WEBVTT - Episode 357 w/ Chuck D

0:00:11.920 --> 0:00:15.520
<v Speaker 1>And his Drink Chess motherfucking podcast makes up. He's a

0:00:15.640 --> 0:00:18.520
<v Speaker 1>legendary Queen's rapper. He's segreed is your boy in O

0:00:18.720 --> 0:00:22.800
<v Speaker 1>R He's a Miami hippop lioneer up his DJ e FN.

0:00:22.920 --> 0:00:25.360
<v Speaker 1>Together they drink it up with some of the biggest

0:00:25.360 --> 0:00:30.560
<v Speaker 1>players in the most professional unprofessional podcast and your number

0:00:30.560 --> 0:00:33.920
<v Speaker 1>one sorts for drunk fast drink chess motherfucker by Dean's

0:00:33.960 --> 0:00:37.800
<v Speaker 1>New Year's Eve that it's time for drink chances, drink up,

0:00:37.840 --> 0:00:46.320
<v Speaker 1>motherfuck mother part would Good be hoping to? Should be

0:00:46.360 --> 0:00:48.480
<v Speaker 1>ship boy in O R E? What up is dj

0:00:48.640 --> 0:00:56.440
<v Speaker 1>e FN? This middle Tamate crazy war happy hour makes up? Well,

0:00:57.000 --> 0:01:00.800
<v Speaker 1>the brother that we are about to talk to today

0:01:01.360 --> 0:01:08.640
<v Speaker 1>is beyond the icon. He's beyond the legend. Me and EFN,

0:01:08.959 --> 0:01:14.759
<v Speaker 1>I think this is probably we both agree music because

0:01:14.760 --> 0:01:16.280
<v Speaker 1>I don't think me and you kind of listening to

0:01:16.280 --> 0:01:19.600
<v Speaker 1>the same type of music, right, But this case we

0:01:19.720 --> 0:01:25.240
<v Speaker 1>are both super both raised both. This guy raised me.

0:01:26.400 --> 0:01:31.080
<v Speaker 1>He's my stepfather. You don't know it, but he has

0:01:33.160 --> 0:01:36.319
<v Speaker 1>when it comes to this music business, when it comes

0:01:36.360 --> 0:01:40.200
<v Speaker 1>to making music, it's I'm just listening to the music

0:01:40.319 --> 0:01:42.760
<v Speaker 1>again today and I'm just sitting there, and I'm just like,

0:01:42.800 --> 0:01:45.280
<v Speaker 1>this is timeless music, Like you can put out this

0:01:46.200 --> 0:01:49.120
<v Speaker 1>the music that they were making then now and it's

0:01:49.120 --> 0:01:54.600
<v Speaker 1>still be relevant. When I say this is beyond a legend,

0:01:54.840 --> 0:01:56.920
<v Speaker 1>when I say this is beyond the icon, when I

0:01:56.960 --> 0:01:59.040
<v Speaker 1>say this is a person who fights for hip hop,

0:01:59.200 --> 0:02:05.120
<v Speaker 1>who has hip hop on his shoulder and lives it, lives, breefs, breathes.

0:02:05.760 --> 0:02:09.560
<v Speaker 1>This guy is a person that we have to give

0:02:09.639 --> 0:02:14.720
<v Speaker 1>their flowers. We have to show the ultimate respect because

0:02:15.080 --> 0:02:20.240
<v Speaker 1>he is exactly what we also strive to want to be. Like,

0:02:20.800 --> 0:02:23.239
<v Speaker 1>in case people don't know who we're talking about, we

0:02:23.280 --> 0:02:31.880
<v Speaker 1>talk about the one only motherfucker Chuck Wow, James Baumer

0:02:31.919 --> 0:02:38.520
<v Speaker 1>is right. Yeah. And then first I'd like to say apologies.

0:02:39.320 --> 0:02:43.720
<v Speaker 1>Circling each other for seven to eight years unacceptable. Unacceptable.

0:02:43.720 --> 0:02:46.320
<v Speaker 1>We just happened to circle and then pandemic, you know,

0:02:46.400 --> 0:02:48.800
<v Speaker 1>for three years out of our lives. Yeah, I like

0:02:48.880 --> 0:02:51.360
<v Speaker 1>to thank you Evan for giving me a drop on

0:02:51.360 --> 0:02:54.040
<v Speaker 1>our rap station. I think during the rap station things

0:02:54.120 --> 0:02:58.360
<v Speaker 1>for like fourteen years. It's Pacifical Networks, it's his own Apple.

0:02:59.200 --> 0:03:01.520
<v Speaker 1>Think you oft the drop for me? I played all

0:03:01.520 --> 0:03:07.560
<v Speaker 1>the time. Yes, thank you you my man, Thank you

0:03:07.600 --> 0:03:11.280
<v Speaker 1>for just being you. Yes, yes, and all that. I

0:03:11.320 --> 0:03:13.320
<v Speaker 1>remember I was doing this show. I mean I was

0:03:13.360 --> 0:03:17.200
<v Speaker 1>doing it actually a project. You know, the filmmaker Michael Moore, Yes, MICHAELA.

0:03:17.280 --> 0:03:19.440
<v Speaker 1>So he was doing this project and this is like

0:03:19.600 --> 0:03:24.040
<v Speaker 1>ninety eight and he you know, he's doing all these

0:03:24.080 --> 0:03:28.079
<v Speaker 1>types of things. But yeah, well I'm bringing that full circle.

0:03:28.480 --> 0:03:31.280
<v Speaker 1>So you know, he's in the city right in New York,

0:03:31.600 --> 0:03:33.520
<v Speaker 1>and he said, Chuck, come on with me. What we're

0:03:33.520 --> 0:03:36.560
<v Speaker 1>gonna do is we're gonna just like go into these corporations.

0:03:36.560 --> 0:03:39.720
<v Speaker 1>He's shooting the film, like we're going into corporations and

0:03:39.480 --> 0:03:42.360
<v Speaker 1>and the places that got sweatshops but you know, like

0:03:42.480 --> 0:03:44.680
<v Speaker 1>Nike and all these other plot spots. So he goes

0:03:44.720 --> 0:03:47.160
<v Speaker 1>in the Nike town, right, and he gets like two

0:03:47.200 --> 0:03:54.120
<v Speaker 1>buses of kids to storm Nike Town and say, yo,

0:03:54.240 --> 0:03:57.560
<v Speaker 1>y'all are wrong, you know, I mean, and this might

0:03:57.600 --> 0:04:01.040
<v Speaker 1>be the anti Nike ad, right, but and y'all are wrong.

0:04:01.200 --> 0:04:03.200
<v Speaker 1>And he got like two bus loads of kids from

0:04:03.200 --> 0:04:06.360
<v Speaker 1>Harlem to storm Nike Town on their sweatshops. Right. Wow.

0:04:06.720 --> 0:04:09.120
<v Speaker 1>But the bust on the way when it parks up,

0:04:10.840 --> 0:04:19.719
<v Speaker 1>Super Thug comes back and it was my first time

0:04:19.839 --> 0:04:24.080
<v Speaker 1>here the time and these kids like the teddest bust

0:04:24.520 --> 0:04:27.479
<v Speaker 1>I want to bust with them up and what what

0:04:27.480 --> 0:04:30.520
<v Speaker 1>what what they tore this bust up? I said, Nike's

0:04:30.560 --> 0:04:36.040
<v Speaker 1>in trouble you So so let's let's let's get to

0:04:36.160 --> 0:04:39.200
<v Speaker 1>up the beginning, right, how about you want to go?

0:04:41.320 --> 0:04:45.120
<v Speaker 1>But we said wasn't gonna work because because you know,

0:04:45.800 --> 0:04:49.960
<v Speaker 1>um public enemy, right, like this was like a group

0:04:50.040 --> 0:04:53.120
<v Speaker 1>that defied the odds, right, you know what I mean, Um,

0:04:53.160 --> 0:04:56.400
<v Speaker 1>everyone was kind of at this time, everyone was you know,

0:04:56.720 --> 0:05:03.440
<v Speaker 1>um uh most like and and you guys took a

0:05:03.480 --> 0:05:08.839
<v Speaker 1>stance of having conscious like you know, um conscious rap

0:05:08.960 --> 0:05:11.040
<v Speaker 1>like you know what I mean. We're old wrap that

0:05:11.120 --> 0:05:14.400
<v Speaker 1>mattered right older. You know, we came from a different time.

0:05:14.640 --> 0:05:16.480
<v Speaker 1>And right now when I'm listening to the music, right

0:05:16.480 --> 0:05:18.960
<v Speaker 1>when I listened to new music, no one is teaching,

0:05:19.279 --> 0:05:23.560
<v Speaker 1>no one is is it's actually music now. There's there's plenty,

0:05:23.600 --> 0:05:25.600
<v Speaker 1>there's plenty out there. You know. It's just that that

0:05:26.000 --> 0:05:27.719
<v Speaker 1>this stuff is not going to float to the top

0:05:27.800 --> 0:05:30.600
<v Speaker 1>without the concern of how much could get sold or

0:05:30.640 --> 0:05:33.200
<v Speaker 1>whatever could get sold for a business proposition. And that's

0:05:33.240 --> 0:05:35.479
<v Speaker 1>that's what it is. It's always business. This is an

0:05:35.640 --> 0:05:39.680
<v Speaker 1>entertainment business. It's like they do accounting by numbers. Man

0:05:39.800 --> 0:05:43.560
<v Speaker 1>boy is better, you know, better is not always you know,

0:05:43.920 --> 0:05:46.719
<v Speaker 1>um bigger. In my case, it's it's like you could

0:05:46.760 --> 0:05:49.560
<v Speaker 1>be better with the quality instead of the quantity. But

0:05:49.640 --> 0:05:52.440
<v Speaker 1>that necessarily is in business. But there's a lot of

0:05:52.480 --> 0:05:55.000
<v Speaker 1>cats out there. I just did something with young brother

0:05:55.080 --> 0:05:58.279
<v Speaker 1>named Consequence. You know, just did a video. He caught me.

0:05:58.440 --> 0:06:01.440
<v Speaker 1>He's an independent cat. He caught me at JFK said, listen,

0:06:01.480 --> 0:06:03.480
<v Speaker 1>I could get this video in because you know today

0:06:03.720 --> 0:06:06.840
<v Speaker 1>who listen with their eyes. You know, they're all screen agents,

0:06:07.240 --> 0:06:10.040
<v Speaker 1>you know, so it's screen ag Yeah, screen just say

0:06:10.080 --> 0:06:13.240
<v Speaker 1>screen screen age. And I didn't make it up, you know,

0:06:13.960 --> 0:06:16.719
<v Speaker 1>you know, I got my antenna is up. So somebody said, yo, chuck,

0:06:16.760 --> 0:06:19.920
<v Speaker 1>they screen agents. I'm like, thing, I'm a register. But

0:06:20.640 --> 0:06:24.800
<v Speaker 1>they listen with their eyes. So necessarily everybody kind of

0:06:24.880 --> 0:06:26.280
<v Speaker 1>you know, if they got something, they got to put

0:06:26.279 --> 0:06:29.440
<v Speaker 1>a visual to it. Consequence stop me at JFK. Him

0:06:29.440 --> 0:06:31.600
<v Speaker 1>and this man got out boom on boom. It's a

0:06:31.720 --> 0:06:34.160
<v Speaker 1>video clip and it's gone up, you know, viral whatever.

0:06:34.240 --> 0:06:36.640
<v Speaker 1>So they out there making efforts. I think the biggest

0:06:36.680 --> 0:06:40.520
<v Speaker 1>difference Nori and Effing and James would probably agree with me,

0:06:40.640 --> 0:06:45.280
<v Speaker 1>is that we're seeing the business take groups and individualize them,

0:06:45.720 --> 0:06:49.400
<v Speaker 1>you know, because it's easy to like, like, it's easier

0:06:49.440 --> 0:06:54.279
<v Speaker 1>to renegotiate on now cases a hip hop, renegotiate or

0:06:54.320 --> 0:06:58.159
<v Speaker 1>renegotiate a contract with one person as opposed to a group.

0:06:59.080 --> 0:07:02.320
<v Speaker 1>And that's probably the biggest difference because what we've seen

0:07:02.400 --> 0:07:05.000
<v Speaker 1>since the nineties as individuals instead of groups. So when

0:07:05.000 --> 0:07:08.200
<v Speaker 1>you first aid groups, it was a group effort from

0:07:08.200 --> 0:07:12.200
<v Speaker 1>the bomb squad to That's what w's with Griff James Bam,

0:07:12.240 --> 0:07:16.360
<v Speaker 1>you know, to Flavor and myself. You know, me and

0:07:16.400 --> 0:07:19.080
<v Speaker 1>Flavor man. I mean people are like, oh you guys

0:07:19.120 --> 0:07:24.520
<v Speaker 1>man are so different. Yeah, you damn right, were different different,

0:07:24.640 --> 0:07:26.160
<v Speaker 1>you know what I'm saying. It's like we come from

0:07:26.160 --> 0:07:30.320
<v Speaker 1>a neighborhood Roosevelt Long Allen where everybody knew each other,

0:07:30.480 --> 0:07:33.520
<v Speaker 1>small town on the outskirts of New York. All our

0:07:33.560 --> 0:07:35.600
<v Speaker 1>people's is from different areas in New York. My mother

0:07:35.640 --> 0:07:37.880
<v Speaker 1>and father from Harlem on the fifty first Street, right,

0:07:37.920 --> 0:07:40.600
<v Speaker 1>so you know, people moved out there. You're always going

0:07:40.680 --> 0:07:43.720
<v Speaker 1>back and forth. We went to all the boroughs, maybe

0:07:43.760 --> 0:07:46.400
<v Speaker 1>not stat Nilan back then that you won't take turning

0:07:46.440 --> 0:07:49.880
<v Speaker 1>into Charlette and I'm talking post forcing d right. But

0:07:50.200 --> 0:07:52.440
<v Speaker 1>we went to check out everything, and so when it

0:07:52.560 --> 0:07:56.000
<v Speaker 1>came to do something in hip hop, was taking all

0:07:56.000 --> 0:07:58.520
<v Speaker 1>the collective efforts of people that did real things in

0:07:58.600 --> 0:08:01.040
<v Speaker 1>our neighborhood and just like put it to Wax man,

0:08:01.080 --> 0:08:03.600
<v Speaker 1>put it to rons because and now they would catch

0:08:03.680 --> 0:08:06.160
<v Speaker 1>their real things. Man. But then we go back being

0:08:06.200 --> 0:08:09.480
<v Speaker 1>a little older too, because it wasn't miraculous for a

0:08:09.560 --> 0:08:11.960
<v Speaker 1>cat in sixty eight and sixty nine to have common

0:08:12.080 --> 0:08:14.680
<v Speaker 1>sense when sense was common you know what I'm saying.

0:08:14.680 --> 0:08:16.760
<v Speaker 1>And then they realized that they had to do something

0:08:16.800 --> 0:08:19.320
<v Speaker 1>against that, and so we decided to do like what

0:08:19.360 --> 0:08:21.760
<v Speaker 1>would happen in our neighborhood and put it to Wax

0:08:21.800 --> 0:08:24.280
<v Speaker 1>because hip hop was a beautiful thing. Man. Hip hop

0:08:24.400 --> 0:08:27.600
<v Speaker 1>is such a beautiful thing, man. And the seventies before

0:08:27.640 --> 0:08:30.480
<v Speaker 1>it was Wax, I wish I could have sliced it.

0:08:30.800 --> 0:08:36.240
<v Speaker 1>And what would Starsky Flash, Mellie mell DJ Hollywood. You

0:08:36.280 --> 0:08:39.200
<v Speaker 1>know what I'm saying. What they were doing, Curtis Blow,

0:08:39.320 --> 0:08:41.280
<v Speaker 1>what they were doing. It was like you looked up

0:08:41.280 --> 0:08:45.360
<v Speaker 1>to them like like they were aliens men, And I said, wow, man,

0:08:45.559 --> 0:08:47.520
<v Speaker 1>And that's what bit me man. So when we was

0:08:47.559 --> 0:08:49.800
<v Speaker 1>a group, it was a total group effort. You know,

0:08:50.559 --> 0:08:54.520
<v Speaker 1>this is Public Enemy is a culmination of a lot

0:08:54.559 --> 0:08:57.920
<v Speaker 1>of brilliant parts. They all we all, they all beautiful

0:08:57.960 --> 0:09:01.200
<v Speaker 1>cats man, and like a big big family and the barbecue,

0:09:01.600 --> 0:09:04.600
<v Speaker 1>you know, yeah people, oh man, you guys might have differences. Yeah,

0:09:04.640 --> 0:09:08.800
<v Speaker 1>your damn skippy like family and neighborhood different. Damn it.

0:09:08.880 --> 0:09:10.760
<v Speaker 1>It's like the original wood tang if you think about

0:09:10.760 --> 0:09:12.960
<v Speaker 1>it as big as that, you guys with the bomb squad,

0:09:12.960 --> 0:09:16.800
<v Speaker 1>and then that's one w's like yeah, everybody people rights,

0:09:16.800 --> 0:09:21.280
<v Speaker 1>like we won't give everybody in mind Republic Enemy. They know,

0:09:21.320 --> 0:09:24.719
<v Speaker 1>a great mad everybody returned out differently for public and

0:09:24.920 --> 0:09:27.360
<v Speaker 1>everybody had him like yeah, yeah, yeah, yeah everything. Let

0:09:27.400 --> 0:09:29.720
<v Speaker 1>me tell you all due respect to the rule because

0:09:29.760 --> 0:09:33.280
<v Speaker 1>they are just amazing. You know, it's just amazing to

0:09:33.320 --> 0:09:35.000
<v Speaker 1>this day. I mean, if I if I could be,

0:09:36.320 --> 0:09:39.400
<v Speaker 1>if I could be another rapper, you would be the client.

0:09:39.480 --> 0:09:42.199
<v Speaker 1>I would be method Man. Okay, I could see that.

0:09:42.880 --> 0:09:44.760
<v Speaker 1>I mean even method Man could read yo man, he

0:09:44.760 --> 0:09:48.840
<v Speaker 1>could read the newspaper man, and and I play it.

0:09:48.120 --> 0:09:52.719
<v Speaker 1>But yeah, so did your nickname bust the Rhams? Did

0:09:52.720 --> 0:09:55.000
<v Speaker 1>you give bust the rams. His name, well, leaders of

0:09:55.080 --> 0:09:57.080
<v Speaker 1>a New School was a was a bar and don't

0:09:57.080 --> 0:10:01.440
<v Speaker 1>believe the hype. And we felt that you know, you know,

0:10:01.520 --> 0:10:05.320
<v Speaker 1>and you know, uh, Custer was a five percenter just

0:10:05.400 --> 0:10:07.080
<v Speaker 1>like a lot of young cats were at the time.

0:10:07.720 --> 0:10:10.200
<v Speaker 1>You know. It was the sort of the sea seeking

0:10:10.200 --> 0:10:12.920
<v Speaker 1>and the knowledge yourself, right, you know, especially back then,

0:10:12.920 --> 0:10:14.360
<v Speaker 1>it's like, okay, I don't know what was dope to

0:10:14.360 --> 0:10:16.480
<v Speaker 1>be smart back then? Well, well now it's dope to

0:10:16.480 --> 0:10:21.880
<v Speaker 1>be stupid. Well I don't know you yeah, yeah, I

0:10:21.920 --> 0:10:26.160
<v Speaker 1>mean everything is coming at you right now. So we said,

0:10:26.200 --> 0:10:29.559
<v Speaker 1>you know, just understand, you know, there's there's a certain lifestyle,

0:10:29.720 --> 0:10:32.240
<v Speaker 1>social martial arts of being able to see what's coming.

0:10:32.520 --> 0:10:35.040
<v Speaker 1>And that's why it was always said quest for knowledge yourself.

0:10:35.080 --> 0:10:38.600
<v Speaker 1>So at that particular juncture, you know, young people say,

0:10:38.679 --> 0:10:40.160
<v Speaker 1>you know, it ain't gonna be given out there. So

0:10:40.200 --> 0:10:42.280
<v Speaker 1>I'm I'm gonna seek. I'm gonna gravitate to the five

0:10:42.320 --> 0:10:45.000
<v Speaker 1>percenter and still have a piece of myself, you know,

0:10:45.040 --> 0:10:48.480
<v Speaker 1>without it being a regiment you know, regimented situation. So

0:10:48.840 --> 0:10:51.079
<v Speaker 1>you know, he would go back and forth from Long

0:10:51.120 --> 0:10:56.439
<v Speaker 1>Island to Brooklyn, still claimed Brooklyn because it was yeah, yeah,

0:10:56.440 --> 0:10:58.320
<v Speaker 1>well you know back then, it's like people were like

0:10:58.360 --> 0:11:09.600
<v Speaker 1>claiming everybody or pretty much like many people because New

0:11:09.640 --> 0:11:11.520
<v Speaker 1>York is a melting pot. When you study New York,

0:11:11.520 --> 0:11:13.800
<v Speaker 1>it's a melting pot. Everybody's from from all over. Man.

0:11:13.880 --> 0:11:16.920
<v Speaker 1>You when you study migration, that's the movement of our people.

0:11:16.960 --> 0:11:18.559
<v Speaker 1>So what youre doing with my water, sir, I I

0:11:18.559 --> 0:11:21.440
<v Speaker 1>don't understand what's what's going on over so it don't

0:11:21.440 --> 0:11:23.880
<v Speaker 1>be shy. And I am afraid man. As y'all get

0:11:24.000 --> 0:11:27.240
<v Speaker 1>you know your thing, I'm gonna still be here for anyway. Yeah,

0:11:27.360 --> 0:11:29.839
<v Speaker 1>so his name was like what Chillo ski? Oh that

0:11:29.920 --> 0:11:33.200
<v Speaker 1>was a horrible name. Buster Well, well it kind of worked.

0:11:33.480 --> 0:11:35.880
<v Speaker 1>But what we used to do. We used to be like, listen, man,

0:11:36.480 --> 0:11:38.959
<v Speaker 1>I'm a big sports head man and go Knicks because

0:11:39.000 --> 0:11:41.719
<v Speaker 1>I'm catching the game and big out, big shout out

0:11:41.760 --> 0:11:45.479
<v Speaker 1>to my man Cpter Fanchise for Knicks Fan TV. But anyway,

0:11:45.720 --> 0:11:48.680
<v Speaker 1>I'm a big sports fan. So one thing about sports,

0:11:49.360 --> 0:11:51.079
<v Speaker 1>you can't just come off the top of your head

0:11:51.120 --> 0:11:53.160
<v Speaker 1>and say what's what This fact is fact and you

0:11:53.200 --> 0:11:55.480
<v Speaker 1>got to go off the facts. So it was like, listen, man,

0:11:56.000 --> 0:11:58.320
<v Speaker 1>we need something to represent the way you spit the

0:11:58.360 --> 0:12:00.520
<v Speaker 1>way you guys rhyn man. But we got to rename

0:12:00.600 --> 0:12:03.080
<v Speaker 1>y'all because man out there, man, there's a million rappers

0:12:03.200 --> 0:12:05.280
<v Speaker 1>right now. Now, it's a trillion. Back then, it's like

0:12:05.480 --> 0:12:09.360
<v Speaker 1>you back then, back then, Yo man. That's why you

0:12:09.360 --> 0:12:11.960
<v Speaker 1>can't tell a streamer yo man. You can't come. You

0:12:11.960 --> 0:12:13.960
<v Speaker 1>can't come to a New Yorker and say, yo, man,

0:12:14.360 --> 0:12:16.240
<v Speaker 1>this is that because it cat's been like I've been

0:12:16.280 --> 0:12:20.200
<v Speaker 1>seeing Ryman for fifty years. Yo. It's so anyway, long

0:12:20.280 --> 0:12:24.160
<v Speaker 1>story short, I'm like, yo, man, this cat plays football

0:12:24.679 --> 0:12:27.880
<v Speaker 1>for Nebraska. His name was Buster Rhymes. I knew at

0:12:27.920 --> 0:12:30.000
<v Speaker 1>that particular time, man, I said, damn if I could

0:12:30.000 --> 0:12:31.280
<v Speaker 1>pick a new name. And I was kind of a

0:12:31.280 --> 0:12:33.520
<v Speaker 1>little established. Wait time out, what did you just his

0:12:33.600 --> 0:12:39.640
<v Speaker 1>name was Buster Runs. There was a guy and he played,

0:12:39.679 --> 0:12:42.560
<v Speaker 1>and he played later on for the Minnesota Viking. He

0:12:42.600 --> 0:12:49.840
<v Speaker 1>has to hate Buster. I think Buster middle later on. Anyway,

0:12:50.000 --> 0:12:52.600
<v Speaker 1>I said listen to it, and back then I was like,

0:12:52.840 --> 0:12:54.760
<v Speaker 1>but why you blow in my mind? Right now, I'm like,

0:12:54.800 --> 0:12:58.640
<v Speaker 1>I got chills. Well it's documented, so I said, listen, Chiller,

0:12:58.720 --> 0:13:02.320
<v Speaker 1>Ski's not gonna work you, Buster Rhymes, And that's what

0:13:02.440 --> 0:13:04.719
<v Speaker 1>your name is of course you get the side the

0:13:04.720 --> 0:13:07.520
<v Speaker 1>side eyed at the times, like nah, I'm not feeling

0:13:07.520 --> 0:13:10.439
<v Speaker 1>this Buster around son, you Buster rhymes, y'aller leaders in

0:13:10.559 --> 0:13:14.200
<v Speaker 1>new school. And Hank named um Brian Higgins, you know,

0:13:14.240 --> 0:13:17.360
<v Speaker 1>big up the Higgins and Higgins Higgins brother Yo. He

0:13:17.480 --> 0:13:20.160
<v Speaker 1>named them. Charlie Brown and Dinko d already had a

0:13:20.200 --> 0:13:22.760
<v Speaker 1>fly and they're teenagers at the time. Matter of fact,

0:13:22.760 --> 0:13:26.800
<v Speaker 1>they was around. They was always downstairs and at the

0:13:27.160 --> 0:13:31.120
<v Speaker 1>five ten recording studios. And when we first came up

0:13:31.160 --> 0:13:33.640
<v Speaker 1>with the track of Rubbel without the pores, they were

0:13:33.679 --> 0:13:37.800
<v Speaker 1>just hanging around. So every time we play, I remember

0:13:37.880 --> 0:13:40.120
<v Speaker 1>them climbing and running up the side of the walls

0:13:40.160 --> 0:13:43.560
<v Speaker 1>and they're like, sit your motherfucking asses down. And every

0:13:43.640 --> 0:13:45.839
<v Speaker 1>time we go back to it, they go crazy and

0:13:46.000 --> 0:13:49.720
<v Speaker 1>doing like they they like like they energies in their music. Yo.

0:13:50.200 --> 0:13:53.079
<v Speaker 1>They they like transforming. Their bodies were bending and ship

0:13:53.280 --> 0:13:55.959
<v Speaker 1>running up the ceiling and I'm like, we got something here,

0:13:56.000 --> 0:14:03.240
<v Speaker 1>you know what. But I know he always comes to

0:14:03.320 --> 0:14:06.600
<v Speaker 1>me and I'm like, Buster, listen, man, you your old man, yo.

0:14:06.880 --> 0:14:10.280
<v Speaker 1>You my fault or you know you stop it, stop it.

0:14:10.800 --> 0:14:15.079
<v Speaker 1>Our job was our job is like listen, public enemy

0:14:15.559 --> 0:14:19.400
<v Speaker 1>we servicemen, we service. This is our military man. We

0:14:19.520 --> 0:14:22.760
<v Speaker 1>don't take the claim and any credit individual e man,

0:14:22.800 --> 0:14:24.640
<v Speaker 1>this is what we do. We love the art form.

0:14:25.160 --> 0:14:26.840
<v Speaker 1>Were just like you know, and I'm not even oh,

0:14:26.960 --> 0:14:29.080
<v Speaker 1>this is a fifty year hip hop. I'm not Oh

0:14:29.120 --> 0:14:31.000
<v Speaker 1>I'm sixty two, I ain't it or you know, in

0:14:31.120 --> 0:14:33.320
<v Speaker 1>my sixty thirty year, I ain't it. Oh something fifty

0:14:33.400 --> 0:14:35.480
<v Speaker 1>years old. So I'm just like I remember when it

0:14:35.600 --> 0:14:41.040
<v Speaker 1>was on a tricycle. Yeah, I know, you know, I'm

0:14:41.720 --> 0:14:43.400
<v Speaker 1>you know, I'm not in all of it. I've seen

0:14:43.480 --> 0:14:45.760
<v Speaker 1>it on a tricycle. Just don't want to see people

0:14:45.880 --> 0:14:48.640
<v Speaker 1>driving into a ditch, that's all. So so I'm saying,

0:14:48.840 --> 0:14:52.920
<v Speaker 1>you know, we're servicemen and we give things, as Griff

0:14:52.960 --> 0:14:56.200
<v Speaker 1>would say, So that's that's the thing is trained mental.

0:14:56.400 --> 0:14:59.720
<v Speaker 1>But the same thing in sports, right you know, young

0:14:59.760 --> 0:15:02.840
<v Speaker 1>ca they got talent, you want to manifest that into

0:15:02.880 --> 0:15:05.680
<v Speaker 1>a skill and then you want that skill to work

0:15:05.720 --> 0:15:07.920
<v Speaker 1>for them, so they do their thing. Because you know

0:15:08.760 --> 0:15:13.720
<v Speaker 1>this this fifty years of hip hop, but every five

0:15:13.880 --> 0:15:17.760
<v Speaker 1>years is a generation. So there's ten generations in hip hop.

0:15:18.760 --> 0:15:22.880
<v Speaker 1>Ten generations. I mean look from you know recorded wise, right, Well,

0:15:22.920 --> 0:15:25.640
<v Speaker 1>you got the first generation seventy three to seventy eight.

0:15:26.440 --> 0:15:29.080
<v Speaker 1>Then what you got seventy nine to eighty four. That's

0:15:29.120 --> 0:15:32.200
<v Speaker 1>the first five years of recording. You got eighty and

0:15:32.280 --> 0:15:36.120
<v Speaker 1>four to eighty nine. Okay, you got eighty nine to

0:15:36.320 --> 0:15:40.480
<v Speaker 1>like ninety four, then you got ninety five to like

0:15:40.680 --> 0:15:46.000
<v Speaker 1>you can kind of see changes in Yeah, So every

0:15:46.040 --> 0:15:49.640
<v Speaker 1>generation got their thing, so they got their ways and

0:15:50.000 --> 0:15:53.040
<v Speaker 1>and if you can find like comment denominators to teach

0:15:53.120 --> 0:15:55.920
<v Speaker 1>them how to do them better or not even better

0:15:55.960 --> 0:15:58.840
<v Speaker 1>because artist subjective. Man, a lot of people aren't studied

0:15:58.880 --> 0:16:00.680
<v Speaker 1>in the arts, so a lot of times they put

0:16:00.720 --> 0:16:02.880
<v Speaker 1>it in a competition mode without saying, well damn, you

0:16:02.960 --> 0:16:05.440
<v Speaker 1>got license to ill as an art you know, so

0:16:05.560 --> 0:16:10.840
<v Speaker 1>they's not teaching the art awards, teaching the war of art, right. Yeah,

0:16:11.000 --> 0:16:14.840
<v Speaker 1>we just had the Isley Brothers on right and they

0:16:14.920 --> 0:16:20.240
<v Speaker 1>spoke about um uh, fight the power. Yes they're making

0:16:20.280 --> 0:16:22.800
<v Speaker 1>that record, and it made me also think it was

0:16:22.840 --> 0:16:25.920
<v Speaker 1>like fight the powers is saying to fight, you know,

0:16:26.000 --> 0:16:30.480
<v Speaker 1>against the establishments the regimes that when they made that record.

0:16:30.560 --> 0:16:32.240
<v Speaker 1>This is what I'm trying to say, how is that

0:16:32.400 --> 0:16:35.480
<v Speaker 1>record still relevant to this day? Right now? You can

0:16:35.560 --> 0:16:41.120
<v Speaker 1>still their virginal your Vergi and it's goodness because it's

0:16:41.160 --> 0:16:44.440
<v Speaker 1>not yea to fight the bout Why the fun were

0:16:44.440 --> 0:16:48.000
<v Speaker 1>still gonna fight things is Nina Simone once said that

0:16:50.160 --> 0:16:52.760
<v Speaker 1>artists should speak in the time in which they lived. Damn,

0:16:52.800 --> 0:16:56.600
<v Speaker 1>that's pretty and fight the powers. One of those things

0:16:56.680 --> 0:16:58.840
<v Speaker 1>you don't at the time. You know, you have all

0:16:58.880 --> 0:17:01.560
<v Speaker 1>these companies and they they in our neighborhood, but they're

0:17:01.600 --> 0:17:04.919
<v Speaker 1>not giving back. They're not doing anything for the neighborhood.

0:17:05.119 --> 0:17:08.359
<v Speaker 1>You you you most of the time, and this and

0:17:08.520 --> 0:17:12.120
<v Speaker 1>this is crazy. We're the athletes. You go to our schools.

0:17:12.240 --> 0:17:14.560
<v Speaker 1>Some of the topic, especially in Florida. I grew up

0:17:14.600 --> 0:17:19.120
<v Speaker 1>here in Pojokee, Florida, right, and some of the top athletes.

0:17:19.760 --> 0:17:22.640
<v Speaker 1>But these companies that they go to they ain't building nothing.

0:17:22.680 --> 0:17:26.280
<v Speaker 1>They ain't giving back a community center or rec center

0:17:26.520 --> 0:17:28.880
<v Speaker 1>to keep them off the streets. And that was one

0:17:28.920 --> 0:17:31.800
<v Speaker 1>of the things that you know, we understood at that time.

0:17:32.119 --> 0:17:34.560
<v Speaker 1>You got to speak into the times in which you live.

0:17:34.880 --> 0:17:38.240
<v Speaker 1>And I think when Nina Simone said that, that was

0:17:38.440 --> 0:17:43.200
<v Speaker 1>that was a pivotal time, you know, because these generations

0:17:43.600 --> 0:17:46.800
<v Speaker 1>they get lost and and right now they keep it.

0:17:48.400 --> 0:17:51.399
<v Speaker 1>How you gonna be a boy at thirty five. You know,

0:17:51.680 --> 0:17:54.480
<v Speaker 1>you're a man and they're keeping they're dumbing down rat.

0:17:54.600 --> 0:17:57.320
<v Speaker 1>Really that's that's that's what I'm saying. I said, you guys,

0:17:57.359 --> 0:18:02.080
<v Speaker 1>I said, you guys are DM on Twitter lamm Twitter.

0:18:02.160 --> 0:18:05.600
<v Speaker 1>But it showed a great example of a young cat.

0:18:05.600 --> 0:18:07.200
<v Speaker 1>I don't know where they was at, but his name

0:18:07.280 --> 0:18:11.200
<v Speaker 1>was Ali and young young Cats was in the streets

0:18:11.240 --> 0:18:14.560
<v Speaker 1>and they had beef. But of course something that's lifted

0:18:14.600 --> 0:18:17.560
<v Speaker 1>into the style of everybody capturing everything, so it's like

0:18:17.640 --> 0:18:20.920
<v Speaker 1>you got bystanders now trying to document, but it's become

0:18:21.000 --> 0:18:23.200
<v Speaker 1>this other thing. And he stepped in the middle of

0:18:23.320 --> 0:18:25.240
<v Speaker 1>it as a slightly older head. Maybe he was ten,

0:18:25.320 --> 0:18:28.119
<v Speaker 1>maybe fifteen years older than them. And you know, I mean,

0:18:28.520 --> 0:18:30.840
<v Speaker 1>I'm not going to reiterate everything in the video if

0:18:30.840 --> 0:18:33.520
<v Speaker 1>I could, but I'm just like saying that that example

0:18:33.720 --> 0:18:37.320
<v Speaker 1>of stand up is what happened all the time, because

0:18:37.359 --> 0:18:40.440
<v Speaker 1>it's it's standing up with love and whatever you do

0:18:40.520 --> 0:18:43.840
<v Speaker 1>and approach anything, you know, you gotta you gotta approach

0:18:43.920 --> 0:18:46.840
<v Speaker 1>with love. Man. That's why sometimes in the business, you know,

0:18:47.160 --> 0:18:51.080
<v Speaker 1>Quincy Jones, mister Quincy Jones, he says, you know, like

0:18:51.960 --> 0:18:54.080
<v Speaker 1>you know, it's straight up, you know, the artists. Art

0:18:54.240 --> 0:18:58.159
<v Speaker 1>artists love and introducing the conversation with especially you know

0:18:58.320 --> 0:19:00.920
<v Speaker 1>young men in the street, all that he's got to

0:19:01.000 --> 0:19:03.120
<v Speaker 1>do it with love. But so his business is happening.

