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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: The deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers.

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Speaker 1: He's a legendary Queen's rapper, Hang segues your boy, and

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Speaker 1: he's a Miami hip hop pioneer. What up his d

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Speaker 1: J E F f N. Together they drink it up

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Speaker 1: with some of the biggest players in music and sports,

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Speaker 1: I mean, the most professional unprofessional podcast. This is Drinks

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Speaker 1: Chap Ready to Every Day is New Year's eight Hays

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Speaker 1: agree O, d J E F and this drink Chance

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Speaker 1: motherfucking podcast right now, right now, y'all, yeah, y'all know,

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Speaker 1: y'all know here, come over here, come over here, come

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Speaker 1: over here. Listen, y'all know I give a crazy intro,

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Speaker 1: But before I give it the intro, I want to,

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Speaker 1: you know, give respect to the people who've been following

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Speaker 1: on us. We got three million. I don't know if

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Speaker 1: they're unique visits on there is the unique if listening,

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Speaker 1: you know what I'm saying. These motherfucker's that got this job.

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Speaker 1: They went to college, they went to journalism school. They

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Speaker 1: used to get their finger popped in their butt, and

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Speaker 1: and you know, and we don't do that. We don't

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Speaker 1: do three dudes, and we motherfucking control in the area.

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Speaker 1: And let's just makes some noise for them three millions,

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Speaker 1: mother wucking and listen. We know we love record label,

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Speaker 1: so listen, people. We need everybody if you're gonna talk

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Speaker 1: to talk over here because we pay some the mike.

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Speaker 1: But listen, people, we got we know we love record

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Speaker 1: label stories and record label and we got two of

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Speaker 1: the most controversial record labels in existence right now. We

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Speaker 1: got people that was involved with death Row Records. Let's

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Speaker 1: make some noise for death Row Records when it was stopped.

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Speaker 1: And we also got so listen, man, this is crazy. Man, dads,

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Speaker 1: I'm gonna start with you Dash because I've seen you

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Speaker 1: on the internet the other day saying somebody was biting

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Speaker 1: your style? Is that what happened? Yeah? You know what

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Speaker 1: I'm saying is like, oh man, go ahead. It's like

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Speaker 1: you know what I'm saying, Uh, publishing companies. You know

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Speaker 1: what I'm saying. We had the same publishing companies, so

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Speaker 1: Sony trying to access out and give all the publishing

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Speaker 1: to them, which they didn't give us. Now when we

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Speaker 1: got fifty percent in the song which is who got

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Speaker 1: some gangs to ship you know girls song which is motown?

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Speaker 1: So I just say pay me. Yeah, I mean have

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Speaker 1: you never met my stick? Yeah? Yeah? Have you seen

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Speaker 1: each other? You know what I'm saying. But you know,

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Speaker 1: thinking all he from he from me would okay, okay, okay, okay,

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Speaker 1: that's what's up. That's what's up. So now, yeah, yo,

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Speaker 1: what I wanna take it to you? How many people

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Speaker 1: have you shot? Yeah? Yo? Shot a lot of people

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Speaker 1: just talking about Yeah you know I'm here, Yeah, you

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Speaker 1: know I How did you invent this moon Rock? I

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Speaker 1: mean you know it was my partner, you understand me.

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Speaker 1: Dr Zodiac. He came with that with these chemist. Dr Zodiac. Yeah,

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Speaker 1: he had those chemists. Man, we put them that thing together. Man,

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Speaker 1: we came with this miracle magic. You understand me. Intertwine

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Speaker 1: this hash with this. But why California is better than

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Speaker 1: New York? We like when you come that weather, it's

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Speaker 1: better too. Let's make the launch of California the weather.

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Speaker 1: It wasn't my mawhere, white haired cookies, white people. Was

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Speaker 1: that in and out burger all day? Smoking that ship

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Speaker 1: you know, now trying to find the recipe that. Now,

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Speaker 1: now I'm going to have a moon rock with that

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Speaker 1: gorilla glue. So now with the moon rock, what is

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Speaker 1: that creative? What is that? That's the hish soil infused

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Speaker 1: in it. O G. Cush, it's the base core, you

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Speaker 1: understand me? With that, we batter it like chicken chicken.

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Speaker 1: Put it in the bag and stand battering in that

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Speaker 1: in that in that Keith smoked some moonrock on the show.

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Speaker 1: I mean, I wanted to bring it out here because

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Speaker 1: because we now dads. I I'm in I'm in the

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Speaker 1: business of getting the dads. Yeah, I need a dad.

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Speaker 1: I don't even realize how much ship you produced. My dude,

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Speaker 1: You're it's great. And you to me to me like,

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Speaker 1: that's that's beauty for that. I ain't mad as that's

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Speaker 1: got some money, your favorite joints. You could do dash.

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Speaker 1: I knew you was gonna say that, let's make some noise. Yeah,

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Speaker 1: that was that was the first. That was the first,

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Speaker 1: you know, the first that Pop did. When he came

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Speaker 1: home get the fun out. Dad told on me. I

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Speaker 1: woke up, Dance called me and said what's up, because

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Speaker 1: he's like, look, I'm here, I'm here, pockets On. I said, what, No,

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Speaker 1: he's not, he said, coming to the studio. I went

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Speaker 1: to the studio. Dads are super fly the one boom

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Speaker 1: boom boom boom boom boom, dass on the drop. Nobody

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Speaker 1: came out and business at the ride. The first Herman, Wait,

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Speaker 1: we needed we need to hit the story guy. If

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Speaker 1: you listen to Peb Herman Ship of Ride, that's let's

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Speaker 1: make some noise with that, damn p Yes. So now

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Speaker 1: also in the building we got compone. He ain't gotta

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Speaker 1: you gotta share with just the ding. It's the first

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Speaker 1: time seeing the DPG everybody and they don't know we've

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Speaker 1: been here for years, but they haven't seen us in

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Speaker 1: the same building at the same time, so I had

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Speaker 1: to ask my boy pup on the fly out. But

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Speaker 1: now when I think of that, I think of you

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Speaker 1: because next to him when he came home from jail,

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Speaker 1: he was the flies nigger that came home from jail.

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Speaker 1: I was, you came from jail. You can't came jail

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Speaker 1: with the main coach, Ben Toy bus Limo in the

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Speaker 1: top Florida Marriott hick it out listen. Hip hop did

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Speaker 1: a lot for me man, and I got a shout

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Speaker 1: out fifty because let's make some noise for fifty, said

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Speaker 1: god damn. Though he left Pinny, I gotta shout out

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Speaker 1: Eminem you had the worst, really even the worst, never man.

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Speaker 1: Hip hop did a lot for nigger. You know what

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Speaker 1: I'm saying, Like to come home and be embraced like that.

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Speaker 1: You know what I'm saying. That the Union was the

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Speaker 1: biggest thing moving at that time. Free Yo movement was crazy.

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Speaker 1: But you know I respect dudes like you, Chris Slidy.

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Speaker 1: Do you know what I'm saying, Because I like, for me,

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Speaker 1: I had like my biggest moments in hip hop already,

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Speaker 1: Like I love hip hop, but I had my big moments.

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Speaker 1: I've been in the studio with him. I've been in

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Speaker 1: the studio with Dre. You understand what I'm saying. So

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Speaker 1: it's like I had so many big moments in hip

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Speaker 1: hop that I just love the game, even even y'all

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Speaker 1: like in war reports, I don't want to hear another one. Man.

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Speaker 1: You know, tell me, I'm gonna I'm gonna tell you

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Speaker 1: like I'm gonna tell you I'm gonna I'm gonna tell

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Speaker 1: you like this your first single, Uh, that was my favorite,

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Speaker 1: bad dude. It was that. The dance was the dance

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Speaker 1: that was might stop doing that dance first, stop doing

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Speaker 1: that that banging that was it. On the run, Like,

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Speaker 1: I got you different stories. I got you got the

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Speaker 1: red in the shoot stories. We got those right, Okay, right,

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Speaker 1: we got the jar rous stories, right, we got those.

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Speaker 1: It's just like what y'all want me to get into

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Speaker 1: what y'all want to talk about? Do you want to

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Speaker 1: talk about your the same similar story? Now we're gonna

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Speaker 1: come right back to the unit. But Dad's a corrupt

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Speaker 1: y'all was on like this is you know my man.

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Speaker 1: I'm gonna be honest. I'm gonna need y'all to be

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Speaker 1: a part of this conversation because we can hear it.

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Speaker 1: I got the headphones. I can hear in my headphones.

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Speaker 1: So everybody, let's just let's all participant over here. Please

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Speaker 1: please don't let's le's is the most legendary podcast ever.

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Speaker 1: Please let's make this the best not dadsn't corrupt, y'all.

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Speaker 1: Was on the most controversial label ever, Death Row. How

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Speaker 1: was that every day in death Row? Somebody it was

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Speaker 1: really beat downs happening like that, let's get into the

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Speaker 1: beat downstairs. I'm really gonna you know. Mary Jake Blige

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Speaker 1: was on death Row, right, No, I didn't not know this,

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Speaker 1: so she was managed by Shoa was there with us

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Speaker 1: every day, you know, came in and said Hi Mary,

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Speaker 1: like whoop the ship out? Wait just for saying how

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Speaker 1: to marry. Let's make some noise for them niggas whipping asked.

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Speaker 1: It was just something every day. You know what I'm saying,

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Speaker 1: the boy, I'll tell you as much. You come in,

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Speaker 1: your cousin better be ready, like get down and then

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Speaker 1: and then for y'all because y'all, Chris family, everybody and

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Speaker 1: if there but if you was like coming in outside

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Speaker 1: was in trouble to see. They loved us because we

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Speaker 1: were younger than them, okay, but all of us we

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Speaker 1: was crept. They loved our heart though. I'm gonna be honest,

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Speaker 1: it was like these little niggas is hard nd oh

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Speaker 1: my mama blood, these niggas is hard, right, I like

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Speaker 1: these little niggas right, you know what I'm saying. That

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Speaker 1: was it ever gang tension in there or when y'all

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Speaker 1: came there. The only money was great always, I mean,

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Speaker 1: the only color was always different neighborhoods, you know, because

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Speaker 1: from Long Beach, from Long Beach, people from a Compton

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Speaker 1: and you're from Chris Shaw. I'm sixties sixties. Oh that's

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Speaker 1: the hardest. Let's make some noise for the hardest gang

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Speaker 1: in l A and the richest. I heard it as

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Speaker 1: the richest too. Let makes got bad money having continue continue?

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Speaker 1: So how does how did you conduct business like? And

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Speaker 1: there was always business because you know we man minds

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Speaker 1: behind this ship saying so you know, you say, you

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Speaker 1: know what I'm saying. I'm gonna be honest, man. You know,

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Speaker 1: in the beginning it was it was real cool man sugar,

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Speaker 1: he really uh, he pushed for us. You know what

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Speaker 1: I'm saying. Most of people like go father, you know

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Speaker 1: what I'm saying. You know what I'm saying, Kid, every

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Speaker 1: time I went to jail, he got me the funk out.

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Speaker 1: I know that. Motherfuck. Let's make some noise for show

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Speaker 1: getting next to the jail. Yeah yo, now, yeah, Yo,

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Speaker 1: Sugar and countless, let's get to the sixth story. Let's go.

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Speaker 1: What happened, Sugar? It counter my very first time in

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Speaker 1: l A. Okay, you know I wasn't familiar. You know,

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Speaker 1: I'm in New York, niggas my first time, you know,

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Speaker 1: coming to l A. And we was doing it in

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Speaker 1: the club video shooting. Wow, So she'll pull up right,

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Speaker 1: we got close that door, right, So we're doing in

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Speaker 1: the club. We're doing the club. You got close that door.

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Speaker 1: I gotta close that door and be quiet when you

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Speaker 1: so look we're doing that is don't do that. As

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Speaker 1: for the floor you we're doing it in the club

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Speaker 1: video shooting and you know dres Dedad, So she'll just

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Speaker 1: come out of nowhere like Whodini type ship. He's an

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Speaker 1: intimidating cat, you know what I mean. So we had

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Speaker 1: to at the time, I think it was the one

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Speaker 1: eight team Street Crew, like this is the first time

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Speaker 1: of Mexicans. Yeah, this is the first time I see

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Speaker 1: eight teams, just the first time I ever seen the

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Speaker 1: nigga from l A with a tattoo on his forehead,

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Speaker 1: tattoo on his eyes, A team street killer, this this

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Speaker 1: that that he had all these niggas and everybody came

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Speaker 1: outside fifty m and it was just I thought it

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Speaker 1: was gonna go down. But excuse me, y'all gotta be

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Speaker 1: quiet back there. I thought it was gonna go down,

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Speaker 1: but I guess it just didn't go down. You know

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Speaker 1: what I'm saying. But I got stories man like about

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Speaker 1: the US ship, like Ju was lucky to be alive.

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Speaker 1: And I'm gonna keep it in a d for you

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Speaker 1: were trying to tell the subject all the niggas is

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Speaker 1: lucky to be alive, because when was in the hit factory,

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Speaker 1: I got stabbed. I got stabbed right here in my

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Speaker 1: pinky right here, and I got stabbed right here in

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Speaker 1: my hand. So he was in the studio hit factory.

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Speaker 1: Now I'm new to the game. You know what I'm saying.

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Speaker 1: You like, I know, this is just when the rap

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Speaker 1: game was crazy. You had niggas like Jack running around

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Speaker 1: school to you know, crazy La Niga. You know what

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Speaker 1: I'm saying, Um, niggas ran up in a hit factory.

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Speaker 1: But the only thing that saved your rule life is

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Speaker 1: that the forty five that me and fifty had with

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Speaker 1: no safety was in the other room. Because if me

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Speaker 1: and him and would have had that, it would have

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Speaker 1: went down in the hit factory. It would have been

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Speaker 1: like a Troy Aff situation. It would have been clay

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Speaker 1: but it got it would have got crazy. But you know,

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Speaker 1: niggas ran up in there. We're getting it on the

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Speaker 1: dog close. You know what I'm saying. Niggas ran up there.

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Speaker 1: We're getting on it ain't nothing. Ain't nobody pressional charges.

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Speaker 1: That's what I get finished for the point, ain't nobody

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Speaker 1: pressional charges. No real niggas personal charges. Fifty ain't personnel charges, Tony,

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Speaker 1: You ain't personal charges. You had Clark DJ and then

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Speaker 1: right his name is DJ Kiz. You understand what I'm saying.

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Speaker 1: He pressed charges, his loyal shoe, got his money, did

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Speaker 1: whatever he did. Nobody ever pressed no charges against murder niggas,

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Speaker 1: just real niggas. Nigga is really in the streets. Like

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Speaker 1: I said, if that gun would have been in that room,

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Speaker 1: it would have been tuning Ao locked up or fifty

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Speaker 1: cent locked up and Ja Rue and murdering Dad. Now

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Speaker 1: now I'm Fat Joe happy with and they squashed it.

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Speaker 1: How do you feel about that? I feel good because

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Speaker 1: you know what I'm saying, Like I know you from

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Speaker 1: Chris that's you know what I'm saying. I just feel

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Speaker 1: like with rap, it's a competition thing. What I'm saying,

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Speaker 1: it was never you know what I'm saying. I rocked

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Speaker 1: with Fat Joe since jealous wants envy. Now you're a

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Speaker 1: loyal nigga. You know what I'm saying. I'm a fan

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Speaker 1: of hip hop that just jumped on the bandwagon. Listen

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Speaker 1: to y'all ship you know, New York ran the hip hop,

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Speaker 1: every genre hip hop. So it's like with the Fat

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Speaker 1: Joe situation, I'm calling it glad it got squashed. It's

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Speaker 1: a beautiful thing. You don't want to worry about a

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Speaker 1: million quarter. There's a lot of them. I heard the

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Speaker 1: pistol picker, like I'm looking it up, pistol nigger, like

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Speaker 1: a couple of niggas knowing for that and heard because

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Speaker 1: I'm in the streets, so I'm in tune to the streets.

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Speaker 1: And he was getting locked up a lot too. Yeah, right,

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Speaker 1: you're getting locked up. Yeah, I'm not gonna let me

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Speaker 1: stop these people. Listen all you motherfucker's here and only

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Speaker 1: four people clapping. I'm gonna keep it real. Maybe you

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Speaker 1: don't want to clap, you get exit. Yeah, this is

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Speaker 1: a classic episode. Continue, I'm not just feel like I've

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Speaker 1: been a fan of Fat Joe since jealous One's envy.

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Speaker 1: That's what's up man, stuff hippop. So it's good for

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Speaker 1: hip hop, but you know hip hop is always competition.

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Speaker 1: You know how New York City is, And you know,

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Speaker 1: I'm glad that ship is squassed. Rest in peace to

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Speaker 1: christ lady, you know what I'm saying. And you know

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Speaker 1: that was the pioneer the ship. What I'm saying doing

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Speaker 1: this ship, just the tonnel. It was like it was

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Speaker 1: like they take your shoes off, Chris, like y'all seen

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Speaker 1: you know, deal with y'all Foxy fifty. You know what

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Speaker 1: I'm saying, Like, I just thought it was good for

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Speaker 1: hip hop. Manou's let's make let's make some noise for yeah.

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Speaker 1: You know what now, I've been saving this question the

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Speaker 1: whole time. You guys was a part of that Chronic album.

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Speaker 1: This is this just this hands down one of my

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Speaker 1: top favorite albums of all and you guys are a

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Speaker 1: part of that chronic album. It's two part questions. One

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Speaker 1: how did it feel about being a part of that album?

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Speaker 1: And two when y'all was making it, I heard stories

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Speaker 1: that y'all saying, y'all was all like, didn't have a

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Speaker 1: lot of money. But did y'all know y'all was making

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Speaker 1: a classic? So you could answer it, which the two

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Speaker 1: parts you want? No, I didn't know what I've made

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Speaker 1: the work for the classic can always say, yeah, you

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Speaker 1: know you're making history because you're making It's like, man,

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Speaker 1: we were starving, man, That's how we made the dog Pound.

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Speaker 1: Snoop had the apartment Franklin. We were just saying there

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Speaker 1: one room. When we stole for breakfast. We went to

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Speaker 1: the store down still local bread, little styles, still some eggs,

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Speaker 1: all that type of ship baking, singing and hit the

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Speaker 1: door and come back and we cooked that ship up

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Speaker 1: because and then we go to the studio. Then Dad

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Speaker 1: learned how to break into the studio because let's started

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Speaker 1: to work and elegrating what I want. Hold on time.

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Speaker 1: I've never heard this before my life Records. Griffin the

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Speaker 1: lakes showing all that ship. Speak up to the studio,

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Speaker 1: grab one of the reels that he had in the

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Speaker 1: back and tape over that and coming in like that's

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Speaker 1: how I man, Dad, that's my man dask whatever the

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Speaker 1: guy you know, everything was was dog and Dr Drey.

