1 00:00:00,200 --> 00:00:05,280 Speaker 1: The nick A Gliser Podcast. 2 00:00:04,040 --> 00:00:12,360 Speaker 2: O Gliser, here's Nikki. Hello, here I am It's Nicky 3 00:00:12,360 --> 00:00:15,520 Speaker 2: Glazer podcast. Welcome to the show. I'm in Saint Louis, Missouri, 4 00:00:15,560 --> 00:00:18,000 Speaker 2: alone in studio. My sister was maybe gonna make an 5 00:00:18,040 --> 00:00:21,720 Speaker 2: appearance on this show today, but she couldn't get a babysitter. 6 00:00:22,120 --> 00:00:24,440 Speaker 2: And when she floated the idea to my parents yesterday, 7 00:00:24,480 --> 00:00:25,599 Speaker 2: where she was like, Nikki asks me to be on 8 00:00:25,640 --> 00:00:27,400 Speaker 2: the podcast, and they were all hanging out. That's when 9 00:00:27,400 --> 00:00:29,880 Speaker 2: they're supposed to go, We'll watch the kids while you 10 00:00:30,000 --> 00:00:32,040 Speaker 2: do it, she said they didn't. They didn't pick up 11 00:00:32,080 --> 00:00:34,640 Speaker 2: the bait. What if they brought the kids. 12 00:00:34,560 --> 00:00:37,040 Speaker 3: I'm extra microphones. Wouldn't they bring What did she bring 13 00:00:37,080 --> 00:00:37,440 Speaker 3: the kids? 14 00:00:37,840 --> 00:00:40,519 Speaker 2: That would be such hell to listen to? It's hell 15 00:00:40,600 --> 00:00:42,600 Speaker 2: to be around when you love them more than anything 16 00:00:42,640 --> 00:00:44,559 Speaker 2: you've ever loved anything. So I think if you're just 17 00:00:44,560 --> 00:00:46,879 Speaker 2: a podcast listener, it would truly be a hell on 18 00:00:46,920 --> 00:00:49,400 Speaker 2: earth to listen to those screaming kids. It'd be cute 19 00:00:49,400 --> 00:00:51,519 Speaker 2: at first and maybe interesting. We could do something with it, 20 00:00:51,560 --> 00:00:54,480 Speaker 2: I believe me. It crossed my mind. But then it 21 00:00:54,520 --> 00:00:56,400 Speaker 2: also crossed my mind that they would we would get 22 00:00:56,440 --> 00:00:58,920 Speaker 2: in a good conversation. The kids would wander around my 23 00:00:58,960 --> 00:01:03,040 Speaker 2: apartment and there would be something a very tragic image 24 00:01:03,080 --> 00:01:05,240 Speaker 2: befell my brain and I don't want to go into 25 00:01:05,280 --> 00:01:07,200 Speaker 2: what I thought about, but it's like I want to 26 00:01:07,240 --> 00:01:12,080 Speaker 2: high rise. Okay, so a little eric a plan? Yeah, 27 00:01:12,120 --> 00:01:15,319 Speaker 2: Michael Jackson, No, no, no, Michael Jackson is the best 28 00:01:15,319 --> 00:01:18,559 Speaker 2: way that could end. Just a dangling baby is different 29 00:01:18,600 --> 00:01:22,200 Speaker 2: than one that drops to his death. So yes, yes, yes, 30 00:01:22,440 --> 00:01:25,800 Speaker 2: but you read a hit song about it. I think 31 00:01:26,000 --> 00:01:28,759 Speaker 2: I never I never got why people are like he 32 00:01:28,800 --> 00:01:31,000 Speaker 2: wrote a song about it, he made he profited off 33 00:01:31,040 --> 00:01:34,000 Speaker 2: his kid's death. Sorry that he felt his feelings and 34 00:01:34,040 --> 00:01:34,840 Speaker 2: that's what came out. 35 00:01:35,200 --> 00:01:37,559 Speaker 4: I don't think it was thoms that made art. 36 00:01:38,040 --> 00:01:40,440 Speaker 2: Are you supposed to just put that song up for 37 00:01:40,520 --> 00:01:44,680 Speaker 2: charity to keep windows, to have better regulations for windows 38 00:01:44,680 --> 00:01:46,160 Speaker 2: and high rises? Is that what you're supposed to do 39 00:01:46,200 --> 00:01:48,360 Speaker 2: with that money so you don't profit off your son's death. 40 00:01:48,600 --> 00:01:50,920 Speaker 4: I'm sure as soon as his son hurdle to his death, 41 00:01:50,920 --> 00:01:53,560 Speaker 4: he was like, yes, another song. 42 00:01:54,240 --> 00:02:00,560 Speaker 2: It just starts, Oh, that's wonderful tonight, hold on what wonderful? 43 00:02:00,600 --> 00:02:00,880 Speaker 4: What if? 44 00:02:00,920 --> 00:02:05,120 Speaker 2: Wonderful? Tonight was the song that was inSpot it's just 45 00:02:05,120 --> 00:02:07,160 Speaker 2: a totally different song. We're like, wait, not Tears in Heaven. 46 00:02:07,720 --> 00:02:09,960 Speaker 2: Like no, I just realized in that moment how much 47 00:02:10,120 --> 00:02:12,760 Speaker 2: I was connected with my wife because they weren't gonna 48 00:02:12,760 --> 00:02:13,960 Speaker 2: have this thing between us anymore. 49 00:02:14,040 --> 00:02:15,800 Speaker 4: He's like, no, I wrote Tears and Heaven purely for 50 00:02:15,880 --> 00:02:19,440 Speaker 4: the money. The other one was my kid that. 51 00:02:19,400 --> 00:02:22,120 Speaker 2: Would manifest it. I actually wrote Tears in Heaven prior 52 00:02:22,280 --> 00:02:25,799 Speaker 2: too such a tragic thing. But I wrote a song 53 00:02:25,840 --> 00:02:27,760 Speaker 2: the other day and I started crying when I was singing. 54 00:02:27,840 --> 00:02:29,960 Speaker 2: I told the girls chat Thus it's embarrassing to admit 55 00:02:30,040 --> 00:02:34,280 Speaker 2: to the public, but I I just felt so. And 56 00:02:34,320 --> 00:02:38,000 Speaker 2: I mean this just humorously, but it also is the 57 00:02:38,000 --> 00:02:39,760 Speaker 2: first word that came to my mind when I started 58 00:02:39,760 --> 00:02:41,760 Speaker 2: crying to the own thing that I was singing to 59 00:02:41,800 --> 00:02:45,480 Speaker 2: myself that I had just written. I felt gay, like 60 00:02:45,639 --> 00:02:49,120 Speaker 2: I felt it like the middle school definition middle school 61 00:02:49,200 --> 00:02:52,440 Speaker 2: nineteen ninety seven definition of gay. And I'm not thinking 62 00:02:52,440 --> 00:02:54,600 Speaker 2: about gay people when I say that, and I hope 63 00:02:54,639 --> 00:02:56,240 Speaker 2: it gay people know I mean that, and I'm just 64 00:02:56,600 --> 00:02:59,400 Speaker 2: using it for humor. I'm sorry if it hurt your feelings, 65 00:02:59,440 --> 00:03:03,240 Speaker 2: but I just felt I felt embarrassed. But then I 66 00:03:03,320 --> 00:03:06,600 Speaker 2: was talking to. But then it's so crazy because right 67 00:03:06,639 --> 00:03:08,440 Speaker 2: after it happened and I was like, oh, are you 68 00:03:08,520 --> 00:03:10,120 Speaker 2: crying to your little song, Nikki? 69 00:03:10,440 --> 00:03:11,560 Speaker 4: Are you feeling your feelings? 70 00:03:11,560 --> 00:03:13,400 Speaker 2: But I also was like I felt it and it 71 00:03:13,600 --> 00:03:17,240 Speaker 2: passed through me. And then I picked up which I 72 00:03:17,240 --> 00:03:19,600 Speaker 2: have right on my shelf in my kitchen actually, so 73 00:03:19,720 --> 00:03:21,960 Speaker 2: that I've always put it there so someday I would 74 00:03:22,000 --> 00:03:23,720 Speaker 2: just be like, I'm just gonna pick this up and 75 00:03:23,800 --> 00:03:27,120 Speaker 2: read it, and I fugin did, and it's Jeff Tweeties 76 00:03:27,160 --> 00:03:30,359 Speaker 2: how to Write One Song. So I was just and 77 00:03:30,400 --> 00:03:32,040 Speaker 2: it's kind of a small book. It looks like a 78 00:03:32,440 --> 00:03:35,480 Speaker 2: what a bathroom read, like what's of a coffee table book, 79 00:03:35,520 --> 00:03:38,120 Speaker 2: but not big one that you can pick up and 80 00:03:38,240 --> 00:03:41,040 Speaker 2: just like read an excerpt. And it's not like a thing. 81 00:03:41,280 --> 00:03:44,800 Speaker 2: So it's it's the size of its inviting. And I 82 00:03:44,880 --> 00:03:47,560 Speaker 2: just picked up went to a random chapter and I 83 00:03:47,600 --> 00:03:50,160 Speaker 2: sat down in like this. I had this like circular 84 00:03:50,280 --> 00:03:52,200 Speaker 2: chair in my living room that's out of place because 85 00:03:52,240 --> 00:03:54,240 Speaker 2: I always pictured putting it in a nook where I 86 00:03:54,240 --> 00:03:56,680 Speaker 2: would read, like into a nook of a room because 87 00:03:56,680 --> 00:04:03,080 Speaker 2: it's like this big, like yeah, but it's like it's 88 00:04:03,160 --> 00:04:04,880 Speaker 2: just what you would envision if you were like, because 89 00:04:04,920 --> 00:04:06,400 Speaker 2: you can put your whole body on it and tuck 90 00:04:06,440 --> 00:04:09,920 Speaker 2: into it. It's big circle, white and a perfect circle, 91 00:04:10,080 --> 00:04:12,160 Speaker 2: and it has a and it's just small enough and 92 00:04:12,200 --> 00:04:14,640 Speaker 2: you just feel like it's my two people, it's too uncomfortable, 93 00:04:14,640 --> 00:04:17,159 Speaker 2: but one person it's perfect. And I always envisioned myself 94 00:04:17,200 --> 00:04:18,720 Speaker 2: like having this in a kook to read, but it's 95 00:04:18,760 --> 00:04:20,200 Speaker 2: always just been in the middle of my living room 96 00:04:20,200 --> 00:04:21,400 Speaker 2: and no one sits on it, and we just put 97 00:04:21,480 --> 00:04:24,400 Speaker 2: guitar hero on it. But I took a tar hero 98 00:04:24,480 --> 00:04:26,080 Speaker 2: off and I sat in that nook and I turned 99 00:04:26,120 --> 00:04:28,200 Speaker 2: it to face my balcony because sometimes I want to 100 00:04:28,240 --> 00:04:31,560 Speaker 2: be on my balcony, but it's too thin. It's the tiniest, 101 00:04:31,640 --> 00:04:35,240 Speaker 2: thinnest balcony you'll ever see. Walk past people. If you're 102 00:04:35,279 --> 00:04:37,640 Speaker 2: walking with two people, you literally brush up against the 103 00:04:37,680 --> 00:04:41,919 Speaker 2: person so that you're, oh, yeah, you got to be 104 00:04:41,960 --> 00:04:44,679 Speaker 2: indoors to dangle the baby because your arms extend past 105 00:04:44,760 --> 00:04:48,760 Speaker 2: the length or the width of it. Yeah, it's so 106 00:04:48,839 --> 00:04:50,480 Speaker 2: I So I was like, so it was so perfect. 107 00:04:50,480 --> 00:04:53,000 Speaker 2: I use the couch, I read this book. That was 108 00:04:53,320 --> 00:04:55,200 Speaker 2: what I was doing at the time, and then I 109 00:04:55,279 --> 00:04:57,240 Speaker 2: also put my phone on the other couch. Get out 110 00:04:57,279 --> 00:04:58,960 Speaker 2: of your phone. I don't want to be distracted. I'm 111 00:04:58,960 --> 00:05:01,400 Speaker 2: going to read an actual book that's not on my phone, 112 00:05:01,440 --> 00:05:03,720 Speaker 2: which is very much not how I read. And then 113 00:05:03,760 --> 00:05:09,360 Speaker 2: I faced it to the balcony and opened the window, 114 00:05:09,800 --> 00:05:12,279 Speaker 2: you know, the sliding window, and so I'm like on 115 00:05:12,400 --> 00:05:15,200 Speaker 2: the balcony, but like just outside of it, like it's 116 00:05:15,320 --> 00:05:19,719 Speaker 2: right outside. A bird fly in. No the best part 117 00:05:19,760 --> 00:05:22,280 Speaker 2: of it. That's Noah's nightmare. And mine would be like 118 00:05:22,400 --> 00:05:25,920 Speaker 2: if a bird suddenly was attracted to me and like 119 00:05:25,920 --> 00:05:27,480 Speaker 2: liked the bliss I was putting out in the world 120 00:05:27,560 --> 00:05:30,000 Speaker 2: and I felt like snow white, and it like came 121 00:05:30,040 --> 00:05:32,440 Speaker 2: to me and wanted to be on my arm. I 122 00:05:32,480 --> 00:05:35,040 Speaker 2: would be the happiest girl in the world. And that's 123 00:05:35,080 --> 00:05:37,560 Speaker 2: so funny, Noah, that that is your absolute nightmare. I 124 00:05:38,320 --> 00:05:40,120 Speaker 2: want to say. I love birds. I just don't like 125 00:05:40,160 --> 00:05:43,920 Speaker 2: them in enclosed spaces with me. Because the fear is 126 00:05:44,240 --> 00:05:47,120 Speaker 2: the wings will This is like in the face. This 127 00:05:47,200 --> 00:05:48,960 Speaker 2: is like the get your hair. 128 00:05:49,279 --> 00:05:51,400 Speaker 3: It's like the chick from Love is Blind that you 129 00:05:51,440 --> 00:05:54,040 Speaker 3: sent yes. So this is a common fear and I 130 00:05:54,040 --> 00:05:57,120 Speaker 3: do not judge it. I was so happy to hear 131 00:05:57,160 --> 00:05:59,000 Speaker 3: that someone else has this in I do wear. 132 00:05:58,880 --> 00:06:02,160 Speaker 2: Poke holes in it. So what is the fear. 133 00:06:01,920 --> 00:06:06,120 Speaker 3: Though, I'm okay, just like case seeing the birds slam 134 00:06:06,160 --> 00:06:08,080 Speaker 3: into the ceiling and then just like drop on me. 135 00:06:08,240 --> 00:06:10,400 Speaker 2: Yeah, that's not fun either, seeing a little bird get 136 00:06:10,440 --> 00:06:11,960 Speaker 2: injured and scared. It's freakish. 137 00:06:12,080 --> 00:06:13,800 Speaker 3: Yeah, and then it freaks out on my face. 138 00:06:14,440 --> 00:06:16,520 Speaker 2: Oh okay, so there we go. So it's going to 139 00:06:16,600 --> 00:06:19,479 Speaker 2: your face to freak out, and then will the it 140 00:06:19,520 --> 00:06:22,040 Speaker 2: will like for me, a bird in my face. I 141 00:06:22,040 --> 00:06:24,480 Speaker 2: don't want it's dander in my mouth. I don't mind 142 00:06:24,520 --> 00:06:26,600 Speaker 2: the wings hitting me in the face. That seems kind 143 00:06:26,600 --> 00:06:28,440 Speaker 2: of cool. I don't want the dander. Is that the 144 00:06:28,480 --> 00:06:34,640 Speaker 2: freak scratches beak sharp beak in my eye, beak in 145 00:06:34,680 --> 00:06:37,240 Speaker 2: your eye? Okay, that's a logical fear. Honestly that it 146 00:06:37,279 --> 00:06:40,000 Speaker 2: sounds like horrible. Okay, so what happened in the story, 147 00:06:40,320 --> 00:06:42,240 Speaker 2: But let me just poke a hole in it with 148 00:06:42,360 --> 00:06:46,279 Speaker 2: my beak, Okay, a poke hole in your eye. Of logic, 149 00:06:48,160 --> 00:06:51,600 Speaker 2: birds under duress are not going to like attack. The 150 00:06:51,640 --> 00:06:53,680 Speaker 2: only way it's beak would go in your eyes by mistake, 151 00:06:53,760 --> 00:06:56,560 Speaker 2: and it would probably not happen because you're gonna close 152 00:06:56,560 --> 00:06:58,839 Speaker 2: your eyes in defense already, so it would be a 153 00:06:58,839 --> 00:07:02,200 Speaker 2: really freakish accident to happen. And also they're gonna try 154 00:07:02,240 --> 00:07:04,120 Speaker 2: to get the fuck away from you. They're never gonna 155 00:07:04,120 --> 00:07:05,760 Speaker 2: fly into you. A bird that flies in your house 156 00:07:05,880 --> 00:07:08,719 Speaker 2: wants nothing to do with the thing that's moving that 157 00:07:08,800 --> 00:07:12,080 Speaker 2: it doesn't recognize in the enclosure with it. It's gonna 158 00:07:12,080 --> 00:07:13,880 Speaker 2: go the opposite side of the room. In my in 159 00:07:13,920 --> 00:07:16,960 Speaker 2: my experience of trying to catch birds in houses, which 160 00:07:16,960 --> 00:07:19,120 Speaker 2: is one of my favorite activities, because I want to 161 00:07:19,120 --> 00:07:21,520 Speaker 2: like get them to love me and trust me, and 162 00:07:21,560 --> 00:07:23,880 Speaker 2: then I slowly can just take it out on my finger. 163 00:07:23,920 --> 00:07:25,920 Speaker 2: It's never happened that way. I always had to put 164 00:07:25,920 --> 00:07:28,520 Speaker 2: a blanket over it gently and then like carry it 165 00:07:28,560 --> 00:07:31,800 Speaker 2: in the blanket. But I it's they do they do 166 00:07:31,880 --> 00:07:33,880 Speaker 2: not want anything to do with you. But I that 167 00:07:34,000 --> 00:07:36,440 Speaker 2: being said, continue your fears. It's who cares, Okay, not 168 00:07:36,480 --> 00:07:38,520 Speaker 2: like you encounter it that often. It's not like I'm like, no, 169 00:07:38,640 --> 00:07:42,160 Speaker 2: you gotta get inside a room with a bird. It's 170 00:07:42,240 --> 00:07:45,600 Speaker 2: like no other experience. Because some fears are like that 171 00:07:45,600 --> 00:07:47,480 Speaker 2: where you hear people are like scared to do something, 172 00:07:47,520 --> 00:07:49,720 Speaker 2: and you go, like people who are scared of flying, 173 00:07:49,800 --> 00:07:51,840 Speaker 2: You're missing out on a lot of life by doing that. 174 00:07:51,880 --> 00:07:53,360 Speaker 2: And I know you say no, I take the train 175 00:07:53,400 --> 00:07:56,560 Speaker 2: and I can drive. You can't get placed, you can't 176 00:07:56,560 --> 00:08:00,320 Speaker 2: get you can't drive to Italy, you know, and take 177 00:08:00,360 --> 00:08:03,240 Speaker 2: a boat and you're not going to You're not. 178 00:08:03,440 --> 00:08:06,160 Speaker 4: Scared of the gigantic pine cones in my neighborhood I've 179 00:08:06,200 --> 00:08:10,000 Speaker 4: mentioned before. Oh yeah, on the grenade sized grenade heavy, 180 00:08:10,920 --> 00:08:12,280 Speaker 4: Like you're aware. 