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Speaker 1: So out of the kitchen comes in angry Cheech Marin

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Speaker 1: and he says, and I don't do his voice, so

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Speaker 1: I'm not even gonna try it. I told you about

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Speaker 1: to drink that, And I said, no, Cheech, that's not

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Speaker 1: what you said. You said not to finish your juice boxes.

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Speaker 1: This is a squeeze it and if you remember, squeeze

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Speaker 1: it is a plastic bottle shape juice treat. I remember.

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Speaker 1: And so he tells me, you know, and I again,

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Speaker 1: I don't do his voice, so I won't even try it.

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Speaker 1: But he goes, that's semantics. And I said, I made

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Speaker 1: a joke about like I'm something about being romantic.

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Speaker 2: He collects all those nineties drinks, Soku.

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Speaker 1: He has a squeeze its.

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Speaker 2: And uh and uh ecto cooler. That's so funny to say,

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Speaker 2: all the cool old drinks that remember coming home from

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Speaker 2: school and having a sunny d oh yeah, and and

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Speaker 2: passing right by the purple stuff and if you remember

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Speaker 2: the commercial.

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Speaker 1: Ads, yes, yes, he collects those. And I guess I

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Speaker 1: did drink the last one that was around of his

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Speaker 1: squeeze ites, and so he was pretty peeved and uh,

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Speaker 1: squeeze it, Yeah, I cooked him afore course meal.

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Speaker 2: Hey, welcome to Hollywood, hambleken insires. Guys are kicking button

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Speaker 2: dropping names in the very carpet linebacker. Always this industry

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Speaker 2: we call show what up?

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Speaker 1: What Up? And that's what what? What would you call that one?

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Speaker 1: It's sort of a sultry, sleepy sort of boudoir gentleman. Well,

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Speaker 1: there's no pressure on us. One up, on up, We've

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Speaker 1: got all day. It's a weekend. And and come back

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Speaker 1: to bed, sweetie.

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Speaker 2: Now we are pissed about. There was something that made

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Speaker 2: us a little pissed.

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Speaker 1: We reading the news.

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Speaker 2: This movie Adam Sandler doing the movie Ridiculous Six, people

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Speaker 2: who are happened to be Native American walking off the

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Speaker 2: set of.

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Speaker 1: This movie because they thought the jokes about them were mean.

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Speaker 1: And if anybody didn't think of me right away when

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Speaker 1: they heard that, authentic Native Americans were pissed. Get a

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Speaker 1: new thinker, Yes, replace your thinker with one that actually works.

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Speaker 1: So obviously I'm going to talk about this. Obviously we

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Speaker 1: had the idea originally for Ridiculous Six. We saw him

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Speaker 1: any Ways to Die in the West, and we said, well,

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Speaker 1: this is good, but what about a western that's a

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Speaker 1: comedy and so we started cooking up some ways to

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Speaker 1: do something like that. Seem like America wants it. Anyway,

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Speaker 1: we wrote the script in a way that was very

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Speaker 1: sensitive to my people. I'm one eighth Native American. I

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Speaker 1: don't know what kind, but that's part of the controversy.

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Speaker 1: It sounds like there's all different kinds that are mad

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Speaker 1: about this.

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Speaker 2: See, this was something that you figured out because you

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Speaker 2: trace your heritage and finding out recently that there are

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Speaker 2: different kinds. You can't just be Native American. No, all

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Speaker 2: these different things. There's a whole and there. Some of

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Speaker 2: the names are outrageous, and I'm so proud of my

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Speaker 2: people for coming up with some of these crazy noises

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Speaker 2: and the imagination and no wonder where I get it.

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Speaker 2: And so we'll read some of the scripts because the

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Speaker 2: script got leaked, the ridiculous six script that they ended up.

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Speaker 1: Using, and talk about some of the changes they made. Well,

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Speaker 1: one thing you know that people were pretty upset about

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Speaker 1: was there's a joke and I hesitate to even call

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Speaker 1: it that where somebody walked off set because one of

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Speaker 1: the women is name beaver Breath. Beaver Breath, and I think,

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Speaker 1: you know what, that's a reference to and they completely

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Speaker 1: butchered our version of that joke. Because Native Americans do

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Speaker 1: have interesting names sometimes, and they'll be named around things

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Speaker 1: in nature, things that they see, things that they do.

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Speaker 1: But beaver breath is very insensitive. Uh, And he I think,

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Speaker 1: calls her beaver breath and she says, how you know

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Speaker 1: my name? Which is not how we talk. But I

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Speaker 1: had written a version of that scene that worked that

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Speaker 1: was not offensive, and her name was pussy breath. And

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Speaker 1: that is because being an actual, real Native American from here,

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Speaker 1: I have met a woman whose breath stank like pussy

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Speaker 1: and I don't know what she's doing, and I don't care.

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Speaker 1: But that's a joke that you can relate to. But

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Speaker 1: when you make it a beaver, was she Native American

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Speaker 1: christ I don't know. She was definitely not white. But anyway,

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Speaker 1: when you make it a beaver, it then is like, oh,

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Speaker 1: look at these guys, they all like animals or something,

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Speaker 1: and it just becomes so offensive that no wonder they

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Speaker 1: walked off and I can't speak. I have none of

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Speaker 1: this blood, and I don't know if we call you

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Speaker 1: gringos or what we say about you.

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Speaker 2: I mean, I'm so curious about this world and so

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Speaker 2: naming a Native American character pussy breath is not you're

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Speaker 2: telling me that that's not an offensive thing to do.

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Speaker 1: No, not if you do it right and you handle

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Speaker 1: it like an adult. I mean, that's what we would say,

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Speaker 1: me and my guys. But you had an excerpt from

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Speaker 1: the screen.

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Speaker 2: Yeah, let me read another section of this that the guy,

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Speaker 2: the main the main guy's talking to the character sits

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Speaker 2: on face, which what was that originally?

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Speaker 1: Oh? They kept that.

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Speaker 2: Oh that was the original It was sits on face. Yeah,

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Speaker 2: well I've seen a guy do that.

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Speaker 1: Okay, well they made it a girl. I guess that's

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Speaker 1: how they changed it. Oh, oh, very offensive? What why?

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Speaker 1: And so just sits on face.

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Speaker 2: The character says, say, honey, how about after this we

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Speaker 2: go someplace and I put my peepee in your TP.

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Speaker 1: Okay, record, scratch, stop the tape. You can't say that stuff,

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Speaker 1: peepee in my TP. Now. I had written a very

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Speaker 1: tasteful version of that where I meditated, went into like

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Speaker 1: a sweat lodge THINGY got in touch with my manitou

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Speaker 1: my spirit animal, and when I came out, I wrote

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Speaker 1: a scene that spoke to the trials of my people,

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Speaker 1: and it was sits on face. Who was a guy

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Speaker 1: said to either pussy breath or some other chick. He goes, uh, hey,

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Speaker 1: later on tonight, why don't I put my fig wam

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Speaker 1: in your wigwam? And that's because we don't call them teepies.

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Speaker 1: We call them wigwams. Now big wam. Yeah, it's supposed

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Speaker 1: to sound like what is being a penis? And that

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Speaker 1: is maybe a little bit of a stretch.

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Speaker 2: But so is that that's not a Native American term

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Speaker 2: because I don't know anything about this.

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Speaker 1: I mean, you mostly educate me on this subject that uh,

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Speaker 1: if it's a term, it's not one that my guys

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Speaker 1: use or that I've done. But it does kind of

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Speaker 1: sound once you just put it in context like it

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Speaker 1: could be. And we went through a bunch of different

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Speaker 1: drafts on that where it was my pig crumb or

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Speaker 1: my my jigwam, and it just we realized fig wom,

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Speaker 1: well fig is kind of a long, thin brown thing.

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Speaker 1: Could that be a penisis? Yeah? You look at your well,

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Speaker 1: when I hold a fig next to my penis, I go, shit,

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Speaker 1: that ain't too far off. And so that's what eventually

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Speaker 1: led me to using that terminology. And if they had

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Speaker 1: asked me about my process, I bet they wouldn't have

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Speaker 1: done this peepy in the teepee stuff that we can

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Speaker 1: all agree is not very good.

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Speaker 2: I sort of wonder if you are holding a date,

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Speaker 2: are you thinking of dates?

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Speaker 1: Oh? Is that the issue?

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Speaker 2: Because I don't think of a fig as being brown

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Speaker 2: or or long or thin or any of those things.

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Speaker 2: It's kind of a fat, purple. Oh jack, that's what

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Speaker 2: I think a data is. That's a youth think of

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Speaker 2: data is mm hmm.

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Speaker 1: Now, maybe in our culture we reversed the two names

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Speaker 1: because we did have plants first here, and so what

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Speaker 1: we sometimes do is, you guys just got the names

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Speaker 1: wrong when you saw us pointing at the trees, and

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Speaker 1: then you go, oh, now this is what it is.

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Speaker 1: And sure enough, the white man wrote the dictionary. But

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Speaker 1: let's just say that we were here doing plants already.

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Speaker 2: Well, there's one more exercene, okay, script, and there's a

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Speaker 2: character named Cicero speaking to sits on Face, who is

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Speaker 2: a girl in this version, and he says, so, why

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Speaker 2: don't you give me the money you stole and we'll

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Speaker 2: be on our way. And so it's on Face says,

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Speaker 2: you go now and sister says, settle down, now, strawberry tits,

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Speaker 2: and so it's on faces, my name not strawberry tits.

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Speaker 2: I am sits on face. And Cesaro says, well, then

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Speaker 2: I'm stiff in pants. And I know that that took

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Speaker 2: sort of a long journey from from yes, from one

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Speaker 2: an original, your original version.

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Speaker 1: Yeah. Yeah, well let's start at the beginning. Uh, she

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Speaker 1: wasn't called strawberry tits in my version. She was called

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Speaker 1: date tits. Now you're apparently telling me that it should

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Speaker 1: have been fig tits, but I'm not saying it should

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Speaker 1: have been.

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Speaker 2: It just depends on what you were trying to accomplish.

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Speaker 2: So if she was called date tits, that would mean

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Speaker 2: that you associated with like kind of bluish purple, round,

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Speaker 2: bluish purple things. Yeah, that's right, because that's what you

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Speaker 2: think a fig is.

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Speaker 1: Yes, yeah, So when I had written that, I thought

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Speaker 1: this is funny. And then when the man at that

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Speaker 1: point corrected the woman in my version and said all

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Speaker 1: the genders were reversed. Yes, his name was sits on face,

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Speaker 1: she didn't say, well then I'm stiff in pants, which

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Speaker 1: doesn't make sense no matter what the gender is. What

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Speaker 1: she said was, well, then I'm hungry turkey, gobble gobble.

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Speaker 1: And then what he did was he sat on her face.

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Speaker 1: I see, which I don't think happens in this movie.

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Speaker 1: It's just a name.

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Speaker 2: That's the end of the excerpt from the script. That's

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Speaker 2: I don't know what happens right after that. It could

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Speaker 2: be that they did keep that so there was still

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Speaker 2: stolen money, sits on face. It was a male character

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Speaker 2: who he the female character calls him date tits because

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Speaker 2: this male character's tits look like we fixed.

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Speaker 1: Yes, does that come for real experience?

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Speaker 2: Like you hold did you hold a fig up to

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Speaker 2: your own to my tits?

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Speaker 1: No? No, no. Sometimes when you're writing, especially if you're

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Speaker 1: in touch with the earth, and if you do use

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Speaker 1: a dream catcher properly, what happens is you capture these

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Speaker 1: fantastic imaginary images and you wake up and you just

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Speaker 1: see like, oh, man with tits, that's it states, and

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Speaker 1: you go, this has to be there for America, and

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Speaker 1: you put it in the script, and when it gets

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Speaker 1: changed to strawberries, you just have to wonder, are these

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Speaker 1: guys terrorists? Can I hear you just describe a strawberry? Sure?

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Speaker 2: Because of the different fruit, you know, like, what's a

200
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Speaker 2: strawberry to you?

201
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Speaker 1: Well, it's got a coarse, thick rind and when you

202
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Speaker 1: slice it open, Uh, there are bugs inside, Okay. And

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Speaker 1: it's about the size of ten hot dogs.

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Speaker 2: Ten hot dogs end to end or just kind of

205
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Speaker 2: bunched together, uh.

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Speaker 1: Tied in knots. And it's makes a sound like a

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Speaker 1: high humming sound when you were shaking it when you

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Speaker 1: shake it by your ear, yes, uh, and it floats,

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Speaker 1: but you can't surf on it. Found that out the

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Speaker 1: hard way, and it's Uh. I'm not allergic to it,

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Speaker 1: but I can't be near it mm hmmm. Or I

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Speaker 1: get very sick.

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Speaker 2: But you're not allergic to it. No, but if you

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Speaker 2: get close to it, I do get sick. We got

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Speaker 2: some mail we want to talk about. Well, let's a

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Speaker 2: lot of people have been sending us money. That's nice.

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Speaker 1: Don't we have enough money now? Is what happened? You

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Speaker 1: could send to the show. I guess. I don't know

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Speaker 1: how that works either, but we just hit our max

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Speaker 1: and we have enough money. I guess we could spend

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Speaker 1: it all on scratch off cards.

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Speaker 2: We got so Kevin O'Brien Michael Bay of Pigs sent

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Speaker 2: us a letter, Dear Hayzen Sean, what the fuck is popping?

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Speaker 2: Hook your boy up with that pro version asap. Put

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Speaker 2: a little cash in here, so y'all broke boys don't

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Speaker 2: starve to death. Enjoy the doritos. And there were I

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Speaker 2: guess what we're what's hole dorito's in the envelope, but

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Speaker 2: we're now sort of crunched up some of them into dust.

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Speaker 2: And then there's a picture of a guy lifting weights.