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Speaker 1: So we're sneaking that motherfucker late at night. But now

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00:19:07,720 --> 00:19:11,399
Speaker 1: we know we're making history. Means question, it's the movie

307
00:19:11,400 --> 00:19:17,320
Speaker 1: coming out? Yeah, yeah about the movie damn skipping Tupac

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00:19:17,400 --> 00:19:26,239
Speaker 1: movie coming up. You know it's like something clean. Your

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Speaker 1: son is in that movie, playing me in the movie.

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Speaker 1: Yea movie. He's gonna pay Oh yeah, waiting on that one, Daddy.

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Speaker 1: And it's a movie, ye, but waiting I supposed to

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Speaker 1: be playing late dog Man. We talked about this dog

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Speaker 1: like they don't like, they don't like the old lady

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Speaker 1: for what's happening, Like chill up, back up, back up?

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Speaker 1: Where did you hell around somewhere too? This Cisco stop

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Speaker 1: comedy going already, bet Cisco listen, man, there you gonna

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Speaker 1: see you're gonna go to between the two Gamester Sniggers

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Speaker 1: and the West Coast. Yeah, I don't so many bats.

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Speaker 1: We goddamn just going through. We gotta tell you every

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Speaker 1: hold on, I'm sorry, man, Just listen, sack In. We

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Speaker 1: just doing music and everybody just voice Dad's talking, Dad's talking,

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Speaker 1: you know, like we need to chronic get ship like that.

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Speaker 1: You know it was an innovative, but when we was

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Speaker 1: doing that, everybody just knew our voices. They didn't know

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Speaker 1: our face. So I don't be bumping the chronic right

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Speaker 1: in front of They don't know that Dad did production on.

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Speaker 1: Dad was the one DJ and on right at tap

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Speaker 1: tap when they go get that was Dad? Are you

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00:20:56,760 --> 00:20:59,600
Speaker 1: getting crazy? Right to tap times? You know he couldn't

330
00:20:59,640 --> 00:21:04,400
Speaker 1: get you to do that. But now that I've seen

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00:21:04,480 --> 00:21:07,920
Speaker 1: you on flat TV, you spoke about Miss l A

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Speaker 1: and you pointed out the fact that Michell l A

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00:21:12,640 --> 00:21:16,640
Speaker 1: had a baby Dr hold on, hold on, you said,

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00:21:16,640 --> 00:21:18,880
Speaker 1: you point out that A had a baby by Dr

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00:21:19,000 --> 00:21:22,280
Speaker 1: Dre and I had a baby shild and was rubbing

336
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Speaker 1: on Tupac in the studio. What did you call remember

337
00:21:24,600 --> 00:21:26,320
Speaker 1: a girl like that? I don't know what you call

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Speaker 1: it l because I want to use your word. Okay, Cisco, Cisco, ciscookio.

339
00:21:39,359 --> 00:21:40,879
Speaker 1: You gave us beat baby, let's fake some noise, and

340
00:21:41,119 --> 00:21:46,880
Speaker 1: you got let's go. I want to keep it real

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00:21:46,960 --> 00:21:49,840
Speaker 1: with us. What's up? We've seen you. You had to

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00:21:49,840 --> 00:21:53,719
Speaker 1: fight the other day, right, um, jack of want to fight?

343
00:21:53,800 --> 00:22:00,879
Speaker 1: Ain't nobody thrown? Okay, how much? How much? Ster? Okay,

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00:22:01,320 --> 00:22:03,240
Speaker 1: let me just ask you one question. Let me ask

345
00:22:03,280 --> 00:22:06,119
Speaker 1: you one how much pussy did you get off the

346
00:22:06,160 --> 00:22:10,680
Speaker 1: Thong songs? I don't know if you were quantified and

347
00:22:11,080 --> 00:22:16,320
Speaker 1: actual numbers, and you ain't having DM back, so they

348
00:22:16,359 --> 00:22:23,280
Speaker 1: weren't sliding in your dms. They were your fast absolutely. Man,

349
00:22:24,040 --> 00:22:27,600
Speaker 1: they're still playing it, don't you know? It's your polis

350
00:22:27,640 --> 00:22:41,000
Speaker 1: and checks crazy. They're nice man, man, man, that song

351
00:22:41,200 --> 00:22:47,520
Speaker 1: was like that your mental to you being existence solo artists.

352
00:22:47,880 --> 00:22:50,520
Speaker 1: We was already multi platinum before and that when you

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Speaker 1: got the blue that you was on the album, I

354
00:22:52,440 --> 00:22:55,760
Speaker 1: was on that's right. I am at perform and I

355
00:22:55,880 --> 00:22:57,560
Speaker 1: came out late. You remember that day. I came out

356
00:22:57,560 --> 00:22:59,639
Speaker 1: too late. Niggas was killing it so crazy. I was

357
00:22:59,680 --> 00:23:01,320
Speaker 1: just have been there and watched it. You know what

358
00:23:01,320 --> 00:23:07,520
Speaker 1: I'm saying that when you're well, yeah, that was some

359
00:23:07,600 --> 00:23:19,600
Speaker 1: Baltimore's the Phony. Yeah. I grew up writing cracking all

360
00:23:19,680 --> 00:23:26,600
Speaker 1: that hill crack. No, I'm trying to sound like I'm

361
00:23:26,640 --> 00:23:29,000
Speaker 1: telling you that when we used to be in my house,

362
00:23:29,440 --> 00:23:31,600
Speaker 1: we went off the bus coming from school and I'll

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00:23:31,600 --> 00:23:33,320
Speaker 1: be like, yo, y'all, just gotta shut the funk up.

364
00:23:33,680 --> 00:23:36,280
Speaker 1: They're gonnau. Y'all up, y'all, y'all getting the house. Listen.

365
00:23:36,359 --> 00:23:37,960
Speaker 1: At one point in New York used to go to

366
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Speaker 1: Baltomore and try to get money. Yeah, and Drew Hill

367
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Speaker 1: was the park, but it was not crackheads of that

368
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Speaker 1: bar at one point. I don't know if you're cleaned

369
00:23:44,119 --> 00:23:46,239
Speaker 1: up now, but it's I mean, you know, so when

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00:23:46,280 --> 00:23:48,959
Speaker 1: you called yourself, tell you see that automatically knew these

371
00:23:49,040 --> 00:23:52,040
Speaker 1: niggers is hood niggers. And the people never heard of Julil.

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00:23:52,119 --> 00:23:54,320
Speaker 1: They don't know that. Every time you see that rent,

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Speaker 1: that red house on the corner that was on the wire,

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00:23:57,840 --> 00:23:59,879
Speaker 1: that was right next to my grandmother house. So we

375
00:24:00,040 --> 00:24:04,000
Speaker 1: do residual checks every time they show surban drugs. And

376
00:24:04,080 --> 00:24:07,680
Speaker 1: then you did, I did exactly what happen? A jacket edge?

377
00:24:07,720 --> 00:24:09,800
Speaker 1: What what happened? Let's get to the point. I don't

378
00:24:09,800 --> 00:24:14,280
Speaker 1: know we could ranking Okay, that's we was drinking and

379
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Speaker 1: I'm telling you, I don't know did we But your

380
00:24:21,240 --> 00:24:26,239
Speaker 1: boys what you going away. No no, no, no, yeah, Yo,

381
00:24:26,359 --> 00:24:34,080
Speaker 1: let's get to you. But so you got min't want

382
00:24:34,119 --> 00:24:45,760
Speaker 1: to stand get the money to pay your sull want

383
00:24:46,680 --> 00:24:51,800
Speaker 1: of the wing unscathed? Uh because me and both had

384
00:24:51,840 --> 00:24:56,960
Speaker 1: a friend. I don't want to limit ye, I want

385
00:24:57,040 --> 00:25:02,960
Speaker 1: for sure. We'm like no yeah ya now yeah y'all

386
00:25:03,560 --> 00:25:05,960
Speaker 1: you talked about Drew has But how many people y'all

387
00:25:05,960 --> 00:25:11,200
Speaker 1: beat up in unit? Got the offices I heard about y'all? Yeah,

388
00:25:11,320 --> 00:25:14,560
Speaker 1: Southside of Man. We do got a list? Yeah, yeah,

389
00:25:14,600 --> 00:25:17,320
Speaker 1: you got a list. Being down with fifty is not

390
00:25:17,480 --> 00:25:22,440
Speaker 1: like being down with like like Leo Colms. Yeah, it's

391
00:25:22,480 --> 00:25:28,040
Speaker 1: not one of them. Like I can't front. I can't

392
00:25:28,080 --> 00:25:31,920
Speaker 1: take nothing away from fifty. He put niggas in position.

393
00:25:32,600 --> 00:25:35,400
Speaker 1: You know what I'm saying. Like I mean, like I said,

394
00:25:35,480 --> 00:25:38,760
Speaker 1: being in the studio with Dr dre guys like these

395
00:25:38,840 --> 00:25:41,520
Speaker 1: guys legends snoop. You know what I'm saying. It was

396
00:25:41,520 --> 00:25:44,399
Speaker 1: always a dream to me, Like I reached my dream

397
00:25:44,720 --> 00:25:46,960
Speaker 1: in hip hop already, you know what I call it.

398
00:25:48,000 --> 00:25:50,280
Speaker 1: Like I'll be telling people, man, I reached the pinnacle wrap.

399
00:25:50,520 --> 00:25:52,280
Speaker 1: That's what I'm trying to take. That's what I'm telling

400
00:25:52,280 --> 00:25:56,119
Speaker 1: you everybody. Yeah, once you want the studio with niggas

401
00:25:56,160 --> 00:25:59,600
Speaker 1: like this and like you wopp on a Drake beat before. Yes,

402
00:26:00,080 --> 00:26:02,120
Speaker 1: I never I've been in the street for the whole

403
00:26:02,200 --> 00:26:13,200
Speaker 1: Give rich my life sucks right up more. It was

404
00:26:13,280 --> 00:26:16,360
Speaker 1: crazy for me because I don't know if they witnessed

405
00:26:16,400 --> 00:26:18,600
Speaker 1: this in the studio, but Dre used to make fifty

406
00:26:18,640 --> 00:26:22,280
Speaker 1: say a line like fifty times fifty times corrupt about

407
00:26:22,320 --> 00:26:29,040
Speaker 1: three like this and right you lay the whole rap right,

408
00:26:30,240 --> 00:26:33,320
Speaker 1: You'll be like yeah dry, like yeah, that's banging right there.

409
00:26:34,160 --> 00:26:37,240
Speaker 1: But I want you to say what like yeah, like

410
00:26:38,720 --> 00:26:43,000
Speaker 1: what right? Okay, so let's do that line, Dr Dre.

411
00:26:43,040 --> 00:26:45,720
Speaker 1: I'm gonna read you that line, do Dre. No, just

412
00:26:45,800 --> 00:26:53,359
Speaker 1: do the whole verse over right whatever again. I remember

413
00:26:53,440 --> 00:26:57,719
Speaker 1: when when fifty was doing Many Men and he did

414
00:26:57,840 --> 00:27:01,680
Speaker 1: the Footsteps and he knew what movie the Footsteps came from,

415
00:27:01,800 --> 00:27:04,200
Speaker 1: and that was just amazing for me, like he knew

416
00:27:04,400 --> 00:27:07,840
Speaker 1: like the Footsteps, like just it was this amazing ship

417
00:27:07,960 --> 00:27:09,840
Speaker 1: to me to be in the studio with these guys.

418
00:27:10,440 --> 00:27:13,439
Speaker 1: So like I I hit my point Madison Square Garden,

419
00:27:14,200 --> 00:27:18,080
Speaker 1: Parish due by Africa. I've been everywhere in the world.

420
00:27:18,880 --> 00:27:21,400
Speaker 1: I've been around all the legends like, I don't know, man,

421
00:27:21,480 --> 00:27:26,080
Speaker 1: I just I'm gonna be honest, guys, I'm gonna be honest.

422
00:27:26,200 --> 00:27:30,960
Speaker 1: Cousin every crew, there's that one nigga did. Everybody roll

423
00:27:31,040 --> 00:27:34,080
Speaker 1: with that, just that hood nigga. Just roll with him.

424
00:27:34,119 --> 00:27:37,280
Speaker 1: You love him. The death boutang. You got Ray Kwan

425
00:27:37,440 --> 00:27:41,760
Speaker 1: and you got Ghosts right o. D b G unit.

426
00:27:41,960 --> 00:27:53,640
Speaker 1: You had Tony down. Me and my son was doing

427
00:27:53,720 --> 00:28:03,080
Speaker 1: this old Yeah, seen a bitch and shipeen in the

428
00:28:03,119 --> 00:28:12,359
Speaker 1: wrestler he does this, yeah, but they need some money.

429
00:28:12,840 --> 00:28:21,640
Speaker 1: You kick that chee now days drilled the Kevin loudside

430
00:28:21,720 --> 00:28:25,159
Speaker 1: y'a because he from boredom all Kevin coming. Kevin was.

431
00:28:25,800 --> 00:28:28,760
Speaker 1: Kevin came later morning and like coming like when they

432
00:28:29,480 --> 00:28:33,120
Speaker 1: when everything started going corporate and like Island Black music disappear,

433
00:28:33,359 --> 00:28:35,720
Speaker 1: you know, they came and scoop this up. Right after

434
00:28:35,840 --> 00:28:38,480
Speaker 1: we did the Rush Hour sound track, I was like,

435
00:28:38,640 --> 00:28:40,479
Speaker 1: I was going to Rush Hour soundtrack too. I think

436
00:28:40,560 --> 00:28:46,320
Speaker 1: that first one that jam was cutting checks back. That

437
00:28:46,520 --> 00:28:50,440
Speaker 1: was when we did the RuSHA soundtrack. We did the

438
00:28:50,480 --> 00:28:53,480
Speaker 1: Rush Hour soundtrack at the time we had gotten paid,

439
00:28:53,840 --> 00:28:58,360
Speaker 1: but in any other artists have ever been on soundtrack before.

440
00:28:58,680 --> 00:29:03,320
Speaker 1: Damn that floors the hall called the video. Now listen,

441
00:29:03,840 --> 00:29:07,320
Speaker 1: I gotta ask everybody this question. That's gonna We're gonna

442
00:29:07,320 --> 00:29:09,040
Speaker 1: start with you. Yeah, Yo, We're gonna go all around.

443
00:29:09,520 --> 00:29:11,440
Speaker 1: All of us has been independent, all of us has

444
00:29:11,480 --> 00:29:15,920
Speaker 1: been major. What do you prefer? I mean, I feel

445
00:29:15,960 --> 00:29:17,800
Speaker 1: like when you want the major, like when we had

446
00:29:17,880 --> 00:29:19,760
Speaker 1: in the school, we had the Red Call Bab, we

447
00:29:19,840 --> 00:29:24,280
Speaker 1: had MTV, a lot of people working for you, and

448
00:29:24,360 --> 00:29:26,200
Speaker 1: I feel like when you're going independent, it's just like

449
00:29:26,320 --> 00:29:29,200
Speaker 1: a lot of more legwork, a lot more to do.

450
00:29:30,000 --> 00:29:33,680
Speaker 1: You know what I'm saying? Do you like more? Um?

451
00:29:35,560 --> 00:29:37,800
Speaker 1: It's crazy. I like independent money, but I like the

452
00:29:38,120 --> 00:29:44,600
Speaker 1: major promotion. I'm like independent, man, you like independent. It's

453
00:29:44,680 --> 00:29:46,120
Speaker 1: like the dope game of me. You know what I'm saying.

454
00:29:46,800 --> 00:29:51,760
Speaker 1: I'm gonna take um, press me up five thousand c

455
00:29:51,920 --> 00:29:55,000
Speaker 1: D maybe fifty thousand, you know what I'm saying. So

456
00:29:55,200 --> 00:29:58,640
Speaker 1: the orders coming in thirty forty thousand, I go press

457
00:29:58,680 --> 00:30:02,880
Speaker 1: that up later. I want the money, man, the fan

458
00:30:03,520 --> 00:30:06,560
Speaker 1: I'm running Billy. You know, it's everything, man, It's a

459
00:30:07,040 --> 00:30:10,640
Speaker 1: great experience. Plus I own it all. You know, all

460
00:30:11,040 --> 00:30:13,920
Speaker 1: three thousand records you did, albums that I got. You

461
00:30:14,000 --> 00:30:15,960
Speaker 1: know what I'm saying, and you're producing it too, So

462
00:30:16,120 --> 00:30:19,120
Speaker 1: that's but do you write your own You gotta look

463
00:30:19,160 --> 00:30:21,440
Speaker 1: at this. You get the check for the c D,

464
00:30:21,880 --> 00:30:23,840
Speaker 1: you get the check for the digital. Now this is

465
00:30:23,880 --> 00:30:25,520
Speaker 1: the other part of the game. That dog got a

466
00:30:25,560 --> 00:30:31,520
Speaker 1: close register the song. Now you're getting writing and publishing.

467
00:30:31,720 --> 00:30:36,640
Speaker 1: That's four checks. Lookout smart dazzing. Now it's mad. He's

468
00:30:36,680 --> 00:30:48,760
Speaker 1: four checked. Now the fifth check? Yeah, sound exchange now

469
00:30:49,160 --> 00:30:52,920
Speaker 1: now now, now, my actually is a collective force. What

470
00:30:53,040 --> 00:31:01,320
Speaker 1: do you like better? Well, I mean, honestly me, like

471
00:31:01,840 --> 00:31:04,320
Speaker 1: like I got a different opinion about it because you know,

472
00:31:04,400 --> 00:31:06,600
Speaker 1: I went inside for like eight years and like there

473
00:31:06,720 --> 00:31:09,800
Speaker 1: and like worked in the monster for real. So it's

474
00:31:09,880 --> 00:31:12,000
Speaker 1: like as an artist, once you get to see that

475
00:31:12,080 --> 00:31:14,440
Speaker 1: side of it, it kind of like tain't you for

476
00:31:14,480 --> 00:31:16,680
Speaker 1: real because you like sitting there like joe y'all care

477
00:31:16,680 --> 00:31:18,520
Speaker 1: telling me this bullshit the whole time or not? This

478
00:31:18,600 --> 00:31:21,160
Speaker 1: is what this ship really mean for real? So you know,

479
00:31:21,320 --> 00:31:24,760
Speaker 1: I mean it's a grind, but you know, like it

480
00:31:24,880 --> 00:31:27,040
Speaker 1: was saying, like to know you owned it all, and

481
00:31:27,200 --> 00:31:29,760
Speaker 1: especially like for us because we're performing every week, so

482
00:31:29,880 --> 00:31:31,640
Speaker 1: it's like we're out there in front of the people,

483
00:31:32,040 --> 00:31:34,560
Speaker 1: so it's like, you know you want that promotion and

484
00:31:34,640 --> 00:31:36,320
Speaker 1: you kind of you know, you miss it at first,

485
00:31:36,640 --> 00:31:38,880
Speaker 1: but it's like, man, we've been doing it for twenty years,

486
00:31:38,920 --> 00:31:41,560
Speaker 1: so it's like, how funk up is it real? Now?

