1 00:00:05,440 --> 00:00:08,200 Speaker 1: I answered the questions that you're supposed to answer for 2 00:00:08,240 --> 00:00:09,440 Speaker 1: this show this time. 3 00:00:10,119 --> 00:00:10,200 Speaker 2: What. 4 00:00:11,200 --> 00:00:13,760 Speaker 1: Yeah, that's right, I did my I did my homework. 5 00:00:13,920 --> 00:00:14,760 Speaker 1: Can you believe it? 6 00:00:14,840 --> 00:00:17,320 Speaker 3: The fuck? I no, get off on approval, sign out. 7 00:00:17,360 --> 00:00:19,560 Speaker 3: I don't want this money on this show. We gotta 8 00:00:20,440 --> 00:00:22,800 Speaker 3: at least at least smoke a blunt or something right 9 00:00:22,800 --> 00:00:24,840 Speaker 3: now and just level it out like nope. 10 00:00:24,720 --> 00:00:29,040 Speaker 1: Gotta be ready for my other podcast meeting later. Fuck Molly, 11 00:00:30,560 --> 00:00:33,440 Speaker 1: I know I'm a working guy working trying to make. 12 00:00:33,360 --> 00:00:35,200 Speaker 3: Me look bad. You're trying to make me feel. 13 00:00:34,920 --> 00:00:36,680 Speaker 1: Bad on top of shit again. 14 00:00:37,040 --> 00:00:37,919 Speaker 3: Yeah, all right, all right. 15 00:00:37,960 --> 00:00:40,440 Speaker 2: I like that podcasting is big business and you gotta 16 00:00:40,440 --> 00:00:53,559 Speaker 2: stay on your toes. Hello the Internet, and welcome to 17 00:00:53,600 --> 00:01:00,200 Speaker 2: season three forty one, Episode five of production of iHeartRadio's 18 00:01:00,240 --> 00:01:02,360 Speaker 2: a podcast where we take a deep dive into America 19 00:01:02,440 --> 00:01:06,840 Speaker 2: share consciousness. And it is Friday, June seventh, twenty twenty four. 20 00:01:07,280 --> 00:01:10,759 Speaker 2: It's one of them Countain dates six, seven, what's next? 21 00:01:10,840 --> 00:01:15,240 Speaker 3: Eight? Oh, no, twenty four? And well, what's going on? 22 00:01:15,400 --> 00:01:18,000 Speaker 3: I was, Oh, sorry, I just it's just a lot 23 00:01:18,080 --> 00:01:21,119 Speaker 3: going on. Man's success and just thinking about that. It's 24 00:01:21,160 --> 00:01:25,679 Speaker 3: also National Chocolate ice Cream Day, World Caring Day, National 25 00:01:25,760 --> 00:01:29,959 Speaker 3: Oklahoma Day, National Donut Day. Hey, it shout out to 26 00:01:30,000 --> 00:01:33,440 Speaker 3: my real ones, the media ogs, because it's national fucking 27 00:01:33,520 --> 00:01:37,840 Speaker 3: VCR Day. Okay, the fucking VCRs out. Get your Lamborghini 28 00:01:37,920 --> 00:01:39,720 Speaker 3: shaped tape rewinder machine out. 29 00:01:39,640 --> 00:01:42,280 Speaker 2: Your vc goes out, because that's when our brainstorm. 30 00:01:42,480 --> 00:01:43,760 Speaker 3: Thank you the VCR. 31 00:01:43,920 --> 00:01:45,679 Speaker 2: The fact that you could like see all the like 32 00:01:45,840 --> 00:01:49,279 Speaker 2: little parts in there, and like how complicated it looked 33 00:01:49,640 --> 00:01:53,120 Speaker 2: like it was really looked like a terminator with like 34 00:01:53,320 --> 00:01:56,360 Speaker 2: an exposed terminator in there, just all the different gears 35 00:01:56,400 --> 00:02:00,240 Speaker 2: and levers and things that we're working in there. I 36 00:02:00,240 --> 00:02:03,320 Speaker 2: was always impressed by that and also intimidated. I was like, 37 00:02:03,400 --> 00:02:06,440 Speaker 2: I'm not never gonna fuck with one of these, you know, 38 00:02:07,880 --> 00:02:09,480 Speaker 2: until I got a mat, and then I started taking 39 00:02:09,520 --> 00:02:12,280 Speaker 2: all apart and put her there you go, when I 40 00:02:12,320 --> 00:02:13,600 Speaker 2: found my true calling. 41 00:02:14,080 --> 00:02:18,320 Speaker 3: There you go. My name's Jack O'Brien, AKA, I've got 42 00:02:18,600 --> 00:02:20,600 Speaker 3: plastic in my balls. 43 00:02:21,040 --> 00:02:24,360 Speaker 2: My dick doesn't work the way that some say it 44 00:02:24,680 --> 00:02:25,400 Speaker 2: used too. 45 00:02:26,160 --> 00:02:27,760 Speaker 3: I could probably. 46 00:02:27,320 --> 00:02:31,160 Speaker 2: Drink a lot less soda or nothing at all, but 47 00:02:31,360 --> 00:02:36,000 Speaker 2: you can't take my Baja blast. That's courtesy a scouty 48 00:02:36,080 --> 00:02:37,080 Speaker 2: on the discord. 49 00:02:37,680 --> 00:02:40,480 Speaker 3: Yeah, yeah, yeah, yeah. 50 00:02:40,560 --> 00:02:44,799 Speaker 2: Everybody's got plastic all over all up in them from 51 00:02:44,960 --> 00:02:46,120 Speaker 2: the microplastics. 52 00:02:46,480 --> 00:02:48,040 Speaker 3: MM actually don't. 53 00:02:47,880 --> 00:02:52,239 Speaker 2: Know, because the microplastics shit hit around the same time 54 00:02:52,280 --> 00:02:55,520 Speaker 2: that the three M story hit. Are the three M 55 00:02:55,600 --> 00:02:59,240 Speaker 2: forever chemicals? Microplastics? Do we know? 56 00:02:59,600 --> 00:03:00,440 Speaker 3: I don't. I don't know. 57 00:03:00,560 --> 00:03:01,320 Speaker 2: I actually don't know. 58 00:03:01,560 --> 00:03:02,519 Speaker 3: We just talked about it. 59 00:03:02,960 --> 00:03:06,760 Speaker 2: Why why would we know, Miles, We only host a yeah, 60 00:03:06,919 --> 00:03:08,480 Speaker 2: daily news podcast. 61 00:03:08,800 --> 00:03:14,679 Speaker 3: Oh say, they definitely show up together. It's okay, got it? Yeah, 62 00:03:14,720 --> 00:03:16,520 Speaker 3: well whatever, look thrilled. 63 00:03:17,760 --> 00:03:21,280 Speaker 2: Yeah, I'm thrilled to be joined as always by my 64 00:03:21,360 --> 00:03:24,200 Speaker 2: co host, mister Miles Gray. 65 00:03:24,240 --> 00:03:28,919 Speaker 3: It's Miles Gray. AKA, let's see wait, where was it? 66 00:03:28,919 --> 00:03:33,000 Speaker 3: It's been six we still Halloween. Gen Z really plans 67 00:03:33,000 --> 00:03:36,280 Speaker 3: for early parties Pumpkin before the fourth of July. This 68 00:03:36,520 --> 00:03:40,400 Speaker 3: makes no sense, Marseille that you're sorry. That's also from Scouty. 69 00:03:40,480 --> 00:03:43,960 Speaker 3: That's a that's a cad the on air. Yeah, yeah, 70 00:03:44,200 --> 00:03:45,880 Speaker 3: there's another one I could have not hit. There was 71 00:03:45,920 --> 00:03:49,360 Speaker 3: a waterfalls one, but all that to say six points, 72 00:03:49,400 --> 00:03:50,119 Speaker 3: that's what I did. 73 00:03:50,160 --> 00:03:51,320 Speaker 2: I did the waterfalls one. 74 00:03:51,440 --> 00:03:53,880 Speaker 3: Was it not clear? Oh no, no, no, no, it was. 75 00:03:54,200 --> 00:03:56,600 Speaker 3: I think it's because it was added I was added 76 00:03:56,600 --> 00:03:58,000 Speaker 3: in it. I was like there's no there must be 77 00:03:58,040 --> 00:04:02,080 Speaker 3: a different one. Oh shit it but that was for you. 78 00:04:02,400 --> 00:04:06,280 Speaker 3: That's fine. You want other guys. You don't want another guys, 79 00:04:07,320 --> 00:04:09,000 Speaker 3: my mad scouty, I didn't know. 80 00:04:09,880 --> 00:04:12,600 Speaker 2: I missed that you had made that, that that was 81 00:04:13,160 --> 00:04:16,960 Speaker 2: bespoke for Miles, as I'm the one with ed Man. 82 00:04:17,080 --> 00:04:18,520 Speaker 3: You're forgetting the lord of the show. 83 00:04:18,920 --> 00:04:21,640 Speaker 2: I thought there was a reference to our declining uh 84 00:04:21,920 --> 00:04:23,839 Speaker 2: sperm count across. 85 00:04:23,440 --> 00:04:27,279 Speaker 3: The world, and that's the balls working man. But also 86 00:04:27,400 --> 00:04:29,800 Speaker 3: shout out to everybody, because look the food and wine article. 87 00:04:29,920 --> 00:04:33,599 Speaker 3: I refreshed it today, they still haven't fucking changed it. 88 00:04:33,720 --> 00:04:36,280 Speaker 3: I d m the author of the piece three times 89 00:04:36,320 --> 00:04:37,360 Speaker 3: now with no response. 90 00:04:37,839 --> 00:04:40,040 Speaker 2: Author of the piece doesn't even remember that they wrote that. 91 00:04:40,320 --> 00:04:42,760 Speaker 3: Like, that's where we're at right now. That's probably it. 92 00:04:43,040 --> 00:04:47,839 Speaker 2: We're in the quote en quote world of modern no 93 00:04:48,040 --> 00:04:51,040 Speaker 2: copy editor journalism where they're like, yeah, you're just gonna 94 00:04:51,080 --> 00:04:56,200 Speaker 2: be humiliated truly as a writer, truly truly anyways, speaking 95 00:04:56,200 --> 00:04:58,680 Speaker 2: of as a writer, we're thrilled to be joined by 96 00:04:58,839 --> 00:05:04,640 Speaker 2: a brilliant, liented writer and podcaster who's written for publications 97 00:05:04,680 --> 00:05:06,080 Speaker 2: like The New York Towns, The New York or The 98 00:05:06,080 --> 00:05:09,720 Speaker 2: New York review of books. Gq Uh, Everybody's in La 99 00:05:10,600 --> 00:05:13,320 Speaker 2: one of my favorite shows of the past. I don't 100 00:05:13,360 --> 00:05:16,600 Speaker 2: know how long Ship affected me. I now drive around 101 00:05:16,800 --> 00:05:19,160 Speaker 2: La listening to Wang chungs to Live and Die in 102 00:05:19,279 --> 00:05:22,240 Speaker 2: l A. Just imagine I'm in the intro to the show. 103 00:05:23,440 --> 00:05:25,960 Speaker 2: Co host of the legendary podcast Girls and Hoodies and 104 00:05:26,279 --> 00:05:30,000 Speaker 2: Night Call writer, creator, host of the legendary podcast Heidi World, 105 00:05:30,200 --> 00:05:34,080 Speaker 2: The Heidi Fly Story, and soon to be writer, creator 106 00:05:34,240 --> 00:05:38,400 Speaker 2: and host of another legendary podcast. Please welcome back to 107 00:05:38,440 --> 00:05:38,839 Speaker 2: the show. 108 00:05:39,480 --> 00:05:47,520 Speaker 3: Molly way a bye, they go, what's verbody? What's up? Everybody? 109 00:05:46,720 --> 00:05:49,880 Speaker 2: You said that in the kind of in the rhythm 110 00:05:50,040 --> 00:05:50,960 Speaker 2: of an airhorn. 111 00:05:51,080 --> 00:05:55,560 Speaker 3: It was like, my song is made. 112 00:05:55,640 --> 00:05:59,440 Speaker 1: That's that's not me. Espresso. Hey guys, everybody welcome me. 113 00:05:59,480 --> 00:06:00,640 Speaker 1: It is that me, es espresso. 114 00:06:03,720 --> 00:06:05,880 Speaker 3: What's up my voice? That me? 115 00:06:06,480 --> 00:06:07,520 Speaker 1: That's that me? Espresso? 116 00:06:08,000 --> 00:06:09,280 Speaker 3: Are you off that espresso right now? 117 00:06:09,640 --> 00:06:13,080 Speaker 1: I am off a little pure leaf unsweetened iced tea. 118 00:06:13,160 --> 00:06:15,280 Speaker 1: That's that me, pure leaf unsweetened ice tea. 119 00:06:15,560 --> 00:06:16,000 Speaker 3: That's not me. 120 00:06:17,279 --> 00:06:18,839 Speaker 1: I just like saying, that's that me. 121 00:06:19,800 --> 00:06:23,560 Speaker 3: That's that that's not me. That's fun. I like that 122 00:06:23,800 --> 00:06:25,520 Speaker 3: is that that's somebody's catch phrase? 123 00:06:25,800 --> 00:06:28,279 Speaker 1: Have you not heard Espresso by Sabrina Carpenter Song of 124 00:06:28,320 --> 00:06:30,719 Speaker 1: the Summer? No, No, oh my god, Jack. 125 00:06:30,600 --> 00:06:32,840 Speaker 2: Molly, I hear the song of the Summer so many 126 00:06:32,920 --> 00:06:34,680 Speaker 2: years after the summer is over. 127 00:06:35,279 --> 00:06:37,440 Speaker 1: Jack, you got it? That's that me, Espresso. If you 128 00:06:37,440 --> 00:06:41,000 Speaker 1: want to be you gotta hear it. 129 00:06:41,000 --> 00:06:41,800 Speaker 3: How do hold on? 130 00:06:41,800 --> 00:06:41,880 Speaker 2: Now? 131 00:06:41,880 --> 00:06:43,520 Speaker 3: I got it? Now, I gotta make sure we're bumping this. 132 00:06:43,560 --> 00:06:44,799 Speaker 3: Hold on, let's see. 133 00:06:44,880 --> 00:06:47,600 Speaker 2: Super guests and says song of the Summer you definitely have. 134 00:06:47,720 --> 00:06:50,279 Speaker 1: I'm sure it's truly inescapable. 135 00:06:50,880 --> 00:06:53,880 Speaker 3: Okay, we're hearing it right now. Okay, I have heard this? 136 00:06:54,440 --> 00:06:54,919 Speaker 1: Is that me? 137 00:06:55,200 --> 00:06:55,440 Speaker 3: Ess? 138 00:06:57,040 --> 00:06:59,920 Speaker 2: It sounds like a collaboration between Dua Lipa and a. 139 00:07:00,960 --> 00:07:03,479 Speaker 3: Jack switch it up like Nintendo. That's you. Yeah, this 140 00:07:03,560 --> 00:07:06,080 Speaker 3: is good. This is good. This is given like Nile 141 00:07:06,160 --> 00:07:07,920 Speaker 3: Rogers two vibes. It's giving. 142 00:07:07,960 --> 00:07:11,400 Speaker 1: People keep saying it's giving city pop too, which I 143 00:07:11,440 --> 00:07:12,560 Speaker 1: agree a little bit. 144 00:07:12,640 --> 00:07:14,720 Speaker 3: It's funny though, because like you, people don't like you 145 00:07:14,800 --> 00:07:16,400 Speaker 3: have to think of like the cause and effect of 146 00:07:16,440 --> 00:07:19,840 Speaker 3: all these genres too, Like city pop is Japanese pop 147 00:07:19,920 --> 00:07:22,760 Speaker 3: trying to do what was happening in America R and 148 00:07:22,800 --> 00:07:26,400 Speaker 3: B style, which is anyway. But yes, city pop. This 149 00:07:26,480 --> 00:07:28,119 Speaker 3: is me being let me, let me put my tiny 150 00:07:28,120 --> 00:07:34,720 Speaker 3: Fisherman's beaniet on me. Yeah, you think that's city pop? Wow? 151 00:07:35,720 --> 00:07:38,200 Speaker 3: And that's where I need to check my fellow Japanese people. 