WEBVTT - Revenge of the Nerds

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<v Speaker 1>Kaboom. If you thought four hours a day, minutes a

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<v Speaker 1>week was enough, I think again. He's the last remnants

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<v Speaker 1>of the old republic a sole fashion of fairness. He

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<v Speaker 1>treats crackheads in the ghetto cutter the same as the

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<v Speaker 1>rich pill poppers in the penthouse, to clearing house of

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<v Speaker 1>hot takes, break free for something special. The Fifth Hour

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<v Speaker 1>with Ben Maller starts right now in the air everywhere,

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<v Speaker 1>back at it on a Saturday, Saturday Saturday, another piping

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<v Speaker 1>hot edition of The Fifth Hour with Ben Mallard and

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<v Speaker 1>gascon Free, not sullyed by anyone west of the four

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<v Speaker 1>or five. It is a one man band. The podcast

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<v Speaker 1>must go on no matter what, unless it actually doesn't

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<v Speaker 1>have to go on. But we do this as a

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<v Speaker 1>labor of love, eight days a week, because four hours

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<v Speaker 1>a night, five nights a week clearly not enough. The

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<v Speaker 1>podcast studio which is right next to the radio studio

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<v Speaker 1>deep in the north Woods, and I do thank you

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<v Speaker 1>for supporting the podcast. And now the podcast has done

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<v Speaker 1>so well that management gets very upset if we do

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<v Speaker 1>not have a piping hot edition of the Fifth Hour

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<v Speaker 1>podcast on Friday, Saturday or Sunday. So uh we provide

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<v Speaker 1>them and please keep that up. That that helps out

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<v Speaker 1>the show in a large way, and you guys have

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<v Speaker 1>been doing a great job at that. So on this

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<v Speaker 1>edition of the podcast, we have the title of it

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<v Speaker 1>should be Revenge of the Nerds. Revenge of the Nerds,

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<v Speaker 1>we have that. We also have It's a downhill race,

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<v Speaker 1>passing in the night and whatever else pops up along

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<v Speaker 1>the way. On this edition of The Fifth Hour with

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<v Speaker 1>Ben mat Now, before we get to Revenge of the Nerds,

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<v Speaker 1>I would like to tell you about Cameo. This is

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<v Speaker 1>not a commercial for Cameo. I am not being paid

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<v Speaker 1>to tell you about Cameo. I just had a funny

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<v Speaker 1>story I thought you'd appreciate. So this podcast, The Fifth

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<v Speaker 1>Hour is dedicated to the extreme fan of the show.

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<v Speaker 1>There's a lot of casual listeners of the show, and

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<v Speaker 1>we have the hardcore, passionate listenership that is through and

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<v Speaker 1>through a really buys into what we do. And boy,

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<v Speaker 1>I thank you for that. And some of the biggest

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<v Speaker 1>fans of the show, I want to take you to

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<v Speaker 1>the next level and they want to get on Cameo

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<v Speaker 1>and and I will do a personalized Mallard monologue. We

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<v Speaker 1>don't do shout outs on the radio, but we do

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<v Speaker 1>do them on cameo. And so I got a cameo

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<v Speaker 1>request the other day. I'm gonna tell you the story

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<v Speaker 1>briefly here I won't bore you, and if I bore you,

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<v Speaker 1>just fast forward through the podcast. So I got a

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<v Speaker 1>cameo request. I don't usually promote cameo that much, and

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<v Speaker 1>so there's certain times of the year randomly I'll get

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<v Speaker 1>a bunch of cameo requests and then other times I'll

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<v Speaker 1>get none. And I'm fine with that. It's there. It's

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<v Speaker 1>something that if you you want it, that's great. Um

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<v Speaker 1>there's some people on that website cameo that are making

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<v Speaker 1>their living off that, and good for them. Those are

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<v Speaker 1>also TV people and movie people. The cast of the Office,

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<v Speaker 1>for example, does very well. A lot of people who

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<v Speaker 1>grew up watching The Office now are all they're all

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<v Speaker 1>grown up and they have a lot of disposable income,

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<v Speaker 1>liquid liquid money to toss around, so they love their

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<v Speaker 1>their cameo. Now, we have a little bit of a

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<v Speaker 1>smaller reach on cameo, but I did get a request

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<v Speaker 1>from a super duper p one and I will not

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<v Speaker 1>reveal the gentleman's name. Because it was a private cameo.

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<v Speaker 1>But this is a gentleman served in the United States Marines,

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<v Speaker 1>and he's a big fan. He's got a little insomnia,

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<v Speaker 1>and so he made the request, and I I felt like,

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<v Speaker 1>this is a special thing. You know, when you go

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<v Speaker 1>out of your way to to pay a little bit

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<v Speaker 1>of money on cameo, I want to give you your

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<v Speaker 1>money's worth. So I did the cameo. He wanted a

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<v Speaker 1>little pep talk, and I gave him a win one

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<v Speaker 1>for the gipper type speech unless I didn't, but I

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<v Speaker 1>gave what I thought was a decent pep talk. And

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<v Speaker 1>it's really up to him whether he liked it or not.

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<v Speaker 1>But anyway, the reason I'm telling the story, get to

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<v Speaker 1>the point. Please all right, I will get to the point.

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<v Speaker 1>So the reason I told the story or to you,

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<v Speaker 1>am telling you right now, is because I did the

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<v Speaker 1>cameo in the studio. I do these things usually in

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<v Speaker 1>the studio, I have all the equipment of a camera.

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<v Speaker 1>We record the monologues for YouTube for the company, and

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<v Speaker 1>so I did the cameo kind of like I do

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<v Speaker 1>this podcast or I do the radio show, and the

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<v Speaker 1>same share the same podcast microphone that I use and

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<v Speaker 1>I just let it rip. I just let rip and

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<v Speaker 1>and so I sent the cameo and you have to

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<v Speaker 1>uply upload the cameo on my end. My job is

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<v Speaker 1>pretty simple. Do the cameo, upload the cameo, Boom done.

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<v Speaker 1>Uh you know, the dumbest person on the block could

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<v Speaker 1>do it. It's not that hard. So anyway, I clicked

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<v Speaker 1>the button on the cameo app, and I send the

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<v Speaker 1>video to the gentleman who's a big fan and I'm

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<v Speaker 1>here to cheer him up. And it was a special request.

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<v Speaker 1>It is a twenty four hour request. You gotta pay

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<v Speaker 1>a little extra for that. Um. And so I did it.

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<v Speaker 1>And anyway, long story even longer. Why not, it's a podcast.

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<v Speaker 1>So I I forgot about it. I got a message

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<v Speaker 1>on my phone like two hours later saying that I

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<v Speaker 1>had not actually posted the cameo, and I said, what

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<v Speaker 1>what the hell? You know? I know, I did it.

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<v Speaker 1>I did the thing, and I clicked the button and

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<v Speaker 1>it said it was uploading. And so I then tried

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<v Speaker 1>to upload it again. I noticed that it had not uploaded.

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<v Speaker 1>The message was correct. So I clicked the upload button

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<v Speaker 1>on the cameo and I said, that's it. Okay, I'm good.

