WEBVTT - Ep 64: Foals

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<v Speaker 1>Loud and Quiet presents Midnight Chats.

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<v Speaker 2>Good evening listeners, Welcome to tropical February in London. It's

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<v Speaker 2>weird and it worries me, and welcome to the first

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<v Speaker 2>episode of a brand new series of midnight Chats series

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<v Speaker 2>seven no less. Three years since we recorded the first

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<v Speaker 2>of these conversations with a microphone we brought off eBay,

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<v Speaker 2>we are still going, still going strong. Those tuning in

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<v Speaker 2>for the first time, I'm not sure where you've been

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<v Speaker 2>maybe doing something more important, which is completely under standable,

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<v Speaker 2>but this is what we do. Our podcasts are relaxed

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<v Speaker 2>chats with musicians who we think have something interesting to

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<v Speaker 2>say that loosely have a late night kind of vibe

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<v Speaker 2>and that's it. It's not overcomplicated. Sometimes it's me Greg

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<v Speaker 2>doing them and sometimes it's Stuart. And when we're not

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<v Speaker 2>doing this, we're making a magazine and website and videos

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<v Speaker 2>and it's called Loud and Quiet. It also has a

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<v Speaker 2>website which is Loud and Quiet dot com. But with

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<v Speaker 2>this new run of Midnight Chats, there will be a

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<v Speaker 2>fresh episode every Thursday, dropping at midnight for the next

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<v Speaker 2>ten weeks or so, and I can promise you that

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<v Speaker 2>this spring twenty nineteen series features guests that are at

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<v Speaker 2>least at least as good as those that we've had

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<v Speaker 2>on before. There's sixty three of those previous episodes now,

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<v Speaker 2>so do fill your boots if you have a particularly

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<v Speaker 2>quiet weekend coming up. Anyway, feel like this is a

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<v Speaker 2>really good one to begin on. Most of the time

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<v Speaker 2>when we're recording these podcasts, we're meeting the artist for

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<v Speaker 2>the first time, you know, we have a brief talk

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<v Speaker 2>about the weather, make them a cup of tea, and

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<v Speaker 2>then turn the MIC's on. But my guest on episode

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<v Speaker 2>sixty four is someone I've known for quite a while now,

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<v Speaker 2>about twelve years, i think, and he is Yannis Philipakis,

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<v Speaker 2>singer with Foals. I was lucky enough to be covered

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<v Speaker 2>in Cheap Beer at and write about a number of

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<v Speaker 2>the band's early shows. These days, over the course of

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<v Speaker 2>releasing four brilliant albums, they've very much outgrown playing illegal

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<v Speaker 2>squad parties. Instead, they now headline festivals. Twenty nineteen is

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<v Speaker 2>a new era for them since twenty fifteen's What Went Down,

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<v Speaker 2>original bass player Walter left the band, and they've self

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<v Speaker 2>produced a pair of new albums that they will release

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<v Speaker 2>this year. The first of which which everything not saved

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<v Speaker 2>will be lost. Part one is out on March the eighth. Now,

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<v Speaker 2>this chat is quite fresh, recorded just last week, but

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<v Speaker 2>awards week in fact, in a slightly echoey photo studio

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<v Speaker 2>in South London. In it, we talk about drunk Russian

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<v Speaker 2>tourists with fireworks, Yannis's recent visit to a Greek monastery,

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<v Speaker 2>social media Stormsy's upcoming headline show at Glastonbury, and why

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<v Speaker 2>his mum Yannis's mum changed the locks on the family

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<v Speaker 2>home's bathroom door. What's left to say? Well, it's good

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<v Speaker 2>to be back. If you like what you hear, please

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<v Speaker 2>do rate and comment and subscribe wherever you listen to

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<v Speaker 2>this all that stuff, But here we go the first

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<v Speaker 2>in a new run of Midnight Chats. This is yanis

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<v Speaker 2>from False Jannis. Welcome to Midnight Chats.

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<v Speaker 3>Good to be here, Thanks.

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<v Speaker 2>For coming on. How has your day been so far?

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<v Speaker 3>It's been good. It's been quite long, been chatting. Did

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<v Speaker 3>some photos?

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<v Speaker 4>You know, all of the luxury problems that a man

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<v Speaker 4>and a band faces.

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<v Speaker 2>And this week is a busy week in the music industry.

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<v Speaker 2>There was the brit Awards this week. Did you go

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<v Speaker 2>to that?

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<v Speaker 3>No, I didn't.

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<v Speaker 4>I've been in the rehearsal studio and basically, yeah, we've

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<v Speaker 4>been hammering it out for like six seven hours a

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<v Speaker 4>day and then come evening, go for like a pint

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<v Speaker 4>and then it's back to who just wiped afterwards?

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<v Speaker 3>So we didn't go to anything. Also, it's the Brits.

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<v Speaker 2>Yeah, well you went a couple of year nominated and

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<v Speaker 2>went a few years aga. What was the actual experience?

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<v Speaker 3>Like, it was good.

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<v Speaker 4>I just remember being you know, it's like it's just

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<v Speaker 4>pretty full on. But it was fun. I liked the

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<v Speaker 4>spectacle of it. The food was slightly into par What

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<v Speaker 4>did they say of that night? I remember, but it

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<v Speaker 4>was something on crute right.

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<v Speaker 2>Okay it was it a bit like wedding food, like

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<v Speaker 2>when you go.

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<v Speaker 3>To Yeah, like wedding food, but made without the love.

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<v Speaker 4>Okay, yeah, so but anyway, it was fun and then

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<v Speaker 4>the party, the after party is always quite fun. They

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<v Speaker 4>always get quite hedonistic of the borch and you always

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<v Speaker 4>like meet Liam Gallagher at three in the morning and

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<v Speaker 4>he's screaming at you wearing a white leather beret.

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<v Speaker 2>Which is good, sounds quite fun. Twenty nineteen shaping up

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<v Speaker 2>to be a big year. For foals. Obviously. Where did

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<v Speaker 2>the year start for you? Where did you actually see

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<v Speaker 2>in twenty nineteen?

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<v Speaker 3>I was in India?

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<v Speaker 2>Okay, yeah, how was that? On holiday here?

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<v Speaker 3>It was great. I went with my partner and it

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<v Speaker 3>was great.

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<v Speaker 4>We got fireworks shot almost directly at our head by

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<v Speaker 4>a load of highly inebriated Russians who earlier in the

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<v Speaker 4>evening had been wearing Santa Father Christmas hats and drinking

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<v Speaker 4>taputin while watching his annual address to the Russian Populace.

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<v Speaker 3>It was fun.

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<v Speaker 4>It was on a beach. I'd never been that close

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<v Speaker 4>to a firework like. I mean, they were literally they

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<v Speaker 4>were exploding at hare height.

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<v Speaker 2>So this was no like organized fire displayed. This is

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<v Speaker 2>just people setting off for random It.

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<v Speaker 4>Just mainly acts on a beach full of vodka setting

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<v Speaker 4>stuff on fire.

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<v Speaker 3>It was great. I felt like it was a symbolic

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<v Speaker 3>start to the year.

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<v Speaker 2>Did you spend Christmas in India as well?

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<v Speaker 3>No?

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<v Speaker 4>I had Christmas in London and then went to Oxford

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<v Speaker 4>on Boxing Day and then yeah, I went to India

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<v Speaker 4>and was there for a bit and it was great.

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<v Speaker 4>I've never been before, but I loved it. I'd like

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<v Speaker 4>to go back and where did.

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<v Speaker 3>You go goer?

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<v Speaker 4>Basically it was Mainian goer, So yeah, the first bit

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<v Speaker 4>of the holiday was yeah, in Russian trance party land

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<v Speaker 4>with relentless one sixty ppm kick drums and fireworks coming

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<v Speaker 4>at my.

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<v Speaker 3>Head and dubious, dubious shrimps and prawns.

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<v Speaker 4>I was just saw of baby hammerhead shark on a

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<v Speaker 4>fish blatter and I was absolutely horrified.

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<v Speaker 3>So I was walking out of like a hotel resort

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<v Speaker 3>type thing.

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<v Speaker 4>They had like the catch of the day on ice,

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<v Speaker 4>you know, and there was your usual snapper and mullet,

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<v Speaker 4>you know, there was there was classic there are your classics,

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<v Speaker 4>your classics, bear did bream, and then there was just

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<v Speaker 4>nestled in amongst you know. The more prevalent catch of

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<v Speaker 4>the day was an actual baby hammerhead shark, and I've

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<v Speaker 4>I've never been more disappointed in a fish fish selection ever.

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<v Speaker 3>I just thought it was just outrageous.

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<v Speaker 2>On all of your travels over the years, what's the

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<v Speaker 2>weirdest thing that you've tried in terms of food?

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<v Speaker 4>Yeah, usually I voyeuristically watched Edwin because he's kind of.

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<v Speaker 2>The most intrepid first person in Yeah.

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<v Speaker 4>Yeah, he has kind of no sense of self preservation

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<v Speaker 4>when it comes to food. I've watched them eat horse

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<v Speaker 4>ice cream in Japan. It was frozen slices of horse

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<v Speaker 4>meat and we ate it after a show, So imagining

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<v Speaker 4>that that's that's then going to float on a belly

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<v Speaker 4>full of vodka Red Bull at the time, which is

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<v Speaker 4>what the drink of choice was before the shows.

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<v Speaker 3>Horse ice cream.

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<v Speaker 4>He also ate on the same evening, he ate squid

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<v Speaker 4>testes or squid eggs or something.

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<v Speaker 3>But yeah, he was a glutton for punishment that night.

