WEBVTT - Alien Etiquette 101

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to the podcast. This is

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<v Speaker 1>Robert lamb Um Julie Douglas. Tell me, Julie, have you

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<v Speaker 1>ever been stuck on an elevator and find yourself in

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<v Speaker 1>a situation where you feel like you have to make

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<v Speaker 1>smallpop with another person, a stranger. Yeah, it's kind of tough.

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<v Speaker 1>I mean usually sort of look around and for some

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<v Speaker 1>reason or another, weather is pretty reliable as a topic. Yeah,

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<v Speaker 1>it's instantly relatable. Everybody has to deal with it, and uh,

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<v Speaker 1>opinions are not going to vary too much, you know, right, Yeah,

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<v Speaker 1>that's it's not a lightning rod subject usually, and unless

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<v Speaker 1>there's a right lightning rods are the subject, I guess. Yeah,

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<v Speaker 1>then then that's an entirely different elevator you're in, and

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<v Speaker 1>it's a pithy subject. You don't just spend a lot

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<v Speaker 1>of time on it. Yeah. So yeah, so it's in's

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<v Speaker 1>instantly relatable. But then you know it's they're all these

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<v Speaker 1>cultural things too. Just you know, you're talking to somebody

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<v Speaker 1>that you have no idea where they're coming from. On

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<v Speaker 1>um on saye like hand gestures um like uh I

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<v Speaker 1>believe it was Amanda Arnold, how Stuff Works editor who

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<v Speaker 1>blogs for Cool Stuff on the Planet. She did this

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<v Speaker 1>really cool blog entry about how like different hand signals,

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<v Speaker 1>how they mean vastly different things, you know, depending on

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<v Speaker 1>where you are in the world. Like, you know, thumbs

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<v Speaker 1>up is great here some you know, other places you'll

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<v Speaker 1>get you know attacked for that, um, you know, making

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<v Speaker 1>a little like wolf sign with your hands, like over here,

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<v Speaker 1>that means you're like rocking out or you know, or

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<v Speaker 1>enjoying heavy metal. Other places it's you're saying something like

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<v Speaker 1>really bad about somebody's mother, right, showing the bottom of

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<v Speaker 1>your foot too, right, you can pass your legs, yeah

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<v Speaker 1>like that actually, um yeah, that's like Thailand. That's a

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<v Speaker 1>huge thing there. And when my wife and I visited there,

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<v Speaker 1>like that was something that's like we're just really on

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<v Speaker 1>edge the whole time, Like, oh my goodness, you know,

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<v Speaker 1>make sure I do not gesture with my feet when

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<v Speaker 1>I sit down, you know, make sure I don't you know,

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<v Speaker 1>cross my legs so that I'm pointing the bottom of

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<v Speaker 1>my foot at somebody. And even in the airport, like

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<v Speaker 1>leaving um and flying on the Thailand air Uh. They

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<v Speaker 1>they had like a separate container to for your shoes

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<v Speaker 1>to be x rayed in then separate from the rest

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<v Speaker 1>of your stuff, because the idea of putting your shoes

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<v Speaker 1>in with your pocket things is just, you know, not acceptable,

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<v Speaker 1>It's insane. Yeah. So it's like I'm I'm kind of

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<v Speaker 1>kind of like washed off on me, and I still

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<v Speaker 1>find myself like I'll be in a meeting like here

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<v Speaker 1>at work, and I'll be like, oh, my goodness, did

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<v Speaker 1>I just point the bottom of my foot at my boss?

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<v Speaker 1>What am I thinking? You know? And then I have

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<v Speaker 1>to remind myself he doesn't care because he's not tie right.

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<v Speaker 1>But Yeah, So I think what that kind of makes

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<v Speaker 1>me think of is how difficult it is to actually

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<v Speaker 1>communicate with one another. Yeah, and that's just on this planet.

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<v Speaker 1>So when we start talking about the possibility of speaking

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<v Speaker 1>with other worlds and you know, other you know, interstellar civilizations, uh,

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<v Speaker 1>it just gets entirely more complicated, right, because I mean,

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<v Speaker 1>how we how would you even know what the cultural

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<v Speaker 1>norms are of another civilization? Yeah? Or what what do

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<v Speaker 1>you have in common with something that lives, you know,

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<v Speaker 1>on the other side of the galaxy and evolved, you know,

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<v Speaker 1>in completely different situations, which leads us to our subject today,

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<v Speaker 1>which is all right, if we do actually engage in

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<v Speaker 1>conversation with these beings. Yeah, what's the adequate yea, what

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<v Speaker 1>do we do? How do we behave? What do we

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<v Speaker 1>talk about? How do we talk about it? Yeah? Who's

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<v Speaker 1>regulating this anyway? Yeah? Yeah, it turns out a lot

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<v Speaker 1>of people are giving it some serious thought. Yeah, and

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<v Speaker 1>it's really it's been in the news lately for a

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<v Speaker 1>couple of reasons. One I think it's because there were

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<v Speaker 1>some ex military personnel who signed an affic David that

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<v Speaker 1>basically said, hey, we saw some UFOs hovering of our

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<v Speaker 1>military silences. Um, you know, we've got to put that

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<v Speaker 1>out in the open. And then there was what has

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<v Speaker 1>turned out to be a false rumor that Malaysian asked

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<v Speaker 1>your physicist Maslin Offman was to become the UN spokesperson

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<v Speaker 1>for Earth just in case aliens engaged us. So it's

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<v Speaker 1>like the aliens, you know, contact us, and it's it's

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<v Speaker 1>the middle of the night in Malaysia. Then people are like,

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<v Speaker 1>whoa hold on, give us, give us thirty minutes. We

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<v Speaker 1>have to go wake somebody up. Yeah, and they're like, hey, Offman,

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<v Speaker 1>you're on you're on deck, right, and so that again

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<v Speaker 1>that turns out to be false. But definitely aliens are

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<v Speaker 1>on the mind. And in fact, there's a booking company

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<v Speaker 1>that places bets that actually has a hundred to one odds.

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<v Speaker 1>They're offering this that either the U S President or

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<v Speaker 1>the serving British Prime Minister will announce existence of e

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<v Speaker 1>t s within a year of the bet being placed.

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<v Speaker 1>I wonder if you can place bets on whether it

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<v Speaker 1>will be announced like during elections, you know, or in

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<v Speaker 1>the lead up to elections, Like how would that like? What?

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<v Speaker 1>What are what works? Like? If you're if you want

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<v Speaker 1>to be re elected, do you you tell everybody they're aliens?

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<v Speaker 1>Or do you you set on it right right? I

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<v Speaker 1>don't know. We need to talk to some bookies about this,

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<v Speaker 1>all the different factors that contribute to the odds, but

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<v Speaker 1>in any case, it's definitely on our minds. And there

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<v Speaker 1>are a couple of reasons for that. I mean, beyond

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<v Speaker 1>the fact that it's been in the news. One of that.

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<v Speaker 1>One of the reasons is because of the Setti Institute. Yeah,

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<v Speaker 1>and these folks they make it their job to search

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<v Speaker 1>for extraterrestrial intelligence. That's what they do day in, day

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<v Speaker 1>out satellites. UM. There list basically cosmic eavesdroppers, if you will,

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<v Speaker 1>searching for some sort of signal that our little green

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<v Speaker 1>friends are out there, and they're really pondering in a

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<v Speaker 1>really significant way, what would happen if they were out there?

