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Speaker 1: Hello the Internet, and welcome to season three, fifteen, episode two.

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Speaker 2: Of Daily's Guys Day.

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Speaker 1: Production of I Heeart Radio.

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Speaker 3: This is a podcast where we take a deep dive.

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Speaker 1: Into America share consciousness. And it is Tuesday, November twenty eighth,

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Speaker 1: twenty twenty three, the last day of November. Oh ours, No, no,

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Speaker 1: that's not right. I don't know how many days are

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Speaker 1: in there, he'd be. We're coming to the end, though, folks,

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Speaker 1: aren't we We're coming to the end. Yeah, we are,

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Speaker 1: just in general. Twenty eighth, eleven, twenty eight, oh twenty three.

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Speaker 4: You already know, Hey, everybody out there calling Allen in

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Speaker 4: your life because it's national Allen Day. Begs, you just

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Speaker 4: want to shout out to anybody with the name Alan.

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Speaker 4: It's also a Red Planet Day. I have a feeling

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Speaker 4: that's about Mars. Cuz yep, yep, I got that right.

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Speaker 1: I know I was coming after twenty twenty four. Hell yeah,

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Speaker 1: that's what that's what it's about. Bro.

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Speaker 4: It's also a national French toast Day. And uh, you

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Speaker 4: know of giving, I'm giving Tuesday, Giving Tuesday, so make sure.

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Speaker 3: You give back.

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Speaker 1: It is giving, isn't it It is?

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Speaker 3: Yeah?

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Speaker 4: Wasn't that that was like literally giving, wasn't that was

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Speaker 4: like a tweet you liked. I remember last year it

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Speaker 4: was like it's Giving Tuesdays. Yeah, anyway, it's Giving Tuesday

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Speaker 4: because it is Giving Tuesday.

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Speaker 1: Yeah. Well, my name's Jack O'Brien aka Love Jack Baby,

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Speaker 1: Love Jack, Love Jack Baby. I got some thick thighs

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Speaker 1: and they're as big as a whale and they're about

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Speaker 1: to set sale. You are what pale thighs lumper. That

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Speaker 1: is courtesy of Max R. Lacaroni and Scouty on the

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Speaker 1: Love Jack Baby, Love Jack. I'm thrilled to be joined

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Speaker 1: as always by my co host, mister Miles Grass.

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Speaker 4: It's Miles Gray Gay, myster Miles. My blood type is

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Speaker 4: grave V because man, Thanksgiving gravy stuffing. I need to

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Speaker 4: see a doctor immediately.

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Speaker 1: Yeah, it's uh, miles of gravy, piles of gravy exactly.

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Speaker 4: I don't know if you can pile it, but hey,

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Speaker 4: we'll work, we'll work.

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Speaker 1: Hey, when the gravy is good, you can pile it.

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Speaker 1: When it's been in the refrigerator for a little bit,

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Speaker 1: you can you can like use it an ice cream

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Speaker 1: scoop on it. That's when that's when it's good.

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Speaker 4: You can do the little canal thing with the spoon

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Speaker 4: technique like in the Bear you know what I mean,

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Speaker 4: Denmark and Ship, Yeah, with the gravy anyway, it's.

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Speaker 1: The Denmark Denmark episodes at the end of season one, right, No,

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Speaker 1: I think too, No, no, it's in two. It's in two. Yeah, yeah, yes,

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Speaker 1: that episode.

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Speaker 4: With like Will Poultz plays like the like British dude

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Speaker 4: that anyway?

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Speaker 1: Yeah, I skip around.

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Speaker 4: Yeah, that's good. I skip it around.

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Speaker 1: Miles. It's time in our third It's dear but everyone.

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Speaker 1: It's a hilarious stand up comedian, actor, musician with a

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Speaker 1: seven point six rated album on pitch Fork. Yeah, you

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Speaker 1: can listen to his podcast, Colbrew got me like, uh.

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Speaker 1: You can read his book, The Advice King Anthology, available

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Speaker 1: now anywhere fine books are sold. Poetry window is open. Motherfuckers,

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Speaker 1: it's Chris motherfucking Craft.

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Speaker 5: Hey, what's up? Oh my god? That that rating. I

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Speaker 5: love how the rating for Pitchfork keeps getting higher. Real,

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Speaker 5: he's got a class like a ten point zero classic.

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Speaker 4: In eleven eleven point three from Pitchfork.

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Speaker 5: Yeah, so I just keep yeah, you keep doing what

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Speaker 5: you're doing, Jack, Thank you very much.

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Speaker 4: On the phones it.

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Speaker 5: Right though, that feels seven point four man from a

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Speaker 5: regular website to be you know, that'd be a fourteen

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Speaker 5: at Spin dot com or whatever if that still exists.

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Speaker 1: Dot com may spin.

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Speaker 5: They're real stingy. A Pitchfork man, that review was like,

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Speaker 5: this is the greatest album ever and they give it

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Speaker 5: a seven point four. I mean that's like, that's a

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Speaker 5: seventy four. You know, you get that on an essay

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Speaker 5: in seventh grade and you get in trouble.

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Speaker 1: Well, there's the Harvard of Music.

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Speaker 5: I'm not putting them down. They're my daddy.

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Speaker 1: They are my daddy. They liked the Andre album, by

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Speaker 1: the way, they gave Andrea's flute music. Oh right, man

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Speaker 1: eight point something. I like it too, Miles. Have we

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Speaker 1: talked since it came out?

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Speaker 4: No? No, no, how are you feeling? It's cool? I

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Speaker 4: mean it's it's like it's it's experimental music. I don't

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Speaker 4: listen to a lot of exper I mean it's interesting,

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Speaker 4: but I don't. I never put experimental on. I'm like,

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Speaker 4: you know what, crack my knuckles and sit back, like

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Speaker 4: getting some experimental right now.

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Speaker 1: But it's cool.

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Speaker 4: Yeah.

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Speaker 1: Like the first song on the album is the first

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Speaker 1: experimental music song I've ever had stuck in my head.

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Speaker 1: So that's all I said.

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Speaker 4: The whole time I was listening to it. I was like,

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Speaker 4: some if a producer is smart enough, they should just

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Speaker 4: be sampling this album and then putting Andrea Acapella's over this.

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Speaker 1: That's what I was saying. I was saying, somebody's gonna

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Speaker 1: somebody's gonna, you know, sample this, turn it into the

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Speaker 1: type of music I normally.

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Speaker 5: Like, if you guys heard Ozzy Osbourne singing, looks like

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Speaker 5: we made it. The song by no the song by them,

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Speaker 5: what do you that's not it's not called look looks

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Speaker 5: like we made it. It's that's a Barry Manlow Shuniswain song.

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Speaker 4: Still the one, Oh You're still the one?

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Speaker 5: Have you heard the Ozzy Osbourne version of that? They do? Ai?

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Speaker 5: I swear to god it's good.

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Speaker 1: It gave me.

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Speaker 5: It gave me fresh appreciation for that song, which I

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Speaker 5: always so. Anyway, if they could do that with Andre

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Speaker 5: three thousand.

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Speaker 4: Oh it's it's Oh. That one's a I didn't like.

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Speaker 4: I'm like, in a way, I'm like, oh, Ozzie covered

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Speaker 4: still the one that sounds like maybe something Ozzie would do.

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Speaker 5: But you know it's a he's not well enough anymore.

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Speaker 1: Yeah, the tonality these days.

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Speaker 5: You give him a couple of hundred bucks, you do that.

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Speaker 4: Christ hold on, no, no, I gotta hear this.

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Speaker 5: Oh it's so good. It's so fucking good. It's actually good.

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Speaker 5: The only time I've been thankful.

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Speaker 1: For a I We're gonna get sued by Big Daddy.

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Speaker 3: AI, Okay, okay, it's incredible.

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Speaker 5: It's like giving me. It's like when someone covers the

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Speaker 5: song that you like it again and h that song

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Speaker 5: used to be good but then it got overplayed. Anyway,

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Speaker 5: so I like, what so Pasi on the Flute album? Anyway.

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Speaker 5: I think the Flute Album's fine, but I also am

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Speaker 5: like annoyed by like young I work with young people

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Speaker 5: now because I work at like a vintage store, and

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Speaker 5: they're all like, this is my zone, and I'm like, yeah,

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Speaker 5: your zone is like stoned and checked out. Like instead

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Speaker 5: of punk rock, we get flu a further retreat. We're

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Speaker 5: going into a new age now. I did not expect

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Speaker 5: that the response to like fascism would be new age music,

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Speaker 5: but that's what's basically happening.

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Speaker 4: Well, it's one response yeah, yeah, yeah.

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Speaker 5: It's like stone. It's connected to stone though, you know,

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Speaker 5: which is not good. Revolution is not good. Weed is

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Speaker 5: not the right drug.

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Speaker 4: For could you imagine? Though, Like that's the new thing.

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Speaker 4: You just see like just people in the streets. Now

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Speaker 4: the flute brigade comes out and they're like, oh shit, yeah,

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Speaker 4: it's time, it's time. Could be the.

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Speaker 5: Millennials with gen Z, they're always like, I'm tired, you know,

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Speaker 5: like I'm already tired, like you know what I mean,

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Speaker 5: because they're tired everyone with social media, you know. I

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Speaker 5: mean yeah, but even like gen Z they're like twenty

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Speaker 5: eight years old or whatever, and they're like, thank god,

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Speaker 5: it's flute music. I can't take any more.

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Speaker 1: Tell you one person a revolution with a flute, little

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Speaker 1: gap by the name of the Pied Piper.

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Speaker 5: So yeah, yeah, that was a caffeine type flute that

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Speaker 5: was a caffeinated, hyper caffeinated butterfly fluttering that.

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Speaker 4: Was trying to catch wasn't sixty vpm, That shit was

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Speaker 4: like one eighty.

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Speaker 5: That was back when the flute was like the electric guitar.

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Speaker 1: That's right. Oh my god, see that dude shredding out.

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Speaker 5: Yeah, that was.

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Speaker 1: Happening. That's a big thing that.

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Speaker 5: We've developed. Yeah, because I want to lead some kids

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Speaker 5: over a cliff. I don't even know what he did

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Speaker 5: or led the rats out of Sweden or whatever.

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Speaker 1: Believe you got the rats out of Sweden.

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Speaker 2: What am I gonna do? I gotta get rid of

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Speaker 2: these rats.

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Speaker 5: What's our loudest instrument?

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Speaker 1: Flute?

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Speaker 5: Jesus give me one.

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Speaker 1: Fuck, it's only been a few years. That's what we've

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Speaker 1: come up with. All right, Chris, We're gonna get to

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Speaker 1: know you a little bit better in a moment. First,

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Speaker 1: a couple of things we're talking about. I mean, it's

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Speaker 1: a crofton episode. I don't know if we're going to

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Speaker 1: talk about any of this ship.

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Speaker 5: But I'm much more mature you are.

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Speaker 1: I know that is not a complaint. We love a

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Speaker 1: we love a good cross.

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Speaker 5: Since I ran for office, I've been a lot more

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Speaker 5: on topic.

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Speaker 4: Okay, all right, all right?

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Speaker 1: Yeah, and you did hand us a power point. You

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Speaker 1: handed us a power point. You have a one sheet

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Speaker 1: that you would full of topics that you would like

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Speaker 1: us to stick to.

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Speaker 4: Me. Yeah, and you already you messed up by bringing

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Speaker 4: up the pitchfork thing.

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Speaker 5: Me, me and me.

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Speaker 1: That's what we're gonna talk about people how frequently people

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Speaker 1: kids these damn days are checking the damn phone.

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Speaker 4: Dang, everybody, not just kids.

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Speaker 1: Everybody's checking our phone during sex and other times that

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Speaker 1: we shouldn't be doing that. Talk about that we might

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Speaker 1: check them with private equity. From a previous Tuesday episode,

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Speaker 1: we are of course going to talk about Hall getting

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Speaker 1: restraining order against Oats. I feel like if I'm like

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Speaker 1: ranking these in the order of like what what we

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Speaker 1: will get to Hall getting restraining order against Oats is

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Speaker 1: probably I need criss craft.

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Speaker 5: That's pretty incredible. Yeah, that's like, yeah, that's like soup

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Speaker 5: getting mad at nuts or something.

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Speaker 4: But Darryl Halls is kind of a he looks like

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Speaker 4: a like an ego maniac. That guy.

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Speaker 5: Yeah, I saw him in the supermarket in like nineteen

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Speaker 5: eighty five. He looked completely out of place because he

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Speaker 5: was in his rock and.

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Speaker 4: Roll you know, like Daryl Hall a video mill.

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Speaker 1: Had like the black tights on, and yeah.

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Speaker 5: Maybe he was in town for some kind of event

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Speaker 5: or something, but he was like buying milk, wearing like

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Speaker 5: his rock and roll clothes, and he looked ridiculous, incredible.

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Speaker 1: I think people who like are larger than life. Personalities

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Speaker 1: like that should be forced to always like have their

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Speaker 1: look on.

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Speaker 4: Yeah, I mean should come with it, yeah, like part

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Speaker 4: of them.

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Speaker 1: Yeah yeah, those like baseball caps pulled low over the eyes.

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Speaker 4: You know, no, because you got to keep up the

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Speaker 4: mystique of this celebrity myth, you know what I mean,

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Speaker 4: Like they look like that all the time. Yeah, and

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Speaker 4: they hate it.

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Speaker 1: We might even talk about the Squid Game reality show

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Speaker 1: all of that, maybe none of that, some of that,

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Speaker 1: but before we get to it, Chris crofton, we do

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Speaker 1: like to ask hello, yes, hello, Chris Hello. We like

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Speaker 1: to say hello, toodles. And also what is something from

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Speaker 1: your search history that's revealing about who you are?

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Speaker 5: Well, it's become a tradition on here for me to

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Speaker 5: tell you about weird stuff on the YouTube. And I've

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Speaker 5: been into lately because I'm still very much into YouTube,

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Speaker 5: but I'm still not paying for the ad free so

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Speaker 5: I'm starting to lose it because they're really making the

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Speaker 5: ads long.

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Speaker 4: They're trying to wait, wait, i mean look ad blockers,

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Speaker 4: ad blockers on YouTube. Yeah, yeah, yeah, Chris, there's ad blockers.

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Speaker 5: That's someone you hire.

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Speaker 4: Yeah, yeah, you hire them. You give look, you give

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Speaker 4: me sixty bucks a month. I'll make sure you get

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Speaker 4: no ads man, trust me.

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Speaker 5: No.

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Speaker 4: But there's like there're extensions that you put in a browser.

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Speaker 4: I'll walk you through it later.

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Speaker 1: Hold on.

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Speaker 2: Fuck yeah, extensions in a browser?

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Speaker 5: Do I have to write my congressman?

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Speaker 1: No?

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Speaker 4: No, no, you can do it all from the privacy

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Speaker 4: of your own home.

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Speaker 5: That's all right. So I'm a fool anyway. I know

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Speaker 5: I'm a fool. Let should just be paying paying for it,

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Speaker 5: but I anyway, that's what's caused.

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Speaker 4: Like this has been a huge thing because they're like

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Speaker 4: some creators who are like I don't care if people

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Speaker 4: are using ad blockers to watch my content, Like I

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Speaker 4: don't want to. I don't I don't want to prevent

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Speaker 4: people from watching what I see. And YouTube has now

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Speaker 4: been like fighting like the people who have ad blockers

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Speaker 4: in their browsers or to be like we've suspecting that you,

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Speaker 4: like we can tell you're using an ad blocker. If

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Speaker 4: you do it three more times, you will get like

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Speaker 4: you can't use your account anymore. Oh okay, And it's

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Speaker 4: caused Like what's great though, is like it just made

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Speaker 4: the like ad blocking movement even more aggressive. We're like

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Speaker 4: now they're like, oh, that's how you want to play.

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Speaker 4: Then we're like, we're gonna make sure our shit's real tight.

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Speaker 4: So now you can't sense even when we're using ad blockers.

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Speaker 5: Wow, I love that. Yeah, Okay, so I'm like one

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Speaker 5: of these guys. It's just stuck because I'm old, you

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Speaker 5: know that. I'm like, oh, no way around this. I

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Speaker 5: gotta watch thirty seconds of ads for Capital one or.

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Speaker 4: Whatever, right, and then then you can watch your mother.

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Speaker 5: And then I get to watch my mind exploring video.

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Speaker 1: Yeah.

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Speaker 5: So I'm still stuck up. But they've also been trying

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Speaker 5: to break me. I really feel like they've like this

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Speaker 5: guy's been going for a long time and it's time

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Speaker 5: to amp it up. We're gonna make these ads really long,

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Speaker 5: you know, because for a while it was like you

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Speaker 5: can skip the ads, you know, they skip ads like

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Speaker 5: that button doesn't even come up for me anymore. So

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Speaker 5: they're trying to get me to pay.

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Speaker 1: But I'm standing think they've got you like targeted, and

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Speaker 1: some they're like this this is the one guy who

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Speaker 1: this is all insane.

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Speaker 5: This is like I like the idea that they're personally

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Speaker 5: attacking me, like they're getting track of like, we're gonna

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Speaker 5: get this guy to pay, and I'm like, no, you're not.

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Speaker 2: I'll watch ads. I'll watch them.

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Speaker 1: I don't care. They see their earnings going down and

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Speaker 1: they're like, what's crofting up to?

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Speaker 2: I'm not paying.

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Speaker 5: I mean, That's what I'm doing over here. So I

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Speaker 5: found a couple of things that were really good. One

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Speaker 5: is mob.