152 00:07:38,320 --> 00:07:40,560 Speaker 3: You know, we didn't create this. I mean, we created 153 00:07:40,560 --> 00:07:43,120 Speaker 3: this sound, but sure, what were we trying to do? 154 00:07:43,240 --> 00:07:43,800 Speaker 3: It's really no. 155 00:07:43,880 --> 00:07:46,080 Speaker 1: It is true though. It's like the Billie Eilish album too. 156 00:07:46,120 --> 00:07:51,000 Speaker 1: It's like sounds like Japanese music, sounding like nineteen eighties 157 00:07:51,040 --> 00:07:55,920 Speaker 1: American music, right right right by Americans. 158 00:07:55,600 --> 00:07:59,920 Speaker 2: Right Americans, Thank you, thank you. That's what I'm talking about. 159 00:08:00,400 --> 00:08:02,560 Speaker 2: Bring it back, Molly. We're gonna get to know you 160 00:08:02,560 --> 00:08:03,200 Speaker 2: a little bit better. 161 00:08:03,200 --> 00:08:03,600 Speaker 3: In a moment. 162 00:08:03,640 --> 00:08:06,200 Speaker 2: You're gonna make me feel uncool in so many ways 163 00:08:06,440 --> 00:08:08,800 Speaker 2: that's not me, especially by just making casual reference to 164 00:08:08,880 --> 00:08:10,560 Speaker 2: things that I have to frantically google. 165 00:08:10,920 --> 00:08:13,120 Speaker 3: That's that's yuh. 166 00:08:13,480 --> 00:08:15,960 Speaker 2: But before we get to that, a couple of things 167 00:08:16,000 --> 00:08:16,760 Speaker 2: we're talking about. 168 00:08:17,080 --> 00:08:17,160 Speaker 3: Uh. 169 00:08:17,240 --> 00:08:19,880 Speaker 2: We're gonna talk about the idea of banning ads from 170 00:08:20,000 --> 00:08:23,400 Speaker 2: the fossil fuel industry, which is seems wild that it 171 00:08:23,440 --> 00:08:28,800 Speaker 2: hasn't happened. We will talk about McDonald's attempt to protect 172 00:08:29,000 --> 00:08:32,920 Speaker 2: the phrase big Mac. They keep being like your suit 173 00:08:33,000 --> 00:08:36,040 Speaker 2: because you said big something that rhymes with mac and 174 00:08:36,480 --> 00:08:39,760 Speaker 2: it keeps backfiring on them in ways that is enjoyable. 175 00:08:40,160 --> 00:08:40,840 Speaker 3: All of that. 176 00:08:40,840 --> 00:08:42,880 Speaker 2: Plenty more, But first, Molly, we do like to ask 177 00:08:43,000 --> 00:08:48,080 Speaker 2: our guest, what is something from your search history? All right? 178 00:08:48,120 --> 00:08:50,320 Speaker 1: Guess who did their research? And isn't going to just 179 00:08:50,960 --> 00:08:55,120 Speaker 1: be like, oh, hold on, I can't last night? 180 00:08:55,440 --> 00:08:55,800 Speaker 4: All right? 181 00:08:55,880 --> 00:08:58,679 Speaker 1: Well, you wrote me down and everything I looked up 182 00:08:59,000 --> 00:09:03,360 Speaker 1: last night. I looked up the song tonight Tonight Tonight 183 00:09:03,960 --> 00:09:07,800 Speaker 1: by the Phil Collins lead singer Era A Genesis because 184 00:09:07,800 --> 00:09:11,240 Speaker 1: I was hyper fixating on Phil Collins Eer A Genesis 185 00:09:11,920 --> 00:09:14,520 Speaker 1: and I remembered it being a crazy song and it 186 00:09:14,559 --> 00:09:17,600 Speaker 1: is a crazy song. And then I found out it 187 00:09:17,679 --> 00:09:21,000 Speaker 1: was used in a nineteen eighty six Michelobe commercial. And 188 00:09:21,040 --> 00:09:23,720 Speaker 1: then I found out that there's a brand new song 189 00:09:24,200 --> 00:09:28,360 Speaker 1: interpolating it that's in Bad Boys for a Ride or Die. Oh, 190 00:09:28,360 --> 00:09:32,120 Speaker 1: and it is a cover, like an interpolation cover of 191 00:09:32,160 --> 00:09:35,360 Speaker 1: this song by the Black Eyed Piece with Becky G 192 00:09:35,960 --> 00:09:39,360 Speaker 1: Becky G and l Alpha Uh. And then I watched 193 00:09:39,360 --> 00:09:42,040 Speaker 1: the Michelobe commercial after and it rocked. 194 00:09:42,320 --> 00:09:44,839 Speaker 3: Wait, how does what's tonight tonight tonight? I'm not on. 195 00:09:45,080 --> 00:09:53,679 Speaker 1: Tonight, tonight tonight, No this song? Please look up the 196 00:09:53,679 --> 00:09:54,480 Speaker 1: Black Eyed Peas One? 197 00:09:54,960 --> 00:09:55,240 Speaker 4: Nice? 198 00:09:55,440 --> 00:09:57,280 Speaker 3: Oh yeah, yeah, yeah, yeah. 199 00:09:57,120 --> 00:09:59,360 Speaker 1: Okay, put on now now, put on the Bad Boys 200 00:09:59,400 --> 00:10:00,800 Speaker 1: for Black Eyed Peas One? 201 00:10:00,840 --> 00:10:01,160 Speaker 3: Please? 202 00:10:01,520 --> 00:10:03,600 Speaker 1: Was it called just look it up? Black Eyed Peas? 203 00:10:04,280 --> 00:10:06,160 Speaker 2: Is there a relationship between the Genesis one and the 204 00:10:06,200 --> 00:10:07,000 Speaker 2: Black Eyed Peas One? 205 00:10:07,080 --> 00:10:07,240 Speaker 3: Yeah? 206 00:10:07,240 --> 00:10:09,560 Speaker 1: It's literally an interpolation of that song. 207 00:10:09,679 --> 00:10:11,400 Speaker 3: Okay, got it? Nah? 208 00:10:11,480 --> 00:10:13,320 Speaker 2: No, yeah, Okay, that sucks. 209 00:10:13,440 --> 00:10:15,719 Speaker 3: But I feel like I'm having a panic attack at 210 00:10:15,720 --> 00:10:18,240 Speaker 3: a nightclub where everyone's wearing all white when I hear 211 00:10:18,280 --> 00:10:19,600 Speaker 3: that song. Mm hmm. 212 00:10:19,679 --> 00:10:21,760 Speaker 1: Yeah, that's what Bad Boys for. Is gonna be like 213 00:10:21,960 --> 00:10:22,440 Speaker 1: Ride or that? 214 00:10:22,559 --> 00:10:25,319 Speaker 3: Yeah, Miami Cocaine freakouts. Yeah, I don't need that. I 215 00:10:25,360 --> 00:10:27,040 Speaker 3: don't need that. I lived it. 216 00:10:27,240 --> 00:10:31,360 Speaker 2: Phil Collins was like weirdly involved in Miami Vice, right, 217 00:10:31,640 --> 00:10:33,920 Speaker 2: Like he was in it, like he was a character 218 00:10:34,200 --> 00:10:37,880 Speaker 2: in Miami Vice, like and was involved in the soundtrack 219 00:10:37,920 --> 00:10:39,960 Speaker 2: and all that shit, the original TV show. 220 00:10:40,160 --> 00:10:40,600 Speaker 3: What Yeah. 221 00:10:40,640 --> 00:10:43,480 Speaker 1: I was just thinking about how how weird it is 222 00:10:43,520 --> 00:10:47,040 Speaker 1: that Genesis was like such a big eighties coke band, 223 00:10:47,600 --> 00:10:49,880 Speaker 1: because before that they were like a weird prog band. 224 00:10:50,559 --> 00:10:53,520 Speaker 3: All right, I've just refreshed my white music history here. 225 00:10:53,679 --> 00:10:56,040 Speaker 3: Peter Gabriel was also in Genesis. 226 00:10:56,120 --> 00:10:59,040 Speaker 1: Yeah, they were all in Genesis. Phil Collins was the drummer. 227 00:10:59,200 --> 00:11:02,480 Speaker 1: Then Peter Gabriel Leftico solo. Phil Collins took over as 228 00:11:02,480 --> 00:11:06,160 Speaker 1: the lead singer, and then they had like a whole 229 00:11:06,480 --> 00:11:13,120 Speaker 1: MTV era of Genesis where these three really unphotogenic guys 230 00:11:13,120 --> 00:11:15,040 Speaker 1: were just like yeah, these music videos. 231 00:11:15,800 --> 00:11:19,920 Speaker 2: Yeah, and you would do big budget music videos when 232 00:11:19,960 --> 00:11:23,080 Speaker 2: you like, depending on how I'm photogenic, you are like you, Yeah, 233 00:11:23,080 --> 00:11:25,600 Speaker 2: I feel like I remember like high concept right, And. 234 00:11:25,559 --> 00:11:29,640 Speaker 1: There's like a crazy Michelobe commercial that I was watching 235 00:11:29,840 --> 00:11:32,160 Speaker 1: that's Scott Tonight Tonight Tonight, and it's like people going 236 00:11:32,320 --> 00:11:35,680 Speaker 1: out drinking Mikelobe and then it keeps cutting back to 237 00:11:35,760 --> 00:11:37,960 Speaker 1: Genesis and all. 238 00:11:37,920 --> 00:11:40,839 Speaker 2: Kind of like a it's not a song that I 239 00:11:40,880 --> 00:11:43,360 Speaker 2: would associate with like going out having a good time. 240 00:11:43,600 --> 00:11:45,400 Speaker 1: We guys, look up the do you look up the 241 00:11:45,400 --> 00:11:49,560 Speaker 1: Michelobe commercial? Look up Genesis Mikelobe commercial, because it is like, 242 00:11:49,760 --> 00:11:54,840 Speaker 1: it's very it's very everybody's in la. Actually. I was like, man, 243 00:11:54,880 --> 00:11:56,360 Speaker 1: this is like the Vibe. 244 00:11:56,240 --> 00:11:59,520 Speaker 3: Dude, It's a one minute long, fucking they got a 245 00:11:59,600 --> 00:12:01,440 Speaker 3: sixty second spot to this shit. 246 00:12:01,640 --> 00:12:04,320 Speaker 2: Okay, it was a Super Bowl commercial and they had 247 00:12:04,360 --> 00:12:07,720 Speaker 2: to pay fifteen thousand dollars for Wow. 248 00:12:08,440 --> 00:12:11,080 Speaker 3: God, that's what I was doing last night, guys, so 249 00:12:11,120 --> 00:12:14,400 Speaker 3: long as to make a wow that is, I'm like 250 00:12:14,480 --> 00:12:17,040 Speaker 3: so confused what that commercial even is? Like are they 251 00:12:17,600 --> 00:12:20,240 Speaker 3: Was it about one couple? Was it about a man 252 00:12:20,280 --> 00:12:22,480 Speaker 3: who's a serial killer who's murdering all these. 253 00:12:23,880 --> 00:12:25,840 Speaker 1: That's part of why I was looking up the song 254 00:12:25,960 --> 00:12:28,560 Speaker 1: is because I was like, is this song about murdering people? 255 00:12:28,920 --> 00:12:31,480 Speaker 1: It feels like there's a bunch of Phil Collins songs 256 00:12:31,679 --> 00:12:35,080 Speaker 1: where he's like a hit man or like about somebody 257 00:12:35,200 --> 00:12:37,720 Speaker 1: right right, including in the Air Tonight. People think it's 258 00:12:37,920 --> 00:12:40,800 Speaker 1: like murder yeah, but this one, it turns out it 259 00:12:40,840 --> 00:12:43,520 Speaker 1: is about doing heroin, which makes it even clingier that 260 00:12:43,559 --> 00:12:46,840 Speaker 1: it's like in this color heroin. I think it's like 261 00:12:46,880 --> 00:12:49,480 Speaker 1: a story song from the point of view of like 262 00:12:49,520 --> 00:12:51,719 Speaker 1: a guy who's gonna it's like under the bridge. It's 263 00:12:51,760 --> 00:12:54,000 Speaker 1: like I'm gonna go out and do some heroin. But 264 00:12:54,080 --> 00:12:56,800 Speaker 1: it's like crazy for it to be like a party 265 00:12:56,880 --> 00:12:59,319 Speaker 1: rock anthem. 266 00:12:58,320 --> 00:13:02,559 Speaker 2: Right, Yeah, it really doesn't feel feels like kind of grim. 267 00:13:02,840 --> 00:13:05,760 Speaker 1: It's such a grim it's a grim song anyway. This 268 00:13:05,880 --> 00:13:07,040 Speaker 1: was my journey last night. 269 00:13:07,480 --> 00:13:09,000 Speaker 3: Yeah, holy shit. 270 00:13:09,360 --> 00:13:12,280 Speaker 1: The comments the comment section on YouTube also incredible, people 271 00:13:12,360 --> 00:13:16,120 Speaker 1: being like, man, this commercial favor man. 272 00:13:16,200 --> 00:13:19,240 Speaker 3: The eighties rocked, simply the best high school in college 273 00:13:19,280 --> 00:13:22,520 Speaker 3: and all those parties, yeah, doing at nights in NYC 274 00:13:24,679 --> 00:13:28,400 Speaker 3: and all those parties. Yeah, you did not go to 275 00:13:28,440 --> 00:13:30,200 Speaker 3: a single fucking party full. 276 00:13:31,120 --> 00:13:33,840 Speaker 1: That whole commercial was shot in Los Angeles. So I 277 00:13:33,880 --> 00:13:35,880 Speaker 1: love the people we are like makes me reminds me 278 00:13:35,920 --> 00:13:39,960 Speaker 1: of New York day yeah right, no oh yeah, downtown 279 00:13:40,000 --> 00:13:42,200 Speaker 1: Los Angeles reminds you of New York City. 280 00:13:42,280 --> 00:13:46,760 Speaker 3: Me too. Damn everything was epic back in the eighties. 281 00:13:46,960 --> 00:13:49,680 Speaker 3: If I knew what the music in TV slash Hollywood 282 00:13:49,720 --> 00:13:52,319 Speaker 3: would succumb to, I would have slowed my life down. 283 00:13:52,400 --> 00:13:55,080 Speaker 3: Some we had it made back then. I guess we 284 00:13:55,080 --> 00:13:57,040 Speaker 3: were having too much fun to notice. 285 00:13:57,320 --> 00:13:59,600 Speaker 2: Damn that person has the ability to a like slow 286 00:13:59,679 --> 00:14:01,360 Speaker 2: time down, that's fucking cool. 287 00:14:01,800 --> 00:14:02,480 Speaker 3: Good for them. 288 00:14:02,720 --> 00:14:06,240 Speaker 2: I would have slowed things down on a point five speed. 289 00:14:06,600 --> 00:14:11,640 Speaker 1: YouTube comments on music videos are like the last period 290 00:14:11,920 --> 00:14:13,880 Speaker 1: wholesome plant. 291 00:14:14,320 --> 00:14:14,640 Speaker 3: Right. 292 00:14:14,800 --> 00:14:18,600 Speaker 1: There was always one guy who's like, I'm fifteen, but 293 00:14:18,840 --> 00:14:22,240 Speaker 1: I love this music, right yeah. 294 00:14:21,880 --> 00:14:23,680 Speaker 3: Or I love when like it's an old music video 295 00:14:23,720 --> 00:14:26,680 Speaker 3: and someone's like who else is watching in twenty twenty 296 00:14:26,720 --> 00:14:30,440 Speaker 3: four and people like immediately like get in there. Yeah. 297 00:14:30,440 --> 00:14:33,480 Speaker 1: People tell crazy stories, are like this was my first 298 00:14:33,600 --> 00:14:37,120 Speaker 1: love's favorite song. She died in a boat accident. 