487
00:31:41,640 --> 00:31:43,040
Speaker 1: You you got a different as you look like you

488
00:31:43,080 --> 00:31:49,160
Speaker 1: want to say something. Your face is different, Like I'm new,

489
00:31:49,240 --> 00:31:51,520
Speaker 1: you know what I'm saying. For real, So like when

490
00:31:51,560 --> 00:31:54,760
Speaker 1: I got in, it was it's already an independent thing,

491
00:31:54,840 --> 00:31:56,280
Speaker 1: you know what I mean? So I really don't know

492
00:31:56,680 --> 00:31:59,959
Speaker 1: about the Majors. But okay, um, I'm the new guy,

493
00:32:00,000 --> 00:32:08,440
Speaker 1: Andrew Hill now, so it's just three you corrupt? What

494
00:32:08,560 --> 00:32:10,959
Speaker 1: do you like more? I'm working with the majors, man,

495
00:32:14,000 --> 00:32:16,120
Speaker 1: you know what I'm saying. The Majors make you that brand.

496
00:32:16,680 --> 00:32:19,960
Speaker 1: That brand is the money. Fuck the album and fuck

497
00:32:20,080 --> 00:32:22,800
Speaker 1: the bullshit. The brand is the money because even after

498
00:32:22,880 --> 00:32:26,640
Speaker 1: the Majors, but they got forever off that brand, you

499
00:32:26,760 --> 00:32:30,240
Speaker 1: understand me. So my key is just here because Steven

500
00:32:30,360 --> 00:32:32,880
Speaker 1: Tyler told Dog and all of us. You know that's

501
00:32:32,920 --> 00:32:36,000
Speaker 1: the problem with you wrap guys. You don't understand this

502
00:32:36,120 --> 00:32:39,480
Speaker 1: is fucking rock and roll. Jack, You understand me. We

503
00:32:39,640 --> 00:32:43,080
Speaker 1: get paid a million point five a show, so why

504
00:32:43,160 --> 00:32:46,840
Speaker 1: the Majors is making their money off our album. We

505
00:32:47,080 --> 00:32:50,920
Speaker 1: triple that in one year what they made off that album.

506
00:32:51,400 --> 00:32:54,520
Speaker 1: Now they do these three sixties, but we gotta deal

507
00:32:54,720 --> 00:32:57,240
Speaker 1: with no three sixty. All our show money is ours,

508
00:32:57,320 --> 00:33:00,720
Speaker 1: all our merchandise is ares. Everything we do was hours

509
00:33:01,000 --> 00:33:03,520
Speaker 1: away from the album. So yeah, when they get that

510
00:33:03,640 --> 00:33:06,960
Speaker 1: money from the album, you gotta they gotta break it

511
00:33:07,040 --> 00:33:10,440
Speaker 1: down to so many I think they all getting rich

512
00:33:10,600 --> 00:33:12,280
Speaker 1: like that, but they break it down to so many

513
00:33:12,320 --> 00:33:15,560
Speaker 1: pieces between what that company is about, and you get

514
00:33:15,640 --> 00:33:17,800
Speaker 1: your little piece. But at the end of the day,

515
00:33:18,240 --> 00:33:23,360
Speaker 1: you're touring. Who was it? It was Mick Jagger, he said, Man,

516
00:33:24,000 --> 00:33:26,560
Speaker 1: the record labels be begging us to make an album.

517
00:33:27,000 --> 00:33:29,000
Speaker 1: We don't make an album for five years, and they

518
00:33:29,080 --> 00:33:32,480
Speaker 1: get fucked album. We're touring eight months out the year.

519
00:33:33,440 --> 00:33:36,640
Speaker 1: I got eight months at a million point five a

520
00:33:36,920 --> 00:33:40,800
Speaker 1: gig two million a gig money, and we're touring over

521
00:33:41,000 --> 00:33:46,360
Speaker 1: eight to ten months for nobody. No, because nobody and

522
00:33:47,720 --> 00:33:50,040
Speaker 1: and and and then and then and then that's not

523
00:33:50,200 --> 00:33:53,640
Speaker 1: mentioning there there there, you know, the merchandise that's not

524
00:33:53,800 --> 00:33:56,360
Speaker 1: mentioning that the people that's paying them to do these

525
00:33:56,400 --> 00:34:03,680
Speaker 1: commercials and that all that me that's money point five

526
00:34:04,280 --> 00:34:10,840
Speaker 1: in one week. Okay, because because I recorded my album

527
00:34:11,320 --> 00:34:14,400
Speaker 1: myself and sold it back the Death Cham so a

528
00:34:14,440 --> 00:34:16,120
Speaker 1: lot of people know that Songe song all that that

529
00:34:16,160 --> 00:34:19,480
Speaker 1: was under my label. That was so you know, that

530
00:34:19,600 --> 00:34:22,400
Speaker 1: was a lot of the controversial that all went to

531
00:34:28,280 --> 00:34:30,759
Speaker 1: ny But but yeah, I mean because you know, with

532
00:34:31,080 --> 00:34:33,440
Speaker 1: with with the with the guys, we learned. We came

533
00:34:33,560 --> 00:34:35,520
Speaker 1: right out of high school into the industry, so we

534
00:34:35,640 --> 00:34:38,800
Speaker 1: learned a lot of hard lessons. And you know, bad

535
00:34:39,120 --> 00:34:43,080
Speaker 1: Uh I came to Death Jam basically my whole project,

536
00:34:43,160 --> 00:34:46,040
Speaker 1: with the exception and maybe once one or two songs

537
00:34:47,880 --> 00:34:53,440
Speaker 1: component what what what? What do you like? More independent

538
00:34:53,600 --> 00:34:56,720
Speaker 1: on major? I mean I came up in the nineties,

539
00:34:56,840 --> 00:35:00,160
Speaker 1: so you know, you got to realize that and that

540
00:35:00,320 --> 00:35:04,920
Speaker 1: era of music, the label was the machine. Right when

541
00:35:04,960 --> 00:35:07,040
Speaker 1: you're telling with the Machine, you're dealing with somebody that

542
00:35:07,160 --> 00:35:10,319
Speaker 1: you know that's gonna back you, that's gonna spend three.

543
00:35:10,640 --> 00:35:13,160
Speaker 1: A lot of people ain't never seen a million out

544
00:35:13,200 --> 00:35:15,279
Speaker 1: a Bunchet video. You know what I'm saying. Let's keep

545
00:35:15,280 --> 00:35:18,279
Speaker 1: it real, Dan, you're seeing it corrupt. You don't really

546
00:35:18,400 --> 00:35:20,480
Speaker 1: call it a million, but they charge you don't know,

547
00:35:22,800 --> 00:35:25,640
Speaker 1: does he signed Mr childs in and that we know

548
00:35:25,880 --> 00:35:29,040
Speaker 1: at R right, we know what I ain't doing, but

549
00:35:32,960 --> 00:35:35,600
Speaker 1: I'm listening. But now you can make that same million

550
00:35:35,680 --> 00:35:42,560
Speaker 1: dollar video for twenty exactly right now, corrupt, you have

551
00:35:42,719 --> 00:35:48,800
Speaker 1: one of the most classic Vlad interviews ever. That was classic.

552
00:35:52,640 --> 00:35:54,719
Speaker 1: What was going on there? Yeah? You just you just

553
00:35:54,840 --> 00:35:58,000
Speaker 1: you just faced out corrupt. We loved it. We loved it.

554
00:35:58,400 --> 00:36:00,120
Speaker 1: You were like you were like, they were like, we

555
00:36:00,200 --> 00:36:03,360
Speaker 1: don't want your blocks cuts. We gotta we love that.

556
00:36:04,280 --> 00:36:07,520
Speaker 1: We love that. What happened saying you know, I love

557
00:36:07,600 --> 00:36:11,200
Speaker 1: New York, cus you know the bullshit gotta stop. We

558
00:36:11,239 --> 00:36:14,640
Speaker 1: gotta stop that. We love New York and New York.

559
00:36:14,960 --> 00:36:17,279
Speaker 1: And it was on my little head man, it was

560
00:36:17,360 --> 00:36:19,800
Speaker 1: on my little nigked Kendrick team because and it's just

561
00:36:20,000 --> 00:36:22,360
Speaker 1: it's enough. It was a big miss of the staff.

562
00:36:22,520 --> 00:36:25,440
Speaker 1: And when the Glad brought it up, you know that

563
00:36:26,120 --> 00:36:29,239
Speaker 1: pissed me off. Don't ask me that you already know

564
00:36:29,400 --> 00:36:31,800
Speaker 1: what that is. Now. We love the button and I

565
00:36:31,920 --> 00:36:55,440
Speaker 1: gave him let's nose all these Welcome to play, a

566
00:36:55,520 --> 00:37:01,400
Speaker 1: new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

567
00:37:01,480 --> 00:37:05,879
Speaker 1: and more. Play it at play dot It We're back

568
00:37:06,000 --> 00:37:09,560
Speaker 1: to drink Champs Radio with Rapper and R and d J.

569
00:37:10,200 --> 00:37:15,239
Speaker 1: Then old, no hold, I gotta take I gotta take

570
00:37:15,280 --> 00:37:18,160
Speaker 1: the time out. We got CNN and Dog Pound here right,

571
00:37:18,280 --> 00:37:21,240
Speaker 1: I'm the motherfucking DJ here. I gotta ask the question

572
00:37:22,080 --> 00:37:25,560
Speaker 1: everybody wanted to know back in the dish when CNN

573
00:37:25,680 --> 00:37:29,600
Speaker 1: did the L A l A joint? What was going

574
00:37:29,680 --> 00:37:32,640
Speaker 1: on in yall heads when that happened? It was all

575
00:37:32,760 --> 00:37:36,560
Speaker 1: bad doing all the kind of ship you know what

576
00:37:36,960 --> 00:37:38,680
Speaker 1: you just knew? You know it was? It was hip hop?

577
00:37:39,520 --> 00:37:42,000
Speaker 1: Did y'all take it personal? Really? It was all bad.

578
00:37:42,640 --> 00:37:51,840
Speaker 1: It was all bad. Yeah, that's what I want. Story.

579
00:37:54,200 --> 00:37:58,920
Speaker 1: I got a story, right, Dog came out l A

580
00:37:59,040 --> 00:38:01,560
Speaker 1: l A. I came out, and then you trying to

581
00:38:01,560 --> 00:38:03,880
Speaker 1: figure out which one is the nigga men put in

582
00:38:03,920 --> 00:38:12,359
Speaker 1: the truck. So we go to l A and they're like, yo,

583
00:38:12,440 --> 00:38:14,439
Speaker 1: you gotta go to the radio station. So I'm like cool,

584
00:38:14,800 --> 00:38:17,320
Speaker 1: but they're like, um, you gotta come by yourself, somebody

585
00:38:18,680 --> 00:38:22,200
Speaker 1: l A l A. It is how real niggers though?

586
00:38:23,120 --> 00:38:27,080
Speaker 1: L A is you snoop das all your niggas. I

587
00:38:27,200 --> 00:38:34,600
Speaker 1: walk in the studio, I'm like, oh ship. I was

588
00:38:34,640 --> 00:38:36,600
Speaker 1: like because the end station told me I could have

589
00:38:36,719 --> 00:38:38,520
Speaker 1: to come up you in jail, nigger. He looking at

590
00:38:38,560 --> 00:38:42,200
Speaker 1: me like, I don't remember that jail. But that was

591
00:38:42,239 --> 00:38:44,600
Speaker 1: the craziest thing. That's how knew there's real niggas. They

592
00:38:44,680 --> 00:38:46,640
Speaker 1: weren't tripping on you know what I'm saying, Like, you

593
00:38:46,719 --> 00:38:48,480
Speaker 1: know what I mean? Like that and none, I gotta

594
00:38:48,480 --> 00:38:49,920
Speaker 1: ask you, yeah, yo, you know what all that? And

595
00:38:49,920 --> 00:38:52,120
Speaker 1: we're talking about the West Coast, He's coast. Y'all had

596
00:38:52,200 --> 00:38:53,920
Speaker 1: game on your on your team. I thought y'all was

597
00:38:53,960 --> 00:38:57,680
Speaker 1: the most powerful when the game was a part of y'all. Y'all. Uh,

598
00:38:59,000 --> 00:39:03,680
Speaker 1: I still feel like that a game situation like I

599
00:39:03,800 --> 00:39:07,719
Speaker 1: never really understudy because I came home from jail and

600
00:39:07,800 --> 00:39:09,600
Speaker 1: I just felt blessed, you know what I'm saying. I

601
00:39:09,719 --> 00:39:13,680
Speaker 1: came home, I had a condo on Battery Park. I

602
00:39:13,760 --> 00:39:16,520
Speaker 1: can't see the Statue of Liberty. You know what I'm

603
00:39:17,080 --> 00:39:22,320
Speaker 1: I'm coming from Branker's Allen. It was like, man, shoot,

604
00:39:22,320 --> 00:39:25,000
Speaker 1: my nigga, gave you my nigga, but you my nigga.

605
00:39:25,719 --> 00:39:27,960
Speaker 1: I never I didn't understand the rap game, you know

606
00:39:27,960 --> 00:39:31,080
Speaker 1: what I'm saying. But I felt like game had Henchman

607
00:39:31,960 --> 00:39:36,520
Speaker 1: in his ear at that time. I hear you Glaciers please.

608
00:39:36,880 --> 00:39:38,880
Speaker 1: I feel like he had Hechman in his ear at

609
00:39:38,960 --> 00:39:42,280
Speaker 1: that time. I felt like it was just bad blood

610
00:39:42,480 --> 00:39:44,719
Speaker 1: from then, Like I feel like Henchman was putting ship

611
00:39:44,840 --> 00:39:47,480
Speaker 1: because Hishman was like a guy that you ain't. I

612
00:39:47,480 --> 00:39:52,000
Speaker 1: don't understand this, just why that I'm gonna keep it

613
00:39:52,040 --> 00:39:54,719
Speaker 1: a hunting with you. That's why they understanding. Game was

614
00:39:54,760 --> 00:39:57,160
Speaker 1: a nigga from l A. Henchman was a nigger that

615
00:39:57,239 --> 00:40:00,840
Speaker 1: supposedly set a pop from New York. I didn't understand it,

616
00:40:01,080 --> 00:40:03,600
Speaker 1: you know what I'm saying, Like, I just didn't get it,

617
00:40:04,160 --> 00:40:06,320
Speaker 1: you know what I mean. Fifty was in the game position.

618
00:40:07,000 --> 00:40:09,239
Speaker 1: He gave Games some records, you know what I'm saying,

619
00:40:09,320 --> 00:40:10,960
Speaker 1: And I heard this is how we do all these

620
00:40:11,000 --> 00:40:15,080
Speaker 1: records before they came out. I'm just a loyal nigger,

621
00:40:15,680 --> 00:40:17,880
Speaker 1: like I feel like it's a team. Game used to

622
00:40:17,960 --> 00:40:20,200
Speaker 1: call my phone, you know what I'm saying, Like, Yo,

623
00:40:20,480 --> 00:40:22,040
Speaker 1: I need you on this record. If you know this

624
00:40:22,160 --> 00:40:24,839
Speaker 1: game first album. Who's the only nigga from G Unit

625
00:40:24,920 --> 00:40:29,239
Speaker 1: that's on games album? I'm running right. So it was

626
00:40:29,320 --> 00:40:33,040
Speaker 1: never really a problem with with the game. You know

627
00:40:33,120 --> 00:40:35,439
Speaker 1: what I felt like Nigga's kind of probably went wrong

628
00:40:35,520 --> 00:40:37,880
Speaker 1: with the game. His man God blessed that his man

629
00:40:37,960 --> 00:40:40,759
Speaker 1: bill Boy got smoked, and you wanted niggas to come

630
00:40:40,800 --> 00:40:43,360
Speaker 1: to the funeral when niggas was busy doing on the

631
00:40:43,440 --> 00:40:45,799
Speaker 1: count ship. I don't know if niggas got into Yeah,

632
00:40:45,800 --> 00:40:48,680
Speaker 1: I don't know if it's the handsman ship. You know

633
00:40:48,760 --> 00:40:51,960
Speaker 1: what I'm saying. But I just never understand. But in

634
00:40:52,040 --> 00:40:53,600
Speaker 1: your heart, did you ever want to like you know

635
00:40:53,640 --> 00:40:55,840
Speaker 1: what I'm saying, like trying to put that together because

636
00:40:55,880 --> 00:40:58,080
Speaker 1: at the end of the day, you're general. I'm just

637
00:40:58,200 --> 00:41:00,600
Speaker 1: a loyal nigga. You understand what I'm saying. All the

638
00:41:00,960 --> 00:41:03,920
Speaker 1: politics in the rap game, I never understood. I just

639
00:41:04,120 --> 00:41:06,279
Speaker 1: was a nigger that came on. I used to sell

640
00:41:06,360 --> 00:41:14,640
Speaker 1: drugs on one three four thirty. Nigga, You know what

641
00:41:14,680 --> 00:41:18,200
Speaker 1: I mean. But you know what I'm saying. So coming home,

642
00:41:18,320 --> 00:41:22,200
Speaker 1: like I said, from Ryker's Allen to Battery Park, it

643
00:41:22,360 --> 00:41:25,760
Speaker 1: was big for me and I always respect fifty families

644
00:41:25,800 --> 00:41:28,680
Speaker 1: for me. Banks that came seeing me what I'm saying,

645
00:41:28,760 --> 00:41:34,400
Speaker 1: because the other banks, the banks banks, uhum a drama

646
00:41:34,520 --> 00:41:36,279
Speaker 1: like you have something to do with help putting that

647
00:41:36,400 --> 00:41:40,600
Speaker 1: back together, right, I mean, I feel like Banks is

648
00:41:40,640 --> 00:41:42,759
Speaker 1: always gonna be my nigger, not Banks. I'm saying Banks.

649
00:41:42,800 --> 00:41:45,040
Speaker 1: I'm mean Buck. I mean Buck, Yeah, but I was

650
00:41:45,080 --> 00:41:47,880
Speaker 1: not Banks. I'm sorry. I'm sorry. I mean niggas just man,

651
00:41:48,000 --> 00:41:53,680
Speaker 1: nigga's gonna always argue. That's gonna argue. There's something's wrong man, right,

652
00:41:54,160 --> 00:41:56,520
Speaker 1: I'm saying. So it's like things gonna all you, nigga.

653
00:41:56,680 --> 00:41:59,879
Speaker 1: It's the it's the game. People's watching every move you made.

654
00:42:00,080 --> 00:42:02,800
Speaker 1: Everybody got you know, something to say. You know what

655
00:42:02,840 --> 00:42:04,880
Speaker 1: I'm saying. But like, as for them niggers, man, I

656
00:42:05,000 --> 00:42:15,120
Speaker 1: love a body. Man's loving about loyalty. I came home

657
00:42:15,239 --> 00:42:17,239
Speaker 1: to a lot. That's why I'm always been respect five.