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<v Speaker 1>What if we did establish contact? Yeah, and a lot

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<v Speaker 1>of this UM. One of the key ingredients in in

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<v Speaker 1>in their belief and a lot of people believe that

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<v Speaker 1>there there is intelligent life out there somewhere is the

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<v Speaker 1>Drake equation, which is if if you look at the

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<v Speaker 1>entire equation, it's like the one that looks like inn

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<v Speaker 1>equals are with a little star by it. Uh, you know,

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<v Speaker 1>fd N E f L f I, f c L

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<v Speaker 1>and these all stand for different things like in equals

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<v Speaker 1>the number of communicative civilizations are equals the rate of

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<v Speaker 1>formation of suitable stars FP is the fraction of those

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<v Speaker 1>stars with planets. Uh. Then you know it breaks down

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<v Speaker 1>along lines of like the you know, number of Earth

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<v Speaker 1>like world per planetary system, the fraction of those planets

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<v Speaker 1>that where life actually develops, the fraction of life sites

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<v Speaker 1>where intelligence develops, um, you know, and and uh and

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<v Speaker 1>contendering like communication issues as well, So it's we we

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<v Speaker 1>don't really we can't always say definitively what the value

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<v Speaker 1>would be for each of these letters, but we can

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<v Speaker 1>we can sort of make we can make educated guesses.

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<v Speaker 1>So we make educated guesses, and then when we plug up,

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<v Speaker 1>plug all those numbers into the equation, we get a

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<v Speaker 1>sort of a rough, very rough, you know, estimate of

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<v Speaker 1>how many intelligent civilizations there might be. And based on

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<v Speaker 1>Drake's um own current solution to his own equation, the

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<v Speaker 1>Drake equation, uh, he thinks there would be ten thousand, uh,

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<v Speaker 1>communitive civilizations in the Milky Way, right, And again this

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<v Speaker 1>is kind of this is rough science. So there are

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<v Speaker 1>a lot of different parts of this equation that criticism. Yeah,

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<v Speaker 1>people will put in different numbers and say, actually it's

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<v Speaker 1>not ten thousand, it's more like one. Yeah. Yeah, So

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<v Speaker 1>it varies tremendously, but it's a it's something that gives

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<v Speaker 1>people a lot of Um. I don't know if hope

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<v Speaker 1>is really the word, because I mean, I think there's

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<v Speaker 1>a lot of concern and know a little fear about

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<v Speaker 1>the possibility there being something out there, But a lot

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<v Speaker 1>of people, you know, continue to work, you know far

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<v Speaker 1>you know it's set because they believe there's a really

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<v Speaker 1>good chance that it's there. And if it's there, we

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<v Speaker 1>need to know about it. Line up, you know, protocol, right.

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<v Speaker 1>And I think the fact too that astronomers have discovered

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<v Speaker 1>that there are three planets beyond our Solar system. There's

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<v Speaker 1>the idea that one of them could be an earthlike

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<v Speaker 1>planet in their for could produce life forms. So, given

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<v Speaker 1>given everything that's been in the news, the fact that

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<v Speaker 1>study is is making this grand exploration into the question

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<v Speaker 1>of extraterrestrial life, the Drake equation, I think what what

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<v Speaker 1>it's all pointing to is, Okay, it could It could

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<v Speaker 1>happen in two years, it could happen in forty years.

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<v Speaker 1>We're not quite certain. We've got some math and science

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<v Speaker 1>to bear out different results. But what if it did

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<v Speaker 1>happen tomorrow? Yeah, what would we do? Would it just

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<v Speaker 1>be it would be in a situation where would just

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<v Speaker 1>be chaos? Would it just you know, be everybody with

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<v Speaker 1>a radio station and TV going on and pretending to

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<v Speaker 1>be the spokesman for humanity, right, introducing themselves with the

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<v Speaker 1>President of the United States or president of the Ukraine.

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<v Speaker 1>I don't know people using it as a you know,

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<v Speaker 1>an excuse to appeal to voters or to slam that,

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<v Speaker 1>you know, candidates. You know, the sky's the limit, you know,

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<v Speaker 1>So you end up having to have some sort of

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<v Speaker 1>protocol in place, you know, some sort of maybe a

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<v Speaker 1>decision making body, but at least a body that can

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<v Speaker 1>you know, direct policy and let a thought into how

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<v Speaker 1>can you effectively communicate given that, as you said before

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<v Speaker 1>at the top of the podcast, that it's hard enough

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<v Speaker 1>for us to communicate with one another, let alone some

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<v Speaker 1>sort of being out there. Yeah, because like in the elevator,

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<v Speaker 1>the message is pretty simple. It's hey guy, Um, I'm

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<v Speaker 1>a normal dude too. The fact that we're talking to

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<v Speaker 1>each other and in this owner and stuck in this

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<v Speaker 1>elevator together, it's not weird at all, right, right, that

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<v Speaker 1>we're sealed up right now, You're right, and that that

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<v Speaker 1>is really if you're reading between the lines, that's saying.

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<v Speaker 1>You're saying I won't threaten you, You won't threaten me either, right. Um, Yes,

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<v Speaker 1>the weather is great outside. So what what have we

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<v Speaker 1>actively been telling aliens or think that we've been telling them? Well,

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<v Speaker 1>it's I like to kind of think of it in

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<v Speaker 1>terms of Facebook. Um, not because Facebook is constantly on

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<v Speaker 1>my mind, though I do have to use it for work,

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<v Speaker 1>so I guess it is. But but like in Facebook,

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<v Speaker 1>you have like your profile right everything you know, profiles

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<v Speaker 1>out there, and certain aspects, certain corners of that profile,

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<v Speaker 1>depending on how you have your setting, may be locked

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<v Speaker 1>so that if there if someone's not your friend on Facebook,

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<v Speaker 1>they can't see everything about you. Maybe they can only

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<v Speaker 1>see your picture and some you know, basic stats and

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<v Speaker 1>you have no idea who's looking at it. You know,

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<v Speaker 1>it could be people from high school that you don't

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<v Speaker 1>want to have contact with. It could be crazy people

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<v Speaker 1>in other countries, um, you know, aliens surfing the Internet.

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<v Speaker 1>And that's the thing. We have a lot of information

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<v Speaker 1>out there that's just sort of leaked away from the

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<v Speaker 1>planet and is you know, conceivably available, such as TV

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<v Speaker 1>and radio signals. So that's what from the last fifty

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<v Speaker 1>years we've been we've had some leakage, so to speak.

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<v Speaker 1>And it's you know, there are actually some really cool

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<v Speaker 1>charts online that show like just how far they've spread

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<v Speaker 1>into what, you know, what stars, these different you know

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<v Speaker 1>shows have reached. You know, there are portions of the

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<v Speaker 1>of the Milky Way that are you know, geting um,

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<v Speaker 1>you know, they're getting the untouchables, or they're getting Gilgigins Island.

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<v Speaker 1>You know, they're getting you know, Buck Rogers there. It's

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<v Speaker 1>just you know, it's like cultural leakage, you know, through

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<v Speaker 1>television and just sort of expanding outward. So if some

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<v Speaker 1>being were cosmic doing some cosmic eavesdropping, that being would say, wow,

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<v Speaker 1>this these people are kind of nuts. Maybe they've gone

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<v Speaker 1>through a lot of strife, They've created a lot of strife,

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<v Speaker 1>They've had moments of grace, and they have Jersey Shore. Yeah. Yeah,

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<v Speaker 1>So it's like what kind of message you're sending. It's like,

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<v Speaker 1>especially they choose to like focus just on say the

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<v Speaker 1>Second World War and Jersey Shore. You know, right, you

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<v Speaker 1>know they could you could. It's it's pretty I mean,

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<v Speaker 1>I hate to be too pessimistic, but if you had

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<v Speaker 1>to compile an argument for the eradication of Earth just

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<v Speaker 1>you know, based on television programming, you could probably make

0:11:49.880 --> 0:11:53.559
<v Speaker 1>a pretty strong argument. You know, but you're right, it's

0:11:53.679 --> 0:11:56.800
<v Speaker 1>it's a bleak thought. But yeah, and then and then

0:11:56.800 --> 0:11:59.840
<v Speaker 1>there's all like if Heaven forbid aliens get a hold

0:11:59.840 --> 0:12:04.160
<v Speaker 1>of our Internet. I mean, it's there's just so much

0:12:04.400 --> 0:12:07.440
<v Speaker 1>stuff out there. You know. It's like our we we