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<v Speaker 4>It was the same like Jack passed out in the

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<v Speaker 4>restaurant from jet lag, and we we fed him bits

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<v Speaker 4>of squid and we drew a little, gave him a

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<v Speaker 4>little French beard, a little little cyrano number, a little

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<v Speaker 4>GotY And he's never forgiven us for that, all right.

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<v Speaker 2>He still brings it up there, Yeah we have.

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<v Speaker 4>Yeah, it occasionally resurfaces on the internet. Yeah, yeah, I'm

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<v Speaker 4>pretty safe eater.

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<v Speaker 2>In terms of travels, then, since what went down, he

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<v Speaker 2>had a bit of time off and then you came

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<v Speaker 2>back to recording and making a new record. Personal travel

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<v Speaker 2>like going away for fun and not for work as

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<v Speaker 2>you do all the time. Where else have you been

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<v Speaker 2>in between what the last couple of years, I mean

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<v Speaker 2>your adventures to India with some mad Russians. But where

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<v Speaker 2>else is.

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<v Speaker 4>I went to Cape Town a couple of times. I

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<v Speaker 4>got some family there, so I went there and that

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<v Speaker 4>was cool. I mean, I always find it kind of

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<v Speaker 4>an ambivalent experience going. I love it, I love the landscape,

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<v Speaker 4>but the social injustices out there, Like I didn't never

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<v Speaker 4>find like it's not.

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<v Speaker 3>I just always feel it a bit. I love it

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<v Speaker 3>as a place and I always.

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<v Speaker 4>Have a great time, but you can't help but feel

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<v Speaker 4>that things are not right there. And then the main

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<v Speaker 4>place I spent time in was Greece. I went to

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<v Speaker 4>Mount Athos, which is like a monastic community. It's like

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<v Speaker 4>a peninsula and Greece, and it's been a monastic area

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<v Speaker 4>for over a thousand years. It's twenty eight monasteries there.

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<v Speaker 4>You have to like get a special ticket to go there.

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<v Speaker 4>You can only go by boat. They have a customs border.

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<v Speaker 2>It's like so it's got its own island.

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<v Speaker 4>It's no, it's it's it's on land, but you can

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<v Speaker 4>they don't let you go through the land border. Only

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<v Speaker 4>men are allowed, and it's only been men for like

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<v Speaker 4>a thousand years.

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<v Speaker 3>And it's pretty intense. There's like, it's a pretty intense place.

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<v Speaker 2>What is the lifestyle, like the people that.

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<v Speaker 4>It's just monks. It's only monks that live there permanently.

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<v Speaker 4>They have some and there's maybe a few people that

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<v Speaker 4>live there to help the monasteries or but it's only monks,

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<v Speaker 4>proper monks.

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<v Speaker 3>It's very it's very austere.

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<v Speaker 4>So I've gotten this boat from a place called Ranopolis,

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<v Speaker 4>which is and it's kind of it's north of Athens.

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<v Speaker 4>It's like you go from Thessaloniki and you go along

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<v Speaker 4>and you get this boat from the first thing you

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<v Speaker 4>notice is that on the boat it's only men, and

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<v Speaker 4>it's is it's very strange.

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<v Speaker 2>And monks and the day tripping monks on their way

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<v Speaker 2>back or they've.

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<v Speaker 4>Been, you know, they might have been on a I

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<v Speaker 4>don't know, they might have been to criticize the pope

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<v Speaker 4>or something because they're Greek Orthodox mostly there's some Russian

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<v Speaker 4>Orthodox as well.

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<v Speaker 3>But and then the boat does some stock.

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<v Speaker 4>A lot of the monasteries are on the sea and

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<v Speaker 4>they have their own like jetties or their own like harbor,

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<v Speaker 4>not Harbor's, but they're their own docking stations and we

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<v Speaker 4>got off the one that I was staying at, and

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<v Speaker 4>there were these it was just something out of the

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<v Speaker 4>Middle Ages. There were these monks in like these smocks

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<v Speaker 4>who were going through their fishing nets and they had

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<v Speaker 4>sea urchins. They'd been catching sea urchins and there's some

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<v Speaker 4>fish and then you're there and it's like it's just

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<v Speaker 4>full on. They had their own their own clock, they

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<v Speaker 4>have their own time system. It doesn't align with what

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<v Speaker 4>we consider to be the twenty four hour clock. They're

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<v Speaker 4>thirteen days behind in the calendar. The food is spartan.

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<v Speaker 4>The place we were at, what they were like no phones,

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<v Speaker 4>no drinking, no smoking, you can't talk, and meal times

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<v Speaker 4>you're up at three in the morning.

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<v Speaker 3>To go to like services. That the thing I enjoyed.

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<v Speaker 3>I love the music. I love the spiritual singing.

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<v Speaker 2>It's going to say, did you go there with a

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<v Speaker 2>view to going on like a kind of mind retreat?

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<v Speaker 2>Was that the idea?

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<v Speaker 3>Yeah? Yeah?

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<v Speaker 4>And also I was just I was thinking, I just

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<v Speaker 4>felt curious about it as a place because it's just

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<v Speaker 4>a kind of in the same way, you know, I

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<v Speaker 4>want to go to Mongolia. I want to go I

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<v Speaker 4>want to do trips that I feel like interesting basically

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<v Speaker 4>mind expanding.

0:12:17.679 --> 0:12:19.880
<v Speaker 3>Yeah, I just yeah, that's the kind of travel I enjoy.

0:12:20.280 --> 0:12:25.120
<v Speaker 4>And Mount Athos is just somewhere where I was attracted

0:12:25.160 --> 0:12:28.920
<v Speaker 4>to the ancientness of it and and the austerity of it,

0:12:28.960 --> 0:12:32.360
<v Speaker 4>and the landscape's beautiful. You know. It's like most of

0:12:32.400 --> 0:12:35.040
<v Speaker 4>these monasteries were built like fortresses. They looked like castles

0:12:35.080 --> 0:12:36.559
<v Speaker 4>because of the piracy.

0:12:36.120 --> 0:12:39.240
<v Speaker 3>In the Mediterranean. Yeah. I went there partly to.

0:12:40.800 --> 0:12:43.960
<v Speaker 4>I like, after touring, I like to do to put

0:12:44.000 --> 0:12:46.760
<v Speaker 4>myself in a situation that's going to freak me out,

0:12:46.920 --> 0:12:49.559
<v Speaker 4>Like it is going to be the most direct contrast

0:12:49.679 --> 0:12:52.439
<v Speaker 4>to tour and to all of the excesses of the

0:12:52.520 --> 0:12:57.559
<v Speaker 4>road is to go to a spartan ancient monastic community

0:12:57.800 --> 0:13:00.880
<v Speaker 4>and feel myself, you know, crawl.

0:13:01.000 --> 0:13:03.760
<v Speaker 2>Purging the tour experience, cleanse the body.

0:13:04.000 --> 0:13:05.720
<v Speaker 3>Yeah.

0:13:05.160 --> 0:13:08.079
<v Speaker 2>And then yeah, did you find it useful? Did yeah

0:13:08.200 --> 0:13:09.280
<v Speaker 2>come back feeling refreshed?

0:13:09.360 --> 0:13:13.800
<v Speaker 4>Yeah, I mean I came back feeling like different, you know,

0:13:13.920 --> 0:13:15.400
<v Speaker 4>And I enjoyed this.

0:13:16.880 --> 0:13:17.520
<v Speaker 3>Kind of like.

0:13:18.920 --> 0:13:20.800
<v Speaker 4>Changes your sense of self when you're there. You know,

0:13:20.880 --> 0:13:23.000
<v Speaker 4>you think about who you are when you're in London.

0:13:23.040 --> 0:13:25.280
<v Speaker 4>It's like you're attached all that there's all these attachments

0:13:25.280 --> 0:13:26.800
<v Speaker 4>we have as people when we're in a kind of

0:13:26.800 --> 0:13:32.040
<v Speaker 4>developed society in terms of fashion and our phones and

0:13:32.080 --> 0:13:34.360
<v Speaker 4>like how we slot in, we think about ourselves in

0:13:34.360 --> 0:13:35.800
<v Speaker 4>these ways. And when you go to something like that,

0:13:35.840 --> 0:13:38.079
<v Speaker 4>like all of the coordinates and moves and you're just

0:13:38.080 --> 0:13:41.760
<v Speaker 4>just this person, you're just like a You're just a human.

0:13:42.320 --> 0:13:43.160
<v Speaker 3>And I enjoyed that.

0:13:43.760 --> 0:13:47.120
<v Speaker 4>And yeah, and the music, like the singing, the Byzantine singing,

0:13:47.160 --> 0:13:48.920
<v Speaker 4>I find it.

0:13:49.200 --> 0:13:50.000
<v Speaker 3>I think it's cool.

0:13:50.960 --> 0:13:54.360
<v Speaker 2>Did you snap out of those habitual things like that

0:13:54.400 --> 0:13:56.800
<v Speaker 2>we all have checking your phone every minute?

0:13:56.880 --> 0:13:59.400
<v Speaker 3>Yeah? I had to, Yeah, because it just wasn't any signal.

0:13:59.559 --> 0:14:00.480
<v Speaker 3>I try.

0:14:00.640 --> 0:14:06.080
<v Speaker 4>I tried to get online, just rapidly, rabidly trying to

0:14:06.080 --> 0:14:07.560
<v Speaker 4>make it work like a crack addicts.

