1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curb Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:13,680 Speaker 1: the video version of the History of Curb Your Enthusiasm 5 00:00:13,720 --> 00:00:17,319 Speaker 1: podcast on Max and YouTube as well. Links available in 6 00:00:17,360 --> 00:00:28,560 Speaker 1: the episode description. All Right, so we are here. It 7 00:00:28,640 --> 00:00:32,639 Speaker 1: is Jeff Garland Enthusiasm. Yes, on the history of Curby Enthusiasm. Yes. 8 00:00:32,720 --> 00:00:36,480 Speaker 2: And I will be enjoying a green jow juice as 9 00:00:36,520 --> 00:00:37,920 Speaker 2: we move along. 10 00:00:38,200 --> 00:00:41,000 Speaker 1: And I am having a water in my Curb Your 11 00:00:41,080 --> 00:00:42,440 Speaker 1: Enthusiasm water bottle. 12 00:00:42,640 --> 00:00:45,080 Speaker 2: I've got a few of those different things, some I 13 00:00:45,120 --> 00:00:47,680 Speaker 2: don't care about. I think the coolest thing we've ever 14 00:00:47,720 --> 00:00:49,600 Speaker 2: gotten is curb Monopoly. Yeah. 15 00:00:49,640 --> 00:00:51,840 Speaker 3: I just got Have you played it yet? I haven't 16 00:00:51,880 --> 00:00:52,199 Speaker 3: opened it. 17 00:00:52,280 --> 00:00:54,400 Speaker 2: I haven't opened it. No, And you know, I'm a 18 00:00:54,440 --> 00:00:56,680 Speaker 2: monopoly freak. That's my favorite game. 19 00:00:56,880 --> 00:00:59,120 Speaker 3: I you know what, Cindy, my daughter noticed it the 20 00:00:59,120 --> 00:01:01,120 Speaker 3: other day and she was like, Oh, can you play 21 00:01:01,160 --> 00:01:03,280 Speaker 3: that at Christmas? I was like, yeah, that'll be fun. 22 00:01:03,520 --> 00:01:07,320 Speaker 2: Yeah. You know who my Monopoly buddy is, Gary Goleman. 23 00:01:07,520 --> 00:01:08,920 Speaker 3: Ah, very funny guy. 24 00:01:09,160 --> 00:01:10,840 Speaker 2: I think I'm going to get all of us to 25 00:01:10,920 --> 00:01:13,320 Speaker 2: sign one and give it to him for his birthday 26 00:01:13,600 --> 00:01:15,520 Speaker 2: next year. He's the sweet I love him. He's one 27 00:01:15,560 --> 00:01:16,920 Speaker 2: of my favorite people on earth. 28 00:01:17,319 --> 00:01:19,959 Speaker 1: That's very nice, funny. So you'll have to bring it 29 00:01:20,000 --> 00:01:21,280 Speaker 1: to New York next time you come. 30 00:01:21,440 --> 00:01:22,200 Speaker 3: Yeah, all right. 31 00:01:22,720 --> 00:01:27,040 Speaker 1: The Boat's Eye Season five, episode two, Man, you know, 32 00:01:27,120 --> 00:01:29,440 Speaker 1: I just watched these and it's just it just feels 33 00:01:29,480 --> 00:01:32,959 Speaker 1: like yesterday. We start out with Larry telling the story. 34 00:01:33,000 --> 00:01:34,880 Speaker 1: We don't know who he's speaking to. He's telling the 35 00:01:34,920 --> 00:01:37,600 Speaker 1: story about his father in the hospital, and then you know, 36 00:01:37,680 --> 00:01:39,720 Speaker 1: tells a hut and then he said, you're adopted. 37 00:01:39,840 --> 00:01:40,120 Speaker 3: He said. 38 00:01:40,120 --> 00:01:41,679 Speaker 1: At first he said you're a doctor. I know I'm 39 00:01:41,680 --> 00:01:44,520 Speaker 1: not a doctor. He said you're adopted. And then we 40 00:01:44,560 --> 00:01:48,440 Speaker 1: see he's talking to Omar Jones and he says. 41 00:01:48,240 --> 00:01:51,040 Speaker 2: To me, you're adopted. 42 00:01:52,000 --> 00:01:54,880 Speaker 4: He said, I think he said that. Maybe he said 43 00:01:54,880 --> 00:01:57,160 Speaker 4: you're a doctor. I don't know, But why would he 44 00:01:57,160 --> 00:01:59,040 Speaker 4: say I'm a doctor. I would know if I'm a doctor. 45 00:01:59,240 --> 00:02:01,200 Speaker 2: What do you think you would until now to tell you? 46 00:02:01,360 --> 00:02:03,880 Speaker 4: Maybe thought he was dying. I'm still not one hundred 47 00:02:03,880 --> 00:02:04,880 Speaker 4: percent sure that he said it. 48 00:02:05,600 --> 00:02:07,760 Speaker 2: So basically, what you're saying is you want me to 49 00:02:07,800 --> 00:02:09,200 Speaker 2: find out if you adopted or not. 50 00:02:09,919 --> 00:02:14,120 Speaker 1: Yes, who is a private detective. He's a black man. 51 00:02:14,040 --> 00:02:15,400 Speaker 2: Ray by Mackay Phifer. 52 00:02:15,639 --> 00:02:18,760 Speaker 3: I believe Mackay Pfeiffer wearing a bow tie. 53 00:02:18,800 --> 00:02:20,440 Speaker 2: Do you know how he ended up doing the show. 54 00:02:20,760 --> 00:02:23,800 Speaker 2: There's always these weird things, tell me, he and I. 55 00:02:23,880 --> 00:02:27,520 Speaker 2: You know, I always turned down these types of shows, always, 56 00:02:27,880 --> 00:02:31,400 Speaker 2: Dann just type shows. I'm getting into it, like the okay, 57 00:02:32,080 --> 00:02:36,320 Speaker 2: forget reality, just these games, showy things. I once did 58 00:02:36,440 --> 00:02:41,760 Speaker 2: family Feud with the Goldbergs versus Blackish. 59 00:02:41,800 --> 00:02:44,920 Speaker 3: That's a promo thing. They make it do well, it was. 60 00:02:45,160 --> 00:02:48,520 Speaker 2: I was actually playing for charity. Yeah, so my charity. 61 00:02:48,880 --> 00:02:52,280 Speaker 2: My charity was fuck cancer and I think they made 62 00:02:52,280 --> 00:02:55,520 Speaker 2: twenty five g's anyhow, That's the only other thing. 63 00:02:55,560 --> 00:02:57,919 Speaker 1: Can I just can I just tell you something, Jeff 64 00:02:58,360 --> 00:03:01,200 Speaker 1: on what was that show? The Millionaire Show? I raised 65 00:03:01,240 --> 00:03:03,640 Speaker 1: one hundred thousand dollars for charity. I was very proud 66 00:03:03,680 --> 00:03:04,239 Speaker 1: of myself. 67 00:03:04,440 --> 00:03:07,440 Speaker 2: And I did another show with Chelsea Handler. She was 68 00:03:07,480 --> 00:03:09,680 Speaker 2: the I was playing against her and she killed me. 69 00:03:10,240 --> 00:03:14,680 Speaker 2: Password hosted by I did Password hosted by Regis Philbin Like, yeah. 70 00:03:14,600 --> 00:03:15,040 Speaker 4: I did that one. 71 00:03:15,080 --> 00:03:17,720 Speaker 2: To the reason I did it is to be near Regis. 72 00:03:17,760 --> 00:03:20,240 Speaker 2: I love Regis by the way, I would have said 73 00:03:20,320 --> 00:03:21,839 Speaker 2: yes to any game show he did. 74 00:03:22,080 --> 00:03:25,680 Speaker 1: By the way you said, Chelsea Handler was your person 75 00:03:25,720 --> 00:03:26,359 Speaker 1: on password? 76 00:03:26,400 --> 00:03:28,760 Speaker 3: Do you know who my other guest was on password? 77 00:03:28,840 --> 00:03:29,200 Speaker 2: Oh? 78 00:03:29,240 --> 00:03:31,840 Speaker 3: It was quite special. Who Betty White? 79 00:03:32,080 --> 00:03:33,480 Speaker 2: Oh? You lucky? 80 00:03:33,720 --> 00:03:37,760 Speaker 3: Fuck very lucky. And my guy won one hundred grand. 81 00:03:38,200 --> 00:03:40,520 Speaker 3: He was my partner. He won a hundred thousand dollars. 82 00:03:40,520 --> 00:03:41,320 Speaker 3: That was amazing. 83 00:03:41,960 --> 00:03:42,160 Speaker 5: You know. 84 00:03:42,240 --> 00:03:46,200 Speaker 2: One of the answers was lice, and when I couldn't 85 00:03:46,240 --> 00:03:49,400 Speaker 2: come up with it, blockage Duke had lice at the 86 00:03:49,440 --> 00:03:54,040 Speaker 2: exact same time, but Mackay I was on Celebrity Poker 87 00:03:54,480 --> 00:03:58,160 Speaker 2: with Mackay Pfeiffer and I made it when we were 88 00:03:58,160 --> 00:04:01,320 Speaker 2: playing and we were having a ball. We kicked all 89 00:04:01,400 --> 00:04:04,200 Speaker 2: the other celebrities and whatever. So it's just he and 90 00:04:04,240 --> 00:04:06,400 Speaker 2: I playing at the end, you know, to go to 91 00:04:06,560 --> 00:04:09,800 Speaker 2: the big game, and we had a ball. We connected, 92 00:04:09,920 --> 00:04:13,400 Speaker 2: really liked each other. Well, this part came up and 93 00:04:13,760 --> 00:04:16,080 Speaker 2: I just said, can we have Mackay Fifer do it? 94 00:04:16,120 --> 00:04:19,359 Speaker 2: And everyone said yes. And by the way, you watch 95 00:04:19,440 --> 00:04:22,840 Speaker 2: it and you go, that guy's a star. And I 96 00:04:22,880 --> 00:04:25,480 Speaker 2: haven't seen him in anything in a while. I don't 97 00:04:25,480 --> 00:04:27,360 Speaker 2: know what's going on. I haven't talked to him. I 98 00:04:27,440 --> 00:04:33,160 Speaker 2: actually careers. Oh no, No, that's the thing you have 99 00:04:33,279 --> 00:04:36,000 Speaker 2: to tell a young comedian that they need to know 100 00:04:36,160 --> 00:04:40,400 Speaker 2: this that I don't care how successful you are in 101 00:04:40,600 --> 00:04:45,440 Speaker 2: either acting music. You know, look at the family. You know, 102 00:04:45,839 --> 00:04:49,520 Speaker 2: John Travolta had a big low. So that's just alone 103 00:04:50,000 --> 00:04:52,960 Speaker 2: big low. Arnold was governor, so I wouldn't call that 104 00:04:53,000 --> 00:04:56,280 Speaker 2: a big low. But and they're back up now I'm saying, 105 00:04:56,320 --> 00:04:59,920 Speaker 2: it's like, I don't care how big you are. Tom Cruise. 