0:19:03.800 --> 0:19:06.440
<v Speaker 1>You know, once money comes in, God walks out the room.

0:19:06.880 --> 0:19:11.680
<v Speaker 1>So the love. Yeah, anyway, I gotta, I gotta, I

0:19:11.720 --> 0:19:15.320
<v Speaker 1>gotta represent you know, um a lot of the times,

0:19:15.480 --> 0:19:19.760
<v Speaker 1>you know this is the crown iconic. Of course, of

0:19:19.800 --> 0:19:21.720
<v Speaker 1>course I gotta take because I gotta show my generation.

0:19:22.000 --> 0:19:25.480
<v Speaker 1>My generation took these off. You know what I'm saying.

0:19:25.840 --> 0:19:40.080
<v Speaker 1>But I would say that I leave one another thing anhing, No, no, no, no,

0:19:40.480 --> 0:19:43.960
<v Speaker 1>It's very cool to stay in your lane. Catch just

0:19:43.960 --> 0:19:45.359
<v Speaker 1>like coming to me. I said, Yo, man, I ain't

0:19:45.400 --> 0:19:47.919
<v Speaker 1>my lane. I got love for it, but ain't as

0:19:47.960 --> 0:19:49.960
<v Speaker 1>long as it's your lane. The problem is people trying

0:19:49.960 --> 0:19:53.040
<v Speaker 1>to jump another lane are uncomfortable for them. Bro listen,

0:19:53.080 --> 0:19:54.960
<v Speaker 1>I ain't trying to peel that nothing. I ain't trying

0:19:54.960 --> 0:19:58.800
<v Speaker 1>to sell anything. I'm actually you know, my team's always like, dude,

0:19:58.840 --> 0:20:00.840
<v Speaker 1>you need to sell. I'm like, I'm in it for

0:20:00.920 --> 0:20:03.600
<v Speaker 1>the art. They saying, I'm It's the opposite of maybe

0:20:03.640 --> 0:20:06.359
<v Speaker 1>in big respect, out the Jay and everybody I'm not

0:20:06.480 --> 0:20:11.959
<v Speaker 1>a businessman. That's real. I've never heard nobody. I am

0:20:12.000 --> 0:20:16.000
<v Speaker 1>an artist. I'm an artist since nineteen sixty. You know,

0:20:17.040 --> 0:20:20.119
<v Speaker 1>artists shorts for artificial it's not real. It's a facsimile

0:20:20.280 --> 0:20:22.200
<v Speaker 1>of the life that we see and leave. But but

0:20:22.320 --> 0:20:25.680
<v Speaker 1>that's my choosing, you know, I think when it comes

0:20:25.720 --> 0:20:28.200
<v Speaker 1>down but I think, well, I think when it comes

0:20:28.240 --> 0:20:32.159
<v Speaker 1>down to the business, it's like you only could do

0:20:32.359 --> 0:20:35.240
<v Speaker 1>so much for yourself as an individual, but how much

0:20:35.440 --> 0:20:38.720
<v Speaker 1>you know, like this this team around you. You you

0:20:38.920 --> 0:20:41.680
<v Speaker 1>work and you strive to go forward, to evolve and

0:20:41.760 --> 0:20:44.040
<v Speaker 1>all that for them to be able to come up

0:20:44.080 --> 0:20:47.320
<v Speaker 1>and grow. And I've been very fortunate, and we've always

0:20:47.320 --> 0:20:48.760
<v Speaker 1>had bumps in the road because you never seen me

0:20:48.800 --> 0:20:51.240
<v Speaker 1>out kid yo, by this, by that, by that, there's

0:20:51.240 --> 0:20:55.640
<v Speaker 1>nothing against that. But but we've been um as as

0:20:55.720 --> 0:20:58.680
<v Speaker 1>black folk and even others involved with us, you know,

0:20:59.320 --> 0:21:04.320
<v Speaker 1>like employable for amongst ourselves for like what thirty five years,

0:21:04.480 --> 0:21:07.560
<v Speaker 1>thirty six years, thirty six don't think for yourself because

0:21:07.560 --> 0:21:09.040
<v Speaker 1>a lot of times people are like, oh, man, you're

0:21:09.080 --> 0:21:11.880
<v Speaker 1>getting this, You're getting us. Not man, I gotta think

0:21:11.960 --> 0:21:14.959
<v Speaker 1>for the totem pole of people are coming up. How

0:21:15.000 --> 0:21:16.600
<v Speaker 1>do they make a living, how do they get their

0:21:16.640 --> 0:21:20.080
<v Speaker 1>first house? You know what I'm saying. That's the theme

0:21:20.119 --> 0:21:22.280
<v Speaker 1>of what this should all be about. It's no knock

0:21:22.320 --> 0:21:24.960
<v Speaker 1>for anybody that doesn't have that thing, because because we're

0:21:24.960 --> 0:21:28.960
<v Speaker 1>all individuals with human beings, there is a human glitch.

0:21:29.480 --> 0:21:31.160
<v Speaker 1>But I'm not the one to figure it out. I'm

0:21:31.200 --> 0:21:33.280
<v Speaker 1>just not in the business and making black folks look bad.

0:21:33.560 --> 0:21:35.800
<v Speaker 1>I'm just in and I'm saying I'm not in that business.

0:21:36.560 --> 0:21:39.439
<v Speaker 1>And there's this you know, there's business is out there

0:21:39.480 --> 0:21:43.200
<v Speaker 1>that thrive on it ever since what shackles slavery both

0:21:43.960 --> 0:21:46.080
<v Speaker 1>you know what I'm saying like that, But i mean,

0:21:47.600 --> 0:21:51.600
<v Speaker 1>let's let's let's be clear, right, you guys had major success,

0:21:52.320 --> 0:21:55.840
<v Speaker 1>and what success comes you know, all the other parts

0:21:55.920 --> 0:21:58.680
<v Speaker 1>of the world, Like how come I've never heard be

0:21:59.240 --> 0:22:04.320
<v Speaker 1>involved in like conspiracy scandal like and but obviously there

0:22:04.440 --> 0:22:08.159
<v Speaker 1>was it was around. I'm thinking that we've been one

0:22:08.240 --> 0:22:11.200
<v Speaker 1>hundred and sixteen countries, one hundred and sixteen I'm sorry,

0:22:11.200 --> 0:22:14.960
<v Speaker 1>I'm making some noise of that. Well, by the way,

0:22:15.160 --> 0:22:17.199
<v Speaker 1>let me just let me just be clear. By the way,

0:22:17.280 --> 0:22:18.760
<v Speaker 1>let's just be clear, I didn't even know there was

0:22:18.800 --> 0:22:22.879
<v Speaker 1>one hundred sixteen countries. I didn't even know that twenty two. Now,

0:22:23.440 --> 0:22:27.399
<v Speaker 1>that's how that's I. I thought I had success just

0:22:27.480 --> 0:22:29.959
<v Speaker 1>now like that just hurt me. Success I didn't even

0:22:29.960 --> 0:22:32.199
<v Speaker 1>though it was two hundred countries. Success is relative. Bro,

0:22:32.280 --> 0:22:35.520
<v Speaker 1>you're very success who you've been to one hundred and

0:22:35.600 --> 0:22:40.280
<v Speaker 1>sixteen countries? Yeah, But but I just strow it out there.

0:22:40.320 --> 0:22:41.840
<v Speaker 1>I understand this. I'm gonna just s throw it out there.

0:22:41.960 --> 0:22:44.960
<v Speaker 1>But look, there's people out there like Master aceh like

0:22:45.320 --> 0:22:48.119
<v Speaker 1>a lot, I mean Ace out there is always living

0:22:48.240 --> 0:22:52.280
<v Speaker 1>somewhere else in the world. This is a truck d

0:22:52.600 --> 0:22:57.560
<v Speaker 1>you got over some cholch. But the thing about you're

0:22:57.560 --> 0:23:01.040
<v Speaker 1>invited to go to these places and whole school of

0:23:01.080 --> 0:23:03.399
<v Speaker 1>where we came from is that you're invited to go

0:23:03.480 --> 0:23:06.119
<v Speaker 1>to the places, leave an impression, make a path for

0:23:06.240 --> 0:23:09.960
<v Speaker 1>others to come in and romp shit out because I mean, listen,

0:23:10.119 --> 0:23:13.160
<v Speaker 1>the positive thing and this to that whatever the number

0:23:13.200 --> 0:23:16.800
<v Speaker 1>one goal, as we're taught by our master teacher, Dougie Fresh,

0:23:17.320 --> 0:23:20.000
<v Speaker 1>right right, look at Dougie Fresh as well. Fresh, leave

0:23:20.119 --> 0:23:25.000
<v Speaker 1>that fucking stage fucking destroyed. Yes, leave destroy that stage

0:23:25.119 --> 0:23:27.960
<v Speaker 1>with rap and music and hip hop. We'd be like, no,

0:23:28.240 --> 0:23:30.360
<v Speaker 1>we didn't make appeal in music. Matter fact, we made

0:23:30.480 --> 0:23:32.640
<v Speaker 1>music at the same time, like we're trying to make

0:23:32.680 --> 0:23:34.800
<v Speaker 1>you not like our music. So when you see us,

0:23:34.920 --> 0:23:37.480
<v Speaker 1>you'd be like, what the fuck is this? You know?

0:23:37.640 --> 0:23:40.440
<v Speaker 1>I mean it's sort of like that crazy ass heavy

0:23:40.520 --> 0:23:45.119
<v Speaker 1>metal attitude, like like the groupies outside. Yeah, everybody's everybody

0:23:45.280 --> 0:23:51.040
<v Speaker 1>and this part of the world, man, the South, you're

0:23:51.080 --> 0:23:54.080
<v Speaker 1>in an inner team of business. You know that, you know,

0:23:54.280 --> 0:23:56.320
<v Speaker 1>the whole the whole thing. I've been telling people all

0:23:56.359 --> 0:23:57.600
<v Speaker 1>my life. Be like, oh man, I didn't think you

0:23:57.640 --> 0:24:00.240
<v Speaker 1>were so engaging. I said, dude, I've been in hating

0:24:00.280 --> 0:24:04.080
<v Speaker 1>the business. I'm not a preacher. I don't have no churches, man,

0:24:05.080 --> 0:24:07.720
<v Speaker 1>you know, I don't write just or rhythmic dissertations. But

0:24:07.800 --> 0:24:11.160
<v Speaker 1>I'm saying that I am in the entertainment business. Hip hop,

0:24:11.400 --> 0:24:14.920
<v Speaker 1>rap music is my thing. That is my religion. I'll

0:24:15.000 --> 0:24:18.119
<v Speaker 1>go around and stomp out a ball. I would definitely

0:24:18.200 --> 0:24:20.280
<v Speaker 1>back in the day, I'll be like, listen, I would

0:24:20.320 --> 0:24:22.000
<v Speaker 1>have to ask you like a lines of morning we

0:24:22.280 --> 0:24:24.160
<v Speaker 1>like when I hit that stage, it's like you're gonna

0:24:24.200 --> 0:24:27.920
<v Speaker 1>come and tear this ship up, Like but yeah, yeah,

0:24:27.920 --> 0:24:35.359
<v Speaker 1>that's all the big I would see lines of morning

0:24:35.400 --> 0:24:38.240
<v Speaker 1>with that vein in the savage. Yeah, coming to the court,

0:24:38.280 --> 0:24:42.000
<v Speaker 1>I was like, and go chake that stage and chew

0:24:42.040 --> 0:24:43.560
<v Speaker 1>it up. But you know you gotta get taught that

0:24:44.080 --> 0:24:46.359
<v Speaker 1>and when you first start and and big up to

0:24:46.440 --> 0:24:49.680
<v Speaker 1>my man Paul and say, uh he in Possaic. He

0:24:49.720 --> 0:24:53.160
<v Speaker 1>saw our first show. Yeah, he saw our first show

0:24:53.200 --> 0:24:56.199
<v Speaker 1>in Prosaic, New Jersey. Number one. End up in nineteen

0:24:56.280 --> 0:24:58.920
<v Speaker 1>eighty seven, people droping up for the baste boards April first.

0:24:59.400 --> 0:25:03.320
<v Speaker 1>I got ten years old, was ten years old Capital

0:25:03.400 --> 0:25:08.400
<v Speaker 1>Theater Number one. You start out right, and I couldn't

0:25:08.520 --> 0:25:11.359
<v Speaker 1>you know number one. You're trying to like yo, like

0:25:11.600 --> 0:25:14.560
<v Speaker 1>I'm trying to kno fuck up, you know what I'm saying.

0:25:15.000 --> 0:25:17.280
<v Speaker 1>And then the Beastie Boys that second show we did

0:25:17.359 --> 0:25:20.159
<v Speaker 1>with them, we're in an arena. Were in the arena

0:25:20.320 --> 0:25:22.280
<v Speaker 1>like like you know, like the same spot I'll be

0:25:22.359 --> 0:25:25.639
<v Speaker 1>seeing Cash play basketball like we played Providence the second

0:25:25.720 --> 0:25:31.440
<v Speaker 1>show arena and I'm like, whoa like like the whole

0:25:31.600 --> 0:25:34.560
<v Speaker 1>the audience looked like a pizza, like a like a

0:25:34.680 --> 0:25:37.720
<v Speaker 1>Calico rug. Right, how do you why do you and

0:25:37.920 --> 0:25:43.359
<v Speaker 1>just make pizza sound bad? You don't see nothing. And

0:25:43.440 --> 0:25:46.520
<v Speaker 1>then all of a sudden right, you know, you know,

0:25:47.200 --> 0:25:50.200
<v Speaker 1>I was getting through that tour nervous. I was nervous

0:25:50.280 --> 0:25:55.639
<v Speaker 1>my whole first year, and you know we finally nervous.

0:25:56.119 --> 0:25:58.800
<v Speaker 1>You're talking about nineteen eighty seven and the Latin Quarters

0:25:58.840 --> 0:26:03.400
<v Speaker 1>with Mellie Men get that story later, listen. So I'm

0:26:03.440 --> 0:26:05.680
<v Speaker 1>so nervous. And one day I've seening Mike D. He

0:26:05.800 --> 0:26:09.119
<v Speaker 1>was like totally drunk, right, and he did his verses

0:26:09.520 --> 0:26:12.240
<v Speaker 1>and he like he he just fell out, but he

0:26:12.359 --> 0:26:14.399
<v Speaker 1>still was on the floor laughing. And I was like,

0:26:14.480 --> 0:26:17.760
<v Speaker 1>you could do that. Anything goes. Unless I saw Mike

0:26:17.840 --> 0:26:20.600
<v Speaker 1>D did that, I loosened up because I'm like, damn,

0:26:20.720 --> 0:26:23.200
<v Speaker 1>anything goes on the stage if you could kind of

0:26:23.280 --> 0:26:25.000
<v Speaker 1>like still stay with it. And it was three of them,

0:26:25.200 --> 0:26:28.600
<v Speaker 1>and that loosened me up like crazy. So um yeah, man,

0:26:28.720 --> 0:26:32.879
<v Speaker 1>It's like, you know, I'm a firm believer. You're owner

0:26:33.440 --> 0:26:35.920
<v Speaker 1>to what you think, but a slave to what you say.

0:26:36.480 --> 0:26:39.080
<v Speaker 1>You know what I'm saying. So a lot of times

0:26:39.080 --> 0:26:42.000
<v Speaker 1>people are like, oh, man, watch out for valad, watch

0:26:42.080 --> 0:26:45.520
<v Speaker 1>out for drink Chace man, yo man uh sound bites

0:26:45.560 --> 0:26:47.880
<v Speaker 1>and clicks. I'm like, you're owner to what you think,

0:26:48.680 --> 0:26:55.160
<v Speaker 1>you slay to what you say, Yeah, sick. But by

0:26:55.240 --> 0:26:57.159
<v Speaker 1>the way, by the way, I didn't say that the

0:26:57.320 --> 0:27:02.040
<v Speaker 1>fuck out of here. Yeah, listen, listen, you the saw

0:27:02.240 --> 0:27:06.359
<v Speaker 1>of what you think exactly. Listen. The easiest thing. A

0:27:06.400 --> 0:27:08.760
<v Speaker 1>lot of people blame alcohol, and it's not alcohol. Alcohol

0:27:08.840 --> 0:27:12.359
<v Speaker 1>just enhances. Yes, it rolls it out, you know. And

0:27:13.240 --> 0:27:15.080
<v Speaker 1>and I'll get to that in a second. But like

0:27:15.200 --> 0:27:18.920
<v Speaker 1>I said, like, you know, the easiest thing for people

0:27:19.000 --> 0:27:21.960
<v Speaker 1>to deal with it saying fuck, I don't know you

0:27:22.000 --> 0:27:24.120
<v Speaker 1>know what I'm saying. You're gonna take press. But see

0:27:24.480 --> 0:27:26.800
<v Speaker 1>here we in the game. And let me tell you

0:27:27.200 --> 0:27:30.119
<v Speaker 1>public interview if you say all that, we're the first

0:27:30.520 --> 0:27:35.760
<v Speaker 1>to take on an interview with a vengeance myself, Griff James.

0:27:37.160 --> 0:27:39.720
<v Speaker 1>There was no music press at all for black artists

0:27:39.800 --> 0:27:42.200
<v Speaker 1>in the eighties, you know, Prince and Michael Jackson wasn't

0:27:42.240 --> 0:27:46.440
<v Speaker 1>fucking with no interviews. So and then after Rundem scene

0:27:46.520 --> 0:27:52.159
<v Speaker 1>got accused of starting riots in in nineteen eighty six. No,

0:27:52.320 --> 0:27:55.280
<v Speaker 1>and yeah, they got accused for starting riots because there

0:27:55.400 --> 0:27:59.560
<v Speaker 1>was a big conflict Crisson the Bloods nineteen eighty six,

0:27:59.760 --> 0:28:03.680
<v Speaker 1>Long Beach, California. They had some some and the press

0:28:03.720 --> 0:28:05.680
<v Speaker 1>didn't even know what to call it, so it must

0:28:05.680 --> 0:28:08.560
<v Speaker 1>have been run DMC. So I win. You know, I

0:28:08.760 --> 0:28:12.920
<v Speaker 1>just kind of bloods holy shit, yeah, because you know,

0:28:13.040 --> 0:28:15.439
<v Speaker 1>like they had factions and the beginning of the crypton

0:28:15.480 --> 0:28:17.520
<v Speaker 1>bloods And I'm not gonna be an expert on this,

0:28:17.680 --> 0:28:20.800
<v Speaker 1>but you know, at the beginning they were neighborhood guardians, right.

0:28:21.240 --> 0:28:23.520
<v Speaker 1>But then just like in New York, all of a

0:28:23.640 --> 0:28:27.399
<v Speaker 1>sudden the nineteen eighties, which is R and B, Reagan

0:28:27.440 --> 0:28:30.879
<v Speaker 1>and Bush, right, they come in and all of a

0:28:30.920 --> 0:28:33.800
<v Speaker 1>sudden in the neighborhood include now neighborhood Long Island, there's

0:28:33.800 --> 0:28:37.480
<v Speaker 1>an influx of guns. There's an influx of drugs out

0:28:37.520 --> 0:28:40.320
<v Speaker 1>of nowhere, right, And this is on the tail end

0:28:40.760 --> 0:28:43.160
<v Speaker 1>or the seventies. And y'all saw the movie Un American

0:28:43.240 --> 0:28:45.560
<v Speaker 1>Gangster and stuff like that, in the whole Nicky Bad

0:28:46.160 --> 0:28:49.080
<v Speaker 1>Lucas Starry and all that. But also that was tied

0:28:49.120 --> 0:28:52.520
<v Speaker 1>into other situations. You could go into the CIA and

0:28:52.600 --> 0:28:54.840
<v Speaker 1>all that stuff. Pretty sure, I mean, you got the

0:28:54.920 --> 0:29:02.320
<v Speaker 1>name Noriego Snowfall. But but but like there's no accident.

0:29:02.680 --> 0:29:04.680
<v Speaker 1>So in the eighties when this came up, you know,

0:29:05.280 --> 0:29:07.400
<v Speaker 1>all of a sudden, in Los Angeles, what used to

0:29:07.480 --> 0:29:10.520
<v Speaker 1>be the neighborhood guardians. You know, hey, look, you don't

0:29:10.520 --> 0:29:12.720
<v Speaker 1>come to this turf the script's blood. Then all of

0:29:12.720 --> 0:29:15.440
<v Speaker 1>a sudden, you're fueling the next generation the young heads.

0:29:15.480 --> 0:29:18.440
<v Speaker 1>That's that's like okay, I mean yo, I'm getting this

0:29:18.520 --> 0:29:20.320
<v Speaker 1>money and old head ain't got no money. So now

0:29:20.480 --> 0:29:23.480
<v Speaker 1>money is the divide line. God walks out the room.

0:29:23.800 --> 0:29:26.440
<v Speaker 1>So they turned into a different army with guns where

0:29:26.480 --> 0:29:29.239
<v Speaker 1>like boom boom. So it's like where where this thing

0:29:29.320 --> 0:29:33.320
<v Speaker 1>came from? In eighty six, they got everybody, everybody listening

0:29:33.320 --> 0:29:35.800
<v Speaker 1>to rap music. Kda's the radio station out there. They

0:29:35.840 --> 0:29:37.880
<v Speaker 1>got everybody in the spot and just happened to be

0:29:38.000 --> 0:29:41.680
<v Speaker 1>the meeting place where cats convened and something broke out

0:29:41.720 --> 0:29:43.920
<v Speaker 1>and they blamed in our rap music in nineteen eighty six,

0:29:44.000 --> 0:29:45.800
<v Speaker 1>that's what I was saying. And I told Bill Outler,

0:29:45.840 --> 0:29:47.920
<v Speaker 1>I said, you know what, man, I'm ready to do

0:29:48.040 --> 0:29:51.320
<v Speaker 1>this public enemy thing because I'm gonna be the motherfucker

0:29:51.560 --> 0:29:53.920
<v Speaker 1>that they ain't never gonna see before. Now. I was

0:29:54.040 --> 0:29:57.240
<v Speaker 1>trained to like do interviews and give interviews and shit

0:29:57.320 --> 0:30:00.640
<v Speaker 1>like that being a sports fan, so that one thing

0:30:00.720 --> 0:30:04.200
<v Speaker 1>led to another and the birth of public Enemy. We

0:30:04.280 --> 0:30:08.160
<v Speaker 1>would be getting large expanses of interviews man all over

0:30:08.240 --> 0:30:10.920
<v Speaker 1>the world, because I said, Yo, what we have is

0:30:11.000 --> 0:30:13.600
<v Speaker 1>something y'all don't know about, and we know everything about you.

0:30:13.840 --> 0:30:16.360
<v Speaker 1>That's the same thing like and martial arts that that

0:30:16.800 --> 0:30:23.600
<v Speaker 1>these guys do. It's like arts. You're gonna start smiling.

0:30:24.720 --> 0:30:29.560
<v Speaker 1>He rode to James. I mean, they they they've been

0:30:29.880 --> 0:30:32.240
<v Speaker 1>there since minute one. They used to do the security

0:30:32.280 --> 0:30:36.280
<v Speaker 1>of our gigs with myself, Hank, Keith Shockley, you know,

0:30:36.880 --> 0:30:40.240
<v Speaker 1>and you know we used to do the gigs flavor myself,

0:30:40.680 --> 0:30:43.000
<v Speaker 1>Keith was on the radio station doing mixes and stuff

0:30:43.040 --> 0:30:46.680
<v Speaker 1>like that. So we all just together terminator asks of course,

0:30:47.120 --> 0:30:49.400
<v Speaker 1>you know. So we bought it all together to be

0:30:49.560 --> 0:30:52.880
<v Speaker 1>this one thing. And and I'm just finished off the

0:30:52.920 --> 0:30:55.680
<v Speaker 1>Public Enemy thing. It's like I said no for two

0:30:55.760 --> 0:30:59.840
<v Speaker 1>years doing Public Enemy and won't do records. We wanted

0:30:59.840 --> 0:31:03.640
<v Speaker 1>to be what Deaf Jam was building, and we wanted

0:31:03.680 --> 0:31:05.760
<v Speaker 1>to be like the motown of hip hop because I

0:31:05.840 --> 0:31:09.800
<v Speaker 1>mean myself, Bill, Stephany, Hank, we wanted to like trade

0:31:09.880 --> 0:31:12.320
<v Speaker 1>you see, like what came out of it, like busting them.

0:31:12.680 --> 0:31:14.600
<v Speaker 1>It was like, you know, and we have more to

0:31:14.720 --> 0:31:17.400
<v Speaker 1>come out. So I was a key development person. I

0:31:17.560 --> 0:31:19.880
<v Speaker 1>was like the Smokey Robinson man. I would work with

0:31:20.000 --> 0:31:23.200
<v Speaker 1>the artists, arrange them. We're naming it, do the art

0:31:23.360 --> 0:31:25.440
<v Speaker 1>stuff like that. We would all put you know, cats

0:31:25.440 --> 0:31:27.480
<v Speaker 1>in a gig. We would treat them right when they

0:31:27.560 --> 0:31:29.560
<v Speaker 1>come along outland. It's like, man, we'll bring you out,

0:31:29.800 --> 0:31:31.960
<v Speaker 1>we'll treat you like superstars, and we'll send you back

0:31:32.000 --> 0:31:35.480
<v Speaker 1>home safe boom. One of our biggest groups that we

0:31:35.560 --> 0:31:40.000
<v Speaker 1>always had a ball is promoting stets of Sonic was Yeah, man,

0:31:40.160 --> 0:31:42.600
<v Speaker 1>my man, Daddy O is like thick up the Daddy O.

0:31:42.680 --> 0:31:47.200
<v Speaker 1>He's like the you know, the guru professor Daddy, like

0:31:47.240 --> 0:31:51.160
<v Speaker 1>three thousand haircuts. Yeah, always a different sided. Mean to

0:31:51.200 --> 0:31:53.120
<v Speaker 1>take it there with it. But I'm saying that that

0:31:53.680 --> 0:31:56.080
<v Speaker 1>when you go around the world, the number one thing,

0:31:57.680 --> 0:31:59.840
<v Speaker 1>number one thing to wherever you're at is know the law.

0:32:01.240 --> 0:32:06.280
<v Speaker 1>Because when you know the law, then you can operate

0:32:06.440 --> 0:32:09.920
<v Speaker 1>on figuring out it's flaws. When you have no justice

0:32:10.120 --> 0:32:12.520
<v Speaker 1>to fight the law, you can't fight the lad not

0:32:12.640 --> 0:32:15.960
<v Speaker 1>knowing the law. Right and then and then expect some

0:32:16.280 --> 0:32:18.600
<v Speaker 1>some clap back on that. That was a Black Panthers.

0:32:18.880 --> 0:32:23.120
<v Speaker 1>Black Panthers was college students, neighborhood activists that knew the

0:32:23.240 --> 0:32:28.520
<v Speaker 1>law and use the law right and still us you

0:32:28.600 --> 0:32:30.880
<v Speaker 1>know what I mean. Listen man, the community is always

0:32:30.960 --> 0:32:34.160
<v Speaker 1>full of thinkers and doers. You know, you need thinkers,

0:32:34.680 --> 0:32:37.080
<v Speaker 1>but they could come up to a certain point. You

0:32:37.200 --> 0:32:40.720
<v Speaker 1>need doings, but they just can't just just be doing it. Yeah,

0:32:40.760 --> 0:32:42.840
<v Speaker 1>so you need a combination and then and that's what

0:32:42.960 --> 0:32:46.560
<v Speaker 1>we was a combination thinkers do is move and shakers.

0:32:46.600 --> 0:32:50.280
<v Speaker 1>But also let's let's not get it twisted. We're in

0:32:50.320 --> 0:32:52.360
<v Speaker 1>the entertainment business in hip hop. When you're trying to

0:32:52.400 --> 0:32:54.520
<v Speaker 1>give young people something to do, we're just trying to

0:32:54.560 --> 0:32:57.240
<v Speaker 1>be active. We trying to be motivating and give young

0:32:57.280 --> 0:32:59.960
<v Speaker 1>people something to do by enlightening them and not look

0:33:00.280 --> 0:33:03.200
<v Speaker 1>down on them. Although there's a lot of things you

0:33:03.280 --> 0:33:05.080
<v Speaker 1>can look down on, but you gotta look across there

0:33:05.080 --> 0:33:07.600
<v Speaker 1>and say, listen, man, how do you think it's gonna

0:33:07.760 --> 0:33:09.960
<v Speaker 1>You know, work long term is a good look. You

0:33:10.040 --> 0:33:12.160
<v Speaker 1>gotta ask them questions, you gotta engage on that. But

0:33:13.040 --> 0:33:15.080
<v Speaker 1>that's a lot of work, man, it's a lot of work.

0:33:15.160 --> 0:33:17.400
<v Speaker 1>But hold you mentioned going back to you saying that

0:33:17.480 --> 0:33:19.400
<v Speaker 1>you wanted to be the motown, you wanted to produce

0:33:19.440 --> 0:33:22.520
<v Speaker 1>and development. Was that chance one of the first chances

0:33:22.560 --> 0:33:25.120
<v Speaker 1>when when Cube, that opportunity came for you guys to

0:33:25.640 --> 0:33:28.680
<v Speaker 1>produce America's most wanting And how did that all come about?

0:33:28.960 --> 0:33:31.440
<v Speaker 1>Cause I cannot cannot because that was a marriage of

0:33:31.960 --> 0:33:33.920
<v Speaker 1>great worlds. Let me let me just say something. And

0:33:34.280 --> 0:33:38.560
<v Speaker 1>I watched um math Hoppa and them talk about this

0:33:38.880 --> 0:33:43.160
<v Speaker 1>fantastic show. So what happened was on there? They said

0:33:43.240 --> 0:33:45.800
<v Speaker 1>that Smith and Weston at one time, Smith and Weston

0:33:45.840 --> 0:33:48.880
<v Speaker 1>got down with Tupac at that time where Tupac was

0:33:48.960 --> 0:33:52.040
<v Speaker 1>hated on the East Coast. So at that time, I'm

0:33:52.080 --> 0:33:54.040
<v Speaker 1>going to be honest as a fan, I was not

0:33:54.200 --> 0:33:57.000
<v Speaker 1>into this music industry at all. I was thrown off

0:33:57.000 --> 0:34:00.680
<v Speaker 1>a little bit too because how easily the ice Cube

0:34:00.800 --> 0:34:03.760
<v Speaker 1>was accepted in the East Coast. Because I didn't feel

0:34:04.200 --> 0:34:06.800
<v Speaker 1>this is me as a person, this is this is

0:34:06.880 --> 0:34:12.040
<v Speaker 1>not Nori, this is Poppy in Left Frack City. I

0:34:12.239 --> 0:34:17.239
<v Speaker 1>felt that. I felt, I felt the West Coast would

0:34:17.360 --> 0:34:20.359
<v Speaker 1>not do that to any other artists other than Public Enemy,

0:34:20.640 --> 0:34:22.960
<v Speaker 1>Like we wouldn't be accepted in the West Coast. But

0:34:23.080 --> 0:34:26.560
<v Speaker 1>when ice Cube came here, it was like all arms.

0:34:27.200 --> 0:34:33.720
<v Speaker 1>In my opinion, this my humble no no industry, no industry,

0:34:33.880 --> 0:34:37.920
<v Speaker 1>no industry. Here, we're gonna remember we didn't have Instagram

0:34:38.000 --> 0:34:39.279
<v Speaker 1>back then. We didn't know that, We didn't know that

0:34:39.360 --> 0:34:42.239
<v Speaker 1>you had a relationship, So the media wasn't the same.

0:34:42.360 --> 0:34:45.560
<v Speaker 1>Like people discovered America's most wanted and in that moment

0:34:45.719 --> 0:34:47.799
<v Speaker 1>discovered that he left n W. That's how I, as

0:34:47.840 --> 0:34:49.720
<v Speaker 1>a kid, open it up and I see bomb squad

0:34:49.800 --> 0:34:51.799
<v Speaker 1>And here's the crazy thing about that. I'm sorry, I'm

0:34:51.800 --> 0:34:55.160
<v Speaker 1>started making this question social, but no, Well, here's the

0:34:55.200 --> 0:34:57.239
<v Speaker 1>crazy thing about that. Here's a crazy thing about that.

0:34:57.480 --> 0:35:00.239
<v Speaker 1>I was so much an n WA fan at that time.

0:35:00.280 --> 0:35:02.560
<v Speaker 1>I didn't want to accept anything that was going to

0:35:03.040 --> 0:35:04.680
<v Speaker 1>but I was such a fan of both. To see

0:35:04.760 --> 0:35:10.800
<v Speaker 1>that marriage. I was listen, is like the best the country.

0:35:11.880 --> 0:35:14.480
<v Speaker 1>The whole was talking together, and I think the night

0:35:14.719 --> 0:35:19.680
<v Speaker 1>this is love this. But Q came to the show

0:35:19.760 --> 0:35:23.959
<v Speaker 1>we did at the Palladium. Man, what was eighty eight? Listen?

0:35:24.000 --> 0:35:27.920
<v Speaker 1>I'm I'm the only reason I'm a fact checker because

0:35:28.000 --> 0:35:30.440
<v Speaker 1>all I did all my life as being a sports

0:35:30.480 --> 0:35:32.960
<v Speaker 1>fan is watched this hip hop ship. And I was

0:35:33.000 --> 0:35:38.000
<v Speaker 1>a fan of everything everything from from before records. I

0:35:38.120 --> 0:35:39.920
<v Speaker 1>was a fan. I didn't want to do it. I

0:35:40.040 --> 0:35:41.760
<v Speaker 1>just wanted to be a fan. I wanted to do Flyers.

0:35:41.960 --> 0:35:43.840
<v Speaker 1>That's why I gave you a book I did. I

0:35:43.920 --> 0:35:46.279
<v Speaker 1>did the best Flyers. I wanted to compete and bust

0:35:46.680 --> 0:35:50.120
<v Speaker 1>everybody in the world. And Flyers go to the gig

0:35:50.880 --> 0:35:53.960
<v Speaker 1>Geant supper Storm go home knowing I got my hip

0:35:54.000 --> 0:35:55.920
<v Speaker 1>hop in. It's a rebel type of thing with me,

0:35:57.680 --> 0:36:01.799
<v Speaker 1>this ship man, we need the seventies with let's ever listen.

0:36:03.120 --> 0:36:05.320
<v Speaker 1>I mean, I'm not gonna I'm not gonna. I'm not

0:36:05.360 --> 0:36:08.520
<v Speaker 1>gonna go off tangent. I was in high school in

0:36:08.640 --> 0:36:12.520
<v Speaker 1>seventy six and seventy seven. Bro I graduated seventy seventy eight.

0:36:12.840 --> 0:36:20.400
<v Speaker 1>You ain't have a Gumby Niaga up. You had, you know,

0:36:20.480 --> 0:36:23.080
<v Speaker 1>I mean you you you had to go. I mean,

0:36:23.160 --> 0:36:26.279
<v Speaker 1>I'm in college in nineteen seventy eight, Broad. Although I

0:36:26.400 --> 0:36:30.080
<v Speaker 1>tried to be rebellious and wear kicks, sometimes they'd been like, nah,

0:36:30.080 --> 0:36:31.680
<v Speaker 1>we ain't fucking having them kicks up in here, And

0:36:31.719 --> 0:36:34.440
<v Speaker 1>you had to make adjustments. You know, I wasn't wearing playboys,

0:36:34.480 --> 0:36:37.239
<v Speaker 1>but you know I was platforms or whatever getting you.

0:36:38.160 --> 0:36:40.759
<v Speaker 1>If you you didn't want to be a wallflower man

0:36:40.840 --> 0:36:43.960
<v Speaker 1>with the fuck you standing on the wall, it's dance music. Man,

0:36:44.080 --> 0:36:47.400
<v Speaker 1>this ship is popping. DJ's is rocking and stuff, and

0:36:47.480 --> 0:36:50.120
<v Speaker 1>so you would standing on the wall, and and and

0:36:50.400 --> 0:36:52.680
<v Speaker 1>and girls is in the spot when you're gonna get

0:36:52.719 --> 0:36:54.359
<v Speaker 1>on the wall. And if you ain't one of those

0:36:54.800 --> 0:36:58.640
<v Speaker 1>big afro do to hustle pretty boys, you better fucking

0:36:58.719 --> 0:37:01.839
<v Speaker 1>have some fucking game. Better you get off that wall

0:37:01.920 --> 0:37:04.279
<v Speaker 1>to make it happen. That party is trying to throw

0:37:04.320 --> 0:37:08.640
<v Speaker 1>your hands and had shit like, you know, find one

0:37:09.040 --> 0:37:11.279
<v Speaker 1>groundwe get behind one, let's go, you know what I'm saying.

