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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin An iHeartRadio podcast.

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Speaker 1: Welcome to You, and That's what you really missed podcast

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Speaker 1: the series finale. Beside, I can't believe we're here, Hevin.

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Speaker 2: This feels very strange.

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Speaker 1: Yes, exactly. You know, like when you go into school

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Speaker 1: and like the classrooms are empty, and like all the

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Speaker 1: things are off off the wall. This is season six,

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Speaker 1: episode thirteen, Dreams Come True, the series finale of Glee. Wow,

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Speaker 1: six years in the making. This is air day was

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Speaker 1: March twentieth, twenty fifteen, and two thousand and nine, like

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Speaker 1: we said, last week aired right before this, so we

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Speaker 1: get a true harder.

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Speaker 2: I liked it being broken up how we did it.

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Speaker 2: I wonder how it felt watching them back to back.

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Speaker 2: I wonder if that takes anything away from either of.

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Speaker 3: The episodes, Like it doesn't.

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Speaker 2: Yeah, probably not.

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Speaker 1: Okay, this is my feeling. Dreams Come True is better

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Speaker 1: than two thousand and nine. Yes, in a different way.

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Speaker 1: Like it was more emotional, more of a tie up, right,

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Speaker 1: It felt more like a solidified finale.

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Speaker 3: So if we watched.

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Speaker 1: That two thousand and nine too, dreams come true in

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Speaker 1: a row like everybody did Live. Would people have a

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Speaker 1: better feeling about two thousand and nine because it was

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Speaker 1: like one episode or does it feel like because we

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Speaker 1: split it up it just feels a little I.

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Speaker 2: Think maybe you're right. I think either way, I think

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Speaker 2: this episode is great.

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Speaker 1: Yeah.

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Speaker 2: I think whether you're binging it or you're watching it

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Speaker 2: one at a time, it's just a really really solid episode,

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Speaker 2: so good, and I think it is. I can't imagine

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Speaker 2: being a writer or showrunner having to wrap up a series,

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Speaker 2: especially when that has gone on as long as this,

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Speaker 2: and that amount of pressure, because how many series finalites

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Speaker 2: have we seen?

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Speaker 1: You're like, eh, that just know and the direction of it,

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Speaker 1: there is nobody better except for if Ryan brad or

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Speaker 1: Ian did it right.

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Speaker 2: And I think a lot of shows take big swings

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Speaker 2: on series finales where they do time jumps a lot

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Speaker 2: of the time or crazy plot lines, and this does

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Speaker 2: a little of that. However, I think it really works

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Speaker 2: because it's not all set in twenty twenty.

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Speaker 3: Right, and it's it's really Yeah.

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Speaker 2: I'm just I'm really excited to get into this. I'm

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Speaker 2: really excited to talk about it because I really enjoyed

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Speaker 2: it and I can't wait to hear about your viewing experience.

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Speaker 1: Okay, well, let's talk about what was going on in

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Speaker 1: the world. You said it number one song of ton

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Speaker 1: Funk till number.

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Speaker 2: One, number one movie is Insurgent Still Yeah. Glee News.

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Speaker 2: March seventeenth, Glee the music Dreams Come True EP was released,

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Speaker 2: the last one. It featured six tracks, including the original

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Speaker 2: song This Time that Leah sang. It was written by

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Speaker 2: Darren And wasn't that nominated for an Emmy?

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Speaker 1: Was it?

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Speaker 2: I feel like it was OK and I loved it.

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Speaker 1: Darren really racking up those awards dominations. March twentieth, Lee

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Speaker 1: took its final bout after tix seasons, one hundred and

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Speaker 1: twenty one episodes and more than seven hundred unforgettable musical numbers.

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Speaker 3: Here we are. It's so surreal to me.

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Speaker 2: And I know I've said this before, but I can't

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Speaker 2: express how like growing up and you know, trying to

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Speaker 2: be an actor and get hired on a show, and

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Speaker 2: I would go on IMDb and look at people who

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Speaker 2: had been in over one hundred episodes or something, or

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Speaker 2: even ten episodes or something.

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Speaker 3: WHOA. I just thought that was so cool.

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Speaker 2: Yeah, and so impressive, And the fact that we can

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Speaker 2: all say that we were in over one hundred episodes

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Speaker 2: of something is really cool.

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Speaker 3: A lot of episodes.

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Speaker 1: It's just a lot of episodes.

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Speaker 2: It's a lot of episodes, a lot of all that crew,

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Speaker 2: all of us put it, the production staff, the writers,

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Speaker 2: Ryan brad and Ian remarkable. I don't think people like

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Speaker 2: we should probably go through like and you talk about

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Speaker 2: there's a transport team. There's a transportation team that is

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Speaker 2: sitting there at base camp. They move all the trailers,

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Speaker 2: they move everything. They're in charge of so much. They're

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Speaker 2: there every day all day, in addition to lighting and

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Speaker 2: camera and craft service crops.

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Speaker 1: Yeah, everything you think, pa.

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Speaker 3: Like, It's remarkable. Truly, it takes a freaking village.

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Speaker 2: It's a miracle that any show can be good. Yes,

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Speaker 2: because there's so many moving parts and it takes a

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Speaker 2: steady hand to make all of that work. I think

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Speaker 2: for us, we have the added benefit of the people

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Speaker 2: that were working on the show for the most part,

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Speaker 2: by and large, loved working on the show and liked

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Speaker 2: the show. I think that makes a difference and the

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Speaker 2: work because you feel that on a set if people

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Speaker 2: really enjoy being there or proud of what they're doing,

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Speaker 2: because that's not gonna happen every time, you know, work

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Speaker 2: is work, you say yes, and you need to check

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Speaker 2: and do you need healthcare and you need whatever that

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Speaker 2: may bring. But it's nice that we all got to

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Speaker 2: be a part of one hundred twenty one episodes of

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Speaker 2: something we all were passionate about.

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Speaker 1: Yeah, I mean, and just for everybody to come on

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Speaker 1: the podcast and the wonderful crew members who have you know,

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Speaker 1: given their time to come on the show and talk

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Speaker 1: about their experience, like for them to reminisce and continue

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Speaker 1: to reiterate the feeling that we're all family and we're

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Speaker 1: still so close and it feels like that once in

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Speaker 1: a lifetime experience. It just rely, I don't know, it's

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Speaker 1: it's validating in a lot of ways that like our

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Speaker 1: experience was similar. You know that everybody felt that way,

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Speaker 1: and there's a collective love andiation for how hard everybody

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Speaker 1: was working and that was recognized, and I do feel

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Speaker 1: people were felt valued some of the time at least,

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Speaker 1: you know. So I think it's it's amazing and it's

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Speaker 1: been wonderful and.

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Speaker 2: It means more, I think coming from them because they

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Speaker 2: work on a lot more a lot more TV than

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Speaker 2: we have well, that's it, right, and like if they're

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Speaker 2: still saying that this day, obviously for us, it's like, obviously,

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Speaker 2: this is the biggest thing any of us have ever done,

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Speaker 2: and so it feels unique and special to us and

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Speaker 2: for all of them who have been working on a

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Speaker 2: myriad of shows for decades to echo that sentiment, it

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Speaker 2: just reinforces Yeah, how special this whole thing is for us.

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Speaker 3: Okay.

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Speaker 1: This was written by Ryan Ian and Brad Everybody.

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Speaker 2: Everybody is here, everybody's here.

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Speaker 1: Wonderful. The songs. There's no way to close this out

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Speaker 1: except for having really great songs, Yeah, really great numbers

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Speaker 1: that tie into the finality of it all that feel emotional,

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Speaker 1: that feel appropriate, that help with the characters, like, it's

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Speaker 1: just wonderful. So Teach Your Children by Crosby Stills Nashing

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Speaker 1: Young performed by Will which we'll talk about that number.

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Speaker 2: We spent an hour just talking about that. Yeah, not okay, Okay,

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Speaker 2: Someday We'll Be Together, originally performed by Dana Ross and

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Speaker 2: the Supremes.

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Speaker 3: Forgot about that one.

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Speaker 2: Mercedes with the Church Choir so good.

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Speaker 1: The Winner Takes It All by Abba, performed by Sue and.

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Speaker 2: Will Day Dream Believer by the Monkey's performed by Curtin Blaine.

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Speaker 1: By Darren Chris performed by Rachel.

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Speaker 2: I Lived by One Republic performed by the Cask of Glee.

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Speaker 2: Oh my gosh, now I feel like all the people

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Speaker 2: who got songs on here. I think that's incredibly right. Yes,

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Speaker 2: I have one complaint.

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Speaker 1: What's that?

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Speaker 2: I wish we got a Santana and Brittany do it.

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Speaker 1: I know, I got really emotional when they came walking

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Speaker 1: down the stairs and I lived and.

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Speaker 2: I just I wish we got yep a moment for them.

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Speaker 1: I agree.

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Speaker 2: I didn't necessarily miss it during the episode. Seeing this now,

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Speaker 2: I'm like.

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Speaker 3: Oh, totally, yes, the song itself.

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Speaker 1: You're like, where's the song? I don't disagree. I think

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Speaker 1: what I'm thinking is like it.

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Speaker 3: Had to have.

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Speaker 1: It just was like this episode was like so perfectly

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Speaker 1: woven with storylines. Yeah, and it worked into the storyline.

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Speaker 1: It didn't feel like, oh, let's just throw it in

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Speaker 1: there because we love these characters, like it was just

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Speaker 1: very meticulous and so it was. I don't disagree with you,

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Speaker 1: but it would have had to be with a storyline.

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Speaker 2: You're right, it would have been fan service, yes, as

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Speaker 2: opposed to I mean all this is fan service, but

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Speaker 2: like you said, it's done in a much intentional way.

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Speaker 1: Yes, yes, Okay. Lauren's Icy's returned to the first time

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Speaker 1: since Sadie Hawkins. Remember that episode forty three episodes ago

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Speaker 1: Welcome Back.

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Speaker 2: I can't believe that was forty three episodes for us.

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Speaker 2: Jake Puckerman and Ryder Lynn return after last appearing in

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Speaker 2: the New Directions twenty episodes ago.

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Speaker 3: Come Back.

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Speaker 1: Damian mcgint rory and Melissa Bnoys are the only former

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Speaker 1: Glee Club members who didn't return. They were invited but

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Speaker 1: couldn't make it do to scheduling conflicts. This is the

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Speaker 1: first time the matter is shown with almost all the

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Speaker 1: New Direction members that joined after he left.

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Speaker 2: Wow, if you count the footage shown in two thousand

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Speaker 2: and nine from pilot. This episode is Santana's one hundredth appearance.

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Speaker 3: WHOA.

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Speaker 1: This is the third time two episodes aired on the

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Speaker 1: same day, like Props and Nationals and Loser Like Me

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Speaker 1: and Homecoming.

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Speaker 2: Characters who appear in both the first and last episodes

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Speaker 2: are Rachel Will Sue, Kurt Santana, Quinn Puck, Tina, Artie, Mercedes, Carol,

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Speaker 2: Terry Figgins, Emma Brad and the band's bassist and drummer.