0:12:07.559 --> 0:12:09.600
<v Speaker 1>put like so much of our our culture and our

0:12:09.640 --> 0:12:13.360
<v Speaker 1>global civilization into television, into the Internet and into these things,

0:12:13.360 --> 0:12:17.840
<v Speaker 1>and it's not necessarily the best um argument for who

0:12:17.920 --> 0:12:19.920
<v Speaker 1>we are or not the argument we want to put

0:12:20.120 --> 0:12:22.760
<v Speaker 1>forth to other planets. Would would be like if you

0:12:22.840 --> 0:12:26.239
<v Speaker 1>had your complete Facebook all the way open to everybody

0:12:26.240 --> 0:12:28.439
<v Speaker 1>in the world, you know, and like, you know, potential

0:12:28.480 --> 0:12:31.760
<v Speaker 1>employer logs on and they're like, oh, you know, he's

0:12:32.160 --> 0:12:34.679
<v Speaker 1>really a fan of you know, these films that are

0:12:34.760 --> 0:12:37.240
<v Speaker 1>kind of weird or oh that. You know, it's like

0:12:37.320 --> 0:12:40.080
<v Speaker 1>his profile pictures is Halloween costume and he looks like

0:12:40.120 --> 0:12:42.559
<v Speaker 1>somebody I don't want to employ, you know. It's you know,

0:12:42.600 --> 0:12:43.760
<v Speaker 1>it's that it's that kind of thing. We have a

0:12:43.800 --> 0:12:45.400
<v Speaker 1>lot of stuff that we don't necessarily want to put

0:12:45.400 --> 0:12:48.719
<v Speaker 1>out there for public you know, consumption in the universe. Yeah,

0:12:48.800 --> 0:12:51.319
<v Speaker 1>So where to begin? I mean, we're going to describe ourselves.

0:12:52.040 --> 0:12:54.200
<v Speaker 1>What's the best way to do? I mean, I mean,

0:12:54.240 --> 0:12:59.640
<v Speaker 1>we're we're pretty complex, multi multifaceted human beings. Um. It

0:12:59.720 --> 0:13:03.360
<v Speaker 1>makes me think of one of the first things to

0:13:03.440 --> 0:13:06.560
<v Speaker 1>go out there in a in a very um an

0:13:06.559 --> 0:13:12.360
<v Speaker 1>actually organized way, which is the Pioneer plaque, Yes, nineteen

0:13:12.440 --> 0:13:16.439
<v Speaker 1>seventy two. Uh, this was a plaque that was adhered

0:13:16.480 --> 0:13:22.560
<v Speaker 1>to Pioneers eleven and twelve the spacecraft, and it had

0:13:22.600 --> 0:13:25.000
<v Speaker 1>an image on or has an image floating around right

0:13:25.040 --> 0:13:32.960
<v Speaker 1>now of a woman, a man, the Solar System, the sun,

0:13:33.200 --> 0:13:39.240
<v Speaker 1>essentially a side section of the spacecraft. A couple other

0:13:39.320 --> 0:13:43.480
<v Speaker 1>things on there. Yeah, there's um maybe like a hydrogen

0:13:43.880 --> 0:13:49.280
<v Speaker 1>hydrogen molecule, molecule diagram. Um, there's a they also have

0:13:49.360 --> 0:13:50.719
<v Speaker 1>on the map of the Solar System that shows the

0:13:50.840 --> 0:13:52.920
<v Speaker 1>directory of the craft to show where it came from,

0:13:52.920 --> 0:13:55.800
<v Speaker 1>where it's going, and uh, and some other stuff too

0:13:55.840 --> 0:13:58.880
<v Speaker 1>to judge, like is there's some stuff in there about

0:13:58.920 --> 0:14:02.880
<v Speaker 1>the frequencies of pulsar um. They'll enable other civilizations to

0:14:02.920 --> 0:14:06.320
<v Speaker 1>potentially determine the time that has lapsed since the Pioneer

0:14:06.360 --> 0:14:09.880
<v Speaker 1>was launched, you know, things of that nature, and you know,

0:14:09.920 --> 0:14:12.839
<v Speaker 1>and just to sort of show that like, hey, these

0:14:12.840 --> 0:14:14.800
<v Speaker 1>are the this is the ship. You know, these are

0:14:14.840 --> 0:14:17.720
<v Speaker 1>the creatures that made the ship, and this is a

0:14:17.760 --> 0:14:21.600
<v Speaker 1>general idea of their you know, scientific proficiency, right and

0:14:21.680 --> 0:14:23.840
<v Speaker 1>sort of like where it's sort of like where we

0:14:23.880 --> 0:14:26.120
<v Speaker 1>are in the world, um you know, I mean the

0:14:26.120 --> 0:14:29.560
<v Speaker 1>solar system, where earths in the solar system, the side

0:14:29.560 --> 0:14:32.080
<v Speaker 1>section of the aircraft as it relates to the dimensions

0:14:32.120 --> 0:14:34.760
<v Speaker 1>of a human being as well, So trying to get

0:14:34.800 --> 0:14:37.560
<v Speaker 1>some sort of scope on that. But what I think

0:14:37.640 --> 0:14:41.520
<v Speaker 1>is really interesting about this is if an alien were

0:14:41.600 --> 0:14:44.800
<v Speaker 1>to intercept this, I still think it would be a

0:14:44.800 --> 0:14:49.480
<v Speaker 1>little bit baffling. Yeah, because who's to you know, we

0:14:49.480 --> 0:14:54.640
<v Speaker 1>we bring a little uh anthropomorphic chauvinism to just about anything.

0:14:55.200 --> 0:14:57.080
<v Speaker 1>So you know what if you know, you look at

0:14:57.080 --> 0:14:59.120
<v Speaker 1>these these these people, I mean, we look at and

0:14:59.120 --> 0:15:01.040
<v Speaker 1>we know it's an the very at least we you know,

0:15:01.080 --> 0:15:02.480
<v Speaker 1>you know it's an animal, and you know, and we

0:15:02.520 --> 0:15:04.440
<v Speaker 1>know it's a human. But that, you know, that doesn't

0:15:04.480 --> 0:15:08.000
<v Speaker 1>mean another you know, civilization, you know, another alien species

0:15:08.040 --> 0:15:09.760
<v Speaker 1>would be able to look at that and figure out

0:15:09.800 --> 0:15:13.240
<v Speaker 1>what it was, you know, I mean like is it

0:15:13.320 --> 0:15:15.360
<v Speaker 1>a living thing? Is it sculpture? Is it you know,

0:15:15.440 --> 0:15:19.920
<v Speaker 1>is it a rock formation? You know? Is it just lines?

0:15:20.080 --> 0:15:22.360
<v Speaker 1>I mean, like you think of things like um like

0:15:22.360 --> 0:15:26.080
<v Speaker 1>like just human you know, neurological things like face blindness

0:15:26.080 --> 0:15:28.680
<v Speaker 1>and the like, you know, things that that prohibit the

0:15:28.760 --> 0:15:33.120
<v Speaker 1>mind from understanding, um, a form something out of context.

0:15:33.920 --> 0:15:36.000
<v Speaker 1>So yeah, they could look at it and see nothing

0:15:36.000 --> 0:15:38.680
<v Speaker 1>they I mean, maybe they could tell at the very

0:15:38.760 --> 0:15:41.160
<v Speaker 1>least that it is not a natural, you know, composition.

