1
00:00:01,000 --> 00:00:03,400
Speaker 1: Welcome to Drink Champs, the production of the Black Effect

2
00:00:03,480 --> 00:00:19,040
Speaker 1: and I Heart Radio and his Drink chas motherfucking podcast.

3
00:00:19,560 --> 00:00:22,840
Speaker 1: He's a legendary Queen's rappers. He's Sere's your boy in

4
00:00:22,960 --> 00:00:26,079
Speaker 1: No R. He's a Miami hip hop and mioneer. Up

5
00:00:26,160 --> 00:00:28,800
Speaker 1: is d J e f N. Together they drinking up

6
00:00:28,840 --> 00:00:32,280
Speaker 1: with some of the biggest players in the most professional,

7
00:00:32,560 --> 00:00:36,400
Speaker 1: unprofessional podcast and yet number one source for drunk back

8
00:00:36,560 --> 00:00:41,440
Speaker 1: drink mother is New year' z. That's time for Drink Champs.

9
00:00:41,800 --> 00:00:50,440
Speaker 1: Trink up motherfuck mother. Would it could be hoping he

10
00:00:50,479 --> 00:00:51,879
Speaker 1: just wanted to be to see your point and oh

11
00:00:52,440 --> 00:00:55,080
Speaker 1: that's normous baas an catch on. What up is d

12
00:00:55,240 --> 00:00:57,840
Speaker 1: J e f N. That's a type of crazy war radio.

13
00:00:57,920 --> 00:01:00,000
Speaker 1: Even though it's the wrong show. This is drink Chaps up.

14
00:01:00,200 --> 00:01:08,520
Speaker 1: Have you? Let's we have both of these brothers on

15
00:01:08,640 --> 00:01:13,280
Speaker 1: the show separately, the alumni, they're both alumnis. Think this

16
00:01:13,480 --> 00:01:15,880
Speaker 1: is I think it's job second time getting flowers. I

17
00:01:15,920 --> 00:01:17,960
Speaker 1: think he's the first. He was the first one. I

18
00:01:18,000 --> 00:01:22,080
Speaker 1: think he was the first one that got flowers sec seconds. Okay,

19
00:01:22,120 --> 00:01:25,399
Speaker 1: but let's just let's just get this intro. We got

20
00:01:25,520 --> 00:01:31,800
Speaker 1: a call from a powerful conglomerate, Black conglomerate. And they said,

21
00:01:31,840 --> 00:01:35,679
Speaker 1: we got something called the Murder Inc. Documentary to Murder

22
00:01:35,800 --> 00:01:45,760
Speaker 1: Incis and we said for real, and I'm glessa say, so,

23
00:01:45,920 --> 00:01:49,240
Speaker 1: how was it? Because we've seen BT do the rough

24
00:01:49,360 --> 00:01:55,240
Speaker 1: Rider documentary, We've seen BT do the uh Dope both

25
00:01:55,280 --> 00:01:58,560
Speaker 1: of them dope docs. This is talking about queens. This

26
00:01:58,720 --> 00:02:01,840
Speaker 1: is bringing back to the queens. Get the money. So

27
00:02:02,000 --> 00:02:03,640
Speaker 1: in case you guys don't know who the funk I'm

28
00:02:03,680 --> 00:02:06,960
Speaker 1: talking about, we're talking about one of the greatest producers

29
00:02:07,200 --> 00:02:10,919
Speaker 1: of all times, and we're talking about one of the

30
00:02:11,000 --> 00:02:13,760
Speaker 1: illest creative people of all times. And everyone is still

31
00:02:13,840 --> 00:02:16,480
Speaker 1: fighting his style right now to this day. Yes, if

32
00:02:16,560 --> 00:02:23,720
Speaker 1: you singing, motherfucker, yes, yeah, you don't know what the

33
00:02:23,760 --> 00:02:26,280
Speaker 1: funk I'm talking about talking about the one only God.

34
00:02:31,560 --> 00:02:44,280
Speaker 1: Let's get drunk up. Let me my thing, hello, let

35
00:02:44,320 --> 00:02:46,720
Speaker 1: me ask, let me say something. The minute I put

36
00:02:46,800 --> 00:02:50,160
Speaker 1: it out on on Twitter, I said, um, I got

37
00:02:50,200 --> 00:02:53,040
Speaker 1: earth Gotti and Ja Rule the very first questions that

38
00:02:53,120 --> 00:02:57,240
Speaker 1: they bombarded this would they ever do a Murder Inc. Versus?

39
00:02:58,680 --> 00:03:03,560
Speaker 1: Which was crazy cause I'm on the way listening to

40
00:03:03,680 --> 00:03:06,959
Speaker 1: the Murder In catalog and I'm like, damn. I think

41
00:03:07,080 --> 00:03:10,600
Speaker 1: rule kind of segmented when he did the verses with

42
00:03:10,800 --> 00:03:16,440
Speaker 1: you with that, Joe, I think he kind of semented

43
00:03:16,639 --> 00:03:20,919
Speaker 1: like we ain't nothing funk with like we ain't nothing

44
00:03:21,440 --> 00:03:29,240
Speaker 1: like the Murdering Catalog. I mean, what did they say?

45
00:03:29,280 --> 00:03:33,639
Speaker 1: You get twenty hits? Yeah? Come on, but against a crew?

46
00:03:36,440 --> 00:03:38,040
Speaker 1: I mean I think I think you gotta go more

47
00:03:38,080 --> 00:03:41,640
Speaker 1: than twenty if you do a cruise, right, Yeah, you

48
00:03:41,680 --> 00:03:45,440
Speaker 1: gotta think you gotta expanded a little bit, right, Okay?

49
00:03:45,760 --> 00:03:48,960
Speaker 1: So who would you want to go again? Would you

50
00:03:49,120 --> 00:03:53,160
Speaker 1: gotta do like fifty fifty records? Right? Okay? Something? Who

51
00:03:53,200 --> 00:03:55,000
Speaker 1: would you think you got against murder inc Against who?

52
00:03:55,200 --> 00:03:57,360
Speaker 1: It would have to be bad Boy, which is the

53
00:03:57,520 --> 00:04:00,960
Speaker 1: only the only thing comparable compared that's a rocket. Make

54
00:04:01,000 --> 00:04:03,360
Speaker 1: sure we leave. I'm saying I can't. I can't go.

55
00:04:03,840 --> 00:04:06,760
Speaker 1: I can't. I can't say Dre because the music is different,

56
00:04:06,960 --> 00:04:09,720
Speaker 1: right right, you know what I'm saying. It's hard going

57
00:04:09,760 --> 00:04:13,240
Speaker 1: against them gangsters records. I'm not gonna lie to you.

58
00:04:13,840 --> 00:04:16,880
Speaker 1: Gott you. Listening to the murder In Catalog just now,

59
00:04:17,000 --> 00:04:20,440
Speaker 1: I was like, Sam, I totally forgot how much it's countless.

60
00:04:20,760 --> 00:04:23,480
Speaker 1: It's just a lot and That's why I said, you know,

61
00:04:23,720 --> 00:04:26,640
Speaker 1: the only the only thing would be bad boy. That's it,

62
00:04:26,800 --> 00:04:28,320
Speaker 1: because I'm gonna tell you so. I was one of

63
00:04:28,400 --> 00:04:32,039
Speaker 1: my favorite records and you're rocking with me. I don't

64
00:04:32,040 --> 00:04:35,000
Speaker 1: know if you remember. I went on tour with Cadillac Top.

65
00:04:35,120 --> 00:04:37,960
Speaker 1: This is when y'all was on fire and Calillac Cadillac

66
00:04:38,040 --> 00:04:39,960
Speaker 1: Top was like the first nigger to come out, and

67
00:04:40,000 --> 00:04:42,320
Speaker 1: I was the headliner, and I made Cadillac Talk come

68
00:04:42,360 --> 00:04:45,920
Speaker 1: back out because I had love for murders before I would.

69
00:04:50,000 --> 00:04:53,720
Speaker 1: It's a hard case. What's he doing? You know what

70
00:04:53,720 --> 00:04:57,520
Speaker 1: I'm saying. But over to the side, okay, okay, and

71
00:04:57,720 --> 00:05:00,240
Speaker 1: you gotta immediately noticed your watch. That does a always

72
00:05:00,320 --> 00:05:04,320
Speaker 1: the perpetual master. That's yes, that is a master. It's

73
00:05:04,360 --> 00:05:06,920
Speaker 1: a masterpiece. I don't even really like the jewelry I

74
00:05:07,760 --> 00:05:11,400
Speaker 1: wore my rocket fell and chainman. Okay, skip over that watch, sir, Okay,

75
00:05:11,880 --> 00:05:13,960
Speaker 1: that is not let's see. I got the ring. It's

76
00:05:14,000 --> 00:05:19,840
Speaker 1: like we creticed to watching. It's tri color. It's platform. Listen, listen.

77
00:05:20,000 --> 00:05:23,840
Speaker 1: Not too many people, Hey, hey, ruin one No, no, no,

78
00:05:24,120 --> 00:05:30,000
Speaker 1: who outside today? Yo? Yo? Holdly nor your man gotta

79
00:05:30,120 --> 00:05:34,000
Speaker 1: protect I've seen it yes, that's what he's outside today,

80
00:05:34,520 --> 00:05:39,960
Speaker 1: but not seeing he's said, he's streaming that right. Hold on,

81
00:05:40,360 --> 00:05:44,560
Speaker 1: this is you can change the face on it. Your

82
00:05:44,600 --> 00:05:54,360
Speaker 1: face on that first person. You know you do not

83
00:05:54,480 --> 00:05:57,839
Speaker 1: earlier the n f T s earlier explain it. Oh shit,

84
00:05:58,440 --> 00:06:00,960
Speaker 1: you know what's so good about this one? Nobody has that.

85
00:06:01,120 --> 00:06:03,920
Speaker 1: That is very limited. No, you know what's so dope

86
00:06:03,960 --> 00:06:09,440
Speaker 1: about this watch? That's coincides with the murdering story, a documentary,

87
00:06:10,680 --> 00:06:21,160
Speaker 1: a shanty. But this I hold hold some talk about

88
00:06:21,400 --> 00:06:24,320
Speaker 1: I want to know something as we dig into these stories.

89
00:06:25,160 --> 00:06:27,880
Speaker 1: I'm twenty years deep and more with the family and

90
00:06:27,920 --> 00:06:31,520
Speaker 1: that you got you sh Grave, don't talk to Let's

91
00:06:31,520 --> 00:06:33,720
Speaker 1: tell him. No, I don't know everything, you honest. I'm

92
00:06:33,720 --> 00:06:40,159
Speaker 1: just being my eyes side of my Let me see.

93
00:06:40,279 --> 00:06:47,240
Speaker 1: Let me read you read Grave. It's very neat. I

94
00:06:47,320 --> 00:06:49,840
Speaker 1: can't see it. You see we tried that before we

95
00:06:51,560 --> 00:06:55,160
Speaker 1: bring Let me give a good talking back. Let me see.

96
00:06:55,440 --> 00:06:57,720
Speaker 1: Let me see you can't get that watch no more that.

97
00:06:57,880 --> 00:06:59,920
Speaker 1: Let me get my good glasses out of the bag. Man,

98
00:07:01,839 --> 00:07:06,760
Speaker 1: everybody Drew say something love love, Let me see hold

99
00:07:06,760 --> 00:07:09,320
Speaker 1: im gonna read it, hold on, get my get my

100
00:07:10,080 --> 00:07:21,360
Speaker 1: get up on the old man to expect. Okay, love

101
00:07:23,000 --> 00:07:30,880
Speaker 1: the firs. Scription didn't you never seen that? Always? Okay

102
00:07:31,800 --> 00:07:34,680
Speaker 1: you see if you see that, Damn, I still can't

103
00:07:34,680 --> 00:07:44,880
Speaker 1: see it says is your memory. I think you change

104
00:07:45,720 --> 00:07:48,200
Speaker 1: change lives. You change lives. Yeah, that's what it says.

105
00:07:48,440 --> 00:07:55,600
Speaker 1: Changed forever forever love and shot um wait yeah, fuck

106
00:07:55,760 --> 00:08:12,480
Speaker 1: you that's whatever he changed lives forever love, Ashanti. You

107
00:08:12,560 --> 00:08:15,400
Speaker 1: know that was immediately something that I noticed when I

108
00:08:15,440 --> 00:08:19,400
Speaker 1: watched the Shanty's um Walk of Fame. I immediately said,

109
00:08:20,360 --> 00:08:24,119
Speaker 1: mister Lemnzo, it's not dere what what? And I felt

110
00:08:24,160 --> 00:08:25,680
Speaker 1: like you was a hate that kind of kind of

111
00:08:25,760 --> 00:08:29,640
Speaker 1: say hate it. I just you're not invited. I'm not

112
00:08:29,760 --> 00:08:32,959
Speaker 1: inviting to those things with me and hand like you

113
00:08:33,000 --> 00:08:37,240
Speaker 1: know what I'm saying. You got relations like I felt

114
00:08:37,320 --> 00:08:39,240
Speaker 1: like me to me looking for the outside of looking in.

115
00:08:39,360 --> 00:08:41,240
Speaker 1: That's an inside that's the outside of but outside looking

116
00:08:41,240 --> 00:08:45,480
Speaker 1: at it nonetheless, right right, you understand that I don't know.

117
00:08:45,600 --> 00:08:48,679
Speaker 1: You probably didn't, but you did. We're talking about but

118
00:08:48,800 --> 00:08:51,920
Speaker 1: but I just want because I wanted like I felt,

119
00:08:51,960 --> 00:08:56,280
Speaker 1: I never hated no, no anyone out phrase that remove

120
00:08:56,600 --> 00:09:02,280
Speaker 1: I am never hate me. You phrase Auntie, uh created

121
00:09:02,400 --> 00:09:07,800
Speaker 1: it made history right, right, But we just I don't

122
00:09:08,520 --> 00:09:10,920
Speaker 1: see how the eye with her anymore. Let me let

123
00:09:10,960 --> 00:09:13,439
Speaker 1: me explain what I meant, right, because the week after that,

124
00:09:13,920 --> 00:09:17,560
Speaker 1: I went to DJ College. I always pronounced his name wrong,

125
00:09:17,679 --> 00:09:20,199
Speaker 1: and I got to see Jay. I got to see Diddy,

126
00:09:20,400 --> 00:09:22,040
Speaker 1: and I got to see Fat Joe, and I got

127
00:09:22,120 --> 00:09:23,880
Speaker 1: to see you know, Corey and all these other people

128
00:09:23,920 --> 00:09:26,480
Speaker 1: that was behind the scenes of college that probably didn't

129
00:09:26,480 --> 00:09:29,120
Speaker 1: necessarily get those big pictures, like you know, you know what,

130
00:09:29,240 --> 00:09:31,360
Speaker 1: you know, you know the stuff very then you get

131
00:09:31,400 --> 00:09:36,120
Speaker 1: the stars them three pictures. Hold on, we got kaleg

132
00:09:36,200 --> 00:09:38,400
Speaker 1: probably called them and asked them to do that. But

133
00:09:38,440 --> 00:09:39,839
Speaker 1: when I went to college and called me and I

134
00:09:39,880 --> 00:09:42,640
Speaker 1: showed up. But um, when I went back, I was like, damn,

135
00:09:42,640 --> 00:09:44,480
Speaker 1: I wanted to see Goddy. I wanted to see you there,

136
00:09:44,480 --> 00:09:46,680
Speaker 1: whether you invited or not, to just throw the murder

137
00:09:46,760 --> 00:09:49,160
Speaker 1: in behind her. When you know when they put up

138
00:09:51,679 --> 00:09:53,360
Speaker 1: like you know, when they put their hands on it,

139
00:09:53,440 --> 00:09:54,439
Speaker 1: they I don't even know if that's the thing. I

140
00:09:57,000 --> 00:09:59,480
Speaker 1: mean when they do Hollywood ship. I wanted God to

141
00:09:59,520 --> 00:10:01,400
Speaker 1: be like this with you, with your with your murder

142
00:10:01,440 --> 00:10:04,160
Speaker 1: ain't signed behind. I'm just for peace, and I want

143
00:10:04,200 --> 00:10:07,959
Speaker 1: everybody to be in harmony and peace, not not not

144
00:10:08,120 --> 00:10:10,599
Speaker 1: to say that we gotta hang out and and you know,

145
00:10:11,120 --> 00:10:14,439
Speaker 1: and and create and do things together, but be at pencil.

146
00:10:14,480 --> 00:10:16,600
Speaker 1: When it's time for us to come together for things

147
00:10:16,720 --> 00:10:22,040
Speaker 1: like this, it can be a movement for the whole.

148
00:10:22,600 --> 00:10:38,840
Speaker 1: You know, Faiz, you don't I'm a cancer, but listen,

149
00:10:38,880 --> 00:10:43,360
Speaker 1: I'm gonna cancer, okay, but cheerlead. I love hard and

150
00:10:43,559 --> 00:10:46,320
Speaker 1: I don't love hard. Got you know what I'm saying. Listen,

151
00:10:46,400 --> 00:10:49,679
Speaker 1: we were cheerleader though, right I was cheerleader watching the ceremony.

152
00:10:50,080 --> 00:10:53,679
Speaker 1: Here's didn't watching. Here's the thing, here's the thing. We

153
00:10:53,880 --> 00:10:57,839
Speaker 1: created something special with you. I didn't watch you. We

154
00:10:57,960 --> 00:11:01,360
Speaker 1: created something special even marked act and watched and it's

155
00:11:01,440 --> 00:11:06,520
Speaker 1: like they're coming up for all of us and twenty

156
00:11:06,840 --> 00:11:09,599
Speaker 1: for a Sean tele twenties past. And because you was

157
00:11:09,640 --> 00:11:14,920
Speaker 1: at the ceremony. Listen. When we did the doc, we

158
00:11:15,080 --> 00:11:17,800
Speaker 1: tried to get a shant three different times. She turned

159
00:11:17,880 --> 00:11:22,720
Speaker 1: it down each each and every time. So what I said,

160
00:11:22,800 --> 00:11:24,720
Speaker 1: what I like to say is just the other side

161
00:11:25,360 --> 00:11:28,360
Speaker 1: I've We've tried. When we flirted with the idea of

162
00:11:28,520 --> 00:11:31,960
Speaker 1: doing the Murder Inc Reunion tour, I love that idea. Yeah,

163
00:11:32,000 --> 00:11:38,560
Speaker 1: she turned it down. I'm never working with y'all basically,

164
00:11:39,000 --> 00:11:42,199
Speaker 1: So you know when when isn't about the masters. I

165
00:11:42,240 --> 00:11:45,840
Speaker 1: watched the Breakface Club. Listen, listen, listen, listen. Let's speak

166
00:11:45,880 --> 00:11:48,640
Speaker 1: on the masters. I know that's gonna come up. First

167
00:11:48,679 --> 00:11:53,240
Speaker 1: of all, I'm not I'm not like Lucy and Grange

168
00:11:54,800 --> 00:11:58,360
Speaker 1: from from from Empire. No, Lucy and Grange owns or

169
00:11:58,520 --> 00:12:00,960
Speaker 1: is he runs the universe of some music groups. Oh,

170
00:12:01,000 --> 00:12:10,040
Speaker 1: that's when I'm not Lucy. I ain't that you're seeing.

171
00:12:10,080 --> 00:12:13,080
Speaker 1: Grange ain't giving nobody back their masters, and he owned

172
00:12:13,160 --> 00:12:18,120
Speaker 1: thousands of him. I own the hot Maybe Lucy and

173
00:12:18,200 --> 00:12:21,079
Speaker 1: Grange wasn't in the studio what you're making? Those records

174
00:12:22,679 --> 00:12:26,200
Speaker 1: I made. I made those Ashanti records. Can you rock

175
00:12:26,240 --> 00:12:29,480
Speaker 1: with me? Oh? I made those records, you know what

176
00:12:29,520 --> 00:12:32,240
Speaker 1: I'm saying. Like she wrote them, but she wrote them

177
00:12:32,320 --> 00:12:34,640
Speaker 1: with the help of me telling her what to write

178
00:12:35,920 --> 00:12:38,680
Speaker 1: and all of y'all whoever knows me. I don't lie,

179
00:12:39,440 --> 00:12:41,880
Speaker 1: I don't, I don't. I'm not a liar, you know

180
00:12:41,920 --> 00:12:45,800
Speaker 1: what I'm saying. But I helped make those records, so

181
00:12:47,280 --> 00:12:50,880
Speaker 1: I I owned them. Like hey, me and rud were

182
00:12:50,920 --> 00:12:54,400
Speaker 1: talking today, and I'm not gonna say no numbers. But

183
00:12:54,559 --> 00:12:58,240
Speaker 1: it's like artists. I never signed my artists to three

184
00:12:58,360 --> 00:13:01,000
Speaker 1: sixty deals. I to say, give me some of your

185
00:13:01,040 --> 00:13:04,240
Speaker 1: show money or your mentor you could have. You could

186
00:13:04,400 --> 00:13:07,560
Speaker 1: because Leo's a three sixty, three sixty. You look up

187
00:13:07,600 --> 00:13:11,880
Speaker 1: three sixties. But I never did that. I was I

188
00:13:12,080 --> 00:13:16,200
Speaker 1: feel I was always very good to my audists before

189
00:13:16,240 --> 00:13:19,839
Speaker 1: all time, just to be fair before all right, but

190
00:13:19,920 --> 00:13:26,200
Speaker 1: what I'm saying, no, but listen, let me make this statement.

191
00:13:27,880 --> 00:13:31,280
Speaker 1: Artists have a way of getting money. Rule makes a

192
00:13:31,360 --> 00:13:34,840
Speaker 1: lot of money he does doing shows. A Shan Tim

193
00:13:34,880 --> 00:13:37,680
Speaker 1: makes a lot of money doing shows. So what's left

194
00:13:37,720 --> 00:13:40,600
Speaker 1: for the guy who was the record label, who helped

195
00:13:40,679 --> 00:13:44,640
Speaker 1: make the records? What how I make money out of this?

196
00:13:45,480 --> 00:13:49,480
Speaker 1: Is the masterest? So how am I supposed to feel

197
00:13:49,520 --> 00:13:52,920
Speaker 1: when you want to remove that aspect, you really basically

198
00:13:53,000 --> 00:13:55,120
Speaker 1: saying you don't want Sunny j J and Angie my

199
00:13:55,320 --> 00:13:58,920
Speaker 1: beautiful kids, you don't want them to eat? Is there compromised?

200
00:13:58,960 --> 00:14:02,880
Speaker 1: Because we heard when she's that she said that she

201
00:14:03,000 --> 00:14:07,079
Speaker 1: asked for the instrumentals back that let's let's definitely address that.

202
00:14:08,280 --> 00:14:13,400
Speaker 1: I'm trying to be good at this camera. I'm not

203
00:14:13,679 --> 00:14:17,240
Speaker 1: falling for the banana and the tailpipe. I know what

204
00:14:18,440 --> 00:14:21,440
Speaker 1: this is, exactly where we're going. She's been performing for

205
00:14:21,560 --> 00:14:25,440
Speaker 1: twenty years. She's never asked for her stems. She's asking

206
00:14:25,520 --> 00:14:29,560
Speaker 1: for her stems because here's what I suggests happened. She

207
00:14:29,640 --> 00:14:34,000
Speaker 1: went in the studio and tried to redo Babe, Baby

208
00:14:35,080 --> 00:14:37,840
Speaker 1: Mary Jan you can't do that. You couldn't do that.

209
00:14:38,000 --> 00:14:40,720
Speaker 1: That's where we took it from, right. So she probably

210
00:14:40,840 --> 00:14:44,400
Speaker 1: went in the studio tried to recreate this and fell

211
00:14:45,040 --> 00:14:49,520
Speaker 1: drastically short with people saying that don't sound like what

212
00:14:49,640 --> 00:14:53,760
Speaker 1: they did. I need my stems. You know what stems are.

213
00:14:54,560 --> 00:14:56,600
Speaker 1: So you want me to give you the stems of

214
00:14:56,760 --> 00:14:59,720
Speaker 1: your whole album now after twenties, so you're saying you

215
00:14:59,800 --> 00:15:03,560
Speaker 1: need different shows. You want to take my stems, and

216
00:15:03,680 --> 00:15:06,480
Speaker 1: now you're gonna be able to remake your album and

217
00:15:06,520 --> 00:15:08,000
Speaker 1: you wouldn't be able to get a dollar of that.

218
00:15:08,120 --> 00:15:10,400
Speaker 1: I don't, I didn't never. I still eat off of

219
00:15:10,480 --> 00:15:14,280
Speaker 1: it because I owned the publish here. Okay, okay, okay,

220
00:15:15,000 --> 00:15:17,160
Speaker 1: And let me you know. When she'd be on the

221
00:15:17,200 --> 00:15:19,680
Speaker 1: shows and she's like, I'm gonna spits it up and

222
00:15:19,880 --> 00:15:23,360
Speaker 1: jazz it up. Is this the camera a shanty? You

223
00:15:23,480 --> 00:15:26,960
Speaker 1: cannot sprits it up, You cannot jazz it up. The

224
00:15:27,080 --> 00:15:30,920
Speaker 1: minute you put some spritsy and jazz it up, it's

225
00:15:30,960 --> 00:15:34,120
Speaker 1: not a cover. So when it's not a cover, now

226
00:15:34,240 --> 00:15:36,560
Speaker 1: it has to come back to me to cleare it.

227
00:15:37,520 --> 00:15:39,520
Speaker 1: Let me give you an example of shanty. We had

228
00:15:39,560 --> 00:15:43,320
Speaker 1: this record with Vita called Justify My Love the Madonna.

229
00:15:44,640 --> 00:15:48,800
Speaker 1: We redid that record and we sprints it up. We

230
00:15:49,120 --> 00:15:55,760
Speaker 1: Vita spitter verse. Madonna said rejected, No, that's my classic.

231
00:15:56,200 --> 00:15:58,800
Speaker 1: We took the verse off and we made that record

232
00:15:58,960 --> 00:16:03,800
Speaker 1: identically the same to Lenny Kravitz his ad libs. Ashanti

233
00:16:03,880 --> 00:16:06,800
Speaker 1: did the ad libs, but we had to make it identical.

234
00:16:07,640 --> 00:16:11,160
Speaker 1: If you change anything, it reverts back to the writers

235
00:16:11,240 --> 00:16:14,840
Speaker 1: to clear it. Aw Let me just give you the

236
00:16:14,920 --> 00:16:23,640
Speaker 1: answer now, no no, So it's up to you and

237
00:16:24,280 --> 00:16:28,880
Speaker 1: whatever bullshit players and musicians. You have to recreate the

238
00:16:29,000 --> 00:16:35,000
Speaker 1: magic that we made me chink and all you got

239
00:16:35,120 --> 00:16:42,360
Speaker 1: to answer. Lets you want to say, I'm glad because

240
00:16:42,600 --> 00:16:45,160
Speaker 1: i just want things, and you know it's it's crazy

241
00:16:45,240 --> 00:16:49,240
Speaker 1: because I'm caught in the middle of this ship. Right.

242
00:16:50,000 --> 00:16:54,520
Speaker 1: You know what I'm saying. You are not really not really. Honestly,

243
00:16:54,600 --> 00:16:57,640
Speaker 1: I'm not what I am about the fault because that's

244
00:16:57,720 --> 00:17:00,720
Speaker 1: nothing to fucking do with me, You understanding. But I

245
00:17:00,800 --> 00:17:04,399
Speaker 1: think you're like an owner murdering something, right, I'm you know,

246
00:17:07,000 --> 00:17:13,000
Speaker 1: don't do that, don't do that. But but you know

247
00:17:13,359 --> 00:17:16,120
Speaker 1: that that's that's that's that's not that's not even because

248
00:17:17,840 --> 00:17:21,800
Speaker 1: put your artist. The point is this, I'm a different

249
00:17:21,880 --> 00:17:27,879
Speaker 1: type of an artist. I see both sides of the argument. Um,

250
00:17:29,240 --> 00:17:33,240
Speaker 1: you know, all artists want their masters back. It's just

251
00:17:33,520 --> 00:17:36,600
Speaker 1: it's just it's just the new masters. That's just what

252
00:17:36,760 --> 00:17:41,120
Speaker 1: artists want. The people you're really entertainment makes you buy

253
00:17:41,200 --> 00:17:44,359
Speaker 1: you back all However, the fucking gotta go about your business.

254
00:17:44,440 --> 00:17:48,119
Speaker 1: But there is there is a way to get your masters,

255
00:17:49,560 --> 00:17:53,640
Speaker 1: you know what I'm saying. It's just like this argument

256
00:17:53,720 --> 00:17:57,880
Speaker 1: doesn't have to take place. He's gonna have to buy

257
00:17:57,960 --> 00:18:03,040
Speaker 1: it back from this guy named Olivier Chasting. He sounds dangerous.

258
00:18:03,359 --> 00:18:07,440
Speaker 1: He's a veryon their Frenchman and he's he's my guy,

259
00:18:07,600 --> 00:18:12,399
Speaker 1: and I'm entering to deal with him for a lot

260
00:18:12,440 --> 00:18:13,800
Speaker 1: of money. I'm supposed to make some moist to that.

261
00:18:13,800 --> 00:18:17,520
Speaker 1: I believe we gotta make some moms. I gonna go

262
00:18:17,560 --> 00:18:20,520
Speaker 1: ahead and say it. And I even I ain't even drunk,

263
00:18:20,640 --> 00:18:23,479
Speaker 1: but I signed a letter of intent. It's like two

264
00:18:24,520 --> 00:18:31,960
Speaker 1: dollars not just the not just the catalog, but to

265
00:18:32,080 --> 00:18:36,359
Speaker 1: give me funding for visionary ideas. So what we're looking

266
00:18:36,400 --> 00:18:46,120
Speaker 1: at now is I will own my TV, my movies

267
00:18:46,440 --> 00:18:49,760
Speaker 1: did I make. I am fully funded with a partner.

268
00:18:50,480 --> 00:18:52,879
Speaker 1: I have like a two hundred million line of credit

269
00:18:53,760 --> 00:18:56,720
Speaker 1: where I could go out and be who I'm supposed

270
00:18:56,760 --> 00:18:59,359
Speaker 1: to be in this motherfucker. So not just it was

271
00:18:59,400 --> 00:19:02,600
Speaker 1: a conversation actually I had with Mark Lazie. Mark laze

272
00:19:02,720 --> 00:19:04,720
Speaker 1: is a billion and friend. He owns the Milwaukee Bucks.

273
00:19:05,320 --> 00:19:06,840
Speaker 1: And I was over his house one day. Is a

274
00:19:06,880 --> 00:19:11,080
Speaker 1: beautiful home. Yeah, and I'm sitting here. I'm sitting there

275
00:19:11,119 --> 00:19:13,080
Speaker 1: and I was just shooting the ship, to be honest

276
00:19:13,119 --> 00:19:15,159
Speaker 1: with you, and I was just telling them all that.

277
00:19:15,240 --> 00:19:16,879
Speaker 1: He's like, what's going on, and like, naw, I'm like

278
00:19:17,040 --> 00:19:20,639
Speaker 1: dream works, yo, I'm like, you know, you know, being braggadocious.

279
00:19:20,760 --> 00:19:23,159
Speaker 1: I'm like, you know, I I direct, I produced, I

280
00:19:23,359 --> 00:19:26,320
Speaker 1: make this ship, I write this ship, I do everything.

281
00:19:26,520 --> 00:19:29,239
Speaker 1: And when I finished, he looked at me and said, yo,

282
00:19:29,320 --> 00:19:32,000
Speaker 1: you said everything but the right thing, and I was like,

283
00:19:32,119 --> 00:19:34,600
Speaker 1: what are you talking about? He said, you don't own it,

284
00:19:37,000 --> 00:19:39,680
Speaker 1: and then he proceeded to drill in my head you

285
00:19:39,800 --> 00:19:43,600
Speaker 1: cannot sell what you don't own. So we was talking

286
00:19:44,040 --> 00:19:46,080
Speaker 1: in every two minutes, he would stopped and saying, Yo,

287
00:19:46,160 --> 00:19:48,040
Speaker 1: you can't sell what you don't own. He drilled it

288
00:19:48,119 --> 00:19:50,560
Speaker 1: in my head. But I was like, yo, TV series, like,

289
00:19:50,640 --> 00:19:53,720
Speaker 1: I'm making this TV series with my BT family called

290
00:19:53,760 --> 00:19:56,919
Speaker 1: Tracking Queens. It's like thirty million. You know, TV series

291
00:19:56,960 --> 00:20:00,400
Speaker 1: is three million in that ten naps. So I said, Joe,

292
00:20:00,800 --> 00:20:05,119
Speaker 1: I ain't got the money to do that, and then

293
00:20:05,200 --> 00:20:08,800
Speaker 1: he said that it was shipped to me. He said,

294
00:20:09,000 --> 00:20:13,880
Speaker 1: getting the money is nothing. He said, there's so many

295
00:20:14,240 --> 00:20:18,639
Speaker 1: people out here, hedge funds, rich guys that got billions

296
00:20:18,680 --> 00:20:21,760
Speaker 1: of dollars to invest in the entertainment business. He said,

297
00:20:21,800 --> 00:20:27,320
Speaker 1: what they don't have, Gotti. You You have all ideas,

298
00:20:27,720 --> 00:20:31,879
Speaker 1: the creativity and then know how to make it experience.

299
00:20:31,920 --> 00:20:35,719
Speaker 1: He said, all you need is the bread. So we're

300
00:20:35,760 --> 00:20:39,960
Speaker 1: gonna get you the bread. Another big guys, Zach Harror

301
00:20:40,040 --> 00:20:44,159
Speaker 1: was Zach Carlis used to be the the CEO of

302
00:20:44,240 --> 00:20:47,080
Speaker 1: the Universal Music Group. And I like to say this,

303
00:20:47,320 --> 00:20:50,399
Speaker 1: this is maybe a tab racist or whatever. Right, but

304
00:20:51,520 --> 00:20:54,520
Speaker 1: now I'm not listen. It's good racist though there's nothing

305
00:20:59,160 --> 00:21:02,800
Speaker 1: listen Listen said there is nothing better in the world

306
00:21:03,720 --> 00:21:10,159
Speaker 1: than having a rich, successful white man blow you up

307
00:21:10,760 --> 00:21:15,840
Speaker 1: to another rich, successful white man. It resonates kind of

308
00:21:15,960 --> 00:21:19,639
Speaker 1: harder when Zach calls Olivier and like, y'oall god, he

309
00:21:19,760 --> 00:21:22,639
Speaker 1: made the universal music group billions. You need to get

310
00:21:22,720 --> 00:21:26,439
Speaker 1: behind this small fucker. He's gonna he's gonna be successful,

311
00:21:26,640 --> 00:21:32,000
Speaker 1: he's gonna win, and you know, and then incredible things happened,

312
00:21:32,040 --> 00:21:43,080
Speaker 1: like two d fifty million dollar deals. Jesus, you also

313
00:21:43,160 --> 00:21:47,520
Speaker 1: got the icon. Yeah, so what what is what? Tell

314
00:21:47,600 --> 00:21:50,040
Speaker 1: tell us because people are explaying with icon. You just

315
00:21:50,119 --> 00:21:54,800
Speaker 1: had to stray kwon console. He just showed me crazy.

316
00:21:54,880 --> 00:21:58,240
Speaker 1: I was in l A four he jibs onto something

317
00:21:58,400 --> 00:22:03,520
Speaker 1: humongous with these vibe getting these these legendary artists to

318
00:22:03,600 --> 00:22:08,440
Speaker 1: perform their legendary albums. Everyone needs to see it everythough,

319
00:22:08,560 --> 00:22:10,959
Speaker 1: So tell us about a job. What was the first one?

320
00:22:10,960 --> 00:22:12,960
Speaker 1: The first one was you right? Yeah? I think the

321
00:22:13,000 --> 00:22:15,520
Speaker 1: first one. Okay, let me let you know we're not

322
00:22:16,520 --> 00:22:22,760
Speaker 1: okay yea yea yeah. You know. What's what else? They

323
00:22:22,880 --> 00:22:25,760
Speaker 1: got some pre roles. Yeah, these are pre roles. We

324
00:22:25,800 --> 00:22:27,680
Speaker 1: gotta ma in stores in California just in case y'all

325
00:22:27,800 --> 00:22:36,480
Speaker 1: this you're just crazy wants not Okay, Yeah, yeah, I

326
00:22:36,520 --> 00:22:39,960
Speaker 1: forgot you. You give me that got that live residence

327
00:22:40,400 --> 00:22:48,760
Speaker 1: to be this is let me get this strong turn us. Okay.

328
00:22:48,920 --> 00:22:53,680
Speaker 1: So Icon is my live streaming platform. Okay, dope platform.

329
00:22:54,920 --> 00:22:59,440
Speaker 1: Vibes concert Series is uh series I created to be

330
00:22:59,520 --> 00:23:01,560
Speaker 1: on the play. It's just sexy. Let's just subscribed to

331
00:23:01,600 --> 00:23:05,520
Speaker 1: the people. It's sexy's growning sexy hip hop fly ship.

332
00:23:05,840 --> 00:23:08,200
Speaker 1: Not so many people got face tattoos and now it's

333
00:23:08,240 --> 00:23:10,119
Speaker 1: just growing sexy hip hop fly ship, you know what

334
00:23:10,160 --> 00:23:12,360
Speaker 1: I mean. Like, you know, I wanted to bring back

335
00:23:12,440 --> 00:23:17,640
Speaker 1: a nice vibe of us getting dressed up, going out

336
00:23:17,680 --> 00:23:22,280
Speaker 1: to spots, then a drinks, artists performing with live band,

337
00:23:22,440 --> 00:23:24,000
Speaker 1: you know, the whole, the whole vibe of that. So

338
00:23:25,720 --> 00:23:29,920
Speaker 1: that's what Vib's Concerts is. And I did the first one,

339
00:23:30,560 --> 00:23:33,040
Speaker 1: you know, sooning and Booty. I did my album paying

340
00:23:33,080 --> 00:23:35,199
Speaker 1: his Love, And that's that's what all this is. That's

341
00:23:35,240 --> 00:23:37,720
Speaker 1: what it's about. This about artists doing their classic albums,

342
00:23:38,400 --> 00:23:40,760
Speaker 1: you know, rendition of their classic albums. And I did

343
00:23:40,840 --> 00:23:46,040
Speaker 1: the whole. You do other songs if you can make

344
00:23:46,080 --> 00:23:47,880
Speaker 1: it your own. That's what you know. It's called the vibe,

345
00:23:47,920 --> 00:23:51,440
Speaker 1: so you can kind of do other things. Raidham did wave.

346
00:23:52,000 --> 00:23:55,760
Speaker 1: I just want to face the crush it. They went

347
00:23:55,840 --> 00:23:58,520
Speaker 1: way beyond what I thought they was gonna do. You

348
00:23:58,560 --> 00:23:59,720
Speaker 1: know what I mean. They was out there having a

349
00:23:59,760 --> 00:24:01,880
Speaker 1: good time. You know, once you get in and get

350
00:24:01,920 --> 00:24:03,520
Speaker 1: your suit on and know you f you know you

351
00:24:03,680 --> 00:24:07,399
Speaker 1: called me. You know, SA think you called me. You

352
00:24:07,440 --> 00:24:09,520
Speaker 1: said what should I do that? And I think we agreed.

