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Speaker 1: Hi, everyone. It's Haze and Sean. This month, we're releasing

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Speaker 1: one full bonus episode. It's just Hayes when you're talking,

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Speaker 1: when I'm talking, it's just Haze.

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Speaker 2: Yeah. When you go you're doing the AD diminishes me. Well,

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Speaker 2: I wasn't at the time. At the time, I was not,

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Speaker 2: And we've been known to do AD separately sometimes.

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Speaker 1: Okay, but you like, you put your headphones on, you

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Speaker 1: pull the mic towards you. To me, that is that

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Speaker 1: you were ready to do that. They can't see that ready.

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Speaker 1: They can't see that, Hayes.

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Speaker 2: That's why I'm saying that it's both of us. Uh,

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Speaker 2: and now it is, but when you started talking, it

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Speaker 2: wasn't necessarily.

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Speaker 1: So we are releasing one full bonus episode every week

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Speaker 1: from our premium bonus series, Hollywood Handbook pro Version. It's

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Speaker 1: we Know it, and it says, please provide a short

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Speaker 1: description that highlights how Proversion differs from regular Hollywood Handbook episodes.

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Speaker 1: Weird to it's such a like a big question like

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Speaker 1: where to even like begin on something like that, like

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Speaker 1: how is it different?

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Speaker 2: Like wow, I mean it's different. Oh, it's different as hell. Uh.

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Speaker 1: It is shorter and normally well normally it does cost money,

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Speaker 1: but in this case it is free.

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Speaker 2: Yep. So now is it the same, but there's rarely

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Speaker 2: a guest.

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Speaker 1: Sometimes yeah, but not very often.

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Speaker 2: No.

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Speaker 1: If you want to listen to the rest of Hollywood

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Speaker 1: Handbook pro Version, go to s Ditchrpremium dot com and

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Speaker 1: sign up with the Code Handbook.

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Speaker 2: I would say, just as a description, that the Hollywood

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Speaker 2: Handbook pro Version is a free flowing conversation that occasionally

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Speaker 2: touches on mature subject matter.

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Speaker 1: And how is that different from what we do on

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Speaker 1: the show?

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Speaker 2: I would say that that is a very stiff, stunted

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Speaker 2: conversation that constantly explores nothing but mature subject matter.

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Speaker 1: Can I just say this where you have a promo

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Speaker 1: code here? Yes?

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Speaker 2: Yes?

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Speaker 1: And what's what do they get for using the promo?

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Speaker 1: Citup Premium dot com sign up with Code Handbook. I

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Speaker 1: think one month three Okay, he doesn't say that you

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Speaker 1: get one month free with using Code Handbook. You promised this.

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Speaker 2: It's a Chef Kevin guarantee. Right to Kevin and let

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Speaker 2: him know what you got when you used it.

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Speaker 1: You'll get access to all our bonus episodes and ad

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Speaker 1: free listening experience for all Earwolf and Citterer shows in

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Speaker 1: this Stitcher app, but you can also listen to the

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Speaker 1: ads version too. Kevin should be in here.

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Speaker 2: That's right, wow, because the ads are all screwed up

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Speaker 2: now in the free version.

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Speaker 1: So if you want to listen to the show as

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Speaker 1: the basically the Snyder cut of the show, it's basically

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Speaker 1: what it is with all the ads in their correct order.

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Speaker 1: You could listen to Hollywood Handbook that ads version. It's

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Speaker 1: different from the pro version, but it is in there

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Speaker 1: and you'll be supporting our show too. Thanks for listening.

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Speaker 1: Hope you enjoy the episode. And remember that's ditchrupream dot

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Speaker 1: Com promo code handbook. And again this is about the bonus.

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Speaker 1: And my name is Kevin promised.

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Speaker 2: I am with Kirby Ball too early. I with Kirby

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Speaker 2: the the the Blubby, the ball Man, the bloody Yeah,

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Speaker 2: a bubby.

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Speaker 1: What is Kirby? He he almost looks like a ghost.

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Speaker 1: He's a man, he's a human man. He's a he's

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Speaker 1: a man, yes, but he just looks he looks different from.

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Speaker 2: Fly and eat crazy and he can fly. I remember

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Speaker 2: him flying.

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Speaker 1: He just has big like air pockets. You know how

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Speaker 1: manatees have big uh a huge lungs.

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Speaker 2: They actually don't have very big butts.

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Speaker 1: Okay, it's smaller than the rest of their parts, but

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Speaker 1: they have these huge lungs that allow them to float

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Speaker 1: on top of the water. And he is like that

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Speaker 1: for air, right, It allows them to be on top

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Speaker 1: of the air.

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Speaker 2: Basically the cow the mermaid sailors would mistake them for mermaids,

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Speaker 2: you know. The biggest predator of the manatee, the boat propeller.

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Speaker 2: They would swim up and.

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Speaker 1: Because because the guys, because they'd see this big gray

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Speaker 1: thing that's like, excuse me one second, I have to

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Speaker 1: send my boat.

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Speaker 2: Over to this yep and the choppol, like you said,

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Speaker 2: they're floating up near the top where the propeller is

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Speaker 2: doing its nasty business in the water.

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Speaker 1: So I am finding myself with Kirby. He is absorbing

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Speaker 1: my powers.

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Speaker 2: He is sucking me through him all the way through.