181 00:08:12,000 --> 00:08:14,400 Speaker 2: Of them, so you're not going to get hit. It's 182 00:08:14,400 --> 00:08:15,960 Speaker 2: probably you should be scared for other people. 183 00:08:16,440 --> 00:08:18,920 Speaker 4: I'm scared. Well, I'm scared that of the one day 184 00:08:19,000 --> 00:08:22,880 Speaker 4: that I don't think about. Yes, that's what happens. That's like, no, 185 00:08:23,200 --> 00:08:25,640 Speaker 4: she's the one day she opens the screen in her windows. 186 00:08:27,400 --> 00:08:29,400 Speaker 2: I don't think hitting, but getting hit by a pine 187 00:08:29,440 --> 00:08:31,560 Speaker 2: cone that kills you instantly is the worst way to go. 188 00:08:31,640 --> 00:08:33,959 Speaker 2: I think it's I put it on a list of 189 00:08:34,080 --> 00:08:38,679 Speaker 2: one preferable ways for me to go because it's funny. Yeah, 190 00:08:38,760 --> 00:08:43,320 Speaker 2: it's memorable. Ye're crowd if you're a few old in public. Yeah, 191 00:08:43,320 --> 00:08:45,079 Speaker 2: I don't know about the crowd. I don't really want 192 00:08:45,080 --> 00:08:47,480 Speaker 2: a lot of people to witness it. I'd like few witnesses, 193 00:08:47,480 --> 00:08:49,360 Speaker 2: so I'd like the story to take on a tale 194 00:08:49,360 --> 00:08:51,960 Speaker 2: of its own because there's such few witnesses, So I'd 195 00:08:52,000 --> 00:08:55,240 Speaker 2: like it to become the stuff of lore and then 196 00:08:55,240 --> 00:08:58,280 Speaker 2: it gets spread around and then my death is like almost. Uh. 197 00:08:59,600 --> 00:09:03,040 Speaker 2: There's some people who's you only know about because they died. 198 00:09:03,320 --> 00:09:07,720 Speaker 2: I e. Eric Clefton's son. I bet he'd be We 199 00:09:07,720 --> 00:09:10,360 Speaker 2: wouldn't know who he is now maybe we would, who knows? 200 00:09:10,440 --> 00:09:12,040 Speaker 2: You know what I'm saying. It's just like some people 201 00:09:12,080 --> 00:09:17,120 Speaker 2: become immortalized by their death. Yeah, WHOA Like I'm trying 202 00:09:17,120 --> 00:09:19,439 Speaker 2: to think of Well, I just follow a lot of 203 00:09:19,480 --> 00:09:22,040 Speaker 2: accounts on Reddit. Maybe people wouldn't. This wouldn't come to 204 00:09:22,080 --> 00:09:24,760 Speaker 2: mind for you, this kind of thought of like, oh, yeah, 205 00:09:24,800 --> 00:09:26,880 Speaker 2: I know that person because they died, but I have 206 00:09:27,280 --> 00:09:29,679 Speaker 2: you know, the Falling Man on nine to eleven, Like 207 00:09:29,720 --> 00:09:32,080 Speaker 2: that person's famous, even though they didn't weren't able to 208 00:09:32,160 --> 00:09:35,000 Speaker 2: identify it. The dust Woman on nine to eleven. 209 00:09:35,800 --> 00:09:38,280 Speaker 4: Well, the falling picture. The Falling Man on nine to 210 00:09:38,280 --> 00:09:41,920 Speaker 4: eleven invented the snuggie, so he would have been remembered. 211 00:09:42,640 --> 00:09:43,520 Speaker 4: That was the same guy. 212 00:09:44,559 --> 00:09:46,719 Speaker 2: Wait, the Snuggy pre dated nine to eleven so much, 213 00:09:46,760 --> 00:09:48,880 Speaker 2: and the Falling Man certainly did not survive. 214 00:09:48,600 --> 00:09:51,240 Speaker 4: That the falling man invented the snuggie and now and 215 00:09:51,280 --> 00:09:53,240 Speaker 4: then he'd fell out a nine to eleven famously. 216 00:09:53,679 --> 00:09:55,720 Speaker 2: Oh he so he dropped the glans for the snuggie 217 00:09:55,720 --> 00:09:59,319 Speaker 2: and then someone found those plans twenty twenty years later, 218 00:09:59,320 --> 00:10:00,160 Speaker 2: fifteen years later. 219 00:10:00,400 --> 00:10:02,640 Speaker 4: Yeah, pretty much. Well what about the guy who invented 220 00:10:02,679 --> 00:10:05,600 Speaker 4: the what's that thing you ride on with the tours? 221 00:10:05,679 --> 00:10:08,959 Speaker 4: And he fell off? Uh oh seg Yeah, the guy 222 00:10:08,920 --> 00:10:11,360 Speaker 4: who meanted fell off a cliff on the segue. Yeah, 223 00:10:11,480 --> 00:10:12,280 Speaker 4: it's pretty funny. 224 00:10:12,679 --> 00:10:15,760 Speaker 2: That was That was really funny. What are other funny 225 00:10:15,760 --> 00:10:17,840 Speaker 2: ways that you just go? Not funny, but like I 226 00:10:17,920 --> 00:10:21,280 Speaker 2: just want it to be oh stink I mean Steve Irwin. 227 00:10:22,120 --> 00:10:25,920 Speaker 4: Oh yeah, that's ironic. Well it's not ironic, it's expected, 228 00:10:26,040 --> 00:10:27,439 Speaker 4: like that's the way he was gonna go. 229 00:10:27,960 --> 00:10:30,320 Speaker 2: Yet it isn't ironic. You're right. It wouldn't go in 230 00:10:30,360 --> 00:10:33,440 Speaker 2: that Alanis mooreset song. Yeah, because it's ironic in the 231 00:10:33,480 --> 00:10:37,280 Speaker 2: sense that, like the things he attacked ended up attacking him. 232 00:10:37,360 --> 00:10:39,920 Speaker 2: I guess that's ironic, but he. 233 00:10:40,240 --> 00:10:42,400 Speaker 4: It would go in the Alantis Morris set song because 234 00:10:42,400 --> 00:10:44,920 Speaker 4: the Alantis morrisset song is famously not ironic. 235 00:10:45,120 --> 00:10:47,600 Speaker 2: No, I think those ones past the test. Let's go 236 00:10:47,640 --> 00:10:50,200 Speaker 2: through them. It's like ten thousand spoons when all you 237 00:10:50,200 --> 00:10:52,920 Speaker 2: needed is a knife. Very ironic. It's like meeting the 238 00:10:52,960 --> 00:10:55,199 Speaker 2: man out of your dreams and then meeting his beautiful wife. 239 00:10:55,880 --> 00:10:57,760 Speaker 2: Not ironic, No, not ironic. 240 00:10:57,840 --> 00:11:01,000 Speaker 4: What about this? You you're a die aetition and you 241 00:11:01,120 --> 00:11:05,920 Speaker 4: die by a vending machine falling on you. Ironic, that's ironic. 242 00:11:06,040 --> 00:11:07,760 Speaker 2: What if you're an old man who turns ninety eight, 243 00:11:07,840 --> 00:11:11,480 Speaker 2: you win the lottery and then you die the next day? Ummmm, 244 00:11:12,240 --> 00:11:13,720 Speaker 2: you play the lottery every day. 245 00:11:14,000 --> 00:11:18,920 Speaker 4: If you're a guy, if it's ironic, if if you're nine, 246 00:11:19,000 --> 00:11:20,480 Speaker 4: just I think, if you're ninety eight and then you 247 00:11:20,520 --> 00:11:22,800 Speaker 4: win the lottery and then you die, that's just bad luck. 248 00:11:22,840 --> 00:11:26,080 Speaker 4: It would be irony. If you said I'm never going 249 00:11:26,080 --> 00:11:27,960 Speaker 4: to play the lottery of my entire life, and then 250 00:11:27,960 --> 00:11:30,040 Speaker 4: on your ninety eighth birthday for the first time, you 251 00:11:30,080 --> 00:11:33,280 Speaker 4: play and you win and then you die. Maybe that's ironic. 252 00:11:34,040 --> 00:11:37,760 Speaker 2: Or if you say, yeah, the next day, I'm going 253 00:11:37,840 --> 00:11:40,600 Speaker 2: to quit my job and then life quits you or 254 00:11:40,679 --> 00:11:43,080 Speaker 2: said made some stock, or but if you played the 255 00:11:43,120 --> 00:11:45,839 Speaker 2: lottery every day and then you you win on the 256 00:11:45,920 --> 00:11:49,520 Speaker 2: day right before you die, That is, to me, is ironic. 257 00:11:49,640 --> 00:11:52,720 Speaker 2: But if it's just like, oh, a random guy plays 258 00:11:52,720 --> 00:11:54,240 Speaker 2: the lottery at ninety eight and he does next day, 259 00:11:54,280 --> 00:11:56,680 Speaker 2: it's a little iron I don't know who's to be 260 00:11:56,720 --> 00:11:59,280 Speaker 2: the judge of this, certainly not me, an English major 261 00:11:59,320 --> 00:12:02,440 Speaker 2: who never won book her entire college career but somehow 262 00:12:02,480 --> 00:12:03,920 Speaker 2: got a major in English. 263 00:12:03,960 --> 00:12:05,840 Speaker 3: So talk about when you did read the book on 264 00:12:05,920 --> 00:12:07,120 Speaker 3: the couch, because that's where we are. 265 00:12:07,200 --> 00:12:10,800 Speaker 2: So then, okay, thank you, Noah. So I'm no birds 266 00:12:10,840 --> 00:12:14,920 Speaker 2: fly in unfortunately, and I'm reading this chapter and Jeff Tweety, 267 00:12:15,120 --> 00:12:19,040 Speaker 2: who wrote the book How to Write One Song, and 268 00:12:19,080 --> 00:12:20,920 Speaker 2: it's such a good book. It literally is talking to 269 00:12:20,960 --> 00:12:23,440 Speaker 2: you like you're like you could be any level of 270 00:12:23,520 --> 00:12:25,800 Speaker 2: musician and you'd get something from this. Like I felt 271 00:12:26,080 --> 00:12:28,280 Speaker 2: really seen as someone who was like really scared to 272 00:12:28,280 --> 00:12:30,920 Speaker 2: write a song. And anyway, I had read half of it, 273 00:12:30,960 --> 00:12:32,439 Speaker 2: but I didn't finish it because I wasn't ready to 274 00:12:32,480 --> 00:12:34,120 Speaker 2: write a song and I didn't want to fail the book. 275 00:12:34,200 --> 00:12:36,280 Speaker 2: So that was ages ago. So I picked it up 276 00:12:36,280 --> 00:12:37,960 Speaker 2: and just went to a chapter that I hadn't read yet, 277 00:12:38,200 --> 00:12:43,160 Speaker 2: and it was about how sometimes you'll write lyrics and 278 00:12:43,520 --> 00:12:46,120 Speaker 2: or he you know, I'm reading and reading, and then 279 00:12:46,200 --> 00:12:48,520 Speaker 2: he says, sometimes I write a lyric that will make 280 00:12:48,600 --> 00:12:52,800 Speaker 2: me cry, and it doesn't happen that often, but sometimes 281 00:12:52,840 --> 00:12:55,559 Speaker 2: I like, I figure out how I feel about something 282 00:12:55,559 --> 00:12:58,280 Speaker 2: while I'm writing it. And he was like, and those 283 00:12:58,280 --> 00:13:00,160 Speaker 2: are the moments that make me want to write this 284 00:13:00,200 --> 00:13:02,480 Speaker 2: book because I want everyone to have that feeling, because 285 00:13:03,000 --> 00:13:07,800 Speaker 2: I feel like, yeah, you're not an artist in that way, 286 00:13:07,880 --> 00:13:10,040 Speaker 2: like I had never I've never cried a joke I 287 00:13:10,080 --> 00:13:12,200 Speaker 2: wrote because I was like, oh my god, I do 288 00:13:12,280 --> 00:13:14,560 Speaker 2: love them or what you know, and I will miss 289 00:13:14,600 --> 00:13:16,400 Speaker 2: them when they're dead. Like no joke has ever made 290 00:13:16,440 --> 00:13:20,280 Speaker 2: me like feel my feelings. Really it's anything to push 291 00:13:20,320 --> 00:13:21,120 Speaker 2: them away. 292 00:13:21,160 --> 00:13:23,480 Speaker 4: Because I've never read a joke it makes you laugh. 293 00:13:23,960 --> 00:13:24,640 Speaker 2: Yeah, that's a feeling. 294 00:13:24,679 --> 00:13:26,200 Speaker 4: I guess that's how you know it's a good joke, 295 00:13:26,280 --> 00:13:27,600 Speaker 4: or that at least you'll like it. 296 00:13:28,520 --> 00:13:31,160 Speaker 2: Yeah, or anger. It makes the anger that I have 297 00:13:31,320 --> 00:13:34,439 Speaker 2: about the subject is funny, Yeah, because I get then 298 00:13:34,760 --> 00:13:37,760 Speaker 2: being angry, as Brian and I both partaken. When we 299 00:13:37,800 --> 00:13:40,200 Speaker 2: get angrier, it gets people tend to laugh harder. 300 00:13:40,559 --> 00:13:42,920 Speaker 4: Yeah. Yeah, right. That's been the hardest thing for me 301 00:13:43,080 --> 00:13:45,880 Speaker 4: is to recognize, like you get so caught up in 302 00:13:45,920 --> 00:13:49,040 Speaker 4: the fucking algorithm and what does the fucking algorithm want 303 00:13:49,360 --> 00:13:51,440 Speaker 4: that you lose sight of the fact that if it 304 00:13:51,480 --> 00:13:54,080 Speaker 4: makes you laugh, if it makes you feel something, then 305 00:13:54,120 --> 00:13:57,920 Speaker 4: it's worth putting out there. It's a difficult think they remember. 306 00:13:58,320 --> 00:13:58,560 Speaker 4: I know. 307 00:13:58,640 --> 00:14:02,199 Speaker 2: That's the hard one is like, but sometimes I don't know. 308 00:14:02,240 --> 00:14:04,800 Speaker 2: I don't laugh at everything I do, but I think 309 00:14:04,840 --> 00:14:06,559 Speaker 2: I see other people laugh at it, and I go, oh, 310 00:14:06,559 --> 00:14:11,400 Speaker 2: there's some value here, Like I I do trust other 311 00:14:11,520 --> 00:14:14,440 Speaker 2: people think, like know what's funny, and I don't. Sometimes 312 00:14:14,440 --> 00:14:16,120 Speaker 2: because there's sometimes where I'm like, I don't like that 313 00:14:16,200 --> 00:14:17,880 Speaker 2: joke at all, but people laugh and I keep doing 314 00:14:17,880 --> 00:14:20,360 Speaker 2: it even though it doesn't make me laugh. I'm like 315 00:14:20,440 --> 00:14:23,520 Speaker 2: it bring it's obviously clicking for people, and I did 316 00:14:23,560 --> 00:14:25,400 Speaker 2: think of it, so there's some part of me that 317 00:14:25,480 --> 00:14:28,280 Speaker 2: did think it was funny and initially. 318 00:14:29,520 --> 00:14:32,840 Speaker 4: No, that's true too. Sometimes that happens where where I'm like, 319 00:14:33,040 --> 00:14:35,960 Speaker 4: you think this is funny, and it's like, I guess 320 00:14:35,960 --> 00:14:37,560 Speaker 4: it's my best joke. Now I don't know. 321 00:14:37,920 --> 00:14:40,600 Speaker 2: Well, sometimes they laugh and you don't. You don't know 322 00:14:40,640 --> 00:14:43,040 Speaker 2: you're being funny. Like I will say something and I'll 323 00:14:43,080 --> 00:14:45,760 Speaker 2: literally like I'll like, well, why do you guys all laugh? 324 00:14:45,800 --> 00:14:47,720 Speaker 2: And they'll all laugh in a way that it's like 325 00:14:48,280 --> 00:14:50,720 Speaker 2: one of my like a closer. I'm like, it's like 326 00:14:50,760 --> 00:14:53,000 Speaker 2: I had control over them to do that. They kind 327 00:14:53,000 --> 00:14:55,000 Speaker 2: of laugh where you're like boom, I know this and 328 00:14:55,040 --> 00:14:57,040 Speaker 2: they all light up. It's like that kind of laugh 329 00:14:57,040 --> 00:14:59,360 Speaker 2: and you're like, what the fuck did I just reveal 330 00:14:59,400 --> 00:15:03,800 Speaker 2: about myself? Resonated? Why was that funny? And sometimes I 331 00:15:03,840 --> 00:15:05,640 Speaker 2: can catch it, but so bad at going back and 332 00:15:05,640 --> 00:15:09,000 Speaker 2: listening to myself. Like this weekend, I was riffing, and 333 00:15:09,040 --> 00:15:13,280 Speaker 2: I was like, I said, I had a really fun 334 00:15:13,400 --> 00:15:17,080 Speaker 2: riff and what is it? I'll share it? And well, 335 00:15:17,120 --> 00:15:19,200 Speaker 2: I had two. I had grand Rapids was so fun. 336 00:15:19,240 --> 00:15:21,400 Speaker 2: I riffed. I was rift central and I was like, 337 00:15:21,440 --> 00:15:24,200 Speaker 2: oh my god, this is like I mean, maybe I'm 338 00:15:24,240 --> 00:15:26,280 Speaker 2: the I just don't riff on stage that much, so 339 00:15:26,360 --> 00:15:28,880 Speaker 2: anything new will always kill. I actually have to experiment 340 00:15:28,920 --> 00:15:31,480 Speaker 2: with it more. But it just felt like the idea 341 00:15:31,480 --> 00:15:33,560 Speaker 2: of it being new was so fun in the way 342 00:15:33,560 --> 00:15:36,400 Speaker 2: I was. I was excited to tell it's it's a 343 00:15:36,440 --> 00:15:39,640 Speaker 2: joke about scratching your dog and like make like when 344 00:15:39,720 --> 00:15:41,040 Speaker 2: you scratch your dog. I think I've talked about it 345 00:15:41,040 --> 00:15:43,080 Speaker 2: on the podcast maybe and it looks like you're making 346 00:15:43,120 --> 00:15:46,200 Speaker 2: them come like when they get that, like there were tails, 347 00:15:46,320 --> 00:15:50,080 Speaker 2: their foot starts shaking, and they're like, it's just like 348 00:15:50,400 --> 00:15:52,800 Speaker 2: we're just all as a family gathered around being like, 349 00:15:52,840 --> 00:15:55,520 Speaker 2: look at her, calm, like jet that's something. It's just 350 00:15:55,600 --> 00:15:59,040 Speaker 2: kind of weird that we do that, because there's no difference, 351 00:15:59,200 --> 00:16:00,960 Speaker 2: truly no difference. So I was working that out and 352 00:16:00,960 --> 00:16:02,560 Speaker 2: then I had some other thoughts about stuff that are 353 00:16:02,640 --> 00:16:04,840 Speaker 2: really fun. But