0:15:41.720 --> 0:15:44.760
<v Speaker 1>But who's to say they could decide for anything beyond that, right,

0:15:44.760 --> 0:15:46.840
<v Speaker 1>And it might even look like a cave drawing to them,

0:15:47.200 --> 0:15:49.120
<v Speaker 1>you know, so so primitive that they have to stare

0:15:49.120 --> 0:15:51.200
<v Speaker 1>at it for a very long time. Say whoa, wait,

0:15:51.240 --> 0:15:54.360
<v Speaker 1>hold on, I think this is some sort of object

0:15:54.640 --> 0:15:57.400
<v Speaker 1>that it was useful to them. But I think what

0:15:57.520 --> 0:16:01.240
<v Speaker 1>I want to look at the drawing a little closer,

0:16:01.280 --> 0:16:03.920
<v Speaker 1>because I think it more than saying anything to aliens,

0:16:03.960 --> 0:16:06.400
<v Speaker 1>I think it says a lot to us as as

0:16:06.440 --> 0:16:10.920
<v Speaker 1>a culture. Um. And if you look at the drawing,

0:16:10.960 --> 0:16:13.800
<v Speaker 1>you've got the male and the female and they're both nude.

0:16:14.080 --> 0:16:16.080
<v Speaker 1>And by the way, this caused some controversy when it

0:16:16.120 --> 0:16:18.720
<v Speaker 1>first came out. Oh yeah, there was. I have to

0:16:18.720 --> 0:16:21.120
<v Speaker 1>read this. I got this out of UH one of

0:16:21.160 --> 0:16:24.800
<v Speaker 1>Sagan's books. This is a copy of a letter that

0:16:25.040 --> 0:16:28.680
<v Speaker 1>went into Los Angeles Times, UH and the times it published,

0:16:29.000 --> 0:16:30.960
<v Speaker 1>you know, a picture of that image on the front

0:16:31.080 --> 0:16:35.040
<v Speaker 1>of the newspaper, and this this person wrote in and said,

0:16:35.200 --> 0:16:37.240
<v Speaker 1>I must say I was shocked by the blatant display

0:16:37.280 --> 0:16:39.760
<v Speaker 1>of both male and female sex organs on the front

0:16:39.760 --> 0:16:44.080
<v Speaker 1>page of the Times. Surely this type of sexual exploitation

0:16:44.200 --> 0:16:46.920
<v Speaker 1>is below the standards of our community. That below the

0:16:46.960 --> 0:16:49.720
<v Speaker 1>standards our community has come to expect from the Times.

0:16:50.040 --> 0:16:52.800
<v Speaker 1>Isn't it enough that we must tolerate the bombardment of

0:16:52.880 --> 0:16:56.480
<v Speaker 1>pornography through the media of film and smut magazines. Isn't

0:16:56.480 --> 0:16:58.960
<v Speaker 1>it bad enough that our own space agency officials have

0:16:59.000 --> 0:17:02.120
<v Speaker 1>found it necessary to spread this filth even beyond our

0:17:02.160 --> 0:17:06.080
<v Speaker 1>own solar system. It's kind of awesome you think about,

0:17:06.160 --> 0:17:10.119
<v Speaker 1>especially in the context of this image. Is really actually

0:17:10.160 --> 0:17:13.040
<v Speaker 1>puritanical looking at it now, But at the time, yeah,

0:17:13.080 --> 0:17:16.359
<v Speaker 1>it was interstellar pornography. They thought that, some people thought.

0:17:16.680 --> 0:17:22.840
<v Speaker 1>And you have, um, the male who is he's signifying

0:17:22.880 --> 0:17:25.240
<v Speaker 1>a sort of good will chester with his hand up.

0:17:25.359 --> 0:17:28.720
<v Speaker 1>He looks very awkward. I think he does like I do.

0:17:28.720 --> 0:17:32.120
<v Speaker 1>You think it just drives home just how ridiculous masculine

0:17:32.200 --> 0:17:36.440
<v Speaker 1>nudity is anyway, saying he looks really uncomfortable, he really

0:17:36.520 --> 0:17:39.199
<v Speaker 1>wishes he had his clothes on, I think. And then

0:17:39.240 --> 0:17:42.400
<v Speaker 1>you have the female standing next to him, and the

0:17:42.440 --> 0:17:45.360
<v Speaker 1>weird thing about her is that because she's not signifying

0:17:45.359 --> 0:17:48.400
<v Speaker 1>at all. She's not waving, so that's saying something right there. Yeah,

0:17:48.440 --> 0:17:50.879
<v Speaker 1>like she's going to be an antisocial Yeah yeah, it's like,

0:17:50.920 --> 0:17:52.919
<v Speaker 1>how okay? And this is this is the female. She

0:17:52.960 --> 0:17:56.960
<v Speaker 1>doesn't speak, and the other thing is right right, I

0:17:57.000 --> 0:17:58.640
<v Speaker 1>am the master of the universe, I think, is what

0:17:58.960 --> 0:18:02.199
<v Speaker 1>maybe that's saying. And the female is shifted slightly to

0:18:02.280 --> 0:18:07.320
<v Speaker 1>one hip, so one of her legs is um sort

0:18:07.320 --> 0:18:09.320
<v Speaker 1>of like at a forty five degreeing. I don't know

0:18:09.320 --> 0:18:13.760
<v Speaker 1>how you would describe that, and she it looks a

0:18:13.760 --> 0:18:17.399
<v Speaker 1>little suggestive. And if I were an alien and I

0:18:17.440 --> 0:18:19.159
<v Speaker 1>could start to kind of pick up on some of

0:18:19.160 --> 0:18:22.159
<v Speaker 1>the nuances here, I might think that she would be

0:18:22.200 --> 0:18:25.800
<v Speaker 1>open to dinner and drinks later. Well, but a part

0:18:25.800 --> 0:18:27.520
<v Speaker 1>of that is that she does look more natural and

0:18:27.520 --> 0:18:30.560
<v Speaker 1>that the guy just looks like just very stuff. You know,

0:18:30.720 --> 0:18:33.960
<v Speaker 1>she does she does. She actually looks like she's she's

0:18:34.000 --> 0:18:37.119
<v Speaker 1>used to being naked a lot. And it's the seventies

0:18:37.240 --> 0:18:40.520
<v Speaker 1>right when this is being drawn, so it's very possible

0:18:40.560 --> 0:18:45.240
<v Speaker 1>that this is modeled after someone. Well. Another interesting you know,

0:18:45.280 --> 0:18:47.919
<v Speaker 1>aspect of that, speaking of her nudity in particular, is

0:18:47.960 --> 0:18:50.560
<v Speaker 1>a NaSTA official censor this image before you go out.

0:18:50.840 --> 0:18:53.600
<v Speaker 1>It was originally uh and this is this according to

0:18:53.760 --> 0:18:55.240
<v Speaker 1>like to say, you know a lot of people like

0:18:55.440 --> 0:18:58.480
<v Speaker 1>it's been discussed enough that it's just not Nobody Nasty

0:18:58.480 --> 0:19:02.000
<v Speaker 1>even denies it that they they decided to edit her

0:19:02.040 --> 0:19:05.159
<v Speaker 1>a little bit so that she's not completely anatomically correct,

0:19:05.680 --> 0:19:09.720
<v Speaker 1>Like she's more Barbie Doll than you know, smut magazine

0:19:10.000 --> 0:19:12.760
<v Speaker 1>rights the language of the La Times, right, I mean,

0:19:12.760 --> 0:19:16.600
<v Speaker 1>to be specific, the line that would define the Volvo's

0:19:16.680 --> 0:19:20.679
<v Speaker 1>this's correct was e racist. Yeah, and I mean with

0:19:20.800 --> 0:19:23.879
<v Speaker 1>the male it's it's still very simple, but it's obviously

0:19:24.040 --> 0:19:26.240
<v Speaker 1>you know, there's some frank and beans or something going.