106 00:05:00,000 --> 00:05:02,760 Speaker 2: I had a space and time where he wasn't what 107 00:05:02,880 --> 00:05:06,920 Speaker 2: he is now again, and it's always a roller coaster, 108 00:05:07,080 --> 00:05:10,440 Speaker 2: and I'm hoping that there's not a big roller coaster 109 00:05:10,520 --> 00:05:12,000 Speaker 2: for me in my there is. 110 00:05:12,240 --> 00:05:15,120 Speaker 3: Oh you're a little old for that. At this point, 111 00:05:15,400 --> 00:05:17,200 Speaker 3: I think old for a roller coaster. 112 00:05:17,720 --> 00:05:20,200 Speaker 1: Yeah, I mean, you know, you reach a certain age 113 00:05:20,200 --> 00:05:22,440 Speaker 1: and you reach a certain thing, and you know. 114 00:05:22,839 --> 00:05:25,600 Speaker 2: I don't know, I have no idea what I mean. 115 00:05:26,080 --> 00:05:28,479 Speaker 3: Your career is established, yes, stablish. 116 00:05:29,040 --> 00:05:32,760 Speaker 2: Here's the thing. I'm a comedian and I'm a photographer. 117 00:05:32,800 --> 00:05:35,240 Speaker 2: Those are the two things that I do that create money. 118 00:05:36,000 --> 00:05:40,120 Speaker 2: My photography has been charity and comedy. I do charity events, 119 00:05:40,480 --> 00:05:45,039 Speaker 2: but my dream is in the future as a whatever 120 00:05:45,279 --> 00:05:47,880 Speaker 2: I decide, I'm always going to do stand up until 121 00:05:47,880 --> 00:05:49,800 Speaker 2: I can't do it anymore. And I'm also going to 122 00:05:49,880 --> 00:05:53,200 Speaker 2: do photography intil I can. But that's my dream combo. 123 00:05:53,880 --> 00:05:58,279 Speaker 2: And if I got called for something, unless it's a 124 00:05:58,480 --> 00:06:02,840 Speaker 2: great piece of material, I'm never doing another TV series. 125 00:06:03,400 --> 00:06:06,880 Speaker 2: And I can do a limited series that like an 126 00:06:06,880 --> 00:06:10,880 Speaker 2: awesome one, but I'm retired from TV series. Unless Larry goes, 127 00:06:10,960 --> 00:06:13,440 Speaker 2: I want to do this series I'm in. So it 128 00:06:13,480 --> 00:06:14,880 Speaker 2: would take something like that. 129 00:06:15,040 --> 00:06:19,080 Speaker 1: But you know, talking about people who have had late renaissances, 130 00:06:19,120 --> 00:06:20,760 Speaker 1: Betty White is somebody. 131 00:06:20,440 --> 00:06:22,719 Speaker 3: Who had a later in life renissana. 132 00:06:23,240 --> 00:06:27,880 Speaker 2: And she was really big in the seventies. Yeah, I 133 00:06:27,920 --> 00:06:30,000 Speaker 2: mean I think of her on the Mary Tyler Moore show. 134 00:06:30,080 --> 00:06:32,159 Speaker 3: I'll tell you. I'll tell you a story, the password 135 00:06:32,240 --> 00:06:34,760 Speaker 3: story about her. This shows what a pro she was. 136 00:06:35,480 --> 00:06:38,520 Speaker 1: So she was in her nineties by this point when 137 00:06:38,600 --> 00:06:42,000 Speaker 1: I did this celebrity password with her, and she. 138 00:06:42,040 --> 00:06:44,320 Speaker 3: Was hard of hearing. I mean, she was so sharp 139 00:06:44,360 --> 00:06:46,239 Speaker 3: and so with it, but she was hard of hearing. 140 00:06:46,160 --> 00:06:49,000 Speaker 2: Till the end. Anywhere she shot, she was amazing. 141 00:06:49,240 --> 00:06:52,560 Speaker 1: So her dressing room was right next to mine, and 142 00:06:52,760 --> 00:06:55,560 Speaker 1: the woman who was. Her assistant had to speak really 143 00:06:55,720 --> 00:06:59,320 Speaker 1: loud so that she could hear, so I overheard everything. 144 00:06:59,720 --> 00:07:02,719 Speaker 1: And Betty asked her who was the other celebrity, and 145 00:07:02,760 --> 00:07:05,320 Speaker 1: she said Susie Esmand and she said, I don't know 146 00:07:05,440 --> 00:07:08,320 Speaker 1: who she is. She she said she's in Curb Your Enthusiasm. 147 00:07:08,320 --> 00:07:10,920 Speaker 1: And Betty said, oh, I don't really like that show. 148 00:07:11,360 --> 00:07:14,040 Speaker 1: And the assistant said, well, she's very funny in it. 149 00:07:14,120 --> 00:07:14,320 Speaker 3: She is. 150 00:07:14,400 --> 00:07:16,600 Speaker 1: She has a big mouth, she's always cursing and blah 151 00:07:16,640 --> 00:07:18,880 Speaker 1: blah blah blah blah blah blah. So then I meet 152 00:07:18,920 --> 00:07:21,440 Speaker 1: Betty for the first time and she couldn't you know, 153 00:07:21,520 --> 00:07:23,600 Speaker 1: she was lovely. She couldn't have been more gracious, and 154 00:07:23,640 --> 00:07:26,440 Speaker 1: she said to me, Susie, Oh, I'm so happy to 155 00:07:26,480 --> 00:07:30,120 Speaker 1: meet you. I love the show. Please tell everyone on 156 00:07:30,160 --> 00:07:33,280 Speaker 1: the show. I said, hello, and watch your mouth. She said, 157 00:07:33,320 --> 00:07:36,880 Speaker 1: and watch your mouth. So she knew immediately, Wow, to 158 00:07:37,000 --> 00:07:39,360 Speaker 1: develop rapport with me because we were going to be 159 00:07:39,440 --> 00:07:40,200 Speaker 1: working together. 160 00:07:41,320 --> 00:07:43,800 Speaker 2: You have no choice. You cannot be you can't come 161 00:07:43,800 --> 00:07:46,200 Speaker 2: out I don't really like the show. Don't even say 162 00:07:46,240 --> 00:07:47,280 Speaker 2: you've never said it. 163 00:07:47,560 --> 00:07:51,000 Speaker 3: Show was not insulted at all. I found it funny. 164 00:07:51,160 --> 00:07:54,640 Speaker 2: You would have loved your either way. But holy but 165 00:07:54,680 --> 00:07:55,400 Speaker 2: I found it. 166 00:07:55,480 --> 00:07:57,600 Speaker 1: I said, Okay, this is a pro who's going to 167 00:07:57,640 --> 00:08:00,520 Speaker 1: be working with me now for the next two three hours, 168 00:08:00,760 --> 00:08:03,040 Speaker 1: and she's going to develop a rapport with me, and 169 00:08:03,080 --> 00:08:04,920 Speaker 1: she knew exactly what to say. 170 00:08:05,240 --> 00:08:06,640 Speaker 3: I just found it so amusing. 171 00:08:06,920 --> 00:08:09,000 Speaker 2: I don't think she probably fell in love with you 172 00:08:09,040 --> 00:08:09,640 Speaker 2: as the program. 173 00:08:10,000 --> 00:08:10,800 Speaker 3: We had a great time. 174 00:08:10,960 --> 00:08:13,120 Speaker 1: We had a great, great time, and I was thrilled 175 00:08:13,120 --> 00:08:14,480 Speaker 1: to have had that experience with her. 176 00:08:14,520 --> 00:08:16,240 Speaker 2: By the way, a lot of times I found in 177 00:08:16,320 --> 00:08:20,640 Speaker 2: show business the people who irritate me the most when 178 00:08:20,680 --> 00:08:23,000 Speaker 2: I meet them at a party, I fall in love 179 00:08:23,040 --> 00:08:26,120 Speaker 2: with them. There's a couple of examples of people I 180 00:08:26,240 --> 00:08:28,920 Speaker 2: just couldn't watch them anymore. They just buged me. 181 00:08:29,440 --> 00:08:31,320 Speaker 3: They irritate you on screen, yes, on. 182 00:08:31,320 --> 00:08:34,200 Speaker 2: Screen, And by the way, they all had talent, I 183 00:08:34,360 --> 00:08:37,680 Speaker 2: just the way they were using it, and numerous people. 184 00:08:37,960 --> 00:08:39,920 Speaker 2: But then you go to a party and they're there, 185 00:08:40,000 --> 00:08:43,040 Speaker 2: and your own oh no, so and so is here, 186 00:08:43,280 --> 00:08:46,240 Speaker 2: and somehow you get together, either in a group or 187 00:08:46,280 --> 00:08:48,360 Speaker 2: single and they're the best person that. 188 00:08:48,280 --> 00:08:50,360 Speaker 3: Could work the other way around, What do you mean? 189 00:08:50,440 --> 00:08:53,319 Speaker 1: There could be people who you really admire their work 190 00:08:53,360 --> 00:08:55,160 Speaker 1: and then you meet them and their assholes. 191 00:08:55,520 --> 00:08:59,840 Speaker 2: Oh that is, you know, her ainting one of my 192 00:09:00,040 --> 00:09:03,720 Speaker 2: two mentors, Harold Ramis and pal Mazerski. I was very 193 00:09:03,800 --> 00:09:08,359 Speaker 2: lucky to have both of them. And Harold Ramis always 194 00:09:08,520 --> 00:09:12,240 Speaker 2: said to me. He kept saying, you don't want to 195 00:09:12,320 --> 00:09:16,000 Speaker 2: meet your heroes, especially in comedy, you don't want to 196 00:09:16,040 --> 00:09:19,960 Speaker 2: meet your heroes. And I've had that experience and nothing 197 00:09:20,000 --> 00:09:20,520 Speaker 2: to be said. 198 00:09:20,880 --> 00:09:25,120 Speaker 1: However, I met my hero in the last season, mel Brooks, 199 00:09:25,160 --> 00:09:26,319 Speaker 1: and he couldn't have been lovelier. 