353
00:24:09,560 --> 00:24:16,399
Speaker 1: It was like you and and and they can't do

354
00:24:16,520 --> 00:24:21,000
Speaker 1: and destroyed it. What else is in it? You good

355
00:24:22,520 --> 00:24:32,159
Speaker 1: found Jeffrey, you will be cared for to tell you

356
00:24:32,240 --> 00:24:36,880
Speaker 1: what you taste a little exactly. It's not rest called

357
00:24:37,560 --> 00:24:43,399
Speaker 1: so it is something else. It's what they do dads

358
00:24:43,440 --> 00:24:48,760
Speaker 1: in you know what they do dads And it's Jeffrey, Yeah, yeah, yes,

359
00:24:48,840 --> 00:24:51,879
Speaker 1: it's real, real ship that one. And then in this

360
00:24:51,920 --> 00:24:55,520
Speaker 1: smo chance no chance one got it different. Get up here.

361
00:24:55,600 --> 00:25:00,480
Speaker 1: You think he's put in there? They we rules, so

362
00:25:02,760 --> 00:25:07,920
Speaker 1: it's not it. Don't it don't taste like they're telling me.

363
00:25:07,960 --> 00:25:26,080
Speaker 1: It's live haro beauty. The beautiful thing about your relationship.

364
00:25:26,240 --> 00:25:30,080
Speaker 1: Right is like most people were like, oh uh, Like

365
00:25:30,200 --> 00:25:33,800
Speaker 1: for the verses for instance, right job was there. It's

366
00:25:33,800 --> 00:25:35,600
Speaker 1: almost like you was dead by yourself. But even though

367
00:25:35,640 --> 00:25:38,440
Speaker 1: God he wasn't dead, your presence was felt like you

368
00:25:38,560 --> 00:25:41,800
Speaker 1: made sure that your presence was like, no disrespect to

369
00:25:41,880 --> 00:25:45,600
Speaker 1: fat Joe, Right, but I knew what was gonna happen.

370
00:25:46,640 --> 00:25:51,719
Speaker 1: It's but so many records, right, it's but so many records.

371
00:25:51,760 --> 00:25:56,440
Speaker 1: You're gonna do. This thing is gonna go the whole time.

372
00:25:56,760 --> 00:26:00,520
Speaker 1: And let me tell you something. The conversations was ready.

373
00:26:01,119 --> 00:26:05,280
Speaker 1: I was ready for whatever. Thank God Joe didn't go there.

374
00:26:05,760 --> 00:26:09,879
Speaker 1: But because but let's go, let's be clear. I'm telling

375
00:26:09,920 --> 00:26:14,160
Speaker 1: you thank God because it almost felt like people don't

376
00:26:14,240 --> 00:26:18,720
Speaker 1: know bo Rue, we made all of these whatever. This

377
00:26:18,880 --> 00:26:22,159
Speaker 1: sni is a battle rapper. This is the ship that

378
00:26:22,280 --> 00:26:24,160
Speaker 1: I just I don't even talk about it. No more

379
00:26:24,680 --> 00:26:27,880
Speaker 1: like this nigger gets busy and I know he's my brother.

380
00:26:27,920 --> 00:26:31,760
Speaker 1: I'm gonna know. This nigga is a savage and he's

381
00:26:31,800 --> 00:26:36,680
Speaker 1: competitive with a fucking I'm gonna kill you. But that's

382
00:26:36,720 --> 00:26:40,080
Speaker 1: how we came up. The way we came up was Joe,

383
00:26:40,240 --> 00:26:44,080
Speaker 1: We're gonna kill these motherfuckers It wasn't no playing around

384
00:26:44,119 --> 00:26:47,640
Speaker 1: with him. We gotta kill these motherfucker's now. The way

385
00:26:47,680 --> 00:26:50,440
Speaker 1: we killed him was with those big gass records. But

386
00:26:50,880 --> 00:26:53,240
Speaker 1: like I say to people, we could win another route

387
00:26:53,280 --> 00:26:56,840
Speaker 1: with But what happened Nigger I did X, I did Jane.

388
00:26:58,080 --> 00:27:02,520
Speaker 1: That's why I'm like, yo, our accomplishments should be definitely

389
00:27:02,600 --> 00:27:05,679
Speaker 1: revealed because the niggas who I helped become the biggest

390
00:27:05,760 --> 00:27:10,200
Speaker 1: niggas in the world was in our way. That's why

391
00:27:10,320 --> 00:27:13,399
Speaker 1: I say Rule three three six is the greatest work

392
00:27:13,640 --> 00:27:19,080
Speaker 1: I've ever done. These niggas is in our way, and

393
00:27:19,160 --> 00:27:23,639
Speaker 1: these things as nice and not regular. Hope is the

394
00:27:23,760 --> 00:27:27,960
Speaker 1: coolest nigga on the planet, excess the grammiest nigga on

395
00:27:28,119 --> 00:27:33,040
Speaker 1: the planet. Feel me And look, we sold to three

396
00:27:33,080 --> 00:27:37,760
Speaker 1: million with any VICI, but nigga, we wasn't happy. Jay

397
00:27:37,880 --> 00:27:41,440
Speaker 1: just did fucking like eight nine million with Hall Knocked Life,

398
00:27:41,920 --> 00:27:45,520
Speaker 1: X did two seven in like five Nigga, fuck this

399
00:27:45,640 --> 00:27:56,920
Speaker 1: to three million? You understand them. That's why Rule three

400
00:27:57,000 --> 00:28:00,280
Speaker 1: three six I love that album so much because of

401
00:28:00,440 --> 00:28:03,000
Speaker 1: the simple fact that's the second album. Correct, that's when, Yes,

402
00:28:03,200 --> 00:28:06,240
Speaker 1: that's when the murder ring sound was created. We fucking

403
00:28:06,359 --> 00:28:10,440
Speaker 1: created that sound out of necessity because we wasn't satisfied

404
00:28:10,560 --> 00:28:16,399
Speaker 1: with double triple platinum, three three six, this six. I

405
00:28:16,480 --> 00:28:19,520
Speaker 1: can't lie to you. I remember hanging with Job at

406
00:28:19,520 --> 00:28:22,879
Speaker 1: that time. That's when we first kind of like Jersey man.

407
00:28:23,760 --> 00:28:28,560
Speaker 1: I remember. I remember Job being so angry but so

408
00:28:29,400 --> 00:28:32,159
Speaker 1: but so in the moment, knowing who you are, like like,

409
00:28:32,680 --> 00:28:34,879
Speaker 1: I've never seen the artists to this day knew who

410
00:28:34,960 --> 00:28:37,480
Speaker 1: they were, like I didn't. I didn't know who I

411
00:28:37,680 --> 00:28:39,240
Speaker 1: was to two years ago. And Ship, you know what

412
00:28:39,280 --> 00:28:41,280
Speaker 1: I'm saying. But you said to me, he was like,

413
00:28:41,320 --> 00:28:43,200
Speaker 1: you know, they keep comparing me to X and I'm

414
00:28:43,200 --> 00:28:47,440
Speaker 1: gonna do so to make these motherfucker's know that and

415
00:28:47,600 --> 00:28:50,040
Speaker 1: my different type of animal. And that's when you can

416
00:28:50,120 --> 00:28:53,480
Speaker 1: start coming home with these records. You know, it's on time.

417
00:28:53,600 --> 00:28:56,960
Speaker 1: And I was like, look, don't taking ecstasy too, And

418
00:28:57,040 --> 00:29:01,800
Speaker 1: I'm not making this because I'm like, I'm that working

419
00:29:01,920 --> 00:29:05,640
Speaker 1: for me. We're taking a little feast here and there

420
00:29:06,760 --> 00:29:15,400
Speaker 1: now really working like Ship we did. He dropping his emotions,

421
00:29:15,480 --> 00:29:17,760
Speaker 1: his emotions and Ship, and I'm trying to do the same.

422
00:29:18,200 --> 00:29:21,320
Speaker 1: It's not working out for me here. I had to

423
00:29:21,480 --> 00:29:30,240
Speaker 1: stop the media working your whole way hey man, And

424
00:29:30,360 --> 00:29:32,320
Speaker 1: I've never said I've never said I'm not gonna stop.

425
00:29:32,720 --> 00:29:36,120
Speaker 1: I'm showing that out there, but I never said that.

426
00:29:36,520 --> 00:29:40,280
Speaker 1: But what I'm trying to say is, I remember, man,

427
00:29:41,440 --> 00:29:44,280
Speaker 1: it was like Holland. Holland had you in one space

428
00:29:45,720 --> 00:29:47,920
Speaker 1: and then that next album was like you was and

429
00:29:47,960 --> 00:29:50,600
Speaker 1: it was crazy because I believe you had the braise

430
00:29:51,800 --> 00:29:57,600
Speaker 1: halfway done. X can't get braids? Yeah when he who was? Yeah?

431
00:29:57,600 --> 00:29:59,720
Speaker 1: I love love you X. But you know what I'm saying,

432
00:29:59,720 --> 00:30:02,080
Speaker 1: when you look at that album was so brilliant, right

433
00:30:02,160 --> 00:30:06,920
Speaker 1: because every aspect to say when when not that? And

434
00:30:07,040 --> 00:30:10,800
Speaker 1: with this, remember he had grew his hair and I

435
00:30:10,920 --> 00:30:16,840
Speaker 1: thought I was Jimmy motherfucking hendrich Man. You see some

436
00:30:16,920 --> 00:30:18,520
Speaker 1: of the pictures and ships that I was taking the

437
00:30:18,560 --> 00:30:21,160
Speaker 1: ship out in the Bandanna rap to the back of

438
00:30:21,200 --> 00:30:23,920
Speaker 1: my little afro growing out and ship. I was on

439
00:30:24,120 --> 00:30:26,239
Speaker 1: some other ship. I was on some I'm if these

440
00:30:26,280 --> 00:30:28,160
Speaker 1: things just doing this. I'm gonna be a rock star.

441
00:30:28,400 --> 00:30:31,760
Speaker 1: I'm gonna go laughs. Is going into the second album.

442
00:30:33,800 --> 00:30:39,760
Speaker 1: Let's do this, let's give let's okay, let me give

443
00:30:39,840 --> 00:30:45,080
Speaker 1: y'all one ship. So X is going crazy. I hate it.

444
00:30:46,520 --> 00:30:50,640
Speaker 1: Got my motherfucker, says some driving roll fucking think says

445
00:30:50,680 --> 00:30:54,160
Speaker 1: Holle Hollo reck in his mind. I'm gonna buy them.

446
00:30:57,200 --> 00:31:02,960
Speaker 1: I don't know this is the Scotty. I know, I

447
00:31:03,040 --> 00:31:06,800
Speaker 1: know you love Rule, I know you love me. You

448
00:31:06,920 --> 00:31:09,440
Speaker 1: staying out of it, I said X. I'm never staying

449
00:31:09,480 --> 00:31:14,320
Speaker 1: out of it. Right, Flesh of my flesh, Blood of

450
00:31:14,360 --> 00:31:19,360
Speaker 1: my blood. I produced two songs. This is a left

451
00:31:19,400 --> 00:31:24,000
Speaker 1: Teddy song. Used to be my dog. You was in

452
00:31:24,160 --> 00:31:28,560
Speaker 1: my left Teddy? What kind of hold on? Hold on?

453
00:31:35,600 --> 00:31:39,520
Speaker 1: Hold on, This is sorry, this is sorry, Let's keep

454
00:31:39,560 --> 00:31:46,080
Speaker 1: it real. Let's just snot Rule. You won't remember now.

455
00:31:46,160 --> 00:31:49,320
Speaker 1: I'm I'm gonna gonna fresh. You'll be playing rude once

456
00:31:49,360 --> 00:31:51,440
Speaker 1: that thing because I knew who X was talking about,

457
00:31:52,400 --> 00:32:02,480
Speaker 1: m M definitely Heroin. So I played a record for

458
00:32:02,760 --> 00:32:08,320
Speaker 1: Rule in my truck. Rule. Do you remember your reaction?

459
00:32:08,720 --> 00:32:13,800
Speaker 1: I don't. Okay, he was insens I'll never forget the reaction.

460
00:32:14,760 --> 00:32:18,760
Speaker 1: He was like, and I asked him, Yo, I'm I'm

461
00:32:18,800 --> 00:32:23,000
Speaker 1: pulling the record in my man screen. No leave it

462
00:32:24,760 --> 00:32:29,440
Speaker 1: and then true Rule fashion if he wants it. Heck,

463
00:32:31,680 --> 00:32:38,320
Speaker 1: and I'm telling you that record hindsight, I think it

464
00:32:38,440 --> 00:32:43,240
Speaker 1: pushed Rules create creativity and everything. I'm gonna beat these nigs.

465
00:32:44,320 --> 00:32:47,000
Speaker 1: Beat these niggers got to leave it. So I was

466
00:32:47,080 --> 00:32:49,720
Speaker 1: gonna pull the record. I was like, Yo, I'm just

467
00:32:49,760 --> 00:32:55,080
Speaker 1: gonna pull the record. He said no, he said leave it.

468
00:32:57,120 --> 00:33:00,440
Speaker 1: And if y'all know when rules and senses, it scary

469
00:33:01,920 --> 00:33:05,280
Speaker 1: when he's a sense. Holy, do you think I'm lying?

470
00:33:06,720 --> 00:33:09,760
Speaker 1: I'm not. I played him the record as soon as

471
00:33:09,760 --> 00:33:11,560
Speaker 1: the thing and he was in sense because he could

472
00:33:11,600 --> 00:33:13,640
Speaker 1: see it and I could just I'm just watching him,

473
00:33:14,120 --> 00:33:17,080
Speaker 1: like and I could see the angle building up, and

474
00:33:17,160 --> 00:33:21,280
Speaker 1: he's like they wanted they could get it like he was.

475
00:33:22,640 --> 00:33:26,640
Speaker 1: He was different. I used to say, like rule, but

476
00:33:26,800 --> 00:33:29,520
Speaker 1: that or what I'm saying. I give you that story

477
00:33:29,600 --> 00:33:34,240
Speaker 1: because it explains the makeup of Jah Rule, especially during

478
00:33:34,360 --> 00:33:39,680
Speaker 1: that time. And it was so crazy for me because

479
00:33:40,120 --> 00:33:45,160
Speaker 1: him Jay. I've known Jay first. I met j'all last

480
00:33:45,240 --> 00:33:48,680
Speaker 1: of the three, but but he I met y'all last

481
00:33:48,720 --> 00:33:52,520
Speaker 1: of the three ja since eight seven. Listen, Jody Matt

482
00:33:52,640 --> 00:33:58,560
Speaker 1: who is Joe responsible? So Jody mac cash money click,

483
00:33:59,480 --> 00:34:02,840
Speaker 1: this is before OK. He's on two five hustling with

484
00:34:02,920 --> 00:34:10,719
Speaker 1: a pack of cracks and the gun. Continue this nigg

485
00:34:10,800 --> 00:34:13,640
Speaker 1: is telling me, so I knew I had no faith

486
00:34:13,719 --> 00:34:17,799
Speaker 1: in my drama. Who's who's gonna save that for later?

487
00:34:18,640 --> 00:34:22,840
Speaker 1: I mean we had listen to listen hand the facts

488
00:34:22,880 --> 00:34:25,320
Speaker 1: of the matter. You called me one of the greatest

489
00:34:25,400 --> 00:34:28,840
Speaker 1: hip hop produces, the nigga who I made ships Real for.

490
00:34:29,120 --> 00:34:33,000
Speaker 1: Look at his album, his first album, two songs, Ship's

491
00:34:33,040 --> 00:34:36,120
Speaker 1: Real and It's Time to Build with Jackson John. I

492
00:34:36,280 --> 00:34:40,800
Speaker 1: produced no other buyer. I produced no other records. That

493
00:34:41,040 --> 00:34:43,840
Speaker 1: guy didn't want to funk with me for whatever reason.

494
00:34:45,520 --> 00:34:49,200
Speaker 1: For whatever reason, he didn't believe in me. He did

495
00:34:49,280 --> 00:34:53,319
Speaker 1: not believe in me. Yes, So I'm scrambling. I got

496
00:34:53,440 --> 00:34:55,040
Speaker 1: a deal with t v T. I need some of

497
00:34:55,080 --> 00:34:57,640
Speaker 1: another act. I can't put no trust and faith in

498
00:34:57,680 --> 00:35:03,359
Speaker 1: this bitchass nigga. So now I go to Jody. I'm

499
00:35:03,400 --> 00:35:08,839
Speaker 1: going too fair. He's hustling broad daylight. I'm staring at

500
00:35:08,840 --> 00:35:14,000
Speaker 1: that brow up right. So I'm telling you my fucking struggles.

501
00:35:15,320 --> 00:35:18,920
Speaker 1: Jody says, Yo, I could wrap. I immediately said, get

502
00:35:18,960 --> 00:35:25,160
Speaker 1: the funk out of him. What ain't here? You spent

503
00:35:25,239 --> 00:35:27,080
Speaker 1: a verse? Since I know this, ain't got to know

504
00:35:27,160 --> 00:35:30,520
Speaker 1: him in four minutes. Now, you're a rapper, nigga, You're

505
00:35:30,560 --> 00:35:35,680
Speaker 1: a hustler, you're a drunk. So then he has a hustler. Dude,

506
00:35:35,920 --> 00:35:42,439
Speaker 1: Now I'm in the group. Means the group, I said,

507
00:35:42,640 --> 00:35:47,040
Speaker 1: I with the with's the group? He says, Yoe, oh

508
00:35:47,160 --> 00:35:50,280
Speaker 1: one of job. I don't know these niggas. He brings

509
00:35:50,360 --> 00:35:53,959
Speaker 1: me to him and truth be told. The minute Rule spit,

510
00:35:55,239 --> 00:35:58,719
Speaker 1: I was in both feet. I think shortly after that,

511
00:35:59,239 --> 00:36:03,920
Speaker 1: Jody goes in jail. He just locked and I just

512
00:36:04,040 --> 00:36:12,080
Speaker 1: move on with go. Had a deal with Steve. Gotta leave.

513
00:36:14,160 --> 00:36:15,880
Speaker 1: And what people don't know is how I got to

514
00:36:16,000 --> 00:36:20,280
Speaker 1: Leo was because of Rule. I got to Leo because

515
00:36:20,480 --> 00:36:24,640
Speaker 1: she was jacking. We was jacking the box. Every time

516
00:36:24,719 --> 00:36:29,560
Speaker 1: we've seen Matthew Mary, I would order seven to eight,

517
00:36:29,680 --> 00:36:32,879
Speaker 1: which was get the fortune. So Leo seen the ship

518
00:36:33,320 --> 00:36:39,000
Speaker 1: and wanted to sign Rule. Wow. We on the box box.

519
00:36:41,680 --> 00:36:43,000
Speaker 1: You knew they were going to see it, and they

520
00:36:43,040 --> 00:36:50,440
Speaker 1: got my savage. Let me tell you how I did that.

521
00:36:51,400 --> 00:36:57,279
Speaker 1: Savage attained the one nine? How you numbers? Because how

522
00:36:57,320 --> 00:36:59,440
Speaker 1: the box made money? This was a great guy. This

523
00:36:59,600 --> 00:37:04,520
Speaker 1: was money. Is the videos only playing like a twenty

524
00:37:04,560 --> 00:37:06,680
Speaker 1: block radius and then there was a different one night

525
00:37:06,760 --> 00:37:11,960
Speaker 1: on your number. This was I literally had in the

526
00:37:12,080 --> 00:37:18,640
Speaker 1: whole country all of one nine hundred numbers. Don't ask

527
00:37:18,680 --> 00:37:21,600
Speaker 1: me how I got it, nigga. But and we go

528
00:37:21,719 --> 00:37:24,560
Speaker 1: to the studio, so listen. At first we was giving

529
00:37:24,560 --> 00:37:27,400
Speaker 1: out the numbers to our family members, friends. Every time

530
00:37:27,440 --> 00:37:31,239
Speaker 1: you see that fromership just usual because it cost so

531
00:37:31,719 --> 00:37:33,440
Speaker 1: so I'm telling you so it got expensive. So it

532
00:37:33,560 --> 00:37:35,000
Speaker 1: was like, we can't keep asking me to do this.

533
00:37:36,400 --> 00:37:38,320
Speaker 1: Go to the studio and things said. We go to

534
00:37:38,400 --> 00:37:46,359
Speaker 1: the studio, to the studio, you know, you know I killed,

535
00:37:46,800 --> 00:37:49,280
Speaker 1: I know I killed. I stayed in that bitch dolo

536
00:37:49,400 --> 00:38:00,080
Speaker 1: for three days right track Tony Dorsey Studios. Masterdisk is

537
00:38:00,120 --> 00:38:04,600
Speaker 1: the facility that used to be for mastering records. And

538
00:38:04,680 --> 00:38:07,279
Speaker 1: if you've ever been to a mastering facility, they treat

539
00:38:07,320 --> 00:38:11,759
Speaker 1: you great. What do you want to go in there?

540
00:38:13,400 --> 00:38:18,440
Speaker 1: One number work seven to eight? I'm lit. I stayed

541
00:38:18,480 --> 00:38:20,560
Speaker 1: in there for three days. We broke the top ten

542
00:38:21,200 --> 00:38:24,160
Speaker 1: and that was the TV or t V t ain't

543
00:38:24,160 --> 00:38:29,400
Speaker 1: got no wow. I shot two videos for twenty grand.

544
00:38:29,640 --> 00:38:36,920
Speaker 1: Here's another fun fact. Brother was bringing us still for

545
00:38:37,120 --> 00:38:40,719
Speaker 1: this film stock from the case seven cold Maybe come baby.

546
00:38:40,800 --> 00:38:50,280
Speaker 1: Then it comes to he started from man. He literally

547
00:38:50,480 --> 00:38:54,120
Speaker 1: in his grand Cherokee. Oh, pop the trump the hatch

548
00:38:54,400 --> 00:38:57,759
Speaker 1: and be giving us films to shoot our shore. I

549
00:38:57,840 --> 00:39:01,840
Speaker 1: shot two videos from kids at Grandpas. You know, the

550
00:39:02,000 --> 00:39:04,600
Speaker 1: bags were paying that money to shoot the So what

551
00:39:04,760 --> 00:39:11,319
Speaker 1: he did thought five millimeter footage, man, so we can

552
00:39:11,360 --> 00:39:16,520
Speaker 1: shoot our ship. Didn't put it on the box. Leoll

553
00:39:16,680 --> 00:39:20,160
Speaker 1: story and they want a job. Le was like, who's

554
00:39:20,200 --> 00:39:29,320
Speaker 1: the little guy? It was a huge voice Master Jason.

555
00:39:29,800 --> 00:39:34,000
Speaker 1: They was having a meeting. No, the whole staff, this

556
00:39:34,160 --> 00:39:38,359
Speaker 1: is this is urban fucking you know, urban tales and ship.

557
00:39:38,440 --> 00:39:40,719
Speaker 1: I don't know how true this is, but they said

558
00:39:40,719 --> 00:39:41,960
Speaker 1: it was having to me, you know, all of them

559
00:39:41,960 --> 00:39:45,120
Speaker 1: in the in the room and they were fun. And

560
00:39:49,239 --> 00:39:52,560
Speaker 1: then the video came on and j Master j stood

561
00:39:52,600 --> 00:39:54,120
Speaker 1: up and said that little nigga right there, I know

562
00:39:54,239 --> 00:39:58,080
Speaker 1: he's going to be a star. And then that Lee, Yeah,

563
00:39:58,360 --> 00:40:00,560
Speaker 1: we're gonna get to the know. The first time I

564
00:40:00,640 --> 00:40:04,240
Speaker 1: met you was with Leo. That's that's that's crazy. Leo loveson.

565
00:40:04,600 --> 00:40:07,720
Speaker 1: Yes he got you that, he got you that watch

566
00:40:07,800 --> 00:40:14,840
Speaker 1: when Dimes was sucking dances right now, rapper get started

567
00:40:14,840 --> 00:40:26,360
Speaker 1: and started started, Yeah, Leo really love yeah the artists.

568
00:40:26,760 --> 00:40:28,080
Speaker 1: You know how he got X he got him a

569
00:40:28,120 --> 00:40:30,680
Speaker 1: dog chain It was like he won him a dog

570
00:40:30,800 --> 00:40:34,520
Speaker 1: chain and X was like the happiest to get in

571
00:40:34,680 --> 00:40:37,080
Speaker 1: the world. I started hearing a little bit. But how

572
00:40:37,120 --> 00:40:39,440
Speaker 1: come out of most of us, right, all of us

573
00:40:39,520 --> 00:40:41,080
Speaker 1: made money with the all, but out of most of us,

574
00:40:41,120 --> 00:40:44,239
Speaker 1: it's only one person who actually has a real discrepancy

575
00:40:44,640 --> 00:40:48,040
Speaker 1: with Leon. Damn Yeah, why why why do you think that?

576
00:40:48,280 --> 00:40:54,760
Speaker 1: And I'm Leo probably stone or help forge the bullshit

577
00:40:55,760 --> 00:40:59,160
Speaker 1: between Damon Jake. But I suppose I was Leo. I

578
00:40:59,200 --> 00:41:01,839
Speaker 1: can't do that with you, and yeah, no, he Leo

579
00:41:01,960 --> 00:41:06,480
Speaker 1: is a wizard. He's all he had to do was go, Jay,

580
00:41:06,800 --> 00:41:10,000
Speaker 1: you're cool with splitting this three ways? That it was

581
00:41:10,040 --> 00:41:15,799
Speaker 1: over from that day because James Jake right, and he's

582
00:41:15,800 --> 00:41:19,000
Speaker 1: sitting there looking and he's like, I don't really need

583
00:41:19,280 --> 00:41:21,759
Speaker 1: I just need me. So all Leo had to do

584
00:41:22,200 --> 00:41:25,680
Speaker 1: with drinking Jake. He pulled him glad, you're cool with

585
00:41:25,880 --> 00:41:29,719
Speaker 1: this three ways split Baly and that's all he had

586
00:41:29,719 --> 00:41:32,759
Speaker 1: to do. I'm not saying that that happened. I'm exaggerating that,

587
00:41:33,160 --> 00:41:35,719
Speaker 1: but I think that's what happened, and that's why Dame

588
00:41:35,800 --> 00:41:41,160
Speaker 1: will forever hate Leo enough. I was gonna go to

589
00:41:43,280 --> 00:41:46,520
Speaker 1: deeper than that I was gonna don't want to think

590
00:41:46,560 --> 00:41:51,919
Speaker 1: that's that's the if you're talking Leo, because his truth

591
00:41:52,040 --> 00:41:54,680
Speaker 1: be told. When when we first got to def Jam,

592
00:41:55,640 --> 00:42:01,120
Speaker 1: everyone loved Leo, Dame two, Dame two, Biggs, Biggs. It

593
00:42:01,200 --> 00:42:04,400
Speaker 1: always was the cool nigga Jay. But we all you know,

594
00:42:04,480 --> 00:42:06,600
Speaker 1: we'd be on the private jet going to Green Bay

595
00:42:06,680 --> 00:42:12,920
Speaker 1: pack of games together. You know. No, and I might

596
00:42:13,000 --> 00:42:17,400
Speaker 1: say that lambeau Field is absolutely the frozen tundra that

597
00:42:17,520 --> 00:42:21,719
Speaker 1: they say. We left by halftime. There's two calls. I

598
00:42:21,760 --> 00:42:24,400
Speaker 1: didn't get a cheesehead. We're trying to get blankets. Nigger,

599
00:42:24,760 --> 00:42:31,920
Speaker 1: don't understand. I don't understand. Let me hold one. This

600
00:42:32,280 --> 00:42:34,359
Speaker 1: is like a high school stadium. Know what the see

601
00:42:34,400 --> 00:42:38,759
Speaker 1: saw a metal bench, no, no back. It's like a

602
00:42:38,880 --> 00:42:42,839
Speaker 1: high school stagient. This frozen. It was good, but we left.

603
00:42:43,920 --> 00:42:46,839
Speaker 1: We got the funk out of the frozen tundra. Leo

604
00:42:47,000 --> 00:42:52,600
Speaker 1: is a huge Green Bay pack of pack. But that's

605
00:42:52,600 --> 00:42:55,960
Speaker 1: what it is. It was all based on They started

606
00:42:56,040 --> 00:43:01,200
Speaker 1: separating JA and talking to j and drove Dame insane.

607
00:43:02,840 --> 00:43:04,640
Speaker 1: I mean, that's fair enough. I went to Dame say

608
00:43:04,680 --> 00:43:06,840
Speaker 1: that because Dame always he doesn't act like that's that

609
00:43:07,280 --> 00:43:09,319
Speaker 1: he acts like it's like coach of Volte. I believe

610
00:43:09,320 --> 00:43:13,439
Speaker 1: he uses the word yeah because he's gonna he's gonna

611
00:43:13,520 --> 00:43:18,160
Speaker 1: throw a different scenario in it. But Leo, I don't.

612
00:43:18,160 --> 00:43:20,920
Speaker 1: I don't feel Leo as a culture volta. Leo is

613
00:43:21,000 --> 00:43:24,759
Speaker 1: just a tough fucking businessman, and if you let him

614
00:43:24,840 --> 00:43:27,239
Speaker 1: jerk you, he's gonna jerk you. Like he used to say,

615
00:43:28,080 --> 00:43:31,080
Speaker 1: I wouldn't. I would have kept cutting his day making

616
00:43:31,239 --> 00:43:37,040
Speaker 1: sixty thousand a yearn give me a bonus. I helped

617
00:43:37,120 --> 00:43:43,880
Speaker 1: generate listen DMX May twelve. I believe Rush Hour soundtrack

618
00:43:44,320 --> 00:43:48,000
Speaker 1: came out in August. Jay came out in September, and

619
00:43:48,080 --> 00:43:50,800
Speaker 1: then the nigga was so greedy we needed another next album?

620
00:43:51,120 --> 00:43:53,040
Speaker 1: Did you do it? And we throw it together in

621
00:43:53,160 --> 00:43:58,080
Speaker 1: like two weeks. But in that year he probably just

622
00:43:58,320 --> 00:44:04,080
Speaker 1: with those albums four on a MILLIONI grows. I think

623
00:44:04,120 --> 00:44:08,279
Speaker 1: it makes a noise to that. Goddamn it. As you're

624
00:44:08,320 --> 00:44:13,560
Speaker 1: making noise I was making sixty thousand. Didn't give me

625
00:44:13,600 --> 00:44:18,560
Speaker 1: a bonus nothing, so didn't John really, And then what

626
00:44:18,680 --> 00:44:22,440
Speaker 1: happens is Dave McPherson and Sony he offers me a label.

627
00:44:22,520 --> 00:44:27,480
Speaker 1: D he said, He said let's go to dinner. He

628
00:44:27,560 --> 00:44:35,400
Speaker 1: went to the shop bar, into the shop bar, and

629
00:44:35,480 --> 00:44:37,320
Speaker 1: he says, I don't want you to produce no records.

630
00:44:37,440 --> 00:44:40,040
Speaker 1: I wouldn't give you a label. And I was like,

631
00:44:40,200 --> 00:44:44,920
Speaker 1: but you know, every EXTRAJ and John they all signed that.

632
00:44:45,080 --> 00:44:47,640
Speaker 1: He said, I don't care. We'll start something new and

633
00:44:47,760 --> 00:44:51,200
Speaker 1: something fresh, and they offered me to label Dell. Then

634
00:44:51,239 --> 00:44:54,120
Speaker 1: I met with Tommy and Tommy was ill, you need

635
00:44:54,200 --> 00:45:00,600
Speaker 1: to be with me, Leo, he said, and then this

636
00:45:00,800 --> 00:45:03,359
Speaker 1: nigga Leo was trying to do the deal and give

637
00:45:03,400 --> 00:45:06,480
Speaker 1: me half. Because was it you who said that time

638
00:45:06,520 --> 00:45:10,040
Speaker 1: with Toldo called um called Corey Runey, And that's the

639
00:45:10,120 --> 00:45:13,839
Speaker 1: j Lo fiasco that I fucked him relationships seeing Corey

640
00:45:13,920 --> 00:45:16,440
Speaker 1: Rooney at Solo House and he wanted to address it.

641
00:45:16,560 --> 00:45:18,239
Speaker 1: But we've never got a chance to address. What's he

642
00:45:18,239 --> 00:45:21,279
Speaker 1: gonna say that? He didn't say it. He didn't say

643
00:45:21,280 --> 00:45:24,160
Speaker 1: it to him. He said it to me, right should

644
00:45:24,200 --> 00:45:30,839
Speaker 1: I told said, I told that fat nigger. I said, nigga,

645
00:45:30,840 --> 00:45:32,560
Speaker 1: I'm gonna suck you up when I see you, This

646
00:45:32,719 --> 00:45:45,800
Speaker 1: Nigga's gonna suck you up. And you ended that. Listen, listen, listen.

647
00:45:47,719 --> 00:45:51,960
Speaker 1: That's why the whole j Lo interview happened. He did that,

648
00:45:52,360 --> 00:45:55,680
Speaker 1: I hanged the phone up. ELM magazine calls me. I'm

649
00:45:55,760 --> 00:45:59,640
Speaker 1: on ten, I'm on three, and didn't. I'm a fuck

650
00:45:59,719 --> 00:46:07,279
Speaker 1: up with the story to We don't want to see

651
00:46:07,320 --> 00:46:12,920
Speaker 1: you around you. But you know what, with j Lo,

652
00:46:13,560 --> 00:46:17,200
Speaker 1: it's all my fault. I like that j Lo. It

653
00:46:17,320 --> 00:46:21,759
Speaker 1: was nothing but a great friend, a great thing. She

654
00:46:21,960 --> 00:46:25,360
Speaker 1: calls a magazine to get close from me. Bennie Medina

655
00:46:25,480 --> 00:46:27,160
Speaker 1: was like, you're gonna be like the Quincy Jones of

656
00:46:27,200 --> 00:46:31,200
Speaker 1: Michael Jackson. Understand the two records I did for j

657
00:46:31,400 --> 00:46:37,160
Speaker 1: Lo was monster number one all over the world. Yeah,

658
00:46:37,200 --> 00:46:39,919
Speaker 1: y'all change your numbers immediately. I only did. I only

659
00:46:39,960 --> 00:46:45,640
Speaker 1: did you. I sucked it up, though, but I'm just

660
00:46:45,760 --> 00:46:49,920
Speaker 1: giving it. Ain't it ain't Uh, I'm just an idiot.

661
00:46:49,960 --> 00:46:52,759
Speaker 1: I was on I was mad high and he just

662
00:46:53,160 --> 00:46:56,040
Speaker 1: said I told that fat nig. I said, what are

663
00:46:56,040 --> 00:46:58,040
Speaker 1: you talking? I'm gonna fuck you up. I'm on ten

664
00:46:58,680 --> 00:47:02,960
Speaker 1: and it's I'm talking as I humped the phone, like

665
00:47:03,080 --> 00:47:06,120
Speaker 1: a minute, this is such a such from EL magazine.

666
00:47:06,280 --> 00:47:08,520
Speaker 1: I said, what the funk you want? Straight like that?

667
00:47:09,200 --> 00:47:11,960
Speaker 1: He said, oh, I'll just I'll just get right to it.

668
00:47:12,080 --> 00:47:15,239
Speaker 1: Then he said, I'm just kidding. I'll just get right

669
00:47:15,280 --> 00:47:23,080
Speaker 1: to its journalist. Yes, sir, and he said he said,

670
00:47:23,160 --> 00:47:27,399
Speaker 1: Jo said the records. I'm really ain't funny. It isn't

671
00:47:27,800 --> 00:47:32,600
Speaker 1: about about puppy. I said. Worse, I said, the bitch

672
00:47:32,760 --> 00:47:36,800
Speaker 1: is lying. Why would you repaint it on James Champs

673
00:47:36,840 --> 00:47:38,759
Speaker 1: because because this is that's who he is at the

674
00:47:38,800 --> 00:47:45,120
Speaker 1: same time you get dressed it on drink tamp Mario.

675
00:47:51,680 --> 00:47:54,239
Speaker 1: Let's just say this. I'll say this. I was a

676
00:47:54,320 --> 00:48:00,200
Speaker 1: fucking moron and the idiot and it's it's easily the

677
00:48:00,320 --> 00:48:03,080
Speaker 1: top two regrets of my life. Listen, we gotta get

678
00:48:03,160 --> 00:48:11,399
Speaker 1: up this. When when places did she say just don't

679
00:48:11,400 --> 00:48:18,960
Speaker 1: bring it's amazing man? And I'm saying I was. I

680
00:48:19,160 --> 00:48:23,600
Speaker 1: was sucking, which I was mad about it. You know

681
00:48:23,640 --> 00:48:26,360
Speaker 1: what I'm saying. Because it's like because one thing you

682
00:48:26,360 --> 00:48:28,279
Speaker 1: don't got nothing, one thing don't got to do with

683
00:48:28,400 --> 00:48:31,040
Speaker 1: you other you gotta do. It's like it's like you

684
00:48:31,160 --> 00:48:33,719
Speaker 1: want to drive bout nigga, you got to do woke

685
00:48:33,840 --> 00:48:36,200
Speaker 1: up on the nigger. You want to hit man. You

686
00:48:36,480 --> 00:48:39,200
Speaker 1: can't hit everybody on the block. Let me do get

687
00:48:39,280 --> 00:48:45,000
Speaker 1: who I'm after. He didn't drive block drop block. Yeah

688
00:48:48,640 --> 00:48:50,840
Speaker 1: you want to blasting him, go get him. You're mad

689
00:48:50,880 --> 00:48:52,920
Speaker 1: at him, go get him. But all right, so we

690
00:48:53,000 --> 00:48:55,120
Speaker 1: live and we learned. We gotta get past that ship.

691
00:48:55,520 --> 00:48:57,320
Speaker 1: You know what I'm saying. I'm glad he's owning it.

692
00:48:57,560 --> 00:49:00,560
Speaker 1: He says sorry about it a bunch of times. I

693
00:49:00,600 --> 00:49:03,560
Speaker 1: don't even had conversations with Jennifer about it and what

694
00:49:03,680 --> 00:49:06,600
Speaker 1: she has said. You know, of course she's not happy

695
00:49:06,600 --> 00:49:08,480
Speaker 1: about it. She hates that ship, you know what I'm saying.

