1 00:00:00,200 --> 00:00:05,480 Speaker 1: It's nine Ogen Want Angine with Jenny Garth and Tory Spelling. 2 00:00:09,680 --> 00:00:13,520 Speaker 1: We are back with another episode of nine O two one. OMG, 3 00:00:13,840 --> 00:00:16,360 Speaker 1: thank goodness. I don't get this one though. 4 00:00:16,600 --> 00:00:16,920 Speaker 2: Amy. 5 00:00:17,760 --> 00:00:21,720 Speaker 1: It's called Toil and Trouble. I don't even know what 6 00:00:21,720 --> 00:00:22,200 Speaker 1: that means. 7 00:00:22,640 --> 00:00:24,720 Speaker 2: We're gonna get into all that. I just want to 8 00:00:24,760 --> 00:00:27,680 Speaker 2: say that there's a lot of people, now maybe five 9 00:00:30,760 --> 00:00:33,880 Speaker 2: that are in for the Brady Bunch of five. Whoa, 10 00:00:34,920 --> 00:00:36,840 Speaker 2: you know, I'm pretty excited. I think we had one 11 00:00:36,880 --> 00:00:39,479 Speaker 2: person that was like, I do not want the Brady 12 00:00:39,479 --> 00:00:43,440 Speaker 2: Bunch podcast, and then like seven, maybe seven or eight 13 00:00:43,479 --> 00:00:44,320 Speaker 2: others were like. 14 00:00:44,880 --> 00:00:47,720 Speaker 1: Well, you know what, that's a start. 15 00:00:47,360 --> 00:00:51,080 Speaker 2: Someone said, counting down the hypothetical minutes until the Brady 16 00:00:51,120 --> 00:00:56,080 Speaker 2: Bunch podcast makes me so happy? So so where are 17 00:00:56,160 --> 00:00:59,200 Speaker 2: you seeing this on Instagram? I read all the comments. 18 00:00:59,200 --> 00:01:00,760 Speaker 2: Some can be mean, and I take it like a 19 00:01:00,800 --> 00:01:02,760 Speaker 2: gut punch in the words of Nick Jonas. 20 00:01:03,320 --> 00:01:04,959 Speaker 1: Why do I take it like a gut punch? 21 00:01:05,120 --> 00:01:07,320 Speaker 2: Right? I try to Like someone said, girl, you are 22 00:01:07,440 --> 00:01:10,720 Speaker 2: gas lighting with that score a ten? What? Like? I 23 00:01:10,800 --> 00:01:13,120 Speaker 2: just love the comments. They make me so happy. 24 00:01:13,400 --> 00:01:15,080 Speaker 1: I don't even know. I don't even I would love 25 00:01:15,120 --> 00:01:18,160 Speaker 1: to see the comments. I gotta look into those, but 26 00:01:18,319 --> 00:01:19,480 Speaker 1: pretty good. They're pretty good. 27 00:01:19,520 --> 00:01:21,320 Speaker 2: I'm not gonna lie. People are real funny. 28 00:01:21,520 --> 00:01:24,640 Speaker 1: Real people are funny. That's the best part. Yes, send 29 00:01:24,680 --> 00:01:25,800 Speaker 1: us your funny comments. 30 00:01:25,840 --> 00:01:28,200 Speaker 2: Okay, give me the title of this episode now so 31 00:01:28,240 --> 00:01:29,440 Speaker 2: I can try to figure it out. 32 00:01:30,040 --> 00:01:33,319 Speaker 1: Okay, it's called Toil and Trouble. This was season eight, 33 00:01:33,400 --> 00:01:38,440 Speaker 1: episode eightil, Toil and Trouble. It aired October twenty ninth, 34 00:01:38,760 --> 00:01:39,720 Speaker 1: nineteen ninety seven. 35 00:01:39,920 --> 00:01:42,760 Speaker 2: What does the word toil? 36 00:01:43,120 --> 00:01:44,240 Speaker 1: Toil means. 37 00:01:45,760 --> 00:01:50,760 Speaker 2: Work extremely hard or incessantly exhausting physical labor. 38 00:01:51,920 --> 00:01:57,840 Speaker 1: Maybe David? Maybe that's David's storyline. No, and trouble like 39 00:01:57,880 --> 00:02:01,200 Speaker 1: the alliteration of the tease. I know, well it worked. 40 00:02:01,240 --> 00:02:02,920 Speaker 1: It's catchy, but I still don't get it. 41 00:02:03,680 --> 00:02:05,720 Speaker 2: Do I read the synopsis? You do? 42 00:02:05,880 --> 00:02:08,880 Speaker 1: That's your job. Oh wait, today we need to remind 43 00:02:08,880 --> 00:02:10,040 Speaker 1: everybody that it's just Amy. 44 00:02:10,160 --> 00:02:15,000 Speaker 2: And yeah, toris sick. Hope, we're actually really hoping good 45 00:02:15,000 --> 00:02:19,040 Speaker 2: wishes for her because she's been sick for like a while. Sucks. 46 00:02:20,200 --> 00:02:23,959 Speaker 1: Yes, we are here to hold down the fort because 47 00:02:24,040 --> 00:02:27,200 Speaker 1: that is what we do and it's important to us. 48 00:02:27,560 --> 00:02:31,440 Speaker 2: Valerie chooses the rich Cooper harbor of to take the ball, 49 00:02:31,840 --> 00:02:34,760 Speaker 2: but when Noah walks in, her scheme starts to fall, 50 00:02:35,200 --> 00:02:37,920 Speaker 2: and while she still thinks Noah's not worth a cent, 51 00:02:38,600 --> 00:02:42,359 Speaker 2: David is broke and can't pay his rent. Kelly complains 52 00:02:42,360 --> 00:02:45,720 Speaker 2: that Brandon's too boring. Well, Steve Cater's to Carly and 53 00:02:45,800 --> 00:02:46,760 Speaker 2: hopes that he's scoring. 54 00:02:47,040 --> 00:02:50,120 Speaker 1: Okay, I think that the synopsises are the best part 55 00:02:50,400 --> 00:02:51,000 Speaker 1: of our Eli. 56 00:02:53,280 --> 00:02:57,919 Speaker 2: I don't think Kelly thinks Brandon's boring after the first 57 00:02:58,160 --> 00:03:02,440 Speaker 2: ten minutes of the show, because what in the world, 58 00:03:02,840 --> 00:03:06,200 Speaker 2: what in the what in the honey world is that? 59 00:03:06,520 --> 00:03:10,280 Speaker 1: I mean, at first we're like, oh no, there's trouble 60 00:03:10,280 --> 00:03:13,760 Speaker 1: in Paradise. But that was good because she was communicating totally, 61 00:03:13,880 --> 00:03:16,840 Speaker 1: very clearly with him, like I am not satisfied with 62 00:03:16,960 --> 00:03:20,799 Speaker 1: this like boring vanilla life that we have going. We're 63 00:03:20,840 --> 00:03:23,640 Speaker 1: twenty two years old. We should be having adventures and 64 00:03:23,680 --> 00:03:26,320 Speaker 1: going and having fun at correct But I guess he 65 00:03:26,320 --> 00:03:29,520 Speaker 1: doesn't like to leave the house because he makes her 66 00:03:29,520 --> 00:03:31,720 Speaker 1: dinner at home, which was very romantic. 67 00:03:32,360 --> 00:03:35,480 Speaker 2: All I know is what went through my body was 68 00:03:35,560 --> 00:03:39,160 Speaker 2: the mess, the mess of the It. 69 00:03:39,080 --> 00:03:42,520 Speaker 3: Was like, God, he really shifted it up by making 70 00:03:42,600 --> 00:03:45,760 Speaker 3: this breaking and spilling, and I. 71 00:03:45,760 --> 00:03:49,400 Speaker 1: Had immense anxiety when they wiped everything off the table 72 00:03:49,440 --> 00:03:52,640 Speaker 1: onto the floor and then I was left it there 73 00:03:53,960 --> 00:03:54,800 Speaker 1: for other. 