WEBVTT - V For Vendetta (Part 1)

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<v Speaker 1>Hi, Welcome back to Popcorn Book Club. I'm Danish Forwards,

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<v Speaker 1>joined as always by Melissa Hunter, Jennifer Wright, Tan Tran

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<v Speaker 1>and Karamadanqua. And this week we are a little bit

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<v Speaker 1>late for the fifth of November, but unfortunately right in

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<v Speaker 1>time for the impending threat of totalitarianism. And we are

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<v Speaker 1>talking V four Vendetta, the graphic novel written by Alan Moore,

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<v Speaker 1>illustrated by David Lloyd. Uh yeah, it's sort of rolled

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<v Speaker 1>off the tongue. It's the book. The graphic novel is

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<v Speaker 1>divided into three parts, so we're gonna do each episode

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<v Speaker 1>part by part. So today we're just talking book one,

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<v Speaker 1>which is like subheaded Europe after the Rain, before we

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<v Speaker 1>dive in, I'm just clear ari e I g oh yeah,

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<v Speaker 1>Ray like the rain on me, like gay. So before

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<v Speaker 1>we start, I'm curious because V for Vendetta has had

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<v Speaker 1>such like a big part, like a big footprint in

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<v Speaker 1>popular culture where even if you haven't like read it

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<v Speaker 1>or seen it, you know, like the guy Fox mask

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<v Speaker 1>has become like the anonymous symbol. So, Jennifer, what has

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<v Speaker 1>been your relationship with V for Vendetta before this this podcast?

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<v Speaker 1>Book reading? Okay, well, I love V for Vendetta. But

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<v Speaker 1>what I find fascinating is periodically I get like really

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<v Speaker 1>hardcore Trump supporters who messaged me on Twitter, and I'm

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<v Speaker 1>shocked by the number of them that have the V

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<v Speaker 1>for Vendetta mask as their profile picture. Because if you

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<v Speaker 1>read V for Vendetta, I think the first thing that

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<v Speaker 1>happens is V beats up some corrupt cops who are

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<v Speaker 1>going to break a woman to um. So it's surprising

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<v Speaker 1>to me that a group of very far right people

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<v Speaker 1>have read this book and thought, yeah, this guy fighting

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<v Speaker 1>against a fascist government where the police are an unbelievably

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<v Speaker 1>corrupt force. Speaks to you to assume they read the book,

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<v Speaker 1>did they watch the movie, because like it's still basically

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<v Speaker 1>the same. I mean, those are the same people that

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<v Speaker 1>like misuse red pill in Blue Pill. Also the Punisher logo,

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<v Speaker 1>Oh yeah, they love punish our people with white trumps,

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<v Speaker 1>love punish, punish our decals, And you're like, what do

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<v Speaker 1>you think that's communicating? So yeah, I love this book

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<v Speaker 1>because I think it has Overfelming like good social and

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<v Speaker 1>moral values and is a dystopia about fascism in such

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<v Speaker 1>a such a wonderfully realized way, and boy, people on

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<v Speaker 1>the far right not picking up on that. It's also

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<v Speaker 1>very funny to me because Guy Fox was an extreme Catholic,

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<v Speaker 1>So that in end and of itself is like interesting

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<v Speaker 1>that he was like, yeah, Catholicism, I don't like your Protestantism.

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<v Speaker 1>That people who now adopt the Guy Fox mask are

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<v Speaker 1>not like religious zealots. And again it's an unambiguously anarchist symbol.

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<v Speaker 1>So now that Donald Trump is like the incumbent leader

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<v Speaker 1>and they're defending their like, oh, the anarchy in Portland,

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<v Speaker 1>it's like, no, now you should specifically be in favor

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<v Speaker 1>of that quote unquote anarchy. Yeah, well no, it's just

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<v Speaker 1>I never thought about how even just in the past

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<v Speaker 1>several years, I mean, since Trump became elected in his

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<v Speaker 1>now a fucking loser, um, you know, them to enjoy

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<v Speaker 1>that together. I do have to say, wouldn't it suck

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<v Speaker 1>if we had to be like a politically neutral podcast

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<v Speaker 1>like obviously feeling let's say you excite stuff Because I

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<v Speaker 1>these this first book uh before the election, and it

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<v Speaker 1>made me feel really uncomfortable because it's I mean it's

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<v Speaker 1>so immediately uh reflective of the Trump era of like

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<v Speaker 1>make Britain great again is on page two and uh.

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<v Speaker 1>And then I reread it last night or the two

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<v Speaker 1>nights ago to like refresh my memory, and I just

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<v Speaker 1>felt like a different this is like right after Biden

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<v Speaker 1>has gotten elected. And I just was able to read

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<v Speaker 1>and be like, yes, that old thing, even though I

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<v Speaker 1>know not everything is over, but it made me just

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<v Speaker 1>feel so much better reading it post post election. You know,

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<v Speaker 1>I didn't want to bring up the political allegory too soon,

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<v Speaker 1>but and not to get into the movie yet, but

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<v Speaker 1>now that we're sort of there, I think that I

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<v Speaker 1>always found interesting was that Ellen Moore famously hates all

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<v Speaker 1>adaptations of his work because he's like a crashy old wizard,

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<v Speaker 1>like that's just who he is. But he let people

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<v Speaker 1>adapt it because he because he likes houses, but he

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<v Speaker 1>doesn't like them. He's like, you can do what you want,

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<v Speaker 1>but I'm not gonna like it. I'm telling us fair

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<v Speaker 1>and um. And he also don't take that stance too

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<v Speaker 1>in my future works and then be like do you

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<v Speaker 1>like it? And I also think he doesn't take money.

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<v Speaker 1>I'm pretty sure he says. He just says like I

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<v Speaker 1>don't want the money. I'm gonna check. I didn't mean

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<v Speaker 1>to No, No, he's a he's like a weird wizard

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<v Speaker 1>of the word. Does he know that he could give

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<v Speaker 1>it away too good causes instead of flooding movie studios

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<v Speaker 1>keep it? I mean, not that they're not in a

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<v Speaker 1>way a good cost, Like he could he could give

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<v Speaker 1>it to like housing projects and stuff. Yeah, like movies.

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<v Speaker 1>I'm just saying movie studios are not the thing that

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<v Speaker 1>I would first think of when I hear a it, Cause, yeah,

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<v Speaker 1>well you figure it out. I mean, I'm gonna look

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<v Speaker 1>up about whether he takes the money. But the point

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<v Speaker 1>is he hated the Viva Vendettatte movie, which we'll all

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<v Speaker 1>watch and talk about. But he thought that they made

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<v Speaker 1>it to American and he's like, this is about England.

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<v Speaker 1>It's not a metaphor about him, because it was happening

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<v Speaker 1>during the Bush Era, and he thought that some like

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<v Speaker 1>American Bush era politics crept into the movie. And he

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<v Speaker 1>was like, Nope, it's about Britain and England specifically, and

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<v Speaker 1>like yeah, it's like and like he's like, and it's

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<v Speaker 1>about anarchy and specifically anarchy. And if it's not about

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<v Speaker 1>anarchy in Britain, it's not my book. But I do

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<v Speaker 1>think Melissa, your point is well made that this applies

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<v Speaker 1>to a lot of situations and a lot of totalitarian

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<v Speaker 1>governments in a way that maybe Alan Moore doesn't appreciate it,

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<v Speaker 1>but I think we can't. Yeah, it reminds me of

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<v Speaker 1>Bon June Hoo when he was talking about Paris Site

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<v Speaker 1>and how he wrote it specifically for Korean audience and

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<v Speaker 1>then it became so wildly popular, and he's like, I

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<v Speaker 1>guess we all live in the same same country of capitalism. Like,

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<v Speaker 1>so he gets it. Yeah, I mean that's what's amazing

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<v Speaker 1>about Elmore's work like this and Watchman, that you know,

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<v Speaker 1>it's so relevant unfortunately, you know, probably for decades and

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<v Speaker 1>decades to come in all countries that are kind of

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<v Speaker 1>resemble each other in certain ways. You know. Karama, what

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<v Speaker 1>was your v for Vendetta experience before the book Club? Well,

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<v Speaker 1>I hadn't read it before, but I had seen the

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<v Speaker 1>film many, many, many, many many times. One of my

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<v Speaker 1>really good friends, Jose shout out to Jose loves Natalie Portman.

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<v Speaker 1>So we watched a lot of Natalie Portman movies together

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<v Speaker 1>and this is one of them, and this is the

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<v Speaker 1>one that I liked the most. So she can have

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<v Speaker 1>a fully pulled head and still just be the most

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<v Speaker 1>beautiful angel woman you have ever seen. She is fat

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<v Speaker 1>special though. I think there are a lot of people

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<v Speaker 1>who look good with bald heads, but not maybe a

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<v Speaker 1>lot of white people. That's true, that's true, and as

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<v Speaker 1>I'm allowed to say that, not a lot of Jewish people.

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<v Speaker 1>It's very rare that jew looks very good bald. We

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<v Speaker 1>have weird egg shaped heads. Anyway, what was your experience

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<v Speaker 1>with me for Vandetta? You know, I had never seen

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<v Speaker 1>the films, and I only know you know that that

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<v Speaker 1>famous scene where she shaves her head and like um

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<v Speaker 1>and all the mask wearing. I remember I did sketch

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<v Speaker 1>comedy in Chicago at at a place called Second City,

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<v Speaker 1>and when we heard of it, have you heard of it?

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<v Speaker 1>On one of those stages, we took over a show

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<v Speaker 1>and the show before us had an opening that was

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<v Speaker 1>very like themes of anarchy, themes of questioning authority, and

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<v Speaker 1>the opening was them wearing these guy fox masks and

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<v Speaker 1>and like right before the scene changes, you have to

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<v Speaker 1>like take them off and put them in a paper bag.

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<v Speaker 1>So my experience with guy fox masks is trying to

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<v Speaker 1>dance in the dark with this and then like clumsy

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<v Speaker 1>lee fumbling like trying to like put it in the

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<v Speaker 1>bag before the lights come up, and you're like caught

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<v Speaker 1>as the audience sees you like trying to stuff in

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<v Speaker 1>a Guy Fox bag into a paper bag while the

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<v Speaker 1>scene is changing. So that is my experience with Guy

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<v Speaker 1>Fox masks and via fur Vendetta. That's a pretty thorough Yeah,

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<v Speaker 1>what would you sort of I feel like before we

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<v Speaker 1>do dive into the actual text, it is worth exploring

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<v Speaker 1>that Guy Fox mask in popular culture. How would you

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<v Speaker 1>describe the place that the Guy Fox mask has in

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<v Speaker 1>popular culture? Anonymous? Yeah, but I but I feel like

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<v Speaker 1>we we had that good point with Trump where it's like,

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<v Speaker 1>but now it's sort of like the counter culture. It's

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<v Speaker 1>always like the counterculture thing that's like trolling but almost

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<v Speaker 1>just being a bad person on per us because I

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<v Speaker 1>feel like some people think anarchy is quoted by like

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<v Speaker 1>literally holding up the status quo in the most obnoxious

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<v Speaker 1>of ways. Is what I think that this mask some

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<v Speaker 1>people have like like taken that as a symbol of like,

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<v Speaker 1>you know what everyone's talking about feminism, I'm going to

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<v Speaker 1>be an asshole. My anarchy statement is to like push

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<v Speaker 1>back on that system and the government. Yes exactly. Yeah,

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<v Speaker 1>I'm gonna, like, I'm gonna hurt a lot of people

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<v Speaker 1>because they to protect this statue of my oppressor, my

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<v Speaker 1>experience with the Guy Fox mask. And I'm very embarrassed

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<v Speaker 1>to say this. When I was in college, we put

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<v Speaker 1>on a production of Sweeney Todd at the main stage

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<v Speaker 1>of Brown University. And it was not just a production

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<v Speaker 1>of Sweeney Todd. It was uh an Occupy Wall Street

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<v Speaker 1>themed production of Sweeney Todd, which is the most I

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<v Speaker 1>feel like every liberal state, every stereotype that like Tucker

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<v Speaker 1>Carlson has about Brown University. It's like, oh, they're like

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<v Speaker 1>there was a giant McDonald's billboard as the backdrop and

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<v Speaker 1>someone spray painted over it, Eat the rich, Like that

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<v Speaker 1>was like subtext us that was subject and during like

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<v Speaker 1>the subtext and during like the you get it because

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<v Speaker 1>in Sweeney Todd they yeah. And then during the masquerade scene,

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<v Speaker 1>which is like a flashback of Sweeney Todd's wife, there's

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<v Speaker 1>a masked ball and all all of us in the

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<v Speaker 1>ensembles dancers were wearing Guy Fox masks and then she

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<v Speaker 1>gets raped. Dana. Is that that's what they wanted? To

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<v Speaker 1>project off to that that well, we were we were

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<v Speaker 1>the the we were the idea was that we the

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<v Speaker 1>students were occupying the theater putting on a production of

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<v Speaker 1>Sweenets putting great. That's what everybody production of Sweeney Todd

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<v Speaker 1>And you just have to have those masks that they're

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<v Speaker 1>ready effort to use during the masquerade scene. I feel

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<v Speaker 1>like that's a perfect college production story. Like I feel

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<v Speaker 1>like every single one of us has one of those

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<v Speaker 1>that we were right, this is going to absolutely blow

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<v Speaker 1>everyone's money. Hit the nail on the head. It reminded

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<v Speaker 1>me I did in college at Northwestern a production of

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<v Speaker 1>Brett Caucasian Chalk Circle, and uh, you know, it's very meta.