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Speaker 1: Oh wow, this is only the second episode where Kitty

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Speaker 1: doesn't wear her Cheerios uniform. It was weird seeing Grecca

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Speaker 1: in clothes. Yeah, she's already graduated, so the first time

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Speaker 1: was in a wedding.

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Speaker 2: I feel like her out of her school uniform is

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Speaker 2: very like wife of a like Christian preacher at a megachurch.

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Speaker 1: That's totally right. Her hair needs to be a little

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Speaker 1: bit bigger.

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Speaker 2: That a little bit bigger and like a little bit

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Speaker 2: more bleach, but.

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Speaker 3: Like, let's dynamic, let's di mention.

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Speaker 2: Daydream Believer was originally sung by Brian Ryan in an

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Speaker 2: unreleased version from dream On.

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Speaker 1: Do you know that?

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Speaker 3: Yes, Jef Sleep, it's the flashback.

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Speaker 2: Oh okay.

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Speaker 1: This is the second unreleased Brian Ryan song that Blaine

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Speaker 1: later sang after Piano Man in Moving Out. That's right.

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Speaker 2: It's also the third time Blaine sang a previously unreleased

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Speaker 2: song like Tonight from the first Time, originally sung by

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Speaker 2: Tina and Preggers.

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Speaker 1: And the episode opens with part of a scene from

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Speaker 1: the extended director's cut of the pilot.

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Speaker 2: That's right, I loved I love that.

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Speaker 1: I know I love it's.

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Speaker 2: Grainier, like it looks a little different, and it just

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Speaker 2: it sets the tone that it directly obviously connects them.

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Speaker 3: Yes, and it really good.

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Speaker 2: Great idea, Spencer suggests sing she Thinks My Tractor's Sexy,

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Speaker 2: which is a song written by coord Overstreet's real life dad.

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Speaker 1: Real life dad. One item in kurtz Locker is the

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Speaker 1: gum rapper ring Blaine made for him, previously only seen

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Speaker 1: in a deleted scene from The Extraordinary Merry Christmas.

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Speaker 2: The nominees for Tony Award for Best Actress and a

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Speaker 2: Musical twenty twenty are Maggie Smith for Miss Jean Brody's

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Speaker 2: Second Prime, Willow Smith for Cabaret and Hathaway for an

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Speaker 2: exclamation Point, and Rachel Barry for Jane.

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Speaker 1: Austen sings, I love that they got Andrew Reynolds to

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Speaker 1: do that.

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Speaker 2: Yeah.

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Speaker 3: This is the only episode where Will performs a solo,

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Speaker 3: a duet, and a solo within a.

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Speaker 1: Group number.

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Speaker 2: While also getting shamed for his rapping. This episode features

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Speaker 2: the most guest stars of the series.

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Speaker 1: Made It Better It's Like one hundred People. Darren's original

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Speaker 1: song This Time was nominated for an Emmy Award for

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Speaker 1: Outstanding Original music and Lyrics of the sixty seventh Primetime

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Speaker 1: Emmy Awards in twenty fifteen.

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Speaker 2: That's right, baby, okay, Jenna. One last Glee episode summary.

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Speaker 2: I mean, it's the same as last week, but we're

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Speaker 2: gonna read it again.

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Speaker 1: Okay.

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Speaker 2: Actually, I'll just read the second half because this Glee

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Speaker 2: flashes forward to see how the characters' lives have progressed

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Speaker 2: five years down the road and the all new special

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Speaker 2: two hour series finale episode.

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Speaker 1: That's it.

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Speaker 2: That's it, that's it. Oh my god, there's so much

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Speaker 2: that happens in this episode. But what feels right is

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Speaker 2: that Will is the star of this episode, as he

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Speaker 2: was in the pilot pilot, and that feels right, and

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Speaker 2: it feels good, and it feels like we completed the circle.

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Speaker 1: Bring it back around exactly. It's very open it up

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Speaker 1: with like the flash which was in the pilot, and

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Speaker 1: then well, it's about the school, it's about his heart

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Speaker 1: and his care for the glee club and all the

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Speaker 1: time he put in. It's like it's about him and

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Speaker 1: the kids, right, Like that's yes, that's it, Bring it

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Speaker 1: back down.

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Speaker 2: I also appreciated how much time was spent talking about

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Speaker 2: arts education, arts funding in a series finale. God, you know,

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Speaker 2: like there's so much to see, so much we want

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Speaker 2: to see, and that is integral to this entire series.

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Speaker 2: Even though we go crazy and do wacky and funny storylines,

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Speaker 2: this show ultimately is about the lack of funding for

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Speaker 2: the arts.

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Speaker 1: Literally, it's just like where you're going with getting into

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Speaker 1: the will of it all. I just in my mind

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Speaker 1: was like, what was this day like or what was

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Speaker 1: this week like shooting this episode? It feels like one day.

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Speaker 1: It feels like we shot this entire episode in one day,

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Speaker 1: do you know what I mean? Yes, the feeling was

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Speaker 1: there every day that we were getting closer to the

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Speaker 1: final day, and so that last week of filming in

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Speaker 1: all these scenes felt like the last day.

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Speaker 3: At the end of the day, it was like, wow,

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Speaker 3: this was the last day.

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Speaker 1: See you tomorrow.

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Speaker 3: What it felt like was.

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Speaker 2: We were all repressing the emotion we had until the

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Speaker 2: actual last day because it felt like, so watching the scene,

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Speaker 2: we're just going to jump around here because you have

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Speaker 2: so many memories from this that we actually remember and

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Speaker 2: if you watched it, you know the storyline, but I

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Speaker 2: think emotionally to set the scene here, watching Amber's performance

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Speaker 2: on that stage and we're all a little bit like,

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Speaker 2: I'm going to comment on myself, I look a little

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Speaker 2: bit like disconnected.

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Speaker 3: Yeah, yeah, yeah, we're associating.

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Speaker 2: Yes, we're fully dissociating. And I think it's because, like

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Speaker 2: you know, we had obviously gone through a lot good

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Speaker 2: and bad on the show, and I think everybody felt like, yes,

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Speaker 2: this was the time for it to end, and so

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Speaker 2: that wasn't necessarily the issue. The issue is then when

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Speaker 2: you're still on the hamster wheel showing up to work

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Speaker 2: and doing the same thing every day, you have an

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Speaker 2: excuse to defer any of those like hard things to

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Speaker 2: work through to a later date. And when it's the

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Speaker 2: last day, you can no longer defer because there it

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Speaker 2: is you will not be coming back tomorrow.

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Speaker 3: And so.

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Speaker 2: Let's talk about the last day. The Will storyline, New Directions,

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Speaker 2: win Nationals, and then Will finds out that William McKinley

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Speaker 2: is going to be William McKinley School for the Performing Arts,

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Speaker 2: and he's going to be the principal.

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Speaker 1: Get run in the school.

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Speaker 2: Yeah credible, But he after like a three month time jump,

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Speaker 2: he comes into the choir room with all of us

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Speaker 2: and all these new.

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Speaker 1: People auditioning to get into the school.

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Speaker 2: There's going to be four different glee clubs now.

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Speaker 1: Like a varsity, yes, Junior jv.

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Speaker 3: It's we love it.

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Speaker 2: And last thing we shot and the series of Glee,

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Speaker 2: Oh my god, was Will's performance to us. And I

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Speaker 2: forgot that it was so early in the episode because

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Speaker 2: for us, it's the last memory.

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Speaker 1: The final day of filming. Like in our trailers we had.

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Speaker 1: Wardrobe gave these gifts out to us with these like

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Speaker 1: little windbreaker jackets that I still have. I love that jacket,

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Speaker 1: and we were all wearing them and are on the

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Speaker 1: makeup trailer and it was like the makeup trailer for

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Speaker 1: the last time. You used to have dance parties in there,

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Speaker 1: and like everybody was getting ready at the same time.

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Speaker 3: Oh.

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Speaker 2: I rated the wardrobe department. I went, we went. They

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Speaker 2: let us pick out some things. Don't tell anybody, Yeah,

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Speaker 2: we weren't supposed to.

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Speaker 1: I remember Melissa Bule of our wonderful makeup artists who

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Speaker 1: had been there with us, and we became very close.

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Speaker 3: She would babysit bear like we were tight. You know.

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Speaker 1: She did my makeup for I think from season three on,

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Speaker 1: and I would bring her a Starbucks sandwich.

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Speaker 3: Every morning when we would get ready, we just became

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Speaker 3: really tight. The last day, she was silent. Silent. She's

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Speaker 3: not silent, No, she's not a silent person. She was silent.

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Speaker 1: She was so sad, and I like don't know what

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Speaker 1: to do with that, Like with people's emotions. Sometimes I

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Speaker 1: was just like, Okay, I'm just gonna ignore it. And

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Speaker 1: I just remember like trying not to cry the entire time.

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Speaker 1: It was so sweet. It was so so sweet. So

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Speaker 1: that's how our day started.

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Speaker 3: It was like, don't make me cry, don't mess up

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Speaker 3: my makeup.

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Speaker 1: Please, for the love of God. We all wore waterproof.

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Speaker 1: Everybody was like okay, but again, like you said, the

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Speaker 1: dissociating thing, like we all had been doing that for

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Speaker 1: like the week leading up too, so our guards were

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Speaker 1: still kind of up. But I think it started to.

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Speaker 3: Hit people in like waterfall motion. People were hugging when you.

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Speaker 1: Get to said, And they had set up the carnival

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Speaker 1: and paramount way. They had set up a huge carnival

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Speaker 1: like in New York Street where we shoot, and there

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Speaker 1: was like a band and they had like activations and

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Speaker 1: setups and it was like snacks and we were just

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Speaker 1: like partying.

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Speaker 3: But we It was really sweet and there's a big banner.

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Speaker 1: We have a photo that will post of like, you know,

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Speaker 1: thank you for six amazing years, and Paramount posted something

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Speaker 1: for us achievement.

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Speaker 3: It's just it was like it felt so.

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Speaker 1: I don't know, celebratory, but when one person would start

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Speaker 1: to cry, that's when we would all start to cry.

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Speaker 1: Oh yeah.

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Speaker 3: There was also tequila that was.

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Speaker 1: I didn't touch that until later because I was like,

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Speaker 1: I won't make it because I'll be crying so much.

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Speaker 3: I'm already crying.

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Speaker 1: We yeah, we did the number with Matt right that

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Speaker 1: teach your children, And I remember.

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Speaker 3: As they were marking the rehearsal for.

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Speaker 1: That really big scene with all those people, some of

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Speaker 1: them were like extras who hadn't been there before, so

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Speaker 1: it was kind of weird.

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Speaker 3: We were like in this room with like a lot

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Speaker 3: a lot of people at the time.

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Speaker 2: Well, it started off being like this feels wrong, like

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Speaker 2: this feels like a really day thing we're about to do,

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Speaker 2: and like there was like twenty strangers.

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Speaker 3: Yeah yeah, yeah, yeah, that's a good point.

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Speaker 1: So we were rehearsing for the scene. Right, we're not

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Speaker 1: even we haven't gotten into the song yet. Brad Brieger's there.

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Speaker 1: He's like really going carefully, he's like treading very lightly.