74 00:03:54,640 --> 00:03:57,280 Speaker 2: People to come and see, and like I just was 75 00:03:57,280 --> 00:04:02,080 Speaker 2: feeling like dishes were breaking and food was going and 76 00:04:02,120 --> 00:04:03,280 Speaker 2: I think there was why. 77 00:04:03,640 --> 00:04:06,720 Speaker 1: I was just like, also, he worked so hard on it, Like. 78 00:04:06,720 --> 00:04:08,760 Speaker 2: We didn't eat one bite, not one bite. 79 00:04:08,800 --> 00:04:11,280 Speaker 1: That's so wasteful, Kelly and Brandon, I'm not happy with 80 00:04:11,320 --> 00:04:11,760 Speaker 1: you guys. 81 00:04:12,320 --> 00:04:15,760 Speaker 2: And then they were just like I don't know, like horny, 82 00:04:15,800 --> 00:04:19,240 Speaker 2: horny mccorney because they were just like the whole episode was. 83 00:04:19,560 --> 00:04:21,560 Speaker 1: That's my note, I say, what is up with these 84 00:04:21,600 --> 00:04:24,839 Speaker 1: horn dogs? Like is that what Kelly was asking for 85 00:04:24,920 --> 00:04:27,480 Speaker 1: when she was communicating like I can't be so vanilla 86 00:04:27,480 --> 00:04:27,960 Speaker 1: and boring? 87 00:04:29,120 --> 00:04:31,000 Speaker 2: Isn't next that she needs more of? 88 00:04:31,200 --> 00:04:33,400 Speaker 1: Like crazy next and wild places? 89 00:04:35,120 --> 00:04:35,360 Speaker 2: Wait? 90 00:04:35,400 --> 00:04:38,880 Speaker 1: Have you ever done it in an elevator? No? 91 00:04:39,040 --> 00:04:40,880 Speaker 2: I can't go on elevators, that's all. 92 00:04:40,839 --> 00:04:46,120 Speaker 1: Right, forgot, how about a staircase? Stairwell not but. 93 00:04:46,320 --> 00:04:49,400 Speaker 2: I would like made out and done like other stuff 94 00:04:49,440 --> 00:04:54,200 Speaker 2: in a staircase. But like no, first of all, Grandmas 95 00:04:54,279 --> 00:04:57,320 Speaker 2: that were in the elevator, we're so like, oh okay, 96 00:04:57,360 --> 00:04:59,200 Speaker 2: that was actually your elevator behavior. 97 00:04:59,320 --> 00:04:59,880 Speaker 3: Was that bad. 98 00:05:00,040 --> 00:05:00,799 Speaker 2: It was sort of cute. 99 00:05:00,920 --> 00:05:04,240 Speaker 1: Ida that bad. 100 00:05:04,320 --> 00:05:08,560 Speaker 2: The grandparents can simmer down. But this is the thing. 101 00:05:08,640 --> 00:05:11,680 Speaker 2: It's not you just met, You've been dating a long 102 00:05:11,760 --> 00:05:15,320 Speaker 2: time and the time before. So I'm just like, what's happening? 103 00:05:15,400 --> 00:05:21,320 Speaker 1: Where do they get this? Like revamped sex drive? I'm like, 104 00:05:22,160 --> 00:05:23,240 Speaker 1: how do I get some of that? 105 00:05:24,200 --> 00:05:27,120 Speaker 2: So hilarious? I was just like it just felt like 106 00:05:27,480 --> 00:05:29,600 Speaker 2: I guess this is the storyline. They couldn't come up 107 00:05:29,600 --> 00:05:30,320 Speaker 2: with anything else. 108 00:05:31,000 --> 00:05:33,040 Speaker 1: But at first I'm like, oh no, this is the 109 00:05:33,040 --> 00:05:36,840 Speaker 1: beginning of the end. When she's talking to him, I know, 110 00:05:37,160 --> 00:05:44,200 Speaker 1: but maybe my prediction I will that she will see 111 00:05:44,279 --> 00:05:46,640 Speaker 1: it's not just about sex all the time, Like I 112 00:05:46,680 --> 00:05:49,760 Speaker 1: need more something. I don't know. I don't know what 113 00:05:49,800 --> 00:05:52,280 Speaker 1: breaks them up, but I know they break up. We 114 00:05:52,360 --> 00:05:54,440 Speaker 1: shall see, we shall see. 115 00:05:54,839 --> 00:05:58,440 Speaker 2: No, how do I say this? And every storyline was 116 00:05:58,440 --> 00:06:05,440 Speaker 2: sort of dumb, a little dumb. Wait what Valerie and 117 00:06:05,480 --> 00:06:09,240 Speaker 2: the two guys. 118 00:06:08,560 --> 00:06:15,360 Speaker 1: He's the old tail, Yes, that trop trope. I want 119 00:06:15,400 --> 00:06:18,760 Speaker 1: to you're a trope. I'm start calling people tropes. 120 00:06:18,640 --> 00:06:23,400 Speaker 3: Totally because it's like, oh no, the rich guy and 121 00:06:23,440 --> 00:06:26,159 Speaker 3: the par guy and the hot guy and the other 122 00:06:26,279 --> 00:06:29,359 Speaker 3: kind of hot guy, and are they gonna bump into each. 123 00:06:29,200 --> 00:06:32,560 Speaker 2: Other again, Like, how much did you know that he 124 00:06:32,720 --> 00:06:34,360 Speaker 2: was going to show up at that party? 125 00:06:35,680 --> 00:06:36,040 Speaker 3: I knew. 126 00:06:36,040 --> 00:06:39,000 Speaker 2: I knew it with my entire being. This guy's going 127 00:06:39,000 --> 00:06:41,440 Speaker 2: to that party and she's gonna be with the other guy, 128 00:06:41,680 --> 00:06:44,600 Speaker 2: and it's gonna be a wacky Threes Company episode. 129 00:06:46,640 --> 00:06:49,039 Speaker 1: I don't know what's going on with Val, but it's 130 00:06:49,160 --> 00:06:52,200 Speaker 1: like the rich guy is too good to be true. 131 00:06:52,240 --> 00:06:54,640 Speaker 1: In the beginning, He's like, is that is he love 132 00:06:54,720 --> 00:06:55,920 Speaker 1: bombing her with the. 133 00:06:55,920 --> 00:07:01,560 Speaker 2: Guests and to San Francisco And that's like major love bombing. 134 00:07:02,120 --> 00:07:05,920 Speaker 1: The diamond necklace, Hi, how much could that have cost? 135 00:07:06,160 --> 00:07:07,360 Speaker 1: Diamonds all the way around? 136 00:07:08,160 --> 00:07:11,520 Speaker 2: That would be twenty thousand dollars today, Yeah, maybe more. 137 00:07:11,560 --> 00:07:16,040 Speaker 2: The diamonds looked big, so maybe thirty thousand dollars. 138 00:07:16,080 --> 00:07:19,600 Speaker 1: True, it was pretty spectacular, and he. 139 00:07:19,640 --> 00:07:22,120 Speaker 2: Was gonna say it's on loan, but he just didn't. 140 00:07:23,040 --> 00:07:24,760 Speaker 2: He just gave right no. 141 00:07:25,280 --> 00:07:28,040 Speaker 1: But I wonder what thinks now that he stormed off, 142 00:07:28,120 --> 00:07:31,280 Speaker 1: Like I have to say, well, first of all, her 143 00:07:31,320 --> 00:07:33,920 Speaker 1: opening line to him, so have you always had money? 144 00:07:34,800 --> 00:07:37,120 Speaker 1: That's the first thing. She sits down to a fancy 145 00:07:37,160 --> 00:07:39,320 Speaker 1: restaurant dinner, and that's the first thing that comes out 146 00:07:39,320 --> 00:07:40,000 Speaker 1: of her mouth. 147 00:07:40,280 --> 00:07:44,280 Speaker 2: Speaking of cropes. They're crying this. They're just leaning into 148 00:07:44,320 --> 00:07:47,400 Speaker 2: this trope of like, let's just really make this about 149 00:07:47,920 --> 00:07:51,200 Speaker 2: rich versus poor, and then we're gonna do the red herring? 150 00:07:51,280 --> 00:07:54,680 Speaker 2: Is it a red herring that actually Noah's rich? 151 00:07:55,840 --> 00:07:58,040 Speaker 1: This is the episode where we kind of get a 152 00:07:58,080 --> 00:07:59,400 Speaker 1: little taste of that, right. 153 00:08:00,160 --> 00:08:02,360 Speaker 2: Red hairring, I think is the thing you think is 154 00:08:02,400 --> 00:08:04,520 Speaker 2: going to happen that doesn't. I can't. I might be 155 00:08:04,640 --> 00:08:09,000 Speaker 2: using red hairing wrong, but whatever. It is literally like 156 00:08:09,320 --> 00:08:11,840 Speaker 2: they're just trying so hard to be like he's rich, 157 00:08:11,920 --> 00:08:14,400 Speaker 2: he's poor, he's rich, he's poor, so that the audience 158 00:08:14,440 --> 00:08:17,920 Speaker 2: is going to be like, oh, like's hitch. 