658
00:42:17,600 --> 00:42:20,640
Speaker 1: No matter what we go through, a Banks or Funk, anybody,

659
00:42:20,680 --> 00:42:24,000
Speaker 1: I'm always been spect right. I came home to a

660
00:42:24,120 --> 00:42:26,800
Speaker 1: good situation. Like I said, I have been to Paris,

661
00:42:27,040 --> 00:42:30,200
Speaker 1: I've been to Dubai. I've been in the studio with Trade,

662
00:42:30,280 --> 00:42:34,120
Speaker 1: I've been in the studio and fifty Like I'm straight,

663
00:42:34,200 --> 00:42:36,920
Speaker 1: like I for hip hop. I'm good. I could be

664
00:42:37,000 --> 00:42:38,799
Speaker 1: dead and going tomorrow and they're just be like then,

665
00:42:39,360 --> 00:42:41,399
Speaker 1: you know what I'm saying. I've been through a lot.

666
00:42:41,600 --> 00:42:44,200
Speaker 1: I survived a lot, you know what I'm saying, Like

667
00:42:44,400 --> 00:42:46,040
Speaker 1: rest in piece of cheek. You see a nigger like

668
00:42:46,120 --> 00:42:49,719
Speaker 1: cheeks that really didn't even have too many beefs and

669
00:42:49,880 --> 00:42:54,000
Speaker 1: got tooken out. Because when you're a rapper, you're fucking talking.

670
00:42:55,520 --> 00:42:58,279
Speaker 1: You know what I'm saying with you, right, You don't

671
00:42:58,320 --> 00:43:00,600
Speaker 1: mean you're getting bitches, You're getting money, you doing your thing.

672
00:43:00,640 --> 00:43:02,520
Speaker 1: You know what I'm saying. When you were wrapper, you

673
00:43:02,600 --> 00:43:04,200
Speaker 1: were talking. You know what I'm saying. I've been a

674
00:43:04,280 --> 00:43:07,920
Speaker 1: fifty since we was on the tour. A lot of

675
00:43:07,960 --> 00:43:10,719
Speaker 1: people don't know. Like I was on the Nostrodomes tour,

676
00:43:11,200 --> 00:43:15,239
Speaker 1: remember that, Remember that. I remember that now was a

677
00:43:15,320 --> 00:43:19,360
Speaker 1: nigga like Queensbridge, the whole yall niggas like me, fifty

678
00:43:21,640 --> 00:43:23,520
Speaker 1: I looked up to remember when fifty was in the

679
00:43:23,600 --> 00:43:26,840
Speaker 1: Colombian system. Remember how hard the work. And I just

680
00:43:27,000 --> 00:43:30,000
Speaker 1: always respected that and respected what niggas did. Like like

681
00:43:30,080 --> 00:43:33,399
Speaker 1: I said, I was on tour with Nas Nostre Dames tour.

682
00:43:33,640 --> 00:43:38,440
Speaker 1: That's hard. Niggas ain't know who I was. I wasn't

683
00:43:38,480 --> 00:43:48,360
Speaker 1: nobody nigga. I'm gonna we know who you was. Nigga.

684
00:43:48,640 --> 00:43:52,520
Speaker 1: That was just chilling before me. My story I can

685
00:43:52,560 --> 00:43:54,279
Speaker 1: tell you. Let's get you that story. Let's get him.

686
00:43:55,560 --> 00:43:58,800
Speaker 1: I'm on a tour with nas right, so you know

687
00:43:58,920 --> 00:44:02,640
Speaker 1: how you know, fifty a bit whatever. I'm the nigger

688
00:44:02,680 --> 00:44:04,560
Speaker 1: that's left in the lobby, you know what I'm just

689
00:44:07,640 --> 00:44:11,480
Speaker 1: I got the Mavado with the one diamond at the top,

690
00:44:11,600 --> 00:44:17,279
Speaker 1: the Movado. No that Preas gave fifty for ju Chang.

691
00:44:18,840 --> 00:44:21,800
Speaker 1: I wannderstand what I'm saying, Like I'm not trying to

692
00:44:21,920 --> 00:44:24,360
Speaker 1: like like for real, That's what I'm saying. Is a

693
00:44:24,440 --> 00:44:27,560
Speaker 1: real niggas, Like it's a real situation, you know what

694
00:44:27,600 --> 00:44:30,400
Speaker 1: I'm saying. Like that day in the Hit factory, Like

695
00:44:30,480 --> 00:44:33,520
Speaker 1: I said again, them niggas could have got smoke because

696
00:44:33,640 --> 00:44:37,480
Speaker 1: niggas had the forty five a CP with no safety nigga,

697
00:44:37,840 --> 00:44:39,440
Speaker 1: and it was in the room with Tony Pope. But

698
00:44:39,520 --> 00:44:41,520
Speaker 1: they produced some niggas, you know what I mean. They

699
00:44:41,520 --> 00:44:43,360
Speaker 1: ain't gonna open the door if they heard some drama,

700
00:44:43,800 --> 00:44:45,520
Speaker 1: you know what I'm saying. But if that gun was

701
00:44:45,600 --> 00:44:47,400
Speaker 1: in this in that room, it would have been a

702
00:44:47,480 --> 00:44:52,040
Speaker 1: totally different Okay, hold on, because Jack whispering in my air, Joe,

703
00:44:52,120 --> 00:44:54,960
Speaker 1: hell gotta go right, but he also whispered in my

704
00:44:55,080 --> 00:44:59,200
Speaker 1: air that no kill your baby. Mama's Angie Martinez, how

705
00:44:59,280 --> 00:45:18,839
Speaker 1: did that happen? Jack? Jack told back where you had

706
00:45:18,880 --> 00:45:24,600
Speaker 1: to manage you in your game. Now, just niggas staying

707
00:45:24,800 --> 00:45:32,239
Speaker 1: try and get me talking about that situation, saying we

708
00:45:32,400 --> 00:45:40,759
Speaker 1: have a beautiful son. Let's get ready to teenage it

709
00:45:40,840 --> 00:45:45,600
Speaker 1: this week. And that's it. God, God bless God bless

710
00:45:46,800 --> 00:45:51,040
Speaker 1: hold up, well, hold up before Drew he'll leave. This

711
00:45:51,120 --> 00:45:53,279
Speaker 1: is DJ and Fan we only we we won, Mike

712
00:45:53,360 --> 00:45:57,239
Speaker 1: Short tonight all and Cisco. I just gotta you here.

713
00:45:57,280 --> 00:45:59,920
Speaker 1: I gotta take the opportunity to say this. I had

714
00:46:00,160 --> 00:46:05,000
Speaker 1: classic mixtape DJ from Miami. Classic freestyle was at the

715
00:46:05,160 --> 00:46:07,359
Speaker 1: Thong song I think Remix met the man Red Man

716
00:46:07,400 --> 00:46:10,640
Speaker 1: were there South Beach. Yeah that makes sense, all right,

717
00:46:11,080 --> 00:46:13,400
Speaker 1: Red Man gave me the freestyle. Ever I'm one of

718
00:46:13,480 --> 00:46:15,520
Speaker 1: my mixtapes right there because I worked for def Jam

719
00:46:15,520 --> 00:46:18,720
Speaker 1: at the time. And then on the flip side, Mike's

720
00:46:18,760 --> 00:46:22,880
Speaker 1: girlfriend their debut music video gig at Your Ship, and

721
00:46:24,280 --> 00:46:49,000
Speaker 1: the story's amazing. I don't know. I had to say that,

722
00:46:55,360 --> 00:46:58,920
Speaker 1: you know what, man, I got to get back to this.

723
00:46:59,160 --> 00:47:07,160
Speaker 1: Angie Martine shakes back. I want you don't want to

724
00:47:07,239 --> 00:47:20,080
Speaker 1: dumping him? Cracking Antie Martina, good yak, y'all's for me.

725
00:47:20,560 --> 00:47:25,359
Speaker 1: That's my friend, Angie and just my friend. Right, that's

726
00:47:25,400 --> 00:47:29,279
Speaker 1: my nigga doing the crash it. I don't know why

727
00:47:29,280 --> 00:47:32,080
Speaker 1: I got pulls into it, but I got older too.

728
00:47:32,160 --> 00:47:35,400
Speaker 1: It Aie play and Angie plays no game. That's what

729
00:47:35,560 --> 00:47:49,239
Speaker 1: you can't understand. Crasha, no game chapter. Jack don't like nobody? Jack,

730
00:47:50,960 --> 00:47:57,359
Speaker 1: Yeah yeah, yeah, you love me, love me well, Jim out.

731
00:47:57,880 --> 00:48:03,640
Speaker 1: Jim out is a pickle. Let's say let's get him,

732
00:48:03,920 --> 00:48:07,239
Speaker 1: Let's get back together now. I was hold on, hold on, now?

733
00:48:07,280 --> 00:48:10,920
Speaker 1: What was your favorite years a death Row? You know

734
00:48:11,000 --> 00:48:13,560
Speaker 1: what's crazy today? You know what's crazy today. I watched

735
00:48:13,560 --> 00:48:16,600
Speaker 1: your perform right, and I heard y'all perform a record

736
00:48:16,640 --> 00:48:21,480
Speaker 1: from ninety four ninety four I was in jail, So

737
00:48:21,640 --> 00:48:23,840
Speaker 1: that means to tell me, come on, y'all, come on,

738
00:48:24,000 --> 00:48:25,759
Speaker 1: let's cut down. So that means to tell me that

739
00:48:25,960 --> 00:48:28,080
Speaker 1: in ninety four when I was in jail, you think

740
00:48:28,160 --> 00:48:31,480
Speaker 1: has already had classics. So what's your favorite year at

741
00:48:31,560 --> 00:48:35,239
Speaker 1: death Row? When everything was right? Every one of them

742
00:48:35,360 --> 00:48:39,200
Speaker 1: is up until nineties six. That's where I came out

743
00:48:39,239 --> 00:48:41,920
Speaker 1: of jail ninety six true, let me get a photo.

744
00:48:42,480 --> 00:48:44,280
Speaker 1: Come on, let's do it in the middle of the podcast,

745
00:48:44,480 --> 00:48:47,399
Speaker 1: right up in the middle of the stand up. Let's

746
00:48:47,400 --> 00:48:55,120
Speaker 1: do it, and we edited my niece is your hi,

747
00:48:55,480 --> 00:49:02,960
Speaker 1: y'all coming to participate show? This is them only right here?

748
00:49:02,960 --> 00:49:06,879
Speaker 1: It's so only you got me made you get out

749
00:49:06,880 --> 00:49:16,120
Speaker 1: of Okay, Nora, I knew that was ja prony. Look

750
00:49:18,360 --> 00:49:23,360
Speaker 1: right over to drain. You got the good cameras on

751
00:49:23,440 --> 00:49:31,080
Speaker 1: the white less. Ain't got the white less ready, that's

752
00:49:31,080 --> 00:49:38,239
Speaker 1: what's up. Did you get it from yea, yeah, we

753
00:49:38,400 --> 00:49:43,600
Speaker 1: will so now the most popit talk So now tony

754
00:49:43,640 --> 00:49:47,680
Speaker 1: y y'all yo yo, my brother Greg saying you're my brother.

755
00:49:47,800 --> 00:49:50,600
Speaker 1: Thank y'all for coming to man. Thank y'all really appreciate that.

756
00:49:51,120 --> 00:50:00,919
Speaker 1: Sisco Sinsco. I really appreciate thank you wanted yeah, yeah, yea, yeah, yeah,

757
00:50:01,320 --> 00:50:07,680
Speaker 1: we gotta do. You're gonna do another one. So now, okay,

758
00:50:07,680 --> 00:50:10,719
Speaker 1: were leaving all this this this is how we number one.

759
00:50:11,120 --> 00:50:15,680
Speaker 1: I'll leave all this stuff like you know why I

760
00:50:15,840 --> 00:50:20,719
Speaker 1: like you? Your horn duties? Your horn duty its horn

761
00:50:22,360 --> 00:50:28,279
Speaker 1: now so now yeah, y'all, y'all had Olivia on um right,

762
00:50:30,560 --> 00:50:32,879
Speaker 1: how was it working with Olivia. Thank you guys. I'm

763
00:50:32,920 --> 00:50:39,799
Speaker 1: goody Olivia was it was cool we be calling you guys. Yeah,

764
00:50:40,239 --> 00:50:42,719
Speaker 1: I love this. I love you. Got the guests helping out.

765
00:50:42,719 --> 00:50:46,000
Speaker 1: We got the guest you. You broke up some other ships,

766
00:50:46,120 --> 00:50:48,759
Speaker 1: like yeah, yeah, we're bringing up Olivia. You told me

767
00:50:48,800 --> 00:50:54,920
Speaker 1: to bring up Olivia. It's cool. But they had an option.

768
00:50:55,080 --> 00:50:57,120
Speaker 1: I don't know. I heard it was an option between

769
00:50:57,239 --> 00:51:00,560
Speaker 1: Keisha Cole and Olivia. Y'as gonna sign. I don't know.

770
00:51:00,880 --> 00:51:03,360
Speaker 1: It was locked up. Y'all fucked up, but I like

771
00:51:03,480 --> 00:51:13,920
Speaker 1: he should call yea Yeah. Yeah, Wow, that's crazy up

772
00:51:13,960 --> 00:51:15,520
Speaker 1: right there. It's a lot of ship of ship. I've

773
00:51:15,520 --> 00:51:17,880
Speaker 1: seen it in pop like I mean, like I remember

774
00:51:19,600 --> 00:51:21,560
Speaker 1: our first time movies in the Lanta and all this

775
00:51:21,600 --> 00:51:24,600
Speaker 1: ship happened with y'all rule, fifty punch rule, keep going

776
00:51:24,640 --> 00:51:33,359
Speaker 1: back to keep Joba rule, like the story. I don't

777
00:51:33,400 --> 00:51:35,960
Speaker 1: have to be drivinger Luda. Chris was the radio Nick

778
00:51:36,080 --> 00:51:38,480
Speaker 1: Chris Love Love Huse Chris Love Chris lovel and I've

779
00:51:38,480 --> 00:51:40,600
Speaker 1: seen them blow. So you just never know what you're

780
00:51:40,640 --> 00:51:43,600
Speaker 1: gonna see in the game. I experienced a lot like

781
00:51:43,800 --> 00:51:45,480
Speaker 1: seeing a lot, like I said, being on top with

782
00:51:45,600 --> 00:51:50,400
Speaker 1: nas sucking experiences in the studios. Because y'all said your

783
00:51:50,440 --> 00:51:52,399
Speaker 1: favorite years of death Row was every year up until

784
00:51:52,520 --> 00:51:54,560
Speaker 1: ninety six, So what was your favorite years at g

785
00:51:54,719 --> 00:51:57,839
Speaker 1: on it? I would say coming home in the three

786
00:51:57,920 --> 00:51:59,880
Speaker 1: years coming home, you know, being all right, because I

787
00:52:00,120 --> 00:52:02,360
Speaker 1: now Capone used I'm sorry, I want you get in

788
00:52:02,440 --> 00:52:04,239
Speaker 1: this story because people telling me that cut people off.

789
00:52:04,719 --> 00:52:07,200
Speaker 1: But Capone used, I just came coming home for like

790
00:52:07,400 --> 00:52:10,160
Speaker 1: four years, right, he was like every time somebody said yo,

791
00:52:10,480 --> 00:52:11,719
Speaker 1: he was like, I'm just coming home. He was like,

792
00:52:11,880 --> 00:52:14,560
Speaker 1: you gotta do it. When he came on. But when

793
00:52:14,600 --> 00:52:17,719
Speaker 1: he came home and seeing the report and you know,

794
00:52:17,880 --> 00:52:21,480
Speaker 1: the jail phone calls, that's like the kamega with Nash,

795
00:52:21,840 --> 00:52:24,719
Speaker 1: you know what I mean, Like you study, like who

796
00:52:24,840 --> 00:52:27,319
Speaker 1: is this nigga? Like I'm gonna nigga that study hip hop?

797
00:52:27,360 --> 00:52:29,240
Speaker 1: You know what I'm saying, Like I'm not just a nigga,

798
00:52:30,120 --> 00:52:31,960
Speaker 1: regular rat nigga. You know what I'm saying. I was

799
00:52:32,040 --> 00:52:33,759
Speaker 1: in the basement, rest in peace with my nigga fet

800
00:52:33,840 --> 00:52:38,800
Speaker 1: shot and listening to from the Gap being pound to

801
00:52:41,680 --> 00:52:42,880
Speaker 1: you know what i mean, I'm not been at me

802
00:52:43,280 --> 00:52:50,960
Speaker 1: like now now the DoD DP, I've seen the second

803
00:52:51,000 --> 00:52:53,719
Speaker 1: song when y'all perform. The second song that y'all gave

804
00:52:53,800 --> 00:52:57,640
Speaker 1: love to was Nate Dog. Yes, And for me, I

805
00:52:57,760 --> 00:53:00,960
Speaker 1: looked at the youngest around the crowd, and I noticed

806
00:53:01,000 --> 00:53:03,560
Speaker 1: a lot of young people didn't know this song. Right.

807
00:53:03,840 --> 00:53:05,359
Speaker 1: But for y'all to come out and that was your

808
00:53:05,480 --> 00:53:08,720
Speaker 1: second song, y'r gable off the neck Dog? How important

809
00:53:08,800 --> 00:53:10,960
Speaker 1: is that? Because neck Dog. If it wasn't for the dog,

810
00:53:11,480 --> 00:53:15,160
Speaker 1: in my opinion, we wouldn't have a future, we wouldn't

811
00:53:15,200 --> 00:53:18,719
Speaker 1: have a tea pain, we wouldn't have you name him

812
00:53:20,360 --> 00:53:23,520
Speaker 1: dollar signs no Jack. For the union of that coming out,

813
00:53:24,160 --> 00:53:28,360
Speaker 1: I asked you to chill out, but relax. But the weekend,

814
00:53:28,640 --> 00:53:31,400
Speaker 1: how was it? How was it working? Look with the

815
00:53:31,480 --> 00:53:35,799
Speaker 1: original because that's the first Like he's the first rapper singer. Man,

816
00:53:36,040 --> 00:53:43,520
Speaker 1: you were doing robberies and was he was to this

817
00:53:46,280 --> 00:53:54,160
Speaker 1: s dog? Let's make some dog? So gad? He was

818
00:53:54,239 --> 00:54:03,400
Speaker 1: a god. He was a long be st brod. We

819
00:54:03,560 --> 00:54:05,880
Speaker 1: was at death row, right, Huh, we were going to

820
00:54:06,000 --> 00:54:13,920
Speaker 1: death row and he's with dogs. Okay, it was snoop

821
00:54:14,400 --> 00:54:20,120
Speaker 1: Nate and and uh, you know, you really have to

822
00:54:20,160 --> 00:54:22,680
Speaker 1: worry about nothing because Dad's and Nate they always had

823
00:54:22,760 --> 00:54:33,480
Speaker 1: to heat it. You know, we didn't force us. Ok,

824
00:54:34,200 --> 00:54:37,560
Speaker 1: I don't even don't even think. You don't think about singing.

825
00:54:37,960 --> 00:54:42,239
Speaker 1: When we was in Oakland and motherfucker's ain't have me

826
00:54:42,320 --> 00:54:46,600
Speaker 1: and Dad's money, we had nack with us. So D

827
00:54:46,800 --> 00:54:51,800
Speaker 1: Shot picked us up, said come on, we're gonna go.