0:14:08.400 --> 0:14:11.160
<v Speaker 2>Yeah, did you just did you remind you that you've

0:14:11.280 --> 0:14:13.720
<v Speaker 2>just got a dependency on those kind of things like

0:14:13.760 --> 0:14:14.360
<v Speaker 2>most of you huge.

0:14:14.440 --> 0:14:16.000
<v Speaker 4>I had that in India as well. Actually there wasn't

0:14:16.000 --> 0:14:19.600
<v Speaker 4>really much WiFi where I was. And yeah, just quite

0:14:19.640 --> 0:14:22.160
<v Speaker 4>quickly you realized that I read, you know, I started

0:14:22.200 --> 0:14:25.080
<v Speaker 4>to read books instead, and I was again and I

0:14:25.160 --> 0:14:27.040
<v Speaker 4>used to be a voracious reader. And one of my

0:14:27.080 --> 0:14:31.920
<v Speaker 4>main disappointments in myself is that I feel that I

0:14:31.960 --> 0:14:36.000
<v Speaker 4>don't have the discipline or the attention spam that I

0:14:36.160 --> 0:14:40.160
<v Speaker 4>used to whilst in proximity to the Internet. So I

0:14:40.200 --> 0:14:45.440
<v Speaker 4>find the Internet overridingly seductive, and I don't feel I

0:14:45.480 --> 0:14:47.400
<v Speaker 4>have the will power to withstand it, and that.

0:14:47.360 --> 0:14:48.120
<v Speaker 3>Really bothers me.

0:14:48.160 --> 0:14:51.600
<v Speaker 4>Actually, one of the things I enjoy about being forced

0:14:51.640 --> 0:14:55.520
<v Speaker 4>to be with that WiFi is I remember how much

0:14:55.560 --> 0:14:59.480
<v Speaker 4>I enjoyed living without it, you know, And and the

0:14:59.600 --> 0:15:05.160
<v Speaker 4>time passes differently, reading books and just enjoying that feeling

0:15:05.200 --> 0:15:08.480
<v Speaker 4>of just being a person that's out of reach is enjoyable.

0:15:08.760 --> 0:15:10.840
<v Speaker 2>Did you see the Nils Farm stuff this week?

0:15:11.000 --> 0:15:12.720
<v Speaker 3>Yeah? I did, Actually I saw that yesterday.

0:15:12.840 --> 0:15:15.600
<v Speaker 2>What did you think of it? So this bit if

0:15:15.600 --> 0:15:16.960
<v Speaker 2>people are listening to this and they don't know what

0:15:16.960 --> 0:15:21.960
<v Speaker 2>that is. Nils Farm, obviously big celebrated musician known for

0:15:22.000 --> 0:15:25.240
<v Speaker 2>his kind of largely sort of ambient music work, said

0:15:25.320 --> 0:15:27.560
<v Speaker 2>this week, I'm going to start I'm going to come

0:15:27.600 --> 0:15:30.720
<v Speaker 2>off social media, starting with Facebook. So I don't like

0:15:30.720 --> 0:15:31.400
<v Speaker 2>the idea.

0:15:31.160 --> 0:15:34.040
<v Speaker 4>That which is the nafest one, isn't it Facebook? Yeah,

0:15:34.040 --> 0:15:36.040
<v Speaker 4>they get rid of the Facebook first. It's the nafest.

0:15:36.080 --> 0:15:38.320
<v Speaker 4>It's the easiest one to cull. Probably, which is the

0:15:38.400 --> 0:15:41.560
<v Speaker 4>least Nath probably Instagram. I feel like Instagram is the

0:15:41.600 --> 0:15:44.240
<v Speaker 4>one that's a bit more edgy, bit more hip.

0:15:44.440 --> 0:15:46.800
<v Speaker 2>Yeah, you're probably right. And so he said he's going

0:15:46.840 --> 0:15:48.840
<v Speaker 2>to come off of these one by one because he

0:15:48.840 --> 0:15:52.400
<v Speaker 2>doesn't like the fact that that ultimately they've become the

0:15:52.400 --> 0:15:54.720
<v Speaker 2>way that he speaks to his audience, and he disagrees

0:15:54.760 --> 0:15:57.840
<v Speaker 2>with their politics and the morality around those services, and

0:15:57.880 --> 0:15:59.880
<v Speaker 2>so he's coming off and he wants to communicate with

0:16:00.040 --> 0:16:03.640
<v Speaker 2>the fans in a different way, in a more direct way.

0:16:03.720 --> 0:16:05.800
<v Speaker 4>Yeah, what's going to be interesting is how he tries

0:16:05.840 --> 0:16:08.840
<v Speaker 4>to or how how are you how he replaces it.

0:16:09.400 --> 0:16:12.760
<v Speaker 4>I think about getting rid of social media a lot,

0:16:12.800 --> 0:16:15.040
<v Speaker 4>and I what I've done is get rid of it

0:16:15.080 --> 0:16:17.360
<v Speaker 4>from my actual devices quite often.

0:16:17.560 --> 0:16:19.400
<v Speaker 2>As ink you go through and you'll just delete I'll

0:16:19.440 --> 0:16:20.000
<v Speaker 2>just delete that.

0:16:20.400 --> 0:16:21.360
<v Speaker 3>Yeah, I'll just delete that.

0:16:22.240 --> 0:16:25.360
<v Speaker 4>And I'm close to deleting Facebook permanently. And then I

0:16:25.440 --> 0:16:29.360
<v Speaker 4>have I think this is what you feel ransomed like.

0:16:29.600 --> 0:16:32.840
<v Speaker 4>I have people that I communicate with through Facebook, and

0:16:32.920 --> 0:16:36.640
<v Speaker 4>without it, I probably wouldn't communicate with them at all.

0:16:36.720 --> 0:16:39.000
<v Speaker 4>And that's the that's the little catch that keeps me

0:16:39.120 --> 0:16:42.360
<v Speaker 4>ransomed in And I guess Neil From is reacting to that,

0:16:42.400 --> 0:16:46.480
<v Speaker 4>and I applaud him for it. I wonder, I wonder

0:16:46.520 --> 0:16:48.200
<v Speaker 4>how it's going to work out for him. But I

0:16:48.280 --> 0:16:53.200
<v Speaker 4>think that social media, they they sold us like a

0:16:53.280 --> 0:16:56.120
<v Speaker 4>utopian technology and actually it's just a kind of conniving

0:16:56.800 --> 0:16:59.520
<v Speaker 4>business as any of that. They're just harvesters of how emotions.

0:17:00.000 --> 0:17:03.320
<v Speaker 4>And having said that, I'm a total sucker for it.

0:17:03.360 --> 0:17:05.959
<v Speaker 2>But I think that's the issue, though, isn't it. Everybody

0:17:05.960 --> 0:17:07.720
<v Speaker 2>feels pinched between these two things.

0:17:07.800 --> 0:17:10.040
<v Speaker 3>Yeah, but that isn't that in itself.

0:17:10.359 --> 0:17:12.879
<v Speaker 4>They've made us feel like that, you know, And I

0:17:12.880 --> 0:17:17.000
<v Speaker 4>think that, So I think good on From for kicking

0:17:17.040 --> 0:17:19.159
<v Speaker 4>back on it and trying to deliberate himself. We'll we'll

0:17:19.200 --> 0:17:21.680
<v Speaker 4>see what he replaces it with or how he will.

0:17:22.800 --> 0:17:25.760
<v Speaker 4>You know, they just have such a monopoly on it

0:17:26.200 --> 0:17:27.440
<v Speaker 4>that it does just feel wrong.

0:17:27.480 --> 0:17:30.600
<v Speaker 3>But at the same times you feel kind of but

0:17:30.720 --> 0:17:31.400
<v Speaker 3>both just on a.

0:17:31.359 --> 0:17:33.800
<v Speaker 4>Pragmatic level, that you'd be losing touch with people and

0:17:33.840 --> 0:17:36.480
<v Speaker 4>that would be bad for your your project or whatever

0:17:36.520 --> 0:17:39.159
<v Speaker 4>it might be the use it for. But also but

0:17:39.280 --> 0:17:42.159
<v Speaker 4>it is addictive, so you feel the lack of it,

0:17:42.240 --> 0:17:44.720
<v Speaker 4>you know, you feel the loss of the little serotonin

0:17:45.280 --> 0:17:50.160
<v Speaker 4>kicks you get from it, from Marty from Warsaw you know,

0:17:50.560 --> 0:17:55.640
<v Speaker 4>liking a post yeah yeah, or Barry from Bogner retweeting

0:17:56.320 --> 0:17:57.400
<v Speaker 4>with a comment.

0:17:59.640 --> 0:18:01.680
<v Speaker 2>Yeah, going to be an interesting experiment. I kind of

0:18:01.720 --> 0:18:04.640
<v Speaker 2>think I watch it with interest in like a year's time,

0:18:04.680 --> 0:18:06.840
<v Speaker 2>to see whether it has any effect or whether he

0:18:06.880 --> 0:18:09.879
<v Speaker 2>feels better. I mean, ultimately that's that's probably what he's

0:18:09.920 --> 0:18:11.400
<v Speaker 2>going to measure it by. It's just if he doesn't

0:18:11.440 --> 0:18:15.359
<v Speaker 2>feel like he's beholden to it and he's still also Zuckerberg.

0:18:15.440 --> 0:18:17.879
<v Speaker 4>It's like, particularly with Facebook, I mean all of you,

0:18:18.080 --> 0:18:20.440
<v Speaker 4>all of them, but like Facebook is so.

0:18:23.040 --> 0:18:27.040
<v Speaker 3>It's so clearly like morally they just don't care neither.

