Speaker 1: Watch up and welcome back to another episode of No
Speaker 1: Sealers Podcast with your host. Now, fuck that with your
Speaker 1: low glasses, Malone, what you.
Speaker 2: Do to yourself?
Speaker 3: Dug. I have nerve damaged nerve in my elbow, so
Speaker 3: and I reached back and I hit it on the
Speaker 3: side of this chair and that fucking hurts Jesus Christ,
Speaker 3: and it catches me. I do it every you know,
Speaker 3: a week or two, and every time I do it,
Speaker 3: it's like obviously you don't see it coming, and it's
Speaker 3: just like fuck it, just it just burns like all
Speaker 3: Hell's like.
Speaker 2: Fih, how'd you mess up the uh the nerve into
Speaker 2: your shit?
Speaker 3: It's the stupidest story in the fucking world. Like I
Speaker 3: was it. I remember this shit. I was in the
Speaker 3: eleventh grade at Oris County Championships track meet doing the
Speaker 3: high jump and I got off badly. So I just
Speaker 3: like knocked you know the bar that comes down if
Speaker 3: you hit it.
Speaker 2: Yeah, I just like.
Speaker 3: I knew I got off bad so I just jumped
Speaker 3: and kind of knocked it backwards and then landed like this.
Speaker 3: But I landed with like all my weight and my
Speaker 3: arm bent and like straight like on the bar. Like
Speaker 3: it's like I went like elbowed to bar first and
Speaker 3: just pop, And I was like, it's been like fucked
Speaker 3: up for twenty five years.
Speaker 2: You can't fix it.
Speaker 3: No, they said it was supposed to grow. I don't
Speaker 3: know if there's nerve nerve tissue on the on the
Speaker 3: nerve cell or scar tishe the nerve. I don't know
Speaker 3: what the problem is, but it's like too, it's not
Speaker 3: like surgically damaged, like requiring surgery. It's just like some
Speaker 3: stupid thing that's either like I don't have really good
Speaker 3: feeling and like the outside half of my hand and
Speaker 3: if I hit it, it's just still fucking hurts. It's
Speaker 3: the stupidest thing, and it's like the stupidest of even
Speaker 3: for me. This is stupid.
Speaker 1: So so it makes you know, it makes your nerve
Speaker 1: super sensitive to some degree.
Speaker 3: Yeah, it's like it's it's it's your funny bone nerve whatever.
Speaker 3: So while functionally at its ends here, I'm like this,
Speaker 3: it's it's less sensitive where it's supposed to be, but
Speaker 3: hitting it where the problem is hurts a hell of it.
Speaker 3: Like this is just you know, hit this side just
Speaker 3: got that kind of whatever feeling for a few minutes
Speaker 3: to hit on the other side of fucking burns.
Speaker 1: Shout out to Girls six. I'm glad you're the first comment.
Speaker 1: Welcome here on time to the lunch table. Use the
Speaker 1: first one at the table. No Seilings live the Lunch
Speaker 1: Hour every Monday, Wednesday, and Friday at noon Pacific Standard
Speaker 1: time right here on Digital Soapbox. Click that thumbs up
Speaker 1: if you're sitting at that lunch table in them comments,
Speaker 1: let us know you in drop a comment. Represent Click
Speaker 1: that thumbs up button again going to the description. Subscribe
Speaker 1: to No Selings Podcasts on Apple Podcasts, iHeart Podcasts, or
Speaker 1: anywhere you get your podcast. The No Sellers podcast executive
Speaker 1: produced by Charlemagne to God Black and Fat Network and.
Speaker 3: iHeart and we got a good one dropping tomorrow.
Speaker 1: That was a cool Yeah, that was a fantastic podcast.
Speaker 3: And Jobs is awesome. That guy so fun.
Speaker 2: I love.
Speaker 1: I love telling him all the time, Like I love Jobs, bro,
Speaker 1: because Jobs are such an intelligent person and and.
Speaker 3: The way talks is great. Like I feel like it
Speaker 3: would be the fair thing to do for it to
Speaker 3: like just have to give him my spot.
Speaker 2: On this show.
Speaker 1: Yeah, no, I thought about it. Jobs is so dope, bro.
Speaker 1: Uh he called me to h were hitting back real quick. No, man,
Speaker 1: I liked him. He asked me to do intellectually Patty Jobs.
Speaker 1: We on the live stream right now. We're on my
Speaker 1: YouTube on our daily last stream Monday, Wednesday and Friday,
Speaker 1: me and Pete and we were just talking about hope
Speaker 1: you are, bro, you know what I'm saying, and we
Speaker 1: just singing your praises.
Speaker 2: Man, apologize somebody.
Speaker 1: Nah Jobs, we the thing about the people I pride
Speaker 1: myself and hanging around there all intelligent enough, nobody would
Speaker 1: be offended at all. Like nobody minds the intellectual push back.
Speaker 1: It's fair and you should be able to stand on
Speaker 1: your principles if they're genuine principles you stand on. So
Speaker 1: Nah Jobs, No, it ain't none.
Speaker 2: Of that, bro. I'm always pead.
Speaker 1: He brought it up, and I'm like, I'm always proud
Speaker 1: to create content with you.
Speaker 2: You know what I mean?
Speaker 1: He was like, I need to give him my spot.
Speaker 1: I'm like jobs, and so we're gonna see the link
Speaker 1: to the to check it out. But it go live tomorrow,
Speaker 1: so I'm gonna stay on you about it.
Speaker 2: Yep. Monday, Wednesday Friday at noon, I'm gonna see you link.
Speaker 1: Say you can look at it all, right, Uh so
Speaker 1: everybody is sending me early birthday.
Speaker 2: My birthday is tomorrow. Shout out to everybody.
Speaker 1: Right, Shout out to girls sick, Shout out to mister
Speaker 1: green k Ancient Echos, Eugenie wash Up player, shout out
Speaker 1: to Philly Marshall. I don't even want to get into that,
Speaker 1: bro like that that. I know the headline is a
Speaker 1: little bit loose, but I don't even want to talk
Speaker 1: about that. I'm so upset. I've been telling everybody when
Speaker 1: they let when they let this stuff happen to Diddy
Speaker 1: unfairly like that, that this could be the triggering effect
Speaker 1: of people, you know, fighting financial wars, were just in
Speaker 1: a bad time.
Speaker 2: I don't even that's not even my thought.
Speaker 1: But I did use the title, you know, knowing that
Speaker 1: that was a part of the conversation.
Speaker 2: Jews.
Speaker 1: Shout out to Jews, smirk. I don't even want to
Speaker 1: talk about that, bro, that that is hurting my feelings.
Speaker 1: My man, fast, what's up, baby?
Speaker 2: What's the deal?
Speaker 3: I think the real thing we need to talk about
Speaker 3: is are you a day cruise on your guys trip
Speaker 3: to Tulum to celebrate your birthday?
Speaker 2: No? No, no, no.
Speaker 1: Shout out to Squishy, thank you for the ten dollars.
Speaker 1: That's a good birthday lunch. Appreciate that.
Speaker 2: You know. I love you. I need your help.
Speaker 1: Still, we gotta go over that stuff we was talking
Speaker 1: about as far as that great idea Pete was saying.
Speaker 2: So I'm gonna make sure I get with you.
Speaker 1: Shout out to King Tell What Bro, Just Mitch, Kevin Finley,
Speaker 1: thank you for the ten dollars. What's up y'all, eight glasses,
Speaker 1: I'm looking forward to seeing you on the community. Y'all
Speaker 1: be having me dying laughing. Y'all be saying some real
Speaker 1: shit though, salute bro. What's funny? Is keV?
Speaker 2: I be so serious? Cousin.
Speaker 1: I'm starting to realize that my homies are immaturely poking
Speaker 1: fun at my seriousness of thought. Like I don't ever troll,
Speaker 1: but they joke and bullshit all the time. And this
Speaker 1: is I'm thinking they're making me the joke. You feel me?
Speaker 1: Shout out to Craze, yo, cuz what were man? We
Speaker 1: about to pop it? A couple of things was on
Speaker 1: my mind. Definitely ain't talking about bs though. Shout out
Speaker 1: to just Miss thank you for the twenty dollars. Man,
Speaker 1: I appreciate the birthday gift as player.
Speaker 2: Feel me.
Speaker 1: It's tomorrow again. We're gonna go up. Thank y'all, Thank y'all,
Speaker 1: thank y'all. Let's get into these conversations.
Speaker 2: I just like that.
Speaker 1: So somebody, it's a good one. Vegah yo, glasses. We
Speaker 1: heard that, Pete. Want to catch that fade with Andrew
Speaker 1: Peter squad shows? Yep, bro, who's Andrew the comedian? Who
Speaker 1: you've never heard of? Andrew Schultz the comedian.
Speaker 3: I'm gonna look him up.
Speaker 2: He does the he does the podcast with Charlottmagne. Oh
Speaker 2: that guy. He's a really famous comedian.
Speaker 3: Yay, I'm bad with names. I'm I'm really not professional
Speaker 3: when it comes to any human beings names.
Speaker 1: Well, thank you, appreciate it, Thank you everybody. I got
Speaker 1: money on Pete. Peter Squabby up, Peter Squabby up about that? No, honestly,
Speaker 1: Shulty is somebody I consider like. I like Schultz. I
Speaker 1: really didn't get into that thing much. I'm telling you,
Speaker 1: you don't want to say that type of stuff about people,
Speaker 1: especially so what he said. I'm only gonna give it
Speaker 1: this much energy, but I'm not gonna give it a
Speaker 1: bunch of energy. Because Schultz is a comedian, so his
Speaker 1: job is to be funny. So comedians take a lot
Speaker 1: of risk at being funny. It's weird when you so
Speaker 1: he was he there's a line in Kendrick Lamar's song
Speaker 1: in the Uh and the song that the first song
Speaker 1: Jesus Christ, I'm drawing a cold blank uh damn, I
Speaker 1: don't know why I came the song. Yeah, whacked out murals,
Speaker 1: Damn whacked out murals. And he has a line where
Speaker 1: he says, never let a white comedian talk about black
Speaker 1: woman as law.