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Speaker 2: Calm down, everybody, And I know that people, yes, I

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Speaker 2: do know, people use the show for that chance. In particular,

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Speaker 2: I could hear the sound of let me reach way

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Speaker 2: back for chance clip trimming.

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Speaker 1: People have this show hooked up to their little like

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Speaker 1: multi media recorders or whatever, and They're like, save that

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Speaker 1: clip please.

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Speaker 2: Oh I can feel him sucking me. Yeah, I can

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Speaker 2: bleep it if you guys want just to.

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Speaker 1: That's what he does. He does a big sucking all

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Speaker 1: the way in and then you have to go back out. Yeah,

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Speaker 1: and I look back.

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Speaker 2: I'm a little dazed, as you should be. I hate

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Speaker 2: in this society. They're like, oh, get right back up

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Speaker 2: for miss, like tough man complex, this toxic masculinity where

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Speaker 2: it's supposed to be that you got sucked sucked in

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Speaker 2: by Kirby and spit you out and your right be

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Speaker 2: you know, totally unfazed, just made of iron. And it's like, no,

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Speaker 2: I'm sorry, it doesn't work.

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Speaker 1: Take one second to just lie on your side.

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Speaker 2: Yeah, and SOB, you literally can't have ten minutes to

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Speaker 2: an hour to lie sided, SOB.

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Speaker 1: Everyone's watching to be like, you know, hop up here

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Speaker 1: he goes walk it off, Yeah, walk it off, Champ toxic, toxic.

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Speaker 2: I hate this tough man attitude. We need to We

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Speaker 2: need to teach our men better, which means teaching our

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Speaker 2: boys better that when Kirby sucks you, sucks you fully

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Speaker 2: inside and blast you out. We need to tell our

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Speaker 2: little boys, hey, it's okay to lie on your side

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Speaker 2: and gently sop for a full hour before you do

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Speaker 2: anything else. And we wonder why these guys grow up

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Speaker 2: and they're going into prison for going nuts and trying

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Speaker 2: to hit Kirby with a two by four. And I'll

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Speaker 2: tell you why, because we don't teach him when they're young,

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Speaker 2: just lie there and cry.

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Speaker 1: But it is, of course twenty nineteen. So I am

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Speaker 1: springing to my feet as fast as possible. And I

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Speaker 1: look back at Kirby and he has I thought he

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Speaker 1: would have like blonde hair or something, but he just

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Speaker 1: has a big ZiT.

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Speaker 2: Kind of near his nipple. Yeah, almost like a second

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Speaker 2: nipple the third Yeah, that's the initial impression, is uh yeah,

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Speaker 2: a second nipple when you're got an it's so close

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Speaker 2: to the one that the second nipple is the right

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Speaker 2: way to Yeah, my second nibble on that sound so

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Speaker 2: clear that particular pair with that one. Yeah.

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Speaker 1: And I'm like, is that that that's not like my superpower?

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Speaker 2: That's like a temporary thing. Yeah, you don't think of

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Speaker 2: it as your primary trade.

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Speaker 1: I think that's fair that that's what like symbolizes your superpower?

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Speaker 2: Is your blond hair?

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Speaker 1: What is your long blond hair or my five four jacket.

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Speaker 2: Yes, your five foot clothing jacket and your blond hair

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Speaker 2: are permanent aspects of your personality. Yeah, and the zi

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Speaker 2: your nipple. I mean, I say I've known you for

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Speaker 2: what eight years now, seven or eight? Yeah, something like

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Speaker 2: I would say, you've only had it for six of

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Speaker 2: those years.

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Speaker 1: Yeah, and not continuously, No, no, no, like it'll go away,

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Speaker 1: go away for a couple of times, just long enough

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Speaker 1: for me to kind of be like, oh, maybe.

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Speaker 2: Just in time for beach season. I can't wait to

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Speaker 2: get this shirt off, and then sure enough it's back. Yeah.

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Speaker 1: He and he I don't necessarily blant. What was he

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Speaker 1: gonna do? He didn't choose. No, that's the thing. That's

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Speaker 1: the thing about Kirby that we forget, Like it's not

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Speaker 1: like he's not making like a costume choice when he

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Speaker 1: absorbs your powers.

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Speaker 2: Like it is as much a victim of this system

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Speaker 2: as we are. He's just as much people who participate

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Speaker 2: in a corrupt system, even if they are the oppressors,

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Speaker 2: like Kirby, are also victims of this system. Yes, which

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Speaker 2: is broken. He has to get his just as much

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Speaker 2: as I have to get mine. Please, please, And we

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Speaker 2: should be tea seen our young boys. If you do

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Speaker 2: become a big puffy Kirby because you have giant air pockets, okay,

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Speaker 2: it's okay. Don't beat yourself up because you got a

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Speaker 2: big ZiT on your nipple after you suck heyz it,

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Speaker 2: spin him out of the ground. He's crying or he

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Speaker 2: wants to mm hmm. Okay, that doesn't make you a

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Speaker 2: bad Kirby. You are a product of this society. Okay, okay, okay.

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Speaker 1: And then he did Kevin, of course, and he was

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Speaker 1: Then he was just a Kirby holding a.

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Speaker 2: Glass of water. That was surprising to me.

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Speaker 1: I don't really know what I expected.

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Speaker 2: I didn't have another pitch. There wasn't something that I

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Speaker 2: thought he should be doing instead of holding a glass

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Speaker 2: of water. Maybe I just thought even that seemed a

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Speaker 2: little too flashy for Kevin.