then I had this riff that I 354 00:16:04,920 --> 00:16:10,800 Speaker 2: had not planned the next night about oh. I just 355 00:16:10,960 --> 00:16:12,640 Speaker 2: for some reason, in the middle of telling a joke 356 00:16:12,680 --> 00:16:18,800 Speaker 2: about OH, I was talking about getting comed in. Of course, naturally, 357 00:16:18,840 --> 00:16:20,840 Speaker 2: I was talking about how it feels good to have 358 00:16:21,160 --> 00:16:24,000 Speaker 2: to get comd in. It like literally does feel good. 359 00:16:24,080 --> 00:16:26,840 Speaker 2: It's it feels satisfying in some way that most men 360 00:16:26,920 --> 00:16:30,800 Speaker 2: will never understand, and but it does feel good, and 361 00:16:30,920 --> 00:16:32,880 Speaker 2: it's less clean up. And I was talking about that 362 00:16:33,160 --> 00:16:34,960 Speaker 2: if you stay horizontal, you don't have to clean it 363 00:16:35,000 --> 00:16:37,680 Speaker 2: up till the morning, you know, And and I was like, 364 00:16:37,680 --> 00:16:41,760 Speaker 2: you'll have a raging uti, but you will have you know, 365 00:16:42,160 --> 00:16:44,240 Speaker 2: staved off having to clean up. Yeah, you get to 366 00:16:44,240 --> 00:16:47,520 Speaker 2: go to sleep, because then I go. I just stopped 367 00:16:47,520 --> 00:16:50,120 Speaker 2: and I was like, wait, does everyone here know that 368 00:16:50,240 --> 00:16:52,640 Speaker 2: if you don't pee after sex, you have like an 369 00:16:52,680 --> 00:16:55,520 Speaker 2: eighty percent chance of getting a UTI, like a woman 370 00:16:55,960 --> 00:16:58,160 Speaker 2: has to. Yeah, I don't know if it's at a 371 00:16:58,160 --> 00:17:01,320 Speaker 2: certain age, but for me, and that is like I 372 00:17:01,920 --> 00:17:05,680 Speaker 2: I would never skip peeing after sex ever, ever, ever, uh, 373 00:17:05,720 --> 00:17:07,800 Speaker 2: because it is just too risky. No, do you agree 374 00:17:07,840 --> 00:17:08,760 Speaker 2: with me on this? 375 00:17:10,640 --> 00:17:13,639 Speaker 3: I agree with you, But from personal experience, I have 376 00:17:13,840 --> 00:17:18,560 Speaker 3: not gotten a UTI because up after sex because I 377 00:17:18,560 --> 00:17:19,800 Speaker 3: did not pee after sex. 378 00:17:20,400 --> 00:17:22,600 Speaker 2: I just wanted to go to sleep, and you did 379 00:17:22,640 --> 00:17:25,600 Speaker 2: not get into uti. No, but I I've only gotten 380 00:17:25,640 --> 00:17:27,560 Speaker 2: might be in that twenty percent. That's what I'm talking about. Yeah, 381 00:17:27,640 --> 00:17:31,160 Speaker 2: every time one uti my whole life, I'd never got them, 382 00:17:31,160 --> 00:17:33,040 Speaker 2: and I had friends that would get them chronically, and 383 00:17:33,080 --> 00:17:35,840 Speaker 2: then I had and I was really proud of myself, 384 00:17:35,880 --> 00:17:38,920 Speaker 2: like I must be a better woman. My my pH 385 00:17:39,000 --> 00:17:42,000 Speaker 2: bolence must be like on point cause it's like it's 386 00:17:42,040 --> 00:17:44,040 Speaker 2: like a it's kind of yeasty. I think when you 387 00:17:44,040 --> 00:17:46,760 Speaker 2: get a UTI, it's just a bacterial infection. Anyways, when 388 00:17:46,760 --> 00:17:50,679 Speaker 2: you're not better, get a little way lots, something happens 389 00:17:50,680 --> 00:17:52,840 Speaker 2: that makes you feel like you have to go pee. Ladies, 390 00:17:52,880 --> 00:17:55,040 Speaker 2: it will happen to you at some point. You will go, 391 00:17:55,160 --> 00:17:57,720 Speaker 2: what is this. I have to pee but I can't 392 00:17:57,760 --> 00:18:01,320 Speaker 2: pee and I maybe have to shit to and it 393 00:18:01,359 --> 00:18:03,360 Speaker 2: all feels clogged up and feels dirty down there, and 394 00:18:03,480 --> 00:18:05,639 Speaker 2: there might be an odor, and you're just like, what 395 00:18:05,680 --> 00:18:08,239 Speaker 2: the fuck. It's a UTI and you have to go 396 00:18:08,280 --> 00:18:10,440 Speaker 2: to fucking urgent care because there's nothing over the counter. 397 00:18:10,760 --> 00:18:13,800 Speaker 2: So what it does is just inconvenience your fucking life 398 00:18:13,840 --> 00:18:15,880 Speaker 2: because you got to go to urgent care. You gotta 399 00:18:15,920 --> 00:18:17,840 Speaker 2: sign up, and you gotta watch what number you are 400 00:18:17,880 --> 00:18:19,639 Speaker 2: on the urgent care so you can show up right before. 401 00:18:19,920 --> 00:18:22,200 Speaker 2: AZO doesn't do shit, which once it's. 402 00:18:22,160 --> 00:18:26,520 Speaker 4: Locked, it gets it. It reduces your symptoms. I've heard. 403 00:18:26,960 --> 00:18:29,879 Speaker 2: Okay, I understand that, but it's not gonna treat it 404 00:18:29,960 --> 00:18:32,960 Speaker 2: like you have a bacterial infection you need. That's just 405 00:18:33,000 --> 00:18:35,119 Speaker 2: gonna like you have to go to the urgent care 406 00:18:35,119 --> 00:18:35,560 Speaker 2: at some point. 407 00:18:35,600 --> 00:18:36,240 Speaker 4: You would never have a. 408 00:18:36,280 --> 00:18:39,520 Speaker 3: Doctor's friend for me my ut I have. The only 409 00:18:39,600 --> 00:18:41,159 Speaker 3: one that I got when I was like thirteen or 410 00:18:41,160 --> 00:18:43,920 Speaker 3: fourteen was because of antibiotics. 411 00:18:44,359 --> 00:18:46,359 Speaker 2: Is that ironic? Wow? 412 00:18:46,520 --> 00:18:48,280 Speaker 4: Yeah, that's ironic. That's in the song. 413 00:18:49,280 --> 00:18:54,200 Speaker 2: Yeah, that is put it in the song Let's call Atlantis. 414 00:18:54,600 --> 00:18:57,960 Speaker 2: But I just was like, do does everyone here know 415 00:18:58,040 --> 00:18:59,920 Speaker 2: that we have to do that? And I guess men 416 00:19:00,000 --> 00:19:01,720 Speaker 2: I'd have to do it as well. But women were 417 00:19:01,800 --> 00:19:04,399 Speaker 2: really just there's too much mixing around on there, and 418 00:19:04,440 --> 00:19:06,240 Speaker 2: you gotta flush it out right after you have sex 419 00:19:06,440 --> 00:19:09,439 Speaker 2: to get all the mouth stuff. There's there's fingers and 420 00:19:09,640 --> 00:19:13,639 Speaker 2: mouths and just get it out of that ureathroat hamster 421 00:19:16,760 --> 00:19:22,920 Speaker 2: and then not for the hamster it But I said, 422 00:19:23,320 --> 00:19:25,720 Speaker 2: unless you have a partner who you can pee on 423 00:19:25,800 --> 00:19:29,040 Speaker 2: during sex, and then that would then you get it out. 424 00:19:29,160 --> 00:19:31,520 Speaker 2: I mean you maybe have a little but like or 425 00:19:31,600 --> 00:19:34,119 Speaker 2: something about like oh no, I said that. It was 426 00:19:34,119 --> 00:19:36,359 Speaker 2: a riff about That's why I date guys that like 427 00:19:36,400 --> 00:19:39,560 Speaker 2: to pee on me because it reminds me to pee. 428 00:19:39,800 --> 00:19:41,840 Speaker 2: They're peeing in my mouth so they can come and 429 00:19:41,840 --> 00:19:43,639 Speaker 2: I'm like, oh yeah, I gotta remember to peep for this. 430 00:19:43,800 --> 00:19:45,800 Speaker 2: Like I like the idea of girl, a girl having 431 00:19:45,840 --> 00:19:48,159 Speaker 2: something heinous done to her and she's like, thanks for 432 00:19:48,200 --> 00:19:52,360 Speaker 2: the reminder. It made me laugh a lot, and I 433 00:19:52,400 --> 00:19:54,720 Speaker 2: even it didn't even do that well, but it was 434 00:19:54,760 --> 00:19:58,720 Speaker 2: so funny to me that. I was like, someone write 435 00:19:58,720 --> 00:20:03,560 Speaker 2: that down. It's just like what an artist someone write down. 436 00:20:03,640 --> 00:20:06,479 Speaker 2: Peeing in your guy, peeing in your mouth reminds you 437 00:20:06,520 --> 00:20:10,680 Speaker 2: to pee after sex. Yeah, and I said that out 438 00:20:10,680 --> 00:20:13,600 Speaker 2: loud inside a uh, you know, theater that's mainly meant 439 00:20:13,640 --> 00:20:17,480 Speaker 2: for orchestral performances because I'm an artist. Okay, let's go 440 00:20:17,520 --> 00:20:19,960 Speaker 2: to break. Come see us this weekend in Cincinnati and 441 00:20:20,000 --> 00:20:24,600 Speaker 2: in Gary, Indiana. That's Friday night and Saturday night, Gary first, 442 00:20:24,640 --> 00:20:26,920 Speaker 2: and then Cincinnati is gonna be great shows. And then 443 00:20:27,000 --> 00:20:29,480 Speaker 2: a bunch a bunch of tour dates coming up this 444 00:20:29,560 --> 00:20:33,040 Speaker 2: summer just announced. Just go to Nikki Glazer dot com 445 00:20:33,040 --> 00:20:34,800 Speaker 2: and you can check those tour dates and come see me. 446 00:20:34,880 --> 00:20:37,320 Speaker 2: The shows have been so fun, it's gonna be a 447 00:20:37,359 --> 00:20:40,359 Speaker 2: big uh. It's gonna be a big, fun summer of touring. 448 00:20:40,440 --> 00:20:42,160 Speaker 2: So I want you to be a part of it, busties, 449 00:20:42,160 --> 00:20:43,760 Speaker 2: and I will see you there and we'll be back 450 00:20:43,760 --> 00:20:49,879 Speaker 2: after this. All right, we're back. So before the show began, 451 00:20:49,960 --> 00:20:54,400 Speaker 2: Brian and I were chit chatting about what did you say, 452 00:20:54,480 --> 00:20:55,240 Speaker 2: shadow people? 453 00:20:55,680 --> 00:20:57,760 Speaker 4: Oh yeah, I well shadow people. We got into the 454 00:20:57,800 --> 00:21:00,760 Speaker 4: ghosts for a second there. Yeah, And then I said 455 00:21:00,760 --> 00:21:04,120 Speaker 4: while we were talking. You were talking about your mind surgery. Yeah, 456 00:21:04,119 --> 00:21:06,639 Speaker 4: my mom had to get eye led surgery so she 457 00:21:06,640 --> 00:21:07,359 Speaker 4: could see better. 458 00:21:08,080 --> 00:21:11,000 Speaker 2: Yes, so she she got like a blethoroplasty, which is 459 00:21:11,040 --> 00:21:13,400 Speaker 2: what I've probably determined she got, which is like where 460 00:21:13,400 --> 00:21:15,320 Speaker 2: they take skin out of your eyelids because they get 461 00:21:15,359 --> 00:21:19,520 Speaker 2: so droopy. But this his mom could not see because 462 00:21:19,560 --> 00:21:21,400 Speaker 2: her eyelids were being pressed down by all the skin 463 00:21:21,480 --> 00:21:23,960 Speaker 2: and gravity and age, and that is wild. So she 464 00:21:24,000 --> 00:21:25,840 Speaker 2: had to do it just so she could see better. 465 00:21:26,080 --> 00:21:28,840 Speaker 4: Yeah, and I can't. I didn't even notice. I couldn't 466 00:21:28,840 --> 00:21:29,240 Speaker 4: even tell. 467 00:21:29,320 --> 00:21:30,320 Speaker 2: Brian didn't notice. 468 00:21:30,440 --> 00:21:31,840 Speaker 4: And she looks fair. 469 00:21:32,200 --> 00:21:33,720 Speaker 2: To be fair, you don't look people in their eyes. 470 00:21:34,040 --> 00:21:35,600 Speaker 4: Yeah, not really. 471 00:21:36,720 --> 00:21:39,080 Speaker 2: I mean it's I kind of don't either. So I 472 00:21:39,080 --> 00:21:41,880 Speaker 2: look at people's mouths a lot, and their shoulder and stuffy. 473 00:21:42,080 --> 00:21:44,399 Speaker 4: I look away. When I am in a deep conversation 474 00:21:44,440 --> 00:21:46,639 Speaker 4: with someone, I look away. 475 00:21:47,560 --> 00:21:49,040 Speaker 2: Yeah, I guess I noticed that about you. But I 476 00:21:49,080 --> 00:21:52,560 Speaker 2: think I might as well, or or I probably do. 477 00:21:52,720 --> 00:21:54,320 Speaker 2: If you look away, I probably take it as a 478 00:21:54,359 --> 00:21:56,680 Speaker 2: side I shouldn't be just staring at this person's eyes, 479 00:21:56,760 --> 00:21:58,720 Speaker 2: so like I naturally look away, but it wouldn't be 480 00:21:58,880 --> 00:22:01,760 Speaker 2: I don't. Yeah, but that's that's probably why you didn't know. 481 00:22:01,880 --> 00:22:05,080 Speaker 4: Times I'm making eye contact with somebody while I'm talking 482 00:22:05,119 --> 00:22:09,840 Speaker 4: to them, and I feel like I'm being rude, Like 483 00:22:09,880 --> 00:22:12,200 Speaker 4: does this person want me to be drilling into their face? 484 00:22:12,280 --> 00:22:12,440 Speaker 3: Right? 485 00:22:12,440 --> 00:22:14,080 Speaker 2: Well, they can always look away, and then then you 486 00:22:14,119 --> 00:22:14,600 Speaker 2: can know. 487 00:22:14,760 --> 00:22:16,520 Speaker 4: That you can't because then you lose the battle. 488 00:22:17,240 --> 00:22:23,840 Speaker 2: Well, then yes, that person should feel threats that you 489 00:22:24,000 --> 00:22:27,320 Speaker 2: say me searing as this person isn't this rude? And oh, 490 00:22:27,400 --> 00:22:30,480 Speaker 2: Brian just look away? Well, then I would lose the battle. Yeah, 491 00:22:30,600 --> 00:22:32,760 Speaker 2: you're engaging in battle with someone who doesn't know they're 492 00:22:32,760 --> 00:22:34,040 Speaker 2: in battle. That is rude. 493 00:22:34,280 --> 00:22:36,359 Speaker 4: I'd like it, that's what you think. Me. Do you 494 00:22:36,400 --> 00:22:38,720 Speaker 4: have any whole wheat bread? And then they look away 495 00:22:38,920 --> 00:22:42,080 Speaker 4: because they work at Trader Joe's. Yeah, you're a cook. 496 00:22:42,800 --> 00:22:47,760 Speaker 2: Yeah, I hate eye contact. Could be so it's too much, dude, 497 00:22:47,840 --> 00:22:48,919 Speaker 2: I don't. I can't. 498 00:22:49,040 --> 00:22:51,480 Speaker 4: I really can't do it for very long. I really 499 00:22:52,320 --> 00:22:52,720 Speaker 4: like no. 500 00:22:53,040 --> 00:22:55,160 Speaker 2: I think I'm the same way, and I feel seen 501 00:22:55,200 --> 00:22:56,960 Speaker 2: and I start to feel like I'm falling in love 502 00:22:57,040 --> 00:22:59,920 Speaker 2: and I don't want to do that with my optometrist. 503 00:23:00,280 --> 00:23:03,120 Speaker 2: But that's when you gotta you look like in their eye, 504 00:23:03,119 --> 00:23:05,719 Speaker 2: their eye is looking in your eye, like two inches 505 00:23:05,760 --> 00:23:07,320 Speaker 2: from your eye. I mean you can't see it, so 506 00:23:07,359 --> 00:23:09,240 Speaker 2: it doesn't feel as intense, but there's a vibe. 507 00:23:09,359 --> 00:23:12,480 Speaker 4: Sometimes I wish I would live in Japan because in 508 00:23:12,560 --> 00:23:14,760 Speaker 4: Japan you're not supposed to look people in the eye. 509 00:23:14,760 --> 00:23:16,360 Speaker 4: It's different. You have to show defference. 510 00:23:17,200 --> 00:23:19,359 Speaker 2: Oh that's interesting. I don't think I knew that about. 511 00:23:19,920 --> 00:23:22,080 Speaker 4: I don't even think I know that there's just a 512 00:23:22,080 --> 00:23:25,439 Speaker 4: baby making, but I do remember, I do. I think 513 00:23:25,520 --> 00:23:26,239 Speaker 4: it's a thing. 514 00:23:27,080 --> 00:23:29,720 Speaker 2: Okay, Well, well we were talking about his mom probably 515 00:23:29,720 --> 00:23:31,720 Speaker 2: not being able to see I'm like, oh my god, 516 00:23:31,760 --> 00:23:34,080 Speaker 2: now she's can see a whole new world. And I 517 00:23:34,160 --> 00:23:36,080 Speaker 2: was like, what's something on your periphery that like you 518 00:23:36,320 --> 00:23:38,240 Speaker 2: go through life, if you didn't have peripheral vision, you 519 00:23:38,320 --> 00:23:42,720 Speaker 2: just like wouldn't know it's there. And uh, Brian said, ghosts. Yeah, 520 00:23:42,800 --> 00:23:44,840 Speaker 2: and I love that ghost just hang like right. 521 00:23:44,720 --> 00:23:45,960 Speaker 4: Here, but they do. 522 00:23:46,480 --> 00:23:48,480 Speaker 2: They're called if you're fast enough, you can catch them. 523 00:23:48,920 --> 00:23:52,240 Speaker 4: There's something type of ghosts called shadow people, and they. 524 00:23:52,160 --> 00:23:55,000 Speaker 2: Go, they're it. That's there. There's a peripheral ghost and 525 00:23:55,040 --> 00:23:56,000 Speaker 2: it's called shadow people. 