WEBVTT - You Down With OED?

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<v Speaker 1>Hey, everybody, we want to let you know that we

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<v Speaker 1>are doing our traditional Pacific Northwest Swing for our live

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<v Speaker 1>show next year, in fact, the end of January next year,

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<v Speaker 1>very early next year, and.

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<v Speaker 2>We're starting out in Seattle, Washington on January twenty fourth

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<v Speaker 2>at the Paramount Theater. It's huge, that's right, and then

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<v Speaker 2>on to Portland on January twenty fifth at Revolution Hall,

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<v Speaker 2>the place we always are. It's kind of our home

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<v Speaker 2>away from home in Portland. And then we're gonna wrap

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<v Speaker 2>it all up at the thing that started the Pacific

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<v Speaker 2>Northwest Tour in the first place all those years back.

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<v Speaker 2>SF Sketch Fest will be at the Sydney Goldstein Theater

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<v Speaker 2>on Friday, January twenty sixth, right.

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<v Speaker 1>Chuck, that's right, And remember you can go to stuff

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<v Speaker 1>youshould Know dot com click on tours in order to

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<v Speaker 1>get to the correct ticket link or go to the

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<v Speaker 1>venue page only. Do not go to scalper sites.

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<v Speaker 2>That's right, and we'll see you guys in January.

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<v Speaker 1>Okay, welcome to Stuff you Should Know, a production of iHeartRadio.

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<v Speaker 2>Hey, and welcome to the podcast. I'm Josh, there's Chuck.

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<v Speaker 2>Jerry's here too, and this is stuff you should know.

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<v Speaker 1>I believe a is an order. Why because we're debuting

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<v Speaker 1>a brand new writer.

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<v Speaker 2>Oh yeah, great idea, Chuck, thank you for doing that.

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<v Speaker 1>Yeah, welcome aboard Alison Miller. Alison came to us. This

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<v Speaker 1>is by way of Livia, right, is a recommendation.

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<v Speaker 2>Yep, we said, Lvia, you're great, you know and the

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<v Speaker 2>other great writer. She said, actually I got one I

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<v Speaker 2>can recommend, And here we are.

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<v Speaker 1>Yeah, and Alison Miller did a how it works here

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<v Speaker 1>is we do like sort of a test article, and

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<v Speaker 1>this is that test article. So it obviously worked. And

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<v Speaker 1>Allison is a historian and researcher and just did a

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<v Speaker 1>fantastic job. So welcome, Welcome to the fam. Allison.

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<v Speaker 2>Welcome Alison here. I'll coordinate you too. Do do do do?

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<v Speaker 1>Yeah, you do it better than me. So I was

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<v Speaker 1>hoping you a chime in.

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<v Speaker 2>I just put some enthusiasm, and I think that's the difference,

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<v Speaker 2>that's right. So yeah, we're talking about the OED today,

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<v Speaker 2>the Oxford English Dictionary, and I have to say, Alison,

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<v Speaker 2>knock this one out of the park. I get the

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<v Speaker 2>impression that she may or may not have read significant

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<v Speaker 2>portions of the OED in her lifetime.

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<v Speaker 1>I think Alison is smart.

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<v Speaker 2>So and she kind of starts off by talking about

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<v Speaker 2>different kinds of dictionaries, which is significant because the OED

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<v Speaker 2>the Oxford English Dictionary is a specific kind of dictionary.

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<v Speaker 2>It's not a regular, average joe, you know, work at

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<v Speaker 2>a dictionary like some other dictionaries. The Oxford English Dictionary

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<v Speaker 2>is a historical dictionary, so it not only tells you

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<v Speaker 2>the definition of the word, there may even be multiple definitions.

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<v Speaker 2>By the way, I don't know if you've ever looked

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<v Speaker 2>at a dictionary before, but sometimes one word can have

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<v Speaker 2>more than one definition. It's nuts, right, the OED says.

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<v Speaker 2>And by the way, here's where that word came from,

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<v Speaker 2>and here's examples of its first use to it's probably

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<v Speaker 2>most recent use for one of its most recent uses.

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<v Speaker 2>So you can see how this specific word in the

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<v Speaker 2>English language evolved over time.

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<v Speaker 1>Yeah, I didn't know that.

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<v Speaker 2>It's it's pretty ambitious, it is.

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<v Speaker 1>And historical dictionaries they don't they don't say like, well

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<v Speaker 1>that that meaning is not something that people use it

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<v Speaker 1>for anymore, like macaroni. Whatever the heck they meant in

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<v Speaker 1>that song.

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<v Speaker 2>The Yankee Doodles, They any one, Yeah, I took that

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<v Speaker 2>as a reference to pot.

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<v Speaker 1>But my point is they don't say, like, let's get

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<v Speaker 1>rid of that old that old definition. Like the whole

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<v Speaker 1>idea for the OED is that the English language is alive,

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<v Speaker 1>and so the OED is alive, and we're gonna we're

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<v Speaker 1>gonna leave it in there and go forward in time.

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<v Speaker 1>But if you if you want to look up these

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<v Speaker 1>old usages and these old meanings, it's all right there

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<v Speaker 1>for you in this massive, massive dictionary that whose aim

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<v Speaker 1>was to include every word in the English language and

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<v Speaker 1>every usage of that word up until.

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<v Speaker 2>Now, starting in eleven fifty c.

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<v Speaker 1>Yeah, as far as the words go. They didn't start

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<v Speaker 1>the dictionary then, but they went back to Middle English

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<v Speaker 1>to get what we now have is a third edition,

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<v Speaker 1>more than six hundred thousand entries, of which we have

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<v Speaker 1>eight hundred and fifty thousand definitions. See three million of

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<v Speaker 1>those quotations, which is amazing. And although I think we're

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<v Speaker 1>locked in with the beginning in the end because the

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<v Speaker 1>first word is a, there's no way you can get

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<v Speaker 1>before that in line no, and the last word is ziziva,

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<v Speaker 1>and there's no way that someone could create a word

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<v Speaker 1>that is after z y zz y va. It would

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<v Speaker 1>have to be zz zz.

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<v Speaker 2>Yeah z or zz top. I'm surprised they didn't mention

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<v Speaker 2>zz top.

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<v Speaker 1>Yeah. Don't talk to me about cartoons sleep bubbles. So

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<v Speaker 1>I think we're locked in it as Actually, Allison has

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<v Speaker 1>a great title for this, the OED. Cohen A to Zizia,

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<v Speaker 1>I'm sorry, Ziza already messed it up.

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<v Speaker 2>Well, it's a tough word, zyzzyv a. It's fun to

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<v Speaker 2>spell out loud because you say it like that with

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<v Speaker 2>some oomph, but it's a tough word to say. Did

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<v Speaker 2>you define it?

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<v Speaker 3>Uh?

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<v Speaker 1>No, go ahead.

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<v Speaker 2>It's a weavil yeah, and it always was right. So

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<v Speaker 2>one thing about the OED You might say, well, like wow,

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<v Speaker 2>that's a lot of information packed into one tome. You'd

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<v Speaker 2>be right. If you don't know much about the Oxford

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<v Speaker 2>English Dictionary, you may at least have the idea that

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<v Speaker 2>it's enormous, that it's way bigger than your average dictionary,

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<v Speaker 2>because those six hundred thousand entries with eight hundred and

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<v Speaker 2>fifty thousand definitions and three million quotations, when you put

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<v Speaker 2>them all together, it takes up a lot of space.

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<v Speaker 2>In fact, I by my estimate, it takes up something

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<v Speaker 2>like an eighth of the entire Internet.

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<v Speaker 1>Right, should we read some of this these fast stats?

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<v Speaker 2>Oh yeah, let's do that.

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<v Speaker 1>So I believe this is the first volume.

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<v Speaker 2>The first Yeah, the whole first edition, I think.

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<v Speaker 1>Yeah, the whole first edition. So this isn't even the

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<v Speaker 1>current edition. This is the one that was finished up

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<v Speaker 1>in nineteen twenty eight. At the time it had four

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<v Speaker 1>hundred and fifteen thousand words, half a million definitions, one

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<v Speaker 1>point eight million quotations. But this is the part I

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<v Speaker 1>wanted to get to. One hundred and seventy eight miles

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<v Speaker 1>of type, fifty million words, four feet of shelf space,

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<v Speaker 1>and ten or twenty half volume. So you know that

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<v Speaker 1>Encyclopedia Britannica set you grew up with in your hallway,

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<v Speaker 1>that's basically what this dictionary is. First edition looked like.

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<v Speaker 2>Yeah, and back in nineteen thirty, nineteen twenty eight, I

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<v Speaker 2>guess when it came out, you paid about today's equivalent

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<v Speaker 2>of three three hundred and sixty pounds sterling for a dictionary. Yeah,

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<v Speaker 2>about four grand in US dollars today, And according to

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<v Speaker 2>the Bank of England, that was equal to two hundred

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<v Speaker 2>and twenty eight days wages for a skilled worker in

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<v Speaker 2>nineteen thirty, imagine spending most of your year's salary on

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<v Speaker 2>a dictionary.

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<v Speaker 1>Yeah. I think the point has got to be that

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<v Speaker 1>very like you had to be a very well healed

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<v Speaker 1>person trying to impress other people by owning a copy

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<v Speaker 1>of this thing.

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<v Speaker 2>Back then, right, yeah, or a library, well exactly. So, yeah,

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<v Speaker 2>that was the first edition. It's gotten even bigger as

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<v Speaker 2>we've seen over time, and so now finally the Internet

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<v Speaker 2>was born. I think to howse the third edition of

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<v Speaker 2>the Oxford English Dictionary, which is where we're at now,

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<v Speaker 2>and one thing that they do, which is pretty sharp.

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<v Speaker 2>As the dictionary comes out, new words are being added

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<v Speaker 2>to it all the time. They're probably finding less and

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<v Speaker 2>less old words that they hadn't included. But you know,

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<v Speaker 2>like you said, the English language is living, so it's

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<v Speaker 2>expanding and contracting and adding new words to it all

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<v Speaker 2>the time. So by the time those things go to

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<v Speaker 2>press and that last volume of the edition comes out,

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<v Speaker 2>there's words that are left over that are just constantly

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<v Speaker 2>being added. So I think on a quarterly basis, they

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<v Speaker 2>release supplements essentially that have new words that came out

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<v Speaker 2>or were coined since the volume that contained that letter

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<v Speaker 2>was published in the latest edition.

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<v Speaker 1>That's right, and we'll get to how those supplements figured

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<v Speaker 1>in back then and what they do with those today.