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Speaker 2: Then he's got a big dick, and there's an era

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Speaker 2: that says me question mark uh. And then from Bruce

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Speaker 2: Reid Robinson, we got a very long letter. Kevin O'Brien

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Speaker 2: sent four dollars and Bruce read Robinson sent any snippets

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Speaker 2: from that letter that you'd like to read.

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Speaker 1: Okay, you're cool. It says, hey, you don't seem to

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Speaker 1: have any insecurities. There's some stuff about the weather that's cool.

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Speaker 1: And he sent us each fifty dollars. Yes, that was big.

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Speaker 1: And that's as much of his letter as I could stomach,

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Speaker 1: just because it's written all crazy.

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Speaker 2: And then we got two DVDs from Bozo's too, because

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Speaker 2: of when Dixie DVD's that he wants us to sign

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Speaker 2: and send back to him, and he sent an envelope,

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Speaker 2: a self address stamped envelope, but it's way too small.

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Speaker 2: It's like a letter envelope and it would never fit

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Speaker 2: this DVD.

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Speaker 1: So I guess we will just be hanging on to these.

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Speaker 1: Thank you guys, thanks for all the mail, and thanks

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Speaker 1: for sending those stuff. And the money made my stomach

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Speaker 1: hurt to see that somebody has put fifty bucks. I

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Speaker 1: don't want your money. I want my money.

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Speaker 2: I will take it. Heye'll take it. He buys all

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Speaker 2: the scratchers. I'll accept Sean. Whatever you were going to

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Speaker 2: give to Sean, you can just well never mind. Then

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Speaker 2: well then then if you're gonna give it, I want it.

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Speaker 2: We have two good guests today, alex Anshanger and John

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Speaker 2: from Big Time in Hollywood, Florida new show, comedy show.

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Speaker 1: Coming right up talking to the boys Hollywood Handbook across

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Speaker 1: from Splitz. It's fair And.

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Speaker 2: She's taking these big gulps, you know, like eat like

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Speaker 2: a thing of broccoli and just kind of swallowed it

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Speaker 2: and lean across.

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Speaker 1: Do not know how to chewing?

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Speaker 2: And she's like, you know, like of course, I know,

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Speaker 2: like it's like chewing everyone does it, but I think

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Speaker 2: she had seen people do it, and she's like kind

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Speaker 2: of imitating what she thinks it is, but she doesn't

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Speaker 2: know that there's like a teeth component, right, you know,

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Speaker 2: like if you just watch someone chew with their mouth closed, No,

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Speaker 2: you can't because you can't tell what's going on inside.

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Speaker 1: I can't see what's going on inside. And there's so

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Speaker 1: much stigma attached to speaking with your mouth full or

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Speaker 1: chewing with your mouth open, and people don't want that

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Speaker 1: to happen because it's considered, you know, rude. But in

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Speaker 1: the interest of transparency, maybe we should introduce a little

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Speaker 1: bit for people like Liz as a teaching tool. And

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Speaker 1: you said she was taking big gulps. That's a seven

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Speaker 1: to eleventh thing.

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Speaker 2: Hey, kicking button dropping names of the red carpet lineback

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Speaker 2: always of this industry we call showbiz.

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Speaker 1: And exciting too. Exciting corkers too. Two corkers one one

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Speaker 1: primary corker and a secondary corker as well. Woo that Well,

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Speaker 1: let's let we'll do the first one first. Yeah, I

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Speaker 1: will do the first one first. Uh.

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Speaker 2: Two stars of new show on the Comedy Center, the

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Speaker 2: show Big Time in Hollywood, Florida.

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Speaker 1: Alex and I like the title.

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Speaker 2: Well, well we will but yeah Alex and Fanger.

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Speaker 3: Yeah yeah, and.

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Speaker 2: Uh and John bass bass are are both here today.

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Speaker 1: Star. That's confusing because have you heard this all about

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Speaker 1: that bass song? Yeah?

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Speaker 4: I have yeah, no, no trouble, Yeah, what what about it?

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Speaker 1: Well isn't that the same spelling? Yeah? Well what's going

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Speaker 1: on there? Is this the first question? Is this the

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Speaker 1: first question? Is this one we're starting with?

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Speaker 2: Well, we don't want is this officially the first question? Well?

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Speaker 1: Is this the way we're going to start it?

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Speaker 2: Well, we only get we only get we only get

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Speaker 2: six questions for John.

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Speaker 1: Okay, well that was in the contract. Well let me

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Speaker 1: get down and dirty on this one. Okay.

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Speaker 4: I want to give you guys a four to one

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Speaker 4: one on this one. So yeah, I have done that before.

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Speaker 4: I have said all about the bass. And then here's

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Speaker 4: the thing. Here's the thing. Here's what's crazy about it.

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Speaker 4: My sister is married to a guy named Adam Sevelle.

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Speaker 4: So we go all about the bass no seven?

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Speaker 2: Yeah, just laugh and I want to be invited to

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Speaker 2: that family thanksgiving that it's so much laughing. That's good

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Speaker 2: the show and fuck Adam so Hard, Big Time in.

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Speaker 1: Hollywood, Florida.

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Speaker 2: Interesting that it is mostly about two boys, yeah, which

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Speaker 2: also podcast named Hollywood in the name and two boys

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Speaker 2: also two boys, Yes, And there's a tertiary character who

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Speaker 2: is stupid guy, well, almost like an engineer, yes, almost

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Speaker 2: like an engineer, yeah, sort of stupid.

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Speaker 1: In the manner of an engineer. Yes, he's fucking it

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Speaker 1: up and he can't get anything right, and he seems

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Speaker 1: to have some sort of brain disease. And it reminded

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Speaker 1: me of seeing the engineer and how they try to

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Speaker 1: do stuff and they can't. Is it based on the

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Speaker 1: engineer in any way? That character John Bass, it's Bass.

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Speaker 4: No, No, it's not at all. And he's right here.

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Speaker 1: First of all, engineer Cody, do you feel like you're

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Speaker 1: watching yourself up there on the screen.

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Speaker 2: Yeah, that's a that's a classic engineer sound. When asked

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Speaker 2: a question to you usually.

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Speaker 1: Get a.

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Speaker 4: I mean, I hope, I don't know, And we don't

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Speaker 4: need to talk about engineer stuff.

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Speaker 1: I don't want to make.

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Speaker 4: Him feel being so mean to you. You know, he's

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Speaker 4: right here, yeah, next to me, right here. Oh yeah,

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Speaker 4: I guess it's funny. Actually, he seems like you didn't understand.

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Speaker 1: What cool thing about engineers. One great philosophy that I

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Speaker 1: think keeps them ticking in a way is any attention

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Speaker 1: is good attention. So you're saying their name, you're talking

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Speaker 1: about them, they are all smile. That's a Win's a

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Speaker 1: w Yeah, sure, sure. So the show is has two

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Speaker 1: boys and they're doing and they're dumb friends and dumb

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Speaker 1: friend and they're doing movies and they want to be famous.

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Speaker 1: Where'd you get that idea?

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Speaker 3: Uh, you know, that's kind of yeah, it was just

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Speaker 3: life experience sort of.

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Speaker 1: You were friends with a boy. Yeah.

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Speaker 3: I had two boyfriends in Hollywood, Florida, and they wanted

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Speaker 3: to be famous, and I agreed to make this documentary

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Speaker 3: about them. And then, you know, in the course of that,

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Speaker 3: I listened to this podcast and I started to you know,

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Speaker 3: I started to hear some you know, the engineer some stuff.

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Speaker 2: Engineer the more if you just about your hand so

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Speaker 2: he can't see your mouth, yeah, he doesn't hide your mouth.

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Speaker 3: I always listening here more on engineer.

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Speaker 1: That'd be such a good character.

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Speaker 3: Forget this guy, I know, maybe it's such an idiot.

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Speaker 3: His name's John Pass play this character. And so he

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Speaker 3: made this show and you know, also, I want to

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Speaker 3: be clear. You said Comedy Center before, and that's that

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Speaker 3: doesn't exist. It's Comedy Central. Just to be perfectly clear

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Speaker 3: about it.

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Speaker 2: Well, Comedy Well, we're the specific time zone though, Yeah, I.

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Speaker 3: Don't think that matters. I think it's always called Comedy Central.

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Speaker 2: Well, it does matter because that means the time it

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Speaker 2: airs is different Comedy Mountain Central. And if you want

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Speaker 2: to tell people what time your show is on, explain

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Speaker 2: that it is on a different time.

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Speaker 1: Yes, and please do walk people through explaining where they are.

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Speaker 3: Okay, yeah, it's well, it's it's I mean, it's not

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Speaker 3: ten thirty, but I mountains right nine. But I think

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Speaker 3: it's always Comedy Central, isn't it, And you seem exasperated

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Speaker 3: It's Central.

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Speaker 1: I don't.

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Speaker 4: I don't see where the problem is. It's no matter

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Speaker 4: where it's playing, it's Comedy Central.

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Speaker 3: I don't think the time zone changes where it's playing.

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Speaker 1: Is what he changes? What the name of the channel is, Well,

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Speaker 1: the channel is different in different TVs.

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Speaker 2: You go to your friend's house the numbers and apps

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Speaker 2: and talk about the apps. Yes, because there is actually

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Speaker 2: different models and they're changing and they're streaming now.

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Speaker 1: At my house. It's forty two. Mm hm. See that's

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Speaker 1: a comedy channel.

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Speaker 2: Oh, that's what I'm saying, right, that's yes, you're but

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Speaker 2: my friends way up in the eight hundreds, right, and

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Speaker 2: there's a one thousand and one, and I've seen it

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Speaker 2: last time. We were watching on the when we were

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Speaker 2: at the restaurant.

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Speaker 1: We were seeing how high up it could go at

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Speaker 1: a restaurant.

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Speaker 3: You're using their.

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Speaker 1: TV and just my TV, well it's the one I rented. Yes,

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Speaker 1: you rent a TV, well rent to own. Yeah, Oh,

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Speaker 1: but I don't. I don't have a TV in my home.

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Speaker 1: Just thing. It's the whole thing with my dad if

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Speaker 1: I watch it too loud at ninety can't.

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Speaker 3: With your dad too?

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Speaker 1: Now with I mean, you know he's I'm in a

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Speaker 1: sick oh basement, oh okay, condo and he is upstairs

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Speaker 1: and in a you know, the house, the more house part.

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Speaker 3: Of the house.

401
00:25:28,800 --> 00:25:30,919
Speaker 1: It's not the same room. That would be Yeah, I'm

402
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Speaker 1: not living with him. We're not like sharing a bed.

403
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Speaker 1: I have his old bed. Okay, that would be so.

404
00:25:37,680 --> 00:25:40,680
Speaker 2: And sometimes he does want it back, and so you

405
00:25:40,720 --> 00:25:42,920
Speaker 2: are in that respect you are sometimes sharing it, but

406
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Speaker 2: that it has to.

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Speaker 1: Well, he got a water bag because he thought it

408
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Speaker 1: was going to be cool, but I think sometimes it

409
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Speaker 1: messes up his back.

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Speaker 2: Yeah, Cody, can I have the sound cable please?

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Speaker 1: Oh yeah, we might need that because I thought we'd

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Speaker 1: play clip. Oh oh, you're going to do a clip

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Speaker 1: the show sick. This is great because you were saying Apps.

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Speaker 3: This is so exciting.

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Speaker 1: Yes, and so you don't even have to have the

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Speaker 1: TV or be in the restaurant or any of it

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Speaker 1: in order to watch this. You can just have to

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Speaker 1: have the show from online.

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Speaker 4: Yeah, no, from online on the apps or on yeah

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Speaker 4: central restaurant.

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Speaker 1: If that's the way you watch.

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Speaker 4: It's weird. It's such a weird place to watch the show.

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Speaker 4: It's so loud and people are eating.

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Speaker 1: I don't let's do the clib just.

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Speaker 3: To suffocate you with the bone hear me go yep, yep.

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Speaker 1: Okay, that's very short.

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00:26:36,359 --> 00:26:39,360
Speaker 2: Maybe you could help me with this because okay, you

428
00:26:39,400 --> 00:26:43,560
Speaker 2: start the download and then it stops and you try

429
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Speaker 2: to jump to the middle to kind of judge it

430
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Speaker 2: to kind of jump in the download again, and it

431
00:26:50,119 --> 00:26:52,720
Speaker 2: does it a little bit. You get that much, but

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Speaker 2: then it stops and you keep opening and closing the

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Speaker 2: computer to try and like get it going again.

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Speaker 4: I don't think you can skip that step, which step

435
00:27:04,680 --> 00:27:08,280
Speaker 4: the opening and closing the computer. That's never Yeah, I

436
00:27:08,280 --> 00:27:09,680
Speaker 4: would say that's mistake number one.

437
00:27:09,760 --> 00:27:11,520
Speaker 1: Yeah, you probably shouldn't open.

438
00:27:11,359 --> 00:27:12,879
Speaker 3: And close the computer constantly.

439
00:27:13,359 --> 00:27:16,119
Speaker 2: It's a refresh okay, yeah, how's it going to know

440
00:27:16,160 --> 00:27:17,160
Speaker 2: that you're gonna start over?

441
00:27:17,440 --> 00:27:19,240
Speaker 1: Yeah, there's a refresh button.

442
00:27:19,640 --> 00:27:21,439
Speaker 2: Well, maybe you can just talk about the clip or

443
00:27:21,440 --> 00:27:24,520
Speaker 2: you just let it load. That's well, I'll tell you

444
00:27:24,560 --> 00:27:24,920
Speaker 2: one thing.

445
00:27:25,680 --> 00:27:30,400
Speaker 1: When you want to refresh it, don't pour a cold lemonade,

446
00:27:30,760 --> 00:27:34,080
Speaker 1: because that's how I find that refreshment even as computer

447
00:27:34,240 --> 00:27:37,880
Speaker 1: won't even as even as a joke, the computer does

448
00:27:37,960 --> 00:27:40,959
Speaker 1: not think it's very funny, either doesn't get it or

449
00:27:41,320 --> 00:27:45,720
Speaker 1: is mean, because we have had problems with that. Sure. Sure.

