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Speaker 1: I am all in. That's just you. I am all

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Speaker 1: in with Scott Patterson and I Hurt Radio podcast that

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Speaker 1: afternoon every Scot Patterson, welcome to the show. We've got

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Speaker 1: a rollicking affair looking we're looking forward to God. I

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Speaker 1: didn't think this is actually happening. What is wrong with you, sir?

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Speaker 1: I thought that was great, it was good. I thought

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Speaker 1: maybe you were going to be the new Dodgers announcer

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Speaker 1: respective and Scully respective and oh yeah, I pn Scully

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Speaker 1: speaking up. Since we're live today, can we just take

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Speaker 1: a second. I like cried when I heard about Olivia Amy.

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Speaker 1: I was going to text you what happened to Oliba?

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Speaker 1: And John? Oh Jesus, snow way, isn't that? It's such sad?

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Speaker 1: Was she was? She sick? I didn't, Well, she's had

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Speaker 1: breast cancer off and that's that's yeah, that's two icon,

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Speaker 1: two icons gone like that. It's so sad. And normally

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Speaker 1: for people that are listening, we normally tape the show

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Speaker 1: like a day in advance, but today we're literally taping

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Speaker 1: it and you're hearing it, so it's all in real time.

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Speaker 1: Oh my goodness, studded me. I had tears when we

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Speaker 1: logged in. Yeah, so boy, condolences to the Scullies and

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Speaker 1: the Olivia Newton John family that she's a daughter. I

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Speaker 1: think we shot. I think we shot some beach stuff

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Speaker 1: at her old house. Actually, I think that we were

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Speaker 1: in Olivia Newton John's old house or house. Yes, when

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Speaker 1: we went to the beach, remember, and it was it

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Speaker 1: was meeting Logan and we had lobster. And I think

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Speaker 1: that will not what you're talking about, but Tara and

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Speaker 1: I do it. Maybe I may be off on this,

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Speaker 1: but I kept hearing Olivia John's house. That makes sense.

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Speaker 1: We have a good I was hoping there was like

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Speaker 1: a grease reference or something in this episode, because there

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Speaker 1: are so many grease references. I wouldn't have been so

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Speaker 1: upbeaten wifty in how would you know? I mean, it

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Speaker 1: just happened. I'm so sorry about that. Well, anyway that

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Speaker 1: I know, I like love herself. Well, she was just

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Speaker 1: such a you know, just a sweet one. Oh boy,

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Speaker 1: that's young this day and age, that's young. I know.

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Speaker 1: It's anyway, condolences to everybody who's our huge, huge living

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Speaker 1: John fans. I know, and it does seem fitting for

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Speaker 1: us because I'm sure there's been Grease references multiple times.

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Speaker 1: You Gilmore girl, Yeah, there has been. This episode is

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Speaker 1: dedicated to both of them. How about that? Okay? Good?

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Speaker 1: I like that good good. So this this episode is

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Speaker 1: dedicated to the voice of the Dodgers for over fifty years.

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Speaker 1: Now buying right fetal number nine Hatcher. I like to

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Speaker 1: ask you a question about this episode, but I don't

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Speaker 1: want you to take it the wrong way. I guess

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Speaker 1: I'll just should I ask it now. I already know

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Speaker 1: what you're gonna ask. Do you tell me? No, you

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Speaker 1: tell me, you ask and all confirm or deny? Okay,

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Speaker 1: two things. What is it called our what do we

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Speaker 1: call it our nitpicking? Let me just tell you right

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Speaker 1: off the top here we are going to the bone yard.

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Speaker 1: I have a bone this week, but save that. But

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Speaker 1: here's my questions. It's your bone hard hats on because

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Speaker 1: we're gonna be there, there's gonna be falling bones. Did

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Speaker 1: you have an injured foot or ankle? I thought you

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Speaker 1: were limping in the scene, So this is what I'm saying.

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Speaker 1: It's so weird in the scene where you and Lorla

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Speaker 1: are walking in the town town, I don't you're talking

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Speaker 1: about if Jess is cutting school or not in houses.

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Speaker 1: That's my jersey strut. That's a strut. Did you wait

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Speaker 1: a minute, you're talking about after the PO meeting. Yeah,

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Speaker 1: that's the jersey strut in the leather checket. That's not

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Speaker 1: bad bad leg? What's wrong with you? Don't you know?

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Speaker 1: What a cake thing? First of all, I meet my angle.

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Speaker 1: This is making my nose. I hate this angle makes

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Speaker 1: my nose like weird. Though it was like limping. Did

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Speaker 1: nobody else think that that's the jersey strut? That's how

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Speaker 1: I used to walk? Yeah, I mean it was. I

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Speaker 1: did think there's some wrong with my leg. Oh my god,

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Speaker 1: that's funny. I will say Luke had a different vibe

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Speaker 1: this episode that I thoroughly enjoyed it the whole episode,

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Speaker 1: even in the diner. Well, no, when the diner, I

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Speaker 1: had to have you did not have had at the

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Speaker 1: podn't have the hat? He had it when when he

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Speaker 1: went to the Walmart, right and he had it? Oh

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Speaker 1: yeah you did? At the got to clean up the

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Speaker 1: act for Nicole. She was at the PO things Boon

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Speaker 1: Nicle boon where we're saving our bones to pick our bones.

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Speaker 1: But I will say one more thing before we start.

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Speaker 1: This was the first episode where it was really really

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Speaker 1: hard for me to not keep going. I don't know why,

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Speaker 1: but I had to force myself, like you have to.

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Speaker 1: I wanted to go a whole another episode. I'm like, no,

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Speaker 1: that's not how we're doing this. We're not supposed to

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Speaker 1: do that. Oh this was I needed. I really wanted

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Speaker 1: to roll right into the next one, really because of

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Speaker 1: the Yale thing in the heart. I love the whole episode,

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Speaker 1: and also the like we'll get to it, but like

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Speaker 1: the sleepover, are you hidding me? Like that's just the

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Speaker 1: cutest thing ever. She told you about the dream, which

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Speaker 1: is such a great callback because it was like, dream

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Speaker 1: was so significant, but she said, I'm not a dream

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Speaker 1: slet of course it was okay, okay, So anyway, we'll

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Speaker 1: start from the top. You start from the top. Who's

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Speaker 1: gonna take us away? Who's gonna who's gonna who's synopsizing

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Speaker 1: the synopsize? Alright, guys, this is season three, episode seventeen,

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Speaker 1: A Tale of Pose and Fire. Air date April fifteen,

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Speaker 1: two thousand three. Amy is bright red because here's what

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Speaker 1: I want to say. It's like, you know, like we're

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Speaker 1: having a busy day. Everyone's busy, and I hope people

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Speaker 1: listening have the same experience. The minute we start, I'm like,

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Speaker 1: oh my god, I freaking love this. Yeah, you have

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Speaker 1: no idea. There are Canadians at this very moment trying

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Speaker 1: to break into my apartment to shove swamps up my nose.

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Speaker 1: I am not allowing them in. I've told them their

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Speaker 1: window is closed. I podcasting, stop texting me. Literally, It's like,

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Speaker 1: you didn't get the COVID test today. Sorry, you know.

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Speaker 1: And I'm a team player and I don't want you know.

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Speaker 1: I want to know and I want them to feel good.

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Speaker 1: Two or I had three COVID tests last week, Daniel

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Speaker 1: had to. Yeah, I had five every day, every single

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Speaker 1: day you're on set. You know who wasn't COVID tested.

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Speaker 1: The Post Society a good segue, right, guys. Everybody the

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Speaker 1: Post Society is visiting Stars Hollow, but the fire at

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Speaker 1: the end distrusts their stay, and the whole town pitches

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Speaker 1: in to help the guess Lord Line Rory make a

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Speaker 1: pro slash con list of Yale, Princeton, and Harvard, and

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Speaker 1: Rory comes to decision on what school she chooses. Meanwhile, jessvit. Meanwhile,

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Speaker 1: Jess Win's employee of the month at Walmart, but Luke

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Speaker 1: questions his hours he's putting in at both jobs. Wait,

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Speaker 1: right from the start, are you pro con pro list people? Yes? Oh, sure,

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Speaker 1: you got to do that. That's basic. You have to

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Speaker 1: do that. I go with my gut. That's why, that's

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Speaker 1: how I make decisions. So fast do you do? Do

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Speaker 1: you at least do a pro con list or whether

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Speaker 1: you should do a pro con list the pros and

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Speaker 1: concept doing the lesson? Then you said not to do it.

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Speaker 1: I think Luke was anti the pro con pro list.

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Speaker 1: Is it a pro con pro or just pro dude?

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Speaker 1: Do you guys want to know? I can't even tell

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Speaker 1: you why. I just called it a pro con pro list.

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Speaker 1: It has to do with a secret thing in my sorority.

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Speaker 1: And literally, I'm sure I'm not allowed to talk about it.

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Speaker 1: All the Kappa Kappa Gammas are yelling through their headphones

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Speaker 1: right now. That's so weird. And I'll just say this

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Speaker 1: that in the sorority we called it a pro con

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Speaker 1: pro list. That's what I called it. No one listening cares.

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Speaker 1: I also save your emails that you don't care. I

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Speaker 1: get it. You don't say about my own personal life. Okay,

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Speaker 1: so you all are pro con? What type of pro

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Speaker 1: con list is the last one you did? Scott? Did

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Speaker 1: you want do one? To go to do this show

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Speaker 1: over several days as a matter of fact, and consulting

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Speaker 1: with multiple parties? And do you actually write it down? Yes?

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Speaker 1: I actually write it down, Oh my gosh, and I

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Speaker 1: refine it and I revised it. Oh yeah. And then

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Speaker 1: do you literally like count up your number? You got

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Speaker 1: a number it? I mean this this one is this

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Speaker 1: said fifty plus on each side? Now we did Gilmore girls,

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Speaker 1: did you do a pro con? And there was no cons?

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Speaker 1: Hell no, there was no cons. I just like I

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Speaker 1: was happy to have job, all pros. Yeah, not even

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Speaker 1: a last It was like, yeah, what's the last pro

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Speaker 1: calm list you guys did? Daniel Tara, I'm trying to think,

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Speaker 1: I mean as dumb as vacations, like what's the pro

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Speaker 1: class in this place versus this place? But you gotta

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Speaker 1: do you know what I mean? You got funny sunny

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Speaker 1: rain over here and you got life. You know you

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Speaker 1: got a pro colin did you do did you already

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Speaker 1: do it for Christmas? Did you do it? Did you decide? Guys?

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Speaker 1: Did you decide where are you going on vacation, Danielle

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Speaker 1: for Christmas? For Christmas? I don't know about Christmas yet.

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Speaker 1: I thought you were like proct I was like, I

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Speaker 1: think it's nice and naughty. What what's the last one

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Speaker 1: you did it? For this job? I think I think

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Speaker 1: it was this job because I left, I heard and

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Speaker 1: then I came back. But I will say it was

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Speaker 1: the easiest pro any number one pro number two I

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Speaker 1: was you put Scott on there. You're like, I get

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Speaker 1: to be on the Gilmore Girls podcast. Yeah, okay, well,

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Speaker 1: I guess we'll kind of go out of order because

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Speaker 1: it's impossible to talk about the pro con list without

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Speaker 1: the big reveal that Rory's going to Yale. Did anyone

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Speaker 1: else cry at the end of this because I was

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Speaker 1: so big the fire not at all did this. I'm sorry,

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Speaker 1: but this this episode just irritated me as much as

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Speaker 1: it delighted me. Okay, okay, you staved in there, talk

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Speaker 1: about it, tell us everything. I just I don't think

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Speaker 1: it really got started until they were set up in

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Speaker 1: Miss Patty's taking reservations, and then I agree with you,

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Speaker 1: and then it's like, what was all this stuff that

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Speaker 1: happened before it? Was completely unnecessary, and I didn't really

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Speaker 1: get a laugh out of it until into they started

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Speaker 1: Michelle doing it funny stuff this in Miss Patties. Yeah,

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Speaker 1: I agree with you. I hadn't watch it twice because

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Speaker 1: I forgot. I forgot what happened and I can't. I

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Speaker 1: can't even tell you what happened in the first half.

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Speaker 1: I knew there was a fire, so funny because so

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Speaker 1: I loved the scene with the eye rolls like Lindsay

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Speaker 1: eye rolling. Yeah, that was before you guys, that was

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Speaker 1: so signal. I mean the first the first episode was

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Speaker 1: the pro con list. I mean the first scene, So

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Speaker 1: you guys didn't really feel it hitted stride until I mean,

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Speaker 1: I will admit that that scene with Michelle Amy. Do

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Speaker 1: you think it's because we've seen it so many times

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Speaker 1: and we were just like along for the ride. I

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Speaker 1: felt that it was. I just thought it was off.