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Speaker 3: With all of us.

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Speaker 1: He's so gentle, he's so gent and I remember camera Ben.

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Speaker 1: Oh yes, man, he's just so lovely.

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Speaker 3: He's one of my favorite people to see every day.

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Speaker 1: So kind, just did his job, happy, happy to be there, wonderful,

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Speaker 1: wonderful man. I just it's hard to explain. He's just

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Speaker 1: a really big grown man doing camera work, grip work,

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Speaker 1: like and we he's putting our tape down marks for

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Speaker 1: uh where we stand and he does that every day

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Speaker 1: in the result, and then we all just started applauding Ben.

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Speaker 3: We're like, yay, Yes, he did this.

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Speaker 2: Thing where he would walk in like hi Ben, and

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Speaker 2: we'd all would like.

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Speaker 1: So many people to mark, and we all had different colors.

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Speaker 1: We had to keep track of it and who were

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Speaker 1: and we're like yay Ben. And all of a sudden

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Speaker 1: he vends down and you look and you see him

400
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Speaker 1: just burst to do. It's so funny because it makes

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Speaker 1: me uncomfortable a little bit because I was just like,

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Speaker 1: this is the sweetest thing I've ever seen.

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Speaker 3: It broke us, It broke us all, it broke him.

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Speaker 2: It's what we needed though, We needed somebody to be first,

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Speaker 2: and I have like Ben be the person who, like

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Speaker 2: ushered in the release of emotions. Was perfect. It was poetic.

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Speaker 1: I'll never forget it.

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Speaker 3: It's like the that's the memory that sticks out in

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Speaker 3: my mind of that.

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Speaker 2: Day's watching straight men cry is really disconcerting.

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Speaker 3: No, why, like, let's normalize that.

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Speaker 1: We love this.

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Speaker 3: They are allowed to be so sweet.

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Speaker 2: So during that process, Brad Beeker, being the intuitive and

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Speaker 2: gentle director he is, the plan was, we are going

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Speaker 2: to shoot Matt's coverage first with all of those people yep,

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Speaker 2: and so we could shoot all of them, the one

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Speaker 2: on the ris, yes, everyone on Thatt's side of the room.

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Speaker 2: And then what they did was they cleared everybody except

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Speaker 2: Matt and Cord on that side of the room, every

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Speaker 2: single person, and then did our coverage and wait.

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Speaker 1: Bradbeker also promised us that he would tell us when

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Speaker 1: the last take was. We made him promise to tell us,

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Speaker 1: so we knew that this was going to be the

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Speaker 1: last take. So he kept being like, is this the one?

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Speaker 1: Like he would come in the room, we'd be like,

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Speaker 1: and he would he be like, Okay, I think I

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Speaker 1: know the story you're gonna also go ahead.

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Speaker 2: And as soon I can't even it was as soon

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Speaker 2: as the camera was on us. You see it in

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Speaker 2: the scene, and that what the actual edit. So I

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Speaker 2: look at Leah. Leah looks at me, and as soon

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Speaker 2: as she looks at me, she starts crying.

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Speaker 3: Which then makes you'd cry, and.

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Speaker 2: Then like and then I start crying. And then you

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Speaker 2: see immediately amber when they cut the Amber, she's like

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Speaker 2: nodding her head and she's not looking at anybody, doesn't

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Speaker 2: turn her head to look at anybody, no one. And

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Speaker 2: Chris Chris also not looking at anybody. In the death

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Speaker 2: grip they have on each other, they was very real,

441
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Speaker 2: and I'm so glad Beeker got that because they were

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Speaker 2: like squeezing each other's hands so hard. So they would

443
00:24:31,440 --> 00:24:31,960
Speaker 2: try to keep it.

444
00:24:31,960 --> 00:24:35,080
Speaker 1: Together because one of us would go, it would all

445
00:24:35,440 --> 00:24:36,159
Speaker 1: make us all go.

446
00:24:36,480 --> 00:24:37,720
Speaker 3: Darren was already crying.

447
00:24:38,560 --> 00:24:41,040
Speaker 2: Darren was crying immediately because he kept looking at us.

448
00:24:41,560 --> 00:24:44,000
Speaker 2: And then like our side with Becca, Leah, you and me,

449
00:24:44,160 --> 00:24:46,120
Speaker 2: we okay, So I kept.

450
00:24:45,920 --> 00:24:48,080
Speaker 1: Looking at Leah and you would look at each other

451
00:24:48,119 --> 00:24:50,320
Speaker 1: and then we would start crying because we were look

452
00:24:50,359 --> 00:24:52,840
Speaker 1: at each other like, don't start crying, and then we

453
00:24:53,200 --> 00:24:55,879
Speaker 1: start crying. And then I remember the camera you know,

454
00:24:56,000 --> 00:24:58,119
Speaker 1: is panning from Leah to me to you, and I

455
00:24:58,160 --> 00:24:59,840
Speaker 1: was like, and you were looking at me, and I

456
00:24:59,880 --> 00:25:02,159
Speaker 1: was like, don't look at Kevin. Just don't look at them, Like,

457
00:25:02,200 --> 00:25:04,600
Speaker 1: don't look at them. So I refuse to look at you.

458
00:25:04,680 --> 00:25:06,280
Speaker 1: But then the camera came out. I was like, oh,

459
00:25:06,320 --> 00:25:09,639
Speaker 1: I got it. I gotta act. You just gotta look

460
00:25:09,960 --> 00:25:12,080
Speaker 1: to Artie, like she has to look at Artie. And

461
00:25:12,119 --> 00:25:13,480
Speaker 1: I was like, yeah, damn it.

462
00:25:13,760 --> 00:25:14,760
Speaker 3: So I had to look at you.

463
00:25:15,119 --> 00:25:15,399
Speaker 1: Gone.

464
00:25:15,920 --> 00:25:18,000
Speaker 3: Gone, you look at Becca, Yeah gone.

465
00:25:18,080 --> 00:25:21,719
Speaker 1: It was not it was just it was powerful, Like

466
00:25:22,359 --> 00:25:25,439
Speaker 1: I think the fans knew what we were doing, and

467
00:25:25,520 --> 00:25:28,600
Speaker 1: so that was good. That was you know, for the fandom,

468
00:25:28,800 --> 00:25:31,520
Speaker 1: but also for us, Like you're like, don't lose it

469
00:25:31,560 --> 00:25:33,879
Speaker 1: too much because then it's just gonna be weird, you

470
00:25:33,880 --> 00:25:34,280
Speaker 1: know what I mean.

471
00:25:34,320 --> 00:25:36,359
Speaker 2: It's like, well, I think part of it was like

472
00:25:36,440 --> 00:25:39,160
Speaker 2: in the actual episode, I was like, we are everyone's

473
00:25:39,240 --> 00:25:43,880
Speaker 2: a little too emotional in context, it doesn't really make sense.

474
00:25:44,800 --> 00:25:48,480
Speaker 2: I was like, no, that's our last shot. And then

475
00:25:48,720 --> 00:25:51,480
Speaker 2: Matt and core Cord, Oh my.

476
00:25:51,440 --> 00:25:54,080
Speaker 3: God, here's here's the story.

477
00:25:54,119 --> 00:25:58,000
Speaker 1: Okay, So Brad Beeker whispers and Matt's ear and chordsier,

478
00:25:58,359 --> 00:26:02,000
Speaker 1: we don't know this. The carridges on us by the piano,

479
00:26:02,720 --> 00:26:09,040
Speaker 1: and one take before the very very end, he tells

480
00:26:09,080 --> 00:26:14,040
Speaker 1: Matt to take his eukulele. Chord takes his guitar, and

481
00:26:14,119 --> 00:26:17,920
Speaker 1: as they're singing, they get up and they walk towards us,

482
00:26:19,080 --> 00:26:22,280
Speaker 1: and Matt comes to each one of us and he

483
00:26:22,400 --> 00:26:25,640
Speaker 1: sings to us and he's playing, and Chord follows him

484
00:26:25,960 --> 00:26:28,359
Speaker 1: and we're all looking at each other. I have this,

485
00:26:28,480 --> 00:26:31,880
Speaker 1: it's in the archives. Don't tell anybody.

486
00:26:34,119 --> 00:26:35,280
Speaker 3: And he.

487
00:26:37,200 --> 00:26:40,879
Speaker 1: That's when we really lost it. Everybody was like, it

488
00:26:41,040 --> 00:26:43,760
Speaker 1: was not okay. I watch it and I weep because

489
00:26:43,760 --> 00:26:47,760
Speaker 1: it's so emotional. I mean, this was the point where

490
00:26:47,960 --> 00:26:49,960
Speaker 1: we knew they weren't going to use this take right.

491
00:26:50,080 --> 00:26:52,240
Speaker 1: This was just for us and for bad Beeker to

492
00:26:52,280 --> 00:26:54,560
Speaker 1: get some reaction out of us, or whatever it was,

493
00:26:54,720 --> 00:27:00,560
Speaker 1: or just for us that Matt was hysterical crying. Cord

494
00:27:00,840 --> 00:27:08,119
Speaker 1: was like tears streaming, our shoulders shaking, We're crying so hard,

495
00:27:08,760 --> 00:27:13,800
Speaker 1: and then we all burst out into laughter, and there's spit.

496
00:27:15,119 --> 00:27:19,200
Speaker 1: We're crying. I think Andrew Mitchell's crying on Steadycam everybody's

497
00:27:19,359 --> 00:27:25,200
Speaker 1: hysterical laughing, guttural emotional laughs that I've never I don't

498
00:27:25,200 --> 00:27:29,280
Speaker 1: know that I've ever felt before in that moment. Then

499
00:27:29,480 --> 00:27:34,800
Speaker 1: in that moment, oh yeah, it was very out of body.

500
00:27:33,400 --> 00:27:37,880
Speaker 1: And then we did our last take, I think normally,

501
00:27:38,119 --> 00:27:41,280
Speaker 1: and then when you wrap a season, that's not a

502
00:27:41,320 --> 00:27:44,800
Speaker 1: serious finale, but it always could be a serious finale.

503
00:27:45,320 --> 00:27:48,640
Speaker 1: They on your last day, if you are a serious regular,

504
00:27:49,240 --> 00:27:51,959
Speaker 1: the first ad will be like that is a picture

505
00:27:52,000 --> 00:27:56,280
Speaker 1: wrap on Kevin mccawne, and then everybody applauds for you,

506
00:27:56,400 --> 00:27:58,600
Speaker 1: and you say goodbye to everybody, and that's it, right,

507
00:27:58,600 --> 00:28:00,359
Speaker 1: So they would always do that for us the end

508
00:28:00,400 --> 00:28:01,119
Speaker 1: of the seasons.

509
00:28:01,640 --> 00:28:03,680
Speaker 3: So they did that again for the series.

510
00:28:04,840 --> 00:28:10,200
Speaker 1: And yeah, on top of already having shot that day,

511
00:28:11,359 --> 00:28:15,200
Speaker 1: it's not emotional state doing that. It was all those

512
00:28:15,200 --> 00:28:18,119
Speaker 1: photos that you've probably seen online somewhere with Kevin and

513
00:28:18,160 --> 00:28:20,800
Speaker 1: I are death gripping each other, hugging.