450
00:27:45,960 --> 00:27:49,160
Speaker 1: So so when you say there's a refresh button, I'm

451
00:27:49,200 --> 00:27:53,040
Speaker 1: thinking maybe you mean refreshments or something in your misinformed

452
00:27:53,080 --> 00:27:54,560
Speaker 1: But you do have to open and close it.

453
00:27:56,520 --> 00:27:59,440
Speaker 2: And we talk about that clip that we just yes,

454
00:28:00,160 --> 00:28:04,520
Speaker 2: it was something about it was it was all that

455
00:28:04,560 --> 00:28:05,080
Speaker 2: we write.

456
00:28:05,560 --> 00:28:06,800
Speaker 3: Can we play it again or.

457
00:28:06,720 --> 00:28:10,400
Speaker 1: Is that it's not going to go? Yeah? Let me try,

458
00:28:10,440 --> 00:28:15,639
Speaker 1: let me try. Yeah?

459
00:28:16,119 --> 00:28:19,720
Speaker 3: Oh yeah, okay, so I know what you're playing, let's

460
00:28:19,760 --> 00:28:20,600
Speaker 3: talk discuss.

461
00:28:22,080 --> 00:28:23,919
Speaker 1: Do you like that better than the other clip?

462
00:28:24,440 --> 00:28:27,000
Speaker 3: I mean both of them are very short at the part.

463
00:28:29,160 --> 00:28:35,439
Speaker 1: What uh weird you choose back? You know that's the

464
00:28:35,640 --> 00:28:37,080
Speaker 1: end credits. Yeah, it is.

465
00:28:37,160 --> 00:28:39,720
Speaker 3: It is a weird It's definitely a weird you know

466
00:28:39,800 --> 00:28:41,960
Speaker 3: clip to choose I think from it what you specifically

467
00:28:41,960 --> 00:28:44,200
Speaker 3: what you played were the production Are you worried about

468
00:28:44,240 --> 00:28:45,520
Speaker 3: spoilers at the end.

469
00:28:45,800 --> 00:28:47,760
Speaker 1: No, I'm not worried because we're trying to turn people

470
00:28:47,800 --> 00:28:49,920
Speaker 1: onto the show and he's saying it's the end part.

471
00:28:50,120 --> 00:28:52,240
Speaker 1: So is it that it's going to give it away?

472
00:28:52,960 --> 00:28:57,800
Speaker 1: Should they not know that there's a there's a globe.

473
00:28:57,720 --> 00:29:03,480
Speaker 3: A globe guy being crushed? No, you can. Yeah, yeah,

474
00:29:03,960 --> 00:29:06,520
Speaker 3: it's a it's doesn't get anything.

475
00:29:06,480 --> 00:29:09,720
Speaker 4: Episodes that must hurt. Yeah, every episode ends with the

476
00:29:09,720 --> 00:29:12,560
Speaker 4: production credit. It's nothing about the show.

477
00:29:12,440 --> 00:29:17,440
Speaker 2: Okay, like like uh Bugs Bunny, where the globe can

478
00:29:17,440 --> 00:29:20,440
Speaker 2: get crushed in one episode and then he just comes back, okay,

479
00:29:20,480 --> 00:29:22,040
Speaker 2: and then I let me.

480
00:29:22,000 --> 00:29:26,640
Speaker 3: Be it's it's the production company's just card at the end.

481
00:29:26,840 --> 00:29:28,600
Speaker 3: It has nothing to do with the show at all.

482
00:29:28,840 --> 00:29:31,120
Speaker 1: It's just it's it's just a show.

483
00:29:31,160 --> 00:29:32,000
Speaker 3: Who made the show.

484
00:29:32,120 --> 00:29:34,400
Speaker 1: So he was saying, it ends at the same the

485
00:29:34,440 --> 00:29:36,880
Speaker 1: same way every time. So is this like groundhog Day

486
00:29:36,960 --> 00:29:37,240
Speaker 1: or something.

487
00:29:38,400 --> 00:29:40,720
Speaker 4: I don't want to like, let's get into some insider

488
00:29:40,960 --> 00:29:43,320
Speaker 4: speak on that. Yeah, some insider biz stuff. At the

489
00:29:43,400 --> 00:29:47,000
Speaker 4: end of every episode of our show. Uh huh, there's

490
00:29:47,000 --> 00:29:49,800
Speaker 4: some production credits and those are in They're the same

491
00:29:49,880 --> 00:29:53,520
Speaker 4: every single time. Yeah, we got to be really simple here, Alex.

492
00:29:53,560 --> 00:29:54,800
Speaker 4: We got to really get into it.

493
00:29:54,800 --> 00:29:55,480
Speaker 1: Okay, I did.

494
00:29:55,520 --> 00:30:00,480
Speaker 3: I didn't realize these were the yeah, yeah.

495
00:29:59,240 --> 00:30:01,800
Speaker 4: No, this is yeah, yeah, those are so at the

496
00:30:01,880 --> 00:30:05,520
Speaker 4: end of every episode. Like we're talking episodes over the

497
00:30:05,560 --> 00:30:06,280
Speaker 4: show is not happen.

498
00:30:06,320 --> 00:30:11,240
Speaker 1: I'm sorry, We're this is big time. Episodes is on Showtime. Okay,

499
00:30:11,360 --> 00:30:16,120
Speaker 1: so it's not showtime time. Yes, that can get yes,

500
00:30:16,160 --> 00:30:18,440
Speaker 1: and there's been a lot of time discussion today, but

501
00:30:18,600 --> 00:30:23,520
Speaker 1: episodes is on showtimes, Matt LeBlanc. It's a wonderful parody

502
00:30:23,640 --> 00:30:27,520
Speaker 1: sort of of how your vision for a television show

503
00:30:27,520 --> 00:30:30,800
Speaker 1: can get compromised by the process of network.

504
00:30:30,960 --> 00:30:34,000
Speaker 3: Not sure, Yeah, no, we know what episodes is. I

505
00:30:34,040 --> 00:30:36,000
Speaker 3: think I think John knows. I don't think that's what

506
00:30:36,040 --> 00:30:36,320
Speaker 3: he meant.

507
00:30:36,440 --> 00:30:37,160
Speaker 1: No, not at all.

508
00:30:37,200 --> 00:30:40,120
Speaker 4: I was talking about the episodes of our episodes of

509
00:30:40,120 --> 00:30:41,080
Speaker 4: our of Big Time?

510
00:30:43,320 --> 00:30:43,920
Speaker 3: So confused?

511
00:30:44,520 --> 00:30:49,760
Speaker 1: What is the episodes of Yeah? What's the yeah? Do

512
00:30:49,800 --> 00:30:51,160
Speaker 1: you do? You say that in the writers room, like,

513
00:30:51,280 --> 00:30:53,920
Speaker 1: what's the episodes of big Time? Like? How do we

514
00:30:53,960 --> 00:30:55,640
Speaker 1: capture it? Aspises? Yes?

515
00:30:56,520 --> 00:30:58,800
Speaker 3: Yeah, I think that's a lot of a lot of

516
00:30:58,840 --> 00:31:01,080
Speaker 3: time is spent in the right from figuring out what

517
00:31:01,120 --> 00:31:03,800
Speaker 3: the episodes are, which has nothing at all to do

518
00:31:03,840 --> 00:31:06,320
Speaker 3: with the Showtime show. It's the episodes of our show

519
00:31:06,480 --> 00:31:07,000
Speaker 3: big Time?

520
00:31:07,080 --> 00:31:07,960
Speaker 1: Which Showtime show?

521
00:31:08,200 --> 00:31:11,280
Speaker 3: No, No, no episodes? Episodes? Is the show the Showtime

522
00:31:13,400 --> 00:31:15,840
Speaker 3: David Spade? I don't think is in there the Showtime show,

523
00:31:16,200 --> 00:31:18,640
Speaker 3: the Showtime show episodes Showtime.

524
00:31:18,200 --> 00:31:19,040
Speaker 1: Show David Spade?

525
00:31:19,320 --> 00:31:20,040
Speaker 3: Oh, I didn't know that.

526
00:31:20,080 --> 00:31:24,480
Speaker 1: I'm the Comedy Center. No, it's not. Let's do should

527
00:31:24,480 --> 00:31:27,680
Speaker 1: we do the notes? Let's do this because we did

528
00:31:27,760 --> 00:31:30,120
Speaker 1: touch on and you guys did bring up episodes and

529
00:31:30,160 --> 00:31:35,640
Speaker 1: that is a nice show about notes, and so we

530
00:31:35,680 --> 00:31:38,640
Speaker 1: want to do a segment that we do called note

531
00:31:38,720 --> 00:31:42,800
Speaker 1: for note and what this? Uh? And do we have

532
00:31:42,840 --> 00:31:43,920
Speaker 1: a theme song for that yet?

533
00:31:43,920 --> 00:31:46,560
Speaker 2: Hayes, Yes, Cody, will you do the sing the theme

534
00:31:46,920 --> 00:31:49,080
Speaker 2: the code note for note code man?

535
00:31:49,400 --> 00:31:50,200
Speaker 3: Are you going to sing it?

536
00:31:50,360 --> 00:31:50,880
Speaker 1: Yes? Oh?

537
00:31:50,880 --> 00:31:51,360
Speaker 3: That's great.

538
00:31:51,400 --> 00:31:52,560
Speaker 1: We rehearsed this a lot.

539
00:31:52,720 --> 00:31:53,600
Speaker 3: Oh, this is awesome.

540
00:31:54,040 --> 00:31:59,240
Speaker 1: Note for note. Take a note from your pocket in

541
00:31:59,480 --> 00:32:00,360
Speaker 1: take it.

542
00:32:00,080 --> 00:32:03,840
Speaker 2: It out and read it out loud because it's note

543
00:32:03,880 --> 00:32:04,400
Speaker 2: for note.

544
00:32:04,600 --> 00:32:10,120
Speaker 1: That's close. So uh, what we wanted to do was,

545
00:32:11,480 --> 00:32:14,000
Speaker 1: you know, any anyone who makes any kind of art

546
00:32:14,080 --> 00:32:17,160
Speaker 1: has to at some point received notes, and we wanted

547
00:32:17,160 --> 00:32:22,120
Speaker 1: to kind of have a little bit of a heavyweight match,

548
00:32:22,240 --> 00:32:25,520
Speaker 1: a slobber knocking throwdown, where we'll give a note on

549
00:32:25,600 --> 00:32:27,680
Speaker 1: your show and then you give us a note on

550
00:32:27,720 --> 00:32:30,560
Speaker 1: the podcast and we see who does better. Because we

551
00:32:30,640 --> 00:32:36,200
Speaker 1: love the show, is so so good show. We are

552
00:32:36,960 --> 00:32:37,800
Speaker 1: loving it.

553
00:32:39,400 --> 00:32:42,840
Speaker 2: We're crazy, thank you're crazy for watching so cool and

554
00:32:43,040 --> 00:32:45,520
Speaker 2: can't wait for it to sort of get there.

555
00:32:45,800 --> 00:32:51,480
Speaker 1: Yeah, yes, and over the humpy and maybe this will

556
00:32:51,520 --> 00:32:59,920
Speaker 1: be the thing that final Yes great, So uh who

557
00:33:00,240 --> 00:33:02,560
Speaker 1: goes first? I should?

558
00:33:02,720 --> 00:33:06,320
Speaker 2: I guess we should? Okay, teach him how to do note. Okay,

559
00:33:06,960 --> 00:33:10,680
Speaker 2: what if you guys had on the show doing the

560
00:33:10,680 --> 00:33:13,240
Speaker 2: show like normal, like it is now, but then every

561
00:33:14,800 --> 00:33:16,920
Speaker 2: like five minutes or something like that, you're in a

562
00:33:17,080 --> 00:33:23,360
Speaker 2: comedy club and it's stand up about the show, or

563
00:33:23,360 --> 00:33:26,040
Speaker 2: it's like about the stuff that's gonna happen on the show,

564
00:33:26,840 --> 00:33:28,280
Speaker 2: so we'd kind of.

565
00:33:28,240 --> 00:33:30,680
Speaker 1: Know what was happening. And one of.

566
00:33:30,680 --> 00:33:33,400
Speaker 2: The guys is in a car. Is it gonna be

567
00:33:33,600 --> 00:33:36,600
Speaker 2: a car scene? But before that, you're in the stand

568
00:33:36,680 --> 00:33:38,800
Speaker 2: up doing like you ever be in the car in

569
00:33:38,840 --> 00:33:40,920
Speaker 2: the seat just like goes back all of a sudden,

570
00:33:41,000 --> 00:33:43,400
Speaker 2: you know, you're driving in the seat just like goes

571
00:33:43,440 --> 00:33:44,120
Speaker 2: all the way back.

572
00:33:44,320 --> 00:33:48,040
Speaker 3: Yeah, that's it. That is that's an idea. That's totally

573
00:33:48,120 --> 00:33:51,960
Speaker 3: an idea. It sounds a lot like Seinfeld. Maybe are

574
00:33:52,000 --> 00:33:52,880
Speaker 3: you are you talking about?

575
00:33:52,920 --> 00:33:57,480
Speaker 2: No, because that was only at the beginning part, and

576
00:33:57,560 --> 00:34:00,360
Speaker 2: this it should be all the way through every.

577
00:34:00,520 --> 00:34:05,320
Speaker 1: And maybe replace some of the other scenes. I mean

578
00:34:06,160 --> 00:34:10,960
Speaker 1: we could we could see. Yes, that's what you're supposed

579
00:34:10,960 --> 00:34:14,440
Speaker 1: to say after after accepting everything, just keep it, keep

580
00:34:14,480 --> 00:34:15,439
Speaker 1: it all right.

581
00:34:16,239 --> 00:34:19,560
Speaker 3: I mean that's a that's it seems you know, like

582
00:34:19,880 --> 00:34:21,920
Speaker 3: it feels like you haven't watched the show, you know

583
00:34:22,000 --> 00:34:22,319
Speaker 3: at all?

