WEBVTT - #295 - 38 Spesh

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<v Speaker 1>Heyo, what's happening? Man? It's thirty eight specch Make sure

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<v Speaker 1>y'all check me out on the Bootleg CAV podcast. Trust

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<v Speaker 1>Bootleg cav Podcast Special guests in here. Mike got thirty

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<v Speaker 1>eight special. What's hadding? What's going on? Man? I'm back, Man,

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<v Speaker 1>You're back. You got some shows in the southern California area.

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<v Speaker 1>Big show catch Garden Grove. New album is out for

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<v Speaker 1>people who don't know. So what I like about what

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<v Speaker 1>you're doing with this album and you've don't in the past,

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<v Speaker 1>is you put the album out on your website early.

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<v Speaker 1>So for the fans that are like that want it now,

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<v Speaker 1>you can monetize that, right, you know, I get the

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<v Speaker 1>people that you know want to support, give them a

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<v Speaker 1>chance to support a lot of people be wanting to

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<v Speaker 1>support Heavy, right, don't even really got no opportunity, right

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<v Speaker 1>you know what I'm saying, Yeah, because it's like you

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<v Speaker 1>can stream it, but like what if I want to

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<v Speaker 1>do more? You know? So you know, with this right here,

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<v Speaker 1>I'm giving y'all an opportunity to pay what you want.

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<v Speaker 1>You know, we start with a floor price at thirty

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<v Speaker 1>eight dollars, but if you want to spend more you

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<v Speaker 1>could spend more, and the people that spend a lot,

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<v Speaker 1>y'all gonna get you know, different perks and stuff. You know,

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<v Speaker 1>y'all gonna get access to, like, you know, the events,

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<v Speaker 1>you know, the listening parties and exclusive merch and stuff

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<v Speaker 1>like that. You're gonna see all the incentives up there

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<v Speaker 1>when you go to the site. It's that even dot biz.

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<v Speaker 1>Well I just saw so if someone buys the album,

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<v Speaker 1>they can come to the show in LA. Definitely, So

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<v Speaker 1>they can come to the show in LA, and then

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<v Speaker 1>there's an exclusive listening seven shots vinyl too, right, Yeah,

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<v Speaker 1>it's a vinyl that you get signed by me as well. Yeah,

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<v Speaker 1>you know what I'm saying. Yeah, the vinyl turnarounds gotta

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<v Speaker 1>be crazy. I feel like it takes forever to get

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<v Speaker 1>vinyl made. It was. It got crazy when COVID hit. Right,

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<v Speaker 1>it's been better. It's a lot better now. Yeah, it's

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<v Speaker 1>back to normal and shit, decent, decent turnaround and shit,

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<v Speaker 1>how do you top last year? Man? You had a

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<v Speaker 1>crazy year. Last year I had a dope. Yeah last year.

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<v Speaker 1>This year is gonna be crazier. Yeah, because I got

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<v Speaker 1>I got a lot of shit. Last year was my

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<v Speaker 1>warm up. You know what I'm saying, Like I only

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<v Speaker 1>put out honestly, I put out like seventeen songs last year,

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<v Speaker 1>but they but they all you made him count? Yeah?

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<v Speaker 1>I made them just count this year because did you

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<v Speaker 1>only put out seven shots in the Harry Frodchi last year? Yeah?

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<v Speaker 1>You made him count though, You're right? Yeah, right? You

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<v Speaker 1>know what I'm saying. This year, I got a few

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<v Speaker 1>things lined up. Like I said, I got gun Smoke,

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<v Speaker 1>I just dropped. Me and Conway got an album Crazy Okay, Yeah,

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<v Speaker 1>the people gotta get ready for that. Is it finished?

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<v Speaker 1>It's done? Oh man? Yeah, that's coming. I'm gonna follow

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<v Speaker 1>up after gun Smoke with that. So y'all heard that?

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<v Speaker 1>Do you have a title for it? You're gonna need

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<v Speaker 1>a lighter again or yeah, I'm gonna need a lighter again.

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<v Speaker 1>Let's get this wonderful hardin lighter, yes, sir, So, yeah,

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<v Speaker 1>that's coming. The name of that album is called Special Machinery.

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<v Speaker 1>Oh yeah, something serious, Special Machinery. Yeah, were on there

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<v Speaker 1>getting busy and shit. You know what I'm saying. I

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<v Speaker 1>produced the whole joint, me and me and my guy

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<v Speaker 1>Jimmy Dukes. He's a producer from out of Buffalo. We

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<v Speaker 1>produced the whole joint and how many songs? Ten? Yeah? Yeah,

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<v Speaker 1>enjoins me and Conway dumping going crazy. Yeah, And I

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<v Speaker 1>feel like last year Conway kind of like he had

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<v Speaker 1>a great year. He did drumwork for us and stuff,

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<v Speaker 1>but I feel like he kind of kicked back on

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<v Speaker 1>releasing music at a normal pace. So I know this

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<v Speaker 1>year he is not playing Yeah even lowder him and

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<v Speaker 1>Jay Ski's just dropped. I know his album comes out

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<v Speaker 1>in April. When is you know what date you guys

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<v Speaker 1>are dropping this? Uh for July Augustus, and shit, you

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<v Speaker 1>know what I'm saying, I'm gonna hit him one more time,

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<v Speaker 1>one more solo before the year route. Yeah, you know

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<v Speaker 1>what I'm saying. So I'm gonna give him three projects

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<v Speaker 1>this year. I feel like you just celebrated the anniversary

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<v Speaker 1>of the album with Benny, and I made me feel like,

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<v Speaker 1>damn time Flies, was it five years? It was five years? Man?

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<v Speaker 1>And uh we actually on the low. We and we

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<v Speaker 1>in the studio right now cooking you and Benny right now,

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<v Speaker 1>but part two. Yeah, and it sounded like, damn man,

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<v Speaker 1>it's surprise and it hit a hunger that we still

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<v Speaker 1>got right like it's like, Wow, we still say is

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<v Speaker 1>good together and we still you know what I'm saying,

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<v Speaker 1>we bring the best out each other. So it's one

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<v Speaker 1>of my favorite album covers. Too. Appreciate that stating shot

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<v Speaker 1>too is on the way y'all, y'all get ready for

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<v Speaker 1>that man. So that might come this year too, it's

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<v Speaker 1>a strong possibility. If not, it's definitely coming next year. Yeah,

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<v Speaker 1>you ain't playing, bron ain't this guy's not playing. I'm

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<v Speaker 1>in my bag right now, you know what I'm saying.

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<v Speaker 1>One hundred. So what is the difference between doing an

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<v Speaker 1>entire project with Benny whatch you've already done you're currently

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<v Speaker 1>working now, and then getting in with Conway? Do they

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<v Speaker 1>have a big difference in terms of just how they

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<v Speaker 1>worked it? Like like, well, yeah, yeah, it's a difference

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<v Speaker 1>because Conway's more late than anybody. Well he's the latest

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<v Speaker 1>guy alive, what you mean, Like he just be like

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<v Speaker 1>I'll be there at ten, but he comes to like,

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<v Speaker 1>you know, that's my brother. I love Conway. But yeah,

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<v Speaker 1>it's definitely different. And shit, me and Ben, you know,

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<v Speaker 1>we was recording for a longer period of time, you

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<v Speaker 1>know what I'm saying. We've been doing this here for

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<v Speaker 1>together for a long time. Yeah, since like seven o eight,

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<v Speaker 1>probably six, So you guys we got a lot more

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<v Speaker 1>chemist chemistry of course, you know what I'm saying. Uh,

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<v Speaker 1>Me and Conway, we ain't record as much, but we

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<v Speaker 1>still got history and shit. But you know, the recording

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<v Speaker 1>process is still really like the same though. We still

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<v Speaker 1>go in there and give it our best. It's a

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<v Speaker 1>very competitive situation. It's anytime, good way room. It's a

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<v Speaker 1>great anytime. Like you know, me and the Spinners is

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<v Speaker 1>a few spinners right that I sunk with. Anytime we

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<v Speaker 1>get together. It's a very competitive situation, you know what

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<v Speaker 1>I'm saying, And it brings out the best. So you know,

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<v Speaker 1>y'all expect to hear some great ship that's great special machinery. Yeah,

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<v Speaker 1>I like that man's records features. Yeah, we got Lloyd

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<v Speaker 1>Banks on it. Come on, man, yeah, man, I got

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<v Speaker 1>dropping so much just news, just yeah, man, I got

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<v Speaker 1>Lloyd Banks on there. We got Pharaoh Mantra on there.