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<v Speaker 1>And then about fifteen minutes later I checked and again

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<v Speaker 1>it had not uploaded, and so I was like, what

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<v Speaker 1>the hell. So then I had to contact my rep

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<v Speaker 1>at Cameo and say, hey, I did the cameo. I

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<v Speaker 1>followed the instructions, I clicked the send button on said cameo,

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<v Speaker 1>and what the heck is going on here? So they're

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<v Speaker 1>very polite, good customer service, much better customer service than

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<v Speaker 1>I've had a lot of people a lot of places

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<v Speaker 1>I've talked you over the years, and and so anyway,

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<v Speaker 1>they got right back to me and they, you know,

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<v Speaker 1>said that, you know whatever, it had been fixed. So

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<v Speaker 1>it turns out I've been doing cameo wrong. I'm bad

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<v Speaker 1>at cameo. They told me the average cameo that people request,

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<v Speaker 1>and and I'm on the very low end of this.

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<v Speaker 1>I'm nobody. I'm an overnight guy. Who am I? But

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<v Speaker 1>some of these big TV stars and these movie stars

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<v Speaker 1>that are on there that that people loving athletes the

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<v Speaker 1>average cameo. You want to take a guess how long

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<v Speaker 1>the average cameo is? You gotta guess, Yeah, how about

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<v Speaker 1>one minute? One minute? For example, if you're listening to

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<v Speaker 1>me right now, and you've listened to the very beginning

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<v Speaker 1>of the podcast till now you've already you would have

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<v Speaker 1>heard over six almost seven cameos by now right, you know,

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<v Speaker 1>not even including the commercials. But the commercials is probably longer.

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<v Speaker 1>But the actual time of me talking on the fifth

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<v Speaker 1>hour podcast here is about now. It's up to seven,

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<v Speaker 1>give or take seven cameos. So anyway, my cameo to

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<v Speaker 1>this gentleman was, I think over seven minutes long, like

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<v Speaker 1>usually there are five. I try to do four or

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<v Speaker 1>five six minutes somewhere and there I went along on

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<v Speaker 1>the pep Talk one. So I have been doing too

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<v Speaker 1>much on the cameo. But screw cameo. I like, I

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<v Speaker 1>like doing these things, you know, from time to time.

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<v Speaker 1>I don't want to do too many of them, but

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<v Speaker 1>I also don't want to do them too short. I

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<v Speaker 1>think like one minute. It's like, you know, that's nothing, man.

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<v Speaker 1>I do four hours a night and plus an extra

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<v Speaker 1>three hours on the weekend. But twenty hours a week

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<v Speaker 1>plus the three hours or more sometimes we go avery

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<v Speaker 1>longer on the weekend. So that is the the brief

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<v Speaker 1>cameos story, which turned into the Extended Dance remix. Now

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<v Speaker 1>moving on the Revenge of the Nerds, The Revenge of

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<v Speaker 1>the Nerds, this being the Saturday podcast, which means the

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<v Speaker 1>life of Mallard. How boring is that? So during the

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<v Speaker 1>standard Mallard monolg we do four monologues a night. The

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<v Speaker 1>the a block of every hour is a monologue. I

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<v Speaker 1>can't guarantee it's gonna be a good monologue. And I

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<v Speaker 1>try to do a different monologue every hour during those monologues,

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<v Speaker 1>mainly because I get bored. Mainly because I get bored.

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<v Speaker 1>And good programming directors will tell you that you should

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<v Speaker 1>only do one topic radio and just keep repeating the

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<v Speaker 1>one topic, because the average radio listener does not listen

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<v Speaker 1>for more than a few minutes. Therefore, I'm actually doing

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<v Speaker 1>four times the work that I'm supposed to be doing.

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<v Speaker 1>And and I've had programmed reactors tell me, why not

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<v Speaker 1>just do one topic and just repeat it. And a

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<v Speaker 1>lot of afternoon shows and morning drive shows they'll do

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<v Speaker 1>like two different topics, one hour on one thing and

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<v Speaker 1>an hour or another. And they do that because there's

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<v Speaker 1>this sweet spot, the sweet spot on radio where it's

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<v Speaker 1>like the prime rush hour. So the first two hours

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<v Speaker 1>like the warm up act. It's like a lounge act.

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<v Speaker 1>You're testing out material. I'll give you the inside radio.

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<v Speaker 1>So you're testing out material and whatever really clicked, whatever

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<v Speaker 1>really resonated at least among the staff of the show,

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<v Speaker 1>the producer, of the board, op the host that then

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<v Speaker 1>gets regurgitated in the prime hour. Because most radio shows

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<v Speaker 1>are three hours. I do four, but most shows are

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<v Speaker 1>three hours, and that's kind of the standards become the

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<v Speaker 1>standard now. And so you do an hour warm up,

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<v Speaker 1>try something, an hour, another hour on something else, and

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<v Speaker 1>then which everyone works your third hour. You put it

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<v Speaker 1>all together. So we do the Mallon. Will said, I've

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<v Speaker 1>been known to take gratuitous cheap shots at Brainiac's. Yeah.

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<v Speaker 1>I'm not that bright, you know, I'm pretty dumb. I'm

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<v Speaker 1>doing radio, so I like to take my under the

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<v Speaker 1>table backhanded shots. Baseball executives we call super nerds. The

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<v Speaker 1>people that run the baseball franchises are the chief nerd.

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<v Speaker 1>We've got the geeks, the point dexters, you name it,

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<v Speaker 1>the Ivy League crowd, etcetera, etcetera, etcetera. So this week

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<v Speaker 1>I got my come upp It's this is a global exclusive.

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<v Speaker 1>No one else has this content, no one else has

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<v Speaker 1>this content content. If I could talk, that would help.

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<v Speaker 1>So I'm doing the radio show per normal. I'm shouting,

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<v Speaker 1>I'm yelling, I'm enthusiastically screaming like a crazy person in

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<v Speaker 1>a studio by myself, per normal. It is near the

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<v Speaker 1>end of the Wednesday show, Eddie says that, hey, I'd

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<v Speaker 1>like to get a nice photo. So we got the

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<v Speaker 1>crew together in the main studio. And typically we are

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<v Speaker 1>not together. I'm in the home studio and most of

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<v Speaker 1>the time now as I am right now doing this podcast,

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<v Speaker 1>so this was a rare and appropriate opportunity to get

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<v Speaker 1>a photo. So, okay, let's do some photos. So in walks,

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<v Speaker 1>Eddie in walks, Robert to in walks the Coop de

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<v Speaker 1>loop and we're all there. The team is altogether, we

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<v Speaker 1>formed Voltron ready for a little photo. So then lead

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<v Speaker 1>a Lap comes over, the producer of the morning show.

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<v Speaker 1>He's in the building. He comes over, he's the he's

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<v Speaker 1>the camera guy. Now during the flash mob photos session,

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<v Speaker 1>I do what I do most of the time. I

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<v Speaker 1>do not like the way I look in glasses. I

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<v Speaker 1>don't I need them because my parents gave me some

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<v Speaker 1>very bad eyes, which you know I'm fine with. I

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<v Speaker 1>love them to death, but they did not give me

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<v Speaker 1>the good jeans on the eyes. So I I have bifocals,

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<v Speaker 1>and I take my bifocals off, and I usually put

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<v Speaker 1>them either on my my shirt or I'll put them

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<v Speaker 1>in my pocket and uh. In this case, I put

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<v Speaker 1>the eyeglasses in my pocket. It's my right pocket. In

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<v Speaker 1>my right pocket, I had a set of car keys.

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<v Speaker 1>So I took the picture. Of the picture came out okay, fine,

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<v Speaker 1>and then I had to rush back to the chair

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<v Speaker 1>because it was about time to talk. The on air

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<v Speaker 1>light was coming on, so no time for grab bass.