0:18:27.080 --> 0:18:29.520
<v Speaker 4>They don't care, they don't pay tax as Zuckerberg didn't

0:18:29.520 --> 0:18:32.359
<v Speaker 4>turn up to the MPs wanted him in for that

0:18:32.400 --> 0:18:36.359
<v Speaker 4>selecting mete. He just doesn't give a shit. And I

0:18:36.440 --> 0:18:40.639
<v Speaker 4>just think that it's a hard company to like Facebook.

0:18:41.000 --> 0:18:43.840
<v Speaker 4>They just seemed they just seem like they just seem

0:18:43.920 --> 0:18:45.960
<v Speaker 4>like the devil's work, don't they a little bit in

0:18:46.000 --> 0:18:49.199
<v Speaker 4>a way They do though, don't they? And also all

0:18:49.200 --> 0:18:51.800
<v Speaker 4>the Cambridge analytics stuff, the fact that they don't they

0:18:51.880 --> 0:18:55.640
<v Speaker 4>don't seem to have a responsible attitude to how how

0:18:57.320 --> 0:19:00.520
<v Speaker 4>information and with political ramification as are spread.

0:19:00.560 --> 0:19:01.640
<v Speaker 3>They just don't. They don't care.

0:19:01.640 --> 0:19:05.280
<v Speaker 4>There's no social responsibility there, they don't. They don't care.

0:19:06.240 --> 0:19:08.080
<v Speaker 2>Do you think they care if loads of people decided

0:19:08.080 --> 0:19:08.600
<v Speaker 2>they were going to.

0:19:08.840 --> 0:19:10.600
<v Speaker 4>Yeah, if it hurt their bottom line, it would, But

0:19:10.640 --> 0:19:14.439
<v Speaker 4>I mean it would require probably what like hundreds of

0:19:14.440 --> 0:19:16.440
<v Speaker 4>millions if not, I mean, I don't know how many

0:19:16.440 --> 0:19:16.960
<v Speaker 4>billion people.

0:19:17.000 --> 0:19:18.120
<v Speaker 3>Are there billions of people.

0:19:18.240 --> 0:19:20.400
<v Speaker 2>More than there's certainly more than a billion people.

0:19:20.480 --> 0:19:22.680
<v Speaker 4>Yeah, so it would require hundreds of millions of people

0:19:22.760 --> 0:19:25.720
<v Speaker 4>to quitit or to be up in arms in some way.

0:19:25.920 --> 0:19:27.720
<v Speaker 3>Yeah, they'd take notice of that many people did it.

0:19:27.840 --> 0:19:33.080
<v Speaker 2>Yeah, we should talk about some music. Sure, So, got

0:19:33.119 --> 0:19:36.080
<v Speaker 2>a new record coming out next week. It's the first

0:19:36.080 --> 0:19:40.040
<v Speaker 2>of two albums you're released in twenty nineteen. It's ten tracks.

0:19:40.359 --> 0:19:43.600
<v Speaker 2>Ultimately you've recorded twenty tracks. There's ten tracks on each album.

0:19:43.640 --> 0:19:46.920
<v Speaker 2>It's another one coming in the autumn. When you were

0:19:46.920 --> 0:19:50.120
<v Speaker 2>working on all of this music, what made you eventually

0:19:50.240 --> 0:19:53.119
<v Speaker 2>land on the idea of putting out two albums of

0:19:53.200 --> 0:19:57.120
<v Speaker 2>ten tracks as opposed to doing a double album, doing

0:19:57.160 --> 0:20:01.679
<v Speaker 2>a massive, long playlist style album. Why why settle on

0:20:01.720 --> 0:20:03.080
<v Speaker 2>what you've decided to.

0:20:03.080 --> 0:20:05.360
<v Speaker 4>Do it just felt right really like, I don't I'm

0:20:05.359 --> 0:20:09.359
<v Speaker 4>not a massive fan of double albums. There's only probably

0:20:09.359 --> 0:20:10.840
<v Speaker 4>only one or two that I can think of that

0:20:10.920 --> 0:20:13.520
<v Speaker 4>I like. Even when I like them, I always feel

0:20:13.560 --> 0:20:16.040
<v Speaker 4>that the good tracks are overshadowed just by the sheer

0:20:16.119 --> 0:20:20.240
<v Speaker 4>volume of stuff. It's like a Dickens novel. It's always

0:20:20.280 --> 0:20:22.040
<v Speaker 4>a bit too long. It's like a bit of a

0:20:22.080 --> 0:20:23.000
<v Speaker 4>ton You.

0:20:23.000 --> 0:20:24.360
<v Speaker 2>Pick it up and then you have to just put

0:20:24.400 --> 0:20:25.640
<v Speaker 2>it down and finish it another time.

0:20:25.720 --> 0:20:28.080
<v Speaker 4>Yeah, and you just think like, oh, cheers. You know,

0:20:28.160 --> 0:20:30.119
<v Speaker 4>couldn't you have like given it to me? And I

0:20:30.160 --> 0:20:33.480
<v Speaker 4>don't know, Like it just feels like you're burdening the person.

0:20:33.960 --> 0:20:35.359
<v Speaker 3>So we didn't want to do that.

0:20:36.440 --> 0:20:39.399
<v Speaker 4>And yeah, putting on one just I don't know, I

0:20:39.480 --> 0:20:41.480
<v Speaker 4>just didn't feel I just want a sense of proportion

0:20:41.600 --> 0:20:44.360
<v Speaker 4>to it. So and also we felt that there were

0:20:44.440 --> 0:20:47.480
<v Speaker 4>kind of two We felt that there were two bodies

0:20:47.480 --> 0:20:49.920
<v Speaker 4>of work within the bigger body, like that could see

0:20:49.960 --> 0:20:53.800
<v Speaker 4>that there was two opening tracks, two closing tracks, two centerpieces,

0:20:54.720 --> 0:20:57.159
<v Speaker 4>and that there was a distinctive palette, and there were

0:20:57.160 --> 0:20:58.600
<v Speaker 4>songs that didn't go well together.

0:20:58.640 --> 0:21:01.040
<v Speaker 3>There were songs that one of the.

0:21:00.840 --> 0:21:03.000
<v Speaker 4>Concerns we had when we were at the final stages

0:21:03.040 --> 0:21:08.040
<v Speaker 4>of recording, was like, how will Black Bull go against Cafe?

0:21:08.160 --> 0:21:09.720
<v Speaker 3>Like how will they be on the same record.

0:21:10.040 --> 0:21:14.040
<v Speaker 4>There's such different, such different entities that how are they

0:21:14.040 --> 0:21:16.400
<v Speaker 4>going to ever make something that's coherent? And we want

0:21:16.440 --> 0:21:19.800
<v Speaker 4>to make a coherent, structured record that's got a great

0:21:19.880 --> 0:21:22.439
<v Speaker 4>journey from beginning to end. And so the way of

0:21:22.480 --> 0:21:24.600
<v Speaker 4>doing that was to separate out the tracks that didn't

0:21:24.640 --> 0:21:30.440
<v Speaker 4>work together, and that formed two better cohesive, standard part records,

0:21:30.640 --> 0:21:34.679
<v Speaker 4>but that also fundamentally exist in the same world. I

0:21:34.680 --> 0:21:36.280
<v Speaker 4>don't feel that you've got to the end of the

0:21:36.320 --> 0:21:40.080
<v Speaker 4>album until you get to the end of this the

0:21:40.200 --> 0:21:41.520
<v Speaker 4>end of the second album.

0:21:41.760 --> 0:21:44.560
<v Speaker 3>For me, the full the real closer is the end

0:21:44.560 --> 0:21:45.520
<v Speaker 3>of the second album.

0:21:45.720 --> 0:21:48.359
<v Speaker 4>I feel that I'm done with the world, which is

0:21:48.400 --> 0:21:51.600
<v Speaker 4>the end of the Part one is like the cliffhang.

0:21:51.600 --> 0:21:54.840
<v Speaker 4>It's end of series one, and there's like dot dot

0:21:54.880 --> 0:21:56.040
<v Speaker 4>dot to be continued.

0:21:56.160 --> 0:21:58.760
<v Speaker 3>That's how I think about it.

0:21:58.160 --> 0:22:01.760
<v Speaker 2>It's called Everything Not Say Will Be Lost Part one

0:22:01.840 --> 0:22:05.280
<v Speaker 2>and Part two. So thematically, is it fair to say

0:22:05.280 --> 0:22:07.040
<v Speaker 2>that it's an album or it's a pair or a

0:22:07.040 --> 0:22:09.560
<v Speaker 2>pair of albums, One body of work that explores the

0:22:09.640 --> 0:22:16.280
<v Speaker 2>idea of Nintendo, Nintendo permanency or lack of permanency, the

0:22:16.320 --> 0:22:18.520
<v Speaker 2>things that we might lose if we don't knowish or

0:22:18.600 --> 0:22:21.920
<v Speaker 2>cherish or continue to develop. Is that is that fair?

0:22:21.960 --> 0:22:24.439
<v Speaker 2>And if and if it is, what kind of things

0:22:24.960 --> 0:22:26.520
<v Speaker 2>are you talking about in that respect?

0:22:27.119 --> 0:22:29.040
<v Speaker 3>Yeah? I like the phrase. I didn't.