299 00:14:37,320 --> 00:14:41,160 Speaker 3: Like right, it's such a or to be like interesting 300 00:14:41,200 --> 00:14:44,480 Speaker 3: story about Phil Collins. My uncle used to be his 301 00:14:44,640 --> 00:14:48,240 Speaker 3: drum tech, really nice guy, but fired him because my 302 00:14:48,360 --> 00:14:51,840 Speaker 3: uncle was doing too much cocaine. It was probably his fault, 303 00:14:51,960 --> 00:14:54,040 Speaker 3: but he sort of had impulse control. And then it's 304 00:14:54,080 --> 00:14:56,920 Speaker 3: like a five paragraph thing and you're like, oh, thank you. 305 00:14:57,520 --> 00:15:00,840 Speaker 2: Justis is just like that version of Genesis so thoroughly 306 00:15:00,960 --> 00:15:05,400 Speaker 2: drenched in the eighties and like just such a perfect 307 00:15:05,440 --> 00:15:09,640 Speaker 2: like embodiment of that moment and like that video that 308 00:15:09,640 --> 00:15:13,640 Speaker 2: that commercial like pers of all michelob being like the beer. 309 00:15:13,760 --> 00:15:15,600 Speaker 3: Dude with those of lamp bottles. 310 00:15:16,120 --> 00:15:20,480 Speaker 2: Every Yeah, it really feels like everything coming together. And 311 00:15:20,520 --> 00:15:23,880 Speaker 2: then like the nineties happened and they were like so corny, like. 312 00:15:23,960 --> 00:15:28,560 Speaker 1: The like week nineties were like, well that's a fine 313 00:15:28,600 --> 00:15:34,080 Speaker 1: song too. Yeah, I'm just like obsessed. I can't danced. 314 00:15:34,600 --> 00:15:37,520 Speaker 1: I just am obsessed with kind of that era of 315 00:15:37,600 --> 00:15:43,400 Speaker 1: like super expensive studio production. Yeah right, you know, and 316 00:15:43,400 --> 00:15:46,720 Speaker 1: and of these bands that were like weird British prog 317 00:15:46,840 --> 00:15:50,640 Speaker 1: rock bands being like, oh shit, we got a billion 318 00:15:50,720 --> 00:15:52,960 Speaker 1: dollar snare sound now, okay. 319 00:15:52,800 --> 00:15:56,720 Speaker 3: Well with that right right? Yeah? Yeah. Sonically, I think 320 00:15:56,800 --> 00:15:59,000 Speaker 3: Genesis definitely has a thing where it's like you're hearing 321 00:15:59,040 --> 00:16:02,760 Speaker 3: every instrument and sound patch that people were using, like 322 00:16:03,200 --> 00:16:05,800 Speaker 3: just across their albums. You're like, no, that was the 323 00:16:05,840 --> 00:16:06,720 Speaker 3: sonic palette of it. 324 00:16:06,880 --> 00:16:08,400 Speaker 1: Yeah, And I'm kind of I'm just like in a 325 00:16:08,440 --> 00:16:12,520 Speaker 1: Phil Collins hyperfixation thinking about Phil Collins getting might write 326 00:16:12,520 --> 00:16:14,680 Speaker 1: something about this, but thinking about kind of like loser 327 00:16:14,880 --> 00:16:19,000 Speaker 1: rock like music about music where the main guys kind 328 00:16:19,000 --> 00:16:19,960 Speaker 1: of cool. 329 00:16:20,240 --> 00:16:22,960 Speaker 2: Yeah, who is the king of that for you? 330 00:16:23,040 --> 00:16:23,200 Speaker 4: Oh? 331 00:16:23,240 --> 00:16:23,760 Speaker 1: Billy Joel? 332 00:16:24,080 --> 00:16:26,400 Speaker 3: Thank you. I was just gonna say Billy Joel. 333 00:16:26,520 --> 00:16:29,880 Speaker 2: Yeah. And that's the reason that he's like not like 334 00:16:29,960 --> 00:16:33,480 Speaker 2: he's just held in a different part his mind then 335 00:16:33,920 --> 00:16:34,800 Speaker 2: like cool. 336 00:16:35,160 --> 00:16:38,280 Speaker 1: Yeah, a rock star who's not cool. It's like a 337 00:16:38,400 --> 00:16:40,600 Speaker 1: guy who's like a rock star, but you're like, this 338 00:16:40,680 --> 00:16:43,200 Speaker 1: guy's like a loser and his songs are about being 339 00:16:43,200 --> 00:16:43,680 Speaker 1: a loser. 340 00:16:43,720 --> 00:16:44,360 Speaker 3: I'm really. 341 00:16:45,800 --> 00:16:50,040 Speaker 2: Sitting at home and jacking off. That's one of Billy 342 00:16:50,120 --> 00:16:52,800 Speaker 2: Joel's songs is like you just sit at home and 343 00:16:52,960 --> 00:16:55,280 Speaker 2: master like Billy Joe. 344 00:16:56,440 --> 00:16:59,000 Speaker 1: And that's kind of cool like me, you guys know 345 00:16:59,040 --> 00:17:02,480 Speaker 1: my favorite Billy Joel. On fact, what's that piano man 346 00:17:02,600 --> 00:17:03,600 Speaker 1: is about Koreatown? 347 00:17:04,240 --> 00:17:04,560 Speaker 3: Is it? 348 00:17:05,359 --> 00:17:07,520 Speaker 1: He was playing a he was a he was playing 349 00:17:07,520 --> 00:17:10,359 Speaker 1: a bar in Korea, playing a bar in Koreatown. Doesn't 350 00:17:10,359 --> 00:17:10,720 Speaker 1: that change? 351 00:17:10,800 --> 00:17:10,919 Speaker 3: La? 352 00:17:11,240 --> 00:17:15,040 Speaker 1: Yes? In La. And it was called the Executive Room. 353 00:17:15,280 --> 00:17:18,399 Speaker 1: It wasn't Koreatown yet, it was mid city. It was 354 00:17:18,480 --> 00:17:22,680 Speaker 1: like shitty like office job guys going to a bar 355 00:17:22,880 --> 00:17:27,560 Speaker 1: after work and that's the bar real estate. Yes, but 356 00:17:27,680 --> 00:17:31,600 Speaker 1: you just like you assume that song is about like 357 00:17:31,720 --> 00:17:33,920 Speaker 1: Long Island because island or. 358 00:17:33,920 --> 00:17:36,520 Speaker 2: I just pictured I always pictured the bar from Cheers 359 00:17:36,560 --> 00:17:38,439 Speaker 2: for some reason, right, but a picture of the. 360 00:17:38,400 --> 00:17:40,600 Speaker 1: Bar from Cheers. But it's in Koreatown. And that's every 361 00:17:40,640 --> 00:17:42,800 Speaker 1: time in my head, I'm like, single, it's a song, 362 00:17:42,920 --> 00:17:47,320 Speaker 1: It's Korea Town sing us a song tonight. But he 363 00:17:47,440 --> 00:17:51,320 Speaker 1: was like a gigging piano man in La trying to 364 00:17:51,359 --> 00:17:53,119 Speaker 1: be like a session guy. And then he would like 365 00:17:53,200 --> 00:17:55,320 Speaker 1: work nights at this bar in Koreatown. 366 00:17:56,160 --> 00:18:00,000 Speaker 3: Yeah, see, always coming with the lore. I was actually 367 00:18:00,040 --> 00:18:00,600 Speaker 3: there that night. 368 00:18:00,640 --> 00:18:02,040 Speaker 1: Oh yeah, you were there? 369 00:18:02,080 --> 00:18:03,520 Speaker 3: You were That. 370 00:18:03,480 --> 00:18:05,600 Speaker 1: Would be funny we were like watching the Michelo commercial 371 00:18:05,640 --> 00:18:08,480 Speaker 1: and like Jack walks by, what the. 372 00:18:09,960 --> 00:18:10,920 Speaker 3: Old are here? 373 00:18:11,040 --> 00:18:13,080 Speaker 1: How are you? That's why you don't know this? 374 00:18:14,720 --> 00:18:16,560 Speaker 3: Yeah, you look full grown in this commercial. 375 00:18:17,160 --> 00:18:19,119 Speaker 1: You got kind of an eighties look to you, just 376 00:18:19,119 --> 00:18:19,879 Speaker 1: just saying. 377 00:18:19,760 --> 00:18:23,760 Speaker 2: Oh man, if I get like the I was. I 378 00:18:23,800 --> 00:18:26,919 Speaker 2: was really blown away by his hairstyle, Like he just 379 00:18:26,920 --> 00:18:30,159 Speaker 2: says the big like mullet, but it's like kind of 380 00:18:30,160 --> 00:18:33,000 Speaker 2: feathered in the back and then like kind of receding 381 00:18:33,119 --> 00:18:38,200 Speaker 2: up Tophi Colins. Yeah, yeah, yeah, yeah, for sure, I'm 382 00:18:38,240 --> 00:18:40,600 Speaker 2: gonna just bring a picture of that the next time. 383 00:18:40,920 --> 00:18:44,240 Speaker 2: But yeah, that's what what animal does Phil Collins remind 384 00:18:44,280 --> 00:18:44,479 Speaker 2: you of? 385 00:18:45,880 --> 00:18:46,560 Speaker 1: Like a lemur? 386 00:18:47,040 --> 00:18:49,040 Speaker 2: I was gonna say, koala bear. It really gives me 387 00:18:49,119 --> 00:18:50,560 Speaker 2: kuala vibes for some reason. 388 00:18:51,200 --> 00:18:51,720 Speaker 3: Interesting. 389 00:18:52,240 --> 00:18:55,200 Speaker 2: Yeah, anyways, uh, this is. 390 00:18:55,119 --> 00:18:58,439 Speaker 1: A Phil Collins hour or like or like to the 391 00:18:58,480 --> 00:19:01,199 Speaker 1: Collins hour now with no he looks like a turtle? 392 00:19:02,080 --> 00:19:02,879 Speaker 3: Is he bald now? 393 00:19:02,920 --> 00:19:03,400 Speaker 2: Fully bald? 394 00:19:03,480 --> 00:19:03,640 Speaker 3: Yeah? 395 00:19:03,680 --> 00:19:03,880 Speaker 1: Yeah? 396 00:19:03,920 --> 00:19:04,080 Speaker 2: Yeah? 397 00:19:04,240 --> 00:19:07,320 Speaker 3: He I mean you knew what it was. He had 398 00:19:07,320 --> 00:19:09,920 Speaker 3: this smiegel mullet back then. It's like he was he 399 00:19:10,000 --> 00:19:13,000 Speaker 3: was gonna recover turn this shit around one point, like he. 400 00:19:13,560 --> 00:19:17,240 Speaker 2: Was fully on the right drugs and in the right 401 00:19:17,320 --> 00:19:21,439 Speaker 2: places for that that moment in the eighties. Yeah, like 402 00:19:21,520 --> 00:19:23,159 Speaker 2: the fact that they were just like I guess you 403 00:19:23,240 --> 00:19:25,520 Speaker 2: should be in Miami vice man. 404 00:19:26,200 --> 00:19:29,879 Speaker 1: Man singing all these songs about how every night is 405 00:19:29,920 --> 00:19:31,040 Speaker 1: the worst night of your life. 406 00:19:31,320 --> 00:19:32,440 Speaker 3: Yeah, right, exactly. 407 00:19:32,880 --> 00:19:35,600 Speaker 2: All right, let's take a quick break and we'll come 408 00:19:35,640 --> 00:19:37,520 Speaker 2: back and do some overrated under it. 409 00:19:47,920 --> 00:19:51,000 Speaker 3: And we're back. 410 00:19:50,040 --> 00:19:53,720 Speaker 2: And Molly Lambert, we do like to ask our guests, 411 00:19:53,760 --> 00:19:55,480 Speaker 2: what is something you think is underrated? 412 00:19:55,960 --> 00:19:58,240 Speaker 1: All right? Came up with an answer that's not food 413 00:19:58,280 --> 00:19:59,840 Speaker 1: this time, which I've never done before. 414 00:20:00,200 --> 00:20:03,160 Speaker 3: Oh, okay, underrated got up and left. 415 00:20:03,520 --> 00:20:06,080 Speaker 1: Jack got up and left because I offended him too much. 416 00:20:07,560 --> 00:20:08,880 Speaker 3: He heard no food takes. 417 00:20:09,680 --> 00:20:11,359 Speaker 2: Food is even happening? 418 00:20:11,440 --> 00:20:12,040 Speaker 3: Okay, what is it? 419 00:20:12,280 --> 00:20:13,320 Speaker 2: What are we even doing here? 420 00:20:14,119 --> 00:20:16,960 Speaker 1: Underrated? Secondary colors? 421 00:20:17,720 --> 00:20:20,879 Speaker 2: Okay, second purple, educate me? 422 00:20:21,200 --> 00:20:28,560 Speaker 1: Green, orange, overrated? The primary colors red, yellow, blue. 423 00:20:28,440 --> 00:20:30,479 Speaker 3: There you go. I didn't even know how the fun 424 00:20:30,560 --> 00:20:31,800 Speaker 3: does that shit even break down? 425 00:20:31,920 --> 00:20:32,000 Speaker 4: Like? 426 00:20:32,040 --> 00:20:32,240 Speaker 3: What? 427 00:20:32,240 --> 00:20:34,400 Speaker 1: What are the right colors are the ones you can't 428 00:20:34,440 --> 00:20:37,159 Speaker 1: break down into other colors? Secondary colors are the ones 429 00:20:37,200 --> 00:20:39,160 Speaker 1: you get from combining primary colors. 430 00:20:39,520 --> 00:20:44,639 Speaker 3: Oh, that makes sense. I have magnetiles currently that I 431 00:20:44,680 --> 00:20:46,480 Speaker 3: look through all the time. I'm trying to show my baby. 432 00:20:46,480 --> 00:20:48,399 Speaker 3: I'm like, look, look at the green and yellow. Dude, 433 00:20:48,440 --> 00:20:51,879 Speaker 3: that's blue right there. Green and yellow isn't blue? 434 00:20:51,920 --> 00:21:00,280 Speaker 2: Miles your way off left, man, Bro. 435 00:21:00,240 --> 00:21:02,840 Speaker 1: You can't make it blue's primary color primary? 436 00:21:03,080 --> 00:21:09,920 Speaker 3: Oh wait, blue and yellow is green? That is about 437 00:21:09,960 --> 00:21:12,240 Speaker 3: to be fucking embarrassed at preschool. 438 00:21:12,600 --> 00:21:16,920 Speaker 2: Shit, but like that, Yeah, primary and secondary colors take 439 00:21:17,000 --> 00:21:19,760 Speaker 2: up such a big part of my brain, just like 440 00:21:19,800 --> 00:21:21,760 Speaker 2: really the first Yeah, it's just like one of the 441 00:21:21,760 --> 00:21:23,080 Speaker 2: first things I learned. 442 00:21:23,320 --> 00:21:26,040 Speaker 3: So I just feel like, clearly not me, Bro, I 443 00:21:26,040 --> 00:21:27,040 Speaker 3: didn't learn no, goddamn. 444 00:21:27,119 --> 00:21:30,200 Speaker 1: I was just like red, yellow and blue get all 445 00:21:30,200 --> 00:21:33,720 Speaker 1: the shine. Yeah, purple, green and orange doing a lot 446 00:21:33,720 --> 00:21:39,560 Speaker 1: of lifting behind them. Yeah, especially green, probably my favorite color. 447 00:21:39,720 --> 00:21:43,200 Speaker 3: Green. I'm really coming around the green, I gotta tell you, 448 00:21:43,400 --> 00:21:46,800 Speaker 3: I'm really coming around the green with it. Yeah, you 449 00:21:46,800 --> 00:21:49,159 Speaker 3: should think it was like a weird, nerdy ass color. 