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<v Speaker 1>But the other really unique thing about the OED is

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<v Speaker 1>that it is a and always has been, from the

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<v Speaker 1>very very beginning, a crowd source work. Yeah, right from

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<v Speaker 1>the beginning. The editors who we're going to talk about,

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<v Speaker 1>the original editors, editors here in a minute. They said, hey, public,

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<v Speaker 1>we need help. So if you're into this, you've got

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<v Speaker 1>a little time. If you like to read, if you're

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<v Speaker 1>a linguist, you're into words, if you love language, go

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<v Speaker 1>back to Chaucer, start reading and find these words that

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<v Speaker 1>we're looking for. Find usages of these words descend into

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<v Speaker 1>us by hand on they call it a slip, a

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<v Speaker 1>little four by six sheet of paper and mail it

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<v Speaker 1>into us. And you could very well have a hand

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<v Speaker 1>in creating the Oxford English Dictionary.

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<v Speaker 2>Yeah, pretty cool. And they got a really great response

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<v Speaker 2>to it, and I think still do.

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<v Speaker 1>Today, oh for sure. But that's also explains why you have,

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<v Speaker 1>you know, quotes from Chaucer and Shakespeare, and also, as

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<v Speaker 1>Alison points out, quotes from like a social media post.

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<v Speaker 1>As a usage example of a word.

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<v Speaker 2>Yeah. She also used an example that came from the

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<v Speaker 2>most recent quarterly update from September twenty twenty three. Porch

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<v Speaker 2>pirate appears in there, and so it's a really good

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<v Speaker 2>illustration of what the OED does. They explain that it's

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<v Speaker 2>someone who steals packages from doorsteps. Everybody knows that. Yeah,

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<v Speaker 2>but did you know that it first came about from

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<v Speaker 2>a news segment on kfo R from Oklahoma Cities, one

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<v Speaker 2>of their local broadcasting stations.

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<v Speaker 1>Yeah, so they'll have that.

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<v Speaker 2>Wait, you didn't doubt.

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<v Speaker 1>It, No, well no, I said they would have that.

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<v Speaker 1>I gotcha as like the example or whatever. And then

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<v Speaker 1>if you want to dig deeper and just say, well,

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<v Speaker 1>what about this word porch, then they'll take you back

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<v Speaker 1>to the thirteen hundreds with the definition of porch and

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<v Speaker 1>then examples of these what they call senses like that's

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<v Speaker 1>when not a tense, it's a sense. It's like how

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<v Speaker 1>the word is used basically.

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<v Speaker 2>Yeah, and it might not be used that way anymore necessary.

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<v Speaker 1>Yeah, but they will have all of them listed and

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<v Speaker 1>you can see sort of the evolution of not only

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<v Speaker 1>the word porch, but when you eventually get to something

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<v Speaker 1>like porch pirate.

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<v Speaker 4>Yeah.

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<v Speaker 2>So it's pretty neat stuff like, that's what they do.

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<v Speaker 2>And they've been doing this for one hundred something years

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<v Speaker 2>since they think the first the first volume of the

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<v Speaker 2>first edition came out and I think eighteen eighty four.

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<v Speaker 1>Right, Yeah, and those supplements you were talking about, I

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<v Speaker 1>promised to kind of explain how they do things now.

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<v Speaker 1>They were for many many years. They were released just

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<v Speaker 1>like hey, here's this extra thing. But it created a

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<v Speaker 1>problem if you're like, well, wait a minute, now I

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<v Speaker 1>have to look up a word in two different places

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<v Speaker 1>if it has a more modern usage. And so eventually

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<v Speaker 1>they started combining them. I think they finally did that

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<v Speaker 1>in what nineteen eighty nine, where the supplements were actually

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<v Speaker 1>worked into the main addition.

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<v Speaker 2>Yeah, just the first edition.

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<v Speaker 1>Yeah, so they finished that in nineteen eighty nine, and

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<v Speaker 1>a couple years before that they had finally put it

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<v Speaker 1>on a CD ROM And then, like you said, it

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<v Speaker 1>only exists today. Well, I mean you can get copies,

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<v Speaker 1>but they're not releasing I don't think print editions any longer.

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<v Speaker 1>It's just a online subscription type thing now.

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<v Speaker 2>Yeah, and usually I mean it's pay right, so yeah, subscription,

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<v Speaker 2>so usually you can log in through your library pretty neat.

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<v Speaker 2>They're also in the midst of putting out a third edition,

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<v Speaker 2>so look for that in the next century. That's right,

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<v Speaker 2>I say, we take a little break, Charles, and then

0:12:27.280 --> 0:12:29.480
<v Speaker 2>we'll come back and talk about the history of the OED.

0:12:29.800 --> 0:12:45.719
<v Speaker 3>How we got here, let's do it.

0:12:52.480 --> 0:12:57.080
<v Speaker 2>So the OED is not the first English dictionary ever.

0:12:57.480 --> 0:12:59.840
<v Speaker 2>In fact, the first one ever was from sixteen oh four.

0:13:00.200 --> 0:13:04.160
<v Speaker 2>It's called a Table Alphabetical of hard usual English Words

0:13:04.640 --> 0:13:09.280
<v Speaker 2>by Robert Kaudrey, and he basically just put this together

0:13:09.440 --> 0:13:13.360
<v Speaker 2>to help people, I guess, explain themselves in English better.

0:13:14.080 --> 0:13:16.959
<v Speaker 2>He it was I think, words that were commonly used

0:13:17.240 --> 0:13:21.080
<v Speaker 2>but not necessarily commonly understood. So that was the first one.

0:13:21.920 --> 0:13:26.600
<v Speaker 2>But the I guess the OED really traces its spiritual

0:13:26.679 --> 0:13:30.439
<v Speaker 2>roots to a more recent phenomenon that the Brothers Grim

0:13:30.480 --> 0:13:34.880
<v Speaker 2>had started, which was essentially a dictionary of a language

0:13:35.360 --> 0:13:39.480
<v Speaker 2>in order to show the history of that language, ostensibly

0:13:39.480 --> 0:13:43.560
<v Speaker 2>in order to prove how great that language actually was.

0:13:44.520 --> 0:13:48.280
<v Speaker 1>Yeah, we shout out to a couple of great episodes

0:13:48.320 --> 0:13:51.200
<v Speaker 1>we did many years ago, one on the Brothers Grim

0:13:52.040 --> 0:13:54.000
<v Speaker 1>and was there one on the Just the Fairy Tales?

0:13:54.640 --> 0:13:57.280
<v Speaker 2>Yes, there, it was a two parter, right.

0:13:57.240 --> 0:13:59.680
<v Speaker 1>Yeah, yeah, that was That was a good series, So

0:13:59.679 --> 0:14:01.720
<v Speaker 1>go back and listen to that. But Jacob and Wilhelm

0:14:01.800 --> 0:14:05.199
<v Speaker 1>Grimm did what you said. They were like, hey, we

0:14:05.240 --> 0:14:09.560
<v Speaker 1>want to create a German dictionary from Martin Luther on

0:14:10.440 --> 0:14:12.560
<v Speaker 1>which eventually they died before it came out, but it

0:14:12.640 --> 0:14:16.640
<v Speaker 1>was called I believe the first Fascicle, and the Fascal

0:14:16.720 --> 0:14:19.400
<v Speaker 1>is just the first part, basically like, hey, we finished

0:14:19.440 --> 0:14:22.600
<v Speaker 1>a through j or whatever. I think the first fasccal

0:14:22.600 --> 0:14:25.040
<v Speaker 1>came out when they were alive, but of the Deutsches

0:14:25.120 --> 0:14:32.320
<v Speaker 1>Vertebuch It and I believe they died in the late

0:14:33.240 --> 0:14:36.080
<v Speaker 1>eighteen fifty nine, for Wilhelm in eighteen sixty three, and

0:14:36.160 --> 0:14:39.560
<v Speaker 1>it finally came out in nineteen sixty one in full,

0:14:39.640 --> 0:14:43.640
<v Speaker 1>so they weren't even close. And she points out Alison

0:14:43.640 --> 0:14:46.640
<v Speaker 1>that Jacob died at the F's he was working on

0:14:46.680 --> 0:14:48.680
<v Speaker 1>the word fruit or di fruit.

0:14:49.000 --> 0:14:49.480
<v Speaker 2>Yeah.

0:14:49.720 --> 0:14:52.080
<v Speaker 1>I want to say it was pretty good. Oh you

0:14:52.120 --> 0:14:52.560
<v Speaker 1>want to say it.

0:14:52.600 --> 0:14:57.120
<v Speaker 2>I want to say it too. Deutsche's Vertebruk which means

0:14:57.160 --> 0:15:01.080
<v Speaker 2>literally German word book, right, yeah, it's more like buch

0:15:02.360 --> 0:15:04.960
<v Speaker 2>Deutsche's Vertebuch VerTech.

0:15:05.120 --> 0:15:05.880
<v Speaker 1>Yeah, there you go.

0:15:06.040 --> 0:15:08.400
<v Speaker 2>Yeah, I said it way better. In my head, I

0:15:08.400 --> 0:15:11.640
<v Speaker 2>think I tried too hard. So, like I was saying

0:15:11.680 --> 0:15:16.400
<v Speaker 2>behind the Grim, the whole initiative is not just like

0:15:17.160 --> 0:15:22.200
<v Speaker 2>documenting definitions for German words. They wanted to trace the

0:15:22.320 --> 0:15:26.320
<v Speaker 2>history of the German language because they suspected that far

0:15:26.520 --> 0:15:29.640
<v Speaker 2>in the distant past, all of these disparate groups of

0:15:29.680 --> 0:15:33.160
<v Speaker 2>people who are now members of separate nations were all

0:15:33.200 --> 0:15:37.600
<v Speaker 2>members of the same Germanic speaking tribe, and that this

0:15:37.680 --> 0:15:41.920
<v Speaker 2>had been like a glorious, amazing civilization that was now fractured,

0:15:41.960 --> 0:15:44.120
<v Speaker 2>and maybe if we understand it a little better, it

0:15:44.200 --> 0:15:47.480
<v Speaker 2>can come back together and dare I say, take over

0:15:47.520 --> 0:15:48.000
<v Speaker 2>the world.

0:15:48.760 --> 0:15:52.400
<v Speaker 1>It's like easy, brothers Grim. Yeah, they had a good idea.

0:15:52.600 --> 0:15:54.840
<v Speaker 2>It got a little perverted along the way, although it

0:15:54.840 --> 0:15:56.760
<v Speaker 2>may have been a bad idea from the beginning, you know.