0:37:11.440 --> 0:37:13.920
<v Speaker 1>So the DJ's and the MC was like trying to

0:37:14.080 --> 0:37:18.960
<v Speaker 1>get the party moving. If you ain't moving, security problem,

0:37:19.560 --> 0:37:23.400
<v Speaker 1>and and and when you have the party not popping,

0:37:24.320 --> 0:37:29.520
<v Speaker 1>especially if it's lopsided on population, you got penitentiary six. Man,

0:37:29.600 --> 0:37:33.000
<v Speaker 1>it's a security problem. See today they spend a lot

0:37:33.080 --> 0:37:35.800
<v Speaker 1>of money on compunity, right, a lot of money on security.

0:37:36.239 --> 0:37:39.439
<v Speaker 1>Back then, your ship had to be yo, your ship

0:37:39.560 --> 0:37:43.080
<v Speaker 1>had to be so popping that the most thug, the

0:37:43.160 --> 0:37:45.160
<v Speaker 1>super thug, got a super thug be like, you know what,

0:37:45.280 --> 0:37:47.920
<v Speaker 1>I ain't trying to suck this party up, and nobody

0:37:47.960 --> 0:37:54.840
<v Speaker 1>else better not fuck this party. That's making sure. But

0:37:54.960 --> 0:37:57.160
<v Speaker 1>he was moving right, and then your crap flashes them

0:37:57.200 --> 0:37:59.839
<v Speaker 1>wasn't lying you was a whack DJ now only were

0:37:59.880 --> 0:38:03.360
<v Speaker 1>you might get shot at motherfucker's taking your ship. What

0:38:03.480 --> 0:38:05.959
<v Speaker 1>you're gonna do? Oh, police stopped this. You know, DJA

0:38:06.040 --> 0:38:11.440
<v Speaker 1>is better be lucky. I'm trying to tell you now.

0:38:11.520 --> 0:38:14.360
<v Speaker 1>You didn't want that problem, man, You didn't want that problem.

0:38:14.440 --> 0:38:17.719
<v Speaker 1>Also taking black people's money, man, it was a you know,

0:38:17.960 --> 0:38:20.160
<v Speaker 1>I Hack told me a story once man that he

0:38:20.280 --> 0:38:23.439
<v Speaker 1>went to this fight in Brooklyn, man, and the act

0:38:23.600 --> 0:38:27.360
<v Speaker 1>was so whacked. Man. They robbed everybody at Believing Cats

0:38:27.880 --> 0:38:31.520
<v Speaker 1>and Cats and Brooklyn robbed everybody upon leaving the venue

0:38:31.880 --> 0:38:38.160
<v Speaker 1>coase to the act group of God. So yeah, so yeah,

0:38:38.239 --> 0:38:41.160
<v Speaker 1>My point is before you took me to the dance borld,

0:38:41.480 --> 0:38:47.560
<v Speaker 1>like thank you, thank you, because let me just reiterate

0:38:47.680 --> 0:38:50.600
<v Speaker 1>what my point. You wanna take me to another tangent? No, no,

0:38:52.600 --> 0:38:56.239
<v Speaker 1>it was it was it was something that was had

0:38:56.320 --> 0:38:59.759
<v Speaker 1>never been done before, Like the East Coast wasn't easy.

0:39:00.239 --> 0:39:03.879
<v Speaker 1>Number one, you from the four boroughs at that particularly chime,

0:39:04.040 --> 0:39:11.000
<v Speaker 1>four Burroughs and Queens is barely hanging on. Damn. I'm

0:39:11.080 --> 0:39:20.399
<v Speaker 1>point in Queens nineteen sixty all right before forty years

0:39:20.440 --> 0:39:25.080
<v Speaker 1>before Shake Steadium, the people he invaded Flushing, Yeah, exactly so.

0:39:25.239 --> 0:39:27.200
<v Speaker 1>And also I live I lived in I tell I

0:39:27.280 --> 0:39:31.000
<v Speaker 1>tell this Molly and all the time Nas and Cormega.

0:39:32.200 --> 0:39:34.480
<v Speaker 1>My family lived in Queensbridge the first two years. That

0:39:34.640 --> 0:39:42.000
<v Speaker 1>makes yeah, queens big after Cormeica. Yes, we got to

0:39:42.080 --> 0:39:45.440
<v Speaker 1>get um Mega on here. He's having some issues with

0:39:45.560 --> 0:39:48.800
<v Speaker 1>his label right now. We were like him to express it.

0:39:48.880 --> 0:39:53.120
<v Speaker 1>He's a beautiful cat He's a great, beautiful cat man. Guys,

0:39:53.120 --> 0:39:57.480
<v Speaker 1>come on big, Happy birthday launch Professor, DJ Premier. Damn it, God,

0:39:57.560 --> 0:40:04.319
<v Speaker 1>damn it lost professor. Yeah, all right, yeah, how does

0:40:04.360 --> 0:40:06.399
<v Speaker 1>this call happen? He just calls you out the blue.

0:40:06.960 --> 0:40:09.759
<v Speaker 1>But number one, we come out with Yo brummers to

0:40:09.760 --> 0:40:13.640
<v Speaker 1>show in nineteen eighty seven we are crue, we ain't

0:40:13.719 --> 0:40:17.359
<v Speaker 1>from the city and we in car culture. I mean,

0:40:17.440 --> 0:40:20.000
<v Speaker 1>you're going to get yours as the first single released,

0:40:20.080 --> 0:40:23.279
<v Speaker 1>I guess and I'm I'm I'll give my love to

0:40:23.360 --> 0:40:26.319
<v Speaker 1>my ninety eight Oldsmobile. Really I had a ninety eight

0:40:26.360 --> 0:40:31.879
<v Speaker 1>Oldsmobile because yeah, the nineteenth posse those were the kind

0:40:31.920 --> 0:40:35.440
<v Speaker 1>of like thugs in Long Island made, but they all

0:40:35.600 --> 0:40:38.640
<v Speaker 1>drove ninety eight old Mosobile. Ninety eight the crazy thing

0:40:38.680 --> 0:40:42.319
<v Speaker 1>about them. Everybody used to come out to Roosevelt, which

0:40:42.360 --> 0:40:45.120
<v Speaker 1>they called the Harlem a long island, right, and they

0:40:45.239 --> 0:40:47.839
<v Speaker 1>had the Roosevelt Roller Ring and casts to come from

0:40:47.920 --> 0:40:51.360
<v Speaker 1>Queens and Brooklyn, and the ninety eight Posse was from Himpstead, Roosevelt,

0:40:51.440 --> 0:40:54.759
<v Speaker 1>New York. No, that's for the OUTCA. Now that that

0:40:54.800 --> 0:40:59.160
<v Speaker 1>sparres another level, okay, right, But the ninety eight Posse, man,

0:40:59.400 --> 0:41:02.720
<v Speaker 1>they were so unique that they would put their they

0:41:02.760 --> 0:41:06.600
<v Speaker 1>would put their cars together. They were all mechanics. They

0:41:06.640 --> 0:41:09.160
<v Speaker 1>would rob you. They would just say, you don't want

0:41:09.200 --> 0:41:12.879
<v Speaker 1>to get on the wrong side of them. Matter of fact, Listen,

0:41:13.160 --> 0:41:16.480
<v Speaker 1>our gigs had standoffs between the ninety eight Posse and

0:41:16.520 --> 0:41:19.440
<v Speaker 1>the s one ws was a security and then finally

0:41:19.560 --> 0:41:22.440
<v Speaker 1>they came together saying that anybody did come to our gigs,

0:41:22.640 --> 0:41:26.160
<v Speaker 1>you better not fuck up, because didn't it. It was

0:41:26.200 --> 0:41:30.040
<v Speaker 1>almost a war with him one one night in Hempstead,

0:41:30.120 --> 0:41:33.680
<v Speaker 1>New York at the Korean ball Room. Yeah. Well, anyway,

0:41:34.120 --> 0:41:36.560
<v Speaker 1>they ended up being together, like you didn't want to

0:41:36.560 --> 0:41:39.080
<v Speaker 1>mess up one of our events because you know, you know,

0:41:39.200 --> 0:41:41.600
<v Speaker 1>you come out there mess up our event, there ain't

0:41:41.640 --> 0:41:43.440
<v Speaker 1>nothing happening out there. They ain't like we ain't got

0:41:43.560 --> 0:41:45.839
<v Speaker 1>things like Queens and Brooklyn. You mess up with event

0:41:45.880 --> 0:41:48.239
<v Speaker 1>out there some problems. So they even got together the

0:41:48.400 --> 0:41:51.360
<v Speaker 1>super Thus and also the s run W so you

0:41:51.440 --> 0:41:55.960
<v Speaker 1>came out there. It was the unbelievable experience. Long story short,

0:41:57.000 --> 0:42:01.760
<v Speaker 1>um ninety eight posse uh. They would put their cars together,

0:42:02.239 --> 0:42:06.400
<v Speaker 1>they would cut off the highways so you couldn't get

0:42:06.520 --> 0:42:09.880
<v Speaker 1>up out of there, and they you know, so they

0:42:10.040 --> 0:42:13.040
<v Speaker 1>they were pretty much a theme. So bum Ruster the

0:42:13.120 --> 0:42:18.120
<v Speaker 1>Show was our first album, and it operated around something similar.

0:42:18.360 --> 0:42:21.120
<v Speaker 1>You know, Los Angeles. You you ain't catching the bus

0:42:21.200 --> 0:42:23.360
<v Speaker 1>out there. You ain't got no car man, especially you

0:42:23.400 --> 0:42:27.960
<v Speaker 1>were costing a torrance or the outskirt places cost the city. Man,

0:42:28.960 --> 0:42:32.160
<v Speaker 1>you ain't getting nowhere. So they understood there were similarities,

0:42:32.200 --> 0:42:34.360
<v Speaker 1>and you know and us and Iced Tea, who was

0:42:34.400 --> 0:42:35.320
<v Speaker 1>out there. In a matter of fact, he was the

0:42:35.360 --> 0:42:38.359
<v Speaker 1>first big up to my my bro bro Iced Tea

0:42:38.680 --> 0:42:41.040
<v Speaker 1>because every every year Iced team makes history. You know

0:42:41.120 --> 0:42:44.719
<v Speaker 1>why because he's the eldest and he gets in those

0:42:44.800 --> 0:42:47.359
<v Speaker 1>red air So Iced Tea when he turns the age

0:42:47.400 --> 0:42:50.440
<v Speaker 1>like sixty four, sixty five, I think sixty five, he's like, man,

0:42:50.520 --> 0:42:52.799
<v Speaker 1>no rapper ever been there, And then ten years later

0:42:52.880 --> 0:42:54.960
<v Speaker 1>he was saying, oh so so turns sixty Iced team

0:42:54.960 --> 0:43:02.000
<v Speaker 1>did this intend doing the heavy metal rap and rappe

0:43:03.520 --> 0:43:07.680
<v Speaker 1>and doing such a great person a TV twenty five

0:43:07.800 --> 0:43:12.839
<v Speaker 1>years and all. I never told me no like because

0:43:12.960 --> 0:43:18.080
<v Speaker 1>I'm always trying to he He's the Kiss the ring

0:43:18.160 --> 0:43:22.200
<v Speaker 1>god Father for real. So in Wa when they came

0:43:22.200 --> 0:43:25.000
<v Speaker 1>out their first record, they did what Wu Tang did,

0:43:25.120 --> 0:43:27.520
<v Speaker 1>like what eleven years later they had a whole bunch

0:43:27.560 --> 0:43:29.880
<v Speaker 1>of cats out there, rhyme and little cruise, and they

0:43:30.000 --> 0:43:32.000
<v Speaker 1>grouped them all together. If you look at n WA

0:43:32.040 --> 0:43:35.680
<v Speaker 1>in the posse, they wearing clocks from the back of

0:43:36.280 --> 0:43:40.319
<v Speaker 1>ye I have the feel and feel Fresh crew. Yeah yeah,

0:43:40.800 --> 0:43:45.360
<v Speaker 1>they wearing clock yea yeah yeah yeah yeah. At the

0:43:45.760 --> 0:43:49.360
<v Speaker 1>Easy Old at the end of eighty seven, we started

0:43:49.400 --> 0:43:52.440
<v Speaker 1>doing you know shows and they started saying, oh Nwa

0:43:52.520 --> 0:43:54.600
<v Speaker 1>because they had dope Man and stuff like that. Q

0:43:54.960 --> 0:43:58.160
<v Speaker 1>Easy had already come out. Easy already came out. Um

0:43:58.800 --> 0:44:01.400
<v Speaker 1>d Oc was from Exist, but he was part of

0:44:01.920 --> 0:44:04.920
<v Speaker 1>a crew out in Texas and mccola Records was an

0:44:05.000 --> 0:44:09.080
<v Speaker 1>independent record label and actually it was a record label

0:44:09.080 --> 0:44:11.600
<v Speaker 1>from a pressing plant they had in La just kind

0:44:11.640 --> 0:44:14.080
<v Speaker 1>of took all the rappers at that particular time, and

0:44:14.200 --> 0:44:16.640
<v Speaker 1>then that time at eighty seven, like grouped them together

0:44:16.719 --> 0:44:20.560
<v Speaker 1>and that was in Wai was an attitude, but it

0:44:20.680 --> 0:44:25.000
<v Speaker 1>meant a lot of crews, Raman Prince, all of all

0:44:25.040 --> 0:44:27.799
<v Speaker 1>the founders, Linzo and all those cats man and they

0:44:27.880 --> 0:44:29.880
<v Speaker 1>had this scene out there and this was put in together.

0:44:30.360 --> 0:44:32.279
<v Speaker 1>And then we toured a couple of times, and that's

0:44:32.360 --> 0:44:35.680
<v Speaker 1>when I first started, you know, knowing Dre knowing Q

0:44:36.400 --> 0:44:38.920
<v Speaker 1>who basically looked up to me and said, well, I

0:44:39.040 --> 0:44:43.080
<v Speaker 1>got my style off for you. And I was like, well,

0:44:43.080 --> 0:44:45.800
<v Speaker 1>I got this style off for school e D. And

0:44:46.040 --> 0:44:47.759
<v Speaker 1>I talked to schools. They pick up the school D

0:44:47.920 --> 0:44:52.439
<v Speaker 1>my bro bro school D right, yeah legend yeah yeah

0:44:52.480 --> 0:44:54.719
<v Speaker 1>man so so and I told him, well, I got

0:44:54.800 --> 0:44:58.040
<v Speaker 1>that style off for school Man eighty six and you

0:44:58.120 --> 0:45:01.040
<v Speaker 1>know schoolies, I got that ship off a mel Wow.

0:45:03.800 --> 0:45:08.080
<v Speaker 1>So were fraternity And although you know, like even after

0:45:08.239 --> 0:45:10.560
<v Speaker 1>us in the nineties and the two thousands, people don't

0:45:10.600 --> 0:45:13.880
<v Speaker 1>think that this lineage, this lineage, yeah, so Q, you know,

0:45:13.960 --> 0:45:16.759
<v Speaker 1>at that particular time, was like, you know, bro Bro,

0:45:16.920 --> 0:45:20.200
<v Speaker 1>They're coming up in wa and then we come up

0:45:20.239 --> 0:45:24.399
<v Speaker 1>with Takes the Nation millions and this is funny were

0:45:24.440 --> 0:45:29.480
<v Speaker 1>playing Vegas and NWA's on the show, and uh, you know,

0:45:29.880 --> 0:45:32.040
<v Speaker 1>I get the I get the test present from Glenn

0:45:32.200 --> 0:45:35.600
<v Speaker 1>Glenn Freedman, who actually is the photographer who did The

0:45:35.800 --> 0:45:39.200
<v Speaker 1>Nation's cover, though much the show iced Tea. In fact,

0:45:39.200 --> 0:45:41.120
<v Speaker 1>the first time I met iced Tea in La, he

0:45:41.239 --> 0:45:45.680
<v Speaker 1>looked just like Ron Paye's cover, except for Darlene wasn't

0:45:45.719 --> 0:45:51.160
<v Speaker 1>in that in that cover people Africa, It's pulled up

0:45:51.200 --> 0:45:52.879
<v Speaker 1>in that porch. It was like, yo, I'm gonna give

0:45:52.880 --> 0:45:54.680
<v Speaker 1>you the rules when you come out to LA and

0:45:55.080 --> 0:45:58.680
<v Speaker 1>stuff like that. But Glenn Friedman was a photographer and

0:45:58.840 --> 0:46:01.560
<v Speaker 1>so he was then let in Las Vegas when we

0:46:01.640 --> 0:46:05.400
<v Speaker 1>played and he had to pick the the takes the

0:46:05.480 --> 0:46:11.200
<v Speaker 1>Nation album and I'm getting a test present and I'm

0:46:11.280 --> 0:46:13.480
<v Speaker 1>looking at it. I'm like, what the fuck is you know,

0:46:13.520 --> 0:46:16.120
<v Speaker 1>because we're in an art direction down to the team.

0:46:16.160 --> 0:46:18.239
<v Speaker 1>Glenda Little ain't know because he'd be like the drop

0:46:18.320 --> 0:46:20.239
<v Speaker 1>shadow ain't right, and Glenn be trying to get a

0:46:20.320 --> 0:46:24.680
<v Speaker 1>royalty off your off the art work. I'm like, yeah, wait, wait.

0:46:24.719 --> 0:46:26.640
<v Speaker 1>Glenn would take a photo and he tried to go

0:46:26.760 --> 0:46:29.919
<v Speaker 1>to depth gym and said, I want to royalty off

0:46:30.000 --> 0:46:32.279
<v Speaker 1>of the off of my photo. They was like, no,

0:46:32.719 --> 0:46:38.719
<v Speaker 1>that's unprecedented. But he tried. He tried, right, you know,

0:46:38.960 --> 0:46:40.880
<v Speaker 1>like like they say, if you're an asking then you

0:46:40.920 --> 0:46:44.240
<v Speaker 1>don't know if people gonna get it. So I remember

0:46:44.400 --> 0:46:48.360
<v Speaker 1>Easy and Dre also being in the wings, and I

0:46:48.560 --> 0:46:50.520
<v Speaker 1>handed it to them and they're looking at this shit,

0:46:50.680 --> 0:46:56.319
<v Speaker 1>like what the you say? Easy? Easy? And we were

0:46:56.360 --> 0:46:59.439
<v Speaker 1>in the same corpridor matter of fact, matter of fact,

0:47:00.160 --> 0:47:03.200
<v Speaker 1>Mike Tyson was in the same corridor because I was

0:47:03.239 --> 0:47:06.719
<v Speaker 1>getting down and I saw John Little from HUDDI. Here's

0:47:06.719 --> 0:47:10.160
<v Speaker 1>a funny thing, right, you know, John Little Man pick

0:47:10.239 --> 0:47:12.560
<v Speaker 1>up the John Little from Houdini and also ex sols

0:47:12.680 --> 0:47:16.239
<v Speaker 1>to my master teachers too. So Mike, Mike, this is

0:47:16.520 --> 0:47:20.600
<v Speaker 1>this is Mike Tyson nineteen eighty eight, Joy Wheel, John

0:47:20.719 --> 0:47:26.439
<v Speaker 1>Wheel right, and John lit is like, hell right, he does.

0:47:27.440 --> 0:47:31.600
<v Speaker 1>My name is John Little. He wasn't telling much that

0:47:31.960 --> 0:47:41.640
<v Speaker 1>John Wheel, John Wheel. John Little was like, that's the

0:47:41.800 --> 0:47:44.719
<v Speaker 1>same fifty four four nights in the road and Mike

0:47:44.800 --> 0:47:48.399
<v Speaker 1>Tyson hung out with us. God damn it. So man.

0:47:48.640 --> 0:47:52.840
<v Speaker 1>So yeah, so that at that same corridor, I'm passing

0:47:52.920 --> 0:47:58.000
<v Speaker 1>that Easy and Dre and then of course QUBE's you know, bro,

0:47:58.200 --> 0:48:00.919
<v Speaker 1>bro coming up on that. The developed in the next

0:48:00.960 --> 0:48:04.120
<v Speaker 1>thing Boom next year, straight out of Compton, which was

0:48:04.280 --> 0:48:08.640
<v Speaker 1>more like you know, like that East Coast fast speed

0:48:09.040 --> 0:48:14.439
<v Speaker 1>muscle and and and Dre was a one man, two

0:48:14.520 --> 0:48:17.279
<v Speaker 1>man operations in there, but he could do all the

0:48:17.360 --> 0:48:22.520
<v Speaker 1>ship that Hank myself, Eric Vietnam, Sadler, Keith, you know

0:48:22.680 --> 0:48:25.040
<v Speaker 1>we all in a room, you know, doing some shit.

0:48:25.160 --> 0:48:26.640
<v Speaker 1>This is a one dude that do this ship with

0:48:26.719 --> 0:48:31.600
<v Speaker 1>an engineer and straight out of Compton. So and Wa

0:48:31.760 --> 0:48:35.400
<v Speaker 1>comes up does that thing. Then again, like I said, groups,

0:48:35.800 --> 0:48:39.759
<v Speaker 1>you know, you got issues, you got schedules, you got conflicts.

0:48:39.840 --> 0:48:42.600
<v Speaker 1>And and Q wanted to do a solo record and

0:48:42.760 --> 0:48:44.800
<v Speaker 1>said that, you know easy and Dre told him to

0:48:44.880 --> 0:48:47.640
<v Speaker 1>wait maybe a year or two and back in them

0:48:47.760 --> 0:48:51.000
<v Speaker 1>days man a year or two. Yeah, man man rip

0:48:51.080 --> 0:48:56.400
<v Speaker 1>van winkle Man. I'm saying so so um Q decided to,

0:48:56.600 --> 0:48:58.160
<v Speaker 1>you know, do it with us. And it is a

0:48:58.239 --> 0:49:02.719
<v Speaker 1>key statement right here. In nineteen eighty nine, NWA played Apollo.

0:49:04.800 --> 0:49:08.920
<v Speaker 1>It was there that night. Okay sold out Yo man,

0:49:09.000 --> 0:49:12.000
<v Speaker 1>New York roasted them. It was like you talk about

0:49:12.000 --> 0:49:15.760
<v Speaker 1>I want to make sure roast no, no, no, anyway

0:49:15.800 --> 0:49:22.359
<v Speaker 1>you want to put don't say, well, God roasted them.

0:49:22.800 --> 0:49:26.719
<v Speaker 1>And I told them downstairs, I said, listen, you guys

0:49:26.760 --> 0:49:32.319
<v Speaker 1>are from three thousand miles away Los Angeles. Miles will

0:49:32.320 --> 0:49:36.360
<v Speaker 1>be Neptune man, not New Jersey, Neptune out of space.

0:49:36.880 --> 0:49:39.000
<v Speaker 1>You gotta go through this in New York. Trust me.

0:49:39.040 --> 0:49:41.399
<v Speaker 1>I'm from Long Island, man. I went through this shit.

0:49:42.120 --> 0:49:45.200
<v Speaker 1>Next year, if you show preseverance, New Yorker want to

0:49:45.239 --> 0:49:47.080
<v Speaker 1>be shown that that that you get up. So I

0:49:47.120 --> 0:49:51.040
<v Speaker 1>don't want to act like what's that word means? That mean?

0:49:51.120 --> 0:49:53.400
<v Speaker 1>I keep going. I I ain't got a bunch of

0:49:53.440 --> 0:50:02.120
<v Speaker 1>big words. Because anyway, you know, like I said, next year,

0:50:02.600 --> 0:50:04.160
<v Speaker 1>you got to show that you could come back and

0:50:04.280 --> 0:50:08.080
<v Speaker 1>do so somebody, because this is New York, this is Apollo.

0:50:08.880 --> 0:50:13.080
<v Speaker 1>They they've been the man. They've been passing coffins out

0:50:13.120 --> 0:50:15.880
<v Speaker 1>of here for the last seventy years. They bow themself right,

0:50:16.239 --> 0:50:23.040
<v Speaker 1>you know, yo back. Yeah. Man, it's hurts waiting on

0:50:23.120 --> 0:50:25.200
<v Speaker 1>the back of the Apollo every year, every show. Then

0:50:25.640 --> 0:50:30.919
<v Speaker 1>so so sure enough, Ice Cubes comes back the next

0:50:31.040 --> 0:50:34.120
<v Speaker 1>year after we do the America's Most one because he

0:50:34.200 --> 0:50:37.120
<v Speaker 1>had conflict, and then um oh this is after them.

0:50:37.360 --> 0:50:39.920
<v Speaker 1>Well we did America's Most for America's You did the

0:50:40.040 --> 0:50:43.000
<v Speaker 1>joint with Big Daddy Kane Burn Hollywood Burn. Well, how

0:50:43.040 --> 0:50:45.800
<v Speaker 1>it happened. We was in Green Street recording and me

0:50:45.920 --> 0:50:48.440
<v Speaker 1>and Kine have been circling around, just like me and

0:50:48.480 --> 0:50:54.239
<v Speaker 1>the Drink Champs, but the studio, Me and me and

0:50:54.360 --> 0:50:56.480
<v Speaker 1>Kane were circling around. Yeah, I'm gonna do this record. Yea,

0:50:56.480 --> 0:50:58.600
<v Speaker 1>I'm gonna do this record with you. Yeah, We're circling.

0:50:58.640 --> 0:51:02.080
<v Speaker 1>Were circling and found rendezvous where we are the same

0:51:02.160 --> 0:51:04.600
<v Speaker 1>place at the same time. So Kane came down to

0:51:04.760 --> 0:51:07.680
<v Speaker 1>do this record, Burn Hollywood Burn. And that's my sentiment

0:51:07.760 --> 0:51:10.680
<v Speaker 1>and my feelings to this moment, like Burn Hollywood Burn.

0:51:10.760 --> 0:51:13.520
<v Speaker 1>I'm never gonna have conversations in the Hollywood boardroom. I'm

0:51:13.520 --> 0:51:15.680
<v Speaker 1>gonna work with a team and they're gonna have those conversations.

0:51:15.880 --> 0:51:18.480
<v Speaker 1>I'm about the art, right, So we got this thing

0:51:18.560 --> 0:51:22.279
<v Speaker 1>Burn Hollywood Burn, and Qube was was being on the

0:51:22.360 --> 0:51:24.840
<v Speaker 1>couch because I first sent them to like whoa go.

0:51:25.160 --> 0:51:26.960
<v Speaker 1>You know, I don't want to get a MIDI a conflict.

0:51:27.760 --> 0:51:31.560
<v Speaker 1>That's the group thing, yo, Yo, Can y'all produce my

0:51:31.600 --> 0:51:33.279
<v Speaker 1>Albu the brom School. I'm like, I'm not get in

0:51:33.320 --> 0:51:37.400
<v Speaker 1>the middle of that hook up with Sam Sever and

0:51:37.560 --> 0:51:39.359
<v Speaker 1>he talked to Sam Sever and I think I sent

0:51:39.480 --> 0:51:42.520
<v Speaker 1>them to somebody else. I was trying to get producers

0:51:42.600 --> 0:51:45.400
<v Speaker 1>for for Cube. Cuba was like, man, fuck that, I

0:51:45.520 --> 0:51:47.640
<v Speaker 1>want y'all to do my shit. I was like, it

0:51:47.719 --> 0:51:49.080
<v Speaker 1>was right, we don't want to get in the middle

0:51:49.080 --> 0:51:52.160
<v Speaker 1>of that, not even when we kill our kids. A

0:51:52.200 --> 0:52:01.920
<v Speaker 1>lot they got just like it's all about what alliances. Ye,

0:52:02.040 --> 0:52:04.160
<v Speaker 1>we're out with new True Party. Man, you know what

0:52:04.160 --> 0:52:06.640
<v Speaker 1>I'm saying. Boom boom boom, You'll figure it out. We

0:52:06.719 --> 0:52:10.400
<v Speaker 1>got your your blessings in the back whatever. We're sovereign nation, right,

0:52:10.840 --> 0:52:16.080
<v Speaker 1>so show enough. One thing led to another. Um. Hank

0:52:16.120 --> 0:52:18.360
<v Speaker 1>thought it was a challenge once he was kind of

0:52:18.400 --> 0:52:20.839
<v Speaker 1>told like, you know, like it might be all right,

0:52:21.120 --> 0:52:22.440
<v Speaker 1>and then Hank was like, Yo, let's go for it.

0:52:22.560 --> 0:52:25.440
<v Speaker 1>Let's let's do this. And already we already had to

0:52:25.600 --> 0:52:28.360
<v Speaker 1>knock out Fear of a Black Planet and then Hanking,

0:52:28.640 --> 0:52:31.640
<v Speaker 1>Eric and him was finishing up the BBD album. But

0:52:31.800 --> 0:52:33.759
<v Speaker 1>but did y'all change the sound like to make it

0:52:34.040 --> 0:52:37.440
<v Speaker 1>more No, because Hugh came in with what he wanted. Wow,

0:52:38.320 --> 0:52:41.359
<v Speaker 1>Sir Jenks was with him and they worked with Eric

0:52:41.440 --> 0:52:44.080
<v Speaker 1>Vietnam Saler. We just showed them, like the first thing

0:52:44.160 --> 0:52:47.000
<v Speaker 1>I did with Q when I went to La and

0:52:47.120 --> 0:52:51.520
<v Speaker 1>we finally agreed, I said, fuck, all this is that,

0:52:51.680 --> 0:52:55.000
<v Speaker 1>the bells whistles, Pyro and all this stop by that

0:52:55.120 --> 0:53:02.359
<v Speaker 1>CBS shot, pick up a ninety nine sent notebook. I said,

0:53:02.400 --> 0:53:05.440
<v Speaker 1>that's where it all starts. Bro, simple things. I'm not

0:53:05.520 --> 0:53:09.400
<v Speaker 1>teaching Cube anything. It's like, listen, don't don't try to

0:53:09.960 --> 0:53:12.840
<v Speaker 1>do shit overnight. Don't try to change overnight, and do

0:53:13.040 --> 0:53:15.239
<v Speaker 1>what we do. You can morph there on your own,

0:53:16.120 --> 0:53:18.680
<v Speaker 1>trying not to say the same thing twice. You're not

0:53:18.840 --> 0:53:22.160
<v Speaker 1>making an extended single. You're making an album. Make some

0:53:22.320 --> 0:53:24.440
<v Speaker 1>records that people like, but make a couple of records

0:53:24.480 --> 0:53:26.799
<v Speaker 1>that some shit. Hey, Cube took it to the hill.

0:53:26.880 --> 0:53:29.600
<v Speaker 1>He's like, you love to hate, you know what I'm saying.

0:53:29.640 --> 0:53:32.600
<v Speaker 1>It's like, you know, just don't always try to please

0:53:32.880 --> 0:53:36.080
<v Speaker 1>because hip hop is also you know, if you have

0:53:36.200 --> 0:53:39.239
<v Speaker 1>a boardroom or record company, they're always trying to get

0:53:39.360 --> 0:53:42.160
<v Speaker 1>motherfucker's just be on their knees and like love me,

0:53:42.400 --> 0:53:44.560
<v Speaker 1>love me, and hipop has gotta also be like, no,

0:53:44.680 --> 0:53:46.319
<v Speaker 1>I don't give a fuck if you don't like none

0:53:46.360 --> 0:53:49.239
<v Speaker 1>of this go to the opposite. Yeah, my job, my job.

0:53:49.280 --> 0:53:51.960
<v Speaker 1>But see, to me, it's been like almost to a

0:53:52.040 --> 0:53:54.920
<v Speaker 1>point of like like disservice, Like I'll be like, I

0:53:55.080 --> 0:53:57.040
<v Speaker 1>hope you hate the ship, so I an beat your

0:53:57.080 --> 0:53:59.640
<v Speaker 1>ass with the ship. I mean, there was nothing appealing

0:53:59.680 --> 0:54:08.600
<v Speaker 1>about public enemy music, nothing, nothing kind of public. It

0:54:08.760 --> 0:54:11.600
<v Speaker 1>was like it was just a total contrarian thing. It's like,

0:54:12.040 --> 0:54:14.880
<v Speaker 1>we want you to not like this shit, but we

0:54:15.480 --> 0:54:17.839
<v Speaker 1>we leave the spot because we said loving and hate

0:54:17.920 --> 0:54:20.120
<v Speaker 1>is the same emotion, right, you know what I'm saying.

0:54:20.320 --> 0:54:22.600
<v Speaker 1>Once you once you're flatlining and you're in the middle

0:54:22.600 --> 0:54:25.040
<v Speaker 1>of the road, and you kind of pleasing, you kind

0:54:25.080 --> 0:54:27.200
<v Speaker 1>of not pleasing. I don't want to fit nobody, and

0:54:27.680 --> 0:54:31.440
<v Speaker 1>you're in the middle. You unnoticed, especially back then you

0:54:31.600 --> 0:54:34.879
<v Speaker 1>playing with a bunch of acts. If your ship ain't

0:54:34.880 --> 0:54:37.239
<v Speaker 1>Poppa you sent, you're gonna be sent back home. And

0:54:37.360 --> 0:54:39.359
<v Speaker 1>and then being sent back home is the worst thing.

0:54:39.600 --> 0:54:41.359
<v Speaker 1>I remember a couple of groups got sent back home

0:54:41.400 --> 0:54:43.480
<v Speaker 1>and they were kicking rocks in the summertime, man, and

0:54:43.680 --> 0:54:46.200
<v Speaker 1>like New York is not the place to be if

0:54:46.280 --> 0:54:48.399
<v Speaker 1>you know, if Boper is out there on the road

0:54:48.440 --> 0:54:50.680
<v Speaker 1>and on the tour. So one thing led to another

0:54:51.160 --> 0:54:55.440
<v Speaker 1>long story short about que did America's Most wanted um

0:54:56.120 --> 0:54:57.759
<v Speaker 1>he felt I had to I had to leave out

0:54:57.840 --> 0:54:59.879
<v Speaker 1>at the end of the productions and head off on tour.