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Speaker 4: Facts, like what like stats like a.

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Speaker 5: Pack all caps. It's an account called mob Facts m.

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Speaker 1: O B F A X, and a lot of it.

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Speaker 5: A lot of it's just like like old TV shows,

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Speaker 5: or like it's not TV shows. It's always like news,

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Speaker 5: like old news reports about the mob or biker gangs

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Speaker 5: and stuff.

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Speaker 4: Oh whoa.

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Speaker 5: But there's also a lot of b roll that they

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Speaker 5: put up unedited from like news reports from nineteen eighty

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Speaker 5: two from like Daytona Beach about biker gangs, where it's

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Speaker 5: just them filming them in their clubhouse, just like with

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Speaker 5: no narration, just you're just basically hanging out in a

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Speaker 5: biker clubhouse in Daytona in nineteen eighty two. You know.

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Speaker 5: And I've talked to I know Miles is talking. We've

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Speaker 5: talked about the payphones, Like I don't know if we

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Speaker 5: like that kind of thing where I was a long

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Speaker 5: time ago, I said, I used to search on YouTube

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Speaker 5: like for like wild sound from a diner nineteen sixty two,

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Speaker 5: you know, and it's like there's no there's none, and

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Speaker 5: and anyway, it turns out like anyway, it doesn't matter.

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Speaker 5: You can hang out in a biker bar in real

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Speaker 5: time on these things. Like it's just like tons of

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Speaker 5: b ye roll of just like of Daytona in nineteen

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Speaker 5: eighty two, or like Tampa or or or even Charlotte,

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Speaker 5: North Carolina, like everywhere was like rural back then, so

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Speaker 5: like Charlotte, North Carolina looked like the mob.

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Speaker 1: The first to like do spring Break is that like

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Speaker 1: it sounds very very much like.

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Speaker 5: I don't know why they focus on Broward County or whatever.

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Speaker 5: That was one of the ones I watched. It's like

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Speaker 5: three hours of b roll unedited footage of bikers hanging out.

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Speaker 4: Yeah, this one's like Florida Florida part one.

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Speaker 5: Oh yeah, I watched one. Yeah, that's the one I watched.

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Speaker 5: Like that's that's the good one. I mean that's there's

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Speaker 5: like three episodes of it.

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Speaker 4: And so someone just like aggregating, like they use the

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Speaker 4: term loosely. Oh, this is my favorite episode in this tape.

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Speaker 6: It's local news and the procession of motorcycles, some not

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Speaker 6: as the Outlaws bury one of their own. The funeral

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Speaker 6: is for Henry Wow, and a little.

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Speaker 5: Bit well can they hear this on the on the show?

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Speaker 1: Yeah?

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Speaker 4: Yeah, oh they can't. Oh is this them in their

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Speaker 4: club now? Oh yeah, just silent film with them, like yeah, yeah, yeah,

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Speaker 4: So we're really into Iron Crosses. Okay, so this is

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Speaker 4: where you're like.

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Speaker 5: Yeah, this is not seeing the politics of nineteen eighty

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Speaker 5: two Outlaws out Motorcycle Gang. I just think it's interesting

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Speaker 5: to see people hanging out like in the bar before

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Speaker 5: there were phones, right right, No, and it's really boring.

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Speaker 5: It turns out it's really boring. All people did was

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Speaker 5: tackle each other.

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Speaker 1: Oh really, there's people. So when they're hanging out in

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Speaker 1: the bar, they're tackling one another.

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Speaker 5: No, there's one guy on the payphone already, so they

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Speaker 5: can't use the payphone. And then and there's no other phones,

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Speaker 5: so they're playing pool and then and then usually they

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Speaker 5: just get drunk and then they just start tackling each other.

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Speaker 5: So I will say that, you know, for all the

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Speaker 5: trouble phones have caused we are of living in a

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Speaker 5: better time for like, you know how you know there's

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Speaker 5: an upside to we can read a Wikipedia about Alexander

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Speaker 5: Graham Bell instead of tackling our friend Onion. Yeah, at

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Speaker 5: the clubhouse or whatever. I mean, that's all they do.

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Speaker 5: At a certain point, they just get so drunk they

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Speaker 5: start just helping each other around the barroom.

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Speaker 2: They're like, oh, get onion, he fell down. Oh my god,

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Speaker 2: animal or.

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Speaker 5: You know what. They're all named things like like scallion

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Speaker 5: boy or whatever.

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Speaker 1: Cricket good for good form, Hey, rat.

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Speaker 4: Man, rat Man, ratman, Scallion Larry got hit by a dart.

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Speaker 5: Like they're all just causing their own trouble. They're like,

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Speaker 5: you know, they're like trying to fight themselves, Like where

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Speaker 5: did you come from? They're like looking in a mirror.

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Speaker 5: You know, it's like that guy, it's like that kind.

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Speaker 1: Of it's like headbutting it.

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Speaker 5: It definitely doesn't look as like interesting as you know,

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Speaker 5: you imagine.

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Speaker 1: You know, it's like it must have been much harder

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Speaker 1: to be sober back then, like because there's just nothing

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Speaker 1: to do, right, Yeah, you just had to like get

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Speaker 1: really serious about like seeing how many of your friends

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Speaker 1: you could cram into a phone booth like that wasn't

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Speaker 1: it wasn't that one of the hobbies, one of the

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Speaker 1: other hobbies besides just getting drunk at noon, that's like

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Speaker 1: way yeah, yeah, it was like kids seeing how many

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Speaker 1: people they could cram into a phone booth.

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Speaker 5: Yeah, oh definitely, and you get you get, yeah, swallowing

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Speaker 5: goldfish or whatever. Also, it's you can really get a

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Speaker 5: sense of how unsafe the world was back then. Sure,

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Speaker 5: you know, I mean there was just one phone and

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Speaker 5: somebody was usually on it, and if you couldn't get

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Speaker 5: to it.

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Speaker 1: Yeah, and everyone was. You could just to assume that

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Speaker 1: everybody you encountered was drunk like it throughout the day.

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Speaker 1: For the most part, I feel like.

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Speaker 5: If they weren't drunk, they were all for their whole

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Speaker 5: head and body was full of leaded gasoline, which I

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Speaker 5: think is actually a secret reason why America has gone

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Speaker 5: to hell. It's because for like, well I think maybe

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Speaker 5: every nation, but you know, I think that we all

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Speaker 5: were like, we must be stupid, and we're not like

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Speaker 5: gonna analyze ourselves well, because we were we're already you

398
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Speaker 5: know what I mean, Like we already got poisoned by

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Speaker 5: lead so how can people who are poisoned by lead

400
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Speaker 5: assume that they're not doing that bad? You know what

401
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Speaker 5: I mean, Like, like you can't assess yourself if you've

402
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Speaker 5: already been poisoned by like, oh, well, I think we

403
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Speaker 5: had leaded gasoline in the air for like forty years,

404
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Speaker 5: but I don't think it had much of an impact. Meanwhile,

405
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Speaker 5: everything's going crazy, but they're like, of course the person

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Speaker 5: who's poisoned by lead is gonna say it didn't have

407
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Speaker 5: much of an impact. An alcoholics saying they're not an alcoholic, yeah,

408
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Speaker 5: which is one of my favorite, Uh that Norm McDonald's

409
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Speaker 5: story where he says he got drunk at the bar

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Speaker 5: and it was like a second time ever getting drunk,

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Speaker 5: and he got put in a rehab. He said, he

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Speaker 5: told him he wasn't an alcoholic, and they said, he said,

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Speaker 5: but the thing is, that's what alcoholics say.

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Speaker 1: That's exactly what alcoholics. So you just like can't get out. Yeah.

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Speaker 1: But I mean, there is the big lead crime hypothesis

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00:19:58,760 --> 00:20:03,399
Speaker 1: that's I don't know. This basically says that, you know,

417
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Speaker 1: there's been this massive drop off in crime throughout a

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Speaker 1: lot of the world, and it happens to coincide with

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Speaker 1: the removal of lead from gasoline and every pain.

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Speaker 5: Yeah, that's possible.

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Speaker 1: In formula, I feel like it seemed like it was

422
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Speaker 1: in everything.

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Speaker 5: People aren't. Yeah, it was in everything, because it was

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Speaker 5: like coming out of everywhere you looked. I mean, oh,

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Speaker 5: I remember A big part of my childhood was like

426
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Speaker 5: car exhaust, you know that doesn't exist anymore. That was

427
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Speaker 5: everywhere you went. I mean you stood in parking lots

428
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Speaker 5: getting led straight in your young face. Yeah, I mean

429
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Speaker 5: everywhere you went. Yeah, I mean that that must have

430
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Speaker 5: had an impact. And now we these lead poison people,

431
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Speaker 5: do these studies that say nothing happened to us.

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Speaker 4: Right, and also the positions of power we.

433
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Speaker 5: Look around the world. Yeah, meanwhile, we look around the

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Speaker 5: world and like, you know, Mitch McConnell like is shutting

435
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Speaker 5: down talking. It's not the gasoline, like someone from another

436
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Speaker 5: galaxy's like that's classic lead.

437
00:21:05,640 --> 00:21:07,200
Speaker 4: He leaded fucking freak.

438
00:21:07,440 --> 00:21:10,720
Speaker 5: He grew up in Kentucky in the nineteen fifties. Holy ship,

439
00:21:10,840 --> 00:21:12,600
Speaker 5: that guy's like ninety percent lead.

440
00:21:12,880 --> 00:21:15,400
Speaker 1: He's mostly lead. At this point, he actually thinks he's

441
00:21:15,440 --> 00:21:18,480
Speaker 1: doing good things. Yeah. The only people who are like

442
00:21:18,760 --> 00:21:21,440
Speaker 1: still clinging to power who still have power and wealth

443
00:21:21,440 --> 00:21:24,359
Speaker 1: in this country. Are all like the most the most

444
00:21:24,440 --> 00:21:27,840
Speaker 1: lead boys and the.

445
00:21:27,880 --> 00:21:31,880
Speaker 5: Koch brothers been like hanging around like fucking yard ship.

446
00:21:32,000 --> 00:21:35,159
Speaker 4: Yeah, they're like, Yeah. I used to be the pencil

447
00:21:35,240 --> 00:21:38,480
Speaker 4: sharp the designated pencil sharpener in class for every grade

448
00:21:38,480 --> 00:21:40,520
Speaker 4: I was in. I would take all the lead pencils

449
00:21:40,520 --> 00:21:42,920
Speaker 4: and grind them up right there and take big old

450
00:21:42,920 --> 00:21:43,440
Speaker 4: whiffs of.

451
00:21:43,440 --> 00:21:46,320
Speaker 1: It, and you got like ct just doing lines of

452
00:21:46,600 --> 00:21:51,040
Speaker 1: pencil shavings. Do you guys like the smell of gasoline?

453
00:21:51,680 --> 00:21:54,560
Speaker 1: I'm sorry, what do you like the smell of gasoline?

454
00:21:54,840 --> 00:21:56,760
Speaker 4: You mean like on some like motor head type ship,

455
00:21:56,880 --> 00:21:58,480
Speaker 4: like a man, just like.

456
00:21:58,160 --> 00:21:59,680
Speaker 1: When you're pumping gas.

457
00:22:01,359 --> 00:22:04,960
Speaker 5: If I waded in, Yes, Miles exactly.

458
00:22:05,080 --> 00:22:07,280
Speaker 1: He's never heard of this, which means uff, I think

459
00:22:07,280 --> 00:22:08,720
Speaker 1: this explains a lot about it was.

460
00:22:08,720 --> 00:22:12,639
Speaker 5: Obviously, I don't think what you're talking about.

461
00:22:12,960 --> 00:22:15,560
Speaker 1: Like, I think in the early eighties they still had

462
00:22:15,640 --> 00:22:19,439
Speaker 1: lead in the gas, and I think I huffing that

463
00:22:19,520 --> 00:22:21,359
Speaker 1: ship as like a four year old dude.

464
00:22:21,359 --> 00:22:23,320
Speaker 4: I think I feel like because I know they started

465
00:22:23,359 --> 00:22:25,000
Speaker 4: to phase it out in the eighties, and I feel

466
00:22:25,000 --> 00:22:28,000
Speaker 4: like I have vivid memories of my mom specifically asking

467
00:22:28,040 --> 00:22:29,440
Speaker 4: for unleaded gasoline.

468
00:22:29,840 --> 00:22:35,520
Speaker 1: Yeah, that was the thing. Unleaded please right, you decaf

469
00:22:35,560 --> 00:22:36,080
Speaker 1: in the morning.

470
00:22:39,320 --> 00:22:42,280
Speaker 5: That wasn't like a choice like you were vegetarians, just

471
00:22:42,320 --> 00:22:44,080
Speaker 5: according to what kind of car you had. I don't

472
00:22:44,119 --> 00:22:46,440
Speaker 5: think you could use unleaded in a leaded gas car,

473
00:22:46,560 --> 00:22:46,879
Speaker 5: could you?

474
00:22:47,040 --> 00:22:48,800
Speaker 1: Oh? Is that right?

475
00:22:48,920 --> 00:22:51,040
Speaker 4: I don't remember like hearing that specifical.

476
00:22:52,200 --> 00:22:53,879
Speaker 5: I don't think it was like maga person was like,

477
00:22:53,920 --> 00:22:58,240
Speaker 5: I'll take leaded. Your car doesn't take leaded?

478
00:22:58,600 --> 00:23:00,800
Speaker 1: Well that engine not destroy.

479
00:23:00,520 --> 00:23:02,440
Speaker 2: My fucking car, then I don't give a shit.

480
00:23:03,080 --> 00:23:05,200
Speaker 1: That's the big thing that that's why they added the

481
00:23:05,280 --> 00:23:08,919
Speaker 1: lead to the gasoline was to cure engine knock and

482
00:23:08,960 --> 00:23:12,280
Speaker 1: are you serious? That was like when when cars first started,

483
00:23:12,480 --> 00:23:15,639
Speaker 1: they would like be running smoothly for five minutes and

484
00:23:15,680 --> 00:23:19,600
Speaker 1: then the engine would just start being like should everybody

485
00:23:19,600 --> 00:23:21,679
Speaker 1: in the car be like what the fucking just happened?

486
00:23:22,080 --> 00:23:24,000
Speaker 1: And they could never like figure it out. And then

487
00:23:24,040 --> 00:23:28,960
Speaker 1: they added lead. And then there was that famous inventor

488
00:23:29,160 --> 00:23:33,200
Speaker 1: who was like, this is nothing, it's going everybody's gonna

489
00:23:33,240 --> 00:23:36,280
Speaker 1: be safe. Look, I'm going to like huff it or

490
00:23:36,320 --> 00:23:39,400
Speaker 1: this guy's gonna huff it at this press conference, and

491
00:23:39,480 --> 00:23:44,000
Speaker 1: like the guy died. Yeah, boy, what a time.

492
00:23:44,359 --> 00:23:46,399
Speaker 5: Yeah. So that's mob backs if you want to watch,

493
00:23:46,440 --> 00:23:48,480
Speaker 5: like I really do, I mean like a bunch of

494
00:23:48,520 --> 00:23:51,760
Speaker 5: it's like mob trials. Like it's just like like really

495
00:23:51,840 --> 00:23:54,879
Speaker 5: long takes of mob mob trials like often just like

496
00:23:55,000 --> 00:23:57,000
Speaker 5: you know, the stuff they had footage, the footage they

497
00:23:57,000 --> 00:23:58,879
Speaker 5: had laying around the newsroom from like or you know,

498
00:23:58,920 --> 00:24:01,760
Speaker 5: in the archives of low stations. But I love that ship.

499
00:24:01,880 --> 00:24:05,119
Speaker 4: I love that too, because that's like the most like

500
00:24:05,400 --> 00:24:08,399
Speaker 4: you're really transported to another time when you have like

501
00:24:08,440 --> 00:24:10,719
Speaker 4: you can see the grain of like the video and

502
00:24:10,760 --> 00:24:14,680
Speaker 4: like the audio quality and just like the shitty just everything,

503
00:24:14,720 --> 00:24:17,840
Speaker 4: and it's like the opening arguments have began and John

504
00:24:17,960 --> 00:24:20,680
Speaker 4: Gotti's like Jeno Vese crime family.

505
00:24:20,480 --> 00:24:22,199
Speaker 5: That's what it is. And then there's just like the

506
00:24:22,240 --> 00:24:25,359
Speaker 5: stuff they shot in the hallway with like no commentary

507
00:24:25,400 --> 00:24:25,639
Speaker 5: on it.

508
00:24:25,800 --> 00:24:27,240
Speaker 1: Yeah, people like walk zero.

509
00:24:27,720 --> 00:24:31,600
Speaker 5: Yeah, like people in slacks going out, going out for

510
00:24:31,680 --> 00:24:35,000
Speaker 5: a smoke, Yeah, going out to smoke a vantage.

511
00:24:34,600 --> 00:24:37,000
Speaker 1: Going out to hav an affair, oh.

512
00:24:36,880 --> 00:24:39,159
Speaker 5: Yeah, yeah, whatever horrible ship you did then, because all

513
00:24:39,200 --> 00:24:40,880
Speaker 5: you had to do is go like one town over

514
00:24:42,160 --> 00:24:45,119
Speaker 5: Cretes and you have an affair, have a second family,

515
00:24:45,720 --> 00:24:48,080
Speaker 5: put a wig on and go one block over and

516
00:24:48,080 --> 00:24:48,920
Speaker 5: started doing life.