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Speaker 3: Hey, guys, chef Kevin here. I thought he was gonna

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Speaker 3: be wor an apron.

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Speaker 2: But you don't wear the apron. The apron has.

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Speaker 1: So he would have to appear on an apron.

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Speaker 2: Yes, it could have been begging someone to buy it.

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Speaker 2: Maybe he's pathetically begging someone to buy it.

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Speaker 3: The water was fine, though, I was fine with the water.

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Speaker 1: It was a little too expressive. It shouldn't have been

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Speaker 1: such like distinctive looking water. Almost have been like a

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Speaker 1: more boring water.

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Speaker 2: Yeah, that's right. It's a little flashy, like flat tap water. No,

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Speaker 2: I mean not even I don't know rain water.

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Speaker 1: No, that would be very.

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Speaker 2: That's actually a glass of rain rain water. That's what

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Speaker 2: Rainman would drink.

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Speaker 1: Hey, welcome to Hollywood, Hambuk and it's Haider just guy

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Speaker 1: to kicking button dropping names of the red carpet light

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Speaker 1: that all this.

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Speaker 2: Watch rain Man. If you haven't seen rain Man, if

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Speaker 2: you're scratching your head, hey, I don't get this joke.

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Speaker 2: There's this great old movie rain Man. Go do yourself favorite,

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Speaker 2: go home, watch it. You'll love the movie. It's a classic.

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Speaker 2: And then you laugh your fucking ass off at that joke.

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Speaker 2: That's what rain Man would drink in nineteen eighty eight.

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Speaker 2: And I won't do this the whole show. Tom Cruise

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Speaker 2: has like a luxury import vehicle sales office. Of course

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Speaker 2: he's grown up. They don't explicitly state this, but maybe

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Speaker 2: obsessed with rare cars because the time he stole his

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Speaker 2: old man's favorite beauty.

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Speaker 1: They don't say this.

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Speaker 2: They don't say that's why he is in the business.

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Speaker 2: He's currently in Okay.

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Speaker 1: They talk about his upbringing a lot they done with

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Speaker 1: the car straight eight fireball eight.

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Speaker 2: They say about the engine. Oh, so he did steal

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Speaker 2: his old man, stole his old man's car, and they

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Speaker 2: tell you about it. Heavily implied his dad let him

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Speaker 2: sit in jail for three nights, reported the car stolen

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Speaker 2: because he had to teach him boundaries. Anyway, takes the

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Speaker 2: car out to institution, last known address of his brother,

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Speaker 2: who inheriteded all his father's wealth, which he was kind

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Speaker 2: of counting on to. He's upside down on some of

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Speaker 2: these car imports, delays and all that. He goes in

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Speaker 2: to meet his brother and let's just say the movie

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Speaker 2: goes from there.

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Speaker 1: I forgot that Engineered Devin was also there getting it

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Speaker 1: like was getting absorbed, Ah Kirby bafflegabs, Yeah, and it was.

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Speaker 1: He became a Kirby that basically looked like himself, but

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Speaker 1: he was pretending to be friends with Engineer Ryan for

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Speaker 1: career advancement.

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Speaker 2: That one I recognize right away.

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Speaker 1: No visual change, but like sort of buddying up to

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Speaker 1: Engineer Ryan in a way that was like not convincing

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Speaker 1: and clearly for like personal game.

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Speaker 2: Hey, at sub lamp, I heard a sound the other

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Speaker 2: day that could be cool for your music. Oh thank you,

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Speaker 2: that's engineer Ryan. Thank you.

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Speaker 1: Thanks.

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Speaker 2: Oh okay, did that happen to you? What did you

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Speaker 2: ever get absorbed by by Kirby? Yeah? Yeah, I guess

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Speaker 2: I guess I did. Hey, Yeah, Anyway, when he spit

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Speaker 2: me out, I thought i'd turn around and see, Uh,

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Speaker 2: I don't know, maybe you'd have sort of a rye wit,

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Speaker 2: sometimes a mustache, occasionally a mustache. What I saw shook

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Speaker 2: me to my bones. He just was like a bitch.

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Speaker 2: It like a little Kirby bitch.

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Speaker 1: Yeah, like a recognizable version of groovy, like a.

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Speaker 2: Bit like just a fucking.

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Speaker 1: Just so wheedling little just just not good, just just

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Speaker 1: just a little sniffling little bitch. Yeah.

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Speaker 2: It was me all right, scary I could see how

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Speaker 2: that would be scary. Well, it's like and I just

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Speaker 2: wanted to be like, be a man, Kirby fucking stand

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Speaker 2: up the fuck dude.

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Speaker 1: What are we doing today, Kevin?

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Speaker 3: Super Bowl party snacks?

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Speaker 4: Huh?

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Speaker 2: What are we doing?

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00:16:10,040 --> 00:16:11,920
Speaker 4: Huh?

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Speaker 2: Super Bowl party snacks? Yeah, perfect way to host your

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00:16:14,840 --> 00:16:18,720
Speaker 2: super Bowl party. Yeah, we know people come to this

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Speaker 2: show for advice, whether it's about Hollywood or hosting the

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Speaker 2: perfect super Bowl party. We got you covered, muchacho, Hey, muchacho.

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Speaker 1: We are going to teach you how to have the

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Speaker 1: party today and to have perfect Super Bowl snack, perfect snacks,

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Speaker 1: perfect playlist.