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Speaker 1: I mean, for a Daniel Palladino episode. I was expecting

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Speaker 1: fireworks right out of the gate and I wasn't getting them,

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Speaker 1: and I just thought the pace of it was off. Listen,

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Speaker 1: that show has to be. It's it's like a fine

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Speaker 1: tuned engine. There are so many elements involved in making

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Speaker 1: that show great that if one or two are off,

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Speaker 1: it just doesn't work for me. And I get what.

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Speaker 1: I just didn't think it was. I wasn't with it

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Speaker 1: for the first I guess half hour. God yause, I

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Speaker 1: loved it the whole time through. I find this episode

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Speaker 1: super enjoyed the Yannick laughs. Oh you know, the Yanni

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Speaker 1: had a great episode, and so when he started making

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Speaker 1: me laugh and I was like, okay, now I'm off

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Speaker 1: to the races. You know what, I think You're right?

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Speaker 1: Do you think it's it's one of his best because

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Speaker 1: when he's on the phone to the Chessire and you

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Speaker 1: think he's calling for the rooms and he says, do

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Speaker 1: you have any openings? I mean I'll be what do

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Speaker 1: you say? I'm an ex employee of the fire Oh

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Speaker 1: so great? He was amazing. Yeah, I mean, Kirk didn't

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Speaker 1: do it for me in this episode, and he always

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Speaker 1: slays me, and I just thought, this is you know, okay,

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Speaker 1: I agree that the shirt bit was dumb until the

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Speaker 1: very and they were wearing it well that too, all

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Speaker 1: the burned out the guests and then the shirt that

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Speaker 1: says Rory is going to Yale. So I thought, oh god,

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Speaker 1: you know what, what a way to let me make

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Speaker 1: an observation. And this occurred to me before we're coming

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Speaker 1: onto the podcast. Um, I had a realization that I

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Speaker 1: really like spending time with Rory. I always enjoy it

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Speaker 1: and I never get sick of it because she's not animated.

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Speaker 1: She's chill. That is so true. And I like spending

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Speaker 1: time with Unique because he's never animated unless he's really

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Speaker 1: piste off. He's kind of chill and draw and I

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Speaker 1: love the delivery, so for me it seems more real.

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Speaker 1: May I say observation there and even correct. Yeah, And

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Speaker 1: I don't like Luke when he's animated because I don't

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Speaker 1: think that's where he lives, you know, and it's right so,

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Speaker 1: but I just like the more chill character and the

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Speaker 1: people that were grading on me in this episode with

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Speaker 1: the animated characters, the people that are always animated. The

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Speaker 1: sukis the Laurealize, the lanes every you know, the energy

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Speaker 1: is through the roof, and I think I like the

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Speaker 1: contrast that that provides, and I think it's necessary when

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Speaker 1: it's a balanced episode, when the writing is superior, when

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Speaker 1: everything's working, I think that can work. But when it's off,

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Speaker 1: I really notice the chill versus the animation. It doesn't

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Speaker 1: only part I disagrees. I don't think Laurel I is

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Speaker 1: ever too animated, but you're right, Bad Bets animated. Oh no,

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Speaker 1: she's animated a lot. I have to like think of

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Speaker 1: that when I'm watching, because for me, she's so sarcastic

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Speaker 1: and it's like such wit. But you're probably right. But

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Speaker 1: you're right, Kirk's animated Bad Bette Miss Patty Lane to

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Speaker 1: some extent. Oh, she's always a popping through the roof

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Speaker 1: lane with the energy. It's always it's always this explosive,

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Speaker 1: breathless kind of stuff. And I'm just like, can we

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Speaker 1: just get back to Rory please? She's so cool, you know.

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Speaker 1: So she's so cool, and everybody's just flipping out all

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Speaker 1: the place. Well even even when you know, we know

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Speaker 1: she's picking Yale Laura, I knows, and then you get

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Speaker 1: that reveal at the end, even her smile is chill, Yeah,

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Speaker 1: and it makes it that much just the fact that

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Speaker 1: you got that smile. You're like, oh my god, she's

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Speaker 1: totally going to eat. And I'm not saying that I

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Speaker 1: think the show would have been better had everybody been chilled,

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Speaker 1: because it wouldn't have you need you need the animated

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Speaker 1: characters because that gives it its its energy. Is animated.

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Speaker 1: Paris is nuts, right right? And what a what a

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Speaker 1: horrible friend? She claims to be, Well, do you yet,

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Speaker 1: I know you got in? You have that Harvard glow?

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Speaker 1: And then she says, yes, I got in. She just

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Speaker 1: looks at the TV. I mean, what kind of is

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Speaker 1: such a good friend to be kind of a crap friend?

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Speaker 1: Is Rory allowing to just sort of dump on her

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Speaker 1: all the time? I don't I didn't get the scene.

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Speaker 1: Why is she there? Why is she? And I think

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Speaker 1: she knows that Paris doesn't have anyone, And I think

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Speaker 1: Rory is that girl who's going to be by someone's side.

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Speaker 1: At her core, she knows Paris is good. Yeah, she's

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Speaker 1: just good. The outwardness of Paris is so Rory. Rory

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Speaker 1: is so strong that she can take that, and it does.

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Speaker 1: She doesn't take it personally, and she just wants to

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Speaker 1: be there in service to Paris, to help her. That's

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Speaker 1: what you're saying. That's seventeen years old. At your age,

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Speaker 1: you you, I don't know, you're that's important to be

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Speaker 1: there for your friends. I feel like, I'm not saying

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Speaker 1: it's right, but I feel like Paris saying you got

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Speaker 1: that Harvard glow was the compliment. Yeah, that she was

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Speaker 1: like congratulations without saying congratulations because her ego so bruised.

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Speaker 1: That's a good that's a good point. Yeah. I think

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Speaker 1: my take on Paris and Rory is that Rory likes

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Speaker 1: the real Paris, the authentic Paris, the Paris that comes

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Speaker 1: to her to talk about Jamie and what happened, the

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Speaker 1: Paris that was crying on her shoulder in that episode.

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Speaker 1: And I think Rory just likes that person, that she

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Speaker 1: tolerates that sort of annoying person, and she knows that

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Speaker 1: this was all building up to Harvard. So like, you know,

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Speaker 1: all of Paris's aggression, everything that happened throughout school was

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Speaker 1: because she wants to get into Harvard, and Rory was

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Speaker 1: her competition. I just think Paris is the kind of

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Speaker 1: a psychopathic personality that when she takes power, Rory will

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Speaker 1: be the first one executed, because you know, she reminds you,

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Speaker 1: remind me of the side of myself that I cannot

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Speaker 1: reveal to mykey. I don't think so, because I do.

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Speaker 1: I think she's a monster. But but she's only like

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Speaker 1: the other girls didn't even noticed that Paris wasn't in

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Speaker 1: class for a week, and Rory is the only one

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Speaker 1: that notice. And even at the end, you see she

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Speaker 1: looks over at the notes that Rory brought back from

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Speaker 1: school and she's like, oh, she actually cared that I'm

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Speaker 1: missing my homework. So I think I think she has

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Speaker 1: this like tough exterior and or like Scott said, she's

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Speaker 1: got has a psychotic X. Yeah, yeah, I laughing. The

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Speaker 1: one thing I did like was the voice mail, not

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Speaker 1: the voice mail, but the recording of her interview. I

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Speaker 1: was like, oh, geez, you didn't get it so unhinged.

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Speaker 1: I was like, you said, please, that's nice. That was

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Speaker 1: so crazy, but yet like not that crazy for parents. Okay, okay, okay,

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Speaker 1: so let's go sort of through this. I did think

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Speaker 1: that the very first scene when they're in the diner

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Speaker 1: and Luke comes over and does the hug so long,

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Speaker 1: I'm not gonna hug now. Didn't you think that Luke

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Speaker 1: felt like when they revealed to him that she got

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Speaker 1: into all three that he felt like I did it too,

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Speaker 1: like we all didn't. And you see him he almost

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Speaker 1: says it it's like Luke almost says something, you know

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Speaker 1: what I'm talking about, But was there any kind of

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Speaker 1: acknowledgement of that or the inclusion in that world. It

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Speaker 1: doesn't seem to me that they let him in too far,

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Speaker 1: and they let him in the door, but they didn't

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Speaker 1: let him out of the foyer. So I would think

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Speaker 1: you're right until the sleepover. If not, I would have

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Speaker 1: actually felt like, oh wait, Luke deserves more credit for

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Speaker 1: being a part of this, because I think you're right

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Speaker 1: in that scene. But then when the sleepover happens, you

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Speaker 1: realize like, oh my god, because they are that is

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Speaker 1: the first place she would go. And Rory's like, just

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Speaker 1: go to Luke's. He'll take care of you, and she's like, oh,

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Speaker 1: you're right. So I do think that made up for

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Speaker 1: the sort of beginning part. I don't know. I'm I'm

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Speaker 1: very very confused by this Luke Laurelized situation and talk

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Speaker 1: about it. Tell us where your heads at. I don't know.

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Speaker 1: I just think she's sold all over the place and

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Speaker 1: she's so and she and she sort of showed it

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Speaker 1: in this episode how condescending she can be towards guests,

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Speaker 1: towards everybody, and even towards him, and I just I

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Speaker 1: don't know, even though they were supposed to be connecting

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Speaker 1: and and making the bed and arguing and all this

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Speaker 1: kind of stuff and and it all felt great. I

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Speaker 1: don't know. I just I didn't feel the connection there.

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Speaker 1: I didn't feel it feels like now, and maybe this

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Speaker 1: is intentional from the brilliant writers, uh that that their

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Speaker 1: universe a part they don't they don't feel. I don't

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Speaker 1: feel like they're I felt that in the bed making

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Speaker 1: that feels like, let's try to have them have this,

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Speaker 1: you know, little spat. But once they're in bed and

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Speaker 1: they're talking and she tell is the dream and you

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Speaker 1: see the way they navigate that and Luke's face and

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Speaker 1: the way she's telling it, I was like, oh my god,

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Speaker 1: but where is this coming from. I mean, it's like

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Speaker 1: it was just so felt so out of the blue

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Speaker 1: for me. I see, I disagree because we I thought

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Speaker 1: it was set up well okay, because we have the

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Speaker 1: eye rolling from Nicole. Clearly Nicole does not like lower

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Speaker 1: Lie and she said he has make panting and she

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Speaker 1: does the full eye roll, so we're like, what's going on?

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Speaker 1: She's threatened by lower Ly rightfully, you know, so obviously.

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Speaker 1: Then we learn that Luke has mentioned Lora like mad

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Speaker 1: nauseum on the date. Then we know that it's become

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Speaker 1: like a thing, and it's like lower Lie is sort

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Speaker 1: of telling him like, oh, yeah, you never talked about

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Speaker 1: a friend that's a woman. But deep inside, she's like, yeah,

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Speaker 1: so I thought it was set up perfectly. I'm just

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Speaker 1: wondering if I let my foot off the gas too

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Speaker 1: much for too long, or the or the writing was

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Speaker 1: such that it appeared that I was letting my foot

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Speaker 1: off the gas too much. Tell me more what you're

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Speaker 1: saying there in terms of how I felt about Laurel

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Speaker 1: and my desire for her, and how to express that

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Speaker 1: when I was not in a scene with her or not,

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Speaker 1: or maybe just talking about her. Maybe that's my fault.

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Speaker 1: I don't know. No, you mean as an actor, Yes,

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Speaker 1: I think I disagree. I want to hear what Daniel

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Speaker 1: and Tara say, because I think you're playing it perfectly

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Speaker 1: like she is your best friend. You take her in immediately,

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Speaker 1: you give her the bed. There's this sort of cute

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Speaker 1: thing between them. She tells you the dream, and the

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Speaker 1: dream she literally tells you were married. You kissed me

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Speaker 1: I'm pregnant, and you like going with it like it's

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Speaker 1: a dream. But inside you see Luke like, oh my god,

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Speaker 1: he's so I thought he was going to dumb Nicole

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00:24:01,440 --> 00:24:09,280
Speaker 1: that minute. But okay, maybe maybe. So why is she

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00:24:09,400 --> 00:24:13,520
Speaker 1: telling me this? I agree, that's okay, that's the point.

