WEBVTT - S4/E12 | Exploration

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<v Speaker 1>M Thirteen Days of Halloween Penance, a co production of

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<v Speaker 1>iHeart three D Audio Blumhouse Television and Grim and Mild

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<v Speaker 1>from Aaron Mankey Headphones recommended. Listener discretion advised.

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<v Speaker 2>Tell me, tell me it's real. Then I'm not hallucinating?

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<v Speaker 3>Is it?

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<v Speaker 4>Could it really be?

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<v Speaker 5>I made it? I'm out.

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<v Speaker 6>But outwear.

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<v Speaker 4>Lily fresh water whack no pretty, damn salty.

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<v Speaker 6>Ugh, I got filthy crawling through that damn drain pipe.

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<v Speaker 6>Time to put distance between me in this fucking prison.

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<v Speaker 6>Things I will remember to pack for my next daring escape.

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<v Speaker 7>Shoes, water preferably chilled, bunk spray.

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<v Speaker 6>Deep one thousand, five and sixty.

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<v Speaker 5>You know, a map.

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<v Speaker 6>Or maybe a satellite phone with GPS.

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<v Speaker 4>Hell, why not a helicopter?

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<v Speaker 7>And what did you pack?

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<v Speaker 6>Daisy scalp, A heavy ass book and pillowcase full of trinkets.

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<v Speaker 6>Perfect if we find some kind of satanic bomb shelter

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<v Speaker 6>in need of decorating.

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<v Speaker 4>Not so much in the way of survival.

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<v Speaker 6>Here, but damn if that's not the prettiest sunrise I

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<v Speaker 6>ever saw. Every stream has to lead somewhere. I hope

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<v Speaker 6>that this one leads out of side of this goddamn prison.

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<v Speaker 6>You know, from the outside, you would never know what

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<v Speaker 6>happens on the inside. Well, that stone makes it look

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<v Speaker 6>like an.

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<v Speaker 8>Old fort or castle.

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<v Speaker 3>Huh.

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<v Speaker 4>I'm sure they're looking for me. I wonder if they

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<v Speaker 4>got her.

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<v Speaker 6>Okay, okay, you stop talking to yourself, starting right.

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<v Speaker 7>Ah, motherfucker, Lily, Lily.

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<v Speaker 4>Lily, is that you.

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<v Speaker 9>Jack war.

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<v Speaker 8>Easy girl, easy girl.

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<v Speaker 6>We're just two strangers crossing paths. I'm just at it

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<v Speaker 6>this way.

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<v Speaker 5>I'm good for here.

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<v Speaker 6>Oh hurry you you take your time.

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<v Speaker 4>How can you drink that stuff?

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<v Speaker 6>You don't happen to know the way out of here?

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<v Speaker 6>Do you or a good hotel in the area?

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<v Speaker 9>Shut up?

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<v Speaker 6>Say hurry? Oh Jesus, Mary and Joseph.

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<v Speaker 8>Wait where in the world do they have jaguars?

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<v Speaker 6>Don't get me wrong, I'm happy to see the outside again,

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<v Speaker 6>practically thrilled that this fucking brush is so thick it's

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<v Speaker 6>like a jungle. I bet just for good measure, they've

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<v Speaker 6>clear cut the rainforest to build this cursed gargantuan free

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<v Speaker 6>in castlefort walk all damn day, and still I can't

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<v Speaker 6>get away from it. I wonder what part I'm looking

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<v Speaker 6>at right now? Could that be the muscle?

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<v Speaker 9>Now?

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<v Speaker 6>Maybe the infirmary. I wonder where the panopticon is in

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<v Speaker 6>all this.

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<v Speaker 4>No, there it is.

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<v Speaker 6>Well, if you can see them, they can see you.

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<v Speaker 6>Add to the packing list. You're an escape partner. I

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<v Speaker 6>guess you didn't make it out. You're still in there.

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<v Speaker 6>Somewhere is that.

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<v Speaker 10>Shit? Shit?

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<v Speaker 7>Shit the ocean.

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<v Speaker 4>I knew it would be the ocean. Nothing on the horizon,

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<v Speaker 4>but now, well you can really see the pen.

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<v Speaker 6>Okay, maybe this is a peninsula.

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<v Speaker 4>Yeah, yeah, I just gotta.

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<v Speaker 6>Follow it around and then find a road inland.

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<v Speaker 4>Just keep going.

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<v Speaker 8>Until that tower.

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<v Speaker 3>Is that a sight?