0:15:57.600 --> 0:15:59.880
<v Speaker 1>Yeah, this this does link up very oddly with that

0:16:00.520 --> 0:16:03.520
<v Speaker 1>episode that we just recorded on Tectonic Plates.

0:16:03.600 --> 0:16:03.920
<v Speaker 3>It does.

0:16:03.960 --> 0:16:06.280
<v Speaker 2>I think the lesson here is anytime you have a

0:16:06.720 --> 0:16:10.920
<v Speaker 2>social or cultural movement, to go back and find how

0:16:11.120 --> 0:16:16.720
<v Speaker 2>great your specific culture is or was. That's a red

0:16:16.720 --> 0:16:17.920
<v Speaker 2>flag for everybody else.

0:16:18.680 --> 0:16:22.520
<v Speaker 1>Yeah, probably so so the OED it was basically the

0:16:22.520 --> 0:16:25.120
<v Speaker 1>same thing, and they're like, well, you've got your German book,

0:16:25.200 --> 0:16:28.760
<v Speaker 1>but what's greater than the English language. Let's do that

0:16:28.800 --> 0:16:29.479
<v Speaker 1>for ourselves.

0:16:29.520 --> 0:16:31.160
<v Speaker 2>We're going to make an English word book.

0:16:32.480 --> 0:16:35.720
<v Speaker 1>That's what it's called. So the Gentleman scholars, and that's

0:16:35.720 --> 0:16:39.560
<v Speaker 1>in quotes from Britain got together to form the Philological

0:16:39.600 --> 0:16:44.320
<v Speaker 1>Society in London in eighteen forty two from the Greek

0:16:44.520 --> 0:16:49.840
<v Speaker 1>philos love and logos words. So philology is just the

0:16:49.880 --> 0:16:53.440
<v Speaker 1>love of words. It's really very plain and kind of wonderful. Yeah,

0:16:53.480 --> 0:16:56.960
<v Speaker 1>and it's the study of the language in the written language.

0:16:57.520 --> 0:17:00.400
<v Speaker 1>And a lot of philologists will say like Greek and

0:17:00.480 --> 0:17:03.800
<v Speaker 1>Latin or what we're concentrating in. But this, at this time,

0:17:03.840 --> 0:17:05.800
<v Speaker 1>there were people like, well, wait a minute, English seems

0:17:05.800 --> 0:17:08.439
<v Speaker 1>to really be pretty important too. I know it's not

0:17:08.840 --> 0:17:12.439
<v Speaker 1>Latin or Greek, but maybe we should look forward and

0:17:13.160 --> 0:17:16.480
<v Speaker 1>get down with this English dictionary. And they said yes.

0:17:16.880 --> 0:17:20.520
<v Speaker 1>In eighteen fifty seven, after that, that's when it was

0:17:20.600 --> 0:17:22.879
<v Speaker 1>that's when the Grims put out their first fascicle. In

0:17:22.960 --> 0:17:25.680
<v Speaker 1>fact was around the same time. They said they got

0:17:25.680 --> 0:17:28.320
<v Speaker 1>a head start on us, but I think we can

0:17:28.560 --> 0:17:30.800
<v Speaker 1>catch up and do a great job as well, And

0:17:30.840 --> 0:17:31.600
<v Speaker 1>in fact they did.

0:17:32.200 --> 0:17:34.240
<v Speaker 2>Yeah, and As a matter of fact, word got out

0:17:34.280 --> 0:17:36.720
<v Speaker 2>about this and everybody was like, hey, this is a

0:17:36.760 --> 0:17:40.720
<v Speaker 2>great project. The members of the Philological Society in England

0:17:40.720 --> 0:17:46.080
<v Speaker 2>were kind of celebrated culturally for trying to do this thing,

0:17:46.200 --> 0:17:49.159
<v Speaker 2>for documenting the English language and how great it was.

0:17:49.920 --> 0:17:54.159
<v Speaker 2>So what they decided to do first was to find

0:17:54.160 --> 0:17:58.160
<v Speaker 2>out all the words that weren't already in other dictionaries

0:17:58.160 --> 0:18:02.840
<v Speaker 2>of English or any dictionary that contained English words. Unregistered

0:18:02.840 --> 0:18:05.080
<v Speaker 2>words is what they called them, and they were going

0:18:05.119 --> 0:18:08.800
<v Speaker 2>to make a dictionary of unregistered words to basically complete everything.

0:18:09.440 --> 0:18:13.119
<v Speaker 2>And there was a guy, Richard Chenovic's Trench R. C.

0:18:13.320 --> 0:18:18.800
<v Speaker 2>Trench who gave some lectures against this idea and essentially said,

0:18:18.880 --> 0:18:22.400
<v Speaker 2>rather than patch an existing garment, let's make a brand

0:18:22.440 --> 0:18:26.040
<v Speaker 2>new garment from whole cloth, and it's going to be

0:18:26.040 --> 0:18:31.560
<v Speaker 2>the most beautiful garment anyone's ever seen. It's gonna well, yeah,

0:18:31.840 --> 0:18:38.159
<v Speaker 2>plus sequin shoulder pads, the whole shebang, and to me,

0:18:38.359 --> 0:18:42.760
<v Speaker 2>that's that's the height of amazing fashion. So he actually

0:18:42.800 --> 0:18:46.919
<v Speaker 2>convinced the Philological Society to veer a different way and

0:18:47.680 --> 0:18:51.040
<v Speaker 2>rather than just take, you know, the words that hadn't

0:18:51.080 --> 0:18:54.000
<v Speaker 2>been defined and define them and make that take on

0:18:54.080 --> 0:18:58.600
<v Speaker 2>the entire English language, going back to eleven fifty forward

0:18:59.160 --> 0:19:01.840
<v Speaker 2>and again when you're doing this, So just think about

0:19:01.880 --> 0:19:04.359
<v Speaker 2>going into the deep past and saying, Okay, we're going

0:19:04.440 --> 0:19:06.960
<v Speaker 2>to do all words from eleven fifty to eighteen fifty.

0:19:07.640 --> 0:19:11.119
<v Speaker 2>That's daunting enough. But they were also signing up for

0:19:11.280 --> 0:19:15.720
<v Speaker 2>essentially a never ending unfinished work. Yeah, because as we've seen,

0:19:15.760 --> 0:19:18.679
<v Speaker 2>every time they put in an addition, there's any number

0:19:18.680 --> 0:19:21.240
<v Speaker 2>of new words that have come along or that they

0:19:21.240 --> 0:19:25.720
<v Speaker 2>didn't they didn't have before. Like it's an ongoing, never

0:19:25.880 --> 0:19:29.560
<v Speaker 2>ending process. They'll never be done with the OED. And

0:19:30.000 --> 0:19:33.640
<v Speaker 2>I suspect that probably drives some members of the OED

0:19:33.800 --> 0:19:35.320
<v Speaker 2>staff completely mad.

0:19:36.920 --> 0:19:39.080
<v Speaker 1>Maybe. And you also have to keep in mind that

0:19:39.119 --> 0:19:42.640
<v Speaker 1>they did this without a publisher secured, and in fact

0:19:42.720 --> 0:19:46.040
<v Speaker 1>did work for about two decades without a publisher even.

0:19:46.160 --> 0:19:46.760
<v Speaker 3>Yeah.

0:19:46.920 --> 0:19:48.920
<v Speaker 1>So they were just working on what was then called

0:19:48.920 --> 0:19:53.720
<v Speaker 1>the New English Dictionary, was the I guess the working title,

0:19:54.480 --> 0:19:58.040
<v Speaker 1>and their first editor was a dude to name Herbert Coleridge.

0:19:58.560 --> 0:20:01.160
<v Speaker 1>And if you're thinking, I wonder if if he was, Yes,

0:20:01.280 --> 0:20:04.760
<v Speaker 1>he was. He was the grandson of Samuel Taylor. And

0:20:05.560 --> 0:20:07.920
<v Speaker 1>there were several predictions in here. They were all wrong

0:20:08.040 --> 0:20:10.320
<v Speaker 1>as to how big this project could be and how

0:20:10.400 --> 0:20:13.440
<v Speaker 1>long it would take. But Herbert was the first one

0:20:13.440 --> 0:20:15.960
<v Speaker 1>to be way off base and said it'll be about

0:20:15.960 --> 0:20:18.440
<v Speaker 1>seven thousand pages and we'll be done in a decade.

0:20:19.680 --> 0:20:23.000
<v Speaker 1>Not how it worked out. They started working, They started

0:20:23.000 --> 0:20:26.840
<v Speaker 1>building this thing from you from a forward, and they

0:20:26.880 --> 0:20:30.760
<v Speaker 1>made a list of books like basically the English Language

0:20:30.880 --> 0:20:35.560
<v Speaker 1>Literary Canon, and said, all right, volunteers, you all wrote in,

0:20:35.640 --> 0:20:39.080
<v Speaker 1>said you had some time, so start reading. Read these

0:20:39.119 --> 0:20:42.520
<v Speaker 1>books and look out for these words, and when you

0:20:42.560 --> 0:20:45.119
<v Speaker 1>find them, put them on a slip word for word,

0:20:45.359 --> 0:20:48.200
<v Speaker 1>send them in to us. Again, that's a four x

0:20:48.280 --> 0:20:50.200
<v Speaker 1>six inch piece of paper. It was all very sort

0:20:50.200 --> 0:20:55.080
<v Speaker 1>of regimented, and they said, please read these books. And

0:20:55.119 --> 0:20:58.119
<v Speaker 1>we like English literature because the whole point of this

0:20:58.200 --> 0:20:59.760
<v Speaker 1>is to talk about how great we were and how

0:20:59.800 --> 0:21:01.719
<v Speaker 1>great our works and language is.

0:21:02.200 --> 0:21:05.800
<v Speaker 2>Yeah, so are That's why they first were like, we're

0:21:05.840 --> 0:21:08.800
<v Speaker 2>going to look through the great works of English language

0:21:08.800 --> 0:21:12.600
<v Speaker 2>only because this is the highest use of these words.

0:21:12.920 --> 0:21:15.440
<v Speaker 2>So these are the best examples. These are the quotations

0:21:15.440 --> 0:21:18.040
<v Speaker 2>we want to use. And they were very narrow minded

0:21:18.080 --> 0:21:21.720
<v Speaker 2>in that sense. They were really until the twentieth century.

0:21:21.800 --> 0:21:24.440
<v Speaker 2>They were very much centered on that. That's what they

0:21:24.440 --> 0:21:27.000
<v Speaker 2>were going to use to derive their quotes from, because

0:21:27.000 --> 0:21:29.520
<v Speaker 2>it would just demonstrate how great the English language was.

