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Speaker 1: The volume.

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Speaker 2: Nah nah, we were rolling, yo, somebody hit who about

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Speaker 2: the clock? Baby Dan show with the smiling and ship

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Speaker 2: give herself really text messages?

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Speaker 3: Start the clock? You at work? All right? Clock in

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Speaker 3: you know how you punched the clock? Punched the goddamn clock,

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Speaker 3: Baby D? All right, how you feeling? How's everybody feeling? Listen?

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Speaker 2: Thank you to everybody that came to the mixer on Friday.

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Speaker 3: Oh yeah, we're gonna get into that salute that everybody was.

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Speaker 2: Good to see people that you know, support the show,

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Speaker 2: came out, had a good time, you know what I mean.

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Speaker 2: Good to see the faces and had the conversations. Shout

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Speaker 2: out to my man pe me and peace shut the

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Speaker 2: spot down. I have a questions I don't know, and

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Speaker 2: Baby D y'all left that. It was like eleven thirty

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Speaker 2: and ninety see y'all after that.

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Speaker 3: I have questions me and PJ and what's on P five?

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Speaker 3: Who's counting five? We'll get to that, but again, shouts

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Speaker 3: everyone that came out. For those that don't know, some

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Speaker 3: of our listeners on Discord and Patreon came through to

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Speaker 3: the office to kick it. You know. We shot a

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Speaker 3: little private podcast just for just for us. Though like

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Speaker 3: type of thing and it was fun.

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Speaker 2: Conversation was a conversation was interesting to say, that's great,

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Speaker 2: very interesting. I didn't realize we had some people following

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Speaker 2: us that have they have some lives, so many issues,

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Speaker 2: issues at home and things going on in their lives.

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Speaker 4: But it was good to see.

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Speaker 3: Yeah, it was cool to kick it with with some

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Speaker 3: of the listeners. Shout out to Dorry. Dorry was out there,

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Speaker 3: new Dori and Mall.

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Speaker 2: Yes, some people mad, but it is what it is,

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Speaker 2: you know what I'm saying. All coming soon.

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Speaker 3: Yeah. Yeah, Dory ELTs organized everything she flew from Atlanta,

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Speaker 3: which I thought was was amazing.

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Speaker 4: Yeah. Shout out to Knie Knee. Shout out the Ki Ki.

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Speaker 2: I'm gonna kick your ass next time I see you,

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Speaker 2: but we'll talk about that another time.

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Speaker 1: Let her so no, no, Ki, hopefully your sober today. Went

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Speaker 1: to the gym the next day. That bitch better than me.

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Speaker 3: She got the mickey.

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Speaker 4: May I take back everything I said.

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Speaker 2: Salute to you, warrior, warrior, because you was ripped when

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Speaker 2: you left here. So the fact that you got up

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Speaker 2: and made it to the gym the next day, I

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Speaker 2: gotta salute you.

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Speaker 4: You got a steal stomach.

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Speaker 3: Yeah, and you know, ga, I gave him a little treat.

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Speaker 3: I was on the wheels steal for a little bit.

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Speaker 3: Who is that at Chrue?

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Speaker 4: I think that's when everybody started leaving.

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Speaker 3: You know, y'all stayed till five am. Now I left

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Speaker 3: around yeah, eleven eleven thirty. This is the second time

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Speaker 3: you and Peach have shut down the office. Party shut

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Speaker 3: it down five am. Shut it down me and Peach.

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Speaker 2: You are the last person I would ever think would

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Speaker 2: stay somewhere till five am. And like all the listeners,

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Speaker 2: what this is like to this is like being at well,

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Speaker 2: this is the office, It's like being at the crib.

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Speaker 3: So yeah, this is not I've slept here before, So

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Speaker 3: I guess I've shut it down.

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Speaker 2: You shut it down in and woke it back up,

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Speaker 2: like yeah, so yeah, know, well we were just in

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Speaker 2: here talking shit, laughing, and then you know some of

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Speaker 2: the some of the people stayed, they stayed with us too.

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Speaker 2: They probably left four thirty. Then me and Peach cleaned

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Speaker 2: up a little bit and went home.

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Speaker 3: But it was cool, though. What time did you get

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Speaker 3: on six? I just feel like anytime you gotta stay

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Speaker 3: out till five it should be to like get some cheeks. Yeah,

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Speaker 3: I mean cheekless at six fifteen coming up there.

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Speaker 4: You know I would have cheek listen, cheeklesten west.

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Speaker 3: Yes, ude was like a rom com.

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Speaker 4: Yeah I was cheekless. But it's okay.

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Speaker 2: Sometimes you got to do that when you know what

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Speaker 2: I'm saying, just considered, you know, working and kicking it

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Speaker 2: with people that support you, so.

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Speaker 3: You guys have some stamina. I was exhausted.

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Speaker 4: I mean it was it was you know, it was

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Speaker 4: a cool vibe, man chilling And.

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Speaker 3: Did the conversation get wilder because at eleven pm it

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Speaker 3: was fucking nuts.

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Speaker 2: Nah, it didn't get wilder. It was just like literally

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Speaker 2: kicking it with people that you know, support you and

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Speaker 2: know so much about you. And you know, I was

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Speaker 2: sitting there kicking it with them, just trying to get

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Speaker 2: to know them a little bit and looked up and

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Speaker 2: was like, oh shit, is like four in the morning.

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Speaker 4: So yeah, in the back time you start.

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Speaker 2: Minding down and eding was he shout out to Eddon,

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Speaker 2: had to pack up the equipment, had to get his

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Speaker 2: you know, his immigration papers together, things like that, and

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Speaker 2: you know, had a good time.

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Speaker 3: Me and Damarius were joking before you got here. You

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Speaker 3: were pretty direct with with our listeners when we were

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Speaker 3: having that our panel pod. You was giving it up

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Speaker 3: crazy now.

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Speaker 1: I was saying, man, girl is crazy, Like this girl

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Speaker 1: dead on her face and said.

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Speaker 2: Oh so you are, Like whoa what said? But see

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Speaker 2: why it is different is because she knows me. She

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Speaker 2: knows my personality.

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Speaker 4: She knows that. I'm not literally saying I think she's

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Speaker 4: a whole.

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Speaker 2: I'm saying her situation, her relationship, her circumstances.

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Speaker 3: Came off a little hoe ish, that's all.

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Speaker 2: But I'm not really calling her a whole, Like I

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Speaker 2: wouldn't do that to a woman that has no idea

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Speaker 2: who I am, doesn't know my personality, like you know

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Speaker 2: what I mean, the fact that she's a supporter of

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Speaker 2: the show, she knows I'm just talking shit.

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Speaker 3: Well, we preferred what was it, non practicing monogamy, ethical

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Speaker 3: non monogamy.

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Speaker 2: I didn't even hear ethical Friday. This is the first

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Speaker 2: time they put right right.

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Speaker 3: Right monogamy, ethical non monogamy.

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Speaker 4: Ethical non monogamy. Do you subscribe to that lifestyle?

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Speaker 2: Baby?

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Speaker 3: Do not anymore? But wait, hold on, breaking news, pease

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Speaker 3: put the breaking news theme right here? When did you

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Speaker 3: ever like you know we've.

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Speaker 1: Had that conversation before that I was a a relationship

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Speaker 1: with somebody who's dating a girl. That's ethical nom monogamy.

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Speaker 1: You know that I'm that I'm stepping out.

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Speaker 4: I do remember that.

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Speaker 1: Yeah, I don't know if ethical means that you're honest

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Speaker 1: about not being monogamous.

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Speaker 4: That's what ethical means.

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Speaker 1: Yeah, you're being honest with all parties about not being monogamous.

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Speaker 1: Some people are, some people are not monogamous, and ethics

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Speaker 1: at all.

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Speaker 3: If you get caught cheating, I feel like you can

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Speaker 3: just say, now, I didn't cheat. I was practicing non

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Speaker 3: monogamy ethically. No, that's not because because you buy no

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Speaker 3: ethics ethics, but it's not cheating. It's practicing non monogamy.

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Speaker 3: That's all it is. Why, Well we are back. We're spoonstered. Spoonstered. Look,

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Speaker 3: I have my tempts and if I have a list today,

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Speaker 3: if I start drooling out of the side of my mouth,

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Speaker 3: I thought I.

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Speaker 4: Thought the number I thought she was on perks.

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Speaker 3: I thought the numbness would come out, like because they

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Speaker 3: put it's not novacan anymore. What is it that they

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Speaker 3: numb your mouth at the dentist.

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Speaker 4: It's some novacare. It was like the gel and just

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Speaker 4: rubed it on your gums.

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Speaker 2: No, it was a needle like shot into my Oh yeah,

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Speaker 2: that's that's some novakaing in it.

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Speaker 3: So they said it would only last an hour. I'm

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Speaker 3: going on about hour five and I can't say my ess.

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Speaker 4: You have done this morning?

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Speaker 3: Okay?

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Speaker 2: Yeah, and my pause jaw is fucking killing me. I

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Speaker 2: about to say, I see a little swelling in your face.

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Speaker 3: Yeah, but yeah, shout out to everybody at a Glendale

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Speaker 3: dentistry in Queens. Oh it's a lot, but they were

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Speaker 3: very kind and gentle with everything. But yes, they saw

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Speaker 3: your teeth down like it's crazy. Especially it's nuts. But

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Speaker 3: the smile to finished product is going to be amazing.

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Speaker 2: Yeah, and you'll have more comp You'll be more secure

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Speaker 2: as a man, you know, you'll be you'll start smiling more.

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Speaker 2: You'll start going outside for walks more, you become more

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Speaker 2: active in your daughter's life, you know, things like that.

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Speaker 2: That's what having this is what having a beautiful smile.

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Speaker 2: These are the things they tell you, like these are

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Speaker 2: I've seen the commercials. They tell you how much it's

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Speaker 2: going to improve your life.

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Speaker 3: Yeah, I got invited to my daughter's second birthday, and

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Speaker 3: that was like, nah, you see my teeth. I can't

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Speaker 3: can't be. I can't my daughter like these teeth. I

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Speaker 3: had to have the Hollywood sile. Shout out to the

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Speaker 3: Glendale Didistry. Off forgiven my guy's Hollywood smile, and now

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Speaker 3: he can have a happy home. Yeah, And we were

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Speaker 3: going through because they have like different shades. They have

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Speaker 3: the one that's like more natural looking white, and then

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Speaker 3: they just have the straight up like white office wall

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Speaker 3: type ship. And now I see where I lie. I'll

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Speaker 3: be sucking up with with veneers. I didn't know some

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Speaker 3: of y'all even had the option. I thought like, all right,

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Speaker 3: you just went to a shitty doctor. Just the shade. Yeah,

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Speaker 3: the shade is crazy, Like those teeth are so white

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Speaker 3: that I was like, all right, how can I get

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Speaker 3: something whiter than my own face? Like, let's go with

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Speaker 3: the more natural tooths. But can you say, what's their

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Speaker 3: name again? Glendale Dentistry. Okay, yeah, queens, they're great, but

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Speaker 3: hold on, why.

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Speaker 1: Are you asking what? Because I need some work tie

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Speaker 1: on my teeth. I need some work done on my teeth.

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Speaker 1: I need a root canal, and I need up I

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Speaker 1: need my teeth white end.

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Speaker 3: I'll bring you over there.

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Speaker 1: Introduce you, okay, put me on. I made content too,

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Speaker 1: like you just shout him out.

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Speaker 3: I made content, tell him large margin sent you. I

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Speaker 3: got you all. You don't want getting under they were

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Speaker 3: doctor oz You guys make content together. I don't think

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Speaker 3: I need veneers. You don't you a little bit of

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Speaker 3: an underbite? But I have an Underdo I have an overbite?

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Speaker 3: Under bite?

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Speaker 2: It was something was biting you should I got you

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Speaker 2: think biting my mouth for like a cash registered Why

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Speaker 2: she trying to play me right now? Like that's you

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Speaker 2: look at my mouth and think that my mouth was

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Speaker 2: like an open cash drop. He push his nose, like

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Speaker 2: you mean I got an underbite. I got no fucking underbite,

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Speaker 2: and you talking about that's hilarious. She said, I got

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Speaker 2: an underbite, that's hilarious. I don't know fucking underbite.

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Speaker 3: Joking?

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Speaker 4: Yeah, you got an underbite?

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Speaker 3: No the funk? I don't.

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Speaker 2: If I had an underbite, I would have been at

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Speaker 2: Glenn Didnistry years. You got me twisted underbite, nah man,

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Speaker 2: not me? Well, I mean Tomas.

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Speaker 3: He can't come at both of us because it looks

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Speaker 3: like he got a few changes happened with him this weekend. Me.

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Speaker 2: Yeah, man, come on, I just got my hair braided. Yeah,

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Speaker 2: good show, show show the people. No, I'm not doing

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Speaker 2: I couldn't. I couldn't put my hat on. I couldn't

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Speaker 2: put a scully on. I couldn't put it, I couldn't

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Speaker 2: put nothing.

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Speaker 4: On my head.

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Speaker 2: I was like, I gotta either I'm gonna cut on

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Speaker 2: my hair off. I didn't want to do that because

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Speaker 2: it's you know, it's cold, So choose some hair on

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Speaker 2: my head.

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Speaker 3: Okay, dude, you want to shout him out Glendale hair braided.

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Speaker 2: Shut out to Glendale hair braiders. Now shout out to

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Speaker 2: my girl, Camilla. Man, she always she's the girl, only

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Speaker 2: girl that ever is braided my head.

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Speaker 3: So if they go to her and use code roy Mare, well.

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Speaker 2: Used cold yeah, used collroy Mare, you'll get tempercent off

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Speaker 2: your next hair appointment.

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Speaker 3: Dope, don't say that till somebody does it. She's like,

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Speaker 3: what are you talking about? Yeah, yeah, yeah, I don't

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Speaker 3: want to say that. But shout out the Camilla though.

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Speaker 3: But yeah, hopefully this this numbness goes down. So because

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Speaker 3: I have a full lisp, well.

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Speaker 2: It's good that you know you can't talk much because

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Speaker 2: you already talked yourself into a bit of a funk

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Speaker 2: over the last few days, so you deemed to shut

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Speaker 2: up for a few days anyway, So there you go, Glendale.

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Speaker 3: Thank you for shutting him up for a couple of days.

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Speaker 2: The Lord's word. Yeah, thank you, Glendale Dentistry. Thank you.

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Speaker 2: Over the weekend though, we did get a lot of

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Speaker 2: good music. We did what you want to start with

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Speaker 2: our guy. Hey, Floren, he shout out to Wala. Everything

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Speaker 2: is too much. That's the name of it, right, You know,

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Speaker 2: I'm terrible with titles. Everything is Everything is a lot.

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Speaker 2: Everything is a lot. Everything is a lot. Shut out

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Speaker 2: to Wala, everything is a lot. Incredible album. You know

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Speaker 2: you did what the fuck you had to do? Too

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Speaker 2: many fredos and.

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Speaker 3: Not enough boats. No, he went crazy, too many fredos

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Speaker 3: and not enough boats.

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Speaker 2: What he's saying, Rory is there are too many liabilities

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Speaker 2: and not enough assets.

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Speaker 4: That's what he's That's what he was saying.

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Speaker 2: I'm putting in lame his terms for too many liabilities

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Speaker 2: not enough assets.

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Speaker 3: It is kind of crazy to me that Wile is

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Speaker 3: still getting better at rapping at this point in his career.

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Speaker 3: But I mean he's rap up. We talked about don't have.

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Speaker 2: Wile is one of the artists that is very He

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Speaker 2: pays attention to detail. He's very you know, everything has

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Speaker 2: to be a certain way, certain aesthetic, like he understands

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Speaker 2: what it is to be an artist on a full scale.

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Speaker 2: For whatever reason, people don't like wile And you know,

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Speaker 2: we talk about the time people say wile is corny, whateverever.

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Speaker 2: Dumb ass mon balls usually say that that's a fact.

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Speaker 2: But one thing nobody can stand in front of me

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Speaker 2: and say is that wile A makes whack albums. Wil

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Speaker 2: A makes whack music while A can't rap, Like we

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Speaker 2: can put all of that shit to bed. Wile A

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Speaker 2: is an incredible, incredible artist to me as far as

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Speaker 2: just my taste level, I think this album, this project

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Speaker 2: that he put out is right on par with everything

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Speaker 2: else Wiler has ever put out, just being a Stickler

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Speaker 2: or Karen. I just some of the mixes on certain

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Speaker 2: songs I hate. It's like, you know, I like to

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Speaker 2: I like for that music to really be loud. I

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Speaker 2: like the vocals to be to pierce through, to speak

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Speaker 2: is like. But you know, other than that, outside of that,

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Speaker 2: another flowless project from Wile as far as I'm concerned.

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Speaker 3: Yeah, oh my personal opinion, I can I feel comfortable

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Speaker 3: saying Wile has one of my favorite desographies in hip hop,

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Speaker 3: like period. I'm not saying like I'm saying period with

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Speaker 3: my personal favorites. Wile has one of the best catalogs

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Speaker 3: to me, and this just added to it. I mean,

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Speaker 3: it's this year is going to be I think the

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Speaker 3: toughest year end episode for me really as far as music,

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Speaker 3: like trying to put together the rap album list, like

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Speaker 3: this has been such a good year for hip hop

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Speaker 3: that I don't even know, Like as much as I

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Speaker 3: love the Chance Project, I'm like, well, this is Wally

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Speaker 3: one can make top three. Like, there's so many albums

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Speaker 3: that I would keep switching because it's just been one

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Speaker 3: of those years. I don't know how gonna put together

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Speaker 3: five or even a ten with everything they dropped, and

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Speaker 3: this just added to it in the fourth quarter. I

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Speaker 3: guess my only real critique on it is I also

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Speaker 3: think wilely has one of the best intro catalogs of

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Speaker 3: all time. Like if you were to make a playlist

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Speaker 3: of all his intros, I think he has some of

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Speaker 3: the best intros from any rapper, conundrum is only two minutes.

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Speaker 3: It's incredible, but I wanted another verse on like it

305
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Speaker 3: ended too quick because that first verse was so good

306
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Speaker 3: and while he usually always has incredible intros, that was

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Speaker 3: my only complaint.

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Speaker 2: It's just wanting more. The music is incredible, It's yeah,

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Speaker 2: it's a rapping obviously from while the rapping is always

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Speaker 2: going to be up there. But yeah, this this album

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Speaker 2: to me is again put it right in his discography

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Speaker 2: with the rest of them. I you know, we need

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Speaker 2: more time to pass and see where it lands in

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Speaker 2: his discography as far as the order.

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Speaker 3: But yeah, while it's also one of the few rappers

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Speaker 3: that can experiment with different sounds from different regions of

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Speaker 3: the world throughout the album. And you mean the Africa,

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Speaker 3: well that too, Yes, I mean he had afrobeats on

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Speaker 3: his first album and nine and it's still like not

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Speaker 3: feel that way, I guess. And I know we always

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Speaker 3: do the cohesive word and all that ship, but it's

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Speaker 3: a word we can use it. Yeah, when I feel

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Speaker 3: like people, people usually are like and here's my afrobeat song,

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Speaker 3: and then it moves on to like their R and

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Speaker 3: B song. It was just like both were good but

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Speaker 3: I don't know. While the finds a way with his

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Speaker 3: sequencing to never feel like you're kind of out of

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Speaker 3: his pocket the sequence and again six sequences, he said,

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Speaker 3: while they has a weather think of this. Oh no,

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Speaker 3: I'm here to fuck with you today. I don't know

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Speaker 3: if you know that. You know you can't.

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Speaker 2: I can't say nothing to the black man, black king.

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00:14:36,680 --> 00:14:37,400
Speaker 2: You can't do that.

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Speaker 1: Yes, baby, damn, sorry, I didn't say anything. You've been

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Speaker 1: showing your ass an hour before we even got on

336
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Speaker 1: this mic.

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Speaker 3: So what did I do? Baby? Show your ass?

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Speaker 4: All right, man, I'm sorry, or show hold.

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Speaker 3: I don't let her curb your Enthusiastmic's okay.

340
00:14:50,600 --> 00:14:52,360
Speaker 4: Now because baby d be trying to be on my ass.

341
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Speaker 3: So I never made money do it? Literally no one

342
00:14:56,000 --> 00:14:57,760
Speaker 3: else does it, but now people do it. But you

343
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Speaker 3: know I don't get.

344
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Speaker 4: Baby. Did you know I don't give my fuck?

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Speaker 2: You know that everybody? Every time I o my phone? Yo,

346
00:15:05,960 --> 00:15:07,800
Speaker 2: you're fucking cool. I'm like, all right, man, back to

347
00:15:07,800 --> 00:15:08,480
Speaker 2: the fucking wile.

348
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Speaker 3: Like people in your life. Oh, people in my life.

349
00:15:12,960 --> 00:15:14,640
Speaker 3: I'm not people my life love me? They notice is

350
00:15:14,720 --> 00:15:17,000
Speaker 3: they don't nobody it don't be nobody with me I

351
00:15:17,040 --> 00:15:18,440
Speaker 3: was like, it's just no, no.

352
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Speaker 2: People people give me ship, they know, but people know

353
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Speaker 2: that I'm not you know, I'm not trying to be disrespectful.

354
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Speaker 2: I'm just sometimes I just don't give a fucking I

355
00:15:24,840 --> 00:15:26,760
Speaker 2: say what I want to say. That's so I'm just

356
00:15:26,760 --> 00:15:27,960
Speaker 2: saying the fun with your worrying.

357
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Speaker 3: Oh you put your sneakers on that you bought all

358
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Speaker 3: we went on our date. I did you notice that? Baby?

359
00:15:33,680 --> 00:15:37,400
Speaker 2: Did notice I put them from infrared nine fives on?

360
00:15:38,080 --> 00:15:38,320
Speaker 3: Yeah?

361
00:15:38,400 --> 00:15:39,760
Speaker 2: You know what I mean, just my I think I

362
00:15:39,800 --> 00:15:42,520
Speaker 2: bought them once before this. I bought them once before

363
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Speaker 2: this nine It's that time of year, it fall.

364
00:15:45,480 --> 00:15:47,800
Speaker 3: They do they still make a bunch of different color

365
00:15:47,840 --> 00:15:51,920
Speaker 3: waves with a five. Yeah, okay, I love it.

366
00:15:51,920 --> 00:15:53,920
Speaker 2: It's a few, it's a few like this is I

367
00:15:54,480 --> 00:15:56,720
Speaker 2: changed aesthetic every now and they don't like the sneakers

368
00:15:56,720 --> 00:15:58,760
Speaker 2: I wear, so like, I'm just about to just get

369
00:15:58,800 --> 00:16:00,640
Speaker 2: all the colors that I don't don't have a nine

370
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Speaker 2: fives and probably can't go ru probably just wear those

371
00:16:03,440 --> 00:16:05,360
Speaker 2: like the rest of the fall into it just be

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Speaker 2: a different, different pair of non files. What's the most

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Speaker 2: comfortable shoe tea? Because ever, Yeah, that's tough. Nine files

374
00:16:11,760 --> 00:16:14,040
Speaker 2: are up there for me though. They are comfortable, they

375
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Speaker 2: any support, Yeah, they're comfortable. You saw the most comfortable.

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Speaker 3: Aver fast in them.

377
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Speaker 2: I had a pair of why threes that was incredibly

378
00:16:26,160 --> 00:16:27,480
Speaker 2: like I was like, I felt like I could walk

379
00:16:27,520 --> 00:16:30,000
Speaker 2: to Boston no problem with I had them shits on

380
00:16:30,000 --> 00:16:31,400
Speaker 2: one day and it was like I was just dying

381
00:16:31,400 --> 00:16:32,360
Speaker 2: for niggas, Like you pull up.

382
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Speaker 4: I'm like, God, I about to walk over there.

383
00:16:33,720 --> 00:16:36,080
Speaker 2: Yeah, like that's that was probably one of the most

384
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Speaker 2: comfortable sneakers that I ever had, was a pair of

385
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Speaker 2: why threes.

386
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Speaker 3: I'm trying to remember what number it is with New Balances.

387
00:16:42,800 --> 00:16:43,920
Speaker 4: Boun nine nineties.

388
00:16:44,040 --> 00:16:47,080
Speaker 2: You're not you like noteties right now, but these are

389
00:16:47,120 --> 00:16:47,840
Speaker 2: not the most.

390
00:16:47,640 --> 00:16:50,800
Speaker 3: Comfortable to me when it comes to New Balances, not

391
00:16:51,080 --> 00:16:53,400
Speaker 3: this version of the nine nineties, but the nine to nineties,

392
00:16:53,480 --> 00:16:56,800
Speaker 3: like V sixth one, like the Orthopedic one. Okay, yeah, yeah,

393
00:16:57,040 --> 00:16:59,000
Speaker 3: those are the most comfortable shoes of all time. Yeah,

394
00:16:59,200 --> 00:17:02,600
Speaker 3: Like those are my retirement old man's shoes for the

395
00:17:02,600 --> 00:17:04,280
Speaker 3: rest of my life. I could do anything.

396
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Speaker 2: Ninia is from all Maryland and that was part of

397
00:17:07,720 --> 00:17:12,960
Speaker 2: our like back and forth Friday was that Baltimore gave

398
00:17:13,040 --> 00:17:15,280
Speaker 2: us the New Balances. Well, how I fell in love

399
00:17:15,320 --> 00:17:17,600
Speaker 2: with New Balances was when I was visit my dad

400
00:17:17,640 --> 00:17:18,960
Speaker 2: in Baltimore or PJ Gelly.

401
00:17:19,160 --> 00:17:20,919
Speaker 3: That's how I fell in love with New Balances in

402
00:17:20,960 --> 00:17:21,480
Speaker 3: high school.

403
00:17:21,680 --> 00:17:23,960
Speaker 2: But now it's just about comfort. I don't care what

404
00:17:24,040 --> 00:17:25,560
Speaker 2: it is as long as it's comfortable.

405
00:17:25,680 --> 00:17:27,560
Speaker 3: Well, that's why I'm so happy New Balances got so

406
00:17:27,640 --> 00:17:29,680
Speaker 3: popular that they wanted to, you know, do all these

407
00:17:30,520 --> 00:17:33,399
Speaker 3: collapse with other designers and other color ways and all that,

408
00:17:33,440 --> 00:17:36,560
Speaker 3: because they are the most comfortable shoes, but there's only

409
00:17:36,640 --> 00:17:40,480
Speaker 3: so many options. Back in five the New Balances, Yes,

410
00:17:40,920 --> 00:17:43,000
Speaker 3: that didn't get me laughed out of the fucking cafeteria.

411
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Speaker 4: What did you think about the while am?

412
00:17:44,800 --> 00:17:46,120
Speaker 3: Did you listen to it? I haven't had a chance

413
00:17:46,160 --> 00:17:48,879
Speaker 3: to listen what you listening to today? A busy week. I

414
00:17:48,960 --> 00:17:52,320
Speaker 3: listened to Summer Walker shout after Summer Walker finally over It?

415
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Speaker 2: Yes, sir, I don't know where I put that into

416
00:17:55,760 --> 00:17:59,080
Speaker 2: over It trilogy too soon to yeah.

417
00:17:59,280 --> 00:17:59,800
Speaker 4: Where I put it.

418
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Speaker 3: But but I'm on the side that Summer Walker is

419
00:18:02,520 --> 00:18:05,520
Speaker 3: three for three, and I don't that's a tough thing

420
00:18:05,600 --> 00:18:08,840
Speaker 3: to say for artists like I think Summer's been around

421
00:18:08,920 --> 00:18:11,240
Speaker 3: long enough that we can start to have that conversation

422
00:18:11,240 --> 00:18:13,840
Speaker 3: because going three for three the way she has should

423
00:18:13,880 --> 00:18:14,399
Speaker 3: be noted.