517
00:24:49,560 --> 00:24:53,520
Speaker 4: Unless you like back back then, were they just showing

518
00:24:53,600 --> 00:24:56,160
Speaker 4: like these like shot up mobsters, like when they would

519
00:24:56,240 --> 00:24:58,320
Speaker 4: like a hit, like like one of these guys got

520
00:24:58,320 --> 00:25:00,600
Speaker 4: fucking snuffed out, because like I feel like in so

521
00:25:00,680 --> 00:25:03,400
Speaker 4: many mob documentaries, there would be moments they would cut

522
00:25:03,440 --> 00:25:05,920
Speaker 4: to like footage from the eighties and like, oh, ship

523
00:25:05,960 --> 00:25:06,280
Speaker 4: that guy.

524
00:25:06,440 --> 00:25:09,159
Speaker 1: Yeah, just a guy in his sit with his ass

525
00:25:09,160 --> 00:25:11,359
Speaker 1: in the air on the paved for some reason.

526
00:25:11,080 --> 00:25:14,879
Speaker 5: That they show that one. Particularly that's Paul Castellano, the

527
00:25:14,880 --> 00:25:17,360
Speaker 5: one who got shot on the on the on the

528
00:25:17,359 --> 00:25:19,760
Speaker 5: patio and he's tangled up on the tablecloth with a

529
00:25:19,920 --> 00:25:22,639
Speaker 5: cigar between his teeth or whatever between. Yeah, that's a

530
00:25:22,640 --> 00:25:25,320
Speaker 5: good picture. But I don't know why they showed that picture.

531
00:25:25,080 --> 00:25:28,360
Speaker 4: Right, And that's that's tonight's news all right here? Yeah,

532
00:25:28,480 --> 00:25:29,320
Speaker 4: correct with the weather.

533
00:25:29,640 --> 00:25:32,320
Speaker 5: I guess they hated it was like when Lenny Bruce

534
00:25:32,359 --> 00:25:34,800
Speaker 5: died and they put his dead body all over the

535
00:25:34,800 --> 00:25:36,879
Speaker 5: news because the cops hated him. So it may have

536
00:25:36,920 --> 00:25:38,359
Speaker 5: been like one of those things where they're just like,

537
00:25:38,400 --> 00:25:41,000
Speaker 5: we're releasing it's just because we hate this guy so much.

538
00:25:41,960 --> 00:25:44,560
Speaker 5: But okay, so mob backs is one thing. Then there's

539
00:25:44,560 --> 00:25:48,399
Speaker 5: this other channel I've been watching called below the.

540
00:25:48,400 --> 00:25:50,400
Speaker 1: Wait, let's hat let's take it quick break. So we're

541
00:25:50,400 --> 00:25:53,880
Speaker 1: getting we're getting more search history from Chris Craft. We'll

542
00:25:53,880 --> 00:26:07,520
Speaker 1: be right back and we're back. This is this is

543
00:26:07,560 --> 00:26:09,080
Speaker 1: the Crofton Expert episode.

544
00:26:09,200 --> 00:26:11,199
Speaker 5: Just okay, well no, I'll just go quick on this one.

545
00:26:11,200 --> 00:26:11,680
Speaker 5: It's not that.

546
00:26:13,119 --> 00:26:15,800
Speaker 4: You have an expertise in obscure YouTube.

547
00:26:16,359 --> 00:26:18,520
Speaker 5: This one is not that obscure because the numbers on

548
00:26:18,600 --> 00:26:20,639
Speaker 5: mob backs I think are pretty low as far as views.

549
00:26:21,800 --> 00:26:22,720
Speaker 1: Have you heard of scribed?

550
00:26:22,760 --> 00:26:25,520
Speaker 4: Have you guys heard of vivo v e v Oh? They

551
00:26:25,520 --> 00:26:27,520
Speaker 4: have a lot of music videos.

552
00:26:27,080 --> 00:26:29,919
Speaker 5: A tremendous number of ads on there, though there's no

553
00:26:29,960 --> 00:26:31,600
Speaker 5: way to block them. You just have to watch them.

554
00:26:32,160 --> 00:26:35,359
Speaker 5: So the other one is this this channel called below

555
00:26:35,440 --> 00:26:38,560
Speaker 5: the Planes, Below the Planes, where it's this guy named

556
00:26:38,600 --> 00:26:42,480
Speaker 5: Tom asked Jim who goes to fields in North Dakota

557
00:26:43,280 --> 00:26:46,240
Speaker 5: or like old properties. He finds old properties from old

558
00:26:46,320 --> 00:26:48,360
Speaker 5: maps from the nineteenth century and he finds out where

559
00:26:48,359 --> 00:26:50,119
Speaker 5: there used to be a saloon and then he looks

560
00:26:50,160 --> 00:26:53,560
Speaker 5: around the yard because usually the saloons like long gone,

561
00:26:53,600 --> 00:26:56,920
Speaker 5: like the saloon. Right, this is like late night, late

562
00:26:56,960 --> 00:27:00,119
Speaker 5: eighteen hundreds North Dakota. So like all that got well,

563
00:27:00,119 --> 00:27:01,600
Speaker 5: I don't know what the fuck that's supposed to mean.

564
00:27:01,640 --> 00:27:04,120
Speaker 5: Like everybody knows, you got a picture this, this is late.

565
00:27:04,400 --> 00:27:07,040
Speaker 5: Everyone knows it's late eighteen hundreds North Dakota. So those

566
00:27:07,080 --> 00:27:09,280
Speaker 5: buildings aren't gonna be around anymore. I have no idea

567
00:27:09,359 --> 00:27:09,920
Speaker 5: what that means.

568
00:27:10,119 --> 00:27:12,240
Speaker 1: But he just shows up to a field, yeah, and

569
00:27:12,240 --> 00:27:12,960
Speaker 1: he's like, there's.

570
00:27:12,800 --> 00:27:15,840
Speaker 5: A depression there, and there's a depression there, and that

571
00:27:15,880 --> 00:27:18,400
Speaker 5: could be like an outhouse pit or a garbage pit,

572
00:27:18,480 --> 00:27:20,480
Speaker 5: but he's looking at basically what we or you would

573
00:27:20,520 --> 00:27:22,800
Speaker 5: see as a field. And then he goes over and

574
00:27:22,840 --> 00:27:25,520
Speaker 5: he starts poking it with a big prod and he

575
00:27:25,640 --> 00:27:28,360
Speaker 5: feels glass in the ground, and then he just digs

576
00:27:28,359 --> 00:27:31,120
Speaker 5: and then there's like six hundred bottles in the ground.

577
00:27:31,680 --> 00:27:36,280
Speaker 5: And every show he just pulls out so many fucking bottles.

578
00:27:36,280 --> 00:27:38,520
Speaker 5: And look how many views he has on his goddamn channel.

579
00:27:38,560 --> 00:27:41,240
Speaker 5: He has like eight hundred thousands on some of these things.

580
00:27:41,359 --> 00:27:42,960
Speaker 4: The wild thing is like to your point, like the

581
00:27:43,000 --> 00:27:46,280
Speaker 4: thumbnails for the videos are literally a picture of like well,

582
00:27:46,400 --> 00:27:48,520
Speaker 4: like again, we'd be like, okay, it's some fucking field,

583
00:27:48,560 --> 00:27:50,439
Speaker 4: but then there's like an arrow where there's like a

584
00:27:50,800 --> 00:27:52,960
Speaker 4: like a weird small patch of grass, and it's like

585
00:27:53,480 --> 00:27:57,680
Speaker 4: buried beside the tracks, hundreds of rare bottles, right, and.

586
00:27:57,640 --> 00:28:00,920
Speaker 5: It's all outhouse pits. And he all so like digs

587
00:28:00,920 --> 00:28:03,080
Speaker 5: in these outhouse bits. And finally he said something I've

588
00:28:03,080 --> 00:28:08,119
Speaker 5: always wandered, they still stink. I was wondering if that

589
00:28:08,240 --> 00:28:09,960
Speaker 5: like you know what I mean, like I was. They

590
00:28:10,000 --> 00:28:13,280
Speaker 5: don't usually mention it, but he said, and they show

591
00:28:14,400 --> 00:28:17,560
Speaker 5: there's lime in some layers, because that's the through lime

592
00:28:17,600 --> 00:28:20,840
Speaker 5: on the on the outhouse contents, you know, right, you know.

593
00:28:21,000 --> 00:28:23,840
Speaker 1: One and forty two year old map found in an

594
00:28:23,840 --> 00:28:29,040
Speaker 1: old library led us to an absolute jackpot. He overdoes

595
00:28:29,080 --> 00:28:30,520
Speaker 1: the jackpot shit a little bit.

596
00:28:30,560 --> 00:28:33,760
Speaker 5: But anyway, he's a he's a fucking wizard, the guy's

597
00:28:34,040 --> 00:28:37,680
Speaker 5: and he has like a team like someone someone No,

598
00:28:37,800 --> 00:28:39,840
Speaker 5: this guy is digging. You get the impression now that

599
00:28:39,880 --> 00:28:41,640
Speaker 5: if you just go out in your yard and just dig,

600
00:28:41,680 --> 00:28:44,080
Speaker 5: you're gonna find hundreds of bottles. Like the whole earth

601
00:28:44,160 --> 00:28:47,200
Speaker 5: is made of bottles. If you like this guy picks

602
00:28:47,200 --> 00:28:49,080
Speaker 5: the place is obviously they're not. The whole earth isn't

603
00:28:49,080 --> 00:28:50,600
Speaker 5: made of bottles. But that's what this guy makes it

604
00:28:50,600 --> 00:28:51,960
Speaker 5: look like. I just be like, I think there's some

605
00:28:51,960 --> 00:28:54,600
Speaker 5: bottles here, and then next thing you know, he he

606
00:28:54,720 --> 00:28:57,200
Speaker 5: is down six feet and there's like one hundred bottles

607
00:28:57,200 --> 00:29:00,080
Speaker 5: on the ground and they're all like from anyway, and

608
00:29:00,120 --> 00:29:02,520
Speaker 5: he knows what they all are, and they're all tool top.

609
00:29:03,120 --> 00:29:04,840
Speaker 5: He says, tool top. Now, if you want to have

610
00:29:04,880 --> 00:29:07,440
Speaker 5: a drinking game, say you were really into blow the planes,

611
00:29:07,960 --> 00:29:11,160
Speaker 5: the man says, tooltop so much that it can drive you.

612
00:29:12,520 --> 00:29:13,120
Speaker 1: Top.

613
00:29:13,680 --> 00:29:22,320
Speaker 4: Yeah, well there's you know, Chris, this look like it

614
00:29:22,400 --> 00:29:23,680
Speaker 4: was like one of those where.

615
00:29:25,640 --> 00:29:32,520
Speaker 5: An adult you don't even know what a tool top is. Huh,

616
00:29:32,920 --> 00:29:35,960
Speaker 5: never heard of Tom ask jem My Goodness, So yeah,

617
00:29:36,000 --> 00:29:38,760
Speaker 5: Tom asked. Jim says tooltop because tooltop means to hand

618
00:29:38,760 --> 00:29:41,240
Speaker 5: blown bottle or like a blown like I don't even

619
00:29:41,400 --> 00:29:44,560
Speaker 5: they used to blow bottles, you know, bottles. They used

620
00:29:44,560 --> 00:29:48,360
Speaker 5: to blow glass up to up to like the century,

621
00:29:48,960 --> 00:29:52,320
Speaker 5: okay up until like so like it's machine made or

622
00:29:52,360 --> 00:29:54,640
Speaker 5: it's a tool top, and a tooltop means they cut

623
00:29:54,640 --> 00:29:58,200
Speaker 5: the lip with a tool or there's a blob top,

624
00:29:58,400 --> 00:30:00,160
Speaker 5: which is an older kind of bottle where they just

625
00:30:00,200 --> 00:30:02,040
Speaker 5: applied the top. It's where they call it a blob

626
00:30:02,080 --> 00:30:04,480
Speaker 5: top or an applied top where it's like they add

627
00:30:04,520 --> 00:30:06,680
Speaker 5: the top after it's done because they didn't know how

628
00:30:06,720 --> 00:30:10,000
Speaker 5: to do a better top. So it's like he's he

629
00:30:10,080 --> 00:30:12,520
Speaker 5: knows every bottle. He's like, oh, this is a fucking

630
00:30:13,360 --> 00:30:18,480
Speaker 5: flap jack style, you know, cosmetics bottle from nineteen ten,

631
00:30:18,560 --> 00:30:20,200
Speaker 5: and he pulls them out one after the.

632
00:30:20,160 --> 00:30:23,280
Speaker 1: Other like valuable, Like when he says the jackpot is

633
00:30:23,440 --> 00:30:24,920
Speaker 1: like a jackpot for him.

634
00:30:25,120 --> 00:30:27,760
Speaker 5: Yes, their bottles, no, their bottle freaks out there that

635
00:30:27,800 --> 00:30:30,200
Speaker 5: he's found some bottles in North Dakota where it's like

636
00:30:30,240 --> 00:30:32,640
Speaker 5: the only he finds the only example of this certain

637
00:30:32,720 --> 00:30:36,760
Speaker 5: kind of soda. Oh wow, soda bottles are really valuable,

638
00:30:36,920 --> 00:30:39,880
Speaker 5: like soda water, Like back then everybody drank soda water

639
00:30:39,960 --> 00:30:42,040
Speaker 5: because maybe because the water was bad, because this was

640
00:30:42,080 --> 00:30:46,400
Speaker 5: like North Dakota in the late eighteen hundreds is like Nowheresville, Yeah,

641
00:30:46,400 --> 00:30:48,400
Speaker 5: I mean it probably still is, but you know it

642
00:30:48,440 --> 00:30:49,440
Speaker 5: really was back then.

643
00:30:49,920 --> 00:30:53,360
Speaker 1: That's like what's it called the show on HBO Dead

644
00:30:53,400 --> 00:30:56,760
Speaker 1: with right, Like, isn't that the Dakota's Yeah, Dakota Territory.

645
00:30:56,840 --> 00:30:57,000
Speaker 7: Yeah.

646
00:30:57,720 --> 00:30:57,880
Speaker 4: Yeah.

647
00:30:57,920 --> 00:30:59,560
Speaker 5: So he's out there a lot, and that's where he

648
00:30:59,560 --> 00:31:01,440
Speaker 5: does a lot of his hunting. I mean, it's it's

649
00:31:01,520 --> 00:31:03,720
Speaker 5: kind of incredible. It does get repetitive because he finds

650
00:31:03,800 --> 00:31:06,160
Speaker 5: so many bottles and he knows what they are so fast.

651
00:31:06,160 --> 00:31:09,800
Speaker 5: So he's just like, that's another that's another Mecato style

652
00:31:09,880 --> 00:31:13,040
Speaker 5: liquor flask. That's a sheet shoe fly liquor flash with

653
00:31:13,080 --> 00:31:15,800
Speaker 5: a with a with a double cut bottom or whatever.

654
00:31:15,840 --> 00:31:18,000
Speaker 5: You know. He just keeps going and then he always

655
00:31:18,000 --> 00:31:20,040
Speaker 5: says tool top tooltop tooltop tool to.

656
00:31:20,160 --> 00:31:23,720
Speaker 4: See like with the with these finds, like when like,

657
00:31:23,840 --> 00:31:27,760
Speaker 4: is he kind of motivated by the monetary gains of

658
00:31:27,840 --> 00:31:30,120
Speaker 4: finding this stuff? And does he and is he like

659
00:31:30,200 --> 00:31:32,720
Speaker 4: doing well? Like if he's digging out, if he's constantly

660
00:31:32,800 --> 00:31:35,240
Speaker 4: digging this ship, you must have a lot of money, right.

661
00:31:35,240 --> 00:31:37,320
Speaker 1: Yeah, America's youngest billionaire.

662
00:31:40,880 --> 00:31:45,840
Speaker 5: He's a billionaire the old fashioned way bottles. Yeah, so

663
00:31:45,960 --> 00:31:50,360
Speaker 5: he the other billionaires like, don't take him seriously. Whoa,

664
00:31:50,480 --> 00:31:52,440
Speaker 5: it's nice to meet you, Elon, we're the same.

665
00:31:52,960 --> 00:31:55,960
Speaker 4: Yeah, Hey, hey, you want to dig in one of

666
00:31:55,960 --> 00:31:59,640
Speaker 4: my fields, loser, And he's like, you try, I can't.

667
00:31:59,400 --> 00:32:01,680
Speaker 2: Find an mud. You're a rascal.

668
00:32:01,760 --> 00:32:02,240
Speaker 5: Ask him.

669
00:32:02,840 --> 00:32:05,200
Speaker 1: There's just something cool about a guy who like looks

670
00:32:05,240 --> 00:32:09,200
Speaker 1: at our world and like sees music, you know, like

671
00:32:09,320 --> 00:32:12,719
Speaker 1: see like it's just like, oh, I see, I see

672
00:32:12,760 --> 00:32:16,600
Speaker 1: the secret code. I see the history of this landscape.

673
00:32:16,640 --> 00:32:19,680
Speaker 1: It's incredible just underneath it, just just below the surface.