696
00:49:08,680 --> 00:49:10,320
Speaker 1: She hates a lot of things that went on and

697
00:49:10,440 --> 00:49:13,600
Speaker 1: things that transpired. But again, I can't always play the

698
00:49:13,680 --> 00:49:16,719
Speaker 1: fucking middleman and this ship. I'm you know, listen, man,

699
00:49:18,239 --> 00:49:24,960
Speaker 1: you know I need a new jet. I'm not advancedment

700
00:49:25,040 --> 00:49:29,320
Speaker 1: to Jeff. Once he gets here, the starts burning. I

701
00:49:29,360 --> 00:49:34,719
Speaker 1: don't want said. Yeah, you know, like I get in

702
00:49:34,760 --> 00:49:37,200
Speaker 1: the middle of these situations where it's like I don't

703
00:49:37,239 --> 00:49:43,359
Speaker 1: want to r t the situation. It's like, I'm I'm

704
00:49:43,400 --> 00:49:47,000
Speaker 1: just saying right here, I'm only in the middle because

705
00:49:47,440 --> 00:49:51,600
Speaker 1: of the relationships I share with both parties, you know

706
00:49:51,640 --> 00:49:53,360
Speaker 1: what I'm saying. But I'm not actually in the middle

707
00:49:53,520 --> 00:49:56,920
Speaker 1: because they have their leg they know, because they have

708
00:49:57,040 --> 00:50:02,320
Speaker 1: their own relationship, and so I somehow try to mediate

709
00:50:02,400 --> 00:50:06,080
Speaker 1: ship and make everything peaceful. That it doesn't always work

710
00:50:06,120 --> 00:50:08,600
Speaker 1: out that way. But what you gotta understand sometimes you

711
00:50:08,800 --> 00:50:13,080
Speaker 1: gotta separate church and state. It's fine, It's fine. You're

712
00:50:13,080 --> 00:50:27,680
Speaker 1: saying Russian and fucking I'm not you say, but I'm

713
00:50:27,719 --> 00:50:32,920
Speaker 1: just saying, you know, two things can exist and be

714
00:50:33,000 --> 00:50:38,000
Speaker 1: cordial and be respectful to each other's space and and

715
00:50:38,239 --> 00:50:42,120
Speaker 1: and and and and and interviews and things we say

716
00:50:42,800 --> 00:50:46,440
Speaker 1: you know about each other without it being uh think

717
00:50:47,280 --> 00:50:50,040
Speaker 1: you know what. That's that's all my thing. That's all

718
00:50:50,040 --> 00:50:53,840
Speaker 1: I'm saying. I ain't a little bit. No she fucked

719
00:50:53,920 --> 00:50:57,480
Speaker 1: up because it's old and you both got over this,

720
00:50:57,680 --> 00:51:00,960
Speaker 1: and I want to say, did you do said? I'm over?

721
00:51:01,000 --> 00:51:02,560
Speaker 1: And I want what I'm saying. I want to say

722
00:51:02,600 --> 00:51:05,440
Speaker 1: everything that you're hearing now it will be on the

723
00:51:05,520 --> 00:51:16,760
Speaker 1: murder room. Motherfucker's I'll this is it gets expanded. Okay,

724
00:51:18,000 --> 00:51:19,560
Speaker 1: let me ask why you lose right and you want

725
00:51:19,600 --> 00:51:27,080
Speaker 1: to beat you? Remember why? Why? So let me ask

726
00:51:27,160 --> 00:51:32,000
Speaker 1: what high off heroin? Um? Because there's been rumors. It's

727
00:51:32,040 --> 00:51:33,960
Speaker 1: not only a shanty, but it has been rumors for

728
00:51:34,040 --> 00:51:38,160
Speaker 1: you with Charlie bolld tomorrow, Like, is that sexually Yes,

729
00:51:38,320 --> 00:51:43,160
Speaker 1: there's been rumors. No, never, okay, so never heard. I'm

730
00:51:47,239 --> 00:51:50,640
Speaker 1: the when when you just said you didn't mess up

731
00:51:50,640 --> 00:51:55,239
Speaker 1: with But was that kind of like did that ever

732
00:51:55,360 --> 00:51:58,000
Speaker 1: get involved with the business part of it? Like you

733
00:51:58,080 --> 00:52:01,440
Speaker 1: know that that you guys were most mantically involved. Did

734
00:52:01,480 --> 00:52:03,560
Speaker 1: that ever, like you know, trickle down to the business

735
00:52:03,640 --> 00:52:08,480
Speaker 1: like it helped her? Okay, I'm not trying. I'm not following.

736
00:52:08,520 --> 00:52:14,520
Speaker 1: It helped he that y'all was together that I mean happy,

737
00:52:14,800 --> 00:52:18,040
Speaker 1: big record, right, I'm so happy. Let me tell you

738
00:52:18,120 --> 00:52:29,840
Speaker 1: how happy from me? Yea, hey, yeah, yeah, so happy.

739
00:52:30,000 --> 00:52:32,560
Speaker 1: Let me let me explain how the relationship and how

740
00:52:32,560 --> 00:52:35,480
Speaker 1: it worked and how it worked dating at this point. Yes, okay,

741
00:52:35,560 --> 00:52:38,279
Speaker 1: so we're together back and watches. I imagine you both.

742
00:52:38,360 --> 00:52:41,359
Speaker 1: I watched two. I bought a mad ship Okay, Okay, Birke,

743
00:52:41,400 --> 00:52:47,360
Speaker 1: it's all that she she she gained, Okay, I don't know. Okay,

744
00:52:47,880 --> 00:52:52,520
Speaker 1: so you Switzer stay out of it. Just finished sleeping

745
00:52:52,560 --> 00:52:58,880
Speaker 1: together or whatever. Okay, I'm taking the shower. I'm in

746
00:52:58,920 --> 00:53:06,560
Speaker 1: the shower. You know, nigga be creative after right, because

747
00:53:06,600 --> 00:53:19,840
Speaker 1: it's story. I'll give you I'll give you the quick story.

748
00:53:20,440 --> 00:53:28,960
Speaker 1: You can see the full story. I think it a

749
00:53:29,000 --> 00:53:32,239
Speaker 1: whole track. In the shower, I'm do do do do

750
00:53:32,480 --> 00:53:37,000
Speaker 1: do do do do do do do do? I get

751
00:53:37,040 --> 00:53:39,880
Speaker 1: out the shower. I called my nigga Chink. I'm on

752
00:53:39,960 --> 00:53:44,400
Speaker 1: the phone. Check y'all. Do dude, dude, we get to

753
00:53:44,480 --> 00:53:49,680
Speaker 1: the studio. Chang, dude, cheft it up to beat everything. Okay,

754
00:53:50,880 --> 00:53:55,480
Speaker 1: now it's time for you to write. Yo. I want

755
00:53:55,600 --> 00:53:58,879
Speaker 1: this ship to be a feel good joint like summertime things.

756
00:54:00,760 --> 00:54:07,919
Speaker 1: I'm so happy, baby, I mean with that dutiful record.

757
00:54:07,960 --> 00:54:12,439
Speaker 1: That record came about because of our energy. You missed

758
00:54:12,480 --> 00:54:15,680
Speaker 1: that energy a little bit. Not anymore when when like

759
00:54:16,239 --> 00:54:19,120
Speaker 1: twenty years ago, when we stopped to take fresh out

760
00:54:19,120 --> 00:54:22,640
Speaker 1: of it. I actually again, yeah, yeah, you don't go

761
00:54:22,760 --> 00:54:25,279
Speaker 1: on her Graham sometime if you absolutely not, come on.

762
00:54:27,640 --> 00:54:31,840
Speaker 1: I'm being I'm I'm being listen. I'm being that serious.

763
00:54:32,080 --> 00:54:35,120
Speaker 1: And if I'm being that serious, if you take a

764
00:54:35,160 --> 00:54:39,760
Speaker 1: look at some of my girlfriends or whatever, Yo, they're banging.

765
00:54:39,840 --> 00:54:43,239
Speaker 1: They get they all banging, they banging. But you see

766
00:54:43,320 --> 00:54:51,200
Speaker 1: you see Nellie flew out for verses again. And that's

767
00:54:51,520 --> 00:54:55,680
Speaker 1: my good friend. I'm good friends with Nellie and all good.

768
00:54:55,800 --> 00:55:00,480
Speaker 1: That ain't men because that old back nigger I got stupid.

769
00:55:00,880 --> 00:55:02,960
Speaker 1: I'm just keeping it on it. I got I got

770
00:55:03,120 --> 00:55:08,360
Speaker 1: some serious stage. You ain't never seen her thirst track. No, no,

771
00:55:08,560 --> 00:55:11,120
Speaker 1: I'll see it when like shade room mobile at so

772
00:55:11,239 --> 00:55:14,640
Speaker 1: you'll be seeing it, right. And I honestly don't give

773
00:55:14,760 --> 00:55:18,640
Speaker 1: one single fuck yo, And I'm telling you the truth.

774
00:55:19,719 --> 00:55:23,239
Speaker 1: I'm not like, oh my god, fucking jund look out

775
00:55:23,280 --> 00:55:37,759
Speaker 1: good years dr n that been, They're done that And

776
00:55:37,920 --> 00:55:42,600
Speaker 1: the chicken sitting next to me, it's I don't want

777
00:55:42,640 --> 00:55:47,240
Speaker 1: to say crushing her, but nigger, she's in the twenties

778
00:55:47,360 --> 00:55:51,560
Speaker 1: and ridiculously hot, disgusting. I think if I bring any

779
00:55:51,600 --> 00:55:59,640
Speaker 1: of my girls through this motherfucker sunny you, like everyone

780
00:55:59,760 --> 00:56:05,960
Speaker 1: in the would be like un so not to say,

781
00:56:05,960 --> 00:56:10,040
Speaker 1: it's just said, I'm I'm way past that. And it's

782
00:56:10,120 --> 00:56:14,600
Speaker 1: like you have a I think, like I know that person.

783
00:56:15,280 --> 00:56:17,200
Speaker 1: So the rest of the world doesn't know that person,

784
00:56:17,440 --> 00:56:21,480
Speaker 1: but you know, people change, give a fun. I know

785
00:56:21,680 --> 00:56:24,680
Speaker 1: that person, and I am cool with where we are

786
00:56:25,080 --> 00:56:27,840
Speaker 1: with not speaking, not anything we tried to do. The

787
00:56:27,920 --> 00:56:30,839
Speaker 1: murdering ship that was like an olive branch. I ain't

788
00:56:30,840 --> 00:56:33,839
Speaker 1: never fucking with that. I ain't doing no murdering ship.

789
00:56:35,040 --> 00:56:39,680
Speaker 1: They wanted to shan TBT fucking the producers. They wanted

790
00:56:39,719 --> 00:56:43,279
Speaker 1: the Shanti to tell her side of the story. They

791
00:56:43,400 --> 00:56:46,640
Speaker 1: tried three separate times. They even as mama, j'all she is.

792
00:56:46,719 --> 00:56:49,719
Speaker 1: He's like, I mean, y'all, just we don't want to

793
00:56:49,920 --> 00:56:52,919
Speaker 1: not have give her the ability to say her side

794
00:56:52,960 --> 00:56:56,200
Speaker 1: of the story. But she's never gonna do that because

795
00:56:56,239 --> 00:56:58,200
Speaker 1: she's never gonna say she was in love with me.

796
00:56:58,520 --> 00:57:03,759
Speaker 1: She's never gonna say we was taking of her bringing

797
00:57:03,800 --> 00:57:08,920
Speaker 1: a dream. Yeah, we would love that and let her

798
00:57:09,000 --> 00:57:16,320
Speaker 1: lie to you dodge the question, no, because I don't

799
00:57:16,360 --> 00:57:19,120
Speaker 1: dodge r evade. You asked me a question. I answered,

800
00:57:19,400 --> 00:57:21,840
Speaker 1: I see this. There was no shame in us being together.

801
00:57:22,160 --> 00:57:24,800
Speaker 1: She wasn't responsible for my divorce. I could give you

802
00:57:24,920 --> 00:57:28,320
Speaker 1: three of her chicks that was I was being separated

803
00:57:28,640 --> 00:57:31,320
Speaker 1: and out the fucking house. She was so the things

804
00:57:31,360 --> 00:57:33,800
Speaker 1: that she's concerned with, I'm like, yo, I've told her

805
00:57:33,880 --> 00:57:39,959
Speaker 1: back then, you're not the person she wasn't. She wasn't

806
00:57:40,000 --> 00:57:42,040
Speaker 1: sucking me to get a record deal. She got a

807
00:57:42,080 --> 00:57:44,320
Speaker 1: record deal through a man, Mary o'baysa who was a

808
00:57:44,440 --> 00:57:47,760
Speaker 1: mutual friend. He had a sign and she worked for

809
00:57:47,840 --> 00:57:49,680
Speaker 1: her deal. When I first met her, I said, Yo,

810
00:57:49,760 --> 00:57:51,960
Speaker 1: I'm doing Jackson Joe. I ain't got no time to

811
00:57:52,040 --> 00:57:53,960
Speaker 1: do no R and B. But here's what you could do.

812
00:57:54,360 --> 00:57:57,120
Speaker 1: Just hang around being the studio. Be a studio rat.

813
00:57:57,280 --> 00:57:59,640
Speaker 1: She was in the studio every fucking day. That's how

814
00:57:59,680 --> 00:58:01,960
Speaker 1: she got the big pun record because people was calling

815
00:58:02,040 --> 00:58:04,439
Speaker 1: me to do records. That's how she got what's love.

816
00:58:04,840 --> 00:58:08,440
Speaker 1: This is all positive, positive. This is a put that

817
00:58:08,520 --> 00:58:12,760
Speaker 1: girl on. I'm not saying that as braggadocious. It's real.

818
00:58:12,960 --> 00:58:16,040
Speaker 1: I put her the funk on and the end rule

819
00:58:16,440 --> 00:58:18,680
Speaker 1: by saying, yeah, she's gon ahead, let bon bond get

820
00:58:18,720 --> 00:58:22,880
Speaker 1: on always on time. We put her on. So for

821
00:58:22,960 --> 00:58:24,640
Speaker 1: her to say, I don't want to do this no more,

822
00:58:24,760 --> 00:58:28,800
Speaker 1: I don't respect it. And that ship, that ship like,

823
00:58:28,880 --> 00:58:31,760
Speaker 1: I'm a family nigger, right, I'm the youngest of eight kids.

824
00:58:31,840 --> 00:58:35,080
Speaker 1: So everything you ever see earth gotty about. I mentioned

825
00:58:35,560 --> 00:58:40,280
Speaker 1: my brother his family references, so my thing with murder rank.

826
00:58:41,280 --> 00:58:43,080
Speaker 1: When she said I don't want to do this no more,

827
00:58:43,360 --> 00:58:45,680
Speaker 1: that ship cut deep nigger, because I put you the

828
00:58:45,760 --> 00:58:48,720
Speaker 1: funk on. I named you the princess because I see

829
00:58:48,720 --> 00:58:50,800
Speaker 1: you put your your sign up. She didn't do that right,

830
00:58:51,200 --> 00:58:52,840
Speaker 1: she did that. I don't want to do it no more?

831
00:58:53,640 --> 00:58:57,200
Speaker 1: Really where was this? That? And my maid back and

832
00:58:57,320 --> 00:58:59,080
Speaker 1: your mate back? She threw up the gang side and

833
00:58:59,120 --> 00:59:01,640
Speaker 1: you may back. She's like stuff. I said, I'm not

834
00:59:01,840 --> 00:59:05,680
Speaker 1: doing this so that that doesn't means she's leaving the company.

835
00:59:05,760 --> 00:59:07,600
Speaker 1: That means she don't. She don't want to be a

836
00:59:07,680 --> 00:59:13,000
Speaker 1: part of this ship no more. That's different, Like, I

837
00:59:13,080 --> 00:59:16,960
Speaker 1: don't know, I can't this after the fas came though, Okay,

838
00:59:17,080 --> 00:59:24,040
Speaker 1: I mean, come on, like rule says that only and

839
00:59:24,920 --> 00:59:28,280
Speaker 1: I'm totally outside and getting that. Yeah, I mean, I

840
00:59:28,400 --> 00:59:32,520
Speaker 1: can see how that sounds the average individual. I can see.

841
00:59:32,560 --> 00:59:34,280
Speaker 1: I can see that guy he like, how you know what?

842
00:59:34,320 --> 00:59:37,280
Speaker 1: I mean that that can scare to have an individual whatever, No, no,

843
00:59:37,600 --> 00:59:44,040
Speaker 1: And just to be clear, there's no me. But yeah,

844
00:59:44,080 --> 00:59:48,240
Speaker 1: I realized that. I realized. I realized that your songs, gotti,

845
00:59:51,320 --> 00:59:58,400
Speaker 1: see you're not living without reading without you just words niggas.

846
01:00:00,000 --> 01:00:04,200
Speaker 1: That's the fucking song. But you will get I gotta

847
01:00:04,320 --> 01:00:12,400
Speaker 1: loved to go my souland nigga soul mean nigga. But

848
01:00:12,760 --> 01:00:14,960
Speaker 1: so you you what would you do if you was me?

849
01:00:15,040 --> 01:00:18,280
Speaker 1: And you in these words, y'all in love and ship y'all.

850
01:00:18,360 --> 01:00:21,480
Speaker 1: Every day we're together, that's the problem. Every day for

851
01:00:21,600 --> 01:00:25,200
Speaker 1: like two years, except the day she's with Nelly M.

852
01:00:26,040 --> 01:00:45,440
Speaker 1: She got real. I don't even shot fans. Okay, different

853
01:00:45,480 --> 01:00:51,240
Speaker 1: kind of drink. VT gave me no more. Tune in

854
01:00:51,400 --> 01:00:55,240
Speaker 1: to see the rest, tune in the Oh my love.

855
01:00:55,760 --> 01:01:00,680
Speaker 1: I I just wanted to know I was never definitely

856
01:01:00,760 --> 01:01:10,000
Speaker 1: with him. What I say is one of the saying

857
01:01:10,040 --> 01:01:14,200
Speaker 1: is is about to have this story and this is

858
01:01:14,320 --> 01:01:18,320
Speaker 1: Earth's story? Which is which is the true story and

859
01:01:18,480 --> 01:01:23,320
Speaker 1: the story. I don't have the side of the story.

860
01:01:23,480 --> 01:01:26,760
Speaker 1: I wasn't there. You know what I'm saying, Your side

861
01:01:26,800 --> 01:01:31,320
Speaker 1: of the stories? No, no, No, His side of the

862
01:01:31,440 --> 01:01:35,520
Speaker 1: story is he did. It was a part of helping

863
01:01:35,800 --> 01:01:39,120
Speaker 1: put her on like me and me and grew put

864
01:01:39,160 --> 01:01:41,240
Speaker 1: her on. I made the record with that. But rule

865
01:01:41,360 --> 01:01:44,840
Speaker 1: being listen, who's the biggest nigger in the world. We

866
01:01:44,880 --> 01:01:46,960
Speaker 1: could have got j Lo to be on always on time.

867
01:01:47,160 --> 01:01:50,120
Speaker 1: We could have got any fucking huge name to be

868
01:01:50,240 --> 01:01:56,280
Speaker 1: on always on time. Goddy fucking let Shohnny doul. But

869
01:01:57,760 --> 01:02:00,640
Speaker 1: that was the right they was the right choice. I'm

870
01:02:00,640 --> 01:02:05,040
Speaker 1: always for my own I'm always for family. And guess

871
01:02:05,080 --> 01:02:10,080
Speaker 1: what it happed me on top and I like to

872
01:02:10,120 --> 01:02:17,160
Speaker 1: say that this is what we was trying to talk to. Yes,

873
01:02:17,480 --> 01:02:26,240
Speaker 1: we always listen SA record, great record. This is why

874
01:02:30,320 --> 01:02:34,120
Speaker 1: the ship cuts like a scar because we did so much.

875
01:02:34,360 --> 01:02:38,800
Speaker 1: We took you. She had two other deals before our deal.

876
01:02:40,240 --> 01:02:42,000
Speaker 1: I think she was with like R C A. And

877
01:02:42,080 --> 01:02:44,360
Speaker 1: I think Sony that was trying to make her Whitney Houston.

878
01:02:46,560 --> 01:02:50,200
Speaker 1: I used none of those records, right, she came with

879
01:02:50,400 --> 01:02:55,840
Speaker 1: us and not only named the Princess and everything. We

880
01:02:55,960 --> 01:02:58,960
Speaker 1: put that sound on her, that murdering sound that that

881
01:02:59,200 --> 01:03:06,520
Speaker 1: bomb did do. We put that sound on one of

882
01:03:06,560 --> 01:03:09,120
Speaker 1: the biggest rappers in the game at the time, allowed

883
01:03:09,200 --> 01:03:12,600
Speaker 1: her to get on his number one record. So a

884
01:03:12,720 --> 01:03:15,720
Speaker 1: piece of me be like, I funk our relationship, Right,

885
01:03:16,560 --> 01:03:22,200
Speaker 1: I could get past that. I get mad girls. I've

886
01:03:22,240 --> 01:03:30,240
Speaker 1: never had a problem getting bad chicks. Never, man, keep going,

887
01:03:30,760 --> 01:03:36,800
Speaker 1: keep You've never had a problem. Right, I could get

888
01:03:36,880 --> 01:03:41,080
Speaker 1: past you want to be with Nelly. It sounds like

889
01:03:41,120 --> 01:03:47,560
Speaker 1: you didn't get past that. Listen, listen at the time

890
01:03:48,240 --> 01:03:52,480
Speaker 1: it happens, any man, it's you. It's the chick you

891
01:03:52,800 --> 01:03:57,200
Speaker 1: fucking are in love with is with this nagain. Grandma,

892
01:03:57,280 --> 01:03:58,680
Speaker 1: you want to you want to hear how I found

893
01:03:58,720 --> 01:04:04,200
Speaker 1: out only on drink chat. We saw on the documentary too.

894
01:04:04,760 --> 01:04:06,640
Speaker 1: How did you find out, sir? I was at home?

895
01:04:07,000 --> 01:04:09,600
Speaker 1: Uh huh. There wasn't no Twitter or Instagram back there

896
01:04:09,760 --> 01:04:12,440
Speaker 1: at home. Listen to this ship. This is God wanted

897
01:04:12,480 --> 01:04:16,680
Speaker 1: me to find. That was that home NBA package. I

898
01:04:16,800 --> 01:04:23,880
Speaker 1: like watching spoils. Wait wait, I mak de Roses playing Rose.

899
01:04:24,560 --> 01:04:30,240
Speaker 1: Tune into the Chicago game at home in t rebeca fidolo.

900
01:04:32,040 --> 01:04:34,880
Speaker 1: Oh my god, what's this commotion going on in the stadium.

901
01:04:37,080 --> 01:04:39,920
Speaker 1: We just found out what the commotion is. Nellie has

902
01:04:40,000 --> 01:04:48,280
Speaker 1: walked in with the shot teth But you didn't know.

903
01:04:48,600 --> 01:04:59,840
Speaker 1: You didn't know that. I knew nothing. I was creative.

904
01:05:00,960 --> 01:05:08,800
Speaker 1: It's crazy. It's better the stage. That's that's how it.

905
01:05:08,880 --> 01:05:12,880
Speaker 1: Niggas found out. Honest you said you wasn't a little

906
01:05:12,960 --> 01:05:19,000
Speaker 1: hurt earlier. I said in the beginning of this hurt. Okay,

907
01:05:20,600 --> 01:05:22,200
Speaker 1: I'm talking you get to the hurt part because I

908
01:05:22,280 --> 01:05:25,280
Speaker 1: wanted you see it on NBA All Star Game, Nellie

909
01:05:25,640 --> 01:05:29,640
Speaker 1: All Star just lead pass. I'm checking out my nigga

910
01:05:29,960 --> 01:05:35,400
Speaker 1: de Rose and Nellie is going and he's saying, this

911
01:05:35,560 --> 01:05:38,440
Speaker 1: is the announcement. What is the commotion going on in

912
01:05:38,520 --> 01:05:42,280
Speaker 1: the stadium. Something is going on. Come back off the commercial.

913
01:05:42,480 --> 01:05:45,280
Speaker 1: We found out what's going on. It seems as though

914
01:05:45,400 --> 01:05:48,880
Speaker 1: Nellie has walked in with the Shanti. That's how I

915
01:05:48,960 --> 01:05:57,440
Speaker 1: found out. No two way nigg That's how I found out.

916
01:05:57,920 --> 01:06:02,360
Speaker 1: But here's what I'm saying, m and please, this is

917
01:06:02,560 --> 01:06:05,960
Speaker 1: the truth. I'm I don't speak all of this truths

918
01:06:06,000 --> 01:06:08,040
Speaker 1: when I don't suppose to speak it. Now I'm gonna

919
01:06:08,560 --> 01:06:10,640
Speaker 1: be a liar. So just know every word that I

920
01:06:10,760 --> 01:06:17,560
Speaker 1: say is a hundred percent. I could have got past that,

921
01:06:19,520 --> 01:06:25,360
Speaker 1: but I could never get past yoll. I don't want

922
01:06:25,400 --> 01:06:29,360
Speaker 1: to do this no more that Curt that cut me

923
01:06:30,320 --> 01:06:36,760
Speaker 1: a thousand times harder than her. Fucking Nelly Nigga niggas. Fuck,

924
01:06:37,720 --> 01:06:40,160
Speaker 1: I'm a funk. I don't fuck Mad Nigga's girls. I

925
01:06:40,200 --> 01:06:45,200
Speaker 1: don't think that. I don't think that. Motherfucking calm that

926
01:06:45,360 --> 01:06:51,520
Speaker 1: come back, right, ladies, if you've been sucking the best,

927
01:06:51,600 --> 01:06:54,320
Speaker 1: that's your whole life. Camma says, you're gonna get a

928
01:06:54,360 --> 01:06:58,160
Speaker 1: little common not a chick that you you really love.

929
01:06:58,280 --> 01:07:01,680
Speaker 1: And you know, I try to tell everybody with a shanty.

930
01:07:01,840 --> 01:07:05,640
Speaker 1: It was a difference because I never had no chick

931
01:07:05,760 --> 01:07:11,480
Speaker 1: that I could talk to after we fust never maybe

932
01:07:11,560 --> 01:07:14,680
Speaker 1: one or two Jesus, you know what I'm saying. But

933
01:07:14,760 --> 01:07:18,680
Speaker 1: with a shanty was like everything after Yo, we should

934
01:07:18,680 --> 01:07:21,000
Speaker 1: do this, we should do Yo. I'm taking scar Faced

935
01:07:21,080 --> 01:07:26,280
Speaker 1: Mary Jane, nigga, take the flow. Take the flow. That's

936
01:07:26,320 --> 01:07:30,480
Speaker 1: all part of what I'm saying. I'm getting millions of

937
01:07:30,560 --> 01:07:36,200
Speaker 1: dollars with my bitch. I didn't want it to stop.

938
01:07:36,960 --> 01:07:38,439
Speaker 1: I was like, you did not want it to stop.

939
01:07:39,760 --> 01:07:47,760
Speaker 1: I wanted to stop. Think I'm so secure in my

940
01:07:47,920 --> 01:07:50,280
Speaker 1: gangster they get in securing who the funk I am

941
01:07:50,360 --> 01:07:53,479
Speaker 1: in this universe. I could tell you when I'm hurt.

942
01:07:53,800 --> 01:07:58,880
Speaker 1: I could tell you when I'm vulnerable or whatever. Nigga,

943
01:07:59,080 --> 01:08:03,320
Speaker 1: I'm an open bull. That's why they silence young Malcolm,

944
01:08:03,440 --> 01:08:06,440
Speaker 1: because I just keep it real. What's the answer. This

945
01:08:06,560 --> 01:08:11,000
Speaker 1: is the answer to that. I don't give a fuck.

946
01:08:12,000 --> 01:08:15,840
Speaker 1: But I say this to say this, nigga. This is

947
01:08:15,960 --> 01:08:19,800
Speaker 1: your family, we made you, this is my nigga, put

948
01:08:19,840 --> 01:08:23,080
Speaker 1: you on the ship. This. You can't abandon this. You

949
01:08:23,280 --> 01:08:26,120
Speaker 1: can't And you're gonna say you don't want to do this.

950
01:08:27,760 --> 01:08:30,720
Speaker 1: I'll never get over that. But so it started after

951
01:08:30,800 --> 01:08:33,719
Speaker 1: the game and then but the FETs, the FETs still

952
01:08:33,760 --> 01:08:38,240
Speaker 1: have to come into account. This is okay. A lot

953
01:08:38,320 --> 01:08:42,160
Speaker 1: of people are saying, you know, the nine conviction rate,

954
01:08:42,680 --> 01:08:44,640
Speaker 1: So she would she would be saying to me and

955
01:08:45,000 --> 01:08:48,160
Speaker 1: like emotional crime, like you they told me you're gonna

956
01:08:48,240 --> 01:08:50,000
Speaker 1: go to jail. Just to be clicking. Now, let's just

957
01:08:50,040 --> 01:08:52,120
Speaker 1: be clear. This is a this is a good point

958
01:08:52,520 --> 01:08:55,200
Speaker 1: as an outside of that's looking in. That's that's the

959
01:08:55,240 --> 01:08:57,200
Speaker 1: way that I'm pointing y'all out. Listen. They were like

960
01:08:57,280 --> 01:09:00,519
Speaker 1: these things going to jail, and I'm quite and I

961
01:09:00,760 --> 01:09:04,040
Speaker 1: quite sure that hurt people was telling that this is

962
01:09:04,080 --> 01:09:06,840
Speaker 1: a good thing for you. You're the hottest R and

963
01:09:06,920 --> 01:09:10,639
Speaker 1: b motherfucker God, he's gonna go to jail and your

964
01:09:10,720 --> 01:09:16,960
Speaker 1: free yourself loose flash. Not guilty, bitch, not guilty, bitch,

965
01:09:17,840 --> 01:09:20,559
Speaker 1: you and your team not guilty, bitch. I told all

966
01:09:20,640 --> 01:09:23,000
Speaker 1: you motherfucker's I ain't do it. No one believe me.

967
01:09:24,520 --> 01:09:26,479
Speaker 1: There's a lot of things that could have came at

968
01:09:26,560 --> 01:09:28,680
Speaker 1: me for well, not a lot, but some things. But

969
01:09:28,800 --> 01:09:32,599
Speaker 1: with that, I remember I asked my lawyer, I said,

970
01:09:32,640 --> 01:09:35,280
Speaker 1: what exactly is money laundering? Tell me. They said, well,

971
01:09:35,680 --> 01:09:39,000
Speaker 1: money launders are drug dealers dealing drugs and then they

972
01:09:39,080 --> 01:09:42,280
Speaker 1: give you drug proceeds for you to write a check.

973
01:09:43,800 --> 01:09:48,479
Speaker 1: So I was. I was a founder of Crime Partners.

974
01:09:49,760 --> 01:09:54,080
Speaker 1: Donal Donald going remade Crime part I gave him, I said,

975
01:09:54,280 --> 01:09:56,960
Speaker 1: I gave him fifty tho. He didn't give me no money.

976
01:09:57,000 --> 01:09:59,240
Speaker 1: I did that to invest in the movie. I said,

977
01:09:59,280 --> 01:10:01,600
Speaker 1: I didn't just do it. There's other names that did it.

978
01:10:02,439 --> 01:10:05,720
Speaker 1: I said, it's that money launder. They said no, I said,

979
01:10:05,720 --> 01:10:09,320
Speaker 1: wouldn't tell him they sucked my dick the fast to

980
01:10:09,520 --> 01:10:12,040
Speaker 1: my mom, Yes, okay, I said, tell him they get

981
01:10:12,080 --> 01:10:15,000
Speaker 1: suck my deck. And I did it for my man

982
01:10:15,520 --> 01:10:18,760
Speaker 1: because they offered me a sweet deal. Six months, right,

983
01:10:18,880 --> 01:10:22,040
Speaker 1: so six months I'd be back home in a in

984
01:10:22,080 --> 01:10:28,880
Speaker 1: a heartbeat. But if I plead guilty, now, I'm saying

985
01:10:28,920 --> 01:10:33,240
Speaker 1: prem sold drugs and getting the drug proceeds. So pleading

986
01:10:33,280 --> 01:10:36,240
Speaker 1: guilty are you're going to plead when all of this

987
01:10:36,439 --> 01:10:39,679
Speaker 1: is involved. It's kind of like dry snitching, insane opposite

988
01:10:39,680 --> 01:10:41,400
Speaker 1: of Bobby's murder did for his man. It would be

989
01:10:41,439 --> 01:10:44,519
Speaker 1: the opposite because people would say you were all roted

990
01:10:44,560 --> 01:10:46,800
Speaker 1: your own boy. I'm never gonna do that I was

991
01:10:46,880 --> 01:10:48,960
Speaker 1: never gonna do it to Preme knowing what he's facing.

992
01:10:49,680 --> 01:10:52,280
Speaker 1: So once they explained that casas so, if I plead guilty,

993
01:10:52,320 --> 01:10:55,040
Speaker 1: I'm basically saying Prem sold drugs and gave me drug money.

994
01:10:55,280 --> 01:10:57,760
Speaker 1: He said, yes, said tell him suck my dick. I'm not,

995
01:10:59,040 --> 01:11:00,800
Speaker 1: I said, if they get my man, it ain't gonna

996
01:11:00,840 --> 01:11:05,720
Speaker 1: be me helping him. Right now. Speaking of Prame, uh

997
01:11:06,439 --> 01:11:09,280
Speaker 1: we hear this talks of you making a Preme movie

998
01:11:09,360 --> 01:11:15,000
Speaker 1: or Preme Team movie that's already in effects. No, Todd Phillips.

999
01:11:15,200 --> 01:11:18,880
Speaker 1: Todd Phillips made the Joker. That's not to hangover nigger.

1000
01:11:19,280 --> 01:11:22,280
Speaker 1: He's also to hang over guys. So Todd Phillips and

1001
01:11:22,720 --> 01:11:31,160
Speaker 1: Christian and my brother Nick Cassavetti's and uh, I gotta

1002
01:11:31,280 --> 01:11:34,080
Speaker 1: I got a great crew to do it. And this

1003
01:11:34,240 --> 01:11:37,000
Speaker 1: with Warner Brothers. Okay, so let's ask. I gotta ask.

1004
01:11:37,760 --> 01:11:41,160
Speaker 1: There's another guy from Queen's who says he has a

1005
01:11:41,200 --> 01:11:50,519
Speaker 1: Preme movie, who Benny Bammy the job? Here about nobody

1006
01:11:50,720 --> 01:11:52,880
Speaker 1: a pre Team Movie's abil what he wants. He was

1007
01:11:52,920 --> 01:11:55,640
Speaker 1: a part of the Supreme team and everything like that.

1008
01:11:56,000 --> 01:11:59,200
Speaker 1: But it's not gonna be a story that Prime is

1009
01:11:59,280 --> 01:12:01,720
Speaker 1: involved with so he'll be on his own telling the

1010
01:12:01,840 --> 01:12:06,080
Speaker 1: story of Premium Prince. But they're not with him, and

1011
01:12:06,400 --> 01:12:10,120
Speaker 1: they with me, and and my movie is coming out

1012
01:12:11,520 --> 01:12:13,800
Speaker 1: is gonna be a big movie. Todd Phillips did the joke,

1013
01:12:13,960 --> 01:12:17,679
Speaker 1: Ladies and Gentlemen. He he to Hangover trilogy. He's gross

1014
01:12:17,720 --> 01:12:22,759
Speaker 1: for Warner Brothers billions of dollars. No, this is a movie.

1015
01:12:23,080 --> 01:12:26,559
Speaker 1: And then after the movie, the Murdering TV series. Well,

1016
01:12:26,600 --> 01:12:28,760
Speaker 1: all of the stuff that you see on the documentary

1017
01:12:28,880 --> 01:12:35,720
Speaker 1: only on VT will bring to life in the rich

1018
01:12:36,280 --> 01:12:40,120
Speaker 1: rich I would pay for and own. So all of

1019
01:12:40,160 --> 01:12:45,400
Speaker 1: you out there that talk about me and and and saying, oh,

1020
01:12:45,520 --> 01:12:47,640
Speaker 1: you're doing this for this, you're doing this for that

1021
01:12:47,960 --> 01:12:52,360
Speaker 1: or whatever like that, nigga ain't knowing me. Man, I

1022
01:12:52,439 --> 01:12:58,240
Speaker 1: don't know no one that creates their own content directs.

1023
01:13:01,600 --> 01:13:07,160
Speaker 1: Listen right, I got Tales Presents, we made it in America,

1024
01:13:07,240 --> 01:13:10,320
Speaker 1: the movie we get told about. I'm doing the competition

1025
01:13:10,360 --> 01:13:14,160
Speaker 1: to find the Storm, blessed and great relationship with BT. Yeah,

1026
01:13:14,320 --> 01:13:17,479
Speaker 1: BT is my family. But tell Us first started with

1027
01:13:17,600 --> 01:13:23,120
Speaker 1: Tales and title Tails was always BET the second window.

1028
01:13:24,160 --> 01:13:26,160
Speaker 1: But my deal was with BT on title it was

1029
01:13:26,240 --> 01:13:30,880
Speaker 1: the second window. You don't come on, come on, you

1030
01:13:31,439 --> 01:13:35,400
Speaker 1: showing up, baby, showing up on the bottle. Let's do it.

1031
01:13:41,800 --> 01:13:46,320
Speaker 1: I'm gonna own it. I'm gonna amazing with my guy,

1032
01:13:46,479 --> 01:13:51,439
Speaker 1: Olivier Chaston. Okay, so um yo, just I think it's

1033
01:13:51,439 --> 01:13:54,160
Speaker 1: time for the flowers, man, because I'll show you skinned

1034
01:13:54,200 --> 01:13:56,160
Speaker 1: together we have we have flowers for b J two.

1035
01:13:56,200 --> 01:13:58,000
Speaker 1: Well we thought BJ was being here, but let me

1036
01:13:58,040 --> 01:14:04,840
Speaker 1: just tell y'all Gotti yeah for them the show separate. Yeah, yeah, man,

1037
01:14:04,920 --> 01:14:07,760
Speaker 1: you know we love J. But we're gonna give y'all

1038
01:14:08,120 --> 01:14:16,080
Speaker 1: J Floers'll give it. You want to get your second one.

1039
01:14:21,600 --> 01:14:24,559
Speaker 1: You're the only one who has to know. And Sloop said,

1040
01:14:24,560 --> 01:14:26,679
Speaker 1: it's like Snoop said, it's better than the ground because

1041
01:14:26,680 --> 01:14:29,840
Speaker 1: he's getting it from his peers. But we want to

1042
01:14:30,680 --> 01:14:33,439
Speaker 1: We want to tell you because because to family, just

1043
01:14:33,520 --> 01:14:36,160
Speaker 1: because we friends doesn't take away from your greatness. Man,

1044
01:14:36,360 --> 01:14:38,120
Speaker 1: the things that y'all have done, the things that y'all

1045
01:14:38,200 --> 01:14:40,640
Speaker 1: continue to do. We want to sit there salute you

1046
01:14:40,720 --> 01:14:42,360
Speaker 1: to your face. We don't want something to happen to

1047
01:14:42,400 --> 01:14:44,200
Speaker 1: you and be like, oh, they were great, then No,

1048
01:14:44,320 --> 01:14:45,880
Speaker 1: we want to tell you how great you are now

1049
01:14:46,240 --> 01:14:49,439
Speaker 1: to your face. You know what I mean? Continue success.

1050
01:14:49,880 --> 01:14:52,680
Speaker 1: We want y'all to motherfucker continue monkey footing and doing

1051
01:14:52,760 --> 01:14:57,240
Speaker 1: this goddamn thing because, uh, we're proud of y'all man

1052
01:14:57,520 --> 01:15:08,320
Speaker 1: and coming. Wait, let's make a Lloyd for them. I'm

1053
01:15:08,400 --> 01:15:16,360
Speaker 1: proud of yours. I'll say this. It's a great thing

1054
01:15:16,479 --> 01:15:20,439
Speaker 1: because most rappers, you ain't gonna be like job Rule,

1055
01:15:20,560 --> 01:15:24,559
Speaker 1: who's still toning in crazy money. You know what I'm saying.