Speaker 3: And you're not gonna like me?
Speaker 1: Sure, sure, sure, but again that's a that's a person,
Speaker 1: stands right and that's fine, Like that is a man
Speaker 1: and he should have that stance if he wants to
Speaker 1: have that stands right. So Schultz took it as if
Speaker 1: it was a shot towards him. I guess based off
Speaker 1: some things he was saying about Kamala, which you know
Speaker 1: he could have found out and asked questions. But yeah, whatever,
Speaker 1: So Schultz responded like, yeah, Kendrick mayroll with a bunch.
Speaker 2: Of gangsters, you know what I mean.
Speaker 1: But if it was just me and him, if we
Speaker 1: were in a cell, I would make love to him.
Speaker 1: And he said it like like I don't know if
Speaker 1: the term he used was forcefully or it was nothing
Speaker 1: he could do about it, insinuate it would be like
Speaker 1: talt to some degree. Now at the end of the day,
Speaker 1: I get it was him trying to be funny that
Speaker 1: I think it's funny. You know, people we don't play
Speaker 1: about like yeah, you know, like bad and opposite of
Speaker 1: heater sexuality. That ain't something we play with it. We
Speaker 1: don't really talk about that. That's a serious thing. We
Speaker 1: don't allow people to say that about people if it's
Speaker 1: not true. So my thing was I just didn't think
Speaker 1: it was that funny. But long as you understand what
Speaker 1: comes with funny could be a fight. That's my whole thing.
Speaker 1: I didn't get into the whole thing of your privilege.
Speaker 1: He's a comedian, you know what I'm saying. Whether I
Speaker 1: thought it was funny or not, he's a comedian. So
Speaker 1: I don't get into that whole you know what I'm saying,
Speaker 1: all that extra black We ain't gotta talk about blackness
Speaker 1: with this, because I know that that's your job to
Speaker 1: try to be funny. My thing is this man may
Speaker 1: do something to you when he see you. You know
Speaker 1: what I'm saying, like it may come with consequences, and
Speaker 1: because that may, as long as you okay with it,
Speaker 1: don't suing. You know what I'm saying, Don't sue, don't
Speaker 1: yo squabble up. You know what I'm saying like this,
Speaker 1: don't stay. And that's my point why I didn't get
Speaker 1: into it. But it became a big thing on black Twitter.
Speaker 3: That's that's why I only take potshots at comedians and
Speaker 3: rappers who are under five eleven.
Speaker 1: And you gotta you gotta, you gotta pip your balance.
Speaker 2: It was just so I let it go.
Speaker 1: I didn't even get into it cause it was like
Speaker 1: I know Schultz, you know what I'm saying, Like Schultzer
Speaker 1: see man and he always been good to me, you know.
Speaker 1: And again if he says something I thought was wrong,
Speaker 1: I would get on it.
Speaker 2: Like it don't matter if we okay or not. But
Speaker 2: I get it.
Speaker 1: That was your temper being funny. I don't think Cud's
Speaker 1: gonna find it funny. That's the point, Like I don't.
Speaker 1: I don't think Dot somewhere on an it looking like
Speaker 1: this funny like that is weird. That was like, hella weird.
Speaker 3: So that's kind of being funny. It's more so like
Speaker 3: it's playing that kind of And again I don't want
Speaker 3: to speak for the guy because I don't look, I
Speaker 3: don't know what you're thinking when you say the thing,
Speaker 3: you know what I mean? But I feel like it's
Speaker 3: kind of playing that murky gray area where you kind
Speaker 3: of want to, you know, say something, but you kind
Speaker 3: of want to say it. So it's funny enough to
Speaker 3: where you can say, oh, I was just trying to
Speaker 3: be funny, you know what I mean?
Speaker 1: Yeah, yeah, I mean, look, I don't get the humor.
Speaker 2: It's not my job. I let it go.
Speaker 1: I said one thing about it was like, man, DoD
Speaker 1: Willa beat your ass. That's what I told you, thatd
Speaker 1: gonna beat your ass. Like are both those.
Speaker 3: Guys really because Doc pretty is little, isn't it?
Speaker 2: Well?
Speaker 1: No, DoD is about five to six, Schultz about six
Speaker 1: men and Schultz almost the same mind. Shots might be
Speaker 1: my hype. He's a big tall guy. He's not a
Speaker 1: big guy, but you're a talk guy. But that ain't
Speaker 1: gonna matter. Like it's like an animal, you know, I
Speaker 1: mean an animal.
Speaker 2: So it's like.
Speaker 1: I just don't want you to sue him. I mean,
Speaker 1: I just don't want you to sue him. That's it,
Speaker 1: if you.
Speaker 3: What's interesting is it puts Kendrick in a position to
Speaker 3: leverage the new jay Z accusation and sue him.
Speaker 2: You see, I don't even want to, Oh man.
Speaker 3: That would be a really funny table turn. We're gonna
Speaker 3: sue the white guy for the sexual assault thing, and
Speaker 3: response to the perpetual sexual assault accusation thing going the
Speaker 3: other way, we're gonna pull a three dimensional chest one eighty.
Speaker 1: I don't even get into all of that. Again, I'm
Speaker 1: not I'm not even minding this madness that they talk
Speaker 1: about because I told y'all as that if we didn't
Speaker 1: stand up for Diddy like did, he should be charged
Speaker 1: based on actual crimes. I said, they would keep finding
Speaker 1: other brothers to do this too. This is a business
Speaker 1: tactic and a business negotiation. I said that people will
Speaker 1: use the court and the law. And the problem is,
Speaker 1: regardless whether Couz come out on top, he's going to
Speaker 1: lose business.
Speaker 2: This is going to fuck with his business.
Speaker 3: That's that's where I was gonna go with this. This
Speaker 3: is all the result of a precedent said by chicken
Speaker 3: shit expediency thirty years ago. It became cheaper. Look just
Speaker 3: settle signing and day stuffing under a rug and move on.
Speaker 3: It's cheaper. But what that does is it enables the
Speaker 3: process to perpetuate.
Speaker 2: And I'm not even finna even get into it.
Speaker 1: Somebody says something to me on Twitter and it blew
Speaker 1: me away, right, and I get it on Twitter. Shout
Speaker 1: out to everybody that that show love on Twitter. All
Speaker 1: of social media is because you know, again, I try
Speaker 1: to I don't know if you guys notice is if
Speaker 1: you follow me on social media. I really carry myself
Speaker 1: very standard, Like I won't speak to anybody. I don't
Speaker 1: care if you have three followings. I don't care if
Speaker 1: you have three followers or if you have three million followers.
Speaker 1: I treat you the same. I never really. I don't
Speaker 1: ignore voices. The point of hip hop is giving a
Speaker 1: voice to the voiceless. So I don't ignore voices. I
Speaker 1: hear you. So I will speak to people and I
Speaker 1: laugh about things that I think is funny. I ride
Speaker 1: with my homeboys, right, Like, let's say, this whole battle
Speaker 1: that DoD had going on, I'm riding with dot that's
Speaker 1: my man.
Speaker 2: No question, I know him.
Speaker 1: But it's weird when I have people come to me
Speaker 1: and they'll say man, glasses, like like you you know,
Speaker 1: you're glazing, Kendrick. So glazing is a is a kind
Speaker 1: of a geek term. It's a nerd term that's used
Speaker 1: on the Internet in response to saying like you're dick writing.
Speaker 1: Somebody h you're dick writing. That's kind of discussions like
Speaker 1: the nerd term glazy.
Speaker 2: Well yeah, uh.
Speaker 1: And it inspired this live and he said, uh. It
Speaker 1: was a list of people saying obviously they're they're fans
Speaker 1: of the owl, they're fans of the hour, they're part
Speaker 1: of the parliament. A group of ours together is called
Speaker 1: a parliament. So whenever I actually say parliament, you know
Speaker 1: what I'm saying, like, I'm referring to anybody that rides
Speaker 1: with the.
Speaker 2: Isle the Owl. Right.
Speaker 1: So a guy posted a list. His name is jas
Speaker 1: not Online. Shout out to Ja's not Online. It says
Speaker 1: the Fantastic four of meat writing. Can't help with cringe
Speaker 1: when these pages pop up on my timeline. It's the
Speaker 1: hommy Screwface, John Busby, Lovely and Rye and a lady
Speaker 1: added at g Malone and hit a J three in
Speaker 1: there m and who.
Speaker 3: Was that lady? I have had one person ever n
Speaker 3: box me on Instagram with hate mail, which had to
Speaker 3: be a result of the show, because I was like,
Speaker 3: who the fuck's this lady? And I looking like the
Speaker 3: only common person was you. So I was like, I
Speaker 3: must have been aware of me from the show or
Speaker 3: something like that, but I can't remember.
Speaker 1: Shout out to and then we met the internet showing
Speaker 1: support aka equals glazing Nigga's crazy.
Speaker 2: These boys these days. To these boys, I'll tell you, okay,
Speaker 2: So I.
Speaker 3: Don't understand that you're there's a.