200 00:09:26,600 --> 00:09:28,240 Speaker 3: So they you go, yeah, yeah, no, you no one. 201 00:09:28,360 --> 00:09:32,119 Speaker 2: No, No, I'm not saying it's everyone. I'm saying there's exceptions. 202 00:09:32,160 --> 00:09:35,439 Speaker 2: Mel Brooks would certainly be one. But I am saying 203 00:09:35,480 --> 00:09:38,719 Speaker 2: that I've had the situation with I was excited. 204 00:09:39,160 --> 00:09:40,520 Speaker 3: And you shouldn't. Yeah, I know. 205 00:09:40,880 --> 00:09:44,239 Speaker 1: So here we are with Omar Jones, the private investigator, 206 00:09:44,480 --> 00:09:46,839 Speaker 1: and Larry's telling him he wants him to find out 207 00:09:46,920 --> 00:09:49,760 Speaker 1: if he's adopted, and Omar Jones says, well, how did 208 00:09:49,800 --> 00:09:51,439 Speaker 1: you find out about me? And Larry said, there was 209 00:09:51,480 --> 00:09:53,920 Speaker 1: a big article about you and everybody said you were 210 00:09:53,920 --> 00:09:56,760 Speaker 1: the best, and Omar Jones says, look, I serve the 211 00:09:56,760 --> 00:09:59,440 Speaker 1: community and you don't really qualify for being a part 212 00:09:59,440 --> 00:10:00,000 Speaker 1: of my community. 213 00:10:00,320 --> 00:10:01,320 Speaker 3: It's just a white guy. 214 00:10:01,720 --> 00:10:06,200 Speaker 1: And Larry, being the totally tone deaf character that he is, 215 00:10:06,679 --> 00:10:09,079 Speaker 1: starts trying to convince Omar Jones that. 216 00:10:09,120 --> 00:10:09,880 Speaker 3: He he can. 217 00:10:10,120 --> 00:10:15,920 Speaker 1: He said he'll call a bingo game, he'll donate old sneakers. 218 00:10:15,960 --> 00:10:20,360 Speaker 2: Totally Mackay right away goes, I don't think those will 219 00:10:20,360 --> 00:10:23,760 Speaker 2: be of health now, But I don't think sneakers I 220 00:10:23,800 --> 00:10:26,640 Speaker 2: think is funny. But him calling a bingo game as 221 00:10:26,679 --> 00:10:28,240 Speaker 2: a suggestion awesome. 222 00:10:28,640 --> 00:10:30,600 Speaker 1: And then he says he could be a big brother, 223 00:10:31,080 --> 00:10:33,280 Speaker 1: and Omar Jones says he'll talk to the community leaders. 224 00:10:33,280 --> 00:10:34,880 Speaker 1: But then of course, Life says, but you know, just 225 00:10:34,920 --> 00:10:37,240 Speaker 1: like one time, I'll just take a kid once to 226 00:10:37,320 --> 00:10:37,760 Speaker 1: a movie. 227 00:10:37,840 --> 00:10:40,840 Speaker 3: Is it not like a continual? It's true to his character. 228 00:10:41,160 --> 00:10:44,080 Speaker 1: Then he asks Omar Jones for key to the men's room, 229 00:10:44,240 --> 00:10:45,960 Speaker 1: and then he says that mister Jones, I love the 230 00:10:45,960 --> 00:10:47,960 Speaker 1: bow tie because he's wearing a bow tie. And Larry's 231 00:10:47,960 --> 00:10:50,840 Speaker 1: in the bathroom and all the stalls are filled except 232 00:10:50,840 --> 00:10:56,880 Speaker 1: the handicap stall is empty, and Larry uses the handicap 233 00:10:56,960 --> 00:10:59,640 Speaker 1: stall and he comes out and there is a guy 234 00:10:59,679 --> 00:11:03,000 Speaker 1: in a chair very angry at him for using the 235 00:11:03,040 --> 00:11:03,959 Speaker 1: handicapped stall. 236 00:11:04,280 --> 00:11:06,880 Speaker 2: What are you doing using the bathroom? 237 00:11:07,400 --> 00:11:08,280 Speaker 3: That's my stall? 238 00:11:08,600 --> 00:11:10,120 Speaker 2: Did you see that the placard on the ses? 239 00:11:10,320 --> 00:11:12,640 Speaker 4: I know, but somebody was using the other one, so I, well, 240 00:11:12,679 --> 00:11:13,439 Speaker 4: then you wait. 241 00:11:14,000 --> 00:11:16,040 Speaker 2: I couldn't wait. It was an emergency. 242 00:11:16,040 --> 00:11:16,640 Speaker 6: I had to go. 243 00:11:16,840 --> 00:11:19,480 Speaker 4: There's one stall for me, and you're it. You know, 244 00:11:19,600 --> 00:11:21,439 Speaker 4: if you were here, I would have given you first nips. 245 00:11:21,480 --> 00:11:23,400 Speaker 4: But honestly, I haven't seen a handicapped person in the 246 00:11:23,400 --> 00:11:26,880 Speaker 4: bathroom maybe ever, so I thought I could perhaps take 247 00:11:26,880 --> 00:11:27,480 Speaker 4: my chance to. 248 00:11:27,440 --> 00:11:28,720 Speaker 2: A handicap person. 249 00:11:29,120 --> 00:11:29,839 Speaker 4: That's nice. 250 00:11:30,000 --> 00:11:34,600 Speaker 2: Oh that's nice. It's called disabled disabled. That doesn't sound 251 00:11:34,640 --> 00:11:37,360 Speaker 2: so hot, by the way, I just want in former viewers. 252 00:11:37,400 --> 00:11:40,960 Speaker 2: I don't care about political correctness, but I do care 253 00:11:41,000 --> 00:11:44,680 Speaker 2: about respect, and that's not what they call it anymore. 254 00:11:44,720 --> 00:11:46,320 Speaker 3: Handicapped, Well, that's we're going to get to that. 255 00:11:46,679 --> 00:11:49,760 Speaker 2: They call it, oh yeah, because they argue. Yeah, But 256 00:11:49,800 --> 00:11:54,720 Speaker 2: back then it was that adjustment in names like also 257 00:11:55,320 --> 00:12:00,920 Speaker 2: mentally challenged, mentally retarded. You know, yeah, that exchange. You know, 258 00:12:00,960 --> 00:12:04,800 Speaker 2: you spend thirty years using the wrong word and it 259 00:12:04,840 --> 00:12:07,600 Speaker 2: goes to something else. But you have to respect people 260 00:12:07,880 --> 00:12:09,240 Speaker 2: and you have to accept it. 261 00:12:09,480 --> 00:12:09,880 Speaker 3: All right. 262 00:12:10,000 --> 00:12:12,480 Speaker 1: So the guy in the wheelchair that we don't have 263 00:12:12,520 --> 00:12:16,599 Speaker 1: a nighbors says, it's not a handicapped person, it's called disabled. 264 00:12:16,840 --> 00:12:21,760 Speaker 2: I want to say, for our show, except for one occasion, 265 00:12:21,840 --> 00:12:27,199 Speaker 2: I think everybody who's in a wheelchair is a paraplegic, etc. 266 00:12:27,360 --> 00:12:31,080 Speaker 2: Like we used real people, you know. It wasn't like 267 00:12:31,600 --> 00:12:34,280 Speaker 2: an actor can walk all around sitting in a wheel. 268 00:12:34,040 --> 00:12:36,960 Speaker 3: And then sits in a wheelchair. Yeah, we'll be right back. 269 00:12:37,000 --> 00:12:52,480 Speaker 1: Stay tuned, and we're back, and Larry prefers handicapped. And 270 00:12:52,520 --> 00:12:56,559 Speaker 1: then Larry is with you and questions to black men 271 00:12:56,600 --> 00:12:57,920 Speaker 1: who wear bow ties? 272 00:12:57,960 --> 00:12:59,319 Speaker 3: Are they always Muslim? 273 00:12:59,440 --> 00:13:00,319 Speaker 2: How do I spun? 274 00:13:00,920 --> 00:13:03,240 Speaker 1: I think you say that you think they are generally, 275 00:13:03,240 --> 00:13:06,320 Speaker 1: You're not sure. You're not sure. And then Larry is 276 00:13:06,360 --> 00:13:09,320 Speaker 1: he's a guy who pulls in. He's outside, he pulls into. 277 00:13:09,160 --> 00:13:14,200 Speaker 2: A Tom Virtue. Tom Virtue a great, great actor. Yeah, 278 00:13:14,240 --> 00:13:17,200 Speaker 2: great character actor. You've seen him in a million things. 279 00:13:17,200 --> 00:13:20,199 Speaker 2: He's always great. He was really good in Green Book. 280 00:13:20,559 --> 00:13:23,760 Speaker 2: He played the maitre d who wouldn't let him in, 281 00:13:23,840 --> 00:13:27,320 Speaker 2: and it was all Yes, a gentle Southern accent which 282 00:13:27,320 --> 00:13:29,840 Speaker 2: he doesn't have. And he has a special accent that's 283 00:13:29,880 --> 00:13:30,400 Speaker 2: coming up. 284 00:13:30,640 --> 00:13:34,559 Speaker 1: Oh yes, because Larry that this guy Tom what's his name, 285 00:13:34,640 --> 00:13:42,760 Speaker 1: Tom Virtue? Tom Virtue parks in the disabled spot whatever, and. 286 00:13:43,040 --> 00:13:45,760 Speaker 3: Larry calls him out on it, and he says, what. 287 00:13:45,920 --> 00:13:46,679 Speaker 2: It's with the walking? 288 00:13:47,920 --> 00:13:48,320 Speaker 6: Fuck you? 289 00:13:49,120 --> 00:13:53,080 Speaker 5: I have a stutter, Yeah, but you can walk. Look 290 00:13:53,120 --> 00:13:59,400 Speaker 5: at my license plate. I have permission, fucking brick. 