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<v Speaker 1>So I sat down real fast, and then I reached

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<v Speaker 1>into my pocket to get the glasses out to put

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<v Speaker 1>them back on so I could read some comments from

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<v Speaker 1>you on Twitter and also the screen the call screener

0:12:48.000 --> 0:12:51.120
<v Speaker 1>that we had. So I reached into my my right

0:12:51.160 --> 0:12:54.600
<v Speaker 1>pocket with my right hand. I'm right handed, and much

0:12:54.640 --> 0:13:00.720
<v Speaker 1>to my surprise, the glasses come out and there's there's

0:13:00.800 --> 0:13:05.000
<v Speaker 1>a there's two different parts of the glasses. I now

0:13:05.040 --> 0:13:08.000
<v Speaker 1>have a matching set, the right part and the left part.

0:13:08.080 --> 0:13:12.760
<v Speaker 1>I have Jack and Jill his and hers classes, which

0:13:12.760 --> 0:13:16.640
<v Speaker 1>would not have been a problem if that was the

0:13:16.640 --> 0:13:19.240
<v Speaker 1>way they were supposed to be right. It wouldn't have

0:13:19.280 --> 0:13:21.800
<v Speaker 1>been an issue if I did not have another couple

0:13:21.840 --> 0:13:25.680
<v Speaker 1>of segments of radio to do and I had to

0:13:25.720 --> 0:13:28.120
<v Speaker 1>finish the show, and as they say in show businesses,

0:13:28.160 --> 0:13:31.880
<v Speaker 1>show must go on. My vision clearly is not that great.

0:13:31.960 --> 0:13:37.040
<v Speaker 1>It's okay from a distance. My reading is not good.

0:13:37.080 --> 0:13:39.720
<v Speaker 1>I had a website for years, Ben mallary dot com

0:13:40.800 --> 0:13:44.480
<v Speaker 1>and it it did not go you know, it went well, actually,

0:13:44.480 --> 0:13:46.880
<v Speaker 1>but I it didn't go well. My vision didn't go well.

0:13:47.200 --> 0:13:50.079
<v Speaker 1>So I've I've had two jobs that have left up.

0:13:50.480 --> 0:13:52.400
<v Speaker 1>You know, I don't have a real real job, like

0:13:52.480 --> 0:13:56.080
<v Speaker 1>you know, if you work as a contractor or a

0:13:56.120 --> 0:14:01.520
<v Speaker 1>garbage person or something construction, some thing with physical activity,

0:14:01.559 --> 0:14:04.160
<v Speaker 1>that's like a real job. You're gonna factory, right, You're you're,

0:14:04.520 --> 0:14:06.840
<v Speaker 1>you're more You've got more of a cheesemo than me.

0:14:07.880 --> 0:14:10.920
<v Speaker 1>But I do have the side effects of radio and

0:14:11.120 --> 0:14:14.680
<v Speaker 1>the internet job that I had is my hearing is

0:14:14.840 --> 0:14:19.760
<v Speaker 1>terrible because of the radio the headphones, and the vision

0:14:20.640 --> 0:14:24.840
<v Speaker 1>is pretty shitty. And that is a byproduct of my

0:14:24.960 --> 0:14:28.800
<v Speaker 1>parents inheriting some bad vision. They both wore glasses, but

0:14:28.920 --> 0:14:31.800
<v Speaker 1>also just being in front of computers, just being in

0:14:31.840 --> 0:14:35.320
<v Speaker 1>front of computers and monitors and things many hours a

0:14:35.400 --> 0:14:37.440
<v Speaker 1>day to get ready to do the show, to do

0:14:37.520 --> 0:14:39.760
<v Speaker 1>the show and all that stuff. So anyway, getting back

0:14:39.800 --> 0:14:43.000
<v Speaker 1>to the story, So I've now broken my glasses. I've

0:14:43.040 --> 0:14:47.240
<v Speaker 1>got to finish the show. That was only the start

0:14:48.000 --> 0:14:50.680
<v Speaker 1>of my problem, and I didn't realize at the time,

0:14:51.520 --> 0:14:54.000
<v Speaker 1>but my vision, as I said, not that great. I

0:14:54.040 --> 0:14:57.440
<v Speaker 1>really need the glasses to drive right, So I have

0:14:57.480 --> 0:15:00.120
<v Speaker 1>to have the glasses. Well, I was in studio, have

0:15:00.160 --> 0:15:04.280
<v Speaker 1>a long drive home. I moved very far away from

0:15:04.480 --> 0:15:09.120
<v Speaker 1>the studios, the main studios in Sherman Oaks in southern California,

0:15:09.160 --> 0:15:13.640
<v Speaker 1>on the corner of Sepulvida Inventura and the beautiful San

0:15:13.680 --> 0:15:16.600
<v Speaker 1>Fernando Valley. So I moved very far away. And that's

0:15:16.600 --> 0:15:18.160
<v Speaker 1>one of the reasons I don't come in that often

0:15:18.160 --> 0:15:21.160
<v Speaker 1>because I'm not close to the studio and Los Angeles

0:15:21.160 --> 0:15:25.640
<v Speaker 1>traffic even working my shift is terrible, at least half

0:15:25.720 --> 0:15:29.280
<v Speaker 1>of it's terrible. So I'm like, what am I gonna do.

0:15:29.360 --> 0:15:32.040
<v Speaker 1>I can't drive home without the glasses. I guess I could,

0:15:32.160 --> 0:15:35.600
<v Speaker 1>but that's a little bit of risky. As Bruce Arian says,

0:15:35.640 --> 0:15:38.800
<v Speaker 1>no risk it, no biscuit. So I'm talking to Roberto.

0:15:38.840 --> 0:15:41.080
<v Speaker 1>I'm like, hey, Roberto, look what happened. And I pull

0:15:41.160 --> 0:15:43.840
<v Speaker 1>out the glasses, the half the right and the left

0:15:43.840 --> 0:15:45.320
<v Speaker 1>half of my glass. I throw him down on the

0:15:45.360 --> 0:15:48.120
<v Speaker 1>table right in front of Roberto. Roberto looks at him

0:15:48.160 --> 0:15:51.080
<v Speaker 1>and he smiles. He's always smiling, Roberto, and he says,

0:15:51.120 --> 0:15:53.800
<v Speaker 1>you gotta go, curt Rambis. You gotta go, curt Rambis

0:15:53.840 --> 0:15:56.840
<v Speaker 1>nineteen eighties, n b A. And I said, you know what,

0:15:57.000 --> 0:15:59.880
<v Speaker 1>You're damn right, I gotta do that. And so that's

0:16:00.000 --> 0:16:02.800
<v Speaker 1>exactly what I did. And then I went into the

0:16:03.360 --> 0:16:09.880
<v Speaker 1>newsroom the update studio where Eddie works, and I'm chatting

0:16:09.880 --> 0:16:14.320
<v Speaker 1>with Eddie, catching up on life and whatnot. And so

0:16:14.520 --> 0:16:20.920
<v Speaker 1>Eddie then helped me and he held the glasses together.

0:16:22.080 --> 0:16:27.680
<v Speaker 1>I then took Scotch tape and proceeded to scotch tape,

0:16:28.760 --> 0:16:34.120
<v Speaker 1>said glasses together right in the middle, and I put

0:16:34.160 --> 0:16:37.520
<v Speaker 1>them on and went out to my car. The it's

0:16:37.520 --> 0:16:41.600
<v Speaker 1>really my Halloween costume. Like all all I was missing

0:16:41.720 --> 0:16:45.520
<v Speaker 1>was the pocket protector and I had a full point

0:16:45.640 --> 0:16:52.240
<v Speaker 1>dexter look instant nerd kit mill think Mill House from

0:16:52.240 --> 0:16:58.840
<v Speaker 1>The Simpsons, Dwight in the office. The it's pat movies, Napoleon,

0:16:58.960 --> 0:17:05.879
<v Speaker 1>Dynamite and of those nerd emoji. So anyway, I do

0:17:05.960 --> 0:17:08.480
<v Speaker 1>have a backup play a pair of glasses. I was

0:17:08.520 --> 0:17:11.680
<v Speaker 1>able to get those, but it is off to Costco.

