1 00:00:00,120 --> 00:00:11,400 Speaker 1: The Nicky Gliser Podcast. Nicki Glaser's Nicky. Hello here, I 2 00:00:11,440 --> 00:00:14,000 Speaker 1: am welcome to the show. It's Nicky Glazer Podcast. I'm 3 00:00:14,040 --> 00:00:18,080 Speaker 1: Nicki Glazer. I am in my apartment in Saint Louis, Missouri. 4 00:00:18,160 --> 00:00:20,680 Speaker 1: Brian is here? What up? Brian? Yo? 5 00:00:21,160 --> 00:00:22,520 Speaker 2: You're right. We're all wearing gray. 6 00:00:22,760 --> 00:00:27,240 Speaker 1: We are all wearing gray. Whoa, it's a great day, y'all. 7 00:00:27,920 --> 00:00:30,240 Speaker 2: It's uh Christmas malaise. 8 00:00:30,840 --> 00:00:34,440 Speaker 1: Yeah, you're strong. Ending the Yeah, ending the year is 9 00:00:34,479 --> 00:00:38,440 Speaker 1: strong with a depressive color. Uh. Noah is here? 10 00:00:38,600 --> 00:00:39,000 Speaker 2: What up? 11 00:00:39,040 --> 00:00:39,320 Speaker 1: Nose? 12 00:00:40,760 --> 00:00:42,200 Speaker 2: Oh? Yeah? 13 00:00:42,320 --> 00:00:45,559 Speaker 1: People people sometimes go I remember Andrew being like that 14 00:00:45,680 --> 00:00:49,199 Speaker 1: sounds like you're Jewish, serve some sort. I was like, 15 00:00:49,640 --> 00:00:52,720 Speaker 1: that is not a take it back, take it back? 16 00:00:53,000 --> 00:00:56,800 Speaker 1: Only she can call herself that. No. I, uh, do 17 00:00:56,840 --> 00:00:57,360 Speaker 1: you hate it? 18 00:00:57,760 --> 00:00:58,040 Speaker 2: I like? 19 00:00:58,160 --> 00:01:01,760 Speaker 1: No's no, I like it. Anytime you call me a nickname, 20 00:01:01,800 --> 00:01:03,840 Speaker 1: I like it. Yeah, I do. I love it. Even 21 00:01:03,880 --> 00:01:05,520 Speaker 1: call me the K word and I would like it. 22 00:01:06,360 --> 00:01:08,480 Speaker 1: Jesus Christ. Remember we had to walk my mom through 23 00:01:08,520 --> 00:01:12,120 Speaker 1: that in a very like we had to literally spell 24 00:01:12,160 --> 00:01:15,160 Speaker 1: it out for her. She's like, I know the word 25 00:01:15,160 --> 00:01:17,960 Speaker 1: I've never heard in which way it was used. 26 00:01:18,880 --> 00:01:27,080 Speaker 2: Us rhymes with bike and she's like kicky, like no. 27 00:01:25,000 --> 00:01:29,360 Speaker 1: No, she's so freaking funny. My mom. We went to 28 00:01:29,360 --> 00:01:30,679 Speaker 1: a party last night. We went to a party at 29 00:01:30,680 --> 00:01:33,039 Speaker 1: Taylor McGraw, who you know from the podcast. We went 30 00:01:33,040 --> 00:01:35,360 Speaker 1: to her house for a Christmas party. It was all 31 00:01:35,400 --> 00:01:38,080 Speaker 1: of her friends. It was so fun. Taylor's house is 32 00:01:38,160 --> 00:01:40,560 Speaker 1: amazing and it reminds you of being in a museum. 33 00:01:40,600 --> 00:01:43,400 Speaker 1: And she has she collects bugs, so there's like pinned 34 00:01:43,440 --> 00:01:46,880 Speaker 1: bugs in these like cases everywhere. And then she's obsessed 35 00:01:46,920 --> 00:01:51,000 Speaker 1: with the JFK assassination and so there's like newspapers from 36 00:01:51,000 --> 00:01:52,640 Speaker 1: the day he was shot. Like she has all these. 37 00:01:52,720 --> 00:01:56,720 Speaker 1: She has like a portrait of Lyndon B. Johnson written 38 00:01:56,720 --> 00:01:59,600 Speaker 1: out from like a typewriter, typed it and then it 39 00:01:59,680 --> 00:02:01,600 Speaker 1: like looks like his face, but it's all just if 40 00:02:01,600 --> 00:02:05,400 Speaker 1: you look closely, it's just words typed. And she has 41 00:02:06,160 --> 00:02:08,520 Speaker 1: tons and tons of books, one of which is Anya's 42 00:02:08,600 --> 00:02:13,120 Speaker 1: dad's book about the JFK assassination and conspiracy that it 43 00:02:13,160 --> 00:02:16,000 Speaker 1: was the CIA who did it and Anya's dad wrote 44 00:02:16,040 --> 00:02:19,000 Speaker 1: a giant book about it. And we were all like 45 00:02:19,080 --> 00:02:21,400 Speaker 1: oh my and my mom's like, oh my god, this 46 00:02:21,440 --> 00:02:23,799 Speaker 1: is Anya's dad's book. Like she couldn't believe it. My 47 00:02:23,880 --> 00:02:27,239 Speaker 1: dad was getting a little jealous. Jealous. Yeah, he was 48 00:02:27,280 --> 00:02:29,680 Speaker 1: kind of like, yeah, one of thirty copies and I 49 00:02:29,720 --> 00:02:36,120 Speaker 1: was like, what they had a really hot that night. No, 50 00:02:36,200 --> 00:02:38,400 Speaker 1: they did it because then we re dropped my mom. 51 00:02:38,480 --> 00:02:41,200 Speaker 1: My mom is a party animal. Okay, my mom on 52 00:02:41,280 --> 00:02:45,600 Speaker 1: a Wednesday night in Saint Louis wanted to go afterwards. 53 00:02:45,639 --> 00:02:48,359 Speaker 1: She's like, We're going to see a led Zeppelin Tripapan. 54 00:02:48,440 --> 00:02:50,600 Speaker 1: I'm going with Elaine, my mom's friend who like parties 55 00:02:50,600 --> 00:02:53,480 Speaker 1: with her. Were Elaine and I are going. Elaine doesn't drink, 56 00:02:53,520 --> 00:02:54,920 Speaker 1: so but she's like it doesn't need a driver, and 57 00:02:54,960 --> 00:02:58,200 Speaker 1: my mom can get schwated and hang out and then 58 00:02:58,240 --> 00:03:01,240 Speaker 1: Elaine can drive her home. Lane just like has fun 59 00:03:01,240 --> 00:03:03,400 Speaker 1: without drinking. Like she's just like, you know, one of 60 00:03:03,440 --> 00:03:06,000 Speaker 1: those people. I cannot relate to my mom's stamina at 61 00:03:06,040 --> 00:03:07,480 Speaker 1: sixty five years old to want to go to a 62 00:03:07,600 --> 00:03:10,160 Speaker 1: Christmas party. Then she has a little she starts in 63 00:03:10,280 --> 00:03:12,400 Speaker 1: vibing a little bit. She's doing a little jazzy kind 64 00:03:12,400 --> 00:03:14,919 Speaker 1: of dance every time she walks in a room. We're going, 65 00:03:15,280 --> 00:03:20,200 Speaker 1: what this is Jerry's book? Oh my god, Taylor, you 66 00:03:20,280 --> 00:03:24,480 Speaker 1: have Anya's dad's book. Look at this house. Oh my god, 67 00:03:24,520 --> 00:03:27,960 Speaker 1: there's silk everywhere. She's bopping and booping and she's making 68 00:03:28,000 --> 00:03:29,880 Speaker 1: us all laugh with all of her enthusiasm. 69 00:03:30,400 --> 00:03:32,919 Speaker 2: And then this is after she drinks a little bit. 70 00:03:32,960 --> 00:03:34,960 Speaker 1: It's a little bit like one or two, one and 71 00:03:34,960 --> 00:03:38,880 Speaker 1: a half, and she is like she's she marches around, yeah, 72 00:03:38,920 --> 00:03:41,840 Speaker 1: the zips and she she just like a little toy soldier. 73 00:03:41,840 --> 00:03:44,240 Speaker 1: She's marching around and like she does a little dance 74 00:03:44,280 --> 00:03:47,400 Speaker 1: in every room and it's everything is this and that, 75 00:03:47,680 --> 00:03:50,360 Speaker 1: and you aren't get out of here with that. That 76 00:03:50,520 --> 00:03:53,240 Speaker 1: is the cutest day I've ever you know, she's just 77 00:03:53,560 --> 00:03:56,720 Speaker 1: and she makes Chris laugh so hard it's almost insulting 78 00:03:56,760 --> 00:03:58,760 Speaker 1: to me because I've never heard him laugh that hard. 79 00:03:59,160 --> 00:04:01,200 Speaker 1: He just like ever, I think she says it's funny 80 00:04:01,680 --> 00:04:04,440 Speaker 1: and so then but then after Taylor's party, she's like, 81 00:04:04,480 --> 00:04:07,120 Speaker 1: I'm having your dad dropped me off at Broadway oyster bar. 82 00:04:07,240 --> 00:04:09,760 Speaker 1: I don't care. I'm going to see this Led Zeppelin 83 00:04:10,000 --> 00:04:12,680 Speaker 1: cover band. I don't give a shit there. And it's 84 00:04:12,840 --> 00:04:16,640 Speaker 1: her her friend's son's band. So he's like forty something, 85 00:04:16,760 --> 00:04:18,560 Speaker 1: so it's not like it's like a young it's they 86 00:04:19,040 --> 00:04:22,480 Speaker 1: he's in this he's like a famous Saint Louis musician. 87 00:04:22,480 --> 00:04:24,000 Speaker 1: He's in all these bands. But they do a great 88 00:04:24,040 --> 00:04:25,880 Speaker 1: Led Zeppelin cover band. Because we dropped her off at 89 00:04:25,920 --> 00:04:27,440 Speaker 1: this bar, we could hear it through the bar. It 90 00:04:27,480 --> 00:04:29,520 Speaker 1: was like kind of an almost an outdoor ish bar, 91 00:04:29,600 --> 00:04:32,839 Speaker 1: even though it's freezing cold. And my mom is just 92 00:04:33,320 --> 00:04:35,520 Speaker 1: was rage and probably till two in the morning, and 93 00:04:35,560 --> 00:04:40,120 Speaker 1: then came back home and just and then I woke 94 00:04:40,200 --> 00:04:41,640 Speaker 1: up to a text from her at like eight thirty 95 00:04:41,640 --> 00:04:44,359 Speaker 1: in the morning, something about like will you send me 96 00:04:44,400 --> 00:04:46,520 Speaker 1: that picture from a thing? Like she's just like she's 97 00:04:46,600 --> 00:04:48,880 Speaker 1: up and she chugged a diet coke. She's ready to go. 98 00:04:49,000 --> 00:04:51,560 Speaker 1: She's back on the back on the I guess she's 99 00:04:51,600 --> 00:04:53,360 Speaker 1: not back on the horse. She fell off the horse 100 00:04:53,440 --> 00:04:55,599 Speaker 1: last night, but she's back. Well, yeah, she's back on 101 00:04:55,600 --> 00:04:58,479 Speaker 1: the horse. She's going to Goodwills today, probably Payton a 102 00:04:58,480 --> 00:05:02,080 Speaker 1: wall up on the ladder. She's just I love. And 103 00:05:02,360 --> 00:05:04,240 Speaker 1: earlier in the day my mom came. I had a 104 00:05:04,279 --> 00:05:08,120 Speaker 1: photo shoot yesterday and I was having an existential crisis 105 00:05:08,120 --> 00:05:09,960 Speaker 1: and I was like crying, and which isn't good for 106 00:05:10,000 --> 00:05:11,560 Speaker 1: your makeup that you just had applied for two and 107 00:05:11,560 --> 00:05:14,039 Speaker 1: a half hours. So it's like I was like not 108 00:05:14,160 --> 00:05:16,280 Speaker 1: having a good times. I just needed somewhere that someone 109 00:05:16,360 --> 00:05:19,120 Speaker 1: there that like loved me to like help me through 110 00:05:19,160 --> 00:05:21,599 Speaker 1: it and to be like, you know, everyone there was 111 00:05:21,640 --> 00:05:24,839 Speaker 1: so nice and so supportive and like so felt bad 112 00:05:24,880 --> 00:05:26,880 Speaker 1: that I was crying, and it's it's awkward when you're 113 00:05:26,880 --> 00:05:29,360 Speaker 1: crying about being ugly because people just did your makeup 114 00:05:29,400 --> 00:05:32,640 Speaker 1: so you you're almost like it seems like they're constant. Yeah, 115 00:05:32,680 --> 00:05:35,120 Speaker 1: which I was like, it's not your fault, it's God's fault. 116 00:05:35,160 --> 00:05:37,560 Speaker 1: It's not what you did, is it. It's just my 117 00:05:37,800 --> 00:05:43,840 Speaker 1: it's I said, yeah, God made you and made you 118 00:05:43,880 --> 00:05:45,159 Speaker 1: think you're good at something that you're not. 119 00:05:45,200 --> 00:05:45,279 Speaker 2: No. 120 00:05:45,400 --> 00:05:48,760 Speaker 1: I actually had an amazing makeup stylist, Kara Olsen, and 121 00:05:48,760 --> 00:05:52,960 Speaker 1: then my stylist for clothing, Megan Perry. Shout out to 122 00:05:53,000 --> 00:05:54,880 Speaker 1: both of them, and they were so lovely and so 123 00:05:54,880 --> 00:05:57,760 Speaker 1: supportive and helping me with poses and looking up poses 124 00:05:57,800 --> 00:05:59,800 Speaker 1: and moving chairs and being like you should try this 125 00:05:59,880 --> 00:06:02,400 Speaker 1: like well and above beyond what they were supposed to do, 126 00:06:02,440 --> 00:06:04,479 Speaker 1: and they were so emotionally supportive, and I wrote them 127 00:06:04,680 --> 00:06:07,040 Speaker 1: both being like thank you for like not only your work, 128 00:06:07,080 --> 00:06:09,680 Speaker 1: but like I like start crying at one point. It 129 00:06:09,760 --> 00:06:12,279 Speaker 1: was just like because I just saw things on my face. 130 00:06:12,360 --> 00:06:14,279 Speaker 1: I don't usually like to look at pictures of myself. 131 00:06:14,279 --> 00:06:16,240 Speaker 1: As I'm taking a picture, people know this about me 132 00:06:16,320 --> 00:06:19,800 Speaker 1: because I can't convince myself I've changed. It's an ugly picture. 133 00:06:19,800 --> 00:06:21,880 Speaker 1: In two weeks, I can say, oh, I've my skin 134 00:06:22,000 --> 00:06:24,920 Speaker 1: is lifted since then. Actually I don't say that, but 135 00:06:25,040 --> 00:06:27,240 Speaker 1: it's if it's like a weight thing, or just like 136 00:06:27,279 --> 00:06:29,360 Speaker 1: a you look tired thing, I can think, oh, I'm 137 00:06:29,440 --> 00:06:32,200 Speaker 1: less tired now, or I've lost weight or whatever. My 138 00:06:32,240 --> 00:06:34,920 Speaker 1: body doesn't look that way. It's been time since then. 139 00:06:35,279 --> 00:06:37,240 Speaker 1: But if it's just now, it's like this is all 140 00:06:37,279 --> 00:06:40,320 Speaker 1: I have, And so much work went into This was 141 00:06:40,400 --> 00:06:43,400 Speaker 1: three hours getting ready and with a great stylist, this 142 00:06:43,480 --> 00:06:46,600 Speaker 1: is the good best it can be. And it's just disheartening, 143 00:06:47,000 --> 00:06:49,279 Speaker 1: and so I kind of started tearing up, but I wouldn't. 144 00:06:49,320 --> 00:06:50,760 Speaker 1: I was like, you, guys, I have to just go 145 00:06:51,960 --> 00:06:54,359 Speaker 1: figure myself out for a second. And we're pressed for 146 00:06:54,440 --> 00:06:57,240 Speaker 1: you also have a hard time, like especially when they 147 00:06:57,240 --> 00:06:59,279 Speaker 1: do your makeup, if they make you face the miror 148 00:06:59,279 --> 00:07:01,520 Speaker 1: and you have to like stare yourself for two hours. Yes, 149 00:07:01,520 --> 00:07:02,960 Speaker 1: I know that's hard for you too. It is, but 150 00:07:03,000 --> 00:07:04,720 Speaker 1: it's also hard if I don't look at the mirror 151 00:07:04,760 --> 00:07:06,440 Speaker 1: because then at the they get done and I go, 152 00:07:06,520 --> 00:07:09,080 Speaker 1: what did you do? You know, like sometimes I've had 153 00:07:09,120 --> 00:07:11,520 Speaker 1: that happen where I look like I'm RuPaul's drag Race, 154 00:07:11,600 --> 00:07:13,800 Speaker 1: you know, like where I've gone, oh my god, you 155 00:07:13,880 --> 00:07:15,640 Speaker 1: need to take this down. And it's much more harder 156 00:07:15,680 --> 00:07:18,440 Speaker 1: to take off makeup than put it on. So yeah, 157 00:07:18,480 --> 00:07:20,080 Speaker 1: it was just like, oh, and I'm not start up 158 00:07:20,120 --> 00:07:21,880 Speaker 1: my period. It's just like the worst time I should 159 00:07:21,880 --> 00:07:24,160 Speaker 1: look at my calendar when I'm doing a photo shoot 160 00:07:24,200 --> 00:07:26,520 Speaker 1: and make sure it's not happening in the five days 161 00:07:26,520 --> 00:07:28,680 Speaker 1: before my period, because it can. It's just too emotional. 162 00:07:28,760 --> 00:07:31,120 Speaker 1: And so I just I sucked up the tears because 163 00:07:31,120 --> 00:07:33,080 Speaker 1: there was no point. I was like, can I just 164 00:07:33,080 --> 00:07:35,240 Speaker 1: go cry really quick? But then I went to go cry, 165 00:07:35,240 --> 00:07:37,760 Speaker 1: and I was like, I saw the bags welling up 166 00:07:38,000 --> 00:07:40,200 Speaker 1: to produce the tears, and I go, I can't. I 167 00:07:40,360 --> 00:07:41,800 Speaker 1: just sucked it up, and I was like, I went 168 00:07:41,840 --> 00:07:43,400 Speaker 1: back out and I go, I'm just gonna pretend I'm 169 00:07:43,440 --> 00:07:45,320 Speaker 1: someone else. And that's what I did. I turned the 170 00:07:45,360 --> 00:07:49,960 Speaker 1: screen away Taylor Swift. I pretended I was Taylor Swift 171 00:07:50,520 --> 00:07:52,400 Speaker 1: and that I was. Yeah, I just had to pretend 172 00:07:52,440 --> 00:07:54,080 Speaker 1: I was someone else because if I for a second 173 00:07:54,240 --> 00:07:56,840 Speaker 1: was like Nikki, you're badass and you're gonna kill it 174 00:07:56,880 --> 00:07:59,160 Speaker 1: and you just filmed a special and everything's going your way, 175 00:07:59,200 --> 00:08:02,040 Speaker 1: Like I can't convinced myself of that in this state. 176 00:08:02,160 --> 00:08:04,400 Speaker 1: Like just had a hard week. It's not been the 177 00:08:04,400 --> 00:08:06,600 Speaker 1: week that I've wanted to after my special. It's been 178 00:08:06,640 --> 00:08:09,680 Speaker 1: a lot of regret and like why did I do this? 179 00:08:09,840 --> 00:08:12,080 Speaker 1: And why didn't I do that? It like it just 180 00:08:12,120 --> 00:08:14,280 Speaker 1: sucks when you think something it is as if I 181 00:08:14,320 --> 00:08:18,640 Speaker 1: gave birth and my baby is was it was not 182 00:08:18,680 --> 00:08:21,720 Speaker 1: a good berth, right, Like something happened during the labor, 183 00:08:21,760 --> 00:08:23,880 Speaker 1: and I don't get to have the baby that I 184 00:08:23,920 --> 00:08:25,680 Speaker 1: thought I was gonna have. And I'm not saying I 185 00:08:25,720 --> 00:08:28,720 Speaker 1: relate to women who have any complications during that, but 186 00:08:28,840 --> 00:08:30,560 Speaker 1: you know, I think I think even if you have 187 00:08:30,640 --> 00:08:33,720 Speaker 1: a healthy baby, you expect that first week of like, 188 00:08:34,000 --> 00:08:36,560 Speaker 1: oh I'm not pregnant anymore. I think there's you just 189 00:08:36,600 --> 00:08:39,040 Speaker 1: expect it to be like freeing, but instead this has 190 00:08:39,080 --> 00:08:41,240 Speaker 1: been like oh god, if I could have I'm just 191 00:08:41,280 --> 00:08:43,520 Speaker 1: getting jealous of people who are shooting their specials in March, 192 00:08:43,559 --> 00:08:45,880 Speaker 1: Like I saw a girl that's shooting her special in March, 193 00:08:45,920 --> 00:08:48,920 Speaker 1: and I'm like, oh, I wish I had marched to 194 00:08:48,960 --> 00:08:52,040 Speaker 1: fix the things or whatever. It's just I'm having that. 195 00:08:52,320 --> 00:08:54,319 Speaker 1: So it was just a spirally weak and then I 196 00:08:54,360 --> 00:08:56,760 Speaker 1: planned this photo shoot. My mom came by and it 197 00:08:56,800 --> 00:09:00,080 Speaker 1: really changed my mood. She was like, so, oh, oh 198 00:09:00,120 --> 00:09:03,280 Speaker 1: my god, you are just beautiful. I don't even I 199 00:09:03,320 --> 00:09:06,720 Speaker 1: can't even Nikki, what are you doing? This is insane. 