Speaker 1: Fight friendship there, right, So when people say something negative
Speaker 1: to me, I'm sure they want my attention, so I
Speaker 1: give them my attention. So I'll go to their page, right,
Speaker 1: And I went to this person's page and I was
Speaker 1: looking and their whole page is dedicated to Drake. The
Speaker 1: whole page is dedicated to the Owl. The whole page
Speaker 1: looks like a nest, just.
Speaker 2: Just our shit everywhere.
Speaker 1: And I'm like to myself, like, like, Doc Kendrick is
Speaker 1: my friend.
Speaker 2: He's not like a rapper.
Speaker 1: I don't buy his albums like I buy his albums
Speaker 1: because I'm just supporting a friend. But he's my friend, right,
Speaker 1: Like that's the difference. Like I buy his albums because
Speaker 1: he's my friend. Then I ask him to sign it.
Speaker 1: I'm gonna make him sign this, this painting over here
Speaker 1: in the corner, I'm gonna make it.
Speaker 2: He's my friend.
Speaker 1: So it's like I get to watch my friend, you know,
Speaker 1: carry on places in this business that all of us
Speaker 1: didn't necessarily get to, Like I get to cheer him on, right,
Speaker 1: And he's my friend.
Speaker 2: So that's why I'm super supportive of him.
Speaker 1: People on the net don't even know anybody there's a
Speaker 1: port of So how what in the nerd logic would
Speaker 1: make you think that I would be consistent with glazing
Speaker 1: somebody when this person is somebody I can call on
Speaker 1: the phone. I could call him on the phone right now,
Speaker 1: you pick up the phone and I have him on
Speaker 1: his live talking.
Speaker 3: And if you called the owl and said, hey, how
Speaker 3: do you feel about this person here on Twitter or
Speaker 3: such and such heat and typical owl form say who who?
Speaker 2: Anyway?
Speaker 1: So like whoever that person is? As like this man
Speaker 1: wouldn't piss on you? Like so it's weird that And
Speaker 1: I've noticed that logic, right, and that's what made me
Speaker 1: title this lot this stream that way.
Speaker 4: Right.
Speaker 1: It's like I've truly became the villain for being real.
Speaker 1: We're supporting my partner.
Speaker 3: I think these other fans look at like the two
Speaker 3: people in question, and then everyone else is just a
Speaker 3: fan like them. So they're just kind of like jeering,
Speaker 3: you know, section six in the arena because they're in
Speaker 3: section one and that's the away team and they're the
Speaker 3: home team and whatever, and there's not like, no, I'm
Speaker 3: actually a coach. I work with him Monday through Wednesdays.
Speaker 3: If he hurts his ankle, this is bad for all
Speaker 3: of us.
Speaker 1: And don't get me wrong, I understand why the streets
Speaker 1: in the net don't cross.
Speaker 2: Yeah, what separates the streets from the net is the streets.
Speaker 1: Specifically, what up, Geno, shout out to my boy Geno,
Speaker 1: boss hill Up. What separates the streets and the net
Speaker 1: is the streets. You have to be accountable for the
Speaker 1: things you say.
Speaker 2: The Net.
Speaker 1: You don't have to be accountable for the things you say.
Speaker 1: You are allowed to say what you want to say
Speaker 1: and not be held accountable.
Speaker 3: Are you saying that the Internet is one giant hairshop.
Speaker 1: No, because the hairshot, somebody could get up out of
Speaker 1: their seat and smack you in your face.
Speaker 3: I just mean that it's a haven for femininity.
Speaker 1: Sure, Sure, I'm not disagreeing with that either. I'm just saying,
Speaker 1: like I've heard other people, even from the streets say, right,
Speaker 1: I've heard people in the streets say the Internet is
Speaker 1: the new streets, and I'm like, it could never be
Speaker 1: the streets because the streets you actually have to be
Speaker 1: accountable for things you say. Yeah, you have to be
Speaker 1: accountable for the things you say, So that becomes the difference.
Speaker 1: But I noticed, like in this time, like right, the
Speaker 1: more the more hip hop I become, right, I become
Speaker 1: more of a villain, Like I noticed that. And again,
Speaker 1: make sure y'all go to the podcast tomorrow. It drops
Speaker 1: on Apple Podcasts or iHeart Podcasts, Spotify, wherever you get
Speaker 1: your podcasts. Bro, it's a really great podcast about gangs.
Speaker 1: And we're gonna allowated for We're gonna elaborate further on
Speaker 1: the conversation Wednesday on his Live but it was a
Speaker 1: really great conversation. And I noticed how people see crips.
Speaker 1: I notice how people see me even when Tupacmas died.
Speaker 1: Since that day, I've truly entered a stage of villainy.
Speaker 2: Well.
Speaker 3: I think hip hop and it's genesis is an all.
Speaker 3: It's an ally to the few and the villain of
Speaker 3: the many. Yes, that's that's a countercultural perspective in general.
Speaker 1: Yes, And I noticed the more I embody the spirit
Speaker 1: of hip hop, especially you know West Coast hip hop.
Speaker 1: Some people call a gangster rap, I am a true villain.
Speaker 1: Like I'll say, like I'll laugh. I posted something on
Speaker 1: Twitter bro about Drake when Drake was at funk Master
Speaker 1: Offlex and he was picking up his BlackBerry or whatever,
Speaker 1: or like, I'll make Tupacmas die, right, I'll make anything
Speaker 1: that's nuanced. I could laugh, and people immediately are offended.
Speaker 1: And I don't know what's offensive. I really won't know
Speaker 1: what's offensive. Like I swear to God, when I see
Speaker 1: Tupac must die to this day, when I see Tupac
Speaker 1: must die to that day, I have no idea what
Speaker 1: people are mad at. I really don't get it. Like,
Speaker 1: I mean, I get why they could, they could be sad,
Speaker 1: but why the fuck are you mad at me?
Speaker 3: It's similar to what we were talking about, Like post
Speaker 3: show yesterday. People don't want to hear a message that
Speaker 3: they don't like, so immediately it becomes about the speaker
Speaker 3: and not the message.
Speaker 1: Immediately shout out to Revenge's glasses, I've been on my
Speaker 1: village shit shaking my head.
Speaker 2: I'm nobody's friend. I don't care.
Speaker 1: You know what if I got to be your friend
Speaker 1: in exchange for being like a fraud, Yeah, I'm not
Speaker 1: your friend neither, so I could.
Speaker 2: That's where it's at.
Speaker 1: And I just noticed the more I become hip hop,
Speaker 1: the more I become a villain like and you're right
Speaker 1: it like pop is a friend to a pop is
Speaker 1: a friend to all, like, but when you become hip hop,
Speaker 1: you're like ally to few and a villain to all.
Speaker 3: That is crazy, sure, I mean it's born of and
Speaker 3: representative for the minority of a minority, you know, but.
Speaker 1: You you never realize how much Like even listening to
Speaker 1: the Homie yesterday, I never realized what people think of crips. Sure,
Speaker 1: they really feel like crips still purses, and I'm like,
Speaker 1: that's a standard crime that poor people commit all over
Speaker 1: the world, But somehow it's been attached to cripping, even
Speaker 1: like the conversation that we had when it came to
Speaker 1: selling drugs, Like that's not associated with gang banging. That's
Speaker 1: associated with people trying to make money. That come from
Speaker 1: well really people trying to make money.
Speaker 2: Yeah, I just threw me away.
Speaker 1: I noticed it and this person was mad, and I'm
Speaker 1: like they like, like I'm actually putting.
Speaker 2: Shit on their timeline that makes their day bad.
Speaker 1: Like like I love Scarface, Scarface, No, I love Scarface, Scarface, No,
Speaker 1: I love Scarface like I love Scarface the rapper, Like
Speaker 1: this is one of my like like, man, everything to me,
Speaker 1: I'm not gonna defend no goofball shit he did.
Speaker 2: I'm just gonna love the parts that I love.
Speaker 3: And if someone came online it says Scarface the most
Speaker 3: overrated rapper in Houston hip hop history, I wouldn't even
Speaker 3: you're gonna you might debate it, but you're not gonna
Speaker 3: go sulk damn debate it.
Speaker 1: If you said Scarface is whack, I wouldn't even talk
Speaker 1: to you. I just know you have bad taste in music.
Speaker 1: You don't have a soul. Shout out to two K
Speaker 1: grind on nine. I didn't even know Glasses had a
Speaker 1: song called Tupac must die. I go off titles. I
Speaker 1: wouldn't even listen to this song seeing a title. That's
Speaker 1: what I'm saying. Two K, I don't know why. I
Speaker 1: really don't know why. I don't understand why, Like what
Speaker 1: what about that title, like even being the villain now,
Speaker 1: like when that that title is poetic. I can see
Speaker 1: if you saw the tweet, but I didn't get what
Speaker 1: about the title, Like that is not how you speak
Speaker 1: about somebody that you wish ill to.
Speaker 3: There's a linguistic tie between must in this context and deserves.
Speaker 2: To no just who's on Twitter?
Speaker 1: So I get why that could do that, But this
Speaker 1: guy sounds like it would be a play to me.
Speaker 3: Sure, I me just like within the language, it's really
Speaker 3: hard not to not for those two shoulders to rub.
Speaker 2: Should should have been why Poc died.
Speaker 3: Maybe like Tupac had to die. I don't know. It depends,
Speaker 3: like it's hard to say or why I killed Pac
Speaker 3: or something like that. I mean, I don't know, there's
Speaker 3: a there's a million different ways. I mean, it all depends.
Speaker 3: It's to the ear of the beholder. I guess you
Speaker 3: could say.
Speaker 1: In that regard, shout out to Lucky Lawrence being a
Speaker 1: diehard Tupac fan, I actually get the concept of too.
Speaker 2: Yeah, it's it's really a simple concept to.