0:21:29.720 --> 0:21:33.000
<v Speaker 2>Look at how these amazing English writers used it. Right. So,

0:21:33.200 --> 0:21:37.320
<v Speaker 2>Herbert Coleridge died in eighteen sixty one. I get the

0:21:37.359 --> 0:21:40.640
<v Speaker 2>impression he was only working on it for a few years.

0:21:41.119 --> 0:21:43.800
<v Speaker 1>But he was because he died right, right, but four

0:21:43.840 --> 0:21:44.280
<v Speaker 1>years later.

0:21:44.320 --> 0:21:47.120
<v Speaker 2>Yeah, so it was like four years, right. But he

0:21:47.320 --> 0:21:50.000
<v Speaker 2>really threw himself into it so much so that he

0:21:50.040 --> 0:21:56.399
<v Speaker 2>apparently on his deathbed he had definitions like slips scattered about,

0:21:56.680 --> 0:22:00.320
<v Speaker 2>like on the quilt of his deathbed. He died working, Yeah,

0:22:00.359 --> 0:22:04.720
<v Speaker 2>and he had contracted tuberculosis. And when the doctor was like,

0:22:04.920 --> 0:22:07.280
<v Speaker 2>this is not ever going to get better. It will

0:22:07.280 --> 0:22:09.760
<v Speaker 2>get better, but you're going to be dead, That's how

0:22:09.760 --> 0:22:13.040
<v Speaker 2>it's going to get better, Herbert Coleridge was like, oh,

0:22:13.119 --> 0:22:16.360
<v Speaker 2>I must start Sanskrit tomorrow, which has taken to mean

0:22:16.400 --> 0:22:19.840
<v Speaker 2>that he had never learned Sanskrit. He was a polyglot.

0:22:20.080 --> 0:22:22.600
<v Speaker 2>He studied all sorts of different languages, and he had

0:22:22.600 --> 0:22:24.679
<v Speaker 2>never gotten to Sanskrit. Now that he realized he's going

0:22:24.760 --> 0:22:26.960
<v Speaker 2>to die, he needed to start on it tomorrow.

0:22:27.880 --> 0:22:31.080
<v Speaker 1>Yeah, ironically dying of what was then known as Consumption

0:22:32.000 --> 0:22:34.840
<v Speaker 1>and later TB. So that's a new usage and a

0:22:34.880 --> 0:22:39.679
<v Speaker 1>new entry. Yeah, eighteen seventy nine, we're skipping forward. And

0:22:39.720 --> 0:22:41.720
<v Speaker 1>like I said, this is twenty years after they started.

0:22:42.160 --> 0:22:44.840
<v Speaker 1>This is when they finally found that publisher. At the time,

0:22:45.000 --> 0:22:48.960
<v Speaker 1>they were known another since as Clarendon, later to be

0:22:49.200 --> 0:22:54.439
<v Speaker 1>known as DA DA DA the Oxford University Press. And

0:22:54.560 --> 0:22:57.919
<v Speaker 1>even though they didn't specifically call it the Oxford English

0:22:58.000 --> 0:23:03.320
<v Speaker 1>Dictionary until late I believe the very first publishing in

0:23:03.400 --> 0:23:07.159
<v Speaker 1>nineteen twenty eight was called a New English Dictionary on

0:23:07.359 --> 0:23:08.680
<v Speaker 1>Historical Principles.

0:23:08.880 --> 0:23:12.840
<v Speaker 2>And so we should mention that after Coleridge died, it

0:23:13.040 --> 0:23:15.680
<v Speaker 2>just the whole thing kind of like lost momentum. He

0:23:15.760 --> 0:23:18.920
<v Speaker 2>was a real driving force as the first editor. But

0:23:19.160 --> 0:23:21.840
<v Speaker 2>you know, a few I think twenty or so years

0:23:23.160 --> 0:23:25.879
<v Speaker 2>later it started to pick up again, and it was

0:23:25.880 --> 0:23:28.840
<v Speaker 2>thanks to a new editor named James Murray, who I

0:23:28.840 --> 0:23:32.560
<v Speaker 2>believe was the third editor of all, and he took

0:23:32.600 --> 0:23:35.000
<v Speaker 2>this ball and ran with it, and he is the

0:23:35.040 --> 0:23:38.520
<v Speaker 2>person that you can point to as the one who

0:23:38.680 --> 0:23:44.119
<v Speaker 2>ultimately got the OED published. He was the true driving

0:23:44.160 --> 0:23:44.800
<v Speaker 2>force of it.

0:23:45.560 --> 0:23:50.840
<v Speaker 1>Yeah, absolutely, Murray was Scottish, came from a just sort

0:23:50.880 --> 0:23:54.520
<v Speaker 1>of a regular working class, middle class background, was the

0:23:54.520 --> 0:23:57.280
<v Speaker 1>son of a tailor. Apparently his father was a very

0:23:57.320 --> 0:24:02.000
<v Speaker 1>smart man and known for being a smart and sober person.

0:24:02.760 --> 0:24:05.000
<v Speaker 1>And James as a child was a prodigy, was a

0:24:05.080 --> 0:24:09.200
<v Speaker 1>language prodigy, learned his ABC's before he was eighteen months,

0:24:10.000 --> 0:24:14.440
<v Speaker 1>was apparently reading and writing in Greek by seven, left

0:24:14.440 --> 0:24:19.000
<v Speaker 1>school at fourteen, was studying four languages and eventually came

0:24:19.160 --> 0:24:22.520
<v Speaker 1>to London to be the headmaster of a school there.

0:24:22.640 --> 0:24:25.080
<v Speaker 1>And that is where in London he joined up with

0:24:25.160 --> 0:24:30.680
<v Speaker 1>the Philological Society. And like you said, he was the guy.

0:24:30.720 --> 0:24:32.960
<v Speaker 1>He was also the guy who had another ten year

0:24:33.800 --> 0:24:36.520
<v Speaker 1>completion prediction. He said this will take ten years from now.

0:24:37.480 --> 0:24:41.080
<v Speaker 1>And after five years of that ten year prediction, they

0:24:41.119 --> 0:24:42.800
<v Speaker 1>had a through ant.

0:24:43.240 --> 0:24:47.080
<v Speaker 2>No yes, wow. I would just see that and be like,

0:24:47.119 --> 0:24:47.880
<v Speaker 2>well I quit.

0:24:48.760 --> 0:24:50.200
<v Speaker 1>He's like a lot of that was on boarding, you.

0:24:50.200 --> 0:24:55.040
<v Speaker 2>Understand, jeez man, that's crazy. Yeah, But it also goes

0:24:55.040 --> 0:24:57.640
<v Speaker 2>to show how little they actually had gotten done apparently

0:24:57.800 --> 0:24:59.320
<v Speaker 2>under Coleridge's command.

0:24:59.560 --> 0:25:04.520
<v Speaker 1>Ye, and was just they wanted jokes about Grandpa. Come on,

0:25:04.560 --> 0:25:06.080
<v Speaker 1>tell me what was Sammy really like?

0:25:06.520 --> 0:25:10.040
<v Speaker 2>So the one thing that you said, I think from

0:25:10.119 --> 0:25:13.680
<v Speaker 2>the start was that this was a crowdsource project.

0:25:14.400 --> 0:25:14.680
<v Speaker 1>Yeah.

0:25:14.720 --> 0:25:16.840
<v Speaker 2>And it's not like the OED makes a secret about this.

0:25:16.880 --> 0:25:20.879
<v Speaker 2>They're very deferential to the volunteers that have worked for

0:25:20.920 --> 0:25:23.159
<v Speaker 2>them over the years because they just could not have

0:25:23.160 --> 0:25:26.480
<v Speaker 2>done this without them. It was just too big of

0:25:26.600 --> 0:25:29.600
<v Speaker 2>an undertaking to for just a small group of people

0:25:29.840 --> 0:25:33.920
<v Speaker 2>to have done by themselves. And there were a lot

0:25:34.040 --> 0:25:37.280
<v Speaker 2>of different people. There's a book out there called The

0:25:37.359 --> 0:25:38.320
<v Speaker 2>Dictionary People.

0:25:40.280 --> 0:25:40.800
<v Speaker 1>What's it about?

0:25:42.119 --> 0:25:43.040
<v Speaker 2>Isn't that what it's called?

0:25:43.960 --> 0:25:45.320
<v Speaker 4>I don't know where is it?

0:25:45.400 --> 0:25:48.720
<v Speaker 2>Yep, The Dictionary People. I think it's fairly new. And

0:25:48.800 --> 0:25:52.119
<v Speaker 2>the author had worked at the OED and before she

0:25:52.280 --> 0:25:56.760
<v Speaker 2>left she had gotten from the archives. She'd come across

0:25:57.160 --> 0:26:01.639
<v Speaker 2>James Murray's address book and it was pretty thick because

0:26:01.720 --> 0:26:04.840
<v Speaker 2>it had the names and addresses of a lot of

0:26:04.880 --> 0:26:11.480
<v Speaker 2>the volunteer correspondents that were working contributing quotations to the Dictionary.

0:26:11.920 --> 0:26:14.000
<v Speaker 2>And so she decided to write a book tracking down

0:26:14.040 --> 0:26:16.600
<v Speaker 2>who these people were, and that's what she came up with,

0:26:16.600 --> 0:26:19.080
<v Speaker 2>this book called The Dictionary People, and she found some

0:26:19.119 --> 0:26:22.680
<v Speaker 2>pretty interesting stuff. For example, about one in six by

0:26:22.720 --> 0:26:28.720
<v Speaker 2>her estimate, were women, including James Murray's wife and daughters.

0:26:29.400 --> 0:26:32.320
<v Speaker 2>He drafted them and got a lot of support and

0:26:32.359 --> 0:26:36.199
<v Speaker 2>help from them. Apparently the editing the OED did not

0:26:36.320 --> 0:26:39.960
<v Speaker 2>pay much, but he had dedicated his life essentially to

0:26:40.040 --> 0:26:41.960
<v Speaker 2>it and his family supported him in that, which was

0:26:41.960 --> 0:26:46.280
<v Speaker 2>pretty great. And a lot of other women contributed to right.