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00:24:13,960 --> 00:24:16,560
Speaker 1: It's not about me. Why is she Why is she

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00:24:16,600 --> 00:24:19,520
Speaker 1: telling me this? I thought it was really inappropriate. I

395
00:24:19,280 --> 00:24:22,160
Speaker 1: did say, I agree with you because you are at

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00:24:22,200 --> 00:24:27,080
Speaker 1: the moment taken Like I don't know. I just I

397
00:24:27,160 --> 00:24:30,280
Speaker 1: thought it was inappropriate your dating Nicole. You're with her,

398
00:24:30,760 --> 00:24:32,879
Speaker 1: you're trying to make it work, and then here she

399
00:24:33,000 --> 00:24:35,760
Speaker 1: comes telling you the story that you want to hear.

400
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Speaker 1: You want to hear that she's dreaming of you, You

401
00:24:38,160 --> 00:24:42,600
Speaker 1: want to hear that you have a dream family together.

402
00:24:43,560 --> 00:24:47,440
Speaker 1: But she's doing it now, Like I don't know. I didn't.

403
00:24:47,440 --> 00:24:49,720
Speaker 1: I thought it was really distasteful. In my she say

404
00:24:49,800 --> 00:24:52,879
Speaker 1: they kiss? Or did I make that up? Because she

405
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Speaker 1: said she was pregnant. She said she was pregnant, zips

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Speaker 1: her she zips it before she reveals the kiss. Okay, gosh,

407
00:25:01,480 --> 00:25:03,480
Speaker 1: this has given me a lot to break down. But

408
00:25:03,560 --> 00:25:05,840
Speaker 1: wait a minute, Wait a minute, So So Laura La

409
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Speaker 1: has not really made any eyes or overtures or any

410
00:25:11,280 --> 00:25:14,760
Speaker 1: inklands of interest towards Luke in several episodes, and I'm

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Speaker 1: correct me if I'm wrong. And then all of a sudden, he's,

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Speaker 1: you know, he seems to be with the coal and

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Speaker 1: he seems pretty upbeat, and he just came off a

414
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Speaker 1: phone call whether where he's like kind of secret secret,

415
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Speaker 1: and I want to I want to do you know,

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Speaker 1: I was like putting my shovel out on whatever he's

417
00:25:34,640 --> 00:25:36,840
Speaker 1: you know, whatever she said. You know, it was an

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00:25:36,840 --> 00:25:39,440
Speaker 1: intimate thing, obviously, and it made him blush a little.

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Speaker 1: Okay um. And then Laura Lai hears that, and then

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Speaker 1: she decides to talk about some dream that she's pregnant,

421
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Speaker 1: and I mean, really it seems very minipulate, seems very manipulative,

422
00:25:52,680 --> 00:25:56,760
Speaker 1: slipped out the dream. And then she's sort of if

423
00:25:56,760 --> 00:25:59,000
Speaker 1: it's slipped out, you don't keep talking about it. Well,

424
00:25:59,200 --> 00:26:02,840
Speaker 1: liked about she isn't that funny? Okay, I'm gonna say

425
00:26:02,840 --> 00:26:05,200
Speaker 1: this and it's gonna cause quite a stir in an

426
00:26:05,240 --> 00:26:08,399
Speaker 1: email storm. I don't think she's interested in Luke. I

427
00:26:08,400 --> 00:26:16,639
Speaker 1: think she's interested in winning. I like I like that

428
00:26:16,720 --> 00:26:20,040
Speaker 1: you're causing this debate before we debate that, Danielle, do

429
00:26:20,080 --> 00:26:23,000
Speaker 1: you think it's inappropriate that she went to Luke's to stay?

430
00:26:23,480 --> 00:26:25,679
Speaker 1: I don't think so, because they do have that relationship.

431
00:26:26,240 --> 00:26:29,600
Speaker 1: They are friends, and when friends are going through something

432
00:26:29,960 --> 00:26:35,040
Speaker 1: bad like that, you help no matter what. But you

433
00:26:35,080 --> 00:26:37,720
Speaker 1: just think it's inappropriate that she told some dream it's

434
00:26:37,720 --> 00:26:40,800
Speaker 1: a freaking dreaming. It's not a dream. It's a dream

435
00:26:40,840 --> 00:26:43,199
Speaker 1: that she's pregnant, that Luke and her have a family together,

436
00:26:43,560 --> 00:26:47,879
Speaker 1: that they are something more than friends. How did it

437
00:26:47,960 --> 00:26:52,359
Speaker 1: come up? Who remembers? Why did she tell the dream story?

438
00:26:52,880 --> 00:26:55,720
Speaker 1: Because she heard the phone call with Nicole and decided

439
00:26:55,760 --> 00:27:00,840
Speaker 1: that she wanted to win that evening because she doesn't

440
00:27:00,840 --> 00:27:04,080
Speaker 1: care about Luke. You know, Scott Cohen comes a bye,

441
00:27:05,640 --> 00:27:07,800
Speaker 1: any all these other guys are coming by. She doesn't

442
00:27:07,840 --> 00:27:11,400
Speaker 1: give Luke a second thought, right? That the whole Yeah,

443
00:27:11,440 --> 00:27:16,480
Speaker 1: it's the whole conversation that that uh, Nicole is kind

444
00:27:16,480 --> 00:27:20,080
Speaker 1: of hebe gep over Laura Lae, that she thinks that

445
00:27:20,359 --> 00:27:22,600
Speaker 1: you know, that she's almost kind of a threat. And

446
00:27:22,640 --> 00:27:25,080
Speaker 1: then that's when Laura Lae plops down even more of

447
00:27:25,119 --> 00:27:29,119
Speaker 1: a double downer, and it's like here, you feel like

448
00:27:29,160 --> 00:27:32,000
Speaker 1: we're all just blanking on the segue to the dream.

449
00:27:32,400 --> 00:27:36,960
Speaker 1: I'm just telling you, I think it's Luke was telling

450
00:27:36,960 --> 00:27:39,760
Speaker 1: her that Nicole, doesn't you know, she gets kind of

451
00:27:39,800 --> 00:27:43,399
Speaker 1: weird when when Luke talks about Laura Lae and so

452
00:27:43,560 --> 00:27:48,000
Speaker 1: she just goes over this dream once sege I'm gonna

453
00:27:48,000 --> 00:27:50,600
Speaker 1: have to go back and watch it again. It was like,

454
00:27:50,720 --> 00:27:52,600
Speaker 1: you know, it was definitely right after that conversation. At

455
00:27:52,600 --> 00:27:55,480
Speaker 1: the least it was, yeah, it was, and then Laura

456
00:27:55,560 --> 00:27:58,199
Speaker 1: Iz is hearing like, oh, you know, hey, maybe I

457
00:27:58,320 --> 00:28:02,520
Speaker 1: can drive a wedge. I can win this, not necessarily

458
00:28:02,560 --> 00:28:07,159
Speaker 1: the guy the situation. So is it really her? Is

459
00:28:07,160 --> 00:28:09,399
Speaker 1: it really her feelings or is it just her ego?

460
00:28:09,560 --> 00:28:12,520
Speaker 1: I mean, how is how is she talking this way

461
00:28:12,560 --> 00:28:16,920
Speaker 1: to him in his apartment? I think sometimes when you

462
00:28:16,920 --> 00:28:19,240
Speaker 1: you now know, like because Luke has been single, he's

463
00:28:19,280 --> 00:28:20,879
Speaker 1: been there, and she never went for it. Now that

464
00:28:20,920 --> 00:28:22,920
Speaker 1: he's taken, she's like, oh crap, like I should have gone.

465
00:28:23,080 --> 00:28:25,199
Speaker 1: That's how I thought of it, like damn, and I

466
00:28:25,240 --> 00:28:29,120
Speaker 1: lost my chance and now he's I think you can

467
00:28:29,160 --> 00:28:33,720
Speaker 1: also be jealous of something even if you don't actually

468
00:28:33,800 --> 00:28:37,240
Speaker 1: know what sure you want it, like you're just like jealous,

469
00:28:37,280 --> 00:28:41,080
Speaker 1: like she that's her guy right. Oh wait here They

470
00:28:41,120 --> 00:28:43,160
Speaker 1: said it was during the conversation because Luke brought up

471
00:28:43,200 --> 00:28:47,000
Speaker 1: lower Lye on his and Nicole's first date and keep

472
00:28:47,040 --> 00:28:50,000
Speaker 1: going Jackie our producers like scamming back. And she said,

473
00:28:50,040 --> 00:28:52,960
Speaker 1: and luked it intil Nicole or Lie spending the night.

474
00:28:54,440 --> 00:28:57,080
Speaker 1: Oh yeah, but but she but it was and he

475
00:28:57,160 --> 00:29:00,720
Speaker 1: was right, it didn't come up and it's not appropriate, right,

476
00:29:00,800 --> 00:29:04,360
Speaker 1: but she loyalized the one that pushed that she leaves

477
00:29:04,400 --> 00:29:09,240
Speaker 1: you guys did come up because he intentionally would never

478
00:29:09,360 --> 00:29:12,800
Speaker 1: say that because Nicole would have flipped her lip. He didn't.

479
00:29:12,920 --> 00:29:17,520
Speaker 1: He didn't pre predict that going to drop on his porch.

480
00:29:17,760 --> 00:29:20,520
Speaker 1: He was on the phone with Nicole. He could have said, yeah,

481
00:29:20,520 --> 00:29:22,600
Speaker 1: there's a fire at the end. In fact, loyalize here

482
00:29:22,720 --> 00:29:31,960
Speaker 1: right now, but that you don't like is here right down.

483
00:29:36,920 --> 00:29:40,440
Speaker 1: He intentionally didn't say it because though he would have

484
00:29:40,480 --> 00:29:43,880
Speaker 1: lost her noodle over it. No, it was no, it

485
00:29:43,960 --> 00:29:47,560
Speaker 1: was him taking his private space in in his private

486
00:29:47,600 --> 00:29:50,720
Speaker 1: relationship with another woman. It's none of luralized business. He

487
00:29:50,760 --> 00:29:56,040
Speaker 1: didn't owe Laura I anything. He didn't owe any explanation anything.

488
00:29:56,280 --> 00:29:59,040
Speaker 1: Why would he allow because big wait a minuta because

489
00:29:59,040 --> 00:30:02,240
Speaker 1: somebody had a fire. His girlfriend. The fact that another

490
00:30:02,320 --> 00:30:05,280
Speaker 1: woman is sleeping in the bed. She wasn't sleeping in

491
00:30:05,320 --> 00:30:08,120
Speaker 1: the bed. She was sleeping. She was sleeping on the

492
00:30:08,160 --> 00:30:11,719
Speaker 1: couch in the same room. He was functioning as a friend.

493
00:30:12,240 --> 00:30:18,440
Speaker 1: It was a friend you're telling thing. But Jess was

494
00:30:18,440 --> 00:30:24,520
Speaker 1: in the same exact room too, so it's three through.

495
00:30:24,840 --> 00:30:27,320
Speaker 1: He was in the same room. Yeah, they're all snoring.

496
00:30:27,360 --> 00:30:32,080
Speaker 1: Remember that scene where she's Danielle, you're gonna go over? Okay,

497
00:30:32,160 --> 00:30:35,400
Speaker 1: let me let me make a scenario. I don't think.

498
00:30:36,200 --> 00:30:41,440
Speaker 1: So Danielle happens to be somewhere and suddenly she's has

499
00:30:41,480 --> 00:30:46,080
Speaker 1: to sleep over in the same room with Jared pada

500
00:30:46,120 --> 00:30:49,840
Speaker 1: Lay Jared plucky you are. You're in Gilmore Girl's world,

501
00:30:49,880 --> 00:30:51,680
Speaker 1: and you're like, oh my god, there's been a monsoon.

502
00:30:51,840 --> 00:30:54,960
Speaker 1: I weirdly have to sleep with Jared Padli and then

503
00:30:55,400 --> 00:30:58,320
Speaker 1: your husband calls. Okay, so your husband, John Reno calls

504
00:30:58,320 --> 00:31:01,040
Speaker 1: and you're like, there was a small susan but everybody's fine.

505
00:31:01,040 --> 00:31:04,880
Speaker 1: By no, I would be like, I'm stuck in this

506
00:31:05,000 --> 00:31:08,520
Speaker 1: room with all these people, so heads up, yeah, you know, okay,

507
00:31:09,320 --> 00:31:11,480
Speaker 1: I'm not I'm not I'm not saying Luke shouldn't have

508
00:31:11,480 --> 00:31:15,240
Speaker 1: said that, but he should have said, hey, I'm lorialized

509
00:31:15,240 --> 00:31:18,200
Speaker 1: spending the night here or whatever, like yeah, I'll give

510
00:31:18,240 --> 00:31:21,720
Speaker 1: it to you. No, No, I'm not buying the argument.