0:17:11.840 --> 0:17:18.080
<v Speaker 1>We go for a new pair of bifocals. Get out

0:17:18.160 --> 0:17:21.399
<v Speaker 1>the credit card, Grandma. These things aren't cheap. These are

0:17:21.400 --> 0:17:27.959
<v Speaker 1>prescription glasses. Holy Moses, that's gonna be a pricey one. Alright,

0:17:28.359 --> 0:17:33.720
<v Speaker 1>moving on, it is a down hill race. What is

0:17:33.760 --> 0:17:37.280
<v Speaker 1>this all about? Well again, back at the Mothership this week,

0:17:37.600 --> 0:17:40.359
<v Speaker 1>couple of live shows. We'll have a couple of more shows.

0:17:41.119 --> 0:17:43.639
<v Speaker 1>The upcoming week. I'll be at the National League Championship

0:17:43.720 --> 0:17:45.959
<v Speaker 1>Series when it shifts back to Los Angeles. I'm very

0:17:45.960 --> 0:17:49.360
<v Speaker 1>excited about that. I love playoff baseball. There's an energy

0:17:49.440 --> 0:17:51.720
<v Speaker 1>in the air and it's a lot of fun. So

0:17:51.920 --> 0:17:54.160
<v Speaker 1>this past week I was covering the Dodger Giant sears.

0:17:54.200 --> 0:17:56.840
<v Speaker 1>Goodwin by the Dodgers, great call by the home plate umpire.

0:17:56.880 --> 0:17:58.720
<v Speaker 1>By the way, again, I just want to say that

0:17:58.800 --> 0:18:03.080
<v Speaker 1>on the podcast in case you missed the radio program,

0:18:03.359 --> 0:18:06.880
<v Speaker 1>if you somehow we're not able to tune in. Tremendous

0:18:07.040 --> 0:18:11.120
<v Speaker 1>job by the umpire in the ninth inning. What a call.

0:18:11.520 --> 0:18:15.480
<v Speaker 1>What a call My favorite umpire, Gave Morales, and this

0:18:15.920 --> 0:18:18.639
<v Speaker 1>led us to to remind you there is no official

0:18:18.640 --> 0:18:23.280
<v Speaker 1>definition of a swing. Uh, there is no official definition

0:18:23.400 --> 0:18:25.919
<v Speaker 1>of a swing. The words swing appears in the Official

0:18:25.920 --> 0:18:29.679
<v Speaker 1>Baseball Rules twenty one times, fifteen times, it's in text,

0:18:29.760 --> 0:18:33.600
<v Speaker 1>six times, it's in the index. None of those appearances

0:18:33.640 --> 0:18:37.600
<v Speaker 1>in the Official Baseball rule Book include the definition of

0:18:37.600 --> 0:18:40.720
<v Speaker 1>a swing. It is a judgment call. And in the

0:18:40.800 --> 0:18:44.680
<v Speaker 1>judgment of Gave Morales, that was a good swing by

0:18:44.680 --> 0:18:47.600
<v Speaker 1>Wilma Flores of the Giants against Max Scherzer to end

0:18:47.640 --> 0:18:52.720
<v Speaker 1>the game. And I agree, I agree, good job by you,

0:18:53.000 --> 0:18:57.760
<v Speaker 1>Mr Morales, solid umpire. Anyway, Yeah, I'm getting side checked here.

0:18:57.800 --> 0:18:59.760
<v Speaker 1>Bad job by me. So let me tell you the backstory.

0:18:59.760 --> 0:19:01.639
<v Speaker 1>So I go to the Dodger Giants games in l

0:19:01.680 --> 0:19:06.760
<v Speaker 1>A and even in person, and it's you know, much

0:19:06.840 --> 0:19:11.000
<v Speaker 1>closer to get to the Sherman Oaks studios than the

0:19:11.040 --> 0:19:14.639
<v Speaker 1>Mallard Mansion home studio in the North Wood. So I

0:19:14.720 --> 0:19:16.680
<v Speaker 1>hide tail it out of the ballpark. I have to

0:19:16.760 --> 0:19:19.439
<v Speaker 1>leave right at the final out of the game. I

0:19:19.520 --> 0:19:21.959
<v Speaker 1>leave as late as possible. Sometimes when the game goes long,

0:19:22.000 --> 0:19:25.359
<v Speaker 1>I have to leave early. So I run down the hill.

0:19:25.720 --> 0:19:29.520
<v Speaker 1>Dodger Stadium is built in a very hilly area there,

0:19:29.600 --> 0:19:34.199
<v Speaker 1>right overlooking the skyline of downtown l A. So I

0:19:34.640 --> 0:19:37.320
<v Speaker 1>run down the ball game ends, I run down to

0:19:37.720 --> 0:19:42.040
<v Speaker 1>Lot fourteen. That's usually why park, not always, not always.

0:19:42.680 --> 0:19:45.880
<v Speaker 1>We don't believe in momentum on the show, we don't

0:19:45.880 --> 0:19:50.360
<v Speaker 1>believe there is momentum. But in the foot race downhill

0:19:50.400 --> 0:19:54.920
<v Speaker 1>that does exist. And so I'm running out of Dodger Stadium,

0:19:55.040 --> 0:19:58.400
<v Speaker 1>off the reserve level and sprinting as far as I

0:19:58.440 --> 0:20:00.760
<v Speaker 1>can down the hill. And so if you're one of

0:20:00.760 --> 0:20:04.280
<v Speaker 1>our listeners in Cali, in so Cal, you likely know

0:20:04.359 --> 0:20:08.680
<v Speaker 1>the area. I park real close to the Los Angeles

0:20:08.760 --> 0:20:12.680
<v Speaker 1>Fire Department Training Center. It's it's some more. It's named

0:20:12.680 --> 0:20:14.800
<v Speaker 1>after somebod I forget who was named after. But that

0:20:14.880 --> 0:20:19.200
<v Speaker 1>building used to be a Naval and Marine Reserve center.

0:20:20.040 --> 0:20:24.720
<v Speaker 1>It's actually a California Historic Landmark. And they filmed, much

0:20:24.760 --> 0:20:26.560
<v Speaker 1>like everything else in l A. They filmed a bunch

0:20:26.600 --> 0:20:29.439
<v Speaker 1>of TV shows and movies over the years that have

0:20:29.560 --> 0:20:33.760
<v Speaker 1>been filmed there. And what I like about that, You know,

0:20:33.960 --> 0:20:37.439
<v Speaker 1>it's a good reminder because there's a piece of the

0:20:37.440 --> 0:20:43.080
<v Speaker 1>World Trade Center South Tower that is at the Los

0:20:43.080 --> 0:20:46.520
<v Speaker 1>Angeles Fire Department Training Center right near Dodger Stadium there,

0:20:47.359 --> 0:20:50.920
<v Speaker 1>and it's a tribute to all of those firefighters. Was

0:20:51.200 --> 0:20:54.919
<v Speaker 1>three firefighters then close to three fifty that died on

0:20:55.000 --> 0:21:00.640
<v Speaker 1>September eleven, which it's crazy that it's been been twenty years.