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<v Speaker 1>And the director decided is going to be in a

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<v Speaker 1>circus tent, and she spent all of her money to

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<v Speaker 1>put it in a circus tent on like Norris Lawn,

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<v Speaker 1>which is right by the water, and it's because like

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<v Speaker 1>society is a circus, you know, And and all of

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<v Speaker 1>the budget went into that. And on the first night

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<v Speaker 1>it was in May, there was a classic May Chicago

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<v Speaker 1>thunderstorm and we were in a circus tent with lights

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<v Speaker 1>and metal bleachers, and I was like, am I going

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<v Speaker 1>to die for a production of Caucasian Chalk Circle. Um,

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<v Speaker 1>and everyone in the audience was looking like are we

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<v Speaker 1>going to die watching the student production of Chalk Circle?

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<v Speaker 1>And then thankfully like someone called it called the dean's

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<v Speaker 1>office or something, and it was shutdown and we had

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<v Speaker 1>to do it in a in a conference room the

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<v Speaker 1>rest of the time with carpet. Oh. Anyway, the complete

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<v Speaker 1>aside that Mike, if you want to cut out, you

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<v Speaker 1>can't keep please keep it in keeping well. I feel

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<v Speaker 1>like theatricality is a big theme which brings us to

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<v Speaker 1>book one, in which we meet our two protagonists e

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<v Speaker 1>V and v UM. Okay, I'm gonna take a breather

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<v Speaker 1>and prepare an elaborate set if you're listening and have

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<v Speaker 1>read it or seen the movie, I'm going to give

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<v Speaker 1>us to remind you, because we sort of have, you know,

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<v Speaker 1>read all of them, what the beginning and the end

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<v Speaker 1>of Act one is, so we can just sort of

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<v Speaker 1>dive in so we all know the beginning is obviously

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<v Speaker 1>at the beginning of the book, e V is a

0:14:37.520 --> 0:14:42.200
<v Speaker 1>young woman working in this new post apocalyptic London, and

0:14:42.320 --> 0:14:44.400
<v Speaker 1>she goes out to work her first night as a

0:14:44.400 --> 0:14:47.480
<v Speaker 1>prostitute when she's accosted by Fingerman who are like the

0:14:47.520 --> 0:14:51.240
<v Speaker 1>secret police. Um, we're going to get to the plot.

0:14:51.280 --> 0:14:55.880
<v Speaker 1>But she meets V, who's like an anarchist revolutionary Uh

0:14:56.080 --> 0:15:00.880
<v Speaker 1>bone V vaunt if you will, um and sort. The

0:15:01.400 --> 0:15:05.040
<v Speaker 1>end of book one is we find out that V

0:15:05.280 --> 0:15:09.880
<v Speaker 1>had been a inmate at like a concentration camp testing

0:15:09.920 --> 0:15:14.120
<v Speaker 1>facility called lark Hill, and that the series of murders

0:15:14.160 --> 0:15:17.400
<v Speaker 1>that he had done in book one are all people

0:15:17.440 --> 0:15:21.720
<v Speaker 1>who were in authority there. So the investigating detective who's

0:15:21.720 --> 0:15:23.800
<v Speaker 1>sort of maybe like the third main character we have

0:15:23.880 --> 0:15:28.240
<v Speaker 1>like V E V. And then Creedy, who's is it Creed?

0:15:28.320 --> 0:15:31.120
<v Speaker 1>No Finch? Sorry again, I made a cheat sheet of

0:15:31.120 --> 0:15:34.120
<v Speaker 1>all the white guys because I kept running music trackoman names.

0:15:34.560 --> 0:15:38.840
<v Speaker 1>The third maybe like of this triumvirant triumvirate is the

0:15:38.880 --> 0:15:41.960
<v Speaker 1>head of the nose of this Norse fire party. Who's

0:15:41.960 --> 0:15:44.520
<v Speaker 1>a guy named Finch who's a detective trying to figure

0:15:44.520 --> 0:15:47.160
<v Speaker 1>out who this terrorist is. And at the end of

0:15:47.200 --> 0:15:51.080
<v Speaker 1>book one, Book one, Finch finds out that these murders

0:15:51.160 --> 0:15:54.480
<v Speaker 1>are all people who were at Larkhill and that maybe

0:15:54.560 --> 0:15:59.440
<v Speaker 1>V is doing a vendetta, but maybe is vendetta is

0:15:59.480 --> 0:16:03.400
<v Speaker 1>bigger than just larcale and and and it extends beyond.

0:16:03.440 --> 0:16:07.440
<v Speaker 1>And that's just to cover up. Yeah, I that just

0:16:07.480 --> 0:16:10.040
<v Speaker 1>to skip to the unreal quick of this book. I

0:16:10.080 --> 0:16:12.560
<v Speaker 1>feel like I was really enjoying it. And I'm not

0:16:12.600 --> 0:16:15.000
<v Speaker 1>someone who reads I don't read a lot of graphic novels,

0:16:15.000 --> 0:16:18.400
<v Speaker 1>so this is like it's almost retraining my brain to

0:16:18.400 --> 0:16:20.480
<v Speaker 1>to read this way. And it was kind of hard

0:16:20.520 --> 0:16:24.280
<v Speaker 1>at first, I would say, but then I got really

0:16:24.320 --> 0:16:26.400
<v Speaker 1>into it, and then I I just love that final

0:16:26.440 --> 0:16:29.560
<v Speaker 1>page of like, well he might have been, you know,

0:16:30.120 --> 0:16:33.520
<v Speaker 1>carrying out this vendetta on all these people, which is

0:16:33.560 --> 0:16:37.000
<v Speaker 1>the optimistic theory, and I'm like, oh, ship, and it's

0:16:37.040 --> 0:16:41.080
<v Speaker 1>like he's clearing the playing field to like set up

0:16:41.160 --> 0:16:43.240
<v Speaker 1>some real ship. And I was like, oh, this is

0:16:43.760 --> 0:16:47.400
<v Speaker 1>but that is right. It's a it's very optimistic to think, oh, well,

0:16:47.400 --> 0:16:51.760
<v Speaker 1>he's only attacking these few people unless he's laying the groundwork. Yeah,

0:16:51.800 --> 0:16:55.480
<v Speaker 1>it seems more likely that he's eliminated all of those people.

0:16:55.920 --> 0:17:04.960
<v Speaker 1>He doesn't kill Lewis Breathroe, he renders him incurably insane. Oh,

0:17:05.000 --> 0:17:09.919
<v Speaker 1>in a way that is so much scarier. Yeah. Um,

0:17:09.960 --> 0:17:12.840
<v Speaker 1>but that means that none of the people who knew

0:17:12.920 --> 0:17:17.040
<v Speaker 1>him in his previous identity are able to identify him anymore.

0:17:17.280 --> 0:17:21.000
<v Speaker 1>I thought that rendering louis prothero who is the voice

0:17:21.119 --> 0:17:23.600
<v Speaker 1>of Fate, who's the guy who does like the announcements

0:17:23.680 --> 0:17:26.680
<v Speaker 1>for England on like a megaphone speaker through the town.

0:17:27.119 --> 0:17:29.879
<v Speaker 1>So V knows he collects rare dolls, and he like

0:17:30.640 --> 0:17:34.040
<v Speaker 1>renders him insane using putting on like a little vaudeville

0:17:34.119 --> 0:17:39.440
<v Speaker 1>performance with these creepy inmate dolls. Um such a good

0:17:39.560 --> 0:17:43.000
<v Speaker 1>use of the medium of a graphic novel, which is

0:17:43.000 --> 0:17:46.280
<v Speaker 1>like using pictures and like creepy dolls are creepy, and

0:17:46.359 --> 0:17:51.200
<v Speaker 1>so it's it's always interesting to me to see like

0:17:51.600 --> 0:17:54.199
<v Speaker 1>what translates really well to a graphic novel. And I

0:17:54.200 --> 0:17:58.240
<v Speaker 1>feel like that really was effectively scary to me. Oh yeah.

0:17:58.320 --> 0:18:02.680
<v Speaker 1>And also seeing him like back at the police police

0:18:02.680 --> 0:18:06.960
<v Speaker 1>precinct or wherever he was like returned to just saying Mama,

0:18:07.119 --> 0:18:14.239
<v Speaker 1>Mama over again was very very jarring and scary and

0:18:14.280 --> 0:18:20.680
<v Speaker 1>also felt exactly, yeah, yeah, it's that it's that scary

0:18:20.720 --> 0:18:23.359
<v Speaker 1>thing where because we don't know what he sees, we

0:18:23.359 --> 0:18:26.120
<v Speaker 1>can always we can just fill in whatever's creepiest to us.

0:18:27.240 --> 0:18:32.280
<v Speaker 1>M hmm, yeah, I found I you know, each way

0:18:32.320 --> 0:18:37.600
<v Speaker 1>that V decides to dispatch these different people were it

0:18:37.680 --> 0:18:41.959
<v Speaker 1>was also very interesting, especially Delia's Dr Delia's I was

0:18:42.680 --> 0:18:45.959
<v Speaker 1>I thought that was just a great way to not

0:18:46.119 --> 0:18:48.919
<v Speaker 1>so gently be like, even though you might be a

0:18:48.960 --> 0:18:52.520
<v Speaker 1>good person, you were complicit in watching these terrible things

0:18:52.560 --> 0:18:55.480
<v Speaker 1>happen and you didn't do anything about it. And he

0:18:56.800 --> 0:19:01.439
<v Speaker 1>participants participant to Yeah, it wasn't just that she was

0:19:01.520 --> 0:19:03.880
<v Speaker 1>like a citizen of the country who knew bad things

0:19:03.960 --> 0:19:07.920
<v Speaker 1>were going on. She was giving people at a concentration

0:19:08.080 --> 0:19:12.359
<v Speaker 1>camp medical scientific disease that caused most of them to

0:19:12.440 --> 0:19:16.560
<v Speaker 1>die horribly, so she could work on a cure. But

0:19:16.600 --> 0:19:19.439
<v Speaker 1>I do I do like that it gives V that

0:19:19.520 --> 0:19:22.520
<v Speaker 1>moment of like killing her in a merciful way, and

0:19:22.560 --> 0:19:25.480
<v Speaker 1>they sort of have that moment as peers, which is

0:19:25.520 --> 0:19:28.919
<v Speaker 1>like almost as chilling to me as any of the murders.

0:19:28.960 --> 0:19:31.560
<v Speaker 1>He just sort of like we see like that he

0:19:31.640 --> 0:19:35.320
<v Speaker 1>has um a code a code of ethics in his

0:19:35.400 --> 0:19:39.479
<v Speaker 1>own crazy mind, you know, like, yeah, he's not like

0:19:39.520 --> 0:19:42.760
<v Speaker 1>a joker, he's not like out doing things because he's crazy.