1056
01:15:24,640 --> 01:15:26,840
Speaker 1: Most rappers are not gonna be. So for you to

1057
01:15:27,360 --> 01:15:32,080
Speaker 1: pivot to this and create a whole new brands genus, yes,

1058
01:15:32,200 --> 01:15:39,439
Speaker 1: thank you. Got that makes so let's move. Let's move

1059
01:15:39,640 --> 01:15:41,559
Speaker 1: because we also about murder, inc right, so we gotta

1060
01:15:41,560 --> 01:15:45,639
Speaker 1: talk about murder against this totality. We've basically covered every

1061
01:15:45,720 --> 01:15:48,240
Speaker 1: ground when it comes to a Tauanti All right, that's cool, right,

1062
01:15:48,280 --> 01:15:51,720
Speaker 1: And we understand that you might say where we're wrong,

1063
01:15:51,800 --> 01:15:54,080
Speaker 1: she might say on the relationship had to take a

1064
01:15:54,120 --> 01:15:57,320
Speaker 1: part of it, regardless, We've got moving on Lloyd is

1065
01:15:57,360 --> 01:16:03,320
Speaker 1: something that I'm very confused about because Okay, I have

1066
01:16:03,600 --> 01:16:07,479
Speaker 1: no idea where this left or if it's left, or

1067
01:16:07,960 --> 01:16:12,200
Speaker 1: you should because everything was great with Lloyd. Okay, everything

1068
01:16:12,320 --> 01:16:14,719
Speaker 1: was great with Lloyd until he was in the geniunit.

1069
01:16:14,880 --> 01:16:19,280
Speaker 1: Video Doog told me because it wasn't a big record

1070
01:16:20,160 --> 01:16:23,200
Speaker 1: for me. I didn't have no problem with Lloyd. I

1071
01:16:23,280 --> 01:16:26,960
Speaker 1: had absolutely none. He was the little baby bro. And

1072
01:16:27,000 --> 01:16:30,320
Speaker 1: then I see this thing in fucking with fifty and Gil.

1073
01:16:30,840 --> 01:16:33,800
Speaker 1: You don't remember that the record did nothing. But I've

1074
01:16:33,840 --> 01:16:41,280
Speaker 1: seen it. You've seen it. It's just certain things. And

1075
01:16:41,439 --> 01:16:44,160
Speaker 1: that's where that's when the bullshit started with me and him,

1076
01:16:44,240 --> 01:16:47,960
Speaker 1: Like what you do that? You you screaming? Fuck me? No?

1077
01:16:48,280 --> 01:16:52,400
Speaker 1: How would you take it? Yes? But but what would

1078
01:16:52,400 --> 01:16:59,120
Speaker 1: have led to him? Even ye, there's nothing nigger if

1079
01:16:59,160 --> 01:17:00,800
Speaker 1: I told you look at told you to jail where

1080
01:17:00,800 --> 01:17:02,920
Speaker 1: I'm an idiot and I did that. There's no idiot

1081
01:17:03,000 --> 01:17:05,439
Speaker 1: stories with Lord I get. I think of my sixty

1082
01:17:05,479 --> 01:17:09,320
Speaker 1: two Continental. He was like Caddie on Man's busy. Correct, No,

1083
01:17:09,560 --> 01:17:12,519
Speaker 1: it's a sixty old schools school gamously the car that

1084
01:17:12,640 --> 01:17:16,320
Speaker 1: JFK got killed. Okay, okay, I'm sixty two convertible Continental.

1085
01:17:16,439 --> 01:17:19,240
Speaker 1: I had. I had that, my man, She'll put like

1086
01:17:19,360 --> 01:17:23,799
Speaker 1: a It was system for Night Night. He did the interior.

1087
01:17:23,840 --> 01:17:26,800
Speaker 1: He he said, oh, I gotta note this out doing

1088
01:17:26,920 --> 01:17:38,320
Speaker 1: decorate interior for you guys? Are we talking about? Night?

1089
01:17:38,520 --> 01:17:42,000
Speaker 1: Was our friends no bullshit, no nothing. He's seeing the

1090
01:17:42,040 --> 01:17:44,080
Speaker 1: old school and did it. I gave that call the Lord.

1091
01:17:44,400 --> 01:17:49,480
Speaker 1: There is no story of of of me or anybody

1092
01:17:49,600 --> 01:17:53,640
Speaker 1: doing anything Lloyd to make him go do that. This

1093
01:17:53,800 --> 01:17:59,240
Speaker 1: is some good week one another one yea holy ship.

1094
01:17:59,360 --> 01:18:06,280
Speaker 1: So that was okay, okay. So because y'all recently did

1095
01:18:06,400 --> 01:18:08,640
Speaker 1: do like a murder, ain't getting altogether right. Listen, let

1096
01:18:08,680 --> 01:18:16,880
Speaker 1: me backtrack. Let's backtrack, let me backtrack, brack right, because listen, man,

1097
01:18:18,240 --> 01:18:20,800
Speaker 1: I could have been a motherfucking I could have been

1098
01:18:20,800 --> 01:18:25,400
Speaker 1: a bad, bad man. Meaning I'm on the label, y'all.

1099
01:18:25,680 --> 01:18:28,439
Speaker 1: You got a contract with me. Boy, you want to

1100
01:18:28,479 --> 01:18:31,320
Speaker 1: break out and go to Inniscope, I mean I'll be

1101
01:18:31,479 --> 01:18:34,800
Speaker 1: after y'all going through y'all. Tobacco Jimmy has always been great. Okay,

1102
01:18:34,880 --> 01:18:39,320
Speaker 1: great fucking You want to go to Inniscope, you gotta

1103
01:18:39,360 --> 01:18:42,599
Speaker 1: dam on the table. I could have easily say, yo,

1104
01:18:42,680 --> 01:18:47,280
Speaker 1: give me a million dollars contract. I ain't do that, ship, nigga.

1105
01:18:48,040 --> 01:18:50,000
Speaker 1: I ain't say yo, you could go, but I need

1106
01:18:50,080 --> 01:18:53,960
Speaker 1: to check five hundred thousands something. You just let him go.

1107
01:18:54,240 --> 01:18:56,320
Speaker 1: Just let niggas go on. Let him sucking a shot.

1108
01:18:56,360 --> 01:18:59,920
Speaker 1: T go. Niggas don't know that could I could have

1109
01:19:00,040 --> 01:19:02,600
Speaker 1: been a fucking monster to hub I only recalled it.

1110
01:19:02,680 --> 01:19:05,360
Speaker 1: What were four albums or whatever like that I had?

1111
01:19:05,439 --> 01:19:07,479
Speaker 1: I think seven, I had like three more to go.

1112
01:19:07,920 --> 01:19:10,760
Speaker 1: I signed and let her go free, and she with

1113
01:19:10,840 --> 01:19:13,439
Speaker 1: the conch After that, whenever she went to she was

1114
01:19:13,560 --> 01:19:16,800
Speaker 1: free to do written entertainment. But Nigga, I could have

1115
01:19:16,840 --> 01:19:20,960
Speaker 1: been a bad, salty, bitter guy and said, no, bitch,

1116
01:19:21,560 --> 01:19:25,519
Speaker 1: you got to give me some bread. You gotta stop

1117
01:19:25,600 --> 01:19:36,080
Speaker 1: calling him. You're right, beautiful black the mane you like,

1118
01:19:42,120 --> 01:19:46,400
Speaker 1: I understand what? Okay? This is why when she wants

1119
01:19:46,479 --> 01:19:49,519
Speaker 1: to recreate and do covers and I'm like, damn man.

1120
01:19:49,600 --> 01:19:53,120
Speaker 1: I I never was bad to her. Never I treated

1121
01:19:53,400 --> 01:19:58,840
Speaker 1: as an artist. She got treated fucking great. Everything she wanted.

1122
01:19:58,920 --> 01:20:02,040
Speaker 1: She didn't want my and Mario to not being deal,

1123
01:20:02,120 --> 01:20:04,560
Speaker 1: no more than they who brought her to me. I

1124
01:20:04,640 --> 01:20:08,639
Speaker 1: got him out to deal. I thought we changed subjects.

1125
01:20:09,560 --> 01:20:17,240
Speaker 1: What happened, Let's change a little bit more. We mentioned

1126
01:20:18,400 --> 01:20:20,080
Speaker 1: unless time you was here. We spoke a little bit

1127
01:20:20,080 --> 01:20:21,560
Speaker 1: about this. I think we spoke a lot about it

1128
01:20:22,080 --> 01:20:23,760
Speaker 1: in the series. Do you guys cover any of the

1129
01:20:23,920 --> 01:20:27,599
Speaker 1: conversations that you guys had with Ja Prince about building

1130
01:20:27,640 --> 01:20:30,760
Speaker 1: that distribution that will be in the TV series in

1131
01:20:30,840 --> 01:20:39,240
Speaker 1: the Dock in the doc. Yeah, I don't know why

1132
01:20:39,280 --> 01:20:42,519
Speaker 1: I should have Like that was crazy. This was Michael

1133
01:20:42,560 --> 01:20:46,639
Speaker 1: Peyton and directed the Dock. When he sees this, you're

1134
01:20:46,640 --> 01:20:49,080
Speaker 1: gonna him up with that, He's like, I missed that

1135
01:20:49,320 --> 01:20:53,400
Speaker 1: talking about that because that's the conspiracy that everybody. Honestly,

1136
01:20:54,360 --> 01:20:56,479
Speaker 1: Price would have did my doc if we called him

1137
01:20:56,720 --> 01:21:02,560
Speaker 1: me and J Prince have a listen. He just he

1138
01:21:02,600 --> 01:21:05,040
Speaker 1: should have with that because without that, then why do

1139
01:21:05,080 --> 01:21:07,280
Speaker 1: you need J Prince to just talk about And they

1140
01:21:07,320 --> 01:21:10,360
Speaker 1: actually let it Shill do interviews right now. Yeah he

1141
01:21:10,840 --> 01:21:13,200
Speaker 1: I think he did. Yeah he did million dollars from

1142
01:21:13,600 --> 01:21:19,439
Speaker 1: Proper Game. Yeah, come talk. Yeah, but you trying to

1143
01:21:19,520 --> 01:21:22,479
Speaker 1: get hugged though you got you got bet, you got bet,

1144
01:21:22,640 --> 01:21:28,479
Speaker 1: got credentioes bro I walk in through this, listen, I

1145
01:21:28,560 --> 01:21:35,880
Speaker 1: got I got many moons ago, but one time MTV

1146
01:21:36,080 --> 01:21:39,240
Speaker 1: we that's how we used it. We used yeah he

1147
01:21:39,439 --> 01:21:41,479
Speaker 1: got an over the doors, yeah, or it up. So

1148
01:21:41,600 --> 01:21:44,040
Speaker 1: I mean it's it's give it a try. And we

1149
01:21:44,160 --> 01:21:46,800
Speaker 1: heard that you just got nas on the documentary, just

1150
01:21:47,040 --> 01:21:50,080
Speaker 1: got just got nis queens get the money queen's get

1151
01:21:50,120 --> 01:21:56,240
Speaker 1: the money making money. Yeah, just got I did. He

1152
01:21:56,360 --> 01:21:58,960
Speaker 1: got a dock on Supreme Team. He got a dock

1153
01:21:59,000 --> 01:22:01,560
Speaker 1: on Supreme Tea. Yeah. That so it was like we

1154
01:22:01,680 --> 01:22:04,080
Speaker 1: did each other. It was good ship. It was good ship,

1155
01:22:04,200 --> 01:22:07,160
Speaker 1: all right. That's beautiful, man, that's beautiful. No one loves

1156
01:22:07,240 --> 01:22:09,760
Speaker 1: queens more than eyes too. I don't think so. I

1157
01:22:09,800 --> 01:22:12,479
Speaker 1: think we all love it. We all love queens, but

1158
01:22:13,040 --> 01:22:17,720
Speaker 1: he loves loves queens. You know, I got to Rock

1159
01:22:17,760 --> 01:22:21,519
Speaker 1: the Bells concert. Yeah, trying to bring you out on

1160
01:22:21,560 --> 01:22:32,679
Speaker 1: the low. I don't think I'm in town. I'm trying.

1161
01:22:33,479 --> 01:22:36,840
Speaker 1: I'm trying to bring you out. Yeah, I don't know, man,

1162
01:22:37,760 --> 01:22:39,360
Speaker 1: you know I always come. You know, this is like

1163
01:22:39,479 --> 01:22:44,960
Speaker 1: my first time like performing I believe in New York

1164
01:22:45,040 --> 01:22:47,800
Speaker 1: City in six years or something like that. And it's

1165
01:22:47,880 --> 01:22:56,280
Speaker 1: you know, it's monumental stage as thank God and drink

1166
01:22:56,360 --> 01:22:59,720
Speaker 1: chance might be there. We are, we are there. Yeah.

1167
01:23:00,000 --> 01:23:01,479
Speaker 1: I don't know if our wife do squad was going

1168
01:23:01,560 --> 01:23:04,120
Speaker 1: to do it though, um, but hopefully, you know, I

1169
01:23:04,120 --> 01:23:06,800
Speaker 1: would say it's it's monumental because remember Rock the Bells

1170
01:23:06,840 --> 01:23:09,760
Speaker 1: was a big festival that didn't include what he had

1171
01:23:09,800 --> 01:23:10,920
Speaker 1: nothing to do with it, and he had to fight

1172
01:23:11,000 --> 01:23:13,439
Speaker 1: to get the name back. Oh yeah, so this is

1173
01:23:13,479 --> 01:23:19,800
Speaker 1: the first time he's yeah serious or some right there

1174
01:23:19,880 --> 01:23:23,439
Speaker 1: yet Remember there was that Rock the Bells festival before

1175
01:23:23,560 --> 01:23:26,840
Speaker 1: that was big right right do that and he for

1176
01:23:26,880 --> 01:23:35,000
Speaker 1: the name. Yeah, so that sounds yeah man, good round man. Yeah.

1177
01:23:35,080 --> 01:23:37,960
Speaker 1: So rules, Um, what's going on with the movies? You're

1178
01:23:37,960 --> 01:23:40,519
Speaker 1: still talking about the movies? Man? Yeah, I was still

1179
01:23:40,560 --> 01:23:43,600
Speaker 1: doing just ship. I got some ship coming up. You know,

1180
01:23:43,640 --> 01:23:46,960
Speaker 1: I was supposed to shoot this film call re View,

1181
01:23:47,680 --> 01:23:50,519
Speaker 1: and I was supposed I played detective in the film.

1182
01:23:50,600 --> 01:23:52,280
Speaker 1: But I got I got some other films coming up.

1183
01:23:52,280 --> 01:23:53,880
Speaker 1: But that film got derailed a little bit because of

1184
01:23:53,920 --> 01:23:56,599
Speaker 1: COVID and then the director got some some some issues.

1185
01:23:57,160 --> 01:24:01,639
Speaker 1: But but but this that's that's still you know, I'm

1186
01:24:01,640 --> 01:24:04,479
Speaker 1: still shooting at But then, um, you know, I got

1187
01:24:04,560 --> 01:24:07,479
Speaker 1: some other action films that I'm that I'm about to shoot.

1188
01:24:07,680 --> 01:24:12,960
Speaker 1: They you know, they found out that I you know,

1189
01:24:13,120 --> 01:24:17,680
Speaker 1: I do well overseas. Yeah, and they say yeah, they say,

1190
01:24:17,760 --> 01:24:25,519
Speaker 1: they say people like me and movies overseas. They like

1191
01:24:26,479 --> 01:24:29,559
Speaker 1: enjoy with what you MANE Stevens to go that would

1192
01:24:29,600 --> 01:24:33,280
Speaker 1: have to they liked me these joints. No, no, no,

1193
01:24:33,560 --> 01:24:38,040
Speaker 1: that ain't that they might like that, they might have sneakers.

1194
01:24:38,160 --> 01:24:41,439
Speaker 1: What's joint as no questions. I was asking that as

1195
01:24:44,080 --> 01:24:51,880
Speaker 1: I was a wild boy and ok yeah, but but

1196
01:24:52,040 --> 01:24:53,479
Speaker 1: but yeah, I got a bunch of films stuff that

1197
01:24:53,479 --> 01:24:56,920
Speaker 1: I'm doing, you know, working on it. But you know this,

1198
01:24:57,200 --> 01:24:59,960
Speaker 1: this is a very fun industry right now, very fun

1199
01:25:00,000 --> 01:25:02,280
Speaker 1: on top. You should get back out on the road

1200
01:25:02,520 --> 01:25:04,840
Speaker 1: and look at you try and throw your ship in there. Good.

1201
01:25:07,439 --> 01:25:13,680
Speaker 1: I got you enough. First album, want icon um you

1202
01:25:13,760 --> 01:25:17,640
Speaker 1: know we we I'm just saying, he with some you

1203
01:25:17,680 --> 01:25:29,719
Speaker 1: didn't have this. It's a classic. Please spoke. We spoke

1204
01:25:29,760 --> 01:25:31,360
Speaker 1: about her doing the vibes. You know what I'm saying.

1205
01:25:31,400 --> 01:25:37,400
Speaker 1: So I've spoken to a lot of artists and it's

1206
01:25:37,439 --> 01:25:41,639
Speaker 1: gonna expand in a lot of ways. Okay, come coming

1207
01:25:41,720 --> 01:25:44,560
Speaker 1: coming down the far a lot of fun. Okay, So

1208
01:25:44,680 --> 01:25:48,920
Speaker 1: let's talk about tails for a second. God, Yes, I

1209
01:25:49,000 --> 01:25:54,800
Speaker 1: had an epiphany. Okay, the rule brought up something. And

1210
01:25:54,880 --> 01:25:57,800
Speaker 1: I'm always conscious of my brother when he said to me,

1211
01:25:57,800 --> 01:26:00,639
Speaker 1: because I know he loves me, and I just want

1212
01:26:00,640 --> 01:26:08,360
Speaker 1: to put a disclaimer all the women out there out there.

1213
01:26:08,400 --> 01:26:11,200
Speaker 1: I don't mean to say bitch, but it's like me

1214
01:26:11,360 --> 01:26:14,760
Speaker 1: saying nigga for men. I shouldn't say nigga either, but

1215
01:26:14,840 --> 01:26:18,880
Speaker 1: I'm nig nigga all day. So I don't want you

1216
01:26:18,960 --> 01:26:21,240
Speaker 1: to think when you hear me say bitch so freely,

1217
01:26:21,840 --> 01:26:24,479
Speaker 1: I'm just a nigga off the block that that's just how.

1218
01:26:24,880 --> 01:26:28,200
Speaker 1: This just how I told. That's my brother. I'm here right.

1219
01:26:28,320 --> 01:26:30,639
Speaker 1: So I want to make a disclaimer and I want

1220
01:26:30,680 --> 01:26:36,760
Speaker 1: to say first and foremost, I love women. For those

1221
01:26:36,840 --> 01:26:41,360
Speaker 1: that don't know me, I I love women. I was

1222
01:26:41,520 --> 01:26:44,960
Speaker 1: raised my mother. I put high it in God. My mother,

1223
01:26:45,080 --> 01:26:48,560
Speaker 1: my Nini is everything to me, black woman I was

1224
01:26:48,680 --> 01:26:51,000
Speaker 1: raised by. I'm the youngest of eight kids. I've got

1225
01:26:51,080 --> 01:26:56,280
Speaker 1: five sisters, Mona, Angie, Nicki, Tina, Dana, and they all

1226
01:26:57,240 --> 01:27:00,519
Speaker 1: helped raise me. There's no way I could ever just respect.

1227
01:27:01,720 --> 01:27:04,519
Speaker 1: It's no way. I have nothing but women who I

1228
01:27:04,680 --> 01:27:10,000
Speaker 1: worship around me. I want them to want them. I

1229
01:27:10,120 --> 01:27:12,760
Speaker 1: want them to hear that. I want them to understand.

1230
01:27:12,880 --> 01:27:19,040
Speaker 1: And no, I love women, all all my girlfriends. But

1231
01:27:19,120 --> 01:27:23,719
Speaker 1: I'm not saying like I'm gonna hatter women. No girlfriends,

1232
01:27:24,200 --> 01:27:28,519
Speaker 1: all my girlfriends that I that my ex girls, my

1233
01:27:28,640 --> 01:27:31,800
Speaker 1: ex girlfriends, if you talk to them, I'm still cool

1234
01:27:31,880 --> 01:27:34,560
Speaker 1: with all of them. I don't. I don't have like.

1235
01:27:34,720 --> 01:27:37,920
Speaker 1: I'm not that guy. I do not hate on my

1236
01:27:38,040 --> 01:27:41,080
Speaker 1: ex I do not hate on just follow their girls,

1237
01:27:41,120 --> 01:27:44,439
Speaker 1: just make sure they're doing bad. I don't want any

1238
01:27:44,479 --> 01:27:46,439
Speaker 1: of my exes. If I can help them do better,

1239
01:27:46,520 --> 01:27:48,639
Speaker 1: I would help them like I got love for all

1240
01:27:48,680 --> 01:27:52,640
Speaker 1: of them. That's what I'm saying. I the person who

1241
01:27:52,720 --> 01:27:58,360
Speaker 1: I am is so far from calling women bitches or whatever. Listen,

1242
01:27:58,439 --> 01:28:00,720
Speaker 1: look at all of the music me and roommate. It's

1243
01:28:00,800 --> 01:28:05,200
Speaker 1: all for women. It's all for women. And what I'm

1244
01:28:05,240 --> 01:28:09,000
Speaker 1: saying is the reason why that music came out so great.

1245
01:28:09,960 --> 01:28:20,120
Speaker 1: It's two guys high offction listen, but it's two guys

1246
01:28:20,600 --> 01:28:25,040
Speaker 1: who have a deep love. You know what I'm saying.

1247
01:28:25,880 --> 01:28:28,320
Speaker 1: There's two guys who have a deep love pass for women.

1248
01:28:28,760 --> 01:28:36,080
Speaker 1: That's why those guys. Yeah, you see, That's what I'm saying.

1249
01:28:36,840 --> 01:28:39,680
Speaker 1: I'm like, so please. When Ruth said that I was

1250
01:28:39,720 --> 01:28:42,479
Speaker 1: in there, I was like, damn, what coming across like

1251
01:28:42,640 --> 01:28:51,639
Speaker 1: a female hater? Ain't even shine? I posed a question,

1252
01:28:51,800 --> 01:28:58,880
Speaker 1: sunny guy, who about asking you? Just ask you a question.

1253
01:29:00,400 --> 01:29:04,560
Speaker 1: If someone who you made says they don't want to

1254
01:29:04,600 --> 01:29:08,320
Speaker 1: do this no more, how would you feel give me

1255
01:29:08,360 --> 01:29:11,639
Speaker 1: a real answer. Just give it to me. You feel her,

1256
01:29:13,040 --> 01:29:16,760
Speaker 1: it would be her betrayal, disloyal all that ship. When

1257
01:29:16,760 --> 01:29:25,320
Speaker 1: you get to m damn short with me because if

1258
01:29:25,360 --> 01:29:29,439
Speaker 1: I don't know you, I don't fuck. There's my questions,

1259
01:29:30,200 --> 01:29:44,880
Speaker 1: my question, Switzer. Let's go. I want to how long?

1260
01:29:46,000 --> 01:29:50,080
Speaker 1: Because the hurt last cancer ship now definitely can't got

1261
01:29:50,160 --> 01:29:56,639
Speaker 1: to get over You don't guy, might be hurt yourself.

1262
01:29:57,520 --> 01:30:02,120
Speaker 1: Oh you got sunny making a sense? She is. Here's

1263
01:30:02,120 --> 01:30:03,880
Speaker 1: what I said. This thing you don't gonna make sense?

1264
01:30:04,000 --> 01:30:09,920
Speaker 1: It works both ways, d it works both ways, yo,

1265
01:30:10,080 --> 01:30:11,800
Speaker 1: rule we should do the murder rate the w you

1266
01:30:11,920 --> 01:30:14,400
Speaker 1: you told we're talking to Live Nation. Live Nation is

1267
01:30:14,439 --> 01:30:22,439
Speaker 1: when it I never do why it's olive branch. It

1268
01:30:22,560 --> 01:30:25,640
Speaker 1: works both ways. Olive branch. When it's like, Yo, we

1269
01:30:25,720 --> 01:30:34,519
Speaker 1: got some money frands, mother fu village. Yeah, I'm so

1270
01:30:34,680 --> 01:30:49,600
Speaker 1: happy wanted that. Yeah. Can you give a great Stevie franchise?

1271
01:30:51,800 --> 01:30:56,200
Speaker 1: He always got a mini story, mini storties. He can't

1272
01:30:56,200 --> 01:31:01,839
Speaker 1: get it. Guys, listen to Murder Eggs performing in Houston

1273
01:31:02,240 --> 01:31:05,320
Speaker 1: like a day after the Rockets is playing. So we

1274
01:31:05,520 --> 01:31:09,160
Speaker 1: decided to go who you know this fucking story? Mother

1275
01:31:09,560 --> 01:31:13,240
Speaker 1: harder mother. We had like twenty floor seats from Sinacore

1276
01:31:13,439 --> 01:31:16,920
Speaker 1: all the way day. So Steve my man Steven franchise

1277
01:31:17,080 --> 01:31:22,599
Speaker 1: busting this day, playing the Golden State Warriors before step Carrie.

1278
01:31:23,160 --> 01:31:27,960
Speaker 1: We put a hunted in seventy thousand that wasn't the

1279
01:31:28,000 --> 01:31:31,920
Speaker 1: Golden State Warriors, absolutely because the nigga who finished us

1280
01:31:32,200 --> 01:31:39,760
Speaker 1: was given it was originally the Warriors. Listen, you don't know,

1281
01:31:39,840 --> 01:31:42,960
Speaker 1: I don't remember that, didn't know that. Yeah, I was

1282
01:31:43,240 --> 01:31:52,519
Speaker 1: fucking tired, nigga, bring seven you back and give us

1283
01:31:52,560 --> 01:31:57,920
Speaker 1: my nigga, fuck you big, and you know, me and

1284
01:31:58,040 --> 01:32:02,360
Speaker 1: my brother gamble. So we set it on fifty thousands

1285
01:32:02,400 --> 01:32:05,680
Speaker 1: for fifty racks sucking the rockets. It was minus eve

1286
01:32:06,479 --> 01:32:08,800
Speaker 1: fifty west. We were gonna be in the building. See

1287
01:32:09,000 --> 01:32:13,680
Speaker 1: fan just Cat Patino, They're gonna bust these things. So

1288
01:32:14,600 --> 01:32:18,680
Speaker 1: we did, yeah, five thousand, don't give me ten, give

1289
01:32:18,720 --> 01:32:21,320
Speaker 1: me twenty five. So we had like a hundred and

1290
01:32:21,439 --> 01:32:24,320
Speaker 1: seventy five thousand and on this remember this game, so

1291
01:32:25,200 --> 01:32:28,320
Speaker 1: we have so much fun holding I'm calling fucking giving

1292
01:32:28,360 --> 01:32:36,880
Speaker 1: aw it's calling a zero because you you don't us up.

1293
01:32:37,400 --> 01:32:45,599
Speaker 1: You take totally thin wheel on three pills and listen listen,

1294
01:32:45,640 --> 01:32:51,439
Speaker 1: hold on, not early, not this is just friendship. But listen,

1295
01:32:51,439 --> 01:32:52,880
Speaker 1: I would never do this if you were still on

1296
01:32:52,960 --> 01:32:56,880
Speaker 1: the rockets. Three pills and I'm talking three pills when

1297
01:32:56,920 --> 01:33:06,400
Speaker 1: they fully set in, not hurly three. You know what

1298
01:33:10,160 --> 01:33:16,080
Speaker 1: it wasn't It was like sweet v joint like this,

1299
01:33:16,880 --> 01:33:19,880
Speaker 1: and that's why the snig is happily fucking guilty. He's

1300
01:33:19,880 --> 01:33:23,960
Speaker 1: a rookie. Fucking rookie. I think it was guilt. Was

1301
01:33:24,000 --> 01:33:28,160
Speaker 1: still in an apro right, so bo. He's having so

1302
01:33:28,360 --> 01:33:31,080
Speaker 1: much fun. You know how the ball from the game

1303
01:33:31,120 --> 01:33:34,080
Speaker 1: will dribble to you. He came to b J Juel

1304
01:33:34,080 --> 01:33:36,320
Speaker 1: doing the car and did a spin. Moving later in.

1305
01:33:37,400 --> 01:33:42,519
Speaker 1: It was like, so he let me set it Tom.

1306
01:33:44,600 --> 01:33:48,720
Speaker 1: They're doing their job. It got these niggers. The game

1307
01:33:48,840 --> 01:33:53,360
Speaker 1: is about over, has like eight five. It was under

1308
01:33:53,439 --> 01:33:57,479
Speaker 1: ten seconds, and this is where he fucked us. He

1309
01:33:58,000 --> 01:34:02,760
Speaker 1: fucks so now, no, you wucked us, nigga, No, don't

1310
01:34:02,760 --> 01:34:07,160
Speaker 1: remember it. I'm like that nigga fu alone. So now

1311
01:34:09,320 --> 01:34:15,240
Speaker 1: my nigga continue no monthly and lay a cat cat

1312
01:34:16,000 --> 01:34:21,280
Speaker 1: damn seven. I'm like, cat, we need go, nigga, he said,

1313
01:34:21,800 --> 01:34:24,200
Speaker 1: I'm letting me go. You gotta get that we gotta

1314
01:34:24,240 --> 01:34:26,920
Speaker 1: get there. Listen, listen, listen, pull up there, if you

1315
01:34:26,960 --> 01:34:29,040
Speaker 1: can pull up tape, if you game tape or whatever,

1316
01:34:29,320 --> 01:34:31,519
Speaker 1: you could show this because he's at the line and

1317
01:34:31,680 --> 01:34:34,479
Speaker 1: you're doing shoe because while I'm screaming we need to

1318
01:34:34,920 --> 01:34:39,000
Speaker 1: I'm like, nigga, we gotta hunt it and seven like this.

1319
01:34:39,320 --> 01:34:41,920
Speaker 1: He's a little at the line. He's just shaking his head.

1320
01:34:43,120 --> 01:34:45,080
Speaker 1: He's shaking his head. But what did my nigga do?

1321
01:34:46,080 --> 01:34:52,320
Speaker 1: He's sunk? Do both games over? Get fucking over? What

1322
01:34:52,560 --> 01:34:59,400
Speaker 1: the funk Gilbert to get the ball and she's there

1323
01:34:59,520 --> 01:35:06,280
Speaker 1: there like step Curry forty fund sunking, just the fucking

1324
01:35:06,800 --> 01:35:12,280
Speaker 1: beat the spread. It was yo, yo, who killed I

1325
01:35:12,400 --> 01:35:15,320
Speaker 1: can't believe you get this? And after we wanted to

1326
01:35:15,560 --> 01:35:22,519
Speaker 1: kill he really stuff torching him. I'm like, that's the nigga, nigga,

1327
01:35:25,760 --> 01:35:28,800
Speaker 1: But now it was your phone and you had no

1328
01:35:28,960 --> 01:35:35,840
Speaker 1: reason but listen the whole games, the wholl arena hundred

1329
01:35:35,920 --> 01:35:38,160
Speaker 1: seventy five one. This is the whole arena. Now the

1330
01:35:38,240 --> 01:35:42,200
Speaker 1: rest knew, everyone knew, and Gil's over there rules hacking

1331
01:35:42,280 --> 01:35:45,560
Speaker 1: um nigga fu nigga thing, doing this fucking birdie and

1332
01:35:45,760 --> 01:35:56,280
Speaker 1: fucking the way nigga. Nigga talking this nigga like Yo,

1333
01:35:57,040 --> 01:36:00,200
Speaker 1: this nigga ran down there and crushed our soul. I

1334
01:36:00,320 --> 01:36:02,639
Speaker 1: was calling him to don what's gonna do? You don't

1335
01:36:02,680 --> 01:36:09,479
Speaker 1: that down finish fish? Do you understand his five seconds left?

1336
01:36:09,800 --> 01:36:15,840
Speaker 1: There by nine? The game's over you. I would say

1337
01:36:15,880 --> 01:36:21,120
Speaker 1: that the funniest, the funniest, the funniest NBA tackle story

1338
01:36:21,160 --> 01:36:24,880
Speaker 1: of me. But I was sucking hackling. Uh. I wasn't

1339
01:36:24,880 --> 01:36:28,479
Speaker 1: really heckling. It was Vince car to play against the Knicks.

1340
01:36:28,680 --> 01:36:31,240
Speaker 1: This is my brother. We Vince party have a great time.

1341
01:36:31,960 --> 01:36:35,599
Speaker 1: So they played the Knicks. So I'm rooting from this right.

1342
01:36:36,320 --> 01:36:40,400
Speaker 1: Charles Oakley got mad as a motherfucker. N Yeah, he

1343
01:36:40,520 --> 01:36:42,439
Speaker 1: looked at me on the still and said, man, fuck you,

1344
01:36:43,840 --> 01:36:48,840
Speaker 1: I said this give to It wasn't like who was

1345
01:36:48,960 --> 01:36:56,559
Speaker 1: it Larry Grandmama Johnson. It wasn't. It was wasn't Okle showing.

1346
01:36:56,680 --> 01:36:58,640
Speaker 1: I'm positive I was sitting right next to you. I

1347
01:37:00,040 --> 01:37:05,479
Speaker 1: turned around. It was like shaft, look, yeah, brought me

1348
01:37:05,600 --> 01:37:11,400
Speaker 1: big lotely probably have swung at it was so mad.

1349
01:37:11,840 --> 01:37:17,200
Speaker 1: Was like people loaded. He probably was swung a big

1350
01:37:17,280 --> 01:37:23,599
Speaker 1: steaming frish man, big shot, make some step shot that's

1351
01:37:23,640 --> 01:37:31,200
Speaker 1: the legend, legend. I got NBA stories. Yeah, and I

1352
01:37:31,360 --> 01:37:35,680
Speaker 1: not not drink kids out of Kobe Bryant. Bryant similar thing.

1353
01:37:35,800 --> 01:37:40,479
Speaker 1: Kobe Bryant's playing the Indiana Paces. This is lakes, Reggie Miller.

1354
01:37:40,920 --> 01:37:43,599
Speaker 1: Reggie was there for the step over. We was there

1355
01:37:43,640 --> 01:37:46,600
Speaker 1: for the ship. I said, I got NBA like and

1356
01:37:46,680 --> 01:37:48,479
Speaker 1: then that was that. That was the time for wh

1357
01:37:49,080 --> 01:37:55,320
Speaker 1: listen before Kobe is and he was moving. Was in

1358
01:37:55,520 --> 01:37:57,680
Speaker 1: stables with that at the legged game room for a

1359
01:37:58,479 --> 01:38:00,519
Speaker 1: pus these snakes as this. I would never do that.

1360
01:38:00,760 --> 01:38:02,840
Speaker 1: After Kobe played for me at the Rocket though that

1361
01:38:03,000 --> 01:38:06,040
Speaker 1: was pre Rocket. Me and rules the only niggas in

1362
01:38:06,080 --> 01:38:10,639
Speaker 1: they're telling the I get these thicket show that thinking.

1363
01:38:10,640 --> 01:38:12,160
Speaker 1: When the game was over, he came to me and

1364
01:38:12,240 --> 01:38:14,960
Speaker 1: rule like nigger because it was Chuck was my brother.

1365
01:38:15,040 --> 01:38:19,920
Speaker 1: We used to be mean rubber Chuck used to video

1366
01:38:22,320 --> 01:38:26,880
Speaker 1: Man one time were in New York. He said he

1367
01:38:26,960 --> 01:38:30,639
Speaker 1: played the night before and the one of his hotel

1368
01:38:31,000 --> 01:38:33,000
Speaker 1: lobbies and ship getting drink it. Now we used to

1369
01:38:33,080 --> 01:38:35,880
Speaker 1: do too. We're need getting drinks and ship. So I

1370
01:38:35,960 --> 01:38:38,639
Speaker 1: was getting late. I'm like, all right, nig, I'm making

1371
01:38:38,640 --> 01:38:40,800
Speaker 1: a move. Nig, I'm making like I got to nixt

1372
01:38:40,800 --> 01:38:44,200
Speaker 1: to mom, like you're being disrespectful. Good he said. He

1373
01:38:44,400 --> 01:38:46,120
Speaker 1: I said he kept drinking because he said he got

1374
01:38:46,160 --> 01:38:54,840
Speaker 1: the damn that check was the savage I got. I

1375
01:38:54,960 --> 01:38:57,839
Speaker 1: got you man, I got it checking with the savage,

1376
01:38:58,520 --> 01:39:01,760
Speaker 1: checking a savage man. He used to let the NBA niggas, no,

1377
01:39:02,280 --> 01:39:04,920
Speaker 1: I'm gonna sit on names and protect them my NBA nigga.

1378
01:39:04,920 --> 01:39:08,320
Speaker 1: But he used to let niggas know in private quarters, nigga,

1379
01:39:08,439 --> 01:39:11,280
Speaker 1: you know, I'll give it to you, like nigga, don't

1380
01:39:11,520 --> 01:39:15,840
Speaker 1: you what you like? So that provider that he had

1381
01:39:16,000 --> 01:39:19,920
Speaker 1: man on the court that plays out, he was around.

1382
01:39:20,000 --> 01:39:24,559
Speaker 1: You were around round niggas and you lett and they're like, yeah, yeah,

1383
01:39:24,640 --> 01:39:27,880
Speaker 1: you know, you know I know niggas because he's the

1384
01:39:27,960 --> 01:39:31,599
Speaker 1: big big only Yeah. So the niggas younger in the league.

1385
01:39:31,600 --> 01:39:33,439
Speaker 1: And even like, you know I can give it to you.

1386
01:39:34,560 --> 01:39:39,840
Speaker 1: Niggas is like, Hi, no, nigga, but you don't. The

1387
01:39:40,000 --> 01:39:42,920
Speaker 1: biggest compliment that I could pay AI ain't even on

1388
01:39:43,040 --> 01:39:47,360
Speaker 1: the court. I used to be with this nigger in Philly.

1389
01:39:50,000 --> 01:39:54,120
Speaker 1: This nigger would be out of his mind drunk, her

1390
01:39:54,760 --> 01:39:57,800
Speaker 1: out of his mind drunk, and the nigga would have

1391
01:39:57,960 --> 01:40:02,400
Speaker 1: at least a half a million on correct not Philly.

1392
01:40:02,840 --> 01:40:06,400
Speaker 1: If y'all don't know, Philly is one of the grimiest,

1393
01:40:06,680 --> 01:40:11,880
Speaker 1: I will kill you cities in America. He'd be by

1394
01:40:12,000 --> 01:40:17,240
Speaker 1: hisself dripped when every piece and you read fucking watches

1395
01:40:17,360 --> 01:40:24,000
Speaker 1: everything and like this not even that's the biggest problem

1396
01:40:24,040 --> 01:40:29,120
Speaker 1: with nigga love this nigger. They would. I would be like,

1397
01:40:29,240 --> 01:40:34,200
Speaker 1: how are you not getting wrong number three, Philly? How

1398
01:40:34,280 --> 01:40:37,080
Speaker 1: are you They gonna kidnap you, nig that's the wrong.