584
00:34:23,000 --> 00:34:25,720
Speaker 1: Oh, so are you doing that already? No?

585
00:34:25,719 --> 00:34:27,719
Speaker 3: No, it's just it would I think it would be

586
00:34:27,719 --> 00:34:29,160
Speaker 3: out of it would be out of place.

587
00:34:29,360 --> 00:34:32,279
Speaker 4: No, I mean I I it's just do like, don't

588
00:34:32,280 --> 00:34:33,920
Speaker 4: make a big deal, don't like make them feel better.

589
00:34:35,120 --> 00:34:37,799
Speaker 1: Future I'll tell you why, Okay, okay.

590
00:34:37,760 --> 00:34:39,680
Speaker 3: Man, don't like make them feel weird. I'm trying to

591
00:34:39,680 --> 00:34:41,880
Speaker 3: think of what the equivalent of it's like, I don't know,

592
00:34:41,920 --> 00:34:45,879
Speaker 3: taking a break, you know from your your podcast, you know,

593
00:34:46,239 --> 00:34:51,600
Speaker 3: every five minutes to to you know, like, shave a dog.

594
00:34:51,920 --> 00:34:54,560
Speaker 1: Is that your not? Is that your not? Oh yeah,

595
00:34:54,560 --> 00:34:56,399
Speaker 1: it's a good note. Well, it's as good a time

596
00:34:56,440 --> 00:34:58,719
Speaker 1: as any to bring up Harry's razors.

597
00:34:58,719 --> 00:35:02,480
Speaker 2: Harry's razor from a fact in Germany, you can shave

598
00:35:02,600 --> 00:35:04,560
Speaker 2: pretty much anything, uh huh.

599
00:35:04,480 --> 00:35:06,680
Speaker 1: Even if it's during your podcast and you want to shave.

600
00:35:06,480 --> 00:35:08,799
Speaker 2: Your dog and give the dog a little bop on

601
00:35:08,840 --> 00:35:11,280
Speaker 2: the head first, because otherwise he's going to be moving

602
00:35:11,320 --> 00:35:13,000
Speaker 2: around a lot during the shave.

603
00:35:13,480 --> 00:35:18,319
Speaker 1: And that's and sponsored biox and finger that idea, so

604
00:35:19,000 --> 00:35:23,680
Speaker 1: we'll take it under consideration. It wouldn't work. But here's

605
00:35:23,719 --> 00:35:27,160
Speaker 1: the thing with your show. I love the show so much.

606
00:35:29,080 --> 00:35:32,000
Speaker 1: I would like to really like these guys.

607
00:35:33,440 --> 00:35:41,360
Speaker 2: Yeah sympathy, mm yeah, maybe we one of them get sick. Okay, okay,

608
00:35:41,560 --> 00:35:44,160
Speaker 2: they're all everyone's sick in the show, and they're all

609
00:35:44,320 --> 00:35:50,280
Speaker 2: everyone's dying. If everyone's thrown up dying, Dell maybe is dead.

610
00:35:50,840 --> 00:35:51,880
Speaker 2: Maybe Del dies.

611
00:35:51,719 --> 00:35:54,279
Speaker 1: Right off the battle. I don't want he throws up

612
00:35:54,320 --> 00:35:54,719
Speaker 1: too much.

613
00:35:55,400 --> 00:35:57,600
Speaker 3: I don't know a person because I see what you're saying.

614
00:35:57,719 --> 00:36:02,879
Speaker 1: Free pitch. Okay, dude, you're getting adele. I love it.

615
00:36:05,200 --> 00:36:08,799
Speaker 4: I thought about that so many times. Freak great, Thank

616
00:36:08,840 --> 00:36:09,960
Speaker 4: you man, thank you.

617
00:36:09,840 --> 00:36:10,239
Speaker 3: Thank you.

618
00:36:11,000 --> 00:36:11,839
Speaker 1: You might have to pay.

619
00:36:12,040 --> 00:36:19,360
Speaker 4: It's delicious okay, like apples, yeah yeah, delet hunt.

620
00:36:20,360 --> 00:36:24,640
Speaker 2: How many more do you delb Delbi yeah, Delbi yeah,

621
00:36:24,719 --> 00:36:29,239
Speaker 2: like Delby digital yeah, Delby, oh, Delbi Delbi surround dell,

622
00:36:30,960 --> 00:36:36,440
Speaker 2: delling out, gelling it out, you know, telling stuff out, telling.

623
00:36:36,280 --> 00:36:39,480
Speaker 1: It out, yeah, like dealing the cars. Yeah, yeah, like

624
00:36:39,520 --> 00:36:42,400
Speaker 1: we're telling like I don't I'm telling, don't tell me

625
00:36:42,480 --> 00:36:44,560
Speaker 1: what to do.

626
00:36:44,560 --> 00:36:46,920
Speaker 3: Don't don't tell me what to do? Yeah.

627
00:36:47,880 --> 00:36:50,200
Speaker 1: And then you, I mean, they see you've got your

628
00:36:50,200 --> 00:36:53,239
Speaker 1: notebook out. He's only got six or seven more? Do

629
00:36:53,280 --> 00:36:54,279
Speaker 1: you want to just rip through them?

630
00:36:54,280 --> 00:36:54,440
Speaker 2: Now?

631
00:36:54,520 --> 00:36:55,239
Speaker 1: I'll just rip through.

632
00:36:55,520 --> 00:36:56,920
Speaker 3: I can't believe you brought all these.

633
00:36:58,200 --> 00:37:01,919
Speaker 2: Delicious that one. I feel like we heard well ship

634
00:37:02,440 --> 00:37:05,439
Speaker 2: it was it's delic just before it. Oh yeah, well

635
00:37:05,480 --> 00:37:08,200
Speaker 2: you know what now under part of it? On this way,

636
00:37:08,719 --> 00:37:10,120
Speaker 2: I'm confused at what this is though.

637
00:37:10,360 --> 00:37:14,240
Speaker 4: Are these just taglines for you just let me finish, Okay, Dell,

638
00:37:15,960 --> 00:37:17,120
Speaker 4: that's just screaming, Dell.

639
00:37:17,400 --> 00:37:20,719
Speaker 1: Not really screamed. This is a scream one. I'm Dell.

640
00:37:22,200 --> 00:37:30,840
Speaker 4: Dolly parton Deli Parton, Deli parton, uh del delf Delphin,

641
00:37:31,560 --> 00:37:34,440
Speaker 4: Delphin taxes, Delphin Taxes.

642
00:37:36,200 --> 00:37:40,279
Speaker 1: One's written out and it's very scribbling, and it's you've

643
00:37:40,320 --> 00:37:42,200
Speaker 1: started and stopped it several times.

644
00:37:42,239 --> 00:37:45,759
Speaker 4: Sorry, Yeah, I got like four more. Let me just

645
00:37:45,760 --> 00:37:54,560
Speaker 4: finishes off. Bob Dell like Bob Dole. Yeah, dude, you're

646
00:37:54,560 --> 00:37:56,600
Speaker 4: getting He's holding a pen in a funny way when

647
00:37:56,640 --> 00:37:57,319
Speaker 4: he says that one.

648
00:37:57,400 --> 00:37:59,879
Speaker 1: Guys, you're getting a Dell is on there.

649
00:38:00,120 --> 00:38:02,160
Speaker 4: Okay, yeah, like we did that one earlier, but that's

650
00:38:02,200 --> 00:38:04,000
Speaker 4: also on the list.

651
00:38:06,880 --> 00:38:10,359
Speaker 1: Yep, Oh, okay, you said four. Did you not want

652
00:38:10,360 --> 00:38:16,479
Speaker 1: to read Salvador Delhi and death Vader? It says, don't

653
00:38:16,480 --> 00:38:19,640
Speaker 1: forget to say Farmer and the Dow. On the page

654
00:38:20,960 --> 00:38:22,759
Speaker 1: there's a drawing of a pretty cool looking plane and

655
00:38:22,840 --> 00:38:24,080
Speaker 1: says it's a death bomber.

656
00:38:25,200 --> 00:38:27,400
Speaker 2: So and then now this is page one. This is

657
00:38:27,400 --> 00:38:29,879
Speaker 2: his character's name on the show. So now you could

658
00:38:29,920 --> 00:38:32,440
Speaker 2: go back and really enjoy this bit now that you

659
00:38:32,640 --> 00:38:35,920
Speaker 2: know that, and when your character John plays on the

660
00:38:35,960 --> 00:38:37,080
Speaker 2: show's named.

661
00:38:36,840 --> 00:38:40,200
Speaker 1: Doo No, well, yeah, but who cares. Maybe as good

662
00:38:40,200 --> 00:38:43,919
Speaker 1: a time as any to let Alex know that John

663
00:38:43,960 --> 00:38:47,080
Speaker 1: had contacted us independently and wanted to confront you live

664
00:38:47,120 --> 00:38:50,160
Speaker 1: on our podcast about how you weren't really using his

665
00:38:50,280 --> 00:38:52,959
Speaker 1: character to the full potential and you have him doing

666
00:38:53,000 --> 00:38:55,320
Speaker 1: antics on the show, but you're not really ever saying

667
00:38:55,360 --> 00:38:57,319
Speaker 1: his name in a way that sort of sounds like

668
00:38:57,360 --> 00:38:58,120
Speaker 1: another word.

669
00:39:01,080 --> 00:39:05,000
Speaker 3: Yeah, I apologize, you know, John, Well we can.

670
00:39:05,440 --> 00:39:08,280
Speaker 4: You know, I just had a full list of stuff

671
00:39:08,280 --> 00:39:10,000
Speaker 4: that you could have used throughout the season.

672
00:39:10,120 --> 00:39:11,520
Speaker 3: I just I don't know how to use that.

673
00:39:11,680 --> 00:39:13,160
Speaker 1: But there were times on set.

674
00:39:13,160 --> 00:39:14,440
Speaker 4: I want to make sure that I know that there

675
00:39:14,440 --> 00:39:16,640
Speaker 4: were times on set where I would go, hey, what

676
00:39:16,719 --> 00:39:18,320
Speaker 4: if I like, all of a sudden just went.

677
00:39:18,920 --> 00:39:20,560
Speaker 3: But you just want us to refer to you as

678
00:39:20,600 --> 00:39:21,399
Speaker 3: like a farmer in.

679
00:39:21,320 --> 00:39:24,759
Speaker 4: The yeah, or me or like any other characters, and

680
00:39:24,800 --> 00:39:26,560
Speaker 4: like the whole time that we were on set, I

681
00:39:26,560 --> 00:39:28,600
Speaker 4: would like come up to you with those suggestions and

682
00:39:28,640 --> 00:39:30,840
Speaker 4: you would like just like smile and like walk away.

683
00:39:31,320 --> 00:39:31,560
Speaker 1: Yeah.

684
00:39:31,640 --> 00:39:34,799
Speaker 3: I thought you were totally kidding, But I now that

685
00:39:35,120 --> 00:39:36,880
Speaker 3: you know that, I know that you're serious about it,

686
00:39:36,920 --> 00:39:39,400
Speaker 3: and you know, we can refer to you as several

687
00:39:39,440 --> 00:39:42,279
Speaker 3: of these, you know, for like next season, this is

688
00:39:42,320 --> 00:39:43,040
Speaker 3: Farmer in the Dell.

689
00:39:43,440 --> 00:39:43,720
Speaker 1: Great.

690
00:39:44,120 --> 00:39:44,799
Speaker 3: I think we just.

691
00:39:45,920 --> 00:39:49,399
Speaker 1: Settled it, and I think we might have saved the show. Yeah,

692
00:39:49,600 --> 00:39:57,440
Speaker 1: very good note. And yeah, so Delbert and I don't

693
00:39:57,480 --> 00:40:03,000
Speaker 1: work there, but you know, Delburt and Dogbert whatever, the

694
00:40:03,080 --> 00:40:03,960
Speaker 1: characters I.

695
00:40:03,960 --> 00:40:06,720
Speaker 2: Noticed because I do watch the show, and this should

696
00:40:06,719 --> 00:40:07,719
Speaker 2: prove that I do watch it.

697
00:40:08,200 --> 00:40:09,160
Speaker 1: The characters.

698
00:40:10,520 --> 00:40:13,480
Speaker 2: I like the clothes they wear sometimes, but they're changing

699
00:40:13,600 --> 00:40:16,439
Speaker 2: clothes a lot, and so then sometimes it's like, who

700
00:40:16,520 --> 00:40:16,759
Speaker 2: is this?

701
00:40:16,880 --> 00:40:18,399
Speaker 1: Now? Is this a different guy?

702
00:40:18,680 --> 00:40:21,319
Speaker 2: Can be confusing the same person, And so maybe do

703
00:40:21,560 --> 00:40:26,280
Speaker 2: like Bart Simpson, where you're always wearing the same clothes

704
00:40:26,480 --> 00:40:30,520
Speaker 2: unless you're going to church, in which case you dress up, Mommy.

705
00:40:30,200 --> 00:40:32,520
Speaker 1: Are the barman enjoying the barman?

706
00:40:32,680 --> 00:40:36,040
Speaker 2: But then you can see some of the same clothes

707
00:40:36,160 --> 00:40:38,120
Speaker 2: underneath Bartman's clothes.

708
00:40:38,440 --> 00:40:40,919
Speaker 3: Are you trying to just just prove that you've seen

709
00:40:40,960 --> 00:40:42,920
Speaker 3: the show by saying, because I feel like most shows

710
00:40:43,200 --> 00:40:45,239
Speaker 3: people change outfits.

711
00:40:44,760 --> 00:40:46,080
Speaker 1: Well one where they don't.

712
00:40:46,440 --> 00:40:50,480
Speaker 2: Simpson and actually Delbert is an example of another show where.