674
00:32:19,720 --> 00:32:22,360
Speaker 5: And I bet everybody's digging up their mom's yard because

675
00:32:22,400 --> 00:32:25,080
Speaker 5: of this guy. Yeah, somebody's finding like, oh, there's a

676
00:32:25,120 --> 00:32:26,840
Speaker 5: depression right there, and then they dig it up and

677
00:32:26,880 --> 00:32:29,640
Speaker 5: it's like the it's probably like you know, the main

678
00:32:29,760 --> 00:32:32,880
Speaker 5: power grid or whatever, you know, yeah, but basically right

679
00:32:32,920 --> 00:32:35,040
Speaker 5: you know, it's like the worthy above ground pool used

680
00:32:35,040 --> 00:32:36,840
Speaker 5: to be and there's nothing down there at all. You know, Oh,

681
00:32:36,880 --> 00:32:39,840
Speaker 5: there's an impression in the ground. Yeah, that's from our

682
00:32:39,880 --> 00:32:43,400
Speaker 5: old above ground pool. No it isn't, Mom, shut up, mom.

683
00:32:43,560 --> 00:32:46,200
Speaker 5: You know, even seen below the planes, there's bottles everywhere.

684
00:32:46,800 --> 00:32:48,720
Speaker 4: This guy just like I'm watching a clip. This guy

685
00:32:48,840 --> 00:32:50,800
Speaker 4: is like had like a treasure map and then it's

686
00:32:50,840 --> 00:32:52,320
Speaker 4: like a hard cut and he's like pulling out like

687
00:32:52,360 --> 00:32:55,520
Speaker 4: an immaculate ceramic bowl from the insane.

688
00:32:56,280 --> 00:32:58,960
Speaker 5: It's insane and it makes you want to dig everywhere.

689
00:32:59,000 --> 00:33:02,160
Speaker 5: But here's a mass of figuring out where to dig.

690
00:33:02,320 --> 00:33:05,160
Speaker 5: And this person who runs his channel because he has

691
00:33:05,200 --> 00:33:09,280
Speaker 5: like a production team someone obviously knew this guy and said, okay,

692
00:33:09,280 --> 00:33:10,160
Speaker 5: you're doing this.

693
00:33:10,160 --> 00:33:13,000
Speaker 4: Like tooltop, knife edge, coffin style liquor flask. Just pulled it,

694
00:33:13,080 --> 00:33:13,320
Speaker 4: cir k.

695
00:33:14,280 --> 00:33:16,080
Speaker 5: So he's just like and he old hat to him.

696
00:33:16,120 --> 00:33:18,120
Speaker 5: If I found one of those, I would I would

697
00:33:18,120 --> 00:33:19,720
Speaker 5: die happy, you know what I mean? If I found

698
00:33:19,720 --> 00:33:22,360
Speaker 5: one whatever you said, coffin style. He's always talking about

699
00:33:22,360 --> 00:33:25,000
Speaker 5: that coffin style liquor flask. If I found one of those.

700
00:33:25,320 --> 00:33:27,640
Speaker 4: Oh he just found a tooltop drug store bottle excels

701
00:33:27,680 --> 00:33:28,440
Speaker 4: your drug store yank.

702
00:33:28,480 --> 00:33:30,320
Speaker 5: Oh yeah, he's so sick of drug store bottles. That

703
00:33:30,360 --> 00:33:33,080
Speaker 5: makes him angry. He could tell a drug store bottle

704
00:33:33,200 --> 00:33:36,440
Speaker 5: no embossing. He gets really mad. But it's not a boss.

705
00:33:36,520 --> 00:33:38,240
Speaker 5: He's like sometimes he goes that should be a boss.

706
00:33:38,320 --> 00:33:39,840
Speaker 5: That's the right period for it to be a boss.

707
00:33:40,120 --> 00:33:42,320
Speaker 1: Is it always like loosen the dirt or is he

708
00:33:42,440 --> 00:33:44,720
Speaker 1: like finding like a room down there?

709
00:33:44,960 --> 00:33:47,800
Speaker 4: No, he's just like he's just like just using like

710
00:33:47,840 --> 00:33:49,640
Speaker 4: a trowel and kind of being like, oh, here's a

711
00:33:49,640 --> 00:33:50,720
Speaker 4: little here's a little something.

712
00:33:50,760 --> 00:33:53,520
Speaker 5: Here, here's a little buddy, and then like an out

713
00:33:53,560 --> 00:33:55,680
Speaker 5: house pit. He's usually founding it and he calls the

714
00:33:55,760 --> 00:33:57,800
Speaker 5: use layer and the use layer of the outhouse pit

715
00:33:57,920 --> 00:34:00,800
Speaker 5: means ship. Yeah, and he's always talking about, uh, we know,

716
00:34:00,880 --> 00:34:04,520
Speaker 5: we know we're in an outhouse pit because there's undigested

717
00:34:04,560 --> 00:34:07,400
Speaker 5: seeds all over the place. He always says that too.

718
00:34:07,720 --> 00:34:09,640
Speaker 5: Then then he just like but then he said one

719
00:34:09,640 --> 00:34:12,080
Speaker 5: time he said it's stank, like you could tell this

720
00:34:12,120 --> 00:34:14,480
Speaker 5: is an outhouse pit, which I was wondering because he's like,

721
00:34:14,640 --> 00:34:17,080
Speaker 5: this brown stuff is human waste. And I also wondered

722
00:34:17,120 --> 00:34:18,400
Speaker 5: that because I thought maybe it was a kind of

723
00:34:18,400 --> 00:34:20,360
Speaker 5: soil or something like that human waste.

724
00:34:20,880 --> 00:34:23,200
Speaker 4: So he's like, yeah, and I got hepatitis from the

725
00:34:23,280 --> 00:34:26,040
Speaker 4: last jackpot I hit, So that was fun.

726
00:34:26,800 --> 00:34:29,120
Speaker 5: Yeah. He The most exciting thing that happened with some

727
00:34:29,200 --> 00:34:34,000
Speaker 5: old wine bottle from like nineteen hundred still had fermented

728
00:34:34,160 --> 00:34:36,040
Speaker 5: wine in it or like still had a little bit

729
00:34:36,040 --> 00:34:37,520
Speaker 5: of product left in it. So when he took the

730
00:34:37,520 --> 00:34:40,280
Speaker 5: bottle out of the soil and exploded in his face

731
00:34:40,320 --> 00:34:43,319
Speaker 5: because the pressure had been had been kept in the

732
00:34:43,719 --> 00:34:46,040
Speaker 5: so he got old wine. Yeah, he got old wine

733
00:34:46,040 --> 00:34:48,120
Speaker 5: in his eye from like the last person who drank

734
00:34:48,160 --> 00:34:48,759
Speaker 5: it was like pie.

735
00:34:50,640 --> 00:34:53,399
Speaker 4: It also just like makes me realize, like how how

736
00:34:53,480 --> 00:34:56,120
Speaker 4: little I understand about the passage of time, you know,

737
00:34:56,239 --> 00:34:58,880
Speaker 4: like you're like, okay, so there was a saloon there

738
00:34:59,239 --> 00:35:02,200
Speaker 4: and then what like the building probably gets raised and

739
00:35:02,200 --> 00:35:04,440
Speaker 4: then like do they just leave the Like there's like

740
00:35:04,480 --> 00:35:07,239
Speaker 4: all right, threw some dirt on top of what used

741
00:35:07,280 --> 00:35:10,440
Speaker 4: to be here, basically like the like there's no like

742
00:35:10,520 --> 00:35:13,480
Speaker 4: real excavation way to be like you got to clear

743
00:35:13,520 --> 00:35:14,160
Speaker 4: all this crap.

744
00:35:14,200 --> 00:35:17,520
Speaker 5: It's like junk. Like they won't even do it. Like

745
00:35:17,560 --> 00:35:20,320
Speaker 5: they find like the remains of a Native American village

746
00:35:20,320 --> 00:35:21,920
Speaker 5: and ship and they just want to cover it up

747
00:35:21,920 --> 00:35:23,520
Speaker 5: because they just want to get on with buildings.

748
00:35:23,640 --> 00:35:27,920
Speaker 1: Yeah's next one of the greatest like American archaeological sites

749
00:35:28,000 --> 00:35:32,000
Speaker 1: Cochia Mound in Saint Louis. Like they discovered it as

750
00:35:32,040 --> 00:35:34,920
Speaker 1: they were turning it like it it's like as impressive

751
00:35:35,160 --> 00:35:38,840
Speaker 1: as like the Pyramids in Egypt. It was like wild.

752
00:35:38,920 --> 00:35:41,759
Speaker 1: It had like all these different layers of like multicolored

753
00:35:41,840 --> 00:35:45,640
Speaker 1: earth and they were in the process of turning it

754
00:35:45,719 --> 00:35:49,760
Speaker 1: into a parking lot when somebody stopped them and was like, actually,

755
00:35:49,800 --> 00:35:51,239
Speaker 1: this is like, well.

756
00:35:51,120 --> 00:35:53,840
Speaker 4: Maybe one of the most impressive structures you've seen on

757
00:35:53,880 --> 00:35:54,280
Speaker 4: this content.

758
00:35:54,400 --> 00:36:00,279
Speaker 1: Like they imported like red clay from the fucking Mississippi,

759
00:36:00,640 --> 00:36:04,600
Speaker 1: like from from like Louisiana all the way up here

760
00:36:04,680 --> 00:36:07,319
Speaker 1: just to like make this giant mound. Yeah.

761
00:36:07,360 --> 00:36:10,960
Speaker 5: So when they pave like a highway, and they usually

762
00:36:11,000 --> 00:36:15,160
Speaker 5: push back really hard against any archaeologists to get these

763
00:36:15,200 --> 00:36:18,280
Speaker 5: projects done. They they they even have you know, destroy

764
00:36:18,440 --> 00:36:20,840
Speaker 5: sites just because they want to keep the project on schedule.

765
00:36:20,920 --> 00:36:23,279
Speaker 5: So you know, it's very hard. So bottles this is

766
00:36:23,320 --> 00:36:26,400
Speaker 5: considered just trash. But but what's neat about it is

767
00:36:26,400 --> 00:36:29,360
Speaker 5: that this guy's finding, you know, bottles that say Dakota

768
00:36:29,480 --> 00:36:31,440
Speaker 5: Territory on them, and I guess people collect these. So

769
00:36:31,480 --> 00:36:33,080
Speaker 5: he's found a couple of bottles where he set out

770
00:36:33,120 --> 00:36:35,200
Speaker 5: loud like this is worth sixteen thousand dollars. Most of

771
00:36:35,200 --> 00:36:37,080
Speaker 5: the time he doesn't talk about price, but so he's

772
00:36:37,080 --> 00:36:39,200
Speaker 5: making money off that. But the real genius is the

773
00:36:39,200 --> 00:36:42,840
Speaker 5: person genius. I mean, uh, but the real the smart

774
00:36:42,840 --> 00:36:46,799
Speaker 5: guys the guy has says produced by that channel, they're

775
00:36:46,800 --> 00:36:49,160
Speaker 5: making fortune off that channel. Some of those almost all

776
00:36:49,200 --> 00:36:51,279
Speaker 5: those things have two hundred thousand views on him and

777
00:36:51,360 --> 00:36:53,640
Speaker 5: some of them eight hundred thousand, and so I think

778
00:36:53,719 --> 00:36:56,520
Speaker 5: just someone said, like, man, Tom, we got to get

779
00:36:56,560 --> 00:36:58,560
Speaker 5: you on film doing this. This is insane. You know,

780
00:36:59,239 --> 00:37:02,080
Speaker 5: and he's said he's on camera. He said he's dug

781
00:37:02,160 --> 00:37:05,640
Speaker 5: thousands of outhouse pits. And then in his spare time

782
00:37:06,040 --> 00:37:09,960
Speaker 5: he restores like carriages from the nineteenth century. He's some

783
00:37:10,080 --> 00:37:12,520
Speaker 5: kind of a I mean, I think Tom Asked him

784
00:37:12,560 --> 00:37:12,839
Speaker 5: is some.

785
00:37:12,840 --> 00:37:15,640
Speaker 1: Kind sort of nineteenth century fucking freak.

786
00:37:15,880 --> 00:37:19,080
Speaker 5: He's like a multie like restores old stoves, like he

787
00:37:19,120 --> 00:37:21,000
Speaker 5: had a stove. They showed him in his warehouse. I

788
00:37:21,000 --> 00:37:22,600
Speaker 5: found it a separate video because I was just poking

789
00:37:22,600 --> 00:37:24,680
Speaker 5: around looking for Tom Asked Jem videos.

790
00:37:24,320 --> 00:37:25,839
Speaker 4: Like on its own, to see if they.

791
00:37:25,719 --> 00:37:28,000
Speaker 5: Had any background in this guy. And they showed him

792
00:37:28,000 --> 00:37:30,040
Speaker 5: in his like he's like, I'm not digging bottles right

793
00:37:30,080 --> 00:37:32,040
Speaker 5: now because I forget why. He said, like I hurt

794
00:37:32,040 --> 00:37:34,479
Speaker 5: my knee or something. And he's like, I'm hanging around

795
00:37:34,520 --> 00:37:38,480
Speaker 5: the warehouse working on this other project is to restore

796
00:37:38,600 --> 00:37:44,040
Speaker 5: this late nineteenth century stove. And he's like getting a

797
00:37:44,120 --> 00:37:48,480
Speaker 5: stove back to mint condition, like the way people restore cars. Yeah,

798
00:37:48,480 --> 00:37:50,480
Speaker 5: do you imagine what kind of weirdo you got to be?

799
00:37:51,160 --> 00:37:54,839
Speaker 1: What if he's just a time traveler from like back then. Yeah,

800
00:37:55,040 --> 00:37:58,320
Speaker 1: I used to ship right here. Oh man, I bet.

801
00:38:01,280 --> 00:38:03,239
Speaker 4: A lot of corn that day. I remember that one.

802
00:38:03,360 --> 00:38:06,200
Speaker 5: I bet he's I bet he's single, though, Oh yeah,

803
00:38:06,280 --> 00:38:07,719
Speaker 5: imagine being his girlfriend.

804
00:38:08,160 --> 00:38:13,680
Speaker 2: Oh god, you're storing a stove. Holy fuck, what are

805
00:38:13,680 --> 00:38:14,320
Speaker 2: you an idiot?

806
00:38:16,000 --> 00:38:17,759
Speaker 1: I bet there's a person out there for him.

807
00:38:18,000 --> 00:38:19,839
Speaker 5: I bet no, he probably he probably, I mean he's

808
00:38:19,840 --> 00:38:24,399
Speaker 5: probably a rock starto like yeah, stove restoration groupies. Oh,

809
00:38:24,680 --> 00:38:28,040
Speaker 5: like the hottest bottle collector likely got her hear about

810
00:38:28,040 --> 00:38:31,160
Speaker 5: the number, even just to get the stuff. Yeah, if

811
00:38:31,200 --> 00:38:33,200
Speaker 5: you're like the hottest bottle collector, you're gonna want to

812
00:38:33,239 --> 00:38:35,560
Speaker 5: hang with him because he's just gonna you could probably

813
00:38:35,560 --> 00:38:39,040
Speaker 5: slip a sixteen thousand dollars SEWDA bottle into your pocket

814
00:38:39,080 --> 00:38:39,880
Speaker 5: when he's not looking.

815
00:38:41,200 --> 00:38:43,279
Speaker 1: All right, let's take one more break and we'll come

816
00:38:43,320 --> 00:38:58,920
Speaker 1: back and hear either an overrated or an underrated and

817
00:38:59,040 --> 00:38:59,880
Speaker 1: we're bad.

818
00:39:01,239 --> 00:39:05,880
Speaker 5: Just one more thing about that last segment. Don't don't, seriously,

819
00:39:05,920 --> 00:39:08,319
Speaker 5: don't do the drinking game tooltop. If you that guy

820
00:39:08,400 --> 00:39:11,279
Speaker 5: will drive you and sane saying tooltop, I mean that

821
00:39:11,320 --> 00:39:13,560
Speaker 5: you'll you know you would die, I mean tooltop, tooltop,

822
00:39:13,600 --> 00:39:16,560
Speaker 5: tool will drug store bottle, drug store bottle, drunk store bottle,

823
00:39:16,600 --> 00:39:21,520
Speaker 5: drunk store bottle. Yeah, I said tooltop, tooltop tools, I mean, unbelievable.

824
00:39:21,840 --> 00:39:24,520
Speaker 5: My friend said I recommended the channel or my friend

825
00:39:24,600 --> 00:39:27,200
Speaker 5: was watching it separately or something like because I have

826
00:39:27,239 --> 00:39:29,040
Speaker 5: friends that like are into the same kind of stuff,

827
00:39:29,280 --> 00:39:30,560
Speaker 5: And she was like, have you seen this? And I

828
00:39:30,600 --> 00:39:32,319
Speaker 5: was like, yeah, I watched it all the time. She's like, man,

829
00:39:32,360 --> 00:39:34,840
Speaker 5: that guy. Imagine. I think she might have said, like,

830
00:39:34,840 --> 00:39:36,560
Speaker 5: imagine a drinking game where you said, every time he

831
00:39:36,600 --> 00:39:39,840
Speaker 5: says tool top, you'd just die. So I'm not the

832
00:39:39,840 --> 00:39:42,359
Speaker 5: only one. Everyone who watches that channels Like, I kind

833
00:39:42,360 --> 00:39:44,000
Speaker 5: of wish you would just if it is a tooltop,

834
00:39:44,040 --> 00:39:45,800
Speaker 5: you would just put it to the side and not say.

835
00:39:45,640 --> 00:39:50,040
Speaker 8: It, because we're assuming it is a tool we know, Yeah,

836
00:39:50,280 --> 00:39:52,000
Speaker 8: why don't you say when it's not a tooltop?