424
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Speaker 2: I like the record with her Lotto dogs like Yo,

425
00:18:19,000 --> 00:18:22,960
Speaker 2: Go Girl, Okay, DOJ is on that right and record

426
00:18:23,040 --> 00:18:23,520
Speaker 2: yo all right?

427
00:18:23,560 --> 00:18:27,399
Speaker 3: So that was the like the record. Of course, you know,

428
00:18:27,800 --> 00:18:30,520
Speaker 3: online's always be mixed reviews no matter what the artist

429
00:18:30,560 --> 00:18:33,359
Speaker 3: is for the most part. Yeah, that was really like

430
00:18:33,400 --> 00:18:36,720
Speaker 3: the only real negative critiques I was seeing was Go Girl.

431
00:18:36,720 --> 00:18:38,880
Speaker 3: But that's one of my favorite records. Off the first

432
00:18:38,920 --> 00:18:39,439
Speaker 3: few listenings.

433
00:18:39,440 --> 00:18:41,679
Speaker 4: They killing that online. Yeah, I like that record.

434
00:18:41,760 --> 00:18:44,680
Speaker 3: It's doing well on TikTok, but like you know, Twitter,

435
00:18:44,840 --> 00:18:46,720
Speaker 3: Instagram and all that, people were saying that was the

436
00:18:46,720 --> 00:18:47,360
Speaker 3: one they didn't like.

437
00:18:47,680 --> 00:18:49,680
Speaker 1: It gives you either that's a song that you're either

438
00:18:49,720 --> 00:18:52,119
Speaker 1: going to absolutely love or absolutely hate. There's no in

439
00:18:52,200 --> 00:18:54,240
Speaker 1: between because it's a different type of song.

440
00:18:54,640 --> 00:18:56,240
Speaker 3: I mean, I do, I do have a take on it,

441
00:18:56,280 --> 00:19:00,240
Speaker 3: though it's your take, sweetie. I think Summer Walker watched

442
00:19:00,320 --> 00:19:05,520
Speaker 3: two amazing rappers said she had the best verse to me,

443
00:19:06,200 --> 00:19:08,439
Speaker 3: I'm not a lot of and dog went off. But

444
00:19:08,520 --> 00:19:11,040
Speaker 3: I was not shocked because we know something has a

445
00:19:11,040 --> 00:19:13,320
Speaker 3: great pen, but I didn't know she was going to

446
00:19:13,359 --> 00:19:13,800
Speaker 3: clean up.

447
00:19:14,800 --> 00:19:17,000
Speaker 4: We had Bryson here a couple of months ago.

448
00:19:18,560 --> 00:19:21,800
Speaker 2: Bryson, you and someone just need to give us the project, yea,

449
00:19:21,840 --> 00:19:25,600
Speaker 2: because they don't miss. Whenever they are featured on each

450
00:19:25,600 --> 00:19:28,040
Speaker 2: other's songs, they don't they don't miss. So we need

451
00:19:28,200 --> 00:19:31,560
Speaker 2: we need to summon Walker Bryce. Until the album, they

452
00:19:31,560 --> 00:19:34,520
Speaker 2: were just on tour with with with Chris Hopefully. You know,

453
00:19:34,560 --> 00:19:37,720
Speaker 2: there was some conversations about doing some more records together

454
00:19:37,760 --> 00:19:40,960
Speaker 2: because when them two do a record, it's it's hard

455
00:19:41,040 --> 00:19:41,560
Speaker 2: not to like.

456
00:19:41,520 --> 00:19:44,119
Speaker 3: It without That was one of my favorite places in

457
00:19:44,160 --> 00:19:47,320
Speaker 3: the album, going from the Situationships to to give Me

458
00:19:47,359 --> 00:19:52,400
Speaker 3: a Reason and listen, man, she down Situationships now one

459
00:19:52,400 --> 00:19:55,119
Speaker 3: eight hundred heartbreak. It's probably the best. Would you like

460
00:19:55,119 --> 00:19:57,359
Speaker 3: to expound on it? Baby? Why did that song speak?

461
00:19:57,880 --> 00:20:01,080
Speaker 1: Because Anderson Pop went be first of the year that

462
00:20:01,160 --> 00:20:04,520
Speaker 1: he went crazy outside of twenty one Saba, We'll get

463
00:20:04,600 --> 00:20:06,359
Speaker 1: into twenty one Savage, because twenty one Savage that if

464
00:20:06,359 --> 00:20:08,439
Speaker 1: you fuck my friends, I'm gonna give you a stylis

465
00:20:08,480 --> 00:20:10,320
Speaker 1: twins and I'm gonna bite that bitch that do your

466
00:20:10,320 --> 00:20:11,360
Speaker 1: makeup of bens.

467
00:20:13,640 --> 00:20:17,119
Speaker 3: Cock it cocky. He went crazy when the record started.

468
00:20:17,119 --> 00:20:20,240
Speaker 3: I was like, all right, this is an interesting sound

469
00:20:20,680 --> 00:20:23,560
Speaker 3: to put Anderson on. And then the beat switched up

470
00:20:23,560 --> 00:20:26,879
Speaker 3: and the Josh base came in and then Anderson just

471
00:20:26,920 --> 00:20:30,000
Speaker 3: got off like that. That might be one of my

472
00:20:30,000 --> 00:20:33,919
Speaker 3: favorite verses of the year. That record is super fire. Well,

473
00:20:33,960 --> 00:20:36,320
Speaker 3: Anderson said, going down, Josh, he gave her like a

474
00:20:36,359 --> 00:20:41,520
Speaker 3: sixty four. Yeah, he went crazy. Keep going while he's

475
00:20:41,520 --> 00:20:43,520
Speaker 3: looking for that. I am now realizing how many words

476
00:20:43,520 --> 00:20:48,560
Speaker 3: have in them. You never every time I was sixty four?

477
00:20:49,119 --> 00:20:51,439
Speaker 3: Why do I keep picking things that have Yeah? You

478
00:20:51,480 --> 00:20:53,960
Speaker 3: never know today how many essays you got to say? Right?

479
00:20:54,000 --> 00:20:55,560
Speaker 3: Oh my god, my teeth are killing me.

480
00:20:56,240 --> 00:20:58,480
Speaker 2: Yeah, you're a soldier for having them just done this

481
00:20:58,520 --> 00:20:59,760
Speaker 2: morning and getting on mic like that.

482
00:21:00,040 --> 00:21:01,919
Speaker 3: Was supposed to do a Friday but I could not

483
00:21:01,960 --> 00:21:03,919
Speaker 3: get Amara out of the house on time, so I

484
00:21:04,000 --> 00:21:05,600
Speaker 3: moved it and I just wanted to get the shit

485
00:21:05,640 --> 00:21:10,560
Speaker 3: over with before holiday started. But they assured me they

486
00:21:10,600 --> 00:21:12,919
Speaker 3: serred me sufferings.

487
00:21:14,359 --> 00:21:17,200
Speaker 2: Yo, Could we get a spitguarf for this mic because

488
00:21:17,200 --> 00:21:18,800
Speaker 2: we're gonna need it. He about to fuck that mic.

489
00:21:19,560 --> 00:21:22,280
Speaker 3: Should we bring up some some tongue twisters, some examples

490
00:21:22,280 --> 00:21:24,280
Speaker 3: with ess Yeah, give it a go, Give it a

491
00:21:24,280 --> 00:21:27,080
Speaker 3: go y, let me eat you read let's go when

492
00:21:27,080 --> 00:21:29,120
Speaker 3: Patpoos does the slaughter.

493
00:21:29,359 --> 00:21:31,199
Speaker 4: No, we can't do that. I wouldn't even put you

494
00:21:31,200 --> 00:21:32,720
Speaker 4: through that type of torture today. I wouldn't do that

495
00:21:32,760 --> 00:21:32,960
Speaker 4: to you.

496
00:21:33,880 --> 00:21:35,800
Speaker 3: Well yeah again while he looks for that. Uh. The

497
00:21:35,840 --> 00:21:39,720
Speaker 3: Situationship record, which we've talked about in this pod so much,

498
00:21:39,760 --> 00:21:43,600
Speaker 3: those like three month relationships where they're the best. You

499
00:21:43,720 --> 00:21:46,359
Speaker 3: just did love like she said that. She said her

500
00:21:46,400 --> 00:21:51,120
Speaker 3: Situationship Ecstasy has nothing on him, like, not even your man.

501
00:21:53,440 --> 00:21:54,080
Speaker 4: I like the album.

502
00:21:54,119 --> 00:21:55,840
Speaker 2: I got to live with it more, though I was

503
00:21:55,880 --> 00:21:57,199
Speaker 2: so I was so caught up on a wild a

504
00:21:57,280 --> 00:21:59,560
Speaker 2: project that I didn't really like give the some of

505
00:21:59,640 --> 00:22:02,280
Speaker 2: walker much much attention that I usually do.

506
00:22:02,320 --> 00:22:03,800
Speaker 4: But I'm definitely gonna go back to it tonight.

507
00:22:03,920 --> 00:22:06,040
Speaker 1: It's different, it's a different sound for her. It's different

508
00:22:06,080 --> 00:22:09,880
Speaker 1: for multiple reasons. I would say, out of the three,

509
00:22:09,920 --> 00:22:12,080
Speaker 1: it will be number three for me, which doesn't mean

510
00:22:12,080 --> 00:22:13,040
Speaker 1: that it's not good.

511
00:22:13,040 --> 00:22:13,560
Speaker 3: It's still good.

512
00:22:13,600 --> 00:22:15,760
Speaker 1: It's just that I prefer the other two a little

513
00:22:15,800 --> 00:22:19,119
Speaker 1: bit more, just because I think I prefer production on

514
00:22:19,160 --> 00:22:21,240
Speaker 1: Onet a little bit more, and I prefer the vulnerability

515
00:22:21,359 --> 00:22:22,680
Speaker 1: on another one a little bit more.

516
00:22:23,160 --> 00:22:25,440
Speaker 3: But this is this is good. She is definitely three

517
00:22:25,440 --> 00:22:25,800
Speaker 3: for three.

518
00:22:25,880 --> 00:22:26,080
Speaker 4: Yeah.

519
00:22:26,119 --> 00:22:27,960
Speaker 3: The other two are a little bit more concise too,

520
00:22:28,000 --> 00:22:30,800
Speaker 3: so this one is gonna take a while to fully digest.

521
00:22:31,160 --> 00:22:34,040
Speaker 3: I'm with you, though, Like the production is good on here,

522
00:22:34,760 --> 00:22:40,320
Speaker 3: but it's tough to beat the summer London. Yeah, du well,

523
00:22:40,560 --> 00:22:44,160
Speaker 3: like when they were together, and especially when they hated

524
00:22:44,200 --> 00:22:47,040
Speaker 3: each other, Like, yeah, that duo is kind of unmatched.

525
00:22:47,080 --> 00:22:49,200
Speaker 4: It worked, No, it worked, It definitely work.

526
00:22:49,240 --> 00:22:51,280
Speaker 3: But I mean it's it's still great production on it.

527
00:22:51,480 --> 00:22:55,280
Speaker 3: When I first saw the track list on Friday, I

528
00:22:55,359 --> 00:22:58,960
Speaker 3: was a little nervous because usually like heavy feature albums

529
00:22:59,359 --> 00:23:03,520
Speaker 3: are not my personal taste, doesn't really feel super feature

530
00:23:03,520 --> 00:23:06,080
Speaker 3: every like you still get a majority Summer on it. Yeah,

531
00:23:06,080 --> 00:23:10,679
Speaker 3: they're well placed, they make sense. But I was nervous

532
00:23:10,680 --> 00:23:12,600
Speaker 3: and I was like, oh fuck, this's a lot of features,

533
00:23:13,720 --> 00:23:17,359
Speaker 3: but I think they nailed each one. Robbed you ride Scientists,

534
00:23:17,480 --> 00:23:19,000
Speaker 3: I mean, Jamaris a song in the year for you

535
00:23:19,119 --> 00:23:22,840
Speaker 3: or what you yo? I could have robbed you Hello

536
00:23:23,240 --> 00:23:26,160
Speaker 3: fifty sample and the niggas be so easy, niggas be going.

537
00:23:26,200 --> 00:23:27,879
Speaker 1: I could have put that bitch on my payroll and

538
00:23:27,920 --> 00:23:29,560
Speaker 1: had you robbed because you're so easy.

539
00:23:29,800 --> 00:23:33,360
Speaker 3: Going where dom I soul you easiest fuck you.

540
00:23:33,280 --> 00:23:34,720
Speaker 2: Feel like you want to expound a little more, baby,

541
00:23:34,720 --> 00:23:36,560
Speaker 2: din and tell us why you feel such a personal

542
00:23:36,600 --> 00:23:37,520
Speaker 2: connection to that message.

543
00:23:37,560 --> 00:23:38,840
Speaker 1: No, I didn't say it was personal. I'm just saying

544
00:23:38,840 --> 00:23:41,080
Speaker 1: we gave some names. We've all been there and now.

545
00:23:41,840 --> 00:23:43,879
Speaker 1: Definitely definitely niggas that you could set up with a

546
00:23:43,880 --> 00:23:45,600
Speaker 1: bad bitch to get robbed because they just easy.

547
00:23:45,640 --> 00:23:52,879
Speaker 3: They going shit is sad, think highly of yourself. They

548
00:23:53,000 --> 00:23:54,919
Speaker 3: just be having them at the crib, like, just come

549
00:23:54,960 --> 00:24:01,159
Speaker 3: on over, baby, I can't fuck with the massa. I

550
00:24:01,160 --> 00:24:05,280
Speaker 3: don't believe you at the marriage is really crazy. All right,

551
00:24:05,320 --> 00:24:06,480
Speaker 3: my bad baby, I'm sorry.

552
00:24:07,640 --> 00:24:10,400
Speaker 1: Yeah, but a lot of niggas be going sorry y'all

553
00:24:10,560 --> 00:24:11,520
Speaker 1: you've been easy before.

554
00:24:11,840 --> 00:24:13,320
Speaker 3: It's definitely a bitch that could have set you up

555
00:24:13,320 --> 00:24:16,120
Speaker 3: to get robbed. Rob I mean it would it would

556
00:24:16,160 --> 00:24:18,680
Speaker 3: have been a bad night for somebody. But yeah, I'm

557
00:24:18,720 --> 00:24:19,920
Speaker 3: sure it was some nice why.

558
00:24:20,240 --> 00:24:23,040
Speaker 2: But See the thing about me is I feel when

559
00:24:23,040 --> 00:24:25,040
Speaker 2: I'm slipping, like I'll be in the middle of the.

560
00:24:25,040 --> 00:24:26,480
Speaker 4: Slip like I'm out of here.

561
00:24:27,000 --> 00:24:28,880
Speaker 2: I'm in here butt naked in the middle of her

562
00:24:28,920 --> 00:24:31,560
Speaker 2: house like this nigga blowing her limm out of here,

563
00:24:31,680 --> 00:24:34,720
Speaker 2: like you feel. Some niggas just be really nearly laid up.

564
00:24:34,840 --> 00:24:37,520
Speaker 2: They ca, Yeah, you're gonna have to You're gonna have

565
00:24:37,600 --> 00:24:40,919
Speaker 2: to really catch me slipping. But absolutely, I've been in

566
00:24:40,920 --> 00:24:44,959
Speaker 2: situations with women that definitely was not probably like safe.

567
00:24:45,040 --> 00:24:47,760
Speaker 2: And if you know, she was trying to have something

568
00:24:47,760 --> 00:24:50,320
Speaker 2: happened to me, it could have happened. Man, something would

569
00:24:50,320 --> 00:24:52,160
Speaker 2: have happened to him too, but something would have happened

570
00:24:52,160 --> 00:24:52,720
Speaker 2: to me obviously.

571
00:24:52,720 --> 00:24:53,560
Speaker 4: But yeah, definitely.

572
00:24:53,600 --> 00:24:55,160
Speaker 2: But the thing is, I get out of that ship

573
00:24:55,560 --> 00:24:57,720
Speaker 2: as soon as I feel it, like, no, I'm bugging,

574
00:24:57,760 --> 00:24:58,400
Speaker 2: I'm out of there.

575
00:24:58,840 --> 00:25:01,359
Speaker 3: Yeah, when I think I told you the time of

576
00:25:01,720 --> 00:25:03,600
Speaker 3: delay wasn't a setup per se. But I went to

577
00:25:03,840 --> 00:25:08,160
Speaker 3: a woman's apartment, uh that went to Dell State, and

578
00:25:08,359 --> 00:25:10,800
Speaker 3: her boyfriend called, and he was she was adding a

579
00:25:10,840 --> 00:25:12,879
Speaker 3: local like not somebody that was at the Yeah he was.

580
00:25:12,920 --> 00:25:13,920
Speaker 4: Right, he was down the block.

581
00:25:14,240 --> 00:25:16,600
Speaker 3: Yeah, see where the fuck you at the screenlinp phone.

582
00:25:16,280 --> 00:25:18,440
Speaker 3: She said, he's he's he's not gonna come down. I said,

583
00:25:18,440 --> 00:25:19,480
Speaker 3: I'm getting the fuck out.

584
00:25:19,320 --> 00:25:21,159
Speaker 2: Of here, like I never wh whatever. Girls be like,

585
00:25:21,200 --> 00:25:22,960
Speaker 2: don't worry about him. No, I'm worried about him. Like

586
00:25:23,160 --> 00:25:27,280
Speaker 2: you know you like, but yeah, he sounds like he's

587
00:25:27,320 --> 00:25:30,199
Speaker 2: crazy about you. And I'm in your house naked with

588
00:25:30,240 --> 00:25:32,480
Speaker 2: the with the fridge door open, like yeah, like getting

589
00:25:32,520 --> 00:25:33,720
Speaker 2: the funk out of here.

590
00:25:33,280 --> 00:25:35,960
Speaker 3: I don't have I don't have a lot of family

591
00:25:35,960 --> 00:25:37,800
Speaker 3: in Delaware to help me out in this situation. I'm

592
00:25:37,800 --> 00:25:42,399
Speaker 3: just gonna run the fuck out of this apartment. Critique wise,

593
00:25:42,840 --> 00:25:47,520
Speaker 3: I wish Baby with Chris Brown was was longer, like

594
00:25:47,600 --> 00:25:49,040
Speaker 3: just when I felt like it was ready to cook,

595
00:25:49,119 --> 00:25:53,480
Speaker 3: it was over. That record could have been like five

596
00:25:53,480 --> 00:25:58,359
Speaker 3: minutes to me. But I love that song. I don't know.

597
00:25:58,480 --> 00:26:01,680
Speaker 3: I'm excited to live with this one. I know Demarus

598
00:26:01,720 --> 00:26:03,520
Speaker 3: is gonna be wild at the HOOKA spot to a baller?

599
00:26:04,560 --> 00:26:05,359
Speaker 4: Which one was Baller?

600
00:26:05,400 --> 00:26:06,760
Speaker 3: She's gonna have the windows open in the car in

601
00:26:06,800 --> 00:26:09,879
Speaker 3: the winter. I wasn't a fan of Baller really, Okay,

602
00:26:10,400 --> 00:26:12,960
Speaker 3: what did you like about it? I don't know. It

603
00:26:13,080 --> 00:26:16,480
Speaker 3: just wasn't It was cool, but it wasn't like for me,

604
00:26:16,720 --> 00:26:18,200
Speaker 3: but it was. It was cool. It's a good song.

605
00:26:18,440 --> 00:26:22,480
Speaker 1: Now, don't make me do it?

606
00:26:22,560 --> 00:26:24,320
Speaker 3: Don't make me do it? Yeah, that one you care

607
00:26:24,400 --> 00:26:27,520
Speaker 3: to talk about? Why that one? Want to say that?

608
00:26:28,240 --> 00:26:30,639
Speaker 3: Like that one specifically you can't even talk about that

609
00:26:30,680 --> 00:26:33,520
Speaker 3: one specifically when a lyric breakdown it.

610
00:26:33,600 --> 00:26:36,520
Speaker 1: But nah, no, it's it's a good album overall. No,

611
00:26:36,640 --> 00:26:39,840
Speaker 1: it's really good. To the with the Beyonce sample.

612
00:26:40,200 --> 00:26:43,439
Speaker 3: M Yeah, no, it's really really good Chris Brown. They

613
00:26:43,440 --> 00:26:46,800
Speaker 3: had a there was Maria sample on that, right, If

614
00:26:46,840 --> 00:26:47,560
Speaker 3: I'm not I think so.

615
00:26:47,720 --> 00:26:51,200
Speaker 1: Yes, it always be my baby, always baby, my baby

616
00:26:51,240 --> 00:26:53,919
Speaker 1: sample stitch me Up. The girls tend to Love are

617
00:26:53,960 --> 00:26:56,000
Speaker 1: seeming of love stitch me Up, which is basically just

618
00:26:56,040 --> 00:26:58,239
Speaker 1: like fix me, heal me that sort of thing.

619
00:26:58,400 --> 00:26:58,760
Speaker 3: Did you like?

620
00:26:58,840 --> 00:27:01,960
Speaker 2: All told Cardi Stephone was ahead of his time with

621
00:27:02,000 --> 00:27:02,800
Speaker 2: to Stitch Me Up.

622
00:27:03,760 --> 00:27:09,080
Speaker 3: He told Cardy, let me fix you. Demaris, you mentioned

623
00:27:09,160 --> 00:27:11,760
Speaker 3: that the second album was a little more vulnerable. I

624
00:27:11,760 --> 00:27:16,840
Speaker 3: did see some people saying that this Summer album was

625
00:27:16,880 --> 00:27:19,800
Speaker 3: a bit more surface than the first two and the

626
00:27:19,840 --> 00:27:23,560
Speaker 3: mixtape stuff, because obviously we know Summer is usually extremely

627
00:27:23,600 --> 00:27:27,040
Speaker 3: vulnerable and extremely lyrical about her feelings. I don't. I

628
00:27:27,160 --> 00:27:29,520
Speaker 3: kind of think the theme of over it should stay there,

629
00:27:30,680 --> 00:27:32,360
Speaker 3: like it shouldn't be super I'm over the ship.

630
00:27:33,000 --> 00:27:36,040
Speaker 1: Let's dance, Yeah, fuck, let's let's an amusement men for

631
00:27:36,119 --> 00:27:36,520
Speaker 1: their money.

632
00:27:37,000 --> 00:27:41,760
Speaker 3: Yeah, I think it actually like, uh, content wise, was

633
00:27:41,840 --> 00:27:44,080
Speaker 3: a great way to end the trilogy as far as

634
00:27:44,119 --> 00:27:45,880
Speaker 3: what she was talking about and how she was coming

635
00:27:45,920 --> 00:27:48,840
Speaker 3: across like it was very much like I'm not even

636
00:27:48,880 --> 00:27:53,440
Speaker 3: getting deep into this feeling shit anymore. I'm cool. So yeah,

637
00:27:53,520 --> 00:27:56,080
Speaker 3: So I saw that critique, but I don't know. I

638
00:27:56,160 --> 00:27:58,720
Speaker 3: think it's good music, so I don't. I don't put

639
00:27:58,760 --> 00:28:00,600
Speaker 3: too much on that, to be quite honest, I think

640
00:28:00,640 --> 00:28:01,840
Speaker 3: it wraps it up pretty good.

641
00:28:01,880 --> 00:28:03,360
Speaker 4: Show the roll, great project though.

642
00:28:03,560 --> 00:28:04,720
Speaker 3: Shout out to Summer Phil.

643
00:28:04,920 --> 00:28:06,040
Speaker 4: Shout out to Summer Walker.

644
00:28:06,119 --> 00:28:08,080
Speaker 2: Finally over it? I an't have somemer Listen, you're telling

645
00:28:08,119 --> 00:28:10,439
Speaker 2: us you finally over it? Now?

646
00:28:10,480 --> 00:28:12,479
Speaker 3: When JK just kidding, fuck that nigga come out?

647
00:28:14,119 --> 00:28:17,879
Speaker 2: When spind the Block Part one come out? When they

648
00:28:17,880 --> 00:28:19,320
Speaker 2: Spin the Block series starts.

649
00:28:19,119 --> 00:28:22,600
Speaker 3: Summer under It? Yeah, when when God damn it, y'all

650
00:28:22,640 --> 00:28:23,439
Speaker 3: all the help come out?

651
00:28:25,080 --> 00:28:27,720
Speaker 2: When that drop. We on you something. We love you,

652
00:28:27,800 --> 00:28:29,400
Speaker 2: but we on you if you if you spend the block,

653
00:28:29,440 --> 00:28:32,000
Speaker 2: we let you know right now. Should you finally over it?

654
00:28:33,119 --> 00:28:33,639
Speaker 2: Goddamn it?

655
00:28:33,720 --> 00:28:36,480
Speaker 3: We over it? I mean, but what she the album

656
00:28:36,520 --> 00:28:39,280
Speaker 3: title is like, you guys knew I wasn't serious? Were like, no,

657
00:28:39,400 --> 00:28:42,400
Speaker 3: I was lying, be fucking for real, be fucking for real.

658
00:28:42,480 --> 00:28:44,840
Speaker 3: So I'll never be over this ship.

659
00:28:45,040 --> 00:28:47,000
Speaker 2: Yeah, someone, don't give us here we go again. Don't

660
00:28:47,040 --> 00:28:48,600
Speaker 2: give us here. We don't want to hear. Here we

661
00:28:48,680 --> 00:28:49,080
Speaker 2: go again.

662
00:28:49,440 --> 00:28:50,120
Speaker 3: Finally over it.

663
00:28:50,760 --> 00:28:51,520
Speaker 4: Let's leave it there.

664
00:28:51,760 --> 00:28:53,680
Speaker 2: But all jokes aside, great project. Shout out to the

665
00:28:53,720 --> 00:28:57,720
Speaker 2: lvr N on another fantastic rollout. Yeah, shout out to

666
00:28:57,760 --> 00:29:00,640
Speaker 2: the guys and and and everybody over there for putting

667
00:29:00,680 --> 00:29:02,520
Speaker 2: out another great summer project.

668
00:29:03,600 --> 00:29:08,040
Speaker 3: We got to ask Justice. Uh see essays Justice wasn't

669
00:29:08,040 --> 00:29:09,840
Speaker 3: he supposed wasn't just supposed to be today? Yeah? They

670
00:29:09,880 --> 00:29:12,520
Speaker 3: ended up not coming in here. Okay, okay, we have

671
00:29:12,600 --> 00:29:14,440
Speaker 3: to ask him to put us in contact with the

672
00:29:14,520 --> 00:29:16,080
Speaker 3: old guy that's on the album cover. I want to

673
00:29:16,120 --> 00:29:18,040
Speaker 3: know his story. Yeah, we want to know what that day,

674
00:29:18,120 --> 00:29:18,560
Speaker 3: that that ship.

675
00:29:18,600 --> 00:29:20,760
Speaker 2: We did talk to him, right, we never did ask

676
00:29:20,840 --> 00:29:23,280
Speaker 2: him how he felt. Listen, let's figure out what that

677
00:29:23,400 --> 00:29:24,840
Speaker 2: gentleman feels about the project.

678
00:29:25,280 --> 00:29:27,720
Speaker 4: And then in the overall sound of the of the Summer.