511
00:31:21,760 --> 00:31:27,080
Speaker 1: I'm not buying it. He she she wasn't significant enough

512
00:31:27,760 --> 00:31:31,760
Speaker 1: in his life for a random fire, a random situation

513
00:31:31,840 --> 00:31:34,320
Speaker 1: where she came randomly to his house. He was being

514
00:31:34,360 --> 00:31:38,000
Speaker 1: a good guy. Why should he complicate his relationship with

515
00:31:38,120 --> 00:31:43,440
Speaker 1: Nicole by dropping that freaking bomb on with you that

516
00:31:43,520 --> 00:31:46,960
Speaker 1: he didn't have to tell her? But like he intentionally

517
00:31:47,120 --> 00:31:50,720
Speaker 1: doesn't tell her because he knows that deep down he's

518
00:31:50,720 --> 00:31:56,960
Speaker 1: got feelings for her, and uh, Nicole will lose her Sorry,

519
00:31:57,000 --> 00:32:03,680
Speaker 1: can I say yes? Cool with Nicole? Shite? Nicole would

520
00:32:03,720 --> 00:32:05,520
Speaker 1: have lost her poop. She would have hung up the

521
00:32:05,520 --> 00:32:07,040
Speaker 1: phone on him and broken up with him right then

522
00:32:07,040 --> 00:32:10,080
Speaker 1: and there, just like I feel like Luke should have been, like,

523
00:32:10,360 --> 00:32:13,040
Speaker 1: the girl of my dreams isn't in the bed here? Well,

524
00:32:13,080 --> 00:32:15,800
Speaker 1: you know, we just not dream But what about you know?

525
00:32:15,960 --> 00:32:18,600
Speaker 1: Is it gonna? Is it? You know? Now? It sets

526
00:32:18,680 --> 00:32:22,320
Speaker 1: up something to to rear its ugly head later on

527
00:32:23,520 --> 00:32:27,280
Speaker 1: right now, and I cannot remember if it does. But

528
00:32:27,360 --> 00:32:30,440
Speaker 1: it's sure going to be the bleep hitting the fans.

529
00:32:30,760 --> 00:32:33,880
Speaker 1: I don't think, I don't think. I don't think he

530
00:32:33,960 --> 00:32:39,160
Speaker 1: had any obligation to tell Nicole that laurel I was there.

531
00:32:39,920 --> 00:32:43,880
Speaker 1: It was just not necessary and I don't know that

532
00:32:43,920 --> 00:32:46,600
Speaker 1: she had any relevance in his mind at that point

533
00:32:46,800 --> 00:32:51,600
Speaker 1: talking to his girlfriend, right, and this chance thing happened.

534
00:32:51,760 --> 00:32:53,840
Speaker 1: So he's in he's in hot water. I mean, he's

535
00:32:54,560 --> 00:32:59,479
Speaker 1: he's he is not to know Laura la is a

536
00:32:59,520 --> 00:33:02,800
Speaker 1: sore subject with Nicole. That is why if it was

537
00:33:02,920 --> 00:33:05,280
Speaker 1: Rory to say there was a fire, I agree, I

538
00:33:05,400 --> 00:33:08,600
Speaker 1: agree with you would have said, yeah, there was a fire.

539
00:33:08,720 --> 00:33:11,920
Speaker 1: Rory's here. I got it based on the conversation they

540
00:33:12,000 --> 00:33:15,400
Speaker 1: just had before. He answered before you that Nicole is

541
00:33:15,440 --> 00:33:19,640
Speaker 1: jealous because Nicole knows that that Luke has feelings for Lorelai,

542
00:33:19,920 --> 00:33:22,720
Speaker 1: and it is pretty sure that Lorelei has feelings for Look,

543
00:33:22,800 --> 00:33:24,560
Speaker 1: let's face it is just a dumb guy who can't

544
00:33:24,560 --> 00:33:31,600
Speaker 1: pull the trigger and now he's in a bad spot. Okay,

545
00:33:32,240 --> 00:33:34,840
Speaker 1: but wait, really, one more question for you all, especially

546
00:33:34,880 --> 00:33:39,000
Speaker 1: you Scott, what significance this is their first ever sleepover

547
00:33:39,080 --> 00:33:43,400
Speaker 1: that I know of, even though they're I don't think

548
00:33:43,440 --> 00:33:45,840
Speaker 1: it's a sleepover when Jess is right there either like

549
00:33:46,160 --> 00:33:48,800
Speaker 1: that just I don't know. That's a community coming together

550
00:33:48,880 --> 00:33:53,120
Speaker 1: to help one another out. That's what I agree. But

551
00:33:53,240 --> 00:33:55,400
Speaker 1: you guys are still on the on the side of

552
00:33:55,400 --> 00:33:57,760
Speaker 1: the debate where it was okay that Lorelei told him

553
00:33:58,040 --> 00:34:01,480
Speaker 1: her dream. Yeah, can a dream? I don't think. I don't.

554
00:34:01,560 --> 00:34:05,240
Speaker 1: I don't think. I think that was odd, odd timing,

555
00:34:05,360 --> 00:34:08,560
Speaker 1: and that is not that is not I think if

556
00:34:08,600 --> 00:34:11,760
Speaker 1: they were sort of coming closer, if they were dating,

557
00:34:12,760 --> 00:34:15,000
Speaker 1: that's something you tell a guy that you really want.

558
00:34:15,320 --> 00:34:18,000
Speaker 1: That's that's like I'm we've been dating for a while,

559
00:34:18,400 --> 00:34:22,520
Speaker 1: things are getting serious, and we're talking intimately, and then

560
00:34:22,600 --> 00:34:25,640
Speaker 1: that is revealed with a couple of cocktails saying you

561
00:34:25,800 --> 00:34:28,560
Speaker 1: tell the guy you have the crush on, you go,

562
00:34:29,360 --> 00:34:31,239
Speaker 1: that's how you get That's how you get rid of

563
00:34:31,280 --> 00:34:34,719
Speaker 1: the guy. Never had a crush on somebody, and you're like, yeah,

564
00:34:34,800 --> 00:34:38,720
Speaker 1: but if he was saying my dream exactly hashtag single

565
00:34:39,160 --> 00:34:45,680
Speaker 1: sure in a relationship slipped up and started to tell

566
00:34:45,719 --> 00:34:48,279
Speaker 1: it and then was stuck so she had to tell it,

567
00:34:48,440 --> 00:34:50,760
Speaker 1: which is why she didn't tell the part about the kiss. Remember,

568
00:34:50,800 --> 00:34:52,839
Speaker 1: she didn't tell that probably messed that up in my brain.

569
00:34:53,600 --> 00:34:56,640
Speaker 1: But I also feel like sometimes Laura just like talks

570
00:34:56,640 --> 00:34:58,399
Speaker 1: and does know what's coming out, you know what I mean?

571
00:34:59,120 --> 00:35:02,080
Speaker 1: Did I? But look who she's talking to. She's talking

572
00:35:02,080 --> 00:35:05,120
Speaker 1: to like the town yokel who's who's not going to

573
00:35:05,239 --> 00:35:07,840
Speaker 1: ever use it against her. He's just gonna take it

574
00:35:07,880 --> 00:35:10,880
Speaker 1: in and he's gonna be sort of single minded about

575
00:35:10,920 --> 00:35:13,680
Speaker 1: the whole thing, and just like you know and do

576
00:35:13,880 --> 00:35:16,680
Speaker 1: us Luky, he's gotta get up early and he's gonna

577
00:35:16,719 --> 00:35:19,200
Speaker 1: make that you know, he's not gonna he's not gonna

578
00:35:19,280 --> 00:35:22,160
Speaker 1: over analyze it the way we are, right, It's it's

579
00:35:22,200 --> 00:35:26,200
Speaker 1: just not in his in his capability. So it's very

580
00:35:26,239 --> 00:35:30,879
Speaker 1: at hey, Bubbo, what's happening? Huh? My boys coming out?

581
00:35:31,040 --> 00:35:33,640
Speaker 1: No wonder you're so happy your family is there. I

582
00:35:33,719 --> 00:35:36,080
Speaker 1: just realized why stuff's been in like such a great mood.

583
00:35:36,120 --> 00:35:39,280
Speaker 1: Oh my god, are you having so much fun with them? Yeah?

584
00:35:39,719 --> 00:35:41,840
Speaker 1: Is it so much better when they're there? It's like,

585
00:35:41,960 --> 00:35:49,120
Speaker 1: are you kidding? So? Like? Now, could you like this job? Yeah?

586
00:35:49,360 --> 00:35:52,560
Speaker 1: That's so cute. Wait, that made me think of something. Also,

587
00:35:53,360 --> 00:35:58,600
Speaker 1: I never Mrs Slutsky is she's so caustic? Why she's

588
00:35:58,640 --> 00:36:02,279
Speaker 1: so mad. I don't know. Yeah, why is she so mad?

589
00:36:02,680 --> 00:36:07,200
Speaker 1: Why is she so mad? I don't know? Anyway, let's uh,

590
00:36:07,600 --> 00:36:11,719
Speaker 1: I think we've talked circles around that one, that little situation.

591
00:36:11,760 --> 00:36:14,799
Speaker 1: But it's it's looking it's an important narrative in the

592
00:36:14,920 --> 00:36:20,200
Speaker 1: in the piece overall, so it needs a discussion. But yeah, I, Danielle,

593
00:36:20,200 --> 00:36:24,080
Speaker 1: I agree with you on this. Um just not appropriate,

594
00:36:24,120 --> 00:36:26,279
Speaker 1: just not appropriate time. Yeah, I'm reading the script right

595
00:36:26,280 --> 00:36:28,800
Speaker 1: now just to see what that exact moment right before

596
00:36:28,920 --> 00:36:32,839
Speaker 1: she can you read that to us? So she talks

597
00:36:32,880 --> 00:36:35,319
Speaker 1: about how did you get so fast? By the way,

598
00:36:35,880 --> 00:36:39,920
Speaker 1: just you know, the internet is a great tool. Um,

599
00:36:40,120 --> 00:36:41,880
Speaker 1: No that she talks about you don't you don't talk

600
00:36:41,920 --> 00:36:45,640
Speaker 1: about another woman on a first date. And then Luke goes, no, uh,

601
00:36:46,120 --> 00:36:49,200
Speaker 1: no other woman exists, not even my mother. And then

602
00:36:49,680 --> 00:36:54,040
Speaker 1: Lai says, you can maybe mention his sister. Maybe they're

603
00:36:54,080 --> 00:36:56,400
Speaker 1: talking about the alarm clocks and how he has to

604
00:36:56,440 --> 00:36:58,520
Speaker 1: set his at a quarter to five, and then she

605
00:36:58,560 --> 00:37:00,840
Speaker 1: goes out a dream once that you said eighteen alarm

606
00:37:00,880 --> 00:37:05,640
Speaker 1: clocks to get me up now playing left field, laurelized

607
00:37:05,840 --> 00:37:16,719
Speaker 1: baby dream with Luke right right, where did that? Where

608
00:37:16,760 --> 00:37:21,000
Speaker 1: did that come from an honor of Vince Gully, right,

609
00:37:21,080 --> 00:37:23,800
Speaker 1: it's like whoa. She literally was like, Oh that alarm

610
00:37:23,840 --> 00:37:25,600
Speaker 1: clock that you're sitting tomorrow morning, let me tell you

611
00:37:25,640 --> 00:37:33,879
Speaker 1: about mile arm clocking my dream. Wait, so okay, let's

612
00:37:34,000 --> 00:37:38,080
Speaker 1: I have a segue, an abrupt segway. Did we find

613
00:37:38,200 --> 00:37:44,480
Speaker 1: Pandora the cat? Significant? I did, because there's gotta be

614
00:37:44,560 --> 00:37:48,320
Speaker 1: similars with that cat. Oh yeah, because it was in

615
00:37:48,360 --> 00:37:50,560
Speaker 1: the kitchen and then it was the only one that

616
00:37:50,640 --> 00:37:53,040
Speaker 1: really survived the fire and then came back at the

617
00:37:53,200 --> 00:37:57,200
Speaker 1: end and was so like kind of whatever to Pandora

618
00:37:57,320 --> 00:38:00,600
Speaker 1: in the kitchen, which was like weird that Suki was

619
00:38:00,680 --> 00:38:04,640
Speaker 1: so like weird with the cat, and then she pixcept

620
00:38:04,640 --> 00:38:07,319
Speaker 1: the cat. I feel like there's a lot of symbolism there,

621
00:38:07,320 --> 00:38:10,560
Speaker 1: but I was not fully getting it. I was turned

622
00:38:10,600 --> 00:38:12,919
Speaker 1: to you interesting. I was more jarred at the fact

623
00:38:12,920 --> 00:38:15,040
Speaker 1: that a cat was in the kitchen, and I was like, oh,

624
00:38:15,080 --> 00:38:19,439
Speaker 1: that thing came back. But right, but like, aren't pregnant people?