713
00:40:50,360 --> 00:40:53,600
Speaker 1: Yeah, then you they would want to change their ties

714
00:40:53,640 --> 00:40:57,200
Speaker 1: on that show because they are sticking curled up in

715
00:40:57,239 --> 00:40:59,960
Speaker 1: a way, but they don't change them because it's too confusing.

716
00:41:00,080 --> 00:41:04,320
Speaker 2: Oh sure, sure, okay, well uh yeah, so I guess

717
00:41:05,080 --> 00:41:08,279
Speaker 2: Delbert he'll be Delbert for season two and he did.

718
00:41:08,280 --> 00:41:09,360
Speaker 3: Will never change close.

719
00:41:10,080 --> 00:41:13,560
Speaker 1: Yeah that sounds good. Okay, great, great note guys. Now

720
00:41:13,560 --> 00:41:16,600
Speaker 1: we're in the episode's territory where I'm starting to think hmm.

721
00:41:19,880 --> 00:41:23,000
Speaker 3: What starting to think? Oh even a Showtime show?

722
00:41:23,800 --> 00:41:27,480
Speaker 1: Mm hmmm mm hmm, oh the show?

723
00:41:27,520 --> 00:41:30,920
Speaker 4: Oh right, Oh, Matt Leblon, are you talking about episodes

724
00:41:30,960 --> 00:41:31,759
Speaker 4: or the Showtime show?

725
00:41:31,920 --> 00:41:35,440
Speaker 1: Did you guys want to give another note on the podcast?

726
00:41:35,440 --> 00:41:37,040
Speaker 3: No, John, what do you think?

727
00:41:38,000 --> 00:41:39,120
Speaker 1: I don't. I think you guys can.

728
00:41:40,040 --> 00:41:41,640
Speaker 4: I don't know if you've gotten this one before, but

729
00:41:41,680 --> 00:41:43,880
Speaker 4: like you, guys sometimes will say the wrong things.

730
00:41:44,480 --> 00:41:47,759
Speaker 3: I would also just be familiar with the shows, and

731
00:41:47,800 --> 00:41:49,440
Speaker 3: I know that you've I know that you've watched it,

732
00:41:49,520 --> 00:41:50,800
Speaker 3: but it seems.

733
00:41:50,480 --> 00:41:53,040
Speaker 4: Like and just like be familiar with names and stuff,

734
00:41:53,080 --> 00:41:55,520
Speaker 4: and there's like, Comedy Center is not a thing I

735
00:41:55,520 --> 00:41:57,439
Speaker 4: think something we can like put right off the bat,

736
00:41:57,760 --> 00:41:58,680
Speaker 4: and definitely not a thing.

737
00:41:58,760 --> 00:42:02,040
Speaker 3: The clips from the that our production cards has nothing.

738
00:42:01,840 --> 00:42:03,400
Speaker 4: To do with the show, you know, we're giving them

739
00:42:03,440 --> 00:42:05,560
Speaker 4: way too many notes. No, no, no, I'm saying, but I mean,

740
00:42:05,600 --> 00:42:06,920
Speaker 4: this is while we're getting it out there. Yeah, I

741
00:42:06,960 --> 00:42:08,719
Speaker 4: think I just don't know what that would be.

742
00:42:09,840 --> 00:42:11,839
Speaker 3: It would just be a scene or some a real

743
00:42:11,880 --> 00:42:12,799
Speaker 3: moment from the show.

744
00:42:13,000 --> 00:42:15,120
Speaker 2: I'm trying to picture it, and what would that be

745
00:42:15,760 --> 00:42:16,640
Speaker 2: doing it that way?

746
00:42:17,280 --> 00:42:19,000
Speaker 1: What would be.

747
00:42:18,640 --> 00:42:22,359
Speaker 2: The what's happening? I think you know we're not doing

748
00:42:22,360 --> 00:42:26,200
Speaker 2: any clips. You know, we're not saying anything. We're not

749
00:42:26,239 --> 00:42:27,200
Speaker 2: even allowed to talk.

750
00:42:27,600 --> 00:42:30,200
Speaker 1: That's not what we're saying at all. It's a podcast. Yeah,

751
00:42:30,239 --> 00:42:33,239
Speaker 1: we're not allowed to say anything. Only do what you

752
00:42:33,239 --> 00:42:37,560
Speaker 1: guys said, no say anything, just following the rules. Yes,

753
00:42:37,960 --> 00:42:42,279
Speaker 1: nobody is allowed to produce anything. I guess, and it's

754
00:42:42,360 --> 00:42:45,759
Speaker 1: all just listening to you guys. And you guys are mean,

755
00:42:46,320 --> 00:42:48,160
Speaker 1: Like that doesn't sound like something people would like.

756
00:42:49,120 --> 00:42:52,239
Speaker 3: I didn't think they were being mean, I you know,

757
00:42:54,200 --> 00:42:54,880
Speaker 3: were offended.

758
00:42:55,239 --> 00:42:57,080
Speaker 1: I don't know. I mean, I think we were just

759
00:42:57,080 --> 00:42:59,360
Speaker 1: trying to give like a constructive note. But that was important?

760
00:42:59,400 --> 00:43:00,520
Speaker 1: Is making it? And come?

761
00:43:03,640 --> 00:43:09,239
Speaker 2: Uh is that a Is that just a a non

762
00:43:09,239 --> 00:43:11,239
Speaker 2: secular or question or I.

763
00:43:11,160 --> 00:43:13,040
Speaker 1: Thought we've been dancing around it.

764
00:43:16,440 --> 00:43:19,320
Speaker 3: Yeah, I think it's important.

765
00:43:19,360 --> 00:43:21,080
Speaker 4: It has been weird that the whole time you've been

766
00:43:21,080 --> 00:43:24,400
Speaker 4: sitting there, you've just been like tapping on the table

767
00:43:24,640 --> 00:43:26,960
Speaker 4: like just ever so slightly, like as if you're like

768
00:43:27,120 --> 00:43:27,800
Speaker 4: trying to.

769
00:43:27,680 --> 00:43:30,879
Speaker 1: Like well practicing trying to go on.

770
00:43:31,000 --> 00:43:32,799
Speaker 4: I don't want to get too graphic about it, but

771
00:43:32,840 --> 00:43:36,360
Speaker 4: you've just been like rubbing the table. I mean, I

772
00:43:36,360 --> 00:43:41,920
Speaker 4: don't know why you have on your computer out in

773
00:43:41,960 --> 00:43:42,600
Speaker 4: the middle.

774
00:43:42,360 --> 00:43:44,759
Speaker 1: Of that just started playing after the clip. Also on

775
00:43:44,800 --> 00:43:49,040
Speaker 1: your phone. Okay, that's that's different. That's a phone call.

776
00:43:49,080 --> 00:43:51,520
Speaker 1: I'm getting it's just a video. Do you want to

777
00:43:51,520 --> 00:43:56,439
Speaker 1: take that? I don't know, I mean, if you don't mind, yeah,

778
00:43:56,480 --> 00:43:58,080
Speaker 1: it just take it real quick on Mike.

779
00:43:58,600 --> 00:44:08,080
Speaker 2: Yeah, sure, Hello, I agree, that's so obviously a video.

780
00:44:08,239 --> 00:44:12,400
Speaker 1: Agree with that? Well, thank you. That's very nice for

781
00:44:12,400 --> 00:44:18,000
Speaker 1: you to say, Well, you're welcome. I'm glad that. I'm

782
00:44:18,040 --> 00:44:19,759
Speaker 1: glad that that's how that feels.

783
00:44:21,960 --> 00:44:24,960
Speaker 3: That's okay, that's clearly a porn video.

784
00:44:25,680 --> 00:44:28,279
Speaker 1: Then I'm going to then I'm going to leave too,

785
00:44:28,360 --> 00:44:33,839
Speaker 1: and thanks for everything. Well, that was a successful phone call.

786
00:44:35,600 --> 00:44:36,880
Speaker 1: You weren't on the phone.

787
00:44:37,040 --> 00:44:40,960
Speaker 3: That absolutely a video that was playing in your ear.

788
00:44:41,239 --> 00:44:41,520
Speaker 1: No.

789
00:44:42,239 --> 00:44:49,839
Speaker 2: No, they have the new phone speaking style with the face. No,

790
00:44:49,880 --> 00:44:51,880
Speaker 2: it is not to do another version of time, but

791
00:44:51,920 --> 00:44:53,720
Speaker 2: it's like a face kind of time.

792
00:44:54,000 --> 00:44:56,440
Speaker 3: I mean, but then it's just somebody who's having sex

793
00:44:56,840 --> 00:44:59,799
Speaker 3: while you're talking at them. Even if they are like,

794
00:45:00,520 --> 00:45:03,080
Speaker 3: which I guess is what you're saying is happening, it's

795
00:45:03,120 --> 00:45:06,640
Speaker 3: still that was those were two people having sex, yes,

796
00:45:06,800 --> 00:45:10,680
Speaker 3: and you were minimumte clearly pretending to have it just

797
00:45:10,719 --> 00:45:13,920
Speaker 3: a very generic, very polite conversation.

798
00:45:15,960 --> 00:45:17,800
Speaker 1: Was there is there no place for that in the bedroom.

799
00:45:18,320 --> 00:45:20,319
Speaker 1: I mean, we like to get rude sometimes, we like

800
00:45:20,480 --> 00:45:22,680
Speaker 1: I mean, we all have a nasty boy inside of us,

801
00:45:22,680 --> 00:45:25,120
Speaker 1: but I think that we also can be nice. Stop

802
00:45:25,239 --> 00:45:28,600
Speaker 1: rubbing the table like that, just a table?

803
00:45:28,920 --> 00:45:33,200
Speaker 2: Was that two people minimum or having sex? Minimum?

804
00:45:33,360 --> 00:45:33,520
Speaker 3: Oh?

805
00:45:33,600 --> 00:45:40,320
Speaker 2: It was having sex minimum? There's exactly two people, yeah,

806
00:45:40,760 --> 00:45:44,440
Speaker 2: but they were at minimum having sex and probably more.

807
00:45:47,400 --> 00:45:48,520
Speaker 3: So. I think that was clear.

808
00:45:48,640 --> 00:45:52,200
Speaker 1: You know that, Yes, that's just old friends.

809
00:45:53,120 --> 00:45:56,319
Speaker 3: And let me understand this. So they skype, they skype you,

810
00:45:56,640 --> 00:45:59,879
Speaker 3: and you just talk to them quietly while they have sex.

811
00:46:01,160 --> 00:46:04,960
Speaker 2: Uh, well he pulls up you know the file of

812
00:46:05,239 --> 00:46:07,959
Speaker 2: how you speak to them, which is you search for

813
00:46:08,840 --> 00:46:09,640
Speaker 2: hot friends.

814
00:46:10,000 --> 00:46:12,480
Speaker 3: M m oh no, then this is just definitely a

815
00:46:12,520 --> 00:46:15,319
Speaker 3: porn video that has nothing to do with Skype or

816
00:46:15,880 --> 00:46:17,040
Speaker 3: or anything you're talking about.

817
00:46:17,200 --> 00:46:19,719
Speaker 1: Just it's in this phone. It's in the fun It's

818
00:46:19,760 --> 00:46:22,799
Speaker 1: literally inside the phone, and you literally are seeing it

819
00:46:22,840 --> 00:46:23,840
Speaker 1: on the screen of the phone.

820
00:46:24,600 --> 00:46:28,520
Speaker 3: You're talking about just you're talking about it's a.

821
00:46:28,080 --> 00:46:30,279
Speaker 1: Phone, Alex.

822
00:46:31,280 --> 00:46:35,960
Speaker 2: Okay, it's a okay, just let go, all right, this

823
00:46:36,000 --> 00:46:37,160
Speaker 2: is a losing battle.

824
00:46:37,320 --> 00:46:41,040
Speaker 1: Et porn home. Is that what you think it is? Okay?

825
00:46:41,120 --> 00:46:43,759
Speaker 1: I mean, is that your thing? Now? Imagine what that

826
00:46:43,800 --> 00:46:46,960
Speaker 1: would be. They never would have won the Oscar with that.

827
00:46:48,080 --> 00:46:54,399
Speaker 1: It's a phone, So yes, you whatever, search hot friends.

828
00:46:54,920 --> 00:46:57,200
Speaker 4: Yep, I understand what you're talking about. And then I

829
00:46:57,239 --> 00:46:59,240
Speaker 4: was confused. Just yeah, I was confused.

830
00:46:59,280 --> 00:47:01,640
Speaker 1: It's great, it's great, it's thanks and John gets it.

831
00:47:01,719 --> 00:47:04,279
Speaker 1: And John what this table is probably having a good time.

832
00:47:04,360 --> 00:47:08,560
Speaker 1: Huh handed mhmm, hannidal.

833
00:47:09,160 --> 00:47:12,360
Speaker 2: Hand hand bell elector like Hannibal.

834
00:47:13,880 --> 00:47:21,440
Speaker 1: Let's do the popcorn mm hmm. Find gallery then gallery.

835
00:47:21,640 --> 00:47:23,800
Speaker 1: This is tom song.

836
00:47:24,520 --> 00:47:26,080
Speaker 2: You know that gallery.

837
00:47:26,239 --> 00:47:32,040
Speaker 1: It's a six song about the show. The view was

838
00:47:32,120 --> 00:47:36,560
Speaker 1: asked the questions not about our show gallery no, no, no, no,

839
00:47:38,320 --> 00:47:39,600
Speaker 1: for the podcast.

840
00:47:40,040 --> 00:47:44,200
Speaker 5: Yes, called the popcorn question gallery and shown asking them

841
00:47:45,000 --> 00:47:51,319
Speaker 5: you was you guys know the question other guys from them.

842
00:47:51,560 --> 00:47:52,320
Speaker 4: The pop.

843
00:47:54,160 --> 00:47:56,400
Speaker 1: Gallo a way to put.

844
00:47:57,600 --> 00:47:59,759
Speaker 2: Let's reach into the popcorn bag and pull out a

845
00:47:59,800 --> 00:48:02,880
Speaker 2: question uestion for the guys.