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<v Speaker 1>Did anyone ever tell you look like Pharaoh Mantch a

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<v Speaker 1>little bit or a little bit, just a little bit,

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<v Speaker 1>just a little bit, man, Pharah Mantch didn't have hair, right,

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<v Speaker 1>I could see it. Parah Manches one of them one though.

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<v Speaker 1>He's one of them ones and you don't hear his

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<v Speaker 1>name enough when we talk about like the greats. Farah

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<v Speaker 1>Manch is one of them guys. Yeah, so you know

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<v Speaker 1>that shit is coming bad, like you know uploaded though, Man,

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<v Speaker 1>I'm bloaded, you ain't playing this year? Hey, So you're

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<v Speaker 1>like you've gotten these like huge co signs from guys

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<v Speaker 1>like KD, guys like Kevin Obviously I'd already said Kevin Durrant,

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<v Speaker 1>who's the Phoenix Sun? Now? By the way, Lebron James

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<v Speaker 1>riding around listening to your music, like for you, like

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<v Speaker 1>when you see Lebron is like just a fan, Like,

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<v Speaker 1>what's that feel like to know, like arguably the greatest

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<v Speaker 1>player of all time? It's like extremely tapped in. That

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<v Speaker 1>feels great. Yeah. Yeah, coming from where I come from,

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<v Speaker 1>you know what I'm saying, It's it's amazing. You know

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<v Speaker 1>what I'm saying. I'm not used to, like I'm always

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<v Speaker 1>used to like being dope, but like people not knowing

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<v Speaker 1>about it, right, It's almost like those co signs mean

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<v Speaker 1>a lot more than like some of these industry costs

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<v Speaker 1>science that you kind of feel like you need to

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<v Speaker 1>be like solidified, right, It's like fuck that KD and

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<v Speaker 1>Lebron are bumping my shit. Fuck what you think facts

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<v Speaker 1>and it's naturally organic, you know what I'm saying. They

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<v Speaker 1>fill it music, you know what I'm saying. So that shit,

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<v Speaker 1>that shit is beautiful. I feel like I might have

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<v Speaker 1>seen you in the studio with KD. Am I tripping? Nah?

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<v Speaker 1>You ain't tripping, man, You ain't tripping, you know what

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<v Speaker 1>I'm saying. KD, KD he been behind the scenes working

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<v Speaker 1>with me and ran on some things, you know what

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<v Speaker 1>I mean, Me and Ransom, So you know, me and

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<v Speaker 1>Ransom and KD, we like, you know, got some things

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<v Speaker 1>cooking up. Y'all can expect something some powerful. Well listen

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<v Speaker 1>for people who don't know, Kevin Durant did have a

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<v Speaker 1>record label back in the day when he first was

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<v Speaker 1>the OKC. He did have a go at the music industry.

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<v Speaker 1>Is he trying to spend the block? And I wouldn't

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<v Speaker 1>say trying, I'm gonna say he's spinning the block heavy

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<v Speaker 1>with Ransom and thirty eight Special, Yeah, I would say that.

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<v Speaker 1>You know, So, did you guys sign to do like

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<v Speaker 1>a like an album with him? We just we just

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<v Speaker 1>added right now, we just you know, we just we

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<v Speaker 1>just building. You know. Would you signed with Kevin Durant?

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<v Speaker 1>I don't. I don't. I don't really like even the

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<v Speaker 1>words sign. Would you partner with KD on the project?

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<v Speaker 1>I would definitely. Are you guys partnering on the project?

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<v Speaker 1>That's the strong But yeah, that's that's definitely what's happening.

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<v Speaker 1>We definitely partnering on so you Ransom Kevin Durant partnering

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<v Speaker 1>on the body of work? Wow? Yeah. And Katie's got

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<v Speaker 1>a great year for this rap ship. So like he does,

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<v Speaker 1>how much input does he have? Does he help him

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<v Speaker 1>with picking beat? Yeah? Yeah, full hands on and on.

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<v Speaker 1>You know what I'm saying, given all a lot of input.

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<v Speaker 1>You know, he got a good solid you know, we

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<v Speaker 1>all come from the same claw file as what we like.

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<v Speaker 1>Iss sure, so you know, you know that's how that is,

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<v Speaker 1>you know, And we're just running through reaching out, coming

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<v Speaker 1>up the production and that's that's a big deal, you

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<v Speaker 1>know what I'm saying. So you got to come to

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<v Speaker 1>Phoenix now, I definitely do come to the hometown. Man. Yeah,

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<v Speaker 1>I'm supposed to. I'm supposed to be going out there

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<v Speaker 1>sometime soon as Ship. We got some great recording studios

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<v Speaker 1>out there, that's what DMX recorded a lot of Ship

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<v Speaker 1>and Little Wayne did the Carter three out there and

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<v Speaker 1>Hazy you know got we got, we got some good

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<v Speaker 1>spots to to lay down some uh some partnered albums

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<v Speaker 1>with Kevin Durant, that's for sure. Oh no, yeah, I

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<v Speaker 1>already hit man. You got to come out for the

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<v Speaker 1>playoffs because you know what making them. I mean, we're

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<v Speaker 1>gonna be in. We're going to the finals. You know

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<v Speaker 1>what I'm saying. As long as Katie's healthy, as long

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<v Speaker 1>as his foot is okay and he don't slip on

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<v Speaker 1>the court anymore, we'll be all right, do you Okay?

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<v Speaker 1>So if you're if you're working with KD, are you

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<v Speaker 1>automatically like that's your squad whatever team he's on. Hell yeah, yeah,

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<v Speaker 1>so your son's fans fan, right, Hell yeah? Realized. You

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<v Speaker 1>gotta realize, like before before the NBA started supporting me

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<v Speaker 1>and Ship, you know what, I me really watched sports.

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<v Speaker 1>So you were never a big sports guy anymore? Was

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<v Speaker 1>a sports guy. I can't even tell you who went

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<v Speaker 1>to the Super Bowl last year, and I don't even

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<v Speaker 1>know who won a championship last year. You know what

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<v Speaker 1>a year before that? No, No, that is a life

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<v Speaker 1>I wish I had. I let so much shit that

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<v Speaker 1>I can't control. Stress me out so much because I'm

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<v Speaker 1>such a sports fanatic and I gambled on so much shit.

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<v Speaker 1>I'm like, I don't know any of these guys. I'm

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<v Speaker 1>not playing in the games, but somehow my life is

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<v Speaker 1>so wrapped up into it's like some gang shit, Like

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<v Speaker 1>I'm a I'm a fucking Suns fan. Like I've given

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<v Speaker 1>so much of my money to Phoenix Suns shit, Like

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<v Speaker 1>if you were to go to my closet round, I

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<v Speaker 1>probably have one hundred jerseys. It's it's really sickening, like

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<v Speaker 1>but I'm just glad that I've already bought three KT jerseys.

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<v Speaker 1>They haven't got delivered yet, but I can't wait. Shout

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<v Speaker 1>shout out to the Suns man. I went to Katy's

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<v Speaker 1>house once Freddie Gibbs during the pandemic had his birthday. There.