526 00:23:56,280 --> 00:23:58,200 Speaker 4: Yeah, that you can only see them in your periphery 527 00:23:58,680 --> 00:24:03,440 Speaker 4: and they're not really go there like interdimensional beings, and 528 00:24:03,720 --> 00:24:06,040 Speaker 4: a lot of people claim that they see them in 529 00:24:06,520 --> 00:24:08,880 Speaker 4: their periphery and we don't really know where they came 530 00:24:08,880 --> 00:24:11,320 Speaker 4: from or what they are, but they can only be 531 00:24:11,359 --> 00:24:12,240 Speaker 4: seen in that way. 532 00:24:12,359 --> 00:24:16,080 Speaker 2: I feel bad for people who truly believe these things 533 00:24:16,119 --> 00:24:18,720 Speaker 2: are going on, because if they are true, they it's 534 00:24:18,800 --> 00:24:24,479 Speaker 2: so annoying that no one believes you. And also, you know, 535 00:24:24,520 --> 00:24:26,560 Speaker 2: it sounds crazy, but you feel it's so real that 536 00:24:26,640 --> 00:24:28,960 Speaker 2: you can't, Like, what would you do if some you 537 00:24:29,080 --> 00:24:32,639 Speaker 2: believed something insane and no one else believed it, you know, 538 00:24:32,760 --> 00:24:35,399 Speaker 2: like it would suck. But that I was listening to 539 00:24:35,480 --> 00:24:38,000 Speaker 2: the beginning of a podcast about alien abductions and how 540 00:24:38,000 --> 00:24:41,879 Speaker 2: they started in nineteen forty something, maybe into the sixties 541 00:24:42,359 --> 00:24:45,359 Speaker 2: around there, within those two decades, and then they kind 542 00:24:45,359 --> 00:24:50,400 Speaker 2: of stopped in like right with the advent of the smartphone. 543 00:24:50,760 --> 00:24:53,960 Speaker 2: So like reports of alien abduction just like went away 544 00:24:53,960 --> 00:24:56,439 Speaker 2: when people started being able to like film stuff. And 545 00:24:56,480 --> 00:24:58,280 Speaker 2: I don't know the connection there, but that's what the 546 00:24:58,320 --> 00:25:03,040 Speaker 2: hosts kind of surmise from the timeline is maybe smartphones 547 00:25:03,040 --> 00:25:04,840 Speaker 2: made it go away, but it was something that people 548 00:25:04,880 --> 00:25:07,479 Speaker 2: didn't claim to have happened to them until other they 549 00:25:07,520 --> 00:25:09,480 Speaker 2: heard stories of other people doing it. So there's a big, 550 00:25:09,520 --> 00:25:11,560 Speaker 2: samous story about an alien reduction and then all of 551 00:25:11,600 --> 00:25:16,440 Speaker 2: a sudden everyone's like, I was abducted. But also maybe 552 00:25:16,480 --> 00:25:18,080 Speaker 2: they didn't know what happened to them until they heard 553 00:25:18,080 --> 00:25:20,040 Speaker 2: someone else did, and then that made them come forward. 554 00:25:20,040 --> 00:25:20,680 Speaker 2: Who knows. 555 00:25:20,960 --> 00:25:24,840 Speaker 4: There was also a lot there's also trending different types 556 00:25:24,880 --> 00:25:27,800 Speaker 4: of aliens abducting people, Like in the seventies there were 557 00:25:27,800 --> 00:25:32,240 Speaker 4: a lot of aliens who were obsessed with preventing the 558 00:25:32,320 --> 00:25:36,840 Speaker 4: world from being destroyed in nuclear apocalypse, which, okay, all 559 00:25:36,960 --> 00:25:37,480 Speaker 4: like that makes it. 560 00:25:37,640 --> 00:25:40,280 Speaker 2: The seventies were about yeah it's. 561 00:25:40,160 --> 00:25:43,240 Speaker 4: Cold War, yeah yeah, And a lot of the aliens 562 00:25:43,280 --> 00:25:47,840 Speaker 4: in the seventies were these Nordic, beautiful white men and 563 00:25:47,880 --> 00:25:50,359 Speaker 4: women who had come down. Instead of looking like the 564 00:25:50,440 --> 00:25:55,720 Speaker 4: typical gray extraterrestrials, they were like humanoid. They were called Nordics, 565 00:25:56,200 --> 00:25:57,520 Speaker 4: and that was a lot of the seventies. And they 566 00:25:57,600 --> 00:25:59,200 Speaker 4: come down and they fuck you, and you'd fuck them 567 00:25:59,200 --> 00:26:01,560 Speaker 4: and everything with great and they'd say, by the way, 568 00:26:01,600 --> 00:26:04,000 Speaker 4: we got to stop Gorbachev. 569 00:26:06,240 --> 00:26:09,720 Speaker 2: In the middle of an alien gang bang. Yes, wait 570 00:26:09,760 --> 00:26:11,760 Speaker 2: aes I get so they would fuck you, So what 571 00:26:11,840 --> 00:26:13,879 Speaker 2: happened to the Where are the ones that look the 572 00:26:13,920 --> 00:26:15,520 Speaker 2: head have heads like guitar picks. 573 00:26:15,800 --> 00:26:16,520 Speaker 4: Yeah, those are good. 574 00:26:16,680 --> 00:26:17,160 Speaker 2: Those come in. 575 00:26:17,320 --> 00:26:19,840 Speaker 4: Those are grays. Those were the ogs. I have a 576 00:26:19,880 --> 00:26:24,879 Speaker 4: theory about the gray aliens, and that is when I 577 00:26:25,000 --> 00:26:27,680 Speaker 4: think people who say they were abducted by gray will begin. 578 00:26:27,760 --> 00:26:30,320 Speaker 2: Can you just give your let besties know that you 579 00:26:30,359 --> 00:26:32,600 Speaker 2: are very knowledgeable about the subject and why? 580 00:26:32,880 --> 00:26:35,080 Speaker 4: Oh yeah, well, I had a podcast called The Unbelievable 581 00:26:35,119 --> 00:26:41,000 Speaker 4: Podcast from uh twenty eleven to twenty eighteen that was 582 00:26:41,000 --> 00:26:42,400 Speaker 4: all about the years. Yeah. 583 00:26:42,440 --> 00:26:45,119 Speaker 2: Tim Dillon was a co host the Psyche. 584 00:26:45,000 --> 00:26:48,359 Speaker 4: For one year. He was the co host. Yeah, I know, 585 00:26:48,520 --> 00:26:51,760 Speaker 4: it was a long time. It was pretty popular, but ultimately, 586 00:26:52,400 --> 00:26:55,120 Speaker 4: ultimately it was we stopped because it was a lot 587 00:26:55,119 --> 00:26:56,520 Speaker 4: of work for me. It was a lot of research, 588 00:26:56,560 --> 00:26:58,000 Speaker 4: a lot of clip getting, and I was just like, 589 00:26:58,040 --> 00:27:01,480 Speaker 4: I can't spend twenty hours a week doing research for 590 00:27:01,560 --> 00:27:04,240 Speaker 4: this podcast. Even though I loved the podcast and I 591 00:27:04,280 --> 00:27:07,240 Speaker 4: loved all the unbelievers were the names of our listeners 592 00:27:07,280 --> 00:27:16,000 Speaker 4: cool and uh yes, miss I missed the podcast boom. 593 00:27:16,680 --> 00:27:19,359 Speaker 4: I stopped it in twenty eighteen, and then I wonder 594 00:27:19,359 --> 00:27:21,440 Speaker 4: what would have happened if I kept going through COVID. 595 00:27:22,119 --> 00:27:22,439 Speaker 2: Hmmm. 596 00:27:23,320 --> 00:27:25,760 Speaker 4: At the same time, I'm glad I stopped when I did, 597 00:27:25,800 --> 00:27:29,200 Speaker 4: because I stopped pretty much when conspiracy theories started getting 598 00:27:29,440 --> 00:27:32,840 Speaker 4: not fun anymore. Oh, like they were just all racist. 599 00:27:32,920 --> 00:27:35,360 Speaker 4: It was just like there was there was nothing. It 600 00:27:35,400 --> 00:27:38,399 Speaker 4: was no longer like is Bigfoot reel? It was more like, 601 00:27:38,440 --> 00:27:40,600 Speaker 4: are the Jews behind your right? 602 00:27:40,840 --> 00:27:43,479 Speaker 2: That did take off? Let's get back to the Nordic 603 00:27:43,640 --> 00:27:48,280 Speaker 2: aliens fucking us away from pedophiles in pizza joints. 604 00:27:48,520 --> 00:27:52,080 Speaker 4: So my theory about gray aliens is I believe that 605 00:27:52,080 --> 00:27:57,240 Speaker 4: that is a psychological phenomenon of people re experiencing their trauma, 606 00:27:57,359 --> 00:28:03,160 Speaker 4: perhaps in a lucid sleep state or just having a 607 00:28:03,280 --> 00:28:09,480 Speaker 4: PTSD style traumatic re experiencing a trauma, and a lot 608 00:28:09,480 --> 00:28:12,880 Speaker 4: of the trauma comes from childhood, when you're a baby. 609 00:28:13,800 --> 00:28:17,159 Speaker 4: Perhaps I believe a lot of people who claim that 610 00:28:17,200 --> 00:28:20,679 Speaker 4: they were abducted by gray aliens are re experiencing a 611 00:28:20,720 --> 00:28:24,080 Speaker 4: molestation from when they were when they were maybe even 612 00:28:24,080 --> 00:28:28,840 Speaker 4: a baby or a kid. And the reason why the 613 00:28:29,040 --> 00:28:30,879 Speaker 4: ale and that's why a lot of aliens will do 614 00:28:30,920 --> 00:28:33,240 Speaker 4: anal probing. They'll take you up into their ship. You'll 615 00:28:33,240 --> 00:28:38,720 Speaker 4: be they're touching you and The reason why gray aliens 616 00:28:38,760 --> 00:28:41,040 Speaker 4: look like they do is because when you're a baby 617 00:28:41,200 --> 00:28:45,080 Speaker 4: and your perception, yeah, it's just a gray, fuzzy thing, 618 00:28:45,280 --> 00:28:48,240 Speaker 4: big black eyes. This is just what a baby perceives 619 00:28:48,240 --> 00:28:48,560 Speaker 4: a person. 620 00:28:48,640 --> 00:28:52,840 Speaker 2: Oh my god, Brian, this is probably pretty pretty good. 621 00:28:52,880 --> 00:28:54,960 Speaker 4: SERI I like that. Yeah. So I believe all the 622 00:28:55,000 --> 00:28:58,880 Speaker 4: people that are certain that they have been abducted by 623 00:28:58,880 --> 00:29:01,480 Speaker 4: gray aliens, a lot of them are probably just reliving 624 00:29:01,520 --> 00:29:05,080 Speaker 4: their molestation trauma from childhood. I'm not saying it's all 625 00:29:05,120 --> 00:29:06,840 Speaker 4: of them. There's also a lot of them who just 626 00:29:06,880 --> 00:29:09,640 Speaker 4: want to make money or just want attention. But the 627 00:29:09,720 --> 00:29:11,520 Speaker 4: reason I think that's why the great I think it's 628 00:29:11,520 --> 00:29:14,480 Speaker 4: a real phenomenon. I think that the people who are 629 00:29:14,480 --> 00:29:17,480 Speaker 4: thinking that they were abducted by gray aliens actually do 630 00:29:17,720 --> 00:29:20,600 Speaker 4: see that and believe it and believe it's happening. 631 00:29:20,680 --> 00:29:21,080 Speaker 3: Yeah. 632 00:29:21,160 --> 00:29:23,400 Speaker 4: Yeah, But it's just like some of the psychosomatic pains. 633 00:29:23,440 --> 00:29:24,400 Speaker 4: It's like your brain. 634 00:29:24,280 --> 00:29:27,160 Speaker 2: Doesn't mean it didn't happen to you because you're experiencing 635 00:29:27,240 --> 00:29:29,080 Speaker 2: it like it did. So I'm not taking that away 636 00:29:29,080 --> 00:29:31,920 Speaker 2: from you that it was terrifying and that you literally 637 00:29:31,920 --> 00:29:33,880 Speaker 2: think you were abducted by aliens and you feel but 638 00:29:34,400 --> 00:29:36,640 Speaker 2: it might not be that, but that doesn't take anything 639 00:29:36,640 --> 00:29:39,440 Speaker 2: from your experience. Yeah, I mean people don't like to 640 00:29:39,480 --> 00:29:42,280 Speaker 2: feel like they're crazy. People think they're crazy because but 641 00:29:42,480 --> 00:29:45,560 Speaker 2: it's crazy. Is like, it's not your fault. Your brain's 642 00:29:45,640 --> 00:29:50,000 Speaker 2: just doing something weird to help you cope. Potentially, if 643 00:29:50,080 --> 00:29:54,480 Speaker 2: you're theory so weird, it's protective I think, mm hmmm, yeah, 644 00:29:54,800 --> 00:29:56,760 Speaker 2: to oh, to make it feel like it's so you 645 00:29:56,760 --> 00:29:58,240 Speaker 2: don't have to think of it's your dad. 646 00:29:58,160 --> 00:29:59,880 Speaker 3: Or your uncle or what may, or maybe to help 647 00:29:59,920 --> 00:30:02,520 Speaker 3: you make sense of it for closure. 648 00:30:02,800 --> 00:30:04,960 Speaker 4: Or it truly is like a disorder, Like if you're 649 00:30:05,000 --> 00:30:07,560 Speaker 4: just hearing voices in your head and you say that 650 00:30:07,600 --> 00:30:09,800 Speaker 4: it's Satan talking to you, like you need to get 651 00:30:09,800 --> 00:30:11,240 Speaker 4: like medicated for that. 652 00:30:11,240 --> 00:30:14,200 Speaker 2: That's why I asked you if you knew about gang stalking. 653 00:30:13,880 --> 00:30:15,000 Speaker 4: And oh, yeah, what's that? 654 00:30:15,200 --> 00:30:18,560 Speaker 2: Really creeped me out. I found it through Reddit and someone, 655 00:30:18,640 --> 00:30:21,080 Speaker 2: you know, someone just had commented in another reddit like 656 00:30:21,640 --> 00:30:23,720 Speaker 2: sounds like gang stocking, and I like, went to the 657 00:30:23,760 --> 00:30:29,600 Speaker 2: subreddit and it's for people who feel it's it's there's 658 00:30:29,640 --> 00:30:31,840 Speaker 2: a let me just read it. Gang Stocking or group 659 00:30:31,880 --> 00:30:38,240 Speaker 2: stalking is a set of persecutor persecutor persecutory beliefs sorry, 660 00:30:38,360 --> 00:30:41,080 Speaker 2: in which those affected believe they are being followed, stalked, 661 00:30:41,080 --> 00:30:45,200 Speaker 2: and harassed by a large number of people. The term 662 00:30:45,280 --> 00:30:50,080 Speaker 2: is associated with targeted individual ti uh oh boy, do 663 00:30:50,080 --> 00:30:57,040 Speaker 2: you know what that is? Oh, you can stalk whatever 664 00:30:57,160 --> 00:31:06,000 Speaker 2: you like. Okay, So online communities, yeah. A twenty sixteen 665 00:31:06,080 --> 00:31:08,360 Speaker 2: year Times article estimated that more than ten thousand people 666 00:31:08,360 --> 00:31:11,520 Speaker 2: were participating in nonline communities organized around the conviction that 667 00:31:11,560 --> 00:31:14,520 Speaker 2: it's members are victims of a sprawling conspiracy to harass 668 00:31:14,560 --> 00:31:17,080 Speaker 2: thousands of every day of Americans with mind control weapons 669 00:31:17,080 --> 00:31:19,720 Speaker 2: and armies of so called gang stokers. So if you 670 00:31:19,760 --> 00:31:22,560 Speaker 2: go to the gang stoker or subreddit, it's just people's 671 00:31:22,600 --> 00:31:25,400 Speaker 2: being like, people are following me and this is what 672 00:31:25,440 --> 00:31:29,200 Speaker 2: happened to me today. And the guy in the striped 673 00:31:29,240 --> 00:31:31,760 Speaker 2: shirt was like, it's just people feeling like they're being 674 00:31:31,800 --> 00:31:34,200 Speaker 2: Truman showed a little bit, but also harassed and like 675 00:31:34,240 --> 00:31:35,000 Speaker 2: really fucked with. 676 00:31:35,560 --> 00:31:39,480 Speaker 4: And is that different from paranoid schizophrenia? 677 00:31:39,920 --> 00:31:42,440 Speaker 2: That's what people think it is, is like people suffering 678 00:31:42,440 --> 00:31:47,000 Speaker 2: with that, or people suffering from drug like symptoms like 679 00:31:47,080 --> 00:31:52,440 Speaker 2: meth symptoms or sleeplessness or just you know, yeah, it's 680 00:31:52,480 --> 00:31:54,800 Speaker 2: just but they all agree, and they it's kind of 681 00:31:54,800 --> 00:31:56,440 Speaker 2: cute that they all have this community where they do 682 00:31:56,520 --> 00:32:00,200 Speaker 2: believe that their whole life is being monitored and they're 683 00:32:00,240 --> 00:32:02,520 Speaker 2: being stalked, and it's like, it's nice that they have 684 00:32:02,560 --> 00:32:04,920 Speaker 2: a way to connect. It's like Orange theory, m h. 685 00:32:05,360 --> 00:32:08,880 Speaker 2: It's like a community. It builds community that you're chasing 686 00:32:09,600 --> 00:32:11,320 Speaker 2: or you're being chased. I mean, I guess you're chasing 687 00:32:11,320 --> 00:32:13,440 Speaker 2: goals and orange theory, but yeah, it's just like it's 688 00:32:13,600 --> 00:32:16,280 Speaker 2: I sometimes like whenever gang stalking comes up on Reddit, 689 00:32:16,320 --> 00:32:18,280 Speaker 2: because people make fun of it, you know, in the comments, 690 00:32:18,320 --> 00:32:20,120 Speaker 2: I always go and check out what they're talking about, 691 00:32:20,240 --> 00:32:23,240 Speaker 2: and then sometimes I get a little scared because they 692 00:32:23,320 --> 00:32:26,160 Speaker 2: sometimes like it would be terrifying to live this way. 693 00:32:26,200 --> 00:32:28,360 Speaker 2: So I actually I have empathy for them. I'm not 694 00:32:28,400 --> 00:32:30,440 Speaker 2: like just making fun of them. I feel like, really 695 00:32:30,480 --> 00:32:32,960 Speaker 2: sad that that would be horrible to think that you 696 00:32:33,040 --> 00:32:34,360 Speaker 2: were your life was trim and show. 697 00:32:35,240 --> 00:32:36,200 Speaker 4: Yeah, and but I've had. 698 00:32:36,080 --> 00:32:41,600 Speaker 2: People that friends with bipolar believe some wild stuff, and 699 00:32:42,880 --> 00:32:45,440 Speaker 2: I guess I've believed some wild stuff in my mental 700 00:32:45,480 --> 00:32:47,840 Speaker 2: illness journey along the way. Then I'm just like, what 701 00:32:47,880 --> 00:32:50,280 Speaker 2: were you thinking? But I always felt like I had 702 00:32:50,280 --> 00:32:52,200 Speaker 2: a control over it. You know. I never felt out 703 00:32:52,240 --> 00:32:55,360 Speaker 2: of control of my mind or body too much except 704 00:32:55,440 --> 00:32:57,360 Speaker 2: when I drank maybe, And that's why I quit doing that, 705 00:32:57,880 --> 00:33:00,440 Speaker 2: because that's when you That's truly an saying that we 706 00:33:00,440 --> 00:33:02,880 Speaker 2: get blackout drunk and we just send our blackout selves. 