200 00:09:06,720 --> 00:09:08,160 Speaker 1: So she was like saying stuff that I was kind 201 00:09:08,160 --> 00:09:09,560 Speaker 1: of rolling my eyes out, but it did make me 202 00:09:09,559 --> 00:09:13,439 Speaker 1: feel better. And then we left there and we went 203 00:09:13,480 --> 00:09:15,440 Speaker 1: to a thrift store because that's my mom's favorite thing, 204 00:09:15,480 --> 00:09:17,200 Speaker 1: and I just she was like, can't believe you're going 205 00:09:17,200 --> 00:09:19,760 Speaker 1: to Saint Vincent de Paul with me. This is crazy, 206 00:09:19,760 --> 00:09:21,960 Speaker 1: And I go, I would go with you to ask 207 00:09:22,000 --> 00:09:23,960 Speaker 1: me to go any day. I like hanging out. I 208 00:09:23,960 --> 00:09:27,840 Speaker 1: have no friends in Saint Louis, and I like hanging 209 00:09:27,880 --> 00:09:30,559 Speaker 1: with you. I think you're funny and cool and we 210 00:09:30,760 --> 00:09:32,560 Speaker 1: really have a good time together. But she was just like, 211 00:09:32,840 --> 00:09:34,320 Speaker 1: I can't believe you're going here. And I got the 212 00:09:34,320 --> 00:09:36,040 Speaker 1: sweater there. It's an old Navy sweater I got for 213 00:09:36,080 --> 00:09:38,120 Speaker 1: eight bucks. It's brand new and it's extra extra arts 214 00:09:38,120 --> 00:09:40,079 Speaker 1: and I love it, and Chris will probably hate it 215 00:09:40,080 --> 00:09:42,880 Speaker 1: because he doesn't like my oversized looks. I can I 216 00:09:42,960 --> 00:09:43,800 Speaker 1: think men don't. 217 00:09:43,679 --> 00:09:47,600 Speaker 2: Like I love oversized looks on women. Yeah, I love oversize. Really, 218 00:09:47,840 --> 00:09:50,679 Speaker 2: I love dressed down. I don't like I like when 219 00:09:50,679 --> 00:09:55,880 Speaker 2: a woman looks like she it just fell through a 220 00:09:56,040 --> 00:09:58,280 Speaker 2: laundry basket and came side. 221 00:09:59,000 --> 00:10:02,880 Speaker 1: Oh my god, that's real. It's sweet because I don't 222 00:10:02,920 --> 00:10:05,040 Speaker 1: I think when I wear like Jinko, Like right now, 223 00:10:05,160 --> 00:10:07,640 Speaker 1: Jinko type jeans are back in, you know, really baggy 224 00:10:07,720 --> 00:10:11,080 Speaker 1: jeans like widely no, not with a patch, or like 225 00:10:11,120 --> 00:10:13,560 Speaker 1: the chain wallet and the silver chair T shirt. 226 00:10:13,800 --> 00:10:16,120 Speaker 2: Yeah, and the mass of So strange how it feels 227 00:10:16,200 --> 00:10:18,760 Speaker 2: like nineties fashion is making a comeback. 228 00:10:18,760 --> 00:10:21,240 Speaker 1: Maybe because it's thirty years. Every thirty years, it's cyclical. 229 00:10:21,520 --> 00:10:24,760 Speaker 1: That's why in the nineties sixties was like kind of cool. 230 00:10:24,800 --> 00:10:27,880 Speaker 1: I think, I don't know, or it's like retro. It's 231 00:10:27,880 --> 00:10:31,600 Speaker 1: now retro, so retro equals cool. But yeah, so I 232 00:10:31,640 --> 00:10:33,440 Speaker 1: think Chris is not a fan of the Jinko type 233 00:10:33,480 --> 00:10:36,560 Speaker 1: jeans and any kind of oversized look. But I'm feeling it. 234 00:10:36,600 --> 00:10:39,640 Speaker 1: I like things being big. I'm I realized one of 235 00:10:39,679 --> 00:10:42,960 Speaker 1: my I can relate to people who have autism in 236 00:10:43,000 --> 00:10:46,080 Speaker 1: the sense of sensory things. I have just to have it. 237 00:10:46,080 --> 00:10:48,040 Speaker 1: As a kid, I would freak out with socks being 238 00:10:48,040 --> 00:10:50,280 Speaker 1: too fuzzy. I would be like, get them off, and 239 00:10:50,320 --> 00:10:52,079 Speaker 1: I would cry, and my mom would be like, she's 240 00:10:52,160 --> 00:10:54,880 Speaker 1: insane about socks, Like I just couldn't stand these socks 241 00:10:54,920 --> 00:10:56,640 Speaker 1: I had to wear for these this Catholic school I 242 00:10:56,679 --> 00:10:58,920 Speaker 1: went to, and I remember freaking out and then I 243 00:10:58,960 --> 00:11:02,520 Speaker 1: would bend my sometimes and the fuzz on the knee 244 00:11:02,840 --> 00:11:05,600 Speaker 1: that you could see in the silhouette makes me go like, 245 00:11:07,679 --> 00:11:09,960 Speaker 1: I hate it. I hate it so much. But that 246 00:11:10,120 --> 00:11:13,720 Speaker 1: my biggest pet peeve with clothing is when the sleeves 247 00:11:13,960 --> 00:11:18,760 Speaker 1: are like on our right here on my wrist, like 248 00:11:18,880 --> 00:11:22,360 Speaker 1: right above the that bone, like I need to I 249 00:11:22,440 --> 00:11:26,120 Speaker 1: want to sleeve like down to my where my pinky starts, 250 00:11:26,400 --> 00:11:28,400 Speaker 1: like I want to baggy sleeve that makes me look 251 00:11:28,440 --> 00:11:31,560 Speaker 1: like I'm a I'm cozy blake, lively on a and 252 00:11:31,600 --> 00:11:34,520 Speaker 1: having a cup of cocoa, and the sweater is touching 253 00:11:34,559 --> 00:11:37,679 Speaker 1: the cup of coco like I like to back my long, 254 00:11:38,280 --> 00:11:41,200 Speaker 1: long sleeves. I hate when it's just a little yippy 255 00:11:41,280 --> 00:11:42,960 Speaker 1: skippy is what we called it, because I don't know 256 00:11:43,000 --> 00:11:46,000 Speaker 1: why we just named that. In high school, when the 257 00:11:46,040 --> 00:11:48,360 Speaker 1: pants would ride up too high, we'd be like, oh, 258 00:11:48,400 --> 00:11:53,840 Speaker 1: it's yippy skippy, and then I think pants, yes, yeah, yeah, 259 00:11:53,880 --> 00:11:56,120 Speaker 1: So it's yippy skippy on the arms too, like if 260 00:11:56,120 --> 00:11:59,520 Speaker 1: it's too short, oh, I want to die. I want 261 00:11:59,520 --> 00:12:01,320 Speaker 1: to die. So so anyway, I got the sweater and 262 00:12:01,360 --> 00:12:04,440 Speaker 1: that's not like that. And then but my mom last 263 00:12:04,520 --> 00:12:06,920 Speaker 1: night was like we were walking in St. Vincent de 264 00:12:07,000 --> 00:12:10,400 Speaker 1: Paul Society thrift shop and she was like, your dad's 265 00:12:10,400 --> 00:12:12,000 Speaker 1: mad at me. I'm going because I want to go. 266 00:12:12,120 --> 00:12:13,839 Speaker 1: He's already mad at me. She called him in between 267 00:12:13,840 --> 00:12:15,480 Speaker 1: the photo shoot and Saint Vincent de Paul. It was 268 00:12:15,480 --> 00:12:17,600 Speaker 1: like three mile drive, and I guess she called him 269 00:12:17,600 --> 00:12:20,280 Speaker 1: in that time because we drove separately. She's like, he's 270 00:12:20,320 --> 00:12:22,640 Speaker 1: mad at me because we're gonna go. I want to 271 00:12:22,679 --> 00:12:25,439 Speaker 1: go to the led Szepplin. My dad doesn't like that 272 00:12:25,520 --> 00:12:27,120 Speaker 1: kind of music. He was like making fun of it. 273 00:12:28,720 --> 00:12:30,120 Speaker 1: I don't I can't do a led Zeppelin song. 274 00:12:30,160 --> 00:12:32,000 Speaker 2: Your own dad doesn't like led Zeppelin. 275 00:12:32,280 --> 00:12:35,200 Speaker 1: He just thinks he's like, some songs are okay, but yeah, 276 00:12:35,200 --> 00:12:38,880 Speaker 1: he's he's like Beatles anything that like made the Beatles go, like, 277 00:12:39,200 --> 00:12:41,160 Speaker 1: we don't really care anymore. My dad was like not 278 00:12:41,280 --> 00:12:43,480 Speaker 1: into it, it's as if. And he's a musician, so 279 00:12:43,600 --> 00:12:45,000 Speaker 1: he's like, you know, I. 280 00:12:44,880 --> 00:12:47,760 Speaker 2: Feel like everybody in his generation loves led Zeppelin. 281 00:12:47,840 --> 00:12:49,520 Speaker 1: Yeah you would think, but my dad was such a 282 00:12:49,520 --> 00:12:52,720 Speaker 1: Beatles head. It's as it's as if, Like it's it's 283 00:12:52,880 --> 00:12:56,800 Speaker 1: like how Swifties feel about well, actually Swifties are supportive 284 00:12:56,840 --> 00:12:59,280 Speaker 1: of all the artists that come in her wake. But 285 00:12:59,520 --> 00:13:02,079 Speaker 1: it's kind of like that, like my dad does. My 286 00:13:02,200 --> 00:13:04,240 Speaker 1: dad and I disagree on so much when it comes 287 00:13:04,240 --> 00:13:07,520 Speaker 1: to Taylor Swift, but he doesn't realize we're very similar 288 00:13:07,559 --> 00:13:09,240 Speaker 1: because of his passion for the Beatles, where he has 289 00:13:09,280 --> 00:13:11,760 Speaker 1: like a million Beatles books. There's Beatles posters all over, 290 00:13:11,880 --> 00:13:14,760 Speaker 1: like you want to go down on the Beatles just 291 00:13:14,760 --> 00:13:16,320 Speaker 1: as much as I want to go down on Taylor, 292 00:13:16,960 --> 00:13:18,760 Speaker 1: and I don't really want to. That's just a metaphor 293 00:13:18,920 --> 00:13:22,000 Speaker 1: for do you like my Beatles? Yeah? I love the Beatles, 294 00:13:22,080 --> 00:13:24,520 Speaker 1: love love love. Like I grew up my dad like 295 00:13:24,760 --> 00:13:25,920 Speaker 1: you know, indoctrinated me. 296 00:13:26,360 --> 00:13:27,760 Speaker 2: That was one of their unreleased hits. 297 00:13:27,960 --> 00:13:33,319 Speaker 1: It probably was love Love Love Wait a favorite, yeah 298 00:13:33,360 --> 00:13:37,080 Speaker 1: in my life, I think is my favorite? What's your favorite? 299 00:13:38,040 --> 00:13:39,319 Speaker 2: Golden Slumbers? 300 00:13:39,880 --> 00:13:41,320 Speaker 1: Wait? How does that start? 301 00:13:41,360 --> 00:13:46,000 Speaker 2: Because I it starts with just a piano, I think, 302 00:13:46,040 --> 00:13:49,400 Speaker 2: and then Golden Slumbers Feel Your Rise? 303 00:13:50,360 --> 00:13:54,160 Speaker 1: Oh yeah, yes I do know that song. 304 00:13:54,200 --> 00:13:57,800 Speaker 2: But Golden Slumbers most underrated Beatles song. I Will. 305 00:13:59,320 --> 00:14:00,679 Speaker 1: And then what is the chorus? O? 306 00:14:01,480 --> 00:14:04,440 Speaker 2: Sleep pretty dull? Please? Well, then it goes into carry 307 00:14:04,440 --> 00:14:05,960 Speaker 2: that Weight and then it goes into the end. 308 00:14:06,200 --> 00:14:08,080 Speaker 1: That's why I love that song because it's like eight 309 00:14:08,120 --> 00:14:11,240 Speaker 1: different songs in one song. That's why I can't pin 310 00:14:11,320 --> 00:14:14,640 Speaker 1: it down. But yeah, that song is fucking great. My favorite, 311 00:14:14,640 --> 00:14:19,240 Speaker 1: which I posted about on my Instagram story lately. It's 312 00:14:19,280 --> 00:14:20,440 Speaker 1: not that sounds like it's the name of the song, 313 00:14:20,440 --> 00:14:22,760 Speaker 1: but I posted lately about it. I think when I 314 00:14:22,800 --> 00:14:25,240 Speaker 1: was doing press for f Boy in LA. I was 315 00:14:25,280 --> 00:14:28,520 Speaker 1: at the Spotify center doing a podcast and I was 316 00:14:28,520 --> 00:14:30,000 Speaker 1: in a waiting room and they had all the Beatles 317 00:14:30,080 --> 00:14:34,440 Speaker 1: lyrics printed up and I instantly found or not the lyrics, 318 00:14:34,440 --> 00:14:36,680 Speaker 1: but the description of how each song came to be. 319 00:14:37,360 --> 00:14:43,000 Speaker 1: And my favorite is the one about I'm Gonna You'll 320 00:14:43,040 --> 00:14:45,400 Speaker 1: Get you in the No. If I catch you with 321 00:14:45,680 --> 00:14:48,920 Speaker 1: another man, that's the end, little girl. I've talked about 322 00:14:48,920 --> 00:14:50,760 Speaker 1: it a million times on this podcast, but I'm obsessed 323 00:14:50,800 --> 00:14:54,320 Speaker 1: with that, like I'd rather see you dead, a little girl, 324 00:14:54,360 --> 00:14:58,400 Speaker 1: than to be with another man. Your head, a little girl, 325 00:14:58,560 --> 00:15:00,960 Speaker 1: you won't know where I am the fuck he's telling 326 00:15:00,960 --> 00:15:05,680 Speaker 1: her you better watch out. I'm coming. I'm gonna lie yes, 327 00:15:06,160 --> 00:15:09,000 Speaker 1: So run for your life if you can, little girl. 328 00:15:09,400 --> 00:15:12,040 Speaker 1: Hide your head and the sound little girl. If I 329 00:15:12,080 --> 00:15:16,280 Speaker 1: catch you with another man, that's the end, little girl. 330 00:15:16,840 --> 00:15:21,960 Speaker 1: And then it's like boom festive. Yeah, that's like to say. 331 00:15:22,040 --> 00:15:26,000 Speaker 1: And I know I love when musicians make choices like that, 332 00:15:26,040 --> 00:15:28,480 Speaker 1: where you're like, what the fuck is that? I do 333 00:15:28,600 --> 00:15:34,840 Speaker 1: have to say that when people say may like, you 334 00:15:34,880 --> 00:15:37,720 Speaker 1: are looking at may like and out of the woods, Taylor, 335 00:15:38,320 --> 00:15:41,240 Speaker 1: you were looking at may and it's you were looking 336 00:15:41,280 --> 00:15:44,640 Speaker 1: at May instead of me. It's because me sounds very 337 00:15:44,640 --> 00:15:47,000 Speaker 1: bad when you sing it. So, as a person who 338 00:15:47,000 --> 00:15:50,320 Speaker 1: takes singing lessons, I've learned that people will say different 339 00:15:51,040 --> 00:15:55,480 Speaker 1: things in lieu of the actual words. So Ariana Grande 340 00:15:55,560 --> 00:15:58,600 Speaker 1: does it a lot. She just she is very experimental 341 00:15:58,600 --> 00:16:01,720 Speaker 1: with the words she chooses to sing but yeah that 342 00:16:01,880 --> 00:16:04,640 Speaker 1: it's gonna be May. He just leaned into May a 343 00:16:04,680 --> 00:16:07,720 Speaker 1: little bit more than it's gonna be me. No one 344 00:16:07,720 --> 00:16:10,520 Speaker 1: wants to hear me. It doesn't sound it's like a 345 00:16:10,600 --> 00:16:15,000 Speaker 1: warm up. Please, it isn't it dory me doray me? Yeah, 346 00:16:15,040 --> 00:16:17,920 Speaker 1: I guess it is, but me sounds bad like. There's 347 00:16:17,920 --> 00:16:20,600 Speaker 1: this Taylor Swift song, the August Song, back when we 348 00:16:20,600 --> 00:16:22,600 Speaker 1: were still changing for the better, hold on wanting was 349 00:16:22,760 --> 00:16:25,480 Speaker 1: enough for me. It wasn't enough for May. It wasn't enough. 350 00:16:25,920 --> 00:16:28,000 Speaker 1: So for the hope of it all, cancel plans just 351 00:16:28,040 --> 00:16:30,280 Speaker 1: in case you call to meet me beehind the mall 352 00:16:30,600 --> 00:16:32,920 Speaker 1: so much for some of love and saying us because 353 00:16:32,960 --> 00:16:35,680 Speaker 1: you weren't okay, because you weren't mine instead of mine, 354 00:16:36,560 --> 00:16:39,560 Speaker 1: because you weren't mone to lose, so you say. 355 00:16:39,440 --> 00:16:41,520 Speaker 2: Mon, yeah, mon. 356 00:16:42,000 --> 00:16:43,680 Speaker 1: So every time I sing that song, I have to 357 00:16:43,680 --> 00:16:47,280 Speaker 1: remember to say because you weren't mone to lose, because 358 00:16:47,320 --> 00:16:50,080 Speaker 1: if I said because you weren't mine to lose, it 359 00:16:50,120 --> 00:16:54,040 Speaker 1: goes like yie, and then it makes your like and 360 00:16:54,120 --> 00:16:55,920 Speaker 1: it's not as pleasantly. 361 00:16:55,520 --> 00:16:57,120 Speaker 2: Sounded like a season. 362 00:16:57,280 --> 00:17:00,360 Speaker 1: Sorry if you do that, because you learn. 363 00:17:03,960 --> 00:17:06,360 Speaker 2: The Beatles have a song called Maggie May and they 364 00:17:06,400 --> 00:17:10,160 Speaker 2: sing it, oh dirty Maggie me because they don't want 365 00:17:10,160 --> 00:17:11,480 Speaker 2: it to sound oh right. 366 00:17:11,359 --> 00:17:14,320 Speaker 1: You got to do it the other ways like that. 367 00:17:14,320 --> 00:17:15,960 Speaker 2: That's what I was complying with that. 368 00:17:16,680 --> 00:17:20,080 Speaker 1: I like it. I liked it first. I was I 369 00:17:20,119 --> 00:17:23,600 Speaker 1: don't know that Maggie May song, I dirty Maggie May. 370 00:17:23,720 --> 00:17:25,600 Speaker 1: I think that I don't like that song, I think. 371 00:17:25,600 --> 00:17:28,320 Speaker 1: And I also don't like Hay Bulldog. I'm sorry to 372 00:17:28,359 --> 00:17:30,440 Speaker 1: anyone who likes all Dog. 373 00:17:30,440 --> 00:17:34,200 Speaker 2: Oh yeah, I forgot that song last Yeah some quick 374 00:17:34,200 --> 00:17:37,800 Speaker 2: Beatles Trivia before please, So you know the song the End, 375 00:17:37,840 --> 00:17:41,200 Speaker 2: which is the third act of the trilogy at Golden Slumbers. 376 00:17:44,800 --> 00:17:45,560 Speaker 1: Love You. 377 00:17:45,720 --> 00:17:49,879 Speaker 2: Yes, So that song was actually the last song the 378 00:17:49,920 --> 00:17:53,560 Speaker 2: Beatles together ever recorded, and it was the end, And 379 00:17:53,600 --> 00:17:56,320 Speaker 2: it wasn't the last song they released though, because they 380 00:17:56,359 --> 00:17:58,280 Speaker 2: released the albums out of order. They didn't let it 381 00:17:58,320 --> 00:18:02,400 Speaker 2: be after they did, right, and but. 382 00:18:02,280 --> 00:18:04,760 Speaker 1: They recorded Abbey Road before Yes. 383 00:18:04,920 --> 00:18:07,600 Speaker 2: So the last song that they ever recorded was together 384 00:18:07,680 --> 00:18:10,280 Speaker 2: all together was the End. Oh it's pretty cool? 385 00:18:10,920 --> 00:18:11,400 Speaker 1: Crazy? 386 00:18:12,080 --> 00:18:12,640 Speaker 2: Yeah? Yeah? 387 00:18:12,760 --> 00:18:15,240 Speaker 1: Have you do you like the news song that Now 388 00:18:15,280 --> 00:18:17,800 Speaker 1: and Forever? What's it called? Then and Now? And then? 389 00:18:18,680 --> 00:18:22,000 Speaker 1: It's their new release that just they cumpled. You know, 390 00:18:22,040 --> 00:18:24,840 Speaker 1: they put together a bunch of old recordings. It's the 391 00:18:24,960 --> 00:18:27,680 Speaker 1: last of the the tracks that will ever come out 392 00:18:27,680 --> 00:18:30,000 Speaker 1: of the Beatles, Like they're not gonna squeeze. 393 00:18:29,600 --> 00:18:32,520 Speaker 2: The sponge anymore. Real Love, which is one of my 394 00:18:32,560 --> 00:18:36,120 Speaker 2: favorite songs ever. Yeah, it's like, God damn, that motherfucker 395 00:18:36,400 --> 00:18:37,920 Speaker 2: so fucking good. 396 00:18:38,320 --> 00:18:41,000 Speaker 1: Yeah, that was like came out in nineteen ninety seven 397 00:18:41,080 --> 00:18:42,120 Speaker 1: or eight or something like that. 398 00:18:42,119 --> 00:18:43,280 Speaker 2: That was what the anthology. 399 00:18:43,359 --> 00:18:47,240 Speaker 1: And then the first anthology song though was Real Love 400 00:18:47,280 --> 00:18:51,960 Speaker 1: was the second one. No, no, no, it was a different. 401 00:18:51,600 --> 00:18:58,680 Speaker 2: One because red is the color that isn't that. 402 00:18:58,920 --> 00:19:01,119 Speaker 1: Yes it was on a Yes, it is is on 403 00:19:01,160 --> 00:19:04,000 Speaker 1: an album. I can almost guarantee it. Let's go to 404 00:19:04,040 --> 00:19:05,840 Speaker 1: break and we'll figure this out when we get back. 405 00:19:08,160 --> 00:19:10,400 Speaker 1: Welcome back to the show. Okay. The other Beatles Anthology 406 00:19:10,400 --> 00:19:12,359 Speaker 1: song was Free as a Bird, which I love because 407 00:19:12,440 --> 00:19:14,920 Speaker 1: John Lennon sounds so spooky in it because they don't 408 00:19:14,920 --> 00:19:19,639 Speaker 1: have his like the recording shit, so it's like as 409 00:19:19,960 --> 00:19:24,240 Speaker 1: the Bird, it's the next best thing. It's so good. 410 00:19:24,720 --> 00:19:25,679 Speaker 1: When those songs came out. 411 00:19:25,800 --> 00:19:29,639 Speaker 2: The ship shot John Lennon, you like killed the equivalent 412 00:19:29,720 --> 00:19:32,159 Speaker 2: of a thousand people or something. I mean, what a 413 00:19:32,280 --> 00:19:36,680 Speaker 2: what a what a theft on humanity to steal that man. 414 00:19:37,680 --> 00:19:41,080 Speaker 2: You know, at least George Harrison was stolen by God, 415 00:19:41,200 --> 00:19:43,840 Speaker 2: but John Lennon was stolen by a man. 416 00:19:44,119 --> 00:19:47,640 Speaker 1: And that's answer. Yeah, which I guess God gave him, yes, 417 00:19:47,840 --> 00:19:50,639 Speaker 1: And it's all that Dopey smoked in the sixties. 