625
00:38:19,560 --> 00:38:22,560
Speaker 1: Isn't there some issue with cats and pregnant people? Or

626
00:38:22,600 --> 00:38:26,799
Speaker 1: is that the kitty litter kt litter? Okay, yeah, that's

627
00:38:26,800 --> 00:38:32,799
Speaker 1: actually that is actually a real thing, right, Yeah, So

628
00:38:32,960 --> 00:38:34,960
Speaker 1: I don't know that they can actually have that cat

629
00:38:35,080 --> 00:38:37,520
Speaker 1: right now? What's what is the deal? You're not supposed

630
00:38:37,520 --> 00:38:40,120
Speaker 1: to have cats if you're pregnant. The kitty litter has

631
00:38:40,200 --> 00:38:42,279
Speaker 1: like some toxins in it that you can't get around.

632
00:38:43,280 --> 00:38:45,360
Speaker 1: What happens if you have a cat, like you can't

633
00:38:45,400 --> 00:38:47,480
Speaker 1: you can't change the litter, so someone else has to

634
00:38:47,480 --> 00:38:53,439
Speaker 1: do that. Yeah, that makes that scares me. But okay,

635
00:38:54,920 --> 00:39:03,160
Speaker 1: random mandion of the day. Okay, so okay, what did

636
00:39:03,160 --> 00:39:05,960
Speaker 1: we all think of Jess and Walmart? And clearly he's

637
00:39:06,000 --> 00:39:08,879
Speaker 1: not going to school? But what talk about it? I'm

638
00:39:08,880 --> 00:39:14,480
Speaker 1: shocked it took this long for someone to realize because like,

639
00:39:14,560 --> 00:39:17,040
Speaker 1: don't has no one seen him at school? And like

640
00:39:17,120 --> 00:39:20,480
Speaker 1: said anything like n has been going on? Lena is

641
00:39:20,560 --> 00:39:24,799
Speaker 1: really not doing her Job's not clearly neither is the

642
00:39:24,960 --> 00:39:29,839
Speaker 1: Tool administration. Yeah, like wouldn't wouldn't Luke at a phone

643
00:39:29,880 --> 00:39:32,879
Speaker 1: call if Jess is just not at school? Yeah, even

644
00:39:32,920 --> 00:39:34,799
Speaker 1: after like I think two days? Like I think one

645
00:39:34,880 --> 00:39:36,960
Speaker 1: day is fine, but after two days, wouldn't they call you?

646
00:39:37,560 --> 00:39:48,040
Speaker 1: I don't know, I just that whole target's getting employer Walmart?

647
00:39:48,520 --> 00:39:54,200
Speaker 1: And then Laurela faith her fake delight at it, like

648
00:39:57,040 --> 00:40:00,279
Speaker 1: I did find it really interesting that they described him

649
00:40:00,320 --> 00:40:05,839
Speaker 1: as Mr. Reliable and their go to guys. We're talking

650
00:40:05,840 --> 00:40:12,919
Speaker 1: about Jess, Like what, but he's obviously very high I Q. Yeah,

651
00:40:13,200 --> 00:40:16,480
Speaker 1: he's just too rebellious for his own good. He's too

652
00:40:16,560 --> 00:40:19,520
Speaker 1: damaged for his own good. He could be, you know,

653
00:40:20,480 --> 00:40:23,799
Speaker 1: working at NASA for God's sake, he just is. It's

654
00:40:23,800 --> 00:40:27,520
Speaker 1: a way, it's a tragic situation where this kid is

655
00:40:27,520 --> 00:40:31,000
Speaker 1: going to waste his potential on his you know, because

656
00:40:31,000 --> 00:40:33,440
Speaker 1: of his upbringing, and there's nothing anybody can do for him.

657
00:40:33,640 --> 00:40:36,680
Speaker 1: And it's really sad. It's really really sad. He said

658
00:40:36,680 --> 00:40:39,440
Speaker 1: it himself. He knows how smart he is. It's like,

659
00:40:40,120 --> 00:40:42,400
Speaker 1: I can absorb this. I can absorb this stuff in

660
00:40:42,400 --> 00:40:45,880
Speaker 1: ten minutes. It takes these kids. Even Dean's going to college,

661
00:40:46,560 --> 00:40:49,040
Speaker 1: Jess can literally be at any school he wants. I

662
00:40:49,120 --> 00:40:52,560
Speaker 1: just don't think I've ever seen Luke. I don't know.

663
00:40:52,600 --> 00:40:55,360
Speaker 1: I guess, on on the one hand, so so likable

664
00:40:55,440 --> 00:40:58,120
Speaker 1: and so proud of Jess and pat himself on the back,

665
00:40:58,160 --> 00:41:00,480
Speaker 1: and at the same time, compared to what he's doing

666
00:41:00,480 --> 00:41:03,759
Speaker 1: so pathetic. That's like, I mean, I know, you're like

667
00:41:04,040 --> 00:41:06,480
Speaker 1: the glow with Harvard Nuts That's really big, isn't it.

668
00:41:06,600 --> 00:41:09,319
Speaker 1: That's huge Jaz and Harvard Princeton. You know that's really

669
00:41:09,560 --> 00:41:12,760
Speaker 1: quite an accomplishment. Well, you know, why is he throwing

670
00:41:12,760 --> 00:41:18,799
Speaker 1: in this like lame accomplished? It's like, what how is

671
00:41:18,800 --> 00:41:22,240
Speaker 1: he even saying this to her knowing that she's a Gilmore,

672
00:41:22,680 --> 00:41:26,320
Speaker 1: knowing that she's not going to, you know, be throwing

673
00:41:26,360 --> 00:41:30,880
Speaker 1: any parties for Jeff. He knows she hates Jeff, her daughter,

674
00:41:30,960 --> 00:41:34,239
Speaker 1: she got into Harvard person. And this guy is trying

675
00:41:34,280 --> 00:41:36,600
Speaker 1: to brag on Jess about how he got employee at

676
00:41:36,600 --> 00:41:39,279
Speaker 1: the month of Walmart. You know I shouldn't say this.

677
00:41:40,000 --> 00:41:42,239
Speaker 1: I can't help myself. It makes me think about a

678
00:41:42,320 --> 00:41:48,719
Speaker 1: year in the life because Jess turns out so good,

679
00:41:50,239 --> 00:41:53,120
Speaker 1: arguably better than our Well you can't, no, no, you

680
00:41:53,120 --> 00:41:57,120
Speaker 1: can't ruin anything. Sorry. Oh wait, I'm there's Easter eggs

681
00:41:57,160 --> 00:41:59,480
Speaker 1: being dropped and I'm not picking them up. What happened?

682
00:41:59,520 --> 00:42:01,520
Speaker 1: Don't worry abou or the people caught it, caught it.

683
00:42:01,760 --> 00:42:04,080
Speaker 1: People caught it, caught it. The people that didn't didn't.

684
00:42:04,920 --> 00:42:06,520
Speaker 1: Is this my time to say that I read a

685
00:42:06,600 --> 00:42:10,400
Speaker 1: comment that yes, yes, yes, ruined a lot for me

686
00:42:10,600 --> 00:42:13,640
Speaker 1: on the Instagram, So when we were all logging in today,

687
00:42:14,160 --> 00:42:18,160
Speaker 1: Danielle said, Oh, I saw something on the Instagram, so

688
00:42:18,600 --> 00:42:22,400
Speaker 1: tell us what it was. I'm gonna say spoiler alert

689
00:42:22,640 --> 00:42:27,160
Speaker 1: for the first time one person that hasn't seen this

690
00:42:27,160 --> 00:42:32,320
Speaker 1: show any time. I didn't know that that would be okay, well, Scott,

691
00:42:32,480 --> 00:42:36,840
Speaker 1: plug your ears. Um, I didn't know that Dean was

692
00:42:36,880 --> 00:42:46,120
Speaker 1: her first for you? Yes, yeah, put it back on pour.

693
00:42:46,200 --> 00:42:49,279
Speaker 1: Scott's like, doesn't. We had to mime to him. So

694
00:42:49,360 --> 00:42:52,680
Speaker 1: it's not that bad of a spoiler. What's worse is

695
00:42:52,880 --> 00:42:56,120
Speaker 1: you know it hasn't happened yet and the way it happened. Yeah, yeah,

696
00:42:56,200 --> 00:42:59,760
Speaker 1: we'll get there. But well, now I'm just like palms

697
00:42:59,760 --> 00:43:03,400
Speaker 1: are wedding thinking about it, like, oh, something bad really happened.

698
00:43:03,480 --> 00:43:07,480
Speaker 1: That's the time when I've seen Lorelai be so disappointed

699
00:43:07,520 --> 00:43:10,440
Speaker 1: in Rory. It is like gutting me right now thinking

700
00:43:10,480 --> 00:43:13,319
Speaker 1: about it. Okay, well, don't tell me anymore. Is it

701
00:43:13,360 --> 00:43:15,680
Speaker 1: coming up soon though? Like? Can I at least like

702
00:43:15,760 --> 00:43:26,120
Speaker 1: get that? But also not too long? Yeah, big timeline,

703
00:43:26,160 --> 00:43:29,360
Speaker 1: it's not that long, but there's so many things ahead.

704
00:43:29,440 --> 00:43:33,600
Speaker 1: It's it's not the end of the show. Okay, Wait,

705
00:43:33,600 --> 00:43:35,960
Speaker 1: should we talk about for a second, the Poet Society

706
00:43:36,040 --> 00:43:38,040
Speaker 1: because the whole Poe thing. First of all, I'm not

707
00:43:38,040 --> 00:43:40,640
Speaker 1: familiar with Poe, but I did laugh hard when they

708
00:43:40,719 --> 00:43:45,839
Speaker 1: said we're not Trekkers, and so part I'm sorry, you're

709
00:43:45,920 --> 00:43:49,440
Speaker 1: right Trekkys because the actual, the proper name is Trekker,

710
00:43:49,640 --> 00:43:56,400
Speaker 1: so being one. Yeah, and by the way, another tragic loss,

711
00:43:57,280 --> 00:44:01,879
Speaker 1: Michelle Nichols Huru has passed away. So now we only

712
00:44:01,880 --> 00:44:06,320
Speaker 1: have to left. We have Captain Kirk and we have Sulu.

713
00:44:07,000 --> 00:44:13,360
Speaker 1: All So, I just saw Shatner at at Durham, at Raleigh.

714
00:44:14,080 --> 00:44:17,120
Speaker 1: He was a person. Is he not epic? You know

715
00:44:17,160 --> 00:44:19,560
Speaker 1: he's in his nineties. Yeah, I know, I know. We

716
00:44:19,640 --> 00:44:21,919
Speaker 1: sit there and we sit there and listen to him

717
00:44:22,000 --> 00:44:26,120
Speaker 1: spin yards. Do people just like kind of google gaga

718
00:44:26,200 --> 00:44:30,600
Speaker 1: over him because he's hurt what he's currently? I bet

719
00:44:30,600 --> 00:44:33,960
Speaker 1: they give him a wide berth. You know, he's he's

720
00:44:34,000 --> 00:44:38,960
Speaker 1: a little you know, he's a little he's a little standoffish.