0:19:42.800 --> 0:19:45.680
<v Speaker 1>He's like very methodical and like he knows that she's

0:19:45.720 --> 0:19:49.119
<v Speaker 1>like kind of a could have been a good person,

0:19:49.520 --> 0:19:52.800
<v Speaker 1>she could do something. She was going about it in

0:19:52.840 --> 0:19:56.080
<v Speaker 1>a horrifying way. Thank you. Yeah, I think Complicity was up.

0:19:56.119 --> 0:20:00.200
<v Speaker 1>I think like that she had a she is it she?

0:20:00.280 --> 0:20:02.760
<v Speaker 1>Also I think maybe had like a hint of a

0:20:02.920 --> 0:20:06.560
<v Speaker 1>morse more so than say Presso as if that was

0:20:06.600 --> 0:20:12.120
<v Speaker 1>his name. Yeah, he fucking sucks. He so like off

0:20:12.160 --> 0:20:15.320
<v Speaker 1>with him. Can. I know you haven't seen the movie,

0:20:15.320 --> 0:20:18.760
<v Speaker 1>but I'm so excited for you to see the movie. Like,

0:20:18.840 --> 0:20:20.840
<v Speaker 1>I'm just so excited for you to see the movie.

0:20:21.440 --> 0:20:24.479
<v Speaker 1>I mean I I also don't read graphic novels. This

0:20:24.560 --> 0:20:26.240
<v Speaker 1>is my I think this is my first Yeah, for

0:20:26.280 --> 0:20:28.760
<v Speaker 1>sure first one ever. So like Melissa had said, I

0:20:28.800 --> 0:20:31.240
<v Speaker 1>had to like kind of train my brain to the

0:20:31.320 --> 0:20:38.399
<v Speaker 1>style of it, and I've been missing out. They are right. Yeah, Um,

0:20:38.400 --> 0:20:41.680
<v Speaker 1>Alan Moore is just really great too, Like just really,

0:20:42.680 --> 0:20:45.119
<v Speaker 1>I'm not a huge graphic novel person, but I really

0:20:45.160 --> 0:20:49.960
<v Speaker 1>like cal Off Alan wors graphic novels. My slight, Um,

0:20:50.000 --> 0:20:52.000
<v Speaker 1>I am a big graphic novel person. I'm a big

0:20:52.040 --> 0:20:56.720
<v Speaker 1>comic book person. My slight difficulty with this book at first,

0:20:56.760 --> 0:20:58.320
<v Speaker 1>and it just took me a while and I got

0:20:58.440 --> 0:21:00.680
<v Speaker 1>used to it. It was like a lot of a

0:21:00.720 --> 0:21:03.439
<v Speaker 1>middle aged white dude looked the same to me, and

0:21:03.480 --> 0:21:05.440
<v Speaker 1>I just wanted them all to be wearing name name

0:21:05.480 --> 0:21:08.640
<v Speaker 1>tex when I'm also on that level. I just kind

0:21:08.640 --> 0:21:11.439
<v Speaker 1>of accepted early on that I'm never going to know

0:21:11.480 --> 0:21:15.000
<v Speaker 1>who's who, and I can use context clues to kind

0:21:15.000 --> 0:21:18.080
<v Speaker 1>of figure out some of them, and that's okay with me.

0:21:18.560 --> 0:21:20.400
<v Speaker 1>They don't need me to know who they are. They're

0:21:20.400 --> 0:21:25.400
<v Speaker 1>not real people, um And it's fine, It's fine. That's

0:21:25.440 --> 0:21:27.159
<v Speaker 1>kind of the point. I feel like, I feel like

0:21:27.160 --> 0:21:29.919
<v Speaker 1>it was intentional that they were all drawn very similarly,

0:21:30.400 --> 0:21:33.760
<v Speaker 1>because they're all kind of the same. They're all kind

0:21:33.800 --> 0:21:38.080
<v Speaker 1>of very just like shadowy bad guy in Shadowy Bad Government,

0:21:38.200 --> 0:21:40.480
<v Speaker 1>and I feel like that's kind of the reason that

0:21:40.560 --> 0:21:42.760
<v Speaker 1>they are like that they're all sort of cogs in

0:21:42.840 --> 0:21:46.240
<v Speaker 1>this like in this um. One thing that was really

0:21:46.280 --> 0:21:48.879
<v Speaker 1>interesting to me that I I don't again want to

0:21:48.920 --> 0:21:51.640
<v Speaker 1>compare it to the movie yet, but we do sort

0:21:51.640 --> 0:21:55.040
<v Speaker 1>of get the like weird humanizing of these weird bureaucrats

0:21:55.040 --> 0:21:57.400
<v Speaker 1>and we find out they're like boring lives and they're

0:21:57.400 --> 0:22:01.560
<v Speaker 1>shitty marriages, which is almost scarier than just when bad

0:22:01.560 --> 0:22:04.480
<v Speaker 1>guys are like like you know, Voldemort or just some

0:22:04.600 --> 0:22:07.399
<v Speaker 1>like big bad to like know that these people doing

0:22:07.600 --> 0:22:11.520
<v Speaker 1>an upholding horrific systems are just like shitty dumb dudes.

0:22:11.640 --> 0:22:18.240
<v Speaker 1>They're just normal dudes. I'm sorry, competent dudes. Indeed we

0:22:18.320 --> 0:22:22.280
<v Speaker 1>are mass me feel a little better. Kind of like

0:22:22.359 --> 0:22:25.119
<v Speaker 1>to see Almond, who if I remember correctly, not to

0:22:25.160 --> 0:22:27.119
<v Speaker 1>compare it to the movie, but was not in the movie,

0:22:27.400 --> 0:22:30.480
<v Speaker 1>but like it was kind of really shitty in the book.

0:22:31.240 --> 0:22:33.640
<v Speaker 1>To see him, like not to see him beating his wife,

0:22:33.640 --> 0:22:36.280
<v Speaker 1>that makes me feel better, But seeing him die after

0:22:36.320 --> 0:22:38.960
<v Speaker 1>seeing him beat his wife, I'm kind of like, maybe

0:22:39.000 --> 0:22:44.600
<v Speaker 1>this vse guys onto something. I feel like he's not wrong.

0:22:44.840 --> 0:22:49.720
<v Speaker 1>He's not necessarily right, but he's not wrong. He is

0:22:49.880 --> 0:22:53.879
<v Speaker 1>very Another thing that Alan Moore criticized movie for is

0:22:53.920 --> 0:22:57.440
<v Speaker 1>he's like v V isn't just about overthrowing to a

0:22:57.480 --> 0:23:00.840
<v Speaker 1>totalitarian government. He is in favor of anarchy. That is

0:23:00.880 --> 0:23:05.399
<v Speaker 1>the system of government that he wants. I Dani Schwartz, Um,

0:23:05.560 --> 0:23:08.480
<v Speaker 1>if I was, you know, picking a government system, wouldn't

0:23:08.520 --> 0:23:12.200
<v Speaker 1>go anarchy. But I think that V as a character

0:23:12.359 --> 0:23:16.040
<v Speaker 1>is incredibly interesting and compelling. Yeah. I haven't seen the

0:23:16.080 --> 0:23:21.560
<v Speaker 1>movie yet, Um, but I know, it's very exciting. It's

0:23:21.680 --> 0:23:24.600
<v Speaker 1>so good. This is one one movie where again we'll

0:23:24.600 --> 0:23:27.880
<v Speaker 1>get to it. Personally, I feel like it makes effective

0:23:27.960 --> 0:23:32.119
<v Speaker 1>changes to work as a movie and really works as

0:23:32.119 --> 0:23:34.960
<v Speaker 1>a movie. And seeing it kind of in reverse reading

0:23:34.960 --> 0:23:36.960
<v Speaker 1>this for the first time after having seen the movie

0:23:37.000 --> 0:23:40.080
<v Speaker 1>so many times and like, oh, I like, no disrespect

0:23:40.080 --> 0:23:42.920
<v Speaker 1>to Alan Moore, but this is actually a pretty decent adaptation.

0:23:43.240 --> 0:23:45.520
<v Speaker 1>You gotta tighten, you gotta make it be like where

0:23:45.520 --> 0:23:48.760
<v Speaker 1>where's the two Hours? But there are some characters that

0:23:48.800 --> 0:23:51.480
<v Speaker 1>are clearly cut out of the movie that I had

0:23:51.600 --> 0:23:56.440
<v Speaker 1>basically forgotten about and I loved revisiting. Um I, Mary

0:23:56.560 --> 0:24:00.359
<v Speaker 1>is obviously like a lovely woman, very sympathetic in this book.

0:24:00.840 --> 0:24:05.480
<v Speaker 1>Um I'm obsessed with Helen Higher. Just to pass talking

0:24:05.480 --> 0:24:08.680
<v Speaker 1>about Mary for a second. Helen Hire, who seemingly only

0:24:08.760 --> 0:24:11.880
<v Speaker 1>wears a fur coat and has like platinum white ice

0:24:12.000 --> 0:24:16.480
<v Speaker 1>queen hair, and introduces herself by being an unbelievable bitch

0:24:16.520 --> 0:24:21.160
<v Speaker 1>to her husband. And then when when Mary's like, oh,

0:24:21.240 --> 0:24:23.880
<v Speaker 1>she's quite hard on him, isn't she, her husband turns

0:24:23.920 --> 0:24:25.960
<v Speaker 1>to her and it's like, you'll never be as cool

0:24:26.000 --> 0:24:32.600
<v Speaker 1>as her? Never, wait, Mary, you mean love Rosemary right, Oh, yes,

0:24:32.720 --> 0:24:40.840
<v Speaker 1>Rosemar Sorry, yeah, she watans Rosemary. I'm Rosemary. She rose

0:24:40.920 --> 0:24:44.399
<v Speaker 1>by her husband. And Rosemary is a major character in

0:24:44.600 --> 0:24:49.080
<v Speaker 1>the graphic novel who's cut out of the film. She

0:24:49.320 --> 0:24:53.240
<v Speaker 1>is straight gone, straight gone, which I think is effective

0:24:53.359 --> 0:24:55.800
<v Speaker 1>because the movie is making different points. But in the

0:24:55.920 --> 0:25:00.879
<v Speaker 1>novel to trace uh Rosemary's journey, she is the wife

0:25:01.040 --> 0:25:06.480
<v Speaker 1>of Almond, who's the head of the Finger Policeman, and

0:25:06.560 --> 0:25:09.080
<v Speaker 1>he's really abusive to her, and she's kind of like

0:25:09.160 --> 0:25:13.200
<v Speaker 1>meek and like, Okay, this sucks. And then again, jumping forward,

0:25:13.840 --> 0:25:16.320
<v Speaker 1>I'm losing track a little bit because we're just talking

0:25:16.320 --> 0:25:20.359
<v Speaker 1>about book one now, but jumping forward a little bit, Um,

0:25:20.400 --> 0:25:25.280
<v Speaker 1>Almond is murdered she in book one, and being a

0:25:25.280 --> 0:25:31.200
<v Speaker 1>widow without very many options, she uh starts dating uh

0:25:31.359 --> 0:25:34.480
<v Speaker 1>the head of the Mouth Dascomb, Roger Dascomb, who's like

0:25:34.560 --> 0:25:38.440
<v Speaker 1>the propaganda guy. Um, and then she'll sort of continue

0:25:38.440 --> 0:25:41.879
<v Speaker 1>on a downward spiral, sort of like you know, a

0:25:41.920 --> 0:25:45.040
<v Speaker 1>symbol for a lot of things. But Helen Hare get

0:25:45.119 --> 0:25:47.600
<v Speaker 1>into we'll get into them more in book two, and

0:25:47.600 --> 0:25:49.679
<v Speaker 1>Helen Hair we're going to get way more into in

0:25:49.720 --> 0:25:52.520
<v Speaker 1>book three because that's when we figure out who she

0:25:52.840 --> 0:25:57.919
<v Speaker 1>is I can't waited. I like the level of different

0:25:57.960 --> 0:26:00.520
<v Speaker 1>experiences that we have with this one. I feel like

0:26:00.560 --> 0:26:05.280
<v Speaker 1>it's like a nice milange. You know. Well, let's let's

0:26:05.400 --> 0:26:09.040
<v Speaker 1>jump In book one, we're introduced to Evie, who's starting

0:26:09.200 --> 0:26:12.240
<v Speaker 1>as a prostitute on her first night. What do we

0:26:12.240 --> 0:26:16.480
<v Speaker 1>have the senior old prostitute in sixteen year old prostitute Chromazheimer.