418 00:19:51,359 --> 00:19:53,400 Speaker 2: We don't know if the Beatles were gonna ever get 419 00:19:53,480 --> 00:19:55,520 Speaker 2: I bet you the Beatles would have gotten back together 420 00:19:55,640 --> 00:19:56,439 Speaker 2: in the nineties or. 421 00:19:57,240 --> 00:20:01,280 Speaker 1: A thousand question. The only people that don't get back 422 00:20:01,320 --> 00:20:04,399 Speaker 1: together for money is Oasis brothers. Those two are like, really, 423 00:20:05,080 --> 00:20:08,679 Speaker 1: I can't believe not enough money hasn't been offered for 424 00:20:08,720 --> 00:20:11,760 Speaker 1: those two to settle their grievances. But you know, the 425 00:20:11,760 --> 00:20:14,440 Speaker 1: Beatles would have been totally gotten back together because you 426 00:20:14,520 --> 00:20:17,480 Speaker 1: might see them back with AI. Yeah, you're right, that 427 00:20:17,560 --> 00:20:18,119 Speaker 1: will happen. 428 00:20:18,880 --> 00:20:20,800 Speaker 2: Fuck that. But you're like, they're not going to make 429 00:20:20,880 --> 00:20:22,440 Speaker 2: new Beatles songs? 430 00:20:22,480 --> 00:20:24,439 Speaker 1: That are you know they might be able to do 431 00:20:24,600 --> 00:20:26,080 Speaker 1: with AI. Oh my god, I don't. 432 00:20:26,440 --> 00:20:30,560 Speaker 2: AI is capable of doing anything artistic. That's good. Really, 433 00:20:30,800 --> 00:20:31,280 Speaker 2: that's right. 434 00:20:31,840 --> 00:20:33,680 Speaker 1: They won't make it. It doesn't mean they won't. 435 00:20:33,520 --> 00:20:35,919 Speaker 2: Make it, but I know that AI is making a 436 00:20:35,920 --> 00:20:38,080 Speaker 2: lot of music now and beats and stuff like that. 437 00:20:38,160 --> 00:20:42,240 Speaker 2: But I feel like there's two things that AI can't do. 438 00:20:42,720 --> 00:20:47,320 Speaker 2: One is they can't make anything truly original because everything 439 00:20:47,560 --> 00:20:52,480 Speaker 2: is taken from other artists and cobble together. Number Two, 440 00:20:52,960 --> 00:20:56,840 Speaker 2: they can't have human experiences. Therefore, the art that they're 441 00:20:56,920 --> 00:20:59,760 Speaker 2: creating is based on nothing. And I feel like art 442 00:21:00,200 --> 00:21:00,880 Speaker 2: they learn. 443 00:21:00,920 --> 00:21:07,760 Speaker 1: About having human experiences from observing from you know, consuming 444 00:21:07,920 --> 00:21:10,520 Speaker 1: all of our media and writing. 445 00:21:10,320 --> 00:21:12,600 Speaker 2: And it can only mimic what other it's It's just 446 00:21:12,680 --> 00:21:16,000 Speaker 2: it's just all AI is right now. Is this predictive, 447 00:21:16,240 --> 00:21:18,919 Speaker 2: It's just a prediction engine. It's just predicting what the 448 00:21:18,960 --> 00:21:22,640 Speaker 2: next word most highly probable would be after the previous 449 00:21:22,640 --> 00:21:25,560 Speaker 2: word that was said, or whatever programming or however they're 450 00:21:25,560 --> 00:21:29,520 Speaker 2: doing it. But it's it's not anything. It's not creating 451 00:21:29,560 --> 00:21:32,480 Speaker 2: new experiences, it's not experiencing anything. It's not conscious in 452 00:21:32,520 --> 00:21:35,879 Speaker 2: any way. It's just probability. Like if I say the 453 00:21:36,200 --> 00:21:38,440 Speaker 2: it's like it's basically like a really advanced version. Know, 454 00:21:38,480 --> 00:21:40,440 Speaker 2: when you're texting on your phone and it gives. 455 00:21:40,280 --> 00:21:42,320 Speaker 1: You like, yeah, can we play that game? Can we 456 00:21:42,320 --> 00:21:42,840 Speaker 1: play the game? 457 00:21:43,040 --> 00:21:43,200 Speaker 2: Game? 458 00:21:43,320 --> 00:21:46,360 Speaker 1: We got it so fun? Basically check that's my favorite game. Okay, 459 00:21:47,440 --> 00:21:48,920 Speaker 1: I am going to pull up I'm going to write 460 00:21:48,960 --> 00:21:50,960 Speaker 1: to Noah. Okay, so what you do is you pull 461 00:21:51,000 --> 00:21:52,359 Speaker 1: up your phone. If you have an iPhone, if you 462 00:21:52,359 --> 00:21:54,080 Speaker 1: have a droid, what the fuck are you even listening 463 00:21:54,119 --> 00:21:56,920 Speaker 1: to this podcast for I don't even want you guys 464 00:21:56,960 --> 00:22:00,240 Speaker 1: to listen now, I'm just kidding. Uh, Droid phones actually 465 00:22:00,240 --> 00:22:03,040 Speaker 1: take better pictures by far. Okay. So I'm gonna pick 466 00:22:03,119 --> 00:22:06,000 Speaker 1: up I'm gonna pull up Noah, and I'm gonna put 467 00:22:06,040 --> 00:22:08,800 Speaker 1: in Okay. So it's starting with My predictive thing is 468 00:22:09,320 --> 00:22:11,760 Speaker 1: the and I like to do it where I press 469 00:22:11,960 --> 00:22:14,360 Speaker 1: sometimes the left one, sometimes the right one. I mix 470 00:22:14,400 --> 00:22:16,360 Speaker 1: it up, but I blindly mix it up, so I'm 471 00:22:16,400 --> 00:22:16,960 Speaker 1: not looking. 472 00:22:17,040 --> 00:22:19,639 Speaker 2: So I'm gonna make a text instead of Noah. I 473 00:22:19,640 --> 00:22:21,560 Speaker 2: think you should pick someone on your phone that's not 474 00:22:21,560 --> 00:22:25,080 Speaker 2: involved in this conversation. Really, no matter what it says, 475 00:22:25,160 --> 00:22:26,359 Speaker 2: you're gonna have to send it. 476 00:22:26,760 --> 00:22:31,840 Speaker 1: Okay. I just did one for you to make Okay. 477 00:22:32,000 --> 00:22:34,080 Speaker 1: I don't think you should pick me, because mine that 478 00:22:34,160 --> 00:22:36,199 Speaker 1: I just did for you is just HI. There. Just 479 00:22:36,240 --> 00:22:39,640 Speaker 1: wanted you to see how you're feeling today. Oh my god, 480 00:22:39,680 --> 00:22:43,200 Speaker 1: that's good that so you would be because Also, it 481 00:22:43,280 --> 00:22:45,199 Speaker 1: kind of starts almost like you're like, hey, I just 482 00:22:45,200 --> 00:22:48,200 Speaker 1: want to make sure those files uploaded if if you 483 00:22:48,240 --> 00:22:51,080 Speaker 1: could check, Like it's still like, hey, not a big deal. 484 00:22:51,320 --> 00:22:52,879 Speaker 1: I know you have a lot going on today. Like 485 00:22:52,960 --> 00:22:55,920 Speaker 1: that's I would predict. Noah's would be like, hey, it's 486 00:22:55,960 --> 00:22:59,280 Speaker 1: always understanding of my circumstance plus asking me for something, 487 00:22:59,400 --> 00:23:00,920 Speaker 1: plus a cab out of like you don't have to 488 00:23:00,960 --> 00:23:03,399 Speaker 1: do this now, it doesn't really matter. I love you. 489 00:23:03,480 --> 00:23:06,840 Speaker 1: It's always like she's the best friend a person could 490 00:23:06,880 --> 00:23:11,320 Speaker 1: ask for, Like, God, I love it. Okay, so I'm gonna. 491 00:23:11,080 --> 00:23:13,200 Speaker 2: Pick she just sent a text to Kirsten or something. 492 00:23:13,240 --> 00:23:15,120 Speaker 1: Okay, I'll send it to Kurston. She'll be so confused. 493 00:23:15,119 --> 00:23:16,720 Speaker 1: But she's probably teaching a polity of stuff right now, 494 00:23:16,760 --> 00:23:19,600 Speaker 1: so I have time before she starts. Okay, So I'm 495 00:23:19,640 --> 00:23:20,480 Speaker 1: pressing it blindly. 496 00:23:20,960 --> 00:23:22,600 Speaker 2: You have to do at least until a sentence is 497 00:23:22,600 --> 00:23:22,879 Speaker 2: for him. 498 00:23:22,960 --> 00:23:26,240 Speaker 1: I'm doing it like so much. I'm going and I'm 499 00:23:26,359 --> 00:23:28,920 Speaker 1: going fast. Okay. Oh, there's some emojis coming in. 500 00:23:29,640 --> 00:23:31,160 Speaker 2: Wow, you have emojis in there. 501 00:23:32,240 --> 00:23:34,240 Speaker 1: Oh my god, this is okay. Tell me when to 502 00:23:34,240 --> 00:23:38,240 Speaker 1: stop wop. The only way I could do that was 503 00:23:38,280 --> 00:23:40,080 Speaker 1: if I could find someone to help you with your 504 00:23:40,119 --> 00:23:42,760 Speaker 1: car payment, I could get it paid for you. If 505 00:23:42,760 --> 00:23:44,840 Speaker 1: you would rather, I can pay you for it. If 506 00:23:44,880 --> 00:23:46,560 Speaker 1: I can do that, and you don't have a problem. 507 00:23:46,600 --> 00:23:48,640 Speaker 1: I just want you to be honest. I just don't 508 00:23:48,640 --> 00:23:50,520 Speaker 1: know if I can help you. You can help you 509 00:23:50,640 --> 00:23:52,800 Speaker 1: out if you're not busy or not. If you're busy, 510 00:23:52,960 --> 00:23:54,720 Speaker 1: just let us be friends. I love you. I hope 511 00:23:54,720 --> 00:23:55,200 Speaker 1: you're okay. 512 00:23:55,920 --> 00:23:59,200 Speaker 2: Wow, that really encapsulates a laser crack. 513 00:24:00,240 --> 00:24:03,920 Speaker 1: Pay you. I'll let you know when I can pay you. 514 00:24:04,320 --> 00:24:07,399 Speaker 1: It's no problem. But can I pay you? And I 515 00:24:07,440 --> 00:24:09,400 Speaker 1: love you? And I'm just very busy, and I hope 516 00:24:09,400 --> 00:24:09,800 Speaker 1: you're well. 517 00:24:10,440 --> 00:24:12,040 Speaker 2: And you wanted to be honest? Oh yeah, and I 518 00:24:12,040 --> 00:24:15,840 Speaker 2: want you to be I mean that more Ni Glazer. 519 00:24:17,160 --> 00:24:18,760 Speaker 1: I just had to write. That's a game we played 520 00:24:18,760 --> 00:24:24,320 Speaker 1: on the pod. Okay, that is so funny. All right, Okay, 521 00:24:24,760 --> 00:24:25,439 Speaker 1: who are you gonna do? 522 00:24:26,520 --> 00:24:27,960 Speaker 2: No as you got I don't know a lot of 523 00:24:27,960 --> 00:24:29,880 Speaker 2: your circle. But you could do your husband. 524 00:24:31,240 --> 00:24:34,199 Speaker 1: Yeah, I think you do your husband, or you can 525 00:24:34,280 --> 00:24:37,960 Speaker 1: do Kirsten. You do Curson too, Okay, to do Kirsten too. 526 00:24:38,640 --> 00:24:43,000 Speaker 1: Oh God, he's gonna get so many He's gonna get 527 00:24:43,000 --> 00:24:44,879 Speaker 1: a car paid. I'm gonna I'm gonna raise the thing 528 00:24:44,920 --> 00:24:47,240 Speaker 1: that I said. I'm playing a game. Damn it, I'm 529 00:24:47,240 --> 00:24:50,520 Speaker 1: erasing it. Oh my god, mine is so boring. 530 00:24:51,000 --> 00:24:54,320 Speaker 2: Okay, so okay, here we go. 531 00:24:54,440 --> 00:24:57,680 Speaker 1: I just pushed the middle one. Okay, Hey there, I'm 532 00:24:57,720 --> 00:24:59,440 Speaker 1: on the road. I should have an hour and a 533 00:24:59,480 --> 00:25:01,400 Speaker 1: half before where I'm back to work. I will text 534 00:25:01,480 --> 00:25:03,159 Speaker 1: when I'm leaving, and i'll text when I leave, and 535 00:25:03,280 --> 00:25:05,040 Speaker 1: I can come get the car if that's cool, and 536 00:25:05,080 --> 00:25:07,959 Speaker 1: I'll be home by five. Got the car payment. I 537 00:25:08,000 --> 00:25:18,000 Speaker 1: talked to her, Wow the car. Disparate texts about this car, 538 00:25:18,160 --> 00:25:23,440 Speaker 1: pem that she's gotta be honest with It's again. I 539 00:25:23,520 --> 00:25:27,040 Speaker 1: like how Noah's is Noah, we can tell when you text, 540 00:25:27,040 --> 00:25:29,840 Speaker 1: it's mostly about alerting people to like let them know 541 00:25:29,920 --> 00:25:34,160 Speaker 1: that something's gonna happen, right like you're you're you use 542 00:25:34,200 --> 00:25:36,399 Speaker 1: your phone for like the reason it should be used 543 00:25:36,480 --> 00:25:38,760 Speaker 1: is like, hey, I'm going to arrive at this time. 544 00:25:38,960 --> 00:25:42,480 Speaker 1: This is stuff you need to know. I really like that. Okay, Brian, 545 00:25:42,920 --> 00:25:46,680 Speaker 1: do you want christ Do you have your number? 546 00:25:46,640 --> 00:25:50,320 Speaker 2: I'll I have the car. Why are you pick that up? 547 00:25:51,280 --> 00:25:51,880 Speaker 2: What's her note? 548 00:25:51,880 --> 00:25:51,960 Speaker 1: Oh? 549 00:25:52,000 --> 00:25:54,320 Speaker 2: Wait, you can't tell me your number on the ID. 550 00:25:54,359 --> 00:25:55,800 Speaker 1: You can just bleep it. Do you want to do it? 551 00:25:56,400 --> 00:26:02,119 Speaker 2: Yeah? Okay, Okay, here we go. Did you just do middle? Nick, 552 00:26:02,359 --> 00:26:04,720 Speaker 2: you do first and third and middle or whatever you want. 553 00:26:04,800 --> 00:26:06,760 Speaker 1: I went all over. I went like like I was 554 00:26:06,840 --> 00:26:08,639 Speaker 1: just like crossing, very feverishly fast. 555 00:26:08,840 --> 00:26:10,040 Speaker 2: Okay, tell me what to stop? 556 00:26:14,000 --> 00:26:16,640 Speaker 1: Do do do do do do do do do do 557 00:26:16,640 --> 00:26:18,000 Speaker 1: do do stop. 558 00:26:20,080 --> 00:26:23,760 Speaker 2: Okay, please tell me. 559 00:26:23,880 --> 00:26:28,200 Speaker 1: Not gonna fucking no, wait, it's listening. Then. 560 00:26:29,240 --> 00:26:31,919 Speaker 2: I'm a little late clock emoji to this one. But 561 00:26:31,960 --> 00:26:33,960 Speaker 2: I'm gonna go and see if they are available for 562 00:26:34,000 --> 00:26:36,159 Speaker 2: a little visit tomorrow morning. I will be there to 563 00:26:36,200 --> 00:26:43,560 Speaker 2: get it and then I can get the car. I 564 00:26:43,640 --> 00:26:45,840 Speaker 2: am not hold hold. 565 00:26:45,960 --> 00:26:49,040 Speaker 1: The fuck on? Wait, send it, send it and it's 566 00:26:49,080 --> 00:26:55,000 Speaker 1: a car Emojiay, I'm gonna text her. Now. You just 567 00:26:55,000 --> 00:26:58,000 Speaker 1: got a random text from Brian Franjie because we're on 568 00:26:58,080 --> 00:27:01,600 Speaker 1: the podcast and we're sending predictive texts of what our 569 00:27:01,600 --> 00:27:04,400 Speaker 1: phone would think to send you. Period, we each had 570 00:27:04,440 --> 00:27:07,280 Speaker 1: a text predict that we should send you something about 571 00:27:07,280 --> 00:27:11,080 Speaker 1: a car. Period. Be on the lookout for car stuff today. 572 00:27:11,760 --> 00:27:13,840 Speaker 2: Yeah, I mean maybe it's cursed and not us. 573 00:27:13,920 --> 00:27:16,480 Speaker 1: Oh, weird when I send a car here in when 574 00:27:16,480 --> 00:27:18,679 Speaker 1: I wrote car stuff, when I dictated it was c 575 00:27:18,840 --> 00:27:24,520 Speaker 1: A R R like Alan Carr a car. Oh whoa. 576 00:27:24,680 --> 00:27:27,040 Speaker 1: That's so fun. Everyone should play that when you're bored 577 00:27:27,720 --> 00:27:29,760 Speaker 1: and have nothing else to do on your phone, play 578 00:27:29,800 --> 00:27:32,200 Speaker 1: predictive text games with your friends, because sometimes Chris and 579 00:27:32,280 --> 00:27:33,720 Speaker 1: I used to do it so often that I would 580 00:27:33,720 --> 00:27:36,560 Speaker 1: always know if I got like a giant, you know, 581 00:27:36,640 --> 00:27:38,919 Speaker 1: tower of text, that it was that, and then you 582 00:27:38,960 --> 00:27:40,560 Speaker 1: just read it and you go like, oh my god, 583 00:27:41,400 --> 00:27:42,879 Speaker 1: I want to see what I would say to Chris. 584 00:27:43,040 --> 00:27:44,840 Speaker 1: Let's just see where our relationship is today. 585 00:27:44,880 --> 00:27:47,520 Speaker 2: Is it different for who you're texting? I think it's 586 00:27:47,600 --> 00:27:48,439 Speaker 2: just based on. 587 00:27:48,760 --> 00:27:52,640 Speaker 1: I really, it's just based on cars. Oh wait, wait 588 00:27:52,720 --> 00:27:56,959 Speaker 1: this kind of car you guys? Car is coming up again? No? 589 00:27:57,400 --> 00:27:58,840 Speaker 1: Maybe because it here's us. 590 00:28:01,400 --> 00:28:05,119 Speaker 2: Do you think it's hearing us and it's saying we're well, No, 591 00:28:05,200 --> 00:28:08,560 Speaker 2: because it's not hearing you, because I'm hearing you through 592 00:28:08,560 --> 00:28:10,240 Speaker 2: my headphones and Mike exactly. 593 00:28:10,320 --> 00:28:12,720 Speaker 1: It doesn't know. The only way I could get the 594 00:28:12,800 --> 00:28:15,399 Speaker 1: job is to go back in and get my car serviced, 595 00:28:15,440 --> 00:28:18,359 Speaker 1: and so I can come back and do the work 596 00:28:18,680 --> 00:28:20,320 Speaker 1: for you. But you will have a good night. I 597 00:28:20,359 --> 00:28:22,400 Speaker 1: will see if you want me to. If not, I'll 598 00:28:22,440 --> 00:28:24,800 Speaker 1: get you something else. I don't care about that. But 599 00:28:24,880 --> 00:28:27,679 Speaker 1: you know what, you don't have a job and you 600 00:28:27,680 --> 00:28:30,240 Speaker 1: can do whatever. I don't want. You know, I love 601 00:28:30,320 --> 00:28:32,879 Speaker 1: you that you have to you have to work for 602 00:28:32,960 --> 00:28:34,960 Speaker 1: a lot, and you have a job, and I don't 603 00:28:35,000 --> 00:28:41,320 Speaker 1: care if I have a problem. Wow, this is so 604 00:28:40,840 --> 00:28:44,920 Speaker 1: it's you know, I feel like I'm a good person 605 00:28:44,960 --> 00:28:46,720 Speaker 1: based on these things. I feel like I'm a very 606 00:28:46,760 --> 00:28:50,920 Speaker 1: empathetic This is an empathetic person's predictive AI texting. 607 00:28:51,240 --> 00:28:53,760 Speaker 2: You're trying to explain how you feel. You're saying that 608 00:28:53,800 --> 00:28:57,000 Speaker 2: you love the person regardless, and if you just want 609 00:28:57,000 --> 00:28:58,680 Speaker 2: to fix the problem, and if it needs if you 610 00:28:58,680 --> 00:28:59,880 Speaker 2: need to pay for it, you will. 611 00:29:03,240 --> 00:29:05,440 Speaker 1: My car needs to be serviced so bad, you guys. 612 00:29:05,680 --> 00:29:08,479 Speaker 1: It is leaking oil onto the engine, then it's burning, 613 00:29:08,760 --> 00:29:11,760 Speaker 1: and then the burnt oil smell travels into my nose. 614 00:29:11,840 --> 00:29:14,560 Speaker 1: I really am getting brain damage, probably from breathing in this. 615 00:29:14,760 --> 00:29:18,200 Speaker 1: But it's not actually like ruining the car. The car drive, 616 00:29:18,200 --> 00:29:22,920 Speaker 1: It's just ruining me car. What I do. It is 617 00:29:22,960 --> 00:29:25,760 Speaker 1: so embarrassing to pull up in this car in this town. 618 00:29:26,080 --> 00:29:28,400 Speaker 1: People think I'm like a big deal. And then I 619 00:29:28,760 --> 00:29:30,960 Speaker 1: pull up in my mom's beat up Lexus, which is 620 00:29:31,000 --> 00:29:35,400 Speaker 1: a nice Lexuses are so nice. It drives, it's so old, 621 00:29:35,520 --> 00:29:38,280 Speaker 1: and it's like really dented up. I backed into a trailer. 622 00:29:38,320 --> 00:29:40,240 Speaker 1: It poked a hole through the back bumper, so it 623 00:29:40,240 --> 00:29:41,760 Speaker 1: looks I have a bullet hole back there. 624 00:29:42,400 --> 00:29:44,240 Speaker 2: There's a lot going on. 625 00:29:44,360 --> 00:29:48,720 Speaker 1: But anyway, last night, so myody, we go to this 626 00:29:49,280 --> 00:29:51,680 Speaker 1: picture of this car. Please, oh my god, I will. 627 00:29:51,840 --> 00:29:54,000 Speaker 1: I'll give you one, Like people need to see what 628 00:29:54,240 --> 00:29:56,960 Speaker 1: it is a faded dusty green, so it always looks dirty, 629 00:29:57,080 --> 00:29:59,440 Speaker 1: like it's kind of dusty green that you can't it 630 00:29:59,480 --> 00:30:03,040 Speaker 1: can't look And also I don't like that this happens. 