291 00:14:00,080 --> 00:14:03,120 Speaker 1: Fuck you, I have a stutter. And he has a 292 00:14:03,280 --> 00:14:05,960 Speaker 1: handicapped plate or a disabled plate. Then he's in the 293 00:14:06,000 --> 00:14:07,840 Speaker 1: restaurant with you, well. 294 00:14:07,679 --> 00:14:11,360 Speaker 2: By the way, and it is a really hysterical moment, 295 00:14:11,800 --> 00:14:14,600 Speaker 2: and Larry thinking up the idea, what would be an 296 00:14:14,640 --> 00:14:18,480 Speaker 2: impediment that's not big enough and has nothing to do 297 00:14:18,520 --> 00:14:19,240 Speaker 2: with walking or. 298 00:14:19,280 --> 00:14:22,960 Speaker 1: Drive with and driving of course nothing. And then he's 299 00:14:23,000 --> 00:14:24,520 Speaker 1: in the restaurant with you and he tells you that 300 00:14:24,600 --> 00:14:29,760 Speaker 1: they got a dog. And Jody Funkhauser played by mayam 301 00:14:29,840 --> 00:14:32,720 Speaker 1: Bi Alec, we were talking about game shows before Jeopardy 302 00:14:32,760 --> 00:14:36,160 Speaker 1: host also she starred on The Big Bang Theory. 303 00:14:36,880 --> 00:14:38,720 Speaker 3: And then she she's an interesting woman. 304 00:14:38,760 --> 00:14:41,480 Speaker 1: She left the business I recall to be a neuroscientist 305 00:14:41,840 --> 00:14:45,040 Speaker 1: and then came back. She sees them and she just 306 00:14:45,160 --> 00:14:46,880 Speaker 1: goes crazy over Larry. 307 00:14:46,920 --> 00:14:48,440 Speaker 3: She ignores you completely. 308 00:14:48,600 --> 00:14:51,840 Speaker 1: It's like, oh, hi, Jeff, Larry Larry, Larry, and she's 309 00:14:51,880 --> 00:14:55,120 Speaker 1: like crazy over Larry and barely says hello to you. 310 00:14:55,560 --> 00:14:57,920 Speaker 3: And she's there with her dad, Marty Funkouser. 311 00:14:57,960 --> 00:15:00,480 Speaker 1: She's Marty funkauser's daughter, and she he says, are you're 312 00:15:00,520 --> 00:15:03,080 Speaker 1: coming to the party, to the twenty fifth anniversary reporting 313 00:15:03,120 --> 00:15:05,320 Speaker 1: you're like I am, and she just could care less 314 00:15:05,360 --> 00:15:07,400 Speaker 1: what you're doing, and she's all over Larry. 315 00:15:07,640 --> 00:15:10,600 Speaker 3: And then we find out when she leaves lesbians love Larry. 316 00:15:10,760 --> 00:15:13,920 Speaker 2: Well, I'm really upset, I said, do you notice? Did 317 00:15:13,960 --> 00:15:16,960 Speaker 2: you notice she could barely handle me being there and 318 00:15:17,040 --> 00:15:18,920 Speaker 2: ignore me, but she was happy to see you. 319 00:15:19,120 --> 00:15:20,320 Speaker 3: Oh that's up. 320 00:15:20,280 --> 00:15:22,600 Speaker 2: Larry to say, lesbians love. 321 00:15:22,520 --> 00:15:27,080 Speaker 1: Me, lesbians love him, and you say friend, oh, lesbians 322 00:15:28,120 --> 00:15:29,120 Speaker 1: friend o Lesbians. 323 00:15:29,240 --> 00:15:30,840 Speaker 3: They completely embrace him. 324 00:15:31,320 --> 00:15:33,880 Speaker 1: And as he's talking to you, he discovers the men's 325 00:15:33,960 --> 00:15:36,480 Speaker 1: room key in his pocket and he sees a guy 326 00:15:36,800 --> 00:15:39,200 Speaker 1: in a bow tie and he says, you know, that's 327 00:15:39,240 --> 00:15:42,040 Speaker 1: a smart look, baby, I'm gonna start wearing a bow tie. 328 00:15:42,440 --> 00:15:44,960 Speaker 1: And then Marty comes over to the booth and says, 329 00:15:45,040 --> 00:15:48,640 Speaker 1: are you coming to the party, and he says, Larry's 330 00:15:48,640 --> 00:15:49,160 Speaker 1: on the fence. 331 00:15:49,200 --> 00:15:51,000 Speaker 3: You know, Larry, he doesn't like to go to. 332 00:15:50,920 --> 00:15:54,800 Speaker 2: A party, old none classic Bob, are you coming pa 333 00:15:55,040 --> 00:15:58,880 Speaker 2: the party? No, No, it's gonna be great, it'll be 334 00:15:59,000 --> 00:16:02,280 Speaker 2: the greatest. You'll have a ball, you know. That was 335 00:16:02,400 --> 00:16:06,880 Speaker 2: so that's Bob offstage too, you know, the enthusiast. 336 00:16:07,040 --> 00:16:09,600 Speaker 1: I remember shooting that scene at the party with him 337 00:16:09,640 --> 00:16:12,640 Speaker 1: that day and we were laughing. So if we were 338 00:16:12,680 --> 00:16:15,560 Speaker 1: in uncontrollable laughter that day, I just remember it. 339 00:16:15,640 --> 00:16:19,120 Speaker 2: Well. By the way, remember the thing that he always did, 340 00:16:19,400 --> 00:16:23,080 Speaker 2: he'd call you. That's the joke that we'll get to. 341 00:16:23,240 --> 00:16:25,920 Speaker 2: That is my favorite. It's one of my favorite jokes 342 00:16:25,960 --> 00:16:32,400 Speaker 2: of all time. But after filming, he would call you, I, Larry, 343 00:16:32,440 --> 00:16:36,040 Speaker 2: we all got this phone call. Wasn't that great? Wasn't 344 00:16:36,120 --> 00:16:41,120 Speaker 2: that great? That scene was great? And we all got 345 00:16:41,160 --> 00:16:45,040 Speaker 2: that call and I miss it. Miss It's so painful, 346 00:16:45,560 --> 00:16:45,800 Speaker 2: you know. 347 00:16:46,120 --> 00:16:49,560 Speaker 1: So he tells Larry that Rosie O'Donnell is coming, and 348 00:16:49,600 --> 00:16:50,920 Speaker 1: she's sitting next to Larry. 349 00:16:51,680 --> 00:16:55,280 Speaker 2: By the way, that premise is awesome. Well nowhere it goes. 350 00:16:55,760 --> 00:16:59,120 Speaker 2: It's just so funny. He's and Larry's excited. 351 00:16:59,400 --> 00:17:01,760 Speaker 1: Yeah he's a and then he's like, Okay, I'm gonna come. 352 00:17:01,800 --> 00:17:04,280 Speaker 1: He's thinking about coming, and Larry tells him that they 353 00:17:04,359 --> 00:17:07,760 Speaker 1: saw Jody. Jody looks great, and Marty tells him she's 354 00:17:07,840 --> 00:17:11,280 Speaker 1: dating a guy and it's serious and she's no longer gay, 355 00:17:11,680 --> 00:17:14,040 Speaker 1: and Larry overly enthusiastic. 356 00:17:15,320 --> 00:17:18,760 Speaker 4: It's fantastic, congratulations, good for you. 357 00:17:18,920 --> 00:17:20,320 Speaker 2: She's not a lesbian anymore. 358 00:17:20,880 --> 00:17:22,680 Speaker 4: Oh my god, good doing. 359 00:17:23,480 --> 00:17:24,720 Speaker 2: I'll see you soon. 360 00:17:25,160 --> 00:17:28,320 Speaker 3: Hey, I'll see at the party. That's fantastic. She's not 361 00:17:28,400 --> 00:17:29,520 Speaker 3: a lesbian anymore. 362 00:17:29,520 --> 00:17:32,480 Speaker 1: And you see Marty's face, just that drop of his face, 363 00:17:32,520 --> 00:17:35,159 Speaker 1: and he's not happy. And then Larry walks into the 364 00:17:35,160 --> 00:17:37,600 Speaker 1: house and Cheryl was standing there, and Cheryl says. 365 00:17:38,520 --> 00:17:39,280 Speaker 3: We need to talk. 366 00:17:39,560 --> 00:17:40,000 Speaker 2: It's over. 367 00:17:41,000 --> 00:17:42,600 Speaker 3: What's over marriage? 368 00:17:43,000 --> 00:17:46,120 Speaker 2: Why would our marriage be over? He said, we need 369 00:17:46,160 --> 00:17:46,600 Speaker 2: to talk. 370 00:17:47,000 --> 00:17:47,720 Speaker 7: Yeah, we need to. 371 00:17:47,640 --> 00:17:49,439 Speaker 3: Talk about Marty fan Kauser's party. 372 00:17:49,800 --> 00:17:53,199 Speaker 4: Oh okay, I thought I forget it. 373 00:17:53,320 --> 00:17:54,320 Speaker 1: I know what you think. 374 00:17:54,520 --> 00:17:57,240 Speaker 4: Well, you know you said we need to talk. Generally, 375 00:17:57,280 --> 00:17:59,520 Speaker 4: when couples break up, that's how they introduce it. You know, 376 00:17:59,600 --> 00:18:01,560 Speaker 4: we need to talk. So I just thought it. 377 00:18:01,520 --> 00:18:04,000 Speaker 1: Was well, why would why would you even think that? 378 00:18:04,520 --> 00:18:08,680 Speaker 2: This is one of the most subtle, funny scenes I've 379 00:18:08,680 --> 00:18:09,280 Speaker 2: ever seen. 380 00:18:09,760 --> 00:18:12,960 Speaker 1: And Larry's respond says, what it's over? If the marriage 381 00:18:13,000 --> 00:18:16,439 Speaker 1: is over? And she's like, why would our marriage be over? No, 382 00:18:16,560 --> 00:18:18,199 Speaker 1: we need to talk about whether or not we're going 383 00:18:18,280 --> 00:18:20,919 Speaker 1: to go to funk houses party. I need to RSVP 384 00:18:21,400 --> 00:18:22,960 Speaker 1: And she's like, why would you think that? 385 00:18:23,200 --> 00:18:25,600 Speaker 3: And he said, well, in all my past relationships, when 386 00:18:25,600 --> 00:18:27,399 Speaker 3: a woman says to me we need to talk, that 387 00:18:27,440 --> 00:18:28,520 Speaker 3: means they're breaking up with me. 388 00:18:28,920 --> 00:18:31,560 Speaker 1: But Cheryl notices that he lit up, you know. She's like, well, 389 00:18:31,600 --> 00:18:33,800 Speaker 1: why would you look light up like that? He says, well, 390 00:18:33,920 --> 00:18:36,280 Speaker 1: just a defense mechaicine them. And she's like, are we going? 391 00:18:36,680 --> 00:18:38,760 Speaker 1: And Rosie's going to be at our table and I 392 00:18:38,840 --> 00:18:41,199 Speaker 1: might wear a boat's tie. They decide they're going to go, 393 00:18:41,240 --> 00:18:42,959 Speaker 1: and then this is a knock at the door and 394 00:18:43,000 --> 00:18:45,200 Speaker 1: it's Wanda. She wants to look at their new house. 