837
00:39:52,040 --> 00:39:55,160
Speaker 5: How about that only when it's not a top? That's like,

838
00:39:55,440 --> 00:39:57,160
Speaker 5: that's what I would say in the comments. I want

839
00:39:57,160 --> 00:40:01,120
Speaker 5: to get in the comments like guy trolling.

840
00:40:01,280 --> 00:40:03,879
Speaker 4: Oh, come on, ask gentlemen another if you said tool

841
00:40:03,960 --> 00:40:07,200
Speaker 4: top fucking forty three.

842
00:40:06,600 --> 00:40:10,080
Speaker 5: Please respond, please respond to put like my phone number

843
00:40:10,920 --> 00:40:14,440
Speaker 5: you like an old guy in the YouTube comments like

844
00:40:14,560 --> 00:40:15,640
Speaker 5: I would respond, I've.

845
00:40:15,520 --> 00:40:18,319
Speaker 2: Read left fifty of these messages. Here's my phone number again,

846
00:40:18,400 --> 00:40:19,319
Speaker 2: what's the matter with you?

847
00:40:19,360 --> 00:40:21,520
Speaker 1: Please? We need to discuss this urgently.

848
00:40:21,760 --> 00:40:23,480
Speaker 2: I also want to talk to you about my divorce.

849
00:40:23,719 --> 00:40:25,720
Speaker 2: You seem like you might know something about divorce.

850
00:40:26,239 --> 00:40:28,080
Speaker 1: It's like stand but even sadder.

851
00:40:28,280 --> 00:40:29,680
Speaker 5: Do you like Crossby Stills and Nash?

852
00:40:29,680 --> 00:40:32,279
Speaker 2: Anyway, I'm getting off topic. Please stop saying tool top

853
00:40:32,360 --> 00:40:33,879
Speaker 2: so much, but also call me up.

854
00:40:34,440 --> 00:40:36,600
Speaker 1: What Chris? What's do you think is overrated?

855
00:40:36,680 --> 00:40:39,840
Speaker 5: Or underrated? Okay, underrated real quick? Just just a flat

856
00:40:39,880 --> 00:40:42,320
Speaker 5: out recommendation because I want to get to some stuff.

857
00:40:42,400 --> 00:40:43,839
Speaker 5: I mean I want to get you guys to get

858
00:40:43,880 --> 00:40:48,479
Speaker 5: to some stuff. Underrated. This great documentary about a jazz

859
00:40:48,520 --> 00:40:51,640
Speaker 5: trumpeter on the Criterion channel right now, but I'm sure

860
00:40:51,640 --> 00:40:53,799
Speaker 5: you can rent it from Amazon or whatever. But it's

861
00:40:53,840 --> 00:40:57,600
Speaker 5: called I called Him Morgan and it's about jazz trumpeter

862
00:40:57,719 --> 00:41:03,080
Speaker 5: Lee Morgan. And first of all, it's absolutely beautifully made documentary, beautiful,

863
00:41:03,120 --> 00:41:07,279
Speaker 5: like I mean, like like just to watch, like visually spectacular.

864
00:41:07,400 --> 00:41:10,800
Speaker 5: And then the story is unbelievable. It's about a trumpet

865
00:41:10,800 --> 00:41:13,200
Speaker 5: player who became a junkie, ended up on the street,

866
00:41:13,280 --> 00:41:17,360
Speaker 5: was rehabilitated by this woman, and then this humongous twist

867
00:41:17,600 --> 00:41:19,920
Speaker 5: sort of not a twist because it's a real story,

868
00:41:19,920 --> 00:41:22,600
Speaker 5: but like you know, something unexpected happens.

869
00:41:22,880 --> 00:41:23,120
Speaker 1: Wow.

870
00:41:23,120 --> 00:41:25,120
Speaker 5: But it's just a beautiful documentary. And I watched it

871
00:41:25,120 --> 00:41:26,880
Speaker 5: again last night, and I probably watched this is probably

872
00:41:26,920 --> 00:41:28,919
Speaker 5: the third time I've watched it. So that's on.

873
00:41:28,840 --> 00:41:33,240
Speaker 1: Their last time you recommended a documentary. All the Beauty

874
00:41:33,239 --> 00:41:35,680
Speaker 1: in the Bloodshed was one of my favorite things.

875
00:41:35,760 --> 00:41:38,880
Speaker 5: Oh, I'm glad, So I'm glad. I called him Morgan

876
00:41:39,000 --> 00:41:41,680
Speaker 5: is so beautiful and it's it's based on this guy

877
00:41:41,800 --> 00:41:44,880
Speaker 5: who met this woman who was taking a class from

878
00:41:44,960 --> 00:41:48,839
Speaker 5: him at like a community college and I can't Mississippi

879
00:41:49,200 --> 00:41:53,200
Speaker 5: or South Carolina or somewhere, and she was like in

880
00:41:53,200 --> 00:41:55,760
Speaker 5: in her fifties or something, and he just became friends

881
00:41:55,800 --> 00:42:00,040
Speaker 5: with her and asked her what her history was, and

882
00:42:00,080 --> 00:42:01,680
Speaker 5: she just told him the story and he was like,

883
00:42:01,800 --> 00:42:04,799
Speaker 5: what you know, like can I record you? Saying? Can

884
00:42:04,840 --> 00:42:07,600
Speaker 5: I interview you? And he had an audio cassette And

885
00:42:07,640 --> 00:42:10,319
Speaker 5: this whole documentary is based around this audio cassette of

886
00:42:10,360 --> 00:42:12,520
Speaker 5: this interview he got with this woman. And if he

887
00:42:12,560 --> 00:42:15,560
Speaker 5: hadn't taken the time to ask her where she came from,

888
00:42:15,600 --> 00:42:16,719
Speaker 5: because I think it was like a maybe it was

889
00:42:16,760 --> 00:42:19,839
Speaker 5: a musical appreciation class or something at a community college.

890
00:42:19,840 --> 00:42:21,399
Speaker 5: I'm probably getting that wrong, but it was something where

891
00:42:21,400 --> 00:42:23,479
Speaker 5: he was like, oh, what makes you interested in jazz

892
00:42:23,600 --> 00:42:27,480
Speaker 5: or something? And then she told him this story, and

893
00:42:27,480 --> 00:42:30,400
Speaker 5: and Lee Morgan's music's incredible too, and just also just

894
00:42:30,440 --> 00:42:34,040
Speaker 5: getting into like how sad it is that, you know,

895
00:42:34,120 --> 00:42:36,719
Speaker 5: the Internet has shattered like culture to the point where

896
00:42:36,760 --> 00:42:40,680
Speaker 5: there's no more like little ecosystems that exist, Like jazz

897
00:42:40,760 --> 00:42:44,640
Speaker 5: was such a fucking awesome yeah in the fifties and sixties,

898
00:42:44,719 --> 00:42:47,840
Speaker 5: like forties, fifties, sixties, thirties, whatever, just like a place

899
00:42:49,120 --> 00:42:52,440
Speaker 5: you know where it's just an amazing place where where

900
00:42:54,000 --> 00:42:56,120
Speaker 5: you know, yeah, I don't know, it's.

901
00:42:56,000 --> 00:42:59,200
Speaker 4: Just yeah, avant garde musical exploration was like a lot

902
00:42:59,200 --> 00:42:59,960
Speaker 4: of that was really happen.

903
00:43:00,440 --> 00:43:04,120
Speaker 5: Yeah, and run by African Americans, like fucking you know,

904
00:43:04,200 --> 00:43:09,200
Speaker 5: like like an unbelievable like a subculture, like cultures, different cultures,

905
00:43:09,239 --> 00:43:12,359
Speaker 5: like you know, yeah, in the same country or I mean,

906
00:43:12,400 --> 00:43:15,000
Speaker 5: it doesn't matter, you'll get it from the from the documentary.

907
00:43:15,000 --> 00:43:16,279
Speaker 5: It's a beautiful documentary.

908
00:43:16,520 --> 00:43:20,200
Speaker 1: So then the little like local community colleges and city colleges.

909
00:43:20,440 --> 00:43:24,399
Speaker 5: Yeah, and that professor, and the professor just said, hey man,

910
00:43:24,880 --> 00:43:26,440
Speaker 5: you're an older lady. What are you doing taking this

911
00:43:26,480 --> 00:43:29,239
Speaker 5: class or whatever. It's like, well this happened, and he's like,

912
00:43:29,280 --> 00:43:31,520
Speaker 5: oh my god. And then he has this one dusty

913
00:43:31,960 --> 00:43:36,000
Speaker 5: cassette and they show him in his house, the professor

914
00:43:36,040 --> 00:43:38,920
Speaker 5: guy with dreadlocks and stuff, and his he has the

915
00:43:39,000 --> 00:43:45,080
Speaker 5: dustiest boom box. It made me like, I was like,

916
00:43:45,160 --> 00:43:47,240
Speaker 5: my god, this makes me feel better about how dusty

917
00:43:47,239 --> 00:43:49,200
Speaker 5: my shit is. I mean, he has the dustiest tape

918
00:43:49,200 --> 00:43:51,160
Speaker 5: and the dustiest boom box I ever.

919
00:43:51,000 --> 00:43:53,040
Speaker 4: Saw, and right, and like the only things that don't

920
00:43:53,040 --> 00:43:55,720
Speaker 4: have dust on it are the play pause, stop button

921
00:43:55,760 --> 00:43:56,320
Speaker 4: and volume.

922
00:43:56,360 --> 00:43:57,480
Speaker 5: Mae's unbelievable.

923
00:43:57,640 --> 00:43:58,239
Speaker 1: Unbelievable.

924
00:43:58,280 --> 00:44:01,560
Speaker 5: I mean, the thing was like coated and dust so overrated.

925
00:44:01,600 --> 00:44:03,719
Speaker 5: I was just gonna say, federal politics as opposed to

926
00:44:03,800 --> 00:44:06,720
Speaker 5: local federal politics at this point is just like a

927
00:44:06,760 --> 00:44:09,160
Speaker 5: full on distraction of people just yelling at each other.

928
00:44:09,239 --> 00:44:13,320
Speaker 5: They're not even legislating. So everything should be local. Everybody

929
00:44:13,320 --> 00:44:17,040
Speaker 5: should be invested in local politics and state politics. And

930
00:44:17,080 --> 00:44:20,520
Speaker 5: that's just to tie into like talking about I have

931
00:44:20,520 --> 00:44:22,880
Speaker 5: this new thing on NPR and Nashville which we can

932
00:44:22,880 --> 00:44:25,839
Speaker 5: talk about later. Through the through the election, I kind

933
00:44:25,840 --> 00:44:29,040
Speaker 5: of ended up on an NPR show, a local NPR

934
00:44:29,080 --> 00:44:32,600
Speaker 5: show with a with my own like little feature called

935
00:44:32,960 --> 00:44:36,600
Speaker 5: Nashville Confidential with Chris Crofton and it's on twice a

936
00:44:36,640 --> 00:44:40,880
Speaker 5: month on this daily show here in Nashville called This

937
00:44:41,000 --> 00:44:43,319
Speaker 5: is Nashville, but it's it's on NPR, you know. So

938
00:44:43,400 --> 00:44:47,760
Speaker 5: I'm like, yeah, I'm like reaching a lot of people.

939
00:44:48,120 --> 00:44:48,319
Speaker 4: Yeah.

940
00:44:48,360 --> 00:44:51,920
Speaker 5: So I did a whole one about my election that

941
00:44:52,040 --> 00:44:55,000
Speaker 5: comes out tomorrow and it's twenty five minutes long. So

942
00:44:55,040 --> 00:44:56,839
Speaker 5: for twenty five minutes, I'm going to be the only

943
00:44:56,920 --> 00:45:00,400
Speaker 5: thing on Nashville NPR. Oh wow, which is pretty I

944
00:45:00,400 --> 00:45:02,920
Speaker 5: mean it's a million person sort of reach.

945
00:45:03,320 --> 00:45:05,760
Speaker 4: Yeah, oh yeah, Yeah, that's a big universe of listeners.

946
00:45:05,920 --> 00:45:08,760
Speaker 1: Radio is still real, man, still reaching people.

947
00:45:09,040 --> 00:45:12,399
Speaker 4: And I love hearing that, Chris. But so where's our cut? Well,

948
00:45:12,480 --> 00:45:12,759
Speaker 4: you know.

949
00:45:17,040 --> 00:45:21,080
Speaker 5: We can talk about that off the air, some pale dude.

950
00:45:21,080 --> 00:45:24,960
Speaker 4: That's so wait. So just from when you were like

951
00:45:25,080 --> 00:45:27,960
Speaker 4: obviously you were getting a lot of attention because you're

952
00:45:27,960 --> 00:45:31,560
Speaker 4: so outspoken and of completely shattering the mold of like yeah,

953
00:45:31,680 --> 00:45:35,040
Speaker 4: no person pursuing office like that, like just by virtue

954
00:45:35,040 --> 00:45:37,040
Speaker 4: of that, they were like, hey, we would love to

955
00:45:37,080 --> 00:45:38,360
Speaker 4: hear more from you. Is that kind of how it

956
00:45:38,360 --> 00:45:39,000
Speaker 4: worked out.

957
00:45:38,960 --> 00:45:41,279
Speaker 5: Well, it was really through the book originally, but when

958
00:45:41,280 --> 00:45:43,000
Speaker 5: I came back to Nashville, I was a featured author

959
00:45:43,000 --> 00:45:45,120
Speaker 5: at the Southern Festival Books, which is what I used

960
00:45:45,120 --> 00:45:46,960
Speaker 5: as like my sort of gold date to be back

961
00:45:47,000 --> 00:45:49,120
Speaker 5: in Nashville from LA because I was dragging my feet

962
00:45:49,120 --> 00:45:51,560
Speaker 5: about just like fucking packing, right, So I was like,

963
00:45:51,640 --> 00:45:53,880
Speaker 5: I have to be back in Nashville by October sixteenth

964
00:45:53,920 --> 00:45:56,799
Speaker 5: for this Southern Festival Books, which I you can only

965
00:45:56,840 --> 00:45:58,200
Speaker 5: imaginehe I had in my head that I was going

966
00:45:58,239 --> 00:46:01,040
Speaker 5: to ride it on an elephant the Keys to the

967
00:46:01,080 --> 00:46:04,400
Speaker 5: City or something. Instead of spoke, I spoke in an

968
00:46:04,480 --> 00:46:07,800
Speaker 5: upstairs conference room at the library to like eleven people,

969
00:46:07,880 --> 00:46:10,920
Speaker 5: two of which were my mom and my brother. You know,

970
00:46:10,920 --> 00:46:12,839
Speaker 5: it's actually a pretty good turnout for it. Yeah, it

971
00:46:12,880 --> 00:46:14,480
Speaker 5: was like, you know, it was like I forgot it.

972
00:46:14,480 --> 00:46:18,840
Speaker 5: It's like books, so you know what's gonna come so

973
00:46:19,120 --> 00:46:22,160
Speaker 5: unless you're like Oprah or whatever. But after it was over,

974
00:46:22,200 --> 00:46:24,960
Speaker 5: I met this woman who ran the show This is Nashville,

975
00:46:24,960 --> 00:46:27,919
Speaker 5: which was this new it's like the flagship. They're trying

976
00:46:27,960 --> 00:46:30,919
Speaker 5: to basically make a show in Nashville that would maybe

977
00:46:30,920 --> 00:46:33,360
Speaker 5: even be picked up nationally. It's called This is Nashville.

978
00:46:33,400 --> 00:46:37,680
Speaker 5: It's a live, five day a week at noon talk show,

979
00:46:37,760 --> 00:46:40,759
Speaker 5: call in show, having guests live. It's live. It's the

980
00:46:40,800 --> 00:46:44,440
Speaker 5: main thing. It's like a live daily show. They fired

981
00:46:44,440 --> 00:46:47,720
Speaker 5: the lady who originally got me involved in the show.

982
00:46:48,239 --> 00:46:50,000
Speaker 5: She was the executive producer, so it was like this

983
00:46:50,080 --> 00:46:52,040
Speaker 5: big thing. I was not a part of the show

984
00:46:52,080 --> 00:46:54,480
Speaker 5: at that point. I had done one report for her.

985
00:46:55,320 --> 00:46:57,479
Speaker 5: I ended up doing a report on Mule Day because

986
00:46:57,480 --> 00:47:00,360
Speaker 5: I said to this woman Andrea, she like my book,

987
00:47:00,719 --> 00:47:03,239
Speaker 5: so I said, hey, do you guys need a correspondent

988
00:47:03,239 --> 00:47:05,040
Speaker 5: for the show like that would do stuff that's kind

989
00:47:05,080 --> 00:47:08,040
Speaker 5: of odd, you know, like Mule Day or the catfish

990
00:47:08,160 --> 00:47:12,640
Speaker 5: races in Paris, Tennessee, or like the bell Witch Cave.