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<v Speaker 6>How is it exactly the same size?

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<v Speaker 4>And why does it get so hot? What are we

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<v Speaker 4>on the equator?

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<v Speaker 6>All of the shit looks exactly the same, because of

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<v Speaker 6>course it does. It's the Pendleton Prison, on Pendleton Isle.

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<v Speaker 7>No peninsula, it's there.

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<v Speaker 4>You see that X again.

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<v Speaker 6>You know you've made a circle, which won't happen because

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<v Speaker 6>you are staying positive.

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<v Speaker 7>Just gotta keep moving. Tower exactly the same size, body failing.

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<v Speaker 4>X in sand.

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<v Speaker 7>Conclusion, this is a fucking island.

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<v Speaker 4>There is no way off. I will die here unmust

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<v Speaker 4>they catch me first? Just a few minutes out of

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<v Speaker 4>the sun. Not to sleep, Just to rest.

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<v Speaker 5>Just a few minutes.

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<v Speaker 8>And we will dry again.

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<v Speaker 4>Huh, who's there?

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<v Speaker 9>Really?

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<v Speaker 3>Is that?

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<v Speaker 4>Is that smoke? Fire?

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<v Speaker 5>Fire? Fire? No?

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<v Speaker 6>No, no, no, no, no no no no no.

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<v Speaker 9>Please don't one, I mean no harm.

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<v Speaker 6>Then what are you doing here?

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<v Speaker 9>You just passing through?

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<v Speaker 4>Are you a guard?

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<v Speaker 9>No?

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<v Speaker 4>An inmate?

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<v Speaker 9>No?

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<v Speaker 4>Then who are you?

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<v Speaker 9>Days? And you?

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<v Speaker 4>Sorry?

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<v Speaker 9>Do you have water? Say?

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<v Speaker 6>I wish it's all contaminated?

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<v Speaker 9>M wackish? You might have to track up to the headwater.

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<v Speaker 4>Is that far for you?

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<v Speaker 9>Atturney may be difficult, or you could wait to live

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<v Speaker 9>any season.

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<v Speaker 6>I'm not sure I'll make it that long. Do you

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<v Speaker 6>live here for now?

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<v Speaker 9>And you came from inside the pen the citadel on

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<v Speaker 9>the hill?

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<v Speaker 4>Has it always been there?

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<v Speaker 9>Always? No, but a long time?

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<v Speaker 4>Do you know where we are?

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<v Speaker 9>On the island?

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<v Speaker 4>Of course, an island.

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<v Speaker 6>I'm just gonna rest for a minute, But then you're

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<v Speaker 6>moving on right.

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<v Speaker 4>I just have to figure out where to go. What's

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<v Speaker 4>wrong with your foot?

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<v Speaker 9>It was lost long ago and replaced with black bone

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<v Speaker 9>and smoking mirror?

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<v Speaker 3>This this is a dream.

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<v Speaker 9>Yes, but what do you see is only how I

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<v Speaker 9>appear to you now. Earlier I was a jaguar by

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<v Speaker 9>the water, tomorrow, oh nose.

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<v Speaker 6>But if this is a dream, why am I under

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<v Speaker 6>the same tree, the same distance from that goddamn prison?

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<v Speaker 4>Why can I dream what I want?

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<v Speaker 9>What do you want?

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<v Speaker 5>Off this island?

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<v Speaker 11>Why didn't I realize it was an island? It's always

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<v Speaker 11>a fucking island.

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<v Speaker 9>Look out there at me on the horizon, where right there?

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<v Speaker 6>What?

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<v Speaker 12>I don't look out through the east towards the moon

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<v Speaker 12>and follow the horizon back the other way.

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<v Speaker 8>There is something there?

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<v Speaker 6>But is it really there outside the dream?

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<v Speaker 3>Or are you?

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<v Speaker 4>Are you showing me what I want to see?

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<v Speaker 12>Dream and reality are closely as you think, and nightmare too.

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<v Speaker 12>But yes, yes it's there, it's far, but sitting still

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<v Speaker 12>it's what you want.

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<v Speaker 9>Answer.

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<v Speaker 4>I don't know how I'd ever get out there. M.

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<v Speaker 9>Then maybe it's the right inclination but the wrong directions.

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<v Speaker 3>What do you mean?

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<v Speaker 9>People tend to look outward when they should look inward?

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<v Speaker 6>Really, M I escaped with someone else, but I lost her.

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<v Speaker 4>Or she lost me.

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<v Speaker 9>I don't see anyone else here.