0:26:47.240 --> 0:26:51.320
<v Speaker 1>Yeah, the daughter of Karl Marx, Eleanor Marx, contributed and

0:26:51.359 --> 0:26:55.359
<v Speaker 1>it was apparently fired by Murray for not doing the

0:26:55.400 --> 0:26:59.040
<v Speaker 1>assignment properly, not sticking to the assignment. And by the way,

0:26:59.080 --> 0:27:02.720
<v Speaker 1>Sarah ogilvie Is wrote the Dictionary People. Yeah, nice, I'd

0:27:02.720 --> 0:27:04.600
<v Speaker 1>like to check that out. I bet it's a good book. Yeah.

0:27:04.920 --> 0:27:08.439
<v Speaker 1>Another writer that Allison found from this book to highlight

0:27:08.920 --> 0:27:12.639
<v Speaker 1>his name Marganita Alaski, who's alive from nineteen fifteen to

0:27:12.720 --> 0:27:19.240
<v Speaker 1>nineteen eighty eight. Marganita contributed thirteen thousand quotes to twenty

0:27:19.320 --> 0:27:23.800
<v Speaker 1>Century Supplements and Marginita was a critic and a journalist

0:27:23.840 --> 0:27:26.520
<v Speaker 1>and a novelist and kind of made the rounds on

0:27:26.600 --> 0:27:29.480
<v Speaker 1>TV shows and stuff back in the day, starting in

0:27:29.520 --> 0:27:33.720
<v Speaker 1>the late fifties and into the sixties. And you know,

0:27:33.800 --> 0:27:37.600
<v Speaker 1>when people are volunteering like this, they can sort of

0:27:37.680 --> 0:27:41.520
<v Speaker 1>like guide their like have their own path forward and

0:27:41.560 --> 0:27:44.440
<v Speaker 1>how they want to tackle the project almost and who

0:27:44.440 --> 0:27:46.440
<v Speaker 1>they want to highlight or words they want to highlight.

0:27:47.040 --> 0:27:50.240
<v Speaker 1>And at some point Marginita Alaski got into sort of

0:27:50.280 --> 0:27:52.640
<v Speaker 1>away from the high brow thing and said, I want

0:27:52.680 --> 0:27:55.879
<v Speaker 1>to start, you know, looking at domestic manuals and all

0:27:55.920 --> 0:28:00.800
<v Speaker 1>these old ancient cookbooks and you know, modern news newspapers

0:28:00.840 --> 0:28:04.399
<v Speaker 1>and famous diaries, and just a really unique approach to

0:28:04.400 --> 0:28:06.560
<v Speaker 1>come up with some of those thirteen thousand entries.

0:28:06.880 --> 0:28:10.400
<v Speaker 2>Yeah, and that was a that was a real change. Remember,

0:28:10.400 --> 0:28:14.040
<v Speaker 2>I said that they had really kind of had their

0:28:14.080 --> 0:28:17.399
<v Speaker 2>blinders on just looking for, you know, the pinnacle of

0:28:17.440 --> 0:28:21.480
<v Speaker 2>English literature for quotations. Under James Murray, he was like, no,

0:28:21.600 --> 0:28:25.480
<v Speaker 2>we're gonna not only look for new sources, we're also

0:28:25.520 --> 0:28:30.480
<v Speaker 2>going to include slang. We're gonna include like vulgar words,

0:28:30.520 --> 0:28:33.879
<v Speaker 2>like uh huh. We're like, if it's an English word,

0:28:34.119 --> 0:28:36.680
<v Speaker 2>we're going to include it because we're documenting the entire

0:28:36.720 --> 0:28:40.120
<v Speaker 2>English language. So that was a huge sea change for

0:28:40.200 --> 0:28:42.840
<v Speaker 2>the direction of the dictionary, And apparently he was under

0:28:42.840 --> 0:28:46.480
<v Speaker 2>a tremendous amount of pressure to not to not go

0:28:46.600 --> 0:28:48.600
<v Speaker 2>that way, to kind of stick with the original plan,

0:28:48.720 --> 0:28:51.040
<v Speaker 2>and he said no, he said nine.

0:28:52.880 --> 0:28:57.000
<v Speaker 1>No, he said no, Uh, I mentioned nickers. Is that underwear?

0:28:57.480 --> 0:29:01.239
<v Speaker 1>That's what nickers are, right? Okay, So as soon as

0:29:01.240 --> 0:29:03.280
<v Speaker 1>I said it was like, wait a minute, did I

0:29:03.280 --> 0:29:03.960
<v Speaker 1>say the wrong word?

0:29:04.000 --> 0:29:06.280
<v Speaker 2>You were thinking of Fanny?

0:29:06.920 --> 0:29:07.960
<v Speaker 1>And what's a knickerbocker?

0:29:08.320 --> 0:29:11.360
<v Speaker 2>A knickerbocker is a think. I think it's the short

0:29:11.400 --> 0:29:14.000
<v Speaker 2>pants that were like kind of cinched at the knee

0:29:14.040 --> 0:29:16.080
<v Speaker 2>that you think of with like a little newsboys.

0:29:16.960 --> 0:29:19.240
<v Speaker 1>So the New York Knicks named after the Knickerbockers. That's

0:29:19.280 --> 0:29:19.760
<v Speaker 1>what they were.

0:29:20.000 --> 0:29:22.920
<v Speaker 2>I don't know if they did or not. No, they

0:29:22.920 --> 0:29:26.960
<v Speaker 2>were named after the Knickerbocker, like the story club that

0:29:27.080 --> 0:29:28.680
<v Speaker 2>Washington Irving was a member of.

0:29:29.840 --> 0:29:31.520
<v Speaker 1>Oh really, are you making homposite?

0:29:31.600 --> 0:29:34.840
<v Speaker 2>No, I'm pretty sure that's correct. I sometimes get things wrong.

0:29:35.640 --> 0:29:37.280
<v Speaker 1>Yeah, but I well, this is off the dome, so

0:29:37.680 --> 0:29:38.480
<v Speaker 1>I'll look it up.

0:29:38.520 --> 0:29:38.880
<v Speaker 2>Okay.

0:29:39.160 --> 0:29:41.360
<v Speaker 1>So back to Murray. He's working with his wife eleven

0:29:41.440 --> 0:29:44.800
<v Speaker 1>kids at his house mainly, and not only at his house,

0:29:44.840 --> 0:29:48.440
<v Speaker 1>but mainly in his little shed that he had built

0:29:48.600 --> 0:29:54.000
<v Speaker 1>behind the house in the garden called the Scriptorium, and

0:29:54.360 --> 0:29:57.240
<v Speaker 1>they worked on it here a once. They got a

0:29:57.360 --> 0:30:00.720
<v Speaker 1>through aunt in eighteen eighty four, he was like, we

0:30:00.760 --> 0:30:03.400
<v Speaker 1>need some help here, so they hired a second editor

0:30:04.080 --> 0:30:07.520
<v Speaker 1>named Henry Bradley, and then not too long after that

0:30:07.640 --> 0:30:10.640
<v Speaker 1>added two more co editors, so you essentially had a

0:30:10.640 --> 0:30:14.680
<v Speaker 1>team of four editors at that point. That we're working

0:30:14.720 --> 0:30:18.200
<v Speaker 1>with teams and teams of people, so a lot of

0:30:18.200 --> 0:30:23.000
<v Speaker 1>people working. Murray at his scriptorium there at home. But

0:30:23.040 --> 0:30:27.440
<v Speaker 1>then he moved to Oxford and built another larger scriptorium

0:30:27.480 --> 0:30:30.160
<v Speaker 1>there behind his house, and things were getting so busy

0:30:30.320 --> 0:30:34.680
<v Speaker 1>the local post put a po box right there by

0:30:34.720 --> 0:30:38.480
<v Speaker 1>his little front driveway, by his sidewalk, and it's still there. Yeah,

0:30:38.520 --> 0:30:41.840
<v Speaker 1>if you look it up, this beautiful red PO box

0:30:41.920 --> 0:30:45.000
<v Speaker 1>with a little placard saying that you know, Murray lived

0:30:45.040 --> 0:30:48.000
<v Speaker 1>here and this was the post to gather these slips

0:30:48.280 --> 0:30:49.680
<v Speaker 1>that helped create the OED.

0:30:50.240 --> 0:30:52.960
<v Speaker 2>I saw, and actually I was obscure that the placard

0:30:52.960 --> 0:30:54.760
<v Speaker 2>doesn't say that. It just says that the guy who

0:30:54.880 --> 0:30:58.120
<v Speaker 2>created the OED lived here. And they just walk right

0:30:58.160 --> 0:31:01.240
<v Speaker 2>past the post office box, so it's literally in front

0:31:01.280 --> 0:31:02.920
<v Speaker 2>of the placard. They don't even mention it.

0:31:04.120 --> 0:31:05.600
<v Speaker 1>The most amazing part of the story.

0:31:05.680 --> 0:31:09.720
<v Speaker 2>It's one of the it's one of the greatest grossest

0:31:09.840 --> 0:31:14.680
<v Speaker 2>government oversights in history, so thousands.

0:31:14.240 --> 0:31:17.360
<v Speaker 1>Of people contributing. At this point, Murray is still beating

0:31:17.440 --> 0:31:21.760
<v Speaker 1>the drum and like writing open letters to newspapers and stuff, saying, hey,

0:31:21.800 --> 0:31:24.120
<v Speaker 1>we were still doing this. We you know, trying to

0:31:24.200 --> 0:31:27.440
<v Speaker 1>keep that fire going. And people it wasn't just people

0:31:27.480 --> 0:31:30.600
<v Speaker 1>in England. People from all over the world were contributing.

0:31:31.880 --> 0:31:34.160
<v Speaker 1>And I think when they finally they had so many

0:31:34.200 --> 0:31:37.000
<v Speaker 1>slips because you know, they're filing these as they get

0:31:37.040 --> 0:31:40.760
<v Speaker 1>them alphabetically, they're slotting them in and they have these

0:31:40.840 --> 0:31:44.360
<v Speaker 1>lexicographers working around the clock as well. When they finally

0:31:44.480 --> 0:31:46.760
<v Speaker 1>put out the first supplement in nineteen thirty three, they

0:31:46.840 --> 0:31:49.880
<v Speaker 1>still had one hundred and forty thousand slips left over.

0:31:50.120 --> 0:31:52.880
<v Speaker 2>It's so nuts. Again, I would have been like, well

0:31:52.920 --> 0:31:56.240
<v Speaker 2>I quit. Yeah, it's just too daunting. I can barely

0:31:56.280 --> 0:31:57.360
<v Speaker 2>talk about this stuff.

0:31:58.120 --> 0:31:59.720
<v Speaker 1>Yeah. I think thirty three, that's the first year they

0:31:59.760 --> 0:32:03.200
<v Speaker 1>have fecially called it the o ED Okay, but.