Speaker 3: The story of the streets. It's not even the story
Speaker 3: of Tupac's it's the story of the streets via Tupac.
Speaker 2: Yes, or or him being involved.
Speaker 3: So here's it's using him to illustrate the principle.
Speaker 2: Yeah, Like here's a perspective.
Speaker 1: I mean, this is this is the perspective of somebody
Speaker 1: that comes from the culture that I come from, having
Speaker 1: to issue out this level of you know, justice.
Speaker 2: And even to an all time great.
Speaker 1: So like even when people said two Pac months die,
Speaker 1: I think they thought to themselves, that's my opinion, which
Speaker 1: that wouldn't even be how a cripple said. But like
Speaker 1: the idea is made in first person. So again it
Speaker 1: goes back to that point where we was, where we
Speaker 1: always debate. We always debate if people are stupid, and
Speaker 1: I'm like, no, I think people are distracted. You know,
Speaker 1: what's something else that distracts people emotions? The emotions is
Speaker 1: something will distract them from garnering what could be information
Speaker 1: to be taken in, like the emotions of things. So
Speaker 1: that's why I don't think people stupid. I just think
Speaker 1: they're really distracted different things, and some distractions are greater
Speaker 1: than others.
Speaker 3: Yeah, both are true. There are distractions. People are distracted,
Speaker 3: and they're stupid and the more.
Speaker 1: Really and I think that's you know, I think that's
Speaker 1: where our bond is, our bond is relay.
Speaker 3: I think people there's there's a certain thing that people
Speaker 3: if they're not incapable of learning, it's such an uphill
Speaker 3: battle to get them even to the point where they
Speaker 3: can learn the thing. Then it becomes and sometimes like
Speaker 3: I bump into stuff like that, like I'll try to
Speaker 3: research something and I'm like, this is so far deep
Speaker 3: into some sort of abstract physics or I but by
Speaker 3: the time I figured this out, the momental of past,
Speaker 3: you know, it happens. There's and then then there's just
Speaker 3: thousands of people who are entrenched in that industry and
Speaker 3: they understand it like they understand pouring a glass of water.
Speaker 3: I'm not that guy here.
Speaker 1: Just watch that Tupac Must Die video. It's a great concept,
Speaker 1: good concept project.
Speaker 2: It is dope. It came out dope. It was really dope.
Speaker 1: Shout out to fast Pac died with Lord, Yes he did,
Speaker 1: and he died or rider.
Speaker 2: You know what I'm saying.
Speaker 1: That's that's how you're supposed to go out, if you're
Speaker 1: gonna go go out, you know, standing up for something
Speaker 1: you really believe in. Shout out to Demo Radio, thank
Speaker 1: you for the five dollars. We really appreciate that.
Speaker 2: Brodie.
Speaker 1: If you or not idealized idolized pac you have a
Speaker 1: hard time digesting that song, I don't know if you
Speaker 1: really should, Like, I don't know if you really should
Speaker 1: if those two things have to be mutually exclusive. Like
Speaker 1: I guess idolized is a big extreme, so maybe not.
Speaker 2: I don't.
Speaker 1: I don't really idolize people, so I don't. I don't
Speaker 1: even know what the definition of that word is. Like
Speaker 1: like I think you like, like treat them like Jesus
Speaker 1: probably so, you know, but again, like, how do you articulate.
Speaker 2: Fuck man?
Speaker 3: I mean you idolize him because he made a brand
Speaker 3: based off of being the realist guy out there, yeah,
Speaker 3: and then the ultimate.
Speaker 5: Reality he embraced that and you were mad and guess
Speaker 5: you not that guy, but like other guys, no, and
Speaker 5: his brand was able to That's why it works so
Speaker 5: well after he passed away as well, because it was like, oh,
Speaker 5: this guy legitly was on that time.
Speaker 1: Shout out the name brand right or wrong. I'm a
Speaker 1: squabble with my bro and tell him later if he
Speaker 1: was wrong. That's how we do a name, you know what.
Speaker 1: Shout out to Dante eighty six. Uh man, I've never
Speaker 1: seen you at the lunch table, but I'm glad you're here.
Speaker 2: What's up?
Speaker 1: Blastes, thankful Lee, I'm able to catch this live Love
Speaker 1: to pot, hommy man, Dante, I appreciate this. Fort Make
Speaker 1: sure y'all leave a comment when y'all go check out
Speaker 1: the pot again.
Speaker 3: This is No Things Live Exclusive TV.
Speaker 2: Yeah, there you go.
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Speaker 2: Or anywhere you get your podcasts.
Speaker 1: The No Silans Podcast executive produced by Charlomagne and God.
Speaker 2: The Black Effect Network and iHeart.
Speaker 1: We're dropping an incredible podcast tomorrow that really visits like
Speaker 1: it's called conversations on what's gangster. And there's a lot
Speaker 1: of misconceptions about crips and bloods that we try to
Speaker 1: start clearing up and bringing like.
Speaker 2: A clarity to because it is. Don't get me.
Speaker 1: Wrong, we all are are programmed by entertainment. But again,
Speaker 1: entertainment great entertainment really heightens and condenses a topic. It
Speaker 1: doesn't give you nuance, And I think nuance is what
Speaker 1: really helps you understand something, you know. I mean, heightening
Speaker 1: condensed is something to let you know something exists. Nuance
Speaker 1: helps you understand. And I think if you're listening to
Speaker 1: this stuff, coach, if it matters to you, you know
Speaker 1: what I'm saying, like you can understand. So make sure
Speaker 1: you get that podcast. It drops tomorrow morning. Get to
Speaker 1: be up. They got twelve tonight, so it's gonna be good.
Speaker 1: Shout out to two K grind Kendrick should have left
Speaker 1: that Mad Niggas beat alone as well. He just made
Speaker 1: me want to hear the original. That's gonna be a
Speaker 1: tough That's gonna be a tall task I'll do. That
Speaker 1: made Niggas song was fire. Shout out to Addne Bruce
Speaker 1: reincardinated was the hardest shit ever.
Speaker 2: It is hard. That is true. All these things are true.
Speaker 2: Shout out to Juice.
Speaker 1: I said, we're not really supposed to be interacting with
Speaker 1: the other fan base at all.
Speaker 2: We have no common ground with them.
Speaker 1: They don't like or respect none of our hip hop
Speaker 1: black core values. You know what's fun. I don't really think, Okay,
Speaker 1: this is gonna sound crazy. Let me prepare, let me
Speaker 1: christ I don't think Cuz has fans the way you
Speaker 1: think he has fanatics. I think people are naturally fanatics
Speaker 1: of success, right. I think people use pop people to
Speaker 1: make sense out of their own life. But I don't
Speaker 1: think it's like this separate fan base, right. I don't
Speaker 1: think it's just separate fan base Cuz. Like I don't
Speaker 1: think a Drake fan and a Kendrick fan are far apart.
Speaker 1: I think they offer something different. And again, if you
Speaker 1: see it as just music, then no, none of this
Speaker 1: makes sense to you. Only if you identify right with
Speaker 1: somebody's movement. Obviously, Drake makes great records. I had the
Speaker 1: same conversation with Ronald. Shout out to my little brother,
Speaker 1: Ronald Green Junior. Drake music is dope, Gee, I've told
Speaker 1: him this, right, Like, I don't think people come to
Speaker 1: hip hop. If you come to hip hop for great music,
Speaker 1: you don't know shit about music. I would never listen
Speaker 1: to hip hop for great music. I would go listen
Speaker 1: to Marvin Gay, very white musicians. Right, I wouldn't listen
Speaker 1: to hip hop. I come to hip hop for culture.
Speaker 1: I always knew it, even if I didn't understand it.
Speaker 1: That's why, naturally, I don't care about people's music that
Speaker 1: makes surface topics when it comes to the lifestyle. Like, right,
Speaker 1: I could like a song from you like I like
Speaker 1: Vanilla Ice, but I didn't buy the whole Vanilla Ice album.
Speaker 2: Right.
Speaker 1: I like different people who rap, but I like you know,
Speaker 1: I don't get into the albums. Drake is one of
Speaker 1: the most talent people. Talented people I've ever met my life.
Speaker 1: He's one of the greatest record makers I've ever seen
Speaker 1: in my existence. But I don't really listen to a
Speaker 1: lot of his music. Not that it's not good, it
Speaker 1: just really don't represent nothing.
Speaker 3: I think with a lot of like his fan base,
Speaker 3: he puts out a lot of music, and it's usually
Speaker 3: like good time associated music, you know, so they probably
Speaker 3: you know, a lot of his songs. They like the songs,
Speaker 3: they like the environment in which they're listening to the
Speaker 3: songs at the time. I think they don't want to
Speaker 3: people to get to be given an excuse to like
Speaker 3: effectively like shame them out of listening to Drake because
Speaker 3: they associate all their fun times with hearing like this,
Speaker 3: Like the soundtrack of their lives is damn near like
Speaker 3: Drake songs, you know.
Speaker 1: Shout out to the name Brian Kendrick and Drake philosophies
Speaker 1: are polar opposite.
Speaker 2: Yeah, but but.
Speaker 1: Yeah, I don't quite know either's philosophy. And you know
Speaker 1: what I mean when it comes to the record, Like,
Speaker 1: I don't know either's philosophy per se. Nah Drake fans
Speaker 1: shout out to adding Aar Bruce Man, thank you for always,
Speaker 1: thank you for always supporting the Lunch Table. That means
Speaker 1: a lot to me, Like we really set out to
Speaker 1: do this dope stuff, you know what I'm saying, and
Speaker 1: it is a really commitment. Some days I do not
Speaker 1: feel like rushing to get up here and get on
Speaker 1: his live stream. I don't, contrary to probably believe, I
Speaker 1: don't like talking you feel me like I really wish
Speaker 1: I didn't have to say some of this shit that
Speaker 1: I have to say to get people to understand certain things.