1399
01:40:37,720 --> 01:40:39,920
Speaker 1: The thing is gonna kidnap you and call someone you

1400
01:40:40,040 --> 01:40:42,880
Speaker 1: love like we need more money. It's Philly. Niggas is

1401
01:40:43,160 --> 01:40:45,720
Speaker 1: and no one and I asked him. I was like,

1402
01:40:45,880 --> 01:40:50,519
Speaker 1: he's like, one time is not loving these niggas, and

1403
01:40:50,560 --> 01:40:54,920
Speaker 1: these niggas love me. It's the number three. The number

1404
01:40:54,960 --> 01:41:00,120
Speaker 1: three is Philly. Dog that niggas like these things can

1405
01:41:01,280 --> 01:41:03,760
Speaker 1: it's the number three, Lord of Niggabible. You can't touch

1406
01:41:03,840 --> 01:41:06,479
Speaker 1: Michael Vicker. You can't touch the Ellen, obviously you cannot.

1407
01:41:06,800 --> 01:41:11,880
Speaker 1: It's insane. It's time about my brother man. That's my

1408
01:41:12,040 --> 01:41:16,720
Speaker 1: brother man. You know who got getting that universal love

1409
01:41:16,840 --> 01:41:25,600
Speaker 1: right now? Ranging universal act want any hard in America

1410
01:41:25,840 --> 01:41:30,360
Speaker 1: right now and nigga's gonna love in any hood in

1411
01:41:30,400 --> 01:41:35,880
Speaker 1: America right now. I's got that love now too wrong? Crazy,

1412
01:41:36,000 --> 01:41:41,800
Speaker 1: come on, and you know it's not get Yeah, that's mad.

1413
01:41:41,920 --> 01:41:48,080
Speaker 1: That's not nigga talking about office every summer after this thing.

1414
01:41:48,200 --> 01:41:53,160
Speaker 1: You play me a mixtape every summer, But that nigga,

1415
01:41:54,200 --> 01:41:58,120
Speaker 1: it's really about that life too. Yeah yeah yeah. Do

1416
01:41:58,160 --> 01:42:00,519
Speaker 1: you ever see these NBA nigga's, Like you've seen one

1417
01:42:00,560 --> 01:42:05,960
Speaker 1: TV thing like Ronald test is fucking it's huge. If

1418
01:42:06,000 --> 01:42:14,920
Speaker 1: I'm twelve Streets tett Yeah, holy mooly guacamole. So yeah,

1419
01:42:16,160 --> 01:42:19,160
Speaker 1: quick time with Slim? Are you ready ship to get

1420
01:42:19,240 --> 01:42:21,920
Speaker 1: more than ready? Am I gonna? I don't got to

1421
01:42:22,000 --> 01:42:29,880
Speaker 1: go and I'm just yeah yeah, there'll be crazy. What

1422
01:42:30,000 --> 01:42:35,800
Speaker 1: does cook Time with Slime? Where done? Good? Yeah? Yeah

1423
01:42:35,880 --> 01:42:38,800
Speaker 1: so you've done it? Yeah yeah, So just on this one.

1424
01:42:42,120 --> 01:42:44,360
Speaker 1: So where is just to give you most more choice questions.

1425
01:42:45,000 --> 01:42:54,280
Speaker 1: I'm gonna get in troubles rules, I'm definitely gonna get

1426
01:42:54,280 --> 01:42:57,400
Speaker 1: in troubles. So h no, you're gonna get in trouble.

1427
01:42:57,560 --> 01:43:00,000
Speaker 1: It's a So it's basically, we gonna give you more

1428
01:43:00,240 --> 01:43:02,600
Speaker 1: choice if you pick both of po politically correct, you

1429
01:43:02,680 --> 01:43:06,200
Speaker 1: take a shot. If you say neither, you should play

1430
01:43:06,240 --> 01:43:07,640
Speaker 1: a new game. I got a new game for you.

1431
01:43:08,400 --> 01:43:13,880
Speaker 1: This is you kids to go over like that. Tell

1432
01:43:13,920 --> 01:43:16,640
Speaker 1: you you know what because you're doing a lot of

1433
01:43:16,680 --> 01:43:20,240
Speaker 1: old things on the show. Yes, West, we make of

1434
01:43:20,320 --> 01:43:24,840
Speaker 1: old drink. Yes, yes, so everybody should put money in

1435
01:43:24,920 --> 01:43:27,160
Speaker 1: the pot. Whoever got to get up and go to

1436
01:43:27,240 --> 01:43:30,240
Speaker 1: the bathroom first? Oh that's hard. I'm playing that game

1437
01:43:33,640 --> 01:43:38,439
Speaker 1: rights because that's show because I don't know, might been

1438
01:43:38,560 --> 01:43:45,599
Speaker 1: losing to after Ibody using heavy loves that make you go, baby,

1439
01:43:45,640 --> 01:43:47,880
Speaker 1: make you go, but you never know who's gonna lose.

1440
01:43:49,120 --> 01:43:53,519
Speaker 1: The old man tests. Yeah, but we're gonna go. What

1441
01:43:53,640 --> 01:43:55,680
Speaker 1: shot do you want? You want? Because you know you

1442
01:43:55,720 --> 01:43:59,240
Speaker 1: said we got ye the shot? What kind of what

1443
01:43:59,320 --> 01:44:05,760
Speaker 1: you want y'all? Do? Dude? Dude, you say you didn't? Okay,

1444
01:44:05,800 --> 01:44:12,960
Speaker 1: glass they got they get them when they start hey, hey,

1445
01:44:13,120 --> 01:44:19,519
Speaker 1: you know your fucked When they start speaking in love Yeah, yeah, yeah,

1446
01:44:21,160 --> 01:44:30,680
Speaker 1: I'm definitely definitely yeah, you only want to do that.

1447
01:44:33,680 --> 01:44:38,560
Speaker 1: Yeah at that time, I don't I don't know what

1448
01:44:38,800 --> 01:44:43,000
Speaker 1: you better whatever. Smooth the way, by the way, I

1449
01:44:43,040 --> 01:44:53,680
Speaker 1: don't know. That's definitely saying. They start speaking Spanish, they

1450
01:44:53,720 --> 01:44:56,599
Speaker 1: stop saying spirits like, yo, what's it starts speaking spirits?

1451
01:44:57,160 --> 01:45:00,240
Speaker 1: Think she's kind? He want to tell don't read see

1452
01:45:00,479 --> 01:45:05,320
Speaker 1: late mean no no, he probably said listen, want to

1453
01:45:05,439 --> 01:45:17,639
Speaker 1: the right right? No, no, no, that's by the way

1454
01:45:17,680 --> 01:45:19,280
Speaker 1: you got Can you pull your man the shot? Because

1455
01:45:19,320 --> 01:45:20,840
Speaker 1: being that you did this before, can you pull him

1456
01:45:20,880 --> 01:45:26,080
Speaker 1: the shot? I don't shot. I'm telling the truth, tell

1457
01:45:26,120 --> 01:45:29,519
Speaker 1: the truth. I gotta take a shot. If you say both, okay,

1458
01:45:29,560 --> 01:45:31,479
Speaker 1: you ready? If you say no, If you say if,

1459
01:45:31,520 --> 01:45:34,840
Speaker 1: you'll say neither or both? Right, okay, are you ready?

1460
01:45:36,560 --> 01:45:39,519
Speaker 1: M Max or jay Z. You don't have to pull

1461
01:45:39,560 --> 01:45:45,280
Speaker 1: that heavy brother, you don't gotta pull that. That's a

1462
01:45:45,320 --> 01:45:52,680
Speaker 1: good partner, right, there's yeah, So dmx JZ gonna take

1463
01:45:52,680 --> 01:45:54,880
Speaker 1: a shot of that, because that's both. I would say both.

1464
01:45:55,720 --> 01:46:00,040
Speaker 1: I would say both to take a shot. That's the

1465
01:46:00,120 --> 01:46:02,720
Speaker 1: name of the game. I answered all my questions by

1466
01:46:02,800 --> 01:46:09,240
Speaker 1: the way. I love him though. If I had to

1467
01:46:09,439 --> 01:46:13,800
Speaker 1: huge one, take your shot, nigger, just take a shot

1468
01:46:14,280 --> 01:46:26,760
Speaker 1: X shot. And he went in that whole. It put

1469
01:46:26,880 --> 01:46:31,320
Speaker 1: me in the middle of these three competitive things, and

1470
01:46:31,439 --> 01:46:37,000
Speaker 1: it's just like, but jan would ask me the most, Yeah,

1471
01:46:37,040 --> 01:46:40,600
Speaker 1: you think they make a better than me? Not? No, no,

1472
01:46:40,760 --> 01:46:43,040
Speaker 1: not not a hold on, hold, hold got it? Do

1473
01:46:43,160 --> 01:46:46,720
Speaker 1: you think that nig is better? And I used to

1474
01:46:46,800 --> 01:46:52,600
Speaker 1: be like, yo, oh yeah, it's nice old nice in

1475
01:46:52,760 --> 01:46:56,599
Speaker 1: different manners. That's what damn That album would have been

1476
01:46:57,680 --> 01:47:00,920
Speaker 1: bloom up arguments over this ship too. This is deep

1477
01:47:00,920 --> 01:47:06,840
Speaker 1: ship between the three Tupac or Biggie h d J

1478
01:47:07,000 --> 01:47:16,760
Speaker 1: Collet or DJ Drama, Kali Rockefeller or rough Rider. Take

1479
01:47:16,800 --> 01:47:23,080
Speaker 1: a shot, Yeah, you love Karen and Dane. Let's take

1480
01:47:23,120 --> 01:47:25,960
Speaker 1: a shot. To take a shot. I'm gonna take the shot.

1481
01:47:26,080 --> 01:47:32,640
Speaker 1: Take I don't think that shot I want. I can

1482
01:47:32,760 --> 01:47:35,559
Speaker 1: take the shot to that. Okay, it might be easy.

1483
01:47:35,640 --> 01:47:39,479
Speaker 1: I think it's going easy. My mom's going after this.

1484
01:47:39,720 --> 01:47:50,360
Speaker 1: I think Jada kiss or fabulous happy happy man. I

1485
01:47:50,400 --> 01:47:52,320
Speaker 1: don't know what I'm longer and now the shots is

1486
01:47:52,360 --> 01:47:55,280
Speaker 1: gonna it's taking. I'm gonna take a shot. You don't

1487
01:47:55,320 --> 01:48:10,479
Speaker 1: do shot shot immediately hit you mean you just I'm

1488
01:48:10,479 --> 01:48:16,599
Speaker 1: gonna tell you what it Okay, the heroin heroin Jenny

1489
01:48:16,640 --> 01:48:18,479
Speaker 1: kiss a family. Yo, there's a picture out there and

1490
01:48:18,520 --> 01:48:22,240
Speaker 1: me and the dog before we get into the next qason,

1491
01:48:22,360 --> 01:48:24,080
Speaker 1: there's a picture out there and me and the dog

1492
01:48:26,040 --> 01:48:32,200
Speaker 1: on fucking one. If we were in hollow and when

1493
01:48:32,360 --> 01:48:35,599
Speaker 1: my eye and it's a fucking dope best I called

1494
01:48:35,640 --> 01:48:37,880
Speaker 1: him out there one time. You know, it's a picture

1495
01:48:37,960 --> 01:48:41,280
Speaker 1: of me and the dog that somebody has. If you

1496
01:48:41,360 --> 01:48:44,040
Speaker 1: see this, just fucking yo, put the picture on Instagram,

1497
01:48:44,160 --> 01:48:46,920
Speaker 1: send me the picture, dear me something. I need that picture.

1498
01:48:47,000 --> 01:48:49,759
Speaker 1: Want that picture. And then somebody has this l picture

1499
01:48:49,760 --> 01:48:53,040
Speaker 1: of me and this nig. Oh my god, and I

1500
01:48:54,680 --> 01:48:58,439
Speaker 1: recently but what I'm saying, but fairly at it's fairly yeah,

1501
01:48:58,439 --> 01:49:11,639
Speaker 1: we understand. Not that we're going you say for that. Okay,

1502
01:49:11,800 --> 01:49:16,360
Speaker 1: scar face or ice cub Face, Damn, I said that

1503
01:49:16,520 --> 01:49:23,840
Speaker 1: too fast, Cuban motherfuckable faces like face I love first

1504
01:49:23,960 --> 01:49:30,080
Speaker 1: Light of the Days, like one of the best verses ever. Yeah,

1505
01:49:30,240 --> 01:49:35,519
Speaker 1: like we face he just put into picture him being

1506
01:49:35,600 --> 01:49:42,240
Speaker 1: on Yo. Yeah, fucking face Premo or Pete Rock Primo

1507
01:49:42,520 --> 01:49:49,599
Speaker 1: or pre Rock push your to your styles, Pete push

1508
01:49:49,640 --> 01:49:58,439
Speaker 1: you Caress or Rock Cam Rock Caim definitely which Rution

1509
01:49:58,800 --> 01:50:11,360
Speaker 1: is gonna get for the next vipes him him with you.

1510
01:50:14,560 --> 01:50:22,679
Speaker 1: They said it's nothing they can't do at that point. Okay, man, okay,

1511
01:50:22,920 --> 01:50:26,360
Speaker 1: this one this one's catches me all the time. Got

1512
01:50:26,520 --> 01:50:27,960
Speaker 1: you ready, This one catches me all the time. I

1513
01:50:28,000 --> 01:50:30,200
Speaker 1: don't know if it's gonna catch you n w wait

1514
01:50:30,400 --> 01:50:34,639
Speaker 1: or boultank clan. Oh god, this catches me all the time.

1515
01:50:34,840 --> 01:50:40,320
Speaker 1: Oh goddamn, that's the shot. Take a shot being a game,

1516
01:50:42,560 --> 01:50:46,240
Speaker 1: just motherfucker. Okay. We did so much for the East

1517
01:50:46,320 --> 01:50:49,800
Speaker 1: Coast too, and Risons. We were just talking about him

1518
01:50:49,840 --> 01:50:52,799
Speaker 1: with after, like because rizz A came to the Bobs concert.

1519
01:50:52,880 --> 01:51:00,679
Speaker 1: He was taking Torizon was carrying out concept you every

1520
01:51:00,800 --> 01:51:05,040
Speaker 1: time she came out for free Land, and now I

1521
01:51:05,120 --> 01:51:08,000
Speaker 1: didn't know. I don't know how he was coming. I

1522
01:51:08,200 --> 01:51:10,880
Speaker 1: heard that Aic was outside and I said, oh, I'm

1523
01:51:10,920 --> 01:51:13,160
Speaker 1: going to get I went outside personally and get damage

1524
01:51:13,200 --> 01:51:21,400
Speaker 1: man homies streaming. He was like, yo, okay, I was

1525
01:51:21,479 --> 01:51:31,960
Speaker 1: coming stars something or something. Okay, it's something. I don't

1526
01:51:31,960 --> 01:51:33,360
Speaker 1: know which one you want to pick on this one.

1527
01:51:33,439 --> 01:51:35,920
Speaker 1: Because of your loyalty Belly or Boys in the Hood,

1528
01:51:36,920 --> 01:51:44,479
Speaker 1: Yeah I knew that. Okay, here Marv Deep or MLP

1529
01:51:46,560 --> 01:51:51,000
Speaker 1: and MOBB. You had a strange kind of relationship with

1530
01:51:51,120 --> 01:51:53,880
Speaker 1: P right because P's book. He kind of pointed out

1531
01:51:53,960 --> 01:51:56,240
Speaker 1: that Cadillac toss. I don't know if y'all ever directed

1532
01:51:56,560 --> 01:52:01,640
Speaker 1: directly answer that was a thing about that me and

1533
01:52:01,720 --> 01:52:03,560
Speaker 1: P had a conversation about that. Was you who told me?

1534
01:52:03,600 --> 01:52:06,400
Speaker 1: You and me and had a conversation. I had a

1535
01:52:06,479 --> 01:52:11,680
Speaker 1: conversation with him. He said that kind of time. But

1536
01:52:11,840 --> 01:52:15,760
Speaker 1: you know, um just switching gears. You know, I have it.

1537
01:52:16,000 --> 01:52:19,040
Speaker 1: You know, talked about doing vibes. I like how you

1538
01:52:19,080 --> 01:52:21,320
Speaker 1: switched it possible? Now, like, let me let me tell

1539
01:52:21,360 --> 01:52:23,360
Speaker 1: you something that at my jomp talking to figure out

1540
01:52:23,439 --> 01:52:26,240
Speaker 1: how do we do that without P. You got Nooyd,

1541
01:52:27,240 --> 01:52:30,479
Speaker 1: you got yeah, probact his son that could come out.

1542
01:52:32,680 --> 01:52:38,000
Speaker 1: Who's actually spitting rhymes too? That's you know, Yeah, hologram

1543
01:52:38,120 --> 01:52:39,920
Speaker 1: is ill to the cause money, but that would be

1544
01:52:40,720 --> 01:52:42,720
Speaker 1: when it cost that much money, I couldn't get it

1545
01:52:42,760 --> 01:52:44,920
Speaker 1: done and get it done because my thing is that

1546
01:52:44,960 --> 01:52:48,800
Speaker 1: should will be ill P spitting first with fucking on

1547
01:52:48,960 --> 01:52:54,360
Speaker 1: staying even though it's a hologram. That's but let me

1548
01:52:54,439 --> 01:52:59,000
Speaker 1: just figure out that is a big idea and down

1549
01:52:59,439 --> 01:53:05,559
Speaker 1: down a lot. Oh my god, that that album, Oh

1550
01:53:05,640 --> 01:53:10,639
Speaker 1: my god, that's quite also money about that, that's quite

1551
01:53:10,680 --> 01:53:15,439
Speaker 1: through that album. That album is one of the best

1552
01:53:15,760 --> 01:53:20,080
Speaker 1: hip hop albums ever over you're talking to the texts

1553
01:53:20,800 --> 01:53:25,800
Speaker 1: wizard there. I know some dudes that can actually make

1554
01:53:25,880 --> 01:53:28,680
Speaker 1: that ship happen and not be so expensive. It's the

1555
01:53:28,760 --> 01:53:31,200
Speaker 1: way to do it. But now now we're talking up,

1556
01:53:32,479 --> 01:53:34,400
Speaker 1: I'll talk about that. Let's do it. That's the way

1557
01:53:34,439 --> 01:53:36,760
Speaker 1: to do it. Okay, gets a bugg the funk out.

1558
01:53:36,800 --> 01:53:39,920
Speaker 1: If they see a hologram, that nigga que get the money,

1559
01:53:40,000 --> 01:53:47,759
Speaker 1: look nig when the holograms, it's I can only imagine

1560
01:53:47,800 --> 01:53:52,240
Speaker 1: what Coachella did with Pop came out. That motherfucker technology

1561
01:53:52,479 --> 01:53:57,080
Speaker 1: is a lot fucking more advanced. Now, come on, move

1562
01:53:57,320 --> 01:54:01,880
Speaker 1: real quick pop that Jermain dupri Diddy. I think it's

1563
01:54:01,920 --> 01:54:04,479
Speaker 1: just that quick man. Did he? Yeah he just went

1564
01:54:04,680 --> 01:54:06,920
Speaker 1: quick on that Missy or Bust Brown. Are you gonna

1565
01:54:06,960 --> 01:54:13,040
Speaker 1: explain one? Yeah? Because yeah, because did he? He was

1566
01:54:13,160 --> 01:54:16,400
Speaker 1: responsible for a whole coast and waving the whole like

1567
01:54:17,360 --> 01:54:20,599
Speaker 1: little nigga. Jad is my nigga, but he's really more.

1568
01:54:21,000 --> 01:54:23,800
Speaker 1: He has a lot of usher. It's his big ship.

1569
01:54:24,680 --> 01:54:28,800
Speaker 1: They're gonna go to skating together. Still, that's just seen

1570
01:54:28,840 --> 01:54:32,760
Speaker 1: them and roll the ship. Jade has a lot of

1571
01:54:32,800 --> 01:54:40,280
Speaker 1: other ship. But jump, he got cross Chris Cross j

1572
01:54:40,480 --> 01:54:47,640
Speaker 1: d I think put it to me though, who they

1573
01:54:47,680 --> 01:54:51,080
Speaker 1: didn't do a versus him? And did he and Germane

1574
01:54:51,120 --> 01:54:56,360
Speaker 1: de Bree, And that's that's a tough one. I don't

1575
01:54:56,360 --> 01:54:59,200
Speaker 1: know who does Gotty want a producer? Wise, I don't

1576
01:54:59,240 --> 01:55:01,200
Speaker 1: want no one. I don't want to do versus you

1577
01:55:01,400 --> 01:55:06,320
Speaker 1: want to Scott Storch and I'm different. I always use somebody.

1578
01:55:06,440 --> 01:55:09,520
Speaker 1: I'm not a producer on my own. It's always only

1579
01:55:09,600 --> 01:55:12,720
Speaker 1: in the beginning was just dj V. But it's always

1580
01:55:12,800 --> 01:55:16,880
Speaker 1: IRV Gotti in someone. So that's why. That's why I think, Uh,

1581
01:55:17,600 --> 01:55:21,800
Speaker 1: people don't give me my producer flowers. They'll give me

1582
01:55:21,960 --> 01:55:24,800
Speaker 1: up but he is the same thing. But you got

1583
01:55:24,800 --> 01:55:30,080
Speaker 1: your flowers, saw It's like you though. I think a

1584
01:55:30,160 --> 01:55:33,280
Speaker 1: lot of people, a lot of people, they don't really

1585
01:55:33,840 --> 01:55:36,840
Speaker 1: even mentioned me as a producer, even though I'm out

1586
01:55:36,920 --> 01:55:40,400
Speaker 1: produced a lot of these most every one of these names.

1587
01:55:40,400 --> 01:55:43,120
Speaker 1: A lot of niggas produced. How you produce, Yeah, but

1588
01:55:43,160 --> 01:55:47,480
Speaker 1: they don't say that. Niggas know that, though Drey does that.

1589
01:55:47,640 --> 01:55:56,240
Speaker 1: But it's just it's known and it's even accepted more

1590
01:55:56,680 --> 01:55:59,560
Speaker 1: that nigg is produced with niggas nowadays, like Kanye producers

1591
01:55:59,600 --> 01:56:02,840
Speaker 1: with a lot of people. I'm saying, a lot of

1592
01:56:03,120 --> 01:56:08,000
Speaker 1: games is produced with other producers coming through good old Ship,

1593
01:56:11,680 --> 01:56:23,120
Speaker 1: Good friendship. That's that's friendship. Beautiful statement. Next questions, Missy

1594
01:56:23,240 --> 01:56:30,840
Speaker 1: or bust Missy missy okay ye that yeah, Miss Cross

1595
01:56:30,880 --> 01:56:37,200
Speaker 1: examines miss buster. They got hits, but Missy to me

1596
01:56:37,400 --> 01:56:43,920
Speaker 1: has like bigger hits, timeless, bigger, bigger hits your head,

1597
01:56:43,960 --> 01:56:46,600
Speaker 1: get your freak on before you're gonna head put you

1598
01:56:46,720 --> 01:56:50,000
Speaker 1: put your hands in yours. See. I love the babe

1599
01:56:50,040 --> 01:56:59,400
Speaker 1: with you. That's not only was her lyrics infectious. That

1600
01:56:59,560 --> 01:57:04,080
Speaker 1: fucking beat was infectious. Yeah, it ain't no stud on

1601
01:57:04,120 --> 01:57:08,760
Speaker 1: that I'm not drinking taking a shot. Was trying to alright,

1602
01:57:10,680 --> 01:57:11,920
Speaker 1: this one. I don't know where you're gonna go with

1603
01:57:12,000 --> 01:57:19,400
Speaker 1: this one. Old b bus Markey take a shot. Oh

1604
01:57:19,640 --> 01:57:24,680
Speaker 1: you mother figure heavy man, because they go on, he

1605
01:57:24,760 --> 01:57:29,160
Speaker 1: can't do that, and you know, and they've opinion great

1606
01:57:29,360 --> 01:57:32,200
Speaker 1: at what they didn't do that. He was the artist

1607
01:57:32,280 --> 01:57:37,280
Speaker 1: who did not take rap seriously and funny, oh b whatever.

1608
01:57:37,640 --> 01:57:39,840
Speaker 1: So that's why I said, you motherfucker because I'm black.

1609
01:57:40,480 --> 01:57:43,280
Speaker 1: Was so close to what they do. They were taking

1610
01:57:43,400 --> 01:57:51,920
Speaker 1: serious seriously. I think I actually no ODB took it serious.

1611
01:57:52,560 --> 01:58:05,320
Speaker 1: Started cash that mom, that's just shot. Pick up to Jesus.

1612
01:58:06,400 --> 01:58:11,760
Speaker 1: Never definitely say that shot Okay, oh this is a

1613
01:58:11,840 --> 01:58:16,920
Speaker 1: good one. This is can't be feeding me this beauty

1614
01:58:16,960 --> 01:58:25,400
Speaker 1: mixed with heroin and episode y'all food that does because yeah,

1615
01:58:26,560 --> 01:58:31,560
Speaker 1: you real talk? This that great? It's great, It's great.

1616
01:58:33,400 --> 01:58:39,960
Speaker 1: I was, I was hid, but it took me to dude,

1617
01:58:40,040 --> 01:58:46,080
Speaker 1: let's doing its job. You after listen, listen, listen, feed

1618
01:58:46,160 --> 01:58:50,440
Speaker 1: him to heroine. You know, but this one, I don't

1619
01:58:50,440 --> 01:58:53,000
Speaker 1: know who you're gonna go with this because you're really

1620
01:58:53,120 --> 01:58:59,280
Speaker 1: you're really um connoisseur eighties or nineties hip hop nineties? Damn,

1621
01:58:59,440 --> 01:59:03,800
Speaker 1: that was too easy. Yea, that was I mean, here's

1622
01:59:03,800 --> 01:59:06,360
Speaker 1: my hip hop story. Okay, so hip hop started in

1623
01:59:06,400 --> 01:59:08,600
Speaker 1: the semi three. Oh, by the way, do you know?

1624
01:59:08,720 --> 01:59:15,480
Speaker 1: Next year is the fifty anniversary of hip hop, anniversary

1625
01:59:16,320 --> 01:59:20,760
Speaker 1: of the greatest form of music in American history, the

1626
01:59:21,280 --> 01:59:25,400
Speaker 1: home that has held more Niggers than I don't I

1627
01:59:25,520 --> 01:59:33,400
Speaker 1: can't even I love hip hop Anniversary like with so

1628
01:59:33,600 --> 01:59:41,400
Speaker 1: much passion, and hopefully me and BT will provide a

1629
01:59:41,480 --> 01:59:45,520
Speaker 1: lot of hip hop worthy content. Can I just say

1630
01:59:45,600 --> 01:59:48,640
Speaker 1: on that segue? Can I speak about the first movie

1631
01:59:48,720 --> 01:59:53,080
Speaker 1: I'm making? Okay, the first movie I'm making is Tales Presents.

1632
01:59:53,240 --> 01:59:55,480
Speaker 1: I want to say the Tales was like movie like,

1633
01:59:56,440 --> 02:00:02,320
Speaker 1: so it was easy transition. So let me tell you

1634
02:00:02,480 --> 02:00:07,400
Speaker 1: how God works, because this is all God, right, So

1635
02:00:07,800 --> 02:00:10,240
Speaker 1: let me tell you. So, I said, I want to

1636
02:00:10,320 --> 02:00:14,440
Speaker 1: do this movie, but I don't own a hundred percent

1637
02:00:14,520 --> 02:00:18,200
Speaker 1: of Tales via Calm BT and buy a Calm CVS.

1638
02:00:18,920 --> 02:00:21,920
Speaker 1: So I go to Bob Backash, big shout out, Bob,

1639
02:00:22,000 --> 02:00:25,480
Speaker 1: if you're watching this, I love you. Bob Backages the

1640
02:00:25,600 --> 02:00:31,840
Speaker 1: shaman and CEO of Viacom CBS. So I go to him.

1641
02:00:32,120 --> 02:00:36,120
Speaker 1: He's a really good friend. I love you, right, And

1642
02:00:36,240 --> 02:00:38,640
Speaker 1: I asked him. I said, yo, I want to branch

1643
02:00:38,720 --> 02:00:41,720
Speaker 1: out Tales two films. I want to make a movie

1644
02:00:42,240 --> 02:00:45,800
Speaker 1: now under the Viacom CBS umbrella is not just BT,

1645
02:00:46,240 --> 02:00:50,200
Speaker 1: mt V, b h M T. They have the Paramount network,

1646
02:00:50,280 --> 02:00:54,480
Speaker 1: they have Paramount Plus, they have Showtime, they have CBS right,

1647
02:00:55,120 --> 02:00:59,000
Speaker 1: they also have Paramount Studios. So when I asked him

1648
02:00:59,040 --> 02:01:01,800
Speaker 1: I wanted the use of the name Tales and things.

1649
02:01:01,920 --> 02:01:05,080
Speaker 1: He says, God, he do you got money to do

1650
02:01:05,200 --> 02:01:08,400
Speaker 1: it yourself? I was front at the time. I didn't,

1651
02:01:08,400 --> 02:01:11,320
Speaker 1: but I said, yeah, just go ahead and make it

1652
02:01:11,480 --> 02:01:14,680
Speaker 1: and I'll distribute it. Ill distribute. He gives me a

1653
02:01:14,760 --> 02:01:17,960
Speaker 1: distribution deal on some just love ship and you know.

1654
02:01:18,240 --> 02:01:20,680
Speaker 1: Later I asked him, why did you do that? He says,

1655
02:01:20,720 --> 02:01:23,600
Speaker 1: I didn't want you fucking with like anybody, just go

1656
02:01:23,680 --> 02:01:25,920
Speaker 1: ahead and make the movie. If I if I would

1657
02:01:25,920 --> 02:01:28,440
Speaker 1: have did the deal at paramount, he says, Now you

1658
02:01:28,520 --> 02:01:30,720
Speaker 1: gotta work for paramount. And there he says, I just

1659
02:01:30,960 --> 02:01:33,920
Speaker 1: rather you make it, get your vision, your idea off

1660
02:01:34,000 --> 02:01:37,920
Speaker 1: with no restraints, bring it to me. He said, Not

1661
02:01:38,040 --> 02:01:40,720
Speaker 1: just make it good. He said, just make it good

1662
02:01:40,800 --> 02:01:43,800
Speaker 1: and I'll give you. I ain't gonna say, but he's

1663
02:01:43,840 --> 02:01:46,640
Speaker 1: gonna give me more, way more than I'm gonna make

1664
02:01:46,720 --> 02:01:49,160
Speaker 1: for it. Wow, you know what I'm saying. So that's

1665
02:01:49,160 --> 02:01:53,000
Speaker 1: how taals Presents we made in America. Big shout out

1666
02:01:53,120 --> 02:01:58,760
Speaker 1: to Hove because I'm using women in America as the thing.

1667
02:01:59,320 --> 02:02:04,560
Speaker 1: And it's the story clear it. This is why I

1668
02:02:04,640 --> 02:02:07,400
Speaker 1: pick up some Kanye J. But this is why I

1669
02:02:07,520 --> 02:02:10,920
Speaker 1: love Hoove and love you too, Kanye and thing. But

1670
02:02:11,680 --> 02:02:13,120
Speaker 1: he was like, God, do you want to use that?

1671
02:02:13,320 --> 02:02:16,000
Speaker 1: I said, yeah, now, mind you, I'm gonna use it

1672
02:02:16,160 --> 02:02:21,680
Speaker 1: in the movie, in the television commercials, online campaign. I'm

1673
02:02:21,800 --> 02:02:26,000
Speaker 1: using this everywhere you take it. He gave it to

1674
02:02:26,120 --> 02:02:30,000
Speaker 1: me that's good. It gave it to you, gave it

1675
02:02:30,080 --> 02:02:36,280
Speaker 1: to you. I love you, Jay, I love you Jane.

1676
02:02:36,440 --> 02:02:39,040
Speaker 1: I love you to it man, you know what I'm saying.

1677
02:02:39,600 --> 02:02:43,440
Speaker 1: But that's now we all know that record in America

1678
02:02:44,440 --> 02:02:50,240
Speaker 1: sweet spe Jesus, I'm recking a superint that justin tip

1679
02:02:50,520 --> 02:03:01,440
Speaker 1: On there too, no Jesus, but y'all, So now, Jake Clear,

1680
02:03:01,560 --> 02:03:03,520
Speaker 1: is the record I wrote. I go to l A,

1681
02:03:03,600 --> 02:03:07,280
Speaker 1: I write the script and it's a monster music hip

1682
02:03:07,320 --> 02:03:11,680
Speaker 1: hop music movie. So I made all of the music

1683
02:03:12,160 --> 02:03:18,600
Speaker 1: for it before and fucking it's gonna be a group

1684
02:03:19,000 --> 02:03:24,480
Speaker 1: like one of the best theatrical hip hop music experiences.

1685
02:03:24,880 --> 02:03:29,320
Speaker 1: It's dope. How about a soundtrack soundtrack on soundtrack on

1686
02:03:29,600 --> 02:03:34,720
Speaker 1: soundtrack will coincide right along with it. But the crazy

1687
02:03:34,880 --> 02:03:39,240
Speaker 1: thing is, I'm sleeping, and you know I'm I'm very

1688
02:03:39,560 --> 02:03:46,000
Speaker 1: thankful to God right right now, I'm bigging up. Let's

1689
02:03:46,040 --> 02:03:52,520
Speaker 1: give it up. Let's give it up for God because

1690
02:03:53,680 --> 02:03:56,240
Speaker 1: the crazy ship nor I thought of this next idea

1691
02:03:56,920 --> 02:03:59,920
Speaker 1: in my sleep. That's definitely coming from God. This is

1692
02:04:00,040 --> 02:04:01,680
Speaker 1: what I said. I said, who else the fund can

1693
02:04:01,760 --> 02:04:04,920
Speaker 1: I give it to? If all my fucking really really

1694
02:04:05,000 --> 02:04:07,440
Speaker 1: great ideas, I swear to God, I'll be knocked out

1695
02:04:07,480 --> 02:04:09,680
Speaker 1: and I'll wake up and I see it all in

1696
02:04:10,120 --> 02:04:15,200
Speaker 1: a visual dream. So what I see most recently was

1697
02:04:15,680 --> 02:04:19,280
Speaker 1: I'm having I was having problems casting the lead role

1698
02:04:19,440 --> 02:04:22,040
Speaker 1: for Tales Presents We Made America, which has got to

1699
02:04:22,080 --> 02:04:26,120
Speaker 1: be a rapper slash drug dealer because the story, let's

1700
02:04:26,160 --> 02:04:29,040
Speaker 1: go back to the story. The story and the movie

1701
02:04:29,920 --> 02:04:36,520
Speaker 1: is about drug dealers who start hip hop labels and

1702
02:04:36,640 --> 02:04:42,520
Speaker 1: become successful. Very touchy subject. It's listen, just a celebration

1703
02:04:43,120 --> 02:04:47,680
Speaker 1: of what hip hop has done for us. That's what

1704
02:04:48,000 --> 02:04:51,160
Speaker 1: I wrote the movie, and it is dope. Most people

1705
02:04:51,160 --> 02:04:53,880
Speaker 1: are gonna say, that's the laundry of money that people

1706
02:04:53,920 --> 02:04:57,560
Speaker 1: were talking about maybe with some other guys. But n

1707
02:05:04,080 --> 02:05:08,920
Speaker 1: he didn't catch him. It's too late. How it's too late?

1708
02:05:10,280 --> 02:05:13,280
Speaker 1: My man was slinging. He says it in his rhymes.

1709
02:05:14,000 --> 02:05:16,040
Speaker 1: You know what I'm saying, when my brothers told about

1710
02:05:16,080 --> 02:05:19,720
Speaker 1: to start a hundred G packs that you know the

1711
02:05:19,800 --> 02:05:22,520
Speaker 1: great story we cannot live is can I live? I'm

1712
02:05:22,560 --> 02:05:25,080
Speaker 1: waiting for him in dn D because he's coming home

1713
02:05:25,240 --> 02:05:29,560
Speaker 1: over five, coming from he's coming from getting to the

1714
02:05:29,720 --> 02:05:33,360
Speaker 1: bag and we're sitting there waiting for him, and he

1715
02:05:33,520 --> 02:05:38,360
Speaker 1: comes in and does his jay Z jay Z thing

1716
02:05:39,080 --> 02:05:42,680
Speaker 1: and Rice can I Live? But that's why Reasonable Doubt

1717
02:05:42,920 --> 02:05:46,000
Speaker 1: is so fucking raw. It's so raw because this nigger

1718
02:05:46,160 --> 02:05:49,680
Speaker 1: was still a drug dealer while making the album. So

1719
02:05:49,880 --> 02:05:52,720
Speaker 1: all that ship you hand, the crack of Roman in

1720
02:05:52,800 --> 02:05:56,160
Speaker 1: the room, nigga, he just finished selling fucking ninety bricks

1721
02:05:56,200 --> 02:05:59,080
Speaker 1: and fucking Keylo's and cocaine and now he's on his

1722
02:05:59,200 --> 02:06:01,640
Speaker 1: way to the studio with a bag of money. If

1723
02:06:01,720 --> 02:06:04,240
Speaker 1: that ain't if that ain't really in real, then what

1724
02:06:04,400 --> 02:06:09,760
Speaker 1: the funk is talk? And we made here's another tad.

1725
02:06:09,880 --> 02:06:13,920
Speaker 1: Bing was waiting for Nas old. He was waiting for

1726
02:06:14,120 --> 02:06:20,480
Speaker 1: Nas to get on Can I Live? They no one, no, no,

1727
02:06:20,680 --> 02:06:23,720
Speaker 1: no one now, But listen, we was waiting for Nas

1728
02:06:24,760 --> 02:06:27,360
Speaker 1: to do the second verse to show up. That's what

1729
02:06:27,480 --> 02:06:30,600
Speaker 1: started it because you was in the beef a lot, Yeah,

1730
02:06:32,160 --> 02:06:35,360
Speaker 1: and it be all of that would be in the documentary.

1731
02:06:41,000 --> 02:06:47,560
Speaker 1: So the crazy ship, it's fucking yeah, I was in

1732
02:06:47,640 --> 02:06:50,480
Speaker 1: the VG. Maybe go back to naas or whatever like that.

1733
02:06:51,000 --> 02:06:53,080
Speaker 1: But they we're waiting for him. We can't I Live?

1734
02:06:53,360 --> 02:06:55,520
Speaker 1: And Nas was supposed to be on this bitch You

1735
02:06:55,600 --> 02:06:58,680
Speaker 1: sure it wasn't that President? No, I'm sure I was there.

1736
02:06:58,800 --> 02:07:01,360
Speaker 1: I was in the studio and they because that's president

1737
02:07:01,520 --> 02:07:04,240
Speaker 1: sample nos voice right, yes, okay, I don't even place

1738
02:07:04,320 --> 02:07:07,440
Speaker 1: you in that situation. Did you know he was there?