631 00:30:03,080 --> 00:30:06,040 Speaker 1: But it needs a whitening for its lights, Like it's 632 00:30:06,040 --> 00:30:08,560 Speaker 1: almost like teeth are are like the lights of a car, 633 00:30:08,920 --> 00:30:12,080 Speaker 1: and my cars are yellowing like the lights are yellow. 634 00:30:12,160 --> 00:30:17,160 Speaker 1: So it always looks Dirney always. And yeah, it drives 635 00:30:17,160 --> 00:30:18,920 Speaker 1: like a dream. It's so smooth and I love it. 636 00:30:18,960 --> 00:30:21,600 Speaker 1: But I really need a new car. I have a 637 00:30:21,640 --> 00:30:24,000 Speaker 1: feeling Chris and I are going to find one over 638 00:30:24,240 --> 00:30:26,120 Speaker 1: the break and I will have a new car soon 639 00:30:26,120 --> 00:30:27,520 Speaker 1: and I will feel amazing about it. And you guys 640 00:30:27,560 --> 00:30:29,200 Speaker 1: will hear about it so much. I will text you 641 00:30:29,240 --> 00:30:30,960 Speaker 1: about it all the time because that's all my phone 642 00:30:31,000 --> 00:30:36,040 Speaker 1: wants to even talk about anyway. But yo, so yo yo, 643 00:30:36,240 --> 00:30:41,320 Speaker 1: so let yes, fucking my phone needs to learn that. Yo. 644 00:30:42,200 --> 00:30:45,280 Speaker 1: We're at Saint Vincent de Paulio and we are rifting, 645 00:30:45,680 --> 00:30:48,040 Speaker 1: and my mom's like, your dad's mad at me because 646 00:30:48,320 --> 00:30:51,720 Speaker 1: I want to go to this oyster bar to hear 647 00:30:51,760 --> 00:30:55,200 Speaker 1: this band and your dad doesn't like them. And I go, Mom, 648 00:30:55,680 --> 00:30:57,040 Speaker 1: and this is what the You know, when we were 649 00:30:57,040 --> 00:30:58,560 Speaker 1: talking the other day about do you ever feel like 650 00:30:58,560 --> 00:31:01,240 Speaker 1: you're counseling your parents? I always just And this helps 651 00:31:01,240 --> 00:31:03,720 Speaker 1: me a lot with my relationship. I go the things 652 00:31:03,720 --> 00:31:06,560 Speaker 1: I see my parents repeatedly argue about and complain about 653 00:31:06,600 --> 00:31:09,520 Speaker 1: within their marriage. It's like they knew both these things. 654 00:31:09,520 --> 00:31:11,360 Speaker 1: They knew all of these things about each other when 655 00:31:11,360 --> 00:31:14,840 Speaker 1: they got married. And there's this delusion that somehow along 656 00:31:14,880 --> 00:31:17,440 Speaker 1: the way, in forty two years of marriage that someone's 657 00:31:17,480 --> 00:31:21,400 Speaker 1: gonna change, And I go, mom, Dad married a party 658 00:31:21,440 --> 00:31:25,160 Speaker 1: animal and a woman who likes to party, and he can't. 659 00:31:25,680 --> 00:31:27,640 Speaker 1: It does make sense to think that your wife would 660 00:31:27,680 --> 00:31:33,000 Speaker 1: mellow out into her sixty But she hasn't. She's a 661 00:31:33,000 --> 00:31:36,560 Speaker 1: party animal, and I go. Dad has to reckon with that. 662 00:31:36,600 --> 00:31:38,800 Speaker 1: He has to just realize that you like to party. 663 00:31:39,200 --> 00:31:41,160 Speaker 1: And also he benefits from that so much because my 664 00:31:41,240 --> 00:31:42,920 Speaker 1: dad does like to party. And they both stay up 665 00:31:43,000 --> 00:31:45,520 Speaker 1: late and play music into the night into like three 666 00:31:45,520 --> 00:31:47,560 Speaker 1: in the morning a lot of times with their friends 667 00:31:47,600 --> 00:31:51,400 Speaker 1: and stuff. Yeah they'll do it alone, Oh my god. Yeah. Yeah, 668 00:31:51,400 --> 00:31:54,680 Speaker 1: they love staying up late and playing music. And they're 669 00:31:54,720 --> 00:31:57,640 Speaker 1: not like deeply unhealthy people or like you know, they're 670 00:31:57,680 --> 00:32:01,280 Speaker 1: not you know, horrible boot They're just they like to 671 00:32:01,280 --> 00:32:02,960 Speaker 1: have a good time. And it's like it's I love 672 00:32:03,040 --> 00:32:05,280 Speaker 1: coming from that kind of stock of people who just 673 00:32:05,320 --> 00:32:08,480 Speaker 1: like like a good party. But my mom likes to 674 00:32:08,520 --> 00:32:10,360 Speaker 1: party a little bit heartier than my dad. She likes 675 00:32:10,400 --> 00:32:12,440 Speaker 1: to drink a little bit more. She likes to get 676 00:32:12,480 --> 00:32:15,680 Speaker 1: sch wasted, which your your Girl relates to. My mom 677 00:32:15,840 --> 00:32:19,000 Speaker 1: likes to get a little blackout and and you know 678 00:32:19,200 --> 00:32:22,080 Speaker 1: she's gonna be having dementia soon, which that will be 679 00:32:22,160 --> 00:32:25,040 Speaker 1: her being blackout all the time. Like you know, when 680 00:32:25,120 --> 00:32:29,280 Speaker 1: Grandma's get like, they forget stuff and people just go all. 681 00:32:29,520 --> 00:32:32,520 Speaker 1: But when people who drink to blackout get drunk, everyone's 682 00:32:32,560 --> 00:32:34,920 Speaker 1: like you don't remember that, like they punish you for it. 683 00:32:35,480 --> 00:32:37,920 Speaker 1: So I think it's yeah, I always. 684 00:32:39,120 --> 00:32:40,800 Speaker 2: Well one of them is you're you're doing and the 685 00:32:40,800 --> 00:32:42,400 Speaker 2: other one is I. 686 00:32:42,440 --> 00:32:44,640 Speaker 1: Don't think it's your fault that you want to drink 687 00:32:44,680 --> 00:32:45,240 Speaker 1: to blackout. 688 00:32:45,360 --> 00:32:47,080 Speaker 2: Well sure, sure you want to that. 689 00:32:47,200 --> 00:32:49,040 Speaker 1: Yeah, yeah, you know, you know how I feel about 690 00:32:49,040 --> 00:32:52,920 Speaker 1: that stuff. Nothing's interesting, nothing special, and everything's not your fault, 691 00:32:52,920 --> 00:32:56,560 Speaker 1: but also it is, so yeah. Anyway, it was just 692 00:32:56,560 --> 00:32:58,840 Speaker 1: an interesting conversation of and she kind of was like 693 00:32:59,200 --> 00:33:02,840 Speaker 1: thank you, you're right, you know. And then and then 694 00:33:02,880 --> 00:33:04,400 Speaker 1: later on, I was like, Dad, are you mad we're 695 00:33:04,480 --> 00:33:05,960 Speaker 1: driving her to this bar? And he's like, I'm not mad. 696 00:33:06,000 --> 00:33:07,840 Speaker 1: I get to go home, be alone in peace. 697 00:33:08,000 --> 00:33:08,880 Speaker 2: It's gonna be nice. 698 00:33:09,160 --> 00:33:12,200 Speaker 1: I was just like, he's mad about it, but yeah, 699 00:33:12,240 --> 00:33:14,040 Speaker 1: they're just like they're just cuties. And they went to 700 00:33:14,040 --> 00:33:15,400 Speaker 1: this party. It was so fun going to a party 701 00:33:15,440 --> 00:33:15,720 Speaker 1: with my. 702 00:33:15,920 --> 00:33:18,800 Speaker 2: Home and start working on his conspiracy novel. Oh yeah, 703 00:33:18,840 --> 00:33:21,560 Speaker 2: oh yeah, you're going to match Onya's dad get. 704 00:33:21,440 --> 00:33:24,840 Speaker 1: Thirty one sales. I was just like, it's somewhat jealous. 705 00:33:24,840 --> 00:33:27,240 Speaker 1: I called about he goes and I was like, thank 706 00:33:27,280 --> 00:33:29,520 Speaker 1: you for admitting you're a little bit threatened by this, 707 00:33:30,080 --> 00:33:32,680 Speaker 1: like a friend of mine whose dad wrote a book, 708 00:33:32,920 --> 00:33:35,640 Speaker 1: and then I was thinking about, like, God, you ever 709 00:33:35,680 --> 00:33:37,480 Speaker 1: look at all these books and just go like, I 710 00:33:37,480 --> 00:33:40,760 Speaker 1: can't believe people wrote this many books. Yes, someone that'd 711 00:33:40,840 --> 00:33:44,000 Speaker 1: sit down. It is so hard to write a fucking book, man, 712 00:33:44,400 --> 00:33:46,840 Speaker 1: and so many people have done it, And I think 713 00:33:46,840 --> 00:33:49,080 Speaker 1: it's even harder now because there's less to do. Back 714 00:33:49,080 --> 00:33:51,640 Speaker 1: in the olden days, like that was just kind of 715 00:33:51,680 --> 00:33:54,560 Speaker 1: what there's not much to do. When you got a typewriter, 716 00:33:54,640 --> 00:33:57,040 Speaker 1: that was like, yeah, that was like scrolling on your phone. 717 00:33:57,200 --> 00:33:59,040 Speaker 1: People would be like, oh, you're wasting your life writing 718 00:33:59,040 --> 00:34:02,080 Speaker 1: that book over there on the hype. All you're doing 719 00:34:02,160 --> 00:34:02,760 Speaker 1: is just typing. 720 00:34:03,800 --> 00:34:06,640 Speaker 2: That's how I feel, especially about like nonfiction books. Like 721 00:34:06,680 --> 00:34:09,640 Speaker 2: every couple of years, some random politician that was just 722 00:34:09,680 --> 00:34:12,280 Speaker 2: like in the state department, we'll write a three hundred 723 00:34:12,320 --> 00:34:15,640 Speaker 2: page book about like the year, and it's like, man, 724 00:34:15,960 --> 00:34:18,560 Speaker 2: and then you know people and that people read that 725 00:34:18,600 --> 00:34:20,400 Speaker 2: book that year, and then it's just a waste. 726 00:34:20,719 --> 00:34:24,160 Speaker 1: And then it's just I mean, isn't that everything though 727 00:34:24,239 --> 00:34:26,000 Speaker 1: you put so much effort into it and then it's 728 00:34:26,120 --> 00:34:29,719 Speaker 1: just fleeting. I saw this really interesting thought experiment today 729 00:34:29,719 --> 00:34:31,319 Speaker 1: on Instagram. I put it on the girl's chat, but 730 00:34:32,000 --> 00:34:34,200 Speaker 1: it was this girl. It started out really annoying. I 731 00:34:34,239 --> 00:34:36,719 Speaker 1: like hated her. She was just like, let's do a 732 00:34:36,719 --> 00:34:39,600 Speaker 1: thought experiment. And I love thought experiments because they're usually 733 00:34:39,640 --> 00:34:43,239 Speaker 1: I've always heard thought experiment. I first enjoyed heard the 734 00:34:43,480 --> 00:34:46,160 Speaker 1: phrase thought experiment from Sam Harris, who is obviously the 735 00:34:46,200 --> 00:34:48,719 Speaker 1: most intellectual person I could imagine, and so I liked 736 00:34:48,760 --> 00:34:52,360 Speaker 1: them at first because they just they're usually philosophical questions 737 00:34:52,360 --> 00:34:54,520 Speaker 1: that make you go, oh my god, they totally turn 738 00:34:54,560 --> 00:34:57,160 Speaker 1: your world around, and this one actually interested me. So 739 00:34:57,160 --> 00:35:00,800 Speaker 1: this girl was talking about, imagine your life is fast forwarded, 740 00:35:00,960 --> 00:35:03,200 Speaker 1: and all of a sudden, all of the things in 741 00:35:03,239 --> 00:35:05,320 Speaker 1: your life just flash by in a second, like the 742 00:35:05,560 --> 00:35:09,000 Speaker 1: seasons change, and you're watching the earth spin and you're 743 00:35:09,000 --> 00:35:11,360 Speaker 1: seeing the seasons change and the sunrise and sunset, and 744 00:35:11,360 --> 00:35:13,480 Speaker 1: it's going so fast, and all of the birthdays and 745 00:35:13,840 --> 00:35:18,040 Speaker 1: anniversaries and celebrations and Christmases and everything just lose. And 746 00:35:18,080 --> 00:35:19,400 Speaker 1: then all of a sudden, you're there at the end 747 00:35:19,440 --> 00:35:21,560 Speaker 1: of your life, and you're laying in bed at the 748 00:35:21,640 --> 00:35:23,439 Speaker 1: end of your life. It's the last day of your life. 749 00:35:23,440 --> 00:35:27,640 Speaker 1: You've arrived at it, and your consciousness is going through 750 00:35:28,160 --> 00:35:31,760 Speaker 1: every single day of the past ninety years of your life, 751 00:35:32,080 --> 00:35:36,120 Speaker 1: and it decides to pick one day to pull up 752 00:35:36,239 --> 00:35:39,840 Speaker 1: for you to watch again and to relive, and suddenly 753 00:35:39,880 --> 00:35:42,800 Speaker 1: you are in let's say it's today. That day is today, 754 00:35:43,239 --> 00:35:45,879 Speaker 1: you right now watching this at home. It's today right 755 00:35:45,920 --> 00:35:49,040 Speaker 1: now that it picks up. And wouldn't you want that 756 00:35:49,160 --> 00:35:51,319 Speaker 1: day to be something where you're not laying in bed 757 00:35:51,360 --> 00:35:53,960 Speaker 1: scrolling on a phone. Wouldn't you want in your nine 758 00:35:54,080 --> 00:35:55,640 Speaker 1: year old self, you get to one more day be 759 00:35:55,680 --> 00:35:59,000 Speaker 1: in a younger body, with this young skin and your 760 00:35:59,040 --> 00:36:03,120 Speaker 1: young hair, in your flexible joints and your strong bones. 761 00:36:03,320 --> 00:36:05,360 Speaker 1: Wouldn't you want to go do something with that body 762 00:36:05,400 --> 00:36:07,839 Speaker 1: that's like walk outside and breathe in the air, which 763 00:36:07,880 --> 00:36:10,279 Speaker 1: is probably at ninety not really breatheable because you can't 764 00:36:10,280 --> 00:36:12,120 Speaker 1: go outside anymore. Don't you want to go look at 765 00:36:12,120 --> 00:36:14,560 Speaker 1: animals that are probably I'm adding all these things because 766 00:36:14,600 --> 00:36:16,799 Speaker 1: I believe in a more dystopian future than this girl 767 00:36:16,800 --> 00:36:18,920 Speaker 1: probably did. But don't you want to go look at animals? 768 00:36:19,000 --> 00:36:21,719 Speaker 1: Don't you want to go call up someone who's now 769 00:36:21,960 --> 00:36:24,439 Speaker 1: long dead and you haven't talked to in thirty years 770 00:36:24,440 --> 00:36:26,400 Speaker 1: since they passed away, don't you want to go do that? 771 00:36:26,680 --> 00:36:28,759 Speaker 1: And it really for whatever reason, At first I was 772 00:36:28,840 --> 00:36:30,640 Speaker 1: rolling my eyes, and then I was like, man, this 773 00:36:30,680 --> 00:36:34,440 Speaker 1: is like really tracking for me because I all of 774 00:36:34,480 --> 00:36:36,279 Speaker 1: a sudden put myself in my nine year old body 775 00:36:36,320 --> 00:36:38,200 Speaker 1: when all of my friends are dead, all of the 776 00:36:38,200 --> 00:36:40,640 Speaker 1: people that are now currently in my life are gone, 777 00:36:40,960 --> 00:36:43,120 Speaker 1: long gone. And I was like, I need to go 778 00:36:43,200 --> 00:36:46,600 Speaker 1: see my fucking niece enophew today. Like it created the 779 00:36:46,640 --> 00:36:49,719 Speaker 1: surgeon me that after I get done with Yeah, they'll 780 00:36:49,920 --> 00:36:51,680 Speaker 1: actually they will be Okay, I shouldn't. 781 00:36:51,280 --> 00:36:51,640 Speaker 2: Go to do that. 782 00:36:52,600 --> 00:36:54,520 Speaker 1: I gotta go hang out with see them. My mom 783 00:36:54,560 --> 00:36:57,440 Speaker 1: will probably still be trucking. Yeah, yeah, I shouldn't. Yeah, 784 00:36:57,480 --> 00:37:00,440 Speaker 1: I could see them. Then they'll be there holding up 785 00:37:00,480 --> 00:37:02,680 Speaker 1: the simulation for me to watch. I don't know if 786 00:37:02,680 --> 00:37:04,560 Speaker 1: you'll have to hold up an iPad for the simulation, 787 00:37:04,640 --> 00:37:06,640 Speaker 1: but they'll be there. Yeah. 788 00:37:06,719 --> 00:37:08,759 Speaker 2: I go to a Led Zeppelin cover band. That's what 789 00:37:08,800 --> 00:37:09,120 Speaker 2: I would. 790 00:37:10,080 --> 00:37:13,080 Speaker 1: That's living, baby, what my mom is doing is living. 791 00:37:13,360 --> 00:37:16,200 Speaker 1: And that's not saying that scrolling isn't fun. I like 792 00:37:16,280 --> 00:37:18,279 Speaker 1: scrolling on my phone. There's no shame in that. I 793 00:37:18,400 --> 00:37:20,640 Speaker 1: like going on Reddit, I like listening to podcasts. I 794 00:37:20,760 --> 00:37:22,920 Speaker 1: like being in bed in the dark. I like those things. 795 00:37:22,960 --> 00:37:25,440 Speaker 1: It is okay, But spending your whole day doing that 796 00:37:25,640 --> 00:37:28,880 Speaker 1: not okay. You know, like even if you suffer with depression, 797 00:37:28,960 --> 00:37:31,160 Speaker 1: like try to do something that gets you out so 798 00:37:31,200 --> 00:37:33,319 Speaker 1: that if that day is the day you choose at 799 00:37:33,320 --> 00:37:34,560 Speaker 1: the end of your life, which we don't know that 800 00:37:34,600 --> 00:37:36,760 Speaker 1: this is a thing that even happens, that there's something 801 00:37:36,760 --> 00:37:38,799 Speaker 1: in that day that you go, WHOA. I get to 802 00:37:38,800 --> 00:37:40,960 Speaker 1: feel my body, I get to be young again. I 803 00:37:40,960 --> 00:37:42,880 Speaker 1: get to be around people that I love again and 804 00:37:43,719 --> 00:37:45,680 Speaker 1: enjoy the world that once was. I thought that was 805 00:37:45,760 --> 00:37:46,399 Speaker 1: kind of just a. 806 00:37:46,320 --> 00:37:47,120 Speaker 2: Way to enjoy that. 807 00:37:47,760 --> 00:37:48,400 Speaker 1: Yeah, I like it. 808 00:37:48,600 --> 00:37:51,840 Speaker 2: I thought I had a belief a few times where 809 00:37:52,080 --> 00:37:57,400 Speaker 2: when you die you just start rewatching your entire life. 810 00:37:58,080 --> 00:38:00,560 Speaker 2: One thing I think is that what if hell is 811 00:38:01,000 --> 00:38:03,920 Speaker 2: you have to redo everything you did in your life, 812 00:38:04,080 --> 00:38:09,520 Speaker 2: except everything is grouped together. So like, let's say you 813 00:38:10,320 --> 00:38:13,440 Speaker 2: ate turkey sandwiches, you ate a thousand turkey sandwiches over 814 00:38:13,440 --> 00:38:16,000 Speaker 2: the course of your life. In hell, you have to 815 00:38:16,040 --> 00:38:18,520 Speaker 2: eat one thousand turkey sandwiches in a row before you 816 00:38:18,520 --> 00:38:21,120 Speaker 2: can move on to the next thing. Let's say you 817 00:38:22,520 --> 00:38:26,440 Speaker 2: which took poops for you know, seven hundred and eighty 818 00:38:26,440 --> 00:38:29,160 Speaker 2: hours total. Then you have to poop for that long. 819 00:38:29,239 --> 00:38:32,520 Speaker 2: In hell, let's say you had sex for because everything's 820 00:38:32,520 --> 00:38:35,479 Speaker 2: bad if it's long enough so that it's all things 821 00:38:35,560 --> 00:38:38,480 Speaker 2: added together in a row. That's one thing I've thought before. 822 00:38:38,560 --> 00:38:41,200 Speaker 1: Well, I was watching this girl yesterday, a girl I followed, 823 00:38:41,280 --> 00:38:45,880 Speaker 1: Katina Quilo Kuilo, Katina. 824 00:38:45,040 --> 00:38:47,320 Speaker 2: Quilo, Quilo, Tila tequila. 825 00:38:46,920 --> 00:38:52,640 Speaker 1: No quila, Katina Quilo eats. Katina eats. I think it's 826 00:38:52,680 --> 00:38:56,000 Speaker 1: her name, but she does. She's like a you know, 827 00:38:56,200 --> 00:38:58,120 Speaker 1: she eats a bunch of food on Instagram. She's not 828 00:38:58,200 --> 00:39:01,960 Speaker 1: a muckbanger necessarily. She's does food challenges all over the world, 829 00:39:02,000 --> 00:39:05,680 Speaker 1: and she's so adorable. She looks like Noah, oh she 830 00:39:05,840 --> 00:39:08,400 Speaker 1: and she is a body like has been a bodybuilder before, 831 00:39:08,560 --> 00:39:10,680 Speaker 1: and I'm I'm guessing she does some kind of MMA. 832 00:39:10,840 --> 00:39:13,120 Speaker 1: But she also met her husband, who is also a 833 00:39:13,640 --> 00:39:19,279 Speaker 1: food competitive competitive eater, through the competitive eating like community, 834 00:39:19,400 --> 00:39:21,120 Speaker 1: and she met him and they would do videos together 835 00:39:21,280 --> 00:39:23,359 Speaker 1: just like we're friends, and then they just like started dating. 