679
00:29:27,480 --> 00:29:29,560
Speaker 3: Album, because I'm sure it was some type of casting

680
00:29:29,640 --> 00:29:31,400
Speaker 3: cold like, I would love to know what lv R

681
00:29:31,480 --> 00:29:34,000
Speaker 3: and sent out to casting agencies to try to find

682
00:29:34,000 --> 00:29:36,400
Speaker 3: this guy. Yeah, what's his day, his pitch was and

683
00:29:36,600 --> 00:29:38,440
Speaker 3: is he still allowed to see the release of the project.

684
00:29:39,840 --> 00:29:40,200
Speaker 4: We don't know.

685
00:29:40,240 --> 00:29:42,080
Speaker 3: I'm just saying, we don't know, baby d we don't know.

686
00:29:42,320 --> 00:29:43,440
Speaker 3: He looks great.

687
00:29:43,480 --> 00:29:45,280
Speaker 2: What a way to go out though, Yeah, he looks great,

688
00:29:45,640 --> 00:29:48,080
Speaker 2: But I'm just saying, did he this This picture could

689
00:29:48,120 --> 00:29:49,120
Speaker 2: have been taken in June?

690
00:29:49,480 --> 00:29:51,240
Speaker 3: What's what would be funny is if he's not really

691
00:29:51,240 --> 00:29:56,000
Speaker 3: in a wheelchair? Yeah, accurately, I don't know a fucking wheelchair.

692
00:29:56,080 --> 00:30:00,720
Speaker 4: Like I'm out here, I got hoes. I love it though.

693
00:30:00,720 --> 00:30:02,720
Speaker 4: I love that look that covers hard.

694
00:30:02,640 --> 00:30:05,440
Speaker 3: I like that. Yeah, whoever came up with that concept?

695
00:30:05,720 --> 00:30:10,240
Speaker 2: Shout out the Nicole what's her name? Anna Nicole Smith

696
00:30:10,440 --> 00:30:14,040
Speaker 2: for the obviously the inspiration behind of what true love

697
00:30:14,080 --> 00:30:14,400
Speaker 2: looks like.

698
00:30:14,800 --> 00:30:17,160
Speaker 3: I mean, yeah, she did say she was in how

699
00:30:17,240 --> 00:30:20,280
Speaker 3: much did she nothing? After that? Got passed? Nothing?

700
00:30:20,920 --> 00:30:25,000
Speaker 2: Really, Nope, she didn't get a dime. The family won

701
00:30:25,080 --> 00:30:28,920
Speaker 2: the case in court, so yeah she didn't get anything.

702
00:30:30,280 --> 00:30:38,600
Speaker 3: That's nuts. Okay, So for those that don't remember, because

703
00:30:38,640 --> 00:30:41,960
Speaker 3: I don't, she received four hundred and seventy five million

704
00:30:42,880 --> 00:30:45,920
Speaker 3: from court, but the bankruptcy court. Then it was later

705
00:30:46,800 --> 00:30:49,160
Speaker 3: awarded nothing by.

706
00:30:49,120 --> 00:30:53,120
Speaker 2: The Texas probate cjury and never actually received any money

707
00:30:53,160 --> 00:30:54,680
Speaker 2: from her late husband's estate.

708
00:30:55,280 --> 00:30:57,960
Speaker 3: Yo, listen man, there's been money that I was waiting

709
00:30:58,000 --> 00:31:01,520
Speaker 3: on that. You know, sometimes you start like scheduling the

710
00:31:01,560 --> 00:31:04,080
Speaker 3: money that you know is coming in. Can you imagine

711
00:31:04,120 --> 00:31:07,520
Speaker 3: scheduling for four hundred and seventy five million and then

712
00:31:07,640 --> 00:31:11,240
Speaker 3: not getting that shit? Mm hm, Like that would be

713
00:31:11,440 --> 00:31:14,120
Speaker 3: fucking nuts. You know, she went crazy with her credit

714
00:31:14,200 --> 00:31:17,000
Speaker 3: card before that, and now it's just sitting with sitting

715
00:31:17,080 --> 00:31:17,480
Speaker 3: on that deck.

716
00:31:17,920 --> 00:31:20,880
Speaker 2: Well, rest in peace to both of them, obviously, but yeah,

717
00:31:20,920 --> 00:31:23,480
Speaker 2: that was always uh I remember back then when that

718
00:31:23,640 --> 00:31:26,040
Speaker 2: you know, ad came out that that's who her husband was.

719
00:31:26,080 --> 00:31:29,120
Speaker 2: Everybody kind of looked at that initially like how they

720
00:31:29,200 --> 00:31:30,920
Speaker 2: need and what the hell you doing over there?

721
00:31:31,160 --> 00:31:31,720
Speaker 4: Cut the shit?

722
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727
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764
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766
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767
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769
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770
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771
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Speaker 3: Virginia maul Since you are I feel like the face

772
00:33:55,040 --> 00:33:55,560
Speaker 3: of Uptown?

773
00:33:56,200 --> 00:33:57,400
Speaker 4: Do you have the face of uptown?

774
00:33:57,440 --> 00:34:00,040
Speaker 3: You in my like, in my opinion, your face I

775
00:34:00,040 --> 00:34:02,520
Speaker 3: think of Uptown. I'm thinking it's Mall's whom appreciate. You

776
00:34:02,720 --> 00:34:07,360
Speaker 3: think I've asked you this before when Dame said Harlem

777
00:34:07,400 --> 00:34:09,719
Speaker 3: sticks together, I feel like sometimes they don't. But it

778
00:34:09,719 --> 00:34:13,920
Speaker 3: appears now Cam, Mace and Max By are sitting down.

779
00:34:14,520 --> 00:34:18,840
Speaker 3: They posted a photo. Mm hmmm. I believe it's supposed

780
00:34:18,840 --> 00:34:21,200
Speaker 3: to be an interview, but I was also hoping maybe

781
00:34:21,200 --> 00:34:23,520
Speaker 3: they weren't talks on the network side for someone max By.

782
00:34:24,040 --> 00:34:27,200
Speaker 3: But this is this is exciting. No, No, definitely.

783
00:34:27,280 --> 00:34:29,680
Speaker 2: I mean we were excited to see anything that Max

784
00:34:29,760 --> 00:34:33,399
Speaker 2: By does after his you know, his his release from prison,

785
00:34:33,480 --> 00:34:35,319
Speaker 2: to see you know what it sounds like as far

786
00:34:35,360 --> 00:34:39,319
Speaker 2: as the music. But we've always said Max Bey's personality,

787
00:34:40,320 --> 00:34:43,839
Speaker 2: especially now, it's something that he can probably capitalize off.

788
00:34:44,120 --> 00:34:47,200
Speaker 4: More so to see him sitting down with Cam and Mace.

789
00:34:47,560 --> 00:34:50,439
Speaker 2: Obviously, Cam and Mace know what the optics are gonna

790
00:34:50,440 --> 00:34:51,360
Speaker 2: look like with that, like.

791
00:34:51,400 --> 00:34:53,080
Speaker 3: We we that's what I want to get the guys

792
00:34:53,360 --> 00:34:55,799
Speaker 3: want to get to the guys. Listen, Cam Mace cut

793
00:34:55,880 --> 00:34:59,279
Speaker 3: the ship. First of all, I love y'all let's start there,

794
00:34:59,560 --> 00:35:01,919
Speaker 3: but cut the shit. Y'all know what y'all doing. Max.

795
00:35:02,000 --> 00:35:04,560
Speaker 4: You know exactly what this looks like. But I'm not

796
00:35:04,640 --> 00:35:05,000
Speaker 4: mad at it.

797
00:35:05,080 --> 00:35:07,440
Speaker 2: Listen, Man, if the guys could come together, I'd rather

798
00:35:07,520 --> 00:35:11,560
Speaker 2: see Cam and Mace doing business with Max. Obviously, you

799
00:35:11,600 --> 00:35:14,360
Speaker 2: know the relationship with Cam and Mace and Jim is

800
00:35:15,239 --> 00:35:17,920
Speaker 2: where it is. But I would I'd rather see them

801
00:35:18,800 --> 00:35:21,120
Speaker 2: doing something with Max than not doing something with them.

802
00:35:21,239 --> 00:35:23,359
Speaker 3: Yeah, you know what I'm saying. So I get how

803
00:35:23,440 --> 00:35:23,840
Speaker 3: it looks.

804
00:35:23,880 --> 00:35:27,400
Speaker 2: I get that, you know how it's going to come

805
00:35:27,440 --> 00:35:30,640
Speaker 2: across to you know, people that's looking at it and say, damn,

806
00:35:30,800 --> 00:35:33,239
Speaker 2: Like you know, Cam and Jim obviously, you know this

807
00:35:33,400 --> 00:35:37,200
Speaker 2: is another thing in there, their tift or they're kind

808
00:35:37,200 --> 00:35:38,759
Speaker 2: of whatever they have going on with each other that

809
00:35:39,200 --> 00:35:40,799
Speaker 2: is going to kind of push them further apart then

810
00:35:40,880 --> 00:35:43,960
Speaker 2: bring them closer. But I don't know where that stands.

811
00:35:44,040 --> 00:35:47,880
Speaker 2: But I'm happy to see Cam and Mace and Max.

812
00:35:48,440 --> 00:35:50,239
Speaker 2: We don't know what they were talking about, don't know

813
00:35:50,280 --> 00:35:53,040
Speaker 2: what they were sitting down discussing. I know the fact

814
00:35:53,040 --> 00:35:55,240
Speaker 2: that you know, it was definitely a lot of laughs

815
00:35:55,320 --> 00:35:57,920
Speaker 2: and jokes going on. But the fact that you know,

816
00:35:58,360 --> 00:36:00,520
Speaker 2: it's still there's still halling in the room, you know

817
00:36:00,520 --> 00:36:02,319
Speaker 2: what I mean, Jim is not there. You know, that's

818
00:36:02,760 --> 00:36:04,200
Speaker 2: you know how I feel about that. I wish that,

819
00:36:04,320 --> 00:36:07,120
Speaker 2: you know, it could all be a more unified thing.

820
00:36:07,200 --> 00:36:10,239
Speaker 2: But the fact that that's Cam and Mace and then

821
00:36:10,320 --> 00:36:12,400
Speaker 2: now Max sitting there, there's a lot of history and

822
00:36:13,080 --> 00:36:15,320
Speaker 2: you know a lot of things that people don't know

823
00:36:15,400 --> 00:36:18,759
Speaker 2: about at that table right there that it's just dope

824
00:36:18,800 --> 00:36:21,040
Speaker 2: to see them sitting down and having a conversation. And

825
00:36:21,120 --> 00:36:25,320
Speaker 2: then you know where Cam and Mace are in the

826
00:36:25,480 --> 00:36:28,120
Speaker 2: entertainment space, Yeah, and the things that they're probably able

827
00:36:28,200 --> 00:36:31,120
Speaker 2: to help Max with, you know, as far as maybe

828
00:36:31,160 --> 00:36:32,879
Speaker 2: getting his own situation, his own show.

829
00:36:34,800 --> 00:36:35,759
Speaker 4: I just think it's dope, man.

830
00:36:35,800 --> 00:36:38,120
Speaker 2: It's either in any way of capacity that Cam and

831
00:36:38,160 --> 00:36:40,480
Speaker 2: Mace could help Max. I think that is fire that

832
00:36:40,560 --> 00:36:43,520
Speaker 2: they've reached out and had some type of conversation with them.

833
00:36:44,040 --> 00:36:45,400
Speaker 3: Yeah. I mean, I think a couple of things can

834
00:36:45,440 --> 00:36:51,120
Speaker 3: be true no matter if Cam and Jim Jones Morcin

835
00:36:51,120 --> 00:36:53,600
Speaker 3: and I obviously Max and Cam gre Up. I think

836
00:36:53,880 --> 00:36:56,799
Speaker 3: in the same building obviously a lot of history there.

837
00:36:56,880 --> 00:37:00,480
Speaker 3: This would make sense regardless. But I also think that

838
00:37:00,680 --> 00:37:04,800
Speaker 3: Cam Mace and Max B are of elite level pettiness,

839
00:37:05,560 --> 00:37:07,720
Speaker 3: and this could go off the rails in the interview

840
00:37:10,120 --> 00:37:16,600
Speaker 3: Year three elite petty individuals with a common I don't

841
00:37:16,600 --> 00:37:22,040
Speaker 3: want to say enemy, but a current issue. Yeah, I

842
00:37:22,120 --> 00:37:23,440
Speaker 3: mean they share some issues.

843
00:37:24,200 --> 00:37:25,920
Speaker 2: But again, I don't even want to make this about

844
00:37:25,960 --> 00:37:28,840
Speaker 2: that because I'm not I'm not sitting here anticipating that

845
00:37:28,880 --> 00:37:31,279
Speaker 2: they're going to make this a thing of you know,

846
00:37:31,440 --> 00:37:34,439
Speaker 2: trying to I guess, you know, throw shots or ship

847
00:37:34,480 --> 00:37:35,360
Speaker 2: on gym with you.

848
00:37:35,480 --> 00:37:36,960
Speaker 3: I don't want that, I know how it's gonna look,

849
00:37:36,960 --> 00:37:40,120
Speaker 3: I'm saying, I don't. I don't know, man.

850
00:37:40,320 --> 00:37:43,560
Speaker 2: I just just seeing Max and since he's been home

851
00:37:43,600 --> 00:37:46,719
Speaker 2: and you know, just seeing videos of him online and

852
00:37:46,800 --> 00:37:49,280
Speaker 2: things like that. I just don't know if he's even

853
00:37:50,239 --> 00:37:53,200
Speaker 2: if he cares that much to even jump into that

854
00:37:53,280 --> 00:37:53,919
Speaker 2: type of energy.

855
00:37:53,920 --> 00:37:54,160
Speaker 3: I don't.

856
00:37:54,239 --> 00:37:56,880
Speaker 4: I think that he's more focused on Max B.

857
00:37:57,200 --> 00:37:59,359
Speaker 2: Like you know, because now when you do that, if

858
00:37:59,400 --> 00:38:01,520
Speaker 2: you jump right in to that energy, that's now sharing

859
00:38:02,440 --> 00:38:05,560
Speaker 2: your energy in this momentum that you have with Jim.

860
00:38:05,520 --> 00:38:07,200
Speaker 3: You know, man, And this is the one I'm the

861
00:38:07,320 --> 00:38:10,560
Speaker 3: least worried about in that regard. I think Cam it's

862
00:38:10,640 --> 00:38:11,120
Speaker 3: gonna be the one.

863
00:38:11,160 --> 00:38:12,279
Speaker 2: I don't be it, but I don't. But I don't

864
00:38:12,280 --> 00:38:14,200
Speaker 2: think Max is gonna allow that that. I think Max

865
00:38:14,280 --> 00:38:16,000
Speaker 2: want to focus on Max. He want to do Max

866
00:38:16,080 --> 00:38:18,319
Speaker 2: b shit. He want to get back to his wave

867
00:38:18,400 --> 00:38:21,080
Speaker 2: and doing what he do. But again, we know how

868
00:38:21,120 --> 00:38:22,759
Speaker 2: it's going to look if they do anything, they sit down,

869
00:38:23,160 --> 00:38:24,759
Speaker 2: if he's on you know, it is what it is.

870
00:38:25,640 --> 00:38:28,240
Speaker 2: You know, I'm obviously they're gonna talk about certain things.

871
00:38:28,360 --> 00:38:30,440
Speaker 2: But I just thought, I don't know the energy that

872
00:38:30,480 --> 00:38:32,560
Speaker 2: I'm seeing in Max. I think he's more focused on,

873
00:38:33,320 --> 00:38:36,200
Speaker 2: you know, getting his thing back in order and focusing

874
00:38:36,239 --> 00:38:37,600
Speaker 2: on what he has to do. I don't think he's

875
00:38:38,280 --> 00:38:41,320
Speaker 2: just that eager to jump back into a situation or

876
00:38:41,360 --> 00:38:43,200
Speaker 2: I guess a beef with somebody.

877
00:38:43,239 --> 00:38:44,480
Speaker 4: I don't think that that's the end. That's not the

878
00:38:44,600 --> 00:38:45,600
Speaker 4: energy I'm getting from Max.

879
00:38:45,960 --> 00:38:50,279
Speaker 2: Again, the optics, it's hard to ignore, Yeah, but I

880
00:38:50,280 --> 00:38:51,799
Speaker 2: don't I don't see that from Max. I don't see

881
00:38:51,800 --> 00:38:55,080
Speaker 2: Max even allowing it to turn into something where it's

882
00:38:55,160 --> 00:38:58,000
Speaker 2: like negative or you know. I think Max is more

883
00:38:58,080 --> 00:38:59,760
Speaker 2: so trying to figure out how he can take advantage

884
00:38:59,760 --> 00:39:02,600
Speaker 2: of this minium and you know, get right back into

885
00:39:02,680 --> 00:39:04,279
Speaker 2: what he was doing before he had to go away.

886
00:39:04,280 --> 00:39:06,719
Speaker 3: I don't think it's gonna be anything negative. Though. While

887
00:39:06,760 --> 00:39:11,600
Speaker 3: we're on that era of music into personalities, I feel

888
00:39:11,600 --> 00:39:13,200
Speaker 3: like some of my favorite rappers have become some of

889
00:39:13,239 --> 00:39:17,400
Speaker 3: my favorite personalities as well, because I think, Yeah on

890
00:39:17,760 --> 00:39:21,719
Speaker 3: Vlad is hilarious. I love Leak's podcast that he that

891
00:39:21,800 --> 00:39:24,560
Speaker 3: he doesn't in the Drink Champs network. But yeah, it

892
00:39:24,680 --> 00:39:28,399
Speaker 3: was on Vlad and he started a challenge. He said

893
00:39:28,400 --> 00:39:30,040
Speaker 3: he could beat Memphis Bleak in a verses.

894
00:39:31,800 --> 00:39:36,719
Speaker 4: Mm hmmm, No, I don't agree with that, all.

895
00:39:36,680 --> 00:39:44,520
Speaker 3: Right, Do you think it'd be close? At least? I

896
00:39:44,640 --> 00:39:46,080
Speaker 3: know you have to say I think it. I think

897
00:39:46,080 --> 00:39:46,480
Speaker 3: it would be.

898
00:39:47,719 --> 00:39:48,120
Speaker 4: Yeah, I don't.

899
00:39:48,120 --> 00:39:50,759
Speaker 2: I'm not saying Bleak would wash Tony ya yo. I'm

900
00:39:50,800 --> 00:39:54,480
Speaker 2: not gonna say that because yea Yo got he got

901
00:39:54,800 --> 00:39:57,239
Speaker 2: verses on some big records that he can obviously play.

902
00:39:59,200 --> 00:40:02,080
Speaker 4: But so does Bleak, you know what I mean.

903
00:40:02,200 --> 00:40:05,759
Speaker 3: So they're both in a similar space where they have

904
00:40:06,719 --> 00:40:09,000
Speaker 3: they have their own respective solo stuff, but they're on

905
00:40:09,280 --> 00:40:13,000
Speaker 3: so many great like posse and group cuts that it

906
00:40:13,040 --> 00:40:18,080
Speaker 3: would be it would be a tough matchup in my opinion.

907
00:40:18,800 --> 00:40:23,919
Speaker 3: Does he get to play Dear Summer it's his song Bleek. Yeah, yeah,

908
00:40:24,800 --> 00:40:25,800
Speaker 3: he's not rapping on it.

909
00:40:26,480 --> 00:40:27,120
Speaker 4: It's his song.

910
00:40:28,680 --> 00:40:31,279
Speaker 3: Fucking him just playing Dear Summer and they just sitting

911
00:40:31,280 --> 00:40:32,759
Speaker 3: there quietly, but.

912
00:40:32,880 --> 00:40:35,160
Speaker 2: Like jokes aside, Once Bleak start getting into the coming

913
00:40:35,200 --> 00:40:35,880
Speaker 2: of age and all of.

914
00:40:35,920 --> 00:40:38,440
Speaker 3: That, listen, but y'all, I'm not seeing Bleak is the

915
00:40:38,480 --> 00:40:39,720
Speaker 3: first slous when.

916
00:40:39,600 --> 00:40:41,160
Speaker 2: It comes to his catalog. Listen, I get it, I

917
00:40:41,239 --> 00:40:43,439
Speaker 2: get it. It's you know, it's his cool to crack

918
00:40:43,600 --> 00:40:46,200
Speaker 2: jokes and laugh and things like that. But Bleak has

919
00:40:47,800 --> 00:40:50,880
Speaker 2: songs he his first few albums, like Bleek was Bleak

920
00:40:50,960 --> 00:40:53,120
Speaker 2: has some ship out there in the streets. I know

921
00:40:53,160 --> 00:40:54,879
Speaker 2: a lot of people online now was young. They don't

922
00:40:54,880 --> 00:40:58,640
Speaker 2: really remember that. But like once Blee could play like

923
00:40:59,080 --> 00:41:01,000
Speaker 2: literally like joints like coming to Age and.

924
00:41:03,320 --> 00:41:04,000
Speaker 4: What's the other ship?

925
00:41:04,160 --> 00:41:05,160
Speaker 3: Is he on? Is that your chick?

926
00:41:05,280 --> 00:41:07,520
Speaker 4: Is we gonna what were talking about?

927
00:41:07,560 --> 00:41:07,680
Speaker 2: Though?

928
00:41:07,719 --> 00:41:09,879
Speaker 4: Like we could play some records that's like, I mean.

929
00:41:10,040 --> 00:41:11,799
Speaker 3: This is off, just like you know how Apple has

930
00:41:11,840 --> 00:41:14,000
Speaker 3: the essentials, but sometimes they miss a lot of stuff.

931
00:41:14,040 --> 00:41:17,759
Speaker 3: But just for a conversation, he was on, is that

932
00:41:17,880 --> 00:41:20,800
Speaker 3: your chick change the game? That's a win like that

933
00:41:21,480 --> 00:41:23,480
Speaker 3: he's on, It's all right, he has my favorite verse

934
00:41:23,480 --> 00:41:25,920
Speaker 3: on one nine hundred Hustler. You can play it all

935
00:41:25,960 --> 00:41:27,960
Speaker 3: right to win won that round you meet him and

936
00:41:28,080 --> 00:41:31,480
Speaker 3: her won that round. Yeah, I mean Bleak has joints

937
00:41:32,080 --> 00:41:33,839
Speaker 3: he got he got mine right, Yeah.

938
00:41:34,320 --> 00:41:37,160
Speaker 2: He got verses on songs that when they come on

939
00:41:38,400 --> 00:41:40,759
Speaker 2: on a Versus stage, Niggason be like, oh shit, I

940
00:41:40,800 --> 00:41:43,200
Speaker 2: forgot Bleak was on this joint, Like I know how

941
00:41:43,239 --> 00:41:45,000
Speaker 2: that would go now, so does ya.

942
00:41:45,080 --> 00:41:45,200
Speaker 3: Yo.

943
00:41:45,920 --> 00:41:48,439
Speaker 2: He got verses on songs that's like, oh shit, okay,

944
00:41:48,960 --> 00:41:50,399
Speaker 2: the whole gu and this shit what they was doing

945
00:41:50,400 --> 00:41:53,000
Speaker 2: with fifty. But we're not gonna just act like like

946
00:41:53,640 --> 00:41:55,560
Speaker 2: I don't know why Yayo would just say that. I

947
00:41:55,840 --> 00:41:57,480
Speaker 2: actually I know why Yoo will say that, because then

948
00:41:57,520 --> 00:41:59,239
Speaker 2: people will talk about it and it may become a

949
00:41:59,320 --> 00:42:01,520
Speaker 2: real thing, and Bleak and Yayo will get a bag

950
00:42:01,560 --> 00:42:04,839
Speaker 2: from Versus Like I get that, but yeah, and it's

951
00:42:04,880 --> 00:42:06,480
Speaker 2: not gonna be do. I don't want anybody to really

952
00:42:06,520 --> 00:42:07,919
Speaker 2: think that Bleak wild get washed.

953
00:42:08,400 --> 00:42:12,440
Speaker 3: The only thing with Yo, I mean, Yo does have

954
00:42:12,560 --> 00:42:14,440
Speaker 3: the whole BEG for Mercy gene, the album that he

955
00:42:14,480 --> 00:42:17,040
Speaker 3: can play, Like the amount of records that are on

956
00:42:17,160 --> 00:42:20,560
Speaker 3: Beg for Mercy is insane popping them things. My buddy

957
00:42:20,760 --> 00:42:22,400
Speaker 3: stunt one on one, want to get to know you,

958
00:42:23,200 --> 00:42:24,719
Speaker 3: Creopy love like.

959
00:42:25,239 --> 00:42:26,759
Speaker 4: None of those songs beat you and him.

960
00:42:28,000 --> 00:42:30,880
Speaker 3: You're not wrong. That is definitely when I smell pussy,

961
00:42:32,520 --> 00:42:33,960
Speaker 3: then he has own ship. I know you don't love

962
00:42:34,000 --> 00:42:38,400
Speaker 3: me so seductive. Someone on one like YAlO got joints, hemping,

963
00:42:38,440 --> 00:42:41,720
Speaker 3: I Love by Yo, Drama Satisfire, got records, he could plain.

964
00:42:41,719 --> 00:42:43,800
Speaker 3: It could be a cool matchup to be. It would be.

965
00:42:44,040 --> 00:42:45,600
Speaker 2: It would be, But I don't want people thinking that

966
00:42:45,640 --> 00:42:47,040
Speaker 2: Bleak is going to go in there and get washed.

967
00:42:48,040 --> 00:42:50,479
Speaker 2: That's all I'm just speaking. One think it's a pretty

968
00:42:50,480 --> 00:42:52,560
Speaker 2: good matchup that people are saying no Blea could get.

969
00:42:52,600 --> 00:42:53,279
Speaker 4: Don't listen.

970
00:42:53,400 --> 00:42:57,040
Speaker 2: Go do your due diligence on Bleak and listen to

971
00:42:57,120 --> 00:42:58,839
Speaker 2: the joints that he got, because I think a lot

972
00:42:58,880 --> 00:43:01,239
Speaker 2: of people it's just it's convenient for people to forget

973
00:43:01,280 --> 00:43:03,800
Speaker 2: about Memphis Bleak and the records that he got. But

974
00:43:04,320 --> 00:43:06,200
Speaker 2: Bleek got some shit that if he playing the verses,

975
00:43:07,160 --> 00:43:08,680
Speaker 2: niggas are going to turn each other like damn, I

976
00:43:08,719 --> 00:43:09,520
Speaker 2: forgot he was on this.

977
00:43:09,880 --> 00:43:13,839
Speaker 3: Yeah yeah, but then YAlO, like in between songs would

978
00:43:13,880 --> 00:43:15,719
Speaker 3: just be like all right, but I performed this in

979
00:43:15,840 --> 00:43:18,760
Speaker 3: Croatia while he scallops.

980
00:43:18,360 --> 00:43:20,160
Speaker 4: Yeah, dinosaur eggs and shit like that.

981
00:43:20,520 --> 00:43:23,359
Speaker 3: Yeah, and then you might like Yo points to yo.