0:55:00.760 --> 0:55:03.719
<v Speaker 1>But in twelve weeks the bomb squad did you have

0:55:03.760 --> 0:55:07.920
<v Speaker 1>a black planet? They'll bid the vote wow, And then

0:55:08.200 --> 0:55:11.680
<v Speaker 1>America's Most won it. I didn't know Bellot and then

0:55:11.920 --> 0:55:14.400
<v Speaker 1>the Cube was staring into the stratosphere after that, and

0:55:14.480 --> 0:55:17.400
<v Speaker 1>then once Cuba and that was that. The production was

0:55:17.480 --> 0:55:20.200
<v Speaker 1>genius on America. No, but once Cuban Jenis got it

0:55:20.560 --> 0:55:24.200
<v Speaker 1>and that particular style, man he came out with that

0:55:24.320 --> 0:55:27.080
<v Speaker 1>kill Kill, that will ep and my favorite record the

0:55:27.160 --> 0:55:30.080
<v Speaker 1>Cube was jacking verbe. Was there any slack from the

0:55:30.160 --> 0:55:33.319
<v Speaker 1>East Coast for like just accepting a West Coast artist

0:55:33.360 --> 0:55:36.400
<v Speaker 1>at that time it was a low interpretation, but you know,

0:55:36.560 --> 0:55:38.440
<v Speaker 1>like at the same time, it's gotta asked what that

0:55:38.480 --> 0:55:54.799
<v Speaker 1>word me. I'm sorry it was at you. We don't

0:55:54.960 --> 0:56:00.640
<v Speaker 1>get but still still the advantage see us get in sidewinder,

0:56:00.680 --> 0:56:03.040
<v Speaker 1>it's good a side comment for a second. Bring me

0:56:03.080 --> 0:56:06.440
<v Speaker 1>back though, bring me back. But in this country, the

0:56:06.719 --> 0:56:10.480
<v Speaker 1>arrogance of like when they look at people who are

0:56:10.800 --> 0:56:14.600
<v Speaker 1>multi lingual, they look at them the lesser than when

0:56:14.680 --> 0:56:17.399
<v Speaker 1>most people in this country no fucking one barely one

0:56:17.960 --> 0:56:20.680
<v Speaker 1>one language. They don't even speak the King's language. So

0:56:20.719 --> 0:56:22.320
<v Speaker 1>when they're like, oh, yeah, I got this work of

0:56:22.400 --> 0:56:24.520
<v Speaker 1>working for me, but they don't know no English, the

0:56:24.680 --> 0:56:28.120
<v Speaker 1>fuck they know four languages. Man, they have an advantage

0:56:28.160 --> 0:56:31.440
<v Speaker 1>over you, and you have a disadvantage. That's only I

0:56:31.520 --> 0:56:34.000
<v Speaker 1>was growing up. I always thought black was advantage. You

0:56:34.040 --> 0:56:37.040
<v Speaker 1>know why, I said, shit, I know everything about everybody,

0:56:37.080 --> 0:56:39.600
<v Speaker 1>but they don't know shit about me. I'm gonna you know,

0:56:39.680 --> 0:56:42.120
<v Speaker 1>I got I got them. I'm gonna go wherever I

0:56:42.200 --> 0:56:44.719
<v Speaker 1>want to go. It's like almost being on the court,

0:56:44.800 --> 0:56:46.640
<v Speaker 1>but knowing that you could go on both sides of

0:56:46.719 --> 0:56:48.880
<v Speaker 1>both hands. It's like like they didn't stopped me to

0:56:48.920 --> 0:56:51.279
<v Speaker 1>the hoop. And that's why we try to say, yeah,

0:56:51.960 --> 0:56:54.359
<v Speaker 1>this knowledge, wisdom and understanding. You're not gonna get into

0:56:54.360 --> 0:56:57.520
<v Speaker 1>that microwaves, but you could get it like to the

0:56:57.600 --> 0:57:00.279
<v Speaker 1>point where it works to your advent. Now everything people like, oh, man,

0:57:00.280 --> 0:57:02.160
<v Speaker 1>I know who black people are because all I got

0:57:02.200 --> 0:57:04.919
<v Speaker 1>I got nothing but rap songs and so therefore, yeah,

0:57:05.000 --> 0:57:08.080
<v Speaker 1>but you're getting you're getting one side and you think

0:57:08.120 --> 0:57:11.800
<v Speaker 1>you know us, well, you don't know my mom's struggle.

0:57:12.000 --> 0:57:15.000
<v Speaker 1>You don't know my aunt's you know, middle name and

0:57:15.080 --> 0:57:18.720
<v Speaker 1>stuff like that. So let's grow together and stop act

0:57:18.800 --> 0:57:22.840
<v Speaker 1>like you know everything about us before you selling market

0:57:22.920 --> 0:57:25.560
<v Speaker 1>to us. Oh, we got them figured out, because what's

0:57:25.560 --> 0:57:27.760
<v Speaker 1>going to happen is that they're going to say, well,

0:57:27.800 --> 0:57:29.720
<v Speaker 1>you know, we ain't got you, oldhead, old gee, you

0:57:29.800 --> 0:57:32.280
<v Speaker 1>on the way out. We got your grandkids anyway, because

0:57:32.320 --> 0:57:34.800
<v Speaker 1>we have programmed them to go where we want them

0:57:34.880 --> 0:57:36.720
<v Speaker 1>to go and believe what we want them to believe.

0:57:37.120 --> 0:57:39.400
<v Speaker 1>That's why you always have to have the legacy of

0:57:40.120 --> 0:57:43.440
<v Speaker 1>at least old jeans. They can't be measured by by money.

0:57:43.520 --> 0:57:45.840
<v Speaker 1>The money is a construct man, just like race is

0:57:45.880 --> 0:57:48.240
<v Speaker 1>a construct. But we have to understand the truth in

0:57:48.280 --> 0:57:51.000
<v Speaker 1>the matter is that the darker people of the Earth

0:57:51.480 --> 0:57:53.840
<v Speaker 1>and these present times and talking the last two under

0:57:53.880 --> 0:57:59.360
<v Speaker 1>three hundred years, we have been a disadvantaged and ostracized

0:57:59.600 --> 0:58:03.080
<v Speaker 1>for different reasons. And when we got to come up

0:58:03.120 --> 0:58:08.160
<v Speaker 1>out of that and order in order the quest to

0:58:08.320 --> 0:58:11.240
<v Speaker 1>just say, accept us as a part of the human race.

0:58:12.200 --> 0:58:15.560
<v Speaker 1>There's no no such thing as alien from another planet.

0:58:15.760 --> 0:58:17.840
<v Speaker 1>But it's a come up and we deserve the right

0:58:17.880 --> 0:58:21.480
<v Speaker 1>to come up and be respected. So m you know,

0:58:21.600 --> 0:58:23.840
<v Speaker 1>you could throw some some some some what when you

0:58:23.920 --> 0:58:26.320
<v Speaker 1>call it lie in the wash? You know what I'm saying,

0:58:26.800 --> 0:58:28.760
<v Speaker 1>l y E and the wash, And it could corrupt

0:58:28.760 --> 0:58:30.720
<v Speaker 1>a lot of different things. So it's always you know,

0:58:30.840 --> 0:58:34.000
<v Speaker 1>what's constant elevation, man, That's all it's about. So anyway,

0:58:34.040 --> 0:58:35.360
<v Speaker 1>what was the part I said? I didn't want to

0:58:35.360 --> 0:58:38.439
<v Speaker 1>getting lost? Q okay Q. So it's a simple fact

0:58:38.480 --> 0:58:41.120
<v Speaker 1>of the matter. Q went into the stratosphere. After that,

0:58:41.560 --> 0:58:43.760
<v Speaker 1>he came to New York And when Q played the

0:58:43.920 --> 0:58:48.480
<v Speaker 1>Polo in nineteen ninety after the Boy Man, he came back. Man,

0:58:48.840 --> 0:58:54.240
<v Speaker 1>imagine what. Yes, I'm surprised Apolo was still standing man,

0:58:54.280 --> 0:58:58.640
<v Speaker 1>because he did. When I forgot what it's his set,

0:58:59.080 --> 0:59:01.960
<v Speaker 1>I forgot what it said was Jacko fin Beings came

0:59:02.000 --> 0:59:03.960
<v Speaker 1>in ninety one. I'm gonna tell you how I know

0:59:04.160 --> 0:59:07.680
<v Speaker 1>New York was probably probably the hardest place to play ever.

0:59:08.400 --> 0:59:10.400
<v Speaker 1>Was when I got a call from Big Boy from

0:59:10.440 --> 0:59:12.960
<v Speaker 1>Outcast one time and Big Boy said, can you come

0:59:13.000 --> 0:59:16.160
<v Speaker 1>with me to the tunnel? And I said why. He

0:59:16.360 --> 0:59:18.480
<v Speaker 1>was like, I just want to New Yorker to stand

0:59:19.480 --> 0:59:23.200
<v Speaker 1>And they were ten million at the time. I don't

0:59:23.240 --> 0:59:25.720
<v Speaker 1>even think I was gold, so I didn't even like

0:59:25.880 --> 0:59:29.480
<v Speaker 1>I didn't know the the needs and older was was

0:59:29.720 --> 0:59:31.760
<v Speaker 1>just there a big boy and we just stood on stage.

0:59:32.000 --> 0:59:34.760
<v Speaker 1>But New York would not throw a bottle or no,

0:59:34.880 --> 0:59:38.040
<v Speaker 1>not because I was actually present, I didn't know that

0:59:38.160 --> 0:59:46.040
<v Speaker 1>was a cheek call. Yeah, originally didn't matter the big

0:59:46.120 --> 0:59:49.920
<v Speaker 1>boy at Atlanta. If people from out of town knew that,

0:59:50.440 --> 0:59:52.720
<v Speaker 1>they knew that. Listen, you know New York we just

0:59:53.640 --> 0:59:56.600
<v Speaker 1>well crazy shit is I remember Jay telling me this story,

0:59:57.720 --> 1:00:00.520
<v Speaker 1>and this is recently when we sat down with him

1:00:00.560 --> 1:00:05.080
<v Speaker 1>and Jay said, Jay said, he said, I always um

1:00:05.840 --> 1:00:07.880
<v Speaker 1>think about the out of towners, who out of towners

1:00:08.800 --> 1:00:10.960
<v Speaker 1>think that it's New York that hates on them. He's like, no,

1:00:11.280 --> 1:00:15.240
<v Speaker 1>we hate on each other. He said, Biggie got throw

1:00:15.280 --> 1:00:17.720
<v Speaker 1>on the same bottle that I got, and it looks

1:00:17.720 --> 1:00:19.960
<v Speaker 1>like it's like but the al of towners don't know that.

1:00:20.080 --> 1:00:21.120
<v Speaker 1>You know what I mean? And this is a long

1:00:21.240 --> 1:00:25.040
<v Speaker 1>song conversation that we have on drink chances. There's a

1:00:25.080 --> 1:00:28.400
<v Speaker 1>lot of people thought that New York was arrogant, and

1:00:28.560 --> 1:00:30.960
<v Speaker 1>what they didn't realize was it was just the attitude

1:00:31.000 --> 1:00:32.480
<v Speaker 1>that we had to Well, I told you, because we

1:00:32.600 --> 1:00:35.280
<v Speaker 1>have the debate that like for us in Miami, and

1:00:35.440 --> 1:00:38.400
<v Speaker 1>I think other regions felt industry wise, I always say,

1:00:38.440 --> 1:00:40.880
<v Speaker 1>it's not the people in New York. The industry that

1:00:41.120 --> 1:00:43.800
<v Speaker 1>was centralized in New York was being very it was

1:00:43.880 --> 1:00:45.880
<v Speaker 1>very New York centric too, and I'm talking about hip

1:00:45.920 --> 1:00:48.640
<v Speaker 1>hop wise. They weren't letting people in and that's what

1:00:48.720 --> 1:00:50.560
<v Speaker 1>people were getting kind of angry the South. That's why

1:00:50.920 --> 1:00:52.880
<v Speaker 1>you know the Jay Princes and the death throws and

1:00:52.880 --> 1:00:55.160
<v Speaker 1>everybody started to come up to come back that and

1:00:55.240 --> 1:00:58.720
<v Speaker 1>even cast statement. Yet one of the first, even an

1:00:58.760 --> 1:01:02.240
<v Speaker 1>outcast statement when when when they um won the award,

1:01:02.400 --> 1:01:05.960
<v Speaker 1>the South has something to say, it felt like they

1:01:06.040 --> 1:01:10.439
<v Speaker 1>were saying New York ain't only it, Well, yeah, better

1:01:10.760 --> 1:01:14.480
<v Speaker 1>they better listen Publican me was the first that actually

1:01:14.880 --> 1:01:16.920
<v Speaker 1>in the brain. The Noise Tour in nineteen eighty eight

1:01:17.320 --> 1:01:20.000
<v Speaker 1>was the first group that not only we had to

1:01:20.000 --> 1:01:22.120
<v Speaker 1>break the molde to break the mode was like everything

1:01:22.240 --> 1:01:24.160
<v Speaker 1>up to them was groups coming out of New York

1:01:24.280 --> 1:01:27.040
<v Speaker 1>on the summertime. You had to what the fresh Fest

1:01:27.120 --> 1:01:29.760
<v Speaker 1>in the eighty four eighty five, I mean the fresh

1:01:29.840 --> 1:01:33.120
<v Speaker 1>Fest Philling Arenastball Tour in nineteen eighty seven, and then

1:01:33.280 --> 1:01:35.760
<v Speaker 1>before that you had Raising Hell in nineteen eighty six

1:01:36.160 --> 1:01:40.439
<v Speaker 1>on dmc l cou J Beastie Boys, you know, boom

1:01:40.760 --> 1:01:44.160
<v Speaker 1>so they you know, everything was summertime, summertime, summertime. And

1:01:44.680 --> 1:01:46.720
<v Speaker 1>eighty eight they had two tours at the same time.

1:01:46.960 --> 1:01:50.400
<v Speaker 1>In the summertime you had the Dope Jam Tour, Eric

1:01:50.480 --> 1:01:54.680
<v Speaker 1>b Rock Kim Big Up to Eric b rod Kim

1:01:54.800 --> 1:01:57.480
<v Speaker 1>kol Mo d Big Up, the mold you know, iced Tea.

1:01:57.800 --> 1:02:00.200
<v Speaker 1>I mean that was like bam everybody. And then on

1:02:00.280 --> 1:02:04.320
<v Speaker 1>the other tour was us run dmc Z, Jeff Fresh Prince,

1:02:04.680 --> 1:02:09.040
<v Speaker 1>that's Will Smith for y'all some of you, some old

1:02:09.120 --> 1:02:14.800
<v Speaker 1>niggas in here too, and also j J fad right,

1:02:15.160 --> 1:02:17.760
<v Speaker 1>and there's two toy So at the end of that year, man,

1:02:17.800 --> 1:02:22.280
<v Speaker 1>we had so much like momentum. It was like we saying, listen, man,

1:02:22.760 --> 1:02:25.080
<v Speaker 1>we could do a two in the winter time and

1:02:25.120 --> 1:02:27.000
<v Speaker 1>they say, yeah, but groups is trying to gear up,

1:02:27.040 --> 1:02:28.200
<v Speaker 1>and Allever I said, you know, we could do a

1:02:28.360 --> 1:02:30.320
<v Speaker 1>two and a winter time and go to each and

1:02:30.440 --> 1:02:33.960
<v Speaker 1>every market that got brewing groups and they market too,

1:02:34.040 --> 1:02:36.720
<v Speaker 1>Shorts from the Bay, Hammage from the Bay, mix a

1:02:36.760 --> 1:02:39.880
<v Speaker 1>lots from Seattle. You know. Luke is from down here.

1:02:40.000 --> 1:02:42.680
<v Speaker 1>The craziest thing ever is seeing Luke put the dances

1:02:42.720 --> 1:02:45.680
<v Speaker 1>on the when w stands home. Wait, wait, come about

1:02:45.680 --> 1:02:49.680
<v Speaker 1>what Luke had? He had? First of all, it's Luke

1:02:50.600 --> 1:02:54.680
<v Speaker 1>the first of all for a big figure up to

1:02:54.800 --> 1:02:59.080
<v Speaker 1>my bro, bro Luther Campbell. Luke Campbell. Let me tell you,

1:02:59.400 --> 1:03:02.760
<v Speaker 1>Luther cab it was the first I'm only stayed the chief.

1:03:03.280 --> 1:03:05.760
<v Speaker 1>He had the chicks turking on the security. We get

1:03:05.800 --> 1:03:09.640
<v Speaker 1>to that story, right, me back to that muster. Campbell

1:03:10.000 --> 1:03:13.800
<v Speaker 1>is the first celebrity house I have stayed in my

1:03:13.880 --> 1:03:19.040
<v Speaker 1>life downy in Miami. This Goopie Days. Um, this is

1:03:19.160 --> 1:03:21.560
<v Speaker 1>the nineteen ninety it was you know that was about

1:03:21.920 --> 1:03:23.920
<v Speaker 1>that was more like no, no, no, that was more

1:03:24.000 --> 1:03:27.000
<v Speaker 1>like Luke, Luke's commander, Goopie Days. All right, So anyway,

1:03:28.400 --> 1:03:31.640
<v Speaker 1>so listen, all right, So Luke I was doing this

1:03:31.800 --> 1:03:42.720
<v Speaker 1>this DVD with him, right because before y'all twisted, but

1:03:42.840 --> 1:03:45.440
<v Speaker 1>he was caught up in a political scale on the

1:03:45.520 --> 1:03:47.800
<v Speaker 1>America's most wanted. So we was part of America's most

1:03:47.840 --> 1:03:49.800
<v Speaker 1>wanted the censorship. Wait a minute, No, I didn't know

1:03:49.880 --> 1:03:53.240
<v Speaker 1>what America's most wanted it. Yeah, because because the law

1:03:53.440 --> 1:03:56.640
<v Speaker 1>had you know, the law down here in Dade County

1:03:56.720 --> 1:04:00.200
<v Speaker 1>had Luke up against the wall for censorship, but so

1:04:00.320 --> 1:04:04.000
<v Speaker 1>he needed criminal So so yeah, man, did I take

1:04:04.080 --> 1:04:11.520
<v Speaker 1>your ass? Yeah? It was just Luke moved so much

1:04:12.080 --> 1:04:15.080
<v Speaker 1>music and cultural weight in the South. People like just

1:04:15.240 --> 1:04:18.280
<v Speaker 1>like to say, oh man, Lucas booty and that's it. No, Luke,

1:04:18.480 --> 1:04:23.000
<v Speaker 1>he did a lot, commanded the record industry because nobody

1:04:23.120 --> 1:04:25.600
<v Speaker 1>wanted to South. Nobody wanted to South. It's like that

1:04:25.840 --> 1:04:29.760
<v Speaker 1>bunky ass keep that over there. Luke was the first

1:04:29.880 --> 1:04:32.600
<v Speaker 1>celebrity house I ever stayed in, because I did the

1:04:32.720 --> 1:04:34.040
<v Speaker 1>thing that night and I was like, I'll go to

1:04:34.120 --> 1:04:35.920
<v Speaker 1>the hotel. Luke said stay at my house, you know,

1:04:36.000 --> 1:04:38.400
<v Speaker 1>and the white woman comes out with tea and ship

1:04:38.560 --> 1:04:40.120
<v Speaker 1>like that. I was like, what the fuck? You know,

1:04:42.280 --> 1:04:44.720
<v Speaker 1>Like I'm looking around. It's like it was like, damn,

1:04:44.800 --> 1:04:48.720
<v Speaker 1>they like British right, golf course, you know what I'm saying.

1:04:51.400 --> 1:04:53.880
<v Speaker 1>Golf course like the fun right, But you know, I

1:04:54.720 --> 1:04:58.280
<v Speaker 1>mean Lucas the first people we met down here at

1:04:58.440 --> 1:05:04.960
<v Speaker 1>down the Street, right, James James right, and he was

1:05:05.080 --> 1:05:07.880
<v Speaker 1>upset about like, man, listen, I'm doing all this stuff

1:05:07.880 --> 1:05:10.080
<v Speaker 1>down here in New York. Don't know this US at all.

1:05:10.160 --> 1:05:12.320
<v Speaker 1>And me and Daddy O would be people like, come

1:05:12.400 --> 1:05:14.800
<v Speaker 1>on in because the death jam thing didn't leave you passes.

1:05:15.280 --> 1:05:17.680
<v Speaker 1>And then the thing about Luke, I said, he's also

1:05:17.760 --> 1:05:25.240
<v Speaker 1>the first private jet we ever been on. Lest Let's

1:05:25.240 --> 1:05:28.240
<v Speaker 1>see what I tell you. He ran radio book pirate

1:05:28.400 --> 1:05:31.120
<v Speaker 1>radio stations out of suitcases on top of roofs down here.

1:05:31.120 --> 1:05:39.800
<v Speaker 1>I'm like, let me tell you. Listen, listen. Luke promoted

1:05:39.960 --> 1:05:42.560
<v Speaker 1>us in the stadium full of fifty thousand with the

1:05:42.720 --> 1:05:44.920
<v Speaker 1>old Miami Stadium with the Hurricanes and all the play

1:05:45.000 --> 1:05:48.200
<v Speaker 1>the old Miami STATEUM fifty thousand heads up in there, right.

1:05:48.680 --> 1:05:51.920
<v Speaker 1>We got to play a show the same night at

1:05:52.000 --> 1:05:55.440
<v Speaker 1>the Omni in Atlanta. Luke says, listen, man, you fly

1:05:55.480 --> 1:05:58.080
<v Speaker 1>out my private jet up there. I go up to

1:05:58.200 --> 1:06:01.720
<v Speaker 1>the jet. I'm like, what the fuck? Right? And it

1:06:01.840 --> 1:06:04.200
<v Speaker 1>got the same logo that's on the record company on

1:06:04.320 --> 1:06:06.720
<v Speaker 1>the record label. Yeah. I had to touch the plane

1:06:06.760 --> 1:06:09.400
<v Speaker 1>like this. I touched on it, roughed the back. It's

1:06:09.440 --> 1:06:13.600
<v Speaker 1>like what And we flew to Atlanta and headline that

1:06:13.760 --> 1:06:15.840
<v Speaker 1>same night at the Omni they just called the Omni

1:06:15.880 --> 1:06:17.960
<v Speaker 1>back in the day, And we did two gigs in

1:06:18.080 --> 1:06:24.880
<v Speaker 1>one day. And courtesy of Luke's private Brown Luke Skywalker plane. Now,

1:06:25.000 --> 1:06:27.520
<v Speaker 1>the only thing that stopped Luke was once again they

1:06:27.560 --> 1:06:29.840
<v Speaker 1>saw him coming because he had a whole area that

1:06:29.960 --> 1:06:32.160
<v Speaker 1>nobody wanted. Come on. Wrap hip hopped in the South.

1:06:32.240 --> 1:06:38.120
<v Speaker 1>Who the fuck wants Florida, Louisiana, Mississippi, Georgia, South Carolina,

1:06:38.600 --> 1:06:43.520
<v Speaker 1>you know, Texas, Oklahoma, Arkansas, and Luke got want them

1:06:43.560 --> 1:06:48.120
<v Speaker 1>bumping ass and Luke would put out the tape and rule,

1:06:48.400 --> 1:06:50.760
<v Speaker 1>and then the companies wanted in. Later on. That was

1:06:50.800 --> 1:06:54.720
<v Speaker 1>the blueprint for who but New York, Yeah, late later on,

1:06:54.760 --> 1:06:58.480
<v Speaker 1>it was a blueprint for master Peak. Yes, but Luke

1:06:59.200 --> 1:07:01.880
<v Speaker 1>and Luke got up where they they came after them

1:07:01.920 --> 1:07:04.240
<v Speaker 1>like take the logo away, you know, like you know,

1:07:05.080 --> 1:07:07.840
<v Speaker 1>I think what's his name, George Lucas and them was

1:07:07.880 --> 1:07:12.160
<v Speaker 1>like you can't you. I was like fuck, And you know,

1:07:12.360 --> 1:07:14.400
<v Speaker 1>that type of shit happened, and then the Lord and

1:07:14.480 --> 1:07:16.680
<v Speaker 1>then the government and all that other ship and then

1:07:16.720 --> 1:07:18.680
<v Speaker 1>I was an opportunity for master P to come up

1:07:18.720 --> 1:07:23.280
<v Speaker 1>in there. And still even master P capitalize on all

1:07:23.360 --> 1:07:27.320
<v Speaker 1>those territories. Nobody went up by that time, around Nor's

1:07:27.400 --> 1:07:37.560
<v Speaker 1>ninety eight, the companies was like yeah, yo, man. Companies

1:07:37.600 --> 1:07:40.680
<v Speaker 1>tried to make what Master Pa offer because they realized

1:07:40.720 --> 1:07:46.840
<v Speaker 1>that the young man there's some gold in them Texas, Louisiana, Mississippi, Georgia, Alabama,

1:07:47.000 --> 1:07:49.760
<v Speaker 1>Hill Florida Hills. And they tried to make them a

1:07:49.880 --> 1:07:52.160
<v Speaker 1>deal and Master P was doing so well. Remember you

1:07:52.200 --> 1:07:54.880
<v Speaker 1>said like five hundred ads in the source. You know

1:07:54.880 --> 1:07:56.440
<v Speaker 1>what I'm saying. He had his own record stores on

1:07:56.480 --> 1:07:58.160
<v Speaker 1>the West. They tried to make a deal with him,

1:07:58.560 --> 1:08:00.480
<v Speaker 1>and he was like, yo, man, with the fuck, you know,

1:08:00.600 --> 1:08:02.960
<v Speaker 1>you gotta come in they and they said, you know,

1:08:03.840 --> 1:08:06.880
<v Speaker 1>we're gonna we're gonna finance your competitor there. And that's

1:08:06.920 --> 1:08:10.840
<v Speaker 1>what money they financed his competitor should get real and

1:08:10.960 --> 1:08:13.080
<v Speaker 1>then surrounded it. You know, this is the same old

1:08:13.120 --> 1:08:15.840
<v Speaker 1>you know, and no disrespect to Cass money, but that

1:08:16.000 --> 1:08:18.639
<v Speaker 1>was the game that the majors would play to destroy

1:08:18.760 --> 1:08:21.479
<v Speaker 1>black businesses. You know, it's crazy. I'm gonna be honest

1:08:21.520 --> 1:08:24.599
<v Speaker 1>with you. I went to New Orleans around that time

1:08:24.640 --> 1:08:27.040
<v Speaker 1>where Master P was the ship, and I wanted to

1:08:27.160 --> 1:08:29.519
<v Speaker 1>do a record with a dude I think his name

1:08:29.560 --> 1:08:32.439
<v Speaker 1>was Scott dug He originally bind up being on penalty

1:08:33.320 --> 1:08:36.560
<v Speaker 1>and I remember me being in New Orleans and me

1:08:36.760 --> 1:08:40.559
<v Speaker 1>identifying with the only other Puerto Rican person that was there.

1:08:40.760 --> 1:08:43.280
<v Speaker 1>It was a girl. She had fronts on and she

1:08:43.439 --> 1:08:46.200
<v Speaker 1>was poor Rigan And I said, wait a minute, well,

1:08:46.240 --> 1:08:48.600
<v Speaker 1>I've never seen fronts at that time because we like

1:08:48.760 --> 1:08:51.599
<v Speaker 1>like like New York. We excuse me, we had fronts.

1:08:51.680 --> 1:08:54.479
<v Speaker 1>We didn't have what they have, which whatever it was,

1:08:55.360 --> 1:08:56.760
<v Speaker 1>that was the only different. I was like, what is

1:08:56.800 --> 1:09:01.080
<v Speaker 1>that in your mouth? Pause? And I remember this day

1:09:02.960 --> 1:09:07.000
<v Speaker 1>so perfect. I was. I say, I'm out there, I'm

1:09:07.040 --> 1:09:09.320
<v Speaker 1>out here to meet with what what? What? What? What? What?

1:09:09.760 --> 1:09:12.200
<v Speaker 1>I want to meet with no limit? I want to um.

1:09:13.000 --> 1:09:17.080
<v Speaker 1>And I remember how saying to me, we on that

1:09:17.240 --> 1:09:20.920
<v Speaker 1>cash money right now? And I was like what And

1:09:21.120 --> 1:09:23.680
<v Speaker 1>I kid you not. It wasn't on the radio. It

1:09:23.800 --> 1:09:25.920
<v Speaker 1>was nothing. It was like how you just said they

1:09:26.400 --> 1:09:31.720
<v Speaker 1>funded some totally different sh really like this, Yes, you know,

1:09:31.800 --> 1:09:37.080
<v Speaker 1>we were, you know, it was like, wow, it's it's

1:09:37.400 --> 1:09:39.960
<v Speaker 1>it's Jewish now now I remember it being pushed and

1:09:40.160 --> 1:09:42.639
<v Speaker 1>it was Julie. It was definitely Jewish. It was almost

1:09:42.680 --> 1:09:46.080
<v Speaker 1>like one of those like don't support this, support this

1:09:46.320 --> 1:09:48.760
<v Speaker 1>or this label and you know what I mean, that's

1:09:48.800 --> 1:09:50.439
<v Speaker 1>what you know. I mean, like I said, money to us,

1:09:50.479 --> 1:09:53.120
<v Speaker 1>guy walks out of the room, but what it does,

1:09:53.280 --> 1:09:55.920
<v Speaker 1>and like it's the old game. It's the old game.

1:09:56.000 --> 1:10:00.719
<v Speaker 1>It's like you can put black faces, you could pimp

1:10:00.840 --> 1:10:04.559
<v Speaker 1>black faces, and you can put a black business out

1:10:04.600 --> 1:10:10.160
<v Speaker 1>of business. But I think that, but I think also

1:10:10.280 --> 1:10:13.320
<v Speaker 1>that this this ways to go about certain things. You.

1:10:14.160 --> 1:10:17.840
<v Speaker 1>I think numbers is the soul of a robot, and

1:10:17.960 --> 1:10:20.599
<v Speaker 1>the human beings have a post that we need to understand.

1:10:20.680 --> 1:10:24.320
<v Speaker 1>Our mistakes are is our mistakes. But bigger is not

1:10:24.520 --> 1:10:27.320
<v Speaker 1>always better. And sometimes you can make better and keep

1:10:27.360 --> 1:10:30.040
<v Speaker 1>it like this and and and be able to drive

1:10:30.160 --> 1:10:34.200
<v Speaker 1>that small vehicle a long distance. Sometimes the big vehicles

1:10:34.280 --> 1:10:37.080
<v Speaker 1>run out of gas. A better version of yourself in

1:10:37.160 --> 1:10:40.040
<v Speaker 1>a more compact situation. And I think that's the beautiful

1:10:40.080 --> 1:10:42.679
<v Speaker 1>thing about art, because you know it could be anything

1:10:42.880 --> 1:10:45.280
<v Speaker 1>in license. You can license to ill. That's why that

1:10:45.400 --> 1:10:47.759
<v Speaker 1>did the dude that did Delbert his name Scott Adams.

1:10:48.040 --> 1:10:50.200
<v Speaker 1>I don't mean to be doing a reverse plug here,

1:10:50.720 --> 1:10:53.160
<v Speaker 1>but he got caught in in in a scandal when

1:10:53.200 --> 1:10:55.000
<v Speaker 1>he started coming off out the mouth of like stay

1:10:55.040 --> 1:10:57.320
<v Speaker 1>away from black people and all that. And I said,

1:10:57.360 --> 1:10:59.760
<v Speaker 1>you know he had the license to ill as all

1:10:59.760 --> 1:11:02.680
<v Speaker 1>of the if you just had Dilbert do all that

1:11:03.120 --> 1:11:05.479
<v Speaker 1>people would have gave a fuck the minute you put

1:11:05.520 --> 1:11:07.960
<v Speaker 1>your face on the camera and start talking to the mic,

1:11:08.040 --> 1:11:10.000
<v Speaker 1>you out of your lane. Yeah, and you know what,

1:11:10.160 --> 1:11:13.760
<v Speaker 1>you ain't nobody compared to your to your product. Your

1:11:13.840 --> 1:11:16.120
<v Speaker 1>character is the one you should have spoken to. That's

1:11:16.160 --> 1:11:19.040
<v Speaker 1>your license to ill the minute you put your face

1:11:19.120 --> 1:11:21.240
<v Speaker 1>on the camera, and that's everybody you know feels that

1:11:22.080 --> 1:11:24.479
<v Speaker 1>now everybody's equipped when the lights in the camera actually

1:11:24.520 --> 1:11:27.280
<v Speaker 1>comes on, yes, y'all, y'all see it. Sometimes you'd be like,

1:11:27.439 --> 1:11:29.439
<v Speaker 1>you know, you think gotta get loosened up because they're

1:11:29.439 --> 1:11:31.960
<v Speaker 1>be like, yo, man, they're on the fuck up? Or

1:11:32.760 --> 1:11:35.519
<v Speaker 1>where's the training in this? Somebody throw you three questions?

1:11:35.600 --> 1:11:38.479
<v Speaker 1>Can you actually catch three questions and throw four back?

1:11:38.560 --> 1:11:40.360
<v Speaker 1>And it's like it's a it's a game there, you

1:11:40.400 --> 1:11:42.880
<v Speaker 1>know what I'm saying. And it's an engagement there too,

1:11:43.120 --> 1:11:46.760
<v Speaker 1>So it's not trained. So a lot of cats feel nervous. Man.

1:11:46.840 --> 1:11:49.280
<v Speaker 1>It's like yo, man, that's but the kids is like,

1:11:49.960 --> 1:11:52.360
<v Speaker 1>it's all right to say you don't know, and it's

1:11:52.400 --> 1:11:54.920
<v Speaker 1>all right to be an owner of what you think

1:11:55.439 --> 1:11:56.880
<v Speaker 1>because you know you could be a slave to what

1:11:57.000 --> 1:12:00.120
<v Speaker 1>you say, So be like, I don't fucking know how

1:12:00.160 --> 1:12:02.080
<v Speaker 1>to move on with that. But a lot of these

1:12:02.200 --> 1:12:05.960
<v Speaker 1>training courses could also do better with having artists have

1:12:06.120 --> 1:12:09.599
<v Speaker 1>like twenty years your careers, thirty year, forty year careers,

1:12:09.640 --> 1:12:12.040
<v Speaker 1>those those casts from Motown. Man, I mean you just

1:12:12.160 --> 1:12:15.720
<v Speaker 1>had Oley Brothers on. Seriously, Ronald Osley said here, it's like,

1:12:15.800 --> 1:12:17.720
<v Speaker 1>how do you how do you start? It's like like

1:12:17.840 --> 1:12:24.400
<v Speaker 1>it's incredible and George, oh, George, big up to Aunt George.

1:12:24.680 --> 1:12:27.000
<v Speaker 1>And I was a wonderful interview. Uncle George is like,

1:12:27.120 --> 1:12:40.240
<v Speaker 1>I'm he spoke too. I kept jail. Don't don't follow

1:12:40.320 --> 1:12:46.040
<v Speaker 1>that path. Uncle oh yo, man, uncause everything differently right,

1:12:46.360 --> 1:12:48.960
<v Speaker 1>yeah right, it's Oca has done things that we don't

1:12:49.000 --> 1:12:52.360
<v Speaker 1>even know. He said it and we were shocked. I said,

1:12:52.400 --> 1:12:55.920
<v Speaker 1>did you say this? He said, yeah, man, un I'm

1:12:55.920 --> 1:12:57.800
<v Speaker 1>supposed to get to his crib and we're supposed to

1:12:57.880 --> 1:13:01.080
<v Speaker 1>do some art together, like he said he did. He

1:13:01.160 --> 1:13:03.479
<v Speaker 1>did art on that wall. They paid it over it did. Yeah,

1:13:05.040 --> 1:13:07.680
<v Speaker 1>they keep changing, it changed everybody. We had DMX so

1:13:07.920 --> 1:13:10.640
<v Speaker 1>like every couple of months, well like but yeah, he

1:13:10.720 --> 1:13:13.800
<v Speaker 1>just came in the game. Was spray can he just yeah, yeah, yeah,

1:13:14.040 --> 1:13:17.320
<v Speaker 1>I got documented. Yeah, we document the screen agent so

1:13:17.400 --> 1:13:19.920
<v Speaker 1>that the work. Yeah. Yeah, So I've been wanting to

1:13:19.920 --> 1:13:26.600
<v Speaker 1>ask you this question, and I've been in rules I

1:13:26.680 --> 1:13:30.880
<v Speaker 1>can ask you, well, I can ask you this question,

1:13:31.000 --> 1:13:32.800
<v Speaker 1>but this is let me ask the question. They can

1:13:32.920 --> 1:13:34.760
<v Speaker 1>come up and stumble in and they'd be fucked up

1:13:34.760 --> 1:13:36.760
<v Speaker 1>and nervous. Yes they do, yes, But this is one

1:13:36.760 --> 1:13:39.479
<v Speaker 1>of my favorite songs of all times. But I've been

1:13:39.560 --> 1:13:41.240
<v Speaker 1>in a situation where I could ask you this questioner,

1:13:41.280 --> 1:13:44.880
<v Speaker 1>I've never asked. I want to know, did you really

1:13:44.920 --> 1:13:49.080
<v Speaker 1>get a letter from the government? Of course wasn't. Here's

1:13:49.120 --> 1:13:52.920
<v Speaker 1>the story. It's documented nine and remember born in nineteen

1:13:53.040 --> 1:13:57.840
<v Speaker 1>sixty Yes, Graham, I'm a grandparents crib. You know, southos

1:13:57.880 --> 1:14:06.240
<v Speaker 1>In Park, nineteen sixty seven, in June exactly. You know

1:14:06.320 --> 1:14:09.320
<v Speaker 1>they moved there from Harlem in nineteen fifty five. You

1:14:09.400 --> 1:14:12.040
<v Speaker 1>know the you know, it's documents. You know it's come

1:14:12.080 --> 1:14:16.160
<v Speaker 1>to Queens from Harlem. White flight, you know, wherever black.