846
00:48:04,120 --> 00:48:09,719
Speaker 3: Yes, I'm so excited to get some real questions. That

847
00:48:09,800 --> 00:48:10,920
Speaker 3: feels so good.

848
00:48:13,200 --> 00:48:19,600
Speaker 1: An put me in your mouth a popcorn. I pulled

849
00:48:19,640 --> 00:48:21,840
Speaker 1: it out and I'm putting it in my mouth. So

850
00:48:22,040 --> 00:48:22,920
Speaker 1: that's the popcorn.

851
00:48:23,000 --> 00:48:26,959
Speaker 2: And I will say engineer Cody really responded to that sound.

852
00:48:27,040 --> 00:48:27,920
Speaker 1: He just dropped.

853
00:48:30,320 --> 00:48:34,920
Speaker 2: Both limbs to just kind of lash out uncontrollably and

854
00:48:35,040 --> 00:48:41,520
Speaker 2: knock over some liquids on the engineering board, which somebody

855
00:48:41,600 --> 00:48:45,560
Speaker 2: might say, professional sound engineer, maybe not a good idea

856
00:48:45,600 --> 00:48:49,600
Speaker 2: to always be drinking fluids right next to the board,

857
00:48:49,680 --> 00:48:53,320
Speaker 2: to never to always be sure to have open glass.

858
00:48:53,800 --> 00:48:56,000
Speaker 1: Yes, it's in a container with a cap on it

859
00:48:56,080 --> 00:48:58,720
Speaker 1: is it not? Oh no, it's it's just a straight

860
00:48:58,800 --> 00:49:01,880
Speaker 1: up glass with a big mouth at the top. Oh. Interesting.

861
00:49:02,600 --> 00:49:07,080
Speaker 2: We have a question from Vowie Bryant, and so we

862
00:49:07,160 --> 00:49:09,400
Speaker 2: didn't know for sure that John was coming in the beginning,

863
00:49:09,480 --> 00:49:12,400
Speaker 2: so it was just that Alex's friend. We knew this

864
00:49:12,719 --> 00:49:15,320
Speaker 2: from Alex's friends. So we have some questions for Alex's

865
00:49:15,360 --> 00:49:15,960
Speaker 2: friend as well.

866
00:49:16,000 --> 00:49:18,080
Speaker 3: He's on the show also. He's a you know, I

867
00:49:18,239 --> 00:49:19,160
Speaker 3: take what I can get though.

868
00:49:19,400 --> 00:49:20,920
Speaker 1: Okay, you know the.

869
00:49:20,960 --> 00:49:24,240
Speaker 2: Question from Vwie Bryant. You know it's got to be Alex.

870
00:49:24,640 --> 00:49:27,480
Speaker 2: You're a trendsetter. I heard before you came along, people

871
00:49:27,480 --> 00:49:30,719
Speaker 2: were saying that isn't anything but a chickens wing. What

872
00:49:30,840 --> 00:49:42,120
Speaker 2: other popular phrases have you coined? Uh? That's sensitive subject

873
00:49:42,160 --> 00:49:42,400
Speaker 2: for you.

874
00:49:42,920 --> 00:49:47,040
Speaker 3: Yeah, I mean this, this hits home.

875
00:49:47,920 --> 00:49:50,319
Speaker 1: Not so proud of some of the phrases you've popularized,

876
00:49:50,360 --> 00:49:50,879
Speaker 1: are you out?

877
00:49:50,920 --> 00:49:54,360
Speaker 2: And people have taken them in a direction that maybe

878
00:49:54,440 --> 00:49:55,799
Speaker 2: was not what you anticipated.

879
00:49:55,880 --> 00:49:58,960
Speaker 3: There's a lot of there's been a lot of you know,

880
00:49:59,400 --> 00:50:03,200
Speaker 3: hateful hate speech, and I don't want to I don't

881
00:50:03,200 --> 00:50:05,320
Speaker 3: want to talk about it because, yeah, I'm not proud

882
00:50:05,360 --> 00:50:05,600
Speaker 3: of it.

883
00:50:05,680 --> 00:50:09,560
Speaker 2: You didn't want that's what she said, to have anything

884
00:50:10,239 --> 00:50:12,320
Speaker 2: to do with sexual stuff, did you?

885
00:50:12,360 --> 00:50:13,960
Speaker 3: No? No, I didn't.

886
00:50:14,440 --> 00:50:15,840
Speaker 1: You want it to be nice things?

887
00:50:16,360 --> 00:50:22,920
Speaker 3: Yeah? I did? And you know so, yeah, that was mine.

888
00:50:23,600 --> 00:50:24,440
Speaker 3: That's what she said.

889
00:50:25,360 --> 00:50:27,399
Speaker 1: Can you talk about on and popping a little bit?

890
00:50:28,239 --> 00:50:34,040
Speaker 3: On and popping? Yeah, that was another one that I coined.

891
00:50:34,560 --> 00:50:38,600
Speaker 1: Hmm, yeah, and you what did you want it to mean?

892
00:50:38,680 --> 00:50:40,640
Speaker 1: And how are people using it now in the club?

893
00:50:41,120 --> 00:50:45,719
Speaker 3: On and on and popping was? I mean it was.

894
00:50:46,160 --> 00:50:48,640
Speaker 2: It was supposed to be about popcorn, actually, which is

895
00:50:49,160 --> 00:50:52,840
Speaker 2: perfect for this segment. Yeah yeah, And it was strictly

896
00:50:52,880 --> 00:50:53,680
Speaker 2: for my machine.

897
00:50:53,760 --> 00:50:57,000
Speaker 3: I had a popcorn machine and it was when and

898
00:50:57,080 --> 00:50:59,880
Speaker 3: I would say it's on and popping' and that means

899
00:51:00,880 --> 00:51:04,640
Speaker 3: quite literally that the popcorn machine is on and that

900
00:51:04,680 --> 00:51:05,520
Speaker 3: the kernels.

901
00:51:05,160 --> 00:51:07,880
Speaker 1: Are popping and get ready to enjoy a treat.

902
00:51:08,480 --> 00:51:11,879
Speaker 3: And that also was taken and it was used by

903
00:51:11,920 --> 00:51:15,680
Speaker 3: all these youngsters in the clubs in a very derogatory way.

904
00:51:16,760 --> 00:51:20,520
Speaker 1: But you're proud of biznatch. That one worked out, Uh.

905
00:51:20,239 --> 00:51:23,879
Speaker 3: Bisnatch Yeah, bisnatch was fine. I used to scream bis

906
00:51:23,960 --> 00:51:24,480
Speaker 3: match a lot.

907
00:51:24,600 --> 00:51:27,920
Speaker 1: Yeah, better way to say bitch. Oh. I thought it

908
00:51:27,960 --> 00:51:30,360
Speaker 1: was like business naturally.

909
00:51:31,640 --> 00:51:35,040
Speaker 3: No, it was my way of saying bitch. Yeah. Yeah,

910
00:51:35,120 --> 00:51:36,920
Speaker 3: I would say, I would scream it a lot. And

911
00:51:37,400 --> 00:51:42,080
Speaker 3: I think that one's very funny and I'm proud of it.

912
00:51:42,239 --> 00:51:44,800
Speaker 2: She also has and all the answers should have something

913
00:51:44,840 --> 00:51:45,680
Speaker 2: to do with popcorn.

914
00:51:45,719 --> 00:51:49,040
Speaker 1: People don't. Really. It's so rare that in the popcorn

915
00:51:49,040 --> 00:51:51,719
Speaker 1: gallery people relate to people popcorn, and this is maybe

916
00:51:51,760 --> 00:51:53,400
Speaker 1: the first time. I'm not cut up to this.

917
00:51:53,520 --> 00:51:54,280
Speaker 3: It's a coincidence.

918
00:51:54,320 --> 00:51:59,440
Speaker 2: The segment's about popcorn. The answer should be about popcorn. Yeah,

919
00:51:59,560 --> 00:52:02,560
Speaker 2: this is to Aux, his friend from Valerie Bryant.

920
00:52:03,120 --> 00:52:05,360
Speaker 1: Have you ever committed a hate crime?

921
00:52:05,880 --> 00:52:15,960
Speaker 4: Oh no, but it should be something about popcorn. I don't, uh,

922
00:52:17,640 --> 00:52:20,360
Speaker 4: I just well the way to answer the question, but

923
00:52:21,040 --> 00:52:22,960
Speaker 4: with the subject being popcorn.

924
00:52:22,760 --> 00:52:25,879
Speaker 1: Popcorn in there, Yeah, I would say it's a hate crime.

925
00:52:25,960 --> 00:52:27,360
Speaker 3: The way that you eat popcorn.

926
00:52:27,840 --> 00:52:28,560
Speaker 1: I will take that.

927
00:52:29,360 --> 00:52:30,120
Speaker 3: I've seen you do.

928
00:52:30,120 --> 00:52:32,360
Speaker 1: It, answered John. It's the questions for John.

929
00:52:32,440 --> 00:52:34,440
Speaker 3: I know, but I've watched him.

930
00:52:34,640 --> 00:52:36,439
Speaker 4: I mean, he can help me out. It's toal fine,

931
00:52:36,440 --> 00:52:38,160
Speaker 4: I don't want to like, I don't want because I

932
00:52:38,160 --> 00:52:38,520
Speaker 4: don't know.

933
00:52:38,600 --> 00:52:40,799
Speaker 1: I'm sorry he can. Oh okay, I didn't realize you're

934
00:52:40,840 --> 00:52:43,160
Speaker 1: making the rules inside the studio for the show. Oh well,

935
00:52:43,200 --> 00:52:45,000
Speaker 1: John's making the roles. Okay, he can help him out.

936
00:52:45,040 --> 00:52:46,560
Speaker 1: And I guess I'll just leave. You don't need me

937
00:52:46,640 --> 00:52:48,759
Speaker 1: here anymore, except then there's no show.

938
00:52:49,320 --> 00:52:52,800
Speaker 2: Guy playing basketball, it takes a shot, goes over the basket,

939
00:52:53,000 --> 00:52:54,399
Speaker 2: and I go to the ref and being like, it's

940
00:52:54,400 --> 00:52:57,120
Speaker 2: okay that I did that, and it does count for points.

941
00:52:58,800 --> 00:52:59,640
Speaker 1: Nothing, it's not.

942
00:52:59,800 --> 00:53:04,000
Speaker 2: It's the guy the ref decides how many points you get.

943
00:53:04,080 --> 00:53:06,200
Speaker 3: It's like it's like you're playing your own version of

944
00:53:06,400 --> 00:53:07,279
Speaker 3: John Basketball.

945
00:53:07,360 --> 00:53:10,440
Speaker 1: It's like I it's like I lean over to Hayes's

946
00:53:10,480 --> 00:53:12,680
Speaker 1: board and I write in a funny pun on on

947
00:53:12,840 --> 00:53:16,520
Speaker 1: his thing, and then he goes, oh, it's okay, he

948
00:53:16,520 --> 00:53:18,480
Speaker 1: can help me out, and then he gets the points

949
00:53:18,480 --> 00:53:21,919
Speaker 1: from the points guy on at midnight. No thanks, No,

950
00:53:22,040 --> 00:53:23,840
Speaker 1: you're not allowed to do it. I can't do that.

951
00:53:24,440 --> 00:53:27,799
Speaker 1: The guy catches you doing that, the nerd. You're in

952
00:53:27,800 --> 00:53:30,920
Speaker 1: big trouble. You guys done that show, Alex.

953
00:53:32,760 --> 00:53:38,160
Speaker 3: Scary, I'm scared doing it with Steven Tobolowski.

954
00:53:38,600 --> 00:53:42,800
Speaker 1: Very good to look up what's in the news. Okay, okay, okay.

955
00:53:43,080 --> 00:53:45,399
Speaker 1: Imagine a picture and then imagine what you could say

956
00:53:45,440 --> 00:53:50,239
Speaker 1: about it. Ad a add like add cream to a movie.

957
00:53:51,040 --> 00:53:54,640
Speaker 3: Add cream to a movie. I'm trying to understand what

958
00:53:54,680 --> 00:53:55,160
Speaker 3: that means.

959
00:53:55,680 --> 00:53:58,280
Speaker 2: That's see, you're gonna need to be ready for something

960
00:53:58,360 --> 00:54:00,919
Speaker 2: like that. They don't let you repeat the question out loud.

961
00:54:01,920 --> 00:54:04,200
Speaker 4: I beat up a gay person when I was eating popcorn.

962
00:54:07,600 --> 00:54:09,840
Speaker 4: I should That's probably what I should. I should have

963
00:54:09,920 --> 00:54:11,719
Speaker 4: led with I.

964
00:54:11,640 --> 00:54:14,760
Speaker 1: Mean and that's and this is just and to be clear,

965
00:54:14,840 --> 00:54:17,759
Speaker 1: this is just because we did want popcorn. And the

966
00:54:17,880 --> 00:54:19,359
Speaker 1: answer that John's saying this.

967
00:54:20,800 --> 00:54:23,000
Speaker 4: Sure, So do you want to just say what you did?

968
00:54:23,880 --> 00:54:26,200
Speaker 4: I don't want to get into it. I just thought

969
00:54:26,239 --> 00:54:30,560
Speaker 4: i'd get it out there and now we're done. It's good.

970
00:54:30,640 --> 00:54:32,719
Speaker 4: It's good. I think that's the next question. Let's get

971
00:54:32,760 --> 00:54:33,920
Speaker 4: another question out of the bat.

972
00:54:34,480 --> 00:54:36,160
Speaker 1: Was it because you were eating popcorn?