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Speaker 2: If you want the party rocking, you're gonna need the

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Speaker 2: good tunes and you.

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Speaker 1: Every time it's a commercialone goes like it's the commercials,

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Speaker 1: trim and music down, and then that's when everyone gets

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Speaker 1: together and talks about the commermercials and the host is

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Speaker 1: allowed to pause.

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Speaker 2: And clown on the commercial. Oh yes. The best part

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Speaker 2: of hosting is absolutely remote privileges. You get to pause

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Speaker 2: it and get the fucking hardest clown in on any

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Speaker 2: of these commercials. You just go like, uh, I would

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Speaker 2: have done that.

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Speaker 1: And some of them you can watch ahead of time.

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Speaker 1: Sometimes they will release some of the major commercials early.

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Speaker 2: I scour the internet so that I have my commercial

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Speaker 2: takes well in advance, and then I act like it's

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Speaker 2: just coming to me in the moment. Anybody mind if

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Speaker 2: I pause for a second, this commercial seems a little

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Speaker 2: problematic to me. Anyone else find the messaging a little

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Speaker 2: confused anyway, Let's keep watching bing back to It's everybody's

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Speaker 2: fucking soaking their trousers loving my take on the commercial.

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Speaker 2: What's the thing to do to have perfect snack? Perfect

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Speaker 2: snack football shape? You know what, you're watching football games,

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Speaker 2: so make it shape like a football. I don't care

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Speaker 2: what the fuck you want to eat? Vegetables, football shaped vegetables,

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Speaker 2: hamburger sandwich, football hamburger sandwich.

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Speaker 1: That's easier.

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Speaker 2: Yeah, snack nacho, football shaped snack nacho, freaking salad, football salad,

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Speaker 2: hot dog, chicken lunch, chicken lunch, chicken lunchall shaped chicken lunch, citrus,

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Speaker 2: gray slammer and freaking whole gray mustard, Jon sauce, football shape,

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Speaker 2: citrus glay, salmon and whole gray mustard, Dijon sauce, put roussa, chilies,

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Speaker 2: football shape, ross and chilies, and I could go on.

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Speaker 1: Some of those are much harder to do than others.

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Speaker 2: Yeah, nobody said it was gonna be easy, but said

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Speaker 2: there was gonna be this hard.

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Speaker 1: It's cold play, Mama. I almost want to go back

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Speaker 1: to the very beginning of the first one.

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Speaker 2: Was easy. It's such a shame for us to paw. Yeah,

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Speaker 2: nobody said it would be easy to make football shaped vegetables.

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Speaker 2: But let's go back to it.

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Speaker 1: Does cold Play do the halftime show? Yeah, it's supposed

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Speaker 1: to be Maroon five? A Big Boy prediction, super Bowl prediction.

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Speaker 1: I don't get into what the score is gonna be,

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Speaker 1: but I'll tell you this, Yeah, Coldplay's gonna show up.

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Speaker 2: And do it.

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Speaker 1: Instead of anyone who was advertised.

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Speaker 2: It's not gonna be Big Boy. It's not gonna be

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Speaker 2: Maroon five.

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Speaker 1: That's all we know for sure. Those guys will not

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Speaker 1: be doing.

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Speaker 2: Whoever they say it's gonna be. They always have some surprise. Wait.

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Speaker 1: Yeah, they couldn't make it like.

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Speaker 2: I wanted to see a band.

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Speaker 1: They go there to get a phone call. Oh, Adam,

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Speaker 1: you have to throw up? Oh that's all. Well, how

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Speaker 1: are we gonna have Do we have a show where

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Speaker 1: we got a show to do?

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Speaker 2: Oh? Travis Scott, you can't be there. You're feeling sick

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Speaker 2: o mode? Well, how like, how are we going to

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Speaker 2: do the show? Hold on a second, maybe I have

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Speaker 2: a suggestion.

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Speaker 4: Nobody said it was easy.

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Speaker 2: It's such a shape for us to bar.

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Speaker 1: That's huge. It's always that way.

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Speaker 2: It's always they do it and I fall for it.

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Speaker 2: Wait a second until this year? Every time? Who's that? Whopped?

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Speaker 2: Who's that sitting in the end zone? Is that man? Man?

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Speaker 2: Is that Brett Morris and man Man? Hey, get out

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Speaker 2: of the way. Who's behind you?

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Speaker 1: Oh?

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Speaker 2: It's monster magnet space. It's a radio edit. So what

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Speaker 2: did you want to say? I'm a football shape fish,

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Speaker 2: football shaped vegetable.

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Speaker 1: Is it a cut up carrot that would have to

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Speaker 1: be made pretty small?

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Speaker 2: Oh?

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Speaker 1: Yeah, make him into football shape? Or is it a

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Speaker 1: whole squash that is you did mention the squash another

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Speaker 1: time that seemed like it was cut up. Is it

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Speaker 1: a whole squash that is looking a little bit like

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Speaker 1: a football?

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Speaker 2: Okay, here's what I'll say, and I hopefully this will

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Speaker 2: answer any other follow ups that could be coming. If

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Speaker 2: it look enough like a football to your guest, goes oble,

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Speaker 2: then that's what it is. M hm. Then you have

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Speaker 2: done your job. And if you got them for this

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Speaker 2: evening and you gotta potato around it, take a little bow.