Speaker 1: But God tasked me to do the job, and I'm
Speaker 1: gonna love doing the job. So I love being here
Speaker 1: for y'all. And but I just want you to know
Speaker 1: the commitment. So Addam Aar Bruce Na. Drake fans exude
Speaker 1: a consistent amount of anti blackness. This is why this
Speaker 1: is the only rap beef that immediately became a cultural war.
Speaker 1: I don't think it's a culture war because the owl
Speaker 1: does at rep present a culture. I don't think that
Speaker 1: out represents a culture. I think again, like people who
Speaker 1: like Drake, they like music, or they like records, or
Speaker 1: they like success, or they like the or they feel like, see, okay,
Speaker 1: there's this weird.
Speaker 2: Shit happening where people have declare war on the streets.
Speaker 1: Nobody's admitting it, but it's happening where everybody is looking
Speaker 1: at the streets like you know, other black people, Like
Speaker 1: I heard Oracles say some shit the other day, like
Speaker 1: where people don't consider it the black story, unles, it's
Speaker 1: a hood story, no, because without the struggle, without poverty,
Speaker 1: without oppression, what the fuck would make it black? Just
Speaker 1: your skin. If black people are acting like white people,
Speaker 1: is that a black story? Like a black person goes
Speaker 1: to Beverly Hills every day and nobody mistreats him, Peter,
Speaker 1: if nobody mistreats him, what makes him black?
Speaker 2: This is a weird question. I get it. It's hell of.
Speaker 3: Endless question. That's the parallel question to Drake. That's the
Speaker 3: parallel question to the Nigerian American experience. It's all of that.
Speaker 1: Shout out to Spot the doc. We appreciate that five dollars.
Speaker 1: My boy, it's a day before my birthday. I'm feeling
Speaker 1: player good lunch. Internet acting like Kendrick is a pump
Speaker 1: because Sheltz is tall and bots before. It's funny. We
Speaker 1: don't know what he does and it's free time. I
Speaker 1: don't even know what that shit's about. That all that
Speaker 1: None of that stuff mattered, Like you know what I mean,
Speaker 1: Like you just gotta be okay with dealing with the
Speaker 1: things you say. That's how I look at it, Juice,
Speaker 1: we're polar opposites. G You don't see how they talk
Speaker 1: about culture, samples, traditions, and et cetera.
Speaker 2: Then people hate hip.
Speaker 1: Hop, bro, Nah, they just feel rejected, you know, what
Speaker 1: I mean, it's different when you feel rejected, you know
Speaker 1: what I'm saying, Like, it's different when you feel rejected,
Speaker 1: Like it's not about I don't think they hate hip hop.
Speaker 2: I think they feel rejected.
Speaker 1: Everybody wants a part of something that seems cool, you
Speaker 1: know what I mean. And a lot of people to
Speaker 1: me that came that learned about hip hop or they
Speaker 1: grew up in their existence learning about hip hop, especially
Speaker 1: like what came through Drake. Are people that feel like
Speaker 1: they're not that hood or they're not that street, or
Speaker 1: even subconsciously, whether they admit it or not, they questioned
Speaker 1: their blackness. Like even like I said when I was
Speaker 1: listening to Jael White talk like without like experience, the
Speaker 1: black experience can happen to anybody. Me and Cherry has
Speaker 1: argued about this on Live. Shout out to my sister Shery.
Speaker 1: We've argued about this on Live. The black everybody can
Speaker 1: get the black experience. Mexican people can get the black experience.
Speaker 1: Puerto Rican people can get the black anybody. Hell, Irish people,
Speaker 1: Italian people got the black experience. People all outside of
Speaker 1: European English white men have gotten some level of black experience.
Speaker 2: The thing that makes this different. Culture.
Speaker 1: Like I said, this is my own definition, y'all could
Speaker 1: take it and run with it. Experience is how people
Speaker 1: treat you. Culture is how you treat other people. That's
Speaker 1: the trick. So I don't think there's a cultural war,
Speaker 1: because on that side, there would be no culture.
Speaker 2: It's really the culture versus.
Speaker 1: The mainstream, and that's what's really been going on in
Speaker 1: hip hop this whole time.
Speaker 2: Dante eighty six, go ahead. I'm sorry, Pete.
Speaker 3: I didn't get the sense that, like the Greater Drake
Speaker 3: Machine was anti black so much as they were just
Speaker 3: lacking in degree of lack of a better word, just
Speaker 3: to be expedient blackness relative to the Kendrick Machine, and
Speaker 3: the Kendrick Machine was like you've been sidling up over
Speaker 3: here for quite some time. I'm just gonna give you
Speaker 3: a reminder that you're over there.
Speaker 2: Yeah, that was kind of just Yeah. I don't get
Speaker 2: anti blackness.
Speaker 1: I think that's a bit ridiculous, but I get how
Speaker 1: it could come across that way. But it's only because
Speaker 1: people feel out it. They feel like, oh I'm not again.
Speaker 1: It's that same conversation that's been happening where I think
Speaker 1: there's a group in a very huge population of black
Speaker 1: people that feel like their ideas are being ignored for this,
Speaker 1: you know, minute group of people who are going through
Speaker 1: this stuff.
Speaker 2: You know what I'm saying.
Speaker 1: So it's different Dante eighty six and actual cultural, cultural,
Speaker 1: and psychological world viewers at play here. It's deeper than
Speaker 1: just music for music sakes. I agree Dante, like, I'm
Speaker 1: not disagreeing. I genuinely think this is the same thing
Speaker 1: that happened to rock and roll like and I think
Speaker 1: honestly it started with Kanye, Like, I think Kanye started it.
Speaker 1: That's how we get to Drake, That's how we get
Speaker 1: to Jack Harlowe, right, I think that's where it starts at.
Speaker 1: But again, it's a really deep and nuanced conversation, and
Speaker 1: we would have to be honest, We would have to
Speaker 1: pull away emotions and have the conversation, and that's the
Speaker 1: hardest thing for people to do. Obviously, I made two
Speaker 1: Pacmaths die like I didn't. Even when you use one
Speaker 1: negative thing about Tupac or disrespect him in the song,
Speaker 1: people still made me the villain. So I don't know
Speaker 1: if that's a conversation that could be had at any
Speaker 1: mainstream level, even on No Sinners Live to lunch out.
Speaker 1: I would be worried about can y'all deal with the
Speaker 1: emotional side of declaring maybe somebody we all love may
Speaker 1: have not been.
Speaker 2: Good for the future of what this thing is.
Speaker 1: Shout out to my brother Fat, thank you for the
Speaker 1: two dollars, Fats, and I know that mean a lot.
Speaker 2: Bro, I appreciate that boy for real.
Speaker 1: Do you like fast, vanilla, good, gorilla, rap geet, Yes,
Speaker 1: you could rap. I could hear the culture bleeding off
Speaker 1: of everything you do. Shout out to revenge. I agree.
Speaker 1: At first it did win points around the women. I
Speaker 1: like women. That's how it started on Drake Fire. I
Speaker 1: can respect that social currency. You know you're gonna play
Speaker 1: with the with the O's light, with the O's light.
Speaker 1: I think Drake and Mitzi makes music for women, like
Speaker 1: hanging with women dot his culture completely agree.
Speaker 3: I'll stay a while back, guys were only listening to Drake. Well,
Speaker 3: the girl was in the car. What's the guy to
Speaker 3: the car?
Speaker 1: Dep Chester Shout out to the name man, I don't know, Gee.
Speaker 1: I think Drake's culture is the uncultured nerd that grew
Speaker 1: up now gas, money and power that's because they're uncultured.
Speaker 1: That's regular America. It's no culture in that. That's what
Speaker 1: I'm saying. It's never been the culture, y'all. Y'all missing
Speaker 1: what's happening. It's not two groups of people.
Speaker 2: It's the world.
Speaker 1: It's us against the world, me against the world. Drake
Speaker 1: is the world. That's the regular world. And then you
Speaker 1: have what Kendrick is doing, which is like niggas feeling
Speaker 1: like they're oppressed and complaining about being oppressed and talking
Speaker 1: about these traumatic experiences. One traumatic experience is a dude
Speaker 1: talking about getting shot at or being in the middle
Speaker 1: of shootouts or losing sixteen friends. Drake's traumatic experiences living
Speaker 1: in the basement of a Beverly Hills house. Uh you
Speaker 1: know what I mean? Like yeah, like not wanting to
Speaker 1: you know, don't know who to invite to his bar mitzvak.
Speaker 3: It's just different people don't appreciate how traumatic certain things
Speaker 3: in life can be. Like for Drake, if he goes
Speaker 3: to Starbucks and orders a soy latte and gets regular
Speaker 3: milk and he's lack of some tolerant that's gonna ruin
Speaker 3: the rest of his weekend.
Speaker 2: And it is devastating. It's so traumatizing.
Speaker 1: If hip hop feels therapeutic to you, you probably need
Speaker 1: a psychiatrist. That of course, that's hip People in the
Speaker 1: ghetto are poor and cannot afford a psychiatrist. That's why
Speaker 1: the microphone becomes their therapist. Yes, that's the point.
Speaker 2: Uh shout out to Bam.
Speaker 1: Okay, but do you think Black Americans that have a
Speaker 1: struggle can have a Black story?
Speaker 2: Yes, Bam, and and I'm glad you asked that. Bro.
Speaker 2: It's like.