0:22:29.080 --> 0:22:31.280
<v Speaker 4>I came across the phrase at a certain point and

0:22:31.359 --> 0:22:33.720
<v Speaker 4>didn't didn't think about it as being an album title,

0:22:33.760 --> 0:22:37.680
<v Speaker 4>and then it was one of those mind worms or

0:22:37.720 --> 0:22:40.160
<v Speaker 4>something that kind of get in and you. It would

0:22:40.160 --> 0:22:42.199
<v Speaker 4>just recur at times. I'd think about it and I

0:22:42.240 --> 0:22:44.399
<v Speaker 4>was like that it just stuck with me, and I

0:22:44.480 --> 0:22:46.280
<v Speaker 4>like that. I liked the fact that on the surface

0:22:46.280 --> 0:22:49.400
<v Speaker 4>it's really banal and it comes from this kind of cold,

0:22:49.600 --> 0:22:52.879
<v Speaker 4>un sexy digital place of just reminding you.

0:22:52.960 --> 0:22:56.639
<v Speaker 3>It's like it's like a digital chore chare master.

0:22:57.359 --> 0:23:01.760
<v Speaker 4>But then it's obviously got these these massive romantic resonances

0:23:01.840 --> 0:23:04.800
<v Speaker 4>underneath it, like you're talking about, And Yeah, I just

0:23:04.800 --> 0:23:08.120
<v Speaker 4>thought that it's summed up a lot of the concerns

0:23:08.119 --> 0:23:10.000
<v Speaker 4>on the record, and that as a slogan.

0:23:10.359 --> 0:23:13.080
<v Speaker 3>I like big, big words in album titles.

0:23:13.119 --> 0:23:16.840
<v Speaker 4>I like big titles, you know, Like I think that

0:23:16.840 --> 0:23:18.960
<v Speaker 4>that's clear probably from the titles that we've chosen to

0:23:19.000 --> 0:23:21.800
<v Speaker 4>we like big words. It's not a whole lot of

0:23:22.160 --> 0:23:24.000
<v Speaker 4>nuance necessarily in the album titles, you know.

0:23:24.000 --> 0:23:25.880
<v Speaker 3>I mean, they're quite.

0:23:25.440 --> 0:23:28.520
<v Speaker 2>Falling back on just calling it an album foles yet,

0:23:28.600 --> 0:23:30.359
<v Speaker 2>which is fine, which some bands do by the time

0:23:30.400 --> 0:23:31.240
<v Speaker 2>they reach album five.

0:23:31.280 --> 0:23:34.480
<v Speaker 3>I don't like it. I've never liked that. I think five.

0:23:34.760 --> 0:23:38.560
<v Speaker 4>Yeah, I think that your only the only time to

0:23:38.600 --> 0:23:41.439
<v Speaker 4>do a self titled release is your first one. I

0:23:41.560 --> 0:23:44.040
<v Speaker 4>take umbrage at bands that do it later on in

0:23:44.080 --> 0:23:48.439
<v Speaker 4>their career because it's just smacks of laziness. Let's not

0:23:48.480 --> 0:23:52.760
<v Speaker 4>get down that road. But but yeah, so yeah, I

0:23:52.880 --> 0:23:55.720
<v Speaker 4>just yeah, I think it just sums up the themes

0:23:55.200 --> 0:23:56.600
<v Speaker 4>and the lyrics.

0:23:56.600 --> 0:23:56.800
<v Speaker 3>You know.

0:23:57.200 --> 0:23:59.440
<v Speaker 2>He talks a bit about how you had a vision

0:23:59.640 --> 0:24:01.920
<v Speaker 2>in your head when you were writing some of these

0:24:01.920 --> 0:24:06.119
<v Speaker 2>songs about the hollowed out centers of our towns and cities,

0:24:06.840 --> 0:24:11.160
<v Speaker 2>the sort of decimated high street vy can replaced by automation,

0:24:11.440 --> 0:24:14.760
<v Speaker 2>and you know, lack of people and communities. So I

0:24:14.760 --> 0:24:16.800
<v Speaker 2>wanted to ask a bit about your memories of you know,

0:24:16.880 --> 0:24:19.720
<v Speaker 2>do you do you have a sort of nostalgic reminiscence

0:24:19.760 --> 0:24:21.560
<v Speaker 2>when you think of like going to the center of

0:24:21.600 --> 0:24:24.119
<v Speaker 2>town when you were like younger and I don't know,

0:24:24.520 --> 0:24:27.520
<v Speaker 2>going into our Price or HMV and like those that

0:24:27.560 --> 0:24:29.280
<v Speaker 2>feeling like a sort of center of your universe.

0:24:29.520 --> 0:24:30.640
<v Speaker 3>Yeah, yeah, definitely.

0:24:30.720 --> 0:24:33.160
<v Speaker 4>I mean, I you know, I always enjoyed going to

0:24:33.160 --> 0:24:34.800
<v Speaker 4>town as one of those kids.

0:24:34.960 --> 0:24:37.040
<v Speaker 3>Was like, I'm going to town month Saturday morning.

0:24:37.080 --> 0:24:38.760
<v Speaker 2>Yeah, Saturday morning, get back tonight.

0:24:38.800 --> 0:24:41.439
<v Speaker 4>Get on the bus, you know, sort of loiter with

0:24:41.480 --> 0:24:44.119
<v Speaker 4>all the other oiks down outside that they collect be

0:24:44.240 --> 0:24:48.240
<v Speaker 4>or whatever, and you know, put get get a Labrett piercing,

0:24:48.760 --> 0:24:51.280
<v Speaker 4>you know, drink some w k D that you get

0:24:51.320 --> 0:24:56.200
<v Speaker 4>some some man you hassle, yeah, outside bottoms up or whatever.

0:24:57.000 --> 0:24:58.040
<v Speaker 3>I was absolutely like.

0:24:58.000 --> 0:25:01.919
<v Speaker 4>That, and I made some great friends and some enemies

0:25:01.960 --> 0:25:05.440
<v Speaker 4>through that type of physical architecture that used to exist,

0:25:05.720 --> 0:25:08.920
<v Speaker 4>which was like record stores in Oxford definitely was like

0:25:08.960 --> 0:25:10.840
<v Speaker 4>record stores. I used to love going to the bookshops,

0:25:10.840 --> 0:25:14.879
<v Speaker 4>and there was great, great bookshops, none of which really exists.

0:25:14.880 --> 0:25:16.960
<v Speaker 4>There's any a couple. I mean, there's still some great bookshops,

0:25:17.280 --> 0:25:20.040
<v Speaker 4>but not like it used to be. Yeah, and I

0:25:20.480 --> 0:25:22.639
<v Speaker 4>made friends through that, and I felt like I was

0:25:22.680 --> 0:25:24.720
<v Speaker 4>attached to or as part of a bigger kind of

0:25:25.119 --> 0:25:30.800
<v Speaker 4>cultural or subcultural group that was attached to these physical

0:25:30.880 --> 0:25:32.000
<v Speaker 4>landmarks that exist.

0:25:32.480 --> 0:25:33.120
<v Speaker 3>And to me.

0:25:34.600 --> 0:25:36.960
<v Speaker 4>On tour, you know, if we're in a city and

0:25:37.040 --> 0:25:39.159
<v Speaker 4>I know, I can go out and I can walk around,

0:25:40.480 --> 0:25:42.720
<v Speaker 4>I don't care what the weather's like. If I can

0:25:42.960 --> 0:25:44.920
<v Speaker 4>go and walk around, I can get a cup of coffee,

0:25:44.960 --> 0:25:49.000
<v Speaker 4>and there's some record stores and there's some bookshops. I

0:25:49.080 --> 0:25:54.040
<v Speaker 4>enjoyed that process of discovering a city feeling like there's

0:25:54.080 --> 0:25:57.280
<v Speaker 4>those types of sanctuaries in the city. To me, a

0:25:57.320 --> 0:26:02.399
<v Speaker 4>city without that type of shop is it's all just

0:26:02.520 --> 0:26:03.960
<v Speaker 4>prep otherwise, Isn't.

0:26:03.760 --> 0:26:05.679
<v Speaker 2>It stays a bit of your heart sink when you

0:26:05.760 --> 0:26:08.720
<v Speaker 2>just walk past another phone shop or yeah, pound store

0:26:08.840 --> 0:26:10.120
<v Speaker 2>or an Amazon locker union.

0:26:10.200 --> 0:26:10.400
<v Speaker 3>Yeah.

0:26:10.440 --> 0:26:13.240
<v Speaker 4>Maybe, you know, maybe for somebody else, a phone shop

0:26:13.840 --> 0:26:17.080
<v Speaker 4>phones for you, they get off on that, you know,

0:26:17.240 --> 0:26:18.679
<v Speaker 4>and that's where they want to hang out and they

0:26:18.720 --> 0:26:20.880
<v Speaker 4>want to talk to other people about the latest android.

0:26:21.520 --> 0:26:29.080
<v Speaker 4>But for me, I find that thoroughly, thoroughly depressing proposition.

0:26:29.440 --> 0:26:32.600
<v Speaker 3>So yeah, I just was attracted to this idea.

0:26:32.320 --> 0:26:37.240
<v Speaker 4>Of putting these these scapes into the songs. And definitely

0:26:37.280 --> 0:26:40.200
<v Speaker 4>like the neighborhood I live in London's there's lots of Foxes.

0:26:40.400 --> 0:26:41.359
<v Speaker 3>I know this fox is all.

0:26:41.280 --> 0:26:44.520
<v Speaker 4>Over London, but I feel like there's a particularly precocious

0:26:44.560 --> 0:26:48.200
<v Speaker 4>brigade of foxes where I live. They've almost formed the union.

0:26:48.440 --> 0:26:51.920
<v Speaker 4>It feels like they're just out there in marauding teams, but.

0:26:51.840 --> 0:26:52.919
<v Speaker 2>You can always hear them.