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Speaker 1: Oh so you could be filling out? Oh so instead

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00:22:35,400 --> 00:22:39,280
Speaker 1: of cut up carrot? Hey? The rules?

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00:22:39,400 --> 00:22:42,159
Speaker 2: Is it tweet? Is the referee gon blows whistle? On

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Speaker 2: that that's not against the rules.

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Speaker 1: You could take the carrot and put enough potatoes around

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Speaker 1: it in.

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Speaker 2: Football ship roughing the chicken lunch.

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Speaker 1: Okay, yep, that's good, Kevin. Do you have any other questions?

359
00:23:00,040 --> 00:23:00,560
Speaker 2: You just kidding?

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Speaker 1: You didn't haven't asked any of this whole time. Yeah,

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00:23:03,040 --> 00:23:04,440
Speaker 1: you've contributed nothing.

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Speaker 5: Do you guys think it could be a good idea

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Speaker 5: if you took a potato and then cut it so

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Speaker 5: it looked like the laces, and so maybe people would

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00:23:12,359 --> 00:23:13,800
Speaker 5: be like, oh, this looks like exact.

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Speaker 2: Shoe string fly shoe string fry laces. Yeah, is that

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Speaker 2: what you're suggesting? What do you think shoe string fry laces.

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00:23:21,400 --> 00:23:23,719
Speaker 2: I believe that was covered in my earlier statement when

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00:23:23,760 --> 00:23:25,199
Speaker 2: I said, and if you make it look like a

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00:23:25,200 --> 00:23:28,359
Speaker 2: potato and make it look like a vegetable, oh no,

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00:23:28,440 --> 00:23:31,119
Speaker 2: make it look like a football. And at all of this,

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Speaker 2: if you make it look like a football enough to

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Speaker 2: people go, oh, look like a football, that's the snacks.

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Speaker 1: And now the dog is eating my shoe. Oh I'm

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Speaker 1: having a great time at this party. Oh my my

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00:23:46,240 --> 00:23:50,439
Speaker 1: host is making me wear shoe string potato fry laces.

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00:23:50,520 --> 00:23:53,880
Speaker 1: And now the dog has eaten my shoe, and that's

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Speaker 1: Kevin's house.

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Speaker 2: You know what, I think. I'm actually gonna watch the

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00:23:57,680 --> 00:24:00,240
Speaker 2: second half somewhere else. I think maybe we will dick

381
00:24:00,320 --> 00:24:01,680
Speaker 2: do football shape.

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00:24:03,359 --> 00:24:05,960
Speaker 5: Okay, thanks, my go have to have a different vegetable

383
00:24:06,240 --> 00:24:08,320
Speaker 5: that won't eat laces.

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Speaker 1: The shoes belong on the floor where the dog's house

385
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Speaker 1: is floor.

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Speaker 2: That is the problem. Shoes live on the floor.

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00:24:21,800 --> 00:24:24,280
Speaker 1: The football is not allowed to go on the floor

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Speaker 1: in the game. If you notice this, If you yes,

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00:24:27,320 --> 00:24:32,240
Speaker 1: then the so happy out the ref loses it.

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00:24:32,400 --> 00:24:33,600
Speaker 2: Tweet tweet tweet.

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Speaker 1: The ref will ream your ass if you ever put

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Speaker 1: the football on the floor.

393
00:24:39,280 --> 00:24:43,879
Speaker 2: I seen him chump dude's assholes out for fucking putting

394
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Speaker 2: the football on the floor.

395
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Speaker 1: The ref have you ever seen this? I was watching

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Speaker 1: the wrong game.

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00:24:49,680 --> 00:24:53,800
Speaker 2: He chomped it out. Oh dude, you put the football

398
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Speaker 2: on the floor. The ref will chomp your asshole out.

399
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Speaker 1: He will kill your but.

400
00:25:01,600 --> 00:25:02,159
Speaker 2: He has to.

401
00:25:04,640 --> 00:25:12,200
Speaker 1: But yes, the shoe and the shoelace does allowed to

402
00:25:12,200 --> 00:25:14,040
Speaker 1: be on the floor during this football game.

403
00:25:14,000 --> 00:25:20,440
Speaker 2: And does go on Yes, the football huh, yes, it

404
00:25:20,520 --> 00:25:24,320
Speaker 2: can go on the foot once at the beginning. It

405
00:25:24,440 --> 00:25:27,320
Speaker 2: can other times in the game. A little.

406
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Speaker 1: Mm hmm.

407
00:25:29,920 --> 00:25:34,520
Speaker 2: Can do on the football the shoe lace on the

408
00:25:34,560 --> 00:25:39,720
Speaker 2: football a couple times, but it's not the main thing.

409
00:25:42,040 --> 00:25:44,600
Speaker 5: What if you put nice messages in your snacks for

410
00:25:44,640 --> 00:25:49,200
Speaker 5: your for your friends, so when they're eating their food

411
00:25:49,320 --> 00:25:50,040
Speaker 5: they see.

412
00:25:49,880 --> 00:25:51,840
Speaker 2: A nice message for you to put in your snacks

413
00:25:51,920 --> 00:25:55,000
Speaker 2: is hey, guys, here's the address to a better Super

414
00:25:55,040 --> 00:25:57,920
Speaker 2: Bowl party where they actually made the snacks look like football.

415
00:25:59,600 --> 00:26:01,480
Speaker 2: That's it only nice message.