0:26:16.800 --> 0:26:21.400
<v Speaker 1>What do you make of a first time or eving? Uh, well,

0:26:21.720 --> 0:26:25.960
<v Speaker 1>I think that she's a really great like what's the

0:26:25.960 --> 0:26:30.720
<v Speaker 1>word I'm looking for, surrogate for the reader. She because

0:26:31.080 --> 0:26:34.560
<v Speaker 1>she seems very innocent. She has experience with the world

0:26:35.040 --> 0:26:40.720
<v Speaker 1>that we're in, and she's not, um, she's not unaware

0:26:40.760 --> 0:26:43.320
<v Speaker 1>of what the system is, but she's still so young

0:26:43.800 --> 0:26:47.000
<v Speaker 1>and kind of naive that it feels like it makes

0:26:47.040 --> 0:26:50.320
<v Speaker 1>sense for people to explain things at her and to

0:26:50.359 --> 0:26:53.200
<v Speaker 1>see things through her eyes, and like, obviously we get

0:26:53.240 --> 0:26:56.000
<v Speaker 1>different perspectives from this, but I think that Evie is

0:26:56.040 --> 0:26:59.399
<v Speaker 1>a great intro to the world. And we see the

0:26:59.440 --> 0:27:03.680
<v Speaker 1>finger police and um, that's how we meet v Also,

0:27:03.880 --> 0:27:08.199
<v Speaker 1>because she is so naive and like very bad at prostituting,

0:27:09.560 --> 0:27:14.400
<v Speaker 1>that she's kind of like sex and he's like you're

0:27:14.440 --> 0:27:18.000
<v Speaker 1>not great at this and she's like, um, sixteen, it's

0:27:18.000 --> 0:27:21.359
<v Speaker 1>my first time. She I felt very relatable in that moment.

0:27:21.560 --> 0:27:24.000
<v Speaker 1>I like, I two would be very bad at like

0:27:24.040 --> 0:27:28.199
<v Speaker 1>a street walking type deal, and she's like crying. It's like,

0:27:28.280 --> 0:27:32.359
<v Speaker 1>it's not it's it's hard, it's embarrassing. It's awkward to

0:27:32.440 --> 0:27:34.639
<v Speaker 1>be like, would you want to you know, pay? And

0:27:34.680 --> 0:27:37.280
<v Speaker 1>I also have sex with me. It's hard enough to

0:27:37.320 --> 0:27:38.720
<v Speaker 1>ask a guy if they want to have sex with you,

0:27:38.800 --> 0:27:46.440
<v Speaker 1>and not if they want to pay. But of course

0:27:46.480 --> 0:27:49.040
<v Speaker 1>this is the moment that she's very bad. She's very

0:27:49.080 --> 0:27:52.439
<v Speaker 1>bad at being approtesct it because she propositions a secret

0:27:52.560 --> 0:27:57.159
<v Speaker 1>undercover cop and she's rescued by the very theatrical v

0:27:57.800 --> 0:28:01.240
<v Speaker 1>who visually you know you in a graphic novel. Visually,

0:28:01.240 --> 0:28:06.080
<v Speaker 1>it's very interesting because as we see uh Evie getting ready,

0:28:06.400 --> 0:28:09.160
<v Speaker 1>the very next panel is sort of be getting ready

0:28:09.200 --> 0:28:12.320
<v Speaker 1>in his mirror and he's putting on his mask and

0:28:12.440 --> 0:28:16.320
<v Speaker 1>hair and hat. We assume before he gave a lot

0:28:16.440 --> 0:28:20.760
<v Speaker 1>a lot of props and costumes for a anarchist. I'm

0:28:20.760 --> 0:28:25.879
<v Speaker 1>just thinking in terms of like logistics, movement, fighting ability,

0:28:26.000 --> 0:28:31.200
<v Speaker 1>a lot of planning, really nice pre fascism. He definitely

0:28:31.240 --> 0:28:37.440
<v Speaker 1>was a theater major act. And oh yeah, I have

0:28:37.560 --> 0:28:40.160
<v Speaker 1>more thoughts about that next week when we talk about

0:28:40.240 --> 0:28:43.920
<v Speaker 1>book too. Um, but I'll get into that book we

0:28:43.960 --> 0:28:46.280
<v Speaker 1>can talk about he loves like a flash bomb. And

0:28:46.280 --> 0:28:50.320
<v Speaker 1>then he built the entire scale model of large even

0:28:50.360 --> 0:28:54.040
<v Speaker 1>know is like what, what's where's all this budget production

0:28:54.120 --> 0:28:57.600
<v Speaker 1>budget coming from? Like with with the all the different mass,

0:28:57.640 --> 0:29:00.680
<v Speaker 1>all the dolls, all the I mean they're he took

0:29:00.680 --> 0:29:05.600
<v Speaker 1>the Endowment for the Arts. That's where all their My

0:29:05.680 --> 0:29:08.239
<v Speaker 1>thinking is maybe v when they were in theater when

0:29:08.280 --> 0:29:11.280
<v Speaker 1>he wasn't there, school was like stage manner producing, stage

0:29:11.280 --> 0:29:16.560
<v Speaker 1>manager production, because that's everything. It's like the back of UCB,

0:29:16.840 --> 0:29:19.800
<v Speaker 1>Like that's where he is. Maybe he's at the u

0:29:19.920 --> 0:29:22.400
<v Speaker 1>c B of their world. Maybe that is the where

0:29:22.400 --> 0:29:25.280
<v Speaker 1>the hideout is. He could have taken to be very

0:29:25.320 --> 0:29:30.600
<v Speaker 1>disappointed that we're making this so American. My logistical question

0:29:31.160 --> 0:29:36.800
<v Speaker 1>is he's growing fancy roses and his his hideout, his underground.

0:29:37.240 --> 0:29:41.160
<v Speaker 1>How do you how do you grow roses underground? Where sunlamp?

0:29:41.200 --> 0:29:44.000
<v Speaker 1>Where is he getting all these sunlamps? That's where he's

0:29:44.040 --> 0:29:48.560
<v Speaker 1>getting scale models of concentration camps like easier to get

0:29:48.560 --> 0:29:51.800
<v Speaker 1>a sun lamp. But he's scale models, I mean concentration

0:29:51.840 --> 0:29:55.040
<v Speaker 1>camp that no one knows existing. He's definitely on some

0:29:55.120 --> 0:29:58.200
<v Speaker 1>kind of sound stage. It's gotta be with that scale,

0:29:58.520 --> 0:30:02.440
<v Speaker 1>with that, and he's got good lighting. He likes. He's

0:30:02.440 --> 0:30:07.080
<v Speaker 1>got a couple uh stage hands for sure, like putting, putting,

0:30:07.240 --> 0:30:10.360
<v Speaker 1>follow the follow spot on him. You know, I think

0:30:10.360 --> 0:30:13.520
<v Speaker 1>it's it's very funny to me to imagine the six

0:30:13.560 --> 0:30:18.120
<v Speaker 1>weeks that went into him building and sewing the costumes alone,

0:30:18.160 --> 0:30:21.640
<v Speaker 1>like sweating before we see just the end results. But there.

0:30:23.280 --> 0:30:25.840
<v Speaker 1>I would love a book zero that's just him doing

0:30:25.880 --> 0:30:32.520
<v Speaker 1>all the prep and all and running his line. Yes, nope,

0:30:33.440 --> 0:30:38.000
<v Speaker 1>I need a line. Um, it's it's anti fascism. Thank you,

0:30:38.120 --> 0:30:41.200
<v Speaker 1>thank you, Carl. Yeah. I got to keep going, gotta

0:30:41.280 --> 0:30:46.840
<v Speaker 1>work through it. He's got so much prep. Every single

0:30:47.240 --> 0:30:51.320
<v Speaker 1>part of his like presentation, the way he kills, the

0:30:51.360 --> 0:30:55.280
<v Speaker 1>way he moves about. There's just so much prep to it.

0:30:55.400 --> 0:30:59.200
<v Speaker 1>He's like an anime villain. He just like loves the drama.

0:30:59.320 --> 0:31:01.680
<v Speaker 1>The part that I was like, wow, he prepped this

0:31:02.040 --> 0:31:04.920
<v Speaker 1>because this is just for him, is he gives that

0:31:05.000 --> 0:31:08.239
<v Speaker 1>speech to Lady Justice the statue and he gives us

0:31:08.320 --> 0:31:11.240
<v Speaker 1>me that he definitely a monologue that he definitely wrote

0:31:11.520 --> 0:31:17.400
<v Speaker 1>and then he delivered. He plays both parts and then

0:31:17.400 --> 0:31:21.680
<v Speaker 1>he like karaoke Nelly for Tomo Timberland, promiscuous girl to

0:31:22.840 --> 0:31:29.120
<v Speaker 1>marry me. And then he deposits his bomb at her

0:31:29.160 --> 0:31:31.320
<v Speaker 1>feet and it's a shaped like a box of chocolate.

0:31:31.600 --> 0:31:34.480
<v Speaker 1>He doesn't know that we're watching a graphic novel of him.

0:31:34.920 --> 0:31:37.640
<v Speaker 1>He thinks that he he made this. He made this

0:31:37.840 --> 0:31:41.240
<v Speaker 1>box bomb and it's tied the bow and cut it

0:31:41.360 --> 0:31:43.480
<v Speaker 1>and made it look nice, just for it to blow

0:31:43.600 --> 0:31:45.600
<v Speaker 1>up for no one, just him. He's not posting it

0:31:45.640 --> 0:31:49.000
<v Speaker 1>to his anarchy Instagram. The c s I people come

0:31:49.000 --> 0:31:51.880
<v Speaker 1>and analyze it later it's blown out, not going to

0:31:51.960 --> 0:31:56.720
<v Speaker 1>see it. They're like ribbon, where could he have bought

0:31:56.800 --> 0:31:58.720
<v Speaker 1>this ribbon? Like have you never seen c s I.

0:31:58.920 --> 0:32:03.200
<v Speaker 1>I don't maybe a watch a lot of fear. I'm sorry.

0:32:03.280 --> 0:32:07.120
<v Speaker 1>I don't want to show as someone who now feels

0:32:07.200 --> 0:32:08.960
<v Speaker 1>like I have the weird chip in my brain that

0:32:09.000 --> 0:32:11.240
<v Speaker 1>anytime I do something, I need to like take a

0:32:11.280 --> 0:32:13.560
<v Speaker 1>picture of it and posted on social media to prove

0:32:13.600 --> 0:32:16.400
<v Speaker 1>that I exist. Where it's like there is something very

0:32:16.480 --> 0:32:19.360
<v Speaker 1>sweet about him, just like doing all this for him

0:32:19.560 --> 0:32:22.040
<v Speaker 1>no one's gonna see it, no one's gonna appreciate it.

0:32:22.400 --> 0:32:24.720
<v Speaker 1>He just cares about the work. I feel like you

0:32:24.760 --> 0:32:26.719
<v Speaker 1>should try that. To me, it feels like he has

0:32:26.800 --> 0:32:28.840
<v Speaker 1>a lot of time on his hands, but people are

0:32:28.840 --> 0:32:30.720
<v Speaker 1>going to see it. I mean it blew up like

0:32:30.840 --> 0:32:35.520
<v Speaker 1>but not not the speech, not the details, the beautiful

0:32:35.520 --> 0:32:37.800
<v Speaker 1>little box of chocolates that he put the bomb in.

0:32:39.560 --> 0:32:42.360
<v Speaker 1>It feels like nobody has this much time. And I

0:32:42.400 --> 0:32:45.080
<v Speaker 1>think it placed into the kind of magic of the

0:32:45.960 --> 0:32:49.479
<v Speaker 1>because there's like a Martha Stewart element to all of

0:32:49.520 --> 0:32:53.600
<v Speaker 1>these actions. There's a lot of preparation going into everything

0:32:54.040 --> 0:32:56.400
<v Speaker 1>that I don't think you would have if you also

0:32:56.520 --> 0:33:00.560
<v Speaker 1>had to dismantle a fascist government. Yeah. I could see

0:33:00.760 --> 0:33:05.520
<v Speaker 1>a cooking video of the making the Communion host with cyanide,

0:33:05.600 --> 0:33:11.680
<v Speaker 1>just like a beautiful YouTube. Crackers is hard, It's hard.