0:26:53.200 --> 0:26:55.119
<v Speaker 3>Yeah, I mean in mating season.

0:26:55.280 --> 0:26:57.800
<v Speaker 4>It's like yeah, and I just yeah, I wanted to

0:26:57.880 --> 0:26:59.880
<v Speaker 4>I wanted to represent them in the record. I want

0:26:59.880 --> 0:27:04.680
<v Speaker 4>to to represent the old, decaying Victorian railway bridges and

0:27:05.040 --> 0:27:08.000
<v Speaker 4>the litter and the foxes and the weeds that are

0:27:08.040 --> 0:27:11.439
<v Speaker 4>springing up, and the weird foam they put in in

0:27:11.520 --> 0:27:15.399
<v Speaker 4>shop windows when it's closing down, but you know, some

0:27:15.520 --> 0:27:19.040
<v Speaker 4>Moreley's chicken bones out clogging up the drain and that

0:27:19.400 --> 0:27:24.119
<v Speaker 4>type of like particularly British detritus. I just wanted to

0:27:24.160 --> 0:27:27.879
<v Speaker 4>tap into that and then and transform it into something

0:27:27.920 --> 0:27:31.520
<v Speaker 4>that's beautiful that forms the landscape for the songs in

0:27:31.560 --> 0:27:31.840
<v Speaker 4>a way.

0:27:32.040 --> 0:27:34.040
<v Speaker 2>Let's talk a bit about you getting out on the

0:27:34.119 --> 0:27:36.320
<v Speaker 2>road again, because I know you're excited to do that

0:27:36.359 --> 0:27:38.880
<v Speaker 2>because it's been in Foles terms quite a while since

0:27:38.880 --> 0:27:42.040
<v Speaker 2>you've been out since the last record. Walter's obviously left

0:27:42.040 --> 0:27:45.080
<v Speaker 2>bass player Walter are on good terms and you're not

0:27:45.119 --> 0:27:47.760
<v Speaker 2>going to replace with a new permanent member. But you

0:27:47.840 --> 0:27:51.120
<v Speaker 2>have got Germany from everything everything coming out with you

0:27:51.160 --> 0:27:54.600
<v Speaker 2>to as a touring bass player. Now that you've started rehearsals,

0:27:54.640 --> 0:27:55.640
<v Speaker 2>how's he slutting in?

0:27:57.400 --> 0:27:58.800
<v Speaker 3>Yeah? Yeah good.

0:27:58.840 --> 0:28:01.280
<v Speaker 4>I was teasing them about is she is yesterday? So

0:28:01.359 --> 0:28:05.960
<v Speaker 4>I think that's a good signifier that he's fitting wearing crocs. No,

0:28:06.080 --> 0:28:10.480
<v Speaker 4>he likes these Clarks. He prefers them as dance or shoes.

0:28:10.520 --> 0:28:13.480
<v Speaker 4>I like these Clark's desert boots and to me they

0:28:13.480 --> 0:28:15.560
<v Speaker 4>look like tee towels that have got a cereal box

0:28:15.600 --> 0:28:18.560
<v Speaker 4>steak to the bottom.

0:28:18.760 --> 0:28:20.920
<v Speaker 3>But he likes them, he says. He tells me that

0:28:20.920 --> 0:28:22.680
<v Speaker 3>the Vibes Cartel wrote a song about them.

0:28:22.720 --> 0:28:27.160
<v Speaker 4>But you know yet, I'm yet to hear it.

0:28:27.320 --> 0:28:30.760
<v Speaker 2>Is he on day one when he came in with you,

0:28:30.800 --> 0:28:33.080
<v Speaker 2>did you give him like an initiation? Did you like

0:28:33.119 --> 0:28:33.680
<v Speaker 2>after the day?

0:28:34.160 --> 0:28:36.200
<v Speaker 4>I didn't give him the look on the first day

0:28:36.320 --> 0:28:38.120
<v Speaker 4>the look the look be taken to the side.

0:28:38.240 --> 0:28:39.360
<v Speaker 2>Before he started.

0:28:40.120 --> 0:28:41.040
<v Speaker 3>He made some mistakes.

0:28:41.080 --> 0:28:43.600
<v Speaker 4>He made some mistakes on the first day and I

0:28:43.640 --> 0:28:46.720
<v Speaker 4>spared him the luk. But come come tuesday, he got

0:28:46.760 --> 0:28:48.480
<v Speaker 4>the luck and and the.

0:28:48.400 --> 0:28:49.160
<v Speaker 3>Way that he dealt with.

0:28:49.200 --> 0:28:51.920
<v Speaker 4>The look was going to be symbolic of how he

0:28:52.000 --> 0:28:53.640
<v Speaker 4>how he's going to continue for the rest of the year.

0:28:55.040 --> 0:28:57.480
<v Speaker 2>Do you think he how is he going to adapt

0:28:57.560 --> 0:28:59.360
<v Speaker 2>to the Foals way of touring.

0:28:59.480 --> 0:29:01.200
<v Speaker 4>I think he's in a relish not having to wear

0:29:01.240 --> 0:29:03.239
<v Speaker 4>one of those tight tunics he's got to wearing all

0:29:03.280 --> 0:29:06.640
<v Speaker 4>the time and everything everything, probably boiler suits something.

0:29:06.760 --> 0:29:09.640
<v Speaker 3>Yeah, I've been teasing, but that would be like telling.

0:29:09.520 --> 0:29:12.640
<v Speaker 4>That he's got to still wears everything, everything outfit, the

0:29:12.720 --> 0:29:14.320
<v Speaker 4>mechanics outfit he's got.

0:29:15.200 --> 0:29:17.000
<v Speaker 3>No. I think he's you know, I think he's really exciting.

0:29:17.000 --> 0:29:19.800
<v Speaker 4>They've been you know, jokes aside, they've been great to

0:29:20.640 --> 0:29:22.200
<v Speaker 4>he's been, he's been great.

0:29:21.960 --> 0:29:22.720
<v Speaker 3>To want to do it.

0:29:23.200 --> 0:29:25.920
<v Speaker 4>I can't imagine wanting to go out on another tour

0:29:26.000 --> 0:29:28.800
<v Speaker 4>after having already been on tour phrasers and certainly touring

0:29:28.800 --> 0:29:33.800
<v Speaker 4>with us as a is tiring and fun. But you know,

0:29:34.320 --> 0:29:36.000
<v Speaker 4>but are we going to take it out of him

0:29:36.000 --> 0:29:38.760
<v Speaker 4>all right? I'll be surprised if there's much left of

0:29:38.840 --> 0:29:42.800
<v Speaker 4>him for everything, everything to use afterwards. We're going to

0:29:42.880 --> 0:29:44.560
<v Speaker 4>ring him out like a sponge.

0:29:45.720 --> 0:29:48.320
<v Speaker 2>If you're just like handing back and just broken, Jeremy

0:29:48.320 --> 0:29:51.640
<v Speaker 2>to it yes, just just a mop. Why was it

0:29:51.680 --> 0:29:55.440
<v Speaker 2>not right to replace Walter with a new permanent member

0:29:55.480 --> 0:29:55.880
<v Speaker 2>of the band.

0:29:56.960 --> 0:29:59.360
<v Speaker 3>I just couldn't. We couldn't. We couldn't even envisage who

0:29:59.360 --> 0:29:59.800
<v Speaker 3>that would be.

0:30:00.440 --> 0:30:02.760
<v Speaker 4>You know, the band to us is the five of us,

0:30:02.760 --> 0:30:05.880
<v Speaker 4>and now with Walter gone, it's the four of us, and.

0:30:05.760 --> 0:30:06.520
<v Speaker 3>That's just what it is.

0:30:06.560 --> 0:30:09.000
<v Speaker 4>It's just like it's you know, it's a family. It's

0:30:09.040 --> 0:30:13.280
<v Speaker 4>like you can't just sort of graft somebody onto it. Also,

0:30:13.360 --> 0:30:17.719
<v Speaker 4>now you know, there was more room to maneuver in

0:30:17.760 --> 0:30:18.360
<v Speaker 4>them recording.

0:30:18.360 --> 0:30:21.200
<v Speaker 3>It was kind of liberating in us having that extra

0:30:21.520 --> 0:30:22.600
<v Speaker 3>root leg room.

0:30:22.960 --> 0:30:24.440
<v Speaker 4>Walter was a tour guy and he took a couple

0:30:24.520 --> 0:30:29.560
<v Speaker 4>lot of space, and now it's it's better extra oxygen now.

0:30:29.600 --> 0:30:32.280
<v Speaker 3>Yeah, yeah, then there's more bunks in the bus.

0:30:32.360 --> 0:30:34.160
<v Speaker 4>You know, each of us get a little bit more money,

0:30:34.160 --> 0:30:36.600
<v Speaker 4>and there's more space in this stud there's better oxygen.

0:30:36.560 --> 0:30:39.480
<v Speaker 2>On the tour in front. With the release of two

0:30:39.520 --> 0:30:42.800
<v Speaker 2>albums this year, have you considered doing any shows where

0:30:42.800 --> 0:30:46.560
<v Speaker 2>you're going to play both albums in their entirety, say,

0:30:46.600 --> 0:30:47.840
<v Speaker 2>with an infal in the middle.