416
00:26:01,160 --> 00:26:04,040
Speaker 1: That you have to be really nice. Everyone would honestly

417
00:26:04,080 --> 00:26:10,280
Speaker 1: be moved to tears. Everyone at the party has moved

418
00:26:10,280 --> 00:26:15,080
Speaker 1: to tears. Like the the Budweiser commercial where the dog

419
00:26:15,240 --> 00:26:16,679
Speaker 1: is friends with that horse.

420
00:26:17,720 --> 00:26:20,240
Speaker 2: Okay, that's gonna that's gonna make it hard for me

421
00:26:20,320 --> 00:26:22,120
Speaker 2: to do the show remembering that dog and.

422
00:26:22,080 --> 00:26:26,720
Speaker 1: Horse, and they will probably do something about that again.

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00:26:26,800 --> 00:26:30,040
Speaker 1: So it would be great if you listening to this

424
00:26:30,560 --> 00:26:34,040
Speaker 1: have some funny stuff for that that is also like

425
00:26:34,119 --> 00:26:36,080
Speaker 1: respectful of I.

426
00:26:36,480 --> 00:26:38,679
Speaker 2: Do think they should show those horses. I think the

427
00:26:38,680 --> 00:26:40,800
Speaker 2: Budweiser horses are in a commercial over here, and I

428
00:26:40,840 --> 00:26:44,919
Speaker 2: do think they should show them. I mean sex because

429
00:26:44,960 --> 00:26:48,480
Speaker 2: if you say, whoa are you a baby? You've never

430
00:26:48,760 --> 00:26:52,000
Speaker 2: because you can't even imagine that happening. Hear me out,

431
00:26:52,080 --> 00:26:55,840
Speaker 2: because look, it's happening right now all over the world.

432
00:26:56,400 --> 00:26:59,920
Speaker 2: You imagine that that's the most natural thing. Take a

433
00:27:00,080 --> 00:27:03,000
Speaker 2: minute to imagine, because it's happening right now, right now,

434
00:27:03,640 --> 00:27:08,880
Speaker 2: everyone in the world is having sex. Yeah, right now.

435
00:27:08,920 --> 00:27:11,320
Speaker 2: The second you're listening to this, everyone but you is

436
00:27:11,359 --> 00:27:19,240
Speaker 2: having sex one where and everyone, horses included. Here's why.

437
00:27:20,920 --> 00:27:25,720
Speaker 4: The hottest girl to the most studliest dude, and everything

438
00:27:25,760 --> 00:27:39,760
Speaker 4: in between, old, young, middle, medium, aged, skewing older, early twenties,

439
00:27:42,040 --> 00:27:46,760
Speaker 4: everybody but you. So here's why the horses should be

440
00:27:46,880 --> 00:27:50,600
Speaker 4: shown having sex. I think that would really provide so

441
00:27:50,720 --> 00:27:53,720
Speaker 4: much needed comfort to the American people because I love

442
00:27:53,760 --> 00:27:56,680
Speaker 4: these horses and they're friends with dogs, and what I

443
00:27:56,760 --> 00:28:01,000
Speaker 4: know is, unfortunately they don't live for it. And I

444
00:28:01,080 --> 00:28:03,240
Speaker 4: want some sort of insurance.

445
00:28:02,760 --> 00:28:09,040
Speaker 2: Policy that when these famous Budweiser horses pass on, we're

446
00:28:09,080 --> 00:28:14,480
Speaker 2: not no horse. We need to have a plan. We

447
00:28:14,560 --> 00:28:16,960
Speaker 2: need the plan, we need it now, and we should

448
00:28:16,960 --> 00:28:22,800
Speaker 2: show it happening in a tasteful way. But to complete it,

449
00:28:26,240 --> 00:28:29,840
Speaker 2: because I can't just see a couple of pumps, and

450
00:28:29,920 --> 00:28:33,399
Speaker 2: I don't know if dude busted. Honestly, even if they

451
00:28:33,480 --> 00:28:34,600
Speaker 2: just came in at the end.

452
00:28:34,640 --> 00:28:38,200
Speaker 1: That's fine with me. These ads cause a lot of

453
00:28:38,440 --> 00:28:41,760
Speaker 1: money per second. If there's just need, if they only

454
00:28:41,840 --> 00:28:48,960
Speaker 1: have time for the final, the grand finale, as.

455
00:28:48,840 --> 00:28:51,560
Speaker 2: It were, there's possibly a very classy way to do

456
00:28:51,640 --> 00:28:59,760
Speaker 2: it where the horses are both lying down in a

457
00:28:59,760 --> 00:29:05,200
Speaker 2: bed of hay, smoking horse cigarette, and you just see

458
00:29:06,840 --> 00:29:12,240
Speaker 2: one of them hand the other one a towel. They

459
00:29:12,280 --> 00:29:17,280
Speaker 2: could because it's because it's because it's if they can't

460
00:29:17,320 --> 00:29:18,680
Speaker 2: show the actual.

461
00:29:20,040 --> 00:29:25,000
Speaker 1: Bust, they could show the beginning part and then they

462
00:29:25,000 --> 00:29:28,240
Speaker 1: cut to uh in the Little Rascals movie where Spanky

463
00:29:28,360 --> 00:29:32,720
Speaker 1: is using the fire hose to put out the fire

464
00:29:32,840 --> 00:29:36,200
Speaker 1: at the clubhouse and the stream is so powerful he

465
00:29:36,360 --> 00:29:39,840
Speaker 1: is flying around. If they cut to that, I would

466
00:29:39,920 --> 00:29:41,520
Speaker 1: have a pretty good idea.

