600 Speaker 1: M hm. 665 00:38:03,280 --> 00:38:07,080 Speaker 7: Just sort of just like fringe alt sort of alternative people. 666 00:38:08,400 --> 00:38:11,239 Speaker 1: Below your dad doesn't know about him, but we not 667 00:38:11,360 --> 00:38:13,360 Speaker 1: only know about him, we know them and we have 668 00:38:13,640 --> 00:38:15,680 Speaker 1: maybe even shared a cocktail or two with them. 669 00:38:15,719 --> 00:38:18,680 Speaker 2: M okay, Like what kinds of music Shelby, do you 670 00:38:19,200 --> 00:38:20,400 Speaker 2: think is cool today? 671 00:38:20,719 --> 00:38:20,879 Speaker 1: Well? 672 00:38:20,920 --> 00:38:24,240 Speaker 7: I mean, you know, electronic electronic dance music. 673 00:38:27,040 --> 00:38:33,279 Speaker 2: D electronic dance to all the spark noises, the beeps. 674 00:38:33,000 --> 00:38:36,759 Speaker 1: And pops, oh gosh, And we listen to this in 675 00:38:36,840 --> 00:38:38,960 Speaker 1: the car Hayes and I no, that's cool. 676 00:38:39,000 --> 00:38:40,960 Speaker 7: Who's who's your favorite? Who's your favorite DJ? 677 00:38:41,200 --> 00:38:48,480 Speaker 1: Oh gotta be the Cyborg Twins. They're yes, Oh, I 678 00:38:48,560 --> 00:38:53,759 Speaker 1: mean they're great. Uh also the that let me clear 679 00:38:53,840 --> 00:38:58,799 Speaker 1: my throat guy? What a DJ? And what amazing sounds. 680 00:38:58,680 --> 00:39:00,799 Speaker 7: I haven't heard? Does he played Plex or. 681 00:39:01,160 --> 00:39:05,200 Speaker 1: The Bower or oh gosh, echo Plex For people at 682 00:39:05,239 --> 00:39:08,680 Speaker 1: home who don't know, echo Plex is a big place 683 00:39:08,760 --> 00:39:11,960 Speaker 1: to play, and it's and it's in the cloud. But 684 00:39:12,080 --> 00:39:19,080 Speaker 1: it's but that's not all. It's also new, right, Shelby, Well. 685 00:39:19,040 --> 00:39:21,960 Speaker 7: I think it's been around for it's pretty established. 686 00:39:23,120 --> 00:39:26,320 Speaker 1: Yeah to us, it is to us it is it 687 00:39:26,440 --> 00:39:29,719 Speaker 1: feels that way. Now what or what else? 688 00:39:29,800 --> 00:39:29,840 Speaker 3: Some? 689 00:39:31,200 --> 00:39:32,360 Speaker 1: What do you like watching? 690 00:39:32,520 --> 00:39:32,719 Speaker 3: Now? 691 00:39:33,000 --> 00:39:35,359 Speaker 1: Like that we all that the young people watch, tell 692 00:39:35,440 --> 00:39:36,719 Speaker 1: us to tell them what we all watch. 693 00:39:36,920 --> 00:39:39,640 Speaker 7: Oh, I know there's great cartoons out a venture times 694 00:39:39,719 --> 00:39:40,200 Speaker 7: really good. 695 00:39:40,840 --> 00:39:44,279 Speaker 2: Oh gotta be gotta be one of the best and 696 00:39:44,640 --> 00:39:47,239 Speaker 2: one of my top favorites of all of them. 697 00:39:47,360 --> 00:39:49,640 Speaker 7: Oh really, who's your favorite? I mean I love Fiona. 698 00:39:50,360 --> 00:39:56,720 Speaker 2: Yeah with the sword sometimes gotta be the coolest sword. 699 00:39:56,880 --> 00:40:00,640 Speaker 1: And and the clothes they wear. I'm like, this is 700 00:40:00,719 --> 00:40:03,320 Speaker 1: almost the kind of stuff we wear. 701 00:40:04,920 --> 00:40:07,200 Speaker 7: Stuff the candy people or yeah, it's. 702 00:40:07,040 --> 00:40:11,080 Speaker 2: The stuff everyone's going to be wearing in Beverly Hills. 703 00:40:11,960 --> 00:40:12,879 Speaker 1: Yeah next year. 704 00:40:13,600 --> 00:40:14,560 Speaker 7: I mean that's fair ha it. 705 00:40:14,680 --> 00:40:15,080 Speaker 8: Now in. 706 00:40:17,800 --> 00:40:21,040 Speaker 6: Hancock Park, I don't spend too much time on the 707 00:40:21,080 --> 00:40:22,759 Speaker 6: west side. It's kind of its kind of ghost now 708 00:40:22,880 --> 00:40:23,080 Speaker 6: you know. 709 00:40:24,280 --> 00:40:28,840 Speaker 2: Yeah, yeah, there are ghosts there, absolutely. I like the 710 00:40:29,760 --> 00:40:31,799 Speaker 2: the What I think is cool is the middle part. 711 00:40:33,200 --> 00:40:36,040 Speaker 6: Oh, like like midtown crew Town' that's up and coming. 712 00:40:36,120 --> 00:40:37,879 Speaker 6: That's kind of cool now right. 713 00:40:38,200 --> 00:40:47,560 Speaker 1: I love the song the the barbecue. Sure. 714 00:40:47,960 --> 00:40:51,000 Speaker 7: I was actually out of Koream barbecue place saw Justin 715 00:40:51,040 --> 00:40:53,719 Speaker 7: Bieber right by on a segway. Oh, it's like him 716 00:40:53,800 --> 00:40:55,799 Speaker 7: down we hung out for the afternoon. You guys are 717 00:40:55,840 --> 00:40:57,279 Speaker 7: seeing he hangs out there like all the time. 718 00:40:57,640 --> 00:40:58,240 Speaker 2: Justin Bieber. 719 00:40:58,480 --> 00:41:04,640 Speaker 1: He is one of the best, well, his well because 720 00:41:04,680 --> 00:41:07,480 Speaker 1: of how good he is. That's why I think he's great. 