159 00:08:18,240 --> 00:08:21,200 Speaker 1: Yeah, yeah, he's just too good to be true. But 160 00:08:21,280 --> 00:08:25,200 Speaker 1: I do have to say I appreciated his boundaries when 161 00:08:25,360 --> 00:08:30,080 Speaker 1: he at the ball, when he sees Noah kiss her shoulder, weird, totally, 162 00:08:30,360 --> 00:08:32,400 Speaker 1: I and then he have more to say about that, 163 00:08:32,800 --> 00:08:35,000 Speaker 1: but he was like, wow, this is not for me. 164 00:08:35,440 --> 00:08:35,840 Speaker 2: Totally. 165 00:08:35,840 --> 00:08:37,440 Speaker 1: I loved that he should have been like, can I 166 00:08:37,440 --> 00:08:38,280 Speaker 1: have that necklace back? 167 00:08:38,440 --> 00:08:42,720 Speaker 2: Totally. I wanted a pretty woman, you know, with the 168 00:08:42,760 --> 00:08:45,200 Speaker 2: thing when he's all she has. 169 00:08:45,559 --> 00:08:47,720 Speaker 1: That's my favorite thing to do to people. Oh, I 170 00:08:47,760 --> 00:08:51,520 Speaker 1: was like flimp the lid down. Okay, so we're kind 171 00:08:51,520 --> 00:08:54,480 Speaker 1: of seeing that Vince is rich. Is this the first 172 00:08:54,520 --> 00:08:59,880 Speaker 1: time it's like officially discussed? Oh? Sorry, Noah, but he's really. 173 00:09:01,440 --> 00:09:01,480 Speaker 3: No. 174 00:09:03,720 --> 00:09:05,880 Speaker 1: Wait Is this the first time though? That we're like 175 00:09:06,640 --> 00:09:08,840 Speaker 1: so much what? Sorry? 176 00:09:08,920 --> 00:09:11,480 Speaker 2: I always want to call him Colin to like actually 177 00:09:11,600 --> 00:09:14,520 Speaker 2: stop myself from saying Colin and saying no, is this 178 00:09:14,640 --> 00:09:17,560 Speaker 2: I think this is the first time. I realize when. 179 00:09:17,400 --> 00:09:19,640 Speaker 1: He has the suit in the in the boat with him. 180 00:09:20,080 --> 00:09:22,320 Speaker 2: Yeah, and it's like, what was that guy saying? 181 00:09:24,000 --> 00:09:25,800 Speaker 1: I don't even know. I was so bored I didn't 182 00:09:25,800 --> 00:09:32,840 Speaker 1: listen to him. Sorry, I'm not sure what he said. 183 00:09:32,880 --> 00:09:39,760 Speaker 2: Do you know? He's something about actually I don't quite remember. 184 00:09:39,800 --> 00:09:41,800 Speaker 2: He's sort of saying something to him, which we're to 185 00:09:41,880 --> 00:09:44,080 Speaker 2: take as like, oh, this guy's got some dough or. 186 00:09:44,080 --> 00:09:46,640 Speaker 1: Something, right, he has got another guy handling it all 187 00:09:46,640 --> 00:09:50,920 Speaker 1: for him, so that means he's got a lot. 188 00:09:50,360 --> 00:09:54,280 Speaker 2: Guy jeeves like that like he was, So it's dismissive 189 00:09:54,360 --> 00:09:57,560 Speaker 2: of that dude. Oh yeah, thank you, Lorraine. He's talking 190 00:09:57,559 --> 00:09:59,840 Speaker 2: about his portfolio and so we're. 191 00:09:59,640 --> 00:10:03,880 Speaker 1: Like, yeah, that's when I checked out. 192 00:10:04,880 --> 00:10:08,680 Speaker 2: Yeah, still was enjoying it, because then incomes Valerie. Was 193 00:10:08,720 --> 00:10:10,400 Speaker 2: she dressed at that point. 194 00:10:10,559 --> 00:10:12,360 Speaker 1: Without the necklace though I don't think she had the 195 00:10:12,400 --> 00:10:15,120 Speaker 1: necklace on, hir, it's not that would be a tell 196 00:10:15,200 --> 00:10:18,400 Speaker 1: all that would be that would be Wait, let's go 197 00:10:18,440 --> 00:10:21,200 Speaker 1: back to the red herring, because we've got a definition 198 00:10:21,320 --> 00:10:25,840 Speaker 1: from Lorraine. Yes, red herring is a misleading clue. 199 00:10:26,240 --> 00:10:28,600 Speaker 2: So it wasn't a red herring because it was a 200 00:10:28,679 --> 00:10:33,520 Speaker 2: leading clue. I had it wrong. A red herring would 201 00:10:33,520 --> 00:10:36,080 Speaker 2: be as if we thought he was he's poor. I 202 00:10:36,080 --> 00:10:38,800 Speaker 2: guess we're thinking he's poor, but he's rich. So that's 203 00:10:38,840 --> 00:10:39,480 Speaker 2: the red herring. 204 00:10:40,360 --> 00:10:41,880 Speaker 1: I don't know, that's confusing. 205 00:10:42,040 --> 00:10:45,800 Speaker 2: Whatever. The whole thing's dumb, and I'm so like over it. Why? 206 00:10:45,880 --> 00:10:48,240 Speaker 1: Okay, So, but I do need to address. 207 00:10:47,840 --> 00:10:50,240 Speaker 2: The what fortune teller? 208 00:10:50,520 --> 00:10:52,440 Speaker 1: Okay, we're not there yet. Hold on, okay, hold on, 209 00:10:52,480 --> 00:10:55,840 Speaker 1: hold on. I gotta address the chemistry between val and 210 00:10:56,160 --> 00:11:03,960 Speaker 1: Noah non existent right exact no, Wait, this is a 211 00:11:04,040 --> 00:11:09,319 Speaker 1: test for you. Do you know who said exact a 212 00:11:09,400 --> 00:11:11,120 Speaker 1: mundo Phonsie. 213 00:11:11,400 --> 00:11:12,920 Speaker 2: Yes, of course. 214 00:11:13,000 --> 00:11:15,600 Speaker 1: Yeah, I'm so proud of you. That's right up there 215 00:11:15,600 --> 00:11:16,400 Speaker 1: with the Brady Bunch. 216 00:11:17,640 --> 00:11:23,200 Speaker 2: Yeah, actually true, true, true. 217 00:11:21,559 --> 00:11:26,200 Speaker 1: So there's no chemistry, and you the reason, Well, you 218 00:11:26,200 --> 00:11:30,200 Speaker 1: can just tell when they're they're kissing, but you always 219 00:11:30,280 --> 00:11:32,720 Speaker 1: know when Like there's supposed to be a makeout scene 220 00:11:32,760 --> 00:11:36,240 Speaker 1: and the girl in the scene goes for the hug, 221 00:11:36,679 --> 00:11:38,560 Speaker 1: like she'll kiss for a second and then goes in 222 00:11:38,640 --> 00:11:39,800 Speaker 1: for the hug instead of like. 223 00:11:40,040 --> 00:11:42,640 Speaker 2: Is that sort of a sign of bad chemistry? 224 00:11:42,760 --> 00:11:44,520 Speaker 1: That's a sign of I don't want to make out 225 00:11:44,520 --> 00:11:48,439 Speaker 1: with this guy really, right, Yep, that's not like in 226 00:11:48,480 --> 00:11:49,040 Speaker 1: the script. 227 00:11:49,720 --> 00:11:52,200 Speaker 2: No, she want to make out for the guy so hot? 228 00:11:52,679 --> 00:11:55,760 Speaker 1: Well, you, I don't know. This is up for questioning. 229 00:11:56,080 --> 00:11:57,199 Speaker 1: Does he have bad breath? 230 00:11:57,760 --> 00:11:57,920 Speaker 2: No? 231 00:11:58,920 --> 00:11:59,920 Speaker 1: Is she not like him? 232 00:12:00,120 --> 00:12:00,200 Speaker 2: Like? 233 00:12:00,800 --> 00:12:05,760 Speaker 1: Does does Tiffany not care for this guy? I don't know, 234 00:12:05,920 --> 00:12:07,599 Speaker 1: Like she doesn't want to play opposite. 235 00:12:07,240 --> 00:12:09,720 Speaker 2: You fake that? Can you fake chemistry? 236 00:12:10,440 --> 00:12:13,760 Speaker 1: Yes you can, but you have to be good at it, 237 00:12:13,800 --> 00:12:19,040 Speaker 1: because yeah, it's tricky. You can absolutely act as if 238 00:12:19,080 --> 00:12:20,960 Speaker 1: you I mean, that's the whole thing. You're an actor 239 00:12:21,000 --> 00:12:23,440 Speaker 1: supposed to act like it. And she does a great job. 240 00:12:23,760 --> 00:12:27,079 Speaker 1: But just knowing what I know, having been in her 241 00:12:27,120 --> 00:12:30,800 Speaker 1: position before, not having chemistry with a co star or 242 00:12:30,840 --> 00:12:33,520 Speaker 1: not really wanting to make out with them, you always 243 00:12:33,559 --> 00:12:36,600 Speaker 1: dodge the lips and go for the hug, and they 244 00:12:36,600 --> 00:12:38,079 Speaker 1: did it twice in this episode. 