450 00:21:49,400 --> 00:21:50,920 Speaker 3: Like you know, I don't know why. 451 00:21:51,480 --> 00:21:53,520 Speaker 1: Colors, what colors make up? Green? 452 00:21:53,520 --> 00:21:57,600 Speaker 3: Miles, yellow, and blue? Hey, look at this. 453 00:21:59,160 --> 00:22:02,520 Speaker 2: Green, And I'm a big big orange freak. 454 00:22:02,640 --> 00:22:07,119 Speaker 3: Yeah that one too. Yeah yeah, yeah, yeah, I get orange. 455 00:22:08,080 --> 00:22:12,159 Speaker 1: I think about it, think about it, think about it. Red, Yeah, Wow. 456 00:22:11,960 --> 00:22:14,720 Speaker 3: Bang, I make purple, blue and red. 457 00:22:15,160 --> 00:22:15,800 Speaker 1: You're getting that. 458 00:22:16,200 --> 00:22:18,080 Speaker 3: I remember that one because I remember fucking with my 459 00:22:18,119 --> 00:22:20,240 Speaker 3: crayons and put them together, Like, yea, what the fuck 460 00:22:20,320 --> 00:22:22,000 Speaker 3: is going on right here? When I put this the 461 00:22:22,000 --> 00:22:22,440 Speaker 3: blue one. 462 00:22:22,480 --> 00:22:25,200 Speaker 1: I'm also like, I'm pretty bad at color theory. Actually, 463 00:22:25,920 --> 00:22:28,600 Speaker 1: in my brief painting era, I could not figure out 464 00:22:28,640 --> 00:22:29,959 Speaker 1: how the colors go together at all. 465 00:22:30,040 --> 00:22:32,800 Speaker 3: So just you know I have I got a fucking 466 00:22:32,880 --> 00:22:35,800 Speaker 3: image bookmarked on my browser. When I'm trying to figure out, 467 00:22:36,000 --> 00:22:37,879 Speaker 3: like how to coordinate an outfit, I'm like, yeah, what 468 00:22:37,920 --> 00:22:40,120 Speaker 3: the fuck does Oh yeah, yeah, yeah, okay, this makes sense. 469 00:22:40,600 --> 00:22:43,040 Speaker 2: It feels like there should be more secondary colors. To me, 470 00:22:43,320 --> 00:22:46,000 Speaker 2: my brain has always thought it was weird that you 471 00:22:46,040 --> 00:22:48,640 Speaker 2: can't combine to make that there's only more. There's three 472 00:22:48,680 --> 00:22:52,879 Speaker 2: primary and then three secondary, but you're combining, you know 473 00:22:53,400 --> 00:22:54,080 Speaker 2: anybody else? 474 00:22:54,560 --> 00:22:57,919 Speaker 3: No, look, Jack, I'm make a new color make I'm 475 00:22:57,960 --> 00:22:59,960 Speaker 3: illiterate when it comes to color, so I don't know. 476 00:23:00,640 --> 00:23:02,720 Speaker 2: The thing that really fucked me up, because this is 477 00:23:02,760 --> 00:23:05,240 Speaker 2: such a foundational part of my brain, is that my 478 00:23:05,440 --> 00:23:09,560 Speaker 2: kids came home from kindergarten where like, red's not a 479 00:23:09,600 --> 00:23:13,320 Speaker 2: primary color. Actually it's magenta. Magenta is the one that 480 00:23:13,400 --> 00:23:14,440 Speaker 2: you can't make. 481 00:23:15,240 --> 00:23:17,719 Speaker 1: And what are they learning to make television? 482 00:23:18,880 --> 00:23:22,160 Speaker 2: Yeah, they have like changed how they teach it, which 483 00:23:22,200 --> 00:23:25,760 Speaker 2: is weird because it's like, wait, if if you're just 484 00:23:25,800 --> 00:23:29,119 Speaker 2: worrying with like paints, like magenta, feels like the thing 485 00:23:29,160 --> 00:23:31,919 Speaker 2: you can make with red and white, a little bit 486 00:23:32,000 --> 00:23:33,160 Speaker 2: bit of blue. 487 00:23:33,359 --> 00:23:35,640 Speaker 3: Yeah wait, I don't, man, Look, I'm I'm so lost. 488 00:23:35,640 --> 00:23:37,159 Speaker 3: I don't even need to don't. I'm like about it. 489 00:23:37,160 --> 00:23:39,080 Speaker 1: It's just fun to think about colors, guys, I'm just 490 00:23:39,520 --> 00:23:40,040 Speaker 1: thinking about it. 491 00:23:41,080 --> 00:23:43,680 Speaker 2: Yeah, Yeah, what's something you think is overrated? 492 00:23:43,760 --> 00:23:46,520 Speaker 1: The primary that was kind of be in there is overrated? Primary? 493 00:23:46,680 --> 00:23:47,080 Speaker 3: Primary? 494 00:23:47,840 --> 00:23:51,119 Speaker 1: All right, red, yellow, blue, especially like for little kids 495 00:23:51,119 --> 00:23:53,800 Speaker 1: and stuff. I feel like they're like, you guys are 496 00:23:53,840 --> 00:23:56,760 Speaker 1: too stupid to understand secondary colors. Here's a bunch of 497 00:23:57,480 --> 00:23:58,720 Speaker 1: primary colors for you. 498 00:23:58,920 --> 00:24:01,080 Speaker 2: Yeah, yeah, no, for sure. 499 00:24:01,600 --> 00:24:06,560 Speaker 3: Wait what's the RGB scale like for projecting video and 500 00:24:06,600 --> 00:24:07,720 Speaker 3: things like that. That's why I was. 501 00:24:08,160 --> 00:24:10,040 Speaker 1: That's what I was saying. Maybe they're teaching your kids 502 00:24:10,040 --> 00:24:11,920 Speaker 1: to make television because it's different with. 503 00:24:11,960 --> 00:24:15,639 Speaker 3: Light, right right right? Yeah, Because like in my weird 504 00:24:15,840 --> 00:24:17,440 Speaker 3: la brain, I was about to be like red, green, 505 00:24:17,480 --> 00:24:19,959 Speaker 3: and blue because I was always us to seeing those 506 00:24:20,000 --> 00:24:22,320 Speaker 3: three lamps like on a projection TV or some shit 507 00:24:22,400 --> 00:24:24,200 Speaker 3: or a projector back in like the eighties and shit. 508 00:24:24,720 --> 00:24:27,520 Speaker 3: But anyway, let's move on. Now I know what it is, 509 00:24:27,640 --> 00:24:30,760 Speaker 3: and I can keep my child from being ignorant about 510 00:24:30,800 --> 00:24:34,000 Speaker 3: primary call breaking the cycle, breaking the cycle, you know. 511 00:24:34,200 --> 00:24:37,320 Speaker 2: Hanging out at the school being like talking you know 512 00:24:37,680 --> 00:24:40,000 Speaker 2: on green. You got an AirPod in where we're like 513 00:24:40,040 --> 00:24:42,880 Speaker 2: telling you what about the colors. 514 00:24:42,880 --> 00:24:45,119 Speaker 1: On the playground, Like y'all heard about green? 515 00:24:45,760 --> 00:24:48,880 Speaker 3: Yeah, they're like, I think that man's trying to sell 516 00:24:48,920 --> 00:24:52,080 Speaker 3: the kids cannabis over there. You don't know about that green. 517 00:24:52,440 --> 00:24:56,320 Speaker 3: Green hits different. Green hit is way different nowadays. You 518 00:24:56,320 --> 00:24:59,840 Speaker 3: feel me, Hey, well one way that green is hitting different. 519 00:24:59,840 --> 00:25:03,680 Speaker 3: As with green washing, that's a transition to our first story. Wow, 520 00:25:03,840 --> 00:25:04,720 Speaker 3: that's actually not bad. 521 00:25:04,920 --> 00:25:08,840 Speaker 2: Let's make it illgal fuck it? Yeah, we should. 522 00:25:08,880 --> 00:25:13,320 Speaker 3: I mean, green washing such a powerful force in our society. 523 00:25:13,640 --> 00:25:17,080 Speaker 3: It's it just helped the fossil fuel industry constantly switch 524 00:25:17,160 --> 00:25:20,480 Speaker 3: masks and go from like earth fucking destroyer company company 525 00:25:20,520 --> 00:25:23,879 Speaker 3: to like, we will put condoms on our oil refinery 526 00:25:23,960 --> 00:25:27,000 Speaker 3: smokestacks that catch all the bad stuff. We are good 527 00:25:27,600 --> 00:25:30,800 Speaker 3: and every time, the conversation around fossil fuels like near 528 00:25:30,960 --> 00:25:33,520 Speaker 3: some kind of tipping point of like public opinion. We 529 00:25:33,600 --> 00:25:36,520 Speaker 3: get some new campaign where like BP is telling us 530 00:25:36,520 --> 00:25:38,720 Speaker 3: it's like, no, we're gonna put a bunch of band 531 00:25:38,720 --> 00:25:41,479 Speaker 3: aids on the Gulf coast, so don't worry about that 532 00:25:41,600 --> 00:25:44,959 Speaker 3: deep water horizon spill. And actually we're not even VP anymore. 533 00:25:44,960 --> 00:25:47,720 Speaker 3: We're but beyond petroleum. We just want you to think 534 00:25:47,720 --> 00:25:50,359 Speaker 3: completely different about us. Or like how Exon was saying, 535 00:25:50,400 --> 00:25:53,160 Speaker 3: like they're using like algae based fuels that like we've 536 00:25:53,200 --> 00:25:54,480 Speaker 3: never seen come to pass. 537 00:25:54,760 --> 00:25:57,040 Speaker 2: Come on, but like these are other things that made 538 00:25:57,080 --> 00:26:00,280 Speaker 2: me feel better. I've been sleeping at night on these things. 539 00:26:00,400 --> 00:26:03,119 Speaker 2: That's how I get to sleep now exactly. I mean, 540 00:26:03,320 --> 00:26:05,639 Speaker 2: sure of those big algae farms that they put in 541 00:26:05,640 --> 00:26:07,480 Speaker 2: that one VP commercial, I'm like. 542 00:26:07,560 --> 00:26:12,840 Speaker 3: We're good here, We're fine. It's worse than the excellent 543 00:26:12,880 --> 00:26:15,800 Speaker 3: validies anyway. So there's also a recent study that showed 544 00:26:15,840 --> 00:26:18,840 Speaker 3: that like there's a huge discrepancy between the actions of 545 00:26:18,920 --> 00:26:21,520 Speaker 3: the companies, the fossil fuel companies in real life and 546 00:26:21,560 --> 00:26:24,120 Speaker 3: like what their ads say they are doing, especially when 547 00:26:24,119 --> 00:26:27,040 Speaker 3: it comes to things like they're like we're limiting expansion 548 00:26:27,280 --> 00:26:30,000 Speaker 3: and like exploration. It's like, no, they're just they're just 549 00:26:30,000 --> 00:26:31,960 Speaker 3: putting that in a commercial to fucking get us to 550 00:26:32,000 --> 00:26:35,240 Speaker 3: be like, oh, everything's okay. So all of these little 551 00:26:35,280 --> 00:26:39,160 Speaker 3: optics maneuvers are obviously made possible by the advertising industry 552 00:26:39,200 --> 00:26:41,639 Speaker 3: that has reaped billions and helping these companies seem a 553 00:26:41,640 --> 00:26:44,240 Speaker 3: little less fucked up. But a few days ago, UN 554 00:26:44,280 --> 00:26:49,119 Speaker 3: Secretary General Antonio Guterrez called upon the world to enact 555 00:26:49,119 --> 00:26:52,520 Speaker 3: a total ban on fossil fuel ads. And this obviously 556 00:26:52,600 --> 00:26:55,320 Speaker 3: isn't like the be all and end all solution, but 557 00:26:55,560 --> 00:26:58,399 Speaker 3: it certainly makes sense in terms of at the very 558 00:26:58,520 --> 00:27:01,000 Speaker 3: least being able to like muzzle the these people so 559 00:27:01,040 --> 00:27:04,840 Speaker 3: we can have like legitimate conversations about the climate without 560 00:27:04,880 --> 00:27:07,800 Speaker 3: some ad come like hey, hey, actually this petroleum is 561 00:27:08,440 --> 00:27:10,680 Speaker 3: the future for our children or whatever the fuck they're 562 00:27:10,680 --> 00:27:11,960 Speaker 3: trying and do to combine them it. 563 00:27:12,480 --> 00:27:18,320 Speaker 1: Yes, yeah, when they show you like, oh, we cleaned 564 00:27:18,359 --> 00:27:20,800 Speaker 1: all the oil off this duck that we put the 565 00:27:20,880 --> 00:27:21,480 Speaker 1: oil on. 566 00:27:21,960 --> 00:27:25,640 Speaker 3: Oh thank god, thank you. Paul Molive. Yeah, palm Olive 567 00:27:25,680 --> 00:27:27,320 Speaker 3: did it all. But like this is what he said, quote, 568 00:27:27,359 --> 00:27:29,640 Speaker 3: fossil fuels are not only poisoning our planet they're toxic. 569 00:27:29,720 --> 00:27:32,720 Speaker 3: They're toxic for your brand, your sector, full of talking 570 00:27:32,760 --> 00:27:35,480 Speaker 3: to the advertisers, full of creative minds who are already 571 00:27:35,480 --> 00:27:39,000 Speaker 3: mobilizing around this cause. They are gravitating towards companies that 572 00:27:39,080 --> 00:27:41,800 Speaker 3: are fighting for our planet, not trashing it. I urge 573 00:27:41,800 --> 00:27:45,520 Speaker 3: every country to ban advertising from fossil fuel companies, and 574 00:27:45,920 --> 00:27:48,960 Speaker 3: many in the fossil fuel industry have shamelessly greenwashed even 575 00:27:49,000 --> 00:27:51,919 Speaker 3: as they have sought to delay climate action with lobbying, 576 00:27:52,040 --> 00:27:55,720 Speaker 3: legal threats, and massive ad campaigns. They have been aided 577 00:27:55,760 --> 00:28:00,760 Speaker 3: and embedded by PR and advertising companies. Mad men fueling 578 00:28:00,880 --> 00:28:05,360 Speaker 3: the madness. Madness all right, you had me until that one. 579 00:28:05,520 --> 00:28:10,280 Speaker 3: Leave man spit bars, geears with the pop culture bars 580 00:28:10,320 --> 00:28:14,320 Speaker 3: that I call these companies enablers. Stop taking on new 581 00:28:14,320 --> 00:28:17,119 Speaker 3: fossil fuel clients from today and set out plans to 582 00:28:17,160 --> 00:28:21,200 Speaker 3: drop your existing ones. Now. I don't know how willingness, 583 00:28:21,280 --> 00:28:23,800 Speaker 3: how the willingness of the advertising sector will be to 584 00:28:23,960 --> 00:28:27,720 Speaker 3: completely let I mean that money. They've done that ship before. 585 00:28:27,920 --> 00:28:29,960 Speaker 2: Like when you look at when you go back and 586 00:28:30,040 --> 00:28:33,680 Speaker 2: look at magazines from the eighties, like I'd say fifty 587 00:28:33,840 --> 00:28:36,359 Speaker 2: to sixty percent of the ads were cigarettes, Like it 588 00:28:36,480 --> 00:28:37,520 Speaker 2: was all cigarettes. 