721 00:41:08,200 --> 00:41:12,919 Speaker 1: His fashion and not even not alone, but the whole 722 00:41:13,000 --> 00:41:18,200 Speaker 1: thing he does with his The way he dresses. Yeah, 723 00:41:18,280 --> 00:41:21,600 Speaker 1: that his jackets, it's nice. 724 00:41:21,600 --> 00:41:24,000 Speaker 6: It kind of like harkens back to old music like 725 00:41:24,080 --> 00:41:27,680 Speaker 6: motown and you know some some sort of the classics. 726 00:41:27,760 --> 00:41:28,880 Speaker 7: Do you guys like classics? 727 00:41:29,840 --> 00:41:33,480 Speaker 1: Love classics, love him. It's cool to love them, but 728 00:41:33,640 --> 00:41:35,800 Speaker 1: don't know him as well as the new stuff. 729 00:41:36,239 --> 00:41:38,560 Speaker 6: Okay, that's that's fair. I guess if you're if you're 730 00:41:38,640 --> 00:41:40,759 Speaker 6: young and then grow up with it. But I feel 731 00:41:40,800 --> 00:41:43,279 Speaker 6: like you guys are you guys are what forty eight 732 00:41:43,560 --> 00:41:44,960 Speaker 6: fifty two respectively? 733 00:41:46,080 --> 00:41:47,200 Speaker 2: Gotta be one of those. 734 00:41:48,320 --> 00:41:54,359 Speaker 1: It's so into forty eight like lately, just because it's hey, 735 00:41:54,520 --> 00:41:55,120 Speaker 1: popping off. 736 00:41:55,680 --> 00:41:55,960 Speaker 2: Uh huh. 737 00:41:56,239 --> 00:41:56,840 Speaker 1: What do you think of? 738 00:41:56,960 --> 00:41:59,239 Speaker 2: Like when you're talking to like a seventy five year 739 00:41:59,320 --> 00:42:02,560 Speaker 2: old and he's all like he's all trying to pretend 740 00:42:02,600 --> 00:42:07,040 Speaker 2: like he's into cool music like disco and that stuff. 741 00:42:07,080 --> 00:42:08,839 Speaker 2: I think disco is so lame now. 742 00:42:09,160 --> 00:42:12,000 Speaker 1: Oh I'm over it, and I don't even think it's 743 00:42:12,040 --> 00:42:13,680 Speaker 1: coming back, at least not for a while. 744 00:42:14,239 --> 00:42:16,040 Speaker 7: I don't think anyone's trying to bring it back. 745 00:42:16,320 --> 00:42:17,719 Speaker 1: I don't they better not. 746 00:42:18,440 --> 00:42:22,920 Speaker 2: These guys in their seventies and eighties right now are 747 00:42:23,040 --> 00:42:25,520 Speaker 2: kind of decided, like they think they know what's good, 748 00:42:26,080 --> 00:42:27,200 Speaker 2: but it's really us. 749 00:42:27,440 --> 00:42:30,879 Speaker 1: It's really us forty eight and fifty year olds who 750 00:42:31,000 --> 00:42:33,719 Speaker 1: and it's always been this way, who are defining the 751 00:42:33,880 --> 00:42:36,440 Speaker 1: culture and it's just moving too fast for them to 752 00:42:36,520 --> 00:42:38,759 Speaker 1: keep up with because they can't because they don't have 753 00:42:39,200 --> 00:42:42,680 Speaker 1: a lot of times the cloud. Yeah, I'm even a 754 00:42:42,760 --> 00:42:43,600 Speaker 1: samsunk phone. 755 00:42:43,680 --> 00:42:45,000 Speaker 7: I'm impressed you. I'm impressed. 756 00:42:45,000 --> 00:42:45,160 Speaker 8: You know what. 757 00:42:45,200 --> 00:42:47,320 Speaker 6: I'm impressed you guys know so much. I wouldn't have 758 00:42:47,400 --> 00:42:49,879 Speaker 6: considered us in the same you know, demographic. 759 00:42:50,120 --> 00:42:52,880 Speaker 2: But some of those guys don't even know about computers 760 00:42:53,080 --> 00:42:54,040 Speaker 2: and the different kinds. 761 00:42:54,840 --> 00:42:57,880 Speaker 7: Really really humm. 762 00:42:57,640 --> 00:43:02,000 Speaker 1: You say, like dell to those guys and like what, Yeah, 763 00:43:02,080 --> 00:43:04,879 Speaker 1: they think you're talking about a friend of theirs. 764 00:43:05,040 --> 00:43:06,560 Speaker 6: Well, yeah, I was gonna ask you, Hayes, why is 765 00:43:06,560 --> 00:43:10,520 Speaker 6: your computer upside down? I don't totally understand. I was 766 00:43:10,520 --> 00:43:11,960 Speaker 6: just wondering if it's like a more functional way, like 767 00:43:12,000 --> 00:43:13,040 Speaker 6: a cruble tunnel. 768 00:43:12,760 --> 00:43:16,839 Speaker 2: Thing or oh, well that's when you skateboard as much 769 00:43:16,880 --> 00:43:21,840 Speaker 2: as I do. That becomes the way you have to 770 00:43:22,000 --> 00:43:23,200 Speaker 2: use your computer. 771 00:43:23,520 --> 00:43:24,800 Speaker 7: Yeah, like inverted. 772 00:43:25,480 --> 00:43:29,120 Speaker 1: Yeah, well, if you do a wicked ali then of 773 00:43:29,280 --> 00:43:32,400 Speaker 1: course you're gonna have to sort of shift around some 774 00:43:32,640 --> 00:43:38,360 Speaker 1: of your household items to compliment. Like how that changes 775 00:43:38,480 --> 00:43:39,960 Speaker 1: like your perception. 776 00:43:40,320 --> 00:43:42,160 Speaker 7: Yeah, I never got into skateboarding. 777 00:43:42,200 --> 00:43:45,000 Speaker 6: I think by the time sort of my age group 778 00:43:45,280 --> 00:43:46,719 Speaker 6: came up, it had moved on to you know, like 779 00:43:46,800 --> 00:43:48,759 Speaker 6: razor scooters, doing fun tricks on those. 