836 00:39:23,400 --> 00:39:25,360 Speaker 1: It was so cute. You could tell they got together 837 00:39:25,400 --> 00:39:27,239 Speaker 1: to like because they probably had like a crush on 838 00:39:27,239 --> 00:39:29,520 Speaker 1: each other but didn't need to it was just you know, 839 00:39:29,560 --> 00:39:31,600 Speaker 1: it's like how comedians sometimes like start dating and you 840 00:39:31,600 --> 00:39:33,719 Speaker 1: can see like a podcast where they first met or whatever. 841 00:39:33,760 --> 00:39:35,480 Speaker 1: It's just fun to see that kind of stuff in 842 00:39:35,520 --> 00:39:38,200 Speaker 1: the like thenessence naissance of their relationship. 843 00:39:38,239 --> 00:39:38,399 Speaker 2: Yeah. 844 00:39:38,440 --> 00:39:43,440 Speaker 1: Anyway, so Katina Kilo's whatever. She ate a deep dish 845 00:39:43,600 --> 00:39:46,560 Speaker 1: Chicago pizza the other day and a giant thing of 846 00:39:46,640 --> 00:39:49,240 Speaker 1: beer and a giant pizza and a thing of fries. 847 00:39:49,600 --> 00:39:51,520 Speaker 1: And I was like watching it because I was like, damn, 848 00:39:51,560 --> 00:39:54,359 Speaker 1: that looks good, Like my my vegan self is just like, 849 00:39:54,440 --> 00:39:56,680 Speaker 1: oh the cheese pole, because the cheese pole was just 850 00:39:56,680 --> 00:40:01,120 Speaker 1: like it was so good. And and then it got 851 00:40:01,160 --> 00:40:03,200 Speaker 1: to a place where she was, you know, it was 852 00:40:03,239 --> 00:40:05,120 Speaker 1: like her hell where she was eating this pizza and 853 00:40:05,160 --> 00:40:07,120 Speaker 1: you could just tell she was just like, oh, Like, 854 00:40:07,320 --> 00:40:09,879 Speaker 1: it's so funny how something so amazing can go from 855 00:40:09,920 --> 00:40:11,759 Speaker 1: being like the greatest thing in the world to like, 856 00:40:12,080 --> 00:40:15,279 Speaker 1: if I have another bite, I'll die. Yeah, And I 857 00:40:15,360 --> 00:40:16,960 Speaker 1: hate it so much. I used to feel that all 858 00:40:17,000 --> 00:40:19,160 Speaker 1: the way all the time with Skyline Chili. I used 859 00:40:19,160 --> 00:40:20,839 Speaker 1: to always binge too much of it as a kid, 860 00:40:20,840 --> 00:40:22,520 Speaker 1: and then I would be like, how can I love 861 00:40:22,600 --> 00:40:24,520 Speaker 1: something so much? And then I hate it. It is 862 00:40:24,560 --> 00:40:25,440 Speaker 1: all things. 863 00:40:25,800 --> 00:40:28,479 Speaker 2: Yeah, fuck, too much of anything is bad. 864 00:40:28,760 --> 00:40:32,840 Speaker 1: That's why separate bedrooms. Dog, people didn't write separate bedroom 865 00:40:34,120 --> 00:40:36,000 Speaker 1: did you see did you see a thing? There was 866 00:40:36,040 --> 00:40:37,839 Speaker 1: some kind of study that came out that like, well, 867 00:40:38,080 --> 00:40:40,440 Speaker 1: first of all, who camera Diaz says she does separate 868 00:40:40,440 --> 00:40:43,319 Speaker 1: bedrooms in her religion? Was it her? No? No, no 869 00:40:45,760 --> 00:40:48,200 Speaker 1: wait no no no, no, no, no, no no me 870 00:40:49,160 --> 00:40:52,959 Speaker 1: Once she says we should normalize the conversation. She says, 871 00:40:52,960 --> 00:40:55,600 Speaker 1: there's nothing bad if you sleep in separate bedrooms. But 872 00:40:55,880 --> 00:40:59,560 Speaker 1: and she said she said this was her opinion before marriage. 873 00:40:59,760 --> 00:41:02,279 Speaker 1: But she also said, which I feel like is kind 874 00:41:02,320 --> 00:41:05,440 Speaker 1: of like like a little bit assuming that your marriage 875 00:41:05,440 --> 00:41:07,520 Speaker 1: is bad if you do it. She's like, my marriage 876 00:41:07,520 --> 00:41:08,960 Speaker 1: is so good right now that we don't need to 877 00:41:08,960 --> 00:41:11,560 Speaker 1: do it. Yeah, that's not good. That's judge you. Oh 878 00:41:11,560 --> 00:41:13,440 Speaker 1: my god, you should have seen, like you read the 879 00:41:13,480 --> 00:41:16,640 Speaker 1: comments about just the headline that seemed like she was 880 00:41:16,680 --> 00:41:19,200 Speaker 1: just in support of separate bedrooms for a healthy relationship, 881 00:41:19,560 --> 00:41:21,239 Speaker 1: And you should have read the comments. It's just like 882 00:41:21,560 --> 00:41:26,319 Speaker 1: all of these threatened fucking dads, chads and brads to 883 00:41:26,400 --> 00:41:30,520 Speaker 1: quote Taylor Swift, that are like the uh, if you 884 00:41:30,560 --> 00:41:32,799 Speaker 1: want to unhealth. Well, I actually don't need this because 885 00:41:32,800 --> 00:41:35,200 Speaker 1: I love my wife my husband, and I don't need 886 00:41:35,239 --> 00:41:37,160 Speaker 1: this because he loves me. And it's just like you 887 00:41:37,239 --> 00:41:39,640 Speaker 1: guys are so fucking threatened. And I bet you anything 888 00:41:39,680 --> 00:41:44,080 Speaker 1: people commenting that you everyone maybe your husband loves you, 889 00:41:44,160 --> 00:41:46,520 Speaker 1: but everyone else in your life hates you. It's the 890 00:41:46,840 --> 00:41:50,000 Speaker 1: and he is stuck with you. You are a terrible person. 891 00:41:50,120 --> 00:41:54,680 Speaker 1: There's the There are the worst people commenting on Instagram things. 892 00:41:54,680 --> 00:41:57,040 Speaker 1: If you want to see the word the dregs of society, 893 00:41:57,320 --> 00:42:02,120 Speaker 1: look at any comment under like the Daily Mails Instagram. 894 00:42:02,200 --> 00:42:06,600 Speaker 1: It's truly or E or E news, any celebrity news. 895 00:42:06,640 --> 00:42:09,080 Speaker 1: I'm so embarrassed to be someone who likes this kind 896 00:42:09,080 --> 00:42:11,600 Speaker 1: of stuff because the people that comment on it are 897 00:42:11,640 --> 00:42:18,040 Speaker 1: seriously the dumbest, moronic, most judgmental, miserable you've ever imagined. 898 00:42:18,160 --> 00:42:20,759 Speaker 1: They're fake. Part of me thinks is just like the 899 00:42:20,920 --> 00:42:24,080 Speaker 1: dumb ut all down like ager, they're real people, dude, 900 00:42:24,280 --> 00:42:27,440 Speaker 1: they I think they're real that they keep talking. 901 00:42:27,200 --> 00:42:31,719 Speaker 2: About separate bedrooms. But yesterday you posted a god I 902 00:42:31,719 --> 00:42:33,719 Speaker 2: forgot the comedian, but you posted he was on the 903 00:42:33,719 --> 00:42:37,560 Speaker 2: airplane and he caught two people. It was Adam Ray 904 00:42:38,040 --> 00:42:40,000 Speaker 2: caught two people. Why don't you describe it? 905 00:42:40,040 --> 00:42:44,399 Speaker 1: NICKI God, okay, well, let men we describe it when 906 00:42:44,440 --> 00:42:47,879 Speaker 1: we get back from break, because it Yeah, I would 907 00:42:47,880 --> 00:42:49,600 Speaker 1: love to hear your edition. We'll talk about Adam Ray's 908 00:42:49,640 --> 00:42:52,480 Speaker 1: Instagram post that I was like. My comment was, I 909 00:42:52,520 --> 00:42:54,160 Speaker 1: have to text you immediately to find out what the 910 00:42:54,160 --> 00:42:56,080 Speaker 1: rest of the story happened. And I'll tell you when 911 00:42:56,080 --> 00:42:58,200 Speaker 1: I texted him after this, Yes, and I did. I 912 00:42:58,239 --> 00:43:00,799 Speaker 1: did not find out because it's wait, yeah, okay, but 913 00:43:01,320 --> 00:43:05,799 Speaker 1: we'll talk about whatever this. Okay, So we're back. So 914 00:43:05,960 --> 00:43:11,440 Speaker 1: Adam Ray yesterday posted a video of him filming a 915 00:43:11,520 --> 00:43:16,960 Speaker 1: couple watching a movie full volume on their phone together, 916 00:43:17,520 --> 00:43:20,640 Speaker 1: and he's sitting next to Sandy Danto. His opener, I'm guessing, 917 00:43:21,400 --> 00:43:24,200 Speaker 1: and Sandy Danto he puts the phone he's filming the couple. 918 00:43:24,200 --> 00:43:25,919 Speaker 1: You can't see Adam, and then he moves it onto 919 00:43:25,920 --> 00:43:28,160 Speaker 1: Sandy and Sandy's just laughing like I can't believe this, 920 00:43:28,280 --> 00:43:30,719 Speaker 1: kind of like eyes wide open, like holy fuck. And 921 00:43:30,760 --> 00:43:32,680 Speaker 1: then he goes back to the guy. The guy then 922 00:43:32,960 --> 00:43:36,560 Speaker 1: takes a handful of peanuts or cashews or whatever, eats 923 00:43:36,800 --> 00:43:38,399 Speaker 1: some of it, and as he's eating it, he kind 924 00:43:38,400 --> 00:43:40,439 Speaker 1: of catches that Adam's filming him, and he looks over 925 00:43:40,560 --> 00:43:42,719 Speaker 1: and he just stares at him down for probably like 926 00:43:42,920 --> 00:43:45,800 Speaker 1: five seconds, and then Adam just goes, it's so loud. 927 00:43:46,600 --> 00:43:49,400 Speaker 1: It's so loud. And then the woman looks over and 928 00:43:49,640 --> 00:43:52,360 Speaker 1: then she suddenly starts turning it down. She's like, He goes, no, no, no, 929 00:43:52,400 --> 00:43:55,279 Speaker 1: it's fine. It's just hilarious, and then it cuts off. 930 00:43:55,280 --> 00:43:57,040 Speaker 1: So I was like, what the fuck happened? After that? 931 00:43:57,239 --> 00:44:00,800 Speaker 1: It was a perfect approach Adam Ray. I love Adam 932 00:44:00,920 --> 00:44:03,799 Speaker 1: Ray so much. If you weren't following Adam Ray on 933 00:44:03,840 --> 00:44:06,520 Speaker 1: YouTube and Instagram, you don't know what's up. He is 934 00:44:06,560 --> 00:44:09,799 Speaker 1: one of the funniest, most quickest guys out there. His 935 00:44:09,880 --> 00:44:12,839 Speaker 1: character work is hilarious. He does Doctor Phil live at 936 00:44:12,840 --> 00:44:14,879 Speaker 1: the Comedy Store, and he puts up those live shows. 937 00:44:14,920 --> 00:44:16,400 Speaker 1: He did one with Bill Burr, he did one with 938 00:44:16,520 --> 00:44:20,440 Speaker 1: Santino Andrew Santino and Bobby Lee recently. They are so funny. 939 00:44:20,640 --> 00:44:23,120 Speaker 1: He is so quick. His crowd work is amazing. On 940 00:44:23,160 --> 00:44:26,360 Speaker 1: his stand up, he did this one clip where he 941 00:44:26,520 --> 00:44:30,279 Speaker 1: was asking about someone's like son or daughter. God, did 942 00:44:30,320 --> 00:44:32,920 Speaker 1: you remember that one? That made me cry? I know, right, 943 00:44:32,960 --> 00:44:35,279 Speaker 1: hold on, I went through like a whole roller coaster 944 00:44:35,320 --> 00:44:38,960 Speaker 1: of a moment. Really you did, okay? So he so 945 00:44:39,000 --> 00:44:41,840 Speaker 1: he asked about this person's kids and no life. They're like, 946 00:44:41,880 --> 00:44:44,239 Speaker 1: what is your what does your son do? And they're like, 947 00:44:44,239 --> 00:44:45,799 Speaker 1: oh whatever, and they're like what is your daughter? What 948 00:44:45,840 --> 00:44:47,760 Speaker 1: does your other son do? And he's just like quiet, 949 00:44:47,719 --> 00:44:49,319 Speaker 1: and he goes this guy doesn't even know he doesn't 950 00:44:49,320 --> 00:44:51,040 Speaker 1: even know what a son does. He doesn't even give 951 00:44:51,040 --> 00:44:52,640 Speaker 1: a fuck about his son. It's not exactly that, but 952 00:44:52,640 --> 00:44:55,680 Speaker 1: it's something like that where the guy like didn't answer him, 953 00:44:55,719 --> 00:44:58,000 Speaker 1: so he did it. Adam assumed, like, you don't even 954 00:44:58,000 --> 00:45:00,319 Speaker 1: know where your son lives or whatever. And then the 955 00:45:00,360 --> 00:45:03,439 Speaker 1: wife volunteers, our son is dead and so and they're 956 00:45:03,480 --> 00:45:06,080 Speaker 1: with a live band. So Adam is like jamming out. 957 00:45:06,239 --> 00:45:10,960 Speaker 1: He's singing this as he's going. So he's like, oh fuck, 958 00:45:11,160 --> 00:45:13,960 Speaker 1: what did I do? What did I do? This is weird? 959 00:45:14,080 --> 00:45:16,479 Speaker 1: Where do we go? What do we do? I don't 960 00:45:16,560 --> 00:45:18,560 Speaker 1: know where to take this song? And then he's like, 961 00:45:18,719 --> 00:45:21,400 Speaker 1: but then it turns around at the end. Didn't you 962 00:45:21,480 --> 00:45:24,160 Speaker 1: love the end? Wasn't Wasn't it emotional? Because then he's 963 00:45:24,200 --> 00:45:26,880 Speaker 1: because Adam's a sweet guy. He's never gonna go harder 964 00:45:27,000 --> 00:45:29,800 Speaker 1: in ever, he's like, he's one of my favorite people. 965 00:45:29,840 --> 00:45:32,640 Speaker 1: But he's I'm getting emotional thinking about it now too, 966 00:45:32,680 --> 00:45:35,200 Speaker 1: because it's awkward for a second, but the band is 967 00:45:35,239 --> 00:45:37,080 Speaker 1: still going and everyone's kind of freaking out that this 968 00:45:37,160 --> 00:45:39,759 Speaker 1: woman just like but she seemed okay with it saying it, 969 00:45:39,800 --> 00:45:43,239 Speaker 1: so it's both sign lighthearted. Yeah yeah, and then she goes, 970 00:45:43,280 --> 00:45:45,160 Speaker 1: I just want you to know that my son would 971 00:45:45,239 --> 00:45:48,600 Speaker 1: love this, her dead son, and he goes, that's it, Yes, 972 00:45:48,680 --> 00:45:52,560 Speaker 1: you're and then any that's my trigger if there is 973 00:45:52,600 --> 00:45:54,920 Speaker 1: a dead person that is being talked about, like they 974 00:45:54,960 --> 00:45:57,359 Speaker 1: are there and like that they would like have an 975 00:45:57,360 --> 00:46:00,719 Speaker 1: opinion about what's happening presently. It started with Forrest Gump, 976 00:46:00,719 --> 00:46:02,879 Speaker 1: where it was like, Jenny, you'd be so proud when 977 00:46:02,880 --> 00:46:07,040 Speaker 1: he said that, like a dead person being cognizant of 978 00:46:07,080 --> 00:46:09,959 Speaker 1: what's happening. I can't handle it, dude, I can't fucking 979 00:46:10,000 --> 00:46:11,959 Speaker 1: handle it. So then I started crying at that part too. 980 00:46:12,080 --> 00:46:13,880 Speaker 1: But then they started going like, what's your son's name? 981 00:46:13,920 --> 00:46:16,120 Speaker 1: And they're like Max, and they're like, let's give it 982 00:46:16,200 --> 00:46:19,040 Speaker 1: up for Max. Let's give it up for Max. And 983 00:46:19,080 --> 00:46:20,839 Speaker 1: then the whole crowd is like let's give it up 984 00:46:20,880 --> 00:46:23,759 Speaker 1: for Max. And then it's like this whole crescendo of 985 00:46:23,800 --> 00:46:26,040 Speaker 1: like this this thing that could have gone so wrong 986 00:46:26,160 --> 00:46:29,319 Speaker 1: becomes like this beautiful moment with the whole crowd, and 987 00:46:29,719 --> 00:46:31,879 Speaker 1: it was just such a I couldn't believe. I thought 988 00:46:31,880 --> 00:46:34,279 Speaker 1: it should have gone so more viral than it did. 989 00:46:34,360 --> 00:46:37,080 Speaker 1: So go to Adam the Ray's instagram and watch that clip, 990 00:46:37,280 --> 00:46:40,480 Speaker 1: and then watch the clip of him walking, which means 991 00:46:40,600 --> 00:46:42,719 Speaker 1: if you walk someone as a comedian, that means they 992 00:46:42,719 --> 00:46:44,319 Speaker 1: walk out of the room. So it's not a good 993 00:46:44,320 --> 00:46:47,960 Speaker 1: thing necessarily, Like that means that's off They're offended or 994 00:46:47,960 --> 00:46:49,799 Speaker 1: they got upset, or like they left. So if you 995 00:46:49,880 --> 00:46:52,600 Speaker 1: walk a room, it means like the whole room walked 996 00:46:52,600 --> 00:46:54,360 Speaker 1: out on you, and that's like the worst thing that 997 00:46:54,360 --> 00:46:56,040 Speaker 1: could happen as a comedian. It's like, oh, he walked 998 00:46:56,040 --> 00:46:58,920 Speaker 1: the room, you know, the whole room left. And Norm 999 00:46:58,960 --> 00:47:01,920 Speaker 1: MacDonald famously would walk half the room like at shows 1000 00:47:02,000 --> 00:47:04,160 Speaker 1: up until his death. Like he would always offend people, 1001 00:47:04,160 --> 00:47:05,560 Speaker 1: which is so great because they would go to see 1002 00:47:05,640 --> 00:47:07,120 Speaker 1: him as like that's the US and O guy and 1003 00:47:07,200 --> 00:47:08,919 Speaker 1: like we loved he's from TV, and then they would 1004 00:47:08,960 --> 00:47:11,520 Speaker 1: be horribly offended and it was like a point of 1005 00:47:11,560 --> 00:47:14,200 Speaker 1: pride for for him, I'm sure, and comedians that would 1006 00:47:14,200 --> 00:47:16,799 Speaker 1: like revel in watching these people like not not get 1007 00:47:16,840 --> 00:47:20,000 Speaker 1: norm in the way that we all do. But so 1008 00:47:20,120 --> 00:47:23,360 Speaker 1: Adam was Adam should never walk anyone because Adam is 1009 00:47:23,800 --> 00:47:26,279 Speaker 1: an inclusive comedian who's like just having fun up there 1010 00:47:26,320 --> 00:47:28,879 Speaker 1: but also taking some chances and just being He's great 1011 00:47:28,880 --> 00:47:30,400 Speaker 1: at crowd work. So he's doing crowd work. And it 1012 00:47:30,480 --> 00:47:33,839 Speaker 1: was a Christmas party for this law firm and he 1013 00:47:33,960 --> 00:47:35,560 Speaker 1: said something to a guy and was like, what do 1014 00:47:35,600 --> 00:47:37,200 Speaker 1: you do at the law firm? And he was like, uh, 1015 00:47:37,560 --> 00:47:40,640 Speaker 1: maintenance work. And he made some comment about like maybe 1016 00:47:40,680 --> 00:47:43,080 Speaker 1: that that's it's hard work or it's like, man, that's 1017 00:47:43,080 --> 00:47:44,960 Speaker 1: hard labor. He made some kind of comment that it 1018 00:47:45,000 --> 00:47:47,920 Speaker 1: was like I couldn't do that, like, oh, that sounds rough, 1019 00:47:47,960 --> 00:47:50,319 Speaker 1: and he kind of wasn't disparaging about it, but it was, 1020 00:47:50,520 --> 00:47:52,520 Speaker 1: you know, commenting on the fact that maintenance meant isn't 1021 00:47:52,520 --> 00:47:55,760 Speaker 1: like the most cushy job at a law firm. Correct. 