589 00:28:37,520 --> 00:28:38,000 Speaker 3: Oh my god. 590 00:28:38,000 --> 00:28:39,400 Speaker 1: And they all look so cool. 591 00:28:39,640 --> 00:28:43,360 Speaker 3: They look so cool. I'm still smoking Virginia Slims. Yeah, 592 00:28:43,360 --> 00:28:45,320 Speaker 3: because I just wanted to be like them in the commercials. 593 00:28:45,440 --> 00:28:47,959 Speaker 1: You come a long way, baby. 594 00:28:48,280 --> 00:28:51,400 Speaker 2: But yeah, cigarette companies were a major part of the 595 00:28:51,400 --> 00:28:56,480 Speaker 2: advertising industry, and I don't see. 596 00:28:55,760 --> 00:28:59,000 Speaker 3: But the difference there was because of just a massive 597 00:28:59,320 --> 00:29:02,760 Speaker 3: lot like sttlement that the industry had to have that 598 00:29:02,880 --> 00:29:05,160 Speaker 3: like it didn't come from legislation, that was like an 599 00:29:05,160 --> 00:29:08,440 Speaker 3: agreement after this massive lawsuit where they were like part 600 00:29:08,440 --> 00:29:11,480 Speaker 3: of the agreement was like, Okay, we will also stop advertising. 601 00:29:12,360 --> 00:29:15,680 Speaker 3: So you've essentially murdered hundreds of thousands of people. This 602 00:29:15,760 --> 00:29:18,920 Speaker 3: is like in the late nineties when that lying. 603 00:29:19,320 --> 00:29:22,760 Speaker 1: It's so crazy. Also that like cigarette sales and kids 604 00:29:22,800 --> 00:29:25,240 Speaker 1: smoking was going down for like years and years and years. 605 00:29:26,520 --> 00:29:27,600 Speaker 1: Then vapin came in. 606 00:29:28,040 --> 00:29:31,120 Speaker 3: Yeah, then like y'all heard of vapin. Though the thing 607 00:29:31,240 --> 00:29:32,960 Speaker 3: is too that vapin the. 608 00:29:33,120 --> 00:29:36,960 Speaker 1: Like anti vaping ads make kids want to vape because 609 00:29:36,960 --> 00:29:39,920 Speaker 1: they're like, what's the don't even was like, well, there's 610 00:29:40,000 --> 00:29:41,680 Speaker 1: just like this one that I got obsessed with that 611 00:29:41,800 --> 00:29:44,800 Speaker 1: was like Flavors Hook Kids. That was like supposed to 612 00:29:44,800 --> 00:29:47,200 Speaker 1: be about how they use like, you know, like cereal 613 00:29:47,320 --> 00:29:51,120 Speaker 1: milk vape flavor. It's all like, you know, fun candy flavors. 614 00:29:51,520 --> 00:29:54,360 Speaker 1: But all the anti vape ads are like, damn, looks 615 00:29:54,360 --> 00:29:57,480 Speaker 1: so fun to vape, right, I don't even want to vape, 616 00:29:57,480 --> 00:29:59,960 Speaker 1: and now I do from looking at this about how 617 00:30:00,080 --> 00:30:01,080 Speaker 1: yeah cool vaping is. 618 00:30:01,840 --> 00:30:04,480 Speaker 2: Kids like reviewing the flavors and being like this one 619 00:30:04,520 --> 00:30:07,320 Speaker 2: tastes like candy, and this one tastes like cereal, and 620 00:30:07,320 --> 00:30:09,360 Speaker 2: this one and it's supposed to be like look how 621 00:30:09,360 --> 00:30:14,360 Speaker 2: insidious it is to a kid, You're just like, damn delicious. 622 00:30:14,960 --> 00:30:18,920 Speaker 1: Yeah, they're all like, don't vape, it'll it tastes too 623 00:30:18,960 --> 00:30:20,720 Speaker 1: good and your parents will. 624 00:30:20,600 --> 00:30:24,520 Speaker 2: Hate it and you don't think it's cool, and you 625 00:30:24,640 --> 00:30:27,240 Speaker 2: do like really sick tricks with the smoke plumes. 626 00:30:27,440 --> 00:30:29,800 Speaker 1: I did also see they're like they made it's like 627 00:30:29,880 --> 00:30:32,560 Speaker 1: I don't vape, but they made the vapes look so 628 00:30:32,720 --> 00:30:35,880 Speaker 1: cool now too that it's like they just are like 629 00:30:36,160 --> 00:30:38,800 Speaker 1: you kind of want one because they're so like sexy looking. 630 00:30:38,840 --> 00:30:45,000 Speaker 2: They're like a little like candy looking, like. 631 00:30:44,760 --> 00:30:46,720 Speaker 1: Yeah, they look like a little lip gloss. They've got 632 00:30:46,760 --> 00:30:49,520 Speaker 1: like a nice color always. And then somebody was telling 633 00:30:49,600 --> 00:30:51,720 Speaker 1: me there's new ones that have a little led on 634 00:30:51,840 --> 00:30:54,920 Speaker 1: them so that when you're vaping, they make a little 635 00:30:54,960 --> 00:30:58,560 Speaker 1: like rocket ship is going off on a little led scream. 636 00:30:59,120 --> 00:31:02,320 Speaker 3: Fuck man, but they got it and again they got you. 637 00:31:03,720 --> 00:31:07,120 Speaker 3: But no, I mean yeah, maybe. 638 00:31:06,760 --> 00:31:09,320 Speaker 1: Maybe what I'm saying is the oil companies could maybe 639 00:31:09,360 --> 00:31:10,920 Speaker 1: be like, yeah, don't use oil. 640 00:31:11,280 --> 00:31:15,680 Speaker 5: You look at this useful guy, natural glass, right right, 641 00:31:15,800 --> 00:31:16,440 Speaker 5: natural gas. 642 00:31:16,760 --> 00:31:18,560 Speaker 1: Yeah, I think the glass. 643 00:31:19,280 --> 00:31:23,200 Speaker 3: Yeah. I think for those vaping commercials, they need their 644 00:31:23,240 --> 00:31:26,480 Speaker 3: equivalent of like the woman who had the tracheotomy, you 645 00:31:26,480 --> 00:31:28,479 Speaker 3: know what I mean, back when like we were when 646 00:31:28,520 --> 00:31:32,960 Speaker 3: they were serving us with those yeah, and she was like, yeah, 647 00:31:33,120 --> 00:31:35,160 Speaker 3: just need another cigarette and then like put that ship 648 00:31:35,200 --> 00:31:38,760 Speaker 3: in her trake tube and I remember like yeah, yeah, 649 00:31:40,080 --> 00:31:42,240 Speaker 3: oh no, you know, oh yeah. With the vape ones, 650 00:31:42,240 --> 00:31:44,680 Speaker 3: they're like this ship tastes like candy. Look how thick 651 00:31:44,720 --> 00:31:45,880 Speaker 3: these fucking clouds are. 652 00:31:45,920 --> 00:31:48,000 Speaker 6: And I'm you know what I mean, there's no one 653 00:31:48,040 --> 00:31:51,520 Speaker 6: being like I was making for three months and you 654 00:31:51,560 --> 00:31:53,360 Speaker 6: know what I mean, like I don't want it to 655 00:31:53,400 --> 00:31:55,240 Speaker 6: get there, and there clearly are people who've had like 656 00:31:55,320 --> 00:31:56,920 Speaker 6: lung issues, but yeah. 657 00:31:56,760 --> 00:32:00,720 Speaker 2: There's so much, like you can there's just so much 658 00:32:00,760 --> 00:32:03,120 Speaker 2: shit of like you just tell the story of how 659 00:32:03,160 --> 00:32:06,920 Speaker 2: they discovered climate change before anyone else and then decided 660 00:32:06,960 --> 00:32:09,240 Speaker 2: to lie about it and like create this entire Like 661 00:32:09,360 --> 00:32:14,320 Speaker 2: it's so straightforward, it shouldn't be a hard story to tell, Like, yeah. 662 00:32:14,120 --> 00:32:14,400 Speaker 3: It does. 663 00:32:14,640 --> 00:32:16,280 Speaker 2: I think that's a good point that you would want 664 00:32:16,360 --> 00:32:19,520 Speaker 2: it to be a dual offensive, one cutting out their 665 00:32:19,560 --> 00:32:22,640 Speaker 2: ability to advertise their bullshit or and then cutting down 666 00:32:23,280 --> 00:32:26,560 Speaker 2: and then yeah, and then advertising like what they did, 667 00:32:26,920 --> 00:32:30,200 Speaker 2: so that people start getting appropriately outraged. I think a 668 00:32:30,240 --> 00:32:32,520 Speaker 2: big part of the problem is everyone's like, yeah, I 669 00:32:32,560 --> 00:32:35,239 Speaker 2: feel I feel guilty, Like I drank out of too 670 00:32:35,280 --> 00:32:38,160 Speaker 2: many plastic straws in the nineties, and so it's like 671 00:32:38,240 --> 00:32:38,760 Speaker 2: my fault. 672 00:32:39,400 --> 00:32:42,560 Speaker 1: The problem is it's not they've made it. So it's 673 00:32:42,680 --> 00:32:45,160 Speaker 1: it's like you know that as an individual, you can't 674 00:32:45,160 --> 00:32:49,000 Speaker 1: do anything right, and that if they're not gonna stop 675 00:32:49,080 --> 00:32:53,240 Speaker 1: like Jeff Bezos's yacht and Taylor Swift's private jet or whatever, 676 00:32:53,800 --> 00:32:56,400 Speaker 1: which they're not, it's like none of the rest of 677 00:32:56,480 --> 00:32:59,840 Speaker 1: us can do anything about that. And that's the problem. Yeah, 678 00:33:00,320 --> 00:33:03,200 Speaker 1: anything is like humans, like man was not meant to fly. 679 00:33:04,200 --> 00:33:07,200 Speaker 1: I think I think stuff. 680 00:33:07,760 --> 00:33:08,080 Speaker 3: How do you? 681 00:33:09,520 --> 00:33:15,000 Speaker 1: Yeah, the dirigibles famously safe. 682 00:33:15,880 --> 00:33:21,120 Speaker 2: Yeah, I think they just you know, sheer numbers not 683 00:33:21,320 --> 00:33:24,000 Speaker 2: the most dangerous way to fly, but when they go up, 684 00:33:24,160 --> 00:33:24,720 Speaker 2: it's bad. 685 00:33:25,160 --> 00:33:28,440 Speaker 1: Have you ever seen Vernon Hertzog movie The White Diamond, 686 00:33:28,640 --> 00:33:31,240 Speaker 1: about this guy who just wants to build a dirgible 687 00:33:31,720 --> 00:33:35,240 Speaker 1: and keeps being like, you are going to die for 688 00:33:35,400 --> 00:33:40,840 Speaker 1: a folly. It's literally like, oh, it's so good. It's 689 00:33:40,840 --> 00:33:44,200 Speaker 1: like the guy's best friend died in a blimp crash 690 00:33:44,240 --> 00:33:46,600 Speaker 1: from a blimp they built, and then the guys like, 691 00:33:46,680 --> 00:33:49,560 Speaker 1: I have to build another blimp and sail it to 692 00:33:49,680 --> 00:33:53,280 Speaker 1: like honor my dead friend. And Werner Herzog is like this, 693 00:33:53,440 --> 00:33:58,040 Speaker 1: he's a folly. Yeah, you are going to die, and 694 00:33:58,080 --> 00:34:01,800 Speaker 1: you are going to kill me in the limp with you. 695 00:34:02,920 --> 00:34:06,560 Speaker 3: The futility of honoring your fallen friend by committing the 696 00:34:06,600 --> 00:34:08,480 Speaker 3: same mortal, drastic mistake. 697 00:34:09,120 --> 00:34:10,040 Speaker 1: It's a great. 698 00:34:09,880 --> 00:34:12,640 Speaker 2: Gravity is trying to kill us at all times. 699 00:34:12,960 --> 00:34:15,600 Speaker 1: I mean, that's that's what man should not fly. 700 00:34:16,920 --> 00:34:19,640 Speaker 3: Yeah, I mean I can get down with that. Maybe 701 00:34:19,640 --> 00:34:21,319 Speaker 3: it'll make people more patient. We're like, yo, bro, I 702 00:34:21,320 --> 00:34:22,759 Speaker 3: can't fly, man, So it's gonna take a sting. 703 00:34:22,800 --> 00:34:26,200 Speaker 1: Like fine's gotten so bad. Everybody just complains about how 704 00:34:26,239 --> 00:34:28,280 Speaker 1: what a nightmare it is to go to the airport. 705 00:34:28,320 --> 00:34:30,400 Speaker 1: Now the thing that was once like a great innovation 706 00:34:30,560 --> 00:34:33,360 Speaker 1: of technology, Now all we hear about is how like 707 00:34:33,400 --> 00:34:37,000 Speaker 1: the planes are falling apart in the air people are 708 00:34:37,120 --> 00:34:41,319 Speaker 1: getting killed. Yeah, bring back the trains, I am for 709 00:34:41,440 --> 00:34:44,640 Speaker 1: sure they I'm so mad lately about how there's not 710 00:34:44,760 --> 00:34:47,239 Speaker 1: high speed rail in California yet, the thing they've been 711 00:34:47,239 --> 00:34:49,880 Speaker 1: promising us since I was a child along, I just 712 00:34:49,920 --> 00:34:52,759 Speaker 1: want to get on a fucking train to San Francisco. 713 00:34:53,160 --> 00:34:56,919 Speaker 3: Right exactly fast. It's like a fast train because every 714 00:34:57,280 --> 00:34:59,759 Speaker 3: every person who does that five corridor drive is sort 715 00:34:59,760 --> 00:35:01,920 Speaker 3: of like, look, I either pay a off for a 716 00:35:01,960 --> 00:35:04,279 Speaker 3: ticket and like it ends up being taking a lot 717 00:35:04,320 --> 00:35:06,320 Speaker 3: of time going to an airport getting on a plane 718 00:35:06,360 --> 00:35:08,600 Speaker 3: taken off, or I do the five corridor where it 719 00:35:08,640 --> 00:35:12,240 Speaker 3: could be a fucking nightmare accident happened where I'm camping, 720 00:35:12,560 --> 00:35:16,200 Speaker 3: uh suddenly in my car or whatever. But yeah, that's 721 00:35:16,200 --> 00:35:19,840 Speaker 3: the fun corridors, the five I'm saying, the five Freeway, 722 00:35:19,960 --> 00:35:24,120 Speaker 3: the Interstate, the five corridor that going up. 723 00:35:24,160 --> 00:35:25,520 Speaker 1: I thought you met, Like, yeah, I thought you were 724 00:35:25,520 --> 00:35:26,040 Speaker 1: really with the. 725 00:35:26,000 --> 00:35:29,320 Speaker 3: Five five corridors. They have to unite and come together 726 00:35:29,520 --> 00:35:36,200 Speaker 3: on all the wisdom of humanity exactly. 