780 00:43:49,120 --> 00:43:52,680 Speaker 2: Yeah, that's Skateboarding's SKay. 781 00:43:53,800 --> 00:43:54,920 Speaker 7: Well, I wouldn't go that far. 782 00:43:56,880 --> 00:43:59,920 Speaker 1: Yeah, fourteen, So you didn't believe it was about skateboarding, 783 00:44:00,080 --> 00:44:00,320 Speaker 1: did you? 784 00:44:01,600 --> 00:44:02,440 Speaker 8: How old. 785 00:44:04,000 --> 00:44:10,360 Speaker 1: Fucking nail pranked man Nailedia. Yeah, I threw my skateboard 786 00:44:10,400 --> 00:44:12,640 Speaker 1: in the garbage can a long time ago. There's no 787 00:44:12,760 --> 00:44:14,279 Speaker 1: room for it in the house because he's so much 788 00:44:14,840 --> 00:44:15,560 Speaker 1: Razor scooters. 789 00:44:15,840 --> 00:44:17,879 Speaker 7: Oh that's fucking sick man. 790 00:44:18,280 --> 00:44:18,520 Speaker 3: Yeah. 791 00:44:19,719 --> 00:44:22,400 Speaker 1: God, I'll do a jump on those. Yeah, when I 792 00:44:22,520 --> 00:44:25,160 Speaker 1: do that big of a jump. A lot of times 793 00:44:25,200 --> 00:44:27,279 Speaker 1: I even will give the finger to like my mom 794 00:44:27,400 --> 00:44:30,439 Speaker 1: or dad. Well in the air. 795 00:44:30,560 --> 00:44:33,120 Speaker 6: You know, you might as well respect them. They probably 796 00:44:33,120 --> 00:44:35,120 Speaker 6: gave you a lot. They're probably getting on in years now, 797 00:44:35,239 --> 00:44:36,640 Speaker 6: don't have a lot of time left. 798 00:44:36,760 --> 00:44:39,200 Speaker 2: Well, they're no longer alive, which I think is like, 799 00:44:39,800 --> 00:44:43,000 Speaker 2: isn't it cool to have moms and dads who only 800 00:44:43,120 --> 00:44:45,879 Speaker 2: died recently instead of like twenty thirty years ago. 801 00:44:46,040 --> 00:44:48,520 Speaker 1: Yeah, some of these seventy five year olds when they 802 00:44:48,640 --> 00:44:51,520 Speaker 1: bring up like their parents, it's like, uh, are you 803 00:44:51,600 --> 00:44:52,240 Speaker 1: even sure? 804 00:44:52,760 --> 00:44:53,200 Speaker 7: Man, I don't know. 805 00:44:53,200 --> 00:44:54,600 Speaker 6: I think I'm gonna be really sad when my great 806 00:44:54,600 --> 00:44:57,920 Speaker 6: grandma passes. Oh yeah, take a lot out of me. 807 00:44:58,719 --> 00:45:04,280 Speaker 2: Yeah, it's cool having great grandma. Mine is very nice. 808 00:45:05,400 --> 00:45:08,640 Speaker 1: Oh yeah. Mine always like wants me to eat candies, 809 00:45:10,320 --> 00:45:16,640 Speaker 1: you know, because she's around. Hey, you know, let's talk 810 00:45:16,640 --> 00:45:17,840 Speaker 1: about what's next. 811 00:45:19,280 --> 00:45:22,560 Speaker 7: We all know, okay, like what's like, what's you go first? 812 00:45:22,600 --> 00:45:24,360 Speaker 2: Shelby and just the kind of stuff that we like 813 00:45:24,480 --> 00:45:28,440 Speaker 2: to wear now that looks cool for for for us 814 00:45:29,000 --> 00:45:30,240 Speaker 2: well with our age. 815 00:45:30,880 --> 00:45:31,040 Speaker 3: You know. 816 00:45:31,200 --> 00:45:33,040 Speaker 7: Spring, Well, spring's coming up, I think. 817 00:45:33,400 --> 00:45:36,160 Speaker 6: Yeah. Crop tops were a big thing last year. We'll 818 00:45:36,160 --> 00:45:38,960 Speaker 6: see if that trend continues, you know. I mean I'll 819 00:45:38,960 --> 00:45:41,160 Speaker 6: all wear one occasionally, or like. 820 00:45:41,880 --> 00:45:46,320 Speaker 2: Yeah, when it's springtime, I take all my tops and 821 00:45:46,440 --> 00:45:47,359 Speaker 2: I crop them out. 822 00:45:48,719 --> 00:45:52,799 Speaker 1: M Yeah, I get a bunch of I just get 823 00:45:52,840 --> 00:45:55,600 Speaker 1: a bunch of cornstocks and I weave them together into 824 00:45:55,760 --> 00:45:56,479 Speaker 1: a nice top. 825 00:45:57,040 --> 00:45:59,680 Speaker 2: It's harvest time, harvest and spring? 826 00:46:00,080 --> 00:46:00,520 Speaker 8: Is that way? 827 00:46:01,000 --> 00:46:01,239 Speaker 3: Do it? 828 00:46:01,440 --> 00:46:01,799 Speaker 8: Is that way? 829 00:46:01,880 --> 00:46:04,960 Speaker 7: Part of your shirt seems sewn back on to the 830 00:46:05,040 --> 00:46:07,440 Speaker 7: rest of it, And Sean is, Ali, there so many 831 00:46:07,520 --> 00:46:08,120 Speaker 7: crows in here. 832 00:46:12,120 --> 00:46:17,200 Speaker 1: I don't know, old man like quit harshing our bus. 833 00:46:17,520 --> 00:46:21,040 Speaker 2: It's like you don't even know what the cool stuff 834 00:46:21,160 --> 00:46:21,560 Speaker 2: is to do. 835 00:46:22,520 --> 00:46:24,799 Speaker 7: Maybe I don't. I'm feeling pretty out of it. Maybe 836 00:46:24,840 --> 00:46:26,560 Speaker 7: I'm out of touch. I I don't know. 837 00:46:26,600 --> 00:46:31,080 Speaker 6: I assume that as you know, a young I guess technically, starlet, 838 00:46:31,360 --> 00:46:35,960 Speaker 6: I was pretty on the nose, but I'm rethinking a lot. 839 00:46:36,120 --> 00:46:38,120 Speaker 1: Crop season, baby crop season. 