0:21:00.680 --> 0:21:03.800
<v Speaker 1>But so that that that part kind of knew that,

0:21:04.160 --> 0:21:07.080
<v Speaker 1>and l A sent a bunch of firefighters to help

0:21:07.080 --> 0:21:09.800
<v Speaker 1>out their brothers and sisters in New York. And so

0:21:09.920 --> 0:21:12.440
<v Speaker 1>the people in New York as a gift, sent back

0:21:12.520 --> 0:21:14.800
<v Speaker 1>a piece of the World Trade Center as a memorial.

0:21:14.840 --> 0:21:18.000
<v Speaker 1>So it's kind of cool and it's hidden and all that. Anyway,

0:21:18.200 --> 0:21:20.760
<v Speaker 1>again I'm getting sidetracked. I apologize. It's a podcast, that's

0:21:20.800 --> 0:21:23.000
<v Speaker 1>what this is for. So anyway, that's why I park

0:21:23.080 --> 0:21:25.639
<v Speaker 1>and fun time catching up with a bunch of old friends,

0:21:25.680 --> 0:21:27.359
<v Speaker 1>people I hadn't seen a long time, hadn't been to

0:21:27.400 --> 0:21:29.960
<v Speaker 1>a game, you know, in a while, prior to that

0:21:30.040 --> 0:21:33.399
<v Speaker 1>Dodger Cardinal game that I had gone to. So I

0:21:33.480 --> 0:21:37.760
<v Speaker 1>had been on the Dodger beat from the mid to

0:21:37.880 --> 0:21:41.960
<v Speaker 1>early nineties to the mid two thousands and then I

0:21:42.040 --> 0:21:44.639
<v Speaker 1>go sporadically. But I've been going to games for a

0:21:44.680 --> 0:21:47.040
<v Speaker 1>gazillion years, and I know a lot of the people

0:21:47.119 --> 0:21:49.240
<v Speaker 1>worked behind the people work behind the scenes, but there's

0:21:49.280 --> 0:21:52.480
<v Speaker 1>so many new faces. There's only a handful of people

0:21:52.680 --> 0:21:56.199
<v Speaker 1>that I know really well. There's other people that I

0:21:56.200 --> 0:21:58.000
<v Speaker 1>know a little bit. And I'm not the most social guy.

0:21:58.000 --> 0:22:01.800
<v Speaker 1>I'm an introvert, but just crazy how fast time goes by.

0:22:01.840 --> 0:22:04.320
<v Speaker 1>I was standing right in front of the Dodger dugout

0:22:04.320 --> 0:22:06.800
<v Speaker 1>with a buddy of mine who's worked for the team

0:22:06.880 --> 0:22:10.879
<v Speaker 1>since the nineteen seventies, and he looked out at the

0:22:10.920 --> 0:22:13.359
<v Speaker 1>outfield and I looked at at the outfield, and we

0:22:13.440 --> 0:22:19.560
<v Speaker 1>had sensory overload from all of the advertisements. And I'm

0:22:19.560 --> 0:22:21.600
<v Speaker 1>not against it. I'm not ripping him. I'm just saying,

0:22:21.640 --> 0:22:23.720
<v Speaker 1>how different is that the people on the Dodgers, the

0:22:23.760 --> 0:22:28.320
<v Speaker 1>Googenheim group, this hedge fund group, they have squeezed every

0:22:28.400 --> 0:22:33.080
<v Speaker 1>dollar out of that ballpark. And when I started going

0:22:33.080 --> 0:22:36.560
<v Speaker 1>out there, Peter O'Malley owned the team, the O'Malley family

0:22:37.080 --> 0:22:40.720
<v Speaker 1>that had taken the team from Brooklyn, and the spot

0:22:40.800 --> 0:22:44.400
<v Speaker 1>of Walter O'Malley. Peter O'Malley, who was very kind to me.

0:22:45.160 --> 0:22:49.119
<v Speaker 1>Uh And anyway, they didn't have any other advertising and

0:22:49.200 --> 0:22:54.239
<v Speaker 1>there was a seventies six sign for gasoline, and there

0:22:54.280 --> 0:22:57.119
<v Speaker 1>were maybe one or two other ads. I think Farmer

0:22:57.200 --> 0:22:59.399
<v Speaker 1>John hot Dogs, which is not now associated with the

0:22:59.440 --> 0:23:02.560
<v Speaker 1>Dodgers was out there. Um and and then that was it,

0:23:02.640 --> 0:23:07.080
<v Speaker 1>and now it is again sensory overload. The other thing

0:23:07.440 --> 0:23:09.920
<v Speaker 1>that I know I noticed every time I go there,

0:23:10.680 --> 0:23:13.640
<v Speaker 1>and I mentioned running down the hill at Dodger Stadium

0:23:13.680 --> 0:23:18.320
<v Speaker 1>earlier here, but the parking lots. And that's the other thing.

0:23:18.520 --> 0:23:24.160
<v Speaker 1>Fifty cent of all parking revenue goes to Frank McCord,

0:23:25.280 --> 0:23:27.679
<v Speaker 1>the previous owner of the Dodgers. You're talking about one

0:23:27.680 --> 0:23:30.440
<v Speaker 1>of the great deals. I put that right up there

0:23:30.480 --> 0:23:32.960
<v Speaker 1>that the story. I think this deal ended. But the

0:23:33.000 --> 0:23:38.119
<v Speaker 1>A B A team in St. Louis, the St. Louis Spirit,

0:23:38.160 --> 0:23:40.199
<v Speaker 1>I think they were called their spirits, I think spirit,

0:23:41.040 --> 0:23:43.040
<v Speaker 1>and they made a deal when the A B A

0:23:43.280 --> 0:23:46.480
<v Speaker 1>and the NBA merged. If I remember, and I'm as

0:23:46.520 --> 0:23:49.439
<v Speaker 1>I understand it, maybe I'm wrong and you can correct me.

0:23:49.880 --> 0:23:51.960
<v Speaker 1>I'm just the just a podcast guy now on the

0:23:52.000 --> 0:23:54.720
<v Speaker 1>weekends and an overnight guy. But as I as I

0:23:54.720 --> 0:23:56.320
<v Speaker 1>remember a story, they made a deal of the A

0:23:56.400 --> 0:23:58.560
<v Speaker 1>B A and the NBA merged, there was a fusion

0:23:58.880 --> 0:24:01.320
<v Speaker 1>and the St. Louis team was not included in that,

0:24:01.520 --> 0:24:05.800
<v Speaker 1>and to end a lawsuit, to prevent them from suing,

0:24:06.880 --> 0:24:12.600
<v Speaker 1>they were promised a portion of the NBA television revenue

0:24:14.200 --> 0:24:15.840
<v Speaker 1>like forever, there was no end date. There was no

0:24:15.880 --> 0:24:18.919
<v Speaker 1>expiration date on it. And so the NBA when they

0:24:18.960 --> 0:24:24.160
<v Speaker 1>sliced up their revenue pie for all those years from

0:24:24.200 --> 0:24:26.880
<v Speaker 1>the A B A NBA merger up until a couple

0:24:26.880 --> 0:24:30.240
<v Speaker 1>of years ago, the same check that would go to

0:24:30.320 --> 0:24:36.600
<v Speaker 1>the Lakers, Clippers, Nick's, Timberwolves, Rockets, Miami Heat, or Lando Magic,

0:24:36.680 --> 0:24:40.480
<v Speaker 1>Golden State, Wars, whoever, doesn't matter, would go to the St.