0:30:48.880 --> 0:30:51.760
<v Speaker 4>Yeah, maybe we haven't really got to that stage yet,

0:30:51.760 --> 0:30:56.400
<v Speaker 4>but I hope that towards the end of the touring cycle,

0:30:56.440 --> 0:30:59.400
<v Speaker 4>once both albums are out, that we will do some

0:30:59.440 --> 0:31:02.880
<v Speaker 4>sort of perhaps something special as it were, where we

0:31:02.920 --> 0:31:05.120
<v Speaker 4>do the two albums. Yeah, and then maybe with some

0:31:05.160 --> 0:31:08.760
<v Speaker 4>old songs, you know, in the encore or Yeah. I

0:31:08.760 --> 0:31:10.560
<v Speaker 4>think that would be cool, But we don't really have

0:31:10.600 --> 0:31:12.440
<v Speaker 4>a plan for that. All we really know at the

0:31:12.440 --> 0:31:15.520
<v Speaker 4>moment is I think we're going to largely focus on

0:31:15.600 --> 0:31:19.160
<v Speaker 4>album one for the first half of this year, and

0:31:19.200 --> 0:31:21.760
<v Speaker 4>then you know, we probably won't play any tracks off

0:31:21.760 --> 0:31:24.320
<v Speaker 4>album too, and let until it's out. Oh okay, Yeah,

0:31:24.320 --> 0:31:27.080
<v Speaker 4>I think we're going to wait because partly in rehearsals,

0:31:27.080 --> 0:31:29.520
<v Speaker 4>we just there's so many old bangers. We still want

0:31:29.560 --> 0:31:33.960
<v Speaker 4>to play that without the show becoming too and you know,

0:31:34.000 --> 0:31:36.080
<v Speaker 4>we don't want it to get onto like cure esque

0:31:36.160 --> 0:31:37.080
<v Speaker 4>lengths of three.

0:31:36.920 --> 0:31:39.040
<v Speaker 2>Outs darting at seven o'clock in the evening, and I.

0:31:38.960 --> 0:31:40.560
<v Speaker 3>Mean, I just don't know how he's got the energy

0:31:40.600 --> 0:31:41.800
<v Speaker 3>for that. I just can't. I can't.

0:31:42.320 --> 0:31:45.400
<v Speaker 4>You know, we want to play, We want to play

0:31:45.440 --> 0:31:49.000
<v Speaker 4>great shows, and also just think, out of respect for

0:31:49.040 --> 0:31:51.280
<v Speaker 4>the music, it's better just to hear on record first

0:31:51.480 --> 0:31:56.320
<v Speaker 4>most rather than on somebody's MP two upload.

0:31:56.200 --> 0:31:58.240
<v Speaker 2>I'm not going to pump you for information about what

0:31:58.280 --> 0:32:02.080
<v Speaker 2>festivals you are aren't doing. I'm interested to know big

0:32:02.120 --> 0:32:05.520
<v Speaker 2>movie music events happening later this year. Obviously Storms, he's

0:32:05.520 --> 0:32:07.200
<v Speaker 2>head down in Glastonbury for your first time.

0:32:07.240 --> 0:32:07.800
<v Speaker 3>That's wicked.

0:32:07.960 --> 0:32:09.080
<v Speaker 2>Yeah, I was going to ask, what do you think

0:32:09.080 --> 0:32:09.280
<v Speaker 2>of that?

0:32:09.320 --> 0:32:12.320
<v Speaker 4>I think it's wicked. I like Storms a lot, and

0:32:12.360 --> 0:32:16.120
<v Speaker 4>I think that it's good. It's just good for British

0:32:16.240 --> 0:32:20.400
<v Speaker 4>music in general. It's good for grime and like UK

0:32:20.520 --> 0:32:22.440
<v Speaker 4>hip hop, but it's also just good for British music.

0:32:22.480 --> 0:32:24.160
<v Speaker 3>It's just fresh, it's exciting.

0:32:24.760 --> 0:32:27.000
<v Speaker 4>I'm interested to see, like how the show will be

0:32:27.080 --> 0:32:30.680
<v Speaker 4>and how, you know, how he's gonna It's a big crowd,

0:32:31.040 --> 0:32:34.040
<v Speaker 4>like to command. I'm sure he'll do He's going to

0:32:34.040 --> 0:32:35.720
<v Speaker 4>do a great job, but it's definitely like something where

0:32:35.760 --> 0:32:38.920
<v Speaker 4>you go you've got it's one hundred and you know

0:32:38.960 --> 0:32:41.640
<v Speaker 4>how fifty thousand people in that crowd in the Pyramid stage.

0:32:42.240 --> 0:32:44.560
<v Speaker 3>So but I think it's just yeah, I think it's good.

0:32:44.600 --> 0:32:47.320
<v Speaker 4>I think Glastonbury's bills are great and I think it's

0:32:47.320 --> 0:32:52.400
<v Speaker 4>important that a festival of that size can champion relatively

0:32:52.680 --> 0:32:54.480
<v Speaker 4>you know, he's not really that new, but it's not

0:32:54.640 --> 0:32:56.080
<v Speaker 4>like he's not a heritage actors.

0:32:56.120 --> 0:32:57.720
<v Speaker 3>He so I think that's good.

0:32:57.760 --> 0:33:01.320
<v Speaker 4>It's like they're taking risks and they're creatively pushing boundaries

0:33:01.400 --> 0:33:04.360
<v Speaker 4>in terms of their choices, and it's alongside, you know,

0:33:04.400 --> 0:33:05.800
<v Speaker 4>alongside the more classic choices.

0:33:05.840 --> 0:33:07.680
<v Speaker 3>But I think, I think that's cool.

0:33:08.200 --> 0:33:11.320
<v Speaker 2>I've got a theory, or rather I've got an opinion

0:33:11.680 --> 0:33:16.080
<v Speaker 2>that Glastonbury should only ever book headliners once because I

0:33:16.120 --> 0:33:20.040
<v Speaker 2>think like there's a special energy about getting that chance once.

0:33:20.440 --> 0:33:22.280
<v Speaker 2>And I don't think an artist has ever gone back

0:33:22.360 --> 0:33:24.400
<v Speaker 2>to Glastonbury a second or a third time as a

0:33:24.400 --> 0:33:26.560
<v Speaker 2>headliner and never been better than.

0:33:26.440 --> 0:33:28.600
<v Speaker 3>The first time. That's interesting.

0:33:28.840 --> 0:33:31.800
<v Speaker 2>Is there something to be said for What I'm interested

0:33:31.800 --> 0:33:34.520
<v Speaker 2>to know is when you get to do things multiple times, like,

0:33:35.200 --> 0:33:37.720
<v Speaker 2>for example, once you've played a venue more than once,

0:33:38.200 --> 0:33:40.560
<v Speaker 2>is there a special feeling you get from doing something

0:33:40.560 --> 0:33:44.080
<v Speaker 2>for the first time, Like would it be thinking, you know,

0:33:44.080 --> 0:33:45.800
<v Speaker 2>you played a show at Wembley Arena for example a

0:33:45.840 --> 0:33:47.880
<v Speaker 2>few years ago, would you go back to Wembley Arena?

0:33:47.880 --> 0:33:49.520
<v Speaker 2>Would it be the same if you've turned up there

0:33:49.560 --> 0:33:52.280
<v Speaker 2>for a second time? Or is there something kind of

0:33:52.320 --> 0:33:55.200
<v Speaker 2>inescapably exciting about doing something for the first time?

0:33:55.600 --> 0:33:57.440
<v Speaker 3>I think if the show is great.

0:33:58.480 --> 0:34:01.560
<v Speaker 4>We've had shows there's not even necessarily a big show,

0:34:01.560 --> 0:34:04.080
<v Speaker 4>but we like there's one. There's a couple of like

0:34:04.160 --> 0:34:06.360
<v Speaker 4>smaller shows we played back in the day where we

0:34:06.480 --> 0:34:08.719
<v Speaker 4>just had great shows there for whatever reason, they just

0:34:08.760 --> 0:34:10.800
<v Speaker 4>there was a vibe. And then we went back to

0:34:10.840 --> 0:34:13.279
<v Speaker 4>those venues for a second time and totally it always

0:34:14.000 --> 0:34:16.880
<v Speaker 4>it never exceeded the expectation, And it's very rare that

0:34:16.920 --> 0:34:17.600
<v Speaker 4>you ever like.

0:34:19.040 --> 0:34:20.399
<v Speaker 3>Because you build up in your mind.

0:34:20.520 --> 0:34:23.440
<v Speaker 4>So I think there's something there's something magical about doing

0:34:23.480 --> 0:34:26.399
<v Speaker 4>something the first time. Unless you didn't feel that it

0:34:26.480 --> 0:34:29.080
<v Speaker 4>was you didn't have that really, you know, I don't

0:34:29.080 --> 0:34:31.279
<v Speaker 4>mind playing the same place twice. It's just if you're

0:34:31.280 --> 0:34:36.120
<v Speaker 4>trying to chase this magical, magical event that you can,

0:34:36.239 --> 0:34:39.040
<v Speaker 4>you can find that it's it's crestfalling or something.

0:34:39.080 --> 0:34:44.400
<v Speaker 3>But yeah, I think that lightning any strikes once.

0:34:44.400 --> 0:34:48.160
<v Speaker 4>Right, That's what they say They say that, yeah them, Yeah,

0:34:48.239 --> 0:34:49.360
<v Speaker 4>those people, yeah them.

0:34:49.440 --> 0:34:51.520
<v Speaker 2>Not because we've known each other a long time. I'm

0:34:51.560 --> 0:34:54.040
<v Speaker 2>just interested to get a few thoughts on just obviously

0:34:54.040 --> 0:34:55.600
<v Speaker 2>you're here talking about a new record that you're about

0:34:55.600 --> 0:34:57.400
<v Speaker 2>to put out, but the very early days of fALS

0:34:57.400 --> 0:34:58.719
<v Speaker 2>We've talked about this before, but.