982
00:43:24,560 --> 00:43:26,000
Speaker 3: I'm like, I don't know, man, I never had a

983
00:43:26,040 --> 00:43:29,080
Speaker 3: dinosaur egg. So shout out there. You got it, you won,

984
00:43:29,160 --> 00:43:34,400
Speaker 3: you got that. Rep Congratulations to Push your Tea and

985
00:43:34,520 --> 00:43:37,440
Speaker 3: his wife, they announced that they're having their second baby. Congrats,

986
00:43:38,680 --> 00:43:42,759
Speaker 3: and you know, usually just baby announcements, ironically, when you're

987
00:43:42,840 --> 00:43:45,560
Speaker 3: involving Push your Tea, usually just people say congrats and

988
00:43:45,600 --> 00:43:48,840
Speaker 3: move forward. But this became like a fucking debate based

989
00:43:48,920 --> 00:43:51,359
Speaker 3: off the caption that he had put up on ig

990
00:43:51,520 --> 00:43:54,200
Speaker 3: when he did announce that they were having their second child.

991
00:43:54,600 --> 00:43:55,920
Speaker 3: Ta Marius, I don't know if you want to read.

992
00:43:55,760 --> 00:43:58,160
Speaker 1: This one, so he wrote the first half I won't read.

993
00:43:58,200 --> 00:44:00,160
Speaker 1: It was more the first half was directed to his

994
00:44:00,280 --> 00:44:02,560
Speaker 1: son Nijoe, basically saying, you asked for a big brother,

995
00:44:02,680 --> 00:44:06,960
Speaker 1: you're getting one. Right to his wife Virginia, he said,

996
00:44:07,000 --> 00:44:08,640
Speaker 1: thank you for my second baby, boy. I hope you

997
00:44:08,719 --> 00:44:10,640
Speaker 1: carry on with the tradition and never teach me how

998
00:44:10,680 --> 00:44:13,399
Speaker 1: to change a diaper, preper meal, suck out a snati nose,

999
00:44:13,480 --> 00:44:15,480
Speaker 1: or anything else. A super mom. Does you make things

1000
00:44:15,600 --> 00:44:17,400
Speaker 1: very easy for me? And I love and appreciate you

1001
00:44:17,520 --> 00:44:21,040
Speaker 1: all for it. See you Spring twenty twenty six, My boy,

1002
00:44:21,920 --> 00:44:23,480
Speaker 1: I mean if that, if that stays set up.

1003
00:44:25,640 --> 00:44:28,239
Speaker 2: So wait, they was they was killing push your Teeth

1004
00:44:28,239 --> 00:44:30,759
Speaker 2: for saying that. Who was you just texting Push your tea?

1005
00:44:33,440 --> 00:44:35,600
Speaker 3: Yeah it's that.

1006
00:44:35,640 --> 00:44:37,439
Speaker 1: I hope you carry on with tradition and never teach

1007
00:44:37,520 --> 00:44:39,319
Speaker 1: me how to change a diaper, proper meal, suck out

1008
00:44:39,320 --> 00:44:42,440
Speaker 1: of sadi nose, or anything else as supermom does. So

1009
00:44:42,600 --> 00:44:45,120
Speaker 1: what people were attacking him for was basically saying that, oh,

1010
00:44:45,200 --> 00:44:46,240
Speaker 1: she's a single mom.

1011
00:44:46,600 --> 00:44:49,000
Speaker 3: Like, I mean, she's a single mom. How did they

1012
00:44:49,080 --> 00:44:49,600
Speaker 3: get that out of it?

1013
00:44:50,160 --> 00:44:53,600
Speaker 1: Well, because it's basically saying like that, you're a you're

1014
00:44:53,640 --> 00:44:55,560
Speaker 1: doing this like, you're doing it alone. You're being a

1015
00:44:55,600 --> 00:44:58,000
Speaker 1: superman being. Yeah, you're doing it alone. You have a

1016
00:44:58,080 --> 00:45:00,359
Speaker 1: partner in the house, everything's paid for, but you doing

1017
00:45:00,400 --> 00:45:00,800
Speaker 1: it alone.

1018
00:45:01,880 --> 00:45:04,120
Speaker 4: I didn't get that. I just I think that that

1019
00:45:04,320 --> 00:45:07,160
Speaker 4: was just his way of saying, you do it all.

1020
00:45:07,239 --> 00:45:11,919
Speaker 2: You're supermom like, because obviously he's an entertainer, he's away

1021
00:45:11,960 --> 00:45:15,400
Speaker 2: from home a lot. You know, that's just the dynamic

1022
00:45:15,640 --> 00:45:19,360
Speaker 2: of those type of relations when somebody is the entertainer

1023
00:45:19,440 --> 00:45:21,680
Speaker 2: or is a public figure or you know whatever, owns

1024
00:45:21,719 --> 00:45:24,080
Speaker 2: companies and they're away from home a lot. Somebody is

1025
00:45:24,160 --> 00:45:25,839
Speaker 2: home taking care of home, taking care of the kids,

1026
00:45:25,960 --> 00:45:28,319
Speaker 2: raising them and things like that. I think that's more

1027
00:45:28,360 --> 00:45:30,520
Speaker 2: of what that is, Like just push your tea in

1028
00:45:30,680 --> 00:45:32,960
Speaker 2: his own way, like you do everything, Like you know

1029
00:45:33,000 --> 00:45:35,279
Speaker 2: what I'm saying, I ain't basically pushing team saying he

1030
00:45:35,320 --> 00:45:37,000
Speaker 2: ain't shit like I don't do that.

1031
00:45:37,160 --> 00:45:39,360
Speaker 1: Yeah, but there's a difference between saying thank you for

1032
00:45:39,480 --> 00:45:42,520
Speaker 1: doing everything and thank you for keeping on a tradition

1033
00:45:42,640 --> 00:45:44,440
Speaker 1: and never teaching me how to do these things like

1034
00:45:44,560 --> 00:45:45,040
Speaker 1: you just do it.

1035
00:45:45,080 --> 00:45:45,600
Speaker 3: You don't have to tea.

1036
00:45:45,640 --> 00:45:47,560
Speaker 4: I don't have to listen to it, No, miss A Joe.

1037
00:45:47,640 --> 00:45:49,960
Speaker 2: I hope you carry on with tradition, and never teach

1038
00:45:50,040 --> 00:45:52,160
Speaker 2: me how to change a diaper, like push your t

1039
00:45:52,360 --> 00:45:53,279
Speaker 2: knows how to change a diaper.

1040
00:45:53,560 --> 00:45:56,320
Speaker 4: This is just shit talking like he definitely knows that.

1041
00:45:56,440 --> 00:45:56,560
Speaker 3: Well.

1042
00:45:56,600 --> 00:45:58,560
Speaker 1: You know what you do a lot when people say

1043
00:45:58,640 --> 00:46:01,319
Speaker 1: something very directly on what they mean, you make them

1044
00:46:01,400 --> 00:46:02,440
Speaker 1: sound better like, nah, that.

1045
00:46:02,440 --> 00:46:05,160
Speaker 3: Ain't what he meant. You think he think pus how

1046
00:46:05,200 --> 00:46:06,960
Speaker 3: to change a diaper? I think that will push it.

1047
00:46:07,080 --> 00:46:09,160
Speaker 2: I know how to turn one brick into three. You

1048
00:46:09,239 --> 00:46:11,960
Speaker 2: think he don't know how to change a diaper? He

1049
00:46:12,160 --> 00:46:14,439
Speaker 2: know how to put cut and re rock. You think

1050
00:46:14,480 --> 00:46:16,640
Speaker 2: he don't know how to change a diaper, He's rewrapped,

1051
00:46:17,640 --> 00:46:20,719
Speaker 2: y'all listen to You think he knows how to cook

1052
00:46:20,760 --> 00:46:23,040
Speaker 2: a brick and don't know how to change a diaper.

1053
00:46:24,239 --> 00:46:27,359
Speaker 3: Get a lot of cool cocaine references from this entire change.

1054
00:46:27,560 --> 00:46:29,600
Speaker 2: He knows how to change a diaper, man, I mean, yeah,

1055
00:46:29,719 --> 00:46:31,919
Speaker 2: he's not change a diaper now. I don't know if

1056
00:46:32,719 --> 00:46:34,600
Speaker 2: you know he knows you know how to though he

1057
00:46:34,680 --> 00:46:36,279
Speaker 2: may not know how to prep a meal. He could

1058
00:46:36,280 --> 00:46:39,040
Speaker 2: prep a brick, but you know it's a little different.

1059
00:46:39,040 --> 00:46:41,120
Speaker 2: But suck out of snoty nose, but he knows how

1060
00:46:41,120 --> 00:46:41,520
Speaker 2: to give.

1061
00:46:41,400 --> 00:46:42,840
Speaker 3: Him one, you go.

1062
00:46:43,440 --> 00:46:45,000
Speaker 4: He knows how to give you a running nose off

1063
00:46:45,040 --> 00:46:47,560
Speaker 4: that blow off, that line, that that rail you just.

1064
00:46:47,560 --> 00:46:49,680
Speaker 3: Did you know what I'm saying, like, yeah, yeah, And

1065
00:46:49,760 --> 00:46:51,840
Speaker 3: maybe he doesn't do this because he has like PTSD

1066
00:46:52,040 --> 00:46:54,520
Speaker 3: or gives him flashbacks. You know, if he was trying

1067
00:46:54,520 --> 00:46:57,640
Speaker 3: to change a diaper or prepper meal, he doesn't want

1068
00:46:57,640 --> 00:46:58,399
Speaker 3: to go back to that life.

1069
00:46:58,640 --> 00:47:00,880
Speaker 2: Yeah, so I think I was just his way of

1070
00:47:01,040 --> 00:47:04,400
Speaker 2: just having fun and just thanking his wife for doing everything.

1071
00:47:04,560 --> 00:47:05,480
Speaker 3: Like I think that's all this.

1072
00:47:05,560 --> 00:47:08,919
Speaker 2: People put too much stock into people's words and don't

1073
00:47:08,960 --> 00:47:12,719
Speaker 2: understand context. I mean, don't understand things like that.

1074
00:47:13,200 --> 00:47:15,840
Speaker 3: You know, even let's say it is completely true and direct.

1075
00:47:16,440 --> 00:47:19,040
Speaker 3: I don't know. Some people, if it works for your family,

1076
00:47:19,120 --> 00:47:21,440
Speaker 3: then do it that way. Oh that's some people have

1077
00:47:21,680 --> 00:47:25,080
Speaker 3: just older traditional ways of how a household goes with

1078
00:47:25,880 --> 00:47:27,960
Speaker 3: everyone's role. And then what's wrong with if it dark's

1079
00:47:27,960 --> 00:47:30,839
Speaker 3: for if she's pissed, then no, we should probably talk

1080
00:47:30,840 --> 00:47:33,080
Speaker 3: about this. But if it works for her and works

1081
00:47:33,120 --> 00:47:35,600
Speaker 3: for him, listen, this is why people are crazy.

1082
00:47:35,960 --> 00:47:39,919
Speaker 2: We sit here every week and read tweets and read

1083
00:47:40,000 --> 00:47:43,799
Speaker 2: social media and things about women dying to just be housewives,

1084
00:47:44,400 --> 00:47:45,839
Speaker 2: dying out. They have to get him and go to work,

1085
00:47:46,160 --> 00:47:48,839
Speaker 2: all right, So then take care of the kids, raise

1086
00:47:48,920 --> 00:47:51,520
Speaker 2: the family, take you home. So this is basically what

1087
00:47:51,640 --> 00:47:53,800
Speaker 2: push you in saying his wife is doing. She's a

1088
00:47:53,880 --> 00:47:56,000
Speaker 2: stay at home mom. Like you know what I'm saying,

1089
00:47:56,040 --> 00:47:58,680
Speaker 2: She's raising the kids, taking care of the home, and

1090
00:47:58,760 --> 00:48:01,480
Speaker 2: they're killing it. For that y'all asked for this every

1091
00:48:01,520 --> 00:48:03,840
Speaker 2: week y'all tomorrow, I just want to take care of

1092
00:48:03,840 --> 00:48:05,279
Speaker 2: the kids and drop the kids off at.

1093
00:48:05,520 --> 00:48:07,600
Speaker 3: School and go to pilates and go get a latte.

1094
00:48:07,880 --> 00:48:10,600
Speaker 2: Yeah, And now y'all mad at pushing for saying his

1095
00:48:10,760 --> 00:48:13,239
Speaker 2: wife takes care of the kids and goes to have

1096
00:48:13,320 --> 00:48:16,399
Speaker 2: a latte. Like like people just be looking for anything

1097
00:48:16,440 --> 00:48:17,160
Speaker 2: to be upset about.

1098
00:48:17,280 --> 00:48:19,640
Speaker 3: But the snowy nose thing, that's actually kind of fun.

1099
00:48:19,800 --> 00:48:22,080
Speaker 3: Like they have this this thing that you stick in

1100
00:48:22,120 --> 00:48:24,239
Speaker 3: your kids nose and you can paul suck out like

1101
00:48:24,360 --> 00:48:25,760
Speaker 3: the snot. It's like a fun activity.

1102
00:48:25,800 --> 00:48:28,640
Speaker 4: Actually, you like that, you'd be phone tomorrow.

1103
00:48:28,920 --> 00:48:32,440
Speaker 3: We both be laughing. Sometimes it's like, how how is

1104
00:48:32,520 --> 00:48:35,000
Speaker 3: all that sny in your little ass head?

1105
00:48:35,040 --> 00:48:35,080
Speaker 5: Is?

1106
00:48:36,800 --> 00:48:38,160
Speaker 3: Where are you storing this eating?

1107
00:48:38,440 --> 00:48:39,520
Speaker 4: What are you eating?

1108
00:48:40,160 --> 00:48:43,480
Speaker 3: Yeah, it's like it's satisfying to just see a bunch

1109
00:48:43,520 --> 00:48:46,920
Speaker 3: of snot going in that tube? Baby, What did you get?

1110
00:48:47,239 --> 00:48:50,719
Speaker 3: What you've been doing is like, epis do it close

1111
00:48:50,800 --> 00:48:53,200
Speaker 3: that lap? That laptop is fucking you up. Now. I

1112
00:48:53,239 --> 00:48:55,399
Speaker 3: don't know who you texting, who you talking to over there?

1113
00:48:55,880 --> 00:48:57,760
Speaker 3: You on the floor? What is the plug?

1114
00:48:57,840 --> 00:48:57,960
Speaker 5: Well?

1115
00:48:58,000 --> 00:49:00,120
Speaker 1: I was looking up stuff about push your tea? How

1116
00:49:00,200 --> 00:49:03,600
Speaker 1: old Nigel was the well their first kid. How old

1117
00:49:03,640 --> 00:49:06,040
Speaker 1: he was when the Last Time Pushing te released the album?

1118
00:49:06,080 --> 00:49:07,560
Speaker 1: But my laptop was about to die, so I had

1119
00:49:07,560 --> 00:49:10,000
Speaker 1: to plug it up. But while y'all were talking, I

1120
00:49:10,120 --> 00:49:11,400
Speaker 1: was plugging up the laptop.

1121
00:49:11,080 --> 00:49:12,640
Speaker 3: I thought the chair broke. I just see you on

1122
00:49:12,719 --> 00:49:15,600
Speaker 3: underneath the desk, Like alright, you're good? Yeah, all right? Cool?

1123
00:49:15,800 --> 00:49:18,680
Speaker 3: That would you be cool with this? Uh?

1124
00:49:19,640 --> 00:49:22,480
Speaker 2: Dynastic this scenario? Let me ask the Marris because I

1125
00:49:22,480 --> 00:49:27,440
Speaker 2: think any man would be You know that ship enough

1126
00:49:27,680 --> 00:49:29,320
Speaker 2: if you got to push your tea money? Nanny me,

1127
00:49:30,120 --> 00:49:30,560
Speaker 2: nanny me?

1128
00:49:32,400 --> 00:49:35,480
Speaker 3: So what do you do? Right? I do ship? Yeah?

1129
00:49:36,239 --> 00:49:37,920
Speaker 3: About Virginia Off, we're talking about Demeris.

1130
00:49:38,040 --> 00:49:39,759
Speaker 1: First of all, if you had a nanny, you would

1131
00:49:39,760 --> 00:49:42,280
Speaker 1: still be parenting, right, You would just have help parenting,

1132
00:49:42,320 --> 00:49:43,400
Speaker 1: but you would still be parenting.

1133
00:49:43,520 --> 00:49:45,120
Speaker 3: Yeah. I hate when people say if you if you

1134
00:49:45,160 --> 00:49:46,640
Speaker 3: have a nanny, you're not raising your child.

1135
00:49:46,680 --> 00:49:48,080
Speaker 2: That's just so not true. I don't agree with it.

1136
00:49:48,400 --> 00:49:52,000
Speaker 2: But you're changing the dynamics. Rory is working, he has

1137
00:49:52,080 --> 00:49:53,359
Speaker 2: a job, He's doing things.

1138
00:49:53,960 --> 00:49:54,440
Speaker 4: We're saying.

1139
00:49:54,560 --> 00:49:56,520
Speaker 2: If you're the stay at home, if you're the wife,

1140
00:49:56,960 --> 00:49:59,080
Speaker 2: you don't work, you don't have to get up and

1141
00:49:59,120 --> 00:50:02,680
Speaker 2: go to a job every day. You're saying you would

1142
00:50:02,680 --> 00:50:04,799
Speaker 2: then too, still want a nanny even though you don't

1143
00:50:04,840 --> 00:50:05,359
Speaker 2: have a job.

1144
00:50:06,840 --> 00:50:10,839
Speaker 3: Yeah, kids are a lot of they have two kids,

1145
00:50:10,960 --> 00:50:11,879
Speaker 3: Kids are a lot of work.

1146
00:50:12,360 --> 00:50:14,480
Speaker 1: If I have a nanny that can help me with

1147
00:50:14,600 --> 00:50:17,600
Speaker 1: the minuscule things of parenting, I can spend more quality

1148
00:50:17,680 --> 00:50:21,200
Speaker 1: time with my kid. Because now when my baby, I

1149
00:50:21,280 --> 00:50:23,120
Speaker 1: have this baby that I'm taking care of, and then

1150
00:50:23,160 --> 00:50:24,960
Speaker 1: I have a toddler that I'm also taking care of.

1151
00:50:25,160 --> 00:50:27,600
Speaker 1: Like if when the baby needs to nurse or be

1152
00:50:27,680 --> 00:50:29,439
Speaker 1: put to sleep and rock to sleep, if my nanny

1153
00:50:29,480 --> 00:50:31,520
Speaker 1: can do that, I can spend more quality time with

1154
00:50:31,640 --> 00:50:34,520
Speaker 1: my toddler. If my toddler needs to be distracted when

1155
00:50:34,520 --> 00:50:37,040
Speaker 1: I'm trying to do something for my baby baby, I

1156
00:50:37,160 --> 00:50:39,719
Speaker 1: can do that as well. Like it's help if I

1157
00:50:39,800 --> 00:50:42,440
Speaker 1: can have someone who's here to clean the dishes or

1158
00:50:42,520 --> 00:50:44,759
Speaker 1: put out a pajama while I help with the other Yeah,

1159
00:50:44,840 --> 00:50:47,960
Speaker 1: that's people need help with kids, especially if the other

1160
00:50:48,080 --> 00:50:51,120
Speaker 1: parent is on tour at the studio all the time,

1161
00:50:51,280 --> 00:50:52,800
Speaker 1: like and it's just me in the house. There's a

1162
00:50:52,840 --> 00:50:54,800
Speaker 1: reason why they say you need a two parent household.

1163
00:50:55,000 --> 00:50:59,520
Speaker 1: If one is gone mentally physically, he's gone. Yes, it's

1164
00:50:59,560 --> 00:51:01,279
Speaker 1: nice to have help with that. I don't think that

1165
00:51:01,360 --> 00:51:03,319
Speaker 1: that's crazy. So when people say, if you have a nanny,

1166
00:51:03,360 --> 00:51:04,840
Speaker 1: what are you doing? Do you know much ship it

1167
00:51:04,960 --> 00:51:06,600
Speaker 1: takes to take care of two kids, a toddler and

1168
00:51:06,680 --> 00:51:08,000
Speaker 1: a fucking a baby.

1169
00:51:09,200 --> 00:51:10,440
Speaker 4: I see people doing it old time.

1170
00:51:10,560 --> 00:51:11,839
Speaker 3: Yes, they can do it all the time. But if

1171
00:51:11,880 --> 00:51:13,920
Speaker 3: they had the option to have help, they would get it.

1172
00:51:14,239 --> 00:51:18,000
Speaker 3: They just prefer Okay, Well, that's that's their personal is

1173
00:51:18,719 --> 00:51:21,280
Speaker 3: like I need a nanny for like that's their personal opinion.

1174
00:51:21,400 --> 00:51:23,399
Speaker 1: Me person me personally, I want to be I want

1175
00:51:23,440 --> 00:51:25,080
Speaker 1: to when I wake up, I want somebody to help

1176
00:51:25,160 --> 00:51:27,200
Speaker 1: wake up with me and help me get my kids

1177
00:51:27,280 --> 00:51:30,000
Speaker 1: ready so that I'm not exhausted so that or help

1178
00:51:30,080 --> 00:51:31,560
Speaker 1: me with shit around the house so that when my

1179
00:51:31,640 --> 00:51:35,120
Speaker 1: kids come home, I'm not tired from cleaning and cooking.

1180
00:51:35,320 --> 00:51:38,040
Speaker 3: Would you would you? Could I ever be a nanny?

1181
00:51:38,200 --> 00:51:38,239
Speaker 2: No?

1182
00:51:38,719 --> 00:51:41,279
Speaker 3: No, that's not no, not for me.

1183
00:51:42,320 --> 00:51:43,239
Speaker 4: You don't love kids enough.

1184
00:51:43,520 --> 00:51:44,920
Speaker 3: No, it's not that I don't love kids enough.

1185
00:51:44,960 --> 00:51:46,560
Speaker 1: You can love kids. I love kids enough not to

1186
00:51:46,600 --> 00:51:48,120
Speaker 1: be a nanny. I don't have a lot of patience.

1187
00:51:49,120 --> 00:51:50,600
Speaker 2: I'm not a a Yeah, they would have you on

1188
00:51:50,719 --> 00:51:52,960
Speaker 2: date line slamming the kid up against the fun That's no,

1189
00:51:53,120 --> 00:51:54,000
Speaker 2: that's not what that means.

1190
00:51:54,640 --> 00:51:57,360
Speaker 4: That's on date Line, NBC.

1191
00:52:00,080 --> 00:52:07,000
Speaker 3: Bail Watch. They do little made across. Yeah, I know you.

1192
00:52:07,080 --> 00:52:09,239
Speaker 3: I'm just I give so much credit, like to the

1193
00:52:09,440 --> 00:52:11,759
Speaker 3: people at of Mars Daycare and then we were doing

1194
00:52:11,760 --> 00:52:14,160
Speaker 3: school tours for like three K and like the early

1195
00:52:14,280 --> 00:52:17,760
Speaker 3: learning stuff. I'm like, yo, this many young kids running

1196
00:52:17,760 --> 00:52:20,799
Speaker 3: around like y'all are the bravest people of all time. Yeah,

1197
00:52:21,840 --> 00:52:25,960
Speaker 3: that's a crazy job to me. Nanny anything in childcare

1198
00:52:26,080 --> 00:52:28,239
Speaker 3: of very young kids, yeah, like you have to be

1199
00:52:28,320 --> 00:52:30,640
Speaker 3: built a certain way to handle. I'm not saying a

1200
00:52:30,719 --> 00:52:34,120
Speaker 3: nanny for one kid that's whatever, But like being at

1201
00:52:34,160 --> 00:52:36,880
Speaker 3: a daycare, like there's a reason why it's two teachers

1202
00:52:36,960 --> 00:52:40,560
Speaker 3: and like six kids, Yeah, because that's a lot Like

1203
00:52:41,040 --> 00:52:44,160
Speaker 3: that ship is crazy to me. I get anxiety just

1204
00:52:44,280 --> 00:52:46,719
Speaker 3: walking into a Mars daycare with the chaos that is

1205
00:52:46,880 --> 00:52:49,680
Speaker 3: ensuing with all of these children running around very loud

1206
00:52:49,800 --> 00:52:52,560
Speaker 3: and would pick up time. Oh my god. And it's

1207
00:52:52,560 --> 00:52:53,520
Speaker 3: like they say, it's like a riot.

1208
00:52:53,600 --> 00:52:55,200
Speaker 4: Yeah, Like their bodies are like a lungs. They know

1209
00:52:55,280 --> 00:52:56,120
Speaker 4: when it's time to go home.

1210
00:52:56,200 --> 00:52:56,680
Speaker 3: Yeah, yeah, I.

1211
00:52:56,640 --> 00:52:58,279
Speaker 2: Don't remember that being that little and be like you

1212
00:52:58,400 --> 00:53:00,680
Speaker 2: know when you're about to like you about to leave.

1213
00:53:01,440 --> 00:53:03,400
Speaker 2: It's the best feeling ever, Like I'm out of here.

1214
00:53:03,440 --> 00:53:06,200
Speaker 2: I can't wait to go home and just do nothing.

1215
00:53:07,360 --> 00:53:08,520
Speaker 2: I do anything.

1216
00:53:08,760 --> 00:53:10,799
Speaker 3: I refuse to leave daycare one time because my mom

1217
00:53:10,840 --> 00:53:12,319
Speaker 3: got a haircut and I didn't think it was her.

1218
00:53:13,400 --> 00:53:16,719
Speaker 2: It's a hut a percent your story, he cried. Yeah,

1219
00:53:16,880 --> 00:53:19,560
Speaker 2: I like would not leave with her the fun does

1220
00:53:19,560 --> 00:53:21,480
Speaker 2: she get a buzz light year? Like what's she look like?

1221
00:53:21,719 --> 00:53:23,200
Speaker 3: I don't remember any of this is just a story

1222
00:53:23,239 --> 00:53:25,560
Speaker 3: that my mom tells everyone all the time. But I

1223
00:53:25,719 --> 00:53:28,319
Speaker 3: like refused. I was like grabbing onto the teacher's leg

1224
00:53:28,440 --> 00:53:29,399
Speaker 3: of like, that's not my mom.

1225
00:53:30,360 --> 00:53:30,719
Speaker 4: I see it.

1226
00:53:30,840 --> 00:53:32,280
Speaker 2: It should be a lot of videos like that online,

1227
00:53:32,320 --> 00:53:35,440
Speaker 2: like people like with their fathers cut their beds and

1228
00:53:35,560 --> 00:53:39,240
Speaker 2: the kids start crying Like I'm like that is so funny,

1229
00:53:39,320 --> 00:53:40,719
Speaker 2: but it's a real thing. Like you so used to

1230
00:53:40,760 --> 00:53:43,359
Speaker 2: seeing your parents, yeah a certain way, and then now

1231
00:53:43,400 --> 00:53:45,279
Speaker 2: they pop up with no hair on their face or

1232
00:53:45,320 --> 00:53:47,520
Speaker 2: no hair on their head, Like I'm not going with

1233
00:53:47,600 --> 00:53:47,959
Speaker 2: that person.

1234
00:53:47,960 --> 00:53:49,600
Speaker 3: That's not my mother. Yeah, I guess you just got

1235
00:53:49,719 --> 00:53:51,239
Speaker 3: to cut like a little shorter. And I was like

1236
00:53:51,360 --> 00:53:53,480
Speaker 3: there's no way that's my mom. I didn't know. I

1237
00:53:53,520 --> 00:53:55,080
Speaker 3: guess I didn't know what haircuts worth at the time,

1238
00:53:55,120 --> 00:53:57,160
Speaker 3: and I was like, her hair is like this, yeah,

1239
00:53:57,360 --> 00:53:59,080
Speaker 3: and that is not like every day her hair is

1240
00:53:59,160 --> 00:53:59,320
Speaker 3: like this.