991
00:47:13,280 --> 00:47:15,000
Speaker 5: And she was like, I don't know what any of

992
00:47:15,000 --> 00:47:16,680
Speaker 5: that is because she had just come in to run

993
00:47:16,680 --> 00:47:19,280
Speaker 5: that show from Kansas City. So I saw an opening

994
00:47:19,280 --> 00:47:20,759
Speaker 5: because I was like, you're this is a person from

995
00:47:20,800 --> 00:47:22,440
Speaker 5: Kansas City, so she's not going to know this like

996
00:47:22,560 --> 00:47:24,440
Speaker 5: Nationville stuff. So she was nice enough to bring me

997
00:47:24,520 --> 00:47:27,680
Speaker 5: on for Mule Day, which you guys can find. I

998
00:47:28,200 --> 00:47:30,520
Speaker 5: could share it somehow or when I post the show

999
00:47:30,520 --> 00:47:32,840
Speaker 5: on my on my Instagram. I'll put links to it

1000
00:47:32,960 --> 00:47:35,040
Speaker 5: or whatever. But yeah, yeah, I've already promoted it on

1001
00:47:35,080 --> 00:47:36,759
Speaker 5: my show. But it's me going to Mule Day and

1002
00:47:36,840 --> 00:47:38,640
Speaker 5: interviewing people with a with a you know, just like

1003
00:47:38,680 --> 00:47:39,880
Speaker 5: a fucking zoom recorder.

1004
00:47:40,080 --> 00:47:40,960
Speaker 1: What is Mule Day.

1005
00:47:41,360 --> 00:47:43,440
Speaker 5: It's a festival. It's been going on since the eighteen

1006
00:47:43,520 --> 00:47:47,600
Speaker 5: forties in rural like an hour outside of Nashville.

1007
00:47:48,040 --> 00:47:48,680
Speaker 1: And it's just like a.

1008
00:47:48,760 --> 00:47:51,480
Speaker 5: Mule parade, and like, yeah, people camp out all week

1009
00:47:51,520 --> 00:47:54,279
Speaker 5: and they have like cover bands and stuff. You know.

1010
00:47:54,400 --> 00:47:56,799
Speaker 5: It's just kind of a jamboree that I always read

1011
00:47:56,840 --> 00:47:59,680
Speaker 5: about when I lived here in the early two thousands,

1012
00:47:59,680 --> 00:48:01,640
Speaker 5: and I want wonder what it was about. So anyway,

1013
00:48:02,120 --> 00:48:04,120
Speaker 5: the new guy, the guy who's in charge of the

1014
00:48:04,160 --> 00:48:06,600
Speaker 5: show now, just said, hey, I love that Mule Day thing.

1015
00:48:06,640 --> 00:48:09,240
Speaker 5: Would you like to do a regular thing? So I said,

1016
00:48:09,320 --> 00:48:12,239
Speaker 5: hell yeah. And I think the election helped, just in

1017
00:48:12,239 --> 00:48:15,560
Speaker 5: the sense that thirteen thousand votes meant I had an audience.

1018
00:48:15,600 --> 00:48:18,000
Speaker 5: I think, you know, I think that was just sort

1019
00:48:18,000 --> 00:48:20,160
Speaker 5: of a I don't think they maybe looked at it

1020
00:48:20,200 --> 00:48:22,520
Speaker 5: that cynically, but I mean, I think you could say

1021
00:48:23,280 --> 00:48:25,480
Speaker 5: my whole report tomorrow is about fascism and it's going

1022
00:48:25,520 --> 00:48:26,880
Speaker 5: to be on the fucking radio.

1023
00:48:27,360 --> 00:48:27,600
Speaker 1: Wow.

1024
00:48:27,600 --> 00:48:30,440
Speaker 5: And it's it's very very because that's what I ran on.

1025
00:48:30,560 --> 00:48:32,480
Speaker 5: But the thing is, when I ran on it, people

1026
00:48:33,320 --> 00:48:36,480
Speaker 5: loved that message. I mean they were dying for it,

1027
00:48:36,560 --> 00:48:37,960
Speaker 5: you know what I mean. That's the thing is like

1028
00:48:38,000 --> 00:48:39,600
Speaker 5: if I just went to them, I think if I

1029
00:48:39,640 --> 00:48:42,880
Speaker 5: hadn't run with this, like, oh, I just want to

1030
00:48:42,920 --> 00:48:44,880
Speaker 5: talk to talk about fascism for twenty five.

1031
00:48:44,680 --> 00:48:46,400
Speaker 4: Minutes, They're like, who the fuck are you?

1032
00:48:46,680 --> 00:48:48,480
Speaker 5: Yeah, they might say like, well, well, you know, but

1033
00:48:48,880 --> 00:48:53,319
Speaker 5: I had people thanking me for saying the things we took,

1034
00:48:53,360 --> 00:48:55,320
Speaker 5: the things you talk about on this show all the time,

1035
00:48:55,480 --> 00:48:58,840
Speaker 5: just like that. Billionaires have corrupted things to the point

1036
00:48:58,840 --> 00:49:02,840
Speaker 5: where if you are dealing with the definition of fascism,

1037
00:49:03,080 --> 00:49:07,360
Speaker 5: like the economic version of fascism is just private interest

1038
00:49:07,400 --> 00:49:11,080
Speaker 5: taking over the ostensibly public government. And you know, we

1039
00:49:11,120 --> 00:49:13,840
Speaker 5: couldn't have that worse right, And that's why the federal

1040
00:49:13,880 --> 00:49:15,600
Speaker 5: government is like such a joke. I mean, it's just

1041
00:49:15,600 --> 00:49:17,840
Speaker 5: like been everyone there has been paid to do nothing,

1042
00:49:17,920 --> 00:49:19,880
Speaker 5: I mean, just to jam stuff up, so there's just

1043
00:49:19,960 --> 00:49:24,080
Speaker 5: no way to even legislate. So now I realized, shit,

1044
00:49:24,320 --> 00:49:26,440
Speaker 5: I'm doing this report about why I ran for office.

1045
00:49:26,440 --> 00:49:29,279
Speaker 5: That's what the one that's coming out tomorrow is, And

1046
00:49:29,320 --> 00:49:31,560
Speaker 5: why I ran for office is because I looked at

1047
00:49:31,560 --> 00:49:33,440
Speaker 5: the roads in my neighborhood, and I looked at the

1048
00:49:33,480 --> 00:49:35,560
Speaker 5: unhoused people in my neighborhood. And then I realized that

1049
00:49:35,600 --> 00:49:38,960
Speaker 5: they were giving you know, like over a billion dollars

1050
00:49:39,040 --> 00:49:42,680
Speaker 5: in public money to the NFL to build a new stadium.

1051
00:49:42,680 --> 00:49:44,320
Speaker 5: And I was just like, this doesn't compute, you know

1052
00:49:44,360 --> 00:49:46,160
Speaker 5: what I mean. That was how it really started for me.

1053
00:49:46,600 --> 00:49:49,480
Speaker 5: So I went and asked this guy. I just parked

1054
00:49:49,520 --> 00:49:51,840
Speaker 5: my car. I was like, I'm going to talk to

1055
00:49:51,880 --> 00:49:53,680
Speaker 5: this guy. So I ran down there with this microphone.

1056
00:49:53,680 --> 00:49:55,600
Speaker 5: They gave me this all in one microphone that has

1057
00:49:55,360 --> 00:49:58,480
Speaker 5: a what do you call it, a SD card in

1058
00:49:58,520 --> 00:50:01,080
Speaker 5: the bottom of it. It's like a standalone levels itself.

1059
00:50:01,080 --> 00:50:04,160
Speaker 5: It's called a yellow Tech. I don't know anyways, just

1060
00:50:04,160 --> 00:50:07,200
Speaker 5: a one for me. It's like you know, old man journalists.

1061
00:50:07,320 --> 00:50:09,080
Speaker 5: I mean, it's like press one button and you don't

1062
00:50:09,120 --> 00:50:11,279
Speaker 5: have to do anything right right, and it's all in there,

1063
00:50:11,280 --> 00:50:13,239
Speaker 5: I mean except forget someone to take the SD card

1064
00:50:13,280 --> 00:50:14,920
Speaker 5: out with a pair of tweezers or whatever and put

1065
00:50:14,960 --> 00:50:17,120
Speaker 5: it in them in the in the beat tradition, whatever

1066
00:50:17,160 --> 00:50:19,040
Speaker 5: happens to those SD cards after you've taken out of

1067
00:50:19,040 --> 00:50:22,480
Speaker 5: the I have no idea. Whatever you have to make, yeah,

1068
00:50:22,560 --> 00:50:24,040
Speaker 5: and then you put it in, Yeah, you drop it

1069
00:50:24,040 --> 00:50:25,000
Speaker 5: in the federal nail box.

1070
00:50:25,000 --> 00:50:26,520
Speaker 4: What kind of SD card is it? Tool top?

1071
00:50:26,800 --> 00:50:28,480
Speaker 5: Who knows? Yeah, it could be. I think it's a

1072
00:50:28,480 --> 00:50:31,359
Speaker 5: toll charge. I think it's a large Yeah. Yeah, it's

1073
00:50:31,360 --> 00:50:33,520
Speaker 5: like a standard super dupe. I was the stands for

1074
00:50:33,600 --> 00:50:37,200
Speaker 5: super Dupa, right, yeah? Yeah, yeah, standard super duper cards.

1075
00:50:37,640 --> 00:50:39,719
Speaker 5: So I just yeah, I send that straight to I

1076
00:50:39,719 --> 00:50:42,080
Speaker 5: take it to either photo mat or.

1077
00:50:43,840 --> 00:50:46,920
Speaker 4: And I asked the kind guy there to help me, please.

1078
00:50:47,080 --> 00:50:49,000
Speaker 5: Here, Yeah, I'd like to develop this SD card.

1079
00:50:49,040 --> 00:50:50,840
Speaker 1: Oh jeez, he's back.

1080
00:50:51,160 --> 00:50:53,200
Speaker 4: Yeah, the guy who has the audio files on the

1081
00:50:53,320 --> 00:50:56,480
Speaker 4: SD card, Yeah, I don't know. He doesn't have an email,

1082
00:50:56,640 --> 00:50:57,160
Speaker 4: he says.

1083
00:50:57,560 --> 00:50:59,880
Speaker 5: So if you guys listen, I will send you guys

1084
00:51:00,200 --> 00:51:03,200
Speaker 5: the thing for tomorrow when it's when it's out and.

1085
00:51:03,440 --> 00:51:05,719
Speaker 1: They tomorrow being Friday or tomorrow.

1086
00:51:05,480 --> 00:51:07,320
Speaker 5: Tomorrow being you guys are this show is going to

1087
00:51:07,360 --> 00:51:08,640
Speaker 5: be on next tuesdayisoe?

1088
00:51:08,880 --> 00:51:09,040
Speaker 1: Yeah?

1089
00:51:09,080 --> 00:51:13,400
Speaker 5: This is tomorrow's Thursday in real life, tomorrow's Thanksgiving, So

1090
00:51:13,400 --> 00:51:16,120
Speaker 5: it's coming out on Thanksgiving and then there's a and

1091
00:51:16,160 --> 00:51:18,560
Speaker 5: the show is called This is Nashville and the host

1092
00:51:18,600 --> 00:51:20,040
Speaker 5: is named Khalil Echlone.

1093
00:51:20,320 --> 00:51:22,200
Speaker 1: Well we'll link off to this on Tuesday.

1094
00:51:22,680 --> 00:51:26,680
Speaker 4: Yeah. Well, Christy, now there's there's some really I think

1095
00:51:27,040 --> 00:51:30,040
Speaker 4: consequential news in the world of music that we also

1096
00:51:30,080 --> 00:51:31,319
Speaker 4: really we must get your take.

1097
00:51:31,400 --> 00:51:32,520
Speaker 1: We have to get your take on.

1098
00:51:34,680 --> 00:51:42,439
Speaker 9: You remember Hall and Oats, we and yeahs I've seen

1099
00:51:42,520 --> 00:51:45,040
Speaker 9: Oats is mustache and a bag at the Rock and

1100
00:51:45,120 --> 00:51:45,840
Speaker 9: Roll Hall of Fame.

1101
00:51:47,280 --> 00:51:47,839
Speaker 1: Is that real?

1102
00:51:48,360 --> 00:51:48,880
Speaker 5: No, it's not.

1103
00:51:51,040 --> 00:51:51,400
Speaker 1: That would be.

1104
00:51:55,160 --> 00:51:57,120
Speaker 5: But then you're like dismantled, so it just looks like

1105
00:51:57,160 --> 00:52:01,080
Speaker 5: a bag of hair. It is like he didn't want

1106
00:52:01,120 --> 00:52:01,919
Speaker 5: it reconstructed.

1107
00:52:02,960 --> 00:52:06,320
Speaker 1: Our writer JM calls Hall of Notes your parents dentist's

1108
00:52:06,520 --> 00:52:13,919
Speaker 1: favorite musical duo. I it's not, I think right, Well.

1109
00:52:13,840 --> 00:52:16,440
Speaker 4: Then I'm guessing I'm your parents' favorite dentist.

1110
00:52:16,640 --> 00:52:20,439
Speaker 5: Or case that was like a seventeen year old who's

1111
00:52:20,480 --> 00:52:22,080
Speaker 5: never done anything separate play video games.

1112
00:52:22,360 --> 00:52:23,200
Speaker 1: Yeah that's right.

1113
00:52:24,560 --> 00:52:26,279
Speaker 2: Hall and Oates are no Minecraft.

1114
00:52:27,280 --> 00:52:29,960
Speaker 1: No, but all of Notes have some hits. What happened

1115
00:52:29,960 --> 00:52:35,920
Speaker 1: to jazz man, holloas jazz and yacht rock? Baby? But

1116
00:52:36,040 --> 00:52:40,440
Speaker 1: right now, Hall is suing Oats, though nobody knows exactly why.

1117
00:52:41,080 --> 00:52:43,880
Speaker 1: Court documents are sealed, but it's just been revealed that

1118
00:52:43,920 --> 00:52:47,400
Speaker 1: Hall filed emotion for a temporary restraining order against Oates

1119
00:52:48,160 --> 00:52:52,359
Speaker 1: and Darryl Hall apparently went on Bill Maher's Club random

1120
00:52:52,480 --> 00:52:57,680
Speaker 1: show last year, Switch Again. It looks like, yeah, just

1121
00:52:57,719 --> 00:53:03,399
Speaker 1: an anthropomorphic can of XE bodies right, the renovated suburb room.

1122
00:53:04,880 --> 00:53:09,120
Speaker 1: It's so awful. But anyways, it's like Bill Maher and

1123
00:53:09,160 --> 00:53:14,520
Speaker 1: his other really friends, like famous friends who are like

1124
00:53:14,600 --> 00:53:18,120
Speaker 1: everyone else is a fucking idiot except us, right.

1125
00:53:18,480 --> 00:53:22,160
Speaker 4: Right right, Daryl Hall narcissist exactly.

1126
00:53:22,280 --> 00:53:22,520
Speaker 1: Man.

1127
00:53:23,160 --> 00:53:25,560
Speaker 5: Every single version was like that has gotten into like

1128
00:53:25,719 --> 00:53:27,840
Speaker 5: cancel culture, Like you know, I'm sure yeah Hall is

1129
00:53:27,840 --> 00:53:29,960
Speaker 5: probably like I'm so tired of being told what to do?

1130
00:53:30,360 --> 00:53:32,400
Speaker 1: Yes, of course, I mean was it.

1131
00:53:32,520 --> 00:53:36,440
Speaker 4: I mean, from my perspective, right, Daryl Hall, I was

1132
00:53:36,520 --> 00:53:38,319
Speaker 4: like just narrowly. I was like, well, he was the

1133
00:53:38,320 --> 00:53:40,640
Speaker 4: one whose voice was killing it all the time, so

1134
00:53:40,719 --> 00:53:44,439
Speaker 4: I'm like, that's that's the guy. And what we're just saying,

1135
00:53:44,480 --> 00:53:46,160
Speaker 4: like John Oates was just kind of like they get

1136
00:53:46,200 --> 00:53:48,759
Speaker 4: like you're just playing guitar right and backing them up,

1137
00:53:49,600 --> 00:53:52,880
Speaker 4: Like is there like was the perception like John Oates

1138
00:53:53,120 --> 00:53:55,239
Speaker 4: wasn't doing much like Daryl Hall was, because like the

1139
00:53:55,239 --> 00:53:57,360
Speaker 4: way Daryl Hall talks, he talks like he talks like

1140
00:53:57,400 --> 00:53:59,520
Speaker 4: he's like I was doing all the heavy lifting. Okay,

1141
00:54:00,320 --> 00:54:01,480
Speaker 4: we were just making some ship.

1142
00:54:01,560 --> 00:54:03,520
Speaker 5: You've heard him say that he's acting like that for real.

1143
00:54:04,200 --> 00:54:06,840
Speaker 1: Darryl Hall said, you think John Oates is my partner.

1144
00:54:07,440 --> 00:54:11,120
Speaker 1: He's my business partner. He's not my creative partner.

1145
00:54:11,320 --> 00:54:14,600
Speaker 2: Okay, yeah, oh my god.

1146
00:54:14,840 --> 00:54:18,680
Speaker 5: Yeah, So like he's treating he's treating John Oates like

1147
00:54:18,719 --> 00:54:19,680
Speaker 5: he's our Garfunkle.

1148
00:54:20,200 --> 00:54:20,800
Speaker 1: Yeah, I guess.

1149
00:54:20,840 --> 00:54:23,640
Speaker 5: So, yeah, he's trying to do how.

1150
00:54:23,480 --> 00:54:27,520
Speaker 1: It has gone down in pop culture. His like there's

1151
00:54:27,520 --> 00:54:31,200
Speaker 1: that comedy band Garfunkle and Oates, that's like these are

1152
00:54:31,239 --> 00:54:34,160
Speaker 1: the also rams right famous duos.

1153
00:54:34,280 --> 00:54:36,960
Speaker 5: But oh right, I didn't even get that. Oh my god.