514
00:28:22,840 --> 00:28:24,640
Speaker 2: I don't think I've ever cried harder.

515
00:28:24,520 --> 00:28:30,480
Speaker 1: And Cruise like all circled around the choir room. Remember,

516
00:28:30,520 --> 00:28:33,240
Speaker 1: like people literally like just you and me because our

517
00:28:33,320 --> 00:28:35,040
Speaker 1: numbers are next to each others, right, So it's it's

518
00:28:35,080 --> 00:28:40,680
Speaker 1: Kevin Cale and Johns and just death gripping. Okay, Christ.

519
00:28:42,880 --> 00:28:44,800
Speaker 3: Like everybody's just clapping.

520
00:28:45,120 --> 00:28:46,760
Speaker 1: It's kind of culty and weird.

521
00:28:47,040 --> 00:28:53,160
Speaker 3: But I but I'll never forget that wrap that day.

522
00:28:53,320 --> 00:28:54,400
Speaker 3: It was so special.

523
00:28:55,320 --> 00:28:59,040
Speaker 2: I'm so glad you brought up that take where it

524
00:28:59,040 --> 00:29:01,480
Speaker 2: comes down and Chord came over to us because what

525
00:29:01,600 --> 00:29:05,080
Speaker 2: happened that was like the final nail in the coffin

526
00:29:05,320 --> 00:29:07,680
Speaker 2: for us being able to keep it together because that

527
00:29:07,800 --> 00:29:10,320
Speaker 2: was the second to last take or something, and so

528
00:29:10,400 --> 00:29:15,240
Speaker 2: we never recovered from that, Like seeing Chord sob is

529
00:29:15,280 --> 00:29:20,400
Speaker 2: so upsetting. And then they immediately went into wrapping all this.

530
00:29:21,760 --> 00:29:26,560
Speaker 2: We were not well. We had been crying for like

531
00:29:26,600 --> 00:29:27,120
Speaker 2: an hour.

532
00:29:29,080 --> 00:29:29,440
Speaker 3: It was.

533
00:29:29,960 --> 00:29:41,720
Speaker 2: It was just it was so much during that whole process,

534
00:29:42,200 --> 00:29:44,200
Speaker 2: I went up to the rafters. Did you go up

535
00:29:44,240 --> 00:29:47,960
Speaker 2: there now? So Jason took me up to the rafters

536
00:29:47,960 --> 00:29:51,720
Speaker 2: with somebody else I don't remember. Jason was one of

537
00:29:51,760 --> 00:29:57,440
Speaker 2: the He worked in lighting and was official title m HM.

538
00:29:59,520 --> 00:30:01,800
Speaker 2: And I had never been up there, like above the sets,

539
00:30:02,120 --> 00:30:05,640
Speaker 2: and so I went up there and walked all around

540
00:30:05,760 --> 00:30:06,400
Speaker 2: like suspended.

541
00:30:06,440 --> 00:30:06,680
Speaker 1: Wow.

542
00:30:08,600 --> 00:30:11,640
Speaker 2: And I have a picture I signed one of the

543
00:30:12,120 --> 00:30:16,440
Speaker 2: wooden posts at the top of like my name and

544
00:30:16,480 --> 00:30:18,840
Speaker 2: what years we were there and like what shot there?

545
00:30:19,320 --> 00:30:22,080
Speaker 2: Because there were other other shows or movies had written

546
00:30:22,360 --> 00:30:25,480
Speaker 2: oh cool at random parts up there. I was like,

547
00:30:25,480 --> 00:30:27,440
Speaker 2: why have I not been up here? I probably was

548
00:30:27,480 --> 00:30:29,840
Speaker 2: not allowed to be up there. Yeah, maybe that's why.

549
00:30:30,040 --> 00:30:35,960
Speaker 1: Yeah, probably legal thing safety. Yeah that's so cool. And

550
00:30:36,000 --> 00:30:39,440
Speaker 1: then do you remember that night It wasn't planned, yes,

551
00:30:39,520 --> 00:30:41,760
Speaker 1: but there was stiicula and they were drinking and like

552
00:30:41,800 --> 00:30:43,840
Speaker 1: people were you know, we're hanging on the trailers.

553
00:30:43,880 --> 00:30:46,880
Speaker 3: We were cleaning up our stuff. We had had the carnival.

554
00:30:46,960 --> 00:30:50,240
Speaker 1: We were saying goodbye to everybody, you know, the whole thing.

555
00:30:50,440 --> 00:30:53,880
Speaker 1: And some of the casts stuck around and we were like,

556
00:30:54,160 --> 00:30:56,200
Speaker 1: let's go sit on the stage. We were like, oh

557
00:30:56,240 --> 00:30:57,719
Speaker 1: my god, I can't believe they're going to tear this

558
00:30:57,920 --> 00:31:01,400
Speaker 1: theater down, this auditorium down. Set is a set, and

559
00:31:01,440 --> 00:31:04,200
Speaker 1: they were tearing all of them down, and I believe

560
00:31:04,240 --> 00:31:06,760
Speaker 1: we all just like walked onto the stage and sat

561
00:31:06,920 --> 00:31:07,600
Speaker 1: down in a.

562
00:31:07,520 --> 00:31:11,080
Speaker 3: Circle like we did, shared stories.

563
00:31:10,720 --> 00:31:14,600
Speaker 1: And like gathered and some people who hadn't been there

564
00:31:14,640 --> 00:31:16,640
Speaker 1: a long time, like you know, back on the show,

565
00:31:16,680 --> 00:31:20,080
Speaker 1: like Jacob was there and just like hmm, it was

566
00:31:20,200 --> 00:31:23,680
Speaker 1: really lovely and wonderful and like a nice way to

567
00:31:24,200 --> 00:31:28,840
Speaker 1: a chill way right to wrap up the emotional day.

568
00:31:29,520 --> 00:31:32,200
Speaker 2: I think we were sharing like specific experience, like what

569
00:31:32,880 --> 00:31:34,680
Speaker 2: we were going to miss or like what we learned

570
00:31:34,720 --> 00:31:36,320
Speaker 2: on the show. It was something like that. We were

571
00:31:36,320 --> 00:31:40,480
Speaker 2: all going around so sweet answering a question. Yeah, it

572
00:31:40,560 --> 00:31:41,520
Speaker 2: was so nice. It was.

573
00:31:41,680 --> 00:31:45,360
Speaker 3: It was a really great, perfect Yeah, final day.

574
00:31:45,760 --> 00:31:46,400
Speaker 1: It really was.

575
00:31:49,080 --> 00:31:52,960
Speaker 2: Well, it was really nice. I mean that was that

576
00:31:53,120 --> 00:31:56,880
Speaker 2: last day. But there's still so much more that happens

577
00:31:56,880 --> 00:31:58,200
Speaker 2: in this no Well, I'm.

578
00:31:58,000 --> 00:31:59,360
Speaker 3: Really happy about Sue.

579
00:31:59,720 --> 00:32:02,080
Speaker 1: That's Sue and Will got a song and I love

580
00:32:02,160 --> 00:32:04,800
Speaker 1: that she just breaks into song like she says nothing

581
00:32:05,120 --> 00:32:09,320
Speaker 1: like it's actually brings me so joy love it. I

582
00:32:09,440 --> 00:32:12,080
Speaker 1: was not a novel lover, but it was. I'm reformed

583
00:32:12,760 --> 00:32:18,320
Speaker 1: and it's so good. Sue is great in this episode.

584
00:32:18,400 --> 00:32:20,640
Speaker 1: I mean the scene with her and Blaine and Kurt

585
00:32:21,440 --> 00:32:22,560
Speaker 1: oh so.

586
00:32:25,360 --> 00:32:27,480
Speaker 3: Like, gosh, Jane is so good.

587
00:32:28,800 --> 00:32:33,200
Speaker 1: She's so layered. Sue and I loved to hate her

588
00:32:33,240 --> 00:32:34,920
Speaker 1: and I hate to love her and love to love

589
00:32:34,920 --> 00:32:38,840
Speaker 1: her like it's just it's excellence. And her having that

590
00:32:38,880 --> 00:32:41,360
Speaker 1: scene with them and talking to them and just getting

591
00:32:41,400 --> 00:32:44,880
Speaker 1: these like quippie lines of like you know, old school Sue,

592
00:32:44,920 --> 00:32:47,920
Speaker 1: but also getting so much heart and then her running

593
00:32:48,000 --> 00:32:51,120
Speaker 1: down the hallway with Becky is just everything I could

594
00:32:51,160 --> 00:32:53,960
Speaker 1: have hoped more. They're so cute.

595
00:32:54,040 --> 00:32:56,600
Speaker 2: And it was also that speech she gives at the

596
00:32:56,720 --> 00:32:59,240
Speaker 2: end where she's very much Jane now that she's vice president.

597
00:33:00,160 --> 00:33:04,040
Speaker 2: It was just really beautiful, Like she really does the

598
00:33:04,120 --> 00:33:12,880
Speaker 2: concluding paragraph of like the thesis of Glee, and it

599
00:33:12,960 --> 00:33:14,520
Speaker 2: was so nice she was doing it to all the

600
00:33:14,520 --> 00:33:19,120
Speaker 2: adults and talking about Finn and you know, the whole

601
00:33:19,120 --> 00:33:23,040
Speaker 2: point of it. And I think you know, when Ryan

602
00:33:23,080 --> 00:33:25,400
Speaker 2: and Brad and Ian talked about the show, a lot

603
00:33:25,400 --> 00:33:30,800
Speaker 2: of it is about having viewers, like the Sues of

604
00:33:30,880 --> 00:33:33,160
Speaker 2: the world, watch the show and then come out the

605
00:33:33,240 --> 00:33:36,120
Speaker 2: other end feeling like Sue does in this last scene.

606
00:33:36,600 --> 00:33:38,920
Speaker 2: And it was just.

607
00:33:38,880 --> 00:33:40,120
Speaker 3: A beautiful.

608
00:33:42,000 --> 00:33:44,880
Speaker 2: Period at the end of this whole thing. And to

609
00:33:44,920 --> 00:33:50,080
Speaker 2: have her delivering it like Jane is just so unbelievably

610
00:33:50,120 --> 00:33:55,200
Speaker 2: good at everything, and like the sensitivity that, you know,

611
00:33:55,240 --> 00:33:58,800
Speaker 2: after saying some of the most diabolical and innsaying things

612
00:33:59,120 --> 00:34:02,120
Speaker 2: said on television ever, and then she can get up

613
00:34:02,120 --> 00:34:05,480
Speaker 2: there within the same episode, yes and give you this

614
00:34:05,720 --> 00:34:12,120
Speaker 2: the most beautiful, heartfelt, meaningful, genuine speech with like still

615
00:34:12,200 --> 00:34:15,960
Speaker 2: just like little tiny jabs of like when I finally

616
00:34:16,040 --> 00:34:22,279
Speaker 2: realized now that I'm well into my late thirties, it's

617
00:34:22,360 --> 00:34:23,239
Speaker 2: so good.

618
00:34:24,640 --> 00:34:27,520
Speaker 1: Re dedicating in the theater to fin Hudson Auditorium.