0:24:40.520 --> 0:24:42.920
<v Speaker 1>Louis Spirit. They would get a percentage of the national

0:24:43.000 --> 0:24:48.680
<v Speaker 1>television revenue from the NBA TV package. It's an insane

0:24:48.680 --> 0:24:50.880
<v Speaker 1>amount of money. So I am Frank McCort, this guy

0:24:50.880 --> 0:24:54.600
<v Speaker 1>that you're still in the Dodgers. My buddy, you know,

0:24:54.960 --> 0:24:57.800
<v Speaker 1>my buddy was we were talking about how much money

0:24:57.880 --> 0:25:00.200
<v Speaker 1>Once a year the Dodgers have to cut a eck.

0:25:00.960 --> 0:25:02.920
<v Speaker 1>They don't do it every month, but once a year

0:25:03.600 --> 0:25:11.320
<v Speaker 1>they balance the books and determine how much money they

0:25:11.400 --> 0:25:15.920
<v Speaker 1>need to give to Frank McCourt. And it's a it's

0:25:15.960 --> 0:25:19.879
<v Speaker 1>a massive amount of money. As you might imagine. And

0:25:19.920 --> 0:25:21.240
<v Speaker 1>so I was telling my buddy, who has worked for

0:25:21.280 --> 0:25:24.000
<v Speaker 1>the Dodgers since the O'Malley days, and he told me

0:25:24.119 --> 0:25:26.840
<v Speaker 1>something that shocked me. He says, you know what, Ben,

0:25:26.960 --> 0:25:28.600
<v Speaker 1>I I've heard you over the years take shots at

0:25:28.600 --> 0:25:32.280
<v Speaker 1>Frank McCourt, and I do I admit guilty has charged

0:25:32.800 --> 0:25:34.679
<v Speaker 1>He said, you know, I've I've worked for a lot

0:25:34.720 --> 0:25:38.200
<v Speaker 1>of different owners here and this guy works behind the scenes.

0:25:38.240 --> 0:25:41.000
<v Speaker 1>By the way, he said that he does not have

0:25:41.040 --> 0:25:45.080
<v Speaker 1>a bad thing to say about Frank McCort. That Frank McCourt,

0:25:46.320 --> 0:25:50.480
<v Speaker 1>more than anyone else just about that has been around

0:25:50.520 --> 0:25:54.199
<v Speaker 1>there in the ownership side, treated the working stiff, the

0:25:54.280 --> 0:26:00.159
<v Speaker 1>HOI POLOI, the unwashed, behind the scenes better than anyone,

0:26:00.960 --> 0:26:03.119
<v Speaker 1>and that he was a big tipper and he you know,

0:26:03.160 --> 0:26:05.280
<v Speaker 1>those were his guys. He'd like to hang out with him.

0:26:05.359 --> 0:26:10.480
<v Speaker 1>And so the parking lot attending who just collects money

0:26:10.520 --> 0:26:14.080
<v Speaker 1>for money for nothing, money for nothing, turned out not

0:26:14.119 --> 0:26:17.040
<v Speaker 1>a bad guy, at least those that knew him, at

0:26:17.119 --> 0:26:19.119
<v Speaker 1>least those of them. I'll have to tell the story

0:26:19.200 --> 0:26:22.880
<v Speaker 1>sometimes because I actually got to go into the owner's

0:26:22.960 --> 0:26:26.240
<v Speaker 1>office at Dodger Stadium because of Frank mccoory. I got

0:26:26.280 --> 0:26:30.639
<v Speaker 1>called into the carpet, called onto the carpet in the

0:26:30.840 --> 0:26:33.680
<v Speaker 1>in the ownership meeting I had with Frank years ago

0:26:34.359 --> 0:26:35.880
<v Speaker 1>when he was trying to hold on to the Dodgers.

0:26:36.000 --> 0:26:40.120
<v Speaker 1>All right, now, passing in the night, passing in the night.

0:26:40.200 --> 0:26:43.120
<v Speaker 1>What is this all about? Well it is it's been net.

0:26:43.119 --> 0:26:46.320
<v Speaker 1>I mentioned, you know, the studio, and I love the

0:26:46.440 --> 0:26:48.439
<v Speaker 1>energy of coming to the studio. I love having a

0:26:48.560 --> 0:26:51.680
<v Speaker 1>radio studio in my home. I never thought I would

0:26:51.680 --> 0:26:55.719
<v Speaker 1>have that. I built a station for w e I

0:26:55.880 --> 0:26:59.240
<v Speaker 1>when I was doing remote broadcast back to Boston, and

0:26:59.359 --> 0:27:01.480
<v Speaker 1>I had that and then New Zealand. I used it

0:27:01.520 --> 0:27:05.280
<v Speaker 1>for my New Zealand broadcast and then I kind of

0:27:05.320 --> 0:27:07.399
<v Speaker 1>got away where I I got let go from Boston.

0:27:07.440 --> 0:27:08.879
<v Speaker 1>I had to leave that job. It was actually my

0:27:08.960 --> 0:27:12.320
<v Speaker 1>decision because I am now picked up by the Sports Hub.

0:27:12.840 --> 0:27:14.600
<v Speaker 1>We've been on the Sports Hub, which is the rival

0:27:14.680 --> 0:27:16.840
<v Speaker 1>of w e I in Boston, so we've been on

0:27:16.880 --> 0:27:19.960
<v Speaker 1>there for a while. Anyway, UM, you just get to

0:27:20.000 --> 0:27:22.240
<v Speaker 1>the point piece please on this. So I've been in

0:27:22.280 --> 0:27:25.200
<v Speaker 1>the studio a little bit recently and it was kind

0:27:25.200 --> 0:27:27.240
<v Speaker 1>of neat because when I get done with my show

0:27:27.320 --> 0:27:29.640
<v Speaker 1>for years working out of that studio. I'd get done,

0:27:30.080 --> 0:27:32.640
<v Speaker 1>the morning show would come on, and the morning show

0:27:32.760 --> 0:27:38.480
<v Speaker 1>was in Chicago or Cincinnati, or Indianapolis or Washington, d C.

0:27:39.280 --> 0:27:44.199
<v Speaker 1>Or Milwaukee or New York City anywhere filling the blank.

0:27:44.840 --> 0:27:48.600
<v Speaker 1>It wasn't in Los Angeles at the studio, but now

0:27:48.640 --> 0:27:50.600
<v Speaker 1>it is at least part of it. The morning show

0:27:51.720 --> 0:27:54.639
<v Speaker 1>that follows the Ben Maller Show with Jonas Knox and

0:27:54.720 --> 0:27:59.720
<v Speaker 1>LaVar Arrington and Brady Quinn, A couple of jocks and

0:28:00.080 --> 0:28:02.600
<v Speaker 1>uh a cup of Joe right, something like that, A

0:28:02.640 --> 0:28:04.720
<v Speaker 1>couple of Yeah, I think that's the name. But anyway,

0:28:04.840 --> 0:28:06.960
<v Speaker 1>we had Jonas on the podcast. I forget though. It's

0:28:07.280 --> 0:28:10.440
<v Speaker 1>very early in the morning as I am recording this anyway,

0:28:11.000 --> 0:28:13.760
<v Speaker 1>so it was nice to see the fellows and uh

0:28:13.960 --> 0:28:15.960
<v Speaker 1>me and LaVar. You know, I remember LaVar. We talked

0:28:16.000 --> 0:28:17.800
<v Speaker 1>about him when he was a star in college and

0:28:17.800 --> 0:28:22.200
<v Speaker 1>then with the Washington Redskins and cool guy, cool guy

0:28:22.400 --> 0:28:26.080
<v Speaker 1>catching up with him, and LaVar actually lives. I can't

0:28:26.119 --> 0:28:27.720
<v Speaker 1>say where he lives, but he lives in a place

0:28:27.760 --> 0:28:31.359
<v Speaker 1>I used to live. Of course, he likely lives in

0:28:31.359 --> 0:28:33.560
<v Speaker 1>a bigger house than I lived in. Being and having

0:28:33.560 --> 0:28:36.680
<v Speaker 1>all that NFL money, but we were telling stories about

0:28:36.680 --> 0:28:39.520
<v Speaker 1>the neighborhood and I didn't realize he lived in that area,

0:28:39.560 --> 0:28:43.000
<v Speaker 1>had no idea. And I gotta get LaVar on the podcast.