828
00:54:52,320 --> 00:54:57,719
Speaker 1: We went to the East Mount mall and he got

829
00:54:57,920 --> 00:55:01,680
Speaker 1: the shots did showing an abandoned mall right and D

830
00:55:01,880 --> 00:55:07,560
Speaker 1: Shot did like you didn't and d Shot shot ray

831
00:55:07,680 --> 00:55:10,759
Speaker 1: Shot did. D Shot did. D Shot did with us

832
00:55:10,840 --> 00:55:12,400
Speaker 1: what you did with me? Because you know, nor he

833
00:55:12,520 --> 00:55:16,200
Speaker 1: dropped me off that nickel to take care of yourself,

834
00:55:16,280 --> 00:55:20,080
Speaker 1: myself ship. That's but that's what D Shot did. He

835
00:55:20,160 --> 00:55:22,000
Speaker 1: was like here, man take this and take this or

836
00:55:22,080 --> 00:55:24,000
Speaker 1: dads and they had to eat it. And we had

837
00:55:24,080 --> 00:55:26,640
Speaker 1: to take the promoter in the back couch this ship

838
00:55:27,800 --> 00:55:29,480
Speaker 1: down the stairs and the lights went off and the

839
00:55:29,520 --> 00:55:32,759
Speaker 1: mother turned the light off. You know somebody, we didn't

840
00:55:32,760 --> 00:55:38,640
Speaker 1: do that, motherfuckery. Dad was like yeah. So you know

841
00:55:38,800 --> 00:55:42,520
Speaker 1: every time man Nate Nate wasn't just the crew or singer.

842
00:55:42,560 --> 00:55:45,600
Speaker 1: Man Nate was ja. Man Nate was pulling licks. Nate

843
00:55:45,719 --> 00:55:55,879
Speaker 1: was man. They was the beast there, not jacked. I'm

844
00:55:55,920 --> 00:56:02,160
Speaker 1: sorry they dog by that time, New York? What they

845
00:56:02,280 --> 00:56:04,080
Speaker 1: doing with you that time when I had to barbecue

846
00:56:04,120 --> 00:56:05,680
Speaker 1: and I moved into the I headed in the hood

847
00:56:06,320 --> 00:56:07,880
Speaker 1: and then I moved into the crib. Was Nate what

848
00:56:09,320 --> 00:56:12,000
Speaker 1: rbs and Nate right right? I believe so mad? You

849
00:56:12,080 --> 00:56:17,360
Speaker 1: remember that we got so many stars? Yeah, man, you

850
00:56:17,480 --> 00:56:19,840
Speaker 1: know we man, I love you, man, you know what

851
00:56:19,840 --> 00:56:24,440
Speaker 1: I'm saying. You know the great dads, great listen, man,

852
00:56:24,440 --> 00:56:26,799
Speaker 1: and I love y'all for participating. And it's some crazy ship.

853
00:56:27,080 --> 00:56:30,440
Speaker 1: But you can see we're the most unprofessional professional podcast

854
00:56:30,520 --> 00:56:34,200
Speaker 1: because we're unprofessional because it's it's about fifty five motherfucker's

855
00:56:34,239 --> 00:56:36,799
Speaker 1: in here that we wasn't invited. And then it's professional

856
00:56:36,840 --> 00:56:38,960
Speaker 1: because we're not kicking them out. We're just telling them

857
00:56:39,080 --> 00:56:40,440
Speaker 1: just not to talk in the side. Let's make some

858
00:56:43,760 --> 00:56:45,400
Speaker 1: You know what, Nori, I'm gonna tell you like this,

859
00:56:46,000 --> 00:56:49,360
Speaker 1: it's really crazy, is that it's a lot of people

860
00:56:49,920 --> 00:56:52,360
Speaker 1: who me and del Mar and homies, me and dads

861
00:56:52,360 --> 00:56:55,480
Speaker 1: and all of us had Like del Mar, that's hard.

862
00:56:55,800 --> 00:57:02,240
Speaker 1: I was. I go for going now if that's okay

863
00:57:02,280 --> 00:57:06,520
Speaker 1: with you. You know, I want to get to this point.

864
00:57:06,560 --> 00:57:08,440
Speaker 1: I want to get to this point where I want

865
00:57:08,480 --> 00:57:13,839
Speaker 1: to say, please, you know, um, it's crazy back through

866
00:57:13,920 --> 00:57:17,280
Speaker 1: the history of hip hop, because we are historic, all

867
00:57:17,400 --> 00:57:20,480
Speaker 1: of us being together right now. And the thing is

868
00:57:20,640 --> 00:57:22,520
Speaker 1: that a lot of the people that me and del

869
00:57:22,600 --> 00:57:25,720
Speaker 1: Mar had issues with and that all of us had

870
00:57:26,200 --> 00:57:28,640
Speaker 1: had issues with us. But all the people that had

871
00:57:28,680 --> 00:57:31,200
Speaker 1: issues us, a lot of them is my best friends

872
00:57:31,320 --> 00:57:35,720
Speaker 1: right now. Like, yeah, you know what the crazy ship is.

873
00:57:35,880 --> 00:57:39,120
Speaker 1: Every time anybody ever talked about like the l A

874
00:57:39,200 --> 00:57:40,680
Speaker 1: New York, I feel like the ascar up is the

875
00:57:40,720 --> 00:57:43,160
Speaker 1: closest niggas I got on the West close, like and

876
00:57:43,240 --> 00:57:46,480
Speaker 1: that's crazy, that's really right there like all these year

877
00:57:46,520 --> 00:57:49,640
Speaker 1: But I want you to finish your story people, lazy Bone,

878
00:57:50,880 --> 00:57:55,720
Speaker 1: I'm saying, that's one of my best friends. Yeah, oh yeah,

879
00:57:56,600 --> 00:58:04,880
Speaker 1: I't forget that, oh real, because that was one of

880
00:58:04,920 --> 00:58:09,680
Speaker 1: my best friends to this day. Easy was what I'm saying.

881
00:58:10,160 --> 00:58:12,120
Speaker 1: I tracked it with d M Max me and M

882
00:58:12,200 --> 00:58:15,440
Speaker 1: Max MX the other day in the airport. Yea, I

883
00:58:15,480 --> 00:58:17,480
Speaker 1: was drinking. I got to drop on you. Yeah, I

884
00:58:17,520 --> 00:58:22,880
Speaker 1: smashed everything you want to get into that. I want

885
00:58:22,960 --> 00:58:25,720
Speaker 1: some of that champagne because you know, it's just it's

886
00:58:25,760 --> 00:58:28,720
Speaker 1: just because I can I'll be an honorary Crypt today.

887
00:58:28,800 --> 00:58:31,800
Speaker 1: I'm gonna just keep saying Card the whole episode. I'm

888
00:58:31,800 --> 00:58:33,840
Speaker 1: want to be an honorary cry just in the trap.

889
00:58:36,640 --> 00:58:40,840
Speaker 1: But you know it's crazy Prodigy, that's one of my

890
00:58:41,080 --> 00:58:45,640
Speaker 1: my friends. You know what I'm saying and having it's

891
00:58:45,680 --> 00:58:48,120
Speaker 1: just crazy, but that when they reck it though, But

892
00:58:48,680 --> 00:58:51,919
Speaker 1: I'm just saying, though, it's crazy because you know all

893
00:58:52,000 --> 00:58:56,400
Speaker 1: of these different people who the issues was with, um

894
00:58:57,000 --> 00:59:01,520
Speaker 1: my best friends nowadays good old fashion to shine Shine,

895
00:59:01,560 --> 00:59:04,919
Speaker 1: give me some of that moves that. Yeah, man, they're

896
00:59:04,960 --> 00:59:07,080
Speaker 1: good friends of mine right now to this day. Man,

897
00:59:07,160 --> 00:59:09,320
Speaker 1: you know what I'm saying, that's just cracking man, best

898
00:59:09,400 --> 00:59:13,040
Speaker 1: friends actually, you know what I'm saying. In Norrio, hip

899
00:59:13,080 --> 00:59:16,520
Speaker 1: hop always been competition. Wait, hold on the way talking

900
00:59:16,520 --> 00:59:22,440
Speaker 1: about Tony that's but that's what hip is. Make some noise.

901
00:59:22,480 --> 00:59:25,600
Speaker 1: But Drew Hill, No, we had three bottles, it's only

902
00:59:25,680 --> 00:59:31,160
Speaker 1: two now. Am about to say? Drew Hill to thun

903
00:59:31,240 --> 00:59:36,360
Speaker 1: out bucket gangsters like hip hop always been called since

904
00:59:37,000 --> 00:59:41,640
Speaker 1: Caress one busy, you know what I mean. So it's

905
00:59:41,720 --> 00:59:44,240
Speaker 1: like all right before that, way before that. You know,

906
00:59:44,320 --> 00:59:46,040
Speaker 1: you don't never want to see somebody get killed in

907
00:59:46,120 --> 00:59:48,120
Speaker 1: hip hop. I'm saying, you never want to see people

908
00:59:48,160 --> 00:59:50,760
Speaker 1: get shot or go to bounce, you know what I'm saying. Right,

909
00:59:50,880 --> 00:59:55,120
Speaker 1: But but your shot the hot any step, this is true,

910
00:59:55,200 --> 01:00:09,560
Speaker 1: right shot? Somebody understanding, y'all, y'all bless you. I just

911
01:00:10,160 --> 01:00:16,600
Speaker 1: let's make some nice goode being dope. That's that's that's

912
01:00:16,600 --> 01:00:23,080
Speaker 1: what you mixed white brown? Did I not tell our earlier?

913
01:00:23,200 --> 01:00:26,080
Speaker 1: So I told him, I said, that's my brother. Stop

914
01:00:26,200 --> 01:00:30,040
Speaker 1: drinking white with brown. You never want to see all

915
01:00:30,120 --> 01:00:34,919
Speaker 1: this year. You never want to see artist get killed

916
01:00:35,040 --> 01:00:37,840
Speaker 1: like rescue piece of cheeks, rescue pieces stacks. I'm a friend,

917
01:00:38,200 --> 01:00:42,040
Speaker 1: you know what chill you wouldn't talk. Look wrestle my man,

918
01:00:42,320 --> 01:00:45,480
Speaker 1: look wrest in, piece of freaky time, freaky talk. Big

919
01:00:45,800 --> 01:00:48,040
Speaker 1: A lot of niggas that died from gun violence, you

920
01:00:48,080 --> 01:00:49,920
Speaker 1: know what I'm saying. Like I said, and being a

921
01:00:50,040 --> 01:00:52,680
Speaker 1: rappers and talking, you know what I'm saying. But at

922
01:00:52,720 --> 01:00:55,560
Speaker 1: the end of the day, like the hip hop I

923
01:00:55,720 --> 01:01:00,200
Speaker 1: came on came up to was like when you pop

924
01:01:00,240 --> 01:01:02,960
Speaker 1: did come out with the Michael Velly ship and then

925
01:01:03,720 --> 01:01:07,200
Speaker 1: Biggie came with who shot You on the radio, It

926
01:01:07,440 --> 01:01:13,720
Speaker 1: was just like, you know what I mean, Even when

927
01:01:14,600 --> 01:01:17,920
Speaker 1: like when fifty like I look at fifty Koreer like

928
01:01:18,880 --> 01:01:23,800
Speaker 1: jay Z distant. Okay, I'm about a dollar fifty and

929
01:01:23,880 --> 01:01:29,040
Speaker 1: fifty was a crazy nigger like love this ship. Yeah,

930
01:01:29,280 --> 01:01:34,280
Speaker 1: that's all. And we need this inside story king him

931
01:01:34,360 --> 01:01:39,800
Speaker 1: hop about because you know he did corrupt right back up,

932
01:01:39,840 --> 01:01:45,160
Speaker 1: this corrupt, dis corrupt never come want to talk about it.

933
01:01:45,240 --> 01:01:53,600
Speaker 1: We don't know how to Rooker. You gotta understand you

934
01:01:53,840 --> 01:02:01,480
Speaker 1: ask you about, listen to ask you, which is allowing

935
01:02:01,520 --> 01:02:08,920
Speaker 1: you said, girl came back and see the thing. But

936
01:02:09,040 --> 01:02:12,400
Speaker 1: the thing is, see the West coast. In the West,

937
01:02:13,360 --> 01:02:16,080
Speaker 1: it's just different than New York. Right, we take ship

938
01:02:16,200 --> 01:02:19,920
Speaker 1: to heart, right, you know you it's not a hip

939
01:02:20,000 --> 01:02:31,680
Speaker 1: hop beef. It's real mean to But I'm just saying

940
01:02:31,760 --> 01:02:34,640
Speaker 1: it's just like you saying, it's a competition in New

941
01:02:34,720 --> 01:02:38,720
Speaker 1: York and certain things he's seen, Right, I've seen uh,

942
01:02:39,480 --> 01:02:44,680
Speaker 1: motherfucking jigger and naws in the same club. They just

943
01:02:45,040 --> 01:02:49,040
Speaker 1: smashed each other in the club, kicking it like they

944
01:02:49,440 --> 01:02:53,800
Speaker 1: just came from a baby shower or some ship. I'm saying,

945
01:02:54,120 --> 01:02:57,040
Speaker 1: but you think it's you think you think that is

946
01:02:57,120 --> 01:02:59,720
Speaker 1: because a gang culture, Like No, it's just it's just

947
01:03:00,320 --> 01:03:02,120
Speaker 1: the house. You know what I'm saying. This is just

948
01:03:02,680 --> 01:03:05,160
Speaker 1: it's just it's for real, you know what I'm saying.

949
01:03:05,280 --> 01:03:09,680
Speaker 1: And you know when you go when you it's just

950
01:03:09,880 --> 01:03:13,000
Speaker 1: not a hip hop battle. When we say funck you,

951
01:03:13,120 --> 01:03:15,400
Speaker 1: it's for real. You know what I'm saying, and they

952
01:03:15,480 --> 01:03:18,160
Speaker 1: get talking shit about you, it's serious because it's like

953
01:03:18,280 --> 01:03:21,480
Speaker 1: it's gonna end in a squabble. Bottom line, it's not

954
01:03:21,600 --> 01:03:24,880
Speaker 1: gonna end and just rapping. It's like I don't like you.

955
01:03:25,960 --> 01:03:30,040
Speaker 1: I really do not like you. This is not rap

956
01:03:30,960 --> 01:03:33,840
Speaker 1: when I'm talking about fuck it. It's very for real,

957
01:03:35,000 --> 01:03:36,720
Speaker 1: like because I want to beat you up and we're

958
01:03:36,760 --> 01:03:41,720
Speaker 1: so glad rap. It's not like that, like I keep

959
01:03:41,800 --> 01:03:44,400
Speaker 1: telling my youngsters and everybody. You know, I talk my

960
01:03:44,560 --> 01:03:49,880
Speaker 1: youngsters like it's just a competitive spirit though I tell look,

961
01:03:49,920 --> 01:03:55,760
Speaker 1: I'm telling my youngsters it's the arst. I tell my

962
01:03:56,640 --> 01:04:00,040
Speaker 1: tell my youngsters, and I tell all my pupils, and

963
01:04:00,120 --> 01:04:03,400
Speaker 1: he is dead, right, okay, right, the nineties is dead.

964
01:04:03,440 --> 01:04:07,880
Speaker 1: But it's never the artist. It's the one streets. It's

965
01:04:09,040 --> 01:04:17,960
Speaker 1: it's the what I'm saying. So it's not really the artist.

966
01:04:18,640 --> 01:04:23,240
Speaker 1: Depends on what the artists said. It depends on who

967
01:04:23,280 --> 01:04:30,680
Speaker 1: it is everybody's everybody, everybody's individual. The artist are we

968
01:04:30,840 --> 01:04:32,760
Speaker 1: all from the streets? The artist wants to be the

969
01:04:35,320 --> 01:04:37,800
Speaker 1: rap ship in the street ship like you're talking to

970
01:04:37,920 --> 01:04:43,080
Speaker 1: a nigga. Jimmy mos Crib got shot twenty two times.

971
01:04:43,200 --> 01:04:46,800
Speaker 1: Niggas had silences, damn shooting My bent leads like I've

972
01:04:46,840 --> 01:04:51,480
Speaker 1: been through some real ship in the streets, in the

973
01:04:51,640 --> 01:04:55,000
Speaker 1: rap ship. See the turn real. So you gotta understand,

974
01:04:55,080 --> 01:04:57,160
Speaker 1: at the end of the day, it's a dead line

975
01:04:57,200 --> 01:04:59,520
Speaker 1: between love and hate. Brother, you know what I'm saying.

976
01:04:59,600 --> 01:05:03,280
Speaker 1: But but when you're a rapper, you're a fucking target.

977
01:05:03,720 --> 01:05:06,520
Speaker 1: It's true. You're a fucking charge. Every day you wake

978
01:05:06,600 --> 01:05:09,960
Speaker 1: up in the morning, you're a target. You go to

979
01:05:10,040 --> 01:05:14,080
Speaker 1: your hook. What happened? Just going on diet coming on

980
01:05:14,200 --> 01:05:30,040
Speaker 1: to himself right now, that's that's that's that cook want

981
01:05:30,120 --> 01:05:39,200
Speaker 1: you got the worst. She sounds like a dead But yeah,

982
01:05:39,800 --> 01:05:45,720
Speaker 1: the Mike, the Mike here ship, Mike's dead. What happened? Podcasts?

983
01:05:47,880 --> 01:05:54,640
Speaker 1: Podcast down? Podcast down? And the right amount back wasn't Mike.

984
01:05:54,800 --> 01:05:58,919
Speaker 1: Mike is not a drunk nigger. Mike's not a drug nigger.

985
01:05:58,960 --> 01:06:04,840
Speaker 1: I have disappointed. Still there were still recorded, but just

986
01:06:04,960 --> 01:06:11,680
Speaker 1: to play real quick Devil's Advocate, right, was all you

987
01:06:11,720 --> 01:06:13,200
Speaker 1: hear me? I want to hear what you got to

988
01:06:13,240 --> 01:06:17,360
Speaker 1: say on the Devil's Advocate's advocate? When did the cycle end?

989
01:06:18,160 --> 01:06:20,400
Speaker 1: What do you mean when it's the cycle? Like? When

990
01:06:20,520 --> 01:06:23,840
Speaker 1: when does the artist treat again? I'm playing Devil's advocate,

991
01:06:24,240 --> 01:06:27,200
Speaker 1: look because mind you you're saying rappers, I'm a DJ.