1739
02:07:08,080 --> 02:07:12,480
Speaker 1: Recent doubt he's been like I think do hip hop

1740
02:07:12,640 --> 02:07:16,360
Speaker 1: and on the album, but it's safe to say I

1741
02:07:16,520 --> 02:07:20,280
Speaker 1: was Jay's like Cassiglia, I was helping maneuver ship. I

1742
02:07:20,360 --> 02:07:23,960
Speaker 1: just totally stopped what I was doing because with blunt

1743
02:07:24,000 --> 02:07:26,280
Speaker 1: t V T I didn't. I was like, we can't

1744
02:07:26,320 --> 02:07:28,720
Speaker 1: win with these names. Steve, because I still listen to

1745
02:07:28,800 --> 02:07:34,680
Speaker 1: get the force, you get the fortunates, but make me

1746
02:07:34,680 --> 02:07:38,440
Speaker 1: go back to but Steve Godley had the ponytail. Yeah okay, yeah,

1747
02:07:40,160 --> 02:07:44,320
Speaker 1: hold he had and at every meeting, at every meeting,

1748
02:07:44,400 --> 02:07:49,560
Speaker 1: he will kick his feet shot, put his feet on. Yes,

1749
02:07:51,440 --> 02:08:04,720
Speaker 1: you're corroborating story. He had the police head, three headcuts, naked, naked,

1750
02:08:06,160 --> 02:08:08,440
Speaker 1: making feet on the temple. Told me don't do a

1751
02:08:08,520 --> 02:08:10,440
Speaker 1: deal with him, and I still wouldn't have the meeting

1752
02:08:11,040 --> 02:08:15,120
Speaker 1: wasn't people, you know, it was towards the end. What

1753
02:08:15,480 --> 02:08:21,040
Speaker 1: he knew, what was gonna TV. Yeah, we gotta go

1754
02:08:21,120 --> 02:08:25,680
Speaker 1: back to the handybody would have worked that different. Nod

1755
02:08:25,960 --> 02:08:35,720
Speaker 1: at all no, no, staying moving chronic. He was he

1756
02:08:36,640 --> 02:08:38,840
Speaker 1: could have had it roll. Yeah, that's because he had

1757
02:08:38,960 --> 02:08:42,640
Speaker 1: rule and Dr Dre came through and could have and

1758
02:08:42,760 --> 02:08:45,960
Speaker 1: the ningch nails was on their head nine chis. But

1759
02:08:46,320 --> 02:08:48,600
Speaker 1: before all that he had he bought all the TV

1760
02:08:51,520 --> 02:08:54,920
Speaker 1: TV teams. That's insane, like that was crazy and that's

1761
02:08:54,960 --> 02:08:57,800
Speaker 1: what he was making money. And he decided to branch out. Wow,

1762
02:08:58,760 --> 02:09:03,360
Speaker 1: please go back, go back? Can I live? Versus can

1763
02:09:03,440 --> 02:09:07,720
Speaker 1: I live? Come on? Man? Okay, but he didn't show.

1764
02:09:07,920 --> 02:09:10,120
Speaker 1: That's the end of the story. He didn't show. And

1765
02:09:10,480 --> 02:09:14,920
Speaker 1: it was funny my mantone hook original flavor favor Okay.

1766
02:09:15,120 --> 02:09:17,520
Speaker 1: So Jay rites the first verse. Now when you listen

1767
02:09:17,560 --> 02:09:19,520
Speaker 1: to the Jay for it's one of his best verses.

1768
02:09:19,560 --> 02:09:26,360
Speaker 1: Show Jay, can I live? First verse? I'll go cool,

1769
02:09:26,840 --> 02:09:31,040
Speaker 1: but we got technical Come on, you gotta set it

1770
02:09:31,120 --> 02:09:35,640
Speaker 1: off and help it out. It's sort of no, that's

1771
02:09:37,080 --> 02:09:39,800
Speaker 1: that's that's Uh. You've been switzerling for way too long.

1772
02:09:40,040 --> 02:09:43,920
Speaker 1: I'm too blunk. You can't give me all this fucking

1773
02:09:44,000 --> 02:09:47,400
Speaker 1: Hallway hats and fucking wisdom. You're gonna start believing we

1774
02:09:47,440 --> 02:10:00,600
Speaker 1: get you, Harold man. We're gonna stop talking. He and

1775
02:10:00,720 --> 02:10:06,000
Speaker 1: I liked it. I like the heroines. Oh man, I

1776
02:10:06,120 --> 02:10:11,280
Speaker 1: can't remember they can't and then we're gonna finish Creek time.

1777
02:10:11,280 --> 02:10:16,440
Speaker 1: It's not no, it's just just definitely not anything. That's

1778
02:10:16,480 --> 02:10:22,560
Speaker 1: the first I've been watching. Yeah, I've been watching nigga,

1779
02:10:22,640 --> 02:10:30,360
Speaker 1: watching closely, watching every nigga would be closely but toasted

1780
02:10:30,440 --> 02:10:39,120
Speaker 1: me pull that up because get you clapped close you know.

1781
02:10:39,200 --> 02:10:44,160
Speaker 1: He was just he was just real talk. Jay was

1782
02:10:44,240 --> 02:10:49,480
Speaker 1: just completely awesome and different. You gotta understand time to

1783
02:10:49,600 --> 02:10:53,760
Speaker 1: build rule me and rules in the studio and he's

1784
02:10:53,880 --> 02:10:58,200
Speaker 1: like he's looking at the So this is the first

1785
02:10:58,240 --> 02:11:04,040
Speaker 1: time I've seen him doron record, right, mike one of

1786
02:11:04,120 --> 02:11:09,000
Speaker 1: two on my Dronto album. So he's sitting there. I'm

1787
02:11:09,200 --> 02:11:12,400
Speaker 1: keeping trying to handle a pad, like, yo, you want

1788
02:11:12,400 --> 02:11:15,920
Speaker 1: to pack. But he's like if you ever seen Jay

1789
02:11:16,000 --> 02:11:21,360
Speaker 1: do this, He's like looks crazy. He's like this is

1790
02:11:21,400 --> 02:11:23,880
Speaker 1: exactly how he is. And his face is faced in

1791
02:11:23,960 --> 02:11:27,960
Speaker 1: the wall and he's right, and I keep going you

1792
02:11:27,960 --> 02:11:30,800
Speaker 1: want to write and he's like no, And then nigga,

1793
02:11:31,080 --> 02:11:34,080
Speaker 1: he was like, yo, already like five minutes. He did

1794
02:11:34,120 --> 02:11:37,640
Speaker 1: that ship fast. But he had a subject topic because

1795
02:11:37,720 --> 02:11:41,440
Speaker 1: that's when he what the nig next niket done. Mean,

1796
02:11:41,600 --> 02:11:43,480
Speaker 1: I'm like, why had this nick shing on the next

1797
02:11:43,600 --> 02:11:46,960
Speaker 1: because he was upset, because he was upset that I

1798
02:11:47,120 --> 02:11:49,120
Speaker 1: had ex closed in the record. You remember back in

1799
02:11:49,200 --> 02:11:52,600
Speaker 1: those days, whoever closed the record? Right? He was like,

1800
02:11:52,680 --> 02:11:56,080
Speaker 1: guy just so, he's like, you let him close the record?

1801
02:11:56,200 --> 02:11:58,680
Speaker 1: I said, uh yeah, I like his energy on it.

1802
02:11:59,200 --> 02:12:02,240
Speaker 1: He brings it up, hitting hell with you my for inches,

1803
02:12:02,400 --> 02:12:04,800
Speaker 1: I'm gonna grab me niggat someone like my bitches crunty

1804
02:12:04,920 --> 02:12:07,720
Speaker 1: but clothes dirty, dick, shitty and my knife bloody. I

1805
02:12:07,800 --> 02:12:10,480
Speaker 1: did too much dirt to turn back. Now, I'm the

1806
02:12:10,560 --> 02:12:14,000
Speaker 1: reason my little sister smoking crack. Now I feel guilty

1807
02:12:14,040 --> 02:12:17,760
Speaker 1: if I had a heart, but I don't. Yeah, that

1808
02:12:17,880 --> 02:12:20,720
Speaker 1: thinker was a from hell, that thigging with me because

1809
02:12:20,760 --> 02:12:25,520
Speaker 1: he was truly a funked up he was. He was

1810
02:12:25,600 --> 02:12:29,000
Speaker 1: truly a fucked up nigger who looking back there quick

1811
02:12:29,040 --> 02:12:32,320
Speaker 1: time a slim ain't even one fund up a little

1812
02:12:32,360 --> 02:12:37,280
Speaker 1: bit answering everything truthful. Okay, let's law la Miami. Well

1813
02:12:37,320 --> 02:12:40,800
Speaker 1: that's easy, l A. I like living in l A Miami,

1814
02:12:41,120 --> 02:12:43,880
Speaker 1: but let me put it just slamer. Miami is great.

1815
02:12:44,480 --> 02:12:47,560
Speaker 1: But I don't I wouldn't want to live here because

1816
02:12:47,600 --> 02:12:48,960
Speaker 1: you get popping a lot of ship in Miami and

1817
02:12:49,000 --> 02:12:51,720
Speaker 1: just keep it and and keep it real, to keep

1818
02:12:51,720 --> 02:12:54,160
Speaker 1: it real. If I lived in Miami, I'll be thinking

1819
02:12:54,160 --> 02:13:01,520
Speaker 1: about we made our album. We made uh last Centation,

1820
02:13:04,280 --> 02:13:09,920
Speaker 1: do it? We made Last Station in Miami. Listen made

1821
02:13:10,000 --> 02:13:13,760
Speaker 1: las Centation in Miami. We made we made Rule three

1822
02:13:13,840 --> 02:13:19,040
Speaker 1: three six in l A. Murder Manship Miami. You don't

1823
02:13:19,080 --> 02:13:23,640
Speaker 1: want to work, la. I would go to the student Yeah,

1824
02:13:23,640 --> 02:13:27,960
Speaker 1: I see what I'm saying. You understand what I'm saying. La.

1825
02:13:28,640 --> 02:13:31,120
Speaker 1: I would go to the studio. I would come home

1826
02:13:31,200 --> 02:13:33,400
Speaker 1: and it was like I could work in l A

1827
02:13:34,000 --> 02:13:37,120
Speaker 1: in Miami is too tropical. I feel like this is

1828
02:13:37,200 --> 02:13:44,720
Speaker 1: so beautiful that I need to suck my life off. Miami.

1829
02:13:44,880 --> 02:13:48,200
Speaker 1: So beautiful, you say to yourself, but you get career.

1830
02:13:55,080 --> 02:14:03,880
Speaker 1: Most it was small. It worked in there like okay,

1831
02:14:03,920 --> 02:14:09,200
Speaker 1: it was the best place. Or gang Star you motherfucker

1832
02:14:09,360 --> 02:14:12,000
Speaker 1: if you know no, if I have to, I told you, okay,

1833
02:14:12,400 --> 02:14:21,880
Speaker 1: yeah the BRONC. You're gonna pick Heroin stay back, sucking

1834
02:14:22,040 --> 02:14:30,280
Speaker 1: your your your fucking even Gus Jesus EPMDR Gang Star EPMG. Okay,

1835
02:14:30,360 --> 02:14:31,760
Speaker 1: now this one I want you to stay here just

1836
02:14:31,800 --> 02:14:36,280
Speaker 1: for this part your TV raps or um y'r m

1837
02:14:36,320 --> 02:14:41,480
Speaker 1: TV or rap City. I just want to see b

1838
02:14:41,880 --> 02:14:54,160
Speaker 1: t rap City. It's joining my documentary whip. Somehow I

1839
02:14:54,320 --> 02:15:06,720
Speaker 1: didn't my own something. That's I calculate that somehow that

1840
02:15:06,840 --> 02:15:21,360
Speaker 1: that's just correct. Okay, Big Pun or Big Ol, come on, man,

1841
02:15:21,480 --> 02:15:25,720
Speaker 1: really really they both passed away and take a shot.

1842
02:15:25,760 --> 02:15:29,880
Speaker 1: I'll take a show with you. You're a fucking ship.

1843
02:15:31,360 --> 02:15:35,000
Speaker 1: I love Big Pun and I love Big Al. Let's

1844
02:15:35,320 --> 02:15:41,520
Speaker 1: look where I got the right. So you do post

1845
02:15:41,600 --> 02:15:44,800
Speaker 1: questions that you know you got to take a shot. Yes,

1846
02:15:44,880 --> 02:15:50,640
Speaker 1: that's very true. Piece. This is because they let's go,

1847
02:15:51,040 --> 02:15:54,680
Speaker 1: let's go. It's good. But this is a producing question.

1848
02:15:54,680 --> 02:15:57,880
Speaker 1: I don't I'm not MPC two thousand Exile or the

1849
02:15:58,080 --> 02:16:03,680
Speaker 1: MPC three three most school. Okay, that's old school as

1850
02:16:03,920 --> 02:16:07,480
Speaker 1: but my nigga chick could make that excel. He could

1851
02:16:07,520 --> 02:16:12,920
Speaker 1: make that bit sing like. There's certain people that I'm

1852
02:16:12,960 --> 02:16:19,600
Speaker 1: pretty sure a large professor on the S twelve, he's

1853
02:16:19,720 --> 02:16:25,160
Speaker 1: the crowd for the three thousand. My nigga a little rob.

1854
02:16:25,720 --> 02:16:28,800
Speaker 1: When I say a wizard, this guy was a wizard

1855
02:16:28,920 --> 02:16:32,160
Speaker 1: with that ship and Chinck with the two thousand excel

1856
02:16:33,879 --> 02:16:37,959
Speaker 1: with three thousand but three. I see Primo as an

1857
02:16:38,080 --> 02:16:40,960
Speaker 1: SP twelve guy because he started there. And trust me,

1858
02:16:41,080 --> 02:16:44,520
Speaker 1: all of those rugged ass beats you could do. Me

1859
02:16:44,680 --> 02:16:47,880
Speaker 1: as a producer, I could tell when I could tell

1860
02:16:48,160 --> 02:16:51,680
Speaker 1: when a beat is made on the SP twelve hundred.

1861
02:16:52,720 --> 02:16:58,920
Speaker 1: It just has a certain It has that dirt, has

1862
02:16:59,000 --> 02:17:01,800
Speaker 1: that grid that pop loves. That's what I'm said. This,

1863
02:17:01,879 --> 02:17:03,440
Speaker 1: this is a real reducing That's what I'm trying to say.

1864
02:17:05,360 --> 02:17:09,960
Speaker 1: Hip hop. Oh God, it's the SP twelve hundred. I

1865
02:17:10,160 --> 02:17:13,199
Speaker 1: like to say by two thousand, Nigga, I helped usher

1866
02:17:13,280 --> 02:17:18,240
Speaker 1: to three thousand, and that's what That's what I'm saying. Like,

1867
02:17:18,280 --> 02:17:20,360
Speaker 1: you know, like I don't like people listen, you know

1868
02:17:20,640 --> 02:17:23,800
Speaker 1: it's the travesy that I don't get thing because in

1869
02:17:23,879 --> 02:17:29,400
Speaker 1: all honesty, Nori like, as a producer, Nigga, I got busy,

1870
02:17:30,959 --> 02:17:35,680
Speaker 1: real listen, real busy, like I got hip hop slash

1871
02:17:36,560 --> 02:17:39,920
Speaker 1: music busy because you know, hip hop before then was

1872
02:17:39,959 --> 02:17:42,520
Speaker 1: a lot of samples, a lot of things and how

1873
02:17:42,600 --> 02:17:49,279
Speaker 1: to manipulated. But fucking my ship was like live instrumentation

1874
02:17:50,080 --> 02:17:53,280
Speaker 1: and ship like that. Because I was I was, I

1875
02:17:53,440 --> 02:17:57,080
Speaker 1: was blessed with having a little wrong in Chicken seven

1876
02:17:57,200 --> 02:18:00,880
Speaker 1: and these niggas all played christ temas slim. So we

1877
02:18:01,040 --> 02:18:05,920
Speaker 1: get back to he's giving great explanations and I got

1878
02:18:06,080 --> 02:18:10,520
Speaker 1: I got accept supposed bean supposed to Tim Timer for

1879
02:18:10,640 --> 02:18:18,480
Speaker 1: real O car Oh yeah, damn take a shot think

1880
02:18:19,360 --> 02:18:28,279
Speaker 1: lie for okay, we accept that Rolex or Paddy Roles

1881
02:18:28,400 --> 02:18:31,680
Speaker 1: is forever so paddocks, they kind of got it. They

1882
02:18:31,760 --> 02:18:34,960
Speaker 1: kind of you know what picks the paddock that rule

1883
02:18:35,080 --> 02:18:39,120
Speaker 1: got they stole right there. Listen, they stole from a

1884
02:18:39,320 --> 02:18:42,520
Speaker 1: p shout us running of France. Wha, he's the president

1885
02:18:42,560 --> 02:18:45,760
Speaker 1: of ap 's be all the apes when no one

1886
02:18:45,840 --> 02:19:03,560
Speaker 1: else can. She said. But the protect bit, the AP

1887
02:19:05,400 --> 02:19:08,320
Speaker 1: that watch that you got because he has an exact

1888
02:19:08,400 --> 02:19:13,520
Speaker 1: watch like that. Now, rules is ruses rules Watch screams

1889
02:19:13,920 --> 02:19:17,920
Speaker 1: fuck you, I'm living, I'm good. I see rules watch.

1890
02:19:18,000 --> 02:19:22,120
Speaker 1: I said, damn, you're screaming, you're streaming, you're good to you,

1891
02:19:23,160 --> 02:19:26,840
Speaker 1: you're good, No nor nor did you see to watch?

1892
02:19:31,000 --> 02:19:35,520
Speaker 1: I see said good, Damn, you're screaming. You good. If

1893
02:19:35,600 --> 02:19:40,199
Speaker 1: you didn't know, you know now it's not that word.

1894
02:19:42,760 --> 02:19:50,560
Speaker 1: Come out. Protect bit. They bait the the AP stainless

1895
02:19:50,600 --> 02:19:54,480
Speaker 1: still gold platinum one, the one with that type of band.

1896
02:19:54,640 --> 02:19:59,320
Speaker 1: They beat that. Yeah, they beat that. But ya you're

1897
02:19:59,400 --> 02:20:06,000
Speaker 1: going Rolex where you going tackle? Rolex Y? I'm a Rolex. Okay,

1898
02:20:06,080 --> 02:20:08,200
Speaker 1: roll that's okay, cool. But you know what paddick is

1899
02:20:08,280 --> 02:20:18,400
Speaker 1: rolling your rose gold your paddock rule is immaculated. Listen, no, listen.

1900
02:20:18,760 --> 02:20:22,920
Speaker 1: I've seen a lot of watches. This is a different

1901
02:20:23,240 --> 02:20:27,920
Speaker 1: level watch because it screams like what y'all don't know

1902
02:20:29,400 --> 02:20:33,080
Speaker 1: if y'all don't know what rules like right in to

1903
02:20:33,160 --> 02:20:39,600
Speaker 1: the camera, like rules are, rules are very much the

1904
02:20:40,040 --> 02:20:47,000
Speaker 1: right shirt, the right he puts it together, Nick, I

1905
02:20:47,080 --> 02:20:51,080
Speaker 1: just got this for full lock Drew. Here we go,

1906
02:20:52,640 --> 02:20:57,760
Speaker 1: juice in the room. Hey, you're right there to good

1907
02:20:58,240 --> 02:21:00,600
Speaker 1: dick sporties is I don't give a fuck, just say

1908
02:21:01,000 --> 02:21:03,600
Speaker 1: to your gonna be on a drink chet and from

1909
02:21:03,680 --> 02:21:17,880
Speaker 1: head to two. Ready, I don't even know how, but

1910
02:21:18,040 --> 02:21:21,040
Speaker 1: let me just explain show I'm saying with some sneakers.

1911
02:21:21,680 --> 02:21:23,960
Speaker 1: I don't even know what the fucking sneakers are. I

1912
02:21:24,000 --> 02:21:28,240
Speaker 1: can't I don't know, I don't know what, but guarantee

1913
02:21:29,840 --> 02:21:35,080
Speaker 1: expensive I'm not me and ruse poll offics is when

1914
02:21:35,160 --> 02:21:41,640
Speaker 1: it comes in out, yo, disporting goods. It's nigging yo.

1915
02:21:42,120 --> 02:21:46,480
Speaker 1: I'm mad he got to watch that. We're saying, watch

1916
02:21:46,600 --> 02:21:50,199
Speaker 1: he got It is like the Illis watch. I swear

1917
02:21:50,280 --> 02:21:52,200
Speaker 1: to you, it's like that. I looked at it and

1918
02:21:52,280 --> 02:21:56,120
Speaker 1: I know I don't watching stinking got the watch in America.

1919
02:21:56,200 --> 02:22:00,160
Speaker 1: Yea hey, niggers, don't think you you come trying get

1920
02:22:00,240 --> 02:22:03,440
Speaker 1: him for that watch. I know you fucking robbing niggas,

1921
02:22:03,440 --> 02:22:15,840
Speaker 1: because glory robbing unless you're ready to die. I's ready

1922
02:22:15,879 --> 02:22:31,240
Speaker 1: to go ahead. Ny had no point. Lie, I'm dying

1923
02:22:31,360 --> 02:22:39,879
Speaker 1: about Ruth nigga. Good ahead, I'm dying my nigga. Hold

1924
02:22:39,920 --> 02:22:43,080
Speaker 1: on my nigga. Prince said the ellness slide. He said, y'all,

1925
02:22:43,360 --> 02:22:47,640
Speaker 1: he princes, we can say y'all. He said the elless

1926
02:22:47,720 --> 02:22:51,320
Speaker 1: line that I've adopted. He said, if my uncle and

1927
02:22:51,480 --> 02:22:55,520
Speaker 1: print was died, he said, half of me would be dead.

1928
02:22:56,600 --> 02:23:03,119
Speaker 1: The other half is solely devoted to vege nigga. If

1929
02:23:03,200 --> 02:23:06,480
Speaker 1: that ain't the most gang, I was like nigga, but Joe,

1930
02:23:06,800 --> 02:23:10,680
Speaker 1: I want of them. Niggas don't fun with Rule leaving.

1931
02:23:10,720 --> 02:23:19,560
Speaker 1: Let's leaving a lost say two lives minding yours alright,

1932
02:23:19,720 --> 02:23:22,160
Speaker 1: moving on, Nori, I love Rule? Is that you know?

1933
02:23:22,240 --> 02:23:28,320
Speaker 1: I love Rule? Podcast on radio radio. I'm a dinnasa

1934
02:23:29,440 --> 02:23:51,720
Speaker 1: fucking Dinna find you fucking Dinny say yeah, I just

1935
02:23:51,879 --> 02:23:55,879
Speaker 1: love maybe it's I came up through. I was like, oh, Ship,

1936
02:23:56,560 --> 02:24:03,160
Speaker 1: that's a fun next on drink tain got that's all

1937
02:24:09,520 --> 02:24:16,680
Speaker 1: I don't but you know what, I'm glad to do

1938
02:24:16,959 --> 02:24:24,440
Speaker 1: that one of my niggas. Let's go. Let's go, okay,

1939
02:24:24,560 --> 02:24:28,680
Speaker 1: B Street, B Street or Crushbroo Jesus really, yes, that's

1940
02:24:28,720 --> 02:24:33,280
Speaker 1: a little fun up. I can't drink. I'm already drinking

1941
02:24:33,480 --> 02:24:41,680
Speaker 1: still the champagne. Just niggas, Crush Russell and Nigga. You

1942
02:24:41,840 --> 02:24:50,560
Speaker 1: damn right, Crush Movies had the radio absolutely Yo, Letten,

1943
02:24:50,600 --> 02:24:56,080
Speaker 1: Let's say this a little is responsible for building the

1944
02:24:56,280 --> 02:25:08,280
Speaker 1: greatest rap fucking label ever, creating the Tongue no one.

1945
02:25:09,040 --> 02:25:12,960
Speaker 1: I don't know Tungi. He's a good guy. Tonge is

1946
02:25:13,000 --> 02:25:15,880
Speaker 1: probably a good guy. But I don't know Tungi. And

1947
02:25:16,000 --> 02:25:19,480
Speaker 1: for def Jam to have someone that er Gotti doesn't

1948
02:25:19,520 --> 02:25:30,280
Speaker 1: know running Depth Jam, no disrespect Tongji, but fuck you're

1949
02:25:30,360 --> 02:25:38,000
Speaker 1: the conviction Manten Depth Jam. Who's really the boss? Depth Jam? Is?

1950
02:25:38,080 --> 02:25:41,320
Speaker 1: I believe fun I'm so drunk. How do I know

1951
02:25:41,480 --> 02:25:44,120
Speaker 1: this guy? How do I like, come on, you know

1952
02:25:44,320 --> 02:25:49,879
Speaker 1: his name. I'm really drunk because this guy's name was Jesus.

1953
02:25:52,240 --> 02:25:55,600
Speaker 1: It's the fucking weed. You know, I don't smoke weed.

1954
02:25:56,000 --> 02:25:59,000
Speaker 1: It's these things have been feeding me, fucking Heroin and

1955
02:25:59,280 --> 02:26:09,640
Speaker 1: fucking Jeffy's. I had four, had four every time, every

1956
02:26:09,720 --> 02:26:13,879
Speaker 1: time come baby camp, every time I come to drink chains.

1957
02:26:14,280 --> 02:26:17,039
Speaker 1: They give me fucked up the most side they've ever been.

1958
02:26:17,560 --> 02:26:21,200
Speaker 1: These niggas is ever niggas, they ever niggas, because I'm

1959
02:26:21,320 --> 02:26:25,120
Speaker 1: fucked up the most I've ever been. But let me

1960
02:26:25,200 --> 02:26:28,600
Speaker 1: just ask before we move on, because at one point,

1961
02:26:28,800 --> 02:26:34,800
Speaker 1: at one point, keen tweaking the phase the greatest sampage.

1962
02:26:35,760 --> 02:26:46,480
Speaker 1: It's the greatest sampaign. God on your ear, fucking can't

1963
02:26:46,600 --> 02:26:58,520
Speaker 1: do this. God has at one points at one point

1964
02:26:58,680 --> 02:27:00,560
Speaker 1: that that was the industry that was beef, and the

1965
02:27:00,560 --> 02:27:04,560
Speaker 1: industry was saying that def Jam didn't have you. Oh,

1966
02:27:04,680 --> 02:27:10,680
Speaker 1: they didn't have Dame, they didn't have Darren joined the president.

1967
02:27:10,840 --> 02:27:16,800
Speaker 1: You know what I credit. No, he's brand new. I

1968
02:27:16,879 --> 02:27:22,080
Speaker 1: hope they fucking make me smelling get unfucked up. Okay,

1969
02:27:22,160 --> 02:27:28,280
Speaker 1: yeah it's a silver candle. Yeah, he know you and ething.

1970
02:27:29,120 --> 02:27:39,400
Speaker 1: This is gonna finish me. Yes, noise's I wanted to

1971
02:27:39,520 --> 02:27:56,680
Speaker 1: get Hey, no, look I got im. He he's smoking

1972
02:27:56,840 --> 02:28:12,360
Speaker 1: like it's me. He's fucking was saying, look my god, here,

1973
02:28:14,480 --> 02:28:17,680
Speaker 1: I can't. I can't, I can't, I can't. Let you

1974
02:28:17,800 --> 02:28:24,160
Speaker 1: look at me. I'm gonna got turn in the round.

1975
02:28:27,080 --> 02:28:42,080
Speaker 1: I can't, I can't look. I'm gonna go. You gotta

1976
02:28:42,160 --> 02:28:46,600
Speaker 1: turn up. And at one point he was saying, I

1977
02:28:46,720 --> 02:28:49,760
Speaker 1: was going to run that depth game system. And now

1978
02:28:50,280 --> 02:28:52,000
Speaker 1: even though you say you don't know, to me, I

1979
02:28:52,080 --> 02:28:56,240
Speaker 1: mean I'm overwearting that. But there was a time. But man,

1980
02:28:56,760 --> 02:28:59,920
Speaker 1: depth shame. Y'all fucked up because y'all should have gained

1981
02:29:00,480 --> 02:29:03,600
Speaker 1: someone who watched Russell Simmons, who lived tim blocks for me,

1982
02:29:04,240 --> 02:29:07,480
Speaker 1: watched Russell Simmons have a record label called death Jam,

1983
02:29:07,840 --> 02:29:11,520
Speaker 1: and what inspired me to have murder rank like y'all

1984
02:29:11,520 --> 02:29:15,400
Speaker 1: would have got somebody who not and listen, I don't

1985
02:29:15,440 --> 02:29:17,560
Speaker 1: want the job now, so I know you're gonna hear

1986
02:29:17,600 --> 02:29:20,040
Speaker 1: this and someone them saying we should have hired got it. Yeah,

1987
02:29:20,120 --> 02:29:24,000
Speaker 1: you fucked up. You know what I'm saying. Because I

1988
02:29:24,280 --> 02:29:27,720
Speaker 1: love death Jam. It wouldn't have been a job to me.

1989
02:29:27,879 --> 02:29:31,440
Speaker 1: It would have been thinking, and I truly believe Death

1990
02:29:31,560 --> 02:29:36,080
Speaker 1: Jam is the best hip hop label that America has

1991
02:29:36,240 --> 02:29:44,360
Speaker 1: ever fucking seen. Like that was I would always say,

1992
02:29:44,760 --> 02:29:48,600
Speaker 1: I would always say that d MX if y'all didn't

1993
02:29:48,640 --> 02:29:54,520
Speaker 1: know were signed to Sony Columbia Sony first. I believe

1994
02:29:54,600 --> 02:29:58,120
Speaker 1: rough House. They didn't know what the funk to do

1995
02:29:58,280 --> 02:30:03,520
Speaker 1: with my nigga Death Jam. He knew what to do

1996
02:30:03,879 --> 02:30:07,920
Speaker 1: with my next my favorite regime of death. If I'm wrong,

1997
02:30:08,240 --> 02:30:12,200
Speaker 1: this is my favorite regime. Leo Colmbs, Kevin Les, Russell Simmons,

1998
02:30:12,480 --> 02:30:25,200
Speaker 1: Judie Green was Mike Kaiser, uh Sam Cresco. Hold naming

1999
02:30:26,080 --> 02:30:30,200
Speaker 1: he just named. If y'all don't know that you know

2000
02:30:30,360 --> 02:30:35,480
Speaker 1: he didn't he named whatever you know about hip hop?

2001
02:30:36,000 --> 02:30:39,640
Speaker 1: Understand this the names that he just named a lifers.

2002
02:30:42,200 --> 02:30:46,160
Speaker 1: It's a difference when like, if the pandemic would have

2003
02:30:46,240 --> 02:30:49,640
Speaker 1: hit during my tenure at Death Jam, he would have

2004
02:30:49,720 --> 02:30:52,920
Speaker 1: still been in the office. Like we used to play

2005
02:30:53,040 --> 02:30:56,119
Speaker 1: fucking Monopoly to two o'clock in the morning. He used

2006
02:30:56,120 --> 02:31:04,320
Speaker 1: to roll dice there. I just get my hair a block.

2007
02:31:04,680 --> 02:31:12,560
Speaker 1: I listen, not too critique or whatever, But people who

2008
02:31:12,600 --> 02:31:16,720
Speaker 1: work with Depth Jam say it's like they'd be calling

2009
02:31:16,800 --> 02:31:20,800
Speaker 1: it like Pregotti and post Gotti. You know what I'm saying,

2010
02:31:20,840 --> 02:31:23,360
Speaker 1: because they were like, yo, you had that much of

2011
02:31:23,480 --> 02:31:28,400
Speaker 1: an effect on death Cham. But I love death Cham

2012
02:31:28,520 --> 02:31:33,160
Speaker 1: with every fucking inch. Me. Like when I interview with

2013
02:31:33,360 --> 02:31:36,480
Speaker 1: Leo and got that job and then got X signed

2014
02:31:36,480 --> 02:31:39,240
Speaker 1: and got John sign and Jay was already signed, I

2015
02:31:39,440 --> 02:31:44,760
Speaker 1: was like, in career Heaven, I'm working with my brothers

2016
02:31:44,840 --> 02:31:51,120
Speaker 1: and working with my niggas. I signed depth. Damno, you

2017
02:31:51,160 --> 02:31:57,000
Speaker 1: told me what you told me, don't celebrate nigga like something. No,

2018
02:31:57,560 --> 02:32:01,600
Speaker 1: that sounds like exactly something I'm saying. It was that

2019
02:32:01,680 --> 02:32:04,520
Speaker 1: sounds like something exactly I would say. And this is

2020
02:32:04,600 --> 02:32:07,920
Speaker 1: one six school along and this is one sixty varion,

2021
02:32:08,240 --> 02:32:11,640
Speaker 1: this wants sixty back, Yes, it's want this is one

2022
02:32:11,920 --> 02:32:14,720
Speaker 1: s No, this isn't making a transition, is what you

2023
02:32:14,800 --> 02:32:16,920
Speaker 1: said to me? You said you don't have to work

2024
02:32:17,040 --> 02:32:20,680
Speaker 1: harder on this label. You did. People said it in

2025
02:32:20,720 --> 02:32:25,600
Speaker 1: an interview, and I fucking thought listen who said in

2026
02:32:25,640 --> 02:32:30,400
Speaker 1: the interview, And I was like, damn, he's like, don't

2027
02:32:30,440 --> 02:32:34,160
Speaker 1: celebrate rule said, I'm on deaf jam, right, but the

2028
02:32:34,280 --> 02:32:39,680
Speaker 1: cop forget the competition within the label, right, it's so intense.

2029
02:32:40,600 --> 02:32:44,800
Speaker 1: It's falcing you to make your best records. It's falcing

2030
02:32:44,920 --> 02:32:48,720
Speaker 1: Luda Chris. Think about this. Ludle Chris was selling three million,

2031
02:32:49,120 --> 02:32:53,960
Speaker 1: four million albums. It was kind of afterthought during this

2032
02:32:54,160 --> 02:32:59,240
Speaker 1: tenure with j X and John Kaso wasn't with him.

2033
02:32:59,320 --> 02:33:04,840
Speaker 1: Kaso was talking with us with Jay with Rough Friday.

2034
02:33:05,440 --> 02:33:09,760
Speaker 1: That's it causes to this day he'd be boogie. He's

2035
02:33:09,840 --> 02:33:14,760
Speaker 1: like these nigga's eyes. You know what I'm saying. The

2036
02:33:14,920 --> 02:33:19,240
Speaker 1: competition like his artists, at all his artists. Now, I'm

2037
02:33:19,280 --> 02:33:25,920
Speaker 1: not gonna say that I'm drunk. He already has Atlantic

2038
02:33:25,959 --> 02:33:28,920
Speaker 1: already has problems where people wouldn't leave and talking crazy.

2039
02:33:29,560 --> 02:33:36,160
Speaker 1: So we're not gonna add fuel to that fire. But yeah,

2040
02:33:37,320 --> 02:33:41,959
Speaker 1: deaf Jam, the rules tell you that. But I first

2041
02:33:42,160 --> 02:33:45,760
Speaker 1: heard because no rule said in an interview he was

2042
02:33:45,920 --> 02:33:49,720
Speaker 1: like how he was explaining how a deaf Jam he

2043
02:33:49,879 --> 02:33:54,400
Speaker 1: got to bring his best because it's so starved to

2044
02:33:54,560 --> 02:33:58,640
Speaker 1: get attention from from death Jam. You gotta understand the

2045
02:33:58,720 --> 02:34:02,800
Speaker 1: top three niggas is selling five, six, seven, eight nine

2046
02:34:03,160 --> 02:34:06,320
Speaker 1: million a clip, and you understand who you're gonna get

2047
02:34:06,360 --> 02:34:09,920
Speaker 1: it on a calendar you didn't get. There's only a

2048
02:34:09,959 --> 02:34:13,240
Speaker 1: certain amount of projects just dropping it in the in

2049
02:34:13,320 --> 02:34:16,120
Speaker 1: a twelve monthentt a fourth quarter nigger, So I never

2050
02:34:16,160 --> 02:34:20,000
Speaker 1: had problems. We was always get the fourth quarters. Tember,

2051
02:34:20,120 --> 02:34:23,400
Speaker 1: the big two summertime nigger. You never had a bottle

2052
02:34:23,440 --> 02:34:30,280
Speaker 1: of y'all. I always knew September out of the labels

2053
02:34:30,400 --> 02:34:35,320
Speaker 1: making all the money back catch fire. You catch that one,

2054
02:34:35,400 --> 02:34:38,280
Speaker 1: you get a big first week. I'm telling you why

2055
02:34:38,360 --> 02:34:40,760
Speaker 1: September October when you get a big first week, but

2056
02:34:40,920 --> 02:34:44,560
Speaker 1: then what else? You get thanks Giving bump? And then

2057
02:34:44,640 --> 02:34:48,880
Speaker 1: you get Christmas, Christmas, And that's why we're selling where

2058
02:34:49,000 --> 02:34:54,359
Speaker 1: the mother was selling. Fucking like. I like to include

2059
02:34:55,240 --> 02:34:58,080
Speaker 1: records sold outside the US because to me, I don't

2060
02:34:58,160 --> 02:35:00,959
Speaker 1: understand what's the difference to lay was making it different.

2061
02:35:01,240 --> 02:35:06,760
Speaker 1: You have domestic royalties and you have a cheaper lower

2062
02:35:08,800 --> 02:35:13,840
Speaker 1: overseas royalties, which is jerking out of everybody because that's

2063
02:35:13,879 --> 02:35:20,160
Speaker 1: what they're spending on overseas. There's nothing. They're taking everything, videos,

2064
02:35:20,520 --> 02:35:24,480
Speaker 1: the album, all the ship that they have line items

2065
02:35:24,560 --> 02:35:29,520
Speaker 1: for overseas. They just set it. Overseas sales is the

2066
02:35:29,640 --> 02:35:35,760
Speaker 1: biggest scab and fucking record label history. Holy ship. Overseas

2067
02:35:35,879 --> 02:35:43,640
Speaker 1: sales message labels, I mean not fuck the labels. I've

2068
02:35:43,640 --> 02:35:46,960
Speaker 1: never had a problem, not one of those ad guys. No,

2069
02:35:47,320 --> 02:35:49,880
Speaker 1: I want to be on a major because I want

2070
02:35:49,879 --> 02:35:52,320
Speaker 1: to sell ten million. I don't know if you could sell.

2071
02:35:52,360 --> 02:35:54,680
Speaker 1: You want to be on a major too, Keep that

2072
02:35:54,760 --> 02:35:57,520
Speaker 1: making wait but wait, but it's a difference not You

2073
02:35:57,600 --> 02:36:01,600
Speaker 1: guys are talking physical sales era versus no digital sales.

2074
02:36:01,680 --> 02:36:03,800
Speaker 1: And I was the streams and this is a different

2075
02:36:04,000 --> 02:36:08,320
Speaker 1: new way I'm taking. That was shot shot, That shot

2076
02:36:08,600 --> 02:36:15,880
Speaker 1: sat the take. Here's a shot to only one to yeah,

2077
02:36:16,000 --> 02:36:20,680
Speaker 1: give me one too. Here's a shot to being independent meanship.