0:34:59.080 --> 0:35:00.880
<v Speaker 4>You're always going to take it back to Guildford or

0:35:00.920 --> 0:35:02.759
<v Speaker 4>wherever it was, don't the Star and.

0:35:02.760 --> 0:35:05.040
<v Speaker 2>Garter half of Marquee.

0:35:05.560 --> 0:35:08.920
<v Speaker 3>Yeah, it's just it's like, yeah, exactly, love it. What

0:35:09.000 --> 0:35:10.160
<v Speaker 3>was that band that we played with?

0:35:10.840 --> 0:35:12.920
<v Speaker 4>And they they they like came with their sort of

0:35:12.920 --> 0:35:16.680
<v Speaker 4>Sony publishing deal and there they're matching moccasins and it

0:35:16.760 --> 0:35:19.480
<v Speaker 4>was like they had a huge There was a lot

0:35:19.480 --> 0:35:22.359
<v Speaker 4>of branding and it was all preemptive, wasn't it, because

0:35:22.400 --> 0:35:23.480
<v Speaker 4>no one can remember them now.

0:35:25.120 --> 0:35:27.040
<v Speaker 2>I don't know who the band was that night, but yeah,

0:35:27.040 --> 0:35:28.839
<v Speaker 2>I remember they did bring they.

0:35:29.160 --> 0:35:31.280
<v Speaker 3>There was there was like a backdrop and stuff.

0:35:31.360 --> 0:35:33.640
<v Speaker 2>There was you know, a Thursday night in Harvard and

0:35:33.680 --> 0:35:35.319
<v Speaker 2>it was about twenty five people there.

0:35:35.400 --> 0:35:37.440
<v Speaker 3>Yeah yeah, yeah, good times.

0:35:37.600 --> 0:35:40.080
<v Speaker 2>Yeah exactly. I mean that's the question really fond memories,

0:35:40.120 --> 0:35:42.560
<v Speaker 2>like what what? What are the vivid memories view of

0:35:42.680 --> 0:35:45.600
<v Speaker 2>just those first like eighteen months of foals before antidotes

0:35:45.640 --> 0:35:45.960
<v Speaker 2>came out.

0:35:48.120 --> 0:35:48.680
<v Speaker 3>I mean.

0:35:50.040 --> 0:35:53.680
<v Speaker 4>It was exciting, it was pretty wild. I remember being

0:35:54.040 --> 0:35:57.160
<v Speaker 4>pretty cold a lot. We were we had this red

0:35:57.200 --> 0:35:59.400
<v Speaker 4>you know, we had this would saved up this postal

0:35:59.480 --> 0:36:02.200
<v Speaker 4>Vans read postal ban and Jimmy managed to open the

0:36:02.200 --> 0:36:04.040
<v Speaker 4>top of it like a tin candlid by going into

0:36:04.080 --> 0:36:07.080
<v Speaker 4>a car park that was too low and then we

0:36:07.200 --> 0:36:09.440
<v Speaker 4>just froze our asses off from this thing. And it

0:36:09.440 --> 0:36:11.440
<v Speaker 4>had a brain as well. It literally had this sort

0:36:11.480 --> 0:36:14.480
<v Speaker 4>of exposed circuitry that we were using as an astray

0:36:15.480 --> 0:36:18.520
<v Speaker 4>and we were listening to a lot of Kitsune Kitsune mixtape,

0:36:18.640 --> 0:36:22.200
<v Speaker 4>mixed CDs or whatever and Edmund's closed on the back.

0:36:22.280 --> 0:36:24.160
<v Speaker 4>I remember there was always there was always you'd go

0:36:24.280 --> 0:36:26.160
<v Speaker 4>to get get a piece of music equipment. It would

0:36:26.160 --> 0:36:28.440
<v Speaker 4>always be you'd always get a bit of ed and

0:36:28.680 --> 0:36:31.600
<v Speaker 4>Edwin's sock, a loose sock attached to an amp or

0:36:31.640 --> 0:36:36.520
<v Speaker 4>attached to a plectrum. And yeah, that was kind of

0:36:36.520 --> 0:36:38.719
<v Speaker 4>the vibe. There was a lot of excitement. There was

0:36:38.719 --> 0:36:40.640
<v Speaker 4>a lot of anticipation. I felt that we were onto

0:36:40.640 --> 0:36:44.400
<v Speaker 4>something exciting. We were kind of nervous, we were like

0:36:45.280 --> 0:36:47.879
<v Speaker 4>anxious about the future in some ways.

0:36:48.719 --> 0:36:51.719
<v Speaker 3>And we were, but yeah, it was it was a

0:36:51.719 --> 0:36:53.120
<v Speaker 3>good time. It was a good time.

0:36:53.320 --> 0:36:55.680
<v Speaker 4>It was also contrasted by like going out onto the

0:36:55.760 --> 0:36:59.480
<v Speaker 4>road for these kind of long weekends and playing and

0:36:59.640 --> 0:37:01.800
<v Speaker 4>then go back to our parents' houses in between and

0:37:01.840 --> 0:37:05.040
<v Speaker 4>there was something very There was something like conflicting about

0:37:06.000 --> 0:37:08.919
<v Speaker 4>going out and being like men of the road, where

0:37:08.920 --> 0:37:10.640
<v Speaker 4>boys of the road and living it up and then

0:37:10.680 --> 0:37:12.600
<v Speaker 4>going back kind of tail between the legs, back to

0:37:12.680 --> 0:37:15.839
<v Speaker 4>mum and then downplaying everything that had happened and asking for.

0:37:15.840 --> 0:37:17.239
<v Speaker 3>Money as well. I've been like Mum and I borrow

0:37:17.239 --> 0:37:17.840
<v Speaker 3>a tenor.

0:37:18.320 --> 0:37:20.920
<v Speaker 4>I remember being broke, like we were super you know,

0:37:21.000 --> 0:37:24.120
<v Speaker 4>everything costs us money and we were making our own badgers.

0:37:24.440 --> 0:37:26.640
<v Speaker 4>Everything was quite diy. I remember like putting a lot

0:37:26.640 --> 0:37:28.960
<v Speaker 4>of time into all of that.

0:37:28.960 --> 0:37:29.399
<v Speaker 3>It was good.

0:37:29.440 --> 0:37:31.720
<v Speaker 4>It was a good time. But I definitely am glad

0:37:32.840 --> 0:37:35.040
<v Speaker 4>I'm not still having to deal with Edwind's loose socks.

0:37:35.480 --> 0:37:37.279
<v Speaker 2>What would your mum say when you went back home

0:37:37.320 --> 0:37:38.839
<v Speaker 2>and you were like, I just played the house show

0:37:38.880 --> 0:37:42.399
<v Speaker 2>at four am in in Elephant and the Castle. Would

0:37:42.440 --> 0:37:44.120
<v Speaker 2>she be excited about that? Or would she be like,

0:37:44.160 --> 0:37:45.680
<v Speaker 2>can you not make so much noise when you come

0:37:45.719 --> 0:37:46.320
<v Speaker 2>in next time?

0:37:47.000 --> 0:37:47.640
<v Speaker 3>Yeah, my mum.

0:37:47.640 --> 0:37:50.840
<v Speaker 4>Actually, we used to have like metal you know, we

0:37:50.880 --> 0:37:54.000
<v Speaker 4>had the locks on the bathroom door were with there

0:37:54.040 --> 0:37:56.280
<v Speaker 4>were metal you know, they were like a key type system,

0:37:56.280 --> 0:37:59.040
<v Speaker 4>and my mum changed it to this tacky plastic one.

0:37:59.040 --> 0:38:00.840
<v Speaker 4>So it wouldn't wake her up. But I think that

0:38:00.960 --> 0:38:04.600
<v Speaker 4>was saying quite a lot. My mom wasn't that particularly.

0:38:04.800 --> 0:38:07.040
<v Speaker 4>She was quite stomic about the band. She was fairly.

0:38:08.040 --> 0:38:11.440
<v Speaker 4>She's quite guarded about it, unlike say Jimmy's folks, who

0:38:11.440 --> 0:38:14.120
<v Speaker 4>have always been like, they come to the shows they like,

0:38:14.400 --> 0:38:16.759
<v Speaker 4>they rock up with the Foals gear, you know, the

0:38:16.840 --> 0:38:21.279
<v Speaker 4>Foals shoes to the full on, like decked out in

0:38:21.440 --> 0:38:25.799
<v Speaker 4>merch and my mom in the audience. Yeah, yeah, yeah.

0:38:26.320 --> 0:38:28.000
<v Speaker 4>And my mom has only come to like a couple

0:38:28.000 --> 0:38:30.680
<v Speaker 4>of shows, not because she doesn't like it, but just

0:38:31.200 --> 0:38:31.719
<v Speaker 4>do you think she.

0:38:31.680 --> 0:38:32.680
<v Speaker 2>Just wants to give you the space.

0:38:33.480 --> 0:38:35.520
<v Speaker 4>No, I don't think so, because she doesn't like to

0:38:35.520 --> 0:38:37.520
<v Speaker 4>give me space and other aspects of my life. So

0:38:37.760 --> 0:38:41.560
<v Speaker 4>I think it's more just that she she finds to.

0:38:55.280 --> 0:38:58.520
<v Speaker 1>Midnight Chat is a loud and quiet podcast production by

0:38:58.520 --> 0:39:02.920
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0:39:02.960 --> 0:39:06.840
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0:39:07.080 --> 0:39:12.600
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