0:19:26.320 --> 0:19:28.840
<v Speaker 1>I mean, you know, it's like I can imagine like

0:19:28.880 --> 0:19:30.800
<v Speaker 1>aliens look in this and be like, well, where does

0:19:30.800 --> 0:19:32.800
<v Speaker 1>that even go? How does this work? I don't, Yeah,

0:19:32.880 --> 0:19:35.200
<v Speaker 1>I don't. I don't get this. Really, these are two

0:19:35.200 --> 0:19:38.199
<v Speaker 1>different a sexual species, right, they lay eggs in the

0:19:38.200 --> 0:19:41.240
<v Speaker 1>water and then yeah, I wouldn't be able to get

0:19:41.600 --> 0:19:42.960
<v Speaker 1>a lick of sense out of this. I think I

0:19:43.320 --> 0:19:46.720
<v Speaker 1>was an alien. But it is fascinating because it really

0:19:46.760 --> 0:19:48.760
<v Speaker 1>is kind of spelling out who we who we think

0:19:48.760 --> 0:19:53.440
<v Speaker 1>we are. Um at least in nineteen seventy two. And

0:19:53.920 --> 0:19:56.280
<v Speaker 1>the other thing I was thinking about is, Okay, so

0:19:56.480 --> 0:19:58.840
<v Speaker 1>the plaque we know is going to exist well beyond

0:19:58.880 --> 0:20:02.439
<v Speaker 1>our lifetimes, So I don't know, forty years from now,

0:20:02.960 --> 0:20:09.159
<v Speaker 1>someone can intercept this, So we as a as a

0:20:09.280 --> 0:20:12.680
<v Speaker 1>race might look very different or evolve into a very

0:20:12.760 --> 0:20:17.880
<v Speaker 1>different type of being than what's represented in nineteen seventy two. Yeah,

0:20:18.040 --> 0:20:21.680
<v Speaker 1>not to mention, um, you know how much like I mean,

0:20:21.720 --> 0:20:23.639
<v Speaker 1>just you know, this is just that this is the

0:20:23.720 --> 0:20:27.520
<v Speaker 1>human body, and it's like you know, un costumed form,

0:20:27.640 --> 0:20:29.760
<v Speaker 1>you know, and when you talk about like the you know,

0:20:29.800 --> 0:20:33.359
<v Speaker 1>the future revolution of humans and how like wearable computer

0:20:33.440 --> 0:20:36.600
<v Speaker 1>technology factors into it, I mean, it's this may not

0:20:36.680 --> 0:20:39.320
<v Speaker 1>really be a complete picture of you know, even if

0:20:39.359 --> 0:20:42.040
<v Speaker 1>if biologically we don't evolve all that much, will this

0:20:42.119 --> 0:20:46.800
<v Speaker 1>be a good you know, image of what human society is? Um?

0:20:46.840 --> 0:20:49.639
<v Speaker 1>You know, you know this that that far into the future,

0:20:49.720 --> 0:20:52.800
<v Speaker 1>like right, so because we'll have certain as presumably you

0:20:52.840 --> 0:20:57.879
<v Speaker 1>will have certain uh types of equipment attached to our

0:20:57.920 --> 0:21:00.439
<v Speaker 1>it's at least we think this right now. And if

0:21:00.480 --> 0:21:03.600
<v Speaker 1>we indeed, if technology ends up, if we end up

0:21:03.640 --> 0:21:06.840
<v Speaker 1>having more of almost a symbiotic relationship with our technology,

0:21:06.880 --> 0:21:08.600
<v Speaker 1>you know, factoring in things like the idea of a

0:21:08.640 --> 0:21:13.119
<v Speaker 1>technological singularity where computers you know exceed you know, human capacity,

0:21:13.160 --> 0:21:15.440
<v Speaker 1>and and you know, maybe we end up with something

0:21:15.520 --> 0:21:18.000
<v Speaker 1>kind of like in the the n and Bank Banks

0:21:18.200 --> 0:21:20.960
<v Speaker 1>culture novels, where you have like computers are kind of

0:21:20.960 --> 0:21:23.800
<v Speaker 1>like looking after people and taking care of all the

0:21:23.800 --> 0:21:27.600
<v Speaker 1>the real serious stuff, while humans have kind of, um uh,

0:21:27.600 --> 0:21:30.000
<v Speaker 1>you know, this kind of you know, free society where

0:21:30.040 --> 0:21:31.320
<v Speaker 1>they kind of do what they want, don't have to

0:21:31.320 --> 0:21:33.560
<v Speaker 1>worry about, you know, any kind of serious situations. Like

0:21:33.600 --> 0:21:36.160
<v Speaker 1>maybe in that respect, it's it makes sense that voyagers

0:21:36.200 --> 0:21:38.400
<v Speaker 1>there in the background, and maybe they'll say, hey, there's

0:21:38.440 --> 0:21:42.439
<v Speaker 1>the computerized machine that's that's actually does everything, and they

0:21:42.480 --> 0:21:44.800
<v Speaker 1>are these are the naked people that just kind of

0:21:44.800 --> 0:21:49.600
<v Speaker 1>do what they want. There's their gut in the background, right, Um,

0:21:49.640 --> 0:21:51.639
<v Speaker 1>but that's that's what I think is just this is

0:21:51.800 --> 0:21:54.080
<v Speaker 1>very interesting. It's a little time capsule of that shot

0:21:54.080 --> 0:21:56.400
<v Speaker 1>out there, but it's not the only one, right. Yeah,

0:21:56.440 --> 0:21:59.920
<v Speaker 1>we follow this up with the voyager missions and we

0:22:00.000 --> 0:22:01.840
<v Speaker 1>in a little we're a little more robust with this

0:22:01.840 --> 0:22:06.600
<v Speaker 1>this mission. My understanding of sagan Um I wanted to

0:22:06.640 --> 0:22:09.840
<v Speaker 1>actually include like more like naked like photographs, you know,

0:22:10.160 --> 0:22:14.080
<v Speaker 1>I mean, you know, nothing like you know, something very yeah, clinical,

0:22:14.160 --> 0:22:16.160
<v Speaker 1>you know, just to show exactly this is the this

0:22:16.200 --> 0:22:18.919
<v Speaker 1>is the human organism. And that was that was you know,

0:22:18.960 --> 0:22:21.400
<v Speaker 1>completely censored, and I think they went with a silhouette instead.

0:22:21.960 --> 0:22:24.480
<v Speaker 1>But we also included the Golden Records. Yeah, and the

0:22:24.520 --> 0:22:28.440
<v Speaker 1>Golden Records, in which, uh they're like what hundred sixteen

0:22:28.520 --> 0:22:34.280
<v Speaker 1>images on this record? There are greetings and fifty nine languages.

0:22:34.720 --> 0:22:39.320
<v Speaker 1>There's uh, bits of ephemera, so to speak, a sound

0:22:39.320 --> 0:22:43.960
<v Speaker 1>of a kiss, wind and thunder birds, whales, other animals,

0:22:44.480 --> 0:22:51.080
<v Speaker 1>fifty five languages, um printed messages from President Carter. I

0:22:51.080 --> 0:22:53.240
<v Speaker 1>don't know, I don't know why I'm laughing about that.

0:22:53.440 --> 0:22:56.400
<v Speaker 1>He's a wonderful man. But yes, for I guess it's

0:22:56.440 --> 0:22:59.560
<v Speaker 1>just the quality of oh well, it's nineteen seventy seven. Again,

0:22:59.680 --> 0:23:04.040
<v Speaker 1>here's this representation of life specifically in this one year,

0:23:04.760 --> 0:23:06.879
<v Speaker 1>in this universe, which is kind of funny. And we

0:23:06.920 --> 0:23:10.240
<v Speaker 1>included I think some classical music, yeah, yeah, and I

0:23:10.280 --> 0:23:12.679
<v Speaker 1>mean and it is definitely a fuller representation of the

0:23:12.720 --> 0:23:16.680
<v Speaker 1>human experience in n rather than this sort of crude

0:23:16.880 --> 0:23:20.640
<v Speaker 1>line drawing um from the pioneer plaque. But I think

0:23:20.680 --> 0:23:24.080
<v Speaker 1>what's interesting about it too is that um and actually

0:23:24.119 --> 0:23:27.439
<v Speaker 1>this was a piece on NPR that they did. They

0:23:27.480 --> 0:23:31.280
<v Speaker 1>talked about how Carl second and and drew in his

0:23:31.359 --> 0:23:36.760
<v Speaker 1>second wife, how that that period in time that UM,

0:23:36.800 --> 0:23:39.680
<v Speaker 1>that Golden Record is, in a weird way, sort of

0:23:39.840 --> 0:23:44.400
<v Speaker 1>an example of their versioning relationship and when they were

0:23:44.400 --> 0:23:46.960
<v Speaker 1>falling in love. And I thought it was interesting is

0:23:47.000 --> 0:23:51.840
<v Speaker 1>that they also recorded the electrical impulses of Anne's brain

0:23:51.920 --> 0:23:55.200
<v Speaker 1>and her nervous system, turning them into sound. And then

0:23:55.280 --> 0:23:59.760
<v Speaker 1>the hope was that maybe in a one million years

0:23:59.880 --> 0:24:03.720
<v Speaker 1>or one thousand million years actually, um, some alien civilization

0:24:03.960 --> 0:24:06.320
<v Speaker 1>might be able to turn that data back into thoughts.