1:14:16.240 --> 1:14:19.080
<v Speaker 1>You know, you gotta study black migration, black migrations, like, oh,

1:14:19.160 --> 1:14:21.200
<v Speaker 1>we could move there, but white people gonna move out,

1:14:21.280 --> 1:14:25.200
<v Speaker 1>you know, back there because it's like so um nineteen

1:14:25.320 --> 1:14:29.560
<v Speaker 1>sixty seven, boom, June. I'm out of school, you know,

1:14:29.720 --> 1:14:32.719
<v Speaker 1>I'm going to you know, I'm in first second grade

1:14:32.760 --> 1:14:38.640
<v Speaker 1>something like that. Right. Um, My grandparents also forced the

1:14:38.680 --> 1:14:40.800
<v Speaker 1>parents of the year, so there's always boys around, right,

1:14:41.320 --> 1:14:44.400
<v Speaker 1>twelve thirteen deep. You know it was amazing, like damn

1:14:44.439 --> 1:14:46.360
<v Speaker 1>they feeding eight people at the same time, a big

1:14:46.479 --> 1:14:51.080
<v Speaker 1>bat or whatever. So one of the boys, you call

1:14:51.160 --> 1:14:53.920
<v Speaker 1>him my uncles or whatever. He just got out of

1:14:54.040 --> 1:14:57.920
<v Speaker 1>high school, went to John Bound right, Yeah, you're doing

1:14:58.479 --> 1:15:02.360
<v Speaker 1>this is my whole childhood. Let me just say something

1:15:02.360 --> 1:15:05.080
<v Speaker 1>real quick. By the way, I never went to high school,

1:15:05.200 --> 1:15:09.120
<v Speaker 1>but when I was in I was in df Wiles

1:15:09.160 --> 1:15:11.519
<v Speaker 1>in Sparford, and my mother came to see me and

1:15:11.600 --> 1:15:14.040
<v Speaker 1>I had just got accepted it to John Bown High School.

1:15:14.160 --> 1:15:16.559
<v Speaker 1>And so if I didn't get locked up, I would

1:15:16.560 --> 1:15:18.240
<v Speaker 1>have been in John Bown High School. So you're fucking

1:15:18.280 --> 1:15:21.360
<v Speaker 1>up my whole childhood right now. It was it was

1:15:21.439 --> 1:15:30.320
<v Speaker 1>dead before he was born. I'm just like you built

1:15:30.360 --> 1:15:35.800
<v Speaker 1>up story anyway. Sure enough, he just got out of

1:15:35.880 --> 1:15:41.639
<v Speaker 1>high school. Wow, to walk up to off the walkway,

1:15:42.439 --> 1:15:50.240
<v Speaker 1>fucking military dude. Yeah, uncle goes to the door he

1:15:50.400 --> 1:15:54.559
<v Speaker 1>freshed out of high school, hand him a letter. Dudes

1:15:54.600 --> 1:15:57.680
<v Speaker 1>like I mean the regalia man like us marine man.

1:15:58.240 --> 1:16:02.280
<v Speaker 1>Path gives him that walks right towards his car. They

1:16:02.320 --> 1:16:08.840
<v Speaker 1>were going down to other houses too. I'll picks up letter, right,

1:16:09.840 --> 1:16:11.960
<v Speaker 1>it gives you know, seven years old, You're like, whether

1:16:12.160 --> 1:16:15.160
<v Speaker 1>you fuck you know, move move, move move. I'm like

1:16:15.320 --> 1:16:17.479
<v Speaker 1>jumping up. I remember I ain't e four, I ain't two.

1:16:17.560 --> 1:16:20.080
<v Speaker 1>I'm seven, right going on eight. You know what I'm saying.

1:16:20.479 --> 1:16:22.920
<v Speaker 1>I got a little sense about me. I'm I'm a

1:16:23.040 --> 1:16:29.439
<v Speaker 1>nick fan, right, yeah, sure enough. He takes the letter,

1:16:30.200 --> 1:16:34.680
<v Speaker 1>his face drops and he's like, drops that fucking letter

1:16:34.760 --> 1:16:38.280
<v Speaker 1>on the on the table and goes just to the

1:16:38.360 --> 1:16:42.200
<v Speaker 1>fucking backyard me. You know, like, I'm picking it up,

1:16:42.200 --> 1:16:44.920
<v Speaker 1>and I could read a little bit seven you know,

1:16:45.400 --> 1:16:48.760
<v Speaker 1>so so so so, you know, because I couldn't read

1:16:48.760 --> 1:16:53.280
<v Speaker 1>them the big words. But you have been drafted United

1:16:53.360 --> 1:16:58.440
<v Speaker 1>States Marines are route you know through Campler June, North Carolina,

1:16:58.640 --> 1:17:05.200
<v Speaker 1>or route the Southeast Asia Vietnam. Wow, drafted into your summer. Dude.

1:17:05.360 --> 1:17:08.760
<v Speaker 1>You got to be in Cample of June in a week.

1:17:09.439 --> 1:17:11.720
<v Speaker 1>And this is before Ali made these statements on this

1:17:11.920 --> 1:17:14.720
<v Speaker 1>is this is in that period that same man, I

1:17:14.760 --> 1:17:17.560
<v Speaker 1>mean by six sixty seven, man, doctor Martin is the

1:17:17.640 --> 1:17:21.080
<v Speaker 1>King makes a speech that that kind of kicks everybody

1:17:21.120 --> 1:17:24.040
<v Speaker 1>in the stomach, like, oh no, he he's beyond having

1:17:24.080 --> 1:17:27.439
<v Speaker 1>a dream. He's like saying, you know, motherfucked the Vietnam War.

1:17:27.720 --> 1:17:29.400
<v Speaker 1>The day was like tucking that to the back. We

1:17:29.479 --> 1:17:32.240
<v Speaker 1>can't have we can't have, we can't have to dream

1:17:32.320 --> 1:17:34.600
<v Speaker 1>us say this. Yeah, even the even the government and

1:17:34.640 --> 1:17:37.360
<v Speaker 1>the presidents, like I thought, I thought MLK was my

1:17:37.439 --> 1:17:40.840
<v Speaker 1>man whatever. So that was going on. There's no TikTok. Yeah,

1:17:40.920 --> 1:17:44.919
<v Speaker 1>no TikTok. So that was going on. You had Muhammad

1:17:45.000 --> 1:17:49.200
<v Speaker 1>Ali June fourth, nineteen sixty seven. That was going on

1:17:49.400 --> 1:17:52.640
<v Speaker 1>with Mohamma Muhammad two weeks after Brown. All of them

1:17:52.800 --> 1:17:56.320
<v Speaker 1>was in that's the black. I believe that that was

1:17:56.360 --> 1:17:59.920
<v Speaker 1>sixty eight. I got it June June four, ninety sixty seven,

1:18:00.160 --> 1:18:03.680
<v Speaker 1>nineteen sixty seven. I stand corrected Bobby Mitchell and had

1:18:03.760 --> 1:18:06.639
<v Speaker 1>Bobby Mitchell. You had Jim Brown center at the time.

1:18:06.720 --> 1:18:13.679
<v Speaker 1>Was later Yeah, yeah, because because at the same time,

1:18:13.800 --> 1:18:15.960
<v Speaker 1>you know, the only one that had a voice in

1:18:16.000 --> 1:18:18.920
<v Speaker 1>the microphone. This wasn't athletes back back in his head

1:18:19.080 --> 1:18:21.280
<v Speaker 1>like they give him a athlete to mic and then

1:18:21.320 --> 1:18:23.760
<v Speaker 1>pull it back. But Ali wasn't having that. He wasn't

1:18:24.000 --> 1:18:27.400
<v Speaker 1>like that. I'm taking about im driming. I'm pretty all

1:18:27.479 --> 1:18:31.240
<v Speaker 1>due uh to respect and praises to our Allah. Who's Allah?

1:18:31.439 --> 1:18:32.960
<v Speaker 1>You know. It's like, you know, every time, you know,

1:18:33.360 --> 1:18:35.760
<v Speaker 1>every time they want to mess with black folks, they

1:18:35.840 --> 1:18:38.040
<v Speaker 1>just I'm gonna just fuck up your name, like Kip

1:18:38.160 --> 1:18:40.240
<v Speaker 1>Farra Cans. I was like, the fuck is Afara ca

1:18:42.360 --> 1:18:49.599
<v Speaker 1>do it? Like, oh yeah, you know what the fund?

1:18:49.680 --> 1:18:52.800
<v Speaker 1>Who the fuck is Alla Fu. It's like you you

1:18:53.040 --> 1:18:55.680
<v Speaker 1>have more to see, but you gotta be like I

1:18:55.840 --> 1:18:58.360
<v Speaker 1>kim Elijah one, you have grace before I smack you.

1:18:59.760 --> 1:19:03.080
<v Speaker 1>But anyway, yeah, he got that letter, he dropped it.

1:19:03.200 --> 1:19:05.400
<v Speaker 1>I read that. I was like, yeah, no, he's fucked up.

1:19:05.520 --> 1:19:07.800
<v Speaker 1>He's not going he ain't gonna have a party this summer.

1:19:08.160 --> 1:19:10.280
<v Speaker 1>And back then, you know, Motown's popping, like you know,

1:19:10.520 --> 1:19:12.920
<v Speaker 1>like four times, shake me, wake me, two is over.

1:19:13.040 --> 1:19:16.160
<v Speaker 1>You know what I'm saying, Seven rooms are gloom, you know, motoil,

1:19:16.280 --> 1:19:18.320
<v Speaker 1>let's get it popping. You know what I'm saying. Nope,

1:19:18.400 --> 1:19:21.080
<v Speaker 1>he's going up Vietnam the Marine Corps. That yeah, And

1:19:21.240 --> 1:19:24.160
<v Speaker 1>that's where that story came from. And the fact is

1:19:24.240 --> 1:19:26.200
<v Speaker 1>that he and a couple of other uncles came back,

1:19:26.400 --> 1:19:30.400
<v Speaker 1>they got strapped. No couple came back, you know. And

1:19:30.479 --> 1:19:32.320
<v Speaker 1>they used to come back with these purple hearts, and

1:19:32.400 --> 1:19:33.920
<v Speaker 1>me and my brother used to play put them on

1:19:33.960 --> 1:19:35.599
<v Speaker 1>the g I Joes because they didn't give a fuck

1:19:35.600 --> 1:19:40.040
<v Speaker 1>about the goddamn purple heart. This is why I why

1:19:40.080 --> 1:19:42.200
<v Speaker 1>a lot of cats was fucked up, man, A lot

1:19:42.240 --> 1:19:45.639
<v Speaker 1>of cats were sucked up. And when nineteen sixty nine

1:19:45.800 --> 1:19:51.880
<v Speaker 1>seventy seventy one, man seventy to seventy three, because we

1:19:52.040 --> 1:19:54.160
<v Speaker 1>got to go back and forth to cousins of relatives

1:19:54.200 --> 1:19:56.880
<v Speaker 1>in the city all the fucking time, man, and going

1:19:56.960 --> 1:19:59.240
<v Speaker 1>back to the Bronx. Man, it was tough, man, because

1:19:59.280 --> 1:20:02.120
<v Speaker 1>cats is like they backed from Vietnam, cast is shooting

1:20:02.200 --> 1:20:04.800
<v Speaker 1>up of arms, man, and and the thing that that

1:20:05.240 --> 1:20:07.439
<v Speaker 1>that stirred me away from drugs. Man, it was like

1:20:08.160 --> 1:20:09.720
<v Speaker 1>I was like, a look at them and cats a

1:20:09.800 --> 1:20:11.559
<v Speaker 1>shooting in there. I'm like, I don't fuck I mean

1:20:11.640 --> 1:20:14.240
<v Speaker 1>that the whole You know that they destroyed the Bronx too,

1:20:14.840 --> 1:20:17.000
<v Speaker 1>And they destroyed the Bronxes, yeah yeah, yea yeah, but

1:20:17.160 --> 1:20:19.360
<v Speaker 1>Black and Porterbeca y'all lived there, and fuck that. You know,

1:20:19.640 --> 1:20:22.679
<v Speaker 1>we never gonna service it. And fucking y'all. Y'all gonna

1:20:22.720 --> 1:20:25.360
<v Speaker 1>die there, like yeah, it was a war zone and

1:20:25.439 --> 1:20:29.040
<v Speaker 1>this is why. Yeah, yeah, and this is where we're

1:20:29.400 --> 1:20:31.960
<v Speaker 1>back into. You know, when we did the documentary, I

1:20:32.040 --> 1:20:33.920
<v Speaker 1>had to mention them dig up the Laury Bruler, my

1:20:34.000 --> 1:20:36.880
<v Speaker 1>magic partner on that and Kevin Kevin a in the house,

1:20:37.360 --> 1:20:43.400
<v Speaker 1>you know, and Dominique Um listen um, the BBC PBS series,

1:20:44.360 --> 1:20:46.880
<v Speaker 1>Uh like the power Dig up to Asley Brothers for

1:20:47.400 --> 1:20:51.080
<v Speaker 1>sparking that that whole thought how hip hop changed the world,

1:20:51.200 --> 1:20:54.559
<v Speaker 1>important words the world. But out of that seed, out

1:20:54.600 --> 1:20:57.960
<v Speaker 1>of the Bronx, it was just in franchise left for Dead,

1:20:58.320 --> 1:21:01.200
<v Speaker 1>out of that seed of you know, it rose like

1:21:01.280 --> 1:21:04.000
<v Speaker 1>a rose out of the ashes, like a phoenix. It's

1:21:04.040 --> 1:21:06.160
<v Speaker 1>like people that had to do something. And big up

1:21:06.160 --> 1:21:09.080
<v Speaker 1>to the Grandmaster cash Man, pick up to the Grandmaster

1:21:09.200 --> 1:21:12.760
<v Speaker 1>Flash Bambar a cool hrk you know all the cats

1:21:12.800 --> 1:21:15.920
<v Speaker 1>in the beginning. Man, that's just made something out of nothing,

1:21:16.000 --> 1:21:19.960
<v Speaker 1>man and I want to do't call it nothing, but

1:21:20.120 --> 1:21:23.679
<v Speaker 1>it was left foot dead and we have to also

1:21:23.920 --> 1:21:30.400
<v Speaker 1>the key thing is this, we can never ignore the

1:21:30.520 --> 1:21:35.760
<v Speaker 1>context of time. Time has its context. A lot of

1:21:35.880 --> 1:21:38.320
<v Speaker 1>things we're in the fast forward go on and check

1:21:38.360 --> 1:21:41.400
<v Speaker 1>it out on YouTube, check it through the screen. The

1:21:41.560 --> 1:21:45.840
<v Speaker 1>reasons why our books stand up because books appear on

1:21:45.920 --> 1:21:49.160
<v Speaker 1>your own time, Like I don't understand this ship. We'll

1:21:49.200 --> 1:21:51.680
<v Speaker 1>take your time and saw it down to the context

1:21:52.400 --> 1:21:54.479
<v Speaker 1>whenever you read through a phone and digital man to

1:21:54.520 --> 1:21:56.679
<v Speaker 1>cold appear and disappear. How many casts you know always

1:21:56.680 --> 1:21:59.000
<v Speaker 1>got got by three card money? Now you see it?

1:21:59.120 --> 1:22:01.840
<v Speaker 1>Now you don't underneath the clam and the crab, you know,

1:22:02.280 --> 1:22:06.040
<v Speaker 1>cats is like, whoa, that's what social media is. I

1:22:06.200 --> 1:22:09.320
<v Speaker 1>got you what you thought you saw. You probably didn't see. Man,

1:22:09.479 --> 1:22:12.040
<v Speaker 1>do you think, oh say you thought you saw it right?

1:22:12.160 --> 1:22:14.839
<v Speaker 1>Maybe you did. Maybe I'll give you something else instead,

1:22:15.240 --> 1:22:17.519
<v Speaker 1>like oh yeah, and they got you shaken to the lights.

1:22:17.560 --> 1:22:21.120
<v Speaker 1>Oh my god. You know like that, digital appears and

1:22:21.240 --> 1:22:26.800
<v Speaker 1>disappears at somebody, somebody else's behest. Now we're in the

1:22:26.920 --> 1:22:30.080
<v Speaker 1>time where people are attacked and attached to their gadgets,

1:22:30.120 --> 1:22:35.919
<v Speaker 1>and I make Nolan, I give no slander on scholars

1:22:37.160 --> 1:22:41.240
<v Speaker 1>on scholarship, you know why if we want to read, right,

1:22:41.960 --> 1:22:44.280
<v Speaker 1>what's the deal? We read what we like to read.

1:22:45.040 --> 1:22:46.800
<v Speaker 1>We're not fucking around with shit. We don't want to

1:22:47.000 --> 1:22:50.000
<v Speaker 1>what we don't want to read. Scholars read every fucking thing.

1:22:51.680 --> 1:22:55.240
<v Speaker 1>They mostly read the fucking, the fucking bad, and the ugly,

1:22:55.840 --> 1:22:58.320
<v Speaker 1>and they read the good and they process it. That's

1:22:58.320 --> 1:23:00.639
<v Speaker 1>why you can't have a conversation debate with a scholar,

1:23:00.680 --> 1:23:02.960
<v Speaker 1>because the scholar read the pro con in the middle

1:23:03.040 --> 1:23:05.160
<v Speaker 1>side to come up with understand the perspective, right, the

1:23:05.200 --> 1:23:06.760
<v Speaker 1>only thing you can do. It's like, yo, by the fucker,

1:23:06.760 --> 1:23:10.400
<v Speaker 1>I can't fuck with you, you know, say that because

1:23:10.840 --> 1:23:12.880
<v Speaker 1>like even in sports, it is based on a fact,

1:23:12.920 --> 1:23:15.160
<v Speaker 1>it's not really based on opinion. When we start talking

1:23:15.200 --> 1:23:18.360
<v Speaker 1>about the arts, we kind of get into the world

1:23:18.439 --> 1:23:21.880
<v Speaker 1>of taste, what makes you like distaste and that taste

1:23:22.120 --> 1:23:24.720
<v Speaker 1>versus in the world. But then you go and if

1:23:24.760 --> 1:23:28.680
<v Speaker 1>somebody through, if somebody threw you some chief ship that

1:23:28.920 --> 1:23:31.400
<v Speaker 1>hurts you in the fucking morning, that right, So then

1:23:31.439 --> 1:23:34.160
<v Speaker 1>they g I don't have mimosas. So taste is a

1:23:34.240 --> 1:23:36.120
<v Speaker 1>charting thing when it comes down to the art. But

1:23:36.280 --> 1:23:38.400
<v Speaker 1>also we should have a broad vision where art is

1:23:39.240 --> 1:23:42.200
<v Speaker 1>before we grade what art should be. You know what

1:23:42.240 --> 1:23:46.479
<v Speaker 1>I'm saying. But it's a it's a it's a custom taste,

1:23:46.600 --> 1:23:50.360
<v Speaker 1>you know, And scholarship. When people have a debate about

1:23:50.360 --> 1:23:52.479
<v Speaker 1>a lot of different things. Man. I think we should

1:23:52.560 --> 1:23:55.639
<v Speaker 1>hold scholars in high regard, man, because like I said,

1:23:55.680 --> 1:23:58.040
<v Speaker 1>they spend it most of day time reading that bullshit

1:23:58.520 --> 1:24:00.720
<v Speaker 1>they don't want to read and that they don't want

1:24:00.720 --> 1:24:04.640
<v Speaker 1>to be. And the thing about the speed of of

1:24:04.880 --> 1:24:08.280
<v Speaker 1>inaccurate bullshit out there is beyond what the human mind

1:24:08.320 --> 1:24:11.160
<v Speaker 1>could fucking catch. Because I mean this ship, the speed

1:24:11.240 --> 1:24:13.400
<v Speaker 1>of what ship comes through your phones and come and

1:24:13.520 --> 1:24:17.760
<v Speaker 1>the new and understand this and culture every hip hop,

1:24:17.880 --> 1:24:22.360
<v Speaker 1>every generation is five years, he said. But mister, mister,

1:24:23.080 --> 1:24:26.280
<v Speaker 1>we we like to praise you and give you your

1:24:26.320 --> 1:24:34.920
<v Speaker 1>flowers to your face. Oh man, flowers anything I want

1:24:34.960 --> 1:24:37.760
<v Speaker 1>I want, even if I want you to know the flowers. Listen,

1:24:37.760 --> 1:24:42.120
<v Speaker 1>I want you to know how these are flowers. Okay, flowers.

1:24:42.240 --> 1:24:44.840
<v Speaker 1>I like that. Flowers. Yeah, well I got It's like

1:24:44.880 --> 1:24:51.720
<v Speaker 1>a Grammy sounds like this from you. She's dropping me

1:24:51.800 --> 1:24:55.840
<v Speaker 1>all the way. Because we want you to really understand, man,

1:24:55.960 --> 1:24:58.799
<v Speaker 1>this is special. We want you to understand how important

1:24:58.840 --> 1:25:04.840
<v Speaker 1>you are to the culture, to to us. Yeah, to

1:25:05.040 --> 1:25:09.120
<v Speaker 1>the world you are. You are a teacher, you are

1:25:09.280 --> 1:25:12.519
<v Speaker 1>you are our scholar. How about that? Wow? Man? Those

1:25:12.560 --> 1:25:17.040
<v Speaker 1>other scholars is nice? Wow? Yeah, man, I mean and

1:25:17.240 --> 1:25:19.120
<v Speaker 1>you said it earlier. You said you said you ain't

1:25:19.160 --> 1:25:22.439
<v Speaker 1>going to church or whatever, but no I ain't. If

1:25:22.560 --> 1:25:24.960
<v Speaker 1>you were to open up a church, If you were

1:25:25.040 --> 1:25:27.680
<v Speaker 1>to open up a church, I bet me be the

1:25:27.760 --> 1:25:30.920
<v Speaker 1>first two people to sign up. Actually, hold up, Hold up,

1:25:30.920 --> 1:25:32.960
<v Speaker 1>because we need to talk about the hip hop Union,

1:25:33.320 --> 1:25:35.080
<v Speaker 1>because that is the first thing way to say. You're

1:25:35.080 --> 1:25:37.080
<v Speaker 1>gonna kicking me out already. No no, no, no no no.

1:25:37.280 --> 1:25:43.040
<v Speaker 1>We getting drunk. You ain't gonna drink. Make sure make church.

1:25:43.120 --> 1:25:45.200
<v Speaker 1>He's good, make sure she's good. He had a drink.

1:25:45.280 --> 1:25:50.519
<v Speaker 1>There's bathroom breaks and whatever you want. Let me go

1:25:50.600 --> 1:25:52.960
<v Speaker 1>back to the fight the Power thing. You all listen

1:25:53.479 --> 1:25:57.000
<v Speaker 1>the first in Fluorid the reason when will fight the power?

1:25:58.040 --> 1:26:02.040
<v Speaker 1>We were commissioned to do that song? Or Spike Lee, Yeah,

1:26:02.040 --> 1:26:04.120
<v Speaker 1>because a lot of times you don't like, yo, what's crazy?

1:26:04.479 --> 1:26:07.519
<v Speaker 1>What's crazy? Last year with the Elvis movie Man, I

1:26:07.640 --> 1:26:09.880
<v Speaker 1>got Yo, Man, it was like Elvis trolls everywhere. Man,

1:26:10.160 --> 1:26:12.760
<v Speaker 1>So Captain's coming at me, like yo, Chuck Man looking

1:26:12.760 --> 1:26:15.439
<v Speaker 1>at me sidewise, Why the fuck you do that to Elvis?

1:26:15.800 --> 1:26:19.160
<v Speaker 1>Someone was a herold the most screen ag. So you

1:26:19.240 --> 1:26:23.599
<v Speaker 1>saw a movie, So you saw a movie, got all

1:26:23.920 --> 1:26:27.280
<v Speaker 1>sensitizing shit. Now you coming at me? What I said,

1:26:27.680 --> 1:26:30.320
<v Speaker 1>the line wasn't elvits What was the line? Elvis? Was he?

1:26:31.280 --> 1:26:36.759
<v Speaker 1>But he never meant ship to me. Now listen, listen, listen.

1:26:38.240 --> 1:26:42.160
<v Speaker 1>I'm commissioned to do a song for do the right

1:26:42.240 --> 1:26:45.840
<v Speaker 1>thing right, what's the key area and do the right thing?

1:26:45.920 --> 1:26:51.560
<v Speaker 1>That's jumped ship off my man, Jim Posito radio, No

1:26:52.280 --> 1:26:56.639
<v Speaker 1>there this, there's a theme before that. Jim Carlos Borsito says, Yo, Sun,

1:26:57.080 --> 1:26:59.479
<v Speaker 1>how come ain't no black people in the wall. The

1:26:59.600 --> 1:27:02.479
<v Speaker 1>whole fucking movies about that. You got a company, you

1:27:02.560 --> 1:27:06.080
<v Speaker 1>got a business in a black new a changing black neighborhood.

1:27:06.439 --> 1:27:08.840
<v Speaker 1>You ain't got no black people on the wall. And

1:27:09.000 --> 1:27:10.639
<v Speaker 1>so I was like, Yo, man, the fuck it ain't

1:27:10.640 --> 1:27:14.400
<v Speaker 1>gonna change. That's the whole fucking theme. I gotta write

1:27:14.400 --> 1:27:17.720
<v Speaker 1>a song for the theme of the fucking movie. That

1:27:17.920 --> 1:27:22.200
<v Speaker 1>third verse, basically it's saying, I'm scraping them fucking heroes

1:27:22.240 --> 1:27:25.760
<v Speaker 1>off the goddamn wall. The cats be coming at me,

1:27:25.840 --> 1:27:27.880
<v Speaker 1>and like, oh I didn't know that that that that

1:27:28.240 --> 1:27:32.760
<v Speaker 1>the powers in the movie. That the fuck the beate

1:27:32.840 --> 1:27:36.760
<v Speaker 1>with me about one thing? One thing I know is

1:27:37.040 --> 1:27:40.840
<v Speaker 1>my ship are you gonna know me better than me.

1:27:41.560 --> 1:27:44.000
<v Speaker 1>You might know verses and shit like that I forgot

1:27:44.040 --> 1:27:46.479
<v Speaker 1>because I'm not good on memory. One thing. I'm on

1:27:46.680 --> 1:27:48.840
<v Speaker 1>memory on this is the other thing about me. I

1:27:48.960 --> 1:27:51.559
<v Speaker 1>think if I had a good memory, like for bars

1:27:51.600 --> 1:27:53.960
<v Speaker 1>and shit like that, like like fucking cane and iced

1:27:53.960 --> 1:27:56.599
<v Speaker 1>tea could say sit from fifty years ago. I think

1:27:56.640 --> 1:28:00.400
<v Speaker 1>my head's too forward. Shit. I never had writing block.

1:28:00.920 --> 1:28:03.240
<v Speaker 1>I can't remember ship Man. Take me like eight years

1:28:03.240 --> 1:28:06.439
<v Speaker 1>to remember one fucking verse. But if I did have

1:28:06.600 --> 1:28:10.200
<v Speaker 1>a fucking memory, I'd be the greatest motherfucker of all time.

1:28:10.600 --> 1:28:12.320
<v Speaker 1>But you know, you know, I'm up in a hundred,

1:28:12.360 --> 1:28:14.000
<v Speaker 1>so I'm all right. But if I don't have a

1:28:14.040 --> 1:28:17.080
<v Speaker 1>good memory. But as far as facts and picture memory

1:28:17.160 --> 1:28:21.840
<v Speaker 1>of the events, it's just crystal fucking clear. El Me

1:28:22.400 --> 1:28:24.120
<v Speaker 1>was coming at you, yo, Yo, they were coming at

1:28:24.160 --> 1:28:25.760
<v Speaker 1>me like yo. I saw the movie Man, and I'm

1:28:25.800 --> 1:28:28.360
<v Speaker 1>on fucking butter heard. I'm like the fuck man. Okay,

1:28:28.400 --> 1:28:30.479
<v Speaker 1>So what happens in this movie? I don't understand. They're

1:28:30.520 --> 1:28:33.040
<v Speaker 1>just saying it made them like Elvis the movie Yeah, okay,

1:28:33.200 --> 1:28:37.440
<v Speaker 1>and me I'm a music historian, Okay, Yes, Elvis had attributes.

1:28:37.479 --> 1:28:40.599
<v Speaker 1>I've seen you give props to in times, badass white boy,

1:28:40.760 --> 1:28:44.519
<v Speaker 1>right people whatever. But at the same time I'm talking

1:28:44.520 --> 1:28:48.880
<v Speaker 1>about I was sixties, in the seventies. We'd drunk on

1:28:49.000 --> 1:28:51.599
<v Speaker 1>Elvis and all you gotta do is look for black people.

1:28:51.920 --> 1:28:54.160
<v Speaker 1>Look up black people in commercials in the sixties and

1:28:54.240 --> 1:28:57.719
<v Speaker 1>the seventies, and how many fun It's like society happened,

1:28:57.720 --> 1:28:59.680
<v Speaker 1>and we was a part of that motherfucker at all.

1:29:00.040 --> 1:29:01.800
<v Speaker 1>We've always part of the news. It's like so and

1:29:01.880 --> 1:29:05.200
<v Speaker 1>so got arrested and throwing in the squad garb of

1:29:05.200 --> 1:29:07.439
<v Speaker 1>the fucking first ten minutes of the news were in

1:29:07.600 --> 1:29:09.640
<v Speaker 1>that motherfucker. You don't see black people at the end

1:29:09.680 --> 1:29:13.800
<v Speaker 1>of the news, not even in the weather, no commercials,

1:29:14.240 --> 1:29:16.240
<v Speaker 1>maybe on the ball field and shit like that. They

1:29:16.280 --> 1:29:18.719
<v Speaker 1>wasn't given them the mic. They were afraid of Ali.

1:29:19.120 --> 1:29:22.240
<v Speaker 1>I'm saying, Dave Parker, people like Reggie I remember Reddie

1:29:22.320 --> 1:29:24.240
<v Speaker 1>Jackson first comes to New York. Is like he's a

1:29:24.320 --> 1:29:26.559
<v Speaker 1>problem because he talks to fucking But when you keep

1:29:26.600 --> 1:29:36.800
<v Speaker 1>asking the questions and shit was like, you know, can

1:29:36.880 --> 1:29:40.360
<v Speaker 1>I tell you how much as a growing black young man,

1:29:40.600 --> 1:29:45.040
<v Speaker 1>I was insulted by society. I was fucking insulted. But

1:29:45.160 --> 1:29:47.200
<v Speaker 1>but you know what I said, it was my advantage.

1:29:47.680 --> 1:29:50.439
<v Speaker 1>You keep thinking I'm a dumb motherfucker man really seriously,

1:29:50.800 --> 1:29:53.479
<v Speaker 1>and that's why when hip hop came about and I

1:29:53.640 --> 1:29:58.240
<v Speaker 1>heard people like Starsky, I heard, I heard Mellie mell Man,

1:29:58.320 --> 1:30:01.559
<v Speaker 1>I thought, yo man, he he dropped from god Man,

1:30:01.760 --> 1:30:06.519
<v Speaker 1>I said, I never heard nobody, no Mellie mel before records.

1:30:06.560 --> 1:30:10.479
<v Speaker 1>Man killed Mellie mel and Flash the Furious two three

1:30:10.680 --> 1:30:15.040
<v Speaker 1>mcnes and Ryan Heman. Yo Man, I I was like,

1:30:15.200 --> 1:30:18.640
<v Speaker 1>I mean, he's the first MC and this is the

1:30:18.680 --> 1:30:22.320
<v Speaker 1>Mellie mel moment, right, A bunch of mail stories up

1:30:22.320 --> 1:30:25.080
<v Speaker 1>in here. But I'm a trunk kate and trunk kit

1:30:25.160 --> 1:30:28.920
<v Speaker 1>means condensed, compressed. I didn't know that. For some reason,

1:30:29.000 --> 1:30:36.120
<v Speaker 1>I moved in, um yo, Mellie mel Man. You know,

1:30:36.360 --> 1:30:40.880
<v Speaker 1>I used to like how rap was before records, keep

1:30:40.960 --> 1:30:44.160
<v Speaker 1>the party moving. I like to be broadcasting. I saw

1:30:44.320 --> 1:30:46.840
<v Speaker 1>Marv Albert was very much a hero because the way

1:30:46.880 --> 1:30:49.160
<v Speaker 1>I used to hear how he broadcasts, not just say Marvel,

1:30:49.280 --> 1:30:55.960
<v Speaker 1>Marv Albot man mar everybody. He would be like, I mean,

1:30:56.000 --> 1:31:01.680
<v Speaker 1>he would those styling man, That's what I heard. I

1:31:02.040 --> 1:31:04.560
<v Speaker 1>would he would, you know, he though styling is vernacular,

1:31:04.760 --> 1:31:07.360
<v Speaker 1>you know, you know, you know, and just a flow

1:31:08.000 --> 1:31:10.720
<v Speaker 1>because you gotta you gotta flow. When you announced basketball games, man,

1:31:11.439 --> 1:31:13.920
<v Speaker 1>and I was like that I wanted to become a sportscaster.

1:31:14.200 --> 1:31:16.000
<v Speaker 1>But then hip hop came and I said, Dan, that's

1:31:16.000 --> 1:31:17.640
<v Speaker 1>sort of like the same ship. So I used to

1:31:17.680 --> 1:31:19.760
<v Speaker 1>go down to the parks and just kind of like

1:31:19.880 --> 1:31:22.479
<v Speaker 1>be on the sideline just talking shit right and pass.

1:31:22.520 --> 1:31:24.720
<v Speaker 1>It's like oh right, boom, And then hip hop came.

1:31:24.800 --> 1:31:27.720
<v Speaker 1>I'm like wow. So I would go to advance, Man,

1:31:28.560 --> 1:31:30.680
<v Speaker 1>and everybody just thought they could rhyme at seventy nine

1:31:30.720 --> 1:31:34.160
<v Speaker 1>and seventy eight. For some reason, they couldn't. Yeah, because

1:31:34.200 --> 1:31:36.280
<v Speaker 1>you try to get your dance on ye and the

1:31:36.400 --> 1:31:40.439
<v Speaker 1>worst thing is somebody on the terretators that can't fucking

1:31:40.520 --> 1:31:44.360
<v Speaker 1>DJ and somebody on the mic they can't can't mc MC,

1:31:44.520 --> 1:31:46.080
<v Speaker 1>I mean that you had to rhyme. Maybe you had

1:31:46.120 --> 1:31:48.479
<v Speaker 1>to move the crowd, make an announcement at the door

1:31:48.520 --> 1:31:50.320
<v Speaker 1>and some ship, you know, but move that ship, you

1:31:50.520 --> 1:31:52.680
<v Speaker 1>move your car, whatever you had. The MC had to

1:31:52.760 --> 1:31:56.599
<v Speaker 1>keep that party a couple of plays. I would go, Man,

1:31:56.760 --> 1:31:58.600
<v Speaker 1>especially at the colleges, Man, and I'll be like, you

1:31:58.640 --> 1:31:59.880
<v Speaker 1>know what, man, I'm gonna get on the mic the

1:32:00.000 --> 1:32:02.639
<v Speaker 1>sit these motherfucking whack motherfuckers down so we don't stop

1:32:03.000 --> 1:32:05.559
<v Speaker 1>fucking my dance ship up. And that's when Hank saw

1:32:05.640 --> 1:32:08.080
<v Speaker 1>me at one of the colleges and said, Yo, man,

1:32:08.160 --> 1:32:11.280
<v Speaker 1>we need an MC. I'm like, I just want to

1:32:11.320 --> 1:32:12.920
<v Speaker 1>go to the parties and do the flyers. Man, I

1:32:12.960 --> 1:32:15.559
<v Speaker 1>don't want to it. And then that became a whole

1:32:15.600 --> 1:32:18.639
<v Speaker 1>another thing, man. So that's what got me jumped off.

1:32:18.880 --> 1:32:22.439
<v Speaker 1>But the first MC that I ever heard on the

1:32:22.600 --> 1:32:26.280
<v Speaker 1>mic in live and Living Color, that really fucking blew

1:32:26.360 --> 1:32:32.360
<v Speaker 1>me away. No, Mellie Mel, Yo, man, Mellie Me. Mellie

1:32:32.400 --> 1:32:36.000
<v Speaker 1>Mel's first when people came a recording artist, Yeah, I

1:32:36.120 --> 1:32:39.519
<v Speaker 1>called Mellie Mel Will Chamberlain because between Mellie Mel and

1:32:39.600 --> 1:32:42.240
<v Speaker 1>the second dude, and you can say it's Kaz or

1:32:42.320 --> 1:32:47.000
<v Speaker 1>Moldi or whatever, Mellie Mel is like world Chamberlain. Man,

1:32:47.120 --> 1:32:49.640
<v Speaker 1>fifty points a game on your point game, It's like

1:32:50.080 --> 1:32:52.280
<v Speaker 1>he up here in the second and the third, the

1:32:52.360 --> 1:32:54.719
<v Speaker 1>fourth and fifth is down there. He had the longest,

1:32:54.840 --> 1:32:57.599
<v Speaker 1>the widest gap or the best and the next best

1:32:57.720 --> 1:33:01.640
<v Speaker 1>to me my personal opinion, ever And then he had

1:33:01.680 --> 1:33:03.839
<v Speaker 1>a dude on the turn tables. That was just fucking

1:33:04.439 --> 1:33:08.200
<v Speaker 1>Mellie mellon flash. But we shouldn't even really well, just

1:33:08.320 --> 1:33:11.040
<v Speaker 1>went vibrale because he said that. He said that he

1:33:11.200 --> 1:33:16.080
<v Speaker 1>believes that Eminem wouldn't be that great because he I

1:33:16.120 --> 1:33:19.720
<v Speaker 1>don't want to miss call and he said Kendrick rid

1:33:19.800 --> 1:33:23.600
<v Speaker 1>doesn't resonate with people or something like that. Ten generations

1:33:23.640 --> 1:33:26.720
<v Speaker 1>and hip hopping wrap. Every generation got this thing. Um

1:33:27.800 --> 1:33:30.920
<v Speaker 1>and Mellie Mel's generation. I think there was no gap.