992
01:06:27,320 --> 01:06:29,240
Speaker 1: I'm in the streets too. When you were a street nader,

993
01:06:29,440 --> 01:06:31,320
Speaker 1: I got the same ship. I still deal with the

994
01:06:31,320 --> 01:06:33,800
Speaker 1: same ship too as a DJ two in the streets, right,

995
01:06:34,000 --> 01:06:36,560
Speaker 1: So what I'm saying to say is when do we

996
01:06:36,720 --> 01:06:41,760
Speaker 1: all and the cycle the cycle whatever, like like when

997
01:06:41,840 --> 01:06:43,480
Speaker 1: the ship, like when the streets is connected to the

998
01:06:43,600 --> 01:06:46,960
Speaker 1: music and back and forth like like obviously look like

999
01:06:47,000 --> 01:06:51,280
Speaker 1: with the Troy situation, like it's continuing, right and maybe

1000
01:06:51,360 --> 01:06:53,280
Speaker 1: it never ends. I'm not saying that we have had

1001
01:06:54,560 --> 01:06:56,960
Speaker 1: from an angle when the cycle ends? All right? Like

1002
01:06:57,080 --> 01:06:59,640
Speaker 1: you're choking to a nigger that hip hop police used

1003
01:06:59,680 --> 01:07:02,440
Speaker 1: to file on the day. Yeah, you gotta show you're

1004
01:07:02,480 --> 01:07:06,280
Speaker 1: not doing your show. Shutdown Curly Top. I don't know.

1005
01:07:06,360 --> 01:07:08,680
Speaker 1: You don't know who curly Top is. Curp Top is

1006
01:07:08,760 --> 01:07:11,600
Speaker 1: the top hip hop police. When you come to New York.

1007
01:07:11,680 --> 01:07:16,920
Speaker 1: You see Curly Top, you better run, motherfuckert. One time,

1008
01:07:17,000 --> 01:07:18,720
Speaker 1: one time I see Curly Top. I try to touch

1009
01:07:18,800 --> 01:07:23,440
Speaker 1: his shape. He was like like that right, Curl. He's like,

1010
01:07:23,560 --> 01:07:26,760
Speaker 1: you want to see me, come in, you come in.

1011
01:07:26,920 --> 01:07:32,200
Speaker 1: We we we we the street. Now you see the

1012
01:07:32,680 --> 01:07:37,760
Speaker 1: Bobby Murder situation right what they're doing, the prosecutor and

1013
01:07:37,960 --> 01:07:40,360
Speaker 1: d A interface, They're going to make an example out

1014
01:07:40,400 --> 01:07:42,720
Speaker 1: of a nigger because he's a young rapper on the

1015
01:07:42,840 --> 01:07:45,640
Speaker 1: com up. So they give his man ninety eight years

1016
01:07:46,320 --> 01:07:49,760
Speaker 1: and they give themselves a man fifty three years. Nigga

1017
01:07:49,920 --> 01:07:53,040
Speaker 1: see that and be like, I'm making an example of

1018
01:07:53,480 --> 01:07:55,400
Speaker 1: he's a rapper, and all the young kids see him.

1019
01:07:55,480 --> 01:07:59,000
Speaker 1: And Michael, we need to street just trying to come on.

1020
01:08:00,600 --> 01:08:05,240
Speaker 1: You understand what I'm saying. Even God blessing health, he's good.

1021
01:08:05,320 --> 01:08:07,280
Speaker 1: You know what I mean. You got Scotland. You know

1022
01:08:07,320 --> 01:08:09,959
Speaker 1: what I mean, Free Troy. But you know what I'm saying.

1023
01:08:10,040 --> 01:08:13,280
Speaker 1: Situations happen. You know what I'm saying. And it's the streets.

1024
01:08:13,520 --> 01:08:15,200
Speaker 1: You know. This is this is something I wanted to

1025
01:08:15,240 --> 01:08:18,400
Speaker 1: ask the West Coast to forever because right now in

1026
01:08:18,520 --> 01:08:22,240
Speaker 1: New York, we are really it's really gang banging for real,

1027
01:08:22,439 --> 01:08:24,880
Speaker 1: Like I mean, if it's never gonna be like l

1028
01:08:24,920 --> 01:08:28,640
Speaker 1: a not not not even a good, not even a

1029
01:08:28,720 --> 01:08:31,639
Speaker 1: little bit. But in our hood now in New York City,

1030
01:08:32,080 --> 01:08:35,760
Speaker 1: there's actually people who come outside, they wear blue, they

1031
01:08:35,880 --> 01:08:38,200
Speaker 1: hang in the blue section. And now there's people that

1032
01:08:38,600 --> 01:08:41,840
Speaker 1: were At first at first I said to them, I said,

1033
01:08:41,920 --> 01:08:44,800
Speaker 1: y'all think it's this full gaze, right, But then I

1034
01:08:44,920 --> 01:08:47,960
Speaker 1: thought about it. I said, then, you know, hip hop

1035
01:08:48,160 --> 01:08:51,559
Speaker 1: is everybody's, So do you feel like gang coaches could

1036
01:08:51,600 --> 01:08:53,840
Speaker 1: be everybody's? Or we will never understand it? Like these

1037
01:08:53,920 --> 01:09:00,800
Speaker 1: people you call it what my great A big word, dads,

1038
01:09:00,840 --> 01:09:06,719
Speaker 1: I've only got seven great education. Migrating, Oh migrating okay,

1039
01:09:06,760 --> 01:09:10,400
Speaker 1: all right, that's when you're all mixes together. Okay, this

1040
01:09:11,600 --> 01:09:13,000
Speaker 1: is that bugged out to you when you see it.

1041
01:09:13,240 --> 01:09:16,040
Speaker 1: Because because I want to strip, right, I got a movie.

1042
01:09:16,320 --> 01:09:17,560
Speaker 1: U huh. You know I would like to be in

1043
01:09:17,600 --> 01:09:23,599
Speaker 1: this movie aspect too. But I call it colors too

1044
01:09:26,080 --> 01:09:28,599
Speaker 1: in New York. You need me to put this together, dass.

1045
01:09:28,840 --> 01:09:33,439
Speaker 1: That's why we met today. I'm executive. But you know

1046
01:09:33,479 --> 01:09:35,120
Speaker 1: what I'm saying. If you look at Colors and started

1047
01:09:35,160 --> 01:09:37,760
Speaker 1: from the l a right now you New York, it's

1048
01:09:37,760 --> 01:09:40,439
Speaker 1: a whole nothing right, but you got but you kind

1049
01:09:40,439 --> 01:09:42,200
Speaker 1: of this out of the podcast I'm telling that movie.

1050
01:09:42,520 --> 01:09:45,120
Speaker 1: But just what I can say, like in New York,

1051
01:09:45,240 --> 01:09:48,439
Speaker 1: you got real bloods in real Chris, you got niggers

1052
01:09:48,520 --> 01:09:51,840
Speaker 1: like Pistol Pete that rolling around with bodies in the trunk.

1053
01:09:52,320 --> 01:09:59,320
Speaker 1: You got on the train on blood initiation that get

1054
01:09:59,439 --> 01:10:01,599
Speaker 1: into it. I just feel like it's really everywhere you get.

1055
01:10:01,720 --> 01:10:03,640
Speaker 1: But I feel like, look a nigger from coming from

1056
01:10:03,680 --> 01:10:06,960
Speaker 1: South South Jamaica to moving to Long Island in the Burbs.

1057
01:10:07,040 --> 01:10:11,040
Speaker 1: You understand what I'm saying. We're gonna god damn it.

1058
01:10:11,120 --> 01:10:19,000
Speaker 1: Come on, yeah, come on, come on. It's a fucking difference.

1059
01:10:19,720 --> 01:10:22,000
Speaker 1: When I'm the South Side, got Broad the liquor store

1060
01:10:22,080 --> 01:10:24,200
Speaker 1: closed at twelve o'clock, or maybe I can catch the

1061
01:10:24,240 --> 01:10:26,639
Speaker 1: boot leg. But I'm in Long Island in the Burbs,

1062
01:10:26,720 --> 01:10:29,599
Speaker 1: liquor store close at eight nine o'clock. Nigga, what does

1063
01:10:29,640 --> 01:10:32,280
Speaker 1: that tell you? I can go to Farm Fried Crown

1064
01:10:32,360 --> 01:10:35,040
Speaker 1: Fried for in the morning. When I'm in the Burbs.

1065
01:10:35,080 --> 01:10:36,760
Speaker 1: None of that ship is open for me to catch

1066
01:10:36,800 --> 01:10:40,680
Speaker 1: them all, attack or something to happen. It's difference. So

1067
01:10:40,840 --> 01:10:43,320
Speaker 1: nigga's turned into what the environment is. If you got

1068
01:10:43,439 --> 01:10:47,080
Speaker 1: a nigga from Brownsville, you know what I'm saying, in

1069
01:10:48,240 --> 01:10:50,559
Speaker 1: everybody in his family's crip, What the fund you think

1070
01:10:50,600 --> 01:10:52,560
Speaker 1: he's gonna turn to? You wanna tell me that that

1071
01:10:52,760 --> 01:10:54,439
Speaker 1: just because he's from New York in a real crip

1072
01:10:54,600 --> 01:10:57,320
Speaker 1: or real blood. Hell no, because we go to Writers

1073
01:10:57,360 --> 01:11:02,960
Speaker 1: Island is the really ship I see? That's the real

1074
01:11:03,080 --> 01:11:09,400
Speaker 1: ship I ain't seen in my life. The first one

1075
01:11:11,160 --> 01:11:13,680
Speaker 1: and the first one that pushed that line was like

1076
01:11:13,840 --> 01:11:18,920
Speaker 1: Little Rock, Arkansas. Yeah, the document and the whole thing

1077
01:11:19,200 --> 01:11:23,040
Speaker 1: is because no matter where, it ain't about where you from,

1078
01:11:23,400 --> 01:11:27,240
Speaker 1: it's where you at and you can't take nothing from there.

1079
01:11:27,240 --> 01:11:29,720
Speaker 1: I wouldn't tell near one of them young niggas. They

1080
01:11:29,760 --> 01:11:32,760
Speaker 1: ain't what they say. They are niggas. You know. You

1081
01:11:32,840 --> 01:11:35,160
Speaker 1: know what because the niggas mad at the New York

1082
01:11:37,240 --> 01:11:43,800
Speaker 1: you know what beauty niggas turned into what they inviired me.

1083
01:11:44,640 --> 01:11:45,920
Speaker 1: You know what I'm saying. If I was still in

1084
01:11:45,960 --> 01:11:49,839
Speaker 1: the hood, what would I be up in jail? Direct

1085
01:11:49,880 --> 01:11:53,439
Speaker 1: said to like, right, what what the funk? It wasn't

1086
01:11:54,640 --> 01:11:57,320
Speaker 1: check my rati. I got direct sales bill jump in.

1087
01:11:57,840 --> 01:12:00,439
Speaker 1: I got old kinds of ship. So it wasn't for

1088
01:12:00,560 --> 01:12:10,479
Speaker 1: fifty and Jesus and and niggas. Jesus, that's the one.

1089
01:12:12,320 --> 01:12:19,800
Speaker 1: Let you after after fifty got shot, Right after fifty

1090
01:12:19,880 --> 01:12:24,720
Speaker 1: got shot, Right after he got shotine time, damn. He

1091
01:12:24,920 --> 01:12:28,920
Speaker 1: used to drive from Pennsylvania, PA and the Poponos with

1092
01:12:29,280 --> 01:12:34,120
Speaker 1: a Mac tin thirty shot clip every single fucking day.

1093
01:12:34,520 --> 01:12:36,800
Speaker 1: That's that's like in the movie No A C No

1094
01:12:36,960 --> 01:12:42,040
Speaker 1: A C. Clemen van me and him driving from Pennsylvania

1095
01:12:42,080 --> 01:12:45,479
Speaker 1: to New York with the Mac every single day. Now,

1096
01:12:46,040 --> 01:12:48,160
Speaker 1: there's times we had toll bus full of guns. We

1097
01:12:48,200 --> 01:12:51,160
Speaker 1: could have caught up Bobby s murder one of these cases.

1098
01:12:51,840 --> 01:12:55,160
Speaker 1: But was on Nigga's side, right, And you know when

1099
01:12:55,280 --> 01:12:57,240
Speaker 1: as you get older, you look at that ship like him,

1100
01:12:57,800 --> 01:13:04,280
Speaker 1: Niggas was lucky, lucky, was blessed, like niggas went as

1101
01:13:04,479 --> 01:13:07,679
Speaker 1: as much y'all niggas woulding at that time. That's very true.

1102
01:13:08,840 --> 01:13:11,439
Speaker 1: Was different like I've been watching like a lot of

1103
01:13:11,520 --> 01:13:16,679
Speaker 1: the gangster documents. Queens ship. Yeah, we found niggas and queens.

1104
01:13:16,720 --> 01:13:21,600
Speaker 1: It's a fact that's being found. You know. You know,

1105
01:13:21,720 --> 01:13:24,760
Speaker 1: let me take you something, Queens, your mommy, Queen's Remmia

1106
01:13:25,000 --> 01:13:28,240
Speaker 1: l A a lot because as opposed to like you know, um,

1107
01:13:29,560 --> 01:13:31,720
Speaker 1: like you know they always have beef y'all in l

1108
01:13:31,800 --> 01:13:34,240
Speaker 1: a Oh, like as far as our let's go y'all

1109
01:13:34,280 --> 01:13:36,479
Speaker 1: always had. And I can't tell him because it was

1110
01:13:36,479 --> 01:13:40,440
Speaker 1: because of your cruise, because it was gangs on neighborhoods.

1111
01:13:40,439 --> 01:13:43,040
Speaker 1: You know what I'm saying, because like to me, queens

1112
01:13:43,080 --> 01:13:45,800
Speaker 1: with mommy la, it's just like you know what I mean,

1113
01:13:45,880 --> 01:13:50,200
Speaker 1: because like niggas don't get them out the baby mommy.

1114
01:13:50,280 --> 01:13:52,840
Speaker 1: I think of mommy. Look now I'm gonna take your

1115
01:13:52,920 --> 01:13:56,519
Speaker 1: last one. I'm not gonna take your last boy, that's

1116
01:13:56,520 --> 01:13:58,720
Speaker 1: the last. Both. I think you're gonna like pumping the

1117
01:13:58,800 --> 01:14:03,000
Speaker 1: ship grasses, grass and houses and right, yeah, they kill you,

1118
01:14:03,120 --> 01:14:12,800
Speaker 1: right then they kill your house. I remember hung out

1119
01:14:12,840 --> 01:14:15,000
Speaker 1: what you corrupt, and I was going to a Louisiana

1120
01:14:15,080 --> 01:14:17,559
Speaker 1: fried chicken every day and then you came and picked

1121
01:14:17,640 --> 01:14:19,360
Speaker 1: me up and I went to that. He said, nig

1122
01:14:19,520 --> 01:14:21,160
Speaker 1: what the fund are you doing getting out of here?

1123
01:14:21,520 --> 01:14:23,240
Speaker 1: I was like I was coming here every day, He said,

1124
01:14:23,240 --> 01:14:26,800
Speaker 1: the Mexican who kill you? I had no idea what

1125
01:14:26,880 --> 01:14:29,840
Speaker 1: I was doing a fried chicken? And you told me,

1126
01:14:29,840 --> 01:14:32,760
Speaker 1: you said you get you out of line. I'm like,

1127
01:14:32,920 --> 01:14:39,200
Speaker 1: come on, you're try. You brought me to It was

1128
01:14:39,280 --> 01:14:42,160
Speaker 1: a a cript block, and I believe a master coldy

1129
01:14:42,200 --> 01:14:45,160
Speaker 1: block was right up the block as a trade exsters

1130
01:14:45,200 --> 01:14:47,880
Speaker 1: in my neighborhood. And your neighborhood is right down the

1131
01:14:47,920 --> 01:14:52,160
Speaker 1: block from that and up the staying third, huh is

1132
01:14:52,320 --> 01:14:56,240
Speaker 1: where the riots started. Are said that they did that

1133
01:14:58,320 --> 01:15:04,080
Speaker 1: and that's for some Norman that's that's where the right start. Yeah, yeah, yeah,

1134
01:15:06,080 --> 01:15:12,960
Speaker 1: being half a y'all. See, let me tell you, let

1135
01:15:13,000 --> 01:15:15,519
Speaker 1: me tell you a ball. The reason why I say that, um,

1136
01:15:16,320 --> 01:15:21,040
Speaker 1: they were minds us of queens because like you know,

1137
01:15:21,560 --> 01:15:25,120
Speaker 1: their hoods is similar to like South Jamaica. South Jamaica

1138
01:15:25,200 --> 01:15:31,040
Speaker 1: has houses. We have houses houses. You might be like,

1139
01:15:31,120 --> 01:15:35,240
Speaker 1: oh you I'm good. I'm not, I'm not. Yeah, the

1140
01:15:35,320 --> 01:15:39,200
Speaker 1: nas behind the tree like this what you do? What

1141
01:15:39,240 --> 01:15:41,680
Speaker 1: are you? What are you doing here? This is just

1142
01:15:41,760 --> 01:15:44,080
Speaker 1: the same where they is like you can drive through

1143
01:15:44,560 --> 01:15:46,519
Speaker 1: and you might be like, damn, I don't see niggas outside.

1144
01:15:46,520 --> 01:15:49,880
Speaker 1: The niggas outside, nigs just looking at your because this

1145
01:15:49,960 --> 01:15:51,920
Speaker 1: is a crazy ship. When I hung out, when I

1146
01:15:52,360 --> 01:15:54,360
Speaker 1: corrupted the Bronx, I had them in the bronze chilling,

1147
01:15:54,920 --> 01:15:57,600
Speaker 1: and they will watch every car go through, and that

1148
01:15:57,720 --> 01:16:00,840
Speaker 1: she was crazy to me because we don't no car

1149
01:16:01,040 --> 01:16:03,560
Speaker 1: go through and every car that went through. They was like,

1150
01:16:04,479 --> 01:16:07,960
Speaker 1: I'm like, ya, you can relax, and they're like, no,

1151
01:16:08,160 --> 01:16:11,400
Speaker 1: this is this is Yeah, they trained to like, but

1152
01:16:11,520 --> 01:16:13,639
Speaker 1: in New York that's exact opposite. Were trained to see

1153
01:16:13,680 --> 01:16:15,479
Speaker 1: and they canna walk up because you knew if you

1154
01:16:15,520 --> 01:16:20,880
Speaker 1: can really go anywhere, you can go to the bronze uptown. Right, Yeah,

1155
01:16:20,920 --> 01:16:23,280
Speaker 1: you're right in l A. You can't really you can't

1156
01:16:23,560 --> 01:16:28,719
Speaker 1: like that. You can't we stupid. You can move around,

1157
01:16:28,720 --> 01:16:34,519
Speaker 1: and we took come up still with I'm sitting there

1158
01:16:34,600 --> 01:16:38,280
Speaker 1: with Nori. They sitting on a little brick thing right there. Right,

1159
01:16:38,720 --> 01:16:42,000
Speaker 1: I'm just sitting there with Nori. Cars just moving so fast.