395 00:18:45,240 --> 00:18:47,720 Speaker 1: And their new houses are rental because their other house 396 00:18:47,800 --> 00:18:50,560 Speaker 1: is being renovated, and Wanda doesn't like it. 397 00:18:50,440 --> 00:18:52,160 Speaker 3: It's it's cold like a hotel. 398 00:18:52,200 --> 00:18:54,439 Speaker 1: And she tells Larry to put on a bellman's cap 399 00:18:54,920 --> 00:18:57,160 Speaker 1: and Larry asks her, wander, let me. 400 00:18:57,080 --> 00:18:57,720 Speaker 3: Ask you a question. 401 00:18:57,960 --> 00:19:00,359 Speaker 1: Is it wrong to assume a black man wearing a 402 00:19:00,400 --> 00:19:01,720 Speaker 1: bow tie is a Muslim? 403 00:19:02,240 --> 00:19:04,040 Speaker 3: And want it gets pistol. 404 00:19:03,680 --> 00:19:05,720 Speaker 1: And she's she's like, I'm not your link to the 405 00:19:05,760 --> 00:19:09,400 Speaker 1: black community. Stop asking me about black people. And this 406 00:19:09,600 --> 00:19:12,480 Speaker 1: is something that white people tend to do. I think 407 00:19:12,760 --> 00:19:17,359 Speaker 1: ask about black people, you ask black people questions, like 408 00:19:18,000 --> 00:19:20,760 Speaker 1: when white people see a black person, they immediately think 409 00:19:20,800 --> 00:19:23,879 Speaker 1: about race, you know, and ask them about race. 410 00:19:23,920 --> 00:19:25,840 Speaker 3: I've had black friends tell me this. 411 00:19:26,080 --> 00:19:29,560 Speaker 2: Well, but by the way is we both have and 412 00:19:29,640 --> 00:19:35,240 Speaker 2: have worked with numerous people of color. I disagree, and 413 00:19:35,280 --> 00:19:39,240 Speaker 2: I'll tell you why. When I see someone in a wheelchair, 414 00:19:39,720 --> 00:19:42,840 Speaker 2: I actually talk to them about everything. I asked questions 415 00:19:43,080 --> 00:19:45,399 Speaker 2: and they're thrilled to answer. Nobody asked them. 416 00:19:45,480 --> 00:19:47,760 Speaker 1: Well, you're not disagreeing with me, You're just saying that 417 00:19:47,840 --> 00:19:49,119 Speaker 1: you don't do that well. 418 00:19:49,680 --> 00:19:52,920 Speaker 2: But I'm saying, like, for example, one night, a guy 419 00:19:53,080 --> 00:19:54,879 Speaker 2: was in the audience and I may have talked about 420 00:19:54,880 --> 00:19:56,840 Speaker 2: this before. A guy was in the audience in the 421 00:19:56,880 --> 00:20:00,800 Speaker 2: front row, and I'm talking to him and I said 422 00:20:00,840 --> 00:20:04,000 Speaker 2: to him, what's the thing when you're on the spectrum, 423 00:20:04,040 --> 00:20:08,160 Speaker 2: but you're not all the way as Asperger's. So he's 424 00:20:08,280 --> 00:20:11,800 Speaker 2: talking and I go, you have asked burgers, don't you? 425 00:20:12,040 --> 00:20:14,320 Speaker 2: And he goes, yeah, how did you know? I go, 426 00:20:14,400 --> 00:20:18,119 Speaker 2: I just figured out he was thrilled that I pointed 427 00:20:18,119 --> 00:20:20,239 Speaker 2: out he had asked burgers and he could talk about it. 428 00:20:20,560 --> 00:20:23,800 Speaker 2: But I think, and I don't question it. It's my 429 00:20:24,040 --> 00:20:28,080 Speaker 2: mind thinking like a child. A child would think twice 430 00:20:28,520 --> 00:20:31,560 Speaker 2: to ask a question, and I think that that's the 431 00:20:31,600 --> 00:20:32,000 Speaker 2: part of that. 432 00:20:32,119 --> 00:20:33,400 Speaker 3: It's the beauty of children. 433 00:20:34,600 --> 00:20:37,480 Speaker 2: So it keeps me funny in terms of as a 434 00:20:37,480 --> 00:20:41,320 Speaker 2: comedian that I'm not afraid. Certainly there's an appropriate questions 435 00:20:41,320 --> 00:20:42,359 Speaker 2: and I don't ask those. 436 00:20:42,520 --> 00:20:45,760 Speaker 1: But nonetheless, so he says to Wanda, have you ever 437 00:20:45,800 --> 00:20:47,720 Speaker 1: seen a black man wearing a bow tie who's not 438 00:20:47,800 --> 00:20:48,400 Speaker 1: a Muslim? 439 00:20:48,640 --> 00:20:50,680 Speaker 3: And she doesn't want any part of this conversation. 440 00:20:50,800 --> 00:20:53,560 Speaker 1: Show says, I got a dog, and Wanta says that's 441 00:20:53,600 --> 00:20:56,320 Speaker 1: why she came over. And the dog sees Wanda and 442 00:20:56,359 --> 00:21:00,600 Speaker 1: growls and barks, and then a worker comes out and 443 00:21:00,640 --> 00:21:02,840 Speaker 1: the dog is very, very friendly, and then a black 444 00:21:02,880 --> 00:21:05,680 Speaker 1: worker comes out and the dog barks, and Wanda comes 445 00:21:05,680 --> 00:21:07,440 Speaker 1: to the clusion that you have a racist dog. 446 00:21:07,640 --> 00:21:11,800 Speaker 7: You have a racist doll. The dog hates black people. Wanda, there, 447 00:21:11,840 --> 00:21:13,240 Speaker 7: you trained the dog behave. 448 00:21:13,040 --> 00:21:15,200 Speaker 4: Boe oh, I didn't train it to hate black people. 449 00:21:15,520 --> 00:21:16,840 Speaker 7: Has it barked at any white people? 450 00:21:17,359 --> 00:21:24,760 Speaker 3: No, He's he's exactly your dog is racist Sheriff's racist sheriff. 451 00:21:25,400 --> 00:21:27,800 Speaker 7: That's a perfect name for a racist dog. Let you 452 00:21:27,920 --> 00:21:30,439 Speaker 7: get this dog the clan meeting or something. 453 00:21:30,480 --> 00:21:32,359 Speaker 1: You got a clan dog. He's looking at me like 454 00:21:32,400 --> 00:21:35,359 Speaker 1: I'm a t bone. And that's established that the dog 455 00:21:35,400 --> 00:21:37,880 Speaker 1: does not like black people. And then we are at 456 00:21:37,920 --> 00:21:40,359 Speaker 1: the funk Houser's twenty fifth anniversary party. 457 00:21:40,119 --> 00:21:42,959 Speaker 3: And Larry is in fact wearing a bow tie and 458 00:21:43,000 --> 00:21:43,560 Speaker 3: where are all you? 459 00:21:43,680 --> 00:21:46,320 Speaker 1: And I and some other people and Larry and Chell 460 00:21:46,359 --> 00:21:49,000 Speaker 1: are at the table and the waiter is giving us 461 00:21:49,000 --> 00:21:51,800 Speaker 1: the specials, and we're trying to order, and there's a 462 00:21:51,840 --> 00:21:55,640 Speaker 1: table next to us, very loud, laughing, having fun. It's 463 00:21:55,680 --> 00:21:58,680 Speaker 1: a black family and they're loud, and Larry leans over 464 00:21:59,000 --> 00:22:02,200 Speaker 1: and asks them to keep it down, and the guy 465 00:22:02,240 --> 00:22:04,800 Speaker 1: who's at the head of the table gets very offended 466 00:22:04,840 --> 00:22:06,760 Speaker 1: and says, we need to keep it down for Tucker 467 00:22:06,760 --> 00:22:09,879 Speaker 1: Carlson over here. Now, what I found interesting was the 468 00:22:09,920 --> 00:22:14,639 Speaker 1: Tucker Carlson reference, because Tucker Carlson is an evil, fucking, creepy, 469 00:22:14,800 --> 00:22:18,199 Speaker 1: disgusting human being. At that time, he was not so 470 00:22:18,400 --> 00:22:22,000 Speaker 1: much at that time, he was on crossfire, and he 471 00:22:22,160 --> 00:22:25,120 Speaker 1: was just like a conservative. It's like when we did 472 00:22:25,119 --> 00:22:27,720 Speaker 1: when we did that episode about the producers a couple 473 00:22:27,800 --> 00:22:30,240 Speaker 1: of weeks ago, and Katie Huffman has a picture of 474 00:22:30,280 --> 00:22:30,920 Speaker 1: George W. 475 00:22:31,000 --> 00:22:32,880 Speaker 3: Bush and her in her dress. 476 00:22:34,440 --> 00:22:37,440 Speaker 2: Change just evolved into what we have now. 477 00:22:37,680 --> 00:22:41,239 Speaker 1: So then he sees a lesbian character played by our 478 00:22:41,280 --> 00:22:47,159 Speaker 1: dear friend su Kolinsky, who I endore seeing was somebody 479 00:22:47,200 --> 00:22:49,320 Speaker 1: that we did stand up with in New York from many, 480 00:22:49,359 --> 00:22:50,240 Speaker 1: many years ago. 481 00:22:50,200 --> 00:22:53,840 Speaker 2: When I was a young comedian, really young comedian. She 482 00:22:54,040 --> 00:22:56,679 Speaker 2: saw something in me and she was so kind and 483 00:22:56,720 --> 00:22:59,600 Speaker 2: supportive to me. Whenever I worked with her, I was 484 00:22:59,760 --> 00:23:00,480 Speaker 2: just thrilled. 