840 00:46:38,200 --> 00:46:39,120 Speaker 2: Get cool about it. 841 00:46:41,040 --> 00:46:43,400 Speaker 1: Please get cool about it, and please do it quickly. 842 00:46:45,680 --> 00:46:48,480 Speaker 2: Hey, let's make some prank calls to celebrities. 843 00:46:48,560 --> 00:46:50,239 Speaker 1: Oh yeah, that'll be a good way for us to 844 00:46:50,320 --> 00:46:51,919 Speaker 1: all become good friends again. 845 00:46:52,080 --> 00:46:53,760 Speaker 7: Okay, who do you guys have on your phone? 846 00:46:55,200 --> 00:46:59,160 Speaker 1: Let's look through the phone, Sean, which celebrity would you 847 00:46:59,320 --> 00:47:02,960 Speaker 1: like to call? Who do I want to call first? Well, 848 00:47:03,320 --> 00:47:05,440 Speaker 1: definitely one of our young celeb friends. 849 00:47:07,440 --> 00:47:10,280 Speaker 2: Uh, maybe. 850 00:47:11,760 --> 00:47:20,000 Speaker 1: Stewart, Miranda Richardson. Uh, Patricia Heaton. 851 00:47:20,360 --> 00:47:21,680 Speaker 2: Let's call Patricia Heaton. 852 00:47:22,200 --> 00:47:25,160 Speaker 1: All right, let's give Patty a ring and really wind 853 00:47:25,200 --> 00:47:25,560 Speaker 1: her up. 854 00:47:26,040 --> 00:47:28,000 Speaker 7: I'm sorry. I'm gonna be guys, I want to be honest. 855 00:47:28,000 --> 00:47:29,600 Speaker 7: I don't actually totally know who that is. 856 00:47:30,400 --> 00:47:35,080 Speaker 1: Too new, really too new. You'll next year, you'll know 857 00:47:35,120 --> 00:47:37,439 Speaker 1: who she is. Her name is going to be all 858 00:47:37,680 --> 00:47:41,120 Speaker 1: over the map California. 859 00:47:41,560 --> 00:47:43,320 Speaker 7: She gonna be in like a Michael Bay or a 860 00:47:43,440 --> 00:47:46,640 Speaker 7: rom Com or a movies. 861 00:47:47,680 --> 00:47:49,960 Speaker 1: She was on this network, CBS. You probably haven't even 862 00:47:50,000 --> 00:47:50,320 Speaker 1: heard of it. 863 00:47:50,680 --> 00:47:53,480 Speaker 2: Yeah, it's you're probably still watching PBS with the other 864 00:47:54,000 --> 00:47:54,799 Speaker 2: eighty year old. 865 00:47:55,000 --> 00:47:55,200 Speaker 3: Yeah. 866 00:47:55,320 --> 00:47:58,520 Speaker 1: Man, we moved on from PBS to CBS and we're 867 00:47:58,880 --> 00:47:59,759 Speaker 1: never going back. 868 00:48:00,719 --> 00:48:04,839 Speaker 6: I only ever watched Sesame Street on PBS. Pretty it's 869 00:48:04,880 --> 00:48:06,440 Speaker 6: more more for children, I would. 870 00:48:06,239 --> 00:48:08,239 Speaker 1: Say, Okay, shut up, shut up. 871 00:48:16,360 --> 00:48:17,480 Speaker 7: I don't know if that's a good idea. 872 00:48:17,640 --> 00:48:19,040 Speaker 8: That's the Union station you. 873 00:48:20,360 --> 00:48:22,960 Speaker 1: Uh Hi, Patricia, it's Raymond. 874 00:48:24,000 --> 00:48:24,960 Speaker 8: What do you want to speak to? 875 00:48:25,960 --> 00:48:26,120 Speaker 6: Uh? 876 00:48:26,560 --> 00:48:32,399 Speaker 1: Patricia Heaton, it's Raymond calling. I'm with Brad. I'm sorry, 877 00:48:32,840 --> 00:48:33,560 Speaker 1: I'm with Brad. 878 00:48:36,080 --> 00:48:46,200 Speaker 8: Hold on, Are you trying to call worse pretzels? 879 00:48:47,680 --> 00:48:48,600 Speaker 1: Wes those pretzels? 880 00:48:49,160 --> 00:48:50,440 Speaker 7: Yes, I don't eat gluten. 881 00:48:51,400 --> 00:48:53,440 Speaker 1: I was calling Patricia. 882 00:48:54,280 --> 00:48:56,120 Speaker 8: No, no, no, you don't set the wrong number. You're 883 00:48:56,120 --> 00:48:56,920 Speaker 8: calling a business. 884 00:48:58,719 --> 00:49:01,120 Speaker 1: Okay, she is of a business, but thank you. 885 00:49:03,080 --> 00:49:03,719 Speaker 7: That doesn't. 886 00:49:07,160 --> 00:49:11,200 Speaker 1: But dude smoked her. 887 00:49:11,719 --> 00:49:12,319 Speaker 2: We got her. 888 00:49:12,360 --> 00:49:14,040 Speaker 1: Good guys. 889 00:49:14,080 --> 00:49:17,160 Speaker 6: I just I just like real quick, just googled Patricia 890 00:49:17,200 --> 00:49:19,839 Speaker 6: Heaton on my Google Glass, and I don't think are 891 00:49:19,880 --> 00:49:21,120 Speaker 6: we Are you sure that was heard? 892 00:49:21,239 --> 00:49:23,680 Speaker 7: Sound just like a confusing oh fake. 893 00:49:23,560 --> 00:49:29,359 Speaker 1: Out, mega fake out? Okay, Glass, thanks for clearing that up. 894 00:49:30,640 --> 00:49:32,040 Speaker 1: Get my Poe back please? 895 00:49:32,320 --> 00:49:32,960 Speaker 2: Yeah, here you go. 896 00:49:33,239 --> 00:49:34,200 Speaker 1: Good time to make another. 