0:33:11.880 --> 0:33:16.840
<v Speaker 1>What's about this is that this was the eighties, So

0:33:16.880 --> 0:33:18.959
<v Speaker 1>how did he know how to do everything? He had

0:33:19.000 --> 0:33:23.560
<v Speaker 1>to just know the library book he stole. He stole

0:33:23.600 --> 0:33:27.400
<v Speaker 1>all these books, right, and and he was in when

0:33:27.400 --> 0:33:29.920
<v Speaker 1>he was in his room five, he stole a bunch

0:33:29.920 --> 0:33:32.000
<v Speaker 1>of books and it was just reading up on how

0:33:32.040 --> 0:33:37.240
<v Speaker 1>to cook communion wafers. You don't have the right books,

0:33:37.280 --> 0:33:39.520
<v Speaker 1>is he do? We think he's limited by the books

0:33:39.520 --> 0:33:41.840
<v Speaker 1>that he had when he was I think I think

0:33:41.920 --> 0:33:44.240
<v Speaker 1>that's it. I think all of it is based on, well,

0:33:44.280 --> 0:33:48.560
<v Speaker 1>I have these eight I have these eight skills. One

0:33:48.600 --> 0:33:50.760
<v Speaker 1>of them is making communion wafers, Like, how do I

0:33:50.840 --> 0:33:54.240
<v Speaker 1>make it work in my vendetta? I think that's that's

0:33:54.280 --> 0:33:57.400
<v Speaker 1>exactly it. He got these specific books and then built

0:33:57.480 --> 0:34:02.560
<v Speaker 1>his vendetta only around the things on how eat does

0:34:02.600 --> 0:34:05.360
<v Speaker 1>want to make a communion waper? I'm googling communion waper?

0:34:07.360 --> 0:34:11.400
<v Speaker 1>But it's also gotten pretty easy. I mean there's Catholics

0:34:11.400 --> 0:34:14.640
<v Speaker 1>eat so many of those every week. You know, Yes,

0:34:15.080 --> 0:34:18.120
<v Speaker 1>they're manufactured for sure. And it doesn't have to taste good.

0:34:18.600 --> 0:34:24.160
<v Speaker 1>I mean they tastes like nothing. I've never had it.

0:34:24.160 --> 0:34:28.479
<v Speaker 1>It tastes like it truly tastes like less than nothing. Yeah,

0:34:28.560 --> 0:34:31.080
<v Speaker 1>it's kind of weird that it tastes less than nothing.

0:34:31.280 --> 0:34:33.839
<v Speaker 1>I feel like it's rude to not make Jesus taste good,

0:34:34.000 --> 0:34:36.560
<v Speaker 1>Like does that is that sacrilegious to say? Like you're

0:34:36.560 --> 0:34:39.040
<v Speaker 1>gonna stick pins in your mouth? I feel like it

0:34:39.040 --> 0:34:42.120
<v Speaker 1>should taste like, hey, yeah, Jesus and then I feel like,

0:34:42.160 --> 0:34:45.000
<v Speaker 1>if you really believe in transubstantiation and you really believe

0:34:45.040 --> 0:34:47.320
<v Speaker 1>that it's Jesus's body, you don't want to think about

0:34:47.320 --> 0:34:51.879
<v Speaker 1>it that much. You want to associate like chocolate chip

0:34:51.920 --> 0:34:55.839
<v Speaker 1>cookies Jesus, you know, like have like meat. You don't

0:34:55.840 --> 0:34:57.400
<v Speaker 1>want it to be too literal. You don't need it

0:34:57.400 --> 0:35:03.239
<v Speaker 1>to be like me. And but I'm not religious. If

0:35:03.320 --> 0:35:13.239
<v Speaker 1>you get in different lines, you can get different like, um,

0:35:13.320 --> 0:35:15.080
<v Speaker 1>hold on a second, I'm just really quick on to

0:35:15.120 --> 0:35:30.120
<v Speaker 1>google some recipes for church wafers. After v rescues e

0:35:30.280 --> 0:35:34.120
<v Speaker 1>V from the rape fingerman who we're going to rape

0:35:34.120 --> 0:35:39.200
<v Speaker 1>and murder her because this metalitarian government. But also I

0:35:39.239 --> 0:35:43.080
<v Speaker 1>think important violence against women is also an indicator of

0:35:43.280 --> 0:35:47.000
<v Speaker 1>a lot of extremist ideology, so that at least felt

0:35:47.040 --> 0:35:52.400
<v Speaker 1>felt unfortunately anchored. But v rescues her and brings her

0:35:52.440 --> 0:35:56.919
<v Speaker 1>down to his hideaway, and uh she tells him sort

0:35:56.960 --> 0:35:58.759
<v Speaker 1>of her story, which we'll get to, which is some

0:35:58.880 --> 0:36:02.000
<v Speaker 1>like exposition about this world, and he asks her to help,

0:36:02.120 --> 0:36:05.040
<v Speaker 1>and one of the ways that she helps him is

0:36:05.120 --> 0:36:10.120
<v Speaker 1>by dressing up as a child prostitute to sleep with. Uh,

0:36:10.239 --> 0:36:16.120
<v Speaker 1>the Bishop Anthony Lilliman, who's like the Westminster Bishop. Uh,

0:36:16.160 --> 0:36:19.480
<v Speaker 1>and she's going to mean open the window for me

0:36:19.640 --> 0:36:22.480
<v Speaker 1>to come in and kill him in a dramatic way.

0:36:22.800 --> 0:36:27.120
<v Speaker 1>It visually made me made me think of killing Eve,

0:36:27.320 --> 0:36:30.520
<v Speaker 1>which is funny because it's Evy. If if V and

0:36:30.640 --> 0:36:34.840
<v Speaker 1>Evy were one person, it would be a killing Eve scene,

0:36:34.920 --> 0:36:38.759
<v Speaker 1>Like how she's in this very elaborate costume and and

0:36:38.840 --> 0:36:41.319
<v Speaker 1>just like like going out of her way to kill

0:36:41.520 --> 0:36:43.360
<v Speaker 1>him in a creative way. But then he does it,

0:36:43.440 --> 0:36:49.920
<v Speaker 1>and she's actually terrified. V is a theater major who

0:36:49.960 --> 0:36:56.000
<v Speaker 1>takes one policy class, that's what, and philosophy one, and

0:36:57.160 --> 0:37:01.120
<v Speaker 1>all the straight girls on this pud or have had

0:37:01.160 --> 0:37:10.600
<v Speaker 1>sex with him and regretted it as well. Yeah, yeah,

0:37:10.640 --> 0:37:16.040
<v Speaker 1>I as someone maybe as someone who maybe as someone

0:37:16.120 --> 0:37:19.520
<v Speaker 1>who um is not Christian in any way, but I'm

0:37:19.560 --> 0:37:23.800
<v Speaker 1>like very fascinated by like Christian symbolism and like idea,

0:37:23.960 --> 0:37:26.520
<v Speaker 1>Like it's very like beautiful and spooky to me, and

0:37:26.520 --> 0:37:29.640
<v Speaker 1>I kind of like I love that imagery, so like

0:37:29.760 --> 0:37:32.920
<v Speaker 1>I loved and was very spooked by like the juxtaposition

0:37:33.000 --> 0:37:36.080
<v Speaker 1>of like V sneaking into this abbey with like the

0:37:36.120 --> 0:37:38.480
<v Speaker 1>text was like we ask in the name of the

0:37:38.520 --> 0:37:41.640
<v Speaker 1>father and son or like whatever, like which might be

0:37:41.800 --> 0:37:44.120
<v Speaker 1>very mundane to someone who is Catholic, but like to

0:37:44.160 --> 0:37:46.720
<v Speaker 1>me as someone those are those are still spooky words.

0:37:47.040 --> 0:37:49.319
<v Speaker 1>I'm just like the whole like as I walk through

0:37:49.360 --> 0:37:52.800
<v Speaker 1>the valley of the Yeah, it is very speaky. I

0:37:52.880 --> 0:37:56.200
<v Speaker 1>mean scary. It's scary sanity. It's like on the cross

0:37:56.239 --> 0:37:59.799
<v Speaker 1>and every church there's a Jesus like bleeding from it,

0:38:00.200 --> 0:38:03.719
<v Speaker 1>dying on a freaking crucifix. You know. That is very

0:38:03.800 --> 0:38:07.520
<v Speaker 1>dark and very theatrical on the church. Don't scare me

0:38:07.560 --> 0:38:10.120
<v Speaker 1>as much as the fact that people wear it on necklaces.

0:38:10.760 --> 0:38:14.359
<v Speaker 1>For me, is a mind warp where you're just like,

0:38:14.400 --> 0:38:16.919
<v Speaker 1>wait a second, there's like a dead dude on your neck.

0:38:17.000 --> 0:38:22.520
<v Speaker 1>You realize that it's that's also like usually kind of

0:38:22.600 --> 0:38:27.600
<v Speaker 1>cut to Jesus, like have abs while he's dying, which

0:38:27.640 --> 0:38:31.360
<v Speaker 1>is just can I say, come gutters in relation to Jesus.

0:38:31.520 --> 0:38:33.200
<v Speaker 1>I don't. I thought it, but I was like, I'm

0:38:33.200 --> 0:38:35.640
<v Speaker 1>not gonna say it because it's gonna make people angry.

0:38:35.760 --> 0:38:42.520
<v Speaker 1>Please don't it. Oh my god, I did not know

0:38:42.719 --> 0:38:47.879
<v Speaker 1>that is what that is called. It's another thing. Thank

0:38:47.920 --> 0:38:51.680
<v Speaker 1>god my parents don't listen to this podcast. My dad

0:38:51.719 --> 0:38:55.320
<v Speaker 1>just said he was going to start listening. Sorry Dad, Sorry, wait,

0:38:55.360 --> 0:38:59.240
<v Speaker 1>I'm sorry, wait, I have to step back now, come gutters,

0:38:59.280 --> 0:39:04.520
<v Speaker 1>because it's it would it's no logical reasons in the

0:39:04.640 --> 0:39:08.040
<v Speaker 1>last week and it doesn't make are you know, because

0:39:08.239 --> 0:39:11.200
<v Speaker 1>if becomes it's erect and then it rips down cutters.

0:39:11.800 --> 0:39:15.480
<v Speaker 1>Don't make me explain that. I just said it. I

0:39:15.480 --> 0:39:24.280
<v Speaker 1>didn't explain it. But like all out also in relation

0:39:24.360 --> 0:39:29.600
<v Speaker 1>to Jesus, it's just the best part of it. Thanks Daana.

0:39:29.680 --> 0:39:31.200
<v Speaker 1>I just want to make sure it's a clarify that

0:39:31.239 --> 0:39:36.839
<v Speaker 1>was data. Data definitely said that. Okay, well, now let

0:39:36.880 --> 0:39:39.600
<v Speaker 1>me let me redeem myself really fast by then making

0:39:39.880 --> 0:39:45.160
<v Speaker 1>and then by just making it. A very smart point

0:39:45.200 --> 0:39:48.640
<v Speaker 1>that I'm gonna make is that theatricality historically was a

0:39:48.719 --> 0:39:51.719
<v Speaker 1>major power of the Catholic Church, and that was authority

0:39:51.800 --> 0:39:54.680
<v Speaker 1>over the people. Like the Catholic Church was all about

0:39:54.719 --> 0:39:59.279
<v Speaker 1>imagery and really striking stained glass and portraits and the

0:39:59.680 --> 0:40:05.680
<v Speaker 1>Latin Mass and song and the smell hangy smells. Um.

0:40:05.480 --> 0:40:12.040
<v Speaker 1>I'm so sorry. No, no, sorry, I'm such a shitty person. Rolla, No,

0:40:12.280 --> 0:40:15.480
<v Speaker 1>it wasn't. It was the hand motion what I'm talking about.