1154
00:54:37,000 --> 00:54:39,799
Speaker 5: I just you just explained that I've never understood that.

1155
00:54:39,840 --> 00:54:41,919
Speaker 5: I was like Garfunkle and Oates is somehow just because

1156
00:54:41,960 --> 00:54:43,960
Speaker 5: I was involved in the Los Angeles comedy scene. They

1157
00:54:44,000 --> 00:54:46,480
Speaker 5: were in my you know, yeah never, but I was like,

1158
00:54:46,960 --> 00:54:47,800
Speaker 5: I get it.

1159
00:54:47,960 --> 00:54:49,880
Speaker 4: Kate mccoochee and Ricky Lindhome, right.

1160
00:54:49,840 --> 00:54:59,920
Speaker 5: You never got it. I never understood. Man, that's one

1161
00:55:00,120 --> 00:55:01,520
Speaker 5: those graduate school jokes.

1162
00:55:01,800 --> 00:55:07,000
Speaker 1: Yeah, to your point, like Darryl Hills or Darryl Hall

1163
00:55:07,160 --> 00:55:10,919
Speaker 1: always seemed like both the one who gets the most

1164
00:55:10,960 --> 00:55:15,239
Speaker 1: credit and also the one who's probably the most has

1165
00:55:15,280 --> 00:55:20,279
Speaker 1: the most public facing sociopathic tendencies and right, so it's

1166
00:55:20,320 --> 00:55:23,440
Speaker 1: always interesting to take a step back and be like,

1167
00:55:23,560 --> 00:55:26,200
Speaker 1: is he really deserves the credit?

1168
00:55:26,400 --> 00:55:28,840
Speaker 5: Did they say why oats or no?

1169
00:55:28,920 --> 00:55:31,840
Speaker 4: Everyone's like it's completely flabbergasted.

1170
00:55:32,560 --> 00:55:32,719
Speaker 1: Two.

1171
00:55:34,040 --> 00:55:37,040
Speaker 4: Yeah, it's just like he's getting a restraining order and

1172
00:55:37,080 --> 00:55:39,640
Speaker 4: they're like everyone's just describing as like mysterious.

1173
00:55:40,280 --> 00:55:41,600
Speaker 1: I don't know if it's under seal.

1174
00:55:42,000 --> 00:55:46,799
Speaker 5: Okay, well I don't Darryl Hall, you know, I think

1175
00:55:46,800 --> 00:55:49,440
Speaker 5: at one time was was was probably a nice person,

1176
00:55:49,520 --> 00:55:52,000
Speaker 5: but I mean, he seems like ever since he started

1177
00:55:52,040 --> 00:55:54,960
Speaker 5: having that show live at Darryl's house, I think was

1178
00:55:55,000 --> 00:55:56,719
Speaker 5: off the air now for a while, but it was

1179
00:55:56,760 --> 00:56:00,759
Speaker 5: on time six years from I'm not familiar with us.

1180
00:56:01,480 --> 00:56:04,719
Speaker 4: It was a fucking it was like come fucking worship

1181
00:56:04,840 --> 00:56:07,680
Speaker 4: me at my house and we'll perform a little bit.

1182
00:56:07,719 --> 00:56:11,240
Speaker 4: But also like see low like all kinds of artists

1183
00:56:11,239 --> 00:56:13,600
Speaker 4: would go and perform and like they would maybe do

1184
00:56:13,640 --> 00:56:15,440
Speaker 4: one of their songs, you do what maybe do a

1185
00:56:15,440 --> 00:56:18,360
Speaker 4: Holland Oaates cover and then just like talk about like

1186
00:56:18,520 --> 00:56:21,120
Speaker 4: just talking like with Darryl and his like you know

1187
00:56:21,200 --> 00:56:22,319
Speaker 4: session guys that he's with.

1188
00:56:22,960 --> 00:56:25,799
Speaker 5: Yeah, and like some sort of like studio made of

1189
00:56:25,880 --> 00:56:32,719
Speaker 5: repossessed barnwood or you know, ress repurposed, repurpose repossessed barn

1190
00:56:32,760 --> 00:56:36,359
Speaker 5: woods a different thing. That's when you get to take

1191
00:56:36,400 --> 00:56:39,000
Speaker 5: it back. But you know, it was a nasty show

1192
00:56:39,000 --> 00:56:40,920
Speaker 5: in the sense that it was like I saw the

1193
00:56:40,960 --> 00:56:42,600
Speaker 5: side of Darryl Hall where it's like he won't he

1194
00:56:42,600 --> 00:56:45,160
Speaker 5: thinks people want to watch meat dinner, you know, like

1195
00:56:45,200 --> 00:56:47,480
Speaker 5: they ate dinner on the show and drank wine on

1196
00:56:47,520 --> 00:56:49,440
Speaker 5: the show. And it's the same way I felt about

1197
00:56:49,440 --> 00:56:52,680
Speaker 5: watching that show with any any show where rich people

1198
00:56:52,719 --> 00:56:54,879
Speaker 5: eat food and that's the show. Is like I can't

1199
00:56:54,920 --> 00:56:57,719
Speaker 5: even make me so angry. I can't even Who's the

1200
00:56:57,719 --> 00:57:01,040
Speaker 5: guy who directed like Spider Man and all also like Swingers,

1201
00:57:01,760 --> 00:57:04,960
Speaker 5: John John Favreau. Yeah, yeah, yeah, that guy, Like he

1202
00:57:05,000 --> 00:57:06,520
Speaker 5: had a show where it was like dinner with John

1203
00:57:06,560 --> 00:57:09,320
Speaker 5: Favreau And I immediately I had nothing against John favreaull

1204
00:57:09,320 --> 00:57:12,960
Speaker 5: and I immediately hated, Like I was like that motherfucker.

1205
00:57:12,560 --> 00:57:19,440
Speaker 1: Right that you get and the podcasting. Yeah, no, just

1206
00:57:19,480 --> 00:57:22,880
Speaker 1: like I'm a rich person and people will necessarily be

1207
00:57:23,000 --> 00:57:27,280
Speaker 1: interested in seeing me hang out with my friends, and because.

1208
00:57:27,080 --> 00:57:28,840
Speaker 4: Like you know, my other friends are also rich and

1209
00:57:28,880 --> 00:57:31,080
Speaker 4: famous too, so like in that way they could hang out.

1210
00:57:31,280 --> 00:57:33,680
Speaker 5: Yeah, just Daryl, No, Daryl Hall, just Daryl Hall. In

1211
00:57:33,760 --> 00:57:36,960
Speaker 5: that on that show, you realized he had become so

1212
00:57:37,120 --> 00:57:40,880
Speaker 5: surrounded with douchebags that he obviously thought he was like

1213
00:57:40,920 --> 00:57:42,760
Speaker 5: the ruler of the earth. He was so surrounded by

1214
00:57:42,840 --> 00:57:45,400
Speaker 5: yes people, and he's in his bubble. He probably never

1215
00:57:45,440 --> 00:57:48,440
Speaker 5: hasked to leave his compound, and then just people, famous

1216
00:57:48,480 --> 00:57:51,320
Speaker 5: people come visit him, like yeah, promo show. You know,

1217
00:57:51,320 --> 00:57:53,760
Speaker 5: you'd be on Darryl Hall's show, and John Oates was

1218
00:57:53,800 --> 00:57:55,440
Speaker 5: nowhere to be seen on that show. So I don't

1219
00:57:55,480 --> 00:57:58,200
Speaker 5: know where John Oates was, but he was not getting

1220
00:57:58,200 --> 00:58:00,959
Speaker 5: any of that money, I don't think from a live

1221
00:58:01,000 --> 00:58:03,960
Speaker 5: at Darryl's house. He pitched live at Oates's house and

1222
00:58:03,960 --> 00:58:05,440
Speaker 5: nobody's like sorry.

1223
00:58:05,360 --> 00:58:09,960
Speaker 7: Sorry, Yeah, they're like what's called called bowl of oats

1224
00:58:10,320 --> 00:58:15,640
Speaker 7: with John Oates's meal, live with his back house.

1225
00:58:15,880 --> 00:58:20,520
Speaker 4: Right and Oates's grain shed. Oh boy. But like the

1226
00:58:20,640 --> 00:58:24,720
Speaker 4: fucking the Darryl. There's one Live at Daryl's House episode

1227
00:58:24,720 --> 00:58:27,000
Speaker 4: that I will never like. Back when there was like

1228
00:58:27,080 --> 00:58:30,000
Speaker 4: DVR t VO type shit, I always kept it on

1229
00:58:30,040 --> 00:58:32,640
Speaker 4: there because there's an episode where se Lo is performing

1230
00:58:32,680 --> 00:58:35,520
Speaker 4: at his house and se Lo is a fucking obviously

1231
00:58:35,840 --> 00:58:38,080
Speaker 4: like his he's like a great like he can sing

1232
00:58:38,160 --> 00:58:41,280
Speaker 4: right and they're singing I can't go for that, and

1233
00:58:41,680 --> 00:58:44,120
Speaker 4: like Selo is just like doing his own version, put

1234
00:58:44,160 --> 00:58:46,840
Speaker 4: a little spice on it, and then you can tell

1235
00:58:47,320 --> 00:58:49,960
Speaker 4: Darryl Hall is kind of like he's like, this fucking

1236
00:58:50,040 --> 00:58:53,600
Speaker 4: guy thinks he's gonna fucking outdo me. This shit's called

1237
00:58:53,680 --> 00:58:56,720
Speaker 4: Live at Darryl's House. And then Darryl Hall comes in

1238
00:58:56,760 --> 00:58:58,880
Speaker 4: for like the second verse, and the way he comes in,

1239
00:58:58,920 --> 00:59:01,720
Speaker 4: it's like you can tell he's like, I gotta summon

1240
00:59:01,840 --> 00:59:04,680
Speaker 4: every bit of energy. I have to fucking just blow

1241
00:59:04,720 --> 00:59:07,040
Speaker 4: out se Loo right now because he's out doing me

1242
00:59:07,080 --> 00:59:08,720
Speaker 4: on my own show. And I was like, ah, but

1243
00:59:08,800 --> 00:59:11,360
Speaker 4: when I saw that, I was like, Okay, you can't even.

1244
00:59:11,440 --> 00:59:14,600
Speaker 1: You can't even just the monitors pointing to his headphones

1245
00:59:14,680 --> 00:59:16,080
Speaker 1: being like take me up, take me out.

1246
00:59:15,960 --> 00:59:19,160
Speaker 9: Yeah, yeah, yeah, yeah, I can't go no.

1247
00:59:19,280 --> 00:59:19,480
Speaker 5: Yeah.

1248
00:59:19,520 --> 00:59:23,560
Speaker 2: He goes, I can't go for being.

1249
00:59:23,080 --> 00:59:27,760
Speaker 4: And like he just tried. Yeah anyway, so you hate

1250
00:59:27,760 --> 00:59:29,400
Speaker 4: to see it, but who knows. I'm sure it all

1251
00:59:29,440 --> 00:59:31,960
Speaker 4: it's probably all boiling down to some disagreement over like

1252
00:59:32,320 --> 00:59:34,600
Speaker 4: rights and Royal going to get more money or so,

1253
00:59:34,800 --> 00:59:38,120
Speaker 4: or maybe John Oates like like performed a songs.

1254
00:59:38,200 --> 00:59:39,360
Speaker 2: What I fucking say, John?

1255
00:59:40,160 --> 00:59:42,840
Speaker 5: Or yeah, John Oates said, like John Oates implied that

1256
00:59:42,960 --> 00:59:45,800
Speaker 5: he Well, I guess you couldn't sue someone for just

1257
00:59:45,800 --> 00:59:48,560
Speaker 5: implying that they wrote more than or something, right, But

1258
00:59:49,800 --> 00:59:53,120
Speaker 5: John Oates is probably the victim here, I'm guessing. I mean,

1259
00:59:53,120 --> 00:59:55,600
Speaker 5: the guy's been second banana already, and for this guy

1260
00:59:55,640 --> 00:59:57,560
Speaker 5: to sue him on top of that just seems cruel

1261
00:59:57,600 --> 01:00:00,680
Speaker 5: and unusual, especially when he has all that Darryl Garrel's

1262
01:00:00,320 --> 01:00:04,760
Speaker 5: house money and he's been eating lobster on TV while

1263
01:00:04,920 --> 01:00:07,120
Speaker 5: while Oats is at home eating TV dinners.

1264
01:00:07,560 --> 01:00:10,520
Speaker 1: Yeah yeah, you know, with this half the money nothing

1265
01:00:10,560 --> 01:00:14,400
Speaker 1: more humbles.

1266
01:00:15,000 --> 01:00:22,440
Speaker 8: Yeah, So come Hall versus Oats loser? Yeah, you want

1267
01:00:22,480 --> 01:00:26,760
Speaker 8: to hang out, You want to have a drink in

1268
01:00:26,800 --> 01:00:32,040
Speaker 8: this hall or you want to hang out in some Oats.

1269
01:00:30,600 --> 01:00:33,880
Speaker 5: So Hall said. So Hall and Oates have this song

1270
01:00:33,960 --> 01:00:35,919
Speaker 5: called don't I'm just a kid. Don't make me feel

1271
01:00:35,960 --> 01:00:38,040
Speaker 5: like a man on one of their earlier records, which

1272
01:00:38,080 --> 01:00:40,640
Speaker 5: is a I think it's on Abandoned luncheon At. Their

1273
01:00:40,680 --> 01:00:42,920
Speaker 5: early stuff is great. I think they were probably nice

1274
01:00:42,960 --> 01:00:45,160
Speaker 5: back then, both of them, maybe because they were like

1275
01:00:45,240 --> 01:00:47,880
Speaker 5: came up from you know, nothing, really. I don't think

1276
01:00:47,920 --> 01:00:50,240
Speaker 5: any of them like their dad was anybody or anything.

1277
01:00:50,480 --> 01:00:52,960
Speaker 5: I think they just came up from Philadelphia and they

1278
01:00:53,000 --> 01:00:55,200
Speaker 5: loved R and B and they they you know, they

1279
01:00:55,200 --> 01:00:57,640
Speaker 5: made some good R and B songs, and then they

1280
01:00:57,760 --> 01:00:59,880
Speaker 5: they were also kind of a little folk here and

1281
01:01:00,080 --> 01:01:02,600
Speaker 5: the beginning and that that's Abandoned Luncheonet, which is my shit.

1282
01:01:02,640 --> 01:01:04,800
Speaker 5: It's kind of like easy listening kind of stuff. When

1283
01:01:04,800 --> 01:01:07,520
Speaker 5: the morning comes, there's a song I recommend highly off

1284
01:01:07,600 --> 01:01:10,720
Speaker 5: of band in Lunchonet. Anyway, they the hell am I

1285
01:01:10,720 --> 01:01:15,919
Speaker 5: talking about brain wipe? Remember when I had a brain wipe?

1286
01:01:15,920 --> 01:01:17,320
Speaker 5: We had to stop the show and I'd eat.

1287
01:01:17,160 --> 01:01:17,760
Speaker 2: A hard.

1288
01:01:22,040 --> 01:01:24,560
Speaker 4: John Oates, is that where you're gonna say? Oh?

1289
01:01:24,640 --> 01:01:26,240
Speaker 5: So I had a radio show in Nashville and I

1290
01:01:26,240 --> 01:01:27,840
Speaker 5: was always trying to get the guys from Bread to

1291
01:01:27,880 --> 01:01:29,320
Speaker 5: call in the band Bread Ye.

1292
01:01:29,640 --> 01:01:32,480
Speaker 1: The show was called Yah Yes.

1293
01:01:32,360 --> 01:01:34,280
Speaker 5: It was on from two thousand and five thousand and nine,

1294
01:01:34,760 --> 01:01:37,240
Speaker 5: and we realized we had no nobody listening to us,

1295
01:01:37,440 --> 01:01:40,160
Speaker 5: like nobody from management, so we just went crazy. And anyway,

1296
01:01:40,200 --> 01:01:42,160
Speaker 5: they I was just trying to get Bread to call

1297
01:01:42,200 --> 01:01:43,600
Speaker 5: in because I knew a couple of the guys from

1298
01:01:43,640 --> 01:01:45,760
Speaker 5: the band Bread lived in Nashville, and no one ever did.

1299
01:01:45,800 --> 01:01:48,320
Speaker 5: But one time I played I'm just a kid, Don't

1300
01:01:48,320 --> 01:01:49,720
Speaker 5: make Me Feel like a man, and I was like,

1301
01:01:49,760 --> 01:01:53,120
Speaker 5: that sounds creepy. And we got a phone call from

1302
01:01:53,120 --> 01:01:55,560
Speaker 5: one of the guys who played in the Hall and

1303
01:01:55,600 --> 01:01:58,240
Speaker 5: Oates band, and he said, we were all like thirty

1304
01:01:58,640 --> 01:02:00,919
Speaker 5: and we had to play that song and it gave

1305
01:02:01,000 --> 01:02:03,520
Speaker 5: us the creeps, and we we also think that sounds creepy.

1306
01:02:03,680 --> 01:02:06,160
Speaker 5: That was that was like for me, that felt like,

1307
01:02:06,240 --> 01:02:09,560
Speaker 5: I don't know, they agreed, that felt like finding a

1308
01:02:09,560 --> 01:02:12,960
Speaker 5: whole teapot under the planes, a tool top tea pot,

1309
01:02:13,600 --> 01:02:16,640
Speaker 5: tool top, teapot.