0:28:43.360 --> 0:28:45.840
<v Speaker 1>I gotta make that happen. Always good to hang out

0:28:45.880 --> 0:28:49.120
<v Speaker 1>with Jonas. Always a good time to see Jonas. We

0:28:49.160 --> 0:28:52.280
<v Speaker 1>go way back, and I remember when Jonas started at

0:28:52.280 --> 0:28:54.760
<v Speaker 1>the company, and that's one of the reasons we got

0:28:54.840 --> 0:28:56.479
<v Speaker 1>him on the podcast. I was like, Hey, Jonas, I man,

0:28:56.520 --> 0:28:59.400
<v Speaker 1>I'm here, why don't we do the podcast? Uh last

0:28:59.440 --> 0:29:02.840
<v Speaker 1>week and um, but most every morning show. We've had

0:29:02.880 --> 0:29:05.240
<v Speaker 1>a lot of morning shows since I started at Fox

0:29:05.280 --> 0:29:08.200
<v Speaker 1>Sports Radio when it began, and I'm trying to think

0:29:08.200 --> 0:29:12.000
<v Speaker 1>how many morning host can I name that followed me

0:29:12.200 --> 0:29:15.840
<v Speaker 1>at one point or another, whether I was the weekend

0:29:15.920 --> 0:29:20.200
<v Speaker 1>host or the uh, the full time host during the

0:29:20.240 --> 0:29:23.160
<v Speaker 1>week Now, Steve's Aben loves Abe. We've been trying to

0:29:23.160 --> 0:29:27.600
<v Speaker 1>get Zabe on the podcast. Zabe is a good radio guy.

0:29:28.120 --> 0:29:31.560
<v Speaker 1>I love radio guys. Steve's Aben. I am a fan

0:29:32.480 --> 0:29:35.600
<v Speaker 1>loves Abe. He was very positive to me early on

0:29:36.280 --> 0:29:38.480
<v Speaker 1>when I started at Fox Sports Radio and I was

0:29:38.600 --> 0:29:41.280
<v Speaker 1>drowning on a nightly basis, and he was very kind

0:29:42.080 --> 0:29:46.560
<v Speaker 1>and The problem we've had getting zabon is logistically he

0:29:46.800 --> 0:29:50.680
<v Speaker 1>does a couple of radio shows a day, does a

0:29:50.800 --> 0:29:55.080
<v Speaker 1>morning show he's part of in Milwaukee, and then he

0:29:55.120 --> 0:30:00.600
<v Speaker 1>does an afternoon type show in d C. And typically

0:30:00.640 --> 0:30:04.760
<v Speaker 1>when he's on would be the windows I record the podcast.

0:30:05.400 --> 0:30:07.880
<v Speaker 1>So we've been able to get him on, but I'd

0:30:07.960 --> 0:30:09.880
<v Speaker 1>love to try to work that out at some point

0:30:09.920 --> 0:30:12.480
<v Speaker 1>have Za on the podcast. Uh, there was a morning show,

0:30:12.600 --> 0:30:16.680
<v Speaker 1>Zack and Jack. If you're a Fox Sports radio historian,

0:30:16.760 --> 0:30:19.920
<v Speaker 1>you might remember that stephen A. Smith. I wonder whatever

0:30:19.920 --> 0:30:23.120
<v Speaker 1>happened to him. Stephen A was one of the morning hosts.

0:30:23.600 --> 0:30:25.560
<v Speaker 1>Now I'm talking about the East Coast morning show. There's

0:30:25.560 --> 0:30:28.160
<v Speaker 1>a West Coast morning show which Tony Bruno hosted and

0:30:28.880 --> 0:30:32.360
<v Speaker 1>Dan Patrick's been doing it for years. Um who else,

0:30:32.480 --> 0:30:35.080
<v Speaker 1>Mike North and Andy Ferman. We've had both those lads

0:30:35.120 --> 0:30:39.400
<v Speaker 1>on Good People, Good Radio Guys. Clay Travis, who's replaced

0:30:39.480 --> 0:30:43.240
<v Speaker 1>Rush Limbaugh. Can you imagine that replacing the goat Rush Limbaugh?

0:30:43.720 --> 0:30:45.720
<v Speaker 1>And Clay has been doing that. So but it's a

0:30:45.800 --> 0:30:47.560
<v Speaker 1>rare treat. As I was weird, like I had to

0:30:47.800 --> 0:30:50.080
<v Speaker 1>get my stuff and leave and get out of there

0:30:50.160 --> 0:30:52.920
<v Speaker 1>because it's the that's the other show is coming in,

0:30:53.040 --> 0:30:55.760
<v Speaker 1>you know, nip. Typically, when there's no other show in there,

0:30:55.800 --> 0:30:58.400
<v Speaker 1>you can put your feet up and you don't have

0:30:58.480 --> 0:31:01.040
<v Speaker 1>to her. You can take your time, you can pick

0:31:01.040 --> 0:31:04.400
<v Speaker 1>your nose, get a couple of water, do whatever you want,

0:31:04.880 --> 0:31:08.240
<v Speaker 1>you know, grab your ass, it doesn't matter. But when

0:31:08.240 --> 0:31:10.880
<v Speaker 1>there's somebody in there, we only have a few minutes.

0:31:11.120 --> 0:31:14.200
<v Speaker 1>And so that's how that goes. Now, I was gonna

0:31:14.280 --> 0:31:18.440
<v Speaker 1>get to let's get scientifical. I just wanted let me

0:31:18.480 --> 0:31:20.160
<v Speaker 1>give you one story. We don't have a lot of time,

0:31:21.000 --> 0:31:24.880
<v Speaker 1>and we we have more podcasting to do, and there's

0:31:24.920 --> 0:31:28.720
<v Speaker 1>also a Dodger game with the Atlanta Braves today that

0:31:29.120 --> 0:31:32.440
<v Speaker 1>I am distracted. Yeah, you might guess when we're recording

0:31:32.520 --> 0:31:36.640
<v Speaker 1>this anyway, uh live, it's almost live. It's just just

0:31:36.680 --> 0:31:42.040
<v Speaker 1>almost life, just hours before anyway. So the unexpected radio signals,

0:31:42.160 --> 0:31:44.280
<v Speaker 1>I'll give you that because it's kind of radio related

0:31:44.440 --> 0:31:47.960
<v Speaker 1>and this will be our closer. So that's the headline here,

0:31:48.880 --> 0:31:52.640
<v Speaker 1>and what is the story? All right? So the headline

0:31:52.680 --> 0:31:58.600
<v Speaker 1>unexpected radio signals detected in deep space may reveal hidden planets.