467
00:29:41,800 --> 00:29:44,720
Speaker 2: I think that it's a class way to illustrate it

468
00:29:45,280 --> 00:29:48,840
Speaker 2: that doesn't leave us with too many questions. But does

469
00:29:48,840 --> 00:29:52,320
Speaker 2: it necessarily offend those with more delicate sensibilities like Kevin

470
00:29:52,360 --> 00:29:54,760
Speaker 2: who suddenly had to, Yeah, what's your pill or what

471
00:29:55,120 --> 00:29:58,480
Speaker 2: or something? For the what's your plan for there to be?

472
00:30:00,080 --> 00:30:02,720
Speaker 2: How do we make a promise a new horse that

473
00:30:02,840 --> 00:30:07,040
Speaker 2: this horse is freaking letting his load go?

474
00:30:07,520 --> 00:30:10,560
Speaker 5: I think as the pumps come to an end, it

475
00:30:10,680 --> 00:30:13,640
Speaker 5: fades to black and then we hear like Beavis and

476
00:30:13,680 --> 00:30:18,920
Speaker 5: butt Head go like oh, and from there we can

477
00:30:19,000 --> 00:30:22,360
Speaker 5: infer completion from both parties.

478
00:30:22,880 --> 00:30:25,400
Speaker 1: Okay, it sounded a little like they didn't like it.

479
00:30:26,800 --> 00:30:36,320
Speaker 2: Oh so you wanted a cornerholyo clip. Yes, okay, I

480
00:30:36,320 --> 00:30:39,640
Speaker 2: don't know. I don't like that. I love the hole.

481
00:30:39,760 --> 00:30:42,160
Speaker 1: And now, by the way, I'm just pointing out, it's

482
00:30:42,200 --> 00:30:45,520
Speaker 1: getting it is getting more and more expensive to put

483
00:30:45,560 --> 00:30:47,600
Speaker 1: it from the Little Rascals movie.

484
00:30:47,400 --> 00:30:51,640
Speaker 2: For about ninety four they own it. Vannheuser Bush may

485
00:30:51,680 --> 00:30:55,440
Speaker 2: already might by accident, it might have been a throw

486
00:30:55,560 --> 00:30:57,960
Speaker 2: in as something else they bought.

487
00:30:59,040 --> 00:31:00,520
Speaker 1: But now we're going to be But we had to

488
00:31:00,520 --> 00:31:01,880
Speaker 1: go through Mike Judge all of a sudden.

489
00:31:01,920 --> 00:31:03,240
Speaker 2: Now I'm calling Mike Judge and.

490
00:31:03,200 --> 00:31:06,640
Speaker 1: Saying, hey, I'm doing a Super Bowl commercial where I

491
00:31:07,200 --> 00:31:10,479
Speaker 1: use your footage because I thought we're showing a horse bust.

492
00:31:10,640 --> 00:31:13,920
Speaker 2: Well, interestingly, Kevin only wanted the audio. He just wanted

493
00:31:13,960 --> 00:31:17,240
Speaker 2: the sound effect formed from seeing them made.

494
00:31:18,400 --> 00:31:20,680
Speaker 1: I'm sure that probably cost the same.

495
00:31:22,120 --> 00:31:22,680
Speaker 2: That's true.

496
00:31:22,840 --> 00:31:27,080
Speaker 5: I guess we could just have the Cornholio sound over

497
00:31:28,120 --> 00:31:30,000
Speaker 5: them doing it.

498
00:31:30,040 --> 00:31:30,800
Speaker 1: The horse sex.

499
00:31:31,720 --> 00:31:36,040
Speaker 5: Okay, so it's horse sex, horse sex, horse sex and then.

500
00:31:37,920 --> 00:31:39,880
Speaker 2: And then butt light on the bottom.

501
00:31:40,640 --> 00:31:42,720
Speaker 1: Well, oh it could also you could also show you

502
00:31:42,720 --> 00:31:44,720
Speaker 1: could if it's a like that, you.

503
00:31:44,720 --> 00:31:45,080
Speaker 2: Cut to.

504
00:31:46,880 --> 00:31:51,000
Speaker 1: The vortex bottle. Yeah, cut to like footage of the

505
00:31:51,080 --> 00:31:55,760
Speaker 1: vortex bottle where it's coming out so unbelievably fast.

506
00:31:55,880 --> 00:31:57,440
Speaker 2: Yeah, it's for text bottle.

507
00:31:58,800 --> 00:32:01,520
Speaker 1: If you can the return of the Vortex bottle if

508
00:32:01,560 --> 00:32:04,640
Speaker 1: you zoom into the groin region of the horse, and

509
00:32:04,680 --> 00:32:06,480
Speaker 1: then when you get to close up, it's just a

510
00:32:06,560 --> 00:32:09,120
Speaker 1: vor text bottle that's been shaken up, blasting out.

511
00:32:12,080 --> 00:32:14,840
Speaker 2: I think it's it's pretty that would read.

512
00:32:15,000 --> 00:32:18,280
Speaker 1: I would definitely understand that reads what's been going on.