897 00:49:34,400 --> 00:49:35,680 Speaker 2: Yeah, man, frank phone call? 898 00:49:36,719 --> 00:49:38,480 Speaker 7: Why do you still use a Nokia? Can you not 899 00:49:38,600 --> 00:49:39,480 Speaker 7: upgrade on your plan? 900 00:49:39,680 --> 00:49:42,879 Speaker 2: Or I call it a yes Kia because yes it's 901 00:49:42,920 --> 00:49:43,720 Speaker 2: my favorite phone? 902 00:49:44,440 --> 00:49:45,160 Speaker 1: Oh god? 903 00:49:45,560 --> 00:49:48,080 Speaker 2: And also who do I want to call? 904 00:49:48,880 --> 00:49:49,920 Speaker 1: That is famous? 905 00:49:50,920 --> 00:49:52,440 Speaker 6: I mean, I'm just trying to spit ball off of 906 00:49:52,760 --> 00:49:54,719 Speaker 6: sort of the info I've gathered from you guys. I 907 00:49:54,760 --> 00:49:56,640 Speaker 6: don't know, do you know, like me, like an Angelica 908 00:49:56,719 --> 00:50:00,759 Speaker 6: Houston or a or a Judy. I feel like those 909 00:50:00,760 --> 00:50:02,200 Speaker 6: are your sort of age brackets. 910 00:50:04,680 --> 00:50:08,120 Speaker 7: What do you think maybe like a like a Clint Eastwood? 911 00:50:08,239 --> 00:50:09,839 Speaker 2: He's you because that's good? 912 00:50:10,040 --> 00:50:10,439 Speaker 1: Who would? 913 00:50:10,640 --> 00:50:10,799 Speaker 6: Yeah? 914 00:50:10,960 --> 00:50:12,680 Speaker 1: That's who you think is cool? 915 00:50:12,960 --> 00:50:13,520 Speaker 6: Do you like that? 916 00:50:14,040 --> 00:50:16,240 Speaker 7: I think he's sort of more cool for for you guys, 917 00:50:16,320 --> 00:50:18,560 Speaker 7: for your for when you came up and. 918 00:50:18,680 --> 00:50:23,080 Speaker 2: We're all the same to you. So you think it's 919 00:50:23,120 --> 00:50:24,840 Speaker 2: good for us guys, and it must be fun for 920 00:50:24,920 --> 00:50:26,880 Speaker 2: you too, So tell us what's fun for you, and 921 00:50:27,000 --> 00:50:27,880 Speaker 2: that's what's fun for us. 922 00:50:28,360 --> 00:50:30,680 Speaker 7: Well, okay, fair enough? Maybe like a middle ground is 923 00:50:30,760 --> 00:50:31,960 Speaker 7: like a Matt Damon, shut. 924 00:50:31,840 --> 00:50:37,200 Speaker 1: Up, Thank you for calling Staples. 925 00:50:37,640 --> 00:50:38,080 Speaker 2: We make it. 926 00:50:40,880 --> 00:50:42,560 Speaker 1: It's your boyfriend Mold Drew. 927 00:50:43,080 --> 00:50:43,279 Speaker 7: Here. 928 00:50:43,719 --> 00:50:46,480 Speaker 8: Our associates are currently assistant of the customer. 929 00:50:46,680 --> 00:50:47,200 Speaker 6: You heard me. 930 00:50:47,680 --> 00:50:55,360 Speaker 1: It's Mold Drew. Don't play songs at me. Playing the 931 00:50:55,400 --> 00:50:59,840 Speaker 1: piano won't get you out of this. Sorry, it's me 932 00:51:00,520 --> 00:51:07,160 Speaker 1: Mull Drew's other new friend. I thought celestin Jesse Forever 933 00:51:07,360 --> 00:51:08,040 Speaker 1: was pretty good? 934 00:51:09,840 --> 00:51:11,120 Speaker 7: Was this one of the hits? When you guys are 935 00:51:11,160 --> 00:51:11,960 Speaker 7: coming up? The song? 936 00:51:14,880 --> 00:51:18,560 Speaker 2: That music is a little too fast for me. I 937 00:51:18,800 --> 00:51:19,920 Speaker 2: like something you can dance to. 938 00:51:20,280 --> 00:51:22,440 Speaker 1: And Rashida knows that and that's why she tried to 939 00:51:22,520 --> 00:51:25,400 Speaker 1: play us out of her life. Anyway, she doesn't know 940 00:51:25,560 --> 00:51:28,040 Speaker 1: her as a prank and we got her good Shelby. 941 00:51:28,120 --> 00:51:29,799 Speaker 2: What famous person would you like to call? 942 00:51:31,520 --> 00:51:33,840 Speaker 7: Because I don't know. I feel kind of uncomfortable about this. 943 00:51:35,080 --> 00:51:39,720 Speaker 1: It's okay, where look people, we all do big pranks. 944 00:51:40,760 --> 00:51:43,120 Speaker 1: That's something that we all do for fun and to bond, 945 00:51:43,920 --> 00:51:45,960 Speaker 1: and we don't care. It's not going to come back 946 00:51:46,000 --> 00:51:47,839 Speaker 1: to bite us because we're young and we're invincible. 947 00:51:48,880 --> 00:51:50,120 Speaker 7: I guess that's can't argue with that. 948 00:51:51,360 --> 00:51:55,480 Speaker 2: Drive your car so freaking fast, oh gosh, and the 949 00:51:55,600 --> 00:51:56,280 Speaker 2: car that's. 950 00:51:56,160 --> 00:51:56,680 Speaker 4: Cool is. 951 00:52:00,760 --> 00:52:00,920 Speaker 1: Well. 952 00:52:01,600 --> 00:52:04,440 Speaker 7: Electric hybrids are so yeah, oh. 953 00:52:04,640 --> 00:52:06,960 Speaker 2: God, I love how fast they go in the engine 954 00:52:07,080 --> 00:52:08,160 Speaker 2: sound yeah. 955 00:52:08,160 --> 00:52:11,160 Speaker 6: Well their engines are actually very very silent because they're 956 00:52:11,680 --> 00:52:12,520 Speaker 6: running on a battery. 957 00:52:13,640 --> 00:52:17,640 Speaker 1: Right, yeah, pistons. Yes, I know we love remote control cars, 958 00:52:17,680 --> 00:52:22,600 Speaker 1: but the ones we drive are like so also so 959 00:52:22,880 --> 00:52:24,879 Speaker 1: good and bigger, which is better. 