Speaker 1: It's like, yes, black people around the world can have
Speaker 1: a black story.
Speaker 2: Right. But again, if your story is.
Speaker 1: Exactly like mainstream American story, then how much of a
Speaker 1: struggle or how much of a story is unique about it?
Speaker 2: You know what I mean.
Speaker 1: I'm not saying it's not a black story. I'm saying
Speaker 1: at that point, it's standard. The thing that makes the
Speaker 1: You gotta remember, the hood story is not exclusive to
Speaker 1: black people. The gangster story is not exclusive to black people.
Speaker 1: It's just a rarity in the United States of America.
Speaker 1: It's very minute percentage population. The people that live this
Speaker 1: street urban experience, and they're not just black people, you
Speaker 1: know what I'm saying. But again, if you're asking the
Speaker 1: mainstream world to see identity in people that's darker than them.
Speaker 1: Then I think that's the problem. I think, and that's
Speaker 1: to me where even my heart and to be honest,
Speaker 1: where I came from. When I first start talking about Drake,
Speaker 1: I realized what was happening to hip hop, what happened
Speaker 1: to rock and roll is going to happen to hip hop.
Speaker 2: You know what I mean?
Speaker 1: You start finding people that the business makes sense. If
Speaker 1: you can get a white man that plays a guitar
Speaker 1: really well, he will make you more money than a
Speaker 1: black man that plays guitar really well because white people
Speaker 1: can see him and identify themselves in him. It would
Speaker 1: be really hard for them to identify themselves as somebody
Speaker 1: that they know they couldn't be now either person. They
Speaker 1: couldn't be either one because one guy that plays guitar
Speaker 1: will probably worked his ass off to play the guitar.
Speaker 1: But for sure they know they can't beat this nigga.
Speaker 1: So regulate this, huh.
Speaker 3: I think it's a little more sinister than that.
Speaker 1: Yeah, but I'll be trying to give everybody a Benefituary
Speaker 1: I'm trying to be sinister.
Speaker 2: I'm just saying, for sure, they like, I couldn't be
Speaker 2: this nigga.
Speaker 1: So again, it's like that's why they start to finance
Speaker 1: and white musicians in these spaces because it's more money
Speaker 1: to be made, right, And it starts with the first
Speaker 1: thing I remember is Kanye beating fifty cent in that
Speaker 1: sales competition. That was regular people defeating the streets at
Speaker 1: their business. So guess what The next step is a
Speaker 1: Jewish guy that can use the nwork.
Speaker 3: And to me, I think people are making the things
Speaker 3: a little closer and one dimensionally on a spectrum, like
Speaker 3: like Drake's Starbucks coffee and Kendrick is Cuban coffee at
Speaker 3: the gas station. Drake is Starbucks coffee and Kendrick is
Speaker 3: riding the five am bus to work without coffee. Like
Speaker 3: it's they're not even Yeah, that's what I'm saying. It's
Speaker 3: not a coffee conversation.
Speaker 2: It's not even polar opposites, you know what I'm saying.
Speaker 1: Shout out to Mark give one of the Day one
Speaker 1: supporters and no slings the podcast. He don't even be
Speaker 1: tripping off the lives. Happy birthday, Gee, thank you for
Speaker 1: the ten dollars. Mark is tomorrow, but I appreciate it
Speaker 1: because I know we ain't doing a live I really
Speaker 1: appreciate it.
Speaker 2: Bro.
Speaker 1: Again, what made hip hop great, bro is hip hop
Speaker 1: gave a voice to street urban culture. They're okay black,
Speaker 1: middle class Black experiences have been on television since television
Speaker 1: just about existence, right. So it's like even in the
Speaker 1: eighties and the nineties, you had THEO Huxtable, you had
Speaker 1: the young suburban Black experience, you had Willis, you had
Speaker 1: the suburban young Black experience, you had Eddie Winslow, you
Speaker 1: had the suburban young Black experience. There was no space
Speaker 1: for poor black people's story. Like the closest you could
Speaker 1: have got to it was like like good times, you
Speaker 1: know what I mean, where at least a mother and
Speaker 1: father was there. And again, remember when JJ was even
Speaker 1: trying to be a part of the streets, like that
Speaker 1: shit was like not happening. So again, the streets in
Speaker 1: this ghetto and this poverty and the white people organize
Speaker 1: and speak and dress to bring value to their own
Speaker 1: life and said community, you feel me? Like that didn't
Speaker 1: exist until hip hop. Hip hop gave that a voice.
Speaker 1: It was the only thing that gave it a voice.
Speaker 1: And then that voice became so loud and people fell
Speaker 1: in love with it, just like they fell in love
Speaker 1: with The Godfather or any other street urban lifestyle.
Speaker 2: Al capone, you know what I mean, the untouchables.
Speaker 1: What's the two serial killers that everybody the man and
Speaker 1: woman that everybody want to be but they don't know
Speaker 1: they serial killers, Bonnie and Clyde.
Speaker 2: This this street.
Speaker 1: Urban underworld had. The street urban story has always been praised,
Speaker 1: you know what I mean. But it is rarity. But again
Speaker 1: you get regular white stories to go with that. So, yes,
Speaker 1: there is a black story. I'm not saying that there's
Speaker 1: no black story in suburban black America. There is a
Speaker 1: black story. I'm just saying it's not normal for it
Speaker 1: to be told. Sure, it's not normal for it to
Speaker 1: be told.
Speaker 3: I think a lot of the human experience that ties
Speaker 3: an interest in all the things you just listed as
Speaker 3: far as like those type of stories or different groups
Speaker 3: of people or whatnot is I think regular people are
Speaker 3: burdened by the reality of having something to lose that
Speaker 3: could be at risk, and they are fascinated by the
Speaker 3: concepts of people who are not burdened, like who act
Speaker 3: in the freedom to take on great risks and have
Speaker 3: the courage and have the circumstance that warrants having that
Speaker 3: kind of courage and freedom to make a decision on
Speaker 3: your own terms that most those people are too confined
Speaker 3: in their own But I don't want to fuck up
Speaker 3: my creditor, you know what I mean. Like people fantasize
Speaker 3: about waking up one day and being able to go
Speaker 3: do whatever the living hell that they want and having
Speaker 3: the courage to do so, and those things provide a
Speaker 3: glimpse in the the world of people who live that way.
Speaker 2: Shout out to Ravens. Yes, it can still be a
Speaker 2: black story.
Speaker 1: That was weird glasses so successful celeb kids can be black,
Speaker 1: It's not a good story for them.
Speaker 3: Really, Look, sure story a black story.
Speaker 2: Sure, sure they have a story. Yes they have a story.
Speaker 2: Yes they have a story.
Speaker 1: But again, like let's let's really, let's really pot Okay,
Speaker 1: you know what we hear, we hear after the hour,
Speaker 1: So if you still hear, that means you at your desk,
Speaker 1: we could get into the real conversation.
Speaker 2: What is black? What is black? Okay?
Speaker 1: What is blackness without struggling? What is blackness without people
Speaker 1: mistreating you?
Speaker 4: Like?
Speaker 2: What is blackness? At that point?
Speaker 1: Like, what are we saying blackness is you know what
Speaker 1: I'm saying? What are we saying? Like like, what is
Speaker 1: soul food without the seasoning? Like like, can you make
Speaker 1: a soul salad? What does a soul salad taste?
Speaker 2: Like?
Speaker 1: You know why there can't be a soul salad because
Speaker 1: it's a fucking salad.
Speaker 2: It's a salad.
Speaker 1: You already have a better grade of of of of
Speaker 1: of vegetables, like you have a great tomatoes. What's not
Speaker 1: in soul food? Lettuce, especially romaine lettuce is not in
Speaker 1: soul Crueltons are not soul food items.
Speaker 3: That's why Drake sold so well. He provided in a
Speaker 3: unique and kind of anti or ill you know I
Speaker 3: say illogical, but like an antithetical way. All those other things.
Speaker 3: You take the struggle out of it, then it's really
Speaker 3: just words, just diet music, you know what I mean? Yes,
Speaker 3: and you're just talking about basic whatever that anybody can
Speaker 3: happenstance into. So it provided a lot of people an
Speaker 3: opportunity to feel included in the thing that they otherwise
Speaker 3: would be excluded from.
Speaker 1: Shout out to Adam A or Bruce Nothing. Blackness was
Speaker 1: literally born in struggle. There is no blackness without that.
Speaker 1: It's the remembrance of it, even when you become successful.
Speaker 1: Shout out to my brother Geno. Yep, blackness is a reaction.
Speaker 1: It is a reaction. It's not something you just born
Speaker 1: in Black. That's why African people don't really have to
Speaker 1: pride themselves in being black, because they're already priving themselves
Speaker 1: and a tribe.
Speaker 3: It's it's it's a cheap he gives people a cheap degree.
Speaker 3: It's I don't have to endure this struggle. But we
Speaker 3: can talk about how we both like the strip Club
Speaker 3: and Konnak. So now you can feel a part of
Speaker 3: it by just having this glass of kognak.
Speaker 1: And and and revenge. This is where we disagree at.
Speaker 1: Drake is not a suburban Black story. Drake is a
Speaker 1: is a Jewish story. It's not a suburban Black story.
Speaker 1: It's a Jewish story. That's the trick. Like I'm not
Speaker 1: denying that that man is a brother, that man's a brother,
Speaker 1: but his story and culturally he's raised as a Jewish man,
Speaker 1: he went to Jewish schools. His story is a Jewish story.
Speaker 1: Every black person doesn't have a Black story. They have
Speaker 1: a story, but blackness is something unique and is not
Speaker 1: something that just passes through DNA. It's about things that
Speaker 1: are happening in this world you don't hear because talk.