619
00:34:27,800 --> 00:34:31,000
Speaker 2: Yeah, it's really nice. How often did you cry watching this?

620
00:34:31,160 --> 00:34:34,719
Speaker 1: Almost every song started out with teaching children pretty bad.

621
00:34:34,840 --> 00:34:36,719
Speaker 1: I texted you and I was like, yeah, I can

622
00:34:36,719 --> 00:34:37,600
Speaker 1: get through this episode.

623
00:34:38,440 --> 00:34:40,719
Speaker 2: Well, you called me last night and I had just

624
00:34:40,760 --> 00:34:43,440
Speaker 2: started the episode. I hadn't gotten to that. I was

625
00:34:43,560 --> 00:34:46,200
Speaker 2: right as that number was about to start, and then

626
00:34:46,200 --> 00:34:47,440
Speaker 2: I was like, yeah, I don't think I can do

627
00:34:47,480 --> 00:34:48,400
Speaker 2: this tonight, but I hung up.

628
00:34:48,480 --> 00:34:49,160
Speaker 3: Oh you did it.

629
00:34:49,520 --> 00:34:51,040
Speaker 2: I kind of want to see it. I did it,

630
00:34:52,400 --> 00:34:54,560
Speaker 2: and I was just laying in bed and bubble lights up,

631
00:34:55,000 --> 00:34:58,160
Speaker 2: just like tears streaming down my face.

632
00:34:58,320 --> 00:35:01,760
Speaker 1: Oh my god. I I cried a lot. I cried

633
00:35:03,200 --> 00:35:05,480
Speaker 1: I forgotten Mercedes does this number. I forgot I ever

634
00:35:05,600 --> 00:35:07,839
Speaker 1: did this number. And then I was like, oh my gosh,

635
00:35:07,920 --> 00:35:11,920
Speaker 1: of course I forgot that we shot this, so that

636
00:35:11,960 --> 00:35:13,600
Speaker 1: brought back memories and I cried there.

637
00:35:15,920 --> 00:35:21,440
Speaker 2: One. I'm so happy Mercedes had a moment and this episode,

638
00:35:21,880 --> 00:35:24,160
Speaker 2: I mean, and I think it's so nice to see

639
00:35:24,160 --> 00:35:27,400
Speaker 2: how they chose for all these characters to say goodbye,

640
00:35:27,640 --> 00:35:30,240
Speaker 2: like the fact that she does her song and she does.

641
00:35:30,120 --> 00:35:31,160
Speaker 3: It through songs.

642
00:35:31,440 --> 00:35:34,520
Speaker 2: It just takes it and then leaves, and her whole

643
00:35:34,520 --> 00:35:38,759
Speaker 2: speech I thought was really great beforehand.

644
00:35:39,120 --> 00:35:42,120
Speaker 1: I agree with you, it would have felt weird without

645
00:35:42,160 --> 00:35:45,200
Speaker 1: having a Mercedes goodbye like it.

646
00:35:45,160 --> 00:35:47,840
Speaker 2: Would and I think with the track record of sometimes

647
00:35:47,880 --> 00:35:53,399
Speaker 2: how Mercedes was treated, I wouldn't have been surprised, and

648
00:35:54,480 --> 00:35:58,120
Speaker 2: I just think, Yeah, Mercedes is one of the most

649
00:35:58,200 --> 00:36:00,880
Speaker 2: vital characters on the show, and so I'm just really

650
00:36:00,920 --> 00:36:04,840
Speaker 2: happy that's for her character and for Ambert.

651
00:36:04,480 --> 00:36:05,160
Speaker 3: To send off.

652
00:36:06,200 --> 00:36:13,040
Speaker 1: When Rachel performs this time in McKinley, oh God, I

653
00:36:13,160 --> 00:36:15,920
Speaker 1: nember when the song's great and really enjoyed it. I

654
00:36:15,920 --> 00:36:17,600
Speaker 1: forgot that it was Darren's song, so I didn't know

655
00:36:17,640 --> 00:36:19,799
Speaker 1: that going into it, but I was like, this sister song.

656
00:36:20,840 --> 00:36:25,240
Speaker 1: The direction of her being in all those places throughout.

657
00:36:25,000 --> 00:36:34,400
Speaker 2: McKinley, the lighting down the hallway, and then I don't know,

658
00:36:34,600 --> 00:36:36,920
Speaker 2: that got me so hard. I don't know why I was.

659
00:36:37,120 --> 00:36:41,400
Speaker 2: I was down bad. I was like tears, you know, when.

660
00:36:41,280 --> 00:36:43,440
Speaker 1: She's standing in like the auditorium and then in the

661
00:36:43,480 --> 00:36:46,040
Speaker 1: stairs or in the audience at the auditorium and then

662
00:36:46,040 --> 00:36:48,840
Speaker 1: they go back to like the quintessential Rachel crying on

663
00:36:48,880 --> 00:36:51,960
Speaker 1: the stage singing. It was like gotta have it. It

664
00:36:52,040 --> 00:36:55,680
Speaker 1: was a great, great to end off for her as well,

665
00:36:55,880 --> 00:36:59,200
Speaker 1: like her last number, like we obviously knew we're getting

666
00:36:59,200 --> 00:37:02,480
Speaker 1: a Rachel lumber, but it was really well done on

667
00:37:02,560 --> 00:37:07,920
Speaker 1: all fronts performance and just just all the locations and

668
00:37:08,000 --> 00:37:08,719
Speaker 1: the song.

669
00:37:09,320 --> 00:37:13,600
Speaker 2: And she's Rachel has gone through a lot, and it

670
00:37:13,640 --> 00:37:15,480
Speaker 2: was I think Darren did a really good job of

671
00:37:15,560 --> 00:37:18,680
Speaker 2: capturing a lot of that of like who Rachel is,

672
00:37:18,840 --> 00:37:22,200
Speaker 2: who she's been, who's just become. And I liked the

673
00:37:22,200 --> 00:37:27,280
Speaker 2: little don't Stop Believing referonsent it and it's just it

674
00:37:27,320 --> 00:37:30,200
Speaker 2: really encapsulated like the nostalgia that we had for the

675
00:37:30,239 --> 00:37:33,600
Speaker 2: beginning of the show and the things that happened on

676
00:37:33,680 --> 00:37:37,000
Speaker 2: and off screen somehow, and obviously whenever Leah cats, it

677
00:37:37,120 --> 00:37:40,440
Speaker 2: just gets me, Oh God, I'm going to.

678
00:37:40,480 --> 00:37:42,879
Speaker 1: Re listen to this song, listen to it again.

679
00:37:43,320 --> 00:37:45,240
Speaker 2: I don't think I can.

680
00:37:45,560 --> 00:37:48,239
Speaker 1: I think I can without the context of like watching it.

681
00:37:48,600 --> 00:37:52,400
Speaker 1: But that's it though, Like it was very grounded in

682
00:37:52,600 --> 00:37:54,719
Speaker 1: like it's about the school, it's about the kids, it's

683
00:37:54,719 --> 00:37:58,600
Speaker 1: about mister Schuster fighting for it, like setting the groundwork

684
00:37:58,640 --> 00:38:01,279
Speaker 1: for like what the show was going to be, and

685
00:38:01,320 --> 00:38:05,319
Speaker 1: then coming back to it was like so so good

686
00:38:05,400 --> 00:38:08,720
Speaker 1: and so fulfilling, and I hope everybody felt that way.

687
00:38:08,800 --> 00:38:12,040
Speaker 1: And then obviously like getting I lived with everybody there

688
00:38:12,160 --> 00:38:14,520
Speaker 1: doing like this big number on the stage, and that

689
00:38:14,640 --> 00:38:17,920
Speaker 1: was so much fun to film with everybody. It was

690
00:38:17,960 --> 00:38:22,080
Speaker 1: like overwhelming because I had never really met like any

691
00:38:22,120 --> 00:38:24,279
Speaker 1: of the new kids because I wasn't around for.

692
00:38:24,280 --> 00:38:26,239
Speaker 2: Them, right, yeah, I think that was my only time

693
00:38:26,320 --> 00:38:26,960
Speaker 2: seeing Phineas.

694
00:38:27,040 --> 00:38:30,080
Speaker 3: Yeah, I don't even think I met me. It was

695
00:38:30,120 --> 00:38:32,719
Speaker 3: really really fun, like everybody was.

696
00:38:32,760 --> 00:38:34,680
Speaker 1: It was fun to have Zach and Brooke there again,

697
00:38:34,960 --> 00:38:37,640
Speaker 1: like leading us through a number and we were just

698
00:38:37,880 --> 00:38:42,640
Speaker 1: laughing and like there was no pressure. It didn't feel stressful.

699
00:38:43,080 --> 00:38:46,120
Speaker 3: Do you like some of those Everybody was like yeah, exactly.

700
00:38:46,680 --> 00:38:50,640
Speaker 2: That did feel like a celebration. I we did do

701
00:38:50,760 --> 00:38:52,839
Speaker 2: some crying at the very end of it because that

702
00:38:52,920 --> 00:38:54,920
Speaker 2: was the last number with everybody.

703
00:38:55,080 --> 00:38:57,600
Speaker 3: Was like up on a lot of our guest cast, right.

704
00:38:57,640 --> 00:39:01,080
Speaker 2: It was our last performance, like we weren't performing again.

705
00:39:02,640 --> 00:39:04,400
Speaker 1: Oh weird.

706
00:39:05,000 --> 00:39:07,000
Speaker 2: That was when I went to the recording studio and

707
00:39:07,040 --> 00:39:08,759
Speaker 2: I was just a little bitter. I didn't have more

708
00:39:08,760 --> 00:39:11,600
Speaker 2: to sing on it, and so then they gave me

709
00:39:11,640 --> 00:39:15,799
Speaker 2: all these abs They're like, yeah, you should be doing one.