1:33:31.720 --> 1:33:33.519
<v Speaker 1>He was. The gap was so far between him and

1:33:33.560 --> 1:33:35.760
<v Speaker 1>the next cat. MODI would admit that and ship say

1:33:35.800 --> 1:33:38.479
<v Speaker 1>what the fuck? I was a second and fucking Melons

1:33:38.720 --> 1:33:42.559
<v Speaker 1>on the mountain. But Eminem and Black thought, big up

1:33:42.600 --> 1:33:45.920
<v Speaker 1>the Black thought and the roots and also Eminem cyborgs. Man,

1:33:46.160 --> 1:33:48.600
<v Speaker 1>they cyborgs and computer and but let me tell you this,

1:33:49.560 --> 1:33:51.560
<v Speaker 1>we can't also get caught up because you know, you

1:33:51.680 --> 1:33:56.599
<v Speaker 1>got future generations and then you got people who ain't

1:33:56.640 --> 1:33:58.920
<v Speaker 1>going to even get on the register who was so dope,

1:33:59.000 --> 1:34:04.479
<v Speaker 1>like sky Zoo it's so dope, was saying out right now,

1:34:04.760 --> 1:34:07.519
<v Speaker 1>Scots was so dope. But it's just like so many

1:34:07.560 --> 1:34:10.360
<v Speaker 1>as a trillion mcs out there. So Cass is going

1:34:10.400 --> 1:34:13.120
<v Speaker 1>into their style. But here's here's what we could get

1:34:13.160 --> 1:34:18.920
<v Speaker 1>a little USA arrogant and let me tell you, and

1:34:19.120 --> 1:34:22.280
<v Speaker 1>they confuse average what you was talking about earlier, the

1:34:22.320 --> 1:34:28.519
<v Speaker 1>confusion of arrogance and confidence and swag and audacity and

1:34:28.760 --> 1:34:33.040
<v Speaker 1>moxie and all that shit for a long period of time.

1:34:33.120 --> 1:34:36.000
<v Speaker 1>Wherever you were in the world, when the New Yorker

1:34:36.040 --> 1:34:38.719
<v Speaker 1>walks in the room, do you feel it? They said

1:34:38.720 --> 1:34:40.680
<v Speaker 1>we were cocky. They said we were cocky. We just

1:34:40.720 --> 1:34:44.559
<v Speaker 1>said that. Wherever you go on the planet Earth, when

1:34:44.600 --> 1:34:46.679
<v Speaker 1>the New Yorker walk in the room and you ain't

1:34:46.680 --> 1:34:48.360
<v Speaker 1>from New York and be like, oh, here coming that

1:34:48.520 --> 1:34:50.760
<v Speaker 1>New York ship. But we don't mean it. That's what's

1:34:50.800 --> 1:34:54.280
<v Speaker 1>fucked up about it. We don't actually need it, don't

1:34:55.000 --> 1:34:59.479
<v Speaker 1>don't it a certain confidence? I know you, I don't

1:34:59.479 --> 1:35:00.840
<v Speaker 1>mean it, but I'm but let me give you some

1:35:00.960 --> 1:35:05.720
<v Speaker 1>relevance because the USA is make the same arrogant move

1:35:05.800 --> 1:35:08.519
<v Speaker 1>to the rest of the world, right smell if you

1:35:09.120 --> 1:35:11.120
<v Speaker 1>from the USA. And in fact, number one, if you

1:35:11.160 --> 1:35:17.800
<v Speaker 1>call themselves Americans, like nobody else can the America since

1:35:17.840 --> 1:35:22.280
<v Speaker 1>you America could ri be American, South America, Bolivians now

1:35:22.280 --> 1:35:24.680
<v Speaker 1>American too. Now that to account, because we really the

1:35:24.760 --> 1:35:28.960
<v Speaker 1>fucking Americans. That's the same motherfucker checking everybody to speak English,

1:35:29.400 --> 1:35:34.639
<v Speaker 1>everybody mean by the British to say all y'all getting

1:35:34.640 --> 1:35:37.560
<v Speaker 1>the fucking shit wrong. I'll tell you, I'm sorry, you

1:35:37.640 --> 1:35:41.000
<v Speaker 1>got Listen, I don't know. I tell you the funniest ship.

1:35:44.040 --> 1:35:47.360
<v Speaker 1>Excuse me. Whenever I see somebody who's like racist a

1:35:47.400 --> 1:35:49.720
<v Speaker 1>little bit, I always say to them, you know, we

1:35:49.760 --> 1:35:54.720
<v Speaker 1>should go to Europe together, because in Europe we're all Americans.

1:35:55.400 --> 1:35:59.840
<v Speaker 1>They hate us equally. Like the only time I've ever been,

1:36:00.000 --> 1:36:02.240
<v Speaker 1>and this is real shit, the only time I ever

1:36:02.439 --> 1:36:06.840
<v Speaker 1>like felt like like America was accepted. I'm gonna be

1:36:06.840 --> 1:36:09.080
<v Speaker 1>honest with you, this is when Obama was in office.

1:36:09.400 --> 1:36:11.760
<v Speaker 1>When Obama is in office, it was like America, you

1:36:11.800 --> 1:36:15.360
<v Speaker 1>guys are pretty cool. But then when Trump got back

1:36:15.360 --> 1:36:18.479
<v Speaker 1>in office, oh yeah, oh yeah. When when Trump was

1:36:18.560 --> 1:36:21.000
<v Speaker 1>in office, that was the end of whatever was left

1:36:21.160 --> 1:36:23.160
<v Speaker 1>the black of the black card that we used to get.

1:36:23.200 --> 1:36:26.400
<v Speaker 1>Going back in the morn, we traveled the world. Listen man,

1:36:26.720 --> 1:36:30.280
<v Speaker 1>our first tour we traveling. Let me let me tell

1:36:30.320 --> 1:36:34.280
<v Speaker 1>you travels. I got fifty books in me only put

1:36:34.320 --> 1:36:37.240
<v Speaker 1>out ten. I got forty to go, I gotta figure

1:36:37.280 --> 1:36:39.840
<v Speaker 1>this one out anywhere, because I got stories listening. We

1:36:40.840 --> 1:36:46.599
<v Speaker 1>playing in Germany, West Germany at the time. No, that's

1:36:46.720 --> 1:36:50.240
<v Speaker 1>that's West too, that's West Germany. Were playing in West Germany,

1:36:51.960 --> 1:36:55.160
<v Speaker 1>but we traveled on the bus and we got to

1:36:55.200 --> 1:37:02.439
<v Speaker 1>play Berlin. Now, listen, you you love postmodern Berlin. This

1:37:02.680 --> 1:37:10.800
<v Speaker 1>is now in order to get from the line at

1:37:10.880 --> 1:37:13.280
<v Speaker 1>the end of West Germany, you gotta take this one

1:37:13.360 --> 1:37:18.240
<v Speaker 1>motherfucking road to West Berlin, which is in the middle

1:37:18.280 --> 1:37:21.360
<v Speaker 1>of East Germany. But it's flit into two areas. So

1:37:21.520 --> 1:37:23.600
<v Speaker 1>the minute you get to the fucking line, be that's it.

1:37:23.840 --> 1:37:26.800
<v Speaker 1>Four o'clock in the morning. They waking your ass up

1:37:26.840 --> 1:37:29.920
<v Speaker 1>with dogs and flashlights. Who know, the machine guns and

1:37:30.080 --> 1:37:34.040
<v Speaker 1>machine guns in your fucking face, and what do you do?

1:37:34.400 --> 1:37:37.960
<v Speaker 1>You know what I was like, we concert music, black people,

1:37:38.560 --> 1:37:41.680
<v Speaker 1>It's like, it's your ass, every single one of your

1:37:41.680 --> 1:37:44.439
<v Speaker 1>asses off the bus in the middle and three o'clock

1:37:44.479 --> 1:37:46.680
<v Speaker 1>in the morning and Skippy's man, and we're gonna look

1:37:46.680 --> 1:37:48.160
<v Speaker 1>in your eyes and see if you're lining up with

1:37:48.200 --> 1:37:52.080
<v Speaker 1>the passport to take this one ass road to West Berlin,

1:37:52.800 --> 1:37:55.759
<v Speaker 1>and don't straight to get off this motherfucking road. Wow,

1:37:56.080 --> 1:37:59.840
<v Speaker 1>you go to West Berlin and you see a wall

1:38:00.479 --> 1:38:03.919
<v Speaker 1>bob wire and dividing the city in half. I performed

1:38:03.960 --> 1:38:06.679
<v Speaker 1>in West Berlin one time next to a Nazi club.

1:38:07.600 --> 1:38:10.439
<v Speaker 1>I went outside the smoke a cigarette by eightiot that

1:38:10.600 --> 1:38:13.720
<v Speaker 1>I was, and you ever feel somebody looking at you

1:38:13.840 --> 1:38:15.880
<v Speaker 1>and you know they're looking at you, And I turned

1:38:15.920 --> 1:38:18.240
<v Speaker 1>it all smoking a cigarette and every one of these

1:38:18.320 --> 1:38:23.719
<v Speaker 1>guys had the ostica And one year was that that? Okay?

1:38:23.760 --> 1:38:25.599
<v Speaker 1>So that was that was That was ten years after

1:38:25.680 --> 1:38:29.200
<v Speaker 1>the war, So it was it was fully integrated. Both.

1:38:29.240 --> 1:38:32.080
<v Speaker 1>The thing about it, everybody from the East Berlin side,

1:38:32.120 --> 1:38:37.439
<v Speaker 1>the former phil Curtains, the Soviet well as they call

1:38:37.560 --> 1:38:42.120
<v Speaker 1>communists socialist side. You know, we're like, okay, listen, we're

1:38:42.160 --> 1:38:44.800
<v Speaker 1>supposed to be one Germany now, but I ain't got

1:38:44.880 --> 1:38:47.320
<v Speaker 1>no fucking leg up. You know, y'all from West Germany

1:38:47.400 --> 1:38:49.120
<v Speaker 1>got money in the bank, We got like a driver

1:38:49.240 --> 1:38:51.800
<v Speaker 1>taxi cab for five hundred years to be able to

1:38:51.840 --> 1:38:53.600
<v Speaker 1>get an apartment. So you had a lot of that

1:38:53.680 --> 1:38:55.960
<v Speaker 1>shit going on with to your damn right. Nazis was like,

1:38:56.040 --> 1:38:58.120
<v Speaker 1>you know what, we're not gonna be loud about this ship,

1:38:58.240 --> 1:39:01.240
<v Speaker 1>but we need to bring Germany back Germany great again. Right,

1:39:03.560 --> 1:39:06.560
<v Speaker 1>So back then, it's like we got fans on the

1:39:06.640 --> 1:39:08.720
<v Speaker 1>other side of the Berlin wall. They want to come

1:39:08.800 --> 1:39:12.200
<v Speaker 1>to the gig, but at the wall, the motherfucker's like this,

1:39:12.360 --> 1:39:15.320
<v Speaker 1>you get a bad case of the deads. You know

1:39:15.320 --> 1:39:17.120
<v Speaker 1>what I'm saying, All that fight, the power of shit

1:39:17.240 --> 1:39:19.760
<v Speaker 1>fucking stops right here. And this is what I'm saying.

1:39:20.080 --> 1:39:23.760
<v Speaker 1>Wherever you go, you can't be like wearing. It's like,

1:39:23.880 --> 1:39:26.879
<v Speaker 1>oh yeah, I'm American. It's like what part of America

1:39:26.920 --> 1:39:29.479
<v Speaker 1>you're a US ayer? So we gotta kind of like

1:39:29.600 --> 1:39:31.599
<v Speaker 1>tone down and once upont of the time, we didn't

1:39:31.600 --> 1:39:34.040
<v Speaker 1>have a black card, because we had a black card

1:39:34.080 --> 1:39:37.080
<v Speaker 1>because because people recognize I struck, Oh yeah, Marl Luther

1:39:37.240 --> 1:39:40.200
<v Speaker 1>King that killed Malcolm X. Y'all. Motherfucker's the rebels. You know,

1:39:40.240 --> 1:39:43.719
<v Speaker 1>you're invited any year. Then later on when President Obama

1:39:44.280 --> 1:39:45.840
<v Speaker 1>and I call him president, I don't call him Barack

1:39:45.920 --> 1:39:48.120
<v Speaker 1>like people think they know him by name. What the fuck?

1:39:48.360 --> 1:39:53.639
<v Speaker 1>You know? President Obama came in. I knew that shit man,

1:39:54.320 --> 1:39:58.240
<v Speaker 1>all right, he's president. Half of that black card disappear

1:39:58.720 --> 1:40:00.880
<v Speaker 1>because now he's the president in States. He ain't gonna

1:40:00.880 --> 1:40:03.240
<v Speaker 1>be the president of black people's president of the United States.

1:40:03.560 --> 1:40:06.200
<v Speaker 1>What does that do for you, Chuck? You get a

1:40:06.280 --> 1:40:08.680
<v Speaker 1>chance to buy some time four years. We get a

1:40:08.760 --> 1:40:10.640
<v Speaker 1>chance to buy the time to go to where we

1:40:10.680 --> 1:40:13.000
<v Speaker 1>gotta get in the world do order to connect with

1:40:13.120 --> 1:40:18.240
<v Speaker 1>our people. The diaspora is very important. The diaspora is

1:40:19.120 --> 1:40:23.439
<v Speaker 1>black brown people around the world. You know, it really

1:40:23.560 --> 1:40:25.360
<v Speaker 1>is the human race. But we gotta say black folks

1:40:25.400 --> 1:40:28.560
<v Speaker 1>around the world where it's like, okay, population, this is

1:40:28.600 --> 1:40:31.479
<v Speaker 1>what thirteen or fifteen percent, I don't ever know where

1:40:31.479 --> 1:40:34.519
<v Speaker 1>the two percent means black people in the United States

1:40:34.600 --> 1:40:37.920
<v Speaker 1>of America? Right, what does that mean? You outnumbered? So

1:40:38.040 --> 1:40:39.880
<v Speaker 1>you got to connect with the days. You can't have

1:40:40.000 --> 1:40:42.280
<v Speaker 1>no differences. Sometimes you might have to say, you know,

1:40:42.520 --> 1:40:45.040
<v Speaker 1>I got to get an idea from this cat that's

1:40:45.080 --> 1:40:47.519
<v Speaker 1>in Swaziland, and I gotta connect with this cat. We

1:40:47.600 --> 1:40:50.320
<v Speaker 1>got gadgets, we got computers that they're able to sit,

1:40:50.600 --> 1:40:54.120
<v Speaker 1>better computers than they had when they sent something to

1:40:54.200 --> 1:40:56.719
<v Speaker 1>the moon. And I ain't gonna get into that conspiracy

1:40:56.760 --> 1:40:59.920
<v Speaker 1>theory either or whatever. I'm not even getting that because

1:40:59.920 --> 1:41:02.200
<v Speaker 1>I having conversations with people that think they've been there.

1:41:02.240 --> 1:41:04.000
<v Speaker 1>I'm like, you were point in nineteen ain't he want

1:41:04.080 --> 1:41:07.000
<v Speaker 1>the fuck it was the director. They said that he

1:41:07.120 --> 1:41:11.080
<v Speaker 1>did as the first person of green screen. Hey, the

1:41:11.120 --> 1:41:14.519
<v Speaker 1>model with me, I believe you know my motto, I

1:41:14.680 --> 1:41:18.759
<v Speaker 1>believe everything and nothing at all. You believe everything, everything

1:41:18.880 --> 1:41:23.040
<v Speaker 1>and nothing to fuck at all? This model as it rolls,

1:41:23.400 --> 1:41:25.639
<v Speaker 1>I gotta like evaluate this, sit with it a while.

1:41:25.640 --> 1:41:27.120
<v Speaker 1>I sit it to the side, like you know, I

1:41:27.200 --> 1:41:29.080
<v Speaker 1>get back to that later. Man, I'm not gonna tell

1:41:29.080 --> 1:41:30.960
<v Speaker 1>you what I believe or not believe. I gotta do

1:41:31.040 --> 1:41:33.840
<v Speaker 1>some evaluation before your ass tried to tell me what

1:41:33.960 --> 1:41:38.439
<v Speaker 1>it is. So, I mean, the point that I'm saying

1:41:38.560 --> 1:41:41.519
<v Speaker 1>is that that you know in this in this way

1:41:41.560 --> 1:41:44.320
<v Speaker 1>to go around the world. I just think that we

1:41:44.439 --> 1:41:48.400
<v Speaker 1>could be more aware. I mean, this place is in

1:41:48.439 --> 1:41:55.400
<v Speaker 1>the world. Seriously, we're playing We're playing Taiwan where they say, shit,

1:41:55.479 --> 1:41:57.560
<v Speaker 1>you didn't see that. You say that. They said in

1:41:57.560 --> 1:42:00.280
<v Speaker 1>the war, when you hit the airport, anything boy in

1:42:00.360 --> 1:42:04.800
<v Speaker 1>this country pelts death. Yeah, I didn't read that. They

1:42:04.960 --> 1:42:08.120
<v Speaker 1>kept my ass in the airport. I had a sword

1:42:08.840 --> 1:42:15.519
<v Speaker 1>that we use on the stage. Yeah, left me. Where's James?

1:42:16.880 --> 1:42:18.880
<v Speaker 1>The little dudes had me in the corner and says

1:42:18.960 --> 1:42:22.000
<v Speaker 1>you cannot bring this. They have a smile on their face.

1:42:22.160 --> 1:42:26.120
<v Speaker 1>None of them matters. They had machine guns. Little dude.

1:42:28.640 --> 1:42:30.679
<v Speaker 1>I went the signal bare. I went to signal bore,

1:42:30.800 --> 1:42:34.000
<v Speaker 1>and when I landed, you can't spit. When I landed

1:42:34.040 --> 1:42:36.640
<v Speaker 1>the signal bore, they put me to the back. I

1:42:36.800 --> 1:42:39.680
<v Speaker 1>thought I had a key lord cocaine. You know what.

1:42:39.760 --> 1:42:43.360
<v Speaker 1>They put me over for cigarettes. It's illegal to buy

1:42:43.479 --> 1:42:45.559
<v Speaker 1>cigarettes if it's not from signal. I think that's where

1:42:45.560 --> 1:42:47.479
<v Speaker 1>they last. There was an American kid. I think in

1:42:47.520 --> 1:42:50.720
<v Speaker 1>the nineties that they gave lashes too for doing graffiti. Well,

1:42:50.800 --> 1:42:53.280
<v Speaker 1>let me tell you this. You spit, you go to jail.

1:42:53.680 --> 1:42:57.120
<v Speaker 1>Let me tell you this. Know the law. Know everything

1:42:57.160 --> 1:43:00.880
<v Speaker 1>about the law that you go and know exactly. Just

1:43:01.080 --> 1:43:03.479
<v Speaker 1>know that is Understand that. Man, there's two hundred and

1:43:03.479 --> 1:43:05.880
<v Speaker 1>twenty countries on this planet. Are twenty twenty two that

1:43:06.000 --> 1:43:08.719
<v Speaker 1>the James recently said, I thought it was two fourteen.

1:43:09.040 --> 1:43:11.559
<v Speaker 1>The place is splitting in the different factions and ship

1:43:12.320 --> 1:43:14.920
<v Speaker 1>know it. I was playing the Jacarta with prophets of raids.

1:43:14.960 --> 1:43:18.000
<v Speaker 1>They got the prophets of raids. Yo. Man. It was like, listen,

1:43:18.320 --> 1:43:22.200
<v Speaker 1>play your songs, do not speak to the audience. We're

1:43:22.200 --> 1:43:25.559
<v Speaker 1>gonna tell you once. I can't say it again, right,

1:43:25.960 --> 1:43:30.360
<v Speaker 1>I'm sorry your songs. Play the song, but don't speak

1:43:30.400 --> 1:43:36.800
<v Speaker 1>to the don't say shit to the audience right now.

1:43:37.040 --> 1:43:39.040
<v Speaker 1>Now here's another thing. How would you do this? You

1:43:39.360 --> 1:43:41.600
<v Speaker 1>just you play your song. I can't say throw your

1:43:41.640 --> 1:43:45.960
<v Speaker 1>hands in the air the audience. No, no, stop the song.

1:43:46.320 --> 1:43:49.720
<v Speaker 1>By the way, I think that you can't be like

1:43:50.000 --> 1:43:52.320
<v Speaker 1>your whole girl in the purple. You look good that

1:43:53.760 --> 1:43:56.400
<v Speaker 1>the line, I mean, we played the basin back in

1:43:56.479 --> 1:43:59.120
<v Speaker 1>the listen. We played in places when it was was

1:43:59.160 --> 1:44:05.720
<v Speaker 1>just for your your ship. But Beijing, I got I

1:44:05.800 --> 1:44:10.360
<v Speaker 1>got lost without effort. After I said, I was looking

1:44:10.920 --> 1:44:16.200
<v Speaker 1>like he's been trying to correct you all day. You

1:44:16.280 --> 1:44:18.120
<v Speaker 1>just his hero. You need this a Mike Tyson ding.

1:44:18.360 --> 1:44:20.280
<v Speaker 1>He just looked at He's like, I'm not correcting the job.

1:44:20.640 --> 1:44:27.920
<v Speaker 1>But my drop, he said, dj Ef, No, he loves you.

1:44:28.000 --> 1:44:31.720
<v Speaker 1>He loves you. Listen as you is he crying in

1:44:31.800 --> 1:44:41.559
<v Speaker 1>the bathroom. Yeah, that's come up with some funny. I'll

1:44:41.600 --> 1:44:45.120
<v Speaker 1>be fucked up trying to. By the way, Ef, it's

1:44:45.160 --> 1:44:51.240
<v Speaker 1>like yall on two different days. It's like fathers. I'm

1:44:51.320 --> 1:44:55.360
<v Speaker 1>so sorry. Another probles. He goes to crazy Crazy legs

1:44:55.360 --> 1:44:58.960
<v Speaker 1>are right yes, crazy and pick ups the crazy legs

1:44:59.600 --> 1:45:02.400
<v Speaker 1>um one of my hills. Look, man, he said, I

1:45:02.439 --> 1:45:08.240
<v Speaker 1>don't pick up his phone right. Every year he would

1:45:08.240 --> 1:45:09.840
<v Speaker 1>ask me to come to rock Steady. We was on

1:45:10.000 --> 1:45:13.840
<v Speaker 1>tour every fucking year, and I was like, bro, I'm sorry,

1:45:14.000 --> 1:45:16.320
<v Speaker 1>and it would be around July, which would go into

1:45:16.400 --> 1:45:19.439
<v Speaker 1>my birthday and it was like, damn man, every year

1:45:19.520 --> 1:45:21.600
<v Speaker 1>and every years on it. I didn't even show up

1:45:21.640 --> 1:45:24.240
<v Speaker 1>to ice CU's Big Three because every year he would

1:45:24.280 --> 1:45:26.920
<v Speaker 1>have at July in August. And that's why I said, finally,

1:45:26.960 --> 1:45:30.080
<v Speaker 1>when the when the locomotive slowed down, I was like,

1:45:30.520 --> 1:45:32.960
<v Speaker 1>now I'm able to see places on my own time. Man.

1:45:33.040 --> 1:45:36.679
<v Speaker 1>It's like, but yeah, big big, you know, apologies and yeah,

1:45:36.720 --> 1:45:38.720
<v Speaker 1>I mean I don't pick up a phone. I mean

1:45:38.720 --> 1:45:40.400
<v Speaker 1>I'll be looking at it. I'll be looking at the

1:45:40.439 --> 1:45:43.240
<v Speaker 1>phone and I'm like, I'm never answering this motherfucker whatever.

1:45:43.920 --> 1:45:46.240
<v Speaker 1>You know, so you gotta text me and and I

1:45:46.280 --> 1:45:48.840
<v Speaker 1>could give you or whatever back, but you know, it's

1:45:48.920 --> 1:45:51.080
<v Speaker 1>it's it's just what it is. Man. We circle. Man,

1:45:51.160 --> 1:45:52.960
<v Speaker 1>It's like, you know how it is now? You know

1:45:53.000 --> 1:45:55.719
<v Speaker 1>what's crazy hearing you say that? What I just thought

1:45:56.479 --> 1:46:00.679
<v Speaker 1>was I'm not revisiting places that I've been to for performance,

1:46:00.760 --> 1:46:03.360
<v Speaker 1>Like I've been to Hawaii so many times, Honolulu, but

1:46:03.479 --> 1:46:21.000
<v Speaker 1>I went to it for business first, so big even

1:46:22.160 --> 1:46:24.120
<v Speaker 1>I write that first half of this show. But it

1:46:24.280 --> 1:46:28.559
<v Speaker 1>was crazy because I you know, um, I've re visited

1:46:28.560 --> 1:46:31.400
<v Speaker 1>places now that I've only been to for work, right, So,

1:46:31.600 --> 1:46:33.639
<v Speaker 1>like it's so many places like Hawaii or so many

1:46:34.880 --> 1:46:38.280
<v Speaker 1>when somebody paid, oh yeah, because you know, you know

1:46:38.320 --> 1:46:40.680
<v Speaker 1>what they pay you to come to the So now

1:46:40.720 --> 1:46:42.680
<v Speaker 1>what somebody said, can you come in and actually pay

1:46:42.720 --> 1:46:45.240
<v Speaker 1>the fucking flight. You know, it's a totally different thing

1:46:45.280 --> 1:46:49.840
<v Speaker 1>because I remember me actually hating Paris. Like I'm sorry

1:46:49.840 --> 1:46:53.439
<v Speaker 1>for people that live in Paris. I'm sorry y'all. Didn't

1:46:53.439 --> 1:46:56.880
<v Speaker 1>we deal in at first your own listen, your own

1:46:57.600 --> 1:47:00.479
<v Speaker 1>names of what you think. So at first I used

1:47:00.520 --> 1:47:01.840
<v Speaker 1>to go to Paris and I used to be like,

1:47:02.560 --> 1:47:05.920
<v Speaker 1>I don't want to be here. I no Eiffel Tower,

1:47:06.760 --> 1:47:09.760
<v Speaker 1>nothing attracted me. Right, I met my wife, God bless her.

1:47:10.080 --> 1:47:12.720
<v Speaker 1>My wife said, motherfucker you getting out this hotel room

1:47:13.040 --> 1:47:16.400
<v Speaker 1>and we're gonna motherfucking go, We're gonna eat, we eat

1:47:16.439 --> 1:47:18.719
<v Speaker 1>the brand. I fucking rode a bicycle. I was felt

1:47:18.840 --> 1:47:22.679
<v Speaker 1>fucking retarded. But I was just like, I was like, Okay,

1:47:22.920 --> 1:47:25.120
<v Speaker 1>this is culture, Like this is what we're supposed to do.

1:47:25.760 --> 1:47:28.120
<v Speaker 1>I didn't know that being from New York. We want

1:47:28.120 --> 1:47:31.560
<v Speaker 1>to keep on, we want to keep our timberlands on

1:47:31.800 --> 1:47:36.120
<v Speaker 1>in the ocean. We don't break. And it was the

1:47:36.240 --> 1:47:43.439
<v Speaker 1>first time was my wife just was actually showing me that, listen, culture,

1:47:43.880 --> 1:47:46.000
<v Speaker 1>this is this is what you you kind of do.

1:47:46.360 --> 1:47:48.920
<v Speaker 1>But I took all of this for granted. I took

1:47:49.120 --> 1:47:51.840
<v Speaker 1>you from New York. Se how much culture is in

1:47:51.920 --> 1:47:54.559
<v Speaker 1>New York? That have you? Have you visited nothing? I've

1:47:54.600 --> 1:47:57.320
<v Speaker 1>never been in I've never been in the Statue of Liberty.

1:47:58.840 --> 1:48:01.000
<v Speaker 1>A lot of New York is when you tell them, like, listen,

1:48:01.560 --> 1:48:05.240
<v Speaker 1>there's so much in New York. You really kind of

1:48:05.280 --> 1:48:07.240
<v Speaker 1>ain't got to go nowhere else, but you got to

1:48:07.320 --> 1:48:11.080
<v Speaker 1>go to New York, none of them listen. You've been

1:48:11.120 --> 1:48:15.040
<v Speaker 1>to my studio. I've had a thirty second in Madison.

1:48:15.040 --> 1:48:18.000
<v Speaker 1>I had a studio across the street from um down

1:48:18.040 --> 1:48:20.720
<v Speaker 1>the block from Empire State Building. I've never had the

1:48:20.840 --> 1:48:26.519
<v Speaker 1>urge of walking in my whole life, right who life?

1:48:26.840 --> 1:48:29.719
<v Speaker 1>People in another country are dying. You know what's crazy?

1:48:30.000 --> 1:48:31.519
<v Speaker 1>This is what this This was crazy. When you go

1:48:31.600 --> 1:48:33.720
<v Speaker 1>to Europe, right, and you speak to someone from Europe, right,

1:48:33.920 --> 1:48:36.360
<v Speaker 1>they always say, because the States, by the way, I

1:48:36.439 --> 1:48:40.240
<v Speaker 1>hate stop calling us the States fucking assholes. Right, this

1:48:40.479 --> 1:48:42.879
<v Speaker 1>is the States. That's more accurate than not saying American.

1:48:43.080 --> 1:48:45.280
<v Speaker 1>But here's here's here's it. If you ever speak to

1:48:45.360 --> 1:48:48.200
<v Speaker 1>someone from Europe they say, so, you say, it's like yeah,

1:48:48.200 --> 1:48:49.720
<v Speaker 1>because you know in the States it'd be like that,

1:48:49.760 --> 1:48:51.439
<v Speaker 1>and I'll be looking at them. I'd be like, okay,

1:48:51.520 --> 1:48:54.200
<v Speaker 1>so what state have you been to? And then the

1:48:54.479 --> 1:48:57.000
<v Speaker 1>spect to Seattle. But then they'll they'll say something like, oh,

1:48:57.040 --> 1:48:59.920
<v Speaker 1>I've visited Seattle and they went to Seattle for two

1:49:00.160 --> 1:49:03.280
<v Speaker 1>days and they based the whole America office before they

1:49:03.479 --> 1:49:06.920
<v Speaker 1>visit for Seattle. And I'd be so happy to crush

1:49:06.960 --> 1:49:11.240
<v Speaker 1>their dreams and to say you've never been in America, sir,

1:49:11.479 --> 1:49:14.960
<v Speaker 1>But just you've been to Tacoma, but your your culture

1:49:15.000 --> 1:49:18.120
<v Speaker 1>didn't style the first thing you said, douster doff. But

1:49:18.680 --> 1:49:21.400
<v Speaker 1>but but to play Germany, you play eight different places

1:49:21.680 --> 1:49:25.679
<v Speaker 1>because you've you've also employed the Hamburger, right, but pulling

1:49:25.720 --> 1:49:29.120
<v Speaker 1>you place. But the Irish person is going to go

1:49:29.280 --> 1:49:31.439
<v Speaker 1>to one city on the trail Ima go to Hamburg

1:49:31.520 --> 1:49:34.160
<v Speaker 1>and come to fuck. You can't judge Germany over Hamburg.

1:49:34.280 --> 1:49:38.320
<v Speaker 1>You gotta. But that's why artists have the window to

1:49:38.560 --> 1:49:44.120
<v Speaker 1>teach the world to those you know, it is Hamburg, Hamburg, yeah,

1:49:44.160 --> 1:49:47.479
<v Speaker 1>and Frankfort and Frankfort yeah. And I didn't need a

1:49:47.520 --> 1:49:53.680
<v Speaker 1>Hamburger on Frankfort there. That's the license that artists have.

1:49:53.880 --> 1:49:56.760
<v Speaker 1>It's like, you know, give us your time and we'll

1:49:56.840 --> 1:50:00.760
<v Speaker 1>give you the world. But you know, some times when

1:50:00.840 --> 1:50:02.280
<v Speaker 1>it came out, I want to give you a black

1:50:02.320 --> 1:50:04.800
<v Speaker 1>side of the world. But everything about us is fucked up.

1:50:04.880 --> 1:50:06.800
<v Speaker 1>It's like, you'll come on. Really, it's like we ain't

1:50:06.840 --> 1:50:09.160
<v Speaker 1>got some We can't even say the word beautiful. That

1:50:09.280 --> 1:50:11.520
<v Speaker 1>was the thing about Kid Lamar. He used a beautiful

1:50:11.640 --> 1:50:15.559
<v Speaker 1>in his vernacular. You know. Uh, Kanye has done things

1:50:15.800 --> 1:50:19.680
<v Speaker 1>like that makes you say, wow, that's just beautiful. You

1:50:20.120 --> 1:50:22.599
<v Speaker 1>ask me about Kanye, I'm like I said this for years.

1:50:22.600 --> 1:50:24.439
<v Speaker 1>I say, well, he started his own religion, and the

1:50:24.560 --> 1:50:27.200
<v Speaker 1>dude is like salvad Or Dolly. Oh shit, that's a good.

1:50:27.400 --> 1:50:29.320
<v Speaker 1>But if you don't know Salvador Dolly, it's like, well,

1:50:29.840 --> 1:50:32.519
<v Speaker 1>I mean I said bars and lyrics. I said, you

1:50:32.560 --> 1:50:35.280
<v Speaker 1>ain't gonna catch up to this ship until you become coaches.

1:50:36.280 --> 1:50:39.960
<v Speaker 1>It's like, but I'm not trying to educate you at fourteen.

1:50:40.080 --> 1:50:43.400
<v Speaker 1>That's somebody who's twenty that you love has got to

1:50:43.439 --> 1:50:45.560
<v Speaker 1>do that job. Me. I'm like, you know, I'm like,

1:50:45.800 --> 1:50:49.320
<v Speaker 1>I'm like me and we were sex egenerians. Man, that's

1:50:49.360 --> 1:50:51.960
<v Speaker 1>our official title. You know you're your sixties man, so

1:50:52.720 --> 1:50:59.040
<v Speaker 1>you should talk about things A beautiful thing man. The

1:50:59.160 --> 1:51:03.240
<v Speaker 1>world is beautiful man. Yeah, but I mean yeah, nature,

1:51:05.160 --> 1:51:08.840
<v Speaker 1>nature will destroyed so much shit. That's the fucking ugly

1:51:08.920 --> 1:51:11.320
<v Speaker 1>aspect of it too. You can spend your time on

1:51:11.360 --> 1:51:13.439
<v Speaker 1>the Weather Channel will always talk about the next disaster,

1:51:13.840 --> 1:51:16.360
<v Speaker 1>but you're giving me a sunny day some goddamn time. God,

1:51:16.400 --> 1:51:18.679
<v Speaker 1>everybody just can't do that. So it's a It's a beautifu.