1241
00:53:59,560 --> 00:54:00,399
Speaker 4: What is this ship?

1242
00:54:00,520 --> 00:54:02,879
Speaker 3: Yeah, trying to explain that to a kid that would

1243
00:54:02,880 --> 00:54:05,759
Speaker 3: be so frustrating, and like you're the person working at

1244
00:54:05,760 --> 00:54:07,520
Speaker 3: the daycareag just trying to go home, and like this

1245
00:54:07,680 --> 00:54:09,600
Speaker 3: is what's keeping me. Not even a real.

1246
00:54:09,480 --> 00:54:10,800
Speaker 4: Issue, it's just the haircut.

1247
00:54:11,000 --> 00:54:13,880
Speaker 3: I don't want to go. Is there anything left that

1248
00:54:14,120 --> 00:54:15,800
Speaker 3: we have to discuss before voicemails?

1249
00:54:15,880 --> 00:54:18,200
Speaker 2: What is this god catches fiance and her dead ex

1250
00:54:18,280 --> 00:54:19,359
Speaker 2: boyfriend's grave site thing?

1251
00:54:19,440 --> 00:54:19,839
Speaker 4: Is that real?

1252
00:54:20,040 --> 00:54:21,719
Speaker 3: Because here that's another thing that people just be doing

1253
00:54:21,719 --> 00:54:24,279
Speaker 3: shit for content, Like, Okay, this is not real, I

1254
00:54:24,320 --> 00:54:27,239
Speaker 3: can tele ready. Yeah, the actor and the acting is

1255
00:54:27,320 --> 00:54:31,480
Speaker 3: always so bad. This is a skid. Yeah, I mean

1256
00:54:31,480 --> 00:54:34,239
Speaker 3: the AI stuff gets me. But the fact that so

1257
00:54:34,320 --> 00:54:37,960
Speaker 3: many people think these couple skits are real is out

1258
00:54:38,000 --> 00:54:39,560
Speaker 3: of my mind. Like it's the most obvious.

1259
00:54:39,600 --> 00:54:41,799
Speaker 1: But you can make bands on Facebook doing that shit.

1260
00:54:42,000 --> 00:54:45,279
Speaker 1: Facebook falls for any fucking that's because all the old

1261
00:54:45,320 --> 00:54:47,919
Speaker 1: people is over there. Yeah, they don't know what's real

1262
00:54:47,960 --> 00:54:48,320
Speaker 1: and what's not?

1263
00:54:49,000 --> 00:54:49,560
Speaker 3: You know what I'm telling.

1264
00:54:49,600 --> 00:54:51,759
Speaker 2: My mother hit me with a story like did you

1265
00:54:51,840 --> 00:54:54,240
Speaker 2: see that boy that cam like mid that's not before

1266
00:54:54,280 --> 00:54:55,640
Speaker 2: she even finished on Midus, not real.

1267
00:54:56,680 --> 00:55:00,200
Speaker 4: Stop, that's just not it is. It's on face, It's

1268
00:55:00,320 --> 00:55:01,440
Speaker 4: definitely not real. If it's on.

1269
00:55:01,480 --> 00:55:05,920
Speaker 1: Facebook, it's not like just AI has made things on

1270
00:55:06,040 --> 00:55:09,520
Speaker 1: Facebook so bad and there's just it's all rage bait.

1271
00:55:09,640 --> 00:55:11,640
Speaker 1: Like the Internet has just become rage bait. People will

1272
00:55:11,680 --> 00:55:15,040
Speaker 1: create stories that people are going to argue about, like

1273
00:55:15,160 --> 00:55:17,200
Speaker 1: on Facebook all day and just get money off it,

1274
00:55:17,440 --> 00:55:18,440
Speaker 1: get money off the engagement.

1275
00:55:18,440 --> 00:55:20,400
Speaker 3: I don't know how people fall for the AI videos,

1276
00:55:20,440 --> 00:55:22,120
Speaker 3: though sometimes I fall from them.

1277
00:55:22,120 --> 00:55:25,000
Speaker 4: Shit I have I know when it's like I could

1278
00:55:25,120 --> 00:55:25,920
Speaker 4: you could just tell.

1279
00:55:26,000 --> 00:55:27,919
Speaker 3: These made an AI video of me? That shit pissed

1280
00:55:28,000 --> 00:55:28,239
Speaker 3: me up.

1281
00:55:28,360 --> 00:55:32,080
Speaker 1: AI video view what it was a picture, It's from

1282
00:55:32,120 --> 00:55:35,520
Speaker 1: my profile picture on Twitter, and they made it move

1283
00:55:35,880 --> 00:55:37,920
Speaker 1: like they made me like brush my hair back and

1284
00:55:38,080 --> 00:55:40,840
Speaker 1: like smile and like it was so fucking creepy.

1285
00:55:40,960 --> 00:55:42,640
Speaker 3: I was like, please never do this again. Did you

1286
00:55:42,680 --> 00:55:46,280
Speaker 3: see the AI video from our Lola Brook episodes?

1287
00:55:46,440 --> 00:55:48,280
Speaker 2: Oh yeah, when they lock all up it's a photo

1288
00:55:48,360 --> 00:55:50,120
Speaker 2: of us. And then randomly a cop comes in and

1289
00:55:50,320 --> 00:55:50,759
Speaker 2: rests small.

1290
00:55:50,800 --> 00:55:57,440
Speaker 3: I was like, what's thet I have no idea. I

1291
00:55:57,480 --> 00:55:59,160
Speaker 3: was like, did we talk about something on that episode

1292
00:55:59,160 --> 00:56:01,600
Speaker 3: where you got was so confused by that one and

1293
00:56:01,719 --> 00:56:02,440
Speaker 3: that's racist?

1294
00:56:02,640 --> 00:56:04,080
Speaker 4: Lock up the black man, that's true.

1295
00:56:04,239 --> 00:56:08,440
Speaker 3: It was weird. It's funny how that switched. It was

1296
00:56:08,480 --> 00:56:11,719
Speaker 3: so easy to manipulate kids because they didn't know any better.

1297
00:56:11,880 --> 00:56:16,960
Speaker 3: Now it's so easy to manipulate like baby boomers. Oh yeah,

1298
00:56:17,200 --> 00:56:20,600
Speaker 3: Like the roles have completely reversed in that regard. Like

1299
00:56:21,520 --> 00:56:23,920
Speaker 3: they'll see one thing and make up an entire political

1300
00:56:23,960 --> 00:56:25,880
Speaker 3: opinion based on something that was fake, and it'll just

1301
00:56:25,960 --> 00:56:30,480
Speaker 3: spread like wildfire on Facebook. You can get a baby

1302
00:56:30,480 --> 00:56:31,520
Speaker 3: boom or believe anything.

1303
00:56:32,440 --> 00:56:36,920
Speaker 2: But I mean, I just don't understand falling for certain things.

1304
00:56:37,000 --> 00:56:38,719
Speaker 2: Like it's sometimes just like when you see the things

1305
00:56:38,760 --> 00:56:40,719
Speaker 2: people upset about, it's like there's no way people think

1306
00:56:40,760 --> 00:56:43,200
Speaker 2: that this is real. But people do think a lot

1307
00:56:43,239 --> 00:56:46,279
Speaker 2: of this obvious shit that's fake they do think is real.

1308
00:56:46,360 --> 00:56:48,160
Speaker 4: And I'm just like, I don't know.

1309
00:56:48,239 --> 00:56:51,120
Speaker 2: I just don't understand getting caught out there like with skits,

1310
00:56:51,200 --> 00:56:53,040
Speaker 2: like these people thinking it's real, Like you think that

1311
00:56:53,080 --> 00:56:55,319
Speaker 2: would be the reaction of somebody caught their fiance yet

1312
00:56:55,320 --> 00:56:58,320
Speaker 2: there dead boyfriend's gravesite.

1313
00:56:58,400 --> 00:57:04,640
Speaker 3: And how you know where it's at? How do you

1314
00:57:04,760 --> 00:57:10,560
Speaker 3: know if this was real? He probably has our location? Yeah,

1315
00:57:10,600 --> 00:57:12,320
Speaker 3: but you're not doing that if you if you know

1316
00:57:12,400 --> 00:57:13,280
Speaker 3: somebody got your location.

1317
00:57:14,320 --> 00:57:18,800
Speaker 2: But if you caught your fiance at her ex's gravesite,

1318
00:57:18,840 --> 00:57:20,840
Speaker 2: would you be upset about that?

1319
00:57:22,600 --> 00:57:24,400
Speaker 3: She bought like wine and ship. They was having a

1320
00:57:24,480 --> 00:57:27,080
Speaker 3: dead date, Yeah, they was talking. They was catching up.

1321
00:57:27,200 --> 00:57:31,160
Speaker 1: Yeah, if you want to go visit them, get dead

1322
00:57:31,240 --> 00:57:35,760
Speaker 1: day though was spot on. Yeah, if you just go

1323
00:57:35,880 --> 00:57:39,160
Speaker 1: to visit them, like I hear that, Like, but all right,

1324
00:57:39,320 --> 00:57:43,240
Speaker 1: is she like a is she a grave digger? Like

1325
00:57:43,280 --> 00:57:47,000
Speaker 1: does she go to gravesites a lot? Like if her

1326
00:57:47,000 --> 00:57:48,880
Speaker 1: grandmother is dead, are you visiting your grandma a lot?

1327
00:57:50,480 --> 00:57:50,520
Speaker 2: No?

1328
00:57:51,720 --> 00:57:53,040
Speaker 3: Then yeah, I want to feel the way that you're

1329
00:57:53,040 --> 00:57:55,160
Speaker 3: going to your ex boyfriend, like if that's not your

1330
00:57:55,200 --> 00:57:57,840
Speaker 3: thing already, Like none of your family members get a

1331
00:57:57,920 --> 00:57:59,959
Speaker 3: visit put your ex us They didn't.

1332
00:58:01,160 --> 00:58:04,240
Speaker 4: I don't go to grave sites like I don't.

1333
00:58:04,280 --> 00:58:06,360
Speaker 2: I don't go to I saw the Eddie Murphy thing

1334
00:58:06,400 --> 00:58:09,320
Speaker 2: on Netflix and something on there. He was talking about

1335
00:58:09,360 --> 00:58:12,240
Speaker 2: how he's paid for a lot of like celebrity funerals

1336
00:58:12,280 --> 00:58:14,880
Speaker 2: like friends of his that had passed away, But he

1337
00:58:15,000 --> 00:58:16,200
Speaker 2: has never gone to a funeral.

1338
00:58:16,560 --> 00:58:19,720
Speaker 3: He never went to a funeral. No, oh wow, Like

1339
00:58:19,800 --> 00:58:21,840
Speaker 3: he won't go. He'll pay for it, all of that,

1340
00:58:22,000 --> 00:58:22,520
Speaker 3: but he won't.

1341
00:58:23,800 --> 00:58:25,400
Speaker 2: I don't know if he doesn't go, but he does

1342
00:58:25,480 --> 00:58:28,760
Speaker 2: definitely does not go inside the church, Like he doesn't

1343
00:58:28,840 --> 00:58:31,120
Speaker 2: view the body in the casket, Like he's not doing

1344
00:58:31,200 --> 00:58:34,280
Speaker 2: that whole thing. And I think I kind of understood

1345
00:58:34,320 --> 00:58:37,320
Speaker 2: that because he was saying, like that just the idea

1346
00:58:37,440 --> 00:58:39,840
Speaker 2: of seeing your loved one laying in the cast He

1347
00:58:39,960 --> 00:58:42,160
Speaker 2: was like, that's kind of like that's like a lot

1348
00:58:42,240 --> 00:58:44,640
Speaker 2: like I would rather let when they pass, let me.

1349
00:58:44,680 --> 00:58:46,080
Speaker 4: Just remember them the way I remember them.

1350
00:58:46,440 --> 00:58:48,200
Speaker 2: I don't want to see because seeing your loved one

1351
00:58:48,280 --> 00:58:51,560
Speaker 2: laying in the casket that's so final, like that state

1352
00:58:51,680 --> 00:58:54,800
Speaker 2: of just like them laying there. And I think Eddie

1353
00:58:54,880 --> 00:58:56,600
Speaker 2: was just alluding to like he he just would rather

1354
00:58:56,680 --> 00:59:00,520
Speaker 2: prefer not see his friends or family that passed away

1355
00:59:00,640 --> 00:59:03,160
Speaker 2: like in a casket. Like, but he'll he'll pay, he

1356
00:59:03,200 --> 00:59:06,400
Speaker 2: has no problem paying, but he's like not going.

1357
00:59:06,680 --> 00:59:08,640
Speaker 3: Y'all think there's anything wrong with that. I know a

1358
00:59:08,680 --> 00:59:10,880
Speaker 3: lot of people that don't go to open casket wakes

1359
00:59:10,880 --> 00:59:12,120
Speaker 3: because they don't want to see it. But we'll just

1360
00:59:12,160 --> 00:59:14,120
Speaker 3: go to the funeral when the caskets closed. Like I

1361
00:59:14,440 --> 00:59:16,360
Speaker 3: totally get that perspective for sure.

1362
00:59:16,640 --> 00:59:18,640
Speaker 2: I want to remember them the way I remember them,

1363
00:59:18,920 --> 00:59:22,080
Speaker 2: not the last fucking flash I have is likeugh, just

1364
00:59:22,160 --> 00:59:24,200
Speaker 2: a lifeless body. Yeah, that's That's the one thing I

1365
00:59:24,240 --> 00:59:26,800
Speaker 2: wish I didn't do was view my brother in the casket. Yeah,

1366
00:59:26,800 --> 00:59:28,440
Speaker 2: I can measuine like I would. That's the one thing

1367
00:59:28,480 --> 00:59:29,880
Speaker 2: I'm like, why did I do that? You know what

1368
00:59:29,880 --> 00:59:31,600
Speaker 2: I'm saying, Like because he was just such so full

1369
00:59:31,640 --> 00:59:34,160
Speaker 2: of life and so to see like the final that

1370
00:59:34,440 --> 00:59:36,520
Speaker 2: was just like that's the one thing and I'm not

1371
00:59:36,520 --> 00:59:38,560
Speaker 2: gonna I don't know if no, I've definitely going to

1372
00:59:38,640 --> 00:59:42,720
Speaker 2: funerals after that, but I don't. But it's definitely changed,

1373
00:59:42,880 --> 00:59:45,320
Speaker 2: like my way of going, Like I'll go to the funeral,

1374
00:59:45,360 --> 00:59:47,280
Speaker 2: but I'll sit all way in the back, like I'll

1375
00:59:47,280 --> 00:59:50,360
Speaker 2: beat there to show support to the family. But I

1376
00:59:50,400 --> 00:59:52,320
Speaker 2: don't think i've ever really, I don't think I've viewed

1377
00:59:52,360 --> 00:59:55,280
Speaker 2: anybody in the casket since my brother. Yeah, but that's too.

1378
00:59:55,760 --> 00:59:59,840
Speaker 2: My homeboy Danny passed away, didn't go up to his casket.

1379
01:00:00,160 --> 01:00:01,880
Speaker 2: I could see him from the back where we were standing.

1380
01:00:01,960 --> 01:00:04,480
Speaker 2: You could see him in the casket, but I refused

1381
01:00:04,520 --> 01:00:06,800
Speaker 2: to walk up to the castle. So I understood. Eddie

1382
01:00:06,840 --> 01:00:09,840
Speaker 2: Murphy was saying, like, that's just something that I'm just like,

1383
01:00:11,400 --> 01:00:13,280
Speaker 2: I understand why people don't want to see their loved

1384
01:00:13,320 --> 01:00:17,240
Speaker 2: ones and casks, Like that's just so finals. Like, first

1385
01:00:17,280 --> 01:00:19,160
Speaker 2: of all, that's not it doesn't even look like you

1386
01:00:19,160 --> 01:00:20,640
Speaker 2: know what I'm saying. It's like, nah, I can't. It's

1387
01:00:21,360 --> 01:00:23,000
Speaker 2: but I understood. I understood what he was saying.

1388
01:00:23,280 --> 01:00:26,280
Speaker 3: Yeah, I was a Paul Barer for Crack when Crack

1389
01:00:26,600 --> 01:00:29,560
Speaker 3: passed away. Yeah, being a Paul bar for that was

1390
01:00:29,640 --> 01:00:35,440
Speaker 3: not like my cousin. My cousin's open casket still sits

1391
01:00:35,480 --> 01:00:39,840
Speaker 3: with me. But the just cracking, how young like he looked,

1392
01:00:40,120 --> 01:00:43,240
Speaker 3: and having Paul Baron a round the casket for two

1393
01:00:43,320 --> 01:00:47,440
Speaker 3: days straight was like it was very past. Crack was

1394
01:00:48,080 --> 01:00:51,000
Speaker 3: two years younger than me. So thirty three, that's how

1395
01:00:51,160 --> 01:00:52,720
Speaker 3: my brother was me do Yeah.

1396
01:00:52,640 --> 01:00:53,680
Speaker 4: What is it with thirty three?

1397
01:00:54,880 --> 01:00:56,600
Speaker 2: Like so many people I know when they died young,

1398
01:00:56,720 --> 01:00:59,120
Speaker 2: Like looking back up, they were thirty three when they died. Yeah,

1399
01:01:00,320 --> 01:01:02,560
Speaker 2: I just had this conversation with him twenty five club

1400
01:01:02,600 --> 01:01:05,840
Speaker 2: or twenty eight club or something, it's twenty seven seventh club, Yep,

1401
01:01:05,920 --> 01:01:06,600
Speaker 2: it's twenty seven.

1402
01:01:06,640 --> 01:01:07,920
Speaker 3: But thirty three. I'm with you too.

1403
01:01:08,840 --> 01:01:10,840
Speaker 2: I know so many people that passed when they were

1404
01:01:10,880 --> 01:01:13,520
Speaker 2: thirty three, Like it's crazy. Yeah, like I don't know what,

1405
01:01:13,720 --> 01:01:15,840
Speaker 2: Like that's such like a I got to look into that.

1406
01:01:16,600 --> 01:01:18,240
Speaker 2: It has to be like some articles on that, like

1407
01:01:18,640 --> 01:01:22,720
Speaker 2: thirty three years old, like so many people passing it. Well, Jesus,

1408
01:01:22,840 --> 01:01:26,840
Speaker 2: yeah he died at thirty three, yeah, something, it has

1409
01:01:26,880 --> 01:01:29,320
Speaker 2: to be more to that. Yeah, because when you were

1410
01:01:29,320 --> 01:01:32,160
Speaker 2: saying that, just now, I swear something I said, I

1411
01:01:32,280 --> 01:01:33,920
Speaker 2: guarantee you Crack was thirty three. As soon as you

1412
01:01:33,960 --> 01:01:36,360
Speaker 2: were saying that, in my head, I was like, I'm

1413
01:01:36,400 --> 01:01:37,760
Speaker 2: wonder if he was thirty three because just what you

1414
01:01:37,840 --> 01:01:40,040
Speaker 2: were saying, like yeah so young and this' I'm like.

1415
01:01:40,760 --> 01:01:42,320
Speaker 3: And to your point with your brother too, like I

1416
01:01:42,320 --> 01:01:45,200
Speaker 3: don't how much time if you did you ever meet Cracked? Yeah?

1417
01:01:45,280 --> 01:01:47,880
Speaker 2: But I met him at actually not far from here,

1418
01:01:48,000 --> 01:01:50,920
Speaker 2: at some pop up that was his story was history.

1419
01:01:51,000 --> 01:01:51,480
Speaker 4: Wasn't from me?

1420
01:01:51,680 --> 01:01:55,880
Speaker 3: Yeah, another just full of life. Like seeing him that

1421
01:01:56,000 --> 01:02:00,240
Speaker 3: way was the strangest thing outside of obviously him asked

1422
01:02:00,240 --> 01:02:03,800
Speaker 3: at that point, but like that person being lifeless was

1423
01:02:03,880 --> 01:02:07,560
Speaker 3: like it was ere to even be around, like the loudest,

1424
01:02:07,600 --> 01:02:10,840
Speaker 3: funniest person all the time, and then it's like nothing silence. Yeah,

1425
01:02:11,760 --> 01:02:13,200
Speaker 3: it's a chilling feeling.

1426
01:02:13,240 --> 01:02:15,600
Speaker 2: I definitely understood what Eddi Murphy was saying. Yeah, I

1427
01:02:15,680 --> 01:02:17,720
Speaker 2: get it, But if y'all get a chance, you should

1428
01:02:17,720 --> 01:02:22,680
Speaker 2: watch it. I watched the The Frankenstein movie on Netflix. Great,

1429
01:02:23,200 --> 01:02:24,440
Speaker 2: really check it out.

1430
01:02:25,000 --> 01:02:27,720
Speaker 3: How much from the original story is in it?

1431
01:02:30,320 --> 01:02:33,040
Speaker 4: There's some of it, but this one they kind of

1432
01:02:33,120 --> 01:02:34,960
Speaker 4: tried to humanize them a little more.

1433
01:02:35,400 --> 01:02:36,920
Speaker 3: Okay, how did they do that?

1434
01:02:37,920 --> 01:02:39,800
Speaker 2: Well, you gotta watch it. Give it away, but it's

1435
01:02:40,000 --> 01:02:41,800
Speaker 2: you'll enjoy it. There's definitely a movie that you would

1436
01:02:41,800 --> 01:02:46,560
Speaker 2: definitely enjoy. Who's crazier? What's the professor's goun what's the

1437
01:02:46,640 --> 01:02:47,640
Speaker 2: name Victor Frankenstein?

1438
01:02:48,520 --> 01:02:49,880
Speaker 3: Yeah, who do you think? Who do you think was

1439
01:02:49,920 --> 01:02:51,880
Speaker 3: crazier when he was Frankenstein or when he was Victor?

1440
01:02:54,600 --> 01:02:57,640
Speaker 2: Well, no, Victor frankrank There two different people about the

1441
01:02:57,760 --> 01:02:59,919
Speaker 2: guy who is crazy, That's what I'm saying. Yeah, well,

1442
01:03:00,360 --> 01:03:04,000
Speaker 2: well the doctor that made that created Frankenstein was definitely

1443
01:03:04,040 --> 01:03:07,920
Speaker 2: that they were saying, like he was definitely like Frankenstein,

1444
01:03:08,000 --> 01:03:12,439
Speaker 2: took on his energy and his personality, like and even

1445
01:03:12,480 --> 01:03:15,000
Speaker 2: his brother, Victer's brother was like, you were the monster. Yeah,

1446
01:03:15,200 --> 01:03:16,800
Speaker 2: like you know what I'm saying. Like so, but it

1447
01:03:16,880 --> 01:03:18,360
Speaker 2: was a it was a really really good movie, Like,

1448
01:03:18,360 --> 01:03:20,480
Speaker 2: and I kept hearing so much about it. I was like,

1449
01:03:20,520 --> 01:03:21,680
Speaker 2: you know, let me watch the ship and it was

1450
01:03:21,720 --> 01:03:22,040
Speaker 2: really good.

1451
01:03:22,080 --> 01:03:22,200
Speaker 3: Though.

1452
01:03:22,480 --> 01:03:24,560
Speaker 2: Yeah, this long, but it's a good movie. I think

1453
01:03:24,600 --> 01:03:27,520
Speaker 2: we'll say the same thing about Elon that he's a monster,

1454
01:03:28,000 --> 01:03:28,920
Speaker 2: not the robot teammate.

1455
01:03:29,360 --> 01:03:30,600
Speaker 3: It's gonna be him. It's gonna be him.

1456
01:03:30,640 --> 01:03:32,440
Speaker 4: He put his personality in his robots.

1457
01:03:33,160 --> 01:03:35,880
Speaker 3: His likeness was in his likeness was in the robots.

1458
01:03:36,720 --> 01:03:37,640
Speaker 3: Who's the monster here?

1459
01:03:38,960 --> 01:03:41,240
Speaker 2: Anthony Joshua, Jake Paul, how do you feel about that?

1460
01:03:41,360 --> 01:03:44,720
Speaker 2: Peach December nineteenth. I like that better than the uh

1461
01:03:45,120 --> 01:03:47,200
Speaker 2: it was Rui's too. He was gonna do or dz

1462
01:03:47,720 --> 01:03:49,600
Speaker 2: ds too. They did ye out of Yeah.

1463
01:03:49,600 --> 01:03:52,640
Speaker 4: I like Anthony Joshua Jake Paul more than I like

1464
01:03:52,880 --> 01:03:54,040
Speaker 4: uh ds too.

1465
01:03:54,720 --> 01:03:57,960
Speaker 3: They just these random announcements now for fights and cancel.

1466
01:03:58,400 --> 01:04:00,880
Speaker 3: This is getting kind of crazy. He's not like professionals.

1467
01:04:01,160 --> 01:04:03,600
Speaker 2: Yeah, but I mean, shit, people understand Anthony josh will

1468
01:04:03,680 --> 01:04:05,560
Speaker 2: understand this might be one of his biggest paydays.

1469
01:04:05,680 --> 01:04:08,480
Speaker 3: He ain't turning that bag. Then he like, should I

1470
01:04:08,600 --> 01:04:10,240
Speaker 3: go fight him? For sure?

1471
01:04:10,280 --> 01:04:11,360
Speaker 2: You know what I'm saying, because you know, they still

1472
01:04:11,360 --> 01:04:13,320
Speaker 2: look at Jake Paul like he's not a real threat. Yeah,

1473
01:04:13,760 --> 01:04:17,120
Speaker 2: so he like, for that bag, I'm definitely gonna fight him. Now,

1474
01:04:17,120 --> 01:04:20,800
Speaker 2: I do feel like this is probably gonna be Jake Paul's, uh,

1475
01:04:21,640 --> 01:04:26,480
Speaker 2: probably his toughest fight. Anthony joshuabas being young, in great shape,

1476
01:04:26,880 --> 01:04:30,520
Speaker 2: a heavyweight, can really.

1477
01:04:30,400 --> 01:04:31,680
Speaker 4: Box, can hit hard.

1478
01:04:33,640 --> 01:04:35,720
Speaker 2: Yeah, I think this is I know, you know when

1479
01:04:35,760 --> 01:04:38,080
Speaker 2: it was tics and everybody's like, that's Mike, but he

1480
01:04:38,200 --> 01:04:40,160
Speaker 2: was still, you know, an older, older version of my

1481
01:04:40,240 --> 01:04:42,240
Speaker 2: Anthony Joshua was still young and in his prom So

1482
01:04:43,320 --> 01:04:46,520
Speaker 2: this is probably gonna be Jake Paul's toughest fight.

1483
01:04:47,000 --> 01:04:48,720
Speaker 4: We're gonna sit here when it comes time for the.

1484
01:04:48,760 --> 01:04:51,680
Speaker 2: Fight and say, oh, it was a clause and Anthony

1485
01:04:51,760 --> 01:04:53,760
Speaker 2: Joshua probably couldn't hit him. As you know, we're gonna

1486
01:04:54,000 --> 01:04:56,919
Speaker 2: put all of that into the conversation. But the fact

1487
01:04:56,960 --> 01:04:59,480
Speaker 2: that you know, Jake Paul is able to still get

1488
01:04:59,520 --> 01:05:03,400
Speaker 2: these fights booked and obviously on Netflix and still, you know,

1489
01:05:04,400 --> 01:05:05,720
Speaker 2: create this fandom around it.