485 00:23:01,160 --> 00:23:03,840 Speaker 3: She was just she's a great You. 486 00:23:03,880 --> 00:23:08,360 Speaker 2: Know, you remember everyone that's really nice to you and 487 00:23:08,400 --> 00:23:11,840 Speaker 2: everyone that's really horrible. And the best thing is when 488 00:23:11,880 --> 00:23:15,680 Speaker 2: the horrible people who've treated you like crap once you're 489 00:23:15,720 --> 00:23:19,439 Speaker 2: successful change their tune. You don't let them know, You 490 00:23:19,480 --> 00:23:22,560 Speaker 2: don't give them that satisfaction. You let them keep on 491 00:23:22,720 --> 00:23:26,680 Speaker 2: with their lyne you know, yoh great, Yeah, the good 492 00:23:26,680 --> 00:23:29,960 Speaker 2: old times. I can say you never booked me. 493 00:23:29,920 --> 00:23:32,320 Speaker 3: But Sue Keolinski was not one of those. No, she 494 00:23:32,400 --> 00:23:34,760 Speaker 3: was someone who she was a good guy still is. 495 00:23:34,840 --> 00:23:37,840 Speaker 2: Especially for a young comedian and I started at twenty. 496 00:23:38,440 --> 00:23:42,199 Speaker 2: I'm talking back then. I mean an established comedian as 497 00:23:42,280 --> 00:23:44,960 Speaker 2: being kind to me and likes me. There were others, 498 00:23:45,000 --> 00:23:47,000 Speaker 2: but I always remember Sue, and I love Sue. 499 00:23:47,320 --> 00:23:48,080 Speaker 3: And Sue. 500 00:23:48,280 --> 00:23:50,960 Speaker 1: Larry waves to her and she ices him, and then 501 00:23:51,040 --> 00:23:53,159 Speaker 1: we do a little turn around the room and we 502 00:23:53,240 --> 00:23:57,080 Speaker 1: see all the other lesbians giving him dirty looks. And 503 00:23:57,240 --> 00:23:59,960 Speaker 1: Larry goes over to Sue, and she's like, what's the snub? 504 00:24:00,440 --> 00:24:02,880 Speaker 1: And she tells him that the fact that he got 505 00:24:02,960 --> 00:24:07,760 Speaker 1: so excited that Jody Funkhouse was not with women anymore, 506 00:24:08,240 --> 00:24:11,520 Speaker 1: that all the lesbians are really really upset, you know, 507 00:24:11,560 --> 00:24:12,400 Speaker 1: And she says. 508 00:24:12,280 --> 00:24:13,800 Speaker 3: He used to be such a liberal guy. 509 00:24:13,880 --> 00:24:17,840 Speaker 1: Larryber No, what would you look like? 510 00:24:17,840 --> 00:24:20,200 Speaker 3: Look at the boat Tielet just tried. 511 00:24:20,000 --> 00:24:20,720 Speaker 6: It out a boat tie. 512 00:24:20,960 --> 00:24:22,159 Speaker 2: Excuse me, excuse me? 513 00:24:22,600 --> 00:24:23,000 Speaker 6: You know what. 514 00:24:23,119 --> 00:24:25,480 Speaker 2: I'm sorry, you know, don't even waste your time talking 515 00:24:25,480 --> 00:24:28,639 Speaker 2: to this man. This man is a racist. He has 516 00:24:28,680 --> 00:24:29,560 Speaker 2: a racist dog. 517 00:24:30,440 --> 00:24:32,440 Speaker 3: He has a dog that attacks black people. 518 00:24:34,880 --> 00:24:36,960 Speaker 2: Okay, I do the dog. He is racist, but I 519 00:24:37,000 --> 00:24:38,040 Speaker 2: didn't train him to be racist. 520 00:24:38,080 --> 00:24:39,320 Speaker 6: He's just forget about it. 521 00:24:39,760 --> 00:24:40,520 Speaker 2: How do you know that? 522 00:24:41,400 --> 00:24:45,200 Speaker 1: Because we talk Larry, and then Larry goes over to 523 00:24:45,359 --> 00:24:47,480 Speaker 1: Marty funkas who He's like, what did you tell Jody? 524 00:24:47,880 --> 00:24:50,640 Speaker 1: And and Marty says, I told her you were overjoyed, 525 00:24:51,359 --> 00:24:53,680 Speaker 1: and I was giving you the benefit. 526 00:24:53,720 --> 00:24:54,640 Speaker 3: I don't need the benefit. 527 00:24:54,680 --> 00:24:56,720 Speaker 1: They get into the whole benefit thing and then Larry says, 528 00:24:56,960 --> 00:24:59,920 Speaker 1: where's Rosie O'Donnell? And Marty says, she's not here, he's 529 00:25:00,000 --> 00:25:02,400 Speaker 1: it's not here now and they do a staredown. 530 00:25:03,000 --> 00:25:04,600 Speaker 3: Larry and Marty do a staredown. 531 00:25:04,680 --> 00:25:07,920 Speaker 2: That was a staredown that must have been at least 532 00:25:07,960 --> 00:25:11,159 Speaker 2: a dozen takes because Larry couldn't get through it. 533 00:25:11,320 --> 00:25:13,359 Speaker 3: You can't do a stare down with those two without 534 00:25:13,400 --> 00:25:14,040 Speaker 3: a dozen. 535 00:25:14,000 --> 00:25:16,920 Speaker 2: No no, no, no no, but Bob and you can see 536 00:25:16,920 --> 00:25:20,320 Speaker 2: at the end the face Bob makes that ends it 537 00:25:20,400 --> 00:25:23,680 Speaker 2: is just wow, you know, hilarious. 538 00:25:23,040 --> 00:25:25,680 Speaker 3: Bobby was you know, the dead pan king. 539 00:25:25,880 --> 00:25:40,560 Speaker 1: Right, we'll be right back, stay tuned, and we're back, 540 00:25:42,240 --> 00:25:45,120 Speaker 1: and then I love this next thing. Bob calls over Dan, 541 00:25:45,440 --> 00:25:48,760 Speaker 1: who is Jody's new boyfriend, and introduces him to Larry, 542 00:25:49,280 --> 00:25:53,080 Speaker 1: not Bob, Marty. Marty then walks away and Larry starts 543 00:25:53,119 --> 00:25:57,040 Speaker 1: a whole riff with Dan, Jody Funkus's boyfriend, about how 544 00:25:57,080 --> 00:25:59,879 Speaker 1: he admires him to have to have to overcome the 545 00:26:00,760 --> 00:26:01,600 Speaker 1: actor's name. 546 00:26:02,080 --> 00:26:07,160 Speaker 2: I believe Marcus Redmond who played the black kneman. 547 00:26:06,880 --> 00:26:09,520 Speaker 3: At the table, that is his name. Who he is? 548 00:26:09,640 --> 00:26:12,000 Speaker 2: Yeah, I mean he was a great guy and a 549 00:26:12,040 --> 00:26:12,919 Speaker 2: wonderful actor. 550 00:26:13,280 --> 00:26:15,719 Speaker 3: Is is is? 551 00:26:16,400 --> 00:26:19,960 Speaker 1: And Larry starts this whole riff with Jody's new boyfriend, Dan. 552 00:26:20,440 --> 00:26:25,119 Speaker 4: Terrific and to have to overcome the whole situation, the 553 00:26:25,160 --> 00:26:26,760 Speaker 4: whole sexual thing, you know. 554 00:26:26,920 --> 00:26:30,080 Speaker 2: Oh wow, Yeah, there's not overcome really well. 555 00:26:30,119 --> 00:26:32,040 Speaker 4: No, you know the fact that she's been with women before. 556 00:26:32,080 --> 00:26:36,159 Speaker 4: You know, I'd be really intimidated by that, because you know, 557 00:26:36,200 --> 00:26:39,720 Speaker 4: we really intimidated, well because we don't know what we're 558 00:26:39,720 --> 00:26:42,240 Speaker 4: doing as much as women though. You know, it's their equipment. 559 00:26:42,280 --> 00:26:44,320 Speaker 4: They own the equipment, so they know what to do 560 00:26:44,400 --> 00:26:46,679 Speaker 4: with it. You know what's going on down there. I 561 00:26:46,680 --> 00:26:49,960 Speaker 4: don't want any idea to think that the whole area 562 00:26:50,080 --> 00:26:54,560 Speaker 4: is so mysterious to me. You know, I'm just saying 563 00:26:54,600 --> 00:26:58,080 Speaker 4: it's a lot of I'd be intimidated, and I know that. 564 00:26:58,400 --> 00:27:01,239 Speaker 1: And you see Dan starting to think about it and 565 00:27:01,720 --> 00:27:04,600 Speaker 1: starting to take in what Larry's saying, and he never 566 00:27:04,680 --> 00:27:08,600 Speaker 1: thought about this before, and we just know, no good 567 00:27:08,640 --> 00:27:09,480 Speaker 1: is going to come from. 568 00:27:09,359 --> 00:27:12,520 Speaker 2: You, because for myself, I don't want to say I 569 00:27:12,520 --> 00:27:14,720 Speaker 2: can say a lot of men feel this way. The 570 00:27:14,840 --> 00:27:17,800 Speaker 2: vagina is very mysterious and overwhelming. 571 00:27:17,920 --> 00:27:18,360 Speaker 3: Is it really? 572 00:27:18,600 --> 00:27:21,639 Speaker 2: Oh my god, oh my god? What do you touch? 573 00:27:21,720 --> 00:27:25,800 Speaker 2: How do you do it? The whole festival very overwhelming. 574 00:27:26,040 --> 00:27:31,000 Speaker 2: And I also found that different women, their vaginas look different, 575 00:27:31,359 --> 00:27:35,200 Speaker 2: and they have different likes with their vagina and the vaginas. 576 00:27:35,520 --> 00:27:38,760 Speaker 1: But that's true with penises as well, Jeff, I think 577 00:27:38,960 --> 00:27:39,760 Speaker 1: men's penises. 578 00:27:41,040 --> 00:27:45,440 Speaker 2: Different vaginas are delightful, men's penises are an embarrassment. 579 00:27:46,000 --> 00:27:48,320 Speaker 3: Well, vaginas are much more complicated with. 580 00:27:48,400 --> 00:27:53,920 Speaker 2: The vagina vagina, penis, vagina, vagina's got a nice ring 581 00:27:53,960 --> 00:27:55,520 Speaker 2: to unless you're doing the monologues. 