960 00:52:25,040 --> 00:52:27,239 Speaker 7: I think Tesla's have petals and stuff. I don't think 961 00:52:27,239 --> 00:52:32,440 Speaker 7: you have to remote I do have Drake's number if 962 00:52:32,480 --> 00:52:33,400 Speaker 7: you always wanted to choose that. 963 00:52:34,640 --> 00:52:36,080 Speaker 1: Do you want do you want to call Drake? 964 00:52:36,960 --> 00:52:38,520 Speaker 7: I don't know I have Do you need it from 965 00:52:38,600 --> 00:52:39,800 Speaker 7: my phone? Or do you have it also? 966 00:52:40,120 --> 00:52:42,960 Speaker 1: Or yeah, I got it. He's one of my favorite painters. 967 00:52:44,760 --> 00:52:46,279 Speaker 7: I didn't I didn't know it was his hobby. I 968 00:52:46,320 --> 00:52:48,120 Speaker 7: guess you actually know him better. 969 00:52:48,040 --> 00:52:49,719 Speaker 2: Than I do. Oh yeah, because the main thing he 970 00:52:49,800 --> 00:52:50,719 Speaker 2: does is something else. 971 00:52:51,080 --> 00:52:54,360 Speaker 7: Well, I've only ever seen his cross stitchings, and. 972 00:52:54,440 --> 00:52:56,680 Speaker 1: I know that that's his that's his real thing. 973 00:52:56,960 --> 00:52:58,560 Speaker 7: Yeah, it's his main, his main hobby. 974 00:52:58,680 --> 00:53:01,000 Speaker 2: Okay, this is him here you go, Shelby, you go, 975 00:53:01,239 --> 00:53:02,480 Speaker 2: you go, Okay, you go. 976 00:53:04,280 --> 00:53:10,160 Speaker 7: Sh Hey, is it is Drake there? 977 00:53:11,200 --> 00:53:11,359 Speaker 3: Who? 978 00:53:11,400 --> 00:53:11,799 Speaker 8: I'm sorry? 979 00:53:12,280 --> 00:53:12,440 Speaker 3: Oh? 980 00:53:13,040 --> 00:53:14,920 Speaker 7: Is deed drizzy? 981 00:53:15,920 --> 00:53:16,720 Speaker 8: And what department? 982 00:53:17,320 --> 00:53:17,480 Speaker 1: Well? 983 00:53:17,520 --> 00:53:22,480 Speaker 7: I get uh r and b this is Guitar Center Hollywood. 984 00:53:23,239 --> 00:53:24,000 Speaker 1: Oh well, I. 985 00:53:24,080 --> 00:53:25,560 Speaker 7: Guys, I don't think he works there anymore. 986 00:53:26,480 --> 00:53:27,960 Speaker 8: Do you know what department head? 987 00:53:28,320 --> 00:53:30,759 Speaker 7: I think maybe? Do you guys have like a like 988 00:53:30,840 --> 00:53:33,160 Speaker 7: a hip hop or no? 989 00:53:33,400 --> 00:53:37,160 Speaker 8: We only go like through pro audio, acoustic guitars, electric guitars. 990 00:53:38,360 --> 00:53:42,879 Speaker 7: He doesn't plays on instruments, you guys. Well, okay, okay, 991 00:53:42,920 --> 00:53:45,360 Speaker 7: I guess well I'll try I'll try back. 992 00:53:46,760 --> 00:53:47,160 Speaker 3: Already. 993 00:53:50,840 --> 00:53:54,960 Speaker 1: Wow, Drake is gonna be mad, but also we'll respect 994 00:53:55,080 --> 00:53:58,040 Speaker 1: how good we got him. So he's gonna have to 995 00:53:58,120 --> 00:54:00,200 Speaker 1: give it up to us the next time we see 996 00:54:00,280 --> 00:54:02,000 Speaker 1: him at the museum. 997 00:54:02,200 --> 00:54:03,480 Speaker 7: I don't think he spends a ton of time at 998 00:54:03,560 --> 00:54:04,560 Speaker 7: Guitar Center anymore. 999 00:54:05,920 --> 00:54:09,040 Speaker 1: He definitely used to Wow, that's his home number, and 1000 00:54:09,160 --> 00:54:11,239 Speaker 1: that's so it might have been just somebody from Guitar 1001 00:54:11,360 --> 00:54:14,440 Speaker 1: Center who was at his house and maybe they pranked 1002 00:54:14,480 --> 00:54:14,759 Speaker 1: you back. 1003 00:54:15,680 --> 00:54:16,160 Speaker 7: It's true. 1004 00:54:16,280 --> 00:54:16,719 Speaker 2: That is true. 1005 00:54:16,760 --> 00:54:18,719 Speaker 6: When I made my first million, the first thing I 1006 00:54:18,800 --> 00:54:21,080 Speaker 6: did was made people from shops just come over. 1007 00:54:22,480 --> 00:54:25,360 Speaker 1: Yeah, And Hayes and I are good at sort of 1008 00:54:25,520 --> 00:54:28,480 Speaker 1: jiu jitsuing the pranks back at people when people try 1009 00:54:28,520 --> 00:54:30,279 Speaker 1: to prank us. And I think that's what Drake did 1010 00:54:30,360 --> 00:54:32,279 Speaker 1: to you. Ok, and you can't get us that way, 1011 00:54:32,320 --> 00:54:36,120 Speaker 1: but you can get you. So that's what happened. 1012 00:54:37,000 --> 00:54:39,440 Speaker 7: Uh, well, how's everything else going? 1013 00:54:39,480 --> 00:54:39,680 Speaker 1: However? 1014 00:54:39,719 --> 00:54:40,640 Speaker 7: How are you guys? His knees? 1015 00:54:40,760 --> 00:54:43,840 Speaker 6: I heard Hayes, your knee was blown out, Sean, you 1016 00:54:43,960 --> 00:54:46,640 Speaker 6: had some sort of hand arthritis thing last time week. 1017 00:54:46,800 --> 00:54:49,399 Speaker 2: Yeah, it's good to I just decided that the best 1018 00:54:49,440 --> 00:54:51,719 Speaker 2: thing for me was just to have my bones be 1019 00:54:52,239 --> 00:54:52,760 Speaker 2: be hurting. 