721
00:44:39,920 --> 00:44:43,560
Speaker 1: You need to give hugs, hugging everything. Nobody's trying to

722
00:44:43,640 --> 00:44:46,399
Speaker 1: hug him, they're just you know, where did you see

723
00:44:46,440 --> 00:44:49,200
Speaker 1: him at one of your conventions? In the green room? Yeah,

724
00:44:49,440 --> 00:44:53,440
Speaker 1: because you know, you take you take breaks. Oh my God,

725
00:44:53,520 --> 00:44:56,840
Speaker 1: that's even better. I like talking about we we we

726
00:44:56,920 --> 00:45:04,360
Speaker 1: shared a sandwhich is captain give me a line the

727
00:45:04,520 --> 00:45:06,839
Speaker 1: line I was just gonna stand in line. No, he's

728
00:45:06,840 --> 00:45:08,719
Speaker 1: in the green room. We're eating food with him. He's

729
00:45:08,719 --> 00:45:12,880
Speaker 1: telling stories. We're telling stories. We were interested. We were

730
00:45:12,960 --> 00:45:15,239
Speaker 1: interested in his stories. He wasn't interested in ours. He

731
00:45:15,280 --> 00:45:19,120
Speaker 1: gives you a funny look, he looks like like, well,

732
00:45:19,120 --> 00:45:21,719
Speaker 1: he's like, I just went to space, dude. Yeah, good,

733
00:45:21,840 --> 00:45:23,960
Speaker 1: what can you tell me? What could you your Gilmore

734
00:45:24,040 --> 00:45:34,080
Speaker 1: Girls stories? That's me just being funny. Okay, So back

735
00:45:34,120 --> 00:45:38,200
Speaker 1: on the Poe. Okay, so Poe. Is anyone familiar with

736
00:45:38,239 --> 00:45:41,279
Speaker 1: Poe or is there any Yeah? I mean sure, we

737
00:45:41,320 --> 00:45:47,359
Speaker 1: all read it up. I honestly, I just it just

738
00:45:47,520 --> 00:45:49,680
Speaker 1: that fell flat for me. That whole post thing. I

739
00:45:49,719 --> 00:45:52,239
Speaker 1: didn't think too funny, yard and campy or over the

740
00:45:52,280 --> 00:45:56,880
Speaker 1: top or whatever. Listen, Poe is a well known author,

741
00:45:56,960 --> 00:45:59,719
Speaker 1: and everybody read The Raven in school and analyzed it

742
00:45:59,719 --> 00:46:01,759
Speaker 1: and a book report on it and all that kind

743
00:46:01,760 --> 00:46:04,799
Speaker 1: of stuff. But he's not so well known where you

744
00:46:04,840 --> 00:46:07,839
Speaker 1: can riff off and do like really cool jokes and

745
00:46:07,880 --> 00:46:10,719
Speaker 1: everybody's going to get it. And plus they didn't even

746
00:46:10,760 --> 00:46:13,880
Speaker 1: do it. They you know, they missed an opportunity for

747
00:46:13,920 --> 00:46:16,760
Speaker 1: the two pos to go at it and miss patties.

748
00:46:17,200 --> 00:46:19,759
Speaker 1: But these guys didn't have any time clock. I think

749
00:46:19,800 --> 00:46:22,320
Speaker 1: I would have actually rather be a bunch of trekkers

750
00:46:22,360 --> 00:46:24,480
Speaker 1: trek ease, because that would have been funny for me

751
00:46:24,520 --> 00:46:26,600
Speaker 1: to watch. But yeah, or making a little more pop

752
00:46:26,600 --> 00:46:30,200
Speaker 1: culture instead of so high falutint poe right. I did

753
00:46:30,200 --> 00:46:32,080
Speaker 1: like how Laura Lae and Rory was just like, oh

754
00:46:32,080 --> 00:46:33,600
Speaker 1: my god, we have to sit through this whole thing

755
00:46:33,640 --> 00:46:36,680
Speaker 1: again because they had to compare right and that and

756
00:46:36,719 --> 00:46:38,879
Speaker 1: that means and that means we had to sit through

757
00:46:38,880 --> 00:46:43,799
Speaker 1: the whole thing again. And I was like, oh time

758
00:46:44,440 --> 00:46:48,880
Speaker 1: two flawlessly acted I rolls, Lindsay's I roll and the

759
00:46:49,000 --> 00:46:51,920
Speaker 1: cold subtle I roll because it was very subtle, but

760
00:46:51,920 --> 00:46:55,200
Speaker 1: you could tell like oh wow, and then that Rory's like, oh,

761
00:46:55,239 --> 00:46:57,439
Speaker 1: you're getting a little no, I'm sorry, Laura Lae says

762
00:46:57,480 --> 00:47:00,600
Speaker 1: to Rory, oh looks like you're getting a little uh

763
00:47:00,760 --> 00:47:09,400
Speaker 1: lindsay eyroll coming from Nicole Basically stars hollow people just

764
00:47:09,600 --> 00:47:15,400
Speaker 1: not acting right, man. It's like, what's happening? And here's

765
00:47:15,440 --> 00:47:18,000
Speaker 1: a pen I need it back. It's like boring pose

766
00:47:18,040 --> 00:47:21,440
Speaker 1: and eye rolls. What's going on? No? I loved I

767
00:47:21,480 --> 00:47:25,120
Speaker 1: actually love the post scene because of what was happening

768
00:47:25,560 --> 00:47:29,080
Speaker 1: in the audience. Like, for me, that was the best part,

769
00:47:29,480 --> 00:47:31,879
Speaker 1: Like all the eye rolling and we're realizing, oh they're

770
00:47:31,880 --> 00:47:34,200
Speaker 1: together and they're together, and Luke's not wearing a hat

771
00:47:34,280 --> 00:47:37,160
Speaker 1: and miss Patty was so stoic and let me sum

772
00:47:37,200 --> 00:47:39,680
Speaker 1: it up for you here. Okay. The best lines that

773
00:47:39,760 --> 00:47:43,440
Speaker 1: came out of that post stuff was Michelle when he

774
00:47:44,040 --> 00:47:46,799
Speaker 1: referred to the DNA and children into the you know,

775
00:47:46,880 --> 00:47:50,399
Speaker 1: the great lineing and and he could have riffed and

776
00:47:50,719 --> 00:47:53,800
Speaker 1: tar you right if it was Star Treker was something

777
00:47:54,360 --> 00:47:58,560
Speaker 1: a little more low brow, then Laura La and Michelle

778
00:47:58,600 --> 00:48:01,640
Speaker 1: could have gone off on them, I mean really gone

779
00:48:01,640 --> 00:48:04,160
Speaker 1: off on them and had a lot more fun with

780
00:48:04,200 --> 00:48:09,160
Speaker 1: this happen. Michelle had some good lines. He said, stop

781
00:48:09,200 --> 00:48:11,280
Speaker 1: trying to cute things up? Did I say that part already?

782
00:48:11,400 --> 00:48:14,160
Speaker 1: Stop trying to cute things up? I mean every line

783
00:48:14,160 --> 00:48:18,959
Speaker 1: from Michelle was genius. Everything everything, everything was home run.

784
00:48:19,440 --> 00:48:21,360
Speaker 1: It's probably his best for me. This was one of

785
00:48:21,400 --> 00:48:25,600
Speaker 1: the I laughed out loud every time he opened his mouth.

786
00:48:26,320 --> 00:48:35,080
Speaker 1: Very single game. I actually laughed out last yea, what

787
00:48:35,160 --> 00:48:38,480
Speaker 1: did you think of the sort of confrontation between Dean Lindsay,

788
00:48:38,719 --> 00:48:42,160
Speaker 1: Rory Lorelai and the Mark Twain story. I was just cringe.

789
00:48:42,560 --> 00:48:44,239
Speaker 1: I thought it was just like they're bound to run

790
00:48:44,239 --> 00:48:46,279
Speaker 1: into each other. It's you know, I didn't think too

791
00:48:46,360 --> 00:48:48,719
Speaker 1: much of it, but it was nice to see that,

792
00:48:48,760 --> 00:48:51,200
Speaker 1: Like Dean was excited to tell Rory that, like he

793
00:48:51,239 --> 00:48:53,439
Speaker 1: got into college, and you can tell he really wanted

794
00:48:53,480 --> 00:48:56,400
Speaker 1: to tell her. You know, I gotta give it to Dean,

795
00:48:56,719 --> 00:49:01,919
Speaker 1: like he he is totally coming back around, and now

796
00:49:01,960 --> 00:49:05,240
Speaker 1: I love him again and he's a little sweet little

797
00:49:05,239 --> 00:49:10,319
Speaker 1: boy again doing good. You know, he's back to being Dean. Yeah,

798
00:49:10,320 --> 00:49:13,040
Speaker 1: and I don't know that the who's the girl that

799
00:49:13,080 --> 00:49:16,520
Speaker 1: he's dating? What's her name? Lindsey? Yeah, it's like give her,

800
00:49:16,600 --> 00:49:18,960
Speaker 1: give her some spice, you know, give her something, give her,

801
00:49:19,000 --> 00:49:21,240
Speaker 1: give her something. She just didn't say anything. She dirty

802
00:49:21,280 --> 00:49:25,080
Speaker 1: looks and she's like, I gotta go. And the big

803
00:49:25,160 --> 00:49:29,120
Speaker 1: story that said she was so nice and then they

804
00:49:29,160 --> 00:49:33,040
Speaker 1: walked away. I was like, so, so she was nice, right,

805
00:49:34,200 --> 00:49:36,400
Speaker 1: but I mean there was like nothing there there was

806
00:49:36,440 --> 00:49:41,840
Speaker 1: she wasn't giving anything. It was like parallel to Nicole

807
00:49:41,920 --> 00:49:44,720
Speaker 1: and Scott and the Loralae incident that we talked about

808
00:49:44,760 --> 00:49:50,880
Speaker 1: for at Nauseum is these people are threatened. Lindsay is

809
00:49:50,880 --> 00:49:54,520
Speaker 1: threatened by Rory. Of course god, oh no, Scott's taking

810
00:49:54,560 --> 00:50:00,200
Speaker 1: his glasses off his got something. I got one hard

811
00:50:00,239 --> 00:50:06,160
Speaker 1: for you about this episode? Uh forced m h. I

812
00:50:06,160 --> 00:50:11,520
Speaker 1: mean I disagree on I disagree to disagree with the

813
00:50:11,760 --> 00:50:15,560
Speaker 1: disagree with me. I disagree with Scott for of it

814
00:50:16,680 --> 00:50:21,560
Speaker 1: minutes one through thirty two, great, yeah, disagree forced then

815
00:50:21,640 --> 00:50:25,799
Speaker 1: thirty two through forty whatever for me parts I understand

816
00:50:25,960 --> 00:50:30,960
Speaker 1: you're not crazy, You're not. I think the Pope element,

817
00:50:31,160 --> 00:50:33,439
Speaker 1: that's what it is. Yeah, I could have done without.

818
00:50:33,680 --> 00:50:37,480
Speaker 1: I could have done with that without Paul. I think

819
00:50:37,480 --> 00:50:40,440
Speaker 1: that was probably it. I appreciate the attempt. You know,

820
00:50:40,880 --> 00:50:43,239
Speaker 1: I didn't. I didn't. I didn't like it. I didn't

821
00:50:43,280 --> 00:50:45,160
Speaker 1: like it, but I liked What did it add to

822
00:50:45,200 --> 00:50:47,960
Speaker 1: the episode? How is it relevant to the episode? Well?

823
00:50:48,040 --> 00:50:50,680
Speaker 1: I do like the element that the end was full.

824
00:50:50,760 --> 00:50:53,120
Speaker 1: I mean, I I the fire. To me, I wouldn't

825
00:50:53,120 --> 00:50:54,920
Speaker 1: have done away with even though I'm not saying I'm

826
00:50:54,920 --> 00:50:58,439
Speaker 1: promoting fire, but I'm saying that. Really I liked all

827
00:50:58,440 --> 00:51:01,160
Speaker 1: the the people of the and having to be put up,

828
00:51:01,200 --> 00:51:04,080
Speaker 1: and you see that everybody's taking people in and Luke

829
00:51:04,200 --> 00:51:08,080
Speaker 1: is opening you know, like the diner, like just like

830
00:51:09,320 --> 00:51:11,480
Speaker 1: and then first you and Suki are going at it,

831
00:51:11,480 --> 00:51:12,719
Speaker 1: and then at the end you're like, let me put

832
00:51:12,760 --> 00:51:16,839
Speaker 1: some you know whatever. So I sort of like it

833
00:51:16,880 --> 00:51:19,600
Speaker 1: as the device. So obviously they needed some reason to

834
00:51:19,600 --> 00:51:22,239
Speaker 1: get all these people into the inn. But like I said,

835
00:51:22,280 --> 00:51:24,520
Speaker 1: I would have been fine with a Brady Bunch convention.

836
00:51:24,680 --> 00:51:30,080
Speaker 1: You know, I will funch of Marsha's and Jam's walking around.

837
00:51:30,120 --> 00:51:32,759
Speaker 1: So you haven't enjoyed that for the last scene, I

838
00:51:32,800 --> 00:51:35,600
Speaker 1: think the reason why it got me so much, And Amy,

839
00:51:35,640 --> 00:51:37,719
Speaker 1: I know you, Amy knows like Amy and I are

840
00:51:37,719 --> 00:51:40,720
Speaker 1: on the same page with this. But Laurel I obviously

841
00:51:40,760 --> 00:51:43,879
Speaker 1: put all that stuff up on her walls. But then

842
00:51:43,920 --> 00:51:46,839
Speaker 1: you realize that she's going to have to pay not

843
00:51:46,960 --> 00:51:49,759
Speaker 1: only for Yale, but she's gonna have to figure out

844
00:51:49,760 --> 00:51:54,799
Speaker 1: how to make her business like come back, and she's

845
00:51:54,800 --> 00:51:57,319
Speaker 1: gonna have to pay for you know, she's not well,

846
00:51:57,360 --> 00:51:59,440
Speaker 1: she doesn't totally know that they're going to pay for

847
00:52:01,440 --> 00:52:03,400
Speaker 1: She doesn't want to be bound, but she doesn't want

848
00:52:03,440 --> 00:52:05,840
Speaker 1: to be bound to her parents. But so but also

849
00:52:05,920 --> 00:52:07,880
Speaker 1: like I think loyalized goal in the end is to

850
00:52:07,960 --> 00:52:10,680
Speaker 1: support her kid, and she also wants to have this business.