0:32:03.120 --> 0:32:07.200
<v Speaker 2>Everyone was kind of calling that anyway, were they really yeah,

0:32:07.400 --> 0:32:10.920
<v Speaker 2>okay crazy, So they kind of went with the change.

0:32:11.040 --> 0:32:15.160
<v Speaker 2>The English Language changed the name of the dictionary for them.

0:32:15.400 --> 0:32:19.360
<v Speaker 1>Yeah, because whatever that long thing, I a new English

0:32:19.360 --> 0:32:24.200
<v Speaker 1>dictionary on historical principles. It was printed by the Oxford

0:32:24.560 --> 0:32:29.200
<v Speaker 1>English Press, so everyone was just calling it that anyway.

0:32:29.240 --> 0:32:32.360
<v Speaker 1>So yeah, I guess it was a sense plus oed.

0:32:32.560 --> 0:32:37.480
<v Speaker 2>Sounds better than the NED, you know. Yeah, sure, do

0:32:37.480 --> 0:32:39.120
<v Speaker 2>you want to take another break and come back and

0:32:39.200 --> 0:32:43.840
<v Speaker 2>talk about arguably the most interesting contributor of all Sure?

0:32:44.200 --> 0:33:04.920
<v Speaker 4>Okay?

0:33:05.000 --> 0:33:10.200
<v Speaker 1>So Murray dies of pleurisy in nineteen fifteen. Did not

0:33:10.400 --> 0:33:13.760
<v Speaker 1>see the first final edition put out, which is very

0:33:13.800 --> 0:33:18.240
<v Speaker 1>sad that would be what thirteen years later, but did

0:33:18.400 --> 0:33:21.600
<v Speaker 1>put out most of the fascicles by that point, just

0:33:21.720 --> 0:33:26.400
<v Speaker 1>wasn't compiled into the one edition. Different people JRR Tolkien

0:33:27.040 --> 0:33:29.760
<v Speaker 1>worked for a year on this in nineteen nineteen. Lots

0:33:29.760 --> 0:33:32.720
<v Speaker 1>of volunteers, but as you promised. Oh and Murray was

0:33:32.720 --> 0:33:35.160
<v Speaker 1>also knighted in nineteen oh eight. I didn't those troubles.

0:33:35.280 --> 0:33:35.520
<v Speaker 2>Wow.

0:33:35.640 --> 0:33:38.280
<v Speaker 1>Yeah, apparently knighted, but still a bit of an outsider

0:33:38.480 --> 0:33:44.400
<v Speaker 1>in the hoity toity Oxford. You know, Literati always felt

0:33:44.440 --> 0:33:47.120
<v Speaker 1>like an outsider and wasn't even given an honorary degree

0:33:47.200 --> 0:33:49.200
<v Speaker 1>until like the year before he died or something.

0:33:49.520 --> 0:33:51.800
<v Speaker 2>Yeah, and when he walked across the stage, what he

0:33:51.800 --> 0:33:54.840
<v Speaker 2>didn't realize is that one of the faculty had taped

0:33:54.840 --> 0:33:57.720
<v Speaker 2>a kick me signed to his back, so he didn't

0:33:57.760 --> 0:34:00.240
<v Speaker 2>He never understood why the audience is laughing, and he

0:34:00.280 --> 0:34:02.880
<v Speaker 2>grabbed his honorary decree. He was very sad he never

0:34:02.920 --> 0:34:03.280
<v Speaker 2>got it.

0:34:04.400 --> 0:34:07.280
<v Speaker 1>So you promised to talk of the most interesting, perhaps

0:34:07.720 --> 0:34:12.320
<v Speaker 1>most celebrated volunteer, and that is one doctor William Chester Minor.

0:34:13.239 --> 0:34:14.719
<v Speaker 1>If you've seen the movie or read the book The

0:34:14.840 --> 0:34:18.520
<v Speaker 1>Professor and the Madman, the book was by Simon Winchester,

0:34:18.600 --> 0:34:22.200
<v Speaker 1>and the book starred mel Gibson as Murray and Sean

0:34:22.320 --> 0:34:26.920
<v Speaker 1>Penn as the quote unquote Madman Chester Minor. I have

0:34:27.040 --> 0:34:29.279
<v Speaker 1>not seen it. Apparently it's not very good. And mel

0:34:29.280 --> 0:34:33.680
<v Speaker 1>Gibson and the director tried to you know, they didn't

0:34:33.680 --> 0:34:35.520
<v Speaker 1>support the movie in the press, and they tried to

0:34:35.560 --> 0:34:38.280
<v Speaker 1>get their I don't know if get their name removed,

0:34:38.280 --> 0:34:39.640
<v Speaker 1>but they basically disowned it.

0:34:40.000 --> 0:34:42.360
<v Speaker 2>Really, I thought mel Gibson was the one whose movie

0:34:42.400 --> 0:34:43.719
<v Speaker 2>it was, whose idea.

0:34:44.239 --> 0:34:47.320
<v Speaker 1>Well it was his production company, yeah, but he apparently

0:34:47.640 --> 0:34:49.600
<v Speaker 1>he took him to court because he didn't get final

0:34:49.640 --> 0:34:52.320
<v Speaker 1>cut like they said, and he didn't get to shoot

0:34:52.360 --> 0:34:54.719
<v Speaker 1>for a week in Oxford like he wanted to. And

0:34:54.760 --> 0:34:57.439
<v Speaker 1>he's basically like this thing is garbage because you didn't

0:34:57.520 --> 0:34:59.360
<v Speaker 1>let me do what I wanted to. So I'm not

0:34:59.400 --> 0:35:01.040
<v Speaker 1>supporting it. John Ben just what.

0:35:01.920 --> 0:35:06.000
<v Speaker 2>That stinks because apparently the book was just amazing. The

0:35:06.000 --> 0:35:08.120
<v Speaker 2>professor and the Madman, I know.

0:35:08.080 --> 0:35:10.560
<v Speaker 1>And it's such a great story. But I heard other

0:35:10.560 --> 0:35:12.879
<v Speaker 1>people defend it and say, you know, it was pretty good.

0:35:12.920 --> 0:35:15.120
<v Speaker 1>I had great acting, and like he just you know,

0:35:15.520 --> 0:35:17.320
<v Speaker 1>got his knickers in a wad.

0:35:19.680 --> 0:35:25.759
<v Speaker 2>So where the madman is doctor William Chester Minor, you said, right,

0:35:26.000 --> 0:35:29.600
<v Speaker 2>let's references. And the reason that they call him the

0:35:29.600 --> 0:35:31.920
<v Speaker 2>mad man is because at the time he was diagnosed

0:35:32.320 --> 0:35:37.240
<v Speaker 2>with either dementia prey cox or paranoid schizophrenia, and today

0:35:37.280 --> 0:35:40.359
<v Speaker 2>we would call either of those just plain old schizophrenia

0:35:40.400 --> 0:35:45.680
<v Speaker 2>spectrum disorder. But this was the mid nineteenth century and

0:35:45.840 --> 0:35:49.520
<v Speaker 2>doctor Minor was suffering from this at a time when

0:35:49.920 --> 0:35:53.040
<v Speaker 2>they did not understand what they were dealing with. They

0:35:53.120 --> 0:35:55.120
<v Speaker 2>just knew that this guy was pretty bad off and

0:35:55.200 --> 0:35:59.440
<v Speaker 2>needed care essentially for the rest of his life. He

0:35:59.480 --> 0:36:02.759
<v Speaker 2>had started out as a military doctor. I believe he

0:36:02.800 --> 0:36:06.120
<v Speaker 2>graduated from Yale Medical School and entered the Civil War

0:36:06.840 --> 0:36:09.520
<v Speaker 2>as a military doctor pretty much right off the bat.

0:36:10.800 --> 0:36:16.319
<v Speaker 2>And there's some stories about when his symptoms began. Allegedly

0:36:16.719 --> 0:36:20.080
<v Speaker 2>it was from things he was exposed to during his

0:36:20.160 --> 0:36:23.640
<v Speaker 2>time in the Civil War. One is there's a story

0:36:23.640 --> 0:36:27.240
<v Speaker 2>that he supposedly had to brand a deserter, an Irish

0:36:27.280 --> 0:36:31.760
<v Speaker 2>deserter from the Union with a D on his face,

0:36:32.360 --> 0:36:34.439
<v Speaker 2>and that having to do that to that poor man

0:36:34.600 --> 0:36:38.360
<v Speaker 2>just made him snap essentially, or brought his symptoms on

0:36:38.480 --> 0:36:40.440
<v Speaker 2>is a different way to say it. Or he was

0:36:40.440 --> 0:36:47.360
<v Speaker 2>involved in the Battle of the Wilderness outside of Spotsylvania, Virginia.

0:36:48.000 --> 0:36:50.439
<v Speaker 2>Either way, we don't know. We just know that, yes,

0:36:50.520 --> 0:36:54.000
<v Speaker 2>this man definitely had schizophrenia. We don't know how it

0:36:54.239 --> 0:36:56.920
<v Speaker 2>came on or if there was even any trigger, but

0:36:57.040 --> 0:37:00.560
<v Speaker 2>we just kind of join him around the time after

0:37:00.600 --> 0:37:02.480
<v Speaker 2>the Civil War when he's still in the army, but

0:37:02.560 --> 0:37:04.640
<v Speaker 2>he's really starting to show symptoms.

0:37:05.040 --> 0:37:07.160
<v Speaker 1>Yeah. And also, by the way, this is how we

0:37:07.239 --> 0:37:09.800
<v Speaker 1>knew that Alison really has the goods as a researcher

0:37:09.840 --> 0:37:12.960
<v Speaker 1>and writer, because Alison was like, hey, be careful with

0:37:13.000 --> 0:37:15.640
<v Speaker 1>his stuff because you know, there are a lot of

0:37:15.640 --> 0:37:17.760
<v Speaker 1>stories out there, and just don't don't buy up everything

0:37:17.760 --> 0:37:20.840
<v Speaker 1>you're reading here right, music to our ears.

0:37:20.880 --> 0:37:25.280
<v Speaker 2>She also told us how to pronounce right, yeah.