245 00:12:38,640 --> 00:12:43,280 Speaker 2: You work chemistry with Priestly, there's definitely like chemistry there. 246 00:12:43,880 --> 00:12:48,440 Speaker 1: With Kelly and Brandon. Yeah, it's so funny because we 247 00:12:49,200 --> 00:12:52,680 Speaker 1: it's only in character when we're together, it's there's there's 248 00:12:52,720 --> 00:12:58,320 Speaker 1: no chemistry. 249 00:12:56,280 --> 00:12:58,680 Speaker 2: Have a great vibe. You may just like have a 250 00:12:58,720 --> 00:12:59,480 Speaker 2: great vibe. 251 00:12:59,760 --> 00:13:03,000 Speaker 1: I think we do. We have like a cool friendship, 252 00:13:03,440 --> 00:13:07,480 Speaker 1: but there's no like sexual tension whatsoever between us. But 253 00:13:07,640 --> 00:13:09,720 Speaker 1: because he's like a brother to me and I yeah. 254 00:13:09,640 --> 00:13:11,320 Speaker 2: Yeah, yeah, yeah, I get that. And I feel like 255 00:13:11,600 --> 00:13:13,800 Speaker 2: that's where you can have chemistry with somebody just because 256 00:13:13,800 --> 00:13:16,120 Speaker 2: you like have a connection with them, and then the 257 00:13:16,200 --> 00:13:17,040 Speaker 2: acting comes in. 258 00:13:17,280 --> 00:13:20,920 Speaker 1: M hmmm. Yeah, I'm not feeling any connection between val. 259 00:13:21,280 --> 00:13:23,560 Speaker 2: No, I'm feeling like, is this going to be over soon? 260 00:13:23,960 --> 00:13:28,479 Speaker 1: And maybe it will, because we see maybe the beginning 261 00:13:28,640 --> 00:13:31,200 Speaker 1: of a little Noah Donna when they go to the 262 00:13:31,200 --> 00:13:34,040 Speaker 1: ball and he shows up and she's walking in with him. Yep, 263 00:13:34,240 --> 00:13:35,400 Speaker 1: how gorgeous was her dress? 264 00:13:35,400 --> 00:13:38,560 Speaker 2: By the way, She's great first of all, in general, 265 00:13:38,600 --> 00:13:40,840 Speaker 2: Donna's great right now, and David. 266 00:13:40,559 --> 00:13:43,360 Speaker 1: Is just like, oh boy, oh too much. 267 00:13:43,840 --> 00:13:46,480 Speaker 2: Wearing the conviction notice. 268 00:13:46,200 --> 00:13:49,200 Speaker 1: Does he ever get diagnosed with something similar to what 269 00:13:49,280 --> 00:13:49,920 Speaker 1: his mom has? 270 00:13:50,440 --> 00:13:53,040 Speaker 2: He had that we already kind of learned that before 271 00:13:53,160 --> 00:13:55,320 Speaker 2: when he was so like hoping with the drugs. 272 00:13:55,480 --> 00:14:00,440 Speaker 1: M but does he take medication for his bipolar or 273 00:14:00,800 --> 00:14:03,800 Speaker 1: whatever he has? Does? But we don't? They kind of 274 00:14:04,440 --> 00:14:07,320 Speaker 1: it is it is like thumping right now. 275 00:14:08,200 --> 00:14:11,920 Speaker 2: Well, he's also just sort of like not honest with 276 00:14:12,080 --> 00:14:15,800 Speaker 2: himself others, and I mean stealing the check of that 277 00:14:16,040 --> 00:14:22,120 Speaker 2: god sealing the crime. Second of all, wow. 278 00:14:22,080 --> 00:14:25,000 Speaker 1: No, I first of all, okay, but this was nineteen 279 00:14:25,080 --> 00:14:30,840 Speaker 1: ninety seven. Checks were a thing. Everybody had. Checks. Credit 280 00:14:30,920 --> 00:14:33,320 Speaker 1: cards were like for the very wealthy people. 281 00:14:34,360 --> 00:14:37,200 Speaker 2: Also, that check's going to bounce because if he's writing 282 00:14:37,240 --> 00:14:39,320 Speaker 2: a rent, like how much spare money? 283 00:14:39,880 --> 00:14:41,440 Speaker 1: How do you know how much Donna has in her 284 00:14:41,480 --> 00:14:42,280 Speaker 1: banking account? 285 00:14:42,720 --> 00:14:43,120 Speaker 3: Don't? 286 00:14:43,160 --> 00:14:47,520 Speaker 1: Maybe she has overdraft protection? Is that what it's called? 287 00:14:48,520 --> 00:14:50,440 Speaker 2: Oh god, that's so good. I just feel like it's 288 00:14:50,440 --> 00:14:52,720 Speaker 2: gonna bounce. I feel like he wrote like a three 289 00:14:52,720 --> 00:14:54,800 Speaker 2: thousand dollars check or a five who knows how much 290 00:14:54,840 --> 00:14:56,320 Speaker 2: rent is it's. 291 00:14:56,240 --> 00:15:00,160 Speaker 1: Going to bounce. Well, let's hope not, because he's and 292 00:15:00,240 --> 00:15:01,520 Speaker 1: lose the pea pad people. 293 00:15:01,600 --> 00:15:04,120 Speaker 2: Oh my god. I also felt like, I thought we 294 00:15:04,200 --> 00:15:07,720 Speaker 2: owned the pea pad? Is he so confused? I thought, 295 00:15:07,760 --> 00:15:08,320 Speaker 2: please tell me? 296 00:15:08,720 --> 00:15:12,960 Speaker 1: Is he going to lose the pea pad? Thanks? I 297 00:15:12,960 --> 00:15:13,600 Speaker 1: don't remember. 298 00:15:13,840 --> 00:15:17,320 Speaker 2: Oh remember, no I feel like Noah comes in as 299 00:15:17,320 --> 00:15:18,200 Speaker 2: the partner. 300 00:15:18,960 --> 00:15:21,920 Speaker 1: And oh my god, Okay, everybody's getting in. 301 00:15:22,200 --> 00:15:23,760 Speaker 2: Maybe made that up, but I don't think I did. 302 00:15:24,160 --> 00:15:24,600 Speaker 1: I don't know. 303 00:15:24,640 --> 00:15:27,680 Speaker 2: People are going to be so mad. They go for everything, 304 00:15:27,720 --> 00:15:43,680 Speaker 2: and I'm like, sometimes I can't, sometimes I can't. I 305 00:15:43,720 --> 00:15:45,760 Speaker 2: said I love Donna's dress. I wasn't so sure about 306 00:15:45,760 --> 00:15:52,680 Speaker 2: the hairdoo, to be honest, a little poofy uh. Hillary 307 00:15:52,680 --> 00:15:53,720 Speaker 2: Swank looked good too. 308 00:15:53,800 --> 00:15:57,200 Speaker 1: Did you love that? That? Okay, that was a classic nineties, 309 00:15:57,320 --> 00:16:02,400 Speaker 1: like later nineties fringe twists, so neat and tidy on 310 00:16:02,440 --> 00:16:02,840 Speaker 1: her hair. 311 00:16:03,640 --> 00:16:05,840 Speaker 2: Directs that the dress was cool, and then she sort 312 00:16:05,840 --> 00:16:08,040 Speaker 2: of had hate kind of over one shoulder. But I 313 00:16:08,040 --> 00:16:10,920 Speaker 2: actually just like the dress with the straight and the 314 00:16:11,200 --> 00:16:12,640 Speaker 2: kind of embellished top. 315 00:16:13,080 --> 00:16:16,320 Speaker 1: So nineties though. Oh my gosh, Yeah. 316 00:16:16,200 --> 00:16:20,840 Speaker 2: They're actually cute. I actually am gonna say they have something. 317 00:16:21,000 --> 00:16:21,960 Speaker 2: I don't know what it is. 318 00:16:22,840 --> 00:16:25,760 Speaker 1: Yeah, there's a sweetness to their relationships. 319 00:16:25,800 --> 00:16:26,160 Speaker 2: Nothing. 