727 00:35:36,400 --> 00:35:45,800 Speaker 5: Corridors, Yeah, education, morals, but like break breakdancing, breakdancing, graffiti, 728 00:35:45,840 --> 00:35:47,760 Speaker 5: you know what I mean. I am seeing coming together 729 00:35:47,800 --> 00:35:52,320 Speaker 5: the five corridors memes exactly. But yeah, like this obviously 730 00:35:52,360 --> 00:35:54,840 Speaker 5: be tricky in the US, but you can see like 731 00:35:54,880 --> 00:35:57,400 Speaker 5: in other countries they could potentially be able to enact 732 00:35:57,440 --> 00:35:59,560 Speaker 5: like a band like this given the fact that fossil 733 00:35:59,600 --> 00:36:04,560 Speaker 5: fuel companies and their activities present like a measurable, quantifiable 734 00:36:05,200 --> 00:36:06,760 Speaker 5: like health risk to people. 735 00:36:06,880 --> 00:36:09,279 Speaker 1: They also do shit in other countries where they're like, 736 00:36:09,360 --> 00:36:11,799 Speaker 1: you can't drive a car here, which we would just 737 00:36:11,840 --> 00:36:13,759 Speaker 1: like never do in America. I saw there was any 738 00:36:13,800 --> 00:36:16,120 Speaker 1: thing in Australia or there was like some big concert 739 00:36:16,200 --> 00:36:17,880 Speaker 1: and it was like the only way to get to 740 00:36:17,920 --> 00:36:22,040 Speaker 1: the concert was to take public transportation, and everyone just 741 00:36:22,120 --> 00:36:25,239 Speaker 1: takes it and you can't you literally can't drive there. 742 00:36:25,600 --> 00:36:28,200 Speaker 2: But how do they deal with all the heavily armed 743 00:36:28,239 --> 00:36:31,680 Speaker 2: people protesting that they're not allowed to drive their pickup truck? 744 00:36:31,960 --> 00:36:34,160 Speaker 2: That's my question, you. 745 00:36:34,120 --> 00:36:38,160 Speaker 3: Know, Yeah, we got rights to figure out. 746 00:36:38,360 --> 00:36:44,279 Speaker 2: Yeah right, yeah, I feel like we're so far gone 747 00:36:44,520 --> 00:36:47,080 Speaker 2: in the United States that like it might just be 748 00:36:47,880 --> 00:36:50,160 Speaker 2: the rest of the world has to intervene at some 749 00:36:50,239 --> 00:36:51,400 Speaker 2: point in the future. 750 00:36:52,160 --> 00:36:54,399 Speaker 3: Oh yeah, I mean we've we've I think the US 751 00:36:54,520 --> 00:36:57,680 Speaker 3: is fully demonstrated. We we can't we can't be trusted 752 00:36:57,800 --> 00:37:02,240 Speaker 3: account anything. Yeah, maybe we can make a couple movies 753 00:37:02,360 --> 00:37:05,120 Speaker 3: and do some sports. Yeah yeah, well Mather than that 754 00:37:05,200 --> 00:37:07,480 Speaker 3: about it. We should have no say in anything else 755 00:37:07,560 --> 00:37:08,320 Speaker 3: happening in the world. 756 00:37:08,600 --> 00:37:11,680 Speaker 2: But the dirigible thing is one of the things from 757 00:37:11,800 --> 00:37:16,319 Speaker 2: a ministry for the future, they like build out a future. Well, 758 00:37:16,320 --> 00:37:18,439 Speaker 2: first of all, they just like change how they live 759 00:37:18,880 --> 00:37:22,360 Speaker 2: where like people live closer to where they need to 760 00:37:22,400 --> 00:37:27,239 Speaker 2: go and like don't use as many as much transportation 761 00:37:28,040 --> 00:37:30,879 Speaker 2: or like they have better public transportation. But like, yeah, 762 00:37:30,920 --> 00:37:32,400 Speaker 2: nobody flies, Like that's one of them. 763 00:37:32,400 --> 00:37:34,440 Speaker 1: There's like a thing too where people like there's like 764 00:37:34,640 --> 00:37:37,360 Speaker 1: right wing people who think there's a conspiracy to like 765 00:37:37,520 --> 00:37:38,920 Speaker 1: end driving, right. 766 00:37:39,000 --> 00:37:42,240 Speaker 3: Yeah, yeah, that's like with like the fifteen minute city 767 00:37:42,239 --> 00:37:43,120 Speaker 3: thing that's happen. 768 00:37:43,200 --> 00:37:43,439 Speaker 2: Yeah. 769 00:37:43,640 --> 00:37:45,400 Speaker 1: Did I pick that up on the show once before? 770 00:37:45,480 --> 00:37:45,719 Speaker 4: Maybe? 771 00:37:45,800 --> 00:37:47,680 Speaker 3: Yeah, I don't know. I was just reading about that. 772 00:37:48,160 --> 00:37:51,080 Speaker 1: They thought that the fires in Hawaii were like an 773 00:37:51,080 --> 00:37:53,080 Speaker 1: op that they were. 774 00:37:53,080 --> 00:37:56,959 Speaker 2: Like for sure they were yeah sure, wait for sure 775 00:37:57,000 --> 00:37:58,600 Speaker 2: they thought that or for sure it wasn't. 776 00:37:58,640 --> 00:37:59,920 Speaker 3: No, that was enough. 777 00:38:00,480 --> 00:38:02,719 Speaker 2: You guys think those fires just came out of it, 778 00:38:02,800 --> 00:38:03,239 Speaker 2: thought it was. 779 00:38:03,640 --> 00:38:05,800 Speaker 1: They thought it was an opt to make the fifteen 780 00:38:05,800 --> 00:38:08,319 Speaker 1: minute city. And when the freeway was on fire here 781 00:38:08,360 --> 00:38:11,160 Speaker 1: in LA, when the ten caught on fire, yeah, I 782 00:38:11,239 --> 00:38:13,160 Speaker 1: was watching TikTok and a lot of people on TikTok 783 00:38:13,160 --> 00:38:16,680 Speaker 1: were like, Gavin Newsome is trying to force everyone to 784 00:38:16,719 --> 00:38:20,000 Speaker 1: take public transportation by burning down the freeways. 785 00:38:20,040 --> 00:38:23,120 Speaker 3: And I was like, Scott wish right now. 786 00:38:23,200 --> 00:38:26,280 Speaker 1: Fucking wish they were burning down the freeways on purpose 787 00:38:26,400 --> 00:38:30,200 Speaker 1: instead of because they let somebody have a wood palette 788 00:38:30,200 --> 00:38:31,480 Speaker 1: company underneath. 789 00:38:31,960 --> 00:38:34,600 Speaker 3: Yeah, with a bunch of hand sanitizer next to it, 790 00:38:35,360 --> 00:38:39,879 Speaker 3: a wood palette storage next to hand sanitizer vat and 791 00:38:40,120 --> 00:38:43,440 Speaker 3: the place where we make the flints for big lighters. 792 00:38:43,719 --> 00:38:47,520 Speaker 1: Yeah, that was like Bockham's razor of like the Leoney tune, 793 00:38:47,600 --> 00:38:52,280 Speaker 1: the ACME factory they put under the most used freeway. 794 00:38:52,360 --> 00:38:55,440 Speaker 3: Right right right, that's all of our loose TNT storage 795 00:38:55,480 --> 00:38:56,360 Speaker 3: is over there. 796 00:38:56,760 --> 00:38:59,920 Speaker 2: Right all right, Let's uh, let's take a quick break 797 00:39:00,280 --> 00:39:01,920 Speaker 2: and we'll come back. 798 00:39:12,239 --> 00:39:14,680 Speaker 3: And we're back fucking. 799 00:39:14,400 --> 00:39:18,640 Speaker 2: Speaking of some of this American shit not flying in 800 00:39:18,719 --> 00:39:22,920 Speaker 2: other countries. So a top EU court just ruled against 801 00:39:22,960 --> 00:39:27,720 Speaker 2: McDonald's favoring an Irish fast food chain called super Max. 802 00:39:28,080 --> 00:39:32,799 Speaker 2: Oh not like a prison mac mac pastreas, as part 803 00:39:32,840 --> 00:39:36,960 Speaker 2: of a prolonged legal battle involving the Big Mac trademark. 804 00:39:37,440 --> 00:39:40,480 Speaker 2: So super Max was established in nineteen seventy eight, but 805 00:39:40,600 --> 00:39:42,640 Speaker 2: when it tried to branch out to the EU in 806 00:39:42,680 --> 00:39:47,440 Speaker 2: twenty seventeen, McDonald's just sent an army of lawyers to 807 00:39:47,480 --> 00:39:50,880 Speaker 2: flood the court with objections to them being able to 808 00:39:51,320 --> 00:39:53,080 Speaker 2: be that anywhere else. 809 00:39:53,560 --> 00:39:57,520 Speaker 3: I love that it's called super Max. Yeah, we can't. 810 00:39:57,560 --> 00:39:59,640 Speaker 3: I can't. There's no way for me to separate that 811 00:39:59,680 --> 00:40:01,799 Speaker 3: from a prison system in my mind. Yeah. 812 00:40:01,880 --> 00:40:06,840 Speaker 2: Yeah, like commentary also from outside America about what America 813 00:40:07,200 --> 00:40:08,320 Speaker 2: the other great? 814 00:40:08,920 --> 00:40:12,360 Speaker 3: Yeah yeah, are there great industry the prison complex? 815 00:40:12,560 --> 00:40:18,000 Speaker 1: Yeah, an industrial prison industrial complex and uh McDonald's yeah, 816 00:40:18,160 --> 00:40:20,000 Speaker 1: probably both California. 817 00:40:19,760 --> 00:40:22,240 Speaker 3: Probably both the same thing. Maybe. Yeah. 818 00:40:22,280 --> 00:40:26,359 Speaker 2: So they both failed to stop Supermax from expanding into 819 00:40:26,360 --> 00:40:29,959 Speaker 2: the EU and lost the exclusive right to the term 820 00:40:30,040 --> 00:40:34,839 Speaker 2: Big Mac. Fuck because they were like, oh yeah, oh 821 00:40:34,880 --> 00:40:36,880 Speaker 2: you're gonna sue us. Well, we're going to file a 822 00:40:36,960 --> 00:40:40,520 Speaker 2: request with the EU Intellectual Property Office to revoke your 823 00:40:40,760 --> 00:40:46,279 Speaker 2: Big Mac trademark registration in certain categories. So super Mac 824 00:40:46,320 --> 00:40:49,200 Speaker 2: filed a request with the EU Intellectual Property Office to 825 00:40:49,320 --> 00:40:54,279 Speaker 2: revoke McDonald's Big Mac trademark registration in certain categories. So 826 00:40:54,480 --> 00:40:58,759 Speaker 2: basically they can't like make a replica like Big Mac 827 00:40:58,840 --> 00:41:01,160 Speaker 2: sandwich and call it Big Mack right right right le 828 00:41:01,320 --> 00:41:03,920 Speaker 2: Big Mac, but they can't do it with chicken sandwiches. 829 00:41:03,960 --> 00:41:06,520 Speaker 2: They can have a chicken sandwich called the Big Mass. 830 00:41:08,160 --> 00:41:13,279 Speaker 2: It's a stupid I appreciate it, yeah, yeah yeah, And 831 00:41:13,840 --> 00:41:17,920 Speaker 2: like services connected to operating restaurants also they can do that. 832 00:41:17,960 --> 00:41:20,640 Speaker 2: I'm not sure what that means exactly, but since they 833 00:41:20,680 --> 00:41:25,200 Speaker 2: hadn't used the name Big Mac within the required window 834 00:41:25,280 --> 00:41:28,160 Speaker 2: of five years, so they needed to like drop some 835 00:41:28,719 --> 00:41:32,040 Speaker 2: Madam Webb type Big Mac shit to like keep the 836 00:41:32,160 --> 00:41:35,399 Speaker 2: trademark up, and they failed to do that. So now 837 00:41:35,600 --> 00:41:38,879 Speaker 2: damn super Mac can can use that shit. 838 00:41:39,280 --> 00:41:44,439 Speaker 3: Look just yeah, I'm fine, who cares McDonald's. You don't 839 00:41:44,440 --> 00:41:47,080 Speaker 3: own Big Mac at this point. The people of the 840 00:41:47,120 --> 00:41:48,600 Speaker 3: earth do. Yeah. 841 00:41:48,640 --> 00:41:52,920 Speaker 2: Well, Also, they stole the Big Mac. In nineteen sixty seven, 842 00:41:53,480 --> 00:41:57,640 Speaker 2: McDonald's franchise owner copied a burger made by Big Boy, 843 00:41:57,880 --> 00:42:00,799 Speaker 2: which was like the main rival at the time and 844 00:42:00,880 --> 00:42:03,839 Speaker 2: made a few modifications, but he was like. 845 00:42:04,400 --> 00:42:07,080 Speaker 3: Man, I fucked up, big boys. That's the home team 846 00:42:07,120 --> 00:42:09,480 Speaker 3: out here, you know, yeah, shout out bobs. 847 00:42:09,880 --> 00:42:11,640 Speaker 2: I mean it's a it's a losing home team. 848 00:42:11,680 --> 00:42:13,719 Speaker 3: That's like some Clippers ship. Wow. 849 00:42:14,200 --> 00:42:15,799 Speaker 1: Okay, I'm a Clippers fan now, guys. 850 00:42:15,840 --> 00:42:19,840 Speaker 3: Wow wait what yeah? Man, you said that lumber Yeah. 851 00:42:20,160 --> 00:42:22,240 Speaker 1: Remember I just learned about inside the NBA. 852 00:42:23,000 --> 00:42:26,759 Speaker 2: Yeah, yeah, the Clippers for sure. I just uh, it's 853 00:42:26,800 --> 00:42:28,919 Speaker 2: a it's a difficult it's a tough road. 854 00:42:29,080 --> 00:42:31,640 Speaker 1: I can't. I only can root for an underdog team. 855 00:42:32,280 --> 00:42:34,400 Speaker 2: Yeah, well you had chosen wisely. 856 00:42:34,760 --> 00:42:36,920 Speaker 1: Yeah. I don't give a fuck about the Lakers. 857 00:42:37,360 --> 00:42:39,719 Speaker 2: You should try the seventy six ers. They're fun too, 858 00:42:39,960 --> 00:42:40,319 Speaker 2: if you. 859 00:42:40,280 --> 00:42:43,440 Speaker 3: Were too, I can't. Yeah, I'm surprised growing up you 860 00:42:43,440 --> 00:42:47,200 Speaker 3: didn't get you didn't get fully Laker poisons, no LITERALI from, Like. 861 00:42:47,560 --> 00:42:49,680 Speaker 1: My dad is from New York and my brother and 862 00:42:49,680 --> 00:42:52,640 Speaker 1: my dad are Knicks fans, which is truly also like 863 00:42:52,680 --> 00:42:57,040 Speaker 1: a like an albatross to carry. But also I was 864 00:42:57,080 --> 00:43:00,960 Speaker 1: just saying this yesterday. I hate the Lakers because I 865 00:43:01,040 --> 00:43:04,960 Speaker 1: grew up in the era of fucking loser ass guys 866 00:43:04,960 --> 00:43:07,800 Speaker 1: wearing Kobe jerseys, right. 867 00:43:07,640 --> 00:43:09,760 Speaker 3: You know, yeah, like you're still. 868 00:43:09,600 --> 00:43:14,040 Speaker 1: We understand me, you understand And I never. 869 00:43:14,080 --> 00:43:15,720 Speaker 3: You know, I never rocked to Kobe jersey. 870 00:43:15,800 --> 00:43:20,480 Speaker 1: That was That was such the worst suburban ass Malibu's 871 00:43:20,480 --> 00:43:22,480 Speaker 1: most wanted guys wearing Kobe. 872 00:43:22,200 --> 00:43:24,600 Speaker 3: Jerseys with the baggy shorts with. 873 00:43:24,560 --> 00:43:26,720 Speaker 1: Baggage shorts like sea walking at parties. 