1020 00:54:53,960 --> 00:54:55,400 Speaker 7: Yeah, like just sort of aching. 1021 00:54:55,640 --> 00:54:59,040 Speaker 2: Yeah, just like all us guys right now, like our 1022 00:54:59,120 --> 00:55:01,760 Speaker 2: bones are chipping out in our bodies. 1023 00:55:02,120 --> 00:55:06,880 Speaker 1: Mmm m Yeah, they're not holding up so good. And 1024 00:55:07,040 --> 00:55:12,239 Speaker 1: that is kind of a cool, like young like punk thing. Yeah. 1025 00:55:12,719 --> 00:55:15,879 Speaker 1: I think I rebel against your bones that way. I get. 1026 00:55:15,920 --> 00:55:17,840 Speaker 7: That's kind of like how when it rains, like I 1027 00:55:17,920 --> 00:55:18,800 Speaker 7: don't feel anything. 1028 00:55:19,160 --> 00:55:22,960 Speaker 2: Yeah, me neither. I don't swell up at all. I 1029 00:55:23,160 --> 00:55:28,520 Speaker 2: just stay the same size. That's normally my size. It's 1030 00:55:28,560 --> 00:55:32,960 Speaker 2: pretty tight, and I am easy getting out of bed. Yeah, 1031 00:55:33,000 --> 00:55:33,960 Speaker 2: and I'm still growing. 1032 00:55:35,480 --> 00:55:37,400 Speaker 7: I deal with that. I have growing pain still in 1033 00:55:37,440 --> 00:55:37,920 Speaker 7: my legs. 1034 00:55:38,800 --> 00:55:40,680 Speaker 1: Yes, that's the good kind of pain to have in 1035 00:55:40,760 --> 00:55:42,440 Speaker 1: your legs. And that's the kind that we have. 1036 00:55:42,680 --> 00:55:44,840 Speaker 6: Yeah, it's crazy. I don't even know when that stops. 1037 00:55:44,920 --> 00:55:47,480 Speaker 6: Maybe like twenty five. I have to wait five more years. 1038 00:55:47,520 --> 00:55:49,840 Speaker 6: It's like half a decade, and. 1039 00:55:49,920 --> 00:55:52,200 Speaker 1: I'll tell you something else about growing pains. I don't 1040 00:55:52,200 --> 00:55:54,799 Speaker 1: associate that term with a TV show because I'm too 1041 00:55:54,880 --> 00:55:56,040 Speaker 1: young to have known that show. 1042 00:55:57,040 --> 00:55:59,399 Speaker 2: Yep, you say that phrase to me, and I don't 1043 00:55:59,760 --> 00:56:02,200 Speaker 2: think think of anything about what that is in terms. 1044 00:56:01,960 --> 00:56:02,680 Speaker 1: Of being a show. 1045 00:56:03,200 --> 00:56:05,439 Speaker 6: All right, I feel like it may be a show 1046 00:56:05,520 --> 00:56:07,960 Speaker 6: by the context clues, but I really, I really don't know. 1047 00:56:08,640 --> 00:56:12,320 Speaker 1: None of us know. That's what we just said. Is 1048 00:56:12,360 --> 00:56:14,800 Speaker 1: there an echo in here or is you know, Shelby 1049 00:56:15,000 --> 00:56:18,279 Speaker 1: like that Echoplex that other thing. Oh gosh, that is 1050 00:56:18,480 --> 00:56:21,719 Speaker 1: one of our good and big and good. Oh the beat, 1051 00:56:22,320 --> 00:56:26,239 Speaker 1: the beat, cop boom come, boom come. 1052 00:56:27,960 --> 00:56:29,840 Speaker 6: Actually, I just went to a concert at the Echoplex 1053 00:56:29,880 --> 00:56:32,080 Speaker 6: and it sucked, and didn't have my license and didn't 1054 00:56:32,120 --> 00:56:34,120 Speaker 6: believe I was over eighteen, so I had to go 1055 00:56:34,280 --> 00:56:35,400 Speaker 6: home and find my passport. 1056 00:56:35,440 --> 00:56:36,520 Speaker 7: It was like a whole big thing. 1057 00:56:37,280 --> 00:56:41,719 Speaker 1: God, I hate that stuff. And then don't even really 1058 00:56:42,040 --> 00:56:50,000 Speaker 1: have a license cause I'm a little kid. Yeah, being 1059 00:56:50,080 --> 00:56:54,239 Speaker 1: a baby is like it's okay sometimes yeah, good parts 1060 00:56:54,320 --> 00:56:57,919 Speaker 1: and bad parts. But you know, it's like, I guess 1061 00:56:57,960 --> 00:57:00,960 Speaker 1: in Hollywood, what you want to be is like an infant, 1062 00:57:01,600 --> 00:57:03,400 Speaker 1: and I guess that's kind of what I am. 1063 00:57:03,560 --> 00:57:05,480 Speaker 6: I guess, like in a metaphor way, I get that 1064 00:57:06,120 --> 00:57:08,760 Speaker 6: sort of just like fresh and young and to absorb 1065 00:57:08,880 --> 00:57:11,680 Speaker 6: new ideas and so ready to give back. I think 1066 00:57:11,680 --> 00:57:13,600 Speaker 6: I think that's sort of what people see in me 1067 00:57:13,760 --> 00:57:15,239 Speaker 6: a little bit, which is very nice. 1068 00:57:15,520 --> 00:57:16,240 Speaker 7: It's nice of them. 1069 00:57:17,680 --> 00:57:21,320 Speaker 2: Yep, you and us, and it's all the same and 1070 00:57:21,560 --> 00:57:25,280 Speaker 2: we we like being the same age. 1071 00:57:25,800 --> 00:57:28,000 Speaker 1: Yeah, sure, Well, And I. 1072 00:57:28,040 --> 00:57:30,040 Speaker 6: Was gonna ask you guys, as you know, older people 1073 00:57:30,160 --> 00:57:32,720 Speaker 6: who have had sort of, you know, maybe more life experience, 1074 00:57:32,760 --> 00:57:35,959 Speaker 6: how did you do the transition from very very young 1075 00:57:36,080 --> 00:57:38,720 Speaker 6: teen to sort of trying to be older, more mature. 