707 00:33:02,920 --> 00:33:04,720 Speaker 2: It's like sending. It's a show where they send a 708 00:33:04,760 --> 00:33:08,920 Speaker 2: toddler out to get groceries. The Japanese show that's what 709 00:33:08,960 --> 00:33:11,760 Speaker 2: you do when you get It's called like I Forget. 710 00:33:11,840 --> 00:33:13,560 Speaker 2: It was a hit on Netflix for a bit, but 711 00:33:13,880 --> 00:33:15,640 Speaker 2: they send like a three year old and they monitor 712 00:33:15,640 --> 00:33:17,520 Speaker 2: it closely, but it just like goes out to get 713 00:33:17,640 --> 00:33:21,000 Speaker 2: to do a task into the city and they just 714 00:33:21,040 --> 00:33:23,520 Speaker 2: follow it. That's what you do when you get blackout drunk. 715 00:33:23,560 --> 00:33:26,640 Speaker 2: You just are like, all right, let's just see what happens. 716 00:33:26,680 --> 00:33:30,000 Speaker 2: I loved it. I loved it so much. Why did 717 00:33:30,040 --> 00:33:32,200 Speaker 2: I like it? See that's fucked up that I liked it? 718 00:33:32,440 --> 00:33:36,760 Speaker 2: M Yeah, like, how do you even? I mean you like, remember, oh, 719 00:33:36,880 --> 00:33:39,040 Speaker 2: I would just say to my friends, let's get blackout, 720 00:33:39,080 --> 00:33:41,840 Speaker 2: Like I liked blacking out so much? 721 00:33:41,920 --> 00:33:44,320 Speaker 3: So you liked Did you like the Journey to Blackout 722 00:33:44,400 --> 00:33:46,640 Speaker 3: or did you knowing that you are blacked out. 723 00:33:47,320 --> 00:33:49,720 Speaker 2: I guess I liked the journey to blacking out because 724 00:33:49,760 --> 00:33:52,120 Speaker 2: it would always just involve like dancing and being loud 725 00:33:52,160 --> 00:33:56,719 Speaker 2: and like confident and like just happy literally just happy, 726 00:33:56,760 --> 00:33:59,360 Speaker 2: you know, like excited about life, no worries. And then 727 00:33:59,440 --> 00:34:02,080 Speaker 2: the black out part, I guess was just I liked 728 00:34:02,160 --> 00:34:06,000 Speaker 2: that because it was risky. I guess they're risky. 729 00:34:06,280 --> 00:34:06,920 Speaker 4: It was risky. 730 00:34:07,480 --> 00:34:09,399 Speaker 2: It was there's a little part of it when I'm 731 00:34:09,480 --> 00:34:13,080 Speaker 2: going back and remembering, like, Okay, we're gonna get blackout tonight. 732 00:34:13,520 --> 00:34:15,920 Speaker 2: It was a little bit like shoplifting, like I'll get 733 00:34:15,960 --> 00:34:19,600 Speaker 2: away with it. I'll probably survive and get through, but 734 00:34:20,280 --> 00:34:24,279 Speaker 2: it's not gonna it's gonna feel it's risky, like will 735 00:34:24,320 --> 00:34:26,399 Speaker 2: you what's gonna happen tonight? What are you ben? Where 736 00:34:26,400 --> 00:34:27,560 Speaker 2: are you gonna end up? When? 737 00:34:27,760 --> 00:34:27,880 Speaker 3: What? 738 00:34:28,239 --> 00:34:31,040 Speaker 2: When your eyes open tomorrow? Where will you be? You 739 00:34:31,040 --> 00:34:33,480 Speaker 2: don't know you're sending yourself out blindly? 740 00:34:33,719 --> 00:34:35,760 Speaker 3: Did you have any friend who would bring you home? 741 00:34:36,120 --> 00:34:37,440 Speaker 3: I mean, how did you get a blackout? 742 00:34:37,480 --> 00:34:41,760 Speaker 2: I would say, let's get blackout, meaning everyone blackout tonight. 743 00:34:42,320 --> 00:34:44,920 Speaker 2: You never drank like that, nah, I did. 744 00:34:44,760 --> 00:34:47,439 Speaker 3: But I always knew who was going to drive me home. 745 00:34:47,680 --> 00:34:51,040 Speaker 2: Good for you, even though from New York City. Though 746 00:34:51,080 --> 00:34:52,879 Speaker 2: it was like, we'll just take a cab or something, 747 00:34:52,880 --> 00:34:53,399 Speaker 2: you know what I mean. 748 00:34:53,880 --> 00:34:56,000 Speaker 3: Yes, yes, I have been in a cab. But like 749 00:34:56,120 --> 00:34:58,960 Speaker 3: you know, I guess when you're at the end of 750 00:34:59,000 --> 00:35:00,319 Speaker 3: the night, when you're blackout and you you're in a 751 00:35:00,400 --> 00:35:04,239 Speaker 3: cab with a stranger, something like works extra in your brain, 752 00:35:04,360 --> 00:35:06,520 Speaker 3: Like you can't fall asleep, you have to make sure 753 00:35:06,560 --> 00:35:07,360 Speaker 3: you get home. 754 00:35:08,160 --> 00:35:11,520 Speaker 2: Yeah, something, but it feels like at some point you're 755 00:35:11,560 --> 00:35:15,160 Speaker 2: so drunk there's nothing that any nothing, there's no saving you, 756 00:35:15,800 --> 00:35:19,799 Speaker 2: like it's it. I loved John Mulaney's joke about how 757 00:35:19,880 --> 00:35:23,080 Speaker 2: he would black out. I really related to it, and 758 00:35:23,120 --> 00:35:24,840 Speaker 2: I loved that he wrote it because I felt so 759 00:35:24,880 --> 00:35:26,520 Speaker 2: alone with this. But I would black out after like 760 00:35:26,600 --> 00:35:30,000 Speaker 2: three beers because my body just but I knew what 761 00:35:30,040 --> 00:35:31,680 Speaker 2: was happening because I had heard them malany joke before 762 00:35:31,680 --> 00:35:33,439 Speaker 2: this started happening to me. You know, this is after 763 00:35:33,520 --> 00:35:35,759 Speaker 2: drinking for years. But I would take like a couple 764 00:35:35,800 --> 00:35:38,000 Speaker 2: of beers and then but he said, his doctor said, 765 00:35:38,160 --> 00:35:39,719 Speaker 2: He's like, why do I black out after a couple 766 00:35:39,719 --> 00:35:43,680 Speaker 2: of drinks? And his uh, doctor said, because your body 767 00:35:43,719 --> 00:35:46,440 Speaker 2: like knows where this is going it like never doesn't 768 00:35:46,480 --> 00:35:49,280 Speaker 2: go that way. So it's just it's like they're shutting 769 00:35:49,280 --> 00:35:53,200 Speaker 2: down early. And I was like, oh my god, like 770 00:35:53,360 --> 00:35:55,400 Speaker 2: lights out, Like let's just shut it, like we know 771 00:35:55,480 --> 00:35:58,360 Speaker 2: we're closing, no more customers are coming in, let's just 772 00:35:58,400 --> 00:36:01,160 Speaker 2: shut it down. And so I really related to that, 773 00:36:01,200 --> 00:36:03,360 Speaker 2: and that's kind of helped me know I had a problem. 774 00:36:03,360 --> 00:36:04,440 Speaker 2: Comedy can heal you. 775 00:36:04,800 --> 00:36:06,279 Speaker 4: I used to do that at the deli that I 776 00:36:06,320 --> 00:36:08,520 Speaker 4: worked at. I worked at a deli when I was 777 00:36:08,640 --> 00:36:11,680 Speaker 4: for a long time, and sometimes it would be like 778 00:36:11,719 --> 00:36:14,600 Speaker 4: the deli's closing at nine, and I would lock the 779 00:36:14,640 --> 00:36:17,560 Speaker 4: door at like seven thirty and turn off the lights, 780 00:36:17,920 --> 00:36:19,719 Speaker 4: and then people would come up and it would be 781 00:36:19,760 --> 00:36:23,120 Speaker 4: so mad because they're like that focus. 782 00:36:23,680 --> 00:36:26,359 Speaker 2: It's not even people don't know that small businesses like 783 00:36:26,480 --> 00:36:28,759 Speaker 2: they can set their own hours. There's no law that 784 00:36:28,840 --> 00:36:30,680 Speaker 2: makes it so they have to be open. But when 785 00:36:30,680 --> 00:36:32,439 Speaker 2: you are a customer, you just feel like you. 786 00:36:32,760 --> 00:36:36,279 Speaker 4: Said you would be Yeah, well, to be fair, the 787 00:36:36,280 --> 00:36:38,200 Speaker 4: owner of the delhi wanted it to be open. 788 00:36:39,120 --> 00:36:40,960 Speaker 2: But I mean, let's just say you're a man who 789 00:36:41,000 --> 00:36:43,200 Speaker 2: owns the deli and you wanted to disclose early that night. 790 00:36:43,680 --> 00:36:46,719 Speaker 4: Yeah, yeah, it happens in small towns, like you're you're 791 00:36:46,760 --> 00:36:49,040 Speaker 4: all on the Delhi, but you're also the fire Marshal 792 00:36:49,080 --> 00:36:51,040 Speaker 4: and it's like, well, I gotta close down the deli 793 00:36:51,120 --> 00:36:51,399 Speaker 4: to go. 794 00:36:52,320 --> 00:36:55,600 Speaker 2: But it is is so enraging when you are a 795 00:36:55,719 --> 00:36:58,600 Speaker 2: person who is, oh my god, going to a restaurant 796 00:36:58,640 --> 00:37:01,120 Speaker 2: or something, or like you just feel so entitled, Like 797 00:37:01,640 --> 00:37:05,799 Speaker 2: but Google said, and it's like what entitles you to 798 00:37:05,920 --> 00:37:10,160 Speaker 2: this business right now? It's like it's uh, yeah, so 799 00:37:10,840 --> 00:37:14,480 Speaker 2: gangs talking. Yeah, that is an interesting subreddit and really 800 00:37:14,640 --> 00:37:17,000 Speaker 2: opened my eyes to a world I didn't know and 801 00:37:17,040 --> 00:37:19,359 Speaker 2: so did. I'm just opening my eyes to so many 802 00:37:19,440 --> 00:37:23,360 Speaker 2: new subcultures. Orange Theory. I mean, I feel bad that 803 00:37:23,400 --> 00:37:25,359 Speaker 2: I like I felt like I would bad mouth THEMB 804 00:37:25,360 --> 00:37:27,480 Speaker 2: in some way or made fun of them yesterday. I 805 00:37:27,480 --> 00:37:30,600 Speaker 2: want to be clear, like I even went. I told 806 00:37:30,600 --> 00:37:33,120 Speaker 2: my plates instructor about going to Orange Theory and she 807 00:37:33,200 --> 00:37:34,719 Speaker 2: was like, oh, I thought you were gonna love it. 808 00:37:34,880 --> 00:37:36,960 Speaker 2: She was like, I love it. So it's something that 809 00:37:37,000 --> 00:37:39,840 Speaker 2: pilates instructors do love ones that are so I'm not 810 00:37:39,840 --> 00:37:41,799 Speaker 2: making fun. It's not a bad workout. It actually is good. 811 00:37:42,400 --> 00:37:46,439 Speaker 2: Just wasn't for me because I just I don't need that. 812 00:37:46,560 --> 00:37:49,960 Speaker 2: I don't. It's too loud. The music's too loud, and 813 00:37:50,000 --> 00:37:53,400 Speaker 2: the guy talking is too loud. And I'm a little 814 00:37:53,400 --> 00:37:56,520 Speaker 2: sensitive sound bitch. Lately, if I wore I if I 815 00:37:56,560 --> 00:37:59,200 Speaker 2: went back, I would wear earplugs. 816 00:37:59,560 --> 00:38:03,240 Speaker 4: Yeah, but you know what's been loud lately that I 817 00:38:03,280 --> 00:38:07,399 Speaker 4: really am mad at is the airplane speakers. Like when 818 00:38:07,440 --> 00:38:10,280 Speaker 4: they why is that so loud and piercing? 819 00:38:10,360 --> 00:38:14,520 Speaker 2: Thank you good things? It's one out of ten is 820 00:38:14,880 --> 00:38:19,359 Speaker 2: truly causing damage to people's ear drums if they are 821 00:38:19,400 --> 00:38:21,600 Speaker 2: within five feet of that thing, like the people seated 822 00:38:21,600 --> 00:38:25,240 Speaker 2: closest to the speakers are in Hell, it's not okay. 823 00:38:25,600 --> 00:38:28,520 Speaker 2: And you are such an asshole for talking way more 824 00:38:28,560 --> 00:38:30,840 Speaker 2: than you need to. I've been saying it for years, 825 00:38:30,880 --> 00:38:35,160 Speaker 2: but no one, no one needs to know the speed 826 00:38:35,239 --> 00:38:36,400 Speaker 2: of the wind. 827 00:38:36,400 --> 00:38:40,080 Speaker 1: In the city you're landing in. No one's ever felt 828 00:38:40,239 --> 00:38:43,120 Speaker 1: been interested in that unless it's like sixty mile an 829 00:38:43,160 --> 00:38:45,680 Speaker 1: hour winds. We don't give a shit that the or 830 00:38:45,680 --> 00:38:47,120 Speaker 1: what direction the wind. 831 00:38:46,880 --> 00:38:49,760 Speaker 2: Is coming from. Yeah, why do we have that information? 832 00:38:49,840 --> 00:38:52,680 Speaker 2: Why why don't you tell us where we can pick 833 00:38:52,719 --> 00:38:54,560 Speaker 2: up an uber when we get it, because there are 834 00:38:54,640 --> 00:38:57,560 Speaker 2: no signs that I feel so bad for anyone who's 835 00:38:57,600 --> 00:38:59,799 Speaker 2: like sending their parents to a new city to figure 836 00:38:59,840 --> 00:39:02,319 Speaker 2: out where the ride share is to get their uber X. 837 00:39:02,920 --> 00:39:06,239 Speaker 2: I am an experienced uber finder, and airports leave you 838 00:39:06,719 --> 00:39:08,799 Speaker 2: high and dry. There's no one around. There's no one 839 00:39:09,000 --> 00:39:10,920 Speaker 2: to ask for help. If there's anyone working in a 840 00:39:10,920 --> 00:39:13,120 Speaker 2: baggage claim, it's these two ladies that are trying to 841 00:39:13,120 --> 00:39:16,840 Speaker 2: get you to go Mormon. There's no there's no help desk, 842 00:39:17,239 --> 00:39:19,560 Speaker 2: there isn't or you have to talk to anyone. You 843 00:39:19,640 --> 00:39:20,920 Speaker 2: have to go into one of the offices, and there 844 00:39:20,920 --> 00:39:22,759 Speaker 2: are already people lined up because they're back. There's just 845 00:39:22,800 --> 00:39:25,440 Speaker 2: no one around, and it is so hard to find. 846 00:39:25,520 --> 00:39:27,600 Speaker 2: If you are in charge of the layout of an airport, 847 00:39:28,280 --> 00:39:30,440 Speaker 2: did you all get together and decide that we are 848 00:39:30,480 --> 00:39:34,040 Speaker 2: going to make so few signs about it. We don't 849 00:39:34,040 --> 00:39:35,600 Speaker 2: want them to find it. What is in it for 850 00:39:35,640 --> 00:39:37,319 Speaker 2: you to not have people find you? 851 00:39:37,560 --> 00:39:37,680 Speaker 3: Well? 852 00:39:37,800 --> 00:39:41,520 Speaker 4: La exit? Can you imagine an lax It just says 853 00:39:41,680 --> 00:39:43,360 Speaker 4: la exit, which isn't a word. 854 00:39:43,600 --> 00:39:46,400 Speaker 2: If you imagine that they tried to brand it and 855 00:39:46,440 --> 00:39:49,280 Speaker 2: make a special exit that is that makes no sense. 856 00:39:49,440 --> 00:39:51,480 Speaker 4: Can you imagine you're from a foreign country and you 857 00:39:51,560 --> 00:39:54,240 Speaker 4: land in lax and you're trying to find an uber 858 00:39:54,360 --> 00:39:56,840 Speaker 4: or a way to get around La Exit. It's not 859 00:39:56,880 --> 00:39:59,160 Speaker 4: even something that you can look up what it means. 860 00:39:59,440 --> 00:40:02,640 Speaker 2: Confusing. I'm not kidding you, like I get. I just 861 00:40:02,680 --> 00:40:05,759 Speaker 2: get sad when I struggle to find these ride chairs. 862 00:40:05,800 --> 00:40:07,520 Speaker 2: I always just think about my mom landing in the 863 00:40:07,560 --> 00:40:09,560 Speaker 2: city by herself for like a girl's trip or something, 864 00:40:09,600 --> 00:40:12,000 Speaker 2: and how it would add like an hour to her 865 00:40:12,120 --> 00:40:14,879 Speaker 2: already struggling day where she's carrying a bag. Like make 866 00:40:14,960 --> 00:40:18,520 Speaker 2: it easy for old people, you assholes. Make more signs, 867 00:40:18,560 --> 00:40:21,919 Speaker 2: be more explicit. So yeah, why doesn't the pilot talk 868 00:40:21,920 --> 00:40:22,919 Speaker 2: about where that? 869 00:40:24,080 --> 00:40:25,960 Speaker 4: That's so funny? He gives you use He's just like, 870 00:40:26,000 --> 00:40:28,279 Speaker 4: the winds are going to be sixty miles per hour. 871 00:40:28,600 --> 00:40:31,400 Speaker 4: The city was founded in eighteen seventy. 872 00:40:31,080 --> 00:40:33,080 Speaker 2: And guess what, none of it is ever The river. 873 00:40:33,080 --> 00:40:35,080 Speaker 4: Is flowing three miles an hour. 874 00:40:35,800 --> 00:40:37,440 Speaker 2: But I'm not kidding you. Have you ever not heard 875 00:40:37,480 --> 00:40:38,880 Speaker 2: the wind speed of the city you're about to learn? 876 00:40:38,920 --> 00:40:41,760 Speaker 4: No, they always the speed and I go up, Why 877 00:40:41,960 --> 00:40:44,040 Speaker 4: looks like my catamaran's not gonna happen. 878 00:40:44,440 --> 00:40:46,759 Speaker 2: Have you ever like even thought about like when they 879 00:40:46,800 --> 00:40:49,920 Speaker 2: say that, does it make your mind do anything? Mine? 880 00:40:49,960 --> 00:40:52,440 Speaker 2: It just goes, it flushes right away. It's like when 881 00:40:52,480 --> 00:40:54,719 Speaker 2: you flush and you poop and you flush, and so 882 00:40:54,760 --> 00:40:56,319 Speaker 2: it never even sins in the bowl. It just goes 883 00:40:56,400 --> 00:40:57,360 Speaker 2: right down out a flush. 