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<v Speaker 1>It was like a little barbecue and I was wearing

0:11:03.559 --> 0:11:05.520
<v Speaker 1>a son's Rex Chapman jersey, and I got I talked

0:11:05.559 --> 0:11:07.240
<v Speaker 1>with KD for about forty five minutes and he was

0:11:07.240 --> 0:11:10.120
<v Speaker 1>giving me props and I was like, I've told him.

0:11:10.160 --> 0:11:13.880
<v Speaker 1>Then I was like, hey, man, would you ever come

0:11:13.920 --> 0:11:16.520
<v Speaker 1>to Phoenix. He had just went to Brooklyn, you know,

0:11:17.080 --> 0:11:19.800
<v Speaker 1>so I like Phoenix. I was like, man, look, well

0:11:19.840 --> 0:11:22.160
<v Speaker 1>have you buddy any time? Looking it ended up working out.

0:11:22.720 --> 0:11:24.120
<v Speaker 1>I'm gonna have to give you my jerseys to get

0:11:24.200 --> 0:11:27.679
<v Speaker 1>him signed though, Yeah, no doubt. Yeah. Anyway, Well listen

0:11:28.600 --> 0:11:32.920
<v Speaker 1>for you. What is what do you think the difference

0:11:33.080 --> 0:11:36.960
<v Speaker 1>was between your last two projects? Because I do feel

0:11:37.000 --> 0:11:43.000
<v Speaker 1>like your last two projects did kind of put you

0:11:43.040 --> 0:11:46.439
<v Speaker 1>in a different place in terms of I think recognition, notoriety,

0:11:47.280 --> 0:11:49.360
<v Speaker 1>even though you're a veteran, even though you've been doing

0:11:49.400 --> 0:11:52.240
<v Speaker 1>this for Honestly, man, I think it's just time and

0:11:52.600 --> 0:11:55.440
<v Speaker 1>m Yeah, because prior to that, I haven't released in

0:11:55.480 --> 0:11:58.920
<v Speaker 1>two years. My last project came out in twenty twenty, right,

0:11:59.000 --> 0:12:02.280
<v Speaker 1>so I wasn't even in expecting this kind of response.

0:12:02.320 --> 0:12:04.320
<v Speaker 1>I felt like I was just warming back up because

0:12:04.320 --> 0:12:06.520
<v Speaker 1>I was kind of cold, right, you know what I'm saying.

0:12:07.200 --> 0:12:11.400
<v Speaker 1>So when I put it out, you know, it's just

0:12:11.400 --> 0:12:14.560
<v Speaker 1>the quality of the music and the time, and you

0:12:14.559 --> 0:12:17.000
<v Speaker 1>know what I mean, That's really all it is. I

0:12:17.040 --> 0:12:20.760
<v Speaker 1>didn't do nothing different, yo, I'm telling you though, Man,

0:12:22.320 --> 0:12:24.599
<v Speaker 1>you're one of the greats. Man. You know, I appreciate

0:12:24.640 --> 0:12:27.240
<v Speaker 1>that forreat, no real shit, Like when it comes to

0:12:27.280 --> 0:12:29.960
<v Speaker 1>this rapping shit, Yeah, I'm knocking shit down, man, and

0:12:30.000 --> 0:12:32.880
<v Speaker 1>you be so smooth. I appreciate that shit you be

0:12:32.920 --> 0:12:34.560
<v Speaker 1>saying in the way you say it. It just be

0:12:34.640 --> 0:12:37.520
<v Speaker 1>like it's not just like some low hanging fruit like

0:12:37.880 --> 0:12:39.559
<v Speaker 1>rap shit. You know, because a lot of people get

0:12:39.559 --> 0:12:41.640
<v Speaker 1>credit for like being great rappers and like they're great,

0:12:41.679 --> 0:12:43.800
<v Speaker 1>but like they're really just saying like some really like

0:12:43.840 --> 0:12:46.079
<v Speaker 1>low hanging fruit shit. You'd be saying the slickest shit

0:12:46.120 --> 0:12:49.559
<v Speaker 1>where you're like, oh, yeah, like that's some life lesson

0:12:49.600 --> 0:12:52.320
<v Speaker 1>shit wrapped up into some like Yeah, I appreciate it

0:12:52.600 --> 0:12:56.160
<v Speaker 1>for sure. Man. Is there anybody out there besides you know,

0:12:56.600 --> 0:12:58.920
<v Speaker 1>the immediate guys we'd associate you with when it comes

0:12:58.920 --> 0:13:01.400
<v Speaker 1>to like Benny and Conwey, those guys who you're just

0:13:01.440 --> 0:13:03.680
<v Speaker 1>a fan of from far like who You're just like, yo,

0:13:03.960 --> 0:13:05.600
<v Speaker 1>I see what this guy's doing. I might not have

0:13:05.640 --> 0:13:08.240
<v Speaker 1>worked with them yet, but I fuck with their I

0:13:08.320 --> 0:13:10.679
<v Speaker 1>just fuck with their talent, their skill, their music, whatever

0:13:10.720 --> 0:13:13.680
<v Speaker 1>it might be. From I like the l Russell Kid.

0:13:13.960 --> 0:13:17.760
<v Speaker 1>He's dope, amazing, and you guys have a crazy independent

0:13:17.800 --> 0:13:21.640
<v Speaker 1>hustle to pay what you want. You know. I like

0:13:21.720 --> 0:13:26.480
<v Speaker 1>that kid too. He's dope too. I think he's he's dope,

0:13:26.520 --> 0:13:29.960
<v Speaker 1>you know what I'm saying. He's he's got very entertaining raps.

0:13:30.000 --> 0:13:32.680
<v Speaker 1>I always say, like, I haven't heard someone talk about

0:13:32.720 --> 0:13:35.600
<v Speaker 1>pimping in the in a way like that. It's too short.

0:13:35.640 --> 0:13:38.000
<v Speaker 1>When I was a kid and that's two times is great.

0:13:38.040 --> 0:13:40.080
<v Speaker 1>But Larrussell, I feel like you guys should connect because

0:13:40.080 --> 0:13:42.439
<v Speaker 1>you guys, you've been building this community with your fan

0:13:42.520 --> 0:13:44.400
<v Speaker 1>base for so long, and I feel like he's all

0:13:44.440 --> 0:13:50.400
<v Speaker 1>about the similar like staying independent, building community with your fans,

0:13:50.440 --> 0:13:54.280
<v Speaker 1>giving them an opportunity to kind of back up what

0:13:54.320 --> 0:13:57.040
<v Speaker 1>you're doing with their with their pocketbook, because like you said, man,

0:13:57.160 --> 0:14:00.160
<v Speaker 1>that streaming shit is like somebody can stream your at

0:14:00.160 --> 0:14:03.199
<v Speaker 1>a thousand times and it might not equal them buying

0:14:03.880 --> 0:14:06.800
<v Speaker 1>a hoodie, you know what I'm saying. And it's like

0:14:07.040 --> 0:14:08.880
<v Speaker 1>to them, they're like all I do is listen to this.

0:14:09.000 --> 0:14:11.240
<v Speaker 1>But it's like, man, if you're really independent, I think

0:14:11.240 --> 0:14:15.199
<v Speaker 1>it's important that you figure out ways to monetize your

0:14:15.240 --> 0:14:17.720
<v Speaker 1>fan base and give them opportunity to support because they

0:14:17.760 --> 0:14:19.320
<v Speaker 1>really do want to support. It's not like you're taking

0:14:19.320 --> 0:14:21.120
<v Speaker 1>advantage of your fans. You're giving like, Hey, they want

0:14:21.120 --> 0:14:22.600
<v Speaker 1>to support. They know what's up. They know you're not

0:14:22.600 --> 0:14:25.480
<v Speaker 1>on a major label. You know what I'm saying, right, Yeah, Hey,

0:14:25.480 --> 0:14:27.120
<v Speaker 1>we got to stop the interview real quick to tell

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0:16:54.440 --> 0:16:59.400
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0:17:00.160 --> 0:17:01.880
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0:17:30.600 --> 0:17:32.840
<v Speaker 1>you gonna be doing I know you're doing like spot shows?