582 00:27:56,000 --> 00:28:00,800 Speaker 1: Even then, next Larry's at the table, at our table, 583 00:28:00,840 --> 00:28:02,560 Speaker 1: and he wants to go home. He needs to go 584 00:28:02,560 --> 00:28:05,640 Speaker 1: to the bathroom, and it's this project demands. I need 585 00:28:05,680 --> 00:28:09,040 Speaker 1: my base. He needs to go home, And Cheryl tells 586 00:28:09,119 --> 00:28:11,760 Speaker 1: Larry she doesn't want to go home, and she thinks 587 00:28:11,760 --> 00:28:14,840 Speaker 1: it's ridiculous, and he says, no, you're gentile. You can 588 00:28:14,840 --> 00:28:17,119 Speaker 1: go in the middle of Fifth Avenue. It's different for Jews, 589 00:28:17,600 --> 00:28:20,439 Speaker 1: which I always remember that line and I say to him, 590 00:28:20,480 --> 00:28:23,840 Speaker 1: you can't leave before dessert. It's an affair, you know, 591 00:28:24,040 --> 00:28:26,240 Speaker 1: that's the rules. The rules don't apply to you. You 592 00:28:26,359 --> 00:28:29,119 Speaker 1: are not see now on this. I am on me, 593 00:28:29,320 --> 00:28:32,720 Speaker 1: Susie Esmond is on Larry's side. I don't subscribe to 594 00:28:32,760 --> 00:28:35,879 Speaker 1: any of those rules either that you know these things, 595 00:28:35,920 --> 00:28:41,120 Speaker 1: these social laceties that made up or that true. No, no, no, 596 00:28:41,360 --> 00:28:44,000 Speaker 1: that's that people will tell you can't leave, like you 597 00:28:44,000 --> 00:28:46,280 Speaker 1: can't leave a wedding before the wedding cake is cut, 598 00:28:46,360 --> 00:28:47,840 Speaker 1: you know the web cakes. 599 00:28:47,880 --> 00:28:51,320 Speaker 2: But mind you, I'm diabetic, so why wouldn't I be 600 00:28:51,400 --> 00:28:53,600 Speaker 2: allowed to leave before dessert served? 601 00:28:53,960 --> 00:28:57,840 Speaker 1: Because it's not about your your diabetes or your sweetness 602 00:28:57,920 --> 00:29:00,560 Speaker 1: or eating it or not. It's about that. That's the 603 00:29:00,760 --> 00:29:03,800 Speaker 1: end of the evening, the affair. That's when you're allowed 604 00:29:03,840 --> 00:29:04,240 Speaker 1: to leave. 605 00:29:04,600 --> 00:29:09,600 Speaker 2: If I'm waiting to, if I may, there's an open bar. 606 00:29:10,560 --> 00:29:11,760 Speaker 2: Many people are drunk. 607 00:29:13,000 --> 00:29:16,280 Speaker 1: I'm leaving, Jeff, you have no argument for me. I'm 608 00:29:16,320 --> 00:29:17,800 Speaker 1: just saying this is protocol. 609 00:29:18,000 --> 00:29:21,720 Speaker 2: By the way, the number one thing outside of comedian alcoholics, 610 00:29:22,400 --> 00:29:25,920 Speaker 2: the number one just hated thing by comedians. Don't approach 611 00:29:25,920 --> 00:29:28,320 Speaker 2: a comedian if you're drunk. But then again, with your 612 00:29:28,400 --> 00:29:31,000 Speaker 2: If you're drunk, you're not taking the pause that I'm 613 00:29:31,040 --> 00:29:35,360 Speaker 2: mentioning right now, but having the discussions even of how 614 00:29:35,440 --> 00:29:38,000 Speaker 2: good I was, hate it, what I made it. Drunk 615 00:29:38,040 --> 00:29:41,200 Speaker 2: people in Friday late shows, which contain the most struck and. 616 00:29:41,200 --> 00:29:44,160 Speaker 1: Drunk people, also think that when you're on stage and 617 00:29:44,200 --> 00:29:48,400 Speaker 1: they start shouting things out there helping you, well, you're correct. 618 00:29:48,360 --> 00:29:51,240 Speaker 2: But I'm talking off stage. They talked. 619 00:29:52,200 --> 00:29:54,600 Speaker 1: So Larry then goes to the men's room and is 620 00:29:54,600 --> 00:29:57,760 Speaker 1: a line and he goes to the handicapped stall, the 621 00:29:57,920 --> 00:30:00,280 Speaker 1: disabled stall to. 622 00:30:00,400 --> 00:30:12,600 Speaker 6: Go into the fricks. 623 00:30:15,320 --> 00:30:17,880 Speaker 1: And all the guys in line say you can't go there, 624 00:30:18,040 --> 00:30:19,440 Speaker 1: and he starts stuttering. 625 00:30:19,440 --> 00:30:22,680 Speaker 3: He's like, I stutter and he starts stuttering. Does it work? 626 00:30:22,720 --> 00:30:27,640 Speaker 2: He lives by the way, by the way, awesome, awesome callback. 627 00:30:28,200 --> 00:30:31,480 Speaker 3: Yeah, awesome callback, And it's not over. And then they're 628 00:30:31,480 --> 00:30:31,840 Speaker 3: at home. 629 00:30:31,880 --> 00:30:33,960 Speaker 1: It's the next day. Cheryl leaves and she says, don't 630 00:30:34,000 --> 00:30:36,480 Speaker 1: forget to take the dog out, and the phone rings 631 00:30:36,560 --> 00:30:40,160 Speaker 1: and it's Omar Jones and he's thinking about taking the case, 632 00:30:40,680 --> 00:30:42,920 Speaker 1: but he says, I got a disturbing call today about 633 00:30:42,960 --> 00:30:45,520 Speaker 1: your behavior at the banquet. Did you tell you know 634 00:30:45,560 --> 00:30:47,520 Speaker 1: a brother in the next table to keep it down. 635 00:30:48,000 --> 00:30:49,760 Speaker 1: And Larry's like, how do you know about that? And 636 00:30:49,760 --> 00:30:51,800 Speaker 1: he says, we talk, we talk. 637 00:30:51,920 --> 00:30:55,120 Speaker 2: We know it was built to something. But you know what, 638 00:30:55,280 --> 00:30:59,560 Speaker 2: I like logic. I'm a big fan of it in things. 639 00:31:00,120 --> 00:31:03,760 Speaker 2: This was just so different. It didn't bother me at 640 00:31:03,800 --> 00:31:07,400 Speaker 2: all that they everyone knew of whatever group, lesbians or 641 00:31:07,440 --> 00:31:11,240 Speaker 2: black people, that they all talk and they knew. I think, Oh, 642 00:31:11,240 --> 00:31:14,600 Speaker 2: by the way, if you're a notable person and you 643 00:31:14,760 --> 00:31:18,440 Speaker 2: behave in a certain way, it will get out, it 644 00:31:18,520 --> 00:31:19,240 Speaker 2: will spread. 645 00:31:19,480 --> 00:31:22,040 Speaker 3: Yes, but that's not the That was not the conceit 646 00:31:22,120 --> 00:31:22,560 Speaker 3: of this. 647 00:31:22,760 --> 00:31:26,160 Speaker 2: Right, But I'm not conceit. No, But it happened instantly. 648 00:31:26,400 --> 00:31:27,480 Speaker 2: That's the point I'm making. 649 00:31:27,600 --> 00:31:28,560 Speaker 3: Yeah, because they talk. 650 00:31:28,720 --> 00:31:29,360 Speaker 2: Yeah. 651 00:31:29,360 --> 00:31:33,080 Speaker 1: And also Omar Jones mentions to Larry that he went 652 00:31:33,080 --> 00:31:36,480 Speaker 1: home with the bathroom cake, right. And then Sheriff is 653 00:31:36,560 --> 00:31:39,960 Speaker 1: tied up outside, Sheriff the dog up outside the restaurant. 654 00:31:39,960 --> 00:31:42,360 Speaker 1: He's in a restaurant with you, and the dog is 655 00:31:42,400 --> 00:31:44,040 Speaker 1: barking at a lot of black people. 656 00:31:44,880 --> 00:31:48,040 Speaker 3: And the lesbian waitress is so nice to Larry. 657 00:31:48,120 --> 00:31:51,520 Speaker 1: She offers him a free dessert and she's like, nice 658 00:31:51,560 --> 00:31:53,320 Speaker 1: to have you back, Larry, and. 659 00:31:53,840 --> 00:31:56,600 Speaker 3: He's you say to him, you're back in the lesbian bosom. 660 00:31:56,640 --> 00:32:00,760 Speaker 1: There's a montage of lesbians just clling out him, glowing 661 00:32:00,800 --> 00:32:02,960 Speaker 1: at him, and he says that, you know. 662 00:32:02,960 --> 00:32:03,800 Speaker 3: I wonder why. 663 00:32:04,240 --> 00:32:07,400 Speaker 1: And Marty then knocks on the window door and calls 664 00:32:07,480 --> 00:32:09,000 Speaker 1: him out and he says. 665 00:32:08,760 --> 00:32:09,960 Speaker 3: What did you say to Dan? 666 00:32:10,760 --> 00:32:16,680 Speaker 1: And apparently Dan was totally flummixed by Larry's conversation with him, 667 00:32:16,880 --> 00:32:19,480 Speaker 1: and he broke up with Jody, and Jody is back 668 00:32:19,520 --> 00:32:20,280 Speaker 1: with a woman now. 669 00:32:20,520 --> 00:32:22,920 Speaker 3: And then he also says, you left before dessert. It's 670 00:32:22,920 --> 00:32:24,200 Speaker 3: not the proper etiquette. 671 00:32:24,240 --> 00:32:28,000 Speaker 1: And he wanted Larry to make a toast and he said, 672 00:32:27,720 --> 00:32:28,520 Speaker 1: I said. 673 00:32:28,480 --> 00:32:30,400 Speaker 3: Is Larry David here? I want him to make a toast? 674 00:32:30,440 --> 00:32:33,000 Speaker 1: And people said Larry David went home to take a shit, 675 00:32:34,760 --> 00:32:35,080 Speaker 1: I know. 676 00:32:35,880 --> 00:32:36,920 Speaker 4: And then Larry. 677 00:32:36,680 --> 00:32:40,200 Speaker 1: Runs into Rosie o'donald and she said, you know, she heard, 678 00:32:40,320 --> 00:32:43,360 Speaker 1: she heard everything that happened because they talk and. 679 00:32:43,400 --> 00:32:47,360 Speaker 2: She wants uses the term at the meeting. 680 00:32:47,640 --> 00:32:50,280 Speaker 3: At the meeting, she said, they had a meeting. She said, 681 00:32:50,560 --> 00:32:53,120 Speaker 3: I stood up at the meeting. I told everybody I 682 00:32:53,160 --> 00:32:55,240 Speaker 3: know the guy I vouch for you, You're all right, 683 00:32:55,400 --> 00:32:59,240 Speaker 3: You're you're something on, come on. It all worked out right, 684 00:32:59,360 --> 00:32:59,800 Speaker 3: it's great. 