0:24:06.880 --> 0:24:09.440
<v Speaker 1>And at the time when she when they were recording that,

0:24:09.480 --> 0:24:14.359
<v Speaker 1>she actually meditated, and she was meditating on the awe

0:24:14.400 --> 0:24:19.160
<v Speaker 1>of love and being in love. So, I mean, it's

0:24:19.200 --> 0:24:23.280
<v Speaker 1>such a romantic scientific thing. You gotta love it. It is,

0:24:23.320 --> 0:24:25.880
<v Speaker 1>I mean, and it's a great story of scientists and love.

0:24:26.000 --> 0:24:28.359
<v Speaker 1>It's just yeah, it's it's well if you haven't heard it,

0:24:28.359 --> 0:24:31.320
<v Speaker 1>it's well worth looking up. Yeah. Absolutely, But yeah, here's

0:24:31.359 --> 0:24:35.239
<v Speaker 1>here's another piece of um or pieces of data that

0:24:35.280 --> 0:24:39.400
<v Speaker 1>we've thrown or we've flung into space trying to explain

0:24:39.480 --> 0:24:42.119
<v Speaker 1>who we are. Yeah, it's interesting to include like the

0:24:42.200 --> 0:24:44.679
<v Speaker 1>music in the art because I was reading some stuff

0:24:45.080 --> 0:24:50.400
<v Speaker 1>from Paul Davies, be cosmologist, who's um really awesome guy.

0:24:50.400 --> 0:24:53.280
<v Speaker 1>I got to interview it for a Discovery News article

0:24:53.720 --> 0:24:56.040
<v Speaker 1>earlier this year and just you know, just very just

0:24:56.400 --> 0:24:59.400
<v Speaker 1>brilliant dude, very relatable though, and can just break down

0:24:59.440 --> 0:25:02.320
<v Speaker 1>these topics with these but he pointed out that like

0:25:02.440 --> 0:25:04.960
<v Speaker 1>art in music are are, they're very tied to our

0:25:04.960 --> 0:25:10.000
<v Speaker 1>cognitive architecture. Like in one sense, like music is like

0:25:10.040 --> 0:25:13.399
<v Speaker 1>a great example of who we are, but it's something

0:25:13.560 --> 0:25:16.679
<v Speaker 1>that an alien species could easily have no frame of

0:25:16.720 --> 0:25:20.639
<v Speaker 1>reference and just totally not appreciate on any level. You know, right,

0:25:20.640 --> 0:25:22.760
<v Speaker 1>it might be some kind of weird squawking thing that

0:25:22.800 --> 0:25:25.080
<v Speaker 1>we Yeah. Yeah, so in in a way it's like

0:25:25.119 --> 0:25:27.440
<v Speaker 1>it's the perfect example of who we are, but there's

0:25:27.480 --> 0:25:29.440
<v Speaker 1>a very good chance nobody could read it. Which is

0:25:29.480 --> 0:25:34.399
<v Speaker 1>interesting because um in in talking about how we could

0:25:34.440 --> 0:25:38.480
<v Speaker 1>communicate with aliens, and this is this is what study

0:25:38.560 --> 0:25:42.040
<v Speaker 1>has really been queuing itself up to do or actually

0:25:42.080 --> 0:25:44.879
<v Speaker 1>to think about. Music has has come up as one

0:25:44.920 --> 0:25:48.119
<v Speaker 1>of the ways that might be a language that we

0:25:48.160 --> 0:25:52.600
<v Speaker 1>could share. Yeah, and um, And what I'm thinking about

0:25:52.680 --> 0:25:55.639
<v Speaker 1>too is that that there was a workshop that the

0:25:55.640 --> 0:25:58.200
<v Speaker 1>Study Institute had in Paris in two thousand and two,

0:25:58.200 --> 0:26:01.440
<v Speaker 1>and the invited people from all the disciplines and they

0:26:01.600 --> 0:26:03.919
<v Speaker 1>got them in a room and said, let's really start

0:26:04.000 --> 0:26:08.159
<v Speaker 1>thinking in a very serious way about how we can

0:26:08.160 --> 0:26:12.800
<v Speaker 1>communicate with aliens effectively and what sort of modes we

0:26:12.800 --> 0:26:16.600
<v Speaker 1>can do that in. How can you now? No, this

0:26:16.640 --> 0:26:19.560
<v Speaker 1>was an actual workshop, but the college credit came later

0:26:19.920 --> 0:26:21.720
<v Speaker 1>because I can just imagine like a lot of jocks

0:26:21.720 --> 0:26:23.159
<v Speaker 1>signing up for that one thing and it's gonna be

0:26:23.200 --> 0:26:26.280
<v Speaker 1>an easy course. Yeah, they're gonna be like, we just say, hey,

0:26:26.400 --> 0:26:30.800
<v Speaker 1>not to stereotype jocks, because you wouldn't say that. Then

0:26:30.840 --> 0:26:34.160
<v Speaker 1>maybe you never know, there could be scientists out there

0:26:34.400 --> 0:26:38.679
<v Speaker 1>and we salute you. Prove me wrong. But there was.

0:26:39.160 --> 0:26:41.160
<v Speaker 1>There was actually a college credit that you could get

0:26:41.160 --> 0:26:43.920
<v Speaker 1>at the University of Wyoming in two thousand and eight,

0:26:44.040 --> 0:26:48.919
<v Speaker 1>and it was a program sponsored by NASA and the UH.

0:26:49.400 --> 0:26:56.160
<v Speaker 1>The name of it is called Interstellar Message Composition. They

0:26:56.200 --> 0:27:01.200
<v Speaker 1>have eleven students. The students were asked ponder how aliens

0:27:01.280 --> 0:27:04.560
<v Speaker 1>might communicate, whether they'd be able to translate human language,

0:27:04.640 --> 0:27:06.520
<v Speaker 1>and if they'd be able to see or hear them.

0:27:06.520 --> 0:27:08.720
<v Speaker 1>So those were just some thoughts to get them going

0:27:08.960 --> 0:27:12.879
<v Speaker 1>thinking outside the terrestrial box. Yeah, yeah, this is this

0:27:12.960 --> 0:27:16.879
<v Speaker 1>is their um, their college think tank, I suppose. So,

0:27:17.440 --> 0:27:19.280
<v Speaker 1>I mean, if you look at what studies doing is

0:27:19.280 --> 0:27:22.000
<v Speaker 1>actually pretty interesting, is that they are picking the brains

0:27:22.040 --> 0:27:25.399
<v Speaker 1>of everyone they can about about this problem of communication,

0:27:25.440 --> 0:27:26.439
<v Speaker 1>how do we do it and how do we do

0:27:26.480 --> 0:27:31.120
<v Speaker 1>it effectively? And one of the communications that came out

0:27:31.160 --> 0:27:33.719
<v Speaker 1>of it was from a student who wrote a poem

0:27:33.920 --> 0:27:39.240
<v Speaker 1>about menstruation with syllables arranged in the fibonacci sequence. A

0:27:39.240 --> 0:27:45.320
<v Speaker 1>poem about menstruation. Yes, now you know women, do you

0:27:45.400 --> 0:27:49.240
<v Speaker 1>represent populations? So, I mean that might be an interesting

0:27:49.760 --> 0:27:54.840
<v Speaker 1>tidbit too share with the aliens, though out of context,

0:27:55.000 --> 0:27:57.399
<v Speaker 1>I don't know that. Um, it seems like I don't know.