0:17:32.880 --> 0:17:35.159
<v Speaker 1>What about like a full tour? I'm actually on a

0:17:35.160 --> 0:17:38.200
<v Speaker 1>full tour right now, so you know I actually put

0:17:38.240 --> 0:17:43.920
<v Speaker 1>it together. I have about like thirteen dates and right

0:17:43.960 --> 0:17:47.359
<v Speaker 1>now we got about eight left, you know what I'm saying.

0:17:48.160 --> 0:17:53.159
<v Speaker 1>So you know I got a Gone and Grove, I

0:17:53.200 --> 0:17:58.920
<v Speaker 1>got LA then shit, DC, shout out to DC. I

0:17:59.040 --> 0:18:04.080
<v Speaker 1>be there on third, Uh Buffalo on this eighth. What's

0:18:04.119 --> 0:18:07.159
<v Speaker 1>your biggest market outside of upstate New York? Like when

0:18:07.200 --> 0:18:10.360
<v Speaker 1>you look at the metrics and the numbers, UH, New

0:18:10.440 --> 0:18:13.320
<v Speaker 1>York City and Los Angeles. Yeah, because I feel like

0:18:13.359 --> 0:18:15.080
<v Speaker 1>I feel like when you're out here, you got the

0:18:15.119 --> 0:18:18.240
<v Speaker 1>fans pulling up with the vinyl whether you know, they're

0:18:18.240 --> 0:18:21.120
<v Speaker 1>ready to get their ship signed, like they ain't playing man. Yeah,

0:18:21.280 --> 0:18:25.720
<v Speaker 1>now the fans show love many they support heavy for you,

0:18:26.960 --> 0:18:30.040
<v Speaker 1>I think that you're a high level MC. You're me

0:18:30.080 --> 0:18:32.119
<v Speaker 1>and you are probably similar in age in terms of

0:18:32.160 --> 0:18:33.879
<v Speaker 1>probably the type of shit we grew up listening to.

0:18:34.280 --> 0:18:37.199
<v Speaker 1>What are your like, top five albums, albums ever, not

0:18:37.320 --> 0:18:41.400
<v Speaker 1>the best album, but your personal favorite. First, I'm gonna

0:18:41.400 --> 0:18:44.879
<v Speaker 1>say Ready to Die. M I mean, no Life after Death,

0:18:44.920 --> 0:18:48.560
<v Speaker 1>life life after That, But I mean some people like

0:18:48.600 --> 0:18:51.520
<v Speaker 1>Ready to Die because the nostalgia purposes. Now I realize,

0:18:51.520 --> 0:18:54.080
<v Speaker 1>well my age, Ready to Die was a little before

0:18:54.119 --> 0:18:56.639
<v Speaker 1>my time. Life after Death I connected with you know

0:18:56.680 --> 0:18:59.280
<v Speaker 1>what I'm saying, So I would say Life after Death,

0:19:00.640 --> 0:19:09.879
<v Speaker 1>Mob Deep Murder Music Okay, jay Z Blueprint all right,

0:19:11.200 --> 0:19:16.439
<v Speaker 1>nahs it was written great, great NAS album, Firmative Actions,

0:19:17.000 --> 0:19:22.120
<v Speaker 1>Top five no song ever Doctor dreda chronic the first one. Yeah,

0:19:22.280 --> 0:19:26.000
<v Speaker 1>I like that. The West Coast in there, Yeah, because

0:19:26.000 --> 0:19:29.280
<v Speaker 1>that was the first that I remember the ogs like playing.

0:19:29.320 --> 0:19:31.760
<v Speaker 1>I really had a heavy influence on my all my

0:19:32.080 --> 0:19:35.640
<v Speaker 1>you know, and yeah, that shit was heavy. Talk about

0:19:35.680 --> 0:19:39.320
<v Speaker 1>you and Ransom, your guys' friendship, your partnership. Obviously you

0:19:39.359 --> 0:19:43.040
<v Speaker 1>guys have crazy chemistry together working on a project, partnering

0:19:43.119 --> 0:19:47.080
<v Speaker 1>up with KD. But what is it about Ransom? You guys,

0:19:47.119 --> 0:19:50.000
<v Speaker 1>I feel like have each kind of had your own

0:19:50.040 --> 0:19:55.000
<v Speaker 1>interesting route through the music industry. But you guys are

0:19:55.000 --> 0:19:57.800
<v Speaker 1>both still here. You guys are I feel like each

0:19:57.880 --> 0:20:00.560
<v Speaker 1>hitting your stride in a way that like it's dope

0:20:00.560 --> 0:20:03.120
<v Speaker 1>to see because I remember getting like Ransom a team

0:20:03.160 --> 0:20:05.240
<v Speaker 1>shit like fuck might I might have been in high

0:20:05.280 --> 0:20:07.080
<v Speaker 1>school or at least like eighteen or nineteen, you know

0:20:07.119 --> 0:20:10.199
<v Speaker 1>what I'm saying, right, But it's just dope to kind

0:20:10.240 --> 0:20:12.560
<v Speaker 1>of see you guys work together, and I feel like

0:20:12.600 --> 0:20:14.320
<v Speaker 1>you guys do have similar come ups in a way,

0:20:14.359 --> 0:20:17.200
<v Speaker 1>you know, talk about your guys' friendship and partnership and

0:20:17.240 --> 0:20:20.600
<v Speaker 1>what it is about Rand that you guys click so well.

0:20:21.280 --> 0:20:23.800
<v Speaker 1>You know, man, me and Ran we alike in a

0:20:23.800 --> 0:20:26.000
<v Speaker 1>lot of ways, and shit, we really do our own

0:20:26.040 --> 0:20:28.440
<v Speaker 1>thing and we ain't really don't play the politic game,

0:20:29.320 --> 0:20:31.760
<v Speaker 1>you know, like this shit is really based on politics

0:20:32.000 --> 0:20:33.880
<v Speaker 1>a lot of it. Yeah, you know what I'm saying, so,

0:20:34.000 --> 0:20:36.480
<v Speaker 1>like me and Ran, we both got the same attitude

0:20:36.480 --> 0:20:38.720
<v Speaker 1>that we fuck with who fuck with us? You know

0:20:38.720 --> 0:20:40.960
<v Speaker 1>what I'm saying. Might we ain't going to the events,

0:20:41.000 --> 0:20:43.800
<v Speaker 1>We're not gonna be seen, We're not shaking too many hands.

0:20:43.840 --> 0:20:46.199
<v Speaker 1>We really fuck with who fuck with us? You know

0:20:46.280 --> 0:20:49.320
<v Speaker 1>that should hinder you in this. It'll also make you

0:20:49.400 --> 0:20:54.720
<v Speaker 1>question whether or not you're doing the right shit right.

0:20:55.600 --> 0:20:59.280
<v Speaker 1>It'll subconsciously also influence the music if you actually get

0:20:59.320 --> 0:21:02.760
<v Speaker 1>too worried about I didn't go to the Rap Caviard

0:21:02.760 --> 0:21:05.040
<v Speaker 1>party for the Grammys or you know all this bullshit?