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<v Speaker 4>She might still be inside.

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<v Speaker 9>That may be so, But in the end I can

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<v Speaker 9>only help.

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<v Speaker 8>You, no, Christ, I'll be damned.

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<v Speaker 6>It is a ship just up past the breakers.

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<v Speaker 4>But I can't swim that. But I could build a raft.

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<v Speaker 6>Okay, yeah, a raft out of what gilligan sticks and

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<v Speaker 6>vines and your own intuition. If it's really an island,

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<v Speaker 6>the pendleton has to have its own dock. I just

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<v Speaker 6>need to follow the shore again and look for it.

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<v Speaker 4>But then what steal a boat? No? No, the guy

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<v Speaker 4>with the smoking foot's right. This is the only way

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<v Speaker 4>you can do this, Martinez.

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<v Speaker 5>You have to.

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<v Speaker 7>Why did it have to be water, lily last chats.

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<v Speaker 5>One two, Yes, that's.

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<v Speaker 11>So cold, you, darling, are like a cat, hates water,

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<v Speaker 11>but a natural swimmer.

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<v Speaker 6>They must have dropped anchor red and white? Is that

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<v Speaker 6>a dive flag? Hello?

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<v Speaker 2>Anyone on board?

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<v Speaker 4>Don't shoot me?

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<v Speaker 8>Hello?

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<v Speaker 6>Anybody looks like you were diving for something.

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<v Speaker 4>Anyone in there?

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<v Speaker 9>Help me?

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<v Speaker 7>Jesus? Your leg?

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<v Speaker 13>Is it still there?

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<v Speaker 9>Is?

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<v Speaker 4>What's still there?

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<v Speaker 13>The island?

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<v Speaker 4>We're just offshore. I swim up.

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<v Speaker 9>We can't be here.

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<v Speaker 6>Oh you've lost a lot of blood. I'm gonna try

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<v Speaker 6>and bandage you up. Where's the rest of.

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<v Speaker 13>The crew down in the hold?

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<v Speaker 4>What happened?

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<v Speaker 13>We found an old Spanish galleon off the reef, remarkably

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<v Speaker 13>intact undisturbed like that fort up there. No one ever

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<v Speaker 13>comes out here, No maps speak of it. We pulled

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<v Speaker 13>up four crates of gold of gold.

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<v Speaker 6>Did they do this to you the other crew members?

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<v Speaker 13>No, we pulled up a fifth crate. How were we

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<v Speaker 13>to know what it was?

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<v Speaker 4>We should get them. Let me help you out.

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<v Speaker 13>No, we have to get out of here. There's a

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<v Speaker 13>dinghy on the roof. There's a crank system.

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<v Speaker 4>What's a dinghy?

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<v Speaker 13>God help me. It's a lifeboat, a little boat?

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<v Speaker 9>Oh god?

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<v Speaker 4>What was that?

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<v Speaker 13>Oh God? Here it comes here?

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<v Speaker 2>Who comes?

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<v Speaker 13>There wasn't anything left of him in there, just an

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<v Speaker 13>old scalloped armor green from the sea. And that morion helm.

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<v Speaker 5>What the hell does that mean?

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<v Speaker 13>That crested? Because he's doing her a helmet with nothing underneath.

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<v Speaker 10>Take her stance? See what lunder?

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<v Speaker 5>No? No, let's go now, stop, get off.

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<v Speaker 10>Stop My Christoph.

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<v Speaker 13>Worship with hair, and he will spare you as.

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<v Speaker 9>So little. And I gave warn you.

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<v Speaker 4>What is that thing?

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<v Speaker 9>Another who cannot ass on? Cocked in the island's currents.

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<v Speaker 9>It is the wraith of a conqueror, a butcher and warlord.

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<v Speaker 9>Everything inside the armor has rotted away to less than nothing.

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<v Speaker 9>A collapsing void. And these people he's making them his saints,

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<v Speaker 9>twisting them into the martyr of his religion. You cannot

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<v Speaker 9>save them. This one he has made into Saint Sebastian,

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<v Speaker 9>pierced with knives and tools instead of arrows. This one

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<v Speaker 9>there's half flayed into Bartholomew. And here a cephalaforte nasca

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<v Speaker 9>and a sodium. Why because in death is in life?

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<v Speaker 9>He refuses to look inward. He lashes out at the world.

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<v Speaker 9>He bloodies it. He cobbles his victims into the likenesses

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<v Speaker 9>of the noble dead, as if to absorb himself, all

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<v Speaker 9>while his soul crumbles beyond nothingness within.