685 00:33:00,080 --> 00:33:00,360 Speaker 7: Listen. 686 00:33:00,440 --> 00:33:04,000 Speaker 3: She's happy. We're happy, you know, she's back on the team. 687 00:33:04,040 --> 00:33:04,720 Speaker 2: Everything's good. 688 00:33:04,760 --> 00:33:06,320 Speaker 3: Don't we even think about it? 689 00:33:06,520 --> 00:33:09,800 Speaker 1: Fat And he says, no, I missed you at the 690 00:33:09,800 --> 00:33:13,480 Speaker 1: funk House party and she says, what, oh, JODI's father. 691 00:33:14,080 --> 00:33:16,240 Speaker 1: I don't really know him. And he says, you weren't invited. 692 00:33:16,280 --> 00:33:19,160 Speaker 1: She said no, no, I wasn't invited. So Marty was 693 00:33:19,320 --> 00:33:22,120 Speaker 1: a fucking liar about that. Rosey wasn't even invited to 694 00:33:22,160 --> 00:33:25,440 Speaker 1: the party. And she leaves and she says, all lesbians 695 00:33:25,520 --> 00:33:28,480 Speaker 1: love you. Everything's fixed. And then he goes to Omar's 696 00:33:28,520 --> 00:33:31,920 Speaker 1: apartment at Omar's office amar Jones's office to return the key, 697 00:33:32,320 --> 00:33:36,240 Speaker 1: and Omar is on his little prayer rug on his knees, 698 00:33:36,440 --> 00:33:40,840 Speaker 1: praying facing east, and he's like, ah, oh I see. 699 00:33:41,880 --> 00:33:45,920 Speaker 2: And then the idea that Larry sits down right in 700 00:33:45,960 --> 00:33:49,640 Speaker 2: front of him, maybe a foot away, is really funny. 701 00:33:49,280 --> 00:33:52,120 Speaker 1: And he does that very Jewish things like it's for good, 702 00:33:52,240 --> 00:33:56,840 Speaker 1: go go pray, pray, you know, and then he asks 703 00:33:56,880 --> 00:33:59,720 Speaker 1: him a brother's insist is sensitive to being told to 704 00:33:59,800 --> 00:34:03,040 Speaker 1: keep it down, And then Omar folds up the man 705 00:34:03,120 --> 00:34:04,239 Speaker 1: and he says, oh, you fold that up. 706 00:34:04,280 --> 00:34:05,120 Speaker 3: Like a yoga mat. 707 00:34:06,440 --> 00:34:10,399 Speaker 2: Like it's not an observation. He does another question, it's 708 00:34:10,480 --> 00:34:12,200 Speaker 2: like a yoga mat, right, you. 709 00:34:12,160 --> 00:34:16,200 Speaker 1: Know, yeah, yeah, and and Omar tells, h listen, Muslims 710 00:34:16,200 --> 00:34:18,799 Speaker 1: are forgiving people. And I'm going to take your case, 711 00:34:18,800 --> 00:34:20,799 Speaker 1: but I'm going to charge you all higher rate. And 712 00:34:20,840 --> 00:34:22,799 Speaker 1: he goes to shake and said he says, the Muslims shake, 713 00:34:23,320 --> 00:34:25,359 Speaker 1: and he returns the bathroom key. And he says, oh wait, 714 00:34:25,400 --> 00:34:27,319 Speaker 1: but first I have to go to the bathroom. And 715 00:34:27,360 --> 00:34:30,800 Speaker 1: the stalls, the stalls fall, but the handicappedtall is empty. 716 00:34:31,360 --> 00:34:34,879 Speaker 1: And the same guy in the wheelchair comes out of 717 00:34:35,239 --> 00:34:38,400 Speaker 1: what they they are calling I am not calling the 718 00:34:38,560 --> 00:34:41,439 Speaker 1: normal toilet And well. 719 00:34:41,400 --> 00:34:43,520 Speaker 2: No, no, you can say, you know, you have to 720 00:34:43,600 --> 00:34:44,960 Speaker 2: say that the normal type. 721 00:34:44,960 --> 00:34:47,160 Speaker 1: But you can also Larry says, we don't like to 722 00:34:47,160 --> 00:34:50,719 Speaker 1: be referred to as normal. We are able bodied. That's 723 00:34:50,760 --> 00:34:53,800 Speaker 1: from the eighties. And then he says, and then you wait, 724 00:34:54,440 --> 00:34:57,440 Speaker 1: you wait, so it's a complete callback. And he goes 725 00:34:57,520 --> 00:35:01,640 Speaker 1: out and he gets sheriff the dog, and Omar comes 726 00:35:01,640 --> 00:35:04,200 Speaker 1: out and starts walking towards him because Larry forgot the 727 00:35:04,200 --> 00:35:06,839 Speaker 1: bathroom key again, forgot to give him back the bathroom key. 728 00:35:07,000 --> 00:35:09,600 Speaker 1: And you see Larry's panicked because Omar said he was 729 00:35:09,640 --> 00:35:11,360 Speaker 1: going to take the case and he wants Omer to 730 00:35:11,400 --> 00:35:11,959 Speaker 1: take the case. 731 00:35:12,040 --> 00:35:15,680 Speaker 2: And then Omar is coming in shots slow motion. 732 00:35:15,880 --> 00:35:20,239 Speaker 3: Slow motion, and Larry's very afraid. Sheriff does go after him, and. 733 00:35:20,239 --> 00:35:22,520 Speaker 2: It's actually one of those things as an audience, you're going, 734 00:35:22,520 --> 00:35:24,160 Speaker 2: what the fuck's gonna happen? 735 00:35:24,520 --> 00:35:26,759 Speaker 1: Yeah, because you know that Sheriff is a racist dog, 736 00:35:26,800 --> 00:35:29,280 Speaker 1: and we saw it in the scene before, is barking 737 00:35:29,280 --> 00:35:32,400 Speaker 1: at black people outside the restaurant, and Larry's very worried. 738 00:35:32,719 --> 00:35:35,840 Speaker 1: And then finally Omar comes over and he pets Sheriff 739 00:35:35,880 --> 00:35:38,680 Speaker 1: and everything is fine, and he says, I love dogs. 740 00:35:39,040 --> 00:35:43,080 Speaker 1: And then Rosie shows up and Sheriff now goes after 741 00:35:43,200 --> 00:35:47,040 Speaker 1: Rosie because now he's changed from being a racist dog 742 00:35:47,239 --> 00:35:48,600 Speaker 1: to a homophobic dog. 743 00:35:48,719 --> 00:35:50,720 Speaker 3: Yeah, and that's the end of the episode set. 744 00:35:50,960 --> 00:35:53,680 Speaker 2: And by the way, I want to also add as 745 00:35:53,719 --> 00:35:56,680 Speaker 2: an actor and this has happened to me. If you 746 00:35:56,760 --> 00:35:58,960 Speaker 2: have a guest appearance, I don't care whether you're somebody 747 00:35:59,040 --> 00:36:03,560 Speaker 2: big or small, and there's a connection. Your performance is 748 00:36:03,600 --> 00:36:06,920 Speaker 2: great and there's a connection. Larry David wrote that for 749 00:36:06,960 --> 00:36:09,359 Speaker 2: a future season that whole run she was in the 750 00:36:09,400 --> 00:36:13,440 Speaker 2: whole season Rosie, and he wrote that because he loved 751 00:36:13,440 --> 00:36:16,160 Speaker 2: being around her and he really enjoyed working with her, 752 00:36:16,360 --> 00:36:17,919 Speaker 2: and she was solid as a rock. 753 00:36:18,600 --> 00:36:20,040 Speaker 3: So that was the next season. 754 00:36:20,080 --> 00:36:22,000 Speaker 1: This is season five, the season where she was in 755 00:36:22,040 --> 00:36:23,200 Speaker 1: the whole season eight. 756 00:36:23,719 --> 00:36:29,840 Speaker 2: Yeah, okay, but she was you know, just's I love her. 757 00:36:30,040 --> 00:36:32,640 Speaker 1: And yeah, I've known Rosie forever. She's a good friend. 758 00:36:32,920 --> 00:36:35,359 Speaker 1: But that's that's how he operates, you know what I mean. 759 00:36:35,360 --> 00:36:38,560 Speaker 2: Oh, I'm saying that's how we operate on the show. 760 00:36:38,800 --> 00:36:42,399 Speaker 2: That's how I operate. If you're a joy, I only 761 00:36:42,440 --> 00:36:45,000 Speaker 2: want to keep working with you. It's like crew members. 762 00:36:45,200 --> 00:36:47,640 Speaker 2: You want to keep the same crew members if you 763 00:36:47,680 --> 00:36:49,600 Speaker 2: have a great time and they do great work. 764 00:36:49,920 --> 00:36:52,120 Speaker 3: Jeff, I was a day player. I was not a 765 00:36:52,200 --> 00:36:53,000 Speaker 3: series regular. 766 00:36:53,200 --> 00:36:56,040 Speaker 2: Oh on curb. Yeah. Well, by the way, I'm going 767 00:36:56,120 --> 00:36:59,960 Speaker 2: to use this phrase, Susie, you could not be denied. 768 00:37:01,239 --> 00:37:02,040 Speaker 2: You're that good. 769 00:37:02,239 --> 00:37:04,880 Speaker 1: Well, but I didn't know that every season we would finish. 770 00:37:04,920 --> 00:37:06,759 Speaker 1: I never knew if I was coming back. I didn't 771 00:37:06,760 --> 00:37:10,120 Speaker 1: have a contract, but he wanted me there, so I 772 00:37:10,200 --> 00:37:11,799 Speaker 1: was lucky. Yeah, I was lucky. 773 00:37:11,880 --> 00:37:15,440 Speaker 2: Well, that's the end of episode two, season. 774 00:37:15,160 --> 00:37:18,040 Speaker 1: Five, Season five, and we will see you next week 775 00:37:18,239 --> 00:37:19,799 Speaker 1: with episode three. 776 00:37:20,000 --> 00:37:28,480 Speaker 2: Very exciting, Thank you for listening. 777 00:37:29,600 --> 00:37:32,960 Speaker 1: The History of Carmer Enthusiasm is a production of iHeart Radio. 778 00:37:33,080 --> 00:37:36,800 Speaker 1: For more podcasts from iHeart Radio, visit the iHeart Radio 779 00:37:37,200 --> 00:37:40,160 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.