320 00:16:26,720 --> 00:16:31,040 Speaker 1: He Steve really steps it up, like totally he's being 321 00:16:31,080 --> 00:16:35,240 Speaker 1: so mature, and except when he's on his own, when 322 00:16:35,280 --> 00:16:39,000 Speaker 1: he's when he's at the newspaper and he's looking at 323 00:16:39,040 --> 00:16:39,920 Speaker 1: that lady's legs. 324 00:16:40,160 --> 00:16:41,800 Speaker 2: Yeah, and he always have to give a little like 325 00:16:42,200 --> 00:16:44,680 Speaker 2: Steve Singer like you want me to come in and 326 00:16:45,600 --> 00:16:49,040 Speaker 2: like whatever, you know, some sort of like let's look up, 327 00:16:49,120 --> 00:16:50,000 Speaker 2: and she's just like. 328 00:16:50,280 --> 00:16:54,600 Speaker 1: No, yeah. But I'm feeling like there's their relationship is 329 00:16:54,600 --> 00:16:55,440 Speaker 1: getting a little better. 330 00:16:55,920 --> 00:17:00,160 Speaker 2: Yeah. I actually am sort of like not excited to 331 00:17:00,160 --> 00:17:00,800 Speaker 2: get rid of her. 332 00:17:01,240 --> 00:17:01,680 Speaker 3: Is he? 333 00:17:02,080 --> 00:17:06,280 Speaker 1: Do you think Steve is mature enough to handle taking 334 00:17:06,320 --> 00:17:07,600 Speaker 1: on a step son. 335 00:17:08,359 --> 00:17:12,639 Speaker 2: Actually, oh, you know, look, she's gonna be gone in 336 00:17:12,640 --> 00:17:13,560 Speaker 2: like six episodes. 337 00:17:14,240 --> 00:17:15,160 Speaker 1: Something must happen. 338 00:17:15,200 --> 00:17:17,600 Speaker 2: I don't know what it is. Rid of her. They 339 00:17:17,640 --> 00:17:19,439 Speaker 2: just write her off. It's like so rude. We need 340 00:17:19,480 --> 00:17:20,720 Speaker 2: Tory back to give the story. 341 00:17:20,760 --> 00:17:26,920 Speaker 1: But well, oh, oh, rewind when we're talking about Steve 342 00:17:27,000 --> 00:17:30,080 Speaker 1: and Carly at the peach pit. It's a busy morning 343 00:17:30,119 --> 00:17:30,760 Speaker 1: at the peach pit. 344 00:17:31,600 --> 00:17:33,840 Speaker 2: You know, she's doing swimming in on the food. 345 00:17:34,240 --> 00:17:37,880 Speaker 1: She comes over and fills up his coffee cup. Did 346 00:17:37,880 --> 00:17:41,480 Speaker 1: you notice this? She fills up his coffee cup, so 347 00:17:41,560 --> 00:17:44,919 Speaker 1: now it's full. And then when at the end of 348 00:17:44,960 --> 00:17:46,760 Speaker 1: the scene when she walks away, we see him take 349 00:17:46,800 --> 00:17:49,800 Speaker 1: a drink as if it's completely empty. He goes look 350 00:17:49,920 --> 00:17:51,479 Speaker 1: like if he would have burned his whole face if 351 00:17:51,480 --> 00:17:52,920 Speaker 1: he had done that with hot coffee. 352 00:17:53,080 --> 00:17:55,080 Speaker 2: You know how I feel about fake drinking and eating. 353 00:17:55,200 --> 00:17:57,960 Speaker 2: It's like I can't stand it. It's like when they 354 00:17:58,000 --> 00:18:00,960 Speaker 2: have the coffee cup with the lid on it and 355 00:18:01,080 --> 00:18:05,520 Speaker 2: clearly like it's like, yeah, it's like, can you please 356 00:18:05,960 --> 00:18:09,679 Speaker 2: put water in there or something something. That's why we like, 357 00:18:09,960 --> 00:18:13,000 Speaker 2: we've been talking about how on Parenthood they eat Sex 358 00:18:13,000 --> 00:18:14,920 Speaker 2: and the City they eat. There's a few shows where 359 00:18:14,920 --> 00:18:17,600 Speaker 2: it's like they don't do the fake eating the last 360 00:18:17,680 --> 00:18:20,960 Speaker 2: real pushing the food around in the one little bite 361 00:18:21,000 --> 00:18:23,840 Speaker 2: that's like this small and then they and you're like, 362 00:18:23,920 --> 00:18:25,120 Speaker 2: oh gosh, please eat. 363 00:18:25,760 --> 00:18:28,639 Speaker 1: I don't think I've ever really eaten in a scene 364 00:18:28,680 --> 00:18:30,760 Speaker 1: like I feel like I've done what bothers you where 365 00:18:30,800 --> 00:18:32,120 Speaker 1: I'm trying to not. 366 00:18:32,400 --> 00:18:36,920 Speaker 2: For sure look like a you know, most shows it's 367 00:18:36,920 --> 00:18:40,159 Speaker 2: fake eating. Only a few do it up. Right. My 368 00:18:40,280 --> 00:18:42,600 Speaker 2: thing is just like I would be like, hey, I'm 369 00:18:42,600 --> 00:18:45,840 Speaker 2: not gonna eat breakfast. I'm gonna eat in this scene, right, 370 00:18:46,320 --> 00:18:48,280 Speaker 2: Let's make it real, well. 371 00:18:48,119 --> 00:18:50,800 Speaker 1: Also too, like it's hard with timing when you're acting 372 00:18:50,840 --> 00:18:53,360 Speaker 1: and you have dialogue and then you take a big 373 00:18:53,359 --> 00:18:57,320 Speaker 1: bite of something and then your mouth is full, so 374 00:18:57,400 --> 00:18:58,959 Speaker 1: it just it. I don't know. 375 00:18:59,040 --> 00:19:00,680 Speaker 2: I guess that's why you got to call your boy 376 00:19:00,720 --> 00:19:02,760 Speaker 2: Brad Pitt and figure out how he does it, because 377 00:19:04,480 --> 00:19:06,439 Speaker 2: my god, you talk to him and I am in. 378 00:19:06,840 --> 00:19:07,560 Speaker 2: Couldn't be more in. 379 00:19:07,680 --> 00:19:11,480 Speaker 1: I'm like, it's all, wait, what how I'm curious if 380 00:19:11,520 --> 00:19:14,520 Speaker 1: you are on a date, what do you feel when 381 00:19:14,640 --> 00:19:18,119 Speaker 1: a person eats with their mouthful? I mean way he 382 00:19:18,400 --> 00:19:19,640 Speaker 1: speaks with their mouthful. 383 00:19:19,880 --> 00:19:23,119 Speaker 2: So I'm not into shoveling. That's like where I get 384 00:19:23,160 --> 00:19:24,679 Speaker 2: a little like stressed out of someone's. 385 00:19:26,600 --> 00:19:29,400 Speaker 1: That was a really pretty face. Thank you for sharing. 386 00:19:31,160 --> 00:19:32,400 Speaker 1: Can you do it one more time? 387 00:19:33,480 --> 00:19:35,760 Speaker 2: I don't well, I have no makeup on and my 388 00:19:35,960 --> 00:19:38,199 Speaker 2: light is like way too low, so let me at 389 00:19:38,280 --> 00:19:39,280 Speaker 2: least get a good light. 390 00:19:39,680 --> 00:19:44,800 Speaker 1: I don't like chef. You're right, it's so much better 391 00:19:44,840 --> 00:19:45,440 Speaker 1: with the good life. 392 00:19:45,960 --> 00:19:49,000 Speaker 2: Like I noticed my niece who's when she's home from college, Like, 393 00:19:49,160 --> 00:19:51,399 Speaker 2: I'm like, do you not have time to like you 394 00:19:51,440 --> 00:19:53,800 Speaker 2: can tell that, like they're running to class and then 395 00:19:53,840 --> 00:19:56,080 Speaker 2: they run in and then they run to class and 396 00:19:56,119 --> 00:19:58,520 Speaker 2: I'm like, woah, down. 397 00:19:58,600 --> 00:19:58,639 Speaker 3: No. 398 00:19:58,840 --> 00:20:01,720 Speaker 1: The thing is with the girls. My girls, their dad 399 00:20:02,320 --> 00:20:06,240 Speaker 1: eats like that like fast and just like get it in, 400 00:20:06,400 --> 00:20:09,960 Speaker 1: get it done, and I can't handle it. And one 401 00:20:09,960 --> 00:20:10,960 Speaker 1: of my daughters does it. 402 00:20:11,440 --> 00:20:17,120 Speaker 2: I will take my time, like I can. I can 403 00:20:17,200 --> 00:20:19,399 Speaker 2: make a especially I been working. I could make like 404 00:20:19,440 --> 00:20:22,080 Speaker 2: a sandwich lasts like two hours. Like I'm like, bite, 405 00:20:22,600 --> 00:20:23,320 Speaker 2: do something else. 406 00:20:23,640 --> 00:20:24,800 Speaker 3: Bite. 407 00:20:25,000 --> 00:20:27,320 Speaker 2: I don't mind though, if you like have your mouth 408 00:20:27,400 --> 00:20:29,480 Speaker 2: a little bit full and you say something, as long 409 00:20:29,520 --> 00:20:31,440 Speaker 2: as like stuff's not falling out. 410 00:20:31,520 --> 00:20:34,720 Speaker 1: I can't handle it. I don't they you know that joke, 411 00:20:35,280 --> 00:20:37,440 Speaker 1: Oh what are you having seafood? 