0:37:25.200 --> 0:37:29.360
<v Speaker 1>That's true. The first writer to ever include pronunciation it's nice,

0:37:29.960 --> 0:37:34.560
<v Speaker 1>so like you said. An army doctor, an army surgeon

0:37:35.880 --> 0:37:39.280
<v Speaker 1>working at the US General Hospital in New Haven, Connecticut,

0:37:39.400 --> 0:37:43.880
<v Speaker 1>also a flute player, apparently a very ambitious guy. And

0:37:44.080 --> 0:37:48.239
<v Speaker 1>because of you know, kind of how his schizophrenia played

0:37:48.239 --> 0:37:52.640
<v Speaker 1>out were delusions of persecution, a lot of delusions of

0:37:52.719 --> 0:37:57.120
<v Speaker 1>being attacked sexually, and you know, I think that speaks

0:37:57.120 --> 0:38:00.759
<v Speaker 1>for itself. They got pretty bad, and he apparently would

0:38:00.760 --> 0:38:04.440
<v Speaker 1>wander red light districts of places where he lived. He

0:38:04.480 --> 0:38:07.359
<v Speaker 1>said this is because of his disorder. He was sent

0:38:07.400 --> 0:38:09.600
<v Speaker 1>to an asylum in Washington while he was still in

0:38:09.640 --> 0:38:13.200
<v Speaker 1>the army, although he would get his discharge in eighteen seventy.

0:38:13.760 --> 0:38:17.000
<v Speaker 1>While he was still there, he thought he could get

0:38:17.040 --> 0:38:20.560
<v Speaker 1>better if he went to the UK and get treatment there,

0:38:20.680 --> 0:38:24.840
<v Speaker 1>and so in eighteen seventy two in London, he found

0:38:24.920 --> 0:38:29.600
<v Speaker 1>himself in waking from a delusion that he was being attacked,

0:38:29.640 --> 0:38:34.919
<v Speaker 1>I think sexually attacked by an Irish Republican, and got

0:38:35.000 --> 0:38:37.520
<v Speaker 1>up from bed and ran out to the street like

0:38:37.640 --> 0:38:42.120
<v Speaker 1>guns blazing, thinking he was shooting at his tormentor, and

0:38:42.280 --> 0:38:46.120
<v Speaker 1>killed an innocent man, a brewery worker named George Merritt,

0:38:46.400 --> 0:38:48.240
<v Speaker 1>who was on his way to work that early morning.

0:38:48.600 --> 0:38:51.520
<v Speaker 2>Yes, so that was enough for the British government. He'd

0:38:51.520 --> 0:38:53.319
<v Speaker 2>already been discharged from the army. I don't know if

0:38:53.360 --> 0:38:55.279
<v Speaker 2>you said or not by the time he made it

0:38:55.280 --> 0:38:59.879
<v Speaker 2>to the UK. And in the UK the authorities were like, Okay,

0:39:00.080 --> 0:39:02.800
<v Speaker 2>we're going to introduce you to one of our asylums

0:39:02.840 --> 0:39:06.840
<v Speaker 2>called broad Moore and in Broadmore. This is the nineteenth century.

0:39:06.880 --> 0:39:10.000
<v Speaker 2>You did not want to be in an asylum of

0:39:10.080 --> 0:39:13.600
<v Speaker 2>any sort in the nineteenth century. They were horrible, terrible

0:39:13.640 --> 0:39:17.480
<v Speaker 2>places where humans were treated like about as bad as

0:39:17.520 --> 0:39:22.200
<v Speaker 2>humans can be treated. And yet either he was charming

0:39:22.480 --> 0:39:25.680
<v Speaker 2>or wealthy enough, or a combination of both. He was

0:39:25.719 --> 0:39:28.160
<v Speaker 2>able to play his flute, he was able to wear

0:39:28.200 --> 0:39:32.560
<v Speaker 2>his own clothes, go on walks, and very importantly he

0:39:32.600 --> 0:39:35.280
<v Speaker 2>was able to bring his personal library of very rare

0:39:35.719 --> 0:39:40.239
<v Speaker 2>books from the seventeenth and eighteenth century with him, and

0:39:40.239 --> 0:39:42.360
<v Speaker 2>they actually gave him another cell to serve as his

0:39:42.440 --> 0:39:46.920
<v Speaker 2>personal library essentially. And I'll bet Sean Penn playing that

0:39:46.960 --> 0:39:51.000
<v Speaker 2>flute is something to see. I mean that, above anything else,

0:39:51.040 --> 0:39:52.320
<v Speaker 2>is why I want to see that movie.

0:39:53.840 --> 0:39:56.200
<v Speaker 1>It's like in The Anchor Man, he pulls it from

0:39:56.200 --> 0:39:58.720
<v Speaker 1>a sleeve in. Yeah, it's very.

0:39:58.520 --> 0:40:02.040
<v Speaker 3>Fake, Hey aquolog No, no, no.

0:40:02.920 --> 0:40:03.840
<v Speaker 1>Oh no, not again.

0:40:03.960 --> 0:40:05.200
<v Speaker 2>Yep, it just happened.

0:40:06.040 --> 0:40:08.480
<v Speaker 1>He stayed in touch. This is kind of interesting here

0:40:08.520 --> 0:40:10.880
<v Speaker 1>that he did stay in touch with the wife, the

0:40:10.920 --> 0:40:14.480
<v Speaker 1>widow of the man that he killed, and she brought

0:40:14.560 --> 0:40:18.319
<v Speaker 1>him books even, which is amazing and kind of a

0:40:18.400 --> 0:40:20.920
<v Speaker 1>nice ending to that story. Yeah. I don't know the

0:40:20.920 --> 0:40:23.080
<v Speaker 1>ins and outs. Maybe I don't know. Maybe he did

0:40:23.080 --> 0:40:24.479
<v Speaker 1>her a favor. Maybe he was a bad guy.

0:40:25.239 --> 0:40:28.960
<v Speaker 2>No, apparently he wasn't. He was a choking Oh well,

0:40:29.000 --> 0:40:33.279
<v Speaker 2>he apparently contacted her and apologized, made some sort of restitution.

0:40:33.640 --> 0:40:35.320
<v Speaker 2>I took that to mean like gave her some money.

0:40:35.760 --> 0:40:38.319
<v Speaker 2>But she accepted his apologies. She didn't have to do that.

0:40:38.600 --> 0:40:40.600
<v Speaker 2>So I think it says a lot about both of them.

0:40:41.360 --> 0:40:44.839
<v Speaker 1>Yeah, for sure. When it came to the OED, he

0:40:44.880 --> 0:40:47.680
<v Speaker 1>really poured himself into this as as an avid reader

0:40:47.680 --> 0:40:49.840
<v Speaker 1>and had all those rare books, like you said, but

0:40:50.000 --> 0:40:52.040
<v Speaker 1>didn't do the thing that they said, which was, hey,

0:40:52.160 --> 0:40:55.839
<v Speaker 1>read these books and look for these words. He said, Nope,

0:40:55.920 --> 0:40:59.920
<v Speaker 1>here's what I'm gonna do. I'm gonna read a book

0:41:00.080 --> 0:41:03.440
<v Speaker 1>at a time, and i'm gonna start I guess it

0:41:03.520 --> 0:41:05.520
<v Speaker 1>says with one letter. I guess he started with the

0:41:05.600 --> 0:41:09.800
<v Speaker 1>letter A and just started looking through all the books

0:41:09.800 --> 0:41:12.520
<v Speaker 1>for all the letter a's, and then again for the

0:41:12.600 --> 0:41:14.000
<v Speaker 1>letter b's, and so on and so on.

0:41:14.239 --> 0:41:17.759
<v Speaker 2>Yeah, and it was a fruitful way to search for

0:41:18.000 --> 0:41:21.560
<v Speaker 2>quotations using specific words, because I think within just a

0:41:21.640 --> 0:41:24.960
<v Speaker 2>couple of years he had generated and sent in between

0:41:25.160 --> 0:41:30.720
<v Speaker 2>five and six thousand slips of quotations to James Murray.

0:41:31.320 --> 0:41:34.520
<v Speaker 2>And as the years went on, no one seems to

0:41:34.600 --> 0:41:38.919
<v Speaker 2>know how many he sent in, but he I mean

0:41:38.960 --> 0:41:42.520
<v Speaker 2>tens and tens of thousands of slips came directly from

0:41:43.000 --> 0:41:45.320
<v Speaker 2>doctor Minor during his time abroad.

0:41:45.400 --> 0:41:48.960
<v Speaker 1>More. Yeah, they eventually met in person. I mean this

0:41:49.040 --> 0:41:51.600
<v Speaker 1>was a relationship to span a couple of decades. Yeah,

0:41:51.960 --> 0:41:54.360
<v Speaker 1>hundreds of quotes a week, and they met in eighteen

0:41:54.440 --> 0:42:00.359
<v Speaker 1>ninety one. Finally, apparently the superintendent of the asylum both

0:42:00.400 --> 0:42:03.200
<v Speaker 1>men at his house, and they met a few more

0:42:03.239 --> 0:42:06.640
<v Speaker 1>times after that. I watched the trailer of the movie today,

0:42:06.800 --> 0:42:11.279
<v Speaker 1>and I'm not sure how accurate it is, but it

0:42:11.320 --> 0:42:14.200
<v Speaker 1>seems like they'd met here and there over the years.

0:42:14.200 --> 0:42:16.640
<v Speaker 1>And in the book, it was like, you know, mel

0:42:16.680 --> 0:42:19.960
<v Speaker 1>Gibson doing a pretty bad Scottish accent, saying like you

0:42:20.120 --> 0:42:21.719
<v Speaker 1>and I have partners.

0:42:22.200 --> 0:42:23.200
<v Speaker 2>You complete me.

0:42:24.400 --> 0:42:27.960
<v Speaker 1>It was kind of like that, and I'm not really

0:42:28.040 --> 0:42:31.160
<v Speaker 1>sure if that was the real case in real life.

0:42:31.160 --> 0:42:35.200
<v Speaker 2>Well so, apparently from what I saw, James Murray considered

0:42:35.239 --> 0:42:39.400
<v Speaker 2>it just as a decent human being, he needed to

0:42:39.400 --> 0:42:43.120
<v Speaker 2>go support doctor Minor. Whether doctor Minor was contributing or not.

0:42:43.200 --> 0:42:45.600
<v Speaker 2>I think it helped that doctor Minor was contributing, but

0:42:46.320 --> 0:42:49.040
<v Speaker 2>they did have some sort of friendship or relationship, but

0:42:49.080 --> 0:42:51.759
<v Speaker 2>it went beyond just you know, the editor and the

0:42:51.760 --> 0:42:53.000
<v Speaker 2>contributor kind of thing.

0:42:53.800 --> 0:42:54.600
<v Speaker 1>Well maybe it wasn't.