884 00:40:57,440 --> 00:40:59,280 Speaker 4: Yeah. Yes, Oh, you don't even have to flush. Sometime 885 00:41:00,239 --> 00:41:00,520 Speaker 4: it just. 886 00:41:00,440 --> 00:41:04,400 Speaker 2: Goes as you're flushing, you you flush, That's what that 887 00:41:04,440 --> 00:41:07,640 Speaker 2: information does through. It never even touches the bowl. For me, 888 00:41:07,920 --> 00:41:11,040 Speaker 2: it's worthless. I'm sick of it. And it's too loud. 889 00:41:11,440 --> 00:41:13,040 Speaker 2: You're too loud, And I know I got loud on 890 00:41:13,080 --> 00:41:14,799 Speaker 2: this rant too, but I did try to move them 891 00:41:14,800 --> 00:41:17,200 Speaker 2: like away from my face while I was screaming, which 892 00:41:17,880 --> 00:41:20,759 Speaker 2: pilots man, some of you like to be heard, and 893 00:41:20,800 --> 00:41:22,920 Speaker 2: some of you flight attendants like to be heard. And 894 00:41:23,040 --> 00:41:25,000 Speaker 2: sometimes I'm in the mood for it. Sometimes I like 895 00:41:25,000 --> 00:41:27,319 Speaker 2: a little joke, but most of the time I'm not. 896 00:41:27,800 --> 00:41:30,279 Speaker 2: But I just turn up my airplane noise. It's none 897 00:41:30,320 --> 00:41:32,560 Speaker 2: of my business. I like that they're trying to be cheery, 898 00:41:32,600 --> 00:41:34,799 Speaker 2: but if they're a little bit cunty with that cheeriness, 899 00:41:35,000 --> 00:41:39,120 Speaker 2: I don't care for that. That is really like annoying 900 00:41:39,120 --> 00:41:40,759 Speaker 2: to me. If you're trying to be funny but you're 901 00:41:40,840 --> 00:41:41,480 Speaker 2: just being mean. 902 00:41:42,200 --> 00:41:45,319 Speaker 4: Cheeriness they're trying to force their cheeriness on you, and 903 00:41:45,360 --> 00:41:46,879 Speaker 4: it's like I'm in the middle of a flight, right. 904 00:41:46,960 --> 00:41:49,879 Speaker 2: It's not cheery though, it's it's being. It's saying mean 905 00:41:49,960 --> 00:41:56,360 Speaker 2: things and being like and you know, we what's an example. 906 00:41:56,480 --> 00:41:58,040 Speaker 2: I kind of like the one where they're like, we 907 00:41:58,120 --> 00:42:00,719 Speaker 2: don't want to we will take your we will find 908 00:42:00,719 --> 00:42:02,799 Speaker 2: your air pods and they will be on eBay by 909 00:42:02,800 --> 00:42:04,600 Speaker 2: the end of the day. Like I don't mind that. 910 00:42:04,600 --> 00:42:07,200 Speaker 2: It's like a teacher that's like a it's just when 911 00:42:07,239 --> 00:42:09,360 Speaker 2: they get kind of when you can sense their yes, 912 00:42:09,400 --> 00:42:11,680 Speaker 2: when they We've all had teachers like this. What teachers 913 00:42:11,719 --> 00:42:13,360 Speaker 2: that would be funny about stuff the they need to 914 00:42:13,360 --> 00:42:15,359 Speaker 2: tell us and teachers that would be funny. But it's 915 00:42:15,480 --> 00:42:17,840 Speaker 2: cruel and they hate you, and there's a simmering hatred 916 00:42:17,920 --> 00:42:20,000 Speaker 2: for you. I can just you're not masking it as 917 00:42:20,000 --> 00:42:23,120 Speaker 2: well as you think you are. Women and men who 918 00:42:23,239 --> 00:42:28,640 Speaker 2: gets the funny it? It feels feminine to me, whatever 919 00:42:28,680 --> 00:42:31,839 Speaker 2: it is, it is a feminine thing of like being 920 00:42:31,960 --> 00:42:34,480 Speaker 2: because guess what I got it in me too. I 921 00:42:34,560 --> 00:42:37,800 Speaker 2: love being mean with jokes, but it's not the funniest 922 00:42:37,840 --> 00:42:40,680 Speaker 2: you can be, and it's not pleasant, but I do 923 00:42:40,760 --> 00:42:43,200 Speaker 2: love being vindictive with jokes, so I get it too. 924 00:42:43,760 --> 00:42:46,200 Speaker 2: I'm a flight attendant in my soul. All right, well 925 00:42:46,200 --> 00:42:48,279 Speaker 2: we have to take a break and we'll be right back. 926 00:42:51,760 --> 00:42:56,279 Speaker 2: And we're back. Do you have a ramp brand? Yeah, 927 00:42:56,400 --> 00:42:56,759 Speaker 2: let's go. 928 00:42:57,200 --> 00:43:00,480 Speaker 4: Enough with the credit card offers for thirty minutes at 929 00:43:00,480 --> 00:43:02,719 Speaker 4: the end of the flights. Can we stop? And I'm 930 00:43:02,719 --> 00:43:04,839 Speaker 4: not really even mad at the people at the at 931 00:43:04,840 --> 00:43:06,520 Speaker 4: the person making the announcement. I know they have to 932 00:43:06,520 --> 00:43:08,640 Speaker 4: do it for work. I'm not mad at the corporations 933 00:43:08,680 --> 00:43:11,560 Speaker 4: for trying to offer you credit cards. I'm mad at 934 00:43:11,600 --> 00:43:14,160 Speaker 4: the fucking people who take the pamphlets. 935 00:43:15,480 --> 00:43:17,400 Speaker 2: There's people people don't they don't take this. 936 00:43:17,560 --> 00:43:18,600 Speaker 4: I see people. 937 00:43:18,960 --> 00:43:21,080 Speaker 2: They must because they've been doing it for years, and 938 00:43:21,360 --> 00:43:22,960 Speaker 2: they wouldn't do something for years if it didn't work. 939 00:43:23,000 --> 00:43:25,920 Speaker 2: People must be taking these pamphlets. Well, these people just 940 00:43:25,920 --> 00:43:27,040 Speaker 2: want these miles. 941 00:43:27,320 --> 00:43:30,520 Speaker 4: Well, can you get a credit card somewhere some other time. 942 00:43:31,320 --> 00:43:33,000 Speaker 4: Sometimes I'm even a little bit like. 943 00:43:32,920 --> 00:43:35,600 Speaker 2: Maybe you're so right, Hey, you guys, let's all agree 944 00:43:35,640 --> 00:43:37,920 Speaker 2: to not take those pamphlets anymore, to send a message 945 00:43:37,960 --> 00:43:40,040 Speaker 2: that will do it on our own time, and they'll 946 00:43:40,040 --> 00:43:43,880 Speaker 2: stop if they're not getting from that, but actually they 947 00:43:43,960 --> 00:43:45,960 Speaker 2: might still take it as a sale because they might 948 00:43:46,160 --> 00:43:48,440 Speaker 2: track that that person who got that credit card the 949 00:43:48,480 --> 00:43:50,479 Speaker 2: next day was on a flight before and heard the pitch. 950 00:43:50,680 --> 00:43:53,239 Speaker 4: It's just free advertising, you'r a it is. 951 00:43:54,280 --> 00:43:55,560 Speaker 2: They make the battle for your. 952 00:43:55,480 --> 00:43:57,520 Speaker 4: Attention, and any time that they can get your attention 953 00:43:57,640 --> 00:43:59,680 Speaker 4: that they will in certain ad. 954 00:43:59,800 --> 00:44:02,360 Speaker 2: You're I'm not even kidding, Like I'm kind of surprised 955 00:44:02,360 --> 00:44:05,000 Speaker 2: we're not getting Like there's not an airline that just 956 00:44:05,000 --> 00:44:07,400 Speaker 2: plays ads the whole time and it's like ten minute 957 00:44:07,640 --> 00:44:08,920 Speaker 2: spirits that you it's coming. 958 00:44:09,480 --> 00:44:11,960 Speaker 4: Yeah, I just keep a great idea because. 959 00:44:12,560 --> 00:44:17,560 Speaker 2: People would take a fifty dollars flight and watch ads 960 00:44:17,560 --> 00:44:18,000 Speaker 2: the whole time. 961 00:44:18,040 --> 00:44:20,040 Speaker 3: Wait a minute, I mean you do get ads when 962 00:44:20,040 --> 00:44:22,520 Speaker 3: you're watching the videos, even on the apps. 963 00:44:22,560 --> 00:44:24,680 Speaker 2: You're knocked out of watching the videos in this flight, 964 00:44:24,719 --> 00:44:26,760 Speaker 2: you have to your eyes are kept open. 965 00:44:27,080 --> 00:44:29,120 Speaker 4: Yeah, it's like the opposite of a conversation. 966 00:44:29,520 --> 00:44:34,480 Speaker 2: And you're marketed things for people like you who are 967 00:44:34,800 --> 00:44:39,719 Speaker 2: willing to pick up. No, poor people that have to 968 00:44:39,760 --> 00:44:44,360 Speaker 2: do that, have to do this to it's mine. It 969 00:44:44,360 --> 00:44:47,640 Speaker 2: will be mind control that will be gang sucking. I mean, 970 00:44:47,680 --> 00:44:50,240 Speaker 2: I can't imagine people like I signed up for Disney 971 00:44:50,239 --> 00:44:54,560 Speaker 2: Plus so I could watch Ara's tour and I I 972 00:44:54,680 --> 00:44:56,880 Speaker 2: sign up for I Have. I'm lucky enough to be 973 00:44:56,920 --> 00:44:58,759 Speaker 2: able to afford premium versions of things where I don't 974 00:44:58,760 --> 00:45:00,400 Speaker 2: have to watch ads on these streaming and when I 975 00:45:00,440 --> 00:45:02,479 Speaker 2: see an ad, I get like if Anya pull something 976 00:45:02,560 --> 00:45:04,520 Speaker 2: on her phone and I watched the ad before we 977 00:45:04,560 --> 00:45:06,920 Speaker 2: watch a YouTube video together, I just go like, give 978 00:45:07,120 --> 00:45:09,280 Speaker 2: to send it to me, like I can't, I won't 979 00:45:09,280 --> 00:45:13,400 Speaker 2: do this, but it is it's so disrespectful that they're like, 980 00:45:13,680 --> 00:45:15,480 Speaker 2: if you can afford it, you don't have to watch 981 00:45:15,520 --> 00:45:17,759 Speaker 2: this slop, But if you can't, we're gonna sell you 982 00:45:17,800 --> 00:45:19,799 Speaker 2: a bunch of more shits so you'll be even more poor. 983 00:45:20,040 --> 00:45:21,600 Speaker 2: So then you can't. Then you'll have to get the 984 00:45:21,680 --> 00:45:24,200 Speaker 2: version that has six ads instead of three, because you're 985 00:45:24,200 --> 00:45:25,919 Speaker 2: gonna buy so much shit you're gonna be even poor. 986 00:45:25,960 --> 00:45:29,359 Speaker 2: It's like, why that's cruel to make people pay so 987 00:45:29,400 --> 00:45:31,360 Speaker 2: that they don't have to suffer. Like I don't know 988 00:45:31,360 --> 00:45:32,520 Speaker 2: what the solution is though. 989 00:45:32,360 --> 00:45:35,480 Speaker 3: Am I crazy? But back in the day when cable 990 00:45:35,600 --> 00:45:38,040 Speaker 3: first came out, wasn't it commercial free? 991 00:45:39,080 --> 00:45:42,080 Speaker 2: I think that was maybe like the draw of I 992 00:45:42,080 --> 00:45:44,160 Speaker 2: can't my dad would know because he started in the 993 00:45:44,160 --> 00:45:47,120 Speaker 2: cable industry when the cable industry started in nineteen eighty three. 994 00:45:47,120 --> 00:45:51,360 Speaker 2: I think my dad started and worked until two thousand 995 00:45:50,160 --> 00:45:54,400 Speaker 2: and thirteen in the cable industry, so he would know. 996 00:45:54,560 --> 00:45:59,200 Speaker 2: But I think HBO certainly is and was. HBO only 997 00:45:59,200 --> 00:46:01,960 Speaker 2: has ads for HBO shows, which I like. 998 00:46:02,120 --> 00:46:04,000 Speaker 4: Then there's like trailers that's fun. 999 00:46:04,560 --> 00:46:07,520 Speaker 2: Yeah, it's it's fun. But no one watches HBO live anymore. 1000 00:46:07,520 --> 00:46:09,080 Speaker 2: And do you want to know how I know? Because 1001 00:46:09,120 --> 00:46:13,279 Speaker 2: my special Good Clean Filth was on HBO HBO the 1002 00:46:13,360 --> 00:46:17,439 Speaker 2: other night on TV. I got not one DM about 1003 00:46:17,480 --> 00:46:19,040 Speaker 2: I didn't get any more new follows. I mean I 1004 00:46:19,080 --> 00:46:21,040 Speaker 2: didn't check follows because I don't really know what that 1005 00:46:21,160 --> 00:46:23,160 Speaker 2: is like or how to check that really unless you're 1006 00:46:23,160 --> 00:46:25,719 Speaker 2: paying close to the number. But I didn't get any 1007 00:46:25,840 --> 00:46:28,000 Speaker 2: like dms about it. I didn't get any like mentions 1008 00:46:28,000 --> 00:46:30,319 Speaker 2: of people putting on their story like usually if my 1009 00:46:30,480 --> 00:46:33,960 Speaker 2: specials airing, people people don't care, people aren't watching. The 1010 00:46:34,000 --> 00:46:36,680 Speaker 2: only time you would watch HBO as it's like just 1011 00:46:36,760 --> 00:46:39,319 Speaker 2: airing is if you're my parents and you have big 1012 00:46:39,360 --> 00:46:42,560 Speaker 2: Clean Filth already programmed into your system so that it 1013 00:46:42,560 --> 00:46:45,400 Speaker 2: will alert you when it's on or you were at 1014 00:46:45,440 --> 00:46:47,560 Speaker 2: a hotel and you just got in and you haven't 1015 00:46:47,560 --> 00:46:50,360 Speaker 2: had time to put your streaming stuff in and you 1016 00:46:50,480 --> 00:46:52,160 Speaker 2: just want to eat your Thai food because you landed 1017 00:46:52,239 --> 00:46:55,399 Speaker 2: late and it's cold, and you just go, Okay, I'll 1018 00:46:55,400 --> 00:46:58,480 Speaker 2: just see what's on, and you've put on Fox because 1019 00:46:58,480 --> 00:47:02,439 Speaker 2: they always have some fun game shows. You watch Beat 1020 00:47:02,440 --> 00:47:05,359 Speaker 2: Bobby Flay. He's on constantly, and that's a really good 1021 00:47:05,400 --> 00:47:11,600 Speaker 2: show to watch. But can I say that, Uh, my 1022 00:47:11,680 --> 00:47:13,520 Speaker 2: favorite show is if I'm just turning on the TV, 1023 00:47:14,000 --> 00:47:16,279 Speaker 2: it's I'm gonna go to Fox and if I'll watch 1024 00:47:16,360 --> 00:47:18,160 Speaker 2: late night. But usually when I land it's like a 1025 00:47:18,280 --> 00:47:21,600 Speaker 2: usually or like get back to on like a Friday 1026 00:47:21,640 --> 00:47:24,279 Speaker 2: night from a show late night shows haven't started yet. 1027 00:47:24,280 --> 00:47:27,640 Speaker 2: I want to go to bed, and it's I will 1028 00:47:27,960 --> 00:47:30,439 Speaker 2: watch I will check out what Fox is showing, because 1029 00:47:30,440 --> 00:47:32,680 Speaker 2: there's usually like a song about like or like a 1030 00:47:32,719 --> 00:47:36,440 Speaker 2: show about guessing celebrities singing or something Beat Bobby Flay. 1031 00:47:36,920 --> 00:47:41,960 Speaker 2: And then what's the other like a movie that might 1032 00:47:41,960 --> 00:47:43,960 Speaker 2: be that I haven't seen yet, which guess what I 1033 00:47:44,000 --> 00:47:44,680 Speaker 2: have not seen? 1034 00:47:45,080 --> 00:47:48,720 Speaker 4: And this is criminal okra or no, it's on a movie. 1035 00:47:50,719 --> 00:47:54,160 Speaker 2: What I have seen that well, no, I have not 1036 00:47:54,239 --> 00:47:57,040 Speaker 2: seen that. This is a movie that Okay, this is 1037 00:47:57,640 --> 00:48:01,359 Speaker 2: this is one of the classic comedies of of my era, 1038 00:48:01,719 --> 00:48:10,680 Speaker 2: of my generation. No, of my generation. I'm not sixty clueless, 1039 00:48:11,239 --> 00:48:14,239 Speaker 2: great guest, Noah, you are on the right track. It 1040 00:48:14,320 --> 00:48:17,440 Speaker 2: is l it's when I had already been doing comedy. 1041 00:48:17,440 --> 00:48:20,879 Speaker 2: We're talking to two thousands. No, I have not seen 1042 00:48:20,920 --> 00:48:23,120 Speaker 2: Miss Congeniality, but that's not the right answer. And I 1043 00:48:23,120 --> 00:48:26,400 Speaker 2: have also not seen Sweet Home Alabama or Legally Blonde, 1044 00:48:26,400 --> 00:48:28,680 Speaker 2: which I know is going to blow people's minds. But 1045 00:48:28,719 --> 00:48:32,640 Speaker 2: I don't really care about hot women being like I 1046 00:48:32,800 --> 00:48:34,759 Speaker 2: know they're funny. It just didn't appeal to me, and 1047 00:48:34,760 --> 00:48:37,160 Speaker 2: I don't know why it still doesn't. I'm sorry, but 1048 00:48:37,239 --> 00:48:38,399 Speaker 2: this one is like Bad. 1049 00:48:38,480 --> 00:48:40,359 Speaker 4: Men can't believe super Bad. 1050 00:48:40,560 --> 00:48:44,479 Speaker 2: No, super Bad's amazing. I went on super Bad amazing, 1051 00:48:44,600 --> 00:48:47,319 Speaker 2: But in that it's it's right with Anchorman in terms 1052 00:48:47,320 --> 00:48:48,360 Speaker 2: of importance to people. 1053 00:48:48,840 --> 00:48:49,160 Speaker 4: Wow. 1054 00:48:49,440 --> 00:48:51,279 Speaker 2: And it's not old school, but it's right there too. 1055 00:48:52,120 --> 00:48:52,440 Speaker 4: Trip. 1056 00:48:53,239 --> 00:48:58,160 Speaker 2: No, No, I don't know if I've seen year old Virgin, guest. 1057 00:48:58,840 --> 00:49:00,839 Speaker 2: Virgin is a good guess. I did see that. I 1058 00:49:00,880 --> 00:49:01,439 Speaker 2: loved it. 1059 00:49:01,719 --> 00:49:02,600 Speaker 4: Where's My Car? 1060 00:49:03,360 --> 00:49:04,120 Speaker 2: Loved that movie. 1061 00:49:04,160 --> 00:49:05,120 Speaker 4: American Pie. 1062 00:49:05,560 --> 00:49:09,080 Speaker 2: No, amazing. But we're talking later and we're talking. Okay, 1063 00:49:09,680 --> 00:49:13,800 Speaker 2: let's uh Harold and Kumar. No, I did see Harold 1064 00:49:13,800 --> 00:49:16,480 Speaker 2: and Kumbar. Wasn't a huge fan, but definitely a classic. 