412 00:20:40,920 --> 00:20:41,560 Speaker 2: You see the food? 413 00:20:41,800 --> 00:20:43,679 Speaker 1: I don't know, it's not very funny when I tell. 414 00:20:43,560 --> 00:20:47,479 Speaker 2: It, it's good. It's actually good. Wait, so you prefer like, 415 00:20:47,520 --> 00:20:49,920 Speaker 2: if you're going to take a bite chew choo chow, 416 00:20:50,280 --> 00:20:51,680 Speaker 2: then speak yes. 417 00:20:51,600 --> 00:20:54,920 Speaker 1: Or like cover your cover the situation just for a second. 418 00:20:55,000 --> 00:20:57,000 Speaker 1: I don't know. I'm a little weird with these things. 419 00:20:57,000 --> 00:20:59,800 Speaker 2: Maybe next episode will eat while we're doing the episode 420 00:20:59,840 --> 00:21:00,680 Speaker 2: so I can see. 421 00:21:00,520 --> 00:21:02,160 Speaker 1: I have food right here. I'm gonna try it. Yeah, 422 00:21:02,240 --> 00:21:03,159 Speaker 1: So we're just talking. 423 00:21:03,520 --> 00:21:07,120 Speaker 2: Yeah, So Jenny, tell me what you thought about the psychic. 424 00:21:07,400 --> 00:21:10,600 Speaker 1: Oh my god. Okay, the psychic was so. 425 00:21:10,520 --> 00:21:12,400 Speaker 2: That doesn't bother me. Yeah, I would be absolutely fine 426 00:21:12,400 --> 00:21:13,440 Speaker 2: with that, but I. 427 00:21:13,359 --> 00:21:14,359 Speaker 1: Don't want to hear chewing. 428 00:21:14,480 --> 00:21:17,600 Speaker 2: You guys right now, people do not care for hearing 429 00:21:17,680 --> 00:21:23,120 Speaker 2: chewing on a podcast. It makes them like really yeah, 430 00:21:23,200 --> 00:21:24,879 Speaker 2: or maybe like finishing a bite. I don't know. I'm 431 00:21:24,880 --> 00:21:27,200 Speaker 2: gonna have to think about this now. Definitely don't pay 432 00:21:27,200 --> 00:21:27,639 Speaker 2: over at ten. 433 00:21:27,680 --> 00:21:29,960 Speaker 1: Hopefully you're gonna be obsessed on it when people are 434 00:21:30,040 --> 00:21:30,560 Speaker 1: on your eating. 435 00:21:30,640 --> 00:21:33,360 Speaker 2: I gotta like, hm, try not to do that. I'm 436 00:21:33,359 --> 00:21:33,960 Speaker 2: gonna let it go. 437 00:21:35,119 --> 00:21:36,280 Speaker 1: Wait what were we talking about? 438 00:21:36,280 --> 00:21:38,840 Speaker 2: The psychic? That whole storyline is absurd. 439 00:21:39,119 --> 00:21:41,200 Speaker 1: For what, Oh, that's donna'st Remember the. 440 00:21:41,160 --> 00:21:44,840 Speaker 2: Girl, the lady she thought was some fancy designer, can't 441 00:21:44,840 --> 00:21:46,919 Speaker 2: find her diamond's. 442 00:21:46,200 --> 00:21:48,480 Speaker 1: Having a seance? This is what? 443 00:21:48,880 --> 00:21:52,560 Speaker 2: And also if that all these diamonds like make her 444 00:21:52,600 --> 00:21:55,399 Speaker 2: your client, She's obviously got money. So Donna was like, 445 00:21:57,720 --> 00:21:58,240 Speaker 2: I'm just like. 446 00:21:58,600 --> 00:22:01,920 Speaker 1: Oh yeah, and she finds out that Morty or whatever 447 00:22:01,960 --> 00:22:06,119 Speaker 1: his name is. Oh, by the way, what. 448 00:22:05,480 --> 00:22:08,480 Speaker 2: What how about the sweatshop? Do we resolve that? 449 00:22:09,600 --> 00:22:12,400 Speaker 1: Wait a second, I guess. 450 00:22:12,200 --> 00:22:14,000 Speaker 2: We're just supposed to assume they wrote the article and 451 00:22:14,040 --> 00:22:16,120 Speaker 2: all is fine, like I don't, I don't, and Steve 452 00:22:16,200 --> 00:22:19,639 Speaker 2: kind of went up against his dad. Whatever happened. Gordon 453 00:22:19,680 --> 00:22:21,000 Speaker 2: Thompson's just gone. 454 00:22:21,560 --> 00:22:22,520 Speaker 1: That's rude. 455 00:22:23,000 --> 00:22:24,600 Speaker 2: Do you just sit that resolved? 456 00:22:24,960 --> 00:22:29,199 Speaker 1: No, I don't think so. Boom, that's not cool anyway. 457 00:22:29,240 --> 00:22:31,240 Speaker 2: Sorry, back to whatever you were saying with the psychic. 458 00:22:31,600 --> 00:22:34,159 Speaker 1: Oh yeah, I was like, okay, so she wants to 459 00:22:34,200 --> 00:22:36,480 Speaker 1: talk to her dead husband. But then Donna finds out 460 00:22:36,560 --> 00:22:39,520 Speaker 1: later that her dead husband was just a dry cleaner, 461 00:22:40,359 --> 00:22:42,840 Speaker 1: so then she kind of loses interest. I'm very, very 462 00:22:42,880 --> 00:22:50,119 Speaker 1: curious though, when Donna goes to when she comes down 463 00:22:50,240 --> 00:22:53,720 Speaker 1: at the seance with that witch lady, why is she 464 00:22:53,880 --> 00:22:55,840 Speaker 1: so filthy and why does her hair look like that? 465 00:22:56,000 --> 00:22:58,680 Speaker 2: Well, we're supposed because we're supposed to assume she's been 466 00:22:58,960 --> 00:23:03,240 Speaker 2: crawling around the or crawling around the fireplace. It's supposed 467 00:23:03,240 --> 00:23:05,919 Speaker 2: to be funny, and it's not. It's like she's supposed 468 00:23:05,920 --> 00:23:07,680 Speaker 2: to be more of you know how in Hawaii Donna 469 00:23:07,800 --> 00:23:09,919 Speaker 2: was like everything was falling and all that sort of 470 00:23:09,960 --> 00:23:11,639 Speaker 2: Lucille ball type of vibe. 471 00:23:12,280 --> 00:23:16,360 Speaker 1: It's language, it's just dumb. But I didn't get why 472 00:23:16,359 --> 00:23:17,440 Speaker 1: she was so dirty. 473 00:23:17,880 --> 00:23:20,840 Speaker 2: She's in the fireplace like Mary Poppins. Is Mary Poppins 474 00:23:20,880 --> 00:23:23,000 Speaker 2: going the fireplace? I have no idea. I don't know 475 00:23:23,000 --> 00:23:23,720 Speaker 2: why I just said. 476 00:23:23,520 --> 00:23:25,719 Speaker 1: Mary she comes down it like Santa. 477 00:23:25,840 --> 00:23:30,280 Speaker 2: Oh maybe I'm I don't know, but it's dumb. It's 478 00:23:30,320 --> 00:23:36,320 Speaker 2: so dumb in the pool No, it's oh yeah, it's 479 00:23:36,320 --> 00:23:39,360 Speaker 2: in my o. It's just so stupid. 480 00:23:52,400 --> 00:23:54,840 Speaker 1: What did you think about the fashion in this episode? 481 00:23:54,840 --> 00:23:58,959 Speaker 1: Because I saw, like, just like pure late nineties, a 482 00:23:59,000 --> 00:24:03,119 Speaker 1: lot of much with see through, meshy kind of things. 483 00:24:03,160 --> 00:24:05,640 Speaker 1: Everything had like a pattern, but it was also see through. 