1022 00:47:55,960 --> 00:47:59,040 Speaker 1: So then one guy like stood up for the maintenance 1023 00:47:59,040 --> 00:48:01,319 Speaker 1: man was like, while you talk about your own job, 1024 00:48:01,440 --> 00:48:03,640 Speaker 1: or like yeah, because it's so easy because you're up 1025 00:48:03,680 --> 00:48:05,600 Speaker 1: there and he's just like wait, what, Like the guy 1026 00:48:05,680 --> 00:48:08,279 Speaker 1: just flipped out. So then Adam tries to go, hey, 1027 00:48:08,320 --> 00:48:10,600 Speaker 1: you're drunk, like it's okay, man, I want you to stay, like, 1028 00:48:10,600 --> 00:48:12,680 Speaker 1: don't get upset, and the guy was just staring him down. 1029 00:48:12,719 --> 00:48:14,279 Speaker 1: You can like see this guy looking at him. And 1030 00:48:14,320 --> 00:48:17,439 Speaker 1: then the whole law firm decides to get up as 1031 00:48:17,680 --> 00:48:20,920 Speaker 1: a unit and leave the DC and prop he walks 1032 00:48:20,960 --> 00:48:24,759 Speaker 1: forty two people in one within ten minutes, and it's 1033 00:48:24,880 --> 00:48:27,600 Speaker 1: so wild and hilarious. And I usually don't like watching 1034 00:48:27,600 --> 00:48:31,160 Speaker 1: those videos of like watch this comedian and handle this heckler, 1035 00:48:31,239 --> 00:48:33,319 Speaker 1: Like I don't ever watch those videos, but Adam Rake 1036 00:48:33,960 --> 00:48:37,439 Speaker 1: consistently puts out great stuff. But I loved this plane moment, 1037 00:48:37,480 --> 00:48:39,799 Speaker 1: and I wrote I wrote Adam immediately, and I said 1038 00:48:40,080 --> 00:48:41,719 Speaker 1: I couldn't say it on his comments because I knew 1039 00:48:41,719 --> 00:48:43,400 Speaker 1: people wouldn't get the joke. But I'm like, you're as 1040 00:48:43,480 --> 00:48:45,319 Speaker 1: much of a hero as the Let's Roll guy from 1041 00:48:45,400 --> 00:48:48,520 Speaker 1: nine to eleven. And Chris didn't know that reference, and 1042 00:48:48,560 --> 00:48:49,640 Speaker 1: I was like, oh, there's a guy a nine to 1043 00:48:49,640 --> 00:48:52,200 Speaker 1: eleven when they took down the hijacker plane and crashed 1044 00:48:52,200 --> 00:48:55,480 Speaker 1: it instead of it crashing into a building, they overheard him. 1045 00:48:55,719 --> 00:48:57,880 Speaker 1: You know, it's lore. We don't know for sure he 1046 00:48:57,920 --> 00:48:59,719 Speaker 1: said it, but we There's one guy that was like, 1047 00:49:00,200 --> 00:49:02,080 Speaker 1: when they were getting at the boot boiling water to 1048 00:49:02,120 --> 00:49:05,360 Speaker 1: go pour on the terraces, he went, let's roll, and 1049 00:49:05,400 --> 00:49:08,280 Speaker 1: so that became like this anthem of like a hero's response. 1050 00:49:08,320 --> 00:49:09,799 Speaker 1: So I said, you were up there with the let's 1051 00:49:09,840 --> 00:49:12,719 Speaker 1: roll guys as a joke, because obviously he's not. But 1052 00:49:13,760 --> 00:49:15,960 Speaker 1: and I said, what else happened? He just goes, yeah, 1053 00:49:16,000 --> 00:49:18,000 Speaker 1: it was insane, man. So I didn't press further, but 1054 00:49:18,040 --> 00:49:20,160 Speaker 1: I'm like, God, I want to know more. I'll find 1055 00:49:20,200 --> 00:49:22,000 Speaker 1: out in person. What did you want to say about it? Brian? 1056 00:49:22,719 --> 00:49:26,440 Speaker 2: Well, the comments underneath there's three top comment. 1057 00:49:26,600 --> 00:49:29,160 Speaker 1: No, I can't handle it. If anyone was defending that couple, 1058 00:49:29,200 --> 00:49:30,160 Speaker 1: I can't fucking handle it. 1059 00:49:30,200 --> 00:49:33,160 Speaker 2: Brian, Well, do you want me to just stop and 1060 00:49:33,239 --> 00:49:34,080 Speaker 2: stop the podcast? 1061 00:49:34,160 --> 00:49:37,080 Speaker 1: No, don't stop, But I literally I cannot. I didn't 1062 00:49:37,080 --> 00:49:39,319 Speaker 1: even read the comments because I go, no, one, he's 1063 00:49:39,360 --> 00:49:41,000 Speaker 1: going to not be on our side. 1064 00:49:41,520 --> 00:49:44,320 Speaker 2: I lost faith in humanity when I read these comments. 1065 00:49:44,360 --> 00:49:46,160 Speaker 2: So the first comment on the top is your comment, 1066 00:49:47,040 --> 00:49:48,680 Speaker 2: I'm texting you for full story now. But then the 1067 00:49:48,719 --> 00:49:53,280 Speaker 2: second comment is am I the this is from uh 1068 00:49:53,400 --> 00:49:56,080 Speaker 2: I won't say their name. Am I the only one 1069 00:49:56,480 --> 00:49:59,560 Speaker 2: that is having a hard time finding why this is 1070 00:49:59,600 --> 00:50:01,040 Speaker 2: a big deal to others? 1071 00:50:01,200 --> 00:50:05,160 Speaker 1: Are you fucking kidding me? Lady? Are you fucking kidding me? Man? 1072 00:50:05,440 --> 00:50:08,040 Speaker 2: Yeah? And then there's two hundred and thirty nine replies 1073 00:50:08,080 --> 00:50:11,319 Speaker 2: to that comment trying to explain to him why it's 1074 00:50:11,400 --> 00:50:13,919 Speaker 2: inconsiderate and rude, and he's arguing with all of them. 1075 00:50:14,440 --> 00:50:16,279 Speaker 2: So I don't know if he's trolling and he's just 1076 00:50:16,320 --> 00:50:18,920 Speaker 2: trying to work people up, but I really. 1077 00:50:18,960 --> 00:50:20,960 Speaker 1: This is this Hopefully this is the only comment that 1078 00:50:21,000 --> 00:50:23,359 Speaker 1: says that, right, Like, there aren't more people that are 1079 00:50:23,360 --> 00:50:25,600 Speaker 1: on this person's side, right, are there? How many likes 1080 00:50:25,600 --> 00:50:26,319 Speaker 1: does that comment have? 1081 00:50:27,840 --> 00:50:28,480 Speaker 2: Sixty eight? 1082 00:50:28,800 --> 00:50:31,960 Speaker 1: That is problematic? Dude, that's that's not good. That's too 1083 00:50:32,000 --> 00:50:32,920 Speaker 1: many likes. 1084 00:50:33,400 --> 00:50:37,040 Speaker 2: He goes on in his own comments, put in your earphones, 1085 00:50:37,120 --> 00:50:39,800 Speaker 2: y'all are crying about something you can fix and getting 1086 00:50:39,800 --> 00:50:42,560 Speaker 2: mad about not being able to control others. Oh well, 1087 00:50:42,680 --> 00:50:49,560 Speaker 2: stay mad. It's so it's so brazenly obnoxious. I feel 1088 00:50:49,600 --> 00:50:51,800 Speaker 2: like a liberal. I feel like a liberal. 1089 00:50:51,920 --> 00:50:53,399 Speaker 1: This is the only thing that could get my mouth 1090 00:50:53,440 --> 00:50:57,239 Speaker 1: to open. As far as Taylor swift. I am a 1091 00:50:57,320 --> 00:51:00,080 Speaker 1: gast at anyone defending these two pieces of shit. I 1092 00:51:00,160 --> 00:51:03,120 Speaker 1: can't believe two people have agreed that this is a 1093 00:51:03,120 --> 00:51:06,400 Speaker 1: good idea on a plane to listen full volume to 1094 00:51:06,480 --> 00:51:08,839 Speaker 1: their phone when they are in a first class cabin. 1095 00:51:08,880 --> 00:51:10,600 Speaker 1: It looked like it was a business class cabin. Not 1096 00:51:10,640 --> 00:51:12,799 Speaker 1: that it's like business class people should behave better, but 1097 00:51:13,080 --> 00:51:15,760 Speaker 1: kind of. I mean, like you've probably been there before, 1098 00:51:15,840 --> 00:51:19,600 Speaker 1: you know, like that's a quiet space. Wait, what is 1099 00:51:19,640 --> 00:51:22,440 Speaker 1: one of the rudest things that you experienced on a 1100 00:51:22,480 --> 00:51:25,120 Speaker 1: flight happening next to that? Happened? Anything comes to mind? 1101 00:51:25,480 --> 00:51:27,000 Speaker 1: That happened next to me. But it wasn't a couple. 1102 00:51:27,000 --> 00:51:29,319 Speaker 1: It wasn't two people who agreed. By the way, when 1103 00:51:29,320 --> 00:51:32,120 Speaker 1: two people like this ever agree to do something so 1104 00:51:32,239 --> 00:51:35,240 Speaker 1: insane together. Chris likes to say it reminds me of incest, 1105 00:51:35,320 --> 00:51:37,920 Speaker 1: that like a brother and sister both had to be like, hey, 1106 00:51:37,920 --> 00:51:40,040 Speaker 1: I'm into fucking you, and they had to like both agree. 1107 00:51:40,080 --> 00:51:42,080 Speaker 1: I thought that was a really funny comment, but it is. 1108 00:51:42,120 --> 00:51:44,560 Speaker 1: He's always like I can't whenever hears about incest. He's like, 1109 00:51:44,880 --> 00:51:47,440 Speaker 1: I can't believe two people agreed that that was a 1110 00:51:47,440 --> 00:51:51,239 Speaker 1: good idea, Like the odds of that are wild, which 1111 00:51:51,280 --> 00:51:53,799 Speaker 1: means there's probably a lot more people single people wanting 1112 00:51:53,840 --> 00:51:58,520 Speaker 1: to fuck their sister or brother out there. The thing, Yeah, 1113 00:51:58,520 --> 00:52:00,440 Speaker 1: what is the worst thing you saw? I think, I think, 1114 00:52:00,560 --> 00:52:03,000 Speaker 1: I think that I can top that. The worst thing 1115 00:52:03,080 --> 00:52:08,080 Speaker 1: for me was some lady was changing her baby in 1116 00:52:08,160 --> 00:52:12,200 Speaker 1: the seats in front of us, not going to the 1117 00:52:12,280 --> 00:52:14,560 Speaker 1: bath instead of going to the bathroom to change the baby. 1118 00:52:14,600 --> 00:52:19,399 Speaker 1: Did she get confronted, Yes, thank good bye, a very 1119 00:52:19,440 --> 00:52:21,880 Speaker 1: sassy flight attendant that was like, you have to go 1120 00:52:22,000 --> 00:52:24,440 Speaker 1: do that in the bathroom, And then he came over 1121 00:52:24,480 --> 00:52:27,080 Speaker 1: and he like sprayed the area with like air freshener, 1122 00:52:27,239 --> 00:52:30,440 Speaker 1: which is also just a little bit worse. Yeah, no 1123 00:52:30,480 --> 00:52:32,719 Speaker 1: one needs to air fresh is horrible for you, by 1124 00:52:32,760 --> 00:52:34,840 Speaker 1: the way, like no one should be using any of 1125 00:52:34,880 --> 00:52:36,920 Speaker 1: that ship We have been so lied to that that 1126 00:52:37,040 --> 00:52:38,520 Speaker 1: is good for us in any way. 1127 00:52:39,200 --> 00:52:43,120 Speaker 2: There's another thing, big Al Fabriz but I put on 1128 00:52:43,160 --> 00:52:46,040 Speaker 2: my Instagram. Yeah, okay, it's one of my most underrated 1129 00:52:46,080 --> 00:52:48,319 Speaker 2: Instagram cartoons of all time. But it's big Al doing 1130 00:52:48,360 --> 00:52:52,920 Speaker 2: a Fabreeze commercial where I talk about how Fabriz just 1131 00:52:53,080 --> 00:52:55,600 Speaker 2: thinks the world stinks like shit needs to be sprayed 1132 00:52:55,600 --> 00:52:56,520 Speaker 2: with chemicals. 1133 00:52:56,560 --> 00:52:59,480 Speaker 1: It is chemicals, but for somehow we convince ourselves that 1134 00:52:59,480 --> 00:53:01,680 Speaker 1: that is really we should all be huffing it constantly. 1135 00:53:02,080 --> 00:53:04,680 Speaker 1: Just put your face into the pillow you just sprayed 1136 00:53:04,719 --> 00:53:10,000 Speaker 1: with this procter and gamble like killing ducks, runoff bullshit 1137 00:53:10,280 --> 00:53:11,280 Speaker 1: that Like, Yes. 1138 00:53:11,200 --> 00:53:13,719 Speaker 2: It's very sad. It's sad that you think that you 1139 00:53:13,840 --> 00:53:16,840 Speaker 2: need to that your couch stinks like shape. 1140 00:53:16,880 --> 00:53:20,480 Speaker 1: It probably does, but it needs to be cleaned in 1141 00:53:20,520 --> 00:53:22,200 Speaker 1: like a way where that the water runs through it, 1142 00:53:22,320 --> 00:53:25,120 Speaker 1: not just bring onto it. Do you know another delusional 1143 00:53:25,120 --> 00:53:26,920 Speaker 1: marketing thing that I talked about last night at a 1144 00:53:26,920 --> 00:53:28,400 Speaker 1: party because I was with a I was with a 1145 00:53:28,400 --> 00:53:30,920 Speaker 1: woman who's a vet tech or used to be. She 1146 00:53:31,040 --> 00:53:32,840 Speaker 1: was like, I quit two years ago because it's the 1147 00:53:32,840 --> 00:53:34,839 Speaker 1: most depressing job you can ever imagine as someone who 1148 00:53:34,920 --> 00:53:36,640 Speaker 1: loves animals, like you just have to get out of it. 1149 00:53:36,680 --> 00:53:38,000 Speaker 1: And I go, oh my god, we have the two 1150 00:53:38,080 --> 00:53:44,840 Speaker 1: leading occupations of suicides, comedians and vetechs. She was like this, 1151 00:53:45,520 --> 00:53:48,399 Speaker 1: I think I think comedians probably if if you were 1152 00:53:48,440 --> 00:53:51,120 Speaker 1: to average the amount of comedians that kill themselves versus 1153 00:53:51,120 --> 00:53:54,000 Speaker 1: comedians that are exist, we'd probably be up there with dentists. 1154 00:53:54,280 --> 00:53:55,040 Speaker 2: But it's but. 1155 00:53:55,000 --> 00:53:58,800 Speaker 1: It's veterans, veterinarians, dentists, and I would say people wouldhow 1156 00:53:58,840 --> 00:54:01,960 Speaker 1: business killed themselves the most. But she was like, oh 1157 00:54:01,960 --> 00:54:04,239 Speaker 1: my god, yeah, we totally are. And she was like, yeah, 1158 00:54:04,239 --> 00:54:07,120 Speaker 1: it was just she goes, I was a really happy 1159 00:54:07,200 --> 00:54:09,839 Speaker 1: person and I loved my life and I loved life, 1160 00:54:09,840 --> 00:54:12,880 Speaker 1: and I loved animals, but I just witnessed so much abuse, 1161 00:54:13,280 --> 00:54:15,320 Speaker 1: animal abuse. And I was like, I didn't want to 1162 00:54:15,360 --> 00:54:17,719 Speaker 1: make her sadder, but I'm like, and that those are 1163 00:54:17,800 --> 00:54:20,120 Speaker 1: abusers bringing in their dogs. Think about all the if 1164 00:54:20,160 --> 00:54:21,680 Speaker 1: you abuse your dog most of the time, you're not 1165 00:54:21,719 --> 00:54:25,160 Speaker 1: bringing it in, Like, that's people who would risk getting caught. 1166 00:54:26,040 --> 00:54:28,640 Speaker 1: So those are the kinder abusers. And she said it 1167 00:54:28,680 --> 00:54:31,080 Speaker 1: was just constant, and so she was like a walking 1168 00:54:31,160 --> 00:54:33,279 Speaker 1: zombie after doing it for a few years and she 1169 00:54:33,320 --> 00:54:34,680 Speaker 1: had to quit. She had to walk away from a 1170 00:54:34,719 --> 00:54:37,800 Speaker 1: job that she loved so much for so many reasons, 1171 00:54:37,800 --> 00:54:39,520 Speaker 1: but but she just couldn't do it anymore because it 1172 00:54:39,560 --> 00:54:43,440 Speaker 1: was just so upsetting. So, yeah, everyone needs to be 1173 00:54:43,520 --> 00:54:46,680 Speaker 1: nicer to animals across the board. But she was talking 1174 00:54:46,719 --> 00:54:49,719 Speaker 1: about she brushes her dog's teeth every night, all of 1175 00:54:49,719 --> 00:54:51,400 Speaker 1: her dogs. She has three dogs, and she brushes all 1176 00:54:51,440 --> 00:54:55,560 Speaker 1: their teeth every night. And then Chris said something like, oh, 1177 00:54:55,600 --> 00:54:57,600 Speaker 1: you can't just give them that bone shaped as a 1178 00:54:57,640 --> 00:55:00,319 Speaker 1: brush a toothbrush, And I'm like, oh, yeah, Greenies. We 1179 00:55:00,440 --> 00:55:05,040 Speaker 1: all to the people behind Greenies, the evil, evil geniuses 1180 00:55:05,120 --> 00:55:10,080 Speaker 1: behind those toothbrush shaped bones. You are so diluted. I 1181 00:55:10,160 --> 00:55:13,760 Speaker 1: even believe it. Like it's shaped like a toothbrush. Yeah, 1182 00:55:13,800 --> 00:55:15,880 Speaker 1: why wouldn't it clean my dog's teeth? She goes. That 1183 00:55:15,920 --> 00:55:18,560 Speaker 1: would be like me telling you to gnaw on something 1184 00:55:18,880 --> 00:55:23,440 Speaker 1: to clean your teeth. It doesn't make any fucking sense. Yeah, yeah, 1185 00:55:23,440 --> 00:55:26,320 Speaker 1: it doesn't clean your dog's teeth. Please stop giving them those. Actually, 1186 00:55:26,360 --> 00:55:28,520 Speaker 1: you should be brushing your dog's teeth. I know I wouldn't. 1187 00:55:28,800 --> 00:55:30,759 Speaker 1: I mean, I'm getting a dog soon, but I doubt 1188 00:55:30,760 --> 00:55:32,880 Speaker 1: that I would. But that is what everyone should be 1189 00:55:32,920 --> 00:55:35,360 Speaker 1: doing for your dog. Which is insane that we have 1190 00:55:35,400 --> 00:55:38,480 Speaker 1: to do that. But and cats, I don't know how 1191 00:55:38,480 --> 00:55:41,560 Speaker 1: the hell I'm gonna do that. Final thought you have? 1192 00:55:41,640 --> 00:55:44,640 Speaker 1: Do you brush? Do you brush? Uh? What's this buzzy 1193 00:55:44,719 --> 00:55:45,319 Speaker 1: fuzzy teeth? 1194 00:55:45,400 --> 00:55:46,600 Speaker 2: Yeah? 1195 00:55:46,640 --> 00:55:49,560 Speaker 1: Well, I just I use the brush to like, like, 1196 00:55:49,600 --> 00:55:51,960 Speaker 1: I wet it a little bit, and then I stroke 1197 00:55:52,200 --> 00:55:53,759 Speaker 1: the side of his head so he feels it's like 1198 00:55:53,800 --> 00:55:56,239 Speaker 1: his mom's tongue. But now I have to like move 1199 00:55:56,280 --> 00:55:58,160 Speaker 1: it over to his mouth, like your mom's about to 1200 00:55:58,160 --> 00:56:00,879 Speaker 1: get funky with you, she's about to Are you into 1201 00:56:01,400 --> 00:56:03,879 Speaker 1: Are these two into the same thing? Oh my god? 1202 00:56:03,920 --> 00:56:06,920 Speaker 1: What are the odds? Wait? What is your daily interaction 1203 00:56:07,000 --> 00:56:08,800 Speaker 1: with Buzzy? I want to know as a cat owner, 1204 00:56:08,840 --> 00:56:10,480 Speaker 1: like how much are you seeing your cat? How much 1205 00:56:10,480 --> 00:56:13,920 Speaker 1: are you interacting with it? How like because dog owners, 1206 00:56:13,960 --> 00:56:16,319 Speaker 1: it's like you wake up, it's right away, dog time, 1207 00:56:16,440 --> 00:56:18,640 Speaker 1: gotta walk it, gotta feed it, gotta FuG in and 1208 00:56:18,719 --> 00:56:21,120 Speaker 1: talk to it. And then it's like throughout the day 1209 00:56:21,160 --> 00:56:24,480 Speaker 1: it's like a constant thing that you need to address. 1210 00:56:24,880 --> 00:56:27,239 Speaker 1: Now I'm wondering as a cat owner, like how much 1211 00:56:27,239 --> 00:56:29,400 Speaker 1: interaction on a good day do you have with Buzzy 1212 00:56:29,560 --> 00:56:32,560 Speaker 1: in terms of like maybe it's not a good or 1213 00:56:32,600 --> 00:56:36,279 Speaker 1: bad as negligible, it's just the what's the motion you have? 1214 00:56:36,320 --> 00:56:39,399 Speaker 1: Al okay, what's your routine? So the okay, So what 1215 00:56:39,480 --> 00:56:43,440 Speaker 1: we realized is get the cat on the cat feeder. 1216 00:56:43,880 --> 00:56:46,520 Speaker 1: So we have an automatic cat fever the feeder that 1217 00:56:46,560 --> 00:56:49,520 Speaker 1: goes off at like six in the morning, so he 1218 00:56:49,560 --> 00:56:51,319 Speaker 1: can so I don't have to go downstairs and feed him. 1219 00:56:51,320 --> 00:56:54,080 Speaker 1: Otherwise he would be like meowing all over the place 1220 00:56:54,200 --> 00:56:57,600 Speaker 1: because he's up and he's ready. Yes, So now what 1221 00:56:57,640 --> 00:57:00,440 Speaker 1: he does is after your figure out the cat feeder. 