1490
01:05:06,840 --> 01:05:10,160
Speaker 3: He's a marketing machine, man. Yeah you're not at I mean,

1491
01:05:10,320 --> 01:05:13,120
Speaker 3: I'll be tuned in for sure, I definitely will. I

1492
01:05:13,240 --> 01:05:14,640
Speaker 3: just want the Paul brothers to fight. I think that's

1493
01:05:14,640 --> 01:05:16,840
Speaker 3: just gonna be the end. That's gonna be They finally

1494
01:05:16,880 --> 01:05:20,760
Speaker 3: over that's the one with Jake and Logan fight. Yeah,

1495
01:05:21,560 --> 01:05:25,600
Speaker 3: it finally over it. We're finally over the stage. Well

1496
01:05:25,640 --> 01:05:28,680
Speaker 3: I am. I'm curious how this the ratings are going

1497
01:05:28,760 --> 01:05:30,560
Speaker 3: to be for this because there was that rumor we're

1498
01:05:30,600 --> 01:05:33,560
Speaker 3: tanking everything, that the fight was not properly promoted and

1499
01:05:33,600 --> 01:05:35,880
Speaker 3: they didn't have the same you know, energy they felt

1500
01:05:36,560 --> 01:05:40,920
Speaker 3: for Netflix for that fight. Is it on a decline

1501
01:05:40,960 --> 01:05:45,480
Speaker 3: with these again, Paul brothers are marketing geniuses, but all

1502
01:05:45,560 --> 01:05:47,480
Speaker 3: things do eventually start to fall off.

1503
01:05:47,800 --> 01:05:49,640
Speaker 2: What the thing is you you run out of people

1504
01:05:49,680 --> 01:05:53,560
Speaker 2: to fight? Yeah, that's like gonna be enticing and gonna

1505
01:05:53,600 --> 01:05:56,360
Speaker 2: be you know, worf you watching? So I think that's

1506
01:05:56,400 --> 01:05:59,920
Speaker 2: where Jake Paul might be headed with this is you know,

1507
01:06:00,240 --> 01:06:02,520
Speaker 2: you've run out of it now. The tank thing was

1508
01:06:02,680 --> 01:06:07,680
Speaker 2: like interesting because of obviously the size difference the matchup

1509
01:06:09,320 --> 01:06:12,560
Speaker 2: tank being one of the if not the best fighter

1510
01:06:12,560 --> 01:06:14,400
Speaker 2: in his in his class, in his division.

1511
01:06:16,120 --> 01:06:16,280
Speaker 4: You know.

1512
01:06:16,360 --> 01:06:18,280
Speaker 2: So that was a little enticing because it was like, Okay,

1513
01:06:18,840 --> 01:06:20,960
Speaker 2: when you know, when Jake fought Nate Robinson, it was

1514
01:06:21,040 --> 01:06:24,640
Speaker 2: like Nate was smaller than Like, Nate is not a boxer,

1515
01:06:24,800 --> 01:06:25,360
Speaker 2: you know what I'm.

1516
01:06:25,200 --> 01:06:26,840
Speaker 4: Saying, the athlete ell of an athlete.

1517
01:06:28,560 --> 01:06:30,760
Speaker 2: But with Tank, it's like, yeah, he's smaller than Jake Paul,

1518
01:06:30,880 --> 01:06:34,720
Speaker 2: but he's a fucking legit legend in his sport, you

1519
01:06:34,760 --> 01:06:35,240
Speaker 2: know what I'm saying.

1520
01:06:35,280 --> 01:06:39,560
Speaker 3: So, and I'm saying that somebody at their peak size

1521
01:06:39,560 --> 01:06:43,080
Speaker 3: difference is crazy. Jake Paul is a great marketing guy.

1522
01:06:43,120 --> 01:06:46,680
Speaker 3: You have every last thing that could be a home run,

1523
01:06:47,040 --> 01:06:49,520
Speaker 3: and it didn't work. And of course probably other reasons

1524
01:06:49,560 --> 01:06:52,200
Speaker 3: with Tank they explained, But I don't know. I just

1525
01:06:52,240 --> 01:06:55,120
Speaker 3: think next year, I think we're going to see a

1526
01:06:55,160 --> 01:06:58,720
Speaker 3: pretty big decline with these, like for Fundsie fights.

1527
01:06:59,600 --> 01:07:01,800
Speaker 2: That's far like people won't be kids too much about them.

1528
01:07:02,240 --> 01:07:03,800
Speaker 3: Of course they'll have people tune in, but I don't

1529
01:07:03,840 --> 01:07:05,880
Speaker 3: think it'll be to the level that it's been for

1530
01:07:05,960 --> 01:07:08,480
Speaker 3: the last two or three years. I mean, not starting

1531
01:07:08,520 --> 01:07:09,720
Speaker 3: to get a little bit over it.

1532
01:07:09,800 --> 01:07:12,400
Speaker 2: No pun intended, not unless you see Terrence Crawford versus

1533
01:07:12,480 --> 01:07:13,760
Speaker 2: Jake Bowl will be tuning in.

1534
01:07:14,200 --> 01:07:15,400
Speaker 3: That would be right there.

1535
01:07:16,960 --> 01:07:20,240
Speaker 4: If you see fucking uh, what's my guy's name? That

1536
01:07:20,360 --> 01:07:20,920
Speaker 4: Terrence just be.

1537
01:07:25,440 --> 01:07:28,120
Speaker 3: Your brother fucking Canelo.

1538
01:07:28,320 --> 01:07:34,120
Speaker 2: Yeah, if we see Canelo versus Jake Paul, that's interesting.

1539
01:07:35,280 --> 01:07:38,040
Speaker 2: So there's still just a couple of fights left that

1540
01:07:38,120 --> 01:07:39,880
Speaker 2: if you one of those boxes, want to grab a

1541
01:07:39,960 --> 01:07:43,200
Speaker 2: quick bag and just kind of ride off into the sunset, Like, but.

1542
01:07:43,280 --> 01:07:46,000
Speaker 3: How far away are we from De la Hoya versus

1543
01:07:46,000 --> 01:07:48,880
Speaker 3: fucking Jake Paul, like and and and anyone caring about that?

1544
01:07:49,800 --> 01:07:51,720
Speaker 2: Yeah, I don'tink anybody would care about De la Hoya

1545
01:07:51,760 --> 01:07:56,160
Speaker 2: and Jake Paul. Anthony Joshua versus Jake Pole's a little

1546
01:07:56,240 --> 01:07:59,000
Speaker 2: more yes enticing then for sure.

1547
01:07:59,040 --> 01:08:02,040
Speaker 3: Delahoyeah in Jake Paulo.

1548
01:08:03,920 --> 01:08:06,480
Speaker 2: P just saying is Floyd gonna fight Tyson? Was that

1549
01:08:06,600 --> 01:08:09,600
Speaker 2: something they talked about? I do remember seeing that that's

1550
01:08:09,600 --> 01:08:13,919
Speaker 2: supposed to be next year, right, maybe like twenty twenty six.

1551
01:08:14,040 --> 01:08:18,080
Speaker 3: Yeah, nah, But here now I'm starting to think that

1552
01:08:18,200 --> 01:08:20,280
Speaker 3: some of these fights that they announced, like they'll make

1553
01:08:20,360 --> 01:08:23,479
Speaker 3: money off the marketing and then cancel it. You get

1554
01:08:23,479 --> 01:08:25,240
Speaker 3: a bag just for announcing a fight. And then being

1555
01:08:25,280 --> 01:08:32,080
Speaker 3: like like you on my hand, Yeah, something happened. Something happened,

1556
01:08:32,320 --> 01:08:35,920
Speaker 3: tell us what happened something, because I mean shit, But

1557
01:08:36,000 --> 01:08:39,639
Speaker 3: Floyd will take any fight. He thought, Uh, John Gotty

1558
01:08:39,720 --> 01:08:42,560
Speaker 3: the fourth who was an MMA fighter that decided to

1559
01:08:42,680 --> 01:08:44,719
Speaker 3: go up. I'll try boxing against Floyd.

1560
01:08:44,880 --> 01:08:46,040
Speaker 2: Yeah, like.

1561
01:08:48,120 --> 01:08:50,080
Speaker 3: He did? He fight that up like fourteen year old

1562
01:08:50,080 --> 01:08:55,080
Speaker 3: Asian kid. You remember that Floyd has taking some sick fights, man,

1563
01:08:55,760 --> 01:08:58,160
Speaker 3: And what's so crazy about the Gotti in Mayweather win?

1564
01:08:59,080 --> 01:09:01,559
Speaker 3: They couldn't even get through the fight without a brawl,

1565
01:09:02,400 --> 01:09:03,040
Speaker 3: like it ended.

1566
01:09:02,920 --> 01:09:05,040
Speaker 4: Up just being fourteen he was twenty.

1567
01:09:06,120 --> 01:09:06,560
Speaker 3: I don't know what.

1568
01:09:07,760 --> 01:09:18,439
Speaker 2: Yeah, Absolutelynja Boy was his name. Tension Nasukawa said, I mean,

1569
01:09:18,439 --> 01:09:20,760
Speaker 2: I don't know what. Once the saudis by boxing, who

1570
01:09:20,840 --> 01:09:23,559
Speaker 2: knows what the matchups will be. We're gonna be fighting us,

1571
01:09:24,520 --> 01:09:28,080
Speaker 2: Roy versus Small Live for Vegas, for Saudi Netflix, Saudi

1572
01:09:28,160 --> 01:09:31,840
Speaker 2: money y, Let's hit you with everything but the kitchen

1573
01:09:31,960 --> 01:09:35,040
Speaker 2: think for that sound. I won't be mad at all

1574
01:09:36,360 --> 01:09:39,320
Speaker 2: for that Saudi money. You man, Me and Rory are

1575
01:09:39,360 --> 01:09:41,439
Speaker 2: bad knuckle fighting for that sound. The head buve me,

1576
01:09:41,479 --> 01:09:42,080
Speaker 2: bite my ear.

1577
01:09:42,560 --> 01:09:45,000
Speaker 3: Every penalty in boxing history you could for us at

1578
01:09:45,000 --> 01:09:45,599
Speaker 3: the first convergent.

1579
01:09:45,680 --> 01:09:47,639
Speaker 2: I want ten ounces. We can go in there bad knuckles.

1580
01:09:47,840 --> 01:09:49,920
Speaker 2: As long as that fucking check clear. I wouldn't give

1581
01:09:49,920 --> 01:09:51,160
Speaker 2: a fuck what we going to do?

1582
01:09:51,280 --> 01:09:53,679
Speaker 3: Why are we wasting time weighing ourselves. Let's go into

1583
01:09:53,720 --> 01:09:57,120
Speaker 3: the ring today night. I'm free tonight, like we could

1584
01:09:57,120 --> 01:09:58,920
Speaker 3: go right now. I don't care about a weight class.

1585
01:09:59,040 --> 01:10:02,439
Speaker 3: Let's just go all right. You know something like that

1586
01:10:02,600 --> 01:10:07,080
Speaker 3: is coming though. What podcast is fighting? Yes, that was

1587
01:10:07,080 --> 01:10:10,439
Speaker 3: already gonna happen. But the Saudis just doing what they

1588
01:10:10,479 --> 01:10:12,639
Speaker 3: did with the comedy festival, with everything else.

1589
01:10:12,960 --> 01:10:15,560
Speaker 4: Oh yeah, just here do that thing you do for me.

1590
01:10:16,040 --> 01:10:18,120
Speaker 3: Here's just fucking money. Yeah yeah, I think they're just

1591
01:10:18,200 --> 01:10:19,280
Speaker 3: gonna laugh tonight.

1592
01:10:19,640 --> 01:10:21,280
Speaker 4: Yeah, here's one hundred million. Make me laugh.

1593
01:10:21,320 --> 01:10:23,479
Speaker 3: Be fun. I'm gonna be a hole jester nigga. What

1594
01:10:23,960 --> 01:10:26,559
Speaker 3: what happens when the Saudis start their basketball league.

1595
01:10:27,200 --> 01:10:28,320
Speaker 4: I'm going Win's tryouts?

1596
01:10:29,200 --> 01:10:31,960
Speaker 3: When is tryout? I'm saying, remember the Riami, But j R.

1597
01:10:32,040 --> 01:10:34,680
Speaker 3: Smith got a crazy bag from China, right, Iverson got

1598
01:10:34,720 --> 01:10:37,719
Speaker 3: a pretty good overseas bag. What happens when the Saudis

1599
01:10:37,760 --> 01:10:40,000
Speaker 3: put their bid in and offers some of these NBA

1600
01:10:40,080 --> 01:10:41,439
Speaker 3: players a salary?

1601
01:10:43,360 --> 01:10:45,080
Speaker 2: They probably do the thing that they did with live golf,

1602
01:10:45,200 --> 01:10:46,720
Speaker 2: like once you go playing that, you can't come back

1603
01:10:46,720 --> 01:10:48,479
Speaker 2: to the NBA. I can see them doing some shit

1604
01:10:48,560 --> 01:10:51,800
Speaker 2: like that, like some stipulations and closes on it, like

1605
01:10:52,080 --> 01:10:53,840
Speaker 2: all right, cool, go get that bag, but you can't

1606
01:10:53,880 --> 01:10:56,760
Speaker 2: come back. And I don't think any American player is

1607
01:10:56,800 --> 01:10:59,080
Speaker 2: gonna greet it that like it's still an NBA at

1608
01:10:59,080 --> 01:11:00,800
Speaker 2: the end of the day, Like just that logo is just.

1609
01:11:00,920 --> 01:11:02,400
Speaker 3: Oh for sure, for sure, you know what I mean.

1610
01:11:02,840 --> 01:11:05,120
Speaker 3: But I don't know. Saudi money different.

1611
01:11:05,760 --> 01:11:06,840
Speaker 4: No, it's listening it is.

1612
01:11:07,000 --> 01:11:13,040
Speaker 2: But you know, like the NBA Superstars, if you say, yo,

1613
01:11:13,080 --> 01:11:15,120
Speaker 2: if you go this summer after the season's over and

1614
01:11:15,160 --> 01:11:18,080
Speaker 2: play in another a Saudi tournament because they're paying you

1615
01:11:18,120 --> 01:11:20,240
Speaker 2: one hundred million, you can't come back to the NBA.

1616
01:11:20,280 --> 01:11:22,719
Speaker 3: I don't see any NBA players doing that. What happens

1617
01:11:22,720 --> 01:11:25,160
Speaker 3: when the South Lebron's.

1618
01:11:24,800 --> 01:11:28,880
Speaker 2: Looking into it, No, no, no, starting your own league

1619
01:11:28,960 --> 01:11:32,679
Speaker 2: and then saying you can't come back. Lebron's retired, nobody's

1620
01:11:32,920 --> 01:11:34,479
Speaker 2: Lebron can do whatever the fuck you want. Like he's

1621
01:11:34,479 --> 01:11:36,479
Speaker 2: an NBA legend, he's the Hall of Famer, he's all

1622
01:11:36,520 --> 01:11:38,160
Speaker 2: of that. Like I'm talking about guys that are like

1623
01:11:38,680 --> 01:11:41,040
Speaker 2: twenty three, twenty four years old in their prime.

1624
01:11:41,120 --> 01:11:42,960
Speaker 4: They want to go get a bag once the NBA

1625
01:11:43,040 --> 01:11:43,679
Speaker 4: season is over.

1626
01:11:43,760 --> 01:11:46,439
Speaker 2: Because the Saudi said, Yo, listen, we'll pay you one

1627
01:11:46,520 --> 01:11:48,400
Speaker 2: hundred million for two months to come over in and

1628
01:11:48,479 --> 01:11:53,160
Speaker 2: who I could see the NBA saying cool, but you

1629
01:11:53,280 --> 01:11:54,400
Speaker 2: cannot come back to the NBA.

1630
01:11:54,760 --> 01:11:56,920
Speaker 3: Yeah, but then where do you draw a line because

1631
01:11:56,920 --> 01:12:01,519
Speaker 3: they allow that with so many other countries, like that'd

1632
01:12:01,560 --> 01:12:03,840
Speaker 3: be weird just for but then again, the NBA has

1633
01:12:03,880 --> 01:12:07,040
Speaker 3: done that just with Chris Paul with the trade of them.

1634
01:12:08,120 --> 01:12:11,920
Speaker 2: You can't you can't play in no paid league like

1635
01:12:12,080 --> 01:12:13,479
Speaker 2: when you're under the NBA contract.

1636
01:12:13,920 --> 01:12:15,280
Speaker 3: No, but you could leave. You could leave and go

1637
01:12:15,360 --> 01:12:17,000
Speaker 3: play in China and then come back to the NBA.

1638
01:12:17,360 --> 01:12:20,120
Speaker 3: Not why you have an NBA contract. If j R.

1639
01:12:20,160 --> 01:12:22,519
Speaker 2: Smith came back, right, he wasn't on an NBA contract

1640
01:12:22,560 --> 01:12:24,559
Speaker 2: with nobody, no I know, but I'm saying he could

1641
01:12:24,560 --> 01:12:26,080
Speaker 2: still come back to the league. Like It's not like

1642
01:12:26,160 --> 01:12:29,559
Speaker 2: he left the Knicks and while he had a three

1643
01:12:29,640 --> 01:12:32,000
Speaker 2: year contract and went to China. Know what I'm saying is,

1644
01:12:33,160 --> 01:12:35,519
Speaker 2: so if NBA player has a contract right now, once

1645
01:12:35,560 --> 01:12:38,320
Speaker 2: the season is over, you still cannot go play in

1646
01:12:38,360 --> 01:12:40,800
Speaker 2: any paid league. Now if you're a free agent you

1647
01:12:40,840 --> 01:12:44,760
Speaker 2: don't have a contract. Yeah that's different. Okay, some guys

1648
01:12:44,800 --> 01:12:46,240
Speaker 2: it's like, okay, I'm gonna go pick up this bag

1649
01:12:46,479 --> 01:12:48,519
Speaker 2: and then I'll signed with a playoff team like cause

1650
01:12:48,520 --> 01:12:50,679
Speaker 2: this this this se the season over here is over

1651
01:12:51,240 --> 01:12:53,280
Speaker 2: this month, I'll go back to the NBA. I'll be

1652
01:12:53,400 --> 01:12:56,559
Speaker 2: in the in the free agent pool and probably get

1653
01:12:56,600 --> 01:12:57,639
Speaker 2: picked up by a playoff team.

1654
01:12:57,760 --> 01:13:00,600
Speaker 3: I thought you were suggesting that once you play in

1655
01:13:00,720 --> 01:13:03,840
Speaker 3: the hypothetical Saudi League, you can never play in the

1656
01:13:03,960 --> 01:13:06,760
Speaker 3: NBA again, not like, yeah, I can see the Nbaah,

1657
01:13:06,760 --> 01:13:08,479
Speaker 3: I can see the NBA saying I under saying that

1658
01:13:08,680 --> 01:13:10,439
Speaker 3: if they don't do that with any other country. So

1659
01:13:10,520 --> 01:13:13,360
Speaker 3: it's like just putting it on the Saudis is crazy

1660
01:13:14,880 --> 01:13:17,000
Speaker 3: just because they have so much fucking money. But China

1661
01:13:17,040 --> 01:13:19,320
Speaker 3: has fucking money. They just yeah, they don't. They throw

1662
01:13:19,320 --> 01:13:20,559
Speaker 3: it around in different places.

1663
01:13:21,000 --> 01:13:22,400
Speaker 2: But that would be interesting though, Like if a guy

1664
01:13:22,479 --> 01:13:24,000
Speaker 2: is a free agent NBA and then he says I'm

1665
01:13:24,000 --> 01:13:25,800
Speaker 2: going overseas, like I'm not gonna sign with the NBA

1666
01:13:25,880 --> 01:13:27,920
Speaker 2: team for the two years and go play in the

1667
01:13:28,000 --> 01:13:29,720
Speaker 2: Sauter League. I wonder what the NBA would do about that,

1668
01:13:30,000 --> 01:13:31,920
Speaker 2: Like they probably would say that, like put a close on.

1669
01:13:31,920 --> 01:13:34,960
Speaker 3: That weapons when the Saudis go with all the owners

1670
01:13:35,000 --> 01:13:37,000
Speaker 3: and give them a fucking money deal.

1671
01:13:37,240 --> 01:13:38,840
Speaker 2: Oh now you're gonna do whatever they want you to do.

1672
01:13:39,520 --> 01:13:42,000
Speaker 2: Now the NBA is there, Yeah, you're gonna go play

1673
01:13:42,000 --> 01:13:43,880
Speaker 2: anyway they tell you to play it. It would make

1674
01:13:43,880 --> 01:13:49,519
Speaker 2: you a world champ, absolutely, maul. I have a funny

1675
01:13:49,560 --> 01:13:50,320
Speaker 2: cash app story.

1676
01:13:50,360 --> 01:13:53,320
Speaker 3: I was I was out over the weekend and I

1677
01:13:53,439 --> 01:13:55,479
Speaker 3: went to split a bill with somebody and I was like, yeah,

1678
01:13:55,560 --> 01:13:57,640
Speaker 3: just I'll just cash app. You make it easy if

1679
01:13:57,640 --> 01:13:59,360
Speaker 3: you just want to put it on your car. Simple.

1680
01:13:59,560 --> 01:14:01,320
Speaker 3: We all have cash app. It's the best way to go.

1681
01:14:01,760 --> 01:14:05,000
Speaker 3: But they tried to give me a hard time. I

1682
01:14:05,080 --> 01:14:06,679
Speaker 3: think the bill was like one hundred and ten dollars

1683
01:14:06,880 --> 01:14:09,880
Speaker 3: and I just sent them fifty five bucks. They wanted

1684
01:14:09,920 --> 01:14:13,840
Speaker 3: me to include the sense that's somebody. They was like, wait,

1685
01:14:13,880 --> 01:14:15,080
Speaker 3: you just sent it even that's not how the bill.

1686
01:14:15,240 --> 01:14:16,759
Speaker 3: It was like one hundred and ten dollars and sixty

1687
01:14:16,800 --> 01:14:19,880
Speaker 3: three cents. They got mad that I just rounded until

1688
01:14:20,200 --> 01:14:20,920
Speaker 3: you foust somebody.

1689
01:14:20,960 --> 01:14:24,000
Speaker 4: You never need to talk to again. No more hanging out.

1690
01:14:23,960 --> 01:14:26,080
Speaker 3: I'm like, yo, it's easy enough with cash app. Now

1691
01:14:26,120 --> 01:14:27,800
Speaker 3: you're trying something I need to add this sense into that.

1692
01:14:27,840 --> 01:14:30,040
Speaker 3: And they said, well, well cash app does the sense. Yeah,

1693
01:14:30,920 --> 01:14:34,439
Speaker 3: sending that thirty cents. Cash app is more than just

1694
01:14:34,479 --> 01:14:36,400
Speaker 3: a safe way to send and receive money with the

1695
01:14:36,439 --> 01:14:38,800
Speaker 3: cash app card. You get tons of perks without hidden fees.

1696
01:14:38,920 --> 01:14:41,439
Speaker 3: Think early access to concert presales like Kendrick Lamar and

1697
01:14:41,479 --> 01:14:45,240
Speaker 3: Sabrina Carpenter, plus discounts on everyday purchases at brands you're

1698
01:14:45,240 --> 01:14:47,880
Speaker 3: probably already spending money on. It also keeps your money

1699
01:14:47,920 --> 01:14:51,599
Speaker 3: safe by automatically flagging suspicious transactions and letting you lock

1700
01:14:51,680 --> 01:14:54,680
Speaker 3: your card instantly if it's ever lost your stone for.

1701
01:14:54,680 --> 01:14:56,960
Speaker 2: A limited time, new cash app customers can earn ten

1702
01:14:57,000 --> 01:14:58,920
Speaker 2: dollars if they use colde cash app ten and their

1703
01:14:58,960 --> 01:15:01,400
Speaker 2: profile at sign up and send five dollars to a

1704
01:15:01,479 --> 01:15:04,720
Speaker 2: frame within fourteen days. Terms apply. Cash app is a

1705
01:15:04,800 --> 01:15:08,320
Speaker 2: financial services platform, not a bank. Banking services provided by

1706
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Speaker 2: cash as bank partners, prepaid debit cards issued by Sudden

1707
01:15:11,760 --> 01:15:15,960
Speaker 2: Bank members FDIC, discounts and promotions provided by cash App,

1708
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Speaker 2: a Block Incorporated brand. Visitcash dot App, Forward Slash Legal,

1709
01:15:20,200 --> 01:15:22,200
Speaker 2: Full Slash podcast for full disclosures.

1710
01:15:22,520 --> 01:15:26,240
Speaker 3: This episode is sponsored by Betterhelp. Seasons are changing and

1711
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1721
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Speaker 3: initial matching work for you so you can focus on

1722
01:15:58,920 --> 01:16:02,880
Speaker 3: your therapy goals. A short questionnaire helps identify your needs, preferences,

1723
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Speaker 3: and their twelve plus years of experience in the industry

1724
01:16:06,040 --> 01:16:10,080
Speaker 3: leading match fulfillment rate with over thirty thousand therapists. Betterhelp

1725
01:16:10,160 --> 01:16:13,080
Speaker 3: is one of the world's largest online therapy platforms, having

1726
01:16:13,160 --> 01:16:17,120
Speaker 3: served over five million people globally, and it works with

1727
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Speaker 3: an average rate of four point nine out of five

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Speaker 3: stars with every live session based over one point seven

1729
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Speaker 3: million client reviews. This month. Don't wait to reach out

1730
01:16:26,280 --> 01:16:28,280
Speaker 3: whether you're checking in on a friend or reaching out

1731
01:16:28,439 --> 01:16:31,280
Speaker 3: to a therapist yourself. Betterhelp makes it easy to take

1732
01:16:31,360 --> 01:16:33,760
Speaker 3: that first step. Our listeners get ten percent off their

1733
01:16:33,800 --> 01:16:36,599
Speaker 3: first month at betterhelp dot com slash roymore. That's better

1734
01:16:36,840 --> 01:16:46,080
Speaker 3: help dot com slash roy more. Do we have voicemails?

1735
01:16:46,160 --> 01:16:49,120
Speaker 2: Yes we do, sponsored by Boost Mobile, Unlimited Talk, Text

1736
01:16:49,200 --> 01:16:50,240
Speaker 2: and Dota for twenty five.

1737
01:16:50,120 --> 01:16:50,639
Speaker 3: Dollars a month.

1738
01:16:51,000 --> 01:16:51,800
Speaker 4: You've got mail?

1739
01:16:52,680 --> 01:16:53,320
Speaker 5: Yo, what's up?

1740
01:16:53,439 --> 01:16:53,679
Speaker 3: Pod?

1741
01:16:54,200 --> 01:16:56,760
Speaker 5: Can you please help me with the situation because I'm

1742
01:16:56,840 --> 01:16:57,679
Speaker 5: truly puzzled?

1743
01:16:58,280 --> 01:16:58,640
Speaker 3: All right?

1744
01:16:58,760 --> 01:17:01,400
Speaker 5: So me and my sister wrapped in debating on whether

1745
01:17:01,520 --> 01:17:04,240
Speaker 5: it's okay for a woman to approach a man. She

1746
01:17:04,479 --> 01:17:08,560
Speaker 5: says no, no matter the circumstance, the environment, the situation,

1747
01:17:09,320 --> 01:17:12,000
Speaker 5: a woman should never approach a man. And I think

1748
01:17:12,040 --> 01:17:15,080
Speaker 5: the opposite. There's the saying, there's plenty of fish in

1749
01:17:15,120 --> 01:17:17,000
Speaker 5: the sea, but how do you expect to catch a

1750
01:17:17,080 --> 01:17:19,599
Speaker 5: fish if you never go fishing, you know what I mean?