0:31:58.600 --> 0:32:02.080
<v Speaker 1>Now may is a classic weasel word. This comes from

0:32:02.120 --> 0:32:07.080
<v Speaker 1>Brisbane Australia. Shout out Ozzy Momentum, Shout out Ozzy Guy

0:32:07.400 --> 0:32:10.720
<v Speaker 1>and these several other proud members of the Mallard Militia

0:32:11.080 --> 0:32:13.400
<v Speaker 1>who are not as well known but live in Australia,

0:32:13.880 --> 0:32:16.520
<v Speaker 1>because in Australia we're not a dope overnight show. We're

0:32:16.560 --> 0:32:20.840
<v Speaker 1>like an evening show. So as anyway, the story comes

0:32:20.880 --> 0:32:26.560
<v Speaker 1>from Queensland University using the world's most powerful radio antenna

0:32:27.240 --> 0:32:30.240
<v Speaker 1>and they have made a discovery surprising radio waves coming

0:32:30.280 --> 0:32:37.320
<v Speaker 1>from distant stars that maybe revealing the presence of undiscovered

0:32:37.360 --> 0:32:43.640
<v Speaker 1>planets in those solar systems. How cool is that. The

0:32:43.640 --> 0:32:47.600
<v Speaker 1>story says that they have discovered signals from nineteen distant

0:32:47.840 --> 0:32:53.000
<v Speaker 1>red dwarf stars, four of which are best explained by

0:32:53.040 --> 0:32:58.959
<v Speaker 1>the existence of planets orbiting them. This comes from someone

0:32:59.040 --> 0:33:04.480
<v Speaker 1>who has studied the planets, the cosmos and and looked

0:33:04.520 --> 0:33:07.800
<v Speaker 1>into all that, and so they that's what they're saying,

0:33:08.080 --> 0:33:13.560
<v Speaker 1>all because of the radio waves. That is cool to

0:33:13.600 --> 0:33:18.240
<v Speaker 1>think about that when we do the terrestrial radio show,

0:33:19.400 --> 0:33:23.600
<v Speaker 1>it gets boomed out into the heavens, into the cosmos

0:33:25.240 --> 0:33:29.440
<v Speaker 1>and in theory, if there is a creature like us

0:33:29.920 --> 0:33:32.800
<v Speaker 1>that has the ability to hear as we know it

0:33:33.520 --> 0:33:38.320
<v Speaker 1>then that said creature would be able to hear the noise.

0:33:38.360 --> 0:33:40.840
<v Speaker 1>They wouldn't likely understand what we're saying, unless there's some

0:33:40.920 --> 0:33:45.320
<v Speaker 1>kind of advanced species of human being. But they just

0:33:45.440 --> 0:33:49.080
<v Speaker 1>hear the sound of blah blah blah blah blah blah

0:33:49.080 --> 0:33:55.800
<v Speaker 1>blah blah blah blah blah blah blah, and interstellar gas

0:33:56.560 --> 0:33:59.520
<v Speaker 1>will be fearing. So actually we could. That could be

0:33:59.560 --> 0:34:02.560
<v Speaker 1>my new nick an interstellar gas man or gas bag.

0:34:02.600 --> 0:34:06.680
<v Speaker 1>Now I am gas bag man here, but providing interstellar

0:34:06.720 --> 0:34:09.879
<v Speaker 1>gas I might have to use that at the top

0:34:09.920 --> 0:34:12.000
<v Speaker 1>of the hour one of these days. Maybe I'll add

0:34:12.040 --> 0:34:16.359
<v Speaker 1>that to my my repertoire, if you will. That's kind

0:34:16.360 --> 0:34:19.879
<v Speaker 1>of cool. So yeah, I I do. We talked about

0:34:19.920 --> 0:34:23.160
<v Speaker 1>this on the podcast before. But I am in the camp.

0:34:24.000 --> 0:34:26.480
<v Speaker 1>There is other life out there. I think there's a

0:34:26.480 --> 0:34:30.040
<v Speaker 1>lot of life out there. Even if this planet is

0:34:30.080 --> 0:34:34.080
<v Speaker 1>a mistake, that doesn't mean we're the only mistake. There

0:34:34.080 --> 0:34:38.440
<v Speaker 1>are other mistakes, and they're likely crazier and wilder and

0:34:38.560 --> 0:34:43.800
<v Speaker 1>goofier and more outrageous. Whatever you could possibly imagine. It's

0:34:43.920 --> 0:34:48.600
<v Speaker 1>either better or worse than that. Like I look up

0:34:48.640 --> 0:34:51.799
<v Speaker 1>and you know not, I don't do this that oft

0:34:51.840 --> 0:34:54.240
<v Speaker 1>and I work overnight, but then you do too, probably

0:34:54.280 --> 0:34:56.560
<v Speaker 1>if you listen to the radio show. But when I

0:34:56.560 --> 0:34:58.799
<v Speaker 1>have some downtime, maybe on the weekends, and I go

0:34:58.840 --> 0:35:01.319
<v Speaker 1>out and if I'm away from the city lights, and

0:35:01.400 --> 0:35:03.399
<v Speaker 1>I look up in the sky and I look at

0:35:03.440 --> 0:35:06.959
<v Speaker 1>all of those stars, and I say, even if there's

0:35:07.040 --> 0:35:09.960
<v Speaker 1>less than one percent, even if there is less than

0:35:10.000 --> 0:35:14.120
<v Speaker 1>one percent of those planets that have life, that's a lot.

0:35:14.400 --> 0:35:18.200
<v Speaker 1>I mean, there is an endless amount. And just thinking

0:35:18.280 --> 0:35:20.640
<v Speaker 1>every star that we see there's like a bunch of

0:35:20.640 --> 0:35:26.000
<v Speaker 1>other planets around it. The math on that is insane. Anyway,

0:35:26.040 --> 0:35:29.040
<v Speaker 1>let's have a wonderful rest of your Saturday. If you

0:35:29.160 --> 0:35:34.920
<v Speaker 1>did not catch the Jerome Jeroovich sit that headline sports,

0:35:34.960 --> 0:35:37.200
<v Speaker 1>I love Jerome and that was a great story. He

0:35:37.239 --> 0:35:39.000
<v Speaker 1>told a couple of really good stories on that I

0:35:39.040 --> 0:35:42.239
<v Speaker 1>recommend going back and listening to. Jerome told the story

0:35:42.280 --> 0:35:48.080
<v Speaker 1>about meeting Jolton, Joe DiMaggio Joel did Joe DiMaggio back

0:35:48.120 --> 0:35:52.000
<v Speaker 1>in the day. And also he is most known as

0:35:52.040 --> 0:35:57.319
<v Speaker 1>the CNN guy, and he explained the origin of Jarome

0:35:58.239 --> 0:36:02.759
<v Speaker 1>much how he started saying, and it is a wonderful

0:36:03.080 --> 0:36:08.560
<v Speaker 1>broadcast type behind the scenes story very relatable. Anybody has

0:36:08.600 --> 0:36:11.960
<v Speaker 1>ever done radio for a day or television can relate

0:36:11.960 --> 0:36:14.800
<v Speaker 1>to that, or even a podcast you gotta hit a

0:36:14.880 --> 0:36:19.320
<v Speaker 1>heart out, you gotta hit heart out and Jerome started

0:36:19.800 --> 0:36:21.799
<v Speaker 1>screaming his name in part because of that. You can

0:36:21.800 --> 0:36:23.719
<v Speaker 1>hear him tell the story on the Friday edition of

0:36:23.800 --> 0:36:25.840
<v Speaker 1>the podcast. We'll catch you on Sunday. We'll have a

0:36:25.840 --> 0:36:31.520
<v Speaker 1>big bad mail bag until then. Aloha, mahalo, arriva, der

0:36:31.640 --> 0:36:34.600
<v Speaker 1>Chase say Anara, audio s, muchachos,