1310
01:02:15,840 --> 01:02:18,200
Speaker 4: Top Pothecary from the Dakota Territories.

1311
01:02:17,880 --> 01:02:21,720
Speaker 1: Chris crofton amazing having you as always so fun.

1312
01:02:21,760 --> 01:02:23,720
Speaker 5: I miss you, guys, but I'm so glad to be

1313
01:02:23,800 --> 01:02:25,600
Speaker 5: back on And you guys are looking good. You guys

1314
01:02:25,640 --> 01:02:30,120
Speaker 5: are looking good. Yeah, it's just like preserved an amber.

1315
01:02:30,720 --> 01:02:32,240
Speaker 4: Thank you like a mosquito from.

1316
01:02:32,560 --> 01:02:34,560
Speaker 1: Joined and said that you were surprised that we were

1317
01:02:34,600 --> 01:02:38,680
Speaker 1: still alive. Yeah, that's a great way to enter any conversation,

1318
01:02:39,920 --> 01:02:42,680
Speaker 1: you old son of a bitch. I can't believe you're

1319
01:02:42,760 --> 01:02:43,560
Speaker 1: still seeing.

1320
01:02:43,400 --> 01:02:47,160
Speaker 5: You only in these little cube screens. I don't know

1321
01:02:47,200 --> 01:02:47,760
Speaker 5: where you are.

1322
01:02:49,880 --> 01:02:52,920
Speaker 1: You're not watching Welcome to Jack's House on YouTube. Yeah,

1323
01:02:53,120 --> 01:02:55,640
Speaker 1: you're not catching me there. Oh you gotta check it out, man.

1324
01:02:56,120 --> 01:02:58,280
Speaker 5: This is like you eating lobster with like me eating

1325
01:02:58,600 --> 01:02:59,680
Speaker 5: tom Ardold or whatever.

1326
01:03:01,320 --> 01:03:05,280
Speaker 1: It's meeting lobster with various canceled celebrity friends of mine.

1327
01:03:05,360 --> 01:03:07,240
Speaker 5: Oh wow, that's a good show.

1328
01:03:08,400 --> 01:03:11,480
Speaker 4: Oh yeah, Oh that's just like a total hate watch.

1329
01:03:12,480 --> 01:03:17,720
Speaker 4: It's Tucker Carlson, Roseanne and like Doja Cat eating lobster

1330
01:03:17,880 --> 01:03:19,480
Speaker 4: or something. You're like, what the fuck is?

1331
01:03:19,560 --> 01:03:21,600
Speaker 5: And Jack be like, I'm not with these guys.

1332
01:03:22,840 --> 01:03:24,560
Speaker 4: But this is my house and I didn't fight them.

1333
01:03:25,080 --> 01:03:28,320
Speaker 1: Where Chris can people find you and follow you?

1334
01:03:28,320 --> 01:03:31,600
Speaker 5: You can find me at the crofton show on Twitter

1335
01:03:31,680 --> 01:03:33,440
Speaker 5: and you can find me well Twitter, what's left a

1336
01:03:33,480 --> 01:03:37,120
Speaker 5: twitter x? You can find me in aux Yeah, at

1337
01:03:37,120 --> 01:03:41,520
Speaker 5: the crofton Show at at Instagram whatever Instagram at the

1338
01:03:41,560 --> 01:03:44,680
Speaker 5: Crofton Show. And then you can go find my book,

1339
01:03:44,840 --> 01:03:47,360
Speaker 5: The Advice King Anthology. Just get it from Amazon. You

1340
01:03:47,360 --> 01:03:49,760
Speaker 5: don't have to buy it from Vanderbilt University. Just please

1341
01:03:49,800 --> 01:03:51,680
Speaker 5: get it in your hands. I went on a tour

1342
01:03:51,720 --> 01:03:54,080
Speaker 5: with Neil Hamburger recently and I sold twenty books in

1343
01:03:54,160 --> 01:03:56,960
Speaker 5: four days to dive Barrow people. You would get a

1344
01:03:57,120 --> 01:04:00,520
Speaker 5: dive bar person buying a book a hell of an

1345
01:04:00,520 --> 01:04:01,800
Speaker 5: experience like this guy.

1346
01:04:02,760 --> 01:04:05,320
Speaker 2: I know I don't look like I read, but I'm like,

1347
01:04:05,360 --> 01:04:06,680
Speaker 2: you know, I'll read it right now.

1348
01:04:07,880 --> 01:04:16,240
Speaker 5: So exactly, he was so drunk he said he read

1349
01:04:16,240 --> 01:04:19,480
Speaker 5: books and bought a book. So go buy The Advice

1350
01:04:19,520 --> 01:04:20,120
Speaker 5: King Anthology.

1351
01:04:20,160 --> 01:04:21,000
Speaker 1: I don't care how you get it.

1352
01:04:21,760 --> 01:04:25,400
Speaker 5: It's a great Christmas present, great Christmas present. So, uh,

1353
01:04:25,720 --> 01:04:27,560
Speaker 5: The Advice King Anthology. And I don't care if you

1354
01:04:27,560 --> 01:04:30,520
Speaker 5: buy from Amazon. Go ahead, and uh, I mean, because

1355
01:04:30,520 --> 01:04:33,200
Speaker 5: it's got the information in it that will overthrow Amazon.

1356
01:04:33,880 --> 01:04:36,200
Speaker 5: And also that's it. Just go listen to This is

1357
01:04:36,320 --> 01:04:39,160
Speaker 5: Nashville and I'll link to that and all my I'll

1358
01:04:39,200 --> 01:04:41,920
Speaker 5: send Jack and Miles the links.

1359
01:04:42,160 --> 01:04:47,680
Speaker 1: Yeah, and go overthrow Amazon. Is there work a media

1360
01:04:48,160 --> 01:04:50,160
Speaker 1: that you've been enjoying you.

1361
01:04:50,120 --> 01:04:52,480
Speaker 5: Know, I'm just going to say, because I'm never good

1362
01:04:52,480 --> 01:04:55,200
Speaker 5: at finding that the things anymore, I'm just gonna say,

1363
01:04:55,280 --> 01:04:58,320
Speaker 5: check out Neil Hamburger's new record because he's he's made

1364
01:04:58,360 --> 01:05:01,360
Speaker 5: a record with like he wrote the lyrics and his

1365
01:05:01,440 --> 01:05:04,640
Speaker 5: friend Eric Poparosi, who plays drums sorry guitar in the

1366
01:05:04,680 --> 01:05:08,080
Speaker 5: Cat Power Band, wrote the music, and he has guest vocalists,

1367
01:05:08,080 --> 01:05:10,840
Speaker 5: so like he has like a Bonnie Prince Billy and

1368
01:05:10,840 --> 01:05:13,680
Speaker 5: that Puddles the clown guy And anyway, it's just kind

1369
01:05:13,680 --> 01:05:18,280
Speaker 5: of a really interesting, really interesting record, and it's a

1370
01:05:18,320 --> 01:05:22,680
Speaker 5: sweet it's like a theme album about spending Christmas in

1371
01:05:22,720 --> 01:05:26,120
Speaker 5: a cheap motel and it's called Seasonal Depression. Sweet. And

1372
01:05:26,240 --> 01:05:28,880
Speaker 5: I just did this tour with Greg Turkington for one

1373
01:05:29,240 --> 01:05:32,120
Speaker 5: five day tour in October and it was the greatest

1374
01:05:32,160 --> 01:05:34,920
Speaker 5: experience ever. And just to let people know that Greg

1375
01:05:35,160 --> 01:05:38,080
Speaker 5: is such a nice guy and I want to support

1376
01:05:38,120 --> 01:05:38,800
Speaker 5: his project.

1377
01:05:39,600 --> 01:05:42,440
Speaker 1: Amazing Miles. Where can people find you as their workidmedia

1378
01:05:42,520 --> 01:05:44,080
Speaker 1: you've been enjoying.

1379
01:05:44,240 --> 01:05:49,480
Speaker 4: Uh, find me on the at base places like Twitter, Instagram, threads,

1380
01:05:49,680 --> 01:05:55,320
Speaker 4: even at Miles Gray threads, even cutting Edge. You know

1381
01:05:55,520 --> 01:05:58,280
Speaker 4: you know what it is and let's see you find

1382
01:05:58,360 --> 01:06:02,800
Speaker 4: Jack and I obviously on the basketball podcast the NBA Boosties,

1383
01:06:03,600 --> 01:06:07,440
Speaker 4: where we were talking all kinds of basketball.

1384
01:06:06,600 --> 01:06:11,320
Speaker 1: Going on fresh smack, you know, cool stuff, neat cool stuff,

1385
01:06:11,360 --> 01:06:15,800
Speaker 1: neat stuff. Is it Bowfinger where it's I think it's

1386
01:06:15,800 --> 01:06:17,920
Speaker 1: Steve Martin says, your smack is so fresh.

1387
01:06:18,600 --> 01:06:19,280
Speaker 5: I don't know.

1388
01:06:21,560 --> 01:06:24,240
Speaker 1: You so fresh man.

1389
01:06:24,560 --> 01:06:27,840
Speaker 4: That Eddie like the nerd version of Eddie or the

1390
01:06:27,920 --> 01:06:30,200
Speaker 4: other route. Let me see if I just I just

1391
01:06:30,200 --> 01:06:34,720
Speaker 4: love that scene where we have to cross the freeway. Yeah, anyway,

1392
01:06:35,560 --> 01:06:38,000
Speaker 4: and then you can find me on four twenty with

1393
01:06:38,040 --> 01:06:41,200
Speaker 4: Sophia Alexander or we talk about ninety day Fiance and hey,

1394
01:06:41,200 --> 01:06:43,200
Speaker 4: if you're taking you know you're hitting the road, you

1395
01:06:43,200 --> 01:06:45,400
Speaker 4: want to listen to some easy true crime stuff that's

1396
01:06:45,440 --> 01:06:47,800
Speaker 4: not about people getting murdered and it's actually cool. Check

1397
01:06:47,840 --> 01:06:49,720
Speaker 4: out The Good Thief. I host that, and it's about

1398
01:06:49,720 --> 01:06:51,440
Speaker 4: our search for the Greek robin Hood.

1399
01:06:51,920 --> 01:06:53,439
Speaker 5: Let's see I didn't know that.

1400
01:06:53,920 --> 01:06:57,040
Speaker 4: Yeah, yeah, yeah, it's about this guy who's broke out

1401
01:06:57,080 --> 01:07:02,560
Speaker 4: of greases like equip of Alcatraze many times by helicopter

1402
01:07:02,640 --> 01:07:04,600
Speaker 4: and then would like kidnap billionaires.

1403
01:07:05,040 --> 01:07:10,080
Speaker 1: The helicopter prison escape. Underrated art that Europe is really good.

1404
01:07:10,680 --> 01:07:12,560
Speaker 4: Yeah, yeah, yeah, I think it's just weird. I think

1405
01:07:12,600 --> 01:07:15,680
Speaker 4: because it's everything is so militarized here that like you

1406
01:07:15,680 --> 01:07:17,320
Speaker 4: can get away with me, Like yeah, you just fly

1407
01:07:17,440 --> 01:07:20,080
Speaker 4: a fucking helicopter into a prison yard and take off

1408
01:07:20,120 --> 01:07:22,840
Speaker 4: with somebody and then let's see a piece of media.

1409
01:07:23,000 --> 01:07:24,880
Speaker 4: Like I don't know if I'm gonna like it, but

1410
01:07:25,000 --> 01:07:29,280
Speaker 4: I believe the squid Game, the real life Squid Game,

1411
01:07:29,440 --> 01:07:33,720
Speaker 4: fucking TV challenge shows is out and I'm.

1412
01:07:33,600 --> 01:07:36,760
Speaker 1: Going to watch that on Wednesday. I think, Oh, did

1413
01:07:36,760 --> 01:07:40,240
Speaker 1: you see it? No, Jam, start watching it though.

1414
01:07:40,160 --> 01:07:43,680
Speaker 4: Oh oh yes, we talked about it together, Miles. I know,

1415
01:07:43,800 --> 01:07:45,960
Speaker 4: but I'm saying I'm going to watch it, like now

1416
01:07:46,320 --> 01:07:48,560
Speaker 4: I know that, I know, I know what the talk

1417
01:07:48,680 --> 01:07:50,840
Speaker 4: about it is, but now I need to see with

1418
01:07:51,000 --> 01:07:55,880
Speaker 4: my own eyes, myne own eyes, exactly exactly. So yeah,

1419
01:07:55,920 --> 01:07:58,720
Speaker 4: I'm gonna well, I'm gonna check in on that probably.

1420
01:07:59,200 --> 01:08:02,640
Speaker 1: By the way, you're sa So Fresh is from John

1421
01:08:02,800 --> 01:08:08,600
Speaker 1: mcginley's performance as the Jim Rome character in Any Given

1422
01:08:08,640 --> 01:08:14,080
Speaker 1: Sunday talking to Willie Beamon so fresh, so long time

1423
01:08:14,160 --> 01:08:17,800
Speaker 1: and truthful, give me a pound dog, and Willy Bean's like,

1424
01:08:17,800 --> 01:08:24,200
Speaker 1: what the fuck that should have been? In my head.

1425
01:08:25,880 --> 01:08:29,240
Speaker 4: We went from Bowfinger to Oliver Stones football movie.

1426
01:08:30,200 --> 01:08:32,479
Speaker 1: Hey man, there's some there's some brilliant moments in any

1427
01:08:32,479 --> 01:08:35,439
Speaker 1: given Sunday and also overall not a great movie.

1428
01:08:35,600 --> 01:08:35,760
Speaker 5: No.

1429
01:08:35,840 --> 01:08:38,880
Speaker 1: But you can find me on Twitter at Jack Underscore

1430
01:08:39,040 --> 01:08:44,720
Speaker 1: O'Brien some tweets I've been enjoying. Obviously, I've been liking

1431
01:08:44,720 --> 01:08:47,760
Speaker 1: a lot of Dan White just generally, Damn White never

1432
01:08:48,120 --> 01:08:52,280
Speaker 1: steers me wrong. And I also liked this tweet in

1433
01:08:52,320 --> 01:08:54,280
Speaker 1: regards to the story that we talked about. You know,

1434
01:08:54,400 --> 01:08:58,599
Speaker 1: Variety posted Darryl Hall gets her staying order against John

1435
01:08:58,640 --> 01:09:01,559
Speaker 1: Oates and Hall of Oates legal battle, and then Sam

1436
01:09:01,680 --> 01:09:05,280
Speaker 1: Stefanik retweeted that and said, Ryan Murphy types the words

1437
01:09:05,360 --> 01:09:09,880
Speaker 1: Haul versus Oh, it's so hard that all his fingers fracture.

1438
01:09:10,200 --> 01:09:11,200
Speaker 1: Probably half mate.

1439
01:09:11,600 --> 01:09:12,080
Speaker 5: Uh.

1440
01:09:12,120 --> 01:09:15,000
Speaker 1: You can find us on Twitter at daily zeikes ad D,

1441
01:09:15,120 --> 01:09:17,400
Speaker 1: Daily Zeikeist on Instagram. We have a Facebook fan page

1442
01:09:17,479 --> 01:09:19,640
Speaker 1: or website daily zeikeust dot com where we post our

1443
01:09:19,680 --> 01:09:23,519
Speaker 1: episodes and our footnote. We look off the information that

1444
01:09:23,520 --> 01:09:25,720
Speaker 1: we talked about in today's episode, as well as a

1445
01:09:25,840 --> 01:09:30,360
Speaker 1: song that we think you might enjoy. Miles, is there

1446
01:09:30,400 --> 01:09:31,920
Speaker 1: a song that you think people might enjoy.

1447
01:09:32,280 --> 01:09:34,200
Speaker 4: I think there're gonna enjoy this one. This is an

1448
01:09:34,280 --> 01:09:37,599
Speaker 4: artist called jazz Tronic t r n O I t

1449
01:09:37,800 --> 01:09:41,080
Speaker 4: r o n I k Uh and he's this Japanese

1450
01:09:41,160 --> 01:09:45,320
Speaker 4: DJ who's like just putting together like fusiony jazz beats

1451
01:09:45,320 --> 01:09:48,880
Speaker 4: together repurposed and it's like really really interesting. This track

1452
01:09:49,000 --> 01:09:53,080
Speaker 4: is called kee Zudu h I zu are you and

1453
01:09:53,120 --> 01:09:55,680
Speaker 4: it's the jazz Tronic remix. So just try that on,

1454
01:09:55,840 --> 01:09:58,479
Speaker 4: you know, some some wacky stuff. So what happened to jazz? Well,

1455
01:09:58,520 --> 01:10:01,120
Speaker 4: it's people flipping it making stuff with it today.

1456
01:10:01,160 --> 01:10:04,200
Speaker 1: All right, Well we will link off to that in

1457
01:10:04,280 --> 01:10:07,480
Speaker 1: the footnotes. The daily Isyite guys are the production of iHeartRadio.

1458
01:10:07,520 --> 01:10:10,559
Speaker 1: For more podcasts from iHeartRadio is the iHeartRadio ap Apple

1459
01:10:10,600 --> 01:10:12,640
Speaker 1: podcast or wherever you listen to your favorite shows, that

1460
01:10:12,840 --> 01:10:15,200
Speaker 1: is going to do it for us this morning, back

1461
01:10:15,200 --> 01:10:18,240
Speaker 1: this afternoon to tell you what is trending and we

1462
01:10:18,320 --> 01:10:23,200
Speaker 1: will talk to you all then. Bye bye bye