1751
01:17:20,400 --> 01:17:20,680
Speaker 3: And so.

1752
01:17:22,600 --> 01:17:26,720
Speaker 5: Whether you and even the club, a concert wherever, if

1753
01:17:26,760 --> 01:17:28,600
Speaker 5: you see some you like, it's okay to give a

1754
01:17:28,640 --> 01:17:30,559
Speaker 5: little tap, a little hey, ye little what's up?

1755
01:17:30,680 --> 01:17:32,000
Speaker 3: I see you? You know?

1756
01:17:32,200 --> 01:17:34,760
Speaker 5: And you leave it at that, leave the chase into

1757
01:17:34,840 --> 01:17:37,000
Speaker 5: the man lead the dates. Whatever I get, y'all, that

1758
01:17:37,160 --> 01:17:40,400
Speaker 5: lead that to the god. But as a woman, if

1759
01:17:40,479 --> 01:17:43,080
Speaker 5: you see something that you like, why not go say

1760
01:17:43,160 --> 01:17:47,160
Speaker 5: how first? Baby d can you please chime in on

1761
01:17:47,280 --> 01:17:50,960
Speaker 5: whether if it's cool or not and what situation would

1762
01:17:50,960 --> 01:17:53,280
Speaker 5: it not be cool? I just want to dad this,

1763
01:17:53,479 --> 01:17:56,120
Speaker 5: so y'all, please let me know appreciate y'all.

1764
01:17:57,080 --> 01:17:59,840
Speaker 2: She's so at the end of The Parker showman you

1765
01:18:00,160 --> 01:18:02,360
Speaker 2: so used to be like on an outro or The

1766
01:18:02,400 --> 01:18:04,600
Speaker 2: Parking Show, they talk like that's what she sounds like.

1767
01:18:04,640 --> 01:18:06,840
Speaker 3: It's like, are you reading that off your phone? She

1768
01:18:06,880 --> 01:18:10,519
Speaker 3: sounds like a voice Over're definitely reading that. She had

1769
01:18:10,560 --> 01:18:12,600
Speaker 3: that delivery. I liked it. No, no, I loved it.

1770
01:18:12,760 --> 01:18:15,839
Speaker 4: Like no, I think it's cool for women to approaches

1771
01:18:15,880 --> 01:18:16,120
Speaker 4: the guy.

1772
01:18:16,160 --> 01:18:16,960
Speaker 3: I think it's great. Yeah.

1773
01:18:16,960 --> 01:18:20,120
Speaker 4: I don't think there's anything. Yeah, there's nothing. It's nothing wrong.

1774
01:18:20,160 --> 01:18:23,360
Speaker 2: I mean shit, nowadays I might have to niggas getting

1775
01:18:23,360 --> 01:18:24,080
Speaker 2: canceled for everything.

1776
01:18:24,320 --> 01:18:24,880
Speaker 4: Harassment.

1777
01:18:25,360 --> 01:18:27,840
Speaker 2: I'm just I'm just saying we had a moment where

1778
01:18:27,880 --> 01:18:29,880
Speaker 2: it was like, Yo, he was flirting with me. It's

1779
01:18:29,880 --> 01:18:31,519
Speaker 2: like I just said, hello, Like what you're talking about?

1780
01:18:31,520 --> 01:18:32,160
Speaker 3: Flirting with you? Like?

1781
01:18:33,120 --> 01:18:36,240
Speaker 2: So women should I'm not gonna say approach men, but

1782
01:18:37,240 --> 01:18:39,160
Speaker 2: give the hint that you're not mad if he comes

1783
01:18:39,200 --> 01:18:40,880
Speaker 2: over and decides to talk to you, like kind of

1784
01:18:40,960 --> 01:18:41,280
Speaker 2: give that.

1785
01:18:41,400 --> 01:18:43,760
Speaker 3: Give the reassurance that you're interested in is give.

1786
01:18:43,720 --> 01:18:44,880
Speaker 4: That woman that that energy.

1787
01:18:45,040 --> 01:18:46,720
Speaker 2: It's like okay, Like she keep looking at me, she's

1788
01:18:46,760 --> 01:18:49,000
Speaker 2: smiling at me, like okay, cool, Like I can go

1789
01:18:49,160 --> 01:18:52,120
Speaker 2: say hello and introduce myself, like but you know, it

1790
01:18:52,280 --> 01:18:55,120
Speaker 2: is it is. It is a moment where men walking

1791
01:18:55,200 --> 01:18:57,160
Speaker 2: up to women and just start talking.

1792
01:18:57,000 --> 01:18:59,639
Speaker 4: Women would look at you like you're crazy, Like yeah.

1793
01:18:59,439 --> 01:19:01,960
Speaker 3: I always think it's great women are directing that way

1794
01:19:02,000 --> 01:19:05,240
Speaker 3: because as men were terrible at realizing when we're being

1795
01:19:05,320 --> 01:19:08,320
Speaker 3: flirted with as well. Yeah, there's been plenty of times

1796
01:19:08,400 --> 01:19:10,040
Speaker 3: that I was like, you know, I was like trying

1797
01:19:10,040 --> 01:19:12,160
Speaker 3: to flirt with you, like like I'm telling you, like

1798
01:19:12,200 --> 01:19:14,559
Speaker 3: I was like I didn't pick up on that at all.

1799
01:19:14,760 --> 01:19:16,400
Speaker 4: I thought you I thought you just needed directions.

1800
01:19:17,120 --> 01:19:17,600
Speaker 3: I didn't know.

1801
01:19:18,040 --> 01:19:20,479
Speaker 2: I didn't know you were flirting with directions to my house,

1802
01:19:20,600 --> 01:19:21,880
Speaker 2: Like I didn't even know you knew my name, like

1803
01:19:22,000 --> 01:19:23,439
Speaker 2: the yeah, I.

1804
01:19:23,479 --> 01:19:25,040
Speaker 4: Mean, but you know, it's it's cool, I do.

1805
01:19:25,320 --> 01:19:25,519
Speaker 3: I do.

1806
01:19:25,800 --> 01:19:28,720
Speaker 2: Like when you know a woman is like flirting with

1807
01:19:28,800 --> 01:19:30,519
Speaker 2: you or like initiative shot at you. It's like the

1808
01:19:30,560 --> 01:19:33,519
Speaker 2: conversation could become cool because you can start like, oh, yeah,

1809
01:19:33,520 --> 01:19:34,760
Speaker 2: you're trying to holler at me, like you're trying to

1810
01:19:34,800 --> 01:19:36,439
Speaker 2: what you're doing. You flirt like I say it, like

1811
01:19:36,640 --> 01:19:38,880
Speaker 2: you flirting with me. Oh well okay, let me let

1812
01:19:38,960 --> 01:19:40,240
Speaker 2: me see what your flirt game is like like.

1813
01:19:40,560 --> 01:19:43,479
Speaker 3: But yes, the male ego is extremely fragile. But but

1814
01:19:43,720 --> 01:19:47,320
Speaker 3: so is the female ego because I've seen plenty of

1815
01:19:47,400 --> 01:19:49,800
Speaker 3: women that never wanted to be the one to like

1816
01:19:49,880 --> 01:19:52,680
Speaker 3: shoot their shot to reach out, and then they try it,

1817
01:19:53,280 --> 01:19:57,200
Speaker 3: reluctantly try it, and then it doesn't go the way

1818
01:19:57,320 --> 01:19:59,960
Speaker 3: that they thought. Yeah, men, we can hand a reject

1819
01:20:00,040 --> 01:20:02,000
Speaker 3: because we had. We get rejected all the time, so

1820
01:20:03,080 --> 01:20:06,720
Speaker 3: we know is rejection. Women are not typically rejected. So

1821
01:20:06,840 --> 01:20:09,240
Speaker 3: when you put yourself out there, of course not every

1822
01:20:09,320 --> 01:20:12,720
Speaker 3: man is. No matter who the woman is going to

1823
01:20:12,880 --> 01:20:16,040
Speaker 3: always like you or not. So yeah, they get hurt

1824
01:20:16,080 --> 01:20:19,200
Speaker 3: pretty easily when they get rejected. What do y'all get rejected?

1825
01:20:19,240 --> 01:20:21,320
Speaker 3: How often you have you been rejected? Baby? I've been

1826
01:20:21,360 --> 01:20:26,280
Speaker 3: rejected once or twice in life. To say those numbers

1827
01:20:26,320 --> 01:20:27,120
Speaker 3: is crazy.

1828
01:20:26,920 --> 01:20:30,040
Speaker 1: No, I mean like as a twice shot shooting, shooting

1829
01:20:30,120 --> 01:20:34,559
Speaker 1: my shot with guy because I'm I do that not often,

1830
01:20:34,640 --> 01:20:37,719
Speaker 1: but more often than the average woman. Because I learned

1831
01:20:37,760 --> 01:20:40,799
Speaker 1: a long time ago, my my male friends, my brothers,

1832
01:20:40,920 --> 01:20:43,080
Speaker 1: my dad would tell me that men were intimidated by

1833
01:20:43,120 --> 01:20:46,040
Speaker 1: me because I wouldn't get approached as much. And I see, like,

1834
01:20:46,120 --> 01:20:47,600
Speaker 1: am I ugly? Like why the fuck do I not

1835
01:20:47,640 --> 01:20:48,920
Speaker 1: get approached? And they were always just like, no, you

1836
01:20:49,000 --> 01:20:52,120
Speaker 1: have a very strong personality. And if I was not

1837
01:20:52,320 --> 01:20:53,960
Speaker 1: like related to you and wanted to date you, I

1838
01:20:54,000 --> 01:20:56,759
Speaker 1: would be terrified to approach you. I would be absolutely terrified.

1839
01:20:57,160 --> 01:20:58,479
Speaker 3: And I learned what I.

1840
01:20:58,439 --> 01:21:00,280
Speaker 1: Would start shooting my shot at men that oh they

1841
01:21:00,400 --> 01:21:02,040
Speaker 1: liked me too. They were just afraid to say anything

1842
01:21:02,080 --> 01:21:03,280
Speaker 1: to me because they thought that they were going to

1843
01:21:03,320 --> 01:21:04,840
Speaker 1: get like crushed. They thought I was gonna be rude

1844
01:21:04,880 --> 01:21:06,720
Speaker 1: to them or something like that. So I had to

1845
01:21:06,800 --> 01:21:08,519
Speaker 1: learn to be like yo, what's up? And I also

1846
01:21:08,640 --> 01:21:10,400
Speaker 1: like rhythm men up, it's mad fun. It's like a

1847
01:21:10,680 --> 01:21:12,080
Speaker 1: game to me, how are men?

1848
01:21:12,400 --> 01:21:14,280
Speaker 3: Because it doesn't happen to us often, so we get

1849
01:21:14,360 --> 01:21:18,800
Speaker 3: like yet, yeah, anytime woman like flirts with a few

1850
01:21:18,840 --> 01:21:20,760
Speaker 3: times like yeah, it does make you feel better, not

1851
01:21:20,960 --> 01:21:22,800
Speaker 3: like in an egotistical way. She's like, oh, this is cool.

1852
01:21:22,800 --> 01:21:23,559
Speaker 3: This doesn't happen a lot.

1853
01:21:23,680 --> 01:21:25,519
Speaker 1: I'm a fer fu what's up when we're going out?

1854
01:21:26,120 --> 01:21:28,360
Speaker 1: These are the day hour I'll just like, I'll DM

1855
01:21:28,439 --> 01:21:30,640
Speaker 1: you a picture of my calendar in circle today is

1856
01:21:30,640 --> 01:21:31,000
Speaker 1: I'm free?

1857
01:21:31,040 --> 01:21:32,280
Speaker 3: Him the nah? I see.

1858
01:21:32,320 --> 01:21:34,320
Speaker 2: That's when I'm not fucking with you. What you send

1859
01:21:34,400 --> 01:21:36,240
Speaker 2: me your calendar with circle? I'm like, yo, who First

1860
01:21:36,240 --> 01:21:38,560
Speaker 2: of all, who are you a doctor? These are the

1861
01:21:38,680 --> 01:21:40,120
Speaker 2: dates I'm free. I could fit you in on the.

1862
01:21:40,080 --> 01:21:43,360
Speaker 3: Twelve Joe in now, I could fit you in. But

1863
01:21:43,439 --> 01:21:45,040
Speaker 3: what's up? This is when I'm available to see you.

1864
01:21:45,120 --> 01:21:48,240
Speaker 3: Make it happen, niggas, make it happen. Nothing is better

1865
01:21:48,280 --> 01:21:49,760
Speaker 3: than when you're flirting with a girl and your shit

1866
01:21:49,880 --> 01:21:50,520
Speaker 3: is working.

1867
01:21:51,280 --> 01:21:54,360
Speaker 2: Like when your material is hitting. Oh that has to

1868
01:21:54,400 --> 01:21:57,120
Speaker 2: be when a comic is like he's killing a room.

1869
01:21:57,560 --> 01:22:00,160
Speaker 2: It's the same feeling. It's the same dopamine rhythm in

1870
01:22:00,240 --> 01:22:03,880
Speaker 2: the motion like, oh my god, like shit work. Because

1871
01:22:03,920 --> 01:22:05,760
Speaker 2: then you start playing in your next like your b

1872
01:22:06,000 --> 01:22:08,720
Speaker 2: move like if this one work, we out of him

1873
01:22:08,720 --> 01:22:10,000
Speaker 2: asking for the check, we out.

1874
01:22:10,520 --> 01:22:11,880
Speaker 3: That's the greatest.

1875
01:22:11,520 --> 01:22:14,200
Speaker 2: Feeling in the world when you know a woman is

1876
01:22:14,320 --> 01:22:17,879
Speaker 2: like digging you in the conversation is like and she's laughing.

1877
01:22:18,040 --> 01:22:20,639
Speaker 4: It's like, damn, my material is landing tonight.

1878
01:22:21,000 --> 01:22:23,840
Speaker 3: That one comment that puts it over the line. Are

1879
01:22:23,840 --> 01:22:25,760
Speaker 3: we just flirting for the fuck of it? Or are

1880
01:22:25,760 --> 01:22:29,160
Speaker 3: we flirting for a purpose? In that conversation, that's that's

1881
01:22:29,200 --> 01:22:32,400
Speaker 3: when the dopamine hits, Like, oh nah, she really wants

1882
01:22:32,479 --> 01:22:33,679
Speaker 3: to come through.

1883
01:22:34,120 --> 01:22:35,880
Speaker 2: Yeah, but it's a new type of woman out here, Roy,

1884
01:22:35,960 --> 01:22:39,680
Speaker 2: the woman that your material lands with. And then you're like, yeah,

1885
01:22:39,960 --> 01:22:42,120
Speaker 2: you think it's you know, everything proving and then she

1886
01:22:42,280 --> 01:22:44,080
Speaker 2: hit you with that question. So what's your intentions with me?

1887
01:22:45,000 --> 01:22:45,880
Speaker 3: We just met?

1888
01:22:46,439 --> 01:22:48,120
Speaker 4: I don't know. I don't have an answer.

1889
01:22:48,160 --> 01:22:50,920
Speaker 2: I don't I wasn't expecting the double team, like you

1890
01:22:51,040 --> 01:22:54,440
Speaker 2: bought the defender over, I wasn't expecting that intentions.

1891
01:22:54,640 --> 01:22:56,680
Speaker 3: Don't ask me what my attentions on we just met.

1892
01:22:57,080 --> 01:22:58,880
Speaker 3: I don't know. I don't know what my attention is

1893
01:22:58,880 --> 01:23:01,479
Speaker 3: over tonight. Know where I'm going after this? I don't know.

1894
01:23:01,640 --> 01:23:04,080
Speaker 1: Like, don't ask me my attentions with you. I don't

1895
01:23:04,240 --> 01:23:06,640
Speaker 1: know you like, that's I think that's weird. Don't ask

1896
01:23:06,720 --> 01:23:08,360
Speaker 1: me like we just mad at the bar. So what's

1897
01:23:08,400 --> 01:23:09,120
Speaker 1: your intentions with me?

1898
01:23:09,240 --> 01:23:12,040
Speaker 3: That's weird? Yeah, like what you mean with my intentions?

1899
01:23:12,080 --> 01:23:14,280
Speaker 4: Because then if I'm being honest, I'm an asshole.

1900
01:23:14,520 --> 01:23:18,040
Speaker 3: Yeah, and this is why Demarus is saying we could

1901
01:23:18,040 --> 01:23:21,600
Speaker 3: get robbed so easily. Yeah on the first night. No, No,

1902
01:23:21,800 --> 01:23:23,400
Speaker 3: she's coming to my house. I ain't going to our house.

1903
01:23:23,640 --> 01:23:26,680
Speaker 3: You coming to my crip. That's worse YEP show is.

1904
01:23:26,920 --> 01:23:30,200
Speaker 3: But I got exit Britch so bad ship puts your

1905
01:23:30,280 --> 01:23:32,320
Speaker 3: ass right out. You wake up? Eighty thing gone me.

1906
01:23:33,640 --> 01:23:34,479
Speaker 4: I'm willing to try.

1907
01:23:35,960 --> 01:23:39,160
Speaker 3: I'm willing to try. Is it worth it? Is it

1908
01:23:39,280 --> 01:23:44,400
Speaker 3: worth some material items? The material items can be replaced

1909
01:23:44,880 --> 01:23:47,680
Speaker 3: going experiences. Can you steal that pearl necklace right off

1910
01:23:47,720 --> 01:23:50,280
Speaker 3: your neck after I give it? One? Like that?

1911
01:23:51,160 --> 01:23:54,080
Speaker 2: That's called offense. So you thought the Defender coming over

1912
01:23:54,240 --> 01:23:55,120
Speaker 2: was gonna scare Rory?

1913
01:23:55,560 --> 01:23:57,880
Speaker 3: He just he just went before the double team got

1914
01:23:59,240 --> 01:24:02,000
Speaker 3: He just he just sploop ass the screen. You're like, yeah,

1915
01:24:02,560 --> 01:24:04,280
Speaker 3: I saw you coming. And if a woman came to

1916
01:24:04,360 --> 01:24:07,880
Speaker 3: my house and fleeced me, I would have to I'd

1917
01:24:07,920 --> 01:24:09,880
Speaker 3: call her and say, yo, you keep all that you're ill,

1918
01:24:09,920 --> 01:24:12,040
Speaker 3: because if she got all my ship down, all them steps,

1919
01:24:12,920 --> 01:24:13,479
Speaker 3: you deserve it.

1920
01:24:13,880 --> 01:24:15,840
Speaker 2: What is she gonna take for me? I don't have

1921
01:24:16,000 --> 01:24:18,120
Speaker 2: cash in my crib. I don't have a bunch of

1922
01:24:18,160 --> 01:24:18,839
Speaker 2: fucking jewelry.

1923
01:24:18,880 --> 01:24:22,000
Speaker 3: I don't have like you got jewelry, jewelry, guns. She

1924
01:24:22,120 --> 01:24:24,599
Speaker 3: want to take my guns like I ain't cool?

1925
01:24:24,800 --> 01:24:25,800
Speaker 4: Like then what.

1926
01:24:26,040 --> 01:24:28,320
Speaker 3: Jewelry and guns? That watch? She could get a little

1927
01:24:28,360 --> 01:24:30,640
Speaker 3: a nice little piece for that watch. She's gonna take it.

1928
01:24:30,680 --> 01:24:32,360
Speaker 2: It's gonna be on the nice thing like I'm gonna

1929
01:24:32,360 --> 01:24:34,320
Speaker 2: see her like I'm not gonna see my watches going

1930
01:24:34,360 --> 01:24:34,720
Speaker 2: before she.

1931
01:24:34,760 --> 01:24:39,240
Speaker 3: Leaves ninety, Sit you down, Put me down. Nah, that

1932
01:24:39,280 --> 01:24:39,880
Speaker 3: ain't happening.

1933
01:24:40,400 --> 01:24:42,240
Speaker 4: I ain't no young nigga, like that'll happen to your

1934
01:24:42,280 --> 01:24:43,479
Speaker 4: young old niggas.

1935
01:24:43,520 --> 01:24:46,519
Speaker 3: Get put down. I mean to show on the screen

1936
01:24:46,560 --> 01:24:49,960
Speaker 3: what's her ad though, Let the deciding factor of this,

1937
01:24:50,240 --> 01:24:50,920
Speaker 3: easy ass.

1938
01:24:51,200 --> 01:24:54,479
Speaker 2: I just want to see if it happened. Easy got

1939
01:24:54,640 --> 01:24:57,640
Speaker 2: her eyes on her Instagram. That's all I could tell

1940
01:24:57,680 --> 01:24:59,479
Speaker 2: in the eyes if she if she could fleece me,

1941
01:24:59,560 --> 01:25:01,519
Speaker 2: I could tell she would definitely set me.

1942
01:25:01,600 --> 01:25:02,640
Speaker 3: Up if you would let her.

1943
01:25:03,640 --> 01:25:04,080
Speaker 4: Just take me.

1944
01:25:04,600 --> 01:25:08,000
Speaker 3: Do with me as you will, Okay, I mean we'll

1945
01:25:08,040 --> 01:25:09,920
Speaker 3: be worse if you like it that much. That after

1946
01:25:10,040 --> 01:25:11,600
Speaker 3: she fleecehed you. You still want the second day? You

1947
01:25:11,640 --> 01:25:13,720
Speaker 3: want to come back? Like, yo, you can lead. I

1948
01:25:13,760 --> 01:25:16,519
Speaker 3: got another watch. I just got a new one. You want.

1949
01:25:16,600 --> 01:25:19,880
Speaker 3: He couldn't find us something he missed this one. This

1950
01:25:19,960 --> 01:25:24,400
Speaker 3: is what I hit inside my sneaker box. Yo. Now

1951
01:25:24,439 --> 01:25:27,600
Speaker 3: you're doing treasure hunts with her. You'll never find it.

1952
01:25:27,760 --> 01:25:29,479
Speaker 4: But naked and nounce way, you'll never find.

1953
01:25:29,320 --> 01:25:34,120
Speaker 3: That's that couple building to me. Yeah that's yea. Put

1954
01:25:34,160 --> 01:25:36,040
Speaker 3: the rolex box in the bed under the blanket. I

1955
01:25:36,040 --> 01:25:39,439
Speaker 3: guess that, come get it.

1956
01:25:40,320 --> 01:25:41,840
Speaker 2: Yeah, you can't play that game with me, baby d

1957
01:25:42,120 --> 01:25:43,680
Speaker 2: I'll have fake watches all over the house.

1958
01:25:43,720 --> 01:25:46,840
Speaker 4: Take all. I wouldn't fake watches. I'll go right to

1959
01:25:46,920 --> 01:25:48,519
Speaker 4: canal and go crazy with the rolies.

1960
01:25:48,600 --> 01:25:50,680
Speaker 2: Like, Yo, there's Shorty coming back. She gonna think she

1961
01:25:50,760 --> 01:25:53,240
Speaker 2: hit the jackpot. I'm in here snoring all kind of

1962
01:25:53,280 --> 01:25:54,360
Speaker 2: should take all that things.

1963
01:25:54,800 --> 01:25:56,360
Speaker 3: There was an arrow when that the rope. The fake

1964
01:25:56,439 --> 01:25:57,679
Speaker 3: rolies look better than the real ones.

1965
01:25:57,840 --> 01:26:00,640
Speaker 4: Still do absolutely still do? That was it? That's on

1966
01:26:00,800 --> 01:26:04,599
Speaker 4: voicemail we had Hi, Well listen, we got through this episode.

1967
01:26:04,760 --> 01:26:06,360
Speaker 3: Well, I do want to know the matters quickly before

1968
01:26:06,400 --> 01:26:09,120
Speaker 3: we get out O here the two times you were rejected?

1969
01:26:09,680 --> 01:26:11,800
Speaker 4: What was like, I'm sure did you cry?

1970
01:26:12,040 --> 01:26:13,760
Speaker 3: I can remember? How did it make you? Well? First

1971
01:26:13,760 --> 01:26:15,160
Speaker 3: of all, what was your game? Like, like how did

1972
01:26:15,240 --> 01:26:18,400
Speaker 3: you same calendar move? Or no?

1973
01:26:18,640 --> 01:26:20,880
Speaker 1: It was I had walked up to this guy at

1974
01:26:20,920 --> 01:26:22,439
Speaker 1: a party and I was like I think. I was like,

1975
01:26:22,720 --> 01:26:25,000
Speaker 1: you had a girlfriend, and he said, unfortunately I do.

1976
01:26:25,560 --> 01:26:28,439
Speaker 1: And I was like, that's not rejection. Yeah you were

1977
01:26:28,479 --> 01:26:30,760
Speaker 1: going yeah, that was one time, and then that's not

1978
01:26:30,840 --> 01:26:34,519
Speaker 1: being rejected though, that is rejected. How's that rejection?

1979
01:26:36,040 --> 01:26:36,560
Speaker 3: He don't want me?

1980
01:26:36,640 --> 01:26:39,000
Speaker 1: He got a girlfriend, so you would have preferred if

1981
01:26:39,000 --> 01:26:41,240
Speaker 1: you had been like, no, it's not about it. It's

1982
01:26:41,280 --> 01:26:43,600
Speaker 1: not a preference. I'm not saying that it was a

1983
01:26:43,880 --> 01:26:45,479
Speaker 1: that he hates me, but it was a rejection.

1984
01:26:46,240 --> 01:26:46,280
Speaker 2: Me.

1985
01:26:46,439 --> 01:26:50,600
Speaker 3: Rejectioned is where there would have been an actual opportunity

1986
01:26:50,760 --> 01:26:53,560
Speaker 3: to date, Like if you go if you go to

1987
01:26:53,640 --> 01:26:55,280
Speaker 3: a married woman and she's like, no, I'm married. I

1988
01:26:55,280 --> 01:26:58,040
Speaker 3: don't think she just rejected me. I think she's just married. Okay,

1989
01:26:58,280 --> 01:27:01,559
Speaker 3: that's your opinion. But rejection is a single person says

1990
01:27:01,680 --> 01:27:02,519
Speaker 3: I don't want to date you.

1991
01:27:03,120 --> 01:27:06,559
Speaker 1: Oh yeah, that's that's happened to me. From that's happened

1992
01:27:06,600 --> 01:27:07,559
Speaker 1: to me it was.

1993
01:27:07,560 --> 01:27:08,519
Speaker 3: A calendar line, wasn't it?

1994
01:27:09,000 --> 01:27:10,320
Speaker 4: A single person like turned you?

1995
01:27:10,400 --> 01:27:10,519
Speaker 3: Now?

1996
01:27:10,840 --> 01:27:13,200
Speaker 1: Yeah, I mean it's I'm not I'm not everybody's cup

1997
01:27:13,240 --> 01:27:16,160
Speaker 1: of tea. I'm way too much for many men. I

1998
01:27:16,280 --> 01:27:19,360
Speaker 1: am a lot of women. So a lot of people

1999
01:27:19,479 --> 01:27:22,920
Speaker 1: don't like strong personalities for more docile women.

2000
01:27:23,240 --> 01:27:27,719
Speaker 3: You know what, that's not true?

2001
01:27:31,200 --> 01:27:33,000
Speaker 1: Well, you don't like you don't like women with like

2002
01:27:33,080 --> 01:27:36,320
Speaker 1: personalities like mine. You prefer like more laid back, quiet women.

2003
01:27:36,600 --> 01:27:37,240
Speaker 3: Who told you that.

2004
01:27:38,840 --> 01:27:40,320
Speaker 4: I've dated every type of woman?