Speaker 1: He said, the first time he witnessed racism is when
Speaker 1: he came to America with black outlets and like and
Speaker 1: Tyler the Creator is not as suburban as you think
Speaker 1: because he's from Harthorne.
Speaker 2: It's a really unique thing.
Speaker 3: Yeah, Hawthorn is an interesting town.
Speaker 2: Yes, it's a really different thing.
Speaker 1: And he's a skater, so again the street urban culture
Speaker 1: is different, so it's they're not the same. He's not
Speaker 1: quite like Tyler the Creator. Tyler the Creator was raised
Speaker 1: as a black kid in Hawthorne, his area of Fairfax.
Speaker 1: He's raised as a black man. Drake is a Jewish
Speaker 1: man raised in Canada. He was raised Jewish.
Speaker 3: That's the difference for like the Angelino locals, there's a
Speaker 3: big difference between growing up saying like Lati Hera and
Speaker 3: going to Westchester High School then growing up in Canada.
Speaker 1: But shout out to Dante, blackness without struggle, obviously in parentheses,
Speaker 1: struggle within the context of this white supremacist society would
Speaker 1: equal our liberation and we ain't there yet. That wouldn't
Speaker 1: equal blackness. At that point, you would assimilate into mainstream
Speaker 1: American society, so there would be no need for blackness.
Speaker 1: There would be no reason to group these people together.
Speaker 1: If the struggle doesn't exist, why would you group people
Speaker 1: together at that point? Now you just a regular mainstream American.
Speaker 1: That's what it is. Shout out to Geno Boss. Black
Speaker 1: is the ability to create food from a pig's foot
Speaker 1: and ox's tail or intestines. That's American slave culture, right.
Speaker 1: We call it black culture based off of most American
Speaker 1: slaves or black That is why it's called soul fool
Speaker 1: or blackfood. The struggle, what the hell could how would
Speaker 1: you saw up a salad? You wouldn't sol up a
Speaker 1: you can't sold food up a steak. It's too high
Speaker 1: end of a meat.
Speaker 3: That's like like I was texting the other day. Wealth
Speaker 3: is a QTc synonym for surplus. You aren't eating a
Speaker 3: salad if you're calorie starved because you've worked for fifteen
Speaker 3: fucking hours and don't have a lot of other shit
Speaker 3: on the plate. You know what I mean.
Speaker 1: Shout out to Gino. Let me go through some of
Speaker 1: these comments. Shout out to Mario Paulo. I've been thinking
Speaker 1: about this, bro, and welcome back to the nunch table
Speaker 1: I sent you here before. Isn't hip hop kind of
Speaker 1: exclusive to the American street urban culture experience? The music
Speaker 1: for African street urban culture doesn't necessarily classify as hip hop.
Speaker 1: Now this is way past I think it should. I
Speaker 1: think that would be there. I'm probably not the person
Speaker 1: to answer it once you get out of these boundaries.
Speaker 1: But again, Toronto, I would consider Toronto street urban culture
Speaker 1: to be hip hop as well.
Speaker 2: Like me.
Speaker 1: Now, again, you could go to some elders who be like, nah,
Speaker 1: this is only an American thing, but I would imagine
Speaker 1: everybody has everybody's ghetto is being ignored, So I don't
Speaker 1: think it would really be much of anything else.
Speaker 3: I think there's been a lot of time in space
Speaker 3: within the greater hip hop experience, depend more regional than
Speaker 3: you know, universally speaking, but where like Jamaican dance hall
Speaker 3: has been very much a part of that. You know,
Speaker 3: you hear at the same club depending on you know,
Speaker 3: there's a certain lot of crossover there.
Speaker 2: You know what I mean?
Speaker 1: Shout out to revenge, Oh I digress. You got to
Speaker 1: get a black suburban man to tell me that. I'll
Speaker 1: find you one, but I don't. I don't think that's
Speaker 1: the point. I don't think it's about him telling me
Speaker 1: what it is like. Again, it experienced, really doesn't that
Speaker 1: that doesn't that probably won't make you black. Like I
Speaker 1: get it that that's what people rely on the experience
Speaker 1: of how white people treat them. But again that's the
Speaker 1: confusion because white people mistreat not Peter White, Pete's Italian,
Speaker 1: but English white people mistreat everybody, including Irish and Italian people.
Speaker 1: So it's much more deeper than that. Shout out to
Speaker 1: steal here. Drake just happens to be half black, that's all. Again,
Speaker 1: what is black black without the culture? Experience almost doesn't
Speaker 1: matter the race itself. If race was a real construct,
Speaker 1: would be negroy right. The nationality will be whatever country be,
Speaker 1: Canadian culturally and ethnically, he'd be Jewish.
Speaker 3: We wouldn't be having this conversation if Drake was raised
Speaker 3: by his dad in Orange Mountain, we wouldn't no, no,
Speaker 3: and Kendrick wouldn't be calling him out for having an
Speaker 3: absent white mom when he was raised by his black
Speaker 3: dad or nobody would say that.
Speaker 1: Shout out to Juice, thank you for that ten dollars,
Speaker 1: My boy, Them folks are way more anti hip hop
Speaker 1: and flirting with anti black than you're nicely giving them
Speaker 1: credit for.
Speaker 2: Rather stand from rejection or not.
Speaker 1: Bro, But if rejection happens, I don't know if that
Speaker 1: makes somebody anti something, you know what I mean?
Speaker 2: Like, I don't know if again, like.
Speaker 1: If you beat up a kid every day, right, and
Speaker 1: then that kid for the rest of his life is
Speaker 1: like fuck you, he never want to see you again.
Speaker 1: That don't make the kid anti you? Does that make sense, Pete?
Speaker 2: Yeah?
Speaker 1: And if you see a kid every day or you
Speaker 1: tell a kid they can't come in here every day,
Speaker 1: you know what I'm saying, and you you you feel
Speaker 1: like you're mistreated by this kid every day, and then
Speaker 1: now for the rest of your life, you don't want
Speaker 1: to see that kid. Yeah, I don't quite know if
Speaker 1: that makes you anti the kid or the kid anti
Speaker 1: you know, the person that's being abused anti the kid.
Speaker 3: And I don't know what that guy's really referring to personally,
Speaker 3: Like I don't know if there's a whole subculture of
Speaker 3: people all over the internet who are like Drake fans
Speaker 3: that are like blaming Black America for the recent challenges
Speaker 3: of Drake's career, and he's responding to that because they're
Speaker 3: lashing out and bat out of shape. That might be
Speaker 3: very much the case.
Speaker 2: I don't.
Speaker 3: Know what he's talking about, but for those two sentences.
Speaker 1: Shout out to revenge. So no suburban black experience exists today.
Speaker 1: As I said, hood black has cornered the market. So
Speaker 1: all black suburban kids floating in space on the hood
Speaker 1: black perspective matter, huh, because the suburban black story is
Speaker 1: still way different from the white we are kids of
Speaker 1: game banker. Once you said that, that loses it. Once
Speaker 1: you tie in the culture, that loses the point. That's
Speaker 1: why I'm saying, it's not that that's different if it's.
Speaker 2: In your house.
Speaker 1: If the culture is in your house, it don't matter
Speaker 1: if it's outside your house. If it's in your house,
Speaker 1: you pretty much fucked revenge, you one of us. If
Speaker 1: it's inside your house, it don't matter if it's outside
Speaker 1: your house. Like again, imagine like the culture as a
Speaker 1: palm tree, like right, Carson is not necessarily the ghetto.
Speaker 1: Right the Delamo area where DJ head from Jason Cash
Speaker 1: a reason A. So you know what I'm saying, that
Speaker 1: is not the ghetto. But because the ghetto is within
Speaker 1: five miles, they had to have a response, right, So
Speaker 1: they created a gang. And the culture is right there
Speaker 1: in this what you would call it a suburb. They
Speaker 1: will kill you in Delamo, they will murder you there.
Speaker 2: You feel me.
Speaker 1: So again, it's not as simple as the hood. And
Speaker 1: then if you say your father or you're raised in
Speaker 1: a house with gang members, your parents made good and
Speaker 1: now they move you to the suburbs, you still culturally
Speaker 1: are tied in. It's when the culture doesn't exist at all.
Speaker 1: It's when there is no access to culture. The closest
Speaker 1: access is online. That's when it's different. Now I don't
Speaker 1: quite know how you would define it as a black story. Again,
Speaker 1: it becomes just the experience of being mistreated for being black.
Speaker 1: But then at that point everybody can have black experiences
Speaker 1: if they're not English white. We're not saying something different.
Speaker 1: I'm telling you. If the culture is in your house,
Speaker 1: you are the culture. If the coach is outside of
Speaker 1: your house, you are the culture. If the culture is
Speaker 1: at your school in masses, you are the culture. It
Speaker 1: just pretty much all go together. So you will get
Speaker 1: baptized in seasoned and flavored by the culture, no matter
Speaker 1: what you do. Shout out to Adam A or Bruce,
Speaker 1: Thank y'all for the contribution. Please keep popping it at
Speaker 1: the lunch table. It's a great conversation. Blackness is only
Speaker 1: one person on the block paid their electric bill, but
Speaker 1: thanks to this court, everyone has electricity. Speaking Juice, what's up?
Speaker 1: Disagree with this take through laughing out loud? Black is black?
Speaker 1: Laughing outllow y'all more so describing hip hop right now? No,
Speaker 1: hip hop is street urban culture personified through the arts.
Speaker 1: But I'm asking you, Juice, what is blackness without the struggle?