2078
02:36:20,840 --> 02:36:24,680
Speaker 1: That's that's the way, the way major. Why a lot

2079
02:36:24,760 --> 02:36:30,520
Speaker 1: of PA, That's what I filed it all. I'm not

2080
02:36:30,640 --> 02:36:36,040
Speaker 1: drink him now. Like everything everything you do, it like

2081
02:36:36,200 --> 02:36:45,600
Speaker 1: everything I do, can't coming and it will get up. Okay,

2082
02:36:45,640 --> 02:36:48,600
Speaker 1: I got three more. I'm taking a pit to hold

2083
02:36:48,600 --> 02:36:50,560
Speaker 1: on one in there. One you don't even know we

2084
02:36:50,640 --> 02:36:55,920
Speaker 1: made a Balkan use his line, you're Joey. I've drunk

2085
02:36:55,959 --> 02:36:59,600
Speaker 1: his bot. I know when I stopped talking like this,

2086
02:37:00,080 --> 02:37:03,360
Speaker 1: I'm different. We already got we got three more different

2087
02:37:05,240 --> 02:37:11,840
Speaker 1: about great town, not more the fresh shot. This should

2088
02:37:11,840 --> 02:37:14,920
Speaker 1: be easy for you. I don't ways finish. I took

2089
02:37:14,959 --> 02:37:20,600
Speaker 1: a fresh shot. I'll magic doggy style. Jesus, that's a

2090
02:37:20,760 --> 02:37:26,000
Speaker 1: tough one. He got a shot that he's coasting. Care

2091
02:37:27,360 --> 02:37:32,000
Speaker 1: I can't take another shots. Let's take a shot of

2092
02:37:32,840 --> 02:37:40,560
Speaker 1: amatic queens. Get the fucking money, fucking money, get just

2093
02:37:40,720 --> 02:37:47,520
Speaker 1: two more. Latifa to Latifa, he like, come on, man,

2094
02:37:47,640 --> 02:37:49,800
Speaker 1: that's kind of sun up. You know, I don't make

2095
02:37:49,840 --> 02:37:57,080
Speaker 1: this man. Take us out of that. Like Latifa's family

2096
02:37:57,240 --> 02:38:00,640
Speaker 1: NA like myself, but she made them think like you.

2097
02:38:01,040 --> 02:38:06,320
Speaker 1: But I say the fun the records like family, take

2098
02:38:06,400 --> 02:38:10,879
Speaker 1: the shot. I love yo. I'll fucking up for my teeth.

2099
02:38:11,080 --> 02:38:13,039
Speaker 1: If I see my teeth. For all you with someone,

2100
02:38:13,200 --> 02:38:16,400
Speaker 1: I'm snuffing them. I think tep you go hold of

2101
02:38:16,480 --> 02:38:27,080
Speaker 1: down fail if you guys, hey winter. So if she's

2102
02:38:27,120 --> 02:38:32,920
Speaker 1: sucking someone up, throwing some kids in that, listen, it's

2103
02:38:32,959 --> 02:38:39,240
Speaker 1: only two and lifts and never quit your light light

2104
02:38:39,400 --> 02:38:44,760
Speaker 1: details nick family, families for what And she's like, it's

2105
02:38:44,760 --> 02:38:47,360
Speaker 1: a rocket man, I gotta take a shot. Take a shot.

2106
02:38:50,800 --> 02:38:53,000
Speaker 1: And that's a woman power this woman proble. You see

2107
02:38:53,000 --> 02:38:56,360
Speaker 1: all of them clips, they're the same ones that told

2108
02:38:56,400 --> 02:38:58,880
Speaker 1: me the silent smile because if they wanted to sell,

2109
02:38:59,240 --> 02:39:10,880
Speaker 1: don't take a sounding fish out the fucking this is

2110
02:39:10,920 --> 02:39:15,199
Speaker 1: a big shot this and this is going to commit

2111
02:39:15,240 --> 02:39:18,440
Speaker 1: to me, man, this is the document the murders team

2112
02:39:18,760 --> 02:39:23,960
Speaker 1: on the Baby teams Carrol, who's telling you come on

2113
02:39:30,480 --> 02:39:35,600
Speaker 1: two more? That s oh two cast? How Castle? You

2114
02:39:35,720 --> 02:39:40,800
Speaker 1: didn't want ever, Earl, don't drink? Can now catch us?

2115
02:39:41,120 --> 02:39:45,000
Speaker 1: Get out? I don't know we had someone, Yeah, right back,

2116
02:39:45,040 --> 02:39:49,640
Speaker 1: and I happened to ear in finding out this bit.

2117
02:39:49,840 --> 02:39:52,600
Speaker 1: We're going back the baby. We're going. I want the

2118
02:39:52,800 --> 02:39:59,680
Speaker 1: people tell you out here this sorry thing that's gonna

2119
02:39:59,720 --> 02:40:13,800
Speaker 1: be like, no, don't shouting, gonna say me out cast

2120
02:40:13,959 --> 02:40:22,680
Speaker 1: Ugi k Jesus, you keep picking. He keeps picking like

2121
02:40:23,520 --> 02:40:28,200
Speaker 1: out cast is fucking cool and everything right this nigga

2122
02:40:28,320 --> 02:40:36,959
Speaker 1: old me listen to UK Nigga, Underground Kika and fucking

2123
02:40:37,080 --> 02:40:41,520
Speaker 1: the Ghetto Boys Resurrection Nigga. That's all we listened to.

2124
02:40:42,000 --> 02:40:47,000
Speaker 1: And then reasonable doubt when Jane made it okay um

2125
02:40:47,160 --> 02:40:52,800
Speaker 1: so that is Ugi ko get Castle. That's both. Now

2126
02:40:52,879 --> 02:40:55,240
Speaker 1: I gotta tell the fucking shot, don't you do it?

2127
02:40:56,000 --> 02:41:02,480
Speaker 1: Let's take a shot, come into the sounna. He had

2128
02:41:02,600 --> 02:41:06,000
Speaker 1: me right man, got it outside. I'm doing this side

2129
02:41:08,600 --> 02:41:13,280
Speaker 1: and hey, I've never come outside a documentary. But Nori,

2130
02:41:13,640 --> 02:41:16,720
Speaker 1: we've been moved this documentary. Did no the documentary. So,

2131
02:41:17,120 --> 02:41:22,960
Speaker 1: but Nori, it's just so hard, this sucking say and

2132
02:41:23,040 --> 02:41:28,240
Speaker 1: it's rule my right, yes, yes, brother, So with Nori

2133
02:41:28,440 --> 02:41:34,440
Speaker 1: calls every fucking as of blood. If my body wants

2134
02:41:34,480 --> 02:41:37,800
Speaker 1: to say no, nor how many times you could have

2135
02:41:38,160 --> 02:41:43,080
Speaker 1: me and shot treat champs together, give me a little

2136
02:41:43,360 --> 02:41:49,320
Speaker 1: get these SnO shot hip hopping back to know you're

2137
02:41:49,320 --> 02:42:00,600
Speaker 1: a but you little baby, weeah And it's this one

2138
02:42:00,680 --> 02:42:04,840
Speaker 1: it's easy. This one's easy. The last one loyalty. You

2139
02:42:04,920 --> 02:42:08,959
Speaker 1: can answer that one to loyalty. That's loyalty. That's hard.

2140
02:42:10,000 --> 02:42:18,440
Speaker 1: It's how about you? Oh what's fact? I like, did

2141
02:42:18,480 --> 02:42:22,880
Speaker 1: y'all win against each other? Listen, we're not, We're not

2142
02:42:23,000 --> 02:42:36,880
Speaker 1: David Letterman in you propressively further back because wild um,

2143
02:42:38,320 --> 02:42:40,160
Speaker 1: I like loyalty. I want to say I would say

2144
02:42:40,200 --> 02:42:51,480
Speaker 1: respect because respect and you see this goes to you know,

2145
02:42:51,640 --> 02:42:54,320
Speaker 1: back to with this with the slap the whole ship,

2146
02:42:56,680 --> 02:43:00,840
Speaker 1: because here's what I'm saying about respect. There's no safe

2147
02:43:01,160 --> 02:43:06,440
Speaker 1: space for disrespect. And that's when people get it fucked up.

2148
02:43:06,600 --> 02:43:08,400
Speaker 1: Like yeah, you can say what you want to do,

2149
02:43:08,520 --> 02:43:11,520
Speaker 1: what you want, but I can also react how I want,

2150
02:43:12,440 --> 02:43:14,160
Speaker 1: you know what I'm saying. So there's no safe space

2151
02:43:14,240 --> 02:43:16,280
Speaker 1: for disrespect. How many times when it was in the

2152
02:43:16,400 --> 02:43:22,200
Speaker 1: manhatan proper and motherfucker's telling juice and and that way

2153
02:43:22,600 --> 02:43:25,760
Speaker 1: the right, you know what I'm saying. So so there's

2154
02:43:25,760 --> 02:43:30,360
Speaker 1: aligned you crossing everything. And so I think respect is

2155
02:43:31,560 --> 02:43:34,640
Speaker 1: the one I'm gonna go with because you gotta guard

2156
02:43:34,760 --> 02:43:37,680
Speaker 1: that with everything in respect of it. And I'll you

2157
02:43:37,720 --> 02:43:39,520
Speaker 1: know what I'm saying, I'll fight and die another from

2158
02:43:39,600 --> 02:43:42,279
Speaker 1: respect my honor. You know what I'm saying. That's loyalty

2159
02:43:42,480 --> 02:43:48,920
Speaker 1: is coming. Go to be loyal and say, Okay, loyalty

2160
02:43:49,120 --> 02:43:53,680
Speaker 1: is biggest for me. It's big for me too. But

2161
02:43:53,920 --> 02:43:59,080
Speaker 1: people I've learned to learn to learn that people are

2162
02:43:59,200 --> 02:44:01,800
Speaker 1: not loyal. You know what I'm saying, People would not go.

2163
02:44:02,520 --> 02:44:07,840
Speaker 1: But you know what, I'll be telling, motherfucker's all the time.

2164
02:44:07,959 --> 02:44:12,280
Speaker 1: I love my family, like my immediate family, my brothers

2165
02:44:12,320 --> 02:44:16,600
Speaker 1: and sisters, my mom, my dad is gone. I love

2166
02:44:16,720 --> 02:44:20,840
Speaker 1: them so much. I don't really need nobody, So no

2167
02:44:20,959 --> 02:44:23,959
Speaker 1: one could really get me off of my grind right

2168
02:44:24,040 --> 02:44:29,760
Speaker 1: now because I'm so in tune with life and who

2169
02:44:29,879 --> 02:44:34,360
Speaker 1: I am what I'm supposed to do. I'm just so

2170
02:44:34,560 --> 02:44:37,200
Speaker 1: in tune with that. And I could go home and

2171
02:44:37,360 --> 02:44:42,120
Speaker 1: chill with my mom Nini. I don't really need I

2172
02:44:42,200 --> 02:44:46,600
Speaker 1: don't need nothing. I'm I have a great time with

2173
02:44:46,840 --> 02:44:56,000
Speaker 1: need have a great fact. We need give his nile

2174
02:44:56,080 --> 02:44:58,480
Speaker 1: bottom of water. This Nick is talking about just loving

2175
02:44:58,560 --> 02:45:00,760
Speaker 1: his family and his mother. You know what I mean.

2176
02:45:02,400 --> 02:45:07,120
Speaker 1: But let me let me, let me let me because

2177
02:45:07,120 --> 02:45:10,720
Speaker 1: we talked about ship. But check it right, because we talked.

2178
02:45:11,320 --> 02:45:14,959
Speaker 1: We talked about DMX, right. And one thing that happened

2179
02:45:15,200 --> 02:45:18,600
Speaker 1: when DMX passed away was a lot of people went

2180
02:45:18,680 --> 02:45:21,640
Speaker 1: to Twitter and they went to uh I believe Instagram

2181
02:45:21,720 --> 02:45:24,199
Speaker 1: and started to say the accounts of what they thought

2182
02:45:24,280 --> 02:45:26,360
Speaker 1: that happened. And one of the people that they say

2183
02:45:26,400 --> 02:45:30,000
Speaker 1: they thought that happened that Russian judgment, was you right,

2184
02:45:30,040 --> 02:45:31,760
Speaker 1: I believe we had Swiss beats sitting in the same

2185
02:45:31,800 --> 02:45:34,600
Speaker 1: exact chair that just saying that. And I asked him

2186
02:45:34,600 --> 02:45:36,880
Speaker 1: about that as well, and I said, yo, um, what

2187
02:45:37,120 --> 02:45:39,520
Speaker 1: was the thing? And it was like, um, what what?

2188
02:45:39,600 --> 02:45:43,000
Speaker 1: What was exactly what happened there? What? What you got it?

2189
02:45:43,520 --> 02:45:46,720
Speaker 1: What happened is someone told me what happened, and I

2190
02:45:46,840 --> 02:45:51,520
Speaker 1: stupidly said it right. But you know, I don't really

2191
02:45:51,640 --> 02:45:54,520
Speaker 1: regret that as much as the other things that I've

2192
02:45:54,640 --> 02:46:02,000
Speaker 1: done stupidly because X was never a faker in front

2193
02:46:02,000 --> 02:46:08,840
Speaker 1: of her. So however he passed away, I think he

2194
02:46:09,120 --> 02:46:13,320
Speaker 1: was cool. He would have been cool with his people

2195
02:46:13,440 --> 02:46:19,680
Speaker 1: and fans and knowing I could be wrong, Oh good.

2196
02:46:21,680 --> 02:46:26,240
Speaker 1: Yeah it's real, because yeah, that's real because I love

2197
02:46:26,560 --> 02:46:30,000
Speaker 1: X to my core nigger ever, that's what I know.

2198
02:46:30,840 --> 02:46:33,640
Speaker 1: I love X to my core nigga. Let me tell,

2199
02:46:33,720 --> 02:46:35,560
Speaker 1: let me, let me stop, my bro. My brother is

2200
02:46:35,560 --> 02:46:38,240
Speaker 1: a little busy, even drinking a little bit too. I

2201
02:46:38,320 --> 02:46:39,840
Speaker 1: want to stop, and I want to I just want

2202
02:46:39,879 --> 02:46:43,279
Speaker 1: to say no because this situation, to me, it was personal.

2203
02:46:44,520 --> 02:46:46,520
Speaker 1: And I felt that I called got it right after

2204
02:46:46,600 --> 02:46:51,200
Speaker 1: the whole ship and I said, yo, Gotti said that.

2205
02:46:51,760 --> 02:46:55,280
Speaker 1: But what I realized in that moment is that and

2206
02:46:55,360 --> 02:46:57,199
Speaker 1: that what I know, you know, he was a second

2207
02:46:57,240 --> 02:47:02,600
Speaker 1: guess in his not at all said and I know

2208
02:47:02,760 --> 02:47:06,800
Speaker 1: that you like like like like trust me. I know

2209
02:47:07,879 --> 02:47:10,360
Speaker 1: it's so deep with us with me, and said I

2210
02:47:10,480 --> 02:47:12,920
Speaker 1: knew he loved X, warn he loved me. You know

2211
02:47:12,959 --> 02:47:19,280
Speaker 1: what I'm I'm just saying, I'm just some seriously any more,

2212
02:47:20,800 --> 02:47:25,000
Speaker 1: for me equal. But I'm just saying. I'm just saying

2213
02:47:25,640 --> 02:47:30,160
Speaker 1: I knew in that moment that he didn't mean what

2214
02:47:30,760 --> 02:47:33,040
Speaker 1: man came up with it, but I had to explain

2215
02:47:33,120 --> 02:47:36,879
Speaker 1: to him, like, my nigga, it came out very wrong,

2216
02:47:37,200 --> 02:47:39,760
Speaker 1: my nigga, Like that wasn't the way you want that

2217
02:47:39,879 --> 02:47:43,959
Speaker 1: to come out and right, And I'm mad, and I'm

2218
02:47:44,000 --> 02:47:46,760
Speaker 1: mad at the public, folks, because the public don't understand

2219
02:47:46,840 --> 02:47:51,840
Speaker 1: his his love defection for fact and so it hurts

2220
02:47:51,879 --> 02:47:54,680
Speaker 1: for me to see all of that, you know, publicly

2221
02:47:55,320 --> 02:47:57,800
Speaker 1: like that, and I'm like, yo, and I was, they

2222
02:47:57,800 --> 02:48:00,560
Speaker 1: don't understand his love for the dog, and for it

2223
02:48:00,640 --> 02:48:03,640
Speaker 1: to come out like that was fucked up. And I'm

2224
02:48:03,720 --> 02:48:11,720
Speaker 1: just glad he hasn't chance to tweeting or something like

2225
02:48:11,840 --> 02:48:14,960
Speaker 1: that because he manages that because he was managing X

2226
02:48:15,000 --> 02:48:16,600
Speaker 1: at the time. But did he tweeting and he was

2227
02:48:16,640 --> 02:48:20,959
Speaker 1: tweeting like like updates? Yeah yeah yeah, but I got

2228
02:48:21,320 --> 02:48:24,760
Speaker 1: you know again, I love X, I know the inner

2229
02:48:24,879 --> 02:48:29,720
Speaker 1: circle of X. I know everything with X. And I

2230
02:48:29,840 --> 02:48:32,120
Speaker 1: was that's what I was told. So and did you

2231
02:48:32,160 --> 02:48:36,360
Speaker 1: wind up going to the funeral or yeah, okay, yeah, okay,

2232
02:48:36,640 --> 02:48:39,040
Speaker 1: it was just sorry, it was it was just sad.

2233
02:48:39,400 --> 02:48:43,000
Speaker 1: It was just extremely sad day. But it was also

2234
02:48:43,080 --> 02:48:47,760
Speaker 1: a day that I wasn't totally mad because I know X,

2235
02:48:48,879 --> 02:48:51,520
Speaker 1: and X is with God and he's in heaven and

2236
02:48:51,800 --> 02:48:55,840
Speaker 1: no more demons is no more thing, you know. X

2237
02:48:55,959 --> 02:49:00,040
Speaker 1: told me. He told me like when he was a

2238
02:49:00,160 --> 02:49:04,360
Speaker 1: young boy, his mother put him in a reform school,

2239
02:49:04,760 --> 02:49:07,640
Speaker 1: which is like a jail, and left him there. Right

2240
02:49:08,440 --> 02:49:12,640
Speaker 1: in that place, one of his friends, who he thought

2241
02:49:12,800 --> 02:49:17,480
Speaker 1: was like a big great friend of his, he gave

2242
02:49:17,560 --> 02:49:21,240
Speaker 1: him a blunt mixed with cocaine, sort of like the

2243
02:49:21,520 --> 02:49:28,320
Speaker 1: Jeffrey that man he's voting up right now. But he

2244
02:49:28,480 --> 02:49:30,760
Speaker 1: told me he was like, yo, gotty. That's when I

2245
02:49:30,840 --> 02:49:33,800
Speaker 1: saw the demon And he said the demon is still here,

2246
02:49:35,680 --> 02:49:41,480
Speaker 1: and he was that was you understand, Like once he

2247
02:49:41,560 --> 02:49:44,680
Speaker 1: says that it's like a real ship and it's I know,

2248
02:49:44,840 --> 02:49:47,920
Speaker 1: people may laugh or maybe they think little, but he

2249
02:49:48,080 --> 02:49:50,199
Speaker 1: was like, hell, when I took a puff, I've seen

2250
02:49:50,320 --> 02:49:53,160
Speaker 1: the demon and he said, the demon has never left me.

2251
02:49:54,320 --> 02:49:57,520
Speaker 1: That's why I wasn't upset when I heard he passed away.

2252
02:49:57,640 --> 02:50:01,560
Speaker 1: I was mad because y'all gotta understand. When I've seen

2253
02:50:01,680 --> 02:50:06,160
Speaker 1: d m X, it was like he I loved him

2254
02:50:06,240 --> 02:50:09,000
Speaker 1: and he loved me. Man. You know when it really

2255
02:50:09,160 --> 02:50:13,960
Speaker 1: really hit honestly is when I quit Death Jam. When

2256
02:50:14,000 --> 02:50:18,040
Speaker 1: I quit Death Jam, X found out. So when I

2257
02:50:18,160 --> 02:50:22,360
Speaker 1: came into DreamWorks or somewhere no, I quit and Leo

2258
02:50:22,520 --> 02:50:25,360
Speaker 1: called me back and I said, he said, what's He said,

2259
02:50:25,400 --> 02:50:27,160
Speaker 1: what's the matter? I said, Nick, we ain't signed a

2260
02:50:27,240 --> 02:50:29,039
Speaker 1: d m X. That's what the fun is the matter.

2261
02:50:30,440 --> 02:50:33,240
Speaker 1: And that's the legendary where he drove up to to

2262
02:50:33,600 --> 02:50:41,200
Speaker 1: to Yanks with with with with Lee Leock Jael. That's

2263
02:50:41,200 --> 02:50:46,720
Speaker 1: when he got signed Leo, and Leo came out, Yes,

2264
02:50:47,120 --> 02:50:52,480
Speaker 1: that's that's when. So that's when he did that, and

2265
02:50:52,600 --> 02:50:56,520
Speaker 1: that's when next I signed. But real talk x X

2266
02:50:56,680 --> 02:51:00,520
Speaker 1: is like X was like a person who yours to me.

2267
02:51:00,640 --> 02:51:04,039
Speaker 1: He looked at actions, He looked at actions and wanted

2268
02:51:04,320 --> 02:51:09,200
Speaker 1: to see and feel something real. When I quit Depth

2269
02:51:09,280 --> 02:51:11,640
Speaker 1: Jam for me, he came back and he was like, yo,

2270
02:51:11,760 --> 02:51:14,840
Speaker 1: you you quit your job for me? He asked me,

2271
02:51:15,520 --> 02:51:18,280
Speaker 1: and I was like, yeah, like the thing signing, you

2272
02:51:18,400 --> 02:51:20,240
Speaker 1: didn't fuck it. I don't want to be I want

2273
02:51:20,360 --> 02:51:22,480
Speaker 1: I don't want to be anyway. And I can tell

2274
02:51:22,560 --> 02:51:28,320
Speaker 1: y'all real ship from that day X was with me

2275
02:51:28,840 --> 02:51:32,080
Speaker 1: a hundred percent like Darren and why I used to say,

2276
02:51:32,120 --> 02:51:35,120
Speaker 1: with certain things you gotta gotta you collect. You don't

2277
02:51:35,120 --> 02:51:39,360
Speaker 1: even will tell you know. When we did get at

2278
02:51:39,440 --> 02:51:43,840
Speaker 1: Me Dog, Remember it was a freestyle first. You drink

2279
02:51:43,920 --> 02:51:46,040
Speaker 1: Champs neant to know that, right, So it was a

2280
02:51:46,120 --> 02:51:49,640
Speaker 1: freestyle first. So we and Chung King, which was right

2281
02:51:49,720 --> 02:51:55,040
Speaker 1: next door to to Death Jams one sixty was seventy barrack.

2282
02:51:56,160 --> 02:51:58,760
Speaker 1: So I'm in there and we're making me and Darren

2283
02:51:58,800 --> 02:52:02,240
Speaker 1: made the hook to get at Me Dog, and Darren

2284
02:52:02,320 --> 02:52:05,040
Speaker 1: was like, gott you know, you know Earl, he called

2285
02:52:05,080 --> 02:52:09,000
Speaker 1: him Earl, Earl Simmons. He was like, you know, Early

2286
02:52:09,000 --> 02:52:12,080
Speaker 1: ain't gonna want to do this, Gotti. He hates doing.

2287
02:52:12,160 --> 02:52:14,280
Speaker 1: He's gonna be like he did the free style first.

2288
02:52:15,040 --> 02:52:17,800
Speaker 1: I said, Joe, we need the first single though, we

2289
02:52:17,959 --> 02:52:22,360
Speaker 1: need this record in this perfect got You know, he

2290
02:52:22,440 --> 02:52:25,840
Speaker 1: won't say no to you, but he wouldn't say no

2291
02:52:26,000 --> 02:52:30,680
Speaker 1: to me because of when I quit my job. He said, Joe,

2292
02:52:30,800 --> 02:52:33,440
Speaker 1: he looked at me. He was in my office and

2293
02:52:33,480 --> 02:52:35,760
Speaker 1: he said, Yoe, you put your job for me, Like

2294
02:52:35,920 --> 02:52:38,080
Speaker 1: that was the first he walked in the office and

2295
02:52:38,320 --> 02:52:41,080
Speaker 1: someone wants have told him like yo, gott he'd like

2296
02:52:41,240 --> 02:52:43,680
Speaker 1: quit for you. And he came and he said, Yo,

2297
02:52:43,760 --> 02:52:46,120
Speaker 1: you put you first question. You put your job for me.

2298
02:52:46,160 --> 02:52:49,880
Speaker 1: And I was in my office. I said yeah. I said,

2299
02:52:49,920 --> 02:52:52,240
Speaker 1: if they don't sign you, I don't want to be here.

2300
02:52:53,800 --> 02:52:56,880
Speaker 1: And I promise you when he's seen that, he's seen

2301
02:52:56,959 --> 02:53:00,680
Speaker 1: the love, he's seen the sincerity, he's seen the thing,

2302
02:53:01,160 --> 02:53:05,680
Speaker 1: he didn't tell me no for his career. Damn. I

2303
02:53:05,760 --> 02:53:08,400
Speaker 1: was like, I said, Yo, we knew exes browns. We

2304
02:53:08,480 --> 02:53:11,400
Speaker 1: said the first verse would be this, second verse, third verse.

2305
02:53:11,959 --> 02:53:14,080
Speaker 1: We had the verses everything. Because I've been with him

2306
02:53:14,120 --> 02:53:16,680
Speaker 1: so long. I was just like, he just do these verses.

2307
02:53:17,000 --> 02:53:20,039
Speaker 1: And I got the hook off of the freestyle. If

2308
02:53:20,040 --> 02:53:23,440
Speaker 1: you remember the freestyle, He's just get at Meg. What

2309
02:53:23,640 --> 02:53:27,440
Speaker 1: the damn? I said, Yo, that could you don't have

2310
02:53:27,600 --> 02:53:32,000
Speaker 1: me Dug? You have me Dug and Darren killed in

2311
02:53:32,160 --> 02:53:35,960
Speaker 1: the niggas want to be killing your niggas went to

2312
02:53:36,000 --> 02:53:37,960
Speaker 1: rear and he did the hook and that I was

2313
02:53:38,040 --> 02:53:42,200
Speaker 1: like yo. I was like yo, I didn't know that.

2314
02:53:42,280 --> 02:53:46,400
Speaker 1: I was like, yo, call uh whatever. Locks because they

2315
02:53:46,520 --> 02:53:48,760
Speaker 1: was hot, if you remember the locks was hotter than next.

2316
02:53:49,400 --> 02:53:51,280
Speaker 1: I was like cold. One of the locks. He said

2317
02:53:53,440 --> 02:53:55,280
Speaker 1: she get is the only one to do it that

2318
02:53:55,480 --> 02:53:58,280
Speaker 1: I could do it. Doesn't call him, she came call

2319
02:53:58,400 --> 02:54:01,720
Speaker 1: what they called the warlocks. Yeah, you know Walts before

2320
02:54:01,760 --> 02:54:05,080
Speaker 1: there was they were already the locks. At this point,

2321
02:54:05,240 --> 02:54:08,320
Speaker 1: did he have it was popping? Okay, you know what

2322
02:54:08,360 --> 02:54:09,840
Speaker 1: I'm saying. So I was like, get one of the

2323
02:54:09,959 --> 02:54:14,960
Speaker 1: locks and then walked background to the story is god

2324
02:54:15,040 --> 02:54:16,800
Speaker 1: he would have needed to do And they want to

2325
02:54:16,879 --> 02:54:18,840
Speaker 1: give me the love the shot to do it, but

2326
02:54:18,959 --> 02:54:25,039
Speaker 1: it's my brother's love. Yeah, it's it's a rough froud

2327
02:54:25,080 --> 02:54:28,560
Speaker 1: to record. It's cool though, it's a it's a run

2328
02:54:28,600 --> 02:54:30,320
Speaker 1: froud to record. Hold on. When I look back at

2329
02:54:30,520 --> 02:54:33,000
Speaker 1: like that, I'm happy they put up. They wanted to

2330
02:54:33,080 --> 02:54:36,400
Speaker 1: put on their own person. Happy who wanted to do

2331
02:54:36,480 --> 02:54:40,080
Speaker 1: the right she did, he said, He said, she's the

2332
02:54:40,160 --> 02:54:43,280
Speaker 1: only one that that's gonna come right now and do it.

2333
02:54:43,640 --> 02:54:46,080
Speaker 1: He was like grass feet and kids. He said that

2334
02:54:46,320 --> 02:54:51,440
Speaker 1: got they kind of problems right now because they was hot.

2335
02:54:52,200 --> 02:54:55,160
Speaker 1: He said, he said, just said it's fact. Was she

2336
02:55:00,000 --> 02:55:03,840
Speaker 1: I don't, but I'm just going about one of their

2337
02:55:03,879 --> 02:55:09,680
Speaker 1: own Now, were donna go back into some mixtape ship? Okay,

2338
02:55:09,800 --> 02:55:11,880
Speaker 1: I got We've talked about it both times when you

2339
02:55:11,920 --> 02:55:15,480
Speaker 1: guys were on I have the A debts. Don't look

2340
02:55:15,480 --> 02:55:19,720
Speaker 1: over it. Look over here, man, I'm drunk. It wasn't

2341
02:55:19,760 --> 02:55:22,920
Speaker 1: really gonna have murder incorporated. I don't want to talk

2342
02:55:23,000 --> 02:55:26,720
Speaker 1: seriously about that. Why because it's gonna throw J under

2343
02:55:26,800 --> 02:55:29,840
Speaker 1: the bus. What happened? What? What's this? What's this? He said?

2344
02:55:29,840 --> 02:55:32,119
Speaker 1: The murder rings? Super Why did you? I'm gonna mix

2345
02:55:32,120 --> 02:55:36,000
Speaker 1: tape getting these days? I got these tapes. J J

2346
02:55:36,240 --> 02:55:38,880
Speaker 1: didn't want to do it. Jay, both times. I tried

2347
02:55:38,959 --> 02:55:41,560
Speaker 1: two times. The first time I didn't just say anyone

2348
02:55:41,680 --> 02:55:46,280
Speaker 1: talking about it. A lot of talking about Okay, cams

2349
02:55:46,320 --> 02:55:50,600
Speaker 1: on you talking about this someone, man, but you could

2350
02:55:50,640 --> 02:55:52,560
Speaker 1: say it without saying it. I don't want Jay to

2351
02:55:52,600 --> 02:55:55,040
Speaker 1: get mad at me. But it was the same. But

2352
02:55:55,120 --> 02:55:58,600
Speaker 1: it was a thing though. What burd incorporated as a

2353
02:55:58,640 --> 02:56:01,760
Speaker 1: god was a thing that he wanted to happen. And

2354
02:56:03,879 --> 02:56:06,320
Speaker 1: it wasn't the thing with J John like lace do this.

2355
02:56:06,680 --> 02:56:11,280
Speaker 1: It was all me And that's the actual truth. It

2356
02:56:11,400 --> 02:56:14,040
Speaker 1: was God's vision and dream. He wanted it to happen

2357
02:56:14,160 --> 02:56:18,320
Speaker 1: for the three of us, and think about it. Crazy

2358
02:56:18,840 --> 02:56:23,080
Speaker 1: gonna do but were told you can't. But there was

2359
02:56:23,200 --> 02:56:26,040
Speaker 1: mixtape joints. I got at least two joints. We got,

2360
02:56:26,160 --> 02:56:29,600
Speaker 1: we did joints. It was never in the studio, never

2361
02:56:29,720 --> 02:56:34,000
Speaker 1: the same time in the studio together, because there's something

2362
02:56:34,080 --> 02:56:39,520
Speaker 1: that I should have brought these This is something that

2363
02:56:39,879 --> 02:56:47,800
Speaker 1: I knew. They all was fucking ill. And jay I

2364
02:56:48,000 --> 02:56:51,280
Speaker 1: was like, these niggas is incredible, all three of them.

2365
02:56:54,120 --> 02:56:58,960
Speaker 1: But you know, when I look back at it playing

2366
02:56:59,000 --> 02:57:04,280
Speaker 1: one day morning quarterback, of course I'm happy and it

2367
02:57:04,360 --> 02:57:06,520
Speaker 1: went the way then because I would have always been

2368
02:57:06,560 --> 02:57:10,480
Speaker 1: a third win on that. You even know how fucking

2369
02:57:10,600 --> 02:57:17,720
Speaker 1: came in and got busy, don't I would like no, no,

2370
02:57:18,320 --> 02:57:22,440
Speaker 1: I would like to al I'm saying what I'm saying.

2371
02:57:23,160 --> 02:57:25,360
Speaker 1: I wouldn't. I would have got busy on that album,

2372
02:57:25,400 --> 02:57:29,959
Speaker 1: don't get me wrong, but I wasn't established as an artist.

2373
02:57:30,080 --> 02:57:33,360
Speaker 1: I would like to respie hold the funk on. I

2374
02:57:33,440 --> 02:57:37,640
Speaker 1: would all fine, and so it would have always been

2375
02:57:37,760 --> 02:57:42,960
Speaker 1: looked at as you know, started your growth. You done that.

2376
02:57:43,000 --> 02:57:47,119
Speaker 1: I would have felt out of very I I would

2377
02:57:47,120 --> 02:57:51,200
Speaker 1: have exploded, but it would always been looked at as

2378
02:57:52,040 --> 02:57:59,760
Speaker 1: job roun de tales of ex and jobs. This this

2379
02:58:00,160 --> 02:58:07,680
Speaker 1: nigga can find because I get busy. There was a great.

2380
02:58:07,800 --> 02:58:13,400
Speaker 1: Nobody every stopped, hold on stop. It was that I

2381
02:58:13,520 --> 02:58:18,040
Speaker 1: had a chance to be me while they were also them.

2382
02:58:18,640 --> 02:58:20,520
Speaker 1: You know I'm saying, and that was a beautiful thing

2383
02:58:20,600 --> 02:58:27,199
Speaker 1: for me. So not that you fucking response, it's your time.

2384
02:58:28,640 --> 02:58:34,600
Speaker 1: Excuse Hayes, excuse every wonder for this, for his logics,

2385
02:58:35,040 --> 02:58:41,000
Speaker 1: everyone isn't justified. For the first time I tried it,

2386
02:58:42,560 --> 02:58:46,640
Speaker 1: John wasn't as biggest EXJ. You're right. The second time

2387
02:58:46,680 --> 02:58:52,760
Speaker 1: he's trying time like trying. He was outstting them, he

2388
02:58:53,280 --> 02:59:00,440
Speaker 1: was out setting them. People say, Yo, it was fucking

2389
02:59:00,840 --> 02:59:08,560
Speaker 1: you know your excuse at that point. Haze is always

2390
02:59:08,640 --> 02:59:12,080
Speaker 1: all in. Even in the begin the year, though, I

2391
02:59:12,160 --> 02:59:14,760
Speaker 1: would have know. I knew that that ship would have

2392
02:59:15,160 --> 02:59:19,600
Speaker 1: been my fucking ben smart brother st I was feeling

2393
02:59:19,760 --> 02:59:24,000
Speaker 1: fuck that I'm gissing you guys, I'm gonna this morning one.

2394
02:59:24,160 --> 02:59:28,360
Speaker 1: He's talking about growing fun, so I didn't even fun.

2395
02:59:28,680 --> 02:59:31,000
Speaker 1: My object was to brow the funk up and be

2396
02:59:31,040 --> 02:59:35,840
Speaker 1: the biggest artists instable all this time, reasoning all this

2397
02:59:36,040 --> 02:59:39,720
Speaker 1: epic glory, all of this epic what we're talking about

2398
02:59:40,240 --> 02:59:45,480
Speaker 1: has fuel. White Job is a fucking legend. Makes a

2399
02:59:45,560 --> 02:59:52,360
Speaker 1: little bit there wander ship like saying all of this

2400
02:59:52,680 --> 02:59:57,000
Speaker 1: fucking neglact, all of this bullshit, all of this. You

2401
02:59:57,080 --> 02:59:58,720
Speaker 1: know what, you know what used to he used to

2402
02:59:58,760 --> 03:00:01,360
Speaker 1: say to me is screw ain't at me. You don't

2403
03:00:01,360 --> 03:00:05,959
Speaker 1: know what he's screamed at me. They're not your fucking brothers, Gotti.

2404
03:00:08,640 --> 03:00:19,600
Speaker 1: That's that's real streaming fucking brothers gotty. I am paying

2405
03:00:19,680 --> 03:00:25,480
Speaker 1: his love intro Why you want to stop Chief from

2406
03:00:25,520 --> 03:00:30,560
Speaker 1: menturprising crowd? After your line, you ain't got to talk

2407
03:00:30,560 --> 03:00:44,440
Speaker 1: about all that? Know you know what'll listen really strong

2408
03:00:44,959 --> 03:00:50,400
Speaker 1: and it tells my brother. The realist ship, the realist

2409
03:00:50,440 --> 03:00:54,840
Speaker 1: ship is that night that we had that comment, that

2410
03:00:55,120 --> 03:00:59,480
Speaker 1: that argument I made winning doubt you could counting your nigger.

2411
03:01:00,400 --> 03:01:02,920
Speaker 1: That's the record. I'm moving for you because I want

2412
03:01:02,959 --> 03:01:04,480
Speaker 1: to let you know. You know what I'm saying, they

2413
03:01:04,520 --> 03:01:10,119
Speaker 1: can winning down you come on. That makes it look

2414
03:01:10,320 --> 03:01:16,640
Speaker 1: that So this is why this is the love. Y'all

2415
03:01:16,680 --> 03:01:19,480
Speaker 1: like getting the glimpse of why this ship is like this.

2416
03:01:20,400 --> 03:01:22,920
Speaker 1: That's why I say. I just say when we U

2417
03:01:22,920 --> 03:01:26,640
Speaker 1: was driving beat everyone had two guns. It was crazy, right,

2418
03:01:27,440 --> 03:01:31,840
Speaker 1: Who's I just tell and interviews? Leave you alone? Leave

2419
03:01:31,920 --> 03:01:36,600
Speaker 1: him alone, please, because if you fucking touching my sweater. God,

2420
03:01:36,920 --> 03:01:48,720
Speaker 1: I'm killing you Nicka. Sorry bet youn't know you sun me,

2421
03:01:48,840 --> 03:01:52,560
Speaker 1: but that's just real. But Yo, you want to Yo?

2422
03:01:52,680 --> 03:01:56,280
Speaker 1: When I be looking at when Big Guy, I'd be

2423
03:01:56,520 --> 03:02:05,480
Speaker 1: so like confused and upset. Even when Pop died. Why

2424
03:02:05,640 --> 03:02:07,760
Speaker 1: sig why would you let this nigga stop to stick

2425
03:02:07,840 --> 03:02:13,800
Speaker 1: out yo? Knowing that the stick is really niggah, Like

2426
03:02:13,959 --> 03:02:17,880
Speaker 1: why can't we have my two legends here? I would

2427
03:02:17,959 --> 03:02:20,040
Speaker 1: love to see what the world would look like a

2428
03:02:20,120 --> 03:02:25,200
Speaker 1: biggian Pop was still alive, Like I really think about this,

2429
03:02:25,440 --> 03:02:30,120
Speaker 1: don't and it gets me physically like upset, and I'd

2430
03:02:30,160 --> 03:02:34,560
Speaker 1: be like damn man, Like damn, why would you let

2431
03:02:34,640 --> 03:02:36,920
Speaker 1: this nigga stick is Tupac and this stick is That's

2432
03:02:36,920 --> 03:02:39,480
Speaker 1: why when I'll be said, like, Yo, Tupac, this thing

2433
03:02:39,720 --> 03:02:43,160
Speaker 1: was the realist fucking nigga alive. He wasn't just rap

2434
03:02:43,520 --> 03:02:49,600
Speaker 1: he was would know he was the realist nigga alive.