1160
01:16:42,800 --> 01:16:45,840
Speaker 1: I'm just like, uh now you rbs all y'all. It

1161
01:16:45,920 --> 01:16:48,880
Speaker 1: was olia every time a car passed by, y'all all look,

1162
01:16:48,960 --> 01:16:53,840
Speaker 1: And I started to realize that think it's a yeah, yeah,

1163
01:16:54,800 --> 01:16:59,320
Speaker 1: we didn't have that. Yeah, they're not used to see

1164
01:17:00,120 --> 01:17:02,519
Speaker 1: like to go to rocks. Now you gotta park and

1165
01:17:02,600 --> 01:17:06,120
Speaker 1: go through, right, That's what I'm saying, a little bill,

1166
01:17:06,479 --> 01:17:09,280
Speaker 1: it's friend, yeah, because you come to New York, projects

1167
01:17:09,360 --> 01:17:14,439
Speaker 1: might be huge. Yeah exactly, exactly. Come on, let's make

1168
01:17:14,479 --> 01:17:15,840
Speaker 1: some noise for Tony yet, you know what the king.

1169
01:17:18,960 --> 01:17:22,720
Speaker 1: But y'all y'all projects, y'all project projects maybe got they

1170
01:17:22,720 --> 01:17:25,439
Speaker 1: don't got projects niggas and garden niggas and gardens right

1171
01:17:25,640 --> 01:17:36,519
Speaker 1: everywhere else part man poll yeah, circle far Yeah you

1172
01:17:36,560 --> 01:17:39,559
Speaker 1: got I call, I call New York and and farm

1173
01:17:40,120 --> 01:17:48,200
Speaker 1: like it looks people like everything's upst Low Beach. I'm

1174
01:17:48,200 --> 01:17:50,080
Speaker 1: not gonna lie to my first time I went to

1175
01:17:50,200 --> 01:17:53,000
Speaker 1: Long Beach, I never saw a red Like the whole

1176
01:17:53,040 --> 01:17:54,840
Speaker 1: time I was at Lottle Beach for like two weeks,

1177
01:17:54,880 --> 01:17:58,080
Speaker 1: I was like, like the innocent people don't wear it.

1178
01:17:58,240 --> 01:18:00,000
Speaker 1: You know, it's cras like in New York can feel

1179
01:18:00,080 --> 01:18:05,080
Speaker 1: like New York can feel like you've got more bloods, yeah, crips.

1180
01:18:05,280 --> 01:18:08,280
Speaker 1: And then when you come to l A and feel like, see,

1181
01:18:08,880 --> 01:18:10,920
Speaker 1: let me tell you why your movie is is right

1182
01:18:10,960 --> 01:18:13,840
Speaker 1: and his act because she I never knew that like

1183
01:18:14,200 --> 01:18:17,160
Speaker 1: crips have be for crips until I actually got to

1184
01:18:17,439 --> 01:18:20,679
Speaker 1: l A. And now Blood's got people bloods in yall

1185
01:18:20,920 --> 01:18:23,360
Speaker 1: like that, and it's like, you know what, that's why

1186
01:18:23,400 --> 01:18:26,639
Speaker 1: your movie is like you're you're you're very ether. Yeah

1187
01:18:27,479 --> 01:18:29,920
Speaker 1: that that that that's hard man, that's hard man. I

1188
01:18:30,000 --> 01:18:33,000
Speaker 1: can't thank your brothers enough. Man. But just coming through man,

1189
01:18:33,120 --> 01:18:47,840
Speaker 1: sitting down kicking number one podcast number one, Yeah, man, Like, hey,

1190
01:18:47,920 --> 01:18:59,680
Speaker 1: let's get it up. You ros here man, so let

1191
01:18:59,760 --> 01:19:01,640
Speaker 1: me I shall before we get up out of here. Right,

1192
01:19:03,840 --> 01:19:05,720
Speaker 1: I've been doing it for so long? How do you

1193
01:19:05,880 --> 01:19:08,880
Speaker 1: maintain your love for this game? Because I ain't gonna lie.

1194
01:19:08,920 --> 01:19:11,599
Speaker 1: When I've seen you on live TV, you would look

1195
01:19:11,680 --> 01:19:14,000
Speaker 1: like you was like you was ready to tell every

1196
01:19:14,080 --> 01:19:16,639
Speaker 1: like fun the game. Like I'm not. I'm talking. I'm

1197
01:19:16,640 --> 01:19:18,120
Speaker 1: not talking about the artists. I'm talking about like the

1198
01:19:18,160 --> 01:19:23,040
Speaker 1: actual game. Um Like, like, do you still have love

1199
01:19:23,120 --> 01:19:25,400
Speaker 1: for the game? Maybe that's a better question. I always

1200
01:19:25,400 --> 01:19:26,800
Speaker 1: gotta love for the game. You know what I'm saying.

1201
01:19:26,840 --> 01:19:29,040
Speaker 1: I wake up. You know it's something that's what I

1202
01:19:29,120 --> 01:19:33,600
Speaker 1: live for. Publish. Check what I'm saying. Every you know

1203
01:19:33,640 --> 01:19:35,680
Speaker 1: I live my publish it every time I turn the

1204
01:19:35,760 --> 01:19:38,200
Speaker 1: radio and do something. Hey hey there, you know what

1205
01:19:38,280 --> 01:19:41,280
Speaker 1: I'm saying. And I create music and do that, you

1206
01:19:41,320 --> 01:19:43,640
Speaker 1: know what I'm saying. So it's every day thing. My

1207
01:19:43,800 --> 01:19:48,559
Speaker 1: daughter do music. We're gonna need you to chell pimp

1208
01:19:48,600 --> 01:19:53,679
Speaker 1: you know what. Okay, Okay, So it's just about having

1209
01:19:53,720 --> 01:19:58,719
Speaker 1: albums in the king. I'm a personally go do seven albums,

1210
01:19:59,000 --> 01:20:01,559
Speaker 1: now do y'all got a new problem you're working on, right,

1211
01:20:02,400 --> 01:20:07,240
Speaker 1: Let's let's talk about that man, correct Dash, We're gonna

1212
01:20:07,240 --> 01:20:12,160
Speaker 1: give him that gangster ship Mann heard the beat something tonight,

1213
01:20:12,920 --> 01:20:17,280
Speaker 1: that raw friantana that's announce on here. What's the name

1214
01:20:17,280 --> 01:20:20,960
Speaker 1: of that record? Was called? Damn ain't it? Y'all? Was

1215
01:20:20,960 --> 01:20:23,880
Speaker 1: about to text you'all on stage, let me do the remix,

1216
01:20:24,400 --> 01:20:26,080
Speaker 1: let me do that about text you on stage? But

1217
01:20:26,080 --> 01:20:31,439
Speaker 1: I said, let me go. Damn that's the name of it. God,

1218
01:20:31,640 --> 01:20:35,120
Speaker 1: damn might be twisted off of Molly never know, chinks

1219
01:20:35,160 --> 01:20:38,640
Speaker 1: on that too. God bless God, Bless God bless. Let

1220
01:20:38,680 --> 01:20:40,360
Speaker 1: me pick up Jack drill up because he keep hitting

1221
01:20:40,400 --> 01:20:43,160
Speaker 1: me and he's the guy who put this all together. Today,

1222
01:20:43,360 --> 01:20:51,479
Speaker 1: Happy birthday, Jack, DL hurt that I have to like

1223
01:20:51,640 --> 01:20:55,280
Speaker 1: book y'all to do this ship y'all still with me? Right? Yeah?

1224
01:20:55,479 --> 01:21:01,000
Speaker 1: I heard that your Breakfast Home still on. Maga's still money.

1225
01:21:03,960 --> 01:21:08,280
Speaker 1: Still got love for the game, Tony, Yeah, y'all, I'm

1226
01:21:08,320 --> 01:21:11,640
Speaker 1: a fan of hip hop like rest in Peace, my man,

1227
01:21:11,760 --> 01:21:14,920
Speaker 1: DJ rough fans, remember you know when to rest to hot,

1228
01:21:15,080 --> 01:21:18,439
Speaker 1: we go to the backblox. We listen to music. You know,

1229
01:21:18,600 --> 01:21:21,640
Speaker 1: we freeestaff from from the Gap band to need a

1230
01:21:21,720 --> 01:21:27,240
Speaker 1: Baker to and then to to fucking Big to pun.

1231
01:21:28,000 --> 01:21:30,720
Speaker 1: You know what I'm saying, too Fat Joe to all

1232
01:21:30,800 --> 01:21:33,479
Speaker 1: this music. You know what I'm saying, Like I'm a nigger.

1233
01:21:33,520 --> 01:21:35,760
Speaker 1: I was around my man, my right hand man was

1234
01:21:35,840 --> 01:21:39,080
Speaker 1: a DJ. So in the nineties when niggers was going

1235
01:21:39,160 --> 01:21:42,280
Speaker 1: to the app, going the Hot Wax and buying I

1236
01:21:42,400 --> 01:21:44,880
Speaker 1: wasn't nigger that was going to the Avenue and buying

1237
01:21:45,080 --> 01:21:49,960
Speaker 1: DJ coup tapes, buying Grandmaster Vick Dog tying. I wasn't

1238
01:21:50,000 --> 01:21:51,960
Speaker 1: nigger that was in the party with Freaky Tie and

1239
01:21:52,000 --> 01:21:55,840
Speaker 1: these niggers fifty started Roman like, So hip hop is

1240
01:21:55,920 --> 01:21:58,320
Speaker 1: just like I eat sleep, ship and ship like it's

1241
01:21:58,360 --> 01:22:01,680
Speaker 1: a part of my life. It wouldn't be a yeah, right,

1242
01:22:01,720 --> 01:22:03,559
Speaker 1: were all a lot to hip hop. This is really

1243
01:22:03,680 --> 01:22:07,000
Speaker 1: very true. Look how hip hop made the world small, Like,

1244
01:22:07,640 --> 01:22:10,000
Speaker 1: let's just think about it. Were from two separate coasts

1245
01:22:10,200 --> 01:22:11,800
Speaker 1: and it's like we know each other. You know what

1246
01:22:11,840 --> 01:22:14,439
Speaker 1: I'm saying. That's it's beautiful. You know what I mean real,

1247
01:22:14,800 --> 01:22:19,760
Speaker 1: that's for real, that's for real man and selling. I

1248
01:22:19,840 --> 01:22:22,519
Speaker 1: want to say, yeah, yo, yo, dads, dads, let's talk

1249
01:22:22,520 --> 01:22:25,240
Speaker 1: about it. Let's talk about you got a weed company

1250
01:22:25,280 --> 01:22:28,280
Speaker 1: in Seattle. Listen, how do you do this? Man? You

1251
01:22:28,320 --> 01:22:31,840
Speaker 1: know we get the finest buzz and you know we

1252
01:22:32,040 --> 01:22:36,400
Speaker 1: stamped that on that because you're wen. I'm saying about you,

1253
01:22:37,680 --> 01:22:44,240
Speaker 1: DPG bus dot Com, DPG buds. I like my man

1254
01:22:44,360 --> 01:22:49,080
Speaker 1: horn game, yo, Twitter, And that's how you supposed to

1255
01:22:49,080 --> 01:22:53,040
Speaker 1: be blowing the horn. Twitter about to lose your job

1256
01:22:54,000 --> 01:22:58,280
Speaker 1: when you're fighting fighting before you are. This is the

1257
01:22:58,400 --> 01:23:01,559
Speaker 1: question I want to ask dog Pound Norwega. Have y'all

1258
01:23:01,600 --> 01:23:06,879
Speaker 1: niggas been to Amsterdam? So when y'all going to Ampstead,

1259
01:23:06,880 --> 01:23:09,160
Speaker 1: when you do, you'll go to Greenhouse and Greenhouse. I

1260
01:23:09,240 --> 01:23:12,479
Speaker 1: go to Green Place as well. That's my favorite place

1261
01:23:12,560 --> 01:23:15,280
Speaker 1: in the Amsterdam and Green Place. Um, I don't know

1262
01:23:15,320 --> 01:23:17,559
Speaker 1: if I got a famous picture with me with three

1263
01:23:17,640 --> 01:23:23,880
Speaker 1: tons of weed and that was a green place. And

1264
01:23:23,960 --> 01:23:26,240
Speaker 1: the Gray Area is also a great place in the

1265
01:23:26,280 --> 01:23:29,760
Speaker 1: Gray Area, and we're going there and expect because y'all

1266
01:23:29,760 --> 01:23:33,280
Speaker 1: West Coast niggas, y'all y'all lung is it spoil you? Yeah, y'all,

1267
01:23:33,960 --> 01:23:37,240
Speaker 1: y'allow spoiling there. We ain't got spoiling lungs like that.

1268
01:23:37,360 --> 01:23:42,040
Speaker 1: And y'all got the I'm gonna be honest cause your

1269
01:23:42,080 --> 01:23:45,000
Speaker 1: worst weeds gonna have some motherfucking ship out there in

1270
01:23:45,080 --> 01:23:50,240
Speaker 1: New York called hydro. That was It's called sour. It's

1271
01:23:50,280 --> 01:23:58,160
Speaker 1: called sour. That's all we got. Yeah, came to l

1272
01:23:58,240 --> 01:24:02,000
Speaker 1: a smoked y'all, we and almost set that what's that hoteller, Beverly,

1273
01:24:02,040 --> 01:24:10,280
Speaker 1: I'm gonna set that bit on Friday, sleeping around right. No, no, no,

1274
01:24:11,600 --> 01:24:13,280
Speaker 1: I gotta ask you this direct because there's a lot

1275
01:24:13,320 --> 01:24:15,760
Speaker 1: of fake moon rocks out there. Can you tell the

1276
01:24:15,800 --> 01:24:17,720
Speaker 1: people how to get the real moon rocks? And how

1277
01:24:17,720 --> 01:24:19,880
Speaker 1: do you feel about the fake moon rocks in the building?

1278
01:24:20,120 --> 01:24:23,680
Speaker 1: I mean, you know, man, when you number one, just

1279
01:24:23,920 --> 01:24:28,720
Speaker 1: like Nikes, man, you know when you know, you know,

1280
01:24:30,200 --> 01:24:34,320
Speaker 1: come on fress enjoying himself making zone zone. What's what's

1281
01:24:34,320 --> 01:24:40,880
Speaker 1: the jersey think? Is there? Not to rob moon rocks?

1282
01:24:40,960 --> 01:24:44,320
Speaker 1: That's the real deal, man, because you're coming them back.

1283
01:24:45,400 --> 01:24:49,519
Speaker 1: You know, it comes in the jar, coming throw that

1284
01:24:49,640 --> 01:24:54,320
Speaker 1: ship in the tracks, thinking head of the back saying

1285
01:24:55,000 --> 01:24:57,960
Speaker 1: you know what, but we're gonna educate him to this game.

1286
01:24:58,600 --> 01:25:00,680
Speaker 1: Call you get the rack, I mean, get it for real,

1287
01:25:00,840 --> 01:25:02,920
Speaker 1: get it for real? I mean, can you dig it?

1288
01:25:03,280 --> 01:25:06,360
Speaker 1: Who wants yourself fake? Cope? Come on? Come on, I

1289
01:25:06,400 --> 01:25:08,560
Speaker 1: mean you can take its played out. You get the

1290
01:25:09,000 --> 01:25:12,000
Speaker 1: But I tell you everybody a New York League, we

1291
01:25:12,200 --> 01:25:23,800
Speaker 1: were close, close, close the real. Never let that baby

1292
01:25:24,240 --> 01:25:27,320
Speaker 1: got the liquid like the liquid. Who when I got

1293
01:25:27,360 --> 01:25:30,960
Speaker 1: ready to look look at the liquid? Did the bones?

1294
01:25:31,479 --> 01:25:37,360
Speaker 1: You don't want that? I don't even know what he

1295
01:25:37,400 --> 01:25:44,600
Speaker 1: said that bone. I got the best. We got the

1296
01:25:44,640 --> 01:25:47,760
Speaker 1: best week. I mean, we got the best. Friend. You

1297
01:25:47,800 --> 01:25:50,400
Speaker 1: don't come a New York. California got the best, the

1298
01:25:50,439 --> 01:25:55,360
Speaker 1: best week, got the best California. He'd be California got

1299
01:25:55,439 --> 01:25:57,599
Speaker 1: the Just coming to New York and be blad when

1300
01:25:57,680 --> 01:26:03,040
Speaker 1: y'all want to buy, We'll be back every place, every

1301
01:26:03,080 --> 01:26:07,200
Speaker 1: place you be mad, every place New y'all come to

1302
01:26:07,400 --> 01:26:11,200
Speaker 1: l a y y'all love it right, That's very true.

1303
01:26:11,280 --> 01:26:25,040
Speaker 1: It's very true. And you can order your winding online

1304
01:26:25,120 --> 01:26:27,840
Speaker 1: d G what is it dpg dot com? You got

1305
01:26:28,000 --> 01:26:33,120
Speaker 1: between What's what's the name of the sight again? W

1306
01:26:33,479 --> 01:26:37,400
Speaker 1: w DP bloods with a Z with a Z. And

1307
01:26:37,479 --> 01:26:39,800
Speaker 1: how about the moon Rocks. I mean the moon Rocks.

1308
01:26:39,920 --> 01:26:42,479
Speaker 1: Main you got to be a part of the club,

1309
01:26:43,320 --> 01:26:45,680
Speaker 1: got you because see what we do because on the

1310
01:26:45,800 --> 01:26:50,320
Speaker 1: rails we we supply over thirty percent to forty percent

1311
01:26:50,479 --> 01:26:54,800
Speaker 1: of all the dispensaries. That's a lot of money. Coep

1312
01:26:54,800 --> 01:26:57,880
Speaker 1: what I'm saying. So our ship, yeah, our ship is

1313
01:26:57,960 --> 01:27:04,559
Speaker 1: straight regalized. It's a real business calculated that fasting only

1314
01:27:04,640 --> 01:27:06,519
Speaker 1: in the state of watching the Seattle, watching the correct

1315
01:27:07,080 --> 01:27:09,760
Speaker 1: like the collapse when we're going next Washington and not

1316
01:27:10,160 --> 01:27:13,280
Speaker 1: going to Oregon, and then we're going to Arizona and

1317
01:27:14,200 --> 01:27:15,960
Speaker 1: d C. D C is legal to I just did

1318
01:27:16,000 --> 01:27:24,840
Speaker 1: a cannabis cup out there, yeah, yeah, And then I

1319
01:27:24,840 --> 01:27:28,120
Speaker 1: asked you a question. Okay, so I like this flipping

1320
01:27:28,160 --> 01:27:30,439
Speaker 1: on us. How can the nigger have a dispensary, because

1321
01:27:30,479 --> 01:27:32,760
Speaker 1: this is what I've been studying. You have a dispensary,

1322
01:27:33,280 --> 01:27:36,280
Speaker 1: but the state might clear it, but defense don't clear it.

1323
01:27:36,520 --> 01:27:38,920
Speaker 1: So you see motherfucker's with dispensary. They got on guards

1324
01:27:39,000 --> 01:27:42,880
Speaker 1: moving five hundred thousand, a million dollars. Whatever. I don't understand.

1325
01:27:42,880 --> 01:27:44,719
Speaker 1: You don't have to worry about in the state of Washington.