1:51:18.840 --> 1:51:21.599
<v Speaker 1>Hip hop is such a beautiful for him. So back

1:51:21.640 --> 1:51:25.320
<v Speaker 1>to that that early the hip Hop Alliance Please yes,

1:51:25.640 --> 1:51:28.360
<v Speaker 1>which is hip hop's first union, because I heard that

1:51:28.560 --> 1:51:30.479
<v Speaker 1>you know that that you guys also mentioned that we

1:51:30.560 --> 1:51:33.000
<v Speaker 1>try we try to start it ourselves. We were talking

1:51:33.040 --> 1:51:36.639
<v Speaker 1>about early on, but I'm sure you've been doing it. God, God,

1:51:37.000 --> 1:51:41.800
<v Speaker 1>big up Curtis Blow, who seriously has the longest timeline

1:51:42.040 --> 1:51:45.680
<v Speaker 1>of anybody in recorded hip hop history. He signed the

1:51:45.880 --> 1:51:52.000
<v Speaker 1>first major record contract in nineteen seventy nine. Matter of fact,

1:51:52.040 --> 1:51:54.040
<v Speaker 1>I think even at seventy nine, they went to look

1:51:54.120 --> 1:51:57.080
<v Speaker 1>and scouted, They try to sign Eddie Cheaper or some

1:51:57.200 --> 1:51:59.960
<v Speaker 1>of the other star warts, and they end up saying

1:52:00.200 --> 1:52:03.280
<v Speaker 1>Curtis Blow is the perfect person. And by no surprise,

1:52:03.360 --> 1:52:07.320
<v Speaker 1>and ain't no accident, you had what Christmas rapper Alan

1:52:07.439 --> 1:52:11.680
<v Speaker 1>nineteen seventy nine, Blow, Yeah, he's hurt Curtis Blow, and

1:52:11.720 --> 1:52:14.760
<v Speaker 1>then you had the breaks so and and then by

1:52:14.840 --> 1:52:17.519
<v Speaker 1>no surprise, if we cast at first doing records, they

1:52:17.560 --> 1:52:19.800
<v Speaker 1>were the best that did it because nobody else was

1:52:19.880 --> 1:52:22.440
<v Speaker 1>doing it at that level. It's no surprise that Grandmaster

1:52:22.520 --> 1:52:25.760
<v Speaker 1>Flash and the Furious Five recorded, you know, first for

1:52:26.200 --> 1:52:30.599
<v Speaker 1>Brazilia in October. Then they did enjoy with Bobby Robinson's

1:52:30.680 --> 1:52:34.080
<v Speaker 1>label super Rapping, because them two was a super rapping,

1:52:34.479 --> 1:52:41.400
<v Speaker 1>super rapping Mellie mel Kid Creole and also free Kid Creole. Please,

1:52:41.920 --> 1:52:44.240
<v Speaker 1>but that's why we have the hip hop SPIONs. Well

1:52:44.360 --> 1:52:49.280
<v Speaker 1>Kid Creole. You had Raheem Mix, Mister saka Scorpio and

1:52:49.400 --> 1:52:52.280
<v Speaker 1>Keith Cowboy, who invented the term hip hop as far

1:52:52.360 --> 1:52:58.040
<v Speaker 1>as the recorder story, Yeah yeah, I mean and each

1:52:58.080 --> 1:53:01.200
<v Speaker 1>one of them MC's the Pulleys and you put them

1:53:01.240 --> 1:53:04.240
<v Speaker 1>together and make five MC sound like one with Grandmaster Flash.

1:53:04.720 --> 1:53:07.639
<v Speaker 1>What it's like, by no mistake, there's like you gotta

1:53:07.680 --> 1:53:11.200
<v Speaker 1>do records so big. All opposite sugar Hill Gang because

1:53:11.240 --> 1:53:15.840
<v Speaker 1>they the first and really it's debatable because King Tim

1:53:15.960 --> 1:53:20.519
<v Speaker 1>the Third was on with playing with Fat Back Band

1:53:21.240 --> 1:53:24.280
<v Speaker 1>with you know, King Tim the Third, which was I mean,

1:53:24.560 --> 1:53:26.800
<v Speaker 1>Fat Back Band was my favorite, one of my favorite groups.

1:53:26.840 --> 1:53:28.519
<v Speaker 1>So when they came out I heard them on w

1:53:28.800 --> 1:53:32.639
<v Speaker 1>KTU in July nineteen seventy nine, I was like, damn

1:53:32.760 --> 1:53:36.519
<v Speaker 1>he rapping and that's something wold. But when sugar Hill

1:53:36.680 --> 1:53:39.560
<v Speaker 1>came out, the thing that puts sugar Hill over the

1:53:39.800 --> 1:53:43.280
<v Speaker 1>edge they rapped on the Good Times, and my god,

1:53:43.680 --> 1:53:50.760
<v Speaker 1>there's never ever, ever, ever been attracted monumental the hip

1:53:50.800 --> 1:53:54.880
<v Speaker 1>hop and rapping like Good Times nineteen seventy nine, nineteen

1:53:54.920 --> 1:53:59.479
<v Speaker 1>seventy nine. Man, the summer nineteen seventy nine hip hop

1:53:59.600 --> 1:54:03.160
<v Speaker 1>was so crazy with Good Times because it was like

1:54:03.240 --> 1:54:08.960
<v Speaker 1>what it's from chic and show good Time record by

1:54:09.160 --> 1:54:12.920
<v Speaker 1>Bye shep Okay, and they were like what they were

1:54:12.960 --> 1:54:15.880
<v Speaker 1>like they got coin disco because they made the Raider

1:54:16.600 --> 1:54:18.720
<v Speaker 1>happened to play in disco. You know, they're quite what

1:54:18.960 --> 1:54:25.000
<v Speaker 1>freak out that before that everybody dance, so they was

1:54:25.080 --> 1:54:27.600
<v Speaker 1>like they weright they So they got kind of like

1:54:27.760 --> 1:54:29.400
<v Speaker 1>coined as a disco band, but they was just a

1:54:29.479 --> 1:54:32.720
<v Speaker 1>badass motherfucking band. And so when they came out with

1:54:32.960 --> 1:54:35.400
<v Speaker 1>Good Times of seventy nine, I remember being at the party,

1:54:35.480 --> 1:54:37.360
<v Speaker 1>you know, and they said this new record by Eddie

1:54:37.400 --> 1:54:39.160
<v Speaker 1>Chievera broke it right. He came out the long aud

1:54:39.160 --> 1:54:41.120
<v Speaker 1>and he said, Eddie, you got this new record by

1:54:41.280 --> 1:54:43.760
<v Speaker 1>Chic you know, and everybody's expecting, like the music be

1:54:43.880 --> 1:54:47.840
<v Speaker 1>up tempo like that. They played Good Times and that

1:54:47.880 --> 1:54:52.560
<v Speaker 1>ship started like that, and we were like, what the

1:54:52.760 --> 1:54:56.240
<v Speaker 1>fuck is this country slow shit? Right? He played it

1:54:56.320 --> 1:54:59.000
<v Speaker 1>two more times that night. It's like, okay, she is

1:54:59.240 --> 1:55:03.000
<v Speaker 1>loaded the tempo down to some country funk whatever. But man,

1:55:03.160 --> 1:55:06.680
<v Speaker 1>in two weeks, DJ's got a hold of that motherfucker

1:55:07.440 --> 1:55:10.440
<v Speaker 1>and down to the blank gang Gang Gang Gang, Good

1:55:10.600 --> 1:55:14.520
<v Speaker 1>Times boom boom and that yo. Man, I'm telling you,

1:55:15.120 --> 1:55:19.520
<v Speaker 1>you can't even describe how hip hop was in June,

1:55:19.680 --> 1:55:22.720
<v Speaker 1>July and August in nineteen seventy nine. There is no

1:55:23.400 --> 1:55:26.680
<v Speaker 1>explanation for it. There is no and there's one tape

1:55:26.760 --> 1:55:28.840
<v Speaker 1>that's going around, but I called the greatest hip hop

1:55:28.960 --> 1:55:31.400
<v Speaker 1>nighte ever was October nineteen seventy nine. It's out there

1:55:31.440 --> 1:55:33.760
<v Speaker 1>on YouTube. I've played on my radio show a bunch

1:55:33.800 --> 1:55:36.680
<v Speaker 1>of times. Big up to everybody at rap station. Yo, man,

1:55:37.440 --> 1:55:44.640
<v Speaker 1>it's Starsky on the Turntables. DJ Hollywood's Eddie Cheaper, it

1:55:44.880 --> 1:55:49.280
<v Speaker 1>is DJ Divine from Infinity Machine. It's Grandmaster Flash, Curtis

1:55:49.400 --> 1:55:53.640
<v Speaker 1>Blow and Mellie Mell and they are like, yo, man,

1:55:53.960 --> 1:55:56.080
<v Speaker 1>you couldn't take your eyes or your ears off of them.

1:55:56.280 --> 1:55:58.960
<v Speaker 1>But it was inconceivable that somebody would make a rap

1:55:59.000 --> 1:56:01.520
<v Speaker 1>record because even me was I was like, rap record,

1:56:01.560 --> 1:56:03.360
<v Speaker 1>How the fuck are you gonna put rap on the record.

1:56:03.400 --> 1:56:06.400
<v Speaker 1>It's a three hour thing. Man, It's like I was like,

1:56:06.480 --> 1:56:10.080
<v Speaker 1>it's impossible. I was like, impossible, and I I ain't

1:56:10.120 --> 1:56:13.360
<v Speaker 1>no kid, I'm nineteen years old. I'm like, it's impossible

1:56:13.400 --> 1:56:15.080
<v Speaker 1>to make a round. How the fucker. And then when

1:56:15.120 --> 1:56:16.880
<v Speaker 1>King Tim the Third came out like he was like,

1:56:18.320 --> 1:56:23.480
<v Speaker 1>m okay. And then when sugar Hillcad sugar Hill did it,

1:56:23.680 --> 1:56:29.480
<v Speaker 1>it was like, Yo, that's it. And the thing about it, bro,

1:56:31.480 --> 1:56:35.400
<v Speaker 1>that ship was sixteen minutes long. Yeah, the ironic thing

1:56:35.520 --> 1:56:37.560
<v Speaker 1>is why you always got put time in the context,

1:56:38.400 --> 1:56:41.320
<v Speaker 1>the sixteen minutes was not how long it was, It

1:56:41.440 --> 1:56:44.560
<v Speaker 1>is how short they got it. That's short because yeah,

1:56:44.640 --> 1:56:49.040
<v Speaker 1>because they got it down to sixteen minutes. I'm gonna

1:56:49.040 --> 1:56:51.000
<v Speaker 1>tell you that this this, I've said this a few times.

1:56:51.360 --> 1:56:54.040
<v Speaker 1>I was apology getting on the mic to sit whack

1:56:54.120 --> 1:56:57.000
<v Speaker 1>him seats down. They played good Times. I'm rocking the

1:56:57.080 --> 1:56:58.920
<v Speaker 1>fuck out of good times. Right all of a sudden,

1:56:58.920 --> 1:57:02.640
<v Speaker 1>I ain't your words behind me, DJ's Larry t Worries

1:57:02.680 --> 1:57:03.880
<v Speaker 1>behind me. So what do you think I did? I

1:57:03.960 --> 1:57:07.520
<v Speaker 1>did the fucking miliev nilly. I kept moving my mouth

1:57:08.760 --> 1:57:11.920
<v Speaker 1>and the crack and I was rocking for fucking twenty minutes.

1:57:12.280 --> 1:57:14.280
<v Speaker 1>Remember I was on. I was rocking a good time before.

1:57:15.200 --> 1:57:18.720
<v Speaker 1>So sure enough, man, people were like, damn, changing this voice.

1:57:18.760 --> 1:57:21.160
<v Speaker 1>Even the chicken tastes like boyd all that shit. Right

1:57:22.080 --> 1:57:23.960
<v Speaker 1>at the end, Cats is coming up to me like, yo,

1:57:24.120 --> 1:57:27.880
<v Speaker 1>he's a bad motherfucker. He's just round on and on,

1:57:28.080 --> 1:57:30.160
<v Speaker 1>because back back then he's like he went on and on,

1:57:30.840 --> 1:57:32.640
<v Speaker 1>you know, to the break of dawn, like hot butter

1:57:32.720 --> 1:57:35.760
<v Speaker 1>on the what the popcorn? Right, I'm with non stop run.

1:57:37.120 --> 1:57:39.680
<v Speaker 1>I turned around after people are like left. I looked

1:57:39.720 --> 1:57:41.200
<v Speaker 1>at that and say, what the fuck? But what's that?

1:57:41.920 --> 1:57:45.720
<v Speaker 1>He showed me Red Label Rappers the Light sugar Hill Gag.

1:57:45.800 --> 1:57:49.840
<v Speaker 1>I was like what I was? My brains looked blown.

1:57:50.280 --> 1:57:55.000
<v Speaker 1>The next day, WBLS, this is Frankie Crocker and I

1:57:55.080 --> 1:57:57.480
<v Speaker 1>got a new record by my friend Sylvia Robinson. This

1:57:57.720 --> 1:57:59.960
<v Speaker 1>is called Rappers The Light by the sugar Hill Gag.

1:58:00.920 --> 1:58:02.840
<v Speaker 1>You heard it, you know the city was on fire.

1:58:03.080 --> 1:58:05.800
<v Speaker 1>The city was on fire by the next Thursday when

1:58:05.840 --> 1:58:08.200
<v Speaker 1>I did the thing, castles like you nice Chuck, But

1:58:08.320 --> 1:58:13.400
<v Speaker 1>come on, man, that's how long I've been Robber, I've

1:58:13.400 --> 1:58:15.360
<v Speaker 1>been riding with since they sneak a record behind me,

1:58:15.480 --> 1:58:18.280
<v Speaker 1>got words on it also fuck oh man. But let

1:58:18.360 --> 1:58:22.240
<v Speaker 1>me tell you, man, I can't even I can't even like,

1:58:22.640 --> 1:58:27.160
<v Speaker 1>I can't weigh the magnitude of hip hop before records man,

1:58:27.280 --> 1:58:31.080
<v Speaker 1>and that record Good Times Times just I can't imagine

1:58:31.120 --> 1:58:33.960
<v Speaker 1>it was. It was fucking it was. It was. It

1:58:34.080 --> 1:58:36.440
<v Speaker 1>blew to this day thinking about That's what I'm saying.

1:58:36.760 --> 1:58:40.360
<v Speaker 1>The time, the context of time is everything because you

1:58:40.480 --> 1:58:42.560
<v Speaker 1>can't go back into time the same thing about like

1:58:42.680 --> 1:58:46.840
<v Speaker 1>when when Mellie Mel might say I could get any rapper,

1:58:47.720 --> 1:58:49.280
<v Speaker 1>but well, the thing about you got to hold the

1:58:49.360 --> 1:58:52.360
<v Speaker 1>context of time and time is real. It's like if

1:58:52.400 --> 1:58:55.320
<v Speaker 1>you say, whoa Mellie Mel, Let's say if he wants

1:58:55.360 --> 1:58:58.160
<v Speaker 1>to take on Well, it's exactly. I mean, that's a

1:58:58.240 --> 1:59:03.040
<v Speaker 1>number storm not gonna say it right, but but I respect.

1:59:03.200 --> 1:59:05.800
<v Speaker 1>All you gotta do is say, well, Mellie Mel, if

1:59:05.840 --> 1:59:08.280
<v Speaker 1>he was nineteen in nineteen seventy nine and you wasn't

1:59:08.320 --> 1:59:10.440
<v Speaker 1>born yet, then you couldn't compete. That's why when they

1:59:10.480 --> 1:59:13.240
<v Speaker 1>say boxes like put Tysons get Ali, I was saying,

1:59:13.320 --> 1:59:16.120
<v Speaker 1>but when did we start? Did we say when Ali

1:59:16.320 --> 1:59:19.440
<v Speaker 1>is seventy something and Tyson is thirty or dude? Or

1:59:19.520 --> 1:59:22.000
<v Speaker 1>do we do and Ali was twenty and Tyson wasn't

1:59:22.000 --> 1:59:24.640
<v Speaker 1>born yet? He was a zygot and ship. You know,

1:59:24.920 --> 1:59:26.800
<v Speaker 1>I mean, what do you so, what do we compare it? Oh?

1:59:26.840 --> 1:59:30.120
<v Speaker 1>You're trying to move time to make that. You cannot

1:59:30.240 --> 1:59:33.240
<v Speaker 1>compare errors. You cannot move time. We don't have much

1:59:33.320 --> 1:59:35.680
<v Speaker 1>changes in that time. The construct. We could dream of

1:59:35.880 --> 1:59:38.120
<v Speaker 1>some shit like you know, like well so and so

1:59:38.280 --> 1:59:41.280
<v Speaker 1>and its prime versus so and so and knit prime, Well,

1:59:41.320 --> 1:59:43.040
<v Speaker 1>how are you gonna know what the prime is is?

1:59:43.160 --> 1:59:45.880
<v Speaker 1>And so it's art, It's it's fun to do these things.

1:59:45.960 --> 1:59:49.000
<v Speaker 1>It's fun to make listen shit like that. Everybody, Oh man, rollers,

1:59:50.720 --> 1:59:59.160
<v Speaker 1>do you think Flavor flags? Yes? Is Boosey's pops. We

1:59:59.360 --> 2:00:06.160
<v Speaker 1>always come with questions of what we think Flavor. I

2:00:06.360 --> 2:00:08.400
<v Speaker 1>felt it, but then when I seen them together, I

2:00:08.520 --> 2:00:10.160
<v Speaker 1>was like, maybe this is not as fun as I

2:00:10.280 --> 2:00:13.320
<v Speaker 1>think the kind of really do. And I love Lucy.

2:00:13.480 --> 2:00:15.600
<v Speaker 1>I love you Bucy. Where we were, I love it.

2:00:15.720 --> 2:00:19.200
<v Speaker 1>But my good brother Nori. When you study the diaspora,

2:00:19.320 --> 2:00:22.480
<v Speaker 1>you know that many of us got twins and triplets everywhere.

2:00:22.920 --> 2:00:25.920
<v Speaker 1>Matter of fact, when we first played Ghana, they wouldn't

2:00:25.960 --> 2:00:29.400
<v Speaker 1>let Flavor leave. He had that many kids out there. No, no,

2:00:31.360 --> 2:00:33.720
<v Speaker 1>we don't believe. We won't believe that you're not from here,

2:00:33.880 --> 2:00:36.680
<v Speaker 1>yea like they do. He was, You're not right. We

2:00:36.760 --> 2:00:39.440
<v Speaker 1>had to show hate. I'm not I'm not from me,

2:00:39.480 --> 2:00:42.080
<v Speaker 1>I'm somewhere else. So yeah, they did. He from Ghana too,

2:00:42.240 --> 2:00:46.560
<v Speaker 1>I'm sunny. Yeah, no, he from Haiti from he from Haiti.

2:00:46.600 --> 2:00:49.040
<v Speaker 1>But they don't accept him in Haiti either, right, they

2:00:49.040 --> 2:00:51.680
<v Speaker 1>don't want him at Big Up to Haiti. They kick

2:00:51.800 --> 2:00:55.760
<v Speaker 1>him out of Haiti, but guys hit the whole world

2:00:55.840 --> 2:00:58.880
<v Speaker 1>still man that Haiti? Right, Yeah, it's big up to

2:00:58.960 --> 2:01:04.720
<v Speaker 1>Haiti anyway, Pop Alliance, the chairman caress one up in

2:01:04.800 --> 2:01:08.960
<v Speaker 1>the brasses mc light Curtis blow founded it as could

2:01:08.960 --> 2:01:11.280
<v Speaker 1>I be down. But it's not especially this problem. But

2:01:11.400 --> 2:01:13.840
<v Speaker 1>it's not about like who's at the topic, because now

2:01:14.000 --> 2:01:17.200
<v Speaker 1>it's like the more the better, And you have to

2:01:17.280 --> 2:01:22.240
<v Speaker 1>have people who are concerned about the infrastructure of artists

2:01:23.120 --> 2:01:26.280
<v Speaker 1>who've been in the business a long time, never understood,

2:01:26.720 --> 2:01:31.120
<v Speaker 1>you know, like Okay, I recorded fifteen years ago, twenty

2:01:31.200 --> 2:01:33.160
<v Speaker 1>years ago, Like what does that mean? They got their

2:01:33.240 --> 2:01:35.440
<v Speaker 1>kids grown up? They have no idea what their dad

2:01:35.520 --> 2:01:38.080
<v Speaker 1>even did or better yet, like, how do we it's

2:01:38.120 --> 2:01:40.360
<v Speaker 1>a legacy to be passed down, how do we go

2:01:40.480 --> 2:01:43.440
<v Speaker 1>after it? Who do we go to? Uh? My dad

2:01:43.520 --> 2:01:47.040
<v Speaker 1>did bars, But what does that mean? There's something for everybody,

2:01:47.120 --> 2:01:49.320
<v Speaker 1>trust me. If you don't go get it, somebody gonna

2:01:49.360 --> 2:01:51.160
<v Speaker 1>go get it. Oh yeah, but he only did a

2:01:51.480 --> 2:01:55.320
<v Speaker 1>guest collabor on a feature like nineteen ninety five. You

2:01:55.360 --> 2:01:57.120
<v Speaker 1>don't think somebody is on the tail end of that.

2:01:57.840 --> 2:01:59.960
<v Speaker 1>So the young you know, now I wouldn't just say

2:02:00.040 --> 2:02:02.760
<v Speaker 1>young because that's subjective to man, what is what is young? Man?

2:02:02.840 --> 2:02:09.680
<v Speaker 1>But our people are are or in the business without

2:02:09.800 --> 2:02:13.400
<v Speaker 1>understanding of what this whole business is, which means that

2:02:13.600 --> 2:02:16.920
<v Speaker 1>you have to have people that come along that that

2:02:17.240 --> 2:02:21.760
<v Speaker 1>even aligned by your family or some organization that lets

2:02:21.800 --> 2:02:23.640
<v Speaker 1>you know what what is you know? And that's what

2:02:23.920 --> 2:02:28.520
<v Speaker 1>I think the Hip Hop Alliance UM can do. Number one,

2:02:28.720 --> 2:02:32.840
<v Speaker 1>Really it's in partnership with sag after right, which all

2:02:32.840 --> 2:02:36.800
<v Speaker 1>the time was a perfect that's the biggest play. But

2:02:36.800 --> 2:02:42.000
<v Speaker 1>because Curtis Blow, you know, because is that for actors, right,

2:02:43.240 --> 2:02:48.040
<v Speaker 1>provides that same type actors anybody in because me and

2:02:48.120 --> 2:02:50.600
<v Speaker 1>if I don't know, if I don't know how much

2:02:52.240 --> 2:02:54.840
<v Speaker 1>if it's always been pushing this hip Hop Union because

2:02:55.240 --> 2:02:59.040
<v Speaker 1>I feel like anybody I know how hard it is

2:02:59.080 --> 2:03:02.640
<v Speaker 1>to be famous. It's the worst job in the world, right,

2:03:03.000 --> 2:03:06.440
<v Speaker 1>because you can never take off your mask, Like I

2:03:06.480 --> 2:03:08.920
<v Speaker 1>don't give a fuck how many times I could do,

2:03:09.400 --> 2:03:11.520
<v Speaker 1>Like if you could check into McDonald's, you could check

2:03:11.560 --> 2:03:14.800
<v Speaker 1>into construction. Once you take your vest off, you're all.

2:03:15.320 --> 2:03:18.280
<v Speaker 1>I'm never off. None of us is never think about

2:03:18.360 --> 2:03:23.040
<v Speaker 1>doing no crime shit ever, So before cameras don't think

2:03:23.080 --> 2:03:25.520
<v Speaker 1>about like, yo, man, I could do the dirty dirty

2:03:25.600 --> 2:03:28.280
<v Speaker 1>or whatever. It's like, yeah, okay, all right, you know

2:03:28.560 --> 2:03:31.280
<v Speaker 1>you got the ID. Everybody's trying to fucking get right.

2:03:31.360 --> 2:03:34.160
<v Speaker 1>So I say I say this to say I always

2:03:34.200 --> 2:03:35.840
<v Speaker 1>felt like it should have been a hip hop union

2:03:36.280 --> 2:03:40.480
<v Speaker 1>for us and and and especially people. And I get it,

2:03:40.600 --> 2:03:43.520
<v Speaker 1>like sometimes you say, well, what if the person didn't

2:03:43.520 --> 2:03:46.160
<v Speaker 1>make it, What if the person didn't go platinum? What

2:03:46.200 --> 2:03:48.960
<v Speaker 1>if the person didn't didn't go go It's even more

2:03:49.080 --> 2:03:52.920
<v Speaker 1>we should take because they had to endure the looks

2:03:53.160 --> 2:03:56.880
<v Speaker 1>of being shown and saying okay, this guy was a

2:03:57.000 --> 2:03:59.920
<v Speaker 1>rapper and he didn't make it, like or even work.

2:04:00.160 --> 2:04:03.640
<v Speaker 1>The one hit wonders, right, the guys that have one hit,

2:04:04.080 --> 2:04:09.800
<v Speaker 1>all the participants, I mean, I mean girls like I

2:04:09.880 --> 2:04:11.400
<v Speaker 1>feel like we should take care of them. I feel

2:04:11.400 --> 2:04:13.560
<v Speaker 1>like it needs to be the home community. I feel

2:04:13.560 --> 2:04:15.760
<v Speaker 1>like I feel like I feel like this is me personally.

2:04:16.440 --> 2:04:22.600
<v Speaker 1>If you are participating in something that makes you famous

2:04:22.920 --> 2:04:26.000
<v Speaker 1>and it doesn't actually work for you, I feel like

2:04:26.240 --> 2:04:30.360
<v Speaker 1>we should are. It's in us to take care of that.

2:04:30.760 --> 2:04:33.840
<v Speaker 1>It's in us to say this is inhumane right here,

2:04:34.200 --> 2:04:37.560
<v Speaker 1>because it's so hard to be famous. Man, it's so terrible,

2:04:37.680 --> 2:04:41.360
<v Speaker 1>like like you can't go to CDs. I don't want

2:04:41.400 --> 2:04:42.680
<v Speaker 1>to go to CVS, but I want to get in

2:04:42.760 --> 2:04:46.160
<v Speaker 1>carbone early. So so yeah, so what's up? You look

2:04:46.200 --> 2:04:54.120
<v Speaker 1>at younger? Shit? You fucking this mother? But I feel

2:04:54.160 --> 2:04:56.120
<v Speaker 1>like the Hip Hop Union, by the way, we want

2:04:56.120 --> 2:04:59.880
<v Speaker 1>to sup We gotta support it. We gotta support whether

2:05:00.480 --> 2:05:02.360
<v Speaker 1>just for people seeking fan because there's a lot of

2:05:02.360 --> 2:05:05.120
<v Speaker 1>people behind the scenes that are not seeking. I also

2:05:05.360 --> 2:05:07.560
<v Speaker 1>deserve to be taken. That's what the hip hoper Lines

2:05:07.640 --> 2:05:10.160
<v Speaker 1>has done very clearly. It's not based on again with

2:05:10.640 --> 2:05:15.200
<v Speaker 1>the faces that draw it in, but you need infrastructure people.

2:05:15.720 --> 2:05:19.240
<v Speaker 1>This show is built out of also infrastructure, people that

2:05:19.400 --> 2:05:22.000
<v Speaker 1>make it click and make it work. The masses out there.

2:05:22.120 --> 2:05:25.520
<v Speaker 1>Sometimes we confuse confuse, like when it comes down to us,

2:05:25.760 --> 2:05:27.720
<v Speaker 1>they just say the masses they just moved the m over.

2:05:28.280 --> 2:05:31.480
<v Speaker 1>They consider our masses them asses and thinking that we

2:05:31.560 --> 2:05:36.320
<v Speaker 1>ain't masters the masses. They just moved the m over

2:05:37.160 --> 2:05:42.320
<v Speaker 1>to them. At I got bars that passed people like

2:05:42.440 --> 2:05:46.640
<v Speaker 1>taxi cabs eighty six. Let me also ask you you

2:05:46.880 --> 2:05:52.200
<v Speaker 1>sued Universal. I've sued and been sued man. Matter of fact,

2:05:52.240 --> 2:05:55.480
<v Speaker 1>it's so many damn I mean in that world. The

2:05:55.600 --> 2:05:59.360
<v Speaker 1>average person has no fucking idea how many times that

2:05:59.560 --> 2:06:03.400
<v Speaker 1>you're it's it's a gunfight. No, but universal? Okay, which

2:06:03.440 --> 2:06:06.280
<v Speaker 1>which which lawsuit was? Because I believe did you sued

2:06:06.360 --> 2:06:11.160
<v Speaker 1>on behalf of hip hop? Yeah? I've been perfect class,

2:06:11.640 --> 2:06:15.640
<v Speaker 1>so okay in my contract, let me relate it to me. Right,

2:06:16.000 --> 2:06:20.600
<v Speaker 1>you've read every page. Never, That's what I'm saying. Let

2:06:20.640 --> 2:06:23.680
<v Speaker 1>me tell you this. When when the average person says, well,

2:06:23.760 --> 2:06:26.280
<v Speaker 1>how come you rappers and read the contract? I said,

2:06:26.320 --> 2:06:30.160
<v Speaker 1>you did the same when you accept on yes, you

2:06:30.240 --> 2:06:34.879
<v Speaker 1>bought a car or whatever, like I just accepted. Yeah, yeah, exactly.

2:06:35.520 --> 2:06:39.560
<v Speaker 1>I'm just sorry. Get lawyers if we feel that this

2:06:39.840 --> 2:06:44.040
<v Speaker 1>person we can trust. But yo, man, it's it's it's

2:06:44.080 --> 2:06:46.040
<v Speaker 1>such a thick business. And then you got a contract

2:06:46.080 --> 2:06:48.280
<v Speaker 1>that's like this. And somebody told me, he said, the

2:06:48.360 --> 2:06:51.040
<v Speaker 1>reason that contracts are like this because every single page

2:06:51.120 --> 2:06:59.120
<v Speaker 1>is a fucking lawsuit, right, fuck with children? Yeah, I

2:06:59.400 --> 2:07:03.000
<v Speaker 1>never when your penalty records. Yes, So when I went

2:07:03.200 --> 2:07:06.360
<v Speaker 1>back and I looked at it, nothing digital says anything

2:07:06.480 --> 2:07:09.480
<v Speaker 1>digital about They didn't have any digital rights. There was

2:07:09.520 --> 2:07:12.240
<v Speaker 1>no digit first one that says what. I don't remember.

2:07:12.280 --> 2:07:16.240
<v Speaker 1>I just wanted the money we all do it perpetuity

2:07:16.320 --> 2:07:23.600
<v Speaker 1>in the universe territory. It's the world and what the universe?

2:07:24.720 --> 2:07:30.200
<v Speaker 1>How the fuck? Which is the universe? Fucking up? Tuning shit?

2:07:31.000 --> 2:07:32.920
<v Speaker 1>You know they side they're taking your records that you

2:07:32.960 --> 2:07:36.400
<v Speaker 1>put out in Mars. Big up, big up to jay

2:07:36.520 --> 2:07:39.400
<v Speaker 1>Z because jay Z is like our Jupiter. And the

2:07:39.480 --> 2:07:41.600
<v Speaker 1>reason I say Jupiter, it's like, you know, if you

2:07:41.680 --> 2:07:45.960
<v Speaker 1>study the Solar System, Jupiter absorbs all the asteroids, all

2:07:46.000 --> 2:07:48.840
<v Speaker 1>the collisions that would destroy Earth. They don't go because

2:07:48.920 --> 2:07:51.880
<v Speaker 1>he's He's big enough to absorb and protect the Solar

2:07:51.960 --> 2:07:55.680
<v Speaker 1>System with his magnitude, which allows us to fucking do anything.

2:07:56.160 --> 2:08:05.000
<v Speaker 1>God damn, God damn pick up the jay Z. I mean,

2:08:05.040 --> 2:08:07.880
<v Speaker 1>I'm gonna people say no, no, no, that It's like shit, man,

2:08:08.360 --> 2:08:12.840
<v Speaker 1>He's gonna absorb all that shit. Ain't no asteroid hitting me. Wow.

2:08:12.920 --> 2:08:16.240
<v Speaker 1>So that's what I'm said. With fame, famous, a fake construct,

2:08:16.320 --> 2:08:18.360
<v Speaker 1>there's a famous, a four letter word. I chose to

2:08:18.400 --> 2:08:20.360
<v Speaker 1>tell people. I said, listen, I got a second story.

2:08:21.120 --> 2:08:23.320
<v Speaker 1>I got a second story office in the world of

2:08:23.440 --> 2:08:25.360
<v Speaker 1>the entertainment business where I always could go to the

2:08:25.440 --> 2:08:27.560
<v Speaker 1>penhouse whenever I want to. But I choose to stay

2:08:27.600 --> 2:08:29.640
<v Speaker 1>on the second floor because you could walk up the

2:08:29.680 --> 2:08:33.800
<v Speaker 1>staircase before you catch the speed elevator. Now talk to

2:08:33.920 --> 2:08:36.960
<v Speaker 1>me before you going up there. Sometimes it castle. I'll

2:08:37.000 --> 2:08:38.560
<v Speaker 1>take the speed on the elevator up and then they'll

2:08:38.600 --> 2:08:40.320
<v Speaker 1>see me. I said, I'm gonna go back to the

2:08:40.400 --> 2:08:42.560
<v Speaker 1>second floor, But the speed elevator doesn't go to the

2:08:42.600 --> 2:08:45.360
<v Speaker 1>second floor, goes straight down to the basement, maybe even

2:08:45.400 --> 2:08:48.000
<v Speaker 1>the crash landing. See me before you go up, because

2:08:48.000 --> 2:08:50.360
<v Speaker 1>it tells you how to handle the world. A fucking fame,

2:08:50.480 --> 2:08:54.640
<v Speaker 1>which is a four leather word that is synonymous with

2:08:55.760 --> 2:09:00.240
<v Speaker 1>fade because because it's a false construct, fame has a

2:09:00.320 --> 2:09:05.840
<v Speaker 1>tennessee to fade. It's not it's a false construct. It's

2:09:05.880 --> 2:09:09.920
<v Speaker 1>not really real, and that means it's another four letter

2:09:10.040 --> 2:09:16.160
<v Speaker 1>f word, f A K E. Fame might fade and

2:09:16.480 --> 2:09:19.080
<v Speaker 1>it's faked. And if you don't believe that, you're fucked.

2:09:20.760 --> 2:09:23.680
<v Speaker 1>See me on the second floor. Because I get up

2:09:23.680 --> 2:09:26.080
<v Speaker 1>to the get up to the penthouse whenever I want,

2:09:26.080 --> 2:09:28.720
<v Speaker 1>I don't stay there. I mean I'll be like, who

2:09:28.920 --> 2:09:30.920
<v Speaker 1>you know, man, I'll go back right back down to

2:09:30.920 --> 2:09:33.480
<v Speaker 1>the second floor. That's where I'm comfortable at. But cats

2:09:33.520 --> 2:09:36.680
<v Speaker 1>see me on the way up and there their rise

2:09:36.760 --> 2:09:39.640
<v Speaker 1>and their levels to wherever they gotta be. I applore that.

2:09:40.240 --> 2:09:43.280
<v Speaker 1>I just say, enjoy it, man, I mean, come on, man,

2:09:43.360 --> 2:09:48.800
<v Speaker 1>I mean enjoy enjoy the process of dancing with fame

2:09:49.080 --> 2:09:52.000
<v Speaker 1>because you're better than fame. Fame is a construct and

2:09:52.120 --> 2:09:55.520
<v Speaker 1>you do real art. You're a real thing, so it's

2:09:55.560 --> 2:09:58.800
<v Speaker 1>something that you do. And I think eight listen Man

2:09:59.320 --> 2:10:01.800
<v Speaker 1>sixty two is from six going my sixty thirty. Yeah,

2:10:01.800 --> 2:10:09.040
<v Speaker 1>I'm it's good to be fucking me. No, I don't

2:10:09.080 --> 2:10:10.840
<v Speaker 1>want to be bigger. I don't want to be I

2:10:10.920 --> 2:10:12.520
<v Speaker 1>want to be better always, but I don't want to

2:10:12.560 --> 2:10:14.440
<v Speaker 1>be bigger. I just want to just be me and

2:10:14.640 --> 2:10:17.920
<v Speaker 1>and and be able to continue to help. And when

2:10:17.920 --> 2:10:21.880
<v Speaker 1>I see my man and and and other people my my, my,

2:10:22.280 --> 2:10:24.560
<v Speaker 1>my fam and the group and all that, and they

2:10:24.680 --> 2:10:27.760
<v Speaker 1>have things and they're able to do things, and people

2:10:27.800 --> 2:10:29.640
<v Speaker 1>that work with me, like the Sea Doctor under my

2:10:29.720 --> 2:10:32.760
<v Speaker 1>record label, you know, a flat line and the rap station.

2:10:32.840 --> 2:10:35.440
<v Speaker 1>We just came out with um the Bring the Noise app,

2:10:35.520 --> 2:10:39.880
<v Speaker 1>which is cultural media. It's not social media's culture media.