0:21:05.080 --> 0:21:06.680
<v Speaker 1>You know what I mean, right, And not to say

0:21:06.680 --> 0:21:08.680
<v Speaker 1>that's bullshit because I've been on the Rap Caviar podcast

0:21:08.720 --> 0:21:14.359
<v Speaker 1>a lot, you know, and from all of that now

0:21:14.359 --> 0:21:17.560
<v Speaker 1>I'm playing politics shit, you know. I could see like

0:21:18.080 --> 0:21:20.040
<v Speaker 1>I was always a fan of Ran, but as a

0:21:20.040 --> 0:21:23.119
<v Speaker 1>point of time he stopped rapping and I understood he

0:21:23.240 --> 0:21:26.280
<v Speaker 1>was going through And at that point of time, I

0:21:26.400 --> 0:21:28.800
<v Speaker 1>realized that it was a way for us to monetize

0:21:28.840 --> 0:21:32.159
<v Speaker 1>without having to play the politics game. Yep, So, and

0:21:32.320 --> 0:21:34.760
<v Speaker 1>I went and hollered at him. I had one conversation

0:21:34.920 --> 0:21:39.600
<v Speaker 1>with him, and he was back active with a vengeance

0:21:40.200 --> 0:21:43.080
<v Speaker 1>he's been on his ship and he's been going crazy

0:21:43.160 --> 0:21:46.440
<v Speaker 1>for sure, you know what I'm saying. So like since then,

0:21:46.480 --> 0:21:50.000
<v Speaker 1>you know, we we built a lot of a lot

0:21:50.000 --> 0:21:53.040
<v Speaker 1>of music, you know what I'm saying, and just built

0:21:53.280 --> 0:21:56.679
<v Speaker 1>a strong partnership. You know what I'm saying. What is

0:21:56.720 --> 0:21:59.200
<v Speaker 1>this album sounded like that you're working on with mister Durant?

0:21:59.240 --> 0:22:01.560
<v Speaker 1>Is Is it an EP? Is it a full project?

0:22:01.720 --> 0:22:05.600
<v Speaker 1>Is it? Like? Honestly, it sounded like some real soul,

0:22:05.680 --> 0:22:09.680
<v Speaker 1>full heart felt you know what I'm saying, some real

0:22:09.720 --> 0:22:13.320
<v Speaker 1>soul for hall felt shit. Right now, we got we

0:22:13.320 --> 0:22:16.399
<v Speaker 1>we've been working with the producer Bank. Oh yeah, Binker's

0:22:16.400 --> 0:22:19.240
<v Speaker 1>a legend. Yeah. Bank is going to produce the whole album.

0:22:19.800 --> 0:22:23.120
<v Speaker 1>That's crazy. Yeah, so you know yeah, Bink's alegend. Yeah,

0:22:23.160 --> 0:22:26.320
<v Speaker 1>Bink is definitely a legend. That's hard. Yeah, so that's

0:22:26.359 --> 0:22:28.400
<v Speaker 1>going to be crazy to me, Ryan and Bank. Yeah,

0:22:29.320 --> 0:22:30.760
<v Speaker 1>that's crazy. You know what it's gonna happen. You guys

0:22:30.760 --> 0:22:32.639
<v Speaker 1>are gona putut this crazy body of work and now

0:22:32.640 --> 0:22:34.000
<v Speaker 1>you guys are gonna have to drop one off like

0:22:34.040 --> 0:22:36.440
<v Speaker 1>once a year for the fans. Yeah, we're ready. We

0:22:36.560 --> 0:22:39.359
<v Speaker 1>prepared for that. Yeah, we prepared for that. So much,

0:22:39.520 --> 0:22:42.000
<v Speaker 1>so much in the works. Man, Hell yeah for you?

0:22:43.040 --> 0:22:47.040
<v Speaker 1>Was there? What was the catalyst to make you kind

0:22:47.040 --> 0:22:51.879
<v Speaker 1>of realize that it wasn't about all the politicking, that

0:22:52.000 --> 0:22:55.480
<v Speaker 1>there was an actual road to not being on a

0:22:55.520 --> 0:22:57.880
<v Speaker 1>major label, not doing things a conventional way, but yet

0:22:57.960 --> 0:23:01.280
<v Speaker 1>still getting to the money get into a career. Yeah,

0:23:01.280 --> 0:23:04.119
<v Speaker 1>that's all. It was like. Man, once I made a

0:23:04.119 --> 0:23:07.280
<v Speaker 1>couple of dollars, that was it for me. I was like,

0:23:07.640 --> 0:23:10.080
<v Speaker 1>all I gotta do is multiply this. Whatever I did

0:23:10.119 --> 0:23:12.679
<v Speaker 1>to make this amount started with me being able to

0:23:12.680 --> 0:23:15.760
<v Speaker 1>pay my bills off of music. You know, that was

0:23:15.920 --> 0:23:17.919
<v Speaker 1>which is a big deal. That was a huge deal.

0:23:17.960 --> 0:23:19.840
<v Speaker 1>If you can support yourself on your music, you made

0:23:19.840 --> 0:23:24.280
<v Speaker 1>it right that period and you know it started was

0:23:24.359 --> 0:23:27.840
<v Speaker 1>like oh wow, like and I would. That's when I

0:23:27.920 --> 0:23:30.200
<v Speaker 1>kind of like, you know, changed my whole lifestyle. I said,

0:23:30.200 --> 0:23:31.879
<v Speaker 1>if I could pay my bills off this, I'm not

0:23:31.880 --> 0:23:34.400
<v Speaker 1>gonna do it. If I'm doing anything else, I'm being greedy. Yeah,

0:23:34.440 --> 0:23:37.240
<v Speaker 1>you're being greedy, You're and you're jeopardizing them, you know

0:23:37.280 --> 0:23:40.600
<v Speaker 1>what I'm saying. So so so that's where it started.

0:23:41.359 --> 0:23:43.679
<v Speaker 1>So then it was like a if I pay my bills,

0:23:43.720 --> 0:23:45.800
<v Speaker 1>maybe if I work harder, maybe I could obtain a

0:23:45.840 --> 0:23:48.200
<v Speaker 1>lifestyle different if I'm doing if I'm doing enough to

0:23:48.200 --> 0:23:50.240
<v Speaker 1>get the bills paid, if I do a little bit more.

0:23:50.960 --> 0:23:53.600
<v Speaker 1>So you know, with that and with me making that

0:23:53.720 --> 0:23:56.720
<v Speaker 1>my only hustle, that was another thing I had to

0:23:56.760 --> 0:23:58.639
<v Speaker 1>because you get all the energy in one thing. I

0:23:58.640 --> 0:24:00.400
<v Speaker 1>had to put all the energy in the one thing.

0:24:00.480 --> 0:24:04.879
<v Speaker 1>I couldn't have no uh no plan B. See. I realized, like,

0:24:05.320 --> 0:24:08.240
<v Speaker 1>you know, you get what you're plan for, yeap. You know,

0:24:08.359 --> 0:24:10.320
<v Speaker 1>so if you if you're like, yo, this might not work,

0:24:10.359 --> 0:24:12.800
<v Speaker 1>I'm gonna have a plan B, You're gonna get the

0:24:12.800 --> 0:24:15.600
<v Speaker 1>plan B. Subconsciously, Yeah, you're preparing for the plan for.

0:24:15.960 --> 0:24:17.879
<v Speaker 1>So you're gonna get what you're prepared for, you know

0:24:17.880 --> 0:24:20.280
<v Speaker 1>what I'm saying. And if you're and you're gonna get

0:24:20.320 --> 0:24:23.199
<v Speaker 1>what you put into it exactly. So if you're if

0:24:23.200 --> 0:24:26.760
<v Speaker 1>you're putting twenty percent of your energy into whatever else

0:24:26.920 --> 0:24:29.160
<v Speaker 1>it might be right, and you're only giving the music

0:24:29.160 --> 0:24:32.160
<v Speaker 1>shake eighty or seventy, right, you're cutting yourself short. Right.