874 00:43:27,200 --> 00:43:30,600 Speaker 3: Yeah, oh my god. Yeah. And then the three series 875 00:43:30,680 --> 00:43:32,600 Speaker 3: BMW that was there, but it was also. 876 00:43:32,480 --> 00:43:34,200 Speaker 1: Just right and like and there was a point where 877 00:43:34,200 --> 00:43:36,960 Speaker 1: people were jacking people's cars if they had Laker flags 878 00:43:36,960 --> 00:43:39,040 Speaker 1: because you could use the flag to open the window. 879 00:43:39,680 --> 00:43:40,080 Speaker 3: The window. 880 00:43:40,600 --> 00:43:43,759 Speaker 1: Hell, yes, that's what you get for being a bandwagon 881 00:43:43,840 --> 00:43:46,480 Speaker 1: fan of a team that's only only because they're popular. 882 00:43:47,160 --> 00:43:47,399 Speaker 2: Yeah. 883 00:43:47,440 --> 00:43:49,319 Speaker 1: Yeah, it's just like it's he's too easy to root 884 00:43:49,360 --> 00:43:51,799 Speaker 1: for a winning team. Everybody's a fan of a team 885 00:43:51,840 --> 00:43:54,640 Speaker 1: when they're the winners. Got a root for a team 886 00:43:54,680 --> 00:43:55,280 Speaker 1: that sucks. 887 00:43:55,719 --> 00:43:57,960 Speaker 3: I mean I was rooting for them in the the 888 00:43:58,000 --> 00:44:01,600 Speaker 3: worst years, the worst eras, the Del Harris years, even 889 00:44:01,760 --> 00:44:03,239 Speaker 3: ship everything was all bad. 890 00:44:04,000 --> 00:44:08,279 Speaker 1: But anyways, yeah I'm rooting since everybody wants to know, 891 00:44:09,040 --> 00:44:11,240 Speaker 1: rooting for the Mavericks in the finals. 892 00:44:12,480 --> 00:44:15,480 Speaker 2: You're saying you're in the you're on the right side 893 00:44:15,520 --> 00:44:17,560 Speaker 2: of history because I hate the damn Celtics. 894 00:44:17,760 --> 00:44:19,560 Speaker 3: Yeah, and why do you hate the Celtics as someone 895 00:44:19,600 --> 00:44:22,440 Speaker 3: who's coming sort of freshly into basket That is that 896 00:44:22,440 --> 00:44:26,400 Speaker 3: because the nick Eastern Conference hatred? No, just a general 897 00:44:26,400 --> 00:44:33,479 Speaker 3: anti Boston sentiment because yeah, fuck Boston. Yeah. 898 00:44:33,600 --> 00:44:36,720 Speaker 2: My main rooting interest in the NBA is rooting against 899 00:44:36,760 --> 00:44:37,440 Speaker 2: the Celtic. 900 00:44:37,480 --> 00:44:39,800 Speaker 1: Reading against Celtics fans. 901 00:44:40,239 --> 00:44:41,799 Speaker 3: Yeah, basically that's where I'm at. 902 00:44:41,960 --> 00:44:43,960 Speaker 1: Rooting again that little fucking Leprechaun. 903 00:44:44,480 --> 00:44:50,160 Speaker 2: Yeah that's offensive to me first, Yeah, yes, yeah, hold 904 00:44:50,160 --> 00:44:51,359 Speaker 2: it down for the Irish. 905 00:44:51,080 --> 00:44:52,080 Speaker 3: Jack, what the fun? 906 00:44:52,320 --> 00:44:53,520 Speaker 1: Look, bro, I'm Irish too. 907 00:44:53,960 --> 00:45:00,960 Speaker 3: Yeah, I don't anybody I am a coward, So you're not. 908 00:45:01,200 --> 00:45:06,200 Speaker 1: Jack's not getting in the paddy wagon. Yeah, there was 909 00:45:05,880 --> 00:45:08,640 Speaker 1: the wait, did you just do the fighting Irish? Can 910 00:45:08,640 --> 00:45:10,200 Speaker 1: I do? 911 00:45:10,200 --> 00:45:12,480 Speaker 3: Isn't that doesn't the Celtics logo also? 912 00:45:12,760 --> 00:45:17,000 Speaker 1: Or is he little Leprechaun doing that? But it's like 913 00:45:17,040 --> 00:45:19,000 Speaker 1: he looks like when Irish people used to box and 914 00:45:19,040 --> 00:45:21,799 Speaker 1: they were like, yeah, you can't see this because it's 915 00:45:21,800 --> 00:45:22,400 Speaker 1: a podcast. 916 00:45:22,719 --> 00:45:25,759 Speaker 3: Imagine because wait, I thought he's spinning a basketball. Now 917 00:45:25,960 --> 00:45:26,960 Speaker 3: he's just spinning a basketball. 918 00:45:26,960 --> 00:45:29,239 Speaker 2: Because the NBA has this weird thing where they're like, 919 00:45:29,640 --> 00:45:33,000 Speaker 2: every logo has to let them know what sport we're 920 00:45:33,000 --> 00:45:33,600 Speaker 2: talking about. 921 00:45:33,600 --> 00:45:36,759 Speaker 1: Oh really, it's so everyone. 922 00:45:37,920 --> 00:45:41,719 Speaker 2: How many logos I have a basketball in them? It's like, guys, no, 923 00:45:41,760 --> 00:45:44,680 Speaker 2: the Celtic guy was never fighting. He was never fighting. 924 00:45:46,000 --> 00:45:47,960 Speaker 3: At first, it was like a weird look like a 925 00:45:48,080 --> 00:45:51,719 Speaker 3: jack type, like a court gesture like a Wong and 926 00:45:51,760 --> 00:45:55,680 Speaker 3: ship back in the day. But anyway, yeah. 927 00:45:56,320 --> 00:46:01,600 Speaker 2: Yeah, O dominating. Then they're like, and here's our logo, 928 00:46:01,880 --> 00:46:05,920 Speaker 2: a full a complete utter balloon. 929 00:46:06,640 --> 00:46:08,120 Speaker 3: Enjoy, enjoy. 930 00:46:08,360 --> 00:46:11,840 Speaker 2: But okay, we were talking about you. You said that 931 00:46:12,000 --> 00:46:15,919 Speaker 2: you were team Big Boy, which is like I didn't 932 00:46:15,920 --> 00:46:18,320 Speaker 2: even know they were in the same league at any point, 933 00:46:18,360 --> 00:46:20,440 Speaker 2: Like I didn't know they were competing against one another. 934 00:46:20,920 --> 00:46:24,040 Speaker 3: I didn't either. More to say that, like Bob's Big 935 00:46:24,080 --> 00:46:27,279 Speaker 3: Boy is like a historic spot in the valley, like 936 00:46:27,600 --> 00:46:31,280 Speaker 3: and in terms of that, I'm like, oh, yeah, that's that's. 937 00:46:31,080 --> 00:46:36,080 Speaker 2: The home team out in Pittsburgh. Jim Delgatti, who was 938 00:46:36,160 --> 00:46:40,279 Speaker 2: one of who owned a franchise in Pittsburgh, stole the 939 00:46:40,320 --> 00:46:45,600 Speaker 2: Big Boy sandwich and was like, hey, look this isn't 940 00:46:45,640 --> 00:46:48,759 Speaker 2: fucking art. This is It wasn't like discovering this is 941 00:46:48,760 --> 00:46:51,440 Speaker 2: a quote. This wasn't like discovering the light bulb. The 942 00:46:51,560 --> 00:46:54,200 Speaker 2: bulb was already there. All I did was screw in 943 00:46:54,200 --> 00:46:58,840 Speaker 2: the socket, okay, and then the Big Mac is born 944 00:46:59,239 --> 00:47:02,440 Speaker 2: and they're like, now we will sue anybody who tries 945 00:47:02,520 --> 00:47:03,719 Speaker 2: to claim. 946 00:47:03,360 --> 00:47:06,120 Speaker 3: To light bulb. That's my fucking light. 947 00:47:06,320 --> 00:47:11,440 Speaker 1: Here's a question, what's the mac about the mac? Shouldn't 948 00:47:11,480 --> 00:47:14,560 Speaker 1: be the shouldn't it be the big Mick to being 949 00:47:14,600 --> 00:47:15,440 Speaker 1: anti Irish? 950 00:47:15,520 --> 00:47:17,319 Speaker 2: Yeah, I think it's I think it's too racist, it's 951 00:47:17,360 --> 00:47:20,359 Speaker 2: too close to Is that why? And maybe at the time, 952 00:47:20,600 --> 00:47:22,799 Speaker 2: like in the sixties, it probably wasn't considered racist. It 953 00:47:22,840 --> 00:47:25,640 Speaker 2: was probably considered confusing because they all had a friend 954 00:47:25,719 --> 00:47:27,680 Speaker 2: who was a big Irish guy that they called the 955 00:47:27,680 --> 00:47:28,360 Speaker 2: big Big. 956 00:47:28,200 --> 00:47:30,440 Speaker 1: Mick, Right, but what do they call it? MacDonald's. 957 00:47:30,880 --> 00:47:33,279 Speaker 3: Yeah, I don't know, mac dowells. 958 00:47:33,480 --> 00:47:35,960 Speaker 1: You know, they had the what's the one in coming 959 00:47:36,000 --> 00:47:37,120 Speaker 1: to America. 960 00:47:37,160 --> 00:47:40,880 Speaker 3: Mac dalkwells mcdowells. Yeah, yeah, this is what. I just 961 00:47:40,920 --> 00:47:44,000 Speaker 3: also love this idea too, like Jim del Gotti that 962 00:47:44,160 --> 00:47:48,360 Speaker 3: his concept of technological advancements is about like digging something 963 00:47:48,440 --> 00:47:50,839 Speaker 3: up and discovery. It's like, I didn't discover the light 964 00:47:50,880 --> 00:47:54,840 Speaker 3: bulb you know, digging in my back. Yeah, I just like, 965 00:47:55,080 --> 00:47:56,799 Speaker 3: you know, I don't know how that was developed. I'm 966 00:47:56,800 --> 00:47:59,600 Speaker 3: pretty sure the guy who discovered the light bulb just 967 00:47:59,640 --> 00:48:02,080 Speaker 3: found it like an old cemetery or something, right, and 968 00:48:02,239 --> 00:48:03,919 Speaker 3: he's like, we got to start making these. 969 00:48:04,160 --> 00:48:07,160 Speaker 2: But yeah, I mean, this is like a long term 970 00:48:07,400 --> 00:48:11,319 Speaker 2: trend with McDonald's. They keep trying to sue companies over 971 00:48:11,320 --> 00:48:15,000 Speaker 2: Big Mac trademark infringements and then just completely eat shit. 972 00:48:15,440 --> 00:48:18,440 Speaker 2: Last year they tried to sue an Australian chain over there. 973 00:48:18,360 --> 00:48:19,840 Speaker 3: Big Jack Burger. 974 00:48:20,239 --> 00:48:23,680 Speaker 2: Hey, Big Jack, and McDonald's lost in the restaurant use 975 00:48:23,719 --> 00:48:27,120 Speaker 2: the lawsuit as a selling point and ads. Similar ruling 976 00:48:27,160 --> 00:48:30,879 Speaker 2: was handed down twenty nineteen before McDonald's appealed, but back 977 00:48:30,920 --> 00:48:34,920 Speaker 2: then the decision led to Swedish Burger King trolling McDonald 978 00:48:35,239 --> 00:48:38,759 Speaker 2: McDonald's with menus featuring like a whole section that. 979 00:48:38,760 --> 00:48:41,920 Speaker 3: Was called not Big Max. Oh. 980 00:48:42,080 --> 00:48:45,280 Speaker 2: One of the sandwiches said Big macish but flame grilled. 981 00:48:45,320 --> 00:48:48,200 Speaker 1: Of course, sounds like turnabout is fair play if they 982 00:48:48,200 --> 00:48:50,640 Speaker 1: stole it from somebody, right exactly. 983 00:48:51,120 --> 00:48:55,759 Speaker 2: But they're I think they maybe feel some sort of 984 00:48:55,760 --> 00:48:59,680 Speaker 2: way about having stolen it, and so they're very hyper 985 00:48:59,680 --> 00:49:04,399 Speaker 2: protect and because they have this issue they keep sucking up. 986 00:49:04,800 --> 00:49:07,719 Speaker 1: Yeah, classic like, well we stole it, but you can't. 987 00:49:07,440 --> 00:49:10,760 Speaker 3: Write it first. 988 00:49:11,239 --> 00:49:14,799 Speaker 2: Yeah, Sometimes accusing people of doing the thing that you 989 00:49:15,000 --> 00:49:19,760 Speaker 2: did doesn't work out the Republicans. Republicans seem to always 990 00:49:19,760 --> 00:49:22,319 Speaker 2: pull it off with with style, and that's the thing 991 00:49:22,400 --> 00:49:25,160 Speaker 2: that's their thing, all right. Well, Molly Lambert, such a 992 00:49:25,200 --> 00:49:28,279 Speaker 2: pleasure having you on the show. Where can people find you? 993 00:49:28,640 --> 00:49:30,600 Speaker 2: Follow you all that good stuff. 994 00:49:30,760 --> 00:49:34,560 Speaker 1: You can find me on Instagram at Molly underscore Lambert. 995 00:49:34,760 --> 00:49:37,560 Speaker 1: You can find me on TikTok, where I don't post yet, 996 00:49:37,600 --> 00:49:39,800 Speaker 1: at Molly Lambert World where am I start posting? 997 00:49:40,280 --> 00:49:40,640 Speaker 3: Twitter? 998 00:49:40,880 --> 00:49:45,520 Speaker 1: Sometimes at Molly Lambert and yeah here in the world 999 00:49:45,560 --> 00:49:49,000 Speaker 1: of podcasts soon soon with a new some new podcast 1000 00:49:49,000 --> 00:49:49,560 Speaker 1: stuff here. 1001 00:49:51,800 --> 00:49:53,440 Speaker 3: Yeah, very exciting. 1002 00:49:53,560 --> 00:49:56,360 Speaker 1: Can you with a piece of media. I've been looking 1003 00:49:56,400 --> 00:49:57,399 Speaker 1: at the final Oh my. 1004 00:49:57,360 --> 00:49:58,720 Speaker 3: God, that's so weird. 1005 00:49:58,760 --> 00:50:02,239 Speaker 2: I was about to ask you, that's so crazy. 1006 00:50:02,560 --> 00:50:07,200 Speaker 1: Here's a tweet I enjoyed. Was from Emily F. Miller 1007 00:50:07,680 --> 00:50:11,000 Speaker 1: Emily underscore f Underscore Miller. If you're looking for something 1008 00:50:11,120 --> 00:50:14,560 Speaker 1: actually worth celebrating this fourth of July, you're in luck, 1009 00:50:14,719 --> 00:50:18,000 Speaker 1: because I have come across some incredible news. It's the 1010 00:50:18,040 --> 00:50:23,600 Speaker 1: Caesar Salad Centennial don the Green on July fourth. It's 1011 00:50:23,640 --> 00:50:30,280 Speaker 1: only right and caesar salad was invented in tijuanat Italian 1012 00:50:30,320 --> 00:50:35,240 Speaker 1: restaurant Caesar's by a chef named Caesar Cardini. On July fourth, 1013 00:50:35,600 --> 00:50:40,680 Speaker 1: nineteen twenty four, Caesar Centennial. It is I love and 1014 00:50:40,680 --> 00:50:42,400 Speaker 1: I don't know if you guys have been to Tijuana 1015 00:50:42,400 --> 00:50:46,200 Speaker 1: to Caesar's, but they make a caesar salad table side. 1016 00:50:46,520 --> 00:50:48,560 Speaker 1: It is the best caesar salad I've ever lived in 1017 00:50:48,560 --> 00:50:51,320 Speaker 1: my life. It's so fucking good. I went there so 1018 00:50:51,440 --> 00:50:51,960 Speaker 1: many times. 