710
00:39:15,920 --> 00:39:18,839
Speaker 2: Was like, thank you. I just didn't want to leave,

711
00:39:18,960 --> 00:39:21,319
Speaker 2: like I don't want to leave this recording studio yet,

712
00:39:21,360 --> 00:39:22,560
Speaker 2: Like I don't want to come in here and sing

713
00:39:22,600 --> 00:39:28,680
Speaker 2: two lines, you know. Like I was like, yeah, yeah,

714
00:39:28,760 --> 00:39:30,319
Speaker 2: so I know, we'll give you some athms. I'm like,

715
00:39:30,320 --> 00:39:33,680
Speaker 2: thank you, Like let this experience last another thirty minutes,

716
00:39:34,760 --> 00:39:38,040
Speaker 2: please please, you know. On a personal note, it was

717
00:39:38,080 --> 00:39:41,040
Speaker 2: also weird to be doing a one Republic song because

718
00:39:41,440 --> 00:39:43,799
Speaker 2: for me because in the boy band that I was

719
00:39:43,800 --> 00:39:49,279
Speaker 2: in before, the first like studio sessions we ever had,

720
00:39:49,560 --> 00:39:53,640
Speaker 2: like real studio sessions were with Ryan Tedder before when

721
00:39:53,680 --> 00:39:56,440
Speaker 2: Republic became big, they had actually just got they got

722
00:39:56,520 --> 00:40:02,000
Speaker 2: dropped during our time working together. And in some weird way,

723
00:40:02,040 --> 00:40:05,000
Speaker 2: I was like, this is so strange. Now that we're

724
00:40:05,040 --> 00:40:08,800
Speaker 2: doing one of his songs for the It was like

725
00:40:08,880 --> 00:40:12,799
Speaker 2: those two experiences had just combined here at the end. Yes,

726
00:40:13,600 --> 00:40:17,239
Speaker 2: I really enjoyed it. It was really sweet that yeah,

727
00:40:17,320 --> 00:40:20,239
Speaker 2: it was. I think I had my sister and my

728
00:40:20,280 --> 00:40:23,480
Speaker 2: mom and my niece there that day. They came and

729
00:40:23,560 --> 00:40:26,000
Speaker 2: hung out because I didn't want them. I wasn't about

730
00:40:26,000 --> 00:40:28,560
Speaker 2: to invite anybody on our actual last day because that

731
00:40:28,600 --> 00:40:31,760
Speaker 2: was like for us, right, But yeah, yeah, my nieces

732
00:40:31,760 --> 00:40:34,160
Speaker 2: and nephews like sort of grew up during that like

733
00:40:34,239 --> 00:40:37,400
Speaker 2: watching that show. Oh yeah coming there too, and you

734
00:40:37,440 --> 00:40:40,200
Speaker 2: were all, yeah, you all knew all of them so well,

735
00:40:40,880 --> 00:40:43,600
Speaker 2: and so I was like, okay, let me just have

736
00:40:43,680 --> 00:40:45,120
Speaker 2: them come and visit for a little bit.

737
00:40:45,920 --> 00:40:47,920
Speaker 1: Yeah, no, your family was our family. Like it was

738
00:40:48,200 --> 00:40:50,000
Speaker 1: so great to have like Jack and Rose there and like,

739
00:40:50,040 --> 00:40:52,440
Speaker 1: I can't believe that they were so little and then

740
00:40:52,560 --> 00:40:56,359
Speaker 1: grew up on set. It was so much fun. So

741
00:40:56,440 --> 00:41:00,600
Speaker 1: we fast forward to twenty five years later and we

742
00:41:00,680 --> 00:41:05,320
Speaker 1: learned that Rachel is a surrogate for Kurt and Blaine,

743
00:41:05,360 --> 00:41:07,640
Speaker 1: which was funny because I saw on the red carpet

744
00:41:07,680 --> 00:41:10,560
Speaker 1: for the Tonys, I think that they had asked Darren

745
00:41:10,680 --> 00:41:14,319
Speaker 1: and they had asked ross Leia like about the baby

746
00:41:14,360 --> 00:41:17,560
Speaker 1: and who. I can't remember what the question was, but

747
00:41:18,320 --> 00:41:20,239
Speaker 1: we had to be corrected because I think in my

748
00:41:20,320 --> 00:41:24,080
Speaker 1: memory also we thought it was Jesse and Rachel's baby,

749
00:41:24,360 --> 00:41:28,439
Speaker 1: but it was actually Blaine and Kurt's baby. I thought

750
00:41:28,440 --> 00:41:30,239
Speaker 1: that was so funny with like when we shot that

751
00:41:30,320 --> 00:41:33,080
Speaker 1: with like Leah with the belly and going to the

752
00:41:33,160 --> 00:41:36,440
Speaker 1: apartment and shooting. I remember shooting in that apartment. I

753
00:41:36,480 --> 00:41:40,680
Speaker 1: was very felt, very quick. And we're learning that already

754
00:41:41,000 --> 00:41:44,680
Speaker 1: Trina ended up together at the end, which we've learned

755
00:41:44,800 --> 00:41:50,000
Speaker 1: is we shall not speak of I guess and Mercedes

756
00:41:50,040 --> 00:41:53,399
Speaker 1: coming in and offering her song to us for your

757
00:41:53,520 --> 00:41:57,080
Speaker 1: short film that kind of a slam dance and yeah,

758
00:41:57,320 --> 00:42:00,880
Speaker 1: the whole thing, and yeah, just learning like endgame.

759
00:42:01,400 --> 00:42:02,520
Speaker 3: I thought that was nice.

760
00:42:02,719 --> 00:42:06,280
Speaker 1: And then of course like uh Rachel winning the Tony,

761
00:42:06,360 --> 00:42:10,120
Speaker 1: which I remember filming that day or I can't remember

762
00:42:10,120 --> 00:42:12,360
Speaker 1: if we were there or we heard about it, but

763
00:42:13,840 --> 00:42:16,239
Speaker 1: this is around the time that Kanye got up and

764
00:42:16,239 --> 00:42:18,480
Speaker 1: stole old Taylor Swift's award.

765
00:42:18,880 --> 00:42:20,600
Speaker 3: Oh yeah, and so is Andre.

766
00:42:20,320 --> 00:42:20,719
Speaker 2: Who did it.

767
00:42:22,200 --> 00:42:24,040
Speaker 3: Yes, Andre got up one of our.

768
00:42:23,880 --> 00:42:26,799
Speaker 1: Camera guys and was like, wait, wait, wait, I just

769
00:42:26,840 --> 00:42:29,439
Speaker 1: gotta I just gotta take a second and did that

770
00:42:29,520 --> 00:42:34,279
Speaker 1: like before I take and we thought it was so funny.

771
00:42:34,440 --> 00:42:35,920
Speaker 3: Yeah, I loved it.

772
00:42:36,000 --> 00:42:40,440
Speaker 1: I liked I'm not a huge fan of Fast forwards often,

773
00:42:40,640 --> 00:42:43,759
Speaker 1: but like one of the best series finales I think

774
00:42:43,800 --> 00:42:45,640
Speaker 1: to date that I will still die on a hell

775
00:42:45,719 --> 00:42:47,360
Speaker 1: for and I don't know that I have to because,

776
00:42:47,360 --> 00:42:50,360
Speaker 1: like I think people agree, is six feet Under best

777
00:42:50,400 --> 00:42:51,479
Speaker 1: serious finale ever?

778
00:42:52,200 --> 00:42:54,279
Speaker 2: Don't I haven't seen it. I've never watched I need

779
00:42:54,280 --> 00:42:56,160
Speaker 2: to watch that series. I haven't watched it.

780
00:42:56,239 --> 00:42:56,759
Speaker 3: Euse me.

781
00:42:58,040 --> 00:43:01,400
Speaker 2: I know, I know, I know, yeah I have. I

782
00:43:01,440 --> 00:43:03,239
Speaker 2: will actually should should we turn this into a six

783
00:43:03,280 --> 00:43:04,320
Speaker 2: feet Under recaun.

784
00:43:04,160 --> 00:43:12,839
Speaker 1: Get me there? I love that show six feet Under?

785
00:43:14,040 --> 00:43:16,800
Speaker 3: Wait, I love six feet Under, and I will.

786
00:43:16,880 --> 00:43:20,560
Speaker 1: I will say, Kevin, you get there because it is phenomenal,

787
00:43:20,640 --> 00:43:23,279
Speaker 1: one of the best serious finales I've ever seen. When

788
00:43:23,280 --> 00:43:25,480
Speaker 1: I was in The Spring Awakening and I was an

789
00:43:25,480 --> 00:43:28,920
Speaker 1: off stage swing, I was oftentimes like I was on

790
00:43:29,040 --> 00:43:31,360
Speaker 1: a lot because a lot of the everybody was a

791
00:43:31,360 --> 00:43:33,080
Speaker 1: big cast and people were calling on all the time.

792
00:43:33,120 --> 00:43:37,000
Speaker 1: But I would find ways to like kill time backstage,

793
00:43:37,239 --> 00:43:41,640
Speaker 1: and I was all the whole cast was big six

794
00:43:41,680 --> 00:43:43,720
Speaker 1: feet Under fans and it had just like kind of finished.

795
00:43:43,719 --> 00:43:45,600
Speaker 3: So I was like, oh, I let me catch up.

796
00:43:45,680 --> 00:43:47,600
Speaker 1: So I started watching it and people would come up

797
00:43:47,600 --> 00:43:48,920
Speaker 1: and be like, what do you watch it? And I

798
00:43:48,960 --> 00:43:52,279
Speaker 1: was six six ft under, I've got to the finale.

799
00:43:52,400 --> 00:43:56,880
Speaker 1: I was watching it. During the show, I was weeping

800
00:43:56,960 --> 00:44:00,640
Speaker 1: uncontrollably to the point where people were like what happened?

801
00:44:00,640 --> 00:44:04,640
Speaker 1: Are you okay? And like not okay, not okay? Best

802
00:44:04,640 --> 00:44:06,680
Speaker 1: serious finale, so so so so good.

803
00:44:07,960 --> 00:44:10,400
Speaker 2: I have to watch anyway, Kelly, since we were on

804
00:44:10,440 --> 00:44:11,840
Speaker 2: Glee has been telling you to watch it, and I

805
00:44:11,880 --> 00:44:15,040
Speaker 2: have watched too, Like so good.

806
00:44:16,040 --> 00:44:20,000
Speaker 1: I like the flash forward though. I thought it was great,

807
00:44:20,200 --> 00:44:23,240
Speaker 1: and I think we needed to see that win for Rachel,

808
00:44:23,560 --> 00:44:25,400
Speaker 1: you know what I mean, like after all the work

809
00:44:25,480 --> 00:44:27,879
Speaker 1: and and then also to bring it back to Will

810
00:44:27,960 --> 00:44:30,560
Speaker 1: and thanking Will who's watching on his couch, is like.

811
00:44:30,800 --> 00:44:33,040
Speaker 3: So oh God.

812
00:44:34,160 --> 00:44:37,160
Speaker 2: And also you see the growth in Rachel, like she's

813
00:44:37,200 --> 00:44:39,959
Speaker 2: a different person up there, and we get to see

814
00:44:40,040 --> 00:44:43,440
Speaker 2: like the flash forward for Curtain Blaine of them like thriving.

815
00:44:43,560 --> 00:44:48,560
Speaker 2: They just did LGBT version of Who's Afraid of Virginia

816
00:44:48,600 --> 00:44:53,200
Speaker 2: Wolf I these Almond School.

817
00:44:53,320 --> 00:44:53,799
Speaker 3: I love it.

818
00:44:53,960 --> 00:44:54,520
Speaker 1: I love it.

819
00:44:55,360 --> 00:44:57,880
Speaker 2: Yeah, Like it's all sort of, you know, in a

820
00:44:57,920 --> 00:45:00,840
Speaker 2: fantasy world of like what is the I what is

821
00:45:00,880 --> 00:45:01,800
Speaker 2: ideal for everyone?

822
00:45:01,920 --> 00:45:03,359
Speaker 3: And like it all makes sense for.