0:40:15.760 --> 0:40:18.799
<v Speaker 1>The thing we know exactly what you're talking about And

0:40:18.880 --> 0:40:22.560
<v Speaker 1>I think that's the point is that first I was

0:40:22.640 --> 0:40:26.080
<v Speaker 1>a theater major in college, and most of my performance

0:40:26.120 --> 0:40:30.840
<v Speaker 1>theory class we talked about Christianity and how theater, theatricality

0:40:30.880 --> 0:40:36.319
<v Speaker 1>and performance developed in the Catholic Church and um, like

0:40:36.400 --> 0:40:39.080
<v Speaker 1>Christmas Mummer plays and Corpus Christie's and how they would

0:40:39.120 --> 0:40:41.319
<v Speaker 1>travel around because there were so many people that wanted

0:40:41.320 --> 0:40:42.799
<v Speaker 1>to see the elevation of the hope that they had

0:40:42.840 --> 0:40:44.960
<v Speaker 1>to take it out of the church because people would

0:40:44.960 --> 0:40:47.080
<v Speaker 1>like go church hopping to see as many elevations as

0:40:47.120 --> 0:40:49.200
<v Speaker 1>possible because they're like, that's how I'm getting into heaven.

0:40:50.200 --> 0:40:52.200
<v Speaker 1>Which I don't think that's how it works. I think

0:40:52.200 --> 0:40:54.959
<v Speaker 1>you have to also like the more you see in heaven,

0:40:55.880 --> 0:41:00.319
<v Speaker 1>but why not head your bets? But um, what I

0:41:00.360 --> 0:41:03.400
<v Speaker 1>was gonna say the other thing is, uh, this is

0:41:03.400 --> 0:41:06.120
<v Speaker 1>so dumb, and it's not as bad as the thing

0:41:06.120 --> 0:41:10.680
<v Speaker 1>that Dana said, which is also a very environment smart point. Um.

0:41:10.719 --> 0:41:15.560
<v Speaker 1>But in the beginning of the music video for Helena

0:41:15.760 --> 0:41:19.239
<v Speaker 1>by My Chemical Romance, they sort of open it up

0:41:19.280 --> 0:41:22.480
<v Speaker 1>with the hangy smelly thing and like that level of

0:41:22.520 --> 0:41:28.560
<v Speaker 1>theatricality and the attraction of like the church and the uh,

0:41:28.640 --> 0:41:32.440
<v Speaker 1>they're like very strong, powerful symbols, and I like the

0:41:32.480 --> 0:41:37.080
<v Speaker 1>way that in this fascist society they use that. And

0:41:37.280 --> 0:41:41.799
<v Speaker 1>they have this like lecture that the priest, that's the

0:41:41.800 --> 0:41:47.000
<v Speaker 1>word priest is giving and he's talking about how it's

0:41:47.000 --> 0:41:48.800
<v Speaker 1>sort of like the priest and the voice of Fate

0:41:48.840 --> 0:41:53.560
<v Speaker 1>work in tandem and they together tell everybody how to

0:41:53.680 --> 0:41:56.759
<v Speaker 1>make Britain great and keep Britain great and how they

0:41:56.800 --> 0:41:59.920
<v Speaker 1>should work together. And I think it's interesting that Britain

0:42:00.280 --> 0:42:03.160
<v Speaker 1>and specific which I think is to Alan Moore's point,

0:42:04.000 --> 0:42:06.799
<v Speaker 1>is that they have not a separation of church and

0:42:06.840 --> 0:42:08.960
<v Speaker 1>state the way that we do in the United State,

0:42:09.120 --> 0:42:12.200
<v Speaker 1>the way that we say we do you create the

0:42:12.239 --> 0:42:14.360
<v Speaker 1>way that we claim we do. That is a very

0:42:14.360 --> 0:42:17.880
<v Speaker 1>smart and important point. But like they're not even pretending

0:42:17.920 --> 0:42:20.520
<v Speaker 1>they have the Anglican Church. The whole thing with the

0:42:20.600 --> 0:42:23.040
<v Speaker 1>Royal family is that they have been chosen by God.

0:42:23.120 --> 0:42:26.680
<v Speaker 1>They're the head of the church. Yeah, And so I

0:42:26.760 --> 0:42:30.000
<v Speaker 1>think it's really interesting how that works and how it's

0:42:30.000 --> 0:42:33.000
<v Speaker 1>sort of like using their tools against them, the theatricality

0:42:33.000 --> 0:42:37.680
<v Speaker 1>that v uses too then overthrow them. He also sort

0:42:37.719 --> 0:42:40.480
<v Speaker 1>of does the thing like a like a Batman villain,

0:42:40.560 --> 0:42:44.879
<v Speaker 1>where he like leaves clues on purpose, like he specifically

0:42:45.000 --> 0:42:48.360
<v Speaker 1>breeds these rare roses that can if someone is smart,

0:42:48.440 --> 0:42:51.839
<v Speaker 1>can trace this rare breed back to lark Hill where

0:42:51.880 --> 0:42:56.160
<v Speaker 1>he was, and he specifically then leaves the diary visible

0:42:56.440 --> 0:42:59.520
<v Speaker 1>with Delia, who's the doctor. That's why it's so chilling

0:42:59.560 --> 0:43:03.239
<v Speaker 1>at the end that like um uh, Finch is like,

0:43:03.320 --> 0:43:06.000
<v Speaker 1>well maybe you know this. We hope this is just

0:43:06.040 --> 0:43:08.680
<v Speaker 1>as Vendetta, but maybe the Vendetta is covering up something bigger,

0:43:08.760 --> 0:43:12.959
<v Speaker 1>like he is doing the Batman villain thing of like, yeah,

0:43:13.000 --> 0:43:15.319
<v Speaker 1>I'm the Riddler. I'm leaving you the fucking clues of

0:43:15.480 --> 0:43:18.480
<v Speaker 1>who I am and what I'm doing, because the theatricality

0:43:18.520 --> 0:43:22.880
<v Speaker 1>is part of his power. He wants to like thrill

0:43:23.000 --> 0:43:26.440
<v Speaker 1>and excite the people of England with like him as

0:43:26.440 --> 0:43:28.640
<v Speaker 1>a symbol. He wants to turn himself into a symbol.

0:43:29.640 --> 0:43:33.799
<v Speaker 1>One of the things that I thought was fascinating is

0:43:33.880 --> 0:43:36.480
<v Speaker 1>that there's an offhand mentioned on the radio that the

0:43:36.560 --> 0:43:40.480
<v Speaker 1>royal family still exists. The princesses out and she's wearing

0:43:40.560 --> 0:43:44.600
<v Speaker 1>a lovely salmon colored frock. Um. And I think that

0:43:44.760 --> 0:43:48.080
<v Speaker 1>is part of the theatricality of England, that it's something

0:43:48.160 --> 0:43:50.919
<v Speaker 1>we don't have here that you have these people that

0:43:51.080 --> 0:43:57.640
<v Speaker 1>kind of performatively try to embody the English spirit and

0:43:57.880 --> 0:44:00.879
<v Speaker 1>what where where are they? What are they doing? How?

0:44:02.320 --> 0:44:05.560
<v Speaker 1>How how do they live in this completely fascist country? Now?

0:44:06.000 --> 0:44:10.719
<v Speaker 1>What is the season of the Crown? Like in before Vendetta?

0:44:10.840 --> 0:44:13.879
<v Speaker 1>You know, I I hate to do the Hitler comparison,

0:44:14.400 --> 0:44:18.960
<v Speaker 1>but Hitler comparison. I also do this history podcast called

0:44:19.000 --> 0:44:22.160
<v Speaker 1>Noble Blood Shoutout, and I did an episode about Crown

0:44:22.200 --> 0:44:25.480
<v Speaker 1>Prince Wilhelm, who was the son of the last Kaiser

0:44:25.600 --> 0:44:30.000
<v Speaker 1>Kaiser Wilhelm the first, And when Hitler was building a

0:44:30.040 --> 0:44:33.759
<v Speaker 1>fascist government and claiming power, it was really important for

0:44:33.840 --> 0:44:37.680
<v Speaker 1>him to have Crown Prince Wilhelm like by his side

0:44:37.719 --> 0:44:42.600
<v Speaker 1>wearing a Nazi uniform to like legitimize the government. So

0:44:42.719 --> 0:44:45.680
<v Speaker 1>this is like, this is Germany, this is our government.

0:44:45.760 --> 0:44:49.719
<v Speaker 1>That's it's a continuation of power. So it totally makes

0:44:49.719 --> 0:44:52.120
<v Speaker 1>sense in a historical way that maybe even Alan Moore

0:44:52.280 --> 0:44:56.080
<v Speaker 1>was um going forward that like a fascist government would

0:44:56.120 --> 0:44:59.560
<v Speaker 1>be like. And yes, the British royal family continues. This

0:44:59.600 --> 0:45:03.600
<v Speaker 1>is just a continuation of Britain being made great. We

0:45:03.640 --> 0:45:07.840
<v Speaker 1>are not a separate thing that overthrew Britain. We are

0:45:07.840 --> 0:45:11.680
<v Speaker 1>Brittain well and it is. Sorry Ellen Moore, I'm gonna

0:45:12.160 --> 0:45:17.400
<v Speaker 1>compare it to modern day America. Um, it is so funny.

0:45:17.560 --> 0:45:20.960
<v Speaker 1>That was so funny to me about Donald Trump, like

0:45:21.040 --> 0:45:24.840
<v Speaker 1>pre election, is that he was so desperately trying to

0:45:24.880 --> 0:45:29.360
<v Speaker 1>find celebrities that would be like on his side or

0:45:29.440 --> 0:45:31.200
<v Speaker 1>like come up, and it would end up being like

0:45:31.520 --> 0:45:33.840
<v Speaker 1>a little pump I think was the last one before

0:45:34.640 --> 0:45:38.719
<v Speaker 1>the the end, and like it just felt like a

0:45:38.880 --> 0:45:43.920
<v Speaker 1>fascist I wanna be fascist dictator was trying to do that.

0:45:43.960 --> 0:45:48.520
<v Speaker 1>But in America, most celebrities hate you. They are and

0:45:48.560 --> 0:45:52.399
<v Speaker 1>they are real. They are royalty. Oh yeah. As soon

0:45:52.440 --> 0:45:54.560
<v Speaker 1>as Jen was talking about the royal family, I was like,

0:45:54.600 --> 0:45:56.000
<v Speaker 1>what do you mean, we don't have a royal family.

0:45:59.239 --> 0:46:03.520
<v Speaker 1>One thing is the Queen. I once in an airport

0:46:04.480 --> 0:46:09.560
<v Speaker 1>when I was going through customs coming uh back from London.

0:46:10.440 --> 0:46:13.960
<v Speaker 1>It was in l A. I was behind this couple

0:46:14.040 --> 0:46:16.719
<v Speaker 1>with two little kids and it was like a like

0:46:16.760 --> 0:46:18.839
<v Speaker 1>an eight year old and a girl and a six

0:46:18.920 --> 0:46:21.560
<v Speaker 1>year old boy. And the girl said, do you know

0:46:21.640 --> 0:46:29.520
<v Speaker 1>this is where Queen Beyonce lives? Oh god, okay, that's awesome. Yeah,

0:46:29.640 --> 0:46:31.600
<v Speaker 1>And I was like, you're right, that is more Queen Beyond.