0:24:32.640 --> 0:24:35.080
<v Speaker 1>So that's basically was my turnaround when I was like,

0:24:35.080 --> 0:24:37.560
<v Speaker 1>all right, let me let me give my all to

0:24:37.640 --> 0:24:41.159
<v Speaker 1>this and see what happened, and each year I started,

0:24:41.200 --> 0:24:44.080
<v Speaker 1>you know, things start getting a little better, you know

0:24:44.119 --> 0:24:46.320
<v Speaker 1>what I'm saying, And that's basically what it is. When I,

0:24:46.440 --> 0:24:48.639
<v Speaker 1>like I said, when I made it my only source

0:24:48.680 --> 0:24:51.919
<v Speaker 1>of income, I started educating myself on every way I

0:24:51.960 --> 0:24:53.600
<v Speaker 1>could make some money because it's the only way I

0:24:53.600 --> 0:24:55.600
<v Speaker 1>can make money. Now. See, when it wasn't my only

0:24:55.640 --> 0:24:58.399
<v Speaker 1>source of income, it was like, I'm just talented and

0:24:58.480 --> 0:25:01.040
<v Speaker 1>figure it out. Figure it out. Well, you ain't making

0:25:01.080 --> 0:25:03.280
<v Speaker 1>no money from nowhere else, right, You're not going to

0:25:03.400 --> 0:25:04.920
<v Speaker 1>leave a rock on turn You got to turn out.

0:25:04.960 --> 0:25:06.760
<v Speaker 1>You're like, let me see what's going on here, How

0:25:06.760 --> 0:25:09.440
<v Speaker 1>they did that, how they did this. You become extra inquisitive,

0:25:09.960 --> 0:25:12.199
<v Speaker 1>and that's that was like the whole turning point for

0:25:12.280 --> 0:25:14.320
<v Speaker 1>me when this was all I had. Did you ever

0:25:14.560 --> 0:25:17.800
<v Speaker 1>pay attention to There's an R and B singer named

0:25:17.840 --> 0:25:21.680
<v Speaker 1>Ryan Leslie. Definitely. He was doing a lot of monetizing

0:25:21.720 --> 0:25:24.159
<v Speaker 1>his fan base away from the major label system. I

0:25:24.160 --> 0:25:27.359
<v Speaker 1>feel like early, real early, yeah, real early. He was

0:25:27.400 --> 0:25:30.520
<v Speaker 1>on it before you know, a lot of guys was

0:25:31.440 --> 0:25:33.240
<v Speaker 1>really you know, he was one of the first that

0:25:33.359 --> 0:25:36.119
<v Speaker 1>was really like doing that too. He had his website,

0:25:36.200 --> 0:25:37.720
<v Speaker 1>Quality Club, I think where you can go in like

0:25:38.160 --> 0:25:39.560
<v Speaker 1>I think he was putting albums out you can only

0:25:39.600 --> 0:25:43.040
<v Speaker 1>buy from him. But for you, you see the benefit

0:25:43.119 --> 0:25:47.200
<v Speaker 1>of having the streaming platforms eventually get it as well,

0:25:47.440 --> 0:25:52.000
<v Speaker 1>of course, because you know, that's a whole other source

0:25:52.000 --> 0:25:54.040
<v Speaker 1>of income, and that's the game that the labels plays,

0:25:54.080 --> 0:25:56.600
<v Speaker 1>and that's a way for discovery to be hired for you,

0:25:56.760 --> 0:25:58.880
<v Speaker 1>of course, because if you have Lebron, I'm not sure

0:25:58.960 --> 0:26:03.680
<v Speaker 1>Lebron's buying the album on PayPal checking it out, Yeah, right,

0:26:04.000 --> 0:26:07.119
<v Speaker 1>so Ron's streaming it on Apple Music of course, the discus.

0:26:07.240 --> 0:26:09.560
<v Speaker 1>You gotta have that visibility, you know what I'm saying.

0:26:09.640 --> 0:26:12.080
<v Speaker 1>So like I'm not you know, I'm not opposed to

0:26:12.119 --> 0:26:14.560
<v Speaker 1>dealing with the streaming sites, you know what I'm saying.

0:26:14.560 --> 0:26:16.800
<v Speaker 1>You just want to make sure you get as much

0:26:16.800 --> 0:26:19.680
<v Speaker 1>as you can. You ever chat with with Braun at all.

0:26:20.000 --> 0:26:22.359
<v Speaker 1>I ain't neat Broun yet. He never hits you the DM.

0:26:22.359 --> 0:26:24.560
<v Speaker 1>He just you just woke up and yeah, he just

0:26:24.560 --> 0:26:28.440
<v Speaker 1>like he's yeah and then yeah, each day he posted

0:26:28.480 --> 0:26:32.080
<v Speaker 1>me like full times that shit's crazy. Yeah that was crazy. Yeah, Yeah,

0:26:32.080 --> 0:26:33.879
<v Speaker 1>that was crazy. You gotta get him out of the

0:26:33.920 --> 0:26:37.440
<v Speaker 1>show man, Yeah, definitely, that'll be crazy. Definitely. I'm gonna

0:26:37.440 --> 0:26:40.400
<v Speaker 1>go to the game at night actually playing the Suns. Yeah,

0:26:40.520 --> 0:26:43.280
<v Speaker 1>playing the Suns. I might be there too, I might

0:26:43.320 --> 0:26:46.600
<v Speaker 1>take my kids. Okay, is Katie gonna be there? Nah?

0:26:46.720 --> 0:26:49.080
<v Speaker 1>He ain't gonna bet he's gonna be in Arizona. Yeah,

0:26:49.240 --> 0:26:51.560
<v Speaker 1>we haven't. Hey, we got to stop the interview real

0:26:51.600 --> 0:26:53.879
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0:27:00.680 --> 0:27:03.680
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0:27:35.920 --> 0:27:40.480
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0:28:27.320 --> 0:28:29.360
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<v Speaker 1>at Hardean Las Vegas dot com. Let's get back to

0:28:50.920 --> 0:28:55.560
<v Speaker 1>the interview. What was the project working with Harry Fraud like?

0:28:55.600 --> 0:28:58.000
<v Speaker 1>Because Harry Fraud is another one of those guys who,

0:28:58.800 --> 0:29:03.280
<v Speaker 1>for whatever reason, he's got classic music and I still

0:29:03.400 --> 0:29:05.560
<v Speaker 1>I feel like he's still underappreciated when we think of

0:29:05.640 --> 0:29:07.960
<v Speaker 1>the best producers. But like you guys delivered one of

0:29:07.960 --> 0:29:10.600
<v Speaker 1>my favorite albums last year. Yeah, I appreciate that. Harry

0:29:10.760 --> 0:29:14.600
<v Speaker 1>is like amazing man and real good guy man, Like

0:29:16.680 --> 0:29:21.720
<v Speaker 1>you know, he's seen the potential in me Early. That's

0:29:21.760 --> 0:29:24.320
<v Speaker 1>what really make me appreciate him, you know what I'm saying.

0:29:24.480 --> 0:29:26.560
<v Speaker 1>For him to do a whole project with me early

0:29:26.640 --> 0:29:28.719
<v Speaker 1>when my you know what I mean before everybody was

0:29:29.240 --> 0:29:33.479
<v Speaker 1>you know what I'm saying, So that was dope. You know.