0:27:57.440 --> 0:27:59.560
<v Speaker 1>I'm just thinking, like when I meet people, like the

0:27:59.600 --> 0:28:02.919
<v Speaker 1>first ing out of there, like I feel like I

0:28:02.960 --> 0:28:04.800
<v Speaker 1>have met people before for the first thing they say

0:28:05.000 --> 0:28:07.560
<v Speaker 1>does relate demonstration, and it it kind of makes the

0:28:07.600 --> 0:28:10.080
<v Speaker 1>rest of the conversation a little awkward for me. Well,

0:28:10.200 --> 0:28:14.040
<v Speaker 1>so if this is a perfect point that the actually Um,

0:28:14.160 --> 0:28:17.080
<v Speaker 1>people have been making about what we're going to say

0:28:17.119 --> 0:28:21.639
<v Speaker 1>to aliens, like do we do you just you know,

0:28:21.720 --> 0:28:24.960
<v Speaker 1>do you lock down sort of uh like Facebook style

0:28:25.280 --> 0:28:27.840
<v Speaker 1>some parts of your personal profile so that you don't

0:28:27.880 --> 0:28:30.440
<v Speaker 1>scare people off. Me, You don't necessarily if you meet

0:28:30.480 --> 0:28:33.359
<v Speaker 1>your neighbors, say hey, I'm so and so in about

0:28:33.400 --> 0:28:36.680
<v Speaker 1>an hour, I'm going to be completely ripped and like,

0:28:36.880 --> 0:28:40.160
<v Speaker 1>you know, naked in my backyard. I mean, these are

0:28:40.200 --> 0:28:43.200
<v Speaker 1>not things that you normally say to someone if you're

0:28:43.240 --> 0:28:48.960
<v Speaker 1>that person who does that. Um. But now, Douglas vatch Off,

0:28:49.240 --> 0:28:54.080
<v Speaker 1>back off, excuse me, completely wrong. Douglas Vakoch, who is

0:28:54.320 --> 0:28:59.120
<v Speaker 1>studies interstellar communication guru, basically says, you know what, we

0:28:59.160 --> 0:29:02.000
<v Speaker 1>should be trying parent about who we are. UM, not

0:29:02.040 --> 0:29:07.920
<v Speaker 1>necessarily being talking about minstruation or um binge drinking, but

0:29:08.920 --> 0:29:12.080
<v Speaker 1>being more transparent about who we are as a human race. UM,

0:29:12.160 --> 0:29:14.360
<v Speaker 1>that we we do have a lot of strife, that

0:29:14.400 --> 0:29:17.560
<v Speaker 1>we do have warfare. I mean, he feels like being

0:29:17.600 --> 0:29:19.320
<v Speaker 1>honest out of the gate is going to put us

0:29:19.320 --> 0:29:21.720
<v Speaker 1>in a in a better position. What's like with any relationship,

0:29:21.720 --> 0:29:23.760
<v Speaker 1>It's kind of the idea, it's like if you hide

0:29:23.760 --> 0:29:26.000
<v Speaker 1>too much of who you are if this relationship is

0:29:26.000 --> 0:29:29.280
<v Speaker 1>going to blossom, then that stuff's going to come out right, right,

0:29:29.400 --> 0:29:32.400
<v Speaker 1>So like, don't lie. It's like, oh, we've never had worse.

0:29:32.520 --> 0:29:35.080
<v Speaker 1>What are you talking about? Did you get that out

0:29:35.080 --> 0:29:41.440
<v Speaker 1>of that leaked? Yeah? Just a show about that. Yeah,

0:29:41.760 --> 0:29:44.080
<v Speaker 1>but you let you let him know, you know, off

0:29:44.120 --> 0:29:46.720
<v Speaker 1>the bat, Yeah yeah yeah. So I mean I do

0:29:46.800 --> 0:29:49.560
<v Speaker 1>think that's interesting. And then I think the other really

0:29:49.960 --> 0:29:54.240
<v Speaker 1>interesting part of this UM, this effort to try to communicate,

0:29:54.400 --> 0:29:58.160
<v Speaker 1>is that people are in particular study are trying to

0:29:58.840 --> 0:30:03.200
<v Speaker 1>regulate it, and space lawyers are getting in on the

0:30:03.200 --> 0:30:08.400
<v Speaker 1>action UM and helping to create protocols so that not

0:30:08.480 --> 0:30:10.840
<v Speaker 1>just every time to can Harry, can you know, put

0:30:10.880 --> 0:30:14.360
<v Speaker 1>something out there UM and try to communicate with aliens

0:30:14.360 --> 0:30:16.680
<v Speaker 1>and we can do it in a responsible way, yeah,

0:30:16.840 --> 0:30:19.760
<v Speaker 1>or or not everybody can do like h Like in

0:30:19.800 --> 0:30:22.880
<v Speaker 1>two thousand and eight when Dorito's used the observatory in

0:30:22.920 --> 0:30:26.760
<v Speaker 1>small bar to being a commercial forty two light years

0:30:26.760 --> 0:30:31.320
<v Speaker 1>across the galaxy. So that was a little disappointing. Yeah,

0:30:31.320 --> 0:30:33.560
<v Speaker 1>I have a metaphorical tier just going down the pace

0:30:33.680 --> 0:30:36.120
<v Speaker 1>right now. But it's just so sad, and I guess

0:30:36.160 --> 0:30:38.000
<v Speaker 1>that's why you need space lawyers right not just to

0:30:38.200 --> 0:30:44.640
<v Speaker 1>to um take up litigation over disputes among astronauts, but

0:30:45.200 --> 0:30:49.320
<v Speaker 1>to possibly say, hey, that you know you're violating Code

0:30:50.040 --> 0:30:54.000
<v Speaker 1>xx j Y seven. Don't please three thats don't do

0:30:54.080 --> 0:30:59.280
<v Speaker 1>that again. UM. To go back briefly to Paul Davies.

0:30:59.520 --> 0:31:03.400
<v Speaker 1>Davies is actually on a on set. He's a he's

0:31:03.400 --> 0:31:06.160
<v Speaker 1>actually the chair of st he's a post Detection task group.

0:31:07.080 --> 0:31:08.840
<v Speaker 1>And UM, so the idea of being that if we

0:31:08.880 --> 0:31:11.560
<v Speaker 1>detect human life, then they call up like the task force,

0:31:11.640 --> 0:31:14.680
<v Speaker 1>and Davies and company like march into like a I guess,

0:31:14.680 --> 0:31:17.120
<v Speaker 1>like a special control room and start you know, figuring

0:31:17.160 --> 0:31:20.320
<v Speaker 1>out what they're gonna say. But I read an interview

0:31:20.320 --> 0:31:22.960
<v Speaker 1>where where Davies pointed out what he thought were like

0:31:23.000 --> 0:31:25.800
<v Speaker 1>the key things to hit and during you know, any

0:31:25.880 --> 0:31:29.640
<v Speaker 1>kind of communication with an alien civilization. And and he

0:31:29.680 --> 0:31:31.400
<v Speaker 1>said that you you want to hit the number one.