823
00:45:03,360 --> 00:45:07,839
Speaker 1: Everyone, which is funny though, because Ian I remember Ian

824
00:45:07,880 --> 00:45:10,719
Speaker 1: when he came on, was like we aren't supposed to succeed,

825
00:45:10,960 --> 00:45:12,960
Speaker 1: Like that's the truth of it. It's supposed to live

826
00:45:13,000 --> 00:45:15,080
Speaker 1: in this world where we are, you know, and then

827
00:45:15,160 --> 00:45:18,680
Speaker 1: like go back to the reality, but for leep purposes

828
00:45:18,680 --> 00:45:21,279
Speaker 1: and the fans purposes and for art selfish purposes. Like

829
00:45:21,480 --> 00:45:22,600
Speaker 1: I thought this was perfect.

830
00:45:23,120 --> 00:45:26,759
Speaker 2: Yeah, I get what he means though, I totally understand that,

831
00:45:27,080 --> 00:45:31,480
Speaker 2: and I thought that was really nice and I actually

832
00:45:31,560 --> 00:45:36,000
Speaker 2: think something they did back at McKinley makes a lot

833
00:45:36,000 --> 00:45:39,400
Speaker 2: of sense there. So there's this whole really great scene

834
00:45:39,800 --> 00:45:43,800
Speaker 2: between Blaine and Sam, and it was one of my

835
00:45:43,800 --> 00:45:47,719
Speaker 2: favorite parts of the entire episode because their friendship has,

836
00:45:47,760 --> 00:45:50,120
Speaker 2: I think has always been such like a really nice

837
00:45:51,719 --> 00:45:54,560
Speaker 2: part of the show. You have this like jock straight

838
00:45:54,600 --> 00:45:58,840
Speaker 2: guy and this out gay guy and their BFFs, and

839
00:45:58,880 --> 00:46:01,319
Speaker 2: it's just been like is really important for the show.

840
00:46:01,600 --> 00:46:04,600
Speaker 2: And the fact that they get a scene and you know,

841
00:46:04,960 --> 00:46:06,799
Speaker 2: Blaine is trying to convince him to move to New

842
00:46:06,880 --> 00:46:11,880
Speaker 2: York before we flash forward to come be roommates with

843
00:46:11,920 --> 00:46:13,480
Speaker 2: he and Kurt. They have an extra room and he

844
00:46:13,680 --> 00:46:15,359
Speaker 2: wants him to be there because he has everybody there

845
00:46:15,360 --> 00:46:19,040
Speaker 2: except him, and I really liked that. Sam's like, no,

846
00:46:19,080 --> 00:46:22,680
Speaker 2: it's not for me. This is where I belong, and

847
00:46:22,960 --> 00:46:25,600
Speaker 2: Blaine's just like, I just want you to not waste

848
00:46:25,640 --> 00:46:27,240
Speaker 2: your talents, and he's like, I'm not going.

849
00:46:27,080 --> 00:46:31,000
Speaker 1: To the choir room as the new mister Shoe.

850
00:46:32,680 --> 00:46:33,080
Speaker 2: Amazing.

851
00:46:33,080 --> 00:46:35,440
Speaker 1: It also like ties in the idea that like he

852
00:46:35,560 --> 00:46:38,480
Speaker 1: was taking over the leadership position when Finn dies, Like

853
00:46:38,560 --> 00:46:42,080
Speaker 1: it's just it really also brings that around and puts

854
00:46:42,080 --> 00:46:43,879
Speaker 1: a nice little fine point on all of it.

855
00:46:44,200 --> 00:46:46,440
Speaker 2: Yeah, And I don't think it's necessarily that obvious that

856
00:46:46,440 --> 00:46:47,480
Speaker 2: you would think Sam would be.

857
00:46:47,400 --> 00:46:49,879
Speaker 3: A teacher totally, but we love it for him.

858
00:46:50,600 --> 00:46:52,840
Speaker 2: He cares so deeply and I think that was like

859
00:46:52,880 --> 00:46:56,160
Speaker 2: the biggest part of Mister Shoe. Mister Shue just cares

860
00:46:56,320 --> 00:46:58,520
Speaker 2: so deeply about all these kids.

861
00:46:58,680 --> 00:46:58,839
Speaker 1: Yep.

862
00:46:59,200 --> 00:47:02,640
Speaker 2: And I think how we saw Sam looking out for

863
00:47:02,960 --> 00:47:06,560
Speaker 2: the football players, that Sam was going to be looking

864
00:47:06,600 --> 00:47:10,360
Speaker 2: out for all these glee club members and I forgot

865
00:47:10,400 --> 00:47:12,400
Speaker 2: that happened. I had no memory of that happening, and

866
00:47:12,440 --> 00:47:14,600
Speaker 2: I loved it. I was surprised.

867
00:47:14,600 --> 00:47:17,960
Speaker 1: I was like, oh, well, there's just so much that

868
00:47:18,000 --> 00:47:19,120
Speaker 1: happens in this episode.

869
00:47:21,200 --> 00:47:24,200
Speaker 2: In the flash forward, we also get a little artient Tina.

870
00:47:24,760 --> 00:47:26,680
Speaker 2: I just wanted to talk about how awkward it was

871
00:47:27,000 --> 00:47:34,120
Speaker 2: us kissing. Oh God, by that point, we had, you know,

872
00:47:34,160 --> 00:47:36,520
Speaker 2: in the early days, it was like fun, fine, we

873
00:47:36,520 --> 00:47:40,080
Speaker 2: were probably doing that drunkenly anyway. And then it's like

874
00:47:41,760 --> 00:47:44,680
Speaker 2: we had lived lives, We've.

875
00:47:44,480 --> 00:47:49,560
Speaker 3: Grown, We're kissing. We kissing, And there was.

876
00:47:49,520 --> 00:47:51,440
Speaker 2: One take we had to like make out for a

877
00:47:51,480 --> 00:47:51,920
Speaker 2: while and.

878
00:47:51,880 --> 00:47:56,680
Speaker 1: We're both like this, oh, that's right while, and then

879
00:47:56,719 --> 00:47:58,080
Speaker 1: the camera came in or.

880
00:47:58,040 --> 00:48:02,319
Speaker 2: Something yes, and then we realized we're probably not even

881
00:48:02,360 --> 00:48:04,640
Speaker 2: in the shop anymore and we're still making out.

882
00:48:04,880 --> 00:48:07,400
Speaker 1: Welcome to my life. I'm Glee. I literally had to

883
00:48:07,400 --> 00:48:11,600
Speaker 1: make out truly with multiple people. I know that sounds like,

884
00:48:11,760 --> 00:48:14,239
Speaker 1: oh poor me, but like Harry and I make it

885
00:48:14,239 --> 00:48:17,440
Speaker 1: out during jarg of hearts, literally laughing into each other's mouths,

886
00:48:17,680 --> 00:48:20,840
Speaker 1: and then Corn and I during that the lock in

887
00:48:21,480 --> 00:48:25,000
Speaker 1: and that, and then us just like unnecessarily having to kiss.

888
00:48:25,040 --> 00:48:27,600
Speaker 1: It's ridiculous, but here we are.

889
00:48:27,920 --> 00:48:30,759
Speaker 2: Which I also realized they had to do because there

890
00:48:30,800 --> 00:48:33,040
Speaker 2: was no way to show already getting up into that

891
00:48:33,080 --> 00:48:36,880
Speaker 2: walk up, so they had to just pan away. And

892
00:48:36,880 --> 00:48:39,000
Speaker 2: then ARTI was magically going to be into the apartment.

893
00:48:40,680 --> 00:48:42,600
Speaker 1: He was not handicap before then.

894
00:48:44,640 --> 00:48:47,000
Speaker 3: We were like, how did already get in here?

895
00:48:47,280 --> 00:48:50,120
Speaker 1: And I think I think Balchuk was around for that

896
00:48:50,200 --> 00:48:52,719
Speaker 1: one that day, and I think he was like, they

897
00:48:52,800 --> 00:48:53,759
Speaker 1: just carried you up.

898
00:48:55,760 --> 00:48:56,240
Speaker 3: Obviously.

899
00:48:56,440 --> 00:49:04,200
Speaker 1: Yi, I think that's it. Let's create some Oh, let's

900
00:49:04,200 --> 00:49:05,360
Speaker 1: create some performances.

901
00:49:07,000 --> 00:49:10,240
Speaker 3: No, no, okay.

902
00:49:10,680 --> 00:49:13,720
Speaker 2: Okay, teach your children.

903
00:49:14,880 --> 00:49:19,359
Speaker 1: It's just a infinity. Yeah, a infinity because we were

904
00:49:19,920 --> 00:49:23,840
Speaker 1: the performance. Yeah, exactly. Someday we'll be together. A plus

905
00:49:23,840 --> 00:49:25,200
Speaker 1: plus plus plus plus.

906
00:49:25,840 --> 00:49:30,640
Speaker 2: Yeah, agreed, Winner takes it all, A plus, A.

907
00:49:30,680 --> 00:49:36,480
Speaker 3: Plus, A plus daydream Believer, Hey, A plus A.

908
00:49:37,040 --> 00:49:40,479
Speaker 1: Yeah, it's not giving everybody. It was great.

909
00:49:40,520 --> 00:49:42,520
Speaker 3: Also, kurts Hair both are there.

910
00:49:42,560 --> 00:49:45,959
Speaker 2: They both had a blowout, giving me.

911
00:49:45,840 --> 00:49:46,600
Speaker 3: Like Simon and Graf.

912
00:49:47,040 --> 00:49:51,279
Speaker 1: Okay, this time A plus plus A plus and I

913
00:49:51,440 --> 00:49:53,160
Speaker 1: live A plus man, all right.

914
00:49:53,080 --> 00:49:55,120
Speaker 3: Yeah, I'm giving D plus. This is just an A

915
00:49:55,239 --> 00:49:55,920
Speaker 3: plus episode.

916
00:49:56,000 --> 00:49:58,160
Speaker 2: Yeah, it's just it is what it is, you know.

917
00:49:58,160 --> 00:50:03,480
Speaker 3: Okay, Hardy oh, Tardi takes Kevin.

918
00:50:04,440 --> 00:50:07,200
Speaker 1: You remember when Paris came on for the first time

919
00:50:07,239 --> 00:50:10,759
Speaker 1: and said they're auchies and now we're here. Yeah, it's

920
00:50:10,760 --> 00:50:11,840
Speaker 1: been a long journey.

921
00:50:12,000 --> 00:50:12,960
Speaker 3: Let's do some ouchies.

922
00:50:13,719 --> 00:50:17,480
Speaker 2: Honestly, were there any No.

923
00:50:17,400 --> 00:50:20,359
Speaker 1: I mean very If there's anything we missed it, which

924
00:50:20,400 --> 00:50:24,680
Speaker 1: is bad, but no, I wouldn't. I didn't have any

925
00:50:24,800 --> 00:50:30,520
Speaker 1: huge qualms this episode. Best dance move I lived, walking.

926
00:50:30,640 --> 00:50:34,040
Speaker 2: In lines, Yeah, pretty much.

927
00:50:34,640 --> 00:50:38,480
Speaker 1: Best song, Oh my gosh, this is well. Are we

928
00:50:38,520 --> 00:50:42,840
Speaker 1: singing song or performance some day We'll be together? Or

929
00:50:42,880 --> 00:50:43,960
Speaker 1: I lived.