1076 00:57:39,080 --> 00:57:39,840 Speaker 7: I think I'm round that. 1077 00:57:39,920 --> 00:57:42,640 Speaker 6: Cusp where I'm still very very young and hip but 1078 00:57:42,760 --> 00:57:45,760 Speaker 6: slowly becoming more of a still young and hip, but 1079 00:57:45,840 --> 00:57:46,360 Speaker 6: more mature. 1080 00:57:46,640 --> 00:57:48,480 Speaker 7: I don't know how to make that transition gracefully. 1081 00:57:49,040 --> 00:57:53,320 Speaker 1: Well, we're out of time. It's so great to have you, 1082 00:57:53,560 --> 00:57:56,280 Speaker 1: but it's past actually in my bedtime. My mommy's going 1083 00:57:56,360 --> 00:58:00,520 Speaker 1: to be mad, but so cool that have you? Please, 1084 00:58:00,960 --> 00:58:05,240 Speaker 1: you know, follow us on the un tumblr computer. Yeah, 1085 00:58:05,320 --> 00:58:08,520 Speaker 1: follow us on your computers. And follow us on your computers. 1086 00:58:08,600 --> 00:58:14,240 Speaker 1: And and don't ever hesitate to to turn the computer on, 1087 00:58:14,440 --> 00:58:16,840 Speaker 1: because the batteries last forever these days. 1088 00:58:18,880 --> 00:58:20,720 Speaker 2: Call on the phone and you don't even have to 1089 00:58:20,800 --> 00:58:24,280 Speaker 2: say letters. You can just tell the operator who you want, 1090 00:58:24,720 --> 00:58:27,080 Speaker 2: and you say it's us, and then and they can 1091 00:58:27,840 --> 00:58:30,520 Speaker 2: take the plug and they'll put it into our plug. 1092 00:58:30,520 --> 00:58:34,320 Speaker 1: And then and you'll be plugged into us, just like now, 1093 00:58:35,640 --> 00:58:39,600 Speaker 1: like us on MySpace. Please do leave a review in 1094 00:58:40,000 --> 00:58:45,640 Speaker 1: the editorial section of your newspaper. And uh and just 1095 00:58:45,880 --> 00:58:47,560 Speaker 1: please keep having fun. 1096 00:58:48,000 --> 00:58:49,800 Speaker 6: I'm going I'm gonna be honest, I was going to 1097 00:58:49,880 --> 00:58:53,320 Speaker 6: plug my presence on a new social networking site. But 1098 00:58:53,360 --> 00:58:56,000 Speaker 6: I'm not sure if I want to share that with 1099 00:58:56,160 --> 00:58:57,280 Speaker 6: you too. 1100 00:58:58,000 --> 00:59:00,400 Speaker 1: Well, because you already know about what it is. Yeah, 1101 00:59:00,520 --> 00:59:04,040 Speaker 1: that's probably why. Sure, Yeah, well you brought it up 1102 00:59:04,120 --> 00:59:05,880 Speaker 1: and just fucking say it now. 1103 00:59:06,440 --> 00:59:09,120 Speaker 7: It's sorry, it's it's sort of like a young thing. 1104 00:59:09,280 --> 00:59:11,000 Speaker 2: You have to Well, why don't we all say it 1105 00:59:11,040 --> 00:59:13,040 Speaker 2: at the same time as lets. 1106 00:59:14,600 --> 00:59:15,280 Speaker 7: I really don't want to. 1107 00:59:15,880 --> 00:59:17,920 Speaker 2: Well if you just start saying and will and then 1108 00:59:17,960 --> 00:59:18,480 Speaker 2: we'll say it. 1109 00:59:18,600 --> 00:59:24,400 Speaker 7: Yeah, okay, are on account or you decide? 1110 00:59:24,800 --> 00:59:24,960 Speaker 1: Yeah? 1111 00:59:26,000 --> 00:59:26,800 Speaker 6: One one. 1112 00:59:28,840 --> 00:59:34,080 Speaker 1: Two two the networks called one two three. 1113 00:59:34,160 --> 00:59:36,880 Speaker 2: It's one two three getter there and it's one of 1114 00:59:37,000 --> 00:59:38,680 Speaker 2: the hottest cyber zones. 1115 00:59:39,360 --> 00:59:44,720 Speaker 1: Yes, oh god, definitely two point zero for sure. And 1116 00:59:44,880 --> 00:59:46,600 Speaker 1: it works on Windows and everything. 1117 00:59:47,480 --> 00:59:49,320 Speaker 7: Is this your computer just a gingerbread house? 1118 00:59:50,680 --> 00:59:50,880 Speaker 3: Yeah? 1119 00:59:50,960 --> 00:59:56,040 Speaker 2: I love sitting back rock and Twitter and eating the 1120 00:59:56,160 --> 00:59:56,440 Speaker 2: thing that. 1121 00:59:56,520 --> 00:59:57,080 Speaker 1: I type on. 1122 01:00:00,160 --> 01:00:02,760 Speaker 7: I stay away from most like processed sugars. 1123 01:00:02,360 --> 01:00:06,160 Speaker 1: And yeah yeah, yeah, no, yeah. For me, it's just 1124 01:00:06,280 --> 01:00:07,320 Speaker 1: mainly the gum drop door. 1125 01:00:07,440 --> 01:00:10,760 Speaker 2: The kind of computer, the kind of computers I are 1126 01:00:11,440 --> 01:00:12,240 Speaker 2: all natural. 1127 01:00:12,840 --> 01:00:22,240 Speaker 1: Mmmm bye. This has been an Earwolf Media production Executive 1128 01:00:22,280 --> 01:00:25,160 Speaker 1: producers Jeff Ulrick and Scott Ackerman. For more information, visit 1129 01:00:25,240 --> 01:00:40,520 Speaker 1: Earwolf dot com, ear Wolf Radio, Boom dot com, The 1130 01:00:40,640 --> 01:00:41,320 Speaker 1: Wolf Dead