2005
01:27:40,400 --> 01:27:42,639
Speaker 3: Baby? Okay, well which ones did you I dated?

2006
01:27:42,680 --> 01:27:44,800
Speaker 4: Strong personality? I've dated more laid back?

2007
01:27:44,920 --> 01:27:45,920
Speaker 3: Which ones did you prefer?

2008
01:27:48,200 --> 01:27:51,360
Speaker 2: It depends on honestly, Like, looking back, it probably depending

2009
01:27:51,400 --> 01:27:53,920
Speaker 2: on where I was at it, like what in my life,

2010
01:27:53,960 --> 01:27:56,920
Speaker 2: like what my energy was like. I've always been laid back,

2011
01:27:56,960 --> 01:27:58,639
Speaker 2: but I had a time where I was definitely more

2012
01:27:58,760 --> 01:28:01,160
Speaker 2: like wow, just like obnoxious to.

2013
01:28:01,360 --> 01:28:03,320
Speaker 4: But now, I mean.

2014
01:28:05,640 --> 01:28:08,839
Speaker 2: Strong personality is probably something that I'm usually more attracted

2015
01:28:08,880 --> 01:28:09,760
Speaker 2: to because.

2016
01:28:09,560 --> 01:28:11,760
Speaker 3: I'm more laid back. Yeah, it's usually like that.

2017
01:28:12,000 --> 01:28:13,960
Speaker 2: And if this nigga put too much may on my sandwich,

2018
01:28:13,960 --> 01:28:16,200
Speaker 2: I'm not saying nothing, but you can you know what

2019
01:28:16,200 --> 01:28:17,760
Speaker 2: I'm saying, Like that type of shit, like, babe, get

2020
01:28:17,760 --> 01:28:19,360
Speaker 2: this nigga. This nigga put mad Mayo on my sandwich.

2021
01:28:19,360 --> 01:28:21,120
Speaker 1: I don't even want to go laid back men love me,

2022
01:28:21,200 --> 01:28:24,040
Speaker 1: but I will always go for like the men who

2023
01:28:24,240 --> 01:28:25,400
Speaker 1: had more personality.

2024
01:28:25,840 --> 01:28:27,800
Speaker 4: And they just be like, wait, but just because you

2025
01:28:27,880 --> 01:28:29,600
Speaker 4: laid back, don't mean you don't have no personality.

2026
01:28:29,720 --> 01:28:31,560
Speaker 1: No, not like that's not what I mean. But I mean, like,

2027
01:28:33,040 --> 01:28:36,040
Speaker 1: like both of us can't be stars. I always say

2028
01:28:36,080 --> 01:28:37,960
Speaker 1: that there can't be two stars in a relationship.

2029
01:28:38,080 --> 01:28:41,200
Speaker 4: Somebody has to why not jay Z Beyonce seemed to

2030
01:28:41,200 --> 01:28:41,800
Speaker 4: be very happy.

2031
01:28:42,000 --> 01:28:44,240
Speaker 1: Yes, but guess who took a step back to let

2032
01:28:44,320 --> 01:28:47,240
Speaker 1: the stars shine? Who is the star in that relationship?

2033
01:28:47,439 --> 01:28:51,040
Speaker 1: Personality wise, they're both. They're both, they're both stars, but

2034
01:28:51,160 --> 01:28:52,880
Speaker 1: personality wise, who's the star?

2035
01:28:53,360 --> 01:28:57,080
Speaker 3: But Jay is laid back? Yeah, by nature even though

2036
01:28:57,080 --> 01:29:00,240
Speaker 3: he's a star, but he's a laid back person exactly. Yeah,

2037
01:29:00,240 --> 01:29:02,000
Speaker 3: but he want to come that when he met.

2038
01:29:01,920 --> 01:29:03,640
Speaker 2: There, want to be the biggestart in Beyonce and in

2039
01:29:03,720 --> 01:29:07,559
Speaker 2: the relationship is fucking crazylationship like that. I'm not even

2040
01:29:07,640 --> 01:29:09,439
Speaker 2: trying to be like, I ain't got nothing for that,

2041
01:29:09,680 --> 01:29:12,600
Speaker 2: but like that's all you And then the woman is

2042
01:29:12,720 --> 01:29:14,840
Speaker 2: the star, and yeah.

2043
01:29:14,760 --> 01:29:16,280
Speaker 3: That's I agree it should be like that.

2044
01:29:16,479 --> 01:29:19,320
Speaker 1: But there's also many relationships where the woman will take

2045
01:29:19,320 --> 01:29:21,840
Speaker 1: a back seat, like they have like this big person

2046
01:29:21,960 --> 01:29:24,840
Speaker 1: bubbly personality of a man, and they'll be more more

2047
01:29:24,960 --> 01:29:27,040
Speaker 1: laid back. I think that it has to be a

2048
01:29:27,160 --> 01:29:30,479
Speaker 1: balance in that way. Yeah, ego wise as well, because

2049
01:29:30,520 --> 01:29:32,880
Speaker 1: when you got to two people who think the world

2050
01:29:32,960 --> 01:29:36,320
Speaker 1: revolves around them, it's tough to make a relationship work.

2051
01:29:36,560 --> 01:29:38,880
Speaker 3: So yeah, one person like that is tough to make

2052
01:29:38,880 --> 01:29:39,360
Speaker 3: a relationship.

2053
01:29:40,080 --> 01:29:42,560
Speaker 1: Not exactly, there's relationships that function just find like that

2054
01:29:43,000 --> 01:29:45,559
Speaker 1: that you think the world revolves the world revolves around

2055
01:29:45,680 --> 01:29:48,840
Speaker 1: not literally where they're a selfish person, but they're just

2056
01:29:48,960 --> 01:29:51,040
Speaker 1: like they think the world revolves around them, and they

2057
01:29:51,120 --> 01:29:53,560
Speaker 1: have a partner willing to my longest relationship because I

2058
01:29:53,600 --> 01:29:55,320
Speaker 1: thought the world revolved around me and I had someone

2059
01:29:55,360 --> 01:29:57,240
Speaker 1: whose world also revolved around me.

2060
01:29:57,400 --> 01:29:59,400
Speaker 3: Now, granted we gave it pain in our.

2061
01:29:59,400 --> 01:30:02,400
Speaker 1: Relationship, but it was it's just a it's a different

2062
01:30:02,479 --> 01:30:03,320
Speaker 1: it's a different dynamic.

2063
01:30:03,360 --> 01:30:03,439
Speaker 2: Now.

2064
01:30:03,520 --> 01:30:04,080
Speaker 4: The trick is.

2065
01:30:05,840 --> 01:30:09,760
Speaker 2: To making a woman feel like the world revolves around her,

2066
01:30:09,880 --> 01:30:12,360
Speaker 2: but she definitely knows that you are to want to

2067
01:30:12,400 --> 01:30:16,120
Speaker 2: control M M. That's the chair, and women know like

2068
01:30:16,680 --> 01:30:18,519
Speaker 2: this nigga just letting me run them up and do

2069
01:30:18,600 --> 01:30:20,320
Speaker 2: what I want to do. But I know not to

2070
01:30:20,360 --> 01:30:22,639
Speaker 2: play with this nigga like he ain't he ain't going

2071
01:30:22,720 --> 01:30:23,320
Speaker 2: for the bullshit.

2072
01:30:23,439 --> 01:30:26,599
Speaker 1: And there's also opposite dynamic with that as well, because

2073
01:30:26,640 --> 01:30:29,040
Speaker 1: I've had the opposite dynamic where it's like, okay, sweetheart,

2074
01:30:29,080 --> 01:30:32,560
Speaker 1: you you run it. Everything is you control everything. You

2075
01:30:32,680 --> 01:30:34,280
Speaker 1: appear to beat his body and everybody.

2076
01:30:34,920 --> 01:30:38,080
Speaker 3: But we know, we know, deep down, we know. Just

2077
01:30:38,080 --> 01:30:41,600
Speaker 3: said advice in a relationship, don't call your boyfriend a

2078
01:30:42,120 --> 01:30:45,519
Speaker 3: big man, because that's only condescending when you say you

2079
01:30:45,640 --> 01:30:50,240
Speaker 3: got it man, your girl, your girl called you big man.

2080
01:30:50,280 --> 01:30:51,000
Speaker 3: It's another nigga.

2081
01:30:51,640 --> 01:30:53,880
Speaker 1: There's something my mother used to say, you got a chief.

2082
01:30:54,040 --> 01:30:57,800
Speaker 1: Unfortunately I took it and I've used it. I used

2083
01:30:57,840 --> 01:30:59,200
Speaker 1: to hate when she said it when I was younger,

2084
01:30:59,640 --> 01:31:01,400
Speaker 1: but I say it now like when you just see

2085
01:31:01,400 --> 01:31:02,720
Speaker 1: a nigga, that's just all that you're like, I am

2086
01:31:02,760 --> 01:31:03,360
Speaker 1: mister big dick.

2087
01:31:03,439 --> 01:31:05,320
Speaker 3: Do your think do you think mister big dick?

2088
01:31:05,400 --> 01:31:05,800
Speaker 2: You got it?

2089
01:31:06,640 --> 01:31:07,080
Speaker 3: You got it?

2090
01:31:07,400 --> 01:31:12,679
Speaker 2: This is how y'all end up on dateline. You can't

2091
01:31:12,840 --> 01:31:17,360
Speaker 2: do that, demors. You can't play that game with got it?

2092
01:31:17,560 --> 01:31:20,240
Speaker 3: You that like you? When niggas think they that it's

2093
01:31:20,320 --> 01:31:20,880
Speaker 3: okay you that.

2094
01:31:21,760 --> 01:31:24,840
Speaker 4: That is crazy. You can't do that. Don't do that, baby, please,

2095
01:31:24,880 --> 01:31:25,559
Speaker 4: we love you too much.

2096
01:31:25,600 --> 01:31:26,000
Speaker 3: Don't do that.

2097
01:31:26,240 --> 01:31:27,479
Speaker 4: And I don't want to have to kill nobody.

2098
01:31:27,560 --> 01:31:30,800
Speaker 3: So there you go. What's what Summer said? Finally over it?

2099
01:31:30,840 --> 01:31:34,560
Speaker 3: They'll make me do it. Listen to something. I love you,

2100
01:31:34,640 --> 01:31:36,200
Speaker 3: but you better not to give us another over it.

2101
01:31:36,320 --> 01:31:38,519
Speaker 3: I know that. I think the next series is gonna

2102
01:31:38,520 --> 01:31:41,240
Speaker 3: be triggered, triggered, triggered.

2103
01:31:41,280 --> 01:31:43,840
Speaker 2: It's a pretty good prediction. No, man, that I was

2104
01:31:43,960 --> 01:31:46,760
Speaker 2: finally over but now triggered. She about to be in

2105
01:31:46,800 --> 01:31:54,120
Speaker 2: a did we wait? Did we just witness Summer's villain origin? Mm?

2106
01:31:55,600 --> 01:31:59,960
Speaker 2: Is she not gonna become the like just crush every

2107
01:32:00,200 --> 01:32:02,240
Speaker 2: man she ever comes across. I mean she kind of

2108
01:32:02,360 --> 01:32:04,240
Speaker 2: tore Lennon up on the second album.

2109
01:32:04,400 --> 01:32:05,439
Speaker 4: That was the most that was.

2110
01:32:05,800 --> 01:32:07,800
Speaker 3: Yeah, but that wasn't I'm a mother of a villain

2111
01:32:07,840 --> 01:32:10,200
Speaker 3: because I know it's accountability on both sides, but she

2112
01:32:10,479 --> 01:32:13,840
Speaker 3: tore his ass up on that fucking album. Yeah, that

2113
01:32:14,000 --> 01:32:14,519
Speaker 3: was more villain.

2114
01:32:14,600 --> 01:32:16,200
Speaker 1: You couldn't get up, not being able to get up

2115
01:32:16,200 --> 01:32:18,720
Speaker 1: to your own production. It's crazy, like having your foot

2116
01:32:18,760 --> 01:32:20,880
Speaker 1: on your next that somebody on your next to your.

2117
01:32:20,800 --> 01:32:24,320
Speaker 2: Own, like you made this music, this is your tunes.

2118
01:32:25,000 --> 01:32:27,439
Speaker 2: Tear me up on my fight back? What you doing

2119
01:32:27,800 --> 01:32:30,519
Speaker 2: like we are debating child support and pub splits?

2120
01:32:30,600 --> 01:32:33,799
Speaker 3: Yeah? Yeah, yeah, like that's that is the crazy position.

2121
01:32:35,080 --> 01:32:37,600
Speaker 3: I mean, I don't know. I feel like, do we

2122
01:32:37,680 --> 01:32:40,479
Speaker 3: think Meach was the one that just that that got

2123
01:32:40,520 --> 01:32:42,640
Speaker 3: her to here? And again? I love this album. We

2124
01:32:42,720 --> 01:32:47,880
Speaker 3: all do love. We do love. Hurt Summer is our favorite, but.

2125
01:32:49,479 --> 01:32:51,280
Speaker 2: I feel like she was final say that that's crazy

2126
01:32:51,320 --> 01:32:54,679
Speaker 2: like when you hurt so and so selfish things fans

2127
01:32:54,720 --> 01:32:56,800
Speaker 2: can do. We do love, you know, it makes for

2128
01:32:57,160 --> 01:32:59,559
Speaker 2: some music for sure. My thing is do you think

2129
01:32:59,680 --> 01:33:00,920
Speaker 2: that has had to have been the final stroll?

2130
01:33:00,960 --> 01:33:05,559
Speaker 3: Though? When Meech said that was my cousin? Damn, they

2131
01:33:05,600 --> 01:33:07,840
Speaker 3: were together after that, they were spotted the like, oh

2132
01:33:07,880 --> 01:33:09,679
Speaker 3: my mother, this ship at this point they were spott

2133
01:33:09,680 --> 01:33:12,080
Speaker 3: at the excuse me? They were spotted together? After that

2134
01:33:12,680 --> 01:33:17,360
Speaker 3: they definitely no, well they probably weren't too, but no

2135
01:33:17,720 --> 01:33:20,080
Speaker 3: Meat of Summer, it was dead the other after that

2136
01:33:20,280 --> 01:33:21,800
Speaker 3: it was his smirt when he said it was like

2137
01:33:21,880 --> 01:33:24,479
Speaker 3: can my cousin and the grocery and it's a fair point,

2138
01:33:24,600 --> 01:33:29,040
Speaker 3: like niggas is. It's real strict in this relationship. I

2139
01:33:29,080 --> 01:33:32,160
Speaker 3: can't even help my cousin. It's crazy. Wow, who's gonna

2140
01:33:32,160 --> 01:33:33,080
Speaker 3: carry all these bags?

2141
01:33:33,800 --> 01:33:34,479
Speaker 4: It's my cousin.

2142
01:33:34,560 --> 01:33:36,439
Speaker 3: What's the worst the worst lie you ever told? Mom?

2143
01:33:36,920 --> 01:33:38,720
Speaker 1: That I ever told the worst one where you just

2144
01:33:38,800 --> 01:33:40,360
Speaker 1: like you got you was caught up quick and you

2145
01:33:40,400 --> 01:33:41,479
Speaker 1: just had to throw something out there?

2146
01:33:45,800 --> 01:33:46,040
Speaker 3: Damn?

2147
01:33:46,080 --> 01:33:50,320
Speaker 2: What was the worst lie it told? I think I

2148
01:33:50,400 --> 01:33:53,360
Speaker 2: probably killed a relative. That was what re killed a relative?

2149
01:33:53,800 --> 01:33:56,920
Speaker 2: It was already dead. But I was like, yo, my cousin, like.

2150
01:33:57,240 --> 01:33:59,040
Speaker 3: Hopefully don't catch you at the gravesite and look at

2151
01:33:59,080 --> 01:34:02,160
Speaker 3: the date. I feel like, wait, hold on.

2152
01:34:02,360 --> 01:34:04,639
Speaker 2: Yeah, I think probably something like that, Like I probably

2153
01:34:04,680 --> 01:34:06,439
Speaker 2: threw death on a cousin that was already dead, like

2154
01:34:06,720 --> 01:34:07,160
Speaker 2: something like that.

2155
01:34:07,439 --> 01:34:10,160
Speaker 3: But that's fine. It's not fine.

2156
01:34:11,160 --> 01:34:12,880
Speaker 4: Oh that's probably worse. But looking back, it's like that

2157
01:34:12,920 --> 01:34:13,600
Speaker 4: was unnecessarily.

2158
01:34:13,600 --> 01:34:15,519
Speaker 3: That was stupid. When I passed, and I hope it's

2159
01:34:15,520 --> 01:34:17,519
Speaker 3: in a long time, but when I passed, I give

2160
01:34:17,760 --> 01:34:19,880
Speaker 3: all my friends and family free range to kill me

2161
01:34:19,920 --> 01:34:23,240
Speaker 3: as many times as you need to put crimes on me,

2162
01:34:23,960 --> 01:34:27,200
Speaker 3: do anything that you want with my name and death

2163
01:34:27,520 --> 01:34:32,640
Speaker 3: to help yourself totally. I'm totally cool with that. If

2164
01:34:32,680 --> 01:34:35,840
Speaker 3: you're facing thirty, put that ship here on social I

2165
01:34:35,920 --> 01:34:36,120
Speaker 3: did it.

2166
01:34:36,240 --> 01:34:37,160
Speaker 4: I did put it on me.

2167
01:34:37,320 --> 01:34:40,240
Speaker 2: Man, it's fucking me. But yeah, that's probably it. Yeah,

2168
01:34:40,280 --> 01:34:42,400
Speaker 2: I was never really into that, honestly. I never played

2169
01:34:42,400 --> 01:34:43,240
Speaker 2: that Lion game like that.

2170
01:34:43,640 --> 01:34:44,880
Speaker 3: Now, it was girls that I like that I date.

2171
01:34:44,920 --> 01:34:46,760
Speaker 2: I got caught up, you know, flirt with another girl

2172
01:34:46,840 --> 01:34:49,200
Speaker 2: or another and I just had to like say stisticate

2173
01:34:49,240 --> 01:34:50,920
Speaker 2: out of it. But like, I was never like really

2174
01:34:50,960 --> 01:34:53,599
Speaker 2: into that though, Like he was just sucking them girls.

2175
01:34:53,600 --> 01:34:56,519
Speaker 2: She was gonna get right back, Yeah, pretty much. But

2176
01:34:56,600 --> 01:34:58,360
Speaker 2: that's why I never had bad relations with women.

2177
01:34:58,439 --> 01:34:58,479
Speaker 3: Like.

2178
01:34:58,520 --> 01:35:00,479
Speaker 2: That's why women I dated to this day for the

2179
01:35:00,520 --> 01:35:02,160
Speaker 2: most part, me and all of them are like still

2180
01:35:02,200 --> 01:35:03,600
Speaker 2: if we see each other, were not I'm not in

2181
01:35:03,680 --> 01:35:05,599
Speaker 2: communication with every woman I ever dated, but like, if

2182
01:35:05,640 --> 01:35:07,160
Speaker 2: we were to see each other, it's still like not

2183
01:35:07,280 --> 01:35:11,720
Speaker 2: even bloom as that unlimited that's too much that moose

2184
01:35:11,800 --> 01:35:14,040
Speaker 2: can't cover that. But yeah, that's why because I never

2185
01:35:14,200 --> 01:35:16,920
Speaker 2: was really into you know, playing the manipulation game in

2186
01:35:16,960 --> 01:35:17,680
Speaker 2: Line and women like that.

2187
01:35:17,760 --> 01:35:20,000
Speaker 3: I never played that game like that. Years worst lie

2188
01:35:20,280 --> 01:35:22,840
Speaker 3: I told it on. I think a few episodes ago

2189
01:35:22,920 --> 01:35:26,560
Speaker 3: when I called the uber and my phone was on

2190
01:35:26,640 --> 01:35:29,519
Speaker 3: my chest and I said my man's was text Oh yeah,

2191
01:35:29,840 --> 01:35:32,040
Speaker 3: I was in sleep. I had had nothing that was

2192
01:35:32,160 --> 01:35:33,720
Speaker 3: And then when it left my mouth, I was like,

2193
01:35:34,000 --> 01:35:39,559
Speaker 3: that didn't even make sense. Halfway when it was coming

2194
01:35:39,600 --> 01:35:40,960
Speaker 3: out of my mouth, I couldn't even I was like,

2195
01:35:41,040 --> 01:35:42,240
Speaker 3: what am I saying right now?

2196
01:35:44,040 --> 01:35:46,920
Speaker 1: I pined every nigga on like as every nigga is

2197
01:35:46,960 --> 01:35:48,799
Speaker 1: Rory's friend. I'd be like, that's Rory friend.

2198
01:35:48,960 --> 01:35:50,920
Speaker 3: But that's what you're supposed to do. Yeah, like that's

2199
01:35:51,040 --> 01:35:51,800
Speaker 3: that's Rory friend.

2200
01:35:51,840 --> 01:35:54,160
Speaker 1: I know him from Like we're working on oh I've

2201
01:35:54,200 --> 01:35:55,840
Speaker 1: been working on Rory's album for years.

2202
01:35:55,920 --> 01:35:58,400
Speaker 3: No, we're talking about the album. We're working on Rory's album.

2203
01:35:58,640 --> 01:36:01,479
Speaker 1: Every one out Rory's album was the nigga texting me

2204
01:36:01,600 --> 01:36:02,559
Speaker 1: is working our Roy's.

2205
01:36:02,320 --> 01:36:06,080
Speaker 3: Out in the studio. Once invited her Jozzy ship, don't

2206
01:36:06,640 --> 01:36:10,160
Speaker 3: she probably told somebody she was, yeah.

2207
01:36:09,960 --> 01:36:11,599
Speaker 2: I don't know how to turn the soundboard on. None

2208
01:36:11,600 --> 01:36:16,519
Speaker 2: of that ships flying like oh no. That was something

2209
01:36:16,520 --> 01:36:18,880
Speaker 2: that while they said in one of his songs before

2210
01:36:18,880 --> 01:36:21,240
Speaker 2: we got out of here, I started laughing while they

2211
01:36:21,320 --> 01:36:26,160
Speaker 2: said something to the fact like, yo, it's always somebody's birthday.

2212
01:36:26,280 --> 01:36:28,679
Speaker 4: Like like his chick keep going.

2213
01:36:30,040 --> 01:36:33,120
Speaker 2: Well, he was like, yo, it's always somebody's birthday. And

2214
01:36:33,200 --> 01:36:34,960
Speaker 2: what's funny is a woman love that? You know we're

2215
01:36:34,960 --> 01:36:37,840
Speaker 2: going off tonight's on, So birthday? Stop playing with me

2216
01:36:38,200 --> 01:36:40,240
Speaker 2: my issue. We don't got that many friends, and we.

2217
01:36:40,240 --> 01:36:43,120
Speaker 3: Get table this for a further conversation patroon next episode.

2218
01:36:43,160 --> 01:36:45,760
Speaker 3: But that's not the The red flag is when they're

2219
01:36:45,800 --> 01:36:49,200
Speaker 3: telling the truth. Why you know these many hopes like

2220
01:36:49,280 --> 01:36:51,280
Speaker 3: this many hoes every Yeah, you are going to a

2221
01:36:51,320 --> 01:36:52,000
Speaker 3: birthday every night?

2222
01:36:52,280 --> 01:36:53,200
Speaker 4: Why right?

2223
01:36:54,080 --> 01:37:00,120
Speaker 3: That's not your friend birthday? Dinners be lit? Birth they

2224
01:37:00,200 --> 01:37:02,880
Speaker 3: din's be lit, be lit. Huh? What's that girl's likest?

2225
01:37:03,840 --> 01:37:06,760
Speaker 3: Tell me her name, her Instagram name? Huh? Like, tell

2226
01:37:06,800 --> 01:37:08,599
Speaker 3: me her real name, not her instagram. That's not your

2227
01:37:08,640 --> 01:37:10,639
Speaker 3: friend you had every birthday.

2228
01:37:10,880 --> 01:37:12,360
Speaker 4: No, you're about to open up a whole nother conversation.

2229
01:37:12,520 --> 01:37:15,360
Speaker 2: I'm saying about your table this women don't be having friends.

2230
01:37:15,840 --> 01:37:18,400
Speaker 2: Oh my god, that is a perfect way to end.

2231
01:37:19,280 --> 01:37:21,760
Speaker 2: Y'all got y'all got a quaintncy. Y'all got girls that

2232
01:37:21,880 --> 01:37:24,400
Speaker 2: y'all know. It's too good of a topic. But y'all don't,

2233
01:37:24,560 --> 01:37:27,880
Speaker 2: and we're gonna get out of here on this. Y'all

2234
01:37:27,960 --> 01:37:30,840
Speaker 2: have friends, but they ain't. They ain't the girls y'all

2235
01:37:30,880 --> 01:37:31,640
Speaker 2: be in the clubs.

2236
01:37:31,400 --> 01:37:34,760
Speaker 3: With no well no, because you can have You don't

2237
01:37:34,760 --> 01:37:36,519
Speaker 3: even celebrate your real friend the way you do that

2238
01:37:36,600 --> 01:37:38,880
Speaker 3: whole you know, from the club, because some people are

2239
01:37:39,000 --> 01:37:40,360
Speaker 3: better for certain things.

2240
01:37:40,479 --> 01:37:43,000
Speaker 1: I have close friends that I wouldn't take to the

2241
01:37:43,000 --> 01:37:45,160
Speaker 1: club with me because they don't know club etiquette and

2242
01:37:45,160 --> 01:37:46,200
Speaker 1: they're not club people.

2243
01:37:46,600 --> 01:37:47,840
Speaker 3: And then I have close friends.

2244
01:37:47,960 --> 01:37:50,080
Speaker 2: Is club etiquete because these nigga are doing anything at

2245
01:37:50,080 --> 01:37:53,320
Speaker 2: the club all these down? What is club etiquette? Listen,

2246
01:37:53,400 --> 01:37:54,600
Speaker 2: we ain't gonna get out of here, but let's we

2247
01:37:54,680 --> 01:37:57,599
Speaker 2: gonna get back to that next episode. What is club etiquette?

2248
01:37:57,600 --> 01:37:59,560
Speaker 2: Because none of y'all am don't have club etiquette. I

2249
01:37:59,600 --> 01:38:02,120
Speaker 2: just ship I see online. No etiquette, the ship that

2250
01:38:02,240 --> 01:38:04,479
Speaker 2: y'all wear to dinner before you'll go to the club.

2251
01:38:04,720 --> 01:38:06,360
Speaker 2: You not even why are you in this restaurant with

2252
01:38:06,439 --> 01:38:06,880
Speaker 2: that on? Oh?

2253
01:38:06,960 --> 01:38:09,120
Speaker 3: I hate club atiquette is oxing? More like that doesn't

2254
01:38:09,120 --> 01:38:10,479
Speaker 3: even what is in the club.

2255
01:38:10,520 --> 01:38:12,080
Speaker 2: You can do whatever the fuck you want. What is

2256
01:38:12,120 --> 01:38:14,439
Speaker 2: club etiquette? But we'll get back to that don't answer that.

2257
01:38:14,920 --> 01:38:15,960
Speaker 2: We'll get back to that all.

2258
01:38:15,920 --> 01:38:18,120
Speaker 3: Right, y'all. Will talk to y'all soon. Be safe, be blessed.

2259
01:38:18,120 --> 01:38:18,719
Speaker 3: I'm that nigga.

2260
01:38:18,720 --> 01:38:21,160
Speaker 4: He's just ginger now Veneers on the way true