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<v Speaker 5>Wake me up. I have to fight.

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<v Speaker 9>He is too strong for you and too fast on mass.

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<v Speaker 9>What you trick him into self reflection? How the visor

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<v Speaker 9>of his helm is exposed. Thrust your head into the void.

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<v Speaker 9>Become his inner voice, you.

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<v Speaker 3>Mean, put on his helmet.

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<v Speaker 10>Stop?

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<v Speaker 9>What is anything?

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<v Speaker 5>But have riches?

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<v Speaker 9>Go?

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<v Speaker 5>Hey? What are you doing? Hey? You?

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<v Speaker 9>What are you doing?

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<v Speaker 5>Yeah, I'm talking to you.

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<v Speaker 9>It's not Chilvin anymore.

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<v Speaker 5>You want me, You're gonna have to come here. Don't resist.

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<v Speaker 5>He will make you your cat a.

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<v Speaker 14>God forsake you you are powerless, drop her, free them

0:18:11.040 --> 0:18:12.000
<v Speaker 14>and go to hell.

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<v Speaker 4>Cursed. This place is literally curse.

0:18:33.760 --> 0:18:34.480
<v Speaker 7>The lifeboat.

0:18:37.520 --> 0:18:50.600
<v Speaker 2>Come on, come on, come on, come on, Jackpot, you

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<v Speaker 2>better start to come on please.

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<v Speaker 15>Please yes, yes, yeah, oh yeah yasuah o ga.

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<v Speaker 1>Thirteen Days of Halloween Pennance starring Natalie Morales, Episode twelve

0:19:34.560 --> 0:19:39.280
<v Speaker 1>Exploration written by Robert Lamb and Alexander Williams. Editing and

0:19:39.359 --> 0:19:42.919
<v Speaker 1>sound design by Trevor Young and Chandler Mays, featuring the

0:19:42.960 --> 0:19:47.760
<v Speaker 1>voices of Miguel Perez, Wayne Bastrup, Alex Bowling, Steve B. Greene,

0:19:48.080 --> 0:19:53.199
<v Speaker 1>Chris Ji, Alex and Raphael Corkil. Directed by Alexander Williams.

0:19:53.400 --> 0:19:58.120
<v Speaker 1>Executive producers Aaron Mankey, Noah Feinberg, Chris Dickey, Matt Frederick

0:19:58.200 --> 0:20:02.840
<v Speaker 1>and Alexander Williams. Super Revising producers Trevor Young and Josh Thain.

0:20:03.160 --> 0:20:07.920
<v Speaker 1>Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays and

0:20:08.160 --> 0:20:12.840
<v Speaker 1>Casby Bias. Script editing by Lauren Vogelbaum, story consultants Ben

0:20:12.880 --> 0:20:16.840
<v Speaker 1>Bolan and Matthew Riddle. Casting by Sunday Bowling CSA and

0:20:16.880 --> 0:20:22.639
<v Speaker 1>Meg Mormon CSA. Production coordinator Wayna Calderon production assistants Jenna

0:20:22.720 --> 0:20:25.960
<v Speaker 1>Johnson and Went On a low theme. Music by Rose

0:20:26.000 --> 0:20:30.080
<v Speaker 1>Azerti with vocals by Anna Hummler, recorded at This Is

0:20:30.160 --> 0:20:35.040
<v Speaker 1>Sound Design Studios in Burbank, California. Engineered by Ross aeronaut

0:20:35.359 --> 0:20:39.840
<v Speaker 1>special thanks to Romelia Osorio, Nathan Rule, Glen Nishida, and

0:20:39.960 --> 0:20:43.600
<v Speaker 1>Rob Mosca. Thirteen Days of Halloween was created by Matt

0:20:43.600 --> 0:20:47.880
<v Speaker 1>Frederick and Alexander Williams and is a production of iHeart Podcasts,

0:20:47.960 --> 0:20:51.840
<v Speaker 1>Blumhouse Television, and Grimm and Mild from Aaron Maky. Learn

0:20:51.880 --> 0:20:55.520
<v Speaker 1>more about the show at Grimandmild dot com slash thirteen

0:20:55.640 --> 0:20:58.879
<v Speaker 1>Days and find more podcasts from iHeartRadio by visiting the

0:20:58.880 --> 0:21:02.479
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

0:21:02.480 --> 0:21:04.720
<v Speaker 1>favorite shows. Happy Halloween.