484 00:24:05,960 --> 00:24:09,639 Speaker 2: And about Donna's designs, well, all of a sudden, Donna 485 00:24:09,680 --> 00:24:12,520 Speaker 2: designs close and what I didn't even can she sew 486 00:24:12,600 --> 00:24:14,560 Speaker 2: them too? I have no idea who makes them? 487 00:24:14,680 --> 00:24:21,160 Speaker 1: She's drawing. I mean those are pro draws. 488 00:24:19,880 --> 00:24:23,119 Speaker 2: Very and a lot of color, very up the alley 489 00:24:23,200 --> 00:24:26,040 Speaker 2: of the lady who wanted the designs. 490 00:24:25,720 --> 00:24:27,360 Speaker 1: Right, she's catering to her client. 491 00:24:27,800 --> 00:24:32,760 Speaker 2: Her house was a lot a lot of pattern and color. Well, dumb, 492 00:24:32,880 --> 00:24:33,880 Speaker 2: I'm not gonna lie, dumb. 493 00:24:33,960 --> 00:24:38,400 Speaker 1: I don't care. Yeah, so is this like Donna's trying 494 00:24:38,520 --> 00:24:43,120 Speaker 1: to become a fashion designer. Before she was just dressing people. 495 00:24:43,200 --> 00:24:44,520 Speaker 2: Now she's also designing. 496 00:24:44,600 --> 00:24:48,760 Speaker 1: She wanted to design, she ends up in design, she. 497 00:24:48,800 --> 00:24:51,719 Speaker 2: Wants to design, and then she what you know? Then 498 00:24:51,800 --> 00:24:54,800 Speaker 2: remember she assisted that other lady on the shoe, but 499 00:24:54,880 --> 00:24:57,760 Speaker 2: that went badly. I don't know. It's all just like, 500 00:24:57,880 --> 00:24:58,280 Speaker 2: what's up? 501 00:24:58,680 --> 00:25:01,080 Speaker 1: I don't know. I don't know either, but I'm still curious. 502 00:25:01,080 --> 00:25:02,120 Speaker 1: What's going to happen next week? 503 00:25:02,160 --> 00:25:05,040 Speaker 2: That's the true Valeriees just suddenly Mindy Weiss, I'm like, 504 00:25:05,160 --> 00:25:08,320 Speaker 2: ok I don't so crazy it. 505 00:25:08,560 --> 00:25:11,480 Speaker 1: What is okay? So, but do you think Cooper's gone 506 00:25:11,480 --> 00:25:13,840 Speaker 1: forever now? Or does does Cooper have more? 507 00:25:14,080 --> 00:25:15,920 Speaker 2: I think he's gone. I can't remember, but I feel 508 00:25:15,920 --> 00:25:16,600 Speaker 2: like he's gone. 509 00:25:16,760 --> 00:25:19,320 Speaker 1: So now she's going to put it all in on Noah, 510 00:25:19,320 --> 00:25:24,199 Speaker 1: I bet you, But Noah, it's going to go to Donna. 511 00:25:24,520 --> 00:25:25,360 Speaker 2: Yeah, pretty soon. 512 00:25:25,400 --> 00:25:27,560 Speaker 1: I think what's going to happen to val. 513 00:25:29,160 --> 00:25:29,520 Speaker 2: I don't know. 514 00:25:29,560 --> 00:25:30,640 Speaker 1: I don't remember that either. 515 00:25:30,640 --> 00:25:32,320 Speaker 2: We're gonna have to watch and see. 516 00:25:32,720 --> 00:25:34,680 Speaker 1: Okay. I kind of love it that you're not remembering 517 00:25:34,720 --> 00:25:35,080 Speaker 1: things right. 518 00:25:35,080 --> 00:25:36,359 Speaker 2: I know some of it. I mean I can remember 519 00:25:36,359 --> 00:25:39,320 Speaker 2: bits and bobs, but like all the weeds, I don't 520 00:25:39,359 --> 00:25:44,959 Speaker 2: totally remember David and the oh God eviction and then 521 00:25:45,000 --> 00:25:48,760 Speaker 2: the lady comes over. I mean No, it's fine. Unlocks 522 00:25:48,800 --> 00:25:51,800 Speaker 2: the lock, and it's just like, isn't the peepad open 523 00:25:51,880 --> 00:25:55,600 Speaker 2: like almost every night? Like didn't everyone notice that it 524 00:25:55,680 --> 00:25:58,080 Speaker 2: was closed? And did she put a big eviction sign 525 00:25:58,160 --> 00:26:00,800 Speaker 2: on the front door? Is there an another door? 526 00:26:00,840 --> 00:26:02,320 Speaker 1: Like I think that's the door. 527 00:26:02,720 --> 00:26:04,920 Speaker 2: I feel like you can go through the peach pit though, 528 00:26:05,119 --> 00:26:07,080 Speaker 2: so wouldn't she have to go and say to Nat? 529 00:26:07,119 --> 00:26:09,960 Speaker 2: And also like doesn't Nat also own it? Like it's 530 00:26:10,000 --> 00:26:11,480 Speaker 2: just like, so, what's happening? 531 00:26:11,560 --> 00:26:13,920 Speaker 1: Oh my, you've gone in too deep for me. I can't. 532 00:26:14,160 --> 00:26:18,919 Speaker 2: I'm just like, what's going on? Make it? Sonny? I'm 533 00:26:18,960 --> 00:26:22,040 Speaker 2: ready for like get these dumb stories out and let's 534 00:26:22,040 --> 00:26:23,160 Speaker 2: get some new good stuff. 535 00:26:23,720 --> 00:26:26,960 Speaker 1: Okay, just want to ask you this though. This episode 536 00:26:27,000 --> 00:26:31,199 Speaker 1: aired on October twenty ninth, which should have been a 537 00:26:31,240 --> 00:26:35,480 Speaker 1: Halloween episode hmm, but there was no mention of Halloween. 538 00:26:35,920 --> 00:26:38,800 Speaker 2: But like, I don't think shows are required to. 539 00:26:38,720 --> 00:26:42,680 Speaker 1: Happen, but this show really does lean into the costumes. 540 00:26:41,880 --> 00:26:46,159 Speaker 2: And maybe they just thought we've done that. Hopefully instead 541 00:26:46,160 --> 00:26:48,280 Speaker 2: we're just gonna make it how like Brandon and Kelly 542 00:26:48,359 --> 00:26:51,000 Speaker 2: just like want to bound chick a bound boum. 543 00:26:51,440 --> 00:26:55,280 Speaker 1: The whole episode, just the whole episode yeah, that was 544 00:26:55,359 --> 00:26:56,520 Speaker 1: so much making out. 545 00:26:56,880 --> 00:27:00,479 Speaker 2: That bedroom makes such a makeover, though I cannot danned 546 00:27:00,520 --> 00:27:01,240 Speaker 2: your bedroom. 547 00:27:01,320 --> 00:27:03,639 Speaker 1: It's so bad. Wait wait, wait is it the Is 548 00:27:03,680 --> 00:27:07,160 Speaker 1: it the duvet cover, the lace duvet cover, because I'm 549 00:27:07,240 --> 00:27:08,960 Speaker 1: kind of liking that it's. 550 00:27:08,800 --> 00:27:10,840 Speaker 2: I think it's the window treatments or the wallpaper. 551 00:27:10,880 --> 00:27:14,480 Speaker 1: I'm just like, yeah, it doesn't all work together. Kelly 552 00:27:14,560 --> 00:27:15,800 Speaker 1: is not a very good designer. 553 00:27:16,920 --> 00:27:19,720 Speaker 2: I wonder that the apartment was a little purple for 554 00:27:19,840 --> 00:27:20,600 Speaker 2: me too. 555 00:27:21,200 --> 00:27:21,760 Speaker 1: So bad? 556 00:27:22,800 --> 00:27:23,040 Speaker 2: Wait? 557 00:27:26,040 --> 00:27:29,959 Speaker 1: What what? What do you score? It? Don't get in 558 00:27:29,960 --> 00:27:30,720 Speaker 1: trouble this time? 559 00:27:31,400 --> 00:27:33,120 Speaker 2: Correct? Right, I can't go to I start. 560 00:27:33,200 --> 00:27:35,840 Speaker 1: Let me think, Sure, that's exciting, then it might sway 561 00:27:35,960 --> 00:27:37,399 Speaker 1: you because usually your score. 562 00:27:37,520 --> 00:27:39,320 Speaker 2: Have a feeling in my head. 563 00:27:39,720 --> 00:27:42,800 Speaker 1: I feel like this episode, I enjoyed the Kelly and 564 00:27:43,680 --> 00:27:49,360 Speaker 1: Brandon stuff that was fun and sex, but that's not it. Honestly, 565 00:27:49,600 --> 00:27:53,440 Speaker 1: I I don't know. It just felt like a building block. 