2435
03:02:50,200 --> 03:02:54,600
Speaker 1: This nigga blast of that undercup of copsition because that

2436
03:02:54,840 --> 03:02:59,240
Speaker 1: was for somebody up another black man. Don't ever compare.

2437
03:02:59,320 --> 03:03:02,880
Speaker 1: You ain't too nigga stop, You ain't fucking none of

2438
03:03:02,920 --> 03:03:06,840
Speaker 1: you niggas just doing that ship y'all pulled out, pulled

2439
03:03:06,879 --> 03:03:09,240
Speaker 1: the thing and blasted at them niggas because they was

2440
03:03:09,360 --> 03:03:14,640
Speaker 1: fucking with the nigga Jesus Christ sticking. It's like and

2441
03:03:14,760 --> 03:03:18,560
Speaker 1: then Pain is one of the ship. What's that Nigga

2442
03:03:18,640 --> 03:03:23,680
Speaker 1: Lamart Hill, he's for works for bt Lamont Hill. Nigga

2443
03:03:23,760 --> 03:03:26,560
Speaker 1: I recited the whole third verse to Pain and from

2444
03:03:26,640 --> 03:03:29,480
Speaker 1: the Lamar Hill because he said and kind of like

2445
03:03:29,720 --> 03:03:33,280
Speaker 1: downplay the disrespected to nigga Pope. I've seen that nigger.

2446
03:03:33,320 --> 03:03:38,000
Speaker 1: I was like, like Nigga nykt like better to get

2447
03:03:38,080 --> 03:03:42,000
Speaker 1: my slug on that my clippings, motherfucking gloves on. I

2448
03:03:42,040 --> 03:03:44,680
Speaker 1: ain't skint the blast on these niggas. If they test me,

2449
03:03:44,840 --> 03:03:47,960
Speaker 1: trust I got my glock cock prayer player. If they

2450
03:03:48,080 --> 03:03:51,480
Speaker 1: pressed me, busts on mother bumpa fucker's with a bash.

2451
03:03:51,840 --> 03:03:55,360
Speaker 1: Better ducks. I ain't looking when the blast. I'm a nothing,

2452
03:03:55,440 --> 03:03:58,280
Speaker 1: drinking him to see and getting high on the lookout

2453
03:03:58,360 --> 03:04:01,160
Speaker 1: for my enemies. Don't want to die? Tell me why

2454
03:04:01,320 --> 03:04:05,040
Speaker 1: because it's stress getting made a book before the face

2455
03:04:05,160 --> 03:04:08,320
Speaker 1: with the razor. What can I do or be? What

2456
03:04:08,480 --> 03:04:10,800
Speaker 1: can I do but be a dog and till him

2457
03:04:11,040 --> 03:04:16,160
Speaker 1: dead and gone? Can I do for be a dog

2458
03:04:16,240 --> 03:04:18,760
Speaker 1: and kill I'm dead and gone. I screamed that ship

2459
03:04:18,840 --> 03:04:21,200
Speaker 1: in Lamar Hill's face. He was like, yo. They kept

2460
03:04:21,200 --> 03:04:23,600
Speaker 1: trying to stop him in verse something like this out

2461
03:04:23,680 --> 03:04:25,960
Speaker 1: there and kept fitting it in his face. And he

2462
03:04:26,080 --> 03:04:29,000
Speaker 1: was like, I understand, they don't. Don't just respect Pop

2463
03:04:29,240 --> 03:04:35,160
Speaker 1: me not Pop. Think about his life. He lived what

2464
03:04:35,440 --> 03:04:40,440
Speaker 1: he was saying. He lived exactly what the funk he was?

2465
03:04:40,720 --> 03:04:43,440
Speaker 1: What can I do? Be a dog and tell him

2466
03:04:43,520 --> 03:04:46,600
Speaker 1: dead and gone? He died in some gag banging ship,

2467
03:04:46,840 --> 03:04:51,000
Speaker 1: nigga crazy? What can I do but be a dog

2468
03:04:51,080 --> 03:04:54,119
Speaker 1: and till I'm getting debt and gold, keep my brain

2469
03:04:54,280 --> 03:04:57,800
Speaker 1: on the game and say headstrong, He's sorry. Bastards want

2470
03:04:57,840 --> 03:05:02,120
Speaker 1: to kill me in my sleep? How only can it be? Said?

2471
03:05:02,160 --> 03:05:04,400
Speaker 1: He dugging, said he dugging on the street, said he

2472
03:05:04,520 --> 03:05:07,320
Speaker 1: busted on the street, And I'll be bawling low. Don't

2473
03:05:07,360 --> 03:05:13,440
Speaker 1: let the bitches worry drinking tea, keep thinking bury. I

2474
03:05:13,600 --> 03:05:16,480
Speaker 1: was born to raise hell the nigga from the Gutta

2475
03:05:16,720 --> 03:05:20,160
Speaker 1: where the mother. I'm touched. I'm kicking dust up, ready

2476
03:05:20,240 --> 03:05:23,240
Speaker 1: to bust someone to see, said he mugging me until

2477
03:05:23,320 --> 03:05:27,040
Speaker 1: they kill me. I'll be living this fucking life. Do

2478
03:05:27,240 --> 03:05:34,520
Speaker 1: you fail me? Nig You got to feel that new

2479
03:05:34,800 --> 03:05:42,440
Speaker 1: man totally off subject, totally off, it's different. We gotta

2480
03:05:43,640 --> 03:05:48,320
Speaker 1: totally subject. We can't do it being dug and till

2481
03:05:48,360 --> 03:05:54,840
Speaker 1: I'm dead and gone'll be best. Just want to kill

2482
03:05:54,920 --> 03:05:59,280
Speaker 1: me in my sleep. So let me ask you, because

2483
03:05:59,680 --> 03:06:02,760
Speaker 1: at point you and Mike Geronimo did kind of seem

2484
03:06:02,840 --> 03:06:05,200
Speaker 1: like y'all was gonna be the new Diddy. We're back

2485
03:06:05,240 --> 03:06:08,080
Speaker 1: on Mike geronatle because we hear watch this. Here's an

2486
03:06:08,080 --> 03:06:14,640
Speaker 1: answer for you that nigga. Come on, I'm drunk, but

2487
03:06:14,840 --> 03:06:18,640
Speaker 1: it's really weird and you feel nigga. Fuck you, nigga.

2488
03:06:19,000 --> 03:06:21,480
Speaker 1: You thought I wasn't the one who guess what, I'm

2489
03:06:21,560 --> 03:06:25,640
Speaker 1: the one, nigga. I'm on the fucking one. You're doing

2490
03:06:25,760 --> 03:06:30,720
Speaker 1: all the Pete Vocking in Large Professor and Shot Lodge

2491
03:06:30,720 --> 03:06:32,720
Speaker 1: Professor because I learned how to make beasts from Large

2492
03:06:32,720 --> 03:06:38,960
Speaker 1: Professor and in Premiere and and it was. But you

2493
03:06:39,120 --> 03:06:42,480
Speaker 1: thought that was the one. Nigga. I'm the one, Nigga.

2494
03:06:43,080 --> 03:06:46,119
Speaker 1: I'm gonna make the mother fucking hits Nigga that you're

2495
03:06:46,160 --> 03:06:52,240
Speaker 1: gonna remember forever. You don't remember forever, yo, yo yo.

2496
03:06:52,400 --> 03:06:58,120
Speaker 1: You know hold on, what happened? I ain't gonna nain't

2497
03:06:58,160 --> 03:07:01,720
Speaker 1: no names right minds. Turn the norriy candle around. Look

2498
03:07:01,760 --> 03:07:09,880
Speaker 1: at you. I can't. He looks like he's savings, like

2499
03:07:09,920 --> 03:07:16,320
Speaker 1: he's gonna saved. But listen, listen, motherfucking what the fun

2500
03:07:16,440 --> 03:07:21,600
Speaker 1: did you? Mike Geranomo, Mike Geronimo and he ran all

2501
03:07:21,640 --> 03:07:24,039
Speaker 1: of these and I'm like, this ship is so crazy

2502
03:07:25,600 --> 03:07:28,840
Speaker 1: and I understood, Like, no, I don't understand because I

2503
03:07:28,920 --> 03:07:38,360
Speaker 1: made she real that was I made okay job And

2504
03:07:38,680 --> 03:07:43,720
Speaker 1: don't understand. Let's playing you, Godi. You wouldn't. I'm not

2505
03:07:43,800 --> 03:07:46,240
Speaker 1: taking up from Mike. I'm not taking up from So

2506
03:07:46,240 --> 03:07:49,800
Speaker 1: why didn't you move like that? Don't make no that

2507
03:07:50,480 --> 03:07:55,360
Speaker 1: you That's what it is trying to explain. That's what

2508
03:07:55,560 --> 03:08:02,720
Speaker 1: it is, says you don't understanding. What's trying to hold on?

2509
03:08:03,120 --> 03:08:05,320
Speaker 1: Let me plan it to you, let me splin it

2510
03:08:05,400 --> 03:08:08,320
Speaker 1: to you. The reason why is because Gotty, you were

2511
03:08:08,360 --> 03:08:10,960
Speaker 1: a new producer at the time, and you and you

2512
03:08:11,120 --> 03:08:13,440
Speaker 1: brought him to where he was at that moment. But

2513
03:08:13,640 --> 03:08:17,560
Speaker 1: he was from that area and those dudes were bigger

2514
03:08:17,720 --> 03:08:19,840
Speaker 1: name producers at the time that he wanted to work with.

2515
03:08:20,120 --> 03:08:22,920
Speaker 1: That's it I don't by so when I say this

2516
03:08:23,000 --> 03:08:26,200
Speaker 1: ship and I gotta memory, memory like an elephant, nigga,

2517
03:08:26,400 --> 03:08:30,520
Speaker 1: I don't. I don't forget shit. Shit. You can pull

2518
03:08:30,640 --> 03:08:35,760
Speaker 1: up the fucking Houston Rockets and Golden State Warrior's game

2519
03:08:35,840 --> 03:08:39,440
Speaker 1: that we was there, and you'll see Contino Cotino on

2520
03:08:39,600 --> 03:08:42,360
Speaker 1: the line and going like this. You may not see

2521
03:08:42,400 --> 03:08:46,560
Speaker 1: me because the camera ain't going. It wasn't to the benches, No,

2522
03:08:48,720 --> 03:08:53,680
Speaker 1: we understand. You understand like it was across the bitch.

2523
03:08:53,760 --> 03:08:55,920
Speaker 1: So you're gonna see the back of my hand, and

2524
03:08:56,360 --> 03:09:00,640
Speaker 1: it ain't Nicolson's. Nicolson's you see what I'm saying, Chasey's

2525
03:09:00,959 --> 03:09:03,240
Speaker 1: you see us, you know what I'm saying this, You'll

2526
03:09:03,240 --> 03:09:05,320
Speaker 1: see the back of my head. You know what I'm saying.

2527
03:09:05,360 --> 03:09:07,600
Speaker 1: But if you pull up the tape, you're gonna see

2528
03:09:07,680 --> 03:09:11,879
Speaker 1: Patino going like this at the line. He was shaking

2529
03:09:11,920 --> 03:09:14,880
Speaker 1: his head because I'm screaming to nigga, the lie is eight.

2530
03:09:15,160 --> 03:09:18,400
Speaker 1: We need both, Nigga, I got one seventy five on

2531
03:09:18,520 --> 03:09:21,240
Speaker 1: this bitch, and this niggle was like the stick. The

2532
03:09:21,320 --> 03:09:24,520
Speaker 1: rest was laughing at me. Everyone knew it, but you

2533
03:09:24,600 --> 03:09:28,960
Speaker 1: know who else knew? Fucking gilber and read it and

2534
03:09:29,040 --> 03:09:34,840
Speaker 1: they said I'm anna fuck niggai and John was giving

2535
03:09:34,879 --> 03:09:37,400
Speaker 1: it to the stick of the whole game. John, he

2536
03:09:37,480 --> 03:09:40,320
Speaker 1: gotta one secon five was like twenty five thousand. I

2537
03:09:40,440 --> 03:09:43,520
Speaker 1: had like fifty thousand. My brother had like twenty five thousand,

2538
03:09:43,680 --> 03:09:46,440
Speaker 1: but it was one seventy five. Told you're gonna to

2539
03:09:46,480 --> 03:09:50,080
Speaker 1: tell you another thing too. One time job was from

2540
03:09:50,240 --> 03:09:52,160
Speaker 1: my video. I did a record, but you you guys

2541
03:09:52,240 --> 03:09:54,520
Speaker 1: charged me at the asshole. I did a record with y'all.

2542
03:09:56,400 --> 03:09:59,720
Speaker 1: It definitely charged me, definitely, just took half of the

2543
03:09:59,760 --> 03:10:11,480
Speaker 1: button story. You didn't even put out the video. You definitely, yeah,

2544
03:10:11,600 --> 03:10:13,800
Speaker 1: I didn't charge him that. I was like, seventy five, Yes,

2545
03:10:14,120 --> 03:10:20,280
Speaker 1: I didn't charge you. Man. I was like what I'm saying,

2546
03:10:22,400 --> 03:10:24,600
Speaker 1: I don't understand what I'm saying. At the time, you're

2547
03:10:24,680 --> 03:10:28,960
Speaker 1: charging motherfucker's street hunted two fifties, Like, y'all, you me

2548
03:10:29,000 --> 03:10:33,440
Speaker 1: a favor, this caount go two fifties long at this

2549
03:10:34,760 --> 03:10:37,280
Speaker 1: seventy five? Right, but check it so we filled in

2550
03:10:37,360 --> 03:10:40,720
Speaker 1: the video. If you're in the video, Lennox Lewis comes

2551
03:10:40,760 --> 03:10:44,840
Speaker 1: to the set, Joh does the same as Hanmer goes

2552
03:10:44,879 --> 03:10:48,440
Speaker 1: up the lex Lewis and goes Tyson, go fuck you up.

2553
03:10:51,080 --> 03:10:54,720
Speaker 1: I'm like, wait a minute, we were this, we was

2554
03:10:55,040 --> 03:10:59,440
Speaker 1: we was Tyson, We love I wanted lys at my

2555
03:10:59,600 --> 03:11:02,800
Speaker 1: video We love Mike Tyson. We don't told you got this.

2556
03:11:03,440 --> 03:11:08,400
Speaker 1: You don't just fun it from the UK. You don't

2557
03:11:10,400 --> 03:11:14,920
Speaker 1: in the video they said, you chuckle Gilbert to read

2558
03:11:14,959 --> 03:11:18,400
Speaker 1: this into into it on the video with me and you,

2559
03:11:18,840 --> 03:11:24,840
Speaker 1: Melis came about and you told him you said you

2560
03:11:24,959 --> 03:11:41,400
Speaker 1: want okay, Yeah, together we were to get on TV kid.

2561
03:11:43,320 --> 03:11:47,760
Speaker 1: Everyone that doesn't know when I looked this way, it's

2562
03:11:47,840 --> 03:11:51,680
Speaker 1: four women that's with BT that knows him about it,

2563
03:11:52,760 --> 03:11:56,760
Speaker 1: that doesn't about to get funked up because sucking nor right.

2564
03:11:56,879 --> 03:11:59,480
Speaker 1: And I told him when they had the sidebar with

2565
03:11:59,760 --> 03:12:03,240
Speaker 1: me about silencing young uncle, I told them I'm gonna

2566
03:12:03,280 --> 03:12:07,560
Speaker 1: be fun, to which they said you need to get

2567
03:12:07,600 --> 03:12:10,879
Speaker 1: a shot at him, to which they said, okay. They

2568
03:12:11,120 --> 03:12:14,000
Speaker 1: fucking said they knew I was gonna get fucked up.

2569
03:12:14,120 --> 03:12:16,120
Speaker 1: They said, listen, when you look at us, can we

2570
03:12:16,240 --> 03:12:21,840
Speaker 1: go as it work? Doesn't work? Yes? Yes, And there's

2571
03:12:21,840 --> 03:12:24,600
Speaker 1: certain things. There's certain things that I was gonna talk

2572
03:12:24,600 --> 03:12:29,920
Speaker 1: about them. I see Tshi give me the sipping and

2573
03:12:30,080 --> 03:12:33,560
Speaker 1: I fucking sipped it. So getting getting back to the documentary.

2574
03:12:33,800 --> 03:12:36,480
Speaker 1: We we, like we said earlier, we established that we've

2575
03:12:36,480 --> 03:12:39,040
Speaker 1: seen the rough Rider one and we've seen the No

2576
03:12:39,160 --> 03:12:42,400
Speaker 1: Limit one. How does and you've got Tales going already,

2577
03:12:42,400 --> 03:12:45,480
Speaker 1: So how does it tells? Season three for my Tales

2578
03:12:45,560 --> 03:12:50,080
Speaker 1: people is coming on right after the documentary? The documentary.

2579
03:12:50,240 --> 03:12:53,040
Speaker 1: The document is what we call in the business, the

2580
03:12:53,360 --> 03:12:56,600
Speaker 1: lead end. Okay, so how do how do they approach

2581
03:12:56,640 --> 03:12:59,520
Speaker 1: the feature? How the feature? Because I want to say,

2582
03:13:00,040 --> 03:13:02,640
Speaker 1: want to end it? What you you don't know that yet? Okay,

2583
03:13:03,320 --> 03:13:08,360
Speaker 1: we're seeing real time, real time. Tasha is like, we

2584
03:13:08,440 --> 03:13:14,240
Speaker 1: don't know, and I'm like, fucking I gave you that info.

2585
03:13:15,240 --> 03:13:20,920
Speaker 1: But this is a little thing going on. This was revealed.

2586
03:13:21,320 --> 03:13:25,600
Speaker 1: Oh he just swissed glasses and he's a fashion guy.

2587
03:13:26,240 --> 03:13:31,400
Speaker 1: He's a fashion guy. You don't understand. You don't understand.

2588
03:13:31,840 --> 03:13:36,760
Speaker 1: I told you, naughty. How does your apparently sparting good

2589
03:13:38,040 --> 03:13:43,520
Speaker 1: pick that fucking get that this will be my great

2590
03:13:43,600 --> 03:13:48,000
Speaker 1: champ T shirt? And but how do how does because

2591
03:13:48,000 --> 03:13:50,120
Speaker 1: you already have a great relationship with BT with Tales

2592
03:13:50,360 --> 03:13:52,440
Speaker 1: I love, how did they how do they approach you

2593
03:13:52,480 --> 03:13:57,040
Speaker 1: about the documentary and the documentary? In all damn I

2594
03:13:57,040 --> 03:13:58,680
Speaker 1: don't want to say this, but I'm gonna keep it

2595
03:13:58,760 --> 03:14:02,080
Speaker 1: real because I just keep real. Right. So they called me.

2596
03:14:03,840 --> 03:14:08,440
Speaker 1: They called me, That's how they called me. After Rough

2597
03:14:08,480 --> 03:14:12,520
Speaker 1: Frider Is in No Limit did astronomical ratings for BT.

2598
03:14:14,120 --> 03:14:20,640
Speaker 1: Great documentaries by the way, great. I love those right,

2599
03:14:20,720 --> 03:14:25,080
Speaker 1: So they called me, got even gotta have the Murdering Dot.

2600
03:14:25,280 --> 03:14:27,880
Speaker 1: It's a huge dock, so they first thing I said, Yo,

2601
03:14:28,920 --> 03:14:34,400
Speaker 1: I went live nation in my nigga Michael Rupino, could

2602
03:14:34,440 --> 03:14:38,000
Speaker 1: you get it from them? And and and great to

2603
03:14:38,080 --> 03:14:46,160
Speaker 1: bet Now, BAT gave me my first look with tales. Listen, listen,

2604
03:14:46,240 --> 03:14:51,720
Speaker 1: I mean blouse, that's not how they sounded. Listen. Let

2605
03:14:51,800 --> 03:14:57,000
Speaker 1: me let me blow BET for one second, Stephen Helen.

2606
03:14:57,080 --> 03:15:01,160
Speaker 1: BT gave me my first opportunity. They gave me a

2607
03:15:01,280 --> 03:15:08,080
Speaker 1: chance to do tales. BT will always always be with me.

2608
03:15:08,720 --> 03:15:11,920
Speaker 1: I forever loved them. They really can't do nothing to

2609
03:15:12,000 --> 03:15:16,440
Speaker 1: make me stop loving them because they gave me this opportunity. Yes,

2610
03:15:16,800 --> 03:15:26,000
Speaker 1: it's one on account all BT. I'm cool with that

2611
03:15:26,160 --> 03:15:29,800
Speaker 1: because I love those motherfucker's. They gave me the ability

2612
03:15:29,920 --> 03:15:34,760
Speaker 1: to do what I'm doing, and you know, full full

2613
03:15:34,879 --> 03:15:39,560
Speaker 1: like five degrees of separation. Nothing happens for me. Let

2614
03:15:39,640 --> 03:15:41,560
Speaker 1: me tell you the time of my life I was

2615
03:15:41,640 --> 03:15:47,959
Speaker 1: in at that point, no one was sucking for anything.

2616
03:15:48,560 --> 03:15:51,720
Speaker 1: I would have great. I would be like, you would

2617
03:15:51,800 --> 03:15:55,000
Speaker 1: leave me, you know when you killed me. You're like, man,

2618
03:15:55,080 --> 03:15:57,080
Speaker 1: I killed that. This is gonna be good. It's gonna

2619
03:15:57,080 --> 03:16:01,040
Speaker 1: be great. And nobody fused with me. Why because I

2620
03:16:01,160 --> 03:16:05,280
Speaker 1: had that dark cloud over my head for the Feds

2621
03:16:05,680 --> 03:16:10,119
Speaker 1: in that whole indictment and doing super ugly and doing

2622
03:16:10,200 --> 03:16:18,080
Speaker 1: super ugly. So now Stephen Hill, I pitched him tales, Yo,

2623
03:16:18,160 --> 03:16:21,000
Speaker 1: We're gonna take great hip hop Breacords and through the

2624
03:16:21,120 --> 03:16:24,320
Speaker 1: inspiration that will make one to two hour films. I

2625
03:16:24,520 --> 03:16:27,680
Speaker 1: fucking love it. He gives me to deal yo and

2626
03:16:27,840 --> 03:16:30,560
Speaker 1: jay Z's executive producer as well. Right, let me let

2627
03:16:30,600 --> 03:16:35,279
Speaker 1: me explain. Let me this also might have got fired

2628
03:16:36,120 --> 03:16:37,680
Speaker 1: in a minute. I didn't know it took a twist

2629
03:16:37,800 --> 03:16:41,800
Speaker 1: like that. It's a twist. It's when. So now he

2630
03:16:43,000 --> 03:16:46,760
Speaker 1: does Tales, but he only signs me to a backdoor pilot.

2631
03:16:47,600 --> 03:16:51,800
Speaker 1: Backdoor pilot for everybody means he's not committing to ten

2632
03:16:51,959 --> 03:16:57,520
Speaker 1: episodes or eight episodes, committing to one episode if the

2633
03:16:57,680 --> 03:17:02,840
Speaker 1: ratings as well, will do more episodes, which is like

2634
03:17:03,720 --> 03:17:10,800
Speaker 1: a white label. It's exactly for music is translation. Okay,

2635
03:17:13,760 --> 03:17:17,960
Speaker 1: So now I say, damn, I only got one episode.

2636
03:17:19,440 --> 03:17:25,080
Speaker 1: I need I need Hove. Hove is starting title. I

2637
03:17:25,200 --> 03:17:29,240
Speaker 1: know Hove once content for title that's exclusive you on title.

2638
03:17:29,560 --> 03:17:32,360
Speaker 1: I call Hove, Yo, I'll give you the second window

2639
03:17:32,440 --> 03:17:35,840
Speaker 1: of tails. So like after a week or whatever, BT

2640
03:17:36,040 --> 03:17:38,840
Speaker 1: chooses thing and just give me a little a fraction

2641
03:17:38,920 --> 03:17:41,720
Speaker 1: of the money. And BT is playing a clean version

2642
03:17:41,840 --> 03:17:45,880
Speaker 1: for lack of edator corrections. I made a clean and

2643
03:17:45,959 --> 03:17:50,600
Speaker 1: dirty like a record. So once he does that. Now

2644
03:17:51,040 --> 03:17:56,240
Speaker 1: when in the office me, Jay Z, Stephen Hill, Darryl Walker,

2645
03:17:57,600 --> 03:18:02,520
Speaker 1: Chris McCormick, Chris brad Go of Indomar Shine, we're in

2646
03:18:02,560 --> 03:18:05,560
Speaker 1: the office together, and let me tell you just Jay

2647
03:18:05,640 --> 03:18:08,680
Speaker 1: walking in the office had everyone like giddy and ship.

2648
03:18:09,000 --> 03:18:11,959
Speaker 1: If you ever want to close this deal, try if

2649
03:18:12,040 --> 03:18:16,000
Speaker 1: Jay just get j Yo. When Jay walks in Yo

2650
03:18:16,160 --> 03:18:21,960
Speaker 1: that but he is my disclame of how good Jay is?

2651
03:18:22,080 --> 03:18:24,080
Speaker 1: You want to close the deal? If Jay's in the

2652
03:18:24,200 --> 03:18:29,000
Speaker 1: room to answers, yes, so I get JA. I say, yo,

2653
03:18:29,160 --> 03:18:31,960
Speaker 1: you want this title, just start and you get the content.

2654
03:18:32,200 --> 03:18:34,880
Speaker 1: You get it a week to two or three weeks

2655
03:18:34,959 --> 03:18:38,640
Speaker 1: after it comes out and be good a title. Yo,

2656
03:18:38,840 --> 03:18:44,880
Speaker 1: that's dope. So in that meeting Stephen Hill, Jay, what

2657
03:18:45,000 --> 03:18:48,680
Speaker 1: do you want to do? Like it was all about Jay?

2658
03:18:49,560 --> 03:18:50,840
Speaker 1: He said, Jay, what do you want to do? What

2659
03:18:50,879 --> 03:18:52,440
Speaker 1: do you want to do with this? You know what's

2660
03:18:52,480 --> 03:18:54,720
Speaker 1: what's going on? They happy to be in a room

2661
03:18:54,760 --> 03:18:59,680
Speaker 1: with Jay. Jay says, when Gotti is in his creative

2662
03:18:59,720 --> 03:19:03,200
Speaker 1: ship like this, what we all need to do is

2663
03:19:03,240 --> 03:19:06,080
Speaker 1: give him whatever he needs and get the funk out

2664
03:19:06,120 --> 03:19:10,200
Speaker 1: of his way. It's the best alley in the history

2665
03:19:10,520 --> 03:19:19,880
Speaker 1: of So, Jay says this. Stephen, Stephen Hill, and Daryl

2666
03:19:19,920 --> 03:19:21,960
Speaker 1: Walker turned to me, So, God, what do you want

2667
03:19:22,000 --> 03:19:24,040
Speaker 1: to do? I said, Yo, we just got one episode.

2668
03:19:24,760 --> 03:19:30,760
Speaker 1: Daryl Walker. Daryl Walker? He rr I pen d Miller. No,

2669
03:19:31,400 --> 03:19:33,960
Speaker 1: Daryl Miller is my attorney. In my attorney. He's every

2670
03:19:34,040 --> 03:19:37,040
Speaker 1: black person's attorney. I didn't know that. Yeah, every if

2671
03:19:37,040 --> 03:19:48,920
Speaker 1: you're a nigger in the entertainment business, Daryl Waver, everyone else. Okay, okay,

2672
03:19:49,320 --> 03:19:54,360
Speaker 1: So you know when I do this and I'm talking

2673
03:19:54,400 --> 03:19:59,000
Speaker 1: to what the fuck what I'm talking about about? That Walker? Y'all? Okay,

2674
03:19:59,680 --> 03:20:04,640
Speaker 1: Steve Right, I said, Yo, we only got one episode.

2675
03:20:06,400 --> 03:20:10,000
Speaker 1: They was like okay, and they basically changed the backdoor

2676
03:20:10,160 --> 03:20:15,560
Speaker 1: pilot to a full fledged episode deal. But I won

2677
03:20:15,640 --> 03:20:20,840
Speaker 1: the first season of Tales. That's that explained. I just

2678
03:20:20,959 --> 03:20:23,360
Speaker 1: gave you the reason why you got the big Omi

2679
03:20:23,440 --> 03:20:29,920
Speaker 1: in there. In all honesty, they made a mistake, beautiful.

2680
03:20:30,040 --> 03:20:34,400
Speaker 1: You know a lot of people ain't making it. I think, God, like,

2681
03:20:34,720 --> 03:20:36,720
Speaker 1: here's another thing that I want to get to the audience.

2682
03:20:36,800 --> 03:20:40,959
Speaker 1: I gave my female a thing about bitches and everything

2683
03:20:41,040 --> 03:20:44,160
Speaker 1: like that. Hopingly you keep it and they see it right.

2684
03:20:44,640 --> 03:20:48,120
Speaker 1: And then the other thing with me is I'm like

2685
03:20:48,480 --> 03:20:54,040
Speaker 1: ridiculously spiritual. And you know it's crazy because the trial,

2686
03:20:55,520 --> 03:21:02,320
Speaker 1: my federal indictment brought me closer to God. But that's

2687
03:21:02,320 --> 03:21:06,800
Speaker 1: a documentary in itself too. Yes, it is because when

2688
03:21:06,840 --> 03:21:10,560
Speaker 1: I was going to trial, I would I didn't want to.

2689
03:21:10,800 --> 03:21:17,920
Speaker 1: I didn't wanna asked God to save me because I

2690
03:21:18,040 --> 03:21:21,120
Speaker 1: thought that would be a bitch ass nigger nigga. I

2691
03:21:21,120 --> 03:21:24,000
Speaker 1: ain't been talking, you know, I'm like, saved me, Please,

2692
03:21:24,080 --> 03:21:29,240
Speaker 1: God saved me. So I didn't do that. Instead, every

2693
03:21:29,360 --> 03:21:33,080
Speaker 1: day I listened to Mary J. Blige in my life,

2694
03:21:33,520 --> 03:21:36,600
Speaker 1: and it brought me to tears every time when she

2695
03:21:36,720 --> 03:21:40,560
Speaker 1: goes to part of and I know that things will

2696
03:21:40,760 --> 03:21:46,960
Speaker 1: turn out right. Yes they would, Yes they would. I'll

2697
03:21:47,040 --> 03:21:50,120
Speaker 1: cry if you play that record right now. It's a

2698
03:21:51,120 --> 03:21:54,840
Speaker 1: I'm gonna cry on that part. And like like when

2699
03:21:54,879 --> 03:21:57,119
Speaker 1: I went when I see Mary for the first time,

2700
03:21:57,200 --> 03:21:59,840
Speaker 1: I dropped to my knees and I was like, Yo,

2701
03:22:00,040 --> 03:22:04,000
Speaker 1: you're my queen forever forever. And I asked that, I said, Yo,

2702
03:22:04,120 --> 03:22:07,440
Speaker 1: who fucking wrote my life? She said I did, And

2703
03:22:07,560 --> 03:22:12,879
Speaker 1: I was like, damn you just they don't know. There'll

2704
03:22:12,959 --> 03:22:17,600
Speaker 1: never be anybody over married Jus because when you listen

2705
03:22:17,680 --> 03:22:21,040
Speaker 1: to my life, it's a spiritual record. She's talking about God.

2706
03:22:21,920 --> 03:22:24,800
Speaker 1: She's talking about believing in God, and if you believing

2707
03:22:24,920 --> 03:22:38,800
Speaker 1: God would like so Mary the ultimate for me. She'd

2708
03:22:38,800 --> 03:22:41,080
Speaker 1: been the ultimate, she was ultimate for me before that.

2709
03:22:42,000 --> 03:22:45,160
Speaker 1: But when I found out she wrote that record, Jesus

2710
03:22:45,280 --> 03:22:48,360
Speaker 1: Christ like, I was like, I just looked at it

2711
03:22:48,360 --> 03:22:51,000
Speaker 1: and dropped to my new knees and bowed my head

2712
03:22:51,320 --> 03:22:55,400
Speaker 1: like she's my queen for real. I love fucking Mary

2713
03:22:55,520 --> 03:22:59,680
Speaker 1: j Black. I fucking nig up over Mary j bicking

2714
03:22:59,680 --> 03:23:05,680
Speaker 1: a lot of thigs up today. I ain't ain't no,

2715
03:23:06,080 --> 03:23:12,680
Speaker 1: I ain't top physical fit, but ya listen, I'm letting

2716
03:23:12,680 --> 03:23:20,200
Speaker 1: you know. I'm going maybe the one another, but I'm

2717
03:23:20,240 --> 03:23:24,240
Speaker 1: cooling with But you committed. You committed. You're not talking

2718
03:23:24,320 --> 03:23:30,000
Speaker 1: with wood fucking Pream like like yo previously you got

2719
03:23:30,080 --> 03:23:32,680
Speaker 1: him for protection. I said, nig say some crazy shit

2720
03:23:32,720 --> 03:23:34,760
Speaker 1: about Pream in front of me. I'm sucking them up.

2721
03:23:35,600 --> 03:23:39,400
Speaker 1: I said, Its the same mother fucking way, Chris Black.

2722
03:23:39,440 --> 03:23:40,760
Speaker 1: You want to say nothing before you get up out

2723
03:23:40,800 --> 03:23:48,200
Speaker 1: of here. Let's get it. Hey, you do this ticket like, no,

2724
03:23:48,640 --> 03:23:51,240
Speaker 1: didn't do you see this ticket classes? This class is

2725
03:23:51,280 --> 03:23:58,039
Speaker 1: probably like five calling you. That's step up, like stop face.

2726
03:23:58,360 --> 03:24:05,120
Speaker 1: I never lied, even when I lie, Well, I don't lie.

2727
03:24:05,800 --> 03:24:15,000
Speaker 1: Think I don't anybody. I can't never. I'm not definitely

2728
03:24:15,120 --> 03:24:17,760
Speaker 1: using to put the promo the other shing I said it.

2729
03:24:18,040 --> 03:24:31,400
Speaker 1: I never lied this claimer his thoughts is this to

2730
03:24:32,520 --> 03:24:34,800
Speaker 1: use in the views expressed by you got it? It's

2731
03:24:34,920 --> 03:24:49,640
Speaker 1: basically sold serious show and John about by the way.

2732
03:24:49,640 --> 03:24:53,959
Speaker 1: I love Switch. I swear to God, this is something

2733
03:24:53,959 --> 03:24:57,200
Speaker 1: I'm telling you. I always in the most I've ever like.

2734
03:24:57,440 --> 03:25:00,040
Speaker 1: I don't even really feel like this. No me, I

2735
03:25:00,080 --> 03:25:02,560
Speaker 1: don't go out. It's beennybody by like nine in the

2736
03:25:02,640 --> 03:25:07,320
Speaker 1: clocks to betnybody shut out. Bye bye. I think I

2737
03:25:07,440 --> 03:25:10,040
Speaker 1: say I'm up earely working. I think I'm striking that

2738
03:25:10,080 --> 03:25:12,920
Speaker 1: you take another shot. I'm gonna keep it real. Let's

2739
03:25:14,560 --> 03:25:18,880
Speaker 1: actually look. You gotta look at it and let me

2740
03:25:19,000 --> 03:25:29,600
Speaker 1: look at him. You gotta drinking shot, okay, saying I'll

2741
03:25:29,680 --> 03:25:36,000
Speaker 1: do another ship not all h Honestly, man, when you

2742
03:25:36,160 --> 03:25:38,600
Speaker 1: and y'all did what y'all did with murder in't you

2743
03:25:38,640 --> 03:25:40,560
Speaker 1: know it's gotta be. I want to really give y'all

2744
03:25:40,640 --> 03:25:43,280
Speaker 1: your flowers, really salute y'all to your face. You know,

2745
03:25:43,280 --> 03:25:45,480
Speaker 1: I'm used to come up with a murder inc um

2746
03:25:46,080 --> 03:25:47,520
Speaker 1: and you have to drink Riby Martin. And I just

2747
03:25:47,640 --> 03:25:49,920
Speaker 1: was like, man, you guys gotta start calming down. And

2748
03:25:50,280 --> 03:25:52,440
Speaker 1: I started bringing Peenot Guigio to y'all. You know what

2749
03:25:52,440 --> 03:25:56,840
Speaker 1: I'm saying, introduced us. I'm not giving you the first

2750
03:25:56,879 --> 03:25:59,200
Speaker 1: the first time I've seen Peenot guise when I was

2751
03:25:59,280 --> 03:26:03,160
Speaker 1: keeping it with more you're talking. You know she was

2752
03:26:03,200 --> 03:26:08,440
Speaker 1: a peno gran carry two us on film. It's supposed

2753
03:26:08,440 --> 03:26:10,120
Speaker 1: throw that out there, But let me just see something

2754
03:26:10,200 --> 03:26:13,400
Speaker 1: y'all keeping y'all up because what y'all did, Like I said,

2755
03:26:13,480 --> 03:26:16,800
Speaker 1: just be going through your discography me really understanding, like

2756
03:26:17,320 --> 03:26:22,080
Speaker 1: you know that the hints that y'all it's the classic albums,

2757
03:26:22,280 --> 03:26:25,120
Speaker 1: the hardest that y'all you do and all that, and

2758
03:26:25,160 --> 03:26:26,680
Speaker 1: I'm just sitting back and I want to really give

2759
03:26:26,680 --> 03:26:32,840
Speaker 1: your guys that flowers literally and uhgulally and fucking you know,

2760
03:26:33,080 --> 03:26:38,920
Speaker 1: see your face, because y'all really remarkable people. You did crazy, crazy,

2761
03:26:39,000 --> 03:26:47,360
Speaker 1: crazy things and you have to be siblutely for you

2762
03:26:47,520 --> 03:26:51,000
Speaker 1: got my flower. Yes, sir, yes, thanks for joining us

2763
03:26:51,040 --> 03:26:53,680
Speaker 1: for another episode of Drink Champs hosted by yours truly,

2764
03:26:53,800 --> 03:26:55,640
Speaker 1: d J E. F Fenn and n O r E.

2765
03:26:56,120 --> 03:26:58,160
Speaker 1: Please make sure to follow us on all our socials.

2766
03:26:58,440 --> 03:27:02,199
Speaker 1: Let's add drink Champs across all platforms at the Real Noriegan,

2767
03:27:02,320 --> 03:27:06,199
Speaker 1: I g at Noriega on Twitter, minus at Who's Crazy

2768
03:27:06,400 --> 03:27:09,279
Speaker 1: on I g at d J E f n on Twitter,

2769
03:27:09,640 --> 03:27:12,199
Speaker 1: and most importantly, stay up to date with the latest releases,

2770
03:27:12,600 --> 03:27:15,800
Speaker 1: news and merged by going to drink Champs dot com.

2771
03:27:20,520 --> 03:27:23,560
Speaker 1: For more podcasts from my Heart Radio, visit the iHeart

2772
03:27:23,640 --> 03:27:27,160
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

2773
03:27:27,200 --> 03:27:27,840
Speaker 1: favorite shows.