0:42:54.680 --> 0:43:01.120
<v Speaker 2>And supposedly doctor Minor kept like finding excuses anytime James

0:43:01.400 --> 0:43:04.680
<v Speaker 2>Murray was like, well let's meet, you know, I'm just

0:43:04.719 --> 0:43:07.760
<v Speaker 2>across like the city, let's meet for lunch or something,

0:43:08.040 --> 0:43:09.640
<v Speaker 2>and doctor Mom would be like, I can't, you know,

0:43:09.680 --> 0:43:11.880
<v Speaker 2>I broke my foot, or my sister's coming to visit whatever.

0:43:11.920 --> 0:43:14.200
<v Speaker 2>And then finally, I'm not sure how he finally found out,

0:43:14.719 --> 0:43:18.359
<v Speaker 2>either doctor Miner admitted to it or James Murray found

0:43:18.360 --> 0:43:20.719
<v Speaker 2>out somehow, but he finally did find out that he

0:43:20.800 --> 0:43:23.359
<v Speaker 2>was institutionalized, and then he started to go visit him.

0:43:24.040 --> 0:43:27.439
<v Speaker 2>Oh okay, pretty neat and then he saw him off

0:43:28.200 --> 0:43:31.719
<v Speaker 2>after doctor Minor was released from brob Moore so he

0:43:31.760 --> 0:43:35.279
<v Speaker 2>could go back to be institutionalized in America. It was

0:43:35.320 --> 0:43:37.200
<v Speaker 2>clear that he wasn't going to be around too many

0:43:37.239 --> 0:43:40.720
<v Speaker 2>more years. James Murray saw him off at the docks

0:43:40.719 --> 0:43:44.120
<v Speaker 2>and gave him six unpublished volumes of the first edition

0:43:44.200 --> 0:43:45.319
<v Speaker 2>that hadn't come out yet.

0:43:46.239 --> 0:43:49.719
<v Speaker 1>Yeah, he had a very sad end to a sad life.

0:43:50.440 --> 0:43:53.880
<v Speaker 1>He had those delusions of being sexually violated, and in

0:43:53.920 --> 0:43:59.440
<v Speaker 1>December nineteen oh two, he tied a tourniquet around his

0:43:59.520 --> 0:44:03.080
<v Speaker 1>penis and he cut it off in what he called

0:44:03.440 --> 0:44:06.839
<v Speaker 1>in the interests of morality, because what he believed is

0:44:06.960 --> 0:44:09.480
<v Speaker 1>that he had delusions that he was being taking out

0:44:09.480 --> 0:44:13.000
<v Speaker 1>of the asylum for years and years at night and

0:44:13.080 --> 0:44:17.320
<v Speaker 1>forced to have sex with women all around the asylum

0:44:17.480 --> 0:44:20.560
<v Speaker 1>and in town. And so he cut his penis off.

0:44:20.600 --> 0:44:23.879
<v Speaker 1>And after that, things really just weren't the same for him.

0:44:24.320 --> 0:44:27.680
<v Speaker 1>It seems like things went pretty downhill pretty quickly, although

0:44:28.000 --> 0:44:29.920
<v Speaker 1>he died in nineteen twenty so that was, you know,

0:44:30.000 --> 0:44:32.040
<v Speaker 1>another eighteen years of suffering.

0:44:32.200 --> 0:44:36.360
<v Speaker 2>Yeah, as far as his contributions, that really went downhill

0:44:36.400 --> 0:44:36.880
<v Speaker 2>after that.

0:44:38.160 --> 0:44:42.279
<v Speaker 1>Man, Yeah, very sad, but super super interesting story and

0:44:42.719 --> 0:44:44.839
<v Speaker 1>great job Allison. This was really really cool.

0:44:44.920 --> 0:44:47.800
<v Speaker 2>Yeah, thanks a lot, Alison. This is great, great start.

0:44:48.160 --> 0:44:51.919
<v Speaker 2>Welcome to the team. And what Chuck? Since I said

0:44:51.920 --> 0:44:53.320
<v Speaker 2>welcome to the team, do you think it's time for

0:44:53.400 --> 0:44:54.040
<v Speaker 2>listener now?

0:44:54.680 --> 0:44:55.120
<v Speaker 1>I think so?

0:44:55.440 --> 0:45:00.279
<v Speaker 3>Okay, I'm going to call this cost of goods?

0:45:01.400 --> 0:45:04.480
<v Speaker 1>In that episode? What episode was it where you're talking

0:45:04.480 --> 0:45:05.440
<v Speaker 1>about the cost of goods?

0:45:05.719 --> 0:45:08.640
<v Speaker 2>I think the Harlem Globetrotters is where it recently came from.

0:45:08.719 --> 0:45:10.239
<v Speaker 1>Yeah, like, wwhy is it so expensive to go to

0:45:10.320 --> 0:45:12.280
<v Speaker 1>NBA game these days or get a meal or whatever?

0:45:13.080 --> 0:45:14.440
<v Speaker 1>We had a lot of people that write in, so

0:45:14.440 --> 0:45:18.840
<v Speaker 1>I don't think we even settled on a final point.

0:45:19.120 --> 0:45:20.360
<v Speaker 2>Yeah, I'm still looking around.

0:45:20.760 --> 0:45:22.960
<v Speaker 1>There were a few different theories, but this one from

0:45:23.000 --> 0:45:25.040
<v Speaker 1>Matt I'm going to read, Hey, guys, I have a

0:45:25.160 --> 0:45:28.719
<v Speaker 1>partial explanation for the question why does it cost so

0:45:28.800 --> 0:45:30.239
<v Speaker 1>much more for a nice meal than it used to

0:45:30.840 --> 0:45:36.719
<v Speaker 1>even adjusting for inflation? Bal mal bauml bal Mal's cost

0:45:36.800 --> 0:45:39.879
<v Speaker 1>disease might help explain. This refers to the rising costs

0:45:39.880 --> 0:45:44.160
<v Speaker 1>associated with service or labor intensive industries over time, despite

0:45:44.280 --> 0:45:48.080
<v Speaker 1>no corresponding increase in productivity. So imagine a restaurant in

0:45:48.080 --> 0:45:50.120
<v Speaker 1>the nineteen fifties, you have a server, take your order,

0:45:50.200 --> 0:45:53.840
<v Speaker 1>chef cooks of food, someone else cleans up after you're done.

0:45:54.080 --> 0:45:57.239
<v Speaker 1>Fast forward to today. Despite all the technological advances, you

0:45:57.280 --> 0:45:59.840
<v Speaker 1>still need that server stake the order. You still need

0:45:59.920 --> 0:46:03.080
<v Speaker 1>the chef, You still need the staff to clean. The

0:46:03.160 --> 0:46:06.000
<v Speaker 1>humans have not been replaced by machines or software. In

0:46:06.000 --> 0:46:08.440
<v Speaker 1>a lot of these cases, you can't speed up the

0:46:08.520 --> 0:46:10.920
<v Speaker 1>chef the way you can double the speed of a

0:46:10.960 --> 0:46:14.760
<v Speaker 1>factory machine without sacrificing quality. So if you own a restaurant,

0:46:14.760 --> 0:46:16.680
<v Speaker 1>you still need roughly the same number of workers that

0:46:16.680 --> 0:46:20.520
<v Speaker 1>you've had that you needed in the fifties. Roughly, Yet

0:46:20.560 --> 0:46:22.560
<v Speaker 1>wages for the staff have gone up over the years.

0:46:22.680 --> 0:46:25.160
<v Speaker 1>That's a whole other rabbit hole. The restaurant has to

0:46:25.160 --> 0:46:27.920
<v Speaker 1>pay its staff more over time without getting more meals

0:46:27.960 --> 0:46:30.160
<v Speaker 1>per worker. So what do you do You pass it

0:46:30.160 --> 0:46:32.760
<v Speaker 1>on to the customers. By the way, this also explains

0:46:32.760 --> 0:46:35.600
<v Speaker 1>why stuff like health insurance and childcare have also gotten

0:46:35.640 --> 0:46:38.279
<v Speaker 1>way more expensive relative to other stuff. You still need

0:46:38.320 --> 0:46:40.880
<v Speaker 1>the same number of daycare workers per kid and nurses

0:46:40.920 --> 0:46:44.520
<v Speaker 1>per patient that you did in past decades. This was

0:46:44.560 --> 0:46:47.160
<v Speaker 1>a good one, Matt we got some other ideas and

0:46:47.239 --> 0:46:50.480
<v Speaker 1>imagine it's kind of all these things probably, but balml's

0:46:50.520 --> 0:46:53.200
<v Speaker 1>cost disease is a great explanation. And that is from

0:46:53.200 --> 0:46:53.760
<v Speaker 1>Matt Farmer.

0:46:53.840 --> 0:46:55.640
<v Speaker 2>Yeah, thanks a lot, Matt, though, was a good one.

0:46:56.000 --> 0:46:58.920
<v Speaker 2>It's the whole thing's brewing. I don't know what it's

0:46:58.960 --> 0:47:01.440
<v Speaker 2>going to turn into. That will definitely be part of it,

0:47:01.480 --> 0:47:01.879
<v Speaker 2>for sure.

0:47:03.040 --> 0:47:07.120
<v Speaker 1>Perhaps a Josh Clark solo ten part series The Cost

0:47:07.160 --> 0:47:08.360
<v Speaker 1>of Goods with Josh Clark.

0:47:08.520 --> 0:47:12.040
<v Speaker 2>I don't think so. No, no, I'm going to make

0:47:12.080 --> 0:47:12.640
<v Speaker 2>you do it with me.

0:47:13.760 --> 0:47:18.479
<v Speaker 1>Oh no, no no. So that was from Matt right, yeah,

0:47:18.480 --> 0:47:19.040
<v Speaker 1>Matt Farmer.

0:47:19.239 --> 0:47:21.279
<v Speaker 2>Matt Farmer, thank you very much for that. And if

0:47:21.280 --> 0:47:23.200
<v Speaker 2>you want to be like Matt Farmer and show off

0:47:23.200 --> 0:47:25.960
<v Speaker 2>your braininess and try to answer a burning question we have.

0:47:26.160 --> 0:47:28.279
<v Speaker 2>We love that kind of thing. You can send it

0:47:28.280 --> 0:47:35.800
<v Speaker 2>to us via email to stuff podcast at iHeartRadio dot com.

0:47:35.960 --> 0:47:38.840
<v Speaker 1>Stuff you Should Know is a production of iHeartRadio. For

0:47:38.920 --> 0:47:43.080
<v Speaker 1>more podcasts my heart Radio, visit the iHeartRadio app, Apple Podcasts,

0:47:43.200 --> 0:47:45.040
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