1019 00:50:53,600 --> 00:50:58,120 Speaker 2: Yeah, by alright, they've been making it for one hundred 1020 00:50:58,239 --> 00:51:03,560 Speaker 2: years and like getting just cheap, probably like tourist traffic 1021 00:51:04,080 --> 00:51:06,600 Speaker 2: with it. It's great, Like it's kind of a miracle 1022 00:51:06,640 --> 00:51:10,200 Speaker 2: that it's still really really good. It's really good idols. 1023 00:51:10,640 --> 00:51:13,279 Speaker 1: I fucking love a caesar salad. I can't wait to 1024 00:51:13,320 --> 00:51:17,000 Speaker 1: celebrate the Caesar salad centennial. Famously, I guess Julia Child 1025 00:51:17,040 --> 00:51:19,480 Speaker 1: went to Tijuana and had that caesar salad and and 1026 00:51:19,640 --> 00:51:22,040 Speaker 1: loved it so much that that's kind of how I 1027 00:51:22,080 --> 00:51:26,719 Speaker 1: think she like brought salads back to California. Kind of. Oh, 1028 00:51:27,200 --> 00:51:30,160 Speaker 1: that was like part of the beginning of the California 1029 00:51:30,200 --> 00:51:34,200 Speaker 1: salad Revolution. I have a lot of salad in Chinese 1030 00:51:34,239 --> 00:51:35,960 Speaker 1: chicken salad also invented in LA. 1031 00:51:36,440 --> 00:51:40,239 Speaker 3: What's your favorite salad? Is it Wolfgang Puck? Is it 1032 00:51:40,280 --> 00:51:40,919 Speaker 3: Wolfgang Puck? 1033 00:51:41,040 --> 00:51:44,000 Speaker 1: No, it was a Wolfgang Puck jacked it, much like 1034 00:51:44,040 --> 00:51:47,600 Speaker 1: the Big Mac, from a woman who had a Chinese restaurant. 1035 00:51:48,440 --> 00:51:51,200 Speaker 1: I believe her name. I believe her name was Madam Wu, 1036 00:51:51,680 --> 00:51:56,600 Speaker 1: and she had a famous Los Angeles Chinese restaurant, and 1037 00:51:56,640 --> 00:52:01,480 Speaker 1: she took a Chinese recipe that she like new for 1038 00:52:01,840 --> 00:52:04,200 Speaker 1: kind of like chicken on a bed of lettuce, and 1039 00:52:04,239 --> 00:52:08,080 Speaker 1: she was like, Damn, people in California love these salads. 1040 00:52:08,520 --> 00:52:11,200 Speaker 1: What if I turned this into a salad and then 1041 00:52:11,280 --> 00:52:19,200 Speaker 1: through some little orange segments in there for you know, yeah. 1042 00:52:18,560 --> 00:52:21,560 Speaker 2: Is the most load bearing ingredient in that. Without that, 1043 00:52:21,880 --> 00:52:23,880 Speaker 2: it becomes a totally different salad for me. 1044 00:52:24,080 --> 00:52:26,920 Speaker 1: She she invented it, and it became a big hit salad. 1045 00:52:26,960 --> 00:52:29,279 Speaker 1: And then that's why it's like so popular in LA 1046 00:52:29,320 --> 00:52:31,320 Speaker 1: that Wolfgang Puck made it too. 1047 00:52:31,760 --> 00:52:33,600 Speaker 3: Right, and then he thought it like the sheen Wa 1048 00:52:33,800 --> 00:52:37,120 Speaker 3: was like he's like tried to make it all fucking fancy, like. 1049 00:52:37,400 --> 00:52:39,520 Speaker 1: Yeah, and then there's now there's one from like Gwyneth 1050 00:52:39,560 --> 00:52:42,960 Speaker 1: Paltrow's company that's called like the Brentwood Chicken Salad. The 1051 00:52:43,000 --> 00:52:45,759 Speaker 1: most white washing. 1052 00:52:46,160 --> 00:52:46,360 Speaker 3: You know. 1053 00:52:46,400 --> 00:52:49,680 Speaker 2: What's so annoying though, is that they're the Goop kitchen 1054 00:52:50,160 --> 00:52:51,800 Speaker 2: like kind of has some good food. 1055 00:52:52,000 --> 00:52:53,560 Speaker 1: That's what people keep saying. I hear it, so I 1056 00:52:53,640 --> 00:52:54,720 Speaker 1: hear It's not funny. 1057 00:52:54,760 --> 00:52:56,800 Speaker 3: That's not you admitting that you've been there out loud. 1058 00:52:57,000 --> 00:53:01,280 Speaker 2: Yeah, man, I just heard like I've walked smelled other people. 1059 00:53:02,320 --> 00:53:05,120 Speaker 3: That's all. No, man, I buy, I eat people's leavings. 1060 00:53:05,160 --> 00:53:07,879 Speaker 1: Bro, Yeah, Bro, I wait until they're done, and then 1061 00:53:07,880 --> 00:53:10,640 Speaker 1: I take the wantons they left behind in their Brentwood 1062 00:53:10,719 --> 00:53:11,520 Speaker 1: Chicken salad. 1063 00:53:12,160 --> 00:53:18,120 Speaker 2: That's a fucking good all right, thank you, Thank you, Miles. 1064 00:53:18,200 --> 00:53:20,960 Speaker 2: Where can people find you as their work Amedia, you've 1065 00:53:20,960 --> 00:53:21,600 Speaker 2: been enjoying. 1066 00:53:21,680 --> 00:53:23,360 Speaker 3: Yeah, find me at Miles of Gray on Twitter and 1067 00:53:23,400 --> 00:53:26,680 Speaker 3: Instagram and everywhere else they have at symbols. Find Jack 1068 00:53:26,719 --> 00:53:29,000 Speaker 3: and I on the basketball podcast Miles and Jack Got Mad? 1069 00:53:29,360 --> 00:53:33,320 Speaker 3: Please talk fun? Catch me talking ninety days or I 1070 00:53:33,320 --> 00:53:33,960 Speaker 3: guess tech the. 1071 00:53:33,880 --> 00:53:35,040 Speaker 2: Finals started last minute? 1072 00:53:35,480 --> 00:53:40,160 Speaker 3: Yeah wow, I can't believe they did. That happened crazy, bro? 1073 00:53:40,320 --> 00:53:43,279 Speaker 3: That was wild. Also, find me talking ninety Day on 1074 00:53:43,280 --> 00:53:46,800 Speaker 3: four to twenty Day Fiance, and I'm on Langston Kerman 1075 00:53:46,920 --> 00:53:49,720 Speaker 3: and David Bori's podcast. My mama told me talking about 1076 00:53:49,800 --> 00:53:53,080 Speaker 3: the Rainbow Parties, the Great Myth of Rainbow Parties on 1077 00:53:53,120 --> 00:53:56,080 Speaker 3: the latest episodes. So check me out there. A piece 1078 00:53:56,120 --> 00:53:58,720 Speaker 3: of media I'm liking. There are these two young dudes 1079 00:53:58,800 --> 00:54:01,680 Speaker 3: out in the UK who make are making comedy on 1080 00:54:01,719 --> 00:54:04,400 Speaker 3: TikTok that's just like kind of just absurd and funny. 1081 00:54:04,400 --> 00:54:08,879 Speaker 3: They're called Marlee and Archie Official, and they just do 1082 00:54:08,960 --> 00:54:11,839 Speaker 3: stuff that's just sort of like what American people think 1083 00:54:11,880 --> 00:54:14,120 Speaker 3: people in the UK are like, or just like absurd 1084 00:54:14,160 --> 00:54:17,279 Speaker 3: takes on like what UK public interactions are. I'm just 1085 00:54:17,280 --> 00:54:19,400 Speaker 3: gonna play like half of this just because it's just 1086 00:54:19,480 --> 00:54:21,279 Speaker 3: kind of so stupid but hilarious. 1087 00:54:21,840 --> 00:54:23,120 Speaker 1: Excuse me, Sorry's that your phone? 1088 00:54:23,239 --> 00:54:24,160 Speaker 3: Is that my phone? 1089 00:54:24,280 --> 00:54:25,480 Speaker 4: My phone? 1090 00:54:26,360 --> 00:54:30,560 Speaker 3: My phone? Thank you? Fuck you? You saw that's your phone? 1091 00:54:30,680 --> 00:54:38,000 Speaker 4: Well on my pants on fire pants on Why the 1092 00:54:38,640 --> 00:54:41,120 Speaker 4: fuck gosh have. 1093 00:54:41,040 --> 00:54:41,400 Speaker 3: You seen it? 1094 00:54:41,440 --> 00:54:41,720 Speaker 2: Anyway? 1095 00:54:41,840 --> 00:54:44,319 Speaker 3: I say, your dog, Sam say, let me just let 1096 00:54:44,400 --> 00:54:48,200 Speaker 3: to makebe fucking spidy said. I'm saying, Sam Fain, you're 1097 00:54:48,200 --> 00:54:54,520 Speaker 3: a fucking idiot, just like aggressive ship oun't know where 1098 00:54:54,640 --> 00:54:59,920 Speaker 3: it's really funny. But anyway, Yeah, that's Marley an Archie officials. 1099 00:55:01,160 --> 00:55:03,720 Speaker 3: They're funny. You can find me on Twitter at Jack Underscore. 1100 00:55:03,719 --> 00:55:08,840 Speaker 2: Oh, Brian uh tweet I've been enjoying destry at Destry. 1101 00:55:08,880 --> 00:55:09,680 Speaker 3: Broad tweeted. 1102 00:55:10,480 --> 00:55:14,080 Speaker 2: Doctor Pepper just unseated pepsi as the second most popular 1103 00:55:14,160 --> 00:55:16,919 Speaker 2: soda in America. That's true apparently, and then he said, 1104 00:55:16,920 --> 00:55:19,359 Speaker 2: don't tell me that getting your PhD isn't worth it. 1105 00:55:19,719 --> 00:55:21,960 Speaker 3: A right shout out to. 1106 00:55:22,000 --> 00:55:25,920 Speaker 2: Dr Pepper, and then I really alystle in Paris tweeted, 1107 00:55:25,960 --> 00:55:28,799 Speaker 2: I wish you could shazam birds. What's the one that 1108 00:55:28,920 --> 00:55:33,360 Speaker 2: goes Oh? I love that one. Would love to follow 1109 00:55:33,440 --> 00:55:37,440 Speaker 2: his work, and people responded being like, you're about to 1110 00:55:37,480 --> 00:55:40,680 Speaker 2: have a great, a great day because Merlin bird id 1111 00:55:40,880 --> 00:55:44,839 Speaker 2: app and oh for real, yeah, I so this made 1112 00:55:44,920 --> 00:55:47,680 Speaker 2: me download it and I've been using it all morning 1113 00:55:47,960 --> 00:55:52,560 Speaker 2: and it works. It's fucking that there are now. I 1114 00:55:52,680 --> 00:55:54,960 Speaker 2: used to say Shazam was only good app like other 1115 00:55:55,040 --> 00:55:55,919 Speaker 2: than you know. 1116 00:55:56,320 --> 00:55:58,320 Speaker 3: Yeah, but like what bird? This app? 1117 00:55:59,040 --> 00:56:01,520 Speaker 2: This is fucking right. There's one where you can take 1118 00:56:01,520 --> 00:56:03,799 Speaker 2: pictures of plants that tells you what plants it is. 1119 00:56:04,080 --> 00:56:07,040 Speaker 3: The iPhone does I think natively now that's pretty cool 1120 00:56:07,080 --> 00:56:09,560 Speaker 3: in the camera. But yeah, I do that, that would 1121 00:56:09,960 --> 00:56:11,720 Speaker 3: pretty cool. Uh. 1122 00:56:11,960 --> 00:56:14,879 Speaker 2: You can find me on Twitter at Jack Underscore O Brian. 1123 00:56:14,920 --> 00:56:17,120 Speaker 2: You can find us on Twitter at Daily zite Guys. 1124 00:56:17,120 --> 00:56:19,120 Speaker 2: We're at the Daily Zye Guys on Instagram, we got 1125 00:56:19,160 --> 00:56:22,000 Speaker 2: Facebook fan page, our website Daily zeguess dot com. We're 1126 00:56:22,080 --> 00:56:23,440 Speaker 2: post our episodes in our footnotes. 1127 00:56:23,600 --> 00:56:27,280 Speaker 3: Sud noe is that it? I don't know sit speaking 1128 00:56:27,320 --> 00:56:27,960 Speaker 3: of Southern act. 1129 00:56:28,000 --> 00:56:31,400 Speaker 2: That fucked me up there for a second. Uh the 1130 00:56:31,520 --> 00:56:35,040 Speaker 2: song song anyways, Miles, Uh, we look off to the 1131 00:56:35,480 --> 00:56:39,319 Speaker 2: the things we talked about and a song we think 1132 00:56:39,360 --> 00:56:43,000 Speaker 2: you might enjoy, Miles, Is there a song that you 1133 00:56:43,040 --> 00:56:44,200 Speaker 2: think we might enjoy? 1134 00:56:44,560 --> 00:56:48,000 Speaker 3: Yeah, there's my favorite one of my favorite bands, Hiatus Coyote. 1135 00:56:48,040 --> 00:56:52,160 Speaker 3: They're slowly leaked, just having songs come out in anticipation 1136 00:56:52,280 --> 00:56:54,600 Speaker 3: of their new album called Love Heart Cheat Code that 1137 00:56:54,680 --> 00:56:57,840 Speaker 3: comes out in like three weeks. So this is actually 1138 00:56:57,880 --> 00:57:00,920 Speaker 3: the titular song love Heart cheat Code to that album, 1139 00:57:01,040 --> 00:57:03,080 Speaker 3: because we got a little bit of a little ep 1140 00:57:03,440 --> 00:57:05,040 Speaker 3: that came out, a little mixtape with some of the 1141 00:57:05,080 --> 00:57:07,400 Speaker 3: songs on there. And again, I just think they're a 1142 00:57:07,400 --> 00:57:11,840 Speaker 3: fantastic band. Everybody on their instruments is like fucking just 1143 00:57:12,120 --> 00:57:15,200 Speaker 3: killing it, and their creativity shines through because they're so 1144 00:57:15,280 --> 00:57:18,800 Speaker 3: literate on their instruments and just it's like again, get 1145 00:57:18,840 --> 00:57:21,320 Speaker 3: into Hiatus Kyote. I'm telling you they're a great band 1146 00:57:21,680 --> 00:57:24,560 Speaker 3: and kick your Friday evening off or day off with 1147 00:57:24,640 --> 00:57:28,479 Speaker 3: this track Love Heart cheat Code by Hiatus Coyote Love 1148 00:57:28,560 --> 00:57:31,080 Speaker 3: Heart cheat Code. All right, we will link off to 1149 00:57:31,160 --> 00:57:33,800 Speaker 3: that in the foot note. The Daily That Guys is 1150 00:57:33,840 --> 00:57:35,040 Speaker 3: a production of iHeartRadio. 1151 00:57:35,120 --> 00:57:37,120 Speaker 2: More podcast from my Heart Radio is the iHeartRadio ap 1152 00:57:37,120 --> 00:57:40,080 Speaker 2: Apple podcast or wherever you get your podcast. That's gonna 1153 00:57:40,120 --> 00:57:44,320 Speaker 2: do it for us. This week. We are back on 1154 00:57:44,600 --> 00:57:47,160 Speaker 2: Monday morning to tell you what was trending over the weekend. 1155 00:57:47,520 --> 00:57:49,680 Speaker 2: Also back over the weekend with the Weekly ZEI guys 1156 00:57:49,760 --> 00:57:51,800 Speaker 2: if you want to get a digest of everything we 1157 00:57:51,840 --> 00:57:55,080 Speaker 2: talked about this week and uh yeah, but otherwise we 1158 00:57:55,080 --> 00:57:56,080 Speaker 2: will talk to you all on Monday. 1159 00:57:56,160 --> 00:58:00,960 Speaker 3: Have a great weekend everybody. Bye John Jo