973
00:54:37,320 --> 00:54:39,960
Speaker 4: Come on, no, no, I don't. If we don't, we

974
00:54:40,040 --> 00:54:43,160
Speaker 4: really do not need to rehash this whole thing. Next question,

975
00:54:43,239 --> 00:54:46,359
Speaker 4: Come on, guys, okay, you feel bad about it though,

976
00:54:46,560 --> 00:54:50,879
Speaker 4: come on, no, yes, obviously, but come on, he said no, Well,

977
00:54:50,960 --> 00:54:54,319
Speaker 4: at first I didn't. I took years to finally, you know,

978
00:54:54,360 --> 00:54:56,640
Speaker 4: figure out what I had done was definitely wrong, you know,

979
00:54:56,719 --> 00:54:58,000
Speaker 4: but that's it was.

980
00:54:58,000 --> 00:54:58,359
Speaker 1: At first.

981
00:54:58,760 --> 00:55:04,840
Speaker 4: I wish I wish there were a rules. Gross Next question.

982
00:55:04,960 --> 00:55:07,480
Speaker 1: Thanks, As long as we're apologizing for things we did,

983
00:55:07,480 --> 00:55:10,439
Speaker 1: I'm sorry I blew past that John basketball.

984
00:55:09,880 --> 00:55:10,800
Speaker 3: Thing you said before.

985
00:55:11,400 --> 00:55:14,960
Speaker 1: It really was very funny to me. I was already

986
00:55:14,960 --> 00:55:18,920
Speaker 1: trying to work in something about points, and uh, I

987
00:55:19,080 --> 00:55:21,719
Speaker 1: just I literally steamrolled right over it.

988
00:55:21,880 --> 00:55:24,640
Speaker 2: There was a real danger that that would never you

989
00:55:24,640 --> 00:55:25,920
Speaker 2: would ever have been able.

990
00:55:25,680 --> 00:55:30,400
Speaker 1: To say that. If I got even five more seconds

991
00:55:30,440 --> 00:55:33,440
Speaker 1: away from what had initially led me onto that idea,

992
00:55:33,760 --> 00:55:36,240
Speaker 1: I would not have been able to do it. After

993
00:55:36,320 --> 00:55:40,400
Speaker 1: doing it, not worth it. Yeah, I appreciate. Sorry, and

994
00:55:40,960 --> 00:55:43,120
Speaker 1: John Basketball if we want to talk about that later,

995
00:55:43,200 --> 00:55:46,040
Speaker 1: let's all do that back into the popcorn bag and

996
00:55:46,120 --> 00:55:53,640
Speaker 1: let's play the sound drop from my friend Mark. Yeah

997
00:55:53,000 --> 00:55:55,840
Speaker 1: that you know all the right spots now, all my

998
00:55:56,120 --> 00:56:04,600
Speaker 1: pieces work. That's what she said. Oh wow, I don't

999
00:56:04,640 --> 00:56:07,600
Speaker 1: know if it was. That's how popular the phrase is.

1000
00:56:08,480 --> 00:56:12,200
Speaker 2: Okay, here's a question from Dixon. This is a short one.

1001
00:56:13,000 --> 00:56:17,719
Speaker 2: It's Alex, what do you think of these? And fangers?

1002
00:56:18,360 --> 00:56:22,200
Speaker 2: And it's a picture of Anne Hathaway holding up two fangers.

1003
00:56:28,120 --> 00:56:30,040
Speaker 1: It's the other question is what do you think?

1004
00:56:35,760 --> 00:56:42,320
Speaker 3: Yeah, I'm in I'm into it. I am yeah.

1005
00:56:42,920 --> 00:56:47,359
Speaker 1: Okay, should we let's get another question another bag?

1006
00:56:49,000 --> 00:56:58,520
Speaker 3: H here's so close to making me making me up?

1007
00:57:00,320 --> 00:57:02,120
Speaker 1: Got and your Cody just spilled.

1008
00:57:01,840 --> 00:57:02,400
Speaker 3: All over me.

1009
00:57:05,920 --> 00:57:06,919
Speaker 1: And see that's great.

1010
00:57:07,160 --> 00:57:11,560
Speaker 2: A lot of the times we wonder like how he

1011
00:57:11,680 --> 00:57:14,440
Speaker 2: knows so much about what's going on. So Mark Shohnson

1012
00:57:14,480 --> 00:57:16,360
Speaker 2: from high school does a lot of these sound drops.

1013
00:57:16,480 --> 00:57:18,320
Speaker 2: He doesn't ahead of time. Often he seems to know

1014
00:57:18,320 --> 00:57:19,640
Speaker 2: an unusual amount about the show.

1015
00:57:19,720 --> 00:57:22,080
Speaker 1: He got a promotion recently actually.

1016
00:57:22,960 --> 00:57:26,880
Speaker 2: Within for our show. From his job. Yeah yeah, he

1017
00:57:26,920 --> 00:57:30,320
Speaker 2: smashes dumpsters together for his job. He pushes dumpsters into

1018
00:57:30,320 --> 00:57:33,720
Speaker 2: one another for his job. Yes, yeah, although I guess

1019
00:57:33,720 --> 00:57:34,320
Speaker 2: not anymore.

1020
00:57:34,880 --> 00:57:40,040
Speaker 1: Well, yes, anymore. But he got a faster cart. Cool,

1021
00:57:40,400 --> 00:57:40,880
Speaker 1: cool man.

1022
00:57:42,520 --> 00:57:45,080
Speaker 2: One of the dumpsters goes on a cart. The cart

1023
00:57:45,120 --> 00:57:46,720
Speaker 2: he used to use was very slow.

1024
00:57:46,960 --> 00:57:49,960
Speaker 1: Okay, Well, one dumpster goes on a cart and gets placed,

1025
00:57:50,000 --> 00:57:51,960
Speaker 1: and then another dumpster goes on the cart and gets

1026
00:57:52,000 --> 00:57:55,000
Speaker 1: put into the one which has been previously placed and

1027
00:57:55,120 --> 00:57:56,360
Speaker 1: then smashed into it.

1028
00:57:56,440 --> 00:57:57,400
Speaker 3: That's his profession.

1029
00:57:58,320 --> 00:58:00,760
Speaker 1: Yeah, someone's got to do it. And then also he

1030
00:58:00,840 --> 00:58:02,200
Speaker 1: did you see that Mike Ros show?

1031
00:58:03,960 --> 00:58:05,400
Speaker 3: I don't think I did. I think I have.

1032
00:58:05,640 --> 00:58:09,880
Speaker 2: This is a question from Bozo's formerly Bozos of John Basketball.

1033
00:58:11,160 --> 00:58:14,280
Speaker 1: The question is, Alex, do you want more room to

1034
00:58:14,320 --> 00:58:16,000
Speaker 1: talk about that John Basketball?

1035
00:58:17,160 --> 00:58:21,640
Speaker 2: Maybe less? Okay, it's Alex, you and your bud, that's

1036
00:58:21,680 --> 00:58:24,640
Speaker 2: the you. John sure seemed to have mastered the small

1037
00:58:24,840 --> 00:58:29,160
Speaker 2: computers movies format so much because you did small computers

1038
00:58:29,160 --> 00:58:30,480
Speaker 2: movies for a while.

1039
00:58:31,000 --> 00:58:32,920
Speaker 3: Small computers movies.

1040
00:58:32,640 --> 00:58:35,160
Speaker 1: With the next time on Bonnie the Bonnie Hunt.

1041
00:58:36,560 --> 00:58:38,320
Speaker 3: Oh, next time on Lonnie Yeah.

1042
00:58:38,160 --> 00:58:39,200
Speaker 1: Small computers movies.

1043
00:58:39,400 --> 00:58:43,240
Speaker 2: Yeah, yeah, you seem to have mastered that format so

1044
00:58:43,360 --> 00:58:44,480
Speaker 2: much Lonnie Ross.

1045
00:58:44,280 --> 00:58:44,919
Speaker 1: From thirty Rock.

1046
00:58:46,720 --> 00:58:49,040
Speaker 3: No, No, it's just it was just a character that

1047
00:58:49,080 --> 00:58:49,960
Speaker 3: I that I played.

1048
00:58:50,120 --> 00:58:51,960
Speaker 1: Well. He did a lot of characters, he did impressions.

1049
00:58:52,000 --> 00:58:57,440
Speaker 2: Yeah, oh really, next time on Bonnie Hunt. Also, that

1050
00:58:57,520 --> 00:58:58,400
Speaker 2: sounds good.

1051
00:58:59,760 --> 00:59:00,400
Speaker 1: Let me finish.

1052
00:59:00,720 --> 00:59:02,520
Speaker 2: Okay, the thing I was saying, yea, if you don't mind,

1053
00:59:03,200 --> 00:59:05,280
Speaker 2: you and your butt seem to have mastered the small

1054
00:59:05,320 --> 00:59:08,960
Speaker 2: computers movies format so much that now you're just in

1055
00:59:09,040 --> 00:59:10,480
Speaker 2: regular small movies.

1056
00:59:12,000 --> 00:59:16,440
Speaker 1: Isn't that moving backwards? Because you think about.

1057
00:59:17,720 --> 00:59:22,080
Speaker 2: Movies, you get movies, right, and then TV is really

1058
00:59:22,080 --> 00:59:26,160
Speaker 2: just small movies, and then there's small computers movies.

1059
00:59:25,920 --> 00:59:27,240
Speaker 1: Now that you're seeing more and more.

1060
00:59:27,720 --> 00:59:30,640
Speaker 2: Sure, sometimes even in this seems to be something you

1061
00:59:30,640 --> 00:59:32,600
Speaker 2: don't understand, but sometimes you can even talk to them

1062
00:59:32,600 --> 00:59:34,640
Speaker 2: in your phone.

1063
00:59:35,360 --> 00:59:38,360
Speaker 3: Yeah, I haven't even I have never thought about about this.

1064
00:59:38,480 --> 00:59:42,000
Speaker 3: It's kind of blowing my mind right now. I mean, maybe, yeah,

1065
00:59:42,400 --> 00:59:45,720
Speaker 3: maybe we are moving backwards. Maybe we don't know where

1066
00:59:45,720 --> 00:59:46,120
Speaker 3: we're going.

1067
00:59:46,440 --> 00:59:51,480
Speaker 1: Yeah, you know, things are getting smaller and smaller. Yeah.

1068
00:59:51,600 --> 00:59:55,360
Speaker 2: Yeah, and you guys seem to be moving to bigger stuff,

1069
00:59:55,360 --> 00:59:57,800
Speaker 2: the bigger stuff, but like not good bigger.

1070
00:59:57,920 --> 01:00:00,240
Speaker 4: You're just saying bigger in the way that it's it's

1071
01:00:00,680 --> 01:00:03,880
Speaker 4: harder to carry, Yes, definitely harder to carry.

1072
01:00:04,480 --> 01:00:06,240
Speaker 3: Harder to carry a television.

1073
01:00:05,800 --> 01:00:06,640
Speaker 1: Yeah for su sure.

1074
01:00:07,400 --> 01:00:09,520
Speaker 4: I mean it's just I don't know, it's crazy because

1075
01:00:09,560 --> 01:00:13,000
Speaker 4: the show is just such a fucking smash success, you know,

1076
01:00:13,320 --> 01:00:15,400
Speaker 4: So it's like crazy that you'd think that it's like,

1077
01:00:16,280 --> 01:00:18,959
Speaker 4: you know, a move back. I know this isn't your question,

1078
01:00:19,120 --> 01:00:21,880
Speaker 4: as is someone else's question, but just being like the

1079
01:00:21,920 --> 01:00:25,680
Speaker 4: biggest show on the small movies.

1080
01:00:25,480 --> 01:00:26,280
Speaker 3: Yeah, in the world.

1081
01:00:27,000 --> 01:00:30,720
Speaker 1: Definitely in the world. But are there any other shows anymore?

1082
01:00:31,920 --> 01:00:33,920
Speaker 3: They're not going to be I don't think not.

1083
01:00:33,960 --> 01:00:35,880
Speaker 4: After this one, a lot of people were talking about

1084
01:00:36,000 --> 01:00:39,520
Speaker 4: just doing big time all the time, bang time, No

1085
01:00:39,600 --> 01:00:41,280
Speaker 4: big time, banging time.

1086
01:00:41,280 --> 01:00:45,200
Speaker 2: On all the yeah whatever, because as people move their

1087
01:00:45,240 --> 01:00:48,280
Speaker 2: shows over to small computers more and more.

1088
01:00:49,840 --> 01:00:52,439
Speaker 1: At some point, are there any more shows on TV? Yeah?

1089
01:00:52,880 --> 01:00:53,320
Speaker 3: Just ours?

1090
01:00:53,440 --> 01:01:00,840
Speaker 1: Yeah, answered. Next, let's take a question, okay, and then

1091
01:01:00,920 --> 01:01:03,280
Speaker 1: get another back. Yeah, okay, Mark, do.

1092
01:01:03,280 --> 01:01:07,680
Speaker 2: It sounded up starting.

1093
01:01:07,360 --> 01:01:17,200
Speaker 1: Now more like bing time? Oh? So that was good.

1094
01:01:19,240 --> 01:01:24,080
Speaker 1: That's what we found out. Here's a question from Blink.

1095
01:01:24,960 --> 01:01:27,800
Speaker 2: Dear Alex, what made you want to start taking your

1096
01:01:27,840 --> 01:01:31,800
Speaker 2: hair vertical? How has that decision changed your life? Can

1097
01:01:31,840 --> 01:01:32,960
Speaker 2: you give us any tips?

1098
01:01:35,000 --> 01:01:37,800
Speaker 1: Uh?

1099
01:01:37,840 --> 01:01:42,760
Speaker 3: You know, Blink, it was it was a choice made

1100
01:01:43,000 --> 01:01:49,880
Speaker 3: very early on in my life. I was when I

1101
01:01:49,960 --> 01:01:59,320
Speaker 3: was very young, I experienced I experienced something incredible. I

1102
01:01:59,480 --> 01:02:04,760
Speaker 3: was I was visited by an alien and he showed

1103
01:02:04,800 --> 01:02:08,680
Speaker 3: me pictures of the man that I could be, not

1104
01:02:08,760 --> 01:02:11,160
Speaker 3: the man that I am, the boy I was four,

1105
01:02:12,400 --> 01:02:18,440
Speaker 3: and he showed me these sketches of these aliens and

1106
01:02:18,480 --> 01:02:21,120
Speaker 3: they all they were very advanced creatures.