1222 00:57:01,200 --> 00:57:03,840 Speaker 1: Huh how did he figure it out? Like he probably 1223 00:57:03,840 --> 00:57:06,040 Speaker 1: thought like, there's no way I can get food without 1224 00:57:06,080 --> 00:57:08,160 Speaker 1: you being there. How did he realize this robot thing 1225 00:57:08,200 --> 00:57:10,399 Speaker 1: is get feeding me? Or did he just hear because 1226 00:57:10,440 --> 00:57:14,840 Speaker 1: it just it dispenses it and uh, like avy recorded 1227 00:57:14,960 --> 00:57:20,080 Speaker 1: a stupid thing that calls him. Okay, so on the 1228 00:57:20,120 --> 00:57:22,240 Speaker 1: cat feeder, it has that like it has a recording 1229 00:57:22,440 --> 00:57:24,520 Speaker 1: that goes like, yeah, so it's just like buzzy, Buzzy, 1230 00:57:24,560 --> 00:57:28,960 Speaker 1: come buzzy. Buzzy's stupid with the things that we call him. 1231 00:57:29,080 --> 00:57:32,680 Speaker 1: That's so cute. Okay, So he figured it out that way. Yeah, 1232 00:57:32,680 --> 00:57:35,840 Speaker 1: and then afterwards he he comes, he like zooms to 1233 00:57:35,920 --> 00:57:37,840 Speaker 1: our bedroom and he wants to play a little bit. 1234 00:57:38,000 --> 00:57:41,200 Speaker 1: And by that point I'm already awake because at six 1235 00:57:41,680 --> 00:57:46,520 Speaker 1: clean yeah, so it's like six six, like six oh five? 1236 00:57:46,520 --> 00:57:51,360 Speaker 1: What I I wake up? I have no choice, and 1237 00:57:51,360 --> 00:57:52,880 Speaker 1: then I feel bad. I'm like, oh, he just wants 1238 00:57:52,920 --> 00:57:56,160 Speaker 1: to play, So I take a wand that I like, well, 1239 00:57:56,280 --> 00:57:58,080 Speaker 1: hanging off the bed with your arm like kind of 1240 00:57:58,080 --> 00:58:01,800 Speaker 1: still lying, so it's like a stick, and I stick 1241 00:58:01,840 --> 00:58:04,080 Speaker 1: it underneath my mattress so I could just like literally 1242 00:58:04,320 --> 00:58:07,080 Speaker 1: put my arm down and just take it out of it. 1243 00:58:07,120 --> 00:58:09,720 Speaker 1: And then I just switched a little birdie around and 1244 00:58:09,760 --> 00:58:12,680 Speaker 1: he pounces it and jumps around and catches. It's really cute. 1245 00:58:12,960 --> 00:58:14,800 Speaker 1: And then once he's done with that, how long does 1246 00:58:14,800 --> 00:58:16,800 Speaker 1: that go on for? And do you decide when it's done? 1247 00:58:16,880 --> 00:58:18,720 Speaker 1: Or does he does? He literally go, I'm cool with 1248 00:58:18,800 --> 00:58:22,240 Speaker 1: this now, like a feeling. Animals are never done. No, 1249 00:58:22,400 --> 00:58:26,000 Speaker 1: he's Sometimes he holds you it like three times. Sometimes 1250 00:58:26,000 --> 00:58:28,400 Speaker 1: he'll want to do it more and three times. I 1251 00:58:28,160 --> 00:58:32,520 Speaker 1: keep click it one, two, three, like it's like yeah. 1252 00:58:32,560 --> 00:58:34,320 Speaker 1: And then he goes back down and he eats, and 1253 00:58:34,320 --> 00:58:35,840 Speaker 1: then he does his own little thing in the morning. 1254 00:58:36,040 --> 00:58:40,000 Speaker 1: But he just ate. I thought he doesn't know. He 1255 00:58:40,000 --> 00:58:41,960 Speaker 1: eats a little bit and it comes up once to 1256 00:58:42,000 --> 00:58:44,080 Speaker 1: feel like he's hunting. Then he goes back and eats 1257 00:58:44,080 --> 00:58:44,439 Speaker 1: the rest. 1258 00:58:44,680 --> 00:58:47,440 Speaker 2: He's got to know, you gotta earn it, got it, yes. 1259 00:58:47,760 --> 00:58:50,360 Speaker 1: And then he'll he'll come back up and he usually 1260 00:58:50,520 --> 00:58:52,440 Speaker 1: curll on this cat. I love that he's like, I'm 1261 00:58:52,440 --> 00:58:55,040 Speaker 1: gonna save something for later, Like I don't know any 1262 00:58:55,080 --> 00:58:56,720 Speaker 1: animal that's just yeah. 1263 00:58:56,640 --> 00:58:58,200 Speaker 2: I need to hunt that bird first. 1264 00:58:59,480 --> 00:59:01,600 Speaker 1: That's what I I had to learn. Like cats are 1265 00:59:01,680 --> 00:59:04,000 Speaker 1: not at all like like dogs. Even if I put 1266 00:59:04,000 --> 00:59:05,960 Speaker 1: a treat in front of him, he doesn't just scarf it, 1267 00:59:06,040 --> 00:59:08,560 Speaker 1: like he can't find it, right, He like has to 1268 00:59:08,600 --> 00:59:12,600 Speaker 1: look for it. What wait, what do you mean you 1269 00:59:12,640 --> 00:59:14,160 Speaker 1: know how like a dog will just like inhale a 1270 00:59:14,200 --> 00:59:18,720 Speaker 1: treat and yes, so buzzy, Like I'll show him the 1271 00:59:18,760 --> 00:59:20,240 Speaker 1: tree and then I'll put it down and then he 1272 00:59:20,440 --> 00:59:23,440 Speaker 1: like can't find it on the floor right away. Is 1273 00:59:23,440 --> 00:59:26,320 Speaker 1: it because of his like eyes and perception like the 1274 00:59:26,360 --> 00:59:29,040 Speaker 1: cats don't can't see it, or he like playing games 1275 00:59:29,080 --> 00:59:32,160 Speaker 1: with it? No, No, he's not playing diet. I think 1276 00:59:32,200 --> 00:59:38,280 Speaker 1: he's watching his figure. I think he's he's having No, 1277 00:59:38,680 --> 00:59:41,960 Speaker 1: he's that's so cute, okay, And then what's the rest 1278 00:59:41,960 --> 00:59:43,800 Speaker 1: of the day of the interaction, and then you know, 1279 00:59:43,840 --> 00:59:45,920 Speaker 1: he'll have his like morning zoomies and then he pretty 1280 00:59:45,960 --> 00:59:47,600 Speaker 1: much sleeps the rest of the day and then in 1281 00:59:47,640 --> 00:59:49,720 Speaker 1: the evening it's pretty much the same routine around his 1282 00:59:49,760 --> 00:59:51,760 Speaker 1: meal time. So you just have to play with him 1283 00:59:51,800 --> 00:59:53,720 Speaker 1: like so it does and then when you're like sitting 1284 00:59:53,720 --> 00:59:55,960 Speaker 1: down and watching TV, are you petting him? Like? Is 1285 00:59:55,960 --> 00:59:58,320 Speaker 1: he is he around all the time? Like while you're editing, 1286 00:59:58,400 --> 00:59:59,840 Speaker 1: is he like coming up and rubbing out in your 1287 00:59:59,880 --> 01:00:01,480 Speaker 1: left and you kind of just touch him a little bit? 1288 01:00:01,520 --> 01:00:03,160 Speaker 1: Does he sit on your lap as he walked across 1289 01:00:03,200 --> 01:00:07,680 Speaker 1: your keyboard? Is he like he'll he'll do that, like 1290 01:00:07,920 --> 01:00:09,680 Speaker 1: just like just a touch. He just gives you a 1291 01:00:09,720 --> 01:00:11,480 Speaker 1: little bit during the day. I want a pet so 1292 01:00:11,600 --> 01:00:14,640 Speaker 1: fucking bad. I just want something to like try to 1293 01:00:14,680 --> 01:00:16,840 Speaker 1: like get my attention and love me. But it's hard. 1294 01:00:17,240 --> 01:00:18,520 Speaker 1: With the cat, you have a lot you have to 1295 01:00:18,520 --> 01:00:20,480 Speaker 1: have a lot of self control because they it's not 1296 01:00:20,520 --> 01:00:23,000 Speaker 1: like a dog where they'll take any kind of attention 1297 01:00:23,080 --> 01:00:24,880 Speaker 1: that you want to give them. They'll let you do 1298 01:00:24,920 --> 01:00:26,200 Speaker 1: it for a little bit and then they're over it, 1299 01:00:26,600 --> 01:00:28,240 Speaker 1: so you can't, Like I can't. I just want to 1300 01:00:28,280 --> 01:00:30,960 Speaker 1: like squeeze him so much, but he will not let 1301 01:00:31,000 --> 01:00:34,200 Speaker 1: the squeezes happen like he's yeah, they're aloof He just 1302 01:00:34,200 --> 01:00:37,600 Speaker 1: gives me a little Oh my god, Why do they 1303 01:00:37,680 --> 01:00:41,120 Speaker 1: do that? Why are cats so cool? I don't know. 1304 01:00:41,720 --> 01:00:44,240 Speaker 1: Cat is so hard to get. I don't get it. 1305 01:00:44,760 --> 01:00:47,840 Speaker 1: But it's is that the different? But do you ever 1306 01:00:47,880 --> 01:00:50,040 Speaker 1: get to cuddle with him to the degree that you 1307 01:00:50,040 --> 01:00:52,800 Speaker 1: would like to, Oh, to the degree that I would 1308 01:00:52,800 --> 01:00:54,760 Speaker 1: like to know. No, it's never gonna last that long, 1309 01:00:54,880 --> 01:00:56,760 Speaker 1: and he will like fight and claw to get away 1310 01:00:56,800 --> 01:00:59,880 Speaker 1: if you want it longer. He never claws in a 1311 01:01:00,080 --> 01:01:02,880 Speaker 1: way where it hurts me. It's just almost like a 1312 01:01:02,920 --> 01:01:05,640 Speaker 1: little bit of a warning. Like, Okay, I'm sorry so 1313 01:01:05,640 --> 01:01:08,960 Speaker 1: many dumb cat questions. But when you enter into your home, 1314 01:01:09,280 --> 01:01:11,800 Speaker 1: does he greet you? Is there like, yes, I'm excited 1315 01:01:11,840 --> 01:01:15,360 Speaker 1: to see you like and then like a cat? No, 1316 01:01:15,520 --> 01:01:17,160 Speaker 1: not even for a second, because I don't want to 1317 01:01:17,160 --> 01:01:19,440 Speaker 1: get that weird microbe that like gets in your body 1318 01:01:19,520 --> 01:01:21,760 Speaker 1: if you have cats, like you get a you get 1319 01:01:21,760 --> 01:01:22,440 Speaker 1: a bacteria. 1320 01:01:23,240 --> 01:01:25,280 Speaker 2: Well if it's in the cat's urine that makes you, 1321 01:01:25,520 --> 01:01:26,600 Speaker 2: uh crazy, Just. 1322 01:01:28,760 --> 01:01:31,240 Speaker 1: Make Chris clean the litter box. No, we don't know, 1323 01:01:31,360 --> 01:01:32,000 Speaker 1: it doesn't matter. 1324 01:01:32,320 --> 01:01:33,680 Speaker 2: No, it's like you're still again. 1325 01:01:33,800 --> 01:01:35,240 Speaker 1: I don't want I just that idea of that back 1326 01:01:35,280 --> 01:01:37,240 Speaker 1: to I probably still I probably already have it because 1327 01:01:37,240 --> 01:01:40,320 Speaker 1: I've been around cats before, But I just the idea 1328 01:01:40,360 --> 01:01:42,520 Speaker 1: that they could give me something I don't already have. 1329 01:01:42,600 --> 01:01:46,240 Speaker 1: I don't like that, and it just it kind of 1330 01:01:46,640 --> 01:01:48,320 Speaker 1: it makes me think of like a little worm going 1331 01:01:48,320 --> 01:01:51,720 Speaker 1: like through my brain. I just it makes me feel weird, 1332 01:01:52,080 --> 01:01:56,120 Speaker 1: but I do. And yes, I'm thinking about getting a 1333 01:01:56,160 --> 01:01:59,600 Speaker 1: bird or I was even thinking about getting a Hamsters 1334 01:02:00,120 --> 01:02:04,320 Speaker 1: or like something easy. But I do have a dog 1335 01:02:04,600 --> 01:02:07,240 Speaker 1: that is seven years old whose owner died at the 1336 01:02:07,240 --> 01:02:09,520 Speaker 1: age of thirty two. I don't know the circumstances, but 1337 01:02:09,600 --> 01:02:13,800 Speaker 1: it was just surrendered and it's very confused, and it's 1338 01:02:13,840 --> 01:02:16,160 Speaker 1: seven years old, so it has another half of its 1339 01:02:16,160 --> 01:02:19,360 Speaker 1: life to live. It's like middle aged. Yeah, I know, 1340 01:02:19,400 --> 01:02:21,680 Speaker 1: it's so sweet, and so I might get to see that. 1341 01:02:21,720 --> 01:02:25,520 Speaker 1: I'm going to LA. I'm presenting at the Emmy Awards, 1342 01:02:25,560 --> 01:02:28,200 Speaker 1: the Creative Arts Emmy Awards, let me be specific. It 1343 01:02:28,200 --> 01:02:31,760 Speaker 1: will be airing on FXX on January tenth, I think. 1344 01:02:31,800 --> 01:02:34,080 Speaker 1: But I'm shooting it on January seventh, which is my 1345 01:02:34,160 --> 01:02:35,080 Speaker 1: sister's birthday. 1346 01:02:36,160 --> 01:02:38,640 Speaker 2: And you know, we almost want a Creative Arts Emmy. 1347 01:02:39,160 --> 01:02:41,880 Speaker 1: We did for Not Safe Digital. 1348 01:02:41,520 --> 01:02:43,800 Speaker 2: Team Not Save Digital Team. 1349 01:02:44,360 --> 01:02:47,960 Speaker 1: Brian Randi had to present to the Emmy Society with 1350 01:02:47,960 --> 01:02:50,120 Speaker 1: me and Zoe, Yeah, Zoe Clark. 1351 01:02:50,120 --> 01:02:54,360 Speaker 2: We both had to present to the Emmy Committee, and 1352 01:02:54,400 --> 01:02:56,200 Speaker 2: we did not know what we were getting into I 1353 01:02:56,600 --> 01:02:59,680 Speaker 2: can't even imagine the people that were in that room. 1354 01:02:59,720 --> 01:03:02,280 Speaker 2: There was it's like twelve people in that room. They 1355 01:03:02,280 --> 01:03:05,480 Speaker 2: were probably so much more important than I, even than 1356 01:03:05,520 --> 01:03:08,080 Speaker 2: I realized at the time. But me and Zoe had 1357 01:03:08,120 --> 01:03:10,760 Speaker 2: to go in there and do a little presentation. We 1358 01:03:10,840 --> 01:03:12,840 Speaker 2: did a fine job with the presentation. It was. It 1359 01:03:12,880 --> 01:03:16,120 Speaker 2: was just a little naive because when we got there, 1360 01:03:16,480 --> 01:03:17,680 Speaker 2: we were like, Okay, I think we might have a 1361 01:03:17,720 --> 01:03:20,040 Speaker 2: shot at this. You know, it's either us or at midnight, right, 1362 01:03:20,720 --> 01:03:23,680 Speaker 2: And there was a presentation going on in the room 1363 01:03:23,760 --> 01:03:28,840 Speaker 2: before us, And when they finished, the presenter exited the room, 1364 01:03:28,880 --> 01:03:30,120 Speaker 2: and then it was like our turner was like going 1365 01:03:30,120 --> 01:03:32,800 Speaker 2: in for a job interview. Guess I don't know if 1366 01:03:32,920 --> 01:03:35,080 Speaker 2: Nicky probably knows the answer, but guess who walked out 1367 01:03:35,120 --> 01:03:38,400 Speaker 2: of the room who presented right before us Me and 1368 01:03:38,520 --> 01:03:42,240 Speaker 2: Zoe two no name digital producers who walked out of 1369 01:03:42,280 --> 01:03:48,120 Speaker 2: the room. I mean Chris Hardwick, Joseph Gordon Levitt was 1370 01:03:48,120 --> 01:03:50,800 Speaker 2: the one to present right before us. So he does 1371 01:03:50,840 --> 01:03:53,640 Speaker 2: his thing, he's presenting about some band thing he was doing. 1372 01:03:53,680 --> 01:03:55,880 Speaker 1: Oh yeah, I think record Joe yeah. 1373 01:03:55,920 --> 01:03:59,600 Speaker 2: And then Brian and Zoe come in after Joseph Gordon Levit, 1374 01:04:00,400 --> 01:04:03,560 Speaker 2: My god, that we deserve a creative arts semi for 1375 01:04:03,680 --> 01:04:06,600 Speaker 2: making snapchats about pussys. 1376 01:04:07,320 --> 01:04:10,040 Speaker 1: Oh god, there's those moments in life where you go, 1377 01:04:10,120 --> 01:04:12,480 Speaker 1: I am in over my head and I don't belong here. 1378 01:04:12,640 --> 01:04:15,520 Speaker 2: And I had no idea. I bet you like Shonda 1379 01:04:15,560 --> 01:04:18,040 Speaker 2: Rhymes was in that room or something. I didn't even 1380 01:04:18,080 --> 01:04:19,600 Speaker 2: know who any of the people were because they were 1381 01:04:19,640 --> 01:04:23,880 Speaker 2: so Were you nervous or were That's the thing. We 1382 01:04:23,880 --> 01:04:26,560 Speaker 2: weren't that nervous because we didn't want the well we 1383 01:04:26,560 --> 01:04:28,880 Speaker 2: were getting into. We didn't know Joseph Gordon Levitt was 1384 01:04:28,920 --> 01:04:30,520 Speaker 2: going to be presenting, and we didn't know who. 1385 01:04:30,400 --> 01:04:34,160 Speaker 1: We All of those people have that day as the 1386 01:04:34,240 --> 01:04:36,280 Speaker 1: last day, the day on the last day of their 1387 01:04:36,320 --> 01:04:37,720 Speaker 1: life where they have to go back and watch that 1388 01:04:37,800 --> 01:04:40,840 Speaker 1: day and they have don't rewatch your presentation and jose 1389 01:04:40,880 --> 01:04:42,160 Speaker 1: Gordon Levitz, which I'm sure. 1390 01:04:42,040 --> 01:04:46,360 Speaker 2: Was yes, that the guy who made that presentation is 1391 01:04:46,400 --> 01:04:50,360 Speaker 2: the same guy who blew up all those buildings in Oklahoma, 1392 01:04:50,440 --> 01:04:53,640 Speaker 2: or whatever we want. I was creating a scenario where 1393 01:04:53,640 --> 01:04:58,959 Speaker 2: I became a terrorist and then they had to rewatch it. 1394 01:04:58,080 --> 01:05:02,360 Speaker 1: Work out, Oklahoma, did you finish them? 1395 01:05:03,080 --> 01:05:07,720 Speaker 2: I run out of steam? Uh do you want to update? 1396 01:05:08,000 --> 01:05:12,560 Speaker 2: Kirsten texted back what you say? She said, Hi Brian, 1397 01:05:13,240 --> 01:05:15,000 Speaker 2: which I don't know. I guess you told her that. 1398 01:05:15,040 --> 01:05:15,919 Speaker 2: I texted yea. 1399 01:05:15,880 --> 01:05:17,160 Speaker 1: I said, you just got to write a text from 1400 01:05:17,160 --> 01:05:17,960 Speaker 1: Brian Frangie. 1401 01:05:18,080 --> 01:05:20,520 Speaker 2: Okay, Hi Brian, Yes, sure thing. Just come by tomorrow 1402 01:05:20,560 --> 01:05:21,160 Speaker 2: and bring the car. 1403 01:05:21,360 --> 01:05:23,760 Speaker 1: She's great. Yeah, she said, maybe I'll be getting a 1404 01:05:23,800 --> 01:05:27,040 Speaker 1: car today. I'll stay safe in the car. She said 1405 01:05:27,040 --> 01:05:30,600 Speaker 1: to me. Bah ha ha ha haa lol. Podcast. Yes, 1406 01:05:30,960 --> 01:05:33,240 Speaker 1: she'll hear this. She listens to the pod, so I 1407 01:05:33,280 --> 01:05:35,479 Speaker 1: like that she'll hear herself being texted on the pod. 1408 01:05:36,120 --> 01:05:38,960 Speaker 1: I was just about to say, oh, can I just 1409 01:05:39,040 --> 01:05:43,520 Speaker 1: say I watched the movie May December on Netflix. 1410 01:05:43,560 --> 01:05:48,040 Speaker 2: Okay, yeah, yeah, it's so bad. 1411 01:05:48,640 --> 01:05:49,960 Speaker 1: I cannot believe. 1412 01:05:50,760 --> 01:05:53,960 Speaker 2: Oh no, they're hoping. They're hoping that's an award winner? 1413 01:05:54,080 --> 01:05:54,880 Speaker 1: Are you joking me? 1414 01:05:55,520 --> 01:05:59,520 Speaker 2: That's like their big play for to win awards is made. 1415 01:05:59,360 --> 01:06:01,600 Speaker 1: Well, they've got this star power in it. And that's 1416 01:06:01,640 --> 01:06:03,919 Speaker 1: not to say that Natalie Portman and Julianne Moore didn't 1417 01:06:03,960 --> 01:06:09,520 Speaker 1: do an amazing job in those roles, but that fucking movie. Besties, 1418 01:06:09,520 --> 01:06:11,640 Speaker 1: who have seen it? Are you with me? Were you 1419 01:06:11,800 --> 01:06:15,840 Speaker 1: satisfied with that ending? Spoiler alert, It's a bad ending. 1420 01:06:16,360 --> 01:06:19,160 Speaker 1: It gives you fucking nothing. It's it ends in the 1421 01:06:19,200 --> 01:06:22,640 Speaker 1: middle of it, like there's no feeling you get at 1422 01:06:22,640 --> 01:06:24,080 Speaker 1: the end of it. I kind of like movies that 1423 01:06:24,160 --> 01:06:26,280 Speaker 1: Levia hanging, don't. I don't hate it. I don't hate 1424 01:06:26,280 --> 01:06:29,200 Speaker 1: a movie going against like what a movie should do 1425 01:06:29,280 --> 01:06:33,120 Speaker 1: and give you some kind of, uh, you know, concluding 1426 01:06:34,400 --> 01:06:36,600 Speaker 1: moment of like, oh, thank god they got together. I 1427 01:06:36,640 --> 01:06:38,320 Speaker 1: like movies where people don't end up together. I love 1428 01:06:38,400 --> 01:06:40,400 Speaker 1: Romeo and Juliet where they both fucking die at the end. 1429 01:06:40,440 --> 01:06:43,640 Speaker 1: I love that shit. But this is just nothing happens. 