513
00:32:19,920 --> 00:32:22,280
Speaker 2: That's great. And then you're actually getting money to do

514
00:32:22,360 --> 00:32:24,920
Speaker 2: it instead of paying money to do it, because obviously

515
00:32:24,960 --> 00:32:27,320
Speaker 2: the vor text bottle is going to want that placement

516
00:32:28,440 --> 00:32:29,480
Speaker 2: in the ad.

517
00:32:29,600 --> 00:32:32,280
Speaker 1: In the in the Budweiser ad.

518
00:32:32,440 --> 00:32:35,760
Speaker 2: Yeah, it's collaboration because they're not competitors.

519
00:32:35,800 --> 00:32:37,240
Speaker 1: Really, No, they put it in.

520
00:32:38,960 --> 00:32:41,720
Speaker 5: Oh yeah, should we have polar bears having sex too?

521
00:32:41,760 --> 00:32:43,480
Speaker 5: We could get Coca Cola to pay.

522
00:32:43,360 --> 00:32:45,400
Speaker 3: Us, you know for the commercial commercial.

523
00:32:46,440 --> 00:32:50,000
Speaker 2: No, there's already baby Polar Bear. That's like the whole thing.

524
00:32:50,240 --> 00:32:52,280
Speaker 3: Oh yeah, I guess it's like part two.

525
00:32:53,760 --> 00:32:58,720
Speaker 2: Hmmm, it's like a trilog part two, part two plus

526
00:32:58,720 --> 00:33:01,480
Speaker 2: it's cartoon Polar Bears cartoon. It's not.

527
00:33:01,920 --> 00:33:04,040
Speaker 1: It's Tie Kevin's precious head.

528
00:33:04,080 --> 00:33:04,960
Speaker 2: Tye.

529
00:33:06,040 --> 00:33:08,480
Speaker 3: Do we have another ad where there's a baby horse

530
00:33:08,520 --> 00:33:09,240
Speaker 3: going to school?

531
00:33:10,280 --> 00:33:12,720
Speaker 1: Kevin tried to show me Henti the other day for

532
00:33:12,840 --> 00:33:14,720
Speaker 1: the movie Road to El Dorado.

533
00:33:15,800 --> 00:33:17,800
Speaker 2: Oh.

534
00:33:18,040 --> 00:33:22,600
Speaker 1: I was like, I barely remember this movie. This is

535
00:33:22,680 --> 00:33:23,360
Speaker 1: what I mean.

536
00:33:24,000 --> 00:33:24,400
Speaker 2: R O D.

537
00:33:25,120 --> 00:33:28,400
Speaker 1: Show me like you know, normally it's like Marge, Okay,

538
00:33:29,920 --> 00:33:33,800
Speaker 1: this I understand. Of course, freaking fern Gully or whatever.

539
00:33:33,960 --> 00:33:38,560
Speaker 1: That's a little weird Road to El Dorado.

540
00:33:40,480 --> 00:33:48,360
Speaker 2: So strange. Yeah, he was doing for me. Whenever I

541
00:33:48,400 --> 00:33:51,640
Speaker 2: am alone with Kevin before you're here, if you're running

542
00:33:51,720 --> 00:33:54,440
Speaker 2: late or something, I just go like, here comes Emperor's

543
00:33:54,440 --> 00:33:58,920
Speaker 2: new groove head Tie, and I can just feel I

544
00:33:58,960 --> 00:34:01,800
Speaker 2: get spoted for a while. And then he will start

545
00:34:02,240 --> 00:34:04,840
Speaker 2: in this very performative way, like flipping through stuff on

546
00:34:04,880 --> 00:34:10,120
Speaker 2: his phone and going like huh oh oh and just

547
00:34:10,200 --> 00:34:13,799
Speaker 2: begging me to be like something good on your phone, keV,

548
00:34:13,960 --> 00:34:15,719
Speaker 2: and I won't bite, and then I'll kind of go,

549
00:34:17,080 --> 00:34:20,800
Speaker 2: you just sorry, but you have to see this.

550
00:34:22,880 --> 00:34:24,200
Speaker 1: And they're just going to town.

551
00:34:24,480 --> 00:34:26,000
Speaker 2: Yeah.

552
00:34:26,080 --> 00:34:33,800
Speaker 1: Yeah, it's animated films drawn from meso American history.

553
00:34:34,520 --> 00:34:37,120
Speaker 2: It's important to you, isn't it.

554
00:34:37,760 --> 00:34:42,680
Speaker 3: We could always be learning mmm. And sex is the

555
00:34:42,719 --> 00:34:45,840
Speaker 3: most appealing thing in the whole world. So if we

556
00:34:45,880 --> 00:34:50,319
Speaker 3: could use that as a way to learn, we could

557
00:34:50,400 --> 00:34:55,560
Speaker 3: change history, because well we'll keep repeating it if we're

558
00:34:55,600 --> 00:34:57,000
Speaker 3: not appealing.

559
00:34:57,680 --> 00:35:09,520
Speaker 2: Over Bye, whoa dam book. It's a pro version. I'm

560
00:35:09,520 --> 00:35:12,600
Speaker 2: a horny girl wolf. This has been an Earwolf production

561
00:35:12,960 --> 00:35:16,800
Speaker 2: executive produced by Scott Ackerman, Colin Anderson, and Chris Bannon.

562
00:35:16,920 --> 00:35:23,719
Speaker 2: For more information and content, visit earwolf dot com. Oh