0:29:33.600 --> 0:29:36.080
<v Speaker 1>He actually had me come out to his house out

0:29:36.080 --> 0:29:39.720
<v Speaker 1>in the Hampton's and I stayed out there for about

0:29:39.800 --> 0:29:44.440
<v Speaker 1>five days. He's doing well. Yeah, yeah, definitely. I was

0:29:44.480 --> 0:29:47.280
<v Speaker 1>out there for like five days and we recorded the

0:29:47.320 --> 0:29:50.800
<v Speaker 1>whole project and shit, we actually sat there, I picked

0:29:50.800 --> 0:29:53.400
<v Speaker 1>out He had a bunch of beats to the side

0:29:53.440 --> 0:29:56.160
<v Speaker 1>for me. I picked out probably like four, and then

0:29:56.200 --> 0:30:00.000
<v Speaker 1>we actually dug through samples for the rest and from scratch,

0:30:00.160 --> 0:30:02.520
<v Speaker 1>all from scratch. That's why that it sounds so beautiful

0:30:02.520 --> 0:30:05.200
<v Speaker 1>because you're sitting there digging like, oh nah, that's the

0:30:05.280 --> 0:30:08.040
<v Speaker 1>sample right there, you know what I mean. And that

0:30:08.160 --> 0:30:11.320
<v Speaker 1>was my first time working with a producer like that,

0:30:11.440 --> 0:30:14.080
<v Speaker 1>like collaborating, elaborating like that, you know what I'm saying,

0:30:14.200 --> 0:30:16.560
<v Speaker 1>Like like like you're helping find a sample, like like yeah,

0:30:16.680 --> 0:30:19.640
<v Speaker 1>like yeah, nah, they're still there. You felt me, I mean, yeah,

0:30:19.680 --> 0:30:21.800
<v Speaker 1>you helped make the beat then, you know, because we

0:30:21.880 --> 0:30:23.320
<v Speaker 1>just heard I mean I just heard Rick Rubin say

0:30:23.360 --> 0:30:25.440
<v Speaker 1>he doesn't touch anything, he doesn't know how to sample,

0:30:25.480 --> 0:30:28.040
<v Speaker 1>he doesn't know how to He's there for his taste,

0:30:28.160 --> 0:30:30.800
<v Speaker 1>and he's one of the greatest producers of all time,

0:30:31.080 --> 0:30:34.400
<v Speaker 1>right right, right right, But you know with me being yeah, yeah,

0:30:34.520 --> 0:30:37.200
<v Speaker 1>hell yeah. So like that ship, that ship was a beautiful,

0:30:37.280 --> 0:30:41.200
<v Speaker 1>beautiful situation and it came out beautiful, man, you know

0:30:41.240 --> 0:30:42.840
<v Speaker 1>what I'm saying. And then you guys just got the

0:30:42.840 --> 0:30:44.880
<v Speaker 1>features after because there's some great interest. We went and

0:30:44.920 --> 0:30:48.120
<v Speaker 1>got the features after. Yeah, Harry reached out and got

0:30:48.200 --> 0:30:50.600
<v Speaker 1>Jim and Wizz. You know what I'm saying. I went

0:30:50.640 --> 0:30:53.400
<v Speaker 1>and got being ran. I do got a shout out

0:30:53.440 --> 0:30:55.960
<v Speaker 1>to wiz Man because you'll always see Whiz still pop

0:30:56.040 --> 0:31:01.200
<v Speaker 1>up on like independent rap shit all that's big man,

0:31:01.480 --> 0:31:03.960
<v Speaker 1>and like Whizz is Wiz like he's like such a

0:31:04.120 --> 0:31:07.000
<v Speaker 1>superstar fact where it's like, damn Wiz is on the

0:31:07.000 --> 0:31:09.720
<v Speaker 1>thirty especially, that's crazy. I gotta hear what that sounds like,

0:31:09.760 --> 0:31:12.680
<v Speaker 1>that's fire man. Shout out, Wiz, did he did you?

0:31:12.800 --> 0:31:14.920
<v Speaker 1>Obviously he's up on what you're doing if he decided

0:31:14.960 --> 0:31:17.080
<v Speaker 1>to do it, because he's not doing anything. I don't

0:31:17.080 --> 0:31:18.640
<v Speaker 1>think you can pay Whiz to get on the record.

0:31:18.680 --> 0:31:20.240
<v Speaker 1>I take that back. You could definitely pay anybody to

0:31:20.240 --> 0:31:21.920
<v Speaker 1>get on the record if the bags right. But for

0:31:21.960 --> 0:31:25.320
<v Speaker 1>the most part, you see Wiz jumping on something, that's

0:31:25.320 --> 0:31:27.840
<v Speaker 1>because he wants to do it, right. Yeah, so he

0:31:27.920 --> 0:31:30.320
<v Speaker 1>must be you know, tapped in, locked in you guys

0:31:30.440 --> 0:31:32.000
<v Speaker 1>chopping up at all? Was it more of a hairy thing?

0:31:32.040 --> 0:31:34.400
<v Speaker 1>It was a thing. Yeah, you know what came out Dope.

0:31:34.640 --> 0:31:39.840
<v Speaker 1>Appreciate that came out super Dope. Now this year at

0:31:39.960 --> 0:31:43.560
<v Speaker 1>least three projects, three joints. How many songs is on

0:31:43.600 --> 0:31:46.800
<v Speaker 1>this new album? Nah? So I kind of like how

0:31:46.840 --> 0:31:50.200
<v Speaker 1>you keep it? Yeah, manageable. I'll be trying to tell guys,

0:31:50.240 --> 0:31:51.880
<v Speaker 1>you don't got to give him too much. If I

0:31:51.920 --> 0:31:54.240
<v Speaker 1>gave him twenty, right, you could do two albums. And

0:31:54.400 --> 0:31:56.640
<v Speaker 1>even if I gave him twenty, yeah, it's only gonna

0:31:56.720 --> 0:31:59.560
<v Speaker 1>last the same amount of time. They ain't gonna appreciate

0:31:59.600 --> 0:32:02.120
<v Speaker 1>it the last the same amount of time. What's good

0:32:02.120 --> 0:32:05.600
<v Speaker 1>about your fans though, is that they consume projects, right,

0:32:05.680 --> 0:32:08.640
<v Speaker 1>So I think that, like I agree with you, eight nine,

0:32:08.720 --> 0:32:13.480
<v Speaker 1>ten records is enough right certain artists. To me, it's

0:32:13.480 --> 0:32:15.120
<v Speaker 1>the same thing with when I think of seeing when

0:32:15.120 --> 0:32:18.440
<v Speaker 1>I see artists was zero fans putting out albums. It's

0:32:18.480 --> 0:32:22.280
<v Speaker 1>frustrating because I'm like, yo, that's like one impression. You

0:32:22.320 --> 0:32:24.400
<v Speaker 1>take that album and put out ten singles if you

0:32:24.400 --> 0:32:26.520
<v Speaker 1>don't have fans, and then let each one of those

0:32:26.560 --> 0:32:29.880
<v Speaker 1>songs equal a new impression. You know what I mean?

0:32:30.400 --> 0:32:33.800
<v Speaker 1>For you, you have fans, so they wanted your body,

0:32:33.840 --> 0:32:35.840
<v Speaker 1>and you're really good at putting together bodies. Of work.

0:32:35.920 --> 0:32:39.640
<v Speaker 1>Not everybody that so appreciate that. Who's taking care of

0:32:39.640 --> 0:32:41.720
<v Speaker 1>production on this one? You told me? Oh yeah, so

0:32:43.120 --> 0:32:46.520
<v Speaker 1>I gotta I produced. I don't even produce one joint

0:32:46.560 --> 0:32:52.320
<v Speaker 1>on this and I went around, Damn man, Harry's on there. Okay,

0:32:52.360 --> 0:32:55.680
<v Speaker 1>I got a joint with Harry. I got a kid

0:32:56.040 --> 0:33:00.720
<v Speaker 1>named Don Carrera that I just discovered fire and uh,

0:33:02.880 --> 0:33:07.320
<v Speaker 1>ship man, you gotta pardon me. I've been working on

0:33:07.440 --> 0:33:09.800
<v Speaker 1>so much. Damn you just said you have, like, yeah,

0:33:10.040 --> 0:33:13.880
<v Speaker 1>this album, you know you gotta part me if what

0:33:13.960 --> 0:33:16.000
<v Speaker 1>about features on this one? That's dropping? That's all what's

0:33:16.040 --> 0:33:19.040
<v Speaker 1>technically out? Oh yeah, so right now on this one,

0:33:19.120 --> 0:33:22.160
<v Speaker 1>I kept a home team. I got Ransom, I got

0:33:22.160 --> 0:33:24.960
<v Speaker 1>shan On, I got Fred Degason made rest and paces