0:46:32.160 --> 0:46:36.240
<v Speaker 1>I'm gonna say slightly back to uh be for Vendetta,

0:46:36.960 --> 0:46:40.240
<v Speaker 1>Good for Alan Moore for breaking the stereotype that priests

0:46:40.239 --> 0:46:43.960
<v Speaker 1>are gay pedophiles and just making the priests just a

0:46:44.000 --> 0:46:52.000
<v Speaker 1>regular pedophile. It seems important about all of the people

0:46:52.080 --> 0:46:54.759
<v Speaker 1>that we see really up close, is they're supposed to

0:46:54.800 --> 0:47:02.960
<v Speaker 1>represent this hyper masculine religion is a classic conservative model,

0:47:03.320 --> 0:47:06.439
<v Speaker 1>and none of them do. Like prothero is the voice

0:47:06.440 --> 0:47:09.200
<v Speaker 1>of the nation, and he is obsessed with dolls, which

0:47:10.400 --> 0:47:15.520
<v Speaker 1>nothing dolls, but it's not like a hobby I think

0:47:15.600 --> 0:47:22.200
<v Speaker 1>John Wayne probably had, but absolutely, yeah, no, I think

0:47:22.239 --> 0:47:24.239
<v Speaker 1>it's the same. I think you can see that a

0:47:24.239 --> 0:47:27.160
<v Speaker 1>lot with Donald Trump as well, that I do not

0:47:27.520 --> 0:47:31.920
<v Speaker 1>think of him as being particularly masculine. He wears makeup

0:47:32.080 --> 0:47:37.279
<v Speaker 1>and is very obsessed with his appearance. Um, he's very

0:47:37.480 --> 0:47:43.800
<v Speaker 1>worried about like people criticizing him, or lies about his weight,

0:47:43.920 --> 0:47:46.160
<v Speaker 1>like a lot of things that I just don't think

0:47:46.160 --> 0:47:51.040
<v Speaker 1>of hyper masculine people is doing or worrying about. And

0:47:51.360 --> 0:47:53.640
<v Speaker 1>we see that with all of these characters in this book,

0:47:54.239 --> 0:47:58.719
<v Speaker 1>like they love dolls or um, or they're like a

0:47:58.800 --> 0:48:04.520
<v Speaker 1>pedophile pedophile or um. Derek Almond I guess it's completely

0:48:04.760 --> 0:48:08.280
<v Speaker 1>enthrall to Helen Hair. My favorite moment of the book

0:48:08.400 --> 0:48:10.560
<v Speaker 1>where he just talks about how his wife will never

0:48:10.680 --> 0:48:13.160
<v Speaker 1>be as cool as her because she's such a mean fish.

0:48:13.239 --> 0:48:20.040
<v Speaker 1>Shut out a Rosemary, you were, Helen Hair, I mean, Dana,

0:48:20.120 --> 0:48:23.560
<v Speaker 1>you have the cheat sheet? Who was the female doctor?

0:48:23.560 --> 0:48:28.640
<v Speaker 1>What's her name? Her name is? I loved that whole

0:48:28.719 --> 0:48:31.680
<v Speaker 1>sequence because I felt like, you know, you see all

0:48:31.680 --> 0:48:34.319
<v Speaker 1>the other ones, and they're all fighting, and they're they're

0:48:34.360 --> 0:48:38.720
<v Speaker 1>all very all of them are equally culpable, particularly Delia.

0:48:39.239 --> 0:48:43.640
<v Speaker 1>But I loved seeing one of the characters like she

0:48:43.800 --> 0:48:49.200
<v Speaker 1>has been eaten away by guilt and fear and shame

0:48:49.680 --> 0:48:52.840
<v Speaker 1>and it's just ready to die, like because she felt

0:48:52.880 --> 0:48:56.040
<v Speaker 1>like this was always coming, whether out of her own

0:48:56.040 --> 0:49:00.360
<v Speaker 1>guilt or just out of like knowledge of consequences. Um.

0:49:00.360 --> 0:49:04.120
<v Speaker 1>And I thought that was the best scene, Like in

0:49:04.200 --> 0:49:08.040
<v Speaker 1>the build up that that was the last kill was

0:49:08.239 --> 0:49:12.560
<v Speaker 1>really a powerful scene. She also seemed smart in the

0:49:12.600 --> 0:49:15.759
<v Speaker 1>way that the men that v kills didn't, that she

0:49:16.000 --> 0:49:19.720
<v Speaker 1>understood what was happening. She is she's liked you, I

0:49:19.719 --> 0:49:23.239
<v Speaker 1>I know what's happening. I yes, good, Like I was

0:49:23.280 --> 0:49:26.040
<v Speaker 1>gonna say something along similar lines where I think it's

0:49:26.080 --> 0:49:28.480
<v Speaker 1>interesting that the only person who feels any level of

0:49:28.520 --> 0:49:30.920
<v Speaker 1>remorse that we at least get to see shown is

0:49:30.960 --> 0:49:33.319
<v Speaker 1>also the only person who's like, of course this is

0:49:33.320 --> 0:49:36.000
<v Speaker 1>going to come back to get me, and is also

0:49:36.080 --> 0:49:39.799
<v Speaker 1>a woman. And I think that that's uh, I think

0:49:39.840 --> 0:49:43.320
<v Speaker 1>that it's I'm not saying all women in government are good.

0:49:43.360 --> 0:49:47.040
<v Speaker 1>I mean, Margaret Thatcher right off the bat, not necessarily

0:49:47.360 --> 0:49:52.040
<v Speaker 1>my idol as a hashtag strong woman, but um, I

0:49:52.080 --> 0:49:55.200
<v Speaker 1>think it's interesting to see the empathy in this story

0:49:55.600 --> 0:49:58.440
<v Speaker 1>at the very least comes through mostly from the women

0:49:58.600 --> 0:50:03.839
<v Speaker 1>in power. Yeah. I know that many, Yeah, but then

0:50:03.880 --> 0:50:06.560
<v Speaker 1>it is interesting, like, I mean that you can you

0:50:06.640 --> 0:50:10.080
<v Speaker 1>can be this woman with empathy, this person with empathy,

0:50:10.200 --> 0:50:14.640
<v Speaker 1>and still get sucked into wanting to be in a

0:50:14.719 --> 0:50:18.719
<v Speaker 1>position of power, being close to power, and using it

0:50:18.760 --> 0:50:21.759
<v Speaker 1>against other people. So I think, I mean, I love

0:50:21.880 --> 0:50:25.040
<v Speaker 1>all of the complexities of that and Delian particular, and

0:50:25.160 --> 0:50:28.400
<v Speaker 1>especially because with the people that they are subjugating in

0:50:28.440 --> 0:50:31.560
<v Speaker 1>this camp. Like a lot of conversations are being had

0:50:31.680 --> 0:50:33.560
<v Speaker 1>right now about like the percentage of white women that

0:50:33.600 --> 0:50:36.640
<v Speaker 1>continue to vote for Trump and how white women benefit

0:50:36.680 --> 0:50:40.440
<v Speaker 1>more from white supremacy than they do from intersectional feminism,

0:50:40.480 --> 0:50:43.400
<v Speaker 1>and part of that is that, like you attach yourself,

0:50:43.440 --> 0:50:46.759
<v Speaker 1>if you have multiple privileged identities, you attach yourself to

0:50:46.760 --> 0:50:48.719
<v Speaker 1>the one they give you the most privilege, and in

0:50:48.760 --> 0:50:52.960
<v Speaker 1>this case, it's whiteness. And um, it's really interesting to

0:50:53.000 --> 0:50:55.239
<v Speaker 1>see that she is a straight white woman and they

0:50:55.239 --> 0:50:58.320
<v Speaker 1>are subjugating people of color and queer people at these camps.

0:50:58.640 --> 0:51:01.040
<v Speaker 1>So she's like, well, you know, yeah, I'm a woman

0:51:01.040 --> 0:51:03.839
<v Speaker 1>and I have empathy, but also like, we don't need

0:51:03.920 --> 0:51:07.759
<v Speaker 1>these undesirable Well, I do think I do think she

0:51:07.880 --> 0:51:11.680
<v Speaker 1>does justify to herself. Not that I think she again

0:51:11.760 --> 0:51:15.160
<v Speaker 1>not to defend her because she's like an indefensible member

0:51:15.200 --> 0:51:19.240
<v Speaker 1>of the fatalitarian party, but I think she thinks, uh,

0:51:19.280 --> 0:51:22.120
<v Speaker 1>it is bad that the government is locking up queer

0:51:22.160 --> 0:51:25.680
<v Speaker 1>people and people of color, but they are can't help it,

0:51:26.000 --> 0:51:28.200
<v Speaker 1>going to use this to my advantage and do some

0:51:28.280 --> 0:51:34.640
<v Speaker 1>medical tests that I'm curious about. I shout out to

0:51:34.680 --> 0:51:38.880
<v Speaker 1>another podcast, um that Dana turned me onto You're wrong about,

0:51:38.920 --> 0:51:42.160
<v Speaker 1>which you were also on There was a several parts

0:51:42.200 --> 0:51:47.000
<v Speaker 1>on the Tuskegee Syphilist study and that may end Yeah,

0:51:47.400 --> 0:51:50.240
<v Speaker 1>and that made me think of this, and I wonder

0:51:50.320 --> 0:51:55.040
<v Speaker 1>if that was a an inspiration for it because it

0:51:55.200 --> 0:51:59.040
<v Speaker 1>is all of these justifications, Melissa, that took place in America.

0:51:59.520 --> 0:52:03.759
<v Speaker 1>This is a I was gonna say nothing. Britain can't

0:52:04.719 --> 0:52:08.719
<v Speaker 1>a lot of ideas from from America that might have

0:52:08.760 --> 0:52:11.640
<v Speaker 1>been like life imitating art imitating life. I don't know,

0:52:11.760 --> 0:52:15.239
<v Speaker 1>Like but maybe maybe because I'm sure that people had

0:52:15.280 --> 0:52:19.280
<v Speaker 1>their own ship, that they probably Indian people or something,

0:52:19.360 --> 0:52:21.879
<v Speaker 1>because they did a whole bunch of shitty stuff the Indians. Yeah,

0:52:21.920 --> 0:52:25.319
<v Speaker 1>maybe the scientists wrote at the Tuskegee experiment like, oh,

0:52:25.440 --> 0:52:31.440
<v Speaker 1>these Brits had a great one is actually perfect example

0:52:31.520 --> 0:52:36.600
<v Speaker 1>of that. Can you explain that? Yeah? During the Boord War, um,

0:52:36.640 --> 0:52:39.600
<v Speaker 1>a lot of people were put into concentration camps, and

0:52:39.960 --> 0:52:45.680
<v Speaker 1>the Britain's decided that rather than contain any diseases that

0:52:45.840 --> 0:52:48.880
<v Speaker 1>were ravaging through those camps, they would just let the

0:52:48.960 --> 0:52:53.480
<v Speaker 1>diseases explode unchecked. Um. And it wouldn't lower the morale

0:52:53.520 --> 0:52:55.960
<v Speaker 1>of the soldiers because they wouldn't have to kill them

0:52:56.080 --> 0:53:00.160
<v Speaker 1>up close. They just put them in really really close quarters. Um.

0:53:00.440 --> 0:53:03.759
<v Speaker 1>And they just let everyone who got sick stay with

0:53:03.840 --> 0:53:08.520
<v Speaker 1>everyone else. And um, it's considered a very notable instance

0:53:08.560 --> 0:53:12.799
<v Speaker 1>of genocide. Like that's still genocide if you make or

0:53:12.840 --> 0:53:16.080
<v Speaker 1>allow people that you have control over to remain sick

0:53:16.239 --> 0:53:19.160
<v Speaker 1>and they die as a result. That's that's I mean,

0:53:19.280 --> 0:53:22.120
<v Speaker 1>that's also a lazy genocide. Like if you're going to

0:53:22.239 --> 0:53:26.720
<v Speaker 1>kill people, kill them. Not saying we should kill people,

0:53:26.719 --> 0:53:30.560
<v Speaker 1>but I'm just saying, like it's so rude to be like, yeah,

0:53:30.680 --> 0:53:32.279
<v Speaker 1>I'm just gonna let you die. You're not going to

0:53:33.000 --> 0:53:35.400
<v Speaker 1>at least to have the v for Vendetta thing and

0:53:35.440 --> 0:53:38.319
<v Speaker 1>come up with like an elaborate and fun, dramatic way

0:53:38.360 --> 0:53:41.359
<v Speaker 1>to kill someone. If we're going to kill someone, you

0:53:41.520 --> 0:53:46.479
<v Speaker 1>have to come up with it a whole theme. Yeah,

0:53:47.280 --> 0:53:52.520
<v Speaker 1>I already regret saying that, But what I mean is

0:53:52.719 --> 0:53:55.759
<v Speaker 1>it feels like there's something that these people are saying,

0:53:55.760 --> 0:53:59.719
<v Speaker 1>you're not even worth the effort of actually exterminating you,

0:54:00.120 --> 0:54:03.720
<v Speaker 1>and that is adding insult to injury in my eyes.