1107
01:02:21,280 --> 01:02:24,200
Speaker 1: Pictures of you. Then he's showing you sketches of aliens. Yeah,

1108
01:02:24,360 --> 01:02:28,760
Speaker 1: pictures pictures of you. But he's got sketches of aliens.

1109
01:02:28,880 --> 01:02:40,640
Speaker 3: Yeah yeah, what what's not to understand. He's showing me

1110
01:02:40,680 --> 01:02:44,040
Speaker 3: sketches of aliens, sketches of the aliens, pictures of me,

1111
01:02:44,160 --> 01:02:44,760
Speaker 3: and sketches of it.

1112
01:02:46,360 --> 01:02:47,200
Speaker 1: And it's about hair.

1113
01:02:47,840 --> 01:02:51,640
Speaker 3: Yeah, we're getting there, I guess. And he gave me

1114
01:02:52,040 --> 01:02:58,520
Speaker 3: some sauce. It's called hair sauce, and that's not hair sauce.

1115
01:02:58,760 --> 01:03:01,919
Speaker 2: Why what do you mean, dude, dude? No, he I'm

1116
01:03:01,920 --> 01:03:04,480
Speaker 2: taking a look at that right now, dude. That is

1117
01:03:04,520 --> 01:03:07,480
Speaker 2: not hair sauce. Dude, you even put that your hair.

1118
01:03:07,720 --> 01:03:08,960
Speaker 2: This is a jar of white hair.

1119
01:03:08,960 --> 01:03:13,560
Speaker 1: So let me take a stiff dude. What is that

1120
01:03:13,720 --> 01:03:17,120
Speaker 1: alien fucktrolled you? Dude? What do you? Dude?

1121
01:03:17,240 --> 01:03:19,960
Speaker 2: Smells like a towel I used to have in my

1122
01:03:20,080 --> 01:03:25,960
Speaker 2: adolescent bedroom. Mate, you got a troll, dude, That is

1123
01:03:26,080 --> 01:03:30,640
Speaker 2: not what, dude, You've been trolled. That alien trolled you, dude,

1124
01:03:31,520 --> 01:03:32,320
Speaker 2: hair sauce.

1125
01:03:32,400 --> 01:03:37,680
Speaker 3: His name was Steve. He's an alien, dude, Dude, dude.

1126
01:03:37,520 --> 01:03:44,760
Speaker 1: Steve Steve. He's not an alien. Steve's a fucking megatrol. Dude.

1127
01:03:46,080 --> 01:03:49,800
Speaker 2: He's the talking about that. Ain't hair sauce, dude, that's

1128
01:03:49,840 --> 01:03:50,680
Speaker 2: Steve's sauce.

1129
01:03:50,720 --> 01:03:52,600
Speaker 3: Baby. All right, Well, this is where I get my

1130
01:03:52,680 --> 01:03:55,440
Speaker 3: hair sauce. Steve gives it to me, the alien. He

1131
01:03:55,520 --> 01:03:58,280
Speaker 3: brings it to me every night. And I don't appreciate

1132
01:03:58,320 --> 01:04:00,480
Speaker 3: you fucking with me and doing all this stuff, but

1133
01:04:00,560 --> 01:04:05,000
Speaker 3: he shows me sketches of aliens, He shows me pictures

1134
01:04:05,040 --> 01:04:07,840
Speaker 3: of myself, and he gives me hair sauce.

1135
01:04:08,240 --> 01:04:11,400
Speaker 2: Dude, that et porn home joke I made before must

1136
01:04:11,400 --> 01:04:12,880
Speaker 2: have really hit hit.

1137
01:04:12,800 --> 01:04:16,120
Speaker 3: You, all right, And I'm sorry that I'm getting annoyed,

1138
01:04:16,120 --> 01:04:18,920
Speaker 3: that I'm getting ticked off because I was you know what,

1139
01:04:19,000 --> 01:04:22,080
Speaker 3: from when I was four to now, I have been

1140
01:04:22,120 --> 01:04:25,800
Speaker 3: given hair sauce from Steve. So if you don't stop

1141
01:04:25,840 --> 01:04:28,800
Speaker 3: effing with me here on this podcast, I didn't come

1142
01:04:28,840 --> 01:04:32,400
Speaker 3: to this podcast to get f't with about my my

1143
01:04:33,200 --> 01:04:36,320
Speaker 3: this Steve alien that's been following me for my life

1144
01:04:36,360 --> 01:04:37,880
Speaker 3: giving me jars of white hair stuck.

1145
01:04:37,920 --> 01:04:39,240
Speaker 1: Does he look like an alien?

1146
01:04:39,480 --> 01:04:42,560
Speaker 3: Yes, he's got glasses, he has doey face.

1147
01:04:43,280 --> 01:04:47,240
Speaker 1: What are you? He has glasses, doey face. He wears

1148
01:04:47,680 --> 01:04:48,680
Speaker 1: a plaid.

1149
01:04:48,360 --> 01:04:51,800
Speaker 3: Shirt, he has shorts, he has very hairy legs, and

1150
01:04:51,840 --> 01:04:56,600
Speaker 3: he wears sandals with socks. I don't know why this

1151
01:04:56,640 --> 01:05:00,560
Speaker 3: is funny. And he's an alien and he comes in

1152
01:05:00,640 --> 01:05:03,600
Speaker 3: a ship. What's the ship look like?

1153
01:05:03,880 --> 01:05:04,360
Speaker 1: A jar?

1154
01:05:07,600 --> 01:05:08,400
Speaker 3: A small jar?

1155
01:05:09,600 --> 01:05:12,720
Speaker 1: So he just well he's doing he's holding a jar. Saw.

1156
01:05:12,800 --> 01:05:15,000
Speaker 2: He's got one jar of hairsauce, the other ones j

1157
01:05:15,160 --> 01:05:17,280
Speaker 2: He goes, this is a ship I flew he says.

1158
01:05:17,440 --> 01:05:18,280
Speaker 1: He says, I.

1159
01:05:18,160 --> 01:05:21,800
Speaker 2: Came in this Yes, and you I think that means

1160
01:05:21,800 --> 01:05:23,200
Speaker 2: that he arrived at it.

1161
01:05:23,320 --> 01:05:25,040
Speaker 3: Yes, he arrived in a tiny jar.

1162
01:05:26,600 --> 01:05:29,800
Speaker 1: He might not even be trolling you. He might he

1163
01:05:29,880 --> 01:05:31,240
Speaker 1: might be being pretty straight up.

1164
01:05:32,120 --> 01:05:34,000
Speaker 2: I don't know he's saying he was an alien, or

1165
01:05:34,040 --> 01:05:35,160
Speaker 2: you said he's an alien.

1166
01:05:35,600 --> 01:05:38,600
Speaker 3: I'm saying he's an alien. He says that he's my neighbor, Steve,

1167
01:05:39,240 --> 01:05:41,200
Speaker 3: and I say that he is an alien that has

1168
01:05:41,280 --> 01:05:42,480
Speaker 3: followed me through time.

1169
01:05:44,080 --> 01:05:45,240
Speaker 1: Dude, you told yourself.

1170
01:05:45,360 --> 01:05:48,080
Speaker 3: Dude, I don't know what the fuck you're talking about.

1171
01:05:48,160 --> 01:05:51,600
Speaker 1: Man, the effect is good though. You can see it

1172
01:05:51,640 --> 01:05:52,560
Speaker 1: on phone screens.

1173
01:05:52,640 --> 01:05:55,800
Speaker 2: Your whole hair easier now because the screens are straight

1174
01:05:55,880 --> 01:05:56,400
Speaker 2: up and down.

1175
01:05:56,440 --> 01:05:57,960
Speaker 1: And so I'm good for you.

1176
01:05:58,040 --> 01:06:00,760
Speaker 3: Yeah, I have my career because of Steve, the alien

1177
01:06:01,840 --> 01:06:04,400
Speaker 3: that comes in the jar to my house.

1178
01:06:07,280 --> 01:06:12,200
Speaker 2: Guys, thank you for being on the show. The Lot

1179
01:06:12,280 --> 01:06:16,400
Speaker 2: of Secret Life of Walter Minton questions, Oh you.

1180
01:06:16,360 --> 01:06:17,120
Speaker 3: Mean Walter Mitty?

1181
01:06:17,200 --> 01:06:17,960
Speaker 1: What was that like?

1182
01:06:18,560 --> 01:06:20,840
Speaker 3: The Secret Life of Walter Mitten's. I don't know what

1183
01:06:20,880 --> 01:06:24,200
Speaker 3: that is, so I can't even answer that. That sounds

1184
01:06:24,240 --> 01:06:29,280
Speaker 3: like it's it sounds like they're probably trying to ask

1185
01:06:29,280 --> 01:06:30,520
Speaker 3: about a movie.

1186
01:06:31,040 --> 01:06:33,200
Speaker 1: And what was it like? What did you do?

1187
01:06:33,520 --> 01:06:35,840
Speaker 3: It was great? I was you know, I was on

1188
01:06:35,960 --> 01:06:36,400
Speaker 3: I was in it.

1189
01:06:36,920 --> 01:06:40,160
Speaker 1: Mm hmm, yeah, just and what's like the deal with it?

1190
01:06:42,120 --> 01:06:45,360
Speaker 3: What's the deal with it. It's it's just a you know, yeah,

1191
01:06:45,560 --> 01:06:47,640
Speaker 3: it was a movie that came out that I was in.

1192
01:06:48,640 --> 01:06:53,200
Speaker 3: Not Walter Mitten's been there. Yeah, yeah, yeah, it was

1193
01:06:53,240 --> 01:06:54,480
Speaker 3: great though, you know.

1194
01:06:56,080 --> 01:07:00,120
Speaker 1: Yeah, thank you, thank you guys, thank you, thanks and

1195
01:07:00,240 --> 01:07:07,120
Speaker 1: thanks John Bass. I could see you.

1196
01:07:06,880 --> 01:07:12,680
Speaker 2: You mouthed big mouth Billy that there's a good way

1197
01:07:12,720 --> 01:07:13,440
Speaker 2: to memorize it.

1198
01:07:15,560 --> 01:07:17,640
Speaker 1: Thanks for being here. We're what we're going to do

1199
01:07:17,840 --> 01:07:21,440
Speaker 1: is tell people to like us on the iTunes and

1200
01:07:21,440 --> 01:07:23,480
Speaker 1: the Facebook, and go talk to us on the forums.

1201
01:07:23,840 --> 01:07:27,480
Speaker 1: Rate us, write a positive review, be friends with us,

1202
01:07:27,880 --> 01:07:29,880
Speaker 1: Like us, tell your friends about us, want to listen

1203
01:07:29,920 --> 01:07:32,439
Speaker 1: to us more, go ahead and do it. And that's

1204
01:07:32,480 --> 01:07:34,760
Speaker 1: not all. Somebody's going to get the pro version. It's

1205
01:07:35,320 --> 01:07:39,400
Speaker 1: your Senator Harry Reid. Okay, your Senator Harry Reid. And

1206
01:07:39,480 --> 01:07:42,320
Speaker 1: they may have gotten it before, but who cares, you know.

1207
01:07:43,440 --> 01:07:45,800
Speaker 1: And so if he gets it again, then he's going

1208
01:07:45,880 --> 01:07:48,640
Speaker 1: to get it from Alex and John and they're gonna

1209
01:07:48,640 --> 01:07:51,680
Speaker 1: give him a little sneak preview of some.

1210
01:07:51,720 --> 01:07:54,320
Speaker 2: Of the things that Dell might be getting called on

1211
01:07:54,800 --> 01:07:59,200
Speaker 2: the next season. A big time in Hollywood, Florida, Esse.

1212
01:07:59,280 --> 01:08:02,439
Speaker 1: Yeah, let's just do ten. Just off ten.

1213
01:08:02,520 --> 01:08:06,240
Speaker 2: Hey, just do a quick ten, quick ten, nice round number.

1214
01:08:06,560 --> 01:08:08,720
Speaker 1: All right, here we goes this for the pro version. Yes,

1215
01:08:08,960 --> 01:08:11,160
Speaker 1: so I gotta pro it up. You say his name

1216
01:08:11,200 --> 01:08:14,120
Speaker 1: is to what's his name? These are your Senator Harry read,

1217
01:08:14,160 --> 01:08:24,840
Speaker 1: your senator Hair del Read. It's a Dell computer. It's two.

1218
01:08:25,080 --> 01:08:27,920
Speaker 4: They got eight more to go, eight more to Dell

1219
01:08:28,800 --> 01:08:36,120
Speaker 4: three three rhymes with me, rhymes with Dell for Dell.

1220
01:08:36,479 --> 01:08:39,559
Speaker 1: Deliva. Oh, that's a good one. Delivah like a diva,

1221
01:08:39,720 --> 01:08:40,480
Speaker 1: like Elvira.

1222
01:08:40,920 --> 01:08:44,160
Speaker 4: No, that would be del Vira.

1223
01:08:45,000 --> 01:08:49,240
Speaker 1: That's that's another one, uh.

1224
01:08:50,760 --> 01:08:58,680
Speaker 4: Dell o oh oh yeah, keep it coming, hold on,

1225
01:08:58,840 --> 01:09:03,760
Speaker 4: leave it to Delver Dell's, which should be friends. That

1226
01:09:03,840 --> 01:09:07,320
Speaker 4: would be the friends. Oh man, that's a good one.

1227
01:09:08,600 --> 01:09:13,160
Speaker 1: Kyle Dellar, Hyle Dellar, Bye bye.

1228
01:09:20,320 --> 01:09:24,400
Speaker 2: Hollywood Handbook is brought to you by Wolf Cool Productions

1229
01:09:24,520 --> 01:09:34,000
Speaker 1: Subsidiary of Calvin Unhobbs, Our Baby,