1065 00:49:16,480 --> 00:49:19,400 Speaker 2: You need to see. Road Trip also a classic early comedy. 1066 00:49:19,600 --> 00:49:22,880 Speaker 2: This is Going to Park. Okay, Will Ferrell has a cameo. 1067 00:49:22,920 --> 00:49:26,520 Speaker 2: That's one of the greatest things ever. Oh old dodgeball, 1068 00:49:27,440 --> 00:49:29,080 Speaker 2: not old school, not dodgeball. 1069 00:49:30,360 --> 00:49:32,759 Speaker 4: Will Ferrell cameo. Yeah, it's the greatest thing. 1070 00:49:32,880 --> 00:49:34,759 Speaker 2: I didn't know about. I didn't know about it. I 1071 00:49:34,760 --> 00:49:38,759 Speaker 2: mean I've talked about. I literally saw a clip of 1072 00:49:38,800 --> 00:49:40,960 Speaker 2: this and I go, I've never seen this Will Ferrell scene. 1073 00:49:41,120 --> 00:49:43,600 Speaker 2: He's sitting on a couch and he's like eating cereal 1074 00:49:43,600 --> 00:49:45,919 Speaker 2: in a robe. It was what I'm remembering, But maybe 1075 00:49:45,920 --> 00:49:48,919 Speaker 2: that's not it. And and Vince Vaughan is no Owen 1076 00:49:48,960 --> 00:49:54,960 Speaker 2: Wilson Wedding Crashers and I think it would probably be 1077 00:49:55,000 --> 00:49:58,239 Speaker 2: one of my favorite movies. But there's a scene with 1078 00:49:58,280 --> 00:50:00,919 Speaker 2: Will Ferrell in it that's I have to say. It's 1079 00:50:00,920 --> 00:50:02,600 Speaker 2: one of the funniest things I've ever seen in my life. 1080 00:50:03,080 --> 00:50:03,480 Speaker 4: Mm hmm. 1081 00:50:03,880 --> 00:50:06,960 Speaker 2: Do you know what I'm talking about? That scene? Have 1082 00:50:07,000 --> 00:50:07,800 Speaker 2: you seen wedding. 1083 00:50:07,560 --> 00:50:10,720 Speaker 4: Cashers definitely, but I guess I don't remember the scene 1084 00:50:10,719 --> 00:50:11,080 Speaker 4: for something. 1085 00:50:11,120 --> 00:50:13,279 Speaker 2: Really, he's like calling to his mama. He lives with 1086 00:50:13,320 --> 00:50:17,040 Speaker 2: his mom, and he's talking about uh he he's he's 1087 00:50:17,080 --> 00:50:19,000 Speaker 2: like the original guy that goes to weddings and. 1088 00:50:18,960 --> 00:50:21,440 Speaker 4: Credit Okay, yeah, yeah, yeah. 1089 00:50:21,480 --> 00:50:24,640 Speaker 2: He's kind of like Jerry O'Connell's role in Can't Hardly Wait, 1090 00:50:25,080 --> 00:50:27,120 Speaker 2: where he's like the old guy that comes back and 1091 00:50:27,160 --> 00:50:29,520 Speaker 2: he's like, yeah, I used to do this. I used 1092 00:50:29,520 --> 00:50:32,279 Speaker 2: to be the coolest guy in camp. Remember that scene? Yeah, 1093 00:50:32,280 --> 00:50:34,760 Speaker 2: it was so good. Can Harley Wait's the best fucking movie. 1094 00:50:36,080 --> 00:50:37,400 Speaker 4: You know what I watched on a plane? 1095 00:50:37,800 --> 00:50:38,200 Speaker 2: Hmm? 1096 00:50:38,760 --> 00:50:39,640 Speaker 4: The Holdovers? 1097 00:50:40,640 --> 00:50:42,399 Speaker 2: Oh yeah, I see it. Yes, yeah, let's talk. 1098 00:50:42,320 --> 00:50:44,239 Speaker 4: About what'd you think of The Old Overs? 1099 00:50:44,440 --> 00:50:47,080 Speaker 2: What is that? I haven't heard about it? It's a 1100 00:50:47,120 --> 00:50:51,200 Speaker 2: Paul Giamatti plays a teacher at a private boys school 1101 00:50:51,239 --> 00:50:53,680 Speaker 2: that's kind of like a what is it called when 1102 00:50:53,680 --> 00:50:55,560 Speaker 2: you send your kids away and you get a boarding school? 1103 00:50:55,600 --> 00:50:56,160 Speaker 2: Boarding school? 1104 00:50:56,160 --> 00:50:56,440 Speaker 3: Thank you? 1105 00:50:56,560 --> 00:50:59,480 Speaker 4: A curmudge teacher from a boarding school who's with a 1106 00:50:59,560 --> 00:51:03,239 Speaker 4: lazy with a lazy eye, who is stuck taking care 1107 00:51:03,360 --> 00:51:06,080 Speaker 4: of several kids who are not able to go home 1108 00:51:06,120 --> 00:51:08,080 Speaker 4: for the holidays with their family. 1109 00:51:07,880 --> 00:51:11,120 Speaker 2: And he's just a stinky curmudgeon professor who smells because 1110 00:51:11,160 --> 00:51:13,520 Speaker 2: he has an actual body condition that makes him stinky. 1111 00:51:13,800 --> 00:51:16,200 Speaker 2: So he's just like unattractive and like he has a 1112 00:51:16,200 --> 00:51:19,080 Speaker 2: weird eye going one way, and he's just not and 1113 00:51:19,160 --> 00:51:21,680 Speaker 2: he's bitter about life and he's bitter about his place 1114 00:51:21,680 --> 00:51:23,120 Speaker 2: in life. And he could have been more in all 1115 00:51:23,160 --> 00:51:24,840 Speaker 2: these things he wants to He could have been an author, 1116 00:51:25,080 --> 00:51:25,520 Speaker 2: and he's. 1117 00:51:25,480 --> 00:51:30,400 Speaker 4: What about the character you're just describing Paul Giamatti, that's funny. 1118 00:51:30,920 --> 00:51:33,160 Speaker 2: So he did have to wear a weird eye, and 1119 00:51:33,160 --> 00:51:35,480 Speaker 2: I'm like, he could have just been him. It doesn't 1120 00:51:35,600 --> 00:51:38,000 Speaker 2: you know, like his eyes are already doing something. 1121 00:51:37,760 --> 00:51:43,359 Speaker 4: Fun, but something fun that great, that's like a that's 1122 00:51:43,400 --> 00:51:46,160 Speaker 4: like a a mom or something to that fit their care. 1123 00:51:46,239 --> 00:51:47,880 Speaker 4: Your eyes are just doing something fun. 1124 00:51:48,560 --> 00:51:51,040 Speaker 2: Honestly, it is fun because it makes him who he 1125 00:51:51,160 --> 00:51:54,239 Speaker 2: is to watch, Like, yeah, and I'd been horny for 1126 00:51:54,239 --> 00:51:56,680 Speaker 2: Paul Giamati, especially in that Amy Schumer sketch where they 1127 00:51:56,760 --> 00:51:58,920 Speaker 2: like make out. I've been like, oh my god, he's hot. 1128 00:51:59,000 --> 00:52:01,080 Speaker 2: So I don't feel bad saying that about him because 1129 00:52:01,080 --> 00:52:04,080 Speaker 2: I actually am attracted to him. So but anyway, in 1130 00:52:04,080 --> 00:52:07,920 Speaker 2: this movie, he plays this professor and then he gets 1131 00:52:08,280 --> 00:52:10,080 Speaker 2: he has to stay with the kids who don't get 1132 00:52:10,080 --> 00:52:11,719 Speaker 2: to go home for the holidays because their parents suck 1133 00:52:11,840 --> 00:52:14,680 Speaker 2: or alcoholics, or have abandoned them or are just like, 1134 00:52:14,760 --> 00:52:16,879 Speaker 2: you know, mom's got a new husband, so she's going 1135 00:52:16,880 --> 00:52:20,320 Speaker 2: away to the Bahamas. And so these all these kids 1136 00:52:20,320 --> 00:52:24,200 Speaker 2: get stuck at this boarding school, boarding school over Christmas break, 1137 00:52:24,200 --> 00:52:26,719 Speaker 2: they have no school and the heat shut down and 1138 00:52:26,960 --> 00:52:31,200 Speaker 2: and Paul Gamanni has to watch them and hilarity ensues. No, 1139 00:52:31,400 --> 00:52:36,360 Speaker 2: it's not hilarious, it's cute. He's amazing. Paul Gmonny is great, 1140 00:52:36,480 --> 00:52:38,160 Speaker 2: the boys great, even though he's way too old for 1141 00:52:38,200 --> 00:52:41,560 Speaker 2: the role. But it's still it worked. There's one scene 1142 00:52:41,640 --> 00:52:43,560 Speaker 2: later on that was maybe a pickup that they did 1143 00:52:43,600 --> 00:52:50,040 Speaker 2: after he had you know, file grower aarp. No, he 1144 00:52:50,160 --> 00:52:53,360 Speaker 2: was really Yeah, it was looked a lot in the 1145 00:52:53,400 --> 00:52:55,279 Speaker 2: parking lot at the end, I guess it was just 1146 00:52:55,320 --> 00:52:57,640 Speaker 2: the end. Yeah, and he looked a lot older because 1147 00:52:57,920 --> 00:52:59,759 Speaker 2: all of a sudden, this the lighting, you could see 1148 00:52:59,840 --> 00:53:03,279 Speaker 2: like fine lines on his face, yeah, not wrinkles, but like, 1149 00:53:03,320 --> 00:53:04,960 Speaker 2: oh he's he's older than that. 1150 00:53:05,040 --> 00:53:07,240 Speaker 4: And he was like driving a rental car. 1151 00:53:07,760 --> 00:53:11,560 Speaker 2: What oh, yeah, you can't do that five brow Okay, 1152 00:53:11,840 --> 00:53:16,120 Speaker 2: So then so it was good. Yeah, but best Picture nominee, no. 1153 00:53:16,160 --> 00:53:19,600 Speaker 4: Way, I mean I really thought it. I didn't. Yeah, 1154 00:53:19,600 --> 00:53:21,799 Speaker 4: I don't know what a best picture should be these days, but. 1155 00:53:21,760 --> 00:53:23,960 Speaker 2: I don't either, so maybe that's I thought. 1156 00:53:23,960 --> 00:53:25,759 Speaker 4: It reminded me of good Will hunting, and I love 1157 00:53:25,800 --> 00:53:28,799 Speaker 4: goodwill hunting, and that's why I was like, oh, good 1158 00:53:28,800 --> 00:53:30,520 Speaker 4: Will hunting. Just twenty years later. 1159 00:53:31,640 --> 00:53:35,080 Speaker 2: It didn't seem as like raw as good Will Hunting. 1160 00:53:36,000 --> 00:53:37,560 Speaker 4: It seemed quite a bit more. 1161 00:53:37,640 --> 00:53:39,560 Speaker 2: There's like a more machine. 1162 00:53:39,160 --> 00:53:42,960 Speaker 4: To it, but it was like a New England school mentormentee. 1163 00:53:43,520 --> 00:53:46,680 Speaker 2: Dead Poets Society was my favorite. That's that's only if 1164 00:53:46,760 --> 00:53:48,520 Speaker 2: we're going, we're going. Dead Post Society is the most 1165 00:53:48,520 --> 00:53:52,480 Speaker 2: fucked up, then good Will Hunting, then Holdovers. Holdovers is 1166 00:53:53,120 --> 00:53:53,759 Speaker 2: those two. 1167 00:53:53,920 --> 00:53:56,399 Speaker 4: Yeah. I didn't like that Dead Poet Society as much 1168 00:53:56,400 --> 00:53:58,040 Speaker 4: as Goodwill h I loved. 1169 00:53:57,719 --> 00:53:59,440 Speaker 2: It so much. I haven't watched it in years, but 1170 00:53:59,560 --> 00:54:01,720 Speaker 2: I remember seeing it in high school and declaring it 1171 00:54:01,719 --> 00:54:05,400 Speaker 2: it is my favorite film. I like loved it. I 1172 00:54:05,440 --> 00:54:07,080 Speaker 2: was like obsessed with it in high school and it 1173 00:54:07,120 --> 00:54:09,200 Speaker 2: was really old by that time anyway, but I just 1174 00:54:09,719 --> 00:54:11,959 Speaker 2: loved that the ending was not happy. 1175 00:54:13,080 --> 00:54:17,480 Speaker 4: And then then the guy from House. All right, he 1176 00:54:17,600 --> 00:54:21,279 Speaker 4: was the the guy from House, not the main not 1177 00:54:21,360 --> 00:54:23,640 Speaker 4: Hugh Laurie. But I don't know anyone from House. 1178 00:54:23,680 --> 00:54:26,320 Speaker 2: But I do know all the other people in that movie. 1179 00:54:26,719 --> 00:54:27,759 Speaker 2: Ethan Hawk was in it. 1180 00:54:28,000 --> 00:54:33,680 Speaker 4: The main character, the main boy is Society was in House. 1181 00:54:34,239 --> 00:54:36,080 Speaker 2: Oh, I didn't know that. I actually haven't seen him 1182 00:54:36,080 --> 00:54:37,880 Speaker 2: as an adult. I know that one of the boys 1183 00:54:37,960 --> 00:54:39,839 Speaker 2: was so cute, and he ended up being the guy 1184 00:54:40,080 --> 00:54:46,760 Speaker 2: that was on news news radio, newswork, newswork, no often 1185 00:54:47,000 --> 00:54:54,000 Speaker 2: the the Aaron Sorkin thing about a newsroom, newsroom, uh, newsroom, 1186 00:54:54,040 --> 00:54:56,480 Speaker 2: and then he's on something else too, maybe the Good Wife. 1187 00:54:56,920 --> 00:54:58,680 Speaker 2: I don't know, he's he's great though. He's in a 1188 00:54:58,719 --> 00:55:00,600 Speaker 2: Shumer sketch as well, one of my FA favorite ones 1189 00:55:00,800 --> 00:55:03,920 Speaker 2: where they are Josh Charles. Oh my god, I the 1190 00:55:03,920 --> 00:55:07,640 Speaker 2: biggest crush on Jos Charles, me too. Why is he 1191 00:55:07,800 --> 00:55:11,520 Speaker 2: so hot? Because it's kind of unassuming. I loved it. 1192 00:55:11,640 --> 00:55:14,160 Speaker 2: I don't know that, you know, what kind of the 1193 00:55:14,280 --> 00:55:16,600 Speaker 2: vibe of another guy that didn't get a lot of 1194 00:55:16,719 --> 00:55:19,440 Speaker 2: like girls being swoony over who they should have been 1195 00:55:19,440 --> 00:55:21,360 Speaker 2: swoony over Steve's. 1196 00:55:20,920 --> 00:55:23,960 Speaker 4: On MMMM don't mess with his on. 1197 00:55:24,520 --> 00:55:26,120 Speaker 2: Do you know who I'm talking about, Brian, No, one's 1198 00:55:26,120 --> 00:55:27,240 Speaker 2: gonna find out in a second. 1199 00:55:27,400 --> 00:55:29,400 Speaker 4: Steve's on the Age. 1200 00:55:29,480 --> 00:55:33,480 Speaker 2: Oh yeah, okay, so that Thing You Do he was 1201 00:55:33,520 --> 00:55:36,440 Speaker 2: like the goofy drummers. I guess No, No, he was 1202 00:55:36,440 --> 00:55:38,000 Speaker 2: the basist mate. I don't know what he was. 1203 00:55:39,239 --> 00:55:40,200 Speaker 4: And what else is he? Bear? 1204 00:55:41,360 --> 00:55:41,560 Speaker 3: Kay? 1205 00:55:41,840 --> 00:55:48,360 Speaker 4: Joy ride diary? Will you go back for Silverman? No? 1206 00:55:49,760 --> 00:55:50,960 Speaker 4: The Planet of the Apes? 1207 00:55:51,360 --> 00:55:51,640 Speaker 2: No? 1208 00:55:52,960 --> 00:55:53,239 Speaker 4: What do I? 1209 00:55:53,400 --> 00:55:55,160 Speaker 2: Yeah, that Thing You Do go before that? And what 1210 00:55:55,200 --> 00:55:55,920 Speaker 2: was he in before that? 1211 00:55:56,880 --> 00:55:59,160 Speaker 4: Uh? Strange wilderness. 1212 00:55:59,400 --> 00:56:05,120 Speaker 2: No, you've got You've got mail, That's what it is. Yes, 1213 00:56:05,600 --> 00:56:07,479 Speaker 2: he was the guy in the book shop that worked 1214 00:56:07,480 --> 00:56:11,240 Speaker 2: with Meg Ryan, who was like so adorable. Oh god, 1215 00:56:11,600 --> 00:56:14,000 Speaker 2: there were some nineties guys that played that kind of character. 1216 00:56:14,120 --> 00:56:17,600 Speaker 2: The other one was Jerry Maguire than the manny, he 1217 00:56:17,760 --> 00:56:19,680 Speaker 2: was the nanny that was the man I was very 1218 00:56:19,719 --> 00:56:21,560 Speaker 2: attracted to him as well in the nineties. 1219 00:56:22,000 --> 00:56:22,480 Speaker 4: Yeah. 1220 00:56:22,719 --> 00:56:24,759 Speaker 2: Oh, but That Thing You Do is one of the 1221 00:56:24,760 --> 00:56:28,000 Speaker 2: best movies of all time. Like, I don't know if 1222 00:56:28,000 --> 00:56:31,480 Speaker 2: it's best picture worthy, but it's it is the most 1223 00:56:31,560 --> 00:56:35,880 Speaker 2: watchable fucking thing. Tom Hanks kills it. Tom Scott Everett 1224 00:56:36,160 --> 00:56:36,920 Speaker 2: kills its. 1225 00:56:37,280 --> 00:56:39,120 Speaker 4: Songs from Yeah. 1226 00:56:39,160 --> 00:56:41,120 Speaker 2: And they don't even just have that song. They have bet. 1227 00:56:41,160 --> 00:56:44,239 Speaker 2: They even have so many songs in that movie that 1228 00:56:44,280 --> 00:56:44,959 Speaker 2: are so bad. 1229 00:56:45,080 --> 00:56:47,760 Speaker 4: Song is so good, it sounds like it's from the Beatles. 1230 00:56:47,840 --> 00:56:50,400 Speaker 4: It good like a movie. 1231 00:56:51,120 --> 00:56:54,319 Speaker 2: Oh my God, Live Tyler is so beautiful and so 1232 00:56:54,560 --> 00:56:57,080 Speaker 2: perfect in it. But Tom Hanks is just great as 1233 00:56:57,120 --> 00:57:00,200 Speaker 2: their manager. It's just a great movie. And I love this. 1234 00:57:00,239 --> 00:57:02,880 Speaker 2: I just love it, like I love any movie that 1235 00:57:02,920 --> 00:57:05,640 Speaker 2: deals with like show business. I always whenever I would 1236 00:57:05,680 --> 00:57:08,680 Speaker 2: pitch ideas to people to develop I'm like, okay, so 1237 00:57:08,719 --> 00:57:11,160 Speaker 2: it's like set on a TV set, and they're like, 1238 00:57:11,160 --> 00:57:13,960 Speaker 2: people don't Americans don't really have an interest in this, 1239 00:57:14,120 --> 00:57:15,160 Speaker 2: like the regular Americans. 1240 00:57:15,200 --> 00:57:16,240 Speaker 4: And I'm like the show it. 1241 00:57:16,960 --> 00:57:20,000 Speaker 2: I know. There's always like exceptions, but by and large, 1242 00:57:20,400 --> 00:57:23,920 Speaker 2: Rock I know. But thirty Rock wasn't a huge hit. 1243 00:57:25,000 --> 00:57:26,480 Speaker 4: I got six seven seasons. 