1430 01:06:43,880 --> 01:06:48,000 Speaker 1: It's so dumb and artsy. Julian Moore gave the character 1431 01:06:48,040 --> 01:06:51,080 Speaker 1: a lisp because in the movie, Julian Moore plays a 1432 01:06:51,080 --> 01:06:53,960 Speaker 1: woman who had an affair with her student, a Mary 1433 01:06:54,040 --> 01:06:56,680 Speaker 1: Kayla turn This is basically the story of Mary Kayla Turno, 1434 01:06:56,720 --> 01:07:00,640 Speaker 1: who had an affair with her sixth grade student and 1435 01:07:00,640 --> 01:07:04,280 Speaker 1: and then yeah, hell yeah, and then had his baby 1436 01:07:04,360 --> 01:07:06,560 Speaker 1: and everything. So this is this woman. She is now 1437 01:07:06,680 --> 01:07:09,840 Speaker 1: living with this man that she had an affair with, 1438 01:07:10,040 --> 01:07:13,080 Speaker 1: but now he is my age and she is much older, 1439 01:07:13,600 --> 01:07:16,320 Speaker 1: and they have kids together. And they are like they 1440 01:07:16,320 --> 01:07:18,280 Speaker 1: live in this community and Nally Portman is going to 1441 01:07:18,320 --> 01:07:20,640 Speaker 1: play her in a movie. And so Nalie Portman is 1442 01:07:20,640 --> 01:07:22,840 Speaker 1: this actress that comes out to follow her around and 1443 01:07:22,920 --> 01:07:26,200 Speaker 1: like study her life. And Julian Moore gave the character 1444 01:07:26,280 --> 01:07:28,640 Speaker 1: a lisp so that Natalie Portman would have something to 1445 01:07:29,800 --> 01:07:33,880 Speaker 1: do pretty much, but she gave her a lisp. Halfway 1446 01:07:33,880 --> 01:07:36,240 Speaker 1: through the movie. Suddenly Chris and I are watching this 1447 01:07:36,280 --> 01:07:38,520 Speaker 1: and we go, does she have a lisp? We go, 1448 01:07:38,600 --> 01:07:41,920 Speaker 1: what you can tell that, like she may have. Maybe 1449 01:07:41,920 --> 01:07:43,880 Speaker 1: they shot the scene that we're talking about where the 1450 01:07:43,920 --> 01:07:47,120 Speaker 1: lisp comes out maybe first, And then she goes, oh, 1451 01:07:47,320 --> 01:07:49,360 Speaker 1: this is a little much. I'm gonna lay off it 1452 01:07:49,440 --> 01:07:52,160 Speaker 1: for the rest of the movie. And then but it's 1453 01:07:52,320 --> 01:07:55,680 Speaker 1: so strong from halfway through the movie, maybe three quarters 1454 01:07:55,720 --> 01:07:58,280 Speaker 1: of the movie, and then till the end it's like 1455 01:07:58,400 --> 01:08:02,440 Speaker 1: I sahly like that pronounce and it is not noticeable 1456 01:08:02,520 --> 01:08:05,640 Speaker 1: even before that. So then Noli A. Portman is really 1457 01:08:05,640 --> 01:08:07,760 Speaker 1: getting into characters, so she starts doing it a lot. 1458 01:08:08,400 --> 01:08:11,400 Speaker 1: It's really that's really weird. Even though it's a good 1459 01:08:11,480 --> 01:08:14,280 Speaker 1: choice had it been consistent, I just think that it 1460 01:08:14,360 --> 01:08:16,519 Speaker 1: was a weird choice to have it show up halfway through. 1461 01:08:16,600 --> 01:08:19,000 Speaker 1: Maybe I'm the only one that only noticed it halfway through, 1462 01:08:19,040 --> 01:08:20,960 Speaker 1: but I know I'm not because Chris also only noticed 1463 01:08:21,000 --> 01:08:22,400 Speaker 1: it halfway through, and we both looked at each other 1464 01:08:22,400 --> 01:08:24,600 Speaker 1: at the same time and go, what was that? What 1465 01:08:24,680 --> 01:08:26,479 Speaker 1: did she just say? Why does she have a list? 1466 01:08:26,560 --> 01:08:29,920 Speaker 1: What's going on? Like? Did maybe she had a tooth 1467 01:08:29,960 --> 01:08:32,400 Speaker 1: operation that day she saw this the scene? Nope, it's 1468 01:08:32,400 --> 01:08:38,120 Speaker 1: in all the other scenes too. After that, also, it's 1469 01:08:39,120 --> 01:08:41,759 Speaker 1: what else did I have? There's the ending is dumb. 1470 01:08:41,840 --> 01:08:46,280 Speaker 1: Oh oh my god. The music, My god, the music. 1471 01:08:46,680 --> 01:08:50,800 Speaker 1: It takes itself so seriously throughout the movie. There is 1472 01:08:50,840 --> 01:08:56,040 Speaker 1: this piano that goes like bang bang bang bang bang 1473 01:08:56,439 --> 01:09:00,559 Speaker 1: bong bing like but it is so over done and 1474 01:09:00,680 --> 01:09:04,040 Speaker 1: every scene at first you think it's funny, like they're 1475 01:09:04,040 --> 01:09:07,680 Speaker 1: making fun of like a movie that does that. It 1476 01:09:07,720 --> 01:09:10,120 Speaker 1: was whoever did the movie Deep Water? I go, there 1477 01:09:10,120 --> 01:09:12,040 Speaker 1: has to be this person did this movie too, because 1478 01:09:12,080 --> 01:09:14,840 Speaker 1: it is so taking itself too seriously. But it's not 1479 01:09:15,160 --> 01:09:18,800 Speaker 1: that good. And let me just say, I've never written 1480 01:09:18,840 --> 01:09:20,639 Speaker 1: a movie. So if you were watching this, if someone 1481 01:09:20,880 --> 01:09:22,400 Speaker 1: in your life send this to you and you're part 1482 01:09:22,400 --> 01:09:24,040 Speaker 1: of the movie, that is a bad friend who sent 1483 01:09:24,080 --> 01:09:26,840 Speaker 1: this to you, who like sends you criticism of your movie. 1484 01:09:26,840 --> 01:09:28,320 Speaker 1: So you should get that friend out of your life 1485 01:09:28,320 --> 01:09:30,200 Speaker 1: if you were watching this and someone told you to 1486 01:09:30,200 --> 01:09:32,880 Speaker 1: watch it. Also, i have no idea what I'm talking about. 1487 01:09:32,880 --> 01:09:34,519 Speaker 1: I've never made a movie. I've never written a movie. 1488 01:09:34,640 --> 01:09:37,120 Speaker 1: A movie I would write would probably be horrible. I 1489 01:09:37,160 --> 01:09:40,280 Speaker 1: probably would. I definitely would use better music. The irony 1490 01:09:40,439 --> 01:09:43,920 Speaker 1: is in the movie that Natalie Portman is making. Within 1491 01:09:43,960 --> 01:09:47,400 Speaker 1: the movie, right, Julianne Moore's son is like this kind 1492 01:09:47,400 --> 01:09:49,479 Speaker 1: of guy that he was a son from her first marriage, 1493 01:09:49,520 --> 01:09:52,000 Speaker 1: and he's like, yeah, my mom's fucking she blew up 1494 01:09:52,040 --> 01:09:54,240 Speaker 1: our family man. And he's kind of like looks like 1495 01:09:54,320 --> 01:09:56,320 Speaker 1: machine gun Kelly, and he's kind of like a rebel, 1496 01:09:56,560 --> 01:09:58,479 Speaker 1: and he's talking to Naalie Portman's character and he threatens. 1497 01:09:58,560 --> 01:10:01,320 Speaker 1: Natalie Portman's character goes, you know, I could go to 1498 01:10:01,400 --> 01:10:05,160 Speaker 1: the press about you and my mom and ruin this 1499 01:10:05,200 --> 01:10:08,760 Speaker 1: whole movie, unless, of course, you hire me. As you know, 1500 01:10:08,840 --> 01:10:10,439 Speaker 1: I was looking into movies and I heard there's a 1501 01:10:10,479 --> 01:10:12,680 Speaker 1: thing called a musical director. And he's like in a 1502 01:10:12,880 --> 01:10:16,120 Speaker 1: fucking cover band, and so he's like, find he's musical. 1503 01:10:16,160 --> 01:10:18,280 Speaker 1: So he's like so I heard there's this job called 1504 01:10:18,360 --> 01:10:20,479 Speaker 1: musical director. I was thinking, maybe you get me in 1505 01:10:20,560 --> 01:10:22,840 Speaker 1: that job in that movie. Maybe I can make these 1506 01:10:22,880 --> 01:10:25,559 Speaker 1: allegations disappear. And she's like, I'll see if what I 1507 01:10:25,600 --> 01:10:27,680 Speaker 1: can do. I guess she was practicing the list at 1508 01:10:27,680 --> 01:10:30,080 Speaker 1: that point, so she didn't have the list made, but 1509 01:10:30,160 --> 01:10:38,160 Speaker 1: she did in December, exactly me December, and so she uh. 1510 01:10:38,200 --> 01:10:40,760 Speaker 1: But then the irony is they need a different music. 1511 01:10:40,760 --> 01:10:42,679 Speaker 1: They should have hired that guy for this movie because 1512 01:10:42,720 --> 01:10:47,040 Speaker 1: this bang bong bang. You guys have got to watch 1513 01:10:47,080 --> 01:10:50,800 Speaker 1: it just so you hear this music. Because it's so comical. 1514 01:10:50,880 --> 01:10:54,040 Speaker 2: Art movie bullshit. Oh it is so that one wants 1515 01:10:54,120 --> 01:10:57,520 Speaker 2: and then wins all the awards it awards. 1516 01:10:57,560 --> 01:11:01,360 Speaker 1: I'm out of Hollywood. I am leaving. I'm not joking you. 1517 01:11:01,600 --> 01:11:05,400 Speaker 1: If this is what is considered to be an amazing movie, 1518 01:11:05,760 --> 01:11:08,479 Speaker 1: I'm done. I can't do it anymore. I can't pretend 1519 01:11:08,880 --> 01:11:12,280 Speaker 1: like this shit is good. Natalie Portman's incredible, She's a 1520 01:11:12,280 --> 01:11:14,839 Speaker 1: great actress. She has to do at one point simulate 1521 01:11:14,920 --> 01:11:17,840 Speaker 1: having sex with a teenager in a pet shop. She's 1522 01:11:17,880 --> 01:11:22,280 Speaker 1: literally like humping the air, like like simulating what it 1523 01:11:22,320 --> 01:11:24,840 Speaker 1: would be like to fuck a teenager because she goes 1524 01:11:24,880 --> 01:11:26,599 Speaker 1: to the pet shop where the woman had an affair 1525 01:11:26,640 --> 01:11:28,519 Speaker 1: with the teen and got caught, and so she goes 1526 01:11:28,560 --> 01:11:30,400 Speaker 1: to the pet shop and she's like, can I just 1527 01:11:30,439 --> 01:11:32,400 Speaker 1: look around a little bit? And I love in movies 1528 01:11:32,400 --> 01:11:35,120 Speaker 1: whenever someone's investigating something and it's at an old like 1529 01:11:35,360 --> 01:11:38,519 Speaker 1: hardware store in the back room, they just let the 1530 01:11:38,600 --> 01:11:41,320 Speaker 1: journalists go in by themselves, like the guy doesn't stay 1531 01:11:41,320 --> 01:11:44,080 Speaker 1: there with them. They're just like, yeah, look around, you know, 1532 01:11:44,200 --> 01:11:45,840 Speaker 1: make yourself at home. And it's like, this is the 1533 01:11:45,840 --> 01:11:47,880 Speaker 1: back of a pet shop of a working business. You're 1534 01:11:47,920 --> 01:11:50,160 Speaker 1: just letting this actress into. So then she sits down 1535 01:11:50,200 --> 01:11:51,960 Speaker 1: in the corner and just starts humping the air and 1536 01:11:52,000 --> 01:11:53,559 Speaker 1: I looked at Chris and I go, this is one 1537 01:11:53,560 --> 01:11:55,519 Speaker 1: of the most embarrassing things I've ever had to watch 1538 01:11:55,560 --> 01:11:58,920 Speaker 1: in my life. Is this girl? Natalie Portman a beloved, 1539 01:11:59,560 --> 01:12:05,200 Speaker 1: amazing actress. Black Swan, Where the Heart Is, other movies, 1540 01:12:05,720 --> 01:12:07,759 Speaker 1: Star Wars, Star Wars. 1541 01:12:08,320 --> 01:12:09,840 Speaker 2: She's been in Marvel and. 1542 01:12:09,800 --> 01:12:12,880 Speaker 1: Star the What's that one movie where she played a 1543 01:12:12,880 --> 01:12:15,479 Speaker 1: little girl and it was kind of like flirty with 1544 01:12:15,560 --> 01:12:22,920 Speaker 1: the older man? Yeah that one? Yeah, the professional Oh yeah, 1545 01:12:22,960 --> 01:12:25,240 Speaker 1: this is our Natalie Portman and you're putting her in this. 1546 01:12:25,400 --> 01:12:28,160 Speaker 1: It just doesn't It's just it's not a good place 1547 01:12:28,200 --> 01:12:30,559 Speaker 1: to be. Movies aren't cutting it from This is why 1548 01:12:30,600 --> 01:12:32,720 Speaker 1: I don't see movies anymore. All I want to see 1549 01:12:32,800 --> 01:12:34,760 Speaker 1: is concert footage at movies. Now I just want to 1550 01:12:34,800 --> 01:12:36,599 Speaker 1: go see Beyonce. I want to go see live events 1551 01:12:36,600 --> 01:12:37,360 Speaker 1: at movies. 1552 01:12:37,320 --> 01:12:38,679 Speaker 2: Because there's still good movies. 1553 01:12:39,120 --> 01:12:39,680 Speaker 1: Sure there are. 1554 01:12:40,000 --> 01:12:44,200 Speaker 2: Oh I'm sure they're not Marvel movies. Those have jumped. 1555 01:12:44,479 --> 01:12:46,360 Speaker 1: This is in need either. I need people to watch 1556 01:12:46,439 --> 01:12:49,120 Speaker 1: my December besties. Will you write to me about made us? 1557 01:12:49,280 --> 01:12:52,519 Speaker 1: I loved Barbie. That's a good point. Loved Barbie. Bessie's 1558 01:12:52,560 --> 01:12:54,200 Speaker 1: write to me good movies to watch. By the way, 1559 01:12:54,320 --> 01:12:55,960 Speaker 1: I watched my favorite movie the other day and I 1560 01:12:55,960 --> 01:12:57,880 Speaker 1: watched it with Chris. It was put out in twenty 1561 01:12:57,920 --> 01:13:00,479 Speaker 1: twenty and it is the best movie I've ever seen 1562 01:13:00,479 --> 01:13:02,200 Speaker 1: in my life. I've watched it seven times and it 1563 01:13:02,280 --> 01:13:04,519 Speaker 1: is this is how you make a fucking movie. And 1564 01:13:04,560 --> 01:13:06,599 Speaker 1: it's called The Worst Person in the World. It's on 1565 01:13:06,720 --> 01:13:09,479 Speaker 1: Hulu for free. It is a Norwegian film and it 1566 01:13:09,520 --> 01:13:13,240 Speaker 1: is incredible. This movie May December. If you disagree with me, 1567 01:13:13,479 --> 01:13:15,040 Speaker 1: I am not gonna hate you. I want to hear 1568 01:13:15,080 --> 01:13:18,000 Speaker 1: why you think this movie is good. I cannot believe 1569 01:13:18,360 --> 01:13:21,280 Speaker 1: anyone would walk away from this and think if this 1570 01:13:21,320 --> 01:13:23,920 Speaker 1: wins Awards. I'm not kidding you. I will leave Hollywood. 1571 01:13:24,120 --> 01:13:26,880 Speaker 1: I'm done. I will watch it away and I will 1572 01:13:26,920 --> 01:13:29,200 Speaker 1: start a pet store where an old woman will have 1573 01:13:29,240 --> 01:13:31,320 Speaker 1: sex with the teenager in the back room. I really will. 1574 01:13:31,960 --> 01:13:33,880 Speaker 1: It will be a pet storre tell pets, but it'll. 1575 01:13:33,720 --> 01:13:36,160 Speaker 2: Be weirdane without headphones on. 1576 01:13:36,840 --> 01:13:41,840 Speaker 1: Yeah, no, you don't watch it without. You watch it 1577 01:13:41,840 --> 01:13:43,840 Speaker 1: without heaphens because you keep the headphones plugged in, but 1578 01:13:43,840 --> 01:13:45,360 Speaker 1: you take them out of your ears. Because this is 1579 01:13:45,360 --> 01:13:49,200 Speaker 1: a movie best watched just watching actresses act without the 1580 01:13:49,240 --> 01:13:50,920 Speaker 1: sound coming out of their mouth, which is a list 1581 01:13:50,920 --> 01:13:52,800 Speaker 1: that they choose halfway through the film. Even though I 1582 01:13:52,800 --> 01:13:54,839 Speaker 1: love Julian Moore, she kissed me once on a red carpet. 1583 01:13:55,240 --> 01:13:57,080 Speaker 1: Speaking of a red carpet, it was a red carpet 1584 01:13:57,080 --> 01:13:59,880 Speaker 1: for a Judge Cord Lovett film called what was the One? 1585 01:13:59,880 --> 01:14:03,479 Speaker 1: He wrote about the porn addiction Don Juan It was awesome. 1586 01:14:03,560 --> 01:14:06,160 Speaker 1: That's a great movie. Scarlett Johanson is also in it. 1587 01:14:06,200 --> 01:14:08,120 Speaker 1: I don't know why Julianmore was there but she was there. 1588 01:14:08,120 --> 01:14:09,640 Speaker 1: Maybe she's in the movie. She kissed me on a 1589 01:14:09,680 --> 01:14:11,240 Speaker 1: red carpet on the lips. It was amazing. It was 1590 01:14:11,280 --> 01:14:13,120 Speaker 1: during nickin Serah Live. We're interviewing people in the red 1591 01:14:13,120 --> 01:14:14,599 Speaker 1: carpet and she just went in for it. We were 1592 01:14:14,600 --> 01:14:17,040 Speaker 1: doing a bit and she is the coolest. I love 1593 01:14:17,080 --> 01:14:19,800 Speaker 1: both those actresses. Listen, I've been in shitty things too, 1594 01:14:19,800 --> 01:14:21,599 Speaker 1: and this is just one of those things, and maybe 1595 01:14:21,600 --> 01:14:23,599 Speaker 1: it changed my mind. If you made me December, if 1596 01:14:23,600 --> 01:14:25,360 Speaker 1: you have anything to do with it, I am so sorry. 1597 01:14:25,560 --> 01:14:27,719 Speaker 1: I've made a shitty things too. It's okay. We're allowed 1598 01:14:27,720 --> 01:14:28,400 Speaker 1: to make mistakes. 1599 01:14:28,640 --> 01:14:30,160 Speaker 2: Bing bang bing. 1600 01:14:30,200 --> 01:14:33,800 Speaker 1: Bing bong, bing bong. Please just go listen to it. 1601 01:14:34,000 --> 01:14:35,800 Speaker 1: Just pull it up. The first minute you hear the 1602 01:14:35,800 --> 01:14:39,200 Speaker 1: bing bong bing bong, and that same music goes throughout 1603 01:14:39,280 --> 01:14:41,519 Speaker 1: the movie. It's so funny. I love it. I think 1604 01:14:41,560 --> 01:14:43,200 Speaker 1: I'm gonna watch it again. Honestly, it might be a 1605 01:14:43,200 --> 01:14:46,160 Speaker 1: good sum all right, guys, I gotta go. At first, 1606 01:14:46,200 --> 01:14:49,000 Speaker 1: I thought it might be a comedy about movies like this, 1607 01:14:49,160 --> 01:14:51,439 Speaker 1: but no, it was just this movie. It was probably 1608 01:14:51,439 --> 01:14:53,760 Speaker 1: written by Ai to be honest with you, gotta go. 1609 01:14:54,000 --> 01:14:55,960 Speaker 1: Thank you for enjoying the show, we will see you 1610 01:14:56,000 --> 01:14:57,559 Speaker 1: in the new year. Can't wait to see you then, 1611 01:14:58,160 --> 01:15:01,840 Speaker 1: don't be good and happy news. Oh, come see me 1612 01:15:01,880 --> 01:15:06,880 Speaker 1: in this this weekend in Denver, Sunday and Monday. I 1613 01:15:06,880 --> 01:15:08,680 Speaker 1: believe New Year's Eve and New Year's Eveve. I might 1614 01:15:08,720 --> 01:15:10,559 Speaker 1: have those days confused, but it's New Year's EVEVE and 1615 01:15:10,560 --> 01:15:12,959 Speaker 1: New Year's Eve December thirtieth and thirty first at the Paramount. 1616 01:15:13,000 --> 01:15:15,320 Speaker 1: I will see you their besties can't wait to see you. 1617 01:15:15,560 --> 01:15:18,519 Speaker 2: Can you believe that twenty twenty four was the best 1618 01:15:18,600 --> 01:15:19,760 Speaker 2: year of all three of. 1619 01:15:19,720 --> 01:15:22,360 Speaker 1: Our live I can't believe that twenty twenty four was 1620 01:15:22,400 --> 01:15:27,440 Speaker 1: the best year of all of our lives creatively, personally, emotionally, 1621 01:15:27,800 --> 01:15:31,759 Speaker 1: health physically. Oh, I can't believe it. All that Toothpaine 1622 01:15:31,800 --> 01:15:34,080 Speaker 1: you had in twenty twenty three, it evaporated in twenty 1623 01:15:34,080 --> 01:15:35,440 Speaker 1: twenty four. And I can't. 1624 01:15:35,160 --> 01:15:37,840 Speaker 2: Believe almost instantly too, which is crazy. It was like 1625 01:15:37,880 --> 01:15:39,360 Speaker 2: just that calendar term incredible. 1626 01:15:39,400 --> 01:15:42,200 Speaker 1: And I can't believe I'm gonna win that Emmy for 1627 01:15:42,240 --> 01:15:44,200 Speaker 1: that's for the special I mean, I can't believe I 1628 01:15:44,240 --> 01:15:47,120 Speaker 1: want it already in the future. That's so wild that 1629 01:15:47,200 --> 01:15:47,679 Speaker 1: we believe. 1630 01:15:47,680 --> 01:15:49,400 Speaker 2: I hope with the creative arts means you don't have 1631 01:15:49,400 --> 01:15:51,080 Speaker 2: to introduce something for May December. 1632 01:15:53,040 --> 01:15:54,240 Speaker 1: This is going to come back to bite me. I 1633 01:15:54,320 --> 01:15:57,280 Speaker 1: just feel, but I just want to reiterate I do 1634 01:15:57,360 --> 01:16:00,120 Speaker 1: bad things too. Okay, We're all allowed to do bad things, 1635 01:16:00,120 --> 01:16:02,599 Speaker 1: and bad things are more interesting than good things. So 1636 01:16:02,640 --> 01:16:06,200 Speaker 1: thank you for being ying me. Okay, all right, guys, 1637 01:16:06,520 --> 01:16:08,040 Speaker 1: thank you for listening to podcasts, and we'll see you 1638 01:16:08,120 --> 01:16:10,840 Speaker 1: next year. Don't be good, just have a great new year.