851
00:52:10,719 --> 00:52:12,719
Speaker 1: So like I thought the way they did it, where

852
00:52:12,719 --> 00:52:16,120
Speaker 1: it went from like the end to the bedroom with

853
00:52:16,160 --> 00:52:19,040
Speaker 1: the Yale posters, was so like Rory's about to have

854
00:52:19,120 --> 00:52:21,640
Speaker 1: the best time of her life and Lorelie doesn't know

855
00:52:21,680 --> 00:52:23,600
Speaker 1: what's next for her future of her business at the

856
00:52:23,640 --> 00:52:30,560
Speaker 1: same whole thing apart. I now go back and watch it,

857
00:52:30,680 --> 00:52:34,520
Speaker 1: and then you'll you'll, yeah, right, there's great symbolism there

858
00:52:34,960 --> 00:52:38,520
Speaker 1: with the in burning down and it's they thought they

859
00:52:38,520 --> 00:52:40,040
Speaker 1: were going to make dinner that night but they did

860
00:52:40,080 --> 00:52:45,000
Speaker 1: not realize the damage. Then we have that, you know,

861
00:52:45,239 --> 00:52:49,959
Speaker 1: mirror to Yale and and Rory really realizing I'm going

862
00:52:50,000 --> 00:52:52,759
Speaker 1: to Yale and the significance of that. The only part

863
00:52:52,800 --> 00:52:55,160
Speaker 1: I'm not getting is Papaya the cat. There's more to

864
00:52:55,280 --> 00:52:57,640
Speaker 1: the cat. The cat, I don't know. I can't tell

865
00:52:57,680 --> 00:53:01,600
Speaker 1: you that. I couldn't tell you the symbolism up, but yeah,

866
00:53:01,600 --> 00:53:03,400
Speaker 1: I think there's just it just really set up like

867
00:53:03,440 --> 00:53:08,759
Speaker 1: the next I mean, the next half of the show basically,

868
00:53:09,440 --> 00:53:12,719
Speaker 1: that's right, right, Yeah, that was cute at the end

869
00:53:12,960 --> 00:53:15,440
Speaker 1: because there's so many things we can be thinking about so,

870
00:53:15,480 --> 00:53:19,120
Speaker 1: like Danielle, aren't you thinking about so? Because Danielle hasn't

871
00:53:19,160 --> 00:53:21,000
Speaker 1: seen it, let's ask her, like, what do you think

872
00:53:21,040 --> 00:53:24,520
Speaker 1: about the fact that she picked Yale. I'm happy for her.

873
00:53:24,800 --> 00:53:27,960
Speaker 1: I think that's cool. She Uh. The only thing that

874
00:53:28,000 --> 00:53:30,279
Speaker 1: I'm going to say now is I'm hoping she's not

875
00:53:30,400 --> 00:53:33,680
Speaker 1: doing it because it's closest to home. That's the one

876
00:53:33,719 --> 00:53:35,279
Speaker 1: thing that I'm like, I hope she's not doing it

877
00:53:35,320 --> 00:53:37,719
Speaker 1: for that reason and she feels like she needs to

878
00:53:37,719 --> 00:53:40,520
Speaker 1: be here for her mom and for jess Um. I'm

879
00:53:40,560 --> 00:53:43,520
Speaker 1: hoping she's doing it because she actually wants to be there,

880
00:53:43,880 --> 00:53:46,160
Speaker 1: which based off of when she visited Yale, I did

881
00:53:46,200 --> 00:53:50,840
Speaker 1: get that impression. You haven't mentioned Richard and Emily and

882
00:53:50,960 --> 00:53:54,279
Speaker 1: Richard of her is doing it because of Richard. I

883
00:53:54,320 --> 00:53:57,880
Speaker 1: think that's at the end. I think like, first comes

884
00:53:58,120 --> 00:54:00,680
Speaker 1: being close to mom, second comes being close to jess

885
00:54:01,200 --> 00:54:04,640
Speaker 1: Third because Grandpa went there and that's cool, you know, Like,

886
00:54:04,880 --> 00:54:07,560
Speaker 1: but I mean, maybe I'm wrong, but I'm just hoping

887
00:54:07,600 --> 00:54:10,279
Speaker 1: she's doing it because she truly in her heart that's

888
00:54:10,280 --> 00:54:12,480
Speaker 1: where she wants to go, and not because of those

889
00:54:12,480 --> 00:54:15,319
Speaker 1: other factors. Do you want to know what would have

890
00:54:15,320 --> 00:54:18,359
Speaker 1: made this a great episode if you if you get

891
00:54:18,520 --> 00:54:21,120
Speaker 1: rid of all the post stuff and you put Richard

892
00:54:21,160 --> 00:54:24,520
Speaker 1: and Emily in it, into the process of the pro

893
00:54:24,640 --> 00:54:28,960
Speaker 1: con list. And oh, by the way, mom, dad, she

894
00:54:29,080 --> 00:54:32,759
Speaker 1: got accepted to Princeton and Yale. So that would have

895
00:54:32,840 --> 00:54:38,640
Speaker 1: been complications city man on steroids because of all the

896
00:54:38,719 --> 00:54:43,279
Speaker 1: back and forth. What's she gonna do? So right exactly,

897
00:54:43,400 --> 00:54:45,520
Speaker 1: So that would have been one hell of a Friday

898
00:54:45,600 --> 00:54:50,160
Speaker 1: night dinner all right with everybody? Yeah, man, and I

899
00:54:50,320 --> 00:54:52,279
Speaker 1: just like, where was it? And we've got to deal

900
00:54:52,320 --> 00:54:55,439
Speaker 1: with this post stuff? Does this? And we spoiler a lord,

901
00:54:55,480 --> 00:54:58,719
Speaker 1: but does this occur? Does this? I mean this is

902
00:54:58,719 --> 00:55:01,719
Speaker 1: coming right, They're gonna they're gonna drag it out through

903
00:55:01,719 --> 00:55:05,120
Speaker 1: several episodes and maybe I don't know, there's definitely the

904
00:55:05,200 --> 00:55:08,160
Speaker 1: reveal to Richard that she's going to Yale. But what

905
00:55:08,160 --> 00:55:10,240
Speaker 1: what a hell of an episode this could have been

906
00:55:10,440 --> 00:55:13,560
Speaker 1: with such a monumental decision, and we've been waiting for

907
00:55:13,600 --> 00:55:17,520
Speaker 1: this decision for you know, the better part of three seasons,

908
00:55:17,560 --> 00:55:20,960
Speaker 1: and there's no Richard and Emily participation in this monumental episode.

909
00:55:21,000 --> 00:55:23,759
Speaker 1: It was a huge missed opportunity. You're actually totally right,

910
00:55:23,920 --> 00:55:28,400
Speaker 1: because the payoff of her choosing Yale is very subdued. Yeah,

911
00:55:28,960 --> 00:55:32,440
Speaker 1: which I love, But she didn't. She hasn't officially accepted though,

912
00:55:32,760 --> 00:55:35,560
Speaker 1: Like she hasn't like signed the paperwork that she's going

913
00:55:35,600 --> 00:55:38,359
Speaker 1: to Yale. It's just like on their prose cons list,

914
00:55:38,440 --> 00:55:41,440
Speaker 1: like she's going to Yale. But this is a drama, right,

915
00:55:41,600 --> 00:55:44,520
Speaker 1: is a comedy and drama. So the drama that could

916
00:55:44,520 --> 00:55:49,200
Speaker 1: have been played out with this decision with Emily and

917
00:55:49,239 --> 00:55:52,000
Speaker 1: Drichard involved could have spawned the best comedy that the

918
00:55:52,040 --> 00:55:54,839
Speaker 1: show is, the type of comedy this show is known for.

919
00:55:55,239 --> 00:55:57,319
Speaker 1: I see it. I was surprised that no one went.

920
00:55:57,360 --> 00:56:00,600
Speaker 1: They didn't go to Richard and Emily is to stay

921
00:56:00,640 --> 00:56:02,640
Speaker 1: like she went to Lanes instead. I thought she would

922
00:56:02,680 --> 00:56:04,640
Speaker 1: just go stay with Richard. And that's so far. It's

923
00:56:04,640 --> 00:56:08,120
Speaker 1: like an hour away? Cool? Is it an hour? How

924
00:56:08,120 --> 00:56:11,360
Speaker 1: far is it? Thirty minutes? Maybe thirty minutes? And she's like,

925
00:56:11,440 --> 00:56:14,960
Speaker 1: you know, Richard's paying for this. Children, they're paying for it,

926
00:56:15,760 --> 00:56:17,840
Speaker 1: and they didn't get to participate in the episode, so

927
00:56:17,840 --> 00:56:19,439
Speaker 1: I thought, I don't know. I felt as a fan,

928
00:56:19,520 --> 00:56:23,880
Speaker 1: I felt cheated. I think that's you'll be pleased that's coming. Yeah,

929
00:56:23,920 --> 00:56:27,560
Speaker 1: I better think there's more to it. I do have

930
00:56:27,600 --> 00:56:30,040
Speaker 1: a bone to pick with a question mark because we

931
00:56:30,120 --> 00:56:33,560
Speaker 1: sort of I forgot to say this earlier. So Paris

932
00:56:33,719 --> 00:56:36,080
Speaker 1: talks about I'm going back to that scene with Paris.

933
00:56:36,560 --> 00:56:39,279
Speaker 1: Paris talks about how she told her mom that she

934
00:56:39,360 --> 00:56:42,560
Speaker 1: slept with Jamie, right, and then she talks about how

935
00:56:42,560 --> 00:56:46,360
Speaker 1: her mom cringe e gross gross gross, says how the

936
00:56:47,120 --> 00:56:54,400
Speaker 1: she say, yeah, her father hasn't pleased like fifteen years.

937
00:56:54,440 --> 00:56:57,960
Speaker 1: But here's my question, aren't they divorced? I thought Paris's

938
00:56:58,239 --> 00:57:02,719
Speaker 1: parents were getting divorced? Right? Oh yeah, I forgot about that,

939
00:57:02,920 --> 00:57:04,479
Speaker 1: So I don't know if that's a bone to pick

940
00:57:04,600 --> 00:57:07,080
Speaker 1: or like if it was sort of like because it's not,

941
00:57:07,160 --> 00:57:09,280
Speaker 1: we don't know that they officially got divorced or maybe

942
00:57:09,640 --> 00:57:14,240
Speaker 1: she said maybe ever in their relationshippearance are like gone somewhere,

943
00:57:14,800 --> 00:57:17,760
Speaker 1: So it's like debate what's going on? Yeah, that's interesting.

944
00:57:17,960 --> 00:57:22,320
Speaker 1: I have a bone to pick. Why does everyone have

945
00:57:22,360 --> 00:57:28,320
Speaker 1: a twin bed that was mine? Why are the beds

946
00:57:28,400 --> 00:57:32,360
Speaker 1: so dark? Small? Luke is not sleeping in a twin

947
00:57:34,800 --> 00:57:36,760
Speaker 1: that That's why I was like, what is that bed?