0:31:31.440 --> 0:31:34.680
<v Speaker 1>There's no um, you know, single government on the planet,

0:31:35.760 --> 0:31:38.640
<v Speaker 1>which I guess is good in case they're like, you know,

0:31:38.720 --> 0:31:40.840
<v Speaker 1>they just tune in and just you know catch something

0:31:40.840 --> 0:31:44.000
<v Speaker 1>out of like a really destabilized region, you know, or

0:31:44.080 --> 0:31:46.040
<v Speaker 1>some like or you know, you know, you can use

0:31:46.040 --> 0:31:48.320
<v Speaker 1>your imagination any you know, corner of the world that

0:31:48.400 --> 0:31:51.120
<v Speaker 1>is maybe not the best. Uh. Well, I guess every corner,

0:31:51.480 --> 0:31:53.400
<v Speaker 1>no corner of the world is like a good representation

0:31:53.440 --> 0:31:55.479
<v Speaker 1>of the whole. So you wouldn't you know, want them

0:31:55.480 --> 0:31:58.960
<v Speaker 1>to give that impression, you know. Um. And then also, no,

0:31:59.120 --> 0:32:03.360
<v Speaker 1>there's no unitary political philosophy or ideology again, you know,

0:32:03.400 --> 0:32:05.080
<v Speaker 1>if they were just to tune in and just like

0:32:05.200 --> 0:32:08.520
<v Speaker 1>you know, pick any religion, pick any you know, um

0:32:08.840 --> 0:32:11.680
<v Speaker 1>political party in the world, and you can probably pick

0:32:11.720 --> 0:32:14.560
<v Speaker 1>out some really extreme things that would you know, make

0:32:14.600 --> 0:32:17.440
<v Speaker 1>them raise an eyebrow or whatever the alien you know

0:32:17.480 --> 0:32:21.000
<v Speaker 1>equivalent is. Uh. And then he also said that it

0:32:21.000 --> 0:32:22.840
<v Speaker 1>would be important to stress that we're a great place

0:32:22.880 --> 0:32:26.320
<v Speaker 1>for freedom, if not anarchy. Uh. And so that we're

0:32:26.360 --> 0:32:28.240
<v Speaker 1>and that we're putting we'd want to put together, you know,

0:32:28.240 --> 0:32:32.360
<v Speaker 1>like the best possible coherent package about what we are.

0:32:32.480 --> 0:32:34.120
<v Speaker 1>You know. Again, it would be kind of like, you know,

0:32:34.160 --> 0:32:36.800
<v Speaker 1>not saying we don't have wars, but here's an example

0:32:36.800 --> 0:32:39.320
<v Speaker 1>of what's great about us to be like a users manual. Yeah,

0:32:39.360 --> 0:32:43.640
<v Speaker 1>here's Earth and human beings and this is how we work. Yeah,

0:32:43.680 --> 0:32:45.960
<v Speaker 1>it's like, here's here's a list, this is us words

0:32:46.000 --> 0:32:48.200
<v Speaker 1>at all. But here's we're gonna highlight some stuff that's

0:32:48.240 --> 0:32:50.240
<v Speaker 1>really good, you know, like you know, you highlight the

0:32:50.320 --> 0:32:54.040
<v Speaker 1>music and the art and the humanitarian stuff, but don't

0:32:54.080 --> 0:32:55.760
<v Speaker 1>like cross you know, it doesn't need to look like

0:32:55.840 --> 0:32:59.200
<v Speaker 1>a like a declassified CIA document where you've you've you've

0:32:59.240 --> 0:33:02.400
<v Speaker 1>marked out every horrible thing that done. And and then

0:33:02.760 --> 0:33:04.680
<v Speaker 1>I guess too, it wouldn't be like the onions are

0:33:04.760 --> 0:33:06.760
<v Speaker 1>dumb world either. We want to take out some of

0:33:06.800 --> 0:33:10.719
<v Speaker 1>the sarcasm. But one thing that Davy is also stressed

0:33:10.800 --> 0:33:14.960
<v Speaker 1>is that he thinks that in communicating with another another,

0:33:15.280 --> 0:33:17.760
<v Speaker 1>you know, civilization, it's kind of like that the whole

0:33:17.880 --> 0:33:19.640
<v Speaker 1>we were talking about the weather being like the one

0:33:19.720 --> 0:33:22.040
<v Speaker 1>thing that we would have in common with the stranger

0:33:22.080 --> 0:33:24.360
<v Speaker 1>and the elevator, Well, Davy says, the one thing we

0:33:24.400 --> 0:33:27.560
<v Speaker 1>would have in common with this, uh, this galactic stranger,

0:33:27.640 --> 0:33:30.640
<v Speaker 1>it would be mathematics. So all these things that we

0:33:30.760 --> 0:33:34.480
<v Speaker 1>just listed, we'd have to somehow find a way to

0:33:34.600 --> 0:33:40.960
<v Speaker 1>communicate them through pure mathematics, which is quite a challenge. Yeah,

0:33:41.080 --> 0:33:43.080
<v Speaker 1>and again that's I think this is why study is

0:33:43.120 --> 0:33:45.840
<v Speaker 1>thinking about this now and inviting so many people into

0:33:45.920 --> 0:33:52.240
<v Speaker 1>the conversation. Um artist, musicians, astrophysicists, UM, anybody to say

0:33:52.800 --> 0:33:55.520
<v Speaker 1>what is what is the common language that we can

0:33:55.800 --> 0:33:58.239
<v Speaker 1>speak in? UM? And I do think the music thing

0:33:58.320 --> 0:34:00.400
<v Speaker 1>is really interesting. But again, right if you don't have

0:34:00.480 --> 0:34:04.160
<v Speaker 1>a context, but music is based on mathematics, and what

0:34:04.280 --> 0:34:08.560
<v Speaker 1>sort of mathematics would they be using anyway? UM? Again

0:34:08.640 --> 0:34:14.200
<v Speaker 1>would it would our mathematics look so um primitive that

0:34:14.280 --> 0:34:16.520
<v Speaker 1>it would just be like, what what are these scratchings here?

0:34:17.640 --> 0:34:19.120
<v Speaker 1>I really like the idea of the future where all

0:34:19.160 --> 0:34:22.239
<v Speaker 1>communications with an alien species are conducted by like really

0:34:22.280 --> 0:34:24.759
<v Speaker 1>talented DJs. So it's like you want to you want

0:34:24.760 --> 0:34:27.520
<v Speaker 1>to convey a certain feeling that we have, like he goes,

0:34:27.760 --> 0:34:30.160
<v Speaker 1>guy goes in, like grabs records and starts like mixing

0:34:30.200 --> 0:34:33.160
<v Speaker 1>stuff together. I left that too. I like your idea

0:34:33.280 --> 0:34:37.600
<v Speaker 1>of that you did this with the unit hemispheric um brains,

0:34:37.719 --> 0:34:39.759
<v Speaker 1>where if if you were only using one side of

0:34:39.800 --> 0:34:42.000
<v Speaker 1>your brain. I think that you wanted to have some

0:34:42.080 --> 0:34:44.040
<v Speaker 1>sort of system where you could tell people like, hey,

0:34:44.120 --> 0:34:46.000
<v Speaker 1>don't don't ask me a really hard question right now,

0:34:46.000 --> 0:34:50.759
<v Speaker 1>I can't have my brain. So I'm liking this too. Yeah,

0:34:50.800 --> 0:34:52.880
<v Speaker 1>I think that music could be a wonderful way to

0:34:53.280 --> 0:34:57.160
<v Speaker 1>for us to try to communicate with each other. Well, you, uh,

0:34:57.320 --> 0:34:59.400
<v Speaker 1>everybody listening out there, you have to tell us what

0:34:59.520 --> 0:35:01.680
<v Speaker 1>you think you're, if you're human or if you're an alien.

0:35:02.440 --> 0:35:03.960
<v Speaker 1>I don't know, I just putting that out there. We

0:35:04.040 --> 0:35:08.600
<v Speaker 1>might have some alien listeners. Yeah, d D D d D,

0:35:10.040 --> 0:35:16.560
<v Speaker 1>thanks for listening. For more on this and thousands of

0:35:16.640 --> 0:35:20.239
<v Speaker 1>other topics, visit how stuff works dot com, the house

0:35:20.239 --> 0:35:22.359
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