566 00:27:53,520 --> 00:27:54,440 Speaker 1: Like I give it a six. 567 00:27:55,000 --> 00:27:59,080 Speaker 2: I was gonna say seven point five. Also, it's not 568 00:27:59,119 --> 00:28:02,240 Speaker 2: like tortured in any way. I'm not like, when will 569 00:28:02,280 --> 00:28:03,600 Speaker 2: this end? That kind of thing. 570 00:28:03,640 --> 00:28:05,399 Speaker 1: I'm just like you just said, I want this to 571 00:28:05,440 --> 00:28:06,800 Speaker 1: stop you. 572 00:28:07,040 --> 00:28:10,000 Speaker 2: But I'm not like watching my watch I don't wear 573 00:28:10,000 --> 00:28:12,600 Speaker 2: a watch, but watching my clock like I'm just like 574 00:28:12,680 --> 00:28:14,840 Speaker 2: did to do? And then I kind of step back 575 00:28:14,840 --> 00:28:17,760 Speaker 2: from it and I go thoughts inside my own head 576 00:28:17,760 --> 00:28:19,960 Speaker 2: and I go, m hmm. 577 00:28:20,480 --> 00:28:24,240 Speaker 1: Well dumb, oh man, I hate it. Party? 578 00:28:24,520 --> 00:28:28,159 Speaker 2: Like what party is that that? They're all the fight like, 579 00:28:28,240 --> 00:28:31,320 Speaker 2: pell you a ticket? What what? It's just like so weird. 580 00:28:31,760 --> 00:28:34,320 Speaker 1: It looks like a stuffy party if you ask me. 581 00:28:35,560 --> 00:28:37,080 Speaker 2: Just like what's happening? 582 00:28:37,320 --> 00:28:37,840 Speaker 1: I don't want to know. 583 00:28:37,960 --> 00:28:42,200 Speaker 2: So these kids do not seem twenty two, no, twenty 584 00:28:42,240 --> 00:28:44,320 Speaker 2: three in any way, shape or form. 585 00:28:44,480 --> 00:28:46,600 Speaker 1: It's like who goes to a ball like that when 586 00:28:46,640 --> 00:28:48,400 Speaker 1: you're twenty two? Nobody. 587 00:28:48,400 --> 00:28:50,800 Speaker 2: These guys would be out at the bars, out at 588 00:28:50,840 --> 00:28:54,520 Speaker 2: the clubs, house parties, like they have a giant house 589 00:28:55,320 --> 00:28:56,200 Speaker 2: all to themselves. 590 00:28:56,320 --> 00:28:59,320 Speaker 1: This, You're so right there. There should be more house parties. 591 00:28:59,920 --> 00:29:02,000 Speaker 2: I'm just going to go to some stuffy. 592 00:29:03,240 --> 00:29:08,200 Speaker 1: Ball harp harvest fall fall, harvest ball? What does that 593 00:29:08,200 --> 00:29:08,680 Speaker 1: even mean? 594 00:29:09,600 --> 00:29:11,560 Speaker 2: Like that's literally the kind of party that your parents 595 00:29:11,600 --> 00:29:13,520 Speaker 2: are like, hey, can you come to us this with us? 596 00:29:13,520 --> 00:29:16,960 Speaker 2: And you're like fine, but I have to leave at eight, 597 00:29:17,040 --> 00:29:17,640 Speaker 2: do you know what I mean? 598 00:29:17,760 --> 00:29:21,000 Speaker 1: Like, yeah, I've got plans after this so it's like 599 00:29:21,040 --> 00:29:23,960 Speaker 1: a country club party's that's yeah. 600 00:29:24,440 --> 00:29:27,760 Speaker 2: Why is Cooper Hargrove like throwing that kind of party. 601 00:29:27,800 --> 00:29:30,600 Speaker 1: Because he's stuffy. 602 00:29:30,080 --> 00:29:33,680 Speaker 2: He's Cooper Hargrove supposed to be like he's just twenty two. 603 00:29:33,720 --> 00:29:38,000 Speaker 1: He's probably like twenty. I would say, have you always 604 00:29:38,040 --> 00:29:42,280 Speaker 1: held the money? Have you always had money? But my 605 00:29:42,400 --> 00:29:46,200 Speaker 1: favorite line I think from this episode was when Kelly says, 606 00:29:48,200 --> 00:29:50,840 Speaker 1: regarding Val, she never met a wallet. She didn't like. 607 00:29:52,040 --> 00:29:57,360 Speaker 1: This is such a good line. So good, good, well, 608 00:29:58,800 --> 00:30:01,600 Speaker 1: good news is that that episode is over. We're onto 609 00:30:01,640 --> 00:30:02,080 Speaker 1: the next. 610 00:30:02,000 --> 00:30:02,760 Speaker 2: One that's seen. 611 00:30:02,840 --> 00:30:07,800 Speaker 1: Next week's called we have episode nine of season eight, Friends, 612 00:30:08,440 --> 00:30:10,360 Speaker 1: Lovers and Children. 613 00:30:11,080 --> 00:30:14,920 Speaker 2: What I have to refresh mind memory? 614 00:30:16,200 --> 00:30:18,320 Speaker 1: Oh to get your super fan on? 615 00:30:18,880 --> 00:30:21,760 Speaker 2: Yeah, I do. I've gotta like start to refresh my memory. 616 00:30:21,840 --> 00:30:26,840 Speaker 2: But oh yeah, now I know this I've been waiting for. 617 00:30:26,920 --> 00:30:29,280 Speaker 1: Actually, you know, because you cheated, you just look something 618 00:30:29,360 --> 00:30:30,360 Speaker 1: up peaked. 619 00:30:29,960 --> 00:30:32,640 Speaker 2: But then it obviously he came back to me. 620 00:30:32,800 --> 00:30:34,920 Speaker 1: Can you give me just a little tease, like what 621 00:30:34,960 --> 00:30:35,800 Speaker 1: I can look forward to? 622 00:30:35,880 --> 00:30:42,600 Speaker 2: Fort Dylan's sister comes back, I think played by a 623 00:30:42,680 --> 00:30:43,120 Speaker 2: new person. 624 00:30:43,200 --> 00:30:45,200 Speaker 1: But I don't know if that gets me excited on it? 625 00:30:46,440 --> 00:30:49,160 Speaker 1: If it was Dylan. I'd get real excited it's. 626 00:30:49,400 --> 00:30:51,640 Speaker 2: Correct, but we have to wait like another year. 627 00:30:52,360 --> 00:30:55,400 Speaker 1: Ah. Well, that's it for this episode. You guys. We 628 00:30:55,480 --> 00:31:00,440 Speaker 1: hope you enjoyed it and we'll be back next week. 629 00:31:00,560 --> 00:31:03,320 Speaker 2: You are to name your favorite Brady Bunch episode. 630 00:31:03,440 --> 00:31:05,160 Speaker 1: Oh my god, she can't you guys? 631 00:31:05,640 --> 00:31:09,600 Speaker 2: No mine immediately, Johnny Bravo or the Silver Platters always 632 00:31:09,600 --> 00:31:10,080 Speaker 2: when they were. 633 00:31:10,400 --> 00:31:12,600 Speaker 1: A very good one. But I really liked them when 634 00:31:12,800 --> 00:31:13,640 Speaker 1: they went to Hawaii. 635 00:31:14,080 --> 00:31:15,959 Speaker 2: Well, I thought you're gonna say the Grand Canyon, Hawaii. 636 00:31:16,040 --> 00:31:18,880 Speaker 2: Also excellent are the Great Kings because looks so cute 637 00:31:18,920 --> 00:31:22,040 Speaker 2: and her little hiking in that thing and they all 638 00:31:22,080 --> 00:31:22,640 Speaker 2: take their. 639 00:31:22,480 --> 00:31:25,360 Speaker 1: Socks off jail. Oh my god. 640 00:31:25,520 --> 00:31:28,120 Speaker 2: So well, it's Vincent Price and Hawaii and it's the 641 00:31:28,200 --> 00:31:31,440 Speaker 2: dude from Gilligan's Island in the Grand Canyon. It's like, 642 00:31:31,800 --> 00:31:37,000 Speaker 2: I love the cameo Sherwood Schwartz, other shows like Amy. 643 00:31:37,320 --> 00:31:40,080 Speaker 1: You're not doing a great bunch of podcasts. 644 00:31:40,200 --> 00:31:41,640 Speaker 2: I'll just do it on my own. I'll just do 645 00:31:41,720 --> 00:31:42,040 Speaker 2: my own. 646 00:31:42,040 --> 00:31:46,400 Speaker 1: It's fun. Oh bye bye, guys, have a great week.