948
00:57:37,400 --> 00:57:39,760
Speaker 1: All of them? Every bed you have? The couple in

949
00:57:39,960 --> 00:57:42,640
Speaker 1: r I have the answer. You know what the answer is,

950
00:57:43,240 --> 00:57:49,520
Speaker 1: shooting no no, no, no no no. Stars Hollow is

951
00:57:49,560 --> 00:57:54,240
Speaker 1: supposed to be an historic town, right, So the houses

952
00:57:54,280 --> 00:57:57,120
Speaker 1: are much smaller, the rooms are much smaller, the ceilings

953
00:57:57,120 --> 00:58:00,400
Speaker 1: are much lower. That's how historic homes were built. They

954
00:58:00,440 --> 00:58:02,880
Speaker 1: were you know, this whole supersizing house. This is a

955
00:58:02,920 --> 00:58:06,880
Speaker 1: new thing. So single beds fit. But the couple in

956
00:58:06,920 --> 00:58:12,560
Speaker 1: the twin bed, yeah a couple. Where who the couple

957
00:58:12,600 --> 00:58:15,080
Speaker 1: that stayed in the one bedroom right that she's hoping

958
00:58:15,160 --> 00:58:19,200
Speaker 1: don't like fool around? Yeah, well that they didn't design

959
00:58:19,240 --> 00:58:22,520
Speaker 1: the room for a couple to fool around. And can

960
00:58:22,560 --> 00:58:25,240
Speaker 1: somebody tell me play that little kid? Because that guy

961
00:58:25,280 --> 00:58:29,200
Speaker 1: looked familiar? Who played that little guy? He definitely has

962
00:58:29,480 --> 00:58:33,040
Speaker 1: continued to like, Well try to let's try to find

963
00:58:33,080 --> 00:58:36,000
Speaker 1: that out while I talk about some fashion that Dennis

964
00:58:36,080 --> 00:58:40,960
Speaker 1: Quaid I don't know, No love Dennis Quaid. Donnis Quaid

965
00:58:41,080 --> 00:58:45,720
Speaker 1: is your um great lore line looking good the whole episode.

966
00:58:46,080 --> 00:58:49,720
Speaker 1: I loved her in the post theater scene or whatever

967
00:58:49,960 --> 00:58:51,840
Speaker 1: with the black leather jacket, which I also thought is

968
00:58:51,920 --> 00:58:54,800
Speaker 1: very interesting that lukewar is almost the same leather jacket.

969
00:58:55,320 --> 00:58:57,600
Speaker 1: She's got the v neck black sweater I loved her hair.

970
00:58:57,800 --> 00:59:01,600
Speaker 1: I just thought, whoa, well, that's just as that's just

971
00:59:01,720 --> 00:59:04,840
Speaker 1: a Northeast thing, you know. The black leather jacket, that's

972
00:59:05,480 --> 00:59:10,880
Speaker 1: that's smart of the uniform. Good. She's probably my standout

973
00:59:11,000 --> 00:59:15,000
Speaker 1: fashion moment just throughout. She just looks great. Mm hmm,

974
00:59:15,400 --> 00:59:21,640
Speaker 1: no question. Yeah, Oh, Ryan Malgarini. While you guys talk,

975
00:59:21,680 --> 00:59:24,960
Speaker 1: I'm gonna look up what other things. Brian melgar playing

976
00:59:25,080 --> 00:59:28,760
Speaker 1: Freaky Friday. Yeah, I knew it. Yes, the one with

977
00:59:28,960 --> 00:59:32,120
Speaker 1: Lindsy Lohan. He's the brother. I knew it. Oh my god, job,

978
00:59:32,240 --> 00:59:37,800
Speaker 1: he's her little brother. He's durable in it. Uh oh,

979
00:59:37,840 --> 00:59:42,960
Speaker 1: he is a kid down. Let's track that kid. That guy,

980
00:59:43,560 --> 00:59:47,120
Speaker 1: Oh my god, he's so much older now. Time moves

981
00:59:47,160 --> 00:59:56,640
Speaker 1: on moves on. Whoa, he's like an adult now, damn him?

982
00:59:57,600 --> 01:00:03,640
Speaker 1: Can you can you? We gotta get that eye on's

983
01:00:03,880 --> 01:00:07,880
Speaker 1: he's still working well. His last credit was yeah right,

984
01:00:07,920 --> 01:00:10,120
Speaker 1: but that was like a minute ago. He did an

985
01:00:10,160 --> 01:00:15,760
Speaker 1: episode of Mike and Molly. His bio on his Instagram

986
01:00:15,800 --> 01:00:17,600
Speaker 1: is I used to act as a kid. Now I

987
01:00:17,680 --> 01:00:20,800
Speaker 1: just act like one. We gotta get the line of

988
01:00:20,800 --> 01:00:26,080
Speaker 1: the day. You gotta get him cute. Got any bones

989
01:00:26,120 --> 01:00:33,280
Speaker 1: to pick other than the whole thing, nom de boned.

990
01:00:34,480 --> 01:00:36,480
Speaker 1: How are you feeling in general about Luke right now?

991
01:00:36,600 --> 01:00:40,200
Speaker 1: Just how are you feeling about him? Um? I like

992
01:00:40,320 --> 01:00:46,160
Speaker 1: to know how I Uh, I like where he is? Yeah,

993
01:00:46,160 --> 01:00:49,200
Speaker 1: I like where he is. I think that he Uh.

994
01:00:51,160 --> 01:00:56,320
Speaker 1: Do you like Nicole? I think? I don't think Nicole matters.

995
01:00:56,480 --> 01:01:02,840
Speaker 1: I think I think, but I think he she's he

996
01:01:02,920 --> 01:01:07,160
Speaker 1: has gained psychological advantage at this point. And the little

997
01:01:07,320 --> 01:01:11,080
Speaker 1: chess match between these two, right, well, it's interesting. After

998
01:01:11,120 --> 01:01:14,080
Speaker 1: we talked to the real life Nicole how she said,

999
01:01:14,480 --> 01:01:17,040
Speaker 1: you're playing her too likable because she's not one bit

1000
01:01:17,080 --> 01:01:23,720
Speaker 1: likable in this episode at all. Right, yuh yeah, okay,

1001
01:01:23,760 --> 01:01:31,760
Speaker 1: well bye bye. That's how that's it. Bye bye. Okay.

1002
01:01:31,800 --> 01:01:35,320
Speaker 1: I'll leave you on one really good best line. It's

1003
01:01:35,320 --> 01:01:37,439
Speaker 1: from Lord Lee to Rory, and she goes, if it's

1004
01:01:37,520 --> 01:01:42,600
Speaker 1: right for you, it's really right for me. Like that's

1005
01:01:41,640 --> 01:01:46,760
Speaker 1: a let's do best lines, let's do best lines. It's

1006
01:01:46,760 --> 01:01:51,680
Speaker 1: all gonna be Michelle. That's how I feel. Yes, I

1007
01:01:51,720 --> 01:02:00,120
Speaker 1: totally agree. Just Michelle hiring right exactly. I like when

1008
01:02:00,480 --> 01:02:02,800
Speaker 1: when Laurla and we'll talk about this in pop culture,

1009
01:02:02,840 --> 01:02:06,840
Speaker 1: but when she lists all the different ends, like the

1010
01:02:06,880 --> 01:02:09,440
Speaker 1: sugar Bear, and he's like every place that sounds like

1011
01:02:09,440 --> 01:02:17,160
Speaker 1: Glenda the Good Witch everything. This was his best so

1012
01:02:17,200 --> 01:02:22,080
Speaker 1: far this episode. He saved it for me when Paris

1013
01:02:22,080 --> 01:02:28,840
Speaker 1: said she did she didn't deserve general Hospital. Yeah. I

1014
01:02:28,880 --> 01:02:33,440
Speaker 1: don't like strangers using my toilet. Oh my god, Michelle

1015
01:02:33,560 --> 01:02:36,080
Speaker 1: is me? Do you? Guys don't remember, he says, because

1016
01:02:36,080 --> 01:02:37,920
Speaker 1: they said, can someone say your house? Because I don't

1017
01:02:37,960 --> 01:02:45,439
Speaker 1: like strangers using my toilet? Absolutely agree either. But I

1018
01:02:45,480 --> 01:02:48,640
Speaker 1: think I wish I had a half bath, like I

1019
01:02:48,680 --> 01:02:51,360
Speaker 1: have two bedrooms two bathrooms in my house, which I

1020
01:02:51,360 --> 01:02:53,920
Speaker 1: had two and a half bath because then that half

1021
01:02:54,000 --> 01:02:57,920
Speaker 1: is just always relegated to strangers. I have that, I

1022
01:02:58,000 --> 01:03:02,040
Speaker 1: have that here, the half. Yeah, you have two and

1023
01:03:02,080 --> 01:03:04,479
Speaker 1: a half. Two and a half. You're living the dream.

1024
01:03:04,640 --> 01:03:07,200
Speaker 1: People don't people two and a half bathrooms? They're living

1025
01:03:07,240 --> 01:03:10,240
Speaker 1: the dream. Those people with five bathrooms though, rich people,

1026
01:03:10,400 --> 01:03:15,640
Speaker 1: what I can't even imagine? Can you? Does anyone have

1027
01:03:15,720 --> 01:03:20,120
Speaker 1: five bathrooms? Five bathrooms at home? My old house My

1028
01:03:20,160 --> 01:03:24,080
Speaker 1: old house had six so rich, Oh my god. And

1029
01:03:24,120 --> 01:03:29,680
Speaker 1: then and then one in the garage as well. What

1030
01:03:29,800 --> 01:03:34,560
Speaker 1: girl's money can get you seven bathrooms? You want the best?

1031
01:03:34,840 --> 01:03:36,720
Speaker 1: I can use a different toilet every day of the

1032
01:03:36,760 --> 01:03:40,240
Speaker 1: week can be that green thing right there? Do you

1033
01:03:40,280 --> 01:03:43,800
Speaker 1: see it? Can you see it's portable? That's my bathroom

1034
01:03:43,840 --> 01:03:50,880
Speaker 1: in my garage. That's literally it's a camping toilet. Pret

1035
01:03:51,000 --> 01:03:55,920
Speaker 1: weared my And there's my alarm clock. Hello Kitty. That

1036
01:03:55,960 --> 01:04:00,520
Speaker 1: should be on the Instagram. What it's like to not

1037
01:04:00,640 --> 01:04:09,960
Speaker 1: be Scott Patterson. But it's like to be on I

1038
01:04:10,000 --> 01:04:15,800
Speaker 1: didn't build the house, I just bought it. Bravo to Michelle.

1039
01:04:15,840 --> 01:04:21,200
Speaker 1: This was yet he stole this, Yeah that was he

1040
01:04:21,360 --> 01:04:29,280
Speaker 1: stole it huge and yeah, oh yes, look at next

1041
01:04:29,320 --> 01:04:33,680
Speaker 1: week Happy Birthday Baby, Episode eighteen, season three. What is

1042
01:04:33,720 --> 01:04:37,320
Speaker 1: that all about, Laurels b Day. I think it's the

1043
01:04:37,320 --> 01:04:39,760
Speaker 1: world's largest pizza is coming or something. I think there's

1044
01:04:39,800 --> 01:04:44,720
Speaker 1: some pizza. Next time we have pizza. Have everybody, okay,

1045
01:04:44,760 --> 01:04:46,960
Speaker 1: I have a game again. Of course, Scott, it's gonna

1046
01:04:46,960 --> 01:04:50,200
Speaker 1: be hard in Nova Scotia. But everybody get your favorite

1047
01:04:50,440 --> 01:04:52,600
Speaker 1: Next week listen, they have they have pizza here. You

1048
01:04:52,640 --> 01:04:55,160
Speaker 1: wouldn't believe. Knock your socks off. Okay, perfect, I hope

1049
01:04:55,160 --> 01:04:57,600
Speaker 1: you have door toash. I'm hungry. No, I just go.

1050
01:04:57,760 --> 01:04:59,760
Speaker 1: I just go downstairs and I pick it up. It's

1051
01:04:59,760 --> 01:05:03,840
Speaker 1: not a amazing Okay, so everybody remind everybody pizza is

1052
01:05:03,840 --> 01:05:05,680
Speaker 1: going to be I think it's the I definitely think

1053
01:05:05,680 --> 01:05:07,560
Speaker 1: there's a big pizza thing in this. Let's confirm and

1054
01:05:07,560 --> 01:05:10,200
Speaker 1: then we'll order pizza. I'm pretty smart, but you check.

1055
01:05:11,120 --> 01:05:13,720
Speaker 1: I don't remember it was Why at this rate we

1056
01:05:13,760 --> 01:05:22,120
Speaker 1: could ended up being peanut butter sandwiches. Anybody right, beer

1057
01:05:22,200 --> 01:05:59,600
Speaker 1: episode because good bye bye, I can't see you. Bye

1058
01:06:00,280 --> 01:06:03,320
Speaker 1: hey everybody, and don't forget. Follow us on Instagram at

1059
01:06:03,600 --> 01:06:07,520
Speaker 1: I Am all In podcast and email us at Gilmore

1060
01:06:07,800 --> 01:06:11,520
Speaker 1: at I Heart radio dot com. Oh you Gilmore fans.

1061
01:06:11,520 --> 01:06:13,200
Speaker 1: If you're looking for the best cup of coffee in

1062
01:06:13,240 --> 01:06:16,680
Speaker 1: the world, go to my website for my company scott

1063
01:06:16,680 --> 01:06:18,840
Speaker 1: ep dot com s C O T T y P

1064
01:06:19,080 --> 01:06:30,800
Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee. Yeah.