Speaker 1: What culturally would be considered blackness without the struggle? Like,
Speaker 1: what would be blackness without the struggle? It probably would
Speaker 1: just be mainstream American at that point. Name Marin black
Speaker 1: is if a white woman clustered her person next to you,
Speaker 1: and that's happened to me a lot, That is definitely
Speaker 1: some black I got way more money than this lady.
Speaker 1: Shout out to Spot the Doc. Thank you for that
Speaker 1: five dollars. Again, we appreciate you. Brodie Man, I appreciate
Speaker 1: y'all showering me for my birthday. Man, we wasn't gonna
Speaker 1: have a birthday party to Wednesday. But we appreciate all
Speaker 1: the early gifts. We're gonna get some great lunch this time.
Speaker 1: Drake making fifty thousand dollars a year at fifteen on
Speaker 1: the grass, he doesn't resonate for a lot of people
Speaker 1: when he said, that's the hell of a bottom. That's
Speaker 1: a Jewish bottom. So like I think, culturally he's dead on.
Speaker 1: He started from the Jewish bottom. Now he's here. Yeah,
Speaker 1: it's a different bottom.
Speaker 2: Uh.
Speaker 1: Shout out to Dante. James bald once said that when
Speaker 1: people say progress, what they really mean is the ability
Speaker 1: to be more white.
Speaker 2: Wow.
Speaker 1: Progress is a trick. Bad We're showed in order to
Speaker 1: strip us of our culture. Wow. Yeah, James Ball when
Speaker 1: is sharp too? That was a sharp man, bro, he's sharp.
Speaker 1: He got out of here too. That nigga moved to England.
Speaker 1: I mean he moved to Europe.
Speaker 2: He was gone.
Speaker 3: Well, nothing says pro black like moving to Europe.
Speaker 1: Is Steve ergo blacker than Drake. It's just such a
Speaker 1: weird question, Ronald Green Junior. But the answer is yes,
Speaker 1: you grew up in Chicago.
Speaker 2: You're a nigga man. You ain't getting away from being.
Speaker 3: A Nigga the actor, I don't know.
Speaker 1: Ye, yes, Ergo, the character Ergo is blacker than the
Speaker 1: character that is Drake. Yes, Carson raised people are suburban. No,
Speaker 1: they live in the suburbs. But you know, like I know,
Speaker 1: if you go to where the cabbage patches are, if
Speaker 1: you go to where the the.
Speaker 2: The delamos are, the Stevenson villages.
Speaker 4: Are there, where where's uh ray j from his hood, Centerview,
Speaker 4: the c Interview area, you could think that suburb that
Speaker 4: is not no standard suburb.
Speaker 1: Again, the culture is there, so that is a suburban area,
Speaker 1: but the culture is so densely there because they border
Speaker 1: these urban areas like Compton that they have responded like
Speaker 1: with full fledged cultural movements. They are fully aware of
Speaker 1: the culture. Yes, that area is considered the suburbs, but
Speaker 1: them guys are not suburban.
Speaker 2: So again that's what I'm saying. Hip hop.
Speaker 1: While hip hop is very much street urban culture personified
Speaker 1: through the arts and elements, street urban culture is only
Speaker 1: grown in masses in that place. But that don't mean
Speaker 1: that that is like what do you call it?
Speaker 2: When yo? You know what I mean? When you can't
Speaker 2: breathe and you be sneezing.
Speaker 3: Like allergies, Yeah, allergies.
Speaker 1: But you know pollend, that pollend fly all around the
Speaker 1: urban areas and go to suburbs that pollend is around
Speaker 1: and people breathing in and there, and they shit changes
Speaker 1: and they have to live differently because they too close
Speaker 1: to the culture. They too close. So yes, while Centerview
Speaker 1: is a suburban area, it is cultured out of this
Speaker 1: world and then people will kill you.
Speaker 2: It is different.
Speaker 1: Same for all of these other places that's right there
Speaker 1: next to you know, that's right under the palm tree
Speaker 1: that we call street urban culture. It the pollen flies
Speaker 1: all around it.
Speaker 3: And it's that's kind of it's kind of a fluid
Speaker 3: murky definition. I mean Compton and its initial construction was suburban.
Speaker 3: Lynnwood's suburban.
Speaker 2: Yeah you know.
Speaker 3: Yeah, So it's as as zones shift and thin, you know,
Speaker 3: like literally like like zoning in the legal sense, things change.
Speaker 3: It now becomes a little more subjective in your definition.
Speaker 2: Sure.
Speaker 1: Shout out to Dante eighty six. I suggest folks read
Speaker 1: Eve Franklin Fraser's but Black Bourgeois. If people don't think
Speaker 1: suburban black people aren't culturally in proximity to whiteness, then
Speaker 1: I don't know what they tell you. Of course they
Speaker 1: are d MO radio. Everybody can't have the black experience glasses.
Speaker 1: That is not true. Again, they can, they can know
Speaker 1: d like they can have the black experience.
Speaker 2: They can. People can be misch.
Speaker 1: I watched Mexican people that I grew up with beat
Speaker 1: treat it like niggas, just like how we were treated.
Speaker 3: A lot of people who moved to this country moved
Speaker 3: because they were having an equivalent to the black experience
Speaker 3: in another country. Like the best example in California is
Speaker 3: the Mongs in Vietnam. Yeah, the second Yeah, like they're
Speaker 3: like second class citizens out of there and they bounced.
Speaker 2: Yeah.
Speaker 1: So again, it's one of those things where I appreciate
Speaker 1: that Mario Paulo shout out to demo. No they can't,
Speaker 1: Yeah they can, Demo, we'll politic on the demo. I
Speaker 1: G hear me on ig Brody. We'll talk about it
Speaker 1: on live once I hop off here. We're finna be
Speaker 1: done in six minutes, so DM me on IG DMO radio,
Speaker 1: we'll talk about it on I G. You know, I'm
Speaker 1: gonna do a little bit more work today before I
Speaker 1: kind of wind down.
Speaker 3: And real quick, I think with regard to like the
Speaker 3: idea of this strain between conflict or between progress and
Speaker 3: black culture, that kind of logical conflict there being like
Speaker 3: if you're you're similar into white culture more or less
Speaker 3: because of the original starting point of black culture and
Speaker 3: the circumstances around it, that cultural paradigm is geared more
Speaker 3: towards just finding happiness out of something. So it's a
Speaker 3: happiness oriented uh, priorities priority, whereas white culture is a
Speaker 3: wealth oriented priority so.
Speaker 2: Called I call it happiness versus joy.
Speaker 1: Joy is more of a long term, consistent, residual happiness
Speaker 1: effect versus blackness is defining in very short term things. Sure, sure,
Speaker 1: So again to end this pod is it's like to
Speaker 1: end this stream, It's like it's unique, you know what
Speaker 1: I mean, it's unique. It's uh did The facts are
Speaker 1: never easy, you know? Displaying the facts are never easy
Speaker 1: telling people because what I'm saying is facts. It's not
Speaker 1: even my opinion, right Like, and when you really lay
Speaker 1: out the facts, you will see that these are just
Speaker 1: the facts. My opinion is a is a little bit
Speaker 1: more unique, you know what I'm saying. But the facts
Speaker 1: are simple. With the burden of culture comes villainy because
Speaker 1: you represent a minute. And the more you try to
Speaker 1: align yourself with what would be acceptable for people. You know,
Speaker 1: the more you try to align yourself at what would
Speaker 1: be more acceptable for people, you start to lose the culture.
Speaker 1: That was Martin Luther King's greatest fear, like as he
Speaker 1: carried on and believed that people can exist. By the
Speaker 1: end of his life, he realized that he probably was
Speaker 1: leading black people into a burning house.
Speaker 2: You know what I'm saying.
Speaker 1: So again, like Martin Luther King died a villain to
Speaker 1: some degree. You know, the more culture you are, you
Speaker 1: just become a villain. It's just how I go, bro,
Speaker 1: It's just how I go. And again, this is No
Speaker 1: Sellers Live to Lunch Hour every Monday, Wednesday and Friday
Speaker 1: at noon Pacific Standard time, right here on Digital soap
Speaker 1: Box Network. Click that thumbs up. But let everybody know
Speaker 1: you was here. Hit a friend. I mean, tell them
Speaker 1: that we're back here Wednesday.
Speaker 2: Revenge.
Speaker 1: We're gonna go to IG Demo IG. We'll chop this
Speaker 1: up on IG, We'll politic on it. Going to link
Speaker 1: click the description to the No Seller's podcast. It's a
Speaker 1: great podcast dropping tomorrow conversations on what's gangster? This is
Speaker 1: a really great pod. I'm really proud of this pod.
Speaker 1: Shout out to my brother, Jobs, my niece, DJ Nay,
Speaker 1: my boy Joey, Westside, Peter, everybody else. My birthday party
Speaker 1: actually is Wednesday. We're gonna do it Wednesday. My birthday
Speaker 1: is tomorrow. Man, just say have your Birthday's cool, but
Speaker 1: Wednesday is my official birthday party on the live stream.
Speaker 1: We're gonna come right back here but again. Click the
Speaker 1: link of description. Subscribe to the No Selants Pod on
Speaker 1: iHeart Pod, Apple Potter, anywhere you get your podcasts. No
Speaker 1: Sellans Podcast Executive produced by Charlomagne, Na God, the Black
Speaker 1: Effect Network, and iHeart.
Speaker 3: Good.
Speaker 1: Looking out for tuning in to the No Sellans Podcast.
Speaker 1: Please do us a favorite, subscribe, rate commentist share. This
Speaker 1: episode was recorded right here on the West coast of
Speaker 1: the USA. It produced by The Black Effect Podcast Network
Speaker 1: and not Heart Radio.
Speaker 2: Yeah