930
00:50:44,680 --> 00:50:46,799
Speaker 2: I'm gonna say I lived, just because it had sent

931
00:50:47,000 --> 00:50:49,400
Speaker 2: the most people on it. Yeah.

932
00:50:49,640 --> 00:50:55,960
Speaker 1: Performance by a prop rachels Tony. I mean.

933
00:50:57,520 --> 00:50:58,760
Speaker 2: The Finn Hudson plaque.

934
00:50:58,920 --> 00:50:59,840
Speaker 3: Oh, the plaques.

935
00:51:00,280 --> 00:51:04,960
Speaker 1: Oh yeah, to remember in the episode when they take

936
00:51:05,000 --> 00:51:08,120
Speaker 1: the black with us, when we like take the black, Yes,

937
00:51:09,920 --> 00:51:12,680
Speaker 1: best line Sue's speech.

938
00:51:14,040 --> 00:51:19,120
Speaker 2: Yeah, Sue, Rachel's speeches. Yeah, excellent. I mean Jane also

939
00:51:19,160 --> 00:51:24,440
Speaker 2: had some very funny yes truly earlier in the episode.

940
00:51:24,640 --> 00:51:27,840
Speaker 1: You can't miss those in the faintal episode performance MVP,

941
00:51:29,800 --> 00:51:33,400
Speaker 1: I'm going with Leah and Natt an honorable mention to

942
00:51:33,480 --> 00:51:35,680
Speaker 1: Jane and then honorable mention to the ensemble.

943
00:51:37,400 --> 00:51:39,160
Speaker 2: I think it's just I think it's Leah, Matt and

944
00:51:39,200 --> 00:51:40,120
Speaker 2: Jane three way tight.

945
00:51:40,440 --> 00:51:43,960
Speaker 1: Yeah yeah, yeah, okay, fine, excellent, very.

946
00:51:43,760 --> 00:51:47,720
Speaker 2: Good, excellent, well done all around, what a great episode.

947
00:51:47,719 --> 00:51:50,560
Speaker 2: I genuinely really like what I want to know what

948
00:51:50,560 --> 00:51:51,200
Speaker 2: everybody thinks.

949
00:51:51,239 --> 00:51:54,040
Speaker 1: I was like waiting to watch this episode because I

950
00:51:54,120 --> 00:51:55,839
Speaker 1: was like, oh, I don't want it to be over

951
00:51:56,280 --> 00:51:58,439
Speaker 1: but I wanted to be like special and I wanted

952
00:51:58,440 --> 00:52:01,319
Speaker 1: to don't watch it, and then I I lost track

953
00:52:01,360 --> 00:52:03,120
Speaker 1: of time and was like rushing around watching it, and

954
00:52:03,160 --> 00:52:04,360
Speaker 1: I still felt all the.

955
00:52:04,440 --> 00:52:07,080
Speaker 2: Things you ready for. Some shit we found on TikTok.

956
00:52:08,280 --> 00:52:11,120
Speaker 2: We have a couple of them today. Jenna pop Culture

957
00:52:11,200 --> 00:52:16,799
Speaker 2: Jeopardy asked in the category but I'm a cheerleader. The

958
00:52:16,920 --> 00:52:22,439
Speaker 2: Unholy Trinity on Glee were these three cheerleaders and only

959
00:52:22,440 --> 00:52:22,839
Speaker 2: one person.

960
00:52:23,520 --> 00:52:28,239
Speaker 1: I was actually watching this, like watching this episode and

961
00:52:28,520 --> 00:52:32,920
Speaker 1: caught that question and was like, come on, you guys.

962
00:52:33,719 --> 00:52:35,080
Speaker 2: There's been a couple of Glee questions.

963
00:52:35,239 --> 00:52:40,920
Speaker 1: Definitely love the show. Love other three Glee questions on there.

964
00:52:41,880 --> 00:52:44,600
Speaker 2: The one guy did say Diana, but it's not the

965
00:52:44,680 --> 00:52:48,279
Speaker 2: character name, so like you know, and this other one

966
00:52:48,400 --> 00:52:54,640
Speaker 2: is I okay. Someone said the art of Lizzie posted

967
00:52:54,760 --> 00:52:56,839
Speaker 2: and says, I'm about to watch Glee for the first time.

968
00:52:56,920 --> 00:52:59,680
Speaker 2: Tell me something I won't understand until I finish, And

969
00:52:59,719 --> 00:53:03,160
Speaker 2: so we have to read some comment because they're so good.

970
00:53:03,920 --> 00:53:10,440
Speaker 2: Someone said key dollar sign ha, nice haircut, Mercedes, but

971
00:53:10,480 --> 00:53:16,600
Speaker 2: I thought you graduated. Jig Sauce sou Sylvester end quotes.

972
00:53:16,680 --> 00:53:21,239
Speaker 2: At least it wasn't an active crack house. I want

973
00:53:21,239 --> 00:53:23,680
Speaker 2: to get married now I have Jim.

974
00:53:24,239 --> 00:53:26,080
Speaker 3: I like he's in my bagel but not in my muff.

975
00:53:29,280 --> 00:53:31,640
Speaker 2: Fon du for two, Fondu for two, some hot dish

976
00:53:31,719 --> 00:53:35,120
Speaker 2: von du for two. Oh, she has a family. She's

977
00:53:35,160 --> 00:53:35,600
Speaker 2: a mother.

978
00:53:36,560 --> 00:53:37,600
Speaker 3: Run Joey rod.

979
00:53:39,480 --> 00:53:40,200
Speaker 2: Oh, my favorite.

980
00:53:40,200 --> 00:53:40,759
Speaker 3: Who wrote this?

981
00:53:40,920 --> 00:53:46,680
Speaker 2: Tina?

982
00:53:48,280 --> 00:53:50,000
Speaker 1: A little purse just fell out of my mouth.

983
00:53:53,320 --> 00:53:55,239
Speaker 2: Hi, my name is Kurtain Hummeline. I'm auditioning for the

984
00:53:55,280 --> 00:53:55,880
Speaker 2: role of Kicker.

985
00:53:56,040 --> 00:54:00,439
Speaker 3: Who is Josh Grobe. It's just some moist.

986
00:54:00,480 --> 00:54:05,319
Speaker 2: Talette's so good. No, she's dead.

987
00:54:05,360 --> 00:54:08,600
Speaker 3: This is her son Lima Heights adjacent.

988
00:54:09,600 --> 00:54:11,480
Speaker 2: You ain't going to give birth to no child. You

989
00:54:11,480 --> 00:54:13,240
Speaker 2: are going to give birth to a grandchild.

990
00:54:14,320 --> 00:54:16,640
Speaker 1: This is a good I am like tinker bellfin I

991
00:54:16,680 --> 00:54:29,600
Speaker 1: need applause to live. So good, you guys is good.

992
00:54:29,680 --> 00:54:30,400
Speaker 3: It's my favorite.

993
00:54:30,800 --> 00:54:36,800
Speaker 2: Oh, Bambie, I cried so hard when they killed your mom.

994
00:54:37,440 --> 00:54:42,239
Speaker 2: My God, my up, wow, God. There's a lot of

995
00:54:42,800 --> 00:54:44,240
Speaker 2: run Joey run, grilled cheese.

996
00:54:44,320 --> 00:54:47,479
Speaker 3: And she's exactly really good.

997
00:54:47,719 --> 00:54:49,360
Speaker 1: That's great, excellent.

998
00:54:49,160 --> 00:54:53,359
Speaker 2: Really excellent, very exciting, very good. Good luck watching Glee.

999
00:54:53,400 --> 00:54:53,680
Speaker 3: Lizzie.

1000
00:54:53,800 --> 00:54:54,960
Speaker 2: Let us know right.

1001
00:54:56,360 --> 00:55:01,000
Speaker 1: Back to the beginning. Okay, know what's coming.

1002
00:55:01,520 --> 00:55:02,359
Speaker 3: We still have more to come.

1003
00:55:02,520 --> 00:55:03,279
Speaker 1: What's happening, Kevin.

1004
00:55:04,960 --> 00:55:10,120
Speaker 2: We have some great guests, very excited for that. We

1005
00:55:10,160 --> 00:55:13,759
Speaker 2: have season six favorites, we have series favorites. We're going

1006
00:55:13,840 --> 00:55:16,480
Speaker 2: to do our glee eras tour list.

1007
00:55:17,000 --> 00:55:19,040
Speaker 1: With Andrew hopefully.

1008
00:55:20,000 --> 00:55:22,680
Speaker 2: Yes, we're not done, and they're going to be good.

1009
00:55:23,280 --> 00:55:25,320
Speaker 2: We've been very excited about this and thinking about this

1010
00:55:25,360 --> 00:55:29,200
Speaker 2: for a long time obviously, so stick around. There will

1011
00:55:29,280 --> 00:55:32,080
Speaker 2: there will be plenty more to listen to and we're

1012
00:55:32,080 --> 00:55:32,720
Speaker 2: not going anywhere.

1013
00:55:32,760 --> 00:55:35,120
Speaker 1: And I just want to say thank thank you to

1014
00:55:35,200 --> 00:55:38,560
Speaker 1: everybody for coming on this journey with us. It's been

1015
00:55:38,719 --> 00:55:42,360
Speaker 1: one hundred and twenty one episodes. You've come along for

1016
00:55:42,440 --> 00:55:48,240
Speaker 1: the ride through the good and the bad and and

1017
00:55:48,400 --> 00:55:52,880
Speaker 1: the tough. So we really appreciate you, guys, and we

1018
00:55:52,960 --> 00:55:56,000
Speaker 1: love doing this for you and for us, and we've

1019
00:55:56,040 --> 00:55:56,960
Speaker 1: had so much fun.

1020
00:55:57,160 --> 00:56:00,480
Speaker 2: And shout out to iHeart for being like the best

1021
00:56:01,040 --> 00:56:05,920
Speaker 2: partner in this and Sam our incredible producer there. You know,

1022
00:56:06,239 --> 00:56:08,680
Speaker 2: Sam makes all of this possible and it makes all

1023
00:56:08,760 --> 00:56:10,880
Speaker 2: of this happen, and iHeart has just been a dream

1024
00:56:11,640 --> 00:56:13,839
Speaker 2: to work for. And they're not forcing me to say this.

1025
00:56:15,120 --> 00:56:17,400
Speaker 2: We generally have had the best experience, and we're going

1026
00:56:17,440 --> 00:56:20,400
Speaker 2: to keep doing this. We're going to keep going, So

1027
00:56:21,239 --> 00:56:23,239
Speaker 2: thank you to all of you to help make the

1028
00:56:23,239 --> 00:56:25,799
Speaker 2: show happen. Thank you to all of you who listen to.

1029
00:56:25,800 --> 00:56:28,280
Speaker 3: Us and see you next week.

1030
00:56:28,680 --> 00:56:31,839
Speaker 2: Thanks for listening and follow us on Instagram at and

1031
00:56:31,920 --> 00:56:34,160
Speaker 2: that's what you really miss pod. Make sure to write

1032
00:56:34,200 --> 00:56:36,480
Speaker 2: us a review and leave us five stars. See you

1033
00:56:36,480 --> 00:56:36,919
Speaker 2: next time.