1326
01:27:45,800 --> 01:27:54,320
Speaker 1: You don't state working in Washington and Colorado something you

1327
01:27:54,560 --> 01:27:57,640
Speaker 1: pay taxes on this ship. Man. The Sky's limited them

1328
01:27:57,680 --> 01:28:05,639
Speaker 1: to place skys the limited watch in Colorado, California. Yeah,

1329
01:28:05,760 --> 01:28:07,479
Speaker 1: well you know they don't work around with them. And

1330
01:28:07,720 --> 01:28:10,280
Speaker 1: you know my thing is see this is it. See

1331
01:28:10,439 --> 01:28:19,240
Speaker 1: we supply the dispensaries. They on their own after that, Jack, Okay, yo, man,

1332
01:28:19,520 --> 01:28:21,479
Speaker 1: this this is this is this is so awesome. Man.

1333
01:28:21,479 --> 01:28:24,000
Speaker 1: I'm gonna be honest man. You know, yeah, yo, man,

1334
01:28:24,280 --> 01:28:26,320
Speaker 1: I want to thank you for being a part of this. Man.

1335
01:28:27,640 --> 01:28:40,720
Speaker 1: I w the legend died rest in peace, your dad's man.

1336
01:28:41,280 --> 01:28:43,240
Speaker 1: You know, I want to thank you. You know, one

1337
01:28:43,320 --> 01:28:46,040
Speaker 1: time I had set something on the internet corrupted and like,

1338
01:28:46,240 --> 01:28:48,160
Speaker 1: and you was the person who called me and you

1339
01:28:48,240 --> 01:28:50,160
Speaker 1: made sure we straighten that out like the big brother

1340
01:28:50,280 --> 01:28:52,200
Speaker 1: you are. And I wanted to thank you for that

1341
01:28:52,360 --> 01:28:54,760
Speaker 1: because I didn't have corrupt number. But you know what,

1342
01:28:55,040 --> 01:28:57,479
Speaker 1: I want to apologize corrupt. I didn't mean nothing by it,

1343
01:28:57,560 --> 01:28:59,120
Speaker 1: but if you took it as defense, I want to

1344
01:28:59,120 --> 01:29:04,160
Speaker 1: apologize to you, my brother, man, but I wanted to

1345
01:29:04,200 --> 01:29:07,200
Speaker 1: think that. I want to get dads the props for

1346
01:29:07,640 --> 01:29:09,800
Speaker 1: actually hitting me and saying, man, come on, come, come, on,

1347
01:29:09,920 --> 01:29:11,960
Speaker 1: let me we get on the phone, and you know what,

1348
01:29:12,439 --> 01:29:14,880
Speaker 1: that's what we needed hip hop and for you from

1349
01:29:14,920 --> 01:29:17,960
Speaker 1: when you did that for me because that's my homie

1350
01:29:18,000 --> 01:29:19,479
Speaker 1: and I didn't know I offended him in no way,

1351
01:29:19,520 --> 01:29:23,320
Speaker 1: shape form a fashion. But from that moment on, I

1352
01:29:23,479 --> 01:29:25,680
Speaker 1: had got Troy IV on the phone with styles P

1353
01:29:25,880 --> 01:29:28,240
Speaker 1: and made them squash their ship. I got you know,

1354
01:29:28,800 --> 01:29:30,679
Speaker 1: jay Z on the phone with Fat Joe and squash

1355
01:29:30,720 --> 01:29:32,720
Speaker 1: they ship. Even got a drink on the phone with

1356
01:29:32,920 --> 01:29:36,040
Speaker 1: DMX squards they ship. But I was inspired from that

1357
01:29:36,160 --> 01:29:38,439
Speaker 1: phone call that you yes, prop my collar. Thank you. Um.

1358
01:29:38,600 --> 01:29:41,560
Speaker 1: I was inspired from that call because you knew I

1359
01:29:41,680 --> 01:29:44,320
Speaker 1: love love and you know how it was, and you

1360
01:29:44,479 --> 01:29:45,960
Speaker 1: knew you had that line on me and I thought

1361
01:29:46,000 --> 01:29:48,760
Speaker 1: that was some grown man real, that's real killer ship

1362
01:29:48,840 --> 01:29:54,720
Speaker 1: to me right there. You know all right, that was

1363
01:29:54,800 --> 01:29:57,519
Speaker 1: dope man. That was dope man. I can't thank you enough, dads,

1364
01:29:57,560 --> 01:30:01,080
Speaker 1: I can't thank You're enough, corrupt friend forever man, we

1365
01:30:01,320 --> 01:30:04,040
Speaker 1: were don't barbecue in my crib. We're done, We're done.

1366
01:30:04,080 --> 01:30:05,760
Speaker 1: We dine. I had you on the block and we don't.

1367
01:30:05,800 --> 01:30:07,559
Speaker 1: We don't did everything. I remember you made a disc

1368
01:30:07,600 --> 01:30:09,720
Speaker 1: record and you came to New York, and I held

1369
01:30:09,760 --> 01:30:14,320
Speaker 1: you down. I said, you're okay. When you're okay, you said,

1370
01:30:15,120 --> 01:30:16,840
Speaker 1: you said, because I ain't supposed to be all. Yeah,

1371
01:30:16,840 --> 01:30:24,360
Speaker 1: I said, you with me, that's an I said, for yeah,

1372
01:30:24,479 --> 01:30:27,840
Speaker 1: I said, corrupt. Okay. It's all the time. I was good,

1373
01:30:28,120 --> 01:30:30,760
Speaker 1: all the time I was with Inger, right, and we

1374
01:30:30,960 --> 01:30:34,160
Speaker 1: was out there, me and Inger nor you always came

1375
01:30:34,240 --> 01:30:37,519
Speaker 1: through and cor Mecca. That's right, that's right. We held you.

1376
01:30:37,600 --> 01:30:39,880
Speaker 1: That gave me that forty nickel. That's right, that's right,

1377
01:30:39,920 --> 01:30:41,840
Speaker 1: that's right, that's right, that's right, forty that's right. It's

1378
01:30:41,840 --> 01:30:46,439
Speaker 1: over seven years ago, so fast that so listen, they

1379
01:30:46,479 --> 01:30:48,759
Speaker 1: can't come in give me. Maybe I should have said detectives.

1380
01:30:53,920 --> 01:30:58,360
Speaker 1: I didn't mean that, you know what I meant. Straightened up,

1381
01:30:58,400 --> 01:31:05,120
Speaker 1: real crazy man, fast keeping it real, goal keeping it real.

1382
01:31:05,200 --> 01:31:08,840
Speaker 1: Goes so once again, man, we're in Las Vegas. Man.

1383
01:31:09,160 --> 01:31:11,840
Speaker 1: You know, we know this other podcast that's coming here

1384
01:31:11,960 --> 01:31:14,280
Speaker 1: next week. We know this other podcast is gonna do

1385
01:31:14,400 --> 01:31:16,599
Speaker 1: and they you know, we don't even know their names,

1386
01:31:16,880 --> 01:31:19,840
Speaker 1: but they said, because they posted a post and they said,

1387
01:31:19,840 --> 01:31:21,479
Speaker 1: it's not about who do it first, about who do

1388
01:31:21,560 --> 01:31:24,439
Speaker 1: it better. There's no way they can get better than Tony. Yeah. Yeah,

1389
01:31:25,280 --> 01:31:29,320
Speaker 1: it's no way to get better than DP. There's no

1390
01:31:29,400 --> 01:31:31,720
Speaker 1: way they can get better than you. Hell and a

1391
01:31:31,840 --> 01:31:40,439
Speaker 1: dead capone. Let's make some loys for that. That's the right.

1392
01:31:41,520 --> 01:31:43,320
Speaker 1: You know, we're gonna we're gonna here. Listen, listen, We're

1393
01:31:43,320 --> 01:31:47,760
Speaker 1: gonna bury everything. Wake up, up, Kelly, We're gonna bury them. Yeah,

1394
01:31:47,960 --> 01:31:58,120
Speaker 1: wake up, listen. Can you be my witness? You walked

1395
01:31:58,120 --> 01:31:59,960
Speaker 1: in the club. What's the first thing I said to Coupon?

1396
01:32:01,439 --> 01:32:07,200
Speaker 1: I said, stop what drinking white white? He's listen, he's

1397
01:32:07,320 --> 01:32:14,600
Speaker 1: bugging yo. Listen. First off, if you lift spot you

1398
01:32:14,600 --> 01:32:18,519
Speaker 1: can get a pass you you need to be on point.

1399
01:32:18,560 --> 01:32:25,559
Speaker 1: God damn, that's that's the old rumor. That's an old

1400
01:32:25,640 --> 01:32:28,160
Speaker 1: rum That's an old rumor. What happens in Vegas is

1401
01:32:28,200 --> 01:32:35,559
Speaker 1: coming to forty first size. It's not many first sings time.

1402
01:32:37,760 --> 01:32:40,800
Speaker 1: There's an old rumor. That's old. Once again, mad can't

1403
01:32:40,800 --> 01:32:43,200
Speaker 1: then you guys enough, man, this is real hip hop.

1404
01:32:43,560 --> 01:32:46,080
Speaker 1: We don't we don't care to. I'm not a journalist.

1405
01:32:46,120 --> 01:32:48,200
Speaker 1: I don't google nobody. I don't do that. I sit

1406
01:32:48,280 --> 01:32:50,719
Speaker 1: down and have real talk and me and my partner

1407
01:32:50,800 --> 01:32:53,040
Speaker 1: e fn man. I'm sorry, I stold your mike. We

1408
01:32:53,120 --> 01:32:55,720
Speaker 1: got we have we lost the mike tonight we lost

1409
01:32:55,760 --> 01:32:58,479
Speaker 1: the mike and guess what this is. This is one

1410
01:32:58,479 --> 01:33:00,960
Speaker 1: of my favorite episodes. This has been out of control.

1411
01:33:01,240 --> 01:33:03,760
Speaker 1: I was telling people to shush the whole time, like

1412
01:33:03,840 --> 01:33:05,439
Speaker 1: I was in the movie theater because they say black

1413
01:33:05,439 --> 01:33:07,320
Speaker 1: people talk in the movie theater. And guess what, black

1414
01:33:07,360 --> 01:33:11,360
Speaker 1: people the podcast. We just realized that. I guess one, man,

1415
01:33:11,600 --> 01:33:14,960
Speaker 1: We're having a fun little pampa. I just upgraded you too, big,

1416
01:33:15,000 --> 01:33:22,360
Speaker 1: paper big, and I love West Coast Niggers. Man, I'm

1417
01:33:22,360 --> 01:33:25,280
Speaker 1: gonna we're gonna go do a whole school man. I

1418
01:33:25,360 --> 01:33:28,519
Speaker 1: also gotta shout out Snoop. Snoop was in the studio

1419
01:33:28,600 --> 01:33:30,840
Speaker 1: with Swiss. They both hit me up on the said, man,

1420
01:33:31,120 --> 01:33:33,000
Speaker 1: we love what you're doing your thing on the podcast

1421
01:33:33,000 --> 01:33:34,960
Speaker 1: because this is for hip hop. You know what I'm

1422
01:33:35,000 --> 01:33:38,080
Speaker 1: saying with Snoop. Okay, started feeling spighters in my body.

1423
01:33:50,000 --> 01:33:53,200
Speaker 1: Gonna ending with this one time. Snoop was in New York,

1424
01:33:53,400 --> 01:33:55,280
Speaker 1: right and he came. I filmed it. This is for

1425
01:33:55,360 --> 01:33:59,800
Speaker 1: the World Documentary Exhibit. And you know I'm from all

1426
01:33:59,840 --> 01:34:03,439
Speaker 1: my you know, my my nigg is wed uh Yankee outfits,

1427
01:34:03,520 --> 01:34:05,960
Speaker 1: which is blue so in they mind, they were crip,

1428
01:34:06,040 --> 01:34:08,760
Speaker 1: you know what I'm saying. So and so we went

1429
01:34:08,800 --> 01:34:12,679
Speaker 1: to gonna see Snoop, and Snoop just keep passing us blunts,

1430
01:34:12,720 --> 01:34:16,040
Speaker 1: keep passing. So my gangster things is disappointed in me.

1431
01:34:16,120 --> 01:34:18,320
Speaker 1: They're like, why you're not smoking as much as a

1432
01:34:18,400 --> 01:34:20,840
Speaker 1: stupid and I'm smoking. So We're sitting there like and

1433
01:34:20,920 --> 01:34:23,360
Speaker 1: I'm filming, and I'm like, damn, I got tired. I

1434
01:34:23,400 --> 01:34:26,799
Speaker 1: felt like I ran a marathon, right, So my niggers

1435
01:34:26,880 --> 01:34:30,720
Speaker 1: was disappointed. It was like, y'all, let's Snoop smoke y'all

1436
01:34:30,760 --> 01:34:34,080
Speaker 1: all in New York. So mind you right now, Snoop,

1437
01:34:34,120 --> 01:34:36,519
Speaker 1: hey me, he's doing a man show. Wis some Bishop

1438
01:34:36,600 --> 01:34:39,880
Speaker 1: don Wan crib? You don't remember that? Somebody said, yeah,

1439
01:34:40,000 --> 01:34:43,519
Speaker 1: all right, fun y'all. Well, because because it's not too

1440
01:34:43,520 --> 01:34:46,000
Speaker 1: many witnesses when we smoked, Snoop back out. So we

1441
01:34:46,120 --> 01:34:48,040
Speaker 1: go to the Bishop Doan crib and I buy a

1442
01:34:48,120 --> 01:34:50,880
Speaker 1: pounds just for that, and I just I stayed, and

1443
01:34:50,920 --> 01:34:53,640
Speaker 1: then Snoops that I'm good. I smoked enough, and I

1444
01:34:53,760 --> 01:34:59,800
Speaker 1: was like, I won't back Snoop, you listen. Let me

1445
01:34:59,880 --> 01:35:01,400
Speaker 1: just This is when I knew this nigga is a

1446
01:35:01,479 --> 01:35:04,840
Speaker 1: O G. He was staying on like the seventeenth floor.

1447
01:35:05,080 --> 01:35:07,800
Speaker 1: Right we hit the tenth floor and the smoke alarm

1448
01:35:07,920 --> 01:35:10,880
Speaker 1: was on the tenth floor. You smelled the weed from

1449
01:35:10,920 --> 01:35:13,400
Speaker 1: the tenth floor and we walked in and the hotel

1450
01:35:13,479 --> 01:35:15,800
Speaker 1: was just like it's snoop nigger like it was like

1451
01:35:19,840 --> 01:35:22,439
Speaker 1: you play so yo man, I can't. I can't thank

1452
01:35:22,479 --> 01:35:26,800
Speaker 1: y'all enough. Complone, rest in peace. We're gonna we gonn

1453
01:35:26,800 --> 01:35:28,960
Speaker 1: We're gonna were gonna bring you back your life baby. Um.

1454
01:35:29,120 --> 01:35:32,439
Speaker 1: But your dark pound gangsters man dads and corrupt man,

1455
01:35:32,840 --> 01:35:34,680
Speaker 1: your dad's you know. I went. I look at your

1456
01:35:34,760 --> 01:35:37,400
Speaker 1: disco discography and it's one thing that I can ask

1457
01:35:37,479 --> 01:35:39,599
Speaker 1: for you. I need before everything is all. I'm gonna

1458
01:35:39,600 --> 01:35:41,720
Speaker 1: do one more album, man, and then the last our

1459
01:35:41,840 --> 01:35:44,000
Speaker 1: money to dad's beat man. You know what I'm saying.

1460
01:35:47,040 --> 01:35:49,040
Speaker 1: And I don't want I don't want to do that bullshit.

1461
01:35:49,560 --> 01:35:52,679
Speaker 1: Send me an email on I'm flying to you wherever

1462
01:35:52,800 --> 01:35:54,960
Speaker 1: you at. We're gonna sit down, We're gonna smoke. You

1463
01:35:55,000 --> 01:35:56,960
Speaker 1: know what I'm saying. You know what I mean. Corrupt man,

1464
01:35:57,000 --> 01:35:59,000
Speaker 1: You know I love you man, I love all y'all. Man, Yo,

1465
01:35:59,120 --> 01:36:01,840
Speaker 1: tony ya yo man, thank you for participating in this thing. Man.

1466
01:36:02,120 --> 01:36:04,160
Speaker 1: You know we needed the G Unit. These people is

1467
01:36:04,240 --> 01:36:08,360
Speaker 1: starving for G Unit death death road stories. And I

1468
01:36:08,640 --> 01:36:10,400
Speaker 1: never in a million years when I think I could

1469
01:36:10,439 --> 01:36:12,639
Speaker 1: get both of them together, you know what I'm saying.

1470
01:36:12,760 --> 01:36:16,120
Speaker 1: So I'm really appreciative. And the thing you know about

1471
01:36:16,200 --> 01:36:18,479
Speaker 1: this is, you know these fans, they go out and

1472
01:36:18,520 --> 01:36:22,320
Speaker 1: they buy these albums again and they reminisce and and

1473
01:36:22,439 --> 01:36:24,720
Speaker 1: and and this is such a beautiful thing because this

1474
01:36:24,760 --> 01:36:27,120
Speaker 1: ain't no journalists running this ship. This is this is

1475
01:36:27,160 --> 01:36:29,200
Speaker 1: the inmates running the building. You know what I mean.

1476
01:36:29,479 --> 01:36:31,760
Speaker 1: This is a dude getting out the bing and being

1477
01:36:31,760 --> 01:36:34,200
Speaker 1: a warden, you know what I'm saying. So I want

1478
01:36:34,240 --> 01:36:35,760
Speaker 1: to make some noise for me and e fan is

1479
01:36:35,800 --> 01:36:54,040
Speaker 1: for and alright you and Jack and Jack Durler. Man, Yo, man,

1480
01:36:54,080 --> 01:36:56,120
Speaker 1: I gotta I gotta thank you Jacksonville. I've been thinking

1481
01:36:56,160 --> 01:36:59,639
Speaker 1: everybody else. I gotta thank you man for participating. Then

1482
01:36:59,720 --> 01:37:02,880
Speaker 1: what you gonna do and letting me gask you to

1483
01:37:02,920 --> 01:37:05,479
Speaker 1: start your own podcast? You know what I'm saying, Because

1484
01:37:05,479 --> 01:37:07,120
Speaker 1: you're a funny dude, and I think you should start

1485
01:37:07,160 --> 01:37:10,479
Speaker 1: your own podcast and do your own podcast. And we're

1486
01:37:10,520 --> 01:37:12,400
Speaker 1: just so proud to be here. Many We're gonna keep

1487
01:37:12,400 --> 01:37:17,200
Speaker 1: getting drunk, we will keep smoking. I ain't saying we

1488
01:37:17,280 --> 01:37:25,680
Speaker 1: gotta go home. We're gonna get the funk out of here. Yo,

1489
01:37:25,920 --> 01:37:29,200
Speaker 1: I ain't gonna fun the worst, taking my own life.

1490
01:37:29,560 --> 01:38:01,479
Speaker 1: Go find all your favorite movies and shows faster with Accinity.

1491
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1492
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1493
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Speaker 1: one exity, or visit a store today. Restrict can supply