2:10:40.000 --> 2:10:42.040
<v Speaker 1>So it's the first app and it easy to make

2:10:42.080 --> 2:10:45.680
<v Speaker 1>it Twitter and it ain't no no stay everybody can

2:10:45.720 --> 2:10:49.720
<v Speaker 1>stay at Twitter. They can stay you stay Twitter whatever.

2:10:50.280 --> 2:10:52.200
<v Speaker 1>And it's a funny thing. It's like, you know, back

2:10:52.240 --> 2:10:54.280
<v Speaker 1>in the day, you know, I would have somebody say, well,

2:10:54.400 --> 2:10:56.120
<v Speaker 1>we'll watch it, chucky, you know them people like that.

2:10:56.200 --> 2:10:58.440
<v Speaker 1>I was like the fact, I don't every guy trust

2:10:58.520 --> 2:11:01.560
<v Speaker 1>these things like they know, people like Elon Muskas, Zucker

2:11:01.600 --> 2:11:04.080
<v Speaker 1>Burnley give a fuck. So with me, I'm like, I'm

2:11:04.120 --> 2:11:06.440
<v Speaker 1>not telling people to come along. This is just gonna

2:11:06.480 --> 2:11:10.440
<v Speaker 1>be there. And it's about sam, It's about film, art, music,

2:11:10.600 --> 2:11:12.480
<v Speaker 1>and if you want to put your thing there, will

2:11:12.520 --> 2:11:15.680
<v Speaker 1>co exist. Small little piece of real estate. Won't try

2:11:15.720 --> 2:11:20.040
<v Speaker 1>to be social media, which sometimes you know, like scar

2:11:20.160 --> 2:11:25.320
<v Speaker 1>face pick up the Brad Jordan's scarface. Yeah, he says. Man,

2:11:25.440 --> 2:11:28.440
<v Speaker 1>you know, Chuck Man, you know shit is a sandbox. Man,

2:11:28.560 --> 2:11:30.600
<v Speaker 1>you can't have the strip pole in the sandbox. And

2:11:31.040 --> 2:11:37.520
<v Speaker 1>you told me that. You say, yeah, it's a great idea. Though, okay,

2:11:37.640 --> 2:11:40.880
<v Speaker 1>we'll keep that to yourself. That thinks Dixons and a

2:11:40.880 --> 2:11:42.880
<v Speaker 1>whole other things. It's just like, you know, the poll

2:11:42.960 --> 2:11:46.080
<v Speaker 1>is a good thing, but the sandbox is where kids

2:11:46.160 --> 2:11:55.080
<v Speaker 1>play that part oh you forgot that? Everywhere everywhere today, man,

2:11:55.240 --> 2:11:57.920
<v Speaker 1>It's like it's to me, it's like everybody got the

2:11:58.120 --> 2:12:02.000
<v Speaker 1>listen this ten generations. Man, there ain't no reason why

2:12:02.280 --> 2:12:04.240
<v Speaker 1>fifteen year old ship try to appeal to a twenty

2:12:04.280 --> 2:12:06.960
<v Speaker 1>year old, right, no reason, not not really. I mean,

2:12:07.480 --> 2:12:09.760
<v Speaker 1>if if all forty year old appeal to a twenty

2:12:09.840 --> 2:12:12.280
<v Speaker 1>year old, just be yourself, they come. Cool if they

2:12:12.360 --> 2:12:15.200
<v Speaker 1>don't come. But in social media catches up in a

2:12:17.120 --> 2:12:23.320
<v Speaker 1>they're competing against each other. It's nope, just be who

2:12:23.360 --> 2:12:27.640
<v Speaker 1>you all grow gracefully, embrace aging as opposed you know.

2:12:27.720 --> 2:12:31.360
<v Speaker 1>I mean, death is a real thing. Man. Twitter, now

2:12:31.440 --> 2:12:33.200
<v Speaker 1>I'm in with black Twitter came along. I was like,

2:12:33.640 --> 2:12:36.960
<v Speaker 1>I did you know? And no, no offense because if

2:12:37.000 --> 2:12:38.480
<v Speaker 1>they all come at me a black Twitter, I ain't

2:12:38.480 --> 2:12:43.200
<v Speaker 1>read it anywhere. I'm just saying that Twitter up, Well,

2:12:43.240 --> 2:12:46.919
<v Speaker 1>I don't listen. Listen, we gotta watch these other platforms

2:12:46.920 --> 2:12:50.320
<v Speaker 1>because somehow the platforms, it's like other people are on

2:12:50.440 --> 2:12:54.040
<v Speaker 1>the platform and I'm like, that's like motherfucker's throwing cotton

2:12:54.080 --> 2:12:57.160
<v Speaker 1>each other each other on the fucking plantation. Like you know,

2:12:57.240 --> 2:12:59.640
<v Speaker 1>I'm on that person plantation and now I'm on that

2:12:59.720 --> 2:13:03.040
<v Speaker 1>place the plantation cotton. I built my own platform, and

2:13:03.160 --> 2:13:05.600
<v Speaker 1>I'm like it's whatever. I won't stick to the culture.

2:13:05.680 --> 2:13:10.160
<v Speaker 1>But you know, I mean plantation was a social media man. No,

2:13:10.360 --> 2:13:12.320
<v Speaker 1>we don't need it. Yeah, oh yeah, matter of fact.

2:13:12.400 --> 2:13:15.400
<v Speaker 1>Open So I'll answer you a question. And like I said,

2:13:15.400 --> 2:13:18.080
<v Speaker 1>we're family now. So we've been found white media. Yeah,

2:13:18.120 --> 2:13:20.280
<v Speaker 1>white media. Okay, shit, we didn't know we're going there

2:13:28.440 --> 2:13:30.920
<v Speaker 1>when I did the PBS series. Big up the PBS

2:13:31.000 --> 2:13:34.680
<v Speaker 1>and the BBC commendation. Obviously, I have a long read

2:13:34.760 --> 2:13:37.080
<v Speaker 1>out of obligation. So it wasn't like I was ducky

2:13:37.160 --> 2:13:40.040
<v Speaker 1>or we were circling. Don't work. Listen, you don't have

2:13:40.080 --> 2:13:46.000
<v Speaker 1>to explain it at all the way for your present whenever, listen,

2:13:47.080 --> 2:13:50.120
<v Speaker 1>white involvement everywhere in here, y'all. Was a little mad

2:13:50.160 --> 2:13:51.720
<v Speaker 1>at you. I see you doing the white media. I

2:13:51.800 --> 2:13:54.880
<v Speaker 1>was like, well, what's he doing? Come, come, come home,

2:13:55.160 --> 2:14:02.320
<v Speaker 1>come home, come. I was very pleased, but I can't.

2:14:02.760 --> 2:14:05.720
<v Speaker 1>And I saw the neighborhood. I said, well, at least

2:14:05.760 --> 2:14:08.920
<v Speaker 1>this ship is in the neighbor that I recall a

2:14:09.120 --> 2:14:13.320
<v Speaker 1>matter of fact, down in Miami, right I committed where

2:14:13.320 --> 2:14:16.800
<v Speaker 1>we are right down in Miami. I remember they even

2:14:17.120 --> 2:14:20.080
<v Speaker 1>built Miami Arena in the hood, and said we can't

2:14:20.120 --> 2:14:22.600
<v Speaker 1>have this ship here no more, and they fucking tore

2:14:22.680 --> 2:14:25.520
<v Speaker 1>down That's where one of those sources of words happened

2:14:25.520 --> 2:14:27.120
<v Speaker 1>in old I was like, why would they do that?

2:14:27.200 --> 2:14:29.120
<v Speaker 1>They said, you know what, we can't have our fucking arena.

2:14:29.200 --> 2:14:31.240
<v Speaker 1>Then I said, that's the first place that well, not

2:14:31.320 --> 2:14:34.760
<v Speaker 1>the first places we played, but the first arena arena

2:14:34.840 --> 2:14:37.560
<v Speaker 1>that we played down here where the Heat first. So

2:14:38.040 --> 2:14:45.040
<v Speaker 1>they don't arena. That's how they are, that's who they are.

2:14:46.560 --> 2:14:49.840
<v Speaker 1>Tell us tell us just too highly on you. So

2:14:50.040 --> 2:14:55.760
<v Speaker 1>tell us dj E, tell us dj e, what happened

2:14:55.760 --> 2:14:57.800
<v Speaker 1>with that? They just I don't know if that's to me.

2:14:57.880 --> 2:15:00.320
<v Speaker 1>I don't know, because now we don't know that. Nobody

2:15:00.320 --> 2:15:04.920
<v Speaker 1>know that you movie the Miami was an old time. No,

2:15:05.320 --> 2:15:09.680
<v Speaker 1>he's talking about the old that was overtown and can

2:15:09.720 --> 2:15:12.720
<v Speaker 1>you passed up shopping because they built up something talking

2:15:12.800 --> 2:15:17.160
<v Speaker 1>about the Miami Arena where the Heat first played. Yeah,

2:15:18.320 --> 2:15:21.520
<v Speaker 1>radio right right there right, Robbie Cyclly, I want the

2:15:21.680 --> 2:15:25.520
<v Speaker 1>Ronnie Cyclly, Yeah, Miami. I think it just became a

2:15:25.560 --> 2:15:27.160
<v Speaker 1>money thing to build a new one, so they had

2:15:27.200 --> 2:15:28.560
<v Speaker 1>to tear it down the old one. That's what I think.

2:15:28.760 --> 2:15:32.360
<v Speaker 1>Something somebody there, you know, I live in Miami our

2:15:32.440 --> 2:15:37.240
<v Speaker 1>local pretty so yeah, he's now. I thought the New

2:15:37.320 --> 2:15:39.240
<v Speaker 1>York was the Foules conrupt his place in the world.

2:15:39.360 --> 2:15:42.440
<v Speaker 1>I was our local government is Miami is paid to

2:15:42.480 --> 2:15:44.720
<v Speaker 1>get on probation out here. This is real, This is

2:15:44.800 --> 2:15:48.560
<v Speaker 1>real alferation. But so we noticed, we noticed. We noticed

2:15:48.600 --> 2:15:51.840
<v Speaker 1>back in the day because Luke had so much power here,

2:15:51.920 --> 2:15:57.000
<v Speaker 1>they hated every every move that Luke would make. And

2:15:58.120 --> 2:16:00.600
<v Speaker 1>Luke was also hip hop. He was in everything. Man,

2:16:00.960 --> 2:16:04.160
<v Speaker 1>he's a pioneer and everything. And I said, damn it.

2:16:04.280 --> 2:16:07.080
<v Speaker 1>But Luke, you know, still made changes. He helps sports

2:16:07.160 --> 2:16:09.760
<v Speaker 1>teams out and he's the person to go to and

2:16:09.840 --> 2:16:14.560
<v Speaker 1>get it by. So yeah, but before we get up

2:16:14.560 --> 2:16:18.120
<v Speaker 1>out here, I need I wouldn't keep it sealed, No,

2:16:18.360 --> 2:16:21.400
<v Speaker 1>man open a couple of days. Look, look, I got

2:16:21.480 --> 2:16:23.560
<v Speaker 1>this ship coming out a lot, and I mean, I'm

2:16:23.560 --> 2:16:26.920
<v Speaker 1>not here to sell ship or the place. People's asked

2:16:26.960 --> 2:16:29.360
<v Speaker 1>with the past and shit like that. But this is

2:16:29.440 --> 2:16:31.520
<v Speaker 1>one of my pride. But I got to talk about

2:16:31.560 --> 2:16:34.360
<v Speaker 1>that because that's what I gave y'all. It's my first

2:16:34.640 --> 2:16:38.840
<v Speaker 1>art art book, and yeah, it's my fine arts book.

2:16:38.879 --> 2:16:41.200
<v Speaker 1>And so I ain't got to read. No, you ain't

2:16:41.200 --> 2:16:45.440
<v Speaker 1>got read. Look at the pictures drawing it. I got it.

2:16:45.560 --> 2:16:50.400
<v Speaker 1>Market shit, I'm reading a little bit. Let take it

2:16:50.959 --> 2:16:53.720
<v Speaker 1>a little bit. And and this is, um, I'm just

2:16:53.720 --> 2:16:56.240
<v Speaker 1>passed around. I gotta take this back. That shit is

2:16:56.480 --> 2:16:58.600
<v Speaker 1>have you some motherfucker? Yeah, man, I could throw that

2:16:58.640 --> 2:17:02.640
<v Speaker 1>shit and that hurt somebody. But those are my naphet grovels.

2:17:03.600 --> 2:17:05.840
<v Speaker 1>And what I was able to do we all my

2:17:06.000 --> 2:17:08.960
<v Speaker 1>years and hotel roo especially a prophets arranged is that

2:17:10.400 --> 2:17:14.680
<v Speaker 1>you got a hotel time, hotel time, man downtime. It's

2:17:14.680 --> 2:17:17.480
<v Speaker 1>like and I and and uh, when when my dad

2:17:17.520 --> 2:17:22.320
<v Speaker 1>passed the twenty sixteen, um, I thought that, uh, you know,

2:17:22.520 --> 2:17:26.560
<v Speaker 1>I'm getting back in my full time. My downtown was

2:17:26.680 --> 2:17:29.720
<v Speaker 1>the best therapy in the world. And then um, I

2:17:29.840 --> 2:17:33.640
<v Speaker 1>did Awaska? You did you do drugs at the other

2:17:33.680 --> 2:17:43.119
<v Speaker 1>times I've always wanted to do. DMT is a drug?

2:17:43.959 --> 2:17:48.000
<v Speaker 1>All right. Also listen, listen, I'm educated from the best

2:17:48.080 --> 2:17:50.039
<v Speaker 1>sense say a person you ever having. That's a great

2:17:50.080 --> 2:17:57.040
<v Speaker 1>be real in Cypress Hill. All right. So but um yeah,

2:17:57.280 --> 2:18:00.400
<v Speaker 1>DMT is when when my dad passed, as you know,

2:18:00.560 --> 2:18:02.160
<v Speaker 1>I'm not hearing all that. Oh he's in a better

2:18:02.240 --> 2:18:04.560
<v Speaker 1>place and all that than whatever I said. You know

2:18:04.640 --> 2:18:08.320
<v Speaker 1>what I feel that I need to know where this

2:18:08.480 --> 2:18:12.320
<v Speaker 1>spirit you know, is that? And sure enough my polates

2:18:12.360 --> 2:18:16.680
<v Speaker 1>coach big up to kl she's part of a community.

2:18:17.600 --> 2:18:27.320
<v Speaker 1>Um people who did introduced you to? It was? It was,

2:18:28.920 --> 2:18:33.880
<v Speaker 1>it was going around, right, and then the conversation, the

2:18:34.040 --> 2:18:39.560
<v Speaker 1>conversation was going around. And at the same time, Timmy,

2:18:39.840 --> 2:18:42.840
<v Speaker 1>who's the bass player and raged against the machine. He

2:18:42.959 --> 2:18:46.240
<v Speaker 1>does everything. And Timmy was telling me about, you know,

2:18:46.879 --> 2:18:49.680
<v Speaker 1>his trip but doing DMT and he said, you know,

2:18:49.760 --> 2:18:52.800
<v Speaker 1>like cats do mushrooms. It's like you see, you know,

2:18:53.680 --> 2:18:55.800
<v Speaker 1>elephant and you shake your head. You don't see the

2:18:55.840 --> 2:18:58.920
<v Speaker 1>fucking elephant. He said when he did DMT one time,

2:18:59.400 --> 2:19:01.840
<v Speaker 1>you see the elephant, shake your head. And now, motherfuck yeah,

2:19:01.840 --> 2:19:06.320
<v Speaker 1>I'm the fucking elephant. I'm like, I said, Timmy's coming

2:19:06.360 --> 2:19:09.640
<v Speaker 1>from the greatest rock bass player on the planet where

2:19:09.680 --> 2:19:13.160
<v Speaker 1>he tells a fucking story. His stories is just like

2:19:13.879 --> 2:19:16.800
<v Speaker 1>you lean in so far, it's like what the fuck

2:19:16.840 --> 2:19:19.320
<v Speaker 1>are you a nuts? But you're like wow. So he

2:19:19.440 --> 2:19:22.040
<v Speaker 1>told me this and I was like whatever. And then

2:19:22.120 --> 2:19:27.000
<v Speaker 1>when my polates coach said, she's the part of a community. Remember,

2:19:27.080 --> 2:19:31.560
<v Speaker 1>Iawaska is the sacrament, it's the spiritual sacrament of the

2:19:31.760 --> 2:19:36.800
<v Speaker 1>of the journey. Yeah, so I was like, so anyway,

2:19:37.600 --> 2:19:40.879
<v Speaker 1>I was like, man, you know I'm gonna I'm gonna

2:19:40.920 --> 2:19:43.360
<v Speaker 1>do it. She's gonna cut the shaman. I know it's

2:19:43.360 --> 2:19:46.240
<v Speaker 1>gonna come into my house. My daughter's funny. She's like

2:19:46.360 --> 2:19:52.760
<v Speaker 1>dirty smoke weed first. So I'm like, you know what,

2:19:54.000 --> 2:19:57.879
<v Speaker 1>I need to know where where when my dad's at

2:19:58.080 --> 2:19:59.640
<v Speaker 1>You know what I'm saying, because I feel he's at

2:20:00.120 --> 2:20:03.480
<v Speaker 1>you know what a nobody giving me no answers that

2:20:03.680 --> 2:20:05.920
<v Speaker 1>I need to know right now. I mean, he talked

2:20:05.920 --> 2:20:09.240
<v Speaker 1>to a man fifty five years and all of a sudden, boom,

2:20:09.360 --> 2:20:12.800
<v Speaker 1>the silence. It's like, yeah, you know, and my dad

2:20:12.920 --> 2:20:15.600
<v Speaker 1>like said my dad. My mom is like, people tell

2:20:15.640 --> 2:20:17.560
<v Speaker 1>me about heroes out there. I say, well, everybody's a

2:20:17.600 --> 2:20:20.600
<v Speaker 1>stepped down from them too. It's like good shit. Then

2:20:20.600 --> 2:20:23.600
<v Speaker 1>you know when Cats were saying your chuck your pops, man,

2:20:23.840 --> 2:20:26.080
<v Speaker 1>you know when Cats is a hundred, your your pops

2:20:26.240 --> 2:20:28.320
<v Speaker 1>is a thousand, I'm like you damn right. He's like

2:20:28.800 --> 2:20:32.640
<v Speaker 1>that dude was amazing. So anyway, I'm gonna know where

2:20:32.680 --> 2:20:36.640
<v Speaker 1>his spirit was. So sure enough, the shaman who always

2:20:36.680 --> 2:20:39.560
<v Speaker 1>go back and forth to Peru. Remember it's like pug, yeah,

2:20:42.320 --> 2:20:44.640
<v Speaker 1>there you go, there you go, and he already knows

2:20:44.680 --> 2:20:48.240
<v Speaker 1>to travel. So she came into the crib and I

2:20:48.400 --> 2:20:51.800
<v Speaker 1>felt when it was administered through chocolate, it's illegal in

2:20:51.840 --> 2:20:54.560
<v Speaker 1>the country and all. But at the same time, you know,

2:20:54.640 --> 2:20:56.600
<v Speaker 1>you're going through enzymes, you're going through all kinds of

2:20:56.680 --> 2:20:58.840
<v Speaker 1>training and the padding of the chest. I was as

2:20:58.879 --> 2:21:01.720
<v Speaker 1>funny as a motherfucker, you know. The room started defending

2:21:01.800 --> 2:21:05.280
<v Speaker 1>all that. But I felt, for a split second I

2:21:05.440 --> 2:21:08.560
<v Speaker 1>had this communication. I was good. It was like, fine,

2:21:09.280 --> 2:21:11.480
<v Speaker 1>I'd have to do it twice. I felt for a

2:21:11.560 --> 2:21:15.280
<v Speaker 1>split second I was communicating with your father. Yeah, man,

2:21:15.360 --> 2:21:17.120
<v Speaker 1>for real, I mean like like like and it was

2:21:17.200 --> 2:21:21.480
<v Speaker 1>like kind of like three quarters through. So so let

2:21:21.600 --> 2:21:23.840
<v Speaker 1>let listen. A year later, I know this is just

2:21:23.840 --> 2:21:28.160
<v Speaker 1>a short sorry. A year later, I was like, you know,

2:21:28.879 --> 2:21:32.360
<v Speaker 1>I did it, already got my answer. But a community came.

2:21:33.959 --> 2:21:35.879
<v Speaker 1>It's like, well, you want to come to the community,

2:21:36.000 --> 2:21:39.120
<v Speaker 1>to to my house, you know, and and actually you know,

2:21:39.600 --> 2:21:43.040
<v Speaker 1>revisited with a community and see, like I don't know.

2:21:43.120 --> 2:21:45.400
<v Speaker 1>I was like, I got my answer, you know, I

2:21:45.440 --> 2:21:47.960
<v Speaker 1>ain't got to do I watch it again. But then

2:21:48.000 --> 2:21:52.920
<v Speaker 1>I said, okay, cool, I'm gonna try something. Well, I

2:21:52.959 --> 2:21:56.440
<v Speaker 1>went to the community, I mean too a house. About

2:21:56.480 --> 2:22:02.400
<v Speaker 1>ten to fifteen people were there, seem shaman, and I

2:22:02.560 --> 2:22:04.360
<v Speaker 1>was sitting there. I was like, okay, okay, all right,

2:22:04.400 --> 2:22:07.000
<v Speaker 1>we got a group of people, so I asked her.

2:22:07.040 --> 2:22:10.360
<v Speaker 1>I said, give me a ream of paper, a bunch

2:22:10.400 --> 2:22:15.120
<v Speaker 1>of markets. So I sat in one spot in her

2:22:15.200 --> 2:22:19.640
<v Speaker 1>living room. And then of course our wasaka was administered

2:22:19.760 --> 2:22:24.000
<v Speaker 1>and the sacrament and all that, and sure enough, yo,

2:22:24.840 --> 2:22:30.959
<v Speaker 1>I went through eighty five illustrations right in four hours.

2:22:32.040 --> 2:22:35.240
<v Speaker 1>But the crazy thing was, right, I was drawing shit

2:22:35.320 --> 2:22:39.640
<v Speaker 1>out of every wrap you know, computed memory ship, and

2:22:40.120 --> 2:22:43.960
<v Speaker 1>I was drawing with a style that you know when

2:22:44.000 --> 2:22:46.000
<v Speaker 1>you draw a paint or whatever. A lot of people

2:22:46.040 --> 2:22:48.920
<v Speaker 1>do the exterior and then they go in. This ship.

2:22:49.080 --> 2:22:52.800
<v Speaker 1>Was the energy on informed the exterior. So I was

2:22:52.879 --> 2:22:54.840
<v Speaker 1>going like this and not even looking down at it. Right.

2:22:55.600 --> 2:22:58.240
<v Speaker 1>So the thing is when I stopped doing it, but

2:22:58.400 --> 2:23:00.480
<v Speaker 1>then the room started to bend and shit like that.

2:23:00.640 --> 2:23:03.400
<v Speaker 1>Right when I started again, the room as clear as

2:23:03.400 --> 2:23:06.040
<v Speaker 1>I'm speaking to y'all right now, so I'm gonna just

2:23:06.360 --> 2:23:09.840
<v Speaker 1>eighty five illustrations, right, came up out of that ship.

2:23:10.640 --> 2:23:17.920
<v Speaker 1>So after you know, you descended, I'm like, cool, but

2:23:18.200 --> 2:23:23.280
<v Speaker 1>my hands were doing this. Now. Remember I told you

2:23:23.360 --> 2:23:26.320
<v Speaker 1>earlier I believe everything and nothing to fuck at all.

2:23:27.240 --> 2:23:29.920
<v Speaker 1>Some things ain't meant for us to process and understand

2:23:29.959 --> 2:23:33.360
<v Speaker 1>why and what. I got my answer the first time

2:23:33.680 --> 2:23:36.320
<v Speaker 1>and the second time I said, well, it doesn't mean like, okay,

2:23:36.480 --> 2:23:39.760
<v Speaker 1>I need to get ideas to fucking go and do

2:23:40.680 --> 2:23:42.600
<v Speaker 1>high washker So I could go into that zone and

2:23:42.640 --> 2:23:44.920
<v Speaker 1>get idea and I don't need that. Well, I was told,

2:23:45.080 --> 2:23:46.840
<v Speaker 1>is that because I am my artists and this is

2:23:46.840 --> 2:23:49.080
<v Speaker 1>an important thing for artists, and this is why we're

2:23:49.120 --> 2:23:50.800
<v Speaker 1>in the war of art instead of all the war.

2:23:51.640 --> 2:23:55.240
<v Speaker 1>We already have the ability to go and descend and

2:23:55.320 --> 2:23:59.320
<v Speaker 1>descend inside ourselves on an elevator of creativity. We're pregnant

2:23:59.360 --> 2:24:02.840
<v Speaker 1>with ideas. Everybody has art in them, not everybody can

2:24:02.920 --> 2:24:05.760
<v Speaker 1>get art out of them. So it's a real opportunity

2:24:05.800 --> 2:24:08.720
<v Speaker 1>when you have people create. And I'm gonna creative furnace.

2:24:09.280 --> 2:24:13.000
<v Speaker 1>Ever since that time, I've done thirty thousand illustrations. Yeah,

2:24:13.040 --> 2:24:15.000
<v Speaker 1>I got Downtown. What the fuck else I'm gonna do?

2:24:15.000 --> 2:24:17.000
<v Speaker 1>Bom bom boom by. I'm very fast because I worked

2:24:17.040 --> 2:24:21.879
<v Speaker 1>at courtyards. Um not court, your courtroom speed and courtroom speeds.

2:24:21.920 --> 2:24:24.680
<v Speaker 1>Back in the day, you have an illustrator and and

2:24:24.840 --> 2:24:26.840
<v Speaker 1>fucking I gotta do this ship and get to the

2:24:26.920 --> 2:24:28.800
<v Speaker 1>news station. Well, now you know, cats can do their

2:24:28.800 --> 2:24:31.840
<v Speaker 1>shape and fucking email or zippet to somebody. But back

2:24:31.920 --> 2:24:35.080
<v Speaker 1>then cats used to have the boom, go in the courtroom,

2:24:35.440 --> 2:24:38.560
<v Speaker 1>sketch out the courtroom, and get to the fucking courier,

2:24:38.920 --> 2:24:41.280
<v Speaker 1>get that ship to the TV station, get that shit

2:24:41.400 --> 2:24:43.480
<v Speaker 1>in there at six twenty and shit like that. So

2:24:43.600 --> 2:24:46.560
<v Speaker 1>you have to be a fast illustrator. So that's what

2:24:46.760 --> 2:24:49.400
<v Speaker 1>these these books have come out. And these are early

2:24:49.520 --> 2:24:52.400
<v Speaker 1>works where where you know, and I didn't mean to

2:24:52.440 --> 2:24:53.840
<v Speaker 1>cut you off before, I just wanted to get to it.

2:24:53.959 --> 2:24:57.039
<v Speaker 1>Just as a matter, I've always been asked, oh man,

2:24:57.120 --> 2:25:01.160
<v Speaker 1>how could I get this? Because social media really allowed

2:25:01.280 --> 2:25:03.440
<v Speaker 1>out to come out. Back in the day, if somebody

2:25:03.520 --> 2:25:05.640
<v Speaker 1>was an artist, you'd be like like, yo, man, come

2:25:05.680 --> 2:25:09.040
<v Speaker 1>to my gallery. Yeah yeah, I like going to the

2:25:09.200 --> 2:25:12.000
<v Speaker 1>art show. The social media is like, go, I'm gonna

2:25:12.040 --> 2:25:14.720
<v Speaker 1>put some ship up. Damn wow. And then that shit

2:25:14.840 --> 2:25:16.360
<v Speaker 1>led to like, well how could I get this ship?

2:25:16.440 --> 2:25:18.880
<v Speaker 1>Do you? Prince? I know? Not just put download this shit.

2:25:18.920 --> 2:25:22.000
<v Speaker 1>I don't do, and it just got bigger and bigger

2:25:22.160 --> 2:25:25.040
<v Speaker 1>and bigger, and then people like, why don't you do books?

2:25:25.080 --> 2:25:27.800
<v Speaker 1>Come on do books and pop up and that's how

2:25:27.920 --> 2:25:29.920
<v Speaker 1>that led to that. I mean, so everything in this

2:25:30.080 --> 2:25:33.680
<v Speaker 1>business I never sought out to do, from the Deaf

2:25:33.800 --> 2:25:36.840
<v Speaker 1>Championship to the Prophets of Rage to art books, they

2:25:37.080 --> 2:25:39.680
<v Speaker 1>always been a demand that dragged me in it. The

2:25:39.800 --> 2:25:42.800
<v Speaker 1>shit I like to do is unattractive ship, you know,

2:25:43.080 --> 2:25:45.240
<v Speaker 1>the ship that people wind up wanting me to do.

2:25:45.400 --> 2:25:47.959
<v Speaker 1>It's the ship that that like, oh man, we will

2:25:48.040 --> 2:25:50.320
<v Speaker 1>make that shit something. It would have been crazy that

2:25:50.760 --> 2:25:53.160
<v Speaker 1>if people to put Awak on his list, you know,

2:25:55.640 --> 2:25:58.600
<v Speaker 1>because a writer like that's the most the most famous,

2:25:58.879 --> 2:26:01.960
<v Speaker 1>um my most part of the show is when I asked,

2:26:02.280 --> 2:26:03.959
<v Speaker 1>you know, the artists, what do they want to drink?

2:26:04.040 --> 2:26:06.120
<v Speaker 1>What do they want to have? And like like on

2:26:06.240 --> 2:26:10.680
<v Speaker 1>the list, if if you would have put out and

2:26:10.720 --> 2:26:14.959
<v Speaker 1>we watch a certain you got to bring the shot man, yea,

2:26:15.080 --> 2:26:20.600
<v Speaker 1>we remember, you know. And and and every ritue, you

2:26:20.640 --> 2:26:23.200
<v Speaker 1>guys have a ritual where it takes you. It takes

2:26:23.240 --> 2:26:25.040
<v Speaker 1>you to the place that any result, it's like you're

2:26:25.080 --> 2:26:27.600
<v Speaker 1>having a good time, you open up. You know. I

2:26:27.760 --> 2:26:30.800
<v Speaker 1>had never been a person and you know where we

2:26:30.879 --> 2:26:33.840
<v Speaker 1>come from. We're like listen, man, I mean, anybody could

2:26:33.879 --> 2:26:38.760
<v Speaker 1>do anything. The crack epidemic was a problem because I

2:26:38.840 --> 2:26:41.240
<v Speaker 1>mean there's a lot of problems with addiction on drugs

2:26:41.280 --> 2:26:43.440
<v Speaker 1>that are forcing in the neighborhood. Because like back in

2:26:43.520 --> 2:26:47.520
<v Speaker 1>the day Boom, we remember, we're doing We're doing parties

2:26:47.520 --> 2:26:49.520
<v Speaker 1>and shit like that. Man. I mean, come on, man,

2:26:49.560 --> 2:26:52.960
<v Speaker 1>we were up there rocking clubs. Man, I mean to

2:26:53.280 --> 2:26:55.040
<v Speaker 1>five in the morning, and you think it's like a

2:26:55.200 --> 2:26:58.040
<v Speaker 1>music and cass ain't blinking and ship They're like yo,

2:26:58.240 --> 2:27:00.480
<v Speaker 1>keep going. He's like, it's like yo, you think it's

2:27:00.520 --> 2:27:03.480
<v Speaker 1>like yo, man, we roasted this fucking place right class,

2:27:03.720 --> 2:27:07.720
<v Speaker 1>Like yo, man, It's like I got blinking that shit again.

2:27:10.040 --> 2:27:15.120
<v Speaker 1>So it was the politics of the game. It's fucking

2:27:15.160 --> 2:27:18.120
<v Speaker 1>people up. It's like yeah, now damn yo, I don't

2:27:18.160 --> 2:27:21.080
<v Speaker 1>give a fuck if you smoking wear in a cornfield.

2:27:21.440 --> 2:27:24.640
<v Speaker 1>Now you're gonna bust my window, fuck my ship up,

2:27:24.680 --> 2:27:27.240
<v Speaker 1>and steal my ship to keep your ship going. That's

2:27:27.280 --> 2:27:30.920
<v Speaker 1>the problem I have with that. Or Betty up, you're

2:27:30.920 --> 2:27:33.800
<v Speaker 1>gonna come into our gig. You're gonna wear fucking dukie

2:27:33.840 --> 2:27:36.920
<v Speaker 1>ship to get robbed and break up the fucking party.

2:27:37.160 --> 2:27:39.400
<v Speaker 1>We used to tell people no goal. You can't win

2:27:39.520 --> 2:27:42.560
<v Speaker 1>no goal in this party. Ken fucking just like yo,

2:27:42.600 --> 2:27:46.080
<v Speaker 1>I walk. I worked that fucking Walmart fucking all year

2:27:46.160 --> 2:27:48.240
<v Speaker 1>to get this gold chain and coming there with my

2:27:48.520 --> 2:27:52.560
<v Speaker 1>my pretty girl. I'm like, dude, don't do that with

2:27:52.720 --> 2:27:55.920
<v Speaker 1>this ship right here. Pick this shit and we say

2:27:56.000 --> 2:27:58.040
<v Speaker 1>leave your ship in the car. Every once in a

2:27:58.080 --> 2:28:01.720
<v Speaker 1>while you get some asshole man ship enough yeah, right,

2:28:02.360 --> 2:28:04.560
<v Speaker 1>and then you don't talk around. You gonna look at

2:28:04.720 --> 2:28:06.920
<v Speaker 1>six cats and you want to take him on. This

2:28:07.080 --> 2:28:09.480
<v Speaker 1>party is ending. Man, we can't have that. So we

2:28:09.680 --> 2:28:14.400
<v Speaker 1>so public enemy did practical shit. Take to go, Take

2:28:14.440 --> 2:28:18.359
<v Speaker 1>to go. Don't wear the goal because you can't protect

2:28:18.440 --> 2:28:21.920
<v Speaker 1>a goal. It's like you won, cat man. This cat's

2:28:22.000 --> 2:28:25.240
<v Speaker 1>looking at you like like a take on a planet

2:28:26.080 --> 2:28:30.400
<v Speaker 1>like my man to wear my chain? OK, I don't know.

2:28:30.600 --> 2:28:42.840
<v Speaker 1>They wrapping me up talking to the listening. Hold on,

2:28:44.640 --> 2:28:49.600
<v Speaker 1>I've ever done this group. I gotta give you a hug, man, man,

2:28:50.080 --> 2:28:52.640
<v Speaker 1>Thank you so much. Man. I really appreciate I really

2:28:53.000 --> 2:28:55.520
<v Speaker 1>you have no idea how much you mean to the community.

2:28:55.560 --> 2:28:57.879
<v Speaker 1>And we're gonna always support you. And I definitely want

2:28:57.920 --> 2:29:04.080
<v Speaker 1>my order to forget that. Drink Champs is a drink

2:29:04.160 --> 2:29:09.240
<v Speaker 1>Champs LLC production and association with Interval Presents, hosts and

2:29:09.400 --> 2:29:12.840
<v Speaker 1>executive producers n O r E and dj e FN

2:29:13.760 --> 2:29:18.320
<v Speaker 1>from Interval Presents Executive producers Alan Coy and Jake Kleinberg.

2:29:19.000 --> 2:29:24.160
<v Speaker 1>Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify, Stitcher,

2:29:24.400 --> 2:29:28.600
<v Speaker 1>or wherever you get your podcasts. Thanks for joining us

2:29:28.640 --> 2:29:31.240
<v Speaker 1>for another episode of Drink Champs hosted by Yours Truly,

2:29:31.400 --> 2:29:34.080
<v Speaker 1>dj e F and n O r E. Please make

2:29:34.120 --> 2:29:36.360
<v Speaker 1>sure to follow us on all our socials. Let's at

2:29:36.440 --> 2:29:40.119
<v Speaker 1>drink Champs across all platforms at the Real Noriagon, ig

2:29:40.840 --> 2:29:44.000
<v Speaker 1>at Noriagon on Twitter, mine is at Who's Crazy on

2:29:44.120 --> 2:29:48.040
<v Speaker 1>ig at dj e FN on Twitter, and most importantly,

2:29:48.040 --> 2:29:50.800
<v Speaker 1>stay up to date with the latest releases, news, and

2:29:51.000 --> 2:29:53.360
<v Speaker 1>merch by going to drink Champs dot com