1244 00:57:27,720 --> 00:57:30,720 Speaker 2: I'm just saying it. I think Tina Fey would say 1245 00:57:30,760 --> 00:57:33,520 Speaker 2: it wasn't. It is one of the best TV shows 1246 00:57:33,560 --> 00:57:35,920 Speaker 2: to ever exist, without question, but it was not a 1247 00:57:36,360 --> 00:57:38,240 Speaker 2: It was a critical hit, but I don't think it 1248 00:57:38,480 --> 00:57:41,880 Speaker 2: didn't great numbers. But I've just heard the feedback I've 1249 00:57:41,920 --> 00:57:44,520 Speaker 2: gotten from the world and This was like maybe three 1250 00:57:44,600 --> 00:57:46,840 Speaker 2: or four years ago when I was thinking about making 1251 00:57:46,880 --> 00:57:51,160 Speaker 2: a show. An average person doesn't really interested in the 1252 00:57:51,200 --> 00:57:54,320 Speaker 2: inner workings of Hollywood. They're just like Kiah. They don't 1253 00:57:54,360 --> 00:57:56,680 Speaker 2: really care, and there are exceptions to it, but like, 1254 00:57:56,720 --> 00:57:58,360 Speaker 2: by and large, that is not They just want to 1255 00:57:58,400 --> 00:58:02,560 Speaker 2: see like things that represent mostly normal life. But it's 1256 00:58:02,560 --> 00:58:05,320 Speaker 2: hard because I don't really relate to those like whenever 1257 00:58:05,320 --> 00:58:07,400 Speaker 2: they're like Nikki, let's do your character. But if she 1258 00:58:07,480 --> 00:58:09,480 Speaker 2: was a photographer, and I'm just like, I don't know, 1259 00:58:10,320 --> 00:58:12,920 Speaker 2: I would kill myself if I had to do that, 1260 00:58:13,120 --> 00:58:15,960 Speaker 2: no offense to photographers, like I would never have done that, 1261 00:58:16,240 --> 00:58:18,360 Speaker 2: and so I can't think like that. But then you go, okay, 1262 00:58:18,360 --> 00:58:20,440 Speaker 2: well then it's not me. So I can't be a 1263 00:58:20,440 --> 00:58:24,280 Speaker 2: photographer like Nicki Glazer can't be a photographer or whatever. 1264 00:58:24,320 --> 00:58:26,320 Speaker 2: I just picked photographer. I think Whitney was that in 1265 00:58:26,480 --> 00:58:29,000 Speaker 2: her show Whitney, and actually that actually worked and it 1266 00:58:29,040 --> 00:58:32,000 Speaker 2: would work. I just I yeah, I just found it 1267 00:58:32,040 --> 00:58:33,800 Speaker 2: interesting that people are like, no, we don't really care 1268 00:58:33,840 --> 00:58:37,400 Speaker 2: about like Studio sixty on the Sunset Strip, people weren't 1269 00:58:37,400 --> 00:58:40,000 Speaker 2: that thrilled about that show, and I fucking loved it 1270 00:58:40,200 --> 00:58:42,439 Speaker 2: because I'm interested in that world, and I'm not saying 1271 00:58:42,400 --> 00:58:43,959 Speaker 2: that this is all people. I think there are gonna 1272 00:58:43,960 --> 00:58:45,120 Speaker 2: be a lot of besties who are like, no, I 1273 00:58:45,120 --> 00:58:47,320 Speaker 2: love that world because you guys are savvy and cool. 1274 00:58:47,560 --> 00:58:51,920 Speaker 4: People are interested in the police, the fire, and the hospital, 1275 00:58:52,000 --> 00:58:53,120 Speaker 4: so those are the jobs they want. 1276 00:58:53,000 --> 00:58:57,040 Speaker 2: To see first respond to science fiction? Can I just say, like, 1277 00:58:58,360 --> 00:59:02,200 Speaker 2: I don't. Science fiction to me is as off limits 1278 00:59:02,880 --> 00:59:07,440 Speaker 2: of an interest as heavy metal music. To me, I 1279 00:59:07,440 --> 00:59:10,560 Speaker 2: don't understand it. I can't relate to people who like it. 1280 00:59:10,560 --> 00:59:13,200 Speaker 2: It's just I know, it's just but there are some 1281 00:59:13,280 --> 00:59:15,919 Speaker 2: things that you guys would never ever like, no matter 1282 00:59:15,920 --> 00:59:17,960 Speaker 2: how much time you spent with it, you couldn't. And 1283 00:59:18,000 --> 00:59:21,439 Speaker 2: that's not true. I think, Yeah, there's just certain things 1284 00:59:21,440 --> 00:59:23,440 Speaker 2: that some people are totally into and you just go 1285 00:59:23,600 --> 00:59:26,280 Speaker 2: it's just not for me. And I don't science fiction. 1286 00:59:26,440 --> 00:59:29,600 Speaker 2: I don't really like other worlds that are just invented 1287 00:59:29,640 --> 00:59:31,640 Speaker 2: out of nothing. And my mom the other day said 1288 00:59:31,640 --> 00:59:33,400 Speaker 2: the same thing. She was like, I just don't care. 1289 00:59:33,280 --> 00:59:36,400 Speaker 3: About it, like fantasy stuff. I can't get into it either, But. 1290 00:59:36,560 --> 00:59:38,200 Speaker 2: The people that are into it are so into it 1291 00:59:38,200 --> 00:59:39,720 Speaker 2: that it makes me want to get into it because 1292 00:59:39,720 --> 00:59:43,480 Speaker 2: it seems it's like sports fans or being swifty. Might 1293 00:59:43,520 --> 00:59:45,560 Speaker 2: I say, like, I went in because I want to. 1294 00:59:46,080 --> 00:59:47,760 Speaker 2: I love being a swifty. It's one of my favorite 1295 00:59:47,800 --> 00:59:49,880 Speaker 2: things because I care so much about something and know 1296 00:59:50,000 --> 00:59:52,800 Speaker 2: so many details about this thing that's like wouldn't exist 1297 00:59:52,800 --> 00:59:54,959 Speaker 2: if it weren't for her mind. So it's the same 1298 00:59:54,960 --> 00:59:57,960 Speaker 2: thing for our R Tolken or what JJ are? 1299 00:59:58,080 --> 00:59:58,240 Speaker 3: Art? 1300 00:59:58,320 --> 01:00:00,480 Speaker 2: Am I confusing people? Jay are Tolkien? 1301 01:00:01,040 --> 01:00:02,320 Speaker 4: J R R Tolkien? 1302 01:00:02,960 --> 01:00:07,040 Speaker 2: Is that right? I thought it's Tolkien Tolkien? Yeah, yeah, yeah, 1303 01:00:07,200 --> 01:00:09,800 Speaker 2: k E I N. I didn't know, guys, get it 1304 01:00:09,800 --> 01:00:14,880 Speaker 2: to or what's his name? The George R R. 1305 01:00:15,000 --> 01:00:15,360 Speaker 4: Martin? 1306 01:00:15,840 --> 01:00:19,840 Speaker 2: Wait, why there's so many R R s science fiction? 1307 01:00:20,960 --> 01:00:24,800 Speaker 4: I mean it's uh yeah, R R Ronald. 1308 01:00:24,560 --> 01:00:26,960 Speaker 2: Reagan J J Abrams. 1309 01:00:27,000 --> 01:00:30,960 Speaker 4: They insulted. They inserted the r rs after the eighties 1310 01:00:31,000 --> 01:00:33,040 Speaker 4: to support Ronald Reagan, and they never took. 1311 01:00:34,480 --> 01:00:36,920 Speaker 2: J J R R Abrams J J R R. 1312 01:00:37,000 --> 01:00:39,200 Speaker 4: Yeah. 1313 01:00:39,280 --> 01:00:41,680 Speaker 2: Yeh, isn't it J J Abrams or is it j Abrams? 1314 01:00:42,120 --> 01:00:44,880 Speaker 4: It's J J Abrams. Yeah, you gotta have the double 1315 01:00:44,960 --> 01:00:47,120 Speaker 4: letters J J. Hey, what's up J J? 1316 01:00:47,280 --> 01:00:47,440 Speaker 3: Yeah? 1317 01:00:47,440 --> 01:00:48,000 Speaker 4: I think so. 1318 01:00:50,200 --> 01:00:55,880 Speaker 2: I don't know if I just call him? 1319 01:00:56,200 --> 01:00:58,880 Speaker 4: Wait, I have I have a I have had an idea. 1320 01:00:59,000 --> 01:01:00,959 Speaker 4: I wouldnt want to forget to say, because it's about 1321 01:01:00,960 --> 01:01:03,120 Speaker 4: the planes. Way back when we're talking about planes, no 1322 01:01:03,240 --> 01:01:06,000 Speaker 4: go back, capitalist plan Spirit Airlines. If you want to 1323 01:01:06,040 --> 01:01:08,800 Speaker 4: hit me up, I can be your marketing manager. They 1324 01:01:08,880 --> 01:01:11,240 Speaker 4: should at the end of the flight, when you're walking 1325 01:01:11,240 --> 01:01:13,800 Speaker 4: off the flight, they should hand you a book of 1326 01:01:13,880 --> 01:01:16,800 Speaker 4: coupons for things that are in the city that you 1327 01:01:16,920 --> 01:01:17,360 Speaker 4: landed in. 1328 01:01:19,080 --> 01:01:19,480 Speaker 2: Wow. 1329 01:01:19,600 --> 01:01:21,720 Speaker 4: And they can make money from the businesses who are like, 1330 01:01:21,760 --> 01:01:23,240 Speaker 4: I want to be in the coupon book and it's 1331 01:01:23,280 --> 01:01:25,200 Speaker 4: just like another way to waste. 1332 01:01:25,320 --> 01:01:27,560 Speaker 2: Would people not be doing that? That is like just 1333 01:01:27,720 --> 01:01:28,600 Speaker 2: money to be made. 1334 01:01:28,760 --> 01:01:31,360 Speaker 4: Yeah, And then then you get the coupons and then 1335 01:01:31,360 --> 01:01:33,520 Speaker 4: you're like, oh look five dollars off or free donut. 1336 01:01:33,880 --> 01:01:36,360 Speaker 2: You're targeting people who are visiting your city in want 1337 01:01:36,440 --> 01:01:39,120 Speaker 2: to explore and already are like they're on vacation, so 1338 01:01:39,160 --> 01:01:41,240 Speaker 2: when they're of the mindset of like spending money but 1339 01:01:41,360 --> 01:01:44,280 Speaker 2: saving money. Yeah, this is a brilliant plan. 1340 01:01:44,360 --> 01:01:47,280 Speaker 3: I could just see that book scattered all over airports 1341 01:01:47,440 --> 01:01:49,000 Speaker 3: where people just like dropping in. 1342 01:01:49,120 --> 01:01:51,920 Speaker 2: Yes, but just like everything else, and they don't have 1343 01:01:51,960 --> 01:01:53,320 Speaker 2: to take one if they don't want one. It's kind 1344 01:01:53,320 --> 01:01:54,200 Speaker 2: of like the credit card thing. 1345 01:01:54,280 --> 01:01:56,600 Speaker 4: Yeah, do you want a coupon book, you can get 1346 01:01:56,600 --> 01:01:57,560 Speaker 4: a free. 1347 01:01:57,200 --> 01:01:58,080 Speaker 2: I like this idea. 1348 01:01:58,560 --> 01:02:00,360 Speaker 4: I know, Highway Start. We're going to start a business. 1349 01:02:00,360 --> 01:02:03,000 Speaker 2: We can start an app, Brian. It'd be a coupon app, 1350 01:02:03,240 --> 01:02:05,800 Speaker 2: and it's an app that for for people who travel. 1351 01:02:06,200 --> 01:02:07,960 Speaker 2: When they land they yeah. 1352 01:02:08,200 --> 01:02:10,760 Speaker 4: Okay, we can start. But that's an easy business plan. 1353 01:02:10,840 --> 01:02:13,360 Speaker 4: We need seed money, we need now, Okay. 1354 01:02:13,400 --> 01:02:16,720 Speaker 2: So the app is that you it's for people who traveled, 1355 01:02:16,800 --> 01:02:19,040 Speaker 2: who want to, who are tourists in towns, and then 1356 01:02:19,480 --> 01:02:21,760 Speaker 2: if you if it's senses that you are in that location, 1357 01:02:21,880 --> 01:02:25,560 Speaker 2: it unlocks coupons for you that you won't know about 1358 01:02:25,640 --> 01:02:26,880 Speaker 2: till you land in that city. 1359 01:02:27,040 --> 01:02:28,880 Speaker 4: That's right, That's right, Okay, I. 1360 01:02:28,880 --> 01:02:31,840 Speaker 2: Just added that thing to it. So it incentivizes traveling there, 1361 01:02:31,880 --> 01:02:35,360 Speaker 2: and it incentivizes like I'm special, so I'm unlocking something. 1362 01:02:35,080 --> 01:02:40,880 Speaker 4: And things like that. You land in Chicago and then boom, 1363 01:02:40,960 --> 01:02:44,120 Speaker 4: free boat tour for the architectural boat tour for you. 1364 01:02:44,160 --> 01:02:46,480 Speaker 2: And can I pitch a thing that I want to do. 1365 01:02:46,600 --> 01:02:51,480 Speaker 2: I want to start a swifty account on my Instagram 1366 01:02:51,520 --> 01:02:54,320 Speaker 2: that's just for swifties and you pay five bucks to subscribe. 1367 01:02:54,320 --> 01:02:56,480 Speaker 2: You know how you can do like close friends. It's 1368 01:02:56,480 --> 01:03:00,000 Speaker 2: a subscription service, so that's where I put all my 1369 01:03:00,040 --> 01:03:02,040 Speaker 2: swifty content so I don't have to get made fun 1370 01:03:02,080 --> 01:03:03,440 Speaker 2: of by people who aren't swifties. 1371 01:03:03,760 --> 01:03:06,320 Speaker 4: Yeah, well you can have their subscribe on Instagram now. 1372 01:03:06,400 --> 01:03:07,600 Speaker 2: Yeah, so I think I'm going to do that, but 1373 01:03:07,640 --> 01:03:11,600 Speaker 2: I feel bad making money off of her, Like I 1374 01:03:12,280 --> 01:03:14,000 Speaker 2: think I'm just gonna add it up and donate it 1375 01:03:14,360 --> 01:03:16,440 Speaker 2: because I just don't want I don't want anyone to 1376 01:03:16,480 --> 01:03:18,880 Speaker 2: think of doing this to like get rich, Like I 1377 01:03:19,000 --> 01:03:21,080 Speaker 2: just want to be I want to talk freely about 1378 01:03:21,080 --> 01:03:24,360 Speaker 2: Taylor Swift. Yeah, without anyone, without Tim Dillon seeing it. 1379 01:03:25,880 --> 01:03:28,080 Speaker 4: It should be a feature of Instagram because like, I 1380 01:03:28,120 --> 01:03:31,520 Speaker 4: have the same problem with my apples, Dillon. I do cartoons. 1381 01:03:31,760 --> 01:03:33,560 Speaker 4: I do cartoons on my page, but I was like, 1382 01:03:33,600 --> 01:03:36,400 Speaker 4: I can't post Apple content on my cartoon page because 1383 01:03:36,400 --> 01:03:38,080 Speaker 4: the people follow me for cartoons don't want to see 1384 01:03:38,120 --> 01:03:40,160 Speaker 4: a bunch of Apple shit. They should have a way 1385 01:03:40,440 --> 01:03:43,240 Speaker 4: not to have separate profiles, but just the way to 1386 01:03:43,320 --> 01:03:46,760 Speaker 4: divide your profile up into categories so that if people 1387 01:03:46,800 --> 01:03:48,680 Speaker 4: want to follow that section and it's the same amount 1388 01:03:48,720 --> 01:03:51,680 Speaker 4: of followers all gathering up in the same place, but 1389 01:03:51,760 --> 01:03:52,480 Speaker 4: it's divided. 1390 01:03:52,800 --> 01:03:53,520 Speaker 2: How would you do that? 1391 01:03:53,560 --> 01:03:55,880 Speaker 4: Though? I don't know. Instagram's got to figure this out 1392 01:03:55,920 --> 01:03:59,560 Speaker 4: because TikTok's going away. We need them to enhance their 1393 01:03:59,680 --> 01:04:01,840 Speaker 4: You use your experience. 1394 01:04:01,520 --> 01:04:03,800 Speaker 2: All right, Well they're on it, they're listening and they're 1395 01:04:03,840 --> 01:04:08,600 Speaker 2: tuned in this weekend, Gary, Indiana, Cincinnati, Ohio. See you there, besties, 1396 01:04:08,680 --> 01:04:11,160 Speaker 2: chechnique Glazer dot com for all my tour dates, which 1397 01:04:11,160 --> 01:04:15,480 Speaker 2: there are tons coming up, and also get your calendars ready. 1398 01:04:15,640 --> 01:04:18,880 Speaker 2: April eleventh, April eleventh. I don't know what day of 1399 01:04:18,920 --> 01:04:20,439 Speaker 2: the week that is. Let's look it up real quick. 1400 01:04:21,000 --> 01:04:24,080 Speaker 2: April eleventh of the portant day because F Girl Island, 1401 01:04:24,200 --> 01:04:28,280 Speaker 2: which has been renamed it's a Thursday on the CW. 1402 01:04:28,600 --> 01:04:30,120 Speaker 4: Set it now, guys. 1403 01:04:30,560 --> 01:04:32,520 Speaker 2: F Boy Island didn't do too well on the CW. 1404 01:04:32,680 --> 01:04:36,000 Speaker 2: Let's be honest with ourselves. We need the views. This 1405 01:04:36,160 --> 01:04:38,280 Speaker 2: is not something that's just like, oh, I can skip that. 1406 01:04:38,400 --> 01:04:41,920 Speaker 2: Nicky's my friend, but I'm just she's fine. I need 1407 01:04:42,000 --> 01:04:45,760 Speaker 2: you to watch F Girl Island, which has been renamed 1408 01:04:45,960 --> 01:04:53,400 Speaker 2: to Lovers and Liars because it's a it's peak. F 1409 01:04:53,440 --> 01:04:55,560 Speaker 2: Boy Island didn't do great, so we don't need We're 1410 01:04:55,640 --> 01:04:57,440 Speaker 2: leaving it behind for this, but we are an F 1411 01:04:57,480 --> 01:04:59,520 Speaker 2: Boy Island spin off. It is the same gameplay, but 1412 01:04:59,600 --> 01:05:02,000 Speaker 2: instead there are three guys looking for love, and it's 1413 01:05:02,040 --> 01:05:04,840 Speaker 2: a bunch of women who are either f girls who 1414 01:05:04,880 --> 01:05:07,360 Speaker 2: are just there for the money or nice girls who 1415 01:05:07,440 --> 01:05:11,520 Speaker 2: actually want a relationship. And it's fucking wise the. 1416 01:05:13,520 --> 01:05:15,160 Speaker 4: Lovers or they're liars. 1417 01:05:15,200 --> 01:05:18,360 Speaker 2: Lovers and Liars, c W April eleventh, Guys, I'm not 1418 01:05:18,400 --> 01:05:20,280 Speaker 2: kidding if you liked F Boy Island, or if you 1419 01:05:20,320 --> 01:05:22,520 Speaker 2: didn't even watch to F Boy Island, I'm not kidding you. 1420 01:05:22,600 --> 01:05:25,400 Speaker 2: It's so much better because the more girls for a 1421 01:05:25,440 --> 01:05:30,400 Speaker 2: reality show been more insane that the record set to record. 1422 01:05:30,440 --> 01:05:32,480 Speaker 2: Now Lovers and Liars, April eleventh, c W. We'll see 1423 01:05:32,480 --> 01:05:36,200 Speaker 2: you then see next week on the podcast by guys WK. Bye,