0:33:25.640 --> 0:33:27.240
<v Speaker 1>you know what I'm saying. And I got Flee Lord

0:33:27.600 --> 0:33:29.640
<v Speaker 1>shout out to fleelord man. Yeah, I kept it. I

0:33:29.720 --> 0:33:32.719
<v Speaker 1>kept it all in the house, kept it easy. I

0:33:32.880 --> 0:33:37.280
<v Speaker 1>like it. Man. What are you aspiring to do with

0:33:37.320 --> 0:33:40.160
<v Speaker 1>the Trust brand? Are we signing artists? Are we trying

0:33:40.160 --> 0:33:42.480
<v Speaker 1>to because I think you could low key do a

0:33:42.480 --> 0:33:44.520
<v Speaker 1>lot of consulting for like some of these labels or

0:33:44.560 --> 0:33:47.400
<v Speaker 1>some of these artists who need help with figuring out

0:33:47.400 --> 0:33:49.920
<v Speaker 1>how to connect with their fan base. And I agree,

0:33:50.120 --> 0:33:52.320
<v Speaker 1>I agree, and ship. You know what I'm saying. Maybe

0:33:52.360 --> 0:33:54.320
<v Speaker 1>when I get a little more time on my hands

0:33:54.320 --> 0:33:56.200
<v Speaker 1>and ship, you know what I'm saying, I be more

0:33:56.240 --> 0:33:59.240
<v Speaker 1>open to, like, you know, dealing with more artists and

0:33:59.760 --> 0:34:01.880
<v Speaker 1>you know what I'm saying. But right now it'd be

0:34:01.920 --> 0:34:04.960
<v Speaker 1>hard to focus on me. And you know, what's the

0:34:05.000 --> 0:34:07.000
<v Speaker 1>distro situation for you? Are you doing like a straight

0:34:07.000 --> 0:34:11.080
<v Speaker 1>distro kid tune core? You got? So I deal with

0:34:12.800 --> 0:34:15.080
<v Speaker 1>I deal with I deal with a few different I

0:34:15.080 --> 0:34:18.400
<v Speaker 1>got a few different distro situations. I deal with Orchard,

0:34:18.800 --> 0:34:21.919
<v Speaker 1>I deal with mone Art which was E one yep.

0:34:22.040 --> 0:34:26.320
<v Speaker 1>I deal with Empire as well, So you know, I

0:34:27.440 --> 0:34:30.359
<v Speaker 1>dealt with them all. You know what I mean? You know,

0:34:31.640 --> 0:34:33.440
<v Speaker 1>but yes, that's what I do. I don't really do

0:34:33.560 --> 0:34:39.720
<v Speaker 1>the distro kid or the tune call for several different reasons.

0:34:39.760 --> 0:34:42.400
<v Speaker 1>And ship because you know, a lot of artists don't

0:34:42.440 --> 0:34:47.400
<v Speaker 1>know that when you want to build come up, you know,

0:34:47.880 --> 0:34:52.799
<v Speaker 1>those platforms ain't gonna give you the visibility that you

0:34:52.920 --> 0:34:55.239
<v Speaker 1>really need. Well, they're not gonna pitch you. They're not

0:34:55.280 --> 0:34:57.399
<v Speaker 1>gonna pitch you, right, and that's a big deal. So

0:34:57.480 --> 0:35:01.319
<v Speaker 1>like you know, but also Ron James posting your song

0:35:02.120 --> 0:35:04.520
<v Speaker 1>about all the DI visibility, I mean you can tell. Yeah,

0:35:04.560 --> 0:35:06.799
<v Speaker 1>so yeah, it's all about It's like, it's really all

0:35:06.840 --> 0:35:09.600
<v Speaker 1>about your situation. I just think I think with distroal Kid,

0:35:09.880 --> 0:35:11.600
<v Speaker 1>I mean, and I work with Empire, so I got

0:35:11.680 --> 0:35:13.120
<v Speaker 1>love for Gazi in that whole team. I just think

0:35:13.120 --> 0:35:15.120
<v Speaker 1>that the upside for distal Kid, if you're an independent artist,

0:35:15.680 --> 0:35:18.560
<v Speaker 1>is an easy way to pay people because they have

0:35:18.600 --> 0:35:20.959
<v Speaker 1>the split system. So if like he makes a beat

0:35:21.760 --> 0:35:24.600
<v Speaker 1>and you could upload on, you can upload it and

0:35:25.120 --> 0:35:29.520
<v Speaker 1>his account gets They got their own account system, producer

0:35:30.520 --> 0:35:33.040
<v Speaker 1>for the feature whatever the shit cutting the guy who

0:35:33.040 --> 0:35:34.680
<v Speaker 1>shopped the video, you know what I mean, and then

0:35:34.719 --> 0:35:36.439
<v Speaker 1>everyone's getting paid out and you don't have to worry

0:35:36.440 --> 0:35:39.279
<v Speaker 1>about that ship. But yeah, no, teach his own man,

0:35:39.760 --> 0:35:41.400
<v Speaker 1>all right. So we got tons of new music on

0:35:41.440 --> 0:35:45.040
<v Speaker 1>the way for sure, three projects. The album is out.

0:35:45.200 --> 0:35:49.720
<v Speaker 1>It'll be on streaming services though win three thirty one Friday,

0:35:49.760 --> 0:35:51.920
<v Speaker 1>three thirty one, three thirty one. If you buy the

0:35:52.000 --> 0:35:54.160
<v Speaker 1>album right now, you can buy it for thirty eight

0:35:54.160 --> 0:35:57.000
<v Speaker 1>dollars or more or more whatever you want to do

0:35:57.080 --> 0:36:02.520
<v Speaker 1>in five thousand with me, you know, new album with

0:36:02.680 --> 0:36:06.680
<v Speaker 1>Ransom on the Way definitely and Kevin durant is Katie

0:36:06.760 --> 0:36:10.120
<v Speaker 1>does he have a verse? Not yet, not yet. You

0:36:10.239 --> 0:36:14.880
<v Speaker 1>might pop up on that though, Okay. Uh. Conway album

0:36:14.960 --> 0:36:20.360
<v Speaker 1>Special Machinery definitely June, July, August maybe definitely. Then another

0:36:20.400 --> 0:36:26.040
<v Speaker 1>album and then maybe a new album with Benny. Yeah, Jesus, yeah,

0:36:26.200 --> 0:36:29.880
<v Speaker 1>you ain't playing man, Yeah, I'm loaded, man loaded. Well,

0:36:29.880 --> 0:36:33.280
<v Speaker 1>look I appreciate you pulling up. Man. Always go support

0:36:33.320 --> 0:36:35.480
<v Speaker 1>this guy. The new album is out, new album is

0:36:35.520 --> 0:36:38.160
<v Speaker 1>out right now, make sure y'all go and get that. Hey,

0:36:38.200 --> 0:36:40.319
<v Speaker 1>can you give me, give me your favorite off of

0:36:40.320 --> 0:36:43.120
<v Speaker 1>this new album? In your head? What's your favorite? Like

0:36:43.280 --> 0:36:51.360
<v Speaker 1>couple of lines you have on the album? Oh shit, damn.

0:36:51.880 --> 0:36:53.919
<v Speaker 1>He's like, I don't remember what's on the album because

0:36:53.920 --> 0:36:59.600
<v Speaker 1>I'm recording thirty I'm trying to think. Uh, don't compare

0:36:59.680 --> 0:37:03.200
<v Speaker 1>me to generic rap dudes. These niggas talking about birds

0:37:03.239 --> 0:37:09.720
<v Speaker 1>they never seen, like they pterodactyls. There it is thirty

0:37:09.760 --> 0:37:13.280
<v Speaker 1>eight Special, my guy, my god, boo fire