0:54:03.800 --> 0:54:06.160
<v Speaker 1>Like I'm not saying anyone should kill people, but I

0:54:06.200 --> 0:54:09.400
<v Speaker 1>do feel like it's almost more offensive to me that

0:54:09.480 --> 0:54:11.840
<v Speaker 1>it's like we're just gonna let them hang out together

0:54:11.880 --> 0:54:15.120
<v Speaker 1>and get sick off each other and we'll just see

0:54:15.120 --> 0:54:17.480
<v Speaker 1>what happened. I mean, that was what I think it's showed,

0:54:17.560 --> 0:54:21.000
<v Speaker 1>Like I'm not the only thing, but an element of

0:54:21.040 --> 0:54:24.680
<v Speaker 1>what was so awful about like the Tuskegee experiment, where

0:54:24.719 --> 0:54:28.000
<v Speaker 1>it was just this idea like, well they have symphilis anyway,

0:54:28.160 --> 0:54:31.520
<v Speaker 1>they probably aren't going to get treatmental let's whatever tell

0:54:31.600 --> 0:54:36.880
<v Speaker 1>them that they symphilist, but also in that it was bad.

0:54:37.200 --> 0:54:40.280
<v Speaker 1>It was lazy science too, and that like they didn't

0:54:40.400 --> 0:54:43.840
<v Speaker 1>take down they like lost track of some of the

0:54:43.920 --> 0:54:47.120
<v Speaker 1>people they were doing this horrible thing too, and like whoops,

0:54:47.120 --> 0:54:50.640
<v Speaker 1>we lost a few, and like just they did the science.

0:54:50.680 --> 0:54:54.200
<v Speaker 1>There was no science there. It was super lazy. It's

0:54:54.239 --> 0:54:57.400
<v Speaker 1>like most people who are evil are also lazy. It

0:54:57.520 --> 0:55:00.720
<v Speaker 1>just shows like a complete disregard of human and life

0:55:00.800 --> 0:55:03.759
<v Speaker 1>and like that white supremacy, that racism of just like

0:55:04.080 --> 0:55:07.520
<v Speaker 1>well whatever, well, because I think it's also yeah, exactly,

0:55:07.560 --> 0:55:10.640
<v Speaker 1>it's rooted in like the white supremacy and the thinking

0:55:10.680 --> 0:55:15.160
<v Speaker 1>of like biological superiority. So like it's like you're letting

0:55:15.200 --> 0:55:18.479
<v Speaker 1>these people they're getting sick on their own accord because

0:55:18.480 --> 0:55:21.520
<v Speaker 1>they're just not strong. Yeah. I think they're just not

0:55:21.960 --> 0:55:25.640
<v Speaker 1>strong enough to fight it off. So, and to go

0:55:25.680 --> 0:55:29.560
<v Speaker 1>back to the book, Delia Is, she comes in and

0:55:29.600 --> 0:55:33.080
<v Speaker 1>says that in her diary She says that like she starts,

0:55:33.160 --> 0:55:37.000
<v Speaker 1>she starts looking at people and like seeing people of

0:55:37.000 --> 0:55:39.440
<v Speaker 1>color and creeer people. She's like, oh, I started to

0:55:39.480 --> 0:55:44.640
<v Speaker 1>be like disgusted by them. Like mm, she's a bit yeah.

0:55:46.200 --> 0:55:49.600
<v Speaker 1>If she doesn't go in there, incredibly racist, She is

0:55:49.680 --> 0:55:55.760
<v Speaker 1>incredibly racist. Those systems are also designed to dehumanize the people,

0:55:55.800 --> 0:56:02.160
<v Speaker 1>and like totalitarian government and racism, says, systems work by

0:56:02.200 --> 0:56:07.080
<v Speaker 1>you know, indoctrinating the people. And so it's like it's

0:56:07.360 --> 0:56:10.000
<v Speaker 1>what's that that thing cognitive dissonance where it's like she

0:56:10.080 --> 0:56:12.759
<v Speaker 1>has to treat these people in a certain way, so

0:56:12.800 --> 0:56:15.960
<v Speaker 1>your brain is like, well, yeah, then they're disgusting. I

0:56:16.000 --> 0:56:19.759
<v Speaker 1>will say, um, I think it's interesting that what ends

0:56:19.800 --> 0:56:24.160
<v Speaker 1>up being their downfall is there sort of infantilization of

0:56:24.200 --> 0:56:27.160
<v Speaker 1>these patients and they're like so cute. How the gyron

0:56:27.280 --> 0:56:32.120
<v Speaker 1>room five has a little piles ye, little piles of

0:56:32.200 --> 0:56:37.520
<v Speaker 1>bomb stuff? Why why the little piles of like chemicals?

0:56:37.760 --> 0:56:41.359
<v Speaker 1>Did no one see that? I would have immediately been

0:56:41.520 --> 0:56:43.920
<v Speaker 1>like I would have been like, wait, no, there's a

0:56:43.960 --> 0:56:46.000
<v Speaker 1>plan here. And she even says, I think there's like

0:56:46.000 --> 0:56:48.520
<v Speaker 1>a little method to his madness. He's so sweet, he's

0:56:48.520 --> 0:56:51.600
<v Speaker 1>so fun and like treating him like a child or

0:56:51.640 --> 0:56:55.120
<v Speaker 1>a pet, where it's like, oh this is cute. Um,

0:56:55.920 --> 0:56:57.799
<v Speaker 1>it ends up being the thing that gets their ship

0:56:57.880 --> 0:57:02.439
<v Speaker 1>blown up, like they underestimated. I mean, I think they

0:57:02.480 --> 0:57:05.880
<v Speaker 1>have oppressed these people so much that they've forgotten that

0:57:05.960 --> 0:57:08.440
<v Speaker 1>these people are capable of hating them. That if you

0:57:08.480 --> 0:57:10.239
<v Speaker 1>have a system where people are not allowed to look

0:57:10.239 --> 0:57:12.239
<v Speaker 1>you with the eyes or talk to you, and then

0:57:12.280 --> 0:57:15.480
<v Speaker 1>there's one who can like grow flowers, yeah you've at

0:57:15.520 --> 0:57:18.720
<v Speaker 1>that point. You've forgotten that is a very dangerous human

0:57:18.720 --> 0:57:22.080
<v Speaker 1>being who probably hates you. Can I ask before we

0:57:22.120 --> 0:57:24.880
<v Speaker 1>close out, what do you make of E V and

0:57:25.000 --> 0:57:28.120
<v Speaker 1>V in their relationship and how they interact with each

0:57:28.160 --> 0:57:30.480
<v Speaker 1>other and how he interacts with her. I was going

0:57:30.520 --> 0:57:34.400
<v Speaker 1>to say, I really do like like the way that

0:57:34.840 --> 0:57:39.080
<v Speaker 1>Delia is like a nuanced female character. Alan Moore is

0:57:39.080 --> 0:57:41.040
<v Speaker 1>obviously a man. He wrote this in I think that

0:57:41.240 --> 0:57:44.840
<v Speaker 1>the eighties I don't love like the daddy issues stuff

0:57:45.080 --> 0:57:50.000
<v Speaker 1>with Oh yeah, he's obviously her dad. It's like, all right,

0:57:50.080 --> 0:57:52.880
<v Speaker 1>that's whatever. I mean. I think that she is more

0:57:52.880 --> 0:57:55.360
<v Speaker 1>of a conduit to the story than a character, and

0:57:55.440 --> 0:57:58.200
<v Speaker 1>so I find it a little uncomfortable when they like

0:57:58.720 --> 0:58:00.520
<v Speaker 1>I don't know, are like lazy when they're like, oh,

0:58:00.520 --> 0:58:02.960
<v Speaker 1>the sixteen year old has daddy issues because her dad,

0:58:03.040 --> 0:58:08.840
<v Speaker 1>the socialist was murdered by the fact normal dad normal

0:58:08.920 --> 0:58:12.200
<v Speaker 1>issues because of that, look, I think if we can

0:58:12.240 --> 0:58:15.560
<v Speaker 1>accept that the second missister Winter wanted a murder daddy,

0:58:15.760 --> 0:58:23.680
<v Speaker 1>we could also accept that they all love murder daddy's.

0:58:24.240 --> 0:58:26.800
<v Speaker 1>She wants a murder daddy, but she does not herself

0:58:26.840 --> 0:58:28.640
<v Speaker 1>want to murder. And I do think that that is

0:58:28.680 --> 0:58:32.560
<v Speaker 1>something that's interesting. Your insistent that she's like, I don't

0:58:32.560 --> 0:58:34.560
<v Speaker 1>want to be a part of this. I have no

0:58:34.880 --> 0:58:38.240
<v Speaker 1>desire to inflict pain on others, even though I've been

0:58:38.240 --> 0:58:40.320
<v Speaker 1>in a shitty situation because of this government, like they

0:58:40.360 --> 0:58:43.040
<v Speaker 1>almost killed her. And even with that, she was like,

0:58:43.120 --> 0:58:45.520
<v Speaker 1>you used me to kill somebody and you didn't tell me.

0:58:45.680 --> 0:58:48.360
<v Speaker 1>And it brings up a really interesting thing about consent.

0:58:48.440 --> 0:58:51.000
<v Speaker 1>She didn't consent to be in this government system, but

0:58:51.080 --> 0:58:53.680
<v Speaker 1>she also didn't consent to overthrow it in this way,

0:58:54.040 --> 0:58:57.000
<v Speaker 1>and I thought that was really interesting. That's really well said. Well,

0:58:57.040 --> 0:58:59.160
<v Speaker 1>I think on that note, and one more thing I

0:58:59.240 --> 0:59:02.800
<v Speaker 1>wanted to add. Another problem that Alan Moore had with

0:59:03.040 --> 0:59:06.640
<v Speaker 1>the film adaptation was that he didn't think that they

0:59:06.840 --> 0:59:09.680
<v Speaker 1>um went far enough in on the themes of white

0:59:09.720 --> 0:59:14.840
<v Speaker 1>supremacy and racism within totalitarian regimes, and I think, yeah,

0:59:15.040 --> 0:59:16.880
<v Speaker 1>that is a theme that was very important to him

0:59:16.880 --> 0:59:21.280
<v Speaker 1>and I think definitely comes out very quickly in a

0:59:21.320 --> 0:59:25.480
<v Speaker 1>book two called The Vicious Cabaret. So on that note, Well,

0:59:25.520 --> 0:59:28.320
<v Speaker 1>hearing you next week, or you'll hear us next week.

0:59:28.440 --> 0:59:34.280
<v Speaker 1>Jesus Christ, we can hear you, guys. You want to

0:59:34.320 --> 0:59:43.160
<v Speaker 1>tell you the baby. That's our show for the week.

0:59:43.240 --> 0:59:45.880
<v Speaker 1>Thank you so much for listening. I'm Danish Schwartz and

0:59:45.920 --> 0:59:48.160
<v Speaker 1>you can find me on Twitter at Danish Schwartz with

0:59:48.240 --> 0:59:51.120
<v Speaker 1>three z s. You can follow Jennifer Wright at Jen

0:59:51.280 --> 0:59:55.640
<v Speaker 1>Ashley Right, Karama Donqua is at Karama Drama, Melissa Hunter

0:59:55.840 --> 0:59:59.240
<v Speaker 1>is at Melissa f t W and Tan Tran is

0:59:59.280 --> 1:00:01.480
<v Speaker 1>smart enough to have gotten off Twitter, but she is

1:00:01.480 --> 1:00:05.000
<v Speaker 1>on Insta at Hank Tina. Our executive producer is Christopher

1:00:05.000 --> 1:00:08.760
<v Speaker 1>Hesiodes were produced and edited by Mike John's Special thanks

1:00:08.760 --> 1:00:14.520
<v Speaker 1>to David Wasserman. Next week, we continue our November discussion

1:00:14.640 --> 1:00:17.840
<v Speaker 1>of V four Vendetta, the graphic Novel, with book two.

1:00:18.200 --> 1:00:21.800
<v Speaker 